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SILVER

& OBJECTS OF VERTU TUESDAY 15TH & WEDNESDAY 16TH JULY 2025

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR 2025 AUCTIONS SALES CALENDAR JULY 1st 2nd

3rd 9th & 10th 15th & 16th

The Butler Hoard A Connoisseur’s Eye: Michael Foster Ltd. The Personal Collection of the late Michael & Margaret Susands Furniture, Works of Art & Clocks Fine Jewellery Silver & Objects of Vertu, including the Michael Baggott Collection (Part I)

SEPTEMBER 2nd 3rd 17th 30th

British and Continental Ceramics & Glass Old Masters, British & European Paintings Arts of Africa, Oceania and the Americas Interiors

OCTOBER 1st & 2nd 15th & 16th 21st & 22nd

29th & 30th

Furniture, Works of Art & Clocks Design Silver & Objects of Vertu including the Michael Baggott Collection (Part II) Fine Jewellery

Dates may be subject to change

By Stuart Devlin, a pair of modern parcel gilt silver ninelight articulated candelabra, unmarked, 1983 SOLD FOR £16,380* +44 (0) 1722 424500 info@woolleys.live 5161 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

SILVER & OBJECTS OF VERTU TUESDAY 15TH JULY 2025 LOTS 1442 | 10.00AM WEDNESDAY 16TH JULY 2025 LOTS 443877 | 10.00AM

Rupert Slingsby 01722 446956 rs@woolleys.live

at our City Centre Salerooms, SP1 3SU

VIEWING WILL TAKE PLACE AT OUR OLD SARUM GALLERIES, SP4 6QX Saturday 12th July Monday 14th July Tuesday 15th July Wednesday 16th July

Archie Swann 01722 446959 as@woolleys.live

10.00am – 1.00pm 10.00am – 4.00pm 9.00am – 4.00pm Viewing by appointment only Becky TillyTrickett 01722 446957 bt@woolleys.live

PLEASE NOTE THIS IS TWO DAY SALE

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 26% plus VAT CONDITION OF LOTS Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults. COLLECTION OF LOTS BY APPOINTMENT Collection is from our warehouse, Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX. Please instruct carriers accordingly and note, the warehouse is closed over weekends. Please call 01722 446950 or 01722 424500 prior to collection to ensure the items are ready All accounts to be settled prior to collection

LIVE ONLINE BIDDING – FREE OF CHARGE

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EXPORT AND CITES LICENCES Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance. Silver weights in the catalogue are in Troy ounces

ILLUSTRATIONS Front cover: Lot 831 Back cover: Lots 766 Catalogue £10.00 (£15.00 by post)

DAY ONE: TUESDAY 15TH JULY AT 10AM

1 A collection of silver reference books, comprising: Fallon, J.,The House of Barnard, 2012 (two copies), Culme, J., The Dictionary of Gold and Silversmiths, Vols. I and II, Chester Gold and Silver Marks, Military and Naval Silver, Jacksons, Old Channel Islands Silver, and other volumes. (qty) £100-150

2 A collection of silver reference books, comprising: Hawkins, J., Nineteenth Century Australian Silver, Vol. I and II, Wilkinson, W., Indian Colonial Silver, Fallon, J.,The House of Barnard, 2012, Silver Flatware, Antique Silver Servers, Goldsmiths and Silversmiths, plus other volumes including three on Fabergé. (qty) £100-150

3 A collection of silver reference books, comprising: Fallon, J.,The House of Barnard, 2012 (two copies), The Silversmiths of Birmingham, Women Silversmiths, The Gilbert Collection of Gold and Silver, English, Irish and Scottish Silver at the Sterling and Francine Clark Art Institute, English Church plate, and other volumes. (qty) £100-150

4 A mixed lot of silver reference books, including: Wine labels, 1730-2003, a Worldwide History, East Anglian Silver, 1550-1750, Chester Gold and Silver Marks, Tiffany silver, and three other volumes. (7) £80-120

5 A collection of silver reference books and auction house catalogues, including: Kenneth Blakemore, Snuff Boxes, Frederick Muller Limited,1976, John Carrington & George Hughes, The Plate of The Worshipful Company of Goldsmiths, University Press, Oxford 1926, plus various other volumes and auction catalogues mainly Christie’s and Sotheby’s. (18) £60-80

λ 6 An early-20th century travelling crocodile toilet case, retailed by The Army & Navy Store Co-Operative Society Limited, mounts by Thomas Jones Watson, London 1913, the mounts with engine-turned decoration and a central cartouche inscribed ‘Stella’, comprising: four jars, two scent bottles, two hair brushes, a hand mirror, two brushes, a shoe horn, a button hook, a comb, a glove stretcher, leather bound ink box and match box, a letter writing set, a manicure set, a crocodile gladstone bag and a tortoiseshell mounted celluloid desk calendar, total approx. weighable 6.7oz. £300-500

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7 A George III old Sheffield plated dish ring, unmarked, circa 1770, circular form, pierced and embossed foliate scroll decoration, with a vacant cartouche, diameter of base 20.1cm. £80-120

8 A George III old Sheffield plated five-bottle sauce bottle frame, unmarked circa 1800, circular form, wire-work frame, central carrying handle, with five various blue glass sauce bottles, each titled and with the matching stoppers for Ketchup (x2), Kyan, Anchovy and Soy, height of frame 19.5cm. £100-150

9 A small mixed lot of silver items, comprising: a George III mustard pot by Edward Aldridge, London 1765, a cream jug, a waiter and a cased mug, total approx. weight 23.8oz. (4) £300-500

10 A small mixed lot of silver items, comprising: a George I pap boat, by Anthony Nelme, London 1719, plain oval form, a Victorian cream jug, by The Barnards, London 1896, baluster form, and a George III Irish dish, by John Laughlin, Dublin circa 1790, approx. total weight 11.8oz. (3) £300-400

Provenance: From The Collection of The Late Lady Barnard.

11 A mixed lot of silver items, comprising: a late-Victorian christening mug by Josiah Williams & Co, London 1897, another christening mug, two cigarette cases, a vesta case, a wallet and a sovereign case, total approx. weighable 12.3oz. (7) £200-300

12 A mixed lot of silver items, comprising: a Victorian teapot (a/f) by Garrards, London 1852, an Edwardian teapot, three cream jugs and a pair of sauceboats, total approx. weight 48oz. (7) £600-800 3

13 A mixed lot of silver items, various dates and makers, comprising: a sauce boat, a George III pepper pot with an associated cover, a single candlestick, a box, a shell salt, a pepper pot, two cups, a circular dish and an electroplated mustard pot, approx. weighable 24oz. (qty) £400-600 Provenance: The Mark Phillips Collection.

14 A mixed lot of silver items, comprising: a William IV silver and glass travelling inkwell, by George Reid, London 1831, rectangular form, plus a small wager cup, with import marks for London 1897, a stamp moistener roller, London 1902, a Sarah Jones napkin ring, with two dog’s heads, an oval dressing table box, a match box cover embossed with Windsor Castle, a box, a swizzle stick, two frog page markers, and an electroplated owl and miniature coffee pot, and an owl brooch, approx. weighable 5oz. (13) £300-500 Provenance: The Mark Phillips Collection.

15 A mixed lot of silver items, comprising: a pair of Victorian salt cellars by Henry Holland, London 1856, two mustard pots, four pepper pots, a pair of salt spoons, a mustard spoon and an electroplated mustard spoon, total approx. weighable 25.1oz. (12) £200-300

16 A mixed lot of silver items, comprising: an Edwardian sauce boat by Jay, Richard Attenborough Co Ltd, Sheffield 1906, two cream jugs and three toast racks, total approx. weighable 18.7oz. (6) £300-500

17 A late-19th/early-20th century French silver-gilt box, maker’s mark E.L in a lozenge, circular form with chased classical foliate decoration, diameter 8.2cm, plus a Victorian silver scent bottle by Sampson Mordan & Co., London 1877, and a silver napkin ring, total approx. weight 6.6oz. (3) £150-200

18 A mixed lot of silver items, comprising: a George III cream jug, London 1800, a tea cannister, Chester 1902, a French wine taster, the centre set with an earlier coin, and a Danish silver and enamel pepper pot, approx. weight 9.9oz. (4) £250-300

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19 A collection of silver items, various dates and makers, comprising: a George III Bright-cut basting spoon, the terminal initialled, by George Wintle, London 1793, a pair of Armada dishes, two Albany pattern spoons, a pair of dwarf candlesticks, a toast rack, a napkin ring, a pair of salt cellars, a Latvian vodka tot, a cigarette holder, a silver-mounted condiment jar, plus various items of flatware, approx. weighable 28.5oz. (qty) £300-400

20 A mixed lot, comprised silver: a modern silver mug by CJ Vander, London 1977, eight napkin rings, a chamberstick, a box and cover, a candle snuffer, an egg cup, two wine labels, a pepper pot, a pill box, a silver-mounted brush, a silver-gilt lid and two dishes, plus an unmarked waiter, four unmarked wine tables, a gilt metalware chamberstick, a metalware egg cup and an electroplated napkin ring, total approx. weighable 37.2oz. (qty) £400-600

21 A mixed lot of silver items, comprising: a George III mustard pot by John Emes, London 1804, two cream jugs, a sugar bowl, two goblets, a toast rack, three salt cellars, a mustard pot, eight napkin rings, two cups, a pierced dish, a swing-handled sugar basket, five salt spoons, a small dressing table pot and three small tulip vases, total approx. weighable 42.7oz. (qty) £400-600

22 A mixed lot of silver items, various dates and makers, comprising: a pair of toast racks, Birmingham 1902, a shell butterdish, two modern pepper mills and a salt mill, a capstan inkwell, four napkin rings, a German Fiddle and Thread pattern soup ladle, a pair of small continental candlesticks, and an electroplated inkstand, with a central stag and two inkwells, approx. weighable 17oz. (qty) £250-300

λ 23 A mixed lot of silver items, comprising: a silver-mounted walking stick, a purse, two lids, a belt hook, a silver-mounted clock, a memoranda and address book holder, four teaspoons, two salt spoons, a pair of sugar tongs, two modern apostle spoons and a silver-mounted tortoiseshell box, total approx. weighable 12.9oz. (17) £350-400

24 A mixed lot of silver items, comprising: a presentation Royal Flying Corps cigarette case, Birmingham 1917, rectangular from, engraved with the badge and ‘Per Ardua Ad Astra’, the inside inscribed ‘Sister N. Wood with many thanks Ernest Smyth Lt. RAF. Woodlyn, April-July 1918’, plus a vesta/sovereign case, a cased three-piece condiment set, a silver and enamel box, a small scent bottle, a stamp case, a small box, a miniature mirror, nine teaspoons and other items including a metalware dish modelled as a hat, approx. weighable 12oz. (qty) £300-400

25 A collection of flatware, comprising silver items: a George III Irish Fiddle pattern marrow scoop, Dublin 1811, by Thomas Townsend, retailed by Law, a pair of Victorian fish servers, by Hilliard and Thomason, Birmingham 1863, pierced and engraved blade, four pairs of sugar tongs, a sifting spoon, six cased teaspoons, a set of six teaspoons with animal finials, and seven various spoons, plus electroplated items: six fruit knives and forks, and a sifting spoon, approx. weighable 17.5oz. (qty) £400-600

26 A mixed lot of silver items, various dates and makers, comprising: a pair of George III silver salt cellars, London 1815, a mustard pot, Birmingham 1909, a trencher salt, London 1723, two circular trencher salt cellars, later embossed decoration, a small Scottish quaich, five tablespoons, a continental spoon, and an unmarked toast rack, approx. weight 31oz. (qty) £400-600

27 A mixed lot of continental silver and metalware items, comprising: a Russian Kiddish cup, of tapering circular form, engraved decoration, a Russian vodka tot, a two-handled bowl, embossed decoration, a French wine taster, an unmarked twohandled drinking bowl, a foliate dish, five Cambodian menu card holders (one a/f), and an oval box. approx. weighable 9oz. (qty) £200-300

28 A mixed lot of continental silver and metalware, comprising: a Peruvian candelabra, an American brandy pan, a two-handled dish, a ewer and a two-handled bowl, total approx. weighable 16.5oz. (5) £400-600

29 A mixed lot of foreign silver and metalware, comprising: a Chinese pepper pot, retailed by Luen Hing, a pair of Chinese pepper pots, an Indian pepper pot and a raised bowl, a tray, a bowl, a box and cover, a salt cellar and a raised bowl. (10) £400-600

30 A mixed lot of Italian and German silver items, comprising: a small teapot, circular form, foliate borders, four circular dishes with moulded borders, a pierced basket and two circular plates, approx. total weight 41oz. (8) £400-600

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31 A mixed lot of Egyptian silver and metalware items, comprising: a pair of small bowls, circular form, on three scroll feet, a pair of dishes, a single dish, a beaker, a bell, a rosewater sprinkler, a pair of anklet dishes and three bracelet dishes, a candlestick, and a dish, and a pair of metalware vases, unmarked, approx. weighable 58oz. (qty) £800-1,200

32 A matched pair of late-Victorian silver candlesticks, by Harrison Brothers & Howson, Sheffield 1899, tapering fluted form with reeded borders, on loaded oval bases, plus a pair of silver candlesticks and a pair of candelabras, approx. weight of branches 28.9oz. (6) £500-700

33 A collection of silver-mounted photograph frames, comprising: one by Sanders & Mackenzie, Birmingham 1929, with nine others with various designs and shapes. (10) £400-600

34 A collection of silver-mounted glass items, comprising: an Edwardian silver-mounted claret jug, by Heath and Middleton, London 1902, lobed baluster glass body, plain mount, plus an Edwardian claret jug, London 1903, and another claret jug, plus a lockable decanter, (no key), and another silver-mounted decanter, plus an enamel wine label. (6) £500-700

35 A late-19th/early-20th century Russian silver shell dish, maker’s mark JT, scallop shell form with a shell scroll handle, on four pad feet, diameter 20.6cm, approx. weight 15.1oz. £300-400

36 An early-20th century Chinese export silver box, retailed by Wang Hing, Canton, rectangular form decorated with four claw dragons on a matted background, length 12.4cm, approx. weight 9oz. £300-400 7

37 A small collection of Iranian silver and metalware, comprising: a pot and cover of cylindrical form, chased with birds and foliate decoration, a lobed circular bowl, a box and cover, the cover set with a mother-of-pearl disc with traces of painted decoration, a cigarette box, and a circular dish, chased foliate decoration. (5) £400-600

38 A continental metalware ice bucket and stand, marked DA 900, circular form, with simulated basket weave decoration, drip ring handles, the stand of circular form, with a pair of electroplated ice tongs, diameter of base 26.8cm. (3) £500-700

39 An Egyptian silver dish and a bowl, Cairo, circa 1982, circular form, pierced and engraved foliate decoration, pierced foliate scroll borders, approx. total weight 27oz. (2) £300-500

40 A pair of modern Egyptian vases and a water jug, Cairo, circa 1982, tapering circular form, scroll handles, chased decoration, height 13cm, the water jug of baluster form, embossed foliate panels, scroll handle, height 17.2cm, approx. weight 30oz. (3) £400-600

41 A modern Italian silver tray, by Peruzzi of Florence, circular form, foliate and scroll border, diameter 35.5cm, plus an Italian silver bowl, of lobed oval form, on a lobed oval foot, length 30cm, approx. weight 46oz. (2) £500-700

42 A collection of small Egyptian silver items, comprising: five Qu’ran stands, pierced arched form, a reticulated fish, three miniature caskets, chased decoration, and three boxes modelled as turtles, hinged covers (one a/f), approx. total weight 25oz. (qty) £400-600

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43 A pair of Egyptian silver swan dishes, Cairo circa 1982, oval bodies, hinged pierced wings, height 13.5cm, approx. weight 25oz. (2) £300-500

44 An Egyptian silver oval bowl and cover, Cairo circa 1980, oval form, embossed foliate decoration, oval drop ring foliate handles, the raised hinged cover with a bird finial, the front with a flower finial, length 22.7cm, approx. weight 32oz. £400-600

45 A pair of Egyptian silver serving dishes, Cairo 1982, rectangular form, shell and scroll border, length 30.8cm, approx. weight 32oz. (2) £400-600

λ 46 A three-piece late-19th century French silver coffee set, by E. Hugo, circa 1880, comprising a coffee pot, hot water pot and cream jug, baluster form, engine-turned decoration, the scroll handles with ivory insulators, hinged covers, on four bracket feet, height of coffee pot 23.5cm, approx. weight 42oz. (3) £600-800 Ivory registration number:C1HJTKQW

47 A continental silver-mounted ewer, maker’s mark ML, red glass baluster body, with scroll foliate decorated mounts, hinged cover with a fluted knop finial, on a circular foot, height 7.3cm. £150-200

48 A pair of 19th century Dutch silver-mounted Japanese Imari ewers, the mounts with no apparent maker’s marks, the ceramic bodies 18th century, Edo period, baluster form, one with painted ‘O’ and the other ‘A’ in the cartouches, height 18.4cm. (2) £150-250

λ 49 An Indian silver three-piece tea set, unmarked, probably Cutch, circa 1900, circular bullet form, chased scroll foliate decoration in a matted background, ivory insulators to the handle, on four pad feet, length handle to spout 19.4cm, total approx. weight 31.2oz. (3) £300-400

50 An Indian silver-gilt goblet, unmarked, probably Cutch, urn-shaped bowl, chased scroll foliate decoration on a matted background, knopped stem on raised circular foot, inscribed ‘K.C & S Golf Club 1900’, height 16.6cm, approx. weight 9oz. £150-200

Ivory registration number:RKQSLYR7

51 A 19th century South-East Asian silver tankard, unmarked, possibly Sri Lanka or Burma, tapering circular form, chased scroll foliate decoration on matted and lattice-work background with applied figures and motifs, hinged cover with a bird finial, the handle formed as a snake, scratched thistle to the underside, height 14.6cm, approx. weight 17.4oz. £300-400

52 A German silver covered jug, maker’s mark C.L, Augsburg possibly 1755-1757, baluster form, chased foliate decoration, raised hinged cover with a foliate finial, rocaille handle, with an armorial and initials, on a raised circular foot, height 21.2cm, approx. weight 9.5oz. £150-200

53 A late-18th century American silver porringer, by William Hollingshead, Philadelphia circa 1770, circular bowl, the handle with pierced decoration, scratch initialled ‘D’ over ‘T*A’, repaired, length 19.2cm, approx. weight 6.8oz. £400-600 10

54 A late-18th century American silver Celtic Point soup ladle, by Peter Perreau, Philadelphia circa 1800, the terminal with initials, length 37.5cm, approx. weight 6.3oz. £300-400

Provenance: The Mark Phillips Collection.

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55 A late-18th century Russian provincial silver box and cover, Yaroslovi, 1788, circular form, the pull-off cover with luted and beaded decoration, the centre with a foliate motif, diameter 11.7cm, approx. weight 8oz. £150-200

56 A late-19th century Dutch silver cow creamer, pseudo earlier marks, modelled in a standing position, hinged cover to the back with a butterfly finial, length 13.4cm, approx. 5.5oz. £250-300

57 A German silver candlestick, by Neresheimer of Hanau, medieval-style figure holding a foliate pole with a pierced foliate border drip pan, and a pierced capital, on a multi-lobed raised base with engraved initials, height 22.4cm, approx. weight 10.4oz. £300-400

58 A late-19th/early-20th century Russian silver-mounted glass liqueur decanter, maker’s mark worn, cut glass bulbous body, scroll handle with a leaf border, engraved initials to the hinged cover, height 14.5cm. £200-300

59 An 18th century Russian silver vodka cup, with the maker’s mark over-striking the town mark, circular form, part-fluted decoration, plus another 18th century Russian silver vodka cup, maker’s mark AS, circular form, chased foliate decoration, approx. weight 2oz. (2) £250-300

60 A set of twelve late-19th century Russian silver spoons, maker’s mark И.A, Moscow 1878, fig-shaped bowls with engraved foliate decoration and twisted stems, with an associated case, length 10.3cm, total approx. weight 4.2oz. (12) £100-150

Provenance: A Private Collection. Purchased from Bonhams, Knightsbridge, Silver Sale 4 February 2010, lot 117.

λ 61 A mixed lot of silver items, various dates and makers, comprising: a Victorian silver trophy vase, London 1893, a silver teapot, Sheffield 1901, a Chinese mug, a sugar bowl, a cream boat, a mustard pot, a pair of salt cellars, a pair of pepper pots, two further pepper pots, a small box, by Robb of Ballater, Edinburgh 1912, inscribed, a small casket, a small dressing table box, various dishes, a capstan inkwell with a watch holder, a watch stand and cover, an eight-piece silver and tortoiseshell dressing table set, a hand mirror, two brushes, a vase, and a quanity of flatware, plus a pair of fish servers with electroplated blades, approx. weighable 71oz. (qty) £500-800

62 A mixed lot, comprising silver items: a George III goblet, by Walter Brind, London 1772, circular form, on a gadrooned circular foot, plus two silver mugs, a dish, a cased fork, a caddy spoon, various spoons, six tea knives, and an electroplated caddy spoon and two unmarked spoons, approx. weighable 24oz. (qty) £300-400

63 A mixed lot, comprising silver items: a cased three-piece condiment set, Birmingham 1919, a Scottish quaich, a butterdish mount, (no liner), a mesh bag, a trophy cup, a four-piece condiment set, a pepper, a salt, a compact, a tea strainer and stand, another tea strainer, a wine label, London 1822, incised ‘Sherry’, seven modern wine labels, cased, a continental tobacco box, two toilet jars, two napkin rings, a mirror and a button hook, plus metalware items: a pair of napkin rings, and two dishes set with coins, and an electroplated chain mesh bag, tea strainer and an old Sheffield plated coffee pot, approx. weighable 35oz. (qty) £500-700

64 A mixed lot of silver items, various dates and makers, comprising: a pair of Victorian Fiddle, Thread and Shell pattern asparagus serving tongs, by George Adams, London 1848, two large silver-gilt anointing spoons, London 1902, a sugar caster, a silver-mounted glass sugar caster, a compact, a silver and yellow enamel cigarette case, (push button a/f), and a set of six Russian electroplated and gilded vodka beakers, tapering circular form, in a fitted case, approx. weighable 26oz. (qty) £300-500

λ 65 A mixed lot, comprising: silver items: a bowl, London 1963, a bonbon dish modelled as a tripod table, another bowl and a punch ladle with a twisted whalebone handle, plus old Sheffield plated and electroplated items: a Hanoverian pattern canteen for twelve, in a fitted wooden case, a pair of candlesticks, (one sconce missing), a coffee pot, two biscuit boxes, a three-piece carving set and a pierced dish, approx. weighable 8.4oz. (qty) £300-400

66 A mixed lot, comprised silver items: a modern silver cruet set by Deakin & Francis, Birmingham 1973, a pair of salt cellars and spoons, a cream jug, a sugar bowl, an ash tray, a small snuff box, two napkin rings, a butter knife, a condiment fork and dessert spoon, plus a pair electroplated chambersticks, a tea caddy, a salver and various pieces of flatware, total approx. weighable 29oz. (qty) £400-600

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67 A mixed lot, comprised silver items: a pair of dwarf candlesticks, three salt cellars, a caster, a tea caddy, a cigarette box, a christening cup, an inkstand, a napkin ring, two cased tea spoons sets, a silver-mounted comb and cover, a cased baby feeding set, a cased set of coffee spoons, and a collection of teaspoons, plus a set of electroplated corn on the cob holders and a collection of various flatware, total approx. weighable 35.9oz. (qty) £400-600

68 A mixed lot, comprising: two French silver wine tasters, a two-handled dish, plus an electroplated hambone holder, two wine coasters, a salver and twelve goblets, total approx. weighable 10.7oz. (qty) £200-300

69 A mixed lot of silver items, comprising: a pair of Edwardian silver tankards by Thomas Bradbury & Sons, London circa 1900, four cased sets of teaspoons, twelve butter knives, three napkin rings, a mustard pot, a sugar sifter, a pair of sugar tongs, a bangle, a butter dish, a pair of dwarf candlesticks, a pair of tulip vases, a silver-mounted glass coaster, two brushes, a hair brush, a hand mirror, two silver mounted glass jars and various other flatware, total approx. weighable 22.8oz. (qty) £400-600

70 A mixed lot, comprising silver items: a swing-handled sugar basket, Birmingham 1897, a mustard pot, two salt cellars, an ashtray, a napkin ring, a pair of military brushes, a comb, a cased set of six anointing teaspoons, two cased sets of silver tea knives, and a cased set of six teaspoons, plus a set of four Victorian electroplated candlesticks, by Elkington and Co., in the mid-18th century manner, on shaped square bases, approx. weighable 15oz. (qty) £200-300

71 A mixed lot of silver items, various dates and makers, comprising: a mesh bag, London 1916, three toilet boxes, eight thimbles, a cigarette case, seven napkin rings, a vase, a hand mirror, four brushes, a tea strainer, a George III marrow scoop, London 1801, three ladles, three pairs of sugar tongs, two butterknives, a cased set of six teaspoons, eight masonic teaspoons, three tablespoons, plus various teaspoons and other items, approx. weighable 66oz. (qty) £300-500

72 A mixed lot of silver items, various dates and makers, comprising: a photograph frame of rectangular form, engine-turned decoration, Birmingham 1927, a sugar caster, two shell butter dishes, a toast rack, a cream jug and sugar bowl, a three-piece condiment set, a pair of salt cellars, three napkin rings, a Maltese wine label, a cased knife, fork and spoon set, two sets of six spoons and other items of flatware, approx. weighable 30oz. (qty) £400-600

73 A rare George III silver caddy spoon, by Peter and Jonathan Bateman, London 1790, shell bowl, plain handle, length 7.5cm, approx. weight 0.3oz. £100-150

74 A George III silver serving slice, possibly by William Collings, London 1774, trowel form with pierced chased scroll decoration, with a pierced and beaded handle, length 28.5cm, approx. weight 3.4oz. £200-300

Provenance: The Mark Phillips Collection.

75 A George III silver caddy spoon, maker’s mark IP, London 1802, in the form of a leaf with engraved decoration, length 8.2cm, plus a George III silver jockey’s cap caddy spoon marked with a duty and sterling mark, total approx. weight 0.5oz. (2) £200-300

76 A set of six 18th century silver-gilt naturalistic teaspoons, maker’s mark PR, possibly for Philip Roker, flower head and shell bowls, foliate handles, plus a Victorian silvergilt spoon, by Henry Holland, London 1871, with a warrior finial, approx. total weight 3.6oz. (6) £150-200

77 A George III silver meat skewer, by Richard Richardson, Chester 1783, tapering form with a plain ring handle, length 23.2cm, approx. weight 1.2oz. £150-200

78 A collection of three George III Newcastle silver meat skewers, comprising: one by John Kirkup, circa 1760, Feather-edge and foliate ring, plus a plain one by Langlands and Robertson, and another by Dorothy Langlands, plus a George II tablespoon, London 1745, approx. total weight 8oz. (4) £200-300

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79 A George III provincial silver Old English pattern soup ladle, by Richard Richardson, Chester 1787, circular bowl, the terminal with initials, plus a George III provincial silver marrow scoop, maker’s mark of GW, Chester 1790, approx. total weight 5.9oz. (2) £300-400

80 A pair of George IV silver-gilt grape scissors, by John Reily, London 1825, foliate and shell decoration, ring handles, engraved with a crest, length 16.5cm, plus a pair of silver-gilt tongs, possibly Lisbon, maker’s mark GK, scroll arms, rocaille bowls, ring handles with two scroll supports, approx. total weight 5.2oz. (2) £300-500

81 A collection of four George II/III silver marrow scoops, various makers, London 1759, 1774 and 1785, conventional form, the reverse of the bowl with an initial, approx. weight 5.9oz. (4) £200-300

82 A mixed lot of flatware, comprising: a George III silver-gilt marrow scoop by Stephen Adams, London 1795, two basting spoons, a pair of sugar nips, a sugar crusher, a mote spoon with a sucket fork end, a mother-ofpearl handled folding fruit knife, plus a silver-plated shovel, total approx. weighable 12.7oz.(8) £300-500

83 A collection of four 18th century silver mote spoons, comprising: an early-18th century one, the bowl with pierced decoration and a plain rat-tail, scratch initialled ‘DI’, plus another with a plain rat-tail and two others, approx. total weight 1.1oz. (4) £200-300

84 A set of six William IV silver Hanoverian pattern dessert forks, by Barber, Cattle & North, York 1831, engraved initial to the terminals, length 16.4cm, total approx. weight 5.9oz. (6) £200-300 Provenance: From The Collection of The Late Lady Barnard. 15

85 A mixed lot of flatware: comprising: a matched pair of George IV silver Fiddle pattern basting spoons by Francis Higgins, London 1823, twenty-three coffee and teaspoons, two serving spoons, two salt spoons, two sugar tongs, a caddy spoon, three condiment spoons, a butter knife, a tea strainer, two toddy ladles, a pair of fish servers, and a cased set of six cocktail skewers, plus three unmarked teaspoons, a sugar sifter, an agate handled fork, total approx. weighable 37oz. (qty) £300-400

86 A mixed lot of silver flatware, comprising: a George III fish slice, by Hester Bateman, London circa 1780, the blade pierced and engraved with scroll decoration, later ceramic handle, plus a George II punch ladle, London 1729, five tablespoons, a table fork, two dessert spoons, ten teaspoons, and six condiment spoons, approx. weighable 20oz. (qty) £300-400

87 A mixed lot of silver flatware, various dates and makers, comprising: a cased Millenium spoon, two caddy spoons, a silver and enamel spoon, three sugar spoons, five preserve spoons, a chutney spoon, a ladle, a sifting ladle, ten condiment spoons, plus twelve various spoons, and an electroplated ladle, approx. weighable 18.5oz. (qty) £300-500

88 A mixed lot of silver flatware, various dates and makers, comprising: a serving knife and fork, by Francis Higgins, London 1841, cased, a pair of fish servers with plated blades and tines, cased, a pair of toddy ladles, a marrow scoop, London 1808, a caddy spoon, six Fiddle pattern dessert forks, four table forks, five dessert spoons, three tablespoons, three teaspoons, a meat skewer, London 1772, six cased teaspoons, a set of six Fiddle and Thread teaspoons plus other spoons and a sugar/pepper caster, and an electroplated snail sugar sifting spoon, approx. weighable 50oz. (qty) £500-700

89 A collection of silver Nile pattern flatware, by Walker & Hall, Sheffield 1934, engraved with a crest to the terminals, comprising: eighteen dessert forks, ten table forks, six fish knives, four tablespoons, eleven dessert spoons, six soup spoons, five teaspoons and a pair of sauce ladles, total approx. weight 118.5oz. (qty) £1,000-1,500

90 A collection of silver Fiddle and Thread pattern flatware, various dates and makers, comprising: four tablespoons, eleven table forks, six dessert spoons, six dessert forks, six teaspoons and two sauce ladles, total approx. weight 74.1oz. (qty) £700-900

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91 A small collection of Russian silver Fiddle and Shell pattern flatware, by Fabergé, 1908-1917, comprising: twelve table forks, seven dessert forks and two dessert knives, approx. weight 49.5oz. (21) £1,500-2,000

92 A silver Old English pattern canteen, by James Dixon & Sons, Sheffield 1929, engraved with an initial to the terminals, comprising: six tablespoons, twelve table forks, twelve dessert forks, twelve dessert spoons, twelve soup spoons, twelve teaspoons, twelve coffee spoons, eleven grapefruit spoons, two sauce ladles and a pair of salad servers, total approx. weight 142.4oz. (qty) £2,000-3,000

93 An early-20th century French silver canteen for six, by Henri Lapparra and Georges Gabriel, Paris circa 1910, comprising: six table forks, six table spoons, six dessert forks, six dessert spoons, plus an associated set of six unmarked teaspoons, total approx. weighable 50oz. (qty) £500-700

94 A silver Bright-cut pattern canteen for six, by Atkin Brothers, Sheffield 1921, comprising: twelve table forks, six tablespoons, twelve dessert forks, twelve dessert spoons, twelve soup spoons, a set of twelve fish knives and forks, a pair of sauce ladles and a soup ladle, total approx. weight 159.6oz. (qty) £1,500-2,000 Provenance: From The Collection of The Late Lady Barnard.

95 A collection of silver Fiddle pattern flatware, mainly by William Hutton & Sons, London 1901, engraved initial to the terminals, comprising: sixteen tablespoons, eighteen table forks, twelve dessert spoons, eleven dessert forks, eleven teaspoons, six coffee spoons, four sauce ladles, a soup ladle, six salt spoons, a mustard spoon and a butter knife, total approx. weight 151.8oz. (qty) £2,000-3,000

96 A collection of George III Irish silver Bright-cut Star Celtic Point pattern flatware, Dublin, various dates and makers, including John Sheils,1782 and 1789, and James Kennedy, comprising: six tablespoons, six dessert forks, six table forks, six matched dessert spoons, and seven teaspoons, plus six London Bright-cut teaspoons, London 1794, and five Newcastle teaspoons, approx. total weight 44.5oz. (qty) £1,000-1,500

97 A set of twelve Norwegian silver fruit knives and forks, by N.M Thune, Oslo, all with engraved B to the terminals, plus a set of six table forks and spoons, total approx. weight 49.1oz. (qty) £600-800

98 A collection of silver flatware, various dates and makers, comprising: a William IV Fiddle, Thread and Husk pattern fish slice, by William Traies, London 1832, a set of six Old English Thread pattern table forks, London 1877, plus eleven tablespoons, eleven dessert forks, two table forks, twelve dessert spoons, ten teaspoons, a pair of sugar tongs, a butterknife, and two sauce ladles, approx. weight 95oz. (qty) £1,000-1,500

99 A mixed lot of silver flatware, various patterns, dates and makers, comprising: a set of six table forks, by George Adams, London 1866, a set of six dessert spoons, London 1830, a set of six Feather-edge dessert spoons and four tablespoons, London 1771, a pair of Peter and Ann Bateman tablespoons, five other tablespoons, a table fork, a Thread pattern marrow scoop, London 1787, a set of six teaspoons, six other teaspoons, a sugar sifting spoon, six table knives and six dessert knives, three teaspoons and two plated teaspoons, approx. weighable 74oz. (qty) £1,000-1,500

100 A mixed lot of flatware, comprising: a set of ten George III silver dessert spoons by Stephen Adams, London 1781, two pairs of sugar tongs, twelve teaspoons, four tablespoons, a pair of modern apostle spoons, four modern Trefid spoons, twelve butter knives, plus a pair of electroplated sauce ladles, two cocktail spoons, a dessert spoon and a salad fork, total approx. weighable 34.7oz. (qty) £300-400

101 A mixed lot of silver flatware, comprising: a provincial silver Old English pattern basting spoon, by John Robertson and John Walton, Newcastle 1819, four pairs of sugar nips, a sauce ladle, two sifting ladles, a set of six George III teaspoons in a later case, a set of seven reproduction silver Seal-top teaspoons, by J.S.Rambridge, of Salisbury, Sheffield 1936, these are copies of seven that were dug up in a chicken coop on Lord Pembroke’s Estate at Netherhampton, Salisbury in 1906, plus various teaspoons and salt spoons, and a Dutch slice, plus a Keswick ‘staybright’ plated ladle, approx. weight 32oz. (qty) £400-600

102 A modern French electroplated canteen for twelve, by Ericus Jonc, comprising: fourteen table forks, fourteen table spoons, fourteen dessert forks, eleven dessert spoons, fourteen salad forks, fourteen dessert knives, thirteen table knives, thirteen fish forks and twelve fish knives, twelve butter knives, four serving spoons, two serving forks, a soup ladle, a sauce ladle, twelve soup spoons and eleven teaspoons. (qty) £200-300

Provenance: The Mark Phillips Collection.

Provenance: From The Collection of The Late Lady Barnard.

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103 A cased silver Glamis pattern canteen for twelve, by Garrard & Co Ltd. and the handles by Cooper Brothers & Sons Ltd, Sheffield 1969, engraved with crest to the terminals, comprising: two pairs of carving sets, a knife sharpener, twelve table knives, twelve table forks, twelve dessert knives, twelve teaspoons, a pair of sugar tongs, a butter knife, twelve dessert spoons, twelve dessert forks, twelve soup spoons, twelve coffee spoons, two sauce ladles, a pair of fish servers, six serving spoons, six condiment spoons and a set of twelve fish knives and forks, total approx. weighable 165oz. (qty) £3,000-4,000

105 A cased set of six silver handled fish and fruit knives and forks, the handles by Francis Higgins, London 1857, all engraved with crests to the terminals, the fish blades and tines (a/f) by Harrison Brothers & Howson, Sheffield 1896 and 1897, the fruit blades and tines are electroplated. (24) £200-300

107 A cased American silver Chantilly pattern canteen, by Gorham, engraved with an initial to the terminals, comprising: twelve table forks, twelve dessert spoons, eleven dessert forks, twelve teaspoons, twelve small soup spoons, twelve salad forks, eleven table knives and three butter knives, total approx. weighable 98oz. (qty) £800-1,200

104 By Paul Storr, a collection of George III silver Fiddle, Thread and Shell pattern flatware, London various dates including 1813, 1815 and 1817, the terminals with a crest, comprising: twelve tablespoons, twentythree table forks, twelve dessert forks, thirty-seven table knives, some re-bladed, seventeen dessert knives, and a carving knife, approx. weighable 130 oz. (qty) £4,000-6,000

106 A set of eight Victorian silver Dolphin pattern tablespoons, by George Adams, London 1856, plus three Queen’s pattern dessert forks, twelve King’s Pattern table forks, four tablespoons, seven dessert forks, six dessert spoons, twelve soup spoons, a sauce ladle, twelve table knives, twelve dessert knives, a set of six Scottish Bastard King’s pattern dessert spoons, two other dessert forks and two sauce ladles, plus an electroplated Queen’s pattern sauce ladle, total approx. weighable 154.1oz. (qty) £1,500-2,000 Provenance: From The Collection of The Late Lady Barnard.

108 A collection of electroplated modern Grecian pattern flatware for fourteen, by Arthur Price, comprising: fourteen table forks, seventeen dessert forks, fourteen table knives, fourteen dessert knives, fourteen steak knives, fourteen fish forks, fourteen fish knives, fourteen dessert spoons, fourteen soup spoons, fourteen tablespoons, fourteen cake forks, fourteen small forks, fourteen grapefruit spoons, sixteen teaspoons, fourteen coffee spoons, eight fruit spoons, two serving spoons, a cheese knife, a pickle fork, ten side knives, a four-piece carving set, and a lemon squeezer, in two wooden cases and a box. (qty) £200-300

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A PRIVATE COLLECTION OF SPOONS

109 A pair of Charles I silver Seal-top spoons, by Robert Jygges, London 1628, fig-shaped bowls, tapering faceted stems, the finial prick-dot initials ‘R’ over ‘RE’, length 17.1cm, total approx. weight 3.4oz. (2) £1,500-2,000

110 A Charles I silver Slip-top spoon, by Daniel Cary, London 1638, fig-shaped bowl, tapering faceted stem, plain terminal, length 17.6cm, approx. weight 1.7oz. £800-1,200

111 A pair of Charles I silver Seal-top spoons, by Daniel Cary, London probably 1639, fig-shaped bowls, tapering faceted stems, plain seal top, length 16.9cm, total approx. weight 3oz. (2) £1,200-1,800

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112 A late-17th century engraved silver-gilt Trefid spoon, maker’s mark IM crowned stamped three times, the reverse of the bowl with a plain rat-tail, and engraved decoration, the stem with engraved foliate decoration, length 18.8cm, approx. weight 1.2oz. £400-600

113 A James II silver Trefid spoon, by William Mathew, London 1688, the reverse of the oval bowl with a raised rat-tail, the reverse of the terminal scratched initialled ‘P’ over ‘MM’, length 19.3cm, approx. weight 1.8oz. £300-400

114 A William III silver Trefid spoon, by John Shepherd, London 1698, oval bowl, the reverse with a raised and beaded rat-tail, the reverse of the terminal scratch initialled ‘W’ over ‘CE’, length 18.6cm, approx. weight 1.3oz. £300-400

115 A late-17th century West Country silver Trefid spoon, by William Webb, Winchester circa 1695, oval bowl with a raised rat-tail to the reverse, the reverse of the terminal scratch initialled ‘HP’ over ‘HB’ over ‘1695’, length 19.8cm, approx. weight 1.5oz. £300-400

116 A Charles II silver Trefid spoon, by John King, London 1666, oval bowl with a raised rat-tail to the reverse, the reverse of the terminal scratched initialled ‘ADH’ over ‘MCL’, length 18.3cm, plus an early-18th century Channel Islands silver Trefid spoon, maker’s mark JA, Jersey circa 1740, total approx. weight 2.2oz. (2) £300-400

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117 A William & Mary silver Lace back and Front Trefid spoon, by Lawrence Coles, London 1694, oval bowl, the reverse with a raised rat-tail and foliate scroll decoration, the terminal also with scroll decoration, the reverse scratch initialled ‘H’ over ‘TE’, length 19.8cm, approx. weight 1.7oz. £300-400

118 A late-17th century West Country silver Trefid spoon, marked three times to the reverse of the stem with the Exeter town mark, circa 1680, the reverse of the bowl with prick-dot initials ‘SI’, as well as a later prick-dot inscription ‘1891 Elizabeth her spoon 29.IV.II’, length 18.9cm, approx. weight 0.9oz. £300-500

OTHER PROPERTIES 119 A Queen Anne silver-gilt Trefid spoon and a Dognose spoon, one possibly by John Broake, London 1703, the other with worn marks, oval bowl, the bowl and the front and reverse of the terminal with scroll foliate prick-dot decoration, length 19.8cm, total approx. weight 2.8oz. (2) £200-300 Provenance: From The Collection of The Late Lady Barnard.

120 A Charles II silver Trefid spoon, by Robert King, London 1670’s, the oval bowl with a plain rat-tail, the reverse of the terminal prick-dot initialled ‘I.F’, length 19cm, approx. weight 1.2oz. £200-300

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121 A mixed lot of silver flatware, comprising: silver items: a pair of Victorian fish servers, by Henry Wilkinson, Sheffield 1854, in a fitted case, plus a pair of George III silver sauce ladles, by Thomas Eustace, Exeter 1778, a tablespoon, four Scottish egg spoons, seven salt spoons and a dessert spoon, plus electroplated items: a basting spoon, two pairs of fish servers, two pairs of grape scissors, a fish slice and other items, approx. weighable 9.2oz. (qty) £200-300

122 A matched antique silver Fiddle pattern canteen for eight, various dates and makers, some pieces initialled, comprising: eight table forks, eight dessert forks, eight dessert spoons, two tablespoons, and a set of twelve teaspoons, approx. weight 56oz. (qty) £700-900

Provenance: The Mark Phillips Collection.

λ 123 A collection of silver flatware, various dates and makers, comprising: a pair of Victorian harlequin sugar tongs, by D and J Wellby, London 1879, a marrow scoop 1762, a set of six teaspoons by Charles Jamieson, of Aberdeen, London 1876, a pickle fork, a set of six Exeter teaspoons, a sugar sifting ladle, a cased silver-gilt anointing spoon, three further anointing spoons, two pairs of sugar tongs, a lobster pick, a punch ladle, various teaspoons and other items, approx. weight 30oz. (qty) £400-600

124 A collection of antique York silver flatware, comprising: a Fiddle pattern basting spoon, by Barber and North, with the town mark, 1839, another basting spoon, plus a matched set of six dessert spoons, seven tablespoons, a set of six Old English pattern teaspoons, a set of six Fiddle pattern teaspoons, a pair of sugar tongs and a salt spoon, approx. weight 39oz. (qty) £800-1,200 Provenance: The Mark Phillips Collection.

Provenance: The Mark Phillips Collection.

125 A pair of Chinese export silver Fiddle, Thread and Shell pattern tablespoons, by Kecheong, Canton circa 1850, engraved initials and crest to the terminals, length 22.1cm, plus three George III table forks by Smith & Fearn, London 1813, and another similar, total approx. weight 17.2oz. (6) £200-300 26

126 A set of four Victorian silver Fiddle and Shell pattern teaspoons, by Reid & Sons, Newcastle 1841, engraved with crests to the terminals, plus a set of six silver teaspoons with a classical woman to the terminals, a set of six silver scroll-back teaspoons, and a set of five silver teaspoons with another similar, total approx. weight 11.9oz. (22) £150-200

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127 An Edwardian Scottish silver cream skimmer, by Hamilton & Inches, Edinburgh 1901, turned baluster wooden handle, length 28.6cm.

£100-150

128 A collection of Scottish provincial silver flatware, comprising: a tablespoon, by David Gray, Dumfries, circa 1810, plus a Fiddle pattern dessert spoon by the same maker, circa 1820, and a set of six Bright-cut teaspoons, possibly by William Mill of Montrose, approx. total weight 5.2oz.(8) £150-200

129 A George III Irish silver cream jug, maker’s mark worn I.?, Dublin 1806, oblong bellied form with engraved decoration, on four paw feet, plus a modern silver cream jug by Carrington & Co., London 1957, and another modern silver cream jug by Courtman Silver Ltd, London 1971, height 15.9cm, total approx. weight 14.3oz. (3) £150-200

130 A George III silver toast rack, possibly by William Plummer, London 1789, oval navette form, pointed wire-work frame, on four pad feet, length 16.5cm, approx. weight 5.9oz. £200-300

131 A Victorian silver mug, by Charles Boyton, London 1866, plain baluster form with an engraved inscription, plus a modern silver mug by Poston Products Ltd, Birmingham 1968, and a Victorian silver goblet by Edward Hutton, London 1886, height 16cm, total approx. weight 23.3oz. (3) £300-500

132 A George III Irish silver wine funnel, by William Bond, Dublin 1808, circular form, with a crest, length 12cm, plus an Irish silver sugar bowl, by West and Son, Dublin 1918, circular form, embossed with birds and farming scenes, punch bead border, on three hoof feet, diameter 13.8cm, approx. total weight 8.4oz. (2) £300-400 27

A PRIVATE COLLECTION OF STAMP BOXES, POSTAGE & DESK ACCESSORIES (PART III)

133 A collection of antique silver stamp cases, rectangular forms, comprising: one by Walker & Hall, Chester 1906, plain form, one by Henry Matthews, Birmingham 1913, striped reeded decoration, one by Arthur Cook, Birmingham 1902, engraved foliate decoration, one by Samuel Levi, Birmingham 1903, engraved scroll foliate decoration, one by A & J Zimmerman, Birmingham 1896, engineturned decoration and one by Walker & Hall, Sheffield 1908, engraved monogram, plus an unmarked one with engine turned decoration and engraved initials, total approx. weighable 11.7oz. (7) £300-400

134 A collection of French silver stamp boxes, one possibly by Emile Puiforcat, Paris circa 1900 plain rectangular form with crossed reeded border to the cover, a silver-gilt box with the maker’s JM with the Eiffel tower in between, rectangular form with engine-turned decoration with vacant cartouche, an unmarked one with engine-turned decoration with engraved initials to the cover, and another unmarked one with engine-turned decoration with a stone to the thumbpiece, total approx. weight 10.2oz. (4) £250-300

Provenance: A Private Collection Part III.

135 An Edwardian silver stamp box and notepad, by Goldsmiths & Silversmiths, London 1904, rectangular form, with a raised stamp compartment behind a pen tray and notepad, length 17.3cm, plus a silver-mounted glass inkwell and stamp holder by John Grinsell & Sons, Birmingham 1904. (2) £200-300

136 An Edwardian silver desk clip, notebook and stamp holder, by Goldsmiths & Silversmiths, London 1902, shield form, the clip with an applied shield cartouche to the cover and a stamp compartment to the underside, plus a silver desk stand by Stokes & Ireland Ltd, Chester 1902, and a silver pen by John Hill, London 1921, total approx. weighable 6.8oz. (3) £200-300

Provenance: A Private Collection Part III.

137 A collection of American silver stamp boxes, comprising: two by J.F. Fradley & Co., New York circa 1910, rectangular form, one cover with spot-hammered decoration, the other with engine-turned decoration with engraved initials, and three by Wilcox Silver Plate Co., Meriden circa 1900, rounded rectangular form, one with a beaded border, one with engraved foliate decoration and another larger one with a beaded border, total approx. weight 10.1oz. (5) £300-400

138 Three continental silver stamp boxes, comprising: a French one, maker’s mark worn, rectangular form scroll and foliate decoration, vacant scroll cartouche to the cover, a French one, maker’s mark FL with a bird in between, rectangular form with foliate decoration and a possibly Dutch stamp box, unmarked, rectangular form with scroll foliate decoration, length 10cm. (3) £200-300

Provenance: A Private Collection Part III.

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139 An American silver and enamel stamp dispenser, by Abercrombie & Fitch Co., New York circa 1920, cylindrical form, enamelled ‘2¢ 3¢ 6¢ Via Air Mail’, on two bracket feet, length 10.5cm, plus an American silver stamp dispenser, unmarked, oblong form, enamelled ‘2¢ 3¢’, total approx. weight 8.9oz. (2) £200-300

140 An Edwardian silver stamp case with a glass stamp roller, probably by John Grinsell & Sons, Birmingham 1907, trough form with two windowed stamp compartments with a central glass roller, on two scroll feet, length 9cm, approx. weight 1.8oz. £150-200 Provenance: A Private Collection Part III.

Provenance: A Private Collection Part III.

141 An Edwardian silver stamp box and calendar, by Gery & Co., London 1905, rounded rectangular form with a gadrooned border with central stamp compartment, raised rectangular mounted celluloid desk calendar, length 12.6cm. £150-200 Provenance: A Private Collection Part III.

142 A collection of silver capstan inkwells/stamp holders, comprising: one by Henry Matthews, Birmingham 1910, with a shield-formed stamp compartment cover to the hinged inkwell cover, larger diameter 12.6cm, one by Samuel Levi, Birmingham 1907, with a beaded border and pen rest, one by Saunders & Shepherds, Birmingham 1908 and one by Deakin & Francis, Birmingham 1907, both with pull-out drawer stamp compartments. (4) £150-200 Provenance: A Private Collection Part III.

143 A Victorian silver glass stamp roller, by John Grinsell & Sons, London 1894, raised rectangular form with a central glass roller, length 12cm, plus two Edwardian silver-mounted glass inkwells and stamp compartments, both by John Grinsell & Sons, Birmingham 1905 and 1906, one set with a pocket watch to the inside of the cover, approx. weighable 3.9oz. (3) £300-400

144 A silver-mounted glass stamp compartment and roller, by Mappin & Webb, Birmingham 1915, plain rectangular form with two stamp compartments and a central glass roller, length 11.1cm, plus a silver-mounted stamp compartment and stamp moistener dish by Cohen & Charles, London 1913, and a silver-mounted glass stamp compartment by Walker & Hall, Birmingham 1902. (3) £200-300

Provenance: A Private Collection Part III.

145 Two American brass stamp boxes, dispenser and pen tray, stamped Tiffany Studios, the tray and dispenser of oval form with a spot-hammered finish, lapis lazuli finial to the cover, the stamp boxes of rectangular form, one set with mother-of-pearl and of Celtic design, the other with pierced foliate decoration over coloured resin panels. (4) £150-200

146 An early-20th century brass letter scales, unmarked, wire-work scale frame, five weights, on a shaped rectangular form, plus two gilt metal Victorian letter scales by RW Winfield, candlestick form with shaped foliate and scroll bases, and an electroplated hook letter scale. (4) £150-200

Provenance: A Private Collection Part III.

147 A collection of gilt-metal desk and stamp items, comprising: an American stamp box, stamped Tiffany Studios, rectangular form with middle-eastern decoration, a stamp box and moistener, a glue pot with a figural brush (a/f), a stamp box with a tortoise finial and two cloisonne stamp boxes. (6) £150-200

148 A Victorian oak stamp box, unmarked, circa 1880, tapering rectangular form, scroll edges, carved ‘Stamps’ to the cover, carved ‘W.Charter Hatter Prospect St Hull’ and ‘1880’ to the other side, plus a wooden desk stand, with two cut glass inkwells, a pen tray, stamp compartment and letter tray. (2) £100-150

Provenance: A Private Collection Part III.

149 Two late-19th century oak coin-operated stamp dispensers, unmarked, circa 1890, rectangular form with windowed hinge covers, one with a shaped back, with a central disc with nine stamp compartments next to a coin slot and printed instructions, pull-out knobs to the front, length 25.3cm. (2) £200-300 Provenance: A Private Collection Part III. 30

150 Three late-19th century gilt-metal letter scales and stamp compartments, unmarked, rectangular forms, the covers of the compartments modelled as envelopes, to the reverse engraved dimensions and weights, plus a gilt metal stamp box with a floral enamelled cover, and a small gilt metal desk blotter, the cover with a hinged stamp compartment. (5) £150-200 Provenance: A Private Collection Part III.

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151 A collection of ceramic stamp moisteners and stamp boxes, comprising: A Royal Doulton Lloyd George head stamp moistener, two Humpty Dumpty stamp moisteners and seven other various novelty ceramic stamp moisteners, plus ten porcelain stamp boxes, painted with various foliate designs. (20) £300-500 Provenance: A Private Collection Part III.

153 Three early-20th century gilt-metal letter scales, wire-work scale frames, one with square platforms set with continental painted enamels, on a shaped rectangular wooden base, one with circular platforms set with continental porcelain, and one with oval platforms set with jasperware plaques, both on oval metalware bases. (3) £200-300

152 A late-19th century Tunbridge ware inkstand and dip pen, raised rectangular form with decorative borders and foliate decoration, two stamp compartments with pull-off covers, later giltmetal mounted glass inkwell, and pen rest, length 21.6cm. £200-300 Provenance: A Private Collection Part III.

154 A late-Victorian double-sided mahogany cash till, by J.C.Cox, London circa 1890, rectangular form, with a central sliding brass mechanism for coins, with two display racks on either side, two carved change bowls and a lockable drawer, length 64.2cm. £150-200 Provenance: A Private Collection Part III.

Provenance: A Private Collection Part III.

λ 155 A late-19th century continental gilt-metal stamp box, possibly French, rectangular form with canted corners and foliate borders, set with Sèvres style panels to the sides and cover, plus a continental giltmetal and tortoiseshell stamp box and a possibly French gilt-metal mounted wooden stamp box. (3) £200-300

156 A gilt-metal mounted glass stamp box, unmarked, rectangular form, the cover with pierced mounts depicting a classical charioteer, plus a gilt-metal-mounted marble stamp box and a gilt-metal vesta box and a mounted inkwell and stamp holder, set with stones and engraved foliate decoration. (4) £150-200

Provenance: A Private Collection Part III.

Provenance: A Private Collection Part III. 31

157 A novelty silver stamp box, by Hayes & Co., Birmingham 1913, in the form of a side table with engraved decoration, length 10.6cm, approx. weight 5.4oz. £200-300

158 An Edwardian silver desk stand, by James Dixon & Sons, Sheffield 1907, raised rectangular form with a central stamp compartment and roller, and two inkwells, length 27cm. £200-300

Provenance: A Private Collection Part III.

159 An Edwardian silver-mounted glass inkwell, by Hukin & Heath, Birmingham 1906, square form with a gadrooned border, raised glass body with a pen tray, the hinged inkwell cover with a stamp compartment to the top, on four paw feet, length 18.1cm. £150-200

160 An Edwardian silver-mounted glass desk stand, by Andrew Barrett & Sons, London 1905, shaped rectangular form with a cut-glass base, with raised covered stamp compartments and inkwell, length 25.1cm, plus a silver inkwell and stamp holder by George Betjemann & Sons, London 1905, shaped rectangular form, with a curved hinged covered stamp compartment. (2) £250-300

Provenance: A Private Collection Part III.

161 A silver desk stand, by Stuart Clifford & Co, London 1910, plain rectangular form, raised hinged stamp compartment with a pull-out drawer, an inkwell and central pen rests and letter stand, length 45.1cm. £200-300

162 An Edwardian silver-mounted glass inkwell and stamp box, by John Grinsell & Sons, Birmingham 1908, rectangular form with a front pen tray, length 10.9cm, plus an Edwardian silver-mounted glass inkwell and stamp box by Stuart Clifford & Co, London 1905. (2) £200-300

Provenance: A Private Collection Part III.

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163 Two silver letter scales, by Levi & Salaman, Birmingham 1906 and 1911, rectangular forms, square platforms, one with a pull-out wooden stamp compartment and on four ball feet, the other on a shaped rectangular base, celluloid and card dials, height 10.4cm. (2) £150-250 Provenance: A Private Collection Part III.

164 A late-Victorian silver paperweight and stamp holder, by John Banks, London 1900, plain circular form with a central stamp compartment and another compartment on scroll wire-work frame, plus a silver stamp box and pen rest by Grey & Co, Birmingham 1896, height 11.6cm, approx. weighable 2.6oz. (2) £200-300

165 An early-20th century Russian silver stamp box, maker’s mark BK, possibly for Vasily Kangin, St Peterburg circa 1910, plain rectangular form with a central fluted girdle, hinged cover, on a rectangular plinth on four bun feet, length 8.9cm, approx. weight 6.2oz. £150-200

166 An Edwardian silver novelty stamp box, by J Batson & Son, London 1905, form of a horse’s hoof, with textured hair decoration, hinged cover, with a tortoiseshell panel to the underside, length 8.7cm. £200-300

Provenance: A Private Collection Part III.

167 A silver stamp box, by George Unite, Birmingham 1912, rectangular form, an applied crossed sword and crowned mace within a wreath to the cover, wooden-lined interior with stamp compartments, length 15.4cm. £200-300 Provenance: A Private Collection Part III.

168 An Edwardian silver-mounted glass inkwell, stamp holder and roller, by Wright & Davies, London 1908, rectangular form with engraved foliate decoration to the body, with a ribbon and reeded border, length 15.3cm, plus a silver-mounted glass inkwell and stamp holder by John Grinsell & Co., Birmingham 1904. (2) £250-300 Provenance: A Private Collection Part III.

169 Three late-19th century Russian lacquer stamp boxes, comprising: one of square form and another of rectangular form, both painted covers depict a horse and carriage scene, and the larger rectangular-form stamp box, the painted cover depicts horses and sleigh in a snowy rural landscape scene, length 11.3cm. (3) £150-200 Provenance: A Private Collection Part III.

λ 170 A silver-mounted white onyx stamp box, by George Betjemann & Sons, London 1922, plain rectangular form, plus a silver-mounted tortoiseshell stamp box by Pearce & Thompson, Birmingham 1898, a pair of electroplated novelty salt and pepper pots, in the forms of pillar boxes (a/f), and an electroplated travelling writing case. (5) £250-300

171 A collection of antique silver stamp boxes, comprising: one by Deakin & Francis, Birmingham 1910, octagonal form with scroll borders and engine-turned decoration, one by Grey & Co., Chester 1920, rectangular form with a curved cover, one by E Mander & Son, Birmingham 1897, rectangular form with a swingopen mount, a silver-mounted leather one by A Bromet & Co, Birmingham 1904, total approx. weighable 4.8oz. (4) £200-300

172 A silver-gilt travelling desk set, by Albert Barker Ltd, London 1913, rounded rectangular form with spot-hammered decoration, to the interior inkwell, stamp compartment, striker and vesta compartment, length 8.4cm, plus a travelling inkwell by Alexander Clark, London 1898, a stamp box raised on a plinth by William Summers, London 1894, and an unmarked stamp box. (4) £200-300

Provenance: A Private Collection Part III.

λ 173 A silver and tortoiseshell mounted stamp box and moistener, by Mappin & Webb, Birmingham 1914, rectangular form with inlaid silver tortoiseshell cover, length 9.5cm, plus another of similar form by H.Bros, Birmingham circa 1915, and a silver and tortoiseshell mounted inkwell, maker’s mark is worn, London 1909. (3) £200-300

174 An Edwardian novelty silver stamp box, probably by William Hurcomb, London 1909, in the form of a cigar and a cigarette box, length 7.6cm, plus an Edwardian silver-mounted glass stamp box by George Betjemann & Sons, London 1906. (2) £200-300

Provenance: A Private Collection Part III. 34

Provenance: A Private Collection Part III.

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175 A Victorian mahogany pillar letter box, unmarked, circa 1880, circular form, brass flap engraved ‘Letters’, a hinged door with a panel displaying letter and parcel rates, with a pull-out drawer, height 43cm. £600-800 Provenance: A Private Collection Part III.

176 An early-20th century brass-mounted oak letter box, unmarked, circa 1900, faceted semicircle form, three bevelled glass panels to the front, a brass mounted letter slot with a windowed plaque, brass mounted sign engraved ‘Letter Box’ with black lettering, height 46.8cm. £300-400 Provenance: A Private Collection Part III.

177 A small Edwardian silver stamp box, by William Neale, Chester 1902, raised rectangular form with a curved sliding cover, length 7.3cm, plus a late-Victorian silver stamp box by Deakin & Francis, Birmingham 1897, and a silver-mounted wooden stamp box, the mount by James Deakin & Sons, Chester 1906, total approx. weighable 1.5oz. (3) £200-300

178 An Edwardian silver desk blotter, by George Unite, Birmingham 1906, rectangular form with two windowed hinged stamp compartments and a knop handle, length 11.6cm, plus a silver desk blotter probably by A & J Zimmerman Ltd, Birmingham 1908, of similar form. (2) £200-300 Provenance: A Private Collection Part III.

Provenance: A Private Collection Part III.

λ 179 An Edwardian silver and tortoiseshell-mounted desk calendar, probably by Henry Matthews, Birmingham 1907, rounded rectangular tortoiseshell back inlaid with a floral border and sphere switches to the sides, a compartment for celluloid month cards, a stamp box to the front, the cover engraved ‘Stamps’, on a loaded base, height 9.8cm. £150-200

λ 180 An Edwardian silver and tortoiseshell-mounted inkwell stand, by J Batson & Son, London 1904, rectangular shaped form, the tortoiseshell inlaid with mother-ofpearl foliate decoration, pen tray to the front, hinged stamp compartments to the sides and a central cut-glass silver and tortoiseshell mounted inkwell (a/f), length 15.1cm. £200-300

Provenance: A Private Collection Part III.

Provenance: A Private Collection Part III. 35

181 A Victorian silver stamp box, by William Comyns, London 1889, rectangular form with embossed foliate decoration, scroll caroutche to the cover inscribed ‘Kennel Club Show 1st Prize Japanese Pug ‘’Yummy’’ May 20th 1890’, length 15.9cm, approx. weight 15.7oz £200-300 Provenance: A Private Collection Part III.

182 A collection of antique silver stamp boxes, comprising: one by Saunders & Shepherd, Chester 1896, mother-ofpearl panels with applied silver mounts, one by Charles Dumenil, London 1907, rectangular form with three hinged compartments, two by Stokes & Ireland Ltd, Chester 1900 and 1910, plain rectangular form one engraved ‘Stamps’, the other with a monogram, and one by Deakin & Francis, Birmingham 1894, rectangular form with embossed decoration, total approx. weighable 10.9oz. (5) £300-400 Provenance: A Private Collection Part III.

183 An early-20th century German silver stamp box, pseudo marks, in the form of a fan with embossed foliate and courting scenes decoration, the interior with six gilt stamp compartments, engraved ‘Louise F Adams From Dorothy Wiggle, May 21.1913’ to the underside, length 11.3cm, approx. weight 11.5oz. £150-200

184 Two Edwardian silver stamp dispensers, by Charles & George Asprey, London 1902 and 1904, one of cylindrical form with pull-off cover and stamp slit to the side, the other is raised rectangular form with a curved top engraved with initials, with two turning knobs to the side, length 9.2cm, approx. weighable 3oz. (2) £200-300

Provenance: A Private Collection Part III.

185 An early-20th century American silver stamp box, by Bailey, Banks & Riddle & Co., Philadelphia circa 1904, raised rectangular form with foliate borders, applied garland decoration to the panels, the cover with a vacant cartouche, length 13.4cm, approx. weight 7.6oz. £150-200

186 An early-20th century American silver stamp box, by George W. Shiebler & Co., New York circa 1900, raised rectangular form with embossed scroll decoration, plus an American silver stamp box, maker’s mark worn, shaped rectangular form with scroll motifs, length 11.4cm, total approx. weight 8oz. (2) £200-300 Provenance: A Private Collection Part III.

Provenance: A Private Collection Part III. 36

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187 A late-Victorian silver-mounted glass inkwell, by Arthur Pennington, Birmingham 1892, square form with a cut glass base, the mount embossed with foliate decoration, to the top of the hinged cover is a hinged stamp compartment, length 7.6cm, plus a silver inkwell, maker’s mark worn, Birmingham 1912. (2) £200-300

188 An Edwardian silver desk stand, by Boardman, Glossop & Co Ltd, Birmingham 1903, rectangular form with a gadrooned border, two hinged stamp compartments and a hinged inkwell compartment, scroll armed pen rest, on four pad feet, length 13.1cm, plus a silver inkwell and stamp holder by William Hutton & Sons Ltd., Birmingham 1909. (2) £200-300

Provenance: A Private Collection Part III.

189 An early-20th century American silver stamp box, by Gorham, New York circa 1910, plain rectangular form with engraved foliate garlands, ribbons and initials to the cover, length 10.3cm, plus an American silver stamp box, marks are worn, pierced chased scroll foliate decoration, total approx. weight 8.1oz. (2) £200-300

190 An Edwardian silver-mounted glass inkwell and stamp box, by John Grinsell & Sons, Birmingham 1906, rectangular form with a front pen tray, the hinged cover to the inkwell is set with a pocket watch, length 13cm. £150-200 Provenance: A Private Collection Part III.

Provenance: A Private Collection Part III.

191 An Edwardian silver-mounted glass inkwell and stamp box, by Cohen & Charles, London 1905, rectangular form with a cut glass body, three hinged covers to the inkwell and two stamp compartments, a hooked pen rest to the front, length 10.5cm. £150-200 Provenance: A Private Collection Part III.

192 Two novelty silver inkwells and stamp holders, one by Deakin & Francis, Birmingham 1900, the other’s maker’s marks worn, Birmingham 1901, both in the form of coal scuttles, the hinged cover with the handle reveals the inkwell, and the front hinged cover reveals the stamp compartment, on four pad feet, length 7.5cm, total approx. weight 9oz. (2) £200-300 Provenance: A Private Collection Part III.

193 An Edwardian silver stamp box, by Nathan & Hayes, Chester 1903, rectangular form with embossed scroll foliate decoration, the cover embossed with a village scene, length 23.3cm, plus unmarked stamp box, in the form of a chest, approx. weighable 7oz. (2) £200-300 Provenance: A Private Collection Part III.

194 An early-20th century American silver inkwell, pen tray and a dip pen, by Marshall Field & Co., Chicago circa 1900, the inkwell is of baluster form and fixed onto a circular tray, embossed chased scroll foliate decoration and cherubs, the shaped rectangular tray and pen are decorated similarly, length of tray 23.1cm, total approx. weighable 18.9oz. (3) £250-300 Provenance: A Private Collection Part III.

195 An Edwardian silver desk blotter, by Stewart Dawson & Co Ltd., London 1909, plain rounded rectangular form, with a hinged stamp compartment to the handle, length 11.1cm, plus a Victorian silver desk blotter by B H Joseph & Co., Birmingham 1897. (2) £200-300 Provenance: A Private Collection Part III.

196 A silver desk calendar and stamp box, by Henry Matthews. Birmingham 1912, rounded rectangular back with ball switches to the sides, a compartment for celluloid month cards and stamp box to the front, inscribed ‘Presented to Col.C.Colvin D.S.O & Officers, 3rd Battalion Essex Reg. By Lieu A Northey June 1914’, length 11.5cm. £150-200 Provenance: A Private Collection Part III.

197 A collection of silver capstan inkwells/stamp holders, comprising: one by Asprey, Birmingham 1904, with a presentation inscription to the cover, diameter 14.2cm, one by Walker & Hall, Sheffield 1913, with two pen trays and a stamp compartment, one by William Walter, Birmingham 1906, shield-formed stamp compartment cover to the hinged inkwell cover, and one possibly by William Walter, Birmingham 1914, stamp compartment to the cover with a thermometer to the underside. (4) £150-200 Provenance: A Private Collection Part III.

198 An Edwardian silver-mounted inkwell, stamp holder and pocket watch, by John Grinsell & Co., London 1905, square-form, the front with a hinged stamped compartment and calendar (a/f), the hinged cover with a pocket watch to the underside, height 10.3cm. £300-500 Provenance: A Private Collection Part III.

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199 An Edwardian novelty silver pepper pot, by William Hutton & Sons Ltd., Birmingham 1908, in the form of a pillar box with engraved decoration, pull-off pierced cover, height 6.4cm, approx. weight 0.7oz. £150-200 Provenance: A Private Collection Part III.

200 A silver horse’s hoof stamp box, by Horace Woodward & Co Ltd, London 1911, modelled as a horse’s hoof with textured hair decoration, the hinged cover engraved ‘‘’Sweetheart’’ 1892-1910’, length 12.3cm, approx. weight 16.1oz. £300-500 Provenance: A Private Collection Part III.

201 A novelty silver stamp moistener, by William Hutton & Sons Ltd., Sheffield 1912, modelled as a tied scroll, embossed with the face of David Lloyd George, on a circular base, height 7.4cm. £200-300 Provenance: A Private Collection Part III.

203 A late-Victorian silver notepad, stamp holder and desk clip, by Goldsmiths & Silversmiths Co., London 1900, shield form, a rectangular desk clip with a notepad to the interior and two stamp compartments to the top, and a pen tray on top of the back, length 11.1cm, plus an unmarked propelling pencil. (2) £150-200 Provenance: A Private Collection Part III.

202 A novelty silver money box, by Henry Williamson Ltd, Birmingham 1920, in the form of a pillar box, a hinged cover with a pierced coin slot and latch attachment, height 10.6cm, approx. weight 2.5oz. £150-200 Provenance: A Private Collection Part III.

204 Two Edwardian novelty silver stamp boxes, by A & J Zimmerman Ltd., Birmingham 1909, modelled as lowboys, with hinged covers and gilt interiors, length 6.6cm total approx. weight 3.8oz. (2) £200-300 Provenance: A Private Collection Part III.

205 An Edwardian silver-mounted glass inkwell and stamp box, by John Grinsell & Sons, Birmingham 1906, rectangular form with a front pen tray, the hinged cover to the inkwell is set with a pocket watch, length 10.9cm, plus a silver-mounted glass stamp compartment and stamp moistener dish by Stuart Clifford & Co., London 1912, and a silver inkwell and stamp compartment by George Betjemann & Sons, London 1904. (3) £300-400

206 An Edwardian silver desk stand, maker’s mark worn, Birmingham 1905, plain rectangular form, two cut glass inkwells with silver mounts, a pull-out stamp drawer, and a pen rest, on four bun feet, length 20cm, approx. weight 9.3oz. £150-200 Provenance: A Private Collection Part III.

Provenance: A Private Collection Part III.

207 A silver inkstand, by Mappin & Webb, Birmingham 1929, rectangular form, with a pen tray, two silver-mounted glass inkwells, a stamp compartment and a mounted clock to the back border, on four bracket feet, length 29cm, approx. weight 21oz. £400-600

208 A metalware horse and carriage box, stamped AM industria peruana 925, in the form of a horse and carriage, hinged cover to the carriage, on four wheels, length 23cm. £250-300 Provenance: A Private Collection Part III.

Provenance: A Private Collection Part III.

209 An early-20th century German silver novelty stamp box, maker’s mark K.K.K in a flower motif, in the form of a dressing table with embossed scenes of figures in rural landscapes, length 16.4cm, approx. weight 10.9oz. £150-200 Provenance: A Private Collection Part III.

210 A collection of small novelty silver stamp boxes, comprising: a Dutch silver lowboy, importer marks for Samuel Landeck, Sheffield 1898, a Dutch press, importer marks for Isaac Manheim, London 1903, a German lowboy, importer marks for Singleton, Benda & Co Ltd, London 1904, a Dutch dressing table with pseudo marks and an Italian desk, total approx. weight 16.5oz (5) £300-500 Provenance: A Private Collection Part III.

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211 A modern Scottish silver novelty stamp dispenser, by Links of London, Edinburgh 2000, in the form of a pillar box, with a pull-off front, with a Links of London box, height 10cm, approx. weight 3.7oz. £150-200 Provenance: A Private Collection Part III.

212 An Edwardian silver travelling desk set, by Charles & George Asprey, London 1905, plain rectangular form, the interior with two stamp compartments and three others and striker, with a taperstick and seal, height 8.4cm, approx. weight 7.6oz. £400-600 Provenance: A Private Collection Part III.

213 An Edwardian silver-mounted glass inkwell and stamp box, by John Grinsell & Sons, Birmingham 1903, stepped rectangular form with a pen tray to the front, covered stamp compartment and inkwell to the back, length 13.6cm, plus a silver inkwell, maker’s mark worn, Birmingham 1913, raised oval form with a pen tray to the hinged cover. (2) £200-300

214 A late-19th century French silver stamp box, by Boin Taburet, Paris circa 1890, rectangular form with engine-turned decoration, two-hinged covers with a central applied crossed foliate cartouche and two applied jasperware plaques, length 8.5cm, approx. weight 3.5oz. £200-300 Provenance: A Private Collection Part III.

Provenance: A Private Collection Part III.

215 By Tiffany & Co., an American silver stamp dispenser, in the form of a barrel with a screw-off bottom and pierced slit to the side, plus a an American silver stamp dispenser by Battin & Co, Newark circa 1904, circular form with engraved initials to the cover, and American silver stamp dispenser, no apparent maker’s mark, circular form with an enamelled cover and engraved initials, total approx. weight 4.9oz. (3) £200-300 Provenance: A Private Collection Part III.

216 Two early-20th century American silver stamp boxes, one by Gorham, New York circa 1905, rounded rectangular form with engraved chased scroll foliate decoration, the other by Baily, Banks & Biddle Co., Philadelphia circa 1904, raised rectangular form with engraved foliate decoration and initials to the cover, length 11.7cm, total approx. weight 8.4oz. (2) £200-300 Provenance: A Private Collection Part III. 41

217 An Edwardian silver inkstand, by William Devenport, Birmingham 1904, shaped rectangular form with scroll handles, oblong pen tray, stamp compartment with a hinged cover inscribed ‘Stamps’, two silvermounted glass inkwells and a mounted frame, on four scroll feet, length 22cm, approx. weight 10.9oz. £150-200

218 An Edwardian silver inkwell and stamp compartment, by A & J Zimmerman Ltd, Birmingham 1927, circular form, the hinged cover applied with the crest badge of Clan Robertson, to the gilded interior a central inkwell and five stamp recesses, diameter 12.2cm, plus an associated later stand. £150-200 Provenance: A Private Collection Part III.

Provenance: A Private Collection Part III.

219 A late-Victorian silver desk stand, by Hukin & Heath, London 1898, retailed by Cohen & Charles, rectangular form, cube-formed inkwell, a stamp box, the hinged cover inscribed ‘Stamps’, a vesta holder and striker, with a desk seal and taper sticks, with a curled page motif pen tray, length 18.7cm, approx. weight 16.3oz. £400-600

220 A pair of silver letter scales, by George Betjemann & Sons, London 1912, on a raised rectangular base, a square-shaped platform scales with a set of four plated weights, length 15.5cm. £150-200

Provenance: A Private Collection Part III.

OTHER PROPERTIES

Provenance: A Private Collection Part III.

reverse 221 A Victorian silver ‘Castle-top’ card case, Scott’s Memorial, by Frederick Marson, Birmingham 1855, rectangular form with a scene of the Memorial, within foliate scroll decoration on a matted background, the reverse with a vacant cartouche, height 10cm, approx. weight 2.1oz. £300-500 Provenance: A Private Collection Part III. 42

222 A Victorian silver double-sided silver ‘Castle-top’ card case, Windsor Castle and Westminster Abbey, by Yapp and Woodward, Birmingham 1845, rectangular form, the front with a view of the Castle, the reverse with a view of Abbey, within foliate scroll decoration on a matted background, length 9.6cm, approx. weight 2.5oz. £400-600 Provenance: The Mark Phillips Collection.

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223 A Victorian silver ‘Castle-top’ card case, Westminster Abbey, by Nathaniel Mills, Birmingham 1838, rectangular form, the front with a view of the Abbey, within foliate scroll decoration on a matted background, the reverse with an initialled cartouche, length 10.2cm, approx. weight 2.1oz. £600-800

224 A Victorian silver ‘Castle-top’ card case, Windsor Castle, by Nathaniel Mills, Birmingham 1838, rectangular form, the front with a view of the Castle, within foliate scroll decoration on a matted background, the reverse with a vacant cartouche, length 10.2cm, approx. weight 2.3oz. £600-800

Provenance: The Mark Phillips Collection.

225 A Victorian silver ‘Castle-top’ card case, St. Paul’s Cathedral, by Nathaniel Mills, Birmingham 1853. rectangular form, the front with a view of the Cathedral, within foliate scroll decoration on a matted background, the reverse with a vacant cartouche, length 10.1cm, approx. weight 2.1oz. £600-800

226 A Victorian silver ‘Castle-top’ card case, Windsor Castle, by Aston and Son, Birmingham 1858, rectangular form, the front with a view of the Castle from the River Thames, within foliate scroll decoration on a matted background, the reverse with a vacant cartouche, length 10cm, approx. weight 2.2oz. £600-800

Provenance: The Mark Phillips Collection.

227 A Victorian silver ‘Castle-top’ card case, York Minster, by Yapp and Wooward, Birmingham 1850, rectangular form, the front with a view of the Minster within foliate scroll decoration on a matted background, the reverse with a vacant cartouche, in a fitted case, length 10cm, approx. weight 2.5oz. £600-800 Provenance: The Mark Phillips Collection.

228 A Victorian silver double-sided silver ‘Castle-top’ card case, Windsor Castle and Kennilworth Castle, probably by Nathaniel Mills, Birmingham 1844, rectangular form the front with a view of Windsor Castle, the reverse with a view of Kennilworth Castle, within foliate scroll decoration on a matted background, with a chain, length 8.8cm, approx. weight 1.7oz. £300-400 43 Provenance: The Mark Phillips Collection.

229 An Edwardian silver card case, Monarch of the Glen, by M Bros., Birmingham 1902, rectangular form, the front with an image of the stag within foliate scroll decoration, the reverse with similar decoration and an initialled cartouche, length 10cm, plus an Edwardian silver card case, by H. Matthews, Birmingham 1907, embossed with a gentleman playing a lute to two ladies, the reverse with a terrace and city view, plus an Indian silver card case, embossed with figures, initialled, approx. total weight 7.2oz. (3) £300-400

230 A Victorian silver card case, by Foxall, Hill and Foxall, Birmingham 1853, engraved foliate and engine-turned decoration, length 10cm, plus a Victorian silver Aesthetic Movement card case, by Hilliard and Thomason, Birmingham 1881, rectangular form, engraved swallows, butterflies and foliate decoration, length 9.2cm, approx. total weight 3.4oz. (2) £200-300 Provenance: The Mark Phillips Collection.

Provenance: The Mark Phillips Collection.

open 231 A collection of three Victorian silver card cases, including one by George Unite, Birmingham 1902, engraved foliate and butterfly decoration; a cased one by William Summers, London 1866, the front with later vacant cartouche, and another engraved card case, Birmingham 1907, approx. weight 7.9oz. (3) £300-400

232 A George III silver patch/snuff box, by Joseph Willmore, Birmingham 1807, shaped rectangular form, engraved decoration, the cover initialled, plus a silver-gilt vinaigrette, by Nathaniel Mills, and a silver vinaigrette, approx. weight 1.7oz. (3) £200-300

Provenance: The Mark Phillips Collection.

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233 A Victorian silver ‘Castle-top’ vinaigrette, Windsor Castle, by Nathaniel Mills, Birmingham 1839, rectangular form, the cover with a scene of Windsor Castle, the interior with a pierced and engraved silver-gilt foliate scroll grille, reeded sides and engine-turned base, with an initialled cartouche, length 3.7cm, approx. weight 0.7oz. £300-500

234 A Victorian silver ‘Castle-top’ vinaigrette, Windsor Castle, by Nathaniel Mills, Birmingham 1838, rectangular form, the cover with a scene of Windsor Castle, the interior with a pierced and engraved silver-gilt foliate scroll grille, reeded sides and engine-turned base, with a vacant cartouche, in a fitted case retailed by Mary Cooke Antiques, length 3.7cm, approx. weight 0.7oz. £400-600

Provenance: The Mark Phillips Collection.

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235 A collection of silver boxes, comprising: two modern ‘Castle-top’ pill boxes, by C.J.Vander, London 1973, the covers with scenes of St. Paul’s Cathedral and The Houses of Parliament, plus an oblong box, engraved decoration, two snuff boxes, a scent bottle, a vesta case, and a notepad and pencil, approx. weight 9oz. (8) £300-500 Provenance: The Mark Phillips Collection.

236 A mixed lot, comprising silver items: a Victorian chatelaine clip, London 1888, pierced foliate scroll and mask decoration, with five hanging chains with five attachments, plus a late-Victorian baby’s rattle and whistle, Birmingham 1887, and a small retractable pencil, plus a 10 carat gold tooth pick, by S. Mordan and Co., and a gilt metal combination pen and pencil, with engraved decoration and an electroplated posy holder, approx. weighable 4.6oz, approx. weight of gold 3.8g. (6) £400-600

open 237 A Victorian silver vinaigrette, by Edward Smith, Birmingham, no apparent date letter, but anchor stamped twice, rectangular, engraved tartan decoration, plus a George III silver patch box, by Samuel Pemberton, Birmingham 1797, rectangular form, canted corners, bright-cut decoration, approx. total weight 1oz. (2) £100-150 Provenance: The Richard Stagg Collection.

239 A Chinese silver filigree card case, retailed by Wonghing, rectangular form, the centres with panels of dragons and with foliate borders, in the original fitted case, the inside of the cover with a label ‘Wonghing, Gold and Silversmith, New China Street, No.12’, length 9.2cm, approx. weight 1.9oz. £100-150

238 An Edwardian silver ruler, by William Hornby, London 1901, rounded rectangular form with engraved dimensions, length 18.9cm, plus a Russian silver and enamel napkin ring, total approx. weight 3oz. (2) £200-300

240 A mixed lot of silver items, comprising: a vinaigrette by Matthew Linwood, Birmingham 1811, rectangualr form, engine turned decoration, a cased set of six buttons, with a female head, a finial, on a cinquefoil base with a barrel and ‘Cider’, a fluted oval box, a stamp box, a Tifffany stamp case, a bow brooch, an a table cigar lighter base, approx. weight 9oz. (8) £300-400 45

241 A silver dressing table box, by Deakin & Francis Ltd, Birmingham 1930, shaped oblong form, engraved initials to the cover, on four paw feet, length 16.4cm, plus an Iranian silver dressing table box, total approx. weight 23.7oz. (2) £200-300

242 A set of four novelty silver owl menu card holders, by S. Mordan and Co., Chester 1913, modelled in standing positions, glass eyes, textured feathers on circular bases, in a fitted case, height 3cm, approx. weight 2.7oz. (4) £300-500

243 A George III silver novelty tub salt cellar, by William Bennett, London 1805, oblong form with reeded decoration and two ring handles, length 9.3cm, plus an associated Victorian silver salt spoon by Hilliard & Thomason, Birmingham 1852, total approx. weight 2.4oz. (2) £100-150

244 A matched set of four George III silver salt cellars, three by S. C. Younge and Co, Sheffield 1811/12, and one by J T Younge, Walker & Co., Sheffield 1810, circular form, with garlands of flowers, rope-work borders, on three lion mask hoof feet, gilded bowls, engraved with a crest, approx. weight 21.5oz. (4) £250-300 Provenance: The Groves of Castle Grove, Donegal. Then by descent to Commander Peter Campbell and then by descent to present owner.

245 A silver hip flask, by Colen Cheshire, Chester 1917, rectangular form, pull-off base, bayonet cover, length 16.5cm, approx. weight 9.9oz. £150-200 46

246 A Victorian silver-mounted glass butter dish and cover, by Henry Wilkinson and Co., Sheffield 1861, octagonal form, pierced scroll and mullet decoration, frosted glass tub body, the pull-off cover with a recumbent cow finial, engraved with a crest, diameter of base 17.5cm, approx. weight 8.5oz. £300-500

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247 A George III provincial silver swing-handled basket, by David Crawford, Newcastle circa 1780, oval form, pierced and beaded border, rope-work handle with an oval cartouche, engraved with a crest, on an oval beaded foot, length 15.5cm, plus a George III provincial silver cream jug, by Dorothy Langlands, Newcastle circa 1805, oblong bellied form, reeded girdle, scroll handle, and a George II provincial silver salt cellar, by Robert Makepeace I, Newcastle 1749, plain cauldron form, scratch initials, approx. total weight 10.6oz. (3) £150-200

248 A set of four George III silver wine coasters, maker’s mark worn W?, London 1798, plain circular form with gadrooned borders, on wooden turned bases, diameter 12.5cm. (4) £300-400

Provenance: The Richard Stagg Collection.

249 A silver mug, maker’s mark B.D, possibly Australian, plain tapering circular form, engraved monogram, scroll handle, height 13.5cm, approx. weight 12.2oz. £200-300

250 A George IV provincial silver wine funnel, by James Barber and Co., York 1824, circular bellied form, shell and gadroon border, length 14.5cm, approx. weight 4.2oz. £200-300 Provenance: The Richard Stagg Collection.

251 A George III silver mug, by the Batemans, over-stamped with maker’s mark of George Gray, London 1792, baluster form, embossed foliate decoration, leaf-capped scroll handle, later inscribed, height 10.2cm, approx. weight 6.5oz. £200-300

252 A silver two-handled porringer, unmarked, baluster form with embossed foliate decoration, two figural scroll handles, length handle to handle 20.8cm, approx. weight 13.2oz. £150-200 47

253 A George III silver mug, maker’s mark of I.D, London 1771, baluster form, embossed foliate scroll decoration, leaf-capped scroll handle, later inscribed, height 13cm, approx. weight 11.5oz. £250-300

254 A George III provincial silver teapot stand, by George Murray, Newcastle circa 1800, rounded rectangular form, moulded border initialled, on four bracket feet, length 14.7cm, approx. weight 4oz. £100-150

255 A pair of George IV provincial silver salt cellars, by Barber, Cattle and North, York 1825, oblong bellied form, reeded border, on four ball feet, length 9cm, plus a pair of Victorian provincial silver salt cellars, by Barber and North, York 1844, circular form, beaded borders, on three scroll legs, approx. total weight 5.6oz. (4) £100-150

256 A George II silver two-handled cup, by Thomas Parr, London 1753, circular form with a central girdle, two scroll handles, engraved with initials, on a circular foot, height 13.6cm, approx. weight 10.9oz. £150-200

Provenance: The Richard Stagg Collection.

257 A William IV silver toast rack, by Barnards, London 1831, rounded rectangular form with gadrooned border, rounded reeded wire-work frame, central ring handle, on four shell and scroll bracket feet, length 16.7cm, approx. weight 10.3oz. £200-300 48

258 A George IV silver teapot, by Emes and Barnard, London 1822, compressed circular form, wooden scroll handle and finial, engraved with a crest, length handle to spout 26.8cm, approx. weight 18oz. £300-400

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259 A Victorian silver salver, by E. C. Brown, London 1873, circular form, engraved decoration, beaded border, on three pierced bracket feet, diameter 20.5cm, approx. weight 11.5oz. £150-200 Provenance: The Mark Phillips Collection.

260 A graduated pair of George II silver casters, maker’s mark partially worn, ?W, London 1728, circular bellied form, the pull-off covers with pierced decoration, knop finials, on circular bases, engraved with a cypher, heights 16cm and 13cm, approx. weight 10.4oz. (2) £300-400

261 A pair of George III silver wine coasters, by George Ashforth, Ellis, Hawksworth and Best, Sheffield 1805, circular form, rope-work borders, turned wooden bases set with crested buttons, diameter 14.2cm. (2) £300-400

262 A George II silver salver, by Sarah Parr, London 1731, square form, canted corners, on four hoof feet, engraved with an armorial within foliate mantling, diameter 21.5cm, approx. weight 12.9oz. £300-400

263 A George II silver salver, by Robert Abercromby, London 1734, circular form, moulded border, engraved with a crest within foliate scroll mantling, on three hoof feet, diameter 22.8cm, approx. weight 13.9oz. £300-500

264 A George II silver two-handled cup, by Richard Bayley, London 1745, circular form, two scroll handles, central girdle, engraved with a later crest and armorial, height 14.3cm, approx. weight 13.8oz. £200-300 The arms are those of Jeffreys. 49

265 A small collection of four silver sugar casters, comprising: a Britannia standard one, by John Rawlings, London 1893, a pair by Mappin and Webb, London 1913, and one other, Birmingham 1889, approx. weight 23oz. (4) £300-400 Provenance: The Mark Phillips Collection.

266 A mixed lot of small silver items, comprising: an Edwardian silver playing cards box, by Stokes and Ireland Ltd., London 1903, a plain hipflask, Sheffield 1899, a small engraved hipflask, and a George IV silver apple corer, by Joseph Willmore, Birmingham 1827, approx. weight 9oz. (4) £300-500 Provenance: The Mark Phillips Collection.

267 A small mixed lot of silver items, comprising: a shell dish, by Nathan and Hayes, Chester 1904, on a cast foliate foot, a two-handled bowl, London 1893, and a Victorian jug, Sheffield 1896, approx. total weight 17oz. (3) £300-500 Provenance: The Mark Phillips Collection.

268 A mixed lot of silver items, comprising: a pair of Victorian salt cellars, by John Beresford, London 1890, with Teniers tavern scenes, a pair of Edwardian pepper pots, Birmingham 1903, modelled as rose water sprinklers, an octagonal salt cellar, Sheffeild 1849, two other salt cellars, an ox-eye cup, a dressing table pot, a pepper, a napkin ring a minaiture saucepan, and four blue glass liners, approx. weighable 28oz. (qty) £400-600 Provenance: The Mark Phillips Collection.

269 A matched set of three Edwardian silver sugar casters, by Nathan and Hayes, Chester 1904 and 1908, cylindrical form, chased foliate scroll decoration on a matted background, pierced covers, height of larger 17cm, approx. weight 13oz. (3) £200-300 Provenance: The Mark Phillips Collection.

270 A George III silver goblet, by Emes and Barnard, London date letter worn, urn bowl chased foliate scroll and bird decoration, with an armorial, height 14cm, plus a George III silver teapot stand, London 1789, shaped oval form, bright-cut decoration, approx. total weight 10.6oz. (2) £250-300 The arms are those of Palmer quartering Burton.

Provenance: The Mark Phillips Collection.

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271 A matched late-Victorian silver teapot and sugar bowl, teapot by John Millward Banks, Birmingham 1897, the sugar bowl by William Hutton & Sons, London 1898, oval form with part fluted decoration, handle to spout length 26.6cm, total approx. weight 22.6oz. (2) £300-500

272 A George III silver teapot and cream jug, by Peter and William Bateman, London 1808, the cream jug marks worn, oblong bellied form, fluted girdle, scroll handles, gadroon borders, the teapot on four ball feet, length handle to spout 29cm, approx. weight 22.3oz. (2) £400-600

273 A George III silver salver, by Crouch and Hannam, London 1793, circular form, reeded border, chased foliate and trellis decoration, engraved with a crest, diameter 20.8cm, approx. weight 12.7oz. £250-300

274 A silver hot water pot, by Carrington & Co., London 1913, circular form with fluted decoration and gadrooned border, height 16.8cm, approx. weight 16.8oz. £200-300

275 A three-piece silver tea set, by The Harrison Brothers, Sheffield 1918 and 1920, oblong bellied form, fluted girdle, length handle to spout 27cm, approx. weight 29.5oz. (3) £400-600

276 A late-Victorian silver salver, by Walker & Hall, Sheffield 1894, circular form with a moulded scroll foliate border, with a worn central engraved scroll cartouche, on three pierced scroll bracket feet, diameter 32cm, approx. weight 20.9oz. £200-300

277 A Victorian silver ewer, maker’s mark is worn, London circa 1866, baluster form with beaded borders, engraved scroll foliate decoration, on a raised circular foot, height 28.2cm, approx. weight 20.2oz. £300-400

278 A George III silver two-handled cup, by Peter & William Bateman, London 1811, baluster form with part-fluted decoration, two reeded scroll handles, engraved initial, on raised circular foot, height 24.4cm, approx. weight 18oz. £400-600

279 A George III silver swing-handled basket, by Charles Aldridge, London 1788, oval form, pierced and engraved decoration, beaded swing-handle and borders, on a pierced oval foot, engraved with an armorial, length 33.5cm, approx. weight 22.4oz. £400-600

280 A George II silver salver, by John Robinson, London 1738, circular form, shell and scroll border, on three hoof feet, diameter 22.2cm, approx. weight 13.5oz. £200-300

The arms are those of Wright with Ameridith, Blaney, Bowen, Fitzgerald, Morrice, Thomas, Beddoes, Cadogan and Lloyd in pretence.

281 A silver presentation salver, maker’s mark G&C, Sheffield 1935, rectangular form with a moulded border and canted corners, inscribed with a presentation inscription, diameter 30.5cm, plus a silver waiter by Mappin & Webb, Sheffield 1923, total approx. weight 35.7oz. (2) £400-600 52

282 A matched silver four-piece tea set, by Harrods Stores Ltd, London 1916, the cream jug is by Harrods Ltd, Birmingham 1936 and the coffee pot by S Blanckensee & Son Ltd, Chester 1933, length handle to spout of teapot 28cm, total approx. weight 43.5oz. (4) £600-800

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λ 283 A Victorian silver three-piece tea set, by Charles Boyton, London 1882, plain rounded circular form, ivory insulators to the scroll handle, on three ball feet, plus an Edwardian silver coffee pot by Elkington & Co Ltd, Birmingham 1908, height 22.8cm, total approx. weight 23.8oz. (4) £300-400 Ivory registration number: A47AZ86E

284 A matched set of four Edwardian silver candlesticks, by Thomas Scott, Sheffield 1904, 1908 and 1909, tapering oval form, urn-shaped capitals with oval pull-off drip pans, on loaded oval feet, height 30.2cm. (4) £300-400

285 A George III silver teapot, by Charles Aldridge, London 1799, oval form, engraved foliate decoration, wooden scroll handle and finial, engraved with a monogram, length handle to spout 30.5cm, approx. weight 14.3oz. £300-400

286 A late-Victorian silver punch bowl, by William Hutton & Sons, London 1893, circular form with part-fluted decoration, on a fluted circular foot, diameter 27cm, approx. weight 36.1oz. £800-900

287 An Edwardian silver rosebowl, by Henry Atken, Sheffield 1903, circular form, embossed foliate scroll decoration, diameter 20.4cm, plus a silver waiter, by S. J. Phillips, London 1924, approx. total weight 24.8oz. (2) £300-500

288 A pair of late-Victorian silver candlesticks, by William Hutton & Sons, London 1899, knopped baluster form, spool-shaped capitals with pull-off drip pans, on shaped square bases, height 18.4cm, plus a silver twohandled pierced basket by Mappin & Webb, London 1917, total approx. weighable 10.9oz. (3) £300-400 Provenance: From The Collection of The Late Lady Barnard.

289 A Victorian silver-gilt toilet set, by William Neal, London 1843, engraved scroll foliate decoration with a central cartouche covered by a latter applied crown set with turquoise stones, comprising: three rectangular boxes, two circular jars and a pair of scent bottles, total approx. weighable 5.9oz. (7) £80-120

290 A silver-mounted glass hip flask, by James Dixon & Sons, Sheffield 1926, rounded rectangular form, with a pull-off silver base, bayonet fitted cover, height 14.7cm, approx. weighable 2.6oz. £100-150

291 A mid-19th century Austro-Hungarian silver snuff box, possibly by J. Witek, Vienna 1845, rectangular form with a foliate border and engine-turned decoration, length 7.8cm, plus an unmarked 19th century snuff box, the cover mounted gun metal classical relief scene, with a gold leaf cypher under glass to the underside, total approx. weighable 3oz. (2) £200-300

292 A Victorian novelty silver fish pen knife, by Thornhill & Co, London 1880, of fish form with engraved decoration, two fold-out knives one with a striker, a pencil and a whistle, length 8.4 cm, approx. weight 1.1oz. £200-300

λ 293 A Victorian silver scent flask, by David & Lionel Spiers, Birmingham 1888, shield form with embossed chased scroll decoration, height 7.1cm, plus silver-mounted tortoiseshell fold-out magnifying glass, total approx. weighable 0.5oz. (2) £150-200

294 By Patrick Mavros, a set of eight modern Zimbabwean novelty silver menu card holders, applied PM monogram, modelled as an eagle owl, ostrich, baboon, leopard, marabou stork, buffalo, impala and crocodile, in standing and sitting positions, on oval wooden bases, length 6cm. (8) £600-800

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295 An Edwardian novelty silver vesta case, by William Sparrow, Birmingham 1905, in the form of a football, engraved initials WH, with ring attachment, length 5.2cm, approx. weight 0.5oz. £150-200

296 An Edwardian novelty silver vesta case, by Sampson Mordan & Co, Chester 1905, in the form of a rugby ball, with a ring attachment, length 5.5cm, approx. weight 0.5oz. £150-200

297 A late-Victorian novelty silver pig vesta case, maker’s mark worn, Birmingham 1893, in a recumbent position with textured decoration, length 5.2cm, plus a vesta case by Smith & Bartlam, Chester 1906, total approx. weight 1oz. (2) £150-200

298 An Austrian silver and enamel cigarette case, by Georg Scheid, Vienna circa 1895, rectangular form, yellow enamel decoration with a black border, the cover with a painted horse and jockey, length 9.1cm, approx. weight 5.1oz. £300-400

299 A novelty silver cracker, by Sydney & Co, Birmingham 1912, of conventional form, reeded foliate borders with a pierced decoration, pull-off cover, length 10.8cm, approx. weight 0.6oz. £150-200

300 A modern silver gavel, maker’s mark JDC, London 1984, tapering circular form, plus a silver-mounted pool/snooker cue chalk by Haseler Brothers, Birmingham 1897, and a silver novelty ‘thimble’ beaker by George Unite, Birmingham 1890, height 5.5cm. (3) £200-300 55

301 A 19th century French gold-mounted ‘gorge de pigeon’ scent bottle, maker’s mark of J.L with a heart above, fluted oval form, the hinged cover with reeded decoration, length 5cm. £100-150 Provenance: A Private Collection of Scent Bottles.

302 A collection of various scent bottles, including: two USSR metalware scent flasks, soviet period, post 1958, shaped baluster form, one gilded, both with a scene of a mother and child, with chains, no stoppers, heights 6.3cm and 6cm, plus a Venetian one with flowers on a black ground, a glass one with a monogram, a set of four glass one, (one a/f), five further ones and a carved nut. (14) £100-150 Provenance: A Private Collection of Scent Bottles.

303 An early-19th century glass scent bottle, vase form with a spiral scroll base and textured edges, engraved with a thistle, the reverse inscribed ‘Sarah Burns, 1830’, with a handwritten damaged note which reads ‘A smelling bottle which belonged to a daughter of the great Scotch Bard Robert Burns’, and written ‘E .Archard’, length 9cm. £100-150 Provenance: A Private Collection of Scent Bottles. None of Robert Burn’s twelve children was called Sarah. He did have a granddaughter called Sarah (1821-1909). However there is no concrete evidence that this scent bottle belonged to her.

304 A late-18th/early-19th century continental glass scent bottle, circa 1800, teardrop form, engraved with a lady and gentleman, curled scroll edges, with an unmarked stopper, length 11.3cm, plus a metalware scent flask, unmarked, probably Middle Eastern, baluster form, long neck, chased decoration, applied with hanging beads, the screw-off cover on a chain, height 8.5cm. (2) £150-200 Provenance: A Private Collection of Scent Bottles.

305 An early-18th century silver scent flask, unmarked, probably French or Flemish, baluster form, chased with classical figures in landscape settings, the screw-off cover with a screw-off compressed ring finial, on a circular foot, with traces of gilding, height 11cm, approx. weight 3oz. £300-400

306 An early-18th century silver-gilt scent flask, unmarked, probably French or German, baluster form, chased with female masks and foliate scroll decoration, the screw-off cover with a screw-off ring finial, on an oval foot, height 9.7cm, approx. weight 3oz. £300-400

Provenance: A Private Collection of Scent Bottles.

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307 A 19th century French silver-gilt and gold-mounted glass scent bottle, unmarked, oval navette form, the silver-gilt mount with engraved decoration, the glass body encasing gold foliate scroll work, the interior with a glass stopper, length 12.7cm. £400-600

308 A late-Victorian silver Brazil nut by Spink & Son, London 1896, textured decoration and gilded interior, plus a continental silver walnut, with importer’s marks of Thomas Guest, London 1892, total approx. weight 1.9oz. (2) £200-300

Provenance: A Private Collection of Scent Bottles.

309 A pair of modern silver pheasants, by Barnard & Sons Ltd, London 1994, modelled in standing positions, the hen with raised wings, textured feather decoration, length 12.6cm, total approx. weight 9.8oz. (2) £300-400

310 A set of four novelty silver owl menu card holders, by Sampson Mordan & Co., Chester 1912, modelled in standing positions, textured feather decoration and orange glass eyes, on circular bases, in a fitted case, height 3.3cm, total approx. weight 2.7oz. (4) £200-300

λ 311 A silver-mounted and tortoiseshell mantle clock, by Grey and Co., Chester 1910, Gothic arch form, the front with a tortoiseshell panel inlaid with silver scroll decoration, plain sides and back, on four bun feet, with a key, height 16.5cm. £400-600

312 A Victorian silver kitchen nutmeg grater, by Rawlings & Summers, London 1842, semi-circular form, reeded borders, flush-hinged base, engraved crest to the back, length 14.5cm. £250-300 Provenance: A Private Collection. 57

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313 A George III silver nutmeg grater, by Joseph Taylor, Birmingham circa 1800, barrel form with band decoration, screw-off cover and to the interior a pull-off steel grater, height 2.8cm, plus a George III silver nutmeg grater, unmarked circa 1800, plain cylindrical form, pull-off cover and pull-out steel grater, length 7.8cm, and a 19th century nutmeg grater, unmarked, plain rectangular form with canted corners, hinged cover and base with a grater to the interior, length 5.2cm, approx. total weight 2.1oz. (3) £200-300 Provenance: A Private Collection.

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314 Two 19th century Dutch silver nutmeg graters, one probably by Martinus Van Leeuwen, Amsterdam 1854, egg form with fluted decoration, an engraved flower to the underside of the base, gilded interior and a pull-out steel grater, length 5.4cm, the other maker’s mark worn, rounded rectangular form with engraved scroll decoration, hinged cover and base with a steel grater to the interior, length 5.1cm, approx. total weight 2.2oz. (2) £150-200 Provenance: A Private Collection.

315 A large George III silver nutmeg grater, probably by James Phipps, London circa 1780, plain oval form, hinged cover and base, the interior with a steel grater, length 7cm, plus a George III silver nutmeg grater, maker’s mark worn ?.B, London 1782, cylindrical form with an engraved decorative border, pull-off base and pull-out steel grater, length 9.1cm, approx. weight 4.5oz. (2) £200-300 Provenance: A Private Collection.

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316 A George III silver nutmeg grater, unmarked, circa 1760, acorn form with engraved scroll foliate and shell decoration, screw-off base and cover with a knop finial, the interior with a steel grater, length 4.7cm, approx. weight 0.9oz. £200-300

317 A William IV silver kitchen nutmeg grater, by William Knight, London 1830, arched rectangular form, gadroon and foliate shell handle, engraved with a crest, with a curved steel grater and a hinged £300-400 base, height 9.6cm.

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318 A George II silver nutmeg grater, by David Field, London circa 1750, acorn form with embossed scroll foliate decoration, screw-off base and cover, the interior with a steel grater, length 3.8cm, approx. weight 0.3oz. £200-300

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319 A George III silver nutmeg grater, by Samuel Meriton, London circa 1770, egg form, embossed foliate and garland decoration, the interior with a steel grater, length 3.6cm, approx. weight 0.3oz. £200-300

320 A George III silver nutmeg grater, by Samuel Meriton, London circa 1770, egg form with engraved decoration, hinged cover with an interior steel grater, length 3.5cm, approx. weight 0.4oz. £200-300 open

321 A silver corkscrew, the body with worn marks, the handle stamped ‘Silver’, probably Dutch, shaped baluster sheath, chased decoration, the matrix engraved with a crowned ‘M’, the handle with a mounted ride on horseback, length 10.2cm, approx. total weight 2oz. £300-400

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Provenance: The Mark Phillips Collection.

322 Retailed by Jacques Schwob A l’Emeraude, Lausanne, a Swiss silver-gilt musical bird box, maker’s mark of F.J, rectangular form, chased with birds and foliate decoration, the top with foxes chasing birds, the hinged cover with a cockerel (a/f), slide-section bird starting mechanism, with a feathered bird, ropework border, with a key, in a fitted case, length 9.7cm. £800-1,200

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A PRIVATE COLLECTION 323 A George III silver nutmeg grater, by Thomas Phipps & Edward Robinson, London 1791, rectangular form with canted corners, engraved initials to the hinged cover, a hinged base, the interior with a steel grater, length 4.8cm, approx. weight 1.4oz. £200-300 Provenance: A Private Collection. open

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324 A George III silver nutmeg grater, by Joseph Taylor, Birmingham 1817, oblong form, engraved decoration, the interior with a hinged steel grater, length 4cm, approx. weight 0.9oz. £200-300 Provenance: A Private Collection. open

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325 A George III silver nutmeg grater, by Thomas Phipps & Edward Robinson, London 1792, oval navette form, the hinged cover with a crest, a hinged base, the interior with a steel grater, length 5.3cm, approx. weight 1.5oz. £200-300 Provenance: A Private Collection. open

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326 A George IV silver vinaigrette, by William Simpson, Birmingham 1829, rectangular form, with reeded sides and engine-turned decoration, engraved initials ‘JC’ to the hinged cover, the interior with a pierced silver-gilt scroll foliate grille, length 4.2cm, approx. weight 0.8oz. £100-150 open

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Provenance: A Private Collection.

327 An early-19th century silver nutmeg grater, maker’s mark stamped twice H?, circa 1800, cylindrical form, engraved decoration and vacant cartouche, hinged side and cover, the interior with a steel grater, length 6.3cm, approx. weight 1.3oz. £300-400 Provenance: A Private Collection.

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328 An early-19th century gold-mounted citrine vinaigrette, unmarked, circa 1810, rectangular form with canted corners, reeded decoration to the mounts, the cover and base are set with cut citrine, a pierced hinged grille, length 2.7cm. £400-600 Provenance: A Private Collection. Purchased from Sotheby’s, London, 22 October 1987, lot 58.

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329 A Victorian silver novelty vinaigrette, by S.Mordan & Co, London circa 1880, modelled as a nut, with textured decoration, gilded interior, the grille is pierced foliate scroll decoration and inscribed ‘Mordan & Co London’, length 3.1 cm, approx. weight 0.5oz. £400-600 open

Provenance: A Private Collection. Purchased from Woolley and Wallis, Salisbury, 27 January 2010, lot 682.

330 An 18th century silver-gilt mounted enamel snuff box, Fromery Workshops, Berlin circa 1740, cartouche form, decorated with gilded Chinese figures in landscape settings with pagodas, the base with a spray of flowers, the interior decorated with flowers, and with a seated Chinese figure, in a later case, length 8.2cm. £1,500-2,000 Provenance: A Private Collection. Purchased from Christie’s, London 18 December 1997, lot 7.

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331 A 19th century gold-mounted lacquer snuff box set with a silver relief, the relief signed ‘Baine. E’, the box unmarked, circular form, the pull-off cover has a plain gold mount inscribed ‘ To My Friend Edwin Landseer R. A. Francais Chantrey R. A.’, with a central relief of Francis Chantrey, the interior of the cover with some scratch writing, in a fitted case, diameter 8.4cm. £500-700 Provenance: A Private Collection. Purchased from Christie’s, South Kensington, 8 July 1997, lot 251.

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332 A George III gold-mounted agate fob seal, unmarked, carved as a male head wearing a Moorish headdress, with a diamond collar, ring attachment, oval base with a carved cornelian matrix with an armorial, in a later fitted case retailed by S.J. Phillips, height 3.5cm. £1,500-2,000 Provenance: A Private Collection. in box

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333 A George III silver argyle, by Soloman Houghman, London 1796, plain vase form, scroll handle, a domed pull-off cover with knop finial, the interior with a tapering heating compartment with a pulloff cover, on a raised circular foot, height 17.2cm, approx. weight 9.1oz. £600-800 Provenance: A Private Collection. Purchased from Christie’s New York, 23 October 2000, lot 203.

334 A collection of three electroplated tea caddies, comprising: one by William Hutton & Sons Ltd, Sheffield, circa 1903, oval form, part fluted decoration, flush hinged cover, width 9.7cm, a Victorian one, by William Hutton & Sons, Sheffield circa 1870, circular form, beaded borders, engraved floral swag decoration, cylindrical pull-off cover with engraved floral decoration, height 12.4cm, and one by Roberts & Briggs, circa 1860, oval form, beaded borders, hinged cover, engraved with an angel and two cherubs inside a decorative cartouche, height 10.6cm. (3) £150-200 Provenance: A Private Collection

335 A Victorian silver double-sided ‘Castle-top’ card case, Windsor Castle and Kenilworth Castle, by Nathaniel Mills, Birmingham 1838, rectangular form, the front with a scene of Windsor Castle, the reverse with Kenilworth Castle, within engraved tartan decoration, length 9.2cm, approx. weight 2.4oz. £300-400 Provenance: A Private Collection.

337 A George III silver argyle, by John Emes, London 1807, plain vase form, reeded borders, slight domed pull-off cover with acorn finial, the interior with a cylindrical heating compartment with a pull-off cover, on a raised circular foot, engraved with a crest, height 17.3cm, approx. weight 13.3oz. £600-800 Provenance: A Private Collection. Purchased from Sotheby’s, London, 28 April 1999, lot 284.

336 An 18th century continental parcel-gilt silver toilet box, indistinct marker’s mark, quatrefoil town mark, oval form, the pull-off cover with a central embossed coat of arms, possibly for Magusch of Silesia impaling another, within a fluted border, length 14.5cm, approx. weight 9.8oz. £700-900 Provenance: A Private Collection. Purchased from Christie’s, King Street, London, 10 June 2008, lot 12.

338 A George III old Sheffield plated argyle, unmarked, circa 1790, plain vase form, scroll handle, the pull-off cover with ball finial, the interior with a tapering heating compartment with a pull-off cover, on a raised circular foot, height 19.5cm. £100-150 Provenance: A Private Collection.

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339 A George III old Sheffield plated argyle, unmarked, circa 1780, baluster waisted form, scroll handle, the pull-off cover with ball finial, the water compartment with a hinged cover, height 16cm. £100-150 Provenance: A Private Collection.

340 A 19th century continental silver tea caddy, marked to the underside of the base, with a possible date letter, rounded rectangular bombé form, embossed foliate scroll decoration, fluted hinged cover with a pumpkin finial, on four scroll bracket feet, length 15cm, approx weight 19.5oz. £400-600

341 A Victorian silver tea caddy, by Joseph Angell II, London 1859, oval form, engraved foliate decoration, flush-hinged cover with a silver and wooden knop finial, engraved with a crest to the front cartouche, height 11.7cm, approx. weight 13.4oz. £400-600

342 A 19th century Belgian silver-gilt argyle, Brussels 1831-1868, circular form, engraved border, foliate decorated domed pull-off cover with a modelled flame finial, scroll wooden handle, hinged cover for the water compartment, height 15cm, approx. weight 22.2oz. £700-900

Provenance: A Private Collection.

The crest is that of Gordon.

Provenance: A Private Collection.

Provenance: A Private Collection. Purchased from Christie’s, London, 13 June 2000, lot 49.

343 A late-18th/early-19th century silver-gilt filigree and enamel inkstand, unmarked, circa 1800, rectangular form, with a filigree mounted glass inkwell and sander, plain glass bodies, the enamel base with flowers on a white ground, on four filigree bracket feet, length 7.9cm. £400-600

344 A silver tea caddy, marked I.B four times, possibly continental or colonial, probably 19th century, rectangular form, decorated in the chinoiserie manner, with figures in natural landscapes, with a flush hinged cover, length 8.8cm, approx. weight 6.5oz. £200-300

Provenance: A Private Collection.

Provenance: A Private Collection. 63

345 A collection of five 18th century silver mote spoons, including one with shoulders, with a pierced scroll bowl, with traces of gilding, scratch initailled ‘E.B’, plus two with maker’s marks and pierced scroll bowls, and two others with plain rat-tails and pierced decoration, approx. total weight 1.1oz. (5) £300-400

346 A collection of five 18th century silver mote spoons, including one with maker’s mark of WJ script, the bowl pierced with scrolls and mullets, the others with maker’s marks, one with a plain rat-tail to the reverse of the bowl, one initialled, approx. total weight 1.1oz. (5) £300-400

Provenance: A Private Collection.

347 A collection of five 18th century silver mote spoons, including one by John Carpender, London circa 1740, the bowl with pierced scroll decoration, plus four others with traces of makers’ marks and pierced scroll bowls, one gilded, approx. total weight 1.2oz. (5) £300-400

348 A collection of five 18th century silver mote spoons, including one possibly by John Lampfet, circa 1750, the bowl pierced with scroll and mullets and with a shell heel, one pierced with a star motif, one with engraved and scroll decoration, a silvergilt one, with chased decration, and another, approx. total weight 1.6oz. (5), £300-400

Provenance: A Private Collection.

349 A collection of five 18th century silver mote spoons, including one with a chased and pierced scroll bowl, maker’s mark only, scratch initialled ‘A.S’, one with a plain rat-tail and pierced bowl, two others with scratch initials, and one other, approx. total weight 1.2oz. (5) £300-400 Provenance: A Private Collection. 64

350 A collection of five 18th century silver mote spoons, all with maker’s marks, the bowls with pierced with mullets and scroll decoration, one engraved with a crest and one with initials, approx. total weight 1.4oz. (5) £300-400 Provenance: A Private Collection.

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351 An American silver tea infuser, marked ‘sterling’, in the form of a fluted gourd, hinged cover with a chain and ring attachment, plus a patent electroplated tea infuser with a push action handle, length 13.1cm, approx. weighable 0.7oz. (2) £80-120

352 A 19th century French silver wine taster, with a small control mark to the handle, circular shape, chased foliate decoration, ring handle, inscribed ‘D.G.’ length 9.9cm, approx. weight 1.4oz. £80-120 Provenance: A Private Collection.

Provenance: A Private Collection.

353 A George II silver marrow spoon, maker’s mark worn W?, London 1739, with an engraved crest to the reverse of the bowl, length 21.8cm, approx. weight 1.5oz. £100-150

354 A set of four George III Irish silver salt cellars, possibly by Christopher Haines, Dublin 1810, circular form, fluted decoration, gilded bowls, diameter 8.7cm, approx. weight 13.5oz. (4) £400-600

Provenance: A Private Collection.

Provenance: A Private Collection. Purchased from Sotheby’s, 2 June 1995, lot 60.

355 A George III old Sheffield plated argyle, unmarked, circa 1780, baluster form, beaded borders, scroll handle, domed hinged cover with knop finial, the water compartment with a hinged cover, height 16.8cm £100-150

356 A George III old Sheffield plated argyle, unmarked, circa 1780, circular form, scroll handle, the pull-off cover with ball finial, the water compartment with a hinged cover, the base with a gadroon border, height 13.2cm. £100-150

Provenance: A Private Collection. Purchased from Sotheby’s, London, 28 April 1999, lot 223.

Provenance: A Private Collection. 65

357 An 18th century silver and enamel double snuff box, Fromery Workshop, Berlin, the mounts with French marks, rectangular form, decorated with gilt flowers and green borders, with two hinged covers and two compartments, length 7.6cm. £400-600 Provenance: A Private Collection. Purchased from Christie’s East, 20 December 1994, lot 83.

358 An 18th century silver-mounted enamel box, probably by the Fromery Worksop, Berlin, the mounts with French marks, and a later Dutch tax mark, circular baluster form, with gilded and green decoration, the cover with a cherub and a dog, height 3.7cm. £600-800

359 A George II silver-mounted cowrie shell snuff box, by Robert Collier or Robert Cox, London circa 1750, the mounts have reeded edges, the hinged cover is embossed with chased scroll foliate decoration, with central engraved initials to the cartouche, length 6.8cm. £200-300

360 A 19th century French lithyalin scent bottle, rectangular form, faceted edges, plain hinged cover with a stopper, length 7.3cm. £100-150

Provenance: A Private Collection.

Provenance: A Private Collection. Purchased from Phillips, London, 10 April 2001, lot 447.

Provenance: A Private Collection.

361 A 19th century Bohemian hyalith scent bottle, circa 1840, rectangular form, the sides cut with facets, with gilt lattice decoration, silver-gilt cover and with a chain and finger ring, length 4.7cm. £200-300 Provenance: A Private Collection. Purchased from Phillips, London, 10 April 2001, lot 445. 66

362 A 19th century Bohemian hyalith scent bottle, circa 1840, shaped sides and faceted borders, decorated with flowers and fruiting vines, in raised and flat gold, clear glass stopper, embossed silver cover, length 8.5cm. £200-300 Provenance: A Private Collection. Purchased from Phillips, London, 10 April 2001, lot 448.

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363 A late-18th century French silver-mounted enamel box, the mount with a control mark, rectangular form, with trellis decoration and dark pink flower heads, plain mounts, length 8.4cm. £300-400 Provenance: A Private Collection. Purchased from Christie’s New York, 18 April 1991, lot 139.

λ 364 A Victorian silver baby’s rattle, whistle and teether, by Reily and Storer, London 1845, baluster form, chased foliate scroll decoration, tapering coral teether, with six hanging bells and a ring attachment, length 13.5cm, approx. weight 2oz. £200-300 Provenance: A Private Collection. Purchased from Phillips, London, 27 March 1997, lot 295.

OTHER PROPERTIES

365 A matched pair of George II silver-gilt tumbler cups, marks worn, one London 1752, circular form, gilded bowls, engraved with crests and initials, height 5cm, approx. weight 4.5oz. (2) £400-600

366 A Queen Anne miniature silver two-handled porringer, by William Fleming, London 1704, circular form, part-fluted decoration, scroll handles, height 3.8cm, approx. weight 0.7oz. £100-150

Provenance: A Private Collection.

367 A miniature silver wine taster, unmarked, circular form, punched foliate and bead decoration, fluted side handles, diameter handle to handle 6cm, approx. weight 0.2oz. £150-200

368 An early-18th century silver-mounted and base metal shagreen-covered penner, unmarked circa 1700-1720, tapering octagonal form, with stud-work decoration, the base with a screw-off inkwell, the hinged cover opens to reveal three dip pens and a pencil, length 11.5cm. £800-1,200

369 A George IV provincial silver goblet, by Barber and Whitwell, York 1821, campana form, embossed vine decoration with Bacchus masks, foliate decoration, on a raised foliate foot, inscribed ‘Presented by Col. Thackwell to George Callaghan Esq. Dec 1821’, height 17cm, approx. weight 9.9oz. £400-600

370 An Edwardian silver wheelbarrow, by Natahn and Hayes, Chester 1909, rectangular form, pierced foliate scroll decoration, foliate borders, length 18cm, approx. weight 7oz. £150-200 Provenance: The Mark Phillips Collection.

Provenance: The Mark Phillips Collection.

371 A pair of George III silver tapersticks, by Richard Crossley, London 1785, tapering octagonal and baluster stems, spool-shaped capitals, gadroon borders, unmarked detachable drip pans, height 15.5cm, approx. weight 15oz. (2) £300-500

372 A pair of silver shell dishes, by Ellis and Co., London 1922, shell form, pierced scroll and mullet decoration, caryatid scroll handles, gadroon borders, on three mythical dolphin feet, length 13.2cm, approx. weight 20oz. (2) £600-800

Provenance: The Mark Phillips Collection.

373 A late-Victorian silver salt cellar, over stamped with maker’s mark of D and J Wellby, London 1896, in the early-17th century manner, octagonal form, with two scroll supports, with a matching salt spoon, approx. weight 9oz. (2) £150-200 Provenance: The Mark Phillips Collection.

374 A collection of three antique silver casters, comprising: a Victorian one by Finley and Taylor, London 1885, the cover 1887, drinking horn form, chased Celtic decoration, scroll handle, height 13.3cm, plus one by Messrs. Lias, London 1841, and a muffineer, by Emes and Barnard, London 1828, approx. total weight 9oz. (3) £250-300

Provenance: The Mark Phillips Collection.

THE MARK PHILLIPS COLLECTION OF MUSTARD POTS (PART I) LOTS 375-425

375 A collection of four antique silver mustard pots, comprising: a George III one, by William Adby, London 1791, plain oval form, domed cover with an urn finial, crested, with a blue glass liner and spoon, plus a Victorian one, by Thomas Bradbury, London 1893, circular form, pierced and engraved decoration, with a blue glass liner, a Victorian silver-mounted Doulton one, Birmingham 1875, and an egg shaped one on three ball feet, Birmingham 1892, approx. weight 7.5oz. (5) £200-300 Provenance: The Mark Phillips Collection.

376 A collection of three antique silver mustard pots, comprising: a Victorian one by Hunt and Roskell, London 1870, tapering circular form, the cover with a strap hinge, with a blue glass liner, plus a George III one, by John Langford II & John Sebille, London 1765, circular form, engraved decoration, the hinged cover inscribed ‘Mustard’, with a blue glass liner, and an oval one by Nathan and Hayes, Chester 1911, pierced and engraved with animals and foliate scroll decoration, with a blue glass liner, approx. weight 12oz. (3) £200-300 Provenance: The Mark Phillips Collection.

377 A collection of three antique silver mustard pots, comprising: a George III one, London 1777, circular form, pierced with horizontal slats, with a blue glass liner, plus a late-Victorian one by John Grinsell and Sons, London 1894, pierced with trellis and scroll decoration, and with a red glass liner, and a plain one by Stokes £200-300 and Ireland, Chester 1920, approx. total weight 9oz. (3) Provenance: The Mark Phillips Collection.

378 A collection of three antique silver mustard pots, comprising: a Victorian one by Martin, Hall and Co., Sheffield 1863, circular form, engraved decoration, beaded borders, scroll handle, with a blue glass liner, plus a small mustard pot by Elkington and Co., Birmingham 1910, the hinged cover inscribed ‘M.C.P.D & O. Assoc. Festival Dinner 1911, F. Gordon Colman Esq. Chairman with the Compliments of J and J Coleman Ltd’, with a blue glass liner, and an oval mustard pot, Birmingham 1905, pierced decoration, £200-300 with a blue glass liner, approx. weight 8.7oz. (3) Provenance: The Mark Phillips Collection.

379 A collection of three antique silver mustard pots, comprising: a George III one, by Fenton, Creswick and Co., Sheffield 1780, circular form, pierced and engraved with urns and vertical slats, the cover with a crest, with a blue glass liner, plus a George III one by Stephen Adams, London 1800, oval bellied form, pierced and engraved decoration, with a blue glass liner, and a late-Victorian silver mustard pot, Birmingham 1897, circular form, embossed figural scenes in the Tenniers manner, with a blue glass liner and earlier spoon, approx. total weight 9.2oz. (4) £300-400 Provenance: The Mark Phillips Collection. 70

380 A collection of three antique silver mustard pots, comprising: a Victorian one by George Adams, London 1869, cylindrical knife box form, lobed and engraved decoration, with a glass liner and earlier spoon, plus a Victorian silver-mounted stoneware mustard pot of harvest jug form, the mounts by George Fox, London 1869, the underside stamped ‘Doulton, Lambeth’, and a George II Scottish blind mustard pot, by James Ker, Edinburgh 1756, baluster form, approx. weighable 7.2oz. (4) £200-300 Provenance: The Mark Phillips Collection.

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381 A George III silver mustard pot, by Robert Hennell, London 1783, circular form, pierced and engraved decoration, the hinged cover initialled, beaded border, with a blue glass liner and later spoon, height 7.8cm, approx. weight 3.9oz. (2) £200-300

382 A Victorian silver mustard pot, by Charles and George Fox, London 1855, modelled as an earlier flagon, hinged cover, scroll handle, with a clear glass liner, with an earlier spoon, London 1802, height 12cm, approx. weight 7oz. (2) £150-250

Provenance: The Mark Phillips Collection.

The crest is that of Herbert under an Earl’s coronet. Earldoms of Pembroke and Montgomery or that of Carnarvon. Provenance: The Mark Phillips Collection.

383 A George III silver mustard pot, by William Abdy, London 1785, urn form, pierced and engraved decoration and foliate garlands, scroll handle, the hinged cover with an urn finial, with a blue glass liner and £150-250 later spoon, height 13cm, approx. weight 3.7oz. (2) Provenance: The Mark Phillips Collection.

384 A Victorian silver mustard pot, by J and J Angell, London 1840, circular form, pierced with scroll decoration, the hinged cover with engraved decoration and a flower finial on four bracket feet, with a blue glass liner and later spoons, height 9.5cm, approx. weight £200-300 6.9oz. (2) Provenance: The Mark Phillips Collection.

385 An early-19th century French silver mustard pot, Paris 1819-1838, campana vase form, leaf-capped scroll handles, the hinged cover with a cone finial, on a square base, with a red glass liner and later English spoon, height 13.5cm, approx. weight 5.3cm, approx. weight 5.3oz. (2) £150-200 Provenance: The Mark Phillips Collection.

386 An Edwardian silver mustard pot, by Frazer and Haws, London 1904, circular bellied form, embossed foliate scroll decoration, bifurcated snake scroll handle, the hinged cover with a flower finial, with a silver liner, and a later spoon, height 8.5cm, approx. weight 12.4oz. (2) £150-200 Provenance: The Mark Phillips Collection. 71

387 A collection of three antique silver mustard pots, comprising: a George III one, by Robert Hennell, London 1804, oval form, engraved upper and lower borders, with a later clear glass liner, plus a late-Victorian one by Charles Stuart Harris, London 1900, engraved and pierced with birds and foliate scroll decoration, with a blue glass liner, and an Edwardian one, by Horace Woodward and Co., London 1909, of urn form, part-fluted decoration, blue glass liner, approx. total weight 10.3oz. (3) £250-300

388 A collection of three antique silver mustard pots, comprising: a Victorian one, by Reily and Storer, London 1845, octagonal form, chased foliate scroll decoration, the hinged cover with a crest, with a blue glass liner, plus a Victorian one, by Henry Wilkinson and Co., Sheffield 1842, circular form, pierced decoration, with a blue glass liner, and an oval mustard pot, London 1905, pierced with vertical slats, with a blue glass liner, approx. total weight 11.8oz. (3) £200-300

Provenance: The Mark Phillips Collection.

389 A collection of three antique silver mustard pots, comprising: one modelled as a miniature tankard, by Stokes and Ireland Limited, London 1912, plain tapering form, with a blue glass liner, plus a Victorian one of egg form, by Thomas Johnson, London 1882, with a later spoon, and a silver sleeve for a mustard powder tin, by Elkington and Co., Birmingham 1912, oval form, scroll handles, pierced border, inscribed ‘Coleman’s Mustard Bazaar Fund (?) Tin’, with an un-opended tin of mustard powder, approx. total weight 8oz. (4) £200-300

390 A collection of three silver mustard pots, comprising: one modelled as a castle turret, by Findlay and Taylor, London 1891, tapering form, simulated stone work and with a castellated top, with a blue glass liner, plus one modelled as a sedan chair, by Samuel Jacobs, London 1900, embossed foliate scroll and trellis decoration, hinged cover, with a later blue glass liner, and an Edwardian silver-mounted glass mustard pot, by the Goldsmiths and Silversmiths Company, London 1908, modelled as a tankard, he cover with a crest, approx. weighable 4.5oz. (3) £300-500 Provenance: The Mark Phillips Collection.

Provenance: The Mark Phillips Collection.

391 A collection of three antique silver mustard pots, comprising: a Victorian one by William Evans, London 1865, circular form, pierced scroll decoration, with a blue glass liner, plus a lateVictorian one by Marston and Bayliss, Birmingham 1900, pierced and engraved with birds and scroll decoration, blue glass liner, and a George III one, probably by William Lestourgeon, London 1766, circular form, pierced scroll decoration, with a clear glass liner, approx. total weight 10.3oz. (3) £200-300 Provenance: The Mark Phillips Collection. 72

392 A collection of four antique silver mustard pots, comprising: a Victorian Aesthetic Movement one, by Henry Holland, London 1879, lozenge shape engraved with swallows and bamboo decoration, simulated bamboo handle, gilded interior, plus three other mustard pots, London 1900, 1901 and Sheffield 1906, with later blue glass liners, approx. weight 8.5oz. (4) £200-300 Provenance: The Mark Phillips Collection.

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393 A Victorian Gothic silver mustard pot, by Henry Wilkinson and Co., Sheffield 1839, circular form, with pierced Gothic arches, the hinged cover with a crest, with a blue glass liner and later spoon, height 7.2cm, approx. weight 3.8oz. (2) £150-200

394 A Victorian silver mustard pot, by John Beresford, London 1890, baluster form, embossed with Teniers-style figures in landscape settings, the finial with a figure on a barrel, gilded interior, with a later spoon, height 10cm, approx. weight 6.8oz. (2) £200-300

Provenance: The Mark Phillips Collection.

395 A Victorian silver mustard pot, by John Edwards, London 1852, octagonal form, pierced foliate scroll decoration, the hinged cover with engraved decoration and foliate finial, with a blue glass liner and later spoon, height 10.2cm, approx. weight 5.5oz. (2) £150-200

396 A George III provincial silver mustard pot, by Hampston and Prince, York 1796, also stamped twice with town mark, plain drum form, scroll handle, the cover initialled, the underside inscribed ‘The Gift of John Fothergill Esq.’, with a clear glass liner and later spoon, height 7.8cm, approx. weight 4.6oz. (2) £300-400

Provenance: The Mark Phillips Collection.

397 A late-18th/early-19th century Dutch silver mustard pot, maker’s mark only SVM conjoined, probably for Pieter S. van Mecklenburg, Amsterdam circa 1800, lobed baluster form, chased with winged cherub heads and scroll decoration, hinged cover with a foliate thumbpiece, on a shaped square foot, with a later blue glass liner, height 13.5cm, approx. weight 4.8oz. £300-400 Provenance: The Mark Phillips Collection.

398 A Victorian silver mustard pot, by Hayne and Cater, London 1855, circular form, pierced trellis decoration, and with chased foliate motifs, the cover with engraved decoration, with a blue glass liner and later spoon, height 8cm, approx. weight 5.2oz. (2) £150-200 Provenance: The Mark Phillips Collection. 73

399 A collection of three antique silver mustard pots, comprising: an Edwardian one, by Holland, Aldewinckle and Slater, London 1907, circular form, pierced with horizontal slats, with a blue glass liner, plus one by Charles Stuart Harris and Sons, London 1922, circular form, pierced with foliate scroll decoration, gadroon border, with a blue glass liner, and a Victorian one, by Martin, Hall and Company, Sheffield 1866, baluster form, embossed foliate scroll decoration, with a blue glass liner, approx. weight 13.5oz. (3) £200-300 Provenance: The Mark Phillips Collection.

400 A collection of three antique silver mustard pots, comprising: a George II one, by Edward Wakelin, London 1759, plain circular form, pierced thumbpiece, with a later blue glass liner, plus a Victorian one, by Joseph Angell, London 1851, octagonal form, engraved decoration, with a crest, and with a later blue glass liner, plus an Edwardian one, by Daniel and Arter, Birmingham 1906, pierced with animals and birds in foliate decoration, with a blue glass liner, approx. total weight 13oz. (3) £200-300

401 A collection of four antique silver mustard pots, comprising: a Victorian one by Charles Boyton, London 1875, oval form, pierced and engraved decoration, beaded borders, with a blue glass liner, plus one of oval wire-work form, by the Goldsmiths and Silversmiths Company, London1907, with a blue glass liner, and two of oval form, embossed decoration, Chester 1898 and Birmingham 1904, with blue glass liners and a spoon, approx. weight 13.5oz. (5) £200-300 Provenance: The Mark Phillips Collection.

402 A collection of three antique silver mustard pots, comprising: a Victorian one by John Figg, London 1844, circular form, pierced with vertical slats, beaded borders, with a blue glass liner, plus a Victorian one by Charles and George Fox, London 1846, engraved foliate scroll decoration, the cover with a crest, with a blue glass liner, and a late-Victorian one, by William Evans, London 1890, plain circular form, with a gadroon border and engraved with a crest, with a blue glass liner, approx. total weight 10.5oz. (3) £200-300

403 A collection of three antique silver mustard pots, comprising: a George III one, by Thomas Wallis, London 1796, oval form, pierced and engraved decoration, the hinged cover with an urn finial, with a blue glass liner, plus a late-Victorian mustard pot, maker’s mark of F.W, Chester 1897, plain oval form, with a glass liner, and an Edwardian mustard pot, by Messrs. Haseler, London 1907, oval wire-work body, on a raised oval foot, with a glass liner, approx. total weight 10oz. (3) £250-300

404 A collection of three antique silver mustard pots, comprising: a Victorian one by Reily and Storer, London 1847, circular form, pierced foliate scroll decoration, the hinged cover with a crest, with a green glass liner, plus a Victorian one, by the same maker, London 1846, octagonal form, engraved foliate scroll decoration, the cover initialled, with a frosted glass liner, and a Victorian one by John Figg, London 1853, pierced and engraved with birds, animals and foliate scroll decoration, with a blue glass liner, approx. weight 13.5oz. (3) £300-400

Provenance: The Mark Phillips Collection. 74

Provenance: The Mark Phillips Collection.

Provenance: The Mark Phillips Collection. The Coleman Collection, numbers 86, 88 and 104.

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405 A George III silver mustard pot, maker’s mark ?D, London 1807, oval bellied form, engraved decoration, the hinged cover with an urn finial, the front with a crest, with a later blue glass liner and later spoon, height 8cm, approx. weight 5.5oz. (2) £150-200 Provenance: The Mark Phillips Collection.

406 A Victorian novelty silver drum mustard pot, by Charles and George Fox, London 1851, the drum with mounted ropework, the scroll handle modelled as a strap, the hinged cover with a drumstick thumbpiece, with a blue glass liner and unmarked spoon, with a flag finial, (repaired), height 8cm, approx. weight 6.6cm. (2) £400-600 Provenance: The Mark Phillips Collection.

407 A George III silver mustard pot, by Daniel and Mince, London 1769, cylindrical form, pierced with vertical slats, the hinged cover with a pierced thumbpiece, with a blue glass liner and a later spoon, height 9.5cm, approx. weight 4.5oz. (2) £200-300

408 A George III silver mustard pot, by Tudor and Leader, Sheffield 1782, urn form, pierced and engraved decoration, reeded scroll handle, the hinged cover with an urn finial, with a blue glass liner and later spoon, height 13cm, approx. weight 4.3oz. (2) £150-200

Provenance: The Mark Phillips Collection.

409 A George IV silver mustard pot, by Joseph Craddock & William Ker Reid, London 1824, circular bellied form, embossed foliate decoration, the hinged cover with a flower finial, on three foliate bracket feet, initialled, with a later liner and spoon, height 9.7cm, approx. weight 8.6oz. (2) £150-200

410 A Victorian silver mustard pot, by The Barnards, London 1875, oval form, pierced and engraved foliate scroll decoration, beaded borders, initialled, later blue glass liner, later spoon, approx. weight 4.8oz. £150-200

Provenance: The Mark Phillips Collection.

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411 A modern Arts and Crafts silver mustard pot and spoon, by George Hart for the Guild of Handicraft, London 2007, after a design by Charles Ashbee, circular form, with pierced decoration, scroll handle and the hinged cover set with a chrysoprase cabouchon, green glass liner, the spoon with a chrysoprase finial, height 11.5cm, approx. weight 5oz. (2) £300-400

412 An Edwardian Art Nouveau silver mustard pot and spoon, by Edward Baker, Birmingham 1902, cylindrical form, pierced and applied with strapwork, stylised scroll handle, on three bracket feet, with a blue glass liner, approx. weight 5.7oz. (2) £300-400 Provenance: The Mark Phillips Collection.

Provenance: The Mark Phillips Collection.

413 A modern Arts and Crafts silver mustard pot and spoon, by George Hart for the Guild of Handicraft, London 2006, plain circular form, spot-hammered decoration, the hinged cover with a knop finial, the spoon with a seal-top finial, with a blue glass liner, height 6.7cm, approx. weight 7.4oz. (2) £150-200

414 A Danish silver mustard pot, by Georg Jensen, with import marks for London 1931, importer’s mark of George Stockwell, circular form, spot-hammered decoration, with a later clear glass liner and English spoon, approx. weight 4.7oz. (2) £150-200

Provenance: The Mark Phillips Collection.

415 A Victorian silver mustard pot, by John Mortimer and John Hunt, London 1842, circular form, applied with stylised columns and with a Bacchus mask, the hinged cover with scroll decoration, and an acorn finial, gilded interior, with a later spoon, height 8.3cm, approx. weight 8oz. (2) £200-300

416 A Victorian novelty silver cauldron mustard pot, by E. H. Stockwell, London 1876, hinged cover and hinged carrying handle, on three spindle feet, with a clear glass liner and with a later spoon, height 7cm, approx. weight 3oz. (2) £150-200

Provenance: The Mark Phillips Collection. 76

Provenance: The Mark Phillips Collection.

417 A rare Victorian novelty silver Mr Punch mustard pot and Mrs Judy Punch pepper pot, by James Barclay Hennell, London, 1880, with design registration lozenge mark for 22nd February 1868, Mr Punch sitting cross-legged holding a goblet and smoking a pipe, his hinged hat opens to reveal a gilded interior and mustard spoon with a feather terminal, Mrs Punch is sitting on three books and is taking snuff, her bonnet pierced, heights 10cm and 8.9cm, approx. total weight 13.5oz. (3). £5,000-7,000 Provenance: The Mark Phillips Collection. Purchased from Christie’s, South Kensington, Selected Silver, 10 September 2002, lot 197.

418 A pair of 19th century Swedish silver mustard pots, possibly by Bengt Tellander, JonKoping, circa 1820, urn form, part-fluted decoration, wire-work scroll handles, the domed covers with ball finials, with glass liners, plus a continental silver mustard pot, circular form, part-fluted decoration, the pull-off cover with a flower finial, approx. weight 10.3oz. (3) £150-200 Provenance: The Mark Phillips Collection.

419 A collection of three antique silver mustard pots, comprising: one by Robert Hennell, London 1791, oval form, pierced and engraved decoration, the hinged cover with a ball finial, with a crest, clear glass liner, plus an Edwardian one, by Thomas Bradbury and Sons, Sheffield 1903, oval form, pierced and engraved decoration, with a blue glass liner, and a Victorian one, London 1886, plain oval form, later glass liner, approx. total weight 10.5oz. (3) £300-400 Provenance: The Mark Phillips Collection.

420 A collection of four silver mustard pots, comprising: two graduated Art Deco mustard pots, by The Goldsmiths and Silversmiths Company and Edward & Sons, London 1933, plain circular form, with blue glass liners, plus an Edwardian one by Saunders and Shepherd, Chester 1903, rectangular form, spothammered decoration, pierced sides, with a blue glass liner, and a modern mustard pot, by Barker, Ellis and co., Birmingham 1975, circular form, with a blue glass liner, approx. weight 11.5oz. (4) £200-300

421 Two similar silver mustard pots, by Hester Bateman, London 1777 and 1778, circular form, pierced with slats and foliate motifs, beaded borders, the hinged covers with urn finials and pierced thumbpieces, scroll handles, one initialled, with later blue glass liners and two later spoons, heights 10.5cm and 9.5cm, approx. weight 8oz. (4) £400-600 Provenance: The Mark Phillips Collection.

Provenance: The Mark Phillips Collection.

422 A pair of Victorian silver-gilt mustard pots, by Holland, Aldewinckle and Slater, London 1896, swirl-fluted baluster form, scroll handles, the hinged covers with fluted finials, with later blue glass liners, height 10.5cm, approx. weight 8.7oz. (2) £200-300 Provenance: The Mark Phillips Collection. 78

423 A George II silver caster, by Samuel Wood, London 1731, baluster form, chased foliate and scroll decoration, pierced pull-off cover, height 18.5cm, approx. weight 9.4oz. £150-200 Provenance: The Mark Phillips Collection.

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424 A Victorian silver mustard pot, by Joseph Willmore, Birmingham 1841, circular form, pierced foliate scroll and rocaille decoration, leaf scroll handle, with a later blue glass liner and spoon, height 7.3cm, approx. weight 3.3oz. (2) £150-200

425 A Victorian provincial silver mustard pot, by John Walton, Newcastle 1850, octagonal form, pierced with foliate scroll decoration, hinged cover, with a blue glass liner and earlier spoon, height 7cm, approx. weight 4oz. (2) £150-200

Provenance: The Mark Phillips Collection.

OTHER PROPERTIES

426 A George III silver mustard pot, by Peter and William Bateman, London 1807, oval form, engraved decoration, initialled, with a blue glass liner and a spoon, 1812, plus a similar unmarked mustard pot, with an urn finial and pierced border, with a blue glass liner, approx. total weight 7.5oz. (3) £100-150

427 A pair of Victorian silver mustard pots, by Aston and Sons, Birmingham 1857, octagonal form, engraved foliate decoration, scroll handles, hinged covers, one with initials, the other with a crest, with two blue glass liners and two George II condiment spoons, approx. weight 7.3oz. (4) £200-300

Provenance: The Richard Stagg Collection.

428 A George III silver mustard pot, by Craddock & Reid, London 1819, baluster form with embossed chased scroll foliate decoration, engraved with an armorial, the hinged cover with a flower finial, on four shell capped scroll feet, height 8cm, approx. weight 8.9oz. £150-200 The arms are that of Deacon impaling another.

429 Retailed by the Goldsmiths and Silversmiths Company, a matched eight-piece Victorian silver cruet set, by Thomas Bradbury, London 1892, and Sheffield 1890, and Gibson and Langman, Sheffield 1892, comprising: four salt cellars of oval fluted form, a pair of oval fluted mustard pots and two pepper pots, with six condiment spoons, in a fitted case, the cover initialled, approx. weight 18oz. £300-400 79

λ 430 A Victorian silver coffee pot, by The Barnards, London 1884, baluster form, swirl-fluted decoration, scroll handle with ivory insulators, height 22.5cm, approx. weight 24oz. £400-600

431 An Edwardian silver Corinthian column oil lamp base, by Hawksworth, Eyre & Co Ltd, Sheffield 1902, fluted column, on a raised square base with urn motifs, lacking oil reservoir, height 40.2cm £200-400

Ivory registration number: BR8HUJPW

432 An Edwardian silver Corinthian column oil lamp, by Hawksworth, Eyre & Co Ltd, Sheffield 1907, fluted columns, on a raised square base, inscribed, with a glass oil reservoir, height 46.5cm. £300-400

433 A George II silver chocolate pot, by John Jacob, London 1755, tapering circular form, scroll wooden handle, domed over with a pull-off acorn finial, height 25.8cm, approx. weight 30oz. £800-1,200

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λ 434 A Victorian silver coffee pot, by John James Keith, London 1837, lobed baluster form, the hinged cover with a floral finial, ivory insulators to the scroll handle, on four shell and scroll bracket feet, height 22.2cm, approx. weight 26.3oz. £300-500

435 A Victorian silver coffee pot, by Robert Hennell, London 1845, tapering circular form, wooden scroll handle, flush-hinged cover with a knop finial, engraved with a crest and monogram, height 19cm, approx. weight 18oz. £300-500

Ivory registration number: X9P3JY4P

436 A George IV silver bullet teapot, by Edward Edwards, London 1820, in the early 18th century manner, plain form, scroll handle, the hinged cover with a flower finial, length handle to spout 20.2cm, approx. weight 11oz. £250-300 436

437 A George II silver coffee pot, no apparent maker’s mark, London 1739, tapering fluted and lobed form, scroll handle, the hinged cover with a fluted finial, shell capped spout, height 21.5cm, approx. weight 22.9oz. £300-500 Provenance: The Groves of Castle Grove, Donegal. Then by descent to Commander Peter Campbell and then by descent to present owner.

438 A George II silver coffee pot, maker’s mark?.R, London 1743, tapering circular form, wooden scroll handle, domed cover with a knop finial, engraved with an armorial, on a circular foot, height 25cm, approx. weight 30oz. £700-900

439 A modern silver three-light candelabrum, by J B Chatterley & Sons Ltd, Birmingham 1972, knopped baluster form, three scroll arms each support a spoolshaped capital, on a square base with canted corners, height 25.8cm, approx. weight 36.9oz. £800-1,200

440 A pair of modern silver candelabras, by Catchpole & Williams Ltd, London 1962, knopped baluster stems, scrolling branches supporting spoolshaped capitals, on square-shaped bases, height 19.4cm, total approx. weight 35.7oz. (2) £800-1,200

441 A set of four silver dishes, with cancelled marks, and London Assay Office marks for 2025, lobed oval form, shell and gadroon borders and shell scroll handles, gilded bowls, on four scroll bracket feet, engraved with an armorial, length 27.3cm, approx. weight 63oz. (4) £800-1,000

442 A matched Edwardian silver five-piece coffee and tea set, mainly by William Aitken, Birmingham 1905, 1906 and 1907, the coffee pot is by Charles Horner, Birmingham 1900, rounded rectangular form with part-fluted decoration and scroll and gadrooned border, £1,000-1,500 teapot length handle to spout 27.6cm, total approx. weight 70.5oz. (5)

END OF DAY ONE 82

DAY TWO WEDNESDAY 16 JULY 2025 AT 10AM

A PRIVATE COLLECTION OF ARTS & CRAFTS AND POST WAR SILVER LOTS 443-589

443 A mixed lot of modern silver flatware, various dates and makers, comprising: a serving slice by Graham Watling, London 1977, a ladle by Vivienne Lawrie, London 1987, a jam spoon by Brian Fuller, one by Gertrude Morley, four by Sarah Jones, four by Philippa Merriman, one by Lucian Taylor, one by Michael Bolton, a set of six by S.P and two others, approx. weight 17oz. (qty) £350-400

444 A collection of Arts and Crafts and Art Deco silver spoons, comprising: one by Archibald MacDonald, Chester 1947, tapering handle, spot-hammered bowl, one by Sybil Dunlop, 1926, one by George Hart for The Guild of Handicraft, London 1939, one by R.E.Stone, London 1958, one by Charles Boyton, 1932, and two caddy spoons by A.E.Jones, Birmingham 1929 and 1991, approx. weight 10oz. (7) £250-300

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

445 A collection of modern silver spoons, comprising: a spoon by Simon Beer of Lewes, Sheffield 2009, with a swan head finial, a silver and enamel spoon by C.E.A, Birmingham 1986, a ladle by Graham Watling, two spoons by Phillipa Merriman, one by The Harrow School of Art, three Jensen spoons, another spoon and a slice by Christopher Perkins, Birmingham 1979, approx. total weight 12oz. (qty) £250-300

446 By The Keswick School of Industrial Arts, a matched pair of Arts and Crafts silver spoons, Chester 1905 and 1911, spot-hammered bowls, the terminals with pierced Celtic knot motifs, plus a teaspoon of similar design and two other Keswick spoons, plus a pair of similar spoons by C. Plucknett and Co., and a Seal-top spoon by Reynell Oswald Huyshe, approx. total weight 7.4oz. (8) £250-300

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

Provenance: A Private Collection of Arts & Crafts and Post War Silver. 84

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447 A collection of modern silver spoons, various dates and makers, comprising: a honey spoon, with a honeycomb and bee finial, by J.F, London 1980, one with a shell bowl by Michael Bolton, another spoon by the same maker, one by M.B.S, with a thistle terminal, one by Gertrude Morley, one by George Grant and four others, approx. weight 9.5oz. (10) £250-300

448 A collection of modern Scottish silver flatware, comprising a pair by Mina Jardine Hewit, Edinburgh 1973, pierced wire-work handles, a matched pair by Graham Stewart, with Poppy head finials, and two further spoons by the same maker, plus a honey spoon with a bee finial, by PKR, Edinburgh 2006, one by Elizabeth Kirkwood, 1985, and a set of five teaspoons, by Mary Syme Boyd, approx. weight 14oz. (qty) £350-400

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

449 A collection of Arts and Crafts silver flatware, comprising: a late-Victorian spoon by Charles Horner, Birmingham 1897, spot-hammered bowl, thistle terminal, two spoons by A.E.Jones, Birmingham 1922/23, another two with lobed ball finials, a spoon by H. G. Murphy, London 1933, plus six silver and enamel spoons by Bernard Instone, and a set of four spoons by Enid Kelsey, London 1933, approx. total weight 8.5oz. (qty) £250-300

450 By William Henry Warmington, a set of six modern silver soup spoons, London 1964, spot-hammered bowls, plain rat-tails, plus four others by the same maker, a spoon by the Mid-Essex School of Art, London 1967, one by Campden Arts School, one by L.S.A, and five spoons by Sybil Dunlop, approx. weight 17.5oz. (qty) £350-400 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

451 A collection of seven modern silver napkin rings, comprising: one by Robert Welch, London 2001, one by Brian Fuller, London 1973, one by Pruden & Smith, Sheffield 1997, one by Graham Watling, 1981, a pair by the same maker, London 1979, one by Graham Stewart, Edinburgh 1986, and a cased pair of horse shoe form, by F. Howden, Sheffield 1969, approx. total weight 10oz. (9) £250-300

452 A collection of modern silver items, comprising: a Christopher Lawrence salt cellar, and spoon, London 1968, with a clear glass liner, in a fitted case, a bank of England dish, a Brian Fuller spirit measure, a Sarah Jones dish, mounted with a mouse and ears of corn, a paper knife and a duck napkin ring, plus a tie pin an a cased pair of collar stiffeners, approx. weighable 12oz. (8) £300-400

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

453 By Amanda Birkitt, a pair of modern silver bee ladles, London 1994, circular bowls, the handles with twisted decoration and mounted with bees, length 19.5cm, plus a caddy spoon, by Brian Fuller, London 1983, the handle modelled as a Glis Glis, and an Irish caddy spoon celebrating the 1973 E.E.C entry, by O’Connor and Sons, Dublin 1973, modelled as the Gleninsheen Collar, in a case, approx. total weight 4.9oz. (4) £200-300

454 By Brian Asquith, a modern silver commemorative dish, Sheffield 1981, edition no. 32 of 750, celebrating the Royal Wedding, in a fitted case, plus two Christopher Lawrence Britannia standard silver Bank of England dishes, and a Graham Stewart silver-gilt and glass paperweight, Prime Warden’s gift 2007, boxed, approx. weighable 8oz. (4) £250-300

Provenance: A Private Collection of Arts & Crafts and Post War Silver. 86

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

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455 A small collection of modern silver items, comprising: a wine coaster by Brian Asquith, London 1978, circular form, textured border, plastic base, diameter of base 12.7cm, plus a tea strainer by Graham Watling, London 1973, a small bowl by The Central School of Arts and Crafts, and a dish designed by Harold Stabler for The Goldsmiths Company, London 1935, approx. total weighable 7.5oz. (4) £200-300 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

456 A mixed lot of modern silver items, comprising: a novelty bottle stopper, modelled as a Bacchanalian drunk, by Michael Bolton, London 1999, a dish with a textured border, by Brian Fuller, London 1977, two wine labels by the same maker, London 1990 and 1994, mounted with a squirrel and a glis glis, engraved ‘Brandy’ and ‘Cognac’, a candle snuffer by Sarah Jones, London 1994, the conical snuffer with a mouse finial, turned wooden handle, a silver-mounted glass, by T.F, Birmingham 1989, and two napkin rings by Strode College, London 1977 and 1983, approx. weighable 9oz. (8) £300-500 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

457 A collection of modern silver items, including: a beaker by The Keswick School of Industrial Arts, Chester 1934, a dish designed by Geoffrey Bellamy for George Tarrat Ltd, London 1955, two salt cellars by Christopher Lawrence, lacking liners, a salt cellar designed by A.G Styles, celebrating the 650 anniversary of the Goldsmiths Company, a page marker by B. Fuller, a bottle stopper by Grant MacDonald, plus a silver-mounted glass jam pot, Birmingham 1946, approx. weighable 17.5oz. (8) £400-600

458 A collection of modern silver flatware, various dates and makers, comprising: a pair of silver-mounted horn salad servers and a chutney spoon, by Phillipa Merriman, Sheffield 1998 and 2000, a teaspoon by Graham Stewart, a jam spoon by Walter Edward King, London 1958, eight various jam spoons, two oriental spoons, thirtytwo teaspoons, eighteen Jam spoons, by Hukin and Heath and other makers, plus three other spoons and three electroplated spoons, approx. weighable 24oz. (qty) £500-700

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

Provenance: A Private Collection of Arts & Crafts and Post War Silver. 87

459 By Sarah Jones, a modern silver sauce boat and sauce ladle, London 1983, oval form, swan head scroll handle, on a raised oval foot, length 15.7cm, approx. weight 8.5oz. (2) £200-300 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

460 By Sarah Jones for the Worshipful Company of Vintners, a set of three modern silver wine labels, London 1987, modelled as the arms of the Company, celebrating their 550th anniversary, incised ‘Burgundy’, ‘Claret’ and ‘Port’, length 6cm, approx. weight 2.4oz. (3) £150-200 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

461 By Graham Stewart, a modern Scottish Britannia standard silver beaker, Edinburgh 2012, also with the Diamond Jubilee mark, tapering circular form, spot-hammered decoration, gilded interior, height 7.5cm, approx. weight 6.4oz. £200-300

462 By Graham Stewart, a modern Scottish silver cream jug, Edinburgh 1999, also with the Millennium mark, spot-hammered circular body, scroll handle, elongated lip, on a circular foot, height 10.8cm, approx. weight 11oz. £300-400 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

463 By Graham Stewart, five modern Scottish silver spoons, Edinburgh 1995 and 2001, fig-shaped bowls, plain rat-tails, the terminals set with orange and purple cabouchons, length 20cm, approx. weight 6.6oz. (5) £150-200 Provenance: A Private Collection of Arts & Crafts and Post War Silver. 88

464 A collection of four modern silver tumbler cups, comprising: a Britannia standard one, by TSM, London 2009, circular form, gilded interior, height 7cm, plus one by Anton Pruden, London 1993, a Scottish one by Eleanor B MacDougall, Edinburgh 2000, and one by Graham Stewart, Edinburgh 2005, approx. total weight 21oz. (4) £500-700 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

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465 By Gerald Benney, a modern silver tray, London 1987, circular form, textured border, diameter 21.6cm, approx. weight 12oz. £300-400

466 By Gerald Benney, a pair of modern silver candlesticks, London 1999, tapering circular form, engraved linear border, in a fitted case, height 10.6cm, approx. weight 14oz. (2) £400-600

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

467 By Brian Fuller, a small collection of four modern silver items, London 1985, 1989, 1993, and 2004, comprising: a bowl of circular form, on a foot modelled as three glis glis holding nuts, diameter 10.8cm, a caddy spoon with a glis glis handle, a jam spoon with a glis glis finial and a textured butterknife, approx. weight 8.5oz. (4) £200-300

468 By Brian Fuller, a modern silver tumbler cup, London 1996, also stamped with a glis glis, plain circular form, engraved banded border, height 6.5cm, approx. weight 5oz. £150-250 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

469 By Derek Birch, a modern commemorative silver and enamel goblet, Birmingham 1972, tapering circular bowl, the front applied with a red and black enamel boss, the reverse inscribed ‘Lincoln Cathedral 1072-1972’, on a shaped rectangular foot, in a fitted case, height 11.5cm, approx. weight 6oz. £180-220 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

470 By H.L. Brown, a modern Britannia standard silver tumbler cup, London 2003, plain circular form, in a fitted case, height 5cm, approx. weight 3.9oz. £100-150 Provenance: A Private Collection of Arts & Crafts and Post War Silver. 89

471 By Robert Welch, a pair of modern silver candlesticks, London 1985, plain ‘dumb-bell’ form, height 13.6cm, 13.9oz. (2) £500-800 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

472 By Robert Welch, a pair of modern silver candlesticks, Birmingham 1971, plain capitals, thin columns, on spread circular bases, height 33.2cm, approx. weight 16oz. (2) £500-800 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

473 By Robert Welch, a modern silver tot cup, London 2000, circular form, gilded interior, height 4cm, approx. weight 1.4oz. £100-150

474 By Robert Welch, a pair of modern silver candlesticks, London 1973, plain ‘dumb-bell’ form, height 14cm, 15oz. (2) £500-800 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

475 Designed by Alex Styles for Garrard, a modern Britannia standard parcel-gilt silver mug, London 1977, cylindrical form, scroll handle, with a scene of the Coronation of Queen Elizabeth II, with silver-gilt decoration, and below ‘Queen Elizabeth II Silver Jubilee’, height 12cm, approx. weight 11oz. £250-300 Provenance: A Private Collection of Arts & Crafts and Post War Silver. 90

476 Designed by Alex Styles for the Nayler Company, a modern Worshipful Company of Goldsmiths silver salt cellar, London 1977, also engraved ‘Des. A.G.Styles’, circular form, celebrating the 650th anniversary of the company, also dated ‘1327-1977’, diameter 5.8cm, plus a paper knife designed by John Churchill and Alex Styles for Garrard and Co., London 1973, signed, and edition 75 of 100, tapering form, the terminal set with a silver-gilt medallion of Winston Churchill, length 24.8cm, approx. total weight 7oz. (2) £150-200 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

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477 By Grant MacDonald, a modern parcel-gilt silver rosebowl, London 1973, circular form, pierced, detachable textured silver-gilt grille, diameter 15cm, approx. weight 15oz. £400-600 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

478 By Grant MacDonald, a modern parcel-gilt commemorative silver dish for the Worshipful Company of Mercers, London 1977, circular form, textured border, the centre with the raised silver-gilt Company’s maiden, the underside inscribed ‘The Gift of The Mercer’s Company Queen Elizabeth II Silver Jubilee 1977’, diameter 12.6cm, approx. weight 4oz. £100-150 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

479 By Grant MacDonald for the Worshipful Company of Mercer’s, a modern commemorative silver beaker, London 2002, celebrating the Golden Jubilee of H. M. Queen Elizabeth II, cylindrical form, embossed with the Company Maiden, garlands and grapes and inscribed ‘ To Commemorate The Golden Jubilee of Her Majesty Queen Elizabeth II’, height 8.6cm, approx. weight 9oz. £300-500

480 By Grant MacDonald, a modern three-piece silver condiment set, London 1976, cylindrical form, textured decoration, with a mustard spoon, height 6.9cm, approx. weight 6.9oz. (4) £150-200 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

481 By Grant MacDonald, a modern silver goblet, London 1976, tapering circular form, gilded interior, on a textured tapering stem on a circular foot, height 19cm, approx. weight 7oz. £200-300 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

482 By Martyn Pugh, a three-piece silver condiment set, London 1989/90, plain cylindrical form, domed covers, comprising a pepper mill, a mustard pot and a salt pot, with a mustard spoon, in a fitted case, height of salt pot 10.5cm, approx. weighable 17oz. (4) £300-400 Provenance: A Private Collection of Arts & Crafts and Post War Silver. 91

483 By Anthony Elson, a modern silver goblet, London 1972, circular bowl, gilded interior, on a textured tapering stem with a crown motif, on a raised circular foot, height 17.5cm, approx. weight 8oz. £200-300 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

484 Designed by Anthony Elson for Asprey Limited, a pair of modern silver candlesticks, London 1969, also stamped ‘Designed by Anthony Elson’, tapering circular form, with textured lozenge decoration, plain capital and hexagonal drip pan, height 15.5cm, approx. weight 22.5oz. (2) £600-800 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

485 By Anthony Elson, a modern silver goblet, London 1984, circular bowl, on a cylindrical stem with textured lozenge decoration, engraved with a crest, gilded interior, height 11.4cm, approx. weight 8.5oz. £200-300 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

486 By Anthony Elson, a modern three-piece silver condiment set and sugar caster, London 1969, retailed by Hennell, circular and tapering circular form, with textured lozenge decoration, gilded interiors, the mustard with a blue glass liner, height of sugar caster 14.2cm, approx. weight 20oz. (4) £450-500 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

487 Designed by Anthony Elson for Garrard, a modern Britannia standard silver goblet, London 1977, circular bowl, gilded interior, on a textured tapering stem with a crown motif, on a raised circular foot, height 18cm, approx. weight 7.3oz. £200-300 Provenance: A Private Collection of Arts & Crafts and Post War Silver. 92

488 By William Phipps, a modern silver goblet, London 1978, circular bowl, spot-hammered decoration, on a spiral stem on a circular foot, height 15cm, approx. weight 4.5oz. £150-200 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

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489 By William Phipps, a modern Britannia standard silver tumbler cup/beaker, London 1978, circular form, spot-hammered decoration, height 6.7cm, approx. weight 4.7oz. £120-180

490 By Theo Fennell, a modern silver bottle sleeve, London 2002, plain cylindrical form, with engraved measures to 240ml, height 13cm, approx. weight 6.4oz. £150-200 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

491 By Theo Fennell, a pair of silver beakers, London 1998, tapering circular form, gilded interiors, inscribed ‘Augusta 1999, All Thanks’ and with facsimile signatures, height 11cm, plus a single silver beaker, by the same maker, London 2004, with a badge and ‘Goodward Race Course’, approx. total weight 22oz. (3) £450-500

492 By Jack Spencer, a modern silver goblet, Sheffield 1973, circular bowl, on a cylindrical stem textured with stylised crown motifs, on a circular foot, height 14.6cm, approx. weight 9oz. £200-300 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

493 By Roger John Squires, a modern silver cream jug and sugar bowl, London 1980 and 1982, oval and circular form, textured decoration, gilded interiors, plus a Keswick School of Industrial Arts spoon, Chester 1910, length of cream jug 9.5cm, approx. weight 6oz. (3) £150-200

494 By Roger Squires, a pair of modern silver beakers, London 1982, circular form, with a band of textured decoration, gilded interior, height 7.6cm, approx. weight 10oz. (2) £250-300 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

Provenance: A Private Collection of Arts & Crafts and Post War Silver. 93

495 A pair of Victorian silver salad servers, by Heath and Middleton, London 1899, folded over terminals, approx. weight 4.9oz. (2)

£120-150

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

496 By Stuart Devlin, a modern parcel-gilt silver caddy spoon, London 1985, circular bowl, the handle modelled as a silver-gilt swan, plus a pair of cocktail stirrers, by J. Campbell, London 1998, and a silver stopper modelled as a pierced tree, by J.H.T, London 1975, approx. weighable 3oz. (4) £150-200 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

497 By The Artificers’ Guild, an Arts and Crafts silver spoon, London 1936, spot-hammered fig-shaped bowl, the tapering stem with a diamond point finial, plus three spoons by Lesley Durbin, London 1968, 1969 and 1986, approx. total weight 4.5oz. (4) £200-300 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

498 By H. Phillips, a pair of silver beakers for the Worshipful Company of Armourers, London 1952, tapering circular form, spot-hammered decoration, rope-work girdle, on a raised circular foot, the underside inscribed ‘Copy of beaker A.D. 1669 To Commemorate the first Charter of the Armourers Company 8th May 1453, 8th May 1953’, height 10.6cm, approx. weight 7.8oz. (2) £200-300 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

499 By Payne and Son, a matched pair of modern silver tumbler cups, London 1977 and 1978, baluster form, engraved with an armorial shield, height 7.3cm and 7.5cm, approx. weight 15oz. (2) £400-600 Provenance: A Private Collection of Arts & Crafts and Post War Silver. 94

500 By Nicholas Plummer, a modern novelty silver cream jug, London 1995, baluster form, the handle modelled as a cat with its paws over the jug rim, height 8.2cm, approx. weight 5oz. £150-200 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

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501 By Shimara Carlow, a modern Britannia standard silver beaker, Edinburgh 2007, tapering circular form, matted decoration, wavy-edge border, height 7.7cm, approx. weight 6.3oz. £180-220

502 By S.J., a modern parcel-gilt silver beaker, London 2018, cylindrical form, gilded wavy-edge border, spot-hammered decoration, height 8.5cm, approx. weight 5.5oz. £150-200 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

503 By The Harrow School of Art, a modern silver bowl, London 1972, lobed tapering circular form, spot-hammered decoration, on three ball feet, diameter 14cm, approx. weight 6.5oz. £180-220 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

504 By Louis Osman, a modern Britannia standard silver beaker, London 1970, circular and tapering square form, the base with a gilded bands, the front chased with a crest, height 8cm, approx. weight 9.3oz. £300-400 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

505 By Andrew Coomber, a modern silver mug, Edinburgh 1984, tapering circular form, embossed with a rugby scenes of a diving pass, the reverse with a bank building, also engraved with the Rugby Football Union badge and the Natwest badge, on a circular foot, height 12.5cm, approx. weight 8.5oz. £200-300

506 By Elizabeth Clay, a modern silver beaker, Sheffield 1978, cylindrical form, the rim pierced and chased with simulated water and applied bead decoration, height 11.5cm, approx. weight 6.9oz. £180-220 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

Provenance: A Private Collection of Arts & Crafts and Post War Silver. 95

507 By Stuart Devlin, a modern parcel-gilt ‘Scallop’ pattern silver paperknife, London 1968, tapering form, textured and shaped silver-gilt handle, in a fitted case, length 21.5cm, approx. total weight 5.8oz, plus a modern silver paperknife, by Graham Watling, London 1974, the handle formed by pierced textured rings, length 24.8cm, approx. total weight 5.4oz. (2) £200-300 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

508 By Grant MacDonald for the Worshipful Company of Barbers, a parcel-gilt silver paperknife, London 1996, tapering form, the circular terminal applied with the gilded arms of the Company, in a fitted case, length 23cm, plus a modern commemorative parcel-gilt silver paperknife by Stuart Devlin for the De La Rue Company Limited, London 1977, the silver-gilt terminal with a commemorative medallion for Queen Elizabeth II, in a fitted case, and a modern cased paperknife, approx. weight 9.5oz. (3) £250-300 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

509 By Stuart Devlin, three parcel-gilt silver goblets, London 1977/78, numbers ‘10’, ‘211’ and ‘14’, tapering circular bowls, gilded interiors, two with stems modelled as bulls, the other with a stem modelled as a ram, on circular bases, in three fitted cases, height 15.2cm, approx. weight 18oz. (3) £450-500 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

510 A small collection of four modern silver paperknives, comprising: one by Stuart Devlin, London 1968, with a textured silver-gilt handle, plus one by Christopher Lawrence, London 1983, pierced zig-zag handle, engraved with the Volvo badge and ‘Lex Service’, in a fitted case, one by Anthony Hope, Edinburgh 1977, textured decoration and one by Garrard, Sheffield 1988, with a horse head terminal, approx. total weight 9.9oz. (4) £300-400 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

511 A collection of five modern silver paperknives, comprising: a parcel-gilt one by Stuart Devlin, London 1982, the textured tapering handle with figures, plus a plain one by Brian Fuller, one by Grant MacDonald, London 1977, the handle with textured decoration, plus one by Graham Stewart and one by Ari D Norman, approx. total weight 9.5oz. (5) £300-400

512 By The Guild of Handicraft Limited, a pair of Arts and Crafts silver dishes, London 1905, circular form, spot-hammered decoration, the undersides inscribed ‘J.M.P 1881 July 21st 1908’, diameter 18.1cm, approx. weight 10.7oz. (2) £300-500

Provenance: A Private Collection of Arts & Crafts and Post War

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

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513 By Brian Asquith, a modern four-piece silver condiment set, London 1976, comprising salt and pepper pots, a mustard pot and spoon and a circular tray, textured borders, diameter of tray 11cm, approx. weight 11oz. (5) £250-300

514 By Brian Asquith, a modern silver dish, London 1988, circular form, textured border, in a fitted case, diameter 11.4cm, approx. weight 3.9oz. £100-150 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

515 By Brian Asquith, a modern silver goblet, Sheffield 1973, cylindrical bowl with textured decoration, on a raised circular foot, height 11.2cm, approx. weight 9.8oz. £200-300

516 By Garrard and Co., a cased pair of modern silver tumbler cups, London 1996, circular form, gilded interiors, in a fitted case, the hinged cover with the armorial of Tescos, height 5.5cm, approx. weight 8.4oz. (2) £200-300

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

517 By Harold Stabler, an Art Deco silver bowl, London 1929, circular form, with fluted motifs, on a raised circular foot, diameter 21.8cm, approx. weight 16oz. £500-700

518 Designed by Harold Stabler for The Goldsmiths and Silversmiths Company, a three-piece Art Deco silver bachelor’s coffee set, London 1935, also signed ‘Stabler’, tapering circular form, reeded borders, wooden finial, on circular bases, in a fitted case, height of coffee jug 14cm, approx. weight 12oz. (3) £300-400

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

519 By The House of Lawrian, (Christopher Lawrence), a modern silver mustard pot, London 1968, plain circular form, on a fluted foot, with a clear glass liner and spoon, in a fitted case, diameter 8.9cm, approx. weight 5oz. £100-150

520 By The House of Lawrian, (Christopher Lawrence), a modern silver ewer, London 1977, tapering circular form, with a textured handle and spout, gilded interior, height 24.5cm, approx. weight 20oz. £500-700 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

521 A set of eighteen modern silver and silver-gilt pawns, by The House of Lawrian, (Christopher Lawrence), London 1976, comprising: nine silver-gilt and nine silver, tapering circular form, textured decoration, set with a hardstone finial, height 6.2cm, filled. (18) £500-700 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

522 By The House of Lawrian, (Christopher Lawrence), a pair of modern parcel-gilt silver candlesticks, London 1978, the circular capitals with textured mushroom, ferns and acorn decoration on a gilt background, tapering circular stems, height 8.2cm, approx. weight 10oz. (2) £250-300 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

523 By Christopher Lawrence, a modern silver sauce boat/milk jug, London 1973, tapering circular form, with an upper and lower textured border, scroll handle, elongated spout, length 20.8cm, approx. weight 14.5oz. (2) £350-400 Provenance: A Private Collection of Arts & Crafts and Post War Silver. 98

524 By Christopher Lawrence, a modern silver mug, London 1976, tapering circular form, scroll handle, the base with textured plant decoration on a matted background, gilded interior, height 14cm, approx. weight 13oz. £300-400 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

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525 By Christopher Lawrence, a modern silver dish, London 1973, circular form, textured decoration, diameter 20.2cm, approx. weight 9.5oz. £250-300 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

526 By Christopher Lawrence, a modern parcel-gilt silver pepper mill and salt cellar, London 1973, no.27 of an edition of 250, also signed CNL, tapering circular form, textured decoration, the mill with a gilded textured turning section, the salt with similar decoration, in a fitted case, height of pepper mill 10.5cm, approx. weight 14oz. (2) £300-400 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

527 By Christopher Lawrence, a set of three modern parcel-gilt silver candlesticks, London 1985, tapering circular form, with gilded and textured detachable circular capitals, with a lug handle, height 9.4cm, approx. weight 9.5oz. (3) £250-300 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

528 By Christopher Lawrence for The Royal Mint, a set of three silver St. George and the Dragon boxes, London 1998, edition no. 49 of 500, circular form, the pull-off covers with three scenes of St. George and the Dragon, in a fitted case, plus a set of three Britannia standard silver boxes, London 2006, edition no. 28 of 500, the covers with Britannia, in two fitted cases, approx. total weight 41oz. (6) £800-1,200 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

529 A small collection of four modern silver paper knives, comprising: one by Christopher Lawrence, 1971, textured gilded handle, one by Brian Fuller, London 1979, one by R.E. Stone, London 1934, with a crown finial, and a cased modern paper knife with a stainless blade, approx. weighable 4.7oz. (4) £150-200

530 A collection of four modern silver paper knives, comprising: one designed by Geoffrey Bellamy for A. E. Jones, Birmingham 1960, one by Brian Fuller, London 1987, a parcel-gilt one by Christopher Lawrence, London 1982, and one by Christopher Perkins, London 1991, approx. weight 7.4oz. (4) £200-300

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

Provenance: A Private Collection of Arts & Crafts and Post War Silver. 99

531 By Graham Watling, a modern silver cream jug, London 1980, circular bellied form, spot-hammered decoration, scroll handle, height 7.8cm, approx. weight 6.2oz. £150-200

532 By Graham Watling, a set of six modern silver candlesticks, London 1977, circular form, applied with wire-work decoration on a matted background, approx. weight 14.5oz. (6) £350-400

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

533 By Graham Watling, a pair of modern silver candlesticks, London 1980, circular form, pierced and textured decoration, height 5.4cm, plus a single silver candlestick, by the same maker, same date, the stem with similar decoration, plain circular capital, height 8.3cm, approx. weight 22oz. (3) £500-700

534 By Graham Watling, two modern silver goblets, London 1973 and 1988, one with a tapering circular bowl, on a tapering pierced and textured foot, height 10.8cm, the other in the 17th century manner, plain tapering bowl, height 14.7cm, approx. total weight 10oz. (2) £250-300

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

535 By Graham Watling, a modern silver cream jug, London 1978, circular bellied form, spot-hammered decoration, scroll handle, height 8.2cm, approx. weight 5.4oz. £150-200

536 By Graham Watling, a modern silver cannister and tamper, London 1976, the tamper unmarked, cylindrical form, the pull-off cover with bead and wire-work textured decoration, the tamper with wire-work decoration, height 10.8cm, approx. weight 14oz. £300-400

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

Provenance: A Private Collection of Arts & Crafts and Post War Silver. 100

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537 By Graham Watling, a pair of silver candlesticks, London 1975, plain circular capitals, textured tapering circular stems, height 15cm, approx. weight 9.8oz. (2) £250-300

538 By Graham Watling, a pair of silver café au lait pots, London 1970, slender baluster form, spot-hammered decoration, scroll handles and tapering finials, height 24.5cm, approx. weight 33oz. (2) £700-900

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

539 By Graham Watling, a modern silver candlestick and shade, London 1989, plain tapering circular form, detachable shade with pierced and textured decoration, height 16.3cm, approx. weight 16.5oz. £400-600

540 By Leslie Durbin, a modern silver bowl, London 1957, plain tapering circular form, spot-hammered decoration, diameter 13.3cm, approx. weight 7oz. £200-300 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

541 By Leslie Durbin, a modern silver beaker, London 1980, circular bowl, on a short cylindrical stem, gilded interior, height 6cm, plus a modern silver beaker, by Haseler & Restall, Birmingham 1971, waisted cylindrical form, gilded interior, height 9.4cm, approx. weight 8.8oz. (2) £200-300 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

542 By Leslie Durbin, a modern silver cream jug and sugar bowl, London 1957, circular bellied form, ‘ox-eye’ scroll handles, length of cream jug 14.5cm, approx. weight 17.5oz. (2) £400-600 Provenance: A Private Collection of Arts & Crafts and Post War Silver. 101

543 Designed by David Mellor for Walker and Hall, a modern silver Pride pattern cream jug and sugar bowl, Sheffield 1960, plain tapering oblong form, length of jug 12.3cm, approx. weight 15.4oz. £350-400

544 Designed by David Mellor for Walker and Hall, a modern silver Pride pattern cream jug, Sheffield 1960, plain tapering oblong form, length 12.3cm, approx. weight 8.2oz. £200-300

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

545 By the Chesterfield College of Art, a modern silver cream jug, Sheffield 1971, tapering circular bellied form, scroll handle, height 9cm, approx. weight 8oz. £200-300

546 By Annabet Wyndham, a modern silver cream jug, London 1999, Cylindrical teardrop form, spot-hammered decoration, height 8.8cm, approx. weight 3.6oz. £100-150

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

547 By C.W.B, an Arts and Crafts silver chalice, Birmingham 1937, plain circular form, spot-hammered decoration, on a raised circular foot with a rope-work border, height 10.2cm, approx. weight 11oz. £250-300

548 By Alan Baillie, a Scottish silver tumbler cup, Edinburgh 2003, circular form, gilded interior, height 6cm, approx. weight 6.6oz. £180-220

Provenance: A Private Collection of Arts & Crafts and Post War Silver. 102

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

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549 By Roger Doyle, a pair of modern Britannia standard silver beakers, London 2003, tapering circular form, textured decoration, gilded interiors, height 8.8cm, approx. weight 14oz. (2) £350-400 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

550 By Rod Kelly, a modern silver beaker, London 1998, circular form, spot-hammered decoration, engraved ‘Barclays Theatre Awards’, and chased with two masks, two feather quills, sheet music and a book, gilded interior, height 8cm, approx. weight 4.6oz. £400-600 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

551 By Tom Clay, a pair of modern novelty silver pea pod dishes, Birmingham 2008, spot hammered decoration, pea and scroll handle, on three pea feet, length 11.6cm, approx. weight 2.7oz. (2) £100-150 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

552 By the Sheffield College of Arts and Crafts, a modern silver cream jug, Sheffield 1960, tapering circular form, scroll handle, height 10.7cm, approx. weight 8.5oz. £200-300 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

553 By Ealing School of Art, a modern silver jug, London 1971, circular form, the scroll handle with a fluted thumbpiece, length 17cm, approx. weight 7oz. £180-220

554 By William Henry Warmington, an Arts and Crafts silver bowl, London 1961, circular form, spot-hammered decoration, textured border and circular foot, diameter 13cm, approx. weight 10oz. £250-300

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

Provenance: A Private Collection of Arts & Crafts and Post War Silver. 103

555 By Bernard Harrington, a modern Scottish silver jug, Edinburgh 1959, also stamped DCA (Dundee College of Art), tapering circular form, planished decoration, wooden scroll handle, height 14cm, approx. weight 10.7oz. £250-300

556 By Bernard Harrington, a modern Scottish silver coffee pot, Edinburgh 1960, tapering circular form, spot-hammered decoration, wooden scroll handle and finial, height 23.5cm, approx. weight 23oz. £500-700

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

Bernard Harrington was the Head of Silversmithing and Jewellery at the Duncan of Jordanstone College of Art in Dundee during the period 1943-1974.

557 By Hector Miller for Aurum, a modern parcel-gilt commemorative silver goblet, London 1972, no. 118 of an edition of 500, celebrating the 500th anniversary of the completion of the Gothic Minster and the end of five years of restoration, tapering circular bowl, spot-hammered decoration, on a foot chased with craftsmen, with a certificate, and a box, height 16.4cm, approx. weight 14oz. £350-400

558 By KPR or PKR, a modern Scottish silver goblet, Edinburgh 2000, circular spot-hammered bowl, on a raised tapering stem, with an amber knop, with chased foliate decoration on a spot-hammered ground, on a spread circular foot set with here oval amber cabouchons, in a green box, height 14.5cm, approx. weight 10.3oz. £300-400

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

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559 Designed by Eric Clements for Mappin and Webb, a modern silver coffee jug, London 1963, also signed ‘Eric Clements’, slender tapering circular form, height of coffee jug 24.5cm, approx. total weight 29oz. £700-900

560 Designed by Eric Clements for Wakeley and Wheeler, a three-piece modern silver coffee set, London 1959, also signed ‘Eric Clements’, slender tapering circular form, wooden handle and finial, height of coffee pot 29cm, approx. total weight 31oz. £700-900

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

561 Designed by Eric Clements for Mappin and Webb, a modern silver pint mug, London 1963, also signed Eric Clements, tapering circular form, scroll handle, height 14cm, approx. weight 13oz. £300-400

562 By H.G. Murphy, a pair of silver vases, London 1934, baluster form, spot-hammered decoration, with a central girdle of engraved scroll decoration, on raised circular bases, height 22cm, approx. weight 35oz. (2) £1,000-1,500

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

105

563 By R. E. Stone, an Art Deco silver butter dish and knife, London 1937, the dish signed ‘R.E.Stone’. rectangular form, cut glass dish, fluted handles and knife, length 13.8cm, plus a cased commemorative silver tea strainer, designed by R. E. Stone for Asprey, London 1936, enamelled GVI with a crown and dated ‘1937’, in a fitted box, length 15cm, approx. weight 4.5oz. (3) £150-200

564 By R. E. Stone, a collection of Art Deco silver flatware, various dates, comprising: a cased fork and spoon, four spoons with fig-shaped bowls, various terminals, plus three further with fluted terminals and a pair of salt spoons, plus a pair of spoons by Walter King, London 1961, and a pair by E.H.R, approx. weight 12oz. (qty) £250-300 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

565 By R.E.Stone, a four-piece Scottish silver tea and coffee set, Edinburgh 1940, also signed ‘R. E. Stone’, circular form, the finial and circular base with textured woven decoration, scroll handles, height of coffee pot 17cm, approx. weight 47.5oz. (4) £1,000-1,500

566 By George Hart for The Guild of Handicraft, a collection of modern Arts and Crafts silver spoons, various dates, comprising: four with notched tapering handles, the reverse of the bowl with a ‘rat-tail’, a jam spoon with a hook, two figural spoons, nine further various jam spoons, a caddy spoon, a teaspoon and a set of four teaspoons, approx. weight 26oz. (qty) £600-800

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

567 By George Hart for The Guild of Handicraft, a modern Arts and Crafts silver cream jug, London 1993, tapering circular form, scroll handle, spot-hammered decoration, height 8.4cm, approx. weight 8.6oz. £200-300

568 By George Hart for The Guild of Handicraft, a modern Arts and Crafts silver beaker, London 1957, tapering circular form, spot-hammered decoration, height 13.4cm, approx. weight 9.3oz. £250-300

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

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569 By George Hart for The Guild of Handicraft, a modern presentation silver case, London 2014, rectangular form, embossed and chased with a form, set with diamond eyes and with red cabochons, the hinged cover with a fox clasp, and engraved ‘Hart Osborne’, in a fitted case, length 14.6cm, approx. weight 10oz. £250-300

570 By George Hart for The Guild of Handicraft, an Arts and Crafts silver sugar bowl and spoon, London 1924, circular form, set with four chrysoprase cabochons, on a circular foot, diameter 11.7cm, plus a spoon with a chrysoprase terminal, approx. total weight 5oz. (2) £200-300 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

571 By George Hart for The Guild of Handicraft, four modern Arts and Crafts items of silver flatware, comprising: a stilton scoop, London 2003, plain spot-hammered form, a ladle with a beaded terminal, London 1973, a spoon with a green chrysoprase terminal, and another spoon with a seal-top finial, approx. total weight 5.5oz. (4) £150-250

572 By George Hart for The Guild of Handicraft, a modern Arts and Crafts silver copy of a Charles Ashebee bowl, London 1999, also with the Millennium mark, circular form, elongated bifurcated loop handle set with four chrysoprase, spot-hammered decoration, length 18.5cm, approx. total weight 5.5oz. £200-300

Provenance: A Private Collection of Arts & Crafts and Post War Silver.

573 By ENC, two modern silver bowls, London 1982 and 1990, circular form, the smaller one with a raised circular foot with a ropework border, diameter of larger 15.2cm, approx. total weight 11oz. (2) £250-300

574 By ENC, a modern silver coffee pot, London 1983, tapering circular form, wooden scroll handle and thumbpiece, on a circular foot, height 22.5cm, approx. weight 23.3oz. £500-700 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

Provenance: A Private Collection of Arts & Crafts and Post War Silver. 107

575 By Leeds College of Art, a modern silver beaker, Sheffield 1951, tapering circular form, with an applied girdle of pierced vine and hop decoration, height 13cm, approx. weight 7.3oz. £180-220 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

576 By Leeds College of Art, a modern silver dish and beaker, Sheffield 1951 and 1952, lobed circular form, spot-hammered decoration, diameter 23cm, the beaker of tapering circular form, height 10.5cm, approx. total weight 11oz. (2) £400-600 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

577 By Leeds College of Art, a modern silver sauce boat, Sheffield 1960, oval form, scroll handle, on an oval foot, length 21.5cm, approx. weight 11oz. £300-400 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

578 By the Sandheim Brothers, an Arts and Crafts silver bowl, London 1916, shallow circular form, spot-hammered decoration, applied with pierced straps and stylised borders, diameter 15.5cm, approx. weight 6.3oz. £200-300 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

579 By Amy Sandheim, an Arts and Crafts silver bowl, London 1923, circular form, spot-hammered decoration, pierced lug and wire-work side handles, on a circular foot, length handle to handle 21cm, approx. weight 7.5oz. £200-300 Provenance: A Private Collection of Arts & Crafts and Post War Silver. 108

580 By The Sandheim Brothers, a collection of Arts and Crafts silver flatware, comprising: one London 1922, the tapering handle with pierced Celtic knot decoration, plus a salad serving fork, and six other spoons, plus a set of six teaspoons, with one matching and eight other teaspoons, and a spoon by Frances Harling, London 1958, pierced handle, approx. total weight 14.5oz. (qty) £350-400 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

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581 By Richard Jarvis, a set of four modern silver mixed metals cups, London 2005, tapering circular form, spot-hammered decoration, mistletoe, oakleaves, and flowers, the scroll handle with similar gilded motifs, gilded interior, height 7cm, approx. weight 16.5oz. (4) £400-600 Provenance: A Private Collection of Arts & Crafts and Post War Silver. 582 By Richard Jarvis, a modern silver mixed metals ewer, London 2004, tapering circular form, spot-hammered decoration, chased with mushrooms, holly, ivy, mistletoe, bluebells, honeysuckle, lilies, primroses, and with bees, the scroll handle with acorn and rose motifs, with gilded and oxidised highlights, height 27.5cm, approx. weight 31oz. £700-900 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

584 By J.A Campbell, a modern silver-mounted glass claret jug, London 1996, baluster form, plain mount with a scroll handle, height 28cm. £100-150 Provenance: A Private Collection of Arts & Crafts and Post War Silver. 583 A Richard Jarvis, a modern Britannia standard silver tumbler cup, by Richard Jarvis, London 2009, circular form, spot-hammered decoration, gilded interior, height 6.8cm, approx. weight 9.3oz. £250-300 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

585 By J. A. Campbell, a set of eight silver menu card holders, London 1989, modelled as game birds, dogs and a stag, on circular bases, approx. weight 3.3oz. (8) £150-200 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

584

109

586 By A. E. Jones, a three-piece Arts and Crafts silver tea set, Birmingham 1928, circular form, spot-hammered decoration, punch bead girdle, scroll handle, on three ball feet, length handle to spout, length 24cm, approx. weight 19oz. (3) £500-700 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

587 By A.. E. Jones, a modern commemorative silver Melton Mowbray chalice, Birmingham 1970, also stamped ‘A.D 1202’, celebrating the 800th anniversary, tapering circular bowl, knopped stem on a raised circular foot, inscribed ‘Melton Mowbray 1631’ and ‘Calix Benedictionis’, in a fitted case with a certificate, height 13.4cm, approx. weight 7.2oz. £200-300 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

588 By W.W, a pair of modern novelty silver owl salt and pepper pots, Birmingham 2000, modelled in standing positions, textured feathers, set with glass eyes, height 5.5cm, approx. weight 3oz. (2) £150-250 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

589 By R. Comyns, a modern three-piece novelty silver owl condiment set, London 1963, modelled in standing positions, textured feathers, set with glass eyes, the mustard with a spoon with a mouse finial, height of mustard 7.5cm, approx. weight 8.6oz. (3) £250-300 Provenance: A Private Collection of Arts & Crafts and Post War Silver.

OTHER PROPERTIES

590 By A. E. Jones, an Arts and Crafts silver-mounted wooden mazer bowl, Birmingham 1919, circular form, spot-hammered decoration, engraved border, diameter 14cm. £100-150 110

591 By Graham Watling, a modern silver tray and a bell, London 1975, circular form, textured border, diameter 24.4cm, the bell with a textured handle, height 13.5cm, approx. weight 21.9oz. (2) £300-400

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592 By Povl Larsen, a modern silver bowl, London 1976, rounded circular form with a spool-shaped base, height 9.4cm, approx. weight 10.7oz. £300-400

593 By Povl Larsen, a modern silver paperweight, London 2004, stylised rectangular formed stem with inlaid panels of wood, on a domed-shaped base, height 24.6cm £300-400

594 By Povl Larsen, a pair of modern silver-mounted chopsticks, London 1988, shaped triangular handles on lacquered wooden sticks, length 23.2cm, plus a pair of silver straws, London 2013 and a pickle fork, London 1979, total approx. weighable 1.9oz. (5) £150-200

595 By Povl Larsen, three modern silver paperknives, London 2009, tapering forms, one with a mother-of-pearl heart handle, one pointed ovoid shape with lapis lazuli and one with mother-of-pearl, simulated lapis lazuli and blue enamel inlay, length 13.4cm. (3) £200-300

596 By Povl Larsen, a modern silver-mounted rock crystal paperweight and paperknife, London 2011, tapering forms with mounted rock crystals, height 19.4cm. (2) £200-300

597 By Stuart Devlin, a modern silver-gilt surprise egg, London 1972, No 181, textured decoration, the cover opens to reveal a Jester’s head, with a gilded stand, and a fitted case, height excluding stand 7.4cm. £200-300 111

598 By A.E. Jones, two Arts & Crafts silver spoons, Birmingham 1919 and 1925, spot-hammered circular bowls, one with a twisted stem and a lobed sphere finial, the other with a pierced circular terminal set with a central ball, length 14.5cm, total approx. weight 1.3oz. (2) £80-120

599 A set of six Scottish Arts & Crafts silver coffee spoons, by Norah Creswick, Edinburgh 1945, circular bowls with three Celtic motifs to the stems, with an associated case, length 8.6cm, total approx. weight 1.4oz. (6) £100-150 Provenance: A Private Collection of Arts and Crafts Silver Spoons

Provenance: A Private Collection of Arts and Crafts Silver Spoons

600 By Enid Kelsey, a set of six Arts & Crafts silver salt spoons, London 1937, shovel-formed bowl with twisting stems, plus a set of six silver seal-top teaspoons probably Cooke & Kelvery, Calcutta, stamped silver, both in fitted cases total approx. weight 2.9oz. (12) £70-100

601 By Pierre Marchand, a Arts & Crafts style silver and enamel caddy spoon, London 1964, rounded rectangular bowl, with a purple and pink enamel terminal, length 13cm, plus a matched pair of heron silver spoons by WH Collins & Co, Birmingham 1937 and Glasgow 1930, total approx. weight 1.7oz. (3) £80-120 Provenance: A Private Collection of Arts and Crafts Silver Spoons

602 By Georg Jensen, a pair of Danish silver dishes, one with import marks for Stockwell & Co., London 1925, shaped circular forms with floral motifs to the raised border, diameter 15.5cm, plus a Danish silver pyramid pattern salad fork, total approx. weight 12.3oz (3) £300-400 112

603 By Bruce Russell, a modern Channel Islands silver twohandled commemorative cup, Guernsey 1981, tapering circular form with two scroll handles, inscribed ‘Royal Marriage 1981 H.R.H Prince Charles and Lady Diana Spencer’, with a red leather case and certificate of authenticity, height 5.5cm, approx. weight 2.6oz. £100-150

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604 An electroplated-mounted reproduction glass claret jug, after a design by Christopher Dresser, engraved ‘Designed by Dr. C. Dresser’, and with a pseudo lozenge registration mark, plain teardrop glass body, angular scroll handle, plain hinged cover, on three shaped rectangular legs on pad feet, height 26cm. £400-600

605 A pair of Edwardian silver-mounted glass decanters, by William Hutton and Sons, Birmingham 1902, hourglass form, the mounts with lobed decoration, engraved with a crest and with four lips, plain stoppers, heights 30cm and 30.5cm. (2) £100-150

606 A Victorian silver swing-handled sugar basket, by Joseph Rodgers & Sons, Sheffield 1885, octagonal form engraved with a decorative border, angled swinghandle, on an octagonal base, plus a modern silver mazer bowl by Joseph Gloster Ltd, Birmingham 1972, diameter 12.3cm, approx. weighable 5.6oz. (2) £200-300

607 A silver café au lait set, by Adie Brothers Ltd, Birmingham 1934, plain tapering circular form, wooden scroll handles and knop finials, plus a silver salver by Horace Woodward & Co, Sheffield 1919, diameter 26.4cm, total approx. weight 37.7oz. (3) £400-600

608 Two pairs of silver-mounted glass whisky tots, one pair by Hukin and Heath, Birmingham 1915, the other pair by H B Johnson & Co., London 1914, conical form, scroll handle, plain mounts, with four whisky labels, and a Victorian Scottish silver hot water pot, Edinburgh 1877, baluster form, in the Indian manner, approx. weighable 10oz. (5) £300-500

609 Two similar silver goblets, one by Walker & Hall, Sheffield 1905, the other by Goldsmiths and Silversmiths Co., London 1908, plus an American silver pierced bowl, diameter 23cm, total approx. weight 21.3oz. (3) £300-400 113

610 A pair of modern silver novelty owl salt and pepper pots, by Richard Comyns, London 1967, modelled in standing positions, textured feather decoration, pierced pull-off heads, set with glass eyes, height 6cm, total approx. weight 4.6oz. (2) £200-300

611 Two Victorian silver owl pepper pots, one by George Fox, London 1863, modelled in a standing position, textured feathers, pierced pull-off head, set with glass eyes, the other by George Unite, Birmingham 1869, height 8.9cm, total approx. weight 3.7oz. (2) £400-600

612 A pair of novelty silver sparrow pepper pots, maker’s mark R.H.H, Sheffield 1927, modelled in standing positions with textured feather decoration, with pull-off head covers, height 7.2cm, total approx. weight 4.1oz. (2) £200-300

613 Two novelty silver pin cushions, one by Sampson Mordan & Co., Chester 1906, modelled as a duck with textured feather decoration, length 8.5cm, the other by Adie & Lovekin Ltd, Birmingham 1910, modelled as a standing elephant. (2) £200-300

614 A continental silver owl pepper pot, importer’s marks of Israel Freeman & Son Ltd, London 1970, modelled in a standing position with textured feather decoration, plus a German silver duck, with importer’s marks of Berthold Muller & Sons, London 1910, length 7.5cm, total approx. weight 3.5oz. (2) £200-300

615 A Victorian silver owl pepper pot, by Richards & Brown, London 1871, modelled in a standing position, textured feathers, pierced pull-off head, set with red glass eyes, with another similar by Goldsmiths & Silversmiths Co., London 1901, height 10cm, total approx. weight 3.9oz. (2) £400-600

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THE ROCYN-JONES COLLECTION OF WINE LABELS (PART II)

LOTS 616-667

λ 616 A mixed lot of antique wine labels, comprising: four old Sheffield plated labels, incised ‘Gin’, ‘Rum’, ‘White’ and ‘Port’, two electroplated labels both incised ‘Brandy’, a mother-of-pearl label titled ‘Sherry’, a tortoiseshell label titled ‘Claret’, and a label stamped silver, barrel form, the banner pierced ‘Gin’. (9) £150-200 The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

617 A collection of antique silver wine labels, comprising: a ring neck label by Roberts, Cadman & Co, Sheffield 1818, a pair by Elizabeth Morley, London 1799, incised ‘Sherry’ and ‘Port’, a ring neck label by Phipps & Robinson, London 1796, a ring neck label by Robert Garrard, London 1808, both incised ‘Madeira’, plus a set of three silver-plated wine labels by Florantal, applied ‘Brandy’, ‘Rum’ and ‘Port’, and two unmarked stoppers, incised ‘Port’ and ‘Sherry’, approx. total weighable 2.2oz. (10) £300-400 The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

618 An Indian silver-mounted boar’s tusk wine label, unmarked, circa 1860, the mounts with scroll foliate decoration on a matted background, and a central silver cartouche incised ‘Port’, plus a silver and enamel wine label by Turner & Simpson Ltd, Birmingham 1959, titled ‘Gin’, an unmarked label in the form of a Kukri, titled ‘Madeira’, an old Sheffield plate label, titled ‘Brandy’ and an electroplated label incised ‘Brandy’. (5) £200-300 The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

619 A mixed lot of wine labels, comprising: a George III silver wine label by Margaret Binley, London circa 1780, incised ‘Madeira’, a set of three modern silver labels by Wyard Druitt & Co Ltd, London 1973, pierced ‘Whisky’, ‘Brandy’, and ‘Claret’, and another by Wyard Druitt & Co Ltd, London 1974, pierced ‘Sherry’, one label by CJ Vander Ltd., London 1973, titled ‘Port’, a Wine Label Circle anniversary label, incised ‘Port’, plus two modern ceramic bin labels, titled ‘Champagne’ and ‘27’, three electroplated labels and three pewter labels, approx. total weighable 7.1oz. (15) £300-400 The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

620 A collection of six Art Deco silver and enamel wine labels, by Turner & Simpson, Birmingham 1936, 1937, 1949 and 1972, rectangular form with canted corners and engine-turned decoration, all titled with different colour enamel, ‘Rum’, ‘Gin’, ‘Sherry’ (x2), ‘Whiskey’ and ‘Brandy’, approx. total weight 3.5oz. (6) £200-300 The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II. 116

621 A collection of unmarked and electroplated wine labels, comprising: an unmaked label in the form of a crowned lion passant, incised ‘Brandy’, one in the form of a barrel with foliate decoration, incised ‘Brandy’, a rectangular one with a foliate border, pierced ‘Madeira’, a circular one with engine-turned decoration, incised ‘Gin’, and three electroplated labels, one pierced ‘Ginger’ and two incised ‘Hollands’ and ‘Claret’. (7) £200-300 The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

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622 Four George III silver wine labels, by Susanna Barker, London circa 1788-92, one of rounded rectangular form with bright-cut border, incised ‘Madeira’, one of rectangular form with canted corners and a reeded border, incised ‘Rum’, one of rounded rectangular form with brightcut border, pierced ‘Brandy’ and one of rectangular form with a pierced and beaded border, incised ‘Port’, approx. total weight 1.3oz. (4) £200-300

623 Four George III silver wine labels, by Susanna Barker, London circa 1787-92, one of oval navette form with a bright-cut border, incised ‘Port’, one of rectangular form with a bright-cut border, incised ‘Sherry’, one of oval navette form with a reeded border and surmounted by an cartouche engraved with a crest, pierced ‘Madeira’, and one of rectangular form with canted corners and reeded border surmounted by a shield cartouche, incised ‘White’, approx. total weight 1.2oz. (4) £200-300

The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

624 Four George III silver wine labels, by Susanna Barker, London circa 1780-90, crescent form, two with pierced and engraved zig-zag borders, incised ‘Hollands’ and ‘Claret’, and two with bright-cut borders, incised ‘Madeira’ and ‘Mountain’, approx. total weight 1oz. (4) £250-300

625 Four George III silver wine labels, by Susanna Barker, London 1780-90, oval navette form, comprising: one with a beaded border, incised ‘Port’, one with bright-cut border, incised ‘Claret’, one with a pierced border, incised ‘Old Hock’, one with a bright-cut border and engraved crest, incised ‘Claret’, approx. total weight 1.5oz. (4) £200-300

The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II

626 Four George III silver wine labels, by Susanna Barker, London 1780-90, comprising: a ring-neck label, oval reeded form with an engraved crowned crest, pierced ‘Hermitage’, a shaped oval reeded one, pierced ‘Sherry’, a rectangular one with engraved border, incised ‘Shrub’ and a shaped scroll rectangular one, incised ‘Sherry’, approx. total weight 1.3oz. (4) £200-300

627 Four antique silver wine labels, comprising: one by Richard Binley, London circa 1760, rectangular form with gardooned border, incised ‘W.Port’, one by Charles Rawlings, London 1821, pierced fluted rectangular form, incised ‘Claret’, one by Robert Barker, London 1793, rectangular form, canted corners and beaded border, incised ‘Rum’ and one with maker’s mark TH, shaped oval form with gadrooned border, incised ‘Madeira’, approx. total weight 1.4oz. (4) £250-300

The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II

The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

628 Five George III silver wine labels, by Susanna Barker, London circa 1786-1791, all rectangular forms, comprising: two with reeded borders and shield cartouches, one with an engraved crest and pierced ‘Port’, the other incised ‘Port’, two with a reeded border and canted corners, incised ‘Claret’, the other with an engraved crest and incised ‘Madeira’, and one of plain form incised ‘Sherry’, approx. total weight 1.9oz. (5) £200-300

629 Five George III silver wine labels, by Susanna Barker, London circa 1780, comprising: one of banner form with bright-cut border, incised ‘Sherry’, one rectangular form with bright-cut border, incised ‘Rum’, one rectangular form with beaded border, incised ‘Brandy’, two plain rectangular forms, incised ‘Cyder’ and ‘Hollands’, approx. total weight 1.1oz. (5) £200-300 The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

630 Five George III silver wine labels, by Susanna Barker, London circa 1780-90, comprising: two rectangular form with bright-cut borders and pierced foliate motifs, incised ‘Sherry’ and ‘Claret’, one of banner form, pierced ‘Madeira’, one rounded rectangular form with brightcut border, incised ‘Hock’, one plain rectangular form with applied crest, incised ‘Brandy’, approx. total weight 1.2oz. (5) £200-300

631 A George III silver wine label, by Hester Bateman, London circa 1788, narrow arched rectangular form, pierced decoration, incised ‘Madeira’, plus a William IV silver wine label by Edward Thomason, Birmingham 1830, oval navette form with a pierced border, incised ‘Sherry’, and a George III Irish silver wine label by John Stoyte, Dublin circa 1790, incised ‘Madeira’, approx. total weight 0.8oz. (3) £200-300

The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

632 Four antique silver wine labels, comprising: one Emes & Barnard, London 1826, pierced ‘Madeira’, one by Charles Rawlings, London 1818, pierced ‘Madeira’, and a pair by Ann & Reilly, London 1828, pierced ‘Sherry’ and ‘Madeira’, approx. total weight 3.7oz. (4) £250-300

633 Four George III silver wine labels, by Susanna Barker, London circa 1780-90, comprising: two rectangular forms with beaded borders, incised ‘Sherry’ and ‘Calcavella’, one rectangular form with pierced slat border, incised ‘Madeira’, one rectangular form with canted corners and pierced foliate border, incised ‘Port’, approx. total weight 1.3oz. (4) £200-300

The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II. 118

The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

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634 Four George III silver wine labels, by Susanna Barker, London circa 1788-92, one of crescent form with gadrooned border, incised ‘W.Wine’, one of oval navette form with a beaded border, incised ‘Port’, one of scroll banner form with bright-cut decoration and central cartouche, incised ‘Brandy’ and one shaped oblong form with a pierced shell, incised ‘Sherry’, approx. total weight 1.1oz. (4) £200-300 The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

635 A Burmese silver wine label, unmarked, circa 1850, shaped oval form with pierced scroll decoration with applied figures and letters ‘Port’, plus two Chinese silver wine labels retailed by Wing Chun, both crescent form, one mounted by a dragon, incised ‘Port’, the other surmounted by Chinese characters for longevity, happiness and good fortune, incised ‘Claret’, approx. total weight 1.2oz. (3) £150-200 The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

636 Three George III Irish silver wine labels, comprising: one by Benjamin Taitt, Dublin circa 1790, crescent form with a bright-cut border, incised ‘Claret’, one by Samual Teare, Dublin circa 1790, rectangular form with a bright-cut border, incised ‘Frontiniac’, and one by Benjamin Taitt, Dublin circa 1790, banner and garland form with a central cartouche engraved with initials, incised ‘Madeira’, approx. total weight 0.7oz. (3) £250-350 The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

637 A George III silver wine label, by Hester Bateman, London circa 1780, scroll form with an engraved foliate decoration, incised ‘Red Port’, plus a George III silver wine label by William Abdy, London circa 1790, oval navette form with pierced garland border, incised ‘Claret’, and an unmarked label, oblong form with a pierced ring border and engraved foliate decoration, incised ‘Port’, approx. total weight 0.9oz. (3) £200-300 The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

638 A George III silver wine label, by Bottle & Wilsher, London 1798, circular form with a reeded border, incised ‘Sherry’, plus a George IV silver wine label by Rawlings & Summers, London 1828, pierced ‘Noyeau’, and a George III silver wine label by James Hyde, London circa 1790, incised ‘Rum’, approx. total weight 1.4oz. (3) £200-300 The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

639 Three antique silver wine labels, comprising: one by John Reily, London 1801, shaped rectangular form with a bright-cut border and garland, incised ‘Vin.De.Grave’, one by Ledsam, Vale & Wheeler, Birmingham 1829, pierced engraved foliate border, incised ‘Sherry’, and one possibly by James Barker, London circa 1790, rectangular form with a pierced border, pierced ‘Port’, approx. total weight 0.9oz. (3) £250-300 The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II. 119

640 A William IV silver wine label, by Reily & Storer, London circa 1831, pierced rectangular form, chased scroll vine and leaf decoration with the cartouche between two seated dogs, pierced ‘Madeira’, plus an unmarked silver wine label, vine decoration with a central banner surmounted by a pig’s head, incised ‘White.Wine’, approx. weighable 0.9oz. (2) £200-300

641 Two George III silver wine labels, by Hester Bateman, London circa 1780, one of crescent and urn form with pierced garlands and reeded borders, engraved crest, incised ‘W-Wine’, the other of banner and urn form with pierced garlands, incised ‘Red.Port’, approx. total weight 0.7oz. (2) £300-400 The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

642 A George III silver wine label, by John & Henry Lias, London circa 1790, oval navette form with garland border, engraved crest to the surmounted cartouche, incised ‘Lisbon’, a George III silver wine label by Hester Bateman overstamped with Thomas Daniell, London circa 1780, banner form, with a pierced ribbon tied oval cartouche, incised ‘Port’, approx. total weight 0.9oz. (2) £200-300

643 A George IV silver wine label, by Charles Rawlings, London 1824, shaped crescent form with pierced border, navette central cartouche with engraved crest, incised ‘Sherry’, plus a George III silver wine label by John Lawrence & Co., Birmingham 1817, pierced ‘Currant’, approx. total weight 0.8oz. (2) £200-300 The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

644 A George III silver wine label, by Matthew Linwood, Birmingham 1810, shell form with a central banner, incised ‘Madeira’, plus a George III Irish silver wine label, maker’s mark worn, Dublin circa 1810, shell form with a central banner, incised ‘Claret’, approx. total weight 0.6oz. (2) £150-200

645 A Victorian silver armorial wine label, unmarked, circa 1860, modelled as a horn, with ribbon and rope-work decoration, incised ‘Sherry’, plus an unmarked armorial wine label, modelled as two crossed axes over a monogram, banner with applied letters ‘Port’. (2) £150-200

The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

120

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646 A George III silver wine label, by William Bateman, London 1817, rounded rectangular form with pierced scroll foliate decoration, titled ‘Port’, length 6.2cm, approx. weight 0.5oz. £150-200 The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

647 Four antique silver sauce labels, comprising: one by Charles Rawlings, London 1823, circular shaped with embossed vine and cherub decoration, incised ‘Cayenne’, one by Rawlings & Summers, London 1830, shaped oblong form with vine and grape decoration, incised ‘Soy’, one possibly by Charles Rawlings, London 1821, oblong form with gadrooned and foliate border, pierced ‘Kyan’ and one by John Reily, London 1825, shell and foliate border, pierced ‘Anchovy’, approx. total weight 0.8oz. (4) £200-300 The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

648 Four George III silver sauce labels, comprising: one possibly by William Tant, London circa 1790, crescent form with bright-cut border, incised ‘Elder’, an unmarked one of banner form with bright-cut borders, incised ‘Ketchup’, an unmarked one of pointed banner form, incised ‘Tarragon’ and one unmarked one of circular form with bright-cut decoration, incised ‘Lemon’, approx. total weight 0.3oz. (4) £200-300

649 A matched set of six George III silver sauce labels, by Susanna Barker, London 1780-92, oval navette form with reeded borders, incised ‘Cayenne’, ‘Soy’, ‘Elder’, ‘Kyan’, ‘Harvey’ and ‘Lemon’, approx. total weight 0.6oz. (6) £300-400 The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

650 A George IV silver sauce label, by George Pearson, London 1821, rounded rectangular form with a reeded border, incised ‘Green’, plus a George III silver sauce label by Phipps & Robinson, London circa 1783, rounded rectangular form with a gadrooned border, pierced ‘Cavice’, and an unmarked silver sauce label, in the form of a fourleaf clover with a central banner, pierced ‘Soy’, approx. total weight 0.4oz. (3) £200-300

651 Four George III silver ring neck sauce labels, comprising: one by James Aldridge, London 1811, rectangular reeded form, incised ‘Harvy’(sic), one by John Touliet, London circa 1788, incised ‘Walnut’, one possibly by Robert Barker, London 1794, circular form with reeded border, incised ‘Elder’, and one by Samuel Whitford, London 1817, rectangular form, incised ‘Harvey’, approx. total weight 0.6oz. (4) £200-300

The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

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The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

652 A George III silver wine label, by Thomas Robinson, London 1816, banner form with scroll and engraved foliate decoration, surmounted by a circular cartouche with engraved face of Bacchus, incised ‘Port’, length 4.8cm, approx. weight 0.3oz. £200-300

653 A George III Irish silver wine label, by Benjamin Tait, Dublin circa 1796, oval navette form with pierced and bright-cut foliate borders, incised ‘Maderia’(sic), length 6.4cm, approx. weight 0.3oz. £150-200 The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

654 A George III silver provincial armorial wine label, by Alexander Kelty, Newcastle circa 1806, in the form of a coronet with bright-cut decoration, incised ‘Port’, length 5.7cm, approx. weight 0.3oz. £200-300

655 An early-Victorian silver wine label, by William Eaton, London 1837, sixteen-pointed star form with engraved decoration, engraved crest, incised ‘Madeira’, length 6.5cm, approx. weight 0.5oz. £300-400

The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

656 A George III silver wine label, by Susanna Barker, London circa 1784, eight-pointed star form with engraved decoration, beaded cartouche, incised ‘Hock’, approx. weight 0.7oz. £200-300

657 A George III silver wine label, by Hester Bateman, London circa 1765, shaped rectangular form with engraved foliate border decoration, surmounted by a crown, incised ‘Sherry’, length 6cm, approx. weight 0.4oz. £300-400

The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II. 122

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658 A William IV silver armorial wine label, by Rawlings & Summers, London 1836, in the form of a seated fox, on a moulded border scroll banner, pierced ‘Brandy’, height 5.7cm, approx. weight 1.2oz. £600-800

659 A Victorian silver armorial label, unmarked, circa 1840, in the form of a lion passant, on a scroll banner, incised ‘Cyder’, height 5cm, approx. weight 0.5oz. £600-800

The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

660 A George III silver wine label, unmarked, circa 1800, in the form of the sun, a central engraved face behind a shoe with a buckle below, incised ‘Madeira’, length 4.5cm, approx. weight 0.6oz. £200-300

661 A George III silver wine label, unmarked, circa 1800, modelled as a fouled anchor, incised ‘Sherry’, height 5.7cm, approx. weight 0.6oz. £200-300 The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

662 A George III silver wine label, by Robert Scott, London circa 1790, banner form with pierced ribboned garland decoration, with a central cartouche engraved with initials, incised ‘Port’, length 4.9cm, approx. weight 0.4oz. £150-200

663 A Victorian silver armorial wine label, unmarked, circa 1840, in the form of Mills family crest, with a banner with applied letters, titled ‘Port’, height 4.8cm, approx. weight 0.3oz. £200-300 The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II. 123

664 A George III silver lion’s pelt wine label, by Paul Storr, London 1811, cartouche form, vine decoration with a central lion’s head, titled ‘Madeira’ on a matted background, length 8.9cm, approx. weight 2.1oz. £800-1,200

665 A George III silver wine label, by Suanna Barker, London circa 1790, twelve-pointed star form with an engraved border, incised ‘Sherry’, approx. weight 0.4oz. £200-300 The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

666 A George III silver-gilt wine label, by Edward Farrell, London 1818, vine and grape wreath form, with a central scroll drapery cartouche, pierced ‘Sherry’, length 8.2cm, approx. weight 1.8oz. £250-300 The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

OTHER PROPERTIES

668 A collection of seven George III silver wine labels, by Hester Bateman, London circa 1780, crescent form with bright-cut borders, incised ‘Brandy’, ‘Port’ (x2), ‘Whiskey’ (x2), ‘Madeira’ and ‘Claret’, plus a modern silver wine label by C Robathan & Son, Birmingham 1978, incised ‘Gin’, and an unmarked letter wine label in the form of W, total approx. weighable 1.9oz. (9) £500-700 Provenance: From The Collection of The Late Lady Barnard. 124

667 A George IV silver-gilt wine label, by Thomas James, London 1826, shaped oval form with chased vine and grape decoration surmounted by a boar’s mask, pierced ‘Sherry’, length 6.4cm, approx. weight 1.1oz. £150-200 The J. and V.A. Rocyn-Jones Collection of Wine and Sauce labels Part II.

669 A collection of wine labels, comprising: a Victorian neck ring label, by W. Summers, London 1870, pierced ‘Sweet’, plus one by Robert Garrard, London 1828, incised ‘Sauterne’, plus a modern label, title ‘Port’, by C. J Vander, London 1973, plus two others, plus a French ‘slot-in’ label; and a continental ring label, plus four enamel labels, a plated label and a cork stopper, approx. weighable 4.7oz. (qty) £300-400

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670 A pair of George III cast silver wine labels, by Digby Scott and Benjamin Smith, London 1806, modelled as a shell, applied with a banner and incised ‘Champagne’ and ‘Burgundy’, length 5.2cm, approx. weight 2.5oz. (2) £600-800

671 A George IV silver miniature gavel, by Edward Stammers, London 1828, conventional form with bands of reeded decoration, and a ring attachment, length 7.4cm, approx. weight 0.5oz. £150-200

Provenance: The Simon Ward Collection of Wine Labels.

672 A Victorian silver moustache guard, by Henry Bourne, Birmingham 1879, fluted form with a scroll foliate border and engraved monogram, length 6.1cm, approx. weight 0.4oz. £150-200

673 An Edwardian silver paint box, by William Hornby, London 1907, plain rectangular form, the gilded interior with seven paint compartments, and one for a brush, with a ring attachment, length 8.6cm, approx. weight 1.1oz. £300-400

674 A Victorian novelty silver page marker, by Henry Ellis & Son, Exeter 1847, in the form of a leaf with engraved decoration, plus another novelty silver page marker by Crisford & Norris Ltd, Birmingham circa 1905, in the form of a hand, length 6.9cm, total approx. weight 0.6oz. (2) £200-300

675 An 18th century silver pocket corkscrew, maker’s mark only, crowned I.R, tapering faceted screw-off sheath, mother-of-pearl handle with fluted decoration, height 6.3cm. £200-300

125

676 A Queen Anne silver porringer, by John Cory, London 1706, circular form, scroll handles, part-fluted decoration, ropework girdle, on a circular foot, with a crest and cypher, height 10.2cm, approx. weight 6.5oz. £150-200

677 A pair of George III provincial silver mugs, by Richard Richardson, Chester 1775, baluster form, scroll handles, gilded interiors, height 7.8cm, approx. weight 8.4oz. (2) £1,000-1,500

678 A George I silver tumbler cup, marks worn, London 1716, circular form, engraved with a monogram, height 5cm, approx. weight 2.8oz. £200-300

679 A George II silver tumbler cup, maker’s mark worn, London 1741, tapering circular form, embossed with later decoration, engraved armorial to the cartouche, height 7.8cm, approx. weight 5.2oz. £200-300 The arms are that of Locke.

680 A Queen Anne two-handled silver cup, by Robert Timbrell and Joseph Bell, London 1710, circular form, beaded scroll handles, part-fluted decoration below a ropework girdle, with a vacant cartouche, on a circular foot, height 13cm, approx. weight 13oz. £200-300

681 A George I Britannia standard silver mug, by Matthew E. Lofthouse, London 1719, tapering circular form, scroll handle with scratched initials ‘C’ over ‘E*S’, reeded girdle, height 11.6cm, approx. weight 11oz. £400-600

Provenance: The Groves of Castle Grove, Donegal. Then by descent to Commander Peter Campbell and then by descent to present owner. 126

THE MICHAEL BAGGOTT COLLECTION

1973-2025

PART I LOTS 683-834

682 A pair of early-19th century provincial silver knife rests, by Barber, Cattle and North, York circa 1830, plain form, baluster supports, length 7.6cm, approx. weight 1.8oz. (2) £150-200 Provenance: The Michael Baggott Collection.

683 A George III provincial silver Fiddle pattern marrow scoop, by Prince and Cattles, York 1806, conventional form, plus another provincial silver Fiddle pattern marrow scoop, by Barber and North, York 1843, approx. total weight 3.1oz. (2) £200-300 Provenance: The Michael Baggott Collection.

684 A George III provincial silver caddy spoon, by Hampston and Prince, York circa 1795, shell bowl, Onslow pattern handle, plus a George IV provincial silver Fiddle pattern caddy spoon, by Cattle and North, York 1828, approx. weight 1.6oz. (2) £150-200

685 A pair of George IV provincial silver sugar crushers, by Barber, Cattle and North, York circa 1825, ring handles, the circular bases engraved with an initial, length 13.5cm, approx. weight 1.5oz. (2) £150-200 Provenance: The Michael Baggott Collection.

Provenance: The Michael Baggott Collection.

686 A George III provincial silver Old English pattern caddy spoon, by Barber and Cattle, York 1808, with engraved decoration, plus a Victorian silver Fiddle pattern caddy spoon, by James Barber, York 1852, the terminal initialled, approx. total weight 0.9oz. (2) £150-200 Provenance: The Michael Baggott Collection. 128

687 A George III provincial silver Hanoverian pattern table fork, by Hampston and Prince, York 1790, also marked with the town mark, three-pronged tines, the reverse of the terminal with a crest, plus a George III provincial silver Hanoverian dessert fork, by the same maker, York 1796, also marked with a double duty mark, and a French import mark, the reverse of the terminal crested, approx. total weight 3oz. (2) £150-250 Provenance: The Michael Baggott Collection.

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688 A Victorian provincial silver Old English pattern basting spoon, by Barber and North, York 1844, also with the town mark, the terminals with a crest, approx. weight 3.6oz. £150-200 Provenance: The Michael Baggott Collection.

689 A pair of graduated George III provincial silver meat skewers, by John Hampston and John Prince, York 1783, tapering form, bright cut borders, lengths 30.6cm and 25.3cm, approx. weight 3.9oz. (2) £200-300 Provenance: The Michael Baggott Collection.

690 A William IV provincial silver Fiddle soup ladle, by Barber and North, York 1836, also with the town mark, the terminal with a crest, approx. weight 7.5oz. £250-300 Provenance: The Michael Baggott Collection.

691 A Victorian provincial silver Fiddle pattern fish slice, by Barber and North, York 1839, also with the town mark, pierced blade, the terminal with a crest, approx. weight 4.9oz. £150-200 Provenance: The Michael Baggott Collection.

λ 692 Two George III provincial silver punch ladles, by Robert Cattle, York circa 1800-1805, oval bowls, one set with a coin and with a bright-cut border, twisted whale-bone handles, lengths 35cm and 33.2cm. (2) £100-150

693 A George IV provincial silver Fiddle pattern salad fork, by Barber, Cattle and North, York 1827, the terminal with a crest, approx. weight 4.6oz. £150-200

Provenance: The Michael Baggott Collection.

The crest is that of Prest.

Provenance: The Michael Baggott Collection.

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694 A George III provincial silver sugar bowl, by Cattle and Barber, York 1811, oblong form, part-fluted decoration, stylised borders, gilded bowl, on four ball feet, length handle to handle 20.6cm, approx. weight 9.8oz. £150-200 Provenance: The Michael Baggott Collection.

695 An early-Victorian provincial silver-mounted harvest jug mustard pot, by Barber and North, York 1843, baluster form, scroll handle, domed hinged cover with a crest, height 9cm, plus a Victorian provincial silver-mounted glass condiment jar, by Barber and North, York 1841. (2) £150-200 Provenance: The Michael Baggott Collection.

696 A George III provincial silver teapot stand, by Hampston, Prince and Cattles, York 1798, also with town mark, oval form, engraved borders, the centre initialled, on four bracket feet, length 17.8cm, approx. weight 4oz. £200-300 Provenance: The Michael Baggott Collection.

698 A William IV provincial silver-mounted glass toilet box, by Barber and North, York 1836, rectangular form, the pull-off cover pierced and engraved with foliate decoration, initialled, plus a Sheffield silver salt cellar, of oval form, with a blue glass liner, approx. total weight 4.2oz. (2) £200-300 Provenance: The Michael Baggott Collection. 130

697 A pair of George III provincial silver salt cellars, by James Barber, York 1812, shaped rectangular form, gadroon and shell borders, on four paw feet, with blue glass liners, length 10.5cm, approx. weight 8.7oz. (2) £150-200 Provenance: The Michael Baggott Collection.

699 A George IV provincial silver four-bottle sauce bottle frame, by Barber and Whitwell, York 1815, rectangular form, leaf-capped scroll handles, wire-work frame, with four sauce bottles and one with a Sheffield mustard spoon, engraved with a crest, plus a silver-mounted oil bottle, unmarked, engraved with a crest, approx. weighable 8.4oz. (2) £300-400 Provenance: The Michael Baggott Collection.

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700 A George III provincial silver snuffer’s tray, by Cattle and Barber, York 1811, shaped oblong form, foliate, shell and gadroon border, length 25cm, approx. weight 5.4oz. £300-400 Provenance: The Michael Baggott Collection.

701 A George III provincial silver beaker, by Robert Cattle, York 1806, also marked twice with a lion passant and twice with the duty mark, tapering circular form, engraved with a monogram, gilded interior, height 9cm, approx. weight 4.5oz. £400-600 Provenance: The Michael Baggott Collection.

702 A George IV provincial silver cream jug, by Barber, Cattle and North, York 1825, oval bellied form, engraved decoration, fluted and foliate scroll handle, initialled, length 14.5cm, approx. weight 5.9oz. £200-300 Provenance: The Michael Baggott Collection.

703 A George IV provincial silver mug, by Barber and Whitwell, York 1821, tapering circular form, with an upper and lower band of decoration, height 6.4cm, plus another similar by James Barber, York 1848, inscribed, approx. total weight 6.9oz. (2) £300-500 Provenance: The Michael Baggott Collection.

704 A George III provincial silver teapot, by Cattle and Barber, York 1811, circular form, wooden scroll handle and finial, engraved foliate decoration, gadroon border, length handle to spout 23.8cm, approx. weight 15.5oz. £400-600 Provenance: The Michael Baggott Collection.

705 An early-19th century unidentified Scottish provincial silver cream jug and sugar bowl, marked I.A, incuse marked H.S, also with a thistle, a letter b and a fouled anchor, circa 1830, circular bellied form, foliate borders and scroll handles, initialled, on circular bases, height of cream jug 11.5cm, approx. weight 17oz. (2) £400-600 Provenance: The Michael Baggott Collection.

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706 A George IV provincial silver nutmeg grater, by Barber and Whitwell, York, circa 1820, cylindrical form, hinged cover and side, the cover with a crest, length 6.3cm, approx. weight 1.7oz. £600-800

707 A George III provincial silver tongue scraper, by Hampston and Prince, York circa 1795, the handle with twisted decoration, length 11cm, approx. weight 0.2oz. £200-300

Provenance: The Michael Baggott Collection. Purchased from Woolley and Wallis, Salisbury, Silver Sale 29 April 2014, lot 795.

Provenance: The Michael Baggott Collection.

The crest is that of Vernon beneath an episcopal mitre, for The Right Reverend Edward Vernon, DCL, Bishop of Carlisle form 1791. He was cousin of William 3rd Earl of Harcourt. In 1807 he was translated to York and assumed the name of Harcourt only. It is contrary to armorial protocol for Bishops to use crests, but Archbishop Harcourt’s seal shows him using the arms of Harcourt quartering Vernon.

708 A George III provincial silver two-handled sugar bowl, by Cattle and Barber, York 1813, oblong bellied form, scroll handles, engraved foliate decoration, length 20.5cm, approx. weight 10.5oz. £250-300

709 A pair of George IV provincial silver wine coasters, by Cattle and North, York 1826, lobed circular bellied form, foliate scroll borders, turned wooden bases with crested central buttons, diameter 16cm. (2) £1,000-1,500

Provenance: The Michael Baggott Collection.

λ 710 A Victorian provincial silver teapot, by Barber and North, York 1845, rounded rectangular form, reeded girdle, leaf-capped scroll handle with ivory insulators, engraved with a crest, on four ball feet, length handle to spout 26.4cm, approx. weight 26.3oz. £400-600 Provenance: The Michael Baggott Collection.

711 A George III provincial silver agricultural goblet, by Hampston and Prince, York 1784, also with the town mark, tapering circular bowl, inscribed ‘The Reward of the Agriculture Society for the County of Durham Sept. 19, 1785, for the Best New Lamb’, engraved with a monogram, traces of gilding to bowl, on a raised circular foot, 16.8cm, approx. weight 8.8oz. £500-700

Ivory registration number: WSQ8TB9X

Provenance: The Michael Baggott Collection.

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underside 712 A rare George III provincial silver tontine chamberstick and snuffer, by Hampston and Prince, York 1793, also with the town mark, circular form, reeded borders, the handle with a crested thumbpiece, the underside engraved with the names of the subscribers in the tontine and their dates of death. ’The Rev Tho. Lamplugh ob 28 Feb 1778 AE 55, Wm Fenton ob 16 Octr 1774 AE 55, Katherine Nelthorp ob 13 Jan 1771 AE 80, J. Hasland ob 7 Jan 1772, Ann Saunders ob 2 Jan1 1775 AE 83, Hon. Waite ob 25 Dec 1780 AE 70, Bacon Morritt ob 28 Nov 1775 AE 80, Ann Sargeant ob 20 June 1778 AE 52, James Rowe ob 21 June 1777 AE 72, Anna Buckley ob 29 June 1774 AE 53, C. Allison ob 17 Sept 1775 AE 54, Christr Fell ob 16 April 1771 AE 55’, the snuffer of conical form, diameter 14cm, approx. weight 10.6oz. £1,000-1,500 Provenance: The Michael Baggott Collection.

inscription 713 A rare Victorian provincial ceremonial silver spade, maker’s mark of John Bell, overstriking another, York circa 1859-63, also with the town mark, conventional form, rectangular blade engraved with an armorial and inscribed ‘This Spade was presented to the Lady Mayoress of York, Mrs W. Fox Clarke, on the occasion of her planting a tree in St. George’s Field in commemorating the marriage of H.R.H the Prince of Wales with Princess Alexandra of Denmark, March 10th 1863’, wooden handle, length 79.4cm. £1,000-1,500 Provenance: The Michael Baggott Collection. The York Assay Office officially closed in 1858, and the date letter used in that year was an X. This spade has a date letter of a Y. Michael in his notes writes that this is a previously unknown date letter and is arguably one of the rarest pieces of York silver known. 133

714 A collection of antique provincial silver teaspoons, York, various patterns, dates and makers, including: a matched set of six Old English Thread pattern teaspoons, a Fiddle pattern teaspoon with two Duty marks, approx. weight 24oz. (44) £400-600 Provenance: The Michael Baggott Collection.

715 A collection of four sets of six antique provincial silver teaspoons, comprising: a set of six Old English pattern ones, by Hampston and Prince, York circa 1780, the terminals with an armorial, plus a set of six Old English pattern ones, by Barber, Cattle and North, York 1825, another set of six by Barber and Whitwell, York 1819, and a set of six Fiddle pattern ones, by Edward Jackson, York 1826, with initials, approx. weight 12oz. (24) £300-400 Provenance: The Michael Baggott Collection.

716 A set of six George III provincial silver Old English pattern dessert spoons, by Hampston and Prince, York 1780, the terminals with a crest, approx. weight 8.5oz. (6) £150-200 Provenance: The Michael Baggott Collection.

718 A collection of antique provincial silver condiment spoons, York, various patterns, dates and makers, including one with ‘York Regt.’ to terminal, approx. weight 14oz. (40) £300-500 Provenance: The Michael Baggott Collection. 134

717 A collection of twelve George III provincial silver Fiddle pattern tablespoons, including eight by Barber and North, York, various dates, the terminals with a crests and initials, approx. weight 28oz. (12) £400-600 Provenance: The Michael Baggott Collection.

719 Three pairs of George III provincial silver sauce ladles, comprising: an Old English pair by Hampston, Prince and Cattles, York 1801/02, the terminals initialled, plus an Old English pair by Cattle and Barber, York 1809, and a Fiddle pattern pair by Barber and Whitwell, York 1815, the terminal initialled, approx. total weight 9.3oz. (6) £300-400 Provenance: The Michael Baggott Collection.

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720 A set of six Victorian provincial silver Fiddle pattern table forks, by Hampston and Prince, York 1845, the reverse of the terminals with initials, approx. weight 13.8oz. (6) £200-300 Provenance: The Michael Baggott Collection.

721 A William IV provincial silver Fiddle pattern soup ladle, by Barber, Cattle and North, York 1833, also with the town mark, the terminal with a crest, approx. weight 7.8oz. £250-300

722 A set of five George III provincial silver Hanoverian pattern table forks, by Hampston and Prince, York 1791, three pronged tines, the reverse of the terminals with the crest of a rose, approx. weight 10.8oz. (5) £200-300

723 A collection of three provincial silver Old English pattern basting spoons, comprising: two by Hampston and Prince 1789, and one by Barber and Whitwell 1817, two with initials to the terminal, approx. total weight 10.7oz. (3) £300-400 Provenance: The Michael Baggott Collection.

Provenance: The Michael Baggott Collection.

724 A set of twelve George III provincial silver Old English pattern table forks, by Robert Cattle, York 1807, the reverse of the terminals with a crest, approx. weight 27oz. (12) £500-700 Provenance: The Michael Baggott Collection.

Provenance: The Michael Baggott Collection.

725 A Victorian provincial silver Old English pattern basting spoon, by Barber and North, York 1840, also with the town mark, the terminals with a crest, approx. weight 3.6oz. £150-200 Provenance: The Michael Baggott Collection. 135

726 A collection of fifteen pairs of antique provincial silver sugar tongs, York, various dates and makers, comprising: five Bright-cut pairs, three plain pairs and seven Fiddle pattern pairs, the majority with initials or crests, approx. weight 20oz. (15) £300-400

727 A collection of eight pairs of antique provincial cast silver sugar tongs, York, various dates and makers, comprising: seven with pierced decoration and one with chased decoration, shell and acorn bowls, the terminals with initials or crests, approx. weight 9.9oz. (8) £300-400

Provenance: The Michael Baggott Collection.

728 A set of six George III provincial silver Old English pattern table forks, by Hampston and Prince, York 1797, the reverse of the terminals with initials, approx. weight 11oz. (6) £200-300 Provenance: The Michael Baggott Collection.

729 A set of six George IV provincial silver Kings pattern meat forks, by Barber, Cattle and North, York 1828, the terminals with crests, filled handles, one tine loose, approx. weight 12oz. (6) £300-400

730 A collection of twelve George III provincial silver Fiddle pattern tablespoons, York, various dates and makers, including James Barber, 1857, including five pairs, and two singles, engraved with crests and initials, approx. weight 28.5oz. (12) £400-600

731 A set of six William IV provincial silver Fiddle pattern tablespoons, by Barber, Cattle and North, York 1830, the terminals with initials, approx. weight 13.5oz. (6) £150-200

Provenance: The Michael Baggott Collection. 136

Provenance: The Michael Baggott Collection.

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732 Three George IV provincial silver Fiddle pattern basting spoon, by Barber, Cattle and North, and James Barber and Co., York 1821 and 1828, the terminals with a crest and initials, approx. weight 10oz. (3) £300-400 Provenance: The Michael Baggott Collection.

733 A George III provincial silver Old English pattern soup ladle, by Cattle and Barber, York 1808, plain terminal, plus another George III provincial silver Old English pattern soup ladle, by Hampston, Prince and Cattles, York, date letter worn, the terminal with a crest, approx. total weight 11.5oz. (2) £300-400 Provenance: The Michael Baggott Collection.

734 A collection of twelve early-19th century provincial silver Fiddle pattern table forks, including four by Barber and North, York 1835, four by Cattle and Barber, York 1809/10, and four others, the terminals with crests or initials, approx. weight 27oz. (12) £400-600 Provenance: The Michael Baggott Collection.

λ 735 A small collection of York silver flatware, various dates and makers, including a sugar sifting spoon by Prince and Cattles, a tablespoon, a butterknife, a ladle, a toddy ladle with a twisted whale bone handle, a condiment spoon and three miniature spoons, approx. weight 7oz. (9) £200-300

Provenance: The Michael Baggott Collection.

736 A collection of twelve George III provincial silver Old English pattern table forks, seven by Hampston, Prince and Cattles, York 1800, and five by Hampston and Prince, York 1795 and 1796, the reverse of the terminals with a crest and initials, approx. weight 24oz. (12) £400-600 Provenance: The Michael Baggott Collection.

737 A collection of twelve early-19th-century provincial silver Fiddle pattern dessert forks, including a set of six by James Barber, York 1847, the reverse with a crest, plus a set of four by Barber and North, York 1843, and two others, approx. weight 17oz. (12) £250-300 Provenance: The Michael Baggott Collection. 137

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738 An early-Victorian provincial silver cream jug, by Barber and North, York 1840, lobed baluster form, leaf-capped scroll handle, gadroon border, on four shell bracket feet, initialled, height 14.2cm, approx. weight 8.5oz. £200-300 Provenance: The Michael Baggott Collection. 739 A George III provincial silver goblet, by Hampston and Prince, York 1791, also with the town mark, plain urn bowl, gilded interior, engraved with an armorial, on a raised circular foot, height 14.4cm, approx. weight 8.4oz. £800-1,200 The arms are those of Fellowes. Provenance: The Michael Baggott Collection. 740 A George III provincial silver teapot, by Hampston and Prince, York 1779, also with the town mark, oval form, bright-cut decoration, beaded borders, tapering spout, wooden scroll handle and finial, with two vacant cartouches, length handle to spout 24.5cm, approx. weight 13.5oz. £600-800 Provenance: The Michael Baggott Collection. 741 A George III provincial silver beaker, by Cattle and Barber, York 1810, plain tapering circular form, engraved with garlands, gilded interior, engraved to the base ‘Accept this as a trifling acknowledgement for your 20 years care and attention’, height 9.7cm, approx. weight 5.6oz. £300-500 Provenance: The Michael Baggott Collection. 742 A George IV provincial silver wine funnel, by Barber, Cattle and North, York 1824, circular form, reeded border, with a plain side clip, length 15.4cm, approx. weight 3.5oz.

£400-600

Provenance: The Michael Baggott Collection. 743 A Victorian provincial silver hip flask, by James Barber, York 1849, rounded rectangular form, screw-off cover, length 13.1cm, approx. weight 5.4oz.

£300-400

Provenance: The Michael Baggott Collection. 744 A 19th century old Sheffield plated provincial tipstaff, unmarked, the cylindrical body engraved and blackened ‘YORK No. 64’, with a crown finial and turned wooden handle, length 17.5cm. £300-400 Provenance: The Michael Baggott Collection. 745 A William IV provincial silver-mounted tipstaff, maker’s mark N?, Chester 1836, tapering weighted wooden shaft, with plain mounts, inscribed ‘Jas. Mangnall Esq. Boroughreeve, Wm Haslam, Robt Knowles- Constables 1836’, length 37.3cm. £800-1,200 Provenance: The Michael Baggott Collection. 746 A rare George IV provincial silver ‘Gibson-type’ medicine spoon, by Barber, Cattle and North, York, 1829, plain form, hinged cover, length 13.1cm, approx. weight 1.5oz. Provenance: The Michael Baggott Collection.

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741

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745 746

747 A collection of four provincial silver wine labels, including: three by Hampson and Prince, York circa 1795, rectangular and oblong form, reeded borders, incised ‘Hollands’, ‘Calcavella’, and ‘Port’, and a Victorian one, by John Bell, York circa 1858, incised ‘Whiskey’, approx. total weight 1.1oz. (4) £200-300

748 A pair of provincial silver wine labels, maker’s mark only S.B, for Stephen Buckle, York / Newcastle circa 1750, escutcheon form, chased decoration, incised ‘White-Wine’, and ‘Port’, length 5.4cm, approx. weight 0.9oz. (2) £200-300 Provenance: The Michael Baggott Collection.

Provenance: The Michael Baggott Collection.

749 A small collection of four George III provincial silver wine labels, crescent form, comprising: one by Hampston and Prince, York circa 1795, incised and blackened ‘Port’, also with a crest, plus one by William Astley, York circa 1810, incised ‘Rum’, plus a crescent one, with maker’s mark J.P, crescent form, pierced ‘White Wine’, and a crescent one, maker’s mark of IS, incised ‘R*Port’, approx. total weight 1.1oz. (4) £300-400

750 A small collection of five William IV and Victorian provincial silver ‘cut-out letter’ wine labels, comprising: three by Barber and North, and two by James Barber, York modelled as the letters ‘B’, ‘M’ (x2), and ‘S’ (x2), approx. total weight 1.1oz. (5) £200-300 Provenance: The Michael Baggott Collection.

Provenance: The Michael Baggott Collection.

751 An early-Victorian provincial silver agricultural medal, by Barber and North, York 1845, circular form, engraved’ Yorkshire Agricultural Society, Second Prize, Instituted 1837’ and ‘William Richardson, Great Limber, Extra Stock, Sheep 1845’, diameter 5cm, and in a fitted case, approx. weight 0.6oz. £100-150

752 A Victorian silver snuff box, by Nathaniel Mills, Birmingham 1839, shaped rectangular form, chased foliate scroll decoration, the hinged cover with a crest, the underside engraved with a coursing scene of a hare and two greyhounds, gilded interior, in a fitted case, length 7.5cm, approx. weight 3oz. £300-500

Provenance: The Michael Baggott Collection.

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753 A rare Victorian silver engraved ‘Castletop’ vinaigrette, Witley Court, Worcestershire, by Nathaniel Mills, Birmingham 1843, rectangular form, the hinged cover engraved with a scene of the house, foliate scroll sides and base on a matted background, the underside with an initialled cartouche, the interior with a pierced and engraved foliate scroll grille, length 4.5cm, approx. weight 1oz. £300-500 Provenance: The Michael Baggott Collection.

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This view of Witley Court appeared in The London Illustrated News, 5 August, 1843. 754 A Victorian silver engraved ‘Castle-top’ vinaigrette, Scarborough sea front, by George Unite, Birmingham 1843, of shaped rectangular form, the cover with a scene of The Salon on the promenade at Scarborough, the sides and base with foliate scroll decoration on a matted background, the base with a vacant cartouche, the interior with an engraved and pierced silver-gilt grille, (pin a/f), in a fitted case, length 4.1cm, approx. weight 0.6oz. £300-500

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755

Provenance: The Michael Baggott Collection. 755 A George III silver nutmeg grater, by Hester Bateman, London circa 1785, oval tubular form, engraved decoration, hinged side and cover, inscribed ‘M.Langlands Newcastle’, length 6.8cm, approx. weight 1,8oz. £300-400 Provenance: The Michael Baggott Collection. 756 A silver shooting butt marker, by Asprey and Co., Chester 1930, formed with three hinged rectangular sections, hinged cover, initialled, lacking nine pegs, length open 10.6cm, approx. weight 2.2oz. £300-400 Provenance: The Michael Baggott Collection. 757 A Polish novelty silver horse head vesta case, circa 1920, the hinged head opens to reveal a compartment for vestas, the neck with a hinged compartment with a striker, initialled, length 6.2cm, approx. weight 2.9oz. £300-500 Provenance: The Michael Baggott Collection. open

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758 A George III provincial silver mug, by Joseph Walley of Liverpool, Chester 1778, baluster form, leaf-capped scroll handle, engrvaed initials, on a circular foot, height 7.5cm, approx. weight 3.2oz. £150-200

759 A George III provincial silver-gilt box and cover, over stamped with maker’s mark of J.A, Chester 1815, circular form, engine-turned decoration, the pull-off cover with an armorial, diameter 8cm, approx. weight 4.8oz. £500-700

Provenance: The Michael Baggott Collection.

760 A Victorian commemorative silver badge, by John Stone, Exeter 1840, modelled as William III on horseback, on a plinth inscribed ‘The Glorious Pious and Immortal Memory of William 3rd, 1688’, height 6.8cm, plus a Masonic Order of Knights Templar’s breast star, maker’s mark JC, length 8.2cm, plus an engraved stopper, engraved with a ruin and two classical heads, approx. total weight 1.9oz. (3) £300-400

761 A George II Scottish silver snuff box, unmarked, circa 1743, rounded upright rectangular form, the front engraved with a harbour scene within foliate scroll mantling above the motto ‘Praemium Virtutis et Industrae’, the reverse with a Scottish landscape scene, the flush-hinged cover with foliate decoration and a cypher, the base inscribed ‘Donum J. M,ad?Jacobum Mansfiel Jan 1mo 1743’, height 6cm, approx. weight 2.8oz. £600-800

Provenance: The Michael Baggott Collection.

762 A late-19th century French Aesthetic Movement silver cigarette case, circa 1880, rectangular form, engraved with a stork and snake within foliate decoration, and with butterflies, length 10.7cm, approx. weight 4oz. £200-300

763 A Victorian silver card case, Jenny Lind, by Edward Smith, Birmingham 1848, rectangular form, scroll borders, the front with a raised scene of Jenny Lind in Bellini’s La Sonnambula on a matted background, within foliate scroll decoration, the reverse with similar decoration and with a vacant cartouche, length 10.5cm, approx. weight 2.4oz. £300-500

Provenance: The Michael Baggott Collection.

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Johanna Maria Lind (1820-1887), better known as Jenny Lind, was a Swedish opera singer, often known as the “Swedish Nightingale”. Lind gave her first performance in London on 4 May 1847 when she appeared in an Italian version of Meyerbeer’s Robert le Diable, where Queen Victoria was present. She retired early in 1849.

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764 A George IV silver-gilt Royal Exchange Assurance badge, No.35, by Emes and Barnard, London 1823, the oval badge with a central depiction of the second Royal Exchange on a matted background, with the lettering ‘ROYAL EXCHANGE ASSURANCE 1720’ below a coronet, length 15.5cm, approx. weight 9.2oz. £800-1,200 Provenance: The Michael Baggott Collection.

765 West Bromwich Albion Football Club, an Edwardian presentation silver and enamel inkwell, by Hands and Pearce, Birmingham 1901, circular capstan form, the hinged cover enamelled in blue and white, inscribed to ‘Ike Webb from the Officials, Players and Ex Players of the West Bromwich Albion Football Club on the Occasion of his Marriage June 28th 1903’, the circular base inscribed with the names of the doners, diameter of base 12.5cm. £500-700

766 A Victorian novelty silver Jester pepper pot, by Robert Hennell, London 1868, modelled in a standing position holding a marotte, pierced pull-off hat, on a textured circular foot, height 13cm, approx. weight 5.3oz. £1,000-1,500 Provenance: The Michael Baggott Collection.

Provenance: The Michael Baggott Collection.

767 An Art Deco silver and enamel box, by Isabel Florence Hooper (of Liverpool), with Chester marks for 1936, circular form, applied with rectangular panels of enamelled motifs, within rope-work borders, the hinged cover also with panels, height 4.7cm, approx. weight 4.5oz. £300-400 Provenance: The Michael Baggott Collection.

768 By Frederick Newland Smith, a three-piece silver tea set, London 1956, circular form, spot-hammered decoration, the scroll handles and borders with engraved decoration, with a wooden finial and insulators, the underside inscribed ‘W.E.H’ over ‘S.T.H’, length handle to spout 21cm, approx. weight 24.6oz. (3) £400-600 Provenance: The Michael Baggott Collection.

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769 A George IV silver-mounted Naval wooden snuff box, by Charles Reily, London 1824, rectangular form, reeded mounts, the wooden sides, cover and base applied with four cartouches, inscribed ‘Fury 1824’, ‘Griper’ (x2) and ‘Hecla’, the base rim inscribed ‘Made of the wood from Northern Discovery Ships by Michael Jones at Deptfor, 5th May 1824, foliate thumbpiece, silver-gilt interior, length 9.1cm. £600-800 Provenance: The Michael Baggott Collection. 770 A late-17th/early-18th century silver-gilt and hardstone snuff box, maker’s mark of I.I with a fleurs-de-lis and crown above and a cutless between, circa 1700, rectangular form, canted corners, engraved decoration, the hinged cover set with an oval agate panel, length 4.7cm, approx. weight 1.2oz. £300-400 Provenance: The Michael Baggott Collection. 771 A George III old Sheffield plated mounted wooden snuff box, unmarked, circa 1770, circular form, plain sides, the wooden hinged cover applied with a silver circular cartouche with a crowned cypher, gilded interior, the inside of the cover engraved ‘F & C below a crown, for Earl Fauconberg & Conyers inventory marks, wooden base, diameter 5.7cm. £200-300 Provenance: The Michael Baggott Collection. 772 An 18th century silver miniature marriage casket, marked twice with maker’s mark only S.I with a star above, circa 1720, rectangular form, engraved foliate scroll decoration, the slightly domed hinged cover engraved with a maiden below a basket of fruit, hinged carrying handle, on four bun feet, length 4.7cm, approx. weight 1.2oz. £600-800 Provenance: The Michael Baggott Collection. 773 A William IV Scottish silver coronation medallion, unmarked, circa 1831, oval form, the front with the Tree of Glasgow and engraved ‘Let Glasgow Flourish’ and ‘Coronation of King William the IVth, The Royal Reformer’, the reverse inscribed ‘Presented to David Abercromby Tenter from his weavers as a token of Friendship, 8th Sept, 1831’, with a ring attachment, length 7.8cm, approx. weight 0.9oz. £300-400 Provenance: The Michael Baggott Collection. 774 A Queen Anne presentation silver tobacco box, by Benjamin Pyne, London 1710, oval form, the pull-off cover engraved with a ship in full sail and inscribed ‘The Christopher’ and ‘Vento & Velis’, the interior inscribed ‘London This 24th December 1711 The gift of Mr. Richard Du Cane to his Friend Mr Chistopher Burrow’, the base inscribed ‘B’, length 9.6cm, approx. weight 3.4oz. £800-1,200 Provenance: The Michael Baggott Collection. 775 A George III provincial silver Ferryman badge, unmarked, York circa 1790, oval form, engraved with the York shield and ‘City Ferryman No.1’, above a rowing boat, in a copper frame, length 9cm. £400-600 Provenance: The Michael Baggott Collection. 776 A pair of George III miniature silver-gilt chambersticks, by Wakelin and Taylor, London 1785, square bases, ring handles, plain capitals, engraved with a crest, length 5cm, approx. weight 3.4oz. (2) £300-500 The crest is that of Montagu within the garter motto and a Duke’s coronet, for the Duke of Manchester. Provenance: The Michael Baggott Collection.

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777 A George III old Sheffield plated tankard, by John Hoyland and Co., circa 1764, baluster form, scroll handle, domed hinged cover with a pierced thumbpiece, the front with an armorial within foliate mantling, height 20.3cm. £100-150 Provenance: The Michael Baggott Collection.

778 A George III old Sheffield plated tankard, unmarked, circa 1780, tapering circular form, scroll handle, domed hinged cover with a scroll thumbpiece, beaded borders, the front applied with an oval cartouche of a classical maiden, also with a crest, height 21.5cm. £150-200 The crest is that of Leslie. Provenance: The Michael Baggott Collection.

779 A George III old Sheffield plated tea caddy, unmarked, circa 1780, oval form, engraved with garlands and a crest, beaded borders, the hinged cover with a hinged finial, with a lock and key, length 12cm. £100-150 Provenance: The Michael Baggott Collection.

781 A pair of early-18th century Irish silver salt cellars, by John Hamilton, Dublin circa 1730, circular form, on three scroll feet, diameter 7cm, approx. weight 6oz. (2) £200-300 Provenance: The Michael Baggott Collection. 146

780 A small collection of old Sheffield plated items, comprising: a pair of candlesticks on raised square pedestal bases, a chamberstick, and a mug, plus an unmarked filigree sugar basket or cream pail, tapering circular form, blue glass liner. (5) £150-200 Provenance: The Michael Baggott Collection.

782 A pair of early-18th century Irish silver salt cellars, marks worn, maker’s mark only that of John Hamilton, Dublin circa 1730, circular form, with garlands of cherubs and foliate drapes, on three lion mask paw feet, ropework border, on three scroll feet, diameter 9cm, approx. weight 18.5oz. (2) £300-500 Provenance: The Michael Baggott Collection.

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783 A George III silver kitchen pepper pot base, by George Smith, London 1781, cylindrical form, scroll handle, the front engraved with an armorial shield and with a worn inscription ‘D.D.F. Massingberd A.M Coll Magd.....A.D 1782’, on a circular foot, lacking cover, height 7.6cm, approx. weight 4.8oz. £100-150

784 A William and Mary silver Chinoiserie tazza top, probably by Benjamin Traherne, London 1692, octagonal form, created with a standing man, a building, and foliate decoration in the Chinoiserie manner, diameter 20.7cm, approx. weight 10oz. £1,000-1,500 Provenance: The Michael Baggott Collection.

The armorial is that of Magdalen, Oxford. Francis Massingberd (c.17571824) was son of William Massingberd of Gunby. Francis matriculated at University College in 1774 and was at Magdalen from 1775-1781. He was a Fellow from 1781 to 1824 and rector of Braytoft and Gunby. Provenance: The Michael Baggott Collection.

785 A George II provincial silver cream/small sauce boat, by Isaac Cookson, Newcastle circa 1750, oval form, simulated mythical fish scroll handle, wavy-edge border, on three lion mask paw feet, length 14cm, approx. weight 6oz. £150-200 Provenance: The Michael Baggott Collection.

786 A George II silver salver, by Paul Crespin, London 1744, circular form, foliate, shell and reeded border, the centre with an armorial within foliate mantling, on three bracket feet, diameter 33.5cm, approx. weight 34.5oz. £500-700 Provenance: The Michael Baggott Collection.

787 A late-19th century New Zealand silver and green hardstone jam spoon, butter knife and bread fork, maker’s mark of A.M, unidentified, circa 1900, with engraved decoration and inscribed ‘Kia Ora’, in a fitted case, the interior of the cover with ‘New Zealand Greenstone’ in gold lettering, length of jam spoon 14.5cm. £150-250

788 A set of thirty Victorian electroplated ice cream spades, by Elkington and Co., the terminals with foliate decoration, initialled, in a fitted wooden box. (30) £100-150

Provenance: The Michael Baggott Collection.

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789 A mixed lot of flatware, comprising: two Canadian teaspoons, Quebec, two dessert spoons, and a teaspoon, plus a collection of old Sheffield plated flatware including two tablespoons and three ladles, approx. weighable 5oz. (qty) £150-200

790 A small mixed lot, comprising: a silver magnifying glass and ruler, London 1921, inscribed, plus a Fiddle pattern sugar sifting spoon, London 1801, a teaspoon, two salt spoons and a pair of old Sheffield plated sugar tongs and gilt metal spoon, approx. weighable 2.6oz. (7) £150-250

Provenance: The Michael Baggott Collection.

791 A set of twelve George III silver Bright-cut pattern tablespoons, by Thomas Tookey, London 1781, the terminals with a crowned initial ‘D’, approx. weight 21.4oz. (12) £400-600 Provenance: The Michael Baggott Collection.

792 A collection of West Country silver tablespoons, Exeter, various patterns, dates and makers, including a Victorian one by John Genge, 1874, the front engraved with a rifle, drum, flag and trumpet, the reverse inscribed ‘Philip Gandin, S.W.R.C, 2nd Prize 1875’, plus various others, approx. weight 40oz. (19) £600-800 Provenance: The Michael Baggott Collection.

793 A George IV silver Fiddle, Thread and Shell pattern fish slice, maker’s mark worn, London 1820, pierced blade, the terminal initialled, plus a set of six silver teaspoons, a pair of sugar tongs and two jam spoons, in an associated case, approx. total weight 9.7oz. (10) £100-150 Provenance: The Michael Baggott Collection. 148

794 A small collection of cut steel flatware, comprising: a serving trowel, the plate pierced and engraved with an eagle with spread wings below a radiating star and foliate scroll decoration, the handle also pierced and engraved, length 30cm, plus three pairs of sugar nips, with pierced decoration, and motherof-pearl handled knife, the steel blade with gilt decoration and with a masonic square and compass, and ‘Memento Mori’, in a red leather sheath. (5) £100-150 Provenance: The Michael Baggott Collection.

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795 A late-18th/early-19th century colonial silver marrow scoop, marked once with the Key mark, twice with a lion and once with maker’s mark MC, probably Gibraltan circa 1800, the reverse of the bowl with a crest, length 23.2cm, approx. weight 1.8oz. £300-400 Provenance: The Michael Baggott Collection.

796 A George III provincial silver meat skewer, maker’s mark only, JW, possibly for Joseph Whalley, Liverpool circa 1780, plain tapering form, ring handle, engraved with a crest, plus another George III silver meat skewer, possibly by Gabriel Wirgman, London 1791, tapering form, plain ring handle, engraved with a crest, approx. total weight 5.8oz. (2) £150-200 Provenance: The Michael Baggott Collection.

797 A George III silver spoon, unmarked, circa 1800, fluted bowl, the terminal modelled as a hand issuing from the mouth of a mythical beast, inscribed ‘John Hentnorth to Thomas Smith’, length 20cm, approx. weight 1.6oz. £150-200

798 A George I West Country silver Hanoverian pattern basting spoon, maker’s mark worn, Exeter 1725, the reverse of the bowl with a plain rat-tail, the reverse of the terminal initialled, length 31.4cm, approx. weight 3.5oz. £200-300

Provenance: The Michael Baggott Collection.

799 A Victorian silver Wellington pattern soup ladle, by George Adams, London 1856, the terminal with a crest, plus a George III West Country Bright-cut soup ladle, by Roger Symons, Exeter, also with a later stamp MS, with a crest and initials approx. total weight 15oz. (2) £200-300

800 A pair of Victorian silver Devonshire pattern basting spoons, by George Adams, over-struck with maker’s mark of John Samuel Hunt, London 1862, the terminals with a crest, approx. weight 14.5oz. (2) £200-300

Provenance: The Michael Baggott Collection.

The crest is that of Heath or Maynard. Provenance: The Michael Baggott Collection. 149

801 A matched set of five George II Scottish provincial silver Hanoverian pattern tablespoons, by Alexander Forbes, Aberdeen circa 1740, the reverse of the terminals with script initials ‘ABA’, plus another tablespoon by the same maker, the reverse of the terminal engraved with a figure and ‘Praeclarum Regi et Regno Servitium’, approx. total weight 12.4oz. (6) £400-600

802 A set of twelve George III Scottish Feather-edge pattern tablespoons, by Patrick Robertson, Edinburgh 1771, the terminals with a crest, approx. weight 22.5oz. (12) £400-600 Provenance: The Michael Baggott Collection.

The crest is that of Ogilvy. Provenance: The Michael Baggott Collection.

803 A matched set of eleven late-18th/early-19th century Bright-cut silver teaspoons and a pair of sugar tongs, the tongs and six spoons marked A.A twice, the five teaspoons marked A.M twice, possibly Scottish provincial, the terminals with an ‘M’, and the spoons numbered ‘1-9’ and ‘1112’, in a shagreen-covered case, approx. weight 5.5oz. (12) £150-200 Provenance: The Michael Baggott Collection.

804 A George II silver Hanoverian pattern basting spoon, possibly by Robert Perth, London 1751, the reverse of the bowl with a double shell heel, the reverse of the terminal with a monogram and initials, length 32cm, approx. weight 4.9oz. £300-400 Provenance: The Michael Baggott Collection.

805 A collection of twelve 18th century silver Hanoverian pattern tablespoons, comprising: a pair by Richard Freeman of Plymouth, Exeter 1746, the reverse of the terminals with crests, plus two further pairs, one with a roseback motif to the bowl, by Hester Bateman, London 1778, and others, with crests or initials, approx. weight 23.9oz. (12) £400-600

806 A set of 18 continental silver-gilt large teaspoons, probably Austro-Hungarian, maker’s mark of WCH, plain Celtic Point terminals, approx. weight 16oz. (18) £200-300

Provenance: The Michael Baggott Collection.

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807 A set of six George II Irish silver Hanoverian pattern tablespoons, by John Laughlin, Dublin circa 1750, the reverse of the terminals with crests, plus a two pairs of Irish tablespoons, one by Christopher Skinner, Dublin 1764, the other by Thomas Walker Dublin 1760, plus an 18th century Hanoverian pattern table spoon, marked IK twice, the reverse with an armorial shield and with scratch initials and engraved ‘Jesus Christ is my Lord and my God’ and also with numbers, approx. weight 26.5oz. (11) £500-700

808 A pair of Charles II silver-gilt Trefid spoons, by John King, London possibly 1673, oval bowls, plain rat-tails, the reverse of the terminals with armorials, in a later red case, length 19cm, approx. weight 2.7oz. (2) £500-700 Provenance: The Michael Baggott Collection.

The crest is that of Bulstrode. Provenance: The Michael Baggott Collection.

809 A George II silver Hanoverian pattern basting spoon, by Marmaduke Daintrey, London 1742, the reverse of the bowl with a shell heel, the reverse of the terminal with a crest, length 35.9cm, approx. weight 6.4oz. £300-400 Provenance: The Michael Baggott Collection.

810 A pair of Victorian Irish silver Chinoiserie sugar tongs, by James Moore, Dublin 1846, the arms embossed with two standing Oriental figures, engraved with a crest, plus a pair of late-18th century sugar tongs, stamped once ‘A:ID’, with a monogram, ad shell bowls, approx. total weight 4oz. (2) £200-300 Provenance: The Michael Baggott Collection.

λ 811 A mixed lot of silver flatware, comprising: a George II punch ladle, by Edith Fletcher, London 1733, circular bowl, wooden baluster handle, plus two other punch ladles, a pair of Channel Islands tablespoons, by T and J Le Gallais, Jersey, plus three other tablespoons and an electroplated ladle, approx. weighable 9oz. (9) £200-300

Provenance: The Michael Baggott Collection.

812 A mixed lot of silver flatware, various dates and makers, comprising: a set of six miniature silver Feather-edge spoons, maker’s mark E.R, the terminals initialled, an unmarked set of four salt spoons, shell bowls, the tapering wire-work handles with a mythical dolphin and crown finial, plus three teaspoons, approx. weight 3.5oz. (13) £200-300 Provenance: The Michael Baggott Collection.

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813 A George III Scottish provincial silver teapot, by Nathaniel Gillet, Aberdeen circa 1795, oval form, engraved decoration, wooden scroll handle, the hinged cover within oval finial, on a raised oval foot, engraved with crests and mottos and two sets of initials, length handle to spout 35.5cm, approx. weight 22.4oz. £800-1,200 Provenance: The Michael Baggott Collection. The crest and initials are those of Alexander Duguid and Elizabeth Cheyne, who married at St. Nicholas Parish in Aberdeen on the 8th April 1795.

814 A George III provincial silver beaker, by Richard Richardson, Chester 1764, plain tapering circular form, engraved with an armorial within foliate scroll mantling, on a circular foot, height 9cm, approx. weight 5.5oz. £800-1,200 The arms are those of Allen. Provenance: The Michael Baggott Collection. 815 An early-18th century silver two-handled lemon strainer, marked twice with maker’s mark, GB script conjoined, or possibly TB script conjoined, circa 1730, circular form, shaped lug handles, engraved with a crest and a cypher, the bowl with pierced decoration, length 17cm, approx. weight 3.2oz. £400-600 The crest is that of Cholmeley/Cholomondeley. Provenance: The Michael Baggott Collection.

816 A rare George II provincial silver mug, by Benjamin Brancker, Liverpool circa 1730, tapering circular form, scroll handle, the underside with scratch initials ‘E.R’ and with a scratch weight, the front with a crest and later initials, on a circular foot, height 13.5cm, approx. weight 12.3oz. £1,500-2,000 The crest is that of various families including Barney, Barns, Baron, Barron, Berney, Blair, Blaquier, Bliss, Bouling, Brett, Burkett, Burlton. Provenance: The Michael Baggott Collection.

817 An 18th century Scottish provincial silver waiter, by George Cooper, Aberdeen circa 1740, circular form, moulded border, the centre with chased foliate scroll decoration, with a crest and motto, on three hoof feet, diameter 15.9cm, approx. weight 6oz. £400-600 The crest is that of Jones. Provenance: The Michael Baggott Collection.

818 An rare early-18th century Scottish provincial silver mug, by Charles Dickson I, Dundee circa 1725, baluster form, scroll handle, on a circular foot, engraved with a crest and motto, height 8cm, approx. weight 5.9oz. The crest is that of Faulkner/Falconer. 152

Provenance: The Michael Baggott Collection.

£800-1,200

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819 A pair of George III Irish silver presentation two-handled cups, maker’s marks of Richard Tudor and Matthew West, one acting as a retailer, Dublin circa 1776, baluster form, leaf capped scroll handles, engraved with a crest and motto within a foliate garland, the reverse inscribed ‘Presented by the Select Annuity Company to Their Worthy Member William Osbrey, Marshal of the City of Dublin, in Acknowlegement of his Ingenuity Devising, Prudence in Proposing and Diligence in Promoting their New Charter Party, dated The First Day of February MDCCLXXVI’, on circular bases, height 15cm, approx. weight 27.8oz. (2) £800-1,200

820 A pair of George III silver candelabra bases/large candlesticks, by Matthew Boulton, Birmingham 1817, tapering circular form, acanthus decoration, on raised circular bases with gadroon and foliate borders, no drip pans, height 33.5cm. (2) £800-1,200 Provenance: The Michael Baggott Collection.

Provenance: The Michael Baggott Collection.

821 A 19th century Dutch silver teapot, with pseudo earlier marks for The Hague, in the 1740’s manner, shaped rounded rectangular form, chased decoration, with initials, wooden scroll handle and finial, length handle to spout 18.5cm, approx. weight 10.2oz. £600-800

822 A pair of George III silver candlesticks, by John Watson and Son, Sheffield 1815, baluster form, foliate scroll decoration, detachable drip pans, on shaped circular bases with foliate scroll decoration, engraved with a crest, filled bases, height 28.5cm. (2) £600-800

Provenance: The Michael Baggott Collection.

The crest is that of Brand, Swallow or Walker. Provenance: The Michael Baggott Collection.

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823 A pair of George II silver candlesticks, by James Gould, London 1739, knopped baluster stems, spool-shaped capitals, later removable drip pans, on shaped square bases, engraved with two armorials, height 17cm, approx. weight 29.8oz. (2) £1,000-1,500

824 A large George II silver tankard, by Benjamin Cartwright, London 1754, baluster form, central girdle, the domed hinged cover with a pierced thumbpiece and engraved with a crest and motto, scroll handle, on a circular foot, height 23.3cm, approx. weight 45.4oz. £1,500-2,000

One of the armorials is probably that of Justice.

The crest is that of Stanhope.

Provenance: The Michael Baggott Collection.

825 A George III silver coffee pot, by Whipham and Wright, London 1761, baluster form, embossed with trailing flowers, scroll handle, domed hinged cover, engraved with an armorial, on a circular foot, the underside scratched ‘P.A. J.A’ over ‘E.S.C’ over ‘1762’, height 26.5cm, approx. weight 24.5oz. £500-700

826 A George II silver two-handled cup and cover, by Francis Pages, London 1732, circular form, central girdle, lead capped scroll handles, the domed cover with a knop finial, on a circular foot, engraved with a crest, height 23.5cm, approx. weight 40oz. £800-1,200

The arms are those of Calmady, Bonfield and Steukele. Provenance: The Michael Baggott Collection.

The crest is that Fownes/Fones impaling Ilbert. Provenance: The Michael Baggott Collection. 155

827 A Swiss Art Deco silver motor racing trophy cup and cover, by Baltensperger, Geneva circa 1928, tapering baluster form, engraved with female nudes and foliate decoration, the domed cover with a female finial, the raised circular base inscribed ‘Grand Prix d’ Europe Geneve 1928 Coupe Offerte par Representants Generaux De L’Huile Catrol Pour La Suisse’, height 28cm, approx. weight 24.5oz. £1,000-1,500 Provenance: The Michael Baggott Collection.

828 Channel Islands interest, a Victorian presentation silver salver, by William Bateman and Daniel Ball, London 1838 circular form, foliate scroll border, engraved with the Shield of Jersey and inscribed ‘July 1841. This Salver together with a silver tea and coffee service was presented to Mr Robert White, Commander of H.M Steam Packet ‘Dasher’, By the Chamber of Commerce, Merchants and other Inhabitants of the Island of Jersey as a testimonial of their regard and of the high sense they entertain of his arduous and devoted services in the conveying of the Mail to and from Weymouth and the Channel Islands during a period of twenty-five years’, on three bracket feet, diameter 26cm, approx. weight 18oz. £400-600 Provenance: The Michael Baggott Collection.

829 A Victorian Scottish silver Chess trophy ewer, by James Reid, Glasgow 1881, baluster form, embossed with a band of chess pieces, leaf-capped scroll handle, chased decoration and inscribed with the names of winners from 1882-1891, and also inscribed ‘Having won this cup three years in succession, it now becomes the property of Mr G.E Barbier’, height 26cm, approx. weight 15oz. £500-700 Provenance: The Michael Baggott Collection. 156

830 A Victorian silver-mounted claret jug, by E. H. Stockwell, London 1881, tapering circular plain glass body, the mounts with lily pads, the scroll handles with flower buds, hinged cover, engraved with a crest, height 19cm. £500-800 Provenance: The Michael Baggott Collection.

831 A George IV silver-gilt sideboard dish, by Edward Thomason, Birmingham 1826, circular form, finely engraved with a scene of The Drunken Silenus being given wine by a satyr and two cherubs watching on, with a canopy of trailing grapevines, the borders chased with shells and foliate decoration on a matted background, diameter 33cm, approx. weight 34oz. £2,000-3,000 Provenance: The Michael Baggott Collection. This dish is copied from The Drunken Silenus design for the ‘Tazza Farnese’, circa 1599-1600, by the Italian artist Annibale Carraci (Bologna 1560-1609 Rome).

832 A collection of twelve 18th century silver Hanoverian pattern tablespoons, comprising: a set of three, London 1744, a matched set of three silver-gilt ones, a pair, a matched pair and two others, the reverse of the terminals with crests, approx. weight 25oz. (12) £400-600

833 A set of twelve George III silver Dog-nose spoons, by George Smith, London 1797, the reverse of the bowls with a plain rat-tail, the reverse of the terminals with armorials within foliate mantling, approx. weight 26oz. (12) £600-800

One of the crests is that of Clayton.

The arms are those of the Worshipful Company of Tallow Chandlers.

Provenance: The Michael Baggott Collection.

834 A set of four late-18th century colonial silver Bright-cut Celtic Point tablespoons, by Henry Cowper, Gibraltar circa 1790, the terminals with initials, plus a colonial tablespoon marked twice with a lion, the letter ‘S’ and a maker’s mark possibly D & H, and another spoon marked WH three times, approx. total weight 12.5oz. (6) £300-400 Provenance: The Michael Baggott Collection.

END OF COLLECTION OTHER PROPERTIES

835 A George III silver cream pail, possibly by Jacob Marsh or John Moore, London 1764, tapering circular form with bands of reeded decoration, twisted swing-handle, height 6.7cm, approx. weight 3.2oz. £150-200

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836 A William IV silver two-handled bowl, by Robert Garrard, London 1834, circular form with engraved chinoiserie decoration, scroll handles, engraved crests and armorials, length handle to handle 17.6cm, approx. weight 11.4oz. £200-300 The crest and arms are that of Hogg with Baronet’s badge. Sir James Weir Hogg (1790-1876), an Irish businessman and lawyer, was created a baronet in 1846.

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837 A Victorian silver chamberstick, by Samuel Whitford, London 1854, lobed circular form, tapering faceted stem, with a scroll handle, engraved scroll foliate decoration, on three scroll feet, with a conical snuffer, height 12.8cm, approx. weight 7.2oz. £200-300

838 A George IV silver chamberstick and pair of scissor snuffers, by John Settle & Henry Wilkinson, Sheffield 1829, circular form, foliate and scroll border, scroll handle, with a conical snuffer, and with a pair of silver-handled scissor snuffers, initialled, approx. weight 11.3oz. (3) £200-300

839 A Victorian silver sauce boat, by George Fox, London 1881, oval form, wavy-edge border, scroll handle, on three pierced scroll feet, length 21.3cm, approx. weight 16oz. £200-300

840 A Victorian silver tea caddy, by Lambert & Co, London 1885, plain bombé form, pull-off cover with rectangular knop finial, engraved chinoiserie scroll cartouche, height 13.3cm, approx. weight 11.1oz. £250-300

841 A George IV silver wine coaster, by John and Thomas Settle, Sheffield 1825, circular form, applied with trailing grapevines, foliate shell border, turned wooden base set with an armorial button, diameter 17cm. £300-400

842 A George III silver four egg cup cruet frame, by Charles Chesterman, London 1797, oval wire-work frame with central ring carrying handle, with four egg cups, raised circular form with a central girdle, plus four later spoons by Robert Rutland, London 1822, length 20.3cm, total approx. weight 11oz. £250-300 159

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843 A pair of George III silver candelabras, by John Roberts & Co, Sheffield 1811, tapering circular form with fluted decoration and shoulders, urnshaped capitals with pull-off drip pans, reeded scroll arms, central pull-off covers with flame finials, on circular bases engraved with crests, height 46.2cm. (2) £1,500-2,000

844 A matched pair of George III silver sauce boats, one probably by Thomas Evans, London 1778, the others maker’s mark is worn, London 1766, oval fluted form with a gadrooned border, engraved with crests, on a shaped oval feet, length spot to handle 18.7cm, total approx. weight 24.7oz. (2) £800-1,200 The crests are that of Stapleton.

845 A silver rosebowl, by Richard Comyns, London 1937, plain circular form, on a raised circular foot, diameter 22.5cm, approx. weight 33oz. £800-1,200

846 An Edwardian silver two-handled tray, by Mappin & Webb, Sheffield 1902, rectangular form with gadrooned and shell border, foliate and shell handles, engraved scroll foliate border, length handle to handle 67.8cm, approx. weight 104oz. £1,500-2,000 Provenance: From The Collection of The Late Lady Barnard.

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847 A Victorian silver Three Graces épergne, by The Barnards, London 1864, the central pierced basket supported by three classical maidens, foliate border, mounted on a shaped triangular base with foliate scroll decoration, with a later glass bowl, height 42.5cm, approx. weight 90.5oz. £4,000-6,000

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848 A massive late-19th century French parcel-gilt silver jardinère, no apparent maker’s mark, shaped oval form, the body with pierced foliate scroll decoration, scroll handles, the sides with a crowned vacant cartouche, on four heavy scroll feet mounted with silver-gilt semi-nude classical maidens, each holding oak leaf garlands, (small section a/f), with a pull-out silver liner with ring handles, length 61cm, height 23cm, approx. weight 520 oz. £15,000-20,000

849 By Fabergé, a late-19th century Russian silver Fiddle pattern canteen for twelve, Moscow 1896, some pieces with Fabergé’s mark overstamping another, possibly M.A, the terminals with a monogram, comprising: twelve table forks, twelve dessert forks, eighteen hors d’oeuvres forks, twelve tablespoons, twelve dessert spoons, twelve teaspoons, a soup ladle, a basting spoon, and six serving pieces, in a fitted pig-skin lined wooden case with brass handles and applied with an initialled silver monogramed cartouche, the interior of the cover with the Imperial Eagle, Fabergé, and Moscow and St. Petersburg, approx. weighable 144oz. £8,000-12,000 Provenance: A Private Collection Purchased from Olympia Antiques Fair, London, June 2014. With Hancocks and Co., 1 Burlington Gardens, London, 4th March 1981.

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850 A George III silver soup tureen, by Robert Garrard, London 1804, oval form with gadrooned border, reeded scroll handles, the cover with a mitre finial, engraved with armorial surmounted by a mitre, on four lion mask capped paw and ball feet, length handle to handle 41.6cm, approx. weight 100.7oz. £3,000-4,000 The arms are that of the See of Waterford impaling De La Poer-Trench. Power De La Poer-Trench (1770-1839) was Bishop of Waterford (18021811), Bishop of Elphin (1810-1819) , Archbishop of Tuam (1819-1839).

851 A George II silver tankard, by Thomas Mason, London 1749, tapering circular form, scroll handle with a shaped motif, domed cover, later inscription to the underside ‘12th Royal Lancers Regimental Pt to Pt 1923 Won by Major H. Charrington’s Magadi Owner’, height 17.1cm, approx. weight 24.1oz. £800-1,200 164

852 A George III provincial silver tankard, by James Crawford, Newcastle 1786, tapering circular form, central girdle, scroll handle with heart-shaped motif, domed cover, engraved armorial within foliate garlands, height 20.4cm, approx. weight 26oz. £600-800 The arms are those of Dobson of Lynn, Norfolk.

853 A matched set of eight silver candlesticks and a pair of three-light candelabra branches, the six candlesticks and the branches by John Parsons and Co., Sheffield 1792, the pair of candlesticks by the same maker, Sheffield 1793, tapering circular form, part-fluted decoration, urn capitals, detachable reeded drip pans, on raised circular bases, engraved with a crest, the pair of candlesticks with an armorial, the branches of scroll form, each supporting an urn-shaped capital, and with a central light with a domed pull-off cover with a ball finial, filled bases, total height 45cm, height of candlesticks 31cm, approx. weight of branches 50oz. (10) £5,000-7,000 Provenance: A Private Collection.

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854 A pair of George II silver-gilt candlesticks, by James Gould, London 1748, knopped stems with shell-capped shoulders, spool-shaped capital with foliate drip pans, on raised square-shaped bases with shell motifs, height 23.3cm, total approx. weight 43.3oz (2) £1,000-1,500

855 A George II silver-gilt candlestick, maker’s mark worn, London 1749, knopped baluster stem, decorated in rococo manner, spool-shaped capital with a detachable foliate drip pan, on a square-shaped base with shell motifs, height 23.5cm, approx. weight 23oz. £400-600

856 A George III silver-gilt fox mask stirrup cup, by Phipps and Robinson, London 1807, with textured fur decoration, moulded rim, length 7.7cm, approx. weight 2.8oz. £1,000-1,500

857 A George III silver tea caddy, by Robert Hennell, London 1780, fluted oval form, bright-cut decoration, flush-hinged cover with a flower finial, with a lock and key, height 12.5cm, approx. weight 13.5oz. £400-600

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858 A late-Victorian Scottish provincial silver freedom casket, by William George Jamieson of Aberdeen, Edinburgh 1895, rectangular form with embossed chased thistle and Celtic decoration, the hinged cover with a finial modelled after the crest of Stewart, to the front are two panels of thistle and rose decoration with a central coat of arms of Aberdeen, to the sides the Royal coat of arms and Union Jack, to the reverse shows three scenes of Castlegate, Union Street, Marischal College and Beannachar House, on four pierced Celtic dog bracket feet, mounted on wood red felt plinth, with a travelling case, length of plinth 47.5cm. £2,000-3,000 Due to the imagery on the casket, it probably belonged to Sir David Stewart of Banchory, Provost of Aberdeen (1835-1919). Stewart served as Provost of Aberdeen from 1889 to 1894 as well as living at Beannachar House.

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859 A pair of Queen Anne cast silver candlesticks, by Jacob Magras, London 1710, octagonal shoulders, spool-shaped capitals, tapering fluted stems, on raised square bases with canted corners, engraved with a crest within foliate scroll mantling, height 16.3cm, approx. weight 22.9oz. (2) £3,000-5,000 This crest is a variant on Carden (of Buckinghamshire) or Brykes.

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860 A Charles II silver two-handled porringer, by William Grant, London 1674, circular bellied form, embossed with a billy goat and a running dog within foliate decoration, caryatid scroll handles, length handle to handle 20cm, approx. weight 10.7oz. £1,000-1,500 860

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861 A rare William III Scottish silver mug, maker’s mark of Robert Bruce, assay master James Penman, Edinburgh 1697, tapering circular form, with two bands of decoration, scroll handle, scratch initialled ‘M’ over ‘TF’ over ‘SM’, on a circular foot, the underside with an old collection label, height 8.2cm, approx. weight 5.7oz. £3,000-5,000 Provenance: A Private Collection.

862 A Queen Anne silver coffee pot, by Peter Harache, London 1703, tapering circular form, with a baluster wooden side handle, the socket with cutcard decoration, the domed hinged cover with cut-card decoration and a knop finial, the body with an armorial within foliate scroll mantling, height 22.4cm, approx. weight 22.4oz. £2,000-3,000

863 A rare Queen Anne Scottish silver thistle mug, by John Luke, Glasgow 1704, tapering circular form, with a central band above cut-card decoration, beaded scroll handle, scratch initialled ‘ZM’ over ‘ER’, and with a later crest and motto, on a circular foot, height 8.3cm, approx. weight 5oz. £4,000-6,000

Provenance: A Private Collection.

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864

864 A James II silver Chinoiserie tankard, by Timothy Ley, London 1686, tapering circular form, scroll handle, engraved with birds and foliate decoration in the Chinoiserie manner, the front with two mythical dolphins, the slightly domed hinged cover with a scroll thumbpiece and similar decoration, height 17.5cm, approx. weight 26oz. £3,000-4,000

865 A George III silver beer jug, by Richard Sibley, London 1813, baluster form with an acanthus leaf-capped scroll handle, engraved crest, on a raised circular base, height 28cm, approx. weight 54.2oz. £3,000-4,000

866 A George III silver beer jug, by Francis Crump, London 1763, baluster form, acanthus leaf capped scroll handle, engraved with an armorial, on a raised circular foot, height 22.8cm, approx. weight 36oz. £1,500-2,500 The arms are that of Cremer or Gremer quartering Bowleton, Fitzgerald, Gerald, Rogers, Judkin, FitzThomas, Lewis, Roche or Scargill. Provenance: From The Collection of The Late Lady Barnard.

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867 A George II silver salver, by Robert Abercromby, London 1743, shaped circular form with a moulded shell border, on three hoof feet, diameter 26.8cm, approx. weight 19.8oz. £250-350 Provenance: From The Collection of The Late Lady Barnard.

868 A set of four Victorian silver salt cellars by Barnards, London 1848, circular form with gadrooned borders, pierced scroll decoration, engraved crests, on three scroll foliate capped bracket feet, diameter 8.8cm, total approx. weight 15.6oz. (4) £200-300 Provenance: From The Collection of The Late Lady Barnard.

869 A pair of George II silver sauce boats, by John Chartier, London 1731, oval form with moulded borders, engraved armorial, scroll handles, on oval bases, length handle to spout 19.6cm, total approx. weight 23.3oz. (2) The arms are that of an unknown implaing Lovell quartering another. £1,200-1,800 Provenance: From The Collection of The Late Lady Barnard.

870 A suite of three Queen Anne silver sugar casters, by Andrew Raven, London 1703, lighthouse form with gadrooned borders, bayonet fitted pierced scroll covers with knop finials, engraved with crests, height 18.3cm, total approx. weight 23.2oz. (3) £2,000-3,000 Provenance: From The Collection of The Late Lady Barnard.

871 A Charles II silver bleeding bowl, possibly by William Wakefield, London 1673, plain circular form, pierced side handle with scratched initials ‘S.S’ over S.H’, length handle to side 16.4cm, approx. weight 4.4oz. £800-1,200 Provenance: From The Collection of The Late Lady Barnard.

872 An early-18th century silver taperstick, by Pierre Platel, maker’s mark only, London circa 1715, tapering knopped stem, on a rectangular base with canted corners, height 10.3cm, approx. weight 4oz. Provenance: From The Collection of The Late Lady Barnard.

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873 A pair of George II silver candlesticks, by James Gould, London 1748, knopped baluster form, shell-capped shoulders, spool-shaped capital with pull-off drip pans, on squared-shaped bases with shell decoration with an engraved crest, height 22.3cm, total approx. weight 34.4oz. (2) £1,000-1,500

874 A George I silver coffee pot, by William Spackman, London 1722, tapering circular form, engraved with a crest in a scroll cartouche, hinged cover with acorn finial, height 21.7cm, approx. weight 22.8oz. £800-1,200 Provenance: From The Collection of The Late Lady Barnard.

Provenance: From The Collection of The Late Lady Barnard.

875 A Charles II silver tankard, by Thomas King, London 1668, tapering circular form, hinged cover with a scroll thumbpiece, scroll handle with a scroll heart cartouche with scratched initials ‘E.L’, the front engraved with an armorial, the underside with an old Tessiers label, height 18.2, approx. weight 30.7oz. £3,000-4,000 Provenance: From The Collection of The Late Lady Barnard.

876 A James II silver footed waiter, maker’s mark WE mullet above and below, possibly William Eycott, London 1688, circular form with a gadrooned border, central engraved armorial, on a raised circular foot, diameter 26.1cm, approx. weight 14.9oz. £1,500-2,500 Provenance: From The Collection of The Late Lady Barnard.

877 A William & Mary silver two-handled porringer and cover, probably by John Cruttall, London 1690, circular form with scroll handles, the pull-off cover with foliate finial, the body and cover with embossed acanthus leaf decoration, engraved armorial to the body and crest to the underside of the foot, height 15.4cm, total approx. weight 18oz. £2,500-3,500 Provenance: From The Collection of The Late Lady Barnard.

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SILVER & OBJECTS OF VERTU TUESDAY 21ST & WEDNESDAY 22ND OCTOBER 2025 CLOSING DATE FOR ENTRIES 1ST SEPTEMBER

By Stuart Devlin, 'The Twelve Days of Christmas', a set of twelve modern silver, silvergilt and enamel surprise boxes, London 19701981, limited edition number 3/100, Provenance: From the Private Collection of Stuart Devlin, Sold By His Widow Mrs. Carole Devlin. Estimate £7,000 10,000*

ENQUIRIES Rupert Slingsby | +44 (0)1722 446956 | rs@woolleys.live *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

FINE JEWELLERY WEDNESDAY 9TH & THURSDAY 10TH JULY 2025

Berlioz Leroy, an Art Deco gold and enamel chinoiserie vanity case, circa 1930, rectangular with stylised clouds to the hinged cover, the red enamel ground within black enamel borders, the small carved jade thumbpiece depicting Shoulao to the slide with the Shou emblem for longevity, the interior with two covered side compartments, a hinged lipstick holder, and a mirror to the hinged cover, signed to the cover Berlioz Leroy, Paris, Cannes, La Baule, to the base makers mark AP for Auguste Peyroulx, and French control mark, 7.6cm wide, approximately 190g (without mirror) Mademoiselle Berlioz and Monsieur Leroy established their jewellery business in the late 1920s at 19 Rue de la Paix, Paris. They quickly developed a reputation for original and beautiful jewels that combined richly contrasting coloured stones such as lapis lazuli, jade, black onyx, turquoise, and coral. Berlioz and Leroy were quick to adapt to the new fashions that followed the Art Deco period and particularly with Oriental influence. Their bold designs were enthusiastically picked up by the press and were particularly featured in French Vogue. From the start, the house also designed accessories such as compacts and vanity cases, such as this lot. Their fame and fortune spread through the first half of the 20th century. The maker of this particular box was Auguste Peyroulx, at 5 Rue d'Alger, Paris. Peyroulx also made boxes for Cartier. Estimate £8,000 12,000* ENQUIRIES Marielle Whiting | +44 (0)1722 424595 | jewellery@woolleys.live *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

AUCTION INFORMATION OPENING HOURS City Centre Salerooms Monday to Friday 9am – 5pm Old Sarum Galleries Monday to Friday 9am – 5pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. REGISTERING WITH US All first time buyers need to register with us. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24% inclusive) thereafter. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale.

2. a utility bill or document showing your name and address You can register in person or by contacting client services on 01722 424500 or emailing id@woolleys.live You will be asked to show your documents or email copies. PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us. BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from client services either during the view or on the day of the sale. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with client services LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd

+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes

+44 (0)1962 622133 info@mbewinchester.co.uk www.mbe.co.uk/winchester

ZIXIS Fine Art Limited

+44 (0)7873 981026 zixisfineart@163.com www.zixisfineart.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier. EXPORTING YOUR PROPERTY FROM THE UK If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country. Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for handcarried exports. In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bacs, debit and credit cards Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 309741 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Debit and Credit cards: Visa, Mastercard, Amex or Union Pay. Where practical, payment can be made and purchases collected during the auction. We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Lots marked with a Φ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below £1,000 and the maximum royalty payable on any single lot is £12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Royalties for Droit de Suite are as follows: 4% Up to £50,000 3% £50,000.01 200,000 1% £200,000.01 350,000 0.5% £350,000.01 500,000 0.25% In excess of £500,000 Up to a maximum levy of £12,500

FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but will not be allowed to take physical possession of it. The auctioneers will reoffer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

The CITES Regulations may be found at www.defra.gov.uk/ahvla en/importsexports/cites/

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Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

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Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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VALUATIONS

LONDON, ANDOVER & WINCHESTER

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

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Woolley & Wallis valuations are accepted by all leading insurance companies.

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We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

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We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

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Contact Jeremy Lamond +44 (0)1722 424502 | valuations@woolleys.live

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DIRECTIONS FROM OUR CITY CENTRE SALEROOMS TO OUR OLD SARUM GALLERIES Woolley & Wallis City Centre Salerooms 51 – 61 Castle Street SP1 3SU Woolley & Wallis Unit 1B Castle Gate Business Park Old Sarum Salisbury SP4 6QX

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Old Sarum Park

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Free verbal valuations of items for sale are available by appointment. Please email valuations@woolleys.live or call +44 (0)1722 424500

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WOOLLEY & WOOLLEY & WALLIS WALLIS CITYSALEROOMS CENTRE SALEROOMS

Old Sarum

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

City Centre Salerooms, 5161 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29

Design & Production by Jamm Design Ltd +44 (0)20 7459 4749 jammdesign.co.uk

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below SILVER

VALUATIONS FOR INSURANCE & PROBATE

Rupert Slingsby Archie Swann Becky TillyTrickett

446956 446959 446957

Jeremy Lamond MRICS FRSA Neil Grenyer Frances Woodhams Hannah Farthing MRICS (Trainee Valuer)

424505 446955

CLIENT SERVICES

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

AFRICAN & OCEANIC ART ANTIQUITIES Will Hobbs Molly O’Reilly

339752 446980

424506 424583 424589 +44 (0)7812 601098 424591

Fahmeeda Yasmin

MARKETING Chloe Davie

Clare Durham

424507

CHINESE PAINTINGS & CALLIGRAPHY Freya YuanRichards

424589

FURNITURE, WORKS OF ART & CLOCKS 411854 446974 339161 339161 339161

JAPANESE ART Alexandra Aguilar Olivia Jones

424583 424591

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Jacob Carpenter Freya Miller Beth Reardon

424595 424504 424586 424586 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Molly O’Reilly

341469 446980

PAINTINGS Victor Fauvelle Ed Beer Heidi Easton

446961 446962 446970

446951

PRESS Sandie Maylor

BRITISH AND CONTINENTAL CERAMICS & GLASS

Mark YuanRichards Neil Grenyer Jim Gale Sarah Stone Victoria Elwell

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PHOTOGRAPHER

ASIAN ART John Axford MRICS Alexandra Aguilar Freya YuanRichards Jeremy Morgan Olivia Jones

Ruth Pike (Client Services Manager) Julie Langstaff Gemma Pointer Riin RohtlaSzeverenyi Demi JuenoChapman

424502 446974

ACCOUNTS Ania Antkowiak

BOARD OF DIRECTORS John Axford MRICS Chairman Natalie Milsted FCCA Managing Director Alexandra Aguilar Director

ASSOCIATE DIRECTORS Ed Beer Ned Cowell Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Jeremy Lamond MRICS FRSA Rupert Slingsby Marielle Whiting FGA Freya YuanRichards Mark YuanRichards

+44 (0)7976 311172