DESIGN
WEDNESDAY 15TH OCTOBER 2025
SALES CALENDAR
SEPTEMBER
30th Interiors
OCTOBER
1st & 2nd Furniture, Works of Art & Clocks
9th26th Horatio’s Garden Timed Online Art Auction
15th Design
21st & 22nd Silver & Objects of Vertu including the Michael Baggott Collection (Part II)
29th & 30th Fine Jewellery
NOVEMBER
11th Fine Asian Art
12th Asian Art II
13th Japanese Works of Art
26th The Gordon Reece Collection
DECEMBER
2nd Medals & Coins, Arms & Armour
10th British Art Pottery
11th Modern British & 20th Century Art
Dates may be subject to change
‘Flambe Carp’ a unique James Macintyre & Co vase by William Moorcroft SOLD FOR £31,500*
+44 (0) 1722 424500 info@woolleys.live
5161 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk
*Price includes buyer’s premium
DESIGN
WEDNESDAY 15TH OCTOBER 2025 10.00AM at our City Centre Salerooms, SP1 3SU
VIEWING WILL TAKE PLACE AT OUR OLD SARUM GALLERIES
Saturday 11th October 10.00am – 1.00pm
Monday 13th October 10.00am – 4.00pm
Tuesday 14th October 10.00am – 4.00pm
Wednesday 15th October BY APPOINTMENT
Max Fisher 01722 424505
mf@woolleys.live
Zoe Smith 01722 446955
zs@woolleys.live
BUYER’S PREMIUM
Each lot is subject to a Buyer’s Premium of 27% (+VAT) on the first £20,000, reducing to 26% (+VAT) thereafter
CONDITION OF LOTS
Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults
COLLECTION OF LOTS BY APPOINTMENT
Collection is from our warehouse, Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX. Please instruct carriers accordingly and note, the warehouse is closed over weekends. Please call 01722 446950 or 01722 424500 prior to collection to ensure the items are ready
All accounts to be settled prior to collection
EXPORT AND CITES LICENCES
Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance
ARTIST’S RESALE RIGHT / DROIT DE SUITE
Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Lots marked with a Φ symbol which sell for more than £1000 are subject to the levy, payable by the bidder. Please refer to page 85 for full details
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ILLUSTRATIONS
Front cover: Lot 193
Back cover: Lot 194 detail
SALE CALENDAR 2026
Design
Wednesday 15th April
British Art Pottery & Studio Ceramics
Wednesday 3rd June
Fine Arts and Crafts
Wednesday 23rd September
British Art Pottery & Studio Ceramics
Wednesday 2nd December
ENQUIRIES
Max Fisher | mf@woolleys.live
Zoe Smith | zs@woolleys.live
THE CORNISH COLLECTION
PETER CORNISH (1941-2017
Peter Cornish was a designer, maker, manager and educationalist.
He was born in 1941 into the devastation left behind by the London Blitz and between 1946 and 1951 he lived with his family in a Nissen hut in Brixton; 1946 was one of the coldest winters on record.
From this rather unpromising beginning Peter found himself at newly opened Kingsdale School, south London, one of the first comprehensive schools in the UK. He soon emerged as a talented artist and with the support of his teachers was encouraged on his educational journey. Following a foundation year at Goldsmiths College he enrolled at Beckenham School of Art where he studied what was recognised as the ground breaking 3D design course set up by furniture designer Robin Day. From here he won a place at the Royal College of Art where he found himself absorbed in the rich and stimulating talent of the 1960s design revolution. During this period, he married his childhood sweetheart, Patricia.
Peter quickly found employment at Avalon Furniture who were looking for young designers to respond to the taste for contemporary design. This necessitated relocating to Clevedon where he recorded the first piece for his personal collection, a Lalique bowl.
Moving back to London in 1967, he began his collecting adventures in earnest, which included innumerable trips to Portobello Road Market with his young family in tow.
Over the next twenty years he worked for Avalon, Lebus and Meredew, later Stag Meredew. He held several positions from general manager, design director to company director, although his passion remained design.
As tastes in furniture changed Peter decided to move away from manufacturing and found employment at Buckinghamshire College of Art & Design, where his skills as a manager and his broad interest in all forms of art made him an ideal leader for the College. He retired as Vice Dean in 2009.
Retirement provided him with the time to focus on his passion for collecting and making. Throughout his life he had designed and made furniture that paralleled his interest in the Arts & Crafts movement, which for him employed tangible processes, accessible technologies and beautiful materials. He was also a great raconteur ensuring his collections were always brought to life with exciting stories of context, people and aesthetics.
Peter Cornish at the Royal College of Art, 1963
Peter Cornish in 2017
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1
Clarice Cliff
A Forest Glen pattern jug painted in colours printed Wilkinsons Ltd factory marks 23cm high.
Provenance: The Cornish Collection.
£150250
2
Clarice Cliff
A Forest Glen pattern jug painted in colours printed factory marks, 16cm high; together with a Forest Glen pattern small cauldron, 8cm high (2).
Provenance: The Cornish Collection.
£200400
3
Clarice Cliff
A Forest Glen pattern charger painted in colours printed factory marks 34cm diameter.
Provenance: The Cornish Collection.
£300500
4
Clarice Cliff
A Forest Glen pattern Biarritz plate painted in colours printed factory marks 21 x 27cm; and two Forest Glen pattern plates (3).
Provenance: The Cornish Collection.
£200400
5
Clarice Cliff
A Forest Glen pattern Bonjour shape preserve pot painted in colours printed factory marks, 17cm high; together with a Forest Glen pattern small pot and wooden cover, 11cm high; and a Forest Glen pattern cup and saucer (6).
Provenance: The Cornish Collection.
£200400
6
Clarice Cliff
A Forest Glen pattern beaker painted in colours printed factory marks 9.5cm high; and a Forest Glen pattern cup and saucer (3).
Provenance: The Cornish Collection.
£150250
7
Clarice Cliff
A Forest Glen pattern conical sugar sifter, circa 1935 painted in colours printed factory marks 21 x 27cm.
Provenance:
The Cornish Collection.
£150250
8
Clarice Cliff
A Forest Glen pattern Bonjour sifter painted in colours printed Newport factory marks 13.5cm high; and a Forest Glen pattern Lynton sugar sifter (2).
Provenance:
The Cornish Collection.
£200400
9
Laura Knight (18771970) for Clarice Cliff Circus, a side plate and a cup and saucer, 1934 painted in colours with circus horses, a clown, and green, purple and gold pattern printed factory marks the plate 17cm diameter (3).
Provenance:
The Cornish Collection.
£200400
10
Laura Knight (18771970) for Clarice Cliff
A Circus dinner plate, 1934 painted in colours depicting a bear and a handler printed factory marks 23cm diameter.
Provenance: Woolley & Wallis, 2nd April 2003, lot 457.
£300500
11
Clarice Cliff
Melon, a Fantasque Bizarre Perth jug painted in colours between orange bands printed factory marks 15cm high; a preserve pot and cover, a sugar basin and a Wedgwood Pottery Veronese Ware vase the design attributed to Alfred Powell (5).
£300500
12
Clarice Cliff
An Alton Fantasque Bizarre vase, circa 1933 painted in colours between black and green bands
printed factory mark 20cm high.
£200300
13
Clarice Cliff
A large Pine Grove Bizarre sample ribbed wall charger painted in colours inside an orange band printed factory mark, painted S mark 46cm diameter.
Provenance:
Clarice Cliff, Christie’s, London, 10 November 1999 lot 421 The André Aerne Collection of Clarice Cliff Christie’s 18th August 2017 lot 1045.
Private collection
£1,0001,500
14
Clarice Cliff
Applique Palermo, a Bizarre Hiawatha bowl painted in colours inside yellow, red and black bands printed factory mark 28cm diameter.
Provenance:
Clarice Cliff, Woolley and Wallis Auctioneers, 21st March 2018, lot 50.
£700900
15
Clarice Cliff
Sunray, a Bizarre plate, 1930 painted with radiating pattern, in colours inside blue, orange and brown bands impressed date mark, printed Bizarre mark 25.3cm diameter.
£400600
A Clouvre Tulip Bizarre singlehandled Lotus jug enamelled in colours on a matt midnight blue ground printed and painted factory marks
29.5cm high.
£5001,000
16
Clarice Cliff
17
Martin Brothers
A large stoneware gourd vase by Edwin & Walter Martin, dated 1908
shouldered, ribbed form, covered in a rich speckled chestnut brown glaze, incised ‘11908 Martin Bros, London & Southall’ 25.5cm high.
Provenance: The Cornish Collection.
£400600
18
Martin Brothers
A rare stoneware gourd vase by Walter Martin, dated 1904
shouldered form with four large ribs glazed tan with brown spots, the ribs glazed matt dark brown incised ‘N5 W F M, 1904’ 9.5cm high.
Literature: Brian Coleman The Best of British Arts and Crafts, Schiffer, page 25 this actual vase illustrated.
£300400
19
Martin Brothers
A stoneware gourd vase by Edwin & Walter Martin, 1907
ovoid form with collar rim, incised with vertical scrolling ribs, glazed dark bronze, incised ‘121907 Martin Bros, London & Southall’ 18cm high.
£250350
20
Pilkington’s Royal Lancastrian Pottery
A shouldered vase cylindrical form, painted with horses in blue and turquoise impressed marks 27.5cm. high.
£200300
21
Pilkington’s Lancastrian Pottery
A large vase model no.2437, shouldered form covered in a fiery crystalline glaze impressed factory marks, paper exhibition label 34.5cm high.
Exhibited:
Pilkington’s Royal Lancastrian Pottery
Exhibition, Richard Dennis, 1980, catalogue number 336.
£300400
22
Leonard King for Burmantofts Faience
An Anglo Persian vase shouldered, tapering form, painted with birds amongst foliate boughs, in blue, turquoise and green on a white ground impressed marks 18cm high.
£8001,200
23
John Wadsworth (18791955) and Leon Solon (18721957) for Minton
A Secessionist floor vase shouldered form, slip decorated with Art Nouveau flowers and foliage in blue and green impressed factory marks 47.5cm high.
£300400
24
Doulton Lambeth
An Indian stoneware garden seat octagonal section, cast in low relief with arched architectural Iznik panels and stylised foliate panels, glazed turquoise, blue, yellow and ochre
impressed Doulton mark, painted marks 46cm high.
Literature:
Desmond Eyles & Louise Irvine The Doulton Lambeth Wares, Richard Dennis, page 196 for this range illustrated from an original Doulton catalogue.
£300500
25
Fred Passenger at Bushey Heath Pottery
A vase shouldered, swollen form with applied twinhandles, covered in a red lustre glaze 22cm high.
Provenance:
James Miles; The Cornish collection.
£150250
26
William De Morgan (18391917)
Merton Abbey Lynx tile painted in green on a white ground; a Sand’s End Pottery Oblique Leaf tile, A Tulip dust pressed tile probably Alfred Meakin, in the manner of Charles, Francis Annesley Voysey, glazed in turquoise and blue, framed, a Minton tile printed in blue with cranes flying designed by Dr Christopher Dresser, and another Minton vase, impressed marks, 15.5cm. square (5).
Provenance: The Cornish Collection.
Literature:
Martin Greenwood, The Designs of William De Morgan, Richard Dennis, page 122 figure 1065 for the original drawing illustrated.
£200400
29 part
30
William Moorcroft (18721945)
A large Pansy vase shouldered form, slip decorated with flowers in colours on a blue ground impressed marks, painted blue signature 32cm high.
£8001,200
28
Emma Bossoms for Moorcroft Pottery
Sweet Betsy, a modern trail vase, 2000 tubeline decorated, painted in colours impressed marks painted trial and date 42cm high.
£300500
29
Moorcroft Pottery
A large vase shouldered, cylindrical form, covered in a green lustre glaze
40cm high; another Moorcroft Pottery vase covered in a white glaze, a ribbed vase by Janice Tchalenko probably Dartington Pottery and a studio pottery vase probably Japanese (4).
Provenance: private collection.
£300400
Eric Ravilious (19031942) for Wedgwood
A collection of dinner services in various designs, to include:
Garden part service, comprising six coffee cups, three saucers, and two plates
Persephone, comprising a bowl, a soup tureen, and three side plates
Travel, two plates
Harvest Festival, one side plate, all with printed marks (18).
Provenance: The Cornish collection.
£200400
31
Eric Ravilious (19031942) for Wedgwood
A Travel part tea for two set printed in black and blue with travel vignette, comprising teapot and cover, milkjug and sugar basin, one cup, two saucers and a side plate printed factory marks side plate 15.8cm diameter (8).
£300500
32
Billie Waters for Clarice Cliff
Two Leaping Deer plates designed for the Art in Industry Exhibition 1934
the largest 23cm diameter; with similar pottery designed for the Art in Industry exhibition, designed by Laura Knight, Graham Sutherland, John Armstrong and others. (qty)
Provenance:
The Cornish Collection.
£200400
Φ 33
Stella R Crofts (18981964)
Mountain Goat group, 1928 glazed in colours incised Stella R Crofts, 1928, minor chips to base 17.5cm high.
£300500
34
Quentin Bell (19101996) for Fulham Pottery
A large plate incised and painted with a tree in a rural landscape, in colours impressed factory mark and cipher, incised Fulham Pottery and Quentin Bell signature 32cm diameter.
Provenance:
The Cornish Collection.
£200400
35 Carter, Stabler and Adams
A Poole Pottery Persian Deer bowl painted in colours on an off white ground impressed and painted marks 36cm diameter.
£200400
36
Arthur Bradbury for Poole Pottery
The Golden Hind wall charger, 1950 drawn by Margaret Holder and painted by Eileen Hunt, in colours on a white ground painted inscription and date 39.5cm diameter
Literature:
Leslie Hayward & Paul Atterbury Poole Pottery, Richard Dennis Publications, page 59 for a comparable example illustrated.
Provenance:
The Cornish Collection.
£200400
37
John Adams for Carter, Stabler and Adams
Six Poole Pottery candelabra, circa 1930 three in a cream glaze and three in a green glaze each with impressed factory marks the tallest 27cm high (6).
Provenance:
The Cornish Collection.
£300500
38
Phoebe Stabler (18791955) for Carter, Stabler, and Adams
Two Poole Pottery figures, Buster Boy and Buster Girl painted in colours impressed ‘Carter Stabler Adams’ marks both 17.5cm high (2).
£400600
39
E.E. Strickland for Carter’s Poole Pottery
A Farmyard Series four tile panel designed pattern FY6, printed with a pig and piglet, in colours, and another Carter’s Farmyard Series tile panel decorated with two rabbits impressed Carter’s marks, painted FY6 31cm square (8).
Literature:
Leslie Hayward & Paul Atterbury Poole Pottery Richard Dennis Publications, page 169 for the Farmyard Series illustrated as individual tiles.
£300500
40
E.E. Strickland Carter’s Poole Pottery
A Farmyard Series four tile panel printed with a turkey, in colours and another Carter’s Farmyard Series tile panel decorated with two haystacks and another with a windmill impressed Carter’s marks 31cm square (12).
Literature:
Leslie Hayward & Paul Atterbury Poole Pottery Richard Dennis Publications, page 169 for the Farmyard Series illustrated as individual tiles.
£300500
41
Kenneth Townsend for Poole Pottery
Eight Carter’s Poole Pottery tiles each screenprinted with a comical creature, comprising two hedgehogs, a cow, ram, tiger, lion, mouse, and a fish impressed Carter’s marks, printed Kenneth Townsend mark 15.5cm square (8).
£200300
42
Edward Bawden (19031989) for Poole Pottery
Punting, a Carter’s Poole Pottery
Sporting Series tile screenprinted in colours 12.5cm square; and a Carter’s tile painted with a dog signed by D K Thick (3).
£150200
43
A collection of Art Pottery tiles
To include a Carter & Co Poole Pottery
Sporting series tile designed by Edward Bawden, a Carter & Co Poole Pottery tile depicting a Squirrel, designed by Sylvia Ball, a Pugin tile, and three Art Nouveau style tiles (6).
Provenance: The Cornish Collection.
£200400
44
John Piper (19031992) for Fulham Pottery
Two Four Seasons tiles screenprinted in colours impressed factory mark and facsimile signature 16.5cm square (2).
£200300
45
Piero Fornasetti (19131988)
Three Fornasetti Citta di Carte dishes rectangular, printed in colours with playing cards printed marks 13.5cm wide (3).
£200300
46
John Moyr Smith (18391912) For Minton, Hollins & Co.
Three Aesops Fables tiles, circa 1878 15 x 15cm; with twentysix Minton pottery tiles (29).
£200400
47
Helen J.A. Miles for Josiah Wedgwood & Sons
Twelve Etruria Old English Months tiles transfer printed in blue and white 15 x 15cm; and thirtyseven pottery tiles, to include Wedgwood and Mintons (49).
£300500
48
John Moyr Smith (18391912) For Minton, Hollins & Co.
A tile from Classical Figures with Musical Instrument 20 x 20cm; together with a large quantity of Victorian and later tilesincluding Minton, Maw & Co, Craven, Carter Stabler & Adams, and Continental examples (qty.)
£300500
49
Thomas Elsley (18361926)
Damascus Flower pottery tile, circa 1900 probably for Morris & Co. 13 x 13cm; together with a Minton Secessionist tube lined tile, and twenty Art Nouveau pottery tiles (22).
£150250
50
Goldscheider of Vienna
Art Deco wall mask stamped manufacturer’s marks and numbered ‘6660’ 27cm high.
£200300
51
Jean Adolphe Lavergne for Friedrich Goldscheider Pottery
A model of two young Pierrot lighting a cigarette model no.3721, glazed in matt colours, impressed marks and facsimile signature 40cm high.
Literature:
Ora Pinhas Goldscheider, Richard Dennis, page 40, this example illustrated.
Provenance:
The collection of William Billy Kidd and Elizabeth Kidd.
£100200
52
Katshutte Pottery
A pair of dancers modelled dancing, she wearing a green flowing dress, glazed in colours 32.5cm high; and a Katshutte model of a Flamenco dancer in pink dress, printed factory marks, 32.5cm. high (2)
Provenance:
The collection of William Billy Kidd and Elizabeth Kidd.
£120180
53
Robj, Paris
A Chinese Character batchelor’s tea set each printed and painted in colours, and highlighted in gilt printed Robj marks the teapot 14.5cm high.
£600800
54
Robj, Paris
Two Village Counsel porcelain jars and covers each printed and painted in colours, one modelled as a fireman, the other a clergyman painted in colours and highlighted in gilt printed Robj marks 12cm high (4).
£200400
55
Robj, Paris
A Napolean porcelain decanter and stopper glazed in colours printed factory mark 30cm high; and a Robj decanter and stopper modelled as Lady in a green hat and jacket, holding a handbag (4).
£200300
Torquato Castellani (18461931)
A large and impressive Italian Iznik twin handled vase, dated 1880 ovoid with applied strap handles, painted with panels of flowers and foliage in blue, turquoise, green and aubergine on a white ground painted marks and dated 1880 42cm high.
£1,0002,000
57
Boch Freres
A Keramis vase
model no. D1651, swollen cylindrical form, painted in colours with flowers and foliage on a blue ground and a La Louviere Keralouve bowl decorated with maiden washing in a classical landscape printed factory marks the vase 26.5cm high (2),
£150200
58
Charles Catteau (18801966) for Boch Freres Keramis vase
model D.1101, swollen form with flaring neck rim, painted with geometric panels in blue, yellow and turquoise on a cracked white ground printed and impressed factory mark 31.5cm high; another Boch Freres Keramis vase and a footed vase by Louis Dage (3).
£300500
59
Continental School
A pottery model of a seated monkey, possibly French modelled holding two large gourds, glazed streaked blue and green 19cm wide, 17.5cm high.
Provenance:
The Cornish Collection.
£100200
59a
A collection of British Art Pottery
To include a large Royal Lancastrian red glaze bowl, a Pilkington’s pair of book ends, modelled as dolphins, a Howsons flambe vase, a red lustre vase, marked FR, a Rookwood pottery vase, and six further pieces (11).
Provenance: The Cornish Collection.
£200400
60
Longwy Pottery
Mappemonde Colonial pottery vase painted in colours with gilt highlights numbered 30 from an edition of 150 and with printed factory marks 26.5cm high, with the orginal presentation box.
£500700
60a
Jerome Massier (18501926)
An Art Nouveau jug flattened form, with a red lustre glaze with overlaid gold foliate design signed 17cm wide; together with a Clement Massier miniature vase, two small vases, and a Vallauris pottery model of a scarab beetle (5).
Provenance: The Cornish Collection.
£200400
THE ESTATE OF RICHARD BATTERHAM
61
Richard Batterham (19362021)
A stoneware footed tazza with vertical ribs, covered in an ash glaze 15cm diameter.
£100200
63
Richard Batterham (19362021)
A stoneware bowl
cutsided, covered in an ash glaze 17cm diameter
£100200
62
Richard Batterham (19362021)
A large stoneware bowl cutsided, with an iron glaze to the extorior and an ash glaze to the interior 17cm high, 28cm diameter.
£200300
64
Richard Batterham (19362021)
A stoneware footed tazza with chatter lines to the well, decorated in a dark iron glaze and a green ash glaze to the interior unsigned 17cm diameter; and two ash glaze tazzas by Richard Batterham (3).
£200300
65
Richard Batterham (19362021)
A soufflé dish with a green ash glaze and chatter ring to the exterior 7cm high; and a batter bowl by Richard Batterham; and eight egg bakers by Richard Batterham (10).
£150250
66
Richard Batterham (19362021)
Three supper dishes, a small soufflé dish, a dessert bowl and a pie dish the larger dishes with all over green ash glaze 23cm diameter (7).
£150250
67
Richard Batterham (19362021)
A stoneware vase in a twotone salt glaze 32cm high; and a smaller vase by Richard Batterham (2).
£200300
68
Richard Batterham (19362021)
Four porcelain avocado dishes covered in a pale celadon glaze each 13cm diameter; and two soufflé dishes and a bowl by Richard Batterham (7).
£200300
69
Richard Batterham (19362021)
A stoneware casserole dish with cover with a pale ash glaze to the interior 31cm diameter; and five casserole dishes by Richard Batterham (6).
£150250
70
Richard Batterham (19362021)
A lugged pot with handles to the neck, covered in a green ash glaze
16cm high; and two stoneware sugar jars, and a jar, all by Richard Batterham (4).
£200300
71
Richard Batterham (19362021)
Three stoneware bowls the smaller two with green ash glaze throughout, the larger with chatter bands, the interior glazed ash, the exterior iron larger bowl 16cm diameter (3).
£150250
72
Richard Batterham (19362021)
A stoneware yog bowl with chattering band, glazed ash to the interior 27cm diameter; and two similar yog bowls by Richard Batterham (3).
£200300
73
Richard Batterham (19362021)
A small stoneware jar and cover covered in ash glaze to the foot, with darker bands to the rim and cover 9.5cm high; and three similar jars with cover by Richard Batterham (4).
£200300
74
Richard Batterham (19362021)
A stoneware jug covered in ash glaze 17.5cm high; and three stoneware jugs by Richard Batterham (4).
£150250
75
Richard Batterham (19362021)
Nine stoneware mugs all covered in ash glaze the largest 11cm high (9).
£200300
76
Richard Batterham (19362021)
A teapot, three mugs, and a small jug the teapot covered in an iron glaze the teapot 15cm high (6).
£200300
77
Richard Batterham (19362021)
A small stoneware bottle covered in a green ash glaze with two darker bands running around the neck
10cm high; and a similar small bottle by Reuben Batterham, and a bowl and a souffle dish by Richard Batterham (4).
£150250
78
Richard Batterham (19362021)
Four stoneware dinner plates covered in ash glaze the largest 28.5cm diameter (4).
£150250
79
Richard Batterham (19362021)
A large stoneware dish covered in an ash glaze and decorated with a chatter band 43cm diameter; and a similar large stoneware dish by Richard Batterham, 37cm diameter (2).
£400600
80
Richard Batterham (19362021)
A stoneware bowl cutsided with salt glaze 14.5cm high, 22cm diameter
£150250
81
Richard Batterham (19362021)
A stoneware teapot and cover cylindrical form, covered in a salt glaze 16cm high; and a smaller teapot by Richard Batterham (2).
£150250
82
Richard Batterham (19362021)
A stoneware tazza covered with a green ash and black iron glaze 27cm diameter.
£200300
83
Richard Batterham (19362021)
A stoneware circular box and cover covered in an ash glaze to the foot 7cm high; and a similar stoneware box and cover by Richard Batterham (2).
£150250
84
Richard Batterham (19362021)
A beaten jar stoneware, covered in a celadon glaze 10cm diameter; and a salt glazed jar, and a small box, both by Richard Batterham (3).
£200300
85
Thiebaut Chague (b.1958) at Wenford Bridge
Pottery
A stoneware vase with blue brushwork decoration on an oatmeal glaze
impressed potter’s and pottery seals 17cm high; and a stoneware vase by Thiebaut Chague, and a lustre jug by Miranda Thomas (3).
£100200
Φ 86
Dame Lucie Rie (19021995)
Milkjug
waisted cylindrical form, glazed manganese, the interior silvergrey, and another smaller, impressed seal mark, 9.7cm. high (2)
Provenance: Monika Kinley, thence by descent; Private collection.
£500800
Φ 87
Dame Lucie Rie (19021995)
Two coffee cans and saucers covered in a manganese glaze, the interior silver grey impressed seal marks 13.7cm diameter (4).
Provenance: Monika Kinley, thence by descent; Private collection.
£500800
Φ 89
Dame Lucie Rie (19021995)
Tea cup, saucer and side plate
covered in a manganese glaze, the interior silvergrey, and a spare saucer impressed seal mark 18.7cm. diameter (4).
Provenance:
Monika Kinley, thence by descent; Private collection.
£500800
Φ 88
Dame Lucie Rie (19021995)
Pourer
covered in a manganese glaze, the interior off white impressed seal mark 7cm high.
Provenance: Monika Kinley, thence by descent; Private collection.
£500800
Large open bowl porcelain covered in a pitted cream glaze with hints of colour to the foot impressed potter’s seal
41cm diameter
Provenance: Monika Kinley, thence by descent; Private collection.
£1,0002,000
Φ 90
Dame Lucie Rie (19021995)
Φ 91
Dame Lucie Rie (19021995)
Vase
stoneware, shouldered form with elliptical, cylinder neck, mottled white glaze to the foot with yellow, turquoise and mushroom impressed seal mark 18cm high.
Provenance:
Monika Kinley, purchased directly from Lucie Rie by repute, thence by descent; Private collection.
£1,5002,000
Φ 92
Akiko Hirai (b.1970)
Moon vase with Hare stoneware vase with glaze, painted cobalt hare painted monogram 26cm high.
Provenance:
Setting a Hare in the China Shop, JW Anderson Gallery, December 2020 with Ivan Kochkarev; Private collection.
£1,5002,000
Φ 93
Akiko Hirai (b.1970)
Moon jar ovoid stoneware vase with collar rim, covered in a pale white porcelain glaze incised monogram 36cm high.
Provenance:
Purchased directly from the artist.
Private collection.
£3,0005,000
Φ 94
John Maltby (19362020)
A stoneware footed dish shapedsquare section, enamelled with geometric panels in grey and coral red, the underside tenmoku impressed seal mark, paper no.36 label 20cm diameter; and a Christmas card print by John Maltby sent to Sheila Christmas 1988 from John & Heather Maltby.
Provenance:
The Estate of Sheila Harrison.
£120180
Φ 95
Peter Beard (b.1951) Vase
inverted form with uneven rim, with a textured blue and white patterned glaze impressed potter’s seal 14,5cm high; and a smaller vase by Peter Beard, with manganese glaze (2).
Provenance:
The Cornish Collection.
£200300
96
Scottie Wilson (18911972)
Untitled (bird tree)
oval platter, printed and enamelled in colours with a stylised tree with a flock of birds roosting, another decorated with birds, and another decorated with panels of birds, fish and flowers, facsimile signature Scottie, 40cm. wide (3)
Provenance:
Monika Kinley, thence by descent Private collection.
£200400
97
Peter Lane (b.1932)
Porcelain form, 1979
Φ 99
Robin Welch (19362019)
A stoneware footed bowl covered in a textured glaze to the foot rim, the top rim glazed manganese with blue band
a porcelain shouldered ovoid vase inlaid with blue and black coloured porcelain, another inlaid with marbled porcelain, a porcelain bottle c.1970 and a Homage to Vincent tin glazed earthenware tray incised Peter Lane 8cm high (4).
Provenance:
From the collection of Peter Lane.
£300500
Φ 98
Robin Welch (19362019) Vase
stoneware, cylindrical form with incised and painted decoration, mottled blue, grey and white glaze with red and lapis blue panels impressed seal marks 24cm high; a smaller footed bowl and another larger vase by Robin Welch (3).
Provenance:
The collection of Rosslyn Hill.
£150200
18cm diameter; a Mike Dodd teapot, a Jeremy Leach bellied jug, a smaller footed bowl by Robin Welch, and a collection of studio pottery (qty.)
Provenance:
The collection of Rosslyn Hill.
£200300
Φ 100
Richard Batterham (19362021)
A stoneware caddy and cover covered in an ash glaze 14cm high; and a pot and cover by Richard Batterham (4).
£300500
Φ 101
Richard Batterham (19362021)
A stoneware jug covered in an ash glaze 28cm high; and a smaller stoneware jug by Richard Batterham, in an iron glaze, 23cm high (2).
£400600
Φ 102
Richard Batterham (19362021)
A stoneware teapot and cover covered in a green ash glaze to the foot, fluted design to the top half 15cm high. (2).
£200400
Φ 103
Richard Batterham (19362021)
Four jugs, a mug, a serving dish, and a plate all with ash glaze the largest jug 14cm high (7).
£300400
Φ 104
Richard Batterham (19362021)
A set of three storage jars covered in an ash glaze, each with chevron incised details to the body 18cm high; and six items of pottery by Richard Batterham a lemon squeezer, two bowls, a plant pot, and a small bud vase (12).
£300400
Φ 105
Janet Leach (19181997) at Leach Pottery
A large stoneware dish with inverted rim with simple brushed design to interior impressed pottery and potter’s seal 44cm diameter, and another Leach Pottery stoneware dish by Janet Leach (2).
Provenance:
The Estate of Sheila Harrison.
£150250
Φ 106
Attributed to Katherine PleydellBouverie (18951985)
A large slip decorated pouring bowl circular with pouring lip, the well with trailed slip decoration unsigned 44cm diameter.
Provenance:
Purchased at the auction of Katherine PleydellBouverie’s effects at Kilmington Manor, Warminster; Private collection.
£200300
Φ 107
Tim Andrews (b.1960) Raku vase
shouldered, ovoid form with collar rim, pale grey with black spots and rims, and an Alan Wallwork stoneware pebble form impressed seal mark, incised ‘AW’ mark to pebble the vase 23cm high (2).
£250350
Φ 108
Barbara Cass (19211992)
A large stoneware vase, 1977 tapering form with flaring top rim, running dolomite glaze with iron spots and manganese band to neck painted monogram and date 43.5cm high.
£300400
109
Alan CaigerSmith (19302020) at Aldermaston Pottery
A model chicken in a ruby and pink lustre glaze signed to the base and with glaze code 19A 21cm high; together with three Aldermaston Pottery goblets (4).
Provenance:
The Cornish Collection.
£150250
110
Leach Pottery
A stoneware footed bowl painted with simple brush motif in tenmoku on a mottled celadon ground 22cm diameter; a Leach Pottery jug and mug a small bud vase by David Leach and a large stoneware charger probably Lowerdown (5).
£300500
107
108
109
105 part
Φ 111
Bruce Winn (19592012)
A porcelain chawan, 1992 faceted form with painted decoration; and a footed unomi by Bruce Winn, three Chuck Schwartz chawans, a creamware jug and three plain creamware side plates by Takeshi Yasuda, four vases by Dan Kelly and a large pottery plaque incised signature and date 92, the chawan 8.5cm high (14).
£150200
Φ 112
Jonathan ChiswellJones (b.1944)
Charger reduction fired lustre, decorated with a Dodo bird within a border of flowerheads painted potter’s monogram and numbered ‘4168’ 38.2cm diameter.
£150250
Φ 113
Kate Malone (b.1959)
A jar and cover and two mugs all with polychrome dripped glaze, the mugs with applied hearts running around the body the jar and cover has an incised signature, the two mugs with impressed ‘KM’ the jar and cover 16cm high (3).
£150250
114
Guido Gambone (19091969)
Vase with knopped neck, painted with a geometric face in aubergine and mushroom on blue ground marked ‘Gambone, Italy’ and with Donkey mark 14.5cm high.
£150250
115
Toon Thijs (b.1948)
Five pottery Canopic vases in the form of ancient Egyptian Canopic jars, each with birds head covers and a graduated green glaze each with impressed marks tallest 60cm high (5).
£200300
116
Janice Tchalenko (19422018) for Poole
Pottery
A large charger, 1999 with a turquoise, red, and orange glaze signed and dated and with manufacturer’s mark 41cm diameter; and a Janice Tchalenko vase and charger (3).
£200400
117
Abuja Pottery
A large vase covered in a nuka type glaze impressed marks
39cm high; with a large collection of Abuja and other Nigerian pottery (qty.)
£300500
118
David Leach OBE (19112005)
a porcelain box and cover, circular, enamelled in iron red and blue, a small stoneware oil pourer by Michael Cardew, two cups and saucers by Sandy Brown, a sculpture by Mark Stanczyk Lizandra, a flower brick and a large flower pot by Colin Kellum, and a small collection of pottery, impressed seal mark 11.5cm. diam. (qty)
Provenance
The Estate of Sheila Harrison.
£150250
119
Judith Gilmour (19372003)
Pagoda form
five piece stoneware sculpture, glazed white, and a small vase similar, painted signature Gilmour to base 46cm. high (6).
£120180
120
Troika Pottery
A footed cube vase
square section on four square feet, painted with alternate black and white circles 9cm high; a Troika Pottery ashtray glazed bronze and white, and a Troika Pottery chimney, impressed marks, 9cm high (3).
£200300
121
Troika Pottery
A large modern Cube vase
square form with circular aperture, painted with a bronze circle to each side, on white ground painted marks 17.5cm square.
£400600
THE PRIVATE COLLECTION OF KENNETH BROWN
122
René Lalique (18601945)
A Tourbillons glass vase, designed in 1926 model no.973, in clear glass stencilled ‘R Lalique France’ 19.5cm high.
Provenance: The Kenneth Brown Collection of Glass.
£7001,000
123
René Lalique (18601945)
A Paquerettes squared dish, designed in 1934 clear glass with moulded flower lines forming a geometric border, the lines of flowers with blue staining stencilled ‘R LALIQUE FRANCE’
26 x 26cm; with a Lalique large goblet, and a Lalique dish moulded with a Koi carp (3).
Provenance:
The Kenneth Brown Collection of Glass.
£150250
123 part
124
André Thuret (18981965)
A glass vase thick clear glass with bubble inclusion, flaring square section with rolled top rim, and applied large prunts wheelcut ‘Andre Thuret’ signature 18.5cm high.
Provenance: Woolley and Wallis, Clarice Cliff, Art Deco & Design, 15th April 2015, lot 264; The Kenneth Brown Collection of Glass.
£300500
125
Daum Nancy, France
A large Controlled Bubble glass vase, circa 1935 with thickguage glass with a gold tint signed ‘Daum, Nancy France’ 19cm high.
£150250
126
Daum Nancy, France
A large Art Deco glass vase, circa 1930 ribbed design with a greyish tint signed ‘Daum Nancy France’ 27cm high.
£150250
127
Daum Nancy, France
An Art Deco glass vase in yellow, gourd form with ribs and acid etched design etched ‘Daum Nancy, France’ 16cm high; with a similar Art Deco Daum Nancy ribbed glass vase (2).
£150250
128
Daum Nancy, France
An Art Deco glass vase in blue, with a textured effect to both sides etched ‘Daum Nancy, France’ 17.5cm high; with a smaller Art Deco Daum Nancy blue glass vase (2).
£150250
129
Daum Nancy, France
An Art Deco twinhandled coupe smoked glass acidetched twinhandled coupe, flaring bowl with lug handles, acidetched geometric panels etched ‘Daum & Nancy France’ 23cm wide.
Provenance: Clarice Cliff, Art Deco & Design, Woolley and Wallis, 20th March 2024 lot 76; The Kenneth Brown Collection of Glass.
£150200
130
Daum Nancy, France
An Art Deco smoked glass twinhandled coupe fluted, octagonal bowl with lug handles wheelcut Daum Nancy 25cm wide.
Provenance:
The Kenneth Brown Collection of Glass.
£150250
131
Daum Nancy, France
An Art Deco smoked glass vase fluted, octagonal trumpet form on a square section base wheelcut ‘Daum Nancy France’ to base 42cm high.
Provenance: Interiors Dreweatts, 17th January 2023, lot 268.
The Kenneth Brown Collection of Glass.
£150200
132
Daum Nancy, France
An Art Deco glass topaz vase, circa 1925 with bubbles to the glass and appiled detail to the rim signed ‘Daum Nancy France’ 21.5cm high; with six Art Deco Daum Nancy glass pieces (7).
£200400
133
Daum Nancy, France
An Art Deco glass pedestal bowl, circa 1925 in two tones of blue with gold detail etched ‘Daum Nancy, France’ 18cm high; with a Schneider spherical purple glass vase, a Muller Fres Luneville glass vase, three glass vases, a bowl designed by Karl Weidmann, and three further glass bowls (10).
£300500
134
Chris Lebeau (18781945) for Leerdam
A large purple glass vase, 1924 gourd shaped etched artist’s monogram 41cm high.
Provenance:
The Kenneth Brown Collection of Glass.
£100200
132 part
133 part
131
135
Charles Schneider (18811953)
An Art Deco footed vase, circa 1930 topaz glass with Cubist style pattern etched to the body signed ‘C. Schneider, Le Verre Francais’ 21cm high; with an Art Deco clear glass vase, a Schneider heavyguage glass footed bowl, and three Daum Nancy glass pieces (5).
Provenance:
The Kenneth Brown Collection of Glass.
£200400
136
Charles Schneider (18811953)
An Art Deco glass vase of cylindrical form, with wheelcut decoration showing a sun and beams, in a pink ground with textured surface signed 22cm high; with three Charles Schneider glass vases (4).
Provenance:
The Kenneth Brown Collection of Glass.
£200300
137
Daum Nancy, France
An Art Deco frosted glass vase with acid etched design beneath the rim etched ‘Daum Nancy, France’ 17.5cm high; with three Daum Art Deco glass bowls (4).
£150250
138
Daum Nancy, France
An Art Deco glass pedestal vase in green, with acid etched tiered design to the body signed ‘Daum Nancy France’ 19cm high; and a Daum Nancy glass pedestal vase (2).
£100200
139
Daum Nancy, France
An Art Deco glass vase dark in colour with gemotric cut design signed ‘Daum Nancy France’ 13.5cm high; with three small Daum Nancy glass vases (4).
£100200
140
Daum Nancy, France
An Art Deco glass vase, circa 1925 thick clear glass with bubbles signed ‘Daum Nancy France’ 21.5cm high; with five Art Deco Daum Nancy glass pieces (6).
£200300
141
Daum Nancy, France
An Art Deco glass vase in purple, with a simple moulded pattern to the base signed ‘Daum Nancy France’ 21cm high; and two Art Deco Daum Nancy glass vases (3).
Provenance:
The Kenneth Brown Collection of Glass.
£100200
142
Tamara Aladin (b.19322019) for Riihimaki
A red glass Hooped vase, circa 1960 28cm high; and a smaller green glass vase designed by Tamara Aladin, three Murano glass vases,
A Mdina glass bowl, a glass vase by Barbara Miszczyk, three glass tubular vases, and a Loetz Scham vase (11).
£200400
143
Karl Wiedemann (19051992) for WMF
A large Ikora glass vase, circa 1920 of swollen sleeve form with flared neck, decorated with air bubbles to a graduated red to ochre ground
40cm high; and a Leerdam 1930s glass vase designed by A.D. Copier; and four WMF Ikora glass vases converted to lamps (6).
Provenance:
The Kenneth Brown Collection of Glass.
£150250
144
Art et Decoration eighty four volumes, published by Albert Levy, mainly in original bindings (84).
£200400
145
Grandes Constructions Presente par Robert Mallet-Stevens volume 2 a folio L’Art International D’Aujourd’hui,with card boards, lettering by Cassandre, and Interieurs Au Salon Des Artistes Decorateurs, Paris 1925 presentes par Rene Prou, a folio, Leon Moussinac interieurs III, edition Albert Levy, L’Architecte 1925 editions Albert Levy, L’Architecte 1927 editions Albert Levy, Nouveaux Interieurs 1936, editions Charles Moreau (6)
£150200
146
A large collection of art reference books to include Die Deutsche Werbe-Graphik, Published by Francken & Lang, Berlin, 1927; Innen Dekoration, 1929; L’Art Decoratif; 1910; and 20th Century art reference books, mainly on glass (qty.)
£200400
147
R Lalique Catalogué Raisonné De L’Oeuvre de Verre by Félix Marcilhac, in slip case, published by Les Éditions de L’amateur, and Maurice Marinot (1882-1960) Artisan Verrier Catalogué Raisonné De L’Oeuvre de Verre by Félix Marcilhac, in slip case (2)
Provenance:
The Kenneth Brown Collection of Glass.
£120180
LALIQUE
148
René Lalique (18601945)
A Poissons opalescent glass bowl moulded ‘R Lalique’ to well 29.5cm diameter; and a Perche modern Lalique clear and frosted glass figure originally designed by René Lalique (2).
£300400
149
René Lalique (18601945)
A pair of Coquilles opalescent glass plaffonier no.3500, one with original patinated metal hanging hooks wheel cut ‘R Lalique France’ to rim and moulded ‘R Lalique mark’ 30cm diameter (2).
Provenance: The Cornish Collection.
£400600
150
René Lalique (18601945)
An Oursins glass bowl model no. 103401, opalescent with moulded circles and wavy lines stencilled ‘R Lalique France’ mark 25.7cm diameter.
£200300
151
René Lalique (18601945)
A Eucalyptus glass vase, designed in 1925 model no. 936, opalescent frosted glass with blue staining Moulded ‘R.LALIQUE’ 16.5cm high; and a Lalique Parquerettes square plate (2).
£8001,200
152
René Lalique (18601945)
Five Coquilles bowls, designed in 1924 opalescent glass, three model 3203, two model 3204 four bowls engraved ‘R,LALIQUE, FRANCE’, the other with a moulded Lalique mark larger 16cm diameter; and a Lalique Ormeaux bowl, and a model 3013 dish (7).
Provenance:
The Cornish Collection.
£200400
153
René Lalique (18601945)
A Clairefontaine clear and frosted glass scent bottle and stopper the stopper modelled as sprays of Lily of the Valley 11.5cm high; a Je Reviens Worth scent bottle in fitted case by Lalique, and five other scent bottles (14).
£150200
154
René Lalique (18601945)
Two Helene perfume bottles, designed in 1942 frosted glass, each with four panels depicting a lady stencilled ‘R LALIQUE’ 13cm high; together with a Lalique Epines perfume bottle and a similar glass box and cover (4).
Provenance:
The Cornish Collection.
£300500
154
155
René Lalique (18601945)
A Six Figurine goblet, designed in 1911
No.3400, clear glass with blue stained panels
etched ‘R. Lalique, France’ and with model number 11cm high; with three Lalique perfume bottle stoppers and two figurines (6).
Provenance:
The Cornish Collection.
£300500
156
René Lalique (18601945)
Raisin Chasselas, a Lalique clear and frosted glass menu no.3476
etched ‘R Lalique France no.3476’ 15 x 9cm.
Provenance: The Estate of Sheila Harrison.
£100200
157
René Lalique (18601945)
A Deux Oiseaux hand mirror, designed in 1914 model 677, clear glass modelled with birds either side of the handle relief moulded ‘LALIQUE’ mark 17cm diameter.
Provenance:
The Cornish Collection.
£200300
158
Lalique
Three glass beakers, a Bourgueil bowl, and a drinking glass etched Lalique mark
The bowl 11cm diameter (6).
Provenance: The Cornish Collection.
£150250
159
Lalique
A crystal glass model of Madonna and Child etched ‘Lalique France’ 20cm high; together with a three Lalique crystal glass models with originals boxes (4).
£200400
GLASS
160
Louis Comfort Tiffany (18481933)
A Favrile glass candlestick model 8040, tapering form with twisted vertical ribs, covered in a golden iridescence etched ‘L.C.T’ and ‘8040’ 17cm high.
Provenance: The Cornish Collection.
£200400
161
Louis Comfort Tiffany (18481933)
A rare Favrile glass inkwell model R.402, compressed, ribbed form, red glass with bluegreen iridescent finish etched ‘L.C.T R.402’ 4cm high, 7cm wide.
Provenance: The Cornish Collection.
£200400
162
Daum Nancy, France
A Thistle cameo glass vase, circa 1900 with acid etched thistles against an orange and yellow ground signed 12.5cm high; together with a André Delatte Nancy box and cover (3).
Provenance: The Cornish collection.
£200400
163
Loetz
A glass vase shouldered ovoid form with flaring top rim, textured with golden iridescence 12.5cm high; and two other iridescent glass vases (3).
£120180
164
Loetz
An iridescent glass vase tapering cylindrical form with flaring pinched rim, covered in a blue lustre splash iridescence 20.5cm high; and another Austrian iridescent glass vase (2).
£200300
164A
James Couper & Sons
A Clutha glass vase dimpled square section with cylindrical neck and pinched flaring rim, green glass with white striations, and bubble inclusions 15cm high.
£200300
165
La Verre Francais
An Art Deco cameo glass ewer tapering mottled pink and opaque glass body overlaid with pink glass, acidetched with pendulous stylised flowers, applied glass handle etched ‘La Verre Francais’ 33.5cm high.
Provenance:
The Cornish Collection.
£300400
166
Attributed to Marcel Goupy (18861954)
An Art Deco enamelled glass ewer the ovoid body enamelled with a bird flying past a guitar, accordion and knife, inside stylised flower border applied paper label for New York World’s Fair 34cm high.
Provenance:
The Cornish Collection.
£150200
167
La Verre Francais
A large glass vase, circa 1910 cameo glass in orange and purple, decorated with fruiting grape vine pattern 45cm high.
Provenance: The Cornish Collection.
£200300
168
Moncrieff’s Monart Art Glass
A large glass vase green with black and gold inclusions with oiriginal label to the underside 42cm high; and two Strathearn art glass vase, the larger 21cm high (3).
Provenance: The Cornish Collection.
£150250
169
Daum Nancy, France
A clear glass vase
square section, flaring to pulled rim with clear glass lug handles, a tall Orrefors clear glass vase probably by Nils Landberg, a Leerdam Unica glass vase, a Verlys blue glass bowl with wrought iron mount and two clear glass vases, etched ‘Daum France’ to side of base rim, 25.5cm. high (6)
£150200
170
Orrefors a glass bowl and stand, dated 1936 inscribed ‘Orrefors 1936 H.H.234’ to the base 11.5cm high, 23cm wide (the bowl); together with a pair of conical glass candlesticks (4).
£150250
171
Elizabeth GraydonStannus (18781961)
Two Graystan glass vases the first in a mottle jade green, the second of spherical form with coral red swirled pattern both signed 18cm and 13cm high (2).
Provenance: The Cornish Collection.
£150250
172
Loetz
An Art Deco Schaum vase, circa 1930 of inverted form with trailed red, blue and white lines on a clear ground 20cm high.
Provenance: The Cornish Collection.
£100200
173
A De Latte enamelled glass vase swollen orange glaze enamelled with floral roundel a tall De Latte solifleur glass vase, another De Latte red vase and five other vases painted DeLatte France 18cm. high (8).
£150200
174
Émile Gallé (18461904)
A cameo glass lamp base overlaid and acidetched showing peach blossom signed in cameo 24cm high; together with a Galle style glass lamp base (2).
Provenance: The Cornish Collection.
£200400
175
Thomas Webb & Sons
A Webb’s Iris glass vase, circa 1900 with a deep gold and orange iridescent pattern etched marks 11cm high; together with six Webb art glass vases (7).
Provenance:
The Cornish Collection.
£200300
176
Tessa Clegg (b.1945)
A pate de verre glass bowl, 1987 of flared and fluted form, in pink with grey speckled inclusions 11cm high, 27cm diameter.
Provenance: The Cornish Collection.
£100200
177
Fulvio Bianconi (19151996) for Venini
A Murano glass bottle, circa 1960 in green and blue stripes marked to base 38.5cm high.
£500700
178
Cenedese Murano
A small Aquarium glass sculpture rectangular, internally decorated with a fish amongst waterweed 14.5cm. wide.
£200300
179
Michael Powolny (18711954)
A set of six Lobmeyer engraved vases flaring cylindrical form, engraved with a roundel depicting a young child, four playing musical instruments, one sitting in a display of flowers, one with a sheep, the reverse engraved with simple flower stems, etched Lobmeyer mark 8.5cm. high; and a similar Powolny engraved vase (7).
Provenance: The Cornish Collection.
Literature:
Glas Kunst Der Moderne, Von Joef Hoffmann bis Wilhelm Wagenfeld, page 183, cat. no. 73 for a vase with comparable engraving illustrated.
£600800
180
Charles Schneider (18811953)
Three Art Deco Le Verre Français glass vases and a bowl, circa 1930 cameo glass with grape and vine pattern in orange and purple the vase 36cm high (4).
Provenance: The Cornish Collection.
£200400
181
Fulvio Bianconi (19151996) for Venini
A large Fazzoletto handkerchief vase irregular form, pink and white vertical zanfirico columns acid etched Venini mark to base 22cm high.
£250350
182
Kaj Franck (19111989)
185
David Knight (Contemporary)
185
A small clear glass bowl, with fluted design, etched ‘K Franck’, 7cm high; together with seven pieces of Art glass, to include a Ravenna bowl designed by Sven Palmqvist for Orrefors, 9cm diameter; A Murano glass model of a bird, 22cm diameter, A David Knight cylindrical vase, 24cm high, and charger, 37cm diameter (8).
Provenance: The Cornish Collection.
£200400
183
Mike Hunter (Contemporary)
A large Willow glass vase with two coloured bands in turquoise and pink above a larger section of white line decoration etched with a signature and title 40cm high.
Provenance: The Cornish Collection.
£150250
184
Pavel Hlava (19242003)
Ovoid vase
manufactured by Skrdlovice, pattern no. 8032, clear glass graduating to blue neck, with applied surface decorated petrol iridescent panels, and an internally decorated vase by Frantisek Vizner Hlava unsigned, Vizner signed, 16cm high (2).
£300500
Three globular glass vases each with incalmo technique in two colours the larger two signed and dated, 2002, the smaller vase unsigned largest 23cm high (3).
Provenance: The Cornish Collection.
£200300
186
David Knight (Contemporary)
Two glass vases, 2002 of slender form, each with incalmo technique in two colours both signed and dated largest 33cm high.
Provenance: The Cornish Collection.
£200300
187
David Knight (Contemporary)
Three glass vases each with incalmo technique in two colours each signed and dated largest 25cm high.
Provenance: The Cornish collection.
£200300
Φ 188
Samuel Herman (19362020)
A glass vase, 1975 of globular form, with ochre and white inclusions cased in blue and green swirls etched signature and date 13.5cm high.
Provenance:
The Cornish Collection.
£200300
Φ 189
Peter Layton (b.1937)
A large glass centrepiece bowl Reef pattern signed 22cm high, 34cm wide; together with a similar unsigned vase, with pulled rim, 27cm high; and an art glass vase in red and yellow, 23cm high (3).
£150250
Φ 190
Peter Layton (b.1937)
Three art glass vases with frosted effect and decorated with trailed patterns in ochre and green each signed the tallest 26cm high (3).
£150250
Φ 191
Peter Layton (b.1937)
Five art glass vases with frosted effect and decorated with blue, violet, and pink flower heads and trailed green lines each signed the tallest 22cm high (5).
£200400
Φ 192
Peter Layton (b.1937)
A large art glass vase, 1990 with a frosted mottled surface with swirled patterns
signed and dated
30cm high; together with a Peter Layton glass vase, a Thomas Petit glass bowl, and an orange art glass bowl (5).
£200400
Φ 193
Colin Reid (b.1953)
A large wave form glass sculpture, 2010 kilncast optical glass with a slate base etched signature and date with number ‘R1529’ 67cm high.
£400600
Φ 194
Steffen Dam (b.1961)
An impressive glass jellyfish panel made entirely of glass as to give the appearance of a specimen sample signed (under the frame) 45 x 30.5cm.
Provenance:
A unique commission by Todhunter Earle Interiors from Simon Benney to feature in the interior design of a Sailing Yacht.
Steffen Dam originally trained as a tool maker but his interest developed in the skills and techniques of glass making. Following ten years of studying, it was the anomalies and flaws of glass such as inclusions, ash marks and cracks which inspired him to create works such as these.
Dam’s work is found in public and private collections throughout the world, including the Victoria & Albert Museum, London; Glasmuseet, Ebeltoft, Denmark; the Museum für Kunst und Gewerbe, Hamburg, Germany; Museum of Art and Design, New York, NY; the Palm Springs Art Museum, Palm Springs, CA; Seven Bridges Foundation, Greenwich, CT; The Anneberg Collections, Nykøbing, Denmark; The Danish Arts Foundation, Denmark; The Danish Museum of Decorative Art, Copenhagen, Denmark; and The National Museum of Art, Architecture and Design, Oslo, Norway. Dam’s awards include The Crafts Prize of 1879 awarded in 1995, The Ole Haslund Art Prize awarded in 1996, and The Hempel Glass Prize awarded in 2002.
£10,00015,000
Φ 195
Patrick Reyntiens (19252021)
It’s Easy to Know How, 2010 leaded and painted glass panel etched signature and date 39 x 30cm.
Provenance: Stained Glass Patrick Reyntiens, Goldmark, 2.03. The Cornish Collection.
£150250
196
Leonard Walker (18771964)
A rare Arts & Crafts stained glass panel titled Cædman,1934 depicting a kneeling figure in front of a saint, framed in oak signed and dated (to the glass, lower left), titled (to the glass, lower right) 56 x 39.5cm.
Catalogue Note:
Leonard Walker was a prominent painter and stainedglass designer whose studio was based in Hampstead, London from 1911. Over the course of his career, he created stained glass windows for a wide range of religious and secular buildings across the UK and internationally
Although modern scholarship has largely overlooked Walker’s contribution to stained glass, he was a prolific and widely recognised artist during his lifetime. His work was frequently featured in both local and national press, reflecting the high regard in which it was held.
Walker began producing stained glass in the 1890s, but most of his output dates from the 1920s onwards. Among his most significant works is The Ascension at St Chad’s Church, Bensham, Gateshead (c.1916), executed in the Arts and Crafts style. His international reputation was further cemented when he received an honourable mention at the Paris Salon in 1921 for a stainedglass roundel depicting two Chinese vessels at sea, part of his commission for the Hong Kong and Shanghai Banking Hall in Singapore (1923). In 1925, he was awarded the Diplôme d’honneur at the Exposition Internationale des Arts Décoratifs in Paris, an accolade that made him the only English artist to receive such a distinction that year.
£8001,200
WORKS OF ART
197
Karl Hagenauer (18981956)
Fox Lying
a rare, miniature patinated bronze figure stamped marks 4cm wide; and two other Hagenauer figures of a Comical bird and a cat, aRena Rosenthal patinated bronze models of dancing figures, an owl, squirrel and five other similar figures (12).
£200400
198
Karl Hagenauer (18981956)
An Art Deco model of an African girl, circa 1930
bronze
stamped ‘’WHW’ and ‘ Austria’ 18cm high.
£400500
199
Karl Hagenauer (18981956)
Russian Balalaika, an Art Deco model, circa 1930
brass and ebonised wood stamped ‘’WHW’ and ‘ Austria’ 22cm high, 23cm wide.
£8001,200
200
Karl Hagenauer (18981956)
Art Deco model of an Austrian Woman, circa 1930
nickelplated brass and wood stamped ‘’WHW’ and ‘ Austria’ 19cm high.
£600800
201
Karl Hagenauer (18981956)
An Art Deco model of a tennis player, circa 1930
nickel plated brass on a circular wooden plinth
stamped ‘’WHW’ and ‘ Austria’ 42cm high.
£8001,200
202
Karl Hagenauer (18981956)
An Art Deco model of a skier, circa 1930
nickel plated brass, stamped ‘’WHW’ and ‘Made in Austria’ 13.5cm. high.
£8001,200
Φ 203
Maurice Pico Picaud (19001977)
Serpentine Dancer, Folies Bergere gilded wood, in oak frame applied metal label Pico 48 x 50cm (panel).
Provenance: Sheryl’s Art Deco Emporium; Private collection.
Catalogue Note:
This figural plaque was originally designed as a huge concrete panel for the exterior of the front of the Folies
in
by
in 1926. It features the dancer Lila Nikolska.
£4,0005,000
Bergere
Paris
Picaud
204
Art Deco
Dancer with Rings
a patinated metal sculpture, modelled as a dancer, balancing on one foot, holding two hoop rings, on polished black marble base unsigned 43cm high.
£300500
205
Michel Zadounaisky (19031983)
Leaping Antelope sculpture
patinated iron stamped ‘Zadounaisky’ 55cm. wide, 27cm. high
Provenance:
Style & Spirit, Christie’s South Kensington, 28th September 2010, lot 29; Private collection.
£1,0002,000
206
Josef Lorenzl (18921950)
The Fencer
a patinated metal sculpture of a female fencer, sword drawn, on onyx base
25cm high.
£350450
207
Henry Fugere (18721944)
Dancer
silver patinated bronze, on grey veined onyx base signed in the cast ‘H Fugere’, Austrian foundry mark 55.5cm high
£500800
208
Henri Fugere (18721944)
Woman with a Deer
patinated bronze, on veined marble base signed in the base, 41.5cm. wide.
£600800
210A part
209
Jeremiah Richardson for Keswick School of Industrial Arts
A rare silver tray, rectangular, hammered in low relief with scrolling flowers and foliage panel etched Jeremiah Richardson and possible 1890 date to back 54 x 24.5cm.
Catalogue Note:
Jeremiah Richardson exhibited a Keswick copper dish at the Home Arts and Industries Exhibition in 1903, illustrated in The Studio volume 27.
£400600
210
An Art Nouveau Glasgow School wall charger with enamel roundel, stamped to the well with an Art Nouveau maiden in profile, the rim set with blue enamel roundel, unsigned, 46cm. high
£150200
210A
Archibald Knox for Liberty & Co.
A Tudric Pewter crumb tray model no.0532, cast in low relief with stylised Art Nouveau foliage panels 25cm wide; a Liberty English Pewter tray and an Arts and Crafts pewter tray with enamel flower panels (3).
£100150
211
Edward Spencer (18721938)
A pair of Artificers Guild wrought steel candlesticks domed base with thin bands of punched decoration, the tapering stem with acorn and oak leaf knop, stamped ‘Artificers Guild’ mark to one, 34cm high (2).
Literature
The Studio, 1909, page 209 for comparable examples illustrated.
£400600
212
John Pearson (18591930)
A repousse copper charger, 1899 circular, hammered in low relief with four lizardlike creatures to the well, the rim with a frieze of larger lizards, brown patina etched ‘J Pearson 1899, 2467’ 36.5cm. diam.
£350450
213
Attributed to David Pye (19141993) box and cover kingswood, circular form 3.5cm diameter.
Provenance: Crafts Council Shop, by repute; Private collection.
£150200
214
Robert Thompson of Kilburn (18761955)
An oak pen tray rounded rectangular sections with carved band and carved mouse carved mouse signature 29.5cm wide.
Provenance: Private collection.
£300500
215
Robert Thompson of Kilburn (18761955)
A rare pair of Mouseman Elephant book ends English Oak, modelled standing, on rectangular base carved mouse signature 18.5cm wide, 17cm high (2).
Provenance: Private collection.
Catalogue Note:
The bookends were probably commissioned by John Weston Adamson in the 1930s whilst he was living at Oldstead Hall in Yorkshire as he had a keen interest in African wildlife.
£3,0005,000
Cyriel de Brauwer (19141989)
Grazing Horse and Foal patinated bronze signed in the cast ‘de Brauwer e/a’ 48cm wide.
£400600
217
Dawn Huggins (20th Century)
An untitled bronze sculpture, circa 1960 with polished detail, standing on a rectangular plinth unsigned 17cm high.
Provenance: Alwin Gallery, London.
£200300
218
An Art Nouveau patinated bronze vase in the manner of Gustav Gurschner, modelled as a young naked Art Nouveau maiden holding a large clam shell sconce, an E Jullien Art Nouveau dish modelled cast with a naked maiden, An Art Nouveau cast brass inkwell with Austrian iridescent glass well, another Jugendstil brass and copper inkwell, an Art Nouveau pewter and glass claret jug and an Art Nouveau electroplated biscuit box and cover with engraved glass liner, main unsigned, 16.5cm. high (8)
£200300
Φ
219
Anthony Hawken (b.1948)
Lovers patinated bronze signed A Hawken 28cm wide.
£150250
220
Bruce Talbert (18381881) for Cox & Sons
A gilt brass nef modelled as a longboat with single sail and birds head figurehead, on four wheels 20cm wide, 20.5cm high.
Literature:
Cox & Sons catalogues (1873 and 1876) this design illustrated. The Best of British The Selling Exhibition, Paul Reeves/Sotheby’s 1420th March 2008 page 66, catalogue number PR40 for a comparable nef.
£300500
221
In the manner of Bruce Talbert (18381881)
A Gothic Revival cast brass seven piece garniture comprising central cruciform five light candelabra, four three branch and two single candlesticks, each with cast foliate panels 28.5cm high (7).
£200300
FURNITURE
222
In the manner of Daniel Cottier (18381891)
A large Aesthetic mirrored dresser, circa 1910 ebonised wood with parcelgilt and polychrome painted decorations, the upper gallery with central mirror surrounded by smaller mirrored sections, and a top frieze depicting birds amongst fruit blossom 242cm high, 188cm wide, 38cm deep.
£200300
223
Aesthetic Movement
A large overmantle mirror, circa 1880 ebonised wood with parcelgilt and polychrome painted decorations, two panels depicting maidens in woodland, the top panel painted with peacock feathers 193cm high, 132cm wide.
£200300
224
Aesthetic Movement
A pair of ebonised wood corner shelves each with mirrored back display shelf below painted allegorical panel
110.5cm high, 43cm wide (2).
£300500
225
Bruce Talbert (18381881) for Gillow & Co., Lancaster
A rare drawing room cabinet or sideboard, circa 1870 walnut and burr walnut, with fine marquetry inlay finished with gilt, brass fittings and glazed central doors stamped ‘GILLOW & Co. 4731’ 214cm wide, 118cm high, 47cm deep.
Reference:
Carnegie Museum of Art collection, Pittsburgh, for a similar example by Talbert, Accession No. 2007.25.
Provenance:
Lyon & Turnbull, Design Since 1860, 1718 April 2024, lot 51.
£2,0004,000
226
William Morris (18341896) for Morris & Co.
A set of eight Sussex chairs ebonised ash wood, with rush seats 83cm high.
Provenance:
Ernest Newton RA, (18561922) architect; Thence by descent.
Catalogue Note:
Ernest Newton was articled to Richard Norman Shaw in London from 18731876, leaving to set up an independent architectural practise in London in 1880. He was a founding member of the Art Workers Guild (in 1884) and also a regular exhibitor at the Royal Academy.
£8001,200
227
In the mannner of Augustus Welby Northmore Pugin (18121852)
An oak reclining armchair with carved tracery panels and foliate rail, slung seat and padded arms 60cm wide, 115cm high.
£150200
228
Attributed to Ernest Gimson (18641912)
A Cotswold School single bed frame, circa 1920 oak frame with walnut panels, with ebony and holly inlaid detail the headboard 112cm high.
Provenance:
Property of Julia Stapleton.
£400600
229
Attributed to Ernest Gimson (18641912)
A stained ash ladderback chair 107cm high, 44cm deep; and two Arts & Crafts dining chairs with rush seats (3).
Provenance:
Property of Julia Stapleton.
£150200
230
Designed by Peter Waals (18701937)
An Arts & Crafts students desk, circa 1930 constructed under the direction of Edward Barnsley at Loughborough College in oak with a single long drawer over two shorter drawers, all with carved handles 77cm high, 117cm wide, 57cm deep.
£300500
231
Gordon Russell (18921980)
A Cotswold School oak dressing table with matched stool two drawer plinths with central rectangular mirror, on eight octagonal legs 136cm high.
Provenance: The Cornish Collection.
£200400
231A
Attributed to Charles Robert Ashbee (18631942) for the Guild of Handicraft
A pair of oak ladderback chairs three rung back and tie rail, with rush seat 94cm high (2).
£200300
232
Cotswold School
An Arts & Crafts double bed frame walnut, panelled the headboard 102cm high, 140cm wide; and a Cotswold School corner cupboard (2).
£300500
233
Attributed to Edward Barnsley (19001987)
A Cotswold School wardrobe oak with panelled front 193cm high, 129cm wide, 59cm deep.
£1,5002,500
234
Liberty & Co.
An Arts & Crafts oak dresser, circa 1910 oak, the top section with glazed doors over two drawers and cupboard section with iron straps and handles ivorine label to reverse 189cm high, 175cm wide, 59cm deep.
£300500
235
Heals
A pair of armchairs, circa 1930 light oak with Liberty fabric seats with Heals ivorine label to the frame
86cm high, 56cm wide, 47cm seat depth.
£200300
236
Heals
An oak stool rectangular top, on four, square legs, with padded seat
impressed Heals ivorine label 44cm high, 45.5cm wide, 36cm deep.
Provenance: The Cornish Collection.
£100200
236A
After a design by Mackay Hugh Baillie Scott (18651945)
A mahogany semicircular armchair with plank skirt, drop in rush seat 80.5cm high.
Literature:
M.H. Baillie Scott Houses and Gardens, The Drawing Room at Falkewood for a comparable example illustrated.
Furniture Made at the Pyghtle Works Bedford by John P White designed by M H Baillie Scott, Page 18 catalogue number 16 for a decorated example illustrated. This armchair is listed available in oak and mahogany.
£600800
237
Heals
An oak chest of drawers, circa 1930 with three long drawers ivorine label to top drawer
76 wide, 79 high, 58.5cm deep.
Provenance: Property of Julia Stapleton.
£200400
238
Arts & Crafts
A Liberty style open bookcase oak with trefoil cut out to the top frieze 128cm high, 50.5cm wide, 19.5cm deep.
£200300
239
In the manner of Christopher Dresser (18341904)
A dressing table mirror, circa 1880 oak with bobbin turned supports Whiteleys London retailer label to the underside 72cm high, 52cm wide.
£200300
240
Arts & Crafts
An oak dining table the rectangular top over square cut legs joined by a ‘X’ shape stretcher
78cm high, 152cm wide, 92cm deep.
£500800
236A
237
241
Art Deco School
A large decorative bronze panel or frieze with acanthus type bands joined by zigzag lines, all within a further rectangular frame 34 x 123cm.
Provenance: The Cornish Collection.
£200400
242
Art Deco School
A mirrored glass cocktail cabinet rectangular form with drop front, chrome and glass handle, fitted interior 86cm high, 51cm wide.
£150200
243
Secessionist School
A hall stand, circa 1900 ebonised, with umbrella stand and coat hooks 184cm high.
£100200
244
Josef Hoffmann (18701956) for J&J Kohn
Secessionist armchair, designed in 1905 stained beech 75cm high, 56.5cm high, seat depth 51cm.
£300500
245
A George VI Coronation chair with a beech frame and upholstered in green braided velvet embroidered with the cipher `GIVR’ 86cm high, 49cm wide.
£300500
246
A pair of George VI Coronation stools, one by Maple & Co the other by B North & Sons, shaped square legs with rectangular seat covered in blue velvet withs gold silk braid, stamped makers marks and coronation marks, 47cm. high, 47 x 32cm. (2)
£300400
247
A pair of Queen Elizabeth II Coronation chairs covered with blue velvet bearing the monogram ER II beneath a crown stamped and branded to the underside, numbered 228 and 241 85cm high,49.5cm wide, 43cm deep (2).
Provenance: Baron Clifford of Chudleigh Charles Oswald Hugh Clifford (18871962) and his second wife, Clare Mary Mayne; thence by descent.
£1,0002,000
248
Marcel Breuer (19021981)
A bentply and birch Long chair, originally manufactured by Isokon with blue wool padded cushion covering 81cm high, 130cm wide.
£6001,000
249
Gordon Russell Ltd.
A teak and Indian rosewood sideboard three central drawers flanked by single cupboards on turned legs, turned wood handles applied label
152.5cm wide, 86cm high, 43.5cm deep
£200300
250
W.H. Russell for Gordon Russell Ltd.
A sideboard, 1962
mahogany and Indian rosewood, the curved front with four drawers flanked by cupboard sections design R810 constructed by B.A Jones Gordon Russell label to the reverse 87cm high, 107cm wide.
£200300
251
Attributed to Omersa for Liberty & Co.
A leather rhinoceros footstool 108cm long.
£200400
252
Hans Wegner (19142007) for Carl Hansen & Son
Four Wishbone chairs, designed in 1950 model CH24, oak and papercord manufacturer’s label 72cm high, 56.5cm wide (4).
Provenance: The Cornish Collection.
£300500
253
Svend Aage Madsen for H.P. Hansen
A Danish SH180 teak desk, circa 1960 the curved front over three short drawers to each side, the desk raised by curved twin supports to each end 72cm high, 150cm wide, 72cm deep.
£6001,000
254
Alvar Aalto (18981976) for Artek
A set of four model 69 chairs, 2002 birch laminated ply 73cm high, 39cm wide (4).
£200300
255
MidCentury School
A bentply cabinet rounded square section, the hinged top with white laminate, on casters, with internal tray 46 x 46cm, 46cm high.
Provenance:
The Estate of Sheila Harrison.
£50100
256
Lisa Norinder for Ikea
Three bent plywood stools, circa 1999 46cm high (3).
£150200
257
MidCentury School
birdseye maple wall shelf 123cm wide, 74cm high.
£150200
PIERRE JEANNERET
258
Pierre Jeanneret (18961967) for Chandigarh
A pair of model PJ-Si-34-A caned teak low stools, circa 1955
the slightly dished tops each on a pair of Ashaped legs united by a stretcher
45cm high, 40cm wide, 30cm deep.
£8001,200
259
Pierre Jeanneret (18961967) for Chandigarh
A Student desk, circa 1957
teak, with a rectangular top with dropdown sides
73cm high, 82cm wide, 58cm deep.
£1,5002,500
260
Pierre Jeanneret (18961967) for Chandigarh
A PJ-BU-02-A pigeonhole desk, circa 1957
teak and leather, with pigeon holes to the reverse
71cm high, 121.5cm wide, 84cm deep.
Literature:
Le Corbusier, Pierre Jeanneret: Chandigarh, India, Galerie Patrick Seguin, pages 248/249.
£8,00012,000
261
Pierre Jeanneret (18961967) for Chandigarh
A Student desk, circa 1957
teak, with a rectangular top with dropdown sides
70cm high, 81.5cm wide, 59cm deep.
£1,5002,500
262
Pierre Jeanneret (18961967) for Chandigarh
A PJ-BU-02-A pigeonhole desk, circa 1957 teak and leather, with pigeon holes to the reverse
71cm high, 121.5cm wide, 84cm deep.
Literature:
Le Corbusier, Pierre Jeanneret: Chandigarh, India, Galerie Patrick Seguin, page 248 and 249.
£8,00012,000
263
Vivai del Sud
An Italian sideboard
woven bamboo with four drawers flanked by cupboards, in a chrome frame
77cm high, 186cm wide, 51.5cm deep.
£300500
264
Michael Bell (Contemporary)
Matador console table
oak with metal joints, the rectangular top with curved ends
94cm high, 152cm wide.
£300400
265
Michael Bell (Contemporary)
A set of four stools
walnut with slung woollen seats 52cm high, 67cm wide (4).
£300400
266
Charles and Ray Eames for Herman Miller
A set of six DSW chairs, originally designed in 1950 moulded plastic seat raised on four wooden dowel shaped legs on a metal ‘x’ frame
82cm high, 47cm wide (6).
£200400
267
In the manner of Guglielmo Ulrich (19041977)
Dining table, circa 1950 mahogany and glass
81cm high, 175cm wide, 84cm deep.
£300500
268
Carl Jacobs for Kandya
A set of seven Jason stacking chairs moulded and painted plywood applied Kanya labels
72cm high, 52cm wide (7).
Provenance: The Cornish Collection.
£300500
269
Attributed to Gabriella Crespi (19222017)
An Italian occasional table, circa 1970 with steel and brass diagonal stripes 140cm wide, 80cm depth, 37cm high.
£300500
Φ 270
Marc BrazierJones (b.1956)
World Clock, circa 1980 steel, the face modelled as the globe with twelve glass roundels set to the outside of the globe 79cm high.
£400500
271
In the manner of George Nakashima (19051990)
Coffee table
granite legs, a glass lower tier and a single plank hornbeam top 42cm high, 160cm wide.
£150250
272
Attributed to Leon Rosen for Pace Collection
A glass dining table with cylindrical brass legs 75cm high,183cm wide, 106cm deep.
£200400
273
After Charles Rennie Mackintosh (18681928)
An Ingram chair ebonised ash with pierced detail and dropin fabric seat 157cm high, 47cm wide.
£200300
274
Studio 6G and Harvey Guzzini
An Italian Clan floor lamp, designed in 1968 chrome plated, plastic and perspex 53cm high approx.
£200300
Φ 275
Il Hoon Roh (b.1978)
Fabric Table Radiolaria
black aclic moulded base with a glass top
47cm high, 125cm wide, 70cm deep.
£400600
276
Vladimir Kagan (19272016) for Chromcraft
Five Sculpta chairs, circa 1960 featuring a cantilevered ‘Vshaped’ aluminium base and leather upholstery
150cm high, 87cm wide, 78cm deep.
£200400
277
Charles and Ray Eames for Vitra
A set of six EA119 high back chairs, first designed in 1958
black leather and chromed aluminium
Vitra labels to the base and seats, impressed marks to the base
103cm high, 56cm wide, 48cm deep (6).
£2,0003,000
278
Charles and Ray Eames for Vitra
A set of six EA119 high back chairs, first designed in 1958
black leather and chromed aluminium
Vitra labels to the base and seats, impressed marks to the base
103cm high, 56cm wide, 48cm deep (6).
£2,0003,000
Φ 279
Stéphane Ducatteau (b.1970)
Coffee table, circa 2008 patinated steel, in two joining parts forming a rectangle
30cm high, 90cm wide, 90cm deep; and a patinated steel stool by Stéphane Ducatteau (3).
£400600
Φ 280
David Linley (b.1961)
A Linley Lizard Collection Macassar Ebony dining table, 2004 rectangular top, each end with fitted drawers, with chrome handles, the U section legs with perspex runner stamped ‘Linley’ to handles 110cm wide, 230cm long, 73.5cm high.
£1,5002,500
λ 281
Poul Cadovius (19112011) for Royal Cado
A rosewood wall system comprising bureau with hinged cover, twindoor cabinet, four drawer cabinet, bureau cabinet with fitted internal drawers, bureau cabinet fitted with drawers and a metal bottle rack, two long shelves, five short shelves, six long rails and six short rails, trolley table on casters with a turntable, coffee table with linen magazine rack, double line magazine rack, and a collection of brackets 80cm wide, 46cm deep (a lot).
Provenance: Purchased in the 1970s by the vendor from Interiors & Sound and Interconcepts, between 1971 and 1975
£1,0002,000
282
Will Boex (Contemporary)
Pencil table made from 2625 pencils sprung to form a seat, on top of a wooden frame 47cm high, 161cm wide.
£200400
283
Will Boex (Contemporary)
Pencil bench
made from 1625 pencils sprung to form a seat, on top of a wooden frame 46cm high, 102cm wide, 42m deep.
£200400
284
A lifesize model of Buzz Lightyear from the Disney Pixar film Lightyear, 2022 180cm high.
£300500
285
Pratt & Whitney
An aeroplane engine coffee table made from a Lycomming R680 engine, circa 19301945, with a square glass top 47cm high, 122cm wide.
£300500
284 detail
286
Paul Haustein (18801944) for WMF
An Art Deco table lamp silver overlaid metal with brass fittings and wooden base WMF mark to the base 48cm high.
£150250
287
Attributed to Eric Kirkman Cole for E. K. Cole Ltd.
A Bakelite desk lamp with curved branch holding a circular adjustable shade 37cm high.
£150200
288
In the manner of André Delatte (18871953)
A pair of Art Deco wall lights, circa 1925 frosted glass moulded with a Deco style design with plated wall mounts 24cm high (2).
£300500
289
Mathieu Matégot (19102001)
Magazine rack, circa 1950 in black and yellow 52cm high, 4cm wide.
£300500
290
Tibor Reich (19161996) for Arnold Designs Ltd
Age of Kings fibreglass stickstand cylindrical form, screenprinted with Classical figures remains of paper labels 53cm high.
£200300
291
Ettore Sottsass (19172007)
Three Synthesis letter racks, circa 1970 in grey plastic moulded factory marks 19cm wide; together with a Sottsass designed modular desk stand, and a Sottsass designed pen holder (8).
£150250
292
Mainie Jellett (18971944) for Ceadogán Rugs
Mainie Jellet No. 2, executed in 2022
hand tufted wool rug
188 x 122cm.
£1,0002,000
293
Eileen Gray (18781976)
Wendingen, circa 1975
a wool carpet probably manufactured by Donegal Carpets rectangular, white ground with red and black modernist geometric design, unsigned 117 x 124cm.
Provenance:
Monika Kinley, thence by descent
Private collection.
Literature:
Eileen Gray, Aram Designs Ltd, page 46 this design illustrated.
£8001,200
294
Eileen Gray (18781976)
Bonaparte, circa 1975
a wool carpet probably manufactured by Donegal Carpets rectangular, black ground, with white, beige and red geometric panels wool label
208 x 100cm.
Provenance:
Monika Kinley, thence by descent
Private collection.
Literature:
Eileen Gray, Aram Designs Ltd, page 47 this design illustrated.
£8001,200
295
In the manner of Wassily Kandinsky (18661944)
A 20th Century wall hanging woollen tapestry with abstracted shapes on a blue ground 147 x 88cm.
£300400
296 Modernist School
An English Art Deco wool rug rectangular with a blue ground, and ‘S’ shaped coloured patterns 140 x 70cm.
£150200
297
Jean Picart le Doux (19021982)
Le Soleil et la Vigne, a cotton tapestry design by Henri Duprez & Cie applied label to reverse, signed in the weave 193 x 147cm.
£300500
298
Barbara Brown (19322020) for Heals
Decor woven and printed cotton textile in green, pink and white, signed to the selvedge 124 x 600cm.
£300400
299
Stig Lindberg (19161982)
A pair of Herbarium printed cotton curtains printed in colours on a black ground 114 x 220cm (each) (2).
£300400
DODO BURGNER
Φ 300
Dorte Clara Dodo Burgner (19071998)
Kino (Cinema), 1933
watercolour and pencil on card, unframed, signed in pencil to front, pencil Dodo - Franziska and Dodo studio stamps to the reverse, 48.5 x 34cm.
Literature
Dodo Life and Work 1907-1998, Hatje Cantz, page 102 for a comparable image In The Bar also from 1933 with an identical pencil signature bottom right corner.
£4,0006,000
Φ
301
Dorte Clara Dodo Burgner (19071998) Encounter on the Bridge ink and wash on paper, mounted, and another Lady standing by a large clock, mounted unsigned, 26.5 x 24.5cm. (2)
£200400
Φ 302
Dorte Clara Dodo Burgner (19071998) Untitled, (dancers) red ink on rice paper, mounted, and two other ink drawings on rice paper, mounted main signed Dodo, 26 x 20cm. image (3)
£200400
Φ 303
Dorte Clara Dodo Burgner (19071998)
Twins pen and black ink on paper, mounted signed D in ink, pencil annotation 23 x 15.5cm (image)
£200400
Φ
304
Dorte Clara Dodo Burgner (19071998) Twins (no.9) pen and black ink on paper, mounted, and another pen and ink drawing of two dancers, mounted both signed D, main annotated in pencil, 22 x 15.5cm. (image), (2)
£200400
305
Aubrey Beardsley (18721898)
A Comedy of Sighs, Avenue Theatre, London, 1894
colour lithograph poster printed by Stafford & Co, advertising two plays 75 x 50cm, unframed.
£8001,000
306
Atelier Erte (Romain de Tirtoff)
Woman with a Hound ink and silver highlights, on paper, framed, another similar and five others similar facsimile Erte signature, Atelier Erte stamp 34 x 28cm (7).
£300500
307
Revenge of the Pink Panther a film poster, signed by five artists including Herbert Lom (Commissioner Dreyfus), Valerie Leon, Graham Stark, Burt Kwouk (Cato), and David Lodge, The Return of the Pink Panther a film poster printed by Lonsdale & Bartholemew, and The Fiendish Plot of Fu Manchu, printed by Technicolour, three movie posters relating to Peter Sellers, all framed, 101 x 75cm (3)
£200300
308
‘Carry on up the Khyber’ a UK one sheet film poster, with artwork by Renato Fratini, 1968, printed in colours, framed Carry on Abroad, Carry on Round the Bend, and Carry on Again Doctor, three other Carry on film movie posters printed by W E Berry Ltd, framed, 101 x 67cm. (image), (7)
£300500
309
‘Carry on Henry’ a UK one sheet film poster, with artwork by Eric Pulford, printed in colours by W E Berry Ltd, framed, Carry on Loving, Carry on Girls and That’s Carry On, three other Carry on movie posters, framed, 101 x 67.5cm (image), (7)
£300500
310
The Likely Lads a film poster, staring James Bolan and Rodney Bewes, printed in colours by Tintern Press Ltd, and Holiday on the Buses, Mutiny on the Buses, Steptoe & Son Ride Again, Rising Damp The Movie, Till Death us do Part, Love Thy Neighbour, Up the Chastity Belt, Steptoe & Son, There Was a Crooked Man (with Norman Wisdom), film posters all framed, and five film marketing programmes,101 x 67.5cm. (15)
£300400
311
A Keith Richards album poster promoting the album Main Offender 152 x 101cm.
£150250
312
Gered Mankowitz (b.1946)
Three screenprints Caged, Mick Jagger, and Keith Richards each from an edition of 1000 and signed by the photographer caged 60 x 85cm; the remaining two 87 x 67cm (3).
£300500
313
Isle of Wight Festival Poster screenprinted for the 1970 festival designed by David FairbrotherRoe 75 x 52cm.
£500700
314
Rolling Stones Sticky Fingers lithograph plate signed from an edition of 5000 the artwork designed by Andy Warhol 57 x 46cm; and a Rolling Stones Exile on Main Street limited edition lithograph (2).
£100200
315
Lucie Rie by Tony Birks dedicated to Sheila Harrison and signed by Lucie Rie dated 11th March 1988, a first edition hardback book published by Alphabooks; and Issey Miyake meets Lucie Rie a rare catalogue, 1989, a Lucie Rie Crafts Council book, 1981, Bernard Leach a hardback book published by Asahi Shimbun, 1966, Liberty’s 1875-1975 catalogue, DownAdownDerry a first edition hardback by Walter De La Mare, 1922, illustrated by Dorothy Lathrop, and a collection of reference books and catalogues on design and, Art Nouveau and Art Deco, (qty)
Provenance:
The Estate of Sheila Harrison.
£100200
316
Paul Wunderlich (19272010)
No Angel, 1968 signed, dated, and numbered in pencil lithograph with handcolouring 54 x 68cm.
Provenance: Michael Tollemache Ltd, London.
£200300
317
JeanMichel Folon (19342005)
La Maladie des Villes signed and numbered from an edition of 200 screenprint on foil 60 x 80cm; and a poster by JeanMichel Folon (2).
£150250
318
Harald Nielsen (18921977) for Georg Jensen
A large collection of Pyramid pattern silver cutlery comprising a cased set of spoons, a cased set of knives, a cased nut cracker, sixteen knives, eighteen spoons, fifteen forks, six dessert forks, seventeen tea spoons, six serving spoons, a serrated larger spoon, five serving tongs, a serving knife and fork with serrated detail, a soup ladle and a smaller ladle, and twenty five further pieces each piece impressed ‘GEORG JENSEN STERLING DENMARK’ approx. weighable 142oz (qty).
Provenance:
The Cornish Collection.
£3,0004,000
319 Georg Jensen (18661935)
A quantity of Acorn pattern silver cutlery comprising eight soup spoons, a pair of salad servers, six pointed spoons, six dessert forks, one gravy ladle, six cake forks, six dessert knives, one marrow scoop, eight dessert spoons, six teaspoons, eight dinner knives, eight dinner forks, two serving spoons, eight dessert forks, eight dessert knives, eight fish knives, eight fish forks, six teaspoons, six coffee spoons, and four further items each hallmarked and with import marks varying from 19301979 approx. weighable 180 oz (qty).
£2,0003,000
318 detail
320
Georg Jensen (18661935)
A quantity of silver cutlery comprising eighteen knives, thirtytwo forks, and thirteen spoon each marked ‘Georg Jensen, Sterling Denmark’ (qty).
Provenance:
The Cornish Collection.
£8001,200
321
Georg Jensen (18661935)
A small collection of silver flatware comprising ten model 68A nut picks, a sugar spoon, three acorn pattern forks, a pair of sugar tongs, a small ladle, an Antik pattern sugar spoon, and a marrow scoop each with impressed marks approx weighable 12.60oz (18).
Provenance:
The Cornish Collection.
£300400
322
A collection of Danish silver including Georg Jensen and Hans Hansen including; a Georg Jensen, a Hans Hansen silver serving spoon, pattern no.18, an I Holm silver part service, comprising ladle, slice, sauce spoon, four large serving spoons, five dessert spoons, three dessert forks, four dinner forks, six various teaspoons, four herring forks, six matched Cogh silver dinner knives and a collection of silver and plate cutlery stamped marks, (qty).
£250350
323
Georg Jensen (18661935)
A quantity of Beaded pattern silver cutlery comprising six serving spoons, six spoons, two forks, six dessert forks, six toasting forks, four dessert spoons, four small ladles, and twelve further pieces each hallmarked and with import marks for 1930.
approx weighable 51.8oz (qty).
Provenance:
The Cornish Collection.
£8001,200
324
Harald Nielsen (18921977) for Georg Jensen
A small silver bowl with handle, model 60A impressed marks and import marks for London, mainly 1933 together with a collection of other silver Jensen pieces, and a Tapio Wirkkala design silver bowl (10).
Provenance:
The Cornish Collection.
£300400
325
Rebecca Uth for Georg Jensen
Three Ellipse candleholders, 2011 stainless steel with Modernist style design manufacturer’s marks to underside each 15cm high (3).
£200250 322 part
326
Joseph Rodgers & Sons
An Art Deco electroplated threepiece teaset each piece of cuboid form, mounted with an ebonised handle each piece stamped ‘J. R & S.E.P.’ on copper, ‘Rd. 805653’ the tallest 19cm high (3).
£300500
327
Lino Sabattini (19252016) for Christofle
A Gallia silverplated tea set comprising teapot and cover, milkjug, sugar basin and cover, on circular tray each piece with stamped marks the tray 34cm diameter (6).
£400600
328
Keith Murray for Mappin and Webb
An Art Deco silver plated tea set, circa 1935 Model W27681 teapot 21cm high (6).
£300400
329
Jean Emile Puiforcat (18971945)
A silver beaker circular section on hexagonal foot, with vertical ribs
stamped mark to rim, signed Jean E Puiforcat to base
7.5cm. high, 4.4oz (6)
Provenance: The Cornish Collection.
£300500
330
Archibald Knox (18641933) for Liberty & Co.
A silver spoon hallmarked for Birmingham, 1910 19.5cm long; the stem cast with foliate terminal, a pair of Sybil Dunlop silver and enamel teaspoons, an A E Jones silver spoon and a Liberty & Co silver mug (5).
£300500
331
Chelmsford College of Further Education
A pair of silver candlesticks shallow, domed foot with textured band, tapering column and shallow circular drip pan
stamped marks, London 1979 16.8cm. high, 12.5oz (2).
£500600
332
JaegerLeCoultre
An Art Deco 18ct gold wrist watch, circa 1940 the case marked ‘24262’ with backwind mechanism the case 3.2cm long with associated leather strap.
£1,2001,500
333
David Andersen (18431901)
A silver brooch abstract form with two clear, cut paste stones stamped marks
5cm wide; a David Andersen silver Celtic round brooch, a Norwegian silver and enamel flower stem brooch, a silver eye brooch and a silver and enamel necklace, modelled with five stylised flowerheads (5).
£300500
333A
Attributed to Guild of Handicraft
A silver and turquoise brooch silver wirework frame with scroll and ball terminals set with oblong red glass cabochon, with hanging polished turquoise drop 3.5cm wide.
£150250
334
Björn Weckström (b.1935) for Lapponia
A Modernist dress ring yellow metal, sculptural form with abstracted opening 3.5cm across.
£200400
335
Jean Cocteau (18891963)
A Taureau ceramic pendant painted in blue and white signed to the reverse 11cm x 7cm.
£150250
336
Regitze Overgaard (b.1946) for Georg Jensen
A silver link bracelet model no.452, three long links stamped marks 8cm long (each link).
£300500
337
Vivianna Torun BülowHübe (19272004) for Georg Jensen
A Torun bangle watch, designed in 1962 and produced from 1967 model no. 226, in stainless steel.
£200300
338
Boucheron, Paris
A 18k gold wristwatch, circa 1980 the case an oval that loops over to enclose the wrist case and dial signed, the case marked ‘8392’ case 17mm width.
£1,5001,800
AUCTION INFORMATION
OPENING HOURS
City Centre Salerooms
Monday to Friday 9am – 5pm
Old Sarum Galleries
Monday to Friday 9am – 5pm
VIEWING
All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.
REGISTERING WITH US
All first time buyers need to register with us. To register, you will need to provide two forms of identification:
1. a passport or photographic driving licence
2. a utility bill or document showing your name and address
You can register in person or by contacting client services on 01722 424500 or emailing id@woolleys.live
You will be asked to show your documents or email copies.
PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.
BIDDING AT AUCTION
See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.
BIDDING IN THE ROOM
To bid at auction you will need a paddle number. This can be obtained from client services either during the view or on the day of the sale.
COMMISSION BIDDING
If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.
TELEPHONE BIDDING
It is usually possible to bid on the telephone by prior arrangement with client services
LIVE ONLINE BIDDING
Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.
BUYER’S PREMIUM
The Buyer shall pay the hammer price together with a premium thereon of 27% plus VAT @20% (totalling 32.4% inclusive) on the first £20,000 and 26% plus VAT @20% (31.2% inclusive) thereafter.
CONDITION REPORTS
The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.
The colours printed in the catalogue are not necessarily true.
SALE RESULTS
These will be posted on our website shortly after the sale.
PACKING AND SHIPPING
Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.
Alban Shipping +44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk
Kimdan Ltd +44 (0)7973 389436 andy@kimdan.co.uk
Mailboxes +44 (0)1962 622133 info@mbewinchester.co.uk www.mbe.co.uk/winchester
ZIXIS Fine Art Limited +44 (0)7873 981026 zixisfineart@163.com www.zixisfineart.co.uk
Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.
EXPORTING YOUR PROPERTY FROM THE UK
If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.
Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for handcarried exports.
In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.
PAYMENT AND CLEARANCE
Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.
The following methods of payment may be made:
Bacs, debit and credit cards
Wire transfers should be sent to:
Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707
Sort code 309741
IBAN no. GB20LOYD30974100957707
BIC code LOYDGB21063
Debit and Credit cards: Visa, Mastercard, Amex or Union Pay.
Where practical, payment can be made and purchases collected during the auction.
We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.
LOT SYMBOLS
VAT
Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.
CITES REGULATIONS
Please note that lots marked λ may be subject to CITES Regulations when exported.
The CITES Regulations may be found at www.defra.gov.uk/ahvlaen/importsexports/cites/
ARTIST’S RESALE RIGHT / DROIT DE SUITE
Lots marked with a Φ symbol are potentially subject to a levy.
Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.
Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below £1,000 and the maximum royalty payable on any single lot is £12,500.
Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.
Royalties for Droit de Suite are as follows:
4% Up to £50,000
3% £50,000.01 200,000
1% £200,000.01 350,000
0.5% £350,000.01 500,000
0.25% In excess of £500,000
Up to a maximum levy of £12,500
FIREARMS
Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but will not be allowed to take physical possession of it. The auctioneers will reoffer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.
VALUATIONS
Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.
INSURANCE VALUATIONS
Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.
For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.
Woolley & Wallis valuations are accepted by all leading insurance companies.
PROBATE VALUATIONS
We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.
We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.
Contact Jeremy Lamond +44 (0)1722 424502 | valuations@woolleys.live
FREE AUCTION VALUATIONS
Free verbal valuations of items for sale are available by appointment. Please email valuations@woolleys.live or call +44 (0)1722 424500
SPECIALIST DEPARTMENTS
Please dial +44 (0)1722 followed by the number listed below
20TH CENTURY DESIGN
Max Fisher 424505
Zoe Smith 446955
AFRICAN & OCEANIC ART ANTIQUITIES
Will Hobbs 339752
ASIAN ART
John Axford MRICS 424506
Alexandra Aguilar 424583
Freya YuanRichards 424589
Jeremy Morgan +44 (0)7812 601098
Olivia Jones 424591
BRITISH AND CONTINENTAL CERAMICS & GLASS
John Axford MRICS 424506
Neil Grenyer MRICS 446974
CHINESE PAINTINGS & CALLIGRAPHY
Freya YuanRichards 424589
FURNITURE, WORKS OF ART & CLOCKS
Mark YuanRichards 411854
Neil Grenyer MRICS 446974
Jim Gale 339161
Sarah Stone 339161
Victoria Elwell 339161
JAPANESE ART
Alexandra Aguilar 424583
Olivia Jones 424591
JEWELLERY
Marielle Whiting FGA 424595
Jonathan Edwards FGAA (Consultant) 424504
Jacob Carpenter 424586
Hannah Farthing MRICS 424586
Freya Miller 424586
Beth Reardon 424586
MEDALS & COINS, ARMS & ARMOUR
Ned Cowell 341469
PAINTINGS
Victor Fauvelle 446961
Ed Beer 446962
Richard Kay 446964
Heidi Easton 446970
SILVER
Rupert Slingsby 446956
Archie Swann 446959
Becky TillyTrickett 446957
VALUATIONS FOR INSURANCE & PROBATE
Jeremy Lamond MRICS FRSA 424502
Frances Woodhams
Hannah Farthing MRICS
CLIENT SERVICES
Ruth Pike (Client Services Manager) 424500
Julie Langstaff
Gemma Pointer
Riin RohtlaSzeverenyi
Demi JuenoChapman
PHOTOGRAPHER
Fahmeeda Yasmin
Oscar Ecclestone
Annabelle Hunt
MARKETING
Cameron Malpass +44 (0)7552 545872
PRESS
Sandie Maylor +44 (0)7976 311172
BOARD OF DIRECTORS
John Axford MRICS
Chairman
Natalie Milsted FCCA
Managing Director
Alexandra Aguilar Director
Ed Beer Director
ASSOCIATE DIRECTORS
Ned Cowell
Victor Fauvelle
Will Hobbs
Jeremy Lamond MRICS FRSA
Rupert Slingsby
Marielle Whiting FGA
Freya YuanRichards
Mark YuanRichards
