Woolley & Wallis Furniture April 2012

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WOOLLEY & WALLIS

www.woolleyandwallis.co.uk

WOOLLEY & WALLIS SALISBURY SALEROOMS

Furniture, Clocks and Tribal Art Tuesday 3rd April 2012

FURNITURE, CLOCKS AND TRIBAL ART TUESDAY 3RD APRIL 2012

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Specialist Departments

Auction Calendar 2012

Please dial +44 (0)1722 followed by the number listed below PAINTINGS June 13th Victor Fauvelle 01722 424503

FURNITURE Will Hobbs Mark Richards Jim Gale Gemma Bush

339752 411854 339161 339752

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV ACCOUNTS & OFFICE MANAGER Janice Clift

Jo Butler 01722 424592

424509 CLOCKS, POCKET WATCHES & BAROMETERS October 16th

424500

Will Hobbs 01722 339752

willhobbs@woolleyandwallis.co.uk

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Richard Price 01722 339752

CLOCKS Will Hobbs Richard Price (Consultant)

339752

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham John Axford MRICS ASFAV Sophie Lister ASIAN ART John Axford MRICS ASFAV Sophie Lister Clare Durham Tim Wright (Consultant) 20TH CENTURY DESIGN Michael Jeffery PAINTINGS Victor Fauvelle Jo Butler BOOKS & MANUSCRIPTS Liz Merry (Consultant) SILVER Rupert Slingsby Lucy Grazier JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

Members of The Society

GENERAL OFFICE Ruth Pike Pauline West Linda Garthwaite

424500

SALEROOM MANAGER David Jordan

FURNITURE & WORKS OF ART July 3rd Will Hobbs 01722 339752

PRESS & PUBLICITY Kate Williams 424506 424591 424507

424505

424503 424592

424500

424501 424594

424500

richardprice@woolleyandwallis.co.uk

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willhobbs@woolleyandwallis.co.uk

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Mark Richards 01722 411854

424507 424506 424591

victorfauvelle@woolleyandwallis.co.uk

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jobutler@woolleyandwallis.co.uk

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SILVER April 24th & 25th

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July 17th & 18th

Rupert Slingsby 01722 424501

424590

markrichards@woolleyandwallis.co.uk

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Lucy Grazier 01722 424594

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rupertslingsby@woolleyandwallis.co.uk

lucygrazier@woolleyandwallis.co.uk

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BOARD OF DIRECTORS Paul Viney ASFAV Chairman and Managing Director

JEWELLERY April 26th ● July 19th Jonathan Edwards 01722 424504

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John Axford MRICS ASFAV Willi Verdon-Smith FRICS

Marielle Whiting 01722 424595

mariellewhiting@woolleyandwallis.co.uk

COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA

424504 424595

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 ● www.woolleyandwallis.co.uk

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jonathanedwards@woolleyandwallis.co.uk

ENGLISH & EUROPEAN CERAMICS & GLASS October 2nd

424599

Clare Durham 01722 424507

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claredurham@woolleyandwallis.co.uk

20th CENTURY DESIGN June 20th (Arts & Crafts) Michael Jeffery 01722 424505 ASIAN ART May 23rd (Asian Art I)

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michaeljeffery@woolleyandwallis.co.uk

May 24th (Asian Art II)

John Axford 01722 424506

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Sophie Lister 01722 424591

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johnaxford@woolleyandwallis.co.uk sophielister@woolleyandwallis.co.uk

BOOKS & MANUSCRIPTS June 13th Liz Merry 01722 424500

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lizmerry@woolleyandwallis.co.uk

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Entries can be accepted up to six weeks prior to the auction

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Illustrated catalogues are available about ten days before the sale

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Viewing is normally two days prior to the auction and on Saturday mornings where appropriate

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Catalogue subscriptions are available for all sales

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Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

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FURNITURE, CLOCKS AND TRIBAL ART Tuesday 3rd April 2012 at 10.00am Viewing Times Friday 30th March 10.00am – 4.30pm Saturday 31st March 10.00am – 1.00pm Monday 2nd April 10.00am – 4.30pm Tuesday 3rd April 8.30am – 9.45am

Enquiries Will Hobbs (Furniture & Clocks)

“The lots marked with this symbol were originally the property of Philip Parker. Philip was a member of BADA, who had a very successful antiques business with his brother, Richard, in the Fulham Road, until his death in 1982.

These items, acquired by Philip largely in the years after the war, reflect his eye for quality, and his enthusiasm for walnut and amboyna furniture. They have been in the family for well over 50 years.”

01722 339752 willhobbs@woolleyandwallis.co.uk

Mark Richards (Furniture) 01722 411854 markrichards@woolleyandwallis.co.uk

Richard Price (Clocks) 01722 424500 richardprice@woolleyandwallis.co.uk

Live Internet bidding via

There is no surcharge for using this service

Catalogue £10.00 (£12.00 by post) Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

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7 1. A 9ct gold keyless lever half hunting cased watch, gilt three quarter plate movement numbered 712081, in a plain case, Birmingham 1911, 48mm dia. £350-450 2. A Swiss 18k gold half hunting cased keyless lever watch, movement and white enamel dial signed Smith & Son, Strand, London, in a monogrammed case, 46mm dia. £500-600 3. A 9ct gold half hunting cased keyless lever watch, nickel movement signed Fortex, signed white dial, in a case with inscribed cuvette, Birmingham 1952, 48mm dia. £300-350 4. A gold plated keyless lever half hunting cased watch, in a guilloche case and another in a plain case by Waltham. (2) £80-120

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5. A 9ct gold half hunting case keyless lever watch, dial and Swiss movement signed J.W. Benson, London, in a case with inscribed cuvette, Birmingham 1923, 49mm dia. £300-400

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6. A silver half hunting cased keyless lever watch by Waltham, in an English case with inscribed cuvette and monogrammed back, Birmingham 1889, and a blued steel Swiss alarum watch. (2) £100-150 7. A Swiss gold and enamel hunting cased lever lady’s watch, the bar movement stamped Ernest Francillon, in an engraved case centred with diamonds decorated with black enamel, most enamel chipped off, 37mm dia. £300-400 8. An 18ct gold hunting cased keyless lever watch, three quarter plate movement numbered 39268, in a monogrammed case with inscribed cuvette, London 1911, 50mm dia. £1,000-1,500

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9 11 9. Ellicott, London. A gold quarter repeating cylinder watch, signed Ellicott, London, no. 6872, diamond endstone, enamel dial with Roman hours and outer Arabic minute ring, gold beetle and poker hands, inner case finely pierced and engraved with a bird amongst foliage, numbered 6872 beneath the back of the plunge pendant, London 1774, 42mm dia, now in a gilt metal outer case. £2,000-3,000

13. An American 14k gold hunting cased keyless lever watch, full plate damascened, nickel movement signed Wm. Ellery, Waltham, Mass, no. 2090379, in a guilloche case with central cartouche and milled band, 53mm dia. £500-600 14. A Swiss 9ct gold hunting cased keyless lever watch, unsigned nickel movement in a plain case, Import marks London 1919, 49mm dia. £300-400

10. A good 22ct gold pair cased centre seconds cylinder watch, movement and dustcap signed Benj Wilson, London, no. 2300, white enamel dial with Roman hours and outer Arabic minute ring, go/stop lever in the band, gold beetle and poker hands, engraved stirrup bow, London 1780, 56mm dia. £2,000-3,000 10 11. An 18ct gold lever watch, three numbered 379634, monogrammed case,

hunting cased keyless quarter plate movement white enamel dial in a London 1912, 48mm dia. £300-400

12. A Swiss 18k gold hunting cased lever watch by Longines, signed white enamel dial, gilt movement and case signed Longines, no.

2116879, in a plain case, 47mm dia. £400-500 12

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17 15 15. A Swiss 18k gold cylinder watch, bar movement, case engraved with courtly scene with castle in the background, 47mm dia. £200-300

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16. A 9ct gold keyless lever watch, Swiss movement jewelled to the centre with micrometer adjustment, in a plain case, Birmingham 1924, 50mm dia. £300-400 17. A Swiss 18k gold cylinder watch, gilt bar movement signed Thury, Geneve, white enamel dial in a guilloche case, 44mm dia. £80-120 18. A Swiss gold lever watch, movement, cuvette and dial signed F. Rotig, Haure, cuvette also numbered 626, in a guilloche case with small engraved crest, 50mm dia. Tests as 18k. £400-500 19. A keyless cylinder calendar watch, subsidiary dials for day, date and month, a rural scene painted within the subsidiary seconds in a plain case, 50mm dia. £200-300 18

20. Rolex. A keyless lever watch, spotted nickel movement, black enamel dial with white numerals and subsidiary seconds, in a Dennison gold plated case, 50mm dia, circa 1920. £200-300 21. An American gold plated keyless lever watch Illinois Watch Co, Bunn Special, white enamel dial signed Illinois gothic numerals, in a plain case, circa 1907, 53mm dia. £100-120 22. A 9ct gold keyless lever dress watch, polished nickel movement jewelled to the centre, micrometer adjustment, silvered dial in a plain case, Import marks, London 1921, 44mm dia. £180-220

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23. An American 14k gold keyless lever Masonic watch, by E. Howard Watch Co, Boston, USA, no. 1213048, damascened 17 jewel movement adjusted three positions, silvered dial signed Howard, with Masonic chapters, in a fully signed case, circa 1914, 48mm dia. £500-700

24. A Swiss gold quarter repeating cylinder watch, gilt bar movement, signed on the cuvette Dobell, Hastings, in a guilloche case, the repeat slide in the nulled band, 45mm dia. £600-800

25. An 18ct gold lever watch, full plate movement signed Jno. Packer, Newbury, in a machine turned case, London 1865, 45mm dia. £400-500

26. A gilt metal pair cased verge calendar watch, signed Fisher, London, no. 42, square baluster pillars, white enamel dial with concentric calendar ring, inner case plain, the outer leather covered with floral pique decoration, c.1770, 44mm dia. £300-500

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27. A silver pair cased patent lever watch, signed A. Heckle, Liverpool, no. 1762, Patent, dust cap, cream enamel dial with subsidiary seconds, both cases plain, Chester 1822, 56mm dia. £100-150

28. A Swiss 14k gold lady’s keyless lever watch, gilt movement decorated enamel dial, in a florally engraved case, 35mm dia. £100-150

29. A gilt metal and under painted shell verge watch, signed W. Howard, London, no.

602, white enamel dial, inner case plain, the outer decorated with a fisherman in lakeside scene, 48mm dia. £250-300

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30. A silver pair cased verge watch, signed Jas Shipley, Derby, no. 115, white enamel dial, pierced gold hands, both cases plain, London 1806, 54mm dia, associated outer case, London 1826, a Swiss silver keyless lever watch Vulcain, two chains and a silver stamp box. (5) £150-220 31. A Swiss gold cylinder watch, gilt bar movement stamped Grafton, Fleet Street, foliate decorated silvered dial, in a guilloche case, 44mm dia, and a Swiss silver hunting cased keyless lever watch by West End Watch Co., 43mm dia. (2) £300-400 32. A gold keyless cylinder watch of small size, gilt movement in a case applied with vari-coloured gold flowers, 24mm dia, and a Swiss gold keyless cylinder watch with faceted bezels, 25mm dia. (2) £300-400 33. A silver lever watch by Graves, Sheffield, two Swiss silver lever watches and a heavy silver watch chain of curb link form. (4) £150-250 34. A silver keyless lever watch, three-quarter plate movement and white enamel dial signed Dent, Cockspur St, London, no.

33647, in a monogrammed case, London 1914, 47mm dia, with a silver chain in a Dent fitted box. (3) £100-150 35. A silver English lever watch signed John Forrest, London, silver dial with raised gold numerals in a substantial case, Chester 1894, 54mm dia, a Swiss 9ct lady’s cylinder watch, a silver chain and a gold tipsy key. (4) £120-160

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36. Two American hunting cased keyless lever watches, a 9ct gold keyless lever watch, a silver hunting cased watch by Benson and a Swiss silver and enamel cylinder watch. (5) £350-400 37. A Swiss 18k keyless lever watch, signed on the gilt cuvette Dubois & Cie, Geneve, 38mm dia, a Swiss gold keyless cylinder watch in monogrammed case, 30mm dia and a Swiss silver gilt and purple enamel lady’s keyless cylinder watch. (3) £200-250 38. A silver pair cased verge watch, signed Pearson, Coventry, no. 9293, both cases plain, 57mm dia, and a gilt metal pair cased verge watch with earlier movement signed John Jeffreys, London, no. 308. (2) £100-150 43 39. A silver pair cased verge watch, signed William Paine, London, no. 4198, both cases plain, London 1830, and another unsigned in plain cases, Birmingham 1812. (2) £150-200 40. A Swiss gold cylinder watch, unsigned, 31mm dia, a Swiss gold keyless cylinder watch, case back decorated with bands of black enamel and a rectangular lady’s wristwatch by Cortebert in a Swiss 18k case. (3) £300-400 41. A silver half hunting cased keyless lever watch, threequarter plate movement and white enamel dial signed John Hall, King St, Manchester, in a case with inscribed cuvette, Birmingham 1899, 50mm dia, with a silver chain in a Hall & Co fitted box. (3) £150-200 42. A large quantity of watches and wristwatches, many in silver cases. £200-300 43. Six various watches, to include two keyless lever chronographs. (6) £150-250 44. A Swiss nickel Goliath watch, a gold plated watch by Vertex, three silver watches, one other and two silver chains. (8) £150-200

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45. A good 18ct gold dress watch with fob and seal, the keyless lever nickel plate movement signed Omega Watch Co, gilt dial signed Manoah Rhodes, Bradford, in a case with leaf engraved bezels, pendant and bow monogrammed back, import marks, Edinburgh 1923, 43mm dia, with a gold, tests as 18k, mesh fob and a gold hardstone set seal of large size. (3) £800-1,200

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46. A Swiss 18k lady’s keyless lever watch, gilt bar movement, engraved gilt dial, in a florally engraved case, 35mm dia. £150-250 47. A Swiss 18ct gold and enamel hunting cased watch, keyless lever movement signed L. Leroy, wolves tooth winding, signed cuvette, case set with diamonds against a black ground, 40mm dia. £500-600 48. A small Swiss silver quarter repeating watch, white enamel dial with filigree hands, gilt movement in a foliate engraved case with plunge pendant repeat, 40mm dia. £200-300 49. No Lot. 50. A 9ct gold keyless lever watch, unsigned Swiss movement jewelled to the centre with micrometer adjustment, in monogrammed case, London 1920, 48mm dia. £250-350 51. A 9ct gold hunting cased keyless lever watch, dial and movement signed Thos. Russell, Liverpool, in a plain case, Chester 1908, 51mm dia. £300-400

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55 52. An 18ct gold watch chain, of curb links, 22.4 grams. £400-500

53. A 9ct gold watch chain of curb links, and a 9ct gold Masonic fob. (2) £400-500

54. A 9ct gold watch chain of curb links, a 9ct gold hardstone set swivel seal and an 1887 sovereign. (3) £300-400

55. An 18ct gold English lever watch, full plate movement signed T.P. Wright, Holloway Rd, London, no. 71490, engraved gold dial, in a florally engraved case with engraved pendant and bow, London 1883, 41mm dia. £300-400 56. A French brass glass and paste set globe paper weight timepiece, with lever escapement, the enamel dial with subsidiary seconds dial, 3in (7.5cm) dia, and a Swiss lady’s open face pocket watch with an enamel garter to reverse. (2) £200-250 57. An American 14k gold hunting cased keyless lever watch by Elgin, signed dial and damascened nickel movement, the case engraved with floral designs, 33mm dia. £160-220

58. A quantity of Horological books, to include Symonds. R.W: A Book of English Clocks, 1947 and Tait, Hugh: Clocks in the British Museum, 1968. (a lot) £50-80 59. A large hermetic bag watch by Movado, the 8 day movement with silvered dial and subsidiary seconds, folding easel back, nickel plated frame applied with reptile skin, 3.9 x 2.7in (10 x 7cm) closed. £300-350 60. Three boxes of various items from a watchmaker’s workshop, to include lathe accessories, staking set, electric timepiece, etc. £80-120

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61. A miniature silver carriage timepiece, lever platform, circular white enamel dial, in a plain case on bun feet, William Comyns, London 1899, 3in (7.5cm) h. £400-500

62. A silver and enamel mounted timepiece, Swiss 8 day movement with gilt dial and easel back, circular silver bezel decorated with multicoloured flowers against a light blue guilloche ground, hallmark unclear, 3.5in (9cm) dia. £150-200 61 62 63. A miniature Swiss silver carriage timepiece, movement numbered 20093, with vertically mounted lever escapement, in a rectangular case with machined striped decoration, movement and case stamped J.T.C, import marks, London 1920, 2.1in (5.5cm) h. £400-500

64. A Swiss silver and enamel mounted timepiece, Swiss 8 day movement with easel back, circular silver bezel decorated with blue translucent enamel over a ground engraved with leaves, 3in (8cm) dia. £200-250

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65. A silver cased repeating carriage clock, with a platform lever escapement striking on a gong to a white enamel dial, the case with swing handle and hinged back door, the top engraved 1900, repeat button missing, London hallmarked 1900, on flattened bun feet, 5.5in (14cm) h, in a green leather travelling case also dated 1900, distressed. Winding key. £500-600

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66. A Swiss octagonal mantel timepiece, 8 day dial movement with gilt dial and easel back, in a bone bezel divided by bands of tortoiseshell, 3in (8cm) dia. £100-150

67. A silver timepiece, Swiss watch movement, white enamel dial with subsidiary seconds, in a circular easel back case, decorated with machined stripes, Birmingham 1912, 3.5in (9cm) dia. £100-150

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68. A silver and tortoiseshell mantel timepiece, Swiss 8 day movement, in an easel backed case on bun feet, Walker & Hall, Birmingham 1928, 4in (10cm) w, with fitted travelling case. (2) £300-400

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69. A small bulkhead timepiece, silvered dial signed Chelsea, Negus, New York, subsidiary seconds in a circular nickel plated drum case, 5.75in (14.5cm) dia. £50-100 70. A 19th century mahogany stick barometer, with a stepped cornice above a brass dial signed I.DECK, Leamington, with silvered vernier scales, with bone adjusters, body with an applied MASONS HYGROMETER, the base with a turned well cover, 38in (96.5cm) h. £400-600 71. A brass bulkhead timepiece, with a platform lever escapement and a 5 inch enamel dial with subsidiary seconds dial and Slow/Fast regulator, 6.25in (16cm) dia. Winding key £150-200

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72. An early 19th century mahogany banjo wheel barometer, with strung edging, with silvered dial, hygrometer and thermometer, main 8 inch dial and level inscribed WILLM DOBBIE, FALKIRK, the centre with ebonised framed convex mirror, with turned bone handle, 38.25in (97cm) h. £150-200 73. A mahogany stick barometer, with stringing, banding and paterae inlay, the silvered dial inscribed BAROMETER above the tube with scales either side, enclosed by a glazed door, the base with hinged cistern cover, 36.75in (93.5cm) h. £80-120 74. A chromed ship’s timepiece, with an Astral, Coventry movement with a covered platform escapement, with a painted 7 inch dial with subsidiary seconds dial, inscribed KELVIN, WHITE & HUTTON, 11, BILLITER ST, LONDON E.C, the hinged bezel with a bevelled glass, 9.5in (24cm) dia. Winding key £100-150 75. A carved oak bulkhead timepiece, with an enclosed platform escapement, the barrel movement marked COVENTRY, ASTRAL, 19375, with a 6 inch painted dial with subsidiary seconds, Slow/Fast regulator, marked 60339, DENT, TRADE MARK, ROYAL £150-200 EXCHANGE..., 8.5in (21.5cm) dia.

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76. A French mahogany and ormolu mounted bracket clock in Louis XIV style, with an 8 day movement having an outside count wheel, striking on a bell under the shaped top, with trumpeting angel surmount, trumpet missing, to a circular dial with enamel shape numerals, the glazed door with applied figures representing agriculture and literature, on winged caraytids, 32.5in (82.5cm) h. £1,000-1,500

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77. A French gilt glass and champleve enamel bowfront four glass mantel clock, striking on a gong with an opaline and garland painted dial, twin mercury pendulum, bevelled glass, front and back doors, 10in (25.5cm) h. Winding key. £500-700

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78. A French gilt brass and marble mantel clock, with an eight day movement having an outside count wheel, striking on a bell, to an enamel dial, the case with applied ribbon and foliage mounts and an urn finial, 12.5in (32cm) h. Pendulum and winding key. £450-550

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79. An early 19th century French ormolu mantel clock, the eight day movement with silk suspension and an outside count wheel striking on a bell, with an engine turned silver dial, the cast case with leaf scrolls and a seated lady on cushions, 9.75in (25cm) h, on a later giltwood stand. (2) Pendulum. £300-400

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80. A Victorian brass skeleton timepiece, with a single fusee movement, with a bell and a silvered dial, on a marble oval stepped base, 18.5in (47cm) h. £150-200 81. A brass skeleton timepiece, with a single fusee movement to a skeletal silver dial on an oblong base, on a brass mounted stand, glass dome missing, 9.5in (24cm) h. £250-350

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82. An alarum carriage clock, bell repeating movement numbered 5597, lever platform, subsidiary alarm dial against a guilloche gilt mask, in a corniche case, 5.5in (14cm) h, with associated travelling case. (2) £400-600

83. A French quarter striking carriage clock, with repeat, with a replaced Swiss platform lever escapement, with two gongs and opaline dial and matt mask, the case with fluted pilasters, 7.25in (19cm) h, in a green leather travelling case, strap handle missing, with key. £800-1,100

84. A French Champleve enamel and gilt spelter mantel clock, with an eight day movement, stamped S. Marti et Cie, with an outside count wheel striking on a bell to an opaline chapter ring, the case with an urn surmount, birds flanking a nest and column supports, 15.5in (39.5cm) h. Pendulum and winding key. £250-300

85. A French cast brass mantel clock, with an 8 day movement striking on a bell, to an opaque chapter ring, the case with griffen supports, masks, urns and scrolls, 18.75in (47.5cm) h. Pendulum, winding key. £100-200

86. A cast bronzed and gilt brass mantel clock, with a replaced platform lever escapement, the movement stamped DEPOSE H. V in a circle, PARIS, 1621, striking on a bell under the hinged handle to a white card dial, 9.25in (23.5cm) h. Winding key. £300-400

87. A mahogany inlaid and brass mounted mantel clock, with an 8 day movement stamped Japy Freres and striking on a gong to a 4 inch white enamel dial, 10.25in (26cm) h.

Pendulum, winding key. £80-120

88. A mahogany mantel timepiece, with a 4 inch white enamel dial, spade hands, French movement, in an architectural case with satinwood stringing and drop handles, 12in (30cm) h. £150-200

89. A late 19th century carved walnut quarter striking mantel clock, with an eight day movement, stamped RSM and a rose, 350 20, with two gongs and a silver chapter ring, minute hand missing, 13.25in (33.5cm) h. Pendulum and winding key. £200-300

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90. Peter Bower, Redlynch. An oak longcase clock, the 30 hour movement striking on a bell, within a posted frame to an 11 inch square brass dial, the engraved centre inscribed Peter Bower, REDLENCH, the hood with fluted columns above a shaped arched door, the base on bracket feet, 76in (193cm) h. Door key. £400-500

91. Peter Bower, Redlynch. An 18th century oak longcase clock, with a 30 hour movement, striking on a bell, within a posted frame to a 10 inch square brass dial and chapter ring, inscribed Peter Bower, Redlench, the matt centre with a single pierced steel hand with cast shell and foliage spandrels, the hood with a moulded cornice above a pierced frieze and tapering pilasters, a moulded edge long trunk door to a base moulding, 80.25in (203.5cm) h.

Pendulum and a weight. £500-600

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92. An oak longcase clock, the 8 day five pillar movement now striking on a gong to a 12 inch square brass dial, with subsidiary seconds dial and square date aperture to the matt ground, the silvered chapter ring signed R. Peyton Gloucesr, the hood with a twin blind fret frieze, turned pilasters to the door above a plain trunk door, 84in (213.5cm) h. £600-800 97 93. An oak longcase clock, the 8 day movement striking on a bell to a 10.75 inch square brass dial, the matt centre engraved a sun and two birds above a square date aperture, the chapter ring signed Fras. Pile, Honiton, the trunk door with gilt brass Corinthian capitals, 84.75in (215cm) h. £300-400

94. An English single fusee mahogany wall dial, with rectangular plates, with a 40in painted dial inscribed J.W. BENSON, LONDON, with a cast brass bezel, 17in (43cm) dia. Pendulum. £300-400

95. An English single fusee oak wall dial, with rectangular plates stamped 27268, WM POTTS & SONS, LTD, LEEDS, to a painted 12in dial inscribed POTTS, LONDON, 15.75in (40cm) dia.

Pendulum. £200-300

98. A delftware mantel timepiece, French drum movement with white enamel dial, lever platform, in a waisted case decorated with blue flowers and foliage against a cream ground, 9.5in (24cm) h. £150-200

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100. A mahogany balloon cased mantel clock, with an 8 day movement striking on a gong, stamped MARQUE DEPOSE, with a part engine turned silver dial, the case with banding, stringing and a marquetry conch shell, 14.25in (36cm) h. £100-150

99. A gilt brass and bronze portico mantel timepiece, with a platform cylinder escapement to a painted dial set within a drum case with bead bezel, on a U shaped mount with an arched colonnaded case, 13.5in (34cm) h. £70-100

101. A carved rosewood case mantel clock, now with a French carriage clock movement with platform lever escapement, striking on two gongs, to a silvered and engraved dial inscribed FRENCH MADE EXD BY JOHN WALKER LTD, 230, REGENT ST., minute hand missing, 10.25in (26cm) h. £400-500

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96. An English single fusee wall dial, with rectangular plates to a re-painted twelve inch dial, inscribed MEADERS LTD, BOSCOMBE, with a cast brass bezel and mahogany moulded edge frame, 14.25in (36.5cm) dia. Pendulum and winding key. £300-400

97. A French black and mauve marble mantel clock, with an 8 day movement by F Marti, striking, bell and support missing, with an enamel two piece dial with visible Brocot escapement, above a bevelled glass panel with twin mercury pendulum, 18.75in (47.5cm) h. £200-300

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102. A panelled carriage clock, repeating movement, numbered 2877, lever platform, dial with faded signature of Connell, Cheapside, London, the dial, sides, back door and entire case decorated with silvered and gilt birds, butterflies and flowers against a dark ground, 6.2in (16cm) h. £1,500-2,000

103. An unusual carriage clock, striking movement numbered 2039 with lever platform, silvered octagonal chapter ring, signed Goldsmiths Company, Regent St, London, against an Arts and Crafts embossed gilt dial the rectangular case with fluted columns, 6.2in (16cm) h. £800-1,200

104. A mahogany and strung chiming mantel clock, with a gong and four bars with a 7in silver dial, the arched case with a brass carrying handle, 17in (43cm) h. £200-300

105. A German quarter striking mahogany mantel clock, by Winterhalder & Hofmeier, 8 inch circular silvered dial signed Truscott, Sidmouth, chime/silent lever at 12 o’clock in a break arch case with stringing, 14.9in (38cm) h. £300-400

106. A walnut mantel timepiece, dial inscribed MAPPIN & WEBB LTD, LONDON, AN Elliott Clock, 8.25in (21cm) h. £100-150

107. An oval carriage timepiece, lever platform, signed on the dial Brown & Son, Chester, 5in (13cm) h, in a fitted travelling case and a reproduction carriage timepiece signed Reid & Sons, Newcastle, in a cylindrical case. (2) £150-200

108. A striking carriage clock, backplate with the stamp of Richard & Cie, lever platform in a corniche case, 5.5in (14cm) h. £180-220

109. A carriage timepiece, cylinder platform, in a brass case, another with replaced lever platform and a travelling case. (3) £150-180

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110. A late 17th century ebony veneered striking bracket clock, the 7 inch brass dial with date aperture in the matted centre, strike/not lever at 12 o’clock, winged cherub spandrels, six ringed pillar movement now converted to anchor escapement, florally engraved backplate signed John Martin, Londini Fecit, in a moulded basket top case surmounted by carrying handle, 12.9in (33cm) h. £2,500-3,500

111. A George III mahogany and gilt brass mounted repeating bracket clock with Dutch striking, with a twin fusee movement and verge escapement, two bells, the backplate engraved a central urn and foliage, with a circular painted dial having a pierced date aperture, floral engraved brass mask and a Strike/Silent dial to the arch, the bell top case with carrying handle and flame urn finials, caryatid canted angles, mask, sun and foliage arched side panels, on leaf feet, 20in (51cm) h. Later pendulum £3,500-4,000

112. A Victorian rosewood repeating bracket clock, with a twin chain fusee movement striking on a bell within shaped plates, the painted 7.5 inch dial signed FOSTER, MANCHESTER, the case with pierced brass side panels, 17.25in (44cm) h. Pendulum £600-800

113. A mahogany bracket clock, with repeat, with ebonised beading, the twin fusee movement striking on a bell, the arched plates with riggle engraving to the back signed McLevin ROYAL EXCHANGE LONDON, to a painted circular dial inscribed DENT, LONDON, to a cast beaded bezel, the case with brass corner mounts, a stepped top with later finial and pierced brass church window panels, 16.5in (42cm) h.

Provenance: The Earl of Stair, Lochinch Castle, South West Scotland. £1,500-2,000

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114. A striking winged lantern clock with alarum, 6.5 inch chapter ring, signed in the tulip engraved centre John Wilkins, alarm setting disc, the fluted pendulum mounted between the trains, the iron backplate mounted with the alarm train, hoop and spurs, in a case of typical posted frame construction, with dolphin frets, 15.75in (40cm) h. £2,000-3,000

115. A late 19th century gilt brass quarter striking lantern clock, with an eight day movement by Wilnterhalder & Hofmeier, striking on two bells, the back stamped PATENT, W & H Sch, to a silver chapter ring, sun masks to the side doors and the back door with later fabric, 16.5in (42cm) h. Pendulum. £300-400 114

116. A striking lantern clock, 6 inch square dial, signed on a plaque in the matted centre Jams. Drury, London, anchor escapement with long pendulum, lacking, and unicorn frets, in a posted frame case surmounted by bell, 13in (33cm) h. £500-800

115

116

117. A continental stained wood dial, 16.5in dial. Pendulum bob and winding key. £100-200

118. An ebonised wall clock, the lever escapement striking on a gong with a painted 12.75in dial, 15.75in dia. £150-200

117

118 119. A hook and spike thirty hour movement, with an anchor escapement striking on a bell, with a 9in square brass dial and brass chapter ring with a single hand. £150-200

119

18

120

120. A square brass 10 inch dial, with chapter ring and spandrels, the centre engraved figures looking out to sea above pierced aperture signed WILLIAM PIKE, TOTNES, with movement parts including plates and bell, an oak hood and bracket. £50-80

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121. A porcelain mounted petite sonnerie carriage clock, stamped Richard & Cie, no. 269, lever platform, quarter chiming on two gongs, the dial and sides decorated with classical ruins and vegetation against a gilt ground, faded signature of Reid & Sons, Newcastle, in a corniche case with selector lever in the base, 6in (15cm) h. £600-900

122. A carved oak regulator type wall clock, with a twin barrel movement by Gustav Becker, no. 773139, striking on a gong, to a two piece enamel dial with subsidiary seconds, the case carved fruiting vines, 46in (117cm) h.

Wooden rod pendulum, two weights, winding key. £500-800

121

122 123. A Victorian rosewood and mother of pearl inlaid octagonal drop dial, with a single fusee movement within shaped plates, with a 12in re-painted dial, the drop with a glazed aperture and chisel shaped base with hinged door, 28in (71cm) h. £350-450

124. An early striking carriage clock with alarum, white enamel dial signed Leroy & Fils, Hgers, Palais Royal 13 & 15, Paris, bell repeating movement with lever platform, in a well cast case with shuttered back door, each corner with standing bronze figures of Huygens, Galilee, Leroy and H-De Vic, 5.5in (14cm) h. £800-1,200

123

125. A walnut miniature longcase, French movement and platform lever escapement, gong striking, silvered arch dial and chapter ring with a boss inscribed Tempus Fugit, the base stamped 4395, 34.5in (87.5cm) h. £200-300

126. A mahogany and brass inlaid drop dial, with a single fusee between rectangular plates, re-painted 12 inch convex dial inscribed JOHN DAVEY, LONDON, cast brass bezel, glazed aperture to the drop, 20in (51cm) h. £300-400

127. A German oak, brass and coloured glass ‘Secessionist‘ bracket clock, with bracket, the movement stamped with crossed swords trademark and 153/39, 150, striking on a bell housed in the arched top, an embossed brass dial, minute hand missing, 14.5in (37cm) h, the bracket, 11in (28cm) w. (2) Pendulum bob. £300-400

125

124

126

127

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131

132

131. A brass stick barometer

by Newman & Son, of square section with silvered adjustable dial, inscribed Capacities 1/54, Neutral Point, 29.84 NEWMAN & SON, 122 Regent St. LONDON. Capillary Action + 042, Temp, 32., the base with an ivory dial thermometer above a cylindrical well cover with ring fixing, 39in (99cm) h, on a brass adjustable tripod stem mounted on a later oak board. £400-600

128. An oak and mahogany longcase clock, the 30 hour movement striking on a bell to a painted 11 inch square dial, with subsidiary seconds and crescent date aperture, signed Geo.. Leach, Salisbury, 78.25in (198.5cm) h. £300-400

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129. A mahogany longcase clock, the 30 hour movement striking on a bell, with an 11 inch square brass dial and silvered chapter ring inscribed ‘Henry Swaine, Hillparton’, to a matt centre engraved birds and foliage around a pierced date aperture, missing, with a feather engraved border, the case with stringing, 78.75in (200cm) h. £200-300

130. An oak longcase clock, the 8 day movement striking on a bell to a painted 12 inch square dial, with subsidiary seconds and crescent date aperture, signed Hunt & Son, Salisbury, 74.5in (189cm) h. £500-600

132. A French mahogany thermometer, with an applied moulded cornice above a brass dial inscribed L’Ing Chevallier, Opticien du Roi et des Princes, Vis-a-vis le Marche aux fleurs a Paris, marked with French colonial countries and Paris recorded dates, 41.25in (105cm) h. £400-500

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134. A stained soft wood cased drop dial, with a single fusee movement within shaped plates and a 12in painted dial, 20.5in (52cm) h.

Pendulum and winding key. £100-150

135. A mahogany drop dial wall clock, with a twin chain fusee movement striking on a bell within rectangular plates, signed Boxell, Brighton, 2724, with a 14 inch painted dial, cast brass bezel, plain drop, 22in (56cm) h. £400-500

136. A French gilt brass carriage clock, with silvered platform lever escapement striking on a gong to a white enamel dial, 7.25in (18.5cm) h. £200-300

137. A carved oak ‘rope’ frame aneroid barometer, with a 7.5in ceramic dial, inscribed PEARCE & SONS LTD., LEEDS, YORK & LEICESTER, 11in (28cm) dia. £60-100

139. A cast iron brass end time recorder, with a silver dial by BLICK TIME RECORDERS LTD, 174, GRAY’S IN ROAD, LONDON S.C.1, 11in (28cm) h. Key. £100-150

140. A mahogany cased barograph, by Short & Mason, LONDON, no. 112349, with an eleven tier vacuum, two recording arms and two ink bottles, with a lift off glazed top, the base with a chart drawer, 9.75in (22cm) h, 14.5in (37cm) w. £300-400

133. An early 19th century mahogany banjo wheel barometer, with silvered hygrometer dial, thermometer, main 8 inch dial and level dial inscribed WARRANTED CORRECT., above turned mother of pearl adjuster knob and reeded frame convex mirror, 38.5in (97.5cm) h. £150-200

138. An oak cased Admiral Fitzroys barometer, with printed paper dials, brass marker to the right side, left one fallen to base, the thermometer marked MATHESON. MAKER TO THE ROYAL NAVY LEITH, 41in (104cm) h. £100-150

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141. A two day marine chronometer, with a silvered dial signed Frodsham & Keen, 13 South Castle St., Liverpool, 4069, with subsidiary Up/Down and seconds dial, with a fusee movement, spring detent escapement, balance with free sprung helical spring, the brass case stamped 12823, with gimbal support in a three tier walnut and brass bound case with sunken brass side handles, the front with applied mother of pearl plaque signed FRODSHAM & KEEN, 4069, £2,000-3,000 LIVERPOOL, 7.5in (19cm) h.

142. An ebonised and brass sexant, with a silvered vernier marked S988, with lenses in a fitted mahogany case with Hezzanith Observartory Works London certificate, dated 25th May 1920. £250-350

141 143. A Phillip’s educational terrestrial globe, 6in, on a turned beechwood base, 10.75in (27.5cm) h. £200-300

144. A Cary type microscope, signed C.W. Dixey, Optician to the Queen, New Bond Street, in a fitted mahogany box with various objectives, tweezers, mirror, live box and slides, box, 6.5in (16cm) w. £300-400

142 143

145. A lacquered brass microscope, with rack and pinion focusing with an oval stage and plano/convex mirror with a Y shape base inscribed M. Pillscher, 398, Oxford Stt, London, 120, the mahogany case with two eye pieces and lenses, 13.25in (33cm) l. £300-400

144

145

146

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146. An early Victorian Fox’s Balance by William Wilton, Cornwall, brass and silvered with marked scale either side, with curved brass plaque inscribed FOX’s Balance by Wilton, ST DAY Cornwall, fitted in a mahogany case with a rising glazed from the base with a drawer, with printed trade label to reverse W. WILTON, MATHEMATICAL Philosophical & Optical Instrument Maker, ST DAY CORNWALL..., with ivory handles, the reverse with a brass needle and ivory scale marked 30-0-30, 12in (30.5cm) h.

Robert Were Fox (26 April 1789 - 25 July 1877) Fellow of the Royal Society was a British geologist, natural philosopher and inventor. He is known mainly for his work on the temperature of the earth and his construction of a compass to measure magnetic dip at sea. £150-250

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148 147

147. An early 19th century 1.5inch seven draw brass telescope, with shagreen grip, signed ADAMS’S New Patent Portable Telescope No. 60 Fleet Strt. LONDON, with end cap and sliding eye piece cover, 4.25in (11cm) l (closed). £200-300 148. A brass single draw telescope, with a mahogany grip, a sliding eye piece cover, the lens cover missing, the tube marked DOLLAND, LONDON, DAY OR NIGHT, 20in (51cm) l, closed. £100-150 149. An artificial horizon, signed on the brass plaque A & N C.S.L, in a fitted mahogany box with carrying handle. £60-90

149

150

150. A large collection of lantern slides, photographic, handpainted and printed topographical, architectural, fire brigades, animals, children’s learning slides, Primus Junior Lecturers’ Series some in wooden frames with brass mounts, one of a black man in front a mirror the brass mount adjusting his pose with label for WILLIAM CATLIN, 55 AMWELL STREET, LONDON, of varying shapes others with multiple scenes to individual slides, contained in wooden and card boxes. (a lot) £200-300 151. Henry Jacot, no. 9587. A gorge cased carriage clock, repeating movement bearing Jacot’s parrot stamp, lever platform, the case with replaced handle, 6in (15cm) h. £400-500 152. A miniature carriage timepiece, backplate signed Henry Capt, Ls. Gallopin & Cie, Succrs, lever platform, dial decorated with engraved flowers and foliage against a light blue guilloche ground, in a gorge case, handle replaced, 3.75in (9.5cm) h. £400-500

151

152

153

154

153. A Swiss musical box by P.V.F, playing eight airs, with a crank wind 11 inch barrel, with printed tune sheet for P.V.F. STE CROIX (Suisse), the rosewood veneered lid inlaid musical trophies, simulated body, 5.5in (14cm) h, 20in (51cm) w. £200-300 154. The Imperial, a walnut and ebonised musical box, playing 11.75 inch discs, crank wind, with cast metal side handles, 9.5in (24cm) h, 24.5in (62cm) w, together with twenty-four discs. (25) £200-300

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155. A Swiss musical box, playing six airs, with a crank wind stamped 24301 to an 11 inch (28cm) long barrel, with a tune sheet inscribed 24301, AW, 2692, 496, within a burr walnut and ebonised case, 6in (15cm) h, 20in (51cm) w. £400-500

156. Nicole Freres. A Swiss musical box, playing six airs, Gamme No. 696, no. 22633, with a key wind 10.75 inch (27.2cm) long barrel with a steel comb stamped NICOLE, the brass stamped NICOLE FRERES A GENEVE, 22633, hinged flap to the left revealing three levers, the rosewood and foliage marquetry hinged lid with tune sheet, the underside with handwritten number, 5in (12.7cm) h, 18in (46cm) w. £500-800

157. A Swiss musical box, with a crank wind 7.5 inch (19cm) long, 3 inch (7.5cm) diameter barrel with steel comb, one mount stamped 9130, the lid rosewood veneered with stringing with simulated front and sides and side carrying handles, 7.5in (19cm) h, 24in (61cm) w. £400-500

158. A Swiss single comb Sublime Harmonie musical box, playing twelve airs, with a crank wind 13 inch (33cm) long barrel, with steel comb, one mount stamped 12 73, in a walnut and rosewood crossbanded and ebonised case, previously with side handles, restored, 7.5in (19cm) h, 27.75in (70.5cm) w. £400-600

159. A Victorian gilt brass strut timepiece, with a bar movement and cylinder escapement set within a plate stamped W. BASTARD, to an oval silvered dial inscribed P & F. SCHAFER, 27 PICCADILLY, LONDON, with a pierced and engraved mask, with conforming frame and strut, 7.5in (19cm) h, in a fitted leather case. £400-500

160. A mid 19th century gilt brass oval strut timepiece, with a bar movement to an engraved dial with subsidiary seconds, inscribed F. GLADING, BRIGHTON, with a pierced scroll frame and U shape strut, 5.25in (13.5cm) h, in a fitted leather case. £500-600

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161. A late Victorian gilt brass strut clock, in the form of a horseshoe with turquoise enamel nail heads, with a platform lever escapement, the back plate inscribed JONES, 23, BOULEVART DES CAPUCINES, with horseshoe strut to a silver dial with engraved centre, 4.25in (11cm) h, in a fitted leather case. £600-800

162. A gilt brass and silvered Turkish market mantel clock, retailed by Tiffany, with a carriage clock movement with platform lever and striking on a gong, stamped 223, TIFFANY & COMPY, with a silvered mihrab dial, signed TIFFANY & Co, NEW YORK, the case decorated scrolling foliage, animal masks and a figure on horseback, with a crescent moon finial, 11.25in (28.5cm) h. £1,000-1,500

161

162

163

164

163. A carriage clock, repeating movement with lever platform, numbered 10229, gilt dial with silvered circular chapter ring, in a Corinthian columned case with faceted bands, 6in (15cm) h, with travelling case and numbered key. £400-600

164. An Alarum carriage clock, repeating movement with lever platform, cream enamel circular chapter ring and alarm subsidiary against a florally engraved mask, in a case with barley twist columns and handle, 7in (17cm) h. £600-700

165. A mid 19th century French ebonised and gilt brass portico clock, the eight day movement with an outside count wheel striking on a bell, the back plate stamped DELCAMP A PARIS, to an engine turned silver dial with foliage bezel and grid-iron flower head and leaf pendulum, 19.25in (49cm) h. Winding key. £200-300

166 165

166. A Swiss mantel timepiece, 8 day movement, the dial decorated with light blue enamel over a guilloche ground, in a square frame with easel back, 4in (10cm). £100-150

167. A box containing a large quantity of keys. £70-100

168. A quantity of clock keys.

£50-80

167

168

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169. An oak and mahogany longcase clock, the 8 day movement striking on a bell to a 12 inch painted arch dial, with subsidiary seconds dial, signed Border, Sleaford, the trunk door with a marquetry rose panel, 85.25in (216.5cm) h. £600-800

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170. A 19th century oak cased longcase clock, with an 8 day movement striking on a bell to a 13 inch arch dial, with subsidiary seconds dial and crescent date aperture, signed H. Ganz, Swansea, the spandrels and arch with printed and painted gun dogs and shooting scene, the case with brass and spire finial, turned columns, a mahogany frieze and a crossbanded base, no back feet, 90in (228.5cm) h. £400-500

171. A mahogany longcase clock, the 8 day movement striking on a bell to a 12 inch painted arched dial with moon phase, subsidiary seconds and date dials, signed Martyn, Falmouth, the moon phase with bridge and cottage landscape and stars inscribed High Water at Falmouth, with later globe and spire finials, 89.5in (227.5cm) h. £500-600

172. An oak and mahogany longcase clock, the 30 hour movement striking on a bell, to a 13 inch painted arch dial with subsidiary seconds and crescent date aperture (neither connected), inscribed D. Herbert, Aberystwith, 90in (228.5cm) h. £400-600

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173 173. A 19th century carved oak coat of arms, with two rampant lions flanking a knight’s helmet with a lion crest, the base with a motto TO GOD ONLY BE ALL GLORY, the centre with a timepiece with an 11 inch silvered dial signed JOHN MOORE & SONS, Clerkenwell Close, LONDON 13583, with a single fusee movement within rectangular plates, 33.25in (82cm) h, 43.5in (110.5cm) w. £1,500-2,000

174. Adie & Son, Edinburgh. A 19th century mahogany bowfront stick barometer, with a stepped cornice above a silvered dial signed Adie & Son, Edinburgh, the scale marked 27 - 32, with vernier scale, turned bone adjuster, above a silvered thermometer dial signed as main dial, to a rectangular base, 41.75in (106cm) h. £1,200-1,500

175. A walnut stick barometer, with a moulded arched top and engraved silvered dials marked John Patrick, Old Baily, London, Fecit, flanked by brass mounted columns, the body with an alcohol thermometer with a hand written varnished card scale, to a domed well cover, 39in (99cm) h. £800-1,200

176. A rare mid 19th century hardwood striking Shaku Dokei with calendar and alarm, rising glazed hood with shaped top over shaped brackets, the case with movable hour and half markers, sides with glazed panels, key drawer at the base, movement with four full length turned pillars, verge and balance wheel escapement, descending striking train mounted within the trunk and acting as a weight for the going train, the indicator lacking, 30in (77cm) h. £2,000-3,000 174

175

176

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177. A Victorian carved oak and bronze mounted large Gothic chiming bracket clock with bracket, with a colonnaded spire finial mounted frogs, the triple fusee movement with eight bells and five gongs, to a lancet shape engraved gilt dial with silvered chapter ring, signed A & H. ROWLEY 180 GRAY’S INN RD LONDON, above subsidiary dials for SLOW / FAST, CHIME / SILENT, CHIME ON 8 BELLS / CHIME ON 4 GONGS, flanked by canted angles with colonnaded spire finials with gargoyles, portcullis, rose and fleur de lys mounts, the sides with oriel windows, the base on paw feet, 43.25in (110cm) h, the bracket with goat head and frog mask mounts, the back with a lancet window with portcullis, fleur de lys, roses and knight’s shields, 23.25in (59cm) h, 25.25in (64cm) w. (2) £3,000-4,000

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178. A large Victorian oak Gothic barometer, with bronze mounts, the colonnaded tower top with applied frogs and masks to heraldic seated griffins flanking a hung fleece, with a silvered dials inscribed PASTORELLI & RAPKIN, OPTICIANS 46 HATTON GARDEN LONDON, with adjustable verniers with engraved gilt panels of portcullis, rose and fleur de lys above a lancet shape silver thermometer dial with coiled tube, with colonnaded framing repeated to the sides, the base with similar lancet arches and pinnacled arches to a green man mask pendant, 61in (155cm) h. £1,500-2,000

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179. An early 18th century Flemish verdure tapestry, depicting a cottage in a wooded river landscape, with a jay on a branch and other birds within a guilloche trompe l’oeil frame the top with swags of fruit and flowers the base with two putti flanking an urn and with garlands of flowers, attributed to Oudenaarde, c.1720, with a later backing, 115.5 x 95.5in (293.5 x 242.5cm).

Provenance: Purchased by the vendor's grandfather at Bernheimer, Munich, c.19021906.

From the 15th century onwards the area of Oudenaarde in Flanders was famous for the production of tapestries in particular it was highly commended for its ‘green work’. £10,000-15,000

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181

180

180. An Ushak ‘Fancy Turkey’ runner, west Anatolia, early 20th century, 145.5 x 36.5in (369.5 x 93cm). £100-150

182. A Hamadan rug, north west Persia, early 20th century 78 x 39.75in (198 x 101cm). £80-120

181. A Joshagan carpet, central Persia, early 20th century, 240.25 x 146.75in (610 x 373cm). £800-1,200

183. A Baluchi rug, north east Persia, 67 x 38in (170 x 96.5cm) together with a small Persian rug. (2) £40-80

183

182

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184

184. An Esfahan carpet, west Persia, signed ‘Rahimi 202, (design number), mid 20th century, 173 x 119in (440 x 302cm). £400-600

185. An Ersari Turkmen carpet, Afghanistan, early to mid 20th century, 111 x 84in (282 x 213.5cm). £100-200

185

186

186. A Kurdish runner, north west Persia, early 20th century, 154 x 36in (391 x 91.5cm). £100-150

187. A Bakhtiari ‘garden’ rug, Chahar Mahal, west Persia, early 20th century, 79 x 55.5in (200.5 x 141cm). £400-500

188. A Caucasian rug, 20th century, 100 x 43.5in (254 x 110.5cm). £300-400

187

188

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189. A cast iron and brass serpentine front firegrate in George III style, with urn finials and a pierced frieze with applied bosses, 31.25in (79cm) h, 28.25in (72cm) w, 14in (35.5cm) d. £200-250

190. A cast iron serpentine front firegrate in George III style, with a pierced brass frieze and urn finials, 28in (71cm) h, 26in (66cm) w, 12in (30.5cm) d. £600-800

191. A George III brass serpentine fender, pierced with palmettes and engraved oval paterae, possibly Irish, 46.25in (117.5cm) w. £80-120

192. A late George III engraved and polished steel bowfront fender, with an applied bead border and florets, 6in (15cm) h, 54in (137cm) w, 12.25in (30.5cm) d. £150-200

194. A pair of giltwood wall brackets, of scroll form carved with leaves and shells, modern, 17.75in (45cm) h. (2) £100-150

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193. A Dutch brass twelve light chandelier, with two tiers of scrolling arms and with a ball pendant, drilled for electricity, late 19th century, 19in (48.1cm) h. £300-400

195. A pair of rococo style giltwood wall brackets, 15.25in (38.3cm) h, 10.5in (26.3cm) w. (2) Provenance: Colefax and Fowler

£800-1,200

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196. A set of three 19th century polished steel fire irons, with ribbed barrel finials and knopped stems. (3) £250-350

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197. A set of three Regency steel fire irons, with faceted flattened knops and handles and knopped stems, comprising: a pair of tongs, a shovel and a poker. (3) £200-300

199. A French gilt metal and glass plaffonier, decorated with ribbon tied laurel wreaths to an etched shade, 15in (38cm) w. £150-200

201. A late George III steel footman, with pierced decoration and cabriole legs, 14in (35.5cm) h, 18.5in (47cm) w, 13.5in (34.5cm) d. £200-300

198. A set of three early Victorian steel and brass fire irons, each with an ivy leaf and scroll cast handle, comprising: tongs, poker and shovel. (3) £150-250

200. A bronze hanging ceiling light, with a beaded border to four angel’s head finials, a later bud pendant and four lights, late 19th/early 20th century, 22in (56cm) dia. £100-150

202. A four piece fire companion set on stand, comprising: a pair of tongs, a shovel, a poker, and a brush, together with a small brass fender decorated with palmettes and a pair of steel and gilt brass mounted fire tools. (8) Provenance: Yester House, Gifford, East Lothian, Scotland. £250-350

203. A French gilt brass firescreen in 18th century style, 29in (73.3cm) h, 28in (70.7cm) w, a set of three brass and steel fire tools, a pair of brass and steel fire tool rests, a brass preserving pan, a brass footman and three trivets, 19th century and later. (11) £100-200

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204. A George III white carved marble chimney piece tablet, the central rondel with three cupids and a pair of doves within ribbon tied swags, 9 x 21in (23 x 53cm). £300-500

205. A set of four brass and glass wall storm lanterns, the bellied shape shades to turned candle holders, one damaged, modern, 26.25in (66.5cm) h. (4) £300-400 204 206. A chrome plated adjustable standard lamp, with converted oil fitting to a Corinthian capital, 61in (155cm) h. £200-300

207. A carved wood and gesso ‘altar’ standard lamp, with shell, foliage, scroll and fluted decoration to one side, late 19th century, 57in (145cm) h including fitting. £50-100

208. An Italian giltwood and blue painted standard lamp, carved with lion’s heads and acanthus, 1st half 20th century, 54.5in (138.5cm) h. £100-150 205

206

209. An oak side table, the twin plank moulded edge top above a frieze drawer fitted later brass handles, on block and baluster turned legs united by peripheral stretchers, 18th century and later, 25.25in (64.3cm) h, 30.75in (78cm) w, 20.75in (52.3cm) d. Repairs and replacements, probably reduced. £50-100

210. A Flemish carved and stained wood chest, the replaced hinged top to rural scenes with figures on leaf carved legs, 26.5in (67cm) h, 59.25in (150.5cm) w, 22.75in (58cm) d. £200-300 207

208

210

209

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211. A George III oak dresser, the moulded edge top above three frieze drawers, fitted replaced brass handles, on moulded square legs, 31.5in (80cm) h, 80in (203cm) w, 17.5in (44.5cm) d. £1,000-1,500

212. An oak refectory table, with a boarded cleated end top above a carved leaf and arcaded frieze on turned supports and peripheral stretchers, 17th century and later, 31in (79cm) h, 65.25in (165.5cm) w, 24.25in (61.5cm) d. £800-1,200

214. A mid 18th century panelled oak mule chest, the planked top with a moulded edge and railed hinges, to a vacant interior, above seven fielded panels, the base with two drawers, with an applied moulding and on stile feet, 37.5in (95cm) h, 57in (145cm) w, 23.75in (60cm) d. £250-300

213. An oak chest, the boarded hinged top above a marquetry panel frieze with applied mouldings, inlay and arches, early 18th century and later, 27.75in (70.5cm) h, 53.5in (136cm) w, 22.75in (58cm) d. £600-800

215. An early 18th century oak chest, the later hinged moulded edge top above a triple panelled carved front with arcading and scrolling foliage, panelled sides, 27in (68.5cm) h, 55.25in (140.5cm) w, 23.5in (60cm) d. £200-300

216. An early George III oak mule chest, the hinged boarded top with a moulded edge above a lidded till, to a quadruple rectangular panel front above a pair of frieze drawers, fitted replaced brass handles and escutcheons, previously on bracket feet, 38in (96.5cm) h, 52.25in (133cm) w, 21.25in (54cm) d. £100-200

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217. An oak dresser, the later plate rack with a moulded cornice above shelves and cupboards each with parquetry inlay, the base with a moulded edge plank top and fitted three crossbanded frieze drawers, the shaped and moulded apron on baluster turned and block front legs, 79.75in (202.5cm) h, 82in (208cm) w, 19.5in (49.5cm) d. £600-800

217

218. A George III oak dresser, the open plate rack with hooks, two shelves and arc d’arbelet and triangle moulded sides, the moulded edge boarded top above an arrangement of five drawers with later brass handles to a shaped apron to turned supports and a platform base and reeded scroll feet, 76in (193cm) h, 61.5in (156cm) w, 18.75in (47.5cm) d. £1,500-2,500

218

219. A pair of early 18th century oak backstools, each with a shaped top rail to a solid splat and seat on stretchered supports, the reverse of each branded ‘WH’ and ‘EH’. (2) £200-300

220. An 18th century French oak plate rack, with two arcaded and baluster front shelves to a similar base with slats, 40.25in (102cm) h, 31in (78.5cm) w, 12in (30.5cm) d. £400-600

221. An oak livery cupboard, in two parts, the canopied upper section with a thumbnail frieze and turned pendants above a pair of geometric panelled doors with ripple mouldings flanked by split mouldings, the conforming base with a frieze drawer with turned supports to the stretchered undertier, 61.5in (156cm) h, 32.75in (83cm) w, 27.75in (68cm) d. £100-200

222. A mid 18th century oak lowboy, the rectangular top above three frieze drawers fitted later brass handles, shaped apron, on club legs to pad feet, 27in (69cm) h, 26.5in (67.5cm) w, 17in (43cm) d. £300-500

223. An ash stick-back low chair, probably Welsh, early 19th century. £150-200

224.

A James I Welsh oak panel back armchair, with incised chevrons and punched decoration to the moulded frame to open arms on faceted square supports to a boarded seat with peripheral structures, the back branded 'EI'.

Provenance: Bought from Richard Bebb Antiques. £600-800

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225.

A Welsh ash and sycamore combback armchair, with traces of red and green painted decoration, late 18th/early 19th century. £800-1,200

226. A pair of late George III oak, ash and elm ‘Country’ side chairs, each with a pierced vertical and ball decorated splat, to a solid seat on square tapering legs united by stretchers. (2) £100-200

227. An oak dresser, the open shelved back with shaped sides to a moulded edge top with three frieze drawers fitted with later brass handles, to a shaped apron on square supports with pot board base, George III and later, 68in (173cm) h, 53in (134.5cm) w, 17in (43cm) d. £300-500

228. An 18th century panelled back high chair, replacements, 46.5in (118cm) h, 19in (48cm) w, and an open set of elm wall shelves with a plain frieze above three tiers, 43in (109.5cm) h, 43in (109.5cm) w. (2) £80-120

229. A set of four 19th century ash and elm Windsor side chairs, each with a pierced wheel splat back. (4) £100-200

230. A set of four 19th century ash Lancashire side chairs, each with a four spindle and lozenge splat back to a rush seat on turned tapering supports united by stretchers.

(4) £400-600

231. An early 19th century carved elm rectangular stool, the needle and gros point covered seat depicting a man and a woman in 17th century costume, above a pierced and carved frieze with oak boughs, roses and scrolling leafage on leaf capped ribbed cabriole legs to knurled toes, 16in (40.5cm) h, 23.25in (59cm) w, 22.75in (58cm) d. £100-150

232. An 18th century oak spice cupboard, with a geometric panelled hinged door to a divided interior previously with drawers, 21.5in (54.5cm) h, 19.25in (49cm) w, 9.5in (24cm) d. £300-400

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234 233 233. A late 19th century continental walnut wing settee, in early 18th century style, covered in a verdure tapestry depicting a parrot and a peacock with a view of a church, the twin arched back to acanthus and rosette carved arms on conforming scroll legs united by shaped and carved stretchers, 52in (132cm) h, 60in (152.3cm) w, 27in (68.5cm) d. £300-500 234. An Italian baroque walnut and marquetry armchair, the uprights with foliate finials to a panelled back with a shaped pediment to a carved border of ‘C’ scrolls and leaves to a central panel of inlaid strapwork, the flat arms with foliate carvings and scroll ends to a moulded edge seat and a conforming front stretcher, Lombardy c.1600. £1,000-1,500

236

235

235. A large bronze mortar, with a flared rim, decorated with shells, flower heads and scroll leaves, 9.25in (23.5cm) h. £1,500-2,000 236. A French bronze mortar, the flared rim to a body cast with figures making music within scrolling foliage, with reeded knob twin handles, probably late 16th/early 17th century, 4in (10cm) h, 6in (15cm) w. £300-400 237. A German or Dutch bronze mortar and pestle, the flared rim to a reeded body and a single handle, 17th century, the mortar: 6.25in (15.8cm) h, the pestle: 10.25in (26cm) l. (2) £500-600

238 237

238. A dated Queen Anne bronze mortar, the flared rim to reeded bands and lug handles with cabled decoration, with the date ‘1708’ and ‘I H’, 5.5in (14cm) h, 8in (20cm) w. £500-600 239. A metal bell, the front cast ‘J. BAILEY AND CO. SALFORD, MANCHESTER’, clapper missing, 12.5in (32cm) h. £300-400

240

239

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240. A pair of bronze bells, decorated with reeded bands and a crowned cartouche the centre with six balls, the reverse with the intials ‘V G’ flanking a fleur de lys motif, with clappers and suspension holes, possibly Italian 18th century, 6in (15cm) h. (2) £600-800

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242

241

241. A pair of 19th century continental walnut stools, each with a rectangular moulded edge top on turned supports, 19.5in (49.5cm) h, 16.25in (41cm) w, 13in (33cm) d. (2) £200-300

242. A George II mahogany rectangular stool, with a later drop-in seat to an arc d’arbelet frieze and shell and husk carved cabriole legs and pad feet, 15.5in (39.5cm) h, 19in (48cm) w, 15.5in (39.5cm) d.

Three ears replaced. £500-800

243

243. A pair of Italian ceiling paintings, of two male portraits in profile, one wearing a cloak the other with an acanthus crown, painted on pine, probably Tuscany 15th century, 13 x 13in (33.1 x 33.2cm) max.

(2) £1,500-2,000 244 244. A pair of English renaissance carved oak panels, depicting a stylized flower with scrolling leaves with male mask terminals, 10 x 14.5in (25 x 37cm) together with a similar panel with an angel with scrolling foliage, early to mid 16th century. (3) £600-800 245 245. An early 19th century oak candle box, with a hinged sloping lid, the base with a divided drawer, 15in (38cm) h, 9in (22.7cm) w, 7in (17.7cm) d. £150-200

246. A George III oak candle box, the fret carved back to a later hinged lid, the tapering body with mahogany crossbanding, 17.5in (44.2cm) h, 8.25in (20.6cm) w, 4.75in (11.7cm) d. £100-150 246 247. A carved oak coat of arms, with a rampant lion and three griffins, with a triple arch and a star, inscribed a motto ‘TUTUS IN UNDIS’, with a naval explorer crest, parts missing, 37.75in (96cm) h, 22.75in (58cm) w. £100-150

248. An elm chessel or cheese vat, the rim branded ‘F B’ and ‘B’, 19th century, 18.75in (47.4cm) dia.

See Edward H. Pinto, Treen and other Wooden Bygones, pp. 102-103 illustration 97 for similar examples and a discussion about chessels. £200-300

247

248

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249. A George II walnut chest on chest, with a moulded cornice above three short and three long drawers, and two short and two long to the base, all feather banded and with replaced brass plate handles, on bracket feet, 69.5in (176.5cm) h, 41.5in (105.5cm) w, 23in (58.5cm) d. £2,000-3,000

250. A George II walnut chest, the caddy moulded edge top with quarter veneer and feather banding, above two short and three long graduated drawers, fitted replaced brass handles and escutcheons, 35in (89cm) h, 42in (107cm) w, 20in (51cm) d. Bracket feet missing. £250-350

252. A beechwood and oak armchair in early 18th century style, the scroll carved concave top rail above a cane back and drop-in seat, late 19th century. £50-80

40

251. A laburnum side table in Queen Anne style, the hinged moulded edge top to a further glazed hinged cover to a baize lined interior above a frieze drawer fitted brass plate drop handles on spiral twist supports, 27.75in (70.5cm) h, 35.5in (90cm) w, 25in (63.5cm) d. £800-1,200

253. A walnut footstool, the red leather upholstered seat on sleight cabriole legs to claw and ball feet, 13.5in (34cm) h, 15.5in (39.5cm) w, 11.5in (29cm) d. £100-150

254. A mid 18th century oak and elm ‘Country’ side chair, with a pierced vase shape splat back, to a solid seat and shaped apron on cabriole legs to pad feet, the back legs united by a turned stretcher. £200-300

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255. A set of eight mahogany dining chairs, each with an arched padded back to a serpentine front seat on chamfered square supports, united by a ‘H’ stretchers, George III and later. (8) £4,000-6,000

256. A mahogany George III style wing armchair, upholstered in pink draylon on cabriole front legs terminating in claw and ball feet. £250-350

257. A pair of wing armchairs in George III style, upholstered damask and blue plush fabric, with scroll arms on mahogany leaf capped cabriole legs and claw and ball feet, modern. (2) £300-500

258. A George III mahogany two tier table, the carved open gallery with a wavy edge, above square supports raised on club legs to pad feet, 39in (99cm) h, 22in (56cm) w, 14.5in (37cm) d. £600-800

259. A 19th century mahogany wing armchair, on turned front supports, to brass and wood castors. £300-400

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260. A 19th century mahogany serpentine sideboard, the crossbanded top with stringing, above a parquetry front with a central drawer flanked by two deep drawers both with pull-out compartments for bottles, 34.5in (87.5cm) h, 48.25in (122.5cm) w, 26.25in (66.5cm) d. £1,000-1,500

261. A large stained sycamore twin pedestal desk, the later gilt tooled green leather inset writing surface above a full length frieze drawer with dummy fronts above three drawers to each pedestal all oak lined and all fitted replaced brass handles, the reverse with cupboard doors on large iron castors, the inside edge of the frieze drawer inscribed ‘Recd from McCreedy Oct 2 /22’, 19th century elements, 30.5in (77.5cm) h, 55.5in (141cm) w, 37in (94cm) d. The long drawer may have been used for maps and charts, possibly Naval. £800-1,200

262. A late 19th century French rosewood three seater settee, the later upholstered padded back, arms and seat to a leaf carved frame, on stop fluted tapering legs to brass caps and horn castors, 38in (96.3cm) h, 72.5in (184cm) w, 24.5in (62.2cm) d. £500-700

263. A Regency ebonised settee, with gilt decoration, later upholstered, on turned tapering front legs to brass caps and castors, 35in (89cm) h, 77.75in (197.7cm) w, 27.75in (70.3cm) d. £800-1,200

264. A late 19th century mahogany serving table, the moulded edge top above a central shaped tablet with an oval marquetry urn to a satinwood ground, to urn marquetry headed square tapering legs with carved and moulded block ankles, 36.5in (93cm) h, 72.25in (183.5cm) w, 25.25in (64cm) d. £800-1,200

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265. A George III mahogany dining table, of a pair of ‘D’ ends with a reeded edge on turned stem with reeded scroll legs, with brass sabots and castors, reframed and blocked, 28.75in (73cm) h, 54.5in (138.5cm) l, 53.5in (136cm) w. £400-600

266. A George III mahogany serpentine commode, the moulded edge top above four long graduated drawers, fitted replaced brass circular plate handles, with stop fluted pilasters, on bracket feet, 31.5in (80cm) h, 37.5in (95cm) w, 20.75in (53cm) d. £1,500-1,700

267. An early Victorian rosewood library table, with triangular friezes with applied floral and shell carving with opposing drawers, on octagonal stems and scroll supports to iron castors, 59.25in (74cm) h, 57.25in (145.5cm) w, 30in (76cm) d. £500-800

268. An early 19th century mahogany and line inlaid teapoy, the hinged top revealing a divided interior, with brass side and front handles, on a turned stem and three hipped downswept legs to brass paw sabots and castors, 31in (79cm) h, 21in (53.5cm) w, 19in (48cm) d. £600-800

269. A late George III mahogany and brass bound hexagonal wine cooler, the hinged lid to a zinc lined interior with a drain outlet to the front edge, with a later lift-out liner, the sides with brass open handles, on a stand with a moulded edge and on reeded chamfered legs and leather roller castors, 27in (68.5cm) h, 19.5in (49.5cm) w, 16.25in (41cm) d. £600-800

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270

271

270. A Regency mahogany open bookcase, the architectural pediment with scroll finials, above reeded edge shelves, formerly part of a larger structure, 51.25in (130cm) h, 33.5in (85cm) w, 10in (25.5cm) d. £100-150 271. A mahogany twin pedestal sideboard, with boxwood and ebony stringing and later satinwood banding, the scroll end back above two central drawers, one numbered ‘3869’, flanked by a single drawer and a pair of cupboard doors, one with a cellaret drawer with a sunken brass handle, with ribbed and leaf carved column pilasters, fitted brass ring handles on turned feet, George IV and later, 49in (124.5cm) h, 72in (183cm) w, 24in (61cm) d. £500-700

272

272. An early 19th century mahogany and boxwood strung hanging corner cupboard, the glazed astragal door enclosing a painted interior with two shaped shelves, 37.25in (94.6cm) h, 30in (76cm) w, 16in (41cm) d.

Provenance: Bought from Corfield of Lymington, January 1984.

£150-250

273. A 19th century satinwood and rosewood banded side cabinet, previously with a bookcase top, with two frieze drawers above a pair of panelled doors enclosing a shelf, on later bracket feet, 36in (91.5cm) h, 36in (91.5cm) w, 16.25in (41.5cm) d. £300-400 274. A mahogany jardinière, the lift-out zinc liner above a plain frieze, on square chamfered legs, 30in (76cm) h, 22.25in (57cm) w, 15in (38cm) d. £150-200 275. Nine 19th century dining chairs, comprising: seven mahogany side chairs all with sabre legs and two armchairs, one in rosewood with ribbed legs the other in mahogany with a leaf carved bar back. (9) £400-600

273

274

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277 276

276. A mahogany twin pedestal dining table in George IV style, the two tilt-top ends with rounded corners and two extra leaves on ogee turned stems, on four leaf carved hipped scroll legs with brass castors, 29in (73.5cm) h, 127.25in (323cm) w extended, 58.5in (148.5cm) d. £1,000-1,500 277. An early Victorian rosewood three tier whatnot, with a turned spindle gallery on baluster supports and brass castors, 46in (117cm) h, 30.75in (78cm) w, 18in (46cm) d. £800-1,200 278. A late George III mahogany bowfront corner washstand, the later surface covering the original apertures, the central tier with a frieze drawer and with two false drawers with ebonised edging and brass ring handles, 43.25in (110cm) h, 27in (68.5cm) w, 16in (40.5cm) d. £100-150 279. A 19th century mahogany chest, the moulded edge top above four long graduated drawers the top one with divisions, fitted brass swing handles and on shaped bracket feet, 37.5in (45.5cm) h, 31.5in (80cm) w, 21.5in (55cm) d. £300-500

278

280. A set of six 19th century mahogany side chairs, with graduated wavy ladder backs, dropin seats on square chamfered legs with ‘H’ stretchers. (6) £800-1,200 281. An early 19th century oak tripod table, the rectangular tilt-top on a vase turned stem and faceted legs to pad feet, 28.25in (71.5cm) h, 30in (76cm) w, 24in (61cm) d. £150-200

279

281 280

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Franz Bergman Franz Bergman (1838 – 1894) was a professional chaser from Gablonz, Austria, who moved to Vienna where he founded a bronze factory in 1860. His son Franz Xavier Bergman (1861 – 1936) inherited the factory and set up a new foundry in 1900. Using many of his fathers models and Viennese sculptors to produce cold painted bronze animals, Oriental and erotic subjects. Signed ‘Bergman’ and or the distinct trademark of a B within a vase, sometimes difficult to read hidden under the paint or in subtle places. The erotic subjects were often signed ‘Nam Greb’, his name in reverse.

282. An Austrian cold painted bronze hound, stamped ‘AUSTRIA’, 5.25in (13.5cm) h. £400-500

283. An Austrian cold painted bronze model of a spaniel, mounted on an oval onyx ashtray base, early 20th century, 6in (15cm) w. £80-120

284. A Bergman cold painted bronze lizard, marked with ‘B in vase’ and ‘AUSTRIA’, 7.25in (18.5cm) l. £200-300

285. An Austrian cold painted bronze frog group, sitting at a tavern table, reading a paper and smoking, marked ‘KK’, 1.5in (4cm) h. £300-400

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286. A Bergman cold painted bronze group of two bears playing skittles, marked with ‘B in vase’, 2.5in (6.5cm) h. £400-500

287. A Bergman cold painted bronze pug tavern group, two sat at a table with food and two standing playing instruments, marked with ‘B in vase’ and ‘AUSTRIA’, 1.75in (4cm) h, 2.75in (7cm) w. £400-500 286

287

288

289

290

291

292

293

288. An Austrian cold painted bronze canary, marked ‘MG’, 3.5in (9cm) h. £150-250

289. A Bergman cold painted bronze wren, marked with a ‘B in vase’ and ‘AUSTRIA’, 2.75in (7cm) h. £300-400

290. An Austrian cold painted bronze thrush, unmarked, 5.25in (13cm) h. £600-800

291. A Bergman cold painted bronze grouse, marked with ‘B in vase’, ‘GESCH’ and ‘6250’, 3.75in (9.8cm) h. £300-400

292. An Austrian cold painted bronze model of a pheasant, marks to underside, 7.75in (19.5cm) l. £200-300

293. Two Austrian cold painted models of snipe, 3.5in (9cm) h, 2in (5cm) h. Beaks bent. (2) £200-300

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294. A Bergman cold painted bronze cockerel, marked with ‘B in vase’ trademark and ‘MADE IN AUSTRIA’, 6.75in (17.2cm) h. £800-1,200

295. An Austrian cold painted bronze spread eagle, marked ‘MADE IN AUSTRIA’, 3in (7.5cm) h, on a painted cork base. (2) £150-250

296. A Bergman cold painted cock pheasant, marked with ‘B in vase’, tip of tail missing, 8.75in (22cm) h, 12in (30.5cm) l. £500-600

295

294 297. A Bergman cold painted cock golden pheasant, marked with ‘B in vase’, 8in (20cm) h, 14in (35.5cm) l. £1,000-1,500

298. An Austrian cold painted erotic bronze, of a reclining naked lady on a bear skin and day bed, raised on a rug with a table, with a removable blanket, 1.75in (4.5cm) h, 5.5in (14cm) w. £600-800

299. An American gilt bronzed spelter erotic figure by Jennings Brothers, with a hinged cloak revealing a bare breasted reclining lady wearing a bonnet, cast ‘JB 2039’, 5.5in (14cm) w. £300-400

296

297

298 299

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300. A Bergman cold painted bronze falconer, standing on a tiger skin with saddle, water bottle, pistol, sword and bag, marked with ‘B in vase’, ‘GESCHUTZT’ and ‘4374’ to the back of figure and underside, 5in (12.7cm) h, 6in (15cm) w. £1,500-2,000

301. A Bergman cold painted bronze female falconer, marked with ‘B in vase’ and ‘AUSTRIA’, 5in (13cm) h. £500-600

302. An Austrian cold painted bronze group, of a seated Arab smoking a pipe and a female dancer on a rug with a table, unmarked, 4.25in (11cm) h. £700-900

303. Stefan Buchinger. An Austrian cold painted bronze hunter on skis, on a simulated ice base, marked ‘STB’ and ‘GESCHUTZT’, 3.5in (9cm) h. £300-400

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304

305

304. A Chinese lacquer and polychrome five fold screen, decorated with auspicious objects, exotic birds amidst trees and flowers, the reverse with an inscription and scaly dragons, 72in (183cm) h, 17.25in (43.5cm) w, each panel. £300-500

305. A Chinese hardwood, lacquer and ivory onlaid six fold screen, one side decorated with panels of ladies holding flags and ribbons in landscapes and with buildings, the lower panels with urns of flowers and other objects, the back painted with birds amidst trees, early 20th century, 72in (183cm) h, 19in (48cm) w, each panel. £400-600 307

306

306. A Chinese carved stained wood tub shaped open armchair, with a later squab cushion. £100-150

307. Two similar Chinese carved and pierced hardwood stands, each with a circular inset marble top, 36.25in (92cm) h. (2) £250-350

308. A late 19th century Chinese carved hardwood stand, with circular inset marble top, 36.5in (92.5cm) h, 15.5in (39.5cm) w. £100-150

308

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309

309. A pair of Chinese hardwood chairs, each with a panelled back with a circular seal, to a panelled seat on stretchered supports, with Chinese characters to the underside of the seats, late 19th century. (2) £400-600

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310. A Chinese padouk and mother of pearl inlaid four fold screen, each panel with three shaped apertures inset a painted scene on silk, with landscapes, birds and figures in various pursuits, late 19th century, 67.5in (171cm) h, 19.5in (49.4cm) w, each panel. £500-700

311. A Chinese hardwood two tier stand, the pierced frieze to a shaped apron, 30.5in (77.5cm) h, 17in (43cm) w, 16in (40.5cm) d. £200-300

312. A Chinese carved rosewood ‘X’ frame stool, with scroll arms and a panelled seat, late 19th century, 29in (73.5cm) h, 30.5in (77.3cm) w. £150-200

310

313. An Anglo-Indian teak and metal banded chest, the hinged top revealing a lidded till, sunken side handles, 13.75in (35cm) h, 99in (73.5cm) w, 16.75in (42.5cm) d. £100-200

314. A Chinese pierced and carved hardwood and mother of pearl inlaid table screen, decorated figures, buildings, birds, butterflies, foliage, a tortoise and calligraphy, 37.25in (94.5cm) h, 32in (81cm) w. £200-300

311

315. A pair of Chinese elm benches, 20th century, 18.5in (47cm) h, 48.75in (124cm) w, 13in (33cm) d. (2) £200-300

312

315

313

314

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316. A 19th century rectangular box, with Chinese pierced and engraved mother of pearl panels with painted blue pitch, the blue paper lined interior with a brass lock stamped ‘crowned PATENT’, traces of plating to lock and hinges, losses, 5.25in (13.5cm) h, 10in (25.5cm) w, 6in (15cm) d. £250-350

317. A gilt bronze table lamp, the shaped naturalistic base with a standing oriental figure and a tree behind supporting a pulley hung with a lantern shade with coloured glass beads, early 20th century, 14.5in (37cm) h. £200-300 316

317

318. A late 19th century Chinese hardwood and mother of pearl inlaid circular box and cover, with engraved decoration of figures and a building in garden landscape, the sides with flowers, birds and butterflies, 3.5in (9cm) h, 7.25in (18.5cm) dia. £100-150

318

319

319. Two Chinese carved wood and lacquered dragon ‘fire’ clocks, with carved out bodies painted red, tin trays and contents now missing, 26in (66cm) l. (2) £50-80

320. Two Anglo-Indian sadeli and carved wood boxes, Bombay, one with ebony panels the other sandalwood, decorated the Taj Mahal and buildings with scrolling foliage, late 19th century, 8.5in (21.6cm) w, max., together with a Perisan lacquer pen box, qalamdan, decorated with flower heads, 11in (28cm) l. (3) £150-250

320

321 321. A Chinese penwork decorated chest, decorated with flowers and insects, the front with figures, with brass handles and clasp, 14.5in (37cm) h, 16.75in (42.5cm) w, 12.5in (32cm) d. £100-200

322. A bronze model of Buddha, 7.5in (19cm) h, 5.25in (13cm) w. £40-60

322

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323

323. A Japanese lacquered bronze vase, with seal mark to base, 9.75in (25cm) h, together with a Chinese bronze vase, signed ‘Sanko’ with silver inlaid decoration and seven giltwood water lily stems. (2) £80-120

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324. A late 19th century Chinese large lacquer tea chest, of octagonal form with gilt highlights and brass side handles, the hinged cover with remains of a coat of arms to a pair of pewter canisters with engraved decoration to the tops, each with two lids, one with a turned ivory handle, 11.75in (30cm) h, 14.75in (37.5cm) w, 11in (28cm) d. £150-200

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325. An Anglo-Ceylonese calamander, ebony and ivory workbox, Galle district, the lid inlaid an elephant within a floral rondel, the interior with a lift-out tray fitted with lidded compartments, variously decorated with flowers, tortoiseshell and parquetry bands, with two spools, below are eight further compartments the lids of differing specimen woods, all with turned ivory handles, 2nd half 19th century, 5.25in (13cm) h, 13.75in (34.9cm) w, 9.75in (24.5cm) d. £300-400

326. A Thai bronze seated Buddha, on a stepped base with a cloth depicting a cockerel, two ring mounts to the back, 7in (18cm) h. £100-150

327. A Japanese papier-mâché Noh mask, with pierced eyes, nostrils and mouth, ebonised and red pigment, the back with calligraphy, 11in (28cm) h. £80-120

328. Two Thai polychrome wood standing attendant figures, with some partial original polychrome decoration, paint on gesso on wood, early 19th century or earlier, 22.5in (57cm) h. (2) £80-120

329. An oriental rock crystal ball, raised upon an oriental pierced wood stand, 3.75in (9.5cm) dia. £50-100

330. A 19th century Indian marble carving of a seated deity, with remnants of original red and gilt decoration, 15.75in (40cm) h. £100-200

331. A Japanese walrus ivory carving of a Zulu chief, holding a staff in one hand and a knobkerrie and spear in the other, an ivory plaque to the base entitled ‘Zulu Chief’, Meiji period, c.1900-1910, 5.75in (14.5cm) h. £250-350

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332. An early Staunton pattern ivory chess set, by J. Jaques, London, natural and stained red, the underside of the white king stamped ‘J. JAQUES LONDON’ in two parallel arcs, one rook and knight of each marked with a crown, c.1849-50, the king: 3.25in (8.5cm) h, the pawn: 1.5in (4cm) h together with a folding games box for chess and backgammon. (33) Some damages, losses and replacements. £300-400

333. A continental boxwood, ebony and mother of pearl chess set, the turned pieces with stylized finials, possibly Italian early 20th century, the king: 4.25in (10.4cm) h, the pawn: 1.75in (4.2cm) h, together with a cedarwood and oak inlaid folding games board/box. (33) £300-400

334. A Chinese export carved ivory chess set, natural and stained red, the king: 4.75in (12cm) h, the pawn: 2in (4.7cm) h, together with a lacquer folding games box for chess and backgammon decorated in black and gilt with figures, dragons, buildings and flowers, late 19th century. (33) £300-500

335. A Staunton pattern boxwood and ebony chess set, the king: 3in (7.5cm) h, the pawn: 1.5in (4cm) h, in a mahogany box with a modern folding chequer board. (34) £50-100

336. A Staunton pattern boxwood and ebony chess set by J. Jaques & Son, the rook and knight of each stamped with a red crown, the white king marked ‘JAQUES LONDON’, weighted, the king: 4in (10cm) h, the pawn: 2.25in (5.5cm) h, in its original mahogany box with printed green label. (33) The cross from one king lacking. £400-600

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337. A Victorian macassar ebony games compendium, the lid fitted a folding leather games board with a chequer board, backgammon and horse racing game, the divided interior with a lift-out tray with boxwood and ebony draught pieces, bone dominoes, dice, Bezique and Whist markers and lead horses and jockeys, the hinged front with a boxwood and ebony Staunton pattern part chess set, the rook and knight marked with a red crown, 7.25in (18cm) h, 13.5in (34cm) w, 9in (22.5cm) d. One black pawn missing. £200-300 337

338

338. A set of ebony and bone dominoes, double 9, in a mahogany box with hinged cover and front. (55 tiles) £50-100

339. A Chinese export carved ivory chess set, natural and stained red, late 19th/early 20th century, the king: 4in (9.8cm) h, the pawn: 2in (4.7cm) h. (32) £200-300 339

340. A Louis XV style paper covered commode, the serpentine brèche d’alep marble top above chinoiserie decoration to the two drawers with ebonised metal mounts, the top stamped ‘PAPIERS D’ART GUIL. MARCHI’, 34in (86.5cm) h, 50.75in (128.5cm) w, 23.5in (59.5cm) d. £500-700

341. A 19th century French ebonised and boulle marquetry side cabinet, with gilt metal mounts, the breakfront fitted a central door enclosing a shelf and flanked by a pair of concave glazed doors, each with two shelves, 41.5in (105.5cm) h, 60.5in (153.5cm) w, 17.5in (44.5cm) d. £300-500

342. A 19th century continental mahogany commode, with four long drawers fitted later escutcheons, canted corners and an applied moulding, 38.75in (98cm) h, 45in (114cm) w, 20.5in (52cm) d. £200-300

343. A Dutch mahogany sofa table, with a bird’s eye maple crossbanded top and inlaid stringing, with two frieze drawers on plain supports to scroll legs, early 20th century, 30in (76cm) h, 42.5in (108cm) w closed, 31in (78.5cm) d. £250-350

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344. A Dutch burr-walnut and walnut bombe bureau cabinet, with a shaped cornice above a pair of replaced mirrored panel doors with applied shell mouldings enclosing adjustable shelves and three drawers above a pair of candle slides and a banded fall with book rest, to a fitted interior with cupboard door, pigeon holes, drawers, the outer ones stepped with concave fronts above a well, with two short and two long graduated drawers with later brass handles, with canted scroll angles on bun feet, early 18th century and later, 95in (241cm) h, 52in (132cm) w, 27in (68.5cm) d. £3,000-5,000

345. A Dutch walnut and floral marquetry day bed, with arched detachable ends one with recessed panel with birds and scrolls, with stringing to a conforming frieze on tapering faceted legs, bun feet and castors, 33.75in (86cm) h, 83.25in (211.5cm) l, 37in (94cm) d, with a later sprung metal frame. £200-300

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346. A 19th century continental turned and ebonised Canterbury, with four divisions and an open undertier, on brass castors, 19.75in (50cm) h, 17.25in (43.5cm) w, 14.25in (36cm) d. £150-250

347. A 19th century continental parquetry tripod table, the hexagonal top inlaid specimen wood hexagons with a single drawer fitted a brass handle, on a turned walnut stem with shaped scroll legs to claw feet, 27.5in (69.5cm) h, 18.5in (47cm) w. £200-300

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348. A French kingwood serpentine table a ambulant, the quarter veneered top with stringing and a three quarter gallery above a false and two real drawers, the right side with a frieze drawer partitioned for inkwells, on cabriole legs, late 19th century, 27.75in (70.5cm) h, 17.5in (44.5cm) w, 12.75in (32.5cm) d. £300-400

349. A late 19th century French giltwood and gesso kidney shaped dressing table, with a replaced inset baize top, 27.5in (70cm) h, 30in (76cm) w, and a 19th century giltwood and gesso console table with a grey marble top on two cabriole supports, 36.5in (93cm) h, 43.25in (110cm) w. (3) £100-150

349 (part)

348

350. A 19th century oak centre table, the circular tilt-top inlaid a band of kingwood and rosewood lozenges, to a panelled frieze and a conforming triform base with nulled decoration on scroll feet and castors, 28.75in (72.7cm) h, 41.75in (106cm) dia. £400-600

351. A 19th century giltwood console table, with a grey marble top above a mirrored back on foliage carved supports, later painted, 33.5in (85cm) h, 48in (122cm) w, 10.75in (27.5cm) d. £200-300

350

351

352. A French giltwood jardinière stand, with a circular marble inset top and a caned undertier, 32.5in (82.5cm) h, and a giltwood and gesso octagonal pedestal with ribbon tied floral decoration. (2) £100-200

353. A 19th century French walnut and marquetry bureau de dame, the shaped fall inlaid an oval panel of flowers revealing an interior with a later leather surface, three drawers and shelves, above a pair of frieze drawers and on cabriole legs, 39.75in (98.5cm) h, 27.25in (69cm) w, 16in (40.8cm) d. £150-250

353 352

354. A gilt metal ‘bamboo’ glass top coffee table, with a rectangular leaf decorated jardinière undertier, 17.75in (45cm) h, 44.25in (112.5cm) l, 20.75in (53cm) w. £200-300

355. A 19th century continental mahogany serpentine front chest, with a stepped tiered superstructure with carved scroll and shell decoration, the crossbanded top above a divided drawer and three further graduated drawers, carved canted corners and scroll feet, 65.5in (166.5cm) h, 41.25in (105cm) w, 22in (56cm) d. £400-500

354 355

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356

357 356. A carved wood and painted bed pelmet, of draped curtains, 93in (236cm) h, 66in (167.5cm) widest. £300-400 357. A French carved wood and polychrome decorated day bed, the scroll end sides with coral garlands, the back panel with a pair of doves on crossed quivers of arrows, on fluted tapering legs, re-upholstered in gold striped material, 43.5in (110.5cm) h, 93in (236cm) w, 51in (130cm) d.

Provenance: Lot 722, Woolley & Wallis, Ashley Manor House Sale, 18th, 19th & 20th May 2004. £500-800 358. A French painted pine standing corner cupboard, with a pair of glazed doors each with a panelled base enclosing shelves, 91.75in (233cm) h, 45in (114.5cm) w, 18.25in (46.5cm) d. £500-600 358

359. A red japanned narrow cupboard, with chinoiserie decoration, the hinged door enclosing four shelves, converted from an 18th century longcase clock, 47.75in (121.5cm) h, 18.75in (47.5cm) w, 8.5in (22cm) d. £80-120

359

360. A continental painted pine serpentine sideboard, the concave frieze drawer with divisions flanked by a pair of cupboard doors, 32in (81.5cm) h, 48.25in (122.5cm) w, 21.5in (54.5cm) d. £200-300

360

58

361. A French walnut armchair in 17th century style, the padded back to an arcaded rail, with leaf carved scroll arms on turned supports united by an ‘H’ stretcher. £100-200

361

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362. A Biedermeier style mahogany and gilt metal mounted settee, 37.5in (95cm) h, 74.25in (188.8cm) w, 29in (73.6cm) d. £200-300

363. A French carved and painted frame settee, in Louis XVI style, upholstered damask fabric and with a squab cushion, 32.5in (82.5cm) h, 57.5in (146cm) w, 31in (79cm) d. £400-600

364. A pair of Louis XVI beechwood fauteuil, upholstered later leaf and flower needlework, each with a moulded cartouche shape back to scroll arms and a serpentine front seat above a foliate carved frieze and cabriole legs. (2) Old worm holes and repairs. £100-200

365. A pair of late 19th century French painted armchairs, the later upholstered padded backs and seats to moulded frames on block and baluster front legs to horn castors. (2) £300-500

366. A French walnut low tub armchair in Louis XVI style. £300-400

367. A carved giltwood side chair, in Louis XV style, the leaf and flower carved moulded frame, to a cartouche shape padded back and stuffed-over seat, on conforming cabriole legs, with inventory label ‘M375’, mid 19th century.

Chips and losses, and a 19th century giltwood side chair with a caned seat and back. (2) £100-150 366 367 (part)

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368. A George III giltwood wall mirror after a design by William & John Linnell, the later oval plate to a ribbon tied leaf carved frame, 42.5 x 28.5in (108 x 72.3cm). Re-gilt. Three small sections off but present. £600-800

369. A giltwood wall mirror, the rectangular bevelled plate to a beaded moulding surmounted by a ribbon tied floral swag, early 20th century, 49 x 29.5in (124.5 x 75cm). Re-gilt. £150-250

370. An Irish giltwood wall mirror in George II style, made at the Killarney Furniture Industries, the arched plate to a husk carved border and a leaf and scroll carved pediment, circular inset plaque to verso, early 20th century, 35.5 x 20in (90 x 51cm). £100-150

371. A George II style giltwood and gesso wall mirror, the bevelled rectangular plate to a scroll, shell and floral decorated frame with acorn and leaf pendant borders, late 19th century, 54 x 34.5in (137 x 87.5cm). £1,100-1,200 368

369

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370

371

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372. A late 19th century Italian giltwood mirror, the later rectangular plate flanked by fluted pilasters with Corinthian capitals, with a brass plaque ‘S. BOTTICELLI ADORAZIONE DEI MAGI’, 24.75 x 25.75in (63 x 65.3cm). Originally a picture frame. £100-200

373. An oval shell wall mirror in the manner of Anthony Redmile, the frame encrusted with bands of cowrie shells, 37 x 27in (93.9 x 68.5cm). £300-400

374. A 19th century Biedermeier mahogany wall mirror, the later rectangular plate to pendant leaf corbels and a shaped pediment with applied rondels, 47 x 20in (119.3 x 51cm). £80-120

372

373

374

375

375. A rectangular wall mirror, with a bevelled plate to a giltwood moulded frame, with a painted trailing foliage border, 45.25 x 56.75in (115 x 144.5cm). £400-600

376. A pair of 19th century giltwood wall mirrors, each with a shaped plate to leaf, flower, husk and scroll carved frame, 31.5 x 14.75in (80 x 37.3cm). (2) £200-300

377. An Italian rectangular wall mirror, with a central plate and a faceted edge raised border having concave elipticals, 38 x 59in (96.5 x 150cm). £300-400

377 376 (pair)

376 (pair)

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378. A late Regency giltwood landscape overmantel mirror, the rectangular plates divided by cluster columns with leaf carved capitals, 21.75 x 56.5in (55 x 143.5cm).

Provenance: Purchased from Wick Antiques, Lymington, July 1999. £300-400

379. A mahogany and parcel gilt fret-frame wall mirror in 18th century style, the bevelled plate with cusp corners to an inlaid leaf border and a marquetry conch shell, early 20th century, 29.25 x 38in (74.3 x 96.2cm). £100-200

378

380. A late 19th century continental painted cast iron oval wall mirror, with an eagle surmount flanked by hanging flowers, 15in (38cm) h, 11in (28cm) w. £100-150

381. A pair of late 19th century gilt bronze girandoles, each with a rectangular bevelled plate to a dolphin and foliage cast frame, the cherubs surmounts supporting portrait busts of William and Mary, the base with twin scroll arms and square holders, 15.5in (39.5cm) h, 10in (25.5cm) w. (2) £150-250

379

380

382. A pair of 19th century cast brass wall mirrors, with rectangular bevelled plates above a mask of Neptune to foliage and dolphins, previously with sconce branches, 17 x 9.5in (43 x 24cm) and another brass mirror with urn surmount. (3) £200-300 382 381

383. An early 19th century mahogany dressing table mirror, with boxwood edging and an oval plate, the bowfront box base kingwood banded with three drawers, 22.25in (56.5cm) h, 17in (43cm) w, 8.25in (21cm) d. £100-150

384. An early Victorian mahogany and ebonised strung dressing table mirror, with an inverted breakfront base with three drawers on ebonised bun feet, 21in (53.5cm) h, 23in (58.5cm) w, 10.25in (26cm) d. £100-150

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383

384

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385. A mahogany narrow chest, consisting of six graduated drawers fitted bat’s wing handles, on swept bracket feet, 42in (107cm) h, 27in (69cm) w,15.5in (39.5cm) d. £100-200

386. A mahogany narrow chest, with a deep hat drawer above three graduated drawers with turned wood knob handles and bun feet, 19th century but probably adapted, 46in (117cm) h, 29in (75cm) w, 19in (48.5cm) d. £200-300 385

386

387. A Victorian mahogany child’s cheval mirror, with turned and carved petal decoration, 45.5in (115.5cm) h, 26in (66cm) w, 21.5in (55cm) d. £50-100

388. A Regency mahogany single drop-leaf table, the circular moulded edge figured top on double gates and turned tapering legs, the underside with a handwritten paper label, 28.5in (72.5cm) h, 48in (122cm) w, 47in (119.5cm) open. £500-800

388

387

389. A George III mahogany Hepplewhite serpentine card table, the hinged folding top baize lined, the centre with floret and leaf carving, on slender cabriole legs, the hinged back leg revealing a drawer, the reverse stamped ‘025474’, 28.5in (72.5cm) h, 39.25in (99.5cm) w, 19.25in (49cm) d. Restored. £500-700 389 390

390. A Victorian maple Davenport, inlaid banding, the brass gallery to an inset leather lined slope enclosing three drawers, on tapering fluted supports, the right side with an inkwell compartment above four graduated drawers fitted brass handles, on carved bun feet with sunken brass castors, 32.75in (83cm) h, 24.25in (61.4cm) w, 24in (61cm) d. Damages. £400-600

391. A William IV mahogany writing table, with a three quarter gallery with a shelf, on lappet and petal turned supports united by a shaped stretcher, 36.75in (93.5cm) h, 48in (122cm) w, 20in (51cm) d. £400-500

391

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392. A late 19th century mahogany breakfront bookcase, the detachable moulded edge cornice with Greek key and fluted decoration, above astragal glazed doors enclosing adjustable shelves, the base with four frieze drawers with fluted fronts fitted cast gilt brass handles stamped ‘L&C’, above panelled cupboard doors each enclosing a shelf, on bracket feet, 92.5in (235cm) h, 77in (196cm) w, 21.5in (55cm) d. £1,000-1,500

393. A mahogany bookcase, the detachable dentil cornice above a pair of geometric astragal glazed doors enclosing adjustable shelves, on bracket feet, parts George III and later, adapted from a larger piece, 103in (261.5cm) h, 68in (172.5cm) w, 17.5in (44.2cm) d. Minor veneer loss. £800-1,200

394. An early Victorian painted pine wardrobe, simulated burr wood, with a pair of panelled cupboard doors revealing a hanging rail and brass hooks, base of the drawer on bun feet, 80in (203cm) h, 58.5in (148.5cm) w, 25.75in (65.5cm) d.

Provenance: By repute, estate made for the Stoneman family, of Great Heale, near Crediton, Devon. £300-500

395. An early 19th century mahogany dwarf linen press, with reeded moulding and a pair of panelled cupboard doors enclosing three slides, above two drawers fitted turned wood handles, on ribbed feet, 51.5in (131cm) h, 45in (114.3cm) w, 21in (53.3cm) d. £100-200 392

395 393

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394

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396. A matched set of nine early 19th century mahogany dining chairs, each with a curved tablet back to a stuffed-over seat on ring turned legs, comprising: two open armchairs and seven side. (9) £1,200-1,800

397. A set of six mahogany dining chairs, each with a scroll end top rail above a pierced splat and a drop-in seat, comprising: four side and two open armchairs, five George III one armchair of later date. (6) Provenance: Purchased from the Pelham Galleries, 155-157 Fulham Road, London for £125, 14th July 1960. £600-800

398. A set of four George IV carved mahogany side chairs, with stuffed-over seats on turned and ribbed legs, re-framed. (4) £200-300

400. A pair of easy armchairs, on stained beechwood supports and ceramic castors, one stamped ‘6496’ and the other ‘6497’ to the front legs. (2) £200-300

399. A pair of Victorian mahogany armchairs, the padded backs and seats later upholstered brown leatherette, on turned tapering front legs united by a crinoline stretcher on castors. In need of restoration (2) £200-300

401. A Victorian mahogany armchair, the later upholstered padded back, seat and arms to a channelled frame and lion’s head carved arm supports on rondel headed tapering legs, applied with prunts and brass caps and ceramic castors. £400-600

402. A pair of late Victorian mahogany tub open armchairs, the shaped splats with pierced hearts with serpentine front caned seats. (2) £200-300

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403. A Regency mahogany secretaire chest, with ebonised stringing, the fitted top drawer with two pigeon holes and ivory handled drawers and a leather lined surface, the brass lock stamped ‘Crowned GR PATENT’, 43.5in (110.5cm) h, 42.5in (108cm) w, 22in (56cm) d. £300-500

404. A George III mahogany ‘tray top’ bedside commode, the wavy edge gallery pierced three handgrips to a front with a later hinged fall, above a pull-out base converted to a drawer, 29.75in (76.5cm) h, 22.5in (57cm) w, 18in (45.5cm) d. £300-500

405. An early 19th century mahogany bowfront chest, the crossbanded top above two short and two long graduated drawers with book matched veneers, fitted later brass plate handles, on swept bracket feet, 32.5in (82.5cm) h, 36in (91.3cm) w, 19in (48.3cm) d. £300-400

406. A 19th century mahogany chest, the rectangular top, cracked, with a reeded edge above three graduated long drawers fitted replaced circular plate handles with a central portrait bust, on inverted baluster turned legs to brass caps and ceramic castors, 33.5in (85cm) h, 36.25in (92cm) w, 20.5in (52cm) d. £100-200

407. An early 19th century mahogany extending dining table, with a single drop-leaf and three additional leaves on a scissor action frame, the frieze with rosewood crossbanding on turned legs to brass caps and castors, 28.75in (73cm) h, 92in (234cm) w, 47.5in (121cm) d. £1,500-2,500

408. A George III mahogany demi-lune tea table, with parquetry and marquetry, with rosewood and dog-tooth interior, the frieze with a central drawer inlaid a conch shell on urn headed square tapering legs and spade feet, 28.25in (72cm) h, 39in (99cm) w, 19.5in (49.5cm) d. £500-700

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409. A George III satinwood and floral marquetry card table, the crossbanded fold-over top on twin gates, with a kingwood and main harewood border with ribbon entwined convolvulus with penwork highlights, to an Edwardian fabric lining, the plain frieze on floral inlaid tapering legs to spade feet, 29in (74cm) h, 37.5in (95cm) w, 16.5in (42cm) d. £1,000-1,500

410. A late Regency mahogany bowfront chest, with three long graduated drawers fitted later brass handles, flanked by three quarter turned baluster and ebonised ring turned pilasters, 35.5in (90cm) h, 37.75in (96cm) w, 20.25in (51.5cm) d. £200-300

411. An early 19th century mahogany ‘D’ shape tea table, inlaid ebonised stringing, with a reeded edge hinged top above a frieze drawer and on turned and ribbed legs, 29.5in (74.7cm) h, 39.75in (100.7cm) w, 18in (45.7cm) d. £100-200

412. A Regency mahogany bowfront chest, of four graduated drawers fitted later turned knob handles, on swept bracket feet, 33.25in (84.2cm) h, 37.75in (95.8cm) w, 21.75in (55cm) d. £400-600

413. A 19th century satinwood Pembroke table, with amaranth and kingwood banding, ebonised and boxwood stringing with ‘D’ shape flaps, above a frieze drawer and false reverse fitted later oval brass plate handles, on square tapering legs with brass castors, restoration, 28.5in (72.5cm) h, 18in (45.5cm) w, 30.25in (77cm) d. £300-400

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414. A George II walnut dressing table mirror, the bevelled edge arched plate to a moulded frame, the crossbanded box base with a caddy moulded edge above three drawers on bracket feet, 22.5in (57cm) h, 16in (40.6cm) w. £150-200

414

415. A George III mahogany dressing table mirror, the later arched plate to a giltwood slip and moulded frame, the caddy moulded box base fitted with three drawers, on ogee bracket feet, 20in (50.5cm) h, 14.25in (36.3cm) w, 7.75in (19.8cm) d.

415

Provenance: Purchased Lymington, July 1984.

from

Corfield of £200-300

416. An early 19th century demi-lune card table, the fold-over top kingwood banded and chequered stringing, baize lined, a plain frieze with boxwood and ebony stringing, on square tapering legs, 28.5in (72.5cm) h, 32in (81.5cm) w, 15.75in (40cm) d. £300-500

416

417

417. A mahogany demi-lune tea table in George III style, the amboyna banded top with chequer stringing to a conforming frieze and marquetry twin gate supports, early 20th century, 28.5in (70.5cm) h, 30in (76cm) w, 15in (38cm) d. £250-350

418. A Victorian rosewood armchair, with a button back upholstered later floral fabric, to scroll arms and feet terminating in ceramic castors. £100-150

418

419

419. A Victorian walnut nursing chair, the leaf carved show frame to a button upholstered back on cabriole legs to ceramic castors. £150-250

420. A George IV rosewood piano stool, the circular revolving seat with later leather upholstery to a leaf carved stem and hipped scroll legs, 20.5in (52cm) h. £100-150

420

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421

421. A Victorian walnut and burr walnut piano stool, with a leather button upholstered hinged seat, 21.5in (54.5cm) h, 20in (51cm) w, 18.5in (47cm) d. £100-150

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422. John Adams-Acton (1831-1910). A carved marble portrait bust of Ellen A. Hall, the reverse inscribed ‘JOHN ADAMS-ACTON FECT ROMA 1864’, 21.25in (54cm) h, 15.25in (38.3cm) w.

John Adams-Acton in 1858 was awarded a Gold Medal by the Royal Academy Schools and the prize was to study under John Gibson in Rome.

Under the tutelage of Gibson he sculpted the portraits of many famous people on the Grand Tour in Rome and on his return to England in 1865 his reputation as a talented portraitist was established. £2,000-3,000

423. An Italian relief carved marble portrait rondel of Alexander the Great, the edge inscribed ‘ALEXADER MAGNVS’, probably 19th century but possibly Roman, the back fitted a later metal hook, 7.5in (19cm) dia. £200-300

424. An Italian marble rectangular plaque, with a latin inscription ‘PLAIONI CAESARIS FECIT OLYMPICVS VILIC ET ILVS’, 7.75 x 10.5in (19.7 x 26.5cm). £100-200

425. A 19th century cast bronze plaque, relief profile bust of a classical lady wearing a laurel wreath in her hair, 10.5 x 7.5in (26.5 x 19cm) in a later wood and painted gesso frame. £100-150

422

426. A late 19th century circular bas-relief painted plaster rondel, portrait of a young girl, inscribed ‘ANNIE’, with a dolphin below, gilt highlights, 14in (35.5cm) dia. £150-200

427. A Victorian plaster relief bust of a gentleman, in a circular giltwood and glazed frame, the verso indistinctly inscribed in pencil, 22in (56cm) dia. £100-150

425

423

424

426

427

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428. A mid 16th century Italian bronze circular pot and cover, with three winged herm supports to a triform base, the cover with a seated figure finial, 7.25in (18.5cm) h, 5in (13cm) w. £150-200

429. An Italian bronze candlestick in 16th century Venetian style, the urn shape nozzle with three cherub masks, the circular base supported by satyrs with garlands, 19th century, 6.25in (15.8cm) h, 5.75in (14.3cm) w. £250-350

430. A bronze bust of Menelaus, late 19th century, on a turned mahogany base, 7.25in (18.5cm) h. £150-200

431. Manner of Francois Duquesnoy, a pair of continental bronze busts of infants, on rouge griotte marble bases, early 20th century, 9.5in (24cm) h. (2) £150-200

432. A pair of 19th century bronze recumbent lions, each with their front paws crossed, on white and black marble breakfront plinths, 10.25in (26cm) h, 15.5in (39.3cm) w. (2) £1,800-2,000

433. After Flaminio Vacca (Italian 1538-1605). An Italian green serpentine model of the Medici lion, late 19th/early 20th century, 7in (17.7cm) h, 10.5in (26.7cm) w. £800-1,000

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434. After the antique. Mercury supported on a globe to a square base, late 19th century, 10.5in (26.5cm) h. £100-200

435. A pair of late Victorian bronzed spelter models of warriors, each signed to the base, 23.75in (60.5cm) h, 9in (23cm) w. (2) £150-250

435

436. After E. Ludwig. An Art Nouveau bronze model of a nude lady holding a branch, signed ‘E. Ludwig’, on an octagonal marble plinth base, 10.25in (26cm) h. £100-150

437. After the antique. bronze model of Jupiter, laurel wreath and holding thunderbolt and a sceptre, 4.25in (10.8cm) d.

434

A 19th century seated wearing a his attributes the 8.5in (21.1cm) h, £300-400

438. After the antique. An Italian bronze model of Cupid holding a dolphin, 19th century, on a marble and rosewood base, 10.25in (25.8cm) h. An old break to the dolphin’s tail. £400-600

436

437

439. After the antique. A 19th century continental bronze ewer, with a lion handle the body with stiff leaf bands, portrait rondels and masks, the base stamped ‘F’, 12.5in (31.7cm) h, 7in (17.7cm) w.

Provenance: Bought by the vendor’s father from the eight day sale of the contents of Clyne Castle, Swansea, 1952.

438 439

For similar ewers see the Renaissance prints by Enea Vico and Agostino Veneziano. £300-500

440. August Nicholas Cain (1821-1894).

Hare seated on a rock, cast iron, signed, ears missing, 3in (7.5cm) and a 1950’s bronze of a figure wearing a gown on a wood plinth. (2) £50-80

441. After L & F Moreau. Vendangeur, spelter with bronzed finish, applied title plaque, 19in (48cm) h. £100-150

440 441

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442. An early 20th century German bronze of a steel worker, the reverse signed ‘M S 36’, and stamped ‘..LOGIESSERFI KRAAG BERLIN S.42’, on a verde antico marble plinth, 25.5in (64.7cm) h, 8.5in (21.5cm) w. £600-800

443. After Eugene Marioton (French 1854-1933). ‘Hallali’, a bronze figure of a hunter, signed and titled, the base stamped ‘P F 58’, on a rouge griotte marble base with trade label for H. Luppens & Cie, Bruxelles, 30.75in (77.7cm) h. £1,200-1,500

444. After Maurice Constant. ‘Le Travail’, bronze, signed, the circular base with a cartouche inscribed ‘LE TRAVAIL PAR MAURICE CONSTANT, MENTION AU SALON’, on a turned walnut plinth, late 19th century, 25.25in (64.3cm) h. £300-400

445. After Carl Kauba (Austrian 1865-1922). Running Fire, bronze, signed ‘C. Kauba’, and ‘GESCHUTZ’ and indistinct numbers, on a rough edge marble base, 14in (35.5cm) h. £1,500-2,000

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446 446. After Juan Clara (Spanish 18751957). A gilt bronze model of a young girl, holding one of her shoes standing on a chair, signed ‘Juan Clara’, early 20th century, the underside stamped ‘VB 735 1266’ and with a Goldscheider Sculpture foundry seal, 13in (33.2cm) h. £400-600

448 447

447. An early 20th century bronze figure of a salt miner, signed ‘G. Jaeger’, with a foundry pastille inscribed ‘VRAI BRONZE DEPOSE K’, 23.75in (60.3cm) h, 15.25in (38.5cm) w. £100-150 448. Charles Cumberworth (1811-1852).

Hernán Cortés, bronze, signed ‘Cumberworth’ and with foundry mark of ‘Susses Fres’, on a stepped black marble base, 15in (38cm) h.

Hernán Cortés was a Spanish explorer and conquistador who led the expedition that caused the downfall of the Aztec empire in the 15th century. £300-500

449 449. A bronze portrait bust of Robert Burns, mounted on a verde antico marble base, 8.75in (22.2cm) h, 8.5in (21.5cm) w, 4.5in (11.5cm) d. £200-300

450

450. A late 19th century bronze figure of Johann Wolfgang von Goethe, standing on a bowfront base with a slate plinth, 16in (40.5cm) h. £200-300

451. A Victorian marble column with slate top and base, c.1880, 43.25in (110cm) h. £200-300

452. After Jean Baptiste Pigalle (French, 1714-1785). A 19th century bronze figure of Jean de La Fontaine, sat holding ‘La Renard et Les Raisins’ signed ‘Pigalle’ mounted on a siena marble and bronze plinth with an applied portrait rondel of ‘Esope’, 21.5in (54.2cm) h, 8in (20cm) w, 7in (17.7cm) d. £800-1,200 451

452

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453. An Empire ormolu bust of Napoleon, on a spreading square patinated bronze plinth applied a wreathed ‘N’ and eagles either side, 15.5in (39.5cm) h. £1,000-1,500

454. A French bronze standing figure of Napoleon, with his left hand in waistcoat, on a turned marble base, late 19th century, 12.75in (32.5cm) h. £500-600

453

455. A 19th century gilt bronze bust of Marie Antoinette, after the original by Félix Lecomte, the verso stamped ‘MILLET A PARIS’, on a rouge griotte marble base, 8.5in (21.3cm) h. £50-150

454

455

456. An ebonised plaster Napoleon, 21.25in (54cm) h.

bust of £100-150

457. A William IV wax bust of William Frederick Hulton by Edwin Lyon, inscribed to the reverse ‘Bust of Frederick Hulton modelled by Edwin Lyon, Liverpool, Dec 1833’, on a circular rosewood plinth and under a glass dome, 10.25in (26cm) h. £80-120

456 457 458. An oriental bronze model of an immortal standing atop an elephant, 7.25in (18.3cm) h, 5.75in (14.4cm) w. £80-120

459

74

458

459. ‘The Dragon’ a bronze water feature

by Joanna Ullah, 1993, with foundry stamp and dated ’93’, 16.5in (42.3cm) h, 24in (61cm) l. £300-500

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460. A European carved ivory model of a putto, holding a posy in his right hand, 17th/18th century, 3.5in (8.8cm) h. £200-300

461. A Spanish baroque carved stone bust of a bearded saint, with original polychrome decoration, 2nd half 17th century, 8in (20cm) h, mounted on a modern plinth base. £300-400

462. An 18th century carved wood and polychromed figure of a saint, hands missing, 10.75in (27.5cm) h, on a later stand, and a figure holding a book in his left hand. (2) £400-500

463. A pair of Wedgwood pottery dolphin table lamps, each impressed ‘MADE IN ENGLAND WEDGWOOD’, one marked ‘WEDGWOOD ETRURIA ENGLAND MADE IN ENGLAND‘ 9.75in (24.5cm) h, together with a Corinthian column table lamp, 14.5in (36.8cm) h. (3) £100-150

464. A Russian gilt bronze inkwell modelled as a bear’s head, 3.5in (8.4cm) h. £250-350

465. A continental carved ivory Corpus Christi, the base with Mary Magdalene flanked by trees, mounted on a stepped walnut plinth, 18th century, 9in (23cm) h, 5.25in (13.4cm) w. £200-300

466. A pair of white marble and gilt spelter five light candelabra, the scroll branches with rose petal sconces, 20.5in (52cm) h, 10in (25.5cm) w.

(2) £400-600

467. A pair of French white marble and gilt bronze mounted four light candelabra in Louis XVI style, each with an ovoid body with ram’s mask mounts to a nulled rim issuing lily leaf branches and flower head sconces with buds, on a stepped square base, 19th century, 18.5in (46.5cm) h, 14.25in (36cm) w. (2) Damages, in need of restoration. £300-500

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468. A 19th century ormolu seven light candelabrum in rococo style, raised on an open triform base to a scrolling foliage stem with a hoho bird, the branches with alternate bunches of grapes, 32.5in (82.5cm) h. £300-500

469. A Sevres style porcelain and gilt brass mounted table lamp, the bleu celeste body with gilt highlights and jewelled decorated with panels of putti and musical trophies, two feet stamped ‘276Y’, c.1900, 20.75in (52.3cm) h excluding fitting, together with a shade. (2) £200-300

470. A pair of French ceramic and ormolu mounted candelabra, each with twin scroll branches with leaf sconces and floral finials, late 19th/early 20th century, 14.25in (36cm) h, 11in (28cm) w. (2) £200-300

471. A pair of brass twin light dolphin table lamps, converted from oil lamps, each with a red tôle peinte shade, the adjustable stems hung with four utensils, the dolphin’s head hinged, 23.5in (59.5cm) h, 13.25in (33.5cm) w. (2) £500-600

472. A pair of gilt brass table lamps, in the form of tapering reeded columns, on leaf capped tripod legs and paw feet, 10.5in (26.5cm) h, with shades. (4) £100-150

473. A pair of late 19th century French ormolu four light candelabra, each with a putto sat on a rocky mound holding a cornucopia issuing flowers and leaves, 17.75in (45cm) h. (2) £300-500

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474. A pair of ormolu three branch wall lights, in Louis XV style, drilled, 17.5in (44.5cm) h, 14.75in (37.5cm) w. (2) £150-200

475. A pair of gilt metal, bronze and cut glass three light candelabra, each with foliate scroll arms and hung with faceted pendants, early 19th century elements and later, 13.25in (33.3cm) h, 9.5in (23.7cm) w.

(2) £80-120

476. An early 19th century mahogany chest, the moulded edge top above a crossbanded and line inlaid frieze, above three graduated drawers fitted brass plate handles, with a shaped apron and swept bracket feet, 37.25in (94.5cm) h, 47.5in (120.5cm) w, 21in (53.5cm) d £300-500

477. A Regency bowfront chest, the crossbanded top with inlaid stringing above four long graduated drawers, fitted ivory inverted teardrop escutcheons and later brass embossed shell plate handles to a shaped apron and splay feet, 37.75in (96cm) h, 41.25in (105cm) w, 23in (58cm) d. £400-500

478. A mahogany military style chest, in two halves, with later brass mounts, sunken brass handles and side carrying handles, with two short drawers, the right side a secretaire drawer and three long drawers on later turned feet, 19th century but adapted, 39in (99cm) h, 41in (105cm) w, 17.5in (44.5cm) d. £300-400

479. A George IV mahogany writing table, in the manner of Gillows, the rectangular re-hinged top on a ratchet support and with a replaced leather inset and detachable book rest, with end frieze drawers, the left divided for ink and pens with a sliding surface with replaced leather insets, the right with sliding surface with replaced leather insets, the brass lock stamped ‘BRAMAH PATENT MORDAN & CO MAKER’, fitted brass flower head knob handles on turned and ribbed tapering legs to brass castors, 30.75in (78cm) h, 33.5in (85cm) w, 19.5in (49.5cm) d £1,200-1,800

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480. A mahogany breakfront library bookcase, of small proportions, the moulded cornice with a reeded frieze above a pair of astragal glazed doors, with false stepped sides enclosing adjustable shelves above a conforming panel door base with an adjustable shelf to a plinth base, 19th century and later, 71.25in (181cm) h, 45in (114cm) w, 15in (38cm) d. £800-1,200

481. An early 19th century mahogany chest on chest, the flared cornice with reeded and tablet decoration above three short and three long graduated drawers, flanked by reeded pilasters, the lower half with two short and two long drawers, all fitted later oval brass plate handles, on shaped bracket feet, 74in (188cm) h, 47.5in (120.5cm) w, 25.5in (65cm) d. Restored. £300-500 481

480

482. A George III mahogany serpentine card table, the hinged moulded edge top to a later baize, plain frieze with applied moulding on square tapering legs to spade feet, single gate support, 28.5in (72.5cm) h, 35.75in (91cm) w, 18in (45.5cm) d. Restoration. £250-350

482

483

483. A Regency amboyna ‘D’ shape card table, satinwood banded and strung hinged top, baize lined, on twin gates, to a boxwood strung frieze and diamond headed square tapering legs with applied ankles, 28.5in (72.5.cm) h, 36in (91.5cm) w, 18in (45.5cm) d. £600-800

484. An early Victorian mahogany side table, with a raised back above two frieze drawers stamped ‘GRAYGOOSE, 57 GT QUEEN ST’, 30.5in (80cm) h, 41.75in (106cm) w, 19.75in (50cm) d. £300-400

484

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485

485. A late George III mahogany bachelor’s chest, the applied moulded edge top above a brushing slide and four long graduated drawers fitted brass swan neck handles and on bracket feet, 32.5in (82.5cm) h, 34in (86.4cm) w, 18.25in (46.4cm) d. £300-400

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487

488

489

490

491

492

486. A giltwood open armchair in Louis XVI style, the padded back, seat and armrests upholstered floral needlework, the ribbon moulded and wreath carve frame to scroll arms and on stop fluted legs, late 19th century. £150-200

487. A Victorian mahogany bergère armchair, the reeeded frame to a caned back, seat and sides on ribbed supports to brass castors. £400-600

488. A Regency mahogany open armchair, the padded back, arms and drop-in seat later leatherette upholstered, the reeded frame decorated with rondels and spiral mouldings on conforming sabre legs. £150-200

489. A George IV beechwood child’s correction chair, with a cane seat.

Provenance: Purchased from Stockbridge Antiques, July 1980. £100-200

490. An early Victorian mahogany correction chair, with a bell shape seat on turned tapering legs. £400-500

491. A Victorian ottoman stool, the needlework upholstered hinged seat to mahogany mouldings and turned feet, 17.5in (44.5cm) h, 19in (48.5cm) sq. £80-120

492. A mahogany George I style child’s chair, with a tassellated top rail above a vase shape splat back and a drop-in seat, 33.5in (85cm) h. £150-200

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493. An early 19th century burr elm and elm twin pedestal dining table, the rounded corner ends with two additional leaves, one later, having satinwood banding above a banded frieze on turn supports, with hipped and moulded scroll legs to ribbed cast sabots and castors, 28.25in (72cm) h, 107in (271.5cm) l, 42in (107cm) w. £3,000-4,000

494. A pair of early Victorian burr elm four tier shelves, the top with a gallery above a replaced mirror back with turned elm twinned supports, 29.5in (75cm) h, 12in (30.5cm) w, 6in (15cm) d. £400-500

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495. A 19th century giltwood and gesso torchère, the circular top relief decorated stylized leaves and scrolls to a cable border on a confirming tapering panelled stem and three scroll feet, 39.5in (100cm) h, 14.25in (36cm) dia. £200-300

496. An early 19th century padouk, rosewood and parcel gilt jardinière stand, of octagonal form, the moulded edge top to a painted tin liner with handles on fluted rectangular supports to an undertier and banded scroll legs, 35in (89cm) h, 20.75in (53cm) w, 18in (46cm) d. £500-600

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497. An early 19th century burr elm and ebonised strung bowfront sideboard, with three frieze drawers, fitted replaced brass plate ring handles with a central arch on fruitwood ring turned legs, tipped, 34in (86.5cm) h, 42.75in (108.5cm) w, 25.25in (64cm) d. £500-700

498. A late 19th century satinwood and gilt brass mounted three tier étagère, the oval tiers with trellis parquetry and pierced galleries, 33in (84cm) h, 16.25in (41cm) w, 12in (30.5cm) d. £250-300

499. A 19th century oval mahogany wine cooler on stand, with ebonised stringing, with a hinged top, not fixed, to a previously divided interior now with a tin liner, brass lioness ring handles, the stand with applied brass moulding on fluted tapering legs to brass castors, 27.5in (70cm) h, 26in (66cm) w, 18.75in (47.5cm) d. £1,200-1,500

497

500. A late George III mahogany ‘D’ shape tea table, inlaid stringing, the crossbanded hinged top on twin gate supports above a frieze drawer on reeded tapering legs, 29.5in (75cm) h, 40in (101.5cm) w, 17.5in (44.4cm) d. £200-300

501. A late 19th century mahogany Pembroke table, with a satinwood banded top and inlaid stringing above a frieze drawer fitted brass handles, on satinwood lozenge headed square tapering legs to brass castors, 28in (71cm) h, 20in (51cm) w closed, 309.75in (78cm) d. £150-200

499 498

501 500

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502. A late George III mahogany linen press, the detachable cornice above a pair of oval panel doors enclosing a later brass rail above two short and two long part cedar lined graduated drawers fitted lion’s mask ring handles on bracket feet, 78.75in (199.6cm) h, 50in (126.5cm) w, 24.25in (61.7cm) d. Lacking slides. £300-500

503. A mahogany writing table in George III style, with a gilt tooled maroon leather inset top above five drawers with brass swan neck handles, on brass caps and castors, 19th century and later, 28.5in (72.5cm) h, 49.75in (126.5cm) w, 31.25in (79.5cm) d. £200-300

504. A George IV mahogany sofa table, with two frieze drawers and false to the reverse with later brass handles, on quadruple turned supports to platform reeded scroll legs on conforming brass sabots and castors, 28.5in (72.5cm) h, 36.5in (92.5cm) w, 26in (66cm) d. Old restoration. £1,500-2,000

505. A mahogany twin pedestal desk, the satinwood banded top above an arrangement of five frieze drawers, an arcaded kneehole and a deep drawer to each pedestal with a false front, on brass castors, 20th century, 31in (79cm) h, 48in (122cm) w, 23in (58.5cm) d. £300-400

506. A Regency style quartetto nest of mahogany occasional tables, each with a beaded and kingwood banded top on faux bamboo supports with curved stretchers, early 20th century, 27.25in (69cm) h, 19.5in (49.5cm) w, 13.25in (33.5cm) d. £300-500

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507. A mahogany tripod table, the circular dished tilt-top on a fluted and ribbed stem on acanthus carved cabriole legs and claw and ball feet, 19th century and later, 28in (71cm) h, 23in (58.5cm) d. £150-250

508. A mahogany serpentine card table, the moulded edge fold-over top to a baize lined playing surface, on square tapering legs and spade feet, 19th century and later, 29in (73.5cm) h, 36.25in (92cm) w, 18in (46cm) d. £150-200

508

507 509. A George III mahogany bureau, the interior with pigeon holes, drawers around a central cupboard door inlaid a marquetry conch shell flanked by secret pilaster compartments all with barber’s pole stringing above four long drawers fitted replaced handles, on later feet, 42.75in (108.5cm) h, 42.75in (108.5cm) w, 20.75in (52.5cm) d. £200-300

510. A mahogany bookcase, with a parquetry decorated cornice above a pair of crossbanded and strung astragal glazed doors enclosing adjustable shelves and on bracket feet, 50in (127cm) h, 43in (109cm) w, 13.5in (34.5cm) d. £100-200

509 510

511. An early 19th century mahogany firescreen, with a lift-up fabric panel, the hinged shelf with brass scroll supports, 38in (96.5cm) h, 17.5in (44.5cm) w, 14in (35.5cm) d. £300-400

512. An early 19th century mahogany oval butler’s tray, the folding sides with brass hinges and pierced handgrips, on a later folding stand, 38in (96.5cm) h, 38.75in (98.3cm) w, 28.75in (73cm) d. £400-500

511

512

513. A 19th century mahogany two tier stand on brass castors, 31in (79cm) h, 39in (99cm) w, 12.5in (32cm) d. £200-300

514. An early 19th century mahogany side table, the reeded edge top above a pair of boxwood edge drawers fitted wood knob handles, 28.5in (72.5cm) h, 32in (81cm) w, 20in (51cm) d.

Provenance: Purchased Lymington, April 1977.

from

Corfield of £150-200

513

514

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515. Eight dining chairs, including: a pair of early George III side chairs, 18th and 19th century.

(8) £100-150

516. Eight mahogany dining chairs, of differing designs, late 18th century and later. (8) £400-500

515

516

517. A William IV mahogany dressing table mirror, the arched plate to turned supports with ribbed mushroom finials, on a platform base with an inverted breakfront, 27.75in (70.5cm) h, 26.5in (67cm) w. £100-150

518. An early Victorian mahogany dressing table mirror, with a rectangular plate supported by petal capital turned tapering columns to an ‘H’ base with scroll feet, 30in (76cm) h, 24.75in (63cm) w, 14.5in (37cm) d. £100-150

517 518

519. A 19th century mahogany stool, the rectangular drop-in seat above pierced brackets and square chamfered legs, 20in (51cm) h, 24.5in (62cm) w, 18.5in (47cm) d. £150-250

519 520

520. An early Victorian mahogany footstool, the tapering seat to a crimped moulding and on disc feet, 9in (22.8cm) h, 18.5in (47cm) w, 15in (38cm) d. £50-100

521. An Edwardian mahogany bergère armchair, the caned back, seat and sides to a channelled frame, with faceted baluster arm supports and turned tapering legs, with two cushions. £300-500

521

84

522

522. A William IV mahogany bergère armchair, the later upholstered tub shape back to lappet carved front legs and ceramic castors. £100-150

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523. A mahogany breakfront library bookcase, the dentil moulded cavetto cornice, above a pair of astragal glazed doors flanked by two further doors enclosing adjustable shelves, above conforming cupboards below with moulded outlines, on a plinth base, 19th century and later, 83.75in (212.7cm) h, 76.25in (193.4cm) w, 17in (43cm) d. £1,500-2,000

524. An early 19th century mahogany and line inlaid washstand, the twin flap top revealing circular apertures and pull-up swing mirror, above a single drawer, fitted brass ring handles, over a tambour shutter to tapering legs, 35.75in (91cm) h, 18in (46cm) w, 18in (46cm) d. £300-400

525. A Victorian mahogany three tier whatnot, fitted a drawer to the base, 45.5in (115.5cm) h, 70.25in (44cm) w, 15in (38cm) d. £100-150

526. A pair of Edwardian mahogany open bookcases, with pierced gallery tops and adjustable shelves, 33in (84cm) h, 22.5in (57cm) w, 10in (25.5cm) d. £200-300

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527. An Edwardian novelty table lamp modelled as a lighthouse, the plated top with a fish weather vane and a sloping hinged roof to a light fitting behind six glazed panels, on a turned cannel body and an ebonised circular base, mounted a plaque, inscribed ‘Let there be light. THE SHAFT IS CANNEL TAKEN FROM THE MAYPOLE COLLIERY, WIGAN, THE SCENE OF THE DISASTER, AUGUST 1908, TO MISS CARNEGIE FROM MAYOR, SAM WOOD, JULY 1909,’

528

24in (61cm) h. £200-400

528. A pair of French onyx and gilt metal mounted urns in Louis XVI style, late 19th century/early 20th century, 10in (25cm) h, 3.5in (8.6cm) dia. (2) One swag loose and needs refixing. £300-400

529. A twin handled alabaster vase, decorated with engraved bands of vine leaves and grapes, 7.5in (18.8cm) h. £300-400 529 527

530. A pair of continental patinated bronze and black marble tazza, modern, 10.25in (26cm) h, 8in (20.3cm) dia. (2) £150-250

531. A continental veined marble shallow urn, on a fluted bronze foot, modern, 10.5in (26.3cm) h, 13.75in (35cm) dia. £200-300

530 531

532. An unusual mahogany stand, the revolving top with canted corners, to a carved rose and guilloche band, possibly 18th century, 8.25in (20.5cm) h, 8.5in (21.6cm) w. £80-100

532

86

533

533. A set of Victorian brass balance scales by Parnall & Sons, Bristol, stamped ‘PARNALL & SONS, BRISTOL, 21 & 22 NARROW WINE ST.‘ on a mahogany base fitted a drawer, 24.5in (62.3cm) h, 18in (46cm) w, with an associated set of troy weights. (2) £250-300

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534. An early 19th century circular micromosaic, depicting two figures by a tomb on the edge of a wood, mounted in copper, Rome, 2.375in (6cm) dia. £150-250

535. A Victorian amber paper weight, modelled as a book and engraved ferns and a cross, 3.25in (8cm) l, and an agate mounted stamp box, with three divisions. (2) £200-250

534 536. A blue john vase, with a ribbed band on a silver plated and enamel decorated foot, early 19th century and later, 5.25in (12.9cm) h, 4.5in (11.4cm) dia. £100-200

537. Three ivory gavels, one engraved ‘A. one lacking its handle, together with a modern walnut gavel, 6in (15.1cm) l, max. (4) £50-100

535

MARQUIS AUCTIONEER’,

536

538. Four 19th century rose turned ivory snuff boxes, one ebony mounted, 2.5in (6cm) dia. 4) £150-200

537

538

539

540

539. An early 18th century French Dieppe carved ivory snuff rasp, with a pivoted cover decorated with a basket of flowers, a bare breasted lady with three dogs, the rasp now missing, 7.25in (18.5cm) l. £400-600

540. A 19th century rose turned ivory bodkin case, 6.25in (16cm) l, a Regency turned ivory small tazza, a 19th century turned ivory and wood stand, together with a turned ivory ball and hand game, possibly Anglo-Indian. (4) £80-120

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541. A late Victorian ivory, black lace and silk lined parasol, the folding handle carved with leaves and flowers and with a monogram, 25in (62cm) l. £100-200

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542. A 19th century German carved ivory religious plaque, depicting an angel holding a child with buildings in the background, dated ‘1889’ and signed ‘K. Werg, Heidet, R. Begs’, 4.25 x 2.75in (10.6 x 7cm). £80-120

544. A 19th century green tortoiseshell and ripple moulded giltwood rectangular frame, 12.75 x 10in (32.5 x 25.5cm) outside. £150-250

543. Two 19th century German porcelain plaque icons, of Jesus with a crown of thorns and the Virgin Mary, possibly KPM, within white leather frames and mounted in a gilt tooled maroon leather travelling case, the plaques: 5.5 x 3.75in (14.2 x 9.5cm). £200-300

545. A tortoiseshell triptych dressing table mirror, the central plate with a fleur-de-lys motif, 1st half 20th century, 34.75in (88.2cm) h, 45.75in (116cm) w. Losses and some repairs. £200-300

546. Two early Victorian engraved powder horns, each decorated ships, a crown with canon, flags, a bust of a lady, a Scottish officer, Masonic symbols, with ribbed and faceted decoration, one plug missing, 17.75in (45cm) l. (2) £200-300

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547. Napoleonic interest. An unusual Austrian intricately carved limewood diorama, of the interior of a traditional alpine hunting lodge, the seasoned members of the hunting fraternity mapping their expedition whilst a youth is presented to them for his first hunting foray, in a cushion shaped mahogany frame, printed label to to the reverse ‘Fr Unterberger in Innsbruck - Speckbacher and Sein Sohn 1809 Nach Defregger’, the back with a silver gelatin photograph showing the contents of the shop in Innsbruck in the 19th century with this diorama included in the image of the stock, circa 1850-70, 18.5 x 22in (47 x 56cm).

This scene depicts Andreas Hoffer and Josef Speckbacher planning the revolt against Napoleon in the Tyrol in 1809. £600-800

548. An early Victorian rosewood sarcophagus shape work box, the hinged lid carved a floret and the underside fitted with a gilt tooled red leather framed mirror, with the initials ‘E. F.’, to a divided lift-out tray with silk pin cushions and needle holders, 7in (17.7cm) h, 13.75in (34.8cm) w, 10in (25.2cm) d. £100-150

549. A 19th century mahogany tea caddy, with satinwood panel inlay, stringing and crossbanding, the interior with two lidded compartments, 4in (10cm) h, 8.75in (22cm) w, 4.5in (11.5cm) d. £40-60

550. A 19th century French amboyna toilet box, brass mounted and inlaid mother of pearl with kingwood and ebonised banding, the lid with a cartouche, the silk lined interior with a pair of cut glass tear shape scent bottles with gilt brass stoppers, the base with a printed paper label ‘DULCERIA FRANCESA, H. DUVERDUN, CALLE PUENTE DEL ESPIRITU SANTO No. 2, MEXICO’, 4.25in, (10.7cm) h, 12.5in (31.8cm) w, 10.5in (26.7cm) d. £100-120

551. A Victorian ebonised and brass strapwork mounted box, the lid with a handle and a monogram, to a later fabric lined interior, 4.5in (11.4cm) h, 10.75in (26.8cm) w, 7.5in (18.7cm) d. £200-300

552. A French walnut and brass bound trinket box, with a silk lined interior and a brass lock stamped ‘TAHAN A PARIS’, 7in (18cm) w, an ebonised, brass mounted and enamelled watch stand, and a glass, gilt brass and engine turned powder pot. (3) £150-200

553. A late 19th century French kingwood and brass mounted writing slope, the hinged top to a stationery compartment, the fall inlaid a brass cartouche with monogram to a velvet lined writing surface, with a paper trade label for ‘..NOMOLI 30 CHURCH St’, 6.5in (16cm) h, 12.5in (31.6cm) w, 10.5in (26.6cm) d. Lock lacking. £200-300

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554. A Victorian ebonised walking cane, with an engraved silver handle, hallmarked for London, 36in (91.5cm) l, a segmented horn walking cane, two black umbrellas one with a gilt metal and tiger’s eye handle, stamped ‘GM’, two crook handled canes, and an ebonised cane with an animal’s head handle. (7) £250-300

555 554

557

555. A 19th century papier-mâché snuff box, of Stobwasser type, the cover painted three ladies admiring a portrait miniature, the reverse indistinctly inscribed, 4in (10cm) dia, another box painted a gentleman with a beard, a late 18th century French snuff box, with gilt mounts and tortoiseshell lining, a Regency curved tortoiseshell snuff box with gilt mount and initialled ‘JHH’, and a faux tortoiseshell, gilt brass and enamel plaque mounted box. (5) £100-150 556. A 19th century bird’s eye maple writing slope, inlaid with ebony, ivory and mother of pearl and fitted with glass inkwells, 11.25in (28.5cm) w, an Anglo-Indian sadeli work jewellery box, a Victorian walnut tea caddy and a 19th century mahogany caddy. (4) £100-200 557. An 18th century Dutch brass tobacco box, of canted rectangular form, the hinged lid engraved a view of a city, the base with a bakery, 6.25in (15.5cm) w, together with a Victorian leather and brass lady’s needlework bag with hinged ends, the silk lined interior with a pin cushion, utensil holders and pouches, with chain link handles, 5.5in (13.9cm) w. (2) £100-150

556

558. A pair of Victorian amber glass and silver plated candlesticks, 7.5in (19cm) h. (2) £80-120 559. A large Victorian cranberry glass trumpet vase, on a triform stained wood base and disc feet, 42in (106.7cm) h. £100-200

558

559

560 561

90

560. A French glass and ormolu mounted casket, of octagonal form, the hinged cover inset a circular portrait bust of Marie Antionette, the sides with bands of floral garlands and scrolling foliage to angel head feet, late 19th/early 20th century, 4.5in (11.5cm) w, 7.5in (19cm) w, 4.75in (12cm) d. £400-500 561. An early 20th century French oval trinket box, the repoussé sides decorated with rural scenes, the lid hinge broken to a padded interior, the underside stamped ‘T&E PARIS’, traces of gilt and silvering, 3.25in (8cm) h, 4.25in (11cm) w. £50-100

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562. A cast brass head of the Maiden of the Mercers Company, with traces of red polychrome decoration, probably 16th/17th century, 7in (18cm) h. £200-300 563. Four Victorian brass miniature tilt-top tables/reflectors, a pair of nutcrackers in Renaissance style, dated ‘1564’; a brass bracket with an adjustable hook, a miniature anvil and hammer, a classical cast iron tazza with a brass liner and a small pewter measure, 10.5in (26.7cm) max. (10) £50-80 564. A pair of Regency watercolour and feather bird pictures, the reverse of one with a printed paper label inscribed ‘FROM THE COLLECTION OF GERTRUDE ILLINGWORTH. Wydale, Brompton R.S.O., Yorks.’ 6.75 x 8.5in (17 x 22cm) mounted, framed and glazed. (2) £150-250

562

565. A 19th century French ormolu desk stand in rococo manner, with a shaped tray having a galleried back to an urn inkwell with hinged cover on dolphin supports, 5.75in (14.5cm) h, 12in (30.5cm) w. £100-150 566. A late 19th century French ormolu inkstand, with a pair of cornucopia having hinged fruit and flowers flanking a lady supporting a fruiting vine handle on an oval green marble base, 6.75in (17cm) h. £300-400 567. A 19th century French lapis lazuli, enamel and seed pearl set cross, with gilt metal mounts, 5.25in (13.5cm) h, stitched to brocaded fabric in a parquetry lidded box with gilt brass mount, the centre with anchor and two shield with cross and heart, the back with suspension hook, 8.25in (21cm) h. £100-200

563

564

568. Literature: Nine books relating to antique furniture, including ‘The Shorter Dictionary of English Furniture’ by Ralph Edwards, ‘English Furniture From Gothic to Sheraton’ by Herbert Cescinsky and ‘World Furniture’ by Helena Hayward. (9) See website for full list. £40-60 569. A collection of twenty two moulding planes. (22) £50-100

567

565

568

566

569

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570. A mahogany and parquetry decanter box, the hinged lid inset a mirror, six glasses and a pull-out cribbage board, to three cut glass decanters, with gilt brass holders above a spring loaded compartmented drawer, the hinged front with a drawer previously with divisions, fitted a Bramah lock, and side carrying handles, early 20th century, 14.25in (36.1cm) h, 15.75in (29.9cm) w, 12in (30.5cm) d. £100-200

570

572. A late George III mahogany travelling tantalus, with brass side handles and a brass lock stamped a crown and ‘I.BRAMAH PATENT’, baize lined for six glass square decanters and stirrup cups, one decanter replaced, with later plated tots and enamel and plated labels, 10in (25.5cm) h, 13.25in (33.5cm) w. £200-300

571. A 1930s leather travelling decanter case, with initials ‘J. P. B.’ the plush lined interior fitted with four cut glass decanters with silver hinged stoppers, hallmarks for Hubert Hall, Chester, 1937, and twelve cut glass liqueur glasses, with metal label inscribed ‘KG 9628’, 8.5in (21.3cm) h, 15.5in (39.4cm) w, 15in (38cm) d. £150-250

573. A late Victorian oak and silver plated tantalus, with a mirrored back and fitted with three glass decanters and stoppers, one replaced, to a hinged compartment with divisions, the lock stamped ‘H & CL within a heart’ above a divided plush lined base drawer with button mechanism, side carrying handles, 13.25in (33.7cm) h, 14.5in (37cm) w, 11.25in (28.5cm) d. £100-150

575. A miniature Hercules type corkscrew, with turned ivory handle, 2.5in (6.5cm) h. £80-120

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571

574. A Victorian gilt bronze small tantalus, retailed by the Goldsmiths Company, London with a Betjemann’s Patent locking bar, decorated with ferns and with three cut glass decanters and stoppers, to a plush lined base, stamped at either end beneath a crown ‘THE TANTALUS’, ‘BETJEMANN’S PATENT 10165 LONDON‘ and ‘GOLDSMITHS COMPANY 112 REGENT ST. LONDON’, 8in (20.3cm) h, 9.25in (23.5cm) w. Locked. £100-200

576. A Swedish damascened steel paper knife, the blade decorated three bearded figures with celtic scrolls and a cartouche with signature, possibly Edward, the reverse with putti, the handle with the English Royal Coat of Arms, 11in (28cm) l, and a pair of cloth scissors, with the same signature, the blades stamped ‘EJ, crowned anchor’ and ‘E, AB. ESKILSTUNA, (Jernmanufaktur)’. (2) £400-500

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577. A 19th century bronze figure of a satyr, 10in (25.6cm) l, two bronze figures of bathing females, a gilt bronze lion on a marble base, a cast bronze hand and a bronze paper weight cast a lobster and shells. (6) £200-300

578. An Eastern brass bowl, raised on four ball feet, with a body of alternate bands of silver and copper scrolls, 6in (15cm) h, a brass coffee pot and a small bowl, both with similar decoration. (3) £50-100

579. A 17th century German steel tool, with punched and parcel gilt decoration, possibly a glazier’s or coachman’s tool, 5.75in (14.6cm) l. £300-500

580. A S.S. Titanic commemorative steel rivet head, decorated a star and inscribed ‘S.S. TITANIC LOST AP 15 1912’, the sides with shamrocks, 1.25in (3cm) h. £100-200

581. A mahogany octagonal plate/bone bucket in George III style, with a brass swing handle and fretwork decoration, late 19th/early 20th century, 14in (35.7cm) h, 11in (28.2cm) w. £300-400

582. A George III mahogany and brass bound oval jardinière, with scroll lifts and a brass liner, 6.5in (16.3cm) h, 17.25in (43.8cm) w, 11in (28cm) d. £200-300

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583. A George III mahogany oval tray, with a pair of lacquered gilt brass scroll handles to a wavy edge laminated gallery, 32.25in (81.4cm) w, 23.75in (60.3cm) d.

See Christopher Gilbert, The Life and Work of Thomas Chippendale, London, 1978 p. 276, pl. 505, for a similar tray probably supplied by Thomas Chippendale in 1763 to Dumfries House. Also lot 104, 500 Years Decorative Arts Europe, Christie’s for a tray possibly by Thomas Chippendale. £500-800

583A. Nelson interest. A late Regency papier-mâché oval tray, japanned in black and gilt, the centre painted a portrait of Admiral Lord Nelson, with an eagle above and a coronet below, flanked by ribbon tied maritime trophies, the gallery pierced two handgrips and decorated with a band of oak leaves and acorns interspersed with panels of canon and flags, 30in (76.3cm) w, 23in (58.4cm) d. £800-1,200

584. A George III style mahogany candlestick, with a turned and leaded base to a spiral turned stem and brass leaf and spool shape holder, 19th century, 21.5in (54.5cm) £200-300

585. An early 19th century turned yewwood egg cruet, with fluted edges, the revolving pierced platform for the six egg cups, 8in (20.4cm) h. £150-200

586. A stained wood architectural model of a spiral staircase, 20th century, 23in (58.3cm) h, 13.75in (35cm) dia. £100-150

587. An early 19th century yew and white metal inlaid snuff shoe, with feather, buckle and strap decoration, the pull-off lid with a lady wearing a crinoline dress, 4.25in (11cm) l. £200-250

588. A late 19th century Sorrento ware olivewood, marquetry and parquetry triptych dressing table mirror, with an easel back and fret carved decoration with panels of figures and flowers, 13.25in (33.7cm) h, 12in (30cm) w, together with a Sorrento ware hand mirror, 11.75in (29.4cm) l. (2) £100-200

589. A Victorian rosewood travelling shaving mirror, inlaid boxwood stringing and with a folding stand, 11in (28cm) h, and a 19th century continental walnut shaving mirror with an oval plate. (2) £150-200

584

587

585

586

588 589

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590. A Victorian rosewood games table, the hinged and swivel top banded in satinwood revealing inlaid chequer, cribbage and backgammon boards, above a divided frieze drawer the brass lock stamped ‘WEST 37 OLD ST. ROAD’, above a pull-out bag, on leaf and scroll trestle ends with pierced fret decoration, to scroll legs united by a turned stretchers, on brass castors, 28.75in (72.8cm) h, 22.5in (57cm) w, 19.75in (50cm) d. £200-300

591. A Victorian mahogany lady’s writing table by Phillip Symonds, Barnstaple, with a raised back on turned supports above a plain frieze and ring turned tapering legs, the reverse with a printed paper label ‘PHILLIP SYMONDS, CABINET MAKER, UPHOLSTERER & UNDERTAKER 49 BOUTPORT STREET BARNSTAPLE...’,

42.5in (108cm) h, 29in (73.5cm) w, 17in (43.5cm) d. £500-600

592. A Victorian walnut and kingwood parquetry serpentine side cabinet, by Druce & Co., with gilt brass mounts, the crossbanded top with stringing above a conforming frieze and a pair of arched doors each with a central oval Sevres style porcelain plaque painted with cherubs, to a plush lined interior with a shelf, one door with a gilt brass plaque inscribed ‘DRUCE & CO. UPHOLSTERERS & CABINET MAKERS, BAKER STREET, PORTMAN SQUARE’,

flanked by mirror backed parquetry shelves, to a shaped plinth base, 43in (109cm) h, 66in (168cm) w, 19.75in (50cm) d. £2,000-3,000

593. A late Victorian walnut and parcel gilt centre table by James Shoolbred & Co., the burr veneered octagonal top to a galleried undertier and ceramic castors, the underside with an applied enamel label ‘JAMES SHOOLBRED & Co. 1 TOTTENHAM HOUSE, TOTTENHAM COURT ROAD

594. A late Victorian walnut centre table

by James Shoolbred & Co, with a square top and undertier with turned supports, one frieze stamped ‘JAs SHOOLBRED & Co’, 4928, 25.25in (64cm) h, 20.5in (52cm) w. £80-120

595. A late Victorian walnut octagonal centre table, on turned and fluted legs, united by a spindle stretcher, to turned feet and ceramic castors, with an applied ivorine label ‘Kendal, Milne & Co., Deansgate, Manchester’, 29in (74cm) h, 30in (76cm) w. £300-400

LONDON‘

and stamped ‘1798’, 28.25in (72cm) h, 28in (71cm) w. Restored. £100-200

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596. A Victorian goncalo alves centre table, by Holden & Co., Liverpool, the oval tilt-top with a wavy edge frieze on a turned and leaf and berry carved stem on three cabriole legs each with differing carving to the knee on scaly claw and ball feet and sunken brass castors, the block stamped ‘HOLDEN & CO. LIVERPOOL’, 28.5in (72cm) h, 54 x 39.75in (137 x 101cm).

Holden was a son of a gunsmith £400-600

597. A late Victorian oak small revolving bookcase, 25.25in (64cm) h, 15.25in (38.7cm) w. £300-400

596

598. A Victorian walnut games table, the shaped rectangular top inlaid a chequer board and floral marquetry, 26.25in (66.5cm) h, 36in (91.5cm) w, 17.5in (44.5cm) d. £100-150

598 599. A late Victorian rosewood, parquetry and marquetry coal purdonium, with pierced brass galleries, the front panel with a penwork vase, river tide wreath and husks, the top edge stamped ‘68482’, to a cast iron frame, 40in (101.5cm) h, 19in (48.5cm) w, 15.5in (39.5) d. £500-700

597

600. Two Edwardian satinwood and polychrome decorated bedroom chairs. (2) £100-120

599

600

601. An Edwardian mahogany and satinwood pedestal, of tapering form, marquetry inlaid with ribbon tied baskets of flowers, 42.75in (108.5cm) h, 14in (35.5cm) sq. £200-300

602

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601

602. A pair of mahogany bedside cupboards, each pierced handgrips to the sides, the hinged door with oval stringing, each enclosing a shelf, 30in (76cm) h, 15.25in (38.5cm) w, 13.75in (35cm) d. (2) £150-200

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603. A late Victorian walnut kidney shape desk, the inset gilt tooled maroon leather top with a gilt brass gallery above three frieze drawers all fitted brass locks stamped ‘J.T. NEEDS, 189 PICCADILLY, LATE J. BRAMAH, Crowned, 124 PICCADILLY’, the left drawer stamped ‘W. TURNER LORD & CO. LONDON’, above two further drawers to each pedestal with cast gilt brass handles, on leaf carved cabriole legs, 29in (73.5cm) h, 48in (122cm) w, 24.5in (62cm) d. £400-500

604. A Victorian oak two tier buffet, the moulded edge hinged top with canted corners, the brass hinges stamped ‘HUXLEY & CHING’, on turned and leaf carved supports, 34in (86.5cm) h, 57in (145cm) w, 24in (61cm) d. £400-500

605. A 19th century painted four fold screen, decorated en grisaille with buildings including a lighthouse, still lives within stencilled borders, the reverse ebonised, 75.5in (191.5cm) h, 20in (51cm) w, each panel. £300-400

606. A Winsor & Newton Ltd mahogany easel, with an adjustable brass rail, the reverse with an ivorine label, ‘WINSOR & NEWTON LTD, LONDON’, 72.5in (184cm) h, 28in (71cm) w. £1,000-1,500

607. A set of eight late Victorian mahogany dining chairs, each with a leaf and carved arched back with turned spindle galleries to a button back and seat upholstered maroon leather, on turned tapering legs united by ‘H’ stretchers to ceramic castors. (8) £600-800

608. A Victorian walnut settee, the leaf and paterae carved show frame to a button upholstered back and a serpentine front on turned legs to ceramic castors, 38.5in (97.3cm) h, 75in (190.3cm) w, 36in (91.4cm) d. £300-500

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609. A pair of satinwood and marquetry demi-lune console tables, fan back with bead edge husks to further beading, a band of trailing foliage and a rosewood crossbanded edge, frieze with flower head bundles, square tapering legs, block feet, early 20th century, 33.75in (86cm) h, 39in (99cm) w, 19in (48cm) d. £2,500-2,800

610. A mahogany tripod table, the circular top on a turned tapering stem with cabriole legs, George III and later, 26.25in (66.5cm) h, 16.25in (41cm) dia. £40-60

611. An early Victorian rosewood games table, the swivel hinged top with parquetry surfaces for backgammon, cribbage and chess, above a frieze drawer, 39.5in (75cm) h, 24in (61cm) w, 15.75in (40cm) open. £350-450

612. A circular topped centre table, with a baize covering on a turned and carved parcel gilt and cream painted tripod base, to brass castors, 27.75in (70.5cm) h, 24.25in (61.5cm) dia. £80-120

613. A late Victorian mahogany serpentine top bijouterie table, with satinwood cross banding and stringing, the hinged top above glazed sides, 30.5in (77.5cm) h, 25in (63.5cm) w, 18in (46cm) d. £300-400

614. An Edwardian oak and brass magazine rack, with four divisions, 26in (66cm) h, 18.5in (47cm) w. £100-150

615. A mahogany tripod table in George III style, with carved decoration to the tilt-top and legs, 28in (71cm) h, 30.75in (78cm) dia. £150-250

98

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616. A George IV mahogany Cumberland action dining table, by Ann and Charles Freame, Worcester, the drop-leaf top on turned supports united by a turned stretcher with applied rondels to the knuckle joints, on moulded scroll legs to brass sabots and castors, the underside with a printed label ‘Manufactured

by MESSRS A. & C. FREAME, At their Warehouse 11 Swithin Street, WORCESTER’, 28.5in (72.5cm) h, 65.75 x 45in (167 x 114cm) open.

Charles Freame, cabinet maker, undertaker and fanch chair manufacturer (1818-40). Trading in partnership with Ann Freame at 11 St. Swithin Street 1830-40. £600-800

617. A pair of easy armchairs, later damask upholstered on ebonised supports to brass castors. (2) £500-600

618. An 18th century mahogany side chair, the eared top rail above a pierced splat back to a drop-in seat on stretchered tapering legs to block feet. Repairs and replacements, previously with arms. £20-40

619. A pair of easy armchairs, upholstered chequered green fabric, each with an arched back on mahogany square tapering legs and ceramic castors, modern. (2) £300-500

620. A modern oak centre standing open bookcase, the moulded cornice above twenty eight adjustable shelves and on a plinth base, 81.75in (207.3cm) h, 51in (129.6cm) w, 17.25in (43.8cm) d. £200-300

621. A Victorian walnut Davenport, with a replaced leather inset top above two drawers and a false drawer, a pen and ink drawer to the side above four drawers and false drawers to the left on spiral twist front supports and bun feet and ceramic castors, 32in (81cm) h, 22in (56cm) w, 22.75in (58cm) d. £150-200

622. An Edwardian oak and brass magazine rack, stamped ‘TOWNSHENDS LD’, 32in (81.5cm) h, 14in (35.5cm) w. £80-120

99

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623. A mid Victorian mahogany desk chair, button upholstered green leather, with a pierced fret carved splat and leaf wrapped scroll supports to a serpentine front seat on ribbed tapering legs to brass castors. £1,800-2,200

624. An Edwardian mahogany and satinwood demi-lune console table, inlaid stringing and marquetry decoration, 26.25in (67cm) h, 20in (51cm) w, 10in (25.5cm) d. £150-200

625. An early 19th century mahogany work table, the twin flap top above three drawers the top one fitted with a baize lined ratcheted writing slope with pen and ink compartments, the reverse with a deep drawer on ring turned tapering legs, 27in (68.5cm) h, 15.5in (39.5cm) w, 21in (53cm) d. £200-300

626. A 19th century continental mahogany rocking chair, the padded back, arms and seat upholstered plush fabric, to leaf scroll arms and a flame veneered apron to an egg and dart moulding, on sleigh rockers. £400-600 623 627. A mahogany stool in George III style, with a squab cushion on mahogany leaf capped cabriole legs and claw and ball feet, modern, 19in (48cm) h, 29.75in (75cm) w, 24in (61cm) d. £80-120

628. A set of four late Regency mahogany dining chairs, each with a reeded ‘X’ shape back to a stuffed-over seat on turned tapering legs. (4) £100-200

625

629. A George III style mahogany dressing table mirror, the arched plate to a giltwood slip, the box base fitted three drawers, on ogee bracket feet, 19th century, 23.75in (60.2cm) h, 16.25in (41.2cm) w. £100-150

626

624

627

100

628

629

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630. A Victorian butcher’s shop display model by Fernley, Limehouse, 1880, carved wood and plaster with polychrome decoration, depicting the shop front with produce and the abattoir displayed with figures, with sign above inscribed ‘FERNLEY FAMILY BUTCHERS’, with plants and four sash windows, a label to the left inscribed ‘FERNLEY, MAKER, LIMEHOUSE. E. 1880.’, 30.75in (78cm) h, 36in (91.5cm) w, 14.5in (35cm) d, the front with an applied gilt frame.

Provenance: This fine model was made by the vendor’s great great grandfather and has passed down the family by descent. It was loaned to the Museum of Childhood in Bethnal Green for over thirty years where it was on display. For other butcher’s shop display models sold at auction see: lot 1354, Sworders, The Principal Contents of Lancotbury Manor, 24th September 2008 and lot 354, Christie’s South Kensington, 20th May 2008. It is thought that these models were put in the empty shop window once the meat had been moved to cold storage at the end of the day. £4,000-6,000

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631. E. J. Riley Ltd, Accrington. A mahogany quarter size snooker/dining table, the top with four leaves above a baize lined playing surface, on turned legs, stamped ‘A61303’, ‘A61155 Accrington’ and ‘A61444’, together with associated cues and balls, 29in (73.5cm) h with leaves, 77.5in (197cm) w, 41in (104cm) d. £800-1,200

632. A set of eight ash croquet mallets, on a fruitwood and ash stand, 20in (51cm) h. (9) £300-400

633. A John Jaques croquet set, the hardwood mallet heads stamped ‘JAQUES, LONDON’, with balls, hoops, flags and peg marker in original green painted box. £400-500

634. A croquet set, the four mallets stamped ‘F.H. AYRES LTD, LONDON’, with hoops and balls mounted on a teak and brass stand with marker peg and hoop distance gauge. £400-500

635. A set of nine turned wood skittles, one with a painted ball finial, with three balls. (12) £100-150

102

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636

636. Archery interest. Three longbows, each with horn nocks and green plush handgrips, marked ‘46 MUIR EDINBURGH’, ‘24 WARRANTED‘ and ‘36 D.D. NEWBOLD’, housed in a pine box marked ‘R. BLANCHE, GREENOCK’, 75.75in (192cm) l, together with a box of arrows. (2) £350-450

637

637. Archery interest. A selection of archery equipment to include: a late 19th century yew wood bow, with horn nock and green plush grip, inscribed ‘Thompson 45 Meriden’, 72.25in (183.3cm) l; a bow by Ayres; three other bows of various construction, feather and wood arrows, with a set of five in a leather quiver and a 1950’s cased set of arrows with quiver, guards etc., together with a green painted two piece metal bow in a canvas bag. (A lot) £300-400

638

638. Archery interest. ‘A View of the Shooting for the Silver Arrow at Harrow Hill’, a hand coloured etching and engraving, by Charles Knight 1769 and published by William Todd, later annotated in 1771 with the contestant’s names, 9.75 x 10.25in (24.5 x 25.5cm) glazed in an ebonised frame, with inscription to the verso dated ‘1841’; ‘The Graces of Archery or Elegant Airs, Attitudes and Lady Traps’, a hand coloured engraving, by Charles Ansell, published by S. W. Fores, 1794, 15 x 20.25in (38 x 51.4cm) framed and glazed; ‘Archery at the Crystal Palace’, a hand coloured etching, together with nine books relating to archery including: ‘The Book of Archery’ by G. A. Hansard; ‘Ford on Archery’ edited by W. Butt; and ‘The History of Archery’ by E. Burke. (12) £400-600

639

639. A leather cartridge case by E. J. Churchill, London, the lid inscribed ‘W. M. PHIPPS HORNBY, R. N.’, to a baize and cloth lined interior with five divisions, with a paper label inscribed ‘E. J. CHURCHILL (GUN MAKERS) LTD, 36-42 LEICESTER SQUARE, LONDON, W. C. 2’, 5.75in (14.3cm) h, 15.75in (40cm) w, 10.5in (26.5cm) d. £400-500 640. A leather and brass mounted shotgun case by Cogswell & Harrison, with a lift-out baize lined tray above eleven divisons for cartridges, with a printed paper label ‘COGSWELL & HARRISON, REVOLVER GUN

641

AND RIFLE MANUFACTURERS, 142 NEW BOND

641. A leather cartridge case by Army & Navy, London, the baize lined interior with seven divisions, with a gilt tooled leather label ‘ARMY & NAVY C.S.L., GUN

STREET & 226, STRAND, LONDON, ESTABLISHED

DEPARTMENT,

1770.’,

WESTMINSTER: S.W.’,

5.25in (13.3cm) h, 34.75in (88.3cm) w, 8.75in (22.3cm) d. £400-500

117

VICTORIA

STREET,

7in (18cm) h, 21.75in (55.3cm) w, 10.75in (27.3cm) d. £350-450

640

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642. A leather and brass mounted shotgun case, the lid inscribed ‘B. G. SACKVILLEWEST’, to a baize lined interior with some utensils, 3.5in (9cm) h, 33.5in (84.7cm) w, 10in (25.3cm) d. £300-400

643 642

643. Two leather ‘leg of mutton’ gun cases, one with initials ‘E. F. D.’, the other ‘6/8 65 G. HEADLEY-DENT TO NEWCASTLE‘ and initials ‘A. J. D. G.’, 30.75in (78cm) l, together with a canvas and leather cartridge bag, with initials ‘E. N. S. C.‘. (3) £150-250

644. An oak and brass mounted game carrier, of slatted form with a leather strap handle, 21.75in (55cm) l, together with two similar game holders. (3) £150-250

644 645

645. Six pairs of leather riding boots, some by Maxwell of London, all with wooden trees. (12) £600-700

646. Nine carved wood and polychrome decorated decoy ducks, mounted on a central pole with a leather handle, 18,5in (47cm) h. £400-500

646

647

648

104

647. A Victorian iron eel spear, with trident prongs and pierced handle, 26.5in (67cm) l. £150-250

648. Three 19th century coaching/carriage whips, including an example by Callow & Son, with a silver handle with initials ‘H. H.’ below a coronet, the silver hallmarked for London, 1898, Carrington & Co., the shaft with ‘VR’ and maker’s mark, 50in (127cm) l, together with six whip reels mounted on a mahogany board. (4) £300-400

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649. An early Victorian mahogany whip and boot stand, 34.5in (87.5cm) h, 31.25in (79.5cm) w, 12.75in (32.5cm) d. £300-400

650. A mahogany stick and umbrella stand, with a brass carrying handle and hooks, 35.5in (90cm) h, 20.25in (51.5cm) w. £200-300

649 650

651. A Victorian oak, ebonised and brass mounted horse shoe shape tray, with stirrup handles, 20.25in (51.5cm) across handles. £80-120

652. A Victorian cast iron and painted stick stand, modelled as a huntsman with curved whip and hound by side, the back with registration lozenge for 28th August 1878, 28in (71cm) h, 20.5in (52cm) w, 11in (28cm) d. £450-550

651

652

653. A late Victorian silver plated student’s lamp, by Army & Navy, mounted on a horse’s hoof, inscribed ‘Hanboys 1890-98’, the shoe stamped ‘MOUNTED BY THE A & N C.S.Ltd’, 17.25in (43.7cm) h. £100-150

654. Two 19th century white painted wirework planters, 33.5in (85cm) h, 37.5in (95cm) w, 11.25in (28.5cm) d. £100-200

653 654

655. A child’s carved wood and animal skin covered pull-along horse, on a later painted platform and metal spoke wheels, late 19th century and later, 27.75in (70.4cm) h, 27in (68.4cm) w. £200-300

656. A 12 inch terrestrial library globe by Replogle Globes Inc., Chicago, with a spelter ring on a carved mahogany base, 34.75in (88cm) h. £250-350 655

656

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657

657. A mahogany propeller, with eight bolt holes and marked ‘J2160’, ‘P1870’, ‘G5567’ and ‘JUNE /36’, 73.25in (186cm) l. £200-300 658. A painted wood model of a clipper ‘Polly Hunkin, Falmouth’, with canvas sails and on a mahogany base, 52.25in (132.6cm) h, 54.75in (139cm) w. £550-650 659. A 19th century sailor’s woolwork picture, of the three masted ship flying the red ensign, 15.75 x 23.5in (40 x 59.5cm) in a contemporary bird’s eye maple frame. £250-350

659

658

660. A stag’s head neck mount by John Macpherson & Sons, Inverness, shot on Glen Clunie, 1952, 14st. 4lbs. with twelve point antlers, mounted on an oak shield, with ivorine plaque, the reverse with a printed paper label for John Macpherson & Sons, span: 26in (66cm). £400-500

661. A stag’s head neck mount, shot at Rhiedorrach, 1952, 15st. with fourteen point antlers, mounted on an oak shield, with ivorine plaque, span: 37in (94cm). £400-500

663. A Victorian display of exotic stuffed birds by Thomas Mutlow Williams, in a naturalistic setting, with a small trade plaque inscribed ‘T. M. WILLIAMS, NATURALIST 155 OXFORD STRT, OPPOSITE BOND ST’, under a glass dome and on a rosewood base with disc feet, 28.75in (73cm) h, 19.5in (49.5cm) w.

Thomas Mutlow Williams employed Rowland Ward’s father Henry as his Chief Taxidermist Artist and exhibited at the Great Exhibition of 1851. £150-200

106

662. A stag’s head neck mount by John Macpherson & Sons, Inverness, shot on Glen Clunie, 1919, 16st. 9lbs. with twelve point antlers, mounted on an oak shield, with ivorine plaque, the reverse with a printed paper label for John Macpherson & Sons, span: 31.25in (79.3cm). £400-500

664. Five roe deer slots caught by the New Forest Beagles in the 1920s, each with brass mounts, ring hooks and inscribed and dated, 14.25in (35.8cm) l. (5) £150-250

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665. An unusual Victorian wall bracket, made from a large specimen of bracket fungus ‘Can Doderma Resinaceum’, on a stained wood mount, 19th century, 12in (30.5cm) w. £40-60

666. A Minke whale skull, ‘Balaenoptera Acutorostrata’, 19th century, 36in (91.3cm) l.

Provenance: Ex. collection of Sir Henry Gore Booth, sale of the contents of Lissadell House, H.O.K. 2003. £150-200 665 666

667. A 19th century Burmese dha, the 9in blade to an ivory handle carved with elephants, figures, snakes, birds and tigers, to a silver mounted wood scabbard, 14.25in (36.2cm) l. £300-400

667

668. A 19th century Burmese ivory dha, the 7.75in curved blade to a deeply carved and reticulated grip and sheath, with scrolling foliage and a figure, damages, foliate embossed silver mounts, 14in (35.3cm) l. £300-400

668

669. A kukri, the curved blade stamped ‘CoI arrow head, GII 1917, 37’, 9.5in (24cm) l with scabbard. £60-100

670. A George VI naval officer’s dress sword by Gieves, the etched blade to a sharkskin grip, lion head pommel and a folding guard inscribed ‘P. G. WIGNEY’, 37.25in (94.5cm) l. £100-150 669 670

107

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671. An Indian Moghul carved jade dagger hilt in the form of a horse’s head, with ruby eyes set in gold, with a later silver blade converting its use to a paper knife, the jade hilt 18th century, the silver blade hallmarked London 1890, 19in (48cm) l. £200-300

672. A 17th century Italian steel stiletto dagger, with a gilt inlaid line through pommel and handle, 10.5in (27cm) l. £150-250

673. A Caucasian kindjal, with a broad double edged steel blade decorated with traces of gold damascened motifs, the rhinoceros horn handle with two gold decorated steel rivets, mid 19th century, 22.25in (56.5cm) l. £200-300

674. A West African carved wood mask, decorated in two tones, with fibre and cloth edges, 12in (30.5cm) h, and three other masks.

(4) £50-100

674 675

675. A Nigerian wood and polychrome decorated mask, with horn headdress, 23.75in (60.5cm) h, another mask with slit eyes and open mouth, and a third with linked chain from chin.

(3) £80-120

676. A Mali wood and brass mounted mask, with comb headdress and figure finial, 26in (66cm) h, and two West African masks. (3) £60-100

677

108

676

677. A Nigerian carved wood and polychrome mask, with sharp features and a triple knop headdress, 12.75in (32.5cm) h, another with antler headdress, and two other masks. (4) £100-150

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678. A Dan Deangle mask, carved wood with fabric bands with applied cowrie shells, Ivory Coast/Liberia, 13in (33cm) h. £150-200

679. A Songye carved wood mask, with filled white pigment, 16.5in (42cm) h. £100-150

678

679

680

681

683. A Zulu hardwood knobkerrie, the ovoid head to a long shaft with end string piercings, 34.25in (87cm) l. £60-100

684. An Ashanti carved and pierced wood stool, 10in (25.5cm) h, 15in (38cm) w. £80-120

680. A Gabon carved wood mask, with ebonised and white pigments, 17in (43cm) h. £80-120

681. A Yoruba carved wood mask, with dark patination, 17.5in (44.5cm) h. £150-200

682. A Nigerian Yoruba ceremonial bronze and iron club, with phallic terminals and pierced and woven cast decoration, 23.75in (65cm) l. With framed typed provenance titled ‘Club used for twin killing....’ (2) See website for full description.

Provenance: Ex-collection of Prof. Alastair G. Smith. £200-300

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687 685. A South African eastern Cape Nguni tall hardwood Sangomas or chief’s staff, the lower shaft caved with a coiled snake, 19th century, 60in (152cm) l. £150-200

686. An eastern silver plated staff, made from pinned lozenge shape sheets, of knopped form with a mushroom finial hung with stamped fish pendants, the base with a screw fitting and wood shaft, with inventory number, 28.5in (72.5cm) h. £150-250

Page 110

688 688. A Victorian animal hide walking cane, possibly elephant or hippo, of twisted form with a brass tip, 35.75in (95.5cm) l. £20-40

689

689. An east African Tanzania carved wood staff, depicting the head of a colonial army recruit, Nyamwezi, late 19th/early 20th century, 38.2in (97cm) l. £100-200 690. A South African Zulu chief’s rhinoceros horn knobkerrie, the spherical finial to a tapering two part shaft with nailed joins, 19th century, 35.25in (89.5cm) l. £2,500-3,500

690

687. A rare South African northern Nguni prestige staff, bound with bands of brass and steel wire, the wood handle carved a head with head-ring, late 19th century, 41in (104cm) l. £300-500

686

691. A south east African ceremonial rhinoceros horn and wood chief’s staff, carved with a man wearing a head-ring and with glass bead eyes, on a tapering shaft, Tsonga, late 19th century, 36in (91.5cm) l. £600-800 692. A Zulu hardwood knobkerrie, with an onion shape head, 24.25in (61.6cm) l. £100-150

685

110

692

691

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693. A Dogon wood door, relief carved a hunter and animals, 43.5in (110.5cm) h, 17in (43cm) w. £80-120 694. An Ashanti stool, 22.5in (57cm) w, a spear and a brass oliphant. (3) £50-150

696

695. A fine central African, Zaire, Kuba carved wood palm-wine cup, resting on four flexed supports, the handle carved a human face thumbpiece late 19th century/early 20th century, 7in (18cm) h.

Provenance: Purchased from John Hewitt 17th March 1958 by Charles Milton (19111993) textile designer and artist. £400-600 696. A West African Mali Dogon abstract figural sculpture, representative of the first ancestor, wood with traces of sacrificial encrustation, with modern suspension hook in back, 52in (132cm) h. £80-120 697. An African carved wood low chair, with a woven hide seat, 28in (71cm) h. £100-150 698. An Ashanti carved wood stool, with pierced and carved decoration, 12in (30.5cm) h, 17in (43cm) w. £60-100

693

694

695

697

698

111

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699. A large Bambara antelope headdress, of typical form and mounted on a later stand, 58.5in (148cm) h. £150-200

700. An African Benin type carved wood warrior on horseback, 24.5in (62cm) h. £80-120

700

699

701. A Nigerian carved wood and part ebonised kneeling woman, 15.75in (40cm) h, a Mangbetu anthropomorphic harp, 26in (66cm) l, and a carved a stained wood pot and cover. (4) £60-100

702. A Sierra Leone carved stone Nomoli of a standing male figure, with a hole through head, body and stomach, 7.25in (18.5cm) h, three other similar carvings and three busts. (7) £100-150

702 701

703. Three African hide covered drums, 23.75in (60.5cm) h, max. (3) £100-150

704. Four Angolan baskets, three with banded decoration the fourth with geometric designs, 18.5in (47cm) dia. (4) £80-120 704 703 705. A carved ebony figure of a standing female, on a canted corner base, the underside with two hand written labels ‘PROBABLY A WOOD CARVER

NAMED

SOLOMAN

A

20TH

CENTURY

DESCENDENT OF A 15TH CENTURY SCHOOL NATIVE CARVERS + BRONZERS’,

706

112

705

13in (32.7cm) h. £100-150

706. A set of three central African ebonised standing figures, with coiled fibre, representing a male, a female and a child, the tallest 14.25in (36cm) h. £100-150

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708

709

707. A Makonde standing figure, with a lip plate and with hands on abdomen, red and black pigment, 22in (56cm) h. £200-250

708. A Makonde seated figure, with a lip plate and black and white decoration, 22in (56cm) h. £200-250

709. A Dogon standing female figure, 32in (81cm) h. £150-200 711 710. A small beadwork purse, with fabric lining, a gourd with a bead and shell mount and a collection of bead necklaces. £80-120

710

711. A small collection of African beadwork, including belts, necklaces and gourds. (12) £80-120

712. A South African Zulu shaman’s leather bag, containing a collection of amuletic objects, vegetable and animal substances known as ‘the Witch Doctor’s bag’, c.1920, 11in (28cm) h.

Provenance: Ex. London private collection by descent from his South African father who was given the bag by Professor R. Turner of Cape Town. £50-100

713. A small collection of beadwork, including: necklaces and a pouch. £150-200

712

713

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714. A Democratic Republic of Congo, Luba or Songye, polychrome carved relief wood panel, depicting a bird of prey, first half 20th century, 11.75in (30cm) h, 6.75in (17cm) w, on a later stand. (2) £200-300

715. An Ivory Coast carved wood and polychrome mask, with a bird neck and beak surmount, 24.5in (62cm) h, on a later metals stand, and a carved mask with twin antler decoration. (3) £200-300 714

716. An Ivory Coast carved wood and polychrome mask, with horn coiffure supported by a standing figure and surmounted by two birds, the plain back with piercings for lattice reed work, 26.5in (67.5cm) h, and a carved wood ebonised mask, on a later stand. (2) £200-300

717. A carved wood tribal figure, with fur and feathers, 25in (63.5cm) h. £100-150 715

716

718. An Ashanti carved wood and polychrome large comb, a bronze Benin type figure, a carved spoon, a dance wand, a cylindrical wood container, two carved figures, an ebony and bone inlaid staff with three masks and a Javanese mask. (9) £100-200

717

719

114

719. A 19th century African ivory oliphant, with pierced aperture and carved bands to the terminal, 12.25in (31cm) l. £100-150

718

720

720. A Shona carved wood headrest, with a pierced open stem with cross and zig-zag decoration, to a curved platform, re-applied, 4.25in (10.7cm) h, 7.25in (18.5cm) l, and a pottery stand. (2) £100-150

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721. Two Javanese carved wood beams, each with a central boss with a metal ring fitting, approx, 100in (254cm) l. £500-600

722. Two interesting Anglican Church Missionary Society documents, ‘The Mission Field of Metlakahtla’, ‘From 1857 to 1869’ and a second document dated ‘From 1869 to the end of 1873’, relating to the work of William Duncan and the Rev R.A. Doolan in British Columbia amongst the Tsimsian and other North West Coast peoples, 19th century.

Provenance: From a Northamptonshire estate.

721

private £100-200

723. Illustrated Catalogue of Ethnographical Specimens by W. O. Oldman, Vols 2, 3, & 4 and 5, 6 & 7, London, together with The Oldman Collection of Maori Artifacts, Memoirs of the Polynesian Society Vol. 14, New Plymouth, 1938. (3) £100-200

722

723

724. A Papua New Guinea painted head hunting trophy skull, Asmat early 20th century, 5.5in (14cm) h. £100-200

725. A small collection of west African musical instruments, including a drum, a finger piano, rattles, a harp etc. (A lot). £50-100

724

725

726. Five whale’s teeth, 19th century, all pierced, 7in (17.5cm) l, max. (5) £100-200

727. Two 19th century Tibetan hand drums, skin covered and with fabric, with an old label with decription and dated ‘1905’, 8in (20.5cm) dia. (2) £60-80

727

726

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728. A carved coconut bowl, with Greek key borders between scrolls above ribbing and a fluted flared base, 19th century, 3in (7.5cm) h, 5in (12.5cm) dia. £150-250

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729. A west African Benin carved coconut container, depicting a European with his head severed from his body grasping a snake and a book, a padlock above his head, the Oba dressed in ceremonial attire with his sword and sceptre with a priest holding a lance, early 19th century, 4.5in (11.5cm) h. £80-120

730. A west African Benin carved coconut basket, with an old label stating ‘carved coconut basket Benin natives’, 19th century, 5.5in (14cm) h. £60-80

731

732 731. An oceanic wood paddle, inscribed ‘L. S &. L’, 63.25in (160.5cm) h, a palm wood bow and another with reed string. (3) £200-300 732. A New Caledonian wood club of phallic form, incised decoration below the head, 34in (86.5cm) l. £200-300

733

733. A Polynesian wood club, of tapering diamond form with flared sides to the end, with incised and resin filled decoration, 26.25in (66.5cm) l. £150-200 734. A 19th century Fijian wood throwing club, ula, with a lobed head and incised zigzags to the handle, 15.5in (39cm) l. £100-150 735. An early 19th century Fijian wood throwing club, ula, with geometric decoration to the handle, 17.25in (43.5cm) l. £100-150 736. An early 19th century Fijian throwing club, ula, with a round head, unusually carved with a Maori design handle of twin lines and beads, 17in (43cm) l. £100-150 737. A 19th century Fijian wood throwing club, ula, with a round head and zigzag decorated handle, 14.75in (37.5cm) l. £100-150

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734

735

736

737

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738. A south east Papua New Guinea conus shell currency bundle, tied with long strands of red dyed raffia, Gulf province, early 20th century, 44in (112cm) l. £80-120

739. A New Guinea breast ornament, with five extending fibre strands with shell border with two large white cowrie shell finials, 14in (35.5cm) l. £40-60

740. A Papua New Guinea ceremonial feather and fibre headdress, with an old label inscribed ‘New Guinea chaplet of Cassowary feathers, the feathers stand up all around the head’, Southern Highlands, 19th century, 9in (23cm) h. £80-120

741. Four south east Papua New Guinea conus shell armbands, one with attached black banana seeds and clam and red spondylus shell discs, with an old paper label inscribed in pencil ‘South Sea Bracelet’, Gulf province, early 20th century, 3.5in (9cm) max. (4) £80-120

742. A Choiseul or New Georgia, Western Solomon Islands barava fossilised clamshell plaque fragment, depicting a row of anthropomorphic figures standing with linked arms, 19th century or earlier, 3in (8cm) h, 5in (12.5cm) w, on a modern stand. (2) £100-200

743. A Papua New Guinea, Sepik River, carved wood elliptical platter, with polychrome decoration, 31.25in (79cm) w. £200-300

744. An Oceanic carved hardwood bowl, with a flared rim having pierced scroll decoration, 14.25 x 13in (36 x 33cm) £80-120

745. A Papua New Guinea flying fox teeth, glass bead and fibre necklace, Mountain peoples of the Fly River district, 1st half 20th century and two Pacific Admiralty Islands Kiribati long necklaces made from strands of human and porpoise teeth, late 19th century. (3) £100-150

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749

750

746 751 746. Two Malaita Solomon Islands ear sticks, with woven fibrous design, Melanesia, early 20th century, 8.25in (21cm) l. (2) £80-120 747. A carved wood paddle club, with central ridges along the leaf shaped blade, to a scroll carved and pierced terminal, probably Solomon Islands, 67in (170cm) l, and another similar, tip missing. (2) £200-300 748. Three lances, each with a polychrome shaft with bands of stylized leaves, with steel diamond shape tips, 86.25in (219cm) l. (3) £50-100

747

753

752 749. An Amazonian Jivaro Indian imitation shrunken head or tsantsa, made from the skin of a sloth or monkey, marked with an inventory number ‘A176’, 1st half 20th century, 5in (12.5cm) l. £200-300 750. A Solomon Islands flying fox teeth, black glass trade bead, seed and carved black wood ceremonial necklace, late 19th/early 20th century, a Gilbert Islands, Kiribati conus shell necklace, each cut shell disc woven onto a fibre thread, together with an Admiralty Islands Kiribati small child’s necklace. (3) £80-100 751. A collection of tribal items, including a 19th century Malay shoe (with old label), a carved coconut, other tribal items with labels and a collection of dice. (A lot) £20-40 752. A carved wood bust, with a dark patina and with painted eyes, 19th century, 6.75in (17cm) h.

Provenance: Ex-Webster collection with old inventory numbers. £100-200 753. A Papua New Guinea, Sepik river wood and polychrome spirit mask, with clay, shell and hair border to a woven reed outer border with feathers, 25in (63.5cm) h. £300-400

747 detail

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748

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755

756

757

754. A carved and polychrome decorated Thai Lamyong, an ornamental gable end from the roof of a Buddhist Wat, late 18th/early 19th century, 64in (162.5cm) l. £200-300

755. A large Hawaiian black basalt stone poi pounder, of phallic form, 1st half 19th century, 8.75in (22.5cm) h.

Provenance: Ex-collection Mark Blackburn. £800-1200

756. A Vanuatu fern carving, head of an ancestor, 15in (38cm) h. £200-300

757. A Micronesian carved wood elliptical drum, with slotted top, 16in (40.5cm) h, 44in (112cm) w. £300-400

758. A New Ireland carved wood and polychrome decorated mask, with shell eyes, one missing, 20in (51cm) h, £200-300 754

758

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759. ‘Motupoi Pah and Roto-Aire Lake, Tongariro in the Distance’, a modern coloured print after George French Angas, from New Zealanders Illustrated, 12.25 x 13.5in (31 x 34.4cm), mounted, framed and glazed. £10-15

760. A Maori carved wood janus tiki finial, with mother of pearl elliptical eyes, two missing, with a circular base having a screw and nut fitting, 6.5in (16.5cm) h. £400-500

761. A Maori hand club, kotiate, carved with notches and lines, the handle with stylized terminal and mother of pearl eyes, 15.5in (39.5cm) l. £400-500

760

761

762. An Australian Aboriginal carved wood shield, wunda, of oblong form with a handle and incised decoration, Western Desert, 30.25in (76.6cm) l. £200-300

763. An Australian Aboriginal hardwood spear thrower, Woomera, etched with an abstract wave design to both sides, one end with a kangaroo claw the other end with a stone set in a resin handle, Western Desert, 19th century, 21.25in (54cm) l. £200-300 762

763 764. An Australian Aborigine boomerang, with incised decoration, 34in (86.3cm) l. £200-300

764

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767 766 765 765. A late 19th century Native American Indian war hatchet, the pierced steel blade with copper and brass line inlay and punched decoration, the shaft with studded bands 26.75in (68cm) together with a Native American Indian Great Lakes Chippewa or Eastern Sioux carved stone human head effigy pipe, depicting a colonial or European, 1st half 19th century. (2) £600-800 766. A late 19th century Native American Indian beadwork cushion, Troquois, the vellum ground to floral designs and a tassel edge, the reverse with a needlework panel of fruit, 19.75in (50cm) sq. £100-150

768 769

767. A photograph of a Native American Indian and child, by Frank A. Rinehart and Adolf F. Muhr, circa 1900, 9 x 7in (22.7 x 17.7cm) in a modern glazed frame. £100-200 768. A south west Native American Indian Pima basket, decorated with thirteen abstract life forms, willow and devil claw, 19th century, 12.5in (32cm) dia. £300-400 769. A basket, with stylized bird’s wing decoration, possibly Native American Indian, Apache, 18.75in (47.5cm) h. £100-150

770

770. A Victorian photo album, containing view of South America, polo players, pet dogs and a collection of pre Columbian pottery, etc, all contained in a leather covered binding. £50-100 771. Five Mola appliqué pictures, of stylized birds, animals and figures with geometric patterns, all brightly coloured, 20th century, 13.75 x 17.75in (35 x 45.3cm), all framed and glazed, together with a reference book ‘Molas, Folk Art of the Cuna Indians’, by Ann Parker and Avon Neal, New York, 1977. (6) £200-300 772. A carved stone group of a naked man and a woman, he smokes a pipe, possibly South American,14in (35.2cm) h, 10in (25.3cm) w. £50-100

771

772

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The following thirty nine lots are from a private London collection of Pre-Columbian, Olmec and Mayan art. They were collected over a period of 20 – 30 years, from the late 1950s through to the 1970s. Mostly purchased from Sotheby’s, Christie’s and the London art market.

773. A pottery seated figure, with raised leg and hand to face, black, brown and red polychrome decoration, 15.7in (40cm) h. £200-300

774. A pottery seated figure, holding a spiked flask, 12.5in (32cm) h. £80-120

775. A pottery kneeling offering figure, with raised arm, cavity to back, signs of sacrificial cutting, 9.1in (23cm) h, 7.4in (19cm) w, 6.2in (16cm) d. Old break to right arm.

Provenance: Ex-collection of Mr Robert Stolper, Bath. £80-120

776. A pottery seated figure, with arms resting on knees, 12in (31cm) h. £80-120

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777. A pottery seated figure, with arms raised to face, old collection number to back ‘48’, 12.in (30.5cm) h. £100-150

778. A pottery standing figure, with a ring through its nose, arms by side and open palms, 12.75in (32.5cm) h. £100-150

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779. A pottery seated figure, with a fan headdress and wearing an apron with carved decoration, red and and white polychrome decoration, with an open cylindrical back, 16.5in (42cm) h. £300-400

780. A pottery standing male figure, holding a dagger and with a loin cloth, 13.5in (34.5cm) h. £150-200

781. A pottery seated figure, with a convex oval chest pendant decorated with a diamond pattern, 11in (28cm) h. £100-150

782. A pottery seated figure, with raised hands and head turned to the left, 15.3in (39cm) h. £50-100

783. A pottery seated figure, with convex circular chest pendant, diamonds to upper body, the ears drilled for suspension, 11.5in (29cm) h. £100-150

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784. A seated pottery female figure, with slip decoration, 17.25in (44cm) h. £100-200

785. A pottery kneeling female figure, wearing a necklace, 9.75in (25cm) h. £80-120

786. A pottery kneeling female figure, with her right arm on her breast, the base inscribed in pencil ‘JULESS’, 9.5in (24cm) h. £50-100

787. A pottery seated figure, with a convex serrated oval chest pendant, 13.5in (34cm) h. £150-200

788. A pottery dog vessel, standing on three legs whilst scratching its ear, 9.75in (24.5cm) h. £200-300

789. A pottery seated figure, with head and hands resting on one knee, with an elongated forehead, 12.2in (31cm) h. £100-150

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790. A carved volcanic stone vessel, supported by two stylized standing figures, 4in (10.5cm) h. £100-150

791. A pair of pottery seated figures, of a male and female with polychrome decoration, old collection numbers to base of the male figure, 10.5in (26.5cm) h, max. (2) £200-300

792. A pottery standing armadillo, together with a pottery duck, each with a tail spout, 12.75in (32cm) l, max. (2) £200-300

793. A large pottery vase, probably Chinese with two stylized lug handles, 13.7in (35cm) h. £100-200

794. A pottery seated figure, head gazing downward, with a nose ring, old label to base inscribed ‘NAYAR’, 8.5in (21.5cm) h. £100-150

795. A pottery blackware vessel, with standing figure to one side and animal to reverse, 5.75in (14.2cm) h, a double pottery vessel with strap handle and beast final, 8.25in (20.5cm) h, and a redware pottery vessel 6.5in (16.5cm) h. (3) £100-150

796. Three pottery redware vessels, one with incised diamond shaped decoration and glazed interior, 7.5in (19cm) h, one with incised decoration and slender neck and another with two stylized standing figures holding a staff and knife, with a label to base. (3) £100-150

797. A pottery blackware vessel, with two stylized crab motifs, 8.75in (22.2cm) h, and a pottery vessel with a monkey handle, the sides decorated with birds fishing, 8in (20.2cm) h. (2) £100-150

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800 798

799

803

801 802 798. A pottery jug, with a side handle and monochrome decoration, a twin handled pottery vessel and a pottery jug with a side handle and long spout, with some labels, 10.75in (27.4cm) max. (3) £100-150

799. A pottery stylized vessel, with a central spout, 7.25in (18.4cm) h, and a pottery vessel with five heads facing outwards, with an old collection number ‘26’, 6.25in (15.7cm) h. (2) £100-150

800. Two pottery standing female figures, one with polychrome decoration the other of flattened form, 7.75in (19.6cm) h, max. (2) £100-150

801. A pottery blackware oval vessel, with twin lug handles and figural head with incised arms, 9in (22.6cm) h, and a pottery vessel in the form of a masked head, with an old label to base, 8.5in (21.1cm) h. (2) £80-120

802. A small pottery head and neck, with elongated skull, a seated bronze figure holding a vessel on a raised wood base and a pottery stylized figure lying on a bed/offering table, 7.25in (18.4cm) h, max. (3) £80-120

803. A pottery seated male vessel, with his hands resting on his knees, 5.25in (13.3cm) h, and a seated female pottery figure/vessel with legs outstretched. (2) £100-150

804. Three pottery stylized heads, each raised on elongated neck supports, 8in (20cm) h, max. (3) £100-150

805. A pottery bowl, with two stylized faces and lug handles, 7.5in (19cm) w, and a pottery bowl with diamond motif decoration and five concentric rings to neck 6.5in (16.3cm) w. (2) £80-120

806. A pottery female head fragment, with a hollow back 6.25in (15.8cm) l, a standing female figure with red glaze, a pottery standing figure/whistle and a pottery standing figure with faint polychrome decoration. (4) £50-100

804

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805

806

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808

807 809. An abstract hardstone amulet/ pendant face mask, pierced to top of head, 3.25in (8.2cm) l. £50-80

807. An Olmec green stone mask, of abstract form with large open lipped mouth, pierced holes to base of ears and to upper section, 7.2in (18.5cm) l. £600-800

810. A green stone standing abstract stone figure, 5in (12.7cm) l. £200-300

808. A green stone ovoid abstract figure, with old label to reverse ‘1100BC’, 4in (10cm) l, another abstract standing figure and an abstract carved head. (3) £100-150

811. An Olmec jade face mask, pierced at the sides, 6.5in (16.7cm) l. £400-600

END OF SALE

809

810

811

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Clocks, Pocket Watches, Barometers & Scientific Instruments Tuesday 16th October 2012 Entries are being accepted for this sale

A William IV ebonised striking mantel clock

ENQUIRIES

Sold for ÂŁ4,800

Will Hobbs Tel: 01722 339752 willhobbs@woolleyandwallis.co.uk

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Furniture & Works of Art Tuesday 3rd July 2012 Entries are being accepted for this sale

One of a pair of Scagliola plaques attributed to Don Hugford Sold for ÂŁ39,040

ENQUIRIES Will Hobbs Tel: 01722 339752 willhobbs@woolleyandwallis.co.uk

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Silver Tuesday 24th and Wednesday 25th April 2012

ENQUIRIES Rupert Slingsby Tel: 01722 424501 rupertslingsby@woolleyandwallis.co.uk Lucy Grazier Tel: 01722 424594 lucygrazier@woolleyandwallis.co.uk

An Elizabeth I silver-gilt mounted Tiger ware jug,

by Nicholas Sutton, London 1571 Estimate ÂŁ18,000-22,000

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Jewellery Thursday 26th April 2012

A pair of natural pearl and diamond drop earrings (132 and 138 grains) Royal European provenance Estimate ÂŁ80,000-120,000

ENQUIRIES Jonathan Edwards FGAA Tel: 01722 424504 jonathanedwards@woolleyandwallis.co.uk Marielle Whiting FGA Tel: 01722 424595 mariellewhiting@woolleyandwallis.co.uk

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Asian Art Wednesday 23rd May 2012

ENQUIRIES John Axford MRICS ASFAV Tel: 01722 424506 johnaxford@woolleyandwallis.co.uk

A pair of Chinese jade and cloisonné jardinières of narcissus, 18th/19th century, 24.8cm.

Estimate: £2,000 - £3,000

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54

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ENQUIRIES Victor Fauvelle Tel: 01722 424503 victorfauvelle@woolleyandwallis.co.uk

6LU .\IÀQ :LOOLDPV :HOVK

Carreg Goch, Borth-y-Gest Signed with initials Oil on canvas 34.4 x 42cm 6ROG IRU Â…

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%RRNV PDQXVFULSWV OHWWHUV SKRWRJUDSKV DQG DOEXPV :HGQHVGD\ WK -XQH (QWULHV DUH FXUUHQWO\ EHLQJ DFFHSWHG IRU WKLV VDOH

Jan van der Straet, Vermis Sericus, 6 engravings on silk worms, with Venationes ferarum, avium, piscium, 109 engravings of hunting; all fully hand coloured [Antwerp, c.1630] (VWLPDWH Â… ENQUIRIES Liz Merry Tel: 01722 424500 lizmerry@woolleyandwallis.co.uk

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Arts & Crafts Wednesday 20th June 2012 Entries are now being accepted for this sale

ENQUIRIES Michael Jeffery Tel: 01722 424505 michaeljeffery@woolleyandwallis.co.uk

A light oak wall clock designed by A.W.N Pugin, for the Palace of Westminster.

Estimate: £10,000 - £15,000

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WOO L LE Y & WA L LI S

Absentee Bid Form Furniture, Clocks and Tribal Art Absentee Bid Form Tuesday 3rd April 2012

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Antique AF030412 Silver – SV498 Please bid, on my behalf, for the undermentioned Lots up to Wednesday 29th April 2009 the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed

Please bid, on my behalf, for the undermentioned lots up to the as cheaply as is permitted by other bids, and/or reserves if prices shown which include the premium or any any, and subject to do thenot Conditions of buyer’s Sale printed in this V.A.T. payable on lots.

These are toguarantee be executed as cheaply Catalogue.

Please note webids cannot that bids received after 4pm on the priorreserves to the auction willsubject be as is permitted by other bids,day and/or if any, and executed. to the Conditions of Sale printed in the Catalogue.

Billing Name (please print)

Address

Postcode Daytime telephone Email Debit/Credit Card details: VISA OTHER

MASTERCARD

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(please specify)

We do not accept American Express cards

Cardholder Card No. Valid from Expiry date Issue No.

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If you have not settled your account within 21 days of the auction Woolley & Wallis Salisbury Salerooms Ltd reserves the right to debit all charges due. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. By signing below you are authorising this payment to be taken by us. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

Brief Decription

Price Excluding buyer’s premium & VAT

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PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Description of lot

Price excluding buyer’s premium and VAT

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Auction Information OPENING HOURS

CONDITION REPORTS

Monday to Friday 9.00am to 5.30pm and 10.00am to 1.00pm on Saturdays.

The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

The colours printed in the catalogue are not necessarily true.

BIDDING IN THE ROOM To bid at auction you will need a paddle number.

This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

SALE RESULTS

COMMISSION BIDDING

BUYER’S PREMIUM

If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

TELEPHONE BIDDING

PAYMENT AND CLEARANCE

It is usually possible to bid on the telephone by prior arrangement with the office.

Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

These will be posted on our website shortly after the sale.

The following methods of payment may be made: bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000.

Wire transfers should be sent to: Lloyds TSB, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

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Auction Information Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale.

This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk APS 0800 118 5868 07736 544 362 sales@apservices.info www.apservices.info Mailboxes 01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover Pack & Send 0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

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Valuations Valuations are a core part of our business and are usually carried out by a senior specialist or director.

Accuracy, speed and above all confidentiality are paramount.

PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required.

Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson: 01722 424509

FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley and Wallis valuations are accepted by all leading insurance companies.

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Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 2998482

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders may be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium.

They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by fax or email.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate.

To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price.

If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls.

Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense.

We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur.

We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

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11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. After sale settlement of the net sum due to you normally takes place within 28 days of the sale (by crossed cheque to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

2.

BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3.

INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4.

THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5.

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling. (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for.

8.

REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES

(d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents;

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied.

(e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

(f)

9.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;

‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising.

(g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements.

Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named). (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f)

Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

(g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i)

The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

(j)

Dimensions are given height before width.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

17. (a)

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

Please enquire for the accepted exchange rate on the day of the sale.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

(b)

21. English law applies to the interpretation of these Conditions.

Royalties for Droit de Suite are as follows:

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Specialist Departments

Auction Calendar 2012

Please dial +44 (0)1722 followed by the number listed below PAINTINGS June 13th Victor Fauvelle 01722 424503

FURNITURE Will Hobbs Mark Richards Jim Gale Gemma Bush

339752 411854 339161 339752

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV ACCOUNTS & OFFICE MANAGER Janice Clift

Jo Butler 01722 424592

424509 CLOCKS, POCKET WATCHES & BAROMETERS October 16th

424500

Will Hobbs 01722 339752

willhobbs@woolleyandwallis.co.uk

●

Richard Price 01722 339752

CLOCKS Will Hobbs Richard Price (Consultant)

339752

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham John Axford MRICS ASFAV Sophie Lister ASIAN ART John Axford MRICS ASFAV Sophie Lister Clare Durham Tim Wright (Consultant) 20TH CENTURY DESIGN Michael Jeffery PAINTINGS Victor Fauvelle Jo Butler BOOKS & MANUSCRIPTS Liz Merry (Consultant) SILVER Rupert Slingsby Lucy Grazier JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

Members of The Society

GENERAL OFFICE Ruth Pike Pauline West Linda Garthwaite

424500

SALEROOM MANAGER David Jordan

FURNITURE & WORKS OF ART July 3rd Will Hobbs 01722 339752

PRESS & PUBLICITY Kate Williams 424506 424591 424507

424505

424503 424592

424500

424501 424594

424500

richardprice@woolleyandwallis.co.uk

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willhobbs@woolleyandwallis.co.uk

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Mark Richards 01722 411854

424507 424506 424591

victorfauvelle@woolleyandwallis.co.uk

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jobutler@woolleyandwallis.co.uk

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SILVER April 24th & 25th

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July 17th & 18th

Rupert Slingsby 01722 424501

424590

markrichards@woolleyandwallis.co.uk

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Lucy Grazier 01722 424594

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rupertslingsby@woolleyandwallis.co.uk

lucygrazier@woolleyandwallis.co.uk

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BOARD OF DIRECTORS Paul Viney ASFAV Chairman and Managing Director

JEWELLERY April 26th ● July 19th Jonathan Edwards 01722 424504

●

John Axford MRICS ASFAV Willi Verdon-Smith FRICS

Marielle Whiting 01722 424595

mariellewhiting@woolleyandwallis.co.uk

COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA

424504 424595

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 ● www.woolleyandwallis.co.uk

●

jonathanedwards@woolleyandwallis.co.uk

ENGLISH & EUROPEAN CERAMICS & GLASS October 2nd

424599

Clare Durham 01722 424507

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claredurham@woolleyandwallis.co.uk

20th CENTURY DESIGN June 20th (Arts & Crafts) Michael Jeffery 01722 424505 ASIAN ART May 23rd (Asian Art I)

●

●

michaeljeffery@woolleyandwallis.co.uk

May 24th (Asian Art II)

John Axford 01722 424506

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Sophie Lister 01722 424591

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johnaxford@woolleyandwallis.co.uk sophielister@woolleyandwallis.co.uk

BOOKS & MANUSCRIPTS June 13th Liz Merry 01722 424500

●

lizmerry@woolleyandwallis.co.uk

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Entries can be accepted up to six weeks prior to the auction

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Illustrated catalogues are available about ten days before the sale

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Viewing is normally two days prior to the auction and on Saturday mornings where appropriate

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Catalogue subscriptions are available for all sales

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Woolley Wallis Furniture cover:Layout 1

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WOOLLEY & WALLIS

www.woolleyandwallis.co.uk

WOOLLEY & WALLIS SALISBURY SALEROOMS

Furniture, Clocks and Tribal Art Tuesday 3rd April 2012

FURNITURE, CLOCKS AND TRIBAL ART TUESDAY 3RD APRIL 2012