VisitEngland

Rugby School Rugby

Gloucester Cathedral Gloucester

Quayside Newcastle

ENGLAND FOR RUGBY WORLD CUP 2015 BROADCASTERS

The Houses of Parliament London

Carousel on Brighton Beach Brighton

Created by Jamm Design Ltd 85-87 Bayham Street, Camden, London NW1 0AG | info@jammdesign.co.uk | www.jammdesign.co.uk

INTRODUCTION VisitEngland is the national tourist board responsible for marketing England to the world. With eleven venues across England and Wales set to host the Rugby World Cup 2015, this international sporting event will no doubt be intrinsic to securing England’s place as one of the most dynamic and beautiful destinations in the world, marking a truly exciting time for English tourism.

This practical guide provides plenty of information and inspiration for your filming of England, but if you need any further information please don’t hesitate to get in touch.

This guide, England for Rugby World Cup 2015 Broadcasters, has been designed to showcase the best locations on offer for filming. The depth and diversity of this destination is demonstrated in its cities, countryside and coastline, which truly reflect what is quintessentially English.

VisitEngland Press Office Sanctuary Buildings, 20 Great Smith Street, London, SW1P 3BT T: +44 (0) 20 7578 1400 E: press@visitengland.org

There are 352 pages of fantastic locations for filming, and each chapter has been simplified with an interactive index that will direct you to the corresponding content.

With each location the following has been provided: • • • • • • • • •

Description Address and contact details with hyperlinks for web and email Photography Best time of day to film Permit requirements Filming fees Public liability insurance Stand up position if available Maps – If you click on the image for each location, this will direct you to a Google map page for that location • Useful contacts and links to film offices around England

For further information, please contact:

FILMING IN ENGLAND Historic yet contemporary, traditional yet cutting edge, metropolitan yet wild: England has it all.

With ancient Hadrian’s Wall straddling the wild north, and the world’s biggest indoor tropical rainforest located in the far south, England really is the ultimate mix of old and new. Within a relatively short distance are windswept beaches and dramatic coastal cliffs, rolling hills and wild national parks, buzzing cities, historic market towns and traditional villages.

Iconic England England is home to some of the most iconic sites in the world, including Stonehenge, the honey-hued Georgian terraces of Bath, the grandeur of London’s Big Ben and the towering peaks and glistening lakes of the Lake District. From the enormous biomes of the Eden Project in Cornwall to Gormley’s majestic Angel of the North in Newcastle, the country is covered from top to bottom with worldfamous sites to captivate filmmakers and viewers alike.

Royal England From the House of Tudor and the absolute power of Henry VIII to the more visitor– friendly House of Windsor of today, England’s royal legacy is inextricably woven into the nation’s fabric. Explore the world-famous maze at Hampton Court Palace, stroll the gardens at Sandringham and marvel at the magnificent state apartments furnished with treasures in Windsor Castle.

Historic England The historic sites of England are as visually captivating as they are fascinating.

The elegant treasure-laden state rooms in Chatsworth House and Blenheim Palace are hard to beat, while the fortified Dover Castle is one of the country’s greatest castles. Discover the country’s maritime history in Southampton, Portsmouth and Liverpool; learn of its bloody battles in Ludlow, Hadrian’s Wall and Hastings; or explore its literary heritage in Shakespeare’s Stratford-uponAvon, Dickens’ Rochester, Beatrix Potter’s Lake District and Enid Blyton’s Dorset.

Natural England With ten varied and expansive national parks, as well as forests, mountain ranges, coasts and cliffs, England’s natural assets are some of its finest. This green and pleasant land is not without drama either – just look at Dover’s welcoming White Cliffs, the plunging Cheddar Gorge or the craggy topography of the Lake District.

For further information, please contact: VisitEngland Press Office Sanctuary Buildings, 20 Great Smith Street, London, SW1P 3BT T: +44 (0)20 7578 1400 E: press@visitengland.org

ENGLAND FOR BROADCAST MEDIA VisitEngland can help broadcast media in the following ways: 1.

Broadcast Quality HD Footage

There is high-definition / b-roll footage available of many parts of England, including footage of Rugby World Cup 2015 host cities. Whatever you are looking for – city, coast, countryside, heritage or culture – footage is available at www.visitenglandimages.com for media to download free of charge.

4.

5.

2.

Short Films

A number of short films have been produced by VisitEngland which cover a variety of Rugby World Cup 2015 host cities around the country and the history of rugby in England. There are also films on other popular tourist destinations available at www.visitenglandimages.com which media can download free of charge.

3.

Production Co-ordination

VisitEngland can help broadcasters with filming permits, guides, translators, transport and a whole range of other location services. Assistance for part of a shoot or a comprehensive booking service for a whole shoot can be provided and priority is given to official broadcast rights holders and accredited media.

Spokespeople & Characters

If you are looking for specific links that may relate to your audience, the team can also put you in touch with people who have a connection to a particular country.

News & Destination Guides

The latest news and destination guides are published on the online media centre www.visitengland.org/media – a one-stop shop for destination information, as well as corporate details and statistics.

For further information, please contact: VisitEngland Press Office Sanctuary Buildings, 20 Great Smith Street, London, SW1P 3BT T: +44 (0)20 7578 1400 E: press@visitengland.org

Location & Production Support in the English Regions Creative England works to support and promote the creative industries in England. England offers some of the very best locations, crew, facilities and studios in the world – Creative England offers a free service to help your production find and access them, and can liaise with local authorities on your behalf to ensure your shoot goes smoothly.

Creative England’s experienced Locations and Production Support team, based across the country, provides a joined-up service covering all the English regions outside London. Working with specialist regional knowledge and a network of industry, Film Office, and local authority contacts, the team can fast–track you to a wealth of locations, crew, studios and facility companies wherever you are looking to film in England.

For help finding and accessing locations across the country, contact production@creativeengland.co.uk or ring 0844 824 6042 and ask for the Locations and Production Services Department.

For help with crewing and facilities please contact the Crew and Facilities Manager Nicky Ball at Nicky.Ball@creativeengland.co.uk or on 07887 813 441 To discuss working with Creative England please contact Kaye Elliot, Head of Locations and Production Services, at Kaye.Elliot@creativeengland.co.uk

The National Trust’s Film Unit handles virtually all enquiries regarding filming and commercial photography from its office in Central London.

Contact Contact the National Trust Film Unit to discuss your requirements.

You can reach them on: filmoffice@nationaltrust.org.uk Finding a suitable location If you need help in finding a suitable location, National Trust Film Unit can advise. You may also find it useful to look at the National Trust Images first and browse the images for suitable places using the search facility. Go to: www.nationaltrustimages.org.uk Reccy Depending on the scale and complexity of your project, you may need to arrange a recce to one or more locations, and the National Trust Film Unit strongly advise you to factor that in to your pre-shoot schedule. They can arrange the recce for you, putting you in touch with key National Trust personnel on site. There is no charge for a recce.

Insurance You will need to provide the National Trust Film Unit with a copy of your current Public Liability Insurance certificate, with cover of at least £5million in place. If you do not have Public Liability Insurance, you will not be permitted to film or take photographs for commercial purposes at any National Trust properties. Student filmmakers should ask their course tutors for copies of their college’s Public Liability Insurance.

Fees The National Trust is a conservation charity and realistic location fees are charged for filming and commercial photography at their sites. The fees that you pay go in their entirety to the place where you filmed or took photographs, helping to conserve it for the future.

They will agree a fee with you based on what you want to do, the scale of the project and the level of disruption involved. Please note that if a member of National Trust staff needs to accompany your crew, there is an extra charge of £30 per staff member, per hour. In some instances, such as filming in fragile interiors, a conservation expert needs to be in attendance, in which case there is an additional charge of £500 per day. All total fees are subject to VAT.

Contracts The National Trust’s Film Unit issues all contracts for filming and commercial photography, and you cannot proceed without a completed and countersigned contract.

To draft a contract they need the following from you: • A copy of your valid Public Liability Insurance certificate.

• The name of the producer or director of the crew, the full name of the company, and the billing address to which they will issue the invoice.

• Full details on the project including the names of clients.

• Agreed dates and locations for your filming or photography, including start and finish times.

• Equipment details, including cameras, lighting, tracking, vehicles etc.

• An agreed fee, including any extra staffing costs (see above).

The National Trust Film Unit will issue you with a contract to cover your time and activities at the location. This will need to be signed and returned to them by scanning it and emailing it to filmoffice@nationaltrust.org.uk. After the contract has been counter signed a copy returned to you, it would then be sent on to the relevant National Trust staff at the location(s) you have chosen. Once a contract has been signed the National Trust may charge a cancellation fee if you choose to cancel the shoot without notifying them in writing within 48 hours of the planned shoot date. In the case of poor weather during external shoots they will endeavor to rearrange the shoot with no additional charge.

Invoicing After the shoot at National Trust property has been completed, their accounts department will send you an invoice.

CONTENTS Rugby World Cup 2015 Host Cities

Beyond the Host Cities

London . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Rugby . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211

Lincolnshire. . . . . . . . . . . . . . . . . . . . . . . . . . 274

Landmarks and Icons . . . . . . . . . . . . . . . . 16

Bath . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216

Liverpool . . . . . . . . . . . . . . . . . . . . . . . . . . . . 276

Essential Information and Top Tips . . . 54

Blackpool & Lancashire. . . . . . . . . . . . . . . . 219

Norfolk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 282

Bristol . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222

Northumberland . . . . . . . . . . . . . . . . . . . . . 286

Buckinghamshire . . . . . . . . . . . . . . . . . . . . . 225

Nottinghamshire. . . . . . . . . . . . . . . . . . . . . . 291

Cambridgeshire . . . . . . . . . . . . . . . . . . . . . . 228

Oxford & Oxfordshire . . . . . . . . . . . . . . . . . 297

Cheshire. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 234

Peak District (Derbyshire) . . . . . . . . . . . . . 305

Cornwall . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 237

Shropshire. . . . . . . . . . . . . . . . . . . . . . . . . . . 307

Cotswolds . . . . . . . . . . . . . . . . . . . . . . . . . . . 245

Somerset. . . . . . . . . . . . . . . . . . . . . . . . . . . . 308

Coventry & Warwickshire

Staffordshire . . . . . . . . . . . . . . . . . . . . . . . . . 312

& Shakespeare’s England . . . . . . . . . . . . . . 247

Suffolk. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 314

Cumbria . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 252

Surrey . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 321

Devon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 256

West Sussex . . . . . . . . . . . . . . . . . . . . . . . . . 325

Leicester. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182

Durham . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259

Weymouth, Portland & Dorset . . . . . . . . . 327

Manchester . . . . . . . . . . . . . . . . . . . . . . . . . . 190

Hampshire. . . . . . . . . . . . . . . . . . . . . . . . . . . 263

Wiltshire. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 334

Milton Keynes . . . . . . . . . . . . . . . . . . . . . . . . 197

Kent. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267

Windsor & Eton Dorney . . . . . . . . . . . . . . . 338

Newcastle . . . . . . . . . . . . . . . . . . . . . . . . . . . 206

Lee Valley . . . . . . . . . . . . . . . . . . . . . . . . . . . 273

Yorkshire . . . . . . . . . . . . . . . . . . . . . . . . . . . . 341

Filming in London’s Theatres . . . . . . . . . 72 Shopping and Local Markets. . . . . . . . . . 81 Locations with Views . . . . . . . . . . . . . . . 104 Hidden London and Villages. . . . . . . . . 109 Sporting Venues . . . . . . . . . . . . . . . . . . . . 121 Birmingham . . . . . . . . . . . . . . . . . . . . . . . . . . 126 Brighton . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137 Cardiff . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147 Exeter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156 Gloucester . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161 Leeds. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169

Rugby World Cup 2015 Host Cities

Facing the challenges of filming in London Iconic landmarks, a chat with a celebrity, a stroll across the famous Abbey Road zebra crossing; London has so much to offer in the way of filming opportunities. Although there may be a few hurdles to jump along the way, with a little advance planning, international film crews visiting the capital can ensure the filming process runs smoothly.

• Everyone likes an organised work diary and London’s landmarks and venues are no different. Many places would like at least five working days’ notice to arrange a film permit – giving two weeks’ notice is even better • Full public liability insurance (PLI) worth at least £5million is essential for filming in most of London so crews should ensure it is in place before making a request • Check with the location whether they are happy to have tripods, lighting etc. Many locations prefer small crews using hand-held equipment • Major events – for example, the Chelsea Flower Show in late May or Wimbledon Tennis Championships in late June/early July – may have broadcasting rights, so check first. However, there are great alternative filming options that capture the essence of a particular event • Celebrities, politicians, the Royal Family…everyone would love to meet them! The best first point of contact is through official offices, publicists or management. VisitEngland can help point you in the right direction • London’s shops make great filming locations but check with them for permission first • Filming on the streets of London? The good news is that, in theory, your crew doesn’t need a permit, but bear in mind this is open to interpretation and any member of the public can claim the crew is causing an obstruction. To be on the safe side, you can apply for a Notice of No Objection • Check with a location if you would like to film the interior and exterior – there may be different arrangements for both • Some of London’s streets and bridges cut across two boroughs; ask VisitEngland if they do and to find out where to obtain permission for filming in both • And don’t forget…VisitEngland has plenty of broadcast-quality, B-roll footage available of many of London’s top spots – so if time is tight or permission is hard to obtain, this is a useful alternative

Film London is the capital’s film and media agency. It aims to ensure London has a thriving film sector that enriches the city’s businesses and its people. The agency works across all the screen industries to sustain, promote and develop London as a major international production and film cultural capital.

Film London works to attract productions to the capital, offering free professional advice to small and large projects, providing a dedicated locations service as well as an extensive database of experienced crew and over 6,000 locations.

If James Bond needs to run down Whitehall in central London to catch a menace to the country, the agency can ensure he doesn’t get stopped by traffic. Whether it’s Doctor Who switching centuries or Brad Pitt evading a horde of zombies, Film London’s extensive knowledge and network of partners can make the vision a reality.

Supporting over 1,000 film, television and advertising projects every year, Film London is the first point of contact for filming in London.

To find out more about filming in London visit the website or contact:

locations@filmlondon.org.uk +44 (0)20 7613 7683

www.filmlondon.org.uk

BOROUGH FILM SERVICES (BFS) CONTACT LIST BOROUGH

NAME

PHONE

BARKING AND DAGENHAM

Lisa Dee Lorraine Shaw Geoff Smith

+44 (0)20 8227 5725 +44 (0)20 8227 5723 +44 (0)20 8227 2623 +44 (0)7875 397 748 (LD)

BARNET (Reel Film Locations)

Dennis Firminger

+44 (0)845 402 2998 +44 (0)7766 154 154 (M)

BEXLEY

Andrew Pavord Rhian Sharpe Karen Everett

+44 (0)845 190 1970 +44 (0)7919 002 115(Mobile emergency 24hrs)

BRENT

Louise McKenna Saida Ladha

+44 (0)20 8937 1076 +44 (0)20 8937 1097

BROMLEY

Andrew Pavord Rhian Sharpe Karen Everett

+44 (0)845 190 1970 +44 (0)7919 002 115 (Mobile emergency 24hrs)

CAMDEN

Karen Everett

+44 (0)845 190 1970 +44 (0)20 7974 6053 +44 (0)7900 406 360 (M)

CITY OF LONDON

Joanna Burnaby-Atkins Mick Bagnall

+44 (0)20 7332 3202 +44 (0)20 7332 3182

CROYDON

Andrew Pavord Rhian Sharpe Karen Everett

+44 (0)845 190 1970 +44 (0)7919 002 115 (Mobile emergency 24hrs)

EALING (West London Film Office)

Mike Liddall Ewan Willmott

+44 (0)20 8825 5975 +44 (0)7956 321 862 (M) +44 (0)20 8825 6105 +44 (0)7736 248 312 (M)

ENFIELD (Reel Film Locations)

Dennis Firminger

+44 (0)845 402 2998 +44 (0)7766 154 154 (M)

GREENWICH

Nicola Hogan Suzanne Hutchinson

HACKNEY

Rebecca Staffolani

FAX

WEB

ADDRESS

lisa.dee@lbbd.gov.uk lorraine.shaw@lbbd.gov.uk geoff.smith@lbbd.gov.uk

www.barking-dagenham.gov.uk

Marketing and Communications 3rd Floor Crown House, 6 Linton Road, Barking, IG11 8HG

film@reelfilmlocations.com

www.reelfilmlocations.com

Reel Film Locations Ltd, Chiswick Town Hall, Heathfield Terrace, London, W4 4JN

info@bexleyfilmoffice.co.uk

www.bexleyfilmoffice.co.uk

FilmFixer Ltd, Unit D, 11 Bell Yard Mews, Bermondsey Street, London, SE1 3TN

louise.mcKenna@brent.gov.uk saida.ladha@brent.gov.uk

http://www.brent.gov.uk/film

Communications Room 6, Brent Town Hall, Forty Lane, Wembley, HA9 9HX

info@bromleyfilmoffice.co.uk

www.bromleyfilmoffice.co.uk

FilmFixer Ltd, Unit D, 11 Bell Yard Mews, Bermondsey Street, London, SE1 3TN

+44 (0)20 7974 4428

info@camdenfilmoffice.co.uk filmoffice@camden.gov.uk

www.camdenfilmoffice.co.uk www.camden.gov.uk/film

FilmFixer Ltd, Unit D, 11 Bell Yard Mews, Bermondsey Street, London, SE1 3TN

+44 (0)20 7332 1797

filmliaison@cityoflondon.gov.uk joanna.burnaby-atkins@cityoflondon.gov.uk mick.bagnall@cityoflondon.gov.uk

www.cityoflondon.gov.uk/film

Public Relations Office City of London P.O. Box 270, Guildhall, London, EC2P 2EJ

info@croydonfilmoffice.co.uk

www.croydonfilmoffice.co.uk

FilmFixer Ltd, Unit D, 11 Bell Yard Mews, Bermondsey Street, London, SE1 3TN

+44 (0)20 8825 7667

liddallm@ealing.gov.uk willmotte@ealing.gov.uk

www.westlondonfilmoffice.co.uk

Film Office Manager c/o Marcoms 5th Floor, Perceval House, 14-16 Uxbridge Rd, London, W5 2HL

+44 (0)845 402 2997

film@reelfilmlocations.com

www.reelfilmlocations.com

Reel Film Locations Ltd, Chiswick Town Hall, Heathfield Terrace, London, W4 4JN

+44 (0)20 8921 6048 +44 (0)7903 498 681 (M) +44 (0)20 8921 6146 +44 (0)7860 203 195 (M)

+44 (0)20 8921 8322

nicola.hogan@greenwich.gov.uk suzanne.hutchinson@greenwich.gov.uk

www.greenwich.gov.uk/film

Culture and Community Services, 2nd Floor Civic House, 20 Grand Depot Road, Woolwich, SE18 6SJ POSTAL: Greenwich Film Unit , Peggy Middleton House 50 Woolwich New Road, Woolwich, SE18 6HQ

+44 (0)20 8356 3541

+44 (0)20 8356 3118

rebecca.staffolani@hackney.gov.uk

www.hackney.gov.uk/film

Film Officer Hackney Town Hall, Mare Street, Hackney, London, E8 1EA

+44 (0)20 8227 2112

+44 (0)845 402 2997

+44 (0)20 8937 1105

EMAIL

BOROUGH FILM SERVICES (BFS) CONTACT LIST BOROUGH

NAME

PHONE

FAX

HAMMERSMITH & FULHAM

Janet Potter Bernadette Bernard

+44 (0)20 8753 2171 +44 (0)7860 400 741 (M) +44 (0)20 8753 2351 +44 (0)7779 348 122 (M)

+44 (0)20 8753 2247 +44 (0)20 8753 2107

HARINGEY

David Waterson

+44 (0)20 8489 6903 +44 (0)7976 457 485 (M)

HARROW

Mike Liddall Ewan Willmott

+44 (0)20 8825 5975 +44 (0)7956 321 862 (M) +44 (0)20 8825 6105 +44 (0)7736 248 312 (M)

HAVERING

Elizabeth Aelberry Joanne Yeomans

+44 (0)1708 432 001

HILLINGDON

Nadya Gilbey

+44 (0)1895 250 674

HOUNSLOW (Reel Film Locations)

Dennis Firminger

ISLINGTON (The Film Office)

WEB

ADDRESS

janet.potter@lbhf.gov.uk

www.lbhf.gov.uk/filming

Film Office, Room 9, Town Hall, King Street, Hammersmith, W6 9JU

+44 (0)20 8489 2689

filmoffice@haringey.gov.uk

www.haringey.gov.uk/film

Film Liaison Officer, Economic Regeneration, 6th Floor, River Park House,High Road, London, N22 8HQ

+44 (0)20 8825 7667

liddallm@ealing.gov.uk willmotte@ealing.gov.uk

www.westlondonfilmoffice.co.uk

Film Office Manager c/o Marcoms 5th Floor, Perceval House, 14-16 Uxbridge Rd, London, W5 2HL

elizabeth.aelberry@havering.gov.uk Joanne.Yeomans@havering.gov.uk

www.havering.gov.uk

Havering Council Press Office Town Hall, Main Road, Romford, RM1 3BB

+44 (0)1895 250 223

filmoffice@hillingdon.gov.uk

www.hillingdon.gov.uk

Planning & Community Services, High Street, Uxbridge, Middlesex, UB8 1UW

+44 (0)845 402 2998 +44 (0)7766 154 154 (M)

+44 (0)845 402 2997

film@reelfilmlocations.com

www.reelfilmlocations.com

Reel Film Locations Ltd, Chiswick Town Hall, Heathfield Terrace, London, W4 4JN

Dominic Reeve-Tucker

+44 (0)20 8980 8771/3

+44 (0)20 8981 2272

info@filmoffice.co.uk

www.filmoffice.co.uk

The Film Office 221 Bow Road,London, E3 2SJ

KENSINGTON & CHELSEA

Tara Hobson Jessica Woodland Alex Maher

+44 (0)20 7341 5119 +44 (0)20 7341 5124

+44 (0)20 7368 0314

filmoffice@rbkc.gov.uk

www.rbkc.gov.uk BusinessZoneFilming

Filming & Special Events Office Council Offices, 37 Pembroke Road, London, W8 6PW

KINGSTON UPON THAMES

Philip Levick

+44 (0)20 8547 5015

+44 (0)20 8547 5012

philip.levick@rbk.kingston.gov.uk

www.kingston.gov.uk

Press Office, RB Kingston Upon Thames, The Guildhall, High St, Kingston, KT1 1EU

LAMBETH (The Film Office)

Michelle Myrie

+44 (0)20 8980 8771/3

+44 (0)20 8981 2272

info@filmoffice.co.uk

www.filmoffice.co.uk

The Film Office 221 Bow Road,London, E3 2SJ

LEWISHAM

Andrew Pavord Rhian Sharpe Karen Everett

+44 (0)845 190 1970 +44 (0)7919 002 115 (Mobile emergency 24hrs)

info@lewishamfilmoffice.co.uk

www.lewishamfilmoffice.co.uk

FilmFixer Ltd, Unit D, 11 Bell Yard Mews, Bermondsey Street, London, SE1 3TN

MERTON

Jonathan Vincent

+44 (0)20 8545 3434 +44 (0)7985 556 333 (M)

+44 (0)20 8545 3273

EMAIL

jonathan.vincent@merton.gov.uk

Press Office http://www.merton.gov.uk/leisure/ Merton Civic Centre, London Road, Morden, SM4 5DX arts/filming-in-merton.htm

BOROUGH FILM SERVICES (BFS) CONTACT LIST BOROUGH

NAME

PHONE

NEWHAM

David Fearn

+44 (0)20 8430 2261 07967 302 364 (M)

REDBRIDGE

Andrew Pavord Rhian Sharpe Karen Everett

0845 190 1970 07919 002 115

FAX

+44 (0)20 8430 1255

EMAIL

WEB

ADDRESS

david.fearn@newham.gov.uk filmoffice@newham.gov.uk

www.newhamfilmoffice.co.uk

Newham Film Office, Old Town Hall, 29 The Broadway, Stratford, E15 4BQ

info@redbridgefilmoffice.co.uk

www.redbridgefilmoffice.co.uk

FilmFixer Ltd Unit D, 11 Bell Yard Mews Bermondsey Street, London, SE1 3TN

filmrichmond@richmond.gov.uk

www.richmond.gov.uk/ filmrichmond

Communications and Media, Civic Centre, 44 York Street, Twickenham, Middlesex, TW1 3BZ

info@southwarkfilmoffice.co.uk

www.southwarkfilmoffice.co.uk

FilmFixer Ltd, Unit D, 11 Bell Yard Mews, Bermondsey Street, London, SE1 3TN

(Mobile emergency 24hrs)

RICHMOND UPON THAMES

Sue Lewis (Mon-Wed) Sarah Hillman (Thurs-Fri)

+44 (0)20 8487 5157 07956391075 (Sue) 07950565157 (Sarah)

SOUTHWARK

Andrew Pavord Rhian Sharpe Karen Everett

+44 (0)845 190 1970 +44 (0)7919 002 115 (Mobile emergency 24hrs)

SUTTON

Tom McDaniel

+44 (0)208 770 5311

+44 (0)208 770 5404

thomas.mcdaniel@sutton.gov.uk

www.sutton.org.uk

Sutton Film Office, Civic Centre, St. Nicholas Way Sutton, SM1 1EA

TOWER HAMLETS

Dominic Reeve-Tucker

+44 (0)20 8980 8771/3

+44 (0)20 8981 2272

info@filmoffice.co.uk

www.filmoffice.co.uk

The Film Office 221 Bow Road, London, E3 2SJ

WALTHAM FOREST

David Waterson

+44 (0)20 8489 6903 07976 457 485 (M)

+44 (0)20 8489 2689

filmoffice@haringey.gov.uk

www.walthamforest.gov.uk

Film Liaison Officer, Economic Regeneration, 6th Floor, River Park House,High Road, London, N22 8HQ

WANDSWORTH

Maria Horn Roxi Lewis

+44 (0)20 8871 7119 07776 464 189 (M) +44 (0)20 8871 7134

+44 (0)20 7223 7919

mhorn@wandsworth.gov.uk rlewis1@wandsworth.gov.uk

www.wandsworth.gov.uk/film

Filming Manager Film and Events Office, Battersea Park, London, SW11 4NJ

CITY OF WESTMINSTER

Events, Filming and Contingency Planning

+44 (0)20 7641 2390

+44 (0)20 7641 2640

SpecialEventsEP@westminster.gov.uk

www.westminster.gov.uk/filming

Events, Filming and Contingency Planning, Westminster City Hall, 64 Victoria Street, London, SW1E 6QP

+44 (0)20 8891 7718

Landmarks and Icons

CONTENTS Abbey Road Zebra Crossing

National Portrait Gallery

State Rooms at Buckingham Palace

Canary Wharf

Old Royal Naval College

Tate Britain

Churchill War Rooms

Piccadilly Circus

Tate Modern

Covent Garden

Queen Elizabeth Olympic Park

The British Museum

Cutty Sark

Royal Botanic Gardens

The National Gallery

EDF Energy London Eye

Royal Observatory Greenwich – Meridian Courtyard

The Natural History Museum

George Inn

The View from The Shard Royal Opera House

Hampton Court Palace

Trafalgar Square Science Museum

HM Tower of London

Victoria and Albert Museum Sea Life Aquarium

Houses of Parliament & Big Ben

Westminster Abbey Shakespeare’s Globe

Kensington Palace

Whitechapel Gallery South Bank

Madame Tussauds St Paul’s Cathedral National Maritime Museum

LONDON Abbey Road Zebra Crossing Abbey Road, St John’s Wood, London, NW8 9BS The Abbey Road zebra crossing is famous worldwide as the spot captured on The Beatles Abbey Road album cover. In April 1969 the group came to Abbey Road recording studios to make their final album.

The studio and famous zebra crossing are regarded as British music industry icons to this day.

It’s a fact: Every year, the site attracts thousands of Beatles’ fans from all over the world who wish to imitate the iconic photo. Check out the Abbey Road Crossing Webcam at www.abbeyroad.com/Crossing Filming permit: If your filming is very simple (for example only using a handheld camera and shooting pieces to camera or general views and comprising a crew of no more than five people) you can proceed without informing the film office, provided that your shoot is unlikely to cause a crowd, or any obstruction. However, there may still be a possibility that you may be asked to move. If your film is simple and does not require parking, road closures, traffic disruption or any other equipment other than a tripod, hand-held lights or microphones, you can apply directly using the Online Application Form and they can approve your film in three working days. You will need to complete the online application form www.westminster.gov.uk/events-portal/login/ Public liability insurance: A minimum of £5million.

Contact: Special Events Department, Westminster Film Office Telephone: +44 (0) 20 7641 2390 Email: speciale@westminster.gov.uk Website: www.westminster.gov.uk/events-portal/faq/filming/#q11

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LONDON Canary Wharf Spread across 97 acres in E14, inner London Canary Wharf is one of the world’s premier business and shopping districts. It has a working population of 100,000 across a diverse range of business sectors, and over 240 shops, bars, cafés and restaurants.

It’s a fact: 25 years ago the area was a derelict wasteland.

Best time of day to film: Either at dawn or dusk.

Best vantage point: Reuters Plaza, Cabot Square.

Access restrictions: Yes. Please refer to the following weblink for further details: www.canarywharf.com/aboutus/Media/Filming-and-Photography2/ Filming permit: Yes, professional filming requires permission. Consult the following link for further information: www.canarywharf.com/aboutus/Media/Filming-and-Photography2/ Filming fee: 100% of film fees are donated to charities and non-profit organisations, including those that foster film-making and media among young people in the local community. Please contact Canary Wharf directly for further details.

Public liability insurance: £10million of public liability cover is usually required.

Contact: Canary Wharf Press Office Telephone: +44 (0) 20 7418 2000 Email: PressOffice@canarywharf.com Website: www.canarywharf.com

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LONDON Churchill War Rooms Churchill War Rooms, Clive Steps, King Charles Street, London, SW1A 2AQ The Cabinet War Rooms provided the secret underground headquarters for the core of the British government throughout the Second World War. From 1940-1945 hundreds of men and women would spend thousands of vital hours here and it soon became the inner sanctum of the British government. On becoming Prime Minister in May 1940, Winston Churchill visited the underground War Cabinet Room and said, “This is a room from which I will direct the war”. The Cabinet War Rooms sheltered the heart of British military and government command throughout the Second World War, before being sealed in August 1945.

The Churchill War Rooms provide the ideal film location for capturing the feeling of what life was like during the Second World War. It’s a fact: All the clocks at Churchill War Rooms are stopped at 17.00 to mark the beginning of the War Cabinet meeting on 15 October 1940, the day after bombs severely damaged Number 10 Downing Street, the event that persuaded Churchill to meet in the War Rooms on a regular basis.

Best time of day to film: The Churchill War Rooms offer filming out of public opening hours: 08.00-10.00 or 18.00-21.00.

Best vantage point: Cabinet Room, Map Room and Chiefs of Staff Room.

Access restrictions: Crews can access the following historic rooms as well as the corridors: Cabinet Room, Map Room and Chiefs of Staff Room.

Filming permit: The Churchill War Rooms require at least one week’s notice for all filming on site, a copy of the Terms & Conditions can be obtained from the Press Office in advance.

Filming fee: Commercial filming: £300+VAT per hour/part of the hour including set-up. The Churchill War Rooms can negotiate this fee depending on the publicity value of the piece.

Public liability insurance: £5million minimum.

Contact: Nina Dellow Telephone: +44 (0) 20 7091 3069 Email: ndellow@iwm.org.uk Website: www.iwm.org.uk

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LONDON Covent Garden London, WC2E 8RF Buzzing with the excitement of opera and theatre, Covent Garden has become a destination for food lovers and fashionistas alike. The cobbled Piazza was created by architect Inigo Jones in 1630 and the neo-classical Market Building was constructed at its centre two centuries later. Today it is known as one of London’s most vibrant shopping and entertainment districts and attracts more than 45 million visitors a year.

Best time of day to film: Twilight.

Best vantage point: Have a look at Film London’s map of Covent Garden. http://core.filmlondon.org.uk/library/documents/Covent_Garden.pdf Access restrictions: Reviewed on a case-by-case basis.

Filming permit: At least 48 hours’ notice must be given.

Filming fee: £150 per hour starting fee.

Public liability insurance: £10million.

Contact: Sophie Kenyon Telephone: +44 (0) 207 395 3760 Email: Sophie.kenyon@Capitalandcounties.com Website: www.coventgardenlondonuk.com/

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LONDON Cutty Sark King William Walk, Greenwich, London, SE10 9HT Cutty Sark is the last surviving tea clipper and the fastest and greatest of her time, newly re-opened in all her glory. Venture aboard and beneath one of the world’s most famous ships, and marvel as you balance a 963-tonne national treasure on just one hand.

It’s a fact: Cutty Sark’s name derives from the famous poem Tam O’ Shanter by Robert Burns. It is about a farmer called Tam who is chased by the scantily-clad witch ‘Nannie’, dressed only in a ‘cutty sark’ – an archaic Scottish name for a short nightdress. The character of Nannie in the poem is depicted as the figurehead, which adorns Cutty Sark’s bow.

Best time of day to film: Outside opening hours and on a weekday.

Best vantage point: The dry dock and the main deck.

Access restrictions: For safety reasons, wheelchair spaces for Cutty Sark are limited to three visitors at any one time. The Master’s Saloon, cabins and anchor deck are not wheelchair accessible, but virtual access is provided to these spaces. Lifts offer access to all other areas of the ship, including the Main Deck as well as the Sammy Ofer Gallery underneath the ship. Due to the limitations of the original structure, mobility scooters or very large powered wheelchairs cannot be accommodated on Cutty Sark.

Manual wheelchairs can be borrowed on the day of your visit, please ask a member of staff on arrival. There are two accessible toilets on site.

Filming permit: Yes, and can be obtained through contacting the Press Office or commercial filming team, depending on the nature of the film.

Filming fee: Contact the Press Office for more details.

Contact: Sheryl Twigg, National Maritime Museum Press Office Telephone: +44 (0) 20 8312 6790/6732, 07903 547 284 Email: press@rmg.co.uk Website: www.rmg.co.uk/cuttysark

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LONDON EDF Energy London Eye Riverside Building, County Hall, London, SE1 7PB The EDF Energy London Eye is located in the heart of the capital opposite the Houses of Parliament and Big Ben, gracefully rotating over the River Thames. At 135m, the London Eye is the world’s tallest cantilevered observation wheel; a feat of design and engineering, it has become the modern symbol representing the capital and a global icon.

The experience showcases breathtaking 360° views of the capital and has been the number one visitor experience in the city for the past decade. The constant and graceful movement of the London Eye gives visitors an ever-changing perspective, enhanced by interactive Samsung Galaxy Tab guides to assist guests with information on landmarks in several languages. Included in all London Eye experiences is the spectacular 4D cinema show, featuring the first-ever 3D aerial footage of London and the famous London New Year’s Eve fireworks.

It’s a fact: Each rotation takes approximately 30 minutes, meaning that a capsule travels at a stately 26cm per second, or 0.9km (0.6 miles) per hour – twice as fast as a tortoise sprinting; this slow rate of rotation allows guests to step on and off without the wheel having to stop.

Best time of day to film: First rotation is at 10.00 and the morning light is perfect for filming and photography; the sun rising from the east means beautiful light is thrown over the Houses of Parliament and Big Ben in the morning. It is also less busy, from a guest point of view, at this time.

Best vantage point: It is best to film the views from inside a capsule and then GVs from the back of the landscape to capture the whole wheel.

Access restrictions: No filming is allowed in the ticket office or on the boarding platform.

Filming permit: Approval for filming can only granted from the London Eye Press Office.

To apply go to www.londoneye.com/filming Filming fee: All requests are judged on a case-by-case basis. All filming must take place in a private capsule. There are capsule fees as well as a location fee and, depending on the promotional benefit to the attraction, fees can be negotiated and/or waived. For commercial projects there are additional fees for image usage rights.

Public liability insurance: This is dependent on the project. £5million - £10million is generally accepted.

Contact: London Eye Press Office Telephone: +44 (0) 870 220 2777 Email: pressoffice@londoneye.com Website: : www.londoneye.com

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LONDON George Inn The George Inn Yard, 77 Borough High Street, Southwark, London, SE1 1NH The George Inn is Londonâ&#x20AC;&#x2122;s only remaining galleried coaching inn and has been serving thirsty Londoners for more than 300 years. Owned by the National Trust the George was a haunt of Charles Dickens and is mentioned in Little Dorrit.

Filming permit: Permits are required and can be obtained through the National Trust Film Unit.

Filming fee: Fees may apply. Contact the National Trust Film Unit.

Contact: The George Inn Telephone: +44 (0) 20 7407 2056 Email: georgeinn@nationaltrust.org.uk Website: : http://www.nationaltrust.org.uk/george-inn/

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LONDON Hampton Court Palace Hampton Court Palace, Surrey, KT8 9AU A Palace of two halves: the first, Henry VIII’s majestic Tudor Palace, scene of many of the dramas of his reign including the birth of his son, Edward VI, and the fall of his fifth wife, Catherine Howard. The second, a Baroque Palace designed by Sir Christopher Wren and built for King William III and Queen Mary. The palace is surrounded by spectacular historic gardens designed by Capability Brown and lies on the bank of the River Thames.

It’s a fact: The Abraham Tapestries that adorn the walls of Henry VIII’s Great Hall were worth more than a battleship when he bought them – spun with gold and silver thread, they are now some of the most priceless treasures of the Royal Collection.

Best time of day to film: Filming is only permitted out of visitor hours – between 07.00 and 10.00. Filming in the evenings is rarely permitted. Summer visiting hours end at 18.00, in the winter at 17.00 Best vantage point: Henry VIII’s Great Hall and Great Watching chamber are stunning displays of the Tudor King’s power, and the King’s staircase, painted

by Verrio, in the Baroque Palace, is also a stunning location. Outside, the Tudor West Front and spectacular ornate Privy Gardens are great locations.

Access restrictions: Filming in the Chapel Royal is only permitted on rare occasions – an application requires at least two weeks to process.

Filming permit: Speak to HRP’s Press Office to arrange access for filming – two weeks’ notice is preferable.

Filming fee: Standard fees are £350 per hour for small-scale filming and £1,000 for large-scale, feature filming. News filming is not usually charged.

Public liability insurance: £10million.

Contact: Historic Royal Palaces Press Office Telephone: +44 (0) 20 3166 6166

Existing footage: HD B-roll of the Palace is available on request from the HRP Press Office.

Email: press@hrp.org.uk Website: www.hrp.org.uk

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LONDON HM Tower of London HM Tower of London, London, EC3N 4AB For more than 900 years the Tower of London has dominated the City of London and is still one of the capital’s most prominent landmarks and a world-famous visitor attraction. Throughout its long history, the Tower has served as a royal palace and fortress, prison and place of execution, an arsenal, Royal Mint, menagerie and jewel house. Today, London’s great royal fortress is home to some of the most potent symbols of British history: the Yeoman Warders, ravens and Crown Jewels.

It’s a fact: Today around 2.5 million visitors a year immerse themselves in 1,000 years of British royal history and heritage at the Tower of London, making it the UK’s most visited historic attraction.

Best time of day to film: Monday to Friday before opening to the public (either 09.00 or 10.00, depending on the day).

Best vantage point: Depends on the story being told, however there are good exterior views on Tower wharf, Tower Green and by the White Tower.

Access restrictions: Yes, vehicle access is limited and filming during visitor hours is restricted. Filming the Crown Jewels is not permitted and filming of other loan objects requires advance permission. Further restrictions may apply and, therefore, all filming has to be agreed in advance.

Filming permit: Yes, advance permission is required from the Press Office.

The website details the application procedure www.hrp.org.uk Filming fee: Yes, small scale filming is £350+VAT per hour, news filming for a current topical news story is usually free of charge. Feature filming rates are available upon request.

Public liability insurance: £10million.

Contact: Historic Royal Palaces Press Office Existing footage: HD B-roll is available. Previews can be seen at www.hrp.org.uk

Telephone: +44 (0) 20 3166 6166 Email: press@hrp.org.uk Website: www.hrp.org.uk

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LONDON Houses of Parliament and Big Ben Palace of Westminster, London, SW1A 0AA The Elizabeth Tower, fondly known as Big Ben, is one of London’s greatest landmarks, instantly recognisable throughout the world. The chimes of Big Ben and the four quarter bells are one of the most evocative and familiar sounds in the UK. Although Big Ben refers only to the 13.5 ton hour bell, most people think of Big Ben as the whole tower. It is a tremendous feat of Victorian imagination, design and engineering, and has been an accurate time keeper for London since 1859.

It’s a fact: The Elizabeth Tower is 96m high and 12m square, with 334 stone spiral steps to the belfry. Each of the four clock dials are glazed with 312 pieces of opal glass. The clock dials were originally lit by gas; today the dials are illuminated by 112 energy efficient lamps. The clock is wound three times a week by a team of clock makers.

Best vantage point: Internal filming is possible at set locations within the tower - the Belfry, which houses Big Ben and the four quarter bells, the four dials, the mechanism room and the spiral staircase. Interviews can also be offered with clock mechanics, the Keeper of the Clock, clock guides, and the Palace of Westminster Archivist.

Access restrictions: All media requests for internal access to the Elizabeth Tower / Big Ben are required to make a formal application to the House of Commons. Applications are then considered by the House authorities and their decision is final. All crews must provide a Risk Assessment, have an English speaking First Aider within the crew, and provide security details.

Filming permit: All media requests are pre booked via the Elizabeth Tower / Big Ben coordinator (Amanda Leck). http://bit.ly/1az4Eay Filming fee: £400+VAT per hour.

Public liability insurance: Public liability of £15million is required.

Contact: Amanda Leck Telephone: +44 (0) 20 7219 3430 Email: leckac@parliament.uk

To find the best location to film the Elizabeth Tower, please refer to http://core.filmlondon.org.uk/library/documents/Big_Ben_and_Houses _Parliament.pdf

Website: www.parliament.uk

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LONDON Kensington Palace Kensington Gardens, London, W8 4PX The childhood residence of Queen Victoria and the home of Princess Diana, Kensington Palace provides a fascinating insight into royal life past and present. Journey through newly landscaped gardens and refurbished displays learning about some of the greatest stories and characters in Britain’s rich royal history.

It’s a fact: The staircase walls and ceiling are painted with William Kent’s vivid, life-sized portrayals of George I’s court and its various characters and servants – including the famous ‘Peter the Wild Boy’, who was found in a Hanoverian Forest.

Best time of day to film: All filming at Historical Royal Palaces takes place out of visitor hours – at Kensington Palace this is from 07:00 – 10:00.

Best vantage point: The Palace Gardens provide excellent vantage points for GVs and the majestic King’s State apartments and Victoria Revealed exhibition are also excellent locations for filming.

Access restrictions: Please note that Historical Royal Palaces usually require two weeks’ notice to arrange access for filming.

Filming permit: All filming requests at Historic Royal Palaces are dealt with by the Press Office, which is responsible for establishing every aspect of the filming being proposed, from commissioning to assessing the appropriateness of productions. They also deal with contracts and location fees.

Filming fee: Current filming facility fees start at £350+VAT per hour, although the final figure depends on the individual request. Large-scale feature filming and location work are charged at significantly higher rates, which are quoted on a case-by-case basis.

See more at: http://bit.ly/10GRbJq Public liability insurance: £10million.

Contact: Historic Royal Palaces Press Office Telephone: +44 (0) 20 3166 6166

Existing footage: Kensington Palace B-roll is available to view here http://bit.ly/14rep7q and can be provided in Mov4 format by the Press Office on request.

This may incur a charge.

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Email: press@hrp.org.uk Website: www.hrp.org.uk

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LONDON Madame Tussauds Marylebone Road, London, NW1 5LR Filled with 14 exciting, interactive zones and the amazing Marvel Super Heroes 4D movie experience, Madame Tussauds London combines glitz and glamour with incredible history and more than 300 wax figures.

Walk down the red carpet and strike a pose with Kate Winslet and Johnny Depp, before stepping into our interactive sports zone alongside Usain Bolt and David Beckham. Start your royal experience with a oncein-a-lifetime audience with Her Majesty The Queen and The Duke and Duchess of Cambridge before stepping on stage with music icons! For the brave, get face-to-face with scary serial killers in the live fear experience SCREAM. After a sneaky behind-the-scenes look at how World-renowned sculptors create the figures, relax on a taxi ride and relive the rich history of London. Finally step up to your favourite Marvel Super Heroes before getting ready to experience the spectacular and exclusive Marvel Super Heroes 4D movie, where Marvel Super Heroes battle it out to save London from impending doom.

Itâ&#x20AC;&#x2122;s a fact: From initial sitting to launch, a Madame Tussauds figure takes approximately four months to make, using a team of 20 skilled artists to create each draw-droppingly life-like figure.

Best time of day to film: Itâ&#x20AC;&#x2122;s best to film at Madame Tussauds London either before opening or after closing. Opening and closing times vary throughout the year, therefore please consult the Press Office for specific timings. Filming is possible at Madame Tussauds London when open, however again please consult the Press Office who can advise on how best to avoid busier times at the attraction.

Best vantage point: With a number of interactive zones, Madame Tussauds London has numerous different areas in which to film featuring wax figures of A-list celebrities, icons of film history, sports stars, the Royal Family, music megastars, some of the worldâ&#x20AC;&#x2122;s most revered leaders and Marvel Super Heroes.

Access restrictions: In advance of any filming at Madame Tussauds London, please consult the Press Office with regards to access to the attraction.

Filming permit: A filming permit is not required, however, all crews are asked to submit all filming requests to the Press Office at least one week in advance of the date on which filming is requested to take place in the attraction.

Filming fee: In advance of any filming at Madame Tussauds London, please consult the Press Office with regards to filming fees.

Public liability insurance: Madame Tussauds London does not require public liability insurance to film at the attraction.

Contact: Freerange Communications Telephone: +44 (0) 20 7402 9966 Email: claudia@freerange.eu / tansy@freerange.eu Website: www.madametussauds.com

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LONDON National Maritime Museum Romney Rd, Royal Borough of Greenwich, SE10 9NF The largest maritime museum in the world, the National Maritime Museum is filled with inspirational stories of discovery and adventures at sea.

Itâ&#x20AC;&#x2122;s a fact: The Museum buildings opened in 1807 originally as a school for the children of seafarers.

Best time of day to film: Outside opening hours and on a weekday.

Best vantage point: Outside the group entrance, outside the Sammy Ofer wing, and by Nelsonâ&#x20AC;&#x2122;s jacket in the Nelson, Navy, Nation gallery.

Access restrictions: All floors of the National Maritime Museum are accessible via lifts. The lifts are clearly marked on the visitor map which is available on site or to download from: www.rmg.co.uk/visit/floor-plans-and-trails/ Wheelchairs can be borrowed from the National Maritime Museum information desk on the day of your visit.

Filming permit: Yes, and can be obtained through contacting the Press Office or commercial filming team, depending on the nature of the film.

Filming fee: Contact the Press Office for more details.

Contact: Rhianon Davies, Sheryl Twigg Telephone: +44 (0) 208 312 6545 (Rhianon Davies) +44 (0) 208 312 6790 (Sheryl Twigg) Email: press@rmg.co.uk Website: www.rmg.co.uk/national-maritime-museum

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LONDON National Portrait Gallery St Martins Place, London, WC2H 0HE Founded in 1856, the National Portrait Gallery in London holds the most extensive collection of portraits in the world. With more than 1,000 portraits on display across three floors, subjects range from Elizabeth I to David Beckham and featured artists include Hans Holbein and David Hockney. The Collection includes work across all media, from painting and sculpture to photography and video. As well as the permanent displays, the Gallery has a diverse and ever-changing programme of exhibitions and events promoting an understanding and appreciation of portraiture in all forms.

The Collection is displayed in London and in a number of locations around Britain, including several houses managed by the National Trust. The Gallery is increasingly keen to find new ways to share the Collection through the National Programmes, as well as through its website. It aims to bring history to life through its extensive displays, exhibitions, research, learning, outreach, publishing and digital programmes as well as be the foremost centre for the study of and research into portraiture, making its work and activities of interest to as wide a range of visitors as possible.

Best time of day to film: Outside of public opening hours; before 10.00, after 18.00 or after 21.00 on Thursdays and Fridays.

Best vantage point: Gallery rooms; please see the website for views.

Access restrictions: Public areas accessible only Filming fee: For promotional filming (i.e. collection, exhibition, news) there is no fee.

For films, commercial or documentaries that scene set but donâ&#x20AC;&#x2122;t have direct promotional value (i.e. no name check on screen or verbal mention while filming in the Gallery, just tiny end credits) there will be a fee.

Public liability insurance: Apply to the Press Office.

Contact: Neil Evans Telephone: +44 (0) 20 7312 2452 Email: nevans@npg.org.uk Website: www.npg.org.uk

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LONDON Old Royal Naval College, (ORNC) Greenwich King William Walk, Greenwich, London, SE10 9NN A unique collection of Baroque buildings, the Old Royal Naval College was designed by Wren as a home for retired seamen and sits on the site of Henry VIII’s Greenwich Palace. Since the late 1990s, when the Naval Officers college left the site, the ORNC has been open to the public free of charge welcoming over 1.7million visitors annually. As a film location the ORNC offers spaces for a variety of different needs. External: traffic-free street (ideal for an escaping Jack Sparrow); open spaces (large enough for revolutionary barricades/intergalactic battles) and colonnades (period backdrop – fit for a Duchess). Internal: astonishing Painted Hall (banquets in Pirates of the Caribbean 4 /The Iron lady and BBC’s Great British Menu) and the chapel (Four Weddings and A Funeral – Bernard and Lydia), a Victorian Skittle Alley and more. The ORNC also has a number of van positions with direct lines to the main international news satellites.

It’s a fact: When approached to design a Royal Hospital for Seamen Sir Christopher Wren initially proposed a single domed building (like the Royal Hospital, Chelsea and his own St Paul’s Cathedral) which would have been situated directly in front of Inigo Jones’s Queen’s House (now part of the Royal Museums of Greenwich). It was “suggested” to Wren that his new building should not block the royal view and consequently the Royal Hospital for Seamen acquired the now iconic twin domes which frame the vista from the Queen’s House to The Thames.

Best time of day to film: Any time of day.

Best vantage point: Lower and Upper Grand Square, King William and King Charles Lawns, the colonnades, The Painted Hall, The Chapel, Admiral’s House and the Victorian Skittle Alley.

There is a direct line on to satellites for live broadcasts from Lower Grand Square; from beside the King Charles Lawn (by the Thames pathway) and beside the King William Lawn (outside the Painted Hall).

Access restrictions: All access is by negotiation with site partners. The ORNC is open to the public, so restrictions to public access during filming need to be minimised.

Filming fee: A fee is charged for commercial filming, however the ORNC does offer free access for news and some TV arts/feature coverage subject to the site being fully credited on screen.

Telephone: Ian Allchin +44 (0)20 8269 4795 Lesley Booth +44 (0)779 941 4474 Public liability insurance: Yes.

Email: IAllchin@ornc.org / press@ornc.org or Lesley@newcenturypr.com

Filming permit: By contacting Ian Allchin or Lesley Booth.’ to ‘Please contact Ian Allchin or Lesley Booth.

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Contact: Ian Allchin, Estate Operations Manager (commercial filming); Lesley Booth (press and media) for news access and TV arts and features

Website: www.ornc.org

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LONDON Piccadilly Circus St James, London, W1D 7DH For many years, Piccadilly Circus - at the junction of five busy streets has been a famous landmark of London. Regency facades sit alongside advertising video displays and neon signs, a particularly impressive sight at night, while the fountain and its statue at the centre of the circle have become an iconic emblem. The statue is popularly named after the Greek god Eros, but it was actually intended to depict his brother Anteros, the God of Requited Love.

It’s a fact: The name ‘Piccadilly’ originates from a 17th Century frilled collar named piccadil, Roger Baker, the tailor who became rich making piccadils lived in the area. The word ‘Circus’ refers to the roundabout around which the traffic circulates.

Best time of day to film: Both during the day and the evening are good times to film.

Best vantage point: Please see map on Film London’s website http://core.filmlondon.org.uk/library/documents/Piccadilly_Circus.pdf Filming permit: If your filming is very simple (for example only using a handheld camera and shooting pieces to camera or general views and comprising a crew of no more than five people) you can proceed without informing the film office, provided that your shoot is unlikely to cause a crowd, or any obstruction. However, it is still possible that you may be asked to move.

If your film is simple and does not require parking, road closures, traffic disruption or any other equipment other than a tripod, hand-held lights or microphones, you can apply directly using the Online Application Form and they can approve your film in three working days. You will need to complete the online application form http://www.westminster.gov.uk/events-portal/login/ Public liability insurance: A minimum of £5million.

Contact: Special Events Department, Westminster Film Office Telephone: +44 (0) 20 7641 2390 Email: speciale@westminster.gov.uk Website: www.westminster.gov.uk/events-portal/faq/filming/#q11

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LONDON Olympic Stadium London, E20 2ST The Queen Elizabeth Olympic Park is essentially a whole new location area for the capital and, as such, offers a unique diversity of location opportunities to all manner of stills; commercial, TV and feature film production both at home and abroad. With the right management system in place the value of this can be fully realised and, with a sliding scale of charges, be open to every budget of film-maker. The Park’s potential as a filming location is endless. From its vast landscapes and established canal through to its unique modern architecture, the site can double for all manner of locations, whether world-wide or futuristic. Buildings could stand in for both a modern European HQ and something more sci fi. The site also offers the potential of studio space, production office space and hard standing that could either have sets built on or be used to accommodate parking for film vehicles.

It’s a fact: Four skeletons were removed from a prehistoric settlement found during excavations work on the site of the Aquatics Centre.

Best time of day to film: Any time of day is suitable – depending on the needs of the production.

Best vantage point: Velodrome, Copperbox, ArcelorMittal Orbit and Aquatics Centre.

Access restrictions: If you wish to film at the Park, or any of the structures / buildings within it, please contact Film London.

Filming permit: Yes, please contact Film London to discuss.

Public Liability Insurance: This will be between £5-10million depending on size of crew and level of production.

Contact: Susie Williams, Film London Telephone: +44 (0) 20 7613 7683 Email: Susie.williams@filmlondon.org.uk Website: www.noordinarypark.co.uk

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LONDON Royal Botanic Gardens Kew Gardens, Richmond, Surrey, TW9 3AB The Royal Botanic Gardens, Kew, is a world-famous scientific organisation, internationally respected for its outstanding living collection of plants and world-class Herbarium, as well as its scientific expertise in plant diversity, conservation and sustainable development in the UK and around the world. Kew Gardens is also a major international visitor attraction. Its landscaped 132 hectares and RBG Kew’s country estate, Wakehurst Place, attract over 1.5 million visits every year. Kew was made a UNESCO World Heritage Site in July 2003 and celebrated its 250th anniversary in 2009. Wakehurst Place is home to Kew’s Millennium Seed Bank, the largest wild plant seed bank in the world.

It’s a fact: Kew’s Temperate House is the world’s largest surviving Victorian glass structure.

Best time of day to film: Filming outdoors at Kew is largely weather dependent. Crews are encouraged to arrive as early as possible, but generally filming can be accommodated between 09.30 - 17.30, Monday to Friday (exceptions to this rule are decided at the staff’s discretion).

Best vantage point: The iconic Palm House with its tropical rainforest interior is always popular, as well as the Xstrata Treetop Walkway which offers aerial views of the arboretum.

Access restrictions: Access to the different areas and buildings in the Garden is largely dependent on staff availability as all crews must be supervised.

Filming permit: A filming permit is not required, but a risk assessment, detailed schedule and public liability insurance are required.

Filming fee: Non-commercial filming that is deemed by the Press Office to be beneficial to Kew is handled free of charge or part charged, depending on the nature of filming and how long the filming will take. All other filming is handled by the commercial team who charge by the hour.

Public liability insurance: Yes, judged on a case-by-case basis.

Contact: Press Office at Royal Botanic Gardens

Existing footage: Stock footage is available in .avi format.

Telephone: +44 (0) 20 8332 3676

Inspiring photography: http://www.kew.org/press/images/index_kew.html (username: press, password: kewpress).

Email: commercialmedia@kew.org Website: www.kew.org

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LONDON Royal Opera House Bow Street, Covent Garden, London, WC2E 9DD The Royal Opera House is home to two of the world’s most prestigious companies, The Royal Opera and The Royal Ballet. Each year, the companies give almost 400 performances in the iconic Covent Garden theatre, a stunning, plush, red and gold Victorian auditorium with state-of-the-art backstage technology, also used for the annual Bafta and Olivier Award ceremonies. Equally impressive is the imposing glass and ironwork Floral Hall, renamed the Paul Hamlyn Hall, originally one of the flower markets from the old Covent Garden market.

Some of the most famous names in opera and ballet have, over the years, starred on the Covent Garden stage; Dame Joan Sutherland, Luciano Pavarotti, Placidó Domingo, Renée Fleming, Margot Fonteyn and Rudolf Nureyev, Carlos Acosta and Darcey Bussell. Behind the scenes is a hive of industry with artists at work in rehearsal, highly skilled craftspeople making costumes or props and hats and jewellery.

The Amphitheatre Terrace overlooks the famous Covent Garden Piazza and the superb London skyline.

Best time of day to film: The exterior is best shot during daylight but the interior can be shot at any time.

Best vantage point: In the auditorium, Paul Hamlyn Hall or Crush Room. The terrace gives views over Covent Garden Piazza and the London skyline.

Access restrictions: Access to all internal spaces is subject to availability and agreement via Christopher Millard. Availability is largely dictated by the performance calendar and audience needs.

Filming permit: Please contact Christopher Millard.

Filming fee: A filming fee is usually payable and depends on which areas are to be used, for what purpose and for how long.

Public liability insurance: £5million.

Contact: Christopher Millard, Director of Press and Communications Telephone: +44 (0) 20 7212 9458 Email: christopher.millard@roh.org.uk Website: www.roh.org.uk

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LONDON Royal Observatory Greenwich – Meridian Courtyard Royal Observatory Blackheath Avenue Greenwich, SE10 8XJ The Royal Observatory Greenwich is the home of Greenwich Mean Time and the Prime Meridian of the World.

It’s a fact: The Greenwich Meridian was chosen as the Prime Meridian of the World in 1884 after 41 delegates from 25 nations met in Washington DC for the International Meridian Conference. By the end of the conference, Greenwich had won the prize of Longitude 0º by a vote of 22 to one against (San Domingo), with two abstentions (France and Brazil).

Best time of day to film: Outside opening hours and on a weekday.

Best vantage point: In the courtyard.

Access restrictions: The Royal Observatory (ROG) is set on a hill in Greenwich Park.

There are two paths to the ROG from the National Maritime Museum through Greenwich Park. If you take the left fork you’ll head up a very steep hill to the entrance of the Observatory. At the top of the hill on the right are ornate wrought-iron gates that are usually closed. The entrance to the site is a short distance to the left through the central arch. If you take the right fork the path is slightly longer but less steep, taking you along ‘The Avenue’, a road that runs through the park and round the south side of the Observatory site. Follow this path around for 150 metres to the entrance on the north side. Having passed through the entrance you enter the Meridian Garden. If you take the path to the right, a ramp provides access to the Meridian visitor reception area, which leads into the Astronomers’ Garden, Flamsteed House, the Meridian Courtyard and the Meridian Line. The left-hand path leads to the Astronomy Centre and the Planetarium. Both routes are fully accessible.

Filming permit: Contact the Press Office for more details.

Public liability insurance: Yes.

Contact: Sheryl Twigg or Rhianon Davies Telephone: +44 (0) 20 8312 6790 (Sheryl Twigg) or +44 (0) 20 8312 6545 (Rhianon Davies) Email: press@rmg.co.uk Website: www.rmg.co.uk/royal-observatory/

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LONDON Sea Life Aquarium County Hall, Westminster Bridge Road, London, SE1 7PB The SEA LIFE London Aquarium is home to one of Europe’s largest collections of global marine life and is the jewel in the crown of the 28 SEA LIFE attractions in the UK and Europe. ‘Fun’ learning is a key element of the attraction for children and adults alike, including opportunities to interact with the creatures, schools programmes and visits. The staff works closely with schools and individual teachers to develop information that engages and inspires young people.

It’s a fact: The SEA LIFE London Aquarium offers many exciting guest experiences, including a Behind the Scenes Tour, feeding the giant green turtles by hand and even a ‘Snorkeling with Sharks’ experience where guests can get into the shark tank and see for themselves how passive and peaceful these animals are.

Best time of day to film: Due to the large number of visitors, it is preferable for filming to take place before and after standard opening times (before 10.00 and after 18.00 during school term times).

Best vantage point: There are many colourful and interesting displays to use as filming backdrops, including the shark tank and Ocean Reef display as well as the rainforest and Antarctic sections. There is also a Perspex underwater tunnel running through the Ocean Reef display where visitors can view rays, the smaller sharks and the pair of giant green sea turtles.

Access restrictions: No access restrictions inside if filming is taking place outside normal opening times as long as animal safety is not compromised. A 20-minute drop off and pick up is possible for vehicles. However, there is no parking and no vehicle access after midnight.

Filming permit: Approval for filming can only be granted from the London Aquarium Press Office. To apply, email pressoffice@londonaquarium.co.uk for a filming request form.

Contact: Sea Life Aquarium Press Office Filming fee: All requests are judged on a case-by-case basis. Depending on the promotional benefit to the attraction, location and usage fees can be negotiated and/or waived. For commercial projects there are additional fees for image usage rights.

Public liability insurance: This is dependent on the project but £5-£10million is generally accepted.

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Telephone: +44 (0) 870 220 2777 Email: pressoffice@londonaquarium.co.uk Website: www.visitsealife.com/London

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LONDON Science Museum Exhibition Road, London, SW7 2DD As the home of human ingenuity, the Science Museum’s world-class collection forms an enduring record of scientific, technological and medical achievements from across the globe. Welcoming over three million visitors a year, the Museum aims to make sense of the science that shapes our lives, inspiring visitors with iconic objects, awardwinning exhibitions and incredible stories of scientific achievement. The Science Museum is open 10.00-18.00 (last entry 17.15) every day except 24-26 December. Entry is free, but charges apply for the IMAX cinema, flight simulators and some special exhibitions.

It’s a fact: The Science Museum was founded in 1857 as part of the South Kensington Museum, but gained independence in 1909.

Best time of day to film: We discourage filming during peak holiday periods such as Easter holidays or half term when the museum is very crowded.’ to ‘Filming during peak holiday periods such as Easter holidays or half term when the museum is very crowded is discouraged.

Best vantage point: For generic background shots the following galleries are generally recommended (depending on subject matter): Making the Modern World gallery, Wellcome Wing (ground floor), Who Am I? gallery, Energy Hall, and the first floor balcony overlooking the Energy Hall.

Contact: Laura Singleton, William Stanley Telephone: +44 (0) 20 7942 4364 / 4429

Access restrictions: Filming is generally limited to a two-hour time period and supervised by members of the Press Office. All film crews are asked to use battery operated equipment and to keep equipment to a minimum. Requests to switch off sound exhibits, interview curators or remove objects from glass cases can only be arranged with prior notice. Filming of children requires written consent by a guardian or parent NOT a teacher.

Filming permit: A filming permit is not required but a minimum of two-three days’ notice for filming is requested. Filming that requires special access to objects and curators requires a minimum of one week’s notice.

Email: Laura.Singleton@sciencemuseum.org.uk or William.Stanley@sciencemuseum.org.uk Website: www.sciencemuseum.org.uk

Filming fee: Up to two hours of filming free of charge is allowed on the condition that the Science Museum is credited in the programme. For generic background or commercial filming then filming fees apply – starting at £350+VAT per hour. Each request is assessed on a case-by-case basis by the Press Office.

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Public liability insurance: Public liability insurance is required.

Existing footage: Footage is available to view on the official YouTube channel. However, this is not suitable for mainstream broadcast.

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LONDON Shakespeare’s Globe 21 New Globe Walk, Bankside, London, SE1 9DT The Globe is a faithful reconstruction of Shakespeare’s iconic theatre.

Situated on the South Bank of the River Thames, a few hundred yards from its original site, Shakespeare’s Globe is one of the most popular visitor destinations in the UK – globally recognised for its beautiful architecture, the quality of its theatre productions and its far-reaching educational work. Theatre productions play in repertory from April to October and have gained a reputation for performance excellence in architectural conditions that are as close as possible to those of Shakespeare’s time. The Globe operates year-round with an inspiring exhibition and theatre tour, as well as providing education courses, programmes, bespoke workshops, tours and events for students from pre-school to postgraduate level. The intimate indoor theatre – the Sam Wanamaker Playhouse, named after American actor and director Sam Wanamaker, the Globe’s visionary founder – allows Shakespeare’s Globe to offer performances year-round.

It’s a fact: The Globe is an open-air theatre, often referred to as the ‘wooden O’.

The productions play in natural light during the day and with houselights after sun-down, so that audiences and actors can see each other at all times. Audiences to the theatre can choose to stand and watch from the yard, offering a dynamic and unique experience.

Best time of day to film: Shakespeare’s Globe is a working venue – in addition to its theatre productions during the summer (matinée and evening performances), it runs year-round theatre tours and education visits. Out of hours is the only time in which to film the empty space. As an open-air venue the Globe benefits from natural sunlight during daylight hours. When the sun is down, the Globe is lit by house lights throughout.

Best vantage point: There are many photogenic angles within the theatre – the shape and craftsmanship of the wooden audience bays, stage and pillars provide numerous vantage points. The exterior of the theatre can be filmed from the piazza surrounding it, from select raised positions on site and from the pedestrian area on Bankside.

Access restrictions: Parking is extremely limited and cannot be guaranteed. As a historically faithful venue, there are no power-points within the theatre itself. Filming and photography must not interrupt the general running of the site.

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Contact: Emma Draper Telephone: +44 (0) 20 7902 1492 Email: Emma.dr@shakespearesglobe.com Website: www.shakespearesglobe.com

Filming permit: Yes. A filming application form along with full terms and conditions is available from the Press Office – details above. A minimum of seven working days is required from receipt of the completed application form to the proposed date of filming/photography.

Filming fee: Filming fees apply. The final fee will depend on the scale, treatment and subject of your filming/photography project. Larger projects will be charged at a considerably higher rate. < back to contents

Public liability insurance: A location agreement must be signed in advance of access and a copy of a public liability insurance certificate must be provided.

Existing footage: Shakespeare’s Globe has B-roll footage of the site from various locations, angles and times of day. This is available to download in various formats from the Online Press Image and Film Library. Fees may apply for commercial use and will be judged on an individual request basis.

LONDON South Bank Lambeth Bridge to Blackfriars Bridge, and south to St Georges Circus South Bank offers filmmakers a fascinating selection of locations, from the famous Riverside Walkway and London Eye through to gritty car parks, beautiful gardens, outdoor cafés and iconic buildings including the Southbank Centre, National Theatre and Oxo Tower. Located in the heart of London and next to the River Thames, South Bank offers breathtaking views towards Westminster, St Pauls and The City. There is always something new to see on South Bank, such as new pop-up bars, street entertainers and art installations, and the area is buzzing with over 20 million visitors per year.

The area runs from Lambeth Bridge to Blackfriars Bridge and sits within the boroughs of Lambeth and Southwark, as well as private organisations that own and manage the land. If you are filming in the area, you may need to seek permission from multiple land owners for your shoot. For free advice, please contacts South Bank Venues on +44 (0) 20 7202 6900 or email events@southbanklondon.com It’s a fact: Waterloo - the nearest station to South Bank - is the busiest station in the country with 130 million visitors every year.

Best vantage point: For Westminster: Riverside Walkway in front of Jubilee Gardens or County Hall For St Pauls: The Jetty near the Oxo Tower For The City: The Observation Point near the Oxo Tower For the London Eye: Jubilee Gardens Public liability insurance: The South Bank area is owned by several different groups.

Coin Street Community Builders own and manage 13 acres on the South Bank including the Riverside Walkway from the National Theatre to Oxo Tower Wharf as well as Gabriel’s Wharf, Bernie Spain Gardens and Oxo Tower Wharf. You must complete a filming request form that can be found via the Site Hire tab on www.coinstreet.org; you will need to present your PLI certificate.

Contact: Rebecca Lott

Contact: Louise King Email: L.King@coinstreet.org Tel: +44 (0) 20 7021 1681

Telephone: +44 (0) 20 7292 6918

For filming along the South bank, please take a look at: http://bit.ly/134qgLU

Website: www.southbanklondon.com

Email: events@southbanklondon.com

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LONDON The State Rooms Buckingham Palace London, SW1A 1AA Buckingham Palace is the working headquarters of the Monarchy and an official residence of Her Majesty The Queen. It is one of the few remaining working palaces in the world today. The 19 State Rooms are used extensively by The Queen and members of the Royal Family to receive and entertain their guests on State, ceremonial and official occasions. They are furnished with many of the greatest treasures from the Royal Collection, including paintings by Van Dyck and Canaletto, sculpture by Canova, exquisite pieces of Sèvres porcelain, and some of the finest English and French furniture in the world. In July and August visitors can see the State Rooms and a special exhibition as part of the annual Summer Opening of Buckingham Palace.

It’s a fact: The Queen and The Duke of Edinburgh moved into Buckingham Palace in 1952 and are the Palace’s longest residents.

Access restrictions: Royal Collection Trust cannot provide permission for filming the Palace’s façade – this is managed by The Royal Parks.

Filming permit: Permission to film in the State Rooms is rarely granted, however details about how to make an application can be found at www.royalcollection.org.uk/about/press/filming-and-images It is suggested that broadcasters apply to make use of existing B-Roll footage as an alternative. This can be supplied in connection with the Summer Opening of Buckingham Palace.

Filming fee: The filming and recording facility fee is £300+VAT per hour, plus a supervision fee. This excludes transmission fees.

Public liability insurance: A minimum of £5million.

Existing footage: Broadcasters can apply to use B Roll of three of Buckingham Palace’s State Rooms – the Green Drawing Room, Throne Room and White Drawing Room – in connection with the Summer Opening of the Palace.

The application form is available to download from www.royalcollection.org.uk/about/press/filming-and-images

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Contact: Royal Collection Trust Press Office Telephone: +44 (0) 20 7839 1377 Email: press@royalcollection.org.uk Website: www.royalcollection.org.uk Credit: Royal Collection Trust/ © Her Majesty Queen Elizabeth II 2013

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LONDON St Paul’s Cathedral St Paul’s Churchyard, London, EC4M 8AD A cathedral dedicated to St Paul has overlooked the City of London since 604AD, a constant reminder to this great commercial centre of the importance of the spiritual side of life. The current cathedral was designed by Sir Christopher Wren and built between 1675 and 1710 after its predecessor was destroyed in the Great Fire of London of 1666. As the cathedral of England’s capital city, St Paul’s is the spiritual focus for the nation. This is where people and events of overwhelming importance to the country have been celebrated, mourned and commemorated since the first service took place in 1697. Important services have included the funerals of Lord Nelson, the Duke of Wellington, Sir Winston Churchill and, most recently, Margaret Thatcher; Jubilee celebrations; peace services marking the end of the First and Second World Wars; the 80th and 100th birthdays of the Queen Mother; and the wedding of Prince Charles to Lady Diana Spencer.

It’s a fact: St Paul’s actually has three domes: an inner dome, a brick cone that supports the lantern, and the outer dome ‘skin’. The inner dome is 225 feet high with a diameter of 102 feet. The whole structure weighs 64,000 tonnes.

Best time of day to film: Any time.

Access restrictions: Some areas are inaccessible at different points of the day. No filming work can take place during services.

Filming permit: Email Ed Holmes with all enquiries.

Public liability insurance: £10million.

Contact: Ed Holmes Email: ed@stpaulscathedral.org.uk Website: www.stpauls.co.uk

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LONDON Tate Britain Millbank, London, SW1P 4RG Tate Britain is the home of British art from 1500 to the present day.

The building offers an altogether different filming environment to Tate Modern, with its classical architectural spaces and grand galleries built to showcase 19th century paintings. It has been used as a location for Enduring Love, Armadillo and Van Wilder II. Itâ&#x20AC;&#x2122;s a fact: In 1892 the site of a former prison, the Millbank Penitentiary, was chosen for the new National Gallery of British Art, which would be under the Directorship of the National Gallery at Trafalgar Square. The prison, used as the departure point for sending convicts to Australia, had been demolished in 1890.

Best time of day to film: Tate Britain is normally available to film crews before 10.00 and after 18.00, when the galleries are closed, but some areas are available at all times of the day or night.

Best vantage point: Tate Britain offers film crews classical architectural spaces and grand galleries built to showcase 19th century paintings.

Filming permit: All filming must be organised as far in advance as possible through the Press Office.

Filming fee: Location fees start from ÂŁ200 per hour and rates for long filming periods are negotiable. Non-commercial filming should be organised through the Press Office pressoffice@tate.org.uk Public liability insurance: Contact for more information.

Existing footage: Existing footage can be licensed from Tate Media. Contact the Press Office for more information pressoffice@tate.org.uk

Contact: Kate Moores Telephone: +44 (0) 20 7887 4906 Email: kate.moores@tate.org.uk Website: www.tate.org.uk

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LONDON Tate Modern Bankside, London, SE1 9TG Housed in the iconic Bankside Power Station building, Tate Modern presents international modern and contemporary art from 1900 to the present day. It opened in 2000 and last year attracted 5.3 million visitors, the highest ever figure in its history. It offers film crews contemporary architectural spaces and spectacular views of the London skyline.

Best time of day to film: Tate Modern is normally available to film crews before 10.00 and after 18.00, when the galleries are closed, but some areas are available at all times of the day or night.

Best vantage point: Tate Modern offers film crews contemporary architectural spaces and spectacular views of the London skyline.

Filming permit: All filming must be organised as far in advance as possible through the Press Office.

Filming fee: Location fees start from ÂŁ200 per hour and rates for long filming periods are negotiable. Non-commercial filming should be organised through the Press Office pressoffice@tate.org.uk Public liability insurance: Contact for more information Existing footage: Existing footage can be licensed from Tate Media. Contact the Press Office for more information pressoffice@tate.org.uk

Contact: Duncan Holden Telephone: +44 (0) 20 7887 4939 Email: duncan.holden@tate.org.uk Website: www.tate.org.uk Š Tate Photography

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LONDON The British Museum Great Russell Street, London, WC1B 3DG Built in 1753 the British Museum is the oldest public museum in the world, housing a collection of more than eight million objects from across the globe, dating back from 40,000 years ago to the present day. Its beautiful galleries, libraries, scientific labs, underground tunnels and storage areas, plus the soaring glass atrium of the Great Court at the very heart of the museum, make it an ideal filming location.

It’s a fact: The British Museum has the UK’s largest museum collection of pin badges.

Best time of day to film: Early morning in the Great Court has fantastic light, especially in summer.

Best vantage point: The most popular front-of-house spaces are the Great Court, the Colonnade and Egyptian Sculpture Gallery – each of these spaces offer dramatic visuals. Behind the scenes there are wonderful atmospheric storage basements and corridors. Under special circumstances the museum allows filming from its roof, which provides spectacular views of Senate House, the BT Tower and Centrepoint, along with the museum’s own iconic frontage and forecourt.

Access restrictions: The museum does not allow large-scale filming during public opening hours (between 10.00 and 17.30 in most of its areas).

Filming permit: Yes; to apply for permission please complete a proposal form on the British Museum website and send through to the broadcast unit for processing, preferably with at least 10 days’ notice although a tighter turn-around can occasionally be facilitated. You can also find information on the museum’s filming locations and collections using the search facilities on its website.

Filming fee: Almost all filming is charged, however some filming is permitted free of charge through the Press Office; this tends to be limited to filming around the museum’s temporary exhibitions.

Public liability insurance: Public liability of at least £5million is required; this may rise depending on the scale of the filming project.

Existing footage: The museum licenses footage of the building and the collection for a charge and its sister company BMImages licenses stills for broadcast purposes.

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Contact: Annabel Troost Telephone: +44 (0) 20 7323 8380 Email: ATroost@britishmuseum.org Website: www.britishmuseum.org © Tate Photography < back to contents

LONDON The National Gallery Trafalgar Square, London, WC2N 5DN The National Gallery houses the national collection of western European paintings, with its collections comprising more than 2,300 paintings ranging from the Middle Ages to the early 20th century. The gallery is open 361 days a year, free of charge. All major traditions of western European painting are represented, from the painters of late medieval and Renaissance Italy to the French Impressionists, with artists including Titian, Monet, VelĂĄzquez, Rembrandt and Van Gogh.

Best time of day to film: Filming is only permitted within the National Gallery building outside of opening hours on weekdays; therefore before 10.00 or after 18.00, except on a Friday when there is late opening until 21.00.

Filming permit: Please fill in the Q&A form that can be downloaded from the National Gallery website.

Filming fee: Each filming request is assessed on a case-by-case basis.

Public liability insurance: Yes: ÂŁ10million.

Existing footage: The Press Office has produced a selection of broadcast-quality prerecorded video material of the National Gallery Collection. The B-roll includes a series of interviews with the Deputy Director and Director of Collections, plus four different curators.

It also includes a large selection of videos and stills of 12 highlight paintings, as well as general exterior and interior shots of the gallery.

Contact: Press Office Telephone: +44 (0) 20 7747 2865 Email: press@ng-london.org.uk Website: http://bit.ly/11uXa90

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LONDON The Natural History Museum Cromwell Road, London, SW7 5BD The Natural History Museum is home to the nation’s finest collection of natural history specimens. It is one of the UK’s top visitor attractions, with over five million people every year enjoying its exhibitions, events and educational programmes. The Museum has been gathering knowledge about the natural world for more than 250 years and is known worldwide as a leader in scientific research. The Museum’s collections originated in the Sloane collections of the 17th and 18th centuries, and today have grown to over 70 million plants, animals, fossils, rocks and minerals from around the world. Behind the scenes, more than 300 scientists and students use the collections for research into problems such as disease, climate change and threats to the Earth’s biodiversity.

It’s a fact: Discovered off the coast of the Falkland Islands, the Museum’s giant squid ‘Archie’ measures 8.46m and can be found in the Spirit Collection. The 26-metre Diplodocus, affectionately named ‘Dippy’, welcomes over five million visitors a year into the Museum’s Central Hall. It has 292 bones, including over 70 tail vertebrae and 60 finger and toe bones in each of the hands and feet.

Best time of day to film: Filming in the public galleries must take place outside of opening hours (10.00 – 18.00), however filming in a back-of-house area can take place throughout the day.

Best vantage point: Dependent on the subject and focus of the content, but shooting from the bridge in Central Hall gives an impressive wide shot of the grand staircase in the historic terracotta building designed by Waterhouse.

Access restrictions: Filming in the public galleries must take place outside of opening hours (10.00 – 18.00), however filming in a back of house area can take place throughout the day. All back-of-house locations have their own specific restrictions depending on what specimens are housed there.

Public liability insurance: Yes, the standard requirement is Public Liability Insurance of at least £5million.

Contact: Press Office Telephone: +44 (0) 20 7942 5654

Filming fee: A filming fee is to be charged and science consultancy fees are charged where applicable. Each filming request is assessed individually and some are applicable for fee reductions depending on the content.

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Email: press@nhm.ac.uk / filming@nhm.ac.uk Website: www.nhm.ac.uk

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LONDON The View from The Shard Joiner Street, London, SE1 9SG The View from The Shard is the visitor attraction at the top of London’s newest landmark and western Europe’s tallest building, The Shard. The attraction is almost twice the height of any other vantage point in London and offers spectacular 360° views for up to 40 miles. The attraction offers access to the highest habitable point of The Shard – Level 72 – which is 244 metres/800 feet high, open-air and exposed to the elements. The main viewing gallery on Level 69 features 12 high tech Tell:scopes – digital interactive telescopes enabling guests to view the city by day or night, identify places of interest, and discover information about 200 London landmarks in a choice of 10 languages.

Since opening in February 2013, The View from The Shard has become a popular first-stop destination for visitors to the UK’s capital, enabling them to experience the city like never before.

It’s a fact: The View from The Shard has become a popular location for marriage proposals, with two taking place within the first 10 minutes of opening!

Best time of day to film: Filming can usually only take place outside normal opening hours (currently 09.00–22.00), unless it can be completed using a handheld camera only (no tripod or other equipment). Daylight views reveal the full architectural detail and daily hustle and bustle of the city, whereas views at night are thought to be romantic and very atmospheric.

Best vantage point: You can gain access to the viewing galleries on Level 69 (triple-height), and Level 72 (the open-air viewing gallery), where the shards of glass that form the spire of the building are also visible. Both floors offer unrivalled 360° views over London and its iconic landmarks including, to the north: Wembley Stadium and Alexandra Palace; to the east: the Olympic Stadium, the Tower of London, Tower Bridge, Canary Wharf and the Thames Barrier; to the south: Battersea Power Station and The Oval cricket ground; to the west: St Paul’s Cathedral, Big Ben and the Houses of Parliament and Buckingham Palace. Please note that all views are through glass.

Filming permit: Due to the nature of the attraction, all film crews must be accredited in advance. A filming application form can be downloaded from the online media centre at http://mediacentre.kallaway.co.uk/View-from-shardpress-tours.asp It is recommended to get in touch with as much notice as possible to ensure that filming can be accommodated at the preferred date and time. Usually a minimum of five working days’ notice will apply.

Filming fee: Filming fees may apply depending on the nature of the shoot and amount of access required.

Contact: Kallaway

Public liability insurance: Yes - £5million cover is required.

Telephone: +44 (0) 20 3102 3973

Existing footage: Yes, B-roll footage is available free of charge (for use only in connection with The View from The Shard visitor attraction).

Email: theviewfromtheshard@kallaway.com

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Website: www.theviewfromtheshard.com

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LONDON Trafalgar Square Trafalgar Square, WC2N 5DS Trafalgar Square is a site of significant historic value and its monuments and statues also have individual heritage classifications. More information can be found on the website.

It’s a fact: In the early 18th century, the mews area was cleared. In 1812 the architect John Nash set about developing a new street from Charing Cross to Portland Place, forming an open square in the Kings Mews opposite Charing Cross. He wanted the square to be a cultural space open to the public, and in 1830 it was officially named Trafalgar Square.

Best time of day to film: Weekdays are best to film as the square accommodates events and rallies on many weekends.

Best vantage point: The square has several vantage points for filming.

Access restrictions: Trafalgar Square has an application process and accommodates many activities throughout the year, so the main issue can be availability. In order to process requests the team normally requires seven days’ notice as permissions and assessment are usually needed. It is always best to email the team with a description and contact details and requests usually receive a response within 24 hours.

Filming permit: For news stories there is a press pass protocol for crews with press identification. If the request is for commercial or documentary purposes then filming fees apply and details can be found on the website.

Filming fee: There is an application process for commercial filming (including documentaries) on Trafalgar Square and press pass protocol for news stories. There are many definitions of ‘non-commercial’ filming so it is best to email trafalgar.square@london.gov.uk for further advice.

Public liability insurance: £5million public liability insurance cover required for all activities.

Contact: Trafalgar Square Team Telephone: +44 (0) 20 7983 4750 Email: trafalgar.square@london.gov.uk Website: www.london.gov.uk/priorities/arts-culture/trafalgar-square

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LONDON Victoria and Albert Museum Cromwell Road, London, SW7 2RL The Victoria and Albert Museum (V&A) is the worldâ&#x20AC;&#x2122;s greatest museum of art and design, representing more than 3,000 years of human creativity, with collections unrivalled in their scope and diversity.

In recent years the V&A has undergone a dramatic programme of renewal and restoration. Highlights include the Medieval Renaissance galleries containing some of the greatest surviving treasures from the period; the breathtaking Jewellery gallery; and the stunning British Galleries, illustrating the history of Britain through the nationâ&#x20AC;&#x2122;s art and design. In addition to its outstanding free permanent collection, the V&A offers a programme of temporary exhibitions and an extensive events programme.

Existing footage: There is B-roll footage that can be downloaded. Professionally made, the footage highlights the various galleries and temporary exhibitions and is free to use.

The footage available for press can be viewed here by typing in the details below: http://panther3.dmsukltd.com/signin USER: guest.vam@dmsukltd.com PASS: letmein

Contact: Press Office Telephone: +44 (0) 207 942 2502 Email: press.office@vam.ac.uk Website: www.vam.ac.uk

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LONDON Westminster Abbey The Chapter Office, 20 Dean’s Yard, London, SW1P 3PA Westminster Abbey is a world-famous church, and former Benedictine monastery, in which every king or queen of Britain has been crowned.

It also played host to the wedding of HRH the Duke and Duchess of Cambridge in April 2011.

Best time of day to film: Mornings, between 07.00-09.30.

Best vantage point: Nave, Lantern and Lady Chapel.

Access restrictions: There is no general access to roofs and towers.

Filming permit: An Abbey contract must be agreed and signed.

Filming fee: £500 per hour, no waivers.

Public liability insurance: £1million.

Existing footage: B-roll shot by BBC and offered by the Abbey on licence.

Contact: Press Office Telephone: +44 (0) 20 7654 4923 Email: press@westminster-abbey.org Website: www.westminster-abbey.org

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LONDON Whitechapel Gallery 77-82 Whitechapel High Street, London, E1 7QX For over a century the Whitechapel Gallery has premiered world-class artists from modern masters such as Pablo Picasso, Jackson Pollock, Mark Rothko and Frida Kahlo to contemporaries such as Sophie Calle, Lucian Freud, Gilbert & George and Mark Wallinger. With beautiful galleries, exhibitions, artist commissions, collection displays, historic archives, education resources, inspiring art courses, dining room and bookshop, the Gallery is open all year round, so there is always something free to see. The Gallery is a touchstone for contemporary art internationally, plays a central role in London’s cultural landscape and is pivotal to the continued growth of the world’s most vibrant contemporary art quarter.

It’s a fact: In 2012 the Gallery commissioned leading British artist Rachel Whiteread to a new work of art for the building’s façade. Titled The Tree of Life the work is her first permanent public commission in the UK. Best time of day to film: Filming is best scheduled during the morning before 11.00.

Best vantage point: Wide angle or installation shots are most suitable as there may be restrictions on filming certain artworks.

Access restrictions: There is lift access to all levels of the Gallery.

Filming permit: Please contact the Press Office at least a week in advance with filming requests and even further in advance if an interview would be required.

Filming fee: Filming requests are dealt with on a case-by-case basis. Filming requests taking place outside gallery hours may incur a charge.

For all enquiries relating to commercial filming contact: hire@whitechapelgallery.org Public liability insurance: Public liability insurance to the value of £10million.

Contact: Alex O'Neill Telephone: +44 (0) 20 7539 3360 Email: alexoneill@whitechapelgallery.org Website: www.whitechapelgallery.org

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Essential Information and Top Tips

CONTENTS Cycling in London

London from the Air

Docklands Light Railway

London in a Black Taxi

Filming on London’s Bridges

London RIB Voyages Ltd

Filming on London’s Buses

London Underground

Filming in London’s Hotels, Pubs & Restaurants

St Pancras International Station Thames Clippers

Filming in London’s Royal Parks The Emirates Air Line Filming on London’s Streets The Original London Sightseeing Tour Kings Cross Station

LONDON Cycling in London London’s Barclays Cycle Hire is a public bike-sharing scheme for shorter journeys around the capital. There are more than 8,000 bikes at 570 locations across London. More than 17 million journeys have been made on the bikes since the scheme’s launch in 2010.

The “Boris bikes” (named after London’s Mayor Boris Johnson) are available to casual users - including non-UK residents - as well as members.

The bikes are easy to hire – simply swipe your membership key, credit or debit card, grab a bike and go. After you’ve paid your daily, weekly or yearly access fee, your first half-hour is free, with no additional charge provided the bicycle is returned within 30 minutes.

When you’ve finished your journey, just drop the bike back to one of the many docking stations across London. Cycle Hire docking stations are located across nine London boroughs and in several Royal Parks in central London.

It’s a fact: Waterloo Station is the most popular place to hire and dock cycles.

The scheme is managed by Transport for London and more details can be found on the website www.tfl.gov.uk/roadusers/cycling/14808.aspx Barclays Cycle Hire is happy for crews to film using a bike, but they will need to pay the hire fee. There is no need to let them know, but you might need to let the relevant Borough Film Office know if you are planning to film on public highways.

Did you know? The London Cycle Guides are a set of cycle route maps, originally developed by the London Cycling Campaign in 2002, and now published and given away free by Transport for London.

They cover all of Greater London, and show routes advantageous to cyclists, including parts of the London Cycling Network and the Cycle Superhighways.

They also show traffic-free routes in canals and parks, and some areas blocked to cyclists.

A total of 14 maps are required to cover the whole of Greater London, so you’ll probably want several to cover areas where you plan to ride.

For more details and to order copies of the guides visit: www.tfl.gov.uk/roadusers/cycling/11682.aspx

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LONDON Docklands Light Railway Serco Docklands, Castor Lane, Poplar, London, E14 0DS The Docklands Light Railway (DLR) provides a popular location for filming and photography thanks to stunning modern architecture, dockside settings, elevated track and modern trains. The DLR is one of the first light rail systems in Britain, with one of the world’s most advanced automatic train control systems, and has expanded faster than any other UK railway. No other rail service in London offers a travelling experience quite like DLR. The fully automated system on elevated tracks offers great views of East London and the Docklands.

East London blends the glamour of modern culture and architecture with its rich maritime heritage and historic buildings. Several DLR stations have iconic backdrops such as the Queen Elizabeth Olympic Park and the gleaming metropolis of Canary Wharf as well as the picturesque areas of Limehouse Basin and West India Quay.

It’s a fact: The Docklands Light Railway is a driverless railway, which means many passengers like to sit at the front of the train and pretend to drive it.

Contact: Paul Curtain / Debra Cox

Best time of day to film: Off-peak hours, after 09.30 and before 16.00 as it is less busy.

Email: Paul.Curtain@sercodocklands.co.uk debra.cox@sercodocklands.co.uk

Best vantage point: • Poplar Station has four busy platforms, a good backdrop of Canary Wharf, and Poplar walk way bridge.

Website: www.tfl.gov.uk/dlr

• Pontoon Dock Station offers good views, long empty platforms, a free car park, a café, toilets, and Thames Barrier Park.

• Canary Wharf Station is an impressive looking station with four busy platforms, space for equipment, good crowd movement, cafés and toilets.

• Heron Quays Station offers good views towards Canary Wharf and opportunities for good train shots.

• South Quay Station is a new station with long platforms and impressive buildings as a backdrop.

• Canning Town Station is a busy site with good views and connections with the Jubilee line. You must sign in with LUL staff here.

• Pudding Mill Lane Station offers an impressive view of the Olympic site as a backdrop.

• Tower Gateway Station is ideal for obtaining a front-of-train view or allowing a film crew space to work in the train without interruption.

• Stratford Station is another busy site offering room for equipment and connections with Central/Jubilee/BR Trains. Again, you must sign in with LUL staff here.

Telephone: +44 (0) 20 7363 9503

• Woolwich Arsenal station is a new busy station with very clean lines, staff on hand to assist and terminal status so trains can be used for interior shots and positioning crews in their required location on the train. It also has a tunnel for effect when leaving.

All bookings must be supported by a copy of your: • Public Liability Insurance up to £5million • Method Statement • Risk Assessment

Access restrictions: You can only conduct commercial filming or photography with prior permission from the operator Serco Docklands. This is regardless of subject matter, equipment to be used or size of crew. Some busier stations may not be available during peak periods. Weekends are more flexible and you can usually film at any time of day. DLR is an open railway network so for safety reasons you will need to be supervised.

Bookings are not confirmed until a contract has been agreed and signed by all parties.

Filming permit: A minimum of four weeks’ notice is required to agree and set up an average-sized filming or photography shoot, but it is possible to make arrangements more quickly if necessary. Serco Docklands will usually need to supervise filming and can provide additional crowd control staff.

Public liability insurance: Public Liability Insurance up to £5million.

Filming fee: The filming/photography location fee is £250+VAT per hour. You must pay in full before you start filming. There’s a minimum booking requirement of two hours for each session. After that charges are on a sliding scale, depending on the number of crew and cast involved.

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LONDON Filming on London’s Bridges London Bridge was the first bridge built across The River Thames and there has been a crossing at or near its present site for nearly 2,000 years. The most recent bridge to be built is the Millennium Bridge, completed in 2002.

Adjacent to the Tower of London, Tower Bridge is one of London’s most famous and distinctive landmarks and probably the best known of all London’s bridges. Considered as a masterpiece of Victorian engineering, the bridge crosses The Thames between Tower Hamlets to the north and Southwark to the south. However, filming on the bridge itself is controlled by the City of London.

The boundary line for boroughs on either side of The Thames runs through the middle of the river - splitting authority over London’s bridges in two. However, for filming purposes the majority of boroughs have agreed that one will take responsibility for an entire bridge.

For more details, take a look at Film London’s guide to filming on bridges and who you need to contact: http://core.filmlondon.org.uk/library/documents/Bridges_of_London.pdf For more details on camera positions for the Tower of London, information can be found on Film London’s website: http://core.filmlondon.org.uk/library/documents/Tower_Bridge.pdf.

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LONDON Filming on London’s Buses London Buses manage one of the largest bus networks in the world.

Approximately 7,500 iconic red buses carry more than six million passengers each weekday on a network serving all parts of Greater London. In February 2012, the New Bus for London was introduced and was the first bus in more than 50 years to be designed specifically for the capital’s streets. It now runs on 11 of London’s bus routes. The interior and external styling of the bus was developed with help from Transport for London’s design partner, Heatherwick Studio. It was inspired by the old Routemaster, but is modern, fully accessible and uses the latest green technology.

It’s a fact: More than 90 per cent of Londoners live within 400 metres of one of the 19,500 bus stops in the capital.

Best time of day to film: Transport for London doesn’t usually allow filming on buses that are in service. However, outside peak commuter hours you can hire a bus that will look like the bus on the route you wish to film, complete with driver.

Access restrictions: You can’t film in most working bus stations and depots. Some operators will allow limited filming as long as you meet the costs of providing filming supervision. You will also need to provide them with a description of what you will be filming and what the film will be used for, plus the number of people involved in filming, times you would like to film and how long you expect to film for.

Filming permit: In most cases you will need to give at least seven days’ notice.

Filming fee: Yes. Public liability insurance: Yes.

Email: filmrequests@tfl.gov.uk Website: www.tfl.gov.uk/corporate/media/4933.aspx

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LONDON Filming in London’s Hotels, Pubs and Restaurants London has a wide range of wonderful hotels, restaurants and pubs where some of the greatest chefs in the world work.

Many overseas broadcasters want to film and sample the legendary British afternoon tea – more details on where you can try the best afternoon tea can be found on the UK Tea Council’s website www.tea.co.uk/teaguild Although many do allow filming, they usually request that afternoon tea is filmed outside normal customer hours, therefore in the morning, and restaurants generally request that filming takes place when there are no customers dining. The Wolseley, by the Ritz Hotel on Piccadilly, for example, only allows filming after midnight and before 07.00.

Pubs are more accommodating, but still require permission in advance.

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LONDON Filming in London’s Royal Parks (including Changing of the Guard) The Royal Parks are unique. Situated in and around central London, the 5,000 acres that form them contain everything from palaces and memorials to a pet cemetery; open meadow, lakes and grassland to dense woodland; historic vistas and tree-lined avenues to views over today’s London. The Royal Parks comprise Hyde Park, the Green Park, St James’s Park, the Regent’s Park, Greenwich Park, Bushy Park, Richmond Park and Kensington Gardens. In addition, the Royal Parks care for Brompton Cemetery, Victoria Tower Gardens and Grosvenor Square Gardens. Other key locations that are in the Royal Parks include The Albert Memorial, The Serpentine (lake) in Hyde Park and Diana, Princess of Wales memorial.

It’s a fact: There are 130,000 trees made up of more than 250 different species, which play a huge part in the health of the capital city by reflecting UV light, absorbing carbon and filtering the air.

Best time of day to film: If crews would like to film Changing of the Guard they must refer to www.changing-the-guard.com/dates-times.html for times and dates, as at certain times of the year the ceremony doesn’t take place every day. http://bit.ly/A6Z8ka Best vantage point: The Film Office can advise and this should be detailed on the application form that is found on the website.

Access restrictions: The Royal Parks actively support and encourage filming. The type of filming is generally unrestricted, with the exception being projects that might be deemed socially irresponsible or disrespectful.

Filming permit: A permit is required and requests that do not provide a minimum of five working days’ notice will not be considered.

Filming fee: Fees are flexible and are based on the size of the production, the number of cast and crew, the number and size of vehicles, the amount of time required, the level of disruption to the public and wildlife and the PR or profile benefit to the Royal Parks. Payment must be made in advance of filming by cheque, credit card or BACS.

Public liability insurance: The recommended minimum is £5million.

Telephone: +44 (0) 300 061 2110 or +44 (0) 300 061 2111.

Existing footage: http://bit.ly/18dk6h4.

Email: film@royalparks.gsi.gov.uk Website: www.royalparks.org.uk/business/filming

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LONDON Filming on Londonâ&#x20AC;&#x2122;s Streets To film on the streets of London, where you can capture some of the most popular locations in the capital, you may need to gain permission from the relevant Borough Film Service. It is free to film on the public street, however you may be charged an administration fee by the BFS and you will be charged for any additional Council service.

London is divided into 33 separate boroughs and each has its own Borough Film Service (BFS) that deals with filming requests for all Local Authority managed locations (e.g. streets, estates, commons, town halls, some schools, shopping and leisure centres etc.)

Here is a link to the Borough Film Offices: http://filmlondon.org.uk/networks/filming/boroughs/bfs

Credit: London RIB Voyages Ltd

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LONDON King’s Cross Station King’s Cross Station, Euston Road, London, N1 9AL King’s Cross Station first opened in 1852, with the Great Northern Hotel opening just a few years later. Since then, the station has seen many refurbishments, with the canopy covered concourse, which has since been demolished, opening on 3 June 1973. In March 2012, a new concourse covered by a 1,700 tonne steel and glass dome opened as phase one of a new redevelopment of the station, while the second phase of the construction project, King’s Cross Square, opened in September 2013, with a 7,000 square metre plaza. This project included renovating the Grade I-listed building to the highest possible standard and connecting the station to the Great Northern Hotel.

The current station boasts a wonderful mix of renovated, industrial Victorian architecture, with modern and contemporary styles.

Features include platforms, concourses, departure boards, retail, high-level walkways and balconies.

It’s a fact: It was one of the famous locations in the Harry Potter films.

Best time of day to film: Weekdays: Off peak filming only – 10.00 – 16.00.

Weekends: Any time, while station is open.

Overnight: On application.

Best vantage point: The mezzanine level.

Access restrictions: To film trains, permission also needs to be obtained from the Train Operating Company.

Filming permit: Yes, permission is required and applications need to be made through the website where notice periods are also explained.

Filming fee: The fees are on the website - www.networkrail.co.uk/filming - and news crews will need to obtain permission from the Press Team.

Contact: Felicity Jump Public liability insurance: Between £5 to £10million – always in pounds sterling.

Telephone: +44 (0) 20 7904 7375

Existing footage: For news footage, the Press Team can advise.

Email: Felicity.jump@networkrail.co.uk Website: www.networkrail.co.uk/filming

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LONDON London from the Air Helicopter Film Services can organise aerial filming anywhere in England.

Access restrictions: Contact Helicopter Film Services for specific location information.

Filming permit: Central London has restrictions; however Helicopter Film Services has standing exemptions to film over Central London.

Public liability insurance: ÂŁ15million.

Alternative Helicopter companies: Flight Logistics Tim Desbois Tel: +44 (0) 870 620 8046 Mobile: +44 (0)7831 627878 ops@flightlogistics.tv www.flightlogistics.tv Weston Aviation Tel: + 44 (0) 208 742 3111 london@westonaviation.com www.weston-private-jet-charter.com/film-tv-production Helimanx Tel: +44 (0) 1624 877770 Mobile: +44 (0) 7836 610823 info@helimanx.com

Contact: Jeremy Braben Telephone: +44 (0) 1895 833365 Email: info@helicopterfilm.tv Website: www.helicopterfilm.tv

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LONDON London in a Black Taxi 431 Caledonian Road, Islington, London, N7 9BG The London Black Taxis are as much an iconic part of the capital as the famous landmarks that have stood here for centuries.

It’s a fact: London Taxi Drivers study the ‘knowledge’ of London for an average of three to four years.

Best time of day to film: Available 24 hours.

Best vantage point: Where required within London.

Access restrictions: Limited to four persons in each taxi.

Filming permit: Not within the vehicle but may be required for outside venues.

Filming fee: Normally £100 per hour to include use of Taxi and experienced and qualified driver.

Public liability insurance: Insurance is included in the fee.

Contact: Derek O’Reilly & Pat Linskey Telephone: +44 (0) 20 7700 5681 Email: pat@taxitradepromotions.co.uk Website: www.taxitradepromotions.co.uk

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LONDON London RIB Voyages Ltd Company: 7th Floor Elizabeth House, 39 York Road, London, SE1 7NJ Pier: Boarding Gate 1 (One) The London Eye Millennium Pier, SE1 7PB Speeding down the River Thames on an RIB (speedboat) offers amazing views of London’s iconic skyline and famous architectural sights, as the RIBs can get up close and personal to all major London landmarks situated along the river bank (including the renowned bridges). London RIB Voyages has the largest and fastest fleet of RIBs on the River Thames today, and for this reason it has plenty of experience in filming works and offering first-class assistance to ensure crews capture their desired moments and footage. The company has successfully assisted in photoshoots and both large and small filming jobs, having taken out TV presenters, journalists and producers from all around the world. It also provided the actual vessels that took part in a number of the River Thames scenes in the Harry Potter film ‘The Goblet of Fire’.

It’s a fact: You might recognise the RIBs from the Queen’s Diamond Jubilee River Pageant; the entire fleet participated in what was the largest-ever parade of boats.

Best time of day to film: Six open RIBs are available during daylight hours. Closed RIB The Chelsea Flyer is available 24/7, perfect for night filming.

Best vantage point: From the front of the boat.

Access restrictions: Ramps are in place on to the pier and up to the Boarding Gate, and there is stair access to board the RIB from the edge of the pier.

Filming fee: Yes variable, however non-commercial filming does not require a licence from the PLA. This is an external authority and therefore charges are decided and administered by it.

Public liability insurance: Each vessel has its own public liability insurance, of which the liability indemnity is £10million.

Contact: Jane Kirby Telephone: +44 (0) 20 7928 8933 Email: info@thamesribexperience.com Website: www.londonribvoyages.com

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LONDON London Underground 55 Broadway, London, SW1H 0BD London Underground was formed in 1985, but its history dates back to 1863 when the world’s first underground railway opened in London.

Today, London Underground is a major business with three million passenger journeys made every day, serving 275 stations over 408 km (253 miles) of railway. London Underground is an iconic feature of the capital and the brand alone immediately identifies the city and its people that live and work in it. The Tube has made a significant impact on the development of London more than any other industry over the last century and has always played a supporting role in film and television.

It’s a fact: Each station is different in style, ranging from Art Deco to modern, urban to countryside.

Best time of day to film: 10.00-15.30 or 20.00-23.00 Access restrictions: No lights or flash on any operational platform – all equipment must be at least two metres from the platform edge.

Filming permit: Interested parties can apply online. Two weeks notice is required, sometimes longer depending on diary commitments.

Filming fee: Normal rates start from £500 per hour, but a ‘2-for-1’ rate (two hours for the price of one) is available for small crews of five or under.

Public liability insurance: At least £5million.

Contact: Film Office Telephone: +44 (0) 207 918 0003 Email: filmoffice@tube.tfl.gov.uk Website: www.tfl.gov.uk/filming

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LONDON St Pancras International Station Euston Road, London, N1C 4QP St Pancras Station was designed by William Barlow in 1863, with construction commencing in 1866. The red-brick, Grade 1-listed Gothic front façade, created as part of a competition in 1865, is one of the most recognisable features of St Pancras International today. This became the Midland Grand Hotel - designed by Sir George Gilbert Scott, and now houses the St Pancras Renaissance Hotel. Today, the station (owned by HS1 Limited) and hotel have been restored and renovated, with high-quality, modern retail sensitively fused with the original, Victorian architecture. Features include the Barlow Shed and roof, the Betjeman and Meeting Place statues, the famous Dent St Pancras clock, the Eastern Arch leading to the hotel forecourt, and a ground floor level full of high spec, retail spaces. St Pancras International Station – as it is now named - offers a wealth of contrasting locations, all under one fabulous roof!

It’s a fact: It is home to the longest Champagne Bar in Europe.

Best time of day to film: Weekdays: Off-peak filming only – 10.00 – 16.00.

Weekends: Any time.

Overnight: 01.00 – 05.00.

Best vantage point: The Grand Terrace (Upper Level).

The Arcade (Lower Level).

Access restrictions: Platform filming also requires sign off from Train Operating Company.

Filming in Eurostar areas is managed independently by Eurostar.

Public liability insurance: Between £5 to £10million – always in pounds sterling.

Contact: Felicity Jump Telephone: +44 (0) 20 7904 7375 Email: Felicity.jump@networkrail.co.uk Website: www.networkrail.co.uk/filming

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LONDON Thames Clippers KPMG Thames Clippers, Unit 12, The Riverside Building, Trinity Buoy Wharf, 64 Orchard Place, London, E14 0FP The fastest and most frequent fleet on the river, Thames Clippers provides commuters and sightseers with a unique way to travel around the capital. The high-speed catamarans allow Londoners and visitors alike to travel in comfort between the city’s iconic riverside attractions, enjoying on board refreshment and fabulous views. While the daily hopon hop-off River Roamer tickets offer an unrivalled way of exploring the heart of London, Thames Clippers also has a deluxe and versatile corporate and private hire service.

It’s a fact: Michael Palin, Bon Jovi, Kings of Leon, Eddie Izzard, French President Nicolas Sarkozy and his wife Carla Bruni, Tony Blair, Ken Livingston, Boris Johnson, and former Australian Prime Minister John Howard have all travelled on Thames Clippers.

Best time of day to film: Anytime, but between 10.00-16.00 is preferred.

Best vantage point: On the rear of the boats.

Access restrictions: None, as long as passenger services are not disrupted.

Filming permit: A permit is required, please note a license from the PLA is also required. Thames Clippers can assist with these and a minimum of two working days is required.

Filming fee: Fees start from £100 and vary according to requirements. Thames Clippers will consider waiving fees within a variety of circumstances.

Contact: Gemma Remon Telephone: T+44 (0) 207 001 2213 or +44 (0) 207 001 2200 Email: web@thamesclippers.com Website: www.thamesclippers.com

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LONDON The Emirates Air Line Emirates Royal Docks (close to Royal Victoria DLR Emirates Greenwich Peninsula close to the O2,

by North Greenwich station) The Emirates Air Line is the first urban cable car in the UK. It crosses the River Thames at heights of up to 90 metres above the river and directly links The O2 (the most popular music arena in the World) with the ExCel (Europe’s biggest conferencing venue). Passengers can enjoy spectacular views across the city including Canary Wharf, the Shard, the Gherkin, Thames Barrier, and the Olympic Park. The Emirates Air Line takes around 10 minutes to cross the river, and a round trip takes around 20 minutes.

Best time of day to film: Views are great at all times of the day, as lighting is not an issue. A day shoot is ideal for taking shots across the city while the evening is a good time to capture a more urban feel.

Best vantage point: As the Emirates Air Line reaches heights of up to 90 metres, the views are consistent throughout the ride.

Access restrictions: There are 34 cabins operating on the Emirates Air Line. Each cabin has the capacity to accommodate 10 seated passengers, but it is recommended that there no more than six passengers for filming. The Emirates Air Line is fully accessible and each cabin can accommodate up to two wheelchairs or up to two bicycles.

Filming permit: A filming permit is required. To request a permit, please email pressoffice@tfl.gov.uk. Around a week’s notice is ideal, although at times shorter notice can be accommodated.

Filming fee: The commercial filming charge is £250 per hour for access to a cabin although additional charges may apply.

Public liability insurance: The Emirates Air Line is covered by Public Liability Insurance.

The Policy is with brokers Aon UK Limited for the amount of up to £50million (Policy No WS1200154) for the amount in excess of £50million (Policy No WS1200178)

Contact: Linda Egan / Jasmit Jabbal / Vicky Morley Telephone: +44 (0) 845 604 4141 Email: pressoffice@tfl.gov.uk

A current policy of insurance, providing cover for death and/or personal injury to any person and loss of, or damage to, any property is required.

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Website: www.tfl.gov.uk

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LONDON The Original London Sightseeing Tour Jews Row, London, SW18 1TB Experience the best of London aboard The Original Tour’s famous red open-top buses. The popular sightseeing tour offers its guests the ultimate introduction to the capital and includes entertaining Englishspeaking guides, an unrivalled fleet of superb modern buses, three main tour routes – two of which offer full multi-lingual commentary – three free walking tours, a free Thames Hop-on Hop-off river cruise pass, and an exclusive Kids’ Club.

It’s a fact: The Original London Sightseeing Tour is a fun, safe and comfortable way to see London’s famous sights and attractions.

Best time of day to film: An open-top bus gives great light throughout the day (weather permitting) but contact The Original Tour to find out the best times on certain days or times of the year.

Best vantage point: The top deck, naturally!

Access restrictions: Steep steps to the top deck (but these usually are not a problem for film crews). Safety considerations regarding standing up and moving around when the bus is in motion.

Filming permit: Filming requests must be agreed in advance, ideally giving at least seven days’ notice, by contacting The Original Tour directly.

Filming fee: Depends on nature of the filming and the requirements and duration of the shoot.

Public liability insurance: Recommended, but depends on circumstances.

Contact The Original Tour for more information.

Contact: Louise Dolan

Existing footage: Available upon request.

Telephone: +44 (0) 20 8877 2107 Email: louised@theoriginaltour.com Website: www.theoriginaltour.com

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Filming in Londonâ&#x20AC;&#x2122;s Theatres

CONTENTS London’s Theatreland Adelphi Theatre Cambridge Theatre Her Majesty’s Theatre London Palladium New London Theatre Theatre Royal, Drury Lane

LONDON London’s Theatreland This internationally renowned area is home to more than 45 playhouses that stage classic revivals, new plays, musicals, comedy, opera and ballet. Prominent theatre locations include Shaftesbury Avenue, St Martin’s Lane, Covent Garden and The Strand and historic venues include Theatre Royal Drury Lane, Theatre Royal Haymarket, London Palladium, London Coliseum and Royal Opera House. Most of the theatres were built in the 18th or 19th centuries and are some of the capital’s most impressive and iconic buildings. The legendary tkts ticket booth in Leicester Square, run by the Society of London Theatre, is the one-stop shop for discount tickets.

Filming locations, including external theatre shots and theatre foyers, is by arrangement with the Society of London Theatre and EPKs of most productions can be supplied. Owing to current copyright laws it is not possible to film shows in their entirety.

For further information please contact Anthony McNeill, Press & Communications Manager at the Society of London Theatre.

Contact: Anthony McNeill Telephone: +44 (0) 207 557 6727 Email: Anthony@solttma.co.uk

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LONDON Adelphi Theatre Strand, London, WC2E 7NN The Adelphi is a Grade II-listed building. It was last reconstructed in 1930 when the art deco features still seen today were all introduced by the architect Ernest Schaufelberg. The last major refurbishment of the auditorium and front-of-house areas was in 1993 when these original features, some of which had been covered for many years, were restored to their original splendour.

It’s a fact: The ghost of famous melodramatic actor William Terris is reputed to have been sighted both in the theatre and at nearby Covent Garden tube station. He was fatally stabbed by fellow actor and colleague Richard Prince on entering the theatre via the stage door one evening in 1897. His last words were reportedly “I’ll be back”.

Best time of day to film: The theatre has stage and auditorium lighting, so filming can happen at all times of the day.

Best vantage point: Stage and auditorium and the Art Deco front-of-house bars.

Access restrictions: No, as long as the running of a working theatre is not interrupted.

Filming permit: A location agreement is required and as much notice as possible.

Last-minute film shoots are welcome.

Filming fee: The filming fee depends on the scale of the film shoot and the length of the day.

Public liability insurance: The theatre has public liability insurance but film companies are advised to insure against damage and/or injury to the building and/or its employees – up to a ceiling of £5million.

Contact: Michael Townsend Telephone: +44 (0) 207 557 7317 Email: Mike.townsend@rutgl.co.uk Website: www.reallyuseful.co.uk

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LONDON Cambridge Theatre Earlham Street, London, WC2 9HU The Cambridge Theatre is one of the youngest theatres in the West End, having opened in 1930. The theatre is situated opposite Seven Dials in Covent Garden and its recent front-of-house redecoration is in keeping with the Art-Deco style of the building.

It’s a fact: The interior decoration was by Serge Ivan Chermayeff from Waring and Gillow – he later went on to design the De La Warr Pavilion at Bexhill on Sea. Best time of day to film: The theatre has stage and auditorium lighting, so filming can happen at all times of the day.

Best vantage point: Stage, auditorium and from the roof.

Access restrictions: No, as long as the running of a working theatre is not interrupted.

Filming permit: A location agreement is required and as much notice as possible.

Last-minute film shoots are welcome.

Filming fee: The filming fee depends on the scale of the film shoot and the length of the day.

Public liability insurance: The theatre has public liability insurance but film companies are advised to insure against damage and/or injury to the building and/or its employees – up to a ceiling of £5million.

Contact: Michael Townsend Telephone: +44 (0) 207 557 7317 Email: Mike.townsend@rutgl.co.uk Website: www.reallyuseful.co.uk

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LONDON Her Majesty’s Theatre Haymarket, London, SW1Y 4QL Her Majesty’s Theatre, designed by C J Phipps, opened in 1897. The theatre is situated in London’s Haymarket, close to such familiar London landmarks as The Mall, Piccadilly Circus and Trafalgar Square.

Since 1705 there have been four theatres on the site of Her Majesty’s.

The current building was erected by the famous actor-manager Sir Herbert Beerbohm Tree to house his spectacular Shakespeare productions and literary adaptations. Its early history as an opera house makes it a fitting home for the long-running success of The Phantom of the Opera.

It’s a fact: When the theatre opened in 1897 it set a new theatrical precedent – the stage was flat. While this may seem relatively unimportant to the casual spectator, the change from a raked or sloping stage to a level one broke with a tradition of centuries.

Best time of day to film: It has stage and auditorium lighting, so filming can happen at all times of the day.

Best vantage point: Auditorium and stage. The stage can be converted into a clear “black box” for film shoots.

Access restrictions: No, as long as the running of a working theatre is not interrupted.

Filming permit: A location agreement is required and as much notice as possible.

Last-minute film shoots are welcome.

Filming fee: The filming fee depends on the scale of the film shoot and the length of the day.

Public liability insurance: The theatre has public liability insurance but film companies are advised to insure against damage and/or injury to the building and/or its employees – up to a ceiling of £5million.

Contact: Michael Townsend Telephone: +44 (0) 207 557 7317 Email: Mike.townsend@rutgl.co.uk Website: www.reallyuseful.co.uk

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LONDON London Palladium Argyll Street, London, W1F 7TF This legendary Edwardian theatre, built by Frank Matcham, opened on Boxing Day 1910 as a lavish music hall. The theatre occupies a site in the heart of the bustling West End that had previously been home to a Corinthian Bazaar, Henglers Grand Cirque and the National Skating Palace. It is the venue to which all performers aspire.

It’s a fact: The London Palladium has hosted more annual Royal Variety Performances than any other theatre, the first taking place in 1930.

Sunday Night at the London Palladium was first broadcast in 1955 and made stars of its hosts Bruce Forsyth, Norman Vaughan and Jimmy Tarbuck, whose pictures, among many others, hang in the theatre’s “Hall of Fame”.

Best time of day to film: The theatre has stage and auditorium lighting, so filming can happen at all times of the day. The front-of-house areas have recently been refurbished. An elegant spiral staircase now leads down from the Val Parnell Bar to the Variety Bar with natural day-light from above.

Best vantage point: Stage, auditorium, Grand Foyer staircase, Val Parnell Bar, Cinderella Bar Access restrictions: No, as long as the running of a working theatre is not interrupted.

Filming permit: A location agreement is required and as much notice as possible.

Last-minute film shoots are welcome.

Filming fee: The filming fee depends on the scale of the film shoot and the length of the day.

Public liability insurance: The theatre has public liability insurance but film companies are advised to insure against damage and/or injury to the building and/or its employees – up to a ceiling of £5million.

Contact: Michael Townsend Telephone: +44 (0) 207 557 7317 Email: Mike.townsend@rutgl.co.uk Website: www.reallyuseful.co.uk

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LONDON New London Theatre Drury Lane, London, WC2B 5PF The New London Theatre, as it is today, opened in 1973. Between 1977 and 1980 the auditorium was used as a television studio and the whole building was occasionally put to use as a conference centre as had been intended in the building’s revolutionary design. The musical Cats opened here in 1981 and ran for a record-breaking 21 years.

It’s a fact: Although the New London is a modern building, there has been entertainment on the site since Elizabethan times. Nell Gwynne, mistress of Charles II, was associated with the tavern here that, by the end of the 17th century, was called the Great Mogul. In the early 18th century it was a meeting place for Glee Clubs and “sing-songs” were held in the adjoining hall.

Best time of day to film: The theatre has stage and auditorium lighting, so filming can happen at all times of the day.

Best vantage point: Stage, auditorium and front-of-house bars.

Access restrictions: No, as long as the running of a working theatre is not interrupted.

Filming permit: A location agreement is required and as much notice as possible.

Last-minute film shoots are welcome.

Filming fee: The filming fee depends on the scale of the film shoot and the length of the day.

Public liability insurance: The theatre has public liability insurance but film companies are advised to insure against damage and/or injury to the building and/or its employees – up to a ceiling of £5million.

Contact: Michael Townsend Telephone: +44 (0) 207 557 7317 Email: Mike.townsend@rutgl.co.uk Website: www.reallyuseful.co.uk

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LONDON Theatre Royal Drury Lane Catherine Street, London, WC2B 5JF The Theatre Royal Drury Lane is the oldest theatre in the world still in continuous use as a playhouse. Steeped in history, it has provided London with a variety of spectacular theatrical entertainments and has, in modern times, been a home for long-running musicals including My Fair Lady, Miss Saigon and Oliver!

It’s a fact: An unknown man who was murdered and walled up in the Upper Circle is said to visit the theatre as a ghost – the Man in Grey – and the ghost of the famous clown, Grimaldi, is said to give actors a kick up the backside if they don’t give their all!

Best time of day to film: The theatre has stage and auditorium lighting so filming can happen at all times of the day. The front-of-house areas have recently been refurbished and daylight shows its Regency grandeur in all its glory.

Best vantage point: Stage, Auditorium, Upper and Lower Rotundas, Grand Staircase, Grand Saloon, Royal Retiring Room.

Access restrictions: No, as long as the running of a working theatre is not interrupted.

Filming permit: A location agreement is required and as much notice as possible.

Last-minute film shoots are welcome.

Filming fee: The filming fee depends on the scale of the film shoot and the length of day.

Public liability insurance: The theatre has public liability insurance but film companies are advised to insure against damage and/or injury to the building and/or its employees – up to a ceiling of £5million.

Contact: Michael Townsend Telephone: +44 (0) 20 7557 7317 Email: Mike.townsend@rutgl.co.uk Website: www.reallyusefultheatres.co.uk

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Shopping and Local Markets

CONTENTS Bond Street

John Lewis

Borough Market

Oxford Street

Brick Lane

Regent Street

Burlington Arcade

Royal Exchange

Camden Lock Market

Selfridges London

Carnaby

Seven Dials, a shopping village in Covent Garden

Columbia Road Flower Market Spitalfields Estate Fortnum & Mason St Christopherâ&#x20AC;&#x2122;s Place Greenwich Market Westfield, London Hamleys of London Westfield, Stratford City Jermyn Street

LONDON Bond Street Mayfair, London London’s famous Bond Street is revered throughout the world for its wealth of elegant stores, exclusive brands, designer fashion, luxury goods, fine jewels, art and antiques. Set in the heart of Mayfair, in London’s popular West End and encompassed by many of the world’s most outstanding hotels and restaurants, Bond Street is a landmark for all things sophisticated. Since its foundation in 1700, Bond Street has been the playground of society’s wealthiest, most stylish and influential people. Bond Street is home to some of the world’s most prestigious retailers and offers an unrivalled mix of traditional elegance and modern luxury.

It’s a fact: Past residents of the street include Admiral Horatio Nelson and Lady Emma Hamilton as well as a number of renowned authors and poets.

Today, over 300 years on, Bond Street remains a much-loved destination for celebrities, socialites and the international jet set.

Best time of day to film: Bond Street is not an overly busy street so timing is not restricted.

Best vantage point: A good vantage point is on New Bond Street, past Clifford Street and just as you come to Grafton Street. Here, there is a small pedestrianised area with a flower stall and the famous ‘Allies’ bronze

by Lawrence Holofcener, featuring Franklin D Roosevelt and Winston Churchill sitting talking together on a bench. The statue was a gift from The Bond Street Association to the City of Westminster to commemorate 50 years of peace.

Access restrictions: Some areas of the street have narrow pavements, which are not ideal for a film crew to stop.

Filming permit: It depends on the size of crew and whether any street closure would be required.

Public liability insurance: This is usually covered by the crews’ own usual liability.

Contact: Katie Thomas Telephone: +44 (0) 207 708 4181 Email: katiet@bondstreet.co.uk Website: www.bondstreet.co.uk

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LONDON Borough Market Borough High Street, Borough, London, SE1 9DE Borough Market is London’s most renowned food market; a source of exceptional British and international produce. It is a haven for anybody who cares about the quality and provenance of the food they eat - chefs, restaurateurs, passionate amateur cooks and people who just happen to love eating and drinking. But it’s not just the sheer quality of the food on offer that makes Borough Market special – it is also about the people and the place. The market is populated by a community of remarkable individuals from all over the UK, Europe and the rest of the world, all of whom care deeply about the food and drink on offer. Many of the stallholders are themselves producers – people who grow, rear or bake the food that they sell. Others are importers with intimate knowledge of whichever corner of the globe they source their products from.

Best time of day to film: The market is open Thursday, 11.00-17.00, Fridays 12.00-18.00 and Saturdays 08.00-17.00.

Best vantage point: Please email the filming contact for further details.

Access restrictions: Please email the filming contact for further details.

Filming permit: Please email the filming contact for further details.

Filming fee: Please email the filming contact for further details.

Public liability insurance: Please email the filming contact for further details.

Contact: For an application form please go to: www.boroughmarket.org.uk/filming-and-photography Email: filming@boroughmarketbusiness.co.uk Website: www.boroughmarket.org.uk

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LONDON Brick Lane Brick Lane, Shoreditch, London, E1 6PU Brick Lane as a film location is a microcosm of London’s shifting ethnic patterns. What used to be poor slums and an area riddled with crime from the Jack the Ripper murders, is now the funky, vibrant, trendsetting heart of East London, leading the way in vintage goods and underground cool. It is also naturally associated with London’s Bangladeshi community and a great deal of filming takes place on the street to capture the atmosphere of neon lights, the seemingly hundreds of curry houses, hidden alleyways and Asian supermarkets.

Many stars of the film world have trodden the pavements around Brick Lane, so why not get in touch to be the next. Brick Lane market runs every Sunday.

It’s a fact: Brick Lane is world famous for its graffiti, which features artists such as Banksy, D*Face and Ben Eine. The lane has been used in many music videos such as “Glory Days” by Just Jack and “All These Things That I’ve Done” by The Killers.

Best time of day to film: Anytime of day is good, although certain steps need to be taken regarding filming past 22.00, including a letter drop to local residents and businesses in the area. It is a busy and lively area 24/7.

Best vantage point: Anywhere is good as it is a long road with lots of interest.

Access restrictions: There is a one-way driving route on Brick Lane and there is no vehicle access on Sundays.

Filming permit: If you need to film in the market on Sundays you will be issued with a filming and photography licence that starts at £100 per hour.

Filming fee: If the production is using handheld equipment and a tripod there is no charge. For anything bigger, equipment-on-highway fees may be applicable as would a location fee, as discussed previously for markets.

Public liability insurance: Public liability is required for every shoot no matter how big or small, and the minimum required is £5million.

Contact: Olwyn Hinds / Dominic Reeve-Tucker Telephone: +44 (0) 208 9808771 Email: olwyn@filmoffice.co.uk / dominic@filmoffice.co.uk Website: www.filmoffice.co.uk

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LONDON Burlington Arcade 51 Piccadilly, London, W1J 0QJ Burlington Arcade, opened in 1819, is England’s oldest and longest shopping arcade, and has long been favoured by Royalty, celebrities and the cream of British society. The Arcade houses more than 40 specialist shops – shoppers will find rare gemstones, vintage watches, bespoke footwear and the finest leather and cashmere accessories.

It’s a fact: BURLINGTON BEADLES & THE RULES: The Burlington Beadles have been the knowledgeable uniformed guards of the Arcade since 1819.

They are the smallest private police force in existence today, and predate the Metropolitan Police force by 10 years. The Beadles were originally recruited to enforce a strict set of behavioural rules in the Arcade, many of which still apply today. These include the prohibiting of open umbrellas, bicycles and whistling; Sir Paul McCartney is the only person who has been given permission to whistle in the Arcade.

CELEBRITY SHOE SHINER: Expert Romi Topi, whose celebrity clientele includes model David Gandy and actor Bill Nighy, offers a daily shoe shine service at the Arcade. On average he shines shoes for around 45 customers per day. Press Filming is available with Romi.

STORE FACTS: Penhaligons and Crockett and Jones stores both have Royal Warrants. These are a mark of recognition of those who have supplied goods or services for at least five years to the Households of HM The Queen, HRH The Duke of Edinburgh or HRH The Prince of Wales. Richard Odgens supplies jewellery and tiaras for BBC’s Downtown Abbey and was the first jewellers to create the ‘Ring Room’ – a private room dedicated to engagement and wedding rings.

Watch enthusiasts will find the world’s largest collection of vintage Omega, Patek Philippe pocket watches at Somlo Antiques and Vintage Rolex watches at The Vintage Watch Company - you can even have a vintage Rolex watch from your year of birth. It’s also home to the UK’s only in-house Patek Philippe trained technician at industry veteran’s store, David Duggan.

David Duggan also provides a service teaching butlers how to care for their employer’s watches.

Ladurée store is one of the most eye-catching and most photographed aspects of the Arcade due to its gold leaf interior. Interior designers came from Paris to apply the gold leaf layer by layer which took weeks. At the time, £130,000 worth of gold leaf was applied.

Hancocks are known for creating the Victoria Cross, which is made from the metal of a bronze canon captured from Russians in the war.

Only a limited amount of crosses can be made from the remaining canon as there isn’t much left of it. Due to the rarity the medals now sell for thousands. The last medal reached £276,000 at auction in 2012.

Best time of day to film: 10.00 – 17.00 and ask that crews keep to maximum of five persons.

It is also possible to film out of hours when stores are closed.

Best vantage point: It’s a 180 metre covered arcade so positions can be chosen by the crews.

Access restrictions: Access for loading etc is Burlington Gardens entrance.

Filming fee: There is no charge for filming that will help to promote Burlington Arcade and its stores. There may be a charge of filming is for commercial usage however, and this is reviewed on a case-by-case basis.

Public liability insurance: £5million is standard and filming companies would be expected to have this in place.

Contact: Ellen Lewis or Mark Lord Telephone: +44 (0) 20 7493 1764 or +44 (0) 7866 254999 Email: marketing@burlington-arcade.co.uk mark.lord@merjs-onsite.co.uk Website: www.burlington-arcade.co.uk

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LONDON Camden Lock Market Camden Lock, London, NW1 8AF Camden Lock Market is a multi-use site incorporating the world famous market, numerous shops, a global food market, entertainments venues, workshops and offices. The London Waterbus company also operates a canal boat service along the canal to ZSL London Zoo and Little Venice.

Best time of day to film: Midweek – weekend is too busy as the site is taken over with stalls.

Access restrictions: There is limited access and very little parking.

Filming permit: Yes – at least 14 days’ notice.

Filming fee: £400 per half day.

Public liability insurance: £5million.

Contact: Jackie Clode-Dickens Telephone: +44 (0) 207 485 7963 Email: Jackie@camdenlockmarket.com Website: www.camdenlockmarket.com

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LONDON Carnaby Carnaby, London, W1F 9PS Discover the 13 streets of Carnaby – including the iconic Carnaby Street – 52 unique independent boutiques, 40 global fashion brands, 15 concept shops and 61 independent restaurants, cafés and bars, making it one of London’s most popular and distinctive shopping and lifestyle destinations.

It’s a fact: More than 60 per cent of stores in the area are independent.

Best time of day to film: Between 11.00 – 17.00.

Best vantage point: Ground level on Carnaby Street looking at the street arch and Liberty department store.

Access restrictions: Filming is not permitted between 07.00 – 11.00 due to the street being open to delivery vehicles.

Filming permit: Only permission from communications agency Sister is required if not using tripod. If tripod and other static props are used, a permit needs to be applied for at Westminster City Council.

Filming fee: Not from Sister.

Public liability insurance: Yes. To be confirmed by Westminster City Council.

Existing footage: Yes, from Sister. HD is available.

Contact: Sarah Mole Telephone: +44 (0) 207 287 9601 Email: Sarah.mole@sisteris.com Website: www.carnaby.co.uk

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Image credit: Carnaby, London

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LONDON Columbia Road Flower Market Columbia Road, London, E2 7RG As a film and photography location, Columbia Road is a beautiful, naturally vibrant spot, thanks to the abundance of flower stalls and energetic stall traders. On Sunday the street is transformed into an oasis of foliage and flowers. Everything from bedding plants to 10-foot banana trees are up for grabs. The air is intense with the scent of flowers and the chant of the barrow boys “Everythin’ a fiver”. A lot of the flower sellers grow their own plants.

It’s a fact: It was the crime scene of Jack the Ripper’s second victim. But it’s also worth going just to see the traders in action.

Best time of day to film: The market runs from 08.00-14.00 and gets very busy. During the summer months 10.00 is usually a good time to go.

Best vantage point: Western end of the market.

Access restrictions: No tripods are permitted, a reduced crew is preferred due to the crowds and there is no vehicle access into the market.

Filming permit: A location license is required.

Filming fee: The fee for filming in the markets starts at £100 per hour.

Public liability insurance: All locations require public liability insurance of at least £5million.

Contact: Olwyn Hinds, Dominic Reeve-Tucker Telephone: +44 (0) 208 980 8771 Email: olwyn@filmoffice.co.uk, dominic@filmoffice.co.uk Website: www.filmoffice.co.uk

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LONDON Fortnum & Mason 181 Piccadilly, London, W1A 1ER Fortnum & Mason, established in 1707 in Piccadilly London, is one of the world’s finest stores, renowned for wonderful hampers and a legendary Food Hall. Fortnum’s is synonymous with food, drink and celebration. While food and drink remain the soul of the business, Fortnum’s history and reputation are also deeply rooted in providing the finest array of gifts, from the most exclusive and delicate to the most unusual.

It’s a fact: Legend has it that William Fortnum, footman at the Court of Queen Anne, enjoyed the ‘perk’ of replacing the used beeswax candles each night. Being a Fortnum, he saw this as an opportunity for expansion, and set up a lucrative sideline in selling the candle ends to the ladies of the Court. With his landlord, Hugh Mason, the business opened – in a small way – in Duke Street.

Best time of day to film: Pre-opening time, Monday to Friday before 10.00 shop floor. Before 11.30 in the Tea Salon.

Best vantage point: Depending on filming request, in store Food Halls, bottom/top of atrium, Gallery Restaurant.

Access restrictions: No filming during trade.

Contact: Seven Dials PR Telephone: +44 (0) 20 3740 7476 Email: fortnums@sevendialspr.com Website: www.fortnumandmason.com

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LONDON Greenwich Market 5b Greenwich Church Street, London, SE10 9HZ Greenwich is a historic part of London set on the banks of the River Thames in a World Heritage site, just 10 minutes by train from London Bridge. For shoppers, Greenwich is an inspiring place to shop, thanks to the eclectic mix of designer-maker independent shops and boutiques that line streets in and around the town centre and the stalls that make up the famous Greenwich Market, which is fondly regarded as one of London’s best covered markets. Home to a diverting mix of stalls, up to 120 at the weekends, the market is open daily Tuesdays to Sundays. On Thursdays and Fridays the focus is on vintage and collectables, Wednesdays, Saturdays and Sundays is craft and design with the welcome addition of a great selection of street food to go.

It’s a fact: The market has a cobbled stone floor and statuesque portico at one end and the lanes leading into the market are very quaint. It is a Royal Charter market, which was originally assigned to the Commissioners of Greenwich Hospital on the 19th December 1700 for 1,000 years and the original site lay in what is now the Old Royal Naval College. It moved to the current site in the early 1800s. The market originally sold fresh produce and today it is known for its creative designer maker stalls.

The market is owned by Greenwich Hospital – the Royal Navy’s oldest charity. This ancient Crown charity provides charitable support including annuities, sheltered housing and education, to serving and retired personnel of the Royal Navy and Royal Marines and their dependants. The rents from the stall holders contribute to the charity.

Best time of day to film: The market is covered with a glass roof so you can film at any time.

There is no market on a Monday (except in the high summer) so it is empty then; other days stalls are laid out and it is very busy on Friday, Saturday and Sunday.

Access restrictions: The weekends are very busy with visitors and it is difficult for film crews to walk through on these days.

Filming permit: Filming requests should be made to Jennifer Hall-Thompson at: proactivepr@btinternet.com by email, preferably two weeks in advance.

Filming fee: Filming fee depends on the use, time of week, time of year etc. Maximum £1,500 per day. Fees can be waived/reduced for non-commercial filming.

Public liability insurance: Yes, valid public liability insurance is essential, minimum £5million.

Contact: Jennifer Hall-Thompson Telephone: +44 (0) 7932 690 678 / +44 (0) 208 683 9595 Email: proactivepr@btinternet.com Website: www.greenwichmarketlondon.com

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LONDON Hamleys of London 188-196 Regent Street, London, W1B 5BT Hamleys of London is one of the finest toy shops in the world.

Best time of day to film: Depends on the time of year â&#x20AC;&#x201C; if it is school holidays or Christmas it gets very busy and filming is often refused.

Best vantage point: For demonstrations, see the entertainment teams. The front of the store also offers a good vantage point and there are seven floors in total with thousands of toys.

Access restrictions: It depends on time of year and what the film is going to be used for.

Filming permit: Over one weekâ&#x20AC;&#x2122;s notice, as a chaperone needs to be organised.

Filming fee: There is a charge, but it may be waived.

Contact: Jeneen Hippolyte Telephone: +44 (0) 207 479 7368 Email: jhippolyte@hamleys.co.uk Website: www.hamleys.com

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LONDON Jermyn Street St James’s, London There are few destinations in the world that match the quality, craftsmanship and quintessential British individuality of Jermyn Street.

Famed the world over for its shirt makers, Jermyn Street is the ultimate destination for the true gentlemen’s wardrobe.

It’s a fact: For more than 300 years distinguished gentlemen have shopped along Jermyn Street. Whether it be for shirts, ties, top hats, fragrance, fine wines or cigars, Jermyn Street has played host to kings, Prime Ministers, actors and style icons from Winston Churchill and Fred Astaire to current James Bond, Daniel Craig.

Best time of day to film: Jermyn Street is not an overly busy street so timing is not restricted.

Best vantage point: A good vantage point is just outside the entrance to Piccadilly Arcade, which runs from Jermyn Street up to Piccadilly. At this point there is a splendid statue of Beau Brummell, a Regency dandy, widely acknowledged as the originator of the modern day neck tie.

Access restrictions: Some areas of the street have narrow pavements, which are not ideal for a film crew to stop.

Filming permit: It depends on the size of the film crew and whether any street closures would be required.

Public liability insurance: Yes – usually covered by the crews’ own usual liability.

Contact: Katie Thomas Telephone: +44 (0) 207 708 4181 Email: katiet@idpr.co.uk Website: www.jermynstreet.net

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LONDON John Lewis 300 Oxford Street, London, W1A 1EX John Lewis Oxford Street is an unmissable shopping destination for visitors to the capital. The shop offers one of the best collections of British brands and is famed for its rich heritage and Royal Warrant status and is the perfect place to buy gifts in London. The flagship shop recently received a multi-million pound makeover and launched the much-anticipated exclusive fashion label Somerset by Alice Temperley; famous for dressing the Middleton sisters, the collection includes daywear, eveningwear and accessories. You can pamper yourself in one of London’s best beauty halls or relax in one of four inviting restaurants. John Lewis Oxford Street also boosts a foodhall that offers 17,000 square-foot of gastronomic heaven, with everything from a dedicated cheese room to an extensive wine and spirits department staffed by Masters of Wine.

It’s a fact: The flagship shop on Oxford Street was awarded the Royal Warrant by Her Majesty the Queen in 2008 as a ‘Supplier of Haberdashery and Household Goods’. Lord Byron, a leading figure in the Romantic movement, was born on the site of John Lewis Oxford Street over 200 years ago. He’s best-known works include She Walks in Beauty, First Kiss of Love and Don Juan. Lord Byron travelled to fight against the Ottoman Empire in the Greek War of Independence, for which Greeks revere him as a national hero. He was celebrated in life for aristocratic excesses including huge debts and numerous love affairs.

John Lewis Oxford Street is home to the artwork of the Winged Figure, a figure designed by the sculptor Barbara Hepworth. It’s remained on the side of the building since it was commissioned in 1963.

Best time of day to film: Filming is available between Mondays and Fridays.

Best vantage point: In the beauty hall on the ground floor or from the canopy.

Access restrictions: Filming is usually best arranged during the store’s opening hours and John Lewis requests that there is no more than three crew members.

Filming permit: A minimum of 48 hours’ notice is required (in exceptional circumstances 24 hours’ notice can be arranged).

Public liability insurance: Yes, your own is required.

Contact: Beth Nicholson

Existing footage: It can be sought on request.

Telephone: +44 (0) 207 828 0118 Email: Beth.nicholson@raincommunications.co.uk or johnlewis@raincommunications.co.uk

Filming fee: A filming fee is required for filming outside of store opening hours for which a rate card is available.

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Website: www.johnlewis.com/our-shops/oxford-street

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LONDON Oxford Street Oxford Street, London, W1 Oxford Street is the UK’s retail mecca, with a 1.5 mile stretch of flagship designer and high street brands, putting it on the map as the must-visit shopping destination for thousands of shoppers across the world. The retail outlets Oxford Street offers is completely unrivalled, with stores including Europe’s largest Topshop store plus flagship stores including Selfridges, John Lewis and House of Fraser.

It’s a fact: Oxford Street is the longest high street in Europe.

Best time of day to film: The area is serviced by some of London’s busiest tube stations (Oxford Circus, Bond Street and Tottenham Court Road), so rush hour means the area can be very busy (depending on your filming request this can be a good or bad thing). As an outdoor street, there is natural light, and summer months mean longer hours of daylight.

Best vantage point: There is access to a variety of retailer’s rooftops to film from, as well as on the street.

Access restrictions: Filming inside stores needs prior consent from the retailers themselves.

Filming permit: Generally no. If parking is required, for an OB truck for an example, then a parking permit, to park on the street will need to be obtained via the Council prior to filming.

Filming fee: Generally no.

Contact: Lizzie Costelloe Telephone: : +44 (0) 20 7828 0110 Email: Lizzie.Costelloe@raincommunications.co.uk Website: www.oxfordstreet.co.uk

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LONDON Regent Street Regent Street, London, W1 Regent Street offers a stunning shopping and dining experience surrounded by beautiful listed architecture. There are more than 100 global brands such as Liberty, Apple, Hamleys and Anthropologie located here.

Itâ&#x20AC;&#x2122;s a fact: Home to the worldâ&#x20AC;&#x2122;s largest Burberry store.

Best time of day to film: From 11.00-17.00.

Best vantage point: There is access to rooftop vantage points.

Filming permit: Only permission from Sister Communications required if not using tripod. If tripod and other static props are used, a permit needs to be applied for at Westminster City Council.

Public liability insurance: Yes. To be confirmed by Westminster City Council.

Existing footage: Yes, from Sister. HD is available.

Contact: Lucia Ruz Telephone: +44 (0) 20 7287 9601 Email: Lucia.ruz@sisteris.com Website: www.regentstreetonline.com

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LONDON Royal Exchange Bank, City of London, EC3V 3LR Luxury shopping and fine dining destination in the heart of The City, at Bank Junction; The City’s busiest commuter intersection, it taps directly into 600,000 of London’s highest-paid workers. The Royal Exchange offers a premium shopping experience with its unique collection of the world’s leading luxury brands, including fine jewellery, leather goods, watches and shoes. At the centre of the Royal Exchange is a dramatic courtyard with bars and restaurant at ground and mezzanine level. It is here where people gravitate by day for a brisk business lunch or catchup coffee. In the evenings, the Royal Exchange courtyard is buzzing with city workers, relaxing over a glass of champagne or enjoying the fine dining experience. For culture, guests make tracks for the gallery nestled in the Royal Court Entrance, which hosts exhibitions, events and artist appearances.

It’s a fact: Flanked by the Lord Mayor’s Mansion House and the Bank of England, the Royal Exchange has taken pride of place in The City since 1565.

The current building is the third to stand on the site – the first, founded as London’s centre of commerce by Thomas Gresham, was destroyed in the Great Fire of London. The second, also destroyed by fire, was then rebuilt to the same design and reopened in 1844 by the young Queen Victoria. After a century of additions honouring the original style, 2004 saw the launch of the Grand Café and Bar to complete the building as a destination for luxury retail and sophisticated dining in the heart of The City.

Best time of day to film: Weekends are the best time to film and lunchtime must be avoided.

Best vantage point: Mezzanine level and below the steps of the Royal Exchange.

Access restrictions: Yes, all access needs advanced permissions and there’s no access to the upper office floors.

Filming permit: Two weeks + and needs to be provided in written permission by IDPR.

Contact: Eleanor Luther

Filming fee: £500 licence fee unless specifically waived for substantial coverage.

Telephone: +44 (0) 207 708 4181

Public liability insurance: No.

Email: eleanorl@idpr.co.uk / katiet@idpr.co.uk Website: www.theroyalexchange.co.uk

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LONDON Selfridges, London 400 Oxford Street, London, W1A 1AB The business was founded by American entrepreneur Harry Gordon Selfridge in 1909 and was widely regarded as the first and best example of a modern department store. Gordon Selfridge ran the store himself until he retired in 1940. After several ownerships the company was de-merged from the Sears Group in 1998 and floated on the London Stock Exchange. In 2003 W. Galen Weston purchased Selfridges and under his ownership Selfridges has become a unique UK destination for fashion, luxury and retail theatre known for its world-class yet egalitarian customer approach. In June 2010 Selfridges was named Best Department Store in the World by the IGDS (Intercontinental Group of Department Stores). The title, which Selfridges held until June 2012, is the industry’s highest accolade.

Selfridges won the title again in June 2012, for an unprecedented two times consecutively. The title applies until June 2014. Selfridges has four stores in London, Birmingham and Manchester (Trafford Centre, Exchange Square) and an online store delivering within the UK. Other than fashion, accessories and beauty, Selfridges is famous for its Food Hall, which offers a huge range of produce and labels sourced specifically from small, and often local, suppliers.

It’s a fact: A global hit television series, Mr Selfridge, portrays the store’s founder.

It currently houses the largest denim department in the world, the largest men’s shoe department in the world and, in 2010, launched the largest women’s shoe department in the world. It is also the only heritage store in the world to have its own psychic service.

Best time of day to film: Depends on subject, location within the store, time of year. It is best to ask and each request will be considered on merit.

Access restrictions: Some, but minimal – dependent on request.

Filming permit: Filming needs to be fully signed off by the Selfridges Press Office and pre-arranged.

Public liability insurance: Any company wishing to film within Selfridges needs both employee liability insurance for a minimum of £10million and a public liability insurance for a minimum of £5million.

Contact: Bruno Barba, Senior Brand Manager, PR Manager Telephone: +44 (0) 207 318 3204 Email: bruno.barba@selfridges.co.uk Website: www.selfridges.com

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LONDON Seven Dials, a shopping village in Covent Garden, London Seven Dials, Covent Garden, London, WC2 Seven Dials is a stylish shopping village in Covent Garden filled with more than 120 independent and British heritage retailers, as well as a host of bustling restaurants, bars and cafés from across the globe.

Boasting a rich heritage from Dickensian times through to Monty Python’s Flying Circus, Seven Dials is also the birthplace of well-known brands including Neal’s Yard Remedies, Neal’s Yard Dairies and Monmouth Coffee – all of which still reside in the area. Seven Dials’ cobbled streets, personal service and easy to navigate layout embody the community feel of the area, while the upmarket, modern retail and restaurant spaces nod to the area’s reputation for independent style.

The Dial monument is the focal point of the area and helps to adjoin Seven Dials’ streets, while nearby hidden Neal’s Yard is a colourful destination for locals in the know, home to a plethora of delicious eateries and drinking holes.

It’s a fact: Seven Dials’ Neal’s Yard is home to Monty Python’s original animation, editing and recording studio, plus former Beatles’ manager Brian Epstein ran his successful management company NEMS in the offices of 13 Monmouth Street. The area’s rich heritage also sees it immortalised in Charles Dickens’ Sketches by Boz where he writes “The stranger who finds himself in the Dials for the first time... At the entrance of Seven obscure passages, uncertain which to take, will see enough around him to keep his curiosity awake for no inconsiderable time...”

Best time of day to film: Area/on the street – any time suitable to you.

In-store – subject to retailer co-operation. The recommendation is to film inside stores and restaurants between the hours of 09.00-12.00 and 14.00-17.00, on weekdays only.

Best vantage point: From the top of Monmouth Street (adjoining Neal Street) looking down the cobbled streets towards the Dial monument, or from the middle of Earlham Street looking towards the Dial monument for a wider area shot at the centre point of the shopping village. Neal’s Yard is also an idyllic film location with its colourful buildings and rich heritage.

Filming permit: Permission is required from the Camden Film Office and charges may apply.

Productions applying to film in residential areas, large-scale activities or sensitive material should make their initial enquiries at least three to four weeks in advance. Please call +44 (0) 207 974 4444 for more details.

Filming fee: Administrative charges will apply and additional fees are dependent on the scale of the production. If it is handheld filming with no tripod, an official notification or ‘notice of non-objection’ will be issued, which costs £25+VAT. There are no grants available for filmmaking, but Camden Film Office do work in conjunction with Haringey and Enfield Councils to bring you the North London Film Fund (NLFF) who provide support, bursaries and training for short films. Please call +44 (0) 207 974 4444 for more details.

Public liability insurance: Required as standard. All production companies working on location in public places must have public liability insurance with a limit of indemnity of not less than £5million in respect of any one accident or series of accidents arising out of any filming activities; such policies must be produced before filming commences together with evidence of payment and that the insurance cover is current.

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Existing footage: Videos taken from bi-annual shopping parties are available, please view YouTube page – 7DialsWC2. Various formats can be made available on request.

Contact: Seven Dials team at Sister Telephone: +44 (0) 207 287 9601 Email: sevendials@sisteris.com Website: www.sevendials.co.uk

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LONDON Spitalfields Estate Spitalfields Estate, Brushfield Street, London, E1 6AA Famous for its markets, Spitalfields is now a seven-days-a-week destination. Resplendent under a Fosters & Partners-designed glass canopy, Spitalfields Traders Market, Spitalfields Arts Market and the Market Street shops offer cutting-edge fashion and interiors, original artworks as well as food. The Spitalfields Market is surrounded by independent shops, cafés, bars and award-winning restaurants including Canteen, Leon and Galvin La Chapelle.

It’s a fact: The archaeological remains of a Charnel House built in the early 1300s as a crypt within the cemetery of St Mary Spital priory can be seen on Bishops Square. For more than 200 years it was the repository for bones to be relocated in consecrated ground to allow further burials in the hospital graveyard. Its discovery by the Museum of London Archaeological Service has provided Bishops Square with a wonderful window into its historical legacy. Twelve illuminated artefacts created

by Free Form are located throughout Bishops Square, ranging from a cast of a scallop shell taken from the Roman sarcophagus found on site, to a 20th century porter’s badge.

Access restrictions: There are designated NO FILMING ZONES; please refer to accompanying map (overleaf). In addition filming is not permitted on busy market days or when specialist events are taking place.

Filming permit: Filming permits are required and can be obtained from the Spitalfields Estate Management Office. A minimum of seven days’ notice is required to produce permits and a site visit may be required. Filming permits will be issued subject to the receipt of the following documentation: • Production schedule including equipment, timings and a nominated point of contact for the shoot • Proof of Public Liability Insurance • Site specific risk assessment and method statement • Location fee paid in full prior to the shoot taking place

Filming fee: The Spitalfields Estate is a privately owned property and location fees are applicable for filming. Location fees are costed on a price-of-application basis, taking into account the nature of the filming, crew size, timings etc.

Contact: Georgina Godart-Brown

Public liability insurance: £10million.

Email: Georgina@spitalfields.co.uk

Telephone: +44 (0) 207 492 4868 / +44 (0) 7958 013 412

Website: www.Spitalfields.co.uk

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LONDON St Christopher’s Place St Christopher’s Place, London, W1U 1LT Look out for the landmark purple clock as you head down Oxford Street and you’ll suddenly discover the entrance to St Christopher’s Place – a quaint London village in the heart of the West End. As the host to an eclectic mix of shops, boutiques, restaurants and bars, as well as some of the best fashion boutiques in London, St Christopher’s Place epitomises the very essence of the fun, West-End lifestyle.

It’s a fact: Framed by pedestrianised streets, this unique shopping destination contains some of Britain’s best brands including the Whistles flagship store and Mulberry’s oldest boutique.

Best time of day to film: The area is serviced by some of London’s busiest tube stations [Oxford Circus and Bond Street], so rush hour means the area can be very busy (depending on your filming request this can be a good or bad thing).

There are also sometimes delivery vans and lorries unloading early morning and evening. As an outdoor street, there is natural light, and summer months mean longer hours of daylight.

Best vantage point: By the right hand side entrance [St James Street], where one of the brick walls is painted with decorative branding.

Access restrictions: Filming inside stores needs prior consent from the tenants.

Filming permit: There is normally a filming fee of £300, to be obtained from Margaret Newman, General Manager.

Filming fee: Generally no.

Contact: Margaret Newman, General Manager at St Christopher’s Place Telephone: +44 (0) 207 493 3294 Email: margaret.newman@stchristophersplace.com Website: www.stchristophersplace.com

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LONDON Westfield, London Ariel Way, London, W12 7GF Westfield London is the capital’s pioneering shopping and leisure destination, an innovative and dynamic place for a new generation of consumer to shop, eat and meet. The centre is an architecturally stunning showcase anchored by: House of Fraser, Waitrose, Debenhams, M&S and Next plus over 310 luxury, premium and high street retailers showcasing more than 750 brands. 80 per cent are fashion-focused and there are 40 luxury brands housed within the beautiful, visuallystunning environment, The Village. The Village is an ever-evolving luxury space, with events, fashion installations and exhibitions with many brands making their UK standalone debut, such as Dior Homme and DKNY Men’s. More than 60 exciting eating concepts offer some 25 styles and nationalities of cooking. A bustling cluster of 15 restaurants run the length of Southern Terrace, the pedestrian street of dining, and open cooking brings drama to the collection of 17 counters on The Balcony and Loft where fresh food is prepared fast and to order.

It’s a fact: Westfield London is a 43 acre site spanning nine postcodes: approximately the area of Buckingham Palace and gardens.

The undulating glass roof is one of the most striking and iconic architectural features along with the luxury area called The Village, designed by acclaimed New York architect Michael Gabellini.

Best time of day to film: Early afternoon approximately 13:00-14:00.

Best vantage point: Level One between Zara and Topshop where the undulating glass roof creates a stunning backdrop.

Access restrictions: Filming inside any store must be permitted by the store itself. Access requirements will depend on nature of filming (OB, tripod, large equipment/delivery trucks etc.), time on site (out of hours) and such like. Each filming request will be reviewed on a case-by-case basis.

Filming permit: 48 hours’ notice is required and can be subject to refusal.

A press pass must be issued prior to filming and worn at all times throughout filming.

Contact: Yellow Door Telephone: +44 (0) 20 7580 0707

Filming fee: A filming fee will be applied if the nature of the filming is commercial.

Email: Westfield@yellow-door.com

Public liability insurance: A minimum of £10million cover.

Website: uk.westfield.com/london

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LONDON Westfield, Stratford City Westfield Stratford City, 2 Stratford Place, Montifichet Road, Olympic Park, London, E20 1EJ (or E15 2JU) Westfield Stratford City is a metropolitan capital for East London, a city within a city, an innovative and dynamic place for a new generation of consumer to shop, eat, meet and be entertained. Located at the gateway to the Queen Elizabeth Park, with spectacular views over London, Westfield Stratford City is anchored by leading UK retailers John Lewis, Waitrose and Marks & Spencer, and caters for an impressive catchment of more than four million people with over 250 stores, more than 70 dining options and a unique food market - the Great Eastern Market. A key leisure destination for London, Westfield Stratford City is home to three hotels, the UK’s largest All Star Lanes bowling alley, a 17 screen all-digital Vue cinema and London’s largest Casino by Aspers completing the round-the-clock lifestyle offer.

It’s a fact: Westfield Stratford City’s best kept food secret is the Great Eastern Market on the lower-ground floor, with a completely unique look and different feel to the rest of the centre. The Great Eastern Market is a collection of delicatessens, bakeries and chocolatiers that pays homage to the original Great Eastern Market that operated in the area over 100 years ago. It is a modern interpretation of the market and inspired by some of the best global markets, celebrating local culture and cuisine.

Best time of day to film: Mid afternoon.

Best vantage point: The Viewing Platform on Level Two. The Bridge that connects the Stratford to the Westfield Stratford City (outside).

Access restrictions: Filming inside any store must be permitted by the store itself. Access requirements will depend on nature of filming (OB, tripod, large equipment/delivery trucks etc.), time on site (out of hours) and such like. Each filming request will be reviewed on a case-by-case basis.

Filming permit: 48 hours’ notice is required and can be subject to refusal.

A press pass must be issued prior to filming and worn at all times throughout filming.

Filming fee: A filming fee will be applied if the nature of the filming is commercial Public liability insurance: A minimum of £10million cover.

Contact: Portas Telephone: +44 (0) 20 7580 0707 Email: Westfield@portasagency.com Website: uk.westfield.com/stratfordcity

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Locations with Views

CONTENTS A view from City Hall A view from Tower Bridge Waterloo Bridge

LONDON A View from City Hall City Hall, More London, London, SE1 2AA London Living Room is situated on the top floor of City Hall and offers stunning panoramic views of the South Bank and the London skyline. The balcony is an ideal location to get shots with Tower Bridge, the Shard, the Gherkin and Canary Wharf in the background and the internal space can be used for all kinds of sets requiring a dramatic backdrop.

It’s a fact: The building was designed by Foster & Partners, one of Britain’s leading architects, whose design brief was to create a building for the Greater London Authority that would become a new landmark for the capital. This striking, rounded glass building also has many features that make it environmentally friendly, including photo-voltaic (solar) panels on the roof.

Best time of day to film: Evenings and weekends.

Best vantage point: East balcony looking towards Tower Bridge and Canary Wharf.

Access restrictions: The loading bay can only accommodate two Luton vans.

Filming permit: A filming permit is required and this takes five working days to arrange.

Filming fee: Filming fee is £309 per hour however, on occasion, fees can be reduced for non-commercial filming.

Contact: Jon Tighe Telephone: +44 (0) 20 7983 4000 Email: Living.room@london.gov.uk Website: www.londonslivingroom.co.uk

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LONDON A View from Tower Bridge Tower Bridge Offices, Tower Bridge Road, London, SE1 2UP Tower Bridge is recognised across the world for its Gothic grandeur.

On approaching and entering one of the most famous bridges in the world, you will discover how and why the Victorians called it the “Wonder Bridge”. The high-level walkways and open-air balconies 50 metres above the River Thames provide views of the magnificent and ever-changing skyline of the City of London and Docklands. The Victorian Engine Rooms showcase the beautifully maintained boilers and steam engines that were once used to power the bridge lifts, which drove the bascules up and down. Behind the scenes are the enormous and atmospheric bascule chambers hidden deep below river level.

It’s a fact: Tower Bridge is widely regarded as the “Most Famous Bridge in the World” and is one of the most recognisable icons of London!

Best time of day to film: Early morning between 06.00-10.00 or between 20.00-22.00.

(Best daylight months: April to September.)

Best vantage point: East and West pavement (road level) as well as the open-air level five turrets at the very top of the North and South Towers.

Access restrictions: Access is generally unrestricted, once accompanied by a member of staff. However, TFL should be contacted regarding any requirements for pavement/road closures.

Filming permit: A filming permit is required from the City of London filming office.

Contact number: +44 (0) 207 332 3182. Notice period for filming is flexible, however, it is subject to availability due to venue facilities and staffing.

Filming fee: Filming fees are available upon request. Consideration may be given to waiver fees if final cuts promote the Tower Bridge Exhibition.

Public liability insurance: £10million.

Contact: Ursula Yeboah-Afari Telephone: +44 (0) 207 940 3968 Email: ursula.yeboah-afari@cityoflondon.gov.uk Website: www.towerbridge.org.uk

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LONDON Waterloo Bridge London, WC2R 2PP One of the best views in London, Waterloo Bridge – situated between Blackfriars Bridge and Hungerford Bridge – occupies a great position for some free sightseeing with views over Westminster, the Houses of Parliament and Big Ben one way; the London Eye, County Hall and the South Bank the other; and St Paul’s dome, the Gherkin and The City in yet another. The South Bank’s British Film Institute is directly under the bridge.

Transporting both cars and foot passengers into Waterloo Station, both the bridge and the railway hub are named after the British victory at the Battle of Waterloo in 1815. Prior to the present structure there was a granite toll bridge, which opened in 1817. The current Portland stone bridge, operational since 1945, was designed by Sir Giles Gilbert Scott, the architect responsible for designing the iconic red telephone boxes and the remodelling of Battersea Power Station (taken from Londontown.com)

Contact: Westminster Telephone: +44 (0) 20 7641 2390 Email: specialeventsEP@westminster.gov.uk

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Hidden London and Villages

CONTENTS Charlton House Chelsea Physic Garden Cutty Sark Gardens Hampstead Heath - Parliament Hill Highgate Wood London Borough of Richmond upon Thames Queenâ&#x20AC;&#x2122;s Park The Household Cavalry Museum The London Dungeon Warner Bros. Studio Tour London - The Making of Harry Potter

LONDON Charlton House Charlton Rd, London, SE7 8RE A former Jacobean mansion, built between 1607-1612, of red brick with stone dressing. The interior features three large spaces – an Old Library, Long Gallery, Grand Salon – as well as many smaller rooms.

Most rooms are rich in period detail, featuring original fireplaces, wood panelling and intricate strapwork ceilings. There are large gardens to the side and rear of the property and Charlton Park is also located at the rear of the house. There is sufficient parking on site for a small- to medium-sized unit.

It’s a fact: It’s reputably haunted!

Best time of day to film: The location lends itself to lighting through windows from the outside, blacking out of windows etc.

Access restrictions: The house is a working community centre, however filming requests will always be accommodated where possible.

Filming permit: A filming permit is required. Filming can be turned around at short notice.

Filming fee: Guideline rates for filming in Royal Greenwich • Feature films: £1,000 - £2,000 • Commercials or promotional: £1,000 - £2,000 • TV dramas: £1,000 - £1,500 • Documentaries or reality TV: £450 - £1,000 • Stills photography: £350 - £900 • Night shoots cost extra Filming fees are negotiated on a case-by-case basis, depending on the budget of the production and the type of filming taking place. Charges are based on the following criteria: • type of facility • size of area • amount of potential disruption • time of day and length of time required for filming • loss of income from public facility where appropriate • preparation and restoration time • historic age of building • access requirements and parking

Photography: Charlie Hopkinson.

The stature and category of the filming - documentary, TV drama, feature film and so on - is always considered in setting fees.

Public liability insurance: £5million.

Contact: Greenwich Film Unit Telephone: +44 (0) 208 921 6146/6048 Email: Filmofficer@royalgreenwich.gov.uk Website: www.filmgreenwich.com

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LONDON Chelsea Physic Garden 66 Royal Hospital Road, Chelsea, London, SW3 4HS Chelsea Physic Garden is a beautiful site in the middle of London, with an extraordinary array of plants from around the world.

It’s a fact: Established in 1673 it is the oldest botanical garden in London, and is a tranquil and fascinating venue where it is easy to forget that London continues to bustle on the other side of the walls. The Pond rockery is Grade II listed and contains stones salvaged from the Tower of London.

There are more than 5,000 different plants, many of which unusually flourish here due to the sheltered microclimate.

Best time of day to film: From 08.00 is best time with the morning light.

Best vantage point: The main lawn is surrounded by an array of beds, specialist plant features and hidden corners, making it an ideal location for many projects looking for a natural backdrop. We also have a number of (small) glasshouses for atmospheric undercover filming.

Access restrictions: All are subject to negotiation but weight/size restrictions apply to some vehicles.

Filming permit: Permission has to be agreed with the Marketing Manager who will provide a filming/photography contract. A minimum of one week’s notice is required, subject to agreement.

Filming fee: Fees range from £100-£200 per hour plus additional supervision fees may be charged, depending on time/date required. All are subject to negotiation and especially for non-commercial purposes.

Public liability insurance: Yes, £5million for any one occurrence.

Contact: Lynn Scrivener Telephone: +44 (0) 207 349 6472 Email: lscrivener@chelseaphysicgarden.co.uk or enquiries@chelseaphysicgarden.co.uk Website: www.chelseaphysicgarden.co.uk

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LONDON Cutty Sark Gardens Cutty Sark Gardens, London, SE10 9LW Cutty Sark Gardens is a large, open-landscaped space that surrounds the Cutty Sark ship and is located adjacent to the Old Royal Naval College, the River Thames and Greenwich Town Centre. Within the site Greenwich Pier and the southern entrance to Greenwich Foot Tunnel can also be found. The area is mostly paved with numerous flower beds and a water feature.

It’s a fact: Cutty Sark Gardens forms a key part of the London Marathon whereby participants run one full circuit of the ship at mile six.

Best time of day to film: Early morning in summer ensures minimal footfall and great light to capture the area at its best.

Best vantage point: The west side of the ship provides amazing river and city views.

The east side of the ship provides spectacular views of the Old Royal Naval College. From the Thames river path looking south there are stunning views of the bow of the Cutty Sark ship.

Access restrictions: The location is a public space therefore requests for restricting public access need to be agreed on a case-by-case basis.

Filming permit: Filming can be turned around at short notice.

Filming fee: Guideline rates for filming in Royal Greenwich • Feature films: £1,000 - £2,000 • Commercials or promotional: £1,000 - £2,000 • TV dramas: £1,000 - £1,500 • Documentaries or reality TV: £450 - £1,000 • Stills photography: £350 - £900 • Night shoots cost extra Filming fees are negotiated on a case-by-case basis, depending on the budget of the production and the type of filming taking place. Charges are based on the following criteria: • type of facility • size of area • amount of potential disruption • time of day and length of time required for filming • loss of income from public facility where appropriate

• preparation and restoration time • historic age of building • access requirements and parking The stature and category of the filming - documentary, TV drama, feature film and so on - is always considered in setting fees.

Contact: Greenwich Film Unit Telephone: +44 (0) 208 921 6146/6048 Email: Filmofficer@royalgreenwich.gov.uk

Public liability insurance: £5million.

Website: www.filmgreenwich.com

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LONDON Hampstead Heath – Parliament Hill Highgate Road, London, NW5 1QR The site is a mosaic of countryside in London, just six kilometres from Trafalgar Square. The magic of Hampstead Heath is in its rich mixture of wildlife, sports facilities and wonderful views over The City.

Best time of day to film: The variety of “locations” within the site provide a wide range of options for all requirements, from shady wooded areas, to open spaces and buildings.

Best vantage point: It depends on what is required – there are amazing views of The City, woods, an Art Deco Lido, an athletics track, along with trees, grassland and all that you would expect from open spaces.

Access restrictions: Vehicles are not permitted on site, but arrangements can be made to transport equipment, if required.

Filming permit: A permit is required, it can be requested by email at: Hampstead.heath@cityoflondon.gov.uk and a minimum of 48 hours’ notice is required. You will then be contacted and provided with the necessary documentation in order to make your application.

Filming fee: Fees depend upon requirements and these will need to be discussed on an individual basis.

Public liability insurance: Minimum £2million.

Email: hampstead.heath@cityoflondon.gov.uk Website: www.cityoflondon.gov.uk/hampsteadheath

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LONDON Highgate Wood Muswell Hill Road, London, N6 3JN Highgate Wood is 28 hectares of ancient woodland. It is a haven for wildlife and provides numerous easily accessible and scenic woodland trails. The Sports Ground, located in an opening in the wood, provides a picturesque and rural backdrop, as well as top quality turf. There is an excellent playground, a renowned café, an information hut with booklets, newsletters and trail guides, and well-maintained toilet facilities. The knowledgeable and friendly wood keepers are on site every day of the year to help make a visit more enjoyable.

It’s a fact: Highgate Wood has received the Green Flag Award for more than 10 consecutive years. Highgate Wood has also received the Green Heritage Award in recognition of achieving the required standard in managing sites with historic importance.

Best time of day to film: The site is an ancient woodland that was part of the old Middlesex Forest. It includes a large, open field at its heart, on which sports are played. The location offers a range of opportunities.

Best vantage point: It depends on what is required – the site has wonderful trees, open grassed areas and woodland walks, all of which provide a variety of options for filming.

Access restrictions: Vehicles are not permitted on site, but arrangements can be made to transport equipment, if required.

Filming permit: A permit is required, it can be requested by email to highgate.wood@cityoflondon.gov.uk and a minimum of 48 hours’ notice is required. You will then be contacted and provided with the necessary documentation in order to make your application.

Filming fee: Fees depend upon requirements and these will need to be discussed on an individual basis.

Public liability insurance: Minimum £2million.

Email: Highgate.wood@cityoflondon.gov.uk Website: http://bit.ly/11QsMaj

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LONDON London Borough of Richmond upon Thames The London borough of Richmond has so much to offer filmmakers.

With 21 miles of River Thames running through the borough it offers scenic river locations, peaceful towpaths, gorgeous formal gardens and parks, royal palaces, wonderful historic houses and stylish town centres.

Richmond is home to Hampton Court Palace, Kew Gardens, Ham House, Marble Hill House, Richmond Theatre, Richmond and Bushy Parks, York House, Orleans House and Gallery, Twickenham Rugby Ground, Ham Polo Club, London Wetland Centre and much more. The film office at Richmond Council has been established for over 15 years and can help filmmakers find the locations they are looking for.

It’s a fact: Richmond is 30 minutes’ drive from London Heathrow airport, offering easy access to and from central London. The area also offers more than 100 parks, open spaces, commons and woodlands, as well as being home to Twickenham and Teddington Studios, and being close to Pinewood and Shepperton Studios.

Best time of day to film: Any time.

Best vantage point: Terrace Field in Richmond has the famous ‘Turner’ view looking out over the River Thames towards Twickenham/Ham and this is particularly beautiful at sunset. Richmond Green is a beautiful town centre green surrounded by many fine old houses. The remnants of Richmond Palace can be seen on one side. In addition to being available to filmmakers, the Green also hosts various festivities throughout the year including the May Fair and the Victorian Evening at Christmas.

Access restrictions: Depends on location.

Filming permit: Yes, apply to the Richmond Film office – contact details above and lots of information on the website.

Contact: Sue Lewis and Sarah Hillman, Film officers Filming fee: A fee is normally charged (no charge for ‘on-street’ filming). Filming fees are published on the website. Happy to discuss charges for noncommercial filming.

Public liability insurance: Yes, generally a minimum of £5million but depending on nature of filming this can, on occasion, be reduced to £2million.

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Telephone: +44 (0) 208 487 5157 Email: filmrichmond@richmond.gov.uk Website: www.richmond.gov.uk/filmrichmond

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LONDON Queen’s Park Kingswood Avenue, London, NW6 6SG Queen’s Park provides a welcome splash of green in one of the most densely populated parts of London, serving the residents of the London Borough of Brent in which it is located, as well as residents from several neighbouring boroughs. Facilities include six all-weather tennis courts, a pitch-and-putt course, a pétanque pitch, an ornamental garden, a children’s playground with paddling pool, and a café. It has been named a Green Flag Park for more than 10 years running, in recognition of the quality of its services and environment.

It’s a fact: Queen’s Park was the site of the 1879 Royal Agricultural Exhibition and has been owned and managed by the City of London since 1886.

Best time of day to film: The site is a Victorian Park so provides a wide range of options for a range of filming.

Best vantage point: It depends on what is required – the park has a wonderful Victorian Bandstand, which is used for concerts during the summer. It has a playground, paddling pool, beautiful gardens, tennis courts, along with trees and grassed open space.

Access restrictions: Vehicles are not permitted on site, but arrangements can be made to transport equipment, if required.

Filming permit: A permit is required, it can be requested by email to queens.park@cityoflondon.gov.uk and a minimum of 48 hours’ notice is required. You will then be contacted and provided with the necessary documentation in order to make your application.

Filming fee: Fees depend upon requirements and these will need to be discussed on an individual basis.

Public liability insurance: Minimum £2million.

Email: Queens.park@cityoflondon.gov.uk Website: http://bit.ly/11QsMaj

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LONDON The Household Cavalry Museum Horse Guards, Whitehall, London, SW1A 2AX Situated at Horse Guards Whitehall between Trafalgar Square and Downing Street the museum lies at the very heart of historic London in magnificent mid-18th century vaulted stables. Dazzling displays of uniforms, weaponry and prized exhibits present a celebration and history of the British Army’s Senior regiments, the Life Guards and the Blues and Royals, who also perform the unique role of mounted bodyguard to Her Majesty The Queen on all State and Ceremonial occasions. Multimedia and touchscreen presentations provide fascinating information about all aspects of the daily duties of the troopers and their horses. Visitors can see troopers at work in the stables (through a large, glazed partition) preparing for sentry duty and can even try on parts of the uniform. An experience with something for everyone to enjoy along with the hourly sentry changes outside presenting colourful, traditional and uniquely British pageantry.

Best time of day to film: Any time.

Best vantage point: None in particular – it’s all high quality.

Access restrictions: The museum is within the Horse Guards building. Access to the building and the courtyard off Whitehall is controlled by the Ministry of Defence (MoD). Horse Guards Parade is administered by The Royal Parks and access by vehicle needs permission from the Ministry.

Filming permit: A filming permit for filming within the museum is not required. Permits are required for filming on MoD Property (+44 (0) 207 414 2396) and Royal Parks Property (+44 (0) 300 061 2350).

Filming fee: All the three agencies – The Household Cavalry Museum, The Ministry of Defence (London District) and The Royal Parks will make a charge for commercial filming. The Household Cavalry Museum makes no charge for non-commercial filming. The Ministry of Defence (London District) and The Royal Parks may waive or reduce charges on application.

Public liability insurance: The Household Cavalry Museum has £5million Public Liability Insurance. The other two agencies will be greater.

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Contact: Martin Westwood Telephone: +44 (0) 207 930 3090 Email: com@householdcavalry.co.uk Website: www.householdcavalrymuseum.co.uk

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LONDON The London Dungeon County Hall Riverside Building, Westminster Bridge Road, London, SE1 7PB Immersive rich sets depicting Dungeon jailor cells, torture chambers, Victorian pie shops and the Ten Bells pub.

Itâ&#x20AC;&#x2122;s a fact: The attraction contains a boat ride, recreating the voyage down the River Thames.

Best time of day to film: Out of hours. Pre-opening at 09.00 or after 18.00.

Access restrictions: Equipment needs to be delivered via County Hall security control and booked in.

Filming permit: Not for interior filming. Additional permits are required for exterior filming, issued by County Hall.

Filming fee: ÂŁ500 per hour. Fee will be waived if filming produces significant PR value.

Public liability insurance: Risk assessment and method statements must be provided.

Contact: Matthew Clarkson Telephone: +44 (0) 20 7654 0804 Email: Matthew.clarkson@merlinentertainments.biz Website: www.thedungeons.com/london

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LONDON Warner Bros. Studio Tour London - The Making of Harry Potter Warner Bros. Studio Tour London, Studio Tour Drive, Leavesden, Hertfordshire, WD25 7LS Warner Bros. Studio Tour London – The Making of Harry Potter offers the ultimate opportunity for visitors to step on to authentic sets, discover the magic behind spellbinding special effects and explore the behind-the-scenes secrets of the Harry Potter film series. Tread the original stone floor of the iconic Hogwarts Great Hall, encounter animatronic creatures and wander down Diagon Alley. Located at the studios where all eight films were produced, the Studio Tour showcases the incredible British talent, imagination and artistry that went into making the impossible a reality on screen. Visitors will relive the magic through the eyes of the filmmakers who brought the Harry Potter film series to life.

It’s a fact: Many of the sets from the Harry Potter film series, which are showcased within the attraction, are filled with behind-the-scenes secrets such as the Potions classroom, which was also used as Professor Snape’s office, and the room with the trapdoor, which was guarded by Fluffy the three-headed dog. Professor Dumbledore’s office is lined with astronomical devices and shelves of leather-bound books that are actually wrapped telephone directories.

Best time of day to film: The majority of the Studio Tour is housed within two sound stages – labelled J and K – and there is also a backlot that holds some of the exterior sets, including 4 Privet Drive, Godric’s Hollow and The Knight Bus. Tours take place from 10.00-16.30 on weekdays and from 09.0018.30 during weekends and peak periods. In some circumstances advance filming access can be arranged before the first visitors of the day enter the Tour or after the last visitors have left.

Best vantage point: Filming can take place on iconic sets such as the Great Hall, Diagon Alley and beside the 1:24 scale Hogwarts castle model (which would have taken one man 74 years to build)!

Access restrictions: Maintaining a fantastic visitor experience remains the Studio Tour’s first priority and filming requests may be declined on the basis that they would impact on this.

Filming permit: Permission to film must be gained from the Studio Tour’s Press Office and requests must be placed with as much advance notice as possible before date of intended shoot.

Filming fee: Filming can take place at the Studio Tour free of charge; availability permitting.

Public liability insurance: Those filming at the attraction must provide their own public liability insurance.

Existing footage can be supplied free of charge in standard definition.

Contact: Sarah Mitchell – PR and Communications Telephone: +44 (0) 203 427 7549 Email: press@wbstudiotour.co.uk Website: www.wbstudiotour.co.uk

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Sporting Venues

CONTENTS Twickenham Stadium and World Rugby Museum Wembley Stadium Wimbledon Lawn Tennis Museum and Tour

LONDON Twickenham Stadium and World Rugby Museum World Rugby Museum, East Stand, Twickenham Stadium, 200 Whitton Road, Twickenham, TW2 7BA Twickenham Stadium is the home of England Rugby. A visit to the World Rugby Museum and a Twickenham Stadium Tour is the ultimate rugby experience. Follow the game’s history from its origins in Rugby School to the present day, and get the stories behind some of the greatest players, matches and tries. Highlights include: • Play Rugby Zone – test your speed, strength and kicking prowess on the interactive skills games • A glittering array of trophies including the Calcutta Cup, the intricately engraved trophy made of 270 silver rupees that England and Scotland have been competing for since 1879 • Film and video footage • Over 25,000 iconic objects dating back to the beginning of the game The guided tour visits the stadium’s most exclusive areas. Sit in the royal box, view the England dressing room and imagine the crowd roaring as you run out of the players’ tunnel.

It’s a fact: • Seating an impressive 82,000 spectators, Twickenham is the largest dedicated rugby union venue in the world • It’s hard to believe that this historic venue began life as a market garden, but that’s exactly what it was before the RFU purchased the land for just over £5,500 in 1907 – hence the nickname ‘The Cabbage Patch’ • The first game was played in 1909 - a battle between local sides Harlequins and Richmond • Twickenham will host 10 Rugby World Cup matches in 2015 including the final Access restrictions: Parking available but can be limited at certain periods during the year.

Please contact the stadium directly to discuss.

Filming permit: Permission is required to film. Please contact the stadium directly in order to discuss requirements – the more notice you are able to give the better to ensure filming is possible.

Filming fee: The Stadium doesn’t normally charge for non-commercial filming.

Please contact them directly to discuss.

Contact: media@therfu.com Telephone: +44 (0) 208 831 6500

Public liability insurance: Please contact them to discuss requirements.

Email: media@rfu.com Website: www.rfu.com/twickenhamstadium/worldrugbymuseum www.rfu.com/twickenhamstadium

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LONDON Wembley Stadium Wembley, London, HA9 0WS Wembley Stadium is the 90,000-seat national stadium for the England football team. In its 92nd year – the original stadium was built in 1923 – Wembley is the home of a variety of world-class sport and music events. The year 2013 also coincided with The FA’s 150th anniversary, which saw some first-class internationals with Brazil, Scotland and the Republic of Ireland. The stadium prides itself on the variety of events it hosts; in 2013 two NFL matches were played at the stadium as well as the annual RL Challenge Cup Final. Not to be outdone the music calendar provided an awesome line-up, with the Capital Summertime Ball kicking things off before Bruce Springsteen, The Killers and Robbie Williams all wowed the crowds at a packed Wembley Stadium.

Wembley is one of the world’s premier multi-purpose venues, proud of its sporting and music tradition, and takes pride in the events it can offer fans. As a confirmed Rugby World Cup 2015 venue, Wembley Stadium will host fixtures for teams including New Zealand, Argentina, Ireland and Romania.

It’s a fact: The rows of seating, if placed end-to-end, would stretch 54 kilometres.

Best time of day to film: Areas of the stadium are available for day or night-time shoots.

Best vantage point: There is a huge wealth of facilities to cater for the many enquiries the stadium receives including: Changing rooms • Tunnel • Stadium bowl/seating • Large concourses internal and external • Reception areas • Grand restaurants and hospitality facilities • Corporate boxes • Internal service road • Occupational health medical ward • Kitchens • Large-scale escalators/stairwells Access restrictions: Commercial Advertising – please note they cannot accept any filming requests relating to commercial advertising where direct association is implied with Wembley Stadium, however they can consider enquiries relating to use of specific facilities.

Filming permit: They aim to be flexible on shoots, however please note they require a minimum of five days’ notice from enquiry to actual shoot and on larger productions they would need a minimum of ten days from initial enquiry. If you would like to apply to film at Wembley Stadium please email: filming@wembleystadium.com with details.

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Filming fee: Filming fees are quoted on a case-by-case basis, however a premium rate is charged on large-scale movies and commercial advertising requests.

Public liability insurance: For filming, the public liability insurance cover required is £10million.

Contact: Charlie McCracken Telephone: +44 (0) 844 980 8200 Email: filming@wembleystadium.com Website: www.wembleystadium.com

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LONDON Wimbledon Lawn Tennis Museum and Tour AELTC (Championships) Ltd, Church Road, London, SW19 5AE A state-of-the art museum celebrating the story of tennis and The Wimbledon Championships, including social history as well as the sport itself. The museum is highly interactive with original films and audioguides in 10 languages. The museum also runs a behind-the-scenes tour of the grounds including the main Show Courts and some of the players’ facilities.

It’s a fact: The first tournament was held to raise money to fix a garden roller, which is now part of the museum’s collection and a key stop on the tour of the grounds.

Best time of day to film: Filming in the museum must take place before opening at 10.00 if tripods and/or cabling are to be used. Filming in the grounds can take place at any time of day.

Best vantage point: The entire museum is camera friendly. In the grounds the best locations are Centre Court and the top of the hill by the Water Gardens, which have a great view of the grounds and central London.

Access restrictions: No filming may take place during The Championships unless it is by an accredited broadcaster.

Filming permit: No permit is required but all filming requests with a description of the nature of the programme must be submitted in advance.

Filming fee: There is no fee payable to film the museum or on the route of the tour.

Public liability insurance: £2million and above.

Contact: Johnny Perkins

HD footage is available.

Telephone: +44 (0 )20 8971 2529/2443 Email: public.relations@aeltc.com Website: www.wimbledon.com

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Birmingham

BIRMINGHAM Villa Park Villa Park, B6 6HE Football stadium. As a confirmed Rugby World Cup 2015 venue, Villa Park will host fixtures for teams including South Africa, Samoa and Australia.

Connection to the 2015 Rugby World Cup: Hosting South Africa v Samoa and Australia v play-off winners.

Best time of day to film: Any time of day.

Best vantage point: Holte End. Access restrictions: Will notify you of any restrictions as and when.

Filming permit: Email press@avfc.co.uk to put in a filming request with as much notice as possible.

Filming fee: No fee.

Public liability insurance: The club holds public liability insurance - ÂŁ500million any one occurrence/unlimited in the period.

Existing footage: Yes in HD format.

Contact: Gemma Duah Telephone: +44 (0) 121 327 2299 Email: press@avfc.co.uk Website: www.avfc.co.uk

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BIRMINGHAM Birmingham Hippodrome Hurst Street, Southside, Birmingham, B5 4TB Birmingham Hippodrome is an independent, not-for-profit, registered charity. The unsubsidised Hurst Street based venue averages over 500,000 visits annually making it the most popular single auditorium in the UK. With no public revenue funding, it is home to Birmingham Royal Ballet and DanceXchange, presents all of Welsh National Opera’s repertoire, welcomes the best in international dance, West End and Broadway musicals and is home to the world’s biggest Pantomime.

Birmingham Hippodrome is currently expanding its Creative Programme ‘Hippodrome Plus’ building on its successful work in schools and in the community, and with free outdoor performances.

With partners including Arts Council England, Birmingham City Council and private funders, the Hippodrome has recently enjoyed coproducing and producing new events including Six Summer Saturdays, International Dance Festival Birmingham, The Voyage (for the London 2012 Festival), Summer in Southside and 4 Squares Weekender, a weekend of outdoor arts performances in celebration of the opening of the Library of Birmingham on behalf of Birmingham Arts Partnership.

Best time of day to film: Light and conditions are extremely good within the building but access would have to be discussed due to heavy use of the building.

Best vantage point: Auditorium, foyer but access would have to be discussed due to use of the stage by production companies.

Access restrictions: Birmingham Hippodrome has excellent access facilities.

Filming permit: Risk Assessments and Method Statements will be required a week in advance.

Filming fee: This would have to be discussed at initial point of enquiry depending on nature of filming.

Public liability insurance: Minimum £10million.

Contact: Mandy Rose Telephone: +44 (0) 121 689 3069 Email: mandyrose@birminghamhippodrome.com Website: www.birminghamhippodrome.com

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BIRMINGHAM Bullring Bullring, Birmingham, B5 4BU The Midlandâ&#x20AC;&#x2122;s ultimate shopping destination which houses the Bull and iconic Selfridges building.

Best time of day to film: All day.

Best vantage point: The Bull, Selfridges building.

Filming permit: Advance notice of two days, pass needed.

Filming fee: Filming normally paid for but can waiver.

Public liability insurance: ÂŁ5million for use of tripod, lighting equipment etc.

Contact: Emma Roberts Telephone: +44 (0) 121 632 1545 Email: emmaroberts@bullring.co.uk Website: www.bullring.co.uk

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BIRMINGHAM Cadbury World Cadbury World, Linden Road, Bournville, Birmingham, B30 1JR Uncover a world of chocolate delights and enjoy a fascinating, funpacked day out at Cadbury World!

There’s so much to see and do for the whole family. From learning how your favourite confectionery is made and uncovering the fascinating story of Cadbury chocolate, to playing in chocolate rain and adding your favourite treat to a delicious pot of warm liquid Cadbury Dairy Milk.

You’ll discover the origins of the cocoa bean amidst trees and waterfalls in the Aztec Jungle, before jumping on board the magical Cadabra ride and meeting the infamous Cadbury drumming gorilla!

You’ll discover the history, the making and the magic of Cadbury confectionery and experience the sights, smells and tastes of the place where chocolate really comes to life.

NEW for 2014: Join Freddo and a whole host of Cadbury characters as they whisk you away on an adventurous journey in our brand new 4D cinema experience, complete with motion seats.

Best time of day to film: Open every day, so weekdays before 11.00 and after 15.00 are less busy.

Cadbury World is a one way tour through 14 zones and is quite dark and narrow in places – this makes it difficult to film when visitors are there.

Opening times Monday to Friday is 10.30 to 15.00 (with the building closing at 17.00). Ideally, filming is preferred when it is quieter which is either first thing in the morning or late afternoon – last visitors come in at 15.00 so areas become empty from then.

Best vantage point: • Chocolate Making, where they do traditional chocolate making demonstrations.

• Bull St, where there is a replica of John Cadbury’s first shop in Birmingham.

Filming permit: Supply a full risk assessment of equipment in advance and prior advance notice to Diane Mitchell to book a day and time.

• Outside, where you can look onto the factory building through the African Adventure play area.

If any member of the public is captured on film, you would need to get a signature from them to say they are happy to be featured.

• Advertising Avenue, where you can see some of the iconic Cadbury adverts.

Filming fee: No charge.

Access restrictions: No filming in the Packaging Plant.

Public liability insurance: Please supply a risk assessment prior to visiting.

Contact: Diane Mitchell

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Telephone: +44 (0) 121 451 4188 Email: diane.mitchell@mdlz.com

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Website: www.cadburyworld.co.uk

BIRMINGHAM The Custard Factory The Custard Factory, Gibb Street, Birmingham, B9 4AA The Custard Factory is the UK's leading destination for creative and digital businesses, independent shops and alternative culture outside London.

Set in 15 acres of beautifully restored Victorian Factories, just five minutes’ walk from the Bullring, it is the heart of Birmingham’s buzzing creative and digital district.

From the dessert revolution to the digital revolution, the Custard Factory has been at the centre of Birmingham’s history as an innovative, globally competitive city where great ideas take shape and where things are made that change the world.

Best time of day to film: Tuesday to Saturday 09.00 – 17.00.

Best vantage point: Gibb Street and Scott House roof.

Access restrictions: Yes, fob access only to rooftop terrace.

Filming permit: No. Filming fee: No. Public liability insurance: No.

Contact: Eddy Fogg Telephone: +44 (0) 7833 464537 Email: Eddy.fogg@custardfactory.co.uk Website: www.custardfactory.co.uk

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BIRMINGHAM Library of Birmingham Centenary Square, Broad Street, Birmingham, B1 2ND Landmark building and visitor destination on Birmingham’s largest and most important public square. The Library of Birmingham is the city’s busiest public building offering a range of library and archive services, plus a varied events and exhibitions programme. Spaces include two outdoor garden terraces, Amphitheatre and stunning Book Rotunda.

Best time of day to film: Depends on requirements. Please note that filming may not be permissible on a particular day, depending on events and other activities that may already be programmed on that day.

Best vantage point: Iconic features of the building such as the garden terraces or Book Rotunda.

Access restrictions: The Library of Birmingham is a busy public building and its use as a film location or vantage point is carefully managed. Permission must be sought and obtained well in advance.

Filming permit: Yes. They normally require at least two weeks’ notice for al. Please go to libraryofbirmingham.com and see under Visiting – Media – Filming and Photography. Please complete and return the form to engagementteam.com Filming fee: Day rate £1,000; half day £500. As a busy public library with limited resources to accommodate filming and photography where the Library is to be used purely as a location (ie the subject of the filming/ photography is not the Library itself), fees are unable to be waived.

Contact: Engagement Team Telephone: Please contact them by email on the address below Email: engagementteam@libraryofbirmingham.com Website: www.libraryofbirmingham.com

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Photographer Christian Richters.

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BIRMINGHAM

Brindleyplace and Birmingham canals

Centenary Square

Birmingham, B1 2JB

Birmingham, B1 2ND

Brindleyplace comprises an architectural delight of landmark mixed–use buildings built around three attractive public squares – Brunswick, Central and Oozells. Alongside this, the estate includes The Water’s Edge, The Crescent Theatre, National SEA LIFE Centre and is positioned adjacent to Birmingham’s first city centre residential development, Symphony Court.

Best Vantage Points: Oozels Square Ikon Gallery Fountains

The area now occupied by Brindleyplace was, at the height of Birmingham’s industrial past, the site of factories. By the 1970s, however, as Britain’s manufacturing went into decline, the factories closed down and the buildings lay derelict for many years.

Today, over 8,500 people work in Brindleyplace for some of the UK’s leading businesses, and it is a thriving and vibrant location both throughout the daytime and evening. The estate has been described as one of the most impressive and successful inner city mixed-use developments in the country.

Public Liability Insurance: Yes, £5million, please contact Sindy Campbell.

Named in celebration of the centenary of Birmingham’s city status (1989), Centenary Square is one of the city’s newest public open spaces.

The square is a work of art in itself, with paving, railings and lamps designed by artist Tess Jaray.

A variety of live events are held in Centenary Square.

Permits: Yes - through Film Birmingham.

Contact: Sindy Campbell Telephone: 0121 464 9305 Email: sindy.campbell@birmingham.gov.uk

Best Vantage Points: Baskerville House Hall of Memory Spirit and Enterprise sculpture Industry and Genius sculpture Birmingham REP International Convention centre Symphony Hall Boulton, Watt and Murdoch sculpture Broad Street

Website: www.filmbirmingham.co.uk/

Public Liability Insurance: Yes, £5million, please contact Sindy Campbell.

Contact: Sindy Campbell Telephone: +44 (0) 121 464 9305 Email: sindy.campbell@birmingham.gov.uk Website: www.filmbirmingham.co.uk/

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BIRMINGHAM Jewellery Quarter Birmingham, B18 The Jewellery Quarter dates back over 250 years and is still home to over 400 jewellery businesses. A designated conservation area with more than 200 listed buildings, it is a proposed World Heritage Site. It has been described by English Heritage as a unique historic environment in England, which has few, if any, parallels in Europe.

The Quarter also contains Birmingham’s last remaining Georgian Square in the tranquil surroundings of St Paul’s, with its fine restaurants, bars and galleries, It has over 100 specialist jewellery retailers for classic pieces and beautiful handcrafted jewellery, where visitors can even commission their own design. Gems of the quarter are the Museum of the Jewellery Quarter, the Royal Birmingham Society of Artists, The Pen Room Museum, St Paul’s Gallery plus the Birmingham Assay Office where you can learn about the history of Hallmarking and find out their role in the 21st century.

Permits: Yes - through Film Birmingham.

Public Liability Insurance: Yes, £5million, please contact Sindy Campbell.

Contact: Sindy Campbell Telephone: +44 (0) 121 464 9305 Email: Sindy.campbell@birmingham.gov.uk Website: www.filmbirmingham.co.uk

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BIRMINGHAM

St Paul’s Square

Council House / Victoria Square

Birmingham, B3 1QZ

Victoria Square, Birmingham, B3 3BD

St Paul’s Square is a Georgian square in the Jewellery Public Liability Insurance: Yes, £5million, please contact Sindy Campbell.

Quarter, Birmingham, named after the church in its centre. It is the last remaining Georgian Square in the city, built 1777-79 on the Newhall estate of the Colmore family. It was an elegant and desirable location in the mid 19th century. At the end of the 19th century the square was swallowed up by workshops and factories, with the fronts of some buildings being pulled down to make shop fronts or factory entrances. Much restoration was done in the 1970s and many of the buildings are now Grade–II listed.

Victoria Square is a pedestrianised public square in Birmingham, England. It is home to both the Town Hall and the Council House, and directly adjacent to Chamberlain Square. The square is often considered to be the centre of Birmingham, and is the point from where local road sign distances are measured. It is a short walk from St. Philip’s Cathedral on Colmore Row and is on the main pedestrian route between the Bull Ring and Brindleyplace areas. Three major roads, Colmore Row, New Street and Paradise Street meet there.

Best Vantage Points: St Paul’s Church.

Best Vantage Points: In front of the The River fountain.

Council House façade.

Town Hall façade.

Library steps / fountain.

Birmingham Museum and Art Gallery façade.

Iron Man.

Contact: Sindy Campbell Permits: Yes - through Film Birmingham.

Telephone: +44 (0) 121 464 9305 Email: Sindy.campbell@birmingham.gov.uk Website: www.filmbirmingham.co.uk

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Permits: Yes - through Film Birmingham.

Public Liability Insurance: Yes, £5million, please contact Sindy Campbell.

Contact: Sindy Campbell Telephone: +44 (0) 121 464 9305 Email: Sindy.campbell@birmingham.gov.uk Website: www.filmbirmingham.co.uk

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BIRMINGHAM University of Birmingham (UoB) and University of Birmingham Sport (UBSport) University of Birmingham, Edgbaston, Birmingham, B15 2TT The University of Birmingham was founded over a century ago, and was England’s first truly ‘civic’ university. It is located on a glorious leafy campus close to the centre of the country’s second city. Today the Redbrick University, which is part of the Russell Group, is one of Britain’s leading universities, internationally acclaimed and globally recognised. It was also one of the first universities to offer a sporting option for all students. University of The Birmingham is currently a top three sporting university in the British Universities & Colleges Sport (BUCS) Championship. This is one of the many reasons student athletes from across the country and around the world choose to study, train and compete at the University of Birmingham.

Best Vantage Points: The Munrow Sports Centre and its adjacent running track.

Best Time of Day: For the suggested areas of filming, daylight hours would be best due to lack of floodlights on the running track.

Permits: No permit for filming is required. They would need as much notice as reasonably possible.

Contact: Jenna Hadley, UBSport PR, Media and Promotions Officer. Ben Hill, UoB PR Manager

Public Liability Insurance: Yes, £5million. UoB and UBSport have public liability insurance for their own employees. Any companies visiting campus would need to provide their own public liability insurance.

Telephone: Jenna Hadley +44 (0) 121 414 2262 or +44 (0) 7786 336634 Ben Hill – +44 (0) 121 414 5154 or +44 (0) 7789 921163 Email: Jenna Hadley – j.v.hadley@bham.ac.uk Ben Hill – b.r.hill@bham.ac.uk Website: www.birmingham.ac.uk and www.sport.bham.ac.uk

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Brighton

BRIGHTON Brighton Community Stadium Village Way, Brighton, BN1 9BL Brighton Community Stadium is the home of Brighton & Hove Albion Football Club. As a confirmed Rugby World Cup 2015 venue, the stadium will host fixtures for teams including South Africa, Japan, Samoa and USA. Connection to the 2015 Rugby World Cup: Host venue.

Best time of day to film: Dusk.

Best vantage point: Bridge over A27.

Access restrictions: All access must be requested in advance with the clubâ&#x20AC;&#x2122;s Media Office (via details below).

Filming permit: No. Filming fee: For a broadcaster with relevant rights, itâ&#x20AC;&#x2122;s unlikely a fee would be requested. For companies without broadcast rights, a fee would be expected.

Contact: Paul Camillin or Tim Dudding Telephone: Paul Camillin +44 (0) 7747773692 / Tim Dudding +44 (0) 7967300736 Email: paul.camillin@bhafc.co.uk / tim.dudding@bhafc.co.uk Website: www.seagulls.co.uk

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BRIGHTON The Brighton Wheel Daltons Bastion, Maderia Drive, Brighton, BN2 1EN The much anticipated observation wheel stands 45 metres in diameter and provides breath-taking, panoramic views of the coastline, surrounding architecture and landmarks. The £6million venture has 36 enclosed glass pods, including an exclusive VIP pod. Each pod takes six adults and two children and provides a commentary guided tour of the heritage of Brighton & Hove whilst you take a voyage.

Tickets include three complete turns on the wheel and a voyage takes approximately 12 minutes.

Best time of day to film: 10.00 or 15.00.

Best vantage point: From the pier, the wheel or along the promenade, shooting east to west.

Filming permit: Not needed.

Filming fee: £500 per hour straight up fee (request to speak to Jeff, Graham or Delso regarding prices).

Public liability insurance: £2million.

Contact: Jeffrey Sanders and Graham Cleveley Telephone: + 44 (0) 1273 722 822 Email: promotions@brightonwheel.com Website: www.brightonwheel.com

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BRIGHTON Brighton Beach Brighton Pier, Yellowave Beach Volleyball Centre and Brighton Bandstand Marine Parade, Brighton, East Sussex, BN2 1TB One of England’s biggest and best seaside holiday destinations, Brighton is often referred to as “London by the sea” due to its location on England’s south coast just 70 kilometres due south of London.

Brighton is hugely popular among Londoners, who come in their millions to enjoy all that Brighton beach has to offer, including traditional activities such as a swim in the sea or a “promenade” (a leisurely walk) and also more modern activities such as beach volleyball. Brighton is the home of the Brighton Swimming Club, England’s oldest swimming club, whose members go for daily early morning swims in the sea.

Brighton Pier is a truly iconic British structure that stretches out over the sea and combines traditional amusements and games with hair-raising fairground rides.

Best Vantage Points: Filming is possible along all of Brighton seafront, however three optimum filming positions are available: • Daltons Bastion, Madeira Drive – this position is just to the east of Brighton Pier on the lower level of Brighton seafront. The location offers close direct views of Brighton Pier alongside views of Brighton beach both to the east and west.

• Marine Parade, Yellowave Beach Sports Venue – this position is on the upper level of Brighton seafront, approximately 750 metres from Brighton Pier. The location offers direct elevated views overlooking Yellowave Beach Sports Venue (an Olympic Training Camp for beach volleyball) combined with sweeping views of Brighton beach.

• Brighton Bandstand, Kings Road – this position is located approximately 1 kilometre west of Brighton Pier. The location offers views of Brighton Pier and the former West Pier (now skeletal remains after a fire in the mid 90s) along with sweeping views out to sea. This location also offers views to the west, showing some of Brighton & Hove’s finest Regency architecture.

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Restrictions: There are no restrictions to the first two filming positions listed but there is restricted vehicle access to Brighton Bandstand’s lower promenade from 11.00 each day.

Best Time of Day: Early morning filming offers the perfect opportunity to see the sun rising in the east when locals take to the water for an early morning swim or exercise. Daytime filming would, on a sunny day, offer shots of a busy beach with thousands of visitors sunbathing and enjoying the activities. Evening filming would offer spectacular shots of a setting sun in the west.

Fees: A filming fee of £250 per 24 hours is normally charged. This fee will be reduced / waived on a case-by-case basis.

Public Liability Insurance: Yes – minimum £5million.

Contact: Jo Osborne, Events Officer, Brighton & Hove City Council Telephone: +44 (0) 1273 293001 Email: jo.osborne@brighton-hove.gov.uk Website: www.brighton-hove.gov.uk/index.cfm?request=b1149008 www.visitbrighton.com

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BRIGHTON Royal Pavilion 4/5 Pavilion Buildings, Brighton, BN1 1EE Built for the Prince Regent, later King George IV, in stages between 1787 and 1823, the Royal Pavilion is remarkable for its exotic appearance both inside and out, with dramatic Indian-inspired architecture and lavishly decadent interiors inspired by China. This magnificent royal pleasure palace was revered by fashionable regency society and today is the iconic landmark for vibrant Brighton & Hove.

The Pavillion sits within the beautiful Royal Pavilion Gardens in the very centre of the city, which have been lovingly reworked back to their regency period design with fantastic vistas over floral displays.

Best Vantage Points: East Lawns. Royal Pavilion Gardens in front of Brighton Museum and Art Gallery entrance.

Restrictions: No vehicles on site.

Best Time of Day: Early mornings when the sun hits the eastern façade of the palace on the East Lawns and late afternoons. Traffic noise during the middle of the day can be quite high on the East Lawns and the gardens can get busy during hot summer days.

Public Liability Insurance: Yes, ÂŁ10million.

Contact: Cara Bowen / Jemma Treweek Telephone: +44 (0) 3000 290906 Email: museums.marketing@brighton-hove.gov.uk Website: www.brighton-hove-pavilion.org.uk

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BRIGHTON The Lanes and North Laine Brighton, East Sussex, BN1 1EE Brighton is famous for its cosmopolitan atmosphere and ‘anything goes’ spirit. The centre of Brighton is made up of The Lanes, which is a concentration of narrow alleyways filled with boutique shops and jewellers and the North Laine (spelt with an ‘i’ as it is an old English word meaning “strip of land”) which is a bohemian area containing hundreds of independent shops, cafés and street life.

Best Vantage Points: • The Lanes - Meeting House Lane / Union Street. This location offers the opportunity to film right in the ‘heart’ of The Lanes, to experience the old narrow alleyways and village atmosphere.

• North Laine – Gardner Street / Kensington Gardens / Sydney Street.

This location offers the opportunity to get a good feeling of the atmosphere in the North Laine. These streets showcase the bohemian atmosphere of this area.

Restrictions: The majority of the Lanes area is pedestrianised and the Lanes are narrow so offer no vehicle access. The North Laine offers greater vehicle access, but still has restricted vehicle access, particularly at the weekends when roads are closed off to allow alfresco dining.

Best Time of Day: Early morning offers the opportunity to film the city ‘waking up’ – shops and businesses in The Lanes and North Laine tend to open up at 10.00 each day. Early morning filming in sunshine gives the greatest contrast of light and shade. Daytime is when The Lanes and North Laine are at their busiest (particularly at weekends). Daytime filming in the sunshine offers bright condition with plenty of colour to be seen.

Permits: Yes; 72 hours’ advance notice is required. Filming applications can be downloaded here: www.brighton-hove.gov.uk/index.cfm?request=b1149008 and sent to Jo Osbourne.

Fees: A filming fee of £250 per 24 hours is normally charged.

This fee will be reduced / waived on a case–by–case basis.

Public Liability Insurance: Yes – Minimum £5million (depending on type of filming).

Contact: Jo Osborne, Events Officer, Brighton & Hove City Council Telephone: +44 (0) 1273 293001 Email: jo.osborne@brighton-hove.gov.uk Website: www.visitbrighton.com

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BRIGHTON Sea Life Centre Marine Parade, Brighton, East Sussex, BN2 1TB Sea Life Brighton is the world’s oldest operating aquarium, with over 1,500 creatures in over 50 displays. Catering for all markets, it provides fun and educational days out exploring the underwater world without getting wet! The UK’s first ever glass-bottom boat floats atop the centre’s huge ocean tank where guests can marvel at aerial views of some of their biggest residents, including Lulu, a giant sea turtle.

Best Vantage Points: A popular place to film would be in the underwater tunnel or in the Victorian arcade with its original architecture.

Best Time of Day: Before 10.00 when it opens to public would be the ideal time, or approximately 17.00 (closing times vary throughout the year).

Fees: No charge for non-commercial filming, as it is in exchange for publicity.

Contact: Laura Sackett Telephone: +44 (0) 1273 647794 Email: laura.sackett@merlinentertainments.biz Website: www.sealife.co.uk

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BRIGHTON & EAST SUSSEX

Contact: Laura Fear Telephone: +44 (0) 1323 415438 Email: laura.fear@eastbourne.gov.uk Website: www.visiteastbourne.com

Battle Abbey

Beachy Head, Eastbourne

High Street, Battle, East Sussex, TN33 0AD

Beachy Head Road, Eastbourne, East Sussex, BN20 7AY

Events programme includes the annual Battle of Hastings re-enactment, 13 & 14 October 2012. On-site café and themed shop.’ to ‘The events programme includes the annual Battle of Hastings re-enactment in the middle of October, and there is also an on site café and themed shop.

From Harry Potter’s Quidditch match in The Goblet Of Fire to Pearl Harbour’s spectacular dogfights, Eastbourne and Beachy Head played a huge part in dozens of film and television productions. Now part of the new South Downs National Park, the white chalk cliffs of Beachy Head are an iconic feature on the south east coastline. Enjoy filming in acres of beautiful, green, downland without a vehicle or pylon in sight, look out east and enjoy spectacular views over Eastbourne, or capture the red and white striped Beachy Head Lighthouse.

Fees: Normally £150 for up to an hour or around £100 an hour for a longer schedule.

Public Liability Insurance: Yes, minumum £2million.

Best Vantage Points: Depends on individual requirements.

Permits: To be arranged with Sarah Eastel if a commercial enquiry, or Dawn Postlethwaite if non-commercial.

Contact: Dawn Postlethwaite (may be passed to Sarah Eastel Locations for commercial enquiries: +44 (0) 1225 858100) Telephone: +44 (0) 1424 775 705

Best Vantage Points: On the downland near the S bends looking out across Eastbourne or out to sea.

Permits: Yes – please contact Laura Fear. Simple shoots require just a few days’ notice but bigger shoots will need weeks as permission will have to be sought from Natural England.

Fees: Filming fee applies for commercial filming only.

Public Liability Insurance: Yes – up to £10million.

Email: customers@english-heritage.org.uk Website: www.english-heritage.org.uk/1066

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Restrictions: Depending on the nature of the filming, permission may have to be sought from Natural England. Certain terms and conditions apply to any filming here, e.g. crews must stay a certain distance from the cliff edge, otherwise a safety rigging company must be employed.

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BRIGHTON & EAST SUSSEX Eastbourne Seafront & Eastbourne Bandstand Grand Parade, Eastbourne, East Sussex, BN21 3AD Eastbourne offers a glorious stretch of unspoilt promenade and awardwinning beaches, perfect for transforming your film shoot. Head for the quieter beaches at Holywell, sheltered by the white chalk cliffs of Beachy Head with the secluded Italian Gardens, or opt for the main resort beach between the Wish Tower and beach attracting hundreds of thousands of visitors each summer. In the summer season, enjoy an alfresco concert at Eastbourne Bandstand, the UK’s only fully operational Bandstand, hosting performances every day of the week.

The unique venue with its iconic blue domed roof and silver finial has recently become licensed for wedding ceremonies too. You may recognise Eastbourne seafront from feature films and popular TV series including Brighton Rock, Angus, Thongs & Perfect Snogging, Little Britain, Foyles War and more. Eastbourne also offers more sunshine hours than anywhere else in the country, so you can almost be guaranteed sunshine too.

Best Vantage Points: From the Wish Tower Slopes looking east along the seafront to capture iconic Eastbourne landmarks, the Pier and Bandstand. From the middle balcony of the Bandstand to capture the Pier. At Holywell to capture Falling Sands secluded beaches. Take a powerboat from Sussex Voyages (operating out of Sovereign Harbour) and film the seafront from the sea.

Restrictions: Check tide times and certain events bringing extra footfall during the summer.

Best Time of Day: Sunrise and sunset above the sea, during the day for sunshine or at night for a lit seafront.

Permits: Yes, required.

Contact: Laura Fear

Fees: Filming fee applies to commercial filming only.

Telephone: +44 (0) 1323 415438 Email: laura.fear@eastbourne.gov.uk

Public Liability Insurance: Yes – up to £10million but can be negotiated depending on the filming subject.

Website: www.visiteastbourne.com

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BRIGHTON & EAST SUSSEX

Hastings Fishing Fleet

Mermaid Street, Rye

The Stade, Hastings Old Town, East Sussex, TN34 3AL

East Sussex, TN31 7EY

Europe’s biggest beach launched fishing fleet, Hastings Fishing Fleet is a Marine Stewardship Council accredited fleet and fishery. The fleet is very picturesque against the backdrop of the East Hill, Country Park and Old Town.

Rye is the most perfectly preserved medieval town in the UK and its iconic Mermaid Street is a favourite film and photographic location.

Restrictions: On road parking.

Restrictions: Not in the medieval town centre but there are restrictions in the car park near the station a few minutes’ walk away.

Permits: Please see website for details.

Permits: Please see website for details.

Fees: No fee for tourism related filming.

Public Liability Insurance: Yes, please contact Debbie Clifford.

Public Liability Insurance: £5million.

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Contact: Debbie Clifford

Contact: Debbie Clifford

Telephone: +44 (0) 1424 451101

Telephone: +44 (0) 1424 451101

Email: dclifford@hastings.gov.uk

Email: dclifford@hastings.gov.uk

Website: www.visit1066country.com/filming

Website: www.visit1066country.com/filming

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CARDIFF

CARDIFF Millennium Stadium Gate 4, Westgate Street, Cardiff, CF10 1NS The Millennium Stadium dominates the capital city skyline, drawing huge crowds to the very heart of Cardiff and attracting attention from around the world. The stadium has established itself on the global stage as a multi event venue enhanced by its city centre location, a removable pitch and that all-important closing roof. It has become a recognised landmark which is truly representative of a modern Wales enjoying a status and a resonance far beyond many other countries of its diminutive size. Anyone arriving in the city by road, rail or even from the sea will notice its four 296-feet-tall steel masts towering above the River Taff. There are seats for some 74,500 supporters, a roof that takes just 20 minutes to close and a palletised pitch system that can be removed in a day to turn the building from a sporting venue into a multi-purpose indoor arena.

Connection to the 2015 Rugby World Cup: As a confirmed Rugby World Cup 2015 venue, Millennium Stadium will host fixtures for teams including Ireland, Canada, Wales, Australia, Fiji, New Zealand, Georgia and France.

Permits: Risk assessment and method statement required. Permit issued by MS plc.

Fees: Negotiable per request.

Public Liability Insurance: ÂŁ10million.

Contact: Gemma James Telephone: +44 (0) 29 20822368 Email: gjames@wru.co.uk Website: www.millenniumstadium.com

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CARDIFF Cardiff Castle Castle Street, Cardiff, CF10 3RB Cardiff Castle is located in the heart of Wales’s capital city and enjoys a history spanning 2,000 years. A 12th century Norman Keep dominates the grounds and provides an iconic backdrop for interviews and photography arranged in the castle grounds. The mansion house dates from medieval times but is best known for its spectacular Victorian fairytale interiors, created for the 3rd Marquess of Bute by eccentric architect William Burges. The site also offers original Roman walls, wartime tunnels last used as air-raid shelters in World War II and battlements offering panoramic views across the site.

Restrictions: Cardiff Castle is primarily a visitor attraction, so the site cannot be closed or have visitor access restricted to accommodate filming.

In addition, the amount and type of equipment is limited by conservation of the site, especially within the castle apartments. Physical restrictions also apply such as the size of the entrance (3.37 metres high, 2.64 metres wide and a weight limit of 30 tons). Limited parking is available alongside the castle for small vehicles but large vehicles cannot be accommodated either within the castle grounds or outside. Cardiff Castle will not host any film crew of a controversial and/or political nature.

Permits: An Indemnity Form must be completed by all film crews and professional photographers on site. A form is available in advance or on arrival. No camera cranes, jibs or cherry pickers permitted.

Fees: Location fees vary depending on which areas of the castle are being used, the time of day and the level of castle staff supervision required.

However, general views or a short ‘piece to camera’ taken in the grounds with minimal equipment and crew are usually free of charge if used for news, travel and lifestyle broadcasts.

Public Liability Insurance: Yes, of at least £5million. Copies of insurance certificates should be sent to the castle is advance of any filming taking place.

Contact: Claire Hamer or Helen Jones Telephone: +44 (0) 29 2087 8118 or +44 (0) 29 2087 3004 Email: c.hamer@cardiff.gov.uk, heljones@cardiff.gov.uk, cardiffcastle@cardiff.gov.uk Website: www.cardiffcastle.com

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CARDIFF City Hall Cathays Park, Cardiff, CF10 3ND Built in the English Renaissance style, City Hall was opened in 1906.

The magnificent exterior is carved from Portland stone. Within are elegant rooms of varying size. There are 16 rooms available and can accommodate between two and 600 people. The Assembly room has a richly decorated 11 metre-high ceiling with a floor space of 539 square metres. The Marble Hall is lined by columns of Sienna Marble and decorated with ornate stained glass windows. This room also displays many items from the City Hall’s extensive art collection. The Council Chamber is situated directly below the grand dome of City Hall with stained glass windows, carved oak panelling and marble pillars. This room has fixed ‘in the round’ arena seating. The entrance Hall has two sweeping staircases leading to the Marble Hall. There are 12 additional smaller rooms decorated to a high standard.

Best Vantage Points: This is dependent on filming requirements. Access can be gained to the roof area.

Restrictions: There are steps leading into the goods entrance of City Hall, however, there is a ramp that can be linked to a truck with a tail lift.

Best Time of Day: This is dependent on which room is required.

Fees: This is dependent on which room/area is to be used.

Public Liability Insurance: City Hall has full public liability insurance, however, production companies are required to have their own.

Contact: Alexandra McIlquham-Jones Telephone: +44 (0) 29 20871727 Email: alexm@cardiff.gov.uk Website: www.cardiffcityhall.com

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CARDIFF Roath Park Lake Road West, Roath, Cardiff, CF23 5PG Roath Park is Cardiff’s most popular public park and it still retains its classic Victorian atmosphere and layout. At its heart is Roath Park Lake, site of the Scott Memorial Lighthouse. North of the lake are the Wild Garden with its winding paths and wildflowers, and Llandennis Oval, its ancient pond supposedly the site of St Isan’s 12th century settlement. Further south, the Pleasure Garden and Recreation Ground provide bowls, tennis and basketball, football and rugby pitches, another children’s playground and trim trail.

Best Vantage Points: From the promenade, also the conservatory.

Restrictions: Height restriction for vehicle access, weight restriction on promenade.

Best Time of Day: Daylight probably would be the best.

Permits: Please apply to the Park Events Officer.

Fees: Costs apply for filming.

Public Liability Insurance: £5million.

Contact: Carolyn Chappell – Park Events Officer Telephone: +44 (0) 29 20684000 Email: cchappell@cardiff.gov.uk Website: www.cardiff.gov.uk/parks

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CARDIFF National Museum Cathays Park, Cardiff, CF10 3NP National Museum Cardiff is one of Wales’s seven national museums.

The museum, which celebrated its centenary in 2007, hosts the country’s archaeology, natural history and art collections. In July 2011, Wales’s first National Museum of Art was opened on the first floor of the building, which features art from the Tudors and Stuarts plus one of the best Impressionist collections outside Paris and works produced by those living and working in Wales today. The archaeology collection is displayed in the Origins: In Search of Early Wales gallery. Objects date back to the Neanderthals. The woolly mammoth and dinosaurs are some of the most popular objects for children in the Evolution of Wales gallery.

Best Vantage Points: There are several art, archaeology and natural history galleries which provide good backdrops. The front steps of the museum are also striking as well as from the balcony in the main hall.

Restrictions: There are some restrictions behind the scenes. In the galleries, the communications officer can advise on copyright implications, which occur occasionally in the art galleries.

Best Time of Day: Before 10.00 or after 17.00 if you want quiet. If you don’t mind the public being present, the museum is open from 10.00 – 17.00 everyday except Mondays. On Mondays the staff could accommodate a crew all day.

Fees: Educational/news/current affairs: No fee. PR rate (decided by communications officer): £150 an hour. Full commercial rate: £250 an hour.

Public Liability Insurance: Yes. Contact: Catrin Mears & Lleucu Cooke Telephone: +44 (0) 29 2057 3185 / +44 (0) 29 2057 3175 Email: catrin.mears@museumwales.ac.uk lleucu.cooke@museumwales.ac.uk Website: www.museumwales.ac.uk

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CARDIFF St Fagans: National History Museum St Fagans, Cardiff, CF5 6XB Voted ‘The UK’s Favourite Tourist Attraction’ by readers of Which! in 2011, St Fagans: National History Museum is an open-air museum on the outskirts of Cardiff. St Fagans has re-erected over 40 original buildings that include Iron Age roundhouses, farms and a medieval church to show how the people of Wales have lived, worked and spent their leisure time. St. Fagans is very much a living museum with traditional craftsmen demonstrating in workshops and mills in a packed programme of events.

Best Vantage Points: St Fagans is a 100-acre site and has many vantage points.

Restrictions: The 40+ historic interiors each have their own restrictions and rules about lighting conditions etc.

Best Time of Day: Daylight for external shots– historic interiors need to be lit.

Permits: Please apply through Iwan Llwyd, Press and Marketing Officer.

Fees: £200 per hour/negotiable.

Public Liability Insurance: £1million.

Contact: Iwan Llwyd, Press and Marketing Officer Telephone: +44 (0) 2920 573486 / +44 (0) 7920 027054 Email: Iwan.llwyd@museumwales.ac.uk Website: www.museumwales.ac.uk/stfagans

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CARDIFF Cardiff International White Water Cardiff International Sports Village, Watkiss Way, Cardiff, CF11 0SY Cardiff International White Water (CIWW) is an on demand, Olympic standard, white water facility. The course has variable river flows so adventurers at all levels can enjoy the thrill of white water rafting.

Other sports taught on the flat water area include canoeing, kayaking and stand up paddle boarding. The balcony looking over the water is a great vantage point for watching the people on the water and experiencing views of the river and marina. There is also an on site meeting room with state-of-the-art facilities, watersports shop and catering team based in the Rafters Café.

Best Vantage Points: From the top of the course or on the first floor balcony.

Restrictions: PPE to be worn in high risk areas near the water.

Best Time of Day: The water is only on at certain times of the day – pump times available at www.ciww.com However, in some circumstances, the water can be switched on on request. The Floodlights also allow night time filming.

Permits: An Indemnity Form will need to be signed, and given back with a copy of your public liability form.

Fees: • Yes – minimum half day (four hours) at £365 for non-commercial use.

• A rate card is available for commercial requests.

• In most circumstances, no charge will be made for news broadcasts.

• Additional staffing costs, such as safety stewards, will also need to be taken into consideration.

• Additional charges are made for on the water activities Public Liability Insurance: Yes – Standard Council Request.

Contact: Julie Holmes / Gemma Simons Telephone: Office: +44 (0) 29 2087 7903 CIWW: +44 (0) 29 8082 9970 Email: Julie.holmes@cardiff.gov.uk or gsimons@cardiff.gov.uk Website: www.ciww.com

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CARDIFF Caernarfon Castle Caernarfon, Gwynedd, LL55 2AY Caernarfon is possibly the most famous of Walesâ&#x20AC;&#x2122;s castles. Its sheer scale and commanding presence easily set it apart from the rest, and to this day, still trumpet in no uncertain terms the intention of its builder Edward I. Begun in 1283 as the definitive chapter in his conquest of Wales, Caernarfon was constructed not only as a military stronghold but also as a seat of government and royal palace. The castleâ&#x20AC;&#x2122;s majestic persona is no architectural accident: it was designed to echo the walls of Constantinople. Standing at the mouth of the Seiont river, the fortress with its unique polygonal towers, intimidating battlements and colour banded masonry dominates the walled town.

Best Vantage Points: On site and from opposite side of harbour.

Restrictions: No access restrictions but will be busy during the summer months.

Best Time of Day: Morning and afternoon in summer.

Permits: A filming permit is required for commercial filming.

Fees: Yes for commercial filming; please contact Shuna Williams.

Public Liability Insurance: Shuna Williams can provide information.

Contact: Shuna Williams Telephone: +44 (0) 1443 336 103 Email: williamssg@wales.gsi.gov.uk Website: www.cadw.wales.gov.uk

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Exeter

EXETER Sandy Park Sandy Park Way, Exeter, EX2 7NN In 2006, the Exeter Rugby Club moved to its new state-of-the-art stadium at Sandy Park. Matches here regularly see capacity crowds of almost 11,000 spectators.

Within the ground currently there are 12 executive boxes: 12-seater private hospitality suites that give uninterrupted views of the ground.

There are also dining rooms, two giant screens inside the stadium, and ample bars and food outlets during matches.

The Exeter Chiefs offer Super Saturday Experiences which are two hour rugby coaching sessions by some of the squad members. This is a chance for youngsters in particular to learn from professional players and this may provide a good film opportunity for you.

See the Access Restrictions section below: huge redevelopment works have started on this ground which will improve the current facilities and increase the stadium capacity.

Should you wish to film the Chiefs whilst work is happening at the ground, they do train elsewhere.

Connection to the 2015 Rugby World Cup: Exeter has been named a Host City and Sandy Park is hosting three Rugby World Cup games: Tuesday 29 September: Tonga v Africa 1 Wednesday 7 October: Africa 1 – v Europe 1 Sunday 11 October: Italy v Europe 2 Best time of day to film: Daytime is best.

Best vantage point: Any part of the grounds is available subject to availability and access.

See below.

Filming permit: Yes. Please contact Mark Stevens for all permissions. Please give two weeks’ advance notice of filming at this location.

Filming fee: No. Sandy Park will not charge any fee for filming on its grounds.

Existing footage: Sandy Park does have existing footage that can be offered to broadcasters.

This is available in HD. Please send requests to Mark Stevens.

Contact: Mark Stevens - Media and Communications Manager Telephone: +44 (0)1392 890915 / +44 (0) 7771 654730

Public liability insurance: Once you are within the Sandy Park grounds you will be covered by its own Public Liability insurance. If you film the grounds from any public area, you will need your own Public Liability cover – recommended minimum £5million.

Email: markstevens@exeterchiefs.co.uk Website: www.exeterchiefs.co.uk

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EXETER ABode Exeter Cathedral Yard, Exeter, EX1 1HD As the first ABode Hotel, as well as the hometown of Michael Caines, this is where the ABode vision began.

Centrally located in the heart of Exeter's beautiful Cathedral Yard, the hotel has a rich history. Formerly the historic Royal Clarence Hotel, the establishment is reported to be the first hotel in England.

ABode Exeter has continued to build upon a tradition of excellence and quality to create the city's most exciting venue.

Connection to the 2015 Rugby World Cup: Centrally located in one of the cities hosting a game.

Best time of day to film: During the day/evening.

Best vantage point: Cathedral Room.

Filming permit: Not needed.

Filming fee: Dependant on how long filming is required for and subject to availability.

Public liability insurance: No.

Contact: Matt Collins Telephone: +44 (0) 1392 319955 Email: generalmanager@abodeexeter.co.uk Website: www.abodeexeter.co.uk

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EXETER Exeter Cathedral 1a The Cloisters, Exeter, EX1 1HS Exeter Cathedral is a beautiful location, a historic building that has dominated the skyline for over 900 years. Its style is Decorated Gothic and boasts the longest unbroken stretch of vaulting in the world along with two Norman Towers and a magnificent 18 metre Bishop’s Throne.

The cathedral is situated in the centre of Exeter surrounded by the Cathedral Green and Close making it an excellent location.

Best Vantage Points: Externally, internally and from the roof of the North Tower.

Restrictions: As a religious building some areas are more sensitive than others and therefore need to be treated with consideration – the staff are happy to advise so please ask.

Best Time of Day: Subject to availability the location is available anytime.

Permits: A permit is not issued however permission needs to be sought in writing from the contact visitors@exeter-cathedral.org.uk Fees: Each enquiry is considered on its merits. Fees vary according to the amount of disruption to the cathedral.

Public Liability Insurance: £10million.

Contact: Catherine Escott Telephone: +44 (0) 1392 285983 Email: visitors@exeter-cathedral.org.uk Website: www.exeter-cathedral.org.uk

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EXETER Royal Albert Memorial Museum & Art Gallery Queen Street, Exeter, EX4 3RX Museum of the Year 2012, Exeter’s world-class museum has stunning new displays and galleries, fabulous exhibitions and modern amenities.

Its spectacular Victorian building links the modern commercial city centre bustle on Queen Street with the city’s historic past. The displays reveal Devon and Exeter’s rich history and global connections. Exotic animals, birds and insects delight children and the world cultures galleries display stunning items from all over the world. The busy programme of exhibitions and events means there is likely to be something different to see on every visit. Free entry gives everyone the freedom to visit many times and to stay for any length of time.

Open Tuesday to Sunday, 10.00 to 17.00. Closed Mondays and bank holidays. Admission free.

Connection to the 2015 Rugby World Cup: Special displays planned. Collections show Exeter’s historic links with the countries playing.

Best time of day to film: Major disruption to visitors should be avoided. Generally busy during school holidays except sunny summer days. Quietest during weekday mornings. Closed to the public Mondays and quiet between 08.00 and 09.00 before opening.

Best vantage point: 16 atmospheric galleries. Stunning pink Victorian entrance foyer.

Modern Garden entrance. Panoramic views of the city from the Roman wall and views of the oldest civic garden in the country.

Access restrictions: Access is good throughout the public areas of the museum, more limited behind the scenes.

Filming permit: A permit is required. Notice depends upon of size of request. Minimum of a fortnight is preferred for smaller requests.

Filming fee: Television/Video/Film - 2014 • Facilities fee, minimum per half day: £385

Costs above the facilitation fee depend upon museum resources needed.

Reduction or waiver possible if justifiable.

Public liability insurance: RAMM requires and has public liability insurance up to £5million – Zurich Insurance.

Telephone: +44 (0)1392 265858 / 265311 / 265317 Email: Ramm@exeter.gov.uk / Claire.bailey@exeter.gov.uk

• Still photographs reproduced/broadcast within a single TV programme, video, film etc. Unlimited transmission for up to five years: £65 160

Contact: Claire Bailey, Robert Mackenzie

Website: www.exeter.gov.uk/RAMM

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Gloucester

GLOUCESTER Kingsholm Kingsholm Road, Kingsholm, Gloucester, GL1 3AX The home of Gloucester, one the worldâ&#x20AC;&#x2122;s oldest and best known rugby clubs. As a confirmed Rugby World Cup 2015 venue, Kingsholm will host fixtures for teams including Tonga, Georgia, Scotland, Japan, Argentina and USA. Connection to the 2015 Rugby World Cup: Kingsholm will be staging four fixtures during RWC 2015.

Best time of day to film: From midday onwards, more of the stadium is bathed in sunlight.

Best vantage point: From the Shed towards the main stand, from the gantry.

Access restrictions: Yes. The stadium is locked up out of hours. Permission needs to be granted by the Stadium Manager.

Filming permit: No. Filming fee: No. Public liability insurance: Covered by the stadiumâ&#x20AC;&#x2122;s public liability insurance.

Contact: Duncan Wood Telephone: +44 (0) 1452 872266 / +44 (0) 7833 795745 Email: duncanwood@gloucesterrugby.co.uk Website: www.gloucesterrugby.co.uk

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GLOUCESTER Gloucester Cathedral 12 College Green, Gloucester, GL1 2LX One of the finest medieval buildings in the country, 1,000 years of history and architecture is waiting to be explored in this glorious sacred space. The extraordinary fan-vaulted medieval cloisters and Great East Window are national treasures and the Lady Chapel houses some of the finest Arts & Crafts glass in the country. The tomb of Edward II became a place of pilgrimage in the 14th century and inspired the innovative cathedral building treasured today. It is the only monarch’s tomb in the South West, one of only a few outside London and as such is of both historical and architectural significance.

Family activities include the Whispering Gallery, Children’s Trails and the chance to see where ‘Harry Potter’, ‘Dr. Who’, Tudor Monastry Farm and Henry V were filmed.

Open daily 08.00 until Evensong. Admission Free (donation requested).

Daily worship, superb musical heritage, gift shop, coffee shop, wheelchair access.

Connection to the 2015 Rugby World Cup: Possible events within the grounds and possible screening of matches.

Best time of day to film: Afternoon.

Best vantage point: Everywhere.

Access restrictions: The cathedral is a working church, therefore, filming has to fit in with services; limited parking.

Filming permit: Permission is required from the Chapter of the Cathedral, please contact Dee Paoletti; minimum of one week’s notice would be helpful.

Filming fee: The fee will be waivered for non-commercial filming, provided the cathedral can remain open to the public. Should any parts need to be closed, this might attract a fee.

Public liability insurance: £5million public liability insurance.

Contact: Dee Paoletti Telephone: +44 (0)1452 508211 / +44 (0) 7735 065588 Email: dee@gloucestercathedral.org.uk Website: www.gloucestercathedral.org.uk

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GLOUCESTER Gloucester Docks Gloucester Docks, Gloucester, GL1.

Council offices, GL1 2EQ The most inland port in the country, Gloucester Docks is a working dock and tourist attraction, with museums, restaurants, bars and cafés surrounding the site.

Connection to the 2015 Rugby World Cup: The Fanzone location.

Best time of day to film: Any time is good – sunset seems to be popular with filming companies.

Best vantage point: There are many across the site.

Access restrictions: The area is residential so although open access to the site – permission is needed in the form of licences and there may be curfews depending on times and level of activity.

Filming permit: Notice is negotiable, a licence is required from the city council. Contact can be made via Marcus Grodentz – contact details above.

Filming fee: This is negotiable depending on what is being filmed and the duration of the filming.

Public liability insurance: Yes, it varies between £5million and £10million depending on what is taking place.

Contact: Marcus Grodentz Telephone: +44 (0) 1452 396133 Email: Marcus.grodentz@gloucester.gov.uk Website: www.gloucester.gov.uk / www.thecityofgloucester.co.uk

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GLOUCESTER Purton Hulks Gloucester, GL13 9HU The strip of land forming the foreshore between the Gloucester and Sharpness canal and the River Severn between Sharpness Old Arm and Purton is exposed to high fluctuating tides and has always been susceptible to bank erosion. In the early part of the 20th century, old barges were dumped on the foreshore to prevent further bank erosion and protect the adjacent canal embankment. www.friendsofpurton.org.uk The first barges were dumped there in 1909 and further craft were added up to the early 1970s. Each vessel was taken out of Sharpness Dock on a high spring tide, towed by a tug towards the shore and released so that it charged up the bank as far as possible. Then holes were knocked in the hull to allow subsequent tides to deposit silt inside.

These barges were made from timber, steel and concrete. Also present on the foreshore are seven formerly-ocean-going schooners.

Today the site is the largest ships’ graveyard in Britain, with 81 hulks catalogued on the bank, of which 77 have been identified.

Best time of day to film: Daylight hours.

Best vantage point: Variety of filming points, recce advised.

Filming permit: A filming license can be obtained by email or downloading application forms from the website. At least one week is needed to turn around a filming application.

Filming fee: Normal fee is £130+VAT per hour.

Public liability insurance: Public Liability Insurance should cover up to £5million – a certificate will be required as proof.

Contact: Cassie Clarke or Claire Risino Telephone: +44 (0) 203 204 4441 Email: Filming.photography@canalrivertrust.org.uk Website: www.canalrivertrust.org.uk

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GLOUCESTER Saul Junction Saul Junction, Church Lane, Saul, Gloucester, GL2 7LA Saul Junction has been an unusual and attractive waterway crossroads since 1827. Here the Gloucester and Sharpness Canal meets both the Cotswold Canal and the Stroudwater Navigation - currently undergoing restoration. Peaceful, pleasant and secluded, the junction is typical of its Gloucestershire surroundings.

Best time of day to film: Daylight hours.

Best vantage point: Variety of filming points, recce advised.

Filming permit: A filming license can be obtained by email or downloading application forms from the website. At least one week is needed to turn around a filming application.

Filming fee: Normal fee is £130+VAT per hour.

Public liability insurance: Public Liability Insurance should cover up to £5million – a certificate will be required as proof.

Contact: Cassie Clarke or Claire Risino Telephone: +44 (0) 203 204 4441 Email: Filming.photography@canalrivertrust.org.uk Website: www.canalrivertrust.org.uk

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GLOUCESTER Sharpness Port The Docks, Sharpness, Berkeley, Gloucestershire, GL13 9UD The dock at Sharpness was opened in 1874 and is one of the most inland ports in Britain, and the eighth largest in the South West. It serves as the gateway from the River Severn to the Gloucester and Sharpness Canal. http://canalrivertrust.org.uk/sharpness-port Best time of day to film: Early morning, sunlight hours, dusk and night.

Best vantage point: Variety of filming points.

Access restrictions: Some areas have restricted access but can be opened up to film crews on request.

Filming permit: A filming license can be obtained by email or downloading application forms from the website. At least one week is needed to turn around a filming application.

Filming fee: Normal fee is £130+VAT per hour.

Public liability insurance: Public Liability Insurance should cover up to £5million – a certificate will be required as proof.

Contact: Cassie Clarke or Claire Risino Telephone: +44 (0) 203 204 4441 Email: Filming.photography@canalrivertrust.org.uk Website: www.canalrivertrust.org.uk

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GLOUCESTER The New Inn Hotel 16 Northgate Street, Gloucester, GL1 1SF The New Inn Hotel is a 15th century galleried inn with historical links to Lady Jane Grey and William Shakespeare.

Best time of day to film: Any time.

Best vantage point: Courtyard, second floor windows, first floor gallery.

Access restrictions: No parking after 10.00.

Filming permit: Not required.

Filming fee: T.B.C. Public liability insurance: Required, suggest ÂŁ5million.

Contact: Michael Sage Telephone: +44 (0) 1452 522177 Email: newinn@relaxinnz.co.uk Website: www.relaxinnz.co.uk

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Leeds

LEEDS Elland Road Elland Road, Leeds, LS11 0ES Elland Road is the football stadium in the city of Leeds, home to Leeds United FC with a capacity of 39,460. As a confirmed Rugby World Cup 2015 venue, Elland Road will host fixtures for teams including Italy, Canada, Scotland and USA. Connection to the 2015 Rugby World Cup: Elland Road is the host stadium in the city of Leeds.

Best time of day to film: Filming is possible both day and night in the location owing to adequate lighting. Owing to the climate in Leeds, filming would be best in the spring/summer leading up to the 2015 Rugby World Cup, rather than in the winter to reduce the chance of rain or other inclement weather.

Best vantage point: There are a number of great positions for filming, both offering views of the stadium itself, the external views and additional areas within the stadium. Your guide during filming will be able to showcase these specific locations.

Access restrictions: Depending on training and the clubâ&#x20AC;&#x2122;s access there may be restrictions to filming in certain areas, such as training areas, changing rooms and offices.

Filming permit: Confirming filming access is essential ahead of arrival, please contact Charlotte Rutherford (contact details below) to arrange access and determine any specific requirements. Please provide a minimum of one weekâ&#x20AC;&#x2122;s notice ahead of filming.

Filming fee: No fee.

Public liability insurance: None required.

Contact: Charlotte Rutherford Telephone: +44 (0) 113 378 1149 / +44 (0) 7891 275 605 Email: Charlotte.rutherford@leedsandpartners.com Website: www.leedsunited.com

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LEEDS Armley Mills Armely Mills, Canal Road, Leeds, LS12 2QF Housed in what was once the world's largest woollen mill, Leeds Industrial Museum houses a wealth of gems located in a beautiful riverside setting. Armley Mills is a place to learn about the industrial history of Leeds from manufacturing textiles and clothing to printing, engineering and locomotives, which the city was world famous for.

Connection to the 2015 Rugby World Cup: Armley Mills is located in Leeds, one of the host cities of the 2015 Rugby World Cup. Best time of day to film: During the day is the best time for filming in Armely Mills â&#x20AC;&#x201C; time of year matters less, as the museum is all inside.

Best vantage point: There are a number of vantage points which offer great filming opportunities. These can be pointed out during filming by the guide.

Filming permit: No, however filming will need to be pre-arranged to ensure it can be accommodated. Liaise with Charlotte Rutherford (contact details below) to arrange filming access. As much notice as possible would be preferred, but there is a minimum of one weekâ&#x20AC;&#x2122;s notice.

Filming fee: No fee.

Public liability insurance: None required.

Contact: Charlotte Rutherford Telephone: +44 (0) 113 378 1149 / +44 (0) 7891 275 605 Email: Charlotte.rutherford@leedsandpartners.com Website: www.leeds.gov.uk/armleymills

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LEEDS Harewood House Harewood House, Harewood, Leeds, LS17 9LG Harewood House is one of the Treasure Houses of England, built in the 18th century and housing one of the finest art collections in England.

Harewood House is also home to a bird garden, educational centre and fantastic landscaped gardens designed by Capability Brown.

Connection to the 2015 Rugby World Cup: Harewood House is located in Leeds, one of the host cities of the 2015 Rugby World Cup. Best time of day to film: When wishing to film externally and shots of the gardens, it is best to film during the day. Owing to the climate in Leeds, it is best to film during the spring/summer where possible to reduce the likelihood of rain.

Best vantage point: Harewood House can be viewed from a number of different angles externally, each with their own different perspective of the house.

Filming from a height to see the scope and design of the gardens is an interesting position to film, as well as a number of the rooms and galleries inside the house, which showcase its heritage.

Access restrictions: Some of the house is still used by the family and will not be available for filming.

Filming fee: No fee.

Public liability insurance: None required.

Contact: Charlotte Rutherford Telephone: +44 (0) 113 378 1149 / +44 (0) 7891 275 605 Email: Charlotte.rutherford@leedsandpartners.com Website: www.harewood.org

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LEEDS Kirkgate Market Kirkgate Market, 28-34 George Street, Leeds, LS2 7HY Kirkgate Market, housed in a Grade I listed building, is one of the largest covered markets in Europe and hosts over 200 stalls, selling everything from fresh fruit and flowers to clothing and electronics. The market is the start of the M&S Heritage Trail, as Michael Marks set up his first Penny Bazaar in Kirkgate Market.

Connection to the 2015 Rugby World Cup: Kirkgate Market is located in the city of Leeds, one of the host cities of the 2015 Rugby World Cup. Best time of day to film: The majority of Kirkgate Market is undercover, so filming can be done no matter what the weather. Filming during the day is preferable.

Best vantage point: Throughout the covered market there are a number of points to film to take in the scale and scope of this amazing market.

Filming permit: Filming will need to be pre-arranged to ensure it can be accommodated. Liaise with Charlotte Rutherford (contact details below) to arrange filming access. As much notice as possible would be preferred, but there is a minimum of one weekâ&#x20AC;&#x2122;s notice.

Filming fee: No fee.

Public liability insurance: None required.

Contact: Charlotte Rutherford Telephone: +44 (0) 113 378 1149 / +44 (0) 7891 275 605 Email: Charlotte.rutherford@leedsandpartners.com Website: www.leedsunited.com

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LEEDS Kirkstall Abbey Kirkstall Abbey, Abbey Road, Leeds, LS5 3EH Kirkstall Abbey is located just five minutes from the heart of the city centre and is one of the most complete Cistercian Abbeys in the UK. Steeped in history this incredible abbey is surrounded by beautiful parkland and sits next to the River Aire.

Connection to the 2015 Rugby World Cup: Kirkstall Abbey is located in Leeds, one of the host cities of the 2015 Rugby World Cup. Best time of day to film: As Kirkstall Abbey is mainly open to the elements filming during the spring/summer would be preferable for filming. Additionally, there is not fantastic lighting at night, so filming at night is possible, however additional lighting might be required.

Best vantage point: There are a number of vantage points which offer great filming opportunities. These can be pointed out during filming.

Filming permit: Filming will need to be pre-arranged to ensure it can be accommodated. Liaise with Charlotte Rutherford (contact details below) to arrange filming access. As much notice as possible would be preferred, but there is a minimum of one weekâ&#x20AC;&#x2122;s notice.

Filming fee: No fee.

Public liability insurance: None required.

Contact: Charlotte Rutherford Telephone: +44 (0) 113 378 1149 / +44 (0) 7891 275 605 Email: Charlotte.rutherford@leedsandpartners.com Website: www.harewood.org

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LEEDS Leeds Art Gallery Leeds Art Gallery, The Headrow, Leeds, LS1 3AA Leeds Art Gallery is located in the heart of the city centre, part of the Cultural Quarter which consists of a whole host of museums and galleries. Leeds Art Gallery is a lively gallery offering displays of Leeds' stunning collections as well as a dynamic programme of changing exhibitions; the Gallery is an innovative and exciting place to visit for people of all ages and tastes. See nationally acclaimed prints, watercolours, paintings, sculptures, photography, and contemporary art.

Connection to the 2015 Rugby World Cup: Leeds City Gallery is located in Leeds, one of the host cities of the 2015 Rugby World Cup. Best time of day to film: It is best to film during the day when the gallery is open.

Best vantage point: There are number of vantage points which offer great filming opportunities. These can be pointed out during filming by the guide.

Filming permit: Filming will need to be pre-arranged to ensure it can be accommodated. Liaise with Charlotte Rutherford (contact details below) to arrange filming access. As much notice as possible would be preferred, but there is a minimum of one weekâ&#x20AC;&#x2122;s notice.

Filming fee: No fee.

Public liability insurance: None required.

Contact: Charlotte Rutherford Telephone: +44 (0) 113 378 1149 / +44 (0) 7891 275 605 Email: Charlotte.rutherford@leedsandpartners.com Website: www.leedstownhall.co.uk

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LEEDS Leeds Corn Exchange Leeds Corn Exchange, Call Lane, Leeds, LS1 7RB Leeds Corn Exchange is a Grade I listed building, previously used for trading corn. Under the cover of the domed roof of this architectural gem is now an abundance of independent shops and eateries. Filled with funky boutiques, Leeds Corn Exchange is home to a wide range of retail offerings, from vintage clothing and vintage jewellery to an independent bookstore and publisher, as well as plenty on offer to eat and drink. Leeds Corn Exchange also regularly hosts vintage fairs and record sales.

Connection to the 2015 Rugby World Cup: The Corn Exchange is located in the centre of Leeds and Leeds is a host city for the 2015 Rugby World Cup. Best time of day to film: Filming is best during the day, when the light is at its best internally, so can show off the intricate detailing in the architecture.

Best vantage point: There are a number of external and internal positions which offer fantastic filming opportunities to showcase the domed roof and intricate architecture.

Filming permit: Liaise with Charlotte Rutherford (contact details below) is necessary when wishing to film in this location, to ensure access is provided and any specific requests are accommodated. Please ensure contact is made at least a minimum of a week ahead of filming.

Filming fee: No fee.

Public liability insurance: None required.

Contact: Charlotte Rutherford Telephone: +44 (0) 113 378 1149 / +44 (0) 7891 275 605 Email: Charlotte.rutherford@leedsandpartners.com Website: www.leedscornexchange.co.uk

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LEEDS Leeds Town Hall Leeds Town Hall, The Headrow, Leeds, LS1 3AD Leeds Town Hall is located in the heart of the city centre, originally built to host dances and home to an impressive three-manual organ, the largest of its kind in Europe. Today, the Town Hall is used to host civic ceremonies and concerts, as well as screening a number of films during the Leeds Film Festival.

Connection to the 2015 Rugby World Cup: Leeds Town Hall is located in Leeds, one of the host cities of the 2015 Rugby World Cup. Best time of day to film: Filming is possible both during the day and at night and these can be arranged depending on requirements.

Best vantage point: There are number of vantage points which offer great filming opportunities. These can be pointed out during filming by the guide.

Filming permit: Filming will need to be pre-arranged to ensure it can be accommodated. Liaise with Charlotte Rutherford (contact details below) to arrange filming access. As much notice as possible would be preferred, but there is a minimum of one weekâ&#x20AC;&#x2122;s notice.

Filming fee: No fee.

Public liability insurance: None required.

Contact: Charlotte Rutherford Telephone: +44 (0) 113 378 1149 / +44 (0) 7891 275 605 Email: Charlotte.rutherford@leedsandpartners.com Website: www.leedstownhall.co.uk

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LEEDS Millennium Square Millennium Square, Leeds, LS2 3AD Millennium Square is the largest square in the city, a flagship project to mark the Millennium. Millennium Square is bordered by a great number of the cityâ&#x20AC;&#x2122;s most prominent buildings including the Civic Hall, Leeds Town Hall, Leeds City Museum and Leeds College of Art and is a focal point for events taking place in the city.

Connection to the 2015 Rugby World Cup: Millennium Square will be the location of the Leeds Fan Park, part of the activities taking place in Leeds as one of the host cities of the 2015 Rugby World Cup. Best time of day to film: Filming is possible both throughout the day and through the evening /night. Owing to the outdoor nature of Millennium Square, filming is recommended in spring/summer if at all possible to try and reduce the chance of rain.

Best vantage point: There are a number of vantage points which offer great filming opportunities. These can be pointed out during filming by your guide.

Filming permit: Filming will need to be pre-arranged to ensure it can be accommodated. Liaise with Charlotte Rutherford (contact details below) to arrange filming access. As much notice as possible would be preferred, but there is a minimum of one weekâ&#x20AC;&#x2122;s notice.

Filming fee: No fee.

Public liability insurance: None required.

Contact: Charlotte Rutherford Telephone: +44 (0) 113 378 1149 / +44 (0) 7891 275 605 Email: Charlotte.rutherford@leedsandpartners.com Website: www.leeds.gov.uk

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LEEDS Royal Armouries Royal Armouries, Armouries Drive, Leeds, LS10 1LT The Royal Armouries is the UKâ&#x20AC;&#x2122;s National Museum of British Arms and Armour, including artillery. The Armouries is home to treasures from around the globe, including the Ottoman Empire, the Wild West, Europe, Japan and India. Wonder at the fabulous arms and armour of the Japanese shoguns, the royal houses of Europe and the Kings of England including Henry VIII who reigns supreme in the newly refurbished Tournament Gallery.

Connection to the 2015 Rugby World Cup: The Royal Armouries is located in the city of Leeds, one of the host cities of the 2015 Rugby World Cup. Best time of day to film: It is best to film during the day.

Best vantage point: Around the museum there are a number of key vantage points for filming, especially surrounding the war gallery and elephant armour.

The Hall of Steel showcases over 2,500 pieces of armour dating back from the 17th century, housed in an elegant steel and glass tower.

Filming permit: Filming will need to be pre-arranged to ensure it can be accommodated. Liaise with Charlotte Rutherford (contact details below) to arrange filming access. As much notice as possible would be preferred, but there is a minimum of one weekâ&#x20AC;&#x2122;s notice.

Filming fee: No fee.

Public liability insurance: None required.

Contact: Charlotte Rutherford Telephone: +44 (0) 113 378 1149 / +44 (0) 7891 275 605 Email: Charlotte.rutherford@leedsandpartners.com Website: www.royalarmouries.org

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LEEDS Trinity Leeds Trinity Leeds, Albion Street, Leeds, LS1 5AT Trinity Leeds is the city’s newest and largest leisure and retail destination, home to over 120 of the biggest brand names under an innovatively designed glass floating roof. Trinity Leeds is home to Trinity Kitchen, the city’s street food concept, where five of the country’s best street food retailers are lifted into the building each month for customers to enjoy. There are also a number of elegant rooftop bars and restaurants to enjoy including Angelica, Crafthouse and the Alchemist, as well as the largest Everyman Cinema outside London.

Connection to the 2015 Rugby World Cup: Trinity Leeds is located in the city of Leeds, one of the host cities of the 2015 Rugby World Cup. Best time of day to film: Trinity Leeds is open until late every night and is under cover, so filming would be possible all year round and throughout the day and evening. If filming of the panoramic city views would be preferred, it is recommended to try and film in spring/summer when weather should be at its best.

Best vantage point: The main central area of Trinity Leeds is one of the best filming locations, showcasing the scope of the space and the innovative roof. In addition, Trinity Kitchen is an interesting position to film, as well as a number of the rooftop bars and restaurants.

Filming permit: Filming will need to be pre-arranged to ensure it can be accommodated. Liaise with Charlotte Rutherford (contact details below) to arrange filming access. As much notice as possible would be preferred, but there is a minimum of one week’s notice.

Filming fee: No fee.

Public liability insurance: None required.

Contact: Charlotte Rutherford Telephone: +44 (0) 113 378 1149 / +44 (0) 7891 275 605 Email: Charlotte.rutherford@leedsandpartners.com Website: www.trinityleeds.com

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LEEDS Victoria Quarter Victoria Quarter, 4 Cross Arcade, Leeds, LS1 6AZ Victoria Quarter is a designer destination in the heart of Leeds City Centre. This exceptional area comprises of a number of arcades, filled with designer shops including Louis Vuitton, Mulberry, Paul Smith and is home to the designer mothership, Harvey Nichols, as well as a number of beauty houses including Jo Malone and Space NK. The setting of the arcade itself is bathed in Victorian splendour and home to the largest stained glass window in the UK and will soon be linked with Victoria Gate, currently under construction, to become the city’s premier designer destination and home to the North’s flagship John Lewis store.

Connection to the 2015 Rugby World Cup: Victoria Quarter is located in the centre of Leeds and Leeds is a host city for the 2015 Rugby World Cup. Best time of day to film: Filming can be done either day or night, however, for the best representation of the Victoria Quarter, filming during the day when the shops are open and visitors are in the restaurants/cafés is recommended.

Best vantage point: External view of Victoria Quarter, from various entrances to the Victoria Quarter, centrally by the fountains and from various points within the Victoria Quarter.

Filming permit: An insurance form needs to be signed before filming can commence.

Liaise with Charlotte Rutherford (contact details below) to arrange filming access. As much notice as possible would be preferred, but there is a minimum of one week’s notice.

Filming fee: No fee.

Public liability insurance: The insurance form covers any necessary insurance and so there is no additional cost.

Contact: Charlotte Rutherford Telephone: +44 (0) 113 378 1149 / +44 (0) 7891 275 605 Email: Charlotte.rutherford@leedsandpartners.com Website: www.v-q.co.uk

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Leicester

LEICESTER Leicester City Stadium Filbert Way, Leicester, LE2 7FL Leicester City Stadium is a 30,000-seater, multi-purpose stadium for major sports and events. As a confirmed Rugby World Cup 2015 venue, the stadium will host fixtures for teams including Argentina, Tonga, Canada, Romania and Namibia.

Connection to the 2015 Rugby World Cup: Host venue.

Best time of day to film: Afternoon.

Best vantage point: Back of the north west corner; external across the canal behind the West Stand.

Filming permit: Contact media@lcfc.co.uk.

Filming fee: No fee.

Public liability insurance: LCFC has FA Premier League public liability insurance cover for ÂŁ500million pounds.

Contact: Anthony Herlihy Telephone: +44 (0) 116 229 4944 Email: media@lcfc.co.uk Website: www.lcfc.com

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LEICESTER Bosworth Battlefield Heritage Centre Sutton Cheney, Nuneaton, CV13 0AD Bosworth Battlefield Heritage Centre tells the dramatic story of the Battle of Bosworth on 22nd August 1485, which marked a major turning point in English history. Discover more about the Battle of 1485 where Richard III fought for his crown and lost his life, and Henry Tudor became king.

With interactive, hands-on displays you can find out more about medieval warfare, how the battle unfolded and the impact of the new and powerful Tudor dynasty. Find out how archaeologists discovered the true location of the Battle and see some of the unique objects that were unearthed. You can see it brought to life with the resident reenactment group, Falconry events or explore the landscape with knowledgeable Battlefield Guides.

Best time of day to film: Daytime.

Best vantage point: Sundial, Exhibition, Bosworth Field.

Filming permit: Permission needed from the County Council.

Filming fee: Approximately ÂŁ250.

Public liability insurance: ÂŁ10million.

Existing footage: Short extract of Bosworth Re-enactment Weekend (Augst) c.1.45sec.

Contact: Steve Pumfrey Telephone: +44 (0) 116 3053984 Email: Steve.pumfrey@leics.gov.uk Website: www.bosworthbattlefield.com

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LEICESTER Curve Theatre Rutland Street, Leicester, LE1 1SB Curve is a spectacular state-of-the-art theatre based in the heart of Leicester’s vibrant Cultural Quarter. Opened in 2008 by Her Majesty The Queen, the award-winning building, designed by acclaimed architect Rafael Viñoly, offers a completely unique visitor experience.

Curve’s curved façade is made from 1,192 tonnes of steel and 46,000 square metres of glass and, unlike any other theatre in the UK, there is no traditional backstage area. Audiences can enjoy the full theatre making process, peek behind the scenes and maybe even spot an actor or two dashing from the stage to their dressing room or enjoying a coffee in our café.

Curve’s cutting edge facilities and technical expertise mean that the world’s best producers also choose to premiere new shows and open major national tours there. Curve’s reputation for attracting high profile national conferences and exhibitions to Leicester also continues to grow thanks to its flexible, dynamic spaces and specialist in-house team.

Best time of day to film and best vantage point: The Mezzanine level is a great filming location for both daytime and evening as the floor to ceiling glass façade offers a fantastic back drop - outside on Orton Square if weather permits and also within the auditorium.

Access restrictions: Not all areas are public access and therefore prior notice to film in specific areas would need to be granted. As well as accompanied by a Curve member of staff.

Filming permit: Advanced notice required via Press Office - 48 hours.

Filming fee: No charge for filming but may ask for access rights to the footage to use for its own promotion. Spaces would need to be booked in advance to ensure availability.

Public liability insurance: £25million each and every claim.

Contact: Clair Horwood – Media and PR Officer Telephone: +44 (0) 116 242 3560 Email: c.horwood@curvetheatre.co.uk Website: www.curveonline.co.uk

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LEICESTER King Richard III Visitor Centre 4A St Martin's, Leicester, LE1 5DB King Richard III: Dynasty, Death and Discovery is Leicester’s brand new visitor centre, created around the poignant spot where King Richard III’s remains were buried for over 500 years - one of the most fascinating and intriguing historic sites in England. Using great storytelling, beautiful design and 21st century technology, visitors will be able to learn more about the King’s life and death – and to understand the huge events that led to his hasty burial and eventual rediscovery. Exhibits include a remarkably detailed facial reconstruction, and a replica of Richard’s skeleton that clearly shows his curved spine, as well as his battle injuries, including the fatal blow.

Visitors will also be able to see the exact place where Richard’s remains were buried for over 500 years and this poignant spot has now been transformed into a glass–floored contemplative space for visitors.

Best time of day to film: Outside of visiting hours is preferred however, light is best in the afternoon. The Visitor Centre is air conditioned throughout.

Best vantage point: The grave site provides the most space within the attraction. There is also a glass viewing platform, which shows an aerial view of the visitor centre and with space for an interview between two people.

Access restrictions: Visiting hours are 10.00-16.00 Monday to Friday and 10.00-17.00 weekends and Bank holidays. Preference is to film outside of these hours however they will accommodate requests within opening hours.

Filming permit: No permit is required and they will need to inform visitors if filming is taking place during visiting hours so by 09.00 on the day of filming.

Filming fee: Staffing costs are required to cover filming out of hours however, where PR value exceeds costs, fees will be waivered.

Contact: Emma Lay

Public liability insurance: The visitor centre has its own public liability insurance.

Telephone: +44 (0) 7879 493249 Email: emma.lay@kriii.com Website: www.kriii.com

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LEICESTER Leicester Cathedral and Cathedral Gardens Peacock Lane, Leicester The cathedral is in the heart of the city, and in early 2015 becomes the final resting place for King Richard lll found 100 footsteps away. People of all faiths and none join together here with the worshipping Christian Community for special times of celebration and sadness.

Best time of day to film: Late morning.

Best vantage point: From Peacock Lane. Access points available.

Access restrictions: No parking at the moment.

Filming permit: No permit, just permission from the below for interiors.

Filming fee: Donations would be appreciated.

Public liability insurance: Yes.

Contact: Liz Hudson, Claire Recordon Telephone: +44 (0) 116 261 5200 Email: Liz.hudson@leccofe.org, Claire.recordon@leccofe.org Website: www.leicestercathedral.org

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LEICESTER National Space Centre Exploration Drive, Leicester, LE4 5NS The award-winning National Space Centre is an out-of-this-world experience for the whole family. With six interactive galleries, the UK’s largest planetarium, world unique 3D SIM ride and iconic 42 metre high Rocket Tower, there really is something for everybody to enjoy.

Add to this on site parking, café, shop and all the facilities you would expect from a world-class attraction. An all-weather day out in the heart of the UK, just follow the rocket signs from the M1 and M69.

The centre hosts many special weekends including celebrations of Star Wars, LEGO and Daleks (see www.spacecentre.co.uk for full details).

School holiday periods are always exciting, as the centre adds lots of workshops and talks into the mix, so advanced booking is advised.

Connection to the 2015 Rugby World Cup: Venue based in Leicester – host for three matches.

Best time of day to film: During opening hours the centre can be a busy and noisy place. On an average weekday during school term time there will be between 150 and 800 children on site. Filming with children and other visitors between 10.00-17.00 would require appropriate consent forms. On a bright day the Rocket Tower can look stunning during sunrise and early morning.

Best vantage point: Under the giant rockets, in the Vostock capsule or with the Rocket Tower in the background are just some of the great backdrops.

Access restrictions: Filming of Blue Streak and the Moon Rock have to be agreed by loan bodies in advance.

Filming permit: No filming permit, but they would need to work with any film crew in advance to ensure the activity was not to the detriment of visitors and that what was needed could be achieved.

Filming fee: Fees are only charged if the filming is of a commercial nature or the filming is to happen outside of standard opening hours.

Public liability insurance: Public liability of £20million is held by the organisation for all risk assessed activities.

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Contact: Josh Barker, Zoe Bailey or Malika Andress (Josh and Zoe for Space Communications) Telephone: +44 (0) 116 258 2104 / 258 2103 / 261 0261 Email: spacecomms@spacecentre.co.uk marketing@spacecentre.co.uk Website: www.spacecentre.co.uk

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LEICESTER Parks and Open Spaces All parks and open spaces in Leicester (incl. city centre and public space) Connection to the 2015 Rugby World Cup: Victoria Park will host a 10-day FanZone where people can watch the matches and enjoy entertainment and sporting activities.

Best time of day to film: All times are good.

Best vantage point: Various – depending on what is being filmed.

Access restrictions: During the FanZone dates Rugby World Cup 2015 protocol will need to be followed.

Filming permit: Yes – via the contacts below. These can usually be processed fairly quickly. An application form will need to be submitted with a risk assessment and copy of public liability insurance.

Filming fee: Charges can apply; depending on the purpose of filming they would look at waivers on a case-by-case basis.

Public liability insurance: £5million cover.

Contact: Leicester Festivals & Events Telephone: +44 (0) 116 4543600 Email: festivals@leicester.gov.uk Website: www.leicester.gov.uk/festivals

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Manchester

MANCHESTER

Etihad Stadium

Hilton Manchester, Deansgate

Sir Matt Busby Way, Old Trafford, Manchester, M16 0RA

303 Deansgate, Manchester, M3 4LQ

The Etihad Stadium is an award winning venue both for match day experience to fans and offering fivestar hospitality to visitors alike. Hosting more than 50 concerts and events a year, the Etihad Stadium is home to 2014 Premier League Champions Manchester City Football Club and welcomes over 2.5m visitors a year.

Fees: A fee is dependent on the nature of the filming.

MCFC editorial and news filming is usually free.

Should the stadium be used as a location to film a TV advert, for example, a charge will apply.

Best Vantage Points: The best vantage point for the exterior is West Reception or Joe Mercer Way. The best vantage point for the interior is pitch-side or the South Stand corner, second tier.

Existing match, fan or event footage Footage can be requested from CityTV. Please contact paula.livesy@cityfootball.com

Best Time of Day: Anytime.

Permits: Exterior filming does not require permission, however all interior filming in the stadium and club store must be requested. Please contact Paul Mulholland.

Public Liability Insurance: Please check with lee.jones2@mcfc.co.uk

Contact: Paul Mulholland, Marketing Communications Manager Telephone: +44 (0) 161 438 7623

Situated within the lower 23 floors of the stunning 47-storey Beetham Tower, the Hilton Manchester Deansgate hotel offers spectacular views across the city. Savour modern contemporary cuisine in the hotel’s chic Podium restaurant or take the express lift to Cloud 23 for tea or a cocktail in the sky. Just a few minutes from Piccadilly and Victoria stations and 25 minutes from Manchester International Airport, the Hilton Manchester Deansgate is ideally located for both leisure and business guests. It is the perfect venue to hold any inspirational event, for up to 600 people.

Best Vantage Points: From its 360 degree views on the 23rd floor.

Best Time of Day: Anytime is fine however the filming needs to work around the operation of the hotel and any guests using the facilities.

Permits: Yes a location agreement is required – as much notice as possible although they can be flexible.

Fees: £150 per hour is the standard fee.

Public Liability Insurance: Yes – as standard.

Contact: Nikki Corcoran, Director of Sales Telephone: +44 (0) 161 870 1639

Restrictions: Only accessible via a standard size lift.

Email: Stephanie.toman@manutd.co.uk

Email: nikki.corcoran@hilton.com Website: www.hilton.co.uk/manchesterdeansgate

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MANCHESTER MOSI (Museum of Science & Industry, Manchester) Liverpool Road, Castlefield, Manchester, M3 4FP MOSI is housed in the buildings of the worldâ&#x20AC;&#x2122;s oldest passenger railway station, which opened in 1830. The museum tells the fascinating story of the birth of the industrial revolution in Manchester, and the great innovations and achievements of the North West. See your face amongst world-class inventors on the fantastic Digital Chandelier in the new, hi-tech Revolution Manchester gallery, feel the awe-inspiring heat and power of a steam engine in action, and marvel at the short and incredible history of flight.

Best Vantage Points: The exterior of the site, particularly 1830 warehouse and the Station Building. Lots of original brickwork and unusual buildings.

Restrictions: There are access points on both sides of the site.

Best Time of Day: Before 10.00 there are no members of the public on site. Light is often good mid afternoon.

Permits: Permission is granted via the contact stated.

Fees: A fee is normally charged but will be reduced or waived for this filming.

Public Liability Insurance: Yes required as standard.

Contact: Sarah Roe/Julie Earith Telephone: +44 (0) 161 606 0176 Email: s.roe@mosi.org.uk Website: www.mosi.org.uk

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MANCHESTER The Lowry The Lowry, Pier 8, Salford Quays, Salford, M50 3AZ The Lowry is an internationally acclaimed cultural landmark situated at the heart of MediaCityUK, one of the world’s most exciting culture and media destinations. It is the most visited attraction in Greater Manchester and the largest cultural attraction in the North West, visited by 800,000 people each year. The Lowry hosts one of the country’s most diverse cross-arts cultural programs, featuring worldclass performance, visual arts and participation projects.

Best time of day to film: Any time.

Best vantage point: On the plaza/waterfront/bridges looking across to/from MediaCityUK and The Imperial War Museum North.

Filming permit: Filming within the building must be approved by The Lowry, outside on the plaza permissions must come from Salford City Council, other areas around the Quays are owned by Peel Group.

Leila Hogarth – Salford City Council – Leila.hogarth@salford.gov.uk Lisa Wood – Peel Holdings – lisa.wood@mediacityuk.co.uk Filming fee: Please ask appropriate authority. They do not usually charge for filming that positively profiles The Lowry as an organisation. Decisions are on a case-by-case basis.

Public liability insurance: Please check with appropriate authority.

Existing footage: Lisa Wood has access to broadcast quality footage of The Lowry – please contact for details.

Contact: Lisa Hill, Communications Manager Telephone: +44 (0) 161 886 5308 / 07917 338 153 Email: lisa.hill@mediacityuk.co.uk Website: www.mediacityuk.co.uk/

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MANCHESTER IWM North ‘part of Imperial War Museums’

Contact: Alex Knight, Press and PR Manager Sam Howard, Marketing and PR Co-ordinator Gemma Gibb, Head of Marketing and PR

Trafford Wharf Road, The Quays, Manchester, M17 1TZ

Telephone:

The multi award-winning IWM North, part of Imperial War Museums, was designed by world-renowned architect Daniel Libeskind to represent a globe shattered by conflict, it reveals how war shapes lives through powerful exhibitions. There is also a learning studio, shop and cafe.́ Take the lift to the 29 metre high viewing platform for spectacular views over The Quays and Manchester.

Email: aknight@iwm.org.uk OR sahoward@iwm.org.uk

Alex Knight: +44 (0) 161 836 4040 Sam Howard: +44 (0) 161 836 4043 Switchboard: +44 (0) 161 836 4000

Website: www.iwm.org.uk/north

Best Vantage Points: Outside IWM North, all angles give a unique view of Daniel Libeskind’s unique building. Inside IWM North’s Main Exhibition Space, large, important objects include the field gun that fired the first British shell of the First World War, a Second World War tank, and a section of steel from the World Trade Center New York, which was destroyed on 9/11. All provide a striking backdrop for filming.

Restrictions: No trailing cables or wires while IWM North is open to the public.

Equipment must not remain unattended at any time and must not take up a large amount of space in public areas of the museum. No public routes through the museum should be blocked. IWM North’s exhibition spaces can be dark – a small, handheld, battery operated light is recommended.

Permits: Crews must approach the IWM Press Office to seek permission for filming. The more notice the better to ensure filming is possible.

Fees: The commercial filming hire rate is £200 per hour, but this can be waived for non-commercial filming or in exchange for promotional benefits.

Public Liability Insurance: Public Liability Insurance: Standard public liability insurance of £5million should be in place.

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MANCHESTER National Football Museum Urbis Building, Cathedral Gardens, Manchester, M4 3BG The National Football Museum houses the biggest and best football collection in the world. It comprises a spacious atrium, two floors of objects, memorabilia and interactives, a temporary exhibitions space, an education zone and bar and restaurant with amazing views over the city.

Best Vantage Points: Exterior of building / atrium has most space.

Permits: Amenable to filming requests; please contact the museum beforehand to discuss your requirments.

Fees: As a registered charity, donations are requested for non-commercial filming. Commercial and all other filming from ÂŁ500 per day, depending on requirements.

Public Liability Insurance: Required as standard.

Contact: Philippa Duxbury, Marketing Manager Telephone: +44 (0) 161 605 8200 Email: Philippa.duxbury@nationalfootballmuseum.com Website: www.nationalfootballmuseum.com

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MANCHESTER Manchester Town Hall Manchester City Council, Town Hall, Albert Square, Manchester, M60 2LA This magnificent building was designed in Victorian Gothic style by Alfred Waterhouse and opened in 1877. Amongst its many treasures are the Ford Maddox Brown murals which are monument to the ideas of Victorian Manchester, portraying science, invention, education, trade and textile industry. Among the impressive rooms within the Town Hall are the Sculpture Hall, containing statues of notable Manchester figures from the past, and the Great Hall, featuring a glazed skylight inscribed with the names of every mayor, lord mayor and chair of the council since 1838.

Restrictions: Filming interior generally needs to be restricted to opening hours â&#x20AC;&#x201C; however in certain circumstances filming can be undertaken out of hours. Please note that the Town Hall is used by public so this may affect filming.

Permits: Please contact Bobby Cochrane or Nick Beech who will facilitate the enquiry and circulate the request to key personnel within the council, tourism agency and police.

Fees: A fee will be looked at based on the size of the activity and what facilitation is needed from the local authorities and/or private land owners. If impact is minimal then a reduced fee or waiver could be looked at but again this depends on the individual enquiries that come in and the owners/representatives decision.

Public Liability Insurance: The Production will be required to carry Public Liability Insurance in all public areas to the value of no less than ÂŁ2million.

Contact: Bobby Cochrane / Nick Beech Telephone: +44 (0) 161 281 4353 or +44 (0) 161 281 4328 Email: Bobby.cochrane@creativeengland.co.uk or nick.beech@creativeengland.co.uk Website: www.manchester.gov.uk

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Milton Keynes

MILTON KEYNES Stadiummk Stadium Way, Grafton St, Bletchley, Milton Keynes, MK1 1ST2 Stadiummk is home to Milton Keynes Dons Football Club. It is a 30,000 capacity all-seater stadium. The complex also comprises a hotel and a 5,000 capacity arena. As a confirmed Rugby World Cup 2015 venue, Stadiummk will host fixtures for teams including France, Canada, Samoa, Japan and Fiji.

Connection to the 2015 Rugby World Cup: Venue for three Rugby World Cup matches.

Best time of day to film: Any time of day.

Best vantage point: View from outside looking down on the stadium; wide angle view of stadium from inside.

Filming permit: Contact below for details.

Filming fee: Not applicable.

Public liability insurance: Contact below for details.

Existing footage: HD footage is available, contact below for details.

Contact: Ben Campbell Telephone: +44 (0) 1908 622922 Email: ben.campbell@mkdons.com Website: www.mkdons.com

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MILTON KEYNES Bletchley Park Sherwood Dr, Bletchley, Milton Keynes, MK3 6EB Bletchley Park was the central site of the United Kingdom's Government Code and Cypher School (GC&CS), which during the Second World War regularly penetrated the secret communications of the Axis Powers â&#x20AC;&#x201C; most importantly the German Enigma and Lorenz ciphers. The official historian of World War II British Intelligence has written that the "Ultra" intelligence produced at Bletchley shortened the war by two to four years, and that without it the outcome of the war would have been uncertain. The site is now an educational and historical attraction memorialising and celebrating those accomplishments.

Best time of day to film: Any time of day.

Best vantage point: In front of Bletchley Park Mansion House for views across the lake.

Access restrictions: Some restrictions apply, contact below for details.

Filming permit: Contact below for details.

Filming fee: Filming fees may apply but are often waivered for non-commercial filming.

Public liability insurance: Contact below for details.

Existing footage: HD footage is available, contact below for details.

Contact: Katherine Lynch Telephone: +44 (0) 1908 272661 or +44 (0) 7903 138806 Email: klynch@bletchleypark.org.uk Website: www.bletchleypark.org.uk

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MILTON KEYNES Milton Keynes Theatre 500 Marlborough Gate, Buckinghamshire, MK9 3NZ MK Theatre is the most successful theatre outside the Londonâ&#x20AC;&#x2122;s West End, playing host to a wide-range of high profile touring from musicals to drama.

Best time of day to film: Any time of day.

Best vantage point: Outside view of the building, inside the foyer or inside the auditorium.

Access restrictions: Some restrictions apply on performance days.

Filming permit: Contact below for details.

Filming fee: To be discussed with MK Theatre directly.

Public liability insurance: Contact below for details.

Contact: Becky Martin Telephone: +44 (0) 1908 547603 Email: beckymartin@theambassadors.com Website: www.atgtickets.com/miltonkeynes

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MILTON KEYNES Parks Trust Concrete Cows – Bancroft, Milton Keynes Campbell Park – Central Milton Keynes, MK9 Willen Lake – V10 Brickhill Street, Milton Keynes, MK15 0DS Redways (cycle routes) Concrete Cows – Milton Keynes’ most famous residents. A sculpture created in the 1970s by Liz Leyh.

Campbell Park – Milton Keynes’ Central Park is a vast park green space located a short walk from the city centre, comprising meadows, woodland, water features and sculpture.

Willen Lake - Milton Keynes’ most popular park. Over one million visitors a year take part in activities including water sports, cycling and mini-golf.

Redways – a network of dedicated walking and cycling routes across the city. The routes cover over 300 kilometres and provide a safe and easy way to navigate Milton Keynes without using roads.

Best time of day to film: Any time of day.

Best vantage point: The top of the Belvedere in Campbell Park provides beautiful views across Milton Keynes.

Filming permit: Contact below for details.

Filming fee: Filming fees may apply but are often waivered for non-commercial filming.

Public liability insurance: Contact below for details.

Contact: Parks Trust – Liz Woznicki Telephone: +44 (0) 1908 255370 or +44 (0) 7768 146225 Email: l.woznicki@theparkstrust.com Website: www.theparkstrust.com

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MILTON KEYNES Silverstone Race Circuit Towcester, Northamptonshire, NN12 8TN Silverstone Circuit is the premier motor racing circuit in England, located next to the Northamptonshire villages of Silverstone and Whittlebury. The circuit straddles the Northamptonshire and Buckinghamshire border, with the current main circuit entry on the Buckinghamshire side. Silverstone is the current home of the British Grand Prix, which it first hosted in 1948.

Best time of day to film: Any time of day.

Best vantage point: Trackside.

Access restrictions: Some restrictions apply on race days, contact below for details.

Filming permit: Contact below for details.

Filming fee: To be discussed with Silverstone directly.

Public liability insurance: Contact below for details.

Contact: Carol Watts Telephone: +44 (0) 1327 320280 Email: carol.watts@silverstone.co.uk Website: www.silverstone.co.uk

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MILTON KEYNES thecentre:mk Central Milton Keynes, MK9 3ES thecentre:mk is a regional shopping centre situated in the heart of Milton Keynes. With over 170 stores, cafĂŠs, bars and restaurants, itâ&#x20AC;&#x2122;s anchored by John Lewis, House of Fraser, Marks & Spencer and Next.

Best time of day to film: Any time of day but footfall peaks during weekends.

Filming permit: Contact below for details.

Filming fee: To be discussed with thecentre:mk directly.

Public liability insurance: Contact below for details.

Contact: Laura Chapman Telephone: +44 (0) 1908 398 143 Email: laura.chapman@thecentremk.com Website: www.thecentremk.com

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MILTON KEYNES Woburn Abbey and Woburn Safari Park Woburn Abbey - Woburn Park, Bedfordshire, MK17 9WA Woburn Safari Park - Milton Keynes, Bedfordshire, MK17 9QN Woburn Abbey has been the home of the Earls and Dukes of Bedford, one of England's most powerful families, since the 1620s. It is currently the home of the 15th Duke and Duchess of Bedford. Set in a majestic 3,000 acre deer park, the abbey houses one of the most impressive collections of art, furniture and porcelain on public view.

Woburn Safari Park is Britainâ&#x20AC;&#x2122;s largest drive through safari park. Visitors can see animals up-close by driving through special reserves featuring free-roaming lions, tigers, wolves, a white rhino, bears and primates.

Best time of day to film: Any time of day.

Best vantage point: In front Woburn Abbey, plus the inside rooms.

Animals with the Safari Park â&#x20AC;&#x201C; including lions, tigers and elephants.

Filming permit: Contact below for details.

Filming fee: To be discussed with Woburn directly.

Public liability insurance: Contact below for details.

Contact: Marketing Department Telephone: +44 (0) 1525 290333 Email: marketing@woburn.co.uk Website: www.woburnabbey.co.uk / www.woburnsafari.co.uk

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MILTON KEYNES Xscape Avebury Blvd, Central Milton Keynes, MK9 3XS Xscape is Milton Keynes’ ultimate entertainment destination, offering a unique combination of extreme sports and leisure activities, including the country’s biggest indoor snow slope and Europe’s first purposebuilt body flying tunnel.

Best time of day to film: Any time of day but footfall peaks during weekends.

Filming permit: Contact below for details.

Filming fee: To be discussed with Xscape directly.

Public liability insurance: Contact below for details.

Contact: LS Leisure Marketing Telephone: +44 (0) 207 747 2300 Email: info@x-leisure.co.uk Website: www.xscape.co.uk/milton-keynes

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Newcastle-Gateshead

NEWCASTLE-GATESHEAD St James’ Park

Contact:

Newcastle United Football Club, St James’ Park, Barrack Road, Newcastle, NE1 4ST As a confirmed Rugby World Cup 2015 venue, St James’ Park will host fixtures for teams including South Africa, Scotland, New Zealand, Tonga and Samoa. The stadium itself is in the heart of the city, so is easily accessible.

This area is seeing a lot of development with a new hotel (Sandman Signature Hotel Newcastle) and Science Central. This new urban quarter in the centre of Newcastle will be an exemplar in sustainability, attracting leading scientific organisations to a mixed new community encompassing a variety of educational, business and residential uses.

Inside St James’ Park - Wendy Taylor, Head of Media, Newcastle United Football Club.

Outside St James’ Park - Andrew McKegney, Press Office Manager, Newcastle City Council

Telephone: Wendy Taylor: +44 (0) 844 372 1892 x8420, Mobile: +44 (0) 7717 511900 Andrew McKegney - +44 (0) 0191 211 5099 Email:

wendy.taylor@nufc.co.uk andrew.mckegney@newcastle.gov.uk

Website:

www.nufc.co.uk / www.newcastle.gov.uk

Best time of day to film: You can film inside or outside of St James’ Park any time of the day. It can be flood-lit inside and the area outside the venue has adequate street lighting if filming in the evening.

Best vantage point: There are various points inside the stadium that provide stunning views. Wendy Taylor, Head of Media at Newcastle United Football Club, can advise.

Outside the stadium, the area in front of the Sandman Signature Hotel (Barrack Road) provides excellent views of the stadium. Alternatively, Strawberry Place, the road running alongside St James’ Park, also provides an excellent broadcast position.

Filming permit: Permission to film within the football club grounds should be obtained in advance via Wendy Taylor. Newcastle City Council needs to be informed of health and safety issues, and the correct level of public liability insurance, needs to be considered.

Filming fee: Advised on a case–by–case basis. Filming on the streets of Newcastle is free of charge.

Public liability insurance: Standard public liability insurance of £5million should be in place.

Existing footage: High Definition, broadcast quality footage is available from NewcastleGateshead Initiative. For more information, email david.brookbanks@ngi.org.uk or shelley.armstrong@ngi.org.uk.

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NEWCASTLE-GATESHEAD The Angel of the North Gateshead, NE9 7TY The Angel of the Northâ&#x20AC;&#x2122;s location on a panoramic hilltop, enables this dramatic structure to be seen both from miles around and from a variety of angles at the site itself. Believed to be one of the largest angel sculptures in the world, it is the work of internationally renowned artist, Antony Gormley. Standing 20 metre high and weighing 200 tonnes, it is as tall as four double decker buses, and has a wingspan which is almost as big as a Jumbo Jet. It is one of the most popular visitor attractions in North East England, attracting more than 150,000 visitors a year. For information on how to get to The Angel of the North click here: www.gateshead.gov.uk/Leisure%20and%20Culture/attractions/Angel/Map.aspx

Best Vantage Points: The Angel stands 20 metre high so better shots are obtained from locations at the bottom of the hill it stands on.

Restrictions: The Angel has only a small car park so large productions should be aware of limited parking facilities. The Angel is situated on a grassy hill which could restrict some physical activities.

Permits: Filming permits are required. No filming activity should take place until permissions have been granted by Gateshead Council.

For more information, visit: www.gateshead.gov.uk/Council%20and%20Democracy/news/FilminginGateshead.aspx

Wherever possible, notice of intent to film should be given after initial location recce, or for productions with a short lead-in time, notice of at least one week should be given.

Public Liability Insurance: Health and safety assessments are required as well as proof of public liability insurance of ÂŁ5million or above.

Location Footage: NewcastleGateshead Initiative has stock footage available for a wide range of uses. To request a copy of the footage in DVD, Digi-Beta, or DVCAM format complete the request form found at: www.newcastlegateshead.com/site/media/media-visits/filming

Contact: Elaine Barclay

For help with filming or sourcing further footage, the following local companies can help: North News & Pictures: www.northnews.co.uk Northern Film & Media: www.northernmedia.org Ten Alps: www.tenalpsvision.com

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Telephone: +44 (0) 191 433 3544 Email: ElaineBarclay@gateshead.gov.uk Website: www.gateshead.gov.uk

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NEWCASTLE-GATESHEAD BALTIC Centre for Contemporary Art Gateshead Quays, South Shore Road, Gateshead, NE8 3BA Housed in a landmark industrial building on the south bank of the River Tyne in Gateshead, BALTIC is a major international centre for contemporary art. BALTIC has no permanent collection, providing instead an ever-changing calendar of exhibitions and events that give a unique and compelling insight into contemporary artistic practice.

BALTICâ&#x20AC;&#x2122;s dynamic, diverse and international programme ranges from blockbuster exhibitions to innovative new work and projects created by artists working within the local community.

BALTIC is a place where visitors can experience innovative and provocative new art, relax, have fun, learn and discover fresh ideas.

BALTIC is an international leader in the ambitious and distinctive presentation, commissioning, development and communication of contemporary visual art.

Best vantage point: There is an internal viewing box on Level Five with views over the River Tyne and its bridges.

Panoramic views can be obtained from the Level Four external viewing box (weather permitting).

Access restrictions: Access requirements must be discussed in advance with Chloe Barker at BALTIC. Filming permit: Filming permission is required and this can be obtained by contacting Chloe Barker at BALTIC. Filming fee: There is normally no fee required to film at BALTIC. Public liability insurance: Standard public liability insurance of ÂŁ5million should be in place.

Existing footage: High Definition, broadcast quality footage is available from NewcastleGateshead Initiative. For more information, email david.brookbanks@ngi.org.uk or shelley.armstrong@ngi.org.uk.

Contact: Chloe Barker Telephone: +44 (0) 191 440 4915 Email: chloeb@balticmill.com Website: www.balticmill.com

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NEWCASTLE-GATESHEAD Tyneside Cinema 10 Pilgrim Street, Newcastle upon Tyne, NE1 6QG Showing the best films in stylish and beautiful surroundings, Tyneside Cinema's varied programme showcases brilliant films from all over the world. As the UK’s last surviving Newsreel theatre still operating as a cinema, this Grade II-listed building is an important, must-see piece of heritage. It is currently undergoing a £1.3million refurbishment that will introduce a new cinema screen, video art gallery and café.

Best vantage point: Exterior shots will capture the iconic exterior signage and colourful lighting.

Access restrictions: Tyneside Cinema provides excellent accessibility. Full details can be found here: www.tynesidecinema.co.uk/about-us/accessibility Filming permit: All filming request must be sent to anna.cornelius@tynesidecinema.co.uk, where possible, seven days in advance of the desired filming date.

Filming fee: Any non-commercial filming request will be supported without a filming fee.

Public liability insurance: Standard public liability insurance of £5million should be in place.

Contact: Anna Cornelius Telephone: +44 (0) 191 227 5528 Email: anna.cornelius@tynesidecinema.co.uk Website: www.tynesidecinema.co.uk

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Take the opportunity to discover where and how it all began in the Warwickshire market town of Rugby.

Rugby is known throughout the world as the birthplace of the game. It was here, in 1823, while playing football at his school, that the young William Webb Ellis picked up the ball and ran. This moment, which took place on The Close at Rugby School, is the origins of todayâ&#x20AC;&#x2122;s games of Rugby Union, Rugby League, and American Football and today, you can visit the momentous spot and a dedicated museum.

Rugby

RUGBY Pathway of Fame Starting point: Rugby Art Gallery & Museum, Little Elborow Street, Rugby, CV21 3BZ The Pathway of Fame is a unique guide around the town of Rugby, which celebrates the history of the game of rugby and commemorates some of its most notable players and events.

As part of the celebrations for the 1999 Rugby World Cup, the Rugby Pathway of Fame was set into the pavements of Rugby to take visitors on a tour of the town. Each bronze plaque within the Pathway is dedicated to a legend of the sport or an historic moment in its development.

Filming permit: No. Filming fee: No fee.

Public liability insurance: No.

Contact: Rugby Borough Council Press Office Telephone: +44 (0) 1788 533562 Email: communications@rugby.gov.uk Website: http://www.rugby.gov.uk/enjoyrugby/site/ custom_scripts/attractions/attract_details.php?AttractID=6

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RUGBY Rugby Art Gallery and Museum Rugby Art Gallery & Museum, Little Elborow Street, Rugby, CV21 3BZ Rugby Art Gallery and Museum is located in the centre of Rugby, a small and picturesque town in the West Midlands. The museum aims to inspire and engage with its visitors through an ever-changing programme of exhibitions and vibrant displays. The museum houses a permanent collection of Roman objects.

Access restrictions: Filming is only permitted when the museum is open to the public: Tuesday â&#x20AC;&#x201C; Friday: 10.00 - 17.00 Saturday: 10.00 - 16.00 Sun & Monday: Closed Bank Holidays: 12.00 - 16.00 Filming permit: No. Filming fee: No fee.

Public liability insurance: No.

Contact: Rugby Borough Council Press Office Telephone: +44 (0) 1788 533599 Email: communications@rugby.gov.uk Website: www.ragm.co.uk

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RUGBY Rugby School, Birthplace of Rugby Football Rugby, Warwickshire, CV22 5EH Rugby School is a leading co-educational independent boarding school.

It was founded in 1567 by Lawrence Sheriff, who was a spice merchant to Queen Elizabeth I. At least two centuries of Rugbyâ&#x20AC;&#x2122;s history are written in the stones and other monuments that stand around the School Close. It was here in 1823 that a local boy names William Webb Ellis first ran with the ball and invented the game of rugby football. In the lead up to 2015, when England will host the Rugby World Cup, the school takes on a special significance.

Best Vantage Points: The Close and Doctors Wall, New and Old Quad, the School Chapel, Temple Speech Room, Upper Bench.

Best Time of Day: Daylight hours, and dependent on term calendar.

Permits: No filming permit is required but all visitors must be accompanied at all times by a member of school staff. All visitors must make arrangements prior to visit.

Fees: Commercial rates vary according to final requirements and length of visit.

Communication and PR visits may be asked to make a donation to the Arnold Foundation.

Public Liability Insurance: ÂŁ5million should be in place.

Contact: Richard Poole, Commercial Manager Telephone: +44 (0) 1788 556 355 Email: rp@rugbyschool.net Website: www.rugbyschool.net / www.rugbyschool.net/commercial

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BATH

Pulteney Bridge

Roman Baths

Bridge Street, Bath, BA2 4AT

Roman Baths, Bath, BA1 1LZ

Pulteney Bridge, together with the Ponte Vecchio in Florence, is one of the world’s most beautiful bridges.

Like the Ponte Vecchio it is one of a handful of historic bridges in the world with shops built into it. It was built for William Pulteney by Robert Adams.

Permits: From Bath Film Office.

Best Vantage Points: From Grand Parade (left side of the bridge) or Riverside Walk (right side of the bridge).

Public Liability Insurance: Standard public liability insurance of £5million should be in place.

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Fees: Not for promotional purposes.

Around Britain’s only hot spring, the Romans built a magnificent temple and bathing complex that still flows with natural hot water, and today comprises a number of original baths, drainage and ancient pavements plus artefacts discovered on the site. The Roman Baths has some of the most extensive and best preserved Roman remains in the country, and is a leading UK attraction.

Best Vantage Points: Around the Great Bath and on the terrace with Bath Abbey in the background.

Contact: Jenni Wagstaffe or Rachel Bowers

Contact: Gladys Powney

Telephone: +44 (0) 1225 477711

Telephone: +44 (0) 1225 477773

Email: Bath_FilmOffice@bathnes.gov.uk

Email: Gladys_powney@bathnes.gov.uk

Website: www.visitbath.co.uk/bath-film-office/

Website: www.romanbaths.co.uk

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Restrictions: Access is generally only arranged during opening times (seven days a week, generally 09.00 to 17.00), however, private access can be arranged in advance.

Best Time of Day: Any time of day. If filming takes place in July and August, evening is a great time as the museum is open until late and the Great Bath is lit by torchlight.

Permits: Not required but filming needs to be arranged in advance.

Fees: Generally not if the filming is for promotional use.

Public Liability Insurance: Standard public liability insurance of £5million should be in place.

BATH Royal Crescent Royal Crescent, Bath, BA1 2LS One of Bath’s, and the UK’s, iconic architectural landmarks, this sweeping crescent of 30 houses were all constructed in Bath stone, in the 1700s.

Best Vantage Points: From the Royal Crescent or Royal Victoria Park.

Permits: Permission to film needs to be arranged with Bath Film Office with advanced notice of 48 hours or more.

Fees: If the filming is for promotional purposes there is not usually a fee.

Public Liability Insurance: Standard public liability insurance of £5million should be in place.

Contact: Rachel Bowers or Jenni Wagstaffe Telephone: +44 (0) 1225 477711 Email: Bath_FilmOffice@bathnes.gov.uk Website: www.visitbath.co.uk

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BATH Thermae Bath Spa Hetling Pump Room, Hot Bath Street, Bath, BA1 1SJ Thermae Bath Spa is Britain’s original and only natural thermal spa. It is a remarkable combination of old and new, where historic spa buildings blend with the contemporary design of the New Royal Bath.

In the heart of the World Heritage Site of Bath, Thermae is the only place in the country where you can bathe in natural thermal waters – just as the Celts and Romans did nearly 2,000 years ago. Relax in the naturally warm, mineral-rich waters in the Minerva Bath and the openair rooftop pool, refresh your senses in the aroma steam rooms and choose from over 50 spa treatments and packages.

Best Vantage Points: The rooftop pool at Thermae is very photogenic, particularly in the early morning when the air is cool and the steam can be seen drifting across the warm water. The rooftop views of the Abbey, the Georgian city and the surrounding hills are beautiful. The historic 18th century Cross Bath is a separate building. It is the home to one of the city’s three hot springs and is regarded as a sacred site.

Restrictions: There is no permitted parking outside Thermae, however it is possible to drop off equipment. Parking permits can be obtained via Bath Film Office.

Best Time of Day: It is recommended to film before opening in the morning (i.e. before 09.00). This allows greater flexibility and does not impinge on the privacy of customers. There is greater flexibility in the Cross Bath which can be booked exclusively for filming.

Permits: Permission to film is required. Every effort is made to be as accommodating as possible; however 24 hours’ notice is required. For those planning to film at a weekend, several days’ notice is required.

Fees: Location fees may apply but are kept to a minimum.

Contact: Charlotte Hanna Telephone: +44 (0) 1225 328465 Email: charlottehanna@thermaebathspa.com Website: www.thermaebathspa.com

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BLACKPOOL & LANCASHIRE The Blackpool Tower Promenade, Blackpool, Lancashire, FY1 4BJ Visitors to Blackpool can once again go to the ‘Top of the Tower’ at the world famous Blackpool Tower. The 118 year old, iconic structure and a national symbol of the great British seaside, shines once more, following a major 10 month, multi million pound restoration programme.

Working in partnership, Blackpool Council and Merlin Entertainments have restored and transformed the iconic Tower and buildings into a must-see family tourist experience reminiscent of its glory days, retaining the grandeur and heritage of the building itself - the famous Tower Ballroom and Tower Circus.

New to the tower is the gruesome Blackpool Tower Dungeon; a fun look at some of the North West’s most horrible history; and the Blackpool Tower Eye with a sensational new 4-D cinema experience and observation deck at the very top of the steel structure.

Restrictions: Filming preferred out of hours.

Best Time of Day: Before 10.00 or after 17.00.

Permits: Permits are required. Contact below for more details.

Fees: A filming fee is usually charged for commercial projects that do not benefit the attraction directly or if filming causes a high level of disturbance to visitors.

Public Liability Insurance: Yes, please contact Sara Hemissi.

Contact: Louise Forder or Paula Renshaw Marketing Communications Executives Telephone: +44 (0) 1253 629 239 or +44 (0) 1253 629 217 Email: louise.forder@merlinentertainments.biz or paula.renshaw@merlinentertainments.biz Website: www.theblackpooltower.com

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BLACKPOOL & LANCASHIRE Pendle Hill Barley, Lancashire, BB12 Pendle Hill is inspirational and dramatic. George Fox in 1652 founded the Quaker Movement after his vision on the summit. The area around the hill and its pretty villages are closely associated with the history of the Pendle Witches and the biggest witchcraft trial in British history (1612).

Best Vantage Points: Pendleside Farm, close to Pendle Hill, offers stunning views over Lancashireâ&#x20AC;&#x2122;s countryside.

Restrictions: No. Best Time of Day: Dawn for sunrise or dusk for sunset.

Public Liability Insurance: Public liability insurance of ÂŁ2million should be in place.

Contact: Mike Williams Telephone: +44 (0) 1282 661963 (wrk) +44 (0) 7849 583481 (mob) Email: Michael.williams@pendle.gov.uk Website: www.Visitpendle.com

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BLACKPOOL & LANCASHIRE Blackpool Pleasure Beach Ocean Boulevard, Blackpool, FY4 1EZ Blackpool Pleasure Beach is arguably the UK’s favourite amusement park, with over 100 rides, attractions and spectacular shows. Pleasure Beach is home to the steel mega-coaster that is the Big One, the UK’s only Nickelodeon Land and the world’s first Wallace & Gromit ride, Thrill-O-Matic. Nickelodeon Land is home to 12 amazing rides and a whole host of Nickelodeon characters themed around the world’s number one children’s entertainment channel.

Best Vantage Points: The Sculpture Grade, a grassed area with modern sculptures, offers a fantastic vantage point to view the Pleasure Beach’s mix of classic and contemporary amusement park rides. Many of the rides can be mounted with a camera, allowing presenters to do pieces to camera.

Best Time of Day: Any time of day.

Restrictions: Any on ride filming needs to be planned in advance. Filming is only allowed to take place in public access areas, unless requested otherwise. If the weather is poor, covered areas are available for crews to use.

Permits: All filming to be pre-planned through Pleasure Beach contact. This can generally be done at short notice.

Fees: No fee is required for non-commercial filming.

Public Liability Insurance: Public liability insurance of £5million should be in place.

Existing Footage: Footage, including High Def Point of View can be obtained from Daniel Thompson.

Contact: Daniel Thompson Telephone: +44 (0) 1253 336329 Email: Press@bpbltd.com Website: www.blackpoolpleasurebeach.com

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BRISTOL Brunel’s ss Great Britain Great Western Dockyard, Bristol, BS1 6TY Designed by Brunel, the ss Great Britain is the world’s first great ocean liner. Admired by Queen Victoria, the ship’s story is unique and fascinating. In 1843 her revolutionary design, combining steam power with a propeller and iron hull, changed the world. For the first time passengers travelled in comfort, at speed and to a timetable. Built to carry the rich and famous between New York and England, she ran aground a year into service with no casualties. Following the discovery of gold she took 15,000 people to Australia, including Supt John Sadleir (who helped capture the Ned Kelly Gang). She was salvaged from the Falkland Islands in 1970. She has Russian, Indian and South African links, and circumnavigated the globe 30 times.

Best Vantage Points: In front of the historic ship’s bow (front), the stern (back), below the hull under the glass ‘sea’, and on the ship’s Top Deck.

Restrictions: Fully accessible to all public areas of the ship, dockyard museum and Brunel Institute (National Brunel Archive and specialist library). Other areas e.g. inside the engine room, can be accessed with prior planning.

Best Time of Day: The ship has been used for filming during the day, for live international breakfast shows, and at night when the ship is illuminated from below the glass ‘sea’. Popular times for film crews are before opening (07.00 – 10.00) and before 11.00. The ship can and has also accommodated filming during school holidays.

Permits: A brief filming permission form needs to be completed before filming.

This enables the ship attraction to prepare for the film crew.

Fees: No fee is generally charged for news; token payment required to cover staff costs for other non-commercial filming (between £50 and £150 – dependent upon requirements in time and staffing support); the Director can waive a fee if benefits from filming are considerable; the ship is a charity so donations are always welcome.

Public Liability Insurance: Contact right for details.

Contact: Dagmar Smeed, Head of Marketing & Communications, or Sally Cordwell, Director of Marketing Telephone: +44 (0) 117 926 0680 ext 219 or ext 427 Email: dagmars@ssgreatbritain.org sallyc@ssgreatbritain.org Website: www.ssgreatbritain.org

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BRISTOL

Clifton Suspension Bridge

College Green

Clifton Suspension Bridge, Clifton, Bristol, BS8 3PA

College Green, Bristol, BS1

Designed by the great Victorian Engineer Isambard Kingdom Brunel in the 1830s, and completed in 1864 after his death as a memorial to him, the Bridge still meets the demands of 21st century traffic, with 3.5 million vehicles crossing each year. The spectacular setting in the Avon Gorge surrounded by countryside and the grand architecture of Bristol’s finest suburb, Clifton, it has become the icon of the city and the one place all visitors go to.

Public Liability Insurance: Yes, please contact Mike Rowland.

Public Liability Insurance: Public liability insurance of £5million should be in place.

Restrictions: Members of the press simply need to liaise with Bristol City Council’s Press Office. Bristol Film Office issues permits for all other types of filming on Bristol City Council property. A minimum of two working days’ notice is required to process permit applications. The permit application form can be downloaded from www.filmbristol.co.uk.

Permits: If filming takes place on the Bridge (between the toll booths at either end) a standard ‘disclaimer’ is required.

Fees: For non-commercial filming, no.

For commercial filming, fee negotiable.

Public open space in Bristol city centre, overlooked by the Council House on one side and Bristol Cathedral on the other.

Contact: David Anderson, Bridge Master Telephone: +44 (0) 117 973 1579

Fees: Location fees for non-press filming is negotiated by Bristol Film Office.

Press enquiries: Bristol City Council’s Press Office on 0117 922 2650

Email: bridgemaster@cliftonbridge.org.uk

All non-press filming enquiries: Bristol Film Office, 0117 922 3958 or info@filmbristol.co.uk

Website: www.cliftonbridge.org.uk

Website: www.filmbristol.co.uk

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BRISTOL M Shed Princes Wharf, Wapping Road, Bristol, BS1 4RN Bristol’s flagship museum, located on the historic dockside. The building has been designed to retain the unique character of the former 1950s transit shed.

Permits: Members of the press simply need to liaise with Bristol City Council’s Press Office.

Bristol Film Office issues permits for all other types of filming on Bristol City Council property. A minimum of two working days’ notice is required to process permit applications. The permit application form can be downloaded from www.filmbristol.co.uk.

Fees: Location fees for non-press filming is negotiated by Bristol Film Office.

Public Liability Insurance: Yes, £5million.

Press enquiries: Bristol City Council’s Press Office on 0117 922 2650 All non-press filming enquiries: Bristol Film Office, 0117 922 3958 or info@filmbristol.co.uk Website: www.filmbristol.co.uk

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BUCKINGHAMSHIRE

Stoke Mandeville Stadium & Olympic Lodge

Aylesbury Waterside Theatre Exchange Street, Aylesbury, HP20 1UG

Guttmann Road, Aylesbury, Buckinghamshire, HP21 9PP Stoke Mandeville Stadium, The National Centre for Disability Sport and the Birthplace of the Paralympics, boasts the highest grade of facilities for leading sportsmen and women. Sports facilities are open to the local community and play host to sports camps, training academies, conferences and celebrations.

Public Liability Insurance: Public liability insurance of £2million should be in place.

Public Liability Insurance: Public liability insurance of £5million should be in place.

Restrictions: On request, a service yard is available for parking.

Restrictions: No access restrictions, parking available.

Permits: Filming permits are required and applications must be made seven days in advance. Additional permits are required for camera cranes, jibs and cherry pickers.

New theatre in the centre of Aylesbury opened in October 2012. Designed by RHWL Arts Team, led by Norman Bragg, inspiration was taken from the Chiltern Hills with a backdrop of the Aylesbury canal and expanding regeneration area. Aylesbury Waterside Theatre is managed by the Ambassador Theatre Group.

Permits: Considered on a case–by–case basis.

Contact: Ian Seabrook

Fees: A fee is charged for commercial filming.

Telephone: +44 (0) 1296 484848

Contact: Sarah Lloyd Telephone: +44 (0) 1296 745 100

Email: bdmstokemandeville@leisureconnection.co.uk

Email: sarahlloyd@theambassadors.com

Website: www.stokemandevillestadium.co.uk

Website: www.atgtickets.com/aylesbury

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BUCKINGHAMSHIRE Stowe Landscape Gardens Buckingham, MK18 5DQ Stowe Landscape Gardens is a stunning 18th century landscape covering over 1,000 acres, including lakes and follies with many wooded areas and paths to explore.

Best Vantage Points: Venus, Concord & Victory, Ancient Virtue, Lake Pavillions and Palladian Bridge.

Restrictions: Open to the public five days per week, Wednesday to Sunday.

Permits: Permits are required and can be obtained through the National Trust Film Unit.

Fees: Fees are negotiated on a case–by–case basis. However, there is a reduction for non-commercial filming.

Public Liability Insurance: Public liability insurance of £10million should be in place.

Contact: Tracie Tungate or Melanie Whitrow Telephone: +44 (0) 1280 822850 Email: tracie.tungate@nationaltrust.org.uk melanie.whitrow@nationaltrust.org.uk Lauren.taylor@nationaltrust.org.uk Website: www.nationaltrust.org.uk/stowegardens

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BUCKINGHAMSHIRE Waddesdon Manor Waddesdon, Bucks, HP18 0JH Waddesdon is one of the most visited houses of Englandâ&#x20AC;&#x2122;s National Trust properties. It was built in the 1870s by Baron Ferdinand de Rothschild to display his outstanding collection of art treasures and to entertain the fashionable world. It combines the highest quality 18th century French decorative arts with magnificent English portraits and Dutch Old Master paintings, with one of the finest Victorian gardens in Britain, famous for its Parterre and ornate working Aviary. It was bequeathed to the National Trust in 1957 and is now managed by a family charitable trust under the chairmanship of Lord Rothschild.

Today, the Manor continues its great tradition of entertainment and hospitality with a range of events celebrating food and wine, and opportunities to explore its history, collections and gardens through changing exhibitions and special interest days.

Best Vantage Points: The North Front: Very impressive French style chateau/house with fountains and statuary. The South Front terrace/Parterre in front of the house has a spectacular floral display. The interiors are rich and ornate and there are light restrictions which have to be checked but quite workable with planning.

Best Time of Day: Monday or Tuesday (closed to the public) from 10.00 to 17.00.

Permits: Permits are required and can be obtained through the National Trust Film Unit.

Public Liability Insurance: Public liability insurance of ÂŁ10million should be in place.

Contact: Suzy Barron Telephone: +44 (0) 1296-653233 Email: Suzy.barron@nationaltrust.org.uk Website: www.waddesdon.org.uk

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CAMBRIDGESHIRE St John’s College, Bridge of Sighs St John’s College, Cambridge, CB2 1TP The Bridge of Sighs in Cambridge is a covered bridge belonging to St John’s College of Cambridge University. It was built in 1831 and crosses the River Cam between the college’s Third Court and New Court. It is named after the Bridge of Sighs in Venice, although they have little architecturally in common beyond the fact that they are both covered. The bridge is one of Cambridge’s main tourist attractions and Queen Victoria is said to have loved it more than any other spot in the city.

Best Vantage Points: From the river or New Court, St John’s College.

Restrictions: River shot would be from on board a punt.

Best Time of Day: Mid afternoon.

Permits: External filming on public highway that does not require road closures does not need a permit, however Graham Lowe at Cambridge City Council should be informed at least two working days in advance.

Seven weeks’ notice is required for filming that requires road closures.

A permit is required for filming on the river, Rod Ingersent at Scudamore’s Punting Company (01223 359750) would arrange this.

Fees: Contact below for details.

Contact: Graham Lowe Telephone: +44 (0) 1223 336000 Email: Graham.Lowe@cambridge.gov.uk Website: www.joh.cam.ac.uk

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CAMBRIDGESHIRE Cathedral Square Guild Hall St John’s Square Cathedral Square, Peterborough, PE1 1JH Cathedral Square in the centre of Peterborough is very much a focal point for the city. Its stunning fountains, the ancient cathedral gates and the beautiful Guild Hall provide a striking backdrop for filming, and is often the chosen sight for local markets. The square is surrounded by outdoor cafés, restaurant and bustling retail spaces.

Best Vantage Points: Facing Guild Hall, the Cathedral gates or St John’s Square.

Restrictions: Pedestrian areas have access restricted after 10.30 and before 16.30.

Best Time of Day: Any time. The fountains in the square are lit up at night and make for a striking centrepiece.

Permits: Permissions from Peterborough City Council required. Contact below for details.

Fees: Commercial filming is charged but can be negotiated. Contact below for details.

Public Liability Insurance: Public liability insurance of £2million should be in place.

Contact: Justin Beaumont Telephone: +44 (0) 1733 452217 Email: Justin.beaumont@peterborough.gov.uk Website: www.peterborough.gov.uk

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CAMBRIDGESHIRE Corpus Christi and the Grasshopper Clock Corpus Christi College, Cambridge, CB2 1RH The Corpus Clock is one of the newest and most distinctive public monuments in Cambridge. It is a unique and strange device for the measurement of time, and is both hypnotically beautiful and deeply disturbing. It was invented, designed and given to Corpus Christi College, Cambridge, by Dr John C Taylor. The beast above the clock is called a Chronophage (literally “time eater”), moving its mouth, appearing to “eat up” the seconds as they pass. The clock is a reminder to all that time on earth is limited.

Best Vantage Points: Benet Street or King’s Parade.

Restrictions: On corner of two roads.

Permits: External filming on public highway that does not require road closures does not need a permit, however Graham Lowe at Cambridge City Council should be informed at least two working days in advance.

Seven weeks’ notice is required for filming that requires road closures.

Contact below for details.

Fees: Contact the Bursar (Paul Warren).

Contact: Mr Paul Warren - Bursar Telephone: +44 (0) 1223 338000 Email: bursar@corpus.cam.ac.uk Graham.Lowe@cambridge.gov.uk Website: www.corpus.cam.ac.uk

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CAMBRIDGESHIRE King’s College Chapel King’s Parade, Cambridge, CB2 1ST King’s College Chapel is one of the most iconic buildings in the world, and is a splendid example of late Gothic (Perpendicular) architecture. It was started in 1446 by Henry VI and took over a century to build. It has the largest fan vault ceiling in the world, and some of the finest medieval stained glass. The chapel is also the venue for the Christmas Eve service, A Festival of Nine Lessons, which is broadcast to millions around the world.

Best Vantage Points: West from Queen’s Road, internally from west end or east end.

Best Time of Day: The preferred external view of the chapel is from the west, therefore afternoon would be preferable.

Permits: Permission for internal filming required from the Dean, with as much notice as is possible. External filming on public highway that does not require road closures does not need a permit, however Graham Lowe at Cambridge City Council should be informed at least two working days in advance. Seven weeks’ notice is required for filming that requires road closures. Contact below for details.

Fees: Fees on request.

Public Liability Insurance: Contact below for details.

Contact: Graham Lowe Telephone: +44 (0) 1223 336000 Email: Graham.Lowe@cambridge.gov.uk Website: www.kings.cam.ac.uk

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CAMBRIDGESHIRE Market Square Market Street, Cambridge, CB2 3PA Stalls have been trading on the Market Square since Saxon times. During the week you will find books, clothes and bric-a-brac. On Sundays, there is a flourishing Farmers Market selling local organic produce.

Best Vantage Points: Market Hill, Market Street or the tower of Great St Mary’s Church.

Restrictions: The tower of Great St Mary’s Church can only be reached by very narrow staircase.

Best Time of Day: Between 10.00 and 16.00.

Permits: External filming on public highway that does not require road closures does not need a permit, however Graham Lowe at Cambridge City Council should be informed at least two working days in advance.

Seven weeks’ notice is required for filming that requires road closures.

Andy White also needs to be informed of any filming taking place at Market Square. Permission needs to be sought to film at Great St Mary’s. Contact below for details.

Fees: Filming at Great St Mary’s is changeable. Contact below for details.

Contact: Andy White, Markets Manager Telephone: Andy White – +44 (0) 1223 757466 Great St Mary’s – +44 (0) 1223 462914 Email: andy.white@cambridge.gov.uk Graham.Lowe@cambridge.gov.uk

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CAMBRIDGESHIRE Punting on the River Cam Scudamore’s Punt Company Mill Lane, Cambridge, CB2 1RS Fantastic views of the world famous Cambridge College ‘Backs’ are on offer from one of the traditional Cambridge punts. King’s College Chapel, The Wren Library at Trinity College and Mathematical Bridge are just some of the iconic Cambridge landmarks that can be filmed on board.

Restrictions: Crew and camera equipment would be on board a punt.

Best Time of Day: If filming in the summer, best to film early morning or late afternoon to avoid the crowds.

Permits: External filming on public highway that does not require road closures does not need a permit, however Graham Lowe at Cambridge City Council should be informed at least two working days in advance.

Seven weeks’ notice is required for filming that requires road closures.

Fees: A fee of £100 applies to all non-charitable organisations. A fee of £50 applies to charitable organisations.

Public Liability Insurance: Contact below for details.

Contact: Graham Lowe Telephone: +44 (0) 1223 336000 Email: Graham.Lowe@cambridge.gov.uk Website: www.scudamores.com

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CHESHIRE

Chester Zoo

Chester City Centre – Eastgate Clock

Upton by Chester, Chester, CH2 1LH

Eastgate Street, Chester, CH1 1LG

Chester Zoo is home to thousands of rare and exotic species from all over the world, ranging from a magnificent herd of elephants, two types of rhino ‘crashes’, lions and tigers, a mixture of monkeys both large and small including chimps, and the exciting Realm of the Red Ape exhibit, where gibbons and orang-utans live and play side by side in the largest enclosure of its kind in Europe.

Fees: Contact below for details.

Public Liability Insurance: Yes, please contact Rachael Wheatly.

Best Vantage Points: Street below the clock.

Best Vantage Points: Throughout.

Restrictions: The area around the clock is pedestrianized between 10.30 and 16.30, restricting the movement of vehicles.

Restrictions: Contact below for details.

Contact: Rachael Wheatley Permits: Contact below for details.

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Reputedly one of the most photographed clocks in the world, the stunning Eastgate Clock, created to commemorate the diamond jubilee of Queen Victoria, is one of Chester’s most famous landmarks. Accessed via the City Walls, the Eastgate Clock offers a superb vantage point across the city, towards the Welsh Hills.

Telephone: +44 (0) 1244 389460

Best Time of Day: Mornings and evenings.

Permits: Contact below for details.

Fees: Contact below for details.

Public Liability Insurance: Contact right for details.

Contact: Place Marketing Team at Cheshire West and Chester Council Telephone: +44 (0) 151 356 6638

Email: r.wheatley@chesterzoo.org

Email: placemarketing@cheshirewestandchester.gov.uk

Website: www.chesterzoo.org

Website: www.cheshirewestandchester.gov.uk

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CHESHIRE Lyme Park Lyme Park, Disley, Stockport, SK12 2NX Nestling on the edge of the Peak District, with stunning views toward the Welsh Hills and over Derbshire sits Lyme Park. This magnificent house sits proudly within a 1,300–acre medieval deer park, home to red and fallow deer. Once home to the Legh family, in its heyday it was one of the great sporting estates. Lavish furnished interiors take you back to the Edwardian era when Lyme was at its best. This is a huge house that was originally Elizabethan, and there is lots to discover, the best clock collection in the National Trust, amazing tapestries, and the most important printed book, printed by Caxton, in all of the National Trust libraries. This glorious garden has as its backdrop the sweeping moors.

One of the highest formal gardens in the National Trust, it has much to explore. An Edwardian rose garden, ravine garden, exuberant Victorian style bedding, thousands of spring bulbs, luxurious herbaceous borders and tranquil walks next to the reflecting lake where a certain Mr Darcy met Miss Bennett in the BBC production of ‘Pride and Prejudice’.

Best Vantage Points: House, park and garden.

Restrictions: Depends on the specific location. It is not usually possible to film on weekends and bank holidays. Wednesdays and Thursdays are best.

Best Time of Day: Any, depends on weather as Lyme can have quite a changeable climate.

Permits: Permits are required and can be obtained through the National Trust Film Unit.

Fees: Negotiable through the National Trust Film Unit.

Public Liability Insurance: Yes, please contact the National Trust.

Contact: Georgina Ferguson Telephone: +44 (0) 1663 761418, +44 (0) 207 799 4547 Email: Georgina.ferguson@nationaltrust.org.uk Website: www.nationaltrust.org.uk

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CHESHIRE

Roman Amphitheatre

Tatton Park

Vicar’s Lane, Chester, CH1 2HS

Knutsford, Cheshire, WA16 6QN

Roman Amphitheatre is the largest example of its kind Public Liability Insurance: Contact below for details. in Britain and was used as a base for entertainment and military training by the 20th Legion, based at fortress ‘Deva’ (Chester). A shadow of its former glory but still an impressive landmark, the amphitheatre is an important landmark in Chester’s history. During the summer the amphitheatre is used as an events venue hosting plays, BMX displays and outdoor cinema.

Public Liability Insurance: Tatton Park is one of the UK’s most complete historic Contact below for details. estates. It is home to a Tudor Old Hall, neo-classical mansion, 50 acres of landscaped gardens, a rarebreed farm and 1,000 acres of deer park. Their speciality shops, restaurant, adventure playground, events and educational programmes combine to make Tatton one of the most popular family days out in the North West.

Best Vantage Points: In the centre of the Amphitheatre.

Best Vantage Points: In front of the Mansion.

Permits: Contact below for details.

Contact: Place Marketing Team at Cheshire West and Chester Council

Permits: Contact below for details.

Contact: Eleanor Gorsuch

Telephone: +44 (0) 151 356 6638 Fees: Contact below for details.

Email: placemarketing@cheshirewestandchester.gov.uk

Fees: Contact below for details.

Website: www.cheshirewestandchester.gov.uk

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Telephone: +44 (0) 1625 374447 Email: Eleanor.gorsuch@cheshireeast.gov.uk Website: www.tattonpark.org.uk

CORNWALL Barbara Hepworth Museum and Sculpture Garden Barnoon Hill, St Ives, Cornwall, TR26 1AD The Barbara Hepworth Museum and Sculpture Garden gives a remarkable insight into one of the 20th century’s most important sculptors.

Sculptures in bronze, stone and wood are on display, with paintings, drawings and archive material. The subtropical garden was an essential part of Hepworth’s creative process and she made many of her most famous works there. On her death in 1975 it became a permanent setting to exhibit her works. Hepworth lived and worked in Trewyn studios, now the Hepworth Museum, from 1949 until 1975. Beginning with an archive display of her life, upstairs there is something of a 1950s feeling with sculptures, paintings and furniture. The lush garden, with plants, trees and small paths, has three large stone carvings and 18 bronzes. The yard and workshops where the artist did her carving contain works unfinished at her death. Tate has managed the Museum since 1980.

Best Vantage Points: In the garden looking over to the church tower and sea glimpses.

Restrictions: The building is not fully wheelchair accessible, with split levels and steps. No filming or photography can be taken in the Summer House.

There will be copyright agreements needed from the Hepworth Estate.

No filming during group visits. All filming and photography is encouraged to take place outside of opening hours.

Best Time of Day: The garden at the start and end of day is particularly appreciated with the shadows thrown by sculptures and plants.

Permits: Indemnity agreement to be signed.

Contact: Arwen Fitch Fees: Filming fees are charged on a case–by–case basis. For press and publicity purposes there is generally no fee. Contact right for details.

Telephone: +44 (0) 1736 792185 Email: arwen.fitch@tate.org.uk

Public Liability Insurance: Public Liability Insurance of £5million should be in place.

Website: www.tate.org.uk/visit/tate-st-ives

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CORNWALL Eden Project Bodelva, Par, Cornwall, PL24 2SG The Eden Project features two giant geodesic domes – the Rainforest Biome and the Mediterranean Biome – plus a vast outdoor landscape, all situated in a former china clay pit. In total, the project boasts more than a million plants from around the world. It also features the spectacular Core building, which has a roof shaped around Fibonacci spirals, and a multi-purpose arena and stage which hosts the Eden Sessions, a series of outdoor gigs, in the summer and a sparkling ice rink in the winter.

Restrictions: Under normal circumstances, no vehicles are allowed within the Eden site during opening hours but exceptions are made for media vehicles.

Parking is plentiful, including for large vehicles. Even from within the pit, there are no problems with satellite signal for broadcast vehicles.

Permits: Permission is required for filming. Specialist equipment such a jibs and cherry pickers can be accommodated, although need to be discussed on a case-by-case basis.

Fees: Eden doesn’t charge location fees to news crews but, as a charity, generally asks for a donation from documentary or drama productions.

Public Liability Insurance: Public Liability Insurance of £5million should be in place.

Contact: Ben Foster Telephone: +44 (0) 1726 818766 Email: bfoster@edenproject.com Website: www.edenproject.com

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CORNWALL The Lost Garden of Heligan Pentewan, St Austell, Cornwall, PL25 3TF The Lost Garden of Heligan, seat of the Tremayne family for more than 400 years, is one of the most mysterious estates in England. At the end of the 19th century its thousand acres were at their zenith, but only a few years after the Great War of 1914 bramble and ivy were already drawing a green veil over this sleeping beauty. After decades of neglect, the devastating hurricane of 1990 should have consigned The Lost Gardens of Heligan to a footnote in history. Instead, fired by a magnificent obsession to bring these once glorious gardens back to life, a small band of enthusiasts has grown into a large working team with its own vision for Heligan’s future. Today, ‘Britain’s Finest Garden’ offers 200 acres for exploration, which include the finest productive gardens in Britain, as well as atmospheric pleasure grounds, sustainablymanaged farmland, ancient woodlands and a Wildlife Project.

Best Vantage Points: The most popular area for filming is the sub-tropical jungle. However, the Victorian Productive Gardens also prove popular with crews.

Restrictions: The Lost Valley is far away from the main car park, however there are off–road vehicles available to aid film crews.

Best Time of Day: Due to the site being 200 acres, lighting varies throughout the day in various places. Contact below for details.

Fees: If the film would be promoting The Lost Gardens there is no charge.

There are no set fees for filming, it will all depend on the individual case. Please call for a quotation.

Public Liability Insurance: Contact below for details.

Contact: Lorna Tremayne Telephone: +44 (0) 1726 843740 Email: pr@heligan.com Website: www.heligan.com

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CORNWALL The Minack Theatre Porthcurno, Penzance, Cornwall, TR19 6JU Cornwall’s ‘Theatre Under The Stars’, The Minack Theatre is an internationally famous open–air theatre carved into the granite cliff overlooking the spectacular panorama of Porthcurno bay. It hosts a summer season of plays and musicals from May to September.

Best Vantage Points: Designated positions will be advised by contact.

Restrictions: Access is limited when rehearsals and performances are in progress.

Best Time of Day: Early afternoon.

Permits: A week’s notice is usually required but not always necessary. Filming permission is at the discretion of the Management and Trustees.

Fees: A fee will be charged for commercial filming. Non-commercial fee waiver is at the discretion of the Management and Trustees.

Public Liability Insurance: Public Liability Insurance of £2million should be in place.

Contact: Phil Jackson Telephone: +44 (0) 1736 810694 Email: phil@minack.com Website: www.minack.com

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CORNWALL Pendennis Castle Castle Drive, Falmouth, TR11 4LP Pendennis Castle, Falmouth is one of the finest fortresses built by Henry VIII to defend the country against invasion. The castle has seen action in many conflicts and was one of the last royalist strongholds to fall during the English Civil War. The main focus of interest is the Tudor Keep (Sister Castle at St Mawes) which is housed in a much larger fortification of Elizabethan ramparts and bastions. The Half-Moon Battery is home to a World War II gun emplacement and underground magazine/shell store. At the entrance there is a Guardhouse dating from 1800 which now houses World War I detention cells.

Pendennis also boasts the largest display of historical guns in the country which are in fireable condition. It is currently home to many coastal defence guns which range from Tudor, through Napoleonic up to our World War II heavy artillery pieces and home to the World War II George Butterworth Political Cartoon Collection.

Best Vantage Points: The castle looks great from land, sea or air.

Restrictions: To get onto the site there is a narrow arched entrance (Gatehouse) that will allow access for most vehicles (cars/vans) but not larger vehicles. Weight limit on the entrance bridge is 8 tonnes, and a “low loader” weight dissipating trailer is recommended for haulage of equipment on and off the site.

Width of entrance bridge 2.68 metres Width of gateway 2.35 metres Height of gateway to bottom of arch 2.27 metres Permits: Contact right for details.

Fees: Contact right for details.

Public Liability Insurance: Public Liability Insurance of £5million should be in place.

Contact: For film/tv Sarah Eastell Locations www.film-locations.co.uk For tourism projects the Property Manager is Wendy Amer Telephone: Sarah +44 (0) 1255 858100, Wendy +44 (0) 1326 310101 Email: Wendy.amer@english-heritage.org.uk Website: www.english-heritage.org.uk/pendennis

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CORNWALL Tate St Ives Porthmeor Beach, St Ives, Cornwall, TR26 1TG Tate St Ives opened in 1993, on a spectacular site overlooking Porthmeor Beach, and presents temporary exhibitions of international modern and contemporary art. The gallery was built to celebrate the town’s unique place in the history of British art and Modernism.

The gallery is a three storey building backing directly into the cliff face.

The site is dramatic – it drops 50 feet from cliff-top to beach. The building’s iconic circular spaces echoe the gas-holder which formerly occupied the site. Entering the building the large north-facing Heron window acts as a light box. At 4.6 by four metres it is one of the largest unleaded coloured glass windows in the world, its design by artist Patrick Heron. On the roof is the café and rooftop terrace, with views extending over the rooftops of the town and harbour, along the horizon from Clodgy Point over St Ives Bay to the Godrevy Lighthouse.

Best Vantage Points: The views from the café and rooftop terrace. The view through the window of Lower Gallery 2, through the Loggia and out to Porthmeor Beach.

Restrictions: The building is fully wheelchair accessible. Depending on what is wanted and which exhibition is on, filming within the gallery spaces can be restricted or forbidden. There will be copyright agreements needed from the relevant artist estate and/or Design and Artists copyright Society (DACS). No filming during group visits. All filming and photography is encouraged to take place outside of opening hours.

Contact right for details.

Best Time of Day: Before 10.00 and after 16.30 or 17.30 (depending on winter or summer opening hours).

Permits: Tate has a Filming/Photography Indemnity agreement which is undertaken when a filmmaker/photographer wishes to film/take photographs at any Tate premises at any part of Tate’s Collection, temporary exhibition or performance for press or publicity purposes.

Fees: Filming fees are charged on a case–by–case basis. For press and publicity purposes generally there is no fee. There is a sliding scale of costs for commercial ventures, depending on duration of filming and use of work. Contact right for details.

Contact: Arwen Fitch

Public Liability Insurance: Public Liability Insurance of £1million should be in place.

Website: www.tate.org.uk/stives

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Telephone: +44 (0) 1736 792185 Email: arwen.fitch@tate.org.uk

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CORNWALL Tintagel Castle Tintagel Castle, Tintagel, Cornwall, PL34 0HE The dramatic seascape of this jagged North Cornwall coastline has inspired many legends, and the most enduring is that of King Arthur. In 1135, Geoffrey of Monmouth wrote his History Of The Kings Of Britain; (Top of the Medieval Best Seller List) and it was he who first wrote of Arthur’s conception and birth at Tintagel. The medieval castle built in 1236 by Richard, Earl of Cornwall, was built in an ‘antique’ style, (how he thought King Arthur’s castle may have looked 600 or so years earlier) to link himself forever with this iconic figure.

Best Vantage Points: Mainland courtyard and the many and varied locations on the Island.

Restrictions: There are steep steps to and from the Island.

Best Time of Day: Anytime during daylight hours.

Permits: Contact below for details.

Fees: Contact below for details.

Public Liability Insurance: Yes, £5million (for any one occurrence).

Contact: Matt Ward or Lisa Knight Telephone: +44 (0) 1840 770328 Email: tintagel.castle@english-heritage.org.uk

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CORNWALL Trebah Garden Mawnan Smith, Nr Falmouth, Cornwall, TR11 5JZ Trebah Garden is a sub-tropical paradise with a stunning coastal backdrop, the result of 160 years of inspired and dedicated creation.

Best Vantage Points: At the top of the valley next to the house, looking down towards the Helford River.

Restrictions: Access to the lower garden and beach is limited by a narrow lane, so smaller vans would only be possible.

Best Time of Day: Early morning.

Permits: No filming permit required, but notification and negotiation to be made on an individual basis with the Trust, via Nigel Burnett, Director.

Fees: To be negotiated on an individual basis with the Trust, via Nigel Burnett, Director. No fee for non-commercial filming.

Public Liability Insurance: Trebah Garden is covered up to ÂŁ10million with Public Liability Insurance.

Contact: Nigel Burnett, Director Telephone: +44 (0) 1326 252200 Email: nigel@trebah-garden.co.uk Website: www.trebah-garden.co.uk

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COTSWOLDS Cheltenham Racecourse Prestbury Park, Cheltenham, GL50 4SH A wonderful natural sporting amphitheatre, Cheltenham Racecourse is one of the most famous racecourses in the world.

Permits: Contact below for details.

Fees: No fee for news stand ups.

Public Liability Insurance: Contact below for details.

Contact: Sophia Brudenell Telephone: +44 (0) 7876 330090 Email: Sophia.brudenell@thejockeyclub.co.uk Website: www.cheltenham.co.uk

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COTSWOLDS Sudeley Castle Sudeley Castle, Winchcombe, Gloucestershire, GL54 5JD Set against the backdrop of the beautiful Cotswold Hills, Sudeley Castle is steeped in history. With royal connections spanning 1,000 years, it has played an important role in the turbulent and changing times of Englandâ&#x20AC;&#x2122;s past.

Best Vantage Points: Most views within the grounds are spectacular. The descent from Belas Knap long barrow towards Winchcombe (on The Winchcombe Way walk) offers good views of the castle.

Permits: Advance notice/permission only.

Public Liability Insurance: Not necessary.

Contact: enquiries@sudeley.org.uk Telephone: +44 (0) 1782 680963 Email: ian.iwms@virgin.net Website: www.sudeleycastle.co.uk

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COVENTRY, WARWICKSHIRE & SHAKESPEARE’S ENGLAND

Anne Hathaway’s Cottage

Coventry Transport Museum

Anne Hathaway’s Cottage, Cottage Lane, Shottery, Stratford-upon-Avon, CV37 9HH

Millennium Place, Hales Street, Coventry, CV1 1JD

This quintessential English Tudor thatched country cottage is where Shakespeare’s future wife grew up, and where the young playwright courted her. It is one of the most painted and photographed cottages in Britain, set in romantic gardens amidst orchards in the hamlet of Shottery, on the outskirts of Stratford.

Fees: Standard fees will be waived for news and features programming.

Public Liability Insurance: Public Liability Insurance of £5million should be in place.

Restrictions: Interior filming is usually only possible outside public visiting hours, but exceptions may be allowed, particularly in winter months.

Best Time of Day: Any time. Best to film the garden early morning and/or early evening.

Public Liability Insurance: The largest collection of British road transport in the world, with eight galleries on two floors. The collection Not necessary. includes the two fastest cars in the world: Thrust 2 piloted by Richard Noble OBE, and Thrust SSC, piloted

by Wing Commander Andy Green OBE. Best Vantage Points: Various points in each gallery and from Millennium Place in front of the museum.

Restrictions: Only for filming before 08.30.

Contact: Lynn Beddoe, PR Manager

Best Time of Day: 08.30 to 16.30.

Telephone: +44 (0) 1789 207134 Permits: Permits are required and one week’s notice is preferred.

Email: Lynn.beddoe@shakespeare.org.uk Website: www.shakespeare.org.uk

Contact: Clive Skelhon Telephone: +44 (0) 2476 234295 / 07969 091918

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Email: Clive.skelhon@transport-museum.co.uk Website: www.transport-museum.com

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COVENTRY, WARWICKSHIRE & SHAKESPEARE’S ENGLAND

Kenilworth Castle & Elizabethan Garden

Shakespeare’s Birthplace

Castle Green, Kenilworth, CV8 1NE

Henley Street, Stratford-upon-Avon, CV37 6QW

The vast medieval fortress of Kenilworth Castle is set in vast grounds, perfect for exploring. The ruins are best known as the home of Robert Dudley, the great love of Queen Elizabeth I. Dudley created an ornate palace here to impress his beloved queen in 1575.

The newly re-created Elizabethan Garden, lost for 400 years, is now open to visitors once more. A paradise for garden lovers, wander through this sumptuous landscape as Queen Elizabeth I would have done herself. Features include a Norman hall, medieval keep, Elizabethan gatehouse and stables.

Best Vantage Points: The Keep and the gatehouse have elevated locations for filming the gardens.

Fees: Fees of £100 – £200 apply.

Public Liability Insurance: Public Liability Insurance of £5million should be in place.

Contact: Holly Woodward Telephone: +44 (0) 1926 857482

Permits: Contact right for details.

Email: Holly.woodward@english-heritage.org.uk Website: www.english-heritage.org.uk/kenilworth

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William Shakespeare was born, grew up and lived with his wife and young children here. The original Tudor house is presented as it would have been in Shakespeare’s early years. More than 28 million people have visited to pay homage to the world’s most famous playwright. Well-known visitors have included Charles Dickens, John Keats, Walter Scott and Thomas Hardy.

Permits: Permits are required and one week’s notice is preferred.

Restrictions: Interior filming only possible outside opening hours.

Exceptions may be made by advance agreement in special circumstances (more likely in winter months).

Public Liability Insurance: Public Liability Insurance of £5million should be in place.

Best Time of Day: Any time. The partly pedestrianised street can be very busy with visitors in the summer, so early morning and late evening afford clearer views of the birthplace from the street. Interior filming is only possible outside public opening hours; the interior is dimly lit, but ambient light is best in early evening.

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Fees: Filming fees will be waived for news and features programming.

Contact: Lynn Beddoe, PR Manager Telephone: +44 (0) 1789 207134 Email: Lynn.beddoe@shakespeare.org.uk Website: www.shakespeare.org.uk

COVENTRY, WARWICKSHIRE & SHAKESPEARE’S ENGLAND Royal Shakespeare Company Royal Shakespeare Theatre, Waterside, Stratford-uponAvon, Warwickshire, CV37 6BB The RSC is known throughout the world and has its main base in Stratford-upon-Avon in the heart of the West Midlands. In 2010 the new Royal Shakespeare and Swan Theatres re-opened to the public after a £112.8million transformation with the aim to bring actors and audiences closer together. The theatre has a beautiful riverside location in the heart of the town where Shakespeare was born and died. Visitors from around the world visit Stratford-upon-Avon and the Royal Shakespeare Theatre each year. The Company also plays regularly in London, Newcastle-upon-Tyne and on tour across the UK and the world. As well as the plays of Shakespeare and his contemporaries, the RSC produces new work from living artists, and develops creative links with theatre-makers from around the world, it also works with teachers to inspire a life-long love of Shakespeare in young people and runs events for everyone to explore and participate in their work.

Best Vantage Points: • The Royal Shakespeare Theatre (RST) and Swan Theatre auditoria (note this is subject to availability). The RST is a 1,000 seat thrust stage auditorium, the Swan Theatre is a 450 seat thrust stage timber auditorium.

• External locations by the River Avon, including riverside walk, Theatre Gardens.

• Theatre Tower viewing platform (100 foot high).

• Rooftop Restaurant with views of the river and gardens and including the original back wall of the 1932 theatre.

• Dressing rooms and backstage spaces.

Restrictions: Contact right for details.

Permits: Contact right for details.

Fees: Sometimes a facilities fee is charged, dependent on the nature of the filming.

Public Liability Insurance: The RSC would require a location agreement to be signed.

Existing footage: • Production footage is available on request.

• An electronic press kit of the key spaces of the Royal Shakespeare Theatre and Swan Theatres is available including shots of the two auditoria.

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Contact: Jane Ellis Telephone: +44 (0) 1789 412668 Email: jane.ellis@rsc.org.uk Website: www.rsc.org.uk

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COVENTRY, WARWICKSHIRE & SHAKESPEARE’S ENGLAND Warwick Castle Castle Lane, Warwick, CV34 4QU Warwick Castle is one of best preserved castles in the UK, and occupies a unique position between the traditional market town of Warwick and the famous River Avon. The origins of Warwick Castle can be traced back to the Saxon fortification used to defend against the invading Danes. The first castle to appear on the site was a wooden motte and bailey constructed in 1068 at the command of William the Conqueror. Throughout the Middle Ages the castle was rebuilt in stone as a towering medieval fortress. Later, the main quarters were converted into a residence of rich and sumptuous style that reflected the wealth and status of its owners. The defensive landscape surrounding the castle was later redesigned by Lancelot ‘Capability’ Brown. The castle was home to the Earls of Warwick until 1978. Since then extensive restoration work has been carried out and substantial areas of the castle have been opened to the public.

Best Vantage Points: East Front – towers and ramparts.

The Mound – landscaped gardens and views of South Warwickshire.

River Island – trebuchet and south front of Castle.

The Conservatory – Pageant Field.

The Mill – working water wheel and River Avon.

The Trebuchet – one of world’s largest working siege machines.

Great Hall – armour collection, grand fire place and vaulted ceiling.

State Rooms – artefacts and furniture.

Kingmaker – exhibits and wax figures evoking castle life in 1450.

Secrets and Scandals – exhibits and live actors evoking life in a Victorian household.

The Castle Dungeon – exhibits and live actors evoking the darker parts of Warwick’s history.

Green Drawing Room – wax figures of Henry VIII and his wives.

Princess Tower – including a gallery of Princesses.

Restrictions: Due to the nature of the attraction there are some steep steps and narrow corridors. Full advice would be given on the day by the Castle team. Vehicle access limitations may apply at peak periods.

Best Time of Day: East front towers and ramparts – afternoon; Courtyard and House – all day; South Front and River aspect – morning.

Permits: No permit required but permission must be granted by the Castle prior to visit.

Telephone: +44 (0) 7968 255464 Fees: Contact right for details.

Email: cass.helstrip@whitetigerpr.com

Public Liability Insurance: Contact right for details.

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Contact: Cass Helstrip At White Tiger PR

Website: www.warwick-castle.com

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COVENTRY, WARWICKSHIRE & SHAKESPEARE’S ENGLAND University Square Priory Street, Coventry, West Midlands, CV1 5FB The square is located in front of the Coventry University reception and opposite Coventry Cathedral. Choices for visual backdrops include the new cathedral, the original cathedral ruins that remain from the blitz on Coventry and the Herbert Art Gallery. The east wall of the cathedral also houses the imposing bronze statue of St. Michael and the Devil, and the cathedral has the giant “screen of saints and angels”, a 70 foot– high glass etched window forming part of the entrance. The Herbert Art Gallery has recently undergone extensive refurbishment and its visual attraction stems predominantly from the stunning atrium roof, classically lit and visually spectacular after nightfall.

Restrictions: Parking is available in selected coach parking spaces outside the cathedral and larger vehicles can be parked a few hundred yards away in selected car parks. Weight restrictions may be imposed on certain vehicles.

Permits: Permission should be obtained from Coventry City Council, who would need to know the details about how many people on site, what vehicles would need to be in the vicinity and which equipment would be used. As much notice as possible would be expected, usually a minimum of one week.

Fees: No fee for filming outside is required, if you wish to film inside the cathedral or the ruins, permission would be needed from the Cathedral directly.

Public Liability Insurance: Public Liability Insurance of £5million should be in place.

Contact: Mick McLaughlin or Kieron Pennie Telephone: +44 (0) 24 7683 3159 or 2998 Email: mick.mclaughlin@coventry.gov.uk or kieron.pennie@coventry.gov.uk Website: www.coventry.gov.uk

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CUMBRIA

Ashness Bridge

Birdoswald Roman Fort

B5289, Keswick, Cumbria, CA12

Gilsland, Brampton, Cumbria, CA8 7DD

A historic packhorse bridge famous for being a fine viewpoint looking across Borrowdale and Skiddaw.

The view down to the lake from the bridge is breathtaking, a contender for the accolade of the finest view in Lakeland. Ashness Wood is inhabited with rare red squirrels.

Permits: Permits are required and can be obtained through the National Trust Film Unit.

Fees: Fees may apply. Contact the National Trust Film Unit.

Public Liability Insurance: Best Vantage Points: Public Liability Insurance of £2million should be in A cliff edge point known as Surprise View which offers place. superb views of both Derwentwater, Skiddaw and Borrowdale. Upstream from the bridge, on Ashness Gill there is a dramatic waterfall.

Restrictions: Accessible via single track public road and therefore open to the public, but not accessible to large vehicles.

The bridge has been featured in many television programmes and feature films.

Best Vantage Points: The walls of the fort overlooking the River Irthing..

Contact: Harvey Edgington Telephone: +44 (0) 20 7824 7128 Email: Harvey.Edgington@nationaltrust.org.uk Website: http://www.nationaltrust.org.uk/ borrowdale/things-to-see-and-do/attractions/

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A 2,000 year old Roman fort sitting astride the UNESCO World Heritage Site of Hadrian’s Wall, the most important monument built by the Romans in Britain. It stretches 73 miles from Wallsend near Newcastle, across the neck of England to Bownesson-Solway in North West Cumbria, and stands today as a reminder of the past glories of one of the world’s greatest empires. Birdoswald itself is unique because at no other point along the wall are the components of the Roman Frontier system found in such close proximity.

Restrictions: Access to the fort is by single track road and is therefore, limited to 7.5 tonne vehicles.

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Best Time of Day: Sunrise and early morning.

Permits: Please contact English Heritage.

Fees: Please contact English Heritage.

Public Liability Insurance: Public Liability Insurance of £2million should be in place.

Contact: English Heritage Telephone: +44 (0) 870 333 1181 Email: Hayley.Quarmby@english-heritage.org.uk Website: www.english-heritage.org.uk/

CUMBRIA

Blackwell

Dove Cottage

Blackwell, The Arts & Crafts House, Bowness-on-Windermere, Cumbria, LA23 3JT

The Wordsworth Museum & Art Gallery, Grasmere, LA22 9SH

Blackwell, one of Britain’s finest houses from the turn of the last century, survives in a truly remarkable state of preservation and retains almost all of its original decorative features, including the rare and fragile hessian wall-hangings in the Dining Room. One of the real joys of Blackwell lies in its wealth of detail, from the leaf-shaped door handles and curious window catches to spectacular plasterwork, stained glass and carved wooden panelling. Blackwell remains an internationally important icon of Arts and Crafts architecture.

Best Time of Day: Late afternoon for sunset views.

Permits: Please contact the Lakeland Arts Trust.

Fees: Please contact the Lakeland Arts Trust.

Public Liability Insurance: Public Liability Insurance of £2million should be in place.

Fees: Please contact the Wordsworth Trust.

Public Liability Insurance: Public Liability Insurance of £2million should be in place.

Best Vantage Points: The gardens of Dove Cottage and the interior and archive resource centre.

Restrictions: The gardens of Dove Cottage, the interior and archive resource centre.

Best Vantage Points: White drawing room, the main hall, minstrels gallery and front lawn.

Contact: Jeanette Edgar Restrictions: Prior notice is required to ensure there are no clashes with tours and visitor enjoyment of the property.

The home of William Wordsworth from December 1799 to May 1808, the years of his supreme work as a poet. The site is also home to the Wordsworth Trust, which conserves one of the world’s great literary collections.

Telephone: +44 (0) 15394 46191

Best Time of Day: All day.

Email: jedgar@lakelandartstrust.org.uk Website: www.blackwell.org.uk

Contact: Paul Klein Telephone: +44 (0) 15394 35544 Email: P.Kleian@wordsworth.org.uk

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Website: www.wordsworth.org.uk

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CUMBRIA

Kendal Castle

Kirkstone Pass

Castle Hill, Kendal, Cumbria, LA9 7BL

Kirkstone Pass, Ambleside, Cumbria, LA22 9LQ

Located on a low glacial hill which overlooks the town, Kendal Castle was built by an early Baron of Kendal in the late 12th century. It was forfeit to the crown by King John in 1215 but restored in 1241. Kendal Castle was eventually inherited by the Parr family, whose most famous member, Catherine Parr (1512-48), became the sixth wife of King Henry VIII. Queen Catherine is reputed to have been born at the castle in 1512. She was more skilful and lucky than some of her predecessors and fortunately survived her formidable spouse. Catherine Parr’s prayer book is kept on display at Kendal Town Hall and can be seen there by the public on request. She died on 5th September 1548 in Sudeley Castle, Gloucestershire, from puerperal fever, after giving birth to a daughter by her last husband, Sir Thomas Seymour, Lord Admiral and maternal uncle of Edward VI.

Best Vantage Points: Castle hill overlooking Kendal.

Restrictions: Limited parking at the foot of castle hill.

Best Time of Day: Sunrise and sunset.

Permits: Please contact English Heritage.

Fees: Please contact English Heritage.

Public Liability Insurance: Public Liability Insurance of £2million should be in place.

With an altitude of 1,489 feet, this the Lake District’s highest pass that is open to motor traffic. It connects Ambleside in the Rothay Valley to Patterdale in the Ullswater valley. In places, the gradient is one in four.

Brothers Water provides a picturesque view on the descent to Patterdale. The Kirkstone Pass Inn stands close to the summit of the pass. Formerly an important coaching inn, it is the third highest public house in England.

Telephone: +44 (0) 870 333 1181

Public Liability Insurance: Public Liability Insurance of £2million should be in place.

Contact: Lake District National Park Telephone: +44 (0) 1539 724555

Email: Hayley.Quarmby@english-heritage.org.uk

Best Time of Day: Sunrise and sunset.

Website: www.english-heritage.org.uk

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Fees: Please contact Lake District National Park.

Best Vantage Points: The car park on the northern descent into Patterdale.

Restrictions: Limited parking.

Contact: English Heritage

Permits: Please contact Lake District National Park.

Email: Mick.Casey@lakedistrict.gov.uk Website: www.lakedistrict.gov.uk

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CUMBRIA

Windermere Motor Boat Racing Club

Levens Hall

Broad Leys, Ghyll Head, Windermere, Cumbria, LA23 3LJ

Levens Hall, Kendal, Cumbria, LA8 0PD

Broad Leys is a superb example of Arts and Craft Architecture, designed by CFA Voysey. Broad Leys was built in 1898 on the shores of Lake Windermere in the heart of the Lake District, in seven acres of land with extensive Lake access.

Best Vantage Points: The areas surrounding the property have stunning views of Lake Windermere.

Permits: Yes – direct from the location. This is a working venue so maximum notice is required to film inside. Exterior filming (depending on existing bookings) might be easier to clear.

Fees: A fee will be looked at based on the size of the activity and what facilitation is needed from the owners. If impact is minimal then a reduced fee or waiver could be looked at, but again this depends on the individual enquiries that come in.

Public Liability Insurance: Public Liability Insurance of £2million should be in place.

Contact: Broad Leys

This historic house became the property of Colonel James Grahme in 1688 after his career at Court in the service of King James II. He brought with him a young French gardener, Guillaume Beaumont, a pupil of le Notre at Versailles, to plan a fashionable garden at Levens. This family home contains fine furniture, paintings, one of the best examples in Europe of Spanish leather wall coverings, the earliest English patchwork, Wellingtoniana, clocks and miniatures, and has become one of the finest stately homes in south Cumbria.

Restrictions: Prior notice is required to ensure there are no clashes with tours and visitor enjoyment of the property.

Telephone: +44 (0) 1539 443 284 Email: club@wmbrc.co.uk

Permits: Please contact Levens Hall.

Fees: Please contact Levens Hall.

Public Liability Insurance: Public Liability Insurance of £2million should be in place.

Contact: Peter Milner Telephone: +44 (0) 7974 126748

Best Time of Day: All day, sunrise and sunset.

Website: www.wmbrc.co.uk

Email: Peter@levenshall.co.uk Website: www.levenshall.co.uk

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DEVON Clovelly North Devon, EX39 5TF Clovelly is an unspoilt English fishing village built on a 400 foot precipice, with some 80 cottages tumbling down a steep cobbled street to a 14th century harbour. Too steep and narrow for cars, visitors must leave vehicles out of sight in a car park, and walk down the street. Donkeys are the traditional means of transport. The beauty and unspoilt charm of Clovelly attracts many thousands of visitors from all over the world, but as its two hotels have only some 35 bedrooms, it reverts in the evening to a sleepy English fishing village.

Best Vantage Points: Near the harbour looking up; under Templebar arch.

Fees: A nominal charge will be made for non-commercial filming.

Public Liability Insurance: Public Liability Insurance of ÂŁ5million should be in place.

Contact: John Rous Telephone: +44 (0) 1237 431200 (Office) Email: jr@clovelly.co.uk Website: www.clovelly.co.uk

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DEVON Dartmoor National Park Dartmoor National Park Authority, Parke, Bovey Tracey, Newton Abbot, Devon, TQ13 9JQ Dartmoor National Park covers 368 square miles in the south west of England, and is renowned for its rugged, windswept tors which tower high above lush, farmed hills and wooded valleys. It is a landscape which changes with the seasons and gives both a sense of peace and tranquillity, as well as a challenging environment for outdoor activities.

Contact: Mike Nendick, Communications Officer Telephone: +44 (0) 1626 832093 Email: communications@dartmoor.gov.uk sbishop@dartmoor.gov.uk Website: www.dartmoor.gov.uk

Highlights include: • Granite tors – the granite outcrops on the top of hills.

• Granite tors – the granite outcrops on the top of hills.

• Largest area of open upland in Southern England.

• Dartmoor ponies and “free-range” grazing cattle and sheep.

• Archaeology – internationally important prehistoric archaeology, best in Western Europe.

• Legendary characters – Sherlock Holmes and Hound of the Baskervilles.

• Dartmoor Prison.

• Open moorland, deep wooded valleys and lake-like reservoirs.

• Huge variety of wildlife.

• Setting for several locations used in the film War Horse.

Best Vantage Points: There is such a myriad of locations, so it is best for you to contact Dartmoor National Park Authority (DNPA) to get specific location advice for the type of filming required and landowner’s contact details to secure permission.

Restrictions: Talk to DNPA to get up to date advice and contacts.

Best Time of Day: An hour after sunrise and two hours before sunset to get the best light.

Permits: Please contact DNPA directly for advice.

Fees: Please contact DNPA directly for advice.

Public Liability Insurance: Public Liability Insurance of £2million should be in place.

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DEVON Exmoor â&#x20AC;&#x201C; Tarr Steps Tarr Steps, Exmoor National Park, Somerset, TA22 9PY The oldest bridge in Britain, the Tarr Steps are a prehistoric clapper bridge across the River Barle in Exmoor National Park, Somerset. They are located in a National Nature Reserve about 2.5 miles (four kilometres) south east of Withypool and four miles (six kilometres) north west of Dulverton. A typical clapper bridge construction, the bridge possibly dates back to around 1,000 BC. The stone slabs weigh up to five tons apiece. According to local legend, they were placed by the devil to win a bet. The bridge is 180 feet (55 metres) long and is owned by Exmoor National Park.

Best Vantage Points: 100 yards from the bridge.

Best Time of Day: Late morning or afternoon.

Contact: Dan James, Exmoor National Park Telephone: +44 (0) 1398 322234 Email: DTJames@exmoor-nationalpark.gov.uk Website: www.en.wikipedia.org/wiki/Tarr_Steps

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DURHAM Beamish Museum

Contact: Jacki Winstanley, Marketing & PR Officer

Beamish, County Durham, DH9 0RG Telephone: +44 (0) 191 370 4024 This open-air museum vividly recreates life in North East England in Georgian, Victorian and Edwardian times. Real buildings from throughout the region have been brought to Beamish, rebuilt and furnished as they once were. Costumed staff welcome visitors and demonstrate the past way of life. There is a small Georgian manor house, set in a recreated Georgian landscape, alongside a Georgian railway with working steam locomotives and carriages of the period.

Traditional breeds of livestock are reared at Home Farm, where there is a Victorian farmstead and welcoming farmhouse kitchen. The Pit Village, complete with colliery yard, real drift mine, pit cottages, village school and Methodist chapel portray Edwardian life for pitmen and their families, whilst the town, with shops, houses, working pub and Masonic Hall illustrate Edwardian town life.

Email: jackiwinstanley@beamish.org.uk Website: www.beamish.org.uk

Restrictions: No modern vehicles can be driven into or parked in period areas when the museum is open to the public.

Best Time of Day: No areas can be closed to visitors, therefore if filming is required without visitors it must take place before the museum opens at 10.00 or after closing at 17.00. Beamish is also closed on Mondays and Fridays in winter and it may be possible to film then.

Permits: Filming must be agreed in advance and a ‘Conditions of Filming’ document completed and signed.

Fees: Filming fee for location work is £300+VAT per hour. This may be reduced or waived, depending on the nature of the programme being filmed.

Public Liability Insurance: Public Liability Insurance of £5million should be in place.

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DURHAM Durham Castle University College, Durham Castle, Palace Green, Durham, DH1 3RW Durham Castle is the oldest college of Durham University, founded in 1832, and is located in a Norman fortress. Set in the heart of Durham City overlooking the River Wear, the castle has the accolade of being part of a World Heritage Site along with the cityâ&#x20AC;&#x2122;s historic cathedral.

The castle houses historic highlights including the Great Hall, Tunstall Gallery, Norman Chapel and magnificent State rooms.

Restrictions: Durham Castle is the residential home to Durham University students during term time. Filming would be restricted at this time to outside areas and the Great Hall, when not in student use.

Best Time of Day: Any time. The castle is also lit up at night for atmospheric shots.

Permits: Permission is required.

Fees: Negotiable depending on dates and length of time.

Public Liability Insurance: Public Liability Insurance of ÂŁ5million should be in place.

Contact: Stina Maynard Telephone: +44 (0) 191 334 2883 Email: Stina.maynard@durham.ac.uk Website: www.dur.ac.uk/university.college

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DURHAM Durham Cathedral, its Claustral Buildings and Durham City Centre Woodlands and Riverbanks The College, Durham, DH1 3EH Durham Cathedral forms part of a UNESCO World Heritage Site on the Durham Peninsula. The existing building was started in 1093 and took 40 years to complete. It existed as a Benedictine Monastery until the dissolution in 1539, becoming one of the Church of England’s major cathedrals. In 1986 it was inscribed as part of the Durham World Heritage Site. It is often described as one of the finest examples of Norman architecture in Europe. The stone vaulting in the Nave marks a turning point in the history of architecture using pointed arches successfully for the first time. This paved the way for Gothic Architecture. The East End of the Cathedral houses the Shrine of St Cuthbert and the Galilee Chapel houses the Tomb of the Venerable Bede. There is stunning stained glass, a number of significant contemporary pieces of religious art, and an internationally important collection of artefacts and rare manuscripts. The cathedral’s origins predate the Norman conquest of Britain, going back to the first millennium when the Community of St Cuthbert settled in Durham.

Best Vantage Points: There are many excellent positions around the City of Durham to film exterior shots of the cathedral. Likewise, the cathedral site itself (including the Claustral buildings) and inside the Cathedral Church offer a wide variety of shots and backgrounds.

Restrictions: Access to areas will need to be agreed in advance. Vehicles over five tonne are not permitted onto the peninsula area between 10.00 and 18.00. The archway into the Cathedral College (the Cathedral Close on the south side of the cathedral building) is narrow and has a tight turn.

Best Time of Day: Filming can be done at different times of day subject to the schedule of cathedral services.

Fees: The hourly rate is from £95+ VAT for education and documentary films, to £190+VAT for commercial projects. This rate covers the usual working day (08.00 to 16.00, Monday to Friday). Filming outside of these hours will incur an extra charge.

Contact: Marketing & Events Team Telephone: +44 (0) 191 386 4266 Email: media@durhamcathedral.co.uk

Permits: Filming requests are considered on an individual basis but four weeks’ notice is preferred.

Public Liability Insurance: Contact right for details.

Website: www.durhamcathedral.co.uk

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DURHAM The Bowes Museum Newgate, Barnard Castle, County Durham, DL12 8NP The Bowes Museum is set in 22 acres of beautiful grounds on the outskirts of the historic market town of Barnard Castle. The museum is one of the most important museums outside London, and its collections have received Designated Status from the government.

There is ample on site parking available for film crews.

Restrictions: All public areas are negotiable, depending on size of film crew, but the museum remains open to the public between 10.00 to 17.00 daily.

Permits: A filming permit is not required, but a set of filming guidelines will be provided by the museum which must be followed with regard to the care of the building and its contents.

Fees: Negotiable.

Public Liability Insurance: Public Liability Insurance of ÂŁ5million should be in place.

Contact: Sheila Dixon, Media & PR Officer Telephone: +44 (0) 1833 690606 (switchboard) +44 (0) 1833 694616 (direct line to Sheila Dixon).

Email: sheila.dixon@thebowesmuseum.org.uk Website: www.thebowesmuseum.org.uk

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HAMPSHIRE National Motor Museum, Beaulieu Beaulieu Enterprises Ltd. John Montagu Building Beaulieu, Brockenhurst, Hampshire, SO42 7ZN

Contact: Beaulieu PR Department Telephone: +44 (0) 1590 614603 Email: pr@beaulieu.co.uk Website: www.beaulieu.co.uk

Beaulieuâ&#x20AC;&#x2122;s famous National Motor Museum currently displays over 250 vehicles, from Land Speed Record breakers to F1 racers. The World of Top Gear exhibition features actual vehicles created by presenters Jeremy Clarkson, Richard Hammond and James May. Palace House, home of the Montagu family since 1538, is kept and furnished in the style of the Victorian era. The majority of the house is open to the public, giving visitors a rare insight into life at that time on a country estate.

Best Vantage Points: Inside the National Motor Museum, inside and outside Palace House, in Beaulieu Abbeyâ&#x20AC;&#x2122;s Cloisters, and around the grounds and gardens.

Restrictions: Beaulieu is open to the public every day except Christmas Day, and is unable to close down parts of the attraction to the public for filming.

Best Time of Day: Numerous exterior and interior locations available throughout the day, light and weather dependent.

Permits: Permission to film must be obtained in advance from the Beaulieu PR Department.

Fees: There is no filming fee charged for documentary-led filming, but any costs incurred (e.g. the preparation of vehicles for filming) would have to be passed on.

Public Liability Insurance: Not applicable.

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HAMPSHIRE HMS Victory at Portsmouth Historic Dockyard (Exteriors only) Victory Gate, HM Naval Base, Portsmouth, PO1 3LJ HMS Victory is the Royal Navy's most famous warship. Best known for her role in the Battle of Trafalgar, the Victory currently has a dual role as the Flagship of the First Sea Lord and as a living museum to the Georgian Navy.

Best Vantage Points: There is a large arena in front of the starboard side of the ship.

Restrictions: Situated within a working naval base, all filming must be arranged in advance and crews will be escorted by a member of staff.

Best Time of Day: Exteriors can be filmed during visiting hours, between 10.00 and 18.00.

Permits: Permits require four weeksâ&#x20AC;&#x2122; notice but can be turned around in a week.

Fees: Not required for exterior filming.

Contact: Holly Westwood Telephone: +44 (0) 23 9289 4558 Email: holly.westwood@historicdockyard.co.uk Website: www.historicdockyard.co.uk

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HAMPSHIRE Jane Austen’s House Museum Winchester Road, Chawton, GU34 1SD Jane Austen is one of the most popular and important novelists that England has ever produced. The house at Chawton is where she spent the last eight years of her life. It is of international importance as the place where she did the majority of her mature writing, but at the same time retains the charm of a village home. The museum tells the story of Jane Austen and her family. The ‘cottage’ is a 17th century house which has at times in its history been an inn and broken up into a number of farm workers’ cottages. Jane Austen moved to the house with her mother and sister in 1809. The cottage formed part of the estate which was owned by her brother Edward Knight. The cottage has a number of furnished rooms on two floors and has an historic kitchen, a pretty garden and various outhouses.

Best Vantage Points: Downstairs rooms are the largest and most easily accessible.

Restrictions: Upstairs rooms are small and may be difficult to film in.

Best Time of Day: As the museum is a working museum open throughout the year (though only at weekends in January and February) filming needs to largely be outside opening hours. Special arrangements can sometimes be made during opening hours depending on number of expected visitors.

Permits: Permission from Curator required.

Fees: By agreement.

Public Liability Insurance: Dependent upon filming time. Discuss with Curator when booking.

Contact: Louise West (Curator) Telephone: +44 (0) 1420 83262 Email: louise.west@jahmusm.org.uk Website: www.jane-austens-house-museum.org.uk

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HAMPSHIRE The Needles Park Alum Bay, Isle of Wight, PO33 2SL Situated in an Area of Outstanding Natural Beauty, The Needles Park is well known for its scenic chairlift ride and famous landmark, The Needles Rocks.

Best Vantage Points: From the beach you can get a fantastic view of the sand cliffs that have drawn people to this site since Victorian times. With 21 distinct colours of naturally occurring sand, Alum Bay is a unique geological site.

Best Time of Day: Daylight hours.

Permits: Filming permit is required. Contact Charlotte Denman-Johnson at least eight weeks prior to potential filming date.

Public Liability Insurance: Public Liability Insurance of ÂŁ10million should be in place.

Contact: Sue Emmerson Telephone: +44 (0) 1983 752401 Email: sue@visitwight.org Website: www.visitisleofwight.co.uk

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KENT

Brogdale Collections

Canterbury Cathedral

Brogdale Farm, Brogdale Road, Faversham, ME13 8XZ

The Precincts, Canterbury, CT1 3HU

The National Fruit Collection, which has been at Brogdale Farm for over 50 years, comprises over 4,000 varieties: 2,000 types of apples, 550 of pears, 329 of cherries, 350 of plums, and smaller collections of other types of fruit. It is open all year round for the public to be able to observe the whole seasonal growing cycle, seeing fruit trees blossom and ripen, connecting them with the history of fruit growing in Kent and the world over. Other international collections, such as in Europe and the USA, only have limited access.

Best Vantage Points: Various orchards.

Canterbury Cathedral is the Mother Church of the worldwide Anglican Communion, seat of the Archbishop of Canterbury. Its history dates back to 597AD and today is one of the most visited UK attractions with over a million visitors per year. The cathedral houses the most important collection of medieval stained glass windows in the country, an 11th century Crypt, 12th century Quire and 14th century Nave.

Best Time of Day: Anytime of year.

Fees: Donation to the Trust of ÂŁ250.

Fees: The cathedral are happy to waive fees for any filming that will help attract visitors.

Public Liability Insurance: Public Liability Insurance of ÂŁ1million should be in place.

Best Vantage Points: Anywhere.

Restrictions: Only during service times.

Contact: Ms. Bernie Cranfield Telephone: +44 (0) 1795 536250

Contact: Therese Heslop Telephone: +44 (0) 1227 762862

Email: berniecranfield@brogdalecollections.co.uk

Best Time of Day: Anytime of year.

Website: www.brogdalecollections.co.uk

Email: therese.heslop@canterbury-cathedral.org Website: www.canterbury-cathedral.org

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KENT Dover Castle Dover Castle, Dover, Kent, CT16 1HU Spectacularly situated above the White Cliffs of Dover, this magnificent castle has guarded our shores from invasion for 20 centuries. Visitors can explore the atmospheric Secret Wartime Tunnels, now with a vivid recreation of the Dunkirk evacuation, complete with dramatic projections of swooping Spitfires and real film footage. Enjoy a colourful contrast with the richly-furnished Great Tower, where costumed actors introduce medieval life at King Henry II’s court. Dover Castle is above all a great medieval fortress, created by King Henry II and his Plantagenet successors. At its heart stands the mighty keep or Great Tower, 83 feet (25.3 metres) high and just under 100 feet (30 metres) square, with walls up to 21 feet (6.5 metres) thick. This is the grandest and among the last of the keeps raised by the kings of England during the 11th and 12th centuries.

Best Vantage Points: The roof of the Great Tower gives unrivalled panoramic views of Dover, the White Cliffs and the surrounding area. Access to the roof is via stone steps and all equipment would have to be carried up. Superb backdrops can also be obtained at various points along the battlements, both facing out of and inside the castle. The Admiralty Lookout is located on the cliff edge and gives an uninterrupted view of Dover Harbour and across to the continent.

Restrictions: Coach park not on site due to weight restrictions, but is located on the opposite side of the road at the Constables Gate with only pedestrian access to the castle. Large vehicles would have to be parked there.

Access to the castle grounds is limited to vehicles less than three metres high and maximum 10 tonne per axel.

Best Time of Day: Dover Castle benefits from excellent light throughout the day, although when filming close to the battlements or Great Tower there will be shadows due to the height of the structure.

Permits: A permit is required and ideally two weeks’ notice is preferred to ensure minimal disruption to normal visitor operations. Permits can be obtained by contacting the site contacts shown right.

Fees: Each request will be dealt with on its own merit.

Public Liability Insurance: Public Liability Insurance of £2million should be in place but £5million would be preferred.

Contact: Keren Sall (Marketing Executive) or Becky Smith (Operations Manager) Telephone: +44 (0) 7920 592279 Email: Keren.sall@english-heritage.org.uk Becky.smith@english-heritage.org.uk Website: www.english-heritage.org.uk/dover

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KENT Down House, The Home of Charles Darwin English Heritage Site and registered museum Luxted Road, Downe, Kent, BR6 7JT Darwin lived and worked here for 40 years and carried out many experiments in the grounds and surrounding area. This country property is set in 16 acres of estate and surrounding meadows, a three storey 18th century brick and render villa with 19th century additions. The ground floor rooms are restored to look as they would have done in the 1870s when Darwin lived here with his wife and family. They include a drawing room with verandah, Darwin’s old study, where he wrote ‘On the Origin of Species’, a billiard room and dining room laid for dinner with Wedgwood dinner service. The first floor houses an exhibition of Darwin’s life and work including objects he carried whilst on the Beagle voyage. The grounds include formal beds, the original glass houses, kitchen garden, orchard and sandwalk where Darwin walked on a daily basis.

Best Vantage Points: From the back lawn looking back at the house.

Restrictions: The rooms are small and contain many artefacts which cannot be moved. Hours of access are negotiable.

Best Time of Day: The glass houses become very humid during hot weather and in the middle of the day. Lighting is restricted so internal filming is best done with good daylight. The grounds look their best in spring.

Mondays and Tuesdays are closed to the public so can facilitate filming much more easily.

Contact: Emma Clarke-Bolton at Sarah Eastel locations.

English heritage staff: Minelle Rogers, Phil Cole, Rowan Blaik (Head Gardener), Annie Kemkaran-Smith (Curator)

Permits: Contact right for details.

Telephone: Film location company: +44 (0) 1225 858100.

Site: +44 (0) 1689 859119 Email: Minelle.rogers@english-heritage.org.uk, phil.cole@english-heritage.org.uk, rowan.blaik@english-heritage.org.uk, annie.kemkaran-smith@english-heritage.org.uk

Fees: Fees are usually charged, these can be negotiated.

Public Liability Insurance: Public Liability Insurance of £2million should be in place but £5million is required for internal filming.

Website: www.film-locations.co.uk www.english-heritage.org.uk

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KENT Leeds Castle Maidstone, Kent, ME17 1PL With 900 years of history to be uncovered and 500 acres of majestic parkland to explore, Leeds Castle is one of England’s top visitor sites.

Begin with a journey through nine centuries of heritage; originally the site of a Saxon manor, the castle has been a Norman stronghold, a royal residence for six medieval Queens of England, a favourite palace of Henry VIII and a grand treasure house. Many of the rooms showcase both medieval and Tudor periods, while the influence of Lady Baillie, who used the finest French architects and designers to create an elegant country residence in the 20th century, brings the state rooms to life. Paintings, antiques and tapestries fill the castle. Gardens provide continuous colour throughout the year, from spring bulbs in the Wood Garden to herbs and roses in the quintessentially English Culpeper Garden, and late flowering borders in the Mediterranean-style Lady Baillie Garden. The grounds and riverside offer lovely walks.

Best Vantage Points: Over 500 acres of grounds include a Mediterranean garden on the waterfront, a great water / moat. The castle island is good for exterior shots of the castle main entrance, cellar, maze, aviary, castle library and dining room.

Restrictions: Filming inside the chapel is not permitted. Certain artefacts in the castle would need permission to be filmed. If a private function, wedding or daytime event is taking place on the estate, filming would need to take place around this. All filming must be pre-arranged and fully discussed with the castle.

Best Time of Day: Interior shooting – before 10.00 and after 16.00 when closed to the public. Exterior shooting – early morning.

Fees: Commercial filming and photography starts at £2,000 for a half day but fees may be reduced / waiver for filming that would publicise the castle in a positive way.

Contact: Gemma White, PR Officer Telephone: +44 (0) 1622 767866 Email: gemmawhite@leeds-castle.co.uk Website: www.leeds-castle.com

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KENT

Contact: Monique Kent, Press and Media Manager Telephone: +44 (0) 1843 233019 Email: mkent@turnercontemporary.org Website: www.turnercontemporary.org

The Chapel Down Winery

Turner Contemporary

Tenterden Vineyard, Small Hythe, Tenterden, Kent, TN30 7NG

Rendezvous, Margate, Kent, CT9 1HG

The Chapel Down Winery is situated in Small Hythe just outside the market town of Tenterden. There is a large main building which houses the Wine and Fine Food Store and restaurant (www.richardphillipsatchapeldown.co.uk). There are 23 acres of vineyards overlooking open countryside and a large formal Herb Garden surrounded by hedges. The winery consists of a number of industrial buildings, press, barrel room, tanks etc.

Best Vantage Points: Restaurant terrace overlooking the Isle of Oxney.

Anywhere in the vineyards.

Restrictions: Access to certain parts of the vineyard is by track or off-road, so may require a four-wheel drive vehicle.

Access to the winery buildings is dependent on winemaking activity.

Best Time of Day: Early morning or late afternoon.

Fees: Depends on application.

Public Liability Insurance: Public Liability Insurance of £1million should be in place.

Contact: Frazer Thompson, Managing Director Rebecca Hirst, Marketing Manager Telephone: +44 (0) 1580 763033 Email: frazer@englishwinesgroup.com Rebecca@englishwinesgroup.com

Turner Contemporary is a dynamic visual arts organisation that believes in making art open, relevant and fulfilling for all. Positioned on a plinth to protect it from the high winds and sea, the building is made up of six identical interlocking north-facing rectangular blocks. Each block is laid out over two floors and has a pitched roof at a 20 degree angle. The double-height entrance hall window, ground floor events space with external terrace and first floor Clore learning studio, all have large north-facing windows offering unrivalled views out to sea. These capture the ever-changing light conditions, reflecting the range of colours found in Turner’s paintings. The three first-floor gallery spaces are lit by natural ‘maritime light’ from the north-facing roof and sky lights. The balcony on this floor cantilevers out over the ground floor gallery, again giving spectacular sea views.

Best Vantage Points: In the Learning studio and Sunley Gallery.

Best Time of Day: On a Monday at any time of the day.

Permits: Please contact Turner Contemporary directly.

Fees: Turner Contemporary welcomes crews and photographers that positively promotes the site, Margate and Kent. Please note that for commercial filming a fee may apply. Contact below for details.

Public Liability Insurance: Turner Contemporary holds Public Liability Insurance worth £10million.

Website: www.englishwinesgroup.com

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KENT Penshurst Place and Gardens Penhurst, Tonbridge, Kent, TN11 8DG Discover the beauty and tranquility of this enchanting historic family home and gardens. Described as “the grandest and most perfectly preserved example of a fortified manor house in all England”, at its heart is the medieval Baron’s Hall, built in 1341. The adjoining State rooms contain a wonderful collection of tapestries, furniture, portraits, porcelain and armour. Penshurst Place and Gardens has been the ancestral estate of the noble Sidney family since 1552 with the history of the house going back six and a half centuries. The 11 acres of gardens are as old as the original house, with the walls and terraces added in the Elizabethan era with a continuous display from spring to autumn. There is also a Toy Museum, Venture Playground, Woodland Trail, Gift Shop and Garden Tea Room with the estate surrounded by ancient parkland.

Best Vantage Points: Flag Garden.

Fees: Dependent on project, contact below for details.

Public Liability Insurance: Public Liability Insurance of £10million should be in place.

Contact: Marketing Department Telephone: +44 (0) 1892 870307 Email: marketing@penshurstplace.com Website: www.penshurstplace.com

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LEE VALLEY Lee Valley White Water Centre Station Road, Waltham Cross, Hertfordshire, EN9 1AB At Lee Valley White Water Centre, visitors can experience adrenalin– pumping white water rafting, canoeing or kayaking. Named as the best in the world, the white water centre has two courses: a 300 metre Olympic Standard Competition Course with a 5.5 metre descent, and a 160 metre Legacy Loop with a 1.6 metre descent - with 1,200 rapid blocs.

Best Vantage Points: There are a plethora of areas to film from, including bridges that span the course, wide–angled shots that take in the length of the course or positions located next to the big features and drops. Site health and safety rules apply in terms of access to the water and the course edge, including buoyancy aids and safety teams.

Restrictions: There are no main restrictions within the site, apart from those designated by health and safety requirements. The British Canoe Union would need to agree any filming of their athletes.

Best Time of Day: The site is open and can be filmed at any time depending on requirements. The course has the ability to be floodlit.

Permits: A permit to film is required which can be gained through the Lee Valley Regional Park Authority (or their acting agency) - see detail right. All attempts will be made to accommodate all requests for filming but they are dependent on water activity and staffing levels.

Fees: Commercial filming will be charged on a case–by–case basis depending on publicity outcomes for the centre and for the sport.

Location fee approximate costings are: Commercials etc - £1,000 per day Photo shoots - £500 per day

Public Liability Insurance: Yes, minimum of £5million.

Contact: Naomi Chant

Existing Footage: A variety of footage can be found on www.youtube.com including the centre’s promotional footage.

A reduced/no fee for non-commercial filming will be considered on a case-by-case basis.

Telephone: +44 (0) 1992 709 909 Email: nchant@leevalleypark.org.uk Website: www.gowhitewater.co.uk

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LINCOLNSHIRE

Burghley House Burghley, Stamford, Lincolnshire, PE9 3JY Contact: Ruth Hudson England’s greatest Elizabethan house, Burghley has long dominated the sweeping approach to the Georgian stone town of Stamford in Lincolnshire and been a hit with visitors for four centuries - whether Elizabethan royalty, locals or tourists from across the globe. Today, it still packs that ‘wow’ factor – offering a packed family day out with a combined ticket giving access to the House plus two gardens, including firm family favourite the Tudor-inspired Gardens of Surprise.

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Best Vantage Points: Great views of the house from the parkland.

Telephone: +44 (0) 1780 761 972 Restrictions: The house’s various antiques, paintings and furniture require care and attention whist filming.

Fees: Normally no charge for filming that positively promotes the property.

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Email: ruth.hudson@burghley.co.uk Website: www.burghley.co.uk

LINCOLNSHIRE

Lincoln Castle

Lincoln Cathedral

Castle Hill, Lincoln, LN1 3AA

Minster Yard, Lincoln, LN2 1PX

Originally built by William the Conqueror, Lincoln Castle is one of the finest remaining Norman Castles in the country. It houses one of only four remaining original copies of Magna Carta and has been used as a castle, a prison and a court for over 900 years. A Victorian prison, along with the only Victorian prison chapel of its kind, provides a haunting reminder of its past. During the summer months, the castle holds numerous events including Medieval jousting, historical re-enactments, children’s fun days, open-air theatre and concerts.

One of Europe’s finest gothic buildings, spectacular Lincoln Cathedral – England’s third largest – stands high on a hill above this compact city, dominating the skyline for miles around in each direction. Dating back to the 11th century with stunning gothic architecture, 12th century carved panels, exquisite stained glass and fearsome gargoyles, this spectacular stone building nestling amidst the cobbled medieval streets of historic Lincoln has played host to filmmakers who have used it as a stand-in for Westminster Abbey.

Among movies filmed here was The Young Victoria, starring Emily Blunt as Queen Victoria.

Best Vantage Points: From Castle Square.

Public Liability Insurance: Please contact Mark Hibbert.

Best Vantage Points: From cobbled Castle Square: Great above-ground shots from the walls of Lincoln Castle opposite across cobbled Castle Square to the cathedral.

Public Liability Insurance: Please contact Cathy Aitken.

Contact: Mark Hibbert

Contact: Cathy Aitken

Telephone: +44 (0) 7595 349 400

Telephone: +44 (0) 1522 561612

Email: markhibbert@mac.com

Email: press@lincolncathedral.com

Website: www.lincolnshire.gov.uk/lincolncastle

Website: www.lincolncathedral.com

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LIVERPOOL Liverpool Cathedral St Jamesâ&#x20AC;&#x2122; Mount, Liverpool, L1 7AZ Liverpool is extremely proud of its two magnificent cathedrals, Anglican and Metropolitan, located at opposite ends of the appropriately named Hope Street. Gothic in design, Liverpool Cathedral is the largest cathedral in the UK and fifth largest in the world. The cathedrals Grand Organ is the largest in the UK and is considered to be one of the largest operational church organs in the world with 10,267 pipes. It was designed by architect Sir Giles Gilbert Scott, designer of the red telephone box and Battersea Power Station.

The cathedral has a fascinating story and was only completed in 1978.

The Tower Experience takes visitors to the top of the 331 foot tower for a birdâ&#x20AC;&#x2122;s eye view of the city.

Best Vantage Points: The Well for interior shots of the main part of the cathedral. The Lady Chapel is a separate smaller area, very ornate. Tower for panoramic shots of the city.

Contact: Eryl Parry, Director of Enterprise Telephone: +44 (0) 151 702 7274 Email: eryl.parry@liverpoolcathedral.org.uk Website: www.liverpoolcathedral.org.uk

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LIVERPOOL Mersey Ferry Mersey Ferries, Pier Head Ferry Terminal, Georges Parade, Liverpool, L3 1BY Enjoy a ride on the Mersey Ferries River Explorer and take the ‘Ferry Cross the Mersey’ to learn about the city’s fascinating history and unique character. Visitors even get to hear the song, made famous by Gerry And The Pacemakers during the 1960s. The Mersey Ferry River Explorer lasts 50 minutes.

Best Vantage Points: On board looking out across the cityscape and waterfront.

Best Time of Day: The Mersey Ferry operates daily, with an early morning and late evening short commuter service. The extended journey which is aimed at visitors and those travelling for leisure start at 10.00 daily, with ferries leaving hourly.

Contact: Mersey Travel Telephone: +44 (0) 151 330 1155 Email: communications@merseytravel.gov.uk Website: www.merseytravel.gov.uk

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LIVERPOOL Museum of Liverpool (part of National Museums Liverpool, NML) Museum of Liverpool, Pier Head, Liverpool, L3 1DG The £72million Museum of Liverpool, which opened its doors in 2012, is the largest newly-built national museum in Britain for over a century and the world’s first national museum devoted to the history of a regional city. The attraction is a major new addition to the city’s cultural offer and occupies an enviable waterfront location, which is part of Liverpool’s UNESCO World Heritage Site. The attraction tells the fascinating story of Liverpool and its people.

Best Vantage Points: Exterior shots along the waterfront with any of the following as the backdrop - Albert Dock, River Mersey or Three Graces. From inside, looking out across the city from the large viewing windows situated at either end of the museum.

Best Time of Day: Museum of Liverpool is open daily from 10.00 to 17.00.

Contact: Dickie Felton, NML Communications Manager Telephone: +44 (0) 151 478 4779 Email: Dickie.Felton@liverpoolmuseums.org.uk Website: www.liverpoolmuseums.org.uk/mol/

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LIVERPOOL St George’s Hall St George’s Hall, St George’s Place, Liverpool, L1 1JJ This spectacular venue is one of Liverpool’s architectural gems.

Designed by Harvey Lonsdale Elmes and completed by Charles Robert Cockerell, St George’s Hall was built between 1842 and 1854 and was both a law court and venue for music festivals. Queen Victoria described it as “worthy of ancient Athens”. Fitted with the world’s first modern air-conditioning system and largest piped organ at the time.

St George’s Hall is thought to be the finest neo-classical building in Europe, and is considered to be one of the finest examples of GrecoRoman style architecture in the world.

Best Vantage Points: The plateau to the front and rear of the building for exterior shots.

Contact: Sarah Langworthy, Communications Officer, Liverpool City Council Newscentre Telephone: +44 (0) 151 225 5582 Email: sarah.langworthy@liverpool.gov.uk Website: www.stgeorgesliverpool.co.uk

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LIVERPOOL Tate Liverpool Tate Liverpool, Albert Dock, Liverpool, L3 4BB Tate Liverpool is the home of the national collection of modern and contemporary art in the North of England. It opened its doors to the public on 23 May 1988. Housed in a beautifully converted warehouse on the Albert Dock, it is a Grade I listed visitor destination. Since the gallery opened in 1988, Tate Liverpool has presented over 150 different exhibitions and collection displays of work by hundreds of different artists, some seen for the first time in the UK at Tate Liverpool.

Best Vantage Points: Exterior shots across Albert Dock. Interior of entrance to Tate Liverpool.

Restrictions: Artworks are copyrighted.

Best Time of Day: Gallery opening hours are daily, 10.00 to 17.00.

Contact: Rachel Gutteridge, Press Officer Telephone: +44 (0) 151 702 7444 Email: rachel.gutteridge@tate.org.uk Website: www.tate.org.uk/liverpool

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LIVERPOOL The Cavern Club, Birthplace of The Beatles 10 Mathew Street, Liverpool, L2 6RE The Cavern Club on Mathew Street is arguably the world’s most famous live music venue. Today, the venue continues to attract popular performers, from Adele to The Arctic Monkeys. Every artist who takes to The Cavern stage has a special engraved brick added to the ‘Wall of Fame’, next to the John Lennon statue on Mathew Street.

Best Vantage Points: There are two performance rooms, the Main Stage and the Live Lounge, which is a smaller and more intimate performance space.

Best Time of Day: There is live music from mid-afternoon daily. There is a Beatles Show every Saturday evening.

Contact: Dave Jones, Director Telephone: +44 (0) 15 1702 7444 / 7445 Email: liverpool.press@tate.org.uk Website: www.tate.org.uk/liverpool

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NORFOLK Holkham Estate Holkham Hall, Wells-next-the-sea, Norfolk, NR23 1AB The elegant 18th century Holkham Hall is one of the finest examples of Palladian architecture in England, and offers a wide range of seductive and panoramic locations for TV, film and stills photography. The Hall itself is situated at the heart of a beautiful, sweeping deer park, which is the centre of a 25,000-acre estate on the windswept north Norfolk coast. The list of possible locations is endless, from the exterior and interior of the Hall to the many follies and unusual gatehouses within the park and the brightly coloured beach huts on Wells Beach. Holkham Estate has become a premier location for the film, television and advertising industry and prides itself on a professional service. They are experienced in the demands of a busy crew and are there to ensure every shoot goes smoothly.

Restrictions: Certain private rooms within the Hall and certain areas on the marshes and beach due to nesting birds.

Best Time of Day: All day.

Permits: One week minimum notice required to process permits. Contact below for details.

Fees: Each proposal is looked at individually and charged accordingly.

Public Liability Insurance: Public Liability Insurance of £1million should be in place or exterior filming and £10million for interior filming.

Contact: Paul O’Grady Location Manager Telephone: +44 (0) 7973 827536 Email: paul@norfolklocations.co.uk Website: www.holkham.co.uk

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NORFOLK Norwich Cathedral 12 The Close, Norwich, NR1 4DH Norwich Cathedral was founded in 1096 and is one of the finest complete Romanesque buildings in Europe, with the highest Norman tower and largest monastic cloister in Europe. It is set in 44 acres of tranquil Cathedral Close where there is a rich mix of domestic buildings ranging from Norman to Dutch gables, flinted frame cottages and Georgian terracing. The external and internal appearance of all buildings is tightly regulated, which means there are no satellite dishes or other modern street furniture to interfere with period settings.

Traffic, too, can be restricted or excluded altogether.

Best Vantage Points: Nave, Cloisters, Triform Gallery and The Cathedral Close.

Restrictions: Access to upper levels of the cathedral requires a risk assessment.

Best Time of Day: During daylight hours.

Permits: At least one weekâ&#x20AC;&#x2122;s notice required, longer for large-scale productions.

Fees: Fee is on a sliding scale depending on production value and disruption.

Public Liability Insurance: Public Liability Insurance of ÂŁ5million should be in place.

Contact: Phillip Thomas, Estates Manager Telephone: +44 (0) 1603 218300 Email: estates@cathedral.org.uk Website: www.cathedral.org.uk

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NORFOLK Pensthorpe Nature Reserve and Gardens Fakenham, Norfolk, NR21 0LN The Pensthorpe estate comprises of a multi award-winning nature reserve made famous by hosting the popular BBC Springwatch series for three years. It has state-of-the-art breeding, rearing and incubation facility focusing on conservation and reintroduction programmes, with rare and endangered wetland species, three formal gardens designed by world renowned garden designers and a 400-acre working farm. Underpinning all elements of the business is a consistent message of reengaging and enthusing visitors with nature, wildlife and the outdoors.

Best Vantage Points: The estate offers a number of vantage points for both close-up and landscape shots taking in species-specific subjects but also valley, open water, river, wildflower and water meadows, woodland formal gardens and much more.

Best Time of Day: Light is generally better early morning or late evening once the sun has passed its highest point.

Permits: If certain species of wildlife were to be filmed then licences would have to be obtained from Natural England.

Fees: Negotiable.

Public Liability Insurance: Public Liability Insurance of ÂŁ5million should be in place.

Contact: Mark Noble Telephone: +44 (0) 1328 851465 Email: Mark.noble@pensthorpe.com Website: www.pensthorpe.com

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NORFOLK

St Helenâ&#x20AC;&#x2122;s Church

Sandringham

Ranworth, Norfolk, NR13 6HR

Sandringham, Norfolk, PE35 6EN

This Grade I-listed medieval church is famous for its Rood Screen and for the fantastic view over The Broads from the top of the tower. It is situated by Ranworth Broad where there are boat moorings and a Norfolk Wildlife Trust site.

Public Liability Insurance: Church has Public Liability Insurance with EIG.

Best Vantage Points: Interior and from tower.

Best Time of Day: Any time as the interior is very light throughout the day.

Permits: Film permit already in place. Advance notice of at least one week.

Sandringham is the much-loved country retreat of Her Majesty Queen Elizabeth II, and has been the private home of four generations of British monarchs since 1862. The house, set in 24 hectares of stunning gardens, is perhaps the most famous stately home in Norfolk and is at the heart of the 8,000-hectare Sandringham Estate, 240 hectares of which make up the woodland and heath of the Country Park, open to the public free of charge every day of the year.

Fees: No fee payable for non-commercial filming.

Public Liability Insurance: Not normally, it depends on crew size and requirements.

Best Vantage Points: West of Sandringham House.

Contact: Jennie Hawks Telephone: +44 (0) 7799 703803

Restrictions: Vehicles not permitted within the gardens, so access is on foot (400-500 metres).

Email: Jennie.hawks@norwich.anglican.org Fees: Depends on negotiation.

Permits: At least one weekâ&#x20AC;&#x2122;s notice.

Website: www.norwich.anglican.org

Contact: The Estate Office Telephone: +44 (0) 1485 545400 Email: enquiries@sandringhamestate.co.uk

Best Time of Day: Afternoon. < back to contents

Website: www.sandringhamestate.co.uk

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NORTHUMBERLAND Alnwick Castle Alnwick, Northumberland, NE66 1NQ Alnwick Castle is the second largest inhabited castle in England, and has been home to the Duke of Northumberland’s family, the Percys, through 700 years of drama, intrigue, tragedy and romance.

Nicknamed ‘The Windsor of the North’, it has a turbulent past just waiting to be discovered. Alnwick Castle’s unique history features kingmakers, rebels, a gunpowder-plotter and passionate collectors, plus Harry Hotspur, the most famous of all Percys.

Best Vantage Points: Popular choices for images are the Bowburn Park area overlooking the pastures and exterior of the castle, Lion Bridge, and the Outer Bailey inside the castle walls.

Restrictions: Access to certain locations within the castle walls apply, particularly to the State Rooms, for which permission must always be sought in advance.

Best Time of Day: Any time.

Permits: The estates office must be contacted in advance of filming.

Fees: There is no charge for non-commercial filming. Commercial filming is dependent on various factors; each case is looked at individually.

Public Liability Insurance: Public Liability Insurance of £5million should be in place.

Contact: Caroline Smith Telephone: +44 (0) 1665 511 100 Email: press@alnwickcastle.com Website: www.alnwickcastle.com

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NORTHUMBERLAND Bamburgh Castle Bamburgh, Northumberland, NE69 7DF Once home to the kings of ancient Northumbria, Bamburgh Castle is one of Northumberland’s most iconic buildings. The Bamburgh Castle of today is a relatively recent structure, built by famed industrialist the first Lord Armstrong, at vast cost in late Victorian times.

But the castle boasts a much longer history. There have been settlements on the site since prehistoric times and the regular archaeological digs that take place on the site have unearthed some spectacular finds, including the gold plaque known as the Bamburgh Beast. During its more recent history, Bamburgh Castle feted royal guests and English kings, one of whom - Edward IV - destroyed it in the Wars of the Roses. Lord Armstrong’s restoration saved it from ruin and the castle provides an ancestral home to the Armstrong family to this day. Bamburgh Castle has 14 public rooms and more than 2,000 artefacts, including arms and armour, porcelain, furniture and artwork.

Bamburgh Castle’s epic scale attracts film and television crews and it has featured in everything from Time Team to Becket. It has recently become a popular wedding venue.

Best Vantage Points: Either to the north, south or when approaching from the A1.

Restrictions: Speak to Bamburgh Castle directly.

Best Time of Day: Sunrise and sunset, although this is weather dependent.

Permits: Speak to Bamburgh Castle directly.

Fees: Fee dependent on project specifications. Non-commercial filming that positively promotes Bamburgh Castle is generally free.

Public Liability Insurance: Public Liability Insurance of £5million should be in place.

Contact: Chris Calvert Telephone: +44 (0) 1668214208 Email: administrator@bamburghcastle.com Website: www.bamburghcastle.com

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NORTHUMBERLAND Hadrian’s Wall and Housesteads Roman Fort Housesteads Fort, Hadrian’s Wall, Haydon Bridge, Northumberland, NE47 6NN USA Today described Hadrian’s Wall as “better than Stonehenge”, and it snakes across England for 73 miles. The most striking parts of this UNESCO World Heritage Site can be found in Northumberland.

Hadrian’s Wall was Roman Britain’s biggest building project, originally constructed in just eight years starting in AD 122 and begun on the order of Emperor Hadrian. The fortification is dotted with Roman forts, milecastles, and archaeological sites that are still providing valuable insight into how the Romans lived almost 2,000 years ago.

Housesteads is the most complete Roman fort in Britain. Set where Hadrian’s Wall climbs to the top of a dramatic escarpment, there are some stunning views to enjoy from the walls of this ‘ancient fortress.’

Best Vantage Points: From the centre of the fort.

Restrictions: No filming or footage to be taken of people climbing or walking on the wall or fort remains, and no photography or footage to be taken by photographers standing on the wall to get better vantage points. Also the fort is jointly managed by English Heritage and National Trust.

English Heritage manages the fort and the museum building. National Trust manages the visitor centre at the entrance and also the land surrounding the fort. When requesting filming permission, it is best to do so via English Heritage and National Trust.

Andrew.poad@nationaltrust.org.uk - Housesteads propery manager.

Best Time of Day: Housesteads offers stunning views and vantage points at any time of the day but sunrise and sunset are particularly atmospheric.

Permits: Permission to film must be granted from English Heritage. For location shots, a permit is not required and permission is enough.

Public Liability Insurance: Only if filming has the potential to impact on the public. Production companies are required to have their own PL and PI insurance.

Telephone: +44 (0) 191 2691216

Fees: English Heritage requite a small administration fee if filming involves keeping the site open beyond its usual opening hours. English Heritage waives fees for non-commercial filming that positively promotes the site.

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Contact: Natalie Sullivan (English Heritage)

Email: Natalie.sullivan@english-heritage.co.uk Website: www.english-heritage.org.uk/hadrianswall

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NORTHUMBERLAND Kielder Water and Forest Park Leaplish Waterside Park, Kielder Water and Forest Park, Northumberland, NE48 1BT Home to northern Europe’s largest man-made lake and England’s largest forest, Kielder Water and Forest Park is one of Northumberland’s best attractions. A haven for wildlife, Kielder Water and Forest Park is also home to around 50 per cent of England’s native red squirrel population, otters, roe deer, badgers and bats. Waterskiing and sailing enthusiasts take to the water all year round and the lake offers a huge challenge to keen trout anglers between March and October.

Best Vantage Points: Elfkirk viewpoint offers views across the lake. From Kielder Observatory, high on Deadwater Fell, there are also excellent views for the surrounding landscape.

Restrictions: The location is approximately an hour’s drive from Newcastle upon Tyne. From Hexham, the roads are narrow and winding, so large vehicles will take a lot longer to get through.

Best Time of Day: The weather in the park is very changeable and often differs from Newcastle (the nearest main city) so it is always best to call one of the visitor centres on the day prior to setting off.

Permits: Filming requires permission from the Forestry Commission and/or Northumbrian Water, but access can be granted on most occasions.

There are security restrictions at the dam and Valve Tower. Filming on the water would require a full risk assessment.

Fees: There is not normally a fee but it will depend on the request.

Contact: Philippa Clark Telephone: +44 (0) 191 301 5538

Public Liability Insurance: Public Liability Insurance of £10million should be in place.

Email: Philippa.clark@nwl.co.uk Website: www.visitkielder.com

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NORTHUMBERLAND Lindisfarne Castle, Holy Island Lindisfarne Castle, Holy Island, Northumberland, TD15 2SH Location has always been the attraction for the occupiers of Lindisfarne Castle on Holy Island. From the original Tudor builders looking for a strong position to protect the island harbour, to the wealthy Edwardian bachelor seeking a quiet retreat from London, the situation of the castle has intrigued and inspired for centuries.

Lutyens’ renovation hides and emphasises the old fort, while overlooking Gertrude Jekyll’s garden and the Lime Kilns, magnificent evidence of Lindisfarne’s industrial past. Lindisfarne is a tidal island accessed via a three-mile causeway at low tide. Therefore, the castle opening times vary depending on the tidal patterns but it is always open between 12.00 and 15.00. The flag will fly only when the castle is open.

Best Vantage Points: The main gate into the castle field is the best position for shots purely of the castle, but alternatively excellent views can be found by the old jetties below the castle, the lime kilns, and walled garden. The Upper Battery at the castle gives unparalleled views of the Northumberland Coast. Fine views of the castle are also possible from the Heugh, near Holy Island harbour.

Restrictions: See tidal and opening times information above.

Permits: Permits are required and can be obtained through the National Trust Film Unit.

Fees: Negotiable through the National Trust Film Unit.

Public Liability Insurance: Public Liability Insurance of £5million should be in place.

Contact: Harvey Edgington Telephone: +44 (0) 20 7799 4547 Email: Harvey.edgington@nationatrust.org.uk Lindisfarne@nationaltrust.org.uk Website: www.nationaltrust.org.uk

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NOTTINGHAMSHIRE Major Oak, Sherwood Forest and Sherwood Pines Forest Park Edwinstowe, Mansfield, Sherwood, NG21 9HN Sherwood Forest National Nature Reserve contains some of the oldest trees in Europe – veteran oaks five centuries old and the world-famous Major Oak, still producing acorns after standing at the heart of the forest for an estimated 800 years. The Major Oak is renowned as the hiding place of Robin Hood and his Merry Men, and when viewing its impressive canopy it is easy to see why they would have chosen it.

A Site of Special Scientific Interest (SSSI) and Nottinghamshire’s first National Nature Reserve (NNR), the Sherwood Forest National Nature Reserve is also home to a wide variety of flora and fauna that live on the dead wood and among the fallen leaves. Across the road from Sherwood Forest, Sherwood Pines Forest Park is 3,300 acres of forest and complements the oak forest of Sherwood. It is thickly wooded pine forest, the kind of dense wood that Robin Hood and his men would have experienced.

Best Vantage Points: In front of the Major Oak. Best Time of Day: Opening hours: from 10.00 – 17.00 daily in summer and from 10.30 – 16.30 daily in winter.

Contact: Erin Huckle, PR Manager, Experience Nottinghamshire Telephone: +44 (0) 115 962 8300 / +44 (0) 7411 355 293 Email: Erin.huckle@experiencenottinghamshire.com Website: http://cms.nottinghamshire.gov.uk/home.htm www.experiencenottinghamshire.com

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NOTTINGHAMSHIRE National Ice Centre Bolero Square, The Lace Market, Nottingham, NG1 1LA The National Ice Centre was given the royal seal of approval by Her Majesty the Queen on 31 July 2002. This topped off £43million and seven years of hard work, to turn the dream of the UK’s first centre of excellence in ice sports into reality. Nottingham has a long tradition of ice-skating stretching back many years. It started way back in 1895 with skating on the frozen River Trent, to over 60 years of skating in the old Ice Stadium. But it was the 1980s that saw the glory days for British skating with Nottingham’s most famous couple, Jane Torvill and Christopher Dean, dominating the World and Olympic Championships.

Their triumphs have inspired a whole new generation of youngsters to take up ice sports.

Best Vantage Points: There are numerous vantage points, including a balcony overlooking the ice rink and the view outside the centre.

Restrictions: On show days, film crews won’t be able to film in the ‘Capital FM Arena’ part of the National Ice Centre.

Public Liability Insurance: Contact the National Ice Centre directly.

Contact: Erin Huckle, PR Manager, Experience Nottinghamshire Louise Stewart, Communications & Marketing Manager, National Ice Centre Telephone: Erin Huckle: +44 (0) 115 962 8300 / +44 (0) 7411 355 293 Louise Stewart: +44 (0) 115 8533024 Email: Erin.huckle@experiencenottinghamshire.com louise.stewart@national-ice-centre.com Website: www.national-ice-centre.com/

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NOTTINGHAMSHIRE National Water Sports Centre Adbolton Lane, Holme Pierrepont, Nottingham, NG12 2LU Despite Nottinghamshire being the most land-locked county in England, NWSC boasts some of the best white water and flat water you will find anywhere. NWSC offers fun, challenging and unique experiences and a choice of exciting courses. It enjoys the services of sought-after professional instructors who combine their experience with excellent customer care. Whether visitors want to ride the rapids on its 700 metre purpose built white water course or simply laze away an hour or two boating on the two kilometre lake, there is an activity to suit everyone.

Restrictions: Parking is available onsite, no size restrictions for vehicles.

Permit: Permits are available on arrival at reception.

Fees: Fees are charged for commercial projects but are waivered for filming of a non-commercial purpose.

Public Liability Insurance: It is preferable for crews to have public liability insurance if they plan to film on the water.

Contact: Phil Machin, General Manager Telephone: +44 (0) 115 982 4700 Email: phil.machin@nottscc.co.uk Website: www.nwscnotts.com

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NOTTINGHAMSHIRE

Newstead Abbey

Old Market Square

Ravenshead, Nottinghamshire, NG15 8NA

South Parade, Nottingham, NG1

Best Time of Day: This beautiful historic house is the ancestral home The grounds are open all year round from 09.00 to of the great romantic poet Lord Byron. From April to dusk.

September, visitors may explore the historic house with its medieval cloisters, splendid Victorian room settings and even the private apartments of Byron, complete with his personal belongings and the table at which he wrote his poetry. The house is set in stunning grounds, making it a very special location for filming.

Newstead Abbey’s landscape owes much of its beauty to the River Leen, which feeds the lakes, ponds and cascades that ornament Newstead’s gardens. The 300 acre grounds provide the perfect place for a relaxing outing all year round, with fabulous wildlife including peacocks, swans and geese. Visit in the Contact: Erin Huckle, Experience spring and enjoy the spectacular displays of colour Nottinghamshire from the rhododendrons, picnic by the lake in the Telephone: +44 (0) 115 962 8300 / 07411 355 293 summer, see the stunning Japanese maples in autumn Email: Erin.huckle@experiencenottinghamshire.com or take an invigorating walk in winter.

Website: www.newsteadabbey.org.uk

A hub of activity for locals and visitors, Old Market Square is the largest public square in the UK. Since its redesign in 2006, the square has been the setting for an ever-changing calendar of events, from an ice rink in the winter to a beach in the summer. Overlooking the square is the magnificent Council House building, a neo-Baroque building whose 200 foot high dome dominates the city skyline. The dome houses the chiming clock and Little John, a ten-and-a-half ton striking bell which is reputed to have the deepest tone in the country. In front of the Council House are two regal lions. The ‘Left Lion’ is known throughout the city as a popular meeting point.

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Best Time of Day: The Old Market Square is spectacular at any time of day. Particularly brilliant is dusk, as the sky colours behind the grand dome of the Council House.

During the day the Old Market Square is a hub of activity, filled with people enjoying this lovely public space.

At night the Council House is lit in coloured light, meaning it is still visually spectacular after dark.

Contact: Erin Huckle, Experience Nottinghamshire Telephone: +44 (0) 115 962 8300 / 07411 355 293 Email: Erin.huckle@experiencenottinghamshire.com Website: www.nottinghamcity.gov.uk

NOTTINGHAMSHIRE Robin Hood Statue and Nottingham Castle Friar Lane, Nottingham, NG1 6EL Situated on a high rock, Nottingham Castle commands spectacular views over the city, and once rivalled the great castles of Windsor and the Tower of London. Outside the castle is the famous statue of Nottinghamshire’s legendary son, Robin Hood. The castle’s history is chequered with sieges, murders and intrigue. Totally destroyed after the Civil War, the medieval castle was replaced by a magnificent ducal mansion in 1674. Then in 1875 it was converted into the first municipal museum and art gallery outside London. Award-winning cave tours tell this history in the passageways and tunnels beneath the building. The castle is set in six acres of Victorian–inspired grounds and gardens. The grounds boast magnificent views of the city and beyond. Built into the rocky cliff below the castle is Ye Olde Trip to Jerusalem, which is England’s oldest Inn with over 800 years of brewing history.

Best Vantage Points: • In front of the medieval gatehouse at the entrance to the castle.

• In front of the Robin Hood statue which is just outside the castle walls.

• In front of Ye Olde Trip to Jerusalem – looking up at the castle on the cliff top.

• From the courtyard outside the castle which offers amazing views of Nottinghamshire.

Best Time of Day: • The Robin Hood Statue is available for filming at any time of day or night.

• Access to the castle is during opening hours.

• Castle opening hours are 10.00 – 17.00 from March to September and 10.00 – 16.00 from October to February.

• The impressive medieval gatehouse outside the castle is available for filming any time of day or night.

Contact: Erin Huckle, Experience Nottinghamshire Telephone: +44 (0) 115 962 8300 / +44 (0) 7411 355 293 Email: Erin.huckle@experiencenottinghamshire.com Website: www.nottinghamcity.gov.uk

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NOTTINGHAMSHIRE Wollaton Hall and Deer Park Wollaton Hall, Wollaton, Nottingham, NG8 2AE Wollaton Hall is a spectacular Elizabethan mansion in the heart of Nottingham. It is a prominent Grade I-Listed building, and visitors of all ages are welcome to visit the hall and park. Standing on a natural hill three miles west of Nottingham City Centre, Wollaton Hall is set in 500 acres of spectacular gardens and parkland. Wollaton Hall is situated in a 500 acre historic deer park, and herds of red and fallow deer roam freely throughout the site. Wollaton Hall was a site of filming for the ‘Dark Knight Rises’ Batman film released in July 2012.

It was used as the set for ‘Wayne’s Manor’.

Best Vantage Points: From in front of the hall, looking down over the city. Next to the lake, looking up at the hall.

Restrictions: A site visit is required.

Best Time of Day: During the daytime, within the park’s opening hours.

Permits: Required. Please contact Erin Huckle and give at least four weeks’ notice.

Fees: A filming fee is normally charged but it depends on the requirements.

This can be reduced or waived for non-commercial projects.

Public Liability Insurance: Please contact Erin Huckle.

Contact: Erin Huckle, Experience Nottinghamshire Telephone: +44 (0) 115 962 8300 / +44 (0) 7411 355 293 Email: Erin.huckle@experiencenottinghamshire.com Website: www.nottinghamcity.gov.uk

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OXFORD & OXFORDSHIRE Blenheim Palace Woodstock, Oxfordshire, OX20 1PP Blenheim Palace, situated in Oxfordshire, is a masterpiece of English baroque architecture and a World Heritage Site. Famed as the birthplace of Sir Winston Churchill, the palace is home to the Duke and Duchess of Marlborough. The magnificent State Rooms are open for guided tours including the Great Hall, the Saloon and the Long Library.

The palace is set in over 2,000 acres of stunning ‘Capability’ Brown parkland including the great lake, Arboretum and Grand Cascade, and 100 acres of Formal Gardens including the Rose Garden, the majestic Water Terraces and the ornate Italian Garden. A miniature train travels to the Pleasure Gardens; an area for families which includes the world’s second largest symbolic hedge maze plus Adventure Play Area and Butterfly House.

Best Vantage Points: Sir Winston Churchill’s father Lord Randolph proclaimed the view from the Woodstock Town Gate across the lake to the palace to be ‘The finest view in England’. The view pointing at the palace in the Great Court is excellent for panoramic shots. Views from Vanbrugh’s Grand Bridge provide grand vistas of ‘Capability’ Brown’s landscape.

Restrictions: The Palace is the Duke’s home and it would be always asked that the privacy of the family be respected. They will always try to be flexible with filming requests but prior notice and any special requests for filming in private areas will be required.

Best Time of Day: The great lake is stunning at day break, and early evening as the sun sets.

Permits: Contact Blenheim Palace directly.

Fees: Charges may be waived when filming is considered a promotional opportunity beneficial for Blenheim Palace. Commercial filming facility fees are negotiated based on the level of on site requirements.

Public Liability Insurance: Public Liability Insurance of £1million should be in place for exterior filming and £20million for interior filming.

Contact: Hannah Payne Telephone: +44 (0) 1993 810510 Email: marketing@blenheimpalace.com Website: www.blenheimpalace.com

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OXFORD & OXFORDSHIRE Bodleian Library University of Oxford Broad Street, Oxford, OX1 3BG The Bodleian Library is a working library which forms part of the University of Oxford. It is housed in a remarkable group of buildings which forms the historic heart of the University. The interiors of these buildings are equally remarkable, and include the university’s oldest teaching and examination room, the Divinity School, which was built 1427-88 for the teaching of theology. The 17th century Convocation House is an important historic meeting room, and the place where the King held Parliament on several occasions in the 17th century. The Library’s reading rooms (rooms with books) are magnificent and of international importance. They include Duke Humfrey’s medieval library, still in use today, and where generations of famous scholars have studied through the ages. The architectural icon of Oxford, the 18th century Radcliffe Camera was the first rotunda library built in Britain, and is still in use as a reading room today.

Best Vantage Points: Bodleian Library Quadrangles.

Restrictions: Permission must be sought in advance. Crews must sign in on arrival.

Best Time of Day: Daytime.

Permits: Two weeks if possible for documentaries.

Fees: No charge for news items. Variable fees for other filming. Fees available upon request.

Public Liability Insurance: Public Liability Insurance of £10million should be in place.

Contact: Elaine Bible, Communications Manager Telephone: +44 (0) 1865 277627 Email: elaine.bible@bodleian.ox.ac.uk Website: www.bodleian.ox.ac.uk

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OXFORD & OXFORDSHIRE Cotswold Wildlife Park and Gardens Cotswold Wildlife Park, Burford, Oxfordshire, OX18 4JP Cotswold Wildlife Park is over 160 acres of parkland and beautiful gardens set in the Cotswold countryside on the outskirts of Burford.

The park is home to a wonderful collection of wildlife from all over the world including rhinos, lions, zebra, reptiles and many threatened or endangered species, according to the International Union for the Conservation of Nature. New additions include the interactive lemur exhibit, Madagascar (where the lemurs are free-roaming) and the giraffe walkway, allowing visitors to get up close to these animals.

The parkâ&#x20AC;&#x2122;s glorious gardens include many tropical species making it a park for all seasons.

Best Vantage Points: All over the park is good, in particular, in front of the Manor House (with the rhinos and zebras in the background), the Walled Garden (where many smaller mammals live: penguins, meerkats, otters, birds etc.) and Madagascar, which is a large exhibit with free roaming lemurs set within a Madagascan natural environment.

Restrictions: Other than safety issues (e.g. no access inside enclosures such as lions, rhinos etc.), the venue is accommodating of filming.

Best Time of Day: Summer: anytime. Winter: before 16.30.

Permits: Only clearance with the park is required. Notice period of approximately one month, but will try to accommodate if something is shorter notice.

Fees: No commercial fee but a donation to one of the parkâ&#x20AC;&#x2122;s charities would be appreciated.

Public Liability Insurance: Contact the park directly.

Contact: Debbie Ryan Telephone: +44 (0) 7787 133837 Email: ryan.debbie@gmail.com Website: www.cotswoldwildlifepark.co.uk

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OXFORD & OXFORDSHIRE Didcot Railway Centre Didcot, Oxfordshire, OX11 7NJ Steam railmotor 93, one of the trains preserved at Didcot Railway Centre, was built in 1908. It is the only working example of the first generation of self-propelled trains which were powered by a small, vertical boiler steam engine, built inside the carriage. It is the forerunner of all modern diesel and electric trains, with a selfcontained power unit rather than a separate locomotive. It has been restored to its Edwardian splendour with original pattern upholstery, varnished oak trim and brass fittings.

Restrictions: There is a flight of 18 steps to get into the centre.

Fees: Filming incurs no cost.

Public Liability Insurance: Public Liability Insurance of ÂŁ5million should be in place.

Contact: Roger Orchard Telephone: +44 (0) 1235 817200 Email: Info@didcotrailwaycentre.org.uk Website: www.didcotrailwaycentre.org.uk

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OXFORD & OXFORDSHIRE

Keble College

Bate Collection

Parks Road, Oxford, OX1 3PG

Faculty of Music, St Aldateâ&#x20AC;&#x2122;s, Oxford, OX1 1DB

The only college within the University of Oxford built in the 19th century, it has unique Victorian gothic architecture built around beautiful quads with a spectacular chapel and the longest dining hall in Oxford.

This museum gallery contains historical musical instruments and portraits from the 18th and 19th century. There are many iconic and attractive instruments and it is possible to play some of them.

The instruments are mostly of the Western European musical tradition and serve as a study facility for students and visiting academics. The instruments include GF Handelâ&#x20AC;&#x2122;s harpsichord, one of the oldest surviving English trumpets, a theremin and a serpent that was played at the battle of Waterloo.

Best Vantage Points: Anywhere in the Victorian quads.

Restrictions: Vehicle access inside the college not permitted.

Restrictions: There is no parking for large vehicles but parking is available for vans and cars.

Best Time of Day: Daylight hours.

Contact: Janet Betts Permits: No permit required but arrangements to film must be made at least 24 hours in advance.

Telephone: +44 (0) 1865 282350 Email: Janet.betts@keble.ox.ac.uk Website: www.keble.ox.ac.uk

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Fees: A fee is not normally charged for filming. However, out of hours filming, or long shoots must be arranged at mutual convenience and a generous donation is expected.

Contact: Mr Andrew Lamb Telephone: +44 (0) 1865 272727 Email: enquiries@keble.ox.ac.uk Website: www.keble.ox.ac.uk

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OXFORD & OXFORDSHIRE Leander Club Henley Bridge, Henley-on-Thames, RG9 2LP The Leander clubhouse was built in 1896 and remains an icon in the Thames Valley, not only as the most historic and successful rowing club in the world, but also as a prestigious hotel, restaurant and conference centre. Leander is a high performance centre of excellence for the very best men and women rowers in the UK, all of whom are already in the GB Team, or trying to earn themselves a place in the team. Leander is inextricably linked with the River Thames and Henley Royal Regatta – the most famous rowing regatta in the world. Founded in 1839 Henley attracts the world’s finest rowers, and Leander has been the most successful club at Regatta throughout its history.

Best Vantage Points: Leander offers a number of vantage points to capture the essence of history and success of its athletes.

• The Honours Board, listing its athletes’ achievements since its foundation in 1818.

• The Boathouse, packed with its fleet of state-of-the-art racing boats.

• The Gymnasium, where its athletes train to peak performance.

• The Restaurant, lined with historic artefacts and trophies with panoramic views over the river.

Restrictions: No access restrictions. Leander Club is adjacent to the main London Road into Henley and has its own private car park adjacent to the river.

Best Time of Day: Leander Club and the River Thames are available during all hours of daylight, with different atmospheric conditions prevailing at dawn, midday and dusk, offering a variety of photogenic opportunities.

Permits: Permission is required to film at Leander, by contacting Dr. Robert Treharne Jones.

Fees: No filming fees are usually charged for short news items on rowing.

Charges may be levied for longer feature-length footage, and will be mandatory if it involves the use of athletes in-shot and on the water (outside normal training schedules).

Contact: Dr Robert Treharne Jones Telephone: +44 (0) 1491 575782, +44 (0) 7528 937 624 Email: press@leander.co.uk

Public Liability Insurance: Leander Club carries its own insurance for all those visiting on legitimate club business.

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Website: www.leander.co.uk

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OXFORD & OXFORDSHIRE Sulgrave Manor Sulgrave, Near Banbury, OX17 2SD The manor was built originally in the 16th century by Lawrence Washington, a wealthy wool merchant and five times great-grandfather of George Washington. The manor was lovingly restored and opened to the public in 1921 to celebrate 100 years of peace between Britain and America and is held in trust for all the people of the two nations. It became a symbol of peace, friendship and co-operation. Today it is a friendly visitor attraction boasting a charming 18th century wing, George Washington memorabilia, a collection of fine furniture and a historic garden.

Best Vantage Points: Outside there are splendid views from anywhere in the garden. Inside the rooms are tastefully furnished in the period of the time.

Best Time of Day: Any time.

Fees: Normal fees can be waivered for non-commercial filming.

Public Liability Insurance: There is insurance in place.

Contact: Wendy Barnes Telephone: +44 (0) 1295 760205 Email: wendy.barnes@sulgravemanor.org.uk Website: www.visitoxfordandoxfordshire.com/BanburyManor-House/details/?dms=3&venue=2914274

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OXFORD & OXFORDSHIRE Wittenham Clumps Earth Trust, Little Wittenham, Abingdon, OX14 4QZ South Oxfordshire’s iconic Wittenham Clumps, made up of Castle Hill and Round Hill, are rich in history and give outstanding panoramic views across South Oxfordshire. The name comes from the two clumps of beech trees which crown both hills. The curved ramparts and ditches of Castle Hill date from the Iron Age, though archaeological work has shown that Castle Hill was also the site of an earlier Bronze Age hill fort. The area includes newly created wildflower meadow and wildlife is abundant, with red kites as regular overhead companions. Local poet Joseph Tubb carved a poem in the bark of a beech tree on Castle Hill in 1844-45. Today it’s only possible to decipher a handful of letters but a nearby plaque allows visitors to feel the passion that this Victorian vandal had for the local landscape and its history. Landscape artist Paul Nash painted the clumps many times.

Best Vantage Points: The views from the top of the clumps are outstanding, offering stunning shots across South Oxfordshire.

Restrictions: Access for filming will need to be agreed in advance. Contact East Trust directly.

Best Time of Day: The clumps are a stunning location at any time of day, but light will be better in the middle of the day.

Permits: A permit will be required due to the sensitive nature of wildlife habitats at Wittenham Clumps.

Fees: Contact Earth Trust directly.

Public Liability Insurance: Public Liability Insurance of £5million should be in place.

Contact: Jane Cabutti / Jane Carpenter Telephone: +44 (0) 1865 407792 Email: jane.cabutti@earthtrust.org.uk jane.carpenter@earthtrust.org.uk Website: www.earthtrust.org.uk/About-us/Welcome.aspx

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PEAK DISTRICT (DERBYSHIRE) Chatsworth House Chatsworth, Bakewell, Derbyshire, DE45 1PP Chatsworth is home to the Duke and Duchess of Devonshire, and has been passed down through 16 generations of the Cavendish family.

The house architecture and collection have been evolving for five centuries. The house has over 30 rooms to explore, from the magnificent Painted Hall, to the family-used chapel, regal State Rooms, newly restored Sketch Galleries and beautiful Sculpture Gallery. In the Guest Bedrooms, meet an Edwardian Lady’s Maid who will be revealing the secrets of her mistress’s suitcase of clothes, or dress up in one of the period costumes. Chatsworth has one of Europe’s most significant art collections. The diverse collection is continually added to, encompassing Old Masters to contemporary ceramics and artefacts from Ancient Egypt, through to cutting edge modern sculpture and computer portraits.

Best Vantage Points: House, garden and park.

Permits: A filming application will need to be completed and all projects will be considered on an individual basis. Contact Chatsworth directly.

Fees: Filming applications and subsequent fees are considered on an individual basis, depending on the type of filming, crew size, length of shoot etc.

Public Liability Insurance: Public Liability Insurance of £10million should be in place.

Contact: Stephanie Cliffe Telephone: +44 (0) 1246 565 374 Email: sc@chatsworth.org Website: www.chatsworth.org

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PEAK DISTRICT (DERBYSHIRE) Haddon Hall Haddon Hall, Bakewell, Derbyshire, DE45 1LA The magnificent Haddon Hall in Bakewell offers visitors a chance to see one of the finest examples of a Tudor fortified manor house in the country. Carefully restored in the early 20th century, it upholds great historical importance with much of its original medieval architecture still in place. Haddon nestles amongst the breathtaking countryside of the Peak District National Park, and is the home of Lord Edward Manners who is continuing the work of his late grandmother, The Duchess of Rutland, to restore the beautiful terraced gardens to their Elizabethan origins. The house was used as a location in the highly acclaimed film Jane Eyre in which Charlotte Bronte fans recognised it as Thornfield Hall, home to the brooding Mr Rochester.

Best Vantage Points: All around Haddon Hall, in the courtyards and from the terraces outside. There are some stunning interiors with a traditional banqueting hall and a long gallery with views across the hills.

Restrictions: There is an archway and historic bridge on the approach but an alterative access point can be organised for larger vehicles.

Best Time of Day: This depends on the time of the year but it can be misty some early mornings due to the river nearby.

Permits: Arrangements need to be made with the hall Administrator with notice required in case any events are taking place.

Fees: If filming is positively promoting the hall there is no charge.

Public Liability Insurance: Dependent on scope of project. Contact the Hall directly.

Contact: Mary Rudd Telephone: +44 (0) 1362 821415 Email: mail@maryruddpr.co.uk Website: www.haddonhall.co.uk

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SHROPSHIRE Ironbridge The Ironbridge & Tollhouse, Ironbridge, Shropshire, TF8 7JP The world’s first iron bridge, this is one of the UK’s most iconic structures and the birthplace of the industrial revolution. This dramatic bridge is located in a valley over the River Severn.

Best Vantage Points: Views from ground level to a presenter on the bridge; or a presenter walking over the bridge talking to camera are options.

Restrictions: Parking nearby.

Permits: Contact Ironbridge directly.

Fees: Contact Ironbridge directly.

Contact: Pat Edgar – PR Matters Telephone: +44 (0) 1494 764932 Email: PatEdgar@PR-Matters.co.uk Website: www.ironbridge.org.uk

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SOMERSET Cheddar Gorge Cheddar, Somerset, BS27 3QF Britain’s biggest gorge, Cheddar Gorge is a limestone gorge in the Mendip Hills, near the village of Cheddar. This is the site of the Cheddar show caves, where Britain’s oldest complete human skeleton, Cheddar Man, estimated to be 9,000 years old, was found in 1903. The caves, produced by the activity of an underground river, contain stalactites and stalagmites. World famous Cheddar Cheese is produced in the gorge and is now matured in the show caves. In a 2005 poll of Radio Times readers, following its appearance on the 2005 television programme Seven Natural Wonders, Cheddar Gorge was named as the second greatest natural wonder in Britain.

Best Vantage Points: Inside the caves. Several vantage points above Gorge, in particular above The Pinnacles.

Restrictions: South side and caves owned by Longleat Estates – no access or filming without permission. North side managed by National Trust – no access or filming without permission.

Best Time of Day: Light varies deep within the gorge depending on the time of day, giving dramatic effects of light and shade. There is also artificial display lighting in the caves.

Permits: Contact Cheddar Gorge directly.

Fees: Fees are charged for filming unless waivered by Cheddar Gorge.

Public Liability Insurance: Dependent on scope of project. Contact Cheddar Gorge directly.

Contact: Cheddar Gorge Telephone: +44 (0) 1934 742343 Email: info@cheddargorge.co.uk Website: www.cheddargorge.co.uk

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SOMERSET

Dunster Castle (National Trust)

Glastonbury

Dunster Castle, Dunster, Nr Minehead, TA24 6SL

Glastonbury, Somerset, BA6 9EL

Dramatically situated on top of a wooded hill, a castle has existed here since at least Norman times, with an impressive medieval gatehouse and ruined tower giving a reminder of its turbulent history. The castle that you see today became a lavish country home during the 19th century, remodelled in between 1868 and 1872 by Antony Salvin. The fine oak staircase and plasterwork ceiling he adapted can still be seen.

Permits: Permits are required and can be obtained through the National Trust Film Unit.

Fees: Fees may apply. Contact the National Trust Film Unit.

Best Vantage Points: From the town – film from the Yarn Market – an attractive late medieval cobbled street leading up the castle. Various attractive filming locations within the castle grounds – superb panoramic shots from the roof of the castle.

Best Time of Day: Late morning / afternoon.

Made world famous by the Glastonbury Music Festival, the town of the same name is also home to Glastonbury Tor, which rises dramatically from the flat landscape of the Somerset Levels. Offering stunning views in all directions from the summit, the hill and its approaches are owned by the National Trust and offer free public access. Glastonbury Abbey was the largest and richest abbey in England as well as being the alleged burial site of King Arthur and home to the ‘Holy Thorn’, reputed to have been brought to Glastonbury by Joseph of Arimathea. The

town itself is full of New Age charm and historical sights, including Chalice Well, and weird and wonderful shops.

Best Vantage Points: Tor summit, Abbey Grounds and High Street.

Best Time of Day: Tor – sunrise or sunset; Abbey – late morning; Town - afternoon.

Permits: Permits are required and can be obtained through the National Trust Film Unit.

Fees: Fees may apply. Contact the National Trust Film Unit

Glastonbury Tor - National Trust Regional Office Contact: Countryside Operations Manager, Mark Courtiour.

Email: mark.courtiour@nationaltrust.org.uk Telephone: +44 (0) 1934 844518 / +44 (0) 77857 66557 Website: www.nationaltrust.org.uk/main/w-glastonburytor Contact: Stephen Hayes, Property Administrator, NT

Glastonbury Abbey Contact: Nick Gaze (Facilities Manager) Email: nick.gaze@glastonburyabbey.com Telephone: +44 (0) 1458 832267 Website: www.glastonburyabbey.com

Telephone: +44 (0) 1643 823005 Email: Stephen.Hayes@nationaltrust.org.uk Website: www.nationaltrust.org.uk/

Glastonbury Town – Glastonbury Town Council Contact: Jane A Czornij Email: (Town Clerk) glastonburytownhall@gtc123.demon.co.uk Telephone: +44 (0) 1458 831769 Website: www.glastonbury.gov.uk/g_gov/ < back to contents

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SOMERSET Taunton Castle Castle Green, Taunton, TA1 4AA A historically significant castle dating from the 12th century, this site is now home to the Museum of Somerset after a £7million renovation project. The castle has at times been central to the story of Taunton, Somerset and England itself. It was at Taunton Castle in 1497 where Perkin Warbeck made his submission to Henry VII and relinquished his claim to the throne. At that moment, it is reasonable to claim, the Wars of the Roses came to an end. The castle is adjacent to the Castle Hotel, also a photogenic location with a portcullis and wisteria covered walls.

Best Vantage Points: Externally, looking towards the Museum of Somerset entrance, with the Castle Hotel to the right, and in the castle courtyard. Internally, in the Great Hall, South and West Ranges.

Restrictions: The museum is opened to the public Tuesday to Saturday. Therefore, Sunday and Monday offer the most freedom for filming.

Fees: A donation towards the running of the museum is welcomed for commercial filming. Recommended donation is £50 for a half-day and £75 for a full day.

Public Liability Insurance: Public Liability Insurance of £10million should be in place.

Contact: Carrie Blogg, Museum of Somerset Telephone: +44 (0) 1823 347412 Email: chblogg@somerset.gov.uk Website: www.visitsomerset.co.uk

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SOMERSET Wells Market Place, Wells, BA5 2RP This medieval cathedral is in the smallest city in England. Wells has a traditional (and very photogenic) market square with the cathedral and Bishops Palace in the background. It is home to one of the oldest complete medieval streets in England, Vicarâ&#x20AC;&#x2122;s Close.

Best Vantage Points: Market Place, with the cathedral in the background.

Best Time of Day: No filming is permitted on a Wednesday or Saturday (market days).

Contact the town clerk prior to filming.

Contact: Felicity White, Town Clerk Telephone: +44 (0) 1749 673091 Email: townclerk@wells.gov.uk Website: www.wellssomerset.com

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STAFFORDSHIRE

Emma Bridgewater Factory Stoke-on-Trent

Trentham Estate, Stoke-on-Trent Stone Road, Trentham, Stoke-on-Trent, ST4 8AX “The finest Italian Garden outside all Italy” is how the gardens have been described. Stand on a raised platform and admire the view of the Italian Gardens, mile-long Lake, statue of Perseus, and monument to the Duke of Sutherland stretching out in front of you, or stroll through the UK’s only Monkey Forest, the woodlands inhabited by 140 Barbary Macaques and their young babies.

Lichfield Street, Stoke-on-Trent, ST1 3EJ Go behind the scenes to see the full production process of Emma Bridgewater pottery, one of the design icons of present-day England.

Permits: Advance notice/permission required.

Permits: Advance notice/permission only.

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Contact: Ian Weightman

Contact: Ian Weightman

Telephone: +44 (0) 1782 680963

Telephone: +44 (0) 1782 680963

Email: Ian.iwms@virgin.net

Email: Ian.iwms@virgin.net

Website: www.emmabridgewater.co.uk

Website: www.trentham.co.uk

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STAFFORDSHIRE Wedgwood Visitor Centre Barlaston, Stoke-on-Trent, ST12 9ER Wedgwood and The Potteries are famous throughout the world.

At the visitor centre site there is a large factory outlet, award-winning museum, factory tour, craft demonstration area with opportunity to throw your own masterpiece, boutique shop and restaurants.

The famous statue of Josiah Wedgwood, the founder of the company over 250 years ago, stands in the courtyard.

Restrictions: No access restrictions and plenty of parking available.

Permits: Contact Wedgwood Visitor Centre directly.

Fees: There is usually no fee attached to filming but this is looked at on an individual basis.

Public Liability Insurance: Public Liability Insurance of ÂŁ5million should be in place.

Contact: Carole Hammersley or Sam Hall (Tourism Marketing Officer) at Stoke-on-Trent Tourism Telephone: Carole Hammersley +44 (0) 1782 282538; Sam Hall +44 (0) 1782 232817 Email: Carole.hammersley@wwrd.com or tourism@stoke.gov.uk Website: www.wedgwoodvisitorcentre.com www.visitstoke.co.uk

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SUFFOLK Aldeburgh Suffolk, IP15 Aldeburgh is a fashionable resort, which retains its old world charm.

Fishermen still pull their boats up onto the beach and sell their catch from huts nearby. The Moot Hall, which houses the town’s museum, is a focal point with its ancient timbers and outside staircase. The Town Steps just off the High Street, offer a view over the town and out to sea.

There are many independent shops and in June there is the Aldeburgh Festival of Music and the Arts, which was begun by the composer Benjamin Britten. Many of the events are held in Aldeburgh with the larger concerts and recitals held in nearby Snape Maltings Concert Hall.

Thorpeness is just two miles along the coast. From the beach you can see the “House in the Clouds” and windmill. The meare offers excitement for children as they can row out to fairytale islands and explore. The RSPB’s flagship reserve at Minsmere is four miles from Aldeburgh and the National Trust’s Dunwich Heath is just eight miles away. The beautiful ruins of Leiston Abbey and the Long Shop Museum are a short journey away.

Best Vantage Points: Anywhere along the beach. To the north end of the town, there is a sculpture entitled ‘Scallop’ on the beach which is often photographed.

The buildings in Aldeburgh are quite unusual and so any photographs along the promenade will make good subject matter. The fish and chip shop in Aldeburgh has a reputation for miles around. This might be a quirky place to film. Customers often take their fish and chips and eat them sitting on the beach.

Restrictions: Some fairly narrow streets in places.

Best Time of Day: Any time of day. Early morning will give some great shots as the sun rises and the light reflects off the sea and fishing boats. This is a busy resort in the summer so will be buzzing with visitors throughout the day.

Permits: No permit required for general filming.

Contact: Kate Morfoot / Danielle Howard at Jungle Public Relations Ltd

Public Liability Insurance: Public Liability Insurance of £10million should be in place.

Telephone: +44 (0) 1362 694649 Email: danielle@junglepr.com / SuffolkPR@junglepr.com Website: www.visitsuffolk.com

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SUFFOLK Felixstowe Suffolk, IP11 With a Victorian / Edwardian influence, the town offers architectural interest and the extensive and beautiful Spa Gardens line its long promenade, which is level with the sand and shingle beach. The resort is home to the Spa Pavilion Theatre, an independent cinema, a leisure centre plus a wide range of amusements and childrenâ&#x20AC;&#x2122;s activities along the seafront. At Felixstowe Ferry, the foot/cycle ferry crosses the Deben estuary to Bawdsey, the home of Radar. There are many interesting walks along this stretch of coast and the area is ideal for bird watching. Landguard Peninsula is home to a nature reserve, bird observatory, the historic fort, and Felixstowe Museum plus a foot ferry that links Felixstowe to Shotley and Harwich. The Viewpoint area on the Landguard Peninsula is very popular with residents and visitors, where you can watch the biggest container ships in the world going in and out of the Ports of Harwich and Felixstowe.

Best Vantage Points: Felixstowe ferry, traditional fishing village.

Spa Gardens.

Landguard Peninsula.

Fort, nature reserve and Port of Felixstowe viewing area.

Permits: No permit required for general filming. For filming on private property or land, liaise with the owners directly.

Fees: No fee usually charged. For filming on private property or land liaise with the owners directly.

Public Liability Insurance: Public Liability Insurance of ÂŁ10million should be in place.

Contact: Kate Morfoot / Danielle Howard at Jungle Public Relations Ltd Telephone: +44 (0) 1362 694649 Email: danielle@junglepr.com / SuffolkPR@junglepr.com Website: www.visitsuffolk.com

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SUFFOLK Framlingham Suffolk, IP13 Dating back to Anglo Saxon times, Framlingham is an attractive market town, dominated by a 12th century fortress. Mary Tudor took refuge here before being crowned Queen in 1553. The Mere alongside Framlingham Castle is managed by Suffolk Wildlife Trust, and a circular footpath enables visitors to see wild flowers and wildlife. Framlingham church has parts dating from the 11th century. A beautiful hammerbeam roof and impressive tombs of the Howards make it worth a visit. The Market Hill contains a number of different period houses and the town has a selection of restaurants, pubs and cafés to suit a range of budgets and tastes. The award-winning Shawsgate Vineyard nearby offers wine tasting, tours and a children’s play area, and has a retail outlet for their range of wines, ciders and non-alcoholic grape juices.

Best Vantage Points: Framlingham Castle and Market Hill.

Restrictions: There are some narrow roads and one-way streets in Framlingham.

Permits: No permit required for general filming. For filming on private property or land liaise with the owners direct.

Fees: No fee usually charged. For filming on private property or land liaise with the owners direct.

Public Liability Insurance: Public Liability Insurance of £10million should be in place.

Contact: Kate Morfoot / Danielle Howard at Jungle Public Relations Ltd Telephone: +44 (0) 1362 694649 Email: danielle@junglepr.com / SuffolkPR@junglepr.com Website: www.visitsuffolk.com

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SUFFOLK Newmarket Racecourses The July Course, Newmarket Racecourses, Newmarket, Suffolk, CB8 0XE Newmarketâ&#x20AC;&#x2122;s two magical racecourses together form one of the greatest venues in the East of England, offering the exhilarating excitement of world-class flat racing, pulsating music nights, great value family days out and award-winning restaurants.

Best Vantage Points: Various throughout the course.

Restrictions: Once gates are open no vehicles are allowed on site.

Best Time of Day: Early afternoon (12.00 to 14.00).

Permits: Contact Newmarket Racecourses directly.

Fees: This can be discussed upon application for permission to film at the course.

Public Liability Insurance: Public Liability Insurance is required.

Contact: Kate Morfoot / Danielle Howard at Jungle Public Relations Ltd Telephone: +44 (0) 1362 694649 Email: danielle@junglepr.com / SuffolkPR@junglepr.com Website: www.visitsuffolk.com

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SUFFOLK Southwold Pier North Parade, Southwold, Suffolk, IP18 6BN Following extensive renovation, Southwold Pier is now one of the finest examples of a pier to be found in the UK. It is one of Suffolk’s greatest and most loved attractions, and has been awarded the Best Tourism Experience Award in the six counties of East Anglia.

Best Vantage Points: All along the pier, particularly the furthest point away from the beach.

Restrictions: During high winds there is sometimes a need to close the pier for safety.

Best Time of Day: During daylight. Sunrise and sunset are particularly atmospheric and stunning, as this is the second most Easterly point after Lowestoft on the east coast. Tremendous views of the beach and out to sea often as far as Sizewell on a clear day.

Permits: Please always ring first to ask permission before filming on the pier.

Fees: Southwold Pier contributes a lot to local charities, such as Colchester Garrison family day outs, WaterAid, EACH (East Anglian Children’s Hospice) and various community projects. If budget allows, they request a £200 donation to donate to their charitable causes.

Public Liability Insurance: A copy of insurance, a filming schedule and risk assessment is requested.

Contact: Kate Morfoot / Danielle Howard at Jungle Public Relations Ltd Telephone: +44 (0) 1362 694649 Email: danielle@junglepr.com / SuffolkPR@junglepr.com Website: www.visitsuffolk.com

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SUFFOLK Sutton Hoo Woodbridge, Suffolk, IP12 3DJ On the eve of World War II one of the worldâ&#x20AC;&#x2122;s greatest discoveries of treasure ever found in Britain was discovered at Sutton Hoo. Mrs Edith Pretty looked out over the ancient landscape from her home Tranmer House, and what she saw from her window convinced her to lead an archaeological excavation, with help from local Archaeologist Basil Brown. Lain undisturbed for 1,300 years, this discovery was to change the way we think about our ancestors. A ship burial of the Anglo Saxon King Radweld and his most treasured possessions.

Best Vantage Points: The Ancient Burial mounds.

Best Time of Day: Any time of day as the site is so varied.

Permits: Permits are required and can be obtained through the National Trust Film Unit.

Fees: Contact the National Trust Film Unit.

Contact: Kate Morfoot / Danielle Howard at Jungle Public Relations Ltd Telephone: +44 (0) 1362 694649 Email: danielle@junglepr.com / SuffolkPR@junglepr.com Website: www.visitsuffolk.com

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SUFFOLK Woodbridge Woodbridge, Suffolk, IP12 3DJ The market town of Woodbridge nestles at the head of the tidal reaches of the river Deben. Steeped in history, it contains many fine buildings, including the picturesque Tide Mill. The Suffolk Punch Heavy Horse Museum is a unique attraction dedicated to the Suffolk breed.

Close by is the Anglo-Saxon burial ground of Sutton Hoo, one of the most significant archaeological discoveries ever made. The river is ideal for yachting, and the attractive riverside area boasts restaurants and a theatre. River trips offer a different perspective for the visitor.

The town itself hosts many independent shops, cafés, pubs and restaurants, offering a unique shopping experience. In the surrounding area, the delightful town of Orford has retained its historic charm. The town’s famous oysters are harvested from the Butley river. The 12th century Norman Castle provides an impressive sight and Orford Ness, the largest vegetated shingle spit in Europe, is protected by the National Trust. RSPB Havergate Island bird sanctuary is famed for its flocks of Avocets.

Best Vantage Points: Market Hill and The Thoroughfare is the commercial centre of Woodbridge with its shops, cafés and historic buildings. The area near the Tide Mill is recommended to observe life and activities associated with the River Deben and maritime connections. There is also Buttrams Mill on Burkitt Road. Woodbridge School also offers a historic and pretty setting with its buildings and school grounds.

Restrictions: There are some narrow roads and one-way streets in and around the town centre.

Best Time of Day: Woodbridge is a bustling market town so the shopping areas will be busier 09.00 to 17.00. The River Deben is tidal at this point so activity on the water will be influenced by the tides.

Permits: No permit required for general filming. For filming on private property or land, liaise with the owners directly.

Fees: No fee usually charged. For filming on private property or land, liaise with the owners directly.

Public Liability Insurance: Public Liability Insurance of £10million should be in place.

Contact: Kate Morfoot / Danielle Howard at Jungle Public Relations Ltd Telephone: +44 (0) 1362 694649 Email: danielle@junglepr.com / SuffolkPR@junglepr.com Website: www.visitsuffolk.com

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SURREY

Box Hill

Brooklands Museum

Box Hill, A24 near Dorking, Surrey

Brooklands Road, Weybridge, KT13 0QN

Part of the outstanding Surrey Hills countryside.

With views across Surrey and the south east, Box Hill shows the stunning countryside of Surrey, its wildlife and opportunities to get out in the open air.

Fees: Fees may apply. Contact the National Trust Film Unit.

Best Vantage Points: There are good views from the zig zag road, but the road is tight, so best is the view point right at the top.

There is plenty of car parking.

Public Liability Insurance: Yes, please contact Valerie Mills for more information.

Restrictions: Yes possibly, please contact Brooklands Museum.

Best Time of Day: During daylight hours.

Contact: Harvey Edgington Telephone: +44 (0) 20 7824 7128

Permits: Permits are required and can be obtained through the National Trust Film Unit.

Fees: Yes, please contact Valerie Mills for more information.

Best Vantage Points: A variety of interior and exterior vantage points.

Restrictions: Contact the National Trust Film Unit.

Best Time of Day: Daylight hours.

The birthplace of British motorsport, aviation and home of the Concorde, this fascinating museum is situated within the worldâ&#x20AC;&#x2122;s first purpose built race track. Items on display include the original track, plus the cars and motorbikes that raced.

Email: Harvey.Edgington@nationaltrust.org.uk

Permits: Yes possibly, please contact Valerie Mills.

Website: http://www.nationaltrust.org.uk/box-hill/

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Contact: Valerie Mills Telephone: +44 (0) 1932 857381 Email: info@brooklandsmuseum.com Website: www.brooklandsmuseum.com

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SURREY

Denbies Wine Estate

Guildford High Street

London Road, Dorking, Surrey, RH5 6AA

High Street, Guildford, Surrey, GU1

The largest wine estate in Britain is the proud winner of an international award for its Rose wine. This fantastic estate produces wonderful wine which is starting to compete at an international level. Visitors can see the estate and the wine producing process.

Fees: Please contact Denbies.

Public Liability Insurance: Please contact Denbies.

Best Vantage Points: There are many good view points, from across the estate.

Restrictions: Please contact Denbies.

Best Time of Day: During daylight hours.

Permits: Please contact the Town Centre Officer at Guildford Borough Council.

Best Vantage Points: Looking down the hill and High Street.

Public Liability Insurance: Please contact the Town Centre Officer at Guildford Borough Council.

Contact: Jeanette Simpson/ Chris White

Email: info@denbiesvineyard.co.uk

Contact: Town Centre Officer Best Time of Day: Daytime is better to show the buildings.

Website: www.denbies.co.uk

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Fees: Please contact the Town Centre Officer at Guildford Borough Council.

Restrictions: Please contact the Town Centre Officer at Guildford Borough Council.

Telephone: +44 (0) 1306 876616

Permits: Please contact Denbies.

Guildford is a fantastic historic market town with buildings dating from the 17th century and earlier.

The cobbled High Street rising from the River Wey has a great variety not only of modern shopping, but historic buildings including the magnificent clock which hangs from the Elizabethan Guildhall. The clock was installed in 1683 and overhangs the High Street.

Telephone: +44 (0) 1483 505050 Email: economicdevelopment@guildford.gov.uk Website: www.guildford.gov.uk

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SURREY

Loseley Park

Newlands Corner

Guildford, Surrey, GU3 1HS

Aldbury, Surrey, GU4

This is an Elizabethan home still owned and managed by the family. The More-Molyneuxâ&#x20AC;&#x2122;s have owned and lived in Loseley for just over 500 years. Now a family home and a successful attraction, this is a wonderful historic home, with historic stories, furniture and paintings and also the current generation of family belongings. With gardens and estate this is a beautiful part of England. Off the B3000 which is off the A3 just south of Guildford, Surrey.

Permits: A permit will be required, please contact Loseley Park directly. Contact below.

Fees: Charges may apply.

Public Liability Insurance: Please contact Loseley Park directly.

Best Vantage Points: The front of the house is superb and very photogenic.

Restrictions: The private family rooms are not accessible.

Restrictions: There is a car park nearby.

Best Time of Day: Any time during daylight hours.

Permits: Please contact Surrey Wildlife Trust.

Contact: Marketing Manager Telephone: +44 (0) 1483 304440

Best Time of Day: Any time during daylight hours.

A fantastic view point across Surrey, showing the stunning Surrey countryside. Although Surrey is a neighbour of London it has countryside and landscape views to rival any other area of England.

Fees: Please contact Surrey Wildlife Trust.

Email: enquiries@losleypark.couk Website: www.loseleypark.co.uk

Contact: Surrey Wildlife Trust Telephone: +44 (0) 1483 795440 Email: info@surreywt.org.uk

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Website: www.surreywildlifetrust.org

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SURREY RHS Garden Wisley RHS Garden Wisley, Woking, Surrey, GU23 6QB The flagship garden of the Royal Horticultural Society, Wisley captures the imagination with richly planted borders, luscious rose gardens and the state-of-the-art Glasshouse. In the trials fields, the finest flowers and vegetables are identified from the countless new introductions.

Elsewhere in the garden, cultivation techniques are tried and tested, and a series of model gardens answers the needs of a variety of conditions and circumstances.

Best Vantage Points: Filming outside of the laboratory or glasshouse gives the most iconic shots, but with 200 acres to explore RHS Garden Wisley is packed with perfect places to film.

Restrictions: Vehicles are only permitted in some areas of the garden.

Best Time of Day: 08.00 to 14.00 but can be flexible.

Permits: A risk assessment will need to be filled and sent prior to filming.

Fees: No charge as long as the filing name checks RHS Garden Wisley.

Public Liability Insurance: Public Liability Insurance of ÂŁ5million should be in place.

Contact: Samantha Bevington Telephone: +44 (0) 1483 479798 Email: samanthabevington@rhs.org.uk Website: www.rhs.org.uk/wisley

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WEST SUSSEX Goodwood Racecourse Goodwood, Chichester, West Sussex, PO18 0PS Goodwood has played host to the Sport of Kings for over 200 years.

From its tentative launch as a flat horseracing course for local officers by the third Duke of Richmond in 1802, to its colourful programme of events, fixtures, weddings and entertaining, Goodwood is one of Britain’s great estates and historic homes.

Best Vantage Points: There are many, but the Trundel hill or the owners/trainers bar offer picturesque views. Anywhere on the racecourse offers a great area to film.

Restrictions: On race days the course must obtain permission from its rights holder Racing UK. Best Time of Day: Race Days are always great days to film as they offer a superb feature and backdrop.

Permits: Three working days’ notice is necessary for filming. Media passes are needed which can be obtained from the Goodwood Media Centre.

Fees: There is usually a fee of £1,000 but this is dependent on the nature of the filming.

Contact: Tamara Drew Telephone: +44 (0) 7807 546181 Email: tamara.drew@auramedia.com Website: www.goodwood.com

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WEST SUSSEX Arundel Castle Arundel Castle, West Sussex, BN18 9AB Arundel Castle is one of the great treasure houses of England. The grounds of the castle, together with the keep and gatehouse, have been open to the public since the turn of the 19th century, with thousands of visitors each year able to enjoy the castle and its sweeping 40 acres of grounds. The castle’s interior is home to a priceless collection of art, furniture, tapestry and sculpture. However, the present Duke and Duchess have also broadened its appeal as a film and television location, special historical events venue and host to the spectacular Arundel Festival in August. Over the last two decades the grounds have been restored to their full glory, and in 2008 The Prince of Wales opened the Collector Earl’s Garden. Each year new garden innovations are unveiled and visitors are full of praise for the spectacular colour and stunning blooms on show.

Best Vantage Points: Lower Lawns towards the Castle. American Ground towards the Keep.

From the Bakehouse (main Castle) tower.

Restrictions: Please enquire regarding any restrictions.

Best Time of Day: The Castle looks stunning during daylight hours and is equally impressive when lit at night.

Permits: Please contact Bryan McDonald, the Castle Manager.

Fees: Filming fees usually apply but these can be waived for media features.

Public Liability Insurance: Yes – please enquire.

Contact: Mr Bryan McDonald – Castle Manager Telephone: +44 (0) 1903 882173 Email: Bryan.McDonald@arundelcastle.org Website: www.arundelcastle.org

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WEYMOUTH, PORTLAND & DORSET

Bowleaze

Abbotsbury Subtropical Gardens

Furzy Cliffs, Bowleaze Cove, Weymouth, Dorset, DT3 6PW

Bullers Way, Abbotsbury Nr Weymouth, Dorset, DT3 4JT

Bowleaze Cove is a beautiful beach resort in Dorset, approximately two miles from Weymouth town centre.

The raised grass area at Furzy Cliffs is the perfect spot for a bird’s eye view of both Weymouth Bay and Portland Harbour. From this point, the Isle of Portland is also visible, with the Weymouth and Portland National Academy at its base, as well as an overview of the 2012 sailing courses and the entire length of Weymouth Beach. Filming at this grassed area also provides the opportunity to do a piece to camera with no public in the background.

Best Vantage Points: On the raised grassed area overlooking Weymouth and Portland National Academy.

Best Time of Day: Anytime during daylight hours.

Permits: Notification to film would be required so individual arrangements for facilities could be sorted.

Fees: No charges are being levied.

Public Liability Insurance: Public Liability Insurance of £5million should be in place.

Described by Alan Titchmarsh as “One of the finest gardens I have ever visited” and voted Garden of the Year 2012 this stunning 30 acre garden is one of the best in the country today. The formal Victorian garden is surrounded by an exotic woodland valley full of Camellias, Magnolias, Rhododendrons, and exquisite summer colour. The Colonial restaurant specialises in delicious locally sourced food, the plant centre sells plants actually grown in the garden, and the gift shop is a cut above the norm. Don’t miss the floodlighting of the gardens in October.

Best Vantage Points: A guide will ensure that the best positions are made available on the day.

Contact: Jacqui Gisborne Telephone: +44 (0) 1305 838382 / 07980 730073

Restrictions: Vehicle parking would be arranged on an individual request.

Email: jacquigisborne@weymouth.gov.uk

Permits: No permit is required.

Fees: A waiver is available.

Public Liability Insurance: Public Liability Insurance of £5million should be in place.

Contact: John Houston Telephone: +44 (0) 1305 871130 / 07970 026424

Best Time of Day: Early morning.

Website: www.visit-dorset.com

Email: john@abbotsbury-tourism.co.uk Website: www.abbotsbury-tourism.co.uk

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WEYMOUTH, PORTLAND & DORSET Bournemouth Beach, Bournemouth Promenade, Bournemouth Gardens, Bournemouth Balloon and the Russell Cotes Museum Bournemouth, Dorset, BH1 2BU Bournemouth Beach has seven miles of sand and has won a multitude of awards. Bournemouth has more beach huts than anywhere else in the country, including Wayne Hemingway vintage style designed Beach Pods at Boscombe beach, and the newly–designed accessible beach huts near Boscombe beach – the first in the country. The iconic Bournemouth Pier is the background shot in all views of Bournemouth.

Bournemouth Gardens is adjacent to the beach and is Victorian in character, with award–winning floral bedding throughout. The Bournemouth Balloon is also located here in the gardens and visitors can take a trip up into the skies of Bournemouth up to 500 feet with amazing views of the area. The Russell Cotes Museum houses an eclectic mix of modern art, visiting art exhibitions and items collected from around the world by the Russell Cotes family – an historic piece of Bournemouth.

Best Vantage Points: Best advantage point for views of the beach is from the east cliff next to the Russell Cotes Museum looking towards the Purbecks. Also a good position is on the beach to the east of Bournemouth Pier with the Pier in the background.

Restrictions: Some limited vehicle access.

Best Time of Day: Morning.

Permits: Filming permit is required and this can be obtained through Tom Powell; please give at least two days’ notice.

Contact: Tom Powell Fees: No fee for non-commercial filming.

Public Liability Insurance: Public Liability Insurance of £5million should be in place.

Telephone: +44 (0) 1202 451741 Email: Tom.powell@bournemouth.gov.uk Website: www.bournemouth.co.uk

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WEYMOUTH, PORTLAND & DORSET Bournemouth Pier Area Bournemouth Seafront, BH2 5AA Bournemouth beach to the east of Bournemouth Pier is the ideal location for stand up positions, and is used for all national morning TV. The beach is cleaned every morning so the expanse of sand makes a good shot with the pier in the background. To the west is the beautiful visual of the Purbecks so all round is the best place for positioning.

Restrictions: Parking is available for satellite trucks.

Permits: A filming permit is required and this can be obtained from Tom Powell.

No additional filming permits will be required for cranes etc.

Fees: No filming fee will be charged for non-commercial filming.

Public Liability Insurance: Public Liability Insurance of ÂŁ5million should be in place.

Contact: Tom Powell Telephone: +44 (0) 1202 451741 Email: Tom.powell@bournemouth.gov.uk Website: www.bournemouth.co.uk

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WEYMOUTH, PORTLAND & DORSET

Athelhampton House

Chapel of St Mary (Roman Catholic)

Athelhampton, Dorchester, Dorset, DT2 7LG

Lulworth Estate, East Lulworth, Nr Wareham, Dorset, BH20 5QS

This is one of England’s great medieval houses and one of the most beautiful and historic in the south, lying a mile east of Puddletown. It was begun during the reign of Edward IV on the legendary site of King Athelstan’s palace. A family home for more than 500 years, it’s noted for its 15th century Great Hall, Tudor great chamber, state bedroom, and King’s Room.

Though many visitors come to see the house, the gardens are equally inspiring. Dating from 1891, they are full of vistas, and their beauty is enhanced by the River Piddle flowing through and by fountains. These walled gardens, winners of the HHA/Christies Garden of the Year award, contain the famous topiary pyramids and two pavilions designed by Inigo Jones.

Best Time of Day: All day.

Fees: To be advised.

This is the first free–standing Roman Catholic Church to be built in England for public worship after the Reformation. Commissioned in 1786, this historically important building is reputed to be one of the finest pieces of Georgian architecture in Dorset.

Public Liability Insurance: Contact Athelhampton House directly.

Best Vantage Points: All angles.

Contact: Owen Davies / Laura Dean Email: odavies@athelhampton.co.uk or ldean@athelhampton.co.uk

Best Time of Day: Early morning or late afternoon.

Contact: Jo Grant Permits: A filming permit is required and 48 hours’ notice needs to be given.

Telephone: +44 (0) 1929 400352 Email: jo.grant@lulworth.com Website: www.lulworth.com

Website: www.athelhampton.co.uk

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Public Liability Insurance: Public Liability Insurance of £3million should be in place.

Restrictions: Exterior filming only

Telephone: +44 (0) 1305 848363 Best Vantage Points: There are many locations.

Fees: No charge for non-commercial filming or positive promotion. There is a charge for commercial filming and a credit or acknowledgement is required.

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WEYMOUTH, PORTLAND & DORSET

Fossil Forest

Lulworth Castle and Park

West Lulworth, Nr Wareham, Dorset, BH20 5RW

Lulworth Estate, East Lulworth, Nr Wareham Dorset BH20 5QS

The Fossil Forest is an amazing example of fossils left behind by trees millions of years ago. The ‘tufa’ are fossilised rings of algae that gathered around tree trunks as a forest flooded nearly 150 million years ago.

Permits: A filming permit is required. Please contact Jo Grant at the Lulworth Estate. 48 hours’ notice normally required.

Best Vantage Points: From the cliff above the Fossil Forest.

Fees: No charge for non-commercial filming or positive promotion. There is a charge for commercial filming and a credit or acknowledgement is required.

Restrictions: As they are on part of the Ministry of Defence Ranges you will need to contact the Ministry of Defence Range Public Liability Insurance: Public Liability Insurance of £3million should be in place.

Office.

Lulworth Castle stands in extensive parkland within the 20 square mile Lulworth Estate. The 400–year old castle has been owned by the Weld family since 1641.

All but destroyed by fire in 1929, the Castle exterior has been restored to its original state, while the interior has been consolidated providing an atmospheric open plan space for visitors to enjoy and a popular venue for lavish weddings, parties and corporate events. Panoramic views over the Purbeck countryside and stunning view of the sea on the World Heritage Jurassic Coast – England’s first and only natural World Heritage Site.

Best Time of Day: Daylight hours.

Best Vantage Points: East, south and west elevations.

Contact: Jo Grant Telephone: +44 (0) 1929 400352 Email: jo.grant@lulworth.com

Permits: A filming permit is required. 48 hours’ notice normally required.

Fees: No charge for non-commercial filming or positive promotion. There is a charge for commercial filming and a credit or acknowledgement is required.

Public Liability Insurance: Public Liability Insurance of £3million should be in place.

Contact: Jo Grant Telephone: +44 (0) 1929 400352

Best Time of Day: Daylight hours.

Website: www.lulworth.com

Email: jo.grant@lulworth.com Website: www.lulworth.com

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WEYMOUTH, PORTLAND & DORSET

Lulworth Cove

White Nothe

West Lulworth, Nr Wareham, Dorset, BH20 5RQ

White Nothe, Dorchester, Dorset, DT2 8NJ

Lulworth Cove is a natural, perfectly formed horseshoe shaped bay, part of the Lulworth Estate.

The cove is one of the most famous features within the World Heritage Site and visted by over one million visitors each year. Together with the pretty thatched village of West Lulworth, this is one of the most photographed places in Dorset.

Best Vantage Points: From the footpath on Bindon Hill immediately above the cove.

Restrictions: Pedestrian only. Vehicular access by prior arrangment.

Best Time of Day: Daylight hours.

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Permits: A filming permit is required. Please contact Jo Grant at the Lulworth Estate. 48 hours’ notice normally required.

Fees: No charge for non-commercial filming or positive promotion. There is a charge for commercial filming and a credit or acknowledgement is required.

Public Liability Insurance: Public Liability Insurance of £3million should be in place.

A remote chalk headland overlooking Weymouth and Portland.

Restrictions: No vehicular access without prior arrangement with the Lulworth Estate.

Best Time of Day: Daylight hours.

Fees: No charge for non-commercial filming or positive promotion. There is a charge for commercial filming and a credit or acknowledgement is required.

Public Liability Insurance: Public Liability Insurance of £3million should be in place.

Permits: A filming permit is required. Please contact Jo Grant at the Lulworth Estate. 48 hours’ notice normally required.

Contact: Jo Grant

Contact: Jo Grant

Telephone: +44 (0) 1929 400352

Telephone: +44 (0) 1929 400352

Email: jo.grant@lulworth.com

Email: jo.grant@lulworth.com

Website: www.lulworth.com

Website: www.lulworth.com

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WEYMOUTH, PORTLAND & DORSET Hardy’s Cottage Higher Bockhampton, Near Dorchester, Dorset, DT2 8QJ The birthplace of Thomas Hardy, Dorset’s most famous author (Tess of the d’Urbevilles, Jude the Obscure etc.) and one of England’s most well reputed writers. The picturesque cottage is a small, traditional thatched cottage, with a delightful garden and lies in woodlands. Other Hardyrelated locations nearby are Max Gate (also National Trust), Dorset County Museum, the statue of the author at the top of Dorchester High Street and Stinsford Cemetery where his heart is buried.

Best Vantage Points: In front of the cottage from the garden.

Permits: Permits are required and can be obtained through the National Trust Film Unit.

Fees: Fees may apply. Contact the National Trust Film Unit.

Contact: Harvey Edgington Telephone: +44 (0) 1929 481294 Email: Harvey.edgington@nationaltrust.org.uk Website: www.nationaltrust.org.uk

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WILTSHIRE Castle Combe Village Near Bath, Wiltshire, SN14 7HR Untouched since the 17th century, Castle Combe is an idyllic Cotswold village surrounded by breath-taking countryside. This secluded village lies in a woodland valley with market cross, meandering river and 14th century Manor House. Steven Spielberg’s critically acclaimed blockbuster War Horse was filmed in the village. The story begins with Castle Combe doubling for the Dartmoor village where Albert and his trusty stead Joey first meet before being separated by the outbreak of war. Steven Spielberg described how “Castle Combe looks like Hollywood built it. It doesn’t look real but it’s beautiful and really authentic and very old”. Previous films also include Stardust, The Wolf Man and the 1960s classic Doctor Dolittle.

Best Vantage Points: In the centre of the village at the Market Cross, the bridge which crosses the Bybrook river and in the hotel grounds.

Best Time of Day: Any time of day.

Permits: Filming is permitted with advance permission from village residents and hotel.

Fees: Decided on an individual basis.

Contact: Edward Boulton Telephone: +44 (0) 1249 782206 Email: visitwiltshire@flagshipconsulting.co.uk Website: www.visitwiltshire.co.uk

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WILTSHIRE Longleat Safari and Adventure Park The Estate Office, Longleat, Warminster, BA12 7NW Longleat Safari and Adventure Park has been one of the UK’s bestloved attractions for over 60 years. With over 450 years of history, Longleat House is regarded as one of the best examples of high Elizabethan architecture in England and one of the most beautiful stately houses open to the public. The 9,000-acre Longleat Estate is home to over 100 different species of animal, which live within the Safari Park. Although famous for its lions, Longleat is also home to tigers, wolves, rhinos, giraffes, camels and the hugely popular monkey drive-through.

Best Vantage Points: Views over the estate can be gained from Heavens Gate. Shots of any of the animals of the Safari Park can be taken using Longleat zebra striped VIP trucks.

Restrictions: There are no fly zones directly over Longleat House.

Best Time of Day: Dependent on content of filming. Pre-opening of attractions is advised where possible.

Permits: Permission to film must be gained prior with at least one week’s notice.

Fees: Filming fees vary depending on resources needed from Longleat staff, how long filming will take and if it interferes with any customer areas directly. Filming fees can be discussed once the full outcome of filming is known.

Public Liability Insurance: Public Liability Insurance of £10million should be in place to film in Longleat House and £5million to film on all others area of the Longleat Estate.

Contact: Steve Mytton – PR and Media Manager Telephone: +44 (0) 1985 844400 Email: Steve.mytton@longleat.co.uk Website: www.longleat.co.uk

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WILTSHIRE Salisbury Cathedral The Close, Salisbury, SP1 2EF Salisbury Cathedral (built 1220-58) is renowned for the consistency and detail of its uniform Gothic architecture which can provide an evocative setting. Its cloisters are the country’s largest and their wide walks have proved popular for filming. An iconic heritage attraction, it is recognised by Britain’s tallest spire (123 metre/404 feet). It is situated in the country’s largest and most lovely Cathedral Close, an idyllic English setting with properties ranging from the medieval to Victorian periods. The majority of the Close was re-modelled in Georgian times. Salisbury Cathedral is known for the uninterrupted views in its long, airy Nave and is home to the earliest surviving complete choir stalls in Britain (c. 1236). The views from its tower extend across the city and surrounding countryside, including the iron age hillfort of Old Sarum and Harnham Water Meadows from where John Constable painted some of his most famous works. In the words of Bill Bryson, “Salisbury Cathedral is the single most beautiful structure in England and the Close around it the most beautiful space.”

Restrictions: There is one vehicular access point to the Close – the High Street Gate.

Maximum size vehicle: width – 3.1 metres, height – nine metres.

Permits: Permission is required for filming. The cathedral is a busy living church and the Close is private land. Both periodically host events and services, which preclude filming. Advance notice and information on what equipment would be used is required. Camera cranes/jibs/cherry pickers are allowed but this is subject to size, weight distribution etc.

Each request must be made in advance and will be treated individually.

Fees: Non-commercial filming/news features are usually possible without fees, but they will apply to commercial filming and will be agreed in advance.

Public Liability Insurance: Public Liability Insurance of £10million should be in place.

Contact: Sarah Flanaghan Telephone: +44 (0) 1722 555148 / +44 (0) 7771 510811 Email: visitwiltshire@flagshipconsulting.co.uk Website: www.visitwiltshire.co.uk

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WILTSHIRE Stonehenge Off A344 Road, Amesbury, Wiltshire, SP4 7DE For an unforgettable filming location, visit the World Heritage Site of Stonehenge. Located near Salisbury in the beautiful Wiltshire countryside, it is a highlight of the South West.

The true meaning of this ancient, awe-inspiring creation has been lost in the mists of time. Was Stonehenge a temple for sun worship, a healing centre, a burial site or perhaps a huge calendar? How did our ancestors manage to carry the mighty stones from so far away and then, using only the most primitive of tools, build this amazing structure? Surrounded by mystery, Stonehenge never fails to impress.

Best Vantage Points: Salisbury Plain.

Restrictions: Entry to the stone circle is reserved to Stone Circle Access visits only.

Booking is essential and limited places are available.

Best Time of Day: Sunrise/sunset.

Permits: Permits are required and can be obtained through English Heritage Press Office.

Fees: Fees may apply. Contact English Heritage Press Office.

Contact: English Heritage Press Office Telephone: +44 (0) 20 7973 3250 Email: communication.team@english-heritage.org.uk Website: www.english-heritage.org.uk

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WINDSOR & ETON DORNEY Dorney Lake Eton College, Rowing Centre, Dorney Lake, Off Court Lane, Dorney, Windsor, SL4 6QP World-class rowing and flat-water canoeing centre that was the venue for the rowing and kayak events at the 2012 Olympic and Paralympic Games. The centre is set in 450 acres of parkland, including the main lake (2,220 metres long), a return/warm-up channel, boathouse, arboretum, park and conservation area.

Permits: Filming is subject to authorisation from Dorney Lake. Contact Ivor Lloyd with a brief synopsis of your programme and preferred dates.

Fees: Contact Dorney Lake to discuss.

Public Liability Insurance: Public Liability Insurance of ÂŁ5million should be in place.

Contact: Ivor Lloyd Telephone: +44 (0) 1753 832756 Email: i.lloyd@dorneylake.co.uk Website: www.dorneylake.co.uk

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WINDSOR & ETON DORNEY Eton College Windsor, Berkshire, SL4 6DW Eton College, founded in 1440 by King Henry VI, is one of the oldest schools in Britain. The current Prime Minister David Cameron and 19 former prime ministers were educated at Eton. Other Etonians include Princes William and Harry, four times Olympic Gold Medal rower Sir Matthew Pinsent and the Mayor of London Boris Johnson. Eton College is headed by a Provost (head of the board of governors) and Fellows (governors). Teachers are known as ‘beaks’ and boy prefects are identified by their colourful waistcoats. All members of the ‘Eton Society’ are otherwise known as ‘Pop’.

Best Vantage Points: It is advisable to ask permission to film inside the school precincts.

Restrictions: Filming is not permitted of Eton College boys which shows their faces.

Best Time of Day: 15.00 onwards with the sun in the School Yard.

Permits: Subject to approval from the Bursar, filming may be permitted. In the first instance contact Visits Manager Reb Hunkin with a brief synopsis of your programme and preferred dates.

Fees: Contact Eton College.

Public Liability Insurance: Public Liability Insurance of £5million should be in place.

Existing Footage: Copyright-free broadcast footage can be viewed here: www.windsor.gov.uk/media/broadcast

Contact: Reb Hunkin, Visits Manager Telephone: +44 (0) 1753 671177 Email: r.hunkin@etoncollege.org.uk Website: www.etoncollege.com

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WINDSOR & ETON DORNEY Windsor Castle Windsor Castle, Windsor, Berkshire, SL4 1NJ Windsor Castle is the largest and oldest occupied castle in the world, and one of the official residences of Her Majesty The Queen. The castle’s dramatic site encapsulates 900 years of British history. The magnificent State Apartments are furnished with some of the finest works of art from the Royal Collection, including paintings by Rembrandt, Rubens, Canaletto and Gainsborough. Among the highlights of a visit to Windsor is Queen Mary’s Dolls’ House, the most famous dolls’ house in the world.

Best Vantage Points: Within the precincts of Windsor Castle, the most requested location is the shot from the Middle Ward with the Round Tower as a backdrop.

Restrictions: All requests are subject to approval and permissions.

Best Time of Day: Varies according to location.

Permits: Requests must be received at least one month before the preferred date of filming, to allow for the necessary permissions to be sought and scheduling around the diary commitments of the castle. A Filming Application Form can be downloaded from: www.royalcollection.org.uk/press Fees: Standard filming fees can be found here: www.royalcollection.org.uk/press. Please contact the Royal Collection Press Office directly to discuss in detail.

Public Liability Insurance: Public Liability Insurance of £5million should be in place.

Contact: Royal Collection Press Office Telephone: +44 (0) 20 7839 1377 Email: press@royalcollection.org Website: www.royalcollection.org.uk

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YORKSHIRE Bettys Café Tea Rooms Bettys Harrogate, HG1 2QU Bettys RHS Harlow Carr Harrogate, HG3 1QB Bettys Ilkley, LS29 9EE Bettys Northallerton, DL7 8LF Bettys York, Y01 8QP Bettys Stonegate (also York), Y01 8AS. Bettys is an iconic, traditional family business established in 1919 and based in the heart of North Yorkshire. There are six café tea rooms in Harrogate, Ilkley, Northallerton and York serving Yorkshire and Continental specialities with a traditional yorkshire welcome. Bettys Craft Bakery supplies the tea rooms and shops with handcrafted products. Bettys Cookery School in Harrogate teaches how to cook ‘the Bettys way’.

Permits: Please notify Laura Crisp of your wish to visit giving as much notice as possible. A member of the PR team will be in attendance for photography/filming/interviews. Vouchers can be supplied should a journalist wish to sample afternoon tea in respect of editorial.

Contact: Laura Crisp Telephone: +44 (0) 1423 814000 / +44 (0) 7522 804756 Email: laura.crisp@bettysandtaylors.co.uk Website: www.bettys.co.uk

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YORKSHIRE Brontë Parsonage Museum Haworth, Keighley, West Yorkshire, BD22 8DR The Brontës are, perhaps, the world’s most famous literary family and Haworth Parsonage, now the Brontë Parsonage Museum, was their home from 1820 to 1861. Their short, brilliant lives have fascinated people ever since. Charlotte, Emily and Anne Brontë were the authors of some of the best-loved books in the English language.

Charlotte’s novel Jane Eyre, Emily’s Wuthering Heights, and Anne’s The Tenant of Wildfell Hall were all written here. Many of the Brontës’ manuscripts and letters are exhibited in the Parsonage, but as well as its literary significance, the house still retains a powerful atmosphere of the Brontës’ time, giving a wonderful insight into their day to day lives. The rooms they used are largely unchanged and filled with their furniture, clothes and personal possessions, plus a range of domestic artefacts. The museum also includes a major exhibition on the Brontës’ lives and works and interactive displays for families and children.

Best Vantage Points: In the historic rooms of the Parsonage house where the Brontës lived and wrote their great novels. In the museum garden for exterior shots of the façade of the house, the church and churchyard.

Restrictions: The museum is a historic house on a domestic scale.

Permits: Filming can be arranged by contacting the museum directly. Terms and conditions for filming are available on request.

Fees: A fee of £85 per hour is normally charged, however financial arrangements are negotiated on a project-to-project basis.

Public Liability Insurance: The museum has Public Liability Insurance of £5million.

Contact: Brontë Parsonage Museum Telephone: +44 (0) 1535 642323 Email: bronte@bronte.org.uk Website: www.bronte.org.uk

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YORKSHIRE Castle Howard Castle Howard, York, YO60 7DA Situated within the Howardian Hills, an Area of Outstanding Natural Beauty, Castle Howard is one of England’s finest historic houses. Today the magnificent 18th century house – recognised worldwide as the location for television’s iconic series Brideshead Revisited - remains home to the Howard family. Explore dramatic interiors filled with worldrenowned collections, and listen as knowledgeable guides share the stories of the house and family. Outdoor tours explore the monumental landscape dotted with temples, lakes, statues and fountains, and visitors can walk at leisure enjoying seasonal displays of colour, peaceful woodland and lakeside walks, and a walled garden with a rose collection and ornamental vegetable garden. There is a changing programme of exhibitions and events, plus land-train rides to the adventure playground and boat trips on the Great Lake.

Best Vantage Points: It enjoys many attractive advantage points – most famously in front of the house with the Atlas Fountain.

Permits: Filming is permitted; ideally two days’ notice.

Public Liability Insurance: Public Liability Insurance of £10million should be in place.

Contact: Hannah Cooke, Press & Communications Manager Telephone: +44 (0) 1653 648647 or +44 (0) 7816 147619 Email: hcooke@castlehoward.co.uk Website: www.castlehoward.co.uk

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YORKSHIRE JORVIK Viking Centre 15-17 Coppergate Walk, York, YO1 9WT Visitors can explore the excavations which first unearthed the VikingAge city of York and discover the truth about the people that lived there. Built on the very site where archaeologists discovered over 40,000 Viking-Age artefacts, visitors have the chance to get up close to 1,000-year-old houses as they are revealed beneath their feet. Stateof-the art capsules offer virtual time travel to encounter the citizens that lived in Viking England, and to experience all the sights, sounds and smells of JORVIK. Restrictions: Parking is extremely limited and prior notice is required if parking passes for the loading bay need to be issued. Due to fire restrictions, only one wheelchair user can be in the centre at a time.

Permits: Prior permission is required if filming outside in the Coppergate Centre, but a permit isnâ&#x20AC;&#x2122;t issued. Only a few daysâ&#x20AC;&#x2122; notice is necessary.

Fees: For non-commercial filming, there is no filming fee.

Public Liability Insurance: JORVIK carries Public Liability Insurance.

Contact: David Scott (contact first)/Katie Webb/Ben Young Telephone: +44 (0) 1904 543 400 Email: dscott@yorkat.co.uk (contact first) kwebb@yorkat.co.uk/byoung@yorkat.co.uk Website: www.jorvik-viking-centre.co.uk

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YORKSHIRE National Railway Museum Leeman Road, York, YO26 5PU The National Railway Museum in York covers over 200 years of railway history and its collections include over 100 locomotives, some 250 items of rolling stock and thousands of other objects - from posters and tickets to uniforms and silverware.

Best Vantage Points: Two giant halls are filled with locomotives. Access can be provided to a few of the locomotives, cabs and carriages.

Restrictions: There are two bridges that restrict the height of vehicles accessing the site. More information can be provided on request.

Best Time of Day: Any filming needs to fit around the needs of visitors. Filming may be difficult during busy half term periods. The museum review any requests for filming during core hours (10.00 to 18.00). The museum may be able to open outside these hours, depending on the promotional benefit offered by the filming.

Permits: Permission is required to film. For information and forms please visit: www.nrm.org.uk/AboutUs/PressOffice/filmingatnrm.aspx Fees: A charge is made for filming that has no promotional benefit for the Museum. Charges depend on the specific requirements. Fees can be waived if the filming offers significant promotional value to the Museum.

Public Liability Insurance: Public Liability Insurance of ÂŁ1million should be in place.

Contact: Catherine Farrell Telephone: +44 (0) 1904 686281 Email: catherine.farrell@nrm.org.uk Website: www.nrm.org.uk

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YORKSHIRE North Yorkshire Moors Railway 12 Park Street, Pickering, North Yorkshire, YO18 7AJ The worldâ&#x20AC;&#x2122;s most popular heritage steam railway transports passengers back to an era when magnificent steam engines ruled the railways; with services running along the 24 mile line between Pickering and Whitby. The history of the railway can be discovered in the visitor centre. The Moors were locations for Harry Potter and Heartbeat, with the Goathland celebrity station. Traditional station tea rooms serve scrumptious Yorkshire fayre. Stop off at Levisham and visit the artist in residence, or make a special request to the guard to visit Newtondale Halt - a perfect place to start a walking or cycling adventure and spot some magnificent wildlife.

Best Vantage Points: All stations along the line. Pickering, Levisham, Goathland and Grosmont, Beck Hole, Darnholm, Moorgates and Ellerbeck.

Restrictions: No lineside or trackside access, without a suitably PTS qualified member of the North Yorkshire Moors Railway.

Best Time of Day: Early morning to late afternoon.

Permits: A filming permit is not required on the North Yorkshire Moors Railway, but they advise that you inform the NYMR of any planned filming.

Fees: A donation to the NYMR is always encouraged, however this can be waived when filming does not infringe of the day to day running of the railway or for non-commercial filming.

Public Liability Insurance: Public Liability Insurance of ÂŁ5million should be in place.

Contact: Marketing Team Telephone: +44 (0) 1751 473799 Email: marketing@nymr.co.uk Website: www.nymr.co.uk

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YORKSHIRE Sheffield Winter Garden 90 Surrey Street, Sheffield, S1 2LH The Winter Garden is a spectacular glazed public space situated at the very heart of Sheffield city centre. Extensively landscaped with exotic temperate trees and plants, it is an indoor park providing an important amenity for the public in the city centre and a fitting complement to the nearby Peace Gardens. The structure of timber arches and glass is one of the largest glasshouses built in the last 100 years. It is the crowning glory of the ‘Heart of the City’ regeneration project in Sheffield. Together with the adjacent Millennium Galleries, the Winter Garden forms a pedestrian hub linking the civic, arts and university quarters of Sheffield – a cultural route through the city centre. Since the garden was opened, it has won numerous awards and overwhelming appreciation from the people of Sheffield and visitors alike.

Restrictions: Parking is not available and you would need to use nearby car parks on Arundel Gate or Eyre Street.

Permits: Contact Sheffield City Council for details.

Fees: Contact Sheffield City Council for details.

Public Liability Insurance: Public Liability Insurance of £5million should be in place.

Contact: Natalie Johnson, PR Media, Sheffield City Council Telephone: +44 (0) 776 465 9184 Email: Natalie.johnson@sheffield.gov.uk Website: www.sheffield.gov.uk

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YORKSHIRE Whitby Town Whitby and Whitby Harbour, YO21 1 DN Independently owned restaurants, cafĂŠs and bars nestle on the harbourside. Top class visitor accommodation, all set to the backdrop of a cosy fishing town, overlooked by the great ruin of Whitby Abbey with a heritage reaching back to AD 657. The North Yorkshire Moors Railway starts and ends in the town (Pickering station being the main hub of the NYMR). This traditional maritime town of Whitby, with its old cobbled streets, picturesque houses and sandy blue-flag beach is a great place for filming opportunities. Whitby is set among fine stretches of coast with spectacular cliffs, beaches and bays. Many fabulous attractions include the Whitby Spa, Pannett Park and Whitby Museum. This traditional independent museum has a multitude of displays that give a peek into the culture and artistic leanings of yesteryear, including South Seas artefacts, marine and whaling collections, Captain Cook collection and a unique fossil collection. It is the home to the Whitby Literary & Philosophical Society.

Best Vantage Points: On the higher ground surrounding the town which enables you to look down on the activities. A recce is highly recommended prior to the event.

Restrictions: Limited vehicular access for drop off with car parking nearby.

Permits: Contact Scarborough Borough Council directly.

Public Liability Insurance: Public Liability Insurance of ÂŁ5million should be in place and risk assessment completed.

Contact: Rowena Marsden Telephone: +44 (0) 1723 383 615 Email: Rowena.marsden@scarborough.gov.uk Website: www.discoveryorkshirecoast.com/whitby.aspx www.thedms.discoveryorkshirecoast.com/ www.nymr.co.uk/ www.whitbymuseum.org.uk/

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YORKSHIRE York Minster Deangate, York, YO1 7HH Experience history at every turn at one of the nation’s greatest treasures. There is always something to discover at northern Europe’s largest medieval Gothic cathedral.

Best Vantage Points: Nave, Chapter House, Quire and Central Tower.

Restrictions: Any hidden Minster areas (e.g. top of the Five Sisters Window, Central Tower etc.) requires climbing steep steps. Access to the East End is via scaffolding lift.

Best Time of Day: Early morning (07.00 – 10.00).

Permits: No permit required for non-commercial filming but commercial filming must seek approval from the Dean and Chapter, allowing two weeks’ notice.

Fees: No fee for non-commercial. Commercial filming inside the Cathedral is charged at £350 per hour. Other costs within the Minster vary.

Public Liability Insurance: Public Liability Insurance is require for commercial filming. Contact York Minster direct.

Contact: Sharon Atkinson, Director of Communications Telephone: +44 (0) 1904 557248 Email: sharona@yorkminster.org Website: www.yorkminster.org

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YORKSHIRE Yorkshire Sculpture Park West Bretton, Wakefield, WF4 4LG Yorkshire Sculpture Park (YSP) is a leading international centre for modern and contemporary art. It is an independent charitable trust and registered museum situated in the 500-acre, 18th century Bretton Hall estate. YSP was the first sculpture park in the UK and is the largest of its kind in Europe, providing the only place in the world to see Barbara Hepworth’s ‘The Family of Man’ in its entirety and the largest public collection of Henry Moore bronzes in the open air. Its stunning Underground Gallery has hosted major exhibitions by Willliam Turnbull, James Turrell, Andy Goldsworthy, David Nash and Jaume Plensa. Its permanent collection includes works by Sol Lewitt, Dennis Oppenheim, Martin Creed and Anthony Caro.

Best Vantage Points: View from the Bothy Gallery across the Park to Longside Gallery; view from the Visitor Centre.

Restrictions: Certain areas of YSP have access restriction. Film crews would need to be escorted by a YSP member of staff.

Permits: Contact YSP directly. Permission to film Henry Moore works in Country Park would be needed from the Henry Moore Foundation. A fee may be payable to DACS. Fees: A location fee of £600 per day is charged.

Public Liability Insurance: Contact YSP directly.

Contact: Nina Rogers, Marketing Manager Damon Waldock, Communications Assistant Telephone: Nina Rogers +44 (0) 1924 832633 Damon Waldock +44 (0) 1924 832539 Email: nina.rogers@ysp.co.uk \ damon.waldock@ysp.co.uk Website: www.ysp.co.uk

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PUBLIC LIABILITY INSURANCE (PLI) Public Liability Insurance provides cover for your production in respect of injury or property damage caused by the production’s activities. It is usual to have cover up to £5million (recommended by UK Film Council).

All interior locations including attractions, museums, galleries, shopping malls etc. require crews filming on their premises/property to have Public Liability Insurance and will not give permission to film until they’ve received a copy of the production’s Public Liability Insurance. All destinations require Public Liability Insurance for exterior filming.

Generally crews that travel overseas frequently have Public Liability Insurance as part of their insurance package. Crews that travel overseas less frequently can buy Public Liability Insurance as an add-on to cover a standalone trip.

Full information on Public Liability Insurance and everything else broadcasters need to know about filming in the UK, can be found on the UK Film Council website: www.britishfilmcommission.org.uk/tv-production/entering-the-uk/film-insurance/ Contact details: Email: info.vb@mediainsurance.com Tel: 0141 229 6480 Fax: 0141 229 6489 Website: www.mediainsurance.com

USEFUL INFORMATION Equipment hire: VMI Broadcast rental: www.vmi.tv Creative Video has several regional branches: www.creativevideo.co.uk Gearbox has offices in the regions: www.gearbox.com Production Gear at Elstree Studios has sells cameras, tripods, lights, microphones and all film and television production accessories: www.videogear.co.uk/index.php

Other good websites: Creative England: www.creativeengland.co.uk Film London: www.filmlondon.org.uk National Trustâ&#x20AC;&#x2122;s Film Unit: Details on train travel in England: www.nationalrail.co.uk How to plan a driving route in England: www.theaa.com/route-planner Details on public transport in London: www.tfl.gov.uk Details on the weather in England: www.bbc.co.uk/weather

Hiring Generators: Film London is not able to make recommendations of companies, however, it usually recommends that people look in The Knowledge (www.theknowledgeonline.com) and there are also companies registered on their database: www.filmlondon.org.uk/directory