Woolley & Wallis Auctioneers

DESIGN WEDNESDAY 15TH OCTOBER 2025

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR 2025/2026 AUCTIONS SALES CALENDAR SEPTEMBER 30th

Interiors

OCTOBER 1st & 2nd 9th­26th 15th 21st & 22nd 29th & 30th

Furniture, Works of Art & Clocks Horatio’s Garden Timed Online Art Auction Design Silver & Objects of Vertu including the Michael Baggott Collection (Part II) Fine Jewellery

NOVEMBER 11th 12th 13th 26th

Fine Asian Art Asian Art II Japanese Works of Art The Gordon Reece Collection

DECEMBER 2nd 10th 11th

Medals & Coins, Arms & Armour British Art Pottery Modern British & 20th Century Art

Dates may be subject to change

‘Flambe Carp’ a unique James Macintyre & Co vase

by William Moorcroft SOLD FOR £31,500*

+44 (0) 1722 424500 info@woolleys.live 51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

DESIGN WEDNESDAY 15TH OCTOBER 2025 10.00AM at our City Centre Salerooms, SP1 3SU Max Fisher 01722 424505 mf@woolleys.live

VIEWING WILL TAKE PLACE AT OUR OLD SARUM GALLERIES Saturday 11th October Monday 13th October Tuesday 14th October Wednesday 15th October

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm

BY APPOINTMENT

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 27% (+VAT) on the first £20,000, reducing to 26% (+VAT) thereafter CONDITION OF LOTS

Zoe Smith 01722 446955 zs@woolleys.live

LIVE ONLINE BIDDING – FREE OF CHARGE

LIVE bid.woolleyandwallis.co.uk

Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults COLLECTION OF LOTS BY APPOINTMENT Collection is from our warehouse, Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX. Please instruct carriers accordingly and note, the warehouse is closed over weekends. Please call 01722 446950 or 01722 424500 prior to collection to ensure the items are ready

Instagram: @woolleyandwallisdesign @woolleyandwallissalerooms Facebook: @woolleyandwallis Pinterest: Woolley and Wallis

All accounts to be settled prior to collection EXPORT AND CITES LICENCES Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Lots marked with a Φ symbol which sell for more than £1000 are subject to the levy, payable by the bidder. Please refer to page 85 for full details

ILLUSTRATIONS Front cover: Lot 193 Back cover: Lot 194 detail

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SALE CALENDAR 2026 Design Wednesday 15th April

British Art Pottery & Studio Ceramics Wednesday 3rd June

Fine Arts and Crafts Wednesday 23rd September

British Art Pottery & Studio Ceramics Wednesday 2nd December

ENQUIRIES Max Fisher | mf@woolleys.live Zoe Smith | zs@woolleys.live

THE CORNISH COLLECTION

Peter Cornish at the Royal College of Art, 1963

Peter Cornish in 2017

PETER CORNISH (1941-2017) Peter Cornish was a designer, maker, manager and educationalist.

He was born in 1941 into the devastation left behind by the London Blitz and between 1946 and 1951 he lived with his family in a Nissen hut in Brixton; 1946 was one of the coldest winters on record.

From this rather unpromising beginning Peter found himself at newly opened Kingsdale School, south London, one of the first comprehensive schools in the UK. He soon emerged as a talented artist and with the support of his teachers was encouraged on his educational journey. Following a foundation year at Goldsmiths College he enrolled at Beckenham School of Art where he studied what was recognised as the ground breaking 3D design course set up by furniture designer Robin Day. From here he won a place at the Royal College of Art where he found himself absorbed in the rich and stimulating talent of the 1960s design revolution. During this period, he married his childhood sweetheart, Patricia.

Peter quickly found employment at Avalon Furniture who were looking for young designers to respond to the taste for contemporary design. This necessitated relocating to Clevedon where he recorded the first piece for his personal collection, a Lalique bowl.

Moving back to London in 1967, he began his collecting adventures in earnest, which included innumerable trips to Portobello Road Market with his young family in tow.

Over the next twenty years he worked for Avalon, Lebus and Meredew, later Stag Meredew. He held several positions from general manager, design director to company director, although his passion remained design.

As tastes in furniture changed Peter decided to move away from manufacturing and found employment at Buckinghamshire College of Art & Design, where his skills as a manager and his broad interest in all forms of art made him an ideal leader for the College. He retired as Vice Dean in 2009.

Retirement provided him with the time to focus on his passion for collecting and making. Throughout his life he had designed and made furniture that paralleled his interest in the Arts & Crafts movement, which for him employed tangible processes, accessible technologies and beautiful materials. He was also a great raconteur ensuring his collections were always brought to life with exciting stories of context, people and aesthetics.

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1 Clarice Cliff A Forest Glen pattern jug painted in colours printed Wilkinsons Ltd factory marks 23cm high.

Provenance: The Cornish Collection. £150­250 2 Clarice Cliff A Forest Glen pattern jug painted in colours printed factory marks, 16cm high; together with a Forest Glen pattern small cauldron, 8cm high (2).

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Provenance: The Cornish Collection.

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£200­400 3 Clarice Cliff A Forest Glen pattern charger painted in colours printed factory marks 34cm diameter.

Provenance: The Cornish Collection. £300­500 4 Clarice Cliff A Forest Glen pattern Biarritz plate painted in colours printed factory marks 21 x 27cm; and two Forest Glen pattern plates (3).

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Provenance: The Cornish Collection. £200­400 5 Clarice Cliff A Forest Glen pattern Bonjour shape preserve pot painted in colours printed factory marks, 17cm high; together with a Forest Glen pattern small pot and wooden cover, 11cm high; and a Forest Glen pattern cup and saucer (6).

Provenance: The Cornish Collection. £200­400

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6 Clarice Cliff A Forest Glen pattern beaker painted in colours printed factory marks 9.5cm high; and a Forest Glen pattern cup and saucer (3).

Provenance: The Cornish Collection. £150­250

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7 Clarice Cliff A Forest Glen pattern conical sugar sifter, circa 1935 painted in colours printed factory marks 21 x 27cm.

Provenance: The Cornish Collection. £150­250 8 Clarice Cliff A Forest Glen pattern Bonjour sifter painted in colours printed Newport factory marks 13.5cm high; and a Forest Glen pattern Lynton sugar sifter (2).

Provenance: The Cornish Collection.

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£200­400 9 Laura Knight (1877­1970) for Clarice Cliff Circus, a side plate and a cup and saucer, 1934 painted in colours with circus horses, a clown, and green, purple and gold pattern printed factory marks the plate 17cm diameter (3).

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Provenance: The Cornish Collection. £200­400 10 Laura Knight (1877­1970) for Clarice Cliff A Circus dinner plate, 1934 painted in colours depicting a bear and a handler printed factory marks 23cm diameter.

Provenance: Woolley & Wallis, 2nd April 2003, lot 457. £300­500 11 Clarice Cliff Melon, a Fantasque Bizarre Perth jug painted in colours between orange bands printed factory marks 15cm high; a preserve pot and cover, a sugar basin and a Wedgwood Pottery Veronese Ware vase the design attributed to Alfred Powell (5).

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£300­500 12 Clarice Cliff An Alton Fantasque Bizarre vase, circa 1933 painted in colours between black and green bands printed factory mark 20cm high. £200­300

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13 Clarice Cliff A large Pine Grove Bizarre sample ribbed wall charger painted in colours inside an orange band printed factory mark, painted S mark 46cm diameter.

Provenance: Clarice Cliff, Christie’s, London, 10 November 1999 lot 421 The André Aerne Collection of Clarice Cliff ­ Christie’s 18th August 2017 lot 1045.

Private collection £1,000­1,500

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14 Clarice Cliff Applique Palermo, a Bizarre Hiawatha bowl painted in colours inside yellow, red and black bands printed factory mark 28cm diameter.

Provenance: Clarice Cliff, Woolley and Wallis Auctioneers, 21st March 2018, lot 50. £700­900

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15 Clarice Cliff Sunray, a Bizarre plate, 1930 painted with radiating pattern, in colours inside blue, orange and brown bands impressed date mark, printed Bizarre mark 25.3cm diameter. £400­600

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16 Clarice Cliff A Clouvre Tulip Bizarre single­handled Lotus jug enamelled in colours on a matt midnight blue ground printed and painted factory marks 29.5cm high. £500­1,000

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17 Martin Brothers A large stoneware gourd vase by Edwin & Walter Martin, dated 1908 shouldered, ribbed form, covered in a rich speckled chestnut brown glaze, incised ‘1­1908 Martin Bros, London & Southall’ 25.5cm high.

Provenance: The Cornish Collection. £400­600

17 18 Martin Brothers A rare stoneware gourd vase by Walter Martin, dated 1904 shouldered form with four large ribs glazed tan with brown spots, the ribs glazed matt dark brown incised ‘N5 W F M, 1904’ 9.5cm high.

Literature: Brian Coleman The Best of British Arts and Crafts, Schiffer, page 25 this actual vase illustrated. £300­400

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19 Martin Brothers A stoneware gourd vase by Edwin & Walter Martin, 1907 ovoid form with collar rim, incised with vertical scrolling ribs, glazed dark bronze, incised ‘12­1907 Martin Bros, London & Southall’ 18cm high. £250­350

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20 Pilkington’s Royal Lancastrian Pottery A shouldered vase cylindrical form, painted with horses in blue and turquoise impressed marks 27.5cm. high. £200­300 21 Pilkington’s Lancastrian Pottery A large vase model no.2437, shouldered form covered in a fiery crystalline glaze impressed factory marks, paper exhibition label 34.5cm high.

Exhibited: Pilkington’s Royal Lancastrian Pottery Exhibition, Richard Dennis, 1980, catalogue number 336. £300­400 22 Leonard King for Burmantofts Faience An Anglo Persian vase shouldered, tapering form, painted with birds amongst foliate boughs, in blue, turquoise and green on a white ground impressed marks 18cm high. £800­1,200 23 John Wadsworth (1879­1955) and Leon Solon (1872­1957) for Minton A Secessionist floor vase shouldered form, slip decorated with Art Nouveau flowers and foliage in blue and green impressed factory marks 47.5cm high. £300­400

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24 Doulton Lambeth An Indian stoneware garden seat octagonal section, cast in low relief with arched architectural Iznik panels and stylised foliate panels, glazed turquoise, blue, yellow and ochre impressed Doulton mark, painted marks 46cm high.

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Literature: Desmond Eyles & Louise Irvine The Doulton Lambeth Wares, Richard Dennis, page 196 for this range illustrated from an original Doulton catalogue. £300­500 25 Fred Passenger at Bushey Heath Pottery A vase shouldered, swollen form with applied twin­ handles, covered in a red lustre glaze 22cm high.

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Provenance: James Miles; The Cornish collection. £150­250 26 William De Morgan (1839­1917) Merton Abbey Lynx tile painted in green on a white ground; a Sand’s End Pottery Oblique Leaf tile, A Tulip dust pressed tile probably Alfred Meakin, in the manner of Charles, Francis Annesley Voysey, glazed in turquoise and blue, framed, a Minton tile printed in blue with cranes flying designed by Dr Christopher Dresser, and another Minton vase, impressed marks, 15.5cm. square (5).

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Provenance: The Cornish Collection.

Literature: Martin Greenwood, The Designs of William De Morgan, Richard Dennis, page 122 figure 1065 for the original drawing illustrated. £200­400 26 part

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27 William Moorcroft (1872­1945) A large Pansy vase shouldered form, slip decorated with flowers in colours on a blue ground impressed marks, painted blue signature 32cm high. £800­1,200 28 Emma Bossoms for Moorcroft Pottery Sweet Betsy, a modern trail vase, 2000 tubeline decorated, painted in colours impressed marks painted trial and date 42cm high.

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£300­500 29 Moorcroft Pottery A large vase shouldered, cylindrical form, covered in a green lustre glaze 40cm high; another Moorcroft Pottery vase covered in a white glaze, a ribbed vase by Janice Tchalenko probably Dartington Pottery and a studio pottery vase probably Japanese (4).

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Provenance: private collection. £300­400

29 part

30 Eric Ravilious (1903­1942) for Wedgwood A collection of dinner services in various designs, to include: Garden part service, comprising six coffee cups, three saucers, and two plates Persephone, comprising a bowl, a soup tureen, and three side plates Travel, two plates Harvest Festival, one side plate, all with printed marks (18).

Provenance: The Cornish collection. £200­400 31 Eric Ravilious (1903­1942) for Wedgwood A Travel part tea for two set printed in black and blue with travel vignette, comprising teapot and cover, milk­jug and sugar basin, one cup, two saucers and a side plate printed factory marks side plate 15.8cm diameter (8). £300­500 32 Billie Waters for Clarice Cliff Two Leaping Deer plates designed for the Art in Industry Exhibition 1934 the largest 23cm diameter; with similar pottery designed for the Art in Industry exhibition, designed by Laura Knight, Graham Sutherland, John Armstrong and others. (qty) Provenance: The Cornish Collection. £200­400

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Φ 33 Stella R Crofts (1898­1964) Mountain Goat group, 1928 glazed in colours incised Stella R Crofts, 1928, minor chips to base 17.5cm high. £300­500 34 Quentin Bell (1910­1996) for Fulham Pottery A large plate incised and painted with a tree in a rural landscape, in colours impressed factory mark and cipher, incised Fulham Pottery and Quentin Bell signature 32cm diameter.

Provenance: The Cornish Collection.

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£200­400 35 Carter, Stabler and Adams A Poole Pottery Persian Deer bowl painted in colours on an off white ground impressed and painted marks 36cm diameter. £200­400 36 Arthur Bradbury for Poole Pottery The Golden Hind wall charger, 1950 drawn by Margaret Holder and painted by Eileen Hunt, in colours on a white ground painted inscription and date 39.5cm diameter.

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Literature: Leslie Hayward & Paul Atterbury Poole Pottery, Richard Dennis Publications, page 59 for a comparable example illustrated.

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Provenance: The Cornish Collection. £200­400 37 John Adams for Carter, Stabler and Adams Six Poole Pottery candelabra, circa 1930 three in a cream glaze and three in a green glaze each with impressed factory marks the tallest 27cm high (6).

Provenance: The Cornish Collection.

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£300­500 38 Phoebe Stabler (1879­1955) for Carter, Stabler, and Adams Two Poole Pottery figures, Buster Boy and Buster Girl painted in colours impressed ‘Carter Stabler Adams’ marks both 17.5cm high (2). £400­600

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39 E.E. Strickland for Carter’s Poole Pottery A Farmyard Series four tile panel designed pattern FY6, printed with a pig and piglet, in colours, and another Carter’s Farmyard Series tile panel decorated with two rabbits impressed Carter’s marks, painted FY6 31cm square (8).

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Literature: Leslie Hayward & Paul Atterbury Poole Pottery Richard Dennis Publications, page 169 for the Farmyard Series illustrated as individual tiles. £300­500 40

40 E.E. Strickland Carter’s Poole Pottery A Farmyard Series four tile panel printed with a turkey, in colours and another Carter’s Farmyard Series tile panel decorated with two haystacks and another with a windmill impressed Carter’s marks 31cm square (12).

Literature: Leslie Hayward & Paul Atterbury Poole Pottery Richard Dennis Publications, page 169 for the Farmyard Series illustrated as individual tiles. £300­500 41 Kenneth Townsend for Poole Pottery Eight Carter’s Poole Pottery tiles each screenprinted with a comical creature, comprising two hedgehogs, a cow, ram, tiger, lion, mouse, and a fish impressed Carter’s marks, printed Kenneth Townsend mark 15.5cm square (8). £200­300 42 Edward Bawden (1903­1989) for Poole Pottery Punting, a Carter’s Poole Pottery Sporting Series tile screenprinted in colours 12.5cm square; and a Carter’s tile painted with a dog signed by D K Thick (3).

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£150­200 43 A collection of Art Pottery tiles To include a Carter & Co Poole Pottery Sporting series tile designed by Edward Bawden, a Carter & Co Poole Pottery tile depicting a Squirrel, designed by Sylvia Ball, a Pugin tile, and three Art Nouveau style tiles (6).

Provenance: The Cornish Collection.

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£200­400

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44 John Piper (1903­1992) for Fulham Pottery Two Four Seasons tiles screenprinted in colours impressed factory mark and facsimile signature 16.5cm square (2). £200­300

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45 Piero Fornasetti (1913­1988) Three Fornasetti Citta di Carte dishes rectangular, printed in colours with playing cards printed marks 13.5cm wide (3).

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£200­300 46 John Moyr Smith (1839­1912) For Minton, Hollins & Co. Three Aesops Fables tiles, circa 1878 15 x 15cm; with twenty­six Minton pottery tiles (29). £200­400 47 Helen J.A. Miles for Josiah Wedgwood & Sons Twelve Etruria Old English Months tiles transfer printed in blue and white 15 x 15cm; and thirty­seven pottery tiles, to include Wedgwood and Mintons (49). £300­500 48 John Moyr Smith (1839­1912) For Minton, Hollins & Co. A tile from Classical Figures with Musical Instrument 20 x 20cm; together with a large quantity of Victorian and later tiles ­ including Minton, Maw & Co, Craven, Carter Stabler & Adams, and Continental examples (qty.) £300­500 49 Thomas Elsley (1836­1926) Damascus Flower pottery tile, circa 1900 probably for Morris & Co. 13 x 13cm; together with a Minton Secessionist tube lined tile, and twenty Art Nouveau pottery tiles (22). £150­250 46 part

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49 part 15

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50 Goldscheider of Vienna Art Deco wall mask stamped manufacturer’s marks and numbered ‘6660’ 27cm high. £200­300 51 Jean Adolphe Lavergne for Friedrich Goldscheider Pottery A model of two young Pierrot lighting a cigarette model no.3721, glazed in matt colours, impressed marks and facsimile signature 40cm high.

Literature: Ora Pinhas Goldscheider, Richard Dennis, page 40, this example illustrated.

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Provenance: The collection of William Billy Kidd and Elizabeth Kidd. £100­200 52 Katshutte Pottery A pair of dancers modelled dancing, she wearing a green flowing dress, glazed in colours 32.5cm high; and a Katshutte model of a Flamenco dancer in pink dress, printed factory marks, 32.5cm. high (2) Provenance: The collection of William Billy Kidd and Elizabeth Kidd. £120­180

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53 Robj, Paris A Chinese Character batchelor’s tea set each printed and painted in colours, and highlighted in gilt printed Robj marks the teapot 14.5cm high. £600­800 54 Robj, Paris Two Village Counsel porcelain jars and covers each printed and painted in colours, one modelled as a fireman, the other a clergyman painted in colours and highlighted in gilt printed Robj marks 12cm high (4).

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£200­400 55 Robj, Paris A Napolean porcelain decanter and stopper glazed in colours printed factory mark 30cm high; and a Robj decanter and stopper modelled as Lady in a green hat and jacket, holding a handbag (4). £200­300 54 16

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56 Torquato Castellani (1846­1931) A large and impressive Italian Iznik twin handled vase, dated 1880 ovoid with applied strap handles, painted with panels of flowers and foliage in blue, turquoise, green and aubergine on a white ground painted marks and dated 1880 42cm high. £1,000­2,000

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57 Boch Freres A Keramis vase model no. D1651, swollen cylindrical form, painted in colours with flowers and foliage on a blue ground and a La Louviere Keralouve bowl decorated with maiden washing in a classical landscape printed factory marks the vase 26.5cm high (2),

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£150­200

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58 Charles Catteau (1880­1966) for Boch Freres Keramis vase model D.1101, swollen form with flaring neck rim, painted with geometric panels in blue, yellow and turquoise on a cracked white ground printed and impressed factory mark 31.5cm high; another Boch Freres Keramis vase and a footed vase by Louis Dage (3). £300­500

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59 Continental School A pottery model of a seated monkey, possibly French modelled holding two large gourds, glazed streaked blue and green 19cm wide, 17.5cm high.

Provenance: The Cornish Collection. £100­200

59A

59a A collection of British Art Pottery To include a large Royal Lancastrian red glaze bowl, a Pilkington’s pair of book ends, modelled as dolphins, a Howsons flambe vase, a red lustre vase, marked FR, a Rookwood pottery vase, and six further pieces (11).

Provenance: The Cornish Collection. £200­400 60 Longwy Pottery Mappemonde Colonial pottery vase painted in colours with gilt highlights numbered 30 from an edition of 150 and with printed factory marks 26.5cm high, with the orginal presentation box. £500­700

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60a Jerome Massier (1850­1926) An Art Nouveau jug flattened form, with a red lustre glaze with overlaid gold foliate design signed 17cm wide; together with a Clement Massier miniature vase, two small vases, and a Vallauris pottery model of a scarab beetle (5).

Provenance: The Cornish Collection. £200­400

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60A

ⓒStefan Morris

THE ESTATE OF RICHARD BATTERHAM

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62 61 Richard Batterham (1936­2021) A stoneware footed tazza with vertical ribs, covered in an ash glaze 15cm diameter. £100­200

63 Richard Batterham (1936­2021) A stoneware bowl cut­sided, covered in an ash glaze 17cm diameter. £100­200

£200­300

64 Richard Batterham (1936­2021) A stoneware footed tazza with chatter lines to the well, decorated in a dark iron glaze and a green ash glaze to the interior unsigned 17cm diameter; and two ash glaze tazzas by Richard Batterham (3). £200­300

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62 Richard Batterham (1936­2021) A large stoneware bowl cut­sided, with an iron glaze to the extorior and an ash glaze to the interior 17cm high, 28cm diameter.

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65 Richard Batterham (1936­2021) A soufflé dish with a green ash glaze and chatter ring to the exterior 7cm high; and a batter bowl by Richard Batterham; and eight egg bakers by Richard Batterham (10). £150­250 66 Richard Batterham (1936­2021) Three supper dishes, a small soufflé dish, a dessert bowl and a pie dish the larger dishes with all over green ash glaze 23cm diameter (7). £150­250

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67 Richard Batterham (1936­2021) A stoneware vase in a two­tone salt glaze 32cm high; and a smaller vase by Richard Batterham (2). £200­300 68 Richard Batterham (1936­2021) Four porcelain avocado dishes covered in a pale celadon glaze each 13cm diameter; and two soufflé dishes and a bowl by Richard Batterham (7). £200­300

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69 Richard Batterham (1936­2021) A stoneware casserole dish with cover with a pale ash glaze to the interior 31cm diameter; and five casserole dishes by Richard Batterham (6). £150­250

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70 Richard Batterham (1936­2021) A lugged pot with handles to the neck, covered in a green ash glaze 16cm high; and two stoneware sugar jars, and a jar, all by Richard Batterham (4). £200­300

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71 Richard Batterham (1936­2021) Three stoneware bowls the smaller two with green ash glaze throughout, the larger with chatter bands, the interior glazed ash, the exterior iron larger bowl 16cm diameter (3). £150­250

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72 Richard Batterham (1936­2021) A stoneware yog bowl with chattering band, glazed ash to the interior 27cm diameter; and two similar yog bowls

by Richard Batterham (3). £200­300

73 Richard Batterham (1936­2021) A small stoneware jar and cover covered in ash glaze to the foot, with darker bands to the rim and cover 9.5cm high; and three similar jars with cover by Richard Batterham (4).

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£200­300

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74 Richard Batterham (1936­2021) A stoneware jug covered in ash glaze 17.5cm high; and three stoneware jugs by Richard Batterham (4). £150­250 75 Richard Batterham (1936­2021) Nine stoneware mugs all covered in ash glaze the largest 11cm high (9).

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£200­300 76 Richard Batterham (1936­2021) A teapot, three mugs, and a small jug the teapot covered in an iron glaze the teapot 15cm high (6). £200­300 77 Richard Batterham (1936­2021) A small stoneware bottle covered in a green ash glaze with two darker bands running around the neck 10cm high; and a similar small bottle

by Reuben Batterham, and a bowl and a souffle dish by Richard Batterham (4).

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£150­250 78 Richard Batterham (1936­2021) Four stoneware dinner plates covered in ash glaze the largest 28.5cm diameter (4).

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£150­250 79 Richard Batterham (1936­2021) A large stoneware dish covered in an ash glaze and decorated with a chatter band 43cm diameter; and a similar large stoneware dish by Richard Batterham, 37cm diameter (2). £400­600 77

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80 Richard Batterham (1936­2021) A stoneware bowl cut­sided with salt glaze 14.5cm high, 22cm diameter. £150­250

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81 Richard Batterham (1936­2021) A stoneware teapot and cover cylindrical form, covered in a salt glaze 16cm high; and a smaller teapot by Richard Batterham (2). £150­250 82 Richard Batterham (1936­2021) A stoneware tazza covered with a green ash and black iron glaze 27cm diameter. £200­300

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83 Richard Batterham (1936­2021) A stoneware circular box and cover covered in an ash glaze to the foot 7cm high; and a similar stoneware box and cover by Richard Batterham (2). £150­250

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84 Richard Batterham (1936­2021) A beaten jar stoneware, covered in a celadon glaze 10cm diameter; and a salt glazed jar, and a small box, both by Richard Batterham (3). £200­300 85 Thiebaut Chague (b.1958) at Wenford Bridge Pottery A stoneware vase with blue brushwork decoration on an oatmeal glaze impressed potter’s and pottery seals 17cm high; and a stoneware vase by Thiebaut Chague, and a lustre jug by Miranda Thomas (3). £100­200

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END OF COLLECTION

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Φ 86 Dame Lucie Rie (1902­1995) Milk­jug waisted cylindrical form, glazed manganese, the interior silver­grey, and another smaller, impressed seal mark, 9.7cm. high (2) Provenance: Monika Kinley, thence by descent; Private collection. £500­800 86

Φ 87 Dame Lucie Rie (1902­1995) Two coffee cans and saucers covered in a manganese glaze, the interior silver grey impressed seal marks 13.7cm diameter (4).

Provenance: Monika Kinley, thence by descent; Private collection.

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£500­800

Φ 88 Dame Lucie Rie (1902­1995) Pourer covered in a manganese glaze, the interior off white impressed seal mark 7cm high.

Provenance: Monika Kinley, thence by descent; Private collection. £500­800

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Φ 89 Dame Lucie Rie (1902­1995) Tea cup, saucer and side plate covered in a manganese glaze, the interior silver­grey, and a spare saucer impressed seal mark 18.7cm. diameter (4).

Provenance: Monika Kinley, thence by descent; Private collection. £500­800 89

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Φ 90 Dame Lucie Rie (1902­1995) Large open bowl porcelain covered in a pitted cream glaze with hints of colour to the foot impressed potter’s seal 41cm diameter.

Provenance: Monika Kinley, thence by descent; Private collection. £1,000­2,000 26

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Φ 91 Dame Lucie Rie (1902­1995) Vase stoneware, shouldered form with elliptical, cylinder neck, mottled white glaze to the foot with yellow, turquoise and mushroom impressed seal mark 18cm high.

Provenance: Monika Kinley, purchased directly from Lucie Rie by repute, thence by descent; Private collection. £1,500­2,000 27

Φ 92 Akiko Hirai (b.1970) Moon vase with Hare stoneware vase with glaze, painted cobalt hare painted monogram 26cm high.

Provenance: Setting a Hare in the China Shop, JW Anderson Gallery, December 2020 with Ivan Kochkarev; Private collection. £1,500­2,000

Φ 93 Akiko Hirai (b.1970) Moon jar ovoid stoneware vase with collar rim, covered in a pale white porcelain glaze incised monogram 36cm high.

Provenance: Purchased directly from the artist.

Private collection. £3,000­5,000 92

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Φ 94 John Maltby (1936­2020) A stoneware footed dish shaped­square section, enamelled with geometric panels in grey and coral red, the underside tenmoku impressed seal mark, paper no.36 label 20cm diameter; and a Christmas card print by John Maltby sent to Sheila Christmas 1988 from John & Heather Maltby.

Provenance: The Estate of Sheila Harrison. £120­180 Φ 95 Peter Beard (b.1951) Vase inverted form with uneven rim, with a textured blue and white patterned glaze impressed potter’s seal 14,5cm high; and a smaller vase by Peter Beard, with manganese glaze (2).

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Provenance: The Cornish Collection. £200­300 96 Scottie Wilson (1891­1972) Untitled (bird tree) oval platter, printed and enamelled in colours with a stylised tree with a flock of birds roosting, another decorated with birds, and another decorated with panels of birds, fish and flowers, facsimile signature Scottie, 40cm. wide (3) Provenance: Monika Kinley, thence by descent Private collection. £200­400 97 Peter Lane (b.1932) Porcelain form, 1979 a porcelain shouldered ovoid vase inlaid with blue and black coloured porcelain, another inlaid with marbled porcelain, a porcelain bottle c.1970 and a Homage to Vincent tin glazed earthenware tray incised Peter Lane 8cm high (4).

96 Φ 99 Robin Welch (1936­2019) A stoneware footed bowl covered in a textured glaze to the foot rim, the top rim glazed manganese with blue band 18cm diameter; a Mike Dodd teapot, a Jeremy Leach bellied jug, a smaller footed bowl by Robin Welch, and a collection of studio pottery (qty.)

Provenance: The collection of Rosslyn Hill.

97

£200­300

Provenance: From the collection of Peter Lane. £300­500 Φ 98 Robin Welch (1936­2019) Vase stoneware, cylindrical form with incised and painted decoration, mottled blue, grey and white glaze with red and lapis blue panels impressed seal marks 24cm high; a smaller footed bowl and another larger vase by Robin Welch (3).

Provenance: The collection of Rosslyn Hill. £150­200

98

99 part

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100

101

Φ 100 Richard Batterham (1936­2021) A stoneware caddy and cover covered in an ash glaze 14cm high; and a pot and cover by Richard Batterham (4).

Φ 103 Richard Batterham (1936­2021) Four jugs, a mug, a serving dish, and a plate all with ash glaze the largest jug 14cm high (7).

£300­500

£300­400

Φ 101 Richard Batterham (1936­2021) A stoneware jug covered in an ash glaze 28cm high; and a smaller stoneware jug by Richard Batterham, in an iron glaze, 23cm high (2).

Φ 104 Richard Batterham (1936­2021) A set of three storage jars covered in an ash glaze, each with chevron incised details to the body 18cm high; and six items of pottery

by Richard Batterham ­ a lemon squeezer, two bowls, a plant pot, and a small bud vase (12).

£400­600

102

Φ 102 Richard Batterham (1936­2021) A stoneware teapot and cover covered in a green ash glaze to the foot, fluted design to the top half 15cm high. (2).

£300­400

£200­400

103 104 30

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Φ 105 Janet Leach (1918­1997) at Leach Pottery A large stoneware dish with inverted rim with simple brushed design to interior impressed pottery and potter’s seal 44cm diameter, and another Leach Pottery stoneware dish by Janet Leach (2).

Provenance: The Estate of Sheila Harrison. £150­250 Φ 106 Attributed to Katherine Pleydell­Bouverie (1895­1985) A large slip decorated pouring bowl circular with pouring lip, the well with trailed slip decoration unsigned 44cm diameter.

105 part

Provenance: Purchased at the auction of Katherine Pleydell­ Bouverie’s effects at Kilmington Manor, Warminster; Private collection.

106

£200­300 Φ 107 Tim Andrews (b.1960) Raku vase shouldered, ovoid form with collar rim, pale grey with black spots and rims, and an Alan Wallwork stoneware pebble form impressed seal mark, incised ‘AW’ mark to pebble the vase 23cm high (2).

107

£250­350 Φ 108 Barbara Cass (1921­1992) A large stoneware vase, 1977 tapering form with flaring top rim, running dolomite glaze with iron spots and manganese band to neck painted monogram and date 43.5cm high. £300­400 109 Alan Caiger­Smith (1930­2020) at Aldermaston Pottery A model chicken in a ruby and pink lustre glaze signed to the base and with glaze code 19A 21cm high; together with three Aldermaston Pottery goblets (4).

108

109

Provenance: The Cornish Collection. £150­250 110 Leach Pottery A stoneware footed bowl painted with simple brush motif in tenmoku on a mottled celadon ground 22cm diameter; a Leach Pottery jug and mug a small bud vase by David Leach and a large stoneware charger probably Lowerdown (5). £300­500 110

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Φ 111 Bruce Winn (1959­2012) A porcelain chawan, 1992 faceted form with painted decoration; and a footed unomi by Bruce Winn, three Chuck Schwartz chawans, a creamware jug and three plain creamware side plates by Takeshi Yasuda, four vases by Dan Kelly and a large pottery plaque incised signature and date 92, the chawan 8.5cm high (14).

111

£150­200

112

Φ 112 Jonathan Chiswell­Jones (b.1944) Charger reduction fired lustre, decorated with a Dodo bird within a border of flowerheads painted potter’s monogram and numbered ‘4168’ 38.2cm diameter. £150­250 Φ 113 Kate Malone (b.1959) A jar and cover and two mugs all with polychrome dripped glaze, the mugs with applied hearts running around the body the jar and cover has an incised signature, the two mugs with impressed ‘KM’ the jar and cover 16cm high (3).

113

£150­250 114 Guido Gambone (1909­1969) Vase with knopped neck, painted with a geometric face in aubergine and mushroom on blue ground marked ‘Gambone, Italy’ and with Donkey mark 14.5cm high. £150­250

114

115 Toon Thijs (b.1948) Five pottery Canopic vases in the form of ancient Egyptian Canopic jars, each with birds head covers and a graduated green glaze each with impressed marks tallest 60cm high (5). £200­300 115

116 Janice Tchalenko (1942­2018) for Poole Pottery A large charger, 1999 with a turquoise, red, and orange glaze signed and dated and with manufacturer’s mark 41cm diameter; and a Janice Tchalenko vase and charger (3). £200­400

116 32

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117 117 Abuja Pottery A large vase covered in a nuka type glaze impressed marks 39cm high; with a large collection of Abuja and other Nigerian pottery (qty.) £300­500 118 David Leach OBE (1911­2005) a porcelain box and cover, circular, enamelled in iron red and blue, a small stoneware oil pourer

by Michael Cardew, two cups and saucers by Sandy Brown, a sculpture by Mark Stanczyk Lizandra, a flower brick and a large flower pot

by Colin Kellum, and a small collection of pottery, impressed seal mark 11.5cm. diam. (qty)

118

Provenance The Estate of Sheila Harrison. £150­250 119 Judith Gilmour (1937­2003) Pagoda form five piece stoneware sculpture, glazed white, and a small vase similar, painted signature Gilmour to base 46cm. high (6). £120­180 120 Troika Pottery A footed cube vase square section on four square feet, painted with alternate black and white circles 9cm high; a Troika Pottery ashtray glazed bronze and white, and a Troika Pottery chimney, impressed marks, 9cm high (3).

119

£200­300

121

121 Troika Pottery A large modern Cube vase square form with circular aperture, painted with a bronze circle to each side, on white ground painted marks 17.5cm square. £400­600 120 33

THE PRIVATE COLLECTION OF KENNETH BROWN

122 René Lalique (1860­1945) A Tourbillons glass vase, designed in 1926 model no.973, in clear glass stencilled ‘R Lalique France’ 19.5cm high.

Provenance: The Kenneth Brown Collection of Glass. £700­1,000

122

123 René Lalique (1860­1945) A Paquerettes squared dish, designed in 1934 clear glass with moulded flower lines forming a geometric border, the lines of flowers with blue staining stencilled ‘R LALIQUE FRANCE’ 26 x 26cm; with a Lalique large goblet, and a Lalique dish moulded with a Koi carp (3).

Provenance: The Kenneth Brown Collection of Glass. £150­250

123 part

124 André Thuret (1898­1965) A glass vase thick clear glass with bubble inclusion, flaring square section with rolled top rim, and applied large prunts wheel­cut ‘Andre Thuret’ signature 18.5cm high.

Provenance: Woolley and Wallis, Clarice Cliff, Art Deco & Design, 15th April 2015, lot 264; The Kenneth Brown Collection of Glass. £300­500 124 34

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125 Daum Nancy, France A large Controlled Bubble glass vase, circa 1935 with thick­guage glass with a gold tint signed ‘Daum, Nancy France’ 19cm high. £150­250 126 Daum Nancy, France A large Art Deco glass vase, circa 1930 ribbed design with a greyish tint signed ‘Daum Nancy France’ 27cm high. £150­250 127 Daum Nancy, France An Art Deco glass vase in yellow, gourd form with ribs and acid etched design etched ‘Daum Nancy, France’ 16cm high; with a similar Art Deco Daum Nancy ribbed glass vase (2).

125

126

£150­250 128 Daum Nancy, France An Art Deco glass vase in blue, with a textured effect to both sides etched ‘Daum Nancy, France’ 17.5cm high; with a smaller Art Deco Daum Nancy blue glass vase (2). £150­250

127

129 Daum Nancy, France An Art Deco twin­handled coupe smoked glass acid­etched twin­handled coupe, flaring bowl with lug handles, acid­etched geometric panels etched ‘Daum & Nancy France’ 23cm wide.

Provenance: Clarice Cliff, Art Deco & Design, Woolley and Wallis, 20th March 2024 lot 76; The Kenneth Brown Collection of Glass. £150­200 130 Daum Nancy, France An Art Deco smoked glass twin­handled coupe fluted, octagonal bowl with lug handles wheel­cut Daum Nancy 25cm wide.

128

Provenance: The Kenneth Brown Collection of Glass. £150­250

130 129

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131 Daum Nancy, France An Art Deco smoked glass vase fluted, octagonal trumpet form on a square section base wheel­cut ‘Daum Nancy France’ to base 42cm high.

Provenance: Interiors Dreweatts, 17th January 2023, lot 268.

The Kenneth Brown Collection of Glass. £150­200

132 Daum Nancy, France An Art Deco glass topaz vase, circa 1925 with bubbles to the glass and appiled detail to the rim signed ‘Daum Nancy France’ 21.5cm high; with six Art Deco Daum Nancy glass pieces (7). £200­400

132 part

131

133 Daum Nancy, France An Art Deco glass pedestal bowl, circa 1925 in two tones of blue with gold detail etched ‘Daum Nancy, France’ 18cm high; with a Schneider spherical purple glass vase, a Muller Fres Luneville glass vase, three glass vases, a bowl designed

by Karl Weidmann, and three further glass bowls (10). £300­500

134 Chris Lebeau (1878­1945) for Leerdam A large purple glass vase, 1924 gourd shaped etched artist’s monogram 41cm high.

Provenance: The Kenneth Brown Collection of Glass. £100­200

133 part

134 36

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135 Charles Schneider (1881­1953) An Art Deco footed vase, circa 1930 topaz glass with Cubist style pattern etched to the body signed ‘C. Schneider, Le Verre Francais’ 21cm high; with an Art Deco clear glass vase, a Schneider heavy­guage glass footed bowl, and three Daum Nancy glass pieces (5).

Provenance: The Kenneth Brown Collection of Glass. £200­400

135 part

136 part

136 Charles Schneider (1881­1953) An Art Deco glass vase of cylindrical form, with wheel­cut decoration showing a sun and beams, in a pink ground with textured surface signed 22cm high; with three Charles Schneider glass vases (4).

Provenance: The Kenneth Brown Collection of Glass. £200­300

137 part

137 Daum Nancy, France An Art Deco frosted glass vase with acid etched design beneath the rim etched ‘Daum Nancy, France’ 17.5cm high; with three Daum Art Deco glass bowls (4). £150­250 138 Daum Nancy, France An Art Deco glass pedestal vase in green, with acid etched tiered design to the body signed ‘Daum Nancy France’ 19cm high; and a Daum Nancy glass pedestal vase (2).

138

£100­200 139 Daum Nancy, France An Art Deco glass vase dark in colour with gemotric cut design signed ‘Daum Nancy France’ 13.5cm high; with three small Daum Nancy glass vases (4).

139

£100­200 140 Daum Nancy, France An Art Deco glass vase, circa 1925 thick clear glass with bubbles signed ‘Daum Nancy France’ 21.5cm high; with five Art Deco Daum Nancy glass pieces (6).

140

£200­300 141 Daum Nancy, France An Art Deco glass vase in purple, with a simple moulded pattern to the base signed ‘Daum Nancy France’ 21cm high; and two Art Deco Daum Nancy glass vases (3).

Provenance: The Kenneth Brown Collection of Glass. £100­200

141 37

142 Tamara Aladin (b.1932­2019) for Riihimaki A red glass Hooped vase, circa 1960 28cm high; and a smaller green glass vase designed by Tamara Aladin, three Murano glass vases, A Mdina glass bowl, a glass vase by Barbara Miszczyk, three glass tubular vases, and a Loetz Scham vase (11). £200­400

142 part

143 part

143 Karl Wiedemann (1905­1992) for WMF A large Ikora glass vase, circa 1920 of swollen sleeve form with flared neck, decorated with air bubbles to a graduated red to ochre ground 40cm high; and a Leerdam 1930s glass vase designed by A.D. Copier; and four WMF Ikora glass vases converted to lamps (6).

Provenance: The Kenneth Brown Collection of Glass. £150­250 144 Art et Decoration eighty four volumes, published by Albert Levy, mainly in original bindings (84). £200­400

145 144

145 Grandes Constructions Presente par Robert Mallet-Stevens volume 2 a folio L’Art International D’Aujourd’hui,with card boards, lettering by Cassandre, and Interieurs Au Salon Des Artistes Decorateurs, Paris 1925 presentes par Rene Prou, a folio, Leon Moussinac interieurs III, edition Albert Levy, L’Architecte 1925 editions Albert Levy, L’Architecte 1927 editions Albert Levy, Nouveaux Interieurs 1936, editions Charles Moreau (6) £150­200 146 A large collection of art reference books to include Die Deutsche Werbe-Graphik, Published by Francken & Lang, Berlin, 1927; Innen Dekoration, 1929; L’Art Decoratif; 1910; and 20th Century art reference books, mainly on glass (qty.) £200­400

146 part

147 R Lalique Catalogué Raisonné De L’Oeuvre de Verre by Félix Marcilhac, in slip case, published

by Les Éditions de L’amateur, and Maurice Marinot (1882-1960) Artisan Verrier Catalogué Raisonné De L’Oeuvre de Verre by Félix Marcilhac, in slip case (2) Provenance: The Kenneth Brown Collection of Glass. £120­180

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147

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LALIQUE 148 René Lalique (1860­1945) A Poissons opalescent glass bowl moulded ‘R Lalique’ to well 29.5cm diameter; and a Perche modern Lalique clear and frosted glass figure originally designed by René Lalique (2). £300­400

148

149

149 René Lalique (1860­1945) A pair of Coquilles opalescent glass plaffonier no.3500, one with original patinated metal hanging hooks wheel cut ‘R Lalique France’ to rim and moulded ‘R Lalique mark’ 30cm diameter (2).

Provenance: The Cornish Collection. £400­600

150 René Lalique (1860­1945) An Oursins glass bowl model no. 10­3401, opalescent with moulded circles and wavy lines stencilled ‘R Lalique France’ mark 25.7cm diameter. £200­300

150 39

151 René Lalique (1860­1945) A Eucalyptus glass vase, designed in 1925 model no. 936, opalescent frosted glass with blue staining Moulded ‘R.LALIQUE’ 16.5cm high; and a Lalique Parquerettes square plate (2). £800­1,200 152 René Lalique (1860­1945) Five Coquilles bowls, designed in 1924 opalescent glass, three model 3203, two model 3204 four bowls engraved ‘R,LALIQUE, FRANCE’, the other with a moulded Lalique mark larger 16cm diameter; and a Lalique Ormeaux bowl, and a model 3013 dish (7).

Provenance: The Cornish Collection. £200­400 153 René Lalique (1860­1945) A Clairefontaine clear and frosted glass scent bottle and stopper the stopper modelled as sprays of Lily of the Valley 11.5cm high; a Je Reviens Worth scent bottle in fitted case by Lalique, and five other scent bottles (14).

151

£150­200

152

154 René Lalique (1860­1945) Two Helene perfume bottles, designed in 1942 frosted glass, each with four panels depicting a lady stencilled ‘R LALIQUE’ 13cm high; together with a Lalique Epines perfume bottle and a similar glass box and cover (4).

Provenance: The Cornish Collection. £300­500

154 40

153

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155 part 155 René Lalique (1860­1945) A Six Figurine goblet, designed in 1911 No.3400, clear glass with blue stained panels etched ‘R. Lalique, France’ and with model number 11cm high; with three Lalique perfume bottle stoppers and two figurines (6).

156

157

Provenance: The Cornish Collection. £300­500 156 René Lalique (1860­1945) Raisin Chasselas, a Lalique clear and frosted glass menu no.3476 etched ‘R Lalique France no.3476’ 15 x 9cm.

Provenance: The Estate of Sheila Harrison. £100­200

158

157 René Lalique (1860­1945) A Deux Oiseaux hand mirror, designed in 1914 model 677, clear glass modelled with birds either side of the handle relief moulded ‘LALIQUE’ mark 17cm diameter.

Provenance: The Cornish Collection. £200­300 158 Lalique Three glass beakers, a Bourgueil bowl, and a drinking glass etched Lalique mark The bowl 11cm diameter (6).

Provenance: The Cornish Collection. £150­250 159 Lalique A crystal glass model of Madonna and Child etched ‘Lalique France’ 20cm high; together with a three Lalique crystal glass models with originals boxes (4). £200­400

159

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GLASS 160 Louis Comfort Tiffany (1848­1933) A Favrile glass candlestick model 8040, tapering form with twisted vertical ribs, covered in a golden iridescence etched ‘L.C.T’ and ‘8040’ 17cm high.

Provenance: The Cornish Collection. £200­400 160

161 Louis Comfort Tiffany (1848­1933) A rare Favrile glass inkwell model R.402, compressed, ribbed form, red glass with blue­green iridescent finish etched ‘L.C.T R.402’ 4cm high, 7cm wide.

161

Provenance: The Cornish Collection. £200­400 162 Daum Nancy, France A Thistle cameo glass vase, circa 1900 with acid etched thistles against an orange and yellow ground signed 12.5cm high; together with a André Delatte Nancy box and cover (3).

162

Provenance: The Cornish collection. £200­400 163 Loetz A glass vase shouldered ovoid form with flaring top rim, textured with golden iridescence 12.5cm high; and two other iridescent glass vases (3). £120­180 164 Loetz An iridescent glass vase tapering cylindrical form with flaring pinched rim, covered in a blue lustre splash iridescence 20.5cm high; and another Austrian iridescent glass vase (2).

163

£200­300 164A James Couper & Sons A Clutha glass vase dimpled square section with cylindrical neck and pinched flaring rim, green glass with white striations, and bubble inclusions 15cm high. £200­300 164 42

164A

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165

166 167

165 La Verre Francais An Art Deco cameo glass ewer tapering mottled pink and opaque glass body overlaid with pink glass, acid­etched with pendulous stylised flowers, applied glass handle etched ‘La Verre Francais’ 33.5cm high.

Provenance: The Cornish Collection. £300­400 166 Attributed to Marcel Goupy (1886­1954) An Art Deco enamelled glass ewer the ovoid body enamelled with a bird flying past a guitar, accordion and knife, inside stylised flower border applied paper label for New York World’s Fair 34cm high.

167 La Verre Francais A large glass vase, circa 1910 cameo glass in orange and purple, decorated with fruiting grape vine pattern 45cm high.

Provenance: The Cornish Collection. £200­300 168 Moncrieff’s Monart Art Glass A large glass vase green with black and gold inclusions with oiriginal label to the underside 42cm high; and two Strathearn art glass vase, the larger 21cm high (3).

Provenance: The Cornish Collection. £150­250

Provenance: The Cornish Collection. £150­200

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170

169

171 part

169 Daum Nancy, France A clear glass vase square section, flaring to pulled rim with clear glass lug handles, a tall Orrefors clear glass vase probably by Nils Landberg, a Leerdam Unica glass vase, a Verlys blue glass bowl with wrought iron mount and two clear glass vases, etched ‘Daum France’ to side of base rim, 25.5cm. high (6)

172 Loetz An Art Deco Schaum vase, circa 1930 of inverted form with trailed red, blue and white lines on a clear ground 20cm high.

£150­200

173 A De Latte enamelled glass vase swollen orange glaze enamelled with floral roundel a tall De Latte solifleur glass vase, another De Latte red vase and five other vases painted DeLatte France 18cm. high (8).

170 Orrefors a glass bowl and stand, dated 1936 inscribed ‘Orrefors 1936 H.H.234’ to the base 11.5cm high, 23cm wide (the bowl); together with a pair of conical glass candlesticks (4). £150­250 171 Elizabeth Graydon­Stannus (1878­1961) Two Graystan glass vases the first in a mottle jade green, the second of spherical form with coral red swirled pattern both signed 18cm and 13cm high (2).

Provenance: The Cornish Collection. £150­250

Provenance: The Cornish Collection. £100­200

£150­200 174 Émile Gallé (1846­1904) A cameo glass lamp base overlaid and acid­etched showing peach blossom signed in cameo 24cm high; together with a Galle style glass lamp base (2).

Provenance: The Cornish Collection. £200­400 175 Thomas Webb & Sons A Webb’s Iris glass vase, circa 1900 with a deep gold and orange iridescent pattern etched marks 11cm high; together with six Webb art glass vases (7).

172

Provenance: The Cornish Collection. £200­300

175 173 44

174

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176 Tessa Clegg (b.1945) A pate de verre glass bowl, 1987 of flared and fluted form, in pink with grey speckled inclusions 11cm high, 27cm diameter.

Provenance: The Cornish Collection. £100­200 177 Fulvio Bianconi (1915­1996) for Venini A Murano glass bottle, circa 1960 in green and blue stripes marked to base 38.5cm high.

176

£500­700 178 Cenedese Murano A small Aquarium glass sculpture rectangular, internally decorated with a fish amongst waterweed 14.5cm. wide. £200­300 179 Michael Powolny (1871­1954) A set of six Lobmeyer engraved vases flaring cylindrical form, engraved with a roundel depicting a young child, four playing musical instruments, one sitting in a display of flowers, one with a sheep, the reverse engraved with simple flower stems, etched Lobmeyer mark 8.5cm. high; and a similar Powolny engraved vase (7).

178

177

Provenance: The Cornish Collection.

Literature: Glas Kunst Der Moderne, Von Joef Hoffmann bis Wilhelm Wagenfeld, page 183, cat. no.

73 for a vase with comparable engraving illustrated.

179

£600­800 180 Charles Schneider (1881­1953) Three Art Deco Le Verre Français glass vases and a bowl, circa 1930 cameo glass with grape and vine pattern in orange and purple the vase 36cm high (4).

181

Provenance: The Cornish Collection. £200­400 181 Fulvio Bianconi (1915­1996) for Venini A large Fazzoletto handkerchief vase irregular form, pink and white vertical zanfirico columns acid etched Venini mark to base 22cm high. £250­350 180

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182

183 182 Kaj Franck (1911­1989) A small clear glass bowl, with fluted design, etched ‘K Franck’, 7cm high; together with seven pieces of Art glass, to include a Ravenna bowl designed by Sven Palmqvist for Orrefors, 9cm diameter; A Murano glass model of a bird, 22cm diameter, A David Knight cylindrical vase, 24cm high, and charger, 37cm diameter (8).

Provenance: The Cornish Collection. £200­400

185

183 Mike Hunter (Contemporary) A large Willow glass vase with two coloured bands in turquoise and pink above a larger section of white line decoration etched with a signature and title 40cm high.

Provenance: The Cornish Collection. £150­250 184 Pavel Hlava (1924­2003) Ovoid vase manufactured by Skrdlovice, pattern no.

8032, clear glass graduating to blue neck, with applied surface decorated petrol iridescent panels, and an internally decorated vase by Frantisek Vizner Hlava unsigned, Vizner signed, 16cm high (2).

184 185 David Knight (Contemporary) Three globular glass vases each with incalmo technique in two colours the larger two signed and dated, 2002, the smaller vase unsigned largest 23cm high (3).

Provenance: The Cornish Collection. £200­300 186 David Knight (Contemporary) Two glass vases, 2002 of slender form, each with incalmo technique in two colours both signed and dated largest 33cm high.

Provenance: The Cornish Collection. £200­300 187 David Knight (Contemporary) Three glass vases each with incalmo technique in two colours each signed and dated largest 25cm high.

Provenance: The Cornish collection. £200­300

£300­500

186 46

187

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188 189

Φ 188 Samuel Herman (1936­2020) A glass vase, 1975 of globular form, with ochre and white inclusions cased in blue and green swirls etched signature and date 13.5cm high.

Provenance: The Cornish Collection. £200­300 Φ 189 Peter Layton (b.1937) A large glass centrepiece bowl Reef pattern signed 22cm high, 34cm wide; together with a similar unsigned vase, with pulled rim, 27cm high; and an art glass vase in red and yellow, 23cm high (3).

190

£150­250 Φ 190 Peter Layton (b.1937) Three art glass vases with frosted effect and decorated with trailed patterns in ochre and green each signed the tallest 26cm high (3). £150­250 Φ 191 Peter Layton (b.1937) Five art glass vases with frosted effect and decorated with blue, violet, and pink flower heads and trailed green lines each signed the tallest 22cm high (5).

191

£200­400 Φ 192 Peter Layton (b.1937) A large art glass vase, 1990 with a frosted mottled surface with swirled patterns signed and dated 30cm high; together with a Peter Layton glass vase, a Thomas Petit glass bowl, and an orange art glass bowl (5). £200­400

192

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Φ 193 Colin Reid (b.1953) A large wave form glass sculpture, 2010 kilncast optical glass with a slate base etched signature and date with number ‘R1529’ 67cm high. £400­600

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Φ 194 Steffen Dam (b.1961) An impressive glass jellyfish panel made entirely of glass as to give the appearance of a specimen sample signed (under the frame) 45 x 30.5cm.

Provenance: A unique commission by Todhunter Earle Interiors from Simon Benney to feature in the interior design of a Sailing Yacht.

Steffen Dam originally trained as a tool maker but his interest developed in the skills and techniques of glass making. Following ten years of studying, it was the anomalies and flaws of glass such as inclusions, ash marks and cracks which inspired him to create works such as these.

Dam’s work is found in public and private collections throughout the world, including the Victoria & Albert Museum, London; Glasmuseet, Ebeltoft, Denmark; the Museum für Kunst und Gewerbe, Hamburg, Germany; Museum of Art and Design, New York, NY; the Palm Springs Art Museum, Palm Springs, CA; Seven Bridges Foundation, Greenwich, CT; The Anneberg Collections, Nykøbing, Denmark; The Danish Arts Foundation, Denmark; The Danish Museum of Decorative Art, Copenhagen, Denmark; and The National Museum of Art, Architecture and Design, Oslo, Norway. Dam’s awards include The Crafts Prize of 1879 awarded in 1995, The Ole Haslund Art Prize awarded in 1996, and The Hempel Glass Prize awarded in 2002. £10,000­15,000

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Φ 195 Patrick Reyntiens (1925­2021) It’s Easy to Know How, 2010 leaded and painted glass panel etched signature and date 39 x 30cm.

Provenance: Stained Glass Patrick Reyntiens, Goldmark, 2.03.

The Cornish Collection. £150­250

195

196 Leonard Walker (1877­1964) A rare Arts & Crafts stained glass panel titled Cædman,1934 depicting a kneeling figure in front of a saint, framed in oak signed and dated (to the glass, lower left), titled (to the glass, lower right) 56 x 39.5cm.

Catalogue Note: Leonard Walker was a prominent painter and stained­ glass designer whose studio was based in Hampstead, London from 1911. Over the course of his career, he created stained glass windows for a wide range of religious and secular buildings across the UK and internationally.

Although modern scholarship has largely overlooked Walker’s contribution to stained glass, he was a prolific and widely recognised artist during his lifetime. His work was frequently featured in both local and national press, reflecting the high regard in which it was held.

Walker began producing stained glass in the 1890s, but most of his output dates from the 1920s onwards.

Among his most significant works is The Ascension at St Chad’s Church, Bensham, Gateshead (c.1916), executed in the Arts and Crafts style. His international reputation was further cemented when he received an honourable mention at the Paris Salon in 1921 for a stained­glass roundel depicting two Chinese vessels at sea, part of his commission for the Hong Kong and Shanghai Banking Hall in Singapore (1923). In 1925, he was awarded the Diplôme d’honneur at the Exposition Internationale des Arts Décoratifs in Paris, an accolade that made him the only English artist to receive such a distinction that year. £800­1,200

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WORKS OF ART 197 Karl Hagenauer (1898­1956) Fox Lying a rare, miniature patinated bronze figure stamped marks 4cm wide; and two other Hagenauer figures of a Comical bird and a cat, aRena Rosenthal patinated bronze models of dancing figures, an owl, squirrel and five other similar figures (12).

197

£200­400 198 Karl Hagenauer (1898­1956) An Art Deco model of an African girl, circa 1930 bronze stamped ‘’WHW’ and ‘ Austria’ 18cm high.

198

£400­500 199 Karl Hagenauer (1898­1956) Russian Balalaika, an Art Deco model, circa 1930 brass and ebonised wood stamped ‘’WHW’ and ‘ Austria’ 22cm high, 23cm wide. £800­1,200 199

200 Karl Hagenauer (1898­1956) Art Deco model of an Austrian Woman, circa 1930 nickel­plated brass and wood stamped ‘’WHW’ and ‘ Austria’ 19cm high.

200

£600­800 201 Karl Hagenauer (1898­1956) An Art Deco model of a tennis player, circa 1930 nickel plated brass on a circular wooden plinth stamped ‘’WHW’ and ‘ Austria’ 42cm high. £800­1,200 202 Karl Hagenauer (1898­1956) An Art Deco model of a skier, circa 1930 nickel plated brass, stamped ‘’WHW’ and ‘Made in Austria’ 13.5cm. high. £800­1,200

202

201

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Φ 203 Maurice Pico Picaud (1900­1977) Serpentine Dancer, Folies Bergere gilded wood, in oak frame applied metal label Pico 48 x 50cm (panel).

Provenance: Sheryl’s Art Deco Emporium; Private collection.

Catalogue Note: This figural plaque was originally designed as a huge concrete panel for the exterior of the front of the Folies Bergere in Paris by Picaud in 1926. It features the dancer Lila Nikolska. £4,000­5,000

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204 204 Art Deco Dancer with Rings a patinated metal sculpture, modelled as a dancer, balancing on one foot, holding two hoop rings, on polished black marble base unsigned 43cm high.

205

£300­500 205 Michel Zadounaisky (1903­1983) Leaping Antelope sculpture patinated iron stamped ‘Zadounaisky’ 55cm. wide, 27cm. high Provenance: Style & Spirit, Christie’s South Kensington, 28th September 2010, lot 29; Private collection. £1,000­2,000

207 206

206 Josef Lorenzl (1892­1950) The Fencer a patinated metal sculpture of a female fencer, sword drawn, on onyx base 25cm high. £350­450 207 Henry Fugere (1872­1944) Dancer silver patinated bronze, on grey veined onyx base signed in the cast ‘H Fugere’, Austrian foundry mark 55.5cm high £500­800 208 Henri Fugere (1872­1944) Woman with a Deer patinated bronze, on veined marble base signed in the base, 41.5cm. wide. £600­800

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210A part

209 210 209 Jeremiah Richardson for Keswick School of Industrial Arts A rare silver tray, rectangular, hammered in low relief with scrolling flowers and foliage panel etched Jeremiah Richardson and possible 1890 date to back 54 x 24.5cm.

212 John Pearson (1859­1930) A repousse copper charger, 1899 circular, hammered in low relief with four lizard­ like creatures to the well, the rim with a frieze of larger lizards, brown patina etched ‘J Pearson 1899, 2467’ 36.5cm. diam.

Catalogue Note: Jeremiah Richardson exhibited a Keswick copper dish at the Home Arts and Industries Exhibition in 1903, illustrated in The Studio volume 27.

£350­450 213 Attributed to David Pye (1914­1993) box and cover kingswood, circular form 3.5cm diameter.

£400­600

211

210 An Art Nouveau Glasgow School wall charger with enamel roundel, stamped to the well with an Art Nouveau maiden in profile, the rim set with blue enamel roundel, unsigned, 46cm. high

Provenance: Crafts Council Shop, by repute; Private collection.

£150­200

214 Robert Thompson of Kilburn (1876­1955) An oak pen tray rounded rectangular sections with carved band and carved mouse carved mouse signature 29.5cm wide.

£150­200

210A Archibald Knox for Liberty & Co. A Tudric Pewter crumb tray model no.0532, cast in low relief with stylised Art Nouveau foliage panels 25cm wide; a Liberty English Pewter tray and an Arts and Crafts pewter tray with enamel flower panels (3).

Provenance: Private collection. £300­500

£100­150

212

211 Edward Spencer (1872­1938) A pair of Artificers Guild wrought steel candlesticks domed base with thin bands of punched decoration, the tapering stem with acorn and oak leaf knop, stamped ‘Artificers Guild’ mark to one, 34cm high (2).

Literature The Studio, 1909, page 209 for comparable examples illustrated. £400­600

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213

214

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215 Robert Thompson of Kilburn (1876­1955) A rare pair of Mouseman Elephant book ends English Oak, modelled standing, on rectangular base carved mouse signature 18.5cm wide, 17cm high (2).

Provenance: Private collection.

Catalogue Note: The bookends were probably commissioned by John Weston Adamson in the 1930s whilst he was living at Oldstead Hall in Yorkshire as he had a keen interest in African wildlife. £3,000­5,000

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Φ 216 Cyriel de Brauwer (1914­1989) Grazing Horse and Foal patinated bronze signed in the cast ‘de Brauwer e/a’ 48cm wide. £400­600 217 Dawn Huggins (20th Century) An untitled bronze sculpture, circa 1960 with polished detail, standing on a rectangular plinth unsigned 17cm high.

Provenance: Alwin Gallery, London.

216

£200­300 218 An Art Nouveau patinated bronze vase in the manner of Gustav Gurschner, modelled as a young naked Art Nouveau maiden holding a large clam shell sconce, an E Jullien Art Nouveau dish modelled cast with a naked maiden, An Art Nouveau cast brass inkwell with Austrian iridescent glass well, another Jugendstil brass and copper inkwell, an Art Nouveau pewter and glass claret jug and an Art Nouveau electroplated biscuit box and cover with engraved glass liner, main unsigned, 16.5cm. high (8) £200­300

217

Φ 219 Anthony Hawken (b.1948) Lovers patinated bronze signed A Hawken 28cm wide. £150­250 220 Bruce Talbert (1838­1881) for Cox & Sons A gilt brass nef modelled as a longboat with single sail and birds head figurehead, on four wheels 20cm wide, 20.5cm high.

218 part

Literature: Cox & Sons catalogues (1873 and 1876) this design illustrated.

The Best of British The Selling Exhibition, Paul Reeves/Sotheby’s 14­20th March 2008 page 66, catalogue number PR40 for a comparable nef. £300­500

219

221 In the manner of Bruce Talbert (1838­1881) A Gothic Revival cast brass seven piece garniture comprising central cruciform five light candelabra, four three branch and two single candlesticks, each with cast foliate panels 28.5cm high (7). £200­300

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220

221

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FURNITURE 222 In the manner of Daniel Cottier (1838­1891) A large Aesthetic mirrored dresser, circa 1910 ebonised wood with parcel­gilt and polychrome painted decorations, the upper gallery with central mirror surrounded by smaller mirrored sections, and a top frieze depicting birds amongst fruit blossom 242cm high, 188cm wide, 38cm deep. £200­300 223 Aesthetic Movement A large overmantle mirror, circa 1880 ebonised wood with parcel­gilt and polychrome painted decorations, two panels depicting maidens in woodland, the top panel painted with peacock feathers 193cm high, 132cm wide. £200­300 224 Aesthetic Movement A pair of ebonised wood corner shelves each with mirrored back display shelf below painted allegorical panel 110.5cm high, 43cm wide (2).

222

£300­500

223 224 detail

224

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detail

225

225 Bruce Talbert (1838­1881) for Gillow & Co., Lancaster A rare drawing room cabinet or sideboard, circa 1870 walnut and burr walnut, with fine marquetry inlay finished with gilt, brass fittings and glazed central doors stamped ‘GILLOW & Co. 4731’ 214cm wide, 118cm high, 47cm deep.

Reference: Carnegie Museum of Art collection, Pittsburgh, for a similar example by Talbert, Accession No. 2007.25.

Provenance: Lyon & Turnbull, Design Since 1860, 17­18 April 2024, lot 51. £2,000­4,000

226 William Morris (1834­1896) for Morris & Co. A set of eight Sussex chairs ebonised ash wood, with rush seats 83cm high.

Provenance: Ernest Newton RA, (1856­1922) architect; Thence by descent.

Catalogue Note: Ernest Newton was articled to Richard Norman Shaw in London from 1873­1876, leaving to set up an independent architectural practise in London in 1880. He was a founding member of the Art Workers Guild (in 1884) and also a regular exhibitor at the Royal Academy. £800­1,200 227 In the mannner of Augustus Welby Northmore Pugin (1812­1852) An oak reclining armchair with carved tracery panels and foliate rail, slung seat and padded arms 60cm wide, 115cm high. £150­200

226 58

227

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228 229 228 Attributed to Ernest Gimson (1864­1912) A Cotswold School single bed frame, circa 1920 oak frame with walnut panels, with ebony and holly inlaid detail the headboard 112cm high.

231 Gordon Russell (1892­1980) A Cotswold School oak dressing table with matched stool two drawer plinths with central rectangular mirror, on eight octagonal legs 136cm high.

Provenance: Property of Julia Stapleton.

Provenance: The Cornish Collection.

£400­600

£200­400

229 Attributed to Ernest Gimson (1864­1912) A stained ash ladderback chair 107cm high, 44cm deep; and two Arts & Crafts dining chairs with rush seats (3).

231A Attributed to Charles Robert Ashbee (1863­1942) for the Guild of Handicraft A pair of oak ladderback chairs three rung back and tie rail, with rush seat 94cm high (2).

Provenance: Property of Julia Stapleton.

£200­300

230

£150­200 230 Designed by Peter Waals (1870­1937) An Arts & Crafts students desk, circa 1930 constructed under the direction of Edward Barnsley at Loughborough College in oak with a single long drawer over two shorter drawers, all with carved handles 77cm high, 117cm wide, 57cm deep. £300­500

231

231A

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232 Cotswold School An Arts & Crafts double bed frame walnut, panelled the headboard 102cm high, 140cm wide; and a Cotswold School corner cupboard (2). £300­500

233 Attributed to Edward Barnsley (1900­1987) A Cotswold School wardrobe oak with panelled front 193cm high, 129cm wide, 59cm deep. £1,500­2,500

232

233 60

234 Liberty & Co. An Arts & Crafts oak dresser, circa 1910 oak, the top section with glazed doors over two drawers and cupboard section with iron straps and handles ivorine label to reverse 189cm high, 175cm wide, 59cm deep. £300­500

234

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235 Heals A pair of armchairs, circa 1930 light oak with Liberty fabric seats with Heals ivorine label to the frame 86cm high, 56cm wide, 47cm seat depth. £200­300 236 Heals An oak stool rectangular top, on four, square legs, with padded seat impressed Heals ivorine label 44cm high, 45.5cm wide, 36cm deep.

235

236

Provenance: The Cornish Collection. £100­200 236A After a design by Mackay Hugh Baillie Scott (1865­1945) A mahogany semi­circular armchair with plank skirt, drop in rush seat 80.5cm high.

Literature: M.H. Baillie Scott Houses and Gardens, The Drawing Room at Falkewood for a comparable example illustrated.

Furniture Made at the Pyghtle Works Bedford by John P White designed by M H Baillie Scott, Page 18 catalogue number 16 for a decorated example illustrated. This armchair is listed available in oak and mahogany.

236A 237

£600­800 237 Heals An oak chest of drawers, circa 1930 with three long drawers ivorine label to top drawer 76 wide, 79 high, 58.5cm deep.

Provenance: Property of Julia Stapleton. £200­400 238 Arts & Crafts A Liberty style open bookcase oak with trefoil cut out to the top frieze 128cm high, 50.5cm wide, 19.5cm deep.

239

£200­300 239 In the manner of Christopher Dresser (1834­1904) A dressing table mirror, circa 1880 oak with bobbin turned supports Whiteleys London retailer label to the underside 72cm high, 52cm wide.

238

£200­300 240 Arts & Crafts An oak dining table the rectangular top over square cut legs joined by a ‘X’ shape stretcher 78cm high, 152cm wide, 92cm deep. £500­800

240

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241 Art Deco School A large decorative bronze panel or frieze with acanthus type bands joined by zig­zag lines, all within a further rectangular frame 34 x 123cm.

Provenance: The Cornish Collection. £200­400 242 Art Deco School A mirrored glass cocktail cabinet rectangular form with drop front, chrome and glass handle, fitted interior 86cm high, 51cm wide.

241

£150­200 243 Secessionist School A hall stand, circa 1900 ebonised, with umbrella stand and coat hooks 184cm high. £100­200

242

244

244 Josef Hoffmann (1870­1956) for J&J Kohn Secessionist armchair, designed in 1905 stained beech 75cm high, 56.5cm high, seat depth 51cm. £300­500 245 A George VI Coronation chair with a beech frame and upholstered in green braided velvet embroidered with the cipher `GIVR’ 86cm high, 49cm wide. £300­500

243

245

246

246 A pair of George VI Coronation stools, one

by Maple & Co the other by B North & Sons, shaped square legs with rectangular seat covered in blue velvet withs gold silk braid, stamped makers marks and coronation marks, 47cm. high, 47 x 32cm. (2) £300­400 247 A pair of Queen Elizabeth II Coronation chairs covered with blue velvet bearing the monogram ER II beneath a crown stamped and branded to the underside, numbered 228 and 241 85cm high,49.5cm wide, 43cm deep (2).

Provenance: Baron Clifford of Chudleigh Charles Oswald Hugh Clifford (1887­1962) and his second wife, Clare Mary Mayne; thence by descent. £1,000­2,000

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247

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248

249

248 Marcel Breuer (1902­1981) A bent­ply and birch Long chair, originally manufactured by Isokon with blue wool padded cushion covering 81cm high, 130cm wide. £600­1,000

249 Gordon Russell Ltd. A teak and Indian rosewood sideboard three central drawers flanked by single cupboards on turned legs, turned wood handles applied label 152.5cm wide, 86cm high, 43.5cm deep £200­300

250 W.H. Russell for Gordon Russell Ltd. A sideboard, 1962 mahogany and Indian rosewood, the curved front with four drawers flanked by cupboard sections design R810 constructed by B.A Jones Gordon Russell label to the reverse 87cm high, 107cm wide.

250

£200­300

251 Attributed to Omersa for Liberty & Co. A leather rhinoceros footstool 108cm long. £200­400

251 63

252 Hans Wegner (1914­2007) for Carl Hansen & Son Four Wishbone chairs, designed in 1950 model CH24, oak and papercord manufacturer’s label 72cm high, 56.5cm wide (4).

Provenance: The Cornish Collection. £300­500 253 Svend Aage Madsen for H.P. Hansen A Danish SH180 teak desk, circa 1960 the curved front over three short drawers to each side, the desk raised by curved twin supports to each end 72cm high, 150cm wide, 72cm deep.

252

£600­1,000 254 Alvar Aalto (1898­1976) for Artek A set of four model 69 chairs, 2002 birch laminated ply 73cm high, 39cm wide (4). £200­300 255 Mid­Century School A bent­ply cabinet rounded square section, the hinged top with white laminate, on casters, with internal tray 46 x 46cm, 46cm high.

Provenance: The Estate of Sheila Harrison.

253

£50­100 256 Lisa Norinder for Ikea Three bent plywood stools, circa 1999 46cm high (3). £150­200 257 Mid­Century School birds­eye maple wall shelf 123cm wide, 74cm high. £150­200

254

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PIERRE JEANNERET (1896-1967)

258 Pierre Jeanneret (1896­1967) for Chandigarh A pair of model PJ-Si-34-A caned teak low stools, circa 1955 the slightly dished tops each on a pair of A­shaped legs united by a stretcher 45cm high, 40cm wide, 30cm deep. £800­1,200 258

259 Pierre Jeanneret (1896­1967) for Chandigarh A Student desk, circa 1957 teak, with a rectangular top with drop­down sides 73cm high, 82cm wide, 58cm deep. £1,500­2,500

259

260 Pierre Jeanneret (1896­1967) for Chandigarh A PJ-BU-02-A pigeonhole desk, circa 1957 teak and leather, with pigeon holes to the reverse 71cm high, 121.5cm wide, 84cm deep.

Literature: Le Corbusier, Pierre Jeanneret: Chandigarh, India, Galerie Patrick Seguin, pages 248/249. £8,000­12,000

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261

261 Pierre Jeanneret (1896­1967) for Chandigarh A Student desk, circa 1957 teak, with a rectangular top with drop­down sides 70cm high, 81.5cm wide, 59cm deep. £1,500­2,500

262 Pierre Jeanneret (1896­1967) for Chandigarh A PJ-BU-02-A pigeonhole desk, circa 1957 teak and leather, with pigeon holes to the reverse 71cm high, 121.5cm wide, 84cm deep.

Literature: Le Corbusier, Pierre Jeanneret: Chandigarh, India, Galerie Patrick Seguin, page 248 and 249. £8,000­12,000

262

262 reverse 66

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263 Vivai del Sud An Italian sideboard woven bamboo with four drawers flanked by cupboards, in a chrome frame 77cm high, 186cm wide, 51.5cm deep. £300­500 264 Michael Bell (Contemporary) Matador console table oak with metal joints, the rectangular top with curved ends 94cm high, 152cm wide. £300­400 263

265 Michael Bell (Contemporary) A set of four stools walnut with slung woollen seats 52cm high, 67cm wide (4). £300­400 266 Charles and Ray Eames for Herman Miller A set of six DSW chairs, originally designed in 1950 moulded plastic seat raised on four wooden dowel shaped legs on a metal ‘x’ frame 82cm high, 47cm wide (6). £200­400 267 In the manner of Guglielmo Ulrich (1904­ 1977) Dining table, circa 1950 mahogany and glass 81cm high, 175cm wide, 84cm deep.

264

£300­500 268 Carl Jacobs for Kandya A set of seven Jason stacking chairs moulded and painted plywood applied Kanya labels 72cm high, 52cm wide (7).

Provenance: The Cornish Collection. £300­500 265

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267

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269

270 269 Attributed to Gabriella Crespi (1922­2017) An Italian occasional table, circa 1970 with steel and brass diagonal stripes 140cm wide, 80cm depth, 37cm high.

271

£300­500 Φ 270 Marc Brazier­Jones (b.1956) World Clock, circa 1980 steel, the face modelled as the globe with twelve glass roundels set to the outside of the globe 79cm high. £400­500 271 In the manner of George Nakashima (1905­ 1990) Coffee table granite legs, a glass lower tier and a single plank hornbeam top 42cm high, 160cm wide.

272

£150­250 272 Attributed to Leon Rosen for Pace Collection A glass dining table with cylindrical brass legs 75cm high,183cm wide, 106cm deep. £200­400 273 After Charles Rennie Mackintosh (1868­1928) An Ingram chair ebonised ash with pierced detail and drop­in fabric seat 157cm high, 47cm wide. £200­300 274 Studio 6G and Harvey Guzzini An Italian Clan floor lamp, designed in 1968 chrome plated, plastic and perspex 53cm high approx. £200­300 68

273

274

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275 276

Φ 275 Il Hoon Roh (b.1978) Fabric Table Radiolaria black aclic moulded base with a glass top 47cm high, 125cm wide, 70cm deep. £400­600 276 Vladimir Kagan (1927­2016) for Chromcraft Five Sculpta chairs, circa 1960 featuring a cantilevered ‘V­shaped’ aluminium base and leather upholstery 150cm high, 87cm wide, 78cm deep. £200­400

277

277 Charles and Ray Eames for Vitra A set of six EA119 high back chairs, first designed in 1958 black leather and chromed aluminium Vitra labels to the base and seats, impressed marks to the base 103cm high, 56cm wide, 48cm deep (6). £2,000­3,000 278 Charles and Ray Eames for Vitra A set of six EA119 high back chairs, first designed in 1958 black leather and chromed aluminium Vitra labels to the base and seats, impressed marks to the base 103cm high, 56cm wide, 48cm deep (6).

278

£2,000­3,000 Φ 279 Stéphane Ducatteau (b.1970) Coffee table, circa 2008 patinated steel, in two joining parts forming a rectangle 30cm high, 90cm wide, 90cm deep; and a patinated steel stool by Stéphane Ducatteau (3). £400­600 279

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280

Φ 280 David Linley (b.1961) A Linley Lizard Collection Macassar Ebony dining table, 2004 rectangular top, each end with fitted drawers, with chrome handles, the U section legs with perspex runner stamped ‘Linley’ to handles 110cm wide, 230cm long, 73.5cm high. £1,500­2,500

λ 281 Poul Cadovius (1911­2011) for Royal Cado A rosewood wall system comprising bureau with hinged cover, twin­door cabinet, four drawer cabinet, bureau cabinet with fitted internal drawers, bureau cabinet fitted with drawers and a metal bottle rack, two long shelves, five short shelves, six long rails and six short rails, trolley table on casters with a turntable, coffee table with linen magazine rack, double line magazine rack, and a collection of brackets 80cm wide, 46cm deep (a lot).

Provenance: Purchased in the 1970s by the vendor from Interiors & Sound and Interconcepts, between 1971 and 1975 £1,000­2,000

281 70

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282

283

282 Will Boex (Contemporary) Pencil table made from 2625 pencils sprung to form a seat, on top of a wooden frame 47cm high, 161cm wide. £200­400 283 Will Boex (Contemporary) Pencil bench made from 1625 pencils sprung to form a seat, on top of a wooden frame 46cm high, 102cm wide, 42m deep.

284 detail

£200­400 284 A life­size model of Buzz Lightyear from the Disney Pixar film Lightyear, 2022 180cm high. £300­500 285 Pratt & Whitney An aeroplane engine coffee table made from a Lycomming R­680 engine, circa 1930­1945, with a square glass top 47cm high, 122cm wide.

284

£300­500

285

285 detail

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288 287

286

286 Paul Haustein (1880­1944) for WMF An Art Deco table lamp silver overlaid metal with brass fittings and wooden base WMF mark to the base 48cm high.

289 Mathieu Matégot (1910­2001) Magazine rack, circa 1950 in black and yellow 52cm high, 4cm wide.

£150­250

290 Tibor Reich (1916­1996) for Arnold Designs Ltd Age of Kings fibreglass stickstand cylindrical form, screenprinted with Classical figures remains of paper labels 53cm high.

£300­500

287 Attributed to Eric Kirkman Cole for E. K. Cole Ltd. A Bakelite desk lamp with curved branch holding a circular adjustable shade 37cm high.

£200­300

£150­200

291 Ettore Sottsass (1917­2007) Three Synthesis letter racks, circa 1970 in grey plastic moulded factory marks 19cm wide; together with a Sottsass designed modular desk stand, and a Sottsass designed pen holder (8).

288 In the manner of André Delatte (1887­ 1953) A pair of Art Deco wall lights, circa 1925 frosted glass moulded with a Deco style design with plated wall mounts 24cm high (2).

289

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290

£150­250

£300­500

291

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292 Mainie Jellett (1897­1944) for Ceadogán Rugs Mainie Jellet No. 2, executed in 2022 hand tufted wool rug 188 x 122cm. £1,000­2,000

293

292

293 Eileen Gray (1878­1976) Wendingen, circa 1975 a wool carpet probably manufactured by Donegal Carpets rectangular, white ground with red and black modernist geometric design, unsigned 117 x 124cm.

Provenance: Monika Kinley, thence by descent Private collection.

Literature: Eileen Gray, Aram Designs Ltd, page 46 this design illustrated. £800­1,200

294 Eileen Gray (1878­1976) Bonaparte, circa 1975 a wool carpet probably manufactured by Donegal Carpets rectangular, black ground, with white, beige and red geometric panels wool label 208 x 100cm.

Provenance: Monika Kinley, thence by descent Private collection.

Literature: Eileen Gray, Aram Designs Ltd, page 47 this design illustrated. £800­1,200 294 73

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295

296

297

295 In the manner of Wassily Kandinsky (1866­1944) A 20th Century wall hanging woollen tapestry with abstracted shapes on a blue ground 147 x 88cm.

298 Barbara Brown (1932­2020) for Heals Decor woven and printed cotton textile in green, pink and white, signed to the selvedge 124 x 600cm.

£300­400

£300­400

296 Modernist School An English Art Deco wool rug rectangular with a blue ground, and ‘S’ shaped coloured patterns 140 x 70cm.

299 Stig Lindberg (1916­1982) A pair of Herbarium printed cotton curtains printed in colours on a black ground 114 x 220cm (each) (2).

£150­200

£300­400

297 Jean Picart le Doux (1902­ 1982) Le Soleil et la Vigne, a cotton tapestry design by Henri Duprez & Cie applied label to reverse, signed in the weave 193 x 147cm. £300­500

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299

DODO BURGNER

Φ 300 Dorte Clara Dodo Burgner (1907­1998) Kino (Cinema), 1933 watercolour and pencil on card, unframed, signed in pencil to front, pencil Dodo - Franziska and Dodo studio stamps to the reverse, 48.5 x 34cm.

Literature Dodo Life and Work 1907-1998, Hatje Cantz, page 102 for a comparable image In The Bar also from 1933 with an identical pencil signature bottom right corner. £4,000­6,000 75

Φ 301 Dorte Clara Dodo Burgner (1907­1998) Encounter on the Bridge ink and wash on paper, mounted, and another Lady standing by a large clock, mounted unsigned, 26.5 x 24.5cm. (2) £200­400 Φ 302 Dorte Clara Dodo Burgner (1907­1998) Untitled, (dancers) red ink on rice paper, mounted, and two other ink drawings on rice paper, mounted main signed Dodo, 26 x 20cm. image (3) £200­400 Φ 303 Dorte Clara Dodo Burgner (1907­1998) Twins pen and black ink on paper, mounted signed D in ink, pencil annotation 23 x 15.5cm (image)

301

£200­400 Φ 304 Dorte Clara Dodo Burgner (1907­1998) Twins (no.9) pen and black ink on paper, mounted, and another pen and ink drawing of two dancers, mounted both signed D, main annotated in pencil, 22 x 15.5cm. (image), (2) £200­400 302

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304

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305 Aubrey Beardsley (1872­1898) A Comedy of Sighs, Avenue Theatre, London, 1894 colour lithograph poster printed by Stafford & Co, advertising two plays 75 x 50cm, unframed. £800­1,000

306 Atelier Erte (Romain de Tirtoff) Woman with a Hound ink and silver highlights, on paper, framed, another similar and five others similar facsimile Erte signature, Atelier Erte stamp 34 x 28cm (7). £300­500

305

306 part 77

307 307 Revenge of the Pink Panther a film poster, signed by five artists including Herbert Lom (Commissioner Dreyfus), Valerie Leon, Graham Stark, Burt Kwouk (Cato), and David Lodge, The Return of the Pink Panther a film poster printed by Lonsdale & Bartholemew, and The Fiendish Plot of Fu Manchu, printed by Technicolour, three movie posters relating to Peter Sellers, all framed, 101 x 75cm (3)

309 ‘Carry on Henry’ a UK one sheet film poster, with artwork by Eric Pulford, printed in colours by W E Berry Ltd, framed, Carry on Loving, Carry on Girls and That’s Carry On, three other Carry on movie posters, framed, 101 x 67.5cm (image), (7) £300­500

308 ‘Carry on up the Khyber’ a UK one sheet film poster, with artwork by Renato Fratini, 1968, printed in colours, framed Carry on Abroad, Carry on Round the Bend, and Carry on Again Doctor, three other Carry on film movie posters printed by W E Berry Ltd, framed, 101 x 67cm. (image), (7)

310 The Likely Lads a film poster, staring James Bolan and Rodney Bewes, printed in colours by Tintern Press Ltd, and Holiday on the Buses, Mutiny on the Buses, Steptoe & Son Ride Again, Rising Damp The Movie, Till Death us do Part, Love Thy Neighbour, Up the Chastity Belt, Steptoe & Son, There Was a Crooked Man (with Norman Wisdom), film posters all framed, and five film marketing programmes,101 x 67.5cm. (15)

£300­500

£300­400

£200­300

308 78

309

310

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311 A Keith Richards album poster promoting the album Main Offender 152 x 101cm. £150­250 312 Gered Mankowitz (b.1946) Three screenprints ­ Caged, Mick Jagger, and Keith Richards each from an edition of 1000 and signed by the photographer caged 60 x 85cm; the remaining two 87 x 67cm (3). £300­500 313 Isle of Wight Festival Poster screenprinted for the 1970 festival designed by David Fairbrother­Roe 75 x 52cm.

312

£500­700 314 Rolling Stones Sticky Fingers lithograph plate signed from an edition of 5000 the artwork designed by Andy Warhol 57 x 46cm; and a Rolling Stones Exile on Main Street limited edition lithograph (2). £100­200 315 Lucie Rie by Tony Birks dedicated to Sheila Harrison and signed by Lucie Rie dated 11th March 1988, a first edition hardback book published by Alphabooks; and Issey Miyake meets Lucie Rie a rare catalogue, 1989, a Lucie Rie Crafts Council book, 1981, Bernard Leach a hardback book published by Asahi Shimbun, 1966, Liberty’s 1875-1975 catalogue, Down­Adown­Derry a first edition hardback by Walter De La Mare, 1922, illustrated by Dorothy Lathrop, and a collection of reference books and catalogues on design and, Art Nouveau and Art Deco, (qty) Provenance: The Estate of Sheila Harrison. £100­200

311 316 Paul Wunderlich (1927­2010) No Angel, 1968 signed, dated, and numbered in pencil lithograph with hand­colouring 54 x 68cm.

313

Provenance: Michael Tollemache Ltd, London. £200­300 317 Jean­Michel Folon (1934­2005) La Maladie des Villes signed and numbered from an edition of 200 screenprint on foil 60 x 80cm; and a poster by Jean­Michel Folon (2). £150­250 314

315 part

316

317 part

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318 detail

318 Harald Nielsen (1892­1977) for Georg Jensen A large collection of Pyramid pattern silver cutlery comprising a cased set of spoons, a cased set of knives, a cased nut cracker, sixteen knives, eighteen spoons, fifteen forks, six dessert forks, seventeen tea spoons, six serving spoons, a serrated larger spoon, five serving tongs, a serving knife and fork with serrated detail, a soup ladle and a smaller ladle, and twenty five further pieces each piece impressed ‘GEORG JENSEN STERLING DENMARK’ approx. weighable 142oz (qty).

Provenance: The Cornish Collection.

318 part

319 Georg Jensen (1866­1935) A quantity of Acorn pattern silver cutlery comprising eight soup spoons, a pair of salad servers, six pointed spoons, six dessert forks, one gravy ladle, six cake forks, six dessert knives, one marrow scoop, eight dessert spoons, six teaspoons, eight dinner knives, eight dinner forks, two serving spoons, eight dessert forks, eight dessert knives, eight fish knives, eight fish forks, six teaspoons, six coffee spoons, and four further items each hallmarked and with import marks varying from 1930­1979 approx. weighable 180 oz (qty). £2,000­3,000

£3,000­4,000

319 detail 80

319 part

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320 Georg Jensen (1866­1935) A quantity of silver cutlery comprising eighteen knives, thirty­two forks, and thirteen spoon each marked ‘Georg Jensen, Sterling Denmark’ (qty).

Provenance: The Cornish Collection. £800­1,200 321 Georg Jensen (1866­1935) A small collection of silver flatware comprising ten model 68A nut picks, a sugar spoon, three acorn pattern forks, a pair of sugar tongs, a small ladle, an Antik pattern sugar spoon, and a marrow scoop each with impressed marks approx weighable 12.60oz (18).

321

320 part

Provenance: The Cornish Collection. £300­400 322 A collection of Danish silver including Georg Jensen and Hans Hansen including; a Georg Jensen, a Hans Hansen silver serving spoon, pattern no.18, an I Holm silver part service, comprising ladle, slice, sauce spoon, four large serving spoons, five dessert spoons, three dessert forks, four dinner forks, six various teaspoons, four herring forks, six matched Cogh silver dinner knives and a collection of silver and plate cutlery stamped marks, (qty).

322 part

£250­350 323 Georg Jensen (1866­1935) A quantity of Beaded pattern silver cutlery comprising six serving spoons, six spoons, two forks, six dessert forks, six toasting forks, four dessert spoons, four small ladles, and twelve further pieces each hallmarked and with import marks for 1930. approx weighable 51.8oz (qty).

Provenance: The Cornish Collection. £800­1,200 324 Harald Nielsen (1892­1977) for Georg Jensen A small silver bowl with handle, model 60A impressed marks and import marks for London, mainly 1933 together with a collection of other silver Jensen pieces, and a Tapio Wirkkala design silver bowl (10).

323 part

Provenance: The Cornish Collection. £300­400 325 Rebecca Uth for Georg Jensen Three Ellipse candleholders, 2011 stainless steel with Modernist style design manufacturer’s marks to underside each 15cm high (3). £200­250

324

325

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326 327

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326 Joseph Rodgers & Sons An Art Deco electroplated three­piece teaset each piece of cuboid form, mounted with an ebonised handle each piece stamped ‘J. R & S.E.P.’ on copper, ‘Rd. 805653’ the tallest 19cm high (3).

329 Jean Emile Puiforcat (1897­1945) A silver beaker circular section on hexagonal foot, with vertical ribs stamped mark to rim, signed Jean E Puiforcat to base 7.5cm. high, 4.4oz (6)

£300­500

Provenance: The Cornish Collection.

327 Lino Sabattini (1925­2016) for Christofle A Gallia silver­plated tea set comprising teapot and cover, milk­jug, sugar basin and cover, on circular tray each piece with stamped marks the tray 34cm diameter (6).

£300­500

£400­600 328 Keith Murray for Mappin and Webb An Art Deco silver plated tea set, circa 1935 Model W27681 teapot 21cm high (6). £300­400

329

330 Archibald Knox (1864­1933) for Liberty & Co. A silver spoon hallmarked for Birmingham, 1910 19.5cm long; the stem cast with foliate terminal, a pair of Sybil Dunlop silver and enamel teaspoons, an A E Jones silver spoon and a Liberty & Co silver mug (5). £300­500 331 Chelmsford College of Further Education A pair of silver candlesticks shallow, domed foot with textured band, tapering column and shallow circular drip pan stamped marks, London 1979 16.8cm. high, 12.5oz (2). £500­600

330 331 82

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333

332 332 Jaeger­LeCoultre An Art Deco 18ct gold wrist watch, circa 1940 the case marked ‘24262’ with backwind mechanism the case 3.2cm long with associated leather strap.

334

£1,200­1,500 333 David Andersen (1843­1901) A silver brooch abstract form with two clear, cut paste stones stamped marks 5cm wide; a David Andersen silver Celtic round brooch, a Norwegian silver and enamel flower stem brooch, a silver eye brooch and a silver and enamel necklace, modelled with five stylised flowerheads (5). £300­500 333A Attributed to Guild of Handicraft A silver and turquoise brooch silver wirework frame with scroll and ball terminals set with oblong red glass cabochon, with hanging polished turquoise drop 3.5cm wide. £150­250 334 Björn Weckström (b.1935) for Lapponia A Modernist dress ring yellow metal, sculptural form with abstracted opening 3.5cm across.

335 333A

336 Regitze Overgaard (b.1946) for Georg Jensen A silver link bracelet model no.452, three long links stamped marks 8cm long (each link). £300­500 337 Vivianna Torun Bülow­Hübe (1927­2004) for Georg Jensen A Torun bangle watch, designed in 1962 and produced from 1967 model no. 226, in stainless steel.

337

£200­300

335 Jean Cocteau (1889­1963) A Taureau ceramic pendant painted in blue and white signed to the reverse 11cm x 7cm.

338 Boucheron, Paris A 18k gold wristwatch, circa 1980 the case an oval that loops over to enclose the wrist case and dial signed, the case marked ‘8392’ case 17mm width.

£150­250

£1,500­1,800

£200­400

336

338

END OF SALE

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AUCTION INFORMATION OPENING HOURS City Centre Salerooms Monday to Friday 9am – 5pm Old Sarum Galleries Monday to Friday 9am – 5pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 27% plus VAT @20% (totalling 32.4% inclusive) on the first £20,000 and 26% plus VAT @20% (31.2% inclusive) thereafter.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

REGISTERING WITH US All first time buyers need to register with us.

To register, you will need to provide two forms of identification:

SALE RESULTS These will be posted on our website shortly after the sale.

1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting client services on 01722 424500 or emailing id@woolleys.live You will be asked to show your documents or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from client services either during the view or on the day of the sale.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with client services LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

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PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd

+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes

+44 (0)1962 622133 info@mbewinchester.co.uk www.mbe.co.uk/winchester

ZIXIS Fine Art Limited

+44 (0)7873 981026 zixisfineart@163.com www.zixisfineart.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling.

If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bacs, debit and credit cards Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30­97­41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Debit and Credit cards: Visa, Mastercard, Amex or Union Pay. Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Lots marked with a Φ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below £1,000 and the maximum royalty payable on any single lot is £12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Royalties for Droit de Suite are as follows: 4% Up to £50,000 3% £50,000.01 ­ 200,000 1% £200,000.01 ­ 350,000 0.5% £350,000.01 ­ 500,000 0.25% In excess of £500,000 Up to a maximum levy of £12,500

FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but will not be allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

The CITES Regulations may be found at www.defra.gov.uk/ahvla­ en/imports­exports/cites/

Visit www.woolleyandwallis.co.uk to read the full Terms & Conditions

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Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

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Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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VALUATIONS

LONDON, ANDOVER & WINCHESTER

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

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Woolley & Wallis valuations are accepted by all leading insurance companies.

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We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

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We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

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Contact Jeremy Lamond +44 (0)1722 424502 | valuations@woolleys.live

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DIRECTIONS FROM OUR CITY CENTRE SALEROOMS TO OUR OLD SARUM GALLERIES Woolley & Wallis City Centre Salerooms 51 – 61 Castle Street SP1 3SU Woolley & Wallis Unit 1B Castle Gate Business Park Old Sarum Salisbury SP4 6QX

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Free verbal valuations of items for sale are available by appointment.

Please email valuations@woolleys.live or call +44 (0)1722 424500

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A345 Castle Rd

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WOOLLEY & WOOLLEY & WALLIS WALLIS CITYSALEROOMS CENTRE SALEROOMS

Old Sarum

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

City Centre Salerooms, 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29

Design & Production

by Jamm Design Ltd +44 (0)20 7459 4749 jammdesign.co.uk

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below 20TH CENTURY DESIGN

VALUATIONS FOR INSURANCE & PROBATE

Max Fisher Zoe Smith

424505 446955

AFRICAN & OCEANIC ART ANTIQUITIES 339752

ASIAN ART 424506 424583 424589 +44 (0)7812 601098 424591

BRITISH AND CONTINENTAL CERAMICS & GLASS John Axford MRICS Neil Grenyer MRICS

424506 446974

Ruth Pike (Client Services Manager) Julie Langstaff Gemma Pointer Riin Rohtla­Szeverenyi Demi Jueno­Chapman

Freya Yuan­Richards

424589

FURNITURE, WORKS OF ART & CLOCKS 411854 446974 339161 339161 339161

JAPANESE ART Alexandra Aguilar Olivia Jones

424583 424591

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Jacob Carpenter Hannah Farthing MRICS Freya Miller Beth Reardon

424595 424504 424586 424586 424586 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell

341469

PAINTINGS Victor Fauvelle Ed Beer Richard Kay Heidi Easton

446961 446962 446964 446970

SILVER Rupert Slingsby Archie Swann Becky Tilly­Trickett

446956 446959 446957

424500

PHOTOGRAPHER Fahmeeda Yasmin Oscar Ecclestone Annabelle Hunt

MARKETING Cameron Malpass

CHINESE PAINTINGS & CALLIGRAPHY

Mark Yuan­Richards Neil Grenyer MRICS Jim Gale Sarah Stone Victoria Elwell

424502

CLIENT SERVICES

Will Hobbs

John Axford MRICS Alexandra Aguilar Freya Yuan­Richards Jeremy Morgan Olivia Jones

Jeremy Lamond MRICS FRSA Frances Woodhams Hannah Farthing MRICS

+44 (0)7552 545872

PRESS Sandie Maylor

BOARD OF DIRECTORS John Axford MRICS Chairman Natalie Milsted FCCA Managing Director Alexandra Aguilar Director Ed Beer Director

ASSOCIATE DIRECTORS Ned Cowell Victor Fauvelle Will Hobbs Jeremy Lamond MRICS FRSA Rupert Slingsby Marielle Whiting FGA Freya Yuan­Richards Mark Yuan­Richards

+44 (0)7976 311172

www.woolleyandwallis.co.uk