Roseberys Auctioneers

DESIGN: 1860 TO THE PRESENT DAY Tuesday 3 March 2020

DESIGN: 1860 TO THE PRESENT DAY Tuesday 3 March 2020 Starting at 1pm VIEWING Friday 28 February 9.30am-5.30pm Sunday 1 March 10am-2pm Monday 2 March 9.30am-5.30pm Tuesday 3 March 9.30am-12.30pm Specialists: Fiona Baker Nigel Dawson-Ellis Alex Tonkinson Please note the conditions of sale at the back of this catalogue Buyer’s Premium 25% + VAT (30% inclusive of VAT) Condition of items: a catalogue description does not state the condition of the item Catalogue Price £10 (£12 by post) Front Cover: Lot 158 Back Cover: Lot 222 Inside Front Cover: Lots 35, 32, 33 & 34 Inside Back Cover: Lot 225

70/76 Knights Hill London, SE27 0JD +44 (0)20 8761 2522 auctions@roseberys.co.uk www.roseberys.co.uk

Online bidding available at:

RoseberysLive

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BUYING AT ROSEBERYS The following is intended to serve as a useful quick reference to buying at Roseberys.

Prior to bidding please familiarise yourself with our full conditions of sale which are applicable when bidding at one of our auctions. Our staff are available to assist you with any questions you may have.

Viewing Catalogues are available from reception and all lots are listed and illustrated at www.roseberys.co.uk Condition is not stated in the catalogue description and buyers are encouraged to view lots in person prior to bidding to satisfy themselves as to the accuracy of the description and condition of lots.

New Bidders New buyers are required to register before bidding. This can be done in person at reception, or via email to clientservices@roseberys.co.uk.

Photographic identification, full contact details and proof of address are required. Roseberys cannot accept bids from unregistered buyers. Once registered you will be provided with a paddle which states your bidding number for the auction.

Alternatively, online bidding is available through www.thesaleroom.com and www.invaluable.com, successful online bidders are charged an additional premium of 5% + VAT. Bidders must register by 9am on the morning of the auction to be able to buy online. You will be asked to complete the registration process prior to approval.

• Telephone bidding: A limited number of phone lines for lots in the auction are available for bidders subject to a minimum threshold. A member of staff would telephone you during the auction and bid live on your behalf. Please contact reception if you would like to enquire about booking a phone line.

The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over the top estimate.

Buyer’s Premium

New International Bidders In addition to providing proof of identity, new international bidders must leave a £500 deposit the first time they register and before bidding.

Successful bidders will be refunded their deposit once they have paid for their lots. Unsuccessful bidders will automatically be refunded within a week of the auction.

The buyer shall pay the hammer price together with a premium thereon of: 25% up to £250,000 (30% inclusive of VAT), 20% from £250,000-500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT) The premium price is subject to VAT at the standard rate.

Methods of bidding

VAT

• In person: at the auction room.

VAT is not charged on the hammer price unless it is stated that there is ‘VAT applicable on the hammer price’ at the end of the description. Buyer’s premium is subject to VAT.

• Commission bid: If you are unable to attend the auction, commission bids may be left indicating the maximum amount to be bid excluding the buyer’s premium. All bids must be received at reception at least one hour before the start of the auction. Clients are also able to leave a commission bid via our website on individual lot pages. These bids are actioned on your behalf by our in-house bidding software RoseberysLive, and are not visible to the auctioneer.

• Online bidding: You can follow all our auctions live online and bid via the internet using RoseberysLive, our in-house live bidding platform.

RoseberysLive is a secure online bidding platform provided by Roseberys to enable our clients to bid online from anywhere in the world. You can register to use the service or view the auction through our website www.roseberys.co.uk.

There is no charge to use this service.

(ARR) – ARTIST’S RESALE RIGHT Qualifying living artists and the descendants of artists deceased within the last 70 years are entitled to receive a re-sale royalty each time their work is bought through an auction house or art market professional.

It applies to lots with hammer value over €1,000 as follows: 0 to €50,000 - 4%, €50,000.01 to €200,000 - 3% €200,000.01 to €350,000 - 1%, €350,000.01 to €500,000 - 0.5% Exceeding €500,000 - 0.25% ARR is capped at €12,500 Please note ARR is calculated in euros.

Auctioneers will apply current exchange rates.

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Payment Payment is required immediately after the auction and can be made in the following ways: • Cash: up to the sterling equivalent of 10,000 Euros on the day of the transaction.

• Debit and Credit cards: excluding American Express. To protect against card fraud we are unable to make ‘card not present’ transactions online or over the phone for amounts over £1000.

To make a payment of over £1000 please make a bank transfer or visit the auction house in person.

• Bank transfer: Payment is accepted via bank transfer to the following account, (International bank transfers are subject to a £25 administration fee.)

Natwest Bank plc, Bloomsbury Parr’s branch, Sort Code 60-30-06, Account number 36952613, Swift code NWBKGB2L, Iban GB80NWBK60300636952613.

• Online via www.roseberys.co.uk (up to £1,000) Clearance of Goods Roseberys requests all lots are collected within five working days following the auction. After this, storage charges of £2 + VAT per lot will apply. Please contact our Client Services team should you be unable to collect your purchases within this time and we would be happy to discuss alternative arrangements.

Delivery Roseberys is unable to pack and ship items but can suggest the following companies: London/Surrey • Capital Fine Art Move: +44 (0) 7957 209523 • Bernard Thornton: +44 (0) 7970 118762 Nationwide/International • Mail Boxes Etc: +44 (0) 20 8649 9777 Specialist Packing • Pack and Send: +44 20 8392 6990 In order to release to a third party carrier you must inform Roseberys in writing of the lot number and carrier name. Please email clientservices@roseberys.co.uk Export of goods Buyers intending to export goods should ascertain whether an export licence is required before bidding.

Export licences are issued by Arts Council England and application forms can be obtained from its Export Licensing Unit. Details can be found on the ACE website www.artscouncil.org.uk or by phoning ACE on 020 7973 5188. The need for import licences varies from country to country and you should acquaint yourself with all relevant local requirements and provisions before bidding. The refusal of any such licences shall not permit the cancelling of any sale nor allow any delay in making full payment for the lot.

Lot 114

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1 William Moorcroft (1872-1945), a Hazeldene pattern ceramic vase retailed by Liberty & Co 1902-1913, signed in green W Moorcroft Des, printed Made for Liberty & Co, Rd. No. 397964 Shouldered and slightly waisted form, tube-lined with stylised trees, green, blue and yellow streaked colours, glazed 15.5cm high ÂŁ1,000 - 1,500

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2 William Moorcroft (1872-1945), a Hazeldene pattern ceramic vase retailed by Liberty & Co 1902-1913, signed in green W Moorcroft Des, printed Made for Liberty & Co, Rd. No. 397964 Shouldered and slightly waisted form, tube-lined with stylised trees, green, blue and yellow streaked colours, glazed 15.5cm high ÂŁ1,000 - 1,500

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3 William Moorcroft (1872-1945), a Persian pattern twin-handled ceramic vase c.1920, signed in green W Moorcroft, impressed Moorcroft Burslem Tube-lined with stylised floral sprays, coloured and glazed 17.5cm high £400 - 600 4 William Moorcroft (1872-1945), a Chrysanthemum pattern twin handled ceramic vase c.1912, signed in green W Moorcroft, printed Macintyre roundel Waisted form, tube-lined with stylised flowers on a mottled green exterior ground, the interior on a off-white ground 20cm high (restored) £300 - 500 5 William Moorcroft (1872-1945), a Forget-Me-Not pattern ceramic vase c.1909, signed in green W Moorcroft Des, printed Macintyre Florian mark Finely tube-lined with shaped panels of stylised flowers against a white ground 21.5cm high (restored) £300 - 500 5

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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6 William Moorcroft (1872-1945), a Moonlit Blue pattern ceramic vase c.1925, signed W Moorcroft, impressed Moorcroft Made in England With broad base and slender neck, tube-lined with stylised trees, coloured and glazed 20cm high

7 William Moorcroft (1872-1945), a small ceramic vase c.1916, signed in green W Moorcroft, impressed Moorcroft Burslem Tube-lined with stylised flowers, coloured and glazed 8cm high £300 - 500

£500 - 800

8 William Moorcroft (1872-1945), a Forget-Me-Not pattern three-handled ceramic vase c.1900, signed in green W Moorcroft, printed Macintyre roundel Finely tube-lined with shaped panels of stylised flowers, with yellow pansies, against a white ground 18.5cm high £300 - 500

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9 9 William Moorcroft (1872-1945), a Moonlit Blue pattern ceramic vase c.1925, signed W M, impressed Moorcroft Made in England Waisted neck, tube-lined with stylised trees, coloured and glazed 16cm high (restored) £400 - 600

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10 William Moorcroft (1872-1945), a Florian ware candlestick c.1900, incised WM Des, printed Macintyre Florian mark, M92 Tube-lined with flowers on long stems, with leaves and florets, coloured and glazed, having a screw thread in the top 25cm high £200 - 300 11 William Moorcroft (1872-1945), a Peacock pattern twin-handled ceramic vase c.1900, signed in green W Moorcroft, printed Macintyre roundel Tube-lined with stylised feathers and leaves, coloured and glazed 15cm high £400 - 600

11 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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12 William Moorcroft (1872-1945), a Pansy pattern ceramic vase 1911-1913, signed in green W Moorcroft, printed Macintyre roundel Shouldered form, tube-lined, coloured and glazed with pansies on a white ground 13.5cm high £500 - 800 13 William Moorcroft (1872-1945), a Florian ware ceramic vase c.1900, signed in green W M Des, printed Macintyre Florian mark, indistinct Rd. No. Tube-lined in white with stylised flowers on a green and salmon ground 15cm high (drilled) £150 - 250 14 William Moorcroft (1872-1945), an Eighteenth Century pattern ceramic vase c.1908, signed in green W Moorcroft, printed Macintyre roundel Baluster shape, finely tube-lined with ribbons and swags of roses and forget-me-nots, glazed and with gilding at the neck and foot 17.5cm high 14

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£200 - 300

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15 William Moorcroft (1872-1945), a Fern pattern ceramic oviform vase c.1930, signed blue ‘WM’ monogram, impressed Moorcroft Made in England Decorated with scrolling stylised plant forms and horizontal banding, tubelined, coloured and glazed 18cm high (restored) £250 - 350 16 William Moorcroft (1872-1945), an Honesty pattern ceramic vase c.1930, signed blue ‘WM’ monogram, impressed Moorcroft Made in England Decorated with stylised honesty and horizontal banding, tube-lined, coloured and glazed 18cm high £300 - 500 17 William Moorcroft (1872-1945), a twin-handled ceramic vase c.1916, signed in green W Moorcroft, impressed Moorcroft Burslem Tube-lined with stylised flowers on leafy stems, coloured and glazed 21cm high £500 - 800 17

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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18 18 William Moorcroft (1872-1945), a twin-handled ceramic bowl with red lustre c.1910, signed in green W Moorcroft, printed Macintyre roundel Tube-lined with a frieze of flowers and buds, coloured and glazed, with red lustre heightening to pattern 14cm high £600 - 900

19 19 William Moorcroft (1872-1945), a Purple Iris pattern ceramic vase with flared neck c.1916, signed in green W Moorcroft, impressed Moorcroft Burslem Tube-lined with stylised flowers, coloured and glazed 17.5cm high £400 - 600

20 William Moorcroft (1872-1945), a Pansy pattern twin-handled bowl c.1915, signed in green W Moorcroft Tube-lined, coloured and glazed with pansies, the interior on a white ground the exterior a pale green ground 16.5cm high £600 - 900

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21 21 William Moorcroft (1872-1945), a Pomegranate pattern biscuit barrel with plated cover c.1920, signed blue ‘WM’ monogram, impressed Burslem Tube-lined with fruit and leaves, in colours on a blue ground, glazed, with plated collar, cover and hinged overhead handle 15cm high excluding handle £150 - 250

22 22 William Moorcroft (1872-1945), a Claremont pattern ceramic bowl retailed by Liberty & Co 1903-13, signed in green W Moorcroft Des, printed Made for Liberty & Co., Rd. No.420081 Tube-lined with stylised mushrooms, coloured and glazed 7.5cm high; 19cm across £400 - 600

23 William Moorcroft (1872-1945), a Grape pattern twin-handled ceramic lustre bowl retailed

by Liberty & Co c.1900, signed in green W Moorcroft, printed Made for Liberty & Co Tube-lined with bunches of grapes and undulating vine, coloured and with a lustrous glaze 20.6cm high, 28.5cm across £500 - 800

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* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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24 24 William Moorcroft (1872-1945), a Floral-Panel pattern vase c.1918, signed in green W Moorcroft, impressed Moorcroft Burslem Tube-lined with two floral sprays within a shaped off-white panel, against a powder blue ground 17.5cm high £150 - 250

25 25 William Moorcroft (1872-1945), a Forget-Me-Not pattern ceramic vase Dated 1941, signed in green W Moorcroft, paper label and impressed marks ‘Potter to HM the Queen’ Tube-lined with flowers in shaped white panels, reserved against a powder blue ground, glazed 22.7cm high £150 - 250

26 William Moorcroft (1872-1945), a Poppy pattern Dura Ware ceramic biscuit barrel with cover c.1902, printed Macintyre roundel Finely tube-lined with stylised poppies, leaves and scrolls, coloured and glazed 16.5cm high £150 - 250

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27 William Moorcroft (1872-1945), an Eighteenth Century pattern ceramic vase c.1908, signed in green W Moorcroft Des, printed Macintyre roundel Finely tube-lined with ribbons and swags of roses and forget-me-nots, coloured and covered with a green glaze 17.5cm high

28 William Moorcroft (1872-1945), a Peacock Feather pattern twin-handled ceramic vase retailed by Liberty & Co c.1900, signed in green W Moorcroft Des, printed Made for Liberty & Co, indistinct Rd. No. Finely tube-lined with stylised motifs, flowers and leaves, coloured and glazed 19.5cm high

£200 - 300

£800 - 1,200

29 William Moorcroft (1872-1945), a ceramic vase c.1930, incised W Moorcroft Tube-lined with two floral panels on a green ground, pale blue glaze, 23cm high; together with an Aurelian Ware vase with transfer printed decoration, c.1897, printed Macintyre roundel, and a retail mark ‘Made for W. Waddington, Keighley’ 20.2cm high (2) £120 - 180

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* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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30 William Moorcroft (1872-1945), a Pansy pattern vase 1911-1913, signed in green W Moorcroft, printed Macintyre roundel Tube-lined, coloured and glazed with pansies on a white ground 21.5cm high (restored) ÂŁ250 - 350

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31 William Moorcroft (1872-1945), an Hesperian Lilac pattern ceramic ewer c.1902, signed in green W Moorcroft Des, printed Macintyre Florian mark Finely tube-lined with a central frieze of lilac blossom, with floral and leaf borders, coloured in shades of blue with hints of pink-mauve and green 29cm high (restored) ÂŁ300 - 500

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32 R.W. Martin (1843-1923), a large Martin Brothers stoneware salt-glazed Double ‘Face’ jug c.1890, Signed R.W Martin & Bros, London & Southall Modelled in high relief with two characterful faces with incised hair and integral handle 23cm high, 20cm wide approximately £1,500 - 2,500

32 (reverse) * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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33 R.W. Martin (1843-1923), a Martin Brothers stoneware bird Signed R.W Martin & Bros, London & Southall, dated on body and head 25.5.1904 Modelled in two parts as a bird, the head with thoughtful expression, the body with wings, plumage and feet, raised on an ebonised wood base 18.5cm high ÂŁ5,000 - 7,000

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34 Martin Brothers (Pottery 1873-1914), a stoneware ‘Aquatic’ vase of flattened form Signed Martin Bros, London & Southall, dated 10.1903 Incised and decorated with a crab on each side, the edges incised with jelly fish, on a watery blue ground 22.5cm high £1,200 - 1,800

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34 (reverse)

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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35 R.W. Martin (1843-1923), a Martin Brothers stoneware Double ‘Face’ mug c.1890, Signed R.W Martin & Bros, London & Southall Modelled in relief with two faces with incised hair, covered with a clear glaze 12cm high £500 - 800

35 (reverse)

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36 R.W. Martin (1843-1923), a Martin Brothers stoneware salt glazed vase Signed R.W Martin, London & Southall, 483, dated 14.1.80 Incised and decorated with four birds perched amid leafy branches, slight lustre to glaze 25cm high £500 - 800 37 Burmantofts Faience, a glazed Umbrella stand Late 19th Century, impressed Burmantofts Faience 575A, JL The cylindrical form cast with a lattice and stylised leaf pattern, covered with a turquoise glaze 61.5cm high £100 - 150 36 38 John Moyr Smith (1839-1912), a part set of Minton tiles from the ‘Fairy Tales’ series 1875-1880, printed ‘JMS’, marks for Minton China Works Stoke on Trent Comprising: Sleeping Beauty (x2), the Frog Prince, Cinderella, Puss in Boots, Blue Beard, Snow Drop, Golden Locks, Jack and the Beanstalk and Six Swans (x2), printed underglaze in brown on a cream body with pictorial scenes Each 15.2cm square (10) Literature: Terence Lockett, Collecting Victorian Tiles, Antique Collectors’ Club, 1979, p. 145 ( Complete series of twelve listed) £300 - 500 37

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* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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39 Christopher Dresser (1834-1904), an electroplated claret jug, model number 16587, made by Elkington & Co Designed c.1865, Late 19th Century, stamped maker’s shield mark E & Co, with ‘Elkington’ struck through, numbered 16587 and 2B13127 Of bulbous form with broad neck, the lid hinged in two places, the handle embossed with stylised decoration 23.5cm high Note: Christie’s London, British and Continental Decorative Arts, 12th May 1999, lot 212 (similar claret jug with matching finial illustrated with a drawing from Dresser’s Notebook and numbered 16587) £300 - 500 39

40 Late 19th Century, a Stained and leaded glass Shakespearian window “I could find in my heart to disgrace my man’s apparel and to cry”.

As you like it, Act II Sc IV Depicting Rosalind, Celia and Touchstone in the forest, in colours with quotation at the bottom and inscribed 1601 at the top 105cm high x 63.5cm wide £400 - 600

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41 41 Arts and Crafts, a silver bowl with separate copper armature Mark of Johnson, Walker & Tolhurst Ltd, London hallmarks 1905, Rd.469429, copper also marked with maker’s marks and registration number The hammered silver bowl with rolled rim sits in a riveted copper armature, the flattened supports having shaped feet 27 diameter and 15.5cm high (silver 20.6 oz) £2,000 - 3,000

42 James Dixon & Sons, a silver plated sugar bowl in the manner of Christopher Dresser c.1885, stamped makers marks, 2997, 4.5 oz The rim partly folded in, with overhead ebonised handle 12.5cm high, 20.6cm long £200 - 300

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* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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43 A set of six Gimson style ladder back chairs by Neville Neal c.1980, three chairs stamped With shaped ladder backs, above rush seats, on tapering legs joined by stretchers Each 107cm high, 45cm wide (6) £500 - 700

43 44 A stained beech Thebes stool probably retailed

by Liberty and Co c.1900, unsigned A stained beech Thebes stool with woven cord seat hung between the raised corners of four turned legs, connected by turned stretchers 38.5cm high, seat 37cm square

45 Cotswold School, an oak chest of drawers c.1930 With three long graduated drawers, raised on shaped bracket feet, with vertical handles 78cm high, 92cm wide, 37cm deep £200 - 300

£500 - 800

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46 46 Arts & Crafts, a set of six oak dining chairs Early 20th Century With slatted backs, above upholstered seats, on square legs with H-shaped stretchers Each 95cm high, 47cm wide (6) £200 - 300

47 Arts & Crafts, an oak throne chair early 20th Century With slatted backrest, the central splat with pierced trefoil, above foliate pattern upholstered seat, raised on square tapering legs, joined by stretchers 111cm high, 85cm wide

48 Art Deco, a small oak desk c.1930 The rectangular top inset with brown leather writing surface, above three frieze drawers, raised on rectangular end supports 76cm high, 92cm wide, 51cm deep

£200 - 300

£100 - 200

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* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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49 Hans Christiansen (1866-1948), a Pair of Mettlach Art Nouveau stoneware vases, “Die Nacht” (The Night) and “Der Tag” (The Day) c.1898, Impressed Mettlach VB (Villeroy & Boch) numbered 2424 and 2425 respectively Each incised and coloured, one depicting an Art Nouveau maiden with dark brown hair and poppies and representing ‘Night’, the other a maiden with light brown hair and irises and representing ‘Day’, (small restoration to ‘Day’ vase) 25cm high (2) Literature: Margret Zimmermann-Degen, Hans Christiansen, Ko& nigstein im Taunus : Langewiesche, 1985, p.198 (both referenced and with the date of 1898 and 2425 ‘Day’ illustrated) £2,000 - 3,000

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50 50 Attributed to Daum, a silver mounted enamelled glass Flacon de médecine c.1895, glass unmarked, silver stamped French poincons and makers lozenge The tapering vessel acid-etched in relief with florets and trailing leaves, heightened with pale blue enamel and gilt, having a silver collar and screw cap, (missing the glass inner stopper) and small silver cup, with gilt interior removable from the bottom 13.8cm long

51 51 C.G Hallberg, a small silver and plique-a-jour covered cup Stamped C.G. Hallberg, with Swedish and Stockholm silver marks, date code for 1901 The silver filigree decorated in translucent enamels, having a sinuous handle, hinged cover with floret finial, raised on three ball feet 7.6cm high £80 - 120

£100 - 150

52 Hans Ofner (1880-1939) for Argentor, a silver plated brass and glass Bonbonniere c.1906, stamped Argentor IG Pierced circular form and fixed overhead handle with bead decoration, raised on four supports, with glass liner 16.5cm high, 16.3cm wide £100 - 150

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* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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53 53 A patinated metal and brass ‘Bear’ centrepiece c.1900, possibly German or Austrian The central brass dish held by three supports each mounted with a bear 37cm wide approximately

54 Art Nouveau, a pair of large pewter candelabra c.1900, possibly German, unsigned Each with four screw attached and removeable sconces, with open work stem and base, embellished with dandelion leaves 45.5cm high (2)

£100 - 150

55 Gustav Schmidt Cassel (1867-1954), a patinated bronze figure ‘Castanet Dancer’, c.1900, signed Schmidt-Cassel Modelled and cast as a barebreasted dancer with castanets in her hands, marble plinth 32cm high £300 - 500

£300 - 500

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56 56 Gustav Gurschner (1873-1971), a Jugendstil patinated bronze double inkwell and pen tray c.1905, Signed Gurschner, stamped K.K. Kunst Erzgieserei Wien Cast with twin inkwells with hinged covers enclosing glass reservoirs, with pen tray, decorated with stylised motifs 35.5cm wide, 15.7cm deep £1,000 - 1,500 57 Gustav Gurschner (1873-1971), a pair of Jugendstil patinated bronze figural bookends c.1905, Signed Gurschner, Vienna Cast with bare-breasted maidens each holding a document, raised on shaped and weighted bases decorated with ball finials and stylised motifs 29cm high (2)

58 Georges Charles Coudray (act.18831932), a patinated bronze figure ‘The Egyptian Harpist’, c.1900, signed Coudray, Foundry seal for Société des bronzes de Paris Modelled and cast as a young woman playing a full length harp with an Egyptian mask terminal, integral base 53cm high £400 - 600

£800 - 1,200

57 58 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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59 Louis Majorelle (1859-1926), an Art Nouveau small carved walnut buffet c.1900 Panelled back with shelf, the top supported on openwork supports carved with chicory and with frieze drawer, two-tiers below, plinth base, sinuous plant form bronze handles 139cm high, 120cm wide, 42cm deep Purchased: Christie’s London, 21st November 2012, sale 4326 lot 556 £2,000 - 3,000

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60 Carlton Ware, a ‘Tutankhamun’ ceramic vase c.1927, pattern 2708, printed Wiltshaw and Robinson mark Carlton Ware Made in England, and gilt printed ‘hieroglyphic’ mark Printed in gilt with Egyptian figures, symbols and motifs against a black mat ground 15cm high £200 - 300

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61 Gerald de Witt, a Fulham Pottery vase c.1940, impressed marks to base An unusual white glazed Fulham Pottery twin handled vase of organic form with flared neck 20cm high Note: The form of this vase is highly unusual for this kind of period of Fulham Pottery and this is possibly a prototype which never went into mainstream production ÂŁ300 - 500

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62 Charles Catteau (1880-1966), a Keramis earthenware vase c.1927, Printed factory marks, Made in Belgium, and facsimile signature, numbered D1110 Decorated in colours with stylised flowers and leaves against a black ground 31cm high ÂŁ150 - 250

62 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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63 Daum, an Art Deco twin-handled cased glass vase with gold foil inclusions c.1930, engraved Daum, Nancy France with Cross of Lorraine Internally streaked and with foil inclusions, circular spreading foot 43.5cm high Literature: Clotilde Bacri, Daum, Masters of French Decorative Glass, Thames & Hudson, London, 1992, p. 180 & 181 (similar style vases in various colours illustrated) £150 - 250

63

64 Gabriel Argy-Rousseau (1885-1953), a pate-de-verre glass vase c.1925, signed in the mould G. Argy-Rousseau Moulded with a band of stylised flowers and overlapping angular leaves 21.5cm high (Cracked) Literature: Janine Bloch-Dermant, ‘G. ArgyRousseau Glassware artist’, Thames & Hudson, Paris 1990, Catalogue Raisonné, p. 204, 1925, 25.03. similar model illustrated “Vase with modern foliage and flowers” £300 - 400

64

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65 René Lalique (1860-1945), a clear and frosted Blue glass vase ‘Gui’ No. 948, designed 1920 and not made after 1947, intaglio moulded R. LALIQUE Moulded with overlapping branches of mistletoe 17cm high £2,000 - 3,000

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66 66 René Lalique (1860-1945), a clear and frosted and sepia stained bowl ‘Marguerites’, no. 10-404, designed 1941 this version early post war, engraved Lalique France Moulded with ring of overlapping flowers, with intaglio moulded stems, heightened with sepia staining 36cm diameter £400 - 600 67 René Lalique (1860-1945), a pair of clear and frosted glass crucifixes with metal easel supports ‘Petite Croix’, designed 1933, these versions made post-1951 either 12-005/12-006, engraved Lalique ® France Together with a Post war ‘Jamaique’ ashtray, along with a match holder and a lighter in the same pattern; and a candle holder, the flowers heightened with black enamel Crucifix 11.5cm high (6)

68 68 René Lalique (1860-1945), a clear and frosted glass paper-weight ‘Coq Nain’ No. 11-800, designed 1928, this version post 1951, engraved Lalique ® France, Cristal Lalique Paris label Moulded in the form of a cockerel 20.8cm high

£100 - 150

£100 - 150

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69 69 René Lalique (1860-1945), two clear and frosted glass paper-weights Comprising: ‘Perche’ 11-803 and ‘Daim’ 11-804, both designed 1929 these versions made Post 1951 Moulded as a fish and deer respectively, both signed Lalique ® France Perche 15.5cm long; Daim 8.5cm high (2) £100 - 150 70 René Lalique (1860-1945), a glass scent bottle and stopper with original presentation box Houbigant - 8, Lilas, designed 1925, moulded R. Lalique France Moulded on the front with a lattice weave, with yellow parfumiers label ‘Lilas, Houbigant France’, the box with printed cover Bottle 8cm high (2)

70

71 René Lalique (1860-1945), a clear and frosted scent bottle and stopper Worth, Dans La Nuit, designed 1924, unclear marks, made pre-1951 Globular form moulded with small raised stars, the stopper moulded on one side with a ‘W’; together with a ‘Molinard Creation Lalique’ clear and frosted scent bottle for Les Iles D’Or, moulded with a frieze of figures and with marks to base; together with a Baccarat glass perfume bottle, ‘Lady Caron’, moulded with the head of the statue of Liberty, c.2000, Baccarat acid mark, the bottle heightened with gilt; along with a Prince Matchabelli ‘Crown’ perfume bottle with gilt highlights, moulded marks Matchabelli Made in France 14cm, 11cm, 13.5cm and 11cm respectively (4)

£200 - 300

71 (part)

£150 - 200

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72 72 Baccarat for Guerlain, two glass scent bottles 20th Century, acid-stamp for Baccarat, two marked with Guerlain labels and titles Comprising: a Coque D’Or bottle in the shape of a bow in blue glass, another smaller Coque D’Or in gilt over blue; together with a smoky glass Baccarat bottle with label for ‘Guerlinade’, with etched Baccarat marks and ‘Guerlain Paris-France’ Blue 11cm wide; gilt 8cm wide; Guerlinade 12.5cm high (3)

73 Baccarat for Guerlain, a black glass perfume bottle with stopper ‘Liu’, 1929, Guerlain label to stopper and embossed label to front, and Guerlain Fabrication Francaise Reg US Pat Off label to base Bottle with canted shoulders and gilt label, having the top part of the original box (no base) Bottle 8cm high (2) Note: It is thought that the name of the perfume was inspired by the character ‘Liu’ from the opera Turandot by Puccini.

£150 - 250

£200 - 300

73

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74 Georg Jensen, a silver three-piece matched Coffee set c.1925, All with various pre-war Marks of Georg Jensen, the bottom of the coffee pot engraved ‘H. S-P June 1941’ Comprising: a coffee pot (numbered 526) and cover with bud-like finial and the handle with floret terminals, a sugar bowl and a milk jug with bead and rib decoration (numbered 4) Coffee 22.5cm high (3) £700 - 1,000

74

75 75 Christofle, an Art Deco silver plated ‘Cercles en relief’ (later Biarritz) pattern Champagne bucket Mark of Christofle used 1942-1949 Ribbed form with ring handles; together with a Christofle Ice Pail with overhead handle, Christofle marks 1937-1983 20.5cm high and 13.5cm high respectively (2)

76 76 A wrought-iron paperweight in the manner of Edgar Brandt 20th Century, unsigned Cast as a single die mounted on one corner on a rectangular base 6.5cm high, 8.1cm long £100 - 150

£150 - 200

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77 Art Deco, probably French, a pair of silvered-bronze two-dimensional panels of ‘Ladies with doves’ c.1930 Each double sided and cast as a woman with a dove perched on her hand, with a holes at the toes for fixing 21cm high, 13.2cm wide (2) £200 - 300 77

78 78 Pierre Le Faguays (1892-1962), an Art Deco dark green patinated bronze ‘The Lock’ c.1930, signed P. Le Faguays, stamped Bronze and with indistinct foundry seal Modelled and cast as an athletic young man leaning on a canal gate balance-beam, integral bronze base 28cm high, 47.5cm wide £1,500 - 2,000

79 Bousquet, an Art Deco spelter and ‘ivorine’ group of girl with pony c.1930, signed on the marble base Modelled and cast as a young woman, wearing a bonnet and clogs, holding a water bowl for a pony, on marble and onyx plinth 34.5cm high, 50.2cm long £300 - 500 79

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80

80 Edward McKnight Kauffer (1890-1954), a chromolithographic ‘You Can Be Sure of Shell’ poster Signed en bloc E. McKnight Kauffer, 1936 ‘To visit Britain’s Landmarks Dinton Castle nr. Aylesbury’ Lithograph in colours, mounted on linen 75.5 x 113.5cm £500 - 800

81 English Art Deco, a peach mirror-glass dressing table and mirror c.1930 The arched mirror above bowfronted dressing table with central storage compartment flanked by two frieze drawers, over kneehole with recessed cupboard door enclosing one shelf, raised on plinth bases 184cm high, 122cm wide, 39cm deep £600 - 800 81 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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82 Heal’s, a limed oak double wardrobe c.1930, with applied ‘Ivorine’ manufacturer’s label to interior With two paneled doors enclosing one shelf and hanging space, raised on square feet 180cm high, 119cm wide, 54cm deep £300 - 500

83 Art Deco, a pair of German tan leather armchairs c.1920 Each with shaped back and loose brown velvet upholstered cushion, with overall studded detailing, raised on square feet 77cm high, 77cm wide (2) £300 - 500 82

83

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84 Petitot, a French Art Deco bronze and glass chandelier c.1930, stamped Petitot 1266 The bronze frame enclosing three lights in the upper column and four in the bowl, incorporating vertical and horizontal glass rods, and frosted glass panels and flanges, loop for hanging at the top 63cm wide. 70cm approximate drop £1,000 - 1,500 85 Gaillard, a French Art Deco cold-painted metal table light ‘Balancing Cat’, c.1930, stamped ‘Gaillard’ on top of tail, attributed to the Le Verrier foundry Modelled and cast as a cat lying over the white globe glass shade, black marble plinth, with electrical fitments 19cm high, 15.8cm wide £400 - 500 86 A French Art Deco metal table light in the manner of Irénée Rochard ‘Terrier with ball’, c.1930, unsigned Modelled as a playful terrier balancing the glass shade on one paw, on marble plinth 25cm high

84

£350 - 450

85

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86

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87 English Art Deco, a peach mirror-glass, walnut and chromium plated ‘clock’ cocktail cabinet c.1930 Formed as a long case clock covered with peach mirrored glass, the clock face opens to reveal plain cupboard, with a door below enclosing an interior fitted with lights, having four shelves with recessed circles for bottles and glasses, the door has a strut supporting a set of six chromium plated and red plastic topped cocktail sticks, interiors with a mirror at the back (clock fitted with a battery movement) 167.5cm high, 39cm wide, 34cm deep (7) £300 - 500

88 Attributed to Lucien Rollin (1906-1993), a French Art Deco Dining Table c.1930, underside of table and extension leaves impressed LR The shaped rectangular top raised on six curved supports united on a curved base, having two extension leaves that can be added at either end 74cm high, 183cm long, 101cm wide, each extension 45.5cm £800 - 1,200

87

88

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90

89 Otto Wagner (1841-1918), a stained beech armchair for Thonet c.1910, partial ‘Thonet’ label to underside Of bentwood construction, with pierced backrest, on tapered legs 80.5cm wide, 59.5cm wide

90 French Art Deco, a large rosewood kneehole desk c.1930 The rectangular top above an arrangement of nine drawers, raised on plinth bases, together with a French Art Deco armchair desk - 79cm high, 160cm wide, 84cm deep chair - 82cm high, 54cm wide (2)

£200 - 300

£500 - 800

90

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91 91 Jean Marais (1913-1998), a terracotta bowl c.1960, signed on the top and incised on the base Decorated in wax resist and glazed and depicting a face in the trees; together with another by the same hand, ‘Belier’, painted and glazed with the head of a goat Both 15cm diameter (2) £150 - 200 92 Siegel, a large plaster vase Mid 20th century, signed in the plaster mould A large urn shaped vase in the Art Deco style with twisted linear decoration leading up to a flared rim 46.5cm high £200 - 300 93 Attributed to Dagobert Peche (1887-1923) for Vereinigte Wiener und Gmundner Keramic, an Austrian Earthenware Mocha Set c.1920, Impressed pottery square flower mark Comprising: Mocha Pot and cover with stand, milk jug and a sugar bowl with cover, and four mocha cups and saucers, underglaze printed with figures and plant motifs Mocha Pot 14.5cm high, stand 15cm diameter (12) £200 - 300 92

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94 Georg Jensen & Wendel, a Modernist gold and blue/green stained hardstone Jensen ring Stamped marks GJ & W, 750 The collet of triangular form set with a blue/green stained hardstone Ring size H 94

£300 - 500

95 Vivianna Torun Bülow-Hübe (1927-2004) for Georg Jensen, a modernist silver and rutilated quartz ring Stamped with post 1945 Jensen marks, 925s Denmark, ‘Torun’ and numbered 151 The collet set with a tall and rounded pillar of rutilated quartz, with overlapping ring hoop 3.7cm high, ring size F £400 - 600

95

96 Georg Jensen (1866-1935), a silver ‘Dove’ brooch Georg Jensen 1933-1944 marks GJ, 830s, Denmark, 70 Cast with a bird within a foliate hoop 6cm diameter £200 - 300

96

97 Georg Jensen, a silver ‘Pansy’ brooch Stamped post 1945 Georg Jensen marks, Sterling Denmark 113 Naturalistic form with hammered finish and silver centre 4cm diameter £100 - 150 97

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98 Georg Jensen (1866-1935) a silver pendant with lapis cabochons Georg Jensen 1933-1944 marks, GJ, 925, Sterling, Denmark, 3 Cast with pendant leaves set with blue cabochon ‘berries’, on chain Pendant 8cm long £300 - 400

99 Georg Jensen, a silver ‘Dove’ Necklace Stamped Georg Jensen Post war oval mark, Sterling Denmark 13 necklace is composed of eleven elements with alternating stylized dove and leaf motifs, united by links arranged for the necklace to sit in a circle, clasp with security catch 37cm long approximately £500 - 800

98

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101 100 Georg Jensen, two silver brooches Both stamped with Post war Jensen oval mark, Sterling Denmark, one numbered 18 the other 272 Comprising: an oval brooch with leaves and buds; and a geometric brooch of buckle shape 4.4cm across and 3.9cm across respectively (2)

102

101 Arno Malinowski (1899-1976) for Georg Jensen, a silver ‘Moonlight Blossom’ brooch GJ monogram used 1933-1944, 925s, Sterling Denmark, 283 Circular frame enclosing two moths on a branch of blossom 5.2cm diameter

102 Georg Jensen, a silver brooch GJ monogram used 1933-1944, 925s, Sterling Denmark, 277 Shaped form, depicting a mermaid riding a mer-horse, with stylised wave motifs 5.9cm across £120 - 180

£100 - 150

£120 - 180

103 Chanel, costume jewellery Each piece applied with Chanel seal, Made in France Comprising: a faux pearl necklace with rhinestones and gilt metal spacers; together with a pair of faux pearl circular ear clips and another pair of faux pearl and rhinestone ear clips Necklace 43cm long when open; clips 2.9cm and 2. 7cm diameter respectively (3) £400 - 600

103 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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104 Hermès, a ‘Kelly’ 32cm Box-leather handbag Blind stamp for 2001, marked Hermès Paris, Made in France Salmon colour, with gilt-metal hardware and shoulder strap, lock and keys, with dust cover £3,000 - 5,000

105 Hermès, a ‘Mangeoire’ Gold ‘Togo’ leather cylindrical bag Stamped Hermès Paris, Made in France With rope handle and Hermès silk tie 17.5cm diameter of base £400 - 600

105

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106 Cyril Shiner (1908-1989), an electro-plated nickel silver stacking tea set made by Slade & Dolphin Ltd Designed 1946, stamped EASI-NEST, A.1. E.P.N.S, PRO. PAT., No. 3948, Regd Design, 853938, Made in England Comprising: a tea pot and a hot water pot, both with hinged lids and pierced handles (to release heat), a twin-handled sugar bowl and a milk jug Total height stacked 32.5cm high; hot water pot 12.5cm high; teapot 21.5cm wide (4) Note: There is a similar set in the V & A Museum and their collection notes mention that this was designed for Hotel use and could be stored taking up less room than a typical four piece set. They also point out that the tea and water pot lids hinge back completely so that the pots can be drained properly. ÂŁ200 - 300

106

107 107 Naum Slutzky (1894-1965), a group of copper etching plates One depicting Russian fighters, with rifles, 20.5cm x 30.5cm, signed; together with another depicting a man playing a harmonica, standing before a peasant farmstead, 33.3cm x 20.5cm; also three smaller etched sketches on copper plates, loose in a wooden box (5) (ARR) Provenance: From the studio of Naum Slutzky 1966, thence by decent and then to the present owner.

Purchased: Roseberys, Fine Art Auction, 6th September 2016, Lot 276 ÂŁ800 - 1,200

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108 Gorham (American), a Silver and plastic Martini Spike ‘Vermouth Dispenser’ 2nd half 20th Century, stamped Gorham Sterling, 429, Pat. Pend., original fitted box labelled In the form of a hypodermic needle, fitted box and paper instruction picture 16cm long when ‘needle’ is closed £100 - 150

108

109 (both sides)

109 Dunhill, an ‘Aquarium’ gold-plated brass and Lucite table lighter 1950s, Stamped Dunhill Lighter, Made in England Decorated with intaglio carved and painted Lucite panels, the front panel with two fish, one having a red belly, the reverse with two Angel fish, the ‘snuffer’ arm cast ‘Dunhill’ and having the spring showing at the end 7.6cm high, 9.8cm wide, 5.2cm deep £1,000 - 1,500 110 Two bronze heads in the manner of Hagenauer Third quarter 20th Century, unsigned Each modelled and cast in two dimensions, mounted on a rectangular base Tallest 25.5cm high (2) 110

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£150 - 200

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111

111 (label) 111 Keith Haring, (American 1958-1990) Untitled (dolphin and crowd), 1983 Two lithographs on wove, from the unnumbered edition of 300, published by Lucia Amelio Gallery, Italy, Each sheet 33 x 47cm (framed) (2) ÂŁ500 - 600 112 Keith Haring (American 1958-1990) Galerie Watari Poster, 1983; Screenprint in colours on wove, published by ... on Sundays Publications, Tokyo Sheet 67.5 x 61.5cm (framed)

112

ÂŁ400 - 500

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113 113 Keith Haring (American 1958-1990) Untitled, (Love, Angel, Pyramid, Idea), 1982 Four lithographs on wove, from the unnumbered edition of 2000, published by Tony Shafrazi Gallery, New York, Each image 22.5 x 24c, (framed) (4) ÂŁ800 - 1,200

113 (label)

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114 (mark)

114

114 James Tower (1919-1988), a tall stylised cat Incised and dated Tower 1952 to base with other faint inscriptions above A large tin glazed earthenware model of a stylised cat decorated with typical abstract resist motifs all over in shades of dark grey/blue 36cm high (ARR) Note: James Tower almost entirely used vases and plates for his experimental techniques of decoration but three of his contemporaries; Margi Hine, William Newland and Nicholas Vergette (the so called ‘Picasettes’) all used more figurative forms for their ceramics so it is possible that Tower had been inspired by their work in this instance Literature: A similar cat can be seen in a photograph with the artist at the Bath Academy of Art, Corsham Court, 1952, which is reproduced in Timothy Wilcox’s ‘The Ceramic Art of James Tower’, Lund Humphries, 2012, pg. 27 Provenance: Bonhams, 20th June 2013, Lot 188 £2,000 - 3,000 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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115 115 Muriel Bell (Canadian), a lidded box c. 1930, impressed marks to base A small lidded box made at the Leach Pottery, St Ives, with banded decoration and a central floral motif to the top of the lid 9.25cm diameter (ARR) £150 - 200

116 116 Dame Lucie Rie (1902-1995), a large stoneware planter c. 1970, impressed seal to foot A large and impressive stoneware planter of ribbed construction glazed in a slightly volcanic oatmeal and grey glaze 16cm high x 35cm diameter (ARR) Provenance: Private Collection, London; Sotheby’s, The Roger Collection, 1998; Woolley and Wallis, Design, 17 October 2017, Lot 317 Note: This planter was originally commissioned, as part of a group, by Bunny Roger and his brother Sandy for outside use £300 - 500

117 117 Dame Lucie Rie (1902-1995), an oviform porcelain vase c.1975, impressed seal to base A white glazed porcelain vase with spiralled decoration in muted greys and browns with subtle light blue edges to the spiralling 16cm high (restored) (ARR) Note: For a similar vase see Tony Birks ‘Lucie Rie’ Marston House 1999 p.166

118 118 Ewen Henderson (1934-2000), a sculptural form c.1985, unsigned A heavily textured stoneware form with volcanic glazes with blues and pinks together with black pitted sections 11cm high x 31cm long (ARR) Provenance: Private Collection, London; ex Michael O’Connor Collection £150 - 250

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119 Joanna Constantinidis (1927-2000), an ovoid vase c.1975, impressed seal to base An unusual saggar fired vase with burnished and smoke fired markings 15.5cm high (ARR) Provenance: Gifted to the current vendor from the potters estate

120

£200 - 300 120 Joanna Constantinidis (1927-2000), a tall vase c.1980, impressed seal to base A tall stoneware vase of gently tapering form on a narrow foot, glazed in a lustrous gold glaze with spiralling linear and blistered decoration 27.5cm high (ARR) Provenance: Maak London, Lot 94, 14-17 May 2012 £300 - 500 121 David Leach (1911-2005), a fine porcelain bottle vase c.1973, impressed seal and label to base A fine porcelain bottle vase of bulbous form with a narrow chimney neck glazed white with a very fine crackle coming through in the glaze 20cm high (ARR) Provenance: Bonhams Bath, Contemporary Ceramics, 24 October 2005, Lot 246, The Godden Collection £250 - 300 121

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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122 Colin Pearson (1923-2007), a small stemmed cup c.1980, applied seal to stem A fine small porcelain cup on a stem foot with four small applied wings to the sides, glazed all over in a matt blue glaze with subtle crystalline areas coming through 12cm high (ARR) £150 - 200

122

123 (two views) 123 Ursula Morley Price (b.1936), a hand built form c.1980, applied seal to side A fine stoneware form consisting of six ruffled sections around the exterior standing on a narrow tapered foot, the form glazed off white with highlights of black around the extremities 14.5cm diameter x 7cm high (ARR) Note: Ursula Morley Price graduated from Camberwell School of Art and Slade School of Art in 1961 and now lives and works in France. Her work is represented in major worldwide collections including the Metropolitan Museum of Art, MOMA and Musee des Arts Decoratifs £120 - 150

124 Mary Rogers (b.1929), a small seed pod c.1970, incised MER to base A tiny porcelain seed pod form of trilateral form with fine wings and pressed in dimpled sections in between, glazed in a mottled dark and light brown 6cm high (ARR) £100 - 200

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125

125 Colin Pearson (1923-2007), a large winged vase c. 1990, applied seal to side of body A large and impressive stoneware vase with four applied wings to the sides, the main body having banded lines from construction and the wings with vertical linear decoration turning outwards at the top, the vase glazed in a mixture of subtle colours with pinks, blues and pale browns coming through 25cm high (restored) (ARR) ÂŁ150 - 200

126 Mollie Winterburn (1920-1996), a large vase c.1955, incised mark to base An impressive triangular form stoneware vase with a conical neck, the main body glazed blue with white glazed panels of incised abstract decoration to each side 29cm high (ARR) Note: Mollie Winterburn was a British studio ceramicist and author of two books; Handbuilt Pottery (1967) and Techniques in Handbuilding (1969). Her work is represented in the ceramics collection at Aberystwyth and Warwick University ÂŁ200 - 300

126 (two views)

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127 Attributed to Dorothy Feibleman (American b.1951), a laminated bowl c.1970, unsigned A laminated porcelain bowl with radiating lines of multicoloured clays coming from the base and horizontal bands of black and white clay in varying thicknesses 14cm diameter x 6.75cm high Note: For a near identical example see Bonhams: Post War and Contemporary Ceramic Art, 22nd October 2009, Lot 33

127

ÂŁ100 - 200

128 Rupert Spira (b.1960), a large stoneware bowl c.1985, impressed seal to side A large stoneware bowl decorated in an intricate white chevron pattern over a light green ground with a hand to the centre of the well 16cm high x 37cm diameter (ARR) ÂŁ300 - 500

128 (detail)

128

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129

130

129 Richard Batterham (b.1936), a cut sided bowl c.2000, unsigned A stoneware cut sided bowl glazed tenmoku to the facets with an olive glazed interior 11cm high x 18cm diameter (ARR)

130 Abdo Nagi (Yemeni 1941-2001), a porcelain bowl c.1995, impressed seal to base A fine porcelain bowl glazed matt blue / turquoise with a black manganese rim and black runs down the main body of the bowl 10cm high x 19cm diameter

£80 - 120

Provenance: Gifted by Abdo Nagi to the vendor in 1999 £300 - 500

131 131 David Lloyd-Jones (1928-1994), a porcelain teapot c.1980, impressed seal to base A fine porcelain teapot with recessed lid and strap handle, with foliate white brushwork decoration over a metallic like tenmoku and tea dust ground 22cm high (ARR)

132 132 Richard Heeley, two boxed unomi c.2005, impressed marks to unomi and red seal to boxes A near pair of unomi decorated with fish swimming amongst weed, one stoneware and one porcelain 10.5cm high each (excluding boxes) (ARR) £100 - 200

£100 - 200

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133 Clive Bowen (b.1943), a lidded jar c.1970, impressed seal to side An early earthenware lidded jar of globular form decorated with wiped designs through a honey coloured slip together with a conical bowl by the same potter c.2005 Jar 17.5cm high, bowl 18.5cm diameter (ARR) ÂŁ100 - 200 133

134 Halima Cassell (b.1975), a pair of carved clay forms c.2010, unsigned A large pair of hand carved unglazed forms titled Flo-ra I & II, both of tall finely tapered form with deep organic and angular carving to each one 97cm and 87cm high respectively (ARR) Note: Halima Cassell was born in Pakistan and lives in England where her work is held in public collections including the V&A and Birmingham Museum and Art Gallery ÂŁ800 - 1,200

134

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135 135 David Roberts (b.1947), a large raku vase c.2005, impressed seal to foot edge A large and impressive raku fired vase, probably from his ‘Giant Web’ series, of globular form decorated all over with black and white lines, the white being resist decorated, in an abstract pattern 33cm high (ARR) Provenance: The Scottish Gallery, 10 January 2005 £150 - 250

136 136 Simon Carroll (1964-2009), a large vase c.2000, unsigned apart from fingerprint to centre of base A large hand built and coiled pale earthenware vase of waisted form with trailed white slip to the interior and a central band of vertical white slip and horizontal red/brown slip on a glazed ground, the rest of the vase being unglazed 27.5cm high (ARR) Note: Simon Carroll was an unconventional and highly regarded ceramicist whose work is held in major public collections (notably the V&A and Aberystwyth Ceramics Collection) and also had a solo show at the Tate Gallery, St Ives in 2005/06 Provenance: Purchased by the previous owner from the potter £500 - 800

137 137 Val Barry (1937-2018), a pair of vases c.1980, both signed to base A pair of narrow angular leaning vases with a black stoneware body covered by a pink and blue glaze to the opposing sides Tallest vase 23.5cm high, shorter vase 20cm high (ARR) £150 - 200 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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138 Eric James Mellon (1925-2014) Nudes and Fox Watercolour on paper, signed lower right, framed Image 26cm x 43.5cm (ARR) £200 - 300

138

140

139

139 Poole Pottery, two large chargers c.1965, printed marks to base Two large Poole Pottery Delphis chargers decorated with floral designs in oranges and yellows together with six Poole Delphis side plates in differing patterns Chargers 40.5cm diameter each, side plates 20.5cm diameter each (8)

140 Anthony Bryant (b.1960), a large walnut bowl Late 20th century, signed to base A large turned walnut bowl of shallow form with wide rim 34.5cm diameter (ARR) £150 - 200

£200 - 300

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141 Sir Hugh Casson (1910-1999) Festival of Britain Watercolour, wax crayon and Indian ink on paper, initialled in pencil lower right, framed Image 16cm x 24cm (ARR) Note: Sir Hugh Casson was the Director of Architecture for the Festival of Britain in 1951 and this composition illustrates the main dome, the Skylon Tower and the ‘Shot Tower’ (a Victorian chimney converted for the Festival) from a viewpoint on the north bank of the Thames. This image must have been completed during the Festival itself in 1951 as the ‘Shot Tower’ was demolished after the festival to make way for Queen Elizabeth Hall £400 - 600

141

142 142 Peter Collingwood (1922-2008) a pair of woollen rugs c.1960 With abstract design, in green, blue and purple tones each 155cm x 90cm (2) Note: these rugs were commissioned by the vendor c.1960 £400 - 600

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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143 (part)

143 Robert Heritage (b.1927), a rosewood extending dining table and eight dining chairs for Archie Shine Ltd c.1960s The oval top, with one additional leaf, on two column supports to splayed feet joined by stretcher, together with eight rosewood dining chairs, having mint green leather upholstered seats, to include six side chairs and two carvers dining table - 73cm high, 258cm wide, 110cm deep chair - 85cm high, 50cm wide (9) Note: This lot is sold with an Article 10 Licence no. 585961-02 ÂŁ400 - 600

143 (part)

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144 144 Robert Heritage (b.1927), a rosewood wall unit for Archie Shine Ltd c.1960s The top with five cupboard doors, each enclosing one shelf, above open shelf, the middle section with open compartment and four drawers, flanked by sliding door enclosing one shelf and fall front door enclosing single glass shelf, the base with two drawers and one fall front door 186cm high, 229cm wide, 60cm deep

145 Robin Day (1915-2010), a pair of ‘Club’ chairs c.1960 With brown suede upholstery, on chromed steel frames 63cm high, 80cm wide (2) £400 - 600

Note: This lot is sold with an Article 10 Licence no.

585961-01 £400 - 500

145

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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146 146 Robin Day (1915-2010), a slatted bench for Hille c.1954 The seat with seven solid wood slats, raised on black enameled hair pin supports 32cm high, 183cm wide, 46cm deep £250 - 350 147 Miller Design Associates, a teak and chromed two tier trolley, for Howard Miller Ltd c.1960, applied manufacturer’s label to underside With two rectangular teak veneered tiers, on square chromed supports, with metal casters 65cm high, 72cm wide, 44cm deep 147

£100 - 200

148 Attributed to David Hicks (1929-1998), a pair of grey leather clad open armchairs, produced for L’Oreal c.1960, with applied label to underside of one chair - ‘L’Oreal 11710’ With rectangular back and seats, having chamfered arms and supports, with conforming H-stretcher 88cm high, 59cm wide (2) £300 - 500

148

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149

150 149 White and Newton Ltd, a teak sideboard 1960s, stamped ‘107 98’ to reverse With two drawers, a fall front door enclosing one shelf and one cupboard door enclosing one shelf, raised on square supports 70cm high, 199cm wide, 44cm deep £400 - 600

150 John Herbert, a teak sideboard manufactured by A. Younger Ltd 1960s, applied label to inner draw - ‘Younger’ With central bank of four drawers, flanked by twin cupboard doors, each enclosing one shelf, raised on tapering supports 79cm high x 213cm wide x 46cm deep £400 - 600

151 (top) 151 Conran, a two tier coffee table, the design attributed to John Piper 1950s The Formica top with printed scenes of London, above under-tier, raised on black steel legs 35cm high, 114cm wide, 38cm deep £120 - 150 151

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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152

152 John Makepeace (b.1939), a maple and glazed 'collectors' table designed by John Makepeace and made in his workshops by Alan Arney 1980 The canted rectangular top inset with glass, above green velvet lined interior, with two slide out compartments, raised on square legs 42cm high, 116cm wide, 59cm deep ÂŁ300 - 500

153 Attributed to Aldo Londi (1911-2003), a rectangular earthenware vase Mid 20th century, marked 7523 and ITALY to base A rectangular vase with abstract panels of decoration to all sides in muted tones of yellow, green and orange 24cm high Note: A similar form to this was issued as a limited edition of 149 in 1966 in a white earthenware clay with a conical shaped top section however this example has an open neck, is made of red earthenware and has an apparent shape code to the base so possibly was a one off or a prototype for the 1966 edition ÂŁ300 - 500

153

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154

155

156

154 Marcello Fantoni (1915-2011), a handled vase possibly for Raymor c.1960, signed to base An unusual blue glazed stoneware vase with a circular handle to the neck 16.5cm high £100 - 200 155 Berndt Friberg (Swedish 1899-1981), a porcelain vase c. 1976, signed and dated to base A fine miniature vase with a bulbous body and slender trumpet shaped neck with a haresfur glaze and white rim edge 14cm high (ARR) £100 - 200 156 Bode Willumsen (Danish 1895-1987), a stoneware vase c. 1937, signed and dated to base A stoneware bottle vase with a narrow cylindrical neck glazed in a mottled grey and white glaze with tenmoku rim 14.75cm high (restored) (ARR) £300 - 500 157 Modernist, a figural sculpture c. 1966, indistinctly signed and dated to base A modernist hand built earthenware figure in the manner of Henry Moore 26cm high £120 - 180

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

157

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158 (front)

158 Walter Furlan (b.1931), ‘Omaggio a Modigliani’ c.1993, signed and titled to base A large and impressive one off glass sculpture by Walter Furlan of a stylised head in the manner of Amedeo Modigliani sitting on a black glass oblong base, the head itself being hand shaped from bottle green coloured glass with a textured white ‘scavo’ finish 42.5cm high (ARR) Provenance: Private collection, London; Commissioned by the owner directly from Walter Furlan in Murano Note: Walter Furlan trained under both Alfredo Barbini and Gino Cenedese who regularly used a technique called ‘scavo’ where the hot figuratively moulded forms were covered with chemical mixtures to avoid reflections with the word ‘scavo’ coming from the similarities in this finish with excavated items 158

68

£2,000 - 3,000

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159

159 Vittorio Zecchin (1878-1947), a twin handled vase c. 1950, acid etched three line mark to base A globular red glass vase with clear angular handles originally designed by Vittorio Zecchin for Venini in 1922, this example post-war 12cm high Note: for a 1922 version of this vase see Venini, Catalogo ragianato 1921-1986, Skira, 2000, page 192, plate 5

160

160 Attributed to Seguso Vetri d’Arte, a red glass bowl c.1950, unsigned A squashed form red glass bowl with fine gold inclusions just under the surface; together with a shallow dish with controlled bubble interior and fine gold inclusions just under the surface Red bowl 9.5cm high, dish 16.5cm diameter (2) £80 - 120

£100 - 200

161 Tommy Parzinger (1903-1981), a brass coffee service for Dorlyn Silvermiths c.1952, stamped to underside ‘made by Dorlyn Silversmiths’ Comprising: coffee pot on stand, burner, sugar, creamer and tray Coffee pot on stand 38cm high (6) £200 - 300

161

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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162 162 Stoff Nagel (German), a group of candle holders c.1970, marks to feet of smaller examples A group of fourteen smaller and four large disc shaped modular candleholders Small 6cm high, large discs 5cm high x 13.5cm diameter (18) £120 - 150

163

163 Marcello Fantoni (1915-2011), two enamelled copper bowls c. 1950, impressed marks to base of each A shallow bowl with red enamel to the interior and perforated rim marked to the base FANTONI FIRENZE together with another smaller bowl of deep form with yellow enamelled interior marked to the base FANTONI FIRENZE RAYMOR ITALY Red Bowl 18cm diameter (2) £300 - 500 164 Barovier & Toso, a Murano glass uplighter floor lamp c.2000, applied label to shade - ‘Barovier & Toso, Murano, Venezia, Made in Italy’ The opaque glass shade with gold inclusions, on ribbed brass stem to circular base 187cm high £150 - 200

164 70

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165

165 Attributed to Osvaldo Borsani (1911-1985), a rosewood and ebonised desk c.1950 The shaped top inset with green glass writing surface, above kneehole flanked by two pedestals, each with three drawers, raised on tapered feet 78cm high, 176.5cm wide, 88cm deep Note - See similar model in walnut sold at Sotheby’s London, 19th May 2010, Lot 27 Note: This lot is sold with an Article 10 Licence no. 586195-01 £3,000 - 5,000

166 Aldo Tura (1909-1963), a brown lacquered goatskin and brass two tier serving trolley 1950s, applied paper label to underside ‘TURA, Milano Italia’ The upper tier with two drop leaves, the lower tier with three brass bottle holders, raised on brass supports, with casters 75cm high, 75cm wide, 78cm deep £200 - 400

166

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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167

168

167 Aldo Tura (1909-1963), a brown lacquered goat skin and brass two tier bar trolley c.1950, stamped ‘27’ to underside The oval top with brass rails and handles, on cylindrical brass supports, above conforming under-tier, raised on casters 54cm high, 38cm, 31cm £300 - 500 168 Mario Bellini (b.1935), a ‘Cab 414’ lounge chair for Cassina 1970s, stamped ‘H-6’ together with manufacturer’s label to underside Upholstered in tan leather on tubular steel frame; together with a black leather ‘Cab’ armchair Cab 414 lounge chair - 77cm high, 67cm wide Cab armchair - 80cm high, 58cm wide (2) £300 - 600 169 Italian, a mahogany framed mirror on stand c.1950 The rectangular mirror above narrow shelf, raised on folding stand with tapering supports 160cm high, 86cm wide, 70cm deep approximately £200 - 400

169

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170

170 Gio Ponti, a ‘Superleggera’ chair produced by Cassina c.1955 The ebonised ash frame with caned seat, on tapering stretchered legs 82.5cm high, 40cm wide

171

171 Italian, a lacquered parchment and brass table lamp in the manner of Aldo Tura c.1950 Of waisted form, with circular base 75cm high 250 - 250

£200 - 400

172 Tito Agnoli (1931-2012), a model ‘BR 3’ wicker lounge chair, manufactured by Pierantonio Bonancina c.1962 The shaped wicker work seat on metal rod frame 69cm high, 60cm wide £150 - 200

172

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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173 Angelo Brotto (1914-2002), a chromed and Murano glass three light lamp, produced by Esperia c.1970 The central chromed stand with three offset lights, having clear and blue textured glass shades, raised on circular base 81.5cm high £600 - 800

174

173

174 Italian, a pair of Murano glass gold ‘Bullicante’ table lamps c.1960, one with applied label to underside - ‘Made in Murano Italy’ Of spherical form, with gold inclusions each 17cm high to top of light fitting (2) £150 - 250

175 L & O Design, Roberto Lucci & Paolo Orlandini, a ‘Scaleo’ library ladder, produced by Velca, Milan c.1980, stamped manufacturers marks to reverse The white plastic steps on folding aluminium frame 126cm high £150 - 250

175

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176 French, a cherry wood two tier side table c.1940 The rectangular top with pegged ends, above narrow under-tier, raised on square section legs 54cm high, 58cm wide, 90cm deep £200 - 300

176 177 After Le Corbusier, Pierre Jeanneret & Charlotte Perriand, a limited edition LC4 chaise produced by Cassina c.1980, stamped to frame ‘LC/4 12413’ The canvas seat with black leather cushion, on black tubular steel frame, raised on green and black painted steel supports 156cm long, 56cm wide £600 - 800

177

177 (stamp)

178 French, a three light pendant ceiling light, in the manner of Pierre Guariche c.1950 The red enameled double cone shades, with brass fixings 70cm high x 75cm wide approximately £200 - 400

178 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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179 Juliette Derel (1918-2007), a glazed ceramic and illuminated mirror c.1960, signed to reverse The orange glazed ceramic frame with pierced and impressed decoration, inset with rectangular mirror plate, having two lights to reverse 40cm high x 38.5cm wide £400 - 600

179

180

180 A burgundy lacquered sideboard, in the manner of Pierre Cardin c.1990 The rectangular top with chromed strips to each end, above two cupboard doors, enclosing two shelves 75cm high, 185cm wide, 51cm deep £500 - 700

181 De Sede, a tan leather swivel lounge chair 1960s The square back and seat with stitched seams, raised on aluminium swivel base 85cm high, 59cm wide £200 - 300 181 76

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182 Belgian, a ‘dandelion’ chromed and glass twelve light pendant ceiling light 1970s With moulded glass elements, on chromed supports 64cm high, 49cm diameter £150 - 250 182

183 183 Kai Kristiansen (b.1929), a set of eight ‘Model 301’ rosewood dining chairs for Magnus Olesen and a rosewood dining table by CJ Rosengaarden c.1960, the chairs bearing labels to underside ‘Made in Denmark, Magnus Olesen, Durup’ The curved slatted backrests, above black leather upholstered drop in seats, on cylindrical tapering legs, the D-end extending dining table with two additional leaves on cylindrical tapering legs Chairs 74cm high, 53cm wide Dining table 70cm high, 249cm extended, 130cm deep (9) Note: This lot is sold with an Article 10 Licence no. 586058-01 £600 - 800 184 Kai Kristiansen (b.1929), a rosewood nest of three tables for Vildbjerg Møbelfabrik c.1960 Comprising: three graduated tables, the rectangular tops, raised on square supports largest 42cm high, 62cm wide, 35cm deep Note: This lot is sold with an Article 10 Licence no. 586065-01 £200 - 400

184

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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185

185 Poul Cadovius (1911-2011), a rosewood ‘Royal System’ wall storage system for Cado c.1960, stamped throughout ‘Made in Denmark’ Comprising: one fall front unit enclosing four drawers, pigeon holes and storage space, one large glazed unit enclosing one glass shelf, one fall front unit enclosing mirrored backing and one drawer, two open record storage units, a two door unit enclosing two shelves, two units with sliding doors, one enclosing eight drawers and one enclosing four shelves, together with nine wall batons in varying sizes and twenty three wall brackets units 2 record storage units - 43cm high, 80cm wide, 38cm deep 2 fall front units - 43cm high, 80cm wide, 38cm deep 1 three drawer unit - 43cm high, 80cm wide, 38cm deep 2 sliding door units - 51.5cm high, 80cm wide, 46cm deep 1 two door unit - 51.5cm high,

80cm wide, 46cm deep 1 glazed cabinet - 113cm high, 80cm wide, 30.5cm deep shelves 1 extra large shelf - 1.8cm high, 4 large shelves - 1.8cm high, 80cm wide, 30cm deep 4 medium shelves - 1.8cm high, 80cm wide x 38cm deep

1 small shelf - 1.8cm high, 80cm wide, 35.5cm deep 1 magazine shelf - 1.8cm high, 80cm wide, 22cm deep wall batons 3 x 158cm long 2 x 113cm long 1 x 97cm long 3 x 68cm long

(lot) Note: This lot is sold with an Article 10 Licence no. 586096-01 £500 - 800 78

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186 Arne Jacobsen (1902-1971), an ‘Egg’ chair, attributed to Fritz Hansen c.1960 Upholstered in black leather, with loose seat cushion, raised on aluminium swivel base 107cm high, 86cm wide £800 - 1,200

186

187 (label) 187 Kaare Klint (1888-1954), a ‘Faaborg’ chair, produced by Rud. Rasmussens, originally designed in 1914 c.1950, with applied label to underside ‘Rud. Rasmussens, Snedkerier, København, Danmark, 33057’ The curved mahogany and caned backrest, above tan leather seat on tapering legs 73cm high, 69.5cm wide £1,200 - 1,500 187

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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188

189

188 Holger Georg Jensen, a model ‘75/80’ teak coffee table for Kubus 1960s The circular sunburst veneered top, above curved tri-form base 53.5cm high, 99cm diameter

189 Holger Georg Jensen, a model ‘99/125’ teak coffee table manufactured by Kubus 1960s, applied manufacturer’s label to underside The rectangular top, with raised edges above slatted under-tier, raised on tapering cylindrical legs 51.5cm high, 123cm wide, 58cm deep

£200 - 300

£100 - 200

190 190 Henry Rosengren Hansen, a teak sideboard manufactured by Skovby Møbler 1960s With five central drawers, flanked by two sliding doors, each enclosing one shelf, raised on tapered legs 82cm high, 221cm wide, 47cm deep £400 - 600

191 Arne Hovmand-Olsen (19191989), a model ‘MK 118’ teak coffee table, manufactured by Mogens Kold Møbelfabrik 1960s The rectangular top, on tapered cylindrical legs 41cm high, 159cm wide, 54cm deep 191

80

£100 - 200

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192 192 Yngvar Sandström, an oak ‘Tokyo’ bench, manufactured by Nordiska Kompaniet 1960s, applied manufacturer’s label to underside The slatted top, raised on tapered supports, joined by stretchers 26cm high, 180cm wide, 42cm deep £400 - 600

193 193 Alf Svensson and Yngvar Sandström, A ‘Galaxy’ lounge chair manufactured by Dux c.1970 the clear plastic injection moulded shell with burgundy upholstered seat cushions, raised on aluminium swivel base 105cm high, 80cm wide £250 - 300

194 194 Alf Svensson (1929-1999), a ‘Contour’ lounge chair, manufactured by Ljungs Industrier 1950s, stitched manufacturer’s label to underside With green velvet upholstered seat on black enameled metal rod legs 104cm high, 60.5cm wide £300 - 500

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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195 Skoghaug Industri, a brown leather reclining lounge chair c.1970, applied manufacturer’s label to underside Upholstered in tan leather, raised on birch veneered swivel base 105cm high, 80cm wide £100 - 200 196 Olaf Von Bohr (b.1927), a ‘Medusa’ table lamp, produced by Valenti 1960s With white enameled aluminium spiral shade, on circular base 70cm high £400 - 600 197 Helsingin Kaasuvalo, a standard lamp manufactured by HKA 1960s The pierced shade with coloured panels, on black enameled tripod legs 123cm high 195

£200 - 400

196

197 82

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198

198 A set of four ‘Ant chairs’ manufactured by Fritz Hansen after Arne Jacobsen c.2003, applied manufacturer’s labels to underside Comprising: two chairs finished in yellow and two finished in lime green, the shaped laminated seats, raised on chromed cylindrical legs 79cm high, 41cm wide (4)

199 Illum Wikkelsø (1919-1999), a model ‘V11’ brown leather sofa made by Holger Christiansen 1960s Upholstered in tan leather, with eight loose cushions, on square tapered feet 78cm high, 230cm wide, 78cm deep £2,500 - 3,500

£150 - 200

199

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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200 A black leather and chromed lounge chair, in the manner of Jørgen Kastholm and Preben Fabricius c.1970 With black leather upholstered seat, on chromed swivel base with casters 113cm high, 71cm wide £400 - 600

201 Bruno Mathsson (1907-1988), a ‘Pernilla’ chaise longue for Karl Mathsson c.1962, branded manufacturer’s marks to underside, together with applied retailers label ‘Illums Bolighus’ The laminated beech frame with canvas webbing 92cm high, 165cm long, 65cm deep 200

£700 - 1,000

201 (marks)

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202 202 Claus Bonderup & Torsten Thorup, a ‘Semi Maxi’ chrome pendant shade, produced by Fog & Morup c.1960 The curved and tapered shade with white enameled interior 36cm high, 69cm diameter

203 203 A sputnik style chromed wall/ceiling light 1970s With ten lights on chromed rod supports 22cm high, 42cm wide, 42cm deep £200 - 300

£100 - 150

204 204 Janni Van Pelt, a ‘G4A’ black enameled steel and glass coffee table, produced by Bas Van Pelt 1950s The square top inset with reinforced glass, having black enameled steel frame, with cylindrical tapering legs 37cm high, 92cm square £400 - 600 205 Attributed Warren McArthur (1885-1961), A tubular aluminium armchair c.1935 With polychrome upholstered back and seat on anodized aluminium tubular frame 84cm high, 60cm wide £500 - 700

205 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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206 Curtis Jeré, an ivy wall Sculpture Signed and dated 1981 in pen With heat patinated copper and steel ivy leaves, on copper rod frame 65cm high, 120cm wide, 49cm deep £150 - 250

207 Curtis Jeré, a post modern wall sculpture Signed and dated 1993 Of abstract design, in polychrome painted metal, with brass rod finials 88cm high, 87cm wide, 9cm deep Jeré Ivy Wall Sculpture in Copper & Steel.

Signed 1981.

Dims: L120cm x W65cm x D49cm. £200 - 400 206

207

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208

208 Curtis Jeré, giant whisk and pierced spoon wall sculptures Both signed and dated, 1994 and 1992 respectively Each in grey powder coated steel, the spoon with coppered finish whisk - 146cm high, 38cm wide, 38cm deep spoon - 130cm high, 43cm wide, 25cm deep (2) £150 - 250

209 Attributed to Curtis Jeré, a brass corn sheaf floor sculpture 1970s, unsigned The shaped brass rod frame, with eight wheat spikes 197cm high £200 - 400 209

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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211

210 Attributed to Curtis Jeré, a large brass ‘Flame’ sculpture 1980s, unsigned With brushed brass finish, on cylindrical marble base 131cm high, 26.5cm wide, 14cm deep £400 - 500

211 Attributed to Curtis Jeré, a ‘Diamond’ kinetic wall sculpture 1980s, unsigned Polished steel and brass, the square steel rod frame with hanging panels 115cm high, 115cm wide £200 - 300

210

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212 Curtis Jeré, a set of three cylindrical brass pedestals Two signed in pen, one dated 1981 largest 92cm high, 44.5cm diameter middle 92cm high, 28.5cm diameter smallest 71.5cm high, 30.5cm diameter (3) £300 - 500

212

213 Curtis Jeré, a polished steel table lamp Signed and dated 1976 with rectangular shade and plinth, on stepped base 86cm high, 54cm wide, 29cm deep £300 - 500

214 Curtis Jeré, male/female symbol bookends Both signed and dated 1969 In cast iron with gold leaf finish each 17cm high, 10cm wide, 15cm deep (2) £200 - 300

213

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

214

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215 Curtis Jeré, a comet wall sculpture Signed and dated 1989 The brass Pom-Pom formed of welded brass rods, above chromed steel rods terminating in ball finials 117cm high, 45cm wide, 20cm deep £600 - 800

216 216 American, a ‘Pom-Pom’ steel wall sculpture c.1980 With welded steel rod construction 17cm high £100 - 150

215

217 Maitland-Smith, a marble and green stone clad box 1980s Of asymmetric, form with overall tessellated inlay, together with a brown stone and brass obelisk Box 15cm high, 40cm wide, 24cm deep obelisk 63.5cm high, 18cm wide, 8cm deep (2) £300 - 500 217

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218

218 Charles and Ray Eames, a pair of EA219 soft pad office chairs, for Herman Miller c.1980, each with applied Herman Miller labels to underside With tan leather seats on aluminium swivel bases, with plastic casters each100cm high, 58cm wide approximately (2)

219 Attributed to Paul Evans (1931-1987), a steel and leather clad sideboard 1980s A custom sideboard, with brushed steel surface and four cupboard doors, enclosing two shelves, with black leather clad sides and base 214cm high, 81cm wide, 51.5cm deep

£300 - 400

Note - see similar example, Wright Modern Design sale, 20th March 2005, Lot 113 £1,500 - 2,500

219

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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220 220 Paul Evans (1931-1987), a ‘Cityscape’ Panel 1970s Clad in brushed and polished steel panels, by repute a custom piece, believed to have originally been a door 200cm high, 76cm wide, 4cm deep £700 - 1,000

221

221 Paul Evans (1931-1987), a pair of ‘Cityscape’ brackets for a console c.1970, unsigned Each finished in chromed steel, together with a rectangular glass top Brackets 31.5cm high, 31.5cm wide, 8cm deep glass 153cm long, 36cm deep £400 - 600

92

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222

222 Paul Evans (1931-1987), a model ‘PE-24’ dining table, Paul Evans Studio for Directional c.1969, welded signature to one pedestal ‘PE 69’ With rectangular glass top above two welded steel, enamelled and gilt pedestal bases 72cm high, 215cm wide, 120cm deep £6,000 - 8,000 See back cover for further detail

222 (signature)

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

93

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223

223 Milo Baughman (1923-2003), a set of four chromed chairs, for the Design Institute of America c.1983, each with applied manufacturer’s label to underside Of cantilever form, with grey upholstered backrest and seat, on chromed frames, raised on plastic casters 78cm high 55cm wide (4)

224 A ‘Capri’ side table manufactured by Etel after Jorge Zalszupin (b. 1922) c.2000 With curved seat and grey fossil marble top, on black iron frame 45cm high, 110cm wide, 47cm deep £200 - 300

£400 - 600

224

94

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225 (part)

225 Ron Arad (b.1951), A rare set of ten ‘Empty’ chairs for Driade, Milan, Italy and supplied by Ron Arad Associates , London, UK c.1994, each chair numbered to interior with one chair Impressed ‘Empty chair/Made in Italy’ the black lacquered birch plywood seats on chromed tubular legs Each 93cm high, 58cm wide (10) Provenance: Purchased from Ron Arad Associates, London, by the present owner, 1999 Literature: D. Sudjic, Ron Arad, London, 1999, p.g 110 £2,500 - 3,500 Further image inside back cover

225 (part)

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

95

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226 226 Maarten van Severen (19562005), a set of four ‘No.3’ chairs for Vitra and a ‘Lim’ dining table

by MDF Italia c.2010, chairs with applied paper Vitra label to underside and impressed marks - ‘.03, Design Maarten Van Severen, Vitra’ With grey coated polyurethane foam seats, on enameled steel legs, the dining table with rectangular top inset with opaque glass, on silvered metal supports Chairs - 80cm high, 38cm wide Dining table - 72cm high, 219.5cm wide, 89.5cm deep (5) £300 - 500

227

227 Maarten Van Severen (1956-2005), an ‘MVS T88A’ aluminium dining table, produced by Lensvelt c.2000 The rectangular top on square legs, with sanded aluminium and natural wax finish 72.5cm high, 230cm wide, 90cm deep £1,500 - 2,500

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228 Maarten Van Severen (1956-2005), an ‘MVS LC95’ chair, produced by Lensvelt c.2000 The shaped aluminum seat, with sanded and natural wax finish 69cm high, 49.5 wide £1,000 - 1,500

228

229

229 Maarten Van Severen (1956-2005), a pair of ‘BA11’ desk lamps for Light c.2000 The adjustable slim rectangular shade, with angled stand on circular base Each approximately 50cm high (2) £500 - 800 230 Maarten Van Severen (1956-2005), an ‘MVS CN’ chair, produced by Lensvelt c.2000 The seat with aluminum sheet construction, on square section front legs, with sanded and natural wax finish 77cm high, 38cm wide £600 - 800 230 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

97

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231 A pair of chromed steel ‘prism’ side tables c.2000 Of prism form, with triangular panels Each 41cm high, 50.5cm wide, 50.5cm deep (2) £300 - 500

231

232 Fernando and Humberto Campana, a silvered metal tray c.1990, applied label to underside ‘Campana’ Of rectangular form, with bent wire gallery 8cm high, 45cm wide, 35cm deep £80 - 100 233 A black marble clad dining table, possibly by Ogetti c.1980 With overall tessellated marble inlay, the circular top on tapering column with chromed panels, on circular tapered base 75cm high, 137cm diameter

232

£700 - 800

233 98

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234 234 A set of four chromed wall lights in the manner of Tommy Parzinger c.2000 Of tapering cylindrical form, each with shade Each 65cm high including shade (4) £500 - 800 235 A large chromed six light chandelier, in the manner of Tommy Parzinger c.2000 With six tapered light sconces about a central rod support, with six long glass bead droplets 195cm high £700 - 1,000

235

236 A pair of chromed four light ceiling lanterns c.2000 Of cylindrical form with glass panels; together with another similar bronzed four light ceiling lantern Pair - 63cm high, 35cm wide single - 69cm high, 35cm wide (3) £400 - 600 236

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

99

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237 (top)

237

237 Bill Cleyndert & Company, a large macassar dining table c.2000 the starburst veneered circular top on circular stepped column to circular base 76cm high, 192cm diameter ÂŁ800 - 1,200

238 Gabriella Asztalos, a 'Hug' chair, manufactured by Asztalos Design Studio c.2010 The spiral shaped white fibreglass shell with padded leather upholstery, raised on circular steel, swivel base 178cm high, 140cm wide Note: The Hug chair was the winner of the New York International Contemporary Furniture Design Competition 2011 and also won the Singapore International Furniture Design Award, 2011. ÂŁ2,000 - 3,000

238 100

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239 Archer & Smith Ltd, a pair of bespoke made vellum and laminated wood side cabinets Recent manufacture One with storage space for a widescreen tv, one with storage space for a hi fi system, the tv cabinet with two cupboard doors enclosing one shallow shelf, the second cabinet enclosing six shelves 95.5cm high, 158cm wide, 54cm deep (2) £700 - 1,000 239

END OF SALE NEXT DESIGN SALE 1ST JULY

Gallery and Museum Now Showing : New Acquisitions and Long-term Loans (15 January - 27 March 2020) Weekdays 10am – 5.30pm Wednesdays late until 8pm Also open : Ben Uri Reference Library & Ben Uri Archive For further updates on programming and the new Ben Uri Sustainability and Public Benefit Strategic Plan, please see our website www.benuri.org.uk Ben Uri Gallery and Museum, 108a Boundary Road, London NW8 ORH T: 020 7604 3991 E : admin@benuri.org

Kurt Schwitters (1887 – 1948), Untitled, 1927, Collage Ben Uri Collection Purchased from the family of Elsa Fraenkel, 2019

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

101

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EXPLANATION OF CATALOGUING TERMS Any statement as to authorship, attribution, origin, date, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. Roseberys reserve the right, in forming their opinion, to consult and rely upon an expert or authority considered by them to be reliable.

1.

‘Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work by the artist.

2.

‘Attributed to Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, probably a work by the artist.

3.

‘Studio of Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work likely to come from the studio of the artist or closely associated with the artist.

4.

‘Circle of Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work by an unidentified artist working in the artist’s style and during the period of the artist’s life.

5.

‘Follower of Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work by an unidentified artist working in the artist’s style, contemporary or near contemporary.

6

‘School of Peter Paul Rubens, Flemish 17th century’ * In our opinion, a work executed during this period and in the style associated with that artist.

7.

‘Flemish School, 17th century’ * In our opinion, a work executed during this period and in the style associated with that location.

8.

‘Manner of Peter Paul Rubens’ * In our opinion, a work by an unidentified artist working in the artist’s style but at a later date, although not of recent execution.

9.

‘Style of Peter Paul Rubens’ * In our opinion, a work by an unidentified artist working in the artist’s style and of recent execution.

10.

‘After Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a copy by an unidentified artist of a named work by the artist.

11.

A picture catalogued with accompanying dates e.g. 1577-1640 relates to the identification of the particular artist and is not proof of attribution or indicative of authenticity.

12.

The terms ‘signed’, ‘dated’, ‘inscribed’ means that in our opinion these are by the artist’s hand.

13.

The terms ‘bears signature’, ‘bears date’, ‘bears inscription’ means that in our opinion that these have been added by another hand other than the artist.

14.

All references to signature, inscriptions and dates refer to the present state of the work.

15.

Dimensions are given in centimetres, height before width and are measured from the edges of the work if these are visible and if not, from the front.

16.

All pictures are framed, unless otherwise stated in the catalogue.

17.

Catalogue and website images may not be a true representation of an item due to printing or photographing processes.

18.

(ARR) – ARTIST’S RESALE RIGHT Qualifying living artists and the descendants of artists deceased within the last 70 years are entitled to receive a re-sale royalty each time their work is bought through an auction house or art market professional.

It applies to lots with a hammer value over €1,000 as follows: 0 to €50,000 - 4% €50,001 to €200,000 - 3% €200,001 to €350,000 - 1% €350,001 to €500,000 - 0.5% Exceeding €500,000 - 0.25% ARR is capped at €12,500.

Please note ARR is calculated in euros.

Auctioneers will apply current exchange rates.

Lot 12

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SPECIALIST TEAM Ian A. Cadzow Chairman & Joint Managing Director Rugs, Furniture & Works of Art iancadzow@roseberys.co.uk Vicki Wonfor Joint Managing Director Head of Corporate Collections vickiwonfor@roseberys.co.uk Peter Greenway Director Head of Professional Services petergreenway@roseberys.co.uk Marcus Grey Director Head of Paintings & Prints marcusgrey@roseberys.co.uk Bill Forrest Associate Director Head of Department Asian Arts billforrest@roseberys.co.uk Helena Anderson Associate Specialist Modern & Contemporary British Art helenaanderson@roseberys.co.uk Alice Bailey Head of Department Islamic & Indian Arts alicebailey@roseberys.co.uk Fiona Baker Head of Department 20th Century & Decorative Arts fionabaker@roseberys.co.uk Mark Bowis FGA DGA FSA Head of Department Jewellery & Watches markbowis@roseberys.co.uk Nigel Dawson-Ellis Junior Cataloguer Furniture & 20th Century Design nigeldawsonellis@roseberys.co.uk Anna Evans Consultant Specialist Works of Art annaevans@roseberys.co.uk Sophie Hetherton Junior Cataloguer & Departmental Assistant Paintings & Prints sophiehetherton@roseberys.co.uk

Roseberys London Main London Saleroom 70/76 Knights Hill London, SE27 0JD

Sam Howard Administrator Asian, Islamic & Indian Arts samhoward@roseberys.co.uk

Complimentary valuations Monday to Friday: 9.30am to 5.00pm

Tess O’Brien Specialist Impressionist, Modern, Post War and Contemporary Art tessobrien@roseberys.co.uk

+44 (0) 20 8761 2522 clientservices@roseberys.co.uk

Kate Pritchard Cataloguer & Valuer Paintings & Prints, Modern & Contemporary Art katepritchard@roseberys.co.uk

Central London OfďŹ ce Valuations by appointment.

Alex Tonkinson Consultant Specialist Modern Design alextonkinson@roseberys.co.uk

Please call us on +44 (0) 20 8761 2522 or email our Professional Services department at valuations@roseberys.co.uk to book your complimentary valuation.

Elizabeth Wormald Cataloguing Assistant & Administrator Prints & Multiples / Japanese Arts elizabethwormald@roseberys.co.uk

Lot 210

Mark Longley Specialist Ceramics & Glass, Works of Art & Collectables marklongley@roseberys.co.uk

Shane Xu Head of Department Modern & Contemporary Prints & Multiples shanexu@roseberys.co.uk Geoff Young FGA DGA Senior Consultant Jewellery geoffyoung@roseberys.co.uk

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TERMS OF CONSIGNMENT FOR SELLERS These terms apply to Rosebery Fine Art Ltd trading as Roseberys and Roseberys London.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract.

Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission and Entry Fee. (a) Entry Fee: A charge of £20 is made to each lot sold in addition to vendor’s commission. This charge covers our specialist research, catalogue description, website illustration, marketing on our website and other third party sites as well as live or timed bidding on various internet platforms. (b) Vendors Commission: Is charged on each lot at 15%.

3. Catalogue Illustration Fee. The cost of any illustration is borne by you. Lots may be illustrated in a catalogue and thus a charge of between £20-60 per illustration is applicable, dependent on size. For example a quarter page illustration £20, half page £40, three quarter/full page £60. The copyright in respect of such illustrations shall be the property of the auctioneers, as is the text of the catalogue; any persons to be found to have reproduced such illustrations or text without prior written approval will be deemed as being in breach of copyright law and appropriate legal action may be taken.

4. Loss and Damage of Goods (a) Roseberys is not authorised by the FSA to provide insurance to its clients, and does not so do. However Roseberys, for its own protection, assumes liability for property consigned to it at the lower pre-sale estimate until title passes to the buyer. To justify accepting liability, Roseberys makes a charge of 1.75% of the hammer price plus VAT. The liability assumed by Roseberys shall be limited to the lower pre-sale estimate or to the reserve if the lot was unsold.

Settlement in any claim arising shall be subject to commission as if the lot had sold in the normal manner. (b) If the owner of goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4(a) is inapplicable. (c) Roseberys will not be liable for the loss or damage to frames or glass covering prints, paintings or other works. Old frames are often fragile or subject to deterioration and whilst Roseberys will do their

upmost to ensure the safety and care of frames and glass we will not compensate for loss or damage to property caused by changes in humidity or temperature, normal wear and tear, gradual deterioration, inherent defect or errors in processing.

5. Removal Costs. Items for sale must be consigned to the saleroom by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

6. Minimum Bids and our Discretion. Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 7. We may sell Lots below the reserve provided we account to you for the same sale proceeds that you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to approximately 15% below the low estimate and “wide discretion” allows to use accept a bid of up to approximately 30% below the low estimate.

7. Reserves. (a) Prior to the auction you are entitled to place a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve. If we are unable to offer goods they may be subject to storage charges if uncollected. (b) A reserve once set cannot be changed except with our consent, and confirmed by you in writing. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical Items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft Furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request

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TERMS OF CONSIGNMENT FOR SELLERS 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery or where we are or ought to have been aware of it.

11. Unsold Items. Unsold lots will be automatically reoffered into the next appropriate live or online auction with the low estimate reduced by 40% and if the revised estimate is £200 or below it will be offered without reserve. Alternatively, we may contact you to request that you collect the items. If you do not wish to re-enter the lots please notify Roseberys in writing with collection instructions. Please note storage charges will be incurred if lots are not collected within one week, storage charges will be applied of £2 + VAT per lot per day. If a lot remains uncollected two months after the date of the auction, Roseberys shall have the right to sell the lot at auction without reserve and to deduct from the ‘hammer price’ any sum owing to Roseberys as well as expenses arising from all auctions in which the lot has been included, plus storage and loss and damage warranty charges.

12. Withdrawn Items. (a) If an item is withdrawn prior to the publication of the catalogue a minimum charge of £20 + VAT per lot is applicable. This fee covers administration, handling, storage and loss & damage of the lot whilst in our care. (b) If an item is withdrawn after the online or offline publication of the lots they will incur charges where applicable comprising the sum of the vendor’s commission, the entry fee, the illustration cost, the loss and damage warranty, the buyer’s premium, the marketing fees and other expenses in relation to the item. VAT is applicable on all charges. These commission and premium charges will be calculated upon Roseberys published mid estimate. (c) In the cases of 12 (a) and (b) Roseberys will store the withdrawn item for a period of five days with no charge, after this a storage charge will be applicable at a daily rate of £2 per item per day plus VAT for items that remain uncollected.

13. Conditions of Sale. You agree that all goods will be sold according to our Conditions of Sale.

In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to Deduct Commission and Expenses and Retain Premium and Interest. (a) You authorise us to deduct commission from the hammer price at the stated rate plus all applicable expenses incurred on your account and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us at our discretion to negotiate a sale by private treaty not later than five working days from the date of the auction in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient written sale instructions, client contact details or without our prior written agreement to take delivery and reserve the right to either refuse to receive such goods or to make a minimum warehousing charge of £2 per item per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within twenty one days we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Settlement of the net sum due to you normally takes place 28 days after the sale (by crossed cheque or bank transfer to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

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INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers of Roseberys London particularly those inexperienced or new to our salerooms or online only bidding platform. All sales are conducted according to our printed Conditions of Sale which are readily available for inspection in person, on our website and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot.

The lower estimate may represent the reserve price or may be above the reserve price. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. Buyer’s Premium. The Conditions of Sale oblige buyers to pay a buyer’s premium of 25% up to £250,000 (30% inclusive of VAT), 20% from £250,000-500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT) The premium price is subject to VAT at the standard rate.

5. VAT. The addition of (*) or (VAT applied on hammer price) to the lot description indicates that VAT is payable by the purchaser at the standard rate, presently 20%, on the hammer price as well as being payable on the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the premium is not recoverable as input tax.

6. Artist’s Resale Rights/Droit de Suite. Lots as indicated in the catalogue and if sold for the equivalent of 1000 euros or more on the day of the auction will be subject to a further percentage of the hammer price as follows: From 0 to 50,000 euros subject to 4% From 50,001 to 200,000 euros subject to 3% From 200,001 to 350,000 euros subject to 1% From 350,001 to 500,000 euros subject to 0.5% Exceeding 500,000 euros subject to 0.25% The Artist’s Resale Right payable will be the aggregate of the amounts payable under the above rate bands, subject to maximum royalty payable of 12,500 euros for any single work each time it is sold. Calculations of the artist’s resale right will be based on the pound sterling/Euro reference exchange rate quoted on the date of sale by the European Central Bank.

7. Agents. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested.

Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. Additionally, in specified circumstances lots mis-described because they are ‘deliberate forgeries’ may be returned and repayment made. There is a three week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

8. Electrical goods. These are sold as ‘antiques’ or ‘decorative’ items only and if bought for use must first be checked for compliance with safety regulations by a qualified electrician.

9. Coloured gems. It is common practice for gemstones to be treated in order to enhance colour and clarity. Unless stated buyers should presume coloured stones may well have been exposed to some sort of treatment.

10. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character because, e.g. they may contain prohibited materials such as ivory.

11. Bidding. Bidders are required to register with us before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

12. Commission bidding (i)

Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding the buyers’ premium.

They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received.

Please enquire in advance about our arrangements for leaving commission bids by telephone, email or fax. Please ensure bids are left at least one hour prior to the start of the auction.

(ii) Commission bids may also be left via the Roseberys website.

These bids are executed via the RoseberysLive software and there is no surcharge.

13. Live Online bidding (a) An online bidding service is offered via RoseberysLive, thesaleroom.com and invaluable.com. In completing the bidder registration on these sites the buyer is agreeing to Roseberys conditions of sale. (b) In the case where a debit or credit card has been used to register the buyer also agrees to authorise Roseberys, if they so wish, to charge the debit or credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the online bidding platforms. (c) Please note there is no additional surcharge for any lots purchased via RoseberysLive, whether live bidding or commission bidding.

Any lots purchased via thesaleroom.com or invaluable.com will be subject to an additional 5% commission charge + VAT at the rate imposed on the hammer price. (d) Roseberys offers online bidding services as a convenience to its clients, but neither Roseberys nor the seller will be responsible to you for errors during or after the sale or failures to execute bids, either live bids or commission bids placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: (i) any loss of connection to the auction being conducted online; (ii) a breakdown or problems with the online bidding software or the website service provider; and/or (iii) a breakdown or problems with any internet connection, computer, mobile device or system. (e) By accessing RoseberysLive and using the software provided you are agreeing to the Website Terms and Conditions governing use of our website. Please ensure you familiarise yourself with these prior to accessing our website.

14. Methods of Payment. Payment can be made by cash (maximum 10,000 euros), debit and credit cards (maximum £1,000 online or over the phone) or bank transfer. For international bank transfers an administration fee of £25 is payable. Any cheques tendered will need to allow 10 days to be cleared before removal of lots purchased is permitted. Please note that regulation of money laundering means we are limited to receiving the equivalent of 10,000 euros in cash payment.

15. Collection and storage (a) Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. All lots must be collected within five working days following auction. Storage charges of £2 per lot per day + VAT will be strictly enforced thereafter. (b) Roseberys are unable to pack, post or deliver any items purchased through public or online auction, a list of suggested companies is supplied upon issuing of invoices, upon request or on the company website. These are suggestions only and are not the recommendation of Roseberys or affiliated with Roseberys in anyway and as such Roseberys cannot be held responsible for the individual performance of these companies.

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CONDITIONS OF SALE Rosebery Fine Art Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1.

Definitions

In these Conditions: (a) “auctioneer” means the firm of Rosebery Fine Art Ltd or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Rosebery Fine Art Ltd accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2.

Bidding Procedures and Conduct of the Auction

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid. Any bidder who refuses to provide the requested identification may be refused permission to bid. (b) The auctioneer has discretion at any time to refuse any bid, withdraw any lot, re-offer a lot for sale (including after the fall of the hammer) if they believe there may be error or dispute, and take such action as they reasonably think fit. (c) Subject to condition 2(b) the contract between the buyer and seller is concluded on the striking of the auctioneer’s hammer, whereupon the buyer becomes liable to pay the purchase price. (d) Any post-auction sale of lots offered at auction shall incorporate these conditions as if sold in the auction. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3.

Increments. Bidding increments shall be at the auctioneer’s sole discretion.

4.

The Purchase Price. The buyer shall pay the hammer price together with a premium thereon of 25% up to £250,000 (30% inclusive of VAT), 20% from £250,000500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT). The premium price is subject to VAT at the standard rate.

5.

Value Added Tax. Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged

at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots.

(Please refer to “Information for Buyers” for a brief explanation of the VAT position).

6.

Payment

(1) (a) (b)

Immediately a Lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in cash, debit, credit card or bank transfer or in such other way as is agreed by us.

Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(2)

7.

Title and Collection of Purchases. The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (a)(i) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 5 working days following the day of the auction. (ii) Roseberys are unable to pack, post or deliver any items purchased through public or online auction.

A list of suggested companies is supplied upon issuing of invoices, upon request, or on the company website. These are suggestions only and are not the recommendation of Roseberys or affiliated with Roseberys in anyway and as such Roseberys cannot be held responsible for the individual performance of these companies. (b) No purchase can be claimed or removed until it has been paid for and payment has cleared. (c) Invoices will not be split or title transferred to another person(s). Invoices must be paid in full before any lots can be removed. (d) Purchased lots must be collected within the allocated time as stated in the Information for Buyers section 13, storage charges are applicable thereafter. Purchased lots are at the Buyer’s risk (and therefore their sole responsibility for insurance) from the earliest of the collection or the 21st calendar day after the auction.

Until risk passes Roseberys will compensate the buyer for any loss or damage to the lot up to a maximum of the purchase price paid.

8.

(1)

(a) (b) (c)

(d) (e)

Remedies for Non-Payment or Failure to Collect Purchases If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: to proceed against you for damages for breach of contract; to rescind the sale of that Lot and/or any other Lots sold by us to you; to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

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CONDITIONS OF SALE (f)

to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9.

Third Party Liability. All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. Commission, Telephone Bids and Live Online Bidding. Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. (a) Lots will be purchased by the Auctioneer on behalf of the commission bidder for the lowest price allowed by other bids and/or reserves if any, up to and including their maximum bid amount recorded. The Auctioneers cannot accept responsibility for any neglect or default in executing or failing to execute commission bids whether through the auctioneer or through any online bidding software, or where a bidding slip has been completed incorrectly. We urge commission bidders, to ensure that the correct lot number(s) and price(s) are recorded on their bidding forms. (b) Where two or more commission bids at the same level are recorded we reserve the right at our absolute discretion to prefer the first bid so made. (c) Telephone Bids. Any person unable to attend the auction may request to bid on a specific lot by telephone. This facility is only available by prior arrangement with the Auctioneers and not available for online only auctions. The Auctioneers cannot accept responsibility for any neglect or default in executing or failing to execute telephone bids. (d) Live Online bidding. (i) An online bidding service is offered via RoseberysLive, thesaleroom.com and invaluable.com. In completing the bidder registration on these sites, the buyer is agreeing to Roseberys conditions of sale. (ii) In the case where a debit or credit card has been used to register the buyer also agrees to authorise Roseberys, if they so wish, to charge the debit or credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the online bidding platforms. (iii) Please note there is no additional surcharge for any lots purchased via RoseberysLive, whether live bidding or commission bidding. Any lots purchased via thesaleroom.com or invaluable.com will be subject to an additional 5% commission charge + VAT at the rate imposed on the hammer price.

(iv)

(v)

Roseberys offers online bidding services as a convenience to its clients, but neither Roseberys nor the seller will be responsible to you for errors during or after the sale or failures to execute bids, either live bids or commission bids, placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: (aa) any loss of connection to the auction being conducted online; (bb) a breakdown or problems with the online bidding software or the web site service provider; and/or (cc) a breakdown or problems with any internet connection, computer, mobile device or system.

By accessing RoseberysLive and using the software provided you are agreeing to the Website Terms and Conditions governing use of our websites. Please ensure you familiarise yourself with these prior to accessing our websites.

11.

Warranty of Title and Availability. The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

No representation or warranties are made by Roseberys or the seller as to whether any lots is subject to copyright or whether they buyer acquires copyright in any lot.

12.

Agency. The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13.

Terms of Sale. The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot.

14. (a)

Description and Conditions Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description of a lot. Buyers are welcome to make an appointment to view any lots listed on an online only auction. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers�.

Condition Reports. Reports on the condition of any lot are offered by the Auctioneers as a statement of opinion only, and not of fact. Rosebery Fine Art Ltd are not liable for any errors or omissions contained therein. The buyer must satisfy themselves to the condition of any given lot prior to bidding. Roseberys will not be held responsible for any damage or defect that has not been notified to the buyer. Catalogue illustrations are for guidance only and will not convey full information as to the actual condition of lots.

(b)

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CONDITIONS OF SALE (c)

(d)

Where the term (a/f) is used this refers to a lot being ‘as found’, it is used for guidance only and indicates in our opinion there is significant damage or repair to an item, the omission of this term does not indicate there is not significant damage or repair to an item and Roseberys are not liable for the omission of this term.

Private treaty sales made on these premises under these Conditions are deemed to be sales by auction for the purposes of consumer legislation.

15. Forgeries. Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. Roseberys may require the buyer to obtain at the buyer’s cost the reports of two independent and recognised experts in the field, mutually acceptable to Roseberys and the buyer. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) if you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

16. Online Only Timed Auctions These following terms are applicable only to sales conducted online only and are to be used in addition to the conditions of sale. (a) (i)

Right to Cancel If you are a consumer resident in the European Union you have the right to cancel the contract for the purchase of a lot within 14 calendar days without giving any reason. (ii) The cancellation period will expire after 14 calendar days from the day on which you acquire (or a party nominated by you and is not the shipper) physical possession of the lot. (iii) To exercise the right to cancel, you must inform us of your decision to cancel this contract by a clear written statement (e.g. a letter sent by post, fax or email), or you may use the cancellation form which can be found on our website or by contacting a member of staff. The communication must be received within 14 calendar days from the day on which you acquire the lot. (iv) If you cancel the contract, we will reimburse all payments received from you. As Roseberys are unable to provide a postage or packing service the cost of the initial delivery or collection is not returnable. In addition the cost of returning the item if you choose to cancel the contract is payable by you. (v) We may make a deduction from the reimbursement for loss in value of any goods supplied, if the loss is the result of damaged caused by unnecessary handling whilst in your possession. We will make the reimbursement without undue delay, and not later than (aa) 14 calendar days after the day we receive back from you any goods supplied, or (bb) (if earlier) 14 calendar days after the day you provide evidence that you have returned the goods.

(vi) We will make the reimbursement using the same means of payment as you used for the initial transaction, unless you have expressly agreed otherwise; in any event, you will not incur any fees as a result of the reimbursement.

We may withhold reimbursement until we have received the goods back or you have supplied evidence of having sent back the goods, whichever is earliest. (b) Liability Roseberys nor the seller will be responsible to you for errors during or after the online only timed auction or failures to execute bids placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: any loss of connection to the auction being conducted online; a breakdown or problems with the online bidding software or the website service provider; and/or (iii) a breakdown or problems with any connection, computer, mobile device or system.

General 17. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

18. Where a member of the public causes damage to a lot (or part thereof) the Auctioneers reserve the right to: (a) sell the aforementioned without reserve and to hold that specific individual liable for the amount of any difference between the hammer price and the reserve or low estimate; (b) hold that specific individual liable for the cost of restoration where appropriate; (c) hold that specific individual liable for the full amount of the reserve price or lower estimate as applicable.

19 (a) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

20. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email if provided in which case it shall be deemed to have been received by the addressee 48 hours after posting.

21. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

22. Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

23. English law applies to the interpretation of these Conditions.

These terms and conditions are based upon recommended conditions of sale by SOFAA (the Society of Fine Art Auctioneers) and RICS (the Royal Institute of Chartered Surveyors)

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70/76 Knights Hill London, SE27 0JD +44 (0)20 8761 2522 +44 (0)20 8761 2524 clientservices@roseberys.co.uk

CATALOGUE SUBSCRIPTION FORM FULL NAME: ADDRESS:

TELEPHONE:

EMAIL:

SUBSCRIPTION OPTIONS Auction Title

Number of auctions annually

Cost of annual Subscription including UK postage

Cost of annual Subscription including Europe postage

Cost of annual Subscription including rest of world postage

Design: Decorative Arts 1860 to Present Day

3

£37.50

£45

£52.50

Chinese, Japanese & South East Asian Art

2

£25

£30

£35

Impressionist, Modern, Post-War & Contemporary Art

2

£25

£30

£35

Fine & Decorative

3

£37.50

£45

£52.50

Islamic & Indian Arts/ Art of India

3

£37.50

£45

£52.50

Jewellery & Watches

3

£37.50

£45

£52.50

Modern & Contemporary British Art

2

£25

£30

£35

Modern & Contemporary Prints

2

£25

£30

£35

Print & Multiples

2

£25

£30

£35

Old Master, 18th & 19th Century Pictures

3

£37.50

£45

£52.50

Tick to subscribe

Subscription Offer: Buy 2 or more subscriptions save 20% on prices listed Total cost of subscription: Method of Payment: Payment can be made by credit or debit card over the phone or in person, alternatively by bank transfer or cash in person. Payment is accepted via bank transfer to the following account (International bank transfers are subject to a £25 administration fee.): Natwest Bank plc, Bloomsbury Parr’s branch, Sort Code 60-30-06, Account number 36952613, Swift code NWBKGB2L, IBAN GB80NWBK60300636952613.

I would/would not like to receive online catalogues and notifications of the sales that I am interested in as indicated on this form (delete as appropriate).

Signed:

Date:

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70/76 Knights Hill London, SE27 0JD +44 (0)20 8761 2522 +44 (0)20 8761 2524 clientservices@roseberys.co.uk

ABSENTEE BID FORM PLEASE COMPLETE THE FORM IN FULL IN CAPITAL LETTERS AND PLACE YOUR BIDS AT LEAST ONE HOUR PRIOR TO THE START OF THE RELEVANT SECTION OF THE AUCTION

FULL NAME: ADDRESS:

POSTCODE:

EMAIL:

BIDDER NUMBER: TELEPHONE:

Lot number

GBP £ bid price excluding premium

Lot number

GBP £ bid price excluding premium

All bids are entered subject to Roseberys standard terms and conditions of sale and to any special terms stated by the auctioneers to apply to lot(s) which the prospective purchaser hereby acknowledges and accepts.

Please see catalogue or website for important information for buyers and our full conditions of sale or ask a member of staff for a copy.

I authorise Roseberys to bid on my behalf for the above mentioned lot(s) up to the price(s) stated. I confirm I have read and agree to the buyer’s terms of sale with special attention to the buyer’s premium, additional charges and storage.

Signed:

Date:

AUCTION CALENDAR 2020 February

May

Modern & Contemporary British Art Tuesday 11 February

Prints & Multiples Auction Tuesday 5 May

March Design: Decorative Arts 1860 to the present day Tuesday 3 March Jewellery & Watches Tuesday 24 March Old Master, 18th & 19th Century Pictures Wednesday 25 March Fine & Decorative Thursday 26 March April Traditional & Modern Home Saturday 4 April

Chinese, Japanese & South East Asian Tuesday 19 May Traditional & Modern Home Saturday 30 May June Arts of India Tuesday 9 June Modern & Contemporary British Art Tuesday 16 June Impressionist, Modern, Post War & Contemporary Art Tuesday 30 June

Islamic & Indian Auction Friday 24 April

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www.roseberys.co.uk

70/76 Knights Hill London SE27 0JD +44 (0) 20 8761 2522 auctions@roseberys.co.uk www.roseberys.co.uk