Thomas Watson Auctioneers & Valuers

Thomas Watson Auctioneers and Valuers Established 1840

Fine Art

| Tuesday, 27th February 2018 at 10am

21

68

398

635

282

676

504

690

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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Fine Art

Tuesday, 27th February at 10am at The Gallery Saleroom, Northumberland Street, Darlington Viewing Times

Saturday, 24th February 10am - 1pm Sunday, 25th February

10am - 1pm

Monday, 26th February 9am - 4.30pm Order OF sAle

1-97

Books

441-442

Metalwork

138-158

Prints

477-499

Silver

165-236

Ceramics and Glass Moorcroft

Silver-Plate Jewellery Watches

Objects of Virtue Miscellaneous

Front cover: Lot 369 Back cover: Lot 613

98-137

159-164 237-341 342-349 350-424 425-440

Bronzes and Sculpture Watercolours and Drawings Oil Paintings

Rugs and Carpets Clocks

Mouseman and Yorkshire Oak Furniture

Thomas Watson The Gallery Saleroom Northumberland Street Darlington, DL3 7HJ Tel: 01325 462559 Fax: 01325 284587

443-476 500-533 534-571 572-583 584-598 599-612 613-715

Email: conditionreports@thomaswatson.com Website: www.thomaswatson.com

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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CerAmiCs And glAss 1

8

A 19th CENTURY BAVARIAN RUBY CASED GLASS GOBLET, the faceted flared bowl on a conforming knopped stem and octagonal foot, in the “Kunkel” style with gilt decoration. 19cm £60 - 100

A CHINESE BLUE AND WHITE CRACKLE GLAZE DISH, painted with precious objects and with Greek Key incised “bronze” rim. 26cm £40 - 80

9

A CHINESE BLUE AND WHITE CROCUS VASE, probably 19th Century, painted with formal scrolling lotus.

29cm high £400 - 600

6 2

A 19th CENTURY FRENCH PAPERWEIGHT, POSSIBLY ST. LOUIS, decorated with a dahlia in pink, the petals around a central cane, and with star-cut base. Diameter 7cm £200 - 300

3

A 19th CENTURY GREEN GLASS FRIGGER MODELLED AS A TOP HAT, POSSIBLY NAILSEA, the brim with moulded edge. Width 11cm £40 - 60

A BOW PORCELAIN FIGURE OF A SEATED NUN, CIRCA 1760, modelled seated, the Bible in her right hand (a/f ). 14.5cm £150 - 250

7

A CHINESE BLUE AND WHITE CENSER, late 19th or early 20th Century, with Greek Key incised rim, underglaze blue painted with a fisherman on a bridge and buildings.

26cm wide £250 - 350

10

A CHINESE BLUE AND WHITE FLORAL BOTTLE VASE, decorated in the Ming style with lotus flowers within a foliate scroll ground, six character mark within concentric rings to the base, bears a paper label to base. 41cm £500 - 700

4

A 19TH CENTURY STAFFORDSHIRE FIGURE OF WELLINGTON, modelled seated with crossed legs, gilt title to base. 31cm £50 - 80

5

A BOHEMIAN GLASS STEIN, 19TH CENTURY, cylindrical with disc foot, wheel engraved with a deer in a woodland clearing. 20cm £100 - 200 9 2

10

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17

A CHINESE BLUE AND WHITE STICKSTAND, painted with phoenix and with moulded handles. 54.5cm £150 - 250

A CHINESE PORCELAIN DISH IN THE IMARI PALETTE, LATE 18th CENTURY, of shallow circular form; together with two Chinese Imari porcelain plates, of similar date, one decorated with a flowering tree, the other a building in a landscape. (3) First 28cm £100 - 150

18

A CHINESE PORCELAIN PLAQUE, painted with a mountainous river landscape, in a wooden frame. Overall 73.5cm by 41cm £200 - 300

19

12

A CHINESE BLUE GLAZED GINGER JAR AND COVER, probably 19th Century, the base with concentric circles, the cover glued, on a hardwood stand. 15cm high excluding base £100 - 200

13

A CHINESE CANTON FAMILLE ROSE BOWL, typically decorated with panels of figures, foliage, birds and insects, on a carved hardwood stand with paper label. Bowl 29.5cm wide £100 - 200

14

A CHINESE FAMILLE ROSE BOTTLE VASE, enamel painted with phoenix, birds and flowers. 36.5cm £300 - 500

A CHINESE QINGBAI POTTERY VASE, POSSIBLY SONG DYNASTY, of baluster form, the body moulded with mask handles and bands of foliate decoration beneath a ring-moulded neck and flared rim. 21cm £200 - 300

15

A CHINESE FAMILLE ROSE BRUSH POT, cylindrical, enamel painted with figures and objects, bears six character mark to base. 13cm high £200 - 300

16

A CHINESE KANGXI STYLE SLENDER BALUSTER VASE AND COVER, late 19th Century, decorated with figures in a garden, the cover with Dog of Fo, underglaze blue concentric rings to base, with wooden stand. Overall height 25cm £80 - 120

20

A COLLECTION OF FIVE VICTORIAN WITCHES BALLS, comprising three large blue, one smaller blue and one green. Largest approximately 24cm wide £250 - 350

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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21

A COPELAND PARIAN FIGURE OF SABRINA, modelled after the original

by William Calder Marshall, seated near naked on a cloak and reeds, impressed verso Marshall and Copeland, the interior printed with lines from John Milton’s poem Comus, circa 1850-70. 29.5cm £100 - 200

22

A DERBY BISQUE PORCELAIN FIGURE GROUP, LATE 18th CENTURY, THE AWAKENING OF CUPID, with incised factory mark and pattern no.

195. 31cm £100 - 150

23

A DERBY PORCELAIN MODEL OF A VASE OF FLOWERS, c.1770, modelled with encrusted polychrome flowers in obelisk form issuing from a gilthighlighted white-glazed vase, unmarked. 20cm £60 - 90

24

A DERBY PORCELAIN POT-POURRI FRILL VASE, c. 1770, of baluster form, the cover with bird finial, the floralencrusted body with mask handles, painted in polychrome enamels and further decorated with moths (a/f ). 30cm £200 - 300

25

A DRESDEN PAINTED AND GILDED PEDESTAL VASE AND COVER, LATE 19TH CENTURY, the ovoid body painted with a child playing a flute to a cherub in a landscape, richly gilded and with moulded mask handles, raised on a square foot with blue factory mark, 24cm; together with A DRESDEN VASE, painted floral sprays and highlighted with gilding, 19.5cm. (2) £100 - 200

29

A GEORGIAN GLASS DECANTER, with bullseye stopper. 27cm £50 - 80

30

A GLASS TAZZA, SECOND HALF OF THE 18th CENTURY, the dished bowl on a baluster stem and domed circular foot. 12.5cm by 19cm £40 - 60

31

26

A GRAINGER & CO ROYAL CHINA WORKS WORCESTER DESSERT SERVICE, comprising a pair of comports, a pair of shell shaped serving dishes with pierced handles, a pair of shaped rectangular serving dishes and eleven dessert plates, each piece with moulded scroll border and painted with flowers, no. 2618, date letter for 1894, printed factory mark. (17) £100 - 200

27

A GRAINGER’S WORCESTER BISQUE PORCELAIN ARBOUR GROUP, second quarter of the 19th century, modelled as a reclining putto within a flower, vine and grape bower, impressed mark. 20cm £70 - 90

A DUTCH DELFT MODEL OF A HORSE, probably late 18th Century, modelled with right foreleg raised, painted maker’s mark (damage, losses).

Length 22cm £60 - 80

A FIRST PERIOD BELLEEK GRASS PATTERN HONEY POT AND COVER, in the form of a wicker skep on stand, black printed factory mark for 18631891, painted number 5. 14.5cm high £80 - 120

28

A GEORGE JONES MAJOLICA STRAWBERRY DISH, of oval form, painted and moulded with fruit and leaves, with twin apertures (lacking cream and sugar) (a/f ). 36.5cm £50 - 70

32

33

A GROUP OF GLASS COMPRISING: a flask-form decanter, engraved with an armorial and with mushroom stopper; a 19th century Dutch wine glass, the trumpet bowl engraved with an armorial and a windmill in a landscape; and a 19th century English rummer, the bowl engraved with thistles and roses and bearing an inscription, on a faceted waisted stem. (3). First 32cm £100 - 150

24

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Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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35

34

A JAPANESE KUTANI BALUSTER VASE, MEIJI PERIOD, decorated with birds and foliage, signed, with a Japanese bronze stand. Overall height 33cm £80 - 120

35

A JAPANESE SATSUMA BOX AND COVER, LATE MEIJI PERIOD, rectangular, painted with figures and foliage, highlighted with gilding, signed, probably Choshuzan.

13cm by 8cm £250 - 350

38

40

A LARGE CHINESE BLUE AND WHITE FIGURE OF QUAN YIN, modelled in flowing robes holding a bottle vase.

48cm £300 - 450

37

A LARGE GERMAN PAINTED TERRACOTTA FIGURE OF AN ARAB WATER CARRIER, c. 1900, in characteristic pose, the base moulded “Arabe”, marked “Uriela, Modelled Cologne” and incised number 2554 to the reverse (a/f ). 63cm £100 - 150

39

A LARGE CHINESE CANTON FAMILLE ROSE VASE, of baluster form and typically decorated with two large panels depicting fighting warriors. 57.5cm £300 - 500

41

A LARGE LALIQUE “NIGERIAN” CHARGER, with peacocks design, etched Lalique, France. 39cm wide £300 - 500

36

A JAPANESE SATSUMA TEA SERVICE IN A FITTED CASE, EARLY 20TH CENTURY, probably Kozan, comprising teapot, sucrier, cream jug, six cups and saucers, sandwich plate and ashtray, each decorated with leafy branches and monogrammed, signed. (17) £200 - 300

37

A LARGE CARLTON WARE “FLORAL COMETS” GINGER JAR AND COVER, pattern no. 3387, decorated with stylised flowers and foliage, black printed factory mark. 25cm £700 - 900

41

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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42

A LARGE LINTHORPE POTTERY TURQUOISE GLAZED VASE, in Hispano-Moresque style, the trumpet neck with wavy rim, the shoulders with twelve panels of overlapping flowerheads over a main frieze of four butterfly and flower roundels within leaf frames, on a circular foot, no. 2279, impressed mark. 64.5cm £300 - 400

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45

43

A LARGE MURANO GLASS VASE, the tapered and faceted body decorated with canes and applied to the interior with white enamel, Arte Murano label. 37cm £80 - 120

44

A LARGE PAIR OF CHELSEA STYLE BOCAGE FIGURES, CIRCA 1900, modelled as a lady and gentleman in 18th Century dress, each bears gold anchor mark. 33cm £80 - 120

45

A LARGE PAIR OF ROYAL CROWN DERBY VASES, LATE 19TH CENTURY, each signed J.J. Brownsword, the moulded ovoid bodies painted with a still life of fruit, urns, shovel and lamp, boldly and richly gilded throughout with musical trophies, ribbon-tied floral swags, butterflies and acanthus, date code for 1893, printed factory mark, (one small rim chip). 46cm £600 - 800

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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46

A LINTHORPE POTTERY BUTTER DISH, circular, enamel painted to the sides with flowers and foliage, the silver-plated cover with cow knop, no.

525, monogrammed, possibly Fred Brown, painted no. 308, impressed factory mark. 12.5cm wide £120 - 180

47

A MEISSEN PORCELAIN PUG PAPERWEIGHT, 19th CENTURY, the dog modelled seated on a floral encrusted base. 20cm £200 - 300

48

A MINTON “HOGARTH BOY” SWEETMEAT FIGURE, CIRCA 1870, modelled in 18th Century costume sitting on a tree stump with one leg raised, impressed marks. 14cm £80 - 120

49

A MINTON PARIAN FIGURE OF A GREYHOUND, model no. 421, modelled seated on a rocky outcrop, date code for 1865, impressed marks. 17cm £80 - 120

47

52

A NEWHALL TEAPOT STAND, c.1800, of lozenge shape, painted with flowers within a blue printed border; together with a similar spoon tray, of similar date, oval, painted with bands of ribbon-tied flowers. (2). First 20cm £60 - 80

53

A PAIR OF CHINESE PORCELAIN PLAQUES, each painted with a waterfall in a landscape, in wooden frames. Overall 94cm by 33.5cm £200 - 300

54

A PAIR OF DERBY BISQUE PORCELAIN FIGURES, LATE 18th CENTURY, modelled as a lady and gentleman in Classical dress, her left arm upheld, he with grapes and goblet, each on a square base with incised factory marks and pattern numbers (losses). 22.5cm £100 - 200

55

A PAIR OF ENGLISH PORCELAIN FIGURES OF A NUN AND A MONK, LATE 18th CENTURY, POSSIBLY DERBY, glazed in the white (losses). 17cm £50 - 70

50

A MULTI-KNOPPED TAPERSTICK, CIRCA 1730-40, the nozzle with ring neck, raised on a domed and terraced foot. 19.5cm £300 - 500

51

A NEWHALL TEA BOWL AND SAUCER, c. 1780-1800, painted in pattern no. 20, with Chinese figures by a fence, one holding a parasol. Saucer 12.7cm £40 - 60

49

50

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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56

A PAIR OF GEORGIAN GLASS DECANTERS, with ring necks and bullseye stoppers. 23.5cm £60 - 120

57

A PAIR OF GEORGIAN GLASS DECANTERS, with terraced necks and reeded bodies, facet cut stoppers. 22cm £60 - 80

58

A PAIR OF JAPANESE IMARI VASES, each decorated with a three-claw dragon, phoenix and mountainous landscape, mountain and stream mark, early 20th Century. 19cm £60 - 120

59 59

A PAIR OF JAPANESE SATSUMA VASES, LATE MEIJI PERIOD, of baluster form, each painted with two panels of figures, possibly Hodota, signed. 15.5cm £250 - 350

60

A PAIR OF LOWESTOFT BASKETS, CIRCA 1775-1800, in the Worcester manner, each printed with the pinecone pattern, with scrolling rim and ropetwist handles, the reticulated sides applied with stylised flowerheads.

Across handles 22cm £500 - 700

61

A PAIR OF RUMMERS, c. 1800, each with ovoid bowl on a short knopped stem and raised on a moulded lemon squeezer foot. Height 13.75cm £100 - 150 60

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62

A PAIR OF VICTORIAN STAFFORDSHIRE FIGURES OF QUEEN VICTORIA AND PRINCE ALBERT, on gilt titled bases. 28cm £60 - 120

63

A RARE SHELLEY MODE TEA SERVICE, in the Butterfly Wing pattern, no. 11758, comprising six cups and saucers, six tea plates, cream jug, sugar bowl and sandwich plate. (21) £1500 - 2500

64

A ROYAL COPENHAGEN BLUE AND WHITE PORCELAIN INKWELL, with pierced border and foliate decoration.

17cm wide £70 - 90

65

63

A ROYAL CROWN DERBY “ROYAL ANTOINETTE” TEA SERVICE, comprising seven cups and six saucers, six tea plates, sugar bowl and two serving plates, printed and painted with flowers and highlighted with gilding, red printed factory mark. (22) £200 - 300

66

A ROYAL WORCESTER BLUSH IVORY POT POURRI VASE, with crown cover and inner lid, painted with floral sprays and highlighted with gilding, shape no.

1286, date code for 1898, puce printed factory mark. 25.5cm £100 - 200

67

A ROYAL WORCESTER DOWN AND OUT FIGURE, no. 440, green printed factory mark and date code for 1910.

15.5cm £100 - 150

68

A SATSUMA DISH, MEIJI PERIOD, of circular form, with scalloped rim, finely painted to the well with a panel of warriors in a landscape, the rim with figural and floral cartouches, black and gilt seal mark and paper label. 25cm £80 - 120

69

A SET OF SIX 19TH CENTURY SWEETMEAT GLASSES, each with belted bowl. 11cm £100 - 150

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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70

A SMALL STOURBRIDGE ENGRAVED GLASS CLARET JUG, early 19th Century, with panelled neck, loop handle and the body engraved with birds perched and in flight. 19.5cm £100 - 150

71

A SPODE FLEUR DE LYS BLUE PATTERN TEA SERVICE, for twelve, comprising twelve cups and saucers, twelve tea plates, teapot, cream jug, sugar bowl sandwich plate. (40) £100 - 150

72

A STAFFORDSHIRE BOCAGE FIGURE, CIRCA 1830, modelled as a young man standing over a hen and a fallen basket of eggs. 14cm £50 - 70

73

A STAFFORDSHIRE GREEN GROUND LOVING CUP, 19TH CENTURY, painted with flowers within a gilt cartouche, the opposing side with a gilt monogram within a cartouche. 10.5cm high £80 - 100

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79

74

A STAFFORDSHIRE QUEEN VICTORIA COMMEMORATIVE BLUE TRANSFER PRINTED WASH JUG AND BASIN, CIRCA 1838, printed in blue with portraits of the Young Victoria beneath a banner inscribed “Hail Victoria”, within elaborate floral frames flanked by a lion and birds beneath a crown surmount, the border with flowers of the nation and crowns flanked by flags. Diameter of basin 35cm £100 - 200

75

A VENETIAN GLASS TWIN-HANDLED BOWL, LATE 19th CENTURY, the circular body with everted rim decorated in tapering bands of white latticino and ruby glass, with aventurine-flecked scroll handles and foot. Across handles 18.5cm £50 - 70

76

A VERY LARGE ALE GLASS, the bowl engraved with wheat, raised on a folded foot. 30cm £100 - 150

77

A VICTORIAN BLACK TRANSFER PRINTED POTTERY QUAICH, printed in the round with a rustic scene. 15.5cm across handles £50 - 70

78

A WILLIAM DE MORGAN TILE, painted with a spray of blue flowers, unmarked. 15cm square £80 - 120

79

A WORCESTER PORCELAIN BLUE SCALE GROUND TEAPOT, c. 1770, of globular form, painted with cartouches of exotic birds, the domed cover with a floriform knop, underglaze blue seal mark. Height 16.5cm £200 - 300

80

AN 18TH CENTURY WINE GLASS, the round funnel engraved in the Jacobite style with insect and foliage, on an opaque twist stem, plain foot. 14.5cm £200 - 300

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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81

AN ART DECO CARLTON WARE “COMET” VASE, pattern no. 3387, printed and enamelled in colours and gilt on a mottled orange ground with geometric floral panels, printed and painted factory marks, 15cm; together with A CARLTON WARE “NEW FLIES” BOWL, 10cm wide. (2) £200 - 300

82

AN EARLY 19th CENTURY PEARLWARE TEAPOT, PROBABLY PORTOBELLO, in the characteristic palette, of bullet shape, with domed cover and button finial (a/f ). Length across spout 14.25cm £40 - 60

83

AN EARLY 19th CENTURY WINE GLASS, with trumpet bowl and ringknopped stem, on a domed circular foot. 19cm £80 - 120

84

AN ENGRAVED GOBLET AND COVER, LATE 19th CENTURY, in 17th century style, the bowl engraved with the Royal crest and Garter motto under a domed cover with baluster knop and raised on a knopped stem and domed circular foot. 33cm £60 - 80

85

AN ETCHED GREEN GLASS VASE, c.

1900, of tapering form, decorated with birds perched on leafy boughs. 24cm £80 - 120

86

81

AN UNUSUAL MID-18th CENTURY GLASS CUSTARD CUP, with moulded blue glass rim; together with a late 18th century green glass wine, with slender trumpet bowl and shallow domed circular foot. (2). First across handle 9.25cm £80 - 120

87

AN ARMORIAL BOWL IN CHINESE EXPORT STYLE, late 19th Century, painted inside and out with flowers, cobalt blue borders with gilt highlights.

30.5cm wide £180 - 250

88

A CHINESE FAMILLE ROSE VASE, 19TH CENTURY, enamel painted with figures and a horse and cart, the neck further painted with figures, the base with blue concentric circles. 34.5cm £250 - 350

90

92

A CHINESE BLUE AND WHITE GINGER JAR, POSSIBLY 18TH CENTURY, densely painted with scrolling foliage and lotus flowers, blue concentric circles to base, lacking cover. 14cm £100 - 200

91

A CHINESE BLUE AND WHITE GINGER JAR, POSSIBLY 18TH CENTURY, blue painted with a cracked ice ground and prunus, old inventory number to paper label to base, lacking cover. 13cm £200 - 300

92

A CHINESE BLUE AND WHITE "KYLIN" JAR, OF TRANSITIONAL TYPE, ovoid form, painted with a continuous landscape. 25.5cm £400 - 600

89

A CHINESE CRACKLE GLAZED BOWL, 19TH CENTURY, circular, blue painted with foliage and with two incised bands, incised seal mark to base.

27.5cm wide £200 - 300 Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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93

93

A CHINESE BLUE AND WHITE "DEER AND CRANES" JAR, PROBABLY KANGXI PERIOD, painted in brilliant cobalt blue tones around the broad baluster body with a continuous river landscape, depicting deer standing beneath an old tree with cranes flying overhead, old labels to base. 25.5cm £300 - 500

94

A CHINESE BLUE AND WHITE JAR, painted with a four clawed dragon chasing a large pearl. 20cm £200 - 300

12

97

95

A CHINESE BLUE AND WHITE JAR, PROBABLY KANGXI PERIOD, painted with scrolling foliage and tendrils, cut down, concentric double circles to base. 29cm £250 - 350

96

A CHINESE BLUE AND WHITE JAR, painted with lotus flowers and leafy scrolls, concentric double circles to base. 19cm £200 - 300

97

CHRISTOPHER DRESSER FOR LINTHORPE POTTERY, A CHARGER, circular, enamel decorated in low relief with flowers and foliage, monogrammed verso, probably Fred Brown, painted No.10, facsimile Dresser signature and factory mark, Henry Tooth impressed monogram. 29cm £100 - 200

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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mOOrCrOFT 98

A LARGE MOORCROFT “FISHING IN WHITE” VASE, trial, first quality. 42cm £300 - 400

99

A LARGE MOORCROFT “FOXGLOVE” VASE, first quality. 30cm £100 - 200

100

A LARGE MOORCROFT “SICHUAN GIANT PANDAS” VASE, number 53 in a limited edition of 75, first quality.

40cm £300 - 400

101

A LARGE MOORCROFT “TALWIN” VASE, first quality. 36cm £200 - 300

102

A LARGE MOORCROFT “WINDY HILL” JARDINIERE, trial piece dated 20.11.17, first quality. Height 21cm, width 28cm £300 - 500

103

A LARGE MOORCROFT PRESTIGE VASE, “HOOTS AT HOME”, first quality. 39cm £700 - 900

104

A MOORCROFT “FREJYA” JUG, first quality. 26cm £200 - 300

105

A MOORCROFT “ANNA LILY” VASE, Christmas Market colourway, first quality. 16cm £120 - 180

103

106

108

107

109

A MOORCROFT “ANTARCTICA” VASE, first quality. 20cm £100 - 150

A MOORCROFT “BERKSHIRE PIGS” VASE, first quality. 15cm £150 - 250

A MOORCROFT “CHOCOLATE COSMOS” VASE, first quality. 13cm £50 - 80

A MOORCROFT “CHOCOLATE COSMOS” VASE, first quality. 15cm £50 - 80

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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110

A MOORCROFT “CHOCOLATE COSMOS” VASE, first quality.

15cm £50 - 80

111

A MOORCROFT “COCKEREL” PLANTER, first quality. 17cm high £120 - 180

A MOORCROFT “LONDONIUM” VASE, first quality. 13cm £100 - 150

A MOORCROFT “DOUBLE TROUBLE” MINIATURE VASE, first quality. 5cm £40 - 60

A MOORCROFT “LONDONIUM” VASE, first quality. 18cm £100 - 150

114

A MOORCROFT “ENCHANTRESS” VASE, number 4 of a limited edition of 30, first quality. 26cm £250 - 350

115

A MOORCROFT “FAMILY ON ICE” PLAQUE, first quality, framed. Overall 19cm by 26.5cm £80 - 120

116

A MOORCROFT “FLIGHT OF THE EAGLE” VASE, first quality.

23cm £200 - 300

117

14

119

A MOORCROFT “LIMOUSIN PIGS” VASE, number 34 of a limited edition of 50, first quality.

13cm £70 - 90

113

117

A MOORCROFT “HIM AND HER” VASE, first quality. 13cm £100 - 150

A MOORCROFT “COCKEREL” LIDDED VASE, trial, first quality.

13cm £100 - 150

112

114

118

A MOORCROFT “GRACE AND PACE” VASE, first quality, dated March 2017. 16cm £200 - 300

120

121

122

A MOORCROFT “LUCKY THE CAT” VASE, rare colourway, first quality. 16cm £80 - 120

123

A MOORCROFT “LUCKY THE CAT” VASE, rare colourway, first quality. 16cm £80 - 120

124

A MOORCROFT “MONTANA GREY “ TABLE LAMP, with shade, first quality. Total height 46cm £100 - 150

125

A MOORCROFT “MY OLD FRIEND” MINIATURE VASE, first quality. 5cm £40 - 60

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126

134

A MOORCROFT “NIGHT GUARDIAN” VASE, limited edition, first quality. 18cm £150 - 250

A MOORCROFT “SWING BY” PLAQUE, first quality, framed. Overall 19cm by 26cm £80 - 120

127

135

A MOORCROFT “PANSY” VASE, trial, first quality. 20.5cm £70 - 90

A MOORCROFT “TALWIN” TABLE LAMP, first quality. Overall 51cm £150 - 250

128

136

A MOORCROFT “PATH OF THE JUST OWL” VASE, first quality. 13cm £150 - 250

A MOORCROFT “TAWNY TALES” VASE, number 30 of a limited edition of 30, first quality. 18cm £200 - 300

129

137

A MOORCROFT “PEGGYS HOUSE” GINGER JAR AND COVER, number 38 of a limited edition of 50, first quality. 20cm £250 - 350

130

A MOORCROFT “PEGGY’S HOUSE” PLAQUE, first quality, framed. Overall 25.5cm by 25.5cm £120 - 180

132

A WILLIAM MOORCROFT POTTERY BOWL, IN THE ANEMONE PATTERN, tubelined and painted against a shaded green ground, painted monogram and impressed marks. 25cm £70 - 90

131

A MOORCROFT “QUEENS CHOICE” VASE, first quality. 20cm £200 - 300

132

A MOORCROFT “RACE AGAINST TIME” JUG, number 14 of a limited edition of 40, first quality, 32cm £200 - 300

133

A MOORCROFT “SADDLEBACK” MUG, first quality. 9cm £40 - 60 129

136

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meTAlwOrK 138

A 19TH CENTURY IMPERIAL RUSSIAN COPPER GUNPOWDER MEASURE, impressed with Russian double headed eagle, dated 1845. 15cm £80 - 120

139

A CHINESE WHITE METAL TEAPOT, of octagonal panelled form, the domed cover decorated with floral scroll panels, the body with birds, fish and fruit, with swing handle. Width across spout 17.5cm £150 - 250

140

A CHINESE WHITE METAL TOKEN, cast as a bowl, the well with a panel of calligraphy. Diameter 5cm, 5 troy ounces £150 - 250

141

A CHINESE WHITE METAL TOKEN, of boat form, cast with calligraphy within a Greek Key border. 6.7cm, 8.7 troy ounces £150 - 250

142

A CHINESE WHITE METAL TOKEN, of waisted rectangular form, incised with calligraphy. Length 7cm, 7.6 troy ounces £150 - 250

143

A CONTINENTAL BRASS ETUI, c.

1800, of octagonal form, decorated with engraved bands of foliage and with fitted interior (lacking contents); together with a gilt-metal caddy spoon, c. 1880, in the Japanese taste, cast as leaves with a twig handle, impressed marks. (2). First 7.5cm £50 - 70

144

A GRAND TOUR TYPE COPPER AND BRASS COMPORT, POSSIBLY BY ELKINGTON, cast with Classical figures with a piazza beyond. 31.5cm wide £70 - 90

145

A LARGE JAPANESE CLOISONNE ENAMEL VASE AND COVER, MEIJI PERIOD, of spherical or Koro form, decorated with flowers and butterflies, raised on tripod feet. 36cm £600 - 800

146

145

A LARGE VICTORIAN BRASS AND CUT-GLASS COLUMNAR OIL LAMP, the cylindrical pillar with Corinthian capital, the square base with four bracket feet and cast with gadrooning, the frosted shade decorated with flower filled urns and ribbon-tied floral swags, Hinks Duplex No.2 burner. To top of funnel 109cm £200 - 300

147

A LATE VICTORIAN COPPER AND BRASS STAGS HEAD DINNER GONG, mounted on an oak board and with beater. Overall 36cm £100 - 150

148

A PAIR OF CHINESE CLOISONNE ENAMEL BOTTLE SHAPED VASES, EARLY 20TH CENTURY, decorated with dragons chasing the flaming pearl. 23cm £120 - 180

146 16

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149

A PAIR OF CLOISONNE VASES, CIRCA 1920, of baluster form, each decorated with twin dragons and flaming pearl against a blue ground; together with a smaller pair of cloisonne vases, of similar date, of exaggerated baluster form, each decorated with a single dragon and flaming pearl against a blue ground. First 23cm £80 - 120

150

A PAIR OF CONTINENTAL PEWTER TRIPARTITE SERVING DISHES, c. 1900, each with central loop handle and three circular compartments, stamped marks. Height 13.5cm £40 - 80

151

A PAIR OF JAPANESE CLOISONNE ENAMEL BOTTLE VASES, each decorated with birds on blossoming boughs, Meiji period. 31cm £60 - 120

152

152

A PAIR OF JAPANESE CLOISONNE ENAMEL VASES, MEIJI PERIOD, of oval section baluster form with twin shoulder handles, each decorated with flowers and butterflies, unsigned. 37cm £300 - 500

153

ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO A FINE PAIR OF TUDRIC PEWTER AND ENAMEL VASES, NOS. 0327, of tapering form, each set with five blue/green heart shaped enamels, stamped marks. 22.5cm £2500 - 3500

154

ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO A TUDRIC PEWTER AND ENAMEL POSY VASE, NO. 02460, of elongated ovoid form, cast in low relief geometric motifs and set with four blue/green enamels, numbered 02460 but should be 0246, stamped marks. 16cm £250 - 350

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155

158

155

157

156

158

ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO A TUDRIC PEWTER AND ENAMEL VASE, NO. 0226, bullet shaped with tripod legs, cast in low relief with stylised foliage and set with six green/blue enamels, stamped marks. 19cm £1000 - 1500

ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO A TUDRIC PEWTER INKWELL, NO. 0141, the square base with canted corners and cast in low relief with a roundel to each corner, the tapering cylindrical well with hinged square cover centred by motif, stamped marks. 15.5cm wide £300 - 400

18

ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO A TUDRIC PEWTER VASE, NO. 0227, of tapering cylindrical form with three lug feet, cast in low relief with stylised geometric foliage, stamped marks. 25cm £400 - 600

ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO AN ENGLISH PEWTER AND ENAMEL TULIP VASE, NO. 029, the slender stem supporting a bulbous head with four blue/green enamels and issuing twin sinuous handles, stamped marks. 25cm £1200 - 1800

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silVer-PlATe 159

A SET OF TWELVE VICTORIAN SILVER-PLATED FRUIT KNIVES AND FORKS, with mother-of-pearl handles, together with a set of berry spoons, two pairs of nut crackers and a pair of grape scissors and two ladles, in original walnut box. £100 - 200

160

AN EARLY 20th CENTURY SILVERPLATED WINE BOTTLE HOLDER, cast with floral swags and leaves and with leaf-cast scroll handle, maker’s mark “Minerva”. Length across handle 29.5cm £200 - 300

161

A GROUP OF ELEVEN VINTAGE GUCCI COCKTAIL FORKS, together with A SET OF SIX WMF COCKTAIL FORKS. (17) £200 - 300

162

silVer

163

AN EDWARDIAN SILVER EPERGNE, ALEXANDER CLARK MANUFACTURING CO. SHEFFIELD 1904, the central basket with shell and scroll cast rim and pierced sides on a stand with s-scroll uprights and shaped foliate feet issuing a pair of smaller baskets en suite. Length 61cm, 57 troy ounces £1500 - 2500

A SILVER-PLATED SPIRIT KETTLE ON STAND, IN THE MANNER OF CHRISTOPHER DRESSER, Mappin & Webb, with ebonised handle.

Overall 26.5cm high £100 - 150

AN ASPREY ALMAZAN SILVERPLATED “SACK” VASE, together with A FOUR-PIECE SILVER-PLATED TEA SERVICE. Vase 17.5cm £100 - 150

164

A CANTEEN OF VICTORIAN SILVER PLATED, IVORY HANDLED AND MOTHER OF PEARL HANDLED DESSERT AND FISH KNIVES AND FORKS, comprising twelve pairs of mother of pearl handled dessert knives and forks and twelve pairs of ivory handled fish knives and forks, in a mahogany two drawer cabinet with twin panelled doors. Cabinet 20.5cm by 46cm by 32.5cm £150 - 250

165

166

A PAIR OF SILVER GRAPE SCISSORS, Israel Freeman & Son Ltd, Sheffield 1962, cast with running foxes and fruiting vine. 3.9oz, 15.5cm £60 - 90

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167

167

169

TIFFANY & CO., AN ITALIAN SILVER SALT AND SPOON IN HEAVY SILVER, MODELLED AS A FISH, in the manner of Argentiere Pagliai, marked “Tiffany Sterling 925” to the salt and “Italy” to the spoon. Length 8cm, 4.4 troy ounces £600 - 900

170

168

171

A CONTINENTAL SILVER LETTER RACK, LATE 19th CENTURY, stamped 800, cast as twin galleons above pierced scroll and trelliswork, on bun feet. Height 9.5cm, 2.6 troy ounces £50 - 70

A PAIR OF GEORGE III SILVER BASKETS, JOHN HENRY VERE & WILLIAM LUTWHYCHE, LONDON 1765, the pair of small oval baskets with reeded latticework sides and loop handles, each engraved to the well with a crest. Across handles 10.5cm, 4.3 troy ounces £500 - 700

168

AN EDWARDIAN SILVER MONTEITH, MARTIN HALL & CO., SHEFFIELD 1901, of characteristic form, with twin lion mask handles, and gadrooned body, on a domed circular foot.

Diameter 25.5cm, 37 troy ounces £1800 - 2500

169

AN UNUSUAL PAIR OF WILLIAM IV SILVER CARRIAGE OR COACH HANDLES, WILLIAM BATEMAN, LONDON 1834, each with flowerhead cast centre to a boldly reeded knob on a plain circular backplate, iron post and fittings. Diameter 5.5cm £1500 - 2500

20

171

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174

A LATE VICTORIAN SILVER CAKE BASKET, DIXON & SONS, LONDON 1896, of shaped oval form with pierced lattice sides and c-scroll and flowerhead cast rim, raised on a pierced flower and scroll-cast foot.

Length 30cm, 18.9 troy ounces £400 - 600

175

A LATE VICTORIAN SILVERMOUNTED CUT-GLASS TABLE LIGHTER, the silver marked for John Grinsell & Sons, London 1895, of globular form, cut with stylised flowerheads. Height 10cm £50 - 70

176 172

A GEORGE V SILVER SAUCEBOAT, LONDON 1930, in 18th century style with faceted body, leaf-capped scroll handle and pad feet. Length 18cm, 5.9 troy ounces £80 - 120

173

173

GEORG JENSEN, A DANISH SILVER INKWELL, WITH DATE MARK FOR 1919, 830 standard and design number 150, the well with hinged domed cover with pierced and beaded knop on an integral tray with beaded and lappet rim. Diameter 21cm £1500 - 2500

A LIMITED EDITION SET OF SILVER REPLICAS, “THE STAMPS OF ROYALTY”, twenty-five, no. 1869/10,000, in fitted box with certificate. £150 - 250

177

A SILVER CANDLE SNUFFER, Birmingham 1985, with turned hardwood handle. 36cm £50 - 70

178

A SET OF SIX LIBERTY & CO SILVER COFFEE SPOONS, Birmingham 1921, in a box. £40 - 80

179

AN EDWARDIAN SILVER INKWELL, H. Matthews Birmingham 1901, boat shaped. 14.5cm £50 - 80

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180

A MATCHED GEORG JENSEN SILVER THREE PIECE CHRISTENING SET, stamped marks and import marks for London 1923 and 1930, spoon, knife and fork. 2.8 troy ounces £60 - 80

181

A SET OF SIXTEEN SILVER-MOUNTED HORN SPOONS, foreign marks; together with THREE FURTHER SILVER-MOUNTED HORN SPOONS and A SILVER-HANDLED HORN BUTTER KNIFE. (20) £200 - 300

182

A GEORGE V SILVER CIRCULAR PHOTOGRAPH FRAME, Chester 1915.

15.5cm wide £50 - 80

184

A CHINESE SILVER CIGARETTE CASE, chased with a village scene of figures, buildings and cattle, signed. 8.5cm by 7.5cm £100 - 150

A SILVER STAND, Birmingham 1950, of oval form, with gadrooned rim. 23.5cm, 8.4 troy ounces £120 - 180

A GEORGE V SILVER AND TORTOISESHELL JEWELLERY BOX, BIRMINGHAM 1918, of circular form, the domed cover inlaid with the initial “N” and enclosing a velvet-lined interior, raised on three scroll legs.

Diameter 12.5cm £120 - 180

185

186

TWO PAIRS OF SILVER FLOWER VASES, the larger pair Chester 1904, the smaller pair London 1899. Larger 27.5cm £100 - 200

187

A SILVER STRAP HANDLED BEAKER, POSSIBLY COLONIAL, engraved to base Mary Cogger 1705, and marked four times WI?. 3.5oz, 7cm high £80 - 120

188

183

A SET OF SIX EDWARDIAN SILVER NAPKIN HOLDERS, C & C Hodgetts, Birmingham 1909, of wishbone form, each surmounted with a different animal including pig, fox and game birds. (6) Width 6.5cm, gross 2.6oz £100 - 200

A SET OF SIX ENGLISH PROVINCIAL SILVER TABLE FORKS, JAMES BARBER & WILLIAM WHITWELL, YORK, 1843, lacking town mark, Hanoverian Thread pattern, each engraved with a crest. 12 troy ounces £200 - 300

22

190

A COLLECTION OF SEVEN 18TH CENTURY SILVER TABLE SPOONS, including five rat tail and a pair by Ebenezer Coker. (7) Gross 10.8oz £100 - 200

189

A 19TH CENTURY RUSSIAN SILVER TEAPOT, Mikail Mikaìlovich Karpinshiì, St. Petersburg 1830, with ivory scrolling handle and carved ivory knop, chased with bands of palmettes and flowering foliage. 20.8oz, 20.5cm £250 - 350

191

192

A SILVER ROSE BOWL, Cooper Brothers, Sheffield 1973, with lion mask ring handles. Excluding cover 12.2oz, 16cm wide £100 - 150

193

A GEORGE V SILVER TAPER CIGAR LIGHTER, GOLDSMITHS & SILVERSMITHS COMPANY, LONDON 1913, modelled as a hunting horn.11.5cm £100 - 150

194

A GEORGE V SILVER TRAVELLING TOILET SET, Birmingham 1910, in an initialled leather case, the interior complete with brushes, jars, mirror, manicure set and inkwell. £200 - 300

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197

A LARGE VICTORIAN SILVERMOUNTED GLASS PERFUME FLASK, LONDON 1879, the tapering flask engraved with a monogram, beneath a hallmarked silver ball top with screw fitting. Length 27cm £80 - 120

198

AN EDWARDIAN SILVER BOWL, William Hutton, London 1901, chased with foliage. 10.6oz, 11.5cm high, 16cm wide £80 - 120

199

195

A GEORGE I SILVER RAT TAIL TABLE SPOON, William Scarlett, London 1725, engraved to reverse of terminal C over SE, additional “P” mark. 21cm £100 - 150

196

A LARGE GREEK WHITE METAL CHALICE, 19TH CENTURY, with engraved decoration and baluster stem. 27cm £500 - 700

200

201

A SET OF SIX GEORG JENSEN DANISH STERLING SILVER WINE GLASS COASTERS, 1933/34, each with incised concentric lines and centred by a stylised bunch of grapes, stamped marks including date, Denmark and 925. Diameter 6.5cm £200 - 300

202

A VICTORIAN SILVER TEAPOT AND SUGAR BOWL, Edward Hutton, London 1886. (2) Gross 19oz £150 - 250

203

TWO SILVER PHOTOGRAPH FRAMES, modern. Larger 22cm by 17.5cm £80 - 120

A SILVER ARMADA DISH, Asprey & Garrard, London 2000, of typical form.

22cm, 16.4oz £150 - 250

A GEORGE V BRITANNIA STANDARD SILVER LIDDED TANKARD, Carrington & Co, London 1927, with lightly hammered ground and substantial Sscroll handle. Overall 19.5cm high, 40oz £500 - 700

AN EDWARDIAN SILVER CAKE BASKET, William Hutton, London 1901, with C-scroll cast rim and pierced to depict scrolling foliage. 9.7oz, 24cm £80 - 120

200

204

201

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208

205

208

A GEORGE III SILVER SALVER, William Barret II, London 1817, rectangular with rounded corners and foliate cast edge, raised on paw feet, engraved to underside Cherry Oct. 15th 1908.

25cm by 20.5cm, 15.8oz £150 - 250

AN UNUSUAL PAIR OF GEORGE V SILVER AND NEEDLEWORK BOXES OR COMPACTS, W.H. MANTON LTD, BIRMINGHAM 1934, each of rectangular form, with engine turned case and gilt interior, the covers inset with silk needlework panels under glass of romantic coastal scenes. Each 8.2cm by 6cm £120 - 180

206

A SET OF SILVER CUTLERY, London 1932, comprising twelve dinner forks, twelve dessert forks, twelve dessert spoons, twelve soup spoons and six table spoons, maker D.F. Gross 114oz £800 - 1200

209

A VICTORIAN SILVER SUGAR BASKET, ROBERTS & BELK, SHEFFIELD 1877, with swing handle, the bowl pierced and cast with laurel swags, on a shaped circular foot and with blue glass liner. 7.4oz £120 - 180

207

A SILVER PIERCED DISH, Emile Viner, Sheffield 1963, of shaped octagonal outline, cast with fruiting vine to each corner and decorated with pierced panels to depict scrolling foliage.

25.5cm wide, 17oz £150 - 250

210

A SET OF SIX LIBERTY & CO SILVER AND ENAMEL SPOONS, Birmingham 1953, in original fitted box. £200 - 300

211

A CASED SET OF FIVE 19th CENTURY SILVER-MOUNTED HORN BEAKERS, WALTER THORNHILL, the rims hallmarked for Thornhill, London 1881, graduated, each with glass bottom and in their original Thornhill fitted leather case. £150 - 250

212

AN EDWARDIAN SILVER CARD TRAY, William Aitken, Birmingham 1905, with gadrooned edge. 15.5cm, 4.2oz £50 - 80

213

211 24

A SET OF THREE VICTORIAN SILVER GRECIAN PATTERN SAUCE LADLES, George Adams, London 1854. 18cm, 8.4oz £100 - 150

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214

AN ART DECO SILVER TRAY, Emile Viner, Sheffield 1938, rectangular with cushion moulded inverted corners and twin ivory handles. 54cm by 23cm, 50.5oz £500 - 700

215

A LATE VICTORIAN SILVER MATCH STRIKER, Heath & Middleton, London 1894, with gadrooned rims. 4cm high £50 - 80

216 214

A GEORGE II SILVER TANKARD, John Barbe, London 1743, later chased and embossed with flowers and foliage. 8.1oz, 10.5cm £250 - 350

217

A WILLIAM IV SILVER SNUFF BOX, JOSEPH WILMORE, BIRMINGHAM 1835, of rectangular form, the reeded body with scrollcast rim, the hinged cover engraved with a fox and the motto “Tally Ho”, gilt interior.

Length 7cm £200 - 300

218

A COLLECTION OF SEVEN CONTINENTAL SILVER TABLE SPOONS, including two Fiddle pattern. (7) Gross 8.9oz £70 - 100

219

219

A SET OF THREE SILVER COMPORTS, London Assay Office mark for 1946, each engraved with scrolls and foliage and embossed with foliage and berries, previous marks cancelled. Gross 50.8oz, each approximately 24cm wide £400 - 600

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222

A GEORGE III SILVER TEAPOT, ALICE & GEORGE BURROWS, LONDON 1811, of compressed rectangular form, the knop, handle and body chased with anthemion bands, raised on paw feet. Length across handle 26cm, 22oz £300 - 400

223

A SILVER THREE-LIGHT CANDELABRUM, Richard Comyns, London 1960, with detachable branches, weighted. 30cm £150 - 250

224

222

220

A GEORGE V SILVER JEWELLERY BOX, Joseph Gloster, Birmingham 1922, of serpentine form, raised on four feet, engraved with a monogram and inscribed Aug. 8th 1925 within a cartouche, containing a small quantity of costume jewellery. 19cm wide £80 - 120

221

A GEORGE V SILVER CIGARETTE BOX, London 1929, with engine turned ground and vacant cartouche. 11.5cm wide £100 - 150

A PAIR OF LATE VICTORIAN SILVER CRESTED PLATES, William Gibson & John Langman, London 1896, each engraved with a crest and bordered with flowerheads, retailed by Goldsmiths & Silversmiths Company, 112 Regent St. 24.5cm, 38.8oz £300 - 500

225

A LATE VICTORIAN SILVER SALVER, Walker & Hall, Sheffield 1894, with piecrust edge and engraved centre.

21.9oz, 32cm £200 - 300

226 224

26

A WHITE METAL MODEL OF A GREYHOUND, cast in a realistic pose, seemingly unmarked. 8.5cm high £150 - 200

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227

229

A SET OF SIX RUSSIAN SILVER-GILT AND NIELLO SPOONS, the underside of each bowl decorated with an architectural scene, probably Moscow, bearing 84 Zolotnik marks, in a case fitted for twelve. 3 troy ounces £200 - 300

228

A GEORGE V SILVER AND IVORY HIP FLASK, London 1926, the ivory top initialled S.M.H. 15.5cm £80 - 120

229

A GEORGE III SILVER TEAPOT, LONDON 1804, maker’s mark indistinct, of faceted oval form, with engraved bands, and scroll-carved ivory handle and knop. Length across handle 26.5cm, 15.75oz £250 - 350

230

A SET OF THREE GEORGE V SILVER TOPPED CONDIMENTS, London 1915, each ovoid glass body raised on a circular foot. Tallest 14.5cm £120 - 180

231

A GEORGE V SILVER BOWL, James Dixon, Sheffield 1911, with foliate pierced band and three pad feet.

20.5cm wide, 10.4oz £80 - 120

232

A LARGE PAIR OF EDWARDIAN SILVER COLUMNAR CANDLESTICKS, Hawksworth, Eyre & Co Ltd, Sheffield 1908, with Corinthian capitals and tapering stems decorated in low relief with trailing foliage, raised on stepped square bases decorated with bellflower swags and flowerheads between beaded borders, weighted. 32.5cm £300 - 500

235

232

A GEORGE V BRITANNIA SILVER BOWL, Henry Hodson Plante, London 1926, with hammered ground, inscribed 2nd Prize Bramham Moor 1929. 10.5cm wide, 5.5oz £100 - 150

236

A SILVER THREE PIECE TEA SERVICE, maker C.U, Birmingham 1941, comprising teapot, cream jug and twohandled sugar bowl. Gross 31.95oz £200 - 300

233

A PAIR OF EDWARDIAN SILVER CANDLESTICKS, Wakely & Wheeler, London 1908, with ropetwist edges.

11.5cm high, 10oz £80 - 120

234

A VICTORIAN SILVER MOUNTED CLARET JUG, Walker & Hall, Sheffield 1889, with angular handle and wrythen body. 20cm £150 - 250

234

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JewellerY 237

A JADEITE AND 14 CARAT GOLD NECKLACE, the five oval carved jadeite plaques with metal surround alternately spaced with four oval gold work mounts with moulded Chinese lettering details, all set on articulated links on a fine rectangular link chain with bolt ring clasp. Total length 44cm.

Weight 11.6gms. £300 - 400

238

A 19TH CENTURY SCOTTISH AGATE BROOCH, formed as a sceptre design, set with three moulded shaped blood stone and moss agates, each with engraved detail gold accents and set with a citrine and amethyst faceted bead to the centre, with a further larger faceted citrine to the top set in a crown shaped mount, on a brooch pin fitting with safety chain. Length 10.5cm.

Weight 24.6 grams. £60 - 120

239

A BLACK ONYX AND DIAMOND PENDANT, the brilliant cut collet set diamond suspending on an articulated link from a raised oval mount set with five old brilliant cut claw set diamonds, to the bottom of an open oval black onyx mount set to the inside on an articulated link with a further brilliant cut collet set diamond, all set to the bottom of a further oval shaped mount set with three old brilliant cut diamond highlights, on a fine oval link chain with bolt ring clasp. Total length 41.5cm.

Weight 7.9 grams. £1200 - 1800

28

240

A BLUE ZIRCON AND DIAMOND BROOCH PENDANT, the round cut blue zircon claw set to the centre of a symmetrical scroll detail mount set throughout with graduating old cut diamond highlights with articulated old cut diamond drop, with brooch pin fitting and suspending from a fine link chain with integral tongue clasp and safety catch. Total length 43cm. Weight 6.5 grams. £1000 - 1500

241

A CARVED JADEITE PLAQUE. Length 2cm. Weight 1.4 grams. £50 - 100

242

A CHINESE SILVER BANGLE, late 19th or early 20th Century, chased with figures and flowerheads, the reverse with inset hammered copper plaque.

65mm wide, 86.6 grams £100 - 150

243

A CITRINE RING, the large round cut citrine six claw set in a pierced detail open mount between open moulded detail shoulders on a plain band.

Hallmark indistinct. Ring size M½.

Weight 3.5 grams. £60 - 120

244

A COLLECTION OF FIVE GOLD BROOCHES, three of plain moulded metal detailing depicting bows and leaves; two of floral design set with ruby and sapphire highlights; together with A FOUR-LEAF CLOVER PENDANT with blue stone highlights.

All hallmarked for gold. Total weight 39.4 grams. £300 - 500

245

A COLOMBIAN EMERALD AND DIAMOND RING, the square cut emerald claw set within a surround of old brilliant cut diamonds, set in an open detail scalloped edge surround between split tapering shoulders each set with a moulded detail fleur-de-lis, on tapering band, Ring size L. Weight 3.8 grams.

With GCS Emerald Report, dated 28.06.2017, stating origin of Colombia and weight of 1.23 carats with insignificant indications of clarity enhancement. £3000 - 4000

246

A CORAL BROOCH, CIRCA 1880, the central rectangular carved coral plaque set within a surround of ten circular carved coral plaques, on brooch pin fitting with glass locket reverse.

Length 3cm. Weight 9.2 grams. £60 - 90

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252

A DIAMOND SET HORSE AND CHARIOT BROOCH, CIRCA 18901900, the galloping horse set throughout with graduating old cut diamond highlights, with metal work harness pulling a moulded metal work chariot set with two old cut diamond highlights and red stone highlight to the wheel, on flat rectangular base with brooch pin fitting. Stamped 15 (very worn), Length 4.5cm. Weight 4.9 grams. £600 - 900

253

247

A CORAL NECKLACE, formed of thirtyone graduating carved coral beads, each strung knotted onto an integral tongue clasp with coral floral detail plaque. Stamped 18CT. Total length 53cm. Weight 103 grams. £3000 - 4000

247

250

A DIAMOND ETERNITY RING, formed of thirty brilliant cut claw set diamonds set to the entirety in a sharks tooth design. Ring size L½. Weight 4.1 grams. £200 - 300

A GOLD (UNTESTED) AND ENAMEL SWORD-FORM HAT PIN, c. 1900, unmarked, the pommel in bands of sky blue and white enamel, with scroll-cast “guard” and tapering “blade”. 16cm £200 - 300

A GOLD COLOURED NECKLACE, formed of alternate circular and oval mounts with faceted detailing, each set on articulated links on bolt ring clasp.

Total length 83cm. Weight 23.6 grams. £800 - 1200

A CULTURED PEARL BRACELET, the thirty uniform cultured pearls strung simply onto a yellow gold ball clasp.

Stamped 14K. Total length 19cm.

Weight 8.2 grams £200 - 300

A DIAMOND BRACELET, the nineteen articulated oval shaped mounts each set with two old cut diamond highlights on an integral tongue fastening with safety catch. Length 19.5cm. Weight 11.9 grams. £250 - 350

254

255

248

249

A FRESHWATER PEARL AND DIAMOND RING, the large freshwater pearl set simply between tapering shoulders each set with three graduating brilliant cut diamonds, on a plain band. Stamped 750. Ring size O. Weight 4.9 grams. £600 - 900

251

A DIAMOND RING, the single brilliant cut diamond eight claw set in a pierced mount between tapering pierced detail shoulders on a plain band. Ring size O. Weight 3.2 grams. £4000 - 6000

256

A HALF SOVEREIGN BRACELET, formed of seven half sovereigns on articulated chain links with integral tongue clasp. Total weight 32.1 grams. £100 - 200

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257

A HEAVY CURB LINK BRACELET, with heart padlock clasp and half Sovereign charm. Clasp and links stamped 375.

Total weight 23.2 grams. £300 - 400

258

A LADY’S DIAMOND-SET COCKTAIL WATCH, IN THE ART DECO TASTE, SECOND QUARTER 20th CENTURY, the rectangular dial with Arabic numerals within a platinum case, the bezel set with round brilliant-cut diamonds and with further diamondset lugs, on a 9ct white gold and diamond-set snakelink strap, Swiss movement. Length including lugs 38mm £400 - 600

259

260

A LARGE GENTS GOLD RING, stamped 18. Ring size W. Weight 11.6 grams £250 - 350

260

A LATE 19TH CENTURY ENAMEL AND PEARL NECKLACE, the heart shaped locket pendant set with turquoise coloured blue enamel and an applied gold work floral centre set with graduating seed pearl highlights, suspending on an articulated link from a necklace formed of twenty-five articulated rectangular links with similarly coloured enamelling, and nine square shaped mounts to the bottom each set with a single pearl highlight, on integral tongue clasp. Length 42cm.

Weight 29.3 grams. £1500 - 2500

261

A LATE 19TH CENTURY GOLD BANGLE, the top set throughout with delicately applied moulded beaded and scrolling detail metal work to form floral shapes and bordering. Stamped BS 15. Diameter 6.5cm. Weight 38.2 grams. In fitted case. £400 - 600

262

A LATE VICTORIAN EMERALD AND DIAMOND BROOCH, the horseshoe set to the centre of a rectangular brooch bar, set with seven graduating square mixed cut emeralds, alternately spaced with eight pairs of old cut diamond highlights, on simple brooch pin fitting with safety chain. Length 5cm. Weight 5 grams. £400 - 600

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263

A LATE VICTORIAN OPAL AND DIAMOND PENDANT, the pear cabochon cut opal set within a surround of twenty-one old brilliant cut diamonds in a scalloped edge mount, to the bottom of a knife edge mount set with two seed pearl highlights and a further old cut diamond highlight, all suspending on a fine rectangular link chain with bolt ring clasp. Weight 4.2 grams. £1500 - 2500

264

264

A MID 19TH CENTURY CORAL BROOCH, ornately carved to depict a branch with multiple acorn highlights, set to the centre with a winged insect with two old cut diamond highlights to the wings and gold work highlights for the legs and head, set on brooch pin fitting, In fitted box. Length 8.5cm.

Weight 28.3 grams. £1200 - 1800

265

A MID 19TH CENTURY SEED PEARL AND ENAMEL LOCKET PENDANT, the large oval moulded mount with elaborate symmetrical beaded and scroll detail metal work, set to the centre with a raised oval mount of dark blue enamelling with central star shaped mount set with six seed pearl highlights, all suspending an articulated tassel of beads on a double articulated beaded swag, with glass locket to the reverse and articulated tapering oval pendant loop. Length 9.5cm. Weight 26.2 grams. £150 - 250

266

A MID VICTORIAN DEMI-PARURE, comprising locket pendant, locket brooch and a pair of earrings, each with intricate floral and foliage detailing of textured and polished metal with subtle beaded and scrolling metal details around the perimeter of the earrings and brooch, and with engraved initials EAP to the reverse of the locket. All set in fitted box. Total weight 53 grams. £3000 - 4000

267

A MID VICTORIAN LOCKET PENDANT, of oval form hinged on one side, set to the centre with a star shaped point in turn set to the centre with a single old round cut diamond, suspending from an articulated, heavy tapering oval bale. In fitted box. Weight 24.9 grams. Length 6cm. £200 - 300

268

A MID VICTORIAN STICK PIN, modelled as the head of a greyhound with moulded articulated collar set with a single turquoise highlight, with attached safety chain. In fitted case.

Length 7cm. Weight 4.9 grams £250 - 350

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273

A PAIR OF DIAMOND STUD EARRINGS, each old brilliant cut diamond collet set on post and scroll fittings. Scrolls stamped 750. Total weight 1.3 grams. £2500 - 3500

274

A PAIR OF DIAMOND STUD EARRINGS, formed as a flower head, set to the centre with a single old cushion cut diamond within a surround of eight petal shaped mounts each set with a single old cut diamond highlight, on post and scroll fittings.

Total weight 3.6 grams. £800 - 1200

275

269

269

A NATURAL SALTWATER PEARL NECKLACE, each uniform seed pearl strung knotted onto a later added integral clasp set with a single cultured pearl within a surround of ten old brilliant cut diamonds. Total length 107cm. Weight 16.1 grams.

With GCS Pearl Report, dated 20.12.2016, stating the pearls to be natural saltwater and of very good lustre. £2500 - 3500

270

A PAIR OF 1970’S GOLD, DIAMOND AND CULTURED PEARL EARRINGS, the spray of textured bark effect gold set to the centre with a single cultured pearl and three brilliant cut diamond highlights, on post and clip back fittings.

Stamped 750. Total weight 18.4 grams. £1200 - 1800

271

A PAIR OF CORAL EARRINGS, the articulated mount depicting a ships anchor set with a polished coral bead, suspending on an articulated link from a further single polished coral bead on shepherds hook fittings. Length 4cm.

Total weight 4.5 grams. £200 - 300

272

A PAIR OF CULTURED PEARL EARRINGS, on yellow gold post and scroll fittings. Scrolls stamped 9K. £40 - 60

A PAIR OF DIAMOND STUD EARRINGS, the central brilliant cut diamond raised slightly within a surround of eight smaller brilliant cut diamonds with moulded metal details, on post and scroll fittings. Scroll stamped 750. Weight 3.7 grams. £400 - 600

276

A PAIR OF ENAMEL AND SEED PEARL STUD EARRINGS, each circular mount of blue and white floral detail enamelling set to the centre with a single seed pearl highlight, on post and scroll fittings. Total weight 2.4 grams. £150 - 250

277

A PAIR OF JADEITE EARRINGS, each heart shaped cut jadeite suspending simply on an articulated link from hook style fittings. Each post stamped 14K. Total weight 1.9 grams. Length 3cm. £150 - 250

273

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278

A PAIR OF JADEITE EARRINGS, each single oval cabochon cut jadeite bead four claw set on screw back fittings.

Total weight 4.2 grams. £200 - 300

279

A PAIR OF PASTE SET EARRINGS, the tapering oval amber coloured faceted bead suspending from an articulated link from a round cut faceted amber bead, on hook style fittings. Total weight 6.3 grams. £250 - 350

280

A PAIR OF TOURMALINE SET EARRINGS, CIRCA 1870-1880, the pear cut tourmaline claw set within an elaborate but delicate mount of coiled and beaded detailed textured metal, suspending on an articulated link from a further round cut tourmaline claw set within a similarly detailed mount, on shepherds hook fittings. Length 3.5cm.

Total weight 7.6 grams. £800 - 1200

281

A PAIR OF YELLOW GOLD KNOT STYLE EARRINGS, of polished and textured metal details, on post and scroll fittings. Stamped 375. Total weight 4.5 grams £200 - 300

282

A PEARL AND DIAMOND LOCKET BROOCH, CIRCA 1880-1890, the moulded heart shaped mount with subtle beaded detailing to the perimeter, set to the centre with a raised oval mount set with subtle blue enamelling in a heart shape and a single old brilliant cut diamond, in turn all set within a surround of sixteen graduating pearl highlights, on brooch pin fitting with locket reverse. Length 3.3cm. Weight 11.3 grams. The pearls are untested and unwarranted. £600 - 900

283

283

A PERIDOT AND SEED PEARL BRACELET, CIRCA 1900, the central cut-cornered emerald cut peridot collet set between two flower head shaped mounts each set with nine seed pearl highlights, in turn within two further cut-cornered emerald cut peridots, each set on articulated links in pierced scroll detail mount, on an elasticated oval link bracelet with integral tongue clasp with safety catch.

Stamped 585. Length 16.5cm. Weight 14.8 grams. £1800 - 2500

284

A RED AND ORANGE COLOURED STONE BRACELET, possibly carnelian, of alternating oval, circular and square cut shapes with faceted surfaces and collet settings, on a later added double row of elastic. Width 6cm.

Weight 48.6 grams. £100 - 150

285

A RUBY AND DIAMOND PENDANT, the oval mixed cut ruby collet set within a surround of sixteen brilliant cut diamonds, suspending from an integral fine snake link chain with bolt ring clasp. Clasp stamped 375. Mount stamped 750. Total length 41cm.

Weight 4.3 grams. £1800 - 2500

286

A RUBY AND DIAMOND RING, CIRCA 1900, the oval cut ruby claw set within a scalloped edge surround set with eight old brilliant cut diamonds, between moulded leaf shaped shoulders each set with four graduating old brilliant cut diamond highlights on a moulded detail band.

Ring size K. Weight 2.8 grams. £1000 - 1500

287

A RUBY AND DIAMOND RING, the central brilliant cut diamond set raised within a surround of eight marquise cut rubies, alternately spaced with eight brilliant cut diamond highlights, all set in a pierced open detail mount between solid tapering shoulders on a plain band. Ring size G½ (with ring beads). Weight 6. 8 grams. £400 - 600

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288

A RUBY AND DIAMOND RING, the pear cut ruby claw set raised within a surround of sixteen brilliant cut claw set diamonds, set in a stepped design, in an open pierced detail pear shaped mount between solid tapering shoulders on a plain band. Stamped 585. Ring size O. Weight 4.1 grams. £300 - 400

291

A SEED PEARL AND TURQUOISE HIGHLIGHT SET BROOCH, set simply in a row on rectangular brooch bar with pin fitting. Length 2.7cm; and AN ARTS AND CRAFTS BROOCH, of stylised triangular form set with single purple stone highlight. Length 2.5cm.

Total weight 2.7 grams. (2) £40 - 80

292

A SILVER BROOCH, modelled as a racing greyhound. Stamped SILVER. Length 5cm. Weight 15.5 grams. £100 - 150

293

A THREE COLOUR GOLD BRACELET, of plaited design on integral tongue clasp with safety catch. Stamped 750.

Length 20cm. Weight 15.7 grams. £350 - 450

289

294

A THREE STONE DIAMOND RING, the three slightly graduating brilliant cut diamonds each claw set in a simple pierced mount between tapering pierced detail shoulder on a plain band. Stamped PLAT, Ring size K. Weight 3.7 grams £3000 - 4000

A SAPPHIRE AND DIAMOND RING, the brilliant cut diamond and round cut sapphire each claw set horizontally between rectangular shaped shoulders each set with two graduating baguette cut diamond highlights, set in a pierced mount between pierced tapering shoulders on a plain band.

Stamped PLATINUM. Ring size M½.

Weight 3.4 grams. £2000 - 3000

290

A SAPPHIRE AND DIAMOND RING, the central brilliant cut diamond set raised within a surround of eight marquise cut sapphires, alternately spaced with eight brilliant cut diamond highlights, all set in a pierced open detail mount between solid tapering shoulders on a plain band. Ring size I (with ring beads). Weight 6.4 grams. £400 - 500

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295

A TURQUOISE AND SEED PEARL FRINGE NECKLACE, CIRCA 1900, the twentyone graduating knife edge bar drops set to either end with a turquoise highlight, and to the centre with a single seed pearl highlight, all set to the front of a fine oval link chain with integral tongue clasp. In fitted box. £1200 - 1800

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296

A VICTORIAN WATCH CHAIN, with Albert clasp. Length 35cm. Weight 18.9 grams. £500 - 700

297

A WHITE GOLD NECKLACE CHAIN, of snake link form. Stamped 585. Length 45cm. Weight 12.6 grams. £200 - 300

301

298

A YELLOW GOLD BROOCH, modelled as a greyhound, suspending on an articulated loop from a large novelty safety pin mount. Stamped 375.

Weight 15.5 grams £300 - 400

300

A YELLOW GOLD IDENTITY BRACELET, formed of heavy curb links suspending twelve charms to include a sovereign and St. Christopher, the identity plaque engraved “Ann”, Plaque stamped 375.

Most of the charms stamped for gold.

Total weight 66.1 grams. £500 - 600

301

299

A YELLOW GOLD BROOCH, modelled as two galloping horses, set on a simple brooch bar with safety chain.

Stamped 385. Weight 18.8 grams £300 - 500

AN 18 CARAT GOLD RING BY GILBERT ALBERT, of stylised moulded band with textured metal details to the entirety, accompanied by eight interchangeable stones. Stamped 18.

Ring size N (with ring clip). Weight of the mount 11.1 grams. In leather Gilbert Albert pouch. £200 - 300

302

AN 18TH CENTURY ECCLESIASTICAL RING, the oval mount with carved cameo profile of a gentleman, between tapering moulded scroll detail shoulders with subtle engraving to the entirety. Ring size O. Weight 7.2 grams. £1500 - 2500

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303

AN AGATE NECKLACE, CIRCA 18801890, formed of twenty-four oval polished cut banded and moss agates, claw set in open backed mounts, on integral tongue clasp. Total length 43.5cm. Weight 28.5 grams. £1200 - 1800

304

AN AMBER BEAD NECKLACE, formed of fifty-one graduating oval amber beads. Accompanied by a Gem and Pearl Laboratory Certificate, number 15243 and dated 26th January 2018, stating that the amber has tested as natural amber with some heat treatment. Length 35cm. Weight 53 grams. £300 - 400

305

303

AN AMBER NECKLACE, of circular, flattened and pentagonal yellow beads. Length 45cm £200 - 300

306

AN AQUAMARINE AND DIAMOND RING, the round cut aquamarine claw set within a scalloped edge pierced detail mount set with ten brilliant cut diamonds between solid tapering shoulders on a plain band. Ring size L. Weight 3.6 grams. £800 - 1200

307

AN ART DECO BLACK ONYX AND DIAMOND WATCH PENDANT, the fan shaped pendant set with graduating black onyx and brilliant cut diamonds with watch face to the reverse, suspending from a black fabric cord with articulated diamond set stopper, on bolt ring clasp. Total length 75cm.

Weight 16.1 grams. £1500 - 2500 304

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308

AN ARTS AND CRAFTS SILVER AND ENAMEL PENDANT BY CHARLES HORNER, the stylised oval shaped mount with pierced details set throughout with dark blue enamelling, suspending an articulated bell-shaped drop with similar coloured enamel work, in turn all suspending on V shaped articulated chain links from a further circular mount of blue enamel work, to the bottom of a fine oval link chain with bolt ring clasp. Hallmarked for silver and Chester. Makers mark CH. Total length 47.5cm. Weight 4.4 grams. £200 - 300

309

AN EARLY 19TH CENTURY CORAL NECKLACE, formed of eight strands of graduating oval coral beads, all strung plain and twisted onto a rectangular integral tongue clasp of textured metal and beaded detailing, set with four coral bead highlights. Total length 50cm. Weight 167.1 grams. £400 - 600

310

AN EARLY 19TH CENTURY DIAMOND SET BANGLE, set to the centre with a cut-out scalloped floral detail mount set with fifteen graduating old cut diamond highlights and subtle blue enamelling, hinged to one side with integral tongue clasp and safety chain.

Diameter 6.5cm. Weight 42.2 grams, £1500 - 2500

310

311

AN EDWARDIAN DIAMOND RING, the pierced detail marquise shaped mount set throughout with ten graduating old brilliant cut diamonds, with a raised collet set old brilliant cut diamond to the centre, all set in a pierced open mount between tapering open shoulders on a plain band. Ring size O½. Weight 3.1 grams. £1500 - 2500

312

AN EDWARDIAN SEED PEARL AND BLACK ONYX BROOCH, the bow shaped mount set throughout with graduating black onyx highlights and seed pearl highlights, with delicate pierced metal detailing to the ribbon mounts, suspending a tassel of multi strands of seed pearls with pierced metal detail cap with black onyx bead highlight, on brooch pin fitting. Total length 4.5cm. Weight 4 grams. £400 - 600

313

AN EMERALD AND DIAMOND PENDANT, the pear cut emerald claw set on an articulated link to the bottom of a single claw set diamond highlight, suspending on an articulated link from a flat curb link chain with lobster catch.

Chain stamped 750. Length 47cm.

Weight 14.9 grams; and A PAIR OF EMERALD AND DIAMOND EARRINGS TO MATCH, the pear cut emerald claw set on an articulated link to the bottom of a single brilliant cut highlight, on post and scroll fittings.

Total weight 4 grams £500 - 600

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322

314

AN EMERALD AND DIAMOND RING, the square cut emerald claw set within a surround of twelve brilliant cut claw set diamonds, all set in an open pierced detail mount between solid tapering shoulders on a plain band. Stamped 750. Ring size F½. Weight 3.8 grams £2500 - 3500

315

AN EMERALD AND DIAMOND RING, the three oval cut emeralds each alternately spaced with two brilliant cut diamond highlights, all set in an open detail mount between open tapering shoulders on a plain band. Stamped 750. Ring size K. Weight 2.6 grams. £150 - 250

316

A MID VICTORIAN TURQUOISE AND ENAMEL BANGLE, set to the centre with a raised square mount with beaded detailing and subtle white enamelling, set to the centre with a circular mount of turquoise highlights and four emerald highlights, hinged to one side with integral tongue fitting. Stamped J.J 18.

Weight 44.5 grams. Width 6cm. £200 - 300

317

AN OPAL AND DIAMOND BROOCH, CIRCA 1880-1890, the crescent shaped mount set with seven graduating round cut opals, alternately spaced with eight pairs of two graduating old cut diamond highlights, set on brooch pin fitting, Width 2.8 cm.

Weight 4.8 grams. £1200 - 1800 38

318

AN UNUSUAL 19TH CENTURY PENDANT BY JOHN BROGDEN, the spherical pendant set to one side with a round cabochon cut garnet, and set to the other with a portrait miniature of a lady, suspending from an articulated pendant loop. Marked JB. Diameter 1.9 cm. Weight 7.4 grams. £600 - 900

319

A DIAMOND AND SAPPHIRE BRACELET, the four sets of three brilliant cut diamonds in square shaped mounts alternately spaced with twenty twotwenty-two square cut sapphires in collet settings, all set on articulated links with subtle engraved detailing on integral tongue clasp with safety catch.

Length 18cm. Weight 17.2gms. £4000 - 6000

320

A DIAMOND BROOCH, the rectangular mount set simply with fourteen slightly graduating diamonds, on brooch pin fitting. Length 4.5cm.

Weight 3.5gms. £800 - 1200

321

A DIAMOND SET SPRAY BROOCH, formed of sixteen leaf shaped mounts each set with a marquise cut diamond highlight, amongst ribbon detail mounts set throughout with brilliant cut diamond highlights. Stamped 585.

Length 6.5cm. Weight 8.1gms. £700 - 900

A DIAMOND SET SPRAY BROOCH, formed of five flower head shaped mounts each set with seven yellow coloured diamond highlights amongst metal work stems and leaf shaped mount with two brilliant cut diamond highlights, on double brooch pin fitting.

Stamped 750. Bears mark for Van Cleef and Arpels. Length 6cm. Weight 11.4gms £1200 - 1800

323

A CULTURED PEARL, EMERALD AND DIAMOND NECKLACE, the forty-four uniform cultured pearls each strung knotted onto an unusual stylised and removable square shaped clasp set to the centre with a square shaped emerald collet set within a surround of twenty-three brilliant cut diamond highlights. Stamped 750. Length 46cm.

Weight 76.5gms. £4000 - 6000

324

AN 18 CARAT GOLD AND DIAMOND RING, the nine diamonds set in a flowerhead cluster. £300 - 400

325

A PAIR OF DIAMOND SET EARRINGS, of an ornately articulated drop of swag and floral details, set throughout with old cut diamond highlights, on shepherds hook fittings. Length 8cm.

Total weight 17.3gms. £2000 - 3000

326

A PAIR OF DIAMOND SET EARRINGS, of floral and foliage spray design, set throughout with graduating brilliant cut and baguette cut diamonds, on clip back fittings. Length 3.5cm. Total weight 17.8gms. £4000 - 6000

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327

A PAIR OF CULTURED PEARL, EMERALD AND DIAMOND EARRINGS, the pear cut emerald collet set to the centre of an open detail scrolling mount, set throughout with brilliant cut diamond highlights, suspending three articulated cultured pearl drops with diamond set caps, and all set to the bottom of a further articulated fleur-de-lis style mount set similarly with brilliant cut diamond highlights, on clip back fittings. Length 7.5cm. Total weight 33.3gms. £1500 - 2500

328

AN EMERALD CUT DIAMOND RING, with tapering shoulders, hallmarked 18 carat yellow gold. £1000 - 1500

332

A RUBY AND DIAMOND RING, the round cut ruby collet set within a stylised tapering square shaped mount of symmetrical design, set to the centre with graduating ruby highlights and brilliant cut diamond highlights to the outer edge, between tapering shoulders on a plain band. Stamped PT 950. Ring size N. Weight 6.9gms. £1500 - 2500

333

A DIAMOND RING, the three oval cut diamonds alternately set with four baguette cut diamonds, all set tilted in a pierced detail mount between tapering shoulders on a plain band.

Ring size N ½. Weight 4.7gms. £400 - 600

329

A SAPPHIRE, DIAMOND AND ENAMEL RING, the oval cabochon cut sapphire set within a surround of fourteen brilliant cut diamonds in a scalloped edge mount, in turn within a marquise shaped moulded outer mount with pierced details and delicate blue, green and orange coloured enamelling, between tapering moulded detail shoulders set with similar enamel details. Ring size M. Weight 10gms. £800 - 1200

337

TWO PAIRS OF CULTURED PEARL STUD EARRINGS. £30 - 50

338

TWO PAIRS OF OVAL PLAQUE GOLD CUFFLINKS. £250 - 350

339

340

330

331

TWO GOLD BANGLES, one oval shaped with hook style fastening, stamped 375; the other square shaped with integral tongue fastening, stamped 750; together with A 9 CARAT YELLOW GOLD CHAIN. £500 - 700

TWO PAIRS OF SILVER CUFFLINKS AND A PAIR OF MOTHER-OF-PEARL CUFFLINKS, in decorative mother-ofpearl set box. Total weight 19.3 grams. £100 - 150

HALF SOVEREIGN, with moulded mount and brooch pin. £150 - 250

A PAIR OF JADEITE AND GOLD EARRINGS, the tapering polished jadeite bead set to the bottom of an articulated tapering mount, suspending from a circular mount on post and scroll fittings. Length 2.5cm.

Weight 7.6gms. £150 - 250

336

334

ROYAL INTEREST: A 19TH CENTURY RING, the oval mount with a photograph of Prince Albert, between moulded rectangular shoulders on a tapering band. Ring size M. Weight 5.1 grams. £800 - 1200

335

THREE PAIRS OF GOLD CUFFLINKS. £250 - 350

TWO VICTORIAN LOCKET PENDANTS, both oval shaped with dark blue enamelling and set to the centre with four seed pearl highlights in star shaped mounts, one set with a further ruby highlight within a surround of engraved metal detailing, both suspending from articulated pendant loops. Total weight 8.2 grams. £250 - 350

341

AN ENAMEL AND GILT METAL BROOCH, set to the centre of a moulded floral detail mount with an oval enamelled plaque of a young child, on brooch pin fitting; together with an engraved detail Victorian cigar piercer and gold watch key.

Total weight 18.8gms. £150 - 250

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wATCHes 342

A CONTINENTAL LADY’S 18 CARAT GOLD HUNTER POCKET WATCH, the white enamel dial with Arabic numerals and subsidiary seconds, the case chased with scrolls and flowerheads, signed REMONTOIR CYLINDRE 10 RUBIS QUALITE SUPERIEURE, on a long chain of oval and knotted links, the clasp with Continental marks and stamped 18K. Gross 90 grams, case 33mm wide £1800 - 2500 344

343

A LADY’S 18 CARAT GOLD ROLEX WATCH, with circular case and dial, the gold bracelet straps of tapering form, in a Rolex box. Case 15mm wide, 24.5 grams £600 - 800

344

A VICTORIAN 18 CARAT GOLD REPEATER HUNTER WATCH, the case hallmarked Birmingham 1883, the movement unsigned, white enamel dial with Roman numerals, in box, signed Mason & Son, Middlesbrough.

55mm wide, 123 grams £1000 - 1500

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345

344 (in box)

A LADY’S 18 CARAT GOLD OPEN FACE FOB WATCH, c. 1900, probably Swiss, the gilt dial with Roman numerals within an elaborately engraved case, further engraved with a monogram, stamped “K18”. Diameter 36mm, 43 grams £250 - 350

346

A GARRARD 9 CARAT GOLD CASED WRISTWATCH, the circular dial with subsidiary seconds dial and gilt numerals, presentation inscription verso to Mr W. Poulton from Newcastle Chronicle & Journal Ltd, in a Garrard box. Case 34mm wide £100 - 150

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347

A LADY’S YELLOW METAL OPEN FACE FOB WATCH, LATE 19th CENTURY, PROBABLY SWISS, the scroll and foliate engraved case with stamped marks, enclosing a white enamel dial with Roman numerals, engraved “Echappement a Cylindre”... .Diameter 33mm, 26 grams £100 - 150

349

348

A GENTLEMAN’S STAINLESS STEEL VINTAGE ROLEX OYSTER PERPETUAL WATCH, model no. 6565, serial number indistinct, on black leather straps. 33mm £300 - 500

349

A GEORGE III SILVER-GILT AND ENAMEL PAIR CASED OPEN FACE PORTRAIT POCKET WATCH, the white enamel dial with Arabic numerals, the reverse centred by an oval enamel portrait of a lady in a pink dress within a border of seed pearls, the verge fusee movement with cylindrical pillars, pierced and engraved balance cock and diamond endstone, lacking key.

Diameter of case 50mm £3000 - 5000

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OBJeCTs OF VirTUe 350

A GROUP OF FOUR CHINESE CARVED AND PIERCED VASE AND JAR COVERS. Largest 17cm wide £100 - 200

351

A GROUP OF THREE CHINESE CARVED AND PIERCED VASE STANDS. Largest 21cm wide £100 - 150

352

A GROUP OF FOUR CHINESE CARVED AND PIERCED VASE STANDS. Largest 18cm wide £100 - 150

353

A RUSSIAN SILVER AND ENAMEL TRAVELLING PENDANT TRIPTYCH, maker's mark AH and hallmarks for Moscow and 84 grade, the polychrome champleve enamel interior depicting the figure of Christ above saints flanked by the apostles, on an elongated link chain. Triptych (open) 4.25cm by 5.5cm £150 - 250

354

356

A JAPANESE IVORY SECTIONAL OKIMONO, MEIJI MERIOD, modelled as a man carrying a basket and with a tool over his shoulder, signed. 23cm £150 - 250

357

A JAPANESE IVORY SECTIONAL OKIMONO, MEIJI MERIOD, modelled as a man carrying a basket and holding a pipe, signed. 22.5cm £150 - 250

358

A JAPANESE IVORY SECTIONAL OKIMONO, MEIJI PERIOD, modelled as a man holding a bunch of flowers and a stick, with a child by his side, signed. 16cm £100 - 150

359

JOHN MIERS (1756-1821), THREE PORTRAIT SILHOUETTES, two facing dexter, one sinister, each signed and in a fitted leather case. Largest 57cm by 45cm £150 - 250

360

HORACE HONE A.R.A. (IRISH, 17561825), A PORTRAIT MINIATURE OF LIEUTENANT CORCORAN, signed with initials and dated 1790, portrayed in his uniform of the 18th Royal Irish Regiment, oval, watercolour on ivory, in a giltwood frame. 10cm by 8cm £1500 - 2000

361

A CHINESE CARVED RED CORAL FIGURE GROUP, the branches modelled as women and girls in varying poses amidst flowerheads, on a hardwood stand, in a fitted case.

Excluding stand 20cm £2000 - 3000

TWO CARVED IVORY MODELS OF LIONS, late 19th Century. Each circa 10.5cm £150 - 250

355

TWO BILSTON ENAMEL PATCH BOXES, LATE 18th CENTURY, the larger of oval form, the white enamelled cover centred by a green, pink and gilt stylised flowerhead; the smaller also oval, the hinged cover enamelled with an urn in blue and white, each with mirror inset cover (2).

First 54mm £150 - 250

42

359

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366

362

A CHINESE CARVED RED CORAL FIGURE OF A YOUNG WOMAN, or female deity, her right arm upraised, in flowing robes and mounted on a carved hardwood stand, in a fitted case. Excluding stand 20cm £2000 - 3000

363

A CHINESE CARVED RED CORAL FIGURE GROUP, the branches modelled as two women, child and bird amidst flowers and foliage, on a carved hardwood stand, in a fitted case. Height excluding stand 19.5cm £2000 - 3000

364

364

ATTRIBUTED TO SIR CHARLES WILLIAM ROSS R.A.(SCOTTISH, 1794-1860), A PORTRAIT MINIATURE OF GEORGE FREDERICK D’ARCY LAMBTON, 2nd EARL OF DURHAM, AGED 10, oval, watercolour on ivory, bearing attributory inscription verso dated 1839, in a gilt-metal frame.

9cm by 8cm £1000 - 1500

365

ASPREY & CO., A 19th CENTURY SILVER-MOUNTED IVORY POWDER FLASK, of cylindrical form, capped to cover and foot in engraved silver (unmarked), further engraved with a crest, screw fittings to each end opening to a compartment and a nozzle. 18.25cm £80 - 120

AN UNUSUAL AMERICAN STERLING SILVER AND ENAMEL LADY’S COMPACT, Foster & Bailey, Providence Rhode Island, c. 1920, of rectangular form, with cut-off corners, the engineturned cover centred by an oval enamel cartouche of a basket of flowers, enclosing three compartments, one with mirrored panel, fitted with amethyst coloured cabochon clasps and on a meshlink chain, in a Georg Jensen, Fifth Avenue, NY velvet pouch.

Compact 8.5cm by 5cm £400 - 600

367

AN EARLY 20th CENTURY GOLD (UNMARKED) PIQUE TORTOISESHELL TOILET MIRROR, of characteristic form. 28cm £60 - 80

368

AN EARLY 19th CENTURY WHITE METAL SPECTACLES CASE, rectangular, with bowed ends, engraved “Elyah Kidson, Mine Agent, Bilston” within scrolling flowers and leaves, stamped maker’s mark J. Webb; together with a white metal vinaigrette, of similar date, engraved with a monogram. (2) £60 - 80

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369

369

AN EARLY 19th CENTURY ITALIAN MICRO-MOSAIC BOX, of circular form, the cover decorated with doves drinking from a Classical bowl, (after the mosaic from Hadrian’s Villa), mounted and inlaid in yellow metal on tortoiseshell, the base inlaid with a Classical urn. Diameter 7cm £400 - 600

370

AN EARLY 19th CENTURY GOLDTOPPED GLASS SCENT BOTTLE, the oval bottle with facet cut edge, the screw top faceted and in a fitted leather case. Bottle 7.6cm £80 - 120

373

375

AN ASPREY 9 CARAT GOLD CIGARETTE LIGHTER, in the form of a book, Birmingham 1925. 12 grams, overall 5cm high £100 - 150

372

A SOAPSTONE FIGURE OF A RECLINING BUDDHA, 19th CENTURY, mounted on a hardwood stand. Length 9cm (exc. stand) £80 - 120

376

374

A TORTOISESHELL AND GOLD PIQUE CIRCULAR BOX, FRENCH, LATE 18TH CENTURY, the cover inset with a musical trophy. 6.2cm £2000 - 3000

A SILVER-MOUNTED DECORATIVE POWDER HORN, the cover with domed gilt-metal surmount applied with glass “jewels” over a hallmarked (rubbed) silver collar, the horn entwined in white metal with further “jewels” and with amethyst glass jewel terminal. 20.5cm £80 - 120

371

AN EARLY 19th CENTURY ENAMEL AND SILVER-PLATED PATCH BOX, the cover decorated with a Classical building within gilt Rococo c-scrolls. Diameter 4cm £60 - 80

372

AN EARLY 19TH CENTURY BURR YEW AND TORTOISESHELL SNUFF BOX, rectangular, applied with Russian double headed eagle crest with inset diamond. 6cm by 9.5cm £800 - 1200 44

374

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377

A SHIBAYAMA STYLE INLAID IVORY DRUMSHAPED KODANSU (CABINET), Meiji period (1868-1912), lavishly inlaid in various materials with two birds perched on flowering branches of overhanging chrysanthemum, the other side with a bird perched on a bough, both ends similarly decorated with birds and butterflies hovering over flowers and plants, the hinged door opening to reveal two deep lacquered drawers, each applied with an ivory pull, the mounts of silver, signed.

Height excluding handle 13.5cm, width 15.5cm ÂŁ5000 - 7000

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378

381

A PORTRAIT MINIATURE OF A GIRL IN 18th CENTURY DRESS, oval, watercolour on ivory, in a yellow metal frame with blue glass foil-backed reverse centred by a monogram; together with a 19th century portrait miniature of a gentleman in high collar, in a fitted blue velvet case. First: 6.5cm by 5.5cm £100 - 150

379

A PAIR OF EARLY 20TH CENTURY PORTRAIT MINIATURES, of ladies in 18th Century dress, each signed Renoir, in ebonised frames with applied brass acorn crest. Overall 15.5cm by 13cm £300 - 400

380

A MOTHER-OF-PEARL AND LACE FAN, in a Duvelleroy box. Spread 50cm £100 - 150

46

381

A MOTHER OF PEARL AND PAINTED SILK FAN, painted with vignettes of figures in 18th Century dress and buildings, indistinctly signed, in a Duvelleroy box. Spread 46.5cm £100 - 150

382

A MOTHER OF PEARL AND LACE FAN, with applied gilt details, in an Ernest Kees box. Spread 51.5cm £100 - 150

383

A MID-19th CENTURY PAPIERMACHE SNUFF BOX, of circular form, the cover painted with a young girl wearing a shawl. Diameter 8.5cm £50 - 70

384

A LATE 19th/EARLY 20th CENTURY SILVER AND CHAMPLEVE ENAMEL CIGARETTE CASE IN THE RUSSIAN TASTE, decorated in polychrome flowers and scrolls, stamped mark.

7.2cm by 5.5cm £150 - 250

385

387

A LATE 19TH CENTURY SILVERMOUNTED IVORY PAGE TURNER AND THREE IVORY LETTER OPENERS, the Continental page turner with silver mount stamped 800; the three letter openers of similar date, one with silver-plated mounts, another gilt-metal. (4) First 31.5cm £100 - 150

386

A LARGE QUANTITY OF CHINESE MOTHER OF PEARL GAMING TOKENS, of varying shapes, engraved with flowers, figures, some with monogram, approximately 150 pieces. £100 - 150

387

A LARGE CHINESE POLYCHROME AND GILTWOOD FIGURE OF A SEATED WARRIOR, depicted clad in armour, a tiger at his feet, on a square plinth. Height 40cm £200 - 300

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388

A LADY’S PIQUE WORK TORTOISESHELL PURSE INSET WITH A WATCH, LATE 19th CENTURY, of shaped rectangular form, the cover inlaid with grapes and flowers and centred by a small watch face, the reverse inset with a silver monogrammed escutcheon, with blue silk lined interior and with watch key.

Length 9cm £600 - 800

389

392

A JAPANESE ENAMEL BOX, EARLY 20th CENTURY, in red and gilt enamel, the hinged cover inset with a carved circular plaque, probably jade, stamped to the interior “Made in Japan” and “Yamanaka & Company”. 5.25cm by 10.5cm by 8.5cm. Note: Yamanaka & Co. was founded around 1900 and was a retailer of high quality Oriental objects with offices in New Bond Street, London, New York, Peking and Osaka. £100 - 150

A JAPANESE IVORY OKIMONO, MEIJI PERIOD, the figure carved from one piece as a man holding a crab aloft from a piece of bamboo, on a wooden stand. Overall 17.5cm £100 - 150

A GEORGE III VINAIGRETTE, gold mounted (unmarked) agate, the grille pierced to depict sprigs of foliage.

32mm by 25mm £300 - 500

390

A JAPANESE IVORY OKIMONO, MEIJI PERIOD, carved as lions and an elephant, on a wooden stand. Overall 23cm wide £250 - 350

391

A JAPANESE IVORY ELEPHANT BRIDGE, MEIJI PERIOD, with five graduated carved elephants, set in wooden stand. 22cm £80 - 120

397

393

A GEORGE V 9 CARAT GOLD CIGARETTE CASE, London 1928, presentation inscription to the interior, monogrammed and engine turned.

8.5cm by 8cm, 92 grams £800 - 1200

394

A GEORGE III WHITE METAL MOUNTED COWRIE SHELL SNUFF, c. 1800, the hinged cover and mount with engraved border and centred by a monogram. 8cm £80 - 120 392

396

395

A GEORGE III VINAIGRETTE, gold mounted (unmarked) brown agate, with suspension loop, with simple pierced grille. Overall 30mm by 20mm £150 - 250

A GEORGE III SILVER-MOUNTED LEATHER TABLE SNUFF BOX, c. 1790, of oval form, the hinged cover with a silver escutcheon engraved with a crest and with silver lip. Length 12cm £100 - 150

398

A GEORGE III IVORY TOOTHPICK BOX, c. 1800, of rectangular form, the hinged cover inset with a portrait silhouette of a gentleman, fitted to the interior with a mirror. Width 6cm £100 - 150

399

A GEORGE III GOLD-MOUNTED IVORY TOOTHPICK BOX, of navette form, the part-hinged cover with a conforming escutcheon. Length 8.5cm £100 - 150

400

A FIRST WORLD WAR SWEETHEART CUSHION, of star shape, elaborately decorated with coloured beads, printed portrait miniatures, badges and mottoes. Diameter 40cm £60 - 80

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401

A FINE LATE VICTORIAN GENTLEMAN’S CANE, with yellow metal handle, chased with scrolls, presentation inscription dated 1900, stamped 18CT GP. 81cm £700 - 900

402

A CONTINENTAL SINGING BIRD AUTOMATON, 19th CENTURY, the gilt-metal box engraved with bands of laurel and mounted with stylised flowerheads, the top with a hinged musical trophy opening to a multicoloured turning and tweeting bird over a scroll-cast grille, in its original fitted case with bird-form key and remains of Venetian dealer’s paper label. Width 10.25cm £2000 - 3000

401

402

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403

A CONTINENTAL SILVER-INLAID TORTOISESHELL SNUFF BOX, LATE 18th/EARLY 19th CENTURY, of rectangular form with bowed ends, the top inlaid with a battle scene of mounted and foot soldiers discharging muskets, the gilt-metal sides fitted with twin circular swing-out compartments.

Length 10cm £2500 - 3500

404

A CONTINENTAL GILT-METAL MOUNTED WOODEN BOX, EARLY 19th CENTURY, probably French, circular, the cover inset with a lozenge shaped glazed painted panel of putti flanking a flaming urn, with gilt metal mounts and rim. Diameter 9.25cm £200 - 300

405

403

A CONTINENTAL CAST GILT-METAL SNUFF BOX, SECOND HALF OF THE 18th CENTURY, of rectangular form, the cover decorated with a vignette of a girl en deshabille with her maid, flanked by a pair of portrait busts, the sides with shells, scrolls and flowers.

Width 7.5cm £100 - 150

406

A COLLECTION OF VICTORIAN MOTHER-OF-PEARL OBJECTS, comprising obelisk thermometer, etui and a small jewel box. (3) Thermometer 20cm high £100 - 150

407

A COLLECTION OF TEN 19TH CENTURY AND LATER FANS, including carved ivory, hand painted and printed examples. (10) £200 - 300

408

A CHINESE RED CINNABAR LACQUER STYLE BOX AND COVER, of lobed pentafoil section, the sides decorated with hanging leafage.

12.5cm wide £120 - 180

409

A CHINESE EXPORT LACQUER FAN, LATE 19th CENTURY, of twenty-three sticks including guards, decorated with three cartouches of buildings in landscapes in gilt black and red, in an associated gilt-decorated case.

Length 20cm £60 - 80

410

A CHINESE EXPORT IVORY DRESSING TABLE SET, comprising a pair of brushes and a hand mirror, each decorated with foliate carving, 19th Century. (3) Each 25cm £150 - 250

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411

A CHINESE EXPORT IVORY CHESS SET, CIRCA 1900, in natural ivory and stained red, the figures in traditional Chinese dress on puzzle ball and stepped circular bases, the rooks as elephants, two pieces a/f. Tallest 17.5cm £100 - 150

412

A CHINESE CARVED WOOD FIGURE OF GUANYIN, probably 19th Century, with high foliate headdress and one leg raised up in “rajalilasana”. 28cm high £200 - 300

413

A CHINESE CARVED MODEL OF A HORSE, on a wooden stand, probably 19th Century. Overall length 14cm £100 - 150

416

415

A CHINESE CARVED BAMBOO FIGURE GROUP, probably 19th Century. 32cm £200 - 300

416

A CARVED JADE FIGURE OF A SEATED BUDDHA, modelled with a cup in his left hand, on a hardwood stand. 7.5cm by 13cm (exc. stand) £250 - 350

417

414

A CHINESE CARVED CORAL PLAQUE, suspending on fabric cord with carved green bead. Weight 13.5 grams. £700 - 900

50

A CARVED JADE CENSER AND COVER, the cover with zoomorphic knop and ring handles, the censer with mask ring handles, raised on three paw feet. 19.5cm £200 - 300

418

A BONE AND PRINTED FAN, with gilt framed mirror to the guard, numbered 5214 and initialled B.L.D. Spread 45.5cm £100 - 150

419

A 9 CARAT GOLD SNUFF OR PILL BOX, of rounded rectangular form, chased with naturalistic decoration in the Oriental taste, hallmarked for 1973.

27.8 grams £200 - 300

420

A 19th CENTURY YELLOW AND WHITE METAL PIQUE WORK BLONDE TORTOISESHELL SNUFF BOX, PROBABLY FRENCH, of rectangular form, the hinged cover centred by an inlaid bird and floral spray, with amber clasp, in a gilt-tooled, velvet-lined leather case. Width of box 8.5cm £1000 - 1500

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421

A 19TH CENTURY TORTOISESHELL HANDLED AND GOLD MOUNTED BUTTON HOOK AND NAIL FILE, each with inset armorial and motto TO MNIEY BOLI. 17cm £200 - 300

422

A 19TH CENTURY RUSSIAN SILVER GILT AND CLOISONNE ENAMEL BELT BUCKLE, the two pieces united by a dagger fastening, stamped marks.

7.5cm by 6cm £200 - 300

423

A 19TH CENTURY IVORY WHISTLE, carved in the form of a hound’s head, (lacking an eye). 82mm £100 - 150

424

420

A 19TH CENTURY INDO-PERSIAN NIELLO WORK GOBLET AND COVER, decorated with foliage; together with A ‘CHRYSANTHEMUM’ CARVED HORN SWEETMEAT DISH, raised on a Niello work stand. (2) Goblet 17cm £80 - 120

422 Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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misCellAneOUs 425

A 20TH CENTURY TURKMENISTAN FEMALE BRIDAL HEADDRESS MUTZE, decorated with traditional ornaments, raised on an ebonised wooden stand. Overall height 60cm £80 - 120

426

A COIN-OPERATED GILTWOOD AND GILT-METAL SINGING BIRD AUTOMATON, the domed cage enclosing two birds, in coloured feathers, moving and tweeting, mounted on a case carved with grapes and acanthus enclosing a musical movement and fitted with a coin drawer. Including handle 68cm £800 - 1200

427

A KAMMER & REINHARDT CELLULOID DOLL, no. 406/34, with jointed body. 35cm £70 - 90

428

A LARGE CANVAS BACKED MAP, PLAN OF COTTONHOPE, A Stock Farm in the Parish of Elsdon, belonging to Robert De Lisle Esq, Robert Tate Surveyor, 1809; together with other antique maps and indentures. £600 - 800

429

A PAIR OF CHINESE WOODEN WALL CARVINGS, with figures in a foliate background. 28.5cm £80 - 120

430

A SET OF ELEVEN AEOLIAN PITCH PIPES, SECOND QUARTER 19th CENTURY, each stamped “T. Walker Inventor”, in a leather-mounted card case. Width of case; 6.75cm £70 - 90 52

426

431

A SMALL MUSICAL BOX MOVEMENT, c. 1900, with cylinder and comb stamped “F. Nicole”. Length 8.5cm £50 - 80

432

A TEMPERANCE SOCIETY MEDALLION, with declaration to one side and banner with motto to the other, 19th Century, in a gilt metal pendant mount, 44mm; together with an early 19th Century Reward of Merit token. (2) £60 - 80

433

A WAX HEAD DOLL, dressed with bonnet and coral necklace. Overall 70cm £80 - 120

434

A WAX HEAD DOLL, dressed with head band and chintz dress. Overall 63cm £80 - 120

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435

AN ARMAND MARSEILLE BISQUE HEAD DOLL, no. 370, with lace dress.

Overall 41cm £50 - 80

436

EARLY 20TH CENTURY JAPANESE SILK EMBROIDERY, H. Imamura, Embroiderer, Nagasaki, centred with an oval medallion below the words IN MEMORY OF MY CRUISE IN CHINA AND JAPAN, with flags of various nations either side. Silk 52cm by 43cm £100 - 200

437

ROYAL MEMORABILIA: A RARE SEATING CUSHION, for the Coronation of King George VI and Queen Elizabeth, dated May, 12th, 1937. 38cm by 23cm

BOOKs 441

LEWIS (SAMUEL PUB.) A MAP OF ENGLAND & WALES Divided into Counties, Parliamentary Divisions & Dioceses shewing the Principal Roads, Railways, Rivers & Canals.., four orig. divisions, folding map, sectionalised onto linen on four separate sheets, engraved by J. Dower after R. Creighton. £300 - 400

442

TENNYSON (ALFRED LORD), MORTE D’ARTHUR, pub. Chatto & Windus 1912, illuminated by Alberto Sangorski. £50 - 100

BrOnZes And sCUlPTUre 443

A SINO-TIBETAN PATINATED BRONZE GROUP OF DZAMBHALA AND CONSORT, 20th century, in characteristic pose, on a stepped integral plinth. 20cm £100 - 150

444

A GILT-BRONZE FIGURE OF THE BUDDHA, POSSIBLY TIBETAN, modelled astride an ox, and with attendant figure, mounted with turquoise beads, on an integral oval base. 18cm £2500 - 3500

*Keith, Prowse & Co. hired part of the Dickens and Jones store, Regent Street, to view the Royal Procession which stretched for six miles. £80 - 120

438

A HAND-PAINTED THANGKA, WHEEL OF LIFE, Tibetan, late 19th or early 20th Century. 83cm by 69cm £150 - 250

439

A HAND-PAINTED THANGKA, BUDDHA WITH CONSORT, Tibetan, late 19th or early 20th Century. 117cm by 70cm £150 - 250

440

A HAND-PAINTED THANGKA, CHENREZIG, Tibetan, late 19th or early 20th Century. 97cm by 61cm £120 - 180 444 Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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451

454

452

455

GOVINDER NAZRAN (BRITISH, 19642008), SPOOKS, limited edition sculpture of cats, no. 341/395, with certificate. 46.5cm by 30cm £150 - 250

445

AN ITALIAN CARVED PINE FIGURE OF A PUTTO, c. 1800, modelled carrying a torch in his right hand, the left hand outstretched. 45cm £300 - 500

446

A LATE 19th CENTURY ALABASTER FIGURE OF RUTH, modelled carrying a wheatsheaf, on a stepped circular base, unsigned. 64cm £100 - 150

447

A SINO-TIBETAN BRONZE GROUP OF DORJE SEMPER WITH CONSORT, 20th century, in characteristic pose, on a shaped oval integral plinth. 19cm £80 - 120

A 19th CENTURY CARVED MARBLE FIGURE OF THE PROPHET NATHAN, modelled standing, a scroll in his right hand (a/f ). 47cm £80 - 120

453

A CHINESE INLAID BRONZE CENSER, on a tripod base, inlaid with silver wire, with handles of Ding type and with domed pierced cover. Height 16cm £100 - 150

A SINO-TIBETAN PATINATED METAL FIGURE OF DORJE CHANG WITH CONSORT, probably late 19th/early 20th century, weighted, on an integral plinth. 17.5cm £80 - 120

NORTHERN EUROPEAN SCHOOL, EARLY 20th CENTURY, A WALNUT CARVING OF THE MADONNA AND CHILD, she in flowing robes, he holding the orb of the world, designed for hanging. 47cm £200 - 300

448

NORTHERN EUROPEAN SCHOOL, A GILTWOOD FIGURE OF A BEARDED FIGURE IN CLASSICAL DRAPERIES, (losses). 28cm £80 - 120

449

AFTER AUGUSTE MOREAU, A SPELTER FIGURAL LAMP, c. 1900, modelled as a girl in flowing draperies with hands held aloft, mounted on a rouge marble base (a/f ), lacking light fitting. Overall 88m £50 - 70

450

A PATINATED METAL FIGURE OF CHENRESIG (BUDDHA OF COMPASSION), PROBABLY TIBETAN, 20th century, on an integral plinth. 17cm £30 - 50 54

451

453

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463

A PAIR OF FRENCH GILT BRONZE PENDANT CEILING LIGHTS, 19TH CENTURY, with faceted bell-shaped glass shades and acanthus cast mounts.

Length of drop approximately 34cm £100 - 200

464

A SINO-TIBETAN FIGURE OF VAJRA YOGI, probably 19th century, on a cloud-cast integral plinth (damage to ankle). 22cm £80 - 120

460 456

EUMENE BARATTA (ITALIAN, 182798), MARBLE BUST OF A GIRL IN A SCARF, signed verso and inscribed “Carrara”, on a marble socle. Height overall 38cm £250 - 350

A SINO-TIBETAN FIGURE OF MAHAKALA, probably late 19th/early 20th century, in characteristic pose, on an integral plinth. 27cm £300 - 500

465

AN INDIAN PATINATED BRONZE FIGURE OF A BUDDHIST DEITY, probably late 19th/early 20th century, with elephant-cast base. 24cm £60 - 80

457

AN ORIENTAL BRONZE KETTLE, of cylindrical form, decorated with bands of dragons and fish, the shallow domed cover with scroll-cast knop.

Height 21cm £100 - 150

458

A CHINESE PATINATED METAL AND PARCEL-GILT FIGURE OF NAMGYALMA, 20th century. 21cm £60 - 80

459

A COLD PAINTED BRONZE FIGURE OF A RACEHORSE WITH JOCKEY, in red and yellow silks, astride, circa 1900, probably Austrian, unsigned.

15.5cm high £120 - 180

461

AFTER CHRISTOPHE FRATIN (18001864), BULL AND COW, A PATINATED BRONZE GROUP, the bull modelled standing, on an oval naturalistic base, signed. 22.5cm by 32.5cm £200 - 300

462

A JAPANESE BRONZE BOWL, MEIJI PERIOD, with encircling dragon in high relief, on a wooden stand. Width overall 23cm £80 - 120

466

A CHINESE BRONZE FIGURE GROUP OF QUAN YIN, cast with child and wearing flowing robes. 39cm £400 - 600

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467

AFTER ALFRED BARYE (1839-1882), WILLIAM TELL, A PATINATED BRONZE FIGURE, on an integral socle, signed and bearing Expositions stamp. 36cm £100 - 150

468

A TIBETAN BRONZE TRIGUG OR CEREMONIAL AXE, probably late 19th/early 20th century, cast with masks and bird head. 49cm £100 - 150

469

A CHINESE BRONZE FIGURE OF A SAGE, 19th Century, cast standing on a naturalistic base. 32cm £400 - 600

470 467

A JAPANESE PATINATED BRONZE FIGURE OF A DEITY, probably early 20th century, in ferocious pose, with swirling draperies, on a naturalistic base. 26cm £200 - 300

471

A SMALL SINO-TIBETAN PATINATED GREEN BRONZE FIGURE GROUP OF DORJE SEMPER AND CONSORT, 20th century, in characteristic pose. 10.5cm £30 - 50

469

56

472

RISCHMANN, A PAIR OF ART DECO SILVERED BRONZE BOOKENDS, modelled as two crested birds perched on a branch, raised on patinated bronze bases, each base signed RISCHMANN FRANCE. 13.5cm high £300 - 500

473

AFTER ADOLPHE JEAN LAVERGNE (FRENCH, 1863-1928), “PECHEUR”, a patinated bronze of a boy fishing, signed to the base and bearing attributory label. 18cm £60 - 80

474

A GREEN PATINATED BRONZE MODEL OF A CHEETAH, stalking, on a naturalistic alabaster base, indistinctly signed. Length overall 24cm £60 - 80

475

AN UNUSUAL PAIR OF 19TH CENTURY BRONZE BRACKETS, each lion mask cast issuing three scrolling arms. 56cm. £100 - 150

476

GRAND TOUR SCHOOL, 19th CENTURY, A GREEN SERPENTINE MODEL OF A SEATED MOLOSSIAN HOUND, after the Antique, on an integral rectangular base with cut-off corners. 16cm £80 - 120

472

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PrinTs

481

477

TOM CARR (1912-1977), “THE WHIPPER-IN” AND “ACROSS THE ROAD”, two coloured etchings, nos.

50/75 and 7/75, each signed and titled in pencil in the margin, framed. (2) Plate 25.5cm by 30cm and 25.5cm by 38cm £100 - 150

478

TOM CARR (1912-1977), “THE HAWKSTONE OTTER HOUNDS”, signed and numbered 205/300 in pencil in the margin lower right, limited edition print, pub. The Sporting Gallery Limited, June 1972, framed. 35cm by 48cm £60 - 90

479

STEPHEN WHITTLE, BRITISH STEEL CHALLENGE, signed, titled and numbered 31/250 in pencil, coloured etching, framed with certificate verso.

Plate 51.5cm by 46cm £100 - 200

480

SPENCER HODGE (BORN 1943), TIGERS, signed and numbered 7/250 in pencil, silkscreen print, framed with certificate verso. 39cm by 122cm £200 - 300

486

SPENCER HODGE (BORN 1943), LION CUBS, signed and numbered 7/250 in pencil, silkscreen print, framed with certificate verso. 39cm by 122cm £200 - 300

482

SIR PETER BLAKE (BORN 1932), MONROE NO. 1, signed in pencil, no. 90/175, screenprint, framed.

66cm by 45cm This lot is subject to ARR. £1000 - 1500

483

SARAH CHURCHILL, SIR WINSTON CHURCHILL, signed, artists proof, framed. Plate 30cm by 22cm £100 - 150

484

SALVADOR DALI (1904-1989), NUDE, signed in pencil, no. 14/250, print, framed. 54.5cm by 35cm £300 - 500

485

ROBERT HAINARD (1906-1999), “THE PINNACLES, STAPLE, FARNE ISLANDS, no. 41/70, woodblock print, signed in pencil, framed. Sheet 48.5cm by 37.5cm Provenance: The Tryon Gallery Ltd, 41/42 Dover Street, London. £100 - 200

484

486

LAURENCE STEPHEN LOWRY (18871976), ST. MARY’S, BERWICK, signed in pencil, no. 177/500, monochrome print, very well framed. Sheet 28.5cm by 38.5cm This lot is subject to ARR. £1500 - 2500

487

LAURENCE STEPHEN LOWRY (18871976), GREAT ANCOATS STREET, signed in pencil, no. 822/850, monochrome print, very well framed.

Sheet 28cm by 38cm This lot is subject to ARR. £1500 - 2500

487

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488

LAURENCE STEPHEN LOWRY (18871976), BRITAIN AT PLAY, print, signed in pencil, FATG blindstamp, framed.

Sheet 47cm by 61cm This lot is subject to ARR. £1000 - 1500

489

JOHN BRUNSDEN (1933-2014), STONEHENGE, signed, titled and numbered 1/10 in pencil, artist proof, framed. Plate 45cm by 59.5cm £120 - 180

490

GOVINDER NAZRAN (BRITISH, 19642008), THE SHINING SINNERS, signed and numbered 425/795, lithograph, framed. Image 24cm by 77.5cm £100 - 200

488

496

BERYL COOK (1926-2008), PERCY AT THE FRIDGE, signed in pencil, no.

252/300, lithograph, framed. Image 54.5cm by 43cm £100 - 200

491

GOVINDER NAZRAN (BRITISH, 19642008), LONDON PUSSY, signed and numbered 45/195, giclée on board, framed. 49cm by 110.5cm £150 - 250

492

GOVINDER NAZRAN (BRITISH, 19642008), LONDON PUSSY, signed and numbered 22/195, giclée print, framed.

49cm by 110cm £200 - 300

497

495

CHARLES BARTLETT (1921-2014), “TUGS”, no. 29/60, signed and titled in pencil in the margin, aquatint, framed.

Plate 30.5cm by 43cm £150 - 250

493

GOVINDER NAZRAN (BRITISH, 19642008), BRIMSTONE AND TREACLE, signed, titled and numbered 93/195, silkscreen, framed. Sheet 107cm by 85cm £300 - 500

58

498

AFTER LOUIS WAIN, “THE TOM CAT FIRE BRIGADE”, verse with hand coloured illustration, framed. 28cm by 22.5cm £50 - 100

499

494

CHARLES BARTLETT (1921-2014), “WATERLOO BRIDGE”, no. 41/60, signed and titled in pencil in the margin, aquatint, framed. Plate 38cm by 48cm £150 - 250

BERYL COOK (1926-2008), “DANCING ON THE Q.E. 2”, signed, titled and numbered 215/300 in pencil, lithograph, framed. 76cm by 68cm £600 - 800

AFTER EIZAN (1787-1867), WOOD BLOCK PRINT OF MOTHER AND DAUGHTER, signed, framed. 37.5cm by 25cm £80 - 120 497

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wATerCOlOUrs And drAwings 500

RONALD SEARLE (1920-2011), HEAVENLY SONG, SKETCH OF AN ANGEL, signed lower left, pen and ink, framed. 5.5cm by 12.5cm This lot is subject to ARR. Provenance: Chris Beetles Ltd Illustrated: St. Trinian’s, Requiescat in Pace, Lilliput, October-November 1953, page 9.

Exhibited: Ronald Searle, Nunnington Hall, July-September 2007, no. 3 £1500 - 2500

500

501

503

502

504

TOM CARR (1912-1977), HUNTSMAN AND HOUNDS, PROBABLY THE ZETLAND, signed and dated 1951 lower right, watercolour, framed.

35cm by 51cm £600 - 800

DOROTHY MARGARET & ELIZABETH MARY ALDERSON (1900-1992) (1900-1988), HARVEST SCENE, signed and dated 1969 lower right, watercolour, framed. 55cm by 74cm £400 - 600

HARDEN SIDNEY MELVILLE (ACT. 1837-1881), PLOUGHING WITH HORSES, signed lower left, watercolour, framed. 27cm by 36.5cm £100 - 150

ETHEL SOPHIA CHEESWRIGHT (1874-1977), SARK COASTAL SCENE, signed lower right, watercolour, framed. 32.5cm by 52cm £100 - 200

501

505

ALEXANDER P. THOMSON (SCOTTISH, 20TH CENTURY), “LOCH TORRIDON”, ROSS-SHIRE, signed lower right, watercolour, framed. 36cm by 54cm £300 - 500

503

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506

506

ELIZABETH MARY ALDERSON (1900-1988), HURWORTH HUNT, signed lower right, watercolour, framed with inset verse titled The Old Home. Watercolour 17.5cm by 25cm £250 - 350

507

507

THOMAS SIDNEY COOPER (1803-1902), CATTLE AND SHEEP IN LANDSCAPE, signed lower left, numbered 874 lower right, watercolour, framed. 34cm by 49cm £500 - 700

508

JOHN ATKINSON (1863-1924), TRAVELLERS NEAR APPLEBY HORSE FAIR, signed lower right, watercolour, framed. 27cm by 37.5cm £300 - 500

509

GEOFFREY H. ROBINSON, STILL LIFE - FLOWERS IN A CHINESE VASE, DRESSING TABLE MIRROR AND TWO BOOKS WITH A PAINTING BEHIND, signed and dated (19)90 lower right, watercolour, framed. 45cm by 37cm £100 - 150 508

510

JOHN CLAYTON ADAMS (1840-1906), SHEPHERD AND HIS FLOCK, A PAIR, each signed, watercolours, framed. 36cm by 52cm £300 - 500

510 60

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511

JOHN MACKIE (SCOTTISH, BORN 1953), MOTHER AND CHILD, signed and dated lower right, pastel, framed.

48cm by 63cm £100 - 200

512

PETER ALLIS (BORN 1944), CRUMMOCK WATER, signed lower centre, watercolour and gouache, framed. 50.5cm by 74cm £300 - 500

513

POLLY ROCKBERGER (BORN 1950), “IN THE MARQUEE, CHELSEA FLOWER SHOW”, signed, inscribed “Chelsea” and dated (19)92, pen ink and watercolour, framed.

512

Provenance: Exhibited Chris Beetles, 10th20th November 1992, no. 42. £50 - 100

514

CHARLES RICHARDSON, HARVESTERS, signed and dated 1889 lower right, watercolour, framed. 38cm by 55cm £100 - 150

515

GEORGE ADOLPHUS STOREY (1834-1919), SANDWICH, KENT, monogrammed lower left, watercolour, Stone Gallery label verso, framed. 20cm by 29.5cm £200 - 300

516

JOHN MACKIE (SCOTTISH, BORN 1953), BATH, signed and dated lower left, pastel, framed. 38.5cm by 48cm £100 - 200

517

JOHN HILL, THE FEAST OF THE LAUREL BEARING, signed and dated 1926 lower right, watercolour, framed.

33cm by 54cm £200 - 300

518

CIRCLE OF EUGENE JOSEPH VERBOECKHOVEN (FLEMISH, 1799-1881), STUDY OF SHEEP IN A LANDSCAPE AND STUDY OF PEASANT CHILDREN AND DONKEY VERSO, indistinctly inscribed, brown pen and ink, framed. 9.5cm by 15.5cm £100 - 200

515

519

GEORGE ADOLPHUS STOREY (18341919), POND AT HAMPSTEAD, unsigned, watercolour, Stone Gallery label verso, framed. 14cm by 23cm £150 - 250

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520

ATTRIBUTED TO LAURENCE STEPHEN LOWRY (1887-1976), FIVE INK SKETCHES ONTO SKETCH BOOK LEAVES, (one double sided), various scenes, each bear either initials or signature and dated 1949, unframed. 19cm by 28cm £2000 - 3000

62

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TW004 Listing.qxp_Layout 1 09/02/2018 12:22 Page 63

521

522

HENRY TURNER MUNNS (1832-1898), BOYS FISHING OFF THE BEACH BOARDS, signed and dated 1875 lower right, watercolour heightened with white, framed. 33cm by 51.5cm £400 - 600

522

ERNEST WILLIAM HASLEHURST (1866-1949), CONTINENTAL RIVER SCENE, POSSIBLY BRUGES, signed lower right, watercolour, framed. 39cm by 51cm £250 - 350

523

JAMES BURRAS (EXH. 1882), SKELWITH FORCE, signed and dated 1885 lower right, watercolour, framed.

51.5cm by 36.5cm £100 - 150

524

JAMES BURRAS (EXH. 1882), LAKELAND LANDSCAPE, signed and dated 1885 lower right, watercolour, framed. 36cm by 53.5cm £100 - 150

525

530

526

531

DUTCH SCHOOL (19TH CENTURY), SHEPHERD AND HIS FLOCK, signed lower left Hoedt?, watercolour, Fine Art Society label verso, framed. 28cm by 37.5cm £120 - 180

ITALIAN SCHOOL (19TH CENTURY), COTTAGES AND PEASANT WOMEN, initialled and dated (18)98 lower left, watercolour, framed. 29cm by 22cm £80 - 120

527

ATTRIBUTED TO HENRY JOHN SYLVESTER STANNARD (1870-1951), FEEDING TIME, unsigned, watercolour, framed. 24.5cm by 35cm £150 - 250

528

ALDO RAIMONDI (ITALIAN, 19021998), PIAZZA, signed and dated 1931 lower right, watercolour, framed.

33cm by 50.5cm £150 - 250

529

KANO SCHOOL, COCKEREL STANDING ON ONE LEG, signed, watercolour, framed. 26cm by 39cm £100 - 150

528

JOHN CUTHBERT SALMON (18441917), MOTHER AND CHILDREN IN A HARVESTED FIELD, signed with monogram lower left, dated 1870, watercolour, framed. 25.5cm by 37cm £150 - 250

WILLIAM CRUIKSHANK (1848-1922), STILL LIFE OF A BIRDS NEST WITH EGGS AND DEAD GREENFINCH, a pair, oval, each signed, watercolours, in gilt frames. 17cm by 24.5cm £250 - 350

532

HENRY MARRIOT PAGET, FIGURES IN A TEMPLE, initialled lower right, monochromatic study, possibly an illustration, 23cm by 17cm; together with a watercolour sketch of a figure with a horse and cart. (2) £100 - 150

533

CHARLES EDWIN BALDOCK (1876CIRCA 1941), HUNTED FOX, signed lower left, inscribed with verse verso, watercolour, framed. 11cm by 16cm £80 - 120

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Oil PAinTings

535

534

MANNER OF GUIDO RENI (1575-1642), PORTRAIT OF BEATRICE CENCI, oil on canvas, framed and mounted. 30.5cm by 24cm £50 - 100

535

TERENCE CLARKE (BORN 1953), “GARLIC POTS”, signed lower right, signed verso and dated (19)98, acrylic on canvas, framed. 35cm by 34.5cm Provenance: Thompson’s Gallery, 18 Dover Street, London, stock no. 1773. £200 - 300

536

ADRIENNE LESTER (1870-1950), KITTENS IN A BASKET, signed lower right, oil on canvas, framed. 40cm by 55cm £300 - 500

536

539

537

JOHN DODDY WALKER (1863-1925), MILLGATE, RICHMOND, NORTH YORKSHIRE, signed and dated 1900 lower left, oil on board, framed. 55cm by 37.5cm £400 - 600

538

ANDREW KENNEDY, MAIDSTONE ON THE RIVER MEDWAY, signed lower left, oil on canvas, framed. 50.5cm by 60cm £100 - 150

ROBERT BOYES, ST. CUTHBERT’S CHURCH, DARLINGTON, signed and dated 1894 lower right, oil on canvas, framed. 60cm by 44.5cm £100 - 200

ATTRIBUTED TO CLEMENT BURLISON (1815-1899), ITALIAN LANDSCAPE, unsigned, inscribed to old label verso, oil on canvas laid on board, framed.

38.5cm by 89cm £300 - 500

540

541

J*** S*** KITCHEN, CATTLE AND FIGURES BESIDE THATCHED DWELLINGS, signed lower right, oil on canvas, framed. 24.5cm by 29.5cm £100 - 150

542

MANNER OF WILLEM VAN DE VELDE, VESSELS CLOSE HAULED IN A STRONG BREEZE, bears initials BH and date 84 lower left, oil on board, framed.

59cm by 43cm £200 - 300 538 64

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543

LYNNE JOHNSTONE, POPPY PALS, signed lower left, oil on canvas, framed under glass. 28.5cm by 28.5cm £200 - 300

545

545 544

ATTRIBUTED TO WILLIAM EDWARD FROST (1810-1877), FEMALE BATHERS, bears inscription verso, oil on panel, framed under glass. 18.5cm by 13.5cm £400 - 600

ATTRIBUTED TO GEORGE HENRY HARLOW (1787-1819), PORTRAIT OF A YOUNG LADY WITH ROSES IN HER HAIR, oval, oil on panel, in a gilt framed with inscribed plaque. 23cm by 19.5cm £800 - 1200

546

GEORGE HANN (1900-1979), PARISIAN STREET SCENE, signed lower left, oil on canvas, framed.

51cm by 61cm £150 - 250

547

WILSON HEPPLE (1854-1937), A KITTEN WATCHING THE RAIN THROUGH A WINDOW, signed and dated 189(8)?, oil on canvas, framed.

34.5cm by 50cm £200 - 300

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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548

550

NORMAN A. OLLEY, SAILING BARGES ON THE MEDWAY, signed and dated 1984 lower left, oil on board, framed.

34cm by 44.5cm, £50 - 100

549

W*** H*** KNIGHT, TWO DOGS IN A LANDSCAPE, signed lower right, oil on board, unframed. 28cm by 40.5cm £100 - 200

550

553

CHARLES EDWIN BALDOCK (1876C.1941), PONY AND TERRIER, signed and dated 1906 lower left, oil on canvas, framed. 39.5cm by 49.5cm. £200 - 300

551

HEINRICH BRELING (GERMAN, 18491914), A WELCOME BREAK, a cavalryman drinking outside a tavern, signed upper right, oil on panel, framed. 12cm by 10cm £300 - 500

552

CHARLES GREGORY (1847-1920), HARBOUR AND TOWN, signed and dated 1883? lower left, oil on canvas, framed. 24.5cm by 39.5cm £150 - 250

553

ENGLISH SCHOOL (19TH CENTURY), STUDY OF TWO DOGS, unsigned, oil on board, framed. 29.5cm by 39.5cm £200 - 300

551 66

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554

19TH CENTURY SCHOOL, PORTRAIT OF A BLACKSMITH, unsigned, oil on canvas, framed. 74.5cm by 62cm £400 - 600

555

JOHN VALENTINE, A TROUBLE SHARED, signed lower right, oil on board, framed. 55cm by 45cm £50 - 100

556

ATTRIBUTED TO GEORGE MORLAND (1763-1804), PIGS IN YARD, bears inscription verso, oil on canvas, framed.

52cm by 60cm £800 - 1200

557

TURNER TAYLOR (19TH/20TH CENTURY), OLD MILL AMBLESIDE, signed and dated 1886 lower right, oil on canvas, inscribed on the frame slip.

59cm by 44cm £100 - 150

554

556 Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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561

566

562

567

STEPHEN DENISON (1909-1965), OLD THIRSK, signed upper right, oil on canvas, framed. 50cm by 60cm £100 - 200

SIDNEY YATES JOHNSON (ACT. 18901926), FISHERMAN ON THE BANKS OF A RIVER, signed with monogram lower right, oil on canvas, framed.

30cm by 44cm £200 - 300

558

SANDY MCINTOSH (BORN 1971), “TEA CEREMONY WITH TULIPS”, signed lower right, mixed media, framed under glass. 39cm by 38cm Provenance: Panter & Hall, London. £200 - 300

559

563

BERNARD BENEDICT HEMY (18451913), FISHING BOAT AT THE MOUTH OF THE TYNE, signed lower right, oil on canvas, framed. 49cm by 74cm £500 - 700

564

FRANK THOMAS CARTER (18531934), “ABOVE WYNCH BRIDGE ON THE TEES”, signed lower left, Newcastle-On-Tyne Fine Art Exhibition label verso, oil on canvas, framed.

28.5cm by 49cm £200 - 300

EDWARD ELLIOTT (BORN 1918), BENSON’S CREEK (THAMES) AND FIGURES ON A ROAD THROUGH A VILLAGE, each signed, oils on board, framed. (2) 29.5cm by 115.5cm and 29cm by 90cm £60 - 120

BERNARD BENEDICT HEMY (18451913), FISHING PORT, signed and indistinctly dated lower left, oil on canvas, framed. 49cm by 74cm £300 - 400

ENGLISH SCHOOL (19TH CENTURY), DEER BY A RIVER, signed lower right, oil on canvas, framed. 34cm by 24cm £50 - 70

560

563 68

565

PORTRAIT OF A DOG, signed lower left Brock?, oil on canvas, framed.

43cm by 34.5cm £60 - 120 DAVID GEORGE FAWCETT (19351973), CASTLE AMONGST TREES, oil on canvas, unframed. 71.5cm by 92cm £100 - 150

568

IRISH SCHOOL (19TH CENTURY), CLERGYMAN, monogrammed, oil on board, framed. 25.5cm by 19cm £50 - 80

569

RONY LEONIDAS (HAITIAN, 19462012), BUSY MARKET, signed lower right, oil on canvas, framed. 49cm by 59.5cm £250 - 350

570

AFTER JEAN-MICHEL BASQUIAT, PORTRAIT, bears signature and dated 82, oil on canvas, unframed.

76cm by 61cm £250 - 350

571

ENGLISH SCHOOL, CATTLE IN A CLIFFTOP MEADOW, unsigned, oil on board, framed. 25.5cm by 35.5cm £80 - 120

569

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572

RUGS AND CARPETS 572

A PERSIAN SAROUK RUG OF “AMERICAN” DESIGN, circa 1930’s.

202cm by 131.5cm £200 - 300

573

A PAKISTANI HAND MADE CARPET, of elephants foot design. 366cm by 220cm £250 - 350

574

A TABRIZ CARPET. 295cm by 225cm £150 - 230

575

AN INDO PERSIAN HAND MADE CARPET. 254cm by 244cm £200 - 300

578

573

576

580

577

581

A CHINESE HAND MADE CARPET IN PERSIAN STYLE. 247cm by 360cm £200 - 300

A PERSIAN JOSHAGHAN HAND MADE RUG. 170cm by 108cm £100 - 200

578

A PERSIAN KASHAN HAND MADE CARPET. 450cm by 300cm £300 - 500

579

A KILIM CARPET. 295cm by 155cm £100 - 150

A PERSIAN KERMAN HAND MADE CARPET. 450cm by 300cm £200 - 300

A PAKISTANI HAND MADE PRAYER RUG. 183cm by 130cm £100 - 150

582

A FINE QUM CARPET. 225cm by 140cm £200 - 300

583

A HAMADAN RUNNER. 280cm by 85cm £70 - 100

580

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69

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ClOCKs 584

A BRASS LANTERN CLOCK IN 17TH CENTURY STYLE, probably late 19th/early 20th Century, with French movement striking the top mounted bell. 28cm £100 - 150

585

A FINE FRENCH GILT-METAL AND PORCELAIN MANTEL CLOCK, 19TH CENTURY, the urn surmount with porcelain painted portrait miniature, the circular dial with pink ground and painted with foliage, further inset with seven porcelain panels, case stamped PH Mourey, two-train movement, raised on stands under a glass dome.

Overall 51cm high. £500 - 700

586

A FRENCH GILT-METAL MANTEL CLOCK, 19TH CENTURY, with urn surmount and the figure of a lady in 18th Century dress holding a basket of flowers, the scroll and foliate cast base with inset porcelain plaque, two-train movement. 31cm high. £250 - 350

585

589

A SWEDISH GILTWOOD CARTEL CLOCK, WESTERSTRAND, TOREBODA, 20th century, the enamel dial with Roman numerals and Arabic seconds numerals in a case carved with paired dolphins under a Viking ship surmount, eight-day movement striking on a bell, with key. Height 70cm £200 - 300

587

A FRENCH MARBLE AND PATINATED BRONZE MANTEL CLOCK, LATE 19th CENTURY, surmounted by a figure group of mother and child on a giltmetal mounted fragmentary fluted grey marble column enclosing a white enamel dial with eight-day movement striking on a bell. 59cm £200 - 300

590

588

A JAEGER LECOULTRE ATMOS CLOCK, no. 518533, of classic design in a brass four pillar case, without outer case. 22.5cm high, 18cm wide £500 - 700 70

A VICTORIAN BRASS SKELETON CLOCK, MID 19TH CENTURY, of typical architectural form, single fusee movement, on a marble base, with pendulum and key. 40cm £400 - 600

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591

AN 18TH CENTURY OAK EIGHT-DAY LONGCASE CLOCK, the hood with caddy top, the case with long trunk door and plinth base, the 11-inch square brass dial, signed Barnard/ Newark and numbered 819, with date crescent, with weights and pendulum. Overall 209cm £300 - 400

592

AN EARLY 20TH CENTURY SWISS AUTOMATON CLOCK, the rectangular dial painted with a dancing couple, arched recess at “6” depicting a winged cherub hammering an arrow, indistinctly signed, inscribed verso “I caught him”, on a marble base. 10.5cm high £200 - 300

593

AN EDWARDIAN OAK AND BRASS DESK CLOCK AND BAROMETER, each with white enamel dial, the clock with Roman numerals, in a case carved as twin horseshoes. 16cm by 25.5cm £50 - 70

594 591

THOMAS DICKER, SILCHESTER, AN INLAID WALNUT THIRTY-HOUR LONGCASE CLOCK, the 10-inch square brass dial with silvered chapter and single pointer, the hood with caddy top, the trunk door with cushion moulded edge and star inlay, the panel base with plinth and bun feet. 199cm. £400 - 600

594

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71

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595

595

596

JOHN STEWART, EDINBURGH, A SCOTTISH GEORGE III MAHOGANY EIGHT-DAY LONGCASE CLOCK, the 12-inch break-arch brass dial with silvered Roman chapter, aperture and subsidiary seconds, the hood with fluted columns with Corinthian capitals and swan-neck pediment, the trunk with fluted quarter columns with Corinthian capitals, raised on bracket feet. 220cm. £800 - 1200

596

MANOAH RHODES & SONS LTD, BRADFORD, AN EARLY 20TH CENTURY OAK EIGHT DAY LONGCASE CLOCK OF GOOD QUALITY, the 9-inch square brass dial engraved with scrolls and with Roman numerals, the hood with half barley twist columns, the trunk with plinth base, with weights and pendulum. 180cm. £300 - 500 72

597

597

598

A MAHOGANY CHIMING LONGCASE CLOCK, signed Simcock, Liverpool, adapted to strike the quarter hours on nine bells, the 12¾-inch break-arch brass dial with silvered chapter and subsidiary seconds, third hand date, rolling moon in the arch, the handsome flame mahogany case with quarter reeded columns and panel base. 230cm. £500 - 700

598

THOMAS HUMPHREYS, BARNARD CASTLE, A 19TH CENTURY OAK EIGHT-DAY LONGCASE CLOCK, the 12½inch break-arch painted dial with subsidiary seconds and date, painted in the arch with a landscape vignette, the case with arch-top trunk door and fielded panel base. 215.5cm £300 - 500

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mOUsemAn And YOrKsHire OAK

600

599

COXWOLD CABINET MAKERS A GOLDEN OAK DRESSER AND RACK, the enclosed rack above a base with three frieze drawers and three four-panel doors, carved unicorn signature. 187.5cm by 137cm by 48cm £300 - 500

600

THOMAS WHITTAKER OF LITTLEBECK A GNOMEMAN ADZED OAK BREAKFAST TABLE AND BENCH, the table of refectory form, each with carved gnome signature. Table 76cm by 128.5cm by 59.5cm £500 - 700

601

COLIN ALMACK A BEAVERMAN OAK BOOKCASE CABINET, with sliding glass doors above two pairs of doors, with carved beaver signature. 101cm by 141.5cm by 25.5cm £400 - 600

602

601

ROBERT THOMPSON OF KILBURN A MOUSEMAN OAK COFFEE TABLE, of refectory type, carved mouse signature. 44cm by 91cm by 37cm £300 - 400

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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603

603

ROBERT THOMPSON OF KILBURN A RARE MOUSEMAN OAK HORSESHOE ASHTRAY, with carved mouse signature. 12cm by 12cm £200 - 300

607

604

WILF HUTCHINSON A SQUIRRELMAN ADZED OAK SMALL BOOKCASE, with three open shelves above a pair of sliding doors, with carved squirrel signature. 81cm by 91cm by 26.5cm £400 - 600

605

ROBERT THOMPSON OF KILBURN A MOUSEMAN OAK BREADBOARD, of typical form, carved mouse signature. 30.5cm by 25cm £100 - 150

606

ROBERT THOMPSON OF KILBURN A MOUSEMAN OAK CHEESEBOARD, of characteristic form with carved mouse signature. 39cm £150 - 250

607

ROBERT THOMPSON OF KILBURN A MOUSEMAN OAK DOUBLE DISH TOP STOOL, with adzed top and faceted baluster legs continuing to blocks joined by stretchers, with carved mouse signature. 82cm wide £300 - 500

74

608

ROBERT THOMPSON OF KILBURN A MOUSEMAN OAK NUT BOWL, adzed to exterior, carved mouse signature. 15.5cm wide £100 - 150

609

THOMAS WHITTAKER OF LITTLEBECK A GNOMEMAN OAK ASHTRAY, the heavily adzed hexagonal dish surmounted with carved gnome figural signature. 13cm wide £100 - 150

611

ROBERT THOMPSON OF KILBURN A MOUSEMAN OAK 12-INCH FRUIT BOWL, circular, adzed throughout and with carved mouse signature.

30cm wide £200 - 300

612

ROBERT THOMPSON OF KILBURN A MOUSEMAN OAK CHEESEBOARD, of characteristic form, with carved mouse signature. 38cm £60 - 120

610

THOMAS WHITTAKER OF LITTLEBECK A GNOMEMAN OAK CARVING OF A GNOME, the figure carved holding a stick and standing on an integral square base. 19cm high £100 - 150

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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FUrniTUre

614

A WALNUT CHEVAL MIRROR, with shell crest and bevelled mirror plate.

180cm high. £100 - 200

615

A VICTORIAN WALNUT AND UPHOLSTERED LOVE SEAT, of trefoil outline, raised on scroll carved legs and moving on castors. £200 - 300

616

615

A VICTORIAN MAHOGANY BREAKFRONT BOOKCASE, the upper sections with projecting cornice above four doors with arched top glazing, enclosing adjustable shelves with gilt tooled leather trim, the base with four arch panel doors, raised on a plinth base. 252cm by 242cm by 50cm. £2500 - 3500

613

WILKINSON & SON, A VICTORIAN BURR WALNUT SECRETAIRE WELLINGTON CHEST, the rectangular top above a drawer, stamped Wilkinson & Son, 8 Old Bond Street, 11539, over three dummy drawer fronts opening to reveal a fitted interior above four further drawers, raised on a plinth base.

124.5cm by 66cm by 43cm. £1000 - 1500

616

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

75

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617

AN INLAID MAHOGANY COFFEE TABLE, the oval tray with wavy gallery and inlaid with a conch shell and paterae, raised on slender tapering legs. 48cm by 71cm by 53cm £120 - 180

618

A GEORGE III MAHOGANY TEA CADDY, with chequered inlay, brass handle and bracket feet. £150 - 250

619

A SET OF THREE BURR WALNUT NESTING TABLES, CIRCA 1920’s/30’s, each with crossbanded top and leaf carved slender cabriole legs terminating in ball and claw feet. 61cm by 57.5cm by 45cm £100 - 150

620

A REISBACH ROSEWOOD CASED BOUDOIR GRAND PIANO, signed Grotman, Steinweg Ltd, London. 140cm deep, 144cm wide. together with a PIANO STOOL. £500 - 1000

621

A REGENCY STYLE MAHOGANY BOW-FRONT CHEST OF DRAWERS, with slide over four long graduated drawers, raised on bracket feet, Reprodux label. 85.5cm by 92cm by 47cm. £200 - 300

622

A PAIR OF EDWARDIAN INLAID MAHOGANY BEDSIDE TABLES, each chequer inlaid rectangular top with canted corners above a drawer with brass pulls, raised on square section tapering legs with shelf stretcher.

73cm by 61cm by 301cm. £200 - 300

76

623

620

A PAIR OF 19TH CENTURY ANDIRONS, CIRCA 1870, decorated with flowerheads, with arched grate. Height 71cm. £150 - 250

624

AN OAK AND ELM SIX PLANK CHEST, with moulded top and carved front, raised on bracket feet. 48.5cm by 118.5cm by 33.5cm. £200 - 300

625

NILS JONSSON FOR TROEDS A TEAK DINING TABLE AND FIVE CHAIRS, the table with rounded ends and two additional leaves, all stamped. Table 71cm by 265.5cm (extended) by 100cm £100 - 200

626

A LARGE VICTORIAN MAHOGANY CHEST OF DRAWERS, the rectangular top with reeded edge over two short and four long graduated drawers with turned pulls, raised on bracket feet.

140.5cm by 115cm by 55.5cm. £200 - 400

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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627

627

HOWARD & SONS A FINE SATINWOOD BOW-FRONT CORNER CABINET, LATE 19TH CENTURY, the waterfall shelved superstructure with pierced brass galleries and painted floral spray to one shelf, the base with a painted floral spray to a tablet above a pair of glazed doors with interlocked bars, each centred by a painted floral spray, the interior with mirror back, raised on turned and painted legs, label to inside of door. 186cm high, 78cm wide £1500 - 2500

629

628

A CHINESE MARBLE-INSET HARDWOOD STAND, LATE 19TH CENTURY, with circular top above fret carved panels, raised on cabriole legs joined by a stretcher. 59.5cm £250 - 350

629

629 (detail)

HANS J. WEGNER (1914-2007) FOR CARL HENSEN & SON, DENMARK A SET OF SIX “Y” WISHBONE CHAIRS, designed circa 1950, each with curved rail above divided splats and cord seats, raised on turned legs joined by stretcher, some stamped with numbers. £1200 - 1800

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

77

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630

A GOOD EDWARDIAN BRASS AND GREEN LEATHER CLUB FENDER, with tubular spindles. 171cm wide. £800 - 1200

631

A GEORGE III MAHOGANY TILT-TOP TRIPOD TABLE, with baluster stem, raised on downswept legs terminating in pointed pad feet. 65cm by 66cm. £100 - 150

632

630

A MATCHED SET OF EIGHT CHIPPENDALE STYLE MAHOGANY DINING CHAIRS, including two carvers, each with yoked crest rail above a pierced and carved splat, over a drop-in seat, raised on moulded square section legs. £400 - 600

633

AN EDWARDS & ROBERTS INLAID MAHOGANY DEMILUNE CARD TABLE IN GEORGE III STYLE, raised on square section tapering legs. 73cm by 91cm by 45.5cm £250 - 350

634

AN EDWARDIAN INLAID MAHOGANY VITRINE, with bowed astragal glazed door flanked by inlaid cupboard doors, raised on square section tapering legs, joined by a shelf stretcher, terminating in spade feet.

166.5cm by 121.5cm by 41.5cm. £200 - 400 78

634

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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637

638

635

638

636

639

AN EARLY VICTORIAN ROSEWOOD WORK TABLE, the hinged rectangular top with canted corners, raised on a faceted baluster stem issuing from a quad-form base with scroll feet, moving on castors. 73cm high. £200 - 300

A CHINESE HARDWOOD LONG BENCH OR TABLE, 19TH CENTURY, with carved and pierced trestle ends, the apron fret carved with scrolls.

183.5cm long £250 - 350

637

A CHINESE CARVED AND PIERCED HARDWOOD MIRROR, 19TH CENTURY, the broad surround carved with figures, boats and pagodas, highlighted with ivory sprigs of foliage.

85cm by 73.5cm £300 - 400

642

AN EARLY 19TH CENTURY MAHOGANY BERGERE, of horseshoe shape with spherical terminals to the arms, raised on sabre legs, capped with applied brass roundels, terminating in brass caps and castors, recently re-caned. £300 - 500

ATTRIBUTED TO GILLOWS, AN INLAID MAHOGANY CUTLERY TABLE, raised on turned legs with brass castors. 68.5cm high. £250 - 350

640

AN OAK SETTLE IN 17TH CENTURY STYLE, with three-panel back and block and baluster legs. 112cm wide. £300 - 400

641

AN INLAID MAHOGANY TABLE CABINET, with pierced brass gallery, inlaid with musical trophies. 55cm by 79.5cm by 36cm. £400 - 600

641

642

A 17TH CENTURY OAK WAINSCOT CHAIR, with scroll carved crest above a carved panel back and boarded seat with carved rail, raised on block and baluster legs joined by stretchers. £150 - 250

643

AN EDWARDIAN INLAID MAHOGANY REVOLVING BOOKCASE, the square moulded top with satinwood inlay, on a triform stand. 95cm by 51.5cm by 51.5cm £300 - 400

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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644

644

AN EDWARDIAN FLORAL MARQUETRY AND MAHOGANY DESK, the moulded top with inverted bow-front centre and tooled leather inset, the drawers fronts boldly inlaid with scrolling foliage, raised on square section tapering legs, moving on castors. 74cm by 142cm by 59.5cm £600 - 800

645

AN EARLY VICTORIAN MAHOGANY LIBRARY TABLE, the rectangular top with rounded corners over a pair of frieze drawers, raised on pillar ends joined by a turned stretcher. 72cm by 132cm by 62cm £200 - 300

646

AN EARLY 20TH CENTURY MAHOGANY BIJOUTERIE TABLE, the hinged top with bead and reel edge, the square tapering legs decorated with pendant bell flowers and joined by a shelf stretcher.

74.5cm by 60cm by 40cm. £250 - 350

80

647

AN EARLY 19TH CENTURY OAK AND ELM DRESSER AND RACK, the open rack with projecting cornice, the base with three frieze drawers, raised on faceted tapering legs. 194cm by 186cm (widest point) by 52.5cm £300 - 400

648

648

AN EARLY 19TH CENTURY MAHOGANY SECRETAIRE BOOKCASE, the upper section with swan-neck pediment above a dentil cornice with a frieze inlaid with three conch shells below, the pair of astragal glazed doors enclosing three adjustable shelves, the base with a well fitted secretaire drawer with gilt tooled leather writing surface over three long graduated drawers, all fitted with lion mask ring handles, raised on bracket feet. 251cm by 111cm by 56cm £400 - 600

649

AN ARTS AND CRAFTS OAK WARDROBE, with over-hanging top above a frieze with motto “Sleep Tired Natures Soft Balm”, the door with copper hinges and leaded stained glass panel, with base drawer, label of E. Miller & Co. Ltd, Leeds. 190cm by 109cm by 46cm £200 - 300

649

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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650

A 17TH CENTURY OAK COFFER, the moulded three-panel lid carved with the initials ID, the front with scroll and foliate carved rail above three panels carved with lozenges, probably Lake District. 69.5cm by 120cm by 55.5cm £250 - 350

651

AN ANGLO-INDIAN TEAK CAMPAIGN DESK, the moulded rectangular top with three frieze drawers over a pair of pedestals each fitted with three drawers, all with recessed brass handles, raised on bun feet. 79cm by 137cm by 52cm £200 - 300

652

A 19TH CENTURY ELM SMOKERS BOW CHAIR, of characteristic form with baluster legs, label for Yeoman Brothers, Scarborough. £150 - 250

653

AN ANGLO-INDIAN ROSEWOOD CONSOLE TABLE, 19TH CENTURY, with foliate carved and pierced backboard above a shaped top with moulded edge above a foliate carved apron, raised on four S-shaped legs carved with acanthus and joined by stretchers. 93.5cm by 122cm by 53.5cm £200 - 300

654

656

A YORKSHIRE ELM AND ASH BROAD ARM WINDSOR CHAIR, 19TH CENTURY, with fretwork carved splats and turned spindles, raised on splayed and turned legs joined by a H-form stretcher. £150 - 250

655

A WILLIAM IV MAHOGANY WASHSTAND, the moulded top with three-quarter gallery above five drawers with turned pulls, supported on scroll carved pillar ends, the stretcher with inverted bow-front, raised on flattened bun feet. 85cm by 122cm by 61cm £150 - 250

656

A WALNUT CHEST ON STAND, EARLY 18TH CENTURY AND LATER, with moulded projecting cornice above three short over three long graduated drawers with crossbanded and strung fronts, the base with long drawer and later stand with barley twist legs and shaped stretchers.

168cm by 106cm by 56cm £1200 - 1800

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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657

664

658

665

A VICTORIAN WALNUT CANTERBURY, with four fret carved dividers and drawer, moving on castors. 50.5cm. £200 - 300

A TREEN SPICE TOWER, LATE 18th CENTURY, of four tiers, with turned cover. 16.5cm £80 - 120

A VICTORIAN WALNUT AND UPHOLSTERED CHAISE LONGUE, the back with openwork Vitruvian scroll, the out-scrolled end with leaf carving, moving on castors. £200 - 300

659

A VICTORIAN POLLARD OAK POT CUPBOARD, with pointed panel door and plinth base. 81.5cm by 41cm by 37cm £150 - 250

660

A VICTORIAN MAHOGANY AND UPHOLSTERED LOVE SEAT, of clover leaf outline, with deep buttoned back and turned legs, moving on castors. £200 - 300

661

A VICTORIAN BURR WALNUT, ROSEWOOD AND GILT-METAL MOUNTED OPEN BOOKCASE, the moulded top with leaf-cast edge, raised on a plinth base. 107cm by 120cm by 24cm £400 - 600

661 82

A STRIKING GILT AND UPHOLSTERED LOUNGE SUITE IN PERIOD STYLE, comprising canape and a pair of fauteuils. (3) Canape 170cm. £500 - 700

666 662

A VICTORIAN BURR WALNUT DECANTER BOX, with Bramah lock, the interior with two pairs of decanters and stoppers. 23.5cm by 21cm by 21cm £200 - 300

663

A VICTORIAN BURR WALNUT DAVENPORT, the sliding top with leather-inset writing slope over five drawers opposed by dummy fronts, raised on bun feet. 83cm by 55cm by 55cm. £500 - 700

A SMALL REGENCY MAHOGANY CHEST OF DRAWERS, with two short above two long drawers, fitted with brass ring and circular backplate handles, raised on splayed bracket feet.

87cm by 89cm by 49.5cm £150 - 250

667

A SET OF SIX REGENCY MAHOGANY DINING CHAIRS, each with ropetwist rail and turned legs. £200 - 400

663

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668

674

A SET OF FOUR CHINESE HARDWOOD NESTING TABLES, EARLY 20TH CENTURY, each with rectangular inset panel top. Largest 66cm by 49cm by 34cm £250 - 350

A REGENCY BRASS INLAID ROSEWOOD TEA CADDY, of sarcophagus form, the interior with twin lidded canisters and later glass mixing bowl, raised on brass feet. 21cm by 34cm by 17.5cm £100 - 150

669

675

A REGENCY STYLE UPHOLSTERED AND MAHOGANY STOOL, of X-form, moving on castors. 47.5cm. £100 - 200

A PAIR OF FRENCH MARBLE-TOPPED AND INLAID TABLES, each with two drawers and inlaid with foliage. 75cm by 44.5cm by 31cm. £350 - 450

676

A PAIR OF CAST IRON GARDEN FIGURES, of a Dutch boy and girl, each holding a basket, early 20th Century.

88cm high. £600 - 800

671

670

A REGENCY ROSEWOOD FOLDOVER CARD TABLE, the top with rounded corners above a frieze with carved scrolling spandrels flanking a tablet, raised on a leaf carved and reeded stem continuing to a platform base with large paw feet and recessed brass castors.

74cm by 91cm by 44.5cm (closed) £300 - 400

671

A REGENCY PAINTED PINE BOOKCASE CABINET, with waterfall shelves over a pair of fielded panel doors. 146cm by 61cm by 28cm. £200 - 300

672

A REGENCY MAHOGANY FOLDOVER TEA TABLE, with rounded corners, raised on a turned stem continuing to a platform base with downswept legs terminating in brass caps and castors.

75cm by 90.5cm by 45.5cm (closed) £200 - 300

673

A REGENCY MAHOGANY BOWFRONT CHEST OF DRAWERS, with two short over three long graduated drawers, fitted with oval backplate handles, raised on splayed bracket feet.

95cm by 89.5cm by 48cm £150 - 250

677

A PAINTED BOX ON STAND, the front painted in Oriental style with foliage and cranes, applied with twin carrying handles. 74cm by 93cm by 53cm. £150 - 250

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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680

A MID-VICTORIAN MOTHER-OFPEARL MOUNTED COROMANDEL TOILET BOX, WITH SILVERMOUNTED FITTINGS, of plain rectangular form, fitted with silvertopped glass jars and bottles hallmarked for London 1866, lift-out tray and spring-loaded drawer (lacking one jar), 17cm by 30cm by 22.5cm £200 - 300

681

678

A LARGE AND IMPRESSIVE CHINESE FLOOR SCREEN, the circular panel applied with varying types of hardstones to depict two figures in a landscape against a blue ground, the reverse lacquered with birds and foliage, raised on a carved and fretwork stand. 179.5cm high £1500 - 2500

679

A NEO-CLASSICAL REVIVAL CARVED MAHOGANY BERGERE SUITE, CIRCA 1900, comprising settee and a pair of chairs, each carved with formal leaves and with out-scrolled arms, raised on bun feet. Settee 182cm. £200 - 400

679

A NEAR SET OF SIX 19TH CENTURY ELM AND OAK WINDSOR WHEELBACK CHAIRS, including two carvers, one side chair stamped W. LOW?, each with H-stretcher. £400 - 600

680

84

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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682

682

A HANDSOME BURR WALNUT PARTNERS DESK, EARLY 20TH CENTURY, the inverted breakfront top with tooled leather writing surface above three frieze drawers over a pair of pedestals, each with two drawers and raised on cabriole legs with pad feet, the opposing side with drawers and doors. 76cm by 99cm by 167cm. £1500 - 2500

683

A HANDSOME PAIR OF VICTORIAN LIMED OAK AND LEATHER UPHOLSTERED ARMCHAIRS, each high back with inset cushioned panel flanked by pilasters, the arms with bold scrolls continuing down to square section tapering legs terminating in blocks. Height of backs 147cm. £800 - 1200

683

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

85

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684

A HANDSOME GEORGE III STYLE LEATHER AND MAHOGANY ARMCHAIR, with deep buttoned upholstery and raised on cabriole legs carved with acanthus and terminating in ball and claw feet. £300 - 500

685

A GEORGIAN STYLE MAHOGANY TWIN PEDESTAL DINING TABLE, with rounded corners and twin leaves, raised on downswept legs with brass caps and castors, 77cm by 275cm by 122cm; together with A SET OF TEN CHIPPENDALE STYLE MAHOGANY DINING CHAIRS, including a pair of carvers, each with acanthus carved cabriole legs and terminating in ball and claw feet; and A GEORGE III STYLE MAHOGANY BREAKFRONT SIDEBOARD, with brass rail, raised on square section legs, 98cm by 161cm by 51cm. £1000 - 1500

686

A GEORGIAN MAHOGANY CHEESE COASTER, of characteristic form. £200 - 300

687

A GEORGIAN MAHOGANY BUTLERS TRAY, on a folding X-form stand. Tray 68cm by 51cm £150 - 250 86

685

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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688

A GEORGE III OAK DRESSER BASE, the moulded rectangular top with spice drawers, over three drawers with pierced brass backplate handles flanked by a pair of cupboard doors with ogee fielded panels, raised on bracket feet. 90.5cm by 177cm by 48cm. £1200 - 1800

689

A GEORGE III OAK DRESSER AND RACK, the enclosed rack with moulded cornice, the base with three drawers over a pair of cupboard doors flanking three drawers, raised on bracket feet, fitted with brass handles.

206.5cm by 172cm by 48cm £800 - 1200

688

690

693

A GEORGE III MAHOGANY SIDE TABLE, with moulded rectangular top and long frieze drawer with brass swan neck handles, raised on square section legs. 74.5cm by 96cm by 51cm. £100 - 150

A GEORGE III MAHOGANY CHEST OF DRAWERS, the moulded rectangular top above two short over three long graduated drawers, with brass swanneck handles, raised on bracket feet.

85cm by 104cm by 53cm £200 - 300

691

694

A GEORGE III MAHOGANY SEWING BOX, the hinged caddy top with chequered stringing, with ivory escutcheon and four bone ball feet.

16.5cm by 27cm by 19cm £60 - 120

A GEORGE III MAHOGANY CHEST OF DRAWERS, the moulded rectangular top above a slide over four long graduated drawers with brass backplate handles and escutcheons, raised on bracket feet. 80cm by 80cm by 46cm. £500 - 700

692

A GEORGE III MAHOGANY CHEST ON CHEST, the upper section with dentil cornice over two short above three long graduated drawers flanked by fluted canted corners, the base with three long graduated drawers, raised on bracket feet. 167cm by 110cm by 53cm. £1000 - 1500

692

695

A GEORGE III MAHOGANY BOWFRONTED DRESSING TABLE, with three drawers, raised on square section legs. 77.5cm by 100cm by 60cm. £200 - 300

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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696

697

A GEORGE III BRASS BOUND MAHOGANY CELLARETTE, square with brass carrying handles, altered.

38cm by 36.5cm by 36.5cm £500 - 700

697

A GEORGE II OAK CHEST ON STAND, CIRCA 1750, with moulded cornice above a cushion moulded drawer front over a pair of short drawers with three long graduated drawers beneath, the base with long drawer above a shaped apron centred by a carved shell, raised on cabriole legs terminating in pads.

180cm by 108cm by 60cm £1200 - 1800

88

698

698

A FINE LOUIS XV STYLE KINGWOOD, ORMOLU AND PORCELAIN INSET JARDINIERE, 19TH CENTURY, of shaped oval form with scroll cast pierced gallery above a broad frame with banding and swag cast mount, each side with a Sevres style painted panel, the ends with mask cast mounts, raised on cabriole legs, applied with caryatids, joined by a shelf stretcher, signed PA to metalwork twice. 74cm by 62cm by 40cm. £1200 - 1800

699

A FINE FRENCH KINGWOOD AND ORMOLU WALL HANGING CABINET, the gallery back with inset Sevres style porcelain roundel, over a shelf supported by gilded columns and mirror-back, with four drawers beneath (locked shut). 68cm by 69cm by 23cm. £500 - 700

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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700

A DANISH TEAK DINING TABLE, with rounded ends and additional leaf for extension, raised on four turned legs, stamped MADE IN DENMARK. 73cm by 183cm (extended) by 115cm £100 - 200

701

A CONTINENTAL 19TH CENTURY MAHOGANY CHEST OF DRAWERS, the crossbanded rectangular top with rounded corners over three long drawers, raised on turned feet. 87.5cm by 94cm by 52cm. £100 - 200

705

A 19TH CENTURY OLIVE WOOD AND PIETRA DURA CASKET, signed Mawson, Swan & Marston, Newcastle On Tyne, the hinged cover with five pietra dura foliate sprig roundels set in collet mounts on brass “Gothic” strapwork, the front similarly mounted. 9cm by 19cm by 19cm £100 - 150

704

A 19TH CENTURY SATIN BIRCH DOUBLE CORNER CUPBOARD, with moulded cornice above a pair of twopanel doors over a pair of panel doors, blue/green painted interior. 208.5cm high, 92cm wide £150 - 250

708

709

A CHINESE EXPORT LACQUERED SEWING WORK TABLE, 19TH CENTURY, decorated with numerous figures, the hinged cover opening to reveal various trays for sewing implements. Height 65cm, width 62cm £200 - 300

A BRASS SHOP SIGN, LATE 19TH OR EARLY 20TH CENTURY, Greensmith & Thackwray. 203.5cm £200 - 300

A 19TH CENTURY MAHOGANY SECRETAIRE BOOKCASE, with bead and reel moulding over a pair of glazed doors flanked by tapering columns over a piano top desk with fitted interior, with two cupboard doors below and raised on reeded legs with castors. 185.5cm by 130.5cm by 66cm. £300 - 400

A 19TH CENTURY MAHOGANY BUTLERS TRAY, on a folding X-form stand, the tray with hinged sides. 70cm by 46cm with sides up £100 - 200

702

703

707

A 19th CENTURY CHINESE CARVED HARDWOOD STAND, the top of rectangular form, modelled as a lotus leaf, on a pierced foliate-carved base.

9cm by 15cm by 12cm £80 - 120

706

A 19TH CENTURY MAHOGANY URN STAND, IN CHIPPENDALE STYLE, the square galleried top of serpentine outline, above a plain frieze with gadrooned edge, raised on cluster column legs, joined by a double column X-form stretcher, terminating in carved feet. 73.5cm by 33cm by 33cm £300 - 500

705

710

A 19TH CENTURY BRASS STUDDED TEAK TRUNK, the studs arranged in a geometric formation, with brass carrying handles. 50.5cm by 102cm by 47cm £250 - 350

710

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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714

AN ANGLO-INDIAN VIZAGAPATAM WORK BOX, EARLY 19TH CENTURY, ivory veneered onto sandalwood, ebony inlaid with Greek Key, the interior with lift out tray with lidded compartments. 29.5cm wide £300 - 500

713

711

A 19TH CENTURY BOULLE PIER CABINET, the rectangular marble top above a gilt metal egg and dart band over a further band of acanthus, with a glazed door below flanked by a pair of mounts cast with masks, acanthus and foliage, the plinth base centred by a mask and a pair of acanthus scrolls.

113cm by 76.5cm by 35.5cm. £1200 - 1800

AN INDO-PORTUGUESE IVORY INLAID TABLE CABINET, LATE 17TH CENTURY OR EARLY 18TH CENTURY, the fall front enclosing a long drawer with three dummy drawer fronts containing a collection of shells, above three short drawers, losses. 17cm by 27.5cm by 18cm £300 - 500

715

AN ANGLO-INDIAN ROSEWOOD SIDE CABINET OF REGENCY DESIGN, probably from the Bombay area, the top with double egg and dart edge over a pair of sunburst pattern doors, the interior with shelves and a pair of drawers, raised on fluted bun feet.

124cm by 149cm by 54cm £300 - 500

712

716

A 17TH CENTURY STYLE BRASS AND STEEL FIRE BASKET, with lion marks and flaming finials. 94cm. £200 - 300

A GEORGE III MAHOGANY CHEST OF DRAWERS, with moulded rectangular top above four long graduated drawers, fitted with brass swan-neck handles, raised on bracket feet. £200 - 300

714

end of sale 90

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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Thomas Watson Auctioneers and Valuers Established 1840

COMMISSION BID FORM

Fine Art Lot No.

Tuesday, 27th February at 10am Description

Limit of Price

Please bid on my behalf for the undermentioned lots up to the price specified the lots to be bid for as cheaply as permitted by other bids or reserves, if any.

I agree to comply with the Notices and Conditions of Sale.

Please Note: All successful bids are subject to a 24% buyer’s premium including VAT.

The Gallery Saleroom, Northumberland Street Darlington, County Durham DL3 7HJ T: 01325 462559 F: 01325 284587

Please complete name and address section below

Name:

Address (in full):

Tel. No.: E-mail address: Signed:

Date:

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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2018 AUCTION CALENDAR Antiques & Collectables Tuesday, 13 March at 10am

Antiques & Collectables Tuesday, 17 April at 10am

Antiques & Collectables Tuesday, 27 March at 10am

Antiques & Collectables Tuesday, 1 May at 10am FINE ART Tuesday, 15 May at 10am

Thomas Watson Auctioneers and Valuers Established 1840

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Realising the Value of Your Antiques, Fine Art and Jewellery

Thomas Watson Auctioneers and Valuers Established 1840

We provide a range of valuation and advisory services: Insurance Valuations Probate and Taxation Valuations Divorce and Family Division Valuations We value all categories of the fine and decorative arts and have considerable experience in all areas of the art market.

We work closely with leading firms of solicitors, insurers and professional advisers to provide a discreet and efficient service.

If you have an item that you would like to have appraised for sale at auction, we would be delighted to provide you with a complimentary auction estimate.

To discuss your requirements, please contact: David Elstob MA MRICS david@thomaswatson.com 01325 462559

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INFORMATION FOR BUYERS 1.

2.

3.

Introduction. The following informative notes are intended to assist Buyers of Thomas Watson Auctioneers, particularly those inexperienced or new to our saleroom or online only bidding platform. All sales are conducted according to our printed Conditions of Sale which are readily available for inspection in person, on our website and normally accompany catalogues.

Our staff will be happy to help you if there is anything you do not fully understand.

Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price or may be above the reserve price. Estimates do not include the Buyer’s Premium of 24%. Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

Buyer’s Premium. The Conditions of Sale oblige buyers to pay a buyer’s premium of 24% on the hammer price of each lot purchased.

5.

VAT. The addition of (*) of (VAT applied on hammer price) to the lot description indicates that VAT is payable by the purchaser at the standard rate, presently 20%, on the hammer price as well as being payable on the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. Lots which appear without either of the above symbols indicated that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the premium is not recoverable as input tax.

Artist’s Resale Rights/Droit de Suite.

Lots as indicated in the catalogue and if sold for the equivalent of 1,000 Euros or more on the day of the auction will be subject to a further percentage of the hammer price as follows: From 0 to 50,000 Euros subject to 4% From 50,001 to 200,000 Euros subject to 3% From 200,001 to 350,000 Euros subject to 1% From 350,0001 to 500,000 Euros subject to 0.5% Exceeding 500,000 Euros subject to 0.25%

Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

4.

94

6.

The Artist’s Resale Right payable will be the aggregate of the amounts payable under the above rate bands, subject to maximum royalty payable of 12,500 Euros for any single work each time it is sold. Calculations of the artist’s resale right will be based on the pound sterling/Euro reference exchange rate quoted on the date of sale by the European Central Bank.

7.

Agents. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.

Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order.

Additionally, in specified circumstances lots mis-described because they are ‘deliberate forgeries’ may be returned and repayment made. There is a three week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

8.

Electrical Goods. These are sold as ‘antiques’ or ‘decorative’ items only and if bought for use must first be checked for compliance with safety regulations by a qualified electrician.

9.

Coloured Gems. It is common practice for gemstones to be treated in order to enhance colour and clarity. Unless stated buyers should presume coloured stones may well have been exposed to some sort of treatment.

10. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character because, e.g. they may contain prohibited materials such as ivory.

11. Bidding. Bidders are required to register with us before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

12. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding the buyers’ premium.

They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for leaving commission bids by telephone or email.

Please ensure bids are left at least one hour prior to the start of the auction.

13. Live Online bidding. (a) An online bidding service is offered via the-saleroom.com. In completing the bidder registration on this site the buyer is agreeing to Thomas Watson’s conditions of sale. (b) In the case where a debit or credit card has been used to register the buyer also agrees to authorise Thomas Watson’s, if they so wish, to charge the debit or credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the online bidding platforms.

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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(c)

Thomas Watson offers online bidding services as a convenience to its clients, but neither Thomas Watson’s nor the seller will be responsible to you for errors during or after the sale or failures to execute bids, either live bids or commission bids placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: (i) any loss of connection to the auction being conducted online; (ii) a breakdown or problems with the online bidding software or the website service provider; and/or (iii) a breakdown or problems with any internet connection, computer, mobile device or system. (d) Please note that any lots purchased via the-saleroom.con or another live bidding platform will be subject to an additional 3% commission charge plus VAT at the rate imposed on the hammer price.

14. Methods of Payment. Payment can be made by cash up to a value of £9,000, debit and credit cards or bank transfer.

‘Person not present’ payments are subject to a maximum of £500.

1.

In these Conditions: (a)

(b)

(c)

(d)

(e)

15. Collection and storage. (a)

(b)

Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay will involve the buyer in paying storage charges. All lots must be collected within three working days following the auction.

Storage charges of £2 per lot per day + VAT will be strictly enforced thereafter.

Thomas Watson Auctioneers are unable to pack, post or deliver any items purchased through public or online auction, a list of suggested companies is supplied upon issuing of invoice, upon request or on the company website. These are suggestions only and are not the recommendation of Thomas Watson’s or affiliated with Thomas Watson’s in anyway and as such Thomas Watson’s cannot be held responsible for the individual performance of these companies.

Terms and Conditions of Sale Thomas Watson Auctioneers carries on business with bidders, buyers and all those present in the auction room and those bidding online prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

Definitions.

(f )

(g)

“auctioneer” means the firm of Thomas Watson Auctioneers or its authorised auctioneer, as appropriate; “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of sale had a value materially less than it would have had if it had been in accordance with the description; “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; “terms of consignment” means the stipulated terms and rates of commission on which Thomas Watson Auctioneers accepts instructions from sellers or their agents; “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; “You”, “Your”, etc. refer to the buyer as identified in Condition 2.

(c)

Subject to condition 2(b) the contract between the buyer and seller is concluded on the striking of the auctioneers hammer whereupon the buyer becomes liable to pay the purchase price. (d) Any post auction sales of lots offered at auction shall incorporate these conditions as if sold in the auction. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3.

Bidding increments shall be at the auctioneer’s sole discretion.

4.

(a)

5.

Value Added Tax. Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots.

(Please refer to “Information for Buyers” for a brief explanation of the VAT position).

6.

Payment.

(1)

Immediately a Lot is sold you will:

(a)

give to us, if requested, proof of identify, and (b) pay to us the total amount due in cash, debit, credit card or bank transfer or in such other way as is agreed by us.

(2)

Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7.

Title and Collection of Purchases.

Bidding Procedures and Conduct of the Auction.

Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid. Any bidder who refuses to provide the requested identification may be refused permission to bid. (b) The auctioneer has discretion at any time to refuse any bid, withdraw any lot, re-offer a lot for sale (including after the fall of the hammer) if they believe there may be error or dispute, and take such action as they reasonably think fit.

The Purchase Price.

The buyer shall pay the hammer price together with a premium thereon of 24%.

(h) The singular includes the plural and vice versa as appropriate.

2.

Increments.

The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (a)(i) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction. Cheques are required to be cleared by our bank before collection of goods in which case storage charges may apply.

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

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(ii)

Thomas Watsons are unable to pack, post or deliver any items purchased through public or online auction, a list of suggested companies is supplied upon issuing of invoices, upon request or on the company website. These are suggestions only and are not the recommendation of Thomas Watsons or affiliated with Thomas Watsons in anyway and as such Thomas Watsons cannot be held responsible for the individual performance of these companies. (b) No purchase can be claimed or removed until it has been paid for and payment has cleared. (c) Invoices will not be split or title transferred to another person(s).

Invoices must be paid in full before any lots can be removed. (d) Purchased lots must be collected within the allocated time as stated in the Information for Buyers section 13, storage charges are applicable thereafter. Purchased lots are at the Buyers risk (and therefore their sole responsibility for insurance) from the fall of the hammer.

8.

(1)

to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that us a right to retain possession of ) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions.

9.

Third Party Liability.

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

Remedies for Non-Payment or Failure to Collect Purchases.

If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

96

(f )

10. Commission, Telephone Bids and Live Online Bidding.

(a)

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf.

Lots will be purchased by the Auctioneer on behalf of the commission bidder for the lowest price allowed by other bids and/or reserves if any, up to and including their maximum bid amount recorded. The Auctioneers cannot accept responsibility for any neglect or default in executing or failing to execute commission bids whether through the auctioneer or through any online bidding software, or where a bidding slip has been completed incorrectly. We urge commission bidders, to ensure that the correct lot number (s) and price(s) are recorded on their bidding forms.

(b) Where two or more commission bids at the same level are recorded we reserve the right at our absolute discretion to prefer the first bid so made. (c) Telephone Bids. Any person unable to attend the auction may request to bid on a specific lot by telephone. This facility is only available by prior arrangement with the Auctioneers and not available for online only auctions.

The Auctioneers cannot accept responsibility for any neglect or default in executing or failing to execute telephone bids. This service is only available for lots with a low estimate of £200 or over. (d) Live Online Bidding. (i) An online bidding service is offered via thesaleroom.com. In completing the bidder registration on these sites the buyer is agreeing to Thomas Watsons conditions of sale. (ii)

In the case where a debit or credit card has been used to register the buyer also agrees to authorise Thomas Watsons, if they so wish, to charge the debit or credit card given in part or full payment, including all fees, for items successfully purchased in the auction via online bidding platforms. (iii) Any lots purchased via thesaleroom.com will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price. (iv) Thomas Watsons offers online bidding services as a convenience to its clients, but neither Thomas Watsons nor the seller will be responsible to you for errors during or after the sale or failures to execute bids, either live bids or commission bids, placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: (aa) any loss of connection to the auction being conducted online; (bb) a breakdown or problems with the online bidding software or the website service provider; and/or (cc) a breakdown or problems with any internet connection, compute, mobile device or system.

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

11. Warranty of Title and Availability.

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

No representation or warranties are made by Thomas Watsons or the seller as to whether any lots are subject to copyright or whether the buyer acquires copyright in any lot.

12. Agency.

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. Terms of Sale.

The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14. Description and Conditions. (a)

Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf ) must satisfy themselves as to the accuracy of any description of a lot.

Buyers are welcome to make an appointment to view any lots listed on an online auction. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(b) Condition Reports. Reports on the condition of any lot are offered by the Auctioneers as a statement of opinion only, and not of fact. Thomas Watsons are not liable for any errors or omissions contained therein. The buyer must satisfy themselves to the condition of any given lot prior to bidding. Thomas Watsons will not be held responsible for any damage or defect that has not been notified to the buyer. Catalogue illustrations are for guidance only and will not convey full information as to the actual condition of lots. (c) Where the term (a/f ) is used this refers to a lot being ‘as found’, it is used for guidance only and indicates in our opinion there is significant damage or repair to an item and Thomas Watsons are not liable for the omission of this term. (d) Private treaty sales made on these premises under these Conditions are deemed to be sales by auction for the purpose of consumer legislation.

15. Forgeries.

Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying if from the relevant catalogue description and a written statement of defects.

Thomas Watsons may require the buyer to obtain at the buyer’s cost the reports of two independent and recognised experts in the field, mutually acceptable to Thomas Watsons and the buyer, if we are satisfied from the evidence presented that the Lot is deliberate forgery we shall refund the money paid by you for the Lot including buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) if you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

General.

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. Where a member of the public causes damage to a lot (or part thereof ) the Auctioneers reserve the right to: (a) Sell the aforementioned without reserve and to hold that specific individual liable for the amount of any difference between the hammer price and the reserve or low estimate; (b) Hold that specific individual liable for the cost of restoration where appropriate; (c) Hold that specific individual liable for the full amount of the reserve or lower estimate as applicable.

18.(a) Any right to compensation for the losses liabilities and expenses incurred in respect of an as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

19. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email if provided in which case it shall be deemed to have been received by the addressee 48 hours after posting.

20. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

21. Any indulgence extended to bidders or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

22. English law applies to the interpretation of these Conditions.

These terms and conditions are based upon recommended conditions of sale by RICS (Royal Institute of Chartered Surveyors).

Thomas Watson Auctioneers and Valuers | Please note, each lot is subject to a Buyer’s Premium of 24% incl. vat

Thomas Watson Auctioneers and Valuers Established 1840

The Gallery Saleroom, Northumberland Street Darlington, County Durham DL3 7HJ

T: 01325 462559 • F: 01325 284587 • E: enquiries@thomaswatson.com www.thomaswatson.com