Roseberys

FINE & DECORATIVE Thursday 5 December 2019

FINE & DECORATIVE TO INCLUDE THE CONTENTS OF A PROVENCAL MAS Thursday 5 December 2019 Starting at 10am ORDER OF SALE Lots 1-200 Contents of a Provencal Mas Lots 201-731 Fine & Decorative

VIEWING Sunday 1 December 10am-2pm Monday 2 December 9.30am-5.30pm Tuesday 3 December 9.30am-5.30pm Wednesday 4 December 9.30am-5.30pm Specialists: Peter Greenway, Mark Longley, Nigel Dawson-Ellis Please note the conditions of sale at the back of this catalogue Buyer’s Premium 25% + VAT (30% inclusive of VAT) Condition of items: a catalogue description does not state the condition of the item Catalogue Price £10 (£12 by post) Front Cover: Lot 61 Back Cover: Lot 607 Inside Front Cover: Lots 7, 16, 58, 79, 88, 117 Inside Back Cover:Lots 464, 469, 477, 479, 483

70/76 Knights Hill London, SE27 0JD +44 (0)20 8761 2522 auctions@roseberys.co.uk www.roseberys.co.uk

Online bidding available at:

RoseberysLive

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BUYING AT ROSEBERYS The following is intended to serve as a useful quick reference to buying at Roseberys.

Prior to bidding please familiarise yourself with our full conditions of sale which are applicable when bidding at one of our auctions. Our staff are available to assist you with any questions you may have.

Viewing Catalogues are available from reception and all lots are listed and illustrated at www.roseberys.co.uk Condition is not stated in the catalogue description and buyers are encouraged to view lots in person prior to bidding to satisfy themselves as to the accuracy of the description and condition of lots.

New Bidders New buyers are required to register before bidding. This can be done in person at reception, or via email to clientservices@roseberys.co.uk.

Photographic identification, full contact details and proof of address are required. Roseberys cannot accept bids from unregistered buyers. Once registered you will be provided with a paddle which states your bidding number for the auction.

Alternatively, online bidding is available through www.thesaleroom.com and www.invaluable.com, successful online bidders are charged an additional premium of 5% + VAT. Bidders must register by 9am on the morning of the auction to be able to buy online. You will be asked to complete the registration process prior to approval.

• Telephone bidding: A limited number of phone lines for lots in the auction are available for bidders subject to a minimum threshold. A member of staff would telephone you during the auction and bid live on your behalf. Please contact reception if you would like to enquire about booking a phone line.

The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over the top estimate.

Buyer’s Premium

New International Bidders In addition to providing proof of identity, new international bidders must leave a £500 deposit the first time they register and before bidding.

Successful bidders will be refunded their deposit once they have paid for their lots. Unsuccessful bidders will automatically be refunded within a week of the auction.

The buyer shall pay the hammer price together with a premium thereon of: 25% up to £250,000 (30% inclusive of VAT), 20% from £250,000-500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT) The premium price is subject to VAT at the standard rate.

Methods of bidding

VAT

• In person: at the auction room.

VAT is not charged on the hammer price unless it is stated that there is ‘VAT applicable on the hammer price’ at the end of the description. Buyer’s premium is subject to VAT.

• Commission bid: If you are unable to attend the auction, commission bids may be left indicating the maximum amount to be bid excluding the buyer’s premium. All bids must be received at reception at least one hour before the start of the auction. Clients are also able to leave a commission bid via our website on individual lot pages. These bids are actioned on your behalf by our in-house bidding software RoseberysLive, and are not visible to the auctioneer.

• Online bidding: You can follow all our auctions live online and bid via the internet using RoseberysLive, our in-house live bidding platform.

RoseberysLive is a secure online bidding platform provided by Roseberys to enable our clients to bid online from anywhere in the world. You can register to use the service or view the auction through our website www.roseberys.co.uk.

There is no charge to use this service.

(ARR) – ARTIST’S RESALE RIGHT Qualifying living artists and the descendants of artists deceased within the last 70 years are entitled to receive a re-sale royalty each time their work is bought through an auction house or art market professional.

It applies to lots with hammer value over €1,000 as follows: 0 to €50,000 - 4%, €50,000.01 to €200,000 - 3% €200,000.01 to €350,000 - 1%, €350,000.01 to €500,000 - 0.5% Exceeding €500,000 - 0.25% ARR is capped at €12,500 Please note ARR is calculated in euros.

Auctioneers will apply current exchange rates.

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Payment Payment is required immediately after the auction and can be made in the following ways: • Cash: up to the sterling equivalent of 10,000 Euros on the day of the transaction.

• Debit and Credit cards: excluding American Express. To protect against card fraud we are unable to make ‘card not present’ transactions online or over the phone for amounts over £1000.

To make a payment of over £1000 please make a bank transfer or visit the auction house in person.

• Bank transfer: Payment is accepted via bank transfer to the following account, (International bank transfers are subject to a £25 administration fee.)

Natwest Bank plc, Bloomsbury Parr’s branch, Sort Code 60-30-06, Account number 36952613, Swift code NWBKGB2L, Iban GB80NWBK60300636952613.

• Online via www.roseberys.co.uk (up to £1,000) Clearance of Goods Roseberys requests all lots are collected within five working days following the auction. After this, storage charges of £2 + VAT per lot will apply. Please contact our Client Services team should you be unable to collect your purchases within this time and we would be happy to discuss alternative arrangements.

Delivery Roseberys is unable to pack and ship items but can suggest the following companies: London/Surrey • Capital Fine Art Move: +44 (0) 7957 209523 • Bernard Thornton: +44 (0) 7970 118762 Nationwide/International • Mail Boxes Etc: +44 (0) 20 8649 9777 Specialist Packing • Pack and Send: +44 20 8392 6990 In order to release to a third party carrier you must inform Roseberys in writing of the lot number and carrier name. Please email clientservices@roseberys.co.uk Export of goods Buyers intending to export goods should ascertain whether an export licence is required before bidding.

Export licences are issued by Arts Council England and application forms can be obtained from its Export Licensing Unit. Details can be found on the ACE website www.artscouncil.org.uk or by phoning ACE on 020 7973 5188. The need for import licences varies from country to country and you should acquaint yourself with all relevant local requirements and provisions before bidding. The refusal of any such licences shall not permit the cancelling of any sale nor allow any delay in making full payment for the lot.

Lot 546

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Roseberys are pleased to be instructed to sell the contents of a Provencal Mas, the property of one of France’s oldest noble families, with some pieces originating from the family’s former Chateau in the Loire Valley and from other family houses.

The 200 lots that follow have been in the same family for generations and represent a spectrum of inherited and collected objects, works of art and furniture.

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1 A pair of copper and black patinated metal cased lamps, late 19th/early 20th century, with looping carrying handles, 50cm high, together with a pair of French Ducellier brass car lamps, early 20th century, and an Ouvrard and Villier large maritime copper and black patinated lamp (5) £200 - 300* 2 A collection of five provincial wooden window frames, 18th/19th century, some with shutters, with wrought iron hinges, most converted to mirrors, the largest 78 x 62cm (5) £100 - 150*

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3 A Spanish print of St Anthony of Padua, late 19th century, in a rectangular walnut frame, 58 x 44.5cm, together with ten other decorative pictures of religious subject matter, including images of St. Mary (11) £80 - 120* 4 A collection of glass bottles and jars, mostly late 19th and 20th century, in green blue and clear hues (a lot) £50 - 100* 5 A French chestnut coffer, 18th century, the solid top with chip carved edge, having dove tail joined panels, with metal mounts, 58cm high, 143cm wide, 55cm deep £200 - 300*

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6 A French oak and chestnut settle, 19th century, with arching panelled back and shaped seat rail, 105cm high, 98cm wide, 55cm deep, together with a hanging shrine cabinet with triangular pediment, with a carved figure of Christ and the Virgin within (2) £100 - 150* 7 A French wirework birdcage, late 19th/20th century, of Indian design with an onion form domed top and plain sides, on ball feet, 107cm high, together with three other cages, of domed design (4) £100 - 200*

7 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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8 A Continental circular iron bound wheel, 18th/19th century, 76cm diameter £50 - 100* 9 A large Continental repousse copper oval jardiniere, late 19th/early 20th century, with lions mask handles, 41cm wide, together with a circular brass example of similar form, a copper jug, a lobed circular copper bowl, two copper and steel measures, a pair of brass Renfe carriage lamps, two miners safety lanterns, a silver plated pepper grinder and a brass pot with handle (12) £100 - 200* 10 A French cast iron hall stand, late 19th century, with painted polychrome decoration, cast with foliage and fruit, fox and rabbit heads, the stick stand base with a spaniel setting a partridge, 201cm high, 56cm wide, 33cm deep £200 - 300* 11 A French thermometer, 19th century, with a gilt gesso and wood frame, decorated with an elaborate crown and armorial cresting, 48cm high, together with a similar gilt wood framed thermometer with a globe cresting and another thermometer with a green painted frame (3) £80 - 120* 12 A French oak long case clock, 18th /19th century, the arching hood with carved basket of flowers, the arched brass dial signed ‘Le Blan a Braine Le Comte’, the open frame 30 hour movement with counter wheel strike, the panelled front and ribbon carved door over swag carved plinth, 253cm high, 48cm wide £400 - 600*

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13 A Régence mahogany desk, early 18th century, the leather covered top with polished brass edge, the kneehole frieze with five brass mounted drawers, upon shaped legs with foliate cast pieds-debiche sabots, 79cm high, 126cm wide, 61cm deep £3,000 - 5,000*

14 A pair of Louis XV beech and caned fauteuils, mid 18th century, the cartouche shaped back centred by carved foliate decoration, with scrolling armrests, the caned back and seat, above foliate carved apron, on cabriole legs to scrolling feet, together with a matching side chair (3) £300 - 400*

15 A French provincial chestnut armchair, incorporating 17th century elements, the oak panel backrest with carved armorial, above plank seat on square fluted legs, joined by carved stretchers £80 - 120*

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* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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16 16 A large and impressive cherry wood birdcage, in the Palladian style, late 19th/early 20th century, in the form of a rotunda, with a domed top, the door in the form of a portico with a triangular cornice, the sides with an arched arcade top section with two balustraded balconies and a columned lower section, on cylindrical feet, 100cm high, 65cm wide, 65cm deep £800 - 1,200*

17 A pair of Louis XV serpentine kingwood, parquetry and ormolu mounted encoignures, mid 18th century, with Breche d’Alep marble tops, above two cupboard doors, enclosing shelves, raised on short tapered feet with ormolu sabots, 94cm high, 79cm wide, 53cm deep £3,000 - 5,000*

18 A large painted plaster figure of a blackamoor, 20th century, moulded sitting legs crossed reading a book, wearing a pith helmet, white shirt, green trousers and brown loafers, approximately 120cm high (chair not included) £300 - 500*

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19 A decorative rectangular wall mirror, probably Italian, mid 20th century, with sectional plates the border decorated with monkeys and gilt fretwork panels, 122cm high x 96cm wide £500 - 800*

22 A pair of French three branch gilt metal wall appliques, in Louis XV style, 19th century, with a scrolling foliate back plate, emitting three branches, two terminating in candle cups and leaf form drip pans, 51cm high (2) £400 - 600*

20 A pair of Japanese porcelain bowls, 19th century, with wavy edges, decorated with a band of crayfish within weeds, 12cm diameter, damages (2) £300 - 500* 21 A Dutch twelve light brass chandelier, in the 17th century style, the branches arranged over two tiers around a baluster and ball form column, with a hanging loop, later converted to electricity, 65cm high £300 - 500*

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* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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23 A Louis XV kingwood, tulipwood and gilt metal mounted bonheur du jour, mid 18th century, the superstructure with green velvet lined open compartment, flanked by two cupboard doors, above two drawers, the desk top with green velvet writing surface, above two frieze drawers raised on gently curving cabriole legs with brass sabots, stamped to underside JME, 104cm high, 79cm wide, 41cm deep £700 - 1,000* 24 A Louis XV beech and caned canapé, mid 18th century, the serpentine crest rail centred by carved foliate decoration, with scrolling armrests, the caned back and seat with loose seat cushion, raised on carved cabriole legs to scrolling feet, 100cm high, 120cm wide, 57cm deep £300 - 400*

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25 A Louis XV beech and caned fauteuil, mid 18th century, the cartouche shaped backrest, having carved shell and acanthus leaf decoration, the caned back and seat, with loose seat cushion, above carved c-scroll and foliate apron, on acanthus carved cabriole legs, together with two matching side chairs (3) £200 - 300*

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26 26 A painted bird cage, 20th century, of architectural design with a central cupola and flanking ogee arched sections, the main wire grilled sides with four windows to the front, with a portico to the door, 85cm high, 70cm wide, 34cm deep, and another red painted wire work bird cage, with a single domed section and double doors to the front (2) £300 - 400* 27 A pair of metal hanging ceiling lanterns, 20th century, each with four finials to a raised top, with glazed tapering bodies, hung with chains, 64cm high (2) £300 - 400* 28 A Sitzendorf porcelain equestrian model of Czarina Elizabeth, after JJ Kandler, 20th century, holding a baton in her right hand and wearing the Order of the Polish White Eagle and the Grand Cross of the Order of St. Andrew, together with two other Sitzendorf porcelain figures of a man with a dog and a young lady with a hat, damages (3) £100 - 150*

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29 A pair of Sevres porcelain saucers, 18th century, possibly with later decoration, painted to the centres with vignettes of birds, framed within floral sprays and blue and gilt ribbon devices with gilt foliate fronds and beading to the rims, crossed LL’s to base with date letters for 1761 and 1767, together with a Sevres style tea bowl (3) £400 - 600*

29 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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30 A Continental cylindrical glass and silver mounted box, late 19th/early 20th century, the lid inset with a portrait of Minerva, the silver mount moulded with laurel leaves, 4cm diameter, together with a Meissen tea bowl, decorated internally with gilt flowers, with Deutsche blumen flowers to the exterior, under glaze crossed swords to base, 6.8cm, together with a collection of miniature porcelain items, mostly Sitzendorf, decorated in the Meissen taste, to comprise a tea pot, lacking lid, a jug, a pair of saucers with two cups (7) £200 - 300* 31 A French oak figure of Christ, 17th/18th century, carved holding a lamb, 49cm high, together with a female figure of a saint, possibly Mary Magdalene, both bearing traces of gilding and paintwork, 49cm high (2) £300 - 500*

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32 A pair of Continental gilt framed wall mirrors, late 19th/20th century, of shaped outline, with scrolling designs to top and base, 39 x 27.5cm, together with a pair of reverse painted pictures on glass of panoramic landscapes in gilt wood frames (4) £150 - 250* 33 A French mahogany three tier etagere, early 19th century, with three white marble and brass galleried tiers, raised on moulded incurving tripod legs with hoof feet, 97cm high, 80cm diameter £300 - 500* 34 A set of four French beech provincial children’s chairs, 18th century, the carved scroll top crest rail over vase shaped splat, with overstuffed seats, on front cabriole legs united by H-shaped stretchers, to include two armchairs and two side chairs (4) £300 - 400*

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35 A Louis XVI bureau plat, late 18th century, with brass mounts, the rectangular top inset with green leather writing surface, above three frieze drawers, opposed by three faux drawers, raised on square tapering legs with brass sabots, 73cm high, 146cm wide, 72.5cm deep ÂŁ2,000 - 3,000*

36 A Dutch marquetry open armchair, mid 18th century, with shell carved top rail and inlaid vase of flowers to the back, with drop in seat above shell carved and floral marquetry rails ÂŁ500 - 800*

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* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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37 A pair of Continental tole ware shaped trays, late 19th/early 20th century, decorated with a landscape scene and a floral scene, 78.5 x 61cm, on wrought iron stands (2) £300 - 500* 38 An impressive Régence style carved and gilded mirror, possibly 18th century, with scroll and foliate carved detail, with arching plate, 212cm high, 124cm wide £4,000 - 6,000* 39 A pair of Louis XV style twin light wall appliques, 19th century, the scrolling back plates of foliate design with oak leaf and acorn corbels, emitting two profusely scrolling and pierced branches terminating in vase form candle cups, with flower form drip pans, 60cm high (2) £500 - 800*

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40 A Victorian three fold arched form decoupage scrap screen, late 19th century, overall applied with sections of printed pictures of fairies, portraits and other subject matter, each leaf 184cm high x 62cm wide, the total width 186cm £100 - 200* 41 A pair of Chinese porcelain saucer dishes, 18th century, decorated in the Imari palate with prunus flowers and branches, with a miniature view of a building, 12cm diameter, together with two Chinese porcelain beakers, one decorated in the Imari palate, one in the blue and white palate, 7cm and 8cm high, damages (4) £200 - 300* 42 A pair of wrought iron fire dogs, 18th/19th century, with knop tops and three hanging hooks to the front, 50cm high, together with a collection of other items, to comprise a pair of modern iron door wedges, a pair of fire tongs and a spade with brass twisted Rococo handles, a wrought iron square section bar with ring handle, a pair of fire tongs with urn form finial, three two light brass and wrought iron wall lights converted to electricity, a pair of bellows and a pair of fire side ornaments with rearing horses (a lot) £200 - 300*

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44 A French ormolu and porcelain encrier desk stand, elements 18th century, to comprise a sand pot, inkwell and central well, with a bird flanked by two candle cups emitting from a bocage of flowers and metal leaves, on a shaped base with acanthus leaf edges, on pierced scroll form feet, damages, 23cm high , 27cm wide £800 - 1,200* 45 A Heriz rug, with three medallions in a deep blue field, 168 x 120cm £80 - 120*

46 A large pair of French cylindrical white pottery lamps, 20th century, with extending brass fittings, 98cm high, together with a white pottery lamp base, with crackleware surface, with a Luminator Francais reflector, a sang-deboeuf glazed lamp with a unicorn to the belly, a sang-deboeuf glazed lamp with ridges to the body, an octagonal facetted wooden lamp base and a French brass candlestick, probably 18th century, converted to a lamp (7) £300 - 500*

43 A Continental tin glazed earthenware blue and white baluster vase, 19th century, mounted as a lamp, with a gilt bronze laurel leaf moulded base, 77cm high, including fitting £200 - 300*

46 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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47 A Louis XV beech fauteuil, mid 18th century, the cartouche shaped back centred by carved rose, with scrolling arms, upholstered in yellow floral fabric, with carved serpentine apron, raised on cabriole legs to acanthus carved feet, together with a Louis XVI style gueridon, early 20th century, the circular white marble top with pierced brass gallery, raised on tapering and fluted supports with brass sabots, 50.5cm high, 50cm diameter (2) £80 - 120*

48 Louis XV tulipwood and bronzed metal mounted bombe commode, mid 18th century, the rectangular top with parquetry medallions, above two short over two long drawers, flanked by figural caryatids, raised on splayed feet, 85cm high, 134cm wide, 59cm deep £2,000 - 4,000* 49 A Louis XV beech fauteuil by ClaudeFrancois Drouilly, the cartouche shaped back, centered by carved foliate decoration, upholstered in red fabric, with scrolling arms, above shaped and floral carved apron, raised on cabriole legs, stamped to underside CF Drouilly JME, together with a Louis XV bergère armchair and a similar Louis XV style bergère armchair (3) Note: Drouilly achieved his mastership as a menuisier in 1748. £600 - 800*

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50 50 A pair of large Continental earthenware baluster vases, late 19th/early 20th century, decorated with continuous friezes of exotic birds and figures within bamboo and prunus landscapes, underside with impressed armorial marks, extensive damage and repairs, 104cm high, together with a lacquer and bamboo table (3) ÂŁ500 - 800*

51 An Italian neoclassical commode in the manner of Giuseppe Maggiolini (1738-1814), Lombardy, late 18th century, the rectangular top with oval floral marquetry medallion, above four long drawers, with marquetry panel depicting a man chopping timber, raised on square tapering legs, 96cm high, 129cm wide, 61cm deep ÂŁ2,500 - 3,500*

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52 A miniature model of a haycart, elements 19th century, with iron bound wheels, used as a book wagon, 60cm high £300 - 500* 53 A Louis XV style beech daybed, 19th century, the serpentine back and side panels, upholstered in peach colored fabric, with loose seat cushion and two bolster cushions, raised on short scrolling feet, 92cm high, 207cm wide, 97cm deep £200 - 300* 54 A Louis XV Provincial walnut and oak writing table, mid 18th century, the later oak top above two frieze drawers, raised on acanthus carved cabriole legs, 73cm high, 150cm wide, 75cm deep £300 - 400*

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55 A Louis XVI Kingwood and parquetry table-enchiffonier, late 18th century, the rectangular top inset with Breche d’Alep marble top, over writing slide and three drawers, on square tapering legs with brass sabots, 77cm high, 45cm wide, 35cm deep, together with another Louis XVI oak and parquetry inlaid table en chiffonier, 72cm high, 55cm wide, 30cm deep (2) £400 - 600*

58 A French wire metal bird cage, late 19th/early 20th century, made in the form of a house with a shaped roof and chimney, with two doors with balconies above, on a rectangular tray base, with bracket feet, 55cm high £100 - 150*

59 A Continental tin glazed earthenware garlic headed bottle vase, 19th century, decorated with friezes of Chinese men in gardens, 56cm high, and blue and white tin glazed earthenware bottle vase with a scrolling handle, decorated with vignettes of Chinese figures (2) £100 - 200*

56 A pine baby walker, 19th century, the superstructure with a multi-facetted top with a tray to the front, with a seat below, with a four wheeled base, 51cm high £100 - 150* 57 A Louis XV Tulipwood, Kingwood and gilt metal mounted table-à-ecrire, mid 18th century, the quarter veneered top above shaped frieze, with opposing drawers at each end, raised on cabriole legs, with gilt metal sabots, 70.5cm high, 86cm wide, 53cm deep £1,200 - 1,800*

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* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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60 A Chinese porcelain famille verte baluster vase, probably 18th century, decorated with a continuous scene of scholars in gardens and at leisure, mounted as a lamp, 70cm high, including the fitting, together with a Japanese porcelain baluster vase, decorated in the Imari palate, mounted as a lamp, 32cm high (2) £400 - 600* 61 A pair of Continental porcelain figures of elephants, mounted on ormolu bases, late 19th/ early 20th century, the elephants probably Samson, modelled standing patiently, with curving trunks and wrinkled skin, on rectangular ormolu bases enriched with scrolling acanthus leaf moulding, 20.5cm high (2) Note: A similar lot was sold at Sotheby’s New York, 2 October 2009, lot 253 £3,000 - 5,000* 62 A pair of carved wood recumbent oxen, Indian, 20th century, white painted with carved and coloured saddle blankets, 74cm long (2) £200 - 300*

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62 63 A Chinese bone and ivory pagoda, early 20th century, in five tiers, each tier with roof gables hung with bells, on a square base, 55cm high £200 - 300* 64 A pair of French gilt bronze two branch wall lights, in the Louis XV taste, 19th century, with foliate scrolling backplates, emitting scrolling branches with entwined leafy sprigs around the branches, to foliage drip pans and foliate vase shaped candle cups, 44cm high (2) £250 - 350*

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65 Two Paris porcelain models of birds, probably a Bittern and a Jay, attributed to Achille Block, circa 1910, modelled perching on insect and fruit encrusted tree stumps, blue cross swords marks and letters AB to stumps, 35 and 32cm high, together with three porcelain models of parrots (5) £300 - 400* 66 A large pair of wrought iron andirons, 19th century, with knop finials, the fronts with hooked racking, on curling feet, 88cm high, together with a pair of modern andirons or log rests, a steel and mesh four fold fire screen, two steel fire tools, a brass log bin, 19th century, a copper vessel with steel handle, a tall brass ewer, a tole wine bottle carrier and a group of metal flowers(a lot) £300 - 500* 67 A pair of Continental white tin glazed earthenware pottery vases, 19th century, filled with fruit and flowers, 37.5cm high, together with a later white glazed pottery urn of fruit and flowers, a pair of Vienna white glazed porcelain figures of children, a white porcelain elephant, a white porcelain cat, a porcelain dog, a collection of Paris type cups and saucers, a hot water jug and cover, a head of a unicorn, a pair of flower encrusted bottle vases and two sea creatures, a tin glazed earthenware tazza, a porcelain star fish and a shell, together with eleven tin glazed earthenware pots with lids, decorated with flowers, possibly for apothecaries use (a lot) £100 - 200* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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68 A French oak cellar table, late 19th/early 20th century, the rectangular top with later drop leaf end sections, above frieze drawer, upon turned legs, 77cm high, 213cm extended, 84cm deep £200 - 300*

69 A copper and a brass ladle with wrought iron handles, 19th century, 89cm long together with another conical measure, a wrought iron padlock and key, three sets of weighing scales, a pair of scissors, a draw knife, three steel & treen herb cutters, a steel coffee roaster, a collection of pewter to include a salt box and plates with covers and other items of kitchenalia, to include three presses and a coffee grinder (a lot) £300 - 500* 70 A large copper preserve pan, 19th century, with two brass handles, 46cm diameter £100 - 200* 71 A French pine dresser, late 19th century, with carved two shelf back, over two drawers and a pair of panelled doors, 194cm high, 120cm wide, 44cm deep £100 - 200* 72 A German blue and white porcelain dessert service, to include some Meissen pieces, late 19th/20th century, decorated in the onion pattern, to comprise four comports with high sides, a tall comport, three low pedestal comport, three pierced basket dishes, two oval basket dishes, and twelve pierced rim plates (25) £200 - 300*

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74 73 A German porcelain tureen and cover, late 19th/20th century, the cover with a cherub finial, the body with shell form handles, decorated with birds and pheasants, 26cm high, together with a pottery tureen, the lid with a bird finial, a large faience pottery tureen and cover and a German porcelain tureen and cover, marks for Berlin, with a lemon finial, decorated with sprays of flowers, damages (4) £150 - 200* 74 A Louis XVI fruit wood commode, late 18th century, with veined white marble top, over two long drawers with mirror matched veneer panelling, on tapering legs, 80cm high, 90cm wide, 45cm deep £300 - 400*

77 79 A French pine and wire work birdcage, 19th century, with central domed space with a suspension ring top, the sides of panelled form with bars, with a metal tray base, on ball feet, 90cm high, 77cm wide, 37.5cm deep £500 - 700* 80 A French gilt metal eight light chandelier, in the Louis XV style, 19th century and later, the main stem in the form of a spiralling vine form with basket base hung with glass ivy leaves, emitting curling branches terminating with painted glass flower head decorations, 80cm high, together with a pair of wire form six light chandeliers (3) £300 - 400*

75 A set of three Louis XV style beech and caned fauteuils, 19th century, with shell and foliate carved crest rail, the caned back and seat with carved scrolling arms, having conforming apron on acanthus carved cabriole legs (3) £100 - 200* 76 A Louis XVI provincial commode, late 18th century, the rectangular top, above two panel inlaid drawers on square tapering legs, 84cm high, 117cm wide, 59cm deep £100 - 150* 77 A French oak carved oak coffer, 18th century and later, the top with moulded edge, the front with pair of bead carved panels, with slay feet, 41cm high, 76cm wide, 34cm deep £200 - 300* 78 A Dutch floral marquetry side table, 19th century, the rectangular top above shaped apron frieze, on tapering octagonal supports, united by an x-shaped stretcher, raised on bun feet, 71cm high, 64cm wide, 52cm deep £150 - 200*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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81 A white painted oval mirror, late 19th/early 20th century, moulded with roses, 89 x 78cm, together with a printed picture of a unicorn, late 20th century, in a silver metal frame and a rectangular mirror, with ovoid moulding to the edge (3) £80 - 120*

83

82 D’ Harcourt, Compte Louis, Connetables et Marechaux de France, Paris, 1913, in two volumes, together with Reines et Regentes de France 987-1793, Paris, 1907, in blue cover and Les Armoiries de la Maison de La Rouchefoucauld by Jean Marchand, in embossed leather binding (4) £200 - 300*

83 A pair of Dutch Delft octagonal vases and covers, 19th century, the lids with Chinese dog finials, decorated with panels of country courting couples and barging scenes, on floral grounds, 51.5cm high, together with a larger pair of Dutch baluster octagonal vases in Chinese style, of similar style decorate with birds and flowers (4) £500 - 700* 84 A pair of Chinese porcelain blue and white jars and covers, 20th century, decorated with birds on rock work within plum blossom and chrysanthemums, 37cm high, together with a smaller pair of vases with covers, decorated with censers and Chinese characters, 26cm high, all on wooden stands (4) £200 - 300*

84

85 A pair of French white tin glazed earthenware three light candelabra, in the Chinoiserie taste, probably Pont-auxChoux, 18th century, modelled as a man and woman dressed as Chinese people with flaring hats and fur lined clothes, seated on tree trunks with flowers and leaves to the base, emitting branch like arms terminating in petal rimmed cylindrical candle cups, 24cm high (2) £500 - 800*

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86 A pair of French bronze two branch wall lights, in the Louis XV taste, 19th century, the back plates of acanthus leaf design, emitting two scrolling branches of leaf form terminating with facetted vase shaped candle cups of Rococo taste, 59cm high (2) £400 - 600* 87 A pair of Louis Phillippe bronze and gilt bronze chenets, in the Louis XVI style, mid 19th century, modelled as children wrapped in blankets emblematic of Winter, on stepped beaded bases, applied with stiff floral mounts and pierced foliate designs, on laurel and berry mounted feet, 36cm high (2) £300 - 500*

88

88 A Continental fretwork wood and wire birdcage, possibly Swiss or German, late 19th century, with pierced fretwork gable ends and fretwork extensions to either end containing doors, the sides of panelled wirework, 70cm high, 60cm wide, 42cm deep £200 - 300* 89 A pair of Louis XV beech fauteuils by Nicolas Simon Courtois, mid 18th century, the crest rail centered by carved foliate decoration, with green velvet upholstery, having downward swept and scroll carved arms, on foliate carved cabriole legs to scrolling feet, one chair stamped ‘N.S Courtois’ (2) Note: Courtois achieved his mastership as a menuisier in 1766. £100 - 150* 90 A Dutch floral marquetry dressing table, 19th century, the rectangular swing plate between double c-scroll supports, the two drawer table base with shaped apron, raised on carved cabriole legs, the mirror and supports added later, 132cm high, 77cm wide, 52cm deep £500 - 800* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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91 A near pair of Japanese blue and white jardinières, 20th century, decorated with landscapes of gardens, with cockerels and pheasant, extensive frost damage and repairs, 51cm high x 67cm diameter and 50cm high x 63cm diameter (2) £800 - 1,200* 92 A French marquetry chest of three drawers, 18th century and later, profusely inlaid with floral marquetry panels with canted corners on turned tapering legs, 85cm high, 82cm wide, 52cm deep £600 - 800*

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93 A pair of French provincial oak chevets, late 19th/ early 20th century, each with single drawer above open compartment with shaped apron, raised on cabriole legs, 58cm high, 39.5cm wide, 30.5cm deep together with a French chip carved coffer, 18th century, 43cm high, 58cm wide, 31cm deep and an oak tile top bench, early 20th century, on carved griffin supports, 39cm high, 189cm wide, 36cm deep (3) £150 - 250* 94 A near pair of Regency style painted metal hanging lanterns, late 20th century, 65cm high, together with a grey painted wood and wirework bird cage of architectural form, a smaller painted fretwork bird cage and four decorative figures of birds (8) £200 - 300* 94

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95 A French walnut games table, 19th century, the fold over top inlaid with parquetry chessboard, enclosing fawn baize lined playing surface, raised on square tapering legs with brass sabots, 76cm high, 89cm wide, 31cm deep £100 - 150* 96 A Louis XV tulipwood and gilt metal mounted bureau-de-dame, mid 18th century, overall quarter veneered, the fall enclosing green leather writing surface, four drawers and sliding panel enclosing storage compartment, raised on cabriole legs with gilt metal sabots, twice stamped to underside JME with indistinct makers stamp, 95cm high, 78cm wide, 51cm deep £400 - 600*

98 A Louis XVI Kingwood and ebony strung poudreuse, late 18th century, the quarter veneered top panels, having central hinged section with mirror to the reverse, flanked by hinged compartments, above brushing slide, two drawers and one faux drawer, raised on square tapering legs 78cm high, 97.5cm wide, 48.5cm deep £200 - 400* 99 A Louis Vuitton wardrobe trunk, 20th century, with brass and leather edges, with hanging space and four stamped hangers with a ratchetted rail, with five drawers opposing, leather label to interior, Paris 70 Champs Elysees, Nice 4 Jardin Public, Lille 34 Rue Faidherbe, London 149 New Bond Street, faintly numbered 77629, with stamped hasps, no. 071326, 43cm high x 113cm wide x 56cm deep £2,000 - 3,000*

97 Two large pottery baluster vases, 20th century, in red and green hues, mounted with pierced ormolu collars, the bases with scrolls and shell moulding, with flowers and grapes, 51cm high (2) £300 - 400*

99 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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100 A set of mahogany and caned library steps, 19th century, with three tan leather inset steps, the top step with two cupboard doors, the sliding middle step, enclosing storage space within, raised on turned and tapering legs, 71cm high, 48.5cm wide, 73cm deep £150 - 250* 101 A Louis XV Kingwood and parquetry serpentine commode, mid 18th century, with Breche d’Alep marble top, above two panel veneered and bronzed metal mounted drawers, over shaped apron, raised on gently curving legs to metal sabots, 87cm high, 114cm wide, 58cm deep 600 - 900* 102 Three French maritime prints of the battle of Toulon, 1796, late 18th/early 19th century, within rectangular mahogany frames, the frames 78 x 97cm, together with a print of a coastal scene, with a gilt frame (4) £300 - 400* 103 A pair of single beds, early 20th century, the ends with moulded and shaped top rails, covered in Paisley pattern fabric, each 90cm high, 198cm wide, 97cm deep (2) £200 - 300*

101

104 A pair of Continental grey metal three light low candelabra, late 19th/early 20th century, in the rococo taste, 28cm high, together with a heavy brass tap, a miniature model of a cannon, two brass mortars, a pestle, a collection of brass animals, a stove, a five light candelabra and a metal lotus flower (a lot) £150 - 200*

105 A French walnut bureau, 19th century, the fall enclosing green felt writing surface, with an arrangement of six drawers, two pigeon holes and slide enclosing storage compartment, with two short over two long drawers, raised on tapering and fluted feet, 107cm high, 94.5cm wide, 53cm £150 - 250*

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106 A Louis XVI Kingwood, sycamore and gilt metal mounted table-a-ecrire, late 18th century, the rectangular top inset with black leather, above three frieze drawers, on square tapering legs with brass sabots, 77cm high, 103cm wide, 62cm deep £1,000 - 1,500*

107

110 A picture of the Christ child, late 19th/early 20th century, depicted seated on a cushion with birds and leaves, of verre eglomise type, with printed elements, in a rectangular frame, 43.5 x 31cm, together with six other prints of religious subject matter, all framed and glazed (7) £80 - 120*

107 A Charles X figured walnut commode, early 19th century, the rectangular black fossil marble top above cushioned frieze drawer and three long drawers with ormolu handles of Egyptian influence and escutcheons, 81cm high, 98cm wide, 54cm deep £300 - 400*

111 A near pair of French brass candlesticks, 18th century, 24cm high, together with a pair of two light silver metal candelabra, and a pottery tobacco jar, with a metal cover (5) £80 - 120*

108 A French beech double bedframe, 18th century and later, the headboard with carved scrolling foliate decoration, having Chinoiserie upholstered panel, with conforming carved side rails and footboard, raised on baluster feet, 123cm high, 190cm wide, 128cm deep £200 - 300*

112 A Louis XV Kingwood and parquetry serpentine commode, mid 18th century, with grey and white veined marble top, above two long bronzed metal mounted drawers, over shaped apron, raised on gently curving legs, 80cm high, 97cm wide, 56cm deep £600 - 900*

109 A miniature walnut and pewter inlaid chest of drawers, 19th century, 24cm high x 26cm wide x 18.5cm deep, together with a four section wooden tray, a set of brass postal scales, a French rosewood and inlaid box, filled with printing blocks, a leather box, two leather covered cases with knot handles, a set of three wooden technical drawing squares, stamped Hijos de Jose Taxidor and a tin glazed earthenware dish (a lot) £100 - 200*

112 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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113 A large oak cased part canteen of French silver cutlery,

by A. Aucoc, Paris, late nineteenth/early twentieth century, stamped with French marks for 950 silver, some with maker’s mark for Prudent Quitte, the canteen with lifting trays, comprising: 72 table knives, 71 table forks, 47 dessert knives, 22 dessert forks, 24 dessert spoons, 30 soup spoons, 17 teaspoons, four serving spoons, a selection of serving implements, four salts with glass liners, a pair of sugar nips and a cheese knife, case measurements 59cm x 38cm x 33cm, knives with silver or steel blades and weighted handles, total weighable weight approx. 454oz £5,000 - 7,000* 113

114 A large leather bound and gilt embossed rectangular games box, 20th century, to enclose a rosewood folding chess set, together with four sets of games pieces, together with three other boxes of similar design, filled with card trays and counters, with a collection of twelve Continental ivory and hardwood bezique markers and a red leather games box with counters and bezique markers (a lot) £400 - 600*

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115 115 An Agra design carpet, 20th century, the pole medallion in red field woven with wild beasts, flowering tendrils and running deer, having Kashmir hook stitch, with straw coloured main border, 430cm x 303cm £800 - 1,200* 116 A large collection of painted metal soldiers, late 19th/early 20th century, to comprise troops and mounted cavalry, with two field guns and attendants, together with other cased soldiers and unpainted cast blanks, with a book, Nos Soldat du Siecle par Caran D’ Ache, (a lot) £300 - 400*

116 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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118 A Louis XV amaranth and gilt metal mounted encoignure by Jean-Baptiste Vassou (1739-1807), mid to late 18th century, with white marble top, above cupboard door, flanked canted corners, raised on tapered feet, stamped J B Vassou and twice stamped JME 96cm high, 85cm wide, 54cm deep Note: Vassou achieved his mastership as a menuisier in 1767. £150 - 250* 119 A pair of Continental white glazed pottery models of dogs, 20th century, modelled seated on their haunches, on rectangular bases, 83cm high (2) £150 - 200* 120 A large carved wooden duck, late 20th century, with painted decoration, 70cm high, 73cm long, together with a modern mortar and pestle, a turned vase, two covered boxes and a carved and painted farmyard duck (6) £100 - 200* 121 A Continental aubergine coloured enamelled iron stove, 20th century, 59cm high, 59.5cm wide, 32cm deep £80 - 120* 117 117 A large wirework bird cage, of architectural form, late 19th/20th century, with an octagonal form cupola, with arched windows, the façade with three pierced triangular gables, with two levels of arcades and grilled sides with a panelled back, with grilled base, 116cm high, 72cm wide, 38cm deep £800 - 1,200*

122 A set of seven white marble mortars, 18th/19th century, each with four lugs to the rim, the largest 30cm high, together a modern mortar and two pestles (7) £200 - 300*

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123 125

123 Two Chinese porcelain punch bowls, 18th century, one decorated with vignettes of fruit and flowers, with puce swags to the rim, 28.5cm diameter, one with swags with pink scale grounds to the rims, with sprays of flowers to the exterior, together with a Chinese porcelain charger, decorated with armorials of a raven with a crown and fish, with a central floral reserve, 31,.5cm diameter and a Chinese porcelain charger, decorated in the Imari palate, 33cm diameter, damages (4) £500 - 800* 124 A Chinese porcelain ovoid teapot and cover, 18th century, decorated in the famille rose palate with flowers and leaves, 15.5cm high, together with a similar tea pot decorated with sprays of flowers in cornucopias in pink and gilt (2) £150 - 250*

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127 A large Chinese porcelain jug, 18th century, decorated with chrysanthemums, rock work and foliage with two branches containing perching birds, with repaired metal handle, lacking cover, 23cm high, together with a smaller jug and cover with later repairs, and a small Chinese porcelain bowl, 18th century, with wavy rim, decorated with sprays of flowers, on a later metal stand (3) £150 - 250*

125 A Chinese porcelain coffee/chocolate pot and cover, Qianlong, of tapering design with long spout and handle, decorated in the famille rose palate with chrysanthemums, 22.5cm high £500 - 800* 126 A pair of Chinese porcelain chargers, Yongzheng, with wavy rims, decorated in the famille rose palate with Chrysanthemums, with Chrysanthemum heads to the rims, within foliate reserves, 38cm diameter (2) £800 - 1,200* 127

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128

128 A pair of Chinese porcelain cups and saucers, 18th century, decorated with chrysanthemums and foliage, 10cm diameter, together with another cup and saucer decorated in the Imari palate and a Chinese custard cup and cover, with five other pieces of Chinese porcelain, mostly with damages (a lot) £150 -200* 129 A brass candlestick, probably Dutch, 18th century, 22.5cm high, together with a similar candlestick, 21cm high (2) £200 - 300* 130 A group of blue and white printed pottery

by Feria, late 19th/early 20th century, printed with poppies and shells, to comprise a tureen and lid, a tureen for mustard pot and lid, a sauce boat, an oval dish, a pedestal dish, an oval boat shaped dish, fourteen plates and eighteen shallow bowls, together with other pieces of blue and white pottery, to include four tureen lids, dishes and a platter, printed with armorials and a quantity of printed dishes and plates from E. Gallee, 43 Rue Bonaparte, Paris (a lot) £80 - 120*

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131 A silver plated and glass lemonade jug, 20th century, 26cm high, together with two smaller glass decanters with stoppers and six green glass bottles, one with a metal tap, a glass barrel with ribbed decoration and a hole for a tap and a cylindrical bottle with three spouts (11) £100 - 150* 132 A set of four wooden lawn bowls by Taylor Rolph Co. Ltd., in a canvas bag, together with a lacquered circular tray decorated with roses and flowers, a cast iron model of a macaw, two models of curlew by Country corner, two carved wood models of the Virgin and child and a ships figure head, a cast resin Negro sweetmeat basket , a pair of hardwood elephant bookends, a silver plated and glass spirit flask and cup in a leather case, three treen items, two leather desk accessories, a shoe horn, a wall clock lacking a movement and an alarm clock in a wooden case (a lot) £80 - 120* 133 A pair of pottery dogs by Prunet of Paris, mid 20th century, 20cm high, together with a pottery model of a dog, with a bell on its collar, a chinoiserie style tin glazed earthenware jar and cover, with a parrot finial, with various items of tin glazed pottery to include a Minton type majolica dish (a lot) £100 - 150*

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134 An Italian rectangular pietra dura specimen marble table top, 19th century, inset with fifty four square marble specimens, to include malachite, lapis lazuli and porphyry, within bands of white and green marble, 42 x 29.5cm £300 - 500* 135 A pair of French graduated fruitwood and pine four tier hanging corner shelves, late 19th century, 101cm high, 71cm wide, 36cm deep £200 - 300* 134 136 A French carved giltwood mirror, 18th century, with a flaming torch cresting, with flanking scrolling foliate decoration, the mirror of tapering shape with scale form edging, with pierced flower head motif supported by C scrolls to the base, 60cm high, together with a pair of wall brackets with bow fronted tops on openwork supports and a pair of shield form shaped mirrors (5) £150 - 200* 137 A set of four green tole-peinte wall lamps, in the 19th century style, of recent manufacture, 48cm high (4) £100 - 200*

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139

138 A Continental tin glazed terracotta portable stove, 19th century, with wooden handles and on four casters, 44cm high, together with a pair of white glazed pottery twin handled flower urns with pierced floral apertures to the covers, a white pottery wall cistern with a brass tap and an oval basin, both moulded with faux basket work (5) £100 - 150*

140 A Bow porcelain figure of an old man, representing Winter, circa. 1755, modelled seated on a log with a cane in his hand, warming himself by a brazier, on a pad base, 13cm high Note: A similar piece exists in the collection of the Victoria and Albert Museum, no. C.169A-1935 £200 - 300*

139 A French painted pine bird cage, 19th century, with an octagonal cupola with a ball finial, with flanking ogee arch roof sections, the grilled sides with windows to the front, with a classical portico entrance door, 63cm high, together with another fretwork cage, with two side doors and a bamboo and wire cage (3) £300 - 400*

141 A large Chinese black glazed pottery Tang style horse, of recent manufacture, moulded in a proud standing stance, rearing his head, 70cm high, together with a pair of Chinese pottery models of horses, a Ming style pottery roof tile with a figure riding a goose, a pair of porcelain jardinières and an 18th century Chinese bowl, decorated with a shaped vignette of flowers and leaves (7) £100 - 200* 142 An American wall clock. late 19th/early 20th century, of lancet form, the dial with a Roman chapter ring and pierced hands, above a verre eglomise type printed panel of a church, 49cm high, together with a treen wool winder, a nail studded cudgel, a pair of brass scales with weights and four various embossed leather desk accessories (8) £100 - 150*

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143

143 A part canteen of French cutlery in oak case, by Prudent Quitte, late 19th/early 20th century stamped with French marks for 950 silver and Bigorne marks, the flatware with scalloped terminals, stepped borders and coat of arms to reverse, the part canteen comprising 10 table forks, 13 dessert forks, 13 dessert spoons and 15 soup spoons, 52cm x 30cm x 18cm, approx. total weight 107.5oz £1,000 - 2,000*

144 Two wood and iron bound bowling balls, 20th century, together with a sycamore grain shovel, 122cm long, (3) £100 - 150* 145 Three albums of photographs, late 19th century, showing views of hunting and other equestrian pursuits, views of Scotland and country properties, one with embossed title Chateau de Bonnetable (3) £100 - 150*

146 A pair of French bisque porcelain figure groups of cherubs, in the Sevres taste, late 19th/early 20th century, each modelled in the style of Boucher as pairs of cherubs capturing and releasing birds within rocky landscapes, on oval moulded bases, the highest 20cm (2) £200 - 300*

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147 147 A Louis XV beech bergère armchair, mid 18th century, the cartouche shaped back centred by carved floral decoration, with scrolling arms, upholstered in red fabric with loose seat cushion, with floral carved apron on short cabriole feet, together with a similar Louis XV style bergère armchair, 19th century (2) £600 - 800* 148 A Continental gold and ivory sectional walking cane, late 19th /early 20th century, the gold stylised ‘L’ form handle set to either side with cushion and circular-cut ruby and rose-cut diamond floral motifs, with rose-cut diamond and cushion shaped ruby accents, 87cm long £600 - 1,000*

149 A pair of French ormolu and patinated bronze andirons, in the Louis XV taste, 19th century, each with scrolling and acanthus leaf bases with a seated dog to the interior, with log bars behind, 25cm high (2) £400 - 600* 150 A patinated cast iron horses head, 19th century, possibly an armorial finial, with ring handles to the base, and ring in its mouth, 27cm high, together with a printed and painted tole ware tray decorated with a view of the Great Exhibition (2) £100 - 150*

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151 A French silver brandy saucepan, Paris, 19th century, Philippe Berthier, with wooden handle and rounded pouring spout, together with a Continental silver topped whip, chased with floral decoration, marks rubbed, approx. weight of pan (inc handle) 8.1oz (2) £200 - 300* 152 A large white metal elephant box, chased with traditional Indian decoration and depicted with trunk and tusks raised, together with two smaller trinket pots, one with carved nephrite floral decoration to lid, the other shaped as a heart with a silver plated lid, and a cylindrical glass jar topped with ram’s head (4) £100 - 150* 153 A French silver trophy bowl, raised on a circular wooden foot, the interior of rim engraved Golf Club MarseilleAix, 1938, dia. 17.3cm, together with a Continental silver plate, the openwork rim decorated with foliate garlands and scrolls, dia. 21.5cm, a silver-topped magnifying glass, Birmingham, c.1930, a silver plated jug, 18cm high, a silver plated ashtray, designed as a golf ball with revolving tray, and a teacup holder, weighable weight approx. 7.6oz (6) £200 - 300*

154 After Rioult, a pair of prints of a nude muse and child with a duck, 19th century, within yellow pine and black line frame, 51 x 42.5cm, together with a pair of views of Paris, a view of Chateau du Hombourg, a coloured etching, within gilt faux bamboo frame, a view of Chateau de Celles, a print of the Forum, Rome and another Spanish print (8) £80 - 120*

155 After Carnicero lo dibuyo, Frate Corto and Galope Sostenide, 19th century, a pair of equestrian prints, in gilt frames, 55.5cm x 43.5cm, together with two prints after Boucher, La Petit Reposee and Pensent Ils a ce Mouton, an engraving after William Wynne Ryland, a portrait of a young girl, a print of a French coaching scene and a print of ladies at court (7) £80 - 120*

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157 Richard Josey, British, 1840-1906, With the blue and buff, Great Wood, ‘Going away’, after Allen C. Sealy and A. H. Wardlow; hand-coloured photogravure, published by Dickinson and Foster, Publisher’s to the Queen, 114 New Bond Street, London, 1st May 1890, 55x79cm: together with four hand-coloured lithographs of hunting scenes, a hand-coloured aquatint of a coaching scene and a pair of hand-coloured aquatints of horseracing scenes at Epsom and Newmarket, various sizes, (8) £100 - 200* 156

157

158 J. Carot, French, 19th century, Trophees, Pêche maritime & Trophees, Chasse à courre, after Victor Adam; handcoloured lithographs, a pair, 63x44cm: together with a pair of hand-coloured aquatints of various beached marine animals and three hand-coloured lithographs of hunting scenes, various sizes (7) £100 - 200* 159 A large model of a galleon, 77cm high, together with a pair of pierced cast iron ewers, a brass ships lamp, with a swinging gimbal action, a tin glazed earthenware square dish and a pair of silver plate and glass dishes (6) £200 - 300*

156 Pierre Cottin, French, 1823-1886, Elegant riders with dogs in a wooded landscape, after Alfred de Dreux; hand-coloured engravings, a pair, published by Goupil & Cie, 1st October, 1858, Paris, London, ea. 44x57cm Provenance: with The Parker Gallery, London, according to the labels attached to the reverse of each of the frames: After Francisque Rebour, French, 19th century - coaching scenes, handcoloured photogravures, a pair, ea. signed and numbered 131 of 300 by the artist, published by Henaut, Paris: together with a handcoloured engraving after St Aubin of an elegant lady in a dress and large bonnet, four chromo-lithographs of birds of prey, two handcoloured engravings of parrots and a pair of hand-coloured lithographs of bull fighting scenes, various sizes, (12) £100 - 200*

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160 Malot H.; L’Amour dominateur, first edition, quarter sheep, marbled boards, slight browning, spine and extremities bit worn, 8vo, Paris, Flammarion, [1896]; Bretonnière (J. de) Adolescence, first edition, quarter sheep, marbled boards, slight browning, 8vo, Paris, Lemerre, 1897; Tréville (O. de) Les jeunes filles, first edition, quarter sheep, marbled boards, slight browning, spine bit worn, 8vo, Paris, 1901; and others, Bonnétable bookplate or gilt monogram to spine (v.s.) (quantity) [sold not subject to return] £200 - 300*

164 Dumas A. ; Le maître d’armes, quarter crushed morocco, marbled boards, light marginal water stain, the odd marginal tear, boards bit rubbed, 8vo, Paris, Lévy, 1861; Bazin (R.) La terre qui meurt, first edition, quarter sheep, marbled boards, slight browning, 8vo, Paris, Lévy, 1899; Barrière (M.) Le monde noir, quarter calf, marbled boards, occasional spotting, boards bit rubbed, 8vo, Paris, Lemerre, 1909; with others, Bonnétable bookplate or gilt monogram to spine (v.s.) (quantity) [sold not subject to return] £200 - 300*

161 Dumas Fils , A.; Nouveaux entr’actes, first edition, quarter sheep, marbled boards, little yellowing or spotting, spine bit rubbed, 8vo, Paris, Calmann-Lévy, 1890; Bourget (P.) Un divorce, quarter calf, marbled boards, slight browning or spotting, 8vo, Paris, Plon, 1904; Zola (E.) Une page d’amour, folding plate, quarter crushed morocco, marbled boards, somewhat foxed and yellowed, 8vo, Paris, Charpentier, [1899]; and others, Bonnétable bookplate or gilt monogram to spine (v.s.) (quantity) [sold not subject to return] £200 - 300*

165 Theuriet A.; Mademoiselle Roche, first edition, quarter crushed morocco, marbled boards, slight browning, boards little rubbed, 8vo, Paris, Lemerre, 1891; Maël (P.) Solitude, first edition, quarter sheep, marbled boards, slight browning, spine sunned and rubbed, 8vo, Paris, Ollendorff, 1893; Gaulot (P.) Un ami de la Reine, quarter sheep, marbled boards, slight yellowing or spotting, boards and spine rubbed, 8vo, Paris, Ollendorff, 1893; with others, Bonnétable bookplate or gilt monogram to spine (v.s.) (quantity) [sold not subject to return] £200 - 300*

162 Sonal M.; Gréhon (V.) Le voyage en Suède, quarter calf, marbled boards, little browning, spine sunned, 8vo, Paris, Tresse & Stock, 1891; Lesueur (D.) Justice de Femme, quarter calf, marbled boards, slight browning, spine sunned, joints bit rubbed, 8vo, Paris, Lemerre, 1893; D’Enilec (C.) Herbe folle, first edition, quarter sheep, marbled boards, slight browning, bit rubbed, 8vo, Paris, Plon, [1897]; with others, Bonnétable bookplate or gilt monogram to spine (v.s.) (quantity) [sold not subject to return] £200 - 300* 163 Halévy L.; Madame et monsieur Cardinal, quarter sheep, marbled boards, little yellowing, spine sunned and bit rubbed, 8vo, Paris, Lévy, 1884; Theuriet (A.) Le bracelet de turquoise, quarter sheep, marbled boards, little browning or spotting, spine sunned, 8vo, Paris, Charpentier, 1890; Brète (J. de la) Illusion masculine, first edition, quarter sheep, marbled boards, little yellowing, spine bit rubbed, 8vo, Paris, Plon, [1908]; with others, Bonnétable bookplate or gilt monogram to spine (v.s.) (quantity) [sold not subject to return] £200 - 300*

166 Theuriet A.; Charme dangereux, quarter sheep, marbled boards, slight browning, spine bit rubbed, 8vo, Paris, Lemerre, 1894; Prévost (M.) Femmes, quarter sheep, marbled boards, slight yellowing or spotting, spine bit rubbed, 8vo, Paris, Lemerre, 1897; Claretie (J.) Le prince Zilah, first edition, quarter sheep, marbled boards, slight yellowing or spotting, tall 8vo, Paris, Borel, 1898; with others, Bonnétable bookplate or gilt monogram to spine (v.s.) (quantity) [sold not subject to return] £200 - 300* 167 Prévost M.; Le jardin secret, quarter sheep, marbled boards, slight browning, spine sunned, bit rubbed, Paris, Lemerre, 1897; Paléologue (M.) Sur les ruines, first edition, quarter sheep, marbled boards, slight yellowing, spine bit soiled and rubbed, 8vo, Paris, Lévy, 1897; Daudet (E.) L’Espionne, quarter calf, marbled boards, slight browning or spotting, spine bit soiled, 8vo, Paris, Ollendorff, 1905; with others, several with Bonnétable bookplate or gilt monogram to spine (v.s.) (quantity) [sold not subject to return] £200 - 300*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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168 Sienkiewicz H. ; Bartek le Victorieux, quarter sheep, marbled boards, some browning, spine sunned, extremities bit rubbed, 8vo, Paris, Ollendorff, 1901; Serao (M.) Châtiment, quarter sheep, marbled boards, some browning, spine sunned, Paris, Ollendorff, 1902; Claretie (G.) Derues l’empoisonneur, first edition, quarter sheep, marbled boards, some browning, spine bit soiled, 8vo, Paris, Fasquelle, 1906; with others, Bonnétable bookplate or gilt monogram to spine (v.s.) (quantity) [sold not subject to return] £200 - 300* 169 Stryienski C.; Deux victimes de La Terreur, first edition, quarter sheep, marbled boards, slight browning or spotting, spine bit rubbed, 8vo, Paris, Girard & Villerelle, [1899]; Daudet (E.) Mémoires du Cte Valentin Esterhazy, first edition, quarter sheep, marbled boards, two plates, slight browning, spine sunned, 8vo, Paris, Plon, 1905; Bigot (C.) Un témoin des deux restaurations, first edition, one plate, quarter sheep, marbled boards, some browning, spine rubbed, 8vo, Paris, Flammarion, [1892]; with others, Bonnétable bookplate or gilt monogram to spine (v.s.) (quantity) [sold not subject to return] £200 - 300* 170 Thirion H. ; La vie privée des financiers au XVIIIe siècle, first edition, quarter sheep, marbled boards, some foxing, spine little soiled, Paris, Plon, 1895; Funck-Brentano (F.) Légendes et archives de la Bastille, first edition, quarter sheep, marbled boards, five plates, slight browning or spotting, spine sunned, 8vo, Paris, Hachette, 1898; Van Kalken (F.) Histoire de Belgique, illustrations, quarter sheep, marbled boards, slight browning, 8vo, Brussels, Lebègue, 1924; with others, Bonnétable bookplate or gilt monogram to spine (v.s.) (quantity) [sold not subject to return] £200 - 300* 171 Guizot M. ; L’histoire de France […] jusqu’en 1789 racontée à mes petits-enfants, 5 vols, wood-engraved illustrations, publisher’s cloth, gilt, a.e.g., some foxing, couple of leaves stained, joints little rubbed, 4to, Paris, Hachette, 1879; Guizot (M.) L’histoire de France depuis 1789 jusqu’en 1848, 2 vols, wood-engraved illustrations, publisher’s cloth, gilt, a.e.g., some foxing, 4to, Paris, Hachette, 1878; with Bonnétable bookplates (7) £200 - 300*

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172 Lacroix P.; Le Moyen Age et la Renaissance, 5 vols, first edition, illustrations, half crushed morocco, marbled boards, slight foxing or browning, spines lightly waterstained, 4to, Paris, Administration, 1848-51; Wallon (H.) Jeanne d’Arc, illustrated edition, publisher’s quarter crushed morocco, cloth boards, gilt, a.e.g, slight foxing or toning, Paris, Firmin-Didot, 1876; Saint-Amand (I. de) La Cour de Charles X. Première Partie. La Duchesse de Berry, part 1 of 3 only, illustrations, publisher’s cloth, gilt, prize book plate to ffep, slight yellowing or spotting, extremities rubbed, spine sunned, 4to, Paris, Dentu, 1892; with another (8) £200 - 300* 173 Lavisse E.; Histoire de France contemporaine depuis la Révolution jusqu’à la paix de 1919, 12 vols, first edition, illustrations, publisher’s marbled boards, spine gilt, slight toning, some loss at head of two spines, 4to, Paris, Hachette, 1920-22; Lavisse (E.) Histoire de France illustrée depuis les origines jusqu’à la révolution, 9 vols in 17, illustrations, publisher’s marbled boards, spine gilt, slight toning, occasional minor spotting, 4to, Paris, Hachette, 1911 (29) [sold not subject to return] £200 - 300* 174 Berthet E.; Le marchande de tabac, first edition, quarter sheep, marbled boards, slight browning or spotting, joints bit rubbed, 8vo, Paris, Dentu, 1883; Laurent (C.) L’amour en Prusse, quarter sheep, marbled boards, slight toning or spotting, spine bit soiled and rubbed, 8vo, Paris, Ghio, 1878; Conan Doyle (A.) Le capitaine de l’Étoile-Polaire, first French edition, quarter sheep, marbled boards, some browning, 8vo, Paris, Tallandier, [1907]; with others, several with Bonnétable bookplate or gilt monogram to spine (v.s.) (quantity) [sold not subject to return] £200 - 300* 175 Eidoux-Démians M.; Notes d’un infermière 1914, quarter sheep, marbled boards, slight toning or spotting, spine bit rubbed, 8vo, Paris, Plon, 1915; Estaunié (E.) Le labyrinthe, first edition, quarter sheep, marbled boards, some browning, spine bit rubbed, 8vo, Paris, Perrin, 1924; ClemenceauJacquemarie (M.) Le pot de basilic, presentation copy, quarter sheep, marbled boards, some browning, 8vo, Paris, Tallandier, [s.d.]; with others, several with Bonnétable bookplate or gilt monogram to spine (v.s.) (quantity) [sold not subject to return] £200 - 300*

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176 About E.; Le nez d’un notaire, quarter sheep, marbled boards, some light waterstaning, slight yellowing, 8vo, Paris, Lévy, 1863; Norris (F.) La Pieuvre, first French edition, quarter sheep, marbled boards, some browning, 8vo, Paris, Hachette, 1914; Farrère (C.) Une jeune fille voyagea, quarter sheep, marbled boards, slight browning, spine stained at foot, 8vo, Paris, Flammarion, [1925]; with others, several with Bonnétable bookplate or gilt monogram to spine (v.s.) (quantity) [sold not subject to return] £200 - 300*

177 Plauchut E.; Autour de Nohant, first edition, quarter sheep, marbled boards, slight browning, spine bit rubbed, 8vo, Paris, Lévy, 1897; Lesueur (D.) Madame l’Ambassadrice, first edition, quarter sheep, marbled boards, slight browning, 8vo, Paris, Lemerre, 1907; Stenger (G.) L’imperturbable silence, first edition, original wrappers within, quarter calf, marbled boards, slight browning or spotting, spine sunned, 8vo, Paris, Perrin, 1912; with others, several with Bonnétable bookplate or gilt monogram to spine (v.s.) (quantity) [sold not subject to return] £200 - 300*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

178 Haggard Rider H.; Le Colonel Quaritch, quarter sheep, marbled boards, some browning or spotting, spine sunned, 8vo, Paris, Hatchette, 1895; Buet (C.) Saphyr, first edition, quarter sheep, marbled boards, some browning, joints bit rubbed, 8vo, Paris, Lévy, 1897; Lechartier (G.) La confession d’une femme du monde, first edition, quarter sheep, marbled boards, slight browning or spotting, spine sunned, 8vo, Paris, Plon, 1913; with others, several with Bonnétable bookplate or gilt monogram to spine (v.s.) (quantity) [sold not subject to return] £200 - 300*

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179 Hirsch; St Arroman & Burani Fanfreluche.

Opéra comique en trois actes, first edition, music notation, quarter calf, marbled boards, original wrappers within, slight browning, spine bit rubbed, Paris, Choudens, [1883]; Chivot & Duru Le Grand Mogol. Opéra-Bouffe en 3 actes, first edition, music notation, quarter sheep, marbled boards, original wrappers within, slight browning, spine bit sunned, Paris, Choudens, [1884]; Delmet (P.) Chansons du Quartier Latin, 15 parts in 1, first edition, music notation, quarter sheep, marbled boards, original wrappers within, slight browning, minor loss to spine, Paris, Enoch & Flammarion, [1896]; with others, several with Bonnétable bookplate or gilt monogram to spine (4to) (quantity) [sold not subject to return] £200 - 300* 180 Blum E.; Journal d’un vaudevilliste, 187071, first edition, quarter sheep, marbled boards, slight browning, spine bit soiled, 8vo, Paris, Lévy, 1894; Marryat (F.) Mount Eden, 2 vols, quarter sheep, marbled boards, slight browning, spine bit rubbed, 8vo, Leipzig, Tauchnitz, 1890; Peisson (E.) Gens de mer, cloth, little toning or spotting, Paris, Grasset, 1934; with others, several with Bonnétable bookplate or gilt monogram to spine (v.s.) (quantity) [sold not subject to return] £100 - 200* 181 Labiche E.; Théatre complet, 10 vols, quarter calf, marbled boards, spine gilt, some spotting, edges of boards bit rubbed, Paris, Calmann-Lévy, 1889; Coulevain (P. de) Noblesse américaine, first edition, quarter sheep, marbled boards, slight browning, rubbed, 8vo, Paris, Ollendorff, 1898; Théatre de Meihlac et Halévy, 10 vols, quarter sheep, marbled boards, slight browning or spotting, spines bit soiled, 8vo, Paris, CalmannLévy, [1890]; with others, several with Bonnétable bookplate or gilt monogram to spine (v.s.) (quantity) [sold not subject to return] £200 - 300* 182 Dumas Fils A. ; Théatre complet, 6 vols, illustrations, quarter calf, marbled boards, spine gilt, slight toning or spotting, spine bit sunned, 8vo, Paris, Calmann Lévy, 1890; Dupont (L.) La comédie républicaine, first edition, quarter sheep, marbled boards, slight browning, 8vo, Paris, Dentu, 1872; Théatre de Campagne, quarter sheep, marbled boards, some browning, spines bit soiled, 8vo, Paris, Ollendorff, 1873; with others, several with Bonnétable bookplate or gilt monogram to spine (v.s.) (quantity) [sold not subject to return] £200 - 300*

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183 Appianus Alexandrinus; Romanarum Historiarum libri XII, 17th-century marbled calf, substantial worming to first few gatherings touching text, light waterstaining, 12mo, Lyon, A. Gryphius, 1588; Beauchesne (M.A. de) Louis XVII. Sa vie, son agonie, sa mort, 2 vols, illustrations, quarter sheep, marbled boards, slight toning or spotting, spine bit rubbed, Paris, Plon, 1867; Du Bois-Melly Les Mœurs genevoises de 1700 à 1760, quarter crushed morocco, marbled boards, slight browning, spine bit soiled, 8vo, Geneva, Georg, 1882; D’Avenel (G.) La noblesse française sous Richelieu, first edition, quarter sheep, marbled boards, slight browning, spine sunned, Paris, Colin, 1901; with others, several with Bonnétable bookplate or gilt monogram to spine (v.s.) (quantity) [sold not subject to return] £200 - 300* 184 Bertin G.; Joseph Bonaparte en Amérique, portrait, quarter sheep, marbled boards, slight browning, spine soiled, 8vo, Paris, Nouvelle Revue, 1893; Lévy (A.) Napoléon intime, quarter sheep, marbled boards, slight toning or spotting, 8vo, Paris, Plon, 1893; Rousset (L.) Histoire générale de la guerre franco-allemande, 1870-71, 6 vols plus 1 atlas (56 plates), publisher’s cloth, slight yellowing or spotting, bit rubbed, 8vo, Paris, Montgredien, [1900]; with others, several with Bonnétable bookplate or gilt monogram to spine (v.s.) (quantity) [sold not subject to return] £200 - 300* 185 Ravailhe & Castelbou; Manuel de Confréries, crushed morocco, blind-tooled, little spotting, spine rubbed, 8vo, Paris, Poussielgue, 1858; Lamennais (Abbé de) L’imitation de JésusChrist, crushed morocco, gilt, little spotting, spine bit rubbed, Paris, Engelmann, 1874; Les offices de la Quinzaie de Pâques, crushed morocco, gilt, a.e.g., slight toning, 12mo, Tournay, Desclée, Lefebvre et Cie, 1883; with others (v.s.) (quantity) [sold not subject to return] £100 - 200* 186 Balzac H. de.; [Oeuvres], 20 vols, illustrations, quarter crushed red morocco, marbled boards, spine gilt, slight spotting, plates browned, 8vo Paris, Houssiaux, 1874. (20) £200 - 300*

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186

187 Coppée F.; Poésies 1869-74, 3 vols, half crushed morocco, marbled boards, spine gilt, original wrappers within, slight toning or spotting, 8vo, Paris, Lemerre, [c.1900]; Coppée (F.) Théatre 1869-74, 3 vols, half crushed morocco, marbled boards, spine gilt, original wrappers within, slight toning or spotting, 8vo, Paris, Lemerre, [c.1900]; with others (v.s.) (quantity) [sold not subject to return] £200 - 300*

189 Jussieu , A. de; Cours élémentaire d’histoire naturelle. Botanique, part 3 of 3 only, illustrations, quarter calf, marbled boards, some toning, spine sunned, Paris, Langlois et Leclercq, [c.1840]; Deguin (M.) Cours élémentaire de physique, 2 vols, quarter sheep, marbled boards, little toning, spine sunned, boards rubbed, 8vo, Paris, Belin, 1850; Amiot (A.) Éléments de géométrie, quarter crushed morocco, marbled boards, slight yellowing or spotting, 8vo, Paris, Dezobry, Magdeleine et Cie, 1860 (4) £100 - 200*

188 Rich A.; Dictionnaire des antiquités romaines, illustrations, quarter crushed morocco, marbled boards, slight toning, 8vo, Paris, Firmin Didot, 1859; Martigny (Abbé) Dictionnaire des antiquités chrétiennes, first edition, illustrations, publisher’s cloth, little toning, spine bit rubbed, 8vo, Paris, Hachette, 1865; Nisard (D.) Histoire de la littérature française, crushed morocco, boards and inner edges gilt, a.e.g., little spotting, occasionally rubbed, 8vo, Paris, Firmin-Didot, 1884; with others (v.s.) (quantity) [sold not subject to return] £100 - 200*

190 Grollier, C. de; Manuel de l’amateur de porcelaines [with] Répertoire alphabétique et systématique de toutes les marques connues, 2 vols, illustrations, quarter sheep, marbled boards, slight browning or spotting, Paris, Picard, 1922 and 1914 (first edition) (2) £100 - 200*

187 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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192 191 Buffon, G.L.L. de, Lacépède B.G. de; Oeuvres complètes de Buffon, 10 of 12 vols only, author’s portrait, 2 folding maps, 176 of at least 212 plates only (period colouring), gilt calf, a.e.g., some spotting, several plates somewhat browned or dampstained, small loss at head of one spine, all little cracked, 8vo, Paris, Rapet et Cie, 1817-19; Yauville (M. d’) Traité de vénerie, 4 plates, illustrations, quarter crushed morocco, marbled boards, slight yellowing, some spotting or light waterstaining, head and foot of spine rubbed, 4to, Paris, Tinterlin, 1859; Brandely-Buchon (G.) Traité de pisciculture, 14 plates (8 folding), illustrations, quarter sheep, marbled boards, some spotting, spine sunned, 4to, Paris, Librairie Agricole, 1878; Niedieck (P.) Mes chasses dans les cinq parties du monde, first French edition, illustrations, quarter sheep, marbled boards, slight toning, 8vo, Paris, Plon, 1907; with others, some with Bonnétable monogram gilt to spine (v.s.) (16) £200 - 300* 192 Robert-Houdin , J.E.; Les secrets de la prestidigitation et de magie, first edition, illustrations, one plate, quarter crushed morocco, marbled boards, slight yellowing or spotting, small loss to one corner of upper board, [COPAC locates 2 copies in the UK], Paris, Lévy, 1868; Coynart (Ch. de) Une sorcière au XVIIIe siècle: Marie-Anne de la Ville 1680-1725, first edition, quarter sheep, marbled boards, slight browning, spine bit sunned, Paris, Hachette, 1902; Lorédan (J.) Un grand procès de sorcellerie au XVIIe siècle, first edition, illustrations, quarter sheep, marbled boards, slight age browning or spotting, Paris, Perrin et Cie, 1912; two with Bonnétable monogram gilt to spine (3) £200 - 300*

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195

193 Rambaud A.; Français et Russes: Moscou et Seìvastopol 1812-1854, first edition, quarter sheep, marbled boards, slight toning or spotting, faint stamp to title, spine rubbed, 8vo, [COPAC locates 3 copies in the UK], Paris, Berger-Levrault, 1877; Bocher (C.) Lettres de Crimée, first edition, quarter sheep, marbled boards, some spotting and toning, spine sunned, 8vo, Paris, Calmann-Lévy, 1877; Hennebert (E.) L’aigle russe, first edition, quarter sheep, marbled boards, slight browning or spotting, bit rubbed, spine sunned, 8vo, Paris, Furne, [c.1893] (3) £200 - 300* 194 Daumas E.; Les chevaux du Sahara, quarter calf, marbled boards, some spotting or toning, 8vo, Paris, Lévy, 1857; Didier (C.) Nuits du Caire, first edition, quarter crushed morocco, marbled boards, slight yellowing, occasional browning, monogram gilt to spine, 8vo, Paris, Hachette, 1860; Masqueray (E.) Souvenirs et visions d’Afrique, first edition, quarter sheep, marbled boards, slight browning, spine sunned, 8vo, Paris, Dentu, 1894; Orléans et Bragance (L. d’) Tour d’Afrique, first edition, 29 plates, quarter sheep, marbled boards, slight toning or spotting, 8vo, Paris, Plon, 1902; Naayem (J.) Les Assyro-Chaldéens et les Arméniens, first edition, illustrations, quarter sheep, marbled boards, some browning, Paris, Bloud & Gay, 1920; with others, similar, few with gilt monogram to spine (v.s.) (12) £200 - 300*

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195 Guizot M.; La Chine et le Japon, 2 vols, first edition, quarter crushed morocco, marbled boards, slight toning, Paris, Lévy, 1860; Pimodan (C. de), Promenades en Extrème-Orient 1895-1898, first edition, quarter sheep, marbled boards, slight toning, 8vo, Paris, Champion, 1900; with gilt monogram to spine (3) £200 - 300* 196 Neufville, P. de.; Notes prises sur un voyage en Indo-Chine et à Java, presentation copy, first edition, illustrations, quarter sheep, marbled boards, slight browning, spine sunned, 8vo, Sceaux, Charaire, 1896; Maria (C.) Un Royal aventurier dans l’Asie Centrale, illustrations, quarter sheep, marbled boards, slight browning, 8vo, Paris, Hachette, 1893; Deschamps (G.) Sur les routes d’Asie, first edition, quarter sheep, marbled boards, slight yellowing or spotting, spine sunned, 8vo, Paris, Colin, 1894; Loti (P.) Les derniers jours de Pékin, first edition, quarter sheep, marbled boards, slight browning or spotting, spine bit soiled, 8vo, Paris, Calmann-Lévy, [c.1901]; Loti (P.) Un pèlerin d’Angkor, quarter straight-grained sheep, marbled boards, slight browning, 8vo, Paris, Calmann-Lévy, [1912]; with others, similar, with gilt monogram to spine (7) £200 - 300* 197 Nansen F.; Vers le Pôle, first edition, 200 illustrations, quarter sheep, marbled boards, slight browning or spotting, 8vo, Paris, Flammarion, [1897]; Nordenskjöld (O.) Au Pôle Antarctique, first edition, illustrations, quarter sheep, marbled boards, little browning, spine rubbed, 8vo, Paris, Flammarion, [1905]; gilt monogram to spine (2) £100 - 200*

198 López, J.; Atlas universal ó Coleccion de mapas nuevos, second edition, engraved title and advertencia to the reader, 30 engraved single- or double-page maps in period colouring, the odd 19th-century annotation, quarter calf, marbled boards, first blank torn, some finger-soiling, few small repairs to lower blank margin, some spotting, one map bit browned, [COPAC locates 1 copy in the UK], folio, Madrid, [the author], 1817. £100 - 200* 199 Bourget, P.; Outre-Mer (Notes sur l’Amérique), 2 vols, first edition, quarter sheep, marbled boards, slight browning, spine bit rubbed, Paris, Lemerre, 1895; Huret (J.) En Amérique. De San Francisco au Canada, first edition, quarter sheep, marbled boards, slight toning, Paris, Fasquelle, 1905; Vianzone (T.) Impressions d’une française en Amérique, first edition, illustrations, quarter sheep, marbled boards, slight toning, Paris, Plon, 1906; Jusserand (J.J.) En Amérique jadis & maintenant, first French edition, quarter sheep, marbled boards, slight browning, Paris, Hachette, 1918; with others, similar (8vo) (12) £200 - 300* 200 Janin, M.J.; La Normandie, 21 etchings, wood-engraved illustrations throughout, gilt cloth, a.e.g., title and first leaf detached, few leaves browned, some spotting, extremities and spine bit rubbed, 4to, Paris, Bourdin, [1843]; Latour (A. de) La Baie de Cadix, first edition, quarter crushed morocco, marbled boards, slight browning, spine rubbed, 8vo, Paris, Lévy, 1858; with others (v.s.) (11) £100 - 200*

END OF THE PRIVATE COLLECTION OF THE PROVENCAL MAS

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201 Lee, Laurie; Cider with Rosie, 1959, first edition, signed to the title page by author, with dust jacket Note: This edition features a passage which refers to a fire in a local piano works. The subject of this fire was part of a court case where Lee was sued for libel and in subsequent editions of the book was removed. £100 - 150* 202 Symonds, R. W; a History of English Clocks, 1947, The King Penguin books, together with ninety other King Penguin books of various subjects, from birds, architecture, maps and sports (91) £100 - 150* 203 Dickens, Charles; The Posthumous Papers of the Pickwick club, 1910, Chapman and Hall/ Lawrence and Jellicoe, illustrated by Cecil Alden, edition 177/250, signed by Cecil Alden in pencil to interior, original vellum binding, impressed gilt decoration, two volumes, together with Great Expectations, 1867, Chapman and Hall (3) £50 - 80* 204 Sepet, Marius; Jeanne D’Arc, 1885, quarter bound binding with tooled red leather spine, marbled paper £80 - 120* 205 The Rubaiyat of Omar Khayyam, rendered into English verse by Edward Fitzgerald, with decorations by Anne Harriet Fish, 1922, John Lane, The Bodley Head Ltd., gilt embossed spine, paper binding £100 - 150* 206 Polwhele, the Reverend R.; Biographical sketches in Cornwall, 1831, in three volumes, bound fully in leather with gilt embossed decoration, together with Polwhele’s Traditions and recollections; Domestic, Clerical and Literary, 1826, in two volumes, quarter bound with blue marbled paper binding(3) £100 - 200* 207 Sowerby, John E.; The Ferns of Great Britain: illustrated by John E. Sowerby, Proprietor of Sowerby’s English Botany, the descriptions, synonyms & c. by Charles Johnson Esq., Botanical lecturer at Guy’s Hospital, 1855, with forty nine colour plates, gilt embossed leather binding £80 - 120*

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208 Brewer J.N.; The picture of England or Historical and descriptive Delineations of the Most curious works of nature and art in each county, calculated as an agreeable companion to the tourist or a class book for the student, 1820, in two volumes, tooled leather binding, together with two volumes of the History of Boroughs and the Cinque ports (4) £150 - 200* 209 Verne, Jules; A Journey to centre of the Earth from the French of Jules Verne, a new edition, with fifty-two illustrations by Riou, Griffith, Farran, Browne & Co, embossed brown cloth pictorial binding £150 - 200* 210 Baillie, Joanna; Dramas and a series of plays, 1836, in three volumes, quarter bound, in marbled paper binding (3) £100 - 200* 211 Carroll, Lewis; Alice’s adventures in wonderland, with forty-two illustrations by John Tenniel, 1869, Eighteenth thousand, MacMillan and Co., red tooled and gilt leather binding £100 - 150* 212 The little Gazetteer or Universal Geographical Dictionary in miniature, dated in pen to the interior 1837, black leather binding, together with six volumes of the Spectator, with full leather bindings (7) £100 - 150* 213 Roach-Smith, Charles; Illustrations of Roman London, 1859, London, quarter bound with vellum £100 - 150* 214 Lives ,Opinions, and remarkable sayings of the most famous philosophers, written in Greek

by Diogenes Laertius, printed for Edward Brewster, 1688 and 1696, in two volumes, bound in leather, with later binding to spine(2) £200 - 300* 215 Whitaker, John; the Ancient Cathedral of Cornwall Historically surveyed, 1804, in two volumes, quarter bound with cloth cover, of later date, together with volume one of the Ancient Cathedral of Cornwall Historically surveyed, 1804, quarter bound in green leather, with Carew’s Survey of Cornwall, 1811 and Pennant’s a Tour in Scotland, 1790, leather binding with later spine (5) £150 - 200*

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216 Scott, Sir Walter; The Political Works of Sir Walter Scott, Author’s Edition, 1869, Adam and Charles Black, in a tartan ware binding, printed with a bust of Scott after Chantrey £80 - 120* 217 Cary, John; Cary’s travellers companion, or a Delineation of the Turnpike roads of England and Wales showing the immediate rout to every market and borough town throughout the Kingdom, laid down from the best authorities on a new set of country maps, to which is added a alphabetical list of all the market towns with the days on which they are held, 1791, later quarter bound with marbled cover and interior page, together with Lancashire Illustrated by Thomas Allen, 1862 and An Historical Account of the Ancient and Modern State of the Principality of Wales, Dutchy of Cornwall, and Earldom of Chester by John Doddridge, 1714, in later leather binding (3) £150 - 250* 218 Apud Waesberge, Wetstenium & Smith, Amstelaedami, unii Juvenalis Satyra, 1735, in vellum binding £80 - 120* 219 De Forbin, Le Compte; Voyage dans le Levant en 1817 et 1818, Volume 1, Turin 1830, card bindings, with the library stamp of the Collegio Santa Maria Bibliotecha Pallanza to the interior, together with Elementi geometrici piani, e solidi posti brevemente in volgare dal reverendiss.

Padre Abate D. Guido Grandi, Famiani Stradae Romani E Societate Jesu Bello Belgico Decas Prima 1733, bound in vellum, Les Satire de Perse, Nouvelle Edition, 1817,bound in leather, Casoni, Filippo; IIstoria di Lodovico Il Grande in two volumes, 1722, in leather binding. and other books all bearing similar collection stamps (18) £100 - 200* 220 Franklin, Benjamin; Works of the late Doctor Benjamin Franklin, consisting of his life written by himself; together with essays, humour, moral, and literary, chiefly in the manner of the Spectator, 1796, London: printed for G. Dilly, full leather binding, two volumes (2) £200 - 300*

221 The Law of Obligations and Conditions, or An Accurate Treatise, wherein is contained the whole Learning of the Law concerning Bills, Bonds, Conditions, Statutes, Recognizances..., 1693, London: printed for J. Walthoe at his Shop in Vine Court, Middle Temple, full calf binding £300 - 500* 222 Reports and Cases of Law: Argued and Adjudged in the Courts of Law, at Westminster, In the Time of Queen Elizabeth, from the 18th to the 33th Year of Her Raign, 1658, London: Printed by Tho. Roycroft, for Nath. Ekins., full brown calf binding £200 - 300* 223 Locke, John, Letters Concerning Toleration, 1765, London: A. Millar, first collected edition of John Locke’s four letters concerning toleration which includes the Epistola de Tolerantia, missing engraved frontispiece and title pages, full calf binding with re-backed spine £800 - 1,200* 224 Van Loon, Gerard, Histoire Metallique des XVII Provinces des Pays-Bas, depuis l’abdication de Charles-Quint, jusqu’a la paix de Bade en MDCCXVI, A la Haye, chez P Goose, F Neaulme, P de Hondt, MDCCXXXVII, five volumes I-V, bound in leather (5) £600 - 800* 225 Hinton, John; A New and Universal Dictionary of Arts and Sciences, pub London, King’s-Arms, Newgate Street, London, 1756, second edition, in two volumes, full leather and gilt tooled binding (2) £100 - 200* 226 The Foley history of Ancient Greece, in four volumes, The Lyric age, The Persian wars, The Classical Age, The Helenistic Age, within cloth bound container, together with a large collection of other Folio Society volumes, to include Marcel Proust, In search of lost Time, Marcus Aurelius Meditations, A History of England, The Decameron, Oscar Wilde in three volumes, Stories, Plays and Poems, Essays and Letters, within addition Winston Churchill, The Second World War, Cassell, in six volumes, The works of H.G.Wells, the Odhams Press Limited, in twelve volumes, and forty five volumes of various classic novels to include Pepy’s diary (a lot) £300 - 500*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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229 227 A silver four-division cigar case, a silver ashtray and a silver trinket box, the case Birmingham, c.1903, William Thorneywork, engraved with leaf scrolls and a vacant cartouche, 3.8cm x 8cm, the cigar ashtray, Birmingham, c.1900, Syner & Beddoes, of oval serpentine shape with cigar rest; a heart-shaped silver trinket box, Birmingham, c.1891, Stokes & Ireland Ltd., the lid embossed with flowers and shells, crimped edges, cartouche with initials P.P, (marking to sides) dia 9.5cm, total weighable weight approx. 13oz (3) £120 - 180* 228 A globular cut glass and silver mounted claret jug, London, c.1924, Goldsmiths & Silversmiths Co. Ltd, the spherical hobnail cut glass body to plain cylindrical mounted collar with hinged lid and flat-topped handle, the lid engraved with initials and dated 1925, 16cm high £80 - 120* 229 A collection of four silver items, comprising: a cylindrical box and lid with embossed leaf scrolls and crimped edge, Birmingham, c.1980, 9cm dia; a silver-mounted oblong glass scent bottle embossed and pierced with flowers and scrolls, London, 1893, W. Comyns, 15.5cm high; a Continental silver quatrelobed tea caddy, the push-on lid chased with shells and foliage and the letters ‘CHA’. 12cm high; a cylindrical toilet bottle, cranberry glass liner and stopper, the glass damaged, 7.8cm high, approx. weighable weight 12.2oz (4) £200 - 300*

230 230 A collection of silver-mounted items, comprising: three silver-capped cut glass scent globes, one George V square form cut-glass scent bottle with glass stopper and silver cap, one cylindrical glass scent bottle, by Guerlain, Paris, with honeybee decoration and bee and leaf motif, with silvered band around circumference, two glass bowls with silver mounted tortoiseshell lids and a hobnail cut-glass dressing table jar with silver cover (8) £300 - 400* 231 A four-piece bachelor’s tea set, Sheffield, Atkin Brothers, various dates, the tea pot c.1924, the coffee pot c.1926, the earlier sugar bowl and milk jug c.1906, each item with gadroon detailing and reeded base, the tea and coffee pots with wooden handles and finials to hinged lids, approx.

35oz (inc. handles and finials) (4) £200 - 300* 232 A collection of silver items including a sugar caster, London c. 1924, Thomas Bradbury & Sons, a smaller sugar caster, London, c.1922, two small silver bonbon dishes, 9.8cm long, two mustard pots with spoons and hinged lids (one glass liner deficient), and a silver ashtray (liner deficient), Birmingham, c.1900, James Deakin & Sons, approx. weighable weight 18oz (7) £200 - 300*

231

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235 233 An early 20th century three-piece silver tea set, Sheffield, Cooper Brothers & Sons, together with a pair of diamond-set silver bangles, a cased set of six pastry forks, Sheffield, c. 1960, Viner’s Ltd, a set of six each silverhandled dessert forks and knives, Sheffield, c.1905, one embellished silver dessert knife, Birmingham, c.1863, a set of three each silver banded fish knives and forks, Sheffield, c.1915, Yates Brothers, together with a collection of silver plated items, including a ladle, weighable weight approx. 16.9oz (a lot) £200 - 300* 234 A Victorian silver trophy cup, London, c.1854, Joseph & Albert Savory, of cylindrical baluster form, the stem tapering to circular food with scalloped edge, the body chased with scrolls, flowers and foliage, with a cartouche bearing lion emblem and the Latin inscription: Instans ac Constans, 21cm high, 12.7oz £250 - 350* 235 A pair of Victorian candlesticks, by William Hutton & Sons, London, c.1900, of short columnar design, to square stepped bases, 14.6cm high, together with a boxed set of 1905 Maundy coins, an ivory paper knife with German silver handle, a narrow silver desk tray, Birmingham, c.1913, a wine coaster with wooden base, London, c.1980, four glass-bottomed coasters, an Italian octagonal silver beaker, and a collection of other items, weighable weight approx. 15.5oz (a lot) £300 - 400*

236

236 A Victorian silver claret jug by Stephen Smith, London, c.1869, the bulbous body with a band of chased lions, vines and putti raised on a circular stepped foot, the high handle decorated with leaves and beads curving to a hinged lid with foliate finial, the base of the neck engraved with presentation inscription dated 1870, gilded interior, 37cm high, 33.8oz £300 - 600* 237 A Victorian claret jug, Birmingham, Horace Woodward & Co, c.1879, the spherical cut glass base tapering to silver-mounted neck, decorated with fruiting vines and an engraved cartouche, the hinged lid to stylised tree branch handle, chased to resemble bark, 30cm high £500 - 800* 237 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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242 238 A Victorian silver wine ewer, Sheffield, c. 1865, Roberts & Belk, the amphora-shaped body ornately engraved with Bacchanalian scenes, one empty circular cartouche to front of jug, the stylised handle designed as a bird’s foot to collar with hinged cover, the ewer raised on a circular foot below beaded band, 34cm high, approx. 33.7oz £600 - 1,000* 239 A Victorian silver sugar caster, Birmingham, c.1898, Vale Bros & Sermon, of baluster form, embossed with garlands of flowers and ribbons to gadrooned lower half, detachable pierced domed top, 22.5cm high, 8.1oz £100 - 150*

238

240 A Victorian parcel-gilt silver cased set of two serving spoons, each depicting a Bacchanalian scene, London, c.1870, maker’s marks for HJ Lias & Son, together with a silver pedestal bonbon dish, of flowerhead design, Sheffield, c.1896, and a cake trowel with scalloped blade and resin handle, Sheffield, c.1930, total weighable weight approx. 12oz (3) £150 - 250* 241 A Victorian silver playing card box, London, c.1899, together with a pair of short candlesticks, Cyprus, stamped 830, maker’s mark XMX, of baluster form with stepped circular foot and gadroon detail to both foot and stem, a silver calling card case, London, signed Mappin Brothers, c. 1895, Regent St, a Greek silver pot, raised on three feet, with angel finial to removeable lid, and a silver sherry decanter label, weighable weight approx. 4oz (5) £150 - 250* 242 A Georgian-style silver salver, London, c. 1925, C. S Harris & Sons, raised on four scroll feet, the shaped and gadrooned border sloping to plain flat base, 31.5cm dia., 27.5oz £500 - 700*

243 52

243 A George II silver coffee pot, London, c.1732, maker’s mark rubbed, of plain, tapering form, with raised, stepped lid topped with bell finial, carved wooden scroll handle, scalloped spout, 24cm high, approx. 24.4oz (inc. handle) £1,500 - 2,500* www.roseberys.co.uk

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244 244 A George II Scottish bullet-shaped tea pot, Edinburgh, c.1742, William Aytoun, assay master Edward Lothian, with later chasing to body and lid and a gently curving fluted spout, raised on a stepped circular foot, with leaf-capped scroll handle and acorn finial to hinged lid, 15.5cm high, approx. 20.5oz £1,000 - 1,500* 245 A George III silver fish slice, London, c.1796, John Tatum Snr & John Tatum Jnr, the scalloped blade decorated with pierced floral trellis, engraved initials and patterned circumference, length 28.5cm, approx. 4.2oz £80 - 120* 246

246 A George III silver coffee pot, London c.1763, the fluted plain body raised on a circular foot decorated with gadroon detailing, wooden handle to hinged lid with acorn finial and gadroon border, approx. weight 29.8oz (inc. handle) £300 - 500* 247 A George IV melon-shaped teapot, London, c.1825, John Bridge, the body embossed with a floral and scrolling foliate design to hinged lid with flower finial and acanthus leaf handle, raised on a single scalloped foot, 14cm high, approx. 23.4oz £250 - 350*

247

248 An George IV silver ornate three piece tea set, London, c.1825, Joseph Cradock & William Ker Reid, comprising: a tea pot, bonbon dish and milk jug, all raised on four scroll feet and chased with a decorative floral band around the centre, each with single lion motif engraving and gadrooned borders, the bonbon dish and jug with gilded interiors, the tea pot with hinged lid and foliate patterning to finial, handle and spout, approx. 52oz (3) £300 - 500* 248 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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250 Two Georgian silver cream jugs, the smaller jug, London, c.1775, Thomas Heming, raised on a circular foot, the body embossed with floral decoration and edges trimmed with bead details, the larger jug, London, c.1818, possibly Solomon Royes & John East Dix (marks rubbed), of oval form, with half-lobed lower body and gadrooned rim with floral detail, raised on four claw feet, total weight approx. 12.3oz (2) £200 - 300* 251 An Edwardian silver coffee pot, Sheffield, c.1904, The Alexander Clark Manufacturing Co, chased with floral decoration and empty cartouches, the body raised on four feet, with wooden handle and ivory finial to hinged lid, together with a silver teapot, Sheffield, c.1891, James Dixon & Son, the half lobed body to wooden handle and finial, and a sugar caster with baluster-shaped body, Birmingham, c.1960, total weighable weight approx. 41.2oz (3) £200 - 400*

249

249 A pair of George VI silver candlesticks, Sheffield, c.1824, Waterhouse, Hodson & Co, the fluted baluster stems to slightly scalloped circular feet, both embellished with shells and acanthus leaves, the base of each stem engraved with a single stag, one candlestick with later matching detachable drip pan(c. 1840), 28.5cm high (2) £500 - 700*

252 An Edwardian engraved squared silver vase, by Elkington and Co, Sheffield, c. 1903, raised on a square tapering foot to four scrolling handles at the rounded base of the body, decorated with bright-cut engraving in repeating floral and foliate patterns to stylised scroll border at edge, 23.5cm high, approx. 11.2oz £120 - 180*

251

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253 A Queen Anne silver coffee pot, by John Chartier, London, c.1716, of octagonal form, with stepped base and plain tapering panel sides, one engraved with coat of arms, the wooden side handle to hinged dome lid with knop finial, the spout curving and faceted, 22.5cm high, approx.

26.5oz (inc. handle) £3,000 - 5,000* 254 A silver and blue glass champagne decanter, by Hukin & Heath, Birmingham, c.1896, the elegant blue glass body tapering to a silver neck topped with a hinged lid designed as a champagne cork, the cork stopper with silver tip, 34cm high £400 - 600* 255 A late Victorian twin handled silver oval tray, London, c. 1901, Thomas Bradbury & Sons, the perimeter patterned with a rope twist design to reeded handles, plain base, 66cm long, approx. 100oz £1,000 - 1,200*

253

254

255

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256

256 A five-piece harlequin tea service, comprising a coffee pot, tea pot, milk jug and sugar dish, Sheffield, c. 1935, Roberts & Dore Ltd., all of rectangular form with wooden handles and finials to pot lids, together with a similar hot water pot, London, c.

1905, SW Smith & Co, with reeded band to body, wooden handle and hinged lid, and a pair of silver plated sugar nips, approx, 67oz (inc. handles and finials) (6) £500 - 800*

257 A large silver photograph frame, with applied single silver gilt flower motif, designed to hold a photograph measuring 11” x 8.25”, frame dimensions 26cm x 33.5cm, easel support, in fitted presentation case £100 - 200*

258 Four silver photo frames

by Carrs of Sheffield, two measuring 17.5cm x 22.5cm for 6”x4”photographs and 2 measuring 20.5cm x 20.6cm for 8”x6” photographs, each with box, together with a silver plated double bonbon dish with cut-glass dishes and central handle, 24.5cm x 15.5cm, a silver plated tureen dish, 25cm dia, and a silver plated vase of pouch design, 22cm high (7) £180 - 220* 259 A collection of seventeen assorted silver-mounted photo frames, of various sizes, dates and makers, the largest, with wooden easel back, measuring approx. 27x20cm, Birmingham, c.1917, the smallest, with felt back, approx. 7x5cm, Sheffield, c.1991 (17) £300 - 400* 260 A Victorian silver-handled ivory page turner, Birmingham, c.1876, the ornate handle embossed with floral motifs and cartouche, 47cm long £50 - 80*

259

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261

261 Two Victorian silver vinaigrettes, by Nathanial Mills, one Birmingham, c.1853, the other Birmingham, c.1850, both with gilded interiors and hinged grills, one of elongated rectangular form with scalloped corners and pendant fitting, engraved with floral and foliate designs, the other of scalloped rectangular form, decorated with a crisscross pattern, the central cartouche engraved with the letters F.B, total weight approx. 1.9oz (2) £200 - 400*

262

264 Two Edwardian silver gadrooned teapots, both of rectangular, half-lobed design with wooden handles and hinged lids topped with wooden finials, the larger teapot, Birmingham, c.1905, Marston & Bayliss, with presentation engraving, the smaller teapot, Birmingham, c.1905, Thomas Hayes, raised on four spherical feet, with additional foliate decoration to gadrooned rim, total weight approx. 37.3oz (inc. handles) (2) £300 - 500*

265 A collection of silver items, 19th century and later, including a contemporary silver tumbler, London, 2012, a silver condiment spoon by Henry Holland, London c. 1868, a silver ladle with twisted wooden handle, London c.1832, a christening cup, Birmingham, c. 1939, a square silver box with wooden lining, a salt, a pepper and a pair of sugar tongs, together with a small selection of silver plated items, approx. weighable weight 10.6oz (a lot) £200 - 300*

262 An 18ct gold and diamond-set model of a silver rearing horse, realistically cast in silver, with 18ct yellow gold and diamond flower detail to its mouth, approx. 3.75oz, 8.5cm high, together with a rectangular silver cigarette box, London, c.1980, SJ Rose & Son, 18cm x 10cm (2) £500 - 700* 263 An Edwardian and later silver harlequin four-piece tea service, various dates and makers, comprising a coffee pot, tea pot, sugar bowl and milk jug, all of oval form with half-lobed design, total weight (inc. handles) approx. 50.0oz (4) £400 - 600*

263

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268 A set of eight silver wine coasters, London, c.1994, David R Mills, with straight-sided silver roundels and reeded borders to turned wood bases with silver disc centres, the undersides felt-covered, dia 9.5cm (8) £200 - 300*

267 266 An Edwardian cased collection of silver cruets, London, c.1906, Haseler Brothers, comprising four salts, each with scalloped edge and raised on three feet, one mustard pot with hinged lid, two pepper pots and two salt spoons, together with two repousse bonbon dishes, Birmingham, c.1894, George Nathan & Ridley Hayes, 11.5cm dia, two matching posy vases, Birmingham c.1900, a further fluted vase and a blue glass-lined silver salt and mustard with pepper, weighable weight approx. 19oz (a lot) £200 - 300* 267 A George III silver-mounted glass cruet set, by Peter and Ann Bateman, London, c.1792, the pierced, boat-shaped stand with wooden base, reeded rim and bright-cut engraving containing eight silver-mounted glass bottles, of varying shapes and sizes, the smaller bottles with pointed cut glass stoppers, the others with silver and pierced silver domed or hinged caps £800 - 1,200*

269 A collection of silver and silver plated items, including a pair of Continental silver-handled salad servers, a butter knife with bright cut engraving, Sheffield, c.1881, a pair of sugar tongs, Sheffield, c.1913 and a number of silver plated items including tea and coffee pots, two milk jugs and a selection of bowls, cup holders and flatware, weighable weight approx. 1.5oz (a lot) £80 - 120* 270 A collection of silver flatware, including six serving spoons, various dates and makers, one London, c.

1826, William Chawner, and another London, c.1796, possibly Robert Garrard, together with a number of coffee spoons, one a boxed set (2 deficient), a tea strainer, a mother-ofpearl-handled teaspoon, Birmingham, c.1900 and a fish slice, London, c.1757, approx. 30.6oz (a lot) £400 - 600* 271 A large quantity of silver plated items, including: a twinhandled embellished tray, signed Harrods, 62.5cm long, a galleried kidney-shaped tray, a teapot, of oval form with half-lobed body, a doublehandled bonbon dish, a set of four coasters, a crumb tray and brush, a raised dish with handle, a mounted cut glass ewer, a large collection of flatware and a variety of other items (a lot) £80 - 120* 272 A Victorian silver sugar caster, London, c.1884, George Fox, of baluster form, with fluted decoration and gadrooned borders, the lower body to pierced domed lid, raised on a circular foot, in S.J. Phillips case with liner partially deficient, approx.

12.3oz £150 - 250*

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275 273 A quantity of silver and silver plated flatware, together with two silver photo frames, Birmingham, c.1918, Baldwin & Marriott (13.5cm x 9.5cm), and c.1924, Hardy Bros Ltd (28cm x 19cm) a small circular silver sewing box, Birmingham, c.1910, the various items of flatware including four serving spoons, two dessert spoons, four dessert forks, five table forks and six teaspoons, all London, c.1850, Chawner & Co (George William Adams), a pudding slice, Sheffield, c.1927, James Deakin & Sons and a caddy spoon, total weighable weight approx. 53oz (a lot) £200 - 300*

274 A quantity of silver plate including a large three branch candelabra, a single candlestick of baluster form, a rectangular serving dish with gadrooned border, two dish stands, one decorated with swans and raised upon three claw feet, the other with cherubs, two openwork bottle coasters with wooden bases, a tea caddy, an oval dish with openwork trellis sides, a tea pot, and various other items (a lot) £150 - 250*

275 A collection of silver items, including: an engraved presentation tureen lid by Stephen Smith, London, c.1868, with foliate pattern to perimeter and lid designed as a curling tree branch; a sparrow beak cream jug, Chester, c.1910, Stokes & Ireland; six silver ashtrays, Birmingham, c.1804, Matthew Boulton; a small silver bowl of half lobed design with beading detail to edge, London, c.1901, William Hutton & Sons; a salt shaker, Chester, 1896, George Nathan & Ridley Hayes, a white metal card case chased with plant and animal scenes, two mustard pots, a seal, a pair of sugar nips and and an embossed matchbox case engraved ‘Theo’, weighable weight approx. 50oz (a lot) £400 - 600* 276 A Victorian pair of Elkington & Co-style ornate silver plated three-branch candelabra, 1864, the patterned stems to branches mounted with horned Chinese dragon heads and ornate shield motifs, acorn finials beneath each branch terminal, the circular bases raised on three clawed feet to stylised lower stems designed as amphorae with curving bird neck handles, 51cm high (2) £200 - 400*

276

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277 A pair of Elizabeth II Britannia silver candlesticks, London, c.1960, Spink & Son, with square-knopped baluster stems to square, cut-cornered and stepped bases, 16cm high, together with a pair of silver plated baluster candlesticks, the scalloped feet with floral decoration, removable embellished sconces, 26cm high, approx. 30oz (4) ÂŁ400 - 600*

277

278

278 A quantity of silver and silver plated items, to include two large silver plated openwork dishes, the rims decorated with grazing deer, peacocks and flowers, 36.5cm dia, a boxed set of twelve silver teaspoons, with sugar tongs, c.1909, Sheffield, Walker & Hall, a collection of rattail pattern silver flatware comprising six dessert spoons, two serving spoons, six table forks, three dessert forks and two tablespoons, in wooden box, together with a set of six each mother-of-pearl handled dessert knives and forks, a cased set of two silver pickle forks, 1905, Sheffield, Roberts & Belk, a cased set of silver-handled pistol grip dessert knives, c.1898, Sheffield, a set of four silver liqueur glasses with carrying tray, of openwork trellis design, liners deficient, and a collection of other silver plated items, total weighable weight approx. 43.8oz (a lot) ÂŁ400 - 600*

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279

281 279 A canteen of Elizbeth II silver cutlery for six settings, tapering handles to scalloped terminals, in fitted wooden case, the two serving spoons and six each coffee spoons, dessert spoons, soup spoons, table forks and dessert forks stamped Sheffield, c.1946, GW Shirtcliffe & Son, the table knives, fish knives and fish forks stamped Sheffield, c.1961, JB Chatterley & Son, total weighable weight approx. 79oz £500 - 800*

281 An Edwardian silver tea kettle with stand, Sheffield, c.1903, Roberts & Belk; the tea kettle of oval form and half lobed design with angular handle extending over lid, wooden finial to hinged lid, the silver stand raised on four reeded feet, one fastening fitting deficient, approx. weight (inc. handle) 35oz £100 - 200* 282 An assortment of five silver cream jugs, various dates and makers, including one raised on circular foot with reeded edge, London, c.1803, Thomas Streetin, the largest jug, with scalloped rim and raised on three feet, est. 1906 (date mark rubbed), Birmingham, Stewart Dawson & Co, the smallest, Birmingham, c.1912, T H Hazlewood & Co (5) £500 - 800*

280 A quantity of silver plate, to include a large oval serving tray with quatrefoil openwork design sides, 60cm long, a set of six silver champagne saucers, by Mappin & Webb, two cut-glass serving bowls, a toast rack, a coffee pot and a tea pot (a lot) £120 - 180*

282 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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283 A collection of silver flatware, including a large soup ladle designed as a scallop shell, Sheffield, 1902, Martin, Hall & Co, two eighteenth century dessert spoons, London, Stephen Adams, date marks rubbed, a set of five each fish forks and fish knives, Sheffield, c.1947, Viners Ltd, a set of twelve white metal Georgian-style knives, an assortment of table spoons, forks and knives, various makers and dates, a carving set with blue ceramic handles, together with several silver plated items of flatware, weighable weight approx. 85oz ( a lot) £700 - 1,000*

285 A silver trinket box, by Asprey & Co. Ltd., London, c.1911, designed as a rectangular chest with articulated ring handles to sides and a clasp with fitting for padlock, the hinged lid inscribed ‘Mary’, 9cm x 6.3cm, approx. 10oz £100 - 200* 286 Two silver elephant ornaments, both depicted with trunks raised, together with two smaller silver animal models, one of a black rhino, the other a French Bulldog (4) £500 - 1,000*

284 A Victorian silver tea caddy, London, c.1894 of half-lobed oval design with hinged lid, together with a silver tea shovel, Birmingham, c.1913, Levi & Salaman, 8.4oz (2) £100 - 200*

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287 A Victorian silver hip flask with removable cap, Birmingham, c.1881, Deakin & Nephew, initialled and engraved 1883, 13cm long, together with a honey pot, stamped 925, designed as a bee hive, 13.5cm high, and a silver-capped glass jug with fluted clear glass body, lid deficient, c.1899, John Grinsell & Sons, 22cm high (3) £200 - 300* 288 A French silver chocolate pot, St Omer (Lille), c.1778, the spirally fluted baluster body raised on three curved feet, with wood baluster side handle, short capped spout and hinged lid with flower finial, 26cm high, together with a silver ladle with wooden handle, possibly Maltese, the reverse engraved H&C Ahroni, 5 Mai 1865, and a silver plated teapot with fruitwood handle, weighable weight approx. 24.5oz (exc. pot handle and ladle) (3) £300 - 500*

290 A Viennese silver cigarette case, by George Adam Scheid, featuring an enamelled portrait of a lady with a musical instrument surrounded by bright cut engraving, 8cm long, together with a German silver calling card case with a central wreath cartouche (initialled) between two foliatepatterned bands, maker’s mark BC, stamped 900, 11cm long (2) £200 - 300* 291 A Continental large white metal chalice, 19th century, the base bearing maker’s mark B&S, raised on six-pointed star-shaped foot tapering to hexagonal node, the hammered chalice well measuring 10cm dia, height 18cm, approx. 14.4oz £300 - 500*

289 A small French silver chocolate pot, Paris, c.1809, raised on three curved feet, with wooden side handle and finial to hinged lid, 15cm high, together with two Italian silver bottle coasters, Naples, maker’s mark MP, the rims embossed with scrolling patterns, both engraved with the letters E.C., 14.5cm dia, total weight approx. 16.5oz £200 - 300*

291 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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292 A pair of Continental white metal candlesticks, possibly Italian, of baluster form with undulating pattern to stems, each raised on a circular stepped and slightly scalloped foot, removable drip pans, marks rubbed, 27cm high, approx. 27.6oz (2) £200 - 400*

292

293 A German silver model of a walking partridge, with realistically chased feathers and textured feet, pseudo-Hanau marks and import marks for London, c.1936, 13.5cm high, approx. 16oz £400 - 600* 294 A silver cow creamer, c. 1962, J.R & Co. Ltd., with London import marks, the cow’s back with hinged lid chased with floral and fly motifs, the looped tail designed as handle, stamped 925 for sterling silver, approx. 4.1oz, 11.5cm long £150 - 250* 295 An Italian silver ornate stoop, the scalloped semi-circular raised bowl suspended above a hammered concave base, the backplate decorated with star motifs and the head of a putti within folding scroll border, framed by two moulded acanthus leaves, the apex of pyramidal design with star finial (detached), the stoop mounted on a Perspex base and support, 36cm high, 32.3cm wide £400 - 600* 295 64

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299 296 A set of six Italian silver finger bowls, each stamped 800, with lobed lower halves to a decorative upper band engraved with floral and foliate pattern and a putti, the borders of each bowl embossed to form a beaded perimeter, 14.5cm dia., total weight approx. 24.9oz (6) £200 - 400* 297 A Portuguese silver bachelor’s tea set, Porto, c.1887-1937, comprising a teapot, a coffee pot and a sugar pot with lid, each chased with foliate pattern and with finial to lid, together with four dessert spoons, London, c.1889, possibly Robert Stebbings, a set of nine coffee spoons, each with coffee bean detail to terminal, by Hukin & Heath, Birmingham, c. 1921, a pair of Edwardian sugar tongs, by Mappin&Webb, c. 1901 two further spoons and a compact, approx. total weight 31.0 oz 120 - 180* 298 A Russian silver milk jug, Moscow, 1847, assay master Andrey Antonovich Kovalsky, maker A.E, of oval baluster form, with carved ivory handle, together with a collection of miscellaneous small silver to include a Chinese cup and saucer engraved with floral and bird motifs, a pair of silver pin dishes, a small silver model of a Dutch windmill and a silver model of a Chinese tower, a cruet, three teaspoons and a selection of other items, approx. weighable weight 13oz (16) £150 - 250*

300 299 A Russian silver gilt honey spoon, c.1880, with inscription, together with an enamelled Russian teaspoon,the honey spoon with proverb written in Old Church Slavonic on embellished reverse: ‘Хлеб соль кушай, а добрых людей слушай” (Eat your bread and salt, and listen to good people), in fitted case,19.5cm; the teaspoon designed with a crown terminal, the handle and reverse with blue, white and brown cloisonné enamelling, c.1890, possibly Ivan Smirnov, 9.4cm, approx. total weight 2.8oz (2) £200 - 300* 300 An Art-Deco style silver part set of initialled Czech flatware, 20th century, maker’s mark FB, comprising six each table knives, table forks, dessert spoons, dessert knives, pastry forks, pastry knives, teaspoons, coffee spoons, fruit spoons, seven dessert forks, a further two teaspoons, two condiment spoons, a soup ladle, three serving spoons, a punch ladle, and a selection of other large items of flatware, most stamped 800, total weighable weight approx. 89oz (a lot) £300 - 500* 301 A Chinese silver box, by Wang Hing, decorated with flowering branches of cherry blossom, the box of rectangular form with hinged lid, 8cm x 4cm, approx. 2.25oz £100 - 150*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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302

302 Three Continental silver trays, possibly Italian, two of oval form, one with lobed perimeter and beaded edge, 46cm long, the other with floral and scroll decoration to perimeter, 40cm long, the third tray, of plain circular form with beaded circumference, 28cm dia, total weight approx.

72oz (3) ÂŁ500 - 700*

303 An Indian seven piece silver tea set embossed with floral motifs, the service comprising a tea pot, a coffee pot, a milk jug, a cream jug, a lidded sugar pot, a waste pot, and further footed pot, the tea pot, sugar pot and milk jug raised on circular feet, with scroll handles and elaborate floral decoration and cartouches, the remaining four items raised on three or four individual feet and decorated with flower and vine motifs, approx. weight 92.5oz (7) ÂŁ400 - 600*

303

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304

304 An Indian silver shell-shaped dish, with scalloped border and raised on three claw feet, together with a rose bowl, the body and rim decorated with floral patterns, a silver ice bucket, of cylindrical form with two silver handles and patterned rim, a letter rack, a small dish designed as a basket, a spill vase and a pair of sugar nips, approx. 59oz (7) £250 - 350* 305 A pair of Indian silver rectangular serving dishes, with cast floral border, each measuring 28cm x 21.5cm, together with a pair of silver bowls, designed as lotus flowers with intricate petal patterns and scalloped edges, 8.5cm dia, approx total weight 48.6oz (4) £250 - 350* 306 A pair of Indian silver embossed mugs, Bangalore, of cylindrical form with scroll handles, the body of each mug chased with floral and foliate decoration and raised on a circular stepped foot, 13.5cm high, total weight approx. 23.8oz (2) £180 - 220* 307 An Indian silver dish, Bankura, of oval form with smooth flat base rising to a repousse floral rim decorated with bouquets of roses and wheat sheaves, the patterned perimeter designed with shells and scrolls, in presentation box, 29.5cm long, approx. 10.7oz £80 - 120*

305

308 An Omani silver and silver-gilt bowl, with an articulated side handle, the golden base decorated with a radiating sun motif within floral border, the sloping sides embellished with circular rows of a repeating wheat sheaf pattern, 25.8cm dia, approx.

33.4oz £250 - 350* 309 A Pakistani silver handcrafted filigree bowl, of oval form and intricate openwork foliate design, the flat base of the bowl raised on four feet to wooden stand (fixed), with presentation box, bowl 16cm long, base 20cm long, £80 - 120* 310 A Persian white metal ewer, 20th century, of bulbous form, narrowing at neck, with vertically tapering spout, the body chased with birds and foliate detail, the neck and lower spout also decorated, raised on a circular stepped foot, removable conical lid stopper, 25.5cm high £120 - 180*

306 308 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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311 A Russian silver-gilt and cloisonné enamel cigarette case, early 20th century, decorated with stylised flowers and leaves, indistinct scratched inscription, unmarked, 11 x 18cm £1,200 - 1,800*

312

312 A Russian icon for Mother of God, Unexpected Joy, 19th century, tempera and gilt on panel, 31 x 25cm, in a wooden glazed case £300 - 500* 313 A Russian Icon, 19th century, the central panel depicting the ascent and decent into Hell, within gilt borders, surrounded by panels depicting scenes from the life of Christ, with Cyrillic commentaries, tempera on board, 51.5cm x 44.5cm £300 - 500*

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314 A Russian icon, 18/19th century, depicting the Resurrection and the Descent to Limo, 21 x 21cm , in a wooden and glazed display case £300 - 500* 315 An icon of Mary, Mother of God, 20th century, of rectangular form, depicted praying, 41.5x25cm £400 - 600* 316 A Greek icon of St Christopher carrying the Christ child, 18th century, mounted on a velvet panel, the icon 17 x 14.5cm £250 - 350*

315

317 A Greek icon of Mary, Mother of God, 19th century, tempera on panel, 43 x 34cm £200 - 300* 318 Spanish/Colonial School, 17/18th century, a portrait of Saint Joseph and the Christ child, oil on paper, laid down to board, the image 73 x 53cm, the board 83 x 62cm (VAT charged on the hammer price) £400 - 600* 319 A North European child’s cot, 19th century, the four stiles with knop finials, the pierced sides with chip carved decoration, 33cm high £100 - 200*

316 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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320

320 An oak carving of a musketeer, possibly of Colonial origin, 18th century, modelled lying on the ground, wearing a tricorn hat and uniform, his face attentive with alert eyes, 23cm high £300 - 500*

322 A fragment of woven linen fabric, probably 17th century, with lines of flowerheads and tulips in pink and green with blue outlining, between pierced lines, 42 x 29cm, mounted between two layers of glass £150 - 200*

321 A lead plaque of a classically attired warrior, possibly from a coat of arms, 18th century, modelled in relief, seated with a halberd and shield, his head resting on his hand, 35cm high £300 - 500*

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323 A matched set of ash and elm Windsor armchairs, 19th century and later, the hooped backs, with shaped and pierced splat, above saddle moulded seats, raise on turned legs joined by crinoline stretchers (8) £4,000 - 6,000*

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324 A large oak refectory table, 19th century, the triple plank top, with cleated ends, on turned legs, joined by single stretcher, raised on squat bun feet, 76cm high, 253cm wide, 83cm deep £1,000 - 1,500*

326

325 A collection of carved architectural wooden panels, Spanish/ North African, 18th/19th century, mostly carved in shallow relief with stylised foliage and flower heads, various sizes, the longest 157cm long (a lot) £200 - 300* 326 A Victorian scrimshaw walrus tusk, 19th century, decorated on one side with a portrait of a mother and child in formal costume, and to the reverse with a sculpture of an angel and child, 44cm long £400 - 600* 327 An English turned beech four section spice tower, early 19th century, printed with the names of spices, to include Ginger and Clove, with a lid, 18cm high £150 - 250*

327 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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328

328 A set of three lignum vitae measures or boxes, 19th century, with cushion form rims and bases, 17cm high, 14cm high, 11.5cm high, together with two treen tobacco boxes in the form of barrels with turned finial handles, one of Jewish interest with printed inscription for Jerusalem, an oak and silver plated metal bound ice bucket and two metal mortars with pestles (8) £300 - 500* 330

329 A lead Bulla of Pope Innocent VIII 1484-1492, 3.7cm diameter Note: Since the 12th century, Papal communications (bulls) have carried a lead seal with the heads of the apostles Saint Peter and Saint Paul on one side and the Pope’s name on the other. £100 - 150* 330 A Continental Stobwasser-type circular lacquered papier-mache box, 19th century, decorated to the lid with a man reading the paper in a tavern, with circular paper fragment to the interior, written in ink, From Falkren, 4th Aug 1968, 10.5cm diameter £100 - 200* 331 A large granite weight, probably 19th century, incised to body 67lb, 33cm high (VAT charged on the hammer price) £150 - 200*

331

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332 An Aubusson tapestry, late 19th century, depicting a game park scene with two birds to the foreground within trees, with a church and a barn to the background, within floral borders, signed Aubusson to the margins, 137cm x 195cm £1,000 - 2,000*

333 A Continental iron bound Armada chest, 17th/18th century, with two twisted work handles and large hasps to the front flanking an ornate brass foliate escutcheon plate, with some painted decoration, complete with key and turning lever, 35cm high x 64cm wide x 36cm deep £500 - 800*

333

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

334 A set of four brass candlesticks, probably Flemish, 18th century, 24cm high (4) £500 - 1,000*

334

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336

335 An English baluster form delftware vase, probably Liverpool, circa. 1760, painted with swags and bouquets of flowers in blue, yellow, green and manganese, between borders of arrowheads and berries and leaves, 18cm high £200 - 300* 336 A collection of eight Bristol tin glazed earthenware tiles, late 17th/18th century, arranged in two four tile panels, decorated with sprays of coloured flowers, with blue petal forms to each corner, each panel with wooden surround, each tile 13 x 13cm (2) £500 - 800*

338

338 A maiolica bottle, probably Italian 18th century, decorated with a man riding a horse and a groom, within foliate trailing leaves, 17cm high £350 - 450* 339 A glass Decalcomania ball, late 19th century, applied with prints of Oriental figures and sprays of flowers, on a white ground, approximately 29cm high £200 - 300*

337 An English terracotta tile moulded with a fleur-de-lis, early 17th century, 14cm square Provenance: This tile was by repute found in a vault in Launcell’s church, Devon. There is a similar tile in the Victoria and Albert Museum, accession no.

C.467.192. £300 - 500*

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340 A collection of twenty four Dutch blue and white tin glazed earthenware tiles decorated with scenes of religious subject matter and genre scenes, late 17th/18th century, to include scenes of Joseph in the well, Christ walking on the water to Peter, a man in the stocks and a man apparently robbing a grave, each 13 x 13cm (24) £400 - 600* 341 Three Delft tiles, probably Bristol delft, 18th century, decorated with floral sprays with blue florets to the corners, 13 x 13cm, together with five similar tiles with flowers in urns, a pair of tiles with central flowers in blue and white line frames, applied with fleur-de-lis decoration, with stylised crosses to the corners, and a single tile (11) £400 - 600* 342 A set of six glazed earthenware tiles, probably Spanish, 18th century, decorated with raised decoration of geometric design to form three panels with stylised floral centres in shaped surrounds, with flower head spandrels, in blue, ochre and green glazes, each tile 28 x 12.5cm, 28 x 77cm as a panel (6) £200 - 400*

346

343 A collection of thirty four Catalonian tiles, circa. 1740, painted with a stylised floral and geometrical pattern in green, gold and manganese, each tile 13x13cm, as a panel 110cm x 55cm (34) £500 - 800* 344 A set of eight tin glazed blue and white earthenware tiles, probably London, 18th century, decorated with octagonal reserves of flower filled urns flanked by birds, on blue grounds with foliate spandrels to the corners, mounted as a panel, each tile 12.5 x 12.5cm, the whole panel 25 x 50.5cm £200 - 300* 345 A panel of thirty five blue and white tin glazed earthenware tiles, in the Dutch taste, 18th century, each decorated to the corners with petal designs, eighteen further decorated with simple illustrations of people, boats, flowers, floral sprays, birds and fish, each tile 7.5 x 7.5cm, the panel 38.5 x 53cm £200 - 300*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

346 A collection of six tin glazed earthenware tiles, Dutch, late 17th/18th century, to comprise two tiles decorated with blue and white sprays of tulips, a pair of tiles with tulips in vases, within foliate spandrels and two rectangular border tiles of curling flower and leaf design (6) £150 - 200* 347 An English pearl ware stirrup cup, late 18th/early 19th century, moulded with the Pope and the Devil, 14cm high, together with two tea caddies, a Prattware Pearlware Macaroni Tea Caddy, circa 1790 and a Staffordshire caddy moulded with maidens, lacking covers, and two Ralph Wood type Green man mugs, late 18th century (5) £200 - 300* 348 A pair of Staffordshire creamware octagonal plates, of Wheildon type, late 18th century, with reel form edging, sponged with brown, green, blue and grey decoration, 22cm diameter (2) £150 - 250*

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350 349 Three Staffordshire creamware plates, of Wheildon type, late 18th century, to comprise an octagonal plate with reel form edging, sponged with brown mottled decoration, 22.5cm diameter, together with two circular plates with shaped moulded rims, sponged with brown, green, blue and grey decoration, 24cm diameter, one bearing label for B. M. & P. Manhiem (3) £150 - 250*

353 350 A set of five Staffordshire creamware octagonal plates, of Wheildon type, late 18th century, with reel form edging, sponged with brown, green, yellow and grey decoration, 22cm diameter (5) £200 - 300* 351 A Masons Ironstone part dinner service, in the Imari palate, 19th century, all the plates of shaped outline decorated with jardinières of flowers and precious objects in foliage, printed marks to backs, to comprise sixteen plates, four round shaped dishes and two rectangular and two oval shaped dishes (24) £400 - 600*

352 A quantity of Cornishware pottery kitchen jars and wares by Green and Co. Ltd and TG Green and Co. Ltd., late 19th/20th century,to include jars and lids for loaf sugar, Demerara Sugar, butter beans, currants, flour, Haricot beans, sugar, custard, flour, with a salt pot with wooden lid, a salt shaker and lid, a sugar pot lacking lid, an egg cup, a vinegar bottle and stopper, a rolling pin, a flour shaker and lid, a coffee pot and lid, a cylindrical vase, a jug and three flat plates, together with an additional quantity of Cornish wares by other makers of later date (a lot) £500 - 800* 353 A Staffordshire pearl ware and coloured pottery bust of Minerva, probably by Enoch Wood, late 18th/early 19th century, portrayed with a green dress and yellow cloak, her black helmet with a yellow plume, supported on a waisted marbled base, the back impressed twice Minerva, 32cm high £250 - 350*

357

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354 354 A Bow porcelain figure of a girl, 18th century, modelled wearing a yellow coat and red patterned dress, seated on a tree stump playing a dulcimer, with a flower strewn rocky base, 17cm high, together with a Continental porcelain monkey band figure (2) £300 - 500* 355 A Chelsea blue anchor Imari plate,18th century, the rim of lobed design, decorated to the centre with chrysanthemums and leaves, the rim with conforming panels, blue anchor mark within concentric rings to base, partial trade label to base, 20cm diameter £500 - 800*

355 359 A pair of Royal Worcester parian porcelain figures of Morning and Evening Dew, early 20th century, decorated in the peach blush palate, each classically attired holding urns, with a fern moulded base, on gilded circular socles, Royal Worcester green printed marks for 1911, 40cm high (2) £300 - 500*

356 A Derby porcelain figure of a young man holding a basket, 18th century, he wearing an orange jacket with a white surplus and blue apron, holding a yellow basket, standing against a floral bocage, on a scroll moulded base, incised mark to base N222, 12.5cm high £150 - 250* 357 A Derby porcelain part dinner dessert service, circa.

1872-1800, decorated in the Imari palate with prunus sprays and flowers and leaves, within intricate borders, the rim of blue and gilt line, puce marks to bases, to comprise a pair of serving dishes with lids, a diamond shaped pedestal dish, a pair of diamond shaped dishes, a pair of heart shaped dishes and seven small plates(14) £300 - 500* 358 A pair of Derby porcelain cabinet plates, 19th century, decorated to the centres with circular vignettes of English views, within four floral vignettes formed of gilt flowers within scrolling frames on gilt geometric patterns, on green grounds, red crown derby marks to base, 22.5cm diameter, together with a pair of smaller Derby saucer plates decorated with English views within blue and gilt line borders and a Derby twin handled mug decorated with an English view within thick gilt line and floral borders, on blue grounds (5) £200 - 300*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

359

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361 A Royal Worcester porcelain vase by Harry Stinton, early 20th century, decorated with vignettes of Highland cattle, signed H Stinton, puce printed marks to base, F H 106, date marks for 1919, 20.5cm high £300 - 500* 362 A Royal Worcester fruit pattern tazza, by Thomas Lockyer, 20th century, with a shaped gilt wavy rim, decorated with grapes and apples, signed, printed puce marks to base, dated 1924, together with two plates of similar design, decorated with apples and grapes and peaches and grapes with soft fruit, signed and dated by R Austin, 1924 and Price, 1926 (3) £200 - 300*

360 360 A Royal Worcester porcelain figure of a Chinese girl, after a model by Gwendolen Parnell, printed marks to base, RW 3362, 13cm high, together with a Royal Worcester figure Chinoiserie Boy, modelled by Gwendolen Parnell, model No. 3354, another Chinoiserie girl with a dog, RW3348, together with two other Royal Worcester Chinoiserie figures (5) £200 - 300*

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363 363 Two Royal Worcester porcelain elephants, after a design by James Hadley, early 20th century, decorated in red and black glazes, incised signature to the base, impressed kite and factory marks to the belly, 19.5cm high (2) £200 - 300* 364 364 A Royal Worcester porcelain pot pourri vase and cover by James Stinton, early 20th century, decorated with vignettes of Highland cattle within mountainous landscapes and with landscapes to the reverse, signed, printed puce marks to base, printed pattern 1515, dated 1919, 29cm high £700 - 1,000* 365 A Royal Worcester porcelain dish by James Stinton, British, 1870-1961, decorated with a shaped reserve depicting Barnard Castle with cattle on blue and gilt ground, signed to bottom left J Stinton, printed marks to base, date dots for 1901, 24cm diameter £300 - 500*

366 A Victorian Art Union Parian bust of Clytie, probably by Copeland, 19th century, of typical form, moulded to the socle Art Union of London 1855, C. DELPECH.(RED), 35cm high Note: The original marble of this bust was found near Naples and acquired by Charles Townley in 1772 who mistakenly identified it as Clytie. It was later identified as Antonia, daughter of Mark Antony, and is part of the Townley collection in the British Museum. See Sir Frank Francis (ed.)

Treasures of the British Museum, fig.174 and p.151 £200 - 300*

365 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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368 367 A Wedgwood creamware part dessert service, 18th century, decorated with bands of leaves and pale blue flowers, with impressed marks to bases, to comprise a pair of baskets with twisting handles with stands, a pair of rectangular shaped dishes, an oval shaped dish, fourteen small plates, together with a basket and two stands (21) £200 - 300*

368 A Worcester chestnut basket, cover and stand, circa 1770, of quatre lobed oval form, with twig handles applied with flowers and leaves at the terminals, the stand and cover moulded with arched panels and florets, the cover and stand pierced, the basket moulded with florets within a honeycomb design, overall enamelled with colours, the stand with Deusche blumen designs to oval centre,the basket with painted underglaze mark, XLVI, with lid with red anchor mark, the stand 22cm wide Note: This lot comes with the original receipt of purchase from Aurea Carter £400 - 600* 369 An English porcelain figure of a lady, probably Derby, 18th century, modelled wearing a floral dress with a pink bodice, her apron full of flowers, standing on a scroll moulded base with three feet, 26cm high, together with a Bow candlestick figure, modelled as a girl seated against a floral bocage,on hand holding a branch for a candle sconce, 16cm high (2) £400 - 600*

369

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370 Daisy Makeig-Jones, British, 1881-1941, a Wedgwood Fairyland Lustre ‘Willow and Candle lighthouse’ pattern vase, 20th century, decorated with two chinoiserie views of pagodas, bridges and trees, between trees hung with lanterns, painted pattern no. Z5360 7, printed in gilt Portland vase, Wedgwood and Made in England mark to base, 19.5cm high Note: the shape for this vase is recorded as a ‘Malfrey pot 2311’ in the catalogue raisonee of Wedgwood fairyland lustre shapes. £600 - 800* 371 Daisy Makeig-Jones, British, 1881-1941, a Wedgwood Fairyland lustre ‘Roc Centre’ Daventry bowl, c.1925, Portland vase mark, Wedgwood Made in England, Z5443, the middle decorated with ‘Roc Centre’ and enclosed by a deep ‘Ghostly Wood’ pinecone and poinsettia foliate border, the exterior with a central blue lustre band of elves from ‘Dana’, with a bronze lustre ground above and below, heightened with gilt, 32.7cm diameter £3,000 - 5,000* 372 Daisy Makeig-Jones, British, 1881-1941, a Wedgwood bone china plate, early 20th century, applied with a design of a butterfly, on a powered blue lustre ground, printed mark to base, pattern no. x9511 in puce, 22.7cm diameter, together with a letter from The Wedgwood Museum (2) £200 - 300*

370

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373

375 373 A Continental soft paste porcelain plate, 18th/19th century, later decorated in the Sevres style, with a central reserve of a man and woman mounted on a horse about to go hawking, within rococo borders, in a purple en grisaille palate, with conforming reserves to the rim applied with scenes of game animals in the wild and dogs, on a spotted ground, bears faux Chantilly mark to base, 25cm diameter £200 - 300* 374 A French bisque porcelain bust of a girl, after Carrier Belleuse, late 19th century, modelled wearing a straw hat with roses in her hair, on a stepped socle, green moulded label to base, possibly for Haviland and Co., signed to the back A Carrier, 45cm high £300 - 600*

376

375 A German porcelain figure of a man playing a mandolin, in the Meissen style, late 19th century, he wearing a conical hat, with a turquoise blue jacket and yellow robe, standing on a domed base with scroll moulding, under glazed blue mark, 19cm high £200 - 400* 376 A German porcelain plaque decorated with a portrait of Ruth, in the KPM style,19th century, impressed mark and labels to back, in a gilt and silvered frame, 16 x 11cm £250 - 350*

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377 A large Herend porcelain tureen and cover, 20th century, with branch form handles terminating in floral corbels, the body moulded with basket form decoration, decorated with floral and fruit sprays, 29.5cm diameter £200 - 300* www.roseberys.co.uk

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378 378 A Herend porcelain tea and coffee service, 20th century, decorated with vignettes of birds in branches, with gilt detailing, blue printed marks to base, to comprise a tea pot and cover, a large coffee pot and cover, a hot water jug and cover, a sugar bowl cover, a jug, a pair of sugar bowls with covers, three oval trays, seven cups, seven saucers, a large oval platter, a jug and twelve plates (a lot) (VAT charged on the hammer price) ÂŁ1,000 - 1,500*

379 A pair of Meissen cockatoos, after 18th century models by Johann Friedrich Eberlein, 20th century, modelled perching on tree stumps with floral sprays, incised 77034 and 77035, impressed marks126B and 22B, blue crossed swords marks (2) ÂŁ700 - 1,000*

379

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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380 A pair of large Meissen porcelain ďŹ gures of a Gallant and his companion, late 19th/ early 20th century, the gentleman dressed in a floral jacket with striped sleeves, with geometrically designed waistcoat and stripped breeches, his companion in a floral dress with a pink bodice, both standing on square bases applied with flowers and tree stumps, blue crossed swords to base, incised numbers for 1461, 50cm high (2) ÂŁ1,000 - 2,000*

380

381 A pair of Meissen porcelain Golden Oriels, 20th century, modelled standing on flowering tree trucks, incised numbers for 77123 and 77124, press numbers for 169E and 145E, blue crossed swords mark, 25.5cm high ÂŁ700 - 1,000*

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382 A large Meissen porcelain centre basket, late 19th century, the top basket of pierced form applied with roses and entwined branches, the stem in the form of a flower applied tree with a couple dancing around it, on a domed scroll applied base, cancelled blue cross marks to base, impressed and incised 2792 marks to base, 49cm high ÂŁ800 - 1,200*

383 A matched pair of Meissen parrots, 20th century, modelled perching on floral and leaf covered rocks, incised numbers 77117, impressed number 77178, impressed number 22B, 102B, blue crossed swords marks, the tallest 21cm high (2) ÂŁ700 - 1,000*

382

383

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384 A Meissen porcelain figural group representing the Harvest or Autumn, late 19th/early 20th century, in the form of two partially draped children holding wheat sheaves and eating grapes, on a domed acanthus scroll base, blue crossed swords to base, incised marks for 1236, impressed marks, 28cm high £300 - 600* 385 A Meissen porcelain figure group of four dancing children, early 20th century, each dressed in the 18th century taste, encircling a tree, on a circular base moulded with Rococo devices, impressed mark and blue crossed swords marks to base, 31cm high £200 - 300* 386 A pair of Sitzendorf porcelain parrots, 20th century, each modelled perching on tree stumps with flowers and buds, printed marks to base, 25.5cm high, together with a pair of Sitzendorf blue cockatoos, of similar design, 16.5cm high (4) £150 - 200*

384

387 A Sevres cup and cover, 18th century, the lid with floral finial, the tapering cup with two handles, later decorated, the lid with reserves of flowers within gilt borders on blue celeste grounds, with a central band of swags of flowers and gilt dot decoration on white reserves. the cup of conforming decoration with reserves of a putti as Cupid and a basket of flowers, blue crossed LL’s and date letter for 1772, together with a Sevres porcelain plate, 18th century, later decorated to match the cup and cover with a central reserve of a putti with doves and a billowing drape within gilt borders, with reserves of musical instruments, blue crossed LL’s and date letter for 1759/1760, with painters mark (3) £200 - 300*

385

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388 388 A pair of large Royal Copenhagen Flora Danica porcelain plates, 20th century, with serrated gilt rims, decorated with blue and pink flowers, blue painted Copenhagen marks, 735/3549, and titled in black, Erythroea Centaureum, Gentiana serrata Gunn v. acuta, 25.5cm diameter, together with three further plates, Nasturtium Palustre DL, Oxytropis Lapponica Whbg. and Cerastium Arcticum Lge. , 22cm diameter (5) (VAT charged on the hammer price) £600 - 1,000* 389 Paola Bologna, Italian, 1898-1960 for Lenci, The Madonna, c.1930, a ceramic bust of the Madonna, with painted marks Lenci Torino Italy 8VII to base, 18cm high £200 - 300*

391 A pair of Continental blue lustres, probably made for the Turkish Market, late 19th/early 20th century, of thistle form, with baluster stem, on round cushion base, decorated with white enamel and gilt swags and beading, hung with long pendant lustres, 37cm high (2) £150 - 200* 392 A set of four Magnum sized glass champagne coupes, c.1960, possibly Czech, each large bowl cut with a band elliptical leaf shapes on a straight stem, raised on a hollow faceted stem and circular spreading foot, 27.5cm high, (4) £150 - 200*

390 Simon Gate for Orrefors, Swedish, 18831945, an octagonal tapering vase, the rim cut with cross hatching above panels to front and reverse of nudes within trees, offering fruit filled plates and at leisure, engraved by Emil Goldmann, designed 1919, executed 1931, moulded Orrefors Gate 123.31.E.G. to base, 9.4cm. high, 8.72cm. wide, 12.3cm. deep £200 - 300*

392 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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393 A George II black japanned longcase clock by Randell of Portsmouth Common, the case with an arched top with glazed door flanked by pilasters, the trunk with conforming arched door, on plinth base, overall decorated with Chinese figures in landscapes, the brass dial with silvered Roman and Arabic chapter ring, with dial for strike/silent to arch, and further seconds subsidiary dial with a date aperture to a Neoclassical taste engraved centre, signed Randell Portsmouth Common, applied with florally pierced spandrels, with pendulum, two weights and key, 217cm high ÂŁ300 - 400*

393

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394

394 A George III mahogany eight-day longcase clock by Ellicott, the hood of pagoda shape with two urn finials, with shaped foliate fretwork decoration backed with red paper above arched glazed door, flanked by brass capital stop fluted columns, the trunk with shaped door flanked by quarter columns over a reduced plinth base, with tall moulded double skirt incorporating squat bracket feet with shaped apron, the brass break-arch dial with subsidiary seconds dial and calendar aperture to the matted centre within applied Roman numeral chapter ring with Arabic five minutes to outer track, signed Ellicott, London to lower margin, with fine pierced blued steel hands and rococo cast spandrels to angles beneath subsidiary strike/silent selection dial flanked by conforming mounts to arch, the movement with rack and bell striking, 244cm high ÂŁ1,200 - 1,800*

www.roseberys.co.uk

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395 A George III mahogany long case repeating clock by Paul Rimbault, the shaped hood with three brass spherical finials, with an arched shaped door flanked by brass capital fluted and stop fluted columns, the trunk of plain form with shaped door, on a plinth base, with bracket feet, the brass dial with silvered Roman and Arabic numeral chapter ring, with seconds subsidiary dial and date aperture to the matted centre, the dial signed P. Rimbault, London, with pierced boys and crown spandrels, the arch to top with a silvered and engraved sun flanked by pierced brass dolphin spandrel, the twin train movement with a single bell strike and a carillon of three bells, with pendulum, two weights and winder, 245cm high ÂŁ400 - 800* 396 A George III mahogany longcase clock, the arched hood with three brass ball finials and glazed door flanked by fluted columns, with a plain trunk and base, on bracket feet, the dial with Roman and Arabic numeral silvered chapter ring, with subsidiary seconds dial to a matted centre, flanked by pierced brass spandrels, the arch with a silvered ring engraved Tempus fugit, flanked by pierced spandrels with dolphins, with two weights, key, winder and pendulum, 220cm high ÂŁ800 - 1,200*

395

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396

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398 A Regency mahogany long case clock by Perigal, the domed hood with three brass ball finials, with domed glazed door, with fluted and brass stop fluted canted corners, the trunk with shaped door between brass capital fluted and stop fluted columns, on a plinth base, the silvered dial with Roman and Arabic numeral chapter ring, with subsidiary dials for strike/silent and seconds and date aperture, signed Perigal Royal Exchange London, the movement similarly signed to the back plate, together with pendulum and two brass cased weights with a winder, 237cm high including finial ÂŁ600 - 1,200* 399 An oak long case clock

by Charles Penny,18th century, the plain hood with a square glazed door flanked

by Doric columns, above an arched door and plain plinth, the brass dial with Roman and Arabic numeral chapter ring with signature plate for Charles Penny, Wells, with square date aperture to the matted centre, flanked by pierced brass spandrels, with a weight, 202cm high ÂŁ300 - 500*

397

398

397 A George III mahogany longcase clock by Thomas Gaskell of Knutsford, the hood with swan neck pediment and square glazed door flanked with square fluted pilasters, with rectangular form trunk and shaped door flanked by fluted pilasters, on a block plinth with canted corners, on bracket feet, the painted dial with Roman and Arabic numeral chapter ring, with subsidiary dial and moon phase aperture, signed T Gaskell Knutsford, together with a pendulum and two weights, the clock 212cm high ÂŁ700 - 1,000*

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401

403 A French repeating carriage clock, late 19th/20th century, the case with Corinthian columns to corners, with Arabic numeral chapter ring to matted back plate, with gong strike, impressed letters to back plate for EGL Paris, serial number 3236, 14cm high £300 - 500*

400 A French repeating alarm carriage clock, late 19th/early 20th century, the white enamel dial with Roman and Arabic numeral chapter ring, with subsidiary alarm dial below, retailed by Camlrer Kuss and Co, 56 A New Oxford Street, serial number 6035 to base 13cm high, together with a key and leather carrying case £500 - 800*

404 A French repeating carriage clock, late 19th/20th century, the case of architectural taste with Doric fluted columns, with silvered Roman numeral chapter ring, on matted ground, with gong strike, 11cm high £300 - 500*

401 A French repeating oval carriage clock, 20th century, the case with bowed glass sides, on stepped shaped base, the white enamel dial with Roman and Arabic chapter ring, the movement sign J F, with gong strike, serial number 1420, £300 - 500*

405 A French alarm carriage clock, late 19th/early 20th century, the white enamel dial with Roman numeral chapter ring, with subsidiary alarm dial below, Henri Robert Rue de la Marine, with bell strike, serial number 4245 to back plate 13cm high £300 - 500*

402 A French repeating carriage clock, late 19th/early 20th century, the white enamel dial with Roman and Arabic numeral chapter ring, with subsidiary alarm dial below, retailed by Grohe, Pennington and Typke Successors, 4022, Wigmore Street London, with engraved back plate, serial number 9827 to base, with inscribed number 4022 to base rim and indistinct stamp to case, 13cm high £500 - 800*

403

402

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407 406

409

406 A French brass carriage alarm clock, 20th century, of cylindrical form, the white enamel dial with Roman numeral chapter ring above subsidiary alarm dial, with twin train movement, the base concealing an alarm bell, 12cm high £300 - 500* 407 A French brass carriage clock, late 19th/20th century, the white enamel dial with Roman numeral chapter ring, retailed by Henri Marc a Paris, with bell strike, serial number 29922, 14.5cm high £300 - 500* 408 A French brass carriage clock, 20th century, the white enamel dial with Roman and Arabic numeral chapter ring, striking on the hour and half hour on a gong strike, serial no. 633, with a key, 13.5cm high £200 - 300*

410

409 A French brass carriage repeating carriage clock, late 19th/early 20th century, the white enamel dial with Roman and Arabic numeral chapter ring, with subsidiary alarm dial below, retailed by Dent, 61 Strand, London, with striking/alarm bell to back, serial number to case, 29, 13cm high, together with a key and leather carrying case £300 - 500* 410 A French brass grand sonnerie striking repeating carriage clock, late 19th/early 20th century, the white enamel dial with Arabic and Roman numeral chapter ring, with twin coiled gong strike, Striking/silent lever to base, serial number to base, 31039, 13cm high, together with a key and leather carrying case marked JW Benson 86 Old Bond Street (2) £500 - 800* 411 A French brass repeating carriage clock, late 19th/20th century, with swing handle, the white enamel dial with Roman and Arabic numeral chapter ring, with twin barrel movement, retailed by Dent, 33 Cockspur Street, London, serial no. 33964, 13.5cm high £200 - 400*

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412 A French brass repeating/alarm carriage clock by Perregaux, the case overall engraved with foliate patterning, the white enamel dial with Roman numeral chapter ring, signed Perregaux le locle, with subsidiary alarm dial below, with bell strike, signed to movement, serial number 703, 13.5cm high £500 - 800* www.roseberys.co.uk

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413

416

417

413 An English ivory carriage clock, early 20th century, with silver handle and door handle, bears marks for E. B. and Co. Ltd, London 1922, the white enamel dial with roman numeral chapter ring, with gilt decoration, the movement of miniature form with balance wheel regulation, 8.5cm high £300 - 600*

415 A French gilt brass carriage clock, 20th century, with a fluted handle to top, the case with friezes of trailing flowers and vines, between fluted columns, on steeped base, the white enamel dial with Roman numeral chapter ring, heightened with Arabic numeral to the quarters, with gong strike, 15cm high £200 - 300*

417 A large brass repeating carriage clock, 20th century, the case with beaded bands to the architecturally styled case, with white enamel dial with Roman and Arabic chapter ring to matted ground, with gong strike, serial number 8839, 15cm high £500 - 800*

414 A French champleve enamel repeating carriage clock, late 19th/early 20th century, the case of classical architectural form with Corinthian column pilasters to the glazed case, with bands of enamel flower heads and leaves to top and sides, on beaded bun feet,with engraved dedication Aldra from Fyvie, the dial with silvered Arabic numeral chapter ring with pierced floral centre on matted ground, with gong strike, 14.5cm high £200 - 300*

416 A French gilt brass repeating carriage clock,late 19th century, with swing handle, the case overall richly engraved leaf and scroll designs, the white enamel dial with Roman numeral chapter ring to a matted surface ground, the twin train movement with bell strike, 14cm high £500 - 1,000*

418 A silver cased carriage clock, late 19th/early 20th century, the case with repousse floral work decoration, the white enamel dial with Roman numeral chapter ring, 8cm high, together with two other miniature brass carriage clocks, one retailed

by Searle and Co., both 8cm high (3) £300 - 500*

418 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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419 A French bronze and gilt bronze clock,19th century, in the form of two cherubs seated on a platform at the base of a classical column, with a large urn finial, the white enamel dial with Arabic numeral chapter ring, with gilt pierced hands, the movement with striking and going trains, with pendulum, 43cm high ÂŁ500 - 800* 420 A French lyre shaped gilt bronze mantel clock, mid/late 19th century, the dial enclosed in a Neoclassical taste lyre moulded with grapes, on a stepped plinth with applied floral decoration, on engine turned feet, the white enamel dial with Roman and Arabic numeral chapter ring, with pierced hands, the clock with watch movement serial number 25610, 29cm high ÂŁ300 - 500* 421 A French ormolu and green marble mantle clock, mid 19th century, the finial in the form of a Kylix shaped urn with a foliate knop lid, the case applied with architectural taste ormolu enriched with fluting to the sides and berried foliage mounts, on foliate round feet, the white enamel dial with Roman numeral chapter ring, with feint retailers mark to dial, the barrel movement stamped R serial no. 1012, with bell strike and pendulum, 28cm high ÂŁ500 - 1,000* 419

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422 A French ormolu mantel clock, in the Louis XVI taste, 19th century, the case with an ornate carrying handle and mesh form top above Vitruvian scroll frieze, the front applied with two female caryatids to the corners, above swag hung base with acanthus leaf and scroll feet, the silvered dial with Roman numeral chapter ring, the hands in the form of arrows, the barrel movement with bell and count wheel strike, 20cm high ÂŁ600 - 1,000*

422

423 A French Sevres style porcelain and ormolu mantel clock, 19th century, mounted with the figure of a boy riding a dolphin holding a two pronged fork, with four finials above Corinthian columns, to a leaf moulded base with leaf form feet, the front porcelain panel with Roman numeral chapter ring, with a painted central scene of a female figure borne by dolphins, on a pink ground within gilt line frames, with conforming panels to the sides of Nereids, the barrel form movement stamped CV 195, with bell strike and pendulum, 31.5cm high ÂŁ800 - 1,200*

423

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424

425

424 A French white marble and ormolu mantel clock, 20th century, decorated to the top with two billing doves and a torch, the case overall enriched with musical instruments and trophies of war in the Louis XV taste, with foliate motifs to the base, on toupie feet, the white enamel dial with Arabic numeral chapter ring, the hands of pierced brass, the barrel movement stamped A 1, with bell strike and pendulum, 25cm high ÂŁ400 - 600*

425 A French ormolu and porcelain eight day striking mantel clock, 19th century, the case with a twin handled urn flanked by pine cone finials, with porcelain panels to the sides, on a stiff leaf stepped moulded base, on beaded turned feet, set on a giltwood base, the porcelain panels decorated with putti and be-ribboned swags of fruit and musical instruments, the white enamel dial with Roman numeral chapter ring, inscribed W.Lomax, Paris & Manchester, the movement by Jean Baptiste Deletrex, with inset stamps for JBD to the back plate, with bell strike striking to the hour and half hour, with pendulum, key and sales receipt, the clock 36cm high ÂŁ700 - 1,000* 426 An Art Nouveau brass mantel clock, 20th century, the case with integral carrying handle, the dial with serrated edge with Arabic numeral chapter ring, with black hands, the barrel form movement with balance wheel escapement and bell strike, 18cm high ÂŁ200 - 300*

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427 An Empire gilt bronze and marble sculptural mantel clock, early 19th century, the case mounted with a female figure representing Urania, the muse of Astronomy, seated at a globe with a pile of books, above a façade frieze of a putti looking through a telescope, on a green marble base, with bell form machine engraved feet, the white enamel dial with Roman numeral chapter ring, signed Tison a Paris, the barrel movement with count wheel strike and bell, 37.5cm high £2,000 - 3,000* 428 A French Napoleon III Sevres style porcelain and ormolu and patinated bronze mantel clock by Grignon-Meusnier, Paris, 19th century, the top mounted with two naked cherubs lying on cloth supports flanking a fruit filled basket finial, the body of architectural stepped breakfront form, enriched with lobed and leaf form moulding, inset with panels of porcelain decorated with vignettes of cherubs and flowers within gilt lined borders, on beaded circular feet, the circular white enamel dial with Roman numeral chapter ring, signed to the centre GrignonMeusnier, A Paris with blued steel trefoil hands, the movement with bell and count wheel strike, the backplate stamped with serial number 3054 over additional number 5 8 and trademark Grignon-Meusnier, Paris, 36.5cm high x 43cm wide x 12cm deep £1,500 - 2,000*

427

428 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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430 429 429 A French red stained tortoiseshell and brass boulle work chiming bracket clock, 19th century, the top with a seated cherub finial, the case applied with mask and scroll mounts, on scrolling feet, with an inset porcelain panel decorated with cherubs and flowers, the pressed metal dial with inset porcelain plaques chapter ring, on a conforming bracket, the clock with pendulum and bell strike, 41cm high, the bracket 16cm high (2) ÂŁ400 - 600*

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430 A George III mahogany bracket by Richard Devves, 18th century, the case of plain design with a bell top and brass carrying handle, with glazed door and sides, the dial with silvered Arabic and Roman numeral chapter ring, with central date aperture to an engraved scroll work and matted centre, with blind faux pendulum aperture, with blacken steel hands, flanked by gilt foliate spandrels, the arched top with engraved silvered disk for Richd. Deaves, Whitchurch, with single barrel and fusee brass movement, with florally engraved back plate, with pendulum and key, 44cm high ÂŁ500 - 1,000*

www.roseberys.co.uk

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432

431 431 An English sedan chair clock, late 18th/ early 19th century, the white enamel dial with Roman and Arabic numeral chapter ring, with blue and gilt steel hands, with a watch type mechanism with a finely engraved back cock and engraved to the backplate, B Benjamin, 126, Minories, London, with a brass suspension hook, 15.3cm diameter £400 - 600* 432 A French gilt metal and onyx desk compendium clock and barometer, late 19th century, 14cm high £400 - 600* 433 A Victorian burr walnut stick barometer, the top with scrolling crest with further applied scroll work to the sides, retailed by C Baker, 244 High Holborn, London, with ivory and black indicators, with cased thermometer to the trunk, 107cm high £300 - 500* 434 A George III mahogany and ivory mounted stick barometer by Peter Dolland, the top with a swan neck cresting with central Neoclassical urn finial, above a bow fronted glass section with silvered metal backplate, to contain a thermometer and the indicators for the barometer with mercury tube, signed Dolland London, the trunk with ivory adjustment knob, the base with urn form cover with flanking canted corners, 104cm high Note: Peter Dolland, 1730-1820, was listed in the 1763 as Optician to his Majesty and the Duke of York and sole maker of refracting telescopes invented by the late Mr. John Dollond who obtained his Majesty’s Royal letters Patent for the said invention.’ £1,500 - 2,500* 433 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

434

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435 A rectangular mahogany cased thermometer by W & S Jones, Holborn, London, late 18th/early 19th century, the case mounted with a bone urn finial, the silvered back plate engraved to the top W & S Jones, Holburn, London, 44.5cm high £600 - 1,000* 436 A fossilised specimen of a fish, possibly Knightia Eocaena, within later composition mount, 19.5cm long £200 - 300* 436

437

435

437 A specimen fossilised fish, Gyrodus, German Solnhofen formation,150 million years, within a diorama with ferns, 37.5 x 47cm, within a wooden frame, together with another example of a lizard, within a plaster mount and frame (2) £150 - 200* 438 A large white Brain coral specimen, 20th century, of spherical form, mounted on a black cylindrical stand, 24cm high, together with a similar coral specimen, 20th century, 26cm high (2) £300 - 500* 438 100

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439

439 A large specimen example of Orthoceras Belemnite, Jurassic Period, in a slab, 65 x 36cm, together with a pair of cut and polished ammonite samples, and a section of fossilised leaves (4) £150 - 200*

440 A brass octagonal four blade medical scarificator by Maw, London, 19th century, 3cm square, together with a larger twelve blade brass scarificator, a set of seven Spanish cut throat razors, in a brass bound rosewood box, 19th century, a set of medical bottles in a leather case and a leather etui case, containing sewing instruments (5) Note: The contents in this lot were previously owned by Sydney Monckton Copeman (1862-1947), Doctor and Immunologist. He lived at 57 Redcliffe Gardens, Chelsea, where there is a blue plaque attached to the house crediting him as an Immunologist and developer of the Small pox vaccination. £200 - 300*

440

440

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442

441 A brass bound and rosewood lap desk, 19th century, inset to the lid with a plaque engraved Anne, with matching escutcheon plate and inset brass handles, the interior with burgundy and gilt tooled leather writing surface, with brass capped ink bottles, 40.5cm wide, together with a rosewood and mother of pearl inset lap desk of similar date (2) £200 - 300* 442 An Asprey silver and ivory desk magnifying glass, early 20th century, the Japanese ivory handle carved and pierced with prowling tigers, the silver bearing marks for Asprey London, 1928, 30.5cm long £300 - 500* 443 A Victorian specimen wood rectangular writing slope, the interior with a tooled leather writing surface, with two plated metal and glass inkwells and spaces for pens and other utensils, the lock stamped Chubb and Son, 41cm wide £100 - 200*

443 444 A Georgian mahogany and line inlaid decanter box, with metal bale handles, inset to front and top with oval shell patera, the interior with six gilt glass decanters, with five stoppers, the box 28cm wide £200 - 300* 445 A William IV / Victorian rosewood and ivory cribbage board, the interior with three divisions, with central lidded area, with bone pegs for the board, 29.5cm long, together with a rectangular parquetry covered box, 19th century, containing a pair of ivory glove stretchers, a bone or ivory back scratcher, a thermometer and a small ivory head of a lady (6) £80 - 120* 446 A carved and stained ivory chess set, possibly Anglo-Indian, 19th century, the kings 11cm high, together with a mahogany and verreeglomise type chess board, in the Art Nouveau taste, late 20th century, 51.5cm square £400 - 800*

446

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447 A late Victorian/Edwardian country house letter box, with brass faced slot inscribed Letters, above a glazed door, with inset panel for noting the postal collection times, 29cm high, 21.2cm wide, 16cm deep Note: Property from the Collection of the 4th Viscount Allendale, from Bywell Hall, Northumberland; sold Christie’s, London, 31 January 2018, lot 137. £600 - 1,000* 448 A brass bound walnut writing slope, 19th century, the interior with a leather lined surface, with areas for inkwells, on a later stand, the slope 40cm high x 18cm high x 25cm deep £200 - 300* 449 A Regency rosewood and brass inlaid writing slope, the lid with inset central plaque engraved W Hicks, within a dot and lid frame with fleur-de-lis spandrels, the sides with integral handles, the interior with leather inlaid and gilt tooled writing surface, 51cm wide £150 - 250* 450 An Edwardian silver picture frame, marks for E.S. Barnsley, 1913, with pierced filigree work to the cresting and sides, later applied with brackets with oval purple glass cabochons, with flowers mounted with specimen scarab beetles and with a mother of pearl tortoise and a beetle, 18.5cm high £500 - 1,000*

447

451 A French ormolu and abalone shell mounted casket, late 19th/20th century, the lid and body moulded with shell and flower form decoration, the interior with a red velvet lining, 12cm high, 17cm wide, 12cm deep £400 - 600*

448

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452

453 452 An English Tonbridge ware rectangular letter box, 19th century, with two slits to the lid, decorated with bands of floral decoration, with conforming bands to the body, the interior with divisions and a key, 24.5cm wide, together with a French rosewood and inlaid glove box (2) £200 - 300*

453 A George III ebonized pear-wood veneered miniature oval mirror, with a metal suspension loop, 17.8 x 14.7cm, together with a Japanese copper frame enriched with Chrysanthemums, a cocquilla nut bodkin case, a Japanese carved wood parasol handle in the form of a peach and leaves, an ivory and silver mounted page turner, the handle carved with acorns and oak leaves and an Indian pierced ivory book mark (6) £800 - 1,200* 454 A Continental stained wood and banded piano form necessaire, 19th century, with mother of pearl inlaid motifs to the top and escutcheon plate to the front, the lid lifting to reveal a mirror to the interior top and a fitted area for sewing tools to the base, the tools probably associated to include silver handled scissors, mother of pearl and steel awls and other implements, another lid lifting to reveal an automata keyboard with a movement underneath, 16cm high, 20cm wide, 30cm deep £500 - 1,000* 455 A pair of Regency/William IV stationary caddies, of scrolling design, each with lifting lid, with paper lined divisions for stationary, 16.5cm wide, together with a pair of rosewood and mother of pearl inlaid caddies for a larger caddy (4) £200 - 300*

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456 456 A George III mahogany and line inlaid sewing casket, with a central section incorporating a bentwood handle, with lifting lid to reveal an unlined storage compartment, with two flanking lifting lids lifting to reveal more compartments with divisions, 33cm wide £200 - 300* 457 A Regency tortoiseshell sewing box, early 19th century, with ivory and pewter stringing, the hinged cover revealing a fitted interior, a drawer beneath, the sides with pressed brass foliate handles, the cover with engraved plaque Elizth Shearm, Woodland, 25cm wide £200 - 300* 458 A walnut and specimen wood sewing casket, late 18th/early 19th century, decorated with a panel of a large shell within a stained green ground to the top, with wing form spandrels to the corners, the lifting lid to reveal a vacant interior, 17cm high, together with a sarcophagus form tea caddy, 19th century, and two other caddies 19th century, with shell and flower decoration (4) £200 - 300*

457 460 A George III style miniature mahogany chest of drawers, 19th century, the rectangular top above three cock beaded and graduated drawers, raised on shaped bracket feet, 41cm high, 39cm wide, 24cm deep £150 - 250* 461 A Mauchline ware souvenir of Burn’s Cottage, 19th century, in the form of a butter tub, printed to the lid with a scene of the cottage and a poem below, 8.5cm diameter, together with a rectangular wooden snuff box, 19th century, printed with a coach and horses, a similar box printed with a scene of a landlord and his tenant, with inscriptions, Poor tenant bodie, scant o’ cash, a Russian circular box painted with a sleigh scene, a papier-mache box painted with the scene of a girl on a bicycle, a small treen mirror, a silver and porcelain perfume bottle decorated with a courting couple, a Dutch silver heart shaped cylindrical box, decorated with repousse work scenes within rococo frames and an English silver cup holder, decorated with cherubs, Birmingham 1891 (9) £500 - 1,000*

459 A Victorian/Edwardian carved wood ink well in the form of a cricketer, wearing a cap lifting to reveal a well, his chin with long whiskers, wearing a shirt and cravat, 12cm high £200 - 300*

461 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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463 462 A George III tortoiseshell oval tea caddy, early 19th century, 11.5cm high, 16.3cm wide; together with a George III tortoiseshell tea caddy, with ivory stringing, 13cm high, 9.5cm wide (2) £300 - 500* 463 A pair of George III mahogany hexagonal tea caddies, c.1770, each with chequer stringing and paterae to the hinged lid, 13.3cm high, 13cm wide; together with a burr-yew octagonal caddy, modern (3) £250 - 350* 464 A George III marquetry oval tea caddy, c.1790, the body with striped bands and central paterae, the lid with a radiating fan about a carrying-handle, 11cm high, 14.5cm wide £300 - 500*

464

465 A George III oval harewood and marquetry tea caddy, c.1790, the cover inlaid with an oval panel of flowers, the front with flowering plants, 12cm high; together with a George III harewood and marquetry tea caddy, the front with ribbon-tied flowers, 12cm high; and a George III oval harewood and marquetry tea caddy, inlaid with trailing leaves, 9cm high (3) £150 - 250* 466 A George III navette shaped tortoiseshell tea caddy, c.1800, with ivory stringing and banding and vacant oval plaque, 11.5cm high, 13cm wide £200 - 300*

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467 467 A George III octagonal tortoiseshell and ivory tea caddy, c.1800, with oval engraved silver panel to front in a frame of silver piqué work, 12cm high, 11cm wide £400 - 400* 468 A George III octagonal satinwood and parquetry tea caddy, late 18th century, with dot decoration, chequer banding and oval panels of yew wood, 13cm high, 12.5cm wide; together with a George III oval parquetry tea caddy, c.1800, with dot swag decoration and oval yew wood panels, 12.7cm high, 15.5cm wide (2) £300 - 500* 469 A George III octagonal ribbed ivory tea caddy, c.1780, with tortoiseshell stringing and banding, with oval plaque engraved EM ,13cm high, 11cm wide £400 - 600* 470 A George III ribbed ivory decagonal tea caddy, c.1780, with tortoiseshell stringing and banding, the front with copper shield-shaped plaque engraved with a recumbent stag, 14cm high; 12cm wide £400 - 600*

469

471 A George III decagonal ivory tea caddy, c.1780, with tortoiseshell stringing and banding, the front applied with a vacant silver shield-shaped plaque surround by a mother of pearl swag, 12cm high, 15cm wide £300 - 500*

470

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472

472 A George III hexagonal paper scroll tea caddy, c.1790, the front panel inset with an oval engraving of Venus and Cupid, 12.5cm high, 17.5cm wide; together with another George III hexagonal paper scroll tea caddy, late 18th century, the lid with chequer stringing, 12cm high, 18cm wide (2) £500 - 800*

473 A Victorian tortoiseshell tea caddy, mid 19th century, with shaped front, pewter stringing and ivory banding, 10.5cm high, 17cm wide; together with a Regency sarcophagus shaped tea caddy, c.1810, with ivory finial to lid, the interior with twin divisions and covers, 10cm high, 13cm wide (2) £250 - 350*

474 A Victorian ivory tea caddy with electroplated mounts, Sheffield, late 19th century, the hinged cover with foliate handle, the body with vacant oval plaque, 13cm high, 12.5cm wide £150 - 200*

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475

475 A group of six tea caddies, comprising: a George III mahogany navette shaped tea caddy, with paper scroll band, 13cm high, a George III satinwood decagonal tea caddy, 12cm high, an ash tea caddy with chamfered angles, 19th century, 9.8cm high, a circular yew wood tea caddy, early 19th century, an early Victorian mother of pearl and abalone tea caddy, 9.4cm high and a copper electroplated octagonal caddy, 12cm high (6) £250 - 350*

476 A large Regency brassinlaid rosewood tea caddy, c.1820, of sarcophagus form with recessed handles, on bun feet, the interior with central glass mixing bowl flanked by twin-lidded cannisters, 21cm high, 32cm wide £150 - 250*

477 A George III melon form tea caddy, the lifting lid with later ivory fist form finial, overall with remains of green stain, the interior with signs of a silvered lining, with a key, 12.5cm high £800 - 1,200*

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478

478 A George III ivory and pewter strung serpentine fronted tortoiseshell tea-caddy, with vacant oval plated metal plaque to lid and escutcheon plate to front, on brass ball feet, the interior vacant, 12.5cm high ÂŁ600 - 1,000*

479 A George III dome topped tortoiseshell shell and pewter strung tea-caddy, of octagonal form, the top with shaped plated metal plaque and plated metal escutcheon plate, on leaf moulded silver plated ball feet, the interior lid velvet lined, with two lids with ivory knobs, 14.5cm high ÂŁ600 - 1,000*

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480

480 A George III satinwood rectangular tea caddy, with inlaid sectional banding to the lid and body, with silvered metal handle, the interior lacking divisions, 23cm wide, together with a mahogany and inlaid rectangular tea caddy, late 18th/early 19th century, with brass handle and brass ball feet, 23.5cm wide (2) £200 - 300* 481 A George III specimen wood and yew tea caddy, 18th century, with canted corners, each face with reserves of geometrically set specimen woods, within striped boarders to the top and front, the interior with two divisions and lids with ivory handles, with ivory escutcheon plate and steel key, 20.5cm wide £150 - 250* 482 A George III square mahogany tea caddy, late 18th/early 19th century, with inlaid bat’s wing patera to the lid, 12cm wide, together with two other caddies, both late 18th/19th century, with inlaid decoration to include shell and bats wing patera (3) £200 - 300*

483

483 A George III mahogany and line strung hexagonal tea caddy, late 18th/early 19th century, of elongated form, inlaid to the top and three faces with oval bats wing patera, 12cm high £200 - 300* 484 No lot

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485 485 An English walking cane, late 19th century, the handle in the form of a silver ducks head, with pink enamel eyes, the head 6cm high, the total cane 96cm long, together with a cane with a mastiff’s head, a silver headed walking cane decorated with a scene of a courting couple, a parasol with a ball form silver handle, a cane with a silver head and a cane with a horse measuring device, lacking a head (6) £200 - 300*

486 A silver-gilt and enamel cane handle, probably Russian, late 19th / early 20th century, with a specimen citrine boulder to the top, mounted on a tripartite cage, with a white enamel cylindrical collar, and a brass screw fitting, 9.5cm long £1,000 - 2,000*

487 Two Continental walking cane heads in the form of Alsatians, late 19th/early 20th century, 21cm and 15cm long, together with an umbrella handle terminating in a terriers head, 19cm long, and a parasol handle of looping form carved with a parrot, 40cm long (4) £150 - 200*

486

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490

491

490 After the Antique, an Italian alabaster model of the Dying Gaul, 19th century, 52cm wide

488 A collection of seventy three framed plaster intaglios, in the Antique manner, mid/late 20th century, each portraying the head and shoulders in profile of a notable person from history, to include Kings, Queens, Playwrights and Statesmen, each within gilt and yellow paper, in a maple frame, the frame 50.5 x 60.5cm £300 - 500*

Note: The Dying Gaul has been referred to as the Dying Galatian and the Dying Gladiator through history. The present alabaster is almost certainly a Grand Tour copy of a Roman marble sculpture found in the Capitoline Museum, itself a copy of a bronze sculpture thought to have been commissioned by Attalus of Pergamon in 230-220 BC to celebrate his victory over the Galatians. The marble was found in the excavations of Villa Ludovisi, Rome and was first recorded in archives in 1623. £200 - 300*

489 John Henning, Scottish, 1771-1851, a collection of six plaster friezes from the Parthenon, featuring scenes of figures, chariots and charioteers, framed and glazed, 5cm high x 15cm wide Note: These miniature copies of the famous sculptures from the Parthenon were made by John Henning (1771-1851), who came to London from Paisley, Scotland in 1811. Henning was impressed by the beauty of the sculptures from the Parthenon frieze and asked for permission to draw and model them. Henning carved versions in slate as sunken impressions, from which raised versions were then cast in white plaster. Henning reproduced the frieze in sections measuring 5cm (two inches) by 15cm (six inches). These were sold in boxed sets.

491 An Italian Pietra Dura panel depicting a yellow rose, 20th century, with leaves and a branch, in an English carved and gilded Chippendale style swept and pierced frame, the panel 26 x 20cm £400 - 600* 492 A French Grand tour bronze inkwell in the form of a Greek Tragic mask, late 19th century, 13.5cm long, together with another inkwell, in the form of a Negro’s head, in the Neapolitan taste (2) £150 - 200*

Henning and his son John Henning Junior (1802-57) later became well known for carving a partial replica of the Parthenon frieze around the Athenaeum, the gentleman’s club in Waterloo Place, London, in 1828. £150 - 200*

489

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493

493 A group of Vienna cold-painted bronze animal models, late 19th/early 20th century, naturalistically modelled and comprising:an owl coming into land, a Dachshund and a mouse, cold-painted, the Owl 13.2cm wide, Dachs 8cm wide, mouse 9.7cm long (3) ÂŁ300 - 500* 494 A Vienna cold-painted bronze model of a Parrot, late 19th/early 20th century, naturalistically modelled and cast as a parrot with long tail feathers sitting on a perch, with colourfully painted plumage (restored), 28.5cm high ÂŁ800 - 1,200* 495 A Vienna cold-painted bronze model of a Stag, late 19th/early 20th century, naturalistically modelled and cast as a noble stag with antlers, painted in muted browns and beige, 22.3cm high ÂŁ300 - 500*

494

495

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496

496 A bronze model of a bull, cast by Peyrol from models by Isidore Jules Bonheur, French, 18271901, signed to the maquette, foundry stamp for Peyrol to back, 27.5cm high £2,000 - 3,000* 497 ‘Deux Canard’, a patinated bronze group, probably early twentieth century, signed ‘Muswiek’ on base, naturalistically model and cast as a pair of affectionate ducks on integral bronze base, 8.5cm high, 9.2cm wide £200 - 300* 498 A fragmentary carved giltwood figure of a woman, 19th century, modelled wearing her hair with a chignon with a beaded head dress, wearing flowing robes, with a dragon or dog to her side, 45cm high £200 - 400*

497

499 A white marble portrait relief of a gentleman, first half 19th century, with indistinct ink inscription to reverse ‘A Con....’, 16.5cm diameter £100 - 150*

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501 500 Albert-Ernest Carrier-Belleuse, French, 1824-1887, La Maternité Nepolitaine, a terracotta sculpture of an Italian woman feeding her baby, her foot resting on a ewer, signed into the maquette, A. Carrier, on an ebonised wooden socle, 73cm high £1,500 - 2,500* 501 Alain Mailland, French, b. 1959, Temple, arbutus wood sculpture, 11.5cm high (ARR) Note: Alain Mailland was born on the Ivory Coast and moved to Paris when he was young. He studied at the National Art School of CergyPontoise and worked as a carpenter and carver, until he took his first wood turning course at the age of 28. He lives and work in the town of Uzes, in the Department of Tarn in Southern France. £200 - 300* 502 C. Roberts, South African, 20th century, Lilly Trotter, a bird walking on a lily pad, Signed and numbered VI/X, bronze, mid-brown patina, with presentation plaque to Perspex base, 18cm. high, 28cm. wide £200 - 300*

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503

503 Ernst Seger, German, 1865-1939, a bronze model of a standing woman, holding a bouquet of flowers, initialled to the cast ES, green and brown patina, with impressed foundry stamp to the base for KRAAS BERLINs42, 58.5cm high, on a square marble base ÂŁ400 - 600*

504

504 W Groves, British, 19th century School, a white marble bust of a lady, in a plain dress, her hair tied with a bow, signed to the back of the socle, W Groves Fecit, 62cm high ÂŁ300 - 500*

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506

505

505 Paul Dubois, French, 1829 - 1905, A bronze bust of the scientist Louis Pasteur, signature to the back of the cast for P. Dubois, on a revolving bronze socle, 53cm high Note: A similar bust is found in the Metropolitan Museum of Art, but with a marble base, accession no. 1988.309 £1,500 - 2,500* 506 James Woodford RA, OBE, British, 1893-1976, Standing bird, monogrammed JW to base and incised Woodford underneath, stained plaster, 34.5cm high (ARR) £400 - 600* 507 A Continental carved alabaster bust of a girl in traditional costume, late 19th century, signed indistinctly to the back shoulder, 36cm high £500 - 1,000*

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508 510 508 John W Mills PPRBS ARCA FRSA, British, b.1993, a patinated bronze bust of Sir Thomas Sopwith, c.1988, signed, modelled and cast as the pioneering aviator, the young man wears a leather helmet with googles, on wood plinth, 63cm high (ARR) Note: Possibly a bronze proof for Sir Thomas Sopwith, a commission for Brooklands Museum, Weybridge, Surrey, UK. 600 - 800* 509 John W Mills PPRBS ARCA FRSA, British, b.1993, ‘Blitz’, a patinated bronze maquette for the Fire-fighters Memorial, modelled and cast as three uniformed WWII fire-fighters, raised on an octagonal MDF black painted base, signed monogram and ‘96, 36.5cm high (ARR)

510 Julius Pelikan, Czech, 1887-1969, a model of a muscular man, seated on a rocky outcrop, signed and dated to back, Pelikan 1918, granite, 39cm high £500 - 1,000* 511 Karin Jonzen, British, 1914-1998, The Lovers, signed to the cast, bronze, on a polished granite base, 22cm high (ARR) Provenance: Purchased: Bonhams, 20 March 2012, lot 141, £300 - 500*

Note: The National Fire-fighters Memorial ‘BLITZ’ was unveiled by Her Majesty Queen Elizabeth The Queen Mother on the 4 May 1991. £300 - 500*

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512 Robert Cook, British, b.1921, Jenny Flamingo, a nude woman standing on one leg on a limestone base, signed to the bronze cast R Cook, 2006, edition 5/6, signed and editioned to base, 40cm high (ARR) ÂŁ200 - 300*

513 Robert Cook, British, b.1921, Janet, a standing bronze nude, on a rectangular plinth, 1989, number 3, signed and dated to the base, 84cm high (ARR) ÂŁ400 - 600*

513

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514

514 Robert Cook, British, b.1921, Bow, a bronze figure of a girl stretching, on a marble base, Artist’s proof, 1994, signed and dated to the base, 38cm high (ARR) £150 - 250* 515 Robert Cook, British, b.1921, Swooping, signed, dated 1996 and editioned 2/10 to the base, bronze on wooden stand, label to base, 15cm high (ARR) £80 - 120* 516 Robert Cook, British, b.1921, a bronze model of an elephant within a hoop, on a wooden stand, edition to maquette, 6/10, 15,5cm high (ARR) £80 - 120* 517 Robert Cook, British, b.1921, a bronze model of a nude boy with a toy rifle, on a rectangular marble base, unsigned, 38cm high (ARR) £250 - 350* 517

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518 518 A pair of Continental silver plated bronze musicians, late 19th century, modelled as cavaliers in 18th century dress, playing a violin and lute, on turned red marble bases, 20cm high (2) £300 - 500* 519 A George III and later specimen blue john and white marble urn, parts18th/19th century, mounted on a later base, damages, 26cm high £150 - 200*

519 520 A French bronze and gilt bronze urn, late 19th/early 20th century, the body decorated with a frieze of male and female bacchanalian revellers with trails of vine leaves to the top, mounted with two Satyress holding grapes and a goblet, on a leaf cast base, converted to a lamp, 54cm high fitting excluded (It is the buyer’s responsibility to ensure that electrical items are professionally rewired for use) £150 - 250* 521 A George III copper and brass hot water urn, late 18th century, with scrolling handles and brass tap with ivory handle, on a pedestal base, 42cm high £200 - 300* 522 A George III rosewood and silver mounted toasting fork, 74cm long, together with two further later toasting forks (3) £150 - 250* 523 A Dutch walnut and ebonised wood peat bucket, 19th century, with a brass liner, 32cm high £500 - 1,000*

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524 A mahogany and brass bound peat bucket, 19th century, with swing handle, 41cm high, together with a Dutch specimen wood peat bucket with brass handle and liner, 31cm high (2) £800 - 1,200* 525 A large George III mahogany brass bound oval wine cooler, of coopered construction, with ring handles, with a later lead liner, 20cm high, 61.5cm wide, 43.5cm deep £200 - 400*

526 A coco-de-mer (Lodoicea Maldivica) basket, 20th century, with a cross hatched decoration to the rim, 23cm long £200 - 300* 527 A pair of Anglo Indian models of cannon, late 19th/early 20th century, together with a brass mounted coconut box and cover, an oval George III style tray with a central shell patera and a Dutch mahogany and brass bound oval tray, 19th century, of coopered construction, inlaid to the base with flowers and an animals head (5) £150 - 200*

528 A George III pierced brass fender, late 18th century, the frieze with engraved scrolling foliate decoration, urn finials to the angles, 108.5cm wide, 31cm deep £200 - 300*

526

525

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529

530 A French taste fire grate, 20th century, the serpentine grated front with flaming torch upright supports, 43cm high, together with a pair of brass urn form andirons, with hoof form feet and a cast iron fire back moulded with a scene of Europa and the bull, initialled (4) £200 - 400*

529 A set of polished steel and gilt bronze fire tools, 19th century, with floral and cross hatched handles, 75.5cm long, together with a pair of urn form andirons, with knopped finials and hoof feet, and a George III style fire grate (5) £300 - 600*

531 A George III white marble chimneypiece tablet, late 18th century, modelled with a reclining figure of Flora, resting on a cornucopia spilling over with fruit, 16 x 30.5cm £150 - 250* 532 Two Victorian doorstops of Mr Punch, the tallest 31cm high, together with a similar doorstop of Judy, a cast iron doorstop of a man walking a hound and another of two people quarrelling (5) £150 - 200* 532

530

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533 A Victorian brass doorstop of a Green man, wearing a cornucopia hat, 26cm high, together with a griffin form doorstop, a spread eagle doorstop, a bell form doorstop, a fireside figure of Nelson and a single door stop with trefoil design to the base (6) £150 - 200* 534 A pair of Victorian cast iron door stops, moulded with baskets of flowers and buds to the base, the handles of wheat sheaf design, 36cm high, together with a pair of brass stops with scrolling bases and a single doorstop (5) £150 - 200*

535

535 A brass fox head doorstop, the handle of whip form, stamped to the back Peerage London, 44cm high, together with two brass doorstops with lions paw feet bases and a brass fireside figure of a seated dog (4) £150 - 200* 536 A large wooden model of a J class yacht, late 20th century, with linen sails and rigging, on a stand, 226cm high x 197cm long £250 - 350*

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538

537 A Grand Tour patinated bronze lamp, late 19th century, the support column with a nesting swan finial holding a disc supporting chains holding a frame with a white opaline glass shade/candle holder, the triform plateau base with stiff leaf moulding, 22cm high £100 - 150*

539

538 A pair of French twin light ormolu candlesticks, 19th century, each with pineapple finial to a central column with wrought spiral centre supported by fluted spreading legs terminating in foliate scrolls, with chain hung bosses, emitting two branches with urn form candle cups with beaded drip pans, further decorated with swags of beads, indistinct stamps to base, 17cm high (2) £500 - 800* 539 A pair of polished brass candlesticks, 18th century, 15.5cm high, together with a pair of George III style taper sticks and a French ormolu candlestick (5) £200 - 300* 540 An Italian eight light giltwood chandelier, Genoese, early 19th century, the central stem with vase form top above facetted baluster stem with leaf moulded base, emitting eight scrolling branches terminating in circular petal rim glass dishes with electric candle fittings, overall hung with chains of facetted glass beads and pendants, 78cm high, later converted to electricity (It is the buyer’s responsibility to ensure that electrical items are professionally rewired for use) £600 - 900* 541 A pair of French polished brass Gothic taste candlesticks, mid 19th century, bearing stamps to the tops for LP a Paris, 60.5cm high including fitting, later adapted for electricity (2) (It is the buyer’s responsibility to ensure that electrical items are professionally rewired for use) £400 - 800*

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542 A pair of Empire taste gilt bronze and glass lamp bases, late 20th century, the glass bodies of urn form with fluted moulded decoration, with swan head handles, on square stepped and leaf boss applied bases, supplied with shade carriages with clear ball finials, 84cm high (2) (It is the buyer’s responsibility to ensure that electrical items are professionally rewired for use) £800 - 1,200*

543 A pair of Empire taste gilt bronze and glass lamp bases, late 20th century, the glass bodies of urn form with cut type moulded decoration, the handles with curling foliate motifs terminating in female mask corbels, on rectangular pedestals with square stepped and leaf boss applied bases, supplied with shade carriages with pierced Chinese fret work finials, 88cm high, supplied with silk shades (2) (It is the buyer’s responsibility to ensure that electrical items are professionally rewired for use) £1,000 - 1,500*

542

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

543

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544 A French ormolu figural candelabra base, in the Empire taste, late 19th /20th century, the stem in the form of a female representing Diana, holding a bow with a quiver of arrows to her back, standing on a sphere with a square leaf and flower moulded base, 62cm high including fitting (It is the buyer’s responsibility to ensure that electrical items are professionally rewired for use) £300 - 500*

544

545 A Continental ormolu figural candlestick, 19th century, the stem in the form of a female caryatid playing a tambourine wearing a corset dress, emitting from a scrolling cornucopia, the base of rococo form with scrolling acanthus leaves, a scrolling arm emitting from her back terminating with a foliate moulded candle cup, converted to electricity, 54cm high (It is the buyer’s responsibility to ensure that electrical items are professionally rewired for use) £300 - 600*

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546 A pair of large French gilt bronze six light candelabra, after a design by Pierre-Philippe Thomire or Charles Percier, 19th century, with figural columns in the form of Nike holding aloft baskets emitting a central torch form arm and five leaf applied scrolling arms terminating in scale moulded drip pans and geometrically milled candle cups, the figures standing on tiptoes on spheres on rectangular plinths applied with male caryatid figures, on leaf cast bases (2) ÂŁ5,000 - 8,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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547 547 A pair of silver plated two light wall appliques, in the 17th century taste, 20th century, the backplates of pierced design with cherubs flanking a central urn, holding floral swags, on a baroque swag hung cartouche, 22cm high, 18.5cm projection, on black felt lined back plates (2) ÂŁ200 - 400*

548 548 A pair of French bronze and gilt bronze pastille burner candlesticks, 19th century, with vase form candle cups above pierced shell moulded screw fitting covers for urn form pastille burners, supported on lion form monopodia legs, on circular milled decorated bases, with lions paw feet, 23cm high (2) ÂŁ300 - 500*

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549 A pair of French gilt bronze and bronze three light candelabra, late 19th century, the bases formed of cherubs standing on gilt plateau, with white alabaster cylindrical columns, on black slate square and gilt rope form metal bases, the cherubs holding leafy branches, with lily flower sconces, 50cm high (2) £600 - 800*

549

550 A pair of cylindrical metal and gilt patinated wall lanterns, early 20th century, each with urn shaped finials on cylindrical domed tops with fluted bands to rim and base, with plain bars to uprights containing curved obscured plastic glazing, the fittings to interior for florescent tubes, with supporting brackets, 92cm high Provenance: These lanterns were removed from the Prudential Insurance building, 52 Lime Street, London.

It has been suggested that the white plastic ‘glazing’ was fixed in these lanterns during the Blitz to minimize the risk of airborne glass in the midst of an air-bombing raid on London. £500 - 800* 550 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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551 A very large amber glass vessel with handles, in the Anglo-Saxon style, 19th20th century, with lug handles either side, 25cm. high x 20cm. diam.

Provenance: Property of a Lady £400 - 600*

551

552 Kota or Bakota, a wood and copper mounted reliquary guardian, inscribed with collection number and title, 119 Tete funeraire Bakota Gabun to reverse, with the remains of a paper label to back, with modern mounting spike, 43cm high, together with hardwood female deity figure, adorned with leather jewellery and cloth strips, and a pierced modern tribal sculpture (3) (VAT charged on the hammer price) £300 - 500* 553 An African tribal hardwood heddle pully, possibly Baule, the top mounted with a double headed finial, with pierced cresting, 22cm high (VAT charged on the hammer price) £150 - 200* 554 A pottery flask, Chimu culture, Peru, AD 900-1200, mounted with two head finials and moulded in relief to the base with arms, 18cm wide £600 - 800*

554

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556

555 A Japanese bronze model of a elephant, Meiji Period, with ivory tusks, seal mark to underside, 21.5cm high, on a hardwood base £500 - 1,000* 556 A Chinese porcelain blue and white porcelain baluster vase, Kangxi Period, decorated to the neck rim with precious objects and the main body with groups of people and children in leisure pursuits, flying kites, playing the qin and in discussions, concentric ring mark to base, damages, with a modern wood cover £400 - 600* 557 A Chinese export blue and white porcelain double gourd vase, Wanli, the upper tier decorated with vignettes of branches with peaches, the bulbous body with shaped lappets of birds with foliage and floral motifs, 30cm high, together with a Chinese blue and white porcelain baluster vase,19th century, decorated with birds and butterflies (2) £1,500 - 2,500*

557

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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558 A large Chinese bronze bombe censer, 18th/19th century, marks for Xuan De to base, 22.5cm ÂŁ500 - 700* 559 A Japanese four fold red lacquered screen, early 20th century, with black lacquer and abalone inlaid panels, depicting birds perching on prunus , wisteria, pine and plum blossom, above panels of Mons symbols, 106cm high, 122cm wide ÂŁ600 - 1,000*

558

559

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560 A Japanese bronze three section vase, late 19th/early 20th century, with two phoenix form handles, moulded to front and reverse with panels of an eagle and monkey in a pine tree, and a phoenix in a pine tree, with dragons to the base, signed, 105cm high £1,000 - 1,500* 561 A Chinese Canton export ivory and paper fan, 19th century, with pierced sticks, the leaf decorated with a continuous tree lined landscape with a high official seated in a temple complex receiving lines of visitors and delegates, 51cm wide, in a case, bearing label to reverse for William Rodman and Co. £300 - 500* 562 A pair of Chinese Kakiemon style saucers, 18th century, decorated with red and blue flowers and flower buds emitting from a central circular frame, with flowers within, 12cm diameter, together with a matching tea bowl (3) £150 - 250* 563 An Indian miniature painting of a young woman, 19th century, depicted in a palace interior on a rich blue couch with a red curtain behind, wearing jewellery and a green and gilt sari, within a gilt beaded frame, attached label to reverse, a hindao lady, High caste sitting inside her veranda in the afternoon of a very warm day in summer, with indistinct signature, 8.5 x 7.5cm £300 - 500*

560

561

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563

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564 A violin bow by Otto Durrschmidt, impressed maker’s mark, 74.5cm long £150 - 200* 565 A cello bow by Fiorenzo, impressed maker’s mark for Fiorenzo, 70.7cm long £150 - 200* 566 A cello bow by George Whithers and Sons, late 19th/early 20th century, impressed maker’s mark, 72cm long £400 - 600*

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567 A French violin bow, 19th century, 74cm long £250 - 350* 568 A French violin bow, late 19th century, of slightly shorter length, 71.5cm long £250 - 350* 569 A French violin bow, early 20th century, impressed mark for PC, 73.5cm long £200 - 300* 570 A French violin bow, 19th century, 74cm long £250 - 350*

568

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572 573 571 A large Cartier red and tooled leather Panthere de Cartier backgammon board, 20th century, with two doors opening to reveal a red and white board, 60cm x 40cm x 20cm, together with a red cloth bag containing two plastic shakers, with five dice (2) £200 - 300* 572 A Louis Vuitton Alma Monogram Vernis handbag, the bag with two carrying handles and gilt metal hardware, with one interior flat pocket & one interior phone pocket, with double zip opening, in rose pop colour, 30x39cm £200 - 300* 573 A Louis Vuitton hat box, of square form, with brass and leather edges, with painted initials ACS, with four removable corner pockets to the interior, label to interior for Louis Vuitton, no. 842293, Paris 70 Champs Elysees, 149 New Bond Street, London, Nice Jardin Albert, Vichy Rue de Parc, with stamped hasps, no. 059588, 29.7cm high x 49.5cm wide x 49.5cm deep £2,000 - 3,000*

574

574 A Louis Vuitton rectangular case, with brass and leather edges, with painted initials ACS, with a removable canvas tray to the interior, label to interior for Louis Vuitton, no. 765597, Paris 70 Champs Elysees, 149 New Bond Street, London, Nice 12 Ave. de Verdun, Lille 34 Rue Faidherbe, with stamped hasps, no. 059588, 59cm high x 90.5cm wide x 53cm deep £2,500 - 3,500*

575

575 A Louis Vuitton rectangular trunk, with brass and leather edges, with painted initials ACS, with three removable segmented trays to the interior, label to interior for Louis Vuitton, number faded and unreadable, Paris 70 Champs Elysees, Nice 2 Jardin Albert, Cannes 10 Rue des Belge Vichy Rue de Parc, with stamped hasps, no. 046487, 49.5cm high x 61cm wide x 39m deep £3,000 - 5,000* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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576

576 Charles Karl, British, active circa 18851934, a collection of twenty costume designs for male actors for a play of Russian subject matter, signed C Karl, watercolour on paper, 23 x 15cm, together with ten other theatrical character designs (30) Note: Charles Karl was one of the most prolific theatrical costume designers of the late 19th and early 20th century, working for the great actor managers in historical and musical theatre. £150 - 200* 577 A theatre poster for the Theatre Royal, Covent Garden, for the benefit of Miss Foote, Othello, Moor of Venice, June 18th 1822, with the melodramatic romance of Forty Thieves, 34 x 21cm, together with another poster for the New theatre Royal Drury lane School for Scandal and the Operatic farce Poor Soldier, 16th October 1822, together with fourteen other theatre flyers and posters dating from the early/mid 19th century, with a Hodgson’s Theatrical Portrait of Mr H. Kemble as MacDuff and other prints (a lot) £200 - 300*

578 A collection of three autograph books, 20th century, with signatures for Robert Donat, Dame Vera Lynn, Tommy Trinder, Constance Cummings, Vivian Leigh, Bud Flanagan, Chesney Allen, Leslie Banks, Michael Redgrave, Mantovani, Max Miller, Ivor Novello, Arthur Askey, Cyril Fletcher, Joyce Grenfell, Margaret Lockwood, Lawrence Olivier, George Fornby, Noel Coward, Rex Harrison, Viven Leigh, Robert Morley, John Mills, Alexander Kordair, Marshall W A Bishop VC, James Cagney and Spencer Tracy(3) Note: These signatures were collected by the vendor who as a young man would travel to London to meet the stars and actors of stage and screen. He was collecting during the years 19421944 often travelling to the Wood Green Empire and the Finsbury Park Empire, and also venturing to the Savoy or Dorchester hotels to meet American film stars like James Cagney, featured in one of the books in this lot. £200 - 300* 579 Macdonald Gill, British, 1884-1947, A Map of Australia portraying her agricultural products and fisheries, 20th century, an educational poster, issued by the Empire marketing board, Printed for HM stationary office by Messrs. Dobson Molle Ltd., Edinburgh and London, 51/1926, printed on paper, mounted on linen with wooden weights, 100 x 151cm £600 - 800* 580 A pair of French aeroplane wing struts, late 19th/ early 20th century, the bulkheads of plywood with bent wood frames, 188cm long (2) £150 - 250*

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579

581 581 An official NASA colour archive photograph of Astronaut Edward H. White, pilot for the GeminiTitan Four space flight, floating in zero gravity outside the Gemini four space craft with a view of Earth below, dated 3rd June 1965, with inscription to reverse, 16.5 x 17cm, together with a larger photograph of the same astronaut, with red NASA stamp and number to the margins, NASA S-65-29766, together with nine black and white archive prints of the Apollo 11 mission, including three images of Edwin Aldrin and Neil Armstrong in the Moon’s surface and an image of the lunar module returning to Apollo 11 command module from the lunar surface, together with thirty-one black and white and colour photographs of the Apollo 12 mission, including a portrait of Charles Conrad with a reflection of Alan Bean in his helmet visor, with photographs of the moon and the mission, twelve photographs with official NASA John F. Kennedy Space Centre headings, all with type written information on the relevance of the images, seven black and white photographs of space rockets on the ground and in flight, all notated, and ten images of Prince Phillip visiting the Kennedy space centre (a lot) £1,500 - 2,000* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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582

582 A W.T. Copeland & Sons Arctic Expedition stone china bowl, 19th century, printed to the rim with a wavy rope pattern border, with a armorial scene of a polar bear with a garter form circular frame, entitled Arctic Expedition 1875, printed to the base with ALERT in capitals, with Copeland anchor mark for the 1875 expedition, impressed marks for Copeland, with Christie’s labels for 25th Sept 2001 to base, 19.5cm diameter Note: The 1875 Arctic Exhibition expedition was sent out by the Admiralty to attempt to reach the North Pole by way of Smith Sound. It was led by Sir George Strong Nares, leaving Portsmouth on the 29th May 1875. While the expedition failed in its objective, Greenland and other coastal areas were explored. The expedition got caught in extensive pack ice which lead to excursions being led out on foot and culminated in Commander Albert Hastings Markham’s creating a new record of reaching Farthest North of 83° 20’26”N (May 12, 1876), a record latitude at the time.

583 Photo-Classics I Victorian Photography from the Gernsheim Collection, University of Texas- a portfolio containing ten facsimile photographs for works by Oscar Gustave Rejlander, W. H. Fox Talbot, Julia Margaret Cameron, John Thomson, Paul Martin, D. O. Hill and Robert Adamson, Etienne Carjat, Roger Fenton, Robert Howlett and Alois Locherer, bromide print with sepia toning, each photograph editioned 27/100, with accompanying pamphlet and eight pages of biography, in velvet lined box with some original tissue spacers £300 - 500*

Copeland produced special services for both ships in the expedition, the HMS Alert and Discovery, of which this bowl is one example. £800 - 1,200*

583

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584 Sidney A. MacDonald, South African, 20th century, active 1950’s, an unusual collection of five spiritualist pictures of Native Americans, titled Big Pine, White Wing, Silver Star, Red Star and Deep Water, signed and dated 1952, pastel on paper, framed, each with fibre board backing stamped S.A. MacDonald, Psychic Artist, 27a Addison Gardens, London, W14, See 1484, before 11am, together with twenty two other portraits of classical philosophers and figures from antiquity, mostly signed and dated, 38 x 28cm (27) Note: In his obituary in Psychic News published on the 11th August 1962 MacDonald is described as a person responsible for hundreds of psychic drawings, mostly of spirit guides. Originally from South Africa he moved to London where his hand was injured in the Blitz, but this injury did not affect his ability to draw and paint. He also offered spiritual drawings and portraits of people using only the words from letters from clients and relatives of deceased individuals. £200 - 300* 585 Sidney A. MacDonald, South African, 20th century, active 1950’s, a portrait of Nefertiti, depicted by the Nile with a pyramid to the back, signed and dated, label to reverse of plywood back stamped S.A. MacDonald, Psychic Artist, 27a Addison Gardens, London, W14, See 1484, before 11am, 64 x 49.5cm, together with portraits for a Pharaoh, Jesus, Vishnu, and Shrikrisna, together with three other pictures of sages, all signed, with a photograph of the portrait of Nefertiti and the press page relating to the artist’s passing (10)

585

Note: In his obituary in Psychic News published on the 11th August 1962 MacDonald is described as a person responsible for hundreds of psychic drawings, mostly of spirit guides. Originally from South Africa he moved to London where his hand was injured in the Blitz, but this injury did not affect his ability to draw and paint. He also offered spiritual drawings and portraits of people using only the words from letters from clients and relatives of deceased individuals. £200 - 300* 586 A bottle of Grand Fine Champagne Cognac Croizet Reserve des Heritiers, bottle number 002187, in a presentation case, with tissue wrapper and card £1,500 - 2,000*

586

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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587 A miniature pine dresser for a dolls house, 20th century, with a plate rack and two frieze drawers, 23.5cm high, together with a miniature copper part batterie de cuisine for a dolls house, to comprise, two sauce pans with lids, two sauce pans without lids, a fish kettle and lid, a larger pot with lid, two skillets, a preserving pan, a coffee pot, a kettle and lid, a part kettle, a coffee grinder, a sauce pan lacking handle, a large kettle with a treen handle, a treen pastry kettle, together with six other copper items and an ivory mug (a lot) £150 - 200*

587

588 A Cromwellian 1658 half crown, converted to a broach, held within a circular frame with a pin to back, the broach 4cm wide, within a leather and plush case £200 - 300* 589 A large taxidermy model of two Bream, early 20th century, mounted in a naturalistic panorama, with a bow fronted glass and wood case, with label to interior, Caught by J. Harris and A Austin, Twyning Fleet, 1935, Tewkesbury 1936, Mounted by E F Spicer and Sons, 58 Suffolk Street, Birmingham, 58cm high x 91.5cm wide x 18cm deep £200 - 400*

589

590 A taxidermy model of a Golden pheasant, 19th century, displayed in a naturalistic panorama, in a rectangular wall hanging case, 40cm high x 76cm wide x 15cm deep £100 - 200*

590

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591 A German cut steel hilted court or small sword, late 18th century, the slim blued tapering trefoil hollow ground blade with engraved gilt fleurde-lyse motifs signed on the ricasso De La Marque Des Mouchette a Sohlingen, the reverse with gilt engraved trophy of arms, the navetteshaped guard with double row of faceted cut steel studs, the elaborate cross guard with swivel faceted cut steel bead terminals, the grip decorated with graduated faceted studs and matching urn pommel to faceted chain link knuckle guard, c. 1780, the blade 80.5cm long £1,000 - 1,500*

591

592 An English silver-hilted court or small sword, 18th century, with plain slim trefoil hollow ground tapering blade, the silver shell guard with shell and foliate decoration, with twist knuckle guard, with bound wire grip, with repeated shell pattern ball pommel, bears hallmark for London 1743, the blade 75cm long £1,000 - 1,500* 593 A breast star for the Order of St. James of the Sword, in silver and enamels, circa. 1900, 8.5cm high, together with a further collection of breast stars to comprise The order of Saint Sava, Serbia together with a badge, The Order of Boyaca, The Portuguese Military Order of Christ, The Order of Saint Sylvester, The Order of the Immaculate Conception of Vila Viçosa (also known as The Order of Our Lady of Conception of Vila Vicosa, probably 19th century, together with two Japanese breast stars for the Order of the Sacred treasure and the Order of the pillars of State, both in lacquer octagonal boxes, with a spare box (9) £200 - 300*

592

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594 Emil Muller, Swiss, 1863-1929, ‘La Peine de Mort. M. Georges Berry, M. Cassetillard (sic), M. Briand’’; oils on canvas, triptych, each signed, the left panel inscribed and dated 15-7-08 on the reverse, 205x91.5cm., ea., (max) (3) (unframed) Note: The figures depicted in these three canvases are the French politicians Georges Berry, (18551915); Aristide Briand, (1862-1932) and Henri Castillard, (1847-1927)

595 A wax profile portrait of a man, attributed to be Lieutenant-General Sir Ralph Abercromby KB, 1734-1801, 18th century, Governor of Trinidad and Commander in Chief of Ireland, within a gilt wood frame, 7cm high, together with a similar portrait in a wooden frame (2) £150 - 200*

In 1906 the Commission of the budget of the Chamber of Deputies voted for withdrawing the funding for the guillotine with the aim of stopping the execution procedure. On 3 July 1908 the Garde des Sceaux, Aristide Briand, submitted a draft law to the Deputies on the abolition of the death penalty, but, despite the support of Jean Jaurès, the bill was rejected on 8 December by 330 votes to 201. The date of the above paintings is 15 July 2008 which is set after the date the draft law was submitted and prior to it being rejected. £1,500 - 2,000*

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596 A silhouette of a gentleman wearing a high collared coat, in a black square frame, 20th century, together with a collection of five other framed silhouettes, two in rectangular, three in oval frames (6) £100 - 200*

596 597 An ivory miniature of Henry James Pye, Canon of Worcester Cathedral and Vicar of Cirencester Church, 19th century, modelled in profile, within a leather case, the case marked I. & T. Turner, Jewellers & Co. to the Queen and Royal Family, New Bond St, London, within laurel leaves and crown, the miniature within gilt metal frame, 8 x 7cm, the case 11 x 9.8cm, accompanied with photocopies of notes relating to the sitter, together with a mother of pearl cased eye glass belonging to Anthony Pye and a collection of documents related to various members of the Pye family, to include an indenture on vellum addressed to William Pye for the lease of the Rectory of Sapperton, in a metal case and a letter addressed to Antony Pye in relation to the death of his brother, possibly in India, who was attacking a Nabob’s cave fortress and was killed by grape shot and a musket ball (a lot) Note: Henry James Pye, Canon of Worcester Cathedral and Vicar of Cirencester Church.

He was buried in the church yard of Cirencester Church in 1839. £200 - 300*

598

598 A design for a stained glass window for the Trinity House Window, The church of Saint Olave, Hart Street, London, EC3, by A.E.Buss for Goddard and Gibbs, ink and watercolour on paper, mounted, 28 x 20.5cm, together with four other works by Buss for windows, six designs by John Lawson, with sixteen other designs for windows, mostly for Goddard and Gibbs, various dates from the 19th century onwards, together with a collection of thirteen modern stained glass designs for properties in the Middle East by various artists at Goddard and Gibbs Studios (41) £500 - 800*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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599 A William and Mary style black Japanned double domed cabinet, 20th century, overall decorated with Chinoiserie landscapes, birds and foliate decoration, with four glazed doors enclosing four adjustable shelves, the base with three drawers, on tapered legs joined by stretchers, raised on bun feet, 187cm high, 215cm wide, 46cm deep Provenance - Christies London, 19 May 2015, Lot 260* ÂŁ1,500 - 2,000*

600

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600 A George II stool, with green silk upholstered drop in seat, the frieze with serpentine apron, on cabriole legs to raised pad feet, 44cm high, 57cm wide, 46cm deep ÂŁ300 - 400*

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601 A George II walnut bachelor’s chest, the quarter veneered top above brushing slide and four long graduated drawers, raised on bracket feet, 82cm high, 76.5cm wide, 50.5cm deep £1,500 - 2,500*

602

602 A George II walnut bureau, the fall enclosing tan brown leather writing surface, eight drawers, and six pigeon holes, about a central cupboard door, over four long graduated drawers, raised on shaped bracket feet, 103cm high, 93cm wide, 53cm deep £800 - 1,200*

603 A near pair of George II style walnut and feather banded chests, second half 20th century, each with quarter veneered top, above brushing slide and two short over three long cock beaded and graduated drawers, raised on shaped bracket feet, each 79cm high, 73cm wide, 43cm deep (2) 600 - 800*

603

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604 604 A set of seven George II style mahogany dining chairs in the manner of Thomas Chippendale, early 20th century, the serpentine crest rail above carved and pierced splat, with burgundy leatherette drop in seats, on front acanthus capped cabriole legs to claw and ball feet (7) £500 - 700*

605 A George III concave chest of drawers, with two short over three long graduated drawers, raised on plinth base, 84cm high, 116cm wide, 34cm deep £500 - 1,000* 606 A George III bachelor’s chest of drawers, the rectangular top above brushing slide and four long cock beaded and graduated drawers, raised on shaped bracket feet and later casters, 76cm high, 77cm wide, 50cm deep £250 - 350* 607 A George III wheelback armchair, in the manner of Robert Adam, the pierced oval wheel back, centred by carved paterae, within bead moulded rail, with acanthus carved armrests, above red silk Damask pattern overstuffed seat, on front square tapering and fluted legs £300 - 500*

605

608 A George III gilt wood wall mirror, of arched form, with rocaille and c-scroll decoration to border, 58cm high, 74cm wide £200 - 300* 609 A George III mahogany and brass bound cellarette, the octagonal lid enclosing seven compartments, having tapering sides with two brass handles, raised on carved lion’s paw feet, 48.5cm high, 45cm wide, 45cm deep £600 - 1,000*

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610 610 A George III and later mahogany twin pedestal extending dining table, the rounded rectangular top, with two additional leaves, on turned column pedestal supports each with four outswept legs to brass caps and casters, together with twelve Regency mahogany dining chairs, 72cm high, 272cm extended, 133cm deep £1,000 - 1,500* 611 A George III mahogany dumb waiter, with three circular graduated tiers on turned central support, the tripod base with pad feet and brass casters, 93cm high, 59cm diameter, together with a Victorian ebonised and parcel gilt tilt top occasional table, the circular top painted with a view of Kentworth castle, raised on turned baluster support to trefoil base, raised on disc feet, 72cm high, 51cm diameter, £200 - 300* 612 A George III giltwood wall mirror, the broken swan neck pediment, centred by pierced shell, above shaped mirror plate with carved floral and fruit sides over pierced shell and c-scroll decorated apron, 106cm high, 46cm wide £800 - 1,200*

612 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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613

614

613 A George III mahogany bachelors chest, the rectangular top with moulded edge, above brushing slide and four long graduated and cock beaded drawers, on shaped bracket feet, 85.5cm high, 77cm wide, 45.5cm deep £300 - 500* 614 A George llI mahogany knee hole desk, the rectangular top with moulded edge, above an arrangement of eight drawers about a recessed cupboard door enclosing one shelf, raised on ogee feet, 76cm high, 81cm wide, 50cm deep £300 - 500* 615 A George III mahogany linen press, the moulded cornice above two paneled cupboard doors, enclosing six fruitwood veneered linen drawers, above two short over two long graduated drawers, raised on shaped bracket feet, 202.5cm high,133.5cm wide, 64cm deep £300 - 500*

615

150

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616

616 A George III mahogany wake table, possibly Irish, the oval drop leaf top, on square moulded legs, 72cm high, 214cm wide, 152cm deep £2,000 - 3,000*

616 (folded)

617 A George III mahogany workbox, later converted to a decanter box, the downward sloping serpentine lid, inlaid with vertical bands of bird’s eye maple and rosewood, the interior converted to hold four fitted cut glass decanters and six glasses, on later matched square tapering supports, 77cm high, 35cm wide, 31cm deep £400 - 600* 618 A George III fretwork mirror, the pierced crest with carved gilt Ho Ho bird, the bevelled plate within a gilt slip, the apron with carved sunken relief shell decoration, 100cm high, 53.5cm wide £100 - 150* 617

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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619 619 A George III oak dresser, the plate rack with moulded cornice above three shelves, applied with hooks, the base section with three frieze drawers, on square section legs united by stretchers, 195cm high, 165cm wide, 42cm deep £300 - 500*

620

152

620 A George III satinwood and mahogany crossbanded card table, the demi-lune fold over top with fawn baize lined playing surface above frieze with central inlaid cartouche flanked by oval box inlays, raised on tapering ebony line inlaid legs to spade feet, 74cm high, 94.5cm wide, 45.5cm deep £200 - 400*

621 A George III style mahogany serpentine chest of drawers, early 20th century, with carved foliate decoration, the brushing slide above four long graduated drawers, raised on shaped bracket feet, 83cm high, 100cm wide, 55cm deep £500 - 1,000*

621

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622 623 622 A George III and later mahogany bachelor’s chest, with brushing slide above four long graduated drawers, on shaped bracket feet, 83cm high, 77cm wide, 45cm deep £300 - 500*

623 A George III style oak welsh dresser, late 19th / early 20th century, the moulded cornice above plate rack with three shelves, the base with an arrangement of five drawers, on turned baluster legs to undertier, raised on bun feet, 202cm high, 138cm wide, 51cm deep £500 - 800*

624 A George III style mahogany triple pedestal dining table by William Tillman, late 20th century, the rounded rectangular top, with two additional leaves, the pedestals each with four downward swept legs terminating in brass caps and casters, applied label to underside ‘William Tillman’, 72cm high, 389cm fully extended, 114cm deep £700 - 1,000*

624

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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625

625 A large George III style serpentine mahogany partner’s desk by Maple and Co, early 20th century, with green leather writing surface, above an arrangement of nine drawers, with three opposing frieze drawers above two cupboards, raised on plinth bases, label to drawer ‘Maple and Co. By Royal Appointment London, Paris Buenos Aires’, 75cm high, 171cm wide, 110cm deep £3,000 - 5,000*

626 A Regency giltwood mirror, with carved eagle and scrolling foliate crest, the convex plate set within ebonised slip and ball finial border, above carved foliate apron, 113cm high, 58cm wide £600 - 1,200* 627 A Regency rosewood and crossbanded folio stand, the adjustable upright supports joined by turned stretchers, raised on shaped end supports to inward scrolling feet, 103cm high, 78cm wide, 43cm deep £400 - 600*

627 626 154

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628 A Regency mahogany secretaire bookcase, the moulded cornice above two astragal glazed doors, enclosing three adjustable shelves, the base section with secretaire drawer enclosing green leather writing surface, seven drawers and three pigeon holes, above three graduated drawers, raised on square tapering feet, 212cm high, 97cm wide, 53cm deep £400 - 800* 629 A Regency oak and line inlaid chest, the rectangular top, above two short over three long figured walnut veneered drawers, raised on shaped bracket feet, 95cm high, 97cm wide, 51cm deep £300 - 500* 630 A Regency giltwood two light girandole, in the manner of Thomas Fentham, with ebonised carved eagle crest, the convex plate within ebonised slip and ball finial border, the scroll arm sconces with cut glass drip tray and lustres, 92cm high, 67cm wide £1,000 - 1,500*

628

629

630 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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631 631 A Regency rosewood and gilt metal mounted credenza, of inverse breakfront form, the raised mirrored back surmount with shelf on gilt metal column supports, above two brass lattice work and fabric backed doors, enclosing two adjustable shelves, on plinth base, 130.5cm high, 173cm wide, 46.5cm deep £500 - 700*

632 632 A Regency rosewood side table, the oval top with raised gallery and bead moulded edge, over single frieze drawer, raised on lyre shaped end supports, joined by undertier and stretcher, raised on curved legs with brass caps and casters, 60cm high, 82cm wide, 34cm deep £300 - 600* 633 A Regency mahogany bookcase, the moulded cornice above two glazed doors, enclosing three shelves, the base with two glazed and fabric backed doors, enclosing one shelf, above shaped apron, raised on bracket feet, 200cm high, 102cm wide, 46cm deep £80 - 120* 634 A Regency mahogany bowfront chest, with two short of three long graduated drawers, raised on splayed bracket feet, 105cm high, 106cm wide, 51cm deep £150 - 250*

633 156

634 www.roseberys.co.uk

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635 An Irish Regency mahogany console table, the rectangular crossbanded top, above carved stiff leaf frieze, on acanthus capped supports to lion’s paw feet, the back panel with conforming carved lion’s paws, raised on shaped plinth base, 88cm high, 122cm wide, 58cm deep £700 - 1,000* 636 A Regency mahogany breakfront bookcase, the moulded cornice above four astragal glazed doors, enclosing sixteen adjustable shelves, the base section with secretaire drawer enclosing tan leather inset writing surface, ten drawers and eight pigeon holes about a cupboard door, over two paneled cupboard doors enclosing three linen drawers, flanked by two banks of five graduated drawers, raised on plinth base, 260cm high, 250cm wide, 56cm deep £3,000 - 6,000*

635

636 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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638 637 A Regency mahogany secretaire bookcase, the moulded cornice above two astragal glazed doors, enclosing three adjustable shelves, above secretaire drawer enclosing green leather inset writing surface, eight drawers and four shelves about a central cupboard door, over two cupboard doors enclosing a linen drawer and one deep drawer, above serpentine apron, raised on splayed legs, 231cm high, 109cm wide, 59cm deep £600 - 1,200* 638 A Regency rosewood breakfast table, the circular top on tri-form column support to trefoil base, with scrolling feet on brass casters, 73cm high, 130cm diameter £100 - 150*

637

158

639 A set of sixteen Regency mahogany dining chairs, the top rails with carved drapery, on curved supports terminating in oval paterae, with leather upholstered drop in seats, raised on sabre legs including two carvers and fourteen side chairs, paterae lacking on armchairs (16) £2,500 - 4,000*

639

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640

641

640 A Regency rosewood breakfront credenza, the top surmount with white marble, above four fabric backed and brass lattice-work doors, enclosing five shelves, raised on plinth base, 94cm high, 148cm wide, 31cm deep £500 - 1,000* 641 A Regency faux rosewood and parcel gilt side cabinet, with shaped white marble top above two fabric paneled doors, enclosing one shelf, flanked by Egyptian caryatid pilasters and concave open shelves, raised on splayed feet, 85cm high, 111cm wide, 36cm deep £400 - 600*

642

642 A Regency rosewood quartetto set of nesting tables, the rounded rectangular tops on turned and tapered supports, largest 77cm high, 61cm high, 31cm deep £200 - 400* 643 A Regency giltwood two light girandole, with carved eagle crest, the convex plate set within ebonised slip and ball finial border, with two scroll arm sconces, above carved foliate apron, 88cm high, 53cm wide £600 - 1,000*

643 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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644

645 644 A Regency rosewood side cabinet, the top surmount with red and white veined marble top, above two fabric backed and brass lattice-work doors, enclosing two shelves, raised on plinth base, 89cm high, 93.5cm wide, 29.5cm deep £200 - 300* 645 A Regency rosewood side cabinet, the top surmount with orange marble, above two fabric backed and brass lattice-work doors, enclosing one shelf, raised on plinth base, 90cm high, 92.5cm wide, 32.5cm deep £400 - 800*

646

646 A Regency style bowfront chest, early 20th century, with four long graduated drawers, raised on tapering cylindrical legs, 101cm high, 109cm wide, 61.5cm deep £100 - 150*

647 647 A pair of George IV satinwood and parcel gilt card tables, in the manner of Morel and Seddon, the rectangular fold over tops with front canted corners, having floral carved moulding to edges, enclosing burgundy velvet lined playing surface, above rectangular frieze with gilt scroll ends, on four downward scrolling and pierced gilt supports about a central octagonal column over shaped quatrefoil base, raised on gilt scrolling feet and casters, 74.5cm high, 91.5cm wide, 45cm deep £2,000 - 3,000* 160

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648

652

648 A George IV mahogany centre table, the rounded rectangular top above two frieze drawers with bead moulded lower edge, raised on square gently curving legs and turned supports, joined by turned stretchers, with brass acanthus caps and castors, 73cm high, 101cm wide, 56cm deep £300 - 600*

651 A William IV mahogany sofa, the shaped back with carved scrolling decoration, upholstered in green fabric, with loose seat cushion and two bolster cushions, with conforming scrolling arms, raised on curved reeded legs with brass lion’s paw caps and casters, 89cm high, 197cm wide, 70cm deep £400 - 600*

649 An Anglo-Indian carved ebony stool, early 19th century, with carved flower head handles above beige velvet upholstered seat, on scrolling supports, 26cm high, 41cm wide, 29cm deep £100 - 200*

652 A William IV rosewood card table, the fold over top enclosing circular green baize playing surface, on tapering cylindrical and carved column support, to quatrefoil base, raised on lion’s paw feet and casters, 76cm high, 91.5cm deep, 45cm deep £300 - 500*

650 A William IV mahogany hall cupboard, the moulded cornice above double paneled cupboard door enclosing storage space, raised on plinth base, 192cm high, 101cm wide, 53cm deep £200 - 400*

653 A Victorian burr maple, ebonised and gilt metal mounted card table, the rectangular fold over top enclosing claret baize lined playing surface, above frieze set with porcelain mounts, on twin column supports joined by stretcher, raised on outswept feet with ceramic casters, 77cm high, 89cm wide, 45cm deep £400 - 600*

651

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

653

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654

655 654 Howard & Sons, an ebonised, bone and ivory two tier etagere, late 19th century, each tier with three-quarter baluster gallery, the top tier with frieze drawer, with turned baluster supports, on tapering feet with brass casters, the drawer stamped ‘HOWARD & SONS BERNERS ST.’, the castors stamped ‘COPE’S PATENT’, 65.5cm high, 79cm wide, 46cm deep £2,000 - 2,500* 655 An early Victorian rosewood Canterbury, with four divisions, with pierced handle and turned supports, above a single drawer, raised on turned tapering legs to brass caps and casters, 52cm high, 46cm wide, 35cm deep £300 - 400* 656 A Victorian mahogany four tier what-not, with four conforming tiers on turned spindle supports, above base drawer, raised on brass caps and casters, 125cm high, 49cm wide, 41cm deep £200 - 400* 657 A Victorian rectangular wall mirror, with concave moulded frame, 46cm high, 40cm wide £150 - 250* 658 A Victorian mahogany Wellington chest, the moulded cornice above seven drawers, raised on plinth base, 139cm high, 56cm wide, 42cm deep £300 - 500*

658 162

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660

659

659 A Victorian mahogany two section campaign chest, with four long drawers and brass handles, raised on bracket feet, 86cm high, 73.5cm wide, 34.5cm deep £500 - 1,000* 660 A mahogany and brass bound campaign desk, 19th century and later, the rectangular top with with three hinged and green leather inset panels, the central panel with adjustable ratchet system, flanked by two storage compartments above three dummy frieze drawers, raised on twin folding trestle supports, 74.5cm high, 12cm wide, 65cm deep £500 - 800*

661 A Victorian mahogany Gothic armchair, the arched and pierced back flanked by trefoil finials, above Paisley pattern upholstered drop in seat and loose cushion, with padded arms, raised on carved and turned legs joined by arched stretchers, on brass casters £400 - 600* 662 A Victorian Gothic walnut centre table, the rectangular top, above blind fret carved frieze with pendant finials to each corner, on carved and pierced end supports, joined by stretchers, raised on step moulded plinth bases and disc feet, 83cm high, 181cm wide, 101cm deep £600 - 800*

662 661

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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663 663 A Victorian Gothic Revival oak sideboard in the manner of Charles Bevan, the rectangular top with raised three quarter gallery, above three frieze drawers and recessed open shelves, flanked by two quatrefoil paneled cupboard doors, on plinth base, 105cm high, 178cm wide, 71cm deep £300 - 500*

666 665 A set of Edwardian folding library steps, with five shaped green leather inset steps, with adjustable handle, 109cm high, 188cm high with handle extended £500 - 1,000*

666 An Edwardian mahogany and brass bound wine cooler, the oval raised and crossbanded lid, enclosing lead liner, the inward tapering sides with marquetry inlaid urn and lion mask handles, raised on lion’s paw feet and casters, 54cm high, 61cm wide, 41cm deep £200 - 300* 667 An Edwardian satinwood and inlaid bijouterie cabinet, the top surmount with removeable tray, above four bevelled glass drop down panels, raised on square tapering legs to spade feet, 73.5cm high, 63.5cm wide, 43.5cm deep £100 - 200*

664 An Arts and Crafts four fold screen, late 19th / early 20th century, each panel with block printed design depicting fruiting trees, 195cm high, 264cm wide £200 - 300*

668 An Edwardian satinwood and rosewood crossbanded Jardinière stand, the oval top on ebony strung and square tapering legs, joined by cross stretcher, raised on spade feet, 74cm high, 44cm wide, 33cm deep £150 - 250* 669 A mahogany pedestal, first half 20th century, the square shelf with boxwood and ebony banding, on turned and fluted column to square plinth base, 107cm high, 38cm wide, 38cm deep £200 - 300* 665 164

665 (detail) www.roseberys.co.uk

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670

671

670 An ebonised baby grand piano

by F. Schmid & Kunz Wien, late 19th century, with label to interior ‘Piano Forte Fabrik, F Schmid & Kunz, Wien, VI Sandwirthgasse No. 2, Opus 875’, 98cm high, 144cm wide, 165cm deep £500 - 700* 671 A mahogany parlor grand piano by C. Bechstein, Berlin, early 20th century, with serial no. 97676, 98cm high, 142cm wide, 185cm deep, together with an adjustable piano stool (2) £600 - 900*

672

672 Howard Chairs Ltd, a three seater sofa, of recent manufacture, upholstered in plush grey fabric, with three loose seat cushions, on square wooden feet with brass casters, bearing manufacturer’s label to underside and numbered - ‘S/12511’, 90cm high, 215cm wide £400 - 600* 673 Howard Chairs Ltd, a three seater sofa, of recent manufacture, upholstered in ‘Parrot in foliage’ design fabric, with three loose seat cushions and five scatter cushions, bearing manufacturer’s label to underside and numbered - ‘S/12512’, 90cm high, 215cm wide £400 - 600*

673

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

165

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675

677 A large marble top centre table, mid 20th century, the octagonal white marble top on brass baluster form supports, 41cm high, 157.5cm diameter

674 Howard Chairs Ltd, a pair of armchairs, of recent manufacture, upholstered in pink fabric, with three loose seat cushions, on square wooden feet with brass casters, each with manufacturer’s label to underside and numbered - ‘S/12509’ and ‘S/12510’, each 88cm high, 75cm wide £200 - 300*

Note - By repute, the brass baluster supports were originally removed from the Old Bailey by architectural salvage dealer Charlie Wearn, who then re-used them to create this table in the 1960s £300 - 500*

675 Howard Chairs Ltd, a three section sofa, of recent manufacture, upholstered in grey fabric, with three loose seat cushions, on square wooden feet with brass casters, bearing manufacturer’s label to underside and numbered - ‘S/12515’, 90cm high, 200cm wide £400 - 600*

678 A pair of Continental side chairs, 19th century, the shaped backrest above overstuffed seat, upholstered in polychrome fabric, raised on square tapering supports, united by x-shaped stretcher, raised on silvered squat bun feet (2) £100 - 200*

676 A two seater sofa, mid 20th century, with square back, upholstered in green Damask pattern fabric with four loose cushions, raised on tapered feet, 80cm high, 134cm wide, 80cm deep £100 - 150*

677

166 www.roseberys.co.uk

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679 A Louis XV style burr maple and kingwood crossbanded Bonheur du Jour, late 19th century, the top with two cupboard doors each inset with gilt metal mounted Sevres style plaques, enclosing one shelf, above two drawers, the base section with fold out leather inset writing surface above shaped frieze drawer, raised on cabriole legs, 138cm high, 78cm wide, 33cm deep £1,000 - 1,500* 680 A Louis XV style carved oak console table, with serpentine grey fossil marble top, above pierced frieze centred by carved floral decoration, raised on front foliate and swag carved cabriole supports, united by shaped stretcher, 83cm high, 126cm wide, 64cm deep £200 - 300* 681 A Louis XV style Kingwood and rosewood crossbanded tambour cabinet, 19th century, the serpentine top, above single frieze drawer and tambour door enclosing one shelf, raised on short cabriole legs with gilt metal sabots, 78cm high, 56cm wide, 33.5cm deep £150 - 250* 682 A Louis XV style giltwood and gesso carved screen,19th century, carved with scroll and leaf work, on leaf capped feet, the screen with 18th century gros and petit point needlework embroidered panel of figures of troubadours and dancers within landscapes of fantastical beasts and abstract floral designs, 102cm high £200 - 300*

679

683 A Louis XV style walnut, kingwood and gilt metal mounted card table, early 20th century, the serpentine fold over top with floral marquetry inlay, enclosing green baize lined playing surface, raised on cabriole legs, 80cm high, 87cm wide, 43cm deep £300 - 500*

683

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

167

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684 A Louis XV style white painted and parcel gilt overmantle mirror, mid 20th century, of rectangular form, the arched plate surmount with carved scallop shell, the border with carved scrolling foliate design, 200cm high, 140cm wide £300 - 500* 685 A pair of Louis XV style Kingwood and ormolu mounted vitrines by Gouffe, Paris, early 20th century, each surmount with white marble top above single glazed door, enclosing two glass shelves, above bombe panel with marquetry inlay depicting a gentleman and seated lady, stamped maker’s mark to back of one vitrine, each 166cm high, 64cm wide, 39cm deep (2) £3,000 - 5,000*

684

685 168

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686 688 686 A pair of Louis XV style wingback armchairs, 19th century, upholstered in green fabric with loose seat cushion, having carved scrolling arms, above shaped apron, with conforming scrolled feet (2) £500 - 800*

687 A pair of Louis XVI walnut bergère armchairs by Georges Jacob (1739-1814), with foliate carved crest rail, above scrolling arms, upholstered in blue and gold striped fabric, with loose seat cushion, on tapering stop fluted legs, each stamped to underside, ‘G Jacob’ (2) £3,000 - 5,000*

688 A French mahogany demi lune side cabinet, late 19th / early 20th century, the grey and white veined marble top with pierced brass gallery, above two tambour fronted compartments, raised on square tapering legs to brass sabots, 77cm high, 75cm wide, 37.5cm £300 - 500*

687

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

169

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689

689 A Louis XVI provincial walnut commode, the serpentine top, above three long drawers, on shaped bracket feet, 80cm high, 120cm wide, 57cm deep £400 - 600*

690

690 A Louis XVI provincial walnut commode, the rectangular quarter veneered top, above three paneled drawers, raised on square tapering feet, 84cm high, 129cm wide, 65.5cm deep £400 - 600*

691 A Louis XVI style mahogany and gilt metal mounted knee hole desk, second half 20th century, the rectangular top inset with black leather writing surface, above an arrangement of seven drawers, raised on square tapering legs to brass sabots, 80cm high, 181cm wide, 86cm deep £1,000 - 1,500*

691

170

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692

692 An Empire style burr elm desk, early/mid 20th century, the rectangular top inset with red leather writing surface, above an arrangement of four drawers, with opposing brushing slides to each end, raised on square tapering legs with brass sabots, 76cm high, 145cm wide, 76cm deep, together with a matching tan leather upholstered armchair (2) £1,500 - 2,000*

693 A French Empire style mahogany and gilt metal mounted console table, second half 20th century, with green marble top above frieze centered by gilt metal roundel depicting Neptune, set within laurel wreath border and flanked by two frieze drawers, raised on cylindrical column supports united by curved stretchers, raised on toupie feet, 98cm high, 112cm wide, 55.5cm deep £800 - 1,200* 694 A Louis Philippe mahogany armchair, with curved scrolling backrest, upholstered in pale green fabric, with scrolling foliate carved armrests, on splayed feet £300 - 500*

693

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

694

171

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695

695 A Napoleon III ebonised and Boulle work bureau plat, with overall brass inlaid decoration depicting figures, birds and scrolling foliate designs, the rectangular top above two frieze drawers, raised on cabriole legs, 75cm high, 119cm wide, 68cm deep £800 - 1,200*

696

696 A Napoleon III ebonised and Boulle work sewing table, the shaped top above serpentine frieze drawer and sliding sewing box, raised on cabriole legs mounted with figural caryatids, 72cm high, 60cm wide, 44cm £600 - 800*

697 A French mahogany and brass triple cabinet, late 19th century, the moulded cornice above central glazed door enclosing four shelves and drawer, flanked by fluted ionic column supports and two cupboard doors, each enclosing four shelves, raised on toupie feet, 224cm high, 232cm wide, 63cm deep £400 - 500*

697 172

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699 698 698 A Dutch style wall mirror, 20th century incorporating earlier elements, of rectangular form with cushioned frame, applied with concentric banding of tortoiseshell, burr wood and segmented giltwood and bone sections, with ripple moulded metal inserts to ebonised edges, 97cm high, 83cm wide £1,000 - 2,000* 699 A Dutch floral marquetry secretaire desk, 19th century, the top section with shaped three quarter gallery above four drawers about a central cupboard door, the secretaire drawer enclosing black leather writing surface and six drawers, above single frieze drawer, raised on cabriole legs, 122cm high, 105cm wide, 61cm deep £500 - 800* 700 A Continental walnut secrétaire a abattant, early 19th century, with rounded front corners flanking single drawer above fall front enclosing pigeon hole and seven drawers, above three further drawers, on rounded bracket feet, 149cm high, 102cm wide, 49cm deep £300 - 400*

700

701 A North Italian mahogany, fruitwood and parquetry inlaid bureau, late 18th century, the fall front enclosing leather inset writing surface and an arrangement of fourteen drawers, the frieze with single drawer, raised on square tapering legs, 95cm high, 94cm wide, 44cm deep £300 - 500*

701 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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702 702 A Kirman Laver pictorial carpet, Southwest Persia, early 20th century, the main field portraying buildings, a princess in a temple, a bridge, animals and birds in a garden, the main border with birds and flowers, 369cm x 276cm £2,500 - 4,500*

703 A silk Kashan rug, with central floral medallion on pistachio ground, with trailing flowers and leaves, within brown guard stripes 164cm x 106cm £120 - 180*

705 A Silk Kirman-rug, the main field with sprays of flowers and deer with trees on a pale cream ground, within floral borders, 220cm x 138cm £180 - 220*

704 A Persian rug with central octagonal medallion, with four conforming hooked medallions on pale ochre ground, within stylized leaf border, 165cm x 131cm £180 - 220*

706 A Tabriz carpet, with deep blue pole medallion, the red field incorporating wild beasts and scrolling floral designs, with deep blue border flanked by ivory guard stripes camels, 340cm x 240cm (VAT charged on the hammer price) £400 - 600*

706 174

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707 A Silk Kashan Souf, early 20th century, with pole medallion in blue grey field with all over flowering vine, with plum coloured main border, 216cm x 130cm ÂŁ800 - 1,200* 708 A Tabriz part silk carpet, Northwest Persia, mid to late 20th century, the ivory field decorated with birds perched among flowering stems, with multiple borders the main fawn coloured body with birds amongst flowering stems, with signature panel at on end, 303cm x 202cm ÂŁ1,200 - 1,800*

707

708 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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709

709 An Antique Herez rug, Northwest Persia, 19th century, the pale fawn field woven with shaded brown medallion and rust spandrels, the whole overlaid with a design of flowering plants, with brown main border, 181cm x142cm £1,500 - 2,500* 710 A Kashan rug, first half 20th century, with ivory coloured pole medallion in deep blue field with all over design of flowering stems with deep red main border flanked by multiple guard stripes, 200cm x 135cm £400 - 600* 711 A Kazak runner, early 20th century, the brown field with symmetrical arrangement of geometric motifs, with ivory main border, 299cm x 110cm £350 - 500* 712 A North-West Persian runner, 20th century, the main field with diagonal stripes, enclosed by guard stripes and blue main border, 469cm x 82cm Purchased, Christie’s South Kensington, Style & Spirit Interiors sale, 5 July 2011, lot 278, hammer £2800* £400 - 600*

712 176

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713 713 A Tabriz carpet, late 20th century, the pole medallion in deep blue field decorated with entwined flowering stems and with conforming main border, 411cm x 307cm £500 - 1,000*

714 A Kashan prayer rug, first half 20th century, with an ivory field decorated with tree of life, vases on columns and exotic birds, with deep red main border, 214cm x 147cm £500 - 700*

714 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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715 An Isfahan carpet, early/mid 20th century, the ivory field with all over entwined flowering stems, the main red border flanked by blue guard stripes, 339cm x 212cm £600 - 800*

715

716 716 A Heriz carpet, late 20th century, with ivory and indigo pole medallion in a red field, the charcoal main border with foliate motifs, 333cm x 240cm £250 - 400*

178

717 717 A Kazak prayer rug,early 20th century, the deep blue field with octagonal medallion, the ivory main border with x- shaped guls with running dog edge, 160cm x 108cm, and a modern silk rug 150cm x 102cm (2) £400 - 600* www.roseberys.co.uk

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718 An Isfahan rug, late 20th century, the Mihrab shaped deep blue field decorated with deer, birds and other animals, the main border decorated with birds and baskets of flowers, signature panel to one end, 185cm x 107cm ÂŁ300 - 500* 719 A Tabriz rug, late 20th century, with pole medallion in blue and floral decorated field with light brown main border, 194cm x 118cm wide, together with a Tabriz rug with pole medallion in indigo field with ivory main border 203cm x 121cm wide (2) ÂŁ300 - 400*

718

719

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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720 A pair of Italian large terracotta urns, in the 19th century taste, of recent manufacture, of globular shape with pierced scrolling handles, the bodies moulded with bands of lobed and fluted design between friezes of stiff leaves, on conforming pedestals, resting on a pair of 19th century square pedestals by Mark H Blanchard, stamped to bases, the urns 81cm high, the pedestals 31cm high (2) Note: Mark Blanchard (d.1870) served his apprenticeship under Messrs.

Coade and Sealy and set up on his own account on Blackfriars Road, Lambeth around 1840. Around 1883 he moved to Bishops Waltham, to be nearer the clay beds, the source of his raw material. By the middle of the century he had emerged as one of the leading manufacturers of terracotta in Britain largely because of its revival for architectural use as well as for garden ornament. Examples can be seen at Buckingham Palace and in the enrichments to the Victoria and Albert museum. He was awarded prizes for his exhibit at the Great Exhibition of 1851. £800 - 1,200*

720

721 A set of four terracotta chimney pots, late 19th century, of square tapering , each stamped with no. ‘15’, each 67cm high, 34cm accross (4) £400 - 800*

721

722 A pair of lead sculptures of seated young stags, 20th century, 47cm high(2) Provenance: These stags were purchased in the 1970’s from Crowther’s of Syon lodge. £400 - 800* 723 A pair of compositional stone rectangular planters, 20th century, moulded with cherubs, 23cm high, 100cm wide, 25cm deep, together with a smaller pair of stone rectangular troughs of similar design (4) £300 - 600*

722

180

723

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724 A pair of rectangular lead planters, 20th century, moulded with ribbon tied swags and medallions in the Adam taste, 20cm high, 59cm wide, 20cm deep (2) £100 - 200* 725 A pair of Victorian white painted cast iron urns, the dished top with lobed rim, on fluted lobed pedestal bases, 28cm high, 39cm diameter, together with a pair of white painted Campana urns and a single urn with a petal form rim, with moulded body, on square base (5) £400 - 600*

726

726 A Victorian style cast aluminium white painted garden bench, with lions mask finials to the arms, slated wood seats, on leaf cast scrolling feet, 84cm high, 125cm long, 55cm deep £300 - 500* 727 A white painted cast iron garden table, early 20th century, with a grey marble circular top, 74cm high, 64cm diameter £80 - 120* 728 A Victorian white painted cast iron Campana urn, with overt lobed edge and lobed body, on square base, on a rectangular pedestal, 86cm high, 54cm diameter £80 - 120* 729 A pair of Victorian style white painted aluminium chairs, of recent manufacture, the splats of wreath and grape form, with pierced seats, of cabriole legs, together with a conforming circular table, with scrolling legs joined by a circular plateau (3) £300 - 500*

729

730

730 A cast iron planter, late 19th/early 20th century, the frieze with cast floral decoration, raised on splayed acanthus form feet, 38cm high, 78cm wide, 38cm deep, together with a terracotta urn and two white painted cast iron planters (4) £300 - 600* 731 A pair of large Chinese white marble lions, of recent manufacture, modelled seated on cloths, each with a paw resting on a ball, on shaped and carved plinths, 82cm high(2) £400 - 600* 731 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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EXPLANATION OF CATALOGUING TERMS Any statement as to authorship, attribution, origin, date, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. Roseberys reserve the right, in forming their opinion, to consult and rely upon an expert or authority considered by them to be reliable.

1.

‘Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work by the artist.

2.

‘Attributed to Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, probably a work by the artist.

3.

‘Studio of Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work likely to come from the studio of the artist or closely associated with the artist.

4.

‘Circle of Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work by an unidentified artist working in the artist’s style and during the period of the artist’s life.

5.

‘Follower of Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work by an unidentified artist working in the artist’s style, contemporary or near contemporary.

6

‘School of Peter Paul Rubens, Flemish 17th century’ * In our opinion, a work executed during this period and in the style associated with that artist.

7.

‘Flemish School, 17th century’ * In our opinion, a work executed during this period and in the style associated with that location.

8.

‘Manner of Peter Paul Rubens’ * In our opinion, a work by an unidentified artist working in the artist’s style but at a later date, although not of recent execution.

9.

‘Style of Peter Paul Rubens’ * In our opinion, a work by an unidentified artist working in the artist’s style and of recent execution.

10.

‘After Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a copy by an unidentified artist of a named work by the artist.

11.

A picture catalogued with accompanying dates e.g. 1577-1640 relates to the identification of the particular artist and is not proof of attribution or indicative of authenticity.

12.

The terms ‘signed’, ‘dated’, ‘inscribed’ means that in our opinion these are by the artist’s hand.

13.

The terms ‘bears signature’, ‘bears date’, ‘bears inscription’ means that in our opinion that these have been added by another hand other than the artist.

14.

All references to signature, inscriptions and dates refer to the present state of the work.

15.

Dimensions are given in centimetres, height before width and are measured from the edges of the work if these are visible and if not, from the front.

16.

All pictures are framed, unless otherwise stated in the catalogue.

17.

Catalogue and website images may not be a true representation of an item due to printing or photographing processes.

18.

(ARR) – ARTIST’S RESALE RIGHT Qualifying living artists and the descendants of artists deceased within the last 70 years are entitled to receive a re-sale royalty each time their work is bought through an auction house or art market professional.

It applies to lots with a hammer value over €1,000 as follows: 0 to €50,000 - 4% €50,001 to €200,000 - 3% €200,001 to €350,000 - 1% €350,001 to €500,000 - 0.5% Exceeding €500,000 - 0.25% ARR is capped at €12,500.

Please note ARR is calculated in euros.

Auctioneers will apply current exchange rates.

Lot 503

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SPECIALIST TEAM Ian A. Cadzow Chairman & Joint Managing Director Rugs, Furniture & Works of Art iancadzow@roseberys.co.uk Vicki Wonfor Joint Managing Director Head of Corporate Collections vickiwonfor@roseberys.co.uk Peter Greenway Director Head of Professional Services petergreenway@roseberys.co.uk Marcus Grey Director Head of Paintings & Prints marcusgrey@roseberys.co.uk Bill Forrest Associate Director Head of Department Asian Arts billforrest@roseberys.co.uk Helena Anderson Associate Specialist Modern & Contemporary British Art helenaanderson@roseberys.co.uk Alice Bailey Head of Department Islamic & Indian Arts alicebailey@roseberys.co.uk Fiona Baker Head of Department 20th Century & Decorative Arts fionabaker@roseberys.co.uk Mark Bowis FGA DGA FSA Head of Department Jewellery & Watches markbowis@roseberys.co.uk Nigel Dawson-Ellis Junior Cataloguer Furniture & 20th Century Design nigeldawsonellis@roseberys.co.uk Anna Evans Consultant Specialist Works of Art annaevans@roseberys.co.uk Sophie Hetherton Junior Cataloguer & Departmental Assistant Paintings & Prints sophiehetherton@roseberys.co.uk

Roseberys London Main London Saleroom 70/76 Knights Hill London, SE27 0JD Complimentary valuations Monday to Friday: 9.30am to 5.00pm

Sam Howard Administrator Asian, Islamic & Indian Arts samhoward@roseberys.co.uk Mark Longley Specialist Ceramics & Glass, Works of Art & Collectables marklongley@roseberys.co.uk Tess O’Brien Specialist Impressionist, Modern, Post War and Contemporary Art tessobrien@roseberys.co.uk

+44 (0) 20 8761 2522 clientservices@roseberys.co.uk

Kate Pritchard Cataloguer & Valuer Paintings & Prints, Modern & Contemporary Art katepritchard@roseberys.co.uk

Central London OfďŹ ce Valuations by appointment.

Alex Tonkinson Consultant Specialist Modern Design alextonkinson@roseberys.co.uk

Please call us on +44 (0) 20 8761 2522 or email our Professional Services department at valuations@roseberys.co.uk to book your complimentary valuation.

Elizabeth Wormald Cataloguing Assistant & Administrator Prints & Multiples / Japanese Arts elizabethwormald@roseberys.co.uk

Lot 31

Shane Xu Head of Department Modern & Contemporary Prints & Multiples shanexu@roseberys.co.uk Geoff Young FGA DGA Senior Consultant Jewellery geoffyoung@roseberys.co.uk

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TERMS OF CONSIGNMENT FOR SELLERS These terms apply to Rosebery Fine Art Ltd trading as Roseberys and Roseberys London.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract.

Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission and Entry Fee. (a) Entry Fee: A charge of £20 is made to each lot sold in addition to vendor’s commission. This charge covers our specialist research, catalogue description, website illustration, marketing on our website and other third party sites as well as live or timed bidding on various internet platforms. (b) Vendors Commission: Is charged on each lot at 15%.

3. Catalogue Illustration Fee. The cost of any illustration is borne by you. Lots may be illustrated in a catalogue and thus a charge of between £20-60 per illustration is applicable, dependent on size. For example a quarter page illustration £20, half page £40, three quarter/full page £60. The copyright in respect of such illustrations shall be the property of the auctioneers, as is the text of the catalogue; any persons to be found to have reproduced such illustrations or text without prior written approval will be deemed as being in breach of copyright law and appropriate legal action may be taken.

4. Loss and Damage of Goods (a) Roseberys is not authorised by the FSA to provide insurance to its clients, and does not so do. However Roseberys, for its own protection, assumes liability for property consigned to it at the lower pre-sale estimate until title passes to the buyer. To justify accepting liability, Roseberys makes a charge of 1.75% of the hammer price plus VAT. The liability assumed by Roseberys shall be limited to the lower pre-sale estimate or to the reserve if the lot was unsold.

Settlement in any claim arising shall be subject to commission as if the lot had sold in the normal manner. (b) If the owner of goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4(a) is inapplicable. (c) Roseberys will not be liable for the loss or damage to frames or glass covering prints, paintings or other works. Old frames are often fragile or subject to deterioration and whilst Roseberys will do their

upmost to ensure the safety and care of frames and glass we will not compensate for loss or damage to property caused by changes in humidity or temperature, normal wear and tear, gradual deterioration, inherent defect or errors in processing.

5. Removal Costs. Items for sale must be consigned to the saleroom by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

6. Minimum Bids and our Discretion. Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 7. We may sell Lots below the reserve provided we account to you for the same sale proceeds that you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to approximately 15% below the low estimate and “wide discretion” allows to use accept a bid of up to approximately 30% below the low estimate.

7. Reserves. (a) Prior to the auction you are entitled to place a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve. If we are unable to offer goods they may be subject to storage charges if uncollected. (b) A reserve once set cannot be changed except with our consent, and confirmed by you in writing. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical Items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft Furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request

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TERMS OF CONSIGNMENT FOR SELLERS 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery or where we are or ought to have been aware of it.

11. Unsold Items. Unsold lots will be automatically reoffered into the next appropriate live or online auction with the low estimate reduced by 40% and if the revised estimate is £200 or below it will be offered without reserve. Alternatively, we may contact you to request that you collect the items. If you do not wish to re-enter the lots please notify Roseberys in writing with collection instructions. Please note storage charges will be incurred if lots are not collected within one week, storage charges will be applied of £2 + VAT per lot per day. If a lot remains uncollected two months after the date of the auction, Roseberys shall have the right to sell the lot at auction without reserve and to deduct from the ‘hammer price’ any sum owing to Roseberys as well as expenses arising from all auctions in which the lot has been included, plus storage and loss and damage warranty charges.

12. Withdrawn Items. (a) If an item is withdrawn prior to the publication of the catalogue a minimum charge of £20 + VAT per lot is applicable. This fee covers administration, handling, storage and loss & damage of the lot whilst in our care. (b) If an item is withdrawn after the online or offline publication of the lots they will incur charges where applicable comprising the sum of the vendor’s commission, the entry fee, the illustration cost, the loss and damage warranty, the buyer’s premium, the marketing fees and other expenses in relation to the item. VAT is applicable on all charges. These commission and premium charges will be calculated upon Roseberys published mid estimate. (c) In the cases of 12 (a) and (b) Roseberys will store the withdrawn item for a period of five days with no charge, after this a storage charge will be applicable at a daily rate of £2 per item per day plus VAT for items that remain uncollected.

13. Conditions of Sale. You agree that all goods will be sold according to our Conditions of Sale.

In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to Deduct Commission and Expenses and Retain Premium and Interest. (a) You authorise us to deduct commission from the hammer price at the stated rate plus all applicable expenses incurred on your account and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us at our discretion to negotiate a sale by private treaty not later than five working days from the date of the auction in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient written sale instructions, client contact details or without our prior written agreement to take delivery and reserve the right to either refuse to receive such goods or to make a minimum warehousing charge of £2 per item per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within twenty one days we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Settlement of the net sum due to you normally takes place 28 days after the sale (by crossed cheque or bank transfer to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

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INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers of Roseberys London particularly those inexperienced or new to our salerooms or online only bidding platform. All sales are conducted according to our printed Conditions of Sale which are readily available for inspection in person, on our website and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot.

The lower estimate may represent the reserve price or may be above the reserve price. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. Buyer’s Premium. The Conditions of Sale oblige buyers to pay a buyer’s premium of 25% up to £250,000 (30% inclusive of VAT), 20% from £250,000-500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT) The premium price is subject to VAT at the standard rate.

5. VAT. The addition of (*) or (VAT applied on hammer price) to the lot description indicates that VAT is payable by the purchaser at the standard rate, presently 20%, on the hammer price as well as being payable on the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the premium is not recoverable as input tax.

6. Artist’s Resale Rights/Droit de Suite. Lots as indicated in the catalogue and if sold for the equivalent of 1000 euros or more on the day of the auction will be subject to a further percentage of the hammer price as follows: From 0 to 50,000 euros subject to 4% From 50,001 to 200,000 euros subject to 3% From 200,001 to 350,000 euros subject to 1% From 350,001 to 500,000 euros subject to 0.5% Exceeding 500,000 euros subject to 0.25% The Artist’s Resale Right payable will be the aggregate of the amounts payable under the above rate bands, subject to maximum royalty payable of 12,500 euros for any single work each time it is sold. Calculations of the artist’s resale right will be based on the pound sterling/Euro reference exchange rate quoted on the date of sale by the European Central Bank.

7. Agents. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested.

Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. Additionally, in specified circumstances lots mis-described because they are ‘deliberate forgeries’ may be returned and repayment made. There is a three week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

8. Electrical goods. These are sold as ‘antiques’ or ‘decorative’ items only and if bought for use must first be checked for compliance with safety regulations by a qualified electrician.

9. Coloured gems. It is common practice for gemstones to be treated in order to enhance colour and clarity. Unless stated buyers should presume coloured stones may well have been exposed to some sort of treatment.

10. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character because, e.g. they may contain prohibited materials such as ivory.

11. Bidding. Bidders are required to register with us before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

12. Commission bidding (i)

Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding the buyers’ premium.

They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received.

Please enquire in advance about our arrangements for leaving commission bids by telephone, email or fax. Please ensure bids are left at least one hour prior to the start of the auction.

(ii) Commission bids may also be left via the Roseberys website.

These bids are executed via the RoseberysLive software and there is no surcharge.

13. Live Online bidding (a) An online bidding service is offered via RoseberysLive, thesaleroom.com and invaluable.com. In completing the bidder registration on these sites the buyer is agreeing to Roseberys conditions of sale. (b) In the case where a debit or credit card has been used to register the buyer also agrees to authorise Roseberys, if they so wish, to charge the debit or credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the online bidding platforms. (c) Please note there is no additional surcharge for any lots purchased via RoseberysLive, whether live bidding or commission bidding.

Any lots purchased via thesaleroom.com or invaluable.com will be subject to an additional 5% commission charge + VAT at the rate imposed on the hammer price. (d) Roseberys offers online bidding services as a convenience to its clients, but neither Roseberys nor the seller will be responsible to you for errors during or after the sale or failures to execute bids, either live bids or commission bids placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: (i) any loss of connection to the auction being conducted online; (ii) a breakdown or problems with the online bidding software or the website service provider; and/or (iii) a breakdown or problems with any internet connection, computer, mobile device or system. (e) By accessing RoseberysLive and using the software provided you are agreeing to the Website Terms and Conditions governing use of our website. Please ensure you familiarise yourself with these prior to accessing our website.

14. Methods of Payment. Payment can be made by cash (maximum 10,000 euros), debit and credit cards (maximum £1,000 online or over the phone) or bank transfer. For international bank transfers an administration fee of £25 is payable. Any cheques tendered will need to allow 10 days to be cleared before removal of lots purchased is permitted. Please note that regulation of money laundering means we are limited to receiving the equivalent of 10,000 euros in cash payment.

15. Collection and storage (a) Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. All lots must be collected within five working days following auction. Storage charges of £2 per lot per day + VAT will be strictly enforced thereafter. (b) Roseberys are unable to pack, post or deliver any items purchased through public or online auction, a list of suggested companies is supplied upon issuing of invoices, upon request or on the company website. These are suggestions only and are not the recommendation of Roseberys or affiliated with Roseberys in anyway and as such Roseberys cannot be held responsible for the individual performance of these companies.

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CONDITIONS OF SALE Rosebery Fine Art Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1.

Definitions

In these Conditions: (a) “auctioneer” means the firm of Rosebery Fine Art Ltd or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Rosebery Fine Art Ltd accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2.

Bidding Procedures and Conduct of the Auction

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid. Any bidder who refuses to provide the requested identification may be refused permission to bid. (b) The auctioneer has discretion at any time to refuse any bid, withdraw any lot, re-offer a lot for sale (including after the fall of the hammer) if they believe there may be error or dispute, and take such action as they reasonably think fit. (c) Subject to condition 2(b) the contract between the buyer and seller is concluded on the striking of the auctioneer’s hammer, whereupon the buyer becomes liable to pay the purchase price. (d) Any post-auction sale of lots offered at auction shall incorporate these conditions as if sold in the auction. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3.

Increments. Bidding increments shall be at the auctioneer’s sole discretion.

4.

The Purchase Price. The buyer shall pay the hammer price together with a premium thereon of 25% up to £250,000 (30% inclusive of VAT), 20% from £250,000500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT). The premium price is subject to VAT at the standard rate.

5.

Value Added Tax. Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged

at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots.

(Please refer to “Information for Buyers” for a brief explanation of the VAT position).

6.

Payment

(1) (a) (b)

Immediately a Lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in cash, debit, credit card or bank transfer or in such other way as is agreed by us.

Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(2)

7.

Title and Collection of Purchases. The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (a)(i) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 5 working days following the day of the auction. (ii) Roseberys are unable to pack, post or deliver any items purchased through public or online auction.

A list of suggested companies is supplied upon issuing of invoices, upon request, or on the company website. These are suggestions only and are not the recommendation of Roseberys or affiliated with Roseberys in anyway and as such Roseberys cannot be held responsible for the individual performance of these companies. (b) No purchase can be claimed or removed until it has been paid for and payment has cleared. (c) Invoices will not be split or title transferred to another person(s). Invoices must be paid in full before any lots can be removed. (d) Purchased lots must be collected within the allocated time as stated in the Information for Buyers section 13, storage charges are applicable thereafter. Purchased lots are at the Buyer’s risk (and therefore their sole responsibility for insurance) from the earliest of the collection or the 21st calendar day after the auction.

Until risk passes Roseberys will compensate the buyer for any loss or damage to the lot up to a maximum of the purchase price paid.

8.

(1)

(a) (b) (c)

(d) (e)

Remedies for Non-Payment or Failure to Collect Purchases If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: to proceed against you for damages for breach of contract; to rescind the sale of that Lot and/or any other Lots sold by us to you; to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

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CONDITIONS OF SALE (f)

to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9.

Third Party Liability. All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. Commission, Telephone Bids and Live Online Bidding. Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. (a) Lots will be purchased by the Auctioneer on behalf of the commission bidder for the lowest price allowed by other bids and/or reserves if any, up to and including their maximum bid amount recorded. The Auctioneers cannot accept responsibility for any neglect or default in executing or failing to execute commission bids whether through the auctioneer or through any online bidding software, or where a bidding slip has been completed incorrectly. We urge commission bidders, to ensure that the correct lot number(s) and price(s) are recorded on their bidding forms. (b) Where two or more commission bids at the same level are recorded we reserve the right at our absolute discretion to prefer the first bid so made. (c) Telephone Bids. Any person unable to attend the auction may request to bid on a specific lot by telephone. This facility is only available by prior arrangement with the Auctioneers and not available for online only auctions. The Auctioneers cannot accept responsibility for any neglect or default in executing or failing to execute telephone bids. (d) Live Online bidding. (i) An online bidding service is offered via RoseberysLive, thesaleroom.com and invaluable.com. In completing the bidder registration on these sites, the buyer is agreeing to Roseberys conditions of sale. (ii) In the case where a debit or credit card has been used to register the buyer also agrees to authorise Roseberys, if they so wish, to charge the debit or credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the online bidding platforms. (iii) Please note there is no additional surcharge for any lots purchased via RoseberysLive, whether live bidding or commission bidding. Any lots purchased via thesaleroom.com or invaluable.com will be subject to an additional 5% commission charge + VAT at the rate imposed on the hammer price.

(iv)

(v)

Roseberys offers online bidding services as a convenience to its clients, but neither Roseberys nor the seller will be responsible to you for errors during or after the sale or failures to execute bids, either live bids or commission bids, placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: (aa) any loss of connection to the auction being conducted online; (bb) a breakdown or problems with the online bidding software or the web site service provider; and/or (cc) a breakdown or problems with any internet connection, computer, mobile device or system.

By accessing RoseberysLive and using the software provided you are agreeing to the Website Terms and Conditions governing use of our websites. Please ensure you familiarise yourself with these prior to accessing our websites.

11.

Warranty of Title and Availability. The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

No representation or warranties are made by Roseberys or the seller as to whether any lots is subject to copyright or whether they buyer acquires copyright in any lot.

12.

Agency. The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13.

Terms of Sale. The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot.

14. (a)

Description and Conditions Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description of a lot. Buyers are welcome to make an appointment to view any lots listed on an online only auction. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers�.

Condition Reports. Reports on the condition of any lot are offered by the Auctioneers as a statement of opinion only, and not of fact. Rosebery Fine Art Ltd are not liable for any errors or omissions contained therein. The buyer must satisfy themselves to the condition of any given lot prior to bidding. Roseberys will not be held responsible for any damage or defect that has not been notified to the buyer. Catalogue illustrations are for guidance only and will not convey full information as to the actual condition of lots.

(b)

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CONDITIONS OF SALE (c)

(d)

Where the term (a/f) is used this refers to a lot being ‘as found’, it is used for guidance only and indicates in our opinion there is significant damage or repair to an item, the omission of this term does not indicate there is not significant damage or repair to an item and Roseberys are not liable for the omission of this term.

Private treaty sales made on these premises under these Conditions are deemed to be sales by auction for the purposes of consumer legislation.

15. Forgeries. Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. Roseberys may require the buyer to obtain at the buyer’s cost the reports of two independent and recognised experts in the field, mutually acceptable to Roseberys and the buyer. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) if you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

16. Online Only Timed Auctions These following terms are applicable only to sales conducted online only and are to be used in addition to the conditions of sale. (a) (i)

Right to Cancel If you are a consumer resident in the European Union you have the right to cancel the contract for the purchase of a lot within 14 calendar days without giving any reason. (ii) The cancellation period will expire after 14 calendar days from the day on which you acquire (or a party nominated by you and is not the shipper) physical possession of the lot. (iii) To exercise the right to cancel, you must inform us of your decision to cancel this contract by a clear written statement (e.g. a letter sent by post, fax or email), or you may use the cancellation form which can be found on our website or by contacting a member of staff. The communication must be received within 14 calendar days from the day on which you acquire the lot. (iv) If you cancel the contract, we will reimburse all payments received from you. As Roseberys are unable to provide a postage or packing service the cost of the initial delivery or collection is not returnable. In addition the cost of returning the item if you choose to cancel the contract is payable by you. (v) We may make a deduction from the reimbursement for loss in value of any goods supplied, if the loss is the result of damaged caused by unnecessary handling whilst in your possession. We will make the reimbursement without undue delay, and not later than (aa) 14 calendar days after the day we receive back from you any goods supplied, or (bb) (if earlier) 14 calendar days after the day you provide evidence that you have returned the goods.

(vi) We will make the reimbursement using the same means of payment as you used for the initial transaction, unless you have expressly agreed otherwise; in any event, you will not incur any fees as a result of the reimbursement.

We may withhold reimbursement until we have received the goods back or you have supplied evidence of having sent back the goods, whichever is earliest. (b) Liability Roseberys nor the seller will be responsible to you for errors during or after the online only timed auction or failures to execute bids placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: any loss of connection to the auction being conducted online; a breakdown or problems with the online bidding software or the website service provider; and/or (iii) a breakdown or problems with any connection, computer, mobile device or system.

General 17. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

18. Where a member of the public causes damage to a lot (or part thereof) the Auctioneers reserve the right to: (a) sell the aforementioned without reserve and to hold that specific individual liable for the amount of any difference between the hammer price and the reserve or low estimate; (b) hold that specific individual liable for the cost of restoration where appropriate; (c) hold that specific individual liable for the full amount of the reserve price or lower estimate as applicable.

19 (a) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

20. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email if provided in which case it shall be deemed to have been received by the addressee 48 hours after posting.

21. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

22. Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

23. English law applies to the interpretation of these Conditions.

These terms and conditions are based upon recommended conditions of sale by SOFAA (the Society of Fine Art Auctioneers) and RICS (the Royal Institute of Chartered Surveyors)

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70/76 Knights Hill London, SE27 0JD +44 (0)20 8761 2522 +44 (0)20 8761 2524 clientservices@roseberys.co.uk

CATALOGUE SUBSCRIPTION FORM FULL NAME: ADDRESS:

TELEPHONE:

EMAIL:

SUBSCRIPTION OPTIONS Auction Title

Number of auctions annually

Cost of annual Subscription including UK postage

Cost of annual Subscription including Europe postage

Cost of annual Subscription including rest of world postage

Design: Decorative Arts 1860 to Present Day

3

£37.50

£45

£52.50

Chinese, Japanese & South East Asian Art

2

£25

£30

£35

Impressionist, Modern, Post-War & Contemporary Art

2

£25

£30

£35

Fine & Decorative

3

£37.50

£45

£52.50

Islamic & Indian Arts/ Art of India

3

£37.50

£45

£52.50

Jewellery & Watches

3

£37.50

£45

£52.50

Modern & Contemporary British Art

2

£25

£30

£35

Modern & Contemporary Prints

2

£25

£30

£35

Print & Multiples

2

£25

£30

£35

Old Master, 18th & 19th Century Pictures

3

£37.50

£45

£52.50

Tick to subscribe

Subscription Offer: Buy 2 or more subscriptions save 20% on prices listed Total cost of subscription: Method of Payment: Payment can be made by credit or debit card over the phone or in person, alternatively by bank transfer or cash in person. Payment is accepted via bank transfer to the following account (International bank transfers are subject to a £25 administration fee.): Natwest Bank plc, Bloomsbury Parr’s branch, Sort Code 60-30-06, Account number 36952613, Swift code NWBKGB2L, IBAN GB80NWBK60300636952613.

I would/would not like to receive online catalogues and notifications of the sales that I am interested in as indicated on this form (delete as appropriate).

Signed:

Date:

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70/76 Knights Hill London, SE27 0JD +44 (0)20 8761 2522 +44 (0)20 8761 2524 clientservices@roseberys.co.uk

ABSENTEE BID FORM PLEASE COMPLETE THE FORM IN FULL IN CAPITAL LETTERS AND PLACE YOUR BIDS AT LEAST ONE HOUR PRIOR TO THE START OF THE RELEVANT SECTION OF THE AUCTION

FULL NAME: ADDRESS:

POSTCODE:

EMAIL:

BIDDER NUMBER: TELEPHONE:

Lot number

GBP £ bid price excluding premium

Lot number

GBP £ bid price excluding premium

All bids are entered subject to Roseberys standard terms and conditions of sale and to any special terms stated by the auctioneers to apply to lot(s) which the prospective purchaser hereby acknowledges and accepts.

Please see catalogue or website for important information for buyers and our full conditions of sale or ask a member of staff for a copy.

I authorise Roseberys to bid on my behalf for the above mentioned lot(s) up to the price(s) stated. I confirm I have read and agree to the buyer’s terms of sale with special attention to the buyer’s premium, additional charges and storage.

Signed:

Date:

AUCTION CALENDAR 2019/20 December 2019

February

Urban & Contemporary Art in association with Artsy Monday 18 November – Monday 2 December

Modern & Contemporary British Art Tuesday 11 February

Impressionist, Modern, Post War & Contemporary Art Wednesday 4 December Fine & Decorative Thursday 5 December January 2020 Traditional & Modern Home Saturday 25 January

March Design: Decorative Arts 1860 to the present day Tuesday 3 March Jewellery & Watches Tuesday 24 March Old Master, 18th & 19th Century Pictures Wednesday 25 March Fine & Decorative Thursday 26 March

70/76 Knights Hill, London SE27 0JD +44 (0)20 8761 2522 clientservices@roseberys.co.uk

www.roseberys.co.uk

70/76 Knights Hill London SE27 0JD +44 (0) 20 8761 2522 auctions@roseberys.co.uk www.roseberys.co.uk