Woolley & Wallis Auctioneers

Page 1


FINE JEWELLERY

29TH & 30TH OCTOBER 2025

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR 2025/2026 AUCTIONS

OCTOBER

1st & 2nd Furniture, Works of Art & Clocks

9th­26th Horatio’s Garden Timed Online Art Auction

15th Design

21st & 22nd Silver & Objects of Vertu including the Michael Baggott Collection (Part II)

29th & 30th Fine Jewellery

NOVEMBER

11th Fine Asian Art

including The Finer Collection of Bronzes and Hand Warmers

12th Asian Art II

13th Japanese Works of Art

26th The Gordon Reece Collection

DECEMBER

2nd Medals & Coins, Arms & Armour

10th British Art Pottery

11th Modern British & 20th Century Art

JANUARY

20th­22nd Classics Week including British & Continental Ceramics & Glass

28th & 29th Fine Jewellery

Dates may be subject to change

FINE JEWELLERY

WEDNESDAY 29TH OCTOBER 2025

10.00AM LOTS 1-372

THURSDAY 30TH OCTOBER 2025

10.00AM LOTS 373-757

at our City Centre Salerooms, SP1 3SU

VIEWING AT OUR CITY CENTRE SALEROOMS, SP1 3SU

Friday 24th October 10.00am – 4.00pm

Saturday 25th October 10.00am – 1.00pm

Monday 27th October 10.00am – 4.00pm

Tuesday 28th October 10.00am – 4.00pm

No viewing on the days of the sale

You will be asked for I.D. prior to viewing

Marielle Whiting FGA Head of Department mw@woolleys.live

Jacob Carpenter jc@woolleys.live

Freya Miller fm@woolleys.live

Jonathan Edwards FGAA Consultant jea@woolleys.live

Hannah Farthing MRICS (part time) hf@woolleys.live

Beth Reardon (part time) br@woolleys.live

ENQUIRIES FOR THIS AUCTION

T: 01722 424586 E: jewellery@woolleys.live

BUYER’S PREMIUM

Each lot is subject to a Buyer’s Premium of 27% (+VAT) on the first £20,000, reducing to 26% (+VAT) thereafter.

CONDITION OF LOTS

Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults.

EXPORT AND CITES LICENCES

Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance.

ILLUSTRATIONS

Front cover: Lots 624 & 757

Page 1: Lots 749 with 722 & 717

Back cover: Lot 749

Catalogue

£10.00 (£15.00 by post)

LIVE ONLINE BIDDING – FREE OF CHARGE

bid.woolleyandwallis.co.uk

Instagram: @woolleyandwallisjewellery @woolleyandwallissalerooms

Facebook: @woolleyandwallis

Pinterest: Woolley and Wallis

JEWELLERY NOTICES

Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gemstones included in that particular lot. These certificates may have been obtained by Woolley and Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley and Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates.

Not all images are lifesized, and weights and measurements in the catalogue are approximate only. It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots.

Pearls known and guaranteed to be cultured or natural are described as such in the cataloguing. Where the origin of a pearl is unknown and not guaranteed, it is described simply as a ‘pearl’, and it will be specified in the cataloguing as untested. Pearls described in this way are guaranteed to be pearls and not simulants, but their origin is not guaranteed as either natural or cultured. Items described as ‘seed pearls’ have also not been tested and cannot be guaranteed as natural pearls.

All diamonds included in this sale have been tested using a specialist device that detects lab­grown diamonds. We can therefore confirm that the diamonds included in this auction are natural.

Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gemstones including pearls, synthetic diamonds and HPHT enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date. Woolley and Wallis do not guarantee the working order of mechanical movements at the point of sale and beyond.

COLLECTION OF LOTS BY APPOINTMENT

CITES REGULATIONS

Please note that lots marked λ may be subject to CITES Regulations when exported. CITES Regulations may be found at www.defra.gov.uk/ahvla­en/imports­exports/cites/ VAT

Please note that lots marked † are subject to VAT on the hammer price.

ARTISTS’S RESALE RIGHTS / DROIT DE SUITE

Lots marked Φ are potentially subject to a levy.

1 A LARGE COLLECTION OF JEWELLERY AND COSTUME JEWELLERY

£200­300

2 A COLLECTION OF JEWELLERY AND FOUR WRISTWATCHES £600­800

3 A COLLECTION OF JEWELLERY AND FOUR WRISTWATCHES

£1,200­1,500

4 A COLLECTION OF JEWELLERY AND A WRISTWATCH, £600­800

5

A COLLECTION OF JEWELLERY AND A FOB WATCH

£600­800

6

A COLLECTION OF JEWELLERY AND A WRISTWATCH

£800­1,200

7

A COLLECTION OF JEWELLERY AND A WRISTWATCH

£300­400

8

A COLLECTION OF JEWELLERY AND TWO LORGNETTES

£800­1,200

9

A COLLECTION OF JEWELLERY INCLUDING A GOLD BANGLE, 19TH CENTURY AND LATER

£700­900

10

A COLLECTION OF JEWELLERY AND A SILVER PROOF COIN

£300­500

λ 11

A COLLECTION OF JEWELLERY INCLUDING A CORAL BRACELET

£600­800

12

NINE PAIRS OF EARRINGS AND THREE RINGS

£200­300

13

A COLLECTION OF JEWELLERY INCLUDING AN AMETHYST BEAD NECKLACE

£400­600

13A

THREE BANDED AGATE NECKLACES AND TWO SETS OF CUFFLINKS

£400­600

14

A COLLECTION OF FIVE RINGS AND A PENDANT, overall gross weight 16g

£500­700

15

A COLLECTION OF GOLD JEWELLERY INCLUDING TWO GOLD BANGLES, overall gross weight 40g

£400­600

16

A SMALL COLLECTION OF JEWELLERY, overall gross weight 34g

£800­1,200

17

A COLLECTION OF THREE BROOCHES AND TWO RINGS, overall gross weight 18g

£400­600

18

A COLLECTION OF GEM­SET GOLD JEWELLERY INCLUDING A GREEN BERYL BROOCH, overall gross weight 39g

£300­500

19

A COLLECTION OF JEWELLERY INCLUDING A SAPPHIRE AND DIAMOND RING, size N, overall gross weight 14g

£800­1,200

20

A COLLECTION OF GOLD CHARMS AND A SILVER FOB SEAL, overall gross weight 24g

£200­300

21

A GOLD BRACELET, BROOCH AND EARRINGS, overall gross weight 16g

£400­600

A GOLD BRACELET, FOB WATCH AND WHITE GOLD DIAMOND RING, overall gross weight 35g

£300­400

23

TWO PAIRS OF GOLD EARRINGS AND A GOLD BANGLE, overall gross weight 19g

£300­500

24 TWO 9CT GOLD NECKLACES AND A 9CT GOLD BRACELET, overall gross weight 42g

£700­900

25 A ROLEX WRISTWATCH BRACELET AND A PAIR OF CULTURED PEARL EARRINGS

£200­300

26

GEORG JENSEN, A SILVER BRACELET, AND A 9CT GOLD CIGAR CUTTER, overall gross weight 71g

£400­600

27

A GOLD BRACELET AND A PAIR OF OPAL AND DIAMOND EAR STUDS, overall gross weight 19g

£500­700

28

WIWEN NILSSON, A PENDANT NECKLACE AND BRACELET, AND ELON ARENHILL, A SILVER RING, ring sze I½

£1,000­2,000

TWO 19TH CENTURY PENDANTS AND A GARNET CLASP, overall gross weight 22g

£300­400

30

A VICTORIAN ROCK CRYSTAL­SET GOLD PENDANT AND A GEM­SET GOLD BROOCH, overall gross weight 22g

£400­600

31

A VICTORIAN RUBY AND DIAMOND STICKPIN AND AN EDWARDIAN AMETHYST AND PEARL BROOCH/PENDANT, overall gross weight 4g

£150­250

32

A SAPPHIRE AND DIAMOND PENDANT AND A TOPAZ RING, size Q, overall gross weight 14g

£300­400

33

A 19TH CENTURY RUBY AND DIAMOND BROOCH AND A DIAMOND BROOCH, overall gross weight 12g

£400­600

34

A CHINESE SILVER GILT MINIATURE MODEL OF A DRAGON FISH, QING DYNASTY, length 6.2cm, height including plinth 4cm, overall gross weight 35g

£100­200

35

AN OVAL HEMATITE INTAGLIO AND AN AGATE INTAGLIO RING, the ingalio in the Ptolemaic agnostic manner, possibly 17th Century

£600­800

36

A SAPPHIRE AND DIAMOND BANGLE AND A DIAMOND JABOT PIN, overall gross weight 9g

£400­600

THREE DIAMOND­SET PLATINUM RING MOUNTS, overall gross weight 27g

£600­800

47

THREE DIAMOND­SET GOLD AND PLATINUM RING MOUNTS, overall gross weight 35g

£1,000­2,000

48

FIVE DIAMOND­SET RING MOUNTS, overall gross weight 35g

£1,000­2,000 49

FOUR DIAMOND­SET RING MOUNTS, ONE BY ANDRÉ VASSORT, overall gross weight 37g

£800­1,200

50

THREE GEM­SET RING MOUNTS, overall gross weight 17g

£600­800 51

THREE DIAMOND­SET BAILS, overall gross weight 4g

£500­700 52

FIVE GEM­SET CLASPS, overall gross weight 11g

£400­600

53

VICTORIA, FOUR GOLD SOVEREIGNS, MELBOURNE, 1879, 1889, 1896 and 1901

£1,500­2,000

54

FIVE SOVEREIGNS, TWO HALF SOVEREIGNS AND A SILVER CROWN, 1872, 1880, 1898, 1893, 1901, two half sovereigns, 1910, 1871, silver crown 1887

£2,400­2,800

55

FOUR SOUTH AFRICAN ONE POND GOLD COINS, 1894, two 1898 and 1900

£1,500­2,000

56

VICTORIA, FIVE GOLD SOVEREIGNS, MELBOURNE, 1876, 1884, 1886, 1894 and 1899

£2,000­2,500

57 AN EDWARD VII GOLD SOVEREIGN, MELBOURNE, 1909, in a 9ct gold mount, overall gross weight 9.5g

£400­600

58 AN EDWARD VII GOLD SOVEREIGN IN A GOLD MOUNT, 1907, overall gross weight 19g

£400­600

59

A COLLECTION OF SIX WRISTWATCHES, gold wristwatch weight 43g

£1,000­2,000

60

A COLLECTION OF FOUR POCKET WATCHES, gold pocket watch overall gross weight 94g

£1,000­2,000

61 THREE GOLD POCKET WATCHES, overall gross weight 191g

£2,000­3,000

62 A LADY’S FRENCH ENAMEL AND GOLD FOB WATCH AND A LADY’S GOLD AND RUBY WRISTWATCH, overall gross weight 114g

£600­800

63

AN 18CT GOLD KEY­WIND OPEN­FACED POCKET WATCH, CIRCA 1865, overall gross weight 57g

£400­600

64

AN 18CT GOLD OPEN FACED POCKET WATCH, CIRCA 1839, overall gross weight 80g

£1,000­1,500

65 A GOLD POCKET WATCH AND LONG GUARD CHAIN, overall gross weight 53g

£600­800

66 A SILVER PAIR CASED POCKET WATCH, CIRCA 1773, on a silver chain

£400­600

67 AN 18CT GOLD STEM­WIND HALF­HUNTER POCKET WATCH, CIRCA 1920, overall gross weight 125g

£1,000­1,500

68 AUDERMARS FRÈRES, A GENTLEMAN’S GOLD STEM­WIND HUNTER POCKET WATCH, overall gross weight 90g

£400­600

69 A VICTORIAN 18CT GOLD STEM­WIND HUNTER POCKET WATCH, overall gross weight 135g; together with a gold plated Albert chain, length 32cm

£1,000­1,500

70 A LADY’S 18CT GOLD HALF HUNTER FOB WATCH, overall gross weight 44.7g

£400­600

71

£300­400

72

BENSON, A LADY'S DIAMOND, PLATINUM AND GOLD WRISTWATCH, inner circumference approximately 18cm, overall gross weight 22g

A LADY'S DIAMOND, PLATINUM AND 9CT GOLD WRISTWATCH, CIRCA 1968, length 17cm, overall gross weight 24g

£600­800

73

BOUCHERON, A LADY'S DIAMOND WRISTWATCH, MID­20TH CENTURY, length 16cm, overall gross weight 33g

£2,000­3,000

74

A LADY'S DIAMOND AND GOLD WRISTWATCH, CIRCA 1903, inner circumference approximately 21cm, overall gross weight 39g

£800­1,200

75

BAUME & MERCIER, A LADY'S GOLD AND ENAMEL WRISTWATCH, inner circumference approximately 17cm, overall gross weight 50g

£800­1,200

76

OMEGA, A LADY'S 9CT WRISTWATCH, CIRCA 1981, length 17cm, overall gross weight 29g

£400­600

77

A LADY'S DIAMOND COCKTAIL WRISTWATCH, length 41.5cm

£200­300

78

OMEGA, A LADY'S GOLD 'DE VILLE' WRISTWATCH, length 17cm, overall gross weight 33g

£600­800

79

TWO GENTLEMAN’S WRISWATCHES, Baume & Mercier, case width 32mm and Chaumet, case width 37mm

£1,000­1,500

80 JAEGER­LECOULTRE, A PILOT’S MARK 11 6B/346 RAF MILITARY WRISTWATCH, CIRCA 1948, case width 35mm

£600­800

81

A 9CT GOLD SIGNET RING, size S, 8.1g

£400­600

82

A GOLD SIGNET RING, size S, 9g

£300­400

83

A 9CT GOLD SIGNET RING, size S½, 10.2g

£400­600

84

A GOLD SIGNET RING, size O, 8g

£300­400

85 A SARDONYX AND 18CT GOLD INTAGLIO RING, size N, gross weight 10g

£500­700

86

THREE INTAGLIO RINGS, overall gross weight 18g

£600­800

87

A RETRO NOVELTY GEM­SET GOLD FOB WATCH BROOCH, gross weight 37g, brooch pin detached, fitted case stamped Liberty

£2,000­3,000

88

TWO REVERSE­CARVED ROCK CRYSTAL STICKPINS, LATE 19TH

CENTURY, max. length 7.7cm

£400­600

89

A REVERSE­CARVED ROCK CRYSTAL STICKPIN, LATE 19TH CENTURY, length 7.4cm

£300­400

90

THREE REVERSE­CARVED ROCK CRYSTAL STICKPINS, LATE 19TH

CENTURY, max. length 8cm

£500­700

91

TWO REVERSE­CARVED ROCK CRYSTAL STICKPINS, LATE 19TH

CENTURY, max. length 8.7cm

£400­600

92

TWO REVERSE­CARVED ROCK CRYSTAL STICKPINS, LATE 19TH

CENTURY, max. length 8cm

£400­600

93

A REVERSE­CARVED ROCK CRYSTAL STICKPIN AND TWO BROOCHES, LATE 19TH CENTURY, max. length 7.7cm

£300­400

94

A REVERSE­CARVED ROCK CRYSTAL STICKPIN, LATE 19TH CENTURY, length 7.4cm

£300­400

95

A 9CT GOLD PENKNIFE AND TWO PEARL­SET GOLD STICKPINS, overall gross weight 16g

£200­250

96

TWO ENAMEL AND SEED PEARL FISHING BROOCHES, max. length 6.5cm, overall gross weight 11g

£200­300

97

A LAPIS LAZULI AND DIAMOND HAT PIN, length 13cm

£500­700

A CORAL SKULL STICK PIN AND A SILVER SWAN STICK PIN, overall gross weight 4g

£200­300

99

A SET OF THREE GEM­SET STICKPINS, overall gross weight 30g

£200­300

100

A LAVA CAMEO BRACELET, 19TH CENTURY, length 19.5cm

£400­600

101

A EDWARDIAN EGYPTIAN REVIVAL MULTIGEM BRACELET, length 18.5cm, overall gross weight 10g

£250­350

102

A COLLECTION OF EIGHT GEM­SET GOLD RINGS, overall gross weight 75g

£600­800

λ 103

A COLLECTION OF SIX RINGS, overall gross weight 21g

£400­600

104

A COLLECTION OF FIVE GOLD RINGS, overall gross weight 14g

£300­400

105

A COLLECTION OF FOUR ETERNITY RINGS, in platinum, palladium and gold, overall gross weight 6g

£600­800

106

AN EMERALD AND DIAMOND RING AND A FIVE STONE DIAMOND RING, overall gross weight 11g

£500­700

107

A COLLECTION OF THREE RINGS, overall gross weight 11g

£400­600

108

TWO DIAMOND THREE­STONE RINGS, overall gross weight 6g

£400­600

109

A GROUP OF THREE RINGS, overall gross weight 12g

£600­800

110

AN 18CT GOLD AND DIAMOND RING AND A CULTURED PEARL AND DIAMOND PENDANT, overall gross weight 16g

£600­800

111

A SINGLE ROW CULTURED PEARL NECKLACE, length 49.5cm

£1,000­2,000

112

A SOUTH SEA CULTURED PEARL NECKLACE, length 48cm

£800­1,200

113

A SOUTH SEA CULTURED BAROQUE PEARL NECKLACE, length 44cm

£800­1,200

114

A PAIR OF CULTURED PEARL AND DIAMOND EARRINGS, length 1.3cm

£350­550

115

A SOUTH SEA CULTURED BAROQUE PEARL NECKLACE, length 48cm, together with a Majorica artificial black pearl necklace, length 42cm

£800­1,200

116

A CULTURED PEARL, EMERALD AND DIAMOND NECKLACE, length 63.5cm

£800­1,200

117

THREE CULTURED PEARL NECKLACES, max. length 67cm

£200­300

118

A THREE­ROW CULTURED PEARL NECKLACE, length 36cm

£800­1,200

119

A PAIR OF CULTURED PEARL AND DIAMOND EARRINGS, length 2.5cm, overall gross weight 9g

£200­300

120

A GEM­SET GOLD LONG GUARD CHAIN, length 94cm, gross weight 30g

£1,800­2,000

121

A VICTORIAN HALF­PEARL AND ENAMEL PENDANT AND BANGLE, gross weight 26g, locket glazing cracked

£800­1,200

λ 122

A VICTORIAN SHELL CAMEO BROOCH, length 7cm

£300­400

λ 123

A VICTORIAN SHELL CAMEO BROOCH, width 7cm

£200­300

A VICTORIAN TURQUOISE PENDANT NECKLACE, pendant length 4cm, chain length 56cm

£400­600

125

A VICTORIAN TURQUOISE FRINGE NECKLACE, max. pendant length 5cm, chain length 42cm

£200­300

126

A RUBY, DIAMOND AND 9CT GOLD BANGLE, gross weight 14g

£300­400

127

AN EDWARDIAN TOPAZ AND SEED PEARL BROOCH, width 3.2cm

£300­400

128

A CITRINE­SET GOLD BRACELET, length 19cm, overall gross weight 11g

£200­300

129

AN EDWARDIAN SEED PEARL AND GOLD BANGLE/PROPELLING PENCIL, gross weight 17g

£300­400

130

A GEM­SET 9CT GOLD BANGLE, gross weight 34g

£500­700 131

A 19TH CENTURY AMETHYST AND GOLD BROOCH, length 3.4cm, , gross weight 13g

£500­700

132

A 19TH CENTURY DIAMOND AND ENAMEL BROOCH, width 3cm

£300­400

133

A VICTORIAN DIAMOND AND ENAMEL BROOCH, diameter 3.4cm

£600­800

134

A DIAMOND SOLITAIRE RING, size Q, 3g

£300­400

135

A DIAMOND WREATH BROOCH, length 2.7cm

£1,000­2,000

136

A SET OF THREE PLATINUM AND GOLD NECKLACES, overall gross weight 14g

£2,000­3,000

137

A VICTORIAN PIETRA DURA PENDANT AND EARRINGS, overall gross weight 11g

£500­700

138

A VICTORIAN GOLD PORTRAIT MINIATURE BROOCH, CIRCA 1871, length 5.3cm, gross weight 22g

£800­1,200

139

A JADEITE PENDANT, length of pendant 4.8cm, the green jadeite plaque weighing 71.20cts

£500­700

140

A BOULDER OPAL AND DIAMOND PENDANT, length 4.8cm, gross weight 17g

£600­800

141

TWO GOLD CHARM PENDANTS, EARLY 20TH CENTURY, max. length 2.8cm, overall gross weight 8g

£500­700

142

A GOLD CHARM BRACELET, length 19cm, gross weight 63g

£1,500­2,000

143

A GEM­SET GOLD CHARM BRACELET, gross weight 20g

£900­1,200

144

A BICOLOUR GOLD GUN CHARM, length 5cm, 14g

£600­800

145

A GOLD SNAKE­LINK NECKLACE, length 40.5cm, gross weight 18g

£1,200­1,500

146

A MULTI­GEM SET ACROSIC BRACELET, length 18.5cm, gross weight 12g

£1,200­1,400

147

A SAPPHIRE AND DIAMOND BAR BROOCH, width 6.8cm, 9g

£300­500

148

AN ITALIAN TRI­COLOUR GOLD BRACELET, length 19.5cm, 67g

£3,000­4,000

149

A THREE­ROW CULTURED PEARL NECKLACE, length 43cm, case

£1,000­2,000

150

A GOLD NECKLACE, length 42.5cm, gross weight 53g

£2,000­3,000

151

AN 18CT GOLD BRACELET, length 19cm, 35g

£1,200­1,500

152

A CULTURED PEARL, SAPPHIRE AND DIAMOND NECKLACE, length 34cm, gross weight 59g

£600­800

153

A SAPPHIRE AND DIAMOND RING AND EARRINGS, ring size N, gross weight 18g

£600­800

154

A PAIR OF RETRO RUBY AND DIAMOND EAR CLIPS, 1940S, length 2.5cm, gross weight 16g

£300­500

155

A MULTI­GEM SET 9CT GOLD BROOCH, length 4.3cm, gross weight 9g

£400­600

156

A SAPPHIRE AND DIAMOND NECKLACE, length 44cm, overall gross weight 55g

£1,500­2,000

157

A PAIR OF SAPPHIRE AND DIAMOND DROP EARRINGS, length 4.7cm

£800­1,200

158

A TOURMALINE AND DIAMOND PENDANT NECKLACE, length 41cm, gross weight 7g

£300­400

159

A MULTI­GEM­SET BROOCH AND A PAIR OF EAR CLIPS, overall gross weight 18g

£600­800

160

A DIAMOND­SET GOLD BROOCH, width 5cm, cased, overall gross weight 8g

£800­1,200

161

A PAIR OF RETRO RUBY AND DIAMOND EAR CLIPS, length 2.3cm, 8g

£400­600

162

A GEM­SET GOLD FLORAL BROOCH, length 7.7cm, gross weight 23g

£700­800

163

MARIUS HAMMER, AN ART NOUVEAU SILVER GILT AND ENAMEL BROOCH, width 8cm

£300­500

164

DAVID ANDERSEN, AN ART DECO SILVER GILT AND ENAMEL PENDANT, diameter 4.5cm, gross weight 17g

£200­300

165

MARIUS HAMMER, AN ART NOUVEAU SILVER GILT AND ENAMEL BROOCH, width 5cm

£200­300

166

MEYLE & MAYER, A JUGENDSTIL ENAMEL AND SEED PEARL BROOCH, width 8.7cm

£200­300

167

MURRLE, BENNET & CO, AN ART NOUVEAU TURQUOISE BRACELET, length 19.5cm, gross weight 13g

£500­700

168

AN EDWARDIAN MABÉ PEARL AND GARNET NECKLACE, chain length 43cm, gross weight 7g

£300­400

169

AN EDWARDIAN SEED PEARL AND TOURMALINE NECKLACE, chain length 40cm, gross weight 10g

£500­700

170

AN EDWARDIAN SEED PEARL AND DEMANTOID GARNET BROOCH/PENDANT, chain length 34cm, gross weight 13g

£300­500

171

A PAIR OF ART DECO CUFFLINKS AND A JUGENDSTIL PENDANT BY MEYLE AND MAYER, overall gross weight 17g

£400­600

172

A GEM­SET GOLD PENDANT NECKLACE, pendant length 4cm, chain length 74.5cm, overall gross weight 31g

£800­1,200

173

A PAIR OF SAPPHIRE AND DIAMOND EAR STUDS, length 1.8cm, gross weight 12g

£600­700

174

A PAIR OF GOLD AND DIAMOND EARRINGS, length 1.4cm

£500­700

175

A DIAMOND PENDANT ON A GOLD CHAIN, pendant length 2.5cm, chain length 40cm, overall gross weight 7g

£600­800

176

A PERIDOT AND DIAMOND PENDANT AND A DIAMOND­SET GOLD CHAIN, pendant length 3.5cm, chain length 47cm, overall gross weight 7g

£600­800

177

A CULTURED PEARL AND BLACK DIAMOND NECKLACE, length 46cm

£300­500

178

MAPPIN & WEBB, A DIAMOND AND GOLD NECKLACE, length 32cm, overall gross weight 9g

£400­600

179

A DIAMOND­SET WHITE GOLD DEMI­PARURE, necklace length 42cm, bracelet length 19cm, overall gross weight 110g

£4,000­6,000

180

AN 18CT BI­COLOUR GOLD REEF KNOT DESIGN NECKLACE, length 44cm, 72g

£2,000­3,000

181

A BI­COLOUR 9CT GOLD CHAIN NECKLACE, length 42cm, 46g

£800­1,200

182

AN ITALIAN YELLOW GOLD CHAIN, length 66cm, 44.2g

£1,500­2,000

183

AN ART NOUVEAU GOLD BRACELET, length 19cm, 21g

£800­1,200

184

A GOLD FANCY LINK NECKLACE, length 62cm, 29g

£1,200­1,500

Φ 185 ANDREW GRIMA, SUPERAPPLE, 1972, the gem­set Sea Urchin shell mounted with a yellow gold sprig and carved amethyst leaves, one leaf set with a round brilliant­cut diamond, mounted on an agate base, the base mounted with a gold plaque inscribed ‘GRIMA’, with London hallmarks for 750, 1972, and makers mark AG. Ltd., base width 27.2cm

£1,500­2,000

With original receipt of purchase from Andrew Grima Limited, 80 Jermyn Street, London SW1, dated 20th December 1972, £220.00.

186 A NATURAL MABÉ PEARL AND SAPPHIRE BROOCH/PENDANT, set with a natural cream mabé pearl set within a surround of circular cabochon sapphires, mounted in silver and gold, width 3.5cm, gross weight 15g

£1,500­2,000

Accompanied by GCS report number 5785­2883 dated 20th June 2025 stating that the cream blister pearl measuring approximately 19.6 x 17.1 x 8.0mm is natural saltwater

187 A SINGLE ROW NATURAL PEARL NECKLACE, the pearls graduate from approximately 1.80 ­ 5.39mm, on a sapphire and diamond clasp in yellow gold, length 38cm

A verbal report from GCS (no. 5785­3631) states that the pearls are natural saltwater

£600­800

188 A VICTORIAN NATURAL PEARL AND DIAMOND NECKLACE, LATE 19TH CENTURY COMPOSITE, set with three rows of graduated pearls on a diamond cluster clasp, length 42cm

£2,000­3,000

Accompanied by GCS report number 5784­2804 dated 19th July 2024 stating that the pearls are natural saltwater (the certificate refers to the necklace before two of the clasps were removed)

£5,500­8,500

189 A PAIR OF NATURAL PEARL AND DIAMOND PENDANT EARRINGS, each suspending a single cream pearl within an articulated border of diamonds, detailed with a diamond­set trefoil terminal and foliate surmount, mounted in silver and gold, length 4cm

Accompanied by GCS report number 5776­5788 dated 26th May 2016 stating that the pearls measuring 7.6­7.7 x 9.2mm and 7.4­7.6 x 9.3mm are natural saltwater

190 A NATURAL PEARL AND DIAMOND PENDANT, set with an irregular drop­shaped pearl measuring approximately 7.7­8.6mm x 14.0­15.0mm to a diamond­set lappeted mount, suspended from a row of graduated old circular­cut diamonds in millegrain settings, mounted in platinum, to a fine link platinum chain, pendant length 3.5cm, chain length 78cm

£2,500­3,500

Accompanied by Gem & Pearl Laboratory report number 11208 dated 29th April 2015 stating that the irregular drop­shaped pearl measuring approximately 7.7­8.6mm x 14.0­15.0mm is natural saltwater

191 A NATURAL PEARL AND DIAMOND NECKLACE, composed of a single graduated row of natural pearls measuring 2.0­4.0mm, to a white gold clasp set with three old circular­cut diamonds in millegrain settings, length 44cm, gross weight 5g

£400­600

Accompanied by Gem & Pearl Laboratory report number 24235 dated 20th February 2024 stating that the 123 pearls measuring 2.0­4.6mm are natural saltwater

192 A NATURAL PEARL AND DIAMOND STICKPIN, set with a natural pearl above a diamond­set border to a yellow gold pin, length 6.5cm £400­600

Accompanied by GCS report number 5785­3554 dated 20th August 2025 stating that the pinkish silver pearl measures approximately 8.5 x 6.3 x 6.3cm and is natural saltwater

193 A NATURAL PEARL NECKLACE, composed of a single graduated row of natural pearls measuring 1.6­6.9mm, to a gold barrel clasp, clasp stamped 9ct, length 40.5cm, gross weight 4g £300­500

Accompanied by Gem & Pearl Laboratory report number 24331 dated 8th March 2024 stating that the pearls measuring 1.6­4.9mm are natural saltwater

194 A NATURAL PEARL NECKLACE, composed of three graduated rows of natural pearls measuring 2.6­4.9mm, to a pearl­set gold clasp, length 38cm, gross weight 15g £400­600

Accompanied by Gem & Pearl Laboratory report number 25290 dated 29th October 2024 stating that the 373 pearls measuring 2.6­4.9mm are natural saltwater

195 A NATURAL PEARL, BLISTER PEARL AND DIAMOND NEGLIGÉE PENDANT NECKLACE, the bar set with a natural pearl flanked by four old cushion­cut diamonds, suspending two drops with three collet­set old cushioncut diamonds, each terminating in a natural pearl, in yellow gold and platinum, to a fine link platinum chain, chain length 39cm, pendant length 6cm

£5,000­7,000

A verbal report from GCS (no. 5785­3987) states that two pearls and one blister pearl are natural saltwater (the surface of the blister pearl has been worked)

196 A LATE 19TH CENTURY JABOT PIN, decorated to each terminal with alternate lines of turquoise cabochons and seed pearls in swirling formation, set in yellow gold, length 10.8cm

£600­800

197 A FOUR ROW NATURAL PEARL NECKLACE, composed of four graduated rows of natural pearls, to a gold clasp set with a ruby within seed pearl surround, length 36cm, gross weight 9g

£400­600

Accompanied by Gem & Pearl Laboratory report number 24527 dated 26th April 2024 stating that the 575 pearls measuring 1.3­4.3mm are natural saltwater

198 A THREE ROW NATURAL PEARL NECKLACE, composed of three graduated rows of natural pearls measuring 2.3 ­ 3.0mm, to a white gold clasp of geometric design set with rose­cut diamonds in millegrain settings, length 45cm, gross weight 20g

£600­800

Accompanied by Gem & Pearl Laboratory report number 24366 dated 19th March 2024 stating that the 498 pearls measuring 2.3­3.0mm are natural saltwater

199 AN EDWARDIAN NATURAL PEARL AND DIAMOND NECKLACE, composed of four graduated strands of natural cream pearls measuring approximately 3.0 ­ 3.3mm, to a clasp set with old cushion­cut diamonds in silver and gold, seed pearls under 3mm untested, length 42cm, one pearl missing £3,000­4,000

Accompanied by GCS report number 5785­3395 dated 24th July 2025 stating that the cream pearls with good to excellent lustre and measuring approximately 3­3.3mm are natural saltwater

200 A TWO ROW NATURAL PEARL NECKLACE, the pearls graduate from approximately 2.00 ­ 3.63mm on a 15ct gold seed pearl and turquoise cluster clasp, 44cm longest

£200­300

A verbal report from GCS (no. 5785­3632) states that the pearls are natural saltwater (seed pearls untested)

201 A NATURAL PEARL AND DIAMOND PENDANT, the old circular­cut diamond rubover­set in platinum and suspending a drop­shaped pearl measuring 16.05 x 12.11 x 8.84mm, on fine­link platinum neck chain, chain length 48cm, case

£1,000­2,000

Accompanied by GCS report number 5785­1638 dated 14th March 2025 stating that the partially hollow pearl measuring approximately 12.0 x 8.9 x 16.0mm is natural saltwater

202 A SINGLE ROW NATURAL PEARL NECKLACE, the pearls measuring 1.4 ­ 4.7mm, to a silver clasp set with marcasites and a green paste, length 38.5cm, gross weight 5g

£300­500

Accompanied by Gem & Pearl Laboratory report number 24237 dated 20th February 2024 stating that the 209 pearls measuring 1.4­4.7mm are natural saltwater

203 A RUBY AND DIAMOND CLUSTER RING, set with an oval­shaped ruby between two circular­cut rubies in collet settings, within a surround of round brilliant­cut diamonds, mounted in white and yellow gold, total approximate diamond weight 0.28cts, size O½ £450­550

204 A DIAMOND HALF­HOOP RING, set with seven channel­set princess­cut diamonds, in yellow gold, stamped 18Kt, size L½, gross weight 5g £400­600

205 A SAPPHIRE AND DIAMOND HALF­HOOP RING, set with three carré­cut sapphires and single­cut diamonds millegrain­set in platinum, mounted in gold, stamped 18ct, size L½ £400­600

206 A DIAMOND CLUSTER RING, of heart­shaped design, set with round brilliant­cut diamonds, to diamondset shoulders, in white and yellow gold, total approximate diamond weight 0.60cts, stamped 750, size O½ £650­750

207 A YELLOW SAPPHIRE AND DIAMOND CLUSTER RING, set with a cushion­shaped sapphire within a surround of old circular­cut diamonds, in platinum, stamped Plat, size N½ £1,000­1,500

208 A RUBY AND DIAMOND DRESS RING, designed as a stylised floral motif, with a cluster of circular­cut rubies within a pierced foliate surround accented with diamonds, in platinum and gold, stamped Platinum 18K, size M½

£700­900

209 A RUBY AND DIAMOND CLUSTER RING, set with a circular­cut ruby within a surround of round brilliantcut diamonds, mounted in white gold, stamped 585, size N

£300­500

210 AN EMERALD AND DIAMOND CLUSTER RING, set with a circular­cut emerald within a surround of round brilliant­cut diamonds, to shoulders decorated with pierced Celtic knot motifs above a diamond­set shank, stamped Plat, size K½

£300­400

211 A GEM­SET 18CT GOLD ‘NIGHT & DAY’ RING, centring on a band channel set with carré­cut rubies and emeralds, between hinged half­hoops set with round brilliant­cut diamonds, mounted in 18ct white gold, London import marks for 1996, size O, gross weight 5g

£300­400

212 A RUBY AND DIAMOND PLAQUE RING, set with a central old circular­cut diamond within a ruby surround and further surround pavé­set with diamonds in silver and gold, stamped 18, size L½

£500­800

213 A BLACK ONYX AND DIAMOND DRESS RING, set with a fancy­cut black onyx within a white gold border set with round brilliant­cut diamonds, to a yellow gold shank composed of two strands of articulated curb linking, white gold border with Italian control mark and stamped 750, size approx. O

£600­800

214 AN ART DECO STYLE AQUAMARINE AND DIAMOND RING, set with a central old circular­cut diamond within a surround of single­cut diamonds and two aquamarines in white gold, size Q

£500­700

215 A GEM­SET ‘NIGHT & DAY’ RING, centring on a half­eternity band set with round brilliant­cut diamonds, between hinged half­hoops set with carré­cut sapphire and rubies, mounted in white gold, size Q, gross weight 7g

£400­600

216 A SAPPHIRE AND DIAMOND RING, centred with two collet­set step­cut sapphires, to shoulders millegrainset with circular­cut diamonds in gold, size J

£400­600

217 A SAPPHIRE AND DIAMOND RING, set with a cushion­shaped sapphire within a pierced lozenge surround set with round brilliant­cut diamonds, mounted in platinum and gold, stamped 18ct, size O½

£850­1,250

218 LALAOUNIS, A RUBY AND DIAMOND RING, set with an oval cabochon ruby between two round brilliantcut diamonds to an elaborate openwork surround, in yellow gold, maker’s mark for Lalaounis, stamped 750, size N, gross weight 10g

£600­800

219 A YELLOW SAPPHIRE AND DIAMOND CLUSTER RING, the oval­cut yellow sapphire weighing 3.60cts set within a surround of round brilliant­cut diamonds, in 18ct yellow gold, stamped 18ct, total diamond weight approximately 1.80cts, size O

£2,000­3,000

220 AN EMERALD AND DIAMOND CLUSTER RING, set with pear­shaped emeralds within a border of round brilliant­cut diamonds, mounted in white gold, total approximate diamond weight 0.15cts, stamped 750, size P

£550­650

221 A DIAMOND ETERNITY RING, set with round brilliant­cut diamonds in white gold, size P £600­800

222 A DIAMOND THREE­STONE RING, set with three graduated round brilliant­cut diamonds, mounted in white gold, total approximate diamond weight 0.50cts, stamped 750, size P

£650­750

λ 223 ADRIEN­JEAN­MAXIMILIEN VACHETTE, A FRENCH ENAMEL AND GOLD­MOUNTED TORTOISESHELL PORTRAIT MINIATURE BOX, PARIS, CIRCA 1809­1819, of rectangular form, the portrait in the manner of Jean Petitot, within a glazed octagonal frame in gold, to a black tortoiseshell ground, surmounted with a rectangular blue enamel and gold frame, with gold mounts and interior, indistinct marks, maker’s mark, Paris mark for 1809­1819, length 8.8cm, width 5cm

£4,500­5,500

Adrien­Jean­Maximilien Vachette (1753 ­ 1839) was a French goldsmith renowned for the production of ornate boxes. He had a shop at Place Dauphine in Paris and worked for a time with Marie Etienne Nitot during the First Empire (1804­1814) and with the firm Ouizille and Lemoine following the restoration of the monarchy. In 1816, Charles Ouizille and Vachette were appointed jewellers to the court of Louis XVIII

224 CARTIER, A GOLD STEM­WIND OPEN­FACED FOB WATCH, CIRCA 1925, the dial signed Cartier, with gold Arabic numerals and hands, subsidiary seconds dial at 6 o’clock, minute markers, to a plain gold case, inside case marked 149083 with London import marks for 1925, case maker C&C Ltd, case width 4.3cm, gross weight 50g

£600­800

225 JULES CAUVAIN, A FRENCH GARNET AND DIAMOND SET SCENT BOTTLE, PARIS, 1883­1901, the glass bottle mounted with a yellow gold hinged lid, the lid released by a rose­cut diamond set button, surmounted with a cabochon garnet within a border of rose­cut diamonds, maker’s lozenge for Jules Cauvain, French control marks, length 6.5cm

£1,700­2,000

226 TIFFANY & CO., A GENTLEMAN’S GOLD WRISTWATCH, the cream circular dial with Roman numerals and gold hands, with inner date marker and hand, day and month aperture at 12 o’clock and moon phase at six o’clock, to a plain gold bezel and black leather strap with a gold buckle, automatic movement, with dial, case, movement and buckle signed Tiffany & Co., case numbered 040231601 and with Swiss control mark, convention mark for 750 and stamped 18K 750, case width 3.8cm, gross weight 102g, Tiffany & Co. case, box, care booklet and facsimile of warranty paper

£5,000­7,000

227 JOSEPH WHITE & SON, AN 18CT GOLD OPEN­FACED STEM­WIND POCKET WATCH, CIRCA 1900, the white enamel dial signed Joseph White & Son, Coventry, with black Roman numerals, outer minute marker with Arabic numerals, gilt hour and minute hands and blued second hand, the case with engraved monogram to the reverse, movement signed Joseph White & Son, Coventry, and numbered 36396, case with London hallmarks for 1900 and numbered 36396, case width 5.5cm, gross weight 154g; together with a gold Albert chain, length 41cm, 11g £3,000­5,000

Joseph White (1835–1906), a Coventry­based watchmaker, established Joseph White & Son after completing his apprenticeship with Nathaniel Hill. The firm earned a reputation for precision timepieces, notably chronometers and deck watches supplied to the British Admiralty and was among the few provincial English makers to experiment with advanced mechanisms such as the flying tourbillon. Active from the mid­19th to early 20th century, the company was known for high­grade movements in gold and platinum cases, often signed “Makers to the Admiralty, Coventry.”

228 VAN CLEEF & ARPELS, A GOLD NOVELTY PENDANT, 1950s, designed as a roulette wheel, signed Van Cleef et Arpels, numbered G9112, pendant length 4.5cm, gross weight 23g, glass cracked

£1,000­1,500

229 CARTIER, A GOLD AND SILVER ART DECO CONCEALED WATCH, CIRCA 1930, with gold push buttons at either end activating the shutters which open to reveal the signed white dial with black Roman numerals, blued steel hands, manual winding, dial signed Cartier France, one hand loose, numbered 3796, length 4.7cm

£2,000­3,000

230 A PAIR OF LAPIS LAZULI AND GOLD CUFFLINKS, each set with a cabochon lapis lazuli to either end within an articulated octagonal terminal, maker’s mark MV, stamped 585, terminal width 1.8cm, gross weight 13g

£200­300

231 A PAIR OF BI­COLOUR GOLD AND RUBY CUFFLINKS, each terminal of cylindrical design in polished white gold with a central yellow gold band, the terminals set with a cabochon ruby, linked by a yellow gold chain, stamped 750, length 2.2cm, gross weight 14.2grams

£1,000­2,000

232 IWC SCHAFFHAUSEN, A GOLD POCKET WATCH, EARLY 20TH CENTURY, of open­faced design, circular silvered dial with gold Arabic numeral indicators, subsidiary seconds dial, within a gold bezel with foliate scroll decoration, reverse with engraved striped decoration, length 6.1cm including suspension hoop, signed International Watch Co. Schaffhaussen, numbered 207359, movement numbered 893501, Swiss assay marks for 14ct gold

£600­800

233 A PAIR OF GOLD AND DIAMOND­SET CUFFLINKS, depicting Mami Wata with a diamond earring, the other terminal with stylised scrolls in textured yellow gold, 12.9g

£750­850

234 A PAIR OF DIAMOND CUFFLINKS, the terminals of pierced circular design, set with single­cut diamonds in milligrain settings, mounted in white gold, terminal diameter 1.3cm, cased

£1,000­1,500

235 A PAIR OF OVAL GOLD CUFFLINKS, with hammered gold decoration and joined on oval­link chain, maker’s mark A*H, 16.5g

£1,000­2,000

236 A REGIMENTAL BROOCH FOR THE KING’S ROYAL RIFLE CORPS, set with enamel and diamonds in platinum and gold and applied with the motto ‘Celer At Audax’ in enamel, length 2.8cm, in fitted case by Collingwood

£400­600

237 A DIAMOND AND ENAMEL REGIMENTAL BROOCH FOR THE GRENADIER GUARDS, set with single­cut diamonds and accented with blue and red enamel, mounted in 18ct gold, London hallmarks for 2003, width 3cm, gross weight 16g

£1,200­1,600

238 A PAIR OF DIAMOND­SET CUFFLINKS, each modelled as a horse’s head set with a circular­cut diamond, coupled with a pierced, carved oval panel, in 18ct yellow gold, with maker’s marks CFC, stamped 18, horse’s head panel width 1.4cm

£700­800

239 A 6TH GURKHA RIFLES REGIMENTAL BROOCH, the two crossed rose­cut diamond set kukris with black enamel handles above a green enamelled scrolling banner, mounted in white gold, width 2.5cm

£200­300

240 PATEK PHILIPPE, A LADY’S 14CT GOLD WRISTWATCH, CIRCA 1945, designed as a continuous strap of gold fluted linking, the case with a hinged cover opening to reveal a concealed rectangular dial quartered with black Roman numerals and with gold hands, manual winding, ref. number 2115, dial signed Patek Philippe Co, Geneve, clasp stamped Patek Philippe & Co, Geneve Swiss, with maker’s mark PPCo and London import marks, case width 2cm, strap length 18.5cm, gross weight 110g

£5,000­10,000

241 CARTIER, A LADY’S GOLD ‘CEINTURE’ WRISTWATCH, signed octagonal white dial with black Roman numerals and blued steel hands, quartz movement, to a signed tri­colour gold bracelet with Swiss control mark on deployment clasp, case width 2.3cm, signed screw back case with reference number 660021461, accompanied with two spare links

£4,000­6,000

242 CARTIER, A LADY’S 18CT WHITE GOLD AND DIAMOND WRISTWATCH ‘PASHA DE CARTIER’, REF. 2400, the circular guilloché dial with white gold indicators and hands, within a plain white gold case, the crystal crossed with a grid of brilliant­cut diamonds, the winder cover set with an inverted brilliant­cut diamond, to an integrated bracelet with double deployant clasp, inner circumference 17cm, case width 3.1cm, automatic movement, dial, case back and clasp signed Cartier, numbered 2400, 306053MG, Swiss assay marks for 18ct gold, gross weight 137 grams, Cartier box and papers

£4,000­6,000

243 VAN CLEEF & ARPELS, A LADY’S ALHAMBRA WRISTWATCH, signed mother of pearl dial with gold hands and pellet decoration to the gold quatrefoil case, quartz movement, case signed with maker’s mark and numbered HH6149 and 136374, on Van Cleef & Arpels leather strap and signed gold buckle, case width 2.9cm, with green chamoix Van Cleef & Arpels pouch

£2,000­3,000

244 PIAGET, A LADY’S GOLD ‘POLO’ WRITSWATCH, the round two tone diamond­set dial with gold hands, to a Tonneau form case back set with 4 screws and geometric design gold bracelet with folding clasp, stamped 750, case width 2.4cm, bracelet length 17cm, quartz movement, dial and case back signed Piaget, winder defective, case back numbered 861 464701

£4,000­6,000

245 ROLEX, A LADY’S GOLD DATEJUST WRISTWATCH, CIRCA 1988, signed champagne dial with baton numerals and date aperture at 3 o clock, to a smooth bezel, automatic movement, on a signed integrated gold Presidential bracelet and deployment clasp, case width 2.5cm, reference number 6916, length 15cm £3,000­4,000

246 CONCORD FOR TIFFANY & CO., A LADY’S GOLD WRISTWATCH, the square gilt face with gold baton indicators and hands, to a chased gold bezel and integral gold ropetwist strap, dial signed Concord Quartz Tiffany & Co, case numbered 5061460 550518 and E10 with Swiss control marks, European convention mark and stamped 18K, quartz movement, case width 2cm, length 16cm, gross weight 38g, pouch stamped Tiffany & Co. £800­1,200

247 LONGINES, A DIAMOND COCKTAIL WRISTWATCH, the signed silvered dial with blued steel hands and Arabic numerals, outer minute marker, 18k white gold case millegrain­set with circular­cut and baguette­shaped diamonds, case numbered 32742090 and L2 182 7, case width 1.5cm, on a Longines strap with Longines steel buckle, length 21cm

£800­1,200

248 ROLEX, A LADY’S BI­COLOUR ‘DATEJUST’ WRISTWATCH, CIRCA 1988, Rolex cream ‘Anniversary’ dial with gold luminous hands and Arabic numerals, date aperture at 3 o’clock, to a smooth bezel, automatic movement, to an integral gold and stainless Jubilee bracelet and deployment clasp, signed dial and clasp, case width 2.8cm, reference number 69163, length 17cm

£1,000­1,500

249 EBEL, A LADY’S GOLD ‘BELUGA’ WRISTWATCH, Ebel signed circular cream dial, gold batons and hands, to an integrated 12mm gold link bracelet with deployment clasp, case width 2.4cm, quartz movement, numbered 866960 and 48136, Swiss control marks for 18ct Gold, length 18cm

£3,000­5,000

250 CARTIER, A LADY’S BI­COLOUR ‘PANTHERE VENDOME’ WRISTWATCH, Cartier signed round cream dial with black Roman numerals and blued steel hands, quartz movement, to a stainless steel and gold 12mm bracelet and signed double deployment clasp, case width 2.4cm signed screw back case with reference number 166920 and 12436, length 16cm

£1,000­2,000

251 A RUBY AND DIAMOND CLUSTER RING, the oval­cut ruby weighing 2.50cts set within a surround of round brilliant­cut diamonds between round brilliant­cut diamond set shoulders, in platinum and 18ct yellow gold, stamped PLAT and 18ct, diamond weight 1.35cts, size P £1,800­2,000

252 AN EMERALD AND DIAMOND CLUSTER RING, the oval­shaped emerald weighing 1.20cts, set within a border of round brilliant­cut and baguette­cut diamonds, set in platinum, stamped PLAT, total diamond weight 0.65cts, size O½ £800­1,200

253 A RUBY AND DIAMOND CLUSTER RING, the central oval­cut ruby flanked by two pear­shaped rubies, within a border of round brilliant­cut diamonds, set in platinum, stamped PLAT, size O½ £700­900

254 A RUBY AND DIAMOND RING, of quatrefoil design, centred with a cluster of circular­cut rubies within a surround of round brilliant­cut diamonds, in white gold, total approximate diamond weight 0.30cts, stamped 750, size P £650­750

255 A DIAMOND HALF­ETERNITY RING, set with nine round brilliant­cut diamonds, mounted in yellow gold, stamped 750, total approximate diamond weight 1.70cts, size L½

£600­800

256 A SAPPHIRE AND DIAMOND RING, of heart­shaped design, set with a heart­shaped sapphire to a surround and shoulders pavé­set with round brilliant­cut diamonds, in white gold, stamped 750, size M½ £2,000­3,000

257 A DIAMOND CLUSTER RING, set with rose­cut diamonds in gold, size I½ £100­200

258 AN AQUAMARINE AND DIAMOND RING, set with an emerald­cut aquamarine weighing approximately 5.00cts between two baguette­shaped diamonds, to an 18ct white gold shank, London hallmarks, date letter for 2014, size M½, case £400­600

259 AN AQUAMARINE AND DIAMOND RING, set with an emerald­cut aquamarine within a surround of singlecut diamonds, to diamond­set pierced shoulders, mounted in white gold, stamped 18ct, size M, one diamond missing £300­400

260 AN AQUAMARINE AND DIAMOND CLUSTER RING, set with an emerald­cut aquamarine weighing 1.80cts, set within a border of round brilliant­cut diamonds and baguette­cut diamonds, with baguette­cut diamond shoulders, mounted in platinum, stamped PLAT, total diamond weight 0.55cts, size M½

£750­950

261 AN EMERALD AND DIAMOND CLUSTER RING, the oval­cut emerald weighing 1.40cts set within a border of round brilliant­cut diamonds, set in platinum and 18ct yellow gold, stamped PLAT and 18ct, total approximate diamond weight 1.65cts, size O½

£1,800­2,800

262 A RUBY AND DIAMOND CLUSTER RING, set with an emerald­cut ruby within a border of round brilliantcut diamonds, mounted in white and yellow 18ct gold, total approximate diamond weight 0.25cts, London hallmarks, size O½ £600­800

263 A PINK SAPPHIRE AND DIAMOND RING, the oval­cut pink sapphire weighing 1.10cts set within a border of round brilliant­cut diamonds, with round brilliant­cut diamond set shoulders, in platinum, stamped PLAT, total diamond weight 1.00cts, size N

£1,200­1,500

264 A TANZANITE AND DIAMOND CLUSTER RING, the cushion­cut tanzanite within a border of round brilliantcut diamonds, set in 18ct yellow gold, London hallmarks for 1977, maker’s mark worn, size P £800­1,200

265 A BANDED AGATE ‘EVIL EYE’ RING, set with an oval banded agate cabochon forming an ‘Evil Eye’ motif, claw set in platinum, stamped Pt750, size L½ £200­300

266 A PERIDOT AND DIAMOND CLUSTER RING, the emerald­cut peridot weighing 2.20cts, set within a border of round brilliant­cut and baguette­cut diamonds, with baguette­cut diamond mounted shoulders, set in platinum, stamped PLAT, total diamond weight 0.55cts, size N

£900­1,200

267 A DIAMOND FIVE­STONE RING, centred with a round brilliant­cut diamond weighing approximately 0.33cts between four smaller diamonds, mounted in white gold, total approximate diamond weight 0.65cts, stamped 750, size M½

£600­800

268 A SAPPHIRE AND DIAMOND RING, set with an oval cabochon sapphire weighing approximately 4.50cts, the surround quartered with round brilliant­cut diamonds to pierced shoulders, in white gold, stamped 750, size K

£1,000­1,500

269 A DIAMOND BOMBÉ RING, set with a round brilliant­cut diamond to the centre, surrounded by round brilliant­cut and emerald­cut diamonds, in a pierced setting in platinum, mark worn, size O

£500­700

270 A DIAMOND CLUSTER RING, set with old circular­cut diamonds, mounted in platinum, stamped Platinum, size M½

£400­600

271 AN EDWARDIAN GEM­SET INSECT BROOCH, designed as a stylised flying wasp, with ruby eyes, its body set with an amethyst and citrine and its articulated silver wings decorated with seed pearls, mounted in gold, width 4cm £600­800

272 AN AMETHYST AND DIAMOND NECKLACE, composed of a row of diamond­set white gold S­shaped links, suspending three graduated cushion­shaped amethysts in yellow gold claw settings, to a fine link back chain in yellow gold, length 37.5cm £600­800

273 AN EDWARDIAN SEED PEARL AND GOLD NECKLACE, of fringe design, the chain of circular links set with seed pearls and suspending a row of graduated knife­edge links set with seed pearls, centred with three flowerhead links, central flowerhead link with hook for suspension, length 40cm, gross weight 15g £500­700

274 MURRLE, BENNET & CO, AN ART NOUVEAU TURQUOISE AND SEED PEARL PENDANT NECKLACE, the pendant designed as a stylised spider’s web centred with a seed pearl and suspending a spider set with a turquoise cabochon and a seed pearl, all in gold, to a fine link gold back chain, maker’s mark MBC for Murrle, Bennet & Co, stamped 9ct, pendant 6.5cm, chain length 40cm, gross weight 3g £500­700

Cf. Beatriz Chadour­Sampson & Sonya Newell­Smith, Tadema Gallery London Jewellery from the 1860s to 1960s (Stuttgart: Arnoldsche Art Publishers, 2021), p. 52; Ulrike von Hase­Schmundt, Theodor Fahrner Schmuck zwischen Avantgarde und Tradition (Stuttgart and Heidelberg: Forum, 1990), pp. 272­273.

275 A REGENCY TURQUOISE PENDANT, of stylised padlock design, composed of delicate pierced scrolls decorated with beadwork and set with turquoise cabochons around a glazed crescent­shaped vacant compartment, suspending a key­shaped drop set with a further turquoise cabochon, all in gold, length 3.8cm, gross weight 1g

£200­300

276 AN ENAMEL AND DIAMOND BROOCH, LATE 19TH CENTURY/EARLY 20TH CENTURY, of circular design, decorated with the portrait of a girl in traditional dress with a diamond­set ornament to her hair, mounted in gold, enamel signed Goll, diameter 2.5cm, gross weight 8g, case

£300­500 Louise Goll (1853­1940) was a Swiss enameller who undertook commissions for highly regarded Maisons such as Vacheron Constantin. She worked closely alongside her sister Marie Goll (1846­1933), producing enamels from Geneva.

277 A VICTORIAN EMERALD PENDANT, designed as a coiled snake, set with graduated emerald­cut emeralds and diamond eyes, to a later gold snake­link chain, pendant length 3.5cm, chain length 40cm, gross weight 17g

£1,500­2,000

278 A VICTORIAN TURQUOISE­SET GOLD PENDANT NECKLACE, converted from a brooch, designed as a snake suspending a heart­shaped drop, its head with chased decoration and set with graduated turquoise cabochons, to a gold back chain, pendant length 3.5cm, chain length 42cm, gross weight 7g

£400­600

279 A VICTORIAN GEM­SET SCARF PIN/PENDANT, designed as a snake, its head set with a turquoise cabochon and diamond eyes, the body with ruby, diamond and emeralds mounted in star­shaped settings, in yellow gold, length 4cm, gross weight 4g

£400­600

280 A TURQUOISE AND DIAMOND RING, COMPOSITE centred with a cluster set with a pear­shaped turquoise cabochon within a surround of graduated cushion­shaped diamonds, above scrolling diamond­set shoulders, mounted in yellow gold, repairs/conversion to reverse, size N½, gross weight 4g

£500­700

281 A GARNET AND DIAMOND RING, set with a circular­cut garnet between two cushion­shaped garnets, in an openwork surround accented with rose­cut diamonds above shoulders chased with scrolls, in gold, rubbed Birmingham hallmarks, size N

£300­400

282 A CULTURED PEARL AND PLATINUM CHAIN, set with pierced oval latticed links and cultured pearls in platinum, length 34cm, 8.3g

£300­400

283 A PAIR OF TURQUOISE­SET GOLD DROP EARRINGS, each with a circular pendant pavé­set with turquoise cabochons, suspended from two gold batons between turquoise cabochons in lozenge­shaped collet settings, stamped 18ct, hook fittings, length 3.6cm, gross weight 4g, case

£200­300

284 A SEED PEARL, ENAMEL AND DIAMOND BROOCH, LATE 19TH CENTURY, of navette­shaped design, set to the centre with a seed pearl, within a circular border of rose­cut diamonds, mounted on a red enamel ground, within white enamel and gold borders, the outer border spaced with seed pearls, with a glazed compartment verso, in yellow gold, length 3cm

£500­700

285 A 19TH CENTURY DIAMOND AND GARNET BROOCH, IN THE FORM OF A LILY OF THE VALLEY, formed of yellow gold stems tied with a rose­cut diamond set ribbon, with stems terminating in collet­set rose­cut diamonds suspending articulated garnet cabochons, E with a coronet between G applied to a lozenge to reverse, length 6cm, fitted case

£600­800

286 A PAIR OF REGENCY CITRINE AND SEED PEARL EARRINGS, each composed of three clusters, alternately set with a citrine or seed pearl within an elaborate cannetille surround, hook fittings, length 6.2cm, gross weight 10g, case

£400­600

287 A GARNET­SET GOLD PENDANT, MID 19TH CENTURY, LATER CONVERTED, centring on a garnet cabochon applied with a diamond­set star within scrolling gold surround, length 3.5cm

£500­700

288 A VICTORIAN TURQUOISE­SET GOLD PENDANT, designed as a padlock, centred with a oval motif pavé­set with turquoise cabochons within chased scrollwork to the gold surround, the reverse with a row of turquoise cabochons, length 2.5cm, gross weight 5g

£300­500

λ

289 A VICTORIAN CORAL, DIAMOND AND ENAMEL NECKLACE, composed of graduated gold beads, centred with a circular locket decorated with coral cabochons and rose­cut diamonds against a turquoise enamel ground within a pierced border accented with gold beadwork, the reverse with a glazed compartment, locket diameter 2.7cm, chain length 39.5cm, gross weight 44g £2,000­3,000

290 A 19TH CENTURY EMERALD AND SEED PEARL MOURNING RING, set with an emerald within a surround of seed pearls to openwork scrolling shoulders, in silver and gold, with a glazed hairwork compartment to the reverse, size M½ £200­300

291 A VICTORIAN SAPPHIRE AND DIAMOND CLUSTER RING, the central old circular­cut diamond within concentric borders of circular­cut sapphires and diamonds, to trifurcated shoulders, mounted in silver and gold, size M £300­500

292 A SAPPHIRE AND DIAMOND FIVE STONE RING, set with old cushion­cut sapphires and diamonds in alternation, mounted in 18ct yellow gold, inscribed ‘M-Y’ and ‘1948’, with London hallmarks, size R £300­400

293 AN EDWARDIAN SEED PEARL AND DIAMOND PENDANT NECKLACE, centring on a floral motif between foliate links all set with seed pearls, suspending a removable pendant of pierced heart­shape design set with seed pearls and centred with an old circular­cut diamond, to a fine link back chain, in yellow gold, pendant length 2.6cm, chain length 37.5cm, gross weight 7g, fitted case

£500­700

294 A PEARL AND DIAMOND NECKLACE, CIRCA 1900, composed of a central openwork foliate scroll pendant set with two natural pearls and old circular­cut diamonds in silver and gold, between similar foliate pendant links set with natural pearls and diamonds, to a later fine link platinum back chain set with seed pearls, central pendant convertible to a brooch, foliate links detachable from back chain, pendant length 4.4cm, overall necklace length 38cm, gross weight 18g

A verbal report from GCS (no. 5785­3102) states that the pearls are natural saltwater

£1,500­2,000

295 A DIAMOND RIVIÈRE NECKLACE, designed as a line of graduating old cushion­shaped diamonds, claw­set in silver and gold, total approximate diamond weight 11.50cts, length 43.5cm

£8,000­12,000

296 AN EDWARDIAN SEED­PEARL SET HORSESHOE BROOCH, designed as a nail set with graduating seedpearls sitting between two horseshoes, in yellow gold, stamped 15ct, length 4.5cm £400­600

297 A VICTORIAN TURQUOISE AND DIAMOND SHAMROCK PENDANT, LATE 19TH CENTURY, set with three oval turquoise cabochons within surrounds of old circular­cut diamonds, mounted in silver and gold, length 3.5cm, gross weight 4g

£400­600

298 A DIAMOND RUBY AND EMERALD BROOCH, IN THE FORM OF A DRAGONFLY, set with diamonds to the body, wings and antennae, rubies to the eyes and emeralds to the abdomen, in white and yellow gold, length 5.8cm

£3,000­5,000

299 AN EDWARDIAN RUBY AND SEED­PEARL SET BRACELET, with three collet­set oval­cut rubies interspaced with two collet­set seed pearls, to a yellow gold curb link chain, marks worn, inner circumference approximately 16cm

£300­500

300 AN EDWARDIAN SEED PEARL AND GOLD NECKLACE, the graduated seed pearl crescents alternately suspending seed pearl drops in yellow gold, on fine­link back chain, length 39cm, case

£400­600

301 AN EDWARDIAN AMETHYST, HALF­PEARL AND DEMANTOID GARNET BROOCH, with suffragette colours, set with an oval amethyst within a border of half­pearls and demantoid garnets, mounted in yellow gold, width 2.2cm

£350­500

302 AN AMETHYST AND DIAMOND CLUSTER RING, collet­set with a cabochon amethyst, within a border of circular­cut diamonds, to a pierced and carved shank in yellow gold, size M

£700­800

£1,500­2,000

303 ROBERTO COIN, A BROWN DIAMOND AND GOLD PENDANT NECKLACE, the pendant designed as a sun motif pavé­set with round brilliant­cut brown diamonds, the reverse set with a circular­cut ruby, to a gold snakelink chain, pendant signed R COIN, stamped 750, chain stamped 750, pendant width 4cm, chain length 37cm, gross weight 19g

304 A TRI­COLOUR GOLD BANGLE, of fluted design, with diamond­set terminals, stamped 750 and maker V&Co in a lozenge, import marks for 1988, 17g

£1,000­2,000

305 A DIAMOND COLLAR NECKLACE, composed of a strand of snake linking centred with a row of channelset round brilliant­cut diamonds, in yellow gold, total approximate diamond weight 2.70cts, stamped 750, length 41cm, gross weight 53g

£4,000­6,000

306 A DIAMOND­SET GOLD COLLAR NECKLACE, detailed with three white gold interlocking motifs set with round brilliant­cut diamonds, to a collar composed of yellow gold brick linking, Italian control mark, stamped 750, length 43.5cm, gross weight 87g

£4,000­6,000

307 A STAR SAPPHIRE AND DIAMOND RING, the central cabochon sapphire weighing approximately 9.50cts, flanked by two old circular­cut diamonds in a rub­over yellow gold setting, stamped 585, gross weight 20g, size X

£2,000­3,000

Accompanied by GCS report number 5777­8724 dated 3rd February 2017 stating that the cabochon sapphire weighing approximately 9.50cts is a natural purple star sapphire with no indications of heat treatment, origin: Ceylon (Sri Lanka)

Provenance: Woolley & Wallis, 15th July 2020, Lot 2080.

308 A RUBY AND DIAMOND CLUSTER RING, centred with an oval­shaped ruby collet set in yellow gold, within a surround of round brilliant­cut diamonds in platinum millegrain settings, London platinum hallmarks for 1988, size L½

£1,000­2,000

A verbal report from GCS (no. 5784­3732) states that the ruby shows evidence of heat treatment, origin: Thailand/Cambodia

309 A RUBY AND DIAMOND BRACELET, of strap design, set with two rows of circular­cut rubies between borders of round brilliant­cut diamonds, in 18ct gold, London hallmarks for 1990, length 18cm, gross weight 34g

£3,000­5,000

310 A DIAMOND­SET GOLD BRACELET, composed of white gold links with channel­set round brilliant­cut diamonds, alternating with yellow gold geometric links each centred with a collet­set round brilliant­cut diamond, clasp with maker’s mark and stamped 14k, length 19.5cm, gross weight 13g

£800­1,200

311 A PAIR OF MABÉ CULTURED PEARL AND SAPPHIRE EARRINGS, set with a cabochon sapphire in a gold surround with cabochon ruby accents, suspending a heart­shaped cultured mabé pearl drop in yellow gold, post and clip fittings, length 3.2cm

£1,000­1,500

312 A PAIR OF BI­COLOUR GOLD AND DIAMOND EARCLIPS, each designed as a broad pierced white gold band set with round brilliant­cut diamonds within raised yellow gold borders, Italian control mark, stamped 750, clip and post fittings, length 2.1cm, gross weight 16g

£800­1,200

313 A PAIR OF YELLOW SAPPHIRE AND DIAMOND EAR CLIPS, each pavé­set to the front with round brilliantcut yellow sapphires, within pavé­set borders of round brilliant­cut diamonds, mounted in white gold, length 2cm

£1,000­2,000

314 A FANCY COLOURED AND WHITE DIAMOND RING, the rectangular plaque set with graduated brown, yellow and colourless diamonds in yellow gold, size N, 19g

£1,200­1,500

315 A RUBY AND EMERALD THREE STONE RING, set with an emerald­cut emerald flanked with trillion­shaped rubies in white gold, on a rubber band with white gold pierced interior, stamped 750, size L½

£1,500­2,000

A verbal report from GCS (no. 5785­3818) states that the emerald shows moderate clarity enhancement, origin: Colombia

316 AN EMERALD AND DIAMOND RING, the emerald­cut emerald in a square yellow gold setting, to a wide shank pavé­set with round brilliant­cut diamonds in yellow gold, stamped 750, size M½

£800­1,200

317 A PAIR OF CULTURED PEARL EARRINGS, each composed of plain gold hoops suspending a cultured pearl, length 3.6cm each, post fittings

£400­600

318 A CULTURED PEARL AND DIAMOND PENDANT, the old circular­cut diamond collet­set in 18ct yellow gold, suspending a cultured pearl, measuring 14.48mm, the bail with makers marks P B H, London hallmarks, date letter worn and stamped 750, total length approximately 3.2cm

£600­800

£200­300

319 A PLIQUE­À­JOUR ENAMEL PENDANT NECKLACE, designed as a butterfly with plique­à­jour enamel wings mounted in gold, to a fine link yellow gold back chain, signed Artlinea, Italian control mark, stamped 750, pendant width 2.5cm, chain length 47cm, gross weight 2g

320 A PERIDOT AND DIAMOND CLUSTER PENDANT NECKLACE, the princess­cut peridot weighing 3.00cts set within a border of round­brilliant cut diamonds, with an emerald­cut diamond set bail, set in yellow gold, to a yellow gold fine link chain, the chain stamped 585 and with Italian control marks, total diamond weight 1.00cts, pendant length 1.9cm, chain length 40cm

£850­1,250

321 A YELLOW SAPPHIRE AND DIAMOND RING, designed as a snake, its head centred with an oval­shaped yellow sapphire and collet­set white diamond eyes, its body pavé­set with brown and white round brilliant­cut diamonds, mounted in white gold, size O

£800­1,200

322 A SWEDISH EMERALD AND DIAMOND SET BROOCH, IN THE FORM OF A SCARAB BEETLE, MID20TH CENTURY, set with a cabochon emerald weighing approximately 65.00cts, the head pavé­set with round brilliant­cut diamonds and with old European­cut emeralds eyes, in white gold, engraved to the reverse, maker’s mark HRH, stamped 18k, with Stockholm hallmarks for 1955, length 4cm

£3,000­5,000

A verbal report from GCS (no. 5785­3986) states that the emerald shows a significant amount of oil in fissures, origin: Russia

323 A DIAMOND NECKLACE, composed of graduated oval links, each set with an oval­shaped diamond within a border of round brilliant­cut diamonds, to a plain back chain, mounted in white gold, length 41.5cm, gross weight 26g

£2,500­3,500

324 A MULTI­GEM­SET GOLD BRACELET, with step­cut amethysts, tourmalines and citrines channel­set in yellow gold, stamped 18k, length 19cm

£600­800

325 A RUBY AND DIAMOND DRESS RING, of bombé design, the central oval­shaped ruby within a surround of white diamonds, raised above a high surround of pavé­set brown diamonds with an oval­shaped ruby to each shoulder, mounted in white gold, size N½

£800­1,200

326 A PINK TOURMALINE, SAPPHIRE AND DIAMOND DRESS RING, the two oval­shaped tourmalines within a high surround pavé­set with round brilliant­cut diamonds and centred to each side with a triangular­shaped sapphire, mounted in white gold, stamped 750, size M½

£600­800

327 A RUBY AND DIAMOND CLUSTER RING, set with a cabochon ruby to the centre, within a border of old cushion­cut diamonds, mounted in silver and yellow gold, size I½

£1,000­2,000

328 A SAPPHIRE AND DIAMOND BRACELET, composed of clusters centred with an oval­shaped yellow sapphire within a border of oval­shaped blue sapphires and round brilliant­cut diamonds, alternating with smaller clusters of yellow sapphires and diamonds, in 18ct gold, Sheffield hallmarks for 2000, length 15cm, gross weight 58g

£2,000­3,000

329 A PAIR OF PINK SAPPHIRE AND DIAMOND CLUSTER EARRINGS, each set with an oval­shaped pink sapphire within a border of round brilliant­cut diamonds, set in white and yellow gold, length 1.2cm, post fittings

£850­950

330 A CITRINE, DIAMOND AND CULTURED PEARL DRESS RING, the step­cut citrine set within a border of single­cut diamonds suspending six articulated cultured pearl drops, in white gold, size M½

£600­800

331 A RUTILATED QUARTZ AND DIAMOND DRESS RING, the large oval cabochon quartz set to a two­tone scrolling openwork high surround set with white and brown brilliant cut diamonds, mounted in gold, stamped 18Tk [sic], size N½

£800­1,200

332 A GEM­SET GOLD BANGLE, of hinged design, decorated with a row of ruby, emerald and opal cabochons accented with diamonds, mounted in gold, inner circumference 17cm, 18g

£400­600

333 A PAIR OF MULTI­GEM­SET GOLD EARRINGS, set with step­cut tourmalines, citrines and topaz in yellow gold ovoid surround, post and clip fittings, length 2cm, 9.7g

£600­800

334 A GARNET AND DIAMOND RING, of crossover design, set with two oval­shaped garnets, above shoulders set with rows of graduated round brilliant­cut diamonds, in gold, size M

£400­600

335 A PAIR OF DIAMOND EARRINGS, of heart­shaped design, pavé­set with round brilliant­cut diamonds, mounted in gold, Italian control mark, stamped 750, length 2.3cm, gross weight 10g

£1,000­1,500

336 A RUBY AND DIAMOND CLUSTER RING, set with an oval­shaped ruby weighing approximately 1.60cts within concentric borders of old circular cut diamonds, mounted in silver and gold, total approximate diamond weight 0.90cts, size M½

£800­1,200

337 A STAR SAPPHIRE AND DIAMOND CLUSTER RING, the central cabochon sapphire weighing approximately 16.00cts within a surround of round brilliant­cut diamonds, set in a pierced scrolling yellow gold mount, French import mark, size R, gross weight 9g

£2,400­3,000

£2,000­3,000

338 AN EMERALD AND DIAMOND NECKLACE, set with a pear­shaped emerald weighing approximately 3.20cts surrounded by clusters of round brilliant­cut diamonds, to a gold mount on a two­tone gold fancy­link chain, clasp with Italian control mark, stamped 750, length 42cm, gross weight 18g

339 A DIAMOND COLLAR NECKLACE, of crossover design, composed of tapering sections of channel­set baguette­shaped diamonds separated with marquise­shaped diamonds in gold, approximate diamond weight 21.00cts, length 38cm, gross weight 72g

£8,000­10,000

340 A PAIR OF EMERALD AND DIAMOND EARCLIPS, each set with an oval emerald cabochon within a diamond­set border, to an openwork ropetwist surround set with marquise­shaped and round brilliant­cut diamonds in platinum, clip fittings, length 2.5cm

£1,800­2,000

341 A DIAMOND SOLITAIRE RING, the old circular­cut diamond weighing approximately 1.50cts, to shoulders each set with a baguette­shaped diamond in platinum, London hallmarks for 2007, size O, case

£2,000­3,000

342 CONTI, AN EMERALD AND DIAMOND RING, set with a step­cut emerald, flanked by round brilliant­cut diamond shoulders, in 18ct yellow gold, signed Conti, stamped 18ct, size N½

£400­600

343 A DIAMOND AND 18CT GOLD HALF HOOP RING, set with seven round brilliant­cut diamonds in 18ct yellow gold, London hallmarks for 1988, size R, gross weight 4g

£600­800

344 A DIAMOND­SET GOLD BRACELET, composed of yellow gold links each with three channel­set princess­cut diamonds, alternating with plain yellow gold links, clasp stamped 14K, length 18.5cm, gross weight 8g £600­800

345 A PAIR OF EMERALD AND DIAMOND EAR STUDS, CIRCA 2000, each with a pear­shaped emerald collet­set in yellow gold within a surround of graduated round brilliant­cut diamonds claw­set in platinum, marked Orlando, Sheffield hallmarks for Platinum, stamped T&Co to post, clip stamped 18k, clip and post fittings, length 1.8cm

£2,000­3,000

346 A PAIR OF EMERALD AND DIAMOND EAR STUDS, each centred with an emerald­cut emerald within a border of single­cut diamonds above three stylised rays set with baguette­shaped diamonds, mounted in platinum, post fittings lacking butterflies, length 6cm

£1,500­2,000

347 A PAIR OF DIAMOND AND 18CT GOLD EAR STUDS, each claw set with a round brilliant­cut diamond weighing approximately 0.15cts, in 18ct white and yellow gold, total approximate diamond weight 0.33cts, London hallmarks, post fittings

£300­400

348 A PAIR OF DIAMOND AND 18CT GOLD EAR STUDS, each claw set with a round brilliant­cut diamond in 18ct white and yellow gold, total approximate diamond weight 0.43cts, London hallmarks, post fittings

£500­700

349 A PAIR OF DIAMOND DROP EARRINGS, each with a cluster of cushion­shaped diamonds in milligrain settings, suspended from a single claw­set old circular­cut diamond, mounted in platinum and gold, post fittings, length 1.9cm, case

£1,500­2,000

350 A PAIR OF EMERALD AND DIAMOND DROP EARRINGS, each with old cushion­cut diamond set surmounts, suspending a foliate decorated carved emerald bead in white gold, length 5.3cm, French control mark to clip fitting, post and clip fittings

351 No lot

£3,000­5,000

352 A DIAMOND FIVE­STONE RING, set with a row of graduated old circular­cut diamonds, in 18ct gold, total approximate diamond weight 1.60cts, London hallmarks for 1982, size P

£600­800

353 A DIAMOND AND 18CT GOLD CLUSTER RING, set with round brilliant­cut diamonds in collet settings, mounted in 18ct yellow gold, London hallmarks for 1992, size H½

£400­600

354 A DIAMOND RING, of sinuous crossover design, centred with a collet­set round brilliant­cut diamond weighing approximately 1.20cts to a diamond­set scrolling surround, in yellow gold, size Q½

£1,500­2,000

355 A SAPPHIRE AND DIAMOND CLUSTER RING, centred with a circular­cut sapphire weighing approximately 2.10cts in a yellow gold setting, within a border of old circular­cut and round brilliant­cut diamonds in platinum and white gold, French control marks, size P½

£1,500­1,700

Accompanied by Gem & Pearl Laboratory report number 26003 dated 1st June 2025 stating that the sapphire measuring approximatley 8 x 8.5 x 4.7mm is natural with evidence of heat treatment, origin: Sri Lanka (Ceylon)

356 A SAPPHIRE AND DIAMOND THREE­STONE RING, set with an old circular­cut diamond between two cushion­shaped sapphires, mounted in platinum and gold, stamped Plat and 18ct, size O½

£800­1,200

357 A FIVE­STONE DIAMOND RING, set with five old circular­cut diamonds, mounted in 18ct yellow gold, stamped 18ct, size L

£400­600

358 TRESOR, A BLACK AND WHITE DIAMOND DRESS RING, of crossover design, with tapering foliate terminals pavé­set with round brilliant­cut black and white diamonds, mounted in white gold, signed Tresor, stamped 750, etched G18Kt, 137D2.92ct and 135D3.33ct, size N

£800­1,200

359 A DIAMOND COLLAR NECKLACE, composed of openwork linking with a continuous lappeted pattern, the central section millegrain set with round brilliant­cut diamonds, in white gold, total approximate diamond weight 3.00cts, stamped 750, length 39cm, gross weight 55g

£3,500­4,000

360 A DIAMOND BANGLE, set with round brilliant­cut diamonds, in white gold, total approximate diamond weight 1.20cts, inner circumference 20.5cm, gross weight 5g

£500­700

361 A PAIR OF SAPPHIRE AND DIAMOND EARRINGS, the surmounts set with a pear­shaped blue and pink sapphire respectively, within a border of round brilliant­cut diamonds, each suspending two concentric diamondset hoops suspending multi­coloured briolette­cut sapphires in gold, indistinctly stamped, clip and post fittings, length 4.7cm, one diamond lacking

£1,000­2,000

362 A PAIR OF DIAMOND DROP EARRINGS, with diamond scroll surmounts suspending articulated drops of graduated diamonds in white gold, post fittings, length 3.8cm

£1,500­1,800

363 A PAIR OF RUBY AND DIAMOND EARCLIPS, each designed as a diamond­set pierced lattice set with ovalshaped rubies, in white gold, stamped 750, folding post and clip fittings, length 2.5cm, gross weight 20g

£5,000­6,000

364 A SAPPHIRE AND DIAMOND NECKLACE, of fringe design, the fine link chain suspending multi­coloured briolette­cut sapphires alternating with collet­set round brilliant­cut diamonds, mounted in white gold, clasp stamped 750, length 38.5cm

£1,500­2,000

365 A ROCK CRYSTAL AND DIAMOND DRESS RING, of bombé design, the central lozenge motif pavé­set with round brilliant­cut diamonds, set to a carved rock crystal surround detailed to the underside with a chevron pattern, mounted in gold, Italian control mark, stamped 750 and 18kt, size N

£800­1,200

366 A SAPPHIRE AND DIAMOND RING, set with an oval­shaped sapphire above wide shoulders pavé­set with round brilliant­cut diamonds, in white gold, stamped 750, size N

£600­800

367 A DIAMOND CLUSTER RING, designed as a cluster of round brilliant­cut diamonds, mounted in 18ct gold, Birmingham import marks, size M½

£600­800

368 A DIAMOND THREE ROW RING, composed of three rows of graduated round brilliant­cut diamonds in rubover settings joined on wirework shank, stamped Pt950, size Q

£800­1,200

369 A RUBY AND DIAMOND CLUSTER RING, the cushion­shaped ruby weighing 1.23cts, set within a surround of diamonds and further diamond shoulders, size L

£800­1,200 A verbal report from GCS (no. 5785­3571) states that the ruby shows no indications of heat treatment, origin: Mogok, Myanmar (Burma)

370 A PAIR OF DIAMOND EAR CLIPS, DESIGNED AS HEARTS, each pavé­set with round brilliant­cut diamonds, within a border of tapering baguette­cut diamonds and another border of round brilliant­cut diamonds, in white gold, stamped 18k and 750, maker’s marks LMJ, length 1.4cm, post and clip fittings

£800­1,200

371 A RUBY AND DIAMOND LOZENGE­SHAPED CLUSTER RING, set with a central cluster of single­cut diamonds within a border of calibré­cut rubies in platinum, size M½

£600­800

372 A DIAMOND CLUSTER RING, centred with a round brilliant­cut diamond weighing approximately 0.24cts to a surround and shoulders pavé­set with round brilliant­cut diamonds, in white gold, total approximate diamond weight 1.00ct, stamped 750, size P

END OF DAY ONE

£750­850

DAY TWO

THURSDAY 30TH OCTOBER 2025 AT 10.00AM

373 AN AQUAMARINE AND DIAMOND DRESS RING, set with an emerald­cut aquamarine weighing approximately 8.50cts in a high openwork surround with single­cut diamonds in millegrain settings, mounted in white gold, size R

£400­600

374 A RUBY AND DIAMOND RING, 1970s, centred with an openwork stylised trellis motif set with circular­cut rubies and round brilliantcut diamonds, raised above a broad shank in yellow gold, marks rubbed, size Q, gross weight 7g

£500­700

375 A RUBY AND 18CT GOLD RING, CIRCA 1970, set with three cabochon rubies in a textured pierced 18ct yellow gold surround, London hallmarks for 1970, size N½, gross weight 8g

£500­700

Φ 376 ARTHUR KING, AN EMERALD, DIAMOND AND CULTURED PEARL DRESS RING, 1960s, set with an emerald cabochon and a cultured pearl, within a pierced high surround in textured yellow gold accented with three round brilliant­cut diamonds, signed King, stamped 18K, size N½, gross weight 18g

£1,500­2,000

377 A SAPPHIRE AND DIAMOND DRESS RING, of swivel design centred with a revolving cylinder pavé­set with circular­cut sapphires to one half and round brilliant­cut diamonds to the other, all within a pierced high surround decorated with scrolling motifs, in yellow gold, French control mark, size L½, case

£800­1,200

378 A MULTIGEM­SET GOLD RING, set with a cultured pearl, a pear­shaped ruby and kite­shaped emerald in textured yellow gold setting, French control mark, size L½

Three verbal reports from GCS state the following: (no.5785­4065) the emerald shows minor amount of oil in fissures (at time of testing), origin: Colombia ­ 1.20ct approx. (no.5785­4066) the ruby shows no indications of heating, origin: Burma ­ 1.60ct approx. (no.5785­4067) the pearl is natural freshwater

£4,000­6,000

379 AN AMETHYST AND DIAMOND DRESS RING, the oval­shaped amethyst set with broad organic­shaped claws pavé­set with diamonds, above a high surround of openwork foliate design set with diamonds, mounted in gold, size N½, 26g

£1,000­1,500

Φ 380 INGEBORG BRATMAN, AN EMERALD AND 18CT GOLD BROOCH/PENDANT, CIRCA 1987, designed as an irregular pierced panel of textured gold, set with eight emerald crystals, maker’s mark IRB, London hallmarks for 1987, length 8cm, gross weight 67g

£2,500­3,000

381 A TURQUOISE AND DIAMOND­SET GOLD BROOCH, designed as a tree, set with cabochon turquoise and round brilliant­cut diamonds, mounted in twisted 18ct yellow gold, stamped 18, length 6.2cm

£1,000­1,500

382 BUCCELLATI, A PAIR OF BI­COLOUR GOLD EARRINGS, of textured lattice design, signed Buccellati, with Italian control marks and stamped 750, post and clip fittings, length 2.5cm

£800­1,200

383 A YELLOW SAPPHIRE SOLITAIRE RING, the mixed­cut yellow sapphire weighing 7.83cts, set in an openwork scrolling bi­colour gold mount, London hallmarks for 2014, 18ct, size M½

£1,500­2,000

Accompanied by Gem & Pearl Laboratory report number 04945 dated 2nd December 2011 stating that the mixed­cut yellow sapphire weighing 7.83cts is natural and shows no evidence of heat treatment

384 A DIAMOND FULL CIRCLE ETERNITY RING, claw­set with carré­cut diamonds, in yellow gold, size R½

£1,500­2,000

385 A DIAMOND­SET WHITE GOLD BRACELET, composed of textured white gold links of crossover design, each set with two round brilliant­cut diamonds, stamped 18ct 750, length 17.3cm, gross weight 24g

£2,000­3,000

386 A PAIR OF TOPAZ AND DIAMOND EARRINGS, each centred with an oval­shaped yellow topaz within an openwork ropetwist border set with round brilliant­cut diamonds, in white and yellow gold, screw fittings, width 2.4cm

£600­800

387 LALAOUNIS, A PAIR OF GOLD EARCLIPS, of Hellenistic inspiration, each designed as a textured scroll with a lion­head terminal detailed with chasing and beadwork, maker’s mark for Lalaounis, stamped 750, clip fittings, length 4.3cm, 24g

£1,000­2,000

Φ 388 ARTHUR KING, A PAIR OF EMERALD, DIAMOND AND CULTURED PEARL EARCLIPS, CIRCA 1961, set with drop­shaped emerald cabochons and cultured pearls, detailed with textured 18ct yellow gold mounts accented with round brilliant­cut diamonds, maker’s mark AK, London import marks for 1961, stamped 18K, clip fittings, length 2.8cm, gross weight 17g

£1,500­2,000

389 FRASCAROLO, AN EMERALD, DIAMOND AND ENAMEL BROOCH, designed as a seated lion, with emerald­set eyes, its mouth pavé­set with diamonds, detailed with ochre and black enamel, in gold, initals FC for Frascarolo, stamped Modele Deposé 750/18K Made in Italy, height 2.8cm, gross weight 15g

£600­800

£600­800

390 A DIAMOND SOLITAIRE RING, set with a round brilliant cut diamond weighing approximately 1.00cts, mounted in platinum and gold, size S, case

391 A RUBY AND DIAMOND FLOWERHEAD RING, set with a central old circular­cut ruby within a surround of oval rubies and further diamonds in platinum and gold, size I

£400­600

392 A BELLE ÉPOQUE SAPPHIRE AND DIAMOND BROOCH, CIRCA 1900, centring on a fancy­cut sapphire within a foliate surround set with circular­cut diamonds and sapphires, suspending a pear­shaped sapphire below a diamond­set foliate surmount, in silver and gold, detachable brooch fitting and pendant loops, length 4.2cm

£1,000­1,500 A verbal report from GCS (no. 5785­3572) states that the sapphire shows no indications of heat treatment, origin: Montana, USA

393 A PAIR OF DIAMOND DROP EARRINGS, each set with a pear­shaped diamond within a border of rose­cut diamonds suspended from a collet­set old circular­cut diamond, mounted in platinum, post fittings, length 2cm

£3,000­4,000

394 A PAIR OF DIAMOND AND SEED PEARL EARRINGS, of openwork design, millegrain set with rose­cut diamonds and each accented with a seed pearl, in platinum, converted, post fittings, length 1.8cm, gross weight 3g

£300­400

395 A FRENCH DIAMOND­SET GOLD BROOCH, designed as a carnation, the pierced motif with rose­cut diamonds in millegrain settings, mounted in platinum and gold, French control mark and indistinct maker’s mark, length 5cm, gross weight 7g

£1,000­1,500

396 AN AQUAMARINE AND DIAMOND CLUSTER RING, the oval­shaped aquamarine is set within a surround of old cushionshaped diamonds in white gold, size I½

£300­400

397 AN ART NOUVEAU OPAL RING, set with an oval opal cabochon between elaborate pierced shoulders each modelled as the figure of a winged harpy, in yellow gold, gross weight 5g, case size Q½

£300­400

398 A CARNELIAN PENDANT, IN THE FORM OF HANGING CHERRIES, EARLY 20TH CENTURY, the two realistically carved carnelian cherries to a gold stalk with green enamel decoration and diamond­set bail, length 7.5cm, fitted case

£400­600

399 A SAPPHIRE SOLITAIRE RING, set with an oval­shaped sapphire in a millegrain setting to trifurcated yellow gold shoulders, stamped 18ct, size P

£800­1,200

Accompanied by Gem & Pearl Laboratory report number 20076 dated 15th June 2021 stating that the natural yellowish blue sapphire shows no evidence of heat treatment, origin: Sri Lanka (Ceylon)

400 A DIAMOND FIVE­STONE RING, set with five graduated old cushion­shaped diamonds, claw­set in platinum to a yellow gold shank, stamped Plat and 18ct, size O½

£800­1,200

401 AN EDWARDIAN DIAMOND THREE­STONE RING, set with three graduated old cushion­shaped diamonds in a scrolling platinum mount to a gold shank, maker’s mark rubbed, stamped 18ct and Pt, size approx. J½

£600­800

402 A SAPPHIRE AND DIAMOND CLUSTER RING, set with a cushion­shaped sapphire within a diamond surround, above openwork fleur­de­lys shoulders, in 18ct gold, Sheffield hallmarks for 1994, size L

£300­400

403 A RUBY AND DIAMOND FIVE STONE RING, set with circular­cut rubies and old circular­cut diamonds, mounted in platinum and gold, stamped 18ct&PT, size M

£400­600

404 AN EARLY 20TH CENTURY SAPPHIRE AND DIAMOND CLUSTER RING, set with three graduated cushion­shaped sapphires within a surround of old circular­cut diamonds, in yellow gold, marks worn, size L, gross weight 4g

£300­400

405 A PAIR OF DIAMOND DROP EARRINGS, the cushion­shaped diamonds suspending from a foliate style line of smaller cushionshaped diamonds in silver collets, hook fittings, length 4.7cm

£800­1,200

406 A PAIR OF SAPPHIRE AND DIAMOND DROP EARRINGS, each drop centred with a circular­cut sapphire within a border of old circular­cut diamonds, below pierced foliate links with old circular­cut diamonds in millegrain settings, suspended by diamond­set surmounts, in platinum, hook fittings, length 4cm, case

£1,200­1,400

407 A DIAMOND FIVE­STONE RING, the graduated old cushion­shaped diamonds set in platinum, size O½, case £800­1,200

408 A DIAMOND FOUR­STONE RING, set with three old circular or cushion­shaped diamonds, mounted in platinum and gold, total approximate diamond weight 2.50cts, size P

£1,500­2,000

409 A DIAMOND RING, set with a central old circular­cut diamond flanked with five old cushion­shaped diamonds to each shoulder in white gold, size R

£1,500­2,500

410 AN EDWARDIAN SAPPHIRE AND DIAMOND CLUSTER RING, the marquise­shaped sapphire within a border of old cushionshaped diamonds within diamond­set shoulders, mounted in silver and gold, size N

£600­800

411 AN OPAL AND DIAMOND BRACELET, designed as a wide strap set with oval cabochon opals, centred with a buckle motif set with rose­cut diamonds, in silver and silver gilt, stamped 925, length 18cm £800­1,000

412 A SPINEL AND DIAMOND CLUSTER RING, set with an oval­shaped spinel weighing approximately 5.90cts, within a surround of round brilliant­cut diamonds in white gold, size K½

£1,000­1,500

413 A FIRE OPAL AND DIAMOND NECKLACE, suspending three graduated fire opal and diamond pendants in yellow and white gold, on fine­link white gold neck chain, each pendant joined with a chain swag, length 39.5cm

£4,000­5,000

414 A BOULDER OPAL SOLITAIRE RING, the oval boulder opal measuring approximately 21.9 x 30mm, claw set in yellow gold, size J½ £400­600

415 AN OPAL AND DIAMOND CLUSTER RING, the oval opal cabochon set within a border of circular­cut diamonds, mounted in 18ct yellow gold, makers mark JMB, Birmingham hallmarks for 1975, size N £800­1,200

416 AN OPAL SOLITAIRE RING, set with an oval opal cabochon, mounted in 18ct yellow gold, stamped 18ct, size I½ £300­400

417 AN OPAL AND DIAMOND RING, centred with an oval opal cabochon between shoulders each set with three round brilliant­cut diamonds, mounted in 18ct yellow gold, London hallmark for 2000, maker’s mark SV for Susan Vedadi, size P £400­600

418 A PINK OPAL AND DIAMOND DRESS RING, of bombé design, centred with an oval cabochon pink opal within a border of round brilliant cut diamonds, above a high surround pavé­set with round brilliant cut diamonds, mounted in gold, stamped 750, size approx. K £1,500­2,000

419 A PAIR OF PINK OPAL AND DIAMOND EARRINGS, each with five heart­shaped pendants set with pink opals and round brilliant­cut diamonds alternately, suspended from a diamond­set hoop below a surmount pavéset with round brilliant­cut diamonds in gold, stamped 750, clip and post fittings, length 6.5cm

£1,500­2,000

420 A PAIR OF TURQUOISE AND DIAMOND EARRINGS, CONVERTED, each with a scrolling surmount set with old circular­cut and rose­cut diamonds, suspending a pear­shaped turquoise cabochon within a border of millegrain­set old circular­cut diamonds in platinum and gold, post fittings, butterflied deficient, length 3.6cm

£800­1,200

421 A JADE AND DIAMOND PENDANT, designed as a leaf, the carved green jade within a border of diamonds, mounted in white gold, length 5.3cm

£5,000­6,000

422 AN OPAL AND DIAMOND BANGLE, of hinged design, centred with an oval cabochon opal between a row of heart­shaped opals, all within a border of round brilliant­cut diamonds, mounted in palladium and gold, stamped 14K, inner circumference 17.5cm, gross weight 28g

£2,500­3,500

423 FOUR JADEITE PLAQUES, comprising: two ice jadeite plaques carved as leaves, and two green jadeite carved as stylised gourds, max. length 3.6cm, overall gross weight 16g

£800­1,200

424 A PAIR OF OPAL AND DIAMOND CLUSTER EARRINGS, each set with an oval opal cabochon within a border of circular­cut diamonds, mounted in white and yellow gold, length 1.5cm each, post fittings £300­400

425 A PAIR OF DIAMOND EAR STUDS, pavé­set with round brilliant­cut diamonds, in gold, stamped 750, width 1cm, gross weight 4g £400­600

426 AN OPAL, PINK SAPPHIRE AND DIAMOND PENDANT, centred with an oval cabochon opal within an openwork foliate border set with rose­cut diamonds, suspending a pear­shaped cabochon opal, in silver gilt, length 7cm £600­800

£8,000­12,000

427 A DIAMOND­SET DEMI PARURE, of foliate scroll design, the brooch set with graduated circular, marquise and baguette­shaped diamonds in white gold, length 5.5cm, with a pair of matching diamond­set earrings, clip fittings, length 3cm, case by David Morris

428 A SAPPHIRE AND DIAMOND RING, the oval­shaped sapphire weighs approximately 8.95cts, with a trefoil of round brilliant­cut diamonds to each shoulder in white gold, size M

£5,000­7,000

Accompanied by a facsimile copy of report number 19717 dated 26th March 2021 stating that the oval­shaped sapphire is a natural sapphire with no indications of heat treatment, origin: Sri Lanka (Ceylon)

429 A RUBY AND DIAMOND CLUSTER RING, of flowerhead design, set to the centre with a cushion­cut ruby weighing 1.57cts, within a surround of pear­shaped diamonds, in platinum, stamped PT950 and with a maker’s mark, size M

£3,000­4,000

430 A DIAMOND SET WHITE GOLD CHAIN, set with round brilliant­cut diamonds in spectacle white gold settings, stamped 750, length 59cm

£1,200­1,500

431 A DIAMOND BRACELET, composed of tapering links set with alternating rows of round brilliant­cut and baguette­shaped diamonds, mounted in platinum and gold, French control marks and rubbed maker’s lozenge, length 18.3cm

£10,000­20,000

432 A DIAMOND LINE BRACELET, composed of a continuous row of baguette­shaped diamonds, channel set in white gold, stamped 18ct, length 19.5cm, gross weight 23g

£2,500­3,500

433 CARTIER, A DIAMOND SOLITAIRE RING, CIRCA 2012, set with a round brilliant­cut diamond weighing approximately 0.60cts, mounted in platinum, signed Cartier and with makers mark JC, with London hallmarks for 2012, numbered T14978, stamped 0.6, size Q½ £600­800

434 A DIAMOND THREE STONE RING, the three old circular­cut diamonds weighing approximately 0.90, 0.35 and 0.30cts, in white gold, stamped 18ct, size R

£1,700­2,700

435 A SAPPHIRE AND DIAMOND RING, the oval­shaped sapphire set between diamond millegrain­set shoulders in platinum, maker’s mark JC, Birmingham hallmarks, size P

£300­400

436 A DIAMOND SOLITAIRE RING, the round brilliant­cut diamond weighing approximately 0.95cts, mounted in platinum, London hallmarks, size H½

£800­1,200

437 A PAIR OF SAPPHIRE AND DIAMOND EARRINGS, each set with an oval sapphire within a surround of round brilliant­cut diamonds in white gold, length 15mm, post and clip fittings

£800­1,200

438 A PAIR OF CULTURED PEARL AND DIAMOND DROP EARRINGS, each suspending a pink cultured pearl measuring approximately 13.5­13.7mm, suspended from foliate surmounts set with round brilliant­cut and pearshaped diamonds in white gold, length 4.3cm

£4,000­6,000

£1,000­2,000

439 A DIAMOND RING MOUNT, the high pierced surround of foliate design set with marquise­shaped and tapering baguette­shaped diamonds in platinum, French control mark, size P½

440 A DIAMOND­SET PLATINUM RING MOUNT, of bombé design, the raised setting set with marquise­shaped diamonds, stamped Pt, size N½, gross weight 14g

£800­1,200

441 A DIAMOND­SET PLATINUM RING SHANK, set with a pierced border of baguette­shaped and circular­cut diamonds above a high surround of ropetwist design, French control mark, stamped Pt950, size F½, gross weight 17g £600­800

442 CARTIER, A DIAMOND RING MOUNT, set with three old cut diamonds to each shoulder, in platinum, signed Monture Cartier with French control mark and maker’s lozenge, size H £800­1,200

443 A DIAMOND RING MOUNT, set with a tapering baguette­shaped diamond to each shoulder, in platinum, stamped Pt, size M½ £600­800

444 A VICTORIAN DIAMOND BROOCH MOUNT, set with a border of cushion­shaped diamonds in foliate silver and gold setting, width 3cm

£2,000­3,000

445 A DIAMOND NECKLACE MOUNT, composed of circular cluster links alternating with foliate motifs all set with old cut diamonds, tapering to plain leaf­shaped fancy linking with a diamond­set clasp, in platinum, French control marks and maker’s mark, length 40cm, gross weight 84g

£6,000­8,000

446 CARTIER, A PAIR OF DIAMOND EARRING MOUNTS, of cluster design, each set with a border of round brilliant­cut diamonds, mounted in platinum, one indistinctly signed Cartier, French control marks and maker’s marks, screw fittings, width 1.5cm

£1,000­2,000

447 VAN CLEEF & ARPELS, A PAIR OF GOLD EARCLIP MOUNTS, each with vacant concentric borders around a central vacant setting, in yellow gold, signed Mont. Van Cleef & Arpels and numbered 4573, French control marks and maker’s mark RE, clip and screw fittings, hooks for suspension, width 2.3cm, 16g

£1,500­2,000

448 CARTIER, A PLATINUM AND GOLD BRACELET MOUNT, centred with a row of graduated vacant oval platinum settings with yellow gold claws alternating with rectangular platinum settings, tapering to a strap of square platinum settings, signed Cartier Paris, French control marks and maker’s mark, length 17cm, gross weight 23g

£3,000­4,000

449 A PAIR OF DIAMOND EARRINGS MOUNTS, each with an elaborate surmount set with diamonds suspending a pear­shaped mount, in white gold, stamped 750, clip fittings and safety hooks, length 4.4cm, gross weight 16g, one clip detached

£3,000­4,000

450 A PAIR OF DIAMOND CLIP MOUNTS, each composed of a foliate surmount pavé­set with graduated old circular­cut and marquise­shaped diamonds, above a vacant pear­shaped setting and two stylised pistils each set with an old marquise­shaped diamond, mounted in platinum to gold pins, French import marks, width 3.6cm

£2,000­3,000

451 BOUCHERON, A GOLD RING MOUNT, WITH ANOTHER GOLD RING MOUNT, comprising: a yellow gold ring mount set with lapis lazuli to the shoulders, signed Boucheron and numbered PC901-707, French control mark and maker’s mark, stamped 750, size H½, gross weight 15g; and a yellow gold ring mount set with carré­cut sapphires, French import mark, size L, gross weight 15g

£800­1,200

452 A PAIR OF DIAMOND EARRING MOUNTS, each set with a row of graduated old circular­cut diamonds in collet settings suspending an oval­shaped vacant setting, in platinum, length 3.6cm

£1,000­1,500

453 A PAIR OF DIAMOND EARRING MOUNTS, each designed as a drop composed of alternating old circularcut and baguette­shaped diamonds suspending a vacant setting, in platinum, post fittings, length 4cm

£2,000­3,000

454 A DIAMOND DRESS RING, the tapering shank rising to a wide flat disk pavé­set with round brilliant­cut diamonds, in white gold, total approximate diamond weight 3.40cts, stamped 18K 750 and D3.40, size N½, gross weight 16g

£1,000­2,000

455 A DIAMOND RING, of crossover design, the central section pavé­set with round­brilliant cut diamonds, between two borders of channel­set baguette­shaped diamonds, mounted in white gold, control mark rubbed, stamped 750, size Q½, gross weight 7g

£1,000­2,000

456 AN AQUAMARINE AND DIAMOND PENDANT NECKLACE, set with an emerald­cut aquamarine weighing approximately 15.00cts in a tapering pierced white gold mount below an old circular­cut diamond in a square millegrain setting, to a fine link white gold back chain, clasp stamped 585, pendant length 3.3cm, chain length 43cm

£1,000­2,000

457 AN AQUAMARINE AND DIAMOND DRESS RING, set with a step­cut aquamarine, above shoulders pavéset with round brilliant­cut diamonds, mounted in white gold, size O½

£1,000­1,200

458 A PAIR OF BLUE TOPAZ, CULTURED PEARL AND DIAMOND EARRINGS, each set with a circular­cut topaz, circular and baguette­shaped diamonds and suspending a cultured pearl in white gold, 3.8cm high, together with a topaz and diamond cluster ring, size M

£1,200­1,500

459 CARLO LUCA DELLA QUERCIA, A SAPPHIRE AND DIAMOND RING, set with an oval cabochon sapphire measuring 19.5 x 12.5 x 8.6mm, within a high surround set with round brilliant­cut diamonds, mounted in white gold, Italian control mark for Carlo Luca della Quercia Srl, stamped 750, size G, gross weight 13g

£3,000­4,000

460 A DIAMOND DEMI­PARURE, comprising: a necklace of negligée design, composed of two tapering strands of spherical links terminating in two drops, all pavé­set with round brilliant­cut diamonds, in white gold, French import mark, stamped 750, length 40cm, gross weight 59g; and a pair of drop earrings en­suite, each composed of a tapering strands of spherical links terminating a drops, all pavé­set with round brilliant­cut diamonds, in white gold, indistinct French import marks, Italian control marks, clip and post fittings, length 5.3cm, gross weight 15g

£6,000­8,000

461 A CULTURED PEARL AND DIAMOND RING, set with a cultured pearl measuring approximately 11.611.8mm, to shoulders pavé­set with graduated round brilliant­cut diamonds, in white gold, stamped 18ct, size N½ £950­1,000

462 AN AQUAMARINE AND DIAMOND BANGLE, of hinged design, set with an openwork design of ovalshaped aquamarines and round brilliant­cut diamonds, within borders of collet­set round brilliant­cut diamonds in white gold, stamped 750, inner circumference 18cm

£15,000­20,000

463 A DIAMOND AND 18CT GOLD BANGLE, of hinged design, centring on a floral crossover motif set with round brilliant­cut diamonds, mounted in 18ct white gold, London hallmarks for 2003, inner circumference 17.5cm, gross weight 31g

£2,000­3,000

464 A DIAMOND THREE STONE RING, CIRCA 2007, set with three graduated oval­shaped diamonds weighing approximately 0.60, 1.00 and 0.55cts, within a surround of pink diamonds in platinum, London hallmarks for 2007, size M

£4,000­6,000

465 A DIAMOND SOLITAIRE RING, set with a marquise­shaped diamond weighing approximately 0.70cts mounted in white gold, stamped 18ct, size O £500­700

466 A PAIR OF AQUAMARINE AND DIAMOND EARRINGS, each suspending a claw­set pear­shaped aquamarine within two concentric borders of round brilliant­cut diamonds in milligrain settings, suspended from a row of graduated round brilliant­cut diamonds, mounted in white gold, stamped 750, post fittings, length 4.2cm

£1,500­2,000

467 A DIAMOND AND 18CT GOLD DRESS RING, 2003, centring on a floral crossover motif set with round brilliant­cut diamonds, mounted in 18ct white gold, London hallmarks for 2003, size P½, gross weight 31g

£800­1,200

468 A DIAMOND CLUSTER RING, set with a cushion­cut diamond to the centre weighing 1.50cts, within a border of round brilliant­cut diamonds and round brilliant­cut diamond set shoulders, in white gold, stamped 750, size J

£1,800­2,000

Accompanied with a facsimile GIA report number 2151195910 for the central stone, dated 9th January 2013 stating that the cushion modified brilliant­cut diamond weighs 1.50cts, with H colour, SI2 clarity

469 A CULTURED PEARL NECKLACE WITH A 17TH CENTURY STUART CRYSTAL CLASP, the Stuart crystal above plaited hair ground and woven gold cypher, between a skeleton and an angel and above a skull, within a border of seed pearls and pink stones, on a single row cultured pearl necklace, length 48cm £600­800

470 A 17TH CENTURY GOLD GIMMEL RING, CIRCA 1645, the three plain gold bands opening to reveal the inscription RECUERDA.EL.DIA.10.DE.SEPTIEMBRE.DE.1645., translating to mean remember the day of 10th September 1645, size O½; with a plain gold band decorated with two stylised hearts, size M £300­500

471 A LATE 19TH CENTURY SEED PEARL AND GOLD MOURNING BROOCH, of heart­shaped design, centred with a gold ‘S’ below a coronet all set with seed pearls, against a blue glass ground within a white enamel border and a beaded surround, the reverse with a glazed hairwork compartment and inscribed ‘In memory of James David Viscount Strathallan born Sept 23 1830 died Dec.r 5 1893’, in gold, width 2.4cm £1,000­1,500

472 A 17TH CENTURY STUART CRYSTAL, EMERALD AND DIAMOND SLIDE, the Stuart crystal set above a woven gold cypher and two putti holding a skull over woven hair, within a border of emeralds and diamonds in closed back silver and gold setting, later brooch fitting adapted from a slide, engraving for Frances Hackett to reverse, length 2.2cm £600­800

473 A LATE 18TH CENTURY RUBY AND DIAMOND SENTIMENTAL PENDANT, the drop­shaped faceted glazed compartment containing strands of seed pearls and two pearlescent claws, within a border of rubies below a ribbontie motif in white enamel inscribed ‘Je vous aimerais toujours’ translating to I will always love you, centred with an old cushion­shaped diamond, the reverse with a hinged glazed backing, mounted in gold, length 3.6cm £400­600

474 AN 18TH CENTURY AGATE AND GOLD OVIFORM BONBONNIÈRE, the hinged agate box decorated with an elaborate carved and chased border set with agate panels above a similar thumbpiece all in yellow gold, height 5cm, egg-shaped red leather fitted case, one agate panel bruised £600­800

475 TWO GEORGE III MOURNING RINGS, comprising: a mourning ring with a central black enamel band inscribed in reserve ‘Willm Davies Ob 25 Aug 1816 Æ 71’ between reeded borders and plain black enamel bands within ropetwist edges, maker’s mark JBWW, British hallmarks, size O; and a mourning ring with a three black enamel bands, the central band decorated in reserve with a geometric pattern, inscribed to the interior ‘Sarah White Ob 19 Jan 1792 Aet 88’, maker’s mark RS, British hallmarks, size O, enamel chipped £300­500

Provenance: The Michael Baggott Collection.

476 TWO GEORGE III MOURNING RINGS, comprising: a mourning ring with a central black enamel band inscribed in reserve ‘Chas Robinson Esq Ob 24 Oct 1794 Æ 66’ between plain black enamel bands, maker’s mark IHIP, British hallmarks, size Q½; and a mourning ring with a central white enamel band inscribed in reserve ‘Sally Edwards Ob 3 Aug 1797 Æ 22’, maker’s marks IHIP, British hallmarks, size R £300­400

Provenance: The Michael Baggott Collection.

477 A GEORGE III AMETHYST MOURNING RING, set with a cushionshaped amethyst, to a scrolling shank decorated with black enamel and inscribed in reserve ‘James Jackson Ob May 15 1782 Æ 51’, in gold, size M £200­300

478 TWO GEORGE III MOURNING RINGS, comprising: a mourning ring with a black enamel band between two white enamel bands, inscribed to interior ‘Ann Burdus obt 3 Apr 1807 Aet 80’, maker’s mark DL, British hallmarks, size Q½, enamel chipped; and a mourning ring with three blank black enamel bands, inscribed to the interior ‘Jane Bacon obt 1 Oct 1811 Aet 78’, maker’s mark DL, British hallmarks, size K½, enamel chipped £200­300

Provenance: The Michael Baggott Collection.

479 A DOUBLE SIDED INTAGLIO WATCH KEY, EARLY 19TH CENTURY, designed as an oval agate plaque, applied to the surfaces with a treated layer engraved with a winged putto riding a chariot drawn by two birds to one side, and a winged putto riding a chariot drawn by two goats to the other, both allegories of love, gold and metal key, length 4.7cm £1,000­2,000

480 THREE GEORGE III MOURNING RINGS, comprising: a mourning ring with a black enamel band inscribed in reserve ‘W Tulip Ob 3 June 1779 Æ 52’ between beaded borders, size O; a mourning ring with a white enamel band decorated in reserve with a geometric pattern between beaded borders, inscribed to the interior ‘Eliz Tulip Obt 26 Nov 1786 Aet 30’, maker’s mark L&R, British hallmarks, size O; and a mourning ring with a white enamel band decorated in reserve with stylised floral motifs between two plain black enamel bands, inscribed to the interior ‘Henry Tulip Obt 3 Dec 1800 Aet 76’, maker’s mark IL, British hallmarks, size Q £400­600

Provenance: The Michael Baggott Collection.

481 A SASANIAN GARNET INTAGLIO RING, 3RD-5TH CENTURY, set with a deeply carved raised oval garnet depicting a an eagle with wings outstretched and clasping an animal in its talons, in a modern gold ring mount, size N, the intaglio measuring 14mm x 13mm £600­800

482 AN EARLY 19TH CENTURY BANDED AGATE CAMEO AND DIAMOND RING, carved with a Gryllus motif, 1.1 cm high, within a surround of rose­cut diamonds to fleur­de­lys shoulders, in gold, size M £200­300

483 TWO GEORGE III MOURNING RINGS, comprising: a mourning ring with a central black enamel band inscribed in reserve ‘Wm Holden Esq Ob 14 Feb 1809 Æ’ between beaded borders and plain black enamel bands within ropetwist edges, maker’s mark RCJB, British hallmarks, size approx. T½; and a mourning ring with a central white enamel band inscribed in reserve ‘Mw Nicholson Ob 27 Aug 1810 Æ 29’ between plain black enamel bands within ropetwist edges, maker’s mark RCJB, British hallmarks, size R½ £300­400

Provenance: The Michael Baggott Collection.

484 A BANDED AGATE INTAGLIO RING, LATE 18TH-EARLY 19TH CENTURY, the rectangular intaglio carved with Janus in profile, with clever use of the natural white band dividing the two faces, later gold ring, size P £400­600

485 A ROMAN CARNELIAN INTAGLIO RING, 1ST - 2ND CENTURY AD, depicting the profile of the young Hercules with short curling hair, 1.0 cm wide, contemporary gold mount with pellet border and gold wire bound shank, approximate size K

£800­1,200

486 A ROMAN JASPER INTAGLIO, 2ND CENTURY AD, depicting Fortuna crowned by Victory, within a gold border with a later gold shank, intaglio 15.47 x 12.27 x 2.86mm, shank size T½, intaglio detached from shank £600­800 Provenance: The Michael Baggott Collection.

487 A GOLD PENDANT, designed as a six­pointed star, both sides with engraved borders around a central floral motif, one side with initials ‘AC’, length 4.2cm, 4g

488 No lot

£150­250

489 A LATE ROMAN AGATE INGALIO DEPICTING MARS, 3RD - 4TH CENTURY AD, mounted in an early 19th century three­colour gold fob seal, adapted to be worn as a ring, chased with heavy foliate decoration, intaglio length 2.1cm, seal 2.8cm high, approximately ring size N

£600­800

490 A ROMAN CARNELIAN INTAGLIO , 1ST CENTURY AD, depicting a quadriga with horses, the winning driver with palm branch and the standing figure of Victoria behind about to crown him with a laurel wreath, in a later closed­back low carat gold mount engraved ‘Charles Jones obt 27 Sept 1843’, intaglio 15.18 x 13.31mm, shank size M, early 19th century case

Provenance: The Michael Baggott Collection.

£600­800

OF MRS. AGNES VAN GESSLER

WIFE OF MR. PETER RUDOLF WOLTER VAN GESSLER VERSCHUIR, GOVERNOR OF YOGYAKARTA, JAVA FROM 1929 TO 1932, AND THENCE BY DESCENT (LOTS 491-501)

491 A GOLD EAR ORNAMENT, JAVA, 8TH­12TH CENTURY, with a central vacant quatrefoil within scrolling foliate decoration, length 4.5cm, weight 20g £800­1,200

Cf. a closely comparable ear ornament in the Metropolitan Museum of Art, The Gift of Jeanette and Jonathan Rosen, object no.1998.544.49

492 A GOLD EAR ORNAMENT, JAVA, 8TH­12TH CENTURY, in the form of a chiselled arrowhead, width 2.6cm, weight 16.5g

Cf. a closely comparable ear ornament in the Metropolitan Museum of Art, The Gift of Jeanette and Jonathan Rosen, object no.1998.544.383

£700­900

493 A GOLD EAR ORNAMENT, JAVA, 8TH­12TH CENTURY, with a central vacant quatrefoil within scrolling foliate decoration, length 3.5cm,

Cf. a closely comparable ear ornament in the Metropolitan Museum of Art, The Gift of Jeanette and Jonathan Rosen, object no.1998.544.49

494 A GOLD EAR ORNAMENT, JAVA, 8TH­12TH CENTURY, with a central vacant quatrefoil within scrolling foliate decoration, length 2.5cm, weight 13.5g

495 A GOLD HINGED EARCLIP, JAVA, 10TH­15TH CENTURY, of quatrefoil design finely decorated with cannetille and pellet work in yellow gold, depth 2cm, weight 8.9g

£400­600

Cf. a closely comparable earclip in the Metropolitan Museum of Art, the Samuel Eilenberg­Jonathan P. Rosen Collection of Indonesian Gold, 1998.544.64

496 TWO THAI ‘BULLET MONEY’ SIAM AND A GOLD BALL

497 A GOLD RING, JAVA, centred with a decoration of carved foliate scrolls, size O½, weight 2.1g

150

498 A ROCK CRYSTAL AND GOLD RING, JAVA, 8TH­12TH CENTURY, the central old mine­cut crystal flanked by Ibis bird shoulders, in a decorated gold mount, size B½

£150­250

499 A GOLD RING, JAVA, 8TH­12TH CENTURY, with a stepped hexagonal bezel engraved with the stylised Sanskrit character Sri, size P½, weight 36g £1,500­2,000

The motif on the bezel symbolises the Sanskrit character, Sri, associated with Dewi Sri, the Indonesian Goddess of rice and fertility. Rings with the Sri motif were regarded as amulets, bestowing wealth and prosperity upon the wearer

Cf. a closely comparable ring in the Metropolitan Museum of Art, the Samuel Eilenberg­Jonathan P. Rosen Collection of Indonesian Gold, 1998.544.377

500 A GOLD AND EMERALD RING, JAVA, 8TH­12TH CENTURY, the central emerald cabochon collet­set within engraved foliate shoulders, size N £300­500

501 A TURQUOISE AND GOLD RING, JAVA, 8TH­12TH CENTURY, the cabochon turquoise set between ridged shoulders, size L½

£200­300

502 A GEORGE III GARNET DEMI­PARURE, comprising: a collar necklace, composed of graduated flower­shaped links set with pear­shaped and circularcut garnets alternating with single oval­shaped garnets, in gold closed­back settings, central link with a hinged bail for suspension, length 41.3cm; a brooch/pendent of cruciform design, composed of four flower­shaped clusters around a central oval­shaped garnet, in gold closed­back settings, length 4.5cm; a brooch of flower­shaped design, set with alternating pear­shaped and oval­shaped garnets, in gold closed­back settings, width 2.7cm; and a smaller flower­shaped brooch, set with garnets around a seed pearl, in gold closed­back settings, width 1.7cm

£1,000­2,000

503 A FRENCH GARNET AND DIAMOND BROOCH, set with a circular­cut garnet to the centre, mounted with a collet­set rose­cut diamond, within a circular border of heart­shaped garnets spaced with collet­set rose­cut diamonds, in yellow gold, with French control marks, width 2.4cm £600­800

504 A GEORGE III HARLEQUIN PASTE BUTTERFLY BROOCH, the wings pavé­set with multicoloured paste and mounted en tremblant in silver and gold, width 5.2cm

£3,000­3,500

505 A GEORGE III CIRCULAR BROOCH, set with graduated rose­cut diamonds in silver and gold closed­back setting, later converted, width 3cm

£1,000­2,000

506 A PAIR OF GEORGE III DIAMOND DROP EARRINGS, EARLY 19TH CENTURY, the rose­cut diamond clusters suspending an articulated hoop set with further graduated rose­cut diamonds and a central drop, all set in silver and gold closed­back settings, later shepherd’s hook fittings, length 4.4cm

£3,500­5,500

507 A PAIR OF GOLD AND SEED PEARL DROP EARRINGS, SOUTHERN ITALY, EARLY­MID 19TH CENTURY, each composed of three sections, with a stylised ribbon­tie motif above a scrolling link suspending a wrythen drop, all in gold and decorated with seed pearls, later hook fittings, length 9cm, gross weight 17g, case

£700­900

Cf. Charlotte Gere and Judy Rudoe, Jewellery in the Age of Queen Victoria: A Mirror to the World, British Museum Press, 2010, p. 320, no. 276, for an image of similar jewels collected by the jeweller Castellani and displayed at the 1867 International Exhibition in Paris, now in the collection of the Victoria & Albert Museum, and Daniela Mascetti and Amanda Triossi, Earrings from Antiquity to the Present, London, 1990, p.64, for a similar pair of earrings dated to the late 18th century

508 A PAIR OF DIAMOND DROP EARRINGS, each composed of central foliate pendant set with rose­cut diamonds within a surround set with further graduated rose­cut diamonds, mounted in silver and gold closed­back settings, later shepherd’s hook fittings, length 4.4cm

£3,000­4,000

£3,800­4,000

509 A GOLD TORQUE COLLAR NECKLACE, of hinged design, formed as a stylised ropetwist motif, in yellow gold, stamped 750, inner circumference 38.5cm, 65g

510 A DIAMOND SET GOLD HINGED TORQUE BANGLE, of fluted design, each side terminating in bands of pavé­set round brilliant­cut diamonds, in yellow and white gold, Italian control marks, stamped 750, inner circumference approximately 16.5cm

£2,000­3,000

511 A PAIR OF DIAMOND­SET GOLD EARCLIPS, each of circular pierced design, set with graduated round brilliant­cut diamonds, clip fittings, width 2.5cm, gross weight 21g, one diamond missing

£2,000­3,000

512 A PAIR OF GEM­SET GOLD EARCLIPS, each of cluster design, set with emerald, sapphire and ruby cabochons and accented with round brilliant­cut diamonds, stamped 18K, clip fittings, width 2.5cm, gross weight 23g

£2,000­3,000

513 A PAIR OF AMETHYST EARCLIPS, MID 20TH CENTURY, each designed as two interlocking stylised flowerheads, set with triangular­shaped amethyst around central oval­shaped amethysts, mounted in yellow gold, stamped JPB and 750, clip fittings, length 2.5cm

£1,500­2,000

514 A PAIR OF CHRYSOPRASE AND GOLD EARCLIPS, each set with a circular chrysoprase cabochon within a broad reeded gold border quartered with crossover motifs, clip and post fittings, stamped FGS and 750, width 3.2cm, gross weight 25g

£800­1,200

515 GARRARD, A PAIR OF SAPPHIRE AND DIAMOND EARCLIPS, EARLY 20TH CENTURY, each designed as a tapering row of flowerheads set with circular­cut sapphires around central round brilliant­cut diamonds, decorated with foliage set with single­cut diamonds, mounted in gold and platinum, signed Garrard London, clip fittings, width 2.5cm, case stamped Garrard & Co. Ltd.

£600­800

516 A CHRYSOPRASE AND GOLD BRACELET, CIRCA 2012, composed of links set with chrysoprase sugarloafs alternating with pierced geometric links, in yellow gold, stamped 14K, maker’s mark A&S and London hallmarks for 2012, length 19.5cm, gross weight 23g

£600­800

517 A GOLD NECKLACE, composed of alternating two­tone fluted links, Italian control mark, stamped 750, length 41cm, 49g

£2,000­3,000

518 AN EMERALD AND DIAMOND CLUSTER RING, of flowerhead design, the sugarloaf emerald set within a stylised petal surround set with pairs of graduated circular­cut diamonds in yellow gold, size O

£1,000­2,000

519 AN AQUAMARINE SOLITAIRE RING, the step­cut aquamarine claw­set to a white gold shank, size P½

£800­1,200

520 AN AMETHYST DRESS RING, set with a cushion­shaped amethyst to a scrolled gold mount, size approx. M, gross weight 25g

£1,500­2,000

521 AN AQUAMARINE, SAPPHIRE AND DIAMOND DRESS RING, set with an emerald­cut aquamarine weighing approximately 27.00cts claw set in platinum, to a gold shank with scrolling shoulders accented with sapphires and diamonds, stamped 14k, size U½

£1,500­2,000

522 A DIAMOND AND ENAMEL BROOCH, set with a cluster of round brilliant­cut diamonds centring on a radiating openwork motif decorated with blue enamel, in yellow gold, Italian control mark, stamped 750, width 3.5cm, gross weight 13g

£500­700

523 CARTIER, A DIAMOND BROOCH, EARLY 20TH CENTURY, designed as a floral spray, the leaves pavé­set with old circular­cut diamonds, centred with a cluster of old circular­cut diamonds in platinum, signed Cartier London, length 4.5cm

£4,000­6,000

524 FABERGÉ, PARIS, A TOURMALINE AND ENAMEL RING, the central cabochon tourmaline within a millegrain­set round brilliant­cut diamond surround, between blue basse taille enamel shoulders, in a yellow gold mount, stamped FABERGÉ PARIS and 750, size M

£200­300

525 A SAPPHIRE AND DIAMOND RING, the central cabochon sapphire framed by pairs of baguette­shaped diamonds to the shoulders, mounted in platinum, French import mark, size K½

£800­1,200

A verbal report from GCS (no. 5785­2249) states that the sapphire shows no indication of heating, origin: Basaltic

526 GARRARD, AN ART DECO SAPPHIRE AND DIAMOND COCKTAIL WATCH, the rectangular dial with black Arabic numerals and blued hands, to a bezel pavé­set with round brilliant­cut diamonds, the integral strap channelset with carré­cut sapphires within borders pavé­set with round brilliant­cut diamonds in platinum, manual movement, case signed Garrard, case width 1.5cm, strap length 17cm

£3,000­5,000

527 A LADY’S DIAMOND COCKTAIL WATCH, the bracelet set with carré­ and baguette­shaped diamonds and accented with clusters of round brilliant­cut diamonds, centring on a watch case with a hinged cover of channelset baguette diamonds, to a diamond­set bezel and shoulders, in platinum, with a later added Cartier dial and movement, case width 1cm, bracelet length 6.4cm

£6,000­8,000

528 CHIMENTO, A GOLD AND DIAMOND PENDANT NECKLACE, the two chains of fancy linking suspending a heart­shaped pendant pavé­set with round brilliant­cut diamonds and with a double bail, in gold, pendant and clasp both signed Chimento with Italian control mark and stamped 750, pendant length 3.6cm, chain length 45cm, gross weight 109g

£7,000­9,000

529 A BLACK DIAMOND SOLITAIRE RING, the round brilliant cut diamond set to a wide shank in white gold, stamped 750, size R, gross weight 12g £400­600

530 A DIAMOND BOMBÉ RING, set with three graduated rows of rose­cut diamonds, between borders of round brilliant­cut diamonds, mounted in platinum, maker’s mark D with and arrow, stamped Pt950, size L £800­1,200

531 A SAPPHIRE AND DIAMOND PENDANT NECKLACE, composed of a collar of graduated baguette­shaped diamonds in channel settings suspending a collet­set mixed­cut sapphire weighing approximately 13.20cts, mounted in platinum, length 3.5cm

£5,000­7,000

532 FOPÉ, A PAIR OF 18CT GOLD EARRINGS, each with a polished surmount suspending a textured hoop, signed FOPE, London convention mark for 18ct gold, Italian control mark, stamped 750, clip and post fittings, length 2.2cm, 8g, case and box stamped FOPE £800­1,200

533 A DIAMOND AND 18CT GOLD CROSSOVER RING, CIRCA 2009, composed of two wide bands pavé­set with round brilliant­cut diamonds, mounted in 18ct rose gold, London hallmarks for 2009, size M½, gross weight 15g £1,400­1,600

534 CHOPARD, A PAIR OF ‘HAPPY DIAMOND’ STUD EARRINGS, the heart­shaped gold frames with glazed compartments each enclosing a floating round brilliant­cut diamond in a gold collet, signed Chopard and numbered 6065299 83/4854-20, European convention mark for 18ct gold, post fittings, width 8mm, gross weight 4g £400­600

535 BULGARI, A DIAMOND ‘PARENTESI’ RING, of openwork geometric design set with round brilliant­cut diamonds, mounted in white gold, signed Bulgari, Italian control mark, stamped 750, size J½, gross weight 7g £700­900

536 A SAPPHIRE AND DIAMOND CLUSTER RING, set with a sugarloaf cabochon sapphire within concentric borders of round brilliant­cut diamonds, to pierced scrolling shoulders set with circular cabochon sapphires and round brilliant­cut diamonds, mounted in platinum, French control mark and maker’s lozenge, size N £2,000­3,000

537 A PAIR OF GOLD AND DIAMOND EARRINGS, each of circular domed woven­link design, mounted within a polished border accented with four clusters of brilliant­cut diamonds, post and clip fittings, stamped 18K, 750, 2.5cm diameter, gross weight 24g

£1,800­2,000

538 AN AQUAMARINE SOLITAIRE RING, set with an emerald­cut aquamarine weighing approximately 12.72cts claw­set in platinum, stamped Plat, size M, sizing beads

539 No lot

£800­1,200

540 THEO FENNELL, A PAIR OF DIAMOND EARRINGS, of circular domed design, pavé­set with graduated round brilliant­cut diamonds in white gold, within diamond­set borders quartered with yellow gold lappets, signed Fennell, clip and post fittings, diameter 2.5cm

£2,000­3,000

541 DIANOOR, A PAIR OF FANCY YELLOW AND WHITE DIAMOND EARRINGS, designed as two interlocking hearts, each pavé­set with fancy yellow and colourless diamonds respectively, signed Dianoor, stamped 750 and D12.86, length 2.8cm, folding post and clip fittings

£2,000­3,000

542 AN EMERALD AND DIAMOND CLUSTER RING, the fancy lozenge­shaped emerald within raised concentric borders of round brilliant­cut diamonds, in platinum, size K½

£1,200­1,400

543 CHOPARD, A GOLD ‘HAPPY DIAMONDS’ CHARM BRACELET, the single row of fancy linking suspending five charms spelling ‘I LOVE YOU’, with love represented by a heart­shaped charm with a glazed compartment enclosing three floating round brilliant­cut diamonds in gold collets, signed Chopard, French control mark, length 20.7cm, gross weight 36g

£2,500­3,500

λ 544 A LATE VICTORIAN DIAMOND BROOCH/HAIRCOMB, of openwork scroll design, set with old circular­cut diamonds, mounted in silver and gold, length 6.5cm, case; together with a tortoiseshell and gold comb for conversion to aigrette, length 7.8cm, one corner chipped

£2,000­3,000

545 A VICTORIAN PEARL AND DIAMOND BROOCH PENDANT, of scallop design, set with old cushion­shaped and rose­cut diamonds and graduated pearls, mounted in silver and gold, pearls untested, detachable bail, length excluding bail 3.7cm

£1,000­1,500

546 AN ART NOUVEAU DIAMOND BROOCH PENDANT, of floral design, set with graduated old cushion­shaped diamonds in platinum, with a gold detachable brooch fitting, on a fine­link platinum neck chain, pendant length 4.6cm, chain length 50cm, French control marks to pin, case

£1,500­2,000

547 AN ART NOUVEAU DIAMOND PENDANT, of ribbon­tie design centred with a lily motif below an old circular­cut diamond in a millegrain setting, to a later fine link gold chain, length 42cm, gross weight 18g

£1,500­1,700

548 AN ART NOUVEAU GOLD BROOCH, of circular design, decorated with an allegorical depiction of Winter in bas relief below the title ‘Hiver’, French control mark and half struck maker’s lozenge, width 2.4cm, gross weight 12g

£1,000­2,000

549 A BELLE ÉPOQUE DIAMOND AND SEED PEARL BROOCH/PENDANT, FRANCE, CIRCA 1900, of openwork foliate scroll design in engraved gold, centring on a circular­cut diamond and accented with seed pearls, suspending a pearl pendant, French control mark, pearls untested, length 4cm, gross weight 5g, fitted case

£600­800

550 AN ART NOUVEAU EMERALD, DIAMOND AND ENAMEL PENDANT, designed as a peacock, the plumage detailed with textured yellow gold and emeralds and decorated with plique­à­jour enamel and rose­cut diamonds, above a further arc of plique­àjour enamel with emerald and diamond border in yellow gold, with Austrian import marks, fitting for conversion to brooch, width 6.9cm, gross weight 21g, chip to enamel and one emerald

£1,000­1,500

551 A PAIR OF BELLE ÉPOQUE OPAL, EMERALD AND DIAMOND BROOCHES / CLOAK CLASP, CIRCA 1900, each centred with an oval cabochon opal within a diamond and emerald ribbon­tie surround suspending emerald drops, mounted in silver and gold, the brooches linked by a detachable fine link gold chain set with alternating diamonds and emeralds, max. brooch length 3.7cm, chain length 8cm

£1,500­2,000

552 THEODOR FAHRNER, A JUGENDSTIL SEED PEARL AND ENAMEL BRACELET, composed of four rows of blue enamelled links alternating with seed pearls and spacer links, in yellow gold, maker’s monogram, stamped 750, length 17.5cm, gross weight 11g

£500­700

553 A DIAMOND AND RUBY SET BAG CLASP, in the form of a trio of songbirds perched on a foliate decorated branch, pavé­set with rose­cut diamonds and cabochon ruby eyes, in silver with gold decoration, length 5cm

£600­800

554 AN EARLY 20TH CENTURY ENAMEL, PEARL AND DIAMOND BROOCH PENDANT, in the form of a pansy, the shaded enamelled petals with pearl­set borders, centring on an old circular­cut diamond in yellow gold, folding pendant loop and lower suspension hook, width 2.5cm

£600­800

555 A LATE VICTORIAN OPAL AND DIAMOND PENDANT, centred with an oval cabochon opal within an openwork scrolling surround set with old circular­cut diamonds, suspending three graduated oval cabochon opal drops, mounted in silver and gold, removable diamond-set bail, length 5cm

£1,000­1,500

556 ALABASTER & WILSON, A VICTORIAN GEM­SET LIZARD BROOCH, set with a row of graduated demantoid garnets between borders of old circular­cut diamonds, with ruby eyes in silver and gold, detachable brooch fitting, length 5.2cm

£1,200­1,500

557 A DIAMOND FIVE STONE RING, set with five graduated old European­cut diamonds in a carved and pierced scrolling 18ct yellow gold setting, inscribed HAL and 25.12.65, stamped 18ct, partially worn, size L½

£400­600

558 AN EDWARDIAN RUBY AND DIAMOND RING, set with graduated old cushion­shaped diamonds between two rows of cushion­shaped rubies, set in an elaborate scrolling 18ct gold mount, British hallmarks, size O½

£300­400

559 A SAPPHIRE SOLITAIRE RING, the old cushion­cut sapphire weighing approximately 5.50cts, within diamond­set shoulders, in yellow gold, size R½

£800­1,200

560 A DIAMOND CLUSTER RING, of navette­shaped design pavé­set with old circular­cut diamonds, mounted in platinum and white gold, stamped Pt & 18ct, size N

£1,000­1,500

561 A DIAMOND FIVE­STONE RING, set with graduated old­cut diamonds, to a pierced scrolling mount in yellow gold accented with rose­cut diamonds, stamped 18, size J½ approx, sizing beads

£1,500­2,000

562 A FRENCH BROWN AND WHITE DIAMOND CLUSTER RING, centring on a round brilliant­cut brown diamond in an illusion setting, within a border of graduated old circular­cut diamonds, to bifurcated diamond­set shoulders in platinum and yellow gold, French control marks, size T

£1,500­2,000

563 A DIAMOND SOLITAIRE RING, set with a cushion­shaped diamond weighing approximately 1.04cts, mounted in platinum and gold, size J

£600­800

£800­1,200

564 A THREE ROW CULTURED PEARL NECKLACE, the matched cultured pearls on a diamond and cultured pearl clasp in yellow gold, 49cm longest

565 A DIAMOND BANGLE, of hinged design, the front set with a row of round brilliant­cut diamonds in white gold, inner circumference 16cm, gross weight 17.9g

£1,200­1,500

566 A DIAMOND CLUSTER RING, set with seven round brilliant­cut diamonds in platinum, stamped PLAT, total diamond weight 2.50cts, size O½

£2,000­3,000

567 A DIAMOND SOLITAIRE RING, claw­set with a round brilliant­cut diamond weighing approximately 0.90cts, in white gold, stamped 18ct, size O½

£1,200­2,200

568 A DIAMOND SOLITAIRE RING, the round brilliant­cut diamond weighing approximately 1.55cts, in platinum, Birmingham hallmarks, size M½

£1,800­2,000

569 A DIAMOND SOLITAIRE RING, set with a round brilliant­cut diamond weighing approximately 0.85cts, mounted in platinum, maker’s mark HM, Birmingham hallmarks, size J½

£400­600

570 A DIAMOND TWO­STONE RING, the two old circular­cut diamonds set between rose­cut diamond set shoulders, in platinum, stamped PLAT, size Q

£500­700

571 A SAPPHIRE AND DIAMOND RING, set with a collet­set emerald­cut sapphire to shoulders with baguetteshaped diamonds in a channel setting, mounted in white gold, stamped 750, size N, gross weight 11g £800­1,200

572 A SAPPHIRE AND DIAMOND CLUSTER RING, the central circular­cut sapphire within a border of round brilliant­cut diamonds, raised above diamond­set shoulders, mounted in white gold, size M £600­800

573 A DIAMOND CLUSTER RING, set with three round brilliant­cut diamonds within an openwork surround of smaller round brilliant­cut diamonds, mounted in white gold, stamped 18K, size Q £800­1,200

574 A DIAMOND ETERNITY RING, pavé­set with round brilliant­cut diamonds, in white gold, size H½

£500­700

575 A DIAMOND THREE STONE RING, set with an oval brilliant­cut diamond weighing approximately 0.70cts between two triangular­shaped diamonds, in 18ct white gold, Sheffield hallmarks for 2005, size J½ £600­800 Accompanied by Gem House International report number 02975448621 dated 27th June 2005 stating that the oval brilliant­cut diamond weighing approximately 0.70cts is F colour, SI2 clarity, with no fluorescence

576 A PAIR OF DIAMOND HOOP EARRINGS, each channel­set to the front with a line of princess­cut diamonds in white gold, length 2cm

£1,000­1,500

577 A DIAMOND LINE BRACELET, the round brilliant­cut diamonds millegrain­set in platinum, total approximate diamond weight 8.00cts, length 19cm

£5,000­7,000

578 A DIAMOND LINE BRACELET, set with a row of thirty­two round brilliant­cut diamonds, mounted in white gold, total approximate diamond weight 8.30cts, stamped 750, length 19cm

£4,000­5,000

579 A PAIR OF DIAMOND AND 18CT GOLD EARRINGS, of hoop design, pavé­set with round brilliant­cut diamonds, in 18ct white gold, total approximate diamond weight 2.00cts, London hallmarks, post fittings, diameter 1.8cm, gross weight 7g

£1,200­1,500

580 A DIAMOND RIVIÈRE NECKLACE, set with round brilliant­cut diamonds in white gold, stamped D1004 and K18, length 42.5cm

£3,000­5,000

581 A DIAMOND FOLIATE BROOCH, set with graduated clusters of round brilliant­cut diamonds in white gold, length 5cm

£1,000­2,000

582 AN ETRUSCAN REVIVIAL STYLE SEED­PEARL AND RUBY SET FRINGE NECKLACE, the rubies mounted in triangular panels within a rope twist and fringed border, interspaced with suspended seed­pearls set within a rope­twist border, and coiled gold wire links, moveable along the herringbone gold chain, in yellow gold, length 40cm

£2,500­3,500

583 A VICTORIAN GARNET­SET BRACELET, MID­19TH CENTURY, of foliate engraved anchor­links alternately set with textured circular links, with a garnet cabochon­set trefoil form clasp, in yellow gold, bracelet inner circumference 16.5cm, clasp length 3.5cm

£1,000­2,000

584 A EMERALD AND DIAMOND CLUSTER RING, set with a cabochon emerald, within a border of old minecut diamonds, mounted in rose gold, size N½

£800­1,200

585 AN OPAL AND DIAMOND RING, set with an oval cabochon opal between clusters of diamonds, in yellow gold, stamped 8499 to inside shank, size P £600­800

586 AN EARLY 20TH CENTURY RUBY AND DIAMOND RING, of lozenge design, set with three graduated old oval­shaped rubies within a surround of diamonds in 18ct yellow gold, Birmingham hallmarks, marks partially worn, size O £300­400

587 A VICTORIAN DIAMOND AND 18CT GOLD SNAKE RING, CIRCA 1883, designed as two interlocking snakes, their heads each set with a cushion­shaped diamond, London hallmarks for 1883, size T½, gross weight 5g £400­600

588 A SYNTHETIC RUBY FIVE­STONE RING, set with five graduated circular­cut synthetic rubies, to a pierced scrolling yellow gold mount accented with diamonds, size R £400­600

589 A VICTORIAN GARNET AND EMERALD BRACELET, CIRCA 1860, of ouroboros design, the clasp modelled as the snake’s head set with a cabochon garnet and emerald eyes, to a tapering snake­link strap, in yellow gold, clasp not functioning, length 16cm, 13g £600­800

590 A VICTORIAN BANDED AGATE AND DIAMOND CAMEO BANGLE, of hinged design, set with a banded agate ‘Blackamoor’ cameo within a border of rose­cut diamonds, mounted in silver and gold, inner circumference 17.5cm, gross weight 25g £1,500­2,000

591 A VICTORIAN BLOODSTONE AND 18CT GOLD SEAL RING, CIRCA 1861, set with a vacant shield­shaped bloodstone, to pierced and carved foliate scroll shoulders, Birmingham hallmarks for 1861, size L, gross weight 6g £400­600

592 A BANDED AGATE RING, the oval cabochon rubover­set in yellow gold, small hairline crack to reverse, stamped 585, size L½ £200­300

593 AN ART NOUVEAU GOLD BROOCH, of oval design decorated with a pierced crossover trefoil motif in yellow gold, French control mark, width 2.9cm, 12g £400­600

594 A 19TH CENTURY GOLD SCARABOID LOCKET PENDANT, depicting a stylised scarab to each side, hinged and opening to reveal glazed locket compartments to the interior, on a plain gold bail, length 3.5cm £800­1,200

595 A VICTORIAN DIAMOND­SET GOLD LOCKET, the oval­shaped locket decorated with the initial ‘M’ under a ribbon­tie infinity motif set with rose­cut diamonds, length 4.2cm, gross weight 16g £800­1,200

596 A CASTELLANI STYLE ARCHAEOLOGICAL­REVIVAL BROOCH, SECOND HALF 19TH CENTURY, depicting a Ram’s head emerging from millefiori to the centre, within an oval concentric rope twist border, suspended from a torque frame terminating in Ram’s heads, suspending three articulated amphora style drops, in yellow gold, width 5.2cm, cased

£2,500­3,500

£5,000­7,000

597 A VICTORIAN DIAMOND BROOCH, LATE 19TH CENTURY, of quatrefoil design, set with graduated old circular­cut diamonds in silver and gold, detachable brooch fitting, length 3.9cm

598 A LATE 19TH CENTURY RUBY, SAPPHIRE AND DIAMOND THREE­STONE RING, the central old circulardiamond between a circular­cut ruby and a circular­cut sapphire, to diamond­set shoulders of crossover design, in silver and gold, size K½, case

£1,000­1,500

599 A VICTORIAN DIAMOND THREE­STONE RING, set with a central old cushion­shaped diamond between two pear­shaped diamonds, within a pierced yellow gold setting and rose­cut diamond pointers, size O, two rose-cut diamonds lacking

£1,000­2,000

600 AN EDWARDIAN PEARL AND DIAMOND FOLIATE BROOCH, set alternately with graduated cushionshaped diamonds and pearls in foliate motif in platinum on gold wirework setting, suspending a cushion­shaped diamond, in platinum and gold, width 3.8cm, pearls untested, one pearl lacking

£1,000­2,000

601 A LATE 19TH CENTURY DIAMOND LOCKET RING, the old cushion­shaped diamond in a collet setting weighing approximately 2.60cts, opening to reveal a locket compartment, between shoulders each set with a cushion­shaped diamond, mounted in silver and gold, size Q½

£2,500­3,000

602 A VICTORIAN SAPPHIRE AND DIAMOND RING, set with a cushion­shaped sapphire within a surround of cushion­shaped diamonds quartered with foliate settings, set in silver and gold with later rhodium plating, size N½, case

£6,500­8,000

Accompanied by GCS report number 5784­1337 dated 14th February 2024 stating that the cushion­shaped sapphire measuring approx. 12.4 x 9.8 x 5.4mm and weighing approx. 6.10cts shows no indications of heating, origin: Sri Lanka (Ceylon)

603 A LATE VICTORIAN DIAMOND CLUSTER RING, centring on a cushion­shaped diamond weighing 1.80cts within a surround of cushion­shaped diamonds, to pierced diamond­set scrolling shoulders, mounted in yellow gold, stamped 18ct, size O

£5,000­6,000

604 A LATE VICTORIAN SAPPHIRE AND DIAMOND HINGED BANGLE BY HENRY GRIFFITH & SONS, CIRCA

1895, set with seven oval­cut sapphires within entwined borders of old European­cut diamonds, mounted in 18ct yellow gold, maker’s mark H G & S, hallmarks for Chester, 1895-6, inner circumference 16.5cm, case

£1,500­2,000

605 A LATE VICTORIAN DIAMOND BROOCH PENDANT, the six­pointed star set with graduated cushionshaped diamonds, the branches alternating with single collet­set cushion­shaped diamonds, mounted in silver and gold, detachable brooch fitting, width 5cm, case

£1,500­2,000

606 A VICTORIAN PERIDOT AND DIAMOND BROOCH PENDANT, of openwork scroll design set with old circular­cut and rose­cut diamonds, centred with an emerald­cut peridot and suspending a pear­shaped peridot drop, mounted in silver and gold, length 5cm

£3,500­4,500

607 A VICTORIAN DIAMOND BROOCH PENDANT, of openwork design, set with old cushion­shaped diamonds, mounted in silver and gold, bail detachable, later pin fitting, length 6cm

£1,500­2,000

608 A PAIR OF LATE 19TH CENTURY DIAMOND CLUSTER STUDS, LATER CONVERTED, set with graduated old cushion­shaped diamonds in silver and gold collets, length 1.4cm, post fittings, butterflies deficient

£1,000­2,000

609 A VICTORIAN DIAMOND BROOCH, of star design, set with cushion­shaped and rose­cut diamonds, in silver and gold, width 3.2cm, gross weight 7g

£800­1,200

610 A PAIR OF DIAMOND DROP EARRINGS, each designed as two articulated scrolling links set with old cushion­shaped diamonds, spaced by a diamond­set link, mounted in silver and gold, hook fittings, length 5cm

£5,000­7,000

611 A PAIR OF DIAMOND STUD EARRINGS, the old cushion­shaped diamonds each weighing approximately 0.70cts, mounted in silver and gold, post fittings, diameter 7mm

£1,200­1,500

612 A VICTORIAN RUBY AND DIAMOND CRESCENT BROOCH, set with a row of cushion­shaped rubies within a surround of single­cut diamonds, in silver and gold, length 7cm, gross weight 10g

£800­1,200

613 A LATE 19TH CENTURY SAPPHIRE AND DIAMOND BROOCH PENDANT, designed as a stylised briar rose, set with a central oval­shaped sapphire within pavé­set diamond petals in silver and gold, with a later diamondset pendant loop, detachable brooch fitting, width 3.4cm

£2,000­2,500

A verbal report from GCS (no. 5785­3635) states that the sapphire shows indications of heat treatment, origin: Madagascar

£2,000­3,000

614 TIFFANY & CO., A SINGLE ROW CULTURED PEARL NECKLACE, the well­matched graduated cultured pearls separated with emerald beads and diamond rondels in platinum, to a diamond­set rondel clasp, stamped T&Co and Pt950, length 54.5cm

615 A PAIR OF ART DECO DIAMOND EAR STUDS, CONVERTED, of waisted scroll design, with circular­cut and baguette­shaped diamonds millegrain­set in platinum, post fittings, length 1.8cm

£1,000­1,500

616 A DIAMOND SPRAY BROOCH, MID 20TH CENTURY, of foliate spray design, set with round brilliant­cut and baguette­shaped diamonds in platinum, length 8.5cm, case

£4,000­6,000

617 A DIAMOND SPRAY BROOCH, MID 20TH CENTURY, designed as a stylised cornucopia, set with circularcut and baguette­cut diamonds, mounted in platinum, length 5.5cm

£2,000­3,000

618 AN EDWARDIAN RUBY AND DIAMOND PLAQUE RING, pavé­set with old circular­cut diamonds within a border of calibré­cut diamonds millegrain­set in yellow gold, size Q

£600­800

619 RENÉ BOIVIN, A GEM­SET GOLD BROOCH, 1957, designed as a butterfly, set with turquoise cabochons and circular­cut rubies, the head with diamond­set eyes, French control marks and maker’s mark, width 3.3cm, gross weight 10g, case

Accompanied by a letter of authenticity dated 10th November 2017 from Françoise Cailles

£4,000­6,000

620 A RUBY, EMERALD AND DIAMOND JABOT PIN, in the ‘Tutti Frutti’ style, with later terminal, the cabochon ruby with a half­surround of emerald beads with diamond accents above a diamond and black onyx plaque in platinum and gold, the terminal pavé­set with diamonds and centred with a circular­cut ruby, mounted in gold, length 3.5cm

£400­600

621 BOUCHERON, A DIAMOND AND ENAMEL BROOCH, 1950s, designed as a flower, decorated with blue guilloché enamel petals in yellow gold, centred with white gold pistils each set with a round brilliant­cut diamond, all to a white gold stem set with baguette­shaped diamonds issuing leaves pavé­set with graduated round brilliantcut diamonds, signed Boucheron, French control marks, stamped 18 750, length 4.3cm, gross weight 16g, small chip to one petal, later box £3,000­4,000

622 A PAIR OF DIAMOND AND ENAMEL EARCLIPS, CIRCA 1958, each designed as a flowerhead, decorated with blue guilloché enamel petals in 18ct yellow gold centred with platinum pistils each set with a round brilliantcut diamond, London hallmarks for 1958, clip and screw fittings, width 2.3cm, gross weight 15g, one earring with enamel chipped to reverse

£2,800­3,500

λ 623 SEAMAN SCHEPPS, A CORAL AND GEM­SET DEMI­PARURE, comprising: a brooch, composed of a carved coral chinoiserie head, her hair ornamented with sapphire cabochons and framed with a row of channel­set calibrécut emeralds, her robe pavé­set with old circular­cut diamonds above an emerald cabochon, mounted in platinum and white gold, signed Schepps Seaman, length 6cm, one emerald missing; and a pair of en­suite earclips, each composed of a carved coral chinoiserie head with carved sapphire cabochons to her hair, wearing a diamond­set robe with a step­cut diamond and emerald, all beneath a scrolled frame of channel­set carré­cut emeralds, in platinum and white gold, signed Seaman Schepps, clip fittings, length 2.7cm; fitted case

£8,000­12,000

624 A PAIR OF DIAMOND ‘DAY & NIGHT’ EARRINGS, MID 20TH CENTURY, with pierced scrolling surmounts suspending detachable articulated tassel drops, set with round brilliant­cut and baguette­shaped diamonds, mounted in platinum, post fittings, length 5.5cm

£5,000­7,000

Φ λ 625 CHARLES DE TEMPLE, A CORAL AND GOLD NECKLACE, LATE 1970s, composed of a continuous row of coral beads measuring approximately 7.2 ­ 7.6mm detailed with textured yellow gold mounts, signed C DE T, stamped 18ct, length 105cm, gross weight 112g

£4,000­6,000

626 A PAIR OF TIGER’S EYE AND 18CT GOLD EARRINGS, CIRCA 1973, each with a gold leaf­capped hoop suspending a tiger’s eye hoop, French control marks and maker’s mark, London import marks for 1973, clip fittings, length 4.5cm, gross weight 16g £600­800

λ 627 KUTCHINSKY, A PAIR OF CORAL AND GOLD EARCLIPS, CIRCA 1970, each designed as two interlocking hoops of coral detailed with textured yellow gold mounts, signed Kutchinsky, British standard mark for 18ct gold, clip fittings, length 2.8cm, gross weight 25g

£1,500­2,000

628 MAPPIN & WEBB, A PAIR OF DIAMOND AND 18CT GOLD EARRINGS, of puffy heart­shaped design, one earring set with graduated round brilliant­cut diamonds, maker’s mark M&W, London import marks, clip and post fittings, width 1.8cm, gross weight 14g, case stamped Mappin & Webb

£800­1,200

629 A PAIR OF MALACHITE AND DIAMOND EARCLIPS, each designed as a stylised flowerhead, with two borders of malachite petals set in yellow gold centred with three white gold petals pavé­set with single­cut diamonds, stamped 750, clip fittings, width 2.5cm

£700­800

630 KUTCHINSKY, A DIAMOND AND ENAMEL BUCKLE RING, centring on a buckle set with graduated round brilliant­cut diamonds, to a broad yellow gold band decorated with green guilloché enamel, signed Kutchinsky and struck twice indistinctly, size F, gross weight 6.5g

£800­1,200

631 KUTCHINSKY, A DIAMOND AND 18CT GOLD BRACELET, CIRCA 1991, of asymmetric design, of circular linking suspending a heart­shaped pendant pavé­set with round brilliant­cut diamonds and another plain heartshaped pendant, the other half a cluster of four circular­link strands between a diamond­set terminal and a plain terminal, the two halves conjoined by a large heart­shaped link, maker’s mark for Kutchinsky, London import marks for 1991, Italian control marks, length 18cm, gross weight 54g

£4,000­6,000

632 KUTCHINSKY, A DIAMOND AND 18CT GOLD RING, CIRCA 1975, of wishbone design, formed as a stylised ropetwist motif with alternating sections set with round brilliant­cut diamonds, in white and yellow 18ct gold, maker’s mark for Kutchinsky, London hallmarks for 1975, size approx. I½, case stamped Kutchinsky £600­800

633 KUTCHINSKY, A YELLOW AND WHITE DIAMOND DEMI PARURE, CIRCA 1969, comprising a pendant of door knocker design pavé­set with round brilliant­cut diamonds suspending a fluted wreath alternately­set with colourless and white diamonds in platinum and gold, on a later ropetwist chain, pendant length 5.4cm, chain length 41cm, with maker’s plaque, with a matching pair of earrings, with maker’s plaque and London hallmarks for 18ct gold, length 3cm, clips fittings; and a matching ring, maker’s plaque and partially obscured hallmarks for 1969, size L

£5,000­7,000

634 ANDREI ADLER, AN EARLY 20TH CENTURY RUSSIAN GOLD AND ENAMEL DESK SEAL, CIRCA 19081912, of tapering cylindrical form decorated with guilloché enamel and gold mounts, terminating in a blank seal, with makers marks for AA Andrei Adler, stamped 72 and with a kokoshnik, length 7cm

£2,000­3,000 Andrei Adler (c.1855­1912) was a prominent St Petersburg jeweller who ran his own workshop 'Adler & Co.'. He was a workmaster for Fabergé as well as a purveyor to the Russian Imperial Court.

635 FRIEDRICH KOECHLI, A LATE 19TH CENTURY GEM­SET GOLD VINAIGRETTE PENDANT, CIRCA 1892, in the form of a snake, its head set with rose­cut diamond eyes and a cabochon pear­shaped sapphire, suspending a heart­shaped hinged vinaigrette from its mouth, the vinaigrette mounted with a collet­set cabochon sapphire, the snake’s body of scrolling form suspended from a loop bail, bail stamped with maker’s mark for Friedrich Koechli, *56 and date 1892, length 8cm

£3,000­5,000 Friedrich Koechli (1839­1909) was a Swiss­born goldsmith who was one of the most prominent jewellers to the Imperial Court of Russia. He was favoured by Tsar Alexander III and Tsar Nicholas II, and by 1903, his firm had four Ducal warrants. Koechli’s workshop was located at 17 Gorokhovaya Street, St Petersburg, and he had exhibited in St. Petersburg in 1870 and at the Exposition Universelle in Paris in 1900.

636 A VICTORIAN CITRINE RIVIÈRE, composed of graduated oval­shaped citrines in gold cut­down collets, length 42cm, later back chain

£1,000­1,500

637 A VICTORIAN GARNET PENDANT NECKLACE, composed of a double snake­link chain with five reef knot motifs, each suspending a circular gold pendant set with a circular­cut garnet within ropetwist borders, each with a vacant glazed locket compartment to the reverse, max. pendant length 2cm, chain length 40cm, gross weight 31g

£2,000­3,000

638 AN EARLY 20TH CENTURY RUBY AND DIAMOND BRACELET, composed of alternating pierced oval and crossover linking, the central oval link set with an oval ruby between two links each set with an old circular­cut diamond, in yellow gold, with Austrian import mark, length 17cm, gross weight 18g

£800­1,200

635
636
637
638

639 CARTIER, A GOLD CHARM BRACELET, comprising ten Cartier charms including a tri­colour gold trinity ring, numbered 668849, signed Cartier, stamped 750, with maker’s lozenge and French control marks, a Tank watch, numbered 681423, signed Cartier Paris, stamped 750, with maker’s lozenge and French control marks, a ladybird, set with circularcut rubies, numbered 695996, signed Cartier, stamped 750, with French control marks, an aeroplane, set with a step­cut ruby, numbered 692002, signed Cartier, stamped 750, with maker’s lozenge and French control marks, an envelope, with an enamelled interlocking C postage stamp to one side, numbered 719209, signed Cartier, stamped 750, with French control marks, a standing flamingo, set with a circular­cut ruby eye and a plume of round brilliant­cut diamond set feathers, numbered 719810, signed Cartier, stamped 750, with maker’s mark, French control marks and London import marks, an elephant, set with a cabochon emerald eye, numbered 679901, signed Cartier, stamped 750 with indistinct French control marks, a running panther, numbered 682974, signed Cartier, stamped 750, with French control marks, a love bangle, numbered 679001, signed Cartier, stamped 750, with French control marks, and an interlocking double C, numbered 683256, signed Cartier, stamped 750, with French control marks, to a curb link bracelet, numbered 660136, signed Cartier and stamped 750, length 18cm, gross weight 50g, cased

£7,000­9,000

640 BULGARI, A GOLD RING ‘B­ZERO­1’, the sprung band between borders engraved BVLGARI, in 18ct yellow gold, size J½, 9.4g £700­800

641 CARTIER, A WHITE GOLD ‘LOVE’ BRACELET, centring on two interlocking oval links detailed with screw motifs, to a fine­link white gold chain, signed Cartier and numbered IQ9260, Italian control mark, length 18.5cm, case £600­800

642 A FANCY DEEP ORANGY YELLOW AND WHITE DIAMOND CLUSTER RING, set with a round brilliantcut fancy deep orangy yellow diamond weighing 1.45cts, within concentric borders of round brilliant­cut and marquise­shaped white diamonds, mounted in 18ct white gold, London hallmarks for 2023, size M½, gross weight 8g

£3,500­4,500

Accompanied by GIA report number 2155538327 dated 7th August 2013 stating that the round brilliant­cut diamond measuring 7.27­7.44 x 4.42mm and weighing 1.45cts is natural and fancy deep orangy yellow colour with even distribution

643 VAN CLEEF & ARPELS, A GEM­SET ‘LUCKY ALHAMBRA’ BRACELET, the gold bracelet suspending four charms including a malachite leaf, a carnelian heart, a mother­of­pearl clover and a tiger’s eye butterfly, each within a beaded gold border, with a maker’s mark, stamped Au750, numbered JE325880, length 18cm, cased

£2,500­3,500

644 TIFFANY & CO., A YELLOW GOLD BRAIDED OVAL­LINK BRACELET, with large lobster clasp fastening, London hallmarks for 18ct gold, 2012, stamped T&CO AU750 Italy, length 21cm, 26grams

£1,500­2,000

645 TIFFANY & CO., A DIAMOND­SET 18CT GOLD AND PLATINUM ‘ETOILE’ BANGLE, of hinged design in 18ct yellow gold, one half decorated with round brilliant­cut diamonds in platinum collet settings, signed Tiffany & Co, maker’s mark and London import marks for 1998, stamped 750 PT950, inner circumference 18cm, gross weight 69g

£5,000­7,000

646 CARTIER, A DIAMOND­SET GOLD ‘LOVE’ BANGLE, set with six round brilliant­cut diamonds in yellow gold, signed Cartier, numbered J47895, dated 1998, European convention mark for 18ct gold, French control mark, stamped 750, size 17, inner circumference 16.5cm, with case and Cartier service invoice, screwdriver lacking

£4,000­6,000

647 TIFFANY & CO., A PAIR OF DIAMOND AND ONYX EARRINGS, 1989, of bombé design, decorated with graduated round brilliant­cut diamonds in gold collets, stamped 750, marked Tiffany & Co and with maker’s mark T&Co, London import marks for 1989, diameter 2.4cm, post and clip fittings

£2,000­3,000

648 CARTIER, A PAIR OF TRI­COLOUR GOLD AND DIAMOND HOOP EAR CLIPS, each with a coiled gold wire centring on a round brilliant­cut diamond set section, signed Cartier and numbered 774372, stamped 750, length 1.9cm

£1,000­1,500

649 BOUCHERON, A PAIR OF GOLD EAR CLIPS, of stylised geometric spray design, maker’s mark for André Vassort, signed Boucheron Paris, French control mark, numbered 36.058, length 3cm, 19g

£1,200­1,800

650 CARTIER, A PAIR OF DIAMOND­SET GOLD EARRINGS, of stylised flattened link design accented with diamonds in 18ct yellow gold, signed Cartier, stamped 750, French control marks and numbered 612985, post and clip fittings, length 3.2cm

£1,000­2,000

651 AN ART DECO DIAMOND RING, the central old circular­cut diamond flanked by two demi­lune­shaped diamonds all within a border of millegrainset graduated diamonds, the shank interior with inscription dated 1931, mounted in platinum, size M

£1,500­2,000

652 A LATE ART DECO THREE­STONE DIAMOND RING, set with three circular­cut diamonds within an elongated hexagonal emerald border, in a pierced and engraved foliate decorated mount, in white gold, stamped 18kt, size Q½

£1,000­1,500

653 AN ART DECO DIAMOND DRESS RING, of bombé design, centring on a cushion­shaped diamond within a quatrilobe surround of baguette­shaped and old­cut diamonds, raised above a high surround pavé­set with round brilliant­cut diamonds and accented with two baguette­shaped diamonds above the shoulders, mounted in platinum, re-shanked, size J½

£2,000­3,000

654 A PAIR OF DIAMOND EARRINGS, of stylised fan design set with graduated circular­cut diamonds millegrain­set in pierced platinum setting, post and clip fittings, length 4.5cm longest

3,500

655 A FRENCH ART DECO DIAMOND FULL CIRCLE ETERNITY RING, channel­set with step­cut diamonds in chased platinum setting, maker’s mark AS and French control marks, size P½ £400­600

656 DRAYSON, AN ART DECO SAPPHIRE AND DIAMOND RING, the central domed arrangement of baguette­shaped diamonds between alternating bands of carré­cut sapphires and circular­cut diamonds, mounted in platinum, signed Drayson, size M

2,000

657 AN ART DECO EMERALD AND DIAMOND CLUSTER RING, set with an emerald­cut emerald within concentric borders of circular­cut diamonds in millegrain settings, mounted in platinum, size S

1,200

658 A STAR SAPPHIRE AND DIAMOND CLUSTER RING, set with a cabochon star sapphire, within a border of round brilliant­cut diamonds in platinum, size L½

£3,000­5,000

Accompanied by GCS report number 5785­2681 dated 30th June 2025 stating that the cabochon sapphire weighing approximately 18.00cts is a natural star sapphire with no indications of heat treatment, origin: Sri Lanka (Ceylon)

659 A NATURAL PEARL AND DIAMOND BROOCH, MID 20TH CENTURY, designed as a stylised bow, set with natural cream pearls measuring approximately 3.7­5.0mm within borders set with diamonds, mounted in platinum with a gold pin, width 6.8cm

£8,000­12,000

Accompanied by GCS report number 5785­3088 dated 3rd July 2025 stating that the 42 cream button­shaped pearls with good to excellent lustre and measuring 3.7­5.0mm are natural saltwater

660 AN ART DECO DIAMOND DOUBLE CLIP BROOCH, of elaborate scroll design, centred with two old circular­cut diamonds and two bands of baguette­shaped diamonds, within pierced foliate motifs pavé­set with circular­cut diamonds and decorated with borders of claw­set diamonds, in platinum and silver, detaching to be worn as two separate clips, overall width 6.7cm

£3,000­5,000

661 AN ART DECO DIAMOND STRAP BRACELET, decorated with a delicate continuous pierced geometric design of circular­cut diamonds in millegrain settings, mounted in platinum, length 18.5cm, gross weight 36g

£6,000­8,000

662 A DIAMOND AND RUBY CLUSTER RING, centred with an old circular­cut diamond weighing approximately 1.00cts within a border of French­cut rubies to diamond­set shoulders, in white gold, stamped 750, size O

£3,000­4,000

663 A RUBY AND DIAMOND RING, set with a circular­cut ruby to the centre weighing 2.17cts, within a pavé­set surround of round brilliant­cut diamonds, in platinum, known weight of 2.17cts, size G

£3,000­5,000

Accompanied by GCS report number 5784­1589 dated 22nd February 2021 stating that the circular­cut natural ruby shows no indications of heat treatment, origin: Mogok, Myanmar (Burma)

664 AN ART DECO NATURAL PEARL AND DIAMOND BROOCH, 1920s, of geometric bar design, centring on a line of collet­set circular­cut diamonds, accented with black lacquer and bordered with smaller circular­cut diamonds, each end set with a natural pearl, mounted in white gold, length 7.3cm

£3,000­5,000

Accompanied by GCS report number 80243­78 dated 22nd November 2019 stating that the pearls measuring approximately 5.9­6.0 x 5.4mm and 6.05.6 x 5.0mm respectively are natural saltwater

665 LACLOCHE FRÈRES, AN ART DECO SAPPHIRE AND DIAMOND BROOCH, set with a rectangular step­cut sapphire within a round brilliant­cut diamond set pierced openwork frame, in platinum, signed Lacloche Freres, with French control marks and numbered 6*173, length 5.2cm £2,000­3,000

666 A SAPPHIRE AND DIAMOND CLUSTER RING, set with an emerald­cut sapphire within a border set with old mine­cut diamonds, with diamond­set shoulders, size I½

£2,000­3,000

Accompanied by GCS report number 5785­2682 dated 30th June 2025 stating that the sapphire measuring approx. 10.1 x 8.7 x 5.8mm and weighing approx. 4.50cts is natural and shows no indications of heat treatment, origin: Sri Lanka (Ceylon)

667 AN ART DECO DIAMOND CLUSTER RING, of quatrefoil design set with graduated old circular­cut diamonds in pierced platinum mount, later shank, size Q

£1,200­1,500

668 AN ART DECO SAPPHIRE AND DIAMOND RING, set with an oval­shaped sapphire within a square border of old circular­cut diamonds in millegrain platinum surround, size J½

£1,500­2,000

669 A THREE­STONE SAPPHIRE AND DIAMOND RING, set with three cushion­shaped sapphires within a rectangular surround set with old circularcut diamonds, in white gold, size M½

£1,500­1,700

670 AN ART DECO SAPPHIRE AND DIAMOND RING, set with an oval­shaped sapphire within a geometric surround of scrolled design set with baguetteshaped diamonds, mounted in platinum, French import mark, size I

£2,000­3,000

671 A DIAMOND BROOCH, of openwork design, the rectangular frame enclosing a landscape scene with a stylised tree before a distant townscape, set with circular­cut, baguette­shaped and marquise­shaped diamonds in platinum, numbered 55464 indistinctly, width 4cm

£2,500­3,000

£5,000­7,000

672 A DIAMOND CLUSTER RING, set with a round brilliant­cut diamond to the centre weighing approximately 2.25cts, within a graduated scrolling border of tapering baguette­cut diamonds, size L

673 A SAPPHIRE AND DIAMOND DRESS RING, set with a cushion­shaped sapphire within concentric borders of old cushion­cut diamonds to a polished high surround, mounted in silver, French control mark, size J

£2,000­3,000

A verbal report (no. 5785­3369) from GCS states that the sapphire shows no indication of heating, origin: Myanmar (Burma)

674 AN EARLY 20TH CENTURY EMERALD AND DIAMOND THREE­STONE RING, set with a cushion­shaped emerald between two cushion­shaped diamonds, to pierced scrolling shoulders, mounted in platinum and gold, stamped 18ct, size P

£2,000­3,000

675 A GEM­SET GIARDINETTO BROOCH, 1960’S, set with a diamond of yellow tint weighing approximately 4.70cts to the vase motif with onyx­set handles and white diamonds to the foot, issuing a stylised floral spray set with circular­cut sapphires, emeralds, rubies and amethysts and round brilliant­cut yellow and brown diamonds amidst white diamond­set foliage, mounted in gold and platinum, width 4cm

£20,000­25,000

676 AN EMERALD FIVE­STONE RING, 1987, set with a row of graduated emerald­cut emeralds in a carved scrolling 18ct yellow gold setting, London hallmarks for 1987, size R

£1,500­2,000

677 A DIAMOND SOLITAIRE RING, the round brilliant­cut diamond weighing approximately 2.10cts, flanked by tapering baguette­cut diamond set shoulders, size Q½

£3,000­5,000

678 A DIAMOND CLUSTER RING, the central round brilliant­cut diamond weighing approximately 2.30cts, within a scrolling border of baguette­shaped diamonds and marquise­shaped diamonds, size M½

£5,000­7,000

679 A SAPPHIRE AND DIAMOND THREE STONE RING, the central oval­shaped sapphire weighing approximately 2.50cts, flanked by two old European­cut diamonds, collet­set in a pierced and foliate decorated engraved platinum mount, inscribed S.M & J.K 1926, stamped PLAT, numbered 61168, the diamonds weighing approximately 1.70cts each, size P

£12,000­15,000

Accompanied by GCS report number 80251­10 dated 20th January 2020 stating that the oval­cut sapphire is a natural sapphire with no indications of heat treatment, origin: Basaltic

680 A FRENCH SAPPHIRE AND DIAMOND CLUSTER RING, the cushion­shaped sapphire weighing 3.92cts, set within a surround of round brilliant­cut diamonds in platinum and gold, French maker's lozenge and French control marks, with inner re-sizing band, size K½ approx

£6,000­8,000

A verbal report from GCS (5786­3371) states that the sapphire shows no indication of heating, origin: Myanmar (Burma)

681 AN EDWARDIAN DIAMOND AND SEED PEARL PENDANT, designed as an openwork lozenge with pierced geometric decoration set with old circular­cut diamonds and accented with seed pearls to the centre, mounted in platinum and gold, length 7cm, gross weight 10g

£1,500­1,700

682 A DIAMOND STRAP BRACELET, centring on a millegrain­set diamond panel on expanding gold bracelet, stamped 18ct, length 17cm, box

£1,000­1,500

683 A DIAMOND STRAP BRACELET, set with graduated old­circular­cut and single­cut diamonds millegrain­set in geometric pierced panels and joined with rectangular links in platinum, French import marks, total approximate diamond weight 11.00cts, length 17.8cm

£6,000­8,000

684 A DIAMOND STRAP BRACELET, composed of alternating articulated links of pierced geometric design, with old circular­cut diamonds in milligrain settings, mounted in platinum, length 18.2cm

£6,000­8,000

685 AN ART DECO DIAMOND CLUSTER RING, set with graduated old circular­cut diamonds in platinum, size J £600­800

686 A SAPPHIRE AND DIAMOND CLUSTER RING, EARLY 20TH CENTURY, set with an oval­shaped sapphire within two concentric borders of single­cut diamonds, mounted in platinum and gold, size N, case £600­800

687 A DIAMOND ETERNITY RING, composed of a continuous row of princess­cut diamonds, channel set in platinum, London hallmarks for 2015, size N £300­400

688 No lot

689 AN ART DECO DIAMOND BROOCH, of pierced geometric design set with old circular­cut diamonds in millegrain settings, centred with a larger diamond between two smaller diamonds in collet settings, mounted in platinum, width 4.7cm

£1,000­2,000

690 TIFFANY & CO., A SAPPHIRE ETERNITY RING WITH A DIAMOND ETERNITY RING, comprising: Tiffany & Co., an eternity ring set with carré­cut sapphires channel set in platinum, signed Tiffany & Co., stamped Iridic Plat, size J½; and another eternity ring set with baguette­shaped diamonds channel set in platinum, French control marks, size I

£1,000­2,000

691 AN ODEONESQUE RUBY AND DIAMOND DRESS RING, CIRCA 1930, set with an oval­shaped ruby with a flat back weighing approximately 3.39cts within odeonesque style surround pavé­set with diamonds in platinum, size N

£12,000­15,000

Accompanied by report number 57852857 from GCS dated 23rd June 2025 stating that the ruby weighing 3.39cts shows no indication of heating, origin: Burma

692 A SINGLE ROW NATURAL PEARL NECKLACE, the 68 pearls graduate from 3.4 to 6.7mm, with a late 19th century diamond­set clasp in silver and gold, length 42cm

£5,000­7,000

Accompanied by GCS report number 5785­3578 dated 19th August 2025 stating that the pearls are natural saltwater

693 A SINGLE ROW NATURAL PEARL NECKLACE, composed of a single strand of pearls, the pearls graduate from approximately 3.9 to 6.7mm on a plain gold clasp, stamped 18K, length 51.5cm

£4,000­6,000

Accompanied by GCS report number 5785­0351 dated 6th November 2024 stating that the 84 cream to dark cream pearls are natural saltwater

694 A PEARL AND DIAMOND NECKLACE, composed of two rows of graduated pearls measuring 4.7­7.6mm, to a white gold clasp set with cushion­shaped diamonds, one pearl cultured, length 35cm

£3,000­5,000

Accompanied by Gem & Pearl Laboratory report number 25945 dated 16th May 2025 stating that 112 pearls measuring 4.7­7.6mm are natural saltwater, except from one beaded cultured pearl (first from tongue end in the row of 57 pearls)

695 A NATURAL PEARL NECKLACE, composed of a single graduated row of natural saltwater pearls measuring approximately 2.4 ­ 6.3mm, to a pearl­set gold clasp, length 53.5cm, gross weight 12g, strand detached and one pearl loose

£600­800

A verbal report from GCS (no. 5785­3101) states that the pearls are natural saltwater

696 A THREE ROW NATURAL PEARL NECKLACE, the pearls graduating from approximately 3.2 ­ 6.44mm on an emerald and diamond cluster clasp in platinum and gold, 62cm longest

£4,000­6,000

A verbal report from GCS (no. 5785­2585) states that the pearls are natural saltwater with the exception of one cultured pearl (marked)

697 AN EARLY 20TH CENTURY PEARL AND DIAMOND BROOCH, of stylised floral design, centring on a pearl within a border of cushion­shaped diamonds, to an openwork surround set with rose­cut and old circular­cut diamonds and accented with pearls, mounted in platinum, pearls untested, width 4.3cm

A verbal report from GCS (no. 5785­3988) states the central pearl is natural saltwater

£3,500­4,500

698 A PAIR OF PEARL AND DIAMOND DROP EARRINGS, each drop­shaped pearl suspended from articulated diamond surmounts, millegrain­set beneath an old circular­cut diamond in white gold, screw fittings with safety hooks, length 4.8cm

A verbal report for GCS (no. 5785­3634) states that the pearls are natural saltwater

£20,000­30,000

699 A NATURAL PEARL AND DIAMOND THREE STONE RING, set with a central pearl between two old cushion­shaped diamonds, mounted in platinum and gold, size O½

A verbal report from GCS (no. 5785­3575) states that the pearl is natural saltwater

£2,000­2,500

700 A DIAMOND AND NATURAL PEARL RING, the diamond weighing approximately 1.35cts, and the pearl 7.6mm in diameter, to a platinum shank with diamond­set shoulders, stamped Pt, size M½

A verbal report from GCS (no. 5785­2182) states that the pearl is natural saltwater

£2,000­3,000

701 A NATURAL PEARL AND DIAMOND RING, the button­shaped pearl measures approximately 8.70mm, with diamond­set shoulders in platinum, size N

A verbal report from GCS (no. 5785­3332) states that the pearl is natural saltwater

£800­1,200

702 AN AQUAMARINE AND DIAMOND­SET BUTTERFLY NECKLACE, each link designed as graduated stylised butterflies set with aquamarines and diamonds millegrain­set in white gold, separated with circular­cut diamonds, stamped 750, length 41.5cm

£9,000­12,000

703 AN EDWARDIAN DIAMOND AND ENAMEL FOB WATCH, the silvered dial with black Arabic numerals, blued steel hands and subsidiary seconds dial at 6 o’clock, the reverse decorated with lavender grey guilloche enamel centred with a diamond­set motif and surrounded by a pierced lacy border millegrain­set with rose­cut diamonds, the watch suspended from two guilloche enamel plaques and a diamond­set brooch of ribbon­tie design, manual winding, numbered 19789, watch width 3.2cm, overall length 6.8cm, case

£1,000­1,500

704 A SAPPHIRE AND DIAMOND PENDANT NECKLACE, set with a pear­shaped sapphire within a diamond border, suspended from a collet­set round brilliant­cut diamond set frame and diamond­set bow, in white gold and platinum, to a fine link platinum chain, chain stamped 950, PLAT, pendant length 4cm, chain length 38cm

£2,000­2,500

Accompanied by GCS report number 81297­25 dated 5th March 2021 stating that the pear­shaped sapphire weighing approx. 1.50cts is natural with no indications of heat treatment, origin: Myanmar (Burma)

705 A PAIR OF DIAMOND DROP EARRINGS, EARLY 20TH CENTURY, each suspending a pear­shaped diamond drop below a row of single­cut diamonds to a surmount set with a smaller pear­shaped diamond, all milligrain set in white gold, post fittings, length 3.7cm

£8,000­12,000

706 A FINE EDWARDIAN AMETHYST AND DIAMOND PENDANT, EARLY 20TH CENTURY, set with an oviform polished amethyst measuring approximately 3.3 x 2.2 x 2.2cm, to a pierced platinum mount and bail set with rose and cushion­cut diamonds in platinum, length 4.5cm

£4,000­5,000

707 A BELLE ÉPOQUE AMETHYST AND DIAMOND PENDANT NECKLACE, CIRCA 1900, the pendant centred with a pear­shaped cabochon amethyst measuring approximately 17.3 x 9.8 x 7.9mm within a pierced surround set with graduated old circular­cut and single cut diamonds in millegrain settings, suspended from a diamond­set pierced ribbon­tie motif, to a fine link back chain, in platinum, clasp with French control mark, pendant length 4.5cm, chain length 46cm

£4,000­5,000

708 A PAIR OF DIAMOND DROP EARRINGS, the diamond­set bows suspend an articulated line of graduated old­cut diamonds terminating in a diamond loop suspending a larger old circular­cut diamond from foliate links within, set in platinum and gold, post fitting, length 5.5cm

£3,000­4,000

709 A DIAMOND CROSSOVER RING, set with two old circular­cut diamonds within scrolling diamond shoulders, in yellow gold and platinum, the two central stones each weighing approximately 1.40cts and 1.60cts, size L

£4,000­6,000

710 AN EMERALD AND DIAMOND CLUSTER RING, the oval­shaped emerald millegrain­set within scroll surround set with diamonds, with further diamond shoulders in platinum and gold, size K½

£3,000­4,000

A verbal report from GCS (no. 5785­3574) states that the emerald shows a moderate amount of oil in fissures, origin: Colombia

711 A PAIR OF EDWARDIAN SAPPHIRE AND DIAMOND DROP EARRINGS, each set with an oval­shaped sapphire within a diamond­set border, suspended below two principal old circular­cut diamonds separated by a row of graduated old circular­cut diamonds in millegrain settings, mounted in platinum, total approximate diamond weight of four principal diamonds: 2.60cts, hook fittings, length 4.5cm

£5,000­7,000

A verbal report from GCS (no. 5785­3573) states that the sapphires show no indications of heat treatment, origin: Sri Lanka (Ceylon)

£7,000­10,000

712 A PAIR OF DIAMOND DROP EARRINGS, each designed as three graduated scrolling links set with old cushion­shaped and rose­cut diamonds, mounted in silver and gold, hook fittings, length 5.3cm, diamond missing to one earring

713 A DIAMOND RIVIÈRE NECKLACE, composed of a row of graduated old circular­cut diamonds in silver and gold cut­down collets, total approximate diamond weight 11.50cts, folding pendant loop, length 37cm

£10,000­15,000

712
713

714 A DIAMOND SOLITAIRE RING, set with an asscher­cut diamond weighing 2.01cts, between shoulders each set with a tapering baguette­shaped diamond, mounted in platinum, size M, case

£7,000­9,000

Accompanied by HRD report number 05009714008 dated 2nd May 2005 stating that the diamond weighing 2.01cts is natural, D colour, VS2 clarity

715 A BELLE ÉPOQUE DIAMOND AND PEARL PENDANT NECKLACE, of negligée design, centred with an old circular­cut diamond, weighing approximately 1.60cts, millegrain­set between diamond­set ribbon­tie motifs, suspending two rows of knife­edge linking accented with single­cut diamonds, each suspending a millegrain­set cushion­shaped diamond, the diamond on the left weighing approximately 3.00cts and the diamond on the right weighing approximately 2.80cts, all in platinum, to a fine link platinum back chain set with pearls, pearls untested, pendant length 6cm, chain length 51cm

£20,000­30,000

716 AN ART DECO PEARL AND DIAMOND CONVERTIBLE DEMI PARURE, comprising: a bracelet, set with four graduated natural and cultured pearls flanking a central old circular­cut diamond weighing approximately 1.90cts, all within surrounds of millegrain­set rose­cut diamonds, alternating with diamond­set pierced links of waisted square form, in platinum, length 17.5cm; another bracelet of similar design, set with graduated old circularcut diamonds within diamond surrounds, the central diamond weighing approximately 1.90cts, alternating with diamond­set waisted square links, in platinum, length 17.5cm; and a back chain, formed of pierced circular and waisted square links, each centred with a millegrain­set old circular­cut diamond, in platinum, length 14cm, either bracelet can be attached to the back chain to be worn as a choker necklace, total length 31.5cm, or separately as a pair of bracelets

£30,000­40,000

Accompanied by Gem & Pearl Laboratory report number 24602 dated 14th May 2024 stating that the button pearl weighing 2.68cts and measuring 5.4 x 7.9mm is natural freshwater, the button pearl weighing 2.61cts and measuring 5.3 x 7.8mm is cultured freshwater, the round pearl weighing 4.76cts and measuring 8.5­8.8mm is beaded cultured, and the round pearl weighing 4.85cts and measuring 8.7­8.8mm is beaded cultured

717 VAN CLEEF & ARPELS, A NATURAL PEARL AND DIAMOND BRACELET, CIRCA 1950, the three rows of natural pearls graduating from approximately 5.65 ­ 7.32mm, centring on a diamond­set clasp, designed as alternately­set scrolls of baguette­shaped and circular­cut diamonds of undulating design, signed Van Cleef & Arpels and numbered 7.637 - CS, with maker’s lozenge for Charles Profilet, length 19.5cm

£60,000­80,000

A verbal report from GCS (no. 5785­3682) states that the pearls are natural saltwater Already desirable for the quality of its natural pearls, the present lot is particularly interesting for the striking design of its large scrolling clasp. Van Cleef & Arpels first introduced this new style of jewellery with the release of the ‘Flamme’ brooch in 1934. This design, which has now achieved iconic status in Van Cleef & Arpels’ oeuvre, pioneered the shift away from the angular and more abstract geometric forms of the earlier Art Deco period. Its scrolling design, similar to a flame, from which the French name ‘Flamme’, introduced the taste from more organic forms and gentler curvilinear shapes that heralded the taste for the softer style of mid­century jewellery. With the 1937 Exposition Internationale des Arts et Techniques dans la Vie Modern, this new taste for curves and arabesques was firmly established, and the tone was set for the following two decades. Skilled craftmanship was at the heart of this new style, with the large design houses sourcing their pieces from the exceptional workshops active in Paris at the time, including that of Charles Profilete. Into the 1950s, the popularity of scrolling features in jewellery continued, often featured alongside natural pearls. Van Cleef & Arpels famously combined these elements in Princess Grace of Monaco’s marriage set, dated 1955­1956, which included a three­strand pearl necklace detailed with two bold scrolling links. The present lot is firmly set within this tradition, and speaks of all the quality and exceptional design that characterises Van Cleef & Arpels jewellery.

Cf. Évelyne Possémé (ed.), ‘Van Cleef & Arpels: The Art of High Jewellery’ (Les Arts Décoratifs, 2012), pp.284­285, for an illustration of the Van Cleef & Arpels pearl and diamond set now in The Princess Grace of Monaco Collection, Palais Princier, Monaco.

714
715
716 (2)
717

718 A PAIR OF SAPPHIRE AND DIAMOND EARCLIPS, CIRCA 1940, of stylised crescent design, each centred with three graduated baguette­shaped diamonds within a surround pavé­set with old circular­cut diamonds, within a splayed border set with sapphires alternating with two old circular­cut diamonds tapering to a border of graduated baguette­shaped diamonds in platinum, gold clip fittings, width 2.5cm £15,000­20,000

719 AN EDWARDIAN SAPPHIRE AND DIAMOND BROOCH, centred with a cushion­shaped sapphire weighing approximately 5.00cts, within an openwork surround set with circular and French­cut diamonds, mounted in platinum, length 6.2cm, case

£3,000­5,000

Accompanied by GCS report number 5785­3063 dated 4th July 2025 stating that the cushion­shaped sapphire measuring approx. 11.7 x 8.6 x 6.7mm shows no indications of heat treatment, origin: Myanmar (Burma)

720 A FRENCH, LATE ART DECO AQUAMARINE AND DIAMOND BRACELET, of geometric design, the four tapering panels centred with three French­cut aquamarines within stepped borders of baguette­shaped diamonds, separated with single French­cut aquamarines, in platinum, French control mark, length 17.5cm £25,000­35,000

721 AN EARLY 20TH CENTURY AMETHYST AND DIAMOND PENDANT, set with a hexagonal cabochon amethyst measuring approximately 3.7 x 2.9 x 1.1cm, within a surround of single­cut diamonds in millegrain settings, suspending a diamond­set scrollwork link and a claw­set oval cabochon amethyst measuring 2.3 x 2 x 0.9cm, mounted in platinum, length 9.4cm

£5,000­7,000

722 AN EARLY 20TH CENTURY EMERALD, DIAMOND AND SEED PEARL BROOCH PENDANT, set with a seed pearl and diamond plaque suspending articulated lines of seed pearls and a diamond­set fleur­de­lys plaque which suspends two old­cut diamond pendants and a central emerald cabochon, the emerald weighing approximately 26.00cts, the two principal diamonds weighing approximately 1.40cts in total, length 8cm, case

£8,000­12,000

A verbal report from GCS (no. 5785­3679) states that the emerald shows significant amounts of oil in fissures at the time of testing, origin: Colombia

723 GEORGES LEDERMAN, A PAIR OF ART DECO RUBY AND DIAMOND EARCLIPS, 1920s, designed in the ‘Tutti Frutti’ style, each of scroll design set with three carved rubies to a pierced surround of old circular­cut diamonds and baguette­shaped diamond accents in platinum, French control mark and maker’s mark, screw fittings, width 2.2cm

£12,000­15,000

724 AN ART DECO DIAMOND BRACELET, of geometric design, set with old circular­, baguette­ and marquiseshaped diamonds to a tapering bracelet, in platinum, length 18cm, Asprey case

£10,000­20,000

725 AN EARLY 20TH CENTURY DIAMOND BROOCH, of bow design, with millegrain­set graduated old circularcut diamonds and bands of filigree decoration, mounted in platinum to a gold pin, width 6cm

£1,500­2,000

726 MARCUS & CO., AN ART DECO DIAMOND BROOCH, set with an old circular­cut diamond weighing approximately 1.00ct to the centre, within diamond­set pierced openwork frame, in platinum, with a pin in white gold, signed Marcus, length 4.4cm

£3,000­5,000

721
722
723
724
725
726

727 lifesize

728 lifesize

727 TIFFANY & CO., A SAPPHIRE AND DIAMOND STICK PIN, CIRCA 1910, set with a sugarloaf sapphire weighing 2.423cts, above an old circular­cut diamond milligrain­set in platinum, signed Tiffany & Co, length 7.5cm

£20,000­30,000

Accompanied by SSEF report number 131053 stating that the blue sapphire of medium strong saturation shows no indications of heating, origin: Kashmir

Accompanied by GIA report number 2151939422 dated 4th March 2014 stating that the sapphire is natural and shows no indications of heat treatment, origin: Kashmir

Accompanied by AGL report number CS65723 dated 3rd February 2015 staing that the sapphire is natural and shows no indications of heat treatment, origin: Kashmir

728 A SAPPHIRE SOLITAIRE RING, the cushion­shaped sapphire weighing 3.26cts, in plain rubover setting in brushed platinum, size S £100,000­120,000

Accompanied by GCS report number 5785­3331 dated 15th August 2025 stating that the cushion­shaped sapphire shows no indications of heating, origin: Kashmir

727
728

729 CARTIER, AN ART DECO JADEITE, SAPPHIRE, DIAMOND AND ENAMEL VANITY CASE, PARIS, CIRCA

1925, of rectangular form, decorated with white enamel and a border of geometric chinoiserie motifs in black and blue basse-taille enamel, the hinged cover set with a carved green jadeite foliate plaque decorated with mounts set with sugarloaf cabochon sapphires and rose­cut diamonds, with a sapphire­ and diamond­set thumbpiece, opening to reveal a covered compartment inscribed ‘34 East 36th Street, New York’ and ‘12 Grosvenor Sq., W.1’, a hinged lipstick holder and a mirror to the cover, lipstick holder bearing the monogram ‘C.A.M.’ in yellow gold, signed Cartier, Paris Londres New York, French ‘tête de lièvre’ mark, interior later adapted, width 8.8cm, gross weight 173g £15,000­20,000

Provenance: Purchased Sotheby’s, Magnificent Jewels, 5th December 2012, lot 63 for $25,000

One of the best loved of all Art Deco features is the use of chinoiserie motifs, and no more so that in Cartier’s creations from this period. The present lot displays all the skill and quality that sets apart the maison’s adoption of Chinese forms and materials in the 1920s, as it searched across Egypt, India and the Far East for inspiration to create a new modern style. The vanity case offered here, with its striking carved jadeite plaque centring the hinged cover, clearly speaks of the Art Deco fascination for opulent materials, innovative forms and a subtle nod to cosmopolitan luxury that made the allusion to China particularly popular at the time. However, there is an additional surprisingly subtle reference to Chinese forms in this piece: its white enamel decoration. Clearly of Art Deco taste in its simple, clean design at variance with earlier, more intricate decorative finishes, it is specifically of Chinese inspiration. In creating this new design of enamel decoration, Cartier looked to traditional Chinese silks, which often featured striated panels as part of their composition. The maison developed two types of enamel decoration from this source: pékin, typified by bold, wide striations, and the finer mille raies, from the French ‘thousand rays’. It is this more delicate variant that can be seen on the present lot, subtly lending this case its Art Deco feel and nuancing the Chinese theme to its composition.

Cf. Olivier Bachet and Alain Cartier, ‘Cartier: Exceptional Objects’ (Palais Royal, 2019), p.138, for another example of a Cartier vanity case of a similar date decorated with mille raies enamel.

£4,000­6,000

730 A PAIR OF ART DECO JADEITE AND ONYX EARRINGS, each with a jadeite drop to a geometric diamond­set mount, suspended from a fine rectangular link set with a row of onyx between borders of rose­cut diamonds in millegrain settings, to a circular onyx cabochon surmount, mounted in platinum and gold posts, post fittings, length 6.3cm

731 SERVAN, A FRENCH ART DECO ONYX AND DIAMOND STRAP BRACELET, CIRCA 1925, composed of pierced linking with diamond­set borders enclosing a row of old circular­cut diamonds and carré­cut onyx in millegrain settings forming a trompe­l’oeil ribbon­tie motif, mounted in platinum, signed Servan-Bordeaux, French control mark, length 18.2cm

£6,000­8,000

732 AN ART DECO DIAMOND JARRETIERE BRACELET, 1920s, composed of rectangular panels pavé­set with circular­cut diamonds with undulating edges, alternately­set with panels set with trapeziod­shaped diamonds, the clasp of buckle design set with baguette­shaped diamonds in platinum, numbered 20008, length 18cm

£15,000­20,000

733 LOUIS MARUZZI, AN ART DECO DIAMOND AND ONYX BRACELET, CIRCA 1925, composed of pierced links pavé­set with old circular­cut and single­cut diamonds with baguette­shaped onyx in milligrain settings, forming a trompe­l’oeil woven pattern, in platinum, French control marks and maker’s mark, length 17.5cm £20,000­25,000

The geometric elegance and precision setting of the present diamond bracelet are characteristic of Louis Maruzzi (active 1911–1944), an Italian­born jeweller established at 10 rue de la Vrillière, Paris. Maruzzi’s workshop operated at the heart of the city’s high jewellery district and became a trusted manufacturing partner to leading maisons, most notably Van Cleef & Arpels. In the 1920s and 1930s, as the maison expanded its repertoire of platinum and diamond creations, it relied on a network of master ateliers to execute designs with absolute fidelity to its aesthetic ideals.

Maruzzi was particularly admired for his mastery of articulated platinum mounts—engineered for both structural integrity and suppleness—and for his finely graduated pavé setting that maximised scintillation without sacrificing line purity. The articulated open­link pattern of this bracelet, with its rhythm of diamond­set panels alternating with precisely engineered connectors, reflects the Art Deco fascination with architectural form and mechanical precision. Its restrained luxury, where geometry frames brilliance, mirrors the Van Cleef & Arpels ethos of the era: jewels that were both modern in spirit and impeccable in execution. Pieces of this caliber not only embody the stylistic codes of interwar Paris, but also offer a tangible link to the discreet but vital workshops whose artisanship underpinned the renown of the great maisons.

734 AN EARLY 20TH CENTURY RUBY AND DIAMOND CLUSTER RING, set with a cushion­shaped ruby weighing approximately 3.80cts within two concentric borders of rose­cut diamonds in platinum, French import mark, size J £10,000­15,000

Accompanied by GCS report number 5785­3366 dated 27th August 2025 stating that the ruby weighing approx. 3.80cts is natural and shows no indications of heating, origin: Mogok, Myanmar (Burma)

A PRIVATE COLLECTION

PROPERTY OF A GENTLEMAN

(LOTS 735-749)

735 A LATE 18TH CENTURY COLLECTION OF GARNET JEWELLERY, comprising: a bracelet, composed of a row of garnet clusters of alternating floral and target design, centring on a larger flowerhead cluster, in closed­back silver gilt settings, length 19cm; a brooch, converted from an aigrette, designed as a ribbon­tied plume of feathers, in gold­closed back settings, width 7.5cm; a brooch, converted from an aigrette, designed as a ribbon­tied wheatsheaf detailed with a flower and dragonfly, in silver gilt closed­back settings, width 8cm; a brooch of ribbontie design, in silver gilt closed­back settings, width 7.5cm; a small floral brooch, the garnets in closed­back silver settings, width 4cm, various garnets missing; a small crescent brooch, in closed­back silver gilt settings, possibly converted from a larger piece, width 2.2cm, pin missing; a pendant of ribbon­tie design, in closed­back silver gilt settings, hooks to reverse for suspension, width 4cm; a pair of floral pendant earrings, in closed­back silver settings, later gold hook fittings, length 3.5cm; and a necklace, composed of three garnet clusters, in closed­back gold settings, to a two­strand fine link gold back chain and a garnet cluster clasp, length approx. 35cm, central cluster detached and necklace in two halves, all converted from buttons

£1,000­2,000

λ 736 A 19TH CENTURY REVOLVING PORTRAIT MINIATURE RING, centring on a glazed revolving compartment containing two oval ivory miniatures of prelates, within a border of rose­cut diamonds, to a tapering pierced scrolling gold band, size M

£400­600

737 AN EARLY 19TH CENTURY GREEN PASTE RIVÈRE NECKLACE, composed of alternating circular­cut and cushion­shaped green pastes, suspending a cruciform brooch/pendant set with green paste, in gilt metal openback collet settings, pendant length 3.6cm, chain length 31.5cm, fitted case, necklace broken and incomplete, two links detached with one paste missing, pendant with one paste detached; together with futher green paste, variously mounted as earrings, pendants and links

£400­600

A PRIVATE COLLECTION

PROPERTY OF A GENTLEMAN

(LOTS 735-749)

738 A 19TH CENTURY BLOODSTONE, RUBY AND DIAMOND CHATELAINE, composed of a belt hook centred with a bloodstone medallion with a diamond­set cipher, within a pierced scrolling frame set with rubies and diamonds, suspending a key­wind fob watch with a bloodstone back decorated with a diamond­set floral spray, between two elaborate drops suspending a watch key and an initialled fob seal, in yellow gold, total length 11cm, gross weight 54g, tongue detached

£1,500­2,000

739 A VICTORIAN RUBY, DIAMOND AND ENAMEL BANGLE, CIRCA 1860, designed as a coiled snake, its head set with a pear­shaped ruby and cushion­shaped and rose­cut diamond, the articulated links decorated throughout with blue basse­taille enamel and diamond­set borders, in yellow gold, inner circumference approx. 17.5cm, gross weight 75g, enamel damaged

£4,000­6,000

740 A 19TH CENTURY PORTRAIT MINIATURE AND GOLD DEMI­PARURE, comprising: a choker necklace, each link set with an enamel portrait miniature of a lady in 18th century dress, one accented with rose­cut colourless paste, all within elaborate repoussé gold surrounds, length 32.5cm, gross weight 63g, one miniature chipped; a large clasp, set with four enamel miniatures of ladies set with rose­cut paste, in a similar gold surround, width 6.5cm, gross weight 27g; a brooch, set with an enamel miniature of a lady and her dog, within a gold surround, length 4.5cm, gross weight 13g; a smaller brooch, set with an enamel miniature of a lady, in a gold surround, length 3cm, gross weight 4g; a pair of pendant earrings, each set with two enamel miniatures of ladies, in gold surrounds, drops detachable, length 6.8cm, gross weight 18g; and four links, each set with a miniature of a lady, in gold surrounds, overall length 13.3cm, gross weight 37g

£4,000­6,000

741 A PAIR OF VICTORIAN ENAMEL AND GOLD EARRINGS AND A STICKPIN, comprising: a pair of drop earrings, each composed of two graduated spheres decorated with chased scrolling against a blue enamel ground, in yellow gold, hook fittings, length 4cm, gross weight 15g, enamel chipped; and an enamel and gold stickpin en­suite, length 8cm, gross weight 6g, enamel chipped

£400­600

742 A LATE 19TH CENTURY RUBY, DIAMOND AND SAPPHIRE RING, set with a cushion­shaped ruby, diamond and sapphire in rubover settings, mounted in yellow gold, size N

£1,000­1,500

738
739
740 (multiple items)
741
742

A PRIVATE COLLECTION

PROPERTY

OF A GENTLEMAN

(LOTS 735-749)

743 A LATE 19TH CENTURY DIAMOND BROOCH, designed as a stylised floral sprig, set with graduated cushion­shaped and old circular­cut diamonds, mounted in silver and gold, length 8.7cm

£2,000­3,000

744 A LATE 19TH CENTURY DIAMOND BROOCH, designed as a floral sprig, the flowerhead, buds and leaves set with graduated old circular­cut and cushion­shaped diamonds, mounted in silver and gold, width 8.3cm

£2,000­3,000

745 AN EARLY 20TH CENTURY DIAMOND BANDEAU, designed as an articulated tapering band decorated with an openwork trellis pattern set with graduated cushion­shaped diamonds, within a collet­set border of cushionshaped diamonds, in platinum, length 23.5cm, lacking frame

£6,000­8,000

746 A 19TH CENTURY RUBY AND DIAMOND FIVE­STONE RING, set with five graduated cushion­shaped rubies within a surround of rose­cut diamonds, mounted in silver and gold open and closed­back settings, size P

£400­600

747 AN EARLY 19TH CENTURY DIAMOND PENDANT, of cruciform design, set with a central row of graduated cushion­shaped diamonds in silver collets, within a closed­back border of smaller cushion­shaped diamonds, mounted in silver and gold, later hook for suspension, length 6.7cm

£4,000­6,000

A PRIVATE COLLECTION PROPERTY OF A GENTLEMAN

(LOTS 735-749)

£5,000­7,000

748 AN IMPRESSIVE LATE 19TH CENTURY DIAMOND BROOCH, designed as a sprig of wild roses, the naturalistic flowerhead, buds and leaves set with graduated cushion­shaped and rose­cut diamonds, mounted in silver and gold, length 11.7cm

749 A LATE 19TH CENTURY DIAMOND RIVIÈRE NECKLACE, the 40 graduated old cushion­shaped diamonds set in silver and gold cut­down collets, the nine principal diamonds all detach independently to reduce or extend the necklace, each engraved with a number to the collet so that they can be positioned in the necklace correctly, total approximate diamond weight 45.00 - 50.00cts, length 28cm

END OF COLLECTION

£40,000­60,000

750 AN IMPRESSIVE RUBY AND DIAMOND BROOCH, MID 20TH CENTURY, centring on a hemi­sphere of graduated circular­cut diamonds and rubies within elaborate surround designed as ruched fabric alternately­set with calibré­cut rubies and circular­cut diamonds pavé­set to the upper folds, in platinum, length 6cm £15,000­20,000

751 AN EMERALD AND DIAMOND THREE STONE RING, the emerald­cut emerald weighing 7.44cts, flanked with demi­lune­shaped diamonds and further diamonds to the shank in gold, size M £20,000­25,000

Accompanied by AGL report number 1121739 dated 19th May 2022 stating that the emerald weighing 7.44cts is natural with minor clarity enhancement, origin: Colombia. The certificate refers to ‘modern’ clarity enhancement which includes polymer­type resins, used singly or in combination with other types of fillers

752 AN EMERALD AND DIAMOND RING, set with a square step­cut emerald to the centre weighing approximately 4.40cts, flanked by two old European­cut diamonds, in 18ct yellow gold, makers mark CLD, with London hallmarks for 1973, size L½, case £10,000­15,000

Accompanied by report number 5785­3754 from GCS stating that the emerald shows moderate amounts of oil in the fissures, origin: Colombia

753 A PAIR OF EMERALD AND DIAMOND EARRINGS, each set with a cushion­shaped emerald within a surround of round brilliant­cut diamonds, suspending a yellow princess­cut diamond and a pendant centred with a pear­shaped emerald within a border of graduated round brilliant­cut diamonds, mounted in yellow gold, stamped 750, total approximate emerald weight 38.00cts, clip and post fittings, length 6cm

£15,000­20,000

Accompanied by GCS report number 5785­2678 dated 11th June 2025 stating that the four emeralds, measuring approx. 12.3 x 11.5 x 6.1mm, 12.3 x 11.6 x 4.7mm, 31.0 x 20.4 x 6.6mm and 30.0 x 20.3 x 6.6mm, of which two weighing approx. 4.30cts and two approx. 22.30cts, are natural with a significant amount of resin in fissures, origin: Colombia

754 ANDRÉ FOUASSIER, A DIAMOND DRESS RING, CIRCA 1950, of bombé design, set with graduated round brilliant­cut diamonds above borders of old cushion­cut and round brilliant­cut diamonds, in platinum, French control mark and maker’s mark, one diamond missing, size H

£8,000­12,000

753
754

755 VAN CLEEF & ARPELS, A FINE NATURAL PEARL AND DIAMOND RING, centring on a white pearl weighing 11.63cts, flanked with clusters of oval, marquise and circular­cut diamonds to the shoulders in platinum, French control mark, Van Cleef and Arpels maker’s lozenge, stamped V.C.A, PT950 and numbered 19835, size L £30,000­40,000

Accompanied by GCS report number 5785­3977 dated 11th September 2025 stating that the white pearl measures 12.71 x 12.83 x 10.49 and is natural saltwater

Exceptional materials have always been paramount to Van Cleef & Arpels. The ethos behind their focus on quality and individual character when selecting gemstones for their jewellery is best summarised by Claude Arpels’ statement: ‘Chaque pierre a une âme qui lui est propre’ (‘Each stone has a soul of its own’). Pearls are a case in point, prized for their natural luster and elegance, as well as their intrinsic rarity due to the low yield and difficulty of their sourcing, they have appeared in notable Van Cleef & Arpels jewels across the decades. The ‘Pampille Earrings’ of 1924, featuring a black and a white pearl below Art Deco diamond drops, are an early example of this gemstone being afforded a prominent compositional function. At Woolley & Wallis, we have had the honour to recently offer another exceptional pair of Van Cleef & Arpels natural pearl and diamond earrings, dating from the 1950s and bearing a significant heritage all of their own (Fine Jewellery, 16th April 2025, Lot 493, sold for £75,600 inc. Buyer’s Premium). The present ring is in the same tradition, featuring an array of fine quality diamonds around a large natural pearl weighing an impressive 11.63cts with wonderful colour and lustre.

756 A FRENCH ART DECO DIAMOND TIARA / NECKLACE, of graduating geometric design, set with circular­cut and baguette­cut diamonds weighing approximately 25.00cts, mounted in platinum, detaching from the base metal frame to form a necklace, inner curve of tiara frame 42cm, tiara height to the centre 3.4cm, necklace length 35.5cm, stamped with a maker’s lozenge, French control marks for platinum

£30,000­50,000

A strong geometric design and the prolific use of diamonds and platinum give the present lot its unmistakably Art Deco quality. Although all the big French houses produced recognisably Art Deco jewellery, Mauboussin epitomised this combination of features from 1929, when it introduced its 'Joaillerie blanche', or 'white jewellery'. This systematically featured the pairing of diamonds and platinum, often turning the compositional relationship between the two on its head. One of their innovations was the prominence afforded for the first time to the use of platinum, as the mounts came to the fore, becoming more than mere supports to the diamonds. This daring approach to jewellery design was typical of Mauboussin, which set itself apart for its experimental use of materials and compositions at this date. A particularly audacious design in this vein was the 'Marteau' brooch of 1935. It took the motif of geometric diamond­set borders centred with larger individual diamonds, similar to those seen in the present lot, a step further, by entrusting the thrust of the composition to bold angular structures, often in carved rock crystal, framing the gem­set elements. Its striking trapeziodal design became arguably the quintessential Mauboussin design of the 1930s, echoed in the geometric motifs seen anchoring the design of the present lot. Another favourite feature of Mauboussin at this time, as with other French design houses, was the challenge to design transformable jewellery. Stimulated in part by the constrictions of the Great Depression, it became particularly popular from the mid­1930s, exhibited to great acclaim at the Paris Exposition Universelle of 1937 and later the New York World's Show of 1939, which closed this decade of jewellery design on the eve of the Second World War. The tiara / necklace conversion is a particularly happy combination and one that was well­known before the emergence of the transformable jewellery of the 1930s.

757 AN IMPRESSIVE DIAMOND FRINGE NECKLACE, composed of a row of pear­shaped diamond drops, the central three drops weighing approximately 2.70cts, 2.10cts and 1.60cts, all suspended from a collar of graduated round brilliant­cut diamonds, mounted in platinum, total approximate diamond weight 70.00cts, maker’s mark, stamped Pt950, numbered No576, length 39.5cm £50,000­70,000

AUCTION INFORMATION

OPENING HOURS

City Centre Salerooms

Monday to Friday 9am – 5pm

Old Sarum Galleries

Monday to Friday 9am – 5pm

VIEWING

All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US

All first time buyers need to register with us. To register, you will need to provide two forms of identification:

1. a passport or photographic driving licence

2. a utility bill or document showing your name and address

You can register in person or by contacting client services on 01722 424500 or emailing id@woolleys.live

You will be asked to show your documents or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION

See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM

To bid at auction you will need a paddle number. This can be obtained from client services either during the view or on the day of the sale.

COMMISSION BIDDING

If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING

It is usually possible to bid on the telephone by prior arrangement with client services

LIVE ONLINE BIDDING

Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM

The Buyer shall pay the hammer price together with a premium thereon of 27% plus VAT @20% (totalling 32.4% inclusive) on the first £20,000 and 26% plus VAT @20% (31.2% inclusive) thereafter.

CONDITION REPORTS

The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS

These will be posted on our website shortly after the sale.

PACKING AND SHIPPING

Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping +44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd +44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes +44 (0)1962 622133 info@mbewinchester.co.uk www.mbe.co.uk/winchester

ZIXIS Fine Art Limited +44 (0)7873 981026 zixisfineart@163.com www.zixisfineart.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK

If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

PAYMENT AND CLEARANCE

Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made:

Bacs, debit and credit cards

Wire transfers should be sent to:

Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707

Sort code 30­97­41

IBAN no. GB20LOYD30974100957707

BIC code LOYDGB21063

Debit and Credit cards: Visa, Mastercard, Amex or Union Pay.

Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS

VAT

Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS

Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvlaen/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Lots marked with a Φ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below £1,000 and the maximum royalty payable on any single lot is £12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Royalties for Droit de Suite are as follows:

4% Up to £50,000

3% £50,000.01 ­ 200,000

1% £200,000.01 ­ 350,000

0.5% £350,000.01 ­ 500,000

0.25% In excess of £500,000

Up to a maximum levy of £12,500

FIREARMS

Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but will not be allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

VALUATIONS

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS

Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Woolley & Wallis valuations are accepted by all leading insurance companies.

PROBATE VALUATIONS

We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Jeremy Lamond +44 (0)1722 424502 | valuations@woolleys.live

FREE AUCTION VALUATIONS

Free verbal valuations of items for sale are available by appointment. Please email valuations@woolleys.live or call +44 (0)1722 424500

SPECIALIST DEPARTMENTS

Please dial +44 (0)1722 followed by the number listed below

JEWELLERY

Marielle Whiting FGA 424595

Jonathan Edwards FGAA (Consultant) 424504

Jacob Carpenter 424586

Hannah Farthing MRICS 424586

Freya Miller 424586

Beth Reardon 424586

20TH CENTURY DESIGN

Max Fisher 424505

Zoe Smith 446955

AFRICAN & OCEANIC ART ANTIQUITIES

Will Hobbs 339752

ASIAN ART

John Axford MRICS 424506

Alexandra Aguilar 424583

Freya Yuan­Richards 424589

Jeremy Morgan +44 (0)7812 601098

Olivia Jones 424591

BRITISH AND CONTINENTAL CERAMICS & GLASS

John Axford MRICS 424506

Neil Grenyer MRICS 446974

CHINESE PAINTINGS & CALLIGRAPHY

Freya Yuan­Richards 424589

FURNITURE, WORKS OF ART & CLOCKS

Mark Yuan­Richards 411854

Neil Grenyer MRICS 446974

Jim Gale 339161

Sarah Stone 339161

Victoria Elwell 339161

JAPANESE ART

Alexandra Aguilar 424583

Olivia Jones 424591

MEDALS & COINS, ARMS & ARMOUR

Ned Cowell 341469

PAINTINGS

Victor Fauvelle 446961

Ed Beer 446962

Richard Kay 446964

Heidi Easton 446970

SILVER

Rupert Slingsby 446956

Archie Swann 446959

Becky Tilly­Trickett 446957

VALUATIONS FOR INSURANCE & PROBATE

Jeremy Lamond MRICS FRSA 424502

Frances Woodhams

Hannah Farthing MRICS

CLIENT SERVICES

Ruth Pike (Client Services Manager) 424500

Julie Langstaff

Gemma Pointer

Riin Rohtla­Szeverenyi

Demi Jueno­Chapman

PHOTOGRAPHY

Fahmeeda Yasmin

Oscar Ecclestone

Annabelle Hunt

MARKETING

Cameron Malpass +44 (0)7552 545872

PRESS

Sandie Maylor

BOARD OF DIRECTORS

John Axford MRICS Chairman

Natalie Milsted FCCA Managing Director

Alexandra Aguilar Director

Ed Beer Director

ASSOCIATE DIRECTORS

Ned Cowell

Victor Fauvelle

Will Hobbs

Jeremy Lamond MRICS FRSA

Rupert Slingsby

Marielle Whiting FGA

Freya Yuan­Richards

Mark Yuan­Richards

+44 (0)7976 311172

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