Thomas Watson Auctioneers

Thomas Watson Auctioneers and Valuers Established 1840

Fine Art

| Tuesday, 15th May 2018 at 10am

17 504 44C 86

99

585

320

652 Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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Fine Art

Tuesday, 15th May at 10am at The Gallery Saleroom, Northumberland Street, Darlington VIEWING TIMES

Saturday, 12th May Sunday, 13th May

Monday, 14th May

10am - 1pm

10am - 1pm

9am - 4.30pm

ORDER OF SALE

Glass

European Ceramics

1-10

11-49

Moorcroft

50-66

Silver-Plate

78-85

Metalwork Silver

Jewellery Watches

67-77

86-144

145-320 321-341

Oriental Ceramics and Works of Art 342-452 Objects of Virtue

Cover: Lot 544

453-477

Miscellaneous

478-500

Prints

507-514

Books

501-506

Watercolours and Drawings

515-559

Bronzes and Sculpture

602-622

Oil Paintings

Rugs and Carpets Clocks

Furniture

Mouseman and Other Carvers

Thomas Watson The Gallery Saleroom Northumberland Street Darlington, DL3 7HJ Tel: 01325 462559 Fax: 01325 284587

560-601

623-627

628-637

638-698

699-722

Email: conditionreports@thomaswatson.com Website: www.thomaswatson.com

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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GLASS

3

1

A CONTINENTAL PAINTED GLASS PLATE, decorated in coloured enamels with a dragonfly and poppies. 19cm £50 - 70

2

A CUT-GLASS CLARET JUG, PROBABLY SECOND QUARTER OF THE 19th CENTURY, of flask form, with diamond-cut stopper above a scrollcut spout, the flat oval body cut with bands of diamond diaper. 25.5cm £60 - 100

3

A GEORGE III GLASS TAZZA, c. 1770, with circular dished top on a moulded tapering faceted stem and domed, folded circular foot. Diameter 30.75cm £150 - 250

4

A GROUP OF FIVE 18th/19th CENTURY GLASSES, comprising: two firing glasses, one of trumpet form, etched with a band of roses, the other of plain tapering form; a wine glass with ogee bowl etched with vine leaves; a small glass with funnel bowl; and a glass with bucket bowl and knopped stem. (5) First 10cm £100 - 150

5

A LATE 19th CENTURY CUT-GLASS LOVING CUP, the bowl with a band of fluting above diamond-cut panels, one enclosing an engraved monogram, the hollow knopped stem enclosing a silver threepence of 1901, on a star-cut circular foot. 15.5cm £100 - 150

6

A RENE LALIQUE GLASS AIGLE CACHET (EAGLE SEAL), in clear and frosted glass, inscribed mark “R. Lalique France, no. 17”. 9cm £500 - 700

2

6

7

EDWARD VARNISH & CO., A SILVERED AND AMETHYST GLASS VASE, c. 1850, of flared trumpet form, on a hexagonal foot, with inset silvered factory disc. 23cm £600 - 900

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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8

FOUR 18th/19th CENTURY WINE GLASSES, one with bucket bowl engraved and etched with a decorative band to the rim, another with bucket bowl fluted to the base, and two further glasses with etched or cut bands to the rim. (4) First 12.75cm £120 - 180

9

THREE LARGE 19th CENTURY RUMMERS, the first with ogee, partfluted bowl on a knopped stem, the second with plain ogee bowl, the third of flared bucket form, part-fluted on a short knopped stem. (3) First 15.5cm £80 - 120

9A

AN 18th CENTURY GLASS FLASK, of flattened oval form, with fluted cut bands and with (unmarked) gold cap enclosing a glass stopper. 14cm £80 - 120

9B

TWO ENGLISH GLASS DRY MUSTARDS, LATE 18th century, the taller with ball finial over a domed cover, the baluster body part-fluted and raised on a square foot, the smaller moulded with spiral fluting, on a circular foot. First 17cm £60 - 80

9C

A CONTINENTAL ARMORIAL DRINKING GLASS, LATE 18th CENTURY, of plain trumpet form, etched with a coat of arms beneath a coronet, on a short tapering stem and stepped circular foot. 16.75cm £60 - 80

9D

A CONTINENTAL ARMORIAL DRINKING GLASS, LATE 18th CENTURY, of plain trumpet form, etched with a coat of arms under a coronet, on short tapering stem and stepped circular foot. 17cm £60 - 80

10

TWO 19th CENTURY GLASS CHAMPAGNE FLUTES, the first of trumpet form, panel cut with ball knop stem and circular foot; the second with bowl of similar form, with spherical knop stem and circular foot. First 19cm £50 – 70

EUROPEAN CERAMICS 11

A BRISTOL PORCELAIN COFFEE POT, LATE 18th CENTURY, of baluster form, painted with floral sprays, the spout and handle with foliate scrolls (lacking cover). Height 20cm £100 - 150

12

A BOW PORCELAIN FIGURE OF A SHEPHERDESS, c. 1760, modelled carrying a basket of flowers, a lamb at her feet, on a base moulded with cscrolls. 18.5cm £200 - 300

13

A CAUGHLEY TEA CADDY, c. 1780, of barrel form, the ribbed body painted in blue and gilt with stylised swags, the domed cover with button knop and the base with underglaze blue “S” mark. 11.5cm 11

12

£60 - 90

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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14

A COLLECTION OF EIGHT PORCELAIN THIMBLES, probably all Royal Worcester but only two marked, each painted with a bird and foliage. (8) £150 - 250

15 13A

A CAUGHLEY PORCELAIN MINIATURE TEAPOT, LATE 18th CENTURY, of bullet form, painted with an Angouleme Sprig pattern, highlighted with gilding. 9.5cm £100 - 150

A CONTINENTAL PORCELAIN ARBOUR GROUP, modelled as a gentleman serenading a young lady holding a fan, each in 18th Century dress, the base moulded with Rococo scrolls and highlighted with gilding, lacking candle holder, late 19th Century, underglaze blue double crossed batons to base. 33.5cm high £150 - 250

18

A GEORGE JONES MAJOLICA STRAWBERRY DISH, of oval form, painted and moulded with fruit and leaves, with twin apertures (lacking cream and sugar) (a/f ). 36.5cm £40 - 80

19

A GERMAN PORCELAIN FIGURE OF A DANCER, FASOLD & STAUCH, 1930’s/40’s, modelled topless, standing on a domed circular base, printed marks and incised number 18409. 22.5cm £60 - 80

13B

A CAUGHLEY PORCELAIN ROBIN’S BEAK JUG, LATE 18th CENTURY, painted in the Three Flowers pattern, letter C factory mark. 7cm £150 - 200

13C

A 19th CENTURY NAPLES PORCELAIN CHOCOLATE CUP AND COVER ON STAND, the domed cover with hatching duckling knop, the cup moulded and painted with ducks in a landscape, the saucer with herons and swans, gold painted marks. Height overall 12cm £100 - 150

13D

A DRESDEN PORCELAIN EGG CRUET, LATE 19th CENTURY, with double scroll handle above a tray fitted with six egg cups, on a fluted standard and pierced domed circular foot, moulded and painted with flowers and floral sprays and highlighted with gilding, underglaze blue mark. Height 25cm £80 - 120

4

16

A LARGE PORCELAIN DEEP DISH IN THE SEVRES STYLE, 18th CENTURY, the well with a shaped cartouche enclosing a spray of flowers within a gilt Rococo border against a blue and gilt scale ground, within an unglazed white and gilt foliate band, the rim decorated en suite with the well with floral cartouches, painted iron red mark, old stapled repair. 34.75cm £80 - 120

17

A DUTCH DELFT TILE, EARLY 18th CENTURY, polychrome decorated with a vase of flowers against a blue ground with stylised carnations to the corners.

13.25cm square £80 - 120

20

A KPM PORCELAIN PLAQUE, LATE 19TH CENTURY, painted with three figures in weinkeller, inscribed verso and with impressed factory marks.

24cm by 16.5cm £500 - 700

21

A SET OF SEVEN ENGLISH “TORTOISESHELL” SLIPWARE TILES, LATE 18th CENTURY. 13cm square £80 - 120

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23A

A PAIR OF FRENCH FAIENCE PLATES DECORATED WITH SAINTS, 19th CENTURY, one inscribed “Saint Martin”, the other “Saint Medart”, each depicted with attributes with stylised geometric border. 23.5cm £50 - 70

27

A CHAMBERLAIN’S WORCESTER PORCELAIN TEAPOT ON STAND IN THE “CHINESE FIGURES” PATTERN, NO. 767, c. 1820, the teapot of oval bellied form, the domed cover with loop handle, on a conforming stand.

Across handle 26cm £100 - 150

21A

A LARGE LINTHORPE POTTERY VASE, LATE 19th CENTURY, shape no. 477, with deep neck over a long baluster body, with brown, turquoise and green drip glaze, impressed mark and pattern number. 36cm £100 - 150

22

A LARGE NEWHALL PORCELAIN TEA AND COFFEE SERVICE, c. 1810, pattern number 446, in the Imari palette, comprising: teapot, cream jug, sucrier, three dishes or stands, eleven teacups, eleven coffee cans, and eleven saucers. (40 pieces, some a/f ). £200 - 300

23

A LARGE ROYAL DUX CENTREPIECE, no. 1520, modelled with a maiden seated upon the edge of a shell-form bowl, raised on a naturalistic base with a second figure of a maiden, picked out in characteristic palette, applied pink triangle mark, early 20th Century.

40cm high £150 - 250

24

A LARGE WEMYSS POTTERY TANKARD, with strap handle, painted with roses, green painted factory mark and retailers mark of T. Goode & Co. 14.5cm high £100 - 150

25

27A

A PAIR OF STAFFORDSHIRE PORCELAIN POT POURRI VASES, CIRCA 1840, in Rococo style, each painted with two floral sprays reserved against a claret ground, highlighted with gilding. 30cm high £200 - 300

A MASONS IRONSTONE DINNER SERVICE, EARLY 20TH CENTURY, comprising two vegetable tureens and covers, three graduated meat dishes, eleven dinner plates and six side plates, pattern no. C3010, printed marks. £150 - 250

26

A PAIR OF ROYAL WORCESTER FRUIT-PAINTED PLATES, painted by Telford, one decorated with apples and grapes, the other pears and grapes, each within gilt scalloped rim, black printed marks. 17.25cm £250 - 350

28

A RARE BOW PORCELAIN FIGURE OF AN ACTRESS, c. 1760, modelled in Turkish costume, on a flower-strewn base moulded with c-scrolls. 22.5cm £300 - 500

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29

A RARE ROYAL DOULTON CHARACTER JUG, “DRAKE”, without hat, variation no. 1, designed by Harry Fenton, rd. no. 838085. 15cm £800 - 1200

29

30

A RARE ROYAL DOULTON CHARACTER JUG, “THE CLOWN”, with red hair, rd. no. 810520. 16.5cm £400 - 600

31

A ROSEVILLE POTTERY VASE, of ovoid form with small lug handles, moulded with fruiting vine in the Art Nouveau style, printed mark. 20.5cm £50 - 70

33

A ROYAL WORCESTER FRUIT PAINTED CAKE PLATE, painted by Telford, decorated with pears and grapes, within a gilt scalloped rim, black printed mark. 24cm £200 - 300

32

A ROYAL DOULTON FLAMBE TULIP FORM VASE, the glaze a mottled amethyst over red, shape 920, printed mark. 18cm

34

£250 - 350

32

6

A ROYAL WORCESTER FRUIT PAINTED PLATE, painted by Cook, decorated with plums and raspberries within a plain gilt rim, black printed mark. 23cm £150 - 250

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36

35

A ROYAL WORCESTER FRUIT PAINTED PLATE, painted by Freeman, decorated with peaches and blackcurrants, within a plain gilt rim, black printed mark. 15.5cm £120 - 180

36

A SET OF FOUR ROYAL WORCESTER FRUIT PAINTED CABINET TEACUPS AND SAUCERS, painted by J. Smith, each decorated with summer fruits, black printed marks (one saucer broken and repaired).

37

38

A STAFFORDSHIRE PEARLWARE “REFORM” JUG, c. 1830, of helmet form, printed in pink with images of Early Grey, Lord John Russell and Baron Brougham. Across handle 12.5cm £150 - 250

39

40

A WORCESTER FIRST PERIOD KANGXI LOTUS PATTERN PLATE, c. 1770, with characteristic decoration and wavy edge, pseudo Kangxi mark.

19cm £80 - 120

A WEMYSS WARE POTTERY BUTTERFLY PAPERWEIGHT, signed by Brian Adams, further inscribed Exon, impressed marks. Height 5.75cm

£50 - 70

£400 - 600

37

A SET OF FOUR ROYAL WORCESTER FRUIT PAINTED CABINET COFFEE CANS AND SAUCERS, painted by Roberts, each decorated with summer fruits, one cup unsigned, black printed marks. £500 - 700

41

40

AN UNUSUAL GALLE POTTERY VASE, c. 1895, of cube form, each side with deep dimple, slip-decorated with a dragonfly amidst stylised foliage, painted mark. 11.5cm £300 - 500

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44B

46

ANNA MARIE VALENTINE (1884-1905) FOR ROOKWOOD POTTERY A VASE, painted with a band of flowers and with shaded brown/mustard glaze, incised initials and impressed marks. 22cm £100 - 150

42

AN ENGLISH BLUE AND WHITE PORCELAIN CUSTARD CUP, c. 1800, of baluster form, with domed cover, painted with floral sprays. Height 7.75cm £70 - 90

43

CHARLES NOKE FOR ROYAL DOULTON A FLAMBE VASE, of baluster form, decorated with a rural landscape, black printed factory mark and painted signature. 28cm £60 - 90

44

TWO ROYAL WORCESTER ROSE DECORATED VASES, the first painted

by Kitty Blake, shape number G923, with green printed mark for 1917, the second shape number 2226, puce mark also for 1917. (2) First 19cm £100 - 150

44C

A PAIR OF ENGLISH SOFT-PASTE PORCELAIN MODELS OF PARROTS, each decorated in enamels and modelled with a fruit in one claw, mounted on a flower-applied base with puce highlighted rococo scrolls and shells. Taller 17cm £150 - 250

45

A PAIR OF ENGLISH SOFT-PASTE PORCELAIN FIGURES OF DANCING CHILDREN, 18th CENTURY, she with a flower upheld in her left hand, he in a pink hat, each on a flower strewn rococo base highlighted with gilding (a/f). 16.5cm £100 - 150

47

A RARE PERSIAN SAFAVID “KUBACHI” VASE, BELIEVED TO BE 17th CENTURY, with decoration outlined in black under a thin crackle glaze, with a fitted box and associated hardwood stand. Vase 17cm £300 - 500

48

WILLIAM SMITH & CO, STOCKTON ON TEES A SELECT VIEWS PATTERN BROWN TRANSFER PRINTED DINNER SERVICE, comprising vegetable tureen and cover, tureen cover, sauce tureen and cover on stand, sauce boat, twelve dinner plates and two soup plates, impressed and printed marks; together with a large similarly decorated tureen and cover, unmarked.

AN ENGLISH PORCELAIN FIGURE OF A GARDENER, 18th CENTURY, modelled wearing an apron, standing by a stump with potted plant, on a puce highlighted base (a/f ). 11.5cm £80 - 120

49

£150 - 250

A LAMBETH DELFT POLYCHROME DISH, the well painted with a Chinese figure in a river landscape, the rim with floral and foliate garland. 33.5cm £120 – 180

44A

A PERSIAN POTTERY OIL FLASK, 19th CENTURY, three-sided, painted with flowers; together with a Moroccan “Safi” Metal-Mounted Spice Jar, 19th century, with polychrome geometric decoration. (2) First 18.5cm £80 - 120 46 8

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MOORCROFT

53

55

A WALTER MOORCROFT POTTERY VASE, of ovoid form, tube-lined and hand-painted with flowers and foliage against a shaded green ground, green painted initials and impressed mark.

21.5cm £150 - 250

A FINE AND LARGE WILLIAM MOORCROFT VASE IN THE POMEGRANATE PATTERN, of baluster form, hand-painted and tube-lined with the stylised fruit against a ground with ochre in the glaze, green painted signature and impressed mark, 36cm. £1500 - 2000

54

50

A RARE PAIR OF MOORCROFT METALLIC LUSTRE VASES, EARLY 20TH CENTURY, of baluster form, impressed Burslem mark. 16cm £180 - 250

55A

A WALTER MOORCROFT VASE IN THE CLEMATIS PATTERN, of shouldered ovoid form, tube-lined and handpainted with the stylised flowers against a shaded green ground, blue painted initials, paper label and impressed marks. 13cm

A WILLIAM MOORCROFT MINIATURE VASE IN THE EIGHTEENTH CENTURY PATTERN, of shouldered ovoid form, tube-lined and hand-painted with ribbon tied floral swags, pattern no.

M2638, green painted initials and brown printed factory mark. 8cm £100 - 150

£150 - 250

51

A SMALL MOORCROFT FLAMBE VASE, IN THE ORCHID PATTERN, of baluster form, impressed marks. 10cm £200 - 300

52

A WALTER MOORCROFT BOWL IN THE CLAREMONT PATTERN, circular footed form, tube-lined and handpainted with toadstools against a shaded green ground, slate blue painted initials impressed marks.

Diameter 16cm £250 - 350

55 Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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55B

A MOORCROFT SALT-GLAZED JAR AND COVER IN THE SPRING FLOWERS PATTERN, cylindrical, tubelined and hand-painted with floral sprays. 9cm high £100 - 150

55C

A MOORCROFT TABLE LAMP IN THE MARTINIQUE PATTERN, BY JEANNE MCDOUGALL, first quality, tube-lined and hand-painted with fish, c.1990, with shade. 44cm to top of bulb fitting £400 - 600

55D

A MOORCROFT VASE IN THE AFRICAN LILY PATTERN, tube-lined and hand-painted with the stylised flower against a green/blue ground, painted signature, paper label and impressed marks. 31cm £500 - 700

56

59

57

£100 - 150

A WILLIAM MOORCROFT MINIATURE VASE IN THE EIGHTEENTH CENTURY PATTERN, tube-lined and hand-painted with ribbon tied floral swags, pattern no.

M2638, green painted initials and brown printed factory mark. 7.5cm £100 - 150

A WILLIAM MOORCROFT POMEGRANATE PATTERN VASE, of globular form, painted and tubelined against a blue ground, painted signature and impressed marks. Height 9cm £300 - 400

58

WILLIAM MOORCROFT FOR JAMES MACINTYRE & CO A MINIATURE VASE IN THE ALHAMBRA PATTERN, CIRCA 1903, the ovoid body with circular foot, tubelined and hand-painted in Art Nouveau style with stylised foliage, brown printed factory mark. 8cm £100 - 150

WILLIAM MOORCROFT FOR JAMES MACINTYRE & CO A MINIATURE VASE IN THE ALHAMBRA PATTERN, CIRCA 1903, tube-lined and hand-painted in Art Nouveau style with stylised foliage, pattern no. M2478, brown printed factory mark. 6.3cm

60

WILLIAM MOORCROFT FOR JAMES MACINTYRE & CO A TWO-HANDLED VASE IN THE EIGHTEENTH CENTURY PATTERN, tube-lined and hand-painted with the flowers against a white ground highlighted with gilding, pattern no.

M2862, green painted signature and brown printed factory mark. 13cm £700 - 900

61

WILLIAM MOORCROFT FOR JAMES MACINTYRE & CO A VASE IN THE EIGHTEENTH CENTURY PATTERN, tube-lined and hand-painted with ribbon tied floral swags against a white ground, pattern no. M2632, green painted signature and brown printed factory mark. 15cm £100 - 150

55C 10

55D

60

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63

62

WILLIAM MOORCROFT FOR LIBERTY & CO A GRAPEVINE PATTERN BOWL, circular footed form, tube-lined and hand-painted with scrolling vine and pendant bunches of grapes, green painted signature and brown printed mark MADE FOR LIBERTY & CO. 18.5cm £200 - 300

WILLIAM MOORCROFT FOR LIBERTY & CO A BOWL IN THE HAZELDENE PATTERN, circular, tube-lined and hand-painted with stylised trees against a green shaded ground, green painted signature and brown printed mark MADE FOR LIBERTY & CO. Diameter 18cm £300 - 500

64

WILLIAM MOORCROFT FOR LIBERTY & CO A LUSTRE VASE IN THE GRAPEVINE PATTERN, of shouldered form with waisted foot, tube-lined and handpainted with scrolling vine and pendant bunches of grapes, green painted signature and brown printed mark MADE FOR LIBERTY & CO. 12.5cm £200 - 300

65

WILLIAM MOORCROFT FOR LIBERTY & CO A SMALL JAR AND COVER, circular, tube-lined and hand-painted with pendant flowerheads, green painted signature and brown printed mark MADE FOR LIBERTY & CO. Diameter 5.5cm £100 - 150

66

WILLIAM MOORCROFT FOR LIBERTY & CO A VASE IN THE HAZELDENE PATTERN, the squat body tube-lined and hand-painted with stylised trees in a landscape, green painted signature and brown printed mark MADE FOR LIBERTY & CO. 9.5cm £2000 – 3000

66 Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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METALWORK 67

A BRASS LANTERN IN THE ART NOUVEAU TASTE, tapering square section, each side mounted with a blue/green ceramic cabochon above a stylised anchor motif, the corners with studded bands. Including suspension hook 40cm

70

72

AN AESTHETIC BRASS COAL BUCKET, of helmet form, repousse with stylised foliage and complete with shovel. 41cm

AN EDWARDIAN BRASS-MOUNTED OAK CRIBBAGE BOARD/CARD BOX, modelled as a spade suit, the hinged cover with a conforming cribbage board and centred by a plaque of playing cards, the interior fitted for a pack of cards. 5cm by 14.5cm by 19cm

£150 - 250

£100 - 150

£80 - 120

73

AN UNUSUAL PAIR OF MAPPIN & WEBB ENAMELLED BRASS CANDLESTICKS IN THE AESTHETIC TASTE, c. 1880, each with urn-form cup above a circular drip pan on a tapering knopped standard and circular dish base, decorated in polychrome enamels with birds and flowers in the Oriental manner, stamped marks. 17cm

71 68

A BRONZE CAULDRON, PROBABLY 18TH CENTURY, with angular handles and everted rim, raised on three legs.

21cm high, 31.5cm across handles £150 - 250

AN ARTS AND CRAFTS BRASS COAL BOX, of sarcophagus form with lift-off cover and scrolling legs, repousse with stylised plant form. Overall 55cm wide £200 - 300

£300 - 500

68A

A RARE SILVERED BRASS CHOCOLATE OR SIDE-HANDLED POT, THIRD QUARTER 18th CENTURY, with domed cover over a tapering body, the turned wooden handle issuing from a heart-shaped plate. 23cm £100 - 150

69

A PAIR OF FRENCH GILT-METAL MOUNTED BLACK SLATE GARNITURE URNS, THIRD QUARTER 19th CENTURY, each twin-handled urn on a stepped plinth with incised decoration and birds in relief in the Aesthetic taste. 31.5cm £80 - 120

12

73

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75

74

74

ARCHIBALD KNOX FOR LIBERTY & CO A PEWTER BUTTER DISH, circular with three lug handles, cast in low relief with stylised foliage, no. 0162, stamped marks. Diameter 14cm £200 - 300

75

ARCHIBALD KNOX FOR LIBERTY & CO A TUDRIC PEWTER BISCUIT BOX AND COVER, CIRCA 1905, of square form, embossed with stylised flowerheads, no. 0194, stamped 6/TUDRIC/ENGLISH PEWTER/LIBERTY & CO/0194. 11.5cm high, 11.5cm wide £300 - 500

76

76

ARCHIBALD KNOX FOR LIBERTY & CO A PAIR OF ENGLISH PEWTER TULIP VASES, NOS 029, each with sinuous handles and slender stem with bulbous head, stamped marks. 15.5cm high £1500 - 2500

77

ARCHIBALD KNOX FOR LIBERTY & CO A TUDRIC PEWTER AND ENAMEL VASE, bomb shaped with three lug feet, no. 0226. 18.5cm £1000 – 1500

77

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SILVER PLATE 78

A CONTINENTAL WHITE METAL STAND, probably 19th Century but unmarked, with circular bowl raised on a stem issuing from a domed base embossed with foliage, raised on four ball feet. 13cm high £50 - 70

79

A LARGE CONTINENTAL WHITE METAL TASTE VIN, with pierced scroll handle, the well chased with a flowerhead, indistinct marks. Length across handle 18.5cm, 7.9 troy ounces £60 - 80

80

A WHITE METAL OCTAGONAL BALUSTER CASTER, engraved with a monogram, probably 18th Century, unmarked. 17.5cm £50 - 70

81

AN ASPREY ALMAZAN SILVERPLATED ‘’SACK’’ VASE, together with A FOUR-PIECE SILVER-PLATED TEA SERVICE. Vase 17.5cm £100 - 150

82

AN EDWARDIAN SILVER-PLATED THREE-BOTTLE DECANTER STAND, the stand of rectangular form with beaded loop handle, the sides pierced with swags, scrolls and oval paterae, on pierced swag-cast feet, each decanter with fluted mushroom stopper above a spout neck, the square body with fluting and diamond cutting. Height of stand 34cm £150 - 200

14

87

83

AN ERCUIS SILVER-PLATED BOWL, circular with pierced sides, stamped marks. 20.5cm £120 - 180

84

AN OAK CASED CANTEEN OF SILVER-PLATED CUTLERY, LATE 19TH/EARLY 20TH CENTURY, twelve place settings. Case 46.5cm by 36cm £140 - 180

85

ASPREY & CO., A SILVER-PLATED TOAST AND PRESERVES STAND, 1920’s/30’s, the four-division toast rack with bakelite handle, on a stand fitted with four glass preserve jars and raised on splayed legs, impressed marks (spoons lacking). Height 19.5cm £70 – 90

SILVER 86

A 1930’s GERMAN SILVER MEDAL, BERLIN GREEN WEEK 1934, by Carl Poellath, awarded as a prize in the dogs category, 900 standard. 46mm £50 - 70

87

A CHARLES II SILVER TWO-HANDLED PORRINGER, HB conjoined, London 1664, of circular bellied form with embossed foliate decoration, engraved with a crest to one side and to the other the initials IW within a cartouche, scroll handles. 6.9oz, 9.5cm high, 15.5cm wide across handles £1000 - 1500

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88

A CHINESE EXPORT SILVER COCKTAIL SET, comprising shaker, six tumblers and circular tray, each piece decorated with dragons, each piece stamped 85 and the tray with mark of Sincere & Co. Shaker 25cm high, gross 34oz £1000 - 1500

89

A CHINESE SILVER DOUBLE WALLED BOWL, embossed with a three-claw dragon, seal marks. 7.2oz, 13cm wide £700 - 900

90

A CONTEMPORARY SILVER GOBLET, London 1998, maker RMM, with trumpet bowl and slender stem issuing from a stepped circular foot. 12oz, 19.5cm £400 - 600

88

91

A CONTINENTAL SILVER AND ENAMEL SNUFF BOX, of rectangular form, the hinged cover enamelled with a horse and jockey, stamped 925. 5.5cm by 4cm £60 - 80

92

A FINE GEORGE V SILVER MOUNTED CLARET JUG, Birmingham 1923, the cut-glass body etched with pendant flowers and raised on a circular radiant cut foot. 28.5cm £1000 - 1500

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93

A FINE JAPANESE SILVER THREE PIECE TEA SERVICE, CIRCA 18901910, comprising teapot, cream jug and sucrier, the simulated bamboo bodies with naturalistic handles issuing bamboo leaves, each with engraved seal mark. Gross 36.7oz, teapot 12cm high £1500 - 2500

94

A GEORGE III SILVER CREAM JUG, NEWCASTLE, c. 1800, (date mark indistinct), of oval bellied form, with bright cut decoration and raised on ball feet; together with a George III silver punch ladle, of similar date, with oval bowl the stem with bright cut decoration and with twisted whalebone handle. (2) First 3.9 troy ounces £80 - 120

96

93

A GEORGE V SILVER BASKET, Mappin & Webb, London 1915, circular with pierced fan-shaped panels and fixed openwork handle decorated with scrolls. 10.4oz, 16.5cm wide £300 - 400

97

A GEORGE V SILVER BOWL, HENRY WIGFALL, SHEFFIELD 1911, circular with petal edge and circular foot.

16.5cm wide, 7.4oz £50 - 70

98

A GEORGE V SILVER COFFEE POT, George Howson, Sheffield 1929, of baluster form. 25cm high, gross 25.8 oz £500 - 700

99

A GEORGE V SILVER INKSTAND, Birmingham 1912, with three-quarter gallery, bead and reel edge and paw feet. 22cm wide, 12.3oz (excluding ink wells) £200 - 300

100

A GEORGE V SILVER PURSE, CHESTER 1916, engraved with a monogram, with suspension loop and chain. 2.8 troy ounces £50 - 80

101

95

A GEORGE V SILVER SAUCE BOAT, Emil Viner, Sheffield 1931, with pad feet. 4.2oz, 14.5cm £60 - 90

A GEORGE III SILVER MUSTARD POT, London 1786, with domed hinged cover and bright-cut decoration. 8.5cm high £700 - 900 98 16

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102

A GEORGE V SILVER SAUCE BOAT, London 1930, the scrolling handle with acanthus cast thumbpiece, raised on three legs capped with anthemion.

5.8oz, 17.5cm £120 - 180

103

A GEORGE V SILVER SUGAR CASTER, Chester 1920, of faceted baluster form with urn finial. 16.5cm, 4.8oz £200 - 300

104

A GEORGE V SILVER WAITER, SHEFFIELD 1913, in the Georgian taste, with scalloped rim and raised on splayed feet. 20.25cm, 9.7 troy ounces £120 - 180

105

A GEORGE VI SILVER THREE PIECE TEA SERVICE, BIRMINGHAM 1939, each piece of globular form, on a stepped circular foot. 28 troy ounces

108

A LARGE GEORGE V SILVER SALVER, Barker Brothers, Chester 1919, with piecrust edge. 36.5cm, 39.4oz £400 - 600

111

109

A LARGE VICTORIAN SILVER CREAM JUG, LONDON 1841, of baluster form, with leaf-capped double scroll handle and engraved decoration of c-scrolls and shells. Height 17cm, 9.4 troy ounces £80 - 120

110

A LARGE VICTORIAN SILVER TOPPED INKWELL, London 1897, the hinged square top engraved with a presentation inscription dated 1928, the substantial square glass body with prism cut base. 10.5cm wide £100 - 150

A LARGE GEORGE V SILVER TOPPED SCENT BOTTLE, Arthur Willmore Pennington, Birmingham 1906, the hinged top chased with C-scrolls and flowerheads, the moulded body with star-cut base. 20cm £300 - 400

A LARGE SILVER SAUCE BOAT, Sheffield 1947; together with A SMALLER SILVER SAUCE BOAT, Adie Brothers, Birmingham 1949. (2) Larger 9.5cm high, gross 9.9oz £100 - 150

112

113

A LATE VICTORIAN SILVER DISH, George Howson, Sheffield 1900, chased with scrolls and with pierced panels, raised on a moulded foot with beaded band. 11.8oz, 25cm £100 - 150

£150 - 250

106

A GOOD GEORGE V SILVER FOURPIECE TEA SERVICE, Pearce & Sons, London 1911 and 1912, comprising teapot, hot water pot, cream jug and two-handled sugar bowl, each piece of faceted form. Height of hot water pot 21.5cm, gross 67.11oz £600 - 800

107

A LARGE EARLY VICTORIAN SILVER MUSTARD, IN THE ROCOCO REVIVAL TASTE, CHARLES GORDON, LONDON 1840, of circular bellied form, the hinged cover with bud knop, the body chased with floral sprays, on scroll feet cast with female masks, gilt interior.

Across handle 11.5cm, 7.6 troy ounces £80 - 120

106

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122

A PAIR OF SILVER PHOTOGRAPH FRAMES, Ari D. Norman, Sheffield 2006, each with golfing motif in the arch. Overall 22cm by 15cm £180 - 250

123

A PAIR OF SILVER SAUCE BOATS, S. Blanckensee & Sons Ltd, Birmingham 1945, each with oval foot. 12cm high, gross 13.1oz 119

114

A LATE VICTORIAN SILVER MINIATURE CARRIAGE CLOCK, maker W.F.W., London 1896, retailed by Percy Edwards & Company, 3cm white enamel dial with Roman numerals, the simple case with swing handle and bun feet. 7cm high (excluding handle). £100 - 200

115

A PAIR OF EDWARDIAN SILVER GRAPE SCISSORS, George Howson, Sheffield 1903. 4.2oz, 18.5cm £40 - 60

116

A PAIR OF GEORGE III STYLE SILVER COASTERS, T.C.P., London 1973, circular with pierced sides and brightcut engraving. 13cm £50 - 100

117

A PAIR OF GEORGE V SILVER CANDLESTICKS, SHEFFIELD 1913, in the Georgian taste, each with oval urn form cup and detachable fluted drip pan over a tapering standard on a shaped oval foot, weighted. 20.5cm £200 - 300

18

£150 - 250

118

A PAIR OF GEORGE V SILVER PEPPER POTS, Goldsmiths & Silversmiths Co, London 1926, in a fitted case. Gross 9.2oz, each 11.5cm £300 - 500

119

A PAIR OF LATE VICTORIAN SILVER SAUCE BOATS, Martin Hall & Co Ltd, Sheffield 1896, each with anthemion capped legs and scrolling handle with acanthus cast thumbpiece. Gross 18.4oz, 18cm £700 - 900

120

A PAIR OF LATE VICTORIAN SILVERMOUNTED WRYTHEN GLASS DECANTERS, William Comyns & Sons Ltd, London 1896, of hourglass form, each with pierced silver base, collar and neck, cast in the Rococo taste, and with wrythen ball stoppers. 20cm £500 - 700

121

A PAIR OF SILVER FIVE-BAR TOAST RACKS, Adie Brothers, Birmingham 1951, 7.5cm, gross 2.2oz. £60 - 100

124

A QUEEN ANNE BRITANNIA STANDARD SILVER TANKARD, Timothy Ley, London 1710, with moulded girdle and borders, domed cover with scroll thumb-piece and scroll handle. 29.9oz, 19cm £2000 - 3000

125

A SET OF FOUR VICTORIAN SILVER CAULDRON SALTS, LONDON 1863, each chased with foliate and floral panels, with masks above paw feet, gilt interiors. Diameter 8cm, 12.8 troy ounces £150 - 200

126

A SET OF FOUR VICTORIAN SILVER SALTS IN THE CHINOISERIE TASTE, JOHN WILMIN FIGG, LONDON, 1841 and 1842, each pierced and of cauldron form, with leaf cast rims, the bowls decorated with masks of Chinese figures, c-scrolls and rocaille, on foliate pad feet, with cranberry glass liners. (4) Excluding liners 14.2 troy ounces £150 - 250

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127

A SET OF SIX GORHAM STERLING SILVER GOBLETS, with bell-shaped bowls, each numbered 272. 16.5cm, gross 35oz £300 - 400

124

128

A SET OF SIX SILVER AND ENAMEL COFFEE SPOONS, Henry Clifford Davis, Birmingham 1950, each stylised terminal with geometric detailed enamel, cased. £50 - 80

129

A SET OF SIXTEEN SILVER-MOUNTED HORN SPOONS, foreign marks; together with THREE FURTHER SILVER-MOUNTED HORN SPOONS and A SILVER-HANDLED HORN BUTTER KNIFE. (20)

£200 - 300

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130

130

A SILVER GOBLET, Peter Charles Maxwell Alwyn, London 1983, the beaker-form bowl raised on a figural “stickman” stem issuing from a circular foot. 7.1oz, 17cm £300 - 400

131

A SILVER INKWELL, Birmingham 1993, circular with hinged cover. 9.5cm wide £50 - 70

132

A SILVER STAND, Birmingham 1950, of oval form, with gadrooned rim. 23.5cm, 8.4 troy ounces £120 - 180

133

A SILVER-MOUNTED STATIONERY BOX, IN VICTORIAN STYLE, LONDON 1991, the hinged cover with an elaborately decorated silver panel decorated with a garlanded putto and winged putto mask amidst rococo scrolls and flowers, on a brown leather ground, the interior lined in green moire silk. 20cm by 31cm by 13.5cm £200 - 300 20

134

135

A SMALL BRITANNIA STANDARD SILVER “ARMADA” DISH, Comyns, London 1977. 3.1oz, 11cm £40 - 60

135

A VICTORIAN SILVER MUSTARD POT, John Evans II, London 1859, with foliate cast borders and lyre shaped thumbpiece. 7.25cm £400 - 600

136

A VICTORIAN SILVER SALVER, ALEXANDER MACRAE, LONDON 1873, circular with beaded edge, engraved with foliage. 30.5cm, 33.7oz £200 - 300

137

A VICTORIAN SILVER TOPPED DECANTER, Frederic Purnell, London 1888, of rectangular section, the hinged cover engraved with a monogram. 18.5cm high £250 - 350

138

140

A VICTORIAN SILVER-MOUNTED CUT-GLASS INKSTAND, the silver marked for Birmingham 1888, the faceted domed well with domed cover engraved with a date and monogram, over a circular tray. Height 10.5cm £50 - 70

139

AN EDWARDIAN SILVER CIRCULAR BOX, William Comyns, London 1904, with pierced cover. 8.5cm, 2.4oz £70 - 90

140

AN EDWARDIAN SILVER EPERGNE, Horace Woodward & Co Ltd, London 1902, with central trumpet form vase surrounded by four small vases, raised on a lobed base. 24.5cm

£400 - 600

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141

AN EDWARDIAN SILVER TROPHY, CHARLES STUART HARRIS, LONDON 1906, of urn form, applied with twinned serpent handles, on a stepped circular foot. 15.5cm, 14.3 troy ounces £100 - 200

142

142

AN UNUSUAL PAIR OF WILLIAM IV SILVER CARRIAGE OR COACH HANDLES, William Bateman, London 1834, each with flowerhead cast centre to a boldly reeded knob on a plain circular backplate, iron post and fittings. Diameter 5.5cm £1400 - 1800

143

KESWICK SCHOOL OF INDUSTRIAL ARTS, A CASED SET OF SIX SILVER TEASPOONS, CHESTER 1959, with “apostle” bowls and tapering faceted stems, in their original fitted case. £400 - 600

144

LIBERTY & CO., A SILVER AND ENAMEL CADDY SPOON, EDINBURGH 1987, with circular bowl, the handle in the Art Nouveau taste with blue-green enamel panels in a pierced whiplash design. 7.5cm £150 – 250

143

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JEWELLERY 145

AN AQUAMARINE AND DIAMOND RING, the rectangular cut aquamarine four claw set between stepped shoulders each set with three brilliant cut diamond highlights, all set in a simple pierced mount between tapering shoulders on a plain band.

Stamped 750. Ring size N. Weight 2.7 grams. £120 - 180

146

AN AQUAMARINE RING, the rectangular cut aquamarine four claw set in a simple pierced mount, set raised on a solid tapering band. Stamped 375.

Ring size N. Weight 4.5 grams. £100 - 150

147

AN EARLY 19TH CENTURY DEMIPARURE, consisting of a brooch and matching earrings, the circular brooch set to the concave centre with black enamelled star shaped mount with single old cut diamond highlight, within delicate engraved detailing to the outer mount, suspending five graduating articulated drops, on brooch pin fitting. Diameter 3.2cm.

Weight 8.5gms; and a pair of earrings to match, the circular mounts with similar details suspending three articulated drops (one lacking), all suspending on a further articulated link from a domed circular mount with moulded star detail, on hook style fitting. Length 4.5cm. Total weight 5.7gms. In fitted case. £800 - 1200

147

148

A 19TH CENTURY SEED PEARL AND DIAMOND PIN, modelled as harp set throughout with graduating seed pearl highlights, the centre set with old cut diamond set initials JC, to the top of an articulated horseshoe set with two seed pearl end terminals. Length 4.5cm.

Weight 3.7 grams. £180 - 250

149

A 9 CARAT GOLD CHARM BRACELET, with various charms including poodle, binoculars, tankard, dancing girls, etc, most hallmarked. Gross 54 grams £400 - 600

22

150

A 9 CARAT GOLD DOUBLE CHAIN CHARM BRACELET, various charms including duck, kettle, bellow, etc, some hallmarked. Gross 38.8 grams £300 - 400

151

A 9 CARAT GOLD WATCH CHAIN, with T-bar and swivelling fob. 45cm, 42 grams £350 - 450

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152

A BANDED AGATE NECKLACE, of thirty graduating polished banded agate beads, strung knotted onto a bolt ring clasp. Total length 54cm. £500 - 700

153

A JET BEAD NECKLACE, formed of five graduating polished and faceted black beads, on heavy bolt ring clasp. Total length 35cm. Weight 152 grams. £100 - 150

157

A COLLECTION OF LOOSE AQUAMARINES, all oval cut of differing sizes. Total weight 3.9 grams. £150 - 250

158

A COLLECTION OF LOOSE AQUAMARINES, mainly oval cut, of differing sizes. Total weight 4.7 grams. £150 - 250

159

A COLLECTION OF LOOSE OPALS, of different sizes, cuts and shapes. Total weight 13 grams. £100 - 150

160

154

A BYZANTINE RUBY AND GOLD RING BY LALAOUNIS, the crossover style mount of domed oval end terminals set throughout with twentyeight round cut ruby highlights amongst cut out detailing, on a tapering band. Stamped 750. Ring size N. Weight 7.6 grams. £500 - 700

155

A CITRINE AND DIAMOND PENDANT, the large oval cut citrine four claw set between sixteen brilliant cut diamonds, suspending on an articulated link to the bottom a tapering oval bale, on fine oval link chain with hook style clasp. Total length 44cm. Weight 10.4 grams. £150 - 250

A COLLECTION OF LOOSE PASTE STONES, of differing sizes, cuts and colours; and a paste set ring and necklace clasp. Total weight approximately 42 grams. £30 - 50

161

A COLLECTION OF LOOSE SAPPHIRES, of differing sizes and cuts.

Total weight 6.3 grams. £100 - 150

162

A COLLECTION OF THREE RINGS, one gold coloured wedding band. Ring size P; one set with peridots. Ring size P, stamped 375; and one set with an aquamarine and two sapphires. Ring size P, stamped 375. Total weight 6.6 grams. £120 - 180

163

A CONTINENTAL GOLD, DIAMOND AND ENAMEL FOB WATCH, LATE 19TH CENTURY, the white enamel dial with Arabic numerals and subsidiary dial, the case back with blue guilloche enamel centred by a diamond. Case 28mm wide £500 - 700

164

A CORAL AND SEED PEARL NECKLACE, of multi strands of graduating coral beads and seed pearls, all twisted onto an integral tongue clasp set within a large baroque pearl. Total length 47cm. £500 - 700

165

A CORAL AND SEED PEARL RING, the unusual crossover style mount set with two graduating coral beads, alternately spaced with two graduating pearls, on tapering band. Ring size Q. Weight 3.9 grams. £250 - 350

156

A COLLECTION OF AMBER COLOURED STONES, to include large unpolished amber and polished amber beads. £150 - 250

163

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166

A CORAL BEAD BRACELET, the fortyseven uniform coral beads strung simply onto bolt ring clasp. Total length 17cm. Weight 4.8 grams. £40 - 60

167

A CORAL BEAD NECKLACE, of uniform polished coral beads each strung knotted into two graduating rows, on an integral tongue ball clasp.

Stamped 750. Total length 60cm. Weight 27.7 grams. £400 - 600

168

A CORAL NECKLACE, the seventy-four graduating polished coral beads strung simply onto a screw barrel clasp. Total length 44cm. Weight 25.9 grams. £200 - 300 24

169

172

A CULTURED PEARL AND CITRINE NECKLACE, the uniform cultured pearls strung knotted into three graduating rows onto an integral tongue flower head clasp set with six oval cut citrines and seven graduating cultured pearls. Total length 45cm.

Weight 100 grams. £700 - 900

170

A CULTURED PEARL BRACELET, of six strands of uniform cultured pearls each strung knotted onto a large rectangular integral tongue clasp set with three graduating pearls and eight old cut diamond highlights, on textured metal background. Total length 21cm. Weight 43.5 grams. £250 - 350

171

A CULTURED PEARL CLUSTER RING, the multi baroque cultured pearls each set on articulated links in cluster formation, on a textured metal band.

Ring size O½. Weight 6.2 grams. £200 - 300

172

A CULTURED PEARL, EMERALD AND DIAMOND NECKLACE, the forty-four uniform cultured pearls each strung knotted onto an unusual stylised and removable square shaped clasp set to the centre with a square shaped emerald collet set within a surround of twenty-three brilliant cut diamond highlights. Stamped 750. Length 46cm.

Weight 76.5gms. £4000 - 6000

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173

173

A CULTURED PEARL, RUBY AND DIAMOND NECKLACE, the forty uniform baroque cultured pearls each strung knotted, suspending an elaborate symmetrical scroll detail mount set throughout with graduating table cut diamonds and eight oval mixed cut ruby highlights with a further oval cabochon cut principle ruby to the centre, in turn suspending three articulated cultured pearl drops with ruby bead highlights, on a later added integral tongue clasp. Clasp stamped SILVER. Total length 50cm; AND A PAIR OF EARRINGS TO MATCH, the principle round cut ruby set within a scrolling surround set throughout with table cut diamond highlights, suspending five graduating articulated cultured pearl drops with ruby bead highlights, in turn all suspending from a flowerhead shaped mount of further table cut diamonds, on post and scroll fittings. Length 9cm. £800 - 1200

174

A DIAMOND AND GOLD RING, the unusual domed circular mount of textured metal detailing, with concave detail set with eleven brilliant cut diamond highlights, all set raised on a tapering band. Stamped 18K 750. Ring size K½. Weight 8.5 grams. £400 - 600

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175

A DIAMOND BROOCH, the geometric stylised mount set to the centre with three individually claw set brilliant cut diamonds, on simple brooch pin fitting. Total weight 7.5 grams.

Accompanied by three AnchorCert Gem Lab Certificates One dated 18th April 2018, numbered 20038214, stating the diamond is 1.38 carats, is colour I and clarity VS1 One dated 18th April 2018, numbered 20038213, stating the diamond is 1.28 carats, is colour K and clarity VVS2 One dated 18th April 2018, numbered 20038215, stating the diamond is 1.54 carats, is colour L and clarity VVS2 £6000 - 8000

176

A DIAMOND RING, the brilliant cut diamond seven claw set in a pierced heart detail mount between open pierced detail shoulders, with loop details, each set with four graduating baguette cut diamonds, on a plain band. Stamped PLATINUM. Ring size M½. Weight 5.1 grams. £10000 - 15000

176 26

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177

A DIAMOND RING, the five brilliant cut diamonds each claw set in simple pierced mounts between moulded tapering shoulders on a plain band. Stamped 750.

Ring size O½. Weight 3.6 grams. £200 - 300

178

A DIAMOND RING, the nine brilliant cut diamonds each claw set in a pierced detail mount between solid tapering shoulders on a plain band. Stamped 375. Ring size N. Weight 1. 6 grams. £100 - 150

179

A DIAMOND RING, the old brilliant cut diamond raised within a surround of eight old brilliant cut diamonds, all set in a pierced detail mount between pierced tapering shoulders on a plain band. Ring size P½, Weight 3.8 grams. £700 - 900

180

A DIAMOND RING, the tapering mount set to the centre with eleven graduating baguette cut diamonds between fourteen graduating brilliant cut diamonds, between tapering shoulders on a plain band. Stamped 750. Ring size L½, weight 6.2 grams. £300 - 500

181

A DIAMOND RING, the three brilliant cut diamonds each claw set in a simple pierced detail mount between tapering split detail shoulders on a plain band. Stamped 375. Ring size O. Weight 2 grams. £60 - 80

183

182

A DIAMOND RING, the three graduating brilliant cut diamonds each set in heavy claw settings with pierced detail mounts, between similarly pierced tapering shoulders on a plain band. Stamped 18. Makers mark H.S. Ring size M. Weight 3.9 grams. £1000 - 1500

183

A DIAMOND RING, the three graduating brilliant cut diamonds each claw set between a split mount set throughout with thirty-four graduating brilliant cut diamond highlights.

Stamped PT 950. Ring size N½. Weight 6.9 grams. £2500 - 3500

184

A DIAMOND RING, the three slightly graduating brilliant cut diamonds each claw set in pierced detail mounts between similarly pierced tapering shoulders on a plain band. Stamped 750. Makers marks H&M. Ring size M. Weight 3.5 grams. £2000 - 3000

184

185

A DIAMOND RING, the twist design mount set throughout the centre with graduating baguette cut and brilliant cut diamonds, between tapering shoulders on a plain band. Stamped 750. Ring size M, weight 4.5 grams. £600 - 800

186

A DIAMOND RING, the two brilliant cut diamonds in heavy claw settings set in a cross over style mount on a tapering band. Stamped 750.

Maker’s mark H&M. Ring size M½.

Weight 3.5 grams. £1000 - 1500

187

A DIAMOND SET PENDANT, the circular mount with delicate cut out floral and swag detailing set with a single seed pearl highlight and a single brilliant cut diamond set on an articulated inner flowerhead shaped mount, all suspending from a large oval bale on fine link chain with integral tongue clasp. Mount stamped 585. Total length 44cm. Weight 4.4 grams. £100 - 150

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188

192

A DIAMOND SET RING, circa 1900, the marquise shaped mount with scalloped edge detailing and two diamond set highlights, set to the centre with cut-out circular mount with star shaped details, set to the centre with a single old cut diamond highlight, between tapering shoulders on a plain band. Stamped 18CT PT. Ring size K. Weight 1.9 grams. £200 - 300

189

A GARNET AND SEED PEARL BROOCH PENDANT, the domed oval mount set to the centre with an oval cabochon cut garnet within moulded metal work detailing and four evenly spaced seed pearls, in turn within a further surround of moulded scrolling and beaded metal detailing and four mounts to the outside each set with a single pearl highlight and three round cut garnet highlights, suspending an articulated tapering oval drop set with a further oval cabochon cut garnet and single pearl highlight, all suspending from oval pendant bale on fine oval link chain with bolt ring clasp. Total length 60cm. Weight 18.2 grams. £400 - 600

28

196

190

A GARNET SET PENDANT, circa 18601870, the single oval cabochon cut garnet set raised to the centre of an elaborately moulded textured floral and foliage detail mount, suspending articulated tassels, to the bottom of an articulated tapering oval pendant loop with similar textured metal detailing.

Length 6.5cm. Weight 5.6 grams. £600 - 900

191

A GOLD BANGLE, with circular mount set to the centre with an applied floral detail of textured metal, set to the centre of the petals with a single seed pearl highlight, hinged on an integral tongue clasp. Diameter 6.5cm. Weight 22 grams. £600 - 900

192

A GOLD CAMEO LOCKET BROOCH, the oval carved hardstone cameo of a lady’s profile set within a stepped surround of delicate beaded and scrolling detail metalwork, with glass locket to the reverse on brooch pin fitting with articulated pendant loop. Length 5cm.

Width 4cm. Weight 27.3 grams. £800 - 1200

193

A GOLD (UNTESTED) AND ENAMEL SWORD-FORM HAT PIN, c. 1900, unmarked, the pommel in bands of sky blue and white enamel, with scroll-cast ‘’guard’’ and tapering ‘’blade’’. 16cm £200 - 300

194

A GOLD AND TURQUOISE BROOCH

BY MURRLE BENNETT & CO, the stylised swirled cut-out detail mount set to the centre with an oval cut turquoise, on brooch pin fitting. Makers mark MB. Stamped 15CT. Length 4cm.

Weight 2.8 grams. £200 - 300

195

A GOLD AND TURQUOISE BROOCH, the stylised shield shaped mount with symmetrical cut-out detailing, set to the top with an oval cut turquoise, on brooch pin fitting. Stamped 9C. Width 3.5cm. Weight 3.8 grams.

£100 - 150

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196

A GOLD BANGLE BY LALAOUNIS, the hinged mount of moulded metal detailing to the entirety, each end terminal formed as a Chinese dragon head, with beaded and scrolling metal details. Stamped 750. Diameter 6.5cm.

Weight 23.6 grams. £1200 - 1800

197

A GOLD BUTTERFLY PIN BY LALAOUNIS, the butterfly of moulded gold with pierced detailing to the wings. Stamped 750. Length 4.5cm.

Weight 2.8 grams. £250 - 350

199

A GOLD NUGGET PENDANT, on a drop stamped 14K, the chain of base metal. Pendant 13.5 grams £100 - 150

200

A GOLD SOVEREIGN NECKLACE, the 1909 half sovereign in a loose mount on a 9 carat gold chain. 60.5cm, 17 grams £150 - 250

£40 - 60

A JADEITE AND DIAMOND BROOCH, the large carved oval jadeite plaque claw set between two subtle moulded triangular mounts each set with three graduating brilliant cut diamond highlights, on brooch pin fitting. Width 4.5cm. Weight 9.2 grams. £250 - 350

198

A GOLD LOCKET PENDANT, the pendant shaped as a heart with engraved detailing, hinged to one side and suspending from an articulated moulded detail bale, all suspending from a fine curb link chain on bolt ring clasp. Clasp and mount stamped 375.

Total length 45cm. Weight 5.8 grams.

202

203

201

A GOOD SINGLE STONE DIAMOND RING, the round brilliant-cut diamond claw-set on a platinum band. £2000 - 3000

A JADEITE AND DIAMOND NECKLACE, formed of uniform jadeite beads each strung knotted into three graduating rows, on an elaborate scrolling integral tongue clasp set throughout with graduating old mixed cut diamonds. Total length 50cm.

Weight 74.7 grams. £4000 - 6000

203

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209

A LATE 19TH CENTURY COLOMBIAN EMERALD AND DIAMOND PENDANT, the fancy cut emerald collet set to the centre of a domed heart shaped mount with symmetrical cut-out detailing, set throughout with graduating brilliant cut diamonds, suspending on an articulated leaf shaped pendant loop set with four further brilliant cut diamond highlights. In fitted case. Total weight 10.4 grams. £5000 - 7000

210 209

204

A JADEITE BRACELET, the ten oval jadeite plaques each set on articulated chain links on an integral tongue clasp.

Total length 18cm. Weight 10.3 grams. £700 - 900

205

A KESHI PEARL NECKLACE, the sixty graduating keshi pearls each strung knotted onto a heavy octagonal shaped clasp. Clasp stamped 585. Total length 48cm., Weight 88 grams. £250 - 350

206

A LADY’S DIAMOND-SET COCKTAIL WATCH, IN THE ART DECO TASTE, SECOND QUARTER 20th CENTURY, the rectangular dial with Arabic numerals within a platinum case, the bezel set with round brilliant-cut diamonds and with further diamondset lugs, on a 9ct white gold and diamond-set snakelink strap, Swiss movement. Length including lugs 38mm £400 - 600

30

207

A LARGE CORAL BEAD NECKLACE, formed of twenty-five graduating cylindrical coral beads, alternately spaced with twenty-four yellow coloured polished beads and silver coloured spacer beads, all articulated onto a heavy silver coloured hook style clasp. Total length 74cm. TOGETHER WITH A JADEITE NECKLACE, formed of ninety-nine graduating jadeite beads, strung simply onto an oval integral tongue clasp. Clasp stamped 375. Total length 69cm. Weight 57.6 grams. £100 - 200

208

A LATE 18TH CENTURY DIAMOND SET RING, the heavy oval mount with moulded metal detailing set throughout with nine old cut diamond highlights, set between split detail moulded shoulders on a plain band.

Ring size O. Weight 6 grams. £500 - 700

A LATE 19TH CENTURY CORAL NECKLACE, formed of oval and rectangular articulated links suspending ten graduating tapering oval coral beads to the front, on large oval integral tongue clasp set to the top with oval coral bead. Total length 42cm. Weight 24.1 grams. £1500 - 2500

211

A LATE 19TH CENTURY DIAMOND AND PEARL NECKLACE, the pendant of multi swag and foliate details set throughout with graduating old cut diamond highlights, suspending four articulated pearl and diamond set drops, with a further principle pearl set centrally, suspending on an old cut diamond set pendant bale from a fine link chain set evenly throughout with seed pearls, on bolt ring clasp. Total length 71cm. Weight 19.1 grams. The pearls are untested and unwarranted. £800 - 1200

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212

A LATE 19TH CENTURY DIAMOND RING, the marquise shaped mount set to the centre with two principle brilliant cut collet set diamonds within pierced and cut-out details and four further brilliant cut diamond highlights, between tapering cut-out design shoulders on a plain band. Stamped 18CT. Ring size O½. Weight 4.5 grams. £900 - 1200

213

A LATE 19TH CENTURY MICROMOSAIC LOCKET PENDANT, of circular form, the mosaic panel formed as a floral spray (a/f ), the rim with shaped micro-mosaic mounts, suspended from a bale decorated with wirework, mounted in yellow metal.

Length including bale 49mm £60 - 80

214

210

A LATE 19TH CENTURY PEARL AND ENAMEL BROOCH, a spray of seven enamelled petals of delicate green and pink enamelling set to the centre with a single principle pearl, all set to the centre of a triangular shaped mount set throughout with sixteen graduating seed pearl highlights, set above stem style metal work mounts with foliage details set similarly throughout with fifteen further seed pearl highlights, on detachable brooch pin fitting. Stamped 15CT. Diameter 3cm. Weight 8.7 grams. £500 - 700

216

A LATE VICTORIAN GARNET AND PEARL RING, the emerald cut garnet collet set within a surround of eighteen uniform pearls, in turn set within a stepped outer surround set with twenty-nine large uniform pearls, all set in heavy closed back mount raised between moulded circular shoulders on a tapering band. Ring size L. Weight 14.3 grams. £300 - 400

215

A LATE 19th CENTURY THREE-SIDED YELLOW METAL LOCKET, each side with floral engraving and opening to a glazed compartment, unmarked.

Length 26mm £50 - 70

217

A LATE VICTORIAN MOONSTONE SET BRACELET, the eleven graduating round cabochon cut moonstones each alternately spaced with two articulated chain links, on integral tongue barrel clasp with extended safety chain.

Weight 6.6 grams. Length 15cm. £200 - 300

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221

218

A LATE VICTORIAN MOONSTONE SET BROOCH, the principle oval cabochon cut moonstone claw set within an inner surround of nine slightly graduating round cabochon cut moonstones, in turn within an outer surround of a further eighteen round cabochon cut moonstones, on a brooch pin fitting with safety chain.

Diameter 3.5cm. Weight 9.9 grams. £200 - 300

219

A LATE VICTORIAN PASTE SET BROOCH, realistically designed as two monkeys, one monkey swinging on articulated chain, set throughout with graduating round cut white paste, suspending from a bar brooch on which sits another monkey, similarly set to the front with round cut graduating white paste, with green stone highlights as the eyes, set on brooch pin fitting. Total length 7.5cm.

Weight 9.6 grams. £250 - 350

A MARCASITE AND TURQUOISE BROOCH, modelled as a butterfly, the wings set throughout with marcasite highlights and oval cut turquoise, each set on articulated links to the body set similarly throughout with marcasite highlights and single red stone highlight, with moulded metal work details for the antennae, on brooch pin fitting. Stamped 925. Diameter 6.5cm.

Weight 23.5 grams. £60 - 90

222

A MID 19TH CENTURY TURQUOISE AND DIAMOND RING, the square shaped mount set to the centre with four square cut turquoise highlights between four old brilliant cut diamond highlights, between tapering shoulders with engraved detailing on a plain band. Ring size K. Weight 1.9 grams. £150 - 250

223

A MID 19TH CENTURY TURQUOISE SET RING, the flowerhead shaped mount set to the centre with a single ruby highlight within five petal shaped mounts set with turquoise highlights, between moulded scroll detail shoulders each set with four graduating turquoise highlights, on a tapering band. Ring size M. Weight 1.1 grams. £150 - 250

224

A MID VICTORIAN DIAMOND SET RING, modelled as a snake, the head with subtle engraved detailing set with a single old square cut diamond highlight, the tail coiled round and crossed over the head. Engraved 1866 to the inside of the band. Ring size R½.

Weight 3.1 grams. £500 - 700

225

A MID VICTORIAN LOCKET PENDANT, of oval form hinged on one side, suspending from an articulated, heavy tapering oval bale. In fitted box.

Weight 24.9 grams. Length 6cm. £200 - 300

226

A MID VICTORIAN SAPPHIRE AND DIAMOND BRACELET, of alternating crossover and beaded articulated links set throughout with four round cut sapphires alternately set with three brilliant cut diamonds, on integral tongue clasp with safety chain. Clasp engraved to the reverse ‘DAJ 1947-67’.

Stamped 15. Total length 18cm. Weight 19.8 grams. £800 - 1200

220

A LATE VICTORIAN SAPPHIRE SET BROOCH, modelled as an insect, the body and wings set throughout with two diamond highlights for eyes, with modelled metal work for the legs and antennae, on brooch pin fitting. Width 2.5cm. Weight 2.9 grams. £500 - 700

32

226

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227

A NATURAL SALTWATER PEARL RING, the large single saltwater pearl set within an elaborately moulded floral mount on a tapering band moulded to the entirety with similar floral details, each flowerhead set to the centre with a single old cut diamond highlight. Accompanied by a Gemmological Certification Services certificate, numbered 78146-10 and dated 14.03.2018, stating that the pearl is natural saltwater with no evidence of treatment and weighs 11.42gms. Ring size K. Weight 11.5 grams. £2500 - 3500

228

A PAIR OF CHINESE YELLOW METAL CUFFLINKS, each oval plaque engraved with writing. Total weight 18.1 grams. £500 - 700

229

A PAIR OF CULTURED PEARL EARRINGS, the nine cultured pearls each set on articulated links in cluster formation suspending on an articulated link to the bottom of a single cabochon cut green stone highlight, on screw back fittings.

Fittings stamped K14. Length 3.5cm.

Total weight 6.3 grams. £250 - 350

230

A PAIR OF DIAMOND AND ENAMEL EARRINGS, each modelled as a butterfly, the marquise cut diamond as the body with the top wings set throughout with brilliant cut diamond highlights and the bottom wings set with blue enamelling, on post and scroll fittings. Each mount stamped 750. Total weight 5.7 grams. £600 - 900

231

A PAIR OF DIAMOND AND RUBY EARRINGS BY ADLER, the stylised oval shaped mounts set throughout with graduating brilliant cut diamonds and round cut rubies, set on post fitting with unusual clip back. Stamped 18K 750. Total weight 13.6 grams. £4000 - 6000

232

A PAIR OF DIAMOND EARRINGS BY BULGARI, from the Tubogas range, formed as two graduating discs, joined by articulated chain links, each set to the centre with pavé set brilliant cut diamond highlights within a surround engraved “Bulgari”, on clip back fittings.

Stamped 750. Marked Bulgari. Length 3cm. Total weight 18.4 grams. £1800 - 2500

231

233

A PAIR OF DIAMOND EARRINGS, formed of four oval mounts each set to the centre with a single marquise cut diamond highlight within a surround of twelve brilliant cut diamond highlights, on articulated links to the bottom of a further single diamond link suspending from a brilliant cut diamond set within a cluster of smaller brilliant cut diamond highlights, on shepherds hook fittings.

Total length 3cm. Weight 3.2 grams. £1000 - 1500

234

A PAIR OF DIAMOND EARRINGS, the central old cushion cut diamond claw set within a surround of eight petal shaped mounts each set with an old cut diamond highlight, on post and scroll fittings. Total weight 3.7 grams. £800 - 1200

232

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239

A PAIR OF GARNET AND SEED PEARL EARRINGS, the tapering oval drop with delicate rope work detailing set to the centre with an oval cabochon cut collet set garnet and a single seed pearl highlight, suspending on an articulated rectangular link from a further single seed pearl highlight, on post and scroll fittings. Posts stamped 375. Length 3cm. Weight 4.1 grams. £100 - 200

240

238

235

A PAIR OF DIAMOND EARRINGS, the white stone circular mount set with two evenly spaced diamond set mounts, suspending on an articulated link from a single brilliant cut diamond highlight and a smaller circular mount of black enamelling, all suspending on an articulated link from a single brilliant cut diamond mount on post and scroll fittings. Length 4cm. Total weight 7.2 grams. £800 - 1200

236

A PAIR OF EARLY 19TH CENTURY DIAMOND AND ENAMEL EARRINGS, the circular mount with scrolling metal work details set throughout with old cut diamond highlights and delicate blue enamelling with a principle old cut diamond to the centre, all suspending on an articulated link to the bottom of a moulded mount set with two further principle old cut diamonds, on post and scroll fittings.

Length 4.5cm. Weight 8.2 grams. £700 - 900 34

237

A PAIR OF EARLY 19TH CENTURY EARRINGS, the oval drops carved to the centre with a realistic owl face, suspending on an articulated link to the bottom of shepherds hook fittings.

Length 3.5cm. Weight 6 grams. £500 - 700

238

A PAIR OF EDWARDIAN BLACK ONYX AND DIAMOND EARRINGS, the articulated leaf shaped of graduating brilliant cut diamonds suspending with an oval black onyx drop set evenly throughout with diamond highlights, all suspending on an articulated link from a ribbon shaped mount set throughout with diamond highlights, to the bottom of a principle brilliant cut diamond, on post and scroll fittings. Length 4cm. Weight 11.1 grams. £3500 - 4500

A PAIR OF GILT METAL, PEARL AND GARNET EARRINGS, the moulded metal shell design mount set throughout with seven graduating round cut garnets and nine graduating seed pearl highlights, suspending a single articulated drop set with a further pear cut garnet highlight, all set to the bottom of a tapering oval mount set with two graduating seed pearl highlights on shepherds hook fittings. Length 6.5cm. Weight 6.3 grams. £300 - 500

241

A PAIR OF GOLD AND ENAMEL CUFFLINKS, each circular plaque set with blue striped enamelling, joined by articulated chain links. Stamped 9CT. Total weight 5.8 grams. £250 - 350

242

A PAIR OF GOLD CUFFLINKS, each oval plaque with engraved floral detailing, joined by an articulated figure of eight link. Stamped 15.

Marked J.T. Total weight 6.9 grams. £200 - 300

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243

A PAIR OF HEART-FORM DIAMOND CLUSTER EARRINGS, each centred by three round brilliant-cut diamonds within a band of small round brilliants, mounted in 18ct white gold, stamped 750. Approximately 9mm by 8.5mm £400 - 600

244

A PAIR OF ITALIAN MADE YELLOW GOLD STUD EARRINGS, formed as domed pear-shaped mounts set with textured feathered metal detailing to the entirety on post and scroll fittings.

Stamped KT18. Marked Italy. Total weight 12.1 grams. £400 - 600

245

A PAIR OF JADEITE EARRINGS, the carved jadeite plaque set within a metal work surround on an articulated link, suspending on a further articulated link from an oval jadeite plaque with subtle scroll metal work and two brilliant cut diamond highlights, on post and scroll fittings.

Length 4cm. Weight 4.6 grams. £300 - 500

246

A PAIR OF JADEITE EARRINGS, the heart cut jadeite stones set simply on an articulated link to the bottom of hook fittings. Fittings stamped 14K. Total weight 1.9 grams. £150 - 250

248

A PAIR OF MID 19TH CENTURY GARNET EARRINGS, the pear cut garnet claw set within an elaborate mount of delicate coiled and scrolled metal work, suspending on an articulated link to the bottom of a round cut garnet claw set within a mount of similar coiled and scrolled metal work details, to the bottom of shepherds hook fittings. Total length 4cm. Total weight 7.4 grams. £600 - 900

A PAIR OF SAPPHIRE AND DIAMOND EARRINGS, the pear cut sapphire claw set within a surround of thirteen brilliant cut claw set diamonds, set in an open work mount suspending on an articulated link from post and scroll fittings. Stamped 375. Length 1.5cm.

Total weight 1.8 grams. £200 - 300

249

A PAIR OF MID VICTORIAN GARNET EARRINGS, the seven pear cut garnets alternately spaced with four oval mixed cut garnet highlights, all set in closed back settings on articulated links to the bottom of shepherds hook fitting. Total length 5cm. Total weight 6.5 grams. £500 - 700

250

A PAIR OF PERIDOT AND SEED PEARL EARRINGS, each oval cut peridot collet set to the bottom of a leaf shaped mount set with two seed pearl highlights, suspending on an articulated link to the bottom of screw back fittings. Stamped 9CT. Length 2.5cm. Total weight 2.8 grams. £200 - 300

247

A PAIR OF MALACHITE EARRINGS, each oval cut malachite simply collet set on post and scroll fittings. Scroll stamped 585. Total weight 1.7 grams. £30 - 50

252

251

A PAIR OF RUBY AND DIAMOND EARRINGS, the single square cut ruby collet set within a stepped square mount set throughout with brilliant cut diamond highlights, on post and scroll fittings. Total weight 4.1 grams. £800 - 1200

253

A PEARL AND DIAMOND LOCKET BROOCH, circa 1880-1890, the moulded heart shaped mount with subtle beaded detailing to the perimeter, set to the centre with a raised oval mount set with subtle blue enamelling in a star shape and a single old brilliant cut diamond, in turn all set within a surround of sixteen graduating pearl highlights, on brooch pin fitting with locket reverse. Length 3.3cm. Weight 11 grams. The pearls are untested and unwarranted. £400 - 600

254

A PEARL SET NECKLACE, circa 18901900, the articulated chain link necklace set throughout with twelve alternately spaced pearls, on bolt ring clasp. Clasp stamped 750. Total length 51cm. Weight 17.5 grams. The pearls are untested and unwarranted. £500 - 700

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255

A PERIDOT NECKLACE, the oval cut peridot suspending on an articulated link to the bottom of a moulded mount of metal work strands, set to the centre with an oval cut peridot, within beaded metal details and two further round cut peridot highlights, all suspending from a fine oval chain with bolt clasp. Clasp stamped 750. Total length 41cm. Weight 7 grams. £500 - 700

256

A RED AND ORANGE COLOURED STONE BRACELET, possibly carnelian, of alternating oval, circular and square cut shapes with faceted surfaces and collet settings, on a later added double row of elastic. Width 6cm. Weight 48.6 grams. £100 - 150

257

No lot

258

A RUBY AND DIAMOND BROOCH, modelled as a flower, the centre formed of twenty graduating round cut rubies, between four moulded petal shaped mounts set throughout with graduating brilliant cut diamonds, to the top of four stems set with graduating baguette cut rubies, and three further leaf shaped mounts set throughout with graduating brilliant cut diamonds, on double brooch pin fitting. Length 7cm. Weight 31.2 grams. £3000 - 4000

259

A RUBY AND DIAMOND RING, the cushion cut ruby four claw set within a surround of eight brilliant cut claw set diamonds, all set in a pierced mount between tapering pierced shoulders on a plain band. Ring size L½. Weight 4.1 grams. £1500 - 2500

36

258

260

A RUBY BEAD NECKLACE, formed of five strands of graduating ruby bead highlights, on an integral tongue clasp set with a further single ruby bead highlight. Clasp stamped 9CT. Total length 41cm. Weight 70 grams. £250 - 350

261

A RUBY RING, the three graduating oval cut rubies each claw set in a pierced detail mount between tapering engraved detail shoulders on a plain band. Stamped 18CT. Ring size Q. Weight 3 grams. £300 - 400

262

A SAPPHIRE AND DIAMOND BROOCH, the tapering rectangular bar set with seven graduating square cut sapphires, alternately spaced with six pairs of brilliant cut diamond highlights, all set in open work mounts on brooch pin fitting. Length 4cm. Weight 3.7 grams. £350 - 450

263

A SAPPHIRE AND DIAMOND RING, the oval cut sapphire claw set within a surround of ten brilliant cut claw set diamonds, in turn within an outer surround of ten evenly spaced brilliant cut diamond highlights, all set raised in an open work mount between open tapering shoulders on a plain band.

Stamped 750. Ring size J. Weight 6 grams. £1500 - 2500

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264

268

265

269

A SAPPHIRE AND DIAMOND RING, the round cut sapphire eight claw set raised within a surround of eight brilliant cut diamonds, all set in a pierced mount between a single brilliant cut diamond highlight to each shoulder, on a tapering band. Ring size M½. Weight 3.9 grams. £120 - 180

A SAPPHIRE AND RUBY SET BROOCH, modelled as a butterfly, the wings with multi cut-out detailing, set throughout with four round cut sapphire highlights and two round cut ruby highlights, with a further marquise cut sapphire to the body, with moulded metal work detailing for the eyes and antennae, on brooch pin fitting. Pin stamped 375. Width 4cm.

Weight 3.2 grams. £80 - 120

266

A SAPPHIRE AND SEED PEARL BROOCH, the round cut sapphire set within a surround of eight seed pearls to form a flowerhead shape, set centrally between four further seed pearl highlights on simple brooch bar, on brooch pin fitting. Hallmark indistinct. Length 6cm. Weight 3.9 grams. £100 - 150

267

A SAPPHIRE PENDANT, the large oval cut sapphire six double claw set in an open work mount suspending on an articulated pendant loop on a fine link chain with bolt ring clasp. Total length 46cm. Weight 21 grams. £800 - 1200

A SCOTTISH SILVER AND QUARTZ BROOCH, the large circular mount with machine turned detailing to the entirety, set to the centre with a single large round cut claw set smoky quartz, on brooch pin fitting. Makers mark T.E. Hallmarked for silver. Diameter 5cm.

Weight 24.2gms. £50 - 70

A SET OF FOUR ETERNITY RINGS, to include a ring set throughout with baguette cut diamonds. The second throughout with square cut rubies. The third set throughout with square cut sapphires; and the fourth set throughout with square cut emeralds.

Total weight 13.5 grams. £2000 - 3000

270

A SILVER AND AMETHYST NECKLACE, the lariat twist style chain suspending two articulated tassels and three tapering polished amethyst drops on separate articulated links, on bolt ring clasp. Clasp stamped 925.

Total length 53cm. Weight 40.7 grams. £60 - 80

271

A SILVER BROOCH, modelled as a fairy within a stylised cut-out mount with flower detail, suspending an articulated tapering chrysoprase drop, on brooch pin fitting. Stamped 925. Total length 4.5cm. Weight 4.8 grams. £80 - 120

272

A SINGLE STONE DIAMOND RING, the round brilliant-cut stone squareclaw set on a white metal band stamped PLAT. £100 - 150

273

A SODALITE PENDANT BY LALAOUNIS, the sodalite formed as a disc, set to the centre with applied metal work abstract detailing with moulded star shaped details, set with two diamond highlights, suspending from a single articulated pendant loop.

Marked 750 (very worn). Diameter 2.9 cm. Weight 6.3 grams. £300 - 400

274

A TAHITIAN PEARL NECKLACE, the twenty-nine uniform, slightly baroque, Tahitian pearls each strung simply onto an integral tongue clasp. Total length 50cm. £300 - 400

275

A VICTORIAN CAMEO BROOCH, the carved oval shell cameo depicting a lady’s profile, set within a surround of scrolling metal details, on brooch pin fitting. Stamped 15. Length 4.5cm.

Weight 10 grams. £300 - 500

276

A VICTORIAN GARNET SET BROOCH, the seven oval mixed cut garnets each claw set in closed back settings, in flowerhead formation. Diameter 3cm.

Weight 6.3 grams. £200 - 300

277

A YELLOW GOLD COLLAR, of snake link design, each articulated link with brushed metal detailing, on integral tongue clasp with safety catch. Clasp stamped 750. Total length 43cm. Weight 61.4 grams. £1000 - 1500

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281

AN AMETHYST RING, the large cushion cut amethyst claw set in an open work pierced mount between tapering shoulders on a plain band.

Ring size F½. Weight 14.3 grams. £400 - 600

282

278

AN AMETHYST AND PEARL PENDANT, circa 1880-1890, the four rectangular cut amethysts set in cross formation, set to the centre with a single pearl within a surround of eight round cut demantoid garnets. Length 5cm. Weight 7.8 grams. £1500 - 2500

279

AN AMETHYST BROOCH, circa 18801890, the moulded flowerhead shaped mount set within a surround of six large oval cut amethysts each claw set alternately spaced with six smaller oval metal mounts, with bead metal detailing throughout, on brooch pin fitting. Diameter 4.5cm. Weight 10 grams. £200 - 300

AN AMETHYST SET NECKLACE, circa 1890-1900, the pear cut amethyst claw set in a pierced detail mount, suspending on an articulated link from a smaller oval cut amethyst in a closed back mount, in turn suspending on an articulated link to the bottom of a large oval cut amethyst in pierced detail mount, all suspending on swag chain links on fine oval link chain with integral tongue clasp set with a further oval cut amethyst. Total length 35cm.

Weight 10.7 grams. £70 - 90

283

AN AQUAMARINE AND DIAMOND BROOCH, the oval cut aquamarine collet set within a delicately pierced surround set with sixteen uniform brilliant cut diamonds and subtle white and black enamelling, on brooch pin fitting. Width 3.4cm. Weight 15.8 grams. £3000 - 4500

284

AN ART DECO EMERALD AND DIAMOND RING, the moulded oval mount set to the centre with a cushion cut collet set emerald between two old brilliant cut collet set principle diamonds, all set within a subtle black enamel surround, in turn within an outer surround of twenty two graduating brilliant cut diamonds, all set in an open pierced detail mount between tapering pierced shoulders each set with two further diamond highlights on a plain band. Stamped 950. Ring size O. Weight 5.1 grams. £2500 - 3500

280

AN AMETHYST BROOCH, circa 18901900, the four uniform oval cut amethysts each claw set in simple open mount on brooch pin fitting.

Length 3.5cm. Weight 8.3 grams. £200 - 300

283 38

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286

AN ARTS AND CRAFTS SILVER AND ENAMEL PENDANT BY CHARLES HORNER, the open centred stylised rectangular mount of blue and green enamelling suspending two articulated tapering blue enamelled drops and a single green enamelled circular drop inside, all suspending on a V shaped chain from a further tapering oval mount of similar blue and green enamelling, on a fine oval link chain with bolt ring clasp. Makers mark C.H. Hallmarked for silver. Total length 47cm.

Weight 4.1 grams. £200 - 300

285

AN ARTS AND CRAFTS SILVER AND ENAMEL NECKLACE BY CHARLES HORNER, the stylised circular mount with cut out detailing set with blue and green enamelling, suspending from a V shaped chain from a further tapering oval mount of similar blue and green enamelling, on fine link oval chain with bolt ring clasp. Makers mark C.H. Hallmarked for silver. Total length 46.5cm. Weight 7.2 grams. £200 - 300

287

AN EARLY 19TH CENTURY DIAMOND AND ENAMEL NECKLACE, of seventyfour graduating circular or oval articulated mounts, each set to one side with a single old table cut diamond, and to the other with red, white and green floral enamelling detailing, on a large hook style clasp.

Total length 69cm. £2500 - 3500

288

AN EARLY 19TH CENTURY DIAMOND RING, the old eight cut diamond heavy claw set raised within a surround of ten old cut diamond highlights in flowerhead formation, all set in closed back mounts between elaborate pierced moulded shoulders on a similarly detail band. Ring size K. Weight 3.6 grams. £500 - 700

289

AN EARLY 19TH CENTURY DIAMOND RING, the three old cut graduating diamonds each claw set in closed back settings within a split detail mount with moulded details, between split tapering shoulders on a plain band.

Ring size M. Weight 1.6 grams. £400 - 600

290

AN EARLY 19TH CENTURY ENAMEL, PEARL AND DIAMOND BANGLE, of crossover mount design with ribbon detail applied with blue enamelling, set to the centre with five graduating old cut diamonds and each end terminal with a single pearl highlight, with further diamond set shoulders, on hinged band with integral tongue clasp with safety chain. Diameter 6cm.

Weight 25 grams, The pearls are untested and unwarranted. £700 - 900

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292

291

291

AN EARLY 19TH CENTURY GARNET NECKLACE, the five slightly graduating round cut multi-faceted garnets each set to the centre of a circular mount with beaded gold work detailing, each spaced evenly on an articulated link with swag chain detailing to the front of a snake link chain with integral tongue fitting. Total length 39cm, Weight 27.6 grams. £1200 - 1800

292

AN EARLY VICTORIAN CAMEO LOCKET BROOCH, the carved oval shell cameo raised within a surround of delicate scrolling and beaded detail metal work, on brooch pin fitting with glass locket reverse with a photograph of a young boy. Engraved to the reverse John Lyall, Maker, Ayr. Length 5cm. Weight 19.6 grams. £400 - 600

294

AN EARLY 19TH CENTURY PEARL AND DIAMOND CAMEO BROOCH, the oval carved hardstone cameo of a lady’s profile, set within a surround of thirty-six uniform pearls, beneath a ribbon style mount set throughout with old cut diamond highlights, suspending on an articulated pendant loop, with brooch pin fitting. Total length 6.5cm. Weight 25.9 grams. The pearls are untested and unwarranted. £1200 - 1800

40

293

295

AN EDWARDIAN DIAMOND RING, the old brilliant cut diamond set within a delicately pierced honeycomb style mount with scalloped edge surround set with twenty old brilliant cut diamond highlights, between shoulders each set with three graduating old cut diamond highlights, on a tapering band. Ring size M½.

Weight 3.6 grams. £1800 - 2500

AN EDWARDIAN BLACK ONYX AND DIAMOND BROOCH, the single old brilliant cut diamond highlight set to the centre of the tapering navette style black onyx plaque within a delicate scalloped edge surround and between two single seed pearl highlights, on brooch pin fitting. Length 5.5cm. Weight 2.7 grams. £150 - 250 295

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299

AN ITALIAN WOOD AND QUARTZ RING BY SANALITRO, the large triangular shaped mount set to the centre with a raised triangular cut smoky quartz within a raised collet setting, on a heavy tapering band.

Plaque to the reverse marked Sanalitro. Stamped 750. Ring size V. Weight 15.5 grams. £150 - 250

296

AN EMERALD AND DIAMOND RING, the large oval cut emerald four claw set within a surround of twenty-two graduating brilliant cut diamonds, between moulded tapering shoulders each set with five graduating brilliant cut diamonds, all set in an open pierced detail mount set to the bottom with a further eighteen graduating brilliant cut diamonds, on a heavily moulded detail band with engraved detailing to the entirety. Stamped 750.

Ring size N½. Weight 7.9 grams. £5000 - 7000

297

AN ENAMEL AND DIAMOND PENDANT, the single brilliant cut diamond set to the centre of five moulded petal shaped mounts each similarly set with delicate red and yellow enamelling, on a single fixed pendant bale. Diameter 2cm. Weight 4.7 grams. £100 - 150

298

AN ENAMEL, DIAMOND AND PEARL BROOCH, circa 1900-1910, the symmetrical coiled detail mount with light blue enamelling throughout, set with seven graduating old brilliant cut diamond highlights, suspending three articulated drops each set with a pearl and single diamond highlight, on brooch pin fitting. Diameter 3cm.

Weight 5.1 grams. £300 - 500

300

AN OPAL AND DIAMOND BANGLE, the eleven graduating oval cut opals alternately spaced with ten pairs of brilliant cut diamond highlights, all set in pierced detail tapering mount, on hinged band with integral tongue clasp and safety catch. Diameter 6cm.

Weight 17.1 grams. £500 - 700

301

AN OPAL AND DIAMOND RING, the oval cut opal claw set within a surround of ten brilliant cut diamond highlights, all set in a pierced detail mount between heavily textured and moulded detail shoulder. Stamped 18.

Ring size N½. Weight 5.1 grams. £100 - 150

302

AN OPAL AND DIAMOND RING, the oval cut opal collet set to the centre of a twist design mount between two pairs of graduating brilliant cut diamond highlights to each shoulder, all set in a pierced open mount on a plain band. Stamped 375. Ring size N½.

Weight 4.2 grams. £150 - 250

303

AN OPAL PENDANT, the single oval cabochon cut opal simply four claw set in an open backed mount on fixed pendant bale. Stamped 14K. Length 1.5cm. Weight 0.8 grams. £40 - 60

304

AN OPAL RING, the five graduating oval cut opals each claw set in a stepped design pierced mount between solid tapering shoulders on a plain band. Hallmarked indistinct. marked 9K. Ring size N. Weight 2.2 grams. £100 - 150

305

AN OPAL RING, the oval cut collet set to the centre of a delicate scalloped edge mount with subtle rope work detailing, between split detail shoulders on a tapering band.

Stamped 375. Ring size M½.

Weight 1.7 grams. £100 - 150

306

AN OPAL SET BROOCH, formed as a curving tree branch with four moulded metal leaf shaped mounts and three oval cabochon cut opals, on brooch pin fitting. Stamped 375. Length 3.5cm.

Weight 3.7 grams. £80 - 120

307

AN AQUAMARINE AND DIAMOND RING, the large rectangular cut aquamarine claw set between three brilliant cut diamonds to each side in a pierced scroll detail mount, on split detail tapering shoulders with scroll detailing, on plain band. Ring size M. Weight 7.7gms. £400 - 600

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308

AN ENAMEL AND SEED PEARL BROOCH, circa 1890-1900, the central circular plaque of black enamelling set to the centre with a single seed pearl, within pierced metal work surround with applied floral and foliage mount details, set throughout with seed pearl highlights, on brooch pin fitting.

Stamped 15. Makers mark SS. Diameter 3.2cm. Weight 8.8gms. £180 - 250

309

A SILVER LAPEL CLIP, the symmetrical scroll detail mount on heavy clip back.

Stamped 935. Length 5cm. Weight 15.3 grams. £30 - 50

310

A QUARTZ PENDANT BROOCH, circa 1890-1900, the large oval cut quartz four double claw set in a domed heavily pierced detail mount, on brooch pin fitting with articulated pendant loop. Stamped 18K. Length 5cm. Weight 20.2gms. £100 - 200

311

A CITRINE BROOCH PENDANT, the large rectangular cut citrine four claw set in an open mount with brooch pin fitting, suspending from an oval link chain with bolt ring clasp. Bale stamped 14K. Chain stamped 585. Total length 58cm. Weight 20.1gms. £100 - 200

312

GEORG JENSEN, A DANISH STERLING SILVER RING, with spaced inset black bands, impressed marks and numbered 60D. £50 - 70

42

313

A COLLECTION OF LOOSE RUBIES, of differing sizes and cuts. £200 - 300

314

A PAIR OF CAMEO EARRINGS, circa 1900, the oval carved cameo plaque suspending on an articulated link from screw back fittings with flower head details. Length 3cm. Total weight 4.7gms. £600 - 900

315

A PAIR OF SAPPHIRE AND DIAMOND CUFFLINKS, the square shaped plaque set with nine uniform square cut sapphires within a surround of twentyfour brilliant cut diamond highlights, on a fixed bar with articulated rectangular mount set with three further uniform sapphires and six diamond highlights. Stamped 750.

Total weight 14.3gms. £1000 - 1500

316

A PAIR OF OPAL AND DIAMOND EARRINGS, oval cabochon cut opal claw set within a floral and foliage surround set throughout with graduating old brilliant cut diamond highlights, suspending on an articulated link a floral mount similarly set with old brilliant cut diamond highlights, on post and scroll fittings.

Length 3.5cm. Total weight 5.8gms. £600 - 900

317

A PAIR OF 18 CARAT WHITE GOLD AND DIAMOND “ATLAS” CUFF EARRINGS BY TIFFANY & CO, bright polished Roman numerals on a brushed ground between two rows of round brilliant cut diamonds, with post fittings. 14.3 grams gross, 10mm £1000 - 1500

318

AN EARLY 19TH CENTURY DIAMOND AND PEARL BROOCH, the large rectangular plaque with applied mounts of symmetrical floral design, set throughout with graduating old cut diamonds and three graduating pearls, set within a surround of forty-four old cut diamonds in heavy collet closed back mounts, on brooch pin fitting.

Stamped 18CT. Length 7cm. Weight 51.2gms. £800 - 1200

319

A QUARTZ RING, the oval cut quartz four claw set in an open heavily pierced mount between open detail tapering shoulders. Stamped 18K. Ring size M ½. Weight 7.5gms. £60 - 120

320

AN EARLY 19TH CENTURY DEMIPARURE, consisting of a brooch and matching earrings, the shield shaped brooch set to the centre with a raised oval mount set with three square cut ruby highlights and seed pearls, within a heavily moulded and beaded detail mount, with three further graduating ruby highlights, suspending a tassel of articulated metal strands, on brooch pin fitting with glass locket reverse.

Length 7.5cm. Weight 17.1gms; and a pair of earrings to match, the tapering oval mount with similar beaded and moulded detailing set to the centre with ruby and seed pearl highlights, suspending a tassel of articulated metal strands, all in turn on an articulated link suspending from a moulded shield shaped mount with moulded detailing, on hook style fittings. Length 7cm. Total weight 9.8gms. In fitted case. £2000 – 3000

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WATCHES

326

A GENTLEMAN’S ACCURIST SHOCKMASTER WRIST WATCH, the black case and dial with gold coloured hands and centre sweep seconds, date aperture, on black bracelet straps. Case 28mm wide £50 - 70

327

A GENTLEMAN’S LONGINES AUTOMATIC WRISTWATCH, the circular dial with centre sweep seconds, hours and outer minutes.

Case 33mm wide £150 - 250

328

A GENTLEMAN’S OMEGA DE VILLE WRISTWATCH, the circular dial with baton markers, with papers. Case 33mm wide 324

321

A LADY’S MIRAMAR DIAMOND SET PLATINUM COCKTAIL WATCH IN ART DECO STYLE, the rectangular case with conforming dial, stamped PLATINUM. Gross 24.6 grams, case 7mm wide £500 - 700

322

A 9 CARAT GOLD POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds, in a fitted box. 78.6 grams, 49mm wide £150 - 250

323

A CARTIER VERMEIL SILVER-GILT TANK QUARTZ WRISTWATCH, the dial with Roman numerals, the winder with blue coloured cabochon, no. 40652/ 590005, with papers. Case 23mm wide £400 - 600

£150 - 250

324

A CONTINENTAL LADY’S 18 CARAT GOLD HUNTER POCKET WATCH, the white enamel dial with Arabic numerals and subsidiary seconds, the case chased with scrolls and flowerheads, signed REMONTOIR CYLINDRE 10 RUBIS QUALITE SUPERIEURE, on a long chain of oval and knotted links, the clasp with Continental marks and stamped 18K. Gross 90 grams, case 33mm wide £1800 - 2500

325

A GENTLEMAN’S 9 CARAT GOLD TUDOR WRISTWATCH, the circular dial with Arabic numerals and centre sweep seconds, 17 ruby movement, boxed with Garrard guarantee.

Diameter of case 32mm £150 - 250

329

A GENTLEMAN’S STAINLESS STEEL ROLEX OYSTER PERPETUAL DATEJUST BRACELET WATCH, ref.

16220, serial no. K436965, circa 2000/1, silvered dial with silver batons and hands, date aperture, Oyster case with milled bezel, Jubilee bracelet, boxed with papers. Case diameter 36mm £1500 - 2500

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330

A GENTLEMAN’S TISSOT SEASTARSEVEN WRISTWATCH, the circular dial with baton markers, centre sweep seconds and date aperture, inscribed to back of case. Case 33mm wide £100 - 150

334

A LADY’S OMEGA LADYMATIC GOLD WRISTWATCH, the circular dial with baton markers, in original box. Case 12mm wide £250 - 350

335

A LONGINES GOLD FILLED WRISTWATCH, the tank case housing an oval dial with baton markers and subsidiary seconds. Case 23mm wide £150 - 250

336

A VINTAGE LADY’S OMEGA WRIST WATCH, with circular dial and expanding bracelet, with guarantee dated 25.9.59. Case 20mm wide £50 - 80

337

331

A HAMILTON RAILROAD MODEL 992 ROLLED GOLD POCKET WATCH, having 21 jewel double roller crown wound movement, enamelled face with Arabic numerals for hours and minutes, and subsidiary seconds, the case having a screw-on back.

50mm wide £150 - 250

A WALTHAM GOLD PLATED HUNTER POCKET WATCH, CIRCA 1900, the white enamel dial with Roman numerals and subsidiary seconds, the case front engraved with a monogram, crown winding, in a case. £50 - 100

338

A WEMPE NAV B-UHR WWII GERMAN LUFTWAFFE PILOT’S WATCH, circular black dial with Arabic numerals, outer minute ring and baton markers, movement numbered 191656, the case back stamped RLM/Nav BUhr/0728, no straps; together with RAF LOG BOOK for 166885 Millar R.L. (2) £1500 - 2500

339

AN ELGIN 14 CARAT GOLD HUNTER POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds, the Keystone case chased with scrolling foliage, boxed.

4.2cm wide, 84.7 grams £200 - 300

340

A CONTINENTAL 18 CARAT GOLD POCKET WATCH, the white enamel dial with Roman numerals, engraved with a monogram. 37.9 grams, 37mm wide £150 - 250

341

A WALTHAM GOLD PLATED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds; together with A 9 CARAT GOLD CHAIN AND T-BAR. Chain 39.8 grams £300 – 500

332

A LADY’S 18 CARAT GOLD ROLEX WATCH, with circular case and dial, the gold bracelet straps of tapering form, in a Rolex box. Case 15mm wide, 24.5 grams £600 - 800

333

A LADY’S 9 CARAT GOLD OMEGA WRISTWATCH, the circular dial with baton markers, case and strap hallmarked, boxed. Diameter of case 20mm, gross 23 grams £300 - 400

44

338

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ORIENTAL CERAMICS AND WORKS OF ART 342

A CHINESE WATERCOLOUR PAINTING, possibly 19th Century, depicting a procession. 30.5cm by 72.5c, £50 - 80

342A

A CHINESE SPECIMEN HARDSTONE TREE JARDINIERE, possibly 19th century, realistically modelled, the flowers of jade, agate, turquoise and other semi-precious stones, in a wooden cauldron jar on three scrolled feet. 57cm £80 - 120

343

A BOX OF ASSORTED CHINESE, JAPANESE AND ASIAN ARTICLES, including signed noh mask, ivory kagamibuta, soapstone gourd carving, two enamel snuff bottles, Chinese carved roundels, etc. (15) £300 - 500

344

A CARVED JADEITE PLAQUE. Length 2cm. Weight 1.4 grams. £40 - 60

346A

A CHINESE PORCELAIN CUP AND SAUCER, LATE 18th CENTURY, each fluted and delicately painted with flowers and both raised on floriform feet. Diameter of saucer 10.75cm £100 - 150

347

A CHINESE BLUE AND WHITE PORCELAIN JARDINIERE, decorated with dragons. 15cm high £300 - 400

348

A JAPANESE BLUE AND WHITE PORCELAIN TUREEN PAINTED IN THE FITZHUGH PATTERN, 18th century, of flattened oval form, the cover with acorn finial; together with A CHINESE BLUE AND WHITE PORCELAIN TUREEN IN A MEISSEN SHAPE, 18TH CENTURY, of bulbous oval form, the cover with a crown finial, the body with plumed mask handles, decorated with landscape scenes. Length of first 38.5cm (2) £200 - 300

348A

A PAIR OF JAPANESE BLUE AND WHITE PORCELAIN PLATES, 18th/19th CENTURY, each painted to the well with fishermen within a diaper and crosshatched border spaced by calligraphic panels, with painted square seal mark. 20.5cm £50 - 70

348B

A CHINESE BLUE AND WHITE PORCELAIN DISH, 18th/19th CENTURY, the well painted with flowers within a crosshatched border sprinkled with clouds and with calligraphic panels. 32cm £50 - 70

349

A CHINESE BONE MAHJONG SET, in a stained wooden box. Box 30cm by 19.5cm £50 - 100

345

A CASE CONTAINING A COLLECTION OF JAPANESE OJIME BEADS, including coral, ivory, lacquer, glass and wood, approximately 72. £300 - 500

346

A CHINESE AGATE VASE, PROBABLY 19TH CENTURY, carved with foliage.

8cm £600 - 900

348

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350

356

A CHINESE BRASS-MOUNTED HARDWOOD JEWELLERY CABINET, of plain rectangular form, with a pair of doors with butterfly hinges enclosing four silk-lined drawers over a deep drawer. 32cm by 20.5cm by 15cm £50 - 70

A CHINESE CELADON VASE, with pale blue ground, moulded with “elephant” ring handles and Greek Key, bears underglaze blue seal to base. 28cm £200 - 300

357

351

A CHINESE EXPORT BLUE AND WHITE TEAPOT, of moulded circular section, blue painted with pagodas and willow trees, highlighted with gilding, with entwined strap handle.

14cm high

A CHINESE CARVED AGATE VASE AND COVER, PROBABLY 19TH CENTURY, carved with bird and foliage, on a carved and pierced stand.

Overall 17cm £500 - 700

352

A CHINESE CARVED HARDSTONE LEAF-FORM BRUSH WASHER, modelled with seed pods. Approx.

9.5cm square £150 - 250

353

A CHINESE CARVED INK STONE, 19th CENTURY, the shaped oval well above a band carved with birds and lotus leaves. 4.25cm by 12.5cm £150 - 250

£60 - 90

354

A CHINESE CARVED SOAPSTONE MASK OF THE BUDDHA, mounted in a hardwood stand. Overall 14cm £300 - 500

355

A CHINESE CARVING OF A CROUCHING YOUNG BUDDHA, holding a large pod. Height 6.5cm £250 - 350

358

A CHINESE FAMILLE ROSE MILLEFLEURS VASE, of shouldered ovoid form, painted with a profusion of flowerheads, bears archaic seal mark.

23cm £500 - 700

359

360

46

A CHINESE FAMILLE ROSE PORCELAIN PEN REST, pillow shaped, enamel painted with flowers and rockwork, bears archaic seal mark.

13.5cm wide £100 - 150

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360

A CHINESE FOUR-FOLD HARDWOOD TABLE SCREEN, c.

1900, each leaf enclosing a silk needlework panel worked with birds and flowers within a fret-carved frame. Each leaf 47cm by 17cm £300 - 500

361

A CHINESE GILT-METAL MOUNTED PORCELAIN LAMP, painted with Famille Verte enamels to five reserves against a cobalt ground. 33cm to top of fitting £300 - 400

362

366

A CHINESE HARDSTONE CARVING OF A STANDING HORSE, in Archaic style. Height 13.5cm £100 - 150

363

A CHINESE HARDWOOD STAND, the dished top of circular form, on five legs joined by a scroll carved stretcher. 28cm by 15.5cm £100 - 150

364

A CHINESE JADE BI DISC, decorated to each side with a band of calligraphy within a broader band of astrological symbols. 14.75cm £200 - 400

365

A CHINESE JADE CARVING OF TWO FROGS, modelled entwined on a stone, with red cabochon eyes, mottled russet colour. Length 13.5cm

£700 - 900

366

A CHINESE JADE CARVING, PROBABLY 19th CENTURY, of buds, shells and crabs, in tones of pale celadon, spinach and russet, two character signature to base. 8.25cm by 12.25cm £700 - 900

367

A CHINESE JADE CENSER, 18TH/19TH CENTURY, carved with panels filled with ‘bosses’ and dragon head handles, on a hardwood stand. 13cm across handles, 124 grams £1000 - 1500

368

A CHINESE JADE, HARDSTONE AND IVORY INSET HARDWOOD TABLE SCREEN, LATE 19th CENTURY, the square fret-carved sliding panel inset with vari-coloured jade and hardstone plaques modelled as figures, birds, insects and foliage, the two ivory plaques carved with fruit, the stand also fret-carved and inset with three carved jade panels of an insect and pair of flower-filled vases. Height 42cm £1800 - 2500

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369

380

A CHINESE PAINTED GLASS SNUFF BOTTLE, twin-handled, painted to the interior on one side with ladies painting a scroll, opposed by a lady seated under a tree. 12cm £100 - 150

A CHINESE WHITE METAL TOKEN/WEIGHT, cast with characters into three reserves. 6cm £100 - 150

381

370

A CINNABAR LACQUER NETSUKE, two-part, of cushioned square shape.

38mm £100 - 150

A CHINESE PEAR-SHAPED PORCELAIN VASE, with white sgraffito ground. 24cm £800 - 1200

381A

371

A CHINESE PORCELAIN BALUSTER VASE, c. 1900, painted with a dragon against a green ground, a band of lappet to the base. 27cm £150 - 250

372

A CHINESE PORCELAIN PLAQUE, painted with books and flowers by a flaming lamp, possibly early 20th Century, in a wooden frame. Overall 37cm by 20cm £500 - 700

373

A CHINESE PORCELAIN TEAPOT, painted with village and river scene, four figures walk a buffalo along a track, possibly early 20th Century. 10cm high £600 - 900

374

A CHINESE SILVERED COPPER CADDY, c. 1900, of square bombe form, repousse with landscapes and birds amidst flowers and foliage.

10.75cm by 10.5cm square £100 - 150

375

A CHINESE WHITE METAL BOWL, cast with dragons, seal mark. 13.5cm wide £100 - 150 48

376

370

A CHINESE WHITE METAL TEAPOT, cast with a dragon, the handle formed as the tail and the spout as the head, seal mark. 10cm high £100 - 150

377

A CHINESE WHITE METAL TEAPOT, in the form of fruit with monkey-form handle and knop, seal mark. 17cm £140 - 180

378

A CHINESE WHITE METAL TOKEN OR WEIGHT, of boat form, cast with calligraphy within a Greek Key border.

6.7cm, 8.7oz £80 - 120

379

A CHINESE WHITE METAL TOKEN/WEIGHT, cast as a bowl, the well with a panel of calligraphy.

Diameter 5cm, 5 troy ounces £700 - 900

A GROUP OF FOUR SMALL CHINESE VESSELS, comprising: two Song brown glazed bowls; a Song Qingbai bowl; and a pale celadon glazed wine bowl with petal rim (possibly Ming). (4) Largest 10cm in diameter £80 - 120

382

A COLLECTION OF 19TH CENTURY IVORIES, comprising a small Cantonese gaming counters box, small Chinese buddha, Chinese figure battling a dragon and a page turner (4).

Figure 11cm high £50 - 80

383

A COLLECTION OF FIVE JAPANESE IVORY NETSUKES, late 19th/early 20th Century, some signed. (5) Tallest 36mm £300 - 500

384

A COLLECTION OF SIX JAPANESE IVORY FIGURAL NETSUKES, Meiji period. (6) Largest 5.5cm £180 - 250

385

A COLLECTION OF SIX CHINESE SNUFF BOTTLES, probably 19th Century, comprising five hardstone and one rock crystal. Largest 7.5cm £500 - 1000

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386

A CONTEMPORARY CHINESE EARTHENWARE VASE, of baluster form, with purple striated glaze, impressed seal mark to base. 52cm £100 - 150

387

A CONTEMPORARY ORIENTAL POTTERY VASE, of tapering bulbous form, decorated with stylised calligraphy against a mottled and textured ground, glazed in shades of brown and orange, seal mark to base.

31cm £100 - 150

388

A FINE CHINESE CARVED CORAL FIGURE OF A FISHERMAN, 19th Century, carved folding a net full of fish with waves and fish around his feet, on a carved wooden stand. Gross 1262 grams, 27.5cm high £10000 - 15000

389

A GOOD CHINESE CARVED HARDWOOD STAND, LATE 19th CENTURY, the top carved as twinned lotus leaves above an intricately carved and pierced base of seed pods, leaves and flowers. Height 15.5cm £150 - 200

390

388

A GOOD CHINESE CINNABAR LACQUER TRAY, c. 1900, of rectangular form, the well decorated with eight figures in a rocky landscape.

25cm by 38cm £500 - 700

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391

A GOOD JAPANESE MEIJI PERIOD IVORY BALL OKIMONO, unsigned, carved in detail with a multitude of rats surrounding and overruning Daruma.

Diameter 6cm £400 - 600

392

A GROUP OF CHINESE OBJECTS, including red lacquer snuff bottles, wine vessel, carved figure, etc. £100 - 150

393

A HANDSOME PAIR OF CHINESE CANTON VASES, 19th CENTURY, in the famille rose palette, of baluster form, the shoulders mounted with chilongs and lion cubs, painted with cartouches enclosing courtly figures, birds, insects and flowers. 46cm £800 - 1200

393A

A RARE JAPANESE ODAWARA COCHIN FOLDING PAPER LANTERN, EDO OR MEIJI PERIOD, in its original leather pouch with engraved brass cover, hardstone ojime and stag antler netsuke. Lantern 30cm extended £200 - 300

393

395

A JAPANESE BOXWOOD FIGURAL NETSUKE, carved in robes and holding a scroll. 51mm £100 - 150

396

398

A JAPANESE BOXWOOD MANJU, Meiji period, with ivory peg. 48mm £100 - 150

397

A JAPANESE BOXWOOD NETSUKE, carved as mushrooms. 34mm £200 - 300

397

A JAPANESE BOXWOOD NETSUKE OF AN ONI, 19th Century, partially hidden in a wooden box in an attempt to avoid the scattering of Setsubun beans at end of the year, signed. 31mm high £200 - 300

399

A JAPANESE CARVED IVORY GROUP OF FIGHTING LIONS, MEIJI PERIOD, modelled in ferocious combat, on a wooden stand. Ivory 26.5cm £150 - 250

394

A JAPANESE BOXWOOD FIGURAL NETSUKE, carved as a man holding a fan. 48mm £100 - 150 50

399

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405

A JAPANESE IVORY INLAID HARDWOOD BALL OKIMONO, MEIJI PERIOD, carved with conjoined concentric circles and inlaid with ivory buttons. Diameter 5.5cm £100 - 150

400

A JAPANESE CARVED IVORY NETSUKE, signed Gyokusho, Meiji period, depicting Kintaro transformed as Sanro, playing a flute while seated on a bull. 40mm wide £200 - 300

401

A JAPANESE CARVED WOOD MASK NETSUKE, with pinned jaw. 28mm wide £100 - 250

A JAPANESE IVORY NETSUKE, carved as dragon coiled around a man holding aloft a pearl, signed, probably 19th Century. 55mm £200 - 300

406

A JAPANESE WOOD NETSUKE OF A BLIND BEGGAR, 19th Century, with inlaid eye, signed to a rectangular reserve. 36mm £200 - 300

407

A JAPANESE IVORY NETSUKE, carved as a goat, probably 19th Century.

35mm wide £100 - 150

402

410

A JAPANESE IVORY NETSUKE, of a quail amongst millet and leaves continuing on the base and forming the himatoshi, signed Okanobu, late 19th Century. 40mm £200 - 300

411

A JAPANESE CIRCULAR BRONZE HAND MIRROR, cast to the reverse with cranes and calligraphy.

Length 29cm £50 - 80

A JAPANESE IVORY OKIMONO, MEIJI PERIOD, carved as a fisherman, unsigned. 12cm high £100 - 150

403

412

A JAPANESE EBONY NETSUKE, carved as a shishi, 19th Century.

31mm high £200 - 300

A JAPANESE IVORY OKIMONO, Meiji Period, carved as a man with geese, signed to underside. 14.5cm £50 - 80

404

A JAPANESE IVORY FIGURAL NETSUKE, carved as a bijin holding a fan in front of her face, probably 19th Century. 60mm £100 - 150

409

413

408

A JAPANESE IVORY NETSUKE, carved as a man with a child on his back holding a pot containing coral, signed to a red lacquer reserve. 53mm £200 - 300

A JAPANESE IVORY OKIMONO, MEIJI PERIOD, carved as a teacher holding a scroll with raised fish, signed to underside. 10.5cm £100 - 150

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414

A JAPANESE IVORY OKIMONO, MEIJI PERIOD, carved as man holding a basket and sickle, at his feet a child holding a piece of fruit, signed to underside. 13cm high £200 - 300

417

A JAPANESE PORCELAIN GOURD NETSUKE, signed with underglaze blue characters; 54mm; together with A CLOISONNE ENAMEL DOUBLE GOURD, 46mm. (2) £200 - 300

418

A JAPANESE RED LACQUER MANJU NETSUKE, 19th Century, of cushioned square shape with ivory peg. 40mm £100 - 200

419

423

A JAPANESE WOOD NETSUKE OF A MONKEY TRAINER, possibly late 18th Century, the unsuspecting trainer lying asleep, his head resting on his right hand as his performing monkey steals morsels of food from a small basket at his back. 48mm £200 - 300

424

A JAPANESE WOOD NETSUKE OF A RECUMBENT HORSE, 19th Century, signed. 40mm £100 - 150

A JAPANESE STAINED IVORY BIRD GROUP, EARLY 20th CENTURY, carved as branches supporting five birds in various poses. Length 13.5cm

415

A JAPANESE IVORY QUAIL NETSUKE, the two birds facing in opposite directions and standing on millet, with inlaid eyes, signed Chikurin or Takebayashi, probably mid 19th Century. 35mm £400 - 600

£50 - 80

420

A JAPANESE SWORD BLADE, with signature to the tsuka, in a wooden scabbard. Length overall 46.5cm £600 - 900

421

A JAPANESE WALNUT NETSUKE, carved with a bird in flight, 19th Century. 31mm £100 - 150

422

425

A JAPANESE WOOD NETSUKE OF A SHISHI HEAD, the scowling face with hinged jaw, opening to reveal the tongue within, the mane falling in heavy curls over the back of the head.

Depth 43mm £300 - 400

A JAPANESE WOOD NETSUKE OF A GOAT, carved with head turned back and with inlaid eyes, 19th Century. 42mm £100 - 150

416

A JAPANESE LACQUERED NETSUKE OF A NOH ACTOR, carved in the role of Hannya, signed, probably 19th Century. 40mm £200 - 300

52

420

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426

A JAPANESE WOOD NETSUKE OF A SHISHI, 19th Century. 41mm £200 - 300

427

433

A JAPANESE WOOD SHISHI NETSUKE, probably 19th Century, carved with boy, signed. 45mm £100 - 150

A JAPANESE WOOD NETSUKE OF DARUMA, 19th Century, carved with his body enveloped in a robe, signed to a reserve. 43mm

436

A PAIR OF CHINESE CARVED IVORY FIGURES, EARLY 20TH CENTURY, he stands holding a rui sceptre, she with a flower, raised on hardwood stands.

Ivories 15.5cm, overall 19cm £50 - 80

437

A PAIR OF CHINESE YELLOW GROUND VASES, MOUNTED AS LAMPS, each of faceted baluster form, moulded and painted in green and brown with dragons, on hexagonal brass bases. Excluding fittings 24.5cm £200 - 300

£100 - 150

438

A PAIR OF JAPANESE BRONZE VASES, early 20th Century, of two-handled form with wide tops, 12cm high; together with A PAIR OF JAPANESE BRONZE INCENSE BURNER STANDS, early 20th Century. 20cm (4) £80 - 120

428

A JAPANESE WOOD NETSUKE, 19th Century, of two rabbits in a boat, each with inlaid eyes, signed Ikko to a rectangular reserve. 65mm £300 - 500

439

429

A JAPANESE WOOD NETSUKE, carved as a blind masseur, signed, 19th Century. 26mm £200 - 300

430

A JAPANESE WOOD NETSUKE, carved as a lady holding a fan, 19th Century.

46mm £50 - 100

431

A JAPANESE WOOD NETSUKE, carved as persimmon fruit. 40mm £100 - 150

432

A JAPANESE WOOD NETSUKE, carved as two boys playing piggy back, signed. 45mm £100 - 150

434

A LARGE JAPANESE IVORY OKIMONO, MEIJI PERIOD, carved as a father with two children and fruit, signed to underside. 23cm £200 - 300

435

A PAIR OF CHINESE BLUE AND WHITE SQUARE SECTION VASES, each tapering body of shouldered form with circular neck, decorated with bats and shou. 29cm £800 - 1200

A PAIR OF JAPANESE CLOISONNE VASES, MEIJI PERIOD, c. 1900, each of shaped baluster form, decorated with foliate panels, one including birds, with further decorative cartouches, some with gilt fleck inclusions. 30.5cm £100 - 150

440

A PAIR OF JAPANESE SILVER-INLAID PARCEL-GILT BRONZE VASES, MEIJI PERIOD, c. 1900, each of squat baluster form, with broad rim and zoomorphic handles, cast with panels decorated in relief with birds, insects and flowers. 12.5cm £150 - 250

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448 441

441

A PAIR OF STRIKING JAPANESE PATINATED BRONZE VASES, MEIJI PERIOD, c. 1900, of baluster form, each with flared neck and scalloped rim, cast in high relief with a battling Samurai on a bridge amidst birds and boughs, incised two character mark to base.

39.75cm £250 - 350

442

A RARE JAPANESE IVORY AND METAL KAGAMIBUTA NETSUKE, together with TWO FURTHER IVORY NETSUKES of an oxen and man with gourd. (3) Kagamibuta 39mm £150 - 250

443

A SET OF FOUR SMALL ORIENTAL POTTERY MASKS OF SMILING MALE FIGURES, probably early 20th century, inset to the reverse with calligraphic panels. Each approx. 6cm by 4.5cm £100 - 150

444

A SET OF TWELVE JAPANESE CLOISONNE ENAMEL VASES ON STANDS, in a fitted box. Each vase 7.5cm £50 - 100

445

A SMALL CHINESE BLUE AND WHITE PORCELAIN CENSER, of cauldron form, the rim with a band of Greek Key, the body with calligraphy, on three tapering legs and with six character mark. 9.75cm £80 - 120

446

A SMALL CHINESE SANG-DE-BOEUF GLAZED PORCELAIN VASE, POSSIBLY 18th CENTURY, with mottled glazed, incised ring marks to base. 7cm £150 - 250

447

A SMALL JAPANESE IVORY FIGURAL NETSUKE, carved as a child holding a doll, probably 19th Century. 35mm £50 - 100

54

AN UNUSUAL BROWN STONEWARE BUDDHA, modelled meditating. 19cm £200 - 300

449

CHINESE SCHOOL, PAIR OF PORTRAITS OF EMPERORS, watercolours on rice paper, probably late 18th or early 19th Century, framed.

22.5cm by 14cm £100 - 150

450

A CHINESE CARVED AGATE VASE AND COVER, 19th Century, 10cm; together with A PAIR OF CHINESE CARVED JADE FIGURES, 10cm. (3) £400 - 600

451

A NEAR PAIR OF CHINESE HARDSTONE ORNAMENTS IN THE FORM OF TREES, each in a planter.

Taller 30cm £300 - 400

452

TWO JAPANESE BOXWOOD NETSUKES, one carved as an ape-like creature, the other a street vendor.

39mm and 29mm £100 – 150

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OBJECTS OF VIRTUE 453

A 9 CARAT GOLD PRESENTATION KEY, engraved with inscription dated Jan 28 1928, 24 grams, cased; together with A ST. JOHN AMBULANCE YELLOW METAL PRESENTATION KEY, with inscription dated April 21st 1928, cased (2) £200 - 300

454

A BILSTON ENAMEL PATCH BOX, LATE 18TH CENTURY, oval, the hinged lid centred with a floral spray within a cartouche with gilded C-scroll edge, yellow ground with black snowflakes.

7.5cm £150 - 250

455

A CARTIER PHOTOGRAPH FRAME, oval with gilt speckled deep blue enamel surround, in original box. 9cm high £250 - 350

456

A CONTINENTAL IVORY FIGURE, 18TH OR 19TH CENTURY, carved as a ragged beggar, probably South German, on a carved stand. Ivory 11.5.cm, overall 21cm £150 - 250

457

A CONTINENTAL IVORY FIGURE, 18TH OR 19TH CENTURY, carved as a ragged beggar, probably South German, on a wooden stand, (a/f ). Ivory 11.5cm, overall 17cm £100 - 200

458

A CONTINENTAL RUBY, SPINEL AND GOLD MOUSTACHE BRUSH, sinuous i central stone inset initial, stamped marks. 5cm £200 - 300

459

A CONTINENTAL SILVER-INLAID TORTOISESHELL SNUFF BOX, LATE 18TH OR EARLY 19TH CENTURY, of rectangular form with bowed ends, the top inlaid with a battle scene of mounted and foot soldiers discharging muskets, the gilt-metal sides fitted with twin circular swing-out compartments.

Length 10cm £2500 - 3500

460 461

A DIAMOND, PERIDOT, SPINEL AND RUBY FRAMED PORTRAIT MINIATURE, oval, watercolour portrait of a lady wearing blue dress, lace trim, hair up with ringlet fringe, surrounded by a scrolling surround set with diamonds, peridots, spinels and rubies, in a fitted case. Overall 72mm by 59mm

463

461

A FINE DIAMOND-SET AND GOLDMOUNTED GENTLEMAN’S RATTAN WALKING STICK, EARLY 20th CENTURY, with gold crop handle, the shaft applied with a diamond chip monogram “FC” under a coronet, with a chamois handle cover. 90.5cm Provenance: Prince Ferdinand Pius Duke of Calabria (1896-1960). See Sotheby’s London, 19th January 2016, lot 206.

Note: The Duke of Calabria was head of the House of Bourbon (Two Sicilies) and Pretender to the throne of the Kingdom of the Two Sicilies. £1200 - 1800

462

A FINE LATE VICTORIAN GENTLEMAN’S CANE, with yellow metal handle, chased with scrolls, presentation inscription dated 1900, stamped 18CT GP. 81cm £500 - 700

463

A FRENCH THREE COLOUR GOLD SNUFF BOX, EARLY 19TH CENTURY, each finely reeded panel with central foliate motif in a navette shaped border, indistinct marks, maker CG or CC. 81.3 grams, 8.5cm £3000 - 5000

£700 - 900

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466

A RUSSIAN AGATE, GOLD AND GARNET CUP, Erik August Kollin, the agate cup with brushed gold rim and handle accented by collet-set round cabochon garnets and one round cabochon simulated garnet, possibly replaced, signed EK, combined St. Petersburg and 56 gold standard mark, circa 1890.

466

Note: Erik August Kollin, born in Finland, after completing his apprenticeship there, travelled to St. Petersburg and opened up his own workshop. Kollin worked for August Holstrom and Carl Faberge and was in charge of all Faberge workshops until 1886 as his premier jeweller. His specialty was in gold and silver objets, executed in the archaic style of the period. £5000 - 7000

467

A SCOTTISH HORN SNUFF MULL, the curly horn with white-metal mount (probably silver), the hinged cover with hardstone inset roundel. 8cm £80 - 120

468

A SET OF FOUR RUSSIAN SILVER AND ENAMEL VODKA CUPS, each painted with a landscape within a gilt foliate border, stamped 875, in a case. Each 5cm £600 - 900

469

A SMALL 19th CENTURY PAPER TERRESTRIAL GLOBE, of twelve gores, printed in colours (faded), with turned ivory knop (a/f ). Diameter c. 11cm £80 - 120

469A 464

470

A LATE 19th CENTURY VIZAGAPATAM DISH, of shaped octagonal form, the well carved with an elephant amidst foliage, the sides with pierced foliate panels. Width 24cm £60 - 80

465

A LEATHER CASED NECESSAIRE, 19TH CENTURY AND LATER, comprising three 22 carat gold damascened items, a later 14ct gold thimble and pair of gilt metal and enamel scissors, in gilt tooled leather fan shaped box. Box 16cm wide £400 - 600 56

A LARGE ITALIAN CARVED ABALONE SHELL, decorated with a lady in Classical dress feeding fish by a balustrade, mounted in an ebonised frame. Shell 22.5cm by 19.5cm £60 - 80

470

AN ART DECO STERLING SILVER AND JADE CLOCK, SIGNED CARTIER, the rectangular jade plaque with arched top and inset with a clock face, signed CARTIER, held between two supports issuing from a plinth base picked out with black foliate enamels, stamped STERLING. 13.5cm high, base 12cm wide £3000 - 5000

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471

AN ASPREY FIGURED WALNUT, IVORY AND SHAGREEN SEWING BOX, the lid initialled RAB, containing a French yellow metal sewing set including scissors, thimble, needle case and a crochet hook. Box 11cm wide £300 - 400

472

AN EARLY 19th CENTURY YELLOW METAL MOUNTED TORTOISESHELL SNUFF BOX, shaped for the hand, the hinged cover fluted and mounted with a square (unengraved) escutcheon. 6cm by 3.75cm £150 - 250

473

475

AN EARLY 20th CENTURY GOLD (UNMARKED) PIQUE TORTOISESHELL TOILET MIRROR, of characteristic form. 28cm £40 - 80

474

AN UNUSUAL PATINATED BRASS AND MOTHEROF-PEARL CRAB DISH, the brass crab applied to one end of the shell, raised on four feet, probably circa 1900. 14cm £150 - 250

475

A BUCHERER 18 CARAT GOLD AND DIAMOND COMPACT, the “woven” three colour gold case with six-stone diamond set button, opening to reveal an interior with a mirror, signed BUCHERER SWISS 18K. Gross 132 grams, 7.5cm by 6cm £2500 - 3500

476

JANE HUTCHESON FOR CARTIER A SILVER GILT AND ENAMEL BASKET OF STRAWBERRIES, the basket composed of interwoven silver gilt with handle, with a bouquet of enamelled strawberries and leaves, interspersed with white enamel flowers with a circular green cabochon centre, signed Cartier, marked Hand Made Sterling.

238 grams, 8cm high £6000 - 8000

477

476

TWO PORTRAIT MINIATURES: the first oval, of a lady in Regency costume with turban and blue sash, within a pierced gilt-metal frame, carved horn reverse; the second, oval of a lady in a triple strand pearl necklace, within a pierced gilt metal frame. (2) First 7cm by 6cm £120 – 180

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MISCELLANEOUS 478

A 19TH CENTURY INLAID MUSIC BOX, with 6¼-inch pinned cylinder, ratchet winder and one-piece comb.

36.5cm wide £100 - 200

479

A BRASS SEXTANT, SIGNED LAWRENCE & MAYO, LONDON, with silvered vernier, 8-inch radius, in a mahogany case labelled Lawrence & Mayo The ‘White Star’ sextant, telescope and lenses in box. Box 30cm wide £200 - 300

480

A BRASS STATION POINTER, SIGNED ELLIOTT BROS, LONDON, late 19th or early 20th Century, boxed.

Box 42.5cm wide £100 - 200

481

A CASED COLLECTION OF TWELVE 19th/EARLY 20th CENTURY EXHIBITION MEDALS, the gilt and red painted glazed case inscribed “The Richmond Gas Stove & Meter Coy. Ld./Warrington, London, Stafford, the medals in white and gilt metal and bronze, various exhibitions including Yorkshire Trades & Industry 1895, Sheffield Trades & Industry 1898, Wolverhampton Exhibition 1893 and the Universal Cookery & Food Exhibition 1903 (one medal lacking).

Case 49cm by 31cm £200 - 300

482

484

A COLT MODEL 1851 SIX SHOT NAVY REVOLVER, the 18.5cm barrel signed “Address Col. Saml. Colt New-York U.S. America” with attached loading lever, the left side of the frame stamped Colts Patent, the cylinder numbered 67539, the frame numbered 120938, the brass trigger guard and strap numbered 679, the walnut grip stamped U.S. (with spares).

A REMINGTON 1861 “OLD MODEL NAVY” .36 CALIBER SIX SHOT SINGLE ACTION PERCUSSION REVOLVER, the octagonal barrel stamped “Patented Dec. 17 1861 Manufactured by Remington’s Ilion. N.Y.”, numbered 1589(8 or 3?), the hinged loading lever with channel cut along the top, brass trigger guard and walnut grip carved with initials.

483

485

£400 - 600

A COLT MODEL 1851 SIX SHOT NAVY REVOLVER, the 18.5cm barrel signed “Address Saml. Colt New York City”, with attached loading lever, the left side of the frame stamped “Colts Patent U.S.”, the cylinder, frame, brass trigger and guard all numbered 68075, walnut grips.

£400 - 600

A U.S. HENRY ASTON .54 CALIBRE MODEL 1842 PERCUSSION PISTOL, dated 1846, with Middletown Arsenal inscription, the stock with inspector’s marks. Overall 35.5cm £300 - 500

£400 - 600

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486

A GROUP OF THREE NOVELTY WOODEN NUTCRACKERS; the first carved as a rabbit with glass eyes; the second a spaniel also with glass eyes; the third part painted and carved as a grinning man in a nightcap. (3).

First 21cm £150 - 200

487

A PAINTED WOODEN TRUNCHEON, PROBABLY 19th CENTURY, of characteristic form, with turned handle, the decoration including “VR” under a crown, “Llandilo Constable” and diagonal stripes. 45cm £120 - 180

488

A PHOTOGRAPH OF JAMES STEWART, MOUNTED ALONGSIDE A SIGNED SKETCH OF HARVEY THE RABBIT on a first day cover, with presentation plaque below, Walt Disney Authenticity label. Overall 46cm by 58cm £200 - 400

489

A PRE-WAR POLICE TUNIC. £50 - 100

492

AN EARLY 20TH CENTURY PLUSH TEDDY BEAR, with hump back, no button. 33cm £150 - 250

493

AN ENAMEL AND WHITE METAL BREAST BADGE, of radiating design.

49mm by 49mm £200 - 300

494

AN INLAID MUSIC BOX, with 10¾inch pinned cylinder, ratchet winder and one-piece comb (one tooth broken). 51cm wide £100 - 200

490

A FRENCH 1866 PATTERN CHASSEPOT BAYONET, the blade engraved 1872, scabbard and hilt numbered 53034. £40 - 60

491

A G.B. 1840 PENNY BLACK, one margin touching. £100 - 150

496

HURWORTH HUNT INTEREST THE FOX HUNTING ATTIRE OF MR G. KEITH, FORMER WHIPPER-IN OF THE HURWORTH HUNT, CIRCA 1930’S Comprising a red hunting jacket with buttons, jodhpurs, three cravats. pair of boots with wooden trees, and a whip

by Swaine & Adeney inscribed Otterington Hall 1938. £200 - 300

497

495

AN IRON SLAVE COLLAR, with applied brass plaque stamped 1744, two notches and two brass rings. 15cm

£200 - 300

ORDER OF NICHAN AL IFTIKHAR, AN OFFICER’S CROSS, breast badge, brilliant cut rays with partial green and red enamel. 50mm £300 - 400

498

SHAW (GEORGE BERNARD), TWO LETTERS, each signed G. Bernard Shaw, one dated 28th May 1933 addressed to J. Morley Longden of Easington R.D.C. concerning the acceptance of a mortgage repayment, the other dated 29th Oct. 1932 and also to J. Morley Longden concerning a loan to the council. (2) £200 - 300

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499

TWO CURLING STONES, each 27cm

BOOKS

£300 - 400

501

BEARD (CHARLES R.), A CATALOGUE OF THE COLLECTION OF MARTINWARE FORMED BY MR FREDERICK JOHN NETTLEFOLD TOGETHER WITH A SHORT HISTORY OF THE FIRM OF R.W. MARTIN AND BROTHERS OF SOUTHALL, privately printed by Waterlow & Sons Limited, London 1936.

500

£300 - 400

WINE: CHATEUA LAFITE ROTHSCHILD 1989 PAUILLAC, one bottle £400 - 600

502

D.H. LAWRENCE (DAVID HERBERT), LADY CHATTERLEY’S LOVER, 1st EDITION, privately printed limited edition Florence 1928, ed. 324/1000, signed, original board with paper label to spine printed black Phoenix to front cover.

Note: one of the most controversial books of the 20th century, Lady Chatterley’s Lover was not published in its entirety in Britain until more than thirty years after this first edition was produced abroad. £5000 - 7000

503

BEWICK (THOMAS), A HISTORY OF BRITISH BIRDS, Vols I & II, 1805, printed by Edward Walker, bound by Lubbock, Newcastle, bookplate of Thomas Meynell Esq (2) £100 - 200

504

FLEMING (IAN), THUNDERBALL, First Edition, pub. 1961 by Jonathan Cape, Thirty Bedford Square, London; THE MAN WITH THE GOLDEN GUN, First Edition; ON HER MAJESTY’S SECRET SERVICE, First Edition, Second Impression; THE SPY WHO LOVED ME, First Edition, Third Impression (4) £100 - 200

505

FLINT (SIR WILLIAM RUSSELL), DRAWINGS, no. 58 from a limited edition of 125, signed and numbered, mounted, in sleeve, extra super royal 4to, tan crushed morocco backed beige cloth, glassine jacket, labelled slip case, London: Collins, 1950. £300 - 500

506

SWINDELLS (NEIL), WILLIAM MOORCROFT - BEHIND THE GLAZE, signed, pub. 2013. £50 – 80

502

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PRINTS

WATERCOLOURS AND DRAWINGS 515

CONTINENTAL SCHOOL, PROBABLY FRENCH, SKETCHES, on one sheet, framed. 25cm by 36.5cm £300 - 500

516

ALEXANDER MOLYNEAUX STANNDARD (1878-1985), A SURREY COTTAGE, signed, watercolour, framed. 24cm by 33.5cm £100 - 150

517 507

A PAIR OF PENCIL SIGNED COLOUR ETCHINGS OF VENICE, framed. Each plate 7.5cm by 16cm £50 - 80

508

A HAND-COLOURED WOOD-CUT PRINT OF A HUNTSMAN, signed in pencil and numbered 26.100, framed.

33cm by 26cm £100 - 150

509

KURT MEYER-EBERHARDT (18951977), SHETLAND FOAL, signed in pencil, copperplate etching, framed.

Plate 39cm by 30cm £150 - 250

510

ROWLAND LANGMAID, (1897-1956), A SUNLIT SEA (SPITHEAD), signed and titled in pencil, drypoint etching, framed. Plate 20cm by 15cm £80 - 120

512

511

SALVADOR DALI (1904-1989), NUDE, signed in pencil, no. 14/250, print, framed. 54.5cm by 35cm £200 - 300

512

TOM MCGUINNESS (1926-2006), GALA DAY, SEAHAM, signed, titled and numbered 91/200 in pencil, print, framed. 40.5cm by 60.5cm £200 - 300

513

TOM MCGUINNESS (1926-2006), THE ALLOTMENTS, EASINGTON, signed, titled and numbered 118/200 in pencil, print, framed. 47.5cm by 67.5cm £200 - 300

ALBERT POLLITT (1856-1926), ESKDALE, signed, watercolour, framed.

36cm by 54cm £50 - 100

518

ATTRIBUTED TO GEORGE WEATHERILL (1810-1890), VENICE, AFTER TURNER, watercolour, framed.

20cm by 26.5cm £100 - 150

519

ATTRIBUTED TO JOHN WILSON CARMICHAEL (1800-1868), HARBOUR SCENE, initialled JWC, watercolour, framed. 15cm by 21.5cm £50 - 100

514

TOM MCGUINNESS (1926-2006), THE NATURE TRAIL, MURTON, signed, titled and numbered 94/200 in pencil, print, framed. 40cm by 65cm £200 – 300

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520

ATTRIBUTED TO LAURENCE STEPHEN LOWRY (1887-1976), FIVE INK SKETCHES ONTO SKETCH BOOK LEAVES, PROBABLY SCARBOROUGH SCENES, (one double sided), various scenes, each bears either initials or signature and dated 1949, unframed.

19cm by 28cm £2000 - 3000

521

DOROTHY MARGARET & ELIZABETH MARY ALDERSON (1900-1992) (1900-1988), HIGHLAND CATTLE, signed and dated 1988, watercolour, framed. 29.5cm by 39cm £100 - 150

522

DOROTHY MARGARET & ELIZABETH MARY ALDERSON (1900-1992) (1900-1988), SIX WATERCOLOURS, each signed or initialled, three individually framed and two mounted into a table screen. £120 - 180

523

520

DOROTHY MARGARET & ELIZABETH MARY ALDERSON (1900-1992) (1900-1998), HIGHLAND CATTLE IN A LANDSCAPE, three watercolours, each signed, unframed. Largest 37.5cm by 25.5cm £200 - 300

524

524

EILEEN ALICE SOPER (1905-1990), A SWIRL OF OTTERS, watercolour with pencil, unframed. 17.5cm by 25cm Provenance: Chris Beetles Ltd, The Estate of George and Eileen Soper. £200 - 300

525

EILEEN ALICE SOPER (1905-1990), RING-TAILED LEMUR, five pencil sketches on one sheet, signed and inscribed, unframed. 25.5cm by 19cm Provenance: Chris Beetles Ltd, The Estate of George and Eileen Soper. £100 - 150

525

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526

EILEEN ALICE SOPER (1905-1990), SWALLOWS, three sheets of sketches, Chris Beetles stamp, unframed. (3) Largest 29cm by 19cm Provenance: Chris Beetles Ltd, The Estate of George and Eileen Soper. £100 - 150

527

ENGLISH SCHOOL, PORTRAIT OF A LADY WEARING A PEARL NECKLACE, unsigned, watercolour, framed, 21.5cm by 18cm £50 - 100

530

526

F*** CATANO, ITALIAN COASTAL SCENES, a pair, each signed, watercolours, framed. 30cm by 58cm £180 - 280

531

FRED LAWSON (1888-1968), YORKSHIRE VILLAGE, signed, watercolour, framed. 24.5cm by 17cm

£80 - 120

GRAHAM MCKEAN (BORN 1962), DEDICATED FOLLOWER OF FASHION, signed, pastel, framed.

40.5cm by 28cm £400 - 600

533

HENRY SCHAFER (1854-1915), COUTANCES, NORMANDY; AND CHARTRES, A PAIR, each signed and titled, watercolours, framed. 40cm by 30cm £150 - 250

534

528

HENRY WRIGHT KERR (1857-1936), THE WHITE MUTCH, signed, watercolour, framed. 37cm by 28cm £180 - 250

ENGLISH SCHOOL, PORTRAITS OF GIRLS, A PAIR, watercolours, oval, framed. 19cm by 14cm £100 - 150

535

529

ENGLISH SCHOOL, TWO FIGURES IN AN INTERIOR LOOKING AT A PORTRAIT, monogrammed (TM or MT), watercolour, framed, 27.5cm by 21.5cm; and ENGLISH SCHOOL, FIGURES IN AN INTERIOR, watercolour, framed.

20.5cm by 15.5cm (2) £100 - 150

532

JACK RIGG (BORN 1927), KETCH RIGGED BARGE, signed, watercolour, framed. 37cm by 55cm £150 - 250

532

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536

JAMES WILLIAM BOOTH (18671953), HAYMAKING, signed, watercolour, framed. 44cm by 64cm £600 - 800

537

JOHN LEWIS CHAPMAN (BORN 1946), SHIPS ANCHORED OFF SHORE, signed, gouache, framed.

20cm by 26.5cm £50 - 100

538

JOHN MACKIE (BORN 1955), COASTAL LANDSCAPE, signed and dated, pastel, framed. 38cm by 48.5cm £80 - 120

539

541

540

£200 - 300

JOHN SOWDEN (1838-1926), LOCH LEVEN, signed, watercolour, framed.

12.5cm by 17.5cm £50 - 80

JOHN SYER (1815-1885), SHEPHERD ON HORSEBACK WITH A DOG BY HIS SIDE, signed, watercolour, framed.

36cm by 51cm £150 - 250

542 64

KATE E. BOOTH (FL. 1850-1898), THE WAY BY THE CLIFF - LADY PALMER’S COTTAGE, RUNSWICK BAY, signed and titled, watercolour, framed. 34cm by 51cm

542

NOEL HARRY LEAVER (1889-1951), AN OLD FLEMISH CITY, signed lower right, watercolour, framed. 26.5cm by 37.5cm £200 - 300

536

543

ORIENTALIST SCHOOL, ARABS WITH A CAMEL; AND A GROUP OF MEN TALKING IN THE STREET, two, each monogrammed (TM or MT), watercolours, framed. Larger 28cm by 22.5cm £200 - 300

544

ORIENTALIST SCHOOL, STREET SELLER, signed with a monogram (TM or MT), watercolour, framed. 24cm by 34cm £200 - 300

544

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545

545

549

PERCY FRENCH (IRISH, 1854-1920), A GLEAM BEFORE THE STORM, signed and dated 1900, watercolour, framed. 18.5cm by 32.5cm £1500 - 2500

546

PERCY LANCASTER (1878-1951), LOWESWATER, signed and titled, watercolour, framed. 23cm by 33cm £50 - 100

547

RICHARD MARSHALL, YORK MINSTER, signed, watercolour, framed.

24cm by 17.5cm £50 - 80

ROBERT ERNEST ROE (1852-1921), THE BRIG MARY & AGNESS IN DISTRESS, WHITBY SANDS, 24TH OCT 1885, signed, watercolour, framed. 27cm by 42cm £250 - 350

548

RICHARD PETER RICHARDS (18401877), RIVER LANDSCAPE WITH CATTLE RECUMBENT ON THE BANK AND SHEEP BEYOND, signed, watercolour, framed. 37.5cm by 58cm £200 - 300

550

WALTER STUART LLOYD (18751929), BRAY ON THAMES, signed, watercolour, framed. 35cm by 50cm £100 - 150

551

THOMAS JAMES SOPER (C. 18171893), CATTLE BY A RIVER AND A LADY ON A PATH, signed, watercolour, framed. 15cm by 32.5cm £100 - 150

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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555

TOM MCGUINNESS (1926-2006), THE SCRAP YARD, signed, watercolour, framed. 20.5cm by 51cm £1000 - 1500

552

552

THOMAS ROWLANDSON (17561827), “WIT’S LAST STAKE OR THE COBLING VOTERS AND ABJECT CANVASSERS”, drawing for Westminster Election 1784, inscribed; a further sketch with a blue crayon mark to the reverse of the sheet, framed.

24.5cm by 35.5cm £700 - 900

553

TOM CARR (1912-1977), BROWN SUGAR - STUDY OF A HORSE, signed, watercolour, framed. 25cm by 38cm £80 - 120

554

TOM CARR (1912-1977), STUDY OF A HORSE, signed, watercolour, framed.

25cm by 38cm £80 - 120

556

WILLIAM HOLMES SULLIVAN (fl.1870-d.1908), ROMAN LADY HOLDING A VASE BY A WATER FOUNTAIN, signed and dated 1882 with Roman numerals, watercolour, framed. 61cm by 40cm £200 - 300

555 66

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557

WILLIAM JAMES MÜLLER (18121845), PORTRAIT OF A MAN, signed, dated 1845 and inscribed Cairo, watercolour, framed. 32cm by 26.5cm £200 - 300

558

WILLIAM MANNERS (1860-1930), HARVEST SCENE, signed, watercolour, framed. 17.5cm by 24cm £50 - 100

559

WILLIAM MANNERS (1860-1930), SHEPHERD AND HIS FLOCK, signed and dated 1910, watercolour, framed.

25.5cm by 37.5cm £100 – 150

564

OIL PAINTINGS 560

19TH CENTURY SCHOOL, FITTING THE SLIPPER, signed E. Pastis?, oil on canvas, framed, (a/f ), 46cm by 35.5cm: together with an oil on canvas AFTER LANDSEER, DOG WITH DEAD GAME, unsigned, oil on canvas, unframed, 53.5cm by 43.5cm (2) £100 - 200

561

AFTER ALFRED DE BREANSKI, LANDSCAPE WITH HIGHLAND CATTLE WATERING, signed, oil on board, framed. 37.5cm by 59cm £150 - 250

562

AFTER JEAN-MICHEL BASQUIAT, JAZZ, bears initials and date, oil on canvas, unframed. 80cm by 49cm £120 - 180

563

ARTHUR LONGLEY VERNON (EXH. 1880-1917), HALF LENGTH PORTRAIT OF A YOUNG LADY, signed and dated ‘89, oil on canvas, framed.

75cm by 53cm £200 - 300

564

ATTRIBUTED TO GAETANO CHIERICI (ITALIAN, 1838-1920), PORTRAIT OF “POETRY” AFTER CARLO DOLCI, oval, inscribed in pencil verso, oil on board.

22cm by 18cm £1500 - 2500

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565

ATTRIBUTED TO WILLIAM MCTAGGART (1835-1910), THE SURVIVORS, unsigned, oil on canvas, framed. 20.5cm by 40.5cm £800 - 1200

566

565

CHOO KENG KWANG (SINGAPOREAN, BORN 1931), STREET SCENE, signed and dated 1961, oil on canvas board, framed.

60.5cm by 45cm £700 - 900

567

CHRISTINE R. SHAND (EXH. 18841903), STILL LIFE OF ROSES, signed, oil on canvas, framed. 42cm by 55cm £200 - 300

568

CLAUDE HORSFALL, GAMS BANK AND GRASSINGTON BRIDGE, CONISTON BRIDGE AND KILNSEY CRAG; A WHARFEDALE FARM, THREE, each signed, oils on canvas board, framed. (3) Largest 49cm by 74cm £100 - 200

569 566

68

DAVID CARR, RADIOHEAD, inscribed to label verso, oil on canvas, 102cm by 127cm

570

EDMUND MARRINER GILL (18201894), WATERFALL, signed and dated 1889, oil on canvas, framed. 59cm by 38.5cm £300 - 500

£150 - 250

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575

FOLLOWER OF JAN FRANS SOOLMAKER (1635-1685), FLEMISH FIGURES DROVING ANIMALS AMONGST RUINS. oil on canvas, framed. 49.5cm by 64cm £800 - 1200

576

FRANK CASSELL (BRITISH, 19TH CENTURY), TERRIERS, A SET OF FOUR, each signed, oils on canvas, framed. 28cm by 38cm £500 - 700

571

575

573

ENGLISH SCHOOL (19TH CENTURY), RURAL LANDSCAPES, A PAIR, oils on canvas, framed. 19cm by 29cm £120 - 180

572

ENGLISH SCHOOL, BUSY SHIPPING SCENE, bears signature B. Hemy, oil on canvas, framed. 21cm by 33.5cm £100 - 200

578

ENGLISH SCHOOL, TYNEMOUTH PRIORY AND ST. MARY’S LIGHT, a pair, each bears signature B.B. Hemy, oils on board, framed. 36cm by 45.5cm

Provenance: Chris Beetles Limited

574

ENGLISH SCHOOL (19TH CENTURY), STILL LIFE OF GAME, oil on canvas, framed. 41.5cm by 34.5cm £100 - 150

£200 - 300

GEORGE WEATHERILL (1810-1890), FIGURES ON THE BEACH BY CLIFFS, PROBABLY WHITBY, oil on card, framed. 19cm by 14cm £250 - 350

579

576

GRAHAM MCKEAN, (BORN 1962), ONE DAY OUR SHIP WILL COME IN, signed, oil on canvas, framed. 28.5cm by 23.5cm £400 - 600

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580

581

GRISELDA ALLAN (1905-1987), VIRGIN MARY AND LAMB, signed and dated 1952, oil on canvas, framed.

34.5cm by 25cm £120 - 180

HERBERT ROYLE (1870-1958), THE MENAI STRAITS, signed, inscribed with title verso, oil on board, framed.

30cm by 40cm £600 - 800

582

HERMINE GARTNER (1850-1905), YOUR VERY GOOD HEALTH, signed, oil on canvas, in a gilt-composition frame. 24cm by 19cm £100 - 150

583

J*** TAYLOR, GIRL HOLDING A JUG AND GIRL WITH A CHALKBOARD, A PAIR, each signed, oils on canvas, framed. 48cm by 37cm £250 - 350

JEAN LAURENT (1898-1988), SHIPPING SCENE, signed, oil on board, framed. 39cm by 49cm £100 - 150

70

LOUIS MAGRE (FRENCH, BORN 1955), TIMES SQUARE, NEW YORK, signed, oil and acrylic on canvas. 50cm by 50cm £150 - 250

586

581

584

585

588

LYNNE JOHNSTONE, POPPY PALS, signed lower left, oil on canvas, framed under glass. 28.5cm by 28.5cm £100 - 200

590

590

MARGARET GRAEME NIVEN (19061997), ST. IVES HARBOUR, signed, oil, framed. 18.5cm by 22cm £200 - 300

591

MARIE LOUISE WRIGHTSON, FEMME FATALE, signed, oil on board, framed.

18.5cm by 18.5cm £150 - 250

587

ATTRIBUTED TO GEORGE ARMFIELD (1808-1893), TERRIERS RATTING, oil on canvas, framed. 24.5cm by 31.5cm £300 - 450

588

MANNER OF GEORGE MORLAND (1763-1804), FAMILY BY THATCHED COTTAGE, with pigs, ducks and dog, oil on canvas, framed. 50cm by 64cm £300 - 500

589

MANNER OF WILLIAM JOHN LEECH (1881-1968), ORNAMENTAL GARDEN, oil on board, framed. 59cm by 81m £150 - 250

592

MARY ETHEL HUNTER (1878-1936), STILL LIFE OF FLOWERS IN A JUG ON A TABLE, signed, oil on board, framed.

59.5cm by 49cm £200 - 300

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596

REGINALD DANIEL SHERRIN (1891-1971), EVENING ON THE CONWAY, WALES, signed, oil on canvas, framed. 60cm by 90cm £250 - 350

593

OWEN BOWEN (1873-1967), BOLTON ABBEY, signed, oil on canvas, framed. 38cm by 54.5cm £200 - 300

594

OWEN BOWEN (1873-1967), EAST RIGTON, monogrammed lower left, inscribed verso, oil on panel, framed. 10.5cm by 16cm £100 - 150

597

SAMUEL JOSEPH CLARK (1834-1912), CATTLE WATERING AND LADY WITH A MILK PAIL, signed and dated 1876, oil on canvas, framed. 60cm by 90cm £300 - 500

598

SANDY MCINTOSH (BORN 1971), “TEA CEREMONY WITH TULIPS”, signed lower right, mixed media, framed under glass. 39cm by 38cm Provenance: Panter & Hall, London. £100 - 200

599

BARRY LEIGHTON JONES (1932-2011), STUDIES OF A BOY AND A GIRL, A PAIR, each signed, oils on canvas board, framed. 83cm by 37cm £100 - 150

600

WILLIAM HEYKOOP (DUTCH, BORN 1943), INTERIOR SCENE, signed, oil on canvas, framed. 49.5cm by 39cm £80 - 120

601 595

PORTRAIT OF A LADY, half length, possibly 17th Century, oil on canvas, framed. 79cm by 61cm £1500 - 2500

WILLIAM LANGLEY (1852-1922), MOTHER AND CHILD BY A THATCHED COTTAGE, signed, oil on canvas, unframed.

50.5cm by 76.5cm £100 - 200

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BRONZES AND SCULPTURE

603

ITALIAN SCHOOL, 19th CENTURY, A PATINATED BRONZE GROUP OF DAVID AND THE LION, the figure of David in the manner of Donatello, a sling in his hand and a lion at his feet, on an oval plinth, unsigned. 46.5cm £400 - 600

604

EARLY 20th CENTURY SCHOOL, A PATINATED BRONZE FIGURE OF A STANDING CRUSADER KNIGHT, unsigned, mounted on a wooden plinth. Overall 22cm £60 - 90

605

602

ITALIAN SCHOOL, c. 1900, MADONNA AND CHILD, MARBLE, carved seated in voluminous robes, on a wooden throne, the throne signed to the base and dated (18)97. Overall 49cm £200 - 300

CONTINENTAL SCHOOL, A PARCELGILT SPELTER FIGURE OF A SPANISH DANCER, in the manner of Lorenzl, modelled in a fringed dress holding a tambourine, on a turned alabaster base, unsigned. Overall 26.5cm £100 - 150

606

BILL TOMA, “A GIFT OF LOVE”, bronze of a female nude, on a plinth. Overall 80cm £200 - 400

607

BILL MACK (BORN 1944), A BONDED BRONZE AND MIXED METAL SCULPTURE, framed. £200 - 300

608

603 72

BILL MACK (BORN 1944), “FOREVER”, a sand sculpture of two lovers, signed in the work, framed. Overall 182cm by 101cm £200 - 300

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609

AN UNUSUAL MECHANICAL SCULPTURE, perspex, signed Benson and dated 1970, mounted onto a board. 51cm by 18cm £100 - 150

611

610

AN IMPOSING PAIR OF FRENCH GILTBRONZE CHENETS OR FIRE DOGS, BARBEDIENNE FOUNDRY, c. 1870, each with scroll-cast loop finial above a mask of a Greek philosopher, the downscroll and upright enclosing pierced shell and scrollwork, on a rectangular plinth with incised swags and signed F. Barbedienne. Height 59cm, depth 39.5cm £1000 - 1500

613

AFTER VINCENZO GEMITO (ITALIAN, 1852-1929), THE WATER VENDOR, A PATINATED BRONZE, after the fountain created by Gemito in Naples, cast to the reverse with a plaque inscribed “Dall Originale Propta Del Re Napoli SM Francesco II Napoli Gemito” (after the original for Francis II, King of Naples). 56cm Note: The original of this version of the fountain was designed in 1881. This cast probably dates from the end of the 19th century. Another example of this cast is in the collection of the Musee d’Orsay. £600 - 900

612

AFTER PERRON, “FRUITS DU TRAVAIL”, a patinated spelter figure, the base with applied inscribed plaque. 80cm £250 - 350

613

AFTER EMILE VICTOR BLAVIER (FRENCH, 19th CENTURY), A YOUNG WALKER, modelled standing on a rocky base, his hat in his right hand, a staff in his left, unsigned (en suite with the preceding lot). 53cm

614

AFTER EMILE VICTOR BLAVIER (FRENCH, 19th CENTURY), A YOUNG MOUNTAINEER, the figure modelled in hat carrying a staff, signed and dated 1854. 54cm £400 - 600

£400 - 600

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615

619

A TIBETAN BRONZE FIGURE OF BUDDHA, 18th or 19th Century, seated in dhyanasana with dharmacakra mudra. 17cm high

A FRENCH PATINATED BRONZE AND IVORY SCULPTURE OF AN ANTELOPE, c. 1930, signed E. Laurent, the animal crouching on a rock, mounted on an ivory plinth. Height overall 17.5cm £150 - 250

£200 - 300

620

A FRENCH BRONZE MODEL OF A MALE TENNIS PLAYER, EARLY 20th CENTURY, modelled with racket aloft, on a square plinth cast with the word “France”. 42.5cm

616

A SIENNA MARBLE MODEL OF A SEATED HOUND, 19th CENTURY, modelled seated on an integral oval plinth. Length 19cm £150 - 250

£100 - 150

618

A PAIR OF PATINATED BRONZE FIGURES AFTER ERNEST RANCOULET (FRENCH, 19th CENTURY), OF DIANA AND CUPID, she with crescent moon, he with bow, each on a flower-cast base and mounted on a circular marble plinth.

Taller 28cm £250 - 350

621

616A

A CONTINENTAL PATINATED BRONZE AND IVORY FIGURAL DESK PAPERWEIGHT, EARLY 20th CENTURY, modelled as a bust of a girl in Renaissance dress, mounted on a marble plinth. 8.5cm by 7.5cm £150 - 250

AN ITALIAN GRAND TOUR MARBLE MODEL OF A SPANIEL, 19th CENTURY, carved in recumbent pose on a rectangular plinth. 8.25cm by 15.5cm £150 - 250

617

A PATINATED BRONZE GROUP OF A BULL AND COW, the bull modelled standing, on an oval naturalistic base, signed in the cast. 22.5cm by 32.5cm £200 - 300

74

622 619

A CONTINENTAL COLD GILTPAINTED METAL FIGURE OF A TROUBADOR, second quarter of the 20th century, playing a lute and mounted on an oval alabaster plinth, unsigned. Height overall 23cm £80 – 120

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RUGS AND CARPETS 623

CLOCKS

A GOOD GUSTAV BECKER ROSEWOOD CASED VIENNA PATTERN WALL CLOCK, LATE 19TH CENTURY, the white enamel dial with subsidiary seconds and GB mark with anchor, the case with foliate crest and carved scrolls, complete and recently overhauled. 121cm £200 - 300

A CHINESE HAND MADE CARPET IN PERSIAN STYLE. 247cm by 360cm £200 - 300

624

A PAKISTANI HAND MADE CARPET, of elephants foot design. 366cm by 220cm £200 - 300

630

625

A VICTORIAN BRASS SINGLE FUSEE SKELETON CLOCK, in the ‘Gothic’ taste, chain driven movement striking a bell, raised on a marble base. 46cm high

A PERSIAN JOSHAGHAN HAND MADE RUG. 170cm by 108cm £100 - 200

626

A PERSIAN SAROUK RUG OF “AMERICAN” DESIGN, circa 1930’s.

202cm by 131.5cm £200 - 300

627

AN INDO PERSIAN HAND MADE CARPET. 254cm by 244cm £200 – 300

629

£400 - 600

628

A 19TH CENTURY GILT-BRASS MOUNTED BOULLE MANTEL CLOCK, the enamel dial with Roman numerals and Arabic minutes, the mounts cast as scrolling acanthus, Japy Freres twotrain movement, with pendulum.

Overall 42.5cm £200 - 300

628A

A FRENCH FIGURAL SPELTER CLOCK IN THE ART NOUVEAU TASTE, c.

1900, the figure titled “Le Jour”, after Auguste Moreau, the figure holding a drumhead clock aloft. 55cm £100 - 150

631

A VICTORIAN BRASS SINGLE FUSEE SKELETON CLOCK, of typical architectural form, the silvered chapter ring with Roman numerals, under a glass dome, complete with pendulum and key. 44cm high £300 - 400

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632

633

AN EDWARDIAN INLAID MAHOGANY MANTEL CLOCK, the circular dial with Arabic numerals and floral swags, Marti two-train movement, raised on brass bracket feet. 30cm £120 - 180

76

635

633

637

BENJAMIN DAVIS, LONDON AN 18TH CENTURY CHINOISERIE LACQUER EIGHT DAY LONGCASE CLOCK, the 11¾-inch brass break-arch dial with silvered chapter, subsidiary seconds and date aperture, strike/silent in the arch, the hood with pagoda top and three sphere finials, the case with long moulded door. 235cm £300 - 500

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634

634

CHADWICK, LIVERPOOL AN EARLY 19TH CENTURY MAHOGANY DOUBLE FUSEE BRACKET CLOCK, the 8-inch dial with Roman numerals, the case with brass acorn finial above an arch top, the front with twin leaf carvings, raised on a plinth base with bun feet.

Overall 61cm £800 - 1200

635

JOHN HARTLEY, BURNLEY A GEORGE III OAK AND POLLARDED OAK EIGHT-DAY LONGCASE CLOCK, the 11¾-inch break-arch brass dial with silvered chapter, the subsidiary seconds dial with Star of David to the centre, crescent date calendar, the hood with arch top and turned columns, the trunk with quarter columns, raised on panelled base, with pendulum, key and winder. Overall 226cm £500 - 1000

636

635 (detail)

WALKER, MONTROSE AN EARLY 19TH CENTURY EIGHT DAY OAK LONGCASE CLOCK, with 12-inch painted break-arch dial, subsidiary seconds and date calendar, the hood with urn finials and swan-neck pediment. 201cm £250 - 350

637

WILLIAM WARIN, THIRSK A GEORGE III OAK EIGHT-DAY LONGCASE CLOCK, the 12inch brass break-arch dial with silvered chapter with Roman numerals, outer minutes and interesting Masonic emblems, the centre engraved with a crest, subsidiary seconds and date calendar, the hood with dentil cornice and reeded columns, the trunk with blind fretwork frieze and long door flanked by reeded quarter columns, the base with canted corners and raised on bracket feet, with weights, pendulum and key.

227cm £500 – 700

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FURNITURE 638

A 17TH CENTURY OAK COFFER, with carved rail and three carved panels. 66.5cm by 120cm by 43cm £150 - 250

639

A 19TH CENTURY BOULLE FOLDOVER CARD TABLE, of shaped outline, raised on cabriole legs with caryatid mounts.

76.5cm by 89.5cm by 45cm (closed) £600 - 800

640

A 19TH CENTURY BOULLE SECRETAIRE ABBATANT, with pierced brass gallery and caddy top over a fall-front opening to reveal a mirror-back and drawers, over three drawers, raised on short cabriole legs. £600 - 800

641

A 19TH CENTURY GILT-COMPOSITION MIRROR, of inverted rectangular form with ribbon-tied floral crest. 117cm by 77cm £300 - 400

642

A 19TH CENTURY MAHOGANY URN STAND, IN CHIPPENDALE STYLE, the square galleried top of serpentine outline, above a plain frieze with gadrooned edge, raised on cluster column legs, joined by a double column X-form stretcher, terminating in carved feet. 73.5cm by 33cm by 33cm £120 - 180 78

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643

643

A BRASS-MOUNTED, WALNUT AND COROMANDEL CABINET ON STAND, the cabinet with strap hinges and large escutcheon, all engraved with foliage, the ebonised stand with cushion moulded drawer and substantial turned legs and stretchers. 185cm by 118.5cm by 46.5cm £800 - 1200

644

A CARVED MAHOGANY AND UPHOLSTERED WING-BACK SETTEE IN 18TH CENTURY STYLE, LATE 19TH CENTURY, raised on leaf carved cabriole legs with ball and claw feet. 150cm £150 - 250

645

A CHINESE FOUR PANEL SCREEN, with calligraphy. 133cm high

646

647

A FINE FRENCH GILT-METAL MOUNTED AND FLORAL MARQUETRY VITRINE, with serpentine front and cabriole legs.

151cm by 107.5cm by 41cm £500 - 700

647

A FINE INLAID SATINWOOD DEMILUNE DESK, LATE 19TH CENTURY, the superstructure with glazed door over a recess flanked by two pairs of drawers above a leatherinset and with inlaid top with frieze drawer below, raised on square section tapering legs, inlaid throughout with ribbon-tied swags and pendant flowers. 149cm by 101.5cm by 50cm £1800 - 2500

646

£350 - 550

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650

A GEORGE III ROLLED PAPERWORK TEA CADDY, LATE 18th CENTURY, of hexagonal form, the panels with characteristic decoration of geometric loops, with internal cover. 9.5cm by 14cm by 8.25cm £400 - 600

648

651

649

652

A GEORGE III MAHOGANY PRESS, the moulded cornice above dentil moulding over a pair of fielded panel doors with roundel to each inverted corner, the base with two short drawers above a long drawer, fitted with brass handles, raised on bracket feet, 188cm by 137cm by 60.5cm £700 - 900

A GEORGE III MAHOGANY TEA CADDY, the stepped lid with brass swan-neck handle, the interior with three lidded canisters. 24cm wide £120 - 180

A GEORGE III STYLE MAHOGANY SERPENTINE CHEST OF DRAWERS, the top with foliate carved edge over a slide with four long graduated drawers below, flanked by clustered columns, raised on ogee bracket feet, late 19th/early 20th Century. 83cm by 98.5cm by 56.5cm £500 - 700

A GEORGE IV MAHOGANY AND ROSEWOOD SOFA TABLE, the well figured top with bead and reel edge, fitted with a pair of frieze drawers, raised on four twist columns continuing to a platform, raised on reeded downswept legs with brass caps and castors. 72cm by 167cm (open) by 69cm £200 - 300

653

A GEORGE IV ROSEWOOD LIBRARY TABLE, the rectangular top above a pair of frieze drawers, raised on trestle ends. 76cm by 130cm by 67cm £200 - 300

650 80

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654

654

A GOOD 18TH CENTURY OAK GATELEG TABLE, with D-shaped drop leaves, raised on a block and baluster stand with pear feet. 73cm by 149cm by 120cm £400 - 600

655

A GOOD PAIR OF FRENCH MARBLETOPPED OCCASIONAL TABLES, with slightly bowed fronts, fitted with two drawers and raised on slender cabriole legs. 71cm by 44.5cm by 32cm £500 - 700

657

A HANDSOME ITALIAN PIETRA DURA AND PARCEL-GILT BRONZE JEWELLERY CASKET, LATE 19th CENTURY, of rectangular form, the cover inset with a large pietra dura panel of a magnolia against a black ground, within a stepped rim, the hinged cover opening to a silk-lined interior, raised on paw feet (lacking key). 9cm by 29cm by 21cm

658

655

A HANDSOME LEATHER WING CHAIR IN GEORGIAN STYLE, with nicely worn deep buttoned leather, raised on square section tapering legs. £400 - 600

£300 - 500

656

A GOOD VICTORIAN FLORAL INLAID MAHOGANY POT CUPBOARD, with C-scroll carved back and carved door, raised on cabriole legs. 97.5cm by 38.5cm by 37.5cm £250 - 350

659 658 657

A LATE VICTORIAN CARVED MAHOGANY CIRCULAR BIJOUTERIE TABLE, the hinged top with blind fretwork foliate-carved surround, raised on square section tapering legs, joined by a concave shelf stretcher with pierced gallery. 76cm by 50cm £400 - 600

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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660

660

A LOUIS XV STYLE MARBLE-TOPPED BOMBE COMMODE, the two-drawer case decorated with floral marquetry and applied with gilt-metal mounts.

80cm by 93cm by 39.5cm £400 - 600

661

662

A MINIATURE MAHOGANY SCOTCH CHEST, possibly an apprentice piece, of inverted breakfront form, with frieze drawer and two short over three long drawers, flanked by turned columns, on turned tapering feet. 39cm by 37.5cm £120 - 180

663

663

A PAIR OF CHINESE HARDWOOD DEMILUNE TABLES, EARLY 20TH CENTURY, each with moulded frieze and s-scroll legs terminating in scrolls and joined by a fretwork shelf stretcher, the two join together to form one.

Each 84.5cm by 94cm by 44cm £400 - 600

664

A MAHOGANY WINDOW SEAT IN 19TH CENTURY STYLE, with reeded legs. 108cm £300 - 400

A PAIR OF FRENCH GILT AND UPHOLSTERED ARMCHAIRS IN 18TH CENTURY STYLE, moulded with scrolls and foliage.

£300 - 400

665

A PAIR OF VENETIAN GILTWOOD MIRRORS, POSSIBLY 18th CENTURY, each plate of cartouche form and with a band of etched decoration within a conforming frame carved with scrolls and rocaille. 71cm £1500 - 2000

665 82

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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666

667

666

A SET OF EIGHT CHIPPENDALE STYLE CARVED MAHOGANY DINING CHAIRS, LATE 19TH/EARLY 20TH CENTURY, including a pair of carvers, raised on leaf carved cabriole legs terminating in ball and claw feet. £800 - 1200

667

A SET OF EIGHT SHERATON STYLE MAHOGANY DINING CHAIRS, including a pair of carvers, each with stepped crest rail above a feathered crest with tapered splat below, each with needlework seat raised on moulded square section legs. £500 - 700

668

ATTRIBUTED TO ARTHUR SIMPSON OF KENDAL A SET OF SIX OAK CHAPEL CHAIRS, each with broad top rail above a rail with four pointed arches, the shaped seats raised on square section tapering legs. £300 - 400

669

A VERNIS MARTIN STYLE GILT METAL MOUNTED VITRINE BY EPSTEIN, decorated to three sides and raised on cabriole legs, labelled. 158cm by 60cm by 36cm £200 - 300

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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670

670

673

A VICTORIAN BURR WALNUT BREAKFAST TABLE, the sectionalveneered moulded circular top above a stem continuing to a base carved with foliage, raised on downswept legs terminating in scrolls, moving on castors, with inset brass Registered plaque numbered 115 and with registration lozenge. 74cm by 130cm

A VICTORIAN MAHOGANY BIJOUTERIE CABINET, CIRCA 1880, with dentil cornice above a bow-front glazed door, flanked by mirror-backed shelves over a rectangular mirror, the lower bow-fronted section with bijouterie case above a pair of foliate carved doors with Moorish arches below. 177.5cm by 76cm by 43.5cm, with keys. £600 - 800

£300 - 500

671

674

A VICTORIAN BURR WALNUT PIANO TOP DAVENPORT, CIRCA 1870, of characteristic form, with S-scroll leafcarved supports and four drawers opposed by dummies, raised on flattened bun feet. 95cm by 54.5cm by 56.5cm £800 - 1200

672

A VICTORIAN INLAID BURR WALNUT GAMES TABLE, CIRCA 1870, the moulded foldover top opening to reveal games boards, over a drawer, raised on a trestle base with leafcarved downswept legs and castors.

73cm by 68.5cm by 41cm (closed)

671

A VICTORIAN MAHOGANY CHAISE LONGUE, with leaf-carved scroll-end raised on fluted baluster legs, moving on castors. £150 - 250

675 673

A VICTORIAN MAHOGANY METAMORPHIC CHAIR, hinged to form library steps, carved with lion mask. £100 - 150

£200 - 300 84

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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676

676

A FINE VICTORIAN MARBLE-TOPPED, PAINTED AND BURR WALNUT CHIFFONIER, CIRCA 1860, with mirror backed shelved superstructures, the moulded marble top of inverted breakfront form with bowed centre above a conforming base with a pair of fretwork carved doors flanked by a pair of doors painted with still life. 172cm by 215cm by 53cm £1000 - 1500

678

A VICTORIAN WALNUT DRAWING ROOM CHAIR, CIRCA 1860, the oval back with pierced scrolling foliate crest, raised on cabriole legs terminating in scrolls, moving on castors. £250 - 350

682

A WALNUT AND OAK CHEST OF DRAWERS, EARLY 18TH CENTURY AND LATER, the oak top above two short over three long drawers, raised on bracket feet. 92cm by 101cm by 52.5cm £250 - 350

681

A WALNUT CHEST IN THE FORM OF A TALLBOY, bow-fronted, the upper section with three drawers, the stand with one drawer and cabriole legs.

74.5cm by 43cm by 33cm

677

A VICTORIAN PITCH PINE CHEST OF DRAWERS IN PUGIN STYLE, the rectangular top with backboard, fitted with two short drawers over two long drawers, fitted with ‘Gothic’ brass handles, highlighted with ebonising.

89.5cm by 110cm by 56.5cm £150 - 250

680

£50 - 80

682

679

A VICTORIAN WALNUT OPEN BOOKCASE, with inverted break-front and fluted columns, raised on a plinth base. 131cm by 101.5cm by 42.5cm £400 - 600

A WALNUT CHEST ON STAND, EARLY 18TH CENTURY AND LATER, the upper section with two short over three long graduated drawers, with feather banded fronts and engraved brass back plate handles, the stand with three drawers and cabriole legs terminating in pad feet. 145cm by 107cm by 58cm £700 - 900

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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686

AN EARLY 19TH CENTURY BURR YEW TEA CADDY, of bombé form with ring handles and flattened bun feet, the interior with twin lidded canisters and glass bowl. 33cm wide £250 - 350

687

687

683

AN 18TH CENTURY OAK MULE CHEST, with four panel front above two drawers, the sides panelled, nice colour. 95cm by 160cm by 58cm £200 - 300

685

AN EARLY 19TH CENTURY BONE AND EBONY INLAID BOX, the inlay arranged geometrically. 35cm wide £100 - 150

684

AN ART NOUVEAU CARVED MAHOGANY EASEL, the crest carved as whiplash and stylised foliage. 166cm £200 - 300

AN EARLY 19TH CENTURY MAHOGANY DINING TABLE, extending to approximately 12-feet, the ends with rounded corners, five leaves, raised on reeded tapering legs, moving on castors. 74cm by 365cm by 133cm £1000 - 1500

688

AN EARLY 20TH CENTURY CHINOISERIE LACQUER DRAWING ROOM SUITE, comprising settee and a pair of bergeres, each raised on cabriole legs. £200 - 300

686

689

AN EARLY 20TH CENTURY OAK STACKING SECRETAIRE BOOKCASE, with three glazed shelves above a fall front over a glazed shelf with four drawers below. 222cm by 87cm by 35.5cm (maximum) 688 86

£300 - 500

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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696 690

AN EARLY VICTORIAN OAK AND CANEWORK BERGERE, with scroll arms and turned legs with brass castors, stamped G.K. to rail. Height of back 91.5cm £300 - 400

691

AN EDWARDIAN INLAID MAHOGANY BERGERE, CIRCA 1910, the out-scrolled arms with satinwood inlaid bands, raised on square section tapering legs with brass castors. Height of back 94cm £120 - 180

692

AN EDWARDIAN SATINWOOD BANDED MAHOGANY BIJOUTERIE TABLE, rectangular, raised on square section tapering legs joined by a shelf stretcher. 74cm by 62cm by 41cm £200 - 300

693

AN EDWARDIAN STRING INLAID MAHOGANY CYLINDER BUREAU, with slide-out writing surface over a pair of drawers, raised on square section tapering legs. 109cm by 79cm by 47.5cm £100 - 200

694

AN OAK MOULDED FRONT CHEST ON STAND, with moulded cornice above four long drawers, the stand with frieze drawer and turned and block legs, joined by stretchers, and terminating in pear feet, 17th Century and later. 147cm by 91cm by 60.5cm £400 - 600

GILLOW, A MID 19TH CENTURY MAHOGANY CHEST OF DRAWERS, the moulded rectangular top above two short over four long graduated drawers, each with turned pulls, raised on a plinth base, stamped GILLOW. 122cm by 111.5cm by 54cm £400 - 600

694A

A SMALL TORTOISESHELL TEA CADDY, EARLY 19th CENTURY, of hexagonal form, with domed cover and raised on ivory flattened bun feet.

10.5cm by 11.5cm by 7cm £180 - 250

695

AN OAK WAINSCOT CHAIR, with carved three-panel back and boarded seat, raised on turned legs continuing to blocks joined by stretchers. Height of back 100cm. £300 - 400

697

MAPLE & CO, A MAHOGANY WINDOUT EXTENDING DINING TABLE, CIRCA 1890, with D-ends, three leaves, raised on reeded tapering legs, moving on castors, stamped to runner. 75cm by 300cm by 122cm £600 - 800

698

WYLIE & LOCHHEAD, AN AESTHETIC MAHOGANY HALL STAND, CIRCA 1880, with arch top above a foliate carved tablet over a mirror with six moulded tiles below, fitted with a drawer, stamped Wylie & Lochhead, Glasgow. 214cm high by 113.5cm wide £300 – 400

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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MOUSEMAN AND OTHER CARVERS 699

A BEN OXLEY (WINDSOR) OAK CHEESEBOARD AND KNIFE, rectangular with cut-out for the knife and applied mouse. 23cm by 18cm £100 - 150

700

A FISHMAN OAK AND MARBLEINSET COFFEE TABLE, rectangular, with trestle base, recessed carved fish signature. 45.5cm by 110cm by 59.5cm £150 - 250

701

A FISHMAN OAK MILKING STOOL, CIRCA 1939, the adzed kidney shaped top raised on the splayed faceted legs, inscribed to underside Anne 10.11.39, with carved fish signature. £120 - 180

702

ROBERT THOMPSON OF KILBURN A MOUSEMAN OAK NUT DISH, of circular form, with facet carved exterior and carved mouse signature. 15.5cm £100 - 150

703

A SID POLLARD OAK STOOL, with leather strapwork seat and faceted legs continuing to blocks. £80 - 120

704

706

706

HORACE KNIGHT A KNIGHTMAN OAK DINING SUITE, comprising elongated octagonal dining table with adzed top and six lattice back chairs, including two carvers, each with carved Knight signature. 76.5cm by 190cm by 133.5cm £1500 - 2500

ROBERT THOMPSON OF KILBURN A GROUP OF NINE MOUSEMAN NAPKIN RINGS, of octagonal section, each with carved mouse signature. 5cm £150 - 250

£80 - 120

BOB HUNTER A WRENMAN OAK STANDARD LAMP, with faceted tapering column issuing from a base carved with leaves and wren signature. 153cm to top of fitting £200 - 300 88

HORACE KNIGHT A KNIGHTMAN OAK SIDEBOARD, the adzed rectangular top above three frieze drawers over three fielded panel doors, fitted with brass handles and hinges, with carved Knight signature.

83.5cm by 153cm by 46cm £300 - 500

708

BOB HUNTER A WRENMAN OAK LETTER RACK, modelled as a five-bar gate, the shaped backboard with carved wren signature.

30.5cm wide

705

707

707

709

ROBERT THOMPSON OF KILBURN A MOUSEMAN OAK CHEESEBOARD, of characteristic form oval form with carved mouse signature to the handle. 40cm £120 - 180

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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710

ROBERT THOMPSON OF KILBURN A MOUSEMAN OAK CHEESEBOARD, of characteristic oval form with carved mouse signature to the handle, nice colour. 39cm £120 - 180

715 711

ROBERT THOMPSON OF KILBURN A MOUSEMAN OAK CHEESEBOARD, with good grain, of characteristic form, the handle with carved mouse signature. 39cm £120 - 180

712

ROBERT THOMPSON OF KILBURN A MOUSEMAN OAK FRUIT BOWL, circular, adzed inside and out, with carved mouse signature to the centre. 29.5cm £180 - 250

ROBERT THOMPSON OF KILBURN A VINTAGE MOUSEMAN OAK BOOK TROUGH, of characteristic form, with carved mouse signature. 45cm £250 - 350

716

ROBERT THOMPSON OF KILBURN A MOUSEMAN OAK CHEST OF DRAWERS, with two short drawers over three long graduated drawers, panelled sides, and adzed top, carved mouse signature. 93.5cm by 91cm by 45cm £3000 - 5000

717

ROBERT THOMPSON OF KILBURN A MOUSEMAN OAK DRESSING TABLE MIRROR, the rectangular mirror with moulded crest, swinging between faceted supports issuing from a trestle base, with carved mouse signature.

46cm high by 41.5cm wide £400 - 600

713

ROBERT THOMPSON OF KILBURN A MOUSEMAN OAK NUT DISH, circular, adzed to the exterior, with carved mouse signature. 15cm £100 - 150

714

ROBERT THOMPSON OF KILBURN A MOUSEMAN OAK PAPERWEIGHT, of simple rectangular form with carved mouse signature. 10.5cm £120 - 180

716 Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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718

ROBERT THOMPSON OF KILBURN A MOUSEMAN OAK KIDNEY SHAPED COFFEE TABLE, the burr top above a trestle base with carved mouse signature. 44.5cm by 90cm by 43cm £500 - 700

719

ROBERT THOMPSON OF KILBURN A MOUSEMAN OAK MILKING STOOL, with kidney shaped top and three splayed faceted legs, with carved mouse signature. £200 - 300

720

ROBERT THOMPSON OF KILBURN A MOUSEMAN OAK WARDROBE, with arcaded cornice above a panelled base with two doors, fitted with wrought iron hinges and latch, with carved mouse signature. 168.5cm by 121cm by 57cm

720

£3000 - 5000

721

ROBERT THOMPSON OF KILBURN A PAIR OF MOUSEMAN OAK ARMCHAIRS, each with slung leather back and enclosed boarded arms, with carved mouse signature. £1500 - 2500

722

THOMAS WHITTAKER OF LITTLEBECK A PAIR OF GNOMEMAN OAK STOOLS (OR LOW TABLES), the well figured burr tops of excellent colour, raised on trestle bases, each with carved gnome signature. £800 - 1200

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721

722 Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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2018 AUCTION CALENDAR Antiques & Collectables Tuesday, 29 May at 10am

Antiques & Collectables Tuesday, 24 July at 10am

Antiques & Collectables Tuesday, 12 June at 10am

Antiques & Collectables Tuesday, 7 August at 10am

Antiques & Collectables Tuesday, 26 June at 10am

FINE ART Tuesday, 21 August at 10am

Antiques & Collectables Tuesday, 10 July at 10am

Thomas Watson Auctioneers and Valuers Established 1840

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Thomas Watson Auctioneers and Valuers Established 1840

COMMISSION BID FORM

Fine Art Lot No.

Tuesday, 15th May at 10am Description

Limit of Price

Please bid on my behalf for the undermentioned lots up to the price specified the lots to be bid for as cheaply as permitted by other bids or reserves, if any.

I agree to comply with the Notices and Conditions of Sale.

Please Note: All successful bids are subject to a 24% buyer’s premium including VAT.

The Gallery Saleroom, Northumberland Street Darlington, County Durham DL3 7HJ T: 01325 462559 F: 01325 284587

Please complete name and address section below

Name:

Address (in full):

Tel. No.: E-mail address: Signed:

Date:

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INFORMATION FOR BUYERS 1.

2.

3.

Introduction. The following informative notes are intended to assist Buyers of Thomas Watson Auctioneers, particularly those inexperienced or new to our saleroom or online only bidding platform. All sales are conducted according to our printed Conditions of Sale which are readily available for inspection in person, on our website and normally accompany catalogues.

Our staff will be happy to help you if there is anything you do not fully understand.

Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price or may be above the reserve price. Estimates do not include the Buyer’s Premium of 24%. Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

Buyer’s Premium. The Conditions of Sale oblige buyers to pay a buyer’s premium of 24% on the hammer price of each lot purchased.

5.

VAT. The addition of (*) of (VAT applied on hammer price) to the lot description indicates that VAT is payable by the purchaser at the standard rate, presently 20%, on the hammer price as well as being payable on the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. Lots which appear without either of the above symbols indicated that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the premium is not recoverable as input tax.

Artist’s Resale Rights/Droit de Suite.

Lots as indicated in the catalogue and if sold for the equivalent of 1,000 Euros or more on the day of the auction will be subject to a further percentage of the hammer price as follows: From 0 to 50,000 Euros subject to 4% From 50,001 to 200,000 Euros subject to 3% From 200,001 to 350,000 Euros subject to 1% From 350,0001 to 500,000 Euros subject to 0.5% Exceeding 500,000 Euros subject to 0.25%

Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

4.

94

6.

The Artist’s Resale Right payable will be the aggregate of the amounts payable under the above rate bands, subject to maximum royalty payable of 12,500 Euros for any single work each time it is sold. Calculations of the artist’s resale right will be based on the pound sterling/Euro reference exchange rate quoted on the date of sale by the European Central Bank.

7.

Agents. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.

Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order.

Additionally, in specified circumstances lots mis-described because they are ‘deliberate forgeries’ may be returned and repayment made. There is a three week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

8.

Electrical Goods. These are sold as ‘antiques’ or ‘decorative’ items only and if bought for use must first be checked for compliance with safety regulations by a qualified electrician.

9.

Coloured Gems. It is common practice for gemstones to be treated in order to enhance colour and clarity. Unless stated buyers should presume coloured stones may well have been exposed to some sort of treatment.

10. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character because, e.g. they may contain prohibited materials such as ivory.

11. Bidding. Bidders are required to register with us before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

12. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding the buyers’ premium.

They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for leaving commission bids by telephone or email.

Please ensure bids are left at least one hour prior to the start of the auction.

13. Live Online bidding. (a) An online bidding service is offered via the-saleroom.com. In completing the bidder registration on this site the buyer is agreeing to Thomas Watson’s conditions of sale. (b) In the case where a debit or credit card has been used to register the buyer also agrees to authorise Thomas Watson’s, if they so wish, to charge the debit or credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the online bidding platforms.

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(c)

Thomas Watson offers online bidding services as a convenience to its clients, but neither Thomas Watson’s nor the seller will be responsible to you for errors during or after the sale or failures to execute bids, either live bids or commission bids placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: (i) any loss of connection to the auction being conducted online; (ii) a breakdown or problems with the online bidding software or the website service provider; and/or (iii) a breakdown or problems with any internet connection, computer, mobile device or system. (d) Please note that any lots purchased via the-saleroom.com platform will be subject to an additional 3% commission charge plus VAT at the rate imposed on the hammer price.

14. Methods of Payment. Payment can be made by cash up to a value of £9,000, debit and credit cards or bank transfer.

‘Person not present’ payments are subject to a maximum of £500.

1.

In these Conditions: (a)

(b)

(c)

(d)

(e)

15. Collection and storage. (a)

(b)

Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay will involve the buyer in paying storage charges. All lots must be collected within three working days following the auction.

Storage charges of £2 per lot per day + VAT will be strictly enforced thereafter.

Thomas Watson Auctioneers are unable to pack, post or deliver any items purchased through public or online auction, a list of suggested companies is supplied upon issuing of invoice, upon request or on the company website. These are suggestions only and are not the recommendation of Thomas Watson’s or affiliated with Thomas Watson’s in anyway and as such Thomas Watson’s cannot be held responsible for the individual performance of these companies.

Terms and Conditions of Sale Thomas Watson Auctioneers carries on business with bidders, buyers and all those present in the auction room and those bidding online prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

Definitions.

(f )

(g)

“auctioneer” means the firm of Thomas Watson Auctioneers or its authorised auctioneer, as appropriate; “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of sale had a value materially less than it would have had if it had been in accordance with the description; “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; “terms of consignment” means the stipulated terms and rates of commission on which Thomas Watson Auctioneers accepts instructions from sellers or their agents; “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; “You”, “Your”, etc. refer to the buyer as identified in Condition 2.

(c)

Subject to condition 2(b) the contract between the buyer and seller is concluded on the striking of the auctioneers hammer whereupon the buyer becomes liable to pay the purchase price. (d) Any post auction sales of lots offered at auction shall incorporate these conditions as if sold in the auction. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3.

Bidding increments shall be at the auctioneer’s sole discretion.

4.

(a)

5.

Value Added Tax. Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots.

(Please refer to “Information for Buyers” for a brief explanation of the VAT position).

6.

Payment.

(1)

Immediately a Lot is sold you will:

(a)

give to us, if requested, proof of identify, and (b) pay to us the total amount due in cash, debit, credit card or bank transfer or in such other way as is agreed by us.

(2)

Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7.

Title and Collection of Purchases.

Bidding Procedures and Conduct of the Auction.

Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid. Any bidder who refuses to provide the requested identification may be refused permission to bid. (b) The auctioneer has discretion at any time to refuse any bid, withdraw any lot, re-offer a lot for sale (including after the fall of the hammer) if they believe there may be error or dispute, and take such action as they reasonably think fit.

The Purchase Price.

The buyer shall pay the hammer price together with a premium thereon of 24%.

(h) The singular includes the plural and vice versa as appropriate.

2.

Increments.

The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (a)(i) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction. Cheques are required to be cleared by our bank before collection of goods in which case storage charges may apply.

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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(ii)

Thomas Watsons are unable to pack, post or deliver any items purchased through public or online auction, a list of suggested companies is supplied upon issuing of invoices, upon request or on the company website. These are suggestions only and are not the recommendation of Thomas Watsons or affiliated with Thomas Watsons in anyway and as such Thomas Watsons cannot be held responsible for the individual performance of these companies. (b) No purchase can be claimed or removed until it has been paid for and payment has cleared. (c) Invoices will not be split or title transferred to another person(s).

Invoices must be paid in full before any lots can be removed. (d) Purchased lots must be collected within the allocated time as stated in the Information for Buyers section 13, storage charges are applicable thereafter. Purchased lots are at the Buyers risk (and therefore their sole responsibility for insurance) from the fall of the hammer.

8.

(1)

to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that us a right to retain possession of ) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions.

9.

Third Party Liability.

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

Remedies for Non-Payment or Failure to Collect Purchases.

If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

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(f )

10. Commission, Telephone Bids and Live Online Bidding.

(a)

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf.

Lots will be purchased by the Auctioneer on behalf of the commission bidder for the lowest price allowed by other bids and/or reserves if any, up to and including their maximum bid amount recorded. The Auctioneers cannot accept responsibility for any neglect or default in executing or failing to execute commission bids whether through the auctioneer or through any online bidding software, or where a bidding slip has been completed incorrectly. We urge commission bidders, to ensure that the correct lot number (s) and price(s) are recorded on their bidding forms.

(b) Where two or more commission bids at the same level are recorded we reserve the right at our absolute discretion to prefer the first bid so made. (c) Telephone Bids. Any person unable to attend the auction may request to bid on a specific lot by telephone. This facility is only available by prior arrangement with the Auctioneers and not available for online only auctions.

The Auctioneers cannot accept responsibility for any neglect or default in executing or failing to execute telephone bids. This service is only available for lots with a low estimate of £200 or over. (d) Live Online Bidding. (i) An online bidding service is offered via thesaleroom.com. In completing the bidder registration on these sites the buyer is agreeing to Thomas Watsons conditions of sale. (ii)

In the case where a debit or credit card has been used to register the buyer also agrees to authorise Thomas Watsons, if they so wish, to charge the debit or credit card given in part or full payment, including all fees, for items successfully purchased in the auction via online bidding platforms. (iii) Any lots purchased via thesaleroom.com will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price. (iv) Thomas Watsons offers online bidding services as a convenience to its clients, but neither Thomas Watsons nor the seller will be responsible to you for errors during or after the sale or failures to execute bids, either live bids or commission bids, placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: (aa) any loss of connection to the auction being conducted online; (bb) a breakdown or problems with the online bidding software or the website service provider; and/or (cc) a breakdown or problems with any internet connection, compute, mobile device or system.

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

11. Warranty of Title and Availability.

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

No representation or warranties are made by Thomas Watsons or the seller as to whether any lots are subject to copyright or whether the buyer acquires copyright in any lot.

12. Agency.

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. Terms of Sale.

The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14. Description and Conditions. (a)

Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf ) must satisfy themselves as to the accuracy of any description of a lot.

Buyers are welcome to make an appointment to view any lots listed on an online auction. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(b) Condition Reports. Reports on the condition of any lot are offered by the Auctioneers as a statement of opinion only, and not of fact. Thomas Watsons are not liable for any errors or omissions contained therein. The buyer must satisfy themselves to the condition of any given lot prior to bidding. Thomas Watsons will not be held responsible for any damage or defect that has not been notified to the buyer. Catalogue illustrations are for guidance only and will not convey full information as to the actual condition of lots. (c) Where the term (a/f ) is used this refers to a lot being ‘as found’, it is used for guidance only and indicates in our opinion there is significant damage or repair to an item and Thomas Watsons are not liable for the omission of this term. (d) Private treaty sales made on these premises under these Conditions are deemed to be sales by auction for the purpose of consumer legislation.

15. Forgeries.

Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying if from the relevant catalogue description and a written statement of defects.

Thomas Watsons may require the buyer to obtain at the buyer’s cost the reports of two independent and recognised experts in the field, mutually acceptable to Thomas Watsons and the buyer, if we are satisfied from the evidence presented that the Lot is deliberate forgery we shall refund the money paid by you for the Lot including buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) if you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

General.

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. Where a member of the public causes damage to a lot (or part thereof ) the Auctioneers reserve the right to: (a) Sell the aforementioned without reserve and to hold that specific individual liable for the amount of any difference between the hammer price and the reserve or low estimate; (b) Hold that specific individual liable for the cost of restoration where appropriate; (c) Hold that specific individual liable for the full amount of the reserve or lower estimate as applicable.

18.(a) Any right to compensation for the losses liabilities and expenses incurred in respect of an as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

19. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email if provided in which case it shall be deemed to have been received by the addressee 48 hours after posting.

20. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

21. Any indulgence extended to bidders or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

22. English law applies to the interpretation of these Conditions.

These terms and conditions are based upon recommended conditions of sale by RICS (Royal Institute of Chartered Surveyors).

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

Thomas Watson The Gallery Saleroom, Northumberland Street Darlington, County Durham DL3 7HJ

T: 01325 462559 • F: 01325 284587 • E: enquiries@thomaswatson.com www.thomaswatson.com