Woolley & Wallis Auctioneers

BRITISH & CONTINENTAL CERAMICS & GLASS TUESDAY 29TH APRIL 2025

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR 2025 AUCTIONS APRIL 9th & 10th 15th & 16th 29th 30th

Furniture, Collections & The Age of Oak Fine Jewellery British and Continental Ceramics & Glass Silver & Objects of Vertu (Day One)

MAY 1st 20th & 21st

Silver & Objects of Vertu (Day Two) Asian Art, Chinese Paintings & Japanese Works of Art

JUNE 3rd 4th 18th

Medals & Coins, Arms & Armour Modern British & 20th Century Art Fine Arts & Crafts

JULY 1st 2nd & 3rd 9th & 10th 15th & 16th

The Butler Hoard Furniture, Works of Art & Clocks Fine Jewellery Silver & Objects of Vertu, including the Michael Baggott Collection (Part I)

SEPTEMBER 2nd 3rd 17th

British and Continental Ceramics & Glass Old Masters, British & European Paintings Arts of Africa, Oceania and the Americas

Dates may be subject to change

+44 (0) 1722 424500 info@woolleys.live 51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

A rare and early Brislington delftware Royal plate, c.1685­88 SOLD FOR £12,600*

BRITISH & CONTINENTAL CERAMICS & GLASS TUESDAY 29TH APRIL 2025 10.00AM AT OUR CITY CENTRE SALEROOMS, SP1 3SU Clare Durham 01722 424507 cd@woolleys.live

VIEWING WILL TAKE PLACE AT OUR OLD SARUM GALLERIES Saturday 26th April Monday 28th April Tuesday 29th April

10.00am – 1.00pm 10.00am – 4.00pm Viewing by appointment

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Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults.

COLLECTION OF LOTS BY APPOINTMENT Collection is from our warehouse, Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX. Please instruct carriers accordingly and note, the warehouse is closed over weekends. Please call 01722 446950 or 01722 424500 prior to collection to ensure the items are ready

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All accounts to be settled prior to collection EXPORT AND CITES LICENCES Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance.

ILLUSTRATIONS Front cover: Lot 543 Back cover: Lots 475­477, 485, 486 & 488 Catalogue £10.00 (£15.00 by post)

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1 A set of six small wine glasses, c.1770­80, with ogee bowls cut with lappets around the base, raised on facet cut stems and conical feet, 15.2cm.

(6) £200­300

2 A rare set of six ale glasses or flutes, c.1780, with drawn trumpet bowls rising from facet cut stems and conical feet, 17.8cm. (6) £300­500 Provenance: acquired from Delomosne & Son Ltd., 11th June 1945.

1

3 Three ale glasses or flutes, c.1760­70, one with a bell bowl over a plain stem, another with a round funnel bowl on a plain stem , the last with a round funnel bowl over a facet cut stem, a small footrim chip to the latter, 19.4cm max. (3) £150­250

4 Three wine glasses, c.1750, two with drawn trumpet bowls, the other with a round funnel bowl, all over plain stems and folded conical feet, 16.5cm max. (3) £150­250 2

3 2

4

See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

5 Two wine glasses, c.1760, one with a generous ogee bowl engraved with a stylised sunflower spray, the other with a round funnel bowl with stipple moulding, both over plain stems, one foot probably reduced, 15.8cm max. (2) £150­200

6 Three English drinking glasses, c.1730­50, including a small gin glass with bell bowl over a balustroid stem, a wine glass with ogee bowl, and an ale glass or flute with drawn trumpet bowl, both over plain stems and folded feet, 19.8cm max. (3) £150­250

7 Three sweetmeat glasses, c.1750­60, one with an ogee bowl with a shaped rim, another with a shallow bowl cut with oval designs, both on moulded Silesian stems over shaped domed feet, the third glass with a heavily cut thistle bowl raised on a faceted stem and cut domed foot, 16.8cm max. (3) £150­250

8 A pair of small commemorative drinking glasses of horse racing interest, 19th century, the round funnel bowls engraved ‘Success to Silver, Dale’ beneath a narrow foliate band, the base of each bowl cut with lappets, raised on low plain stems, 10cm. (2) £100­150

9 Five English drinking glasses, c.1750­60, including a pair of small wine or gin glasses with bell bowls over plain stems and folded feet, a small glass with pan­topped bowl over a swollen airtwist stem, a large wine glass with drawn trumpet bowl over a teared stem, and a small drawn trumpet glass with plain stem and heavy conical foot, 15.8cm max. (5) £150­250

10 A set of four small wine glasses, c.1760, the ogee bowls moulded with vertical ribs, raised on multi­series opaque twist stems and conical feet, 15.3cm. (4) £150­250

Provenance: the collection of Derek Horton

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11 An ale glass, c.1760, the slender funnel bowl raised on a dense opaque twist stem with swollen central knop, 18.7cm. £200­300 Provenance: the collection of Derek Horton.

12 A London­decorated ale glass, c.1770, gilded in the atelier of James Giles with crossed stems of barley, the reverse with small flower sprays, the slender round funnel bowl raised on a facet cut stem, 19cm. £500­800

13 A rare cider and perry glass, c.1780, the deep funnel bowl finely engraved to one side with a fruiting apple branch, to the reverse with two pears on a leafy branch, raised on a low knopped stem, 14.7cm. £250­350

14 An ale glass, c.1760, the slender ogee bowl moulded with vertical flutes, raised on a multi­series opaque twist stem above a conical foot, 19cm. £200­300

Cf. Geoffrey Walton, English Cider and Perry Glasses of the 18th Century, p.60, no.29 for an identical pair in Hereford Cider Museum.

Provenance: the collection of Derek Horton.

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See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

15 A Scottish Jacobite wine glass, c.1760, the generous round funnel bowl engraved with a star above a thistle, and with a large rose and bud spray, raised on a double­knopped airtwist stem over a conical foot, 17cm. £800­1,200 Provenance: the collection of Derek Horton.

17 A large wine glass or goblet, c.1760, the generous rounded bowl engraved with a continuous band of fruiting grapevine, raised on a double series opaque twist stem and conical foot, 18cm. £150­250

16 A small botanical wine glass, c.1760, the round funnel bowl engraved with a large naturalistic flower, the reverse with a butterfly, raised on a cable £250­350 latticinio twist stem and a conical foot, 15cm.

Provenance: the collection of Derek Horton.

18 A Jacobite ale glass, c.1760, the slender funnel bowl engraved with a large rose and bud spray, raised on a double­knopped airtwist stem and conical foot, 20.4cm. £600­800 Provenance: the collection of Derek Horton.

5

19 Two small Continental drinking glasses, late 17th/18th century, a wine with bucket bowl raised on a hollow balustroid stem over a domed folded foot, and a cordial glass, the bell bowl with a solid teared base, over a multi­series opaque twist stem, 14.3cm max. (2) £100­200 Provenance: Professor & Mrs P H Plesch Collection.

20 Three small wine glasses, c.1750­70, one with an ogee bowl engraved with a spray of lily­of­the­valley and a knopped plain stem and folded foot, another ogee bowl over an opaque twist stem, and a round funnel bowl cut with polished circles over a faceted stem, with a large Continental wine glass over a Silesian stem and folded foot, 16.5cm max. (4) £150­250 Provenance: Professor & Mrs P H Plesch Collection.

21 A pair of wine glasses, c.1750­60, the bell bowls engraved with a continuous band of fruiting grapevine, a small wine glass with round funnel bowl engraved with a rose bud spray, raised on a plain stem with a shoulder knop, and a small wine or cordial glass with a round funnel bowl over a plain stem and folded foot, 17cm max. (4) £150­250

22 Two large wine glasses or goblets, c.1760, with ogee bowls, one engraved with a sunflower and a bird, on a plain stem, the other with a continuous floral border, over a spiral mesh opaque twist, a large glass on a multi­series opaque twist stem, and a sweetmeat or mead glass on a Silesian stem and domed foot, the third glass with a replacement foot, 20.5cm max. (4) £150­250

23 A Continental small wine or cordial glass, 18th century, France or Low Countries, with bell bowl raised on an incised twist stem and folded foot, and a small soda glass wine with a moulded conical bowl raised on a slender stem over a conical foot, 15.5cm max. (2) £100­200

24 Five small wine glasses, c.1760­80, with round funnel and ogee bowls, one engraved in the Jacobite manner with a rose and butterfly, another cut with a rose and raised on a faceted stem, one engraved with an armorial shield inscribed ‘Ossac’, two moulded bowls raised on multi­ series opaque twist stems, some footrim nibbles, 16.2cm max. (5) £150­250

Provenance: Professor & Mrs P H Plesch Collection.

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See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

25 Five drinking glasses, c.1740­50, three wine glasses with drawn trumpet bowls rising from plain stems, a bell bowl wine on a plain stem and folded foot, and a small wine or cordial glass with round funnel bowl on a plain stem and folded foot, one foot trimmed, 19.4cm max. (5) £200­300 Provenance: Glen House, Bruton.

27 A large toasting glass or goblet, c.1740, the drawn trumpet bowl rising from a plain faceted stem enclosing a single tear, over a folded conical foot, the facet cutting of a later date, 23.8cm. £100­200 Provenance: Professor & Mrs P H Plesch Collection.

26 Seven English drinking glasses, c.1740­65, including a Lynn glass, three wine glasses with bell bowls raised on airtwist and opaque twist stems, a small wine or cordial glass on a plain stem with basal knop and folded foot, a wine with a bucket bowl on an airtwist stem and an ogee bowl on a multi­ series opaque twist stem, some feet trimmed, 18cm max. (7) £200­300

28 A small and early cordial glass, 17th century, the funnel bowl over a flat collar above a hollow baluster stem and folded conical foot, the metal of a grey hue, 12cm. £150­250

29 A large sweetmeat glass, c.1750, the wide panel­moulded bowl rising from a Silesian stem enclosing a long tear, over annulated collars and a domed and folded foot, 16.7cm. £100­200

Provenance: Professor & Mrs P H Plesch Collection.

Formerly the Strickland Collection and sold at Sotheby’s, 28th March 1966, lot 29.

Provenance: Professor & Mrs P H Plesch Collection.

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30 A small heavy baluster glass, c.1710­20, the bell bowl with a solid base enclosing a single tear, raised on a stem with a flattened knop over a true baluster section enclosing a long tear, over a domed folded foot, 16cm. £500­800

31 A baluster wine glass, c.1730, the large bell bowl with a solid teared base, the stem with a shoulder knop above a true baluster enclosing a long tear, over a basal knop and conical foot, 18.5cm. £500­800

32 A rare baluster wine glass, c.1710, the conical bowl rising from a ball knop over a large acorn knop enclosing a long tear, with a small basal knop over a folded conical foot, 17cm. £800­1,200

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See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

33 A light baluster goblet, c.1740, the generous bell bowl with a solid teared base, raised on a stem with annulated knop over a baluster section enclosing a tear, above a basal knop and folded conical foot, 17.7cm. £250­350

34 A deceptive baluster dram glass, c.1710­20, with a thick­walled funnel bowl rising from a teared knop over a short plain stem, all on a folded conical foot, 12.5cm. £500­800

35 A large wine glass, c.1750, the bell bowl engraved with a continuous formal foliate border, the bowl with a solid base enclosing a large bead, over a plain stem and conical foot, 17cm. £200­300

36 A Newcastle light goblet, c.1740, the generous bell bowl finely engraved with birds in cages suspended from formal foliate scrolls linking trellis designs, raised on a balustroid stem with teared knops, over a conical foot, 20.3cm. £500­800

Provenance: the collection of Derek Horton.

Provenance: the collection of Derek Horton.

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37

37

38

39

A tall wine glass or flute, c.1750, the drawn trumpet bowl rising from a double mercury twist stem over a folded conical foot, 18.5cm. £200­300 Provenance: the collection of Derek Horton.

38

A cordial glass, c.1760, the small round funnel bowl raised on a thick multi­series airtwist stem over a conical foot, 16cm.

39

A ratafia glass, c.1770, the slender funnel bowl cut with swags of polished ovals, raised on a faceted stem above a conical foot, 16.7cm.

£150­250

Provenance: the collection of Derek Horton.

£300­400

40

A tall cordial glass, c.1750­60, the small round funnel bowl with stipple moulding, raised on a long double airtwist stem and conical foot, 18.2cm. £250­350

41

A triple knopped wine glass, c.1760, the bell bowl with a solid base, raised on a double series opaque twist stem with shoulder, central and basal knops, over a conical foot, 16.6cm. £150­250 Provenance: the collection of Derek Horton.

42

A small mixed twist wine glass, c.1760, the cup bowl raised on a mixed twist stem comprising thin opaque white strands spiralling around an air cable, over a conical foot, 13.8cm. £150­200 Provenance: the collection of Derek Horton.

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41

42

See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

43 A Dutch­engraved baluster glass, c.1730­40, the round funnel bowl engraved with a formal border including lovebirds perched on foliate scrolls, raised on a baluster stem with shoulder and basal knops over a conical foot, 19cm. £200­300

44 A Dutch engraved armorial ‘Orangist’ goblet, c.1745, the round funnel bowl finely engraved with the arms of William Henry, Prince of Orange, flanked by bands of flowers and leaves, raised on a teared baluster stem over a wide domed foot, 18.7cm. £700­900 Green collector’s number for Walter F. Smith.

45 A Newcastle light baluster armorial goblet, c.1740, the funnel bowl engraved with two lions flanking a shield bearing a further lion holding a scimitar, beneath a crown, raised on a balustroid stem with a beaded baluster section between basal and shoulder knops, over a conical foot, 19.2cm. £800­1,200

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46 A Williamite wine glass, c.1760, the round funnel bowl engraved with a portrait of the king on horseback beneath a ribbon banner inscribed ‘The Glorious Memory of King William III’, raised on a plain stem and conical foot, 14.2cm. £400­600 Provenance: the collection of Derek Horton.

47 A rare military ale glass, c.1760, the slender funnel bowl engraved with the star insignia for the Order of the Garter beneath a ribbon banner engraved ‘Thos Wilkinson Bath’, raised on a multi­series opaque twist stem and conical foot, 17.8cm. £300­500 Provenance: the collection of Derek Horton.

46

47

48 A wine glass, c.1760, the round funnel bowl engraved with a continuous band of fruiting grapevine, raised on an airtwist stem with vermiculite collar, over a conical foot, 16.8cm. £250­350 Provenance: the collection of Derek Horton.

49 A cordial glass, c.1760­70, the small ogee bowl with stippled moulding around the base, raised on a multi­series opaque twist stem and conical foot, 14.7cm. £150­250

48

49

50 A cordial glass, c.1760, the small round funnel bowl raised on an airtwist stem with shoulder knop, over a conical foot, 14.5cm. £250­350 Provenance: the collection of Derek Horton.

51 A small glass goblet, c.1760, the generous round funnel bowl raised on a balustroid type stem enclosing a dense airtwist, 15.8cm. £150­200 Provenance: the collection of Derek Horton.

50 12

51

See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

52 A small cider glass, c.1750, the ogee bowl engraved to one side with a fruiting apple branch, the reverse with crossed apple sprays, raised on a plain stem above a folded foot, 16cm. £800­1,200 Provenance: the collection of Derek Horton.

Cf. Geoffrey Walton, English Cider and Perry Glasses of the 18th Century, p.37, no.6 for an identical example in the Hereford Cider Museum.

53 An Irish Williamite glass, c.1750­60, the bucket bowl engraved to one side with a profile portrait of King William beneath the inscription ‘The Immortal Memory’, the reverse with a crowned harp flanked by fruiting sprays of grapevine, raised on a thick plain stem and heavy conical foot, 15.3cm. £800­1,200 Provenance: the collection of Derek Horton. Formerly in the collections of Paul Kettle and Niall Kenny (paper labels).

54 A commemorative wine glass for the Loyal Belfast Volunteers, c.1770, the rounded funnel bowl engraved with crossed flags inscribed ‘Liberty’ and ‘Free Trade’, the reverse with ‘Loyal and Determined’, raised on a double series opaque twist stem, 14.7cm. £1,000­1,500

55 A large ale glass or goblet, c.1760, the large ogee bowl finely engraved with St George on horseback, slaying the dragon, flanked by barley stems, the reverse with a spray of hops, raised on a thick plain stem above a conical foot, 19cm. £500­800

Provenance: the collection of Derek Horton.

Provenance: the collection of Derek Horton.

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56 An unusual wine glass, c.1760, the ogee bowl engraved with a figure fishing from a riverbank beside small buildings, raised on a multi­series airtwist stem and conical foot, 16.7cm. £300­500

57 A large goblet or toasting glass, c.1750, the deep bowl raised on a thick multi­series opaque twist stem and conical foot, 23cm. £150­250

Provenance: the collection of Derek Horton.

58 A large cut glass goblet or toasting glass, dated 1834, engraved with crossed spears above the date 1834 between leafy branches, cut with foliate designs above a dense diamond band, raised on a circular starcut foot, 22cm. £100­150 Provenance: the collection of Derek Horton.

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59 A small botanical wine glass of possible Jacobite significance, c.1760, the waisted bell bowl finely engraved with a tulip and a flying insect, raised on a double cable airtwist stem and conical foot, 15.3cm. £200­300

See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

60 Eight sweetmeat glasses, c.1740­ 60, with ogee bowls, a small pair cut with circles and swags on faceted stems, two larger with narrow engraved borders on knopped facet cut stems, two plain and raised on pedestal stems and domed feet, one moulded and raised on a plain stem with central beaded knop, a smaller with a low beaded knop, 18cm max. (8) £600­800 Provenance: Glen House, Bruton.

60

61 A massive Bohemian glass beaker, early 19th century, the flared form engraved with stylised vignettes of birds, buildings and flowers on a foliate scroll ground, and a smaller beaker engraved with heart shapes beneath an ovolu border, 25.5cm max. (2) £200­300

62 A large glass tumbler for cider or ale, c.1805­10, the flared form engraved with the initials ‘GJR’ in a cartouche surmounted with a basket of apples and grapes, and a footed rummer engraved with a ship sailing beneath Sunderland Bridge, 13.4cm max. (2) £200­300

63 Five jelly glasses, late 18th century, moulded and raised on short knop stems, a wine funnel and a rare opaque glass wall pocket of twisted cornucopia form, 22.7cm max. (7) £100­200

64 A Jacobite wine glass, c.1760, the drawn trumpet bowl engraved with a large rose and bud spray over a dense airtwist stem, and a small firing glass with ogee bowl over a short opaque twist stem and ridged foot, 16.8cm max. (2) £400­600

Provenance: the collection of Derek Horton.

Provenance: a private collection from Essex.

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65

66 65 A small Dutch gin or cordial glass, 17th century, the slender bell bowl with diamond point engraving of continuous fruiting foliate branches, raised on a low baluster stem with basal knop, crizzling, 11.5cm. £150­250 Provenance: Professor & Mrs P H Plesch Collection. Formerly the Strickland Collection.

66 A large French glass goblet, late 17th/early 18th century, the deep funnel bowl rising from a hollow square baluster stem over a wide folded foot, 23.3cm. £400­600

67

Provenance: formerly the Christopher Minns Collection. Paper label for Christie’s, 13th November 1993, lot 117.

67 A large Venetian glass footed bowl, c.16th/17th century, the circular form with flared straight sides and folded everted rim, rising from a tall foot, 35.5cm dia. £800­1,200

68 A façon de Venise tazza, late 16th/17th century, the fine glass of a pale yellow hue, the wide undulating bowl with moulded ribs and everted rim, set on a hollow inverted baluster stem over a small flat foot, 16.1cm high. £800­1,200 Cf. Museum für Kunsthandwerk, Frankfurt, catalogue Glas, p. 71, fig. 131 and p. 81 for a similar tazza. Another tazza also related in shape in the Museo Vetrario, Murano, was shown in the 1000 Years of Venetian Glass exhibition, Correr Museum 1982, p. 116, no. 145.

68 16

See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

70

69 69 A façon de Venise (Bohemia) small bowl, c.1700, in vetro a reticello with a network of latticinio throughout the bluish­grey metal, raised on an applied foot, 8cm high. £300­500

70 A small Continental soda glass bowl, 17th century, the cylindrical body with stipple moulding and an everted folded rim, with a shallow kick­in base, the metal of a pale green hue, 10.7cm dia. £250­350 Provenance: Professor & Mrs P H Plesch Collection.

71 71 A small glass cream jug and sugar bowl, c.1700, thinly blown with moulded ribs, a soda glass water jug, moulded with vertical ribs and rising to a folded rim, and a pair of Venetian finger bowls, 19th century, the rounded forms edged in cobalt blue, 19.5cm max. (5) £200­300 Provenance: Professor & Mrs P H Plesch Collection.

72 A part suite of glass, late 19th/early 20th century, etched possibly by A P Hagg of Kenilworth with continuous equestrian scenes of figures on horseback. Comprising: a decanter and stopper, a bowl or rinser, six narrow tumblers and three wine glasses, 32.7cm max. (12) £300­400 Provenance: the collection of Derek Horton.

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73 A baluster tazza, c.1725, the wide circular top with a galleried rim, raised on a hollow baluster stem above a basal knop and domed folded foot, 25cm dia. £150­250

74 A large glass tazza, c.1760, the wide galleried top raised on a Silesian pedestal stem between annulated rings, over a domed folded foot, 39.5cm dia. £150­200 Provenance: the collection of Derek Horton.

75 A Regimental glass decanter and stopper, c.1800, the mallet shape engraved with the Prince of Wales feathers above the motto ‘Ich Dien’ and the number 82, the tapering neck applied with three faceted rings, with bullseye stopper, 26.5cm. (2) £150­250

76 A small Irish glass decanter and stopper, c.1810­20, of Prussian form, engraved with a three­masted ship at sail, the reverse with the initials ‘IDB’ between two thistles, above vertical moulded flutes, with moulded bullseye stopper, 23.3cm. (2) £100­200

77 A very large glass tazza or salver, c.1750­60, the wide flat top with a galleried rim, raised on a spreading folded foot, 39.5cm across. £400­600

78 A pair of glass carafes and matching rinsers, early 19th century, finely engraved with a continuous design of split pomegranates and bell flowers or stylised tulips, 19cm. (4) £250­350

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See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

79 A pair of cut glass decanters and stoppers, early 19th century, cut with a hobnail band around the shoulders, applied with three large neck rings, with starcut mushroom stoppers, 26.3cm. (4) £200­300

80 A pair of Irish glass decanters and stoppers, c.1800, the mallet bodies cut with a continuous undulating foliate band, the tapering necks applied with three rings, each with a cut glass mushroom stopper, 27cm. (4) £200­300

81 A pair of Waterford crystal glass ‘Master Cutter’ claret jugs and stoppers, 20th century, the spherical bodies deeply cut with diamonds, raised on circular starcut feet, with faceted globe stoppers, 28cm. (4) £200­300

82 Two cut glass jugs, 1st half 19th century, cut with hobnail bands and diamond designs beneath faceted borders, the rim with ridges, 15.5cm max.

(2) £100­150

83 A heavy Port decanter, c.1770, the squat mallet form engraved with a titled bottle ticket, and a heavy decanter and stopper of unusual seven­ sided star shape, ridged to the underside, the neck of the Port decanter reduced, 23.6cm max. (3) £150­200

84 Two cut glass claret jugs, 19th century, one cut with vertical flutes, the other with fabric swags above vertical lappets, with starcut mushroom stoppers, 24.7cm max. (4) £200­300

Provenance: the collection of Derek Horton.

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85 Four cut glass decanters and stoppers, 19th century, variously cut with hobnail bands, lappets and ribs, two with starcut bases, three with varying mushroom stoppers, the largest with a ball stopper, 28.5cm max.

(8) £200­300

86 Four glass decanters and stoppers, late 18th/19th century, the smallest of Prussian shape with three neck rings, another applied with trailing to the shoulder and foot, a small decanter cut with a wide hobnail band, and a cut glass carafe with pineapple cutting, 25cm max. (9) £150­250

87 Five cut glass water jugs, 19th century, of varying size, cut with horizontal bands, vertical lappets and other designs, the largest with an oval panel engraved with the initials AJ, another engraved with the letter C, 20cm max.

(5) £150­250

88 A cut glass vase, 19th century, the flared form raised on a circular foot and cut with a diamond design, a U­shaped vase or glass cooler, and two footed bowls raised on starcut circular feet, 21cm max. (4) £150­200

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See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

89 A pair of small cut glass decanters and stoppers, 19th century, the squat bodies cut with hobnail panels, and a cut glass water jug with a band £150­250 of hobnail cutting between horizontal ribs, 23cm max. (5)

90 A cut glass preserve jar and cover, 19th century, the spherical form heavily cut, the cover with a spoon aperture, a large celery vase cut with fan panels to the rim, and a caddy liner with a hobnail band, all with starcut feet, 20cm max. (4) £100­200 Provenance: the collection of Derek Horton.

91 A cut glass butter tub with cover and stand, early 19th century, another covered bowl or tub raised on an octagonal foot, a sweetmeat jar and cover with moulded ribs, a hobnail cut bowl or cooler, and a boat­ shaped dish or bowl, 22.3cm max. (9) £150­250

92 A heavy cut glass decanter and stopper, 19th century, cut with rounded vertical bands and horizontal ridges to the neck, with a starcut mushroom stopper, and two cut glass tea canisters and stoppers, one cut with hobnail bands, the other with fan panels, 25.3cm max. (6) £100­200

93 Two pairs of cut glass cruet or condiment bottles and stoppers, 19th century, the smaller pair cut with a spiralling design, the large pair with bands of lappets, three small cut glass bowls and covers, a pair of silver­mounted cut glass bowls and a third small bowl or salt, 20cm max. (17) £200­300

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94 A St Louis cut glass suite in the ‘Tommy’ pattern, c.1930, cut with vertical flutes above a diamond band and raised on star cut feet. Comprising: a water jug, three decanters and stoppers, 13 red wine glasses, 16 white wine glasses, six highballs, 13 bowls or rinsers with 11 stands. (66) £2,000­3,000 The Tommy pattern was designed in 1928 by Joseph Bleichner to commemorate 10 years since the end of the First World War. It was inspired by the poems of Rudyard Kipling, and named after the British colloquial term for a common soldier. The pattern became well-known in 1938 when the president of France invited George VI to a banquet at Versailles.

part

95 A large suite of Bohemian glass, 1st half 19th century, the vertical faceted forms decorated with gilt fabric and flower swags suspended from ribbons, the faceted stems with small gold stars. Comprising: seven decanters of varying form, six with stoppers, four carafes, a pouring jug, a glass tray, five rinsers, two goblets, five small handled mugs, four tumblers, 18 wine glasses and a liqueur glass. (54) £400­600

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See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

96

97

96 A cut glass pineapple stand, 1st half 19th century, the waisted form cut with horizontal ridges and diamond designs, with a wide spread foot, with a small matching insert or cover, 22.7cm across. (2) £150­250

97 A pair of cut glass lustre candlesticks, early 19th century, raised on hollow faceted baluster stems above drip pans hung with six lustres, with removable sconces, raised on square feet, 24cm. (4) £300­400 Provenance: the collection of Derek Horton.

98 A Low Countries glass jar and cover, 18th century, with a squat moulded body and spiral knop, an early amber glass salt raised on a spreading foot trailed in white, and a glass bell with a small colour twist to the handle, engraved with stylised foliate sprays, 13cm max. (4) £150­200

99 A collection of blue glass, late 18th/19th century, including a facet cut cooler, a bell­shaped mug, two small glasses with moulded bowls, a pair of cut glass salts, a bell, a hearing trumpet and a pipe, together with a clear glass hearing trumpet and a mug, 22cm max. (11) £150­250

98

100 A set of three blue glass decanters and stoppers, c.1800, of mallet shape, each gilded with a chamfered bottle ticket variously inscribed ‘Rum’, ‘Hollands’ and ‘Brandy’, an associated stopper to one, 23.5cm. (6) £150­200 23

101 A large double magnum wine bottle, c.1740, the mallet body with a kick­in base and a short tapering neck rising to a string rim, the neck with a £100­150 slight lean, 31cm.

102 A small glass wine bottle, early 18th century, of onion shape, the squat body with a kick­in base and short tapered neck with string rim, surface degradation, 12.3cm. £400­600

Provenance: Glen House, Bruton.

103 A large Nailsea glass vase or bottle, c.1841, modelled as a pair of bellows in red glass with white striations, with clear trailing and handle applications, applied with three feathers for the Prince of Wales, raised on a knopped stem and circular foot, 33cm. £150­200 Possibly made to celebrate the future Edward VII being made Prince of Wales in December 1841.

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104 A pair of decalcomania bottles, 19th century or later, interior decorated with birds, animals, figures and flowers, each sealed with a cork, 25cm. (2) £100­200

105 A glass decanter and stopper by August Böhm Jr., c.1870, the slender cylinder bottle overlaid in green and engraved with a jockey seated on the back of a horse, beneath stylised fruiting grapevine, the neck cut with vertical flutes, signed ‘A. Böhm’, 37.5cm. (2) £500­800 August Böhm Jr (1848-1910) was taught by his father of the same name. August Böhm Sr (18121890) was one of the finest glass engravers of the 19th century. The younger August Böhm settled in England and worked in Stourbridge. It is likely that a series of these distinctive bottle-shaped decanters engraved in the Bohemian style and signed A Böhm are British productions by the younger engraver.

See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

106

107

106 A glass lemonade jug and two goblets, late 19th/20th century, with a white opaline body, the handle and glass stems of rich green uranium glass, 24cm max. (3) £160­200

107 An Amberina lemonade set, late 19th century, the two­tone glass with spiral moulding and decorated in raised gilt with flower and leaf sprays, comprising a lemonade jug and six tumblers applied with twist handles, 27.5cm max. (7) £100­150

108 A Staffordshire opaque glass milk or cream jug, c.1755, of baluster form, raised on a low foot and applied with a loop handle, and a small bottle vase with pale buff striations, 12cm max. (2) £150­250

109 A fine French opaline glass vase, mid 19th century, possibly Baccarat and painted by or in the manner of Jean­François Robert with a colourful songbird perched on branches of flowering lilac, on a white ground between gilt rims, the gilding worn, 37cm. £800­1,200

108

110 Two Bohemian glass beakers (ranftbecher), late 19th century, one pale blue glass overlaid in white and cut with ovals, the other faceted and enamelled with flower sprays over ruby panels, and a Wien goblet and cover, flashed in amethyst and engraved with a long staircase between buildings on a heavy cut ground, raised on a facet stem and square foot, etched mark to the base, 28cm max. (4) £200­300 25

111 A St Louis glass small tazza or sweetmeat dish, c.1850, the shallow bowl raised on a baluster stem and flat foot, with spiralling latticinio swirls in white, crossed with red threads at the edges, 10cm high. £200­300

112 A St Louis glass goblet, mid 19th century, the round funnel bowl raised on a baluster stem, with latticinio spirals in deep blue and white, 15.6cm. £200­300

111

112

113 A Clichy glass vase, 19th century, the deep rounded form raised on a circular foot, decorated with wide spiralling stripes in blue and white, 17.2cm. £200­300

114 A St Louis glass goblet, mid 19th century, the tall round funnel body raised on a low knop stem, with spiralling latticinio threads, the goblet’s rim with a red and white twist border, 12.5cm. £200­300

113

114

115 A latticinio glass vase, 19th century, the opaline body cased in clear glass with blue spirals and pink vertical stripes, with a flared and crimped rim, 20.3cm. £120­150

116 A Baccarat sugar bowl and cover, 19th century, the shaped form decorated with spiralling latticinio threads, overlaid with turquoise blue stripes, 13cm high. (2) £300­400

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115

116

See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

117 A large Clichy barber’s pole paperweight, c.1850, set with a Clichy rose and two concentric bands of assorted canes reserved on a ground of interlaced blue and white latticinio spirals, with further latticinio twists visible to the underside, 8cm dia. £200­300

118 A large Baccarat millefiori paperweight, dated 1847, set with a multitude of colourful canes including animal silhouettes and a date cane for 1847, 7cm dia. £500­800

119 A small Baccarat latticinio paperweight, dated 1847, set with colourful floral and silhouette canes against a jumble of latticinio canes, date cane for 1847, 5.8cm dia. £400­600

120 A miniature Baccarat millefiori paperweight, dated 1848, set with a multitude of colourful canes including animal silhouettes and a date cane for 1848, 4.8cm dia. £250­350

Provenance: a private collection from Essex.

Provenance: a private collection from Essex.

Provenance: a private collection from Essex.

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A PRIVATE COLLECTION OF POISON BOTTLES

121 A large Death’s Head poison bottle, late 19th century, the glass a rich cobalt blue, formed as a skull with ‘Poison’ embossed across the forehead, moulded with crossed bones beneath the base, the reverse moulded ‘Pat Appl’d for’, traces of gilding to the eyes and teeth, a repair to the end of one of the bones, 11cm. £400­600

122 A Death’s Head poison bottle of medium size, late 19th/early 20th century, the glass a rich cobalt blue, modelled as a skull with ‘Poison’ embossed across the forehead, beneath the base moulded with crossed bones, between them inscribed ‘Pat/June/28th/1894’, 9cm. £800­1,200

Provenance: a private collection from Essex.

Provenance: a private collection from Essex.

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123 A small Death’s Head glass poison bottle, late 19th/early 20th century, the glass cobalt blue, modelled as a skull with ‘Poison’ embossed across the forehead, the base moulded with crossed bones, between them inscribed ‘Pat/June/28th/1894’, 7.2cm. £1,000­1,500 Provenance: a private collection from Essex.

See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

124 A rare Chandler & Co. cottage ink bottle, of pale blue tone, moulded with diamond paned windows flanking a front door, a water butt to the side, the opening rising from the chimney, embossed mark to the base, some nibbling around the top, 7.2cm. £1,000­1,500

125 A rare Submarine poison bottle, the glass of a deep cobalt blue, moulded with ‘Poison’ between ridged bands, beneath the base inscribed ‘Registered No. 336907’ outside of four stud feet, 10cm across. £800­1,200

Provenance: a private collection from Essex.

Provenance: a private collection from Essex.

126 A Morgan’s Practical Poison bottle, the flattened hexagonal form a rich cobalt blue, moulded with ‘Not to be Taken’ between six bands of crosses, and a pale turquoise glass Crosse & Blackwell bottle, of hexafoil form, rising to a slender knopped neck, 10cm max. (2) £80­120 Provenance: a private collection from Essex.

Very few examples of this shape are recorded with the stud feet.

127 Two glass target balls, c.1880­1900, one of amber hue and moulded around the circumference with ‘Charlottenburg Glashutten Dr A Frank’, the other cobalt and inscribed ‘N B Glassworks Perth’, and a Hardens Star globe fire extinguisher, moulded with a star emblem and inscribed ‘Hardens Hand Grenade’, some chipping, 15.3cm max. (3) £100­200 Provenance: a private collection from Essex.

128 A group of nine glass bottles, late 19th/20th century, including an R White & Son Ltd green lemonade bottle, a G Handyside Blood Food bottle in olive green, a Barrett & Co bottle, Batey & Co Suprema bottle, a large cobalt blue Poison bottle, a clear glass Lamb & Flag bottle, a Castle Brewery, Guildford bottle, and a Warner’s Safe Cure bottle, 25cm max. (9) £150­250 Provenance: a private collection from Essex.

END OF COLLECTION

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129 A collection of coloured glass scent bottles, 19th and 20th centuries, including two flashed in blue and cut with geometric designs, another flashed in white over cranberry, two double­ended in ruby and emerald glass, five of coloured glass with silver mounts, a pair of cranberry glass bottles with gilt panelled decoration, a Bohemian glass bottle enamelled with flowers, and an amber glass flask formed as a boot, 12.5cm max. (23) £200­300

129

130 A collection of glass scent bottles, 19th and 20th centuries, including nine with gilt or silver metal mounts, three 1980s Murano glass scent bottles with coloured glass stoppers, a cut glass diffuser with a red tassel, a leaf­ shaped bottle with a green tassel, and a facet cut burner, 11.3cm max. (17) £150­250

131 Four French glass latticinio scent bottles, mid 19th century, of Clichy type, decorated with spiralling coloured threads between fine white lines, with gilt metal mounts, a Venetian­style spiral scent with latticinio threads, and a small scent flask with pink marbling, 9cm max. (6) £200­300

130

131 30

132 Three Chinese glass scent or snuff bottles, modern, one opaque and enamelled with birds and flowering plants, two with interior paintings of Chinese ladies in garden settings, all with hardstone stoppers, a miniature Chinese double vase painted with chickens, and a miniature bottle vase with flower sprays in underglaze blue, 8cm max. (5) £100­200

132

See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

133 Two miniature opaque white glass scent bottles, c.1760, possibly South Staffordshire, one square form painted with chinoiserie figures alternating with panels of flowers, the sides and corners facet cut and picked out with gilt leaves, the other painted in orange monochrome with landscape scenes and titled ‘All in nature is love’, each with a gilt metal screw cap, 4.8cm max.

(2) £200­300

134 An English opaque glass scent bottle, c.1760­70, the faceted form probably decorated in the London atelier of James Giles with a woman carrying a child or doll between brick plinths, the reverse with birds perched on flowering branches, the sides and shoulders with gilt foliate motifs, with £250­350 internal glass stopper and a gilt screw cap, 7.4cm.

135 A small blue glass scent bottle, c.1780, decorated in the London atelier of James Giles with stylised foliate sprays and narrow formal panels, with a clear glass internal stopper and silvered metal mount, a clear glass scent bottle with gilt decoration, and a Roman glass flask of flattened circular form, 8.2cm max. (3) £250­350

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136 A German porcelain scent bottle, c.1770, modelled as a young boy and a goat frolicking around a central column entwined with grapevine, and another modelled with a couple embracing beside a dog and a lamb, after a Meissen model, each with gilt metal mounts, the domed undersides gilded with a flowering rose spray, the latter broken and £200­300 repaired, 8.1cm max. (2) 137 A Chelsea scent bottle, c.1762, modelled as Apollo chasing Daphne as she transforms into a tree issuing from her raised arms and head, beneath the domed base decorated with a gilt flower sprays and inscribed ‘Rendez Vous A L’Amour’ in red, with gilt metal mounts, the stopper with a later glass insert, 9.5cm. £300­500 136

137

Provenance: formerly the Ernesto Blohm Collection, no. 88.

138 A collection of porcelain scent bottles, 18th­20th centuries, including a pair of flattened rectangular bottles, probably Vienna, painted with flowers, a small pair of Copenhagen bottles, three egg­shaped bottles, a Samson copy of a Chelsea bottle of lovers, a Meissen­style miniature ewer applied with flowers, an English porcelain double­flask with Oriental design, and several silver­ mounted bottles, 10cm max. (15) £100­200 139 Seven porcelain scent flasks or bottles, 19th/20th century, two miniature and decorated in green, claret and gilt, two shield shaped, variously decorated with flowers and gilt initials, the last Royal Worcester and printed in blue with the Broseley pattern, 9.5cm max. (7) £100­150

138

140 A London­decorated Chinese porcelain scent bottle, 18th century, the flattened form painted in a London atelier with rose and tulip sprays, and a Worcester coffee cup painted in famille rose enamels with two quail beside bamboo and a flowering peony, the neck of the scent bottle reduced, 5.8cm max. (2) £150­250 Provenance: formerly in the Billie Pain Collection.

139 32

140

See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

141 A St James (Charles Gouyn) scent bottle, c.1750­59, modelled as a girl seated with a basket of fruit on her lap and reaching up with her right hand to pick grapes growing up a column behind her, inscribed ‘Pour Mon Amour’ around the foot, the underside painted with a single pink rose, with gilt metal mounts linking the rose stopper, a little good restoration, 8.3cm. £1,000­1,500

143 A gold­mounted miniature Chinese vase or scent bottle, probably late 17th/early 18th century, the mounts later, the pear­shaped body painted with flower sprays in underglaze blue, with an internal metal stopper, 7.6cm. £200­300

142 A Meissen figural scent bottle, c.1780, modelled as a gallant in pink jacket and yellow breeches, carrying a dog that looks over his right shoulder, the dog’s head forming the stopper with gilt metal mounts, blue crossed swords and star mark for the Marcolini period, some good restoration to the £200­300 hat, 10.2cm.

144 A Meissen double scent bottle, c.1740, modelled as a provender to the monastery, the barefoot monk carrying a basket of eggs and a dead bird, a sheaf of corn on his back concealing a young woman with feet protruding, his head and part of the sheaf forming the stoppers, underneath the domed base painted with flowers, blue crossed swords mark beneath a gilt star, a small amount of restoration to the corn, 8cm. £400­600

145 A Chelsea scent bottle, c.1760, the flattened flask form modelled as a bottle within a pale yellow basket with a gilt chain and fleur de lys bottle ticket, the neck painted with fruit and flowers, with a chased silvered metal mount, some staining and an extended firing crack, 8cm. £200­300

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147 146 A Copenhagen scent bottle, c.1770­80, of rococo­moulded flattened form, painted with courting couples in pastoral landscapes, the scrolls picked out in gilt, reserved on a pale pink ground, with a silver dolphin stopper, blue wave mark, 10.2cm. £200­300 146

147 A South Staffordshire enamel double scent bottle holder, c.1770­ 80, the flattened rectangular form painted with panels of figures and sheep in pastoral settings, reserved on a pale green ground, opening to reveal two £150­200 glass scent bottles and stoppers of square section, 5.8cm.

148 Three South Staffordshire enamel scent bottles, c.1770­80, of flask form, two painted with small flower sprigs and hearts within a gilt knot design, reserved on different coloured linen grounds, one with a silvered metal stopper, the last of flattened flask form and painted with a courting couple within a scroll moulded panel, the reverse with figures fishing, some losses, 7.4cm max. (3) £150­250 149 Two South Staffordshire enamel scent bottles, c.1770­80, one of hexagonal form and painted with floral panels reserved on a deep pink ground, the other of chamfered rectangular form and painted with birds perched on fruit, reserved on a pale green ground, with gilt metal mounts and stoppers, some damages, 8.2cm max. (2) £150­250

148

149 34

150 A large South Staffordshire enamel snuff box, c.1780, the circular form painted to the top with the Biblical scene of an angel freeing Peter from prison, the waisted moulded sides painted with floral panels within raised gilt cartouches on a puce ground, some restoration, 7cm across. £150­250

150

See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

151

λ 151 A Limoges shallow basket or dish, probably 19th century, painted in the 17th century manner of Joseph Laudin with a faun remonstrating with a figure about to sacrifice a goat, within a panelled rim of birds and flowers, a small Limoges enamel dish painted with a putto gazing at his reflection in a river, and a tortoiseshell box and cover set with an enamel panel of a winged figure, possibly St Patrick, beset by snakes, in white on a blue ground, the dish with handles lacking, chipping, 14.5cm max. (4) £150­250 152 A pair of Birmingham or South Staffordshire enamel candlesticks, c.1770, the knopped stems painted in puce monochrome with landscape vignettes and scattered flower sprigs, raised on hexafoil feet, with gilt metal mounts, the removable drip pans pierced with a formal border, some damages and restoration, 27.3cm. (4) £400­600 153 A collection of 52 Halcyon days boxes, modern, including Christmas boxes for 1992, 1993 and 1996 to 2004, several year date Valentine’s Day boxes and others with tokens of love and esteem, all boxes, most with original certificates. (52) £200­300 154 A collection of 23 Halcyon Days Easter Eggs, modern, including dated year eggs from 1993, 1995 to 2000, and 2002 to 2005, the others variously decorated with flowers, patterns and inscriptions, all boxed and £200­300 many with original certificates. (23) 152

153

154 35

155 Two Continental porcelain snuff boxes, c.1780­ 90, one possibly Meissen and painted with scenes of putti at various pursuits beside statuary, the other Copenhagen and painted with flower sprays to the exterior, the interior with confronting cockerels, damages, 8.3cm max. (2) £200­300

156 A silver­mounted Mennecy double snuff box, c.1740­50, the rectangular form painted with flowers, with two hinged covers, and a small Doccia box painted with polychrome flowers including rose and tulip, with gilt metal mounts, damages, 8cm max. (2) £200­300

157 A Continental porcelain snuff box, c.1760­80, the canted rectangular form painted in purple monochrome with flower sprays, the interior lid with a basket of flowers, and a Meissen box base, 20th century, with an earlier associated cover, possibly Fürstenberg, painted in red monochrome with a courting couple in a landscape, blue crossed swords and dot mark, damages to the first box base, 8cm max. £150­250 (2)

158 A French enamel egg bonbonniere or box, late 18th century, decorated with gilt flower sprays within panels on a turquoise ground, and an unusual Paris porcelain snuff box, the triangular form painted with maritime landscapes within a raised gilt border, crossed arrows mark possibly for La Courtille, some cracking and chipping to the egg, 7.7cm max. (2) £150­250

159 No lot

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See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

160

160 A German porcelain rectangular snuff box, c.1760­70, possibly Fürstenberg, the interior lid painted with a colourful bird before a profusion of flowers, a landscape in the distance, the exterior top and sides with European flower sprays on a white ground, with gilt metal mounts, 8.3cm. £150­250 161 161 A Meissen gold­mounted scissor case, c.1750­60, painted with scenes of putti resting on clouds and playing with flower garlands, the gold mounts chased with a leaf scroll design, 12.1cm. £300­500

λ 162 A German porcelain etui, c.1760­70, possibly Meissen, the shaped form painted with winged putti balanced on or suspended from flower garlands, the base with a mask and motifs, with gilt metal mounts and full contents, 11.5cm. £150­250 Ivory Act Registration No: Q8DPQ7U.

163 A rare Oude Loosdrecht pipe bowl, c.1770, the deep cylindrical form painted in purple monochrome with a woman and child in a garden setting, blue G. Mo:L mark to the interior, 7.7cm. £300­500

162

163

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165

164

164 A rare and early Bear’s Grease pot lid, 19th century, of small size, printed with a black bear standing on all fours within the inscription ‘Bear’s Grease for the Hair’, within a continuous loop border, 5.8cm. £600­1,000 Provenance: a private collection from Essex.Acquired BBR, Summer National Auction, 7th July 2018, lot 7. Former catalogue description states the lid was mudlarked from the Thames by a builder working nearby.

165 A rare Wedgwood American subject black basalt intaglio seal, late 18th century, the small oval form bearing a profile portrait of Captain Nathan Hale beside the reversed inscription ‘My Country!!!’, the reverse impressed ‘Wedgwood’, 2.4cm. £200­300

166

Captain Nathan Hale was a Conneticut-born schoolteacher who worked as a spy against the British during the Revolutionary War. He was captured by the British in 1776 and hanged on 22nd September 1776 at the age of 21. His final words were reputed to be, “I only regret that I have but one life to lose for my country.” Hale has long been considered an American hero and was designated the state hero of Conneticut in 1985.

Josiah Wedgwood was a known American sympathiser, likely due in no small part to trade links. Nevertheless, Hale was a controversial figure in Britain and this seal may have been a single commission or limited production for a few trusted like-minded thinkers.

166 A pair of Wedgwood black basalt plaques, 19th century, of the Marriage of Cupid and Psyche, each modelled by John Flaxman with four putti, four small basalt portrait plaques of Classical figures and poets including Posidippus and Antinous, and two further portrait plaques of Georgian gentlemen, unmarked, 9.2cm max. (8) £200­300

167

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167 Four creamware wine or bin labels, c.1800, of coathanger form, three with rounded shoulders, variously titled in black with ‘Lisbon’, ‘Barsac’, ‘Whiskey’ and ‘Burgundy’, two small chips to one, 14.5cm max. (4) £150­250

See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

168 Five Wedgwood creamware wine or bin labels, c.1800, of coathanger form, variously titled in manganese with ‘Burgundy’, ‘Claret’, ‘Hock’, ‘Madeira’ and ‘Champagne’, impressed marks, 14.5cm. (5) £150­250

169 A rare part set of four London delftware wine or bin labels, c.1780, of coathanger form, each decorated in manganese with consecutive numbers 7, 8, 9 and 10, some crazing, 13.5cm. (4) £1,000­2,000 Cf. John C. Auston, British Delft at Williamsburg, p.113, no.117.

170 Four rare London delftware wine or bin labels, c.1780, of coathanger form, including a pair numbered 16 and 17, two others numbered 11 and 13 respectively, 13.6cm. (4) £1,000­1,500 Cf. John C. Auston, British Delft at Williamsburg, p.113, no.117.

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171 A rare St Ives stoneware Hamilton bottle, the grenade form impressed one side with ‘Stockers, Superior Effervescing Gingerade’, the reverse ‘St Ives Soda Water & Lemonade Manufactory’, with a silver­plated stand, the bottle 21cm. (2) £300­500 Provenance: a private collection from Essex.

172 A London delftware tavern measure, c.1780­90, naively decorated with a sponged blue floral design beneath a ribbed neck, 16.5cm. £100­200 Cf. Frank Britton, London Delftware, p.169 for a similar example.

173 A large stoneware wine barrel and cover, 2nd half 19th century, modelled on its side with a tap aperture, applied with fruiting grapevine picked out in silver lustre on a drab ground, 31cm across. (2) £150­200 171

172

174 A Westerwald stoneware jug, late 18th century, the grey baluster body incised with a large central flowerhead beneath feathered petals around the spout, 19.5cm. £100­200 175 A large Continental faïence water cistern and cover, 19th century, panted with a couple standing on the shore before ships at sail and another titled ‘Le Neptune’ and flying a French fleur­de­lys flag, the neck painted with the Russian Imperial arms, the shoulders and cover applied with pike and coral, 42.5cm. (2) £100­200

173

174 40

175

See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

176 A large brown stoneware mug, early 19th century, moulded with a plaque of A Midnight Modern Conversation after Hogarth, above a continuous hunting scene, with a silver­plated mount to the rim, 17.5cm. £150­250

177 A Fulham stoneware silver­mounted mug, c.1702­14, the lower half dipped in a pale buff slip, impressed with an excise mark with AR beneath a crown, the silver mount with GB maker’s marks, broken and repaired, 17cm. £600­800 Paper label for the Hines Collection.

178 A Westerwald stoneware Royal jug, 1st half 18th century, incised with a chequered design in blue and grey between lappet borders, applied £100­150 with a small roundel bearing the letters GR, 15.5cm.

179 A Westerwald stoneware Royal jug, 1st half 18th century, the rounded body incised with stylised foliate sprays around a central roundel with the letters GR beneath a crown, on a blue ground, the neck with a band of manganese, 15cm. £200­300

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180 A Parian model of a baptismal font, 2nd half 19th century, the sides moulded with figures and birds, raised on four columns flanking a central banded pillar over a square foot, the top with a glazed recess, a small chip, 18.8cm high. £200­300

181 A limited edition Wedgwood Jasperware copy of the Portland vase, c.1973, crisply applied in white with Classical figures and putti on a dark blue ground, the underside with a figure in a Phrygian cap, impressed marks including ‘No 11 AW 73’, 26cm. £500­700

182 A large Copeland Parian figure of a young girl and a dog, c.1862, modelled by Joseph Durham, seated on a rocky stump and holding a terrier type dog on her lap, the base titled ‘Go to Sleep’, impressed ‘Art Union of London’, the reverse impressed ‘J Durham Sc 1862’, her right forefinger lacking, 46cm. £100­200

183 A large post­medieval Tudor Green jug, 2nd half 16th century, the tall earthenware form decorated to the upper half in a rich apple green, with a wide strap handle, a crack to the rim, 28.3cm. £200­300

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See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

184 184 A Persian pottery vase, Qajar period or later, decorated with two women playing a stringed instrument, with birds and recumbent animals before a large building, on a blue ground, 19.5cm. £100­200

185

185 A large Hispano­Moresque armorial charger, late 19th/20th century, decorated in a golden lustre, the central embossed roundel with a shield including chevrons and fleur de lys, the moulded rim with a continuous formal foliate border, the underside with a foliate panelled design, 46cm. £100­200 186 Two Moroccan pottery dishes and a water bottle or guglet, 19th/20th century, decorated in geometric and stylised floral designs, and a Beykoz glass decanter and stopper, cut with a panelled design and gilded with small flower sprigs, 30.3cm max. (5) £300­500 187 A pair of French faïence figures of lions, 19th or early 20th century, each seated on its haunches and resting one forepaw on top of a rococo scrolled shield in blue, yellow and ochre, some chipping, 20.6cm. (2) £200­300 188 A pair of Spanish faïence armorial apothecary jars, 2nd half 18th century, Talavera or Puente del Arzobispo, painted with a bishop’s coat of arms flanked by tall trees, the reverse with a large bird, an inscription probably relating to a monastery in Malagon, some chipping, 20.3cm. (2) £150­250

187

186

188

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189 190

189 A French faïence figure group of harvesters, late 18th century, the woman reclining against a rocky stump with a sickle and a sheaf of corn, her companion handing her a fruit, some losses, 15cm high. £100­200 190 An Italian glazed pottery figure of St Anthony the Abbot, late 18th century, the bearded figure well modelled and wearing a long hooded cloak with rosary beads hanging from his waist, a Tau cross moulded to his breast, a small boar and a fire on the base beside him, losses and repairs, 28cm. £50­100 191 A Delft figure of a horse, mid 18th century, standing on a chamfered base with two hooves raised, wearing an elaborate saddle and bridle, with ears pricked, £150­250 left in the white, restoration to three legs, 22cm high.

192 A Pesaro maiolica jar or albarello and cover, c.1780, painted with continuous flowering branches in green, blue, yellow and ochre, marked A22 in manganese to £100­200 the base, 21cm. (2)

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191

193 A delftware plate or shallow dish, c.1700, painted with the portrait of a women, possibly depicting Ceres, wearing a leafy diadem and holding a sickle or cornucopia in her extended right hand, wearing a striped skirt, broken in half and restuck, 21.7cm. £100­200

192

193

See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

194

194 A Savona maiolica plate, late 17th/early 18th century, painted in blue with two putti reclining on rocks, one playing a long horn, with buildings and mountains beyond, shield mark, some rim chipping, 22.7cm. £150­250

195

195 A Palissy­style maiolica dish, probably 19th century and attributed to Joseph Landais, moulded in relief with a Classical figure seated on a terrace in a garden, within a wide border of scrolled foliage picked out in blue and green on a pale manganese ground, the underside with a mottled blue and manganese glaze, £300­500 a rim crack, 31.8cm.

196 Three German faïence plates, c.1770­80, each painted with a pink rose spray and further small flower sprigs, the lobed rims with a brown line border, some rim chipping, 26cm. (3) £150­250 197 A French faïence plate or dish, c.1780, painted with a parrot perched on a fruiting branch and holding a cherry stem in its beak, a faïence model of a buckled shoe, and a Delft plate painted in the Two Quail pattern, the latter restored, 23.3cm max. (3) £100­200 198 A pair of Lenzburg faïence plates, c.1760­70, painted in a limited polychrome palette with a tied spray of poppy and other flowers beside a flying insect and further floral sprigs, one with a 3R mark in green, 25.7cm. (2) £100­200

196

Cf. Victoria and Albert Museum, Accession No. C.133-1930 for a plate with the same design.

197

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200

199

199 Two Delft tiles forming a sundial, late 18th/19th century, painted in shades of blue with a compass star and Roman numerals, mounted in a later wood frame, 39cm overall. £50­100 200 A Delft tile, 18th century, the rectangular form painted in blue with a lady on a garden terrace within a shaped border, with foliate corners, £80­120 mounted on a later velvet frame, 21.8cm (the tile).

201 A pair of small delftware plates, c.1750, painted in blue with a pagoda landscape within a formal foliate border, and a lobed dish or buckelplatte painted in blue with a hatched leaf and scroll design, the latter broken and riveted, 31cm max. (3) £150­250 202 A Delft or Continental faïence jug, mid 18th century, painted around the widest part of the body with a lappet band in blue and red, the neck with a formal foliate design in polychrome enamels, traces of a former mount to the handle and rim, 22.7cm. £150­250

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201

203 A tall Delft sleeve vase, early 18th century, painted in blue with a large peacock standing amidst flowering branches, and a later Delft vase and cover, the reeded form painted with birds amidst flowering plants, rim repairs to both vases, 36.7cm max. (3) £100­200

202

203

See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

204 A small delftware lobed dish, c.1700, London or Brislington, painted in manganese and yellow with a Chinese figure seated in a garden, the scene repeated twice to the rim, raised on a low circular foot, restored cracks, 22cm. £150­250

205 A London delftware charger, c.1700­20, painted in blue, red and green with an insect in flight above a bird standing beside flowering plants, within a panelled rim or further flower sprays, beneath the rim with O and star marks in blue, broken and repaired, 33.5cm. £150­250 Old paper label for Sampson & Horne Antiques.

206 A Delft charger, 18th century, painted in blue to the well with a mythical lion dog or kylin reserved on a foliate ground within demi flowerheads, the rim with a panelled trellis border, small areas of restoration to the rim, 34.5cm. £80­120

207 A Delft plate, c.1700, painted in a polychrome palette of blue, red, green and yellow with flowering Oriental plants around a central roundel, blue monogram mark to the reverse, possibly JC or TC, 22.7cm. £100­150

Provenance: Glen House, Bruton.

208 A small delftware lobed dish, c.1700, of nine­petalled form, painted in blue and black with a stylised Oriental landscape to the well, the rim with a tasselled border, raised on a low circular foot, two rim cracks, 20.7cm. £150­200

209 A Delft sweetmeat dish or stand, 18th century, the moulded hexafoil form painted in blue with flower sprigs over a net design, the underside with a band of stars and circles, raised on three paw feet, 12.5cm across. £100­200 47

210 A delftware plate and a soup plate or shallow bowl, c.1760, the plate Bristol and painted in a pale blue with a pagoda island landscape, the bowl Lambeth and painted in polychrome enamels with a parrot perched on flowering branches, 22.7cm max. (2) £150­200

211 A delftware punch bowl, c.1760­70, painted to the exterior with stylised flower sprays in polychrome enamels, the interior with a continuous blue border, 26.5cm. £100­150

212 A rare Vauxhall delftware punchbowl, c.1720, painted to the exterior in blue, red and yellow with low huts beneath feathery foliage, the interior with a panelled diaper border, broken and restuck, 26.5cm dia. £150­250

213 A pair of delftware plates, c.1720, brightly painted in blue, red, green and yellow with a Chinese figure recumbent before a low hut in an island landscape, the rim with a panelled trellis border, small repainted rim chips, 22cm. (2) £100­200

214 Two large delftware chargers, c.1750­70, one painted in blue with a willow tree issuing from rockwork within a zigzag fence, within a formal trellis border, the other in polychrome enamels with a central flowering plant within a stylised garland border, 33.5cm max. (2) £250­350

215 A Delft broth bowl or milk tureen and cover, c.1690, the circular form painted in blue with Chinese figures in a garden, dancing beside vessels issuing smoke, the loop handles with blue dashes, each piece marked VS I, a crack to the cover, 27.5cm across. (2) £100­200

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See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

216 A rare London delftware pill jar, c.1725, the small ovoid form painted in blue with birds on branches flanking a basket of fruit above a cartouche inscribed ‘P. RETRING’, above an angel mask, minor glaze chipping, 9.8cm. £2,500­3,000

217 A small delftware vase or urn, c.1740, painted in blue with a multi­ storeyed pagoda in a landscape, applied with two scroll handles with blue dashes, the spreading circular foot painted with flying insects, cracked, a large rim chip, 12cm. £150­250

218 A delftware posset pot and cover, c.1720, Bristol or London, the generous rounded body painted in blue, red and green with stylised flower sprays, the flared neck with a continuous scroll band, the cover with flowering plants beneath a mushroom knop, 22cm high. (2) £800­1,200

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219 A large delftware vase or jar, c.1680­1700, possibly London, the ovoid body painted in the manner of Chinese Transitional porcelain with birds and butterflies among and above flowering plants, the neck with a narrow stiff leaf border, some good restoration to the neck, 36cm. £1,500­2,000

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See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

220 A rare Yorkshire creamware double­walled cup and saucer, c.1775­ 80, the external wall pierced with roundels picked out in green enamel on a ground of hexagons picked out in purple, the cup’s handle formed as a £500­800 long fish or dolphin, 13.8cm. (2)

221 A rare political creamware jug, 2nd half 18th century, the barrel shape painted in red and black with a portrait of John Wilkes, with feathery scrolls around, a band of impressed ovals to the rim and foot, with a mask jug, a restored crack, 15.5cm. £800­1,000

Cf. Tom Walford, Ling Long in Yorkshire,Transactions of the ECC, Vol.20, Pt.1, pp.161-166 for a discussion of a teapot sold at Bonhams, 18th December 2012, lot 105. Two beakers and saucers are in the Museum of Fine Arts in Richmond Va. and at Temple Newsam House in Leeds. Two double walled bowls, also matching, are in York Museum.

John Wilkes (1725-1798) was a notorious rake, who exposed the scandals of the Hell Fire Club after being expelled from their membership. In issue 45 of his publication, The North Briton, Wilkes’ attack on George III’s 1763 speech endorsing the Paris Peace Treaty earned him a warrant for his arrest for libel.

With strong public support, Wilkes was cleared by the Lord Chief Justice.

222 A creamware cornucopia wall pocket, late 18th century, moulded in high relief with Ceres as a young maiden holding fruit, corn and flowers, picked out in ochre and manganese on a green ground, some good restoration to one corner, 22.7cm. £500­700

223 A silver­mounted creamware Masonic tankard, c.1770­80, printed in black, probably by John Sadler, with the arms of the Grand Lodge beneath the motto ‘A heart that conceals, and the tongue that never reveals’, the Continental silver mount set with a Krone coin dated 1666, the silver dated 1821 to the top, 20.3cm. £100­200 51

224 A pair of Leeds creamware tureens with covers and stands, early 19th century, the footed bases moulded with a continuous foliate band, the covers and stands pierced with geometric floral designs between leaf swags, 26.5cm. (6) £400­600 Provenance: Glen House, Bruton.

225 A Wedgwood creamware basket and stand, c.1800, the oval forms moulded with basketweave beneath pierced rims, and a single Wedgwood basket formed of plaited lengths of clay, picked out in yellow and brown, impressed marks, 25cm max. (3) £150­250

226 A pair of Wedgwood creamware tureens with covers and stands, early 19th century, each with a pierced straining ladle, decorated in brown with a lappet band, impressed marks, and a creamware cruet stand, set with two jugs and two casters, the sides with diaper piercing, some losses and restoration, 21.7cm max. (13) £200­300 Provenance: Glen House, Bruton.

227 A creamware basket and stand, late 18th century, crisply moulded with winged masks and formal leaf scrolls between pierced arrangements, and a Leeds creamware straining dish, applied with two rope handles, the shaped form with reticulated panels, raised on three peg feet, 31cm max. (3) £150­200

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See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

228 A creamware mug, c.1790, the tall slender form printed in black with ‘The World in Planisphere’, titled beneath the hemispheres detailing the continents and other landmarks, some filled rim chips, 13cm. £150­250 Cf. David Drakard, Printed English Pottery, p.161.

230 A tall Staffordshire creamware mug, c.1780, painted with a gentleman blowing a hunting horn, stood next to a table with a carafe and a glass, amongst trees and a rocky landscape, with a double strap handle issuing from flowerheads, 16cm. £150­250

229 A creamware coffee pot and cover, c.1770, painted in polychrome enamels with an Oriental lady holding a parasol and pointing to the side with her left hand, the reverse with a low hut beside a fence and trees, cracked, the cover broken and restuck, 23cm. (2) £100­150

231 A creamware punchbowl and a jug, c.1800, commemorating the Original Society of Papermakers, printed with the society’s arms, the bowl with a scene of a courting couple, and with a four line verse, the jug with Union flowers and a stanza promoting unity, some wear, the bowl broken and restuck, 23.3cm dia. (2) £80­120 This early trade union was founded c.1799-1800 and was especially strong in Kent. The clandestine movement was illegal, following a Combination Act of 1796, but poor harvests in Britain during the previous decade, combined with the threat of war from France, resulted in reduced wages across the industry. By 1825, the union had around 3000 members and two strikes had successfully overturned wage reductions in 1804 and 1812.

232 Four creamware and pearlware plates, c.1800, two painted in blue with a Chinese figure standing before an ornamental fence, another with a low hut and a willow tree in a Chinese landscape, the last with a central flower spray, small rim chips to some, 25cm max. (4) £150­250

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233 A large and rare two­handled ‘pugilist’ frog mug, c.1825, printed and coloured with two boxers sparring in an outdoor ring, titled ‘Spring’ and ‘Langan’, the interior with two small frogs and two newts, a rim crack, 17.6cm high. £500­800 The mug commemorates the bare knuckle championship fight between the existing champion, Tom Spring, and the challenger, Jack Langan. Over 30,000 people turned up to watch the match which lasted for over 70 rounds and more than two and a half hours. Two of the spectator stands collapsed during the fight at Worcester racecourse, while others climbed the masts of boats moored nearby in order to view the fight for free.

234 A rare commemorative ‘pugilist’ pearlware jug, c.1825, printed and coloured with a boxing match, with two contenders sparring before onlookers, titled ‘Champ of England, Langdon [sic] defeated’, beneath the spout inscribed ‘Drink to England’s Champion, the brave and Gallant Spring’, the neck with a lustre band, some restoration, 15cm. £300­500

235 A Pratt ware bough pot, early 19th century, the demi lune shape painted with three landscape panels in a typical palette of green, ochre, yellow, umber and blue, the shaped rim moulded with masks and oak branches, the cover lacking, 19.2cm across. £100­200

236 An unusual pearlware plate, c.1760, the scalloped rim moulded with sprays of fruit and cob nuts on a trellis ground picked out in manganese, 22cm. £100­200

237 Three Pratt ware commemorative jugs, early 19th century, two moulded and decorated with different portraits of Admiral Lord Nelson flanked by ships, the smallest with the Loyal Volunteers, a late 18th century Pratt ware mug depicting the Duke of York and the Royal Sufferers, with Louis XVI, Marie Antoinette and the Dauphin shown in profile, and a creamware mug printed with Louis XVI and Marie Antoinette, some damages and repairs, 19.2cm max. (5) £200­300

238 Three Pratt ware jugs, c.1800, two of varying size and moulded with scenes of children titled ‘Sportive Innocence’ and ‘Mischievous Sport’, the last moulded with Union flowers, with a standing Yorkshire Toby jug wearing a striped waistcoat, some restoration, 19.5cm max. (4) £150­250

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Provenance: Glen House, Bruton.

See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

239 A pearlware part dessert service, c.1820, printed and coloured in pattern 816 with titled botanical specimens including Clammy Cranes Bill, Dwarf Bramble, Alpine Soldanella and Golden Flowered Henbane, within wide borders moulded with flowers on a turquoise ground, some damages. Comprising: a basket and two stands, two sauce tureens and covers, a sauce ladle, two serving dishes and 11 plates. (21) £250­350

240 A Mason’s Ironstone part dinner service, 19th century, decorated in the Imari palette with a large vase of flowers on a veranda within a panelled scroll border. Comprising: a soup tureen with cover and stand, two vegetable dishes with covers and stands, seven serving dishes in varying sizes, three plates and six side plates. (25) £500­800 55

242

241

241 A Staffordshire salt­glazed stoneware coffee pot and cover, c.1760, the baluster form painted to one side with a European figure catching water in his hat and drinking it beside a waterfall, the reverse with a Chinese lady standing beneath a tree and beside a boy seated on colourful rockwork, some damages, the cover a replacement, 23cm. (2) £200­300 Provenance: the Watney Collection.

242 A large Staffordshire salt­glazed stoneware jug, painted with a courting couple flanked by trees with a flock of birds in flight above, the sides with flowering peony sprays and scattered insects, the rim with a panelled trellis border, an old replacement wicker-bound handle, some rim cracks, 16.8cm. £150­250 Provenance: the Watney Collection.

243 A large and rare Staffordshire salt­glazed stoneware dish, c.1755­ 60, the well printed in red with a Classical figure standing over another reclining on a bed, the wide rim elaborately pierced and moulded with basketweave panels and trellis designs picked out in yellow and turquoise, broken in half and repaired, 31.5cm. £200­300 Provenance: the Watney Collection.

The print is believed to be unrecorded but may be the work of Gravelot, whose prints were used on both pottery and enamels at this time.

244 Two Staffordshire salt­glazed mugs, c.1755, one of baluster form and painted with a courting couple seated beside trees, the other boldly enamelled with flowers including rose and heartsease, the interior rim with a narrow turquoise band, some damages and repairs, 12.2cm. (2) £200­300 Provenance: the Watney Collection.

243

244

245 A Staffordshire salt­glazed teapot, c.1755, of unusual pear­shaped form, boldly enamelled with flowering peony and other plants, the shoulder with a formal panelled border, the cover lacking, some rim cracks, 15.5cm across. £150­200 Provenance: the Watney Collection.

245

See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

246 A pearlware bust of a child or putto, c.1800­10, modelled looking down to his left with rosy cheeks and slightly open mouth, raised on a tall square plinth moulded with foliate motifs and painted to simulate marble, 27cm. £150­250

247 A rare pearlware bear jug and cover, c.1790, the bear seated and holding a mastiff at arms’ length, the dog’s mouth forming the spout, the cover modelled as the bear’s muzzled head, its coat decorated in manganese, some restoration, 20.5cm. (2) £600­800

248 A large Wood & Caldwell Staffordshire pearlware model of the Virgin and Child, c.1800, after the late 17th century model by Lucas Faydherbe, the Madonna seated with the infant Jesus reaching up towards her face, raised on a square faux marble base, 34cm. £100­200

249 A creamware bust of Admiral Lord Nelson, early 19th century, wearing his naval uniform, raised on a socle base moulded with an anchor and other maritime motifs, 22.2cm. £100­200 57

250 A pair of creamware cow creamers and covers, c.1800, each modelled standing four square on a chamfered base, with a milkmaid seated to one side, the cows sponged in black and Portobello red, small damages, 16cm across. (4) £400­600

251 A pair of Staffordshire pearlware spill vase groups, early 19th century, each modelled as a tree with two branches flanking a central trunk, one with the figure of a boy standing at the base, the other with a boy and his dog seated with a bird nest, 22.5cm. (2) £200­300

252 A small pearlware figure of a dog, c.1780, seated on its haunches with head turned to the right, wearing a collar with disc or bell, its coat picked out in green and umber, 8.3cm high. £200­300

253 A Staffordshire figure group of a bull and dog, 19th century, the bull lowering his horns towards the dog, his coat patched in russet, raised on a rocky base applied with moss, restoration to the horns and ears, 13.7cm high. £150­250

254 Five Staffordshire figures, 1st half 19th century, two of gardeners standing beneath flowering bocage, one of a female archer with bow and arrow, one possibly emblematic of Fire with a magnifying glass, the last of a young boy reading, titled ‘Village Boy’, 19.5cm max. (5) £150­200

255 Four Staffordshire pearlware figures, 19th century, one of a gardener with a potted plant, another of a traveller resting beneath bocage, a Classical maiden draped with a flower garland, and a fisher girl, some damages and repairs, 17.5cm max. (4) £100­200 Provenance: Glen House, Bruton.

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See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

256 Three Staffordshire figure groups, c.1800­20, one of haymakers seated beneath leafy bocage on a tall base, a Pratt ware figure possibly emblematic of Summer, modelled as a maiden holding fruits in her apron, and a pearlware figure of Winter, wrapped in a blue cloak, the two single figures mounted on chamfered bases with stiff leaf bands, some restoration, 26cm max. (3) £150­250

257 A set of Staffordshire figures of the Four Seasons, c.1800­10, possibly Enoch Wood, modelled as children with various attributes for Spring, Summer, Autumn and Winter, raised on square bases, some restoration, 19.5cm max. (4) £300­500

258 A pair of small Pratt ware figures, c.1790­1800, modelled as Classical figures, one probably Apollo and holding a lyre, the other possibly Ceres or emblematic of Summer, holding a basket of fruit or flowers, picked out in brown and ochre dots, 14.5cm. (2) £150­250

259 Four Staffordshire figures, c.1800­20, including a Pratt ware figure of Autumn, a Pratt ware figure of a girl with an apron full of fruit and leaves, a figure of a harvester with a scythe, and a small figure of a boy with an upturned basket of eggs, small losses, 22.5cm max. (4) £150­250 59

260 A large Staffordshire pearlware figure group of the Medici lion, 1st half 19th century, its teeth bared and tail flicked across its back, its left forepaw £1,200­1,500 resting on a ball on top of a colourful faux marble base, 32.3cm across.

261 A small Pratt ware Toby jug, c.1800, seated with a patterned jug of ale on his left knee, wearing a yellow coat and ochre breeches, and a pearlware Bacchus jug, modelled as a bearded face wearing a grapevine £150­250 diadem, some good restoration to the Toby, 17.3cm max. (2)

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262 A night watchman Toby or character jug, 1st half 19th century, seated on a high­backed chair forming the spout, holding his hat in his lap and resting one hand on his lantern, raised on a coloured base, some cracking to the underside, 23.5cm. £150­250

See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

263 A rare Pratt ware Thin Boy Toby jug, c.1790­1800, seated with a patterned jug resting on his left knee, wearing a striped coat over a yellow waistcoat and ochre breeches, a little good restoration to his hat, 22.3cm. £1,500­2,000

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264 A Wood­type Toby jug, c.1790­1800, seated with an upright barrel between his feet, a foaming jug of ale resting on one knee, wearing a sponged blue coat over grey breeches and an ochre waistcoat, his hat sponged in grey, 24.5cm. £150­250

265 A pearlware ‘Admiral Rodney’ jug, dated 1785, modelled as the head and shoulders of the naval hero, around his hat brim inscribed ‘Rodney’ and moulded with naval and victory motifs beneath a formal border, picked out in blue, green and manganese, his pigtail forming the handle, inscribed in blue to the underside ‘1785 Rodney’, some rim faults, 16.5cm high. £250­350 Provenance: Glen House, Bruton. Paper label for Jonathan Horne Antiques.

266 Three small Toby jugs, c.1810­20, two decorated in Portobello colours, one standing, the other seated, with foaming jugs of ale, and a small standing Toby jug wearing a blue sponged oat over a yellow waistcoat, some restoration, 19cm max. (3) £200­300

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267 A Wood­type Toby jug, c.1790­1800, seated with an upright barrel between his feet, a foaming jug of ale resting on one knee, wearing a sponged blue coat over black breeches and an ochre waistcoat, his hat sponged in grey, restoration to the base, 25cm. £150­250

See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

268 A Royal Worcester vase and cover, date code for 1924, painted by John Stinton with Highland cattle at a mountain stream, a Royal Worcester vase painted with moorland sheep by Ernest Barker, a similar F Clark vase, and a Cauldon vase signed ‘D. Birbeck’, printed marks, 14.5cm max. (5) £200­300

269 A Royal Worcester coffee cup and saucer, date code for 1929, painted by John Stinton with Highland cattle beside a stream, and a silver­ mounted Royal Worcester brush and comb set, the brush with a plaque painted by James Stinton with a cock pheasant, hallmarks for Sanders & Mackenzie, Birmingham, 1927, in a fitted case, 11.8cm overall max. (5) £150­250

270 Two Royal Worcester pot pourri jars with inner and outer covers, c.1888­1912, the larger decorated with loose flower sprays in gilt on an ivory ground, the smaller moulded with bamboo on a blush ground, another similar lacking covers, a tusk jug with gilt foliate tendrils, two other jugs, one with floral decoration, and a small leaf­moulded vase, various marks and date codes, 20.5cm max. (11) £150­250

271 A small collection of ornithological subject Royal Worcester, date codes between 1906 and 1912, including two pill boxes and covers painted with songbirds, a cup and saucer painted with a kingfisher and a chaffinch, signed ‘W Powell’, a small banded jug painted with a swallow, also by Powell, two small blush porcelain vases, one painted by James Stinton with a mallard duck, the other with blue tits, and a similar Grainger & Co vase with a swallow, printed marks, 12.7cm max. (10) £150­250

272 Three Royal Worcester ewers or jugs, 1884­93, the tallest moulded with a fan pattern and applied with a large lizard forming the handle, one of gourd shape and applied with large leaves, the smallest moulded with a shall panel to each side, printed marks, 29cm max. (3) £150­250

273 A Royal Worcester associated part solitaire tea set, c.1874­80, painted in the Japonism manner with fans, cash symbols and bamboo leaves, including a cup and saucer, a tray, a milk jug, a small vase in the same pattern, with a pair of Royal Worcester vases of flattened hexagonal form, moulded and painted with standing cranes and formal floral designs, printed, impressed and moulded marks, 28cm max. (7) £150­250 63

274 275

274 A Royal Worcester vase, date code for 1901, painted with seed heads and tansy within moulded panels between Islamic style motifs, a small cream jug painted in the Raby manner with gilt­edged flowers on a blush ground, and a small pill box and cover painted with flowers, 27cm max. (4) £150­250

276

275 Three large Royal Worcester vases, 1879­ 1891, the largest painted with a black swan and cygnet swimming among reeds, the next decorated with a large red poppy edged in gilt on an ivory ground, the smallest with a stag and two does on a lustre ground, the shoulders applied with three snakes, printed marks, the swan vase with a large restored crack, 41.2cm max. (3) £200­300 276 A pair of Royal Worcester rectangular plaques, 20th century, painted by Bryan Cox with arrangements of fruit including apples, cherries, gooseberries and pears, signed, within oval panels on a blue ground, mounted in glazed gilt wood frames, the plaques 17cm. (2) £250­350 277 A pair of large Royal Worcester rectangular plaques, 20th century, painted by Bryan Cox with arrangements of fruit including apples, grapes, cherries and gooseberries, signed, mounted in gilt wood frames, the plaques 23cm. (2) £500­800

277

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See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

278 A good Royal Worcester tea service, 1970s, painted with fruit including apples, blackberries, grapes and peaches, against a woodland floor, signatures including J Smith, J Cook and C Smith, the cups, bowl and jug all richly gilded to the interior, black factory marks. Comprising: a sugar bowl, a milk jug, six teacups, six saucers, six side plates and a cake plate. (21) £2,500­3,500

279 A pair of Royal Worcester ‘Morning’ and ‘Evening’ vases, c.1865, one painted with swallows and other birds in flight around and perched on a pine branch, the other with two bats flying towards an owl, with tall flared necks moulded with a continuous foliate band, impressed marks, 32.2cm.

(2) £250­350

280 A Royal Worcester Exhibition vase, date code for 1892, of shape 1554, decorated in the Aesthetic manner with sunflowers and flowering grasses in raised gilt on an ivory ground, the shoulders with mythical beast handles issuing from masks, printed marks including puce C mark, 27.7cm. £200­300 The C mark was used on items produced for display at the 1893 Chicago Exhibition. The factory’s display in Chicago was remarkably comprehensive, covering nearly every aspect of manufacture and design.

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282 281 281 A Royal Worcester coffee set, date code for 1929, the six small cups and saucers printed in pink and green with a continuous floral border reserving a rich yellow ground, the six spoons enamelled in the Art Deco manner with stylised fan designs on a yellow guilloche ground, printed marks, fitted in the interior of a case (outer lacking), the saucers 9.7cm. (18) £150­250 282 Three Royal Worcester jugs, c.1888­89, the largest of shape 1229, the next a coffee jug and cover, the smallest shape 1258, all decorated in the Aesthetic manner with flower sprays edged in gilt, and a box cover with similar decoration and a stylised crab finial, printed and impressed marks, 24.3cm max. (5) £150­250 283 A Barr, Flight and Barr coffee can and two saucers, 1805­10, the can painted possibly by Samuel Smith with a figure before a small cottage, the saucer with a packhorse bridge with Glover’s Needle visible in the distance, reserved on a salmon ground with gilt dots, and a Barr, Flight and Barr saucer painted with a continuous landscape including the same views, script factory marks, incised B to the can, one saucer broken and restored, 13.2cm max. (3) £150­250 284 A combined Worcester tea service, c.1790­1815, decorated in the Royal Lily pattern with stylized lotus panels between blue and gilt borders, various marks. Comprising: two teapots and covers, a teapot stand, a sugar basin, a slop bowl, a butter tub, nine teacups, one teabowl, eight coffee cups, a coffee can, sixteen saucers, and a strainer. (44) £150­250

283

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284

See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

285 A Minton vase and cover, 2nd half 19th century, painted in the Sèvres manner with colourful birds perched in leafy branches, the reverse with a panel of flowers, within moulded leaf and ribbon borders picked out in pink, green and gilt, ermine mark, beneath the base inscribed ‘3+1845 W’, the cover broken and repaired, 33cm. (2) £150­250

286 A Minton ‘Exhibition’ plate, c.1878, painted by or in the manner of Boullemier with a female nymph fishing beside a river, reserved on a pink ground with formal gilt borders, impressed marks, gilt three feathers mark £100­200 for the Paris Exhibition of 1878, cracked, 24.7cm.

287 A London­decorated Swansea plate, c.1815­20, painted in an outside atelier with a large border of roses and pansies in pinks and purples, encircling a landscape depicting a church next to a river, printed red Swansea mark, 23cm. £300­500

288 A Minton pâte­sur­pâte ewer by Alboin Birks, c.1900, decorated with a seated Classical maiden holding up a hoop for putti to fly through, reserved on a dove grey panel on a white ground with gilt husk swags, signed, the tall handle issuing from a gilt satyr mark, gilt factory mark, the handle broken off and restuck, some chipping to the spout, 28cm. £250­350

Cf. Sotheby’s, The Sir Leslie Joseph Collection, 15th and 16th May 1992, lot 209 for a plate from the same service, depicting Windsor Castle.

Paper label from Arthur Hurst (1857-1940), claiming the service was made for the Prince of Wales.

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289 A pair of Derby plates, c.1790, painted with flower sprays within a border of pink roses, a third Derby plate of Chatsworth Service type, painted possibly by George Robertson with a view of a hostelry, titled ‘In Devonshire’, an Amstel plate painted in the Sèvres manner with flower sprays between berried leaf borders, and a Meissen­style cassolette of vase form, applied with leaf swags and picked out in turquoise and gilt, 23.3cm max. (6) £250­350

290 A pair of Derby plates, c.1810­20, copying the Tournai service for the duc d’Orleans, painted with songbirds and small panels of insects reserved on a blue ground with gilt trellis work attributed to James Clark, and a pair of Derby soup plates after the Sudell Service at Sèvres, painted with birds within blue and gilt borders enclosing a crest and shield, the latter broken and restuck, 24.8cm max. (4) £100­200

291 A Coalport sucrier and cover, c.1820, finely painted with small arrangements of polychrome flowers within gilt hatched panels, the inside rim with gilt flowers, gilt pattern number 830 to the base, and a Coalport chamberstick with dolphin handle and shell motifs, painted with flowers, printed red Felt Spar mark, 16.3cm across max. (3) £100­200

292 Two Spode ink wells or stands, c.1820, one of beaded globe form with four openings around a beaded egg shape, the other of campana shape with three small holes around a removable well, and a small chamber or taper stick, all richly decorated in pattern 967, iron red marks, 7cm high max. (4) £100­200

Derby regularly produced additional and replacement pieces for Sèvres and other Continental porcelain services.

293 A pair of Coalbrookdale watch stands, 19th century, each modelled as a mantel clock with open face, applied with flowers and birds, and two Coalbrookdale vases, painted and applied with flowers amid gilt and turquoise detailing, small losses, some restoration, 31.5cm max. (4) £150­250

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294 A pair of Coalbrookdale jardinières, c.1860­70, the narrow shaped forms finely painted possibly by William Cook with floral arrangements within narrow blue borders in the Sèvres manner, CSN in ribbon marks, a restored crack, 24.5cm across. (2) £200­300

295 A Nantgarw­style vase, 19th century, the slender form applied with swan handles, painted in the manner of William Pollard with moths in flight around a tilting basket of flowers, raised on a square black hardstone base, a Swansea­style inkwell with a putto and dolphin, painted perhaps by William Pollard, and an egg cup raised on a wide square base and painted with small flower sprigs, the base of the egg cup riveted, 17.5cm max. (3) £200­300 Provenance: the F E Andrews Collection, Cardiff (the vase).

296 A pair of English porcelain candlesticks, 19th century, the tapering columns decorated with a crowned gilt and red monogram, between green bands laced in a thin gilt line with scattered flower sprays, fitted with later gilt metal sconces, 21.5cm. (2) £100­200

297 A pair of English porcelain vases, 19th century, of slender campana form, painted with children at repose in garden settings, reserved on a seagreen ground, and a Minton Sèvres­style vase painted with flower garlands suspended from pink ribbons, reserved on a blue ground with gilt oeil de perdrix, printed mark and ermine mark, the cover lacking, 22.2cm max. (3) £150­200

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298 A pair of Samson faïence vases and covers, late 19th century, of pot pourri Pompadour shape, painted with panels of putti within floral swag borders, blue Sceaux marks and Samson crosses, and a pair of Sèvres­style Continental porcelain vases, painted with portraits of two nobles, possibly Louis XV and Madame du Barry, and with panels of putti and a coat of arms, reserved on a blue faux marble ground, some repairs, covers lacking, 26cm max. (6) £150­250

299 Three Sèvres­style plates and a square dish, the porcelain c.1760, later­decorated perhaps in a London atelier with ornithological scenes, each piece with a titled bird, the rims with raised gilt trellis designs on a rich lapis blue ground, small regilded rim chips, 24.8cm max. (4) £150­250

300 A Tournai part tea or coffee service, c.1770, painted in underglaze blue with a panelled Chantilly sprig design. Comprising: a sucrier and cover with acorn knop, five coffee cups and five saucers. (12) £250­350

301 Three St Cloud trembleuse saucers, c.1740­ 50, variously painted in underglaze blue with lambrequin and other formal patterned borders around a band of reeding enclosing a galleried well, one marked ‘SC T D’ beneath a star, and a Worcester saucer of similar design, a St Cloud beaker painted with flowering Oriental plants, and a Chantilly teabowl painted with a stylised landscape, hunting horn mark, 13.3cm max. (6) £150­250

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302 A Paris porcelain coffee service, c.1808­18, decorated by Stone, Coquerel et Le Gros with pastoral scenes of figures and landscapes within gilt­ edged panels on a white ground, the rims with continuous black and gilt palmette borders, the spouts and handles formed as mythical beasts and masks in the Egyptian manner, printed circular marks. Comprising: a coffee pot and cover, a hot water jug and cover, a milk jug, six cups and seven saucers, plus £800­1,200 two associated plates with similar decoration within sepia fruit rims. (20)

303 A Continental porcelain plate, 1st half 19th century, painted with three Classical maidens and a winged figure beneath a tree, the rim with a band of griffins and other Classical motifs in gilt and sepia, titled ‘Le Pied de Boeuf’ to the underside, the original mark erased, traces of a Vienna-style shield, 23.1cm. £200­300

304 A Vienna coffee can and saucer, date code for 1798, the can painted with Rinaldo and Armida after Annibale Carracci, reserved on a rich gilded and coloured ground, the saucer with gilt foliate scrolls and mythical creatures on coloured grounds, blue shield marks, the can impressed ‘98’, 13cm. (2) £150­250

The game of ‘Cow’s foot’ involved counting as players placed their hands on top of one another. It was a popular subject for artists of the Empire era.

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305 A Chantilly sugar bowl and cover, c.1750, painted with delicate flower sprigs, the cover surmounted by three convolvulus type flowers, red hunting horn mark, some losses to the applied flowers, 11.5cm. (2) £150­250

306 A rare Bourg la Reine coffee cup and saucer, c.1775, painted in the Sèvres manner with pale blue flower swags suspended from ribbon bows, and a Sceaux tripod milk jug, painted with a couple in a formal garden, the twig feet and handle picked out in puce, rare incised mark SX, the jug repaired, 11.6cm max. (3) £150­250

307 A Loosdrecht teapot stand, c.1770, of circular form with a shaped rim, painted with simple flower sprays, and a Loosdrecht saucer painted in the manner of Fidelle Duvivier with figures in a landscape in sepia monochrome, blue MoL marks, 13.6cm max. (2) £150­250

308 An early Sèvres sugar bowl (pot à sucre), c.1756­7, the flared bucket form painted with small sprays of European flowers on a white ground, gilt dentil rim, blue interlaced Ls mark enclosing date letter D, painter’s mark possibly for Barbet, the cover lacking, 7cm high. £150­250

309 A large Sèvres milk jug (pot à lait à trois pieds), late 18th century, painted with scattered sprigs of roses and heartsease, the rim with a blue band edged in gilt, raised on three twig feet, blue script Sèvres mark, some restoration to the rim, 11.5cm. £150­250

310 A Sèvres coffee can, date code for 1785, painted with the initial J within a painted bead panel amid rose and forget­me­not sprays, two pink rose sprays flanking the handle, blue interlaced Ls mark enclosing date letters hh, painter’s mark mb, and a Paris porcelain coffee can painted in the Sèvres manner with diagonal bands of flowering stems and gilt foliate designs, some gilt wear to the first, 6.5cm max. (2) £150­250

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311 Four Sèvres cups and saucers (gobelets bouillard et soucoupes), date codes for 1770, each painted with polychrome flower sprays within blue foliate scrolls and gilt dentil rims, blue interlaced Ls marks enclosing date letter £100­150 R, 13.5cm. (8)

312 Four Tournai cups and saucers, late 18th century, painted in a bright underglaze blue with simple flower sprays, crossed swords and crosses marks to the saucers, 14.4cm. (8) £100­150

313 Two Continental porcelain custard cups and covers, late 18th/19th century, one Vienna and painted with flowers beneath a puce scale border, the other Copenhagen and painted with European flower sprays, and a Ludiwgsburg creamboat painted with flowers and moulded with twig feet, various marks, 8.5cm max. (5) £200­300

314 A Sèvres jar and cover, c.1790, painted with small yellow oval panels reserved on a dark blue ground, a Sèvres saucer painted by Noel with vignettes of vases on a formal scrolled ground, a Sèvres­style cup painted with a putto and flowers, and a Paris porcelain small saucepan and cover painted with flowers, some damages and repairs, 17.4cm max. (6) £100­150

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315 A good pair of Tournai coffee cups and saucers, c.1770, the generous forms painted in the manner of Michel­Joseph Duvivier with figures before harbours and ruins, in purple camaieu, each vignette underlined with a gilt motif, gilt crossed swords and + marks, 14.5cm.

(4) £400­600 The decoration here is very similar to that on a service recorded in Christine Deroubaix, Les Porcelaines des Tournai de Musée de Mariemont, nos.229-232, with an example in the Victoria and Albert Museum, Accession No. C.78-1969.

Duvivier is thought to have worked at the Chelsea factory before working at Tournai between 1763 and 1771.

316 A pair of Tournai coffee cups and saucers, c.1775, finely painted with sprays of flowers including rose and forget­me­not. the scroll handles detailed in gilt, gilt crossed swords and + marks, a crack to the base of one handle, 14cm. (4) £150­250

317 Eight Sèvres plates, c.1860, decorated to the wells with a central stylised floral roundel in gilt, the rims with a continuous formal flowerhead border, printed crowned red N marks, green S.60, 22.5cm. (8) £300­500

318 A pair of Doccia plates, c.1775, richly decorated with the Tulipano pattern, the central design within six £100­200 further floral sprays, 23.7cm. (2)

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319 A Doccia soup plate or shallow bowl, c.1775, richly decorated with the Tulipano pattern, the central design within six further floral sprays, 23.2cm. £150­250

320 A Berlin plate after the St Andrew Service, early 19th century, copying Meissen, with Gotzkowsky floral moulding to the well and rims, painted with the Imperial Russian eagle and with the Cross of the Order of St. Andrew the First­Called, painted with polychrome sprays of flowers, blue sceptre mark, 24.5cm. £800­1,200 The original St Andrew service was gifted to Empress Elizabeth of Russia by Augustus III of Poland in 1745. It was the largest order produced by the factory and one of the first official services to be produced in Europe. Supplements and replacements were produced at Meissen during the 19th century, and it is assumed that this was similarly produced, perhaps at a time when the Meissen factory was struggling.

321 A Meissen ornithological plate, c.1750, painted with two birds perched on a low branch with a colourful moth and other flying insects around, within an osier moulded rim, blue crossed swords mark, 24.3cm. £150­250

322 A Meissen shallow dish or soup plate, 1st half 19th century, the well painted with a cockerel and two chickens, the cavetto with flower sprays and scattered flying insects, echoed to the moulded rim, blue crossed swords mark, 24.2cm. £150­200

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323 A small Sèvres coffee can and saucer (gobelet litron et soucoupe), c.1780, painted by Joseph­Léopold Weydinger jeune with small flower sprigs between blue loop borders enclosing red dots, puce interlaced Ls marks, 10.7cm. (2) £200­300

324 A Sèvres teapot and cover (théière litron), date code for 1787, painted with figures beside rivers and buildings, the shoulder and cover with a foliate design in puce and purple between rich yellow bands, blue interlaced Ls mark enclosing date letters KK and above a painter’s mark V., 16cm across. (2) £150­250

325 Two Sèvres coffee cans, c.1768­80, painted with pots of flowers reserved on a bleu celeste ground, blue interlaced LL marks and various painter marks, 6cm max. (2) £150­250

326 A large Sèvres custard cup and cover (pot à jus), c.1770, finely painted with flower sprays and scattered sprigs, gilt dentil rim, blue £200­300 interlaced Ls mark enclosing date letter R, 8.7cm. (2)

327 A Vincennes saucer, c.1755­56, painted with two colourful birds in flight, one holding a leafy branch, reserved within a gilt floral border on a bleu lapis ground, blue interlaced Ls mark enclosing date letter C, cracked, 13.7cm. £150­250

328 A Sèvres sucrier and cover, c.1760­70, later decorated, probably in London, with panels of colourful birds reserved within gilt panels on a blue ground with gilt oeil de perdrix, titled to the base in blue, 10cm. (2) £200­300

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329 A large and rare Sèvres two­handled cup and stand (tasse a l’Etrusque et soucoupe), c.1793, in the Etruscan style, finely painted with fruit on a marble plinth within wide borders of pink rose sprigs and garlands on decorative gilt grounds reserving small panels of heartsease and cornflower, within narrow claret bands, blue interlaced Ls marks and painter’s mark for Jacques­François­Louis de Laroche, gilders marks for £1,000­2,000 Henri­Martin Prevost l’aine, 17.5cm. (2)

330 A Sèvres coffee can and saucer (gobelet litron), c.1793­96, decorated

by Louis Antoine Le Grand or Etienne­Henri Le Guay, the can with three figures beneath a parasol and palm trees beside buildings, a bridge and a fountain, the saucer with a lady and attendant flanked by trees, reserved on a bleu nouveau ground, the can marked in blue with ‘Sevres RF’ above gilder’s mark ‘LG’, the can with a filled hole to the base, the handle broken and restuck, 13.4cm. (2) £700­900

Cf. Musée des Arts Décoratifs, Paris, Inventory No. 31657 for a cup and saucer of the same shape.

Cf. The Royal Collection, No. RCIN 39843 for a similar can.

331 A Sèvres footed bowl, c.1823, from a service of the French Ambassador to Germany, painted with a band of polychrome flowers around the rim above a band of gilt palmettes, blue interlaced Ls marks, painters mark DT, incised marks, 20cm dia. £150­250

332 A Sèvres basket (corbeille) from the dessert service presented by Louis XVIII to Edward, Duke of Kent, c.1812, the flared form pierced with interlocking arches over a gilt plaited band, around the base with gilt flowerheads on a green border, stencilled red mark partially lacking, D11 in green, a small rim repair, 18.7cm dia. £400­600

Charles-Frédéric, comte Reinhard was the French Ambassador to Germany between 1818 and 1830.

Cf. Camille Leprince, Napoleon 1er & La Manufacture de Sèvres, Service No. 185.

From the dessert service presented by Louis XVIII to Edward, Duke of Kent, in 1816. The service of 177 pieces was delivered to the Magasin de Vente on 20th May 1812, where it remained until the return of Louis XVIII from his English exile, when a further 72 plates were added prior to its delivery to the Duke on 18th October 1816. It passed by descent to the Duke’s daughter, Queen Victoria, to her daughter, Princess Beatrice, to her son, Alexander Mountbatten, 1st Marquis of Carisbrooke (1886-1960), and was sold by Christie’s London, 8 November 1945, lot 12.

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333 A pair of Paris porcelain bough pots, 1st half 19th century, probably Rue Thiroux, the D forms painted with bright panels of flowers flanked by narrow columns with a leaf trellis design, gilt crowned A marks, the covers lacking, 21cm across. (2) £150­250

334 A pair of Meissen monteiths, c.1770­ 80, the oval forms painted with bold sprays of polychrome flowers and small scattered sprigs, with crenelated rims edged in gilt, blue crossed swords and star marks for the Marcolini period, 31cm. (2) £300­500

335 A Sèvres triangular stand (plateau triangle), date code for 1786, painted with pink roses to the well, the rim with flower sprays on a bleu nouveau ground with gilt oeil de perdrix, and a Sèvres bottle cooler (seau oval à liqueur), date code for 1785, painted with sprays of yellow and pink flowers between blue borders with formal gilt designs, the interior with an aperture for a removable partition, blue interlaced Ls and date letters, a repair to the stand, 31cm max. (2) £200­300

336 A pair of Meissen soup plates, mid 18th century, painted to the wells with sprays of fruit and flowers, with spiral­moulded rims and cavettos, moulded with basketweave panels, blue crossed swords marks, 24cm. (2) £150­250

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337 Three Italian porcelain coffee cans, c.1760­80, two Doccia and painted with confronting cockerels and a puce monochrome landscape, the other Cozzi and painted with flower sprays, and a Continental toilet pot and cover with floral decoration, various marks, 7.7cm max. (5) £150­250

338 Three Continental porcelain custard cups and covers, c.1765­1810, one Marieburg and finely painted with puce flower sprays on a spiral moulded ground, another Tournai and painted with a simple continuous flower border in blue, the other Rue Thiroux and decorated with small bands of purple flowers between gilt sprigs, red crowned A mark to the latter, 8cm max. (6) £200­300

339 A Vienna cup and saucer, c.1780, the ogee form decorated in an ikat textile or chintz pattern on a white ground, blue shield marks, 13.6cm. (2) £150­250

340 A Meissen schneeballen covered cup and stand, late 19th/20th century, all three pieces applied with continuous bands of small white flowerheads with further polychrome flower sprays, the cup and cover with small yellow birds, and a small Meissen cup and saucer applied with forget­ me­nots and raised on six peg feet, blue crossed swords marks, some £100­200 chipping, 14.5cm max. (5)

341 A Sèvres chocolate pot, c.1760, the squat baluster form painted with flowers on a white ground, with a finely turned hardwood handle and a gilt­ metal hinged cover, two rim cracks, 15.5cm. (2) £150­200

342 A large Meissen tea canister and cover, mid 18th century, the lobed form crisply moulded with flower sprays, alternating with sprays of deutsche Blumen, the cover with a floral finial, some restoration, the cover broken and repaired, 13.5cm high. (2) £150­250 79

343 A Meissen tea cup and saucer, c.1735, painted in an extended Kakiemon palette with a long­tailed bird perched on a bare branch before flowering indianische Blumen, blue crossed swords marks, 12.9cm. (2) £200­300

344 A rare Meissen lilac­ground teabowl, c.1730­40, painted with indianische Blumen in an extended Kakiemon palette, reserved within shaped panels on a lilac ground, brown line rim, blue crossed swords mark, 7.5cm dia. £300­500

Cf. Bonhams, The Hoffmeister Collection of Meissen Porcelain Part I, 25th November 2009, lot 42 for a tray with the same design.

345 An ormolu­mounted Meissen ecuelle and cover, late 18th century, probably for the Turkish market, painted with panels of flowers reserved on a claret ground, with a lemon finial and grapevine handles, raised on a later ormolu foot, 20.3cm. (2) £150­250

346 A Du Paquier beaker, c.1725­30, the slightly flared form finely painted with a seated Chinese figure playing a stringed instrument in a garden setting, beside a pagoda and flowering plants, the interior rim with three flower sprays, a small flat rim chip, 7cm. £250­350

347 Four small Meissen plates, 19th century, painted with central flower arrangements, the pierced rims with three shaped floral panels, blue crossed swords marks, some gilt wear, the decoration possibly later, 20cm. (4) £150­200

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348 A Sèvres ecuelle with cover and stand (écuelle ronde tournée et plateau ovale), date code for 1761, painted by Etienne Evans with colourful birds perched on and beside leafy branches, on a white ground with gilt dentil rims, blue interlaced Ls marks enclosing date letter i, 26.3cm. (3) £1,500­2,000

349 A rare pair of Meissen trencher salts, c.1735­40, of lobed quatrefoil shape, finely painted to the wells with two birds perched on a small branch beside a stem of red leaves, the sides with flowering indianische Blumen branches, blue crossed swords marks, 8cm across. (2) £500­800

350 A near pair of Meissen pot pourri vases and covers, 1st half 19th century, the baluster forms each applied with two winged putti and a profusion of flowers and fruits, painted with scenes of children, the reverses with flowers, the tall pierced covers surmounted with various blooms, blue crossed swords marks, small losses and restorations, 31cm. (4) £400­600

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351 A good Meissen teapot and cover, c.1728, of bullet shape, finely painted to one side with figures on a quayside before ships at sail in a harbour, the reverse with courtly figures conversing in a wooded landscape, all reserved within elaborate borders of Böttger lustre and red and puce scrollwork, with shaped wishbone handle and short faceted spout, overglaze blue crossed swords mark, 15.6cm across. (2) £2,000­3,000 Provenance: The Hasse Collection of German Porcelain, Bonhams, 8th October 2014, lot 30.

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352 A good Meissen teabowl and saucer, c.1725, painted in the manner of Christian Friedrich Herold with harbour scenes including figures fishing with a net, and standing on the quayside before ships at sail, within laub und bandelwerk panels in Böttger lustre, puce and red, the teabowl’s interior with a panel of indianische Blumen, blue crossed swords marks and gilt 73 marks, 12.6cm. (2) £400­600

353 A Meissen teabowl and saucer, c.1720­25, the teabowl unusually painted in the manner of Christian Friedrich Herold with passengers in a sampan or covered rowing boat, the reverse with a couple standing on a shore before a sailing ship, the saucer with a kauffahrtei scene of traders in a harbour, within elaborate laub und bandelwerk borders of Böttger lustre and red and puce scrollwork, blue crossed swords marks and gilt 64, 12.6cm. (2) £500­800

354 A Meissen octagonal cup and saucer, c.1735­40, painted with kauffahrtei scenes of traders in harbour settings, within elaborate formal gilt scroll borders, and double thin red lines, blue crossed swords marks and gilder’s H marks, 14.2cm. (2) £600­1,000

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355 A Continental porcelain oval plaque, 19th century, painted with the portrait of a young woman in a low­cut dress, holding a length of her hair in her left hand, mounted in a gilt gesso frame, the plaque 14cm. £100­200

356 A KPM (Berlin) oval plaque, 19th century, painted with the portrait of a Neapolitan fisher boy after Gustav Karl Ludwig Richter, mounted in a gilt frame, the plaque 17cm. £100­200

357 A Sèvres biscuit porcelain bust of Marshall Patrice de MacMahon, c.1875, the former French president dressed in military uniform with epaulettes and a sash, raised on a blue glazed socle, printed marks, 35cm. £200­300

358 A Sèvres biscuit porcelain plaque of Louis XVIII, c.1814­24, modelled in white relief on a blue ground with a profile portrait, incised A B to the reverse, mounted within a gilt wood frame, the plaque 9cm. £150­250 Old paper label for the Reynolds-Peyton Collection.

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359 A pair of ormolu­mounted bird groups, late 19th century, after Meissen, each modelled with two yellow birds around a nest of eggs, raised on scrolling ormolu mounts, 12cm high. (2) £150­250

360 A pair of ormolu­mounted Continental porcelain bird candlestick groups, probably 20th century, after Meissen, each modelled with a colourful bird perched on a low stump between ormolu branches applied with £150­250 flowers, 22.5cm. (2)

361 Four Meissen­style busts of the Four Seasons, late 19th century, left in the white, each modelled as the head and shoulders of a child, raised on a low square plinth above a socle base, the plinths each titled in French, blue crossed swords marks, and a late Capodimonte bust of Bacchus wearing a grapevine diadem, crowned blue N mark, 24.5cm max. (5) £200­300

362 A pair of Meissen figures of children, 19th century, each barefoot and modelled with a sheep or lamb, blue crossed swords marks, and a pair of Meissen­style figures of goats being simultaneously milked and ridden, small restorations, 12.5cm max. (4) £150­200

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363 A Zurich hot water jug and cover, c.1770, well painted with an arrangement of tulips and other flowers, with an elaborate scroll handle and scale moulding to the spout, blue Z mark, and a Marieburg figure of Cupid wearing a quiver of arrows and leaning on his bow, some restoration to the figure, 12cm max. (3) £200­300

364 A Meissen figure of a seated Turk, 1st half 19th century, one slippered toe peeping from beneath the folds of his yellow patterned robe, his elaborately turbanned head raised in thought, blue crossed swords mark, 8.5cm. £500­800

365 A rare Meissen figure of a cavalier writing a letter, mid 18th century, modelled by J J Kändler, seated at a writing desk and leaning over a letter begun in French, wearing a blue jacket, raised on a low base applied with flowers, blue crossed swords mark, losses and restoration, 13cm high. £50­100

366 Two Meissen figure groups, 19th century, one of two children possibly emblematic of Summer, a boy seated on a corn sheaf, his companion draped in flowers and playing the mandolin, the other group of two putti with a lamb and a parrot, each raised on an oval rocky base, blue crossed swords marks, one cancelled, 16cm max. (2) £200­300

367 A Mennecy figure of a musician, c.1760­65, modelled as a young girl holding a tambourine and wearing a polka dot apron over a floral dress, with a Mennecy figure or vase stand of chamfered square form painted with flowers, the stand cracked, minor restoration to the girl’s fingers, 13.3cm max.

(2) £150­200

368 A French porcelain figure of a girl, mid 18th century, wearing a simple dress and a tied headscarf, carrying a box containing a rabbit or small cat, a clean repair to the neck, 21.5cm. £150­200

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369 A Meissen figure group of apple pickers, c.1750, modelled by Kändler and Meyer, a young boy barefoot up a ladder resting against the fruiting tree, with three figures beneath gathering the apples in hats, aprons and other receptacles, blue crossed swords mark, some restoration and losses, 23cm. £150­250

370 A Meissen ‘crinoline’ group of lovers, 2nd half 19th century, originally modelled by J J Kändler with a gentleman leaning over a lady seated with a wide crinoline skirt, a pug beside the table on which she rests her sewing, blue crossed swords mark, incised 551, £150­250 the male figure broken off and restuck, 18.5cm high.

371 Five Continental porcelain chinoiserie figure groups, 19th and 20th centuries, two Meissen and depicting Chinese families in domestic settings, a pair Samson in the Meissen style of a Chinese couple raised on scrolled bases, the last after Bustelli at Nymphenburg and modelled with a reclining Chinese or Ottoman figure with a long moustache, 17.5cm max. (5) £250­350 Provenance: from the collection of Aubrey Furniss (b.1932), and thence by descent.

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372 A Sèvres biscuit porcelain figure group of La Nourrice, c.1774, modelled by Le Riche under the direction of Louis­Simon Boizet with a mother seated and nursing her baby while her young son stands beside her, the nursemaid at her other side holding the bassinet, a young girl seated on a low stool behind her mother’s chair, small restorations, 19.5cm high. £300­500 Cf. Tamara Préaud & Guilhem Scherf: La Manufacture des Lumières. La Sculpture à Sèvres de Louis XV à la Revolution p.186, no.151.

373 A rare pair of Zurich figures of servants (Diener und Dienerin), c.1770­80, one modelled as a butler or footman, holding a glass on a footed black tray and carrying a bottle in his right hand, the other of a housemaid carrying a tray of coffee, each standing before a square column on a low chamfered base, blue Z marks, minor faults, 14cm max. (2) £1,000­1,500 These models have previously been attributed to Johann Jochim Wilhelm Spängler, a member of the influential Spängler family that included the factory manager at Höchst.

374 A Meissen figure of a parrot, c.1820, modelled by J J Kändler, perched on a low stump with head turned, its plumage brightly coloured green with highlights in blue, yellow and red, the stump applied with flowers and leaves, faint blue crossed swords mark, good restoration, 14.5cm. £600­800

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375 A miniature Meissen figure of a sheep, c.1750, probably modelled

by Peter Reinicke, recumbent and with head turned to the left, its coat decorated with pale russet patches, restoration to its right foreleg, 6.3cm across. £200­300

376 A Sèvres biscuit porcelain figure of a nanny goat, c.1930, modelled

by Albert Bonabeau, recumbent on a low rectangular base, with relaxed ears and a beard, signed ‘A Bonabeau’, in a fitted cushioned case, 14.3cm across. £250­350

Cf. Sotheby’s, Property from the Collection of Sir Gawaine and Lady Baillie, 1st May 2013, lots 186 and 187 for similar examples.

377 Two Meissen figure groups of sheep, mid 18th century, probably modelled by Peter Reinicke, each with two recumbent sheep or lambs, one resting its chin on the back of the other, their woolly coats decorated with brown patches, raised on low pad bases applied with leaves and flowers, faint blue crossed swords marks, tiny losses, 10.2cm across. (2) £800­1,200

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THE BARBARA HORN COLLECTION 378 Three Bow teabowls and a saucer, c.1753­55, applied with small sprigs of flowering prunus, and a small slop bowl with similar decoration, 11.5cm max. (5) £150­250 379 A collection of Continental white­ glazed porcelains, most 2nd half 18th century, including three St Cloud trembleuse saucers, a Meissen teacup and saucer and a matching teabowl, all applied with flowering prunus, two modern Meissen teabowls in the white, and a St Cloud style chocolate cup, some damages, 13.3cm max. (9) £200­300

379

380 A group of English and Chinese porcelain teawares, 2nd half 18th century, including a West Pans armorial teabowl, a Bow coffee cup painted with flowering plants, with a Chinese cup in the same design, a Worcester saucer in a Scarlet Japan pattern, with two Chinese teabowls and a saucer in the same design, a Japanese teabowl with Kakiemon flowering plants, two Worcester Kakiemon teabowls, and a London­decorated Chinese teabowl, some faults, 12.5cm max. (11) £250­350 The crest on the West Pans is perhaps that of John Manners, Marquess of Granby, eldest son of the third Duke of Rutland.

381 A study collection of teabowls, 18th and 19th centuries, including Bow, Chelsea, Derby, Liverpool, Worcester, Factory Z, Flight, Meissen, Herculaneum, Chelsea­Derby and a number of Chinese porcelain examples, damages. (A lot) £100­200

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382 Nine Chinese blanc de Chine libation cups, most 18th century, two of octagonal form, six of oval form and raised on twig feet, one with gilt metal mount and handle, the last moulded as a flower and raised on a later ormolu base, rim cracks to three, 7.5cm high max. With three associated Chinese wood stands. (12) £400­600

383 Six Chinese blanc de Chine beakers, 17th/18th century, one of octagonal form and London­decorated in red and green enamels, four applied with £300­500 sprigs of flowering prunus, the last of plain lobed form, some faults, 7.5cm max. (6)

384 Six early Bow teabowls, c.1753­55, four painted in famille rose enamels with flowering peony, two sprigged with prunus sprays and painted with small flower sprays and flying insects, one broken and restuck, 8.5cm max dia. (6) £150­250

385 Seven Bow white­glazed coffee cups, c.1750­55, variously applied with sprays of flowering prunus, with varying scroll, loop and angular handles, some damages, 6.2cm max. (7) £150­250

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386 A rare Bow high­footed sauceboat, c.1750, moulded in high relief with garlands of flowers and gilded with further sprays, raised on a tall oval foot moulded with further flowers, with a large scroll handle, 22.5cm across. £150­250

387 A large West Pans white­glazed mug, c.1765­72, the tapering cylindrical form moulded with two rococo scrolled panels, and a Bow baluster mug applied with sprigs of flowering prunus, applied with a scroll handle, a rim crack to the Bow, 12cm max. (2) £300­500

Cf. Anton Gabszewicz and Geoffrey Freeman, Bow Porcelain, fig. 35 for a similar example.

388 An early Chelsea white­glazed beaker, c.1747, the tall flared form of eight lobes, sprigged with spiralling tea plant sprays, and another Chelsea beaker applied with three sprays of flowering prunus, the first with a rim £300­400 crack, restoration to the rim, 8cm max. (2) Cf. Malcolm Anderson, An Exhibition of Early St Cloud and Chelsea Porcelain, pl.XI and pl.XIII for other teaplant beakers.

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389 Three Bow white­glazed piggins, c.1750­52, all applied with sprigs of prunus, one of flared bucket form with an overhead handle, another of the same shape lacking its handle, the last of cylindrical bucket form with a replacement fleur de lys handle, 7.5cm high max. (3) £400­600

See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

390 A Chelsea octagonal teabowl and associated saucer, c.1752­55, painted in Kakiemon enamels with panels of flowering plants, the saucer with a continuous iron red and gilt foliate border, and a Chelsea white­ glazed trembleuse saucer, c.1750­52, applied with three sprigs of flowering prunus, raised anchor mark, some chipping, 12.2cm max. (3) £300­500

391 Three Bow white­glazed chocolate cups, c.1752­55, two double­ handled, one with a single handle and of tall slender form, applied with £150­250 sprays of flowering prunus, 8cm max. (3)

392 Three Chelsea­style ‘Goat and Bee’ jugs, 19th century, one Minton, another possibly Coalport, each modelled after Nicholas Sprimont with the jug supported on the backs of two recumbent goats, the handle formed as an oak branch, impressed Minton marks, an incised triangle to one, minor faults, 11.5cm. (3) £150­250

393 A Bow teapot and cover, c.1753­55, the globular body applied with flowering prunus branches, a Bow cream jug of flared bucket form, and a milk jug of baluster form, both sprigged with prunus, the handle of one jug repaired, 17cm across. (4) £200­300

Provenance: the single-handled cup formerly the Sutherland Collection.

394 A large Bow three­tiered sweetmeat stand, c.1760, left in the white and formed of six deep scallop shells beneath a circular upper shell, the whole encrusted with small shells, coral and seaweed, some restoration, 20cm. £150­200

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395 Three early Bow footed sauceboats, c.1750­55, two white­glazed and applied with sprays of flowering prunus, raised on three paw feet, the last high­footed and moulded with floral festoons, some damages, 22cm across. (3) £150­250

396 Three Bow white­glazed coffee cups and a small mug, c.1752­54, a trembleuse saucer and another saucer, all applied with sprigs of flowering prunus, some rim cracks, one saucer broken and restuck, 13.8cm max. (6) £150­200

397 Three Bow octagonal plates or dishes, c.1750­55, one elongated, and a circular plate, the rims applied with sprigs of flowering prunus, 31.5cm max.

(4) £200­300

398 Three early Bow matched teabowls and saucers, c.1753­55, left in the white and applied with sprigs of flowering prunus, minor faults, 11.4cm. (6) £200­300

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399 Six Chinese blanc de Chine figures of lion dogs, 17th and 18th centuries, five modelled with one forepaw resting on a brocade ball, raised on shaped rectangular bases, four with an incense holder beside, some damages, another holder lacking, 19.8cm max. (6) £250­350

400 Three matched pairs of Chinese blanc de Chine lion dogs, 18th century, of varying size, each modelled with one forepaw on a brocade ball, seated beside a tapering incense holder, raised on tall rectangular bases, some damages, 17.5cm max. (6) £200­300

401 Nine Chinese blanc de Chine figures of lion dogs, 18th and 19th centuries, of varying size and tone, all but one modelled with one forepaw resting on a brocade ball, seated beside a tapering incense holder, raised on tall rectangular bases, some faults and losses, 16cm max. (9) £200­300

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402 A matched set of Bow figures of the Rustic Seasons, c.1755, each modelled as a seated pastoral figure, Spring with baskets of flowers, Summer with sheaves of corn, Autumn sitting on a basket of grapes, Winter huddled over a flaming brazier, all left in the white, some restorations, 12.5cm max. (4) £300­500

403 Two Bow candlestick groups of birds in branches, c.1755, each modelled with two finches perched on gnarled branches applied with flowers, leaves and fruiting grapevine, a dog barking at the base of the tree, one with a metal branch supporting a candle sconce and leaf drip pan, one £300­500 lacking its fittings, some restoration, 22.2cm max. (2)

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404 Two Bow white­glazed figures, c.1755­58, one Columbine and seated playing the hurdy­gurdy, wearing a wide­brimmed hat, the other emblematic of Sight and modelled as a young girl fixing her hair in a mirror resting on her lap, some restorations, 14.3cm max. (2) £200­300

See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

405 A pair of Bow white­glazed theatrical figures, c.1750­54, modelled by the ‘Muses’ modeller as a Turk and his companion, the former possibly David Garrick in his role as Tamerlane, holding a scimitar and wearing a fur­ lined costume, his companion wearing an elaborate headdress and fur­lined cloak, raised on square bases, some restoration, 21cm. (2) £800­1,200 Cf. Raymond C. Yarbrough, Bow Porcelain and the London Theatre, p.38.

406 A matched pair of early Bow figures of Hope and Justice, c.1750­ 53, from a set of the Virtues, attributed to the ‘Muses’ modeller, Hope left in the white, standing and leaning on a square fluted column, draped in a long robe which covers her head, Justice wearing a flowered robe and black helmet, each raised on a flat square base, some losses and restorations, Hope’s anchor lacking, 21.5cm max. (2) £300­500

407 A large Bow white­glazed figure of Flora, c.1756­60, emblematic of Smell from a set of the Five Senses, holding a small posy up to her nose, standing beside a pierced urn resting atop a square pillar garlanded with flowers, a small amount of good restoration, 28cm. £300­500 This figure derives from a similar one modelled for the Meissen factory by J F Eberlein.

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408 Three Bow white­glazed figures of nuns, c.1753­ 55, two modelled as novices, one as an abbess, each seated with one foot extended, and a tall Chelsea figure of a shepherdess, c.1765, raised on a scrolled base before flowering bocage, a sheep recumbent beside her, damages and losses, 26.5cm max. (4) £100­200

409 A pair of Bow white­glazed figures of nuns, c.1755, of an abbess and a novice, seated and reading from large prayer books or Bibles, and a Bow figure of a standing nun, her right hand clutched to her breast in a contemplative gesture, some losses, 16.8cm max. (3) £200­300

410 A matched pair of Bow figures of an abbess and a novice, c.1755­60, each modelled with head bowed over a large prayer book, the abbess with left hand extended, picked out in black, puce and gilt, together with a white­ glazed figure of a nun, some losses and restoration, 15.2cm max. (3) £200­300

411 Three Bow figures of nuns or novices, c.1755, two left in the white and modelled seated with head bowed over a large Bible or prayer book, the third with later polychrome enamelling, some losses and restorations, 14.3cm. (3) £150­250

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412 Two English porcelain figures of nuns, c.1760­70, one Bow and seated with a large prayer book, her veil decorated with gilt stars, her book inscribed ‘Omnia Vanitas’, the other Derby and similar modelled, wearing a black veil and dark red underskirt, 15cm max. (2) £150­250

413 A rare Richard Chaffers (Liverpool) white­glazed figure of a nun or novice, c.1756­58, seated and reading from a bible or prayer book, wearing a long habit, minor restoration to the fingers of her left hand, 12.2cm. £500­800

414 A Longton Hall figure of a nun or abbess, c.1754­58, seated and reading from a religious text, titled to the interior page ‘Of Absolution’, wearing a long pink­lined habit, a rosary draped over her right knee, small £150­250 damages, restoration to her hands, 13cm.

415 A pair of Bow religious figures, c.1760­65, of a canon and a canoness, each standing and holding an open prayer book, the priest wearing a biretta and a short cloak, the nun with a wimple and long cloak, each raised on a scrolled base applied with flowers, red anchor and dagger marks, restoration, 18.5cm. (2) £200­300

416 A matched pair of West Pans candlestick figures of nuns, c.1770, modelled as an Abbess and a Novice seated and reading from religious texts, and a third West Pans candlestick figure of a novice, the last seated beneath a scrolled sconce and drip pan edged in puce and raised on scrolling supports picked out in puce and green, the pair lacking the candlesticks, the single repaired, 24.3cm max. (3) £400­600 Cf. Victoria and Albert Museum, Accession No. C.9A-1997 for a candlestick figure attributed to William Littler at West Pans.

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417 A Bow blue and white sweetmeat stand, c.1760, formed with three scallop shells painted with the Dragon pattern, with a central lobed shell rising from a column applied with small shells and coral, raised on three peg feet, some restoration, 14.5cm. £100­150

418 A Bow blue and white sweetmeat stand or pickle dish, c.1765­70, formed as three joined scallop shells, a circular dish rising from a central pillar, all painted with a figure crossing a bridge beside flowering plants, within trellis borders, the stem applied with small shells and coral, raised on three peg feet, some restoration, 13.5cm high. £150­250

419 A pair of Bow blue and white sweetmeat stands, c.1760, each formed of three scallop shells around a central whelk shell, the large shells painted £400­600 with differing flowering plants, all raised on a base of small shells and coral picked out in blue, 10.5cm high. (2)

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420 A rare Bow blue and white guglet, c.1755­60, the bottle form painted with chrysanthemum, bamboo, millet and other Oriental plants, beneath ruyi scroll borders and stylized stiff leaf bands, the neck with a swollen knop with a panelled trellis design, some restoration to the rim, 25.3cm. £250­350

421 A large Bow blue and white coffee pot and cover, c.1758­60, the pear­shaped body with pineapple moulding beneath a cell diaper border, with crabstock handle and foliate scrolls decorating the spout, 24cm. (2) £300­500

422 A Bow blue and white coffee pot and cover, c.1755­58, the squat form painted with chrysanthemum, millet and bamboo, the rim with a wide panelled trellis border, cracked, 19.5cm. (2) £150­250

423 A rare Bow blue and white butter tub with cover and stand, c.1765, the cylindrical form painted with fan panel landscapes reserved on a powder blue ground, with small floral roundels between, the cover with a flower knop, pseudo Chinese script marks, 14.5cm. (3) £400­600 Provenance: formerly the Barbara Leake Collection.

Exhibited: International Ceramics Fair Loan Exhibition, 1999, no.43.

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424 Five large Bow blue and white mugs, c.1750­65, bell shaped and painted in the Oriental manner, one with a pagoda landscape, the others with various flowering plants including peony, bamboo, pine and chrysanthemum, damages, 15.2cm max. (5) £150­200

425 Three Bow blue and white mugs, c,1760­ 65, two of baluster form, the smaller painted with a Chinese landscape, the other with European flowers and flying insects, the last cylindrical and painted with a pagoda landscape, with a tapering Imari mug painted with flowering branches, small faults, 12cm max. (4) £150­250

426 Four Bow blue and white bowls, c.1760­ 70, of varying size, two painted with Oriental landscapes, the interiors with panelled trellis borders, the other two with flowering peony sprays, rim cracks to two, 19.1cm dia max. (4) £150­250

427 A group of English and Chinese porcelain blue and white teawares, most 18th century, painted in the Dragon pattern, each with a large scaly beast chasing flaming pearls of wisdom among cloud scrolls, including two Bow teabowls and a saucer, a small Lowestoft bowl, a Spode saucer, and two Chinese small bowls, 13.4cm max. (7) £100­200 102

See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

428 Three large Bow blue and white mugs, c.1758­60, one cylindrical, two of baluster form, each painted in the Dragon pattern with a large scaly beast chasing a flaming pearl among cloud scrolls, painter’s numerals to two, damages, 15cm max. (3) £100­150 One with a paper label for the Mark Hall Collection.

429 Ten Bow blue and white teabowls, c.1755­65, variously decorated with Oriental landscapes, birds on branches, and flowering plants, two with £150­200 figures beside ships, and a Japanese porcelain teabowl also painted with figures and ships, some damages, 8.2cm max dia. (11)

430 A group of early Bow blue and white teawares, c.1750­55, including two teabowls and a saucer painted with a crane perched on a fence beneath plantain, a matched teabowl and saucer with an island landscape scene, and three coffee cups and a teabowl variously painted with Chinese garden scenes £200­300 and flowering plants, small faults, 13cm max. (9)

431 Five English blue and white milk jugs, c.1758­70, one Vauxhall and painted with a low hut in a mountain landscape, and four Bow jugs, one in the Mansfield pattern, one with a pagoda landscape, two with flowering branches, the landscape jug cracked, some rim faults, 8cm max. (5) £200­300

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432 Four English porcelain blue and white plates or dishes, c.1760­70, two Bow, one Lowestoft, one Worcester, all painted with fan­ shaped panels around a central circular landscape, reserved on a powdered blue ground, pseudo Chinese script marks, crossed swords mark to the Lowestoft, 20.9cm max.

(4) £150­250

433 Three Bow blue and white dishes or plates, c.1760, of octagonal form and painted with fan­shaped panels of island landscapes and small floral roundels, reserved on a powdered blue ground, with a small Worcester plate in the same design and with later enamelling, pseudo Chinese script marks to three pieces, damages and repairs, 31.3cm max.

(4) £100­200

434 Three English porcelain blue and white dishes, .1760­70, one Bow of deep square form and painted with a fan­panelled landscape design on a powdered blue ground, a shaped Caughley dish in a similar pattern, and a large Worcester junket dish painted in the Hollow Rock Lily pattern, various marks, two broken and restuck, 25.7cm max. (3) £100­150

435 Four Bow blue and white dishes, c.1760­65, including an octagonal charger, a plate and a small dish painted with bamboo and flowering peony beside rootwork, a plate painted with a fan­panel landscape design on a powdered blue ground, and a similar moulded dish, possibly Isleworth, also in a fan­ panel pattern, damages, 31.7cm max. (5) £100­150

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436 A rare pair of Bow blue and white flower pots, c.1762­65, the flared bucket shapes painted with fan­shaped panels of Oriental landscapes reserved on a powder blue ground, moulded with ring handles, the bases pierced with a central hole, stands lacking, 6.2cm. (2) £200­300

437 A rare Bow blue and white egg cup, c.1762, painted with shaped panels of flowers and leaves and small floret roundels, reserved on a powder blue ground, raised on a spreading foot, pseudo Chinese script mark, 6.5cm. £200­300

Formerly with Rod Jellicoe.

Cf. Anton Gabszewicz and Geoffrey Freeman, Bow Porcelain, pl 103, p 74.

438 A Bow blue and white part tea service, c.1760­65, comprising a teapot and cover, a milk jug, a slop bowl and a teacup, decorated with fan panels containing Chinese landscapes, reserved on a powdered blue ground, repairs to the cup and bowl, 15.5cm max. (5) £150­250 Provenance: the teapot formerly in the Godden Reference Collection; the cup formerly in the Goss Collection.

439 A Bow blue and white teapot and cover, c.1755, the barrel shape painted with vases, low tables and auspicious objects within shaped panels on a powder blue ground, 21.3cm across. (2) £100­200

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440 Two Bow blue and white baskets, c.1758­65, the larger of circular form and painted to the interior with sprays of Oriental flowers, the inside rim with a continuous floral band, the smaller oval and decorated to the interior with an elaborate pagoda beneath trees, the sides formed of interlocking circles, a repair to the larger, 22.3cm max. (2) £150­250

441 A Bow blue and white coffee pot and cover, c.1760­65, painted with a pagoda beneath a tall willow tree, the spout with flowering plants, and a large jug painted with birds in flight above peony and an ornamental fence, the jug handle’s broken and restuck, 21cm max. (3) £200­300

442 Four Bow blue and white dishes, c.1760­65, two modelled as large leaves and painted with further vine leaves, the other two moulded and painted with fruiting grapevine, pseudo Chinese script marks, two with riveted repairs, 24cm max. (4) £100­150

443 Two large Bow blue and white mugs, c.1755­65, the earlier of cylindrical form with a flared foot, unusually painted with a parrot perched on the hand of a moustachioed Chinese figure, a further figure walking behind with a large parasol, the later printed with Chinese ladies, one attended by further figures, the other standing beneath a parrot on a branch, both riveted, 15.3cm max. (2) £150­250

444 A Bow blue and white tureen and cover, c.1765, of quatrefoil form, painted with a stag, three Bow stands or dishes, two moulded and painted with flowers and butterflies, the last with a pagoda landscape, and a Derby butter tub and cover painted with figures on a bridge in a Chinese landscape, some damages, 24cm max. (7) £120­180

445 A group of English porcelain teawares, c.1760­70, including a Bow trio of teabowl, coffee cup and saucer moulded with reeding within cell diaper borders, a Bow Imari teabowl and saucer, a Lowestoft blue and white teabowl and saucer with flowering peony and rockwork, a large ogee cup and saucer with a panelled pattern on a powdered blue ground, and a Chinese porcelain teabowl and saucer painted in the Boy on a Buffalo pattern, some faults, 14.8cm max. (10) £150­250

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446 A Bow blue and white shell salt, c.1755, moulded as a deep fluted shell painted with stylised blue flower sprays, the interior with a formal border, all raised on three shell feet with further coral and small shells, a small rim repair, 7.5cm high. £200­300

447 A Bow miniature blue and white teapot and cover, c.1760­65, the globular body painted with fruiting grapevine, together with a teabowl in the same pattern, a blue and white coffee cup painted with a peony spray, and a polychrome teabowl with peony in famille rose enamels, damages and restoration, 11.2cm across. (5) £150­200

448 A small Bow blue and white dish, c.1758, painted with a Koto player seated beneath a pine tree, painter’s numeral 2, a Bow hors d’oeuvres dish painted with a figure in an island landscape within a trellis border, and a small Chinese porcelain dish painted with the Jumping Boy pattern, four character script mark, a rim crack to the hors d’oeuvres dish, 13.8cm max. (3) £150­250

449 Two early Bow blue and white coffee cans or small mugs, c.1750­ 53, one painted with the Cross­Legged Chinaman pattern, with a further figure fishing from a sampan, the other with chrysanthemum and bamboo beside a fence, with a small Bow milk jug, painted with a crane standing atop an ornamental fence beside plantain, minor faults, 7.5cm max. (3) £250­350

450 A small collection of English porcelain blue and white teawares, c.1758­70, including two Vauxhall teabowls painted with pagoda landscapes, two Liverpool teabowls, a Liverpool coffee can, a Worcester coffee cup in the Prunus Root pattern, and five Bow coffee cups, one in the Golfer and Caddy pattern, some damages, 6.2cm max. (10) £200­300

451 A Bow blue and white chamberstick, c.1755­58, the drip pan formed as a leaf and painted with Oriental flowers, two Bow pickle leaf dishes painted with grapevine, a patty pan painted with Oriental flower sprays, a Bow fork, a Chelsea white­glazed fork, and a small St Cloud fork, some damages and repairs, 21.5cm max. (7) £150­250 Cf. Elizabeth Adams & David Redstone, Bow Porcelain, p.164 for a similar chamberstick.

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452 Two early Bow blue and white sauceboats, c.1752­55, of flat­ bottomed form, painted in a bright blue with the Desirable Residence pattern, the interiors with a tied scroll motif, minor faults, 21.3cm max. (2) £150­200

453 Two early Bow blue and white footed sauceboats, c.1752­55, one painted in a bright blue with the Desirable Residence pattern, the other with a blurred Oriental landscape, each raised on three paw feet, the latter cracked, 21.5cm across. (2) £150­250

454 Five Bow blue and white sauceboats, c.1758­70, one flat­ bottomed and painted to the interior with bamboo and peony, another fluted and painted with the Desirable Residence pattern, one moulded with flower and fruit sprigs, another with floral panels, the last with a pagoda beneath tall trees, small damages, 19.7cm max. (5) £200­300

455 Seven English porcelain blue and white sauceboats, c.1758­70, three Bow and moulded and painted with flowers, another in the Desirable Residence pattern, another painted with panels of Chinese figures, a large Bow sauceboat painted with panels enclosing a pagoda landscape, and a Longton Hall cos leaf sauceboat with Chinese landscape scenes, damages, 20cm max. (7) £100­200

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456 Three Bow octagonal blue and white plates, c.1753­56, one painted with the Koto Player, seated in a garden, another with the Golfer and Caddy pattern, with a Chinese figure attended by a small boy, the last with a jumping boy beside his seated mother, and a Bow saucer dish also in the Golfer and Caddy design, two broken and restuck, 23.3cm max. (4) £200­300

457 A large Bow charger or serving plate and a pair of plates, c.1750­52, all painted with the Broken Scroll pattern, the scroll depicting flowering peony and holey rockwork, within a formal panelled border, small rim chips, 30cm max. (3) £150­250 Provenance: formerly the Peter Burke Collection.

The smaller plates with paper labels for Roderick Jellicoe, the larger for Mercury Antiques.

458 Three Bow blue and white octagonal plates, c.1760, the wells painted with bamboo, peony and lotus, the rims with four stylized flowerhead panels on a trellis diaper ground, one with a rim repair, 23.4cm. (3) £150­200

459 Seven English porcelain blue and white saucers, c.1758­70, including a Richard Chaffers (Liverpool) saucer in the Jumping Boy pattern, a Bow saucer with a Chinese figure in a garden, another with a bird perched on a fence, a fan­panelled Bow saucer, and three others with floral decoration, some faults, 13.8cm max. (7) £150­250

END OF COLLECTION

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A PRIVATE COLLECTION OF ENGLISH COFFEE WARES 460 Two Bow blue and white small mugs or coffee cans, c.1752­53, one painted with the Cross Legged Chinaman pattern and a figure fishing from a boat, the other with Oriental plants beside a fence, a Worcester mug painted with the Peony pattern, and a Liverpool mug painted with Chinese figures flanking a willow tree, 7cm max. (4) £200­300

461 Four English porcelain coffee cans or small mugs, c.1753­65, one Bow and painted with a Chinese figure and a boat, a Lowestoft can painted with a Chinese figure in a garden, a Worcester can printed and coloured with Chinese figures, and a Liverpool can painted with further figures, 6.5cm max. (4) £200­300

462 Three English porcelain coffee cans or small mugs, c.1760­80, one Bow and painted with flowers between an iron red border, another Liverpool and similarly decorated, the last Worcester and decorated in a limited palette with flowers, together with a pearlware nursery mug printed and coloured with a figure playing the harp, 6.3cm max. (4) £150­250

463 Two Chinese porcelain custard cups and covers and six coffee cans, 18th century, one custard cup painted with flower panels in the European manner, the other painted in underglaze blue with a pagoda landscape, two cans painted with famille rose peony sprays, one with famille verte flowering plants, three with later European polychrome decoration, 8.3cm max. (10) £100­200 110

See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

464 Four early Bow coffee cans or small mugs, c.1752­54, two left in the white and applied with sprigs of flowering prunus, two painted in famille rose enamels with sprays of flowering peony and chrysanthemum before rootwork, 6cm max. (4) £150­250

465 Four early blue and white Worcester coffee cups, c.1753­55, the reeded forms with lobed everted rims, painted to the exterior with a continuous floral band, each with a scroll handle, minor faults, 5.3cm. (4) £250­350

466 Two William Reid (Liverpool) coffee cups, c.1756­58, of finely potted reeded form, one blue and white and painted with a flowering branch, the other enamelled with flower sprays in a famille rose palette, each with a finely moulded scroll handle, a Worcester small mug printed in black with L’Amour, and a flared Worcester cup in the Two Quail pattern, small faults, some later decoration to the Two Quail cup, 6.4cm max. (4) £400­600

467 A small collection of Worcester ‘Dragons in Compartments’ wares, c.1795­1820, including a Chamberlain’s cup and saucer, an egg cup, a Barr artichoke pot and cover, a coffee can, a milk jug and a small saucer or stand, variously decorated with scaly and comical dragons within lotus­shaped panels, 15cm max.

(8) £200­300

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468 A rare Worcester coffee jug and cover and two Worcester coffee pots and covers, c.1760­80, the jug painted outside of the factory with iron red landscape and flower panels alternating with underglaze blue bands, one coffee pot with fan­shaped panels of flowers on a wet blue ground, the other with Warmstry fluting and painted with stylised flower sprays in puce monochrome, minor faults, 25cm max. (6) £500­800 Provenance: the coffee jug formerly in the Zorensky Collection; the Warmstry pot formerly in the Sir Jeremy Lever Collection; the fan-panel formerly in the Tim Olney Collection.

469 Two Worcester coffee pots and covers, c.1758­70, the smaller blue and white and painted with the Mansfield pattern, the larger painted with polychrome flower sprays, and a Lowestoft teapot and cover, painted in famille rose enamels with flowers and trellis panels in pink and purple, 21cm max (6) £300­500 The Mansfield coffee pot formerly in the Zorensky Collection.

470 Two Worcester coffee pots and covers, c.1760­ 70, one feather­moulded and painted with butterflies and Oriental flower sprays in gilt and red, the other painted with Chinese figures in formal garden settings within underglaze blue and polychrome flower sprays, minor faults, 25cm max. (4) £400­600

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See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

471 Two pairs of early Worcester coffee cups, c.1753­55, the reeded forms with lobed rims, each painted in famille rose enamels with peony sprays and other flowers, each pair with a differing iron red border, minor faults, 5.3cm. (4) £400­600

472 Four early Worcester coffee cups, c.1753­55, of lobed and reeded form, sparsely painted with small flower and leaf sprigs, and with flying insects in famille rose enamels, with scroll handles, minor damages, 5.5cm.

(4) £300­500

Provenance: the true pair formerly with Robyn Robb. One of the matched pair formerly in the Crane Collection.

473 Four early Worcester coffee cups, c.1753­55, of reeded and lobed form, all similarly decorated in the famille rose palette with small flowering branches and formal floral borders, each with a scroll handle, some damages and repairs, 5.5cm. (4) £300­500

474 Three early Worcester coffee cups, c.1753­55, one blue and white, the reeded form painted with flower sprays, painter’s mark, another of generous reeded form and painted with famille rose flower sprays, the last with feather moulding and painted with the Stag Hunt pattern, minor faults, 6cm. (3) £250­350

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475 A fine Worcester coffee pot and cover, c.1765, the baluster body of Warmstry­fluted form, finely painted with polychrome flowers alternating with vertical blue bands enclosing small floral panels and highlighted with geometric gilt designs, blue square seal mark, 24.5cm. (2) £600­1,000

476 An early Worcester coffee pot and cover, c.1752­52, the squat baluster form deriving from a silver shape, painted in an extended Kakiemon palette with a small wading bird beneath tall millet sprays and flowering plants, the cover a replacement, 18cm. (2) £500­800

Formerly in the F S Mackenna Collection, no.66.

477 A very small Worcester coffee pot and cover, c.1755, the baluster form painted with a Chinese boy playing with a dog beside a tall table, his mother sitting beside, the reverse with a Chinese lady standing beneath a bird on a perch, some good restoration, 14.5cm. (2) £300­500

478 A Worcester blue and white coffee pot and cover, c.1758­60, the baluster body painted after a Chinese original, in the Dragon pattern with a large writhing beast amid stylised cloud scrolls, workman’s mark, well repaired chips to the cover, 23cm. (2) £800­1,200 Acquired from Rod Jellicoe.

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See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

479 Two Worcester coffee pots and covers, c.1760­65, the taller of Warmstry fluted form and decorated with panels of plants and banded hedges in Kakiemon enamels, alternating with blue bands and flowerhead mons, the smaller similarly decorated in a Scarlet Japan pattern, 24cm max. (4) £300­500 Provenance: formerly in the Sir Jeremy Lever Collection.

480 A rare coffee pot and cover, c.1780, the baluster form unusually painted in the Chinese manner with two strutting pheasants in shades of red, pink and black, and a slender Worcester coffee pot and cover of reeded form, later­decorated in the Giles manner with colourful birds and insects, the rim and foot with an underglaze blue formal border edged in gilt, 23.3cm max. (4) £500­800 Provenance: the first formerly in the Zorensky Collection; the second formerly in the Sir Jeremy Lever Collection.

481 Two Worcester coffee pots and covers, c.1760­70, of varying baluster form, painted with Chinese figures seated at and standing beside tables, at various pursuits, 24.5cm max. (4) £300­500 Provenance: the taller coffee pot formerly in the Zorensky Collection.

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482 Three early Worcester coffee cups, c.1753­54, two of seven­lobed reeded form, both painted with sprays of famille verte flowers, the other of finely reeded form and painted with a continuous foliate border, minor faults, 5.9cm max. (3) £300­400 One formerly in the Zorka Hodgson Collection.

483 A rare and early large Worcester reeded cup, c.1753­55, the everted lobed rim painted with a border of flowerheads linked by black pencilled scrolls, the body with scattered insects, and two smaller coffee cups with similar Oriental­style decoration of scattered flower sprays and insects, minor faults, 7.7cm max. (3) £300­500

484 Two early Worcester coffee cups, c.1753­55, of reeded form with lobed rims, one finely painted in polychrome enamels with flowering Oriental plants issuing from rockwork, the other with small flower sprigs, the interior rim with a continuous flowerhead border, each applied with a scroll handle, 5.3cm. (2) £250­350

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See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

485 A large Worcester coffee pot and cover, c.1756­58, the feather­ moulded body finely painted with polychrome flower sprays beneath a puce scroll border, the spout with a sprig of heartsease, a little good restoration to the spout, 25.3cm. (2) £500­800

486 A rare London­decorated Worcester coffee pot and cover, c.1756­ 58, the small feather­moulded form painted by an outside decorator with sprays of fruit and flowers including a large strawberry and a caterpillar, with a gilt chain linking the handle and cover, a restored rim chip to the cover, 23cm. (2) £500­800

487 A Worcester coffee pot and cover, c.1765, the pear­shaped body painted with Chinese figures on a terrace and peering out of a window, between puce diaper panels and red foliate scrolls, restored chips to the finial, 21.7cm. (2) £400­600

488 A small Worcester coffee pot and cover, c.1756­58, the baluster body painted with an arrangement of flowers amid small scattered sprigs, the rim and cover with a continuous puce scroll border, 19cm. (2) £150­250

Provenance: formerly the Zorensky Collection.

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489 A rare and early Worcester coffee cup, c.1753­54, the reeded form well painted with a Chinese boy and a Long Eliza figure standing beneath a willow tree and a tall vase, beside the handle with a peony spray issuing from rockwork, 5.2cm. £500­800

490 A rare early Worcester coffee cup, c.1753­54, the reeded form finely painted with a Chinese figure holding a flower spray and a fan, flanked by willow trees and beside a large spray of flowering peony, with a scroll handle, 5.2cm. £500­800

Provenance: formerly the Frank Wheeldon Collection.

Provenance: formerly the Cohen Collection and exhibited at Albert Amor Ltd in 1992.

491 An early Worcester coffee cup, c.1753­55, the reeded form finely painted in the Oriental manner with a flowering peony tree before distant pine trees, the lobed rim with a formal flowerhead border in famille rose enamels, a small rim chip, 5.3cm. £400­600

492 A Philip Christian (Liverpool) armorial mug or coffee can, c.1768, painted in polychrome enamels with the arms of Brougham impaling Lamplugh, the shield cartouche edged with puce rococo scrollwork, the reverse with the crest of an arm holding a fish, a small filled rim chip, 6.4cm. £150­250

Exhibited: Simon Spero, 2009, No. 24.

An extensive tea and coffee service is believed to have been made for Peter Brougham, possibly on the occasion of a proposed marriage to his second cousin, Elizabeth Falconer, prior to her death in May 1769.

Cf. Colin Handley’s paper to the ECC, Trans. vol. 18, part 3, pp. 543-551. The teapot from the set is shown as fig. 1. The matching coffee pot was exhibited by Simon Spero, Liverpool Porcelain exhibition (2006), fig. 26.

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END OF COLLECTION

See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

OTHER PROPERTIES 493 Six Worcester coffee cups, c.1760­ 75, one painted in the manner of the Hope Edwardes service, another similar with gilt trellis on a shaped turquoise border, one with floral panels on a blue scale ground, another with a Scarlet Japan pattern, the last two with flower sprays, 6.5cm max. (6) £150­200 Provenance: all formerly in the King Collection.

The blue scale cup also with labels for the Wilders Collection and the Sir Jeremy Lever Collection.

494 A Worcester armorial teabowl and three saucers, c.1758, the teabowl painted in black with a shield and later enamelled with the arms of Wilson impaling Langton, the reverse with the Tea Party, one saucer with the same print, another with L’Amour, the last with a landscape including a windmill, 12.5cm max. (4) £200­300 Cf. H Rissik-Marshall, Coloured Worcester Porcelain of the First Period, pl. 35, no. 754 for an example from the armorial service. A small number of these services were made by the factory using printed blanks and decorating the arms to order, possibly at external ateliers such as that of James Giles. However, the British Museum has a teapot stand from the same service and notes that the arms are incorrectly painted.

495 A Lowestoft blue and white teabowl and four saucers, c.1765­75, the teabowl and matching saucer in the Robert Browne pattern, two saucers painted with flowering Oriental plants, another printed with Chinese figures and oxen, with a Liverpool teabowl and saucer printed with a Chinese family, minor faults, 12.8cm max. (7) £150­250

496 A group of English blue and white tea wares, c.1760­70, including a Liverpool coffee cup and saucer painted with flower sprays, a Worcester moulded coffee cup and large saucer, a Lowestoft teabowl in the Three Flowers pattern, a large Vauxhall teabowl painted with pagodas on an island, and a Longton saucer with a figure in an Oriental landscape, small damages, 14cm max. (7) £100­200

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497 An early Worcester blue and white coffee cup, c.1753­54, the reeded form with seven scallops to the rim, painted with a continuous floral border, painter’s mark, and a Philip Christian (Liverpool) teabowl and saucer, painted with a design of three Chinese figures and a dog, small rim faults, 12.2cm max. (3) £150­250

498 A Worcester ‘Scratch Cross’ coffee pot, c.1753­55, the pear­shaped body painted in polychrome enamels, one side with a Chinese boy and his dog beside his mother seated at a tea table, the reverse with two Chinese figures beneath a long­tailed bird perched on a stand, the cover lacking, some good restoration, 14cm high. £100­150

499 A pair of Worcester blue and white teabowls, c.1765, painted with the Eloping Bride pattern, and a Lowestoft saucer printed with the Boy on a Buffalo pattern, 12.3cm max. (3) £150­250

500 A small Worcester bowl, c.1765­70, printed and coloured with Chinese figures at various pursuits, a Worcester plate painted with sprays of flowers, and a teacup and saucer painted with fruit sprigs in puce £150­250 monochrome, 19.3cm max. (4)

501 A Worcester teabowl and saucer, c.1770­75, with a fine band of reeding, painted with shaped panels of turquoise shagreen linked by puce £150­250 floral swags, 13cm. (2)

502 A Worcester ‘Chelsea Ewer’ shape milk or cream jug, c.1770­75, painted in the Mandarin manner with a Chinese lady and boy in a garden setting, around the handle with a stylised flower spray on a gilt scroll ground, 8.5cm. £150­250

Provenance: Albert Amor Ltd., The Sidders Collection of Worcester Porcelain, 1985, no. 76.

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See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

503 A rare Caughley blue and white pickle dish, c.1770, the large leaf­shape dish printed in a bright blue with the Birds in Branches pattern, a smaller Worcester blue and white pickle dish, painted with a central gillyflower, and a small Worcester blue and white teabowl and saucer, the teabowl printed with the Fence pattern, the saucer with Three Flowers, crescent marks, 11cm max (4). £150­250

504 A Caughley blue and white mug, c1775­85, printed to one side with La Pêche design and La Promenade Chinoise to the other, C mark, a Worcester blue and white slop bowl painted with birds in branches and a small blue and white Worcester plate decorated with sprigs of flowers and foliage, 19.5cm max (3) £200­300

505 A Lowestoft blue and white jug and a small sauceboat, c.1765, the jug painted with flowering Oriental plants, the sauceboat panel­ moulded and decorated with chinoiserie fisherman in pagoda landscapes, with an early Bow patty pan painted in a pale blue with stylised flowers and a formal border, minor damages, 14cm across. (3) £150­200

506 A Caughley blue and white dish, c.1785­93, painted with the Weir pattern in a bright blue within a panelled trellis and Greek key border, a Liverpool teabowl and saucer painted with flower sprays, and a Derby pan with lily of the valley sprigs in overglaze blue, 26.7cm max. (4) £150­250

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507 A group of Bristol porcelains, c.1772­75, including a tea canister of ovoid shape, painted with floral garlands, a basket stand with pierced rim applied with flowers, a pickle leaf dish with blue and puce sprigs, a saucer painted with polychrome flower sprays, and a Lowestoft milk jug, some damages, 25.3cm max. (5) £250­350

508 A pair of Worcester saucer dishes, c.1765, painted with shaped panels of flowering plants and landscapes in Kakiemon enamels reserved on a blue scale ground, square seal marks, a Worcester double leaf dish painted with colourful birds and scattered moths and butterflies, and a scallop­edged plate painted with flower garlands on a blue scale ground, open crescent mark, 25.8cm max. (4) £200­300

509 Two Worcester sucriers and covers, c.1760­70, one painted with fan panels of flowers reserved on a wet blue ground, the other Warmstry fluted and painted with polychrome flowers, a teacup and saucer painted with simple flower swags reserved on a blue scale ground, and a reeded cup and saucer £150­250 with flower garlands, open crescent and square seal marks, 13.7cm max. (8)

510 Two Worcester cylindrical mugs, c.1765, the larger painted with panels of Kakiemon plants alternating with formal gilt and white floral designs on a blue ground, the smaller with stylised flower sprays reserved on a wet blue ground, a small two­handled vase painted with exotic birds on a blue scale ground, and a milk jug with naive polychrome flower sprays, minor restoration to the vase, 13.5cm max. (4) £150­250 122

See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

511 A pair of Chelsea­Derby plates, c.1770, painted in green and black with a central flower spray within garlands suspended from gilt ribbon, with spiral moulded rims, 21.2cm. (2) £100­200

512 A Chelsea dessert dish, c.1752­58, richly decorated in the Imari palette with the Brocade pattern, with sprays of flowering chrysanthemum to the well, the cavetto and rim with a wide panelled border of prunus sprays and hatched designs beneath floating chrysanthemum mons, the underside of the rim with further flower sprays, blue anchor mark, 20.5cm. £150­250

513 A Longton Hall strawberry soup plate or shallow bowl, c.1756, the rim moulded and painted with large strawberry leaves and small fruits, the well painted with sprays of flowers and a large insect, 23.7cm. £200­300

514 A pair of Chelsea dessert plates, c.1760­65, boldly painted in the manner of James Giles with long­tailed fancy birds perched on rockwork amid leafy plants, flanked by further colourful birds, the moulded rims picked out in blue and gilt, gold anchor marks, 22.3cm. (2) £250­350

515 A pair of Worcester dessert plates, c.1770, of lobed shell shape, each painted with a central flower arrangement to the well, within a formal gilt scroll border reserved on a wet blue ground, blue crescent marks, 21cm.

(2) £100­150

516 A small Worcester scallop­edged plate, c.1770­75, painted in the London atelier of James Giles with a dishevelled fancy bird standing on rockwork and flanked by two smaller birds perched in leafy branches, some restoration to the rim, 19.2cm. £200­300 123

517 A rare Chelsea dessert dish, c.1755, painted in the Meissen manner with naturalistic sprays of flowers and scattered insects, reserved within panels with black and red line borders reserved on a yellow ground, a footrim chip, extended firing cracks, £150­250 27cm.

Cf. Victoria & Albert Museum, Accession No. 414:341-1885 for a pair of dishes from the Lady Charlotte Schreiber Collection.

518 A pair of Chelsea moulded shallow bowls or plates, c.1756, moulded after Meissen in the Gotzkowsky manner with a continuous floral garland and four floral panels to the rim, painted with scattered flowers, moths and other insects, brown line rims, 24.5cm. (2) £200­300

519 A pair of Flight Worcester dessert dishes after the Bishop Sumner service, c.1790, richly decorated in the manner of Chinese famille verte with a kylin and a phoenix to the well, the rim with six panels of birds, flowers and mythical beasts, the £200­300 underside with three floral sprays, 22cm. (2)

520 A rare pair of Worcester cornucopia wall pockets, c.1756­58, of traditional spiral­moulded horn shape, painted with colourful Oriental flower sprays and large insects, a moulded floral border at the rim picked out in colours, a couple of small filled rim chips, 25.5cm. (2) £600­800

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See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

521 A rare Worcester printed mug, c.1770­75, the generous bell shape printed in purple monochrome, one side with The Bird’s Nest after Boucher, a young gentleman proffering a nest of chicks to a maiden seated beneath a tree, the other side with a couple walking arm in arm, each holding a riding crop while their dog goes on before, enamelled 4 and 5 beneath the base, £150­250 some wear, a flaw to the base, 11.6cm.

522 A Worcester sauce tureen and cover, c.1760­70, painted with garlands of polychrome flowers within gilt scroll panels reserved on a wet blue ground, open crescent mark, one handle restored, 17cm across. (2) £100­150

Cf. 18th Century English Transfer-Printed Porcelain and Enamels, The Joseph M Handley Collection, p.93, no.2.39 for a milk jug printed in black with The Bird’s Nest.

523 A Caughley cabbage leaf jug, 1780­90, decorated with a gilt monogram below the spout, the moulded sides decorated with gilt sprigs and blue cornflowers, the spout formed as a bearded mask, 22cm. £100­150

524 A Worcester teabowl and saucer, c.1765­70, of Warmstry fluted form, painted in polychrome enamels with scattered flower sprigs within a continuous floral border, blue square seal marks, 11.8cm. (2) £100­150

525 A rare Worcester teapot with cover and stand, c.1765­70, crisply moulded with a continuous chrysanthemum design with scrolling foliage, picked out in dry blue and with gilt dentil borders, the stand of a rare hexagonal floral form, 20cm across. (3) £150­250

526 A Worcester sucrier and cover, c.1765, painted with panels of Oriental flowers and banded hedges in the Kakiemon palette, reserved within shaped gilt scroll cartouches on a blue scale ground, square seal marks, 11.7cm dia. (2) £100­150

Provenance: formerly the Geoffrey Godden Reference Collection.

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527 A pair of early Bow pudding basins or small bowls, c.1752, the deep wells painted in famille rose enamels with a butterfly in flight above lotus and other flowering plants, the lobed rims with a continuous floral border, 15.3cm. (2) £250­350

528 A matched pair of Longton Hall strawberry leaf cream or milk jugs, c.1756, each slender form moulded with large strawberry leaves issuing from twisted stalk handles, painted in the Trembly Rose manner with small flower sprays and single sprigs, some filled rim chips, 7.8cm. (2) £400­600

529 A large pair of Longton Hall rococo­moulded vases and covers, c.1758­60, of asymmetrical form, painted in polychrome enamels with sprays of flowers around and within frilled scrolls, the covers modelled as a profusion of flowers including tulip, carnation and narcissus, small losses, 25cm. (4) £300­500

530 A Chelsea dessert plate, c.1752­58, richly decorated in the Imari palette with the Brocade pattern, with a spray of flowering chrysanthemum to the well, the cavetto and rim with a wide panelled border of prunus sprays and hatched designs beneath floating chrysanthemum mons, the £100­200 underside of the rim with further flower sprays, 24.7cm.

531 A pair of Caughley dessert dishes, c.1790, the shaped square forms decorated in gilt and blue with a central flower spray and small scattered sprigs, the rims with gilt circled borders, blue S marks, 23.3cm. (2) £150­250

532 A Chelsea dessert dish, c.1760, painted with panels of birds in flight within gilt trellis borders on a claret ground, gold anchor mark, and a Chinese porcelain saucer dish, painted in the London atelier of James Giles with a butterfly and caterpillar beside flower sprays, a filled rim chip, 26.7cm max. (2) £150­250 Provenance: formerly in the Stephen Hanscombe Collection (the Giles dish).

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Exhibited: Stockspring Antiques, Early James Giles, No. 47.

See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

533 An early Richard Chaffers (Liverpool) blue and white jug, c.1756, the squat silver shape painted with a figure in a punt beside a low hut on an island, the rim with a lobed design, rim cracks, 7.5cm. £100­200 Exhibited: Liverpool Exhibition, Phillips, 1997, No.8/1.

535 A Champion’s Bristol spoon tray, c.1775, the lobed shape moulded with overlapping artichoke sepals and a row of small dots, left in the white, short rim cracks, 15.4cm. £300­500 Paper label for A Trapnell.

537 A Longton Hall blue and white mug, c.1755, painted with low buildings beneath fringed trees in an island landscape, the large handle with a scroll design, cracked and previously riveted, 15cm. £150­200

534 A rare and early Worcester blue and white creamboat, c.1752­53, the hexagonal form moulded with flowering prunus sprigs, one side with a small bird, the reverse with an insect. painted with leafy branches around the moulded decoration and to the interior rim, painter’s mark, chipping, 12.3cm across. £200­300

536 A Lund’s Bristol or early Worcester blue and white sauceboat, c.1751­52, the high­footed form painted with a figure on a bridge linking small islands, the reverse with a figure fishing from a boat, the interior with flower sprays and tied scrolls, a rim crack, the handle’s thumbpiece chipped, 19cm across. £500­800

538 A small Worcester blue and white mug or coffee can, c.1755­58, painted with the Rock Warbler pattern, the long­tailed bird perched on rockwork beside flowering branches and an ornamental fence, with grooved handle and a slightly spreading foot, workman’s mark, 6.2cm. £100­200

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539 A rare pair of Derby dry­edge figures of sheep and goats, c.1750­52, modelled by Andrew Planché, one group of a lamb resting between the legs of a ewe, the other of a nanny goat suckling a kid, each group left in the white and raised on a rocky base, some good restoration, 10.5cm high. (2) £1,500­2,000 Provenance: Sotheby’s, London, 13 October 1970, lot 213. With Winifred Williams, Antiques, London, 1970.

Cf. Fitzwilliam Museum, No. C.34-1992, for a ewe and lamb group from the Stratham Collection.

540 A pair of miniature Derby figures of goldfinches, c.1760­65, perched on stumps applied with flowers and leaves, naturalistically modelled and coloured as a male and female, with heads turned, some good restoration, 6cm.

(2) £250­350 128

541 A small or miniature Bow figure of a musician, c.1758, seated on a low rocky stump and playing the flute, wearing a flowered jacket over red breeches, the low pad base applied with flowers, a little good restoration, 9cm. £150­250

542 A pair of Derby figures of pugs, c.1765, each seated on its haunches with head slightly turned, wearing a red collar studded with bells, the scroll bases picked out in turquoise and puce, 6.6cm. (2) £300­500

See first page of our Auction Information at the back of the catalogue for additional charges on the final hammer price.

543 A rare Chelsea figure group of goats, c.1750­52, modelled with two kids recumbent on a low pad base applied with flowers, their coats patched in £2,000­3,000 brown and black, applied raised anchor mark, some good restoration to extremities, 11.5cm across.

Cf. Victoria and Albert Museum, Accession No. 414:206-1885 for a near identical example from the collection of Lady Charlotte Schreiber.

See lot 377 for the original Meissen model of sheep, which Chelsea copied as the pair to this group.

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544 A matched pair of Derby figural candlesticks, c.1765, each modelled with two lambs at the foot of a tree stump entwined with flowers and leaves, rising to feather­edged sconces and drip pans, raised on low scrolled bases picked out in puce and turquoise, some good restoration, 21.5cm. (2) £250­350

545 A pair of Chelsea sweetmeat figures, c.1760, each modelled as a putto wearing a bow and a quiver of arrows, each holding a square basket on one hip and standing on low bases applied with flowers and leaves, gold anchor marks, £150­250 wings lacking, 11.7cm. (2)

545

544

546 A pair of Samson candlestick figures of Liberty and Matrimony, late 19th century, after Chelsea, modelled as a gallant and his companion reclining before flowering bocage, gold anchor marks, 25cm. (2) £100­200

547 A large Derby figure of Mercury, c.1760­65, wearing a winged hat and holding a caduceus in his left hand, a small bag aloft in his right, raised on cloud scrolls with a further spilling bag of coins at his feet, good restoration, 33.8cm. £100­150

546

547

548 A small Plymouth figure of Summer, c.1770, modelled as a putto standing beside a sheaf of corn and holding a sickle and a further sheaf, and a Chelsea figure of Cupid in Disguise, wearing clogs and an open jacket, small repairs, 12cm max. (2) £200­300

549 A Plymouth figure group, c.1770, modelled with two putti and a goat before flowering bocage, raised on a tall scrolled base with puce and turquoise detailing, restoration to the bocage and the goat’s horns, 19.5cm. £250­350 The original source for the model is a bronze group by Jacques Sarazzin of c.1640 in the Louvre. The same group was produced at both Longton Hall and Vauxhall and it is possible that the Plymouth example copied these rather than the original bronze.

548

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END OF SALE

BRITISH & CONTINENTAL CERAMICS & GLASS TUESDAY 2ND SEPTEMBER ENTRIES CURRENTLY INVITED

A large and impressive Royal Crown Derby vase by Albert Gregory Estimate £4,000 ­ 6,000* ENQUIRIES Clare Durham | +44 (0)1722 424507 | cd@woolleys.live *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

SILVER & OBJECTS OF VERTU WEDNESDAY 30TH APRIL & THURSDAY 1ST MAY 2025

A selection of scent bottles from a private collection ENQUIRIES Rupert Slingsby | +44 (0)1722 446956 | rs@woolleys.live

FINE ASIAN ART TUESDAY 20TH MAY 2025

A fine and rare Chinese sacrificial­blue glazed double­gourd vase Yongzheng mark and of the period 1723­35

A rare Chinese blue and white ‘nine dragon’ vase Jiaqing mark and of the period 1796­1820

Estimate £80,000 ­ 120,000*

From the collection of Sir Richard Henry Chenevix Trench (1876­1954) Estimate £5,000 ­ 10,000*

ENQUIRIES John Axford | +44 (0)1722 424506 | asianart@woolleys.live *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

AUCTION INFORMATION OPENING HOURS City Centre Salerooms Monday to Friday 9am – 5pm Old Sarum Galleries Monday to Friday 9am – 5pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US All first time buyers need to register with us.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24% inclusive) thereafter.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

2. a utility bill or document showing your name and address You can register in person or by contacting client services on 01722 424500 or emailing id@woolleys.live You will be asked to show your documents or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from client services either during the view or on the day of the sale.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with client services LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd

+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes

+44 (0)1962 622133 info@mbewinchester.co.uk www.mbe.co.uk/winchester

ZIXIS Fine Art Limited

+44 (0)7873 981026 zixisfineart@163.com www.zixisfineart.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling.

If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bacs, debit and credit cards Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30­97­41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Debit and Credit cards: Visa, Mastercard, Amex or Union Pay. Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla­ en/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Lots marked with a Φ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below £1,000 and the maximum royalty payable on any single lot is £12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Royalties for Droit de Suite are as follows: 4% Up to £50,000 3% £50,000.01 ­ 200,000 1% £200,000.01 ­ 350,000 0.5% £350,000.01 ­ 500,000 0.25% In excess of £500,000 Up to a maximum levy of £12,500

FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but will not be allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

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Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

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VALUATIONS

LONDON, ANDOVER & WINCHESTER

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

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Contact Jeremy Lamond +44 (0)1722 424502 | valuations@woolleys.live

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DIRECTIONS FROM OUR CITY CENTRE SALEROOMS TO OUR OLD SARUM GALLERIES Woolley & Wallis City Centre Salerooms 51 – 61 Castle Street SP1 3SU Woolley & Wallis Unit 1B Castle Gate Business Park Old Sarum Salisbury SP4 6QX

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Free verbal valuations of items for sale are available by appointment.

Please email valuations@woolleys.live or call +44 (0)1722 424500

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WOOLLEY & WOOLLEY & WALLIS WALLIS CITYSALEROOMS CENTRE SALEROOMS

Old Sarum

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

City Centre Salerooms, 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29

Design & Production

by Jamm Design Ltd +44 (0)20 7459 4749 jammdesign.co.uk

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below BRITISH AND CONTINENTAL CERAMICS & GLASS

VALUATIONS FOR INSURANCE & PROBATE

Clare Durham

Jeremy Lamond MRICS FRSA Neil Grenyer Frances Woodhams Hannah Farthing (Trainee Valuer)

424507

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 446955

CLIENT SERVICES

AFRICAN & OCEANIC ART ANTIQUITIES Will Hobbs Molly O’Reilly

339752 446980

ASIAN ART John Axford MRICS Alexandra Aguilar Freya Yuan­Richards Jeremy Morgan Michelle Yu Olivia Jones

424506 424583 424589 +44 (0)7812 601098 424571 424591

CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan­Richards Michelle Yu

424589 424571

411854 446974 339161 339161 339161

JAPANESE ART Alexandra Aguilar Olivia Jones

424583 424591

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Jacob Carpenter Freya Miller

424595 424504 424586 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Molly O’Reilly

341469 446980

PAINTINGS Victor Fauvelle Ed Beer Victoria Sturgeon Heidi Easton

446961 446962 446970 446970

SILVER Rupert Slingsby Archie Swann Becky Tilly­Trickett

Ruth Pike (Client Services Manager) Sarah Bennie Julie Langstaff Gemma Pointer Riin Rohtla­Szeverenyi Demi Jueno­Chapman Sarah Lancaster

446956 446959 446957

424500

MARKETING Chloe Davie

446951

PRESS Sandie Maylor

ACCOUNTS Ania Antkowiak

BOARD OF DIRECTORS

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan­Richards Neil Grenyer Jim Gale Sarah Stone Victoria Elwell

424502 446974

John Axford MRICS Chairman Natalie Milsted FCCA Managing Director Alexandra Aguilar Director

ASSOCIATE DIRECTORS Ed Beer Ned Cowell Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Jeremy Lamond MRICS FRSA Rupert Slingsby Marielle Whiting FGA Freya Yuan­Richards Mark Yuan­Richards

+44 (0)7976 311172

www.woolleyandwallis.co.uk