Roseberys London

FINE & DECORATIVE Thursday 18 July 2019

FINE & DECORATIVE Thursday 18 July 2019 Starting at 10.30 am VIEWING

Friday 12 July 1pm-5pm Sunday 14 July 10am-2pm Monday 15 July 9.30am-5.30pm Tuesday 16 July 9.30am-5.30pm Wednesday 17 July 9.30am-5.30pm Thursday 18 July 9.30am-10.30am Note: Tuesday 16 July, Jewellery & Watches Wednesday 17 July, Old Masters, 18th & 19th Century Pictures, separate catalogues available

Specialists: Anna Evans, Mark Longley, Nigel Dawson-Ellis Please note the conditions of sale at the back of this catalogue Buyer’s Premium 25% + VAT (30% inclusive of VAT) Condition of items: a catalogue description does not state the condition of the item Catalogue Price £10 (£12 by post) Front Cover: Lot 115 Back Cover: Lot 250 Inside Front Cover: Lot 422 Inside Back Cover: Lot 439

70/76 Knights Hill London, SE27 0JD +44 (0)20 8761 2522 auctions@roseberys.co.uk www.roseberys.co.uk

Online bidding available at:

RoseberysLive

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BUYING AT ROSEBERYS The following is intended to serve as a useful quick reference to buying at Roseberys.

Prior to bidding please familiarise yourself with our full conditions of sale which are applicable when bidding at one of our auctions. Our staff are available to assist you with any questions you may have.

Viewing Catalogues are available from reception and all lots are listed and illustrated at www.roseberys.co.uk Condition is not stated in the catalogue description and buyers are encouraged to view lots in person prior to bidding to satisfy themselves as to the accuracy of the description and condition of lots.

New Bidders New buyers are required to register before bidding. This can be done in person at reception, or via email to clientservices@roseberys.co.uk.

Photographic identification, full contact details and proof of address are required. Roseberys cannot accept bids from unregistered buyers. Once registered you will be provided with a paddle which states your bidding number for the auction.

New International Bidders

Alternatively, online bidding is available through www.thesaleroom.com and www.invaluable.com, successful online bidders are charged an additional premium of 5% + VAT. Bidders must register by 9am on the morning of the auction to be able to buy online. You will be asked to complete the registration process prior to approval.

• Telephone bidding: A limited number of phone lines for lots in the auction are available for bidders subject to a minimum threshold. A member of staff would telephone you during the auction and bid live on your behalf. Please contact reception if you would like to enquire about booking a phone line.

The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over the top estimate.

Buyer’s Premium The buyer shall pay the hammer price together with a premium thereon of:

In addition to providing proof of identity, new international bidders must leave a £500 deposit the first time they register and before bidding.

Successful bidders will be refunded their deposit once they have paid for their lots. Unsuccessful bidders will automatically be refunded within a week of the auction.

25% up to £250,000 (30% inclusive of VAT), 20% from £250,000-500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT)

Methods of bidding

VAT

• In person: at the auction room.

VAT is not charged on the hammer price unless it is stated that there is ‘VAT applicable on the hammer price’ at the end of the description. Buyer’s premium is subject to VAT.

• Commission bid: If you are unable to attend the auction, commission bids may be left indicating the maximum amount to be bid excluding the buyer’s premium. All bids must be received at reception at least one hour before the start of the auction. Clients are also able to leave a commission bid via our website on individual lot pages. These bids are actioned on your behalf by our in-house bidding software RoseberysLive, and are not visible to the auctioneer.

• Online bidding: You can follow all our auctions live online and bid via the internet using RoseberysLive, our in-house live bidding platform.

RoseberysLive is a secure online bidding platform provided by Roseberys to enable our clients to bid online from anywhere in the world. You can register to use the service or view the auction through our website www.roseberys.co.uk.

There is no charge to use this service.

The premium price is subject to VAT at the standard rate.

(ARR) – ARTIST’S RESALE RIGHT Qualifying living artists and the descendants of artists deceased within the last 70 years are entitled to receive a re-sale royalty each time their work is bought through an auction house or art market professional.

It applies to lots with hammer value over €1,000 as follows: 0 to €50,000 - 4%, €50,000.01 to €200,000 - 3% €200,000.01 to €350,000 - 1%, €350,000.01 to €500,000 - 0.5% Exceeding €500,000 - 0.25% ARR is capped at €12,500 Please note ARR is calculated in euros.

Auctioneers will apply current exchange rates.

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Payment Payment is required immediately after the auction and can be made in the following ways: • Cash: up to the sterling equivalent of 10,000 Euros on the day of the transaction.

• Debit and Credit cards: excluding American Express. To protect against card fraud we are unable to make ‘card not present’ transactions online or over the phone for amounts over £1000.

To make a payment of over £1000 please make a bank transfer or visit the auction house in person.

• Bank transfer: Payment is accepted via bank transfer to the following account, (International bank transfers are subject to a £25 administration fee.)

Natwest Bank plc, Bloomsbury Parr’s branch, Sort Code 60-30-06, Account number 36952613, Swift code NWBKGB2L, Iban GB80NWBK60300636952613.

• Online via www.roseberys.co.uk (up to £1,000) Clearance of Goods Roseberys requests all lots are collected within five working days following the auction. After this, storage charges of £2 + VAT per lot will apply. Please contact our Client Services team should you be unable to collect your purchases within this time and we would be happy to discuss alternative arrangements.

Delivery Roseberys is unable to pack and ship items but can suggest the following companies: London/Surrey • Capital Fine Art Move: +44 (0) 7957 209523 • Bernard Thornton: +44 (0) 7970 118762 Nationwide/International • Mail Boxes Etc: +44 (0) 20 8649 9777 Specialist Packing • Pack and Send: +44 20 8392 6990 In order to release to a third party carrier you must inform Roseberys in writing of the lot number and carrier name. Please email clientservices@roseberys.co.uk Export of goods Buyers intending to export goods should ascertain whether an export licence is required before bidding.

Export licences are issued by Arts Council England and application forms can be obtained from its Export Licensing Unit. Details can be found on the ACE website www.artscouncil.org.uk or by phoning ACE on 020 7973 5188. The need for import licences varies from country to country and you should acquaint yourself with all relevant local requirements and provisions before bidding. The refusal of any such licences shall not permit the cancelling of any sale nor allow any delay in making full payment for the lot.

Lot 218

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1 1 An early George I silver sugar caster, c.1716-1719, Charles Adam, of plain baluster form, with banded girdle, 17cm high, approx 6.2oz £500 - 600* 2 A pair of George II cast silver candlesticks, London c.1737, W.G, with later two branch candelabra fittings, London 1950, Carrington & Co., with knopped columns above shaped bases, with engraved armorials, 20cm high, approx 43oz (2) £1,000 - 1,500* 3 A pair of George III silver candlesticks, Sheffield c.1789, John Parsons & Co., of tapering form, with bright cut engraving and crest to circular foot, (filled wooden base) 29cm high (2) £600 - 900*

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4 A set of three silver sugar casters, Mappin & Webb, Sheffield c.1960, of octagonal baluster form, 18.5cm high, together with four sweetmeat dishes on circular foot, Sheffield c.1960, 13cm diameter, a matching milk jug and twin handled sugar bowl, Sheffield c.1959, a circular pierced swing handled sugar bowl with blue glass liner, Sheffield c.1959, an Armada dish, London c.1960, with engraved dedication, 17cm diameter, a small circular dish, Sheffield c.1960, 14.5cm diameter, an oval dish, with engraved dedication, London c.1959, 16.5cm wide and a cigarette box, Birmingham c.1960, all by Mappin & Webb, approx weighable weight 66.2oz. (a lot) £600 - 800*

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5 5 A silver five piece tea/coffee service, Sheffield c.1951, Poston Products Ltd., comprising kettle on stand, teapot, coffee pot, milk jug and covered sugar basin, with lobed body and vacant cartouche, the kettle on stand 33cm high, approx 114.9oz (5) £1,000 - 1,500*

6 A white metal punch bowl on stand and cover, probably Indian, with lion mask and ring handles, with lion passant stamp to rim, the bowl 27.5cm high, approx 73oz £400 - 600*

7 A silver twelve piece cruet set, Birmingham c.1960, Mappin & Webb, of octagonal form, to comprise four pepper shakers, four salts with blue glass liners, and four covered mustards, together with a further two matching salts (one with a blue glass liner) and a pepper pot base, approx 20.4oz (a lot) £300 - 500*

7 6 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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11 8 A pair of George III silver rattail spoons, London c.1796, Peter & Ann Bateman, with later bright cut decoration and engraved initials, 22cm long, together with a silver and enamel dressing table set and engraved glass tray (a lot) £80 - 120* 9 Six George III silver Old English pattern dessert spoons, London c.1774, John Lambe, 17.3cm long, approx 6.6oz (6) £200 - 300* 10 A silver salver, Sheffield c.1930, Hawksworth, Eyre & Co Ltd., with pie crust border and presentation engraving, raised on three pad feet, 26cm diameter, approx 20.2oz £150 - 250* 11 A silver twin handled tray, Birmingham c.1977, A. E. Poston & Co Ltd., with moulded foliate scroll border and floral and foliate engraving, 64.5cm x 40cm, approx 114.8oz £800 - 1,200* 12 A pair of cut glass decanters with silver collars, London c.1985, Garrard & Co Ltd., with associated stoppers 30cm high, (2) £80 - 120* 13 A George IV silver teapot, London c.1828, Rebecca Emes & Edward Barnard I, of squat circular form, approx 23.5oz £150 - 250*

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14 A part canteen of fiddle pattern cutlery, Sheffield c.1996 to 1999, United Cutlers Ltd., comprising eight table forks, eight table knives, eleven dessert forks, ten dessert knives, eight table spoons, twelve dessert spoons, ten teaspoons and five differing pattern coffee spoons, approx weighable weight 114oz (a lot) £800 - 1,200* www.roseberys.co.uk

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15 15 An extensive canteen of silver cutlery, Sheffield 1959/1960, Mappin & Webb, comprising twenty-six table forks, four table knives with stainless steel blades, twenty-one dessert forks, twenty-one dessert knives with stainless steel blades, twenty-four fish knives and forks, twentyfour pastry knives with stainless steel blades, sixteen pastry forks, twenty-three soup spoons, twenty-seven teaspoons, seventeen coffee spoons and four sauce ladles, also further miscellaneous flatware, approx weighable weight 273.8oz ÂŁ3,000 - 4,000*

16 A part canteen of silver cutlery, London c.1933, Goldsmiths & Silversmiths Co. Ltd., comprising twelve each table forks, dessert forks, soup spoons, dessert spoons, teaspoons, four table spoons, seven grapefruit spoons and two sauce ladles, together with twelve each table knives and dessert knives, Sheffield c.1989, Terry Shaverin and a set of twelve fish eaters with celluloid handles, Edinburgh c.1937, Hamilton & Inches, also a small sauce ladle and a French silver serving spoon, approx weighable weight 125oz (a lot) ÂŁ1,000 - 1,500*

16 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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17 A pierced silver bowl, Sheffield c.1970, Garrard & Co. Ltd., raised on four scroll feet, 22cm diameter, approx 13.7oz £100 - 150*

18 A set of four early Victorian silver-gilt tazza, London c.1845, Charles Thomas Fox and George Fox, the shaped oval bowls with floral repousse decoration and central engraved crest, raised on hollow cast rococo scrolling stem and spreading foot, approx 85oz (4) £1,500 - 2,000*

19 A Victorian silver tazza, London c.1864, Robert Hennell III, with embossed floral and fruit decoration, 26cm high x 25cm diameter, approx 32.6oz £400 - 600*

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20 A late Victorian silver salver, London c.1895, Maxfield & Sons, of shaped circular form, with wide pierced floral border and central engraved monogram, raised on three foliate feet, 36.5cm diameter, together with a pair of shaped circular pierced bowls on stand, Edward Viners, 16cm diameter, approx 45.3oz (3) £600 - 1,000* 21 A late Victorian silver salver, London c.1900, Goldsmiths & Silversmiths Co. Ltd., with shell and scroll border, raised on three claw feet, 27cm diameter, approx 18.3oz £150 - 200* 22 A pair of cut glass perfume bottles with silver collars, London c.1925, SL & SS Ltd., 25.5cm high, together with similar scent atomizer by the same company, a silver fronted table mirror, Birmingham c.1923, W I Broadway & Co., of shaped rectangular form, with foliate border, with ebonised easel back, 31cm high, also a collection of miscellaneous flatware to include three Chinese export silver spoons, Luen Wo, Shanghai, a German silver sifting spoon, sugar nips of vine design, further spoons, silver handled butter knives and a wine bottle label (a lot) £300 - 500*

23 A late Victorian silver inkstand, Birmingham c.1898, Pembrook & Dickins, of plain oblong form, with clear glass inkwell, candle holder and taper holder, raised on four bun feet, 17cm wide, approx 9.7oz £150 - 200* 24 A late Victorian silver-gilt inkstand, London c.1899, Holland, Aldwinckle & Slater (Thomas Alfred Slater, Walter Brindsley Slater & Henry Arthur Holland), of boat form, with central cut glass inkwell, the hinged cover with engraved crest, 18.3cm wide, approx 7.9oz £120 - 180* 25 A Victorian pierced silver bowl, c.1840s, the lobed rim with moulded scroll border, embossed pierced sides, raised on a domed circular foot, 27.5cm diameter, approx 21.8oz £180 - 220* 26 A pair of Victorian neo-classical silver candlesticks, London c.1893, William Hutton & Sons (Edward Hutton), the tapering stem on lobed oval foot, 29cm high, the bases weighted (2) £150 - 250*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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27 27 A Victorian silver teapot and coffee pot, London c.1854, Edward & John Barnard, of rococo form with repousse floral and foliate decoration, the coffee pot 29cm high, approx 58oz (2) £500 - 700* 28 A rare Elkington & Co. silver plated spoon warmer in the form of a military mortar, c.1880, with applied plaque ‘Registered By Royal Letters.

Patent’ 13.5cm high, 16cm long, 11.5cm wide £100 - 150* 29 A collection of small silver items, pin dishes, cruets and cigarette cases, together with a collection of silver plated items, entree dish, warming dish, claret jug, salvers and berry spoons, approx silver weight 25.3oz (a lot) £250 - 350* 30 A Victorian silver Aesthetic Movement wine ewer, London c.1868, John, Edward, Walter & John Barnard (Barnard & Sons Ltd), of bulbous form with slender neck, engraved with scrolling foliage and Greek key banding, central cartouche with engraved monogram, 36cm high, approx 20.4oz £600 - 800*

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31 31 A silver and cut glass claret jug, London c.1903, William Hutton & Sons Ltd., with plain collar and cover and moulded scrolling foliate handle, 24.5cm high, together with a collection of miscellaneous silver, to include a six division toast rack, London c.1912, G Brace & Co Ltd., a Victorian cased knife fork and spoon Christening set, London c.1883, Martin, Hall & Co (Richard Martin & Ebenezer Hall), a pierced silver bowl, small pierced silver dish, a baby’s rattle, various cut glass and silver dressing table jars, silver backed brushes and further items (a lot) £500 - 800*

33 An Edwardian silver pipe rest, Chester c.1904, Haseler Brothers (Edward John Haseler & Noble Haseler) together with a silver cigarette box, London 1964, Padgett & Braham Ltd. and a silver match book holder (3) £120 - 180*

32 A silver footed dish, Sheffield c.1933, W & C Sissons (Walter & Charles Sissons), with engraved decoration, 25.7cm diameter, together with a collection of further silver to include a pierced bottle holder, a pair of egg cups with Coalport saucers, an ashtray set with a 1935 silver crown and a tea glass holder (a lot) £350 - 550*

35 A silver inkstand, London c.1901, Charles Stuart Harris, of rectangular form with shaped corners, two integrated ink pots with glass liners and integral pen tray, raised on four paw feet, 30.5cm x 23cm, approx 34.2oz £300 - 400*

34 An Edward VII silver salver, London c.1901, Hawksworth, Eyre & Co Ltd., with moulded gadrooned border and central engraved CE monogram, raised on three scroll feet, 22cm diameter, approx 13.2oz £150 - 250*

35 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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36 A silver-mounted, green stained ivory page turner, London c.1901, the silver handle of flattened writhen form, engraved 21st March 1907 below monogram to one side and EMP Bids You God Speed to the other, 43cm long, together with a silver mounted blotter, Chester c.1919, retailed by Vickery, Regent Street, 45cm x 29cm and an engraved Indian brass box (3) £70 - 90*

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37 A silver inkstand, London c.1910, Goldsmiths & Silversmiths Co. Ltd., of shaped rectangular form with ribbed border and two inkwells (minus liners) raised on four bun feet, 29cm wide, 21cm deep, approx 29.7oz £250 - 350* 38 An Edwardian silver wine ewer, Sheffield c.1902, Atkin Brothers, with repousse scrolling flowers, 33.5cm high, approx 24.2oz £200 - 300* 39 A pair of silver jugs, Sheffield c.1935, Frank Cobb & Co Ltd., of flared form with scroll handle, 16.5cm high, approx 39.8oz (2) £300 - 500* 40 A silver mug, Birmingham c.1904, The Alexander Clark Manufacturing Co., with moulded strapwork below girdle, on circular spreading foot, 12cm high, approx 9.6oz £80 - 120* 41 A silver tankard, Birmingham c.1928, Ollivant & Botsford, with presentation engraving, 11.5cm high, approx 11.9oz £80 - 120* 42 A silver tankard, Birmingham c.1929, Elkington & Co Ltd., of baluster form and acanthus leaf moulding to handle, 13.5cm high, approx 9.9oz £80 - 120* 43 A silver three piece tea set, Birmingham c.1914, Joseph Gloster Ltd., of ovoid form, engraved with foliate swag and tassel, comprising teapot, milk jug and twin handled sugar basin, teapot 18cm high, approx 29.2oz (3) £200 - 300*

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44 A set of four novelty silver menu holders, London c.1911, William Hutton & Sons Ltd., each modelled as a Chinese paifang (gateway) the central plaque with applied silver and copper figures in traditional dress, with brass inlaid details, 5.5cm high, approx 6.2oz (4) £300 - 400*

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45 A silver cigarette box, London c.1924, Charles & Richard Comyns, with engine turned cover and flared sides, the hinged cover with engraved emblem of The Lancashire Aero Club, the front with presentation engraving from the club, 22.5cm wide, together with another silver cigarette box, a capstan inkwell, a cased presentation silver key, Tyldesley Public Library 1909 and a cased silver gilt and enamel presentation key, for the opening of The Tyldesley Technical School 1904 (5) £200 - 300* 46 An Art Deco silver circular bowl, Sheffield c.1931, Mappin & Webb, the interior with petal formation, raised on circular foot, 7.5cm high, 23cm diameter, approx 12.2oz £100 - 150* 47 A set of six Scottish George V Britannia silver finger bowls, Edinburgh c.1911, Fenton, Russell & Co Ltd., of plain form with plannished interior, 5cm high, 13cm diameter, approx 56.6oz, (6) £400 - 600*

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48 A pair of silver candlesticks, Birmingham c.1976, Alexander Smith, with square tapering column upon stepped spreading square base with beaded border, 27cm high, together with an Art Deco silver cigarette box, Birmingham c.1929, Henry Matthews, of barrel form and a silver inkstand, London c.1904, Sibray, Hall & Co Ltd (Charles Clement Pilling) of boat form with pierced decoration, approx weighable weight 22.9oz (4) £250 - 350* 49 A silver gilt Achaemenid Revival bowl, London c.1904, Skinner & Co., the scroll handle moulded with leaves, the bowl with heads in profile between foliate banding, 11.7cm diameter, in original fitted red leather case, approx 6.7oz, together with a pair of silver ashtrays, Birmingham 1924, S&M, of circular form, with ribbed tapering sides, with wooden filled bases, (3) £300 - 500*

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51 An Edwardian silver folding photograph frame, London c.1905, probably Hewson & Williams, of plain form below scrolling surmount, each frame 25.5cm x 20cm (total height 31cm) together with a Continental pendant container, with hinged cover, cast with reclining cherubs, 4.5cm high (2) £150 - 200* 52 A large silver photograph frame, Birmingham c.1919, of plain form, with wood easel back, 41cm x 29.5cm, together with two similar small frames and a silver plated example (4) £250 - 350*

52 50 An Art Nouveau silver photograph frame, Birmingham c.1902, Deakin & Francis Ltd., with stylised foliage, squirrels and pheasants, 24cm high, together with five further silver photographs frames, various dates and makers (6) £200 - 300*

53 A collection of various silver cruets, to include mustards and salts, together with a pair of silver plated copper salts, approx silver weight 9.9oz (a lot) £80 - 120* 54 A complete boxed eight place setting canteen of silver cutlery, Sheffield c.1972, Garrard & Co. Ltd., comprising eight each table and dessert knives with stainless steel blades, table forks, dessert forks, fish eaters, table and dessert forks, dessert and soup spoons, teaspoons, four table spoons, meat carvers and sharpening steel and two sauce ladles, together with nine matching coffee spoons, by Garrard & Co. Ltd, Sheffied c.1997, in original Garrards wooden canteen box (82 pieces) £1,500 - 2,500*

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55 A part canteen of silver rattail cutlery, Sheffield c.1933, Harrods Ltd., comprising nine table spoons, six dessert spoons, six table forks, six dessert forks, six ivorine handled table knives, six dessert knives, two teaspoons and a carving set, in Harrods oak canteen box, together with further silver flatware, approx 88.3oz (a lot) £500 - 800* 56 A silver coffee pot, London c.1964, Edward Barnard & Sons Ltd., of plain tapering form, 22.5cm high, approx 22oz £150 - 250* 57 A silver rose bowl, Chester c.1925, with shaped rim and moulded border, on circular foot, later presentation engraving, 15cm high, 19.5cm diameter, together with a silver bottle holder, Birmingham c.1933, Alexander Clark & Co Ltd., approx 25.8oz (2) £200 - 300* 58 A Georg Jensen silver preserve spoon, pattern number 110, import marks for c.1956, the scrolling stem with bifurcated terminal, 14.5cm long, together with seven further silver spoons, approx 5.9oz (8) £100 - 150*

55 59 A Danish silver four piece tea set, Copenhagan 1930, Christian F. Heise, 800 fineness, of rococo repousse lobed form, comprising teapot, coffee pot, milk jug and covered sugar basin, the coffee pot 20cm high, approx 60.9oz (4) £800 - 1,200*

59 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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60 62 60 A Danish silver coffee pot and cream jug, early 20th century, in the rococo style with repousse decoration, 24cm high, together with a covered sugar box in a similar style, approx 41.9oz (3) £400 - 600* 61 A Danish shallow dish, with central chased peacock, 30cm diameter £80 - 120* 62 A modern French silver and glass claret jug, stamped with Mercury head control marks, 31.5cm high £200 - 300*

63 A French silver teapot and matching coffee pot, 1895-1923, Henri Lapeyre, of bellied form with writhen body, scrolling acanthus moulding to handle and spout, raised on four feet, the coffee pot 24cm high, approx 39.9oz together with a French silver and enamel circular box, with engine turned sides, enamel cover and ribbon and swag detail, 7cm diameter, 3.3oz (3) £400 - 600*

64 A harlequin set of eleven German silver topped shot glasses, 800 fineness, various makers,10.5cm - 11cm high (11) £80 - 120*

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65 65 A German 800 fineness silver bowl, C Frey & Sohne, of octagonal form, the border moulded with fruits, raised on four stylised paw feet with fruiting garlands, with clear glass liner, 11cm high, 14cm diameter, approx 27oz £200 - 300* 66 A set of four German silver and turned wood openwork bottle coasters, Hamburg, Brahmfeld & Gutruf, 6.5cm high, 14.5cm diameter, together with a set of five pierced silver plated and turned wood bottle coasters. 3.5cm high, 10cm diameter (9) £600 - 1,000* 67 A Continental silver basting spoon, of fiddle, thread and shell pattern, 39.5cm long, approx 7.3oz £120 - 180*

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68 A pair of modern Spanish silver wine ewers, with lobed body and vacant cartouches, 33.5cm high, 43.8oz (2) £300 - 500*

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69 73 69 A pair of Greek 900 fineness silver candelabra, with four scrolling branches above tapering octagonal stem, moulded with foliate scrolling and floral swags to circular base, loaded bases, 36cm high (2) £200 - 300* 70 A pair of Turkish Ottoman Empire silver cups and covers, the domed cover with bird nesting on vines terminal, the cup with band of floral engraving and bird perched on scrolling handle, 14cm high, approx 23.3oz (2) £180 - -220*

73 A modern Russian silver wine ewer, with dragon handle, embossed band of vines above half gadrooned body, 38.5cm high, the base weighted £300 - 500* 74 A silver menorah, Birmingham c.1937, Britton, Gould & Co., together with a silver and cream enamel dressing table set and a quantity of silver plate to include two oblong bowls, circular swing handle bowl and pair of candelabra (a lot) £80 - 120*

71 A Dutch silver tea caddy, second half 20th century, of oval form with repousse tavern scenes, lion passant mark for .835 fineness silver, 11cm high, 5.7oz £100 - 200* 72 A Russian silver model of a horse, 19th century, with seed pearl accents to the saddle and set with a single garnet, mounted on a wood base with silver and enamel banding, stamped with 84 Zlotnik mark, no makers or assay masters mark found, 17cm total height, without base 15cm, net weight of horse without base approx 34.9oz £800 - 1,200*

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75 75 A pair of East European brass Torah scroll finials, 19th century, applied with carnelian and turquoise cabochons, hung with ornament spheres, on wood display stands, 21cm high (2) £600 - 1,000*

80 A set of silver keys, by Cellini Gibraltar, the four keys modelled on the Keys Of Gibraltar, on silver ring, cased, approx 2.1oz £60 - 80*

76 A Columbian silver vase and cover, of bulbous form, the cover with four spheres, 25.5cm high, approx 14.2oz £80 - 120* 77 A wide Navajo silver and turquoise set cuff

by Tommy Singer, stamped Navajo Hand Made, T.S, 5cm wide, together with two Tommy Singer silver, turquoise set and leather plaited bolo ties, one stamped T. Singer, the other stamped Tommy and a similar ring, by Rose Singer, stamped R Sterling (4) £300 - 500* 78 A boxed set of Chichen Itza silver coins, $20, $10 and 3 x $5, together with nine silver Kuwaiti coins with Sheikhs’ heads (a lot) £100 - 150* 79 A Mexican silver tree of life bell by Los Ballesteros, the stylised tree with three dimensional figures of Adam and Eve, below birds, above a repousse decorated bell with birds, flowers and foliage, boxed, 30cm high, approx 26oz, £200 - 300*

79 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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81 An Indian white metal tray, mid 20th century, with textured matt finish with polished decoration, engraved initials UKD, 28cm x 23cm, together with four matching lidded boxes and circular dish of petal form with integral hinged lidded container, unmarked, approx 38.6oz (6) £300 - 500*

81

82 An American Sterling silver hunting horn, Black, Starr & Frost, 25.5cm long, together with two silver and clear glass place mats, a Victorian six division silver plated toast rack, three Dunhill lighters and further silver plated items (a lot) £150 - 250*

83 A pair of Tiffany & Co. Sterling silver asparagus tongs, Kings pattern, stamped Tiffany & Co. Sterling Pat. 1885, 18.5cm long, approx 6.5oz £100 - 150* 84 A Tiffany & Co. Sterling silver fitted dressing case, the leather case fitted with two silver mounted clothes brushes and hair brushes, seven various silver cylindrical bottles, one containing a shaving brush, soap dish, funnel, comb and further fittings including dressing mirror, each items engraved with the initials EL, weighable weight 29.5oz, 33cm wide £400 - 600*

84

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85 Hermes, Paris: a pair of Hermes silver horse bit cufflinks, in fitted box £100 - 150* 86 A pair of Continental silver models of crabs, the tops opening to a small compartment, 7cm wide (2) £200 - 400*

85

86

87 Christopher Nigel Lawrence: a limited edition silver and silver-gilt novelty toadstool, London c.1980, the flared top opening to reveal an Easter surprise of two gnomes working on a lapis lazuli egg sculpture, set on a slate base, numbered 43/250, 12.5cm high £200 - 300*

87 (open)

87

88 (open)

88

88 Christopher Nigel Lawrence: a limited edition silver and silver-gilt novelty toadstool, London c.1982, the cover opening to reveal a Christmas surprise of an elf and fairy singing from a carol book, before a brazier, with snow laden tree with hanging lantern behind, set on a slate base, numbered 13/250 15cm high £200 - 300* 89 An impressive David Mellor silver bowl, Sheffield c.2014, the interior cast with three dimensional diamond design, 11cm high x 24cm diameter, in fitted wooden and burgundy suede lined box, approx 127oz £1,000 - 1,500*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

89

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90 90 A group of twenty-two gilt and silvered metal-mounted agate boxes, early 20th century, comprising various shapes and sizes, inset with specimens including tiger’s eye, moss, and blue agate, one lapis lazuli example, the largest 6.5cm wide (22) £500 - 800*

91 An agate and hardstone snuff-box, probably German, 19th century, the cover applied with tulip and forget-me-knot flowers, 5.8cm diameter £300 - 500* 92 A Continental circular lacquered papier mâché box, late 19th century, printed and coloured to the lid with a view of a chateau in a mountainous landscape, the interior lid with a portrait of a young man, possibly Napoléon François Charles Joseph Bonaparte (20 March 1811 - 22 July 1832), Prince Imperial, King of Rome and Duke of Reichstadt, 8.8cm diameter £150 - 200* 93 Two Continental mother of pearl veneered cartes-de-visites cases, late 19th century, one with abalone shell decoration to the edges, inset to the lid with a diamond shaped silver plaque engraved with initials within a cartouche, the interiors lined with blue silk and paper divisions, 11cm wide, together with a Continental mother of pearl card case, with scroll engraved diamond veneer pattern and a mother of pearl and tortoiseshell hinged box, with octagonal silver inlaid plaque bearing the initials HL, (4) £150 - 200*

91

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95 94 A French gilt-metal and silver foil rectangular table top tray, late 19th/early 20th century, the rim pierced with open work scrolls with oval glazed reserves containing silver foil floral designs, with a glazed rectangular base with conforming foil decoration of roses and leaves within pierced scrolling strapwork borders, on scrolling feet, 28cm wide, 17cm deep £200 - 300* 95 A Victorian gilt metal revolving desk seal, the seals of rectangular form, of agate, bloodstone and paste, engraved with various mottos, with a mother of pearl handle, 9.5cm long £200 - 300*

96

96 A French silver-gilt paper knife and seal, late 19th century, import mark, with figural handles, the seal as Diana the Huntress, vacant agate matrix, in a fitted leather case bearing label Harding Smith & Co Jewellers, 82 Pall Mall, London, 20.8cm long £400 - 600* 97 A French gold and tortoiseshell circular box, 19th century, the top inset with an oval miniature of a boy flying a kite, within a gold moulded frame with beaded design, with conforming edge banding to lid, marks to gold banding, 6.2cm diameter £250 - 350* 98 A Continental porcelain spherical cane handle, late 19th century, decorated with a quatrefoil vignette of a courting couple within a garden, within an elaborate gilt frame on a deep blue ground, 3.5cm diameter, together with a porcelain handled desk seal, late 19th/early 20th century, with pate-sur-pate vignettes of cherubs, within gilt frames, the stamp vacant, 6.5cm high (2) £100 - 150* 97 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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101 99 A pair of Continental ivory glove stretchers, late 19th century, the handles modelled in the form of naked boys holding grapes and fruit, standing on rocky outcrops, representing the infant Bacchus, with stiff leaf collars to long blades, 28cm long £300 - 500*

100 A French mother-of-pearl and gilt-metal mounted note book folder, 19th century, engraved to the cover Souvenir, within a border of floral and foliate engraved decoration, the reverse with a gold shield and filigree form cartouche, with a pencil, 8.7cm x 6.5cm, together with a similar note book with a spiral form clasp, lacking pencil (2) £150 - 200*

102

103 24

101 After Francois Gerard, French, 1770-1837, a portrait of Caroline Bonaparte Marat, 19th century, wearing a pearl tiara, with matching drop earrings and necklace, with a dress with puffed sleeves, with a gilt metal frame with easel back, watercolour on ivory, the miniature 7.3 x 9cm £300 - 500* 102 A portrait of a young woman, early 20th century, wearing a dress with a red corset, signed Claveau, watercolour on ivory, in a late 19th/early 20th century carved ivory frame, 11 x 10cm, together with a portrait of a young lady, bearing a signature Cosway 1787 and a portrait of a woman wearing a bonnet, in a gilt metal frame, both watercolour on ivory (3) £200 - 300* 103 A portrait miniature of Louis XVI, early 20th century, modelled in a blue coat, signed indistinctly Lebrun, watercolour on ivory, in a gilt metal frame, 9 x 7.5cm, together with a miniature of a regal woman, attributed to be Henriette de Francis, wearing a blue clock with ermine fringing, within a gilt metal frame and a portrait of a woman with a harp, within an Empire taste frame, both early 20th century, watercolour on ivory (3) £200 - 300* www.roseberys.co.uk

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104 A Wedgwood blue jasper portrait medallion of Lord Hood, c.1800, moulded in relief, impressed marks to reverse, in an ebonised oval frame, 13 x 10cm; together with a Wedgwood blue jasper portrait relief of John Wesley, early 19th century, moulded in relief with impressed mark to reverse, in a later ebonised oval frame, 11 x 7.6cm (2) Note: Admiral Samuel Hood, 1st Viscount Hood (17241816) was a Royal Navy Officer leading fleets in the American War of Independence and the French Revolutionary Wars. £250 - 350*

104

105 105 A pair of George III ormolu and blue-john cassolettes, attributed to Matthew Boulton, c.1770, each of urn shape with a pair of goat’s masks holding laurel swags, with reversible spiral-twisted nozzle and finial, with foliage-clasped socle on a square stepped base with bun feet, the rim formerly suspending medallions, 22cm high (2) Note: The ‘goat’s head vase’ is derived from a sketch illustrated in Boulton and Fothergill’s pattern books.

The model was one of the most popular of the smaller vases and first appeared in 1769. Several models appear with ‘antique’ medallions such as these would have had, depicting the head of Alexander the Great and suspended from the rim of the each vase (see N. Goodison, Matthew Boulton: Ormolu, London, 2002, pp. 331-333, figs. 332-333). £6,000 - 10,000* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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106 106 An Edwardian silver-mounted tortoiseshell tea caddy, Sheffield, c.1913, Martin Hall & Co, of canted rectangular form, with an angular looped handle, the body with applied silver scroll and palmette decoration and large foliate escutcheon, the interior with small lid, 8cm high, 11cm wide £400 - 600*

108 107 A large Victorian carved oak tea caddy, overall carved in the Italianate manner with female faces in profile to each end, and a scene of a cherub on the hunt with dogs to the front, the interior with sections for tea and a mixing bowl, 32cm wide, together with a rosewood and brass inlaid jewellery box, a Coromandel box, both 19th century, a domed leather covered casket, a tooled brown leather covered box, a modern sewing box with geometric inlay and a velvet lined jewellery casket (7) £300 - 500* 108 A George III mahogany and boxwood strung miniature bureau, late 18th/early 19th century, the fall-front opening to reveal an arrangement of pigeon holes, above four graduated drawers, 32cm high, 31.5cm wide, 19cm deep £300 - 500*

107

109 An oak and brass bound canteen box, early 20th century, with blue felt lining, the lifting lid to reveal storage for knives, with two drawers below for spoons and forks, 23cm high, 45cm wide, 37cm deep £200 - 300* 110 A Staunton pattern club size boxwood and ebony weighted chess set, 20th century, the kings 12cm high, in a mahogany box, inset with ivory plaque for City Photo and Sports stores, 22 Grace Church st. E.C, together with a large rosewood and box chess board and a folding travelling chess board (3) £300 - 600*

110

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111 A French bronze model of Diana de Gabies, cast by Achille Collas, late 19th century, after the Antique, with REDUCTION MECANIQUE A COLLAS BREVETE cachet, 56cm high £500 - 800*

111

112 After Auguste Rodin, French, 1840-1917, bronze bust of a man, possibly Pier de Wiesseur, 20th century, bearing A Rodin signature, on stepped black marble base, 38cm high overall £1,500 - 2,000* 112

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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113 113 Aimé-Jules Dalou, French 1838-1902, a bronze entitled ‘Enfant assis. Etude pour le Monument aux petits enfants de la Reine Victoria (Seated Child From the Monument to the Grandchildren of Queen Victoria)’, c.1902-05, Ed 1, cast signature Dalou and Cire Perdue A.A. Hébrard foundry stamp, 43cm high, 40cm wide Note: After Rodin, Dalou was one of the most important sculptors of his time and regarded as one of the principal exponents of naturalist sculpture in France in the late nineteenth century. Forced into exile in London after the Paris commune, the nine years that Dalou spent in England, between 1871 and 1880, were his most creative, and the point at which his work was to take the naturalist direction for which he would become renowned. After Dalou’s death, the executors of his will permitted the Parisian firm of A.A. Hébrard to cast certain bronze from plasters and terracotta pieces found in the sculptor’s studio in limited editions.

This bronze sculpture is after one of the figures of children represented in a terracotta monument dedicated to the memory of those grandchildren of Queen Victoria who died in infancy. The monument, completed by Dalou in 1878, was produced for the Private Royal Chapel at Windsor Castle.

An example of the present lot in terracotta is in the Petit Palais, Musée des Beaux-arts de la Ville de Paris. £8,000 - 12,000*

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114 Albert-Ernest Carrier-Belleuse, French, 1824-1887, a terracotta portrait bust of a young girl, wearing a traditional Alsatian head dress, her hair in plaits, signed to the terracotta A Carrier Belleuse, on a turquoise glazed tile and ebonised wood socle, 78cm high ÂŁ2,500 - 4,000*

114

115 Albert-Ernest Carrier-Belleuse, French, 1824-1887, a white marble bust of a young lady, her hair wrapped in a head dress, signed to reverse A. Carrier Belleuse, on a later speckled grey marble socle, 57cm high ÂŁ2,000 - 3,000* 115 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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116 116 A Cattaneo, an Italian white marble bust of a woman, her wavy hair pulled back into a bun, on a shaped integral square socle, signed to socle, 44cm high £600 - 800*

117 117 A Continental rectangular marble plaque of a woman, late 19th/early 20th century, modelled in profile, her hair in an elaborate knot, within an arched aperture, the convex plinth with a sun burst motif between two lintels, 57 x 40cm £200 - 300*

118 A French alabaster and bronze bust of a young lady, in the Renaissance style, c.1900, modelled quarter length with a high-collared dress, on marble base, 15cm high, 16cm wide £400 - 600*

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119 119 Albert-Ernest Carrier-Belleuse, French, 1824-1887, two terracotta portrait busts of Beethoven and Mozart, signed to the backs, A. Carrier Belleuse, on ebonised wood socles, 41 and 42cm high (2) ÂŁ2,000 - 3,000*

120 A pair of French bronze busts of Voltaire and Rousseau, late 18th/early 19th century, each on a gilt-bronze mounted striated grey marble column, 19.5cm high (2) ÂŁ400 - 600*

120 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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121

121 Salvatore Buemi, Italian, 1860-1916, a bronze model of an African man playing a banjo, signed to the bronze S. Buemi, on a red marble base, with old label to base, inscribed 271, 33cm high, 48cm wide ÂŁ1,200 - 1,800* 122 Vincenzo Gemito, Italian, 1852-1929, a bronze model of a kneeling fishing boy, first half 20th century, depicted clutching his catch, a rod under his arm, on a rocky outcrop, inscribed V.Gemito, later burr-wood circular base, the bronze - 19cm high Provenance: Formerly from the collection of the late Martin G Taylor CBE, formerly the ViceChairman of Hanson Trust PLC. ÂŁ800 - 1,200*

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123

123 A Continental bronze equestrian group, in the Renaissance taste, 18th century, modelled as a warrior with a plumed helmet, wearing a cuirass and flowing uniform, his arm raised, on a rearing stallion, on a shaped plinth, 30cm high ÂŁ600 - 1,000* 124 Paul Delabrierre, French, 1829-1912, Deux chiens de relais, a bronze model of two mastiffs chained to a post, signature to the base, 36cm high ÂŁ500 - 800*

124 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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125 Michael Simpson, British, b.1951, a large bronze group of Boxing Hares, edition 2/21, inscribed to base MS 2/21, 93cm high (ARR) ÂŁ1,500 - 2,000*

125

126 Simon Dyer, British, 20th/21st century, a bronze group of Oryx, signed and dated to base 2009, label to underside states edition 66/200, 21cm high, in a William and Son presentation case (ARR) ÂŁ200 - 300*

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127 A pair of sandstone models of a lion and lioness, 20th century, modelled with integral bases, on tall marbleised wood plinths, 44.5cm high; 112cm wide, 48.5 cm deep, excluding plinth (2) ÂŁ1,500 - 2,500*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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128 A French Neo-Classical en grisaille wallpaper panel, 19th century, by Dufour et Cie, Paris, designs by Louis Lafitte 1770-1828 and Merry-Joseph Blondel 17811853, from the story of Cupid and Psyche depicting Psyche about to stab the sleeping Cupid, 187 x 163cm £500 - 800* 129 Five Grand Tour etchings, after Richard Dalton, late 18th century, published by J.Boydell, comprising after the Antique subjects: Mercurius e Museo Mediceo, Antinous e Museo Capitolino, Musa in Capitolio, Luctatores e Museo Mediceo and Servus cultellum acuens et aufcultans, modern mounts and frames, three: 53 x 31, two: 35 x 37cm (5) £200 - 300*

128

129 (part)

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130 A Victorian micro-mosaic mounted and coromandel jewellery casket box, retailed by Parkins & Gotto, the domed top applied with a fine mosaic panel of a scene of a boat entering a forted harbour with buildings on the shore and people looking on, within a pierced silver foliate frame, the lid lifting to reveal a buttoned burgundy velvet interior, with silver lock, escutcheon and hinges by George Betjeman & Sons, London 1878, 31.5cm wide £1,000 - 1,500* 131 An Italian micromosaic and specimen marble paperweight, mid 19th century, the shaped black marble weight inset with an oval view of Tivoli, featuring the Temples of Sibyl and Vesta, the St. Martino bridge and the waterfalls of the Aniene River, with malachite border, 14.2cm wide £600 - 800*

131 132 A Sicilian jasper clam shell box, early 20th century, 16cm wide £200 - 300* 133 A Neolithic black and speckled stone axe head, polished and shaped to a sharp curving edge, 11.5cm long, together with two longer form stone axe heads (3) £400 - 600*

132 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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134

134 A pair of alabastro fiorentino classical vases and covers, 20th century, on black marble bases, 65cm high (2) £1,200 - 1,800* 135 An Ancient fragmentary terracotta head of a woman, hear hair in braids, with an elongated neck, 6cm high, mounted on a red and black marble cylindrical column, the column 6.8cm high, together with a Roman pottery oil lamp (2) £200 - 300* 136 A Continental fragmentary terracotta head of a pharaoh, in the Egyptian taste, 20th century, the head dress with a snake mount, with broadly modelled features, 30cm high £300 - 500*

136

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137 137 A fruitwood and penwork Egyptian style mirror, early 20th century, of rectangular form, the border decorated with polychrome Ancient Egyptian Gods and motifs, with bevelled mirror plate, 75cm high x 52cm wide £500 - 800* 138 An Italian carved walnut mirror modelled as a classical ruin, 19th century, the rectangular plate flanked by columns wrapped with foliage and a palm tree, 19cm x 33cm £300 - 500* 139 After George Émile Henri Servant, French, 18281890, After the Antique, a pair of French bronze busts of Bacchus and Ariadne, mid-19th century, each stamped GS with bee, on tapering rouge griotte columns and stepped square bases, 48cm high (2) Note: George Emile Henri Servant was a French clockmaker who, in 1855 took over his father’s workshop and foundry in the Marais district of Paris. He became known for the production of clocks and works of art in the Greek and Egyptian revival styles. He exhibited at many of the international exhibitions taking place in Paris and London, including the 1855 Paris Universal Exhibition and in London in 1862. £1,500 - 2,500* 139 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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140 An Italian bronze Satyr oil lamp, in the Renaissance Paduan style, early 20th century, in the form of a horned Satyr head supported on a large clawed talon, stamped to the underside 996, 19.2 cm high £200 - 300*

140 141 A French bronze model of Spinario, c.1880, After the Antique, cast by Ferdinand Barbedienne, inscribed F. BARBEDIENNE FONDEUR and with REDUCTION MECANIQUE A COLLAS BREVETE cachet, on a black marble plinth, the bronze - 24cm high, 20cm wide, 9.8cm deep £400 - 600* 142 Ian Rank-Broadley, British, b. 1942, Ganymede, a bronze resin sculpture of a stretching man loosening his bonds, standing on a rectangular plinth base, simulated impressed marks to pads to base for RB and Ian Rank Broadley FRBS, 194cm high (ARR) £2,000 - 3,000*

142

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144 A Pitcairn Island carved wood model of a flying fish, 20th century, inscribed FROM PITCAIRN ISLAND / MADE BY THOMAS CHRISTIAN, on a turned support and stamped wood base, 18cm high, 40cm long £200 - 300* 145 An Australian hardwood boomerang, early 20th century, overall carved with geometric line decoration, 80cm wide £200 - 300*

143

143 A Maori wood hand club, early 20th century, with a tiki figure projecting from the side decorated with mother of pearl inset eyes, his arms and thighs carved with tattoos, the body with conforming geometric line decoration, 38.5cm long £200 - 300*

146 A Fijian hardwood ula club, 20th century, with bulbous reeded head and tapering handle, inlaid with bone star form decoration and geometric wave designs to the grip, 48cm long £400 - 600*

147 A First Nations woodhandled and jaw bone mounted axe, bears inscribed label from Banff Indian Trading Post Alberta 1964: together with a bone club, (2) £100 - 150* 148 A tribal hardwood pipe, Yorouba, Nigéria, the curved bowl carved with a peaceful male face, with a mouth piece incised with geometrical motifs, the support in the form of male genitals, 35.5 cm long Provenance: Christie’s, Paris, 20 June 2006, lot 134. £400 - 600*

148

146

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149 An Inuit grey soapstone sculpture of a male hunter, late 20th century, carved wearing a hood and padded clothing, seated on a whale, with gallery label to the base, Canada Eskimo Art, dated 1973, signed in runic characters, 11.5cm high £200 - 300* 150 A large Burmese pierced hardwood plaque, possibly an architectural element, late 19th/early 20th century, carved to the top with a buddha appearing from a lotus pod, with a ferocious god to the base, within a diamond form body enriched with flowers and foliage, 120 x 185cm Provenance: By repute presented to James Andrew Broun-Ramsay, Marquess of Dalhousie (1812-1860). £250 - 350* 151 An African spirit cloth, 20th century, of rectangular form, applied with fringing to three sides, depicting an elephant with a giant yellow bird, with a figural spirit ancestor worshipping the elephant. coloured applique work to linen, framed 90 x 137cm £200 - 300*

149

150

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152 A pair of delft plates, Liverpool, 18th century, each decorated with panels of flowers with exotic birds in the Chinoiserie taste, 33.5cm diameter (2) £150 - 250* 153 A Chelsea Hans Sloane pattern lozenge shaped porcelain dish, c.1750’s, decorated with a spray of flowers and leaves, red anchor mark to base, with three stilt marks, 26.5cm wide, together with another Hans Sloane pattern shaped shaped dish, decorated with flowers and a butterfly, red anchor mark to base, with three stilt marks, repairs, both bearing old Christie’s labels (2) £500 - 800* 154 Two Derby porcelain figure groups of courting couples, late 18th/early 19th century, one modelled as a gentleman attended to his seated companion, the other as a gentleman lacing his companion’s shoe, both in naturally modelled scenes with pieced gilt bases, red ochre marks to base, incised marks for No. 78 and 84, 19cm high (2) £400 - 600* 155 Two George III Prattware tea caddies, circa 1790, decorated in relief with “Macaroni” figures, both lacking covers, 12cm high (2) £200 - 300*

153

157 A Georgian drinking glass, 18th century, with tapering bucket form bowl, with reel stem, on spreading circular domed double folded foot, 10cm high, together with a study collection of nine other glasses, to comprise two glasses with globular and pear shaped bowls, plain stems and double folded foot, two sundae glasses, a glass with a thistle shaped body on circular foot, two squat glasses with moulded lobed bowls, a glass with an inverted conical bowl, double reel stem and circular base and another glass with petal form foot (10) £200 - 300* 158 A set of ten circular cut glass dishes, late 19th century, with cut petal form rims, the bodies with section cut design with stellar and cross hatched decoration, 16.5cm diameter, together with a bowl on tripod base, converted to a strainer, eight cut glass circular dishes, two jugs, a wide dish, a covered jar, and a squat vase, all with cut decoration ( 24) £200 - 400* 159 A part suite of drinking glasses and tumblers, in the style of Stuart crystal, 20th century, to comprise six flutes, seven wine glasses, four white wine glasses, six whisky tumblers and twelve smaller tumblers (35) £200 - 400*

156 An English cabinet cup and saucer, 19th century, the rim of cup and saucer decorated with bands of gilt holly on blue grounds, the cup decorated with a vignette of a dove in a tree, the saucer with a crested bird in a natural landscape, the cup 6cm high, the saucer 13cm diameter (2) £100 - 150* 154 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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160 A Continental 800 fineness silver topped lemonade jug, of bell form, with internal glass vase and cover, 49cm high, together with a large glass decanter with a hour glass type body and glass stopper, 37cm high, a cut glass vase with engraved floral panels, 36cm high and a large globular form vase and cover, with moulded decoration to the neck (4) £500 - 800*

160

161 A collection of seven German and Bohemian glasses, early/mid-18th century, comprising a German engraved Royal Armorial goblet and cover, probably Potsdam, with the coat-of-arms of Great Britain used by George I, II and III, the reverse with the order of the garter, 29.6cm high; an armorial goblet engraved with the arms of the Barons Frohberg of Alsace, the funnel bowl with tiered stem on domed foot, 24.2cm high; a diamond-point engraved beaker and cover, decorated with a medallion of a male and female profile with partially legible script ‘Gerh[ard]: Edler V. Meinertzhagen H.R.R. Ritter geb. 1682, 11 apr und Sara[h] Elis[abeth] Schluiter: 1693, 2 april.’, the reverse side with a medallion containing their family armorials and verses from the bible; the base engraved with a moth specimen, gilded rims, 16.5cm high; a Bohemian goblet and cover, circa 1700, with facet cut bowl, baluster stem, folded foot, 33cm high; a Bohemian goblet, early 18th century, the detachable facet cut bowl with glass screw fixture at faceted knop of stem, conical foot, 22.8cm high; a pair of Bohemian gilded wine glasses and covers, circa 1730-40, of faceted form, the bowls gilded with a vignette of a gentleman in a landscape, the other with a lady, faceted stems, conical feet, 23cm high (7) £2,000 - 3,000*

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162 162 A St Louis coloured glass liquor set, French, modern, acid etched factory marks, comprising a green glass decanter and stopper and eight green and deep pink liquor glasses with spreading foot, the decanter - 26cm high £700 - 900*

163

163 A French glass paperweight, in the style of Baccarat, with an octagonal indented body and facetted top, inset with flowers and leaves, 6cm diameter £200 - 300* 164 A pair of Bohemian cut and gilt glass urns on stands, late 19th/early 20th century, the cup form bodies applied with geometrical cut panels highlighted in pink, with gilt trailing foliage and leaves between, on conforming socles with cushion circular bases, 45.5cm high (2) £1,500 - 2,000* 164

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165 165 A Meissen eceulle, cover and stand, mid 18th century, overall moulded with sprays of flowers and leaves in panels to the facetted body, enriched with painted sprays of Deutsche blumen decoration, with gilding to the rims, the lid with a floral finial, blue crossed swords mark to base, the stand 19cm diameter, the eceulle and cover 10cm high (3) £300 - 500* 166 A Meissen ice cream cooler lid, 19th century, with an entwined leaf form handle, overall decorated with sprays of flowers, blue crossed swords mark to base, 18.5cm diameter £100 - 150* 167 A Meissen porcelain equestrian model of Czarina Elizabeth, after JJ Kandler, 20th century, holding a baton in her right hand and wearing the Order of the Polish White Eagle and the Grand Cross of the Order of St. Andrew, in a green and gilt frocked coat and red breeches, attended by a servant with feathered turban and blue jacket, the base encrusted with leaves and flowers, cancelled blue crossed swords mark and press numbers, 24cm high £800 - 1,200*

167

168 A group of five Meissen porcelain models of animals and birds, 20th century, all with blue crossed swords and incised numbers, comprising a cockerel, peacock, turkey, duck and goat, the cockerel - 9cm high (5) £250 - 350* 169 A set of four Meissen wine coolers, various dates from 19th/early 20th century, each with twin scrolling handles, the bodies decorated with sprigs of flowers, various blue crossed swords marks, one with press numbers, 11cm high (4) £800 - 1,200*

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170 170 A set of six Meissen plates, late 19th century, with reticulated basket weave rims and moulded bowls, overall painted with floral sprays, press numbers, blue crossed sword and dot marks to base, 23cm diameter, together three larger plates with reticulated rims, with similar painted decoration, 25.4cm diameter (9) £300 - 500* 171 A Meissen porcelain centrepiece, late 19th century, the pierced boat shaped basket with two handles, applied with roses, supported on a central column by two partly draped putti, standing on a rocky outcrop with a naturally modelled base, crossed swords mark, incised A 49, stamped mark 78, painters mark 22, 38.5cm high £250 - 350* 172 A Meissen porcelain candelabra base or single candlestick, emblematic of Winter, late 19th/early 20th century, modelled to the base with a young man and girl in the attire of a wood cutter on a sledge, she warming her hands on a brazier, on a scrolling base with four feet, a single scrolling column terminating in a candle cup, crossed swords mark to base, incised mark 786, impressed mark 163, painted mark 25, 32cm high, together with a similar Meissen style porcelain candlestick, modelled with figures representing Winter, 29cm high (2) £300 - 500*

172

173 A pair of Dresden porcelain models of pugs, 20th century, modelled seated on their haunches, with bells on their collars, printed marks to base, impressed marks, 18cm high (2) £300 - 500* 173 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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174 174 A Berlin porcelain cup and saucer, late 19th/early 20th century, decorated with genre scenes in the manner of Teniers, press numbers to base, blue sceptre mark, the cup 5cm high, the saucer 14cm diameter, together with a similar cup, a matched Meissen cup and saucer decorated with courting couples and Meissen cup and saucer decorated with flowers (4) ÂŁ250 - 350*

175 A Vienna-style blue-ground dejeuner, c.1900-1930, the printed, painted and gilt decoration with vignettes of couples in landscapes, comprising: a coffee-pot and cover, a sugar-bowl and cover, six cups and saucers and a circular tray, in fitted presentation case, blue shield marks, the tray - 30.2cm diameter Provenance: Formerly of the Habsburg Imperial family. ÂŁ600 - 1,000*

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176 A pair of Sitzendorf porcelain four light candelabra, late 19th/early 20th century, the bases moulded with female figures with birds and birdcages, both ladies seated on florally encrusted bases, the columns supporting florally enriched branches, blue crossed line marks to bases, 50cm high (2) £200 - 300* 177 A Sitzendorf porcelain clock, late 19th/early 20th century, the case of architectural form decorated with a central figure of a goddess standing in a niche flanked by flowering scrolls, with cherubs and fruit above, the dial with Arabic numeral chapter ring, with black steel fleur-de-lis hands, the movement of cylindrical form with winding square to the front, 49cm high £250 - 350* 178 A pair of German porcelain floralencrusted four light candelabra, probably Sitzendorf, late 19th/early 20th century, decorated with a boy and girl in formal floral attire playing with doves, on domed moulded bases, the branches emitting from tree stumps, blue under glazed crossed line and pitchfork marks, 50.5cm high (2) £200 - 300*

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179 A pair of Continental porcelain pot pourri vases, late 19th/early 20th century, the pieced lids with floral finials, the bodies with two handles, overall decorated with cherubs, flowers and painted flowerheads, printed blue anchor marks, 30cm high, together with a German porcelain oil lamp, late 19th/early 20th century, the moulded basket form spherical body, supported by three cherubs, on a domed circular base, with metal fittings and a clear glass shade, 28.5cm (3) £150 - 250*

177 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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180 A pair of Continental porcelain figures of a lady and gentleman, early/mid 20th century, she dressed in a floral dress with a pale blue corset coat, he in a florally rich suit with a pale purple coat, on flower strewn bases, 37cm high (2) £300 - 500*

180

181 A pair of Continental Sevres style porcelain and gilt metal mounted urns, late 19th century, decorated in the style of Boucher with continuous scenes of country couples courting and fishing, with florally gilt necks and socles, on blue grounds, the lids of conforming design, 54cm high (2) £1,000 - 1,500* 182 A pair of Continental figures of a boy and girl, representing Music and Literature, probably Sitzendorf, late 19th/early 20th century, he playing a sackbut, she holding an open book, dressed in floral decorated attire, on scrolling bases, blue crossed line and dot marks to base, 21cm high (2) £150 - 250* 183 A Continental porcelain figure of a lady, possibly Samson, 20th century, modelled as a flower seller offering posies, blue crossed and S mark to base, 18cm high, together with a porcelain model of a goddess, her arm supported by a shield resting on a column, 22cm high (2) £150 - 250*

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184 184 A set of twelve Royal Copenhagen Flora Danica Fruit plates, 20th century, with gilt and reticulated shaped rims, decorated with plums, apples, gages, cherries, green gages, grapes, raspberries and blackberries, all with underglaze blue Copenhagen mark, 21.5cm diameter (12) ÂŁ2,500 - 3,500*

185 A pair of large Royal Copenhagen Flora Danica porcelain plates, 20th century, with serrated gilt rims, decorated with blue and pink flowers, blue painted Copenhagen marks, 735/3549, and titled in black, Erythroea Centaureum, Gentiana serrata Gunn v. acuta, 25.5cm diameter, together with three further plates, Nasturtium Palustre DL, Oxytropis Lapponica Whbg. and Cerastium Arcticum Lge. , 22cm diameter (5) ÂŁ600 - 1,000*

185 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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186 A set of eight Royal Copenhagen Flora Danica Fruit plates, 20th century, with pierced and gilt rims, painted to the centre with various fruits and leaves, to include pears, lemons, gooseberries, raspberries, peaches, cherries,red currents and plums, printed marks to base for Royal Copenhagen Denmark, painted marks for 429/3554, 22.5cm diameter (8) £1,200 - 1,800*

188 A set of six Herend porcelain custard cups and covers, 20th century, with stands, the lids applied with fruit finials, the bodies with sprays of flowers, cups and lids, 11cm high, stands 14.3cm diameter together with a Ginori porcelain bottle cooler decorated with a bird perching on a thistle and five Royal Worcester coffee cans with six saucers decorated with pheasants (12) £200 - 400*

187 A modern Herend porcelain wine cooler, late 20th century, with a wavy scrolling and leaf form edge, decorated with vignettes of birds in branches and butterflies to the moulded body, printed mark to base, 15.5cm high £80 - 120*

189 A Villeroy and Boch Wild Rose pattern part dinner and tea service, 20th century, to comprise a pair of tureens with covers, two oval platters, a cheese dish, a large circular bowl, a large tureen and lid, a smaller bowl, thirteen dinner plates, twelve smaller dessert plates, six mugs, sixteen soup bowls, fourteen stands, six side plates, nine soup plates, twelve saucers, nine smaller saucers, fourteen coffee cups, ten tea cups, two preserve pots, a mustard pot, six egg cups, a butter dish and cover, two jugs, a sauce boat with integral plate and four large salad bowls (a lot) £180 - -220*

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190 A late Victorian reverse painted oval picture on glass, depicting flowers in an urn with a dead bird, in an oval gilded composition panel frame, indistinctly signed to the plinth, 45 x 36cm £80 - 120* 191 An English porcelain plaque, depicting Lake Killarney, Ireland, 19th century, with a couple walking through a landscape with mountains and trees, with an Italianate castle on the lakeside, painted title to the back, Lake of Killarney Ireland to back, 20 x 25cm £200 - 300* 192 An English porcelain plaque depicting a still life with fruit and flowers, early 19th century, depicting grapes, peaches, plums and berries on a green ledge, within a gilt and black slip frame, 15 x 15cm £300 - 500*

192

193 An English porcelain plaque decorated with a country view, 19th century, the pastoral scene with an old lady feeding chickens by her cottage, an extensive landscape beyond, 18.5 x 25.5cm £150 - 250* 194 Leighton Maybury, British, b. 1929, a Worcester porcelain plaque painted with a scene of skaters, after Bruegel, Winter landscape with skaters and bird trap, signed to bottom right Leighton, in an ornate pierced frame, signed and titled to the back, 24 x 32cm £500 - 800* 195 Albert Gregory, British, late 19th/early 20th century, a Derby porcelain plaque depicting two finches in a garden landscape, signed to bottom left, 18 x 25cm, in a gilt frame £300 - 500*

194

196 James Stinton, British, 1870-1961, a bird in a landscape, signed Jas. Stinton, a circular painted porcelain plaque, framed, 4.9cm diameter, together with a Royal Worcester porcelain plaque

by Bryan Cox, Pheasants in a snowy moorland, signed to bottom right, printed mark to back, framed, 11 x 16cm (2) £200 - 400*

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198 197 J Beard, 19th century school, a porcelain plaque painted with a cattle herder within an extensive landscape, with romantic follies and castles in the distance, in an elaborate frame, signed and dated to back, J Beard 1831, 22.5 x 22cm Note: John Beard is noted as a workman in Geoffrey Godden’s Minton Porcelain 1793-1850. £300 - 500* 198 A German KPM style porcelain plaque, 19th century, painted with a portrait bust of a young woman with long flowing hair, her body swathed in diaphanous material, signed indistinctly to bottom left, labels to back, framed, 15 x 10cm £200 - 300* 199 Atter Robert Julius Beyschlag, German, 1838-1903, Psyche with an urn, a painted porcelain plaque, printed mark, made in Germany, titled and attributed to back in blue, framed, 16 x 10.8cm £300 - 500*

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200 After Wilhelm von Kaulbach, German, 1805-1874, a German porcelain plaque of a Renaissance woman, probably KPM, portrayed in a river landscape, wearing a red velvet jacket with fur trimmed sleeves, her hair covered by a coif, mounted in a red material and gilt frame, the plaque 17.5 x 12.5cm £300 - 500*

201 A French Sevres style oval porcelain plaque, 19th century, depicting two courting lovers in a wooden landscape, a castle on a shore beyond, 30.5 x 20.5cm, framed £200 - 300*

202 A Continental porcelain oval portrait plaque of a young girl, in the manner of KPM, 19th century, portrayed wearing a pink tiara, her hair in a chignon, partially dressed in a white robe, within an Italianate landscape, 17 x 12.5cm, in a giltwood and gesso frame £200 - 300*

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Photo credit: Peter Davis Collection

CaRvingS fROm The COlleCTiOn Of JOhn edwaRdS vaughan (1772-1833) lOTS 203-210

The following eight lots of carved oak elements were collected by John Edwards Vaughan, it is believed during his Grand Tour of Europe in 1817-21 when he was accompanied by his cousin, the pre-eminent architect John Nash.

Nash was instructed to design Rheola House, Neath, South Wales in 1809 in what was to be one of his last private commissions before being almost exclusively occupied in works for the Prince Regent. In the late 19th century the carvings were displayed in the entrance hall of Rheola House and may well have been in-situ since John Vaughan’s time at the property.

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203 203 A collection of thirteen Continental carved oak mouldings, late 17th and 19th century, in the Renaissance style, including a pair of figural stiles, 46cm high, a portrait relief of Minerva, surrounded by scrolling foliate ornament, 42 x 67cm, a pair of portrait reliefs of Saints, 34 x 28cm, and various other mouldings, 200 x 84 overall (13) ÂŁ1,000 - 1,500*

204 204 A collection of eighteen Continental carved oak mouldings, 19th century, carved in low relief, including a pair of figural reliefs of Saints, one holding a cross and incense burner, various other ribbon-tied foliate and fruiting panels, mounted on boards, 194 high, 85 wide overall, the longest moulding 102cm high (18) ÂŁ600 - 800*

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206

205 A collection of eighteen Continental carved oak mouldings, 19th century, carved in low relief, including a panel of the Holy Trinity, 44 x 34cm, a roundel of a lady with flowers, 24 x 18cm, a small Dutch relief of a Saint with cross, 12 x 20cm, and various other carvings with cherubs, lion masks and foliate reliefs, 204 x 84 overall (18) ÂŁ600 - 800*

206 A pair of Continental carved figural oak pilasters, 19th century, with angel heads with entwined wings above shell terminals with Corinthian capitals on foliate supports, 237cm high, 20cm wide (2) ÂŁ600 - 800*

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208 (part)

207 A large Continental carved oak frieze, 19th century, with spreadwing eagles holding fruiting swags in their beaks, within a moulded frame with ribbon and flower-head borders, 43cm high, 381cm wide £400 - 600* 208 Two Continental carved oak friezes, 19th century, with spreadwing eagles holding fruiting swags in their beaks, within a moulded frame with ribbon and flower-head borders, 42 x 240cm and 42 x 171cm (2) £400 - 600* 209 A collection of six Continental carved oak mouldings, 19th century, carved and pierced in low relief, including two with cherubs, the others with fruit and foliate decoration, all mounted on boards, the tallest 145cm high (6) £200 - 300*

209

210 A collection of six Continental carved oak mouldings, 19th century, carved in low relief, including two ribbon-tied vertical panels with pomegranates, grapes and pineapples interspersed with leaves, 103cm high, and various other fruiting and foliate reliefs, all mounted on boards (6) £300 - 500*

210 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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212 211 A carved oak Gothic relief panel, late 15th/early 16th century, with tracery decoration, in a modern frame, the panel - 29 x 19.5cm; together with a carved oak relief panel, 19th century, in the Renaissance style, centred by a lion mask, 61 x 28.5cm (2) £200 - 300* 212 A set of four South German parcel-gilt wood carvings depicting the four stages of the Passion of Christ, early 18th century and later, comprising The Betrayal, Accepting the Cross, The Lamb of God and The Resurrection, each mounted with a late 19th century top and base, 31cm high, 18cm wide, 17cm deep overall (4) £1,500 - 2,000*

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213 A pair of French parcel-gilt and polychrome wood altar candlesticks, 19th century, each of baluster form on triform base, 55cm high (2) £150 - 200* 214 Two Continental bronze models of Saints, 19th century, comprising a figure a female saint, standing contrapposto, on a black marble base, 23cm high, and a model of Mary Magdalene in flowing, parcel-gilt robes, on shaped wood base, 17.8cm high (2) £400 - 600* 215 Two Continental carved wood models of female Saints, 19th century, one with polychrome decoration, 21cm and 19cm high (2) £300 - 500*

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216 A carved wood model of St Jerome, 19th century, depicted seated on a lion in cardinal’s robes and hat, 16cm high, together with a carved wood model of St John the Baptist, shown with camel hair coat, on later plinth, 12.8cm high (2) £350 - 450*

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217 Circle of Diego de Siloe, 1495-1563, Spanish, a carved and polychromed wood sculpture of a Holy figure, probably Christ the Saviour, modelled seated wearing a crown, his robes of gilt with a blue and gilt under robe, 71cm high Provenance: Collection of a distinguished scholar, Spain, by circa 1960; then by family descent to the present owners. £3,500 - 4,500*

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218 A Spanish carved and polychromed wood sculpture of a man, possibly Saint John the Evangelist, 14th/15th century, modelled wearing robes and holding a book in his left hand, with iron suspension loop to back, 100cm high ÂŁ3,000 - 5,000* 219 A Continental carved and painted wood fragmentary figure of a man, 17th/18th century, modelled in a blue coat with red collar, with flowing hair and a long beard, holding a scroll, probably a cresting for an alter piece, 39 high, 72cm wide ÂŁ300 - 500*

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221

220 A Continental polychrome carved wood model of Saint Roch, 18th century, wearing a pilgrims hat and cloak, showing the plague bubo in his thigh, accompanied by a dog holding a flatbread in its mouth and a kneeling infant, 36cm high £300 - 500* 221 Spanish/Colonial School, 17/18th century, a portrait of a man and child, probably Saint Joseph and the Christ child, oil on paper, laid down to board, the image 73 x 53cm, the board 83 x 62cm (VAT charged on hammer price) £400 - 600* 222 A bronze model of the Virgin Mary, 18th century, standing contrapposto on a crescent moon with cherub heads, mounted on a later lapis lazuli plinth, the bronze - 16.4cm high £300 - 500*

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223 223 A stained and leaded glass panel of Joachim and Anna at the Golden Gate, probably French, 13th century and later, the gate inscribed, AUREA PORTA, with later painted glass replacements, in a modern painted wood frame, the glass - 44cm diameter Note: The iconography of the apocryphal story about the parents of the Virgin Mary meeting at the Golden Gate of Jerusalem, after learning that she will bear a child is firmly identified by the inscription Aurea Porta (Golden Gate), even though Joachim is unusually depicted with wings. Although the wings are medieval pieces of glass, it is likely they were inserted later, perhaps by a restorer who thought the iconography to be of an Annunciation, a better known scene.

In style, the panel compares well to the stained glass of the great cathedrals of the early thirteenth century, and perhaps in particular to a panel of Anna and Joachim at the Golden Gate in Chartres Cathedral, part of a window depicting scenes of the Life of the Virgin, which shows a similar composition.

A report authored by Dr Heather Gilderdale Scott, Secretary to the Committee of the Corpus Vitrearum Medii Aevi (Medieval Stained Glass in Great Britain) is available upon request. ÂŁ3,000 - 5,000* 224 A composite stained glass panel, depicting portraits of Tudor nobles, 19th century and later, with sections of buildings, birds, bullrushes and other devices, within patterned bands, within a hardwood frame, the panel, 75.5 x 103cm, the whole 90 x 117cm ÂŁ150 - 200*

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231 225 229 229 A Flemish bronze bell, by Van Laer, 1767, with foliate cast band above the inscription VAN LAER ME F : BRUXEL : Ao . 1767, 20cm high £300 - 500*

225 A green marble mortar, 19th century, of typical form with waisted base, 17cm high £300 - 500* 226 A North European bronze cauldron,17th/18th century, with angular side handles and three facetted legs, 20.5cm high, 26.5cm wide £200 - 300*

230 A Continental silver-gilt ecclesiastical buckle, probably Spanish, 18th/19th century, of oval form with a central figure of the Virgin and Child, the main body applied with tendril filigree work, the edge with pierced petal forms, hung with four pierced initials J E H D, 12cm wide £200 - 300*

227 A large German pewter monteith, early 18th century, with two shaped handles, raised on three claw-and-ball feet, touch marks to underside, 25cm high, 36cm wide £500 - 1,000*

231 A miniature copper alms dish, probably English, 17th/18th century, decorated to the centre with a repousse work scene of a bird offering a fish a worm, with punch mark letters A L M S, in a circular device, 8.4cm diameter £400 - 600*

228 A small Dutch bronze mortar, 18th century, of tapering form, 9.5cm high; together with a pewter plate, late 19th century, stamped M&Co, 18cm diameter (2) £150 - 200*

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232 232 A Dutch silver medal commemorating the death of Admiral Maarten Harpertszoon Tromp (1598-1653) at the Battle of Scheveningen, 1653, by Wouter Müller, three-quarter bust of Tromp, wearing badge of the Order of St. Michael, two putti above with trumpets and a wreath formed of military trophies, cast inscription Myn hert en handt was voor het landt (my heart and hand were for my country), the reverse with naval battle with ship sinking in the foreground, cast inscription Waarom doet muller Tromp door kunst van goudt en silver leeven: om dat hy d’yser eew door krygsdeugd heeft verdreven den 10 aug 1653 (Why does the art of Muller make Tromp live in gold and silver? Because he chased out the age of iron by military honour of 10 August 1653), 73mm diameter Note: Maarten Tromp was one of Holland’s greatest naval heroes joining the Dutch navy in 1622 and rising through the ranks until he became commander of the Dutch fleet. He was killed by a musket shot in 1653, during the Anglo-Dutch War of 1652-1653. £400 - 600*

233 A group of sixteen medals, fifteen related to the Heineken family and the city of Bremen, 18th/19th century, comprising: a silver medal commemorating Johann Heineken (1761-1851) by Wilkens, Bremen, dated 1833, 50mm diameter; two identical silver medals and a similar one for Simon Hermann Post (17241808), dated 1803 and 1801, 44mm, 41mm; a silver medal for the physicist and astronomer Heinrich Wilhelm Matthias Olbers (1758-1840), dated 1830, 50mm; a silver medal for the ‘Groeningio’ college of senators and merchants of Bremen, dated 1804, 56mm; a silver medal for a Bremen society, dated 1763, 47mm; two identical silver medals celebrating the jubilee of the marriage of Daniel Weitsel and Gesa Meiers by P.H. Gödecke, dated 1758, 35mm; two identical silvered metal medals of the ‘Nordwestdeutsche Gewerbe & Industrieausstellung‘, Bremen 1890, 50mm; two bronze medals for the Bremen mayor Dr. Johann Schmidt, dated 1821 and 1843, 50.5mm; a bronze medal for the Bremen senate, c1843, 50.5mm; and an ecclesial bronze medal, dated 1842, 44mm, five medals with cases; together with a silver medal celebrating the 50th year marriage of the Cologne banker Gerhard Edler von Meinerzhagen and Sarah Elisabeth Schluiter, dated 1761, 49mm (16) £1,000 - 2,000*

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234 234 An album of seventy eight photographs, attributed to show images of the Battle of Yangxia in1911, early 20th century, to include photographs of troop movements, trains, barricades, a steamer with full dress flags, gun emplacements, prisoners and explosions, in a cloth covered album, 24 x 20cm closed Note: The battle of Yangxia was the largest battle in the Xinhai Revolution from 18th October to 1st December 1911 in the Wuhan area of Central China. It was fought between the revolutionary forces of the Wuchang and the loyalist armies of the Qing Dynasty, with both parties eventually leading to a resolution that saw the abdication of the Last Emperor and the establishment of the New Republic of China. £300 - 500*

235 Five framed models of historical swords, late 20th century, comprising a medieval broadsword, two types of foot officer’s swords and two types of cavalry sabres, each mounted in a velvet-lined carved shadowbox, 34.5 x 15.5cm including frame (5) £300 - 500*

235

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236 Two polychrome and parcel-gilt Coronation Marshals batons, one for Edward VII, dated 1902, the other for George V, dated 1911, each with crown royal cypher marks, 76cm long (2) £400 - 600* 237 Two carved boxwood busts of nobleman, probably Flemish, 17th century, possibly chess pieces, one with an indistinct ink inscription to the reverse with the date 1634, 5cm high £250 - 350* 238 A Norwegian bentwood box, early-mid 19th century, with chipcarved decoration, the underside with inscription EBƧIr6I, 15cm high, 20cm wide £150 - 200* 239 A large copper four gallon measure, 19th century, applied with a brass plaque, Imperial, 4 Gallons, 47cm high, together with three smaller measures, for a quart, a pint and a half pint, each with a seal to the lip (4) £200 - 400* 240 A Spanish walnut vargueno cabinet, 17th century, with gilt metal handles and mounts, the fall enclosing fitted architectural interior with an arrangement of gilded and polychrome painted drawers with spiral carved bone columns and one cupboard door, 63cm high, 104cm wide, 41cm deep £1,500 - 2,500*

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241 A Spanish walnut vargueno chest, 17th century, with gilt metal and red velvet mounts, the front with an arrangement of gilded drawers, with floral polychrome panels, mounted with carved bone columns, upon conforming cabinet, with four cupboard doors, on squat bun feet, 116cm high, 81cm wide, 37cm deep ÂŁ3,000 - 5,000*

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242 A Spanish walnut vargueno on stand, 17th century, with cast iron handles and strapwork, the front with architectural façade, having an arrangement of gilt drawers with polychrome decorated bone inlay and mounted with carved bone columns, the stand with tapering uprights, with arched stretcher, on a carved trestle base, 130cm high, 88cm wide, 36cm deep £2,000 - 3,000*

243 A large Hispano Moresque plate, 19th century, with applied four ring form lugs to the rim, overall decorated with panels of geometric panelling, on scrolling panel grounds, with central foliate motif, 48cm diameter £600 - 1,200*

242

244 A German tin glazed earthenware tankard, mid-18th century, with a pewter lid, the body decorated with a vase filled with flowers, painted as an armorial with a shield with crown cornice, on a speckled purple glazed ground, 23cm high, together with a tin glazed earthenware charger, overall decorated in blue and white with flowers, bearing label for Christies, 41cm diameter (2) £200 - 300*

243 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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245 An Aubusson tapestry, 18th century and reduced, woven with a pastoral scene of country lovers in the style of Boucher, within floral borders, signed Manufacture Royale Aubusson 1737 EF, 204 x 156cm ÂŁ800 - 1,200*

245 246 An Aubusson verdure tapestry fragment, 18th Century, depicting a landscape with a bird and pagoda, later border, 125 x 150cm ÂŁ500 - 800*

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247 247 A Flemish Classical tapestry, 16/17th century, depicting a classically attired general with his advisors, watching his troops assault a stronghold, within an extensive landscape of castles and trees, approximately 242 x 356cm £3,000 - 5,000*

248 A French or Flemish tapestry portico, 19th century and reduced, with central shield within a cartouche, the corners with classical figures, further worked with flowers, pomegranates and grapes, 194cm high x 239cm wide £500 - 800*

248 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

249 A Flemish walnut settee, 19th century, the straight back above downward swept armrests, upholstered in floral pattern fabric, with loose seat cushion, raised on turned legs joined by stretchers, 105cm high, 137cm wide £800 - 1,200*

249

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250 A Southern Netherlandish oak lectern, Flemish, circa 1600, the top carved with an eagle with spread wings, on a ball finial, supported on a foliate carved baluster column, on a triform spreading pedestal enriched with volutes and relief carved foliage, on scroll form and paw feet, 193cm high ÂŁ6,000 - 10,000* 251 A large Baroque Continental carved rectangular frame, first half 18th century, mounted as a mirror, boldly carved with two entwined branches with flowerheads and acanthus leaves, 161cm high, 100cm wide, 16cm deep Provenance: Formerly of the Habsburg Imperial Family. ÂŁ1,000 - 1,500*

250

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252 252 An Italian carved wood book or music stand, parts 18th century, with adjustable scrollcarved book-rest, above similarly-carved friezes and scroll feet, 47cm wide, 37cm deep £600 - 800*

253

253 A William and Mary walnut and line inlaid chest of drawers, the quarter veneered top with inlaid cartouche, above two short and three long graduated drawers, raised on squat bun feet, 88cm high, 89cm wide, 55cm deep £600 - 1,000* 254 A Charles II chest of drawers, late 17th/early 18th century, with two short over three long graduated drawers, the drawers with applied geometric moulding, raised on later bun feet, 97cm high, 94cm wide, 51.5cm deep £500 - 800*

254

255 A Queen Anne walnut chest on stand, the feather banded top, above two short over three long graduated drawers, the stand with turned supports joined by shaped cross stretcher, on squat bun feet, 121cm high, 96cm wide, 57cm deep £500 - 800* 256 An oak marriage box, dated 1744, and later, the front with incised and stamped decoration of two hearts flanking the iron escutcheon, with the initials and date I B 1744, 57cm wide £100 - 200* 257 An English embroidered mirror, 19th century, the border cut from an earlier needlework, the shaped frame decorated with floral and cross motifs with wirework edges, 66.5 x 54cm £200 - 300* 255

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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258 258 An oak four seat church pew, by repute from St. Pauls Cathedral, late 19th/early 20th century, with panelled backrests, flanked by column supports, above fold up seats, having prayer stands on the reverse, 103cm high, 252cm wide, 51cm deep £600 - 1,000* 259 An oak six seat church pew, by repute from St. Pauls Cathedral, late 19th/early 20th century, with panelled backrests, flanked by column supports, above fold up seats, having prayer stands on the reverse, 103cm high, 370cm wide, 63cm deep £800 - 1,200*

260 A copper and sheet metal weathervane on stand, possibly American, late 19th/early 20th century, the swivelling ornament indicator mounted with a figure of a running horse, above four directionals, with a sphere below, on an associated wood pedestal with metal feet, 178cm high £500 - 800* 261 A child’s hobby horse, late 19th century, with a leather covered seat, on four reel turned cylindrical legs, with a shaped base plateau, on four cast iron wheels, 74cm high £150 - 250* 262 An artist’s wood lay model of a hand, early 20th century, resting on an ebonised base, indistinct stamp to base, 33cm high extended, together with a miniature artist’s lay figure of a man, supported on a metal and wood base (2) £400 - 600*

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266

263 267 (part)

263 A scrimshaw decorated whale’s tooth, mid-19th century, engraved with an exotic bird, 15.5cm high £300 - 500* 264 A scrimshaw decorated whale’s tooth, mid-19th century, engraved with a harpooned whale, a rowing boat in the foreground, a ship on the horizon, 13cm long £250 - 350* 265 A white-metal mounted scrimshaw powder-horn, mid-19th century, with inked pin-prick decoration with a figure of Atlas, depicted crouching and supporting a globe, 17cm long £100 - 150* 266 A silver-mounted scrimshaw decorated whale’s tooth, mid-19th century, hallmarked, engraved with a ship under full sail and flying a British flag, a lighthouse in the distance, 16.3cm long £150 - 200* 267 A scrimshaw walrus tusk cribbage board, late 19th century, engraved with a fish and flower, the reverse decorated with a seal in a boat, another on an ice floe and one swimming, 28cm long; together with a pair of small scrimshaw whale teeth, late 19th century, decorated with a whale and walrus respectively with ribbon-tied frames surrounded by hearts, 9cm long (3) £300 - 500*

268 268 An oak cricket table constructed with timber from The HMS Revenge, which sailed at the Battle of Trafalgar, early 19th century and later, the tri-form top with white metal plaque inscribed This table was made from a timber of HMS Revenge, 74 guns upon which battleship Captain John Geary R.N served as midshipman at the Battle of Trafalgar under Captain H.R Moorsom R.N. It was bequeathed to his brother James Geary who retired from the Royal Navy as Lieutenant in 1821, grandfather of H.A.D Wathen writer of this inscription, 1905 the Centenary of the Battle, raised on turned baluster form supports, joined by stretchers, 62cm high, 70cm wide £200 - 300*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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269 269 A Bakshaish, rug, Northwest Persia, early 20th century, the field with stylised flower heads enclosed by an ivory border with flowering vine, 200cm x 150cm £800 - 1,200* 270 A North West Persian Soumak runner, mid to late 20th century, the deep blue field with zig zag edge, the ivory main boarder with hooked medallions, 400cm x 104cm, together with a modern Turkish prayer rug with red field and border of stylised dogs, 118cm x 106cm (2) £100 - 200* 271 A Caucasian Kelim, early 20th century, with main design of four rectangular panels, within hexagonal panel border and hook design to outer edge, 384cm x 180cm £200 - 400*

272 A North West Persian Soumak, early/mid 20th century, with all over repeat design in main field, having zig zag edge, enclosed by multiple borders, 503cm x 112cm £200 - 300* 273 A Caucasian Kelim, early 20th century, with geometric motifs in step edged lozenged pattern field, 264cm x 170cm, together with another Kelim, early to mid 20th century, with all over repeat design in charcoal field with multiple border, 294cm x 139cm (2) £150 - 250* 274 A Turkish rug, late 20th century, with cockerel and other birds in brick red field, 198cm x 147cm, together with an Afghan prayer rug, late 20th century, 133cm x 93cm and a Berber wool runner with symbol motifs, 292cm x 76cm (3) £100 - 150*

273 (part)

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275 A Qajar Kashan pictorial carpet, Iran, late 19th century, the field depicting a court scene with the Qajar ruler Nader Shah enthroned with attendants, the border with hunt scenes, 210cm x 136cm £1,000 - 1,500*

276

276 A Qum silk rug, Iran, late 20th century, with pale straw coloured field, with central medallion having entwined scrolling flowers and leaves, the faun main border, with signature to outer edge, together with case and certificate of origin, 192cm x 130cm £200 - 300*

277 A Hereke carpet, West Anatolia, c. 1900, dated AH 1222/1807-09 AD, in the European taste, with pole medallion in trellis panel, enclosed by numerous panels decorated with foliate scroll and open cartouche, 673cm x 553cm £2,000 - 3,000*

277 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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278 A Kirman pictorial rug, early 20th century, the field with four stylised robed figures, their heads formed as flowering stems, with a table with wine and food, having decorative border with flowers and trailing vines, signature to top left corner, 211cm x 124cm £300 - 400* 279 A Prayer rug, early 20th century, with ochre coloured prayer panel, surrounded by multiple guard stripes, 188cm x 130cm £150 - 200* 280 A Caucasian Soumak, mid-20th century, with rows of lozenge pattern designs, enclosed by hook border design, 289cm x 156cm £150 - 250* 281

281 A West Persian Kelim, mid-20th century, with polychrome lozenge motifs in striped field with striped end sections, 240cm x 148cm, together with a West Persian runner, with all over design of rectangular panels, 373cm x 136cm (2) £200 - 400* 282 A Bidjar rug, Northwest Persia, late 19th/ early 20th century, the central medallion in a brick red field decorated with flowering stems, with indigo spandrels and ivory main border with stag head design, 210cm x 135cm £1,500 - 2,500*

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283 286 A Mahal carpet, mid-20th century, with medallion in floral and foliate decorated indigo field with red main border 293cm x 200cm £150 - 250*

283 An Isfahan carpet, late 20th century, the celadon field with entwined flowering and foliate stems and conforming design to ivory main border, 359cm x 267cm £500 - 1,000*

287 A Shiraz rug, early 20th century, with three step edged medallions, in Indigo field, 191cm x 122cm £80 - 120*

284 A Kirman pictorial carpet, Southwest Persia, early 20th century, the main field portraying buildings, a princess in a temple, a bridge, animals and birds in a garden, the main border with birds and flowers, 369cm x 276cm £4,000 - 6,000*

288 A Chinese rug, early 20th century, the golden yellow field with five imperial dragons chasing flaming pearls, 241cm x 155cm £150 - 250*

285 A Caucasian rug, early 20th century, the faded yellow field with vases of flowers and stylised motifs, 246cm x 129cm £100 - 200*

284 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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wine RaCkS and lighTing fROm The Café ROyal, RegenT STReeT, lOndOn lOTS 289-306

The Café Royal was opened in 1863 by the French refugee Daniel Nicholas Thévenon, a French wine merchant, who arrived in London with £5 after fleeing his creditors in Paris. He changed his name to Daniel Nicols and under his management - and later that of his wife - the Café Royal flourished and was considered at one point to have the greatest wine cellar in the world.

Virtually everyone in London society has passed through the doors of the Café Royal: Oscar Wilde; Shaw, Kipling, Yeats, Sickert and Whistler were patrons, as well as Elizabeth Taylor and Princess Diana.

At the turn of the 21st century the Café Royal closed its doors to be replaced by a new five star hotel.

The following lots include the wine racking and flooring from the legendary cellars, together with lighting from The Café building.

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291 (part)

289 The wrought-iron wine racking from the Café Royal Wine Cellar, late 19th/early 20th century, comprising ten sectional shelves, an enclosed cupboard section with stencilled name Molliere Rue Constantine, Lyons, two bottle racks; together with a red painted metal fire bucket, a wicker and stoneware flask, a sherry barrel, a yoke, a large copper funnel, a two gallon zinc measure, each rack - 300cm high, 113cm wide, 87cm deep, total racking approximately 15 metres wide, the wine cupboard 196cm high, 128cm wide, 53cm deep £3,000 - 5,000* 290 A collection of approximately one hundred and fifty sheet metal wine cellar label holders, 20th century, each with business card from the Banqueting Head Waiter, the reverse with handwritten inscription of individual wines, 10 x 9.2cm £300 - 500* 291 A white painted wood and mahogany rectangular cellar table, late 19th/early 20th century, the top with two drop leaves supported by hinged brackets, with two frieze drawers, on square tapering legs, 88cm high x 153cm wide x 50.5cm deep, together with three white painted wood chairs, inset to the backs with wrought iron panels (4) £150 - 250*

292 (part) 292 One hundred Victorian cast-iron floor tiles from the wine cellars of the Café Royal, late 19th century, with octagonal design, cast in relief to the reverse Mettaflor Regd design 870186, each tile 30.5 x 30.5cm (100) £1,000 -1,500*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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293 Three wrought-iron eight light Gothic taste open work chandeliers, 20th century, the frame work with twist form and leaf applied circular body issuing scrolling arms with castellated drip pans, with conforming ceiling hook, 50cm high, 64cm diameter (3) (It is the buyer’s responsibility to ensure that electrical items are professionally rewired for use) £300 - 500*

293 (part)

294 A pair of polished metal eight light chandeliers, 20th century, each with Neoclassical moulding to the ring form body, with eight plain candle cups emanating from tubular arms joined to a central domed hanging corona, with ring suspension, with frosted glass storm shades, 70cm high, 67cm diameter (2) (It is the buyer’s responsibility to ensure that electrical items are professionally rewired for use) £500 - 800*

294 (part)

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295 A pair of metal and glass two tier eighteen light chandeliers, 20th century, with central baluster foliate and strapwork moulded column, with two tiers of scrolling arms terminating in dish form petal edged light dishes, hung with lustres the arms with further pendant lustres, 70cm high, 46cm diameter (2) (It is the buyer’s responsibility to ensure that electrical items are professionally rewired for use) £500 - 800* 296 A set of six Louis XV style bronze three light wall appliques, 20th century, with acanthus leaf backplates emitting three similar leaf and berry branches terminating in vase form candle cups with leaf form drip pans, 52cm high (6) (It is the buyer’s responsibility to ensure that electrical items are professionally rewired for use) £600 - 1,000*

295 (part)

296 (part)

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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297 297 A set of six Louis XVI style gilt bronze twinlight wall appliques, 20th century, the backplates with flaming urn finials above leaf and twisted stem columns with leaf and acorn terminals, emitting leaf capped scrolling arms terminating in reeded thistle form candle cups, 49cm high (6)

298 A set of four Louis XVI style gilt bronze twin-light wall appliques, 20th century, the backplates with flaming urn finials above leaf and twisted stem columns with leaf and acorn terminals, emitting leaf capped scrolling arms terminating in reeded thistle form candle cups, 49cm high (4)

(It is the buyer’s responsibility to ensure that electrical items are professionally rewired for use) £500 - 800*

(It is the buyer’s responsibility to ensure that electrical items are professionally rewired for use) £350 - 450*

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299 A pair of eight light gilt metal and lustre hung chandeliers, 20th century, with central baluster support and circular ceiling corona, the scrolling reeded arms emitting from a circular body mounted with stiff leaf fleur-de-lis device, the arms terminating in petal form drip trays and scroll form candle cups, overall hung with strings of lustres and elongated facetted drops, 62cm high, 70cm diameter (2) (It is the buyer’s responsibility to ensure that electrical items are professionally rewired for use) £500 - 800*

299 (part)

300 A similar pair of eight light gilt metal and lustre hung chandeliers, 20th century, with central baluster support and circular ceiling corona, the scrolling reeded arms emitting from a circular body mounted with stiff leaf fleur-de-lis motif, the arms terminating in petal form drip trays and scroll form candle cups, overall hung with strings of lustres and elongated facetted drops, 62cm high, 70cm diameter (2) (It is the buyer’s responsibility to ensure that electrical items are professionally rewired for use) £500 - 800*

300 (part) * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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301 A twelve light gilt metal and lustre hung chandelier, 20th century, with beaded and reeded suspension hook, plain rod support and circular swaged and foliate ceiling corona, with conforming circular foliate outer body ring, hung with strings of beads and a basket of beads, 60cm high, 46cm diameter (It is the buyer’s responsibility to ensure that electrical items are professionally rewired for use) £300 - 500* 302 A circular three light gilt-metal ceiling plafonnier, 20th century, the ring form body applied with pierced three petal leaves, with three further pendant ringed tiers, overall hung with elongated shaped lustres, supported on chains suspended from a ceiling rose of petal form with an inverted acorn finial, 46cm diameter (It is the buyer’s responsibility to ensure that electrical items are professionally rewired for use) £150 - 250*

301

303 A Venetian clear and parcel-gilt glass five light chandelier, 20th century, with ball and baluster stem, the base emitting twisted scrolling arms terminating in bell form lampshades, interspersed with leaf fronds, 70cm high, together with a pair of five-light conforming wall appliques, 70cm high (3) (It is the buyer’s responsibility to ensure that electrical items are professionally rewired for use) £500 - 800*

303 (part)

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305 (part) 304 A French taste six light openwork bronze chandelier, 20th century, formed from three leaf applied scrolling struts, joined by a central vase with leaf form base, each emitting two branches with leaf form sconces, with glass shades, the chandelier: 80cm high, 58cm diameter, attached to a tubular ceiling fitment, 46.5cm high (It is the buyer’s responsibility to ensure that electrical items are professionally rewired for use) £150 - 250*

305 A French taste polished brass six-light chandelier, 20th century, with ring form suspension, the central column of facetted baluster design with ball form middle moulded with a diaper pattern of stylised flower heads leading to bulbous base with pendant finial, emitting six stiff leaf scrolling arms terminating in petal form drip pans, with plain vase form candle cups, 68cm high, 64cm diameter, together with four conforming twin-light wall sconces, 35cm high (5)

306 A Dutch style six light brass chandelier, 20th century, of typical form with bulbous form column with plain scrolling arms terminating with dish form drip pans and plain candle cups, 70cm high, 76cm diameter, together with four conforming twin-branch wall lights (5) (It is the buyer’s responsibility to ensure that electrical items are professionally rewired for use) £200 - 300*

(It is the buyer’s responsibility to ensure that electrical items are professionally rewired for use) £500 - 800* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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307 A Queen Anne walnut escritoire, the moulded cornice above blind cushion drawer, the fall enclosing green felt writing surface, an arrangement of fourteen drawers and one pigeon hole about a central cupboard door enclosing three further drawers, over two short and two long graduated drawers, raised on shaped bracket feet, 170cm high, 119cm wide, 51cm deep £1,000 - 1,500* 308 A George II walnut bureau, the fall enclosing burgundy leather inset writing surface and an arrangement of drawers and pigeon holes, above two short and two long drawers, raised on bracket feet, with later added casters, 99cm high, 91cm wide, 53cm deep £120 - 180* 309 A George II mahogany armchair, the serpentine top rail, above pierced and waisted splats, with curved and downward swept armrests, over green floral overstuffed seat, on square moulded legs, joined by stretchers £1,000 - 1,500*

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310 A George II armchair, the serpentine shaped backrest, above acanthus carved and scrolling armrests, upholstered in blue damask fabric, on acanthus carved cabriole legs to scrolling feet £2,000 - 3,000*

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311 A pair of George II mahogany dining chairs, possibly Irish, with scroll carved top rails, above pierced and carved backrests, with terracotta coloured cotton upholstered seats, on acanthus capped cabriole legs to pad feet (2) ÂŁ1,000 - 1,500* 312 A mahogany and oak longcase clock, 19th century, the hood with swan neck pediment centred by a gilt-bronze putto holding a scythe, with glazed door flanked by columns, the trunk with arched door on plinth base, the enamel dial with Roman numeral chapter ring with seconds subsidiary dial, surrounded by foliate spandrels and surmounted by a scene of a huntsman on horseback with hounds, indistinct makers name, Lincoln, with pendulum, two weights and winder, 212cm high ÂŁ200 - 300* 313 A George II black japanned longcase clock by Randell, Portsmouth Common, the case with an arched top with glazed door flanked by pilasters, the trunk with conforming arched door, on plinth base, overall decorated with Chinese figures in landscapes, the brass dial with silvered Roman and Arabic chapter ring, with dial for strike/silent to arch, and further seconds subsidiary dial with a date aperture to a Neoclassical taste engraved centre, signed Randell Portsmouth Common, applied with florally pierced spandrels, with pendulum, two weights and key, 217cm high ÂŁ800 - 1,200* 312 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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315

314 A George III mahogany Gainsborough armchair, the square back above downward swept arms with geometric blind fret carving, upholstered in green velvet fabric, on conforming square legs, joined by stretchers £600 - 1,000* 315 A George II mahogany dining chair, in the manner of Thomas Chippendale, the serpentine top rail with carved c-scroll and acanthus decoration, above pierced and waisted slats, flanked by stop fluted side rails, above floral upholstered drop in seat, on square moulded legs joined by stretchers £300 - 500*

316

316 A George III mahogany drop leaf dining table, the rectangular top, with two drop leaves, on tapering cylindrical legs to claw and ball feet, 69.5cm high, 101.5cm open, 91cm deep £300 - 400* 317 A pair of George III mahogany dining chairs, the serpentine top rails above pierced waisted splats and solid seats, raised on square moulded legs, joined by stretchers (2) £250 - 350* 318 A George III Gainsborough armchair, the serpentine backrest, above downward swept arms with carved scrolling foliate decoration, upholstered in yellow floral fabric, on square moulded and acanthus carved legs, joined by stretchers, raised on brass casters £1,500 - 2,000* 318

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319 A George III mahogany side table, late 18th century, the rectangular top with moulded edge and re-entrant corners, above shallow frieze drawer, on square chamfered legs, 70cm high, 76cm wide, 49cm deep £300 - 400* 320 A George III mahogany bookcase, the moulded cornice above two astragal glazed doors, enclosing three adjustable shelves, above two panelled doors enclosing two shelves, raised on plinth base, 220cm high, 98cm high, 31cm deep £400 - 600*

320

321 A George III mahogany bracket clock, by John De Lasalle, the case with brass carrying handle to bell shaped top with four brass pineapple finials, with arched glazed door with pierced brass C scroll spandrels to the top corners, glazed sides and back, on brass feet, the silvered dial with Arabic and Roman numeral chapter ring, with subsidiary dials for Strike/silent and calendar, decorated with Adamesque style husk swags and floral patera, the eight day five pillar fusee movement with verge escapement with rack striking, with bob pendulum, signed Jhn Delasalle, London, 52cm high £2,000 - 3,000*

321 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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322 A George III mahogany bracket clock, by George Hershaw, the arched top with brass carrying handle, with arched glazed door, the sides with arched fish scale grills with brown silk lining, the back door glazed, on brass bracket feet, the gilt brass dial with silvered Roman and Arabic numeral chapter ring with subsidiary dials for Strike/silent and date, with silvered name plaque for Geo Hershaw, London, on matted centre, with pierced steel hands, surrounded with raised gilt scroll work spandrels, on a gilt ground, the eight day rack striking brass movement with anchor escapement and bell strike, with engraved backplate of a basket of flowers and trailing foliage and scroll work, with two keys and pendulum with brass disk bob, 38cm high ÂŁ1,000 - 1,500* 323 An American four poster mahogany queen size bed, in the Hepplewhite taste, second half 20th century, the moulded and carved canopy, on tapering supports with carved spiralling ribbon decoration, with shaped headboard, above box spring, on square feet, 210cm high, 167cm wide, 229cm deep ÂŁ500 - 800*

322

323

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324

324 A George III mahogany secretaire chest, the rectangular top above two faux drawers enclosing eight drawers, four pigeon holes and central cupboard door, above three long graduated drawers to shaped bracket feet, 111cm high, 95cm wide, 54cm deep £600 - 800* 325 A George III mahogany bookcase, the moulded cornice above two glazed and brass mounted doors, enclosing six shelves, above base section with two glazed and brass mounted doors enclosing six shelves, raised on plinth base, 200cm high, 173cm wide, 53cm deep £2,000 - 3,000*

325

326 A rectangular giltwood marginal mirror, in the George III style, 20th century, with lobed carved edge and husk and flower head and beaded glazing bars to the interior, 110cm x 72cm £400 - 600* 327 A George III octagonal and brass-bound mahogany cellaret, the hinged lid opening to reveal later lead liner with nine compartments, raised on later square tapering legs, 76cm high, 50cm wide, 50cm deep £600 - 1,000* 326

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

327

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328 328 A George III mahogany and crossbanded bookcase, the moulded cornice above two Gothic arch astragal glazed doors enclosing three shelves, the lower section with two panelled doors enclosing one shelf, raised on shaped bracket feet, 223cm high x 138cm wide x 40cm deep £400 - 600*

329 329 A George III mahogany bookcase, the moulded cornice above two glazed doors, enclosing three shelves, the lower section with two short drawers, above two panelled cupboard doors, enclosing one shelf, on shaped bracket feet, 225cm high, 124cm wide, 51cm deep £400 - 600*

331 A George IV oak occasional table, attributed to Gillows, the circular lobed top on cluster column stem, to tripod base with cabriole legs to pad feet, 73cm high, 51cm diameter £400 - 600*

330 A satinwood and crossbanded Sheraton revival corner cupboard, of bow front form, the top decorated with painted putti, above frieze with three conforming shelves, decorated with painted floral sprays, raised on square tapering feet, 112cm high, 77cm wide, 56cm deep £300 - 500*

330 96

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332 A George IV mahogany and line strung bureau, the fall enclosing green felt writing surface and an arrangement of drawers and pigeon holes, about a marquetry inlaid cupboard door, the front with two short and three long graduated drawers, raised on ogee feet, 112cm high, 117cm wide, 54cm deep, together with a George II style mahogany dining chair, first half 20th Century, with pierced and carved vase shaped splat, above scrolling arms and drop in seat, on front cabriole legs to claw and ball feet (2) £200 - 400*

333 A George IV mahogany folding and extending dining table, with rounded rectangular top, having four additional leaves, with concertina action, raised on tapering and turned legs to brass caps and casters, 71cm high, 292cm extended, 121cm deep £2,000 - 3,000*

333

333 (open)

334 A George IV mahogany four-tier whatnot, with four rectangular tiers on turned supports to brass caps and casters, 123cm high, 56cm wide, 45cm deep £400 - 600* 335 A Regency mahogany bookcase, the moulded cornice above two glazed doors, enclosing three shelves, the base with two glazed and fabric backed doors, enclosing one shelf, above shaped apron, raised on bracket feet, 200cm high, 102cm wide, 46cm deep £500 - 800* 334 335 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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336 A Regency mahogany and ebonised cabinet, early 19th century, in the manner of George Bullock, the shaped cornice flanked by acroteria with ebony inlaid decoration, above brass lattice work and fabric backed doors enclosing one shelf, over single drawer, the conforming lower section, enclosing one shelf and a bank of six drawers, raised on turned tapering legs, to brass caps and casters, 180cm high, 71cm wide, 39.5cm deep Two bookcases by George Bullock illustrated in the ‘Lowe Papers’ on a sheet inscribed ‘Breakfast Room for St Helena Nov. 1815, No 4’ display similarities to the present lot. The pediments to these cabinets, to which the current lot is a variant, probably derive from Plate 14, No 3 of Thomas Hope’s ‘Household Furniture’, 1807. £2,000 - 3,000*

336 98

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337 337 A pair of Regency style walnut bookcase cabinets, 20th century, the galleried top above three shelves, with baluster supports, on base with two cupboard doors, raised on bracket feet, 126cm high, 82cm wide, 34cm deep (2) £800 - 1,200* 338 A Regency mahogany bookcase on later stand, the moulded cornice, with blind fret carved foliated decoration, above two astragal glazed doors, enclosing two shelves, on later Chippendale style stand with blind carved frieze, on cluster column supports, 175cm high, 111cm wide 31cm deep £1,000 - 1,500* 339 A Regency style giltwood triple plate overmantle mirror, early 20th Century, the cornice with applied spheres above frieze decorated with classical scene of chariot being drawn by lions, flanked by column supports, 89cm high x 140cm wide £500 - 800* 338

339 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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340 A Regency rosewood and satinwood crossbanded sofa table, the rectangular top with two drop leaves, above single blind frieze drawer, on turned column to quatrefoil base, raised on outswept legs to lions paw caps and casters, 71cm high, 92cm wide, 147cm open, 69cm deep £400 - 600*

340

341 A set of six Regency mahogany bar back dining chairs, the curved backrests, with carved and pierced central splats, above overstuffed seats, on front turned and tapering legs (6) £600 - 1,200* 342 A set of sixteeen Regency mahogany and caned dining chairs, together with two later carvers and two later side chairs, with rope twist top rails above shaped and cross form carved splats, over caned seats with later drop in seats, on front sabre legs terminating in lion’s paw feet (20) £3,000 - 5,000*

341

342 100

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343 343 A Regency rosewood and brass inset bracket clock by William Welch, with brass pineapple finial on a pagoda roof cornice, the front with inset panels, with two carrying handles above silk lined brass sound grills, on a plinth base with gilt ball feet, the white painted dial with Roman numeral chapter ring, the brass backplate signed Welch Kingston, with two barrel fusee movement with repeat striking and bell strike, with pendulum and various keys, 49.5cm high £400 - 600*

344

344 A William IV rosewood tilt top breakfast table in the manner of Gillows, the circular top with bead moulded edge, on tapering column support to trefoil base, on reeded bun feet and brass casters, 72cm high, 122cm diameter £1,200 - 1,500* 345 A William IV rosewood fire screen, the serpentine top rail, centred by carved acanthus decoration, above needlework panel, with tulip carved supports, to downward curved legs, joined by a ring turned and tulip carved stretcher, 117cm high, 64cm wide £150 - 250*

346

346 A Scottish Victorian walnut and burr walnut kneehole desk by Morison & Co. Edinburgh, the rectangular top with raised three quarter gallery, above an arrangement of nine drawers about a recessed cupboard, on plinth base and casters, stamped to drawer Morison & Co. Edinburgh, 79cm high, 122cm wide, 66cm deep £300 - 500* 347 An early Victorian mahogany partner’s desk, the rounded rectangular top inset with dark green leather writing surface, with three frieze drawers and three opposing drawers, raised on turned, tapering and reeded legs to brass caps and casters, 81cm high, 152cm wide, 101cm deep (VAT charged on the hammer price) £800 - 1,200* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

347 101

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348 A Victorian rosewood Canterbury, the rectangular top with pierced brass gallery, on shaped and pierced end supports, above three divisions, joined by spiral turned stretchers, with base drawer, raised on tapering and turned feet with brass caps and casters, 94cm high, 56cm wide, 40cm deep £500 - 800* 349 A large gilt wood and gesso pier mirror, 19th century, of arched form, the mirror plate with stiff leaf decoration to slip, and carved foliate s-scroll spandrels to base, 198cm high x 100cm wide £500 - 800* 348 349

350

350 A Victorian mahogany partner’s desk, the rectangular top with gadrooned edge and inset with green leather writing surface, above an arrangement of nine drawers, with nine opposing drawers, each pedestal mounted with carved rosettes, raised on plinth bases, 75.5cm high, 152cm wide, 136cm deep Provenance: Sir Robert Ludwig Mond (1867-1938).

This large Victorian partners desk and two chairs (lot 351) were gifted by the Coombe Bank estate of the late Sir Robert Ludwig Mond (1867-1938). The ‘Company’ referred to on the plaques to the reverse of the chairs is thought to be Brunner-Mond, the company founded by his father the German-born industrialist Ludwig Mond (1839-1909), of which Sir Robert became a Director; which was later merged with Imperial Chemicals Industries (ICI).

Sir Robert, a chemist and archaeologist, had a passionate interest in Egyptian archaeology, organising and personally financing various expeditions. He bequeathed his extensive collection of Egyptian and Classical antiquities to a large number of museums across Britain including the British Museum and numerous other museums including the Ashmolean, Liverpool, Sheffield, Royal Museum of Ontario and Institute of Jamaica. £1,000 - 1,500* 102

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351 351 A pair of George III style armchairs, late 19th century, with rectangular backs and seats upholstered in brown leather, with curving arms, on cabriole legs, each mounted to back with brass plaque, Presented to the company by the Late Sir Robert Mond, F.R.S. from his house, Coombe Bank, Sevenoaks (2)

352

Provenance: Sir Robert Ludwig Mond (1867-1938). £600 - 900* 352 An unusual shaped Victorian oak barometer, 19th century, with a shield and laurel leaf form cresting, with ivory plaque indicator boards and ivory adjustment wheel, to a fretwork and boss decorated trunk, 105cm high £300 - 500*

353

353 A walnut circular wall clock by W. Wallison, with a white paint dial and Roman numeral chapter ring, inscribed W Wallinson Clerkenwell, the brass movement with single fusee, with bob pendulum, 38cm diameter £300 - 500* 354 An Aesthetic movement brass and porcelain clock retailed by Maple & Co, late 19th/early 20th century, the case of architectural form with a central vase form finial flanked by four conforming finials, with baluster type struts and stepped spreading base, on turned feet, with three printed porcelain panels in the manner of William Stephen Coleman, with Grecian ladies in interiors, with Roman numeral chapter ring, marked Maple and Co., the French movement signed Maple and Co. Paris, with pendulum and gong strike, 45cm high £500 - 800* 354 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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355 A Victorian Jerusalem olivewood davenport, late 19th century, the top with two domed tambour fronted compartments, each enclosing letter dividers, above slope with mosaic inlay banding and inscribed Jerusalem, enclosing storage space, the frieze carved with fruiting vines, one side with drawer enclosing ink well and cupboard door enclosing three drawers, the opposing side with cupboard door enclosing one shelf, raised on turned and tapering feet, 96cm high, 69.5cm wide, 61cm deep £2,000 - 4,000* 356 An olivewood rectangular lectern, 20th century, inset with a central panel of a cross, within a figured wood frame, with a geometric inlaid border, with a reading ledge on a ratchet stand, 30 x 25cm, together with a casket decorated with a scene of the Temple of the Mount, two carvings of seated camels, various olive wood napkin rings, three souvenir albums with pressed flowers, various boxes and other souvenir items (a lot) £100 - 150*

355

357 An olivewood souvenir writing slope, late 19th/early 20th century, with a tambour section opening to reveal a divided section for ink and storage, with a blotter, the top carved with a scene of the Temple on the Mount flanked by flowers and leaves, with finely inlaid borders of geometric inlay, stamped Jerusalem, lifting to reveal a baize lined interior with further storage and drawers within, 37cm wide £600 - 1,200*

357

359 Frank Meisler, Israeli 1950-2010, two silvered metal models of sectional camels, signed to the back leg, K. Meisler Israel 81/290 and 54/280, the tallest 29cm high (2) £150 - 200*

358 An olivewood souvenir encrier, late 19th/early 20th century, carved in the form of a camel, on a rectangular base, with two flanking ink wells of urn form with turned lids and inset pen tray, marked Jerusalem in black ink, 40cm wide, together with another model of a standing camel and an associated figure of an Arab gentleman, playing a pipe (2) £600 - 1,000*

360 An Edwardian rosewood and ivory inlaid side chair, the shaped crest rail with urn and scrolling foliate marquetry decoration, with upholstered back panel above overstuffed seat, on front square tapering legs to spade feet £200 - 400* 358 104

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361

361 An Edwardian three piece salon suite, comprising sofa and two armchairs, with scrolling ebonised arms, upholstered in green velvet fabric, raised on tapering mahogany feet, sofa: 86cm high, 177cm wide, armchair: 83cm high, 86cm wide (3) £500 - 700* 362 A pair of Edwardian mahogany and boxwood strung armchairs, in the Georgian taste, the oval back rests above curved arms, upholstered in peach coloured velvet fabric, on square tapering legs (2) £300 - 600* 363 An Edwardian mahogany and boxwood strung desk, the rectangular top inset with green felt writing surface, with three frieze drawers and opposing faux drawers, on square tapering legs to spade feet, 79cm high, 140cm wide, 92cm deep £800 - 1,200*

362

363

364 An Edwardian yew wood desk, the top with stepped superstructure comprising eight drawers, above green leather inset writing surface, over two frieze drawers, raised on x-frame supports, joined by turned stretcher, on brass caps and casters, 91cm high, 107cm wide, 56cm deep £300 - 400*

364 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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365

366 365 An Edwardian rosewood and marquetry inlaid cupboard, the dentil moulded cornice above two arch panelled doors with boxwood and ivory inlaid scrolling foliate decoration, enclosing one shelf, above three drawers, raised on plinth base, 178cm high, 109cm wide, 58cm deep £800 - 1,200* 366 A rectangular pier mirror, 19th century, with a reeded architectural cornice, above rectangular plate, the frame inset with geometric square and rectangular bosses with silver mirrored sections behind, 154cm high x 69cm wide £500 - 1,000* 367 An Italian Neoclassical carved giltwood and cut glass eight-light chandelier, 19th century, the circular body with pierced Vitruvian scrolls and bordered by raised beaded lines to rim, applied with lions masks holding tassels, with pierced vase forms to the under tier bowl, emitting plain candle branches terminating in plain circular drip pans and cylindrical candle cups, overall hung with chains of glass beads and facetted pendants, with a Chinoiserie taste ceiling corona hung with further lines of beads, 116cm high (It is the buyer’s responsibility to ensure that electrical items are professionally rewired for use) £1,000 - 2,000*

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367

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368 368 A North European Empire style birch and ebonised secretaire-aabattant, second half 20th century, the top surmount with white marble, above two frieze drawers and fall-front enclosing fitted interior with green felt writing surface, eight drawers and central mirrored cupboard door, above three drawers, with gilt metal mounted figural pilaster supports to each side, raised on square block feet, 161cm high, 116cm wide, 50.5cm deep ÂŁ300 - 400* 369 A set of four Italian mahogany side chairs, attributed to Henry Thomas Peters of Genoa, early 19th century, the pierced crest rail with carved fan and foliate decoration, the central splat with carved rosette and scrolling decoration, above overstuffed cream upholstered seat, on turned, tapering and carved legs (4) ÂŁ300 - 500* 370 A monumental North German architectural gilt and gesso mirror, early 19th century, the pediment with egg and dart frieze, on Corinthian column supports with spiralling wheat sheaf decoration, having two bevelled mirror plates, with elliptical pierced gallery on plinth base, 350cm high x 127cm wide ÂŁ1,500 - 2,000*

370

369 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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371 A pair of large faux marble Doric columns, 20th century, painted to imitate green serpentine marble, with white capitals and plinths, 273cm high (2) (VAT charged on the hammer price) £500 - 700* 372 A North European walnut chest of drawers, early to mid 18th century, the rectangular top with moulded edge, above four long panelled drawers, on carved bracket feet, 113cm high, 148cm wide, 58cm deep £600 - 800* 373 A North German Neoclassical carved giltwood and silvered mirror, early 19th century, with a plain cornice, above a frieze with column flanked by trailing branches and oak leaves, the uprights with bands of anthemion motifs, with a lyre and oak leaf frieze to the base, the plate with semi circular and rectangular sections, 184cm x 64.5cm £600 - 800*

371

372

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374 A monumental North German carved mahogany corner cupboard, third quarter 18th Century, of bow front form, the moulded and carved cornice with foliate decoration, above two cupboard doors with gilt bronze key escutcheons, enclosing four shelves, the lower section with two cupboard doors enclosing one shelf, above carved shaped apron, on bracket feet, 336cm high, 132cm wide, 82cm deep £2,000 - 3,000* 375 A Dutch oak and marquetry inlaid trunk, 19th Century, the domed lid, enclosing candle box and storage space, with wrought iron handles to each side, the panelled frieze with compass star and floral marquetry decoration, raised on sledge feet, 68cm high, 149cm wide, 70cm deep £300 - 500* 376 A Dutch floral marquetry corner cabinet, 19th Century, of bow front form, with three frieze drawers, above tambour door decorated with swag and shell inlay, enclosing one shelf, raised on square tapering feet, 93cm high, 86cm wide, 60cm deep £400 - 600*

374

375

376 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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378 378 A Dutch floral marquetry and ebonised centre table, 19th century, the rectangular top inlaid with classical vase, cascading flowers and birds, with bone inlay to edge, above single frieze drawer, raised on ebonised spiral turned supports, joined by shaped cross stretcher, on squat bun feet, 73cm high, 101cm wide, 76cm deep £800 - 1,200*

377 377 A Dutch walnut and floral marquetry display cabinet on chest, 19th century, the arched moulded cornice centred by carved urn, above two glazed doors, enclosing three shelves, flanked by glazed angled side panels, the bombe base with three long graduated drawers, raised on pad type feet, 218cm high, 140cm wide, 55cm deep £500 - 800*

379 A Rococo revival giltwood and gesso overmantle mirror, early/mid 19th century, of square form, with carved rocaille cresting, the frame with carved wheat stalks and husks, the marginal plates bordered by cascading floral decoration and conforming wheat stalks, with tied ribbon decoration to base, 131cm high x 136cm wide £1,000 - 1,500* 380 A Louis XV style tulipwood and gilt metal mounted bombe commode, late 19th century, the yellow marble top above three long drawers with foliate marquetry inlay, above shaped apron on outward swept feet, 88cm high, 111cm wide, 50cm deep £400 - 600*

380 379 110

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381 381 A Louis XV walnut Lyonnaise commode-enarbalete, of serpentine form, with grey and white veined marble top, above central drawer, flanked by two short drawers, over two long drawers, above shaped apron, on scrolling feet, 87cm high, 131cm wide, 65cm deep £1,000 - 1,500* 382 A Louis XVI style giltwood mirror, late 19th century, of rectangular form, the carved laurel leaf crest, centred by torch and quiver, carved birds and floral spray, the central plate with beaded border and four outer plates, the frame with floral decoration and s-scroll spandrels to each corner, 134cm high x 87cm wide £600 - 1,000*

382 383 A pair of Louis XVI walnut bergère armchairs by Georges Jacob, with foliate carved crest, above scrolling arms, upholstered in blue and gold striped fabric, with loose seat cushion, on tapering stop fluted legs, each stamped to underside, G Jacob (2) £3,000 - 5,000*

383

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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385 384 384 A Louis XVI style kingwood, walnut and parquetry semainier, early 20th century, the rectangular top with pierced brass gallery, above seven parcel gilt and parquetry drawers, raised on fluted tapering feet, 117cm high, 73cm wide, 36.5cm deep £3,000 - 6,000*

386 A French marquetry and parquetry side table, late 19th century, the rectangular top finely inlaid with figures in a village landscape and hot air balloon in the sky, above parquetry inlaid drawer, raised on square tapering legs, 75cm high, 75cm wide, 50cm deep £600 - 800*

385 A Louis XVI style mahogany and gilt metal mounted cylinder bureau, early 20th century, the top with pierced brass gallery over three drawers, the roll top cylinder enclosing sliding writing surface, inset with green leather, two drawers and storage compartment, above an arrangement of five drawers, on square tapering legs, with brass sabots, 120cm high, 129cm wide, 62cm deep £500 - 800*

387 A pair of French Empire style giltwood fauteuils, second half 20th century, the square backs with foliate design to border, over padded armrests on carved sphinx supports, above overstuffed seats, with pink cotton upholstery, on front tapering legs (2) £500 - 800*

386

387

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389 388

388 A French mahogany gueridon, mid 19th century, with circular grey and white veined marble top, on turned baluster support to scrolling acanthus capped tripod legs with ceramic casters, 75cm high, 82cm diameter £400 - 600* 389 A large French Empire mahogany gueridon, early 19th century, the circular grey marble top, above plain frieze, on tapering column supports, to propeller form base, raised on ceramic casters, 75cm high, 98cm diameter £700 - 1,000* 390 A French Louis XIV style verre églomisé and carved giltwood mirror, 19th century, with an ornate three section acanthus leaf applied cresting, above a rectangular plate, the frame with concentric bands of carved giltwood and gesso enriched with strapwork and verre egolmise and silvered scroll work on a red ground, 139cm high x 74cm.wide £4,000 - 6,000*

390 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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391 (detail) 392 A French Louis XV style gilt metal mounted jardinière, 20th century, with two handles, the front applied with a Sevres style plaque of flowers within gilt floral borders on blue grounds, the mounts of ribbon swags of fruit and leaves, on cabochon and scroll feet, with a metal liner, 22cm high, 40cm wide, 27cm deep £200 - 300* 391

391 A Louis XIV style gilt-bronze mounted pewter, ebony, birch and tortoiseshell Boulle marquetry tripod table, late 19th century incorporating earlier elements, the rectangular top with circular panel of foliate and C scroll design, with further scrolling leaves to the spandrels, with brass cushioned edge, on a triangular section tapering stem, on scrolling feet, 73.5cm high, 41.3cm wide, 36cm deep £1,500 - 2,500*

393

393 A Napoleon III ebonised and Boulle work kneehole desk, late 19th century, incorporating earlier elements, with overall brass inlay and tortoiseshell decoration, the rectangular top inset with felt writing surface, above single frieze drawer and recessed cupboard door, on square tapering legs, joined by shaped stretcher, raised on squat bun feet, 83cm high, 70.5cm wide, 41cm deep Provenance: Formerly of the Habsburg Imperial family. £1,500 - 2,500* 394 A Napoleon III ebonised and Boulle work centre table, late 19th century, with overall tortoiseshell and brass inlaid foliate scrollwork, the shaped top above single frieze drawer, centred by bearded mask, on figural pilaster capped cabriole legs to lions paw sabots, 77cm high, 150cm wide, 88cm deep £300 - 500*

394 www.roseberys.co.uk

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395 A Napoleon III ebonised and Boulle work centre table, late 19th century, with overall tortoiseshell and brass inlaid decoration, the shaped top above frieze drawer with central bearded mask boss, raised on cabriole legs mounted with female masks, terminating in brass sabots, 79cm high, 145cm wide, 90cm deep ÂŁ1,500 - 2,500*

395

396 A French cast iron folding campaign bed, third quarter 19th Century, with wrought iron scrollwork frame, having sprung mattress and two bolster cushions, on iron casters, with a securing clip when folded, folded 107cm high, 101cm wide, 67cm deep, open - 88cm high, 189cm wide, 102cm deep ÂŁ400 - 600*

396

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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397 A French black slate and gilt metal mounted pedestal, late 19th century, the square top above Corinthian capital support, on a tapering shaft applied with warrior figure caryatids, with square stepped base, 99cm high £400 - 600* 398 A mahogany pedestal, first half 20th century, the square shelf with boxwood and ebony banding, on turned and fluted column to square plinth base, 107cm high, 38cm wide, 38cm deep £400 - 600*

397 398

399 A giltwood and gesso triple plate mirror, 19th century, of arched form, the pierced crest centred by tied ribbon, the central mirror plate flanked by six shelves, the uprights of flowerhead and tied ribbon form with scrolling spandrels to base, 105cm high, 73cm wide, together with a gilt wall bracket, the shaped shelf above pierced scrolling foliate frieze centred by vacant cartouche, 33cm high, 82cm wide, 22cm deep £300 - 500* 400 A pair of French gilt-bronze figural candlesticks, late 19th century, modelled as boy and girl supporting foliate branches and nozzles, on waisted white marble bases with beaded mounts, 29cm high (2) £600 - 900*

400

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401 A pair of French cut glass and bronze mounted campana urns, in the Empire taste, 20th century, moulded with rams heads to the handles, on lobed spreading foot, with rectangular plinths applied with stiff leaf and floral banded metal mounts, converted to electricity, lacking fixtures, 52cm high (2) ÂŁ2,000 - 3,000*

402 A pair of French gilt and patinated bronze six-light candelabra, in the manner of Barbedienne, c.1870, each fluted stem with bird finial at the mid-point supporting branches in the form of a classical oil lamps hung with chains, on three paw feet, with rouge griotte marble bases, 65cm high (2) ÂŁ800 - 1,200*

402 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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403 A Continental gilt bronze and lustre two light candelabra, 20th century, the base with three scrolling supports to a flat shaped stand, with central glass column issuing multiple arms, terminating in glass flower heads hung with shaped tinted and clear lustres and facetted finials, 82cm high £400 - 600* 404 A pair of gilt metal and cut glass four light wall appliques, late 19th/early 20th century, the shaped backplates moulded with leaves emitting three branches of scrolling form, terminating with four fluted cylindrical candle cups with beaded drip pans, applied with glass petal shaped disks hung with lustres, overall hung with further chains of glass beads and glass plaques, converted to electricity, with faux candles, including fittings, 56cm high (2) (It is the buyer’s responsibility to ensure that electrical items are professionally rewired for use) £300 - 500*

403

404

405 A group of seventeen French gilt-bronze ceiling lights, c.1930/40s, each with flower and leaf decoration, two larger examples, 38cm and 30cm diameter (17) £500 - 700*

405 (part) 118

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407

406 A French brass and enamelled carriage clock, late 19th/early 20th century, the case with reeded carrying handle and four corner pillars of architectural form, the sides of coloured champleve enamel, the white enamelled ring form dial with Arabic numeral chapter ring on pierced foliate ground, 14.5cm high, together with a brass carriage clock, with white enamel dial with Roman numeral chapter ring with subsidiary alarm dial below, the case with repeat button, the movement with alarm bell, 14cm high (2) £400 - 600* 407 A Jaeger Le Coultre Atmos Clock, 20th century, the white ring form dial with Arabic numeral quarter indicators, with exposed gilded movement, in a felt lined presentation case, the clock 22.5cm high £500 - 800* 408 A Jaegar-Le-Coultre 8 day desk clock, 20th century, in the form of a fob watch, with an exposed watch movement, on a stand, 18cm high, together with another Jaegar-Le-Coultre 8 day gilt metal rectangular carriage clock, 10.5cm long (2) £500 - 800*

409 A Victorian copper and iron ‘Nautilus’ firegrate, late 19th century, by James B Petter, with foliate tendril embossed panels and sunflower mounts to the side vent inserts, with maker’s plaque THE NAUTILUS GRATE TRADEMARK, PATENTED JAMES B PETTER, YEOVIL, ENGLAND, with indistinct registration number, 66cm high, 71cm wide, 55cm deep Provenance: removed from the Bank of India, City of London, now demolished.

James Petter’s invention of the ‘Nautilus’ grate in 1881 bought his firm to national attention when the grates were installed at Queen Victoria’s residences at Balmoral Castle and Osborne House after she saw them on a visit to the “Manchester Smoke Abatement Exhibition”. The design was based on the internal shape of the nautilus shell by means of which the fumes and smoke circulated in a chamber before being drawn out through the flue at the rear. £300 - 500*

409 408

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410 410 A French cast iron and polished brass fire fender, 19th century, the ends mounted with urn form terminals with fluted ball finials and fire tool hooks, on foliate mounted plinths, with a geometrically pierced joining bar mounted with a central urn, 103cm wide, together with three Victorian brass fire tools (4) £100 - 150* 411 A stoneware salt-glazed architectural herm fire-surround column, late 19th Century, modelled and cast as a herm with wings, decorated with a bulls head motif, floral garlands and ivy, glazed in colours, signed AD, with wood part support (not illustrated), 110.5 cm high £500 - 700*

412 A late Victorian cast-iron chair, late 19th/early 20th century, with acanthus scrolling back and conforming legs, with pierced seat, 96cm high; together with a Victorian white-painted plant stand, late 19th/early 20th century, in the manner of Coalbrookdale, of demi-lune form with pierced platforms, 87cm high, 64cm wide, 33cm deep (2) £400 - 600* 413 A pair of late Victorian white painted cast iron urns, late 19th/early 20th century, with lobed everted rims, on fluting socles, with rectangular plinths, 73cm high (2) £200 - 300*

411

414 A large gilt-bronze Gothic taste lantern, early 20th century, of long octagonal form, with spherical pierced corona, the domed top and base with stylised foliate pierced decoration, with glazed side panels with pierced circular petal motifs above glazed section with grills, 137cm high £600 - 800*

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416

415 A rectangular shell encrusted mirror by Anthony Redmile, mid/late 20th century, applied with cowrie and shell flowerheads as bosses, on a ground of geometrically laid white shells, stamped Redmile London to the back support hook, 93cm high x 64cm wide £200 - 500* 416 A glass and antler circular table by Anthony Redmile, mid/late 20th century, the top with circular plated metal boss enriched with hardstone cabochons, stamped Redmile London, 55cm high, 61cm diameter £400 - 800*

417 A semi-circular shell encrusted side table by Anthony Redmile, mid/late 20th century, the top inset with cowrie shells, to shaped support, the edges enriched with larger cowrie shells, with an oval cache pot to the base of shells and mineral samples, together with loose shells, the table 73cm high, 62cm wide, 31cm deep, £300 - 500* 418 A bone and plated metal pedestal table by Anthony Redmile, mid/late 20th century, the top of square section, with rectangular bone veneer plaques to the edges, on a square tapering pedestal applied with hardstone cabochons, on an ebonised base, 47cm high, 41.5cm square £200 - 300*

417 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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419 Fourteen Ichthyological studies, from Sir William Jardine’s “Naturalist’s Library” (18301840), after William Home Lizars, British 1788-1859, hand-coloured engravings, in modern mounts and frames, 29 x 36.2cm overall (14) £500 - 700*

419 (part) 420 Sixteen ornithological studies from A Natural History of Uncommon Birds,

by George Edwards and Johann Seligmann, handcoloured etchings, published

by J. J. Fleischmann in Nürmberg, 1749-1776, in modern mounts and frames, 55 x 41 cm overall (16) £1,000 - 1,500*

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421 A collection of ten framed and mounted butterfly specimens, 1960s, each glazed case containing multiple specimens with species labels including Morpho Deidamia, Priamus and Brookiana, various sizes, the largest - 51 x 41cm overall (10) Note: One species has been identified as endangered, Parnassius Apollo, and is sold with an Article 10 licence, no 578166/01. £300 - 500* 422 A banded iron tiger eye specimen, Australia, early Proterozoic (circa 2.5 billion years ago), cut, polished and mounted in a frame, the specimen 26 x 20.5cm, the frame 52 x 42cm £300 - 500* 423 A French polychrome plaster didactic model of the human ear, mid 20th century, with various numbers and letters corresponding to the components of the structure, on later wood stand, 72cm high overall £200 - 300*

421 (part)

422

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424 A specimen lump of Ambergris, approximately 896 grams, 13cm wide, together with some modern jars of dried lavender and other aromatics (a lot) £1,500 - 2,000* 425 A Smith Beck and Beck brass compound microscope, late 19th century, signed to the barrel, Smith, Beck and Beck, 31 Cornhill, London 4128, with four oculars, three Smith Beck and Beck 1/5, 2/3 and 1 1/2in objectives, each in cylindrical named boxes, together with 2in objective

by Ladd, with other components, within a mahogany case £800 - 1,200*

425

426 A Victorian walnut stereoscopic viewer, late19th century, the square viewing box with shaped eye-pieces on a pivoting barley-twist support, the base with fitted drawer containing numerous card stereoscope slides, including examples by the London Stereoscopic and Photographic Company of The International Exhibition of 1862, 40cm high, 22cm square base £500 - 800* 427 A Gould microscope by John Braham of Bristol, early 19th century, in a mahogany travelling case, the case 17cm wide £150 - 200* 426

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428 A parcel-gilt wrought iron and composition mirror, after a design by Gilbert Poillerat, late 20th century, withed with stylized branches, drapery and surmounted by a sun, high, 100cm wide Note: This mirror was originally commissioned in 1948 for a decorative scheme by the interior designer Jean-Maurice Rothschild. £300 - 500*

429 Robert Haussmann, a pair of model ‘RH201’ swivel armchairs for De Sede, c.1960, upholstered in red leather, each with loose back and seat cushion, on adjustable chromed swivel bases (2) £800 - 1,200* 428

429

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430 A black lacquered and tubular steel desk, in the manner of Marcel Breuer, c. 1970s, the rectangular top above two banks of three drawers on steel tubular legs, 75cm high, 149cm wide, 76cm deep ÂŁ700 - 1,000*

431 A pair of large polished chrome models of fighter jets, mid/late 20th century, mounted on long cylindrical stands, 80cm high (2) ÂŁ300 - 500*

431

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432 Derek Dodd, British, 1937-2018 a collection of twenty one colour negatives and developed photographs of scenes from the Dr Who series The Power of the Daleks, depicting actors on set, interiors and other scenes, to include a photograph of Pamela Anne Davey as Janley standing next to a console station, a similar scene with her, Patrick Troughton as the Doctor and possibly Michael Craze as Ben Jackson standing next to the console, six scenes with various actors on set, a scene of a Dalek in a corridor and fourteen scenes of various sets, including the Prison cells and Rocket Equipment Ship One, the negatives in three section strips within Wallace Heaton Ltd. folders, together with eleven black and white film strips each with eleven frames with varying lighting situations for the subject matter, the strips depicting seven scenes of Daleks in manufacture and groups with four of actors and other scenes (a lot) Derek Dodd was educated at Gillingham Grammar School and The Rochester School of Art where he studied theatre and set design. His work is seen in many classic television series including Dixon of Dock Green and Dr Who, where he made set designs for the Power of the Daleks and the Wheel in Space. He also worked with some of the most formative of writers and directors from the television age including Stephen Frears, Stephen Poliakoff and Dennis Potter. His work has received BAFTA and EMMY nominations.

The Power of the Daleks was first broadcast by the BBC in six weekly parts from 5th November to the 10th December 1966 and first introduced the Doctors second incarnation played by Patrick Troughton. The master tapes of all six episodes were erased in the late 1960s, while the copies kept for foreign sales on 16mm film were destroyed in 1974. Their destruction meant that the only information to survive on the series was limited to stills photography and films made by fans when the programmes were broadcast. The Daleks who first appeared in Dr. Who in 1963 were an alien race of merciless and murderous creatures whose sole aim was world domination and the extermination of inferior races. They were created by the writer Terry Nation and bought to life by Raymond Cusick, who designed the shells that are widely familiar to us now.

The archive material in this lot is rare as it contains vivid colour negatives and modern photographs of the sets designed by Dodd, the actors and a candid shot of the Doctor, when the programme was shot and broadcast in black and white. ÂŁ800 - 1,200*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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433 An Electro-Mechanical Wizard! Pinball machine, by Bally, 1975, designed by Greg Kmiec, artwork by Dave Christensen based on the Ken Russell movie ‘Tommy’, original back glass with Roger Daltrey and Ann-Margret pictured, cabinet and playfield, serial number 3335, model number 1027, the original schematic is sold with the lot.

Note: The Wizard! was Bally’s first mega-hit pinball breaking the 10,000 production mark (10,005 units were built, 5 units were distributed to the 5 top executives of Bally with the 10,005th going to Tom Neymens, Head of Sales). The striking artwork was franchised from the film Tommy, a rock musical fantasy based on The Who’s 1969 rock opera about a “seemingly disabled” boy who becomes a pinball champion. It had an important impact on pinball games as it was the first machine to use a popular theme to great success. Nearly every arcade had a Wizard! and most were placed next to the door to attract players.

This pinball machine is sold with a 6 month warranty for parts and labour for mainland UK buyers with one free call-out visit. The lot will also be fully serviced before delivery (delivery is at buyers cost). £4,500 - 5,000*

433

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436

434 The Who, Live at Leeds, an album cover signed by Roger Daltrey, Peter Townshend and John Entwhistle, with the album inside, together with a poster for the Who in Concert, at the Rainbow ( formerly the Astoria Theatre), Finsbury Park, November the 4th, 5th and 6th 1971 (2) £400 - 600* 435 The Clash, a poster from the White Riot tour, 1977, 85 x 61cm, together with a CBS Single Star card signed and dated by Joe Strummer (2) £200 - 300* 436 Robert Whitaker, British, 1939-2011, a photograph of John Lennon, an out take from the infamous ‘Butcher’ cover of Yesterday and Today, Capitol records USA release , with annotation to back John Studio 1964 , printed notation for Uniphoto Press Inc., mounted, 17 x 17.5cm Provenance: The image of John Lennon was photographed and printed in 1966 by Robert Whitaker and was purchased from the photographer’s widow, Suzie, by the current vendor. Whitaker accompanied the Beatles to Tokyo in 1966 and potentially would have recalled the image from the Uniphoto agency. £300 - 500*

437 438 Michael Jackson, American, 1958-2009, a signed photograph of Michael Jackson with a black panther, signed in black ink, 25.5 x 20cm, together with a programme for the Dangerous World tour, signed and dedicated by the band to the reverse interior cover (2) Note: The vendor was given this photograph by Jackson at an event after a show as part of a VIP date she attended as a relative of one of the band members. £300 - 500* 439 The Rolling Stones, Tattoo You, an offset lithograph poster, 76 x 102cm, together with another Rolling Stones poster for Decca, and an exhibition poster from the Tate Gallery, After Andy Warhol, Marylin Monroe 1964, 17 February-28th March 1971, lithograph,The Curwen Press, 76 x 51cm (3) £150 - 200*

437 Jimi Hendrix, American, 1946-1970, a Polydor album sleeve for Hey Joe, the sleeve signed Jimi Hendrix, mounted together with two press clippings from the Musical Express, featuring a review of a set played at Sergeant Peppers in Majorca, the mount 52 x 42cm Provenance: By repute this record sleeve was signed by Hendrix at the Lauro Verde beach bar in Palma, Mallorca on the 16th July 1968. The bar owner had this record signed, and has by descent been acquired by the current vendor. £800 - 1,200*

438 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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442 440 Fred Astaire, A French film poster for The Belle of New York, 1952, entitled Le Belle de New York, 48 x 36cm, together with other French posters for Three Little Words/Trois Petits Mots, Call Me Madam/ Son Excellence l’Ambassadrice, Danny Kay Wonderman/Le Joyeux, Phenomene, Nelson Eddy Le Phantom of the Opera/Le Fantome de L’Opera, together with a reproduction poster for the Marx Brothers film, all of similar size, framed and glazed (6) £150 - 200* 441 Carry on Doctor, 1963, a film poster, 76 x 101cm £150 - 200*

444 444 Le Mans, 1971, a film poster, UK Quad, printed by Lonsdale and Bartholomew, 72 x 102cm Note: Le Mans was made in 1971 and starred Steve McQueen as Michael Delaney, a racing driver competing in the Le Mans endurance race driving for the Porsche team. His character is haunted by the memory of an accident at the previous year’s race in which a competing driver was killed and highlights the interaction between himself and the drivers widow against the background of the race.

The film was directed by Lee H. Katzin and features film recorded during the 1970 race. The poster artwork was completed by Tom Jung. £1,000 - 1,500*

442 Thunderbirds Are Go, 1966, a film poster for United Artists, UK Quad, printed in England by Leonard Ripley and Co. Ltd. London, 76 x 102cm £300 - 500*

445 Love on a Pillow, 1962, a French subway film poster entitled Le Repos du Guerrier, illustration

by G. Allard, printed

by Ateliers Lalande, 102 Rue Gabriel-Peri, Gentilly, in two sections, each 159 x 112cm (2) £400 - 600*

443 Thunderbirds Six, 1968, a film poster for United Artists, UK Quad, 76 x 102cm Note: Thunderbird 6 was produced in 1968 and was written by Gerry and Sylvia Anderson and directed

by David Lane. It was a sequel film to 1966’s Thunderbirds Are Go and was the second film to be adapted from the 1960s television series Thunderbirds.

446 Man with the Billion Dollar Brain, 1967, A French film poster entitled Un Cerveau d’ un millard de Dollars, printed

by Ets Saint Martin, 38 Rue Pascal, Paris, 159 x 119cm £400 - 600*

The television series and films used scale models and special effects, together with marionette puppets in a film process termed as “Supermarionation”.

The plot of film Thunderbird 6 centres on Skyship One, a futuristic airship that is the latest project of the scientist Brains, the highly intelligent designer of the Thunderbirds ships and scientific officer of International Rescue.

The poster artwork was designed by Frank Bellamy. £150 - 200* 445 (part) 130

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448

447 The Magnificent Seven, 1960, a French film poster entitled Sept Mercenaires, printed by Richier Laugier, 3 Rue Barthelemy, Paris, 160 x 117cm £200 - 300*

452 Elvis Presley, a French film poster for the Trouble with girls, 1969, entitled Filles et Show Business, 36 x 54cm, together with three other posters for Live a Little, Love a little/Le Grand Frisson, Follow that Dream/Le Sherif de ces Dames and Kid Galahad/Un Direct au Coeur, all of similar size (4) £150 - 200*

448 2001 Space Odyssey, 1968, a French film poster entitled 2001 L’Odyssee de L’Espace, printed by Cine Poster, 1987 MGM/UA Entertainment Co., 155 x 116cm £500 - 800* 449 Speedway, 1968, a French film poster entitled A Plein tube “Speedway”, 157 x 114cm £150 - 200* 450 The Greatest Show on Earth, 1952, a French subway poster entitled Le Plus Grand Cirque de la Monde, printed by Affiche Gaillard, Paris, 99 Rue du Faubourg du Temple, in two sections, each 158 x 117cm, together with a smaller poster from the same film, 53.5 x 39.5cm (3) £150 - 200* 451 Rocky III, 1982, a French film poster entitled L’Oeil du Tigre, 159 x 119cm, together with other French film posters for Fanny Hill, 170 x 118cm, the Young Lions/Le Bal des Maudits, 159 x 115cm, a Time for dying/Qui tire le premier, 155 x 116cm, The Pleasure seekers/Trois Filles a Madrid, 170 x 119cm, Les Regates de San Francisco, 157 x 116cm, Monty Python The Meaning of Life/les Sens de la Vie, 157 x 115cm and Le Perdido 79 x 60cm (8) £100 - 200*

453 The Haunting, 1963, a French film poster entitled La Maison du Diable, printed by Cinemato, 29 R. Marsoulan, Paris, 160 x 118cm £200 - 300* 454 Grave of the Vampire/Tomb of the Undead, 1972, a double bill poster, UK Quad, 76 x 102, together with three other horror/exploitation film posters, Ruby/Satan’s Slave, Savage Bees/The Incredible Melting Man and Vice Raid (4) £150 - 200* 455 The Beast from the Haunted Cave/ The Wasp Woman, 1959 , a double bill poster, printed by Electric (Modern) printing Co. Ltd. M/ CB, 75.5 x 102cm £200 - 300* 456 The Flesh Eaters/Death Curse of Tartu, 1964/1966, a double bill poster, printed by Electric (Modern) printing Co. Ltd. M/ CB, 76 x 101cm £100 - 150*

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459 460 Willow, 1988, a circular cast aluminium prop shield, with large central boss with beaded surround, with four other miniature bosses, with leather strap, bearing cloth labels TRA 89 25 and TP WPI 213, 32.5cm diameter

461 457 James Bond, The Man with the Golden Gun, 1974, a film poster, printed by Lonsdale and Bartholomew Ltd., 76 x 101.5cm £500 - 800*

Note: Willow is a film concentrating on the adventures of Willow Ufgood, a kind farmer and conjurer, who hopes one day to become a real sorcerer.

He is played by Warwick Davies.

The current vendor acquired this shield from a prop maker who worked at Elstree studios where the film was shot. £150 - 200*

461 Darth Vader, an injection moulded plastic retail display/merchandising mask for the promotion of the Star Wars figurines produced by Kenner Toys, 67 x 66cm £300 - 500* 462 An Aoshin battery operated tinplate Batmobile, with Batman & Robin in the cockpit, in original box, 30cm long, together with a Louis and Marx battery powered combat tank and a battery operated highway patrol car, also both boxed (3) £300 - 500*

458 James Bond, Moonraker, 1979, 196 x137cm, together with a film programme for Octopussy and a United Artists Press book for Moonraker (3) £120 - 150* 459 James Bond/Sean Connery, Gold finger, 1964, a French film poster, printed by SE Lalande Courbet, 91 Wissous, 159 x 117cm, together with two other Bond posters, Never Say Never/ Jamais plus Jamais, 160 x 119cm, Diamond are Forever/Les Diamonds sont eternal, 80 x 59.5cm, together with a poster of Meteor(4) £600 - 800*

462 www.roseberys.co.uk

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465 467 463 A Dinky Supertoys 660 Tank transporter, with a Centurion tank, models 650 and 651, both boxed, together with a large collection of toy models and cars, to comprise a Linemar Friction dump truck, an Auto Radiocomandata RC1 car, a Marx Dumper No. 901, a Marx Pipe truck No. 2524, a Linemar High lift tractor, a Nulli-Secundus remote control helicopter, a T.V. control Fire Chief car with other cars and vehicles, some boxed (a lot) £200 - 300* 464 A collection of four Dinky Toys racing cars, 20th century, to comprise 234 the Ferrari, 232 the Alfa Romeo, 23G the Auto de Course Racewagon, 235 the H. W. M. racing car, together with a French issue filling station, Poste de Ravitaillement 592, a Corgi cars Bentley Continental sports saloon 224, together with a Dinky Cars Daimler ambulance and a Bedford Kodak van (7) £150 - 200* 465 A walnut 5 octave clavichord on stand by John Morley, London, of rectangular form with lifting folding lid and integral music stand, the keys inlaid with ivory, on a wooden stand, signed to the interior John Morley London, with gilt inscription to case, Johannes Morley Londini fecit, interior label Robert Morley and Co. Ltd, tuned at Baroque Pitch A=415Hz, serial no. 946, together with a tuning key, 131.5cm wide

466 An Italian Il Globo mandolin, 20th century, in a hard case, the mandolin 61cm long £150 - 200* 467 A maple double base, late 19th/early 20th century, with gilt metal tuning keys and mechanism, the mechanism stamped indistinctly, 189cm high, with soft case £300 - 500* 468 A violin, probably German, late 19th century, bearing label to interior Nicolaus Gagliano fecit Neapanno 1717, 60cm long, with Prima 200 mother-of-pearl bow, in a case £300 - 500* 469 A Vantage VP820B base guitar, no.

2120823, with maple and grain effect finish body and neck, 22 fret board, four strings, three gilt tuning knobs, comes with a hard case £100 - 200*

Note: This clavichord is recorded to have left the workshops of John Morley on the 6th January 1965.

There is a CITIES licence for this piece, no.

580570/1 £400 - 600* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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470 A 1966 Gibson ES-335 TD 12 String Semi-Hollow Electric Guitar In Vintage Sunburst Finish, serial no.

403438, made in Kalamazoo, USA, 24” scale, with 22 frets, two humbucker pickups, three-way toggle pickup selector, two volume and two tone knobs, and chrome stoptail, with Brazilian rosewood fret board, serial number stamped and inked to reverse of the headstock and printed to the label to interior of f-hole, in original hard case Note: The ES-335 debuted in 1958 with a double cutaway design, constructed of laminated maple arched top and back, with a solid maple block running through the centre, giving the guitar a warm tone with reduced feedback. The 12 string version was originally produced between 1965-1970. Notable players include Chuck Berry, Eric Clapton, and Larry Carlton.

470

There is a CITIES licence for this piece, no. 580443/1 £1,500 - 2,500* 471 A c.1964-66 Vox V257 Mando 12 String Electric Guitar In Sunburst Finish, serial no. 334144, made in Italy, with double T-bar neck, with two single coil pickups, a three-way toggle selector, volume and tone knobs, and chrome hardware, with original hard case 471

Note: A 1964 prototype versions were given to George Harrison (Beatles) and Brian Jones (The Rolling Stones) There is a CITIES licence for this piece, no. 580443/2 £700 - 900* 472 A c.1966 Vox V251 Guitar Organ in White Finish with Black Neck, serial no. 73059, with 21 frets, two single coil pickups and six organ tone generator circuits, chrome hardware, comes with original PSU and hard case Note: Only approximately 400 of these guitars were made. The first guitar, a prototype, was given to John Lennon in an attempt for him to endorse this model. This guitar sold at Sotheby’s in 2014 for $305,000. £1,000 - 1,500*

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473 A c.1965 Danelectro Bellzouki Vincent Bell 7020 12 String Guitar in Metallic Blue Finish, with two single coil lipstick pickups, three-way selector switch, volume, tone and master knobs, and chrome hardware, in a soft case

473

Provenance: with Andy’s Guitar Workshop & Centre, 27 Denmark Street, London, according to the label attached to the reverse of the headstock Note: a model of this type of guitar was played by Leslie West (Vagrants). £500 - 700* 474 A Late 60s Jazz Style Semi-Hollow Electric Guitar in Blonde Finish, with 20 frets, with an DeAmond Rhythm Chief 1000 microphone; together with a c.1970s SG style bass guitar, in cherry red finish, with 3-ply laminate pick guard, two humbucker pick ups and chrome hardware(2) £200 - 300*

474

475 A 1965 Hofner Senator E1 Blond Archtop SemiAcoustic Guitar, serial no. 13550, with a Hofner diamond single coil pickup, tone and volume knobs, and chrome hardware, together with a late 50s Hofner Flemenco acoustic guitar, model no. 4400, with a stamped in logo to the top, bears label inside sound hole and a late 20th century acoustic guitar, all in soft case, (3) £300 - 400* 476 A c.1963 Vox Clubman II Electric Guitar in Red Finish, with 19 frets, two single coil pick ups, volume and tone knobs, and chrome hardware, in original hard case £200 - 300*

475

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

135

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477

477 Crystal Palace Football club, an album of visitors signatures from the 1958-1959 season, the binder entitled The Glaziers Club, the title page Crystal Palace football and Athletic Club Season 1958-59, The Glaziers Club, featuring twenty six pages, each entitled with a town to the header and signatures for the visiting team below, with two Andy Capp facsimile cartoons to the back, 26 x 36cm, together with two Crystal Palace Christmas cards, signed by staff, a framed Family Day poster for Crystal Palace, 31st March 2001, signed to margins, and a cartoon portrait of a supporter, framed (5) £500 - 800* 478 Terry O’Neill, CBE, British, b. 1938, Contact sheet of Muhammad Ali preparing for his fight with Alvin Lewis in Dublin, 1972, printed later, mural size silver print, signed and numbered 7/50 in silver pen in the lower margin, flush mounted on board, framed with pexiglass, the sheet 183 x 122cm, the frame 185.6 x 126.5cm (ARR)

478 136

Provenance: Chris Beetles Gallery, exhibited February to March 2006, Terry O’ Neill in St. James, the Art of Photography, no 22, according to the label attached to the reverse. £2,000 - 3,000* www.roseberys.co.uk

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479 Alan Aldridge, British, b. 1967, a poster for the Butterfly ball, off set lithograph, signed and dated by Aldridge Nov 1973, framed and glazed, 60.5 x 45cm £200 - 300* 480 William John Charles Pitcher, known as Wilhelm, British, 1858-1925, a theatrical design for a female character called Dorothy, signed and dated 1904, watercolour on paper, framed, 21 x 14cm, together with another work probably designed for a production called Old China, for a gentleman actor as a Dandy, signed and dated 1901, with notes to a header, 2 pedestals alike Sc. 1, (save for flowers) Dandy and Count lady, Mr. W. Bishop and Miss Vincent, a design for a lady with a hawk, signed and date 84, and a design for a dancer, probably by Wilhelm, unsigned, all framed (4) £150 - 200* 481 Attributed to Alfredo Edel Corlorno, a costume design for a female actress in a play or opera as a trumpeter, watercolour on paper, framed, 40.8 x 21.5cm, together with another design for a female actress in regional costume, also framed (2) £150 - 200* 482 Robert Crafter, British, early 20th century, a costume design for a female character wearing a pink and blue floral dress, signed to bottom right, watercolour on paper, framed, 26 x 16.5cm, together with three unsigned works in the manner of Crafter, to comprise a design for a female actress for Dandini and two other designs for female actresses, three framed, one mounted (4) £200 - 300* 483 In the manner of Robert Crafter, British, early 20th century, a design for a female character as a Native American, watercolour on paper, framed, 24.5 x 12cm, together with three designs for female characters in plays or operas, unsigned, watercolour on paper, various sizes, 25.5 x 14.4cm, with in addition a double figure design for a female Military character in an opera or play, all framed (5) £100 - 150*

480

485 Attilio Guiseppe De Comelli von Stuckenfield, Italian,1858-1925, known as Attilio Comellli, two designs for female characters as a Gondolier and a Classical lady, both signed and date 1915, watercolour on paper, framed, 22.5 x 15cm (2) Note: Comelli was appointed house designer to the Royal Opera House in the 1890s. Comelli came to London in the late 19th century and quickly established himself as one of the most prolific designers for the London stage. He was credited as Artist in Chief at the Alhambra, Theatre Royal, Drury Lane and the Royal Opera House in London, and also found time to provide costumes for some of the Savoy operas and for Christmas pantomimes in London and Australia. £150 - 200*

484 Minon, French School, late 19th/early 20th century, two costume designs for female characters representing Rome and Paris, signed Minon in pencil, watercolour on paper, laid down on board, mounted, 31 x 19.8cm and 31.4 x 19.4cm, together with two framed designs for female actresses, for male and female costumes, in the same taste, watercolour on paper (4) £200 - 300*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

137

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486 486 Aslan, Alain Gourdon, French, 1930- 2014, three French posters for the Folies Bergeres, circa. 1980, 149 x 99cm and 144 x 99cm, together with another Folies Bergeres poster, from designs by Erte, Folie en Folie, 156 x 117cm (4) £300 - 500*

488 487 A bottle of Paradis Henessy Cognac, in a presentation case £700 - 1,000*

487

488 A bottle of Springbank cask strength malt whisky,aged 16 years, 54.3% volume, in original presentation box £300 - 500* 489 A box of twenty five La Flor de Henry Clay cigars, in cedar case, with printed labels, the box opened recently Note: The vendor confirms that until recently this box of cigars was sealed, but it was opened to inspect the contents by a specialist retailer. £700 - 1,000*

489 138

490 A tulipwood, mahogany, walnut and cedar wood cigar humidor by Dunhill, 20th century, the interior with three divisions, with Dunhill London plaque to interior, 38cm wide £200 - 300*

www.roseberys.co.uk

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491

493

491 Chanel: a small Classic Flap navy blue lambskin shoulder bag, the quilted leather with curved flap, adjustable double chain and matt gold tone hardware, no.21749517, with Cart D’authenticite, booklet, dust bag, original packing tissue, box and carrier, 22cm wide £1,000 - 1,500* 492 Hermes: an Hermes Vespa natural canvas and brown leather shoulder bag, with gold plated hardware, toggle clap and brown webbing strap, 30cm x 28cm £200 - 300* 493 Chanel: a quilted buff coloured fabric bag, with two internal zippered wall pockets, gold plated hardware, interlocking C clasp and double gilt metal and fabric woven straps, 24cm x 28cm £400 - 600* 494 Hermes: an Hermes black leather Kelly Sport MM, 1993, with black leather adjustable shoulder strap, gold plated hardware and two internal wall pockets, date letter W within circle for 1993, 24cm wide x 29cm high £1,000 - 1,500*

494

495 Hermes: an Hermes tan leather and fabric Her bag, together with two outer covers, one navy blue and one black, 30cm wide (3) £300 - 500*

495 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

139

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496

497

496 Chanel: a black leather and gilt metal chain belt, with oblong leather covered clasp with open scroll work and gilt metal chain attachment, size marked 85/34 together with a Chanel purple stone cross brooch, Autumn 2007, 6cm (2) £200 - 300*

499 A collection of four Gianfranco Ferre leather belts, together with an example by Valentino and another stamped GFF Italy (6) £100 - 150* 500 A collection of nine French textile design pattern books, late 19th/early 20th century, each book with outline drawings and coloured designs for textiles, some with samples, of flowers and geometric patterns, all volumes bound, one bearing indistinct printed stamp for L Claude Freres Rue Sentier Paris, each sheet approximately 41 x 26cm (9)

497 Chanel: a black leather and and gilt metal coin belt, with large square open buckle stamped Chanel Paris, plaque to rear of buckle numbers 2.5, size marked 85/34, 5cm wide £300 - 500* 498 Chanel: a Chanel heavy gilt metal curb link belt, with medallion fob and oblong plaque stamped Chanel, 96cm long £150 - 250*

Note: In the mid-19th century, the Sentier region of Paris became an area where fabric manufacturers from Alsace, Normandy and the North were set up business. £400 - 600*

500 140

www.roseberys.co.uk

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Inviting Consignments FINE & DECORATIVE FRIDAY 22 NOVEMBER Entry deadline Thursday 10 October

John Gibson, British, 1790-1866, a bronze entitled 'The Hunter and Dog', third quarter 19th century Price Realised : £1,250

For further information or a complimentary valuation please contact Head of Sale: Anna Evans | annaevans@roseberys.co.uk | +44 (0)20 8761 2522 www.roseberys.co.uk

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EXPLANATION OF CATALOGUING TERMS Any statement as to authorship, attribution, origin, date, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. Roseberys reserve the right, in forming their opinion, to consult and rely upon an expert or authority considered by them to be reliable.

1.

‘Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work by the artist.

2.

‘Attributed to Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, probably a work by the artist.

3.

‘Studio of Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work likely to come from the studio of the artist or closely associated with the artist.

4.

‘Circle of Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work by an unidentified artist working in the artist’s style and during the period of the artist’s life.

5.

‘Follower of Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work by an unidentified artist working in the artist’s style, contemporary or near contemporary.

6

‘School of Peter Paul Rubens, Flemish 17th century’ * In our opinion, a work executed during this period and in the style associated with that artist.

7.

‘Flemish School, 17th century’ * In our opinion, a work executed during this period and in the style associated with that location.

8.

‘Manner of Peter Paul Rubens’ * In our opinion, a work by an unidentified artist working in the artist’s style but at a later date, although not of recent execution.

9.

‘Style of Peter Paul Rubens’ * In our opinion, a work by an unidentified artist working in the artist’s style and of recent execution.

10.

‘After Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a copy by an unidentified artist of a named work by the artist.

11.

A picture catalogued with accompanying dates e.g. 1577-1640 relates to the identification of the particular artist and is not proof of attribution or indicative of authenticity.

12.

The terms ‘signed’, ‘dated’, ‘inscribed’ means that in our opinion these are by the artist’s hand.

13.

The terms ‘bears signature’, ‘bears date’, ‘bears inscription’ means that in our opinion that these have been added by another hand other than the artist.

14.

All references to signature, inscriptions and dates refer to the present state of the work.

15.

Dimensions are given in centimetres, height before width and are measured from the edges of the work if these are visible and if not, from the front.

16.

All pictures are framed, unless otherwise stated in the catalogue.

17.

Catalogue and website images may not be a true representation of an item due to printing or photographing processes.

18.

(ARR) – ARTIST’S RESALE RIGHT Qualifying living artists and the descendants of artists deceased within the last 70 years are entitled to receive a re-sale royalty each time their work is bought through an auction house or art market professional.

It applies to lots with a hammer value over €1,000 as follows: 0 to €50,000 - 4% €50,001 to €200,000 - 3% €200,001 to €350,000 - 1% €350,001 to €500,000 - 0.5% Exceeding €500,000 - 0.25% ARR is capped at €12,500.

Please note ARR is calculated in euros.

Auctioneers will apply current exchange rates.

Lot 206

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SPECIALIST TEAM Ian A. Cadzow Chairman & Joint Managing Director Rugs, Furniture & Works of Art iancadzow@roseberys.co.uk Vicki Wonfor Joint Managing Director Head of Corporate Collections vickiwonfor@roseberys.co.uk Peter Greenway Director Head of Professional Services petergreenway@roseberys.co.uk Marcus Grey Director Head of Paintings & Prints marcusgrey@roseberys.co.uk Georgina Agnew Junior Cataloguer Jewellery & Silver georginaagnew@roseberys.co.uk Helena Anderson Associate Specialist Modern & Contemporary British Art helenaanderson@roseberys.co.uk Luke Axford Junior Cataloguer Paintings, Prints & Frames lukeaxford@roseberys.co.uk Alice Bailey Head of Department Islamic & Indian Arts alicebailey@roseberys.co.uk Fiona Baker Head of Department 20th Century & Decorative Arts helenaanderson@roseberys.co.uk Mark Bowis Head of Department Jewellery & Watches markbowis@roseberys.co.uk Nigel Dawson-Ellis Junior Cataloguer Furniture & 20th Century Design nigeldawsonellis@roseberys.co.uk Anna Evans Consultant Specialist Works of Art annaevans@roseberys.co.uk

Roseberys London Main London Saleroom 70/76 Knights Hill London, SE27 0JD Complimentary valuations Monday to Friday: 9.30am to 5.00pm +44 (0) 20 8761 2522 clientservices@roseberys.co.uk Central London Office Valuations by appointment.

Please call us on +44 (0) 20 8761 2522 or email our Professional Services department at valuations@roseberys.co.uk to book your complimentary valuation.

Lot 125

Bill Forrest Head of Department Asian Arts billforrest@roseberys.co.uk Sam Howard Administrator Asian, Islamic & Indian Arts samhoward@roseberys.co.uk Mark Longley Specialist Ceramics & Glass, Works of Art & Collectables marklongley@roseberys.co.uk Tess O’Brien Impressionist, Modern, Post War and Contemporary Art tessobrien@roseberys.co.uk Kate Pritchard Cataloguer & Valuer Paintings & Prints, Modern & Contemporary Art katepritchard@roseberys.co.uk Alex Tonkinson Consultant Specialist Modern Design alextonkinson@roseberys.co.uk Geoff Young Senior Consultant Jewellery geoffyoung@roseberys.co.uk Shane Xu Head of Department Modern & Contemporary Prints & Multiples shanexu@roseberys.co.uk

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TERMS OF CONSIGNMENT FOR SELLERS These terms apply to Rosebery Fine Art Ltd trading as Roseberys and Roseberys London.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract.

Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission and Entry Fee. (a) Entry Fee: A charge of £20 is made to each lot sold in addition to vendor’s commission. This charge covers our specialist research, catalogue description, website illustration, marketing on our website and other third party sites as well as live or timed bidding on various internet platforms. (b) Vendors Commission: Is charged on each lot at 15%.

3. Catalogue Illustration Fee. The cost of any illustration is borne by you. Lots may be illustrated in a catalogue and thus a charge of between £20-60 per illustration is applicable, dependent on size. For example a quarter page illustration £20, half page £40, three quarter/full page £60. The copyright in respect of such illustrations shall be the property of the auctioneers, as is the text of the catalogue; any persons to be found to have reproduced such illustrations or text without prior written approval will be deemed as being in breach of copyright law and appropriate legal action may be taken.

4. Loss and Damage of Goods (a) Roseberys is not authorised by the FSA to provide insurance to its clients, and does not so do. However Roseberys, for its own protection, assumes liability for property consigned to it at the lower pre-sale estimate until title passes to the buyer. To justify accepting liability, Roseberys makes a charge of 1.75% of the hammer price plus VAT. The liability assumed by Roseberys shall be limited to the lower pre-sale estimate or to the reserve if the lot was unsold.

Settlement in any claim arising shall be subject to commission as if the lot had sold in the normal manner. (b) If the owner of goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4(a) is inapplicable. (c) Roseberys will not be liable for the loss or damage to frames or glass covering prints, paintings or other works. Old frames are often fragile or subject to deterioration and whilst Roseberys will do their

upmost to ensure the safety and care of frames and glass we will not compensate for loss or damage to property caused by changes in humidity or temperature, normal wear and tear, gradual deterioration, inherent defect or errors in processing.

5. Removal Costs. Items for sale must be consigned to the saleroom by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

6. Minimum Bids and our Discretion. Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 7. We may sell Lots below the reserve provided we account to you for the same sale proceeds that you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to approximately 15% below the low estimate and “wide discretion” allows to use accept a bid of up to approximately 30% below the low estimate.

7. Reserves. (a) Prior to the auction you are entitled to place a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve. If we are unable to offer goods they may be subject to storage charges if uncollected. (b) A reserve once set cannot be changed except with our consent, and confirmed by you in writing. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical Items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft Furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request

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TERMS OF CONSIGNMENT FOR SELLERS 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery or where we are or ought to have been aware of it.

11. Unsold Items. Unsold lots will be automatically reoffered into the next appropriate live or online auction with the low estimate reduced by 40% and if the revised estimate is £200 or below it will be offered without reserve. Alternatively, we may contact you to request that you collect the items. If you do not wish to re-enter the lots please notify Roseberys in writing with collection instructions. Please note storage charges will be incurred if lots are not collected within one week, storage charges will be applied of £2 + VAT per lot per day. If a lot remains uncollected two months after the date of the auction, Roseberys shall have the right to sell the lot at auction without reserve and to deduct from the ‘hammer price’ any sum owing to Roseberys as well as expenses arising from all auctions in which the lot has been included, plus storage and loss and damage warranty charges.

12. Withdrawn Items. (a) If an item is withdrawn prior to the publication of the catalogue a minimum charge of £20 + VAT per lot is applicable. This fee covers administration, handling, storage and loss & damage of the lot whilst in our care. (b) If an item is withdrawn after the online or offline publication of the lots they will incur charges where applicable comprising the sum of the vendor’s commission, the entry fee, the illustration cost, the loss and damage warranty, the buyer’s premium, the marketing fees and other expenses in relation to the item. VAT is applicable on all charges. These commission and premium charges will be calculated upon Roseberys published mid estimate. (c) In the cases of 12 (a) and (b) Roseberys will store the withdrawn item for a period of five days with no charge, after this a storage charge will be applicable at a daily rate of £2 per item per day plus VAT for items that remain uncollected.

13. Conditions of Sale. You agree that all goods will be sold according to our Conditions of Sale.

In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to Deduct Commission and Expenses and Retain Premium and Interest. (a) You authorise us to deduct commission from the hammer price at the stated rate plus all applicable expenses incurred on your account and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us at our discretion to negotiate a sale by private treaty not later than five working days from the date of the auction in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient written sale instructions, client contact details or without our prior written agreement to take delivery and reserve the right to either refuse to receive such goods or to make a minimum warehousing charge of £2 per item per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within twenty one days we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Settlement of the net sum due to you normally takes place 28 days after the sale (by crossed cheque or bank transfer to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

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INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers of Roseberys London particularly those inexperienced or new to our salerooms or online only bidding platform. All sales are conducted according to our printed Conditions of Sale which are readily available for inspection in person, on our website and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot.

The lower estimate may represent the reserve price or may be above the reserve price. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. Buyer’s Premium. The Conditions of Sale oblige buyers to pay a buyer’s premium of 25% up to £250,000 (30% inclusive of VAT), 20% from £250,000-500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT) The premium price is subject to VAT at the standard rate.

5. VAT. The addition of (*) or (VAT applied on hammer price) to the lot description indicates that VAT is payable by the purchaser at the standard rate, presently 20%, on the hammer price as well as being payable on the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the premium is not recoverable as input tax.

6. Artist’s Resale Rights/Droit de Suite. Lots as indicated in the catalogue and if sold for the equivalent of 1000 euros or more on the day of the auction will be subject to a further percentage of the hammer price as follows: From 0 to 50,000 euros subject to 4% From 50,001 to 200,000 euros subject to 3% From 200,001 to 350,000 euros subject to 1% From 350,001 to 500,000 euros subject to 0.5% Exceeding 500,000 euros subject to 0.25% The Artist’s Resale Right payable will be the aggregate of the amounts payable under the above rate bands, subject to maximum royalty payable of 12,500 euros for any single work each time it is sold. Calculations of the artist’s resale right will be based on the pound sterling/Euro reference exchange rate quoted on the date of sale by the European Central Bank.

7. Agents. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested.

Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. Additionally, in specified circumstances lots mis-described because they are ‘deliberate forgeries’ may be returned and repayment made. There is a three week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

8. Electrical goods. These are sold as ‘antiques’ or ‘decorative’ items only and if bought for use must first be checked for compliance with safety regulations by a qualified electrician.

9. Coloured gems. It is common practice for gemstones to be treated in order to enhance colour and clarity. Unless stated buyers should presume coloured stones may well have been exposed to some sort of treatment.

10. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character because, e.g. they may contain prohibited materials such as ivory.

11. Bidding. Bidders are required to register with us before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

12. Commission bidding (i)

Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding the buyers’ premium.

They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received.

Please enquire in advance about our arrangements for leaving commission bids by telephone, email or fax. Please ensure bids are left at least one hour prior to the start of the auction.

(ii) Commission bids may also be left via the Roseberys website.

These bids are executed via the RoseberysLive software and there is no surcharge.

13. Live Online bidding (a) An online bidding service is offered via RoseberysLive, thesaleroom.com and invaluable.com. In completing the bidder registration on these sites the buyer is agreeing to Roseberys conditions of sale. (b) In the case where a debit or credit card has been used to register the buyer also agrees to authorise Roseberys, if they so wish, to charge the debit or credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the online bidding platforms. (c) Please note there is no additional surcharge for any lots purchased via RoseberysLive, whether live bidding or commission bidding.

Any lots purchased via thesaleroom.com or invaluable.com will be subject to an additional 5% commission charge + VAT at the rate imposed on the hammer price. (d) Roseberys offers online bidding services as a convenience to its clients, but neither Roseberys nor the seller will be responsible to you for errors during or after the sale or failures to execute bids, either live bids or commission bids placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: (i) any loss of connection to the auction being conducted online; (ii) a breakdown or problems with the online bidding software or the website service provider; and/or (iii) a breakdown or problems with any internet connection, computer, mobile device or system. (e) By accessing RoseberysLive and using the software provided you are agreeing to the Website Terms and Conditions governing use of our website. Please ensure you familiarise yourself with these prior to accessing our website.

14. Methods of Payment. Payment can be made by cash (maximum 10,000 euros), debit and credit cards (maximum £1,000 online or over the phone) or bank transfer. For international bank transfers an administration fee of £25 is payable. Any cheques tendered will need to allow 10 days to be cleared before removal of lots purchased is permitted. Please note that regulation of money laundering means we are limited to receiving the equivalent of 10,000 euros in cash payment.

15. Collection and storage (a) Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. All lots must be collected within five working days following auction. Storage charges of £2 per lot per day + VAT will be strictly enforced thereafter. (b) Roseberys are unable to pack, post or deliver any items purchased through public or online auction, a list of suggested companies is supplied upon issuing of invoices, upon request or on the company website. These are suggestions only and are not the recommendation of Roseberys or affiliated with Roseberys in anyway and as such Roseberys cannot be held responsible for the individual performance of these companies.

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CONDITIONS OF SALE Rosebery Fine Art Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1.

Definitions

In these Conditions: (a) “auctioneer” means the firm of Rosebery Fine Art Ltd or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Rosebery Fine Art Ltd accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2.

Bidding Procedures and Conduct of the Auction

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid. Any bidder who refuses to provide the requested identification may be refused permission to bid. (b) The auctioneer has discretion at any time to refuse any bid, withdraw any lot, re-offer a lot for sale (including after the fall of the hammer) if they believe there may be error or dispute, and take such action as they reasonably think fit. (c) Subject to condition 2(b) the contract between the buyer and seller is concluded on the striking of the auctioneer’s hammer, whereupon the buyer becomes liable to pay the purchase price. (d) Any post-auction sale of lots offered at auction shall incorporate these conditions as if sold in the auction. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3.

Increments. Bidding increments shall be at the auctioneer’s sole discretion.

4.

The Purchase Price. The buyer shall pay the hammer price together with a premium thereon of 25% up to £250,000 (30% inclusive of VAT), 20% from £250,000500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT). The premium price is subject to VAT at the standard rate.

5.

Value Added Tax. Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged

at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots.

(Please refer to “Information for Buyers” for a brief explanation of the VAT position).

6.

(1) (a) (b) (2)

Payment Immediately a Lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in cash, debit, credit card or bank transfer or in such other way as is agreed by us.

Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7.

Title and Collection of Purchases. The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (a)(i) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 5 working days following the day of the auction. (ii) Roseberys are unable to pack, post or deliver any items purchased through public or online auction.

A list of suggested companies is supplied upon issuing of invoices, upon request, or on the company website. These are suggestions only and are not the recommendation of Roseberys or affiliated with Roseberys in anyway and as such Roseberys cannot be held responsible for the individual performance of these companies. (b) No purchase can be claimed or removed until it has been paid for and payment has cleared. (c) Invoices will not be split or title transferred to another person(s). Invoices must be paid in full before any lots can be removed. (d) Purchased lots must be collected within the allocated time as stated in the Information for Buyers section 13, storage charges are applicable thereafter. Purchased lots are at the Buyer’s risk (and therefore their sole responsibility for insurance) from the earliest of the collection or the 21st calendar day after the auction.

Until risk passes Roseberys will compensate the buyer for any loss or damage to the lot up to a maximum of the purchase price paid.

8.

(1)

(a) (b) (c)

(d) (e)

Remedies for Non-Payment or Failure to Collect Purchases If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: to proceed against you for damages for breach of contract; to rescind the sale of that Lot and/or any other Lots sold by us to you; to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

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CONDITIONS OF SALE (f)

to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9.

Third Party Liability. All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. Commission, Telephone Bids and Live Online Bidding. Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. (a) Lots will be purchased by the Auctioneer on behalf of the commission bidder for the lowest price allowed by other bids and/or reserves if any, up to and including their maximum bid amount recorded. The Auctioneers cannot accept responsibility for any neglect or default in executing or failing to execute commission bids whether through the auctioneer or through any online bidding software, or where a bidding slip has been completed incorrectly. We urge commission bidders, to ensure that the correct lot number(s) and price(s) are recorded on their bidding forms. (b) Where two or more commission bids at the same level are recorded we reserve the right at our absolute discretion to prefer the first bid so made. (c) Telephone Bids. Any person unable to attend the auction may request to bid on a specific lot by telephone. This facility is only available by prior arrangement with the Auctioneers and not available for online only auctions. The Auctioneers cannot accept responsibility for any neglect or default in executing or failing to execute telephone bids. (d) Live Online bidding. (i) An online bidding service is offered via RoseberysLive, thesaleroom.com and invaluable.com. In completing the bidder registration on these sites, the buyer is agreeing to Roseberys conditions of sale. (ii) In the case where a debit or credit card has been used to register the buyer also agrees to authorise Roseberys, if they so wish, to charge the debit or credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the online bidding platforms. (iii) Please note there is no additional surcharge for any lots purchased via RoseberysLive, whether live bidding or commission bidding. Any lots purchased via thesaleroom.com or invaluable.com will be subject to an additional 5% commission charge + VAT at the rate imposed on the hammer price.

(iv)

(v)

Roseberys offers online bidding services as a convenience to its clients, but neither Roseberys nor the seller will be responsible to you for errors during or after the sale or failures to execute bids, either live bids or commission bids, placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: (aa) any loss of connection to the auction being conducted online; (bb) a breakdown or problems with the online bidding software or the web site service provider; and/or (cc) a breakdown or problems with any internet connection, computer, mobile device or system.

By accessing RoseberysLive and using the software provided you are agreeing to the Website Terms and Conditions governing use of our websites. Please ensure you familiarise yourself with these prior to accessing our websites.

11.

Warranty of Title and Availability. The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

No representation or warranties are made by Roseberys or the seller as to whether any lots is subject to copyright or whether they buyer acquires copyright in any lot.

12.

Agency. The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13.

Terms of Sale. The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot.

14. (a)

Description and Conditions Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description of a lot. Buyers are welcome to make an appointment to view any lots listed on an online only auction. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers�.

Condition Reports. Reports on the condition of any lot are offered by the Auctioneers as a statement of opinion only, and not of fact. Rosebery Fine Art Ltd are not liable for any errors or omissions contained therein. The buyer must satisfy themselves to the condition of any given lot prior to bidding. Roseberys will not be held responsible for any damage or defect that has not been notified to the buyer. Catalogue illustrations are for guidance only and will not convey full information as to the actual condition of lots.

(b)

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CONDITIONS OF SALE (c)

(d)

Where the term (a/f) is used this refers to a lot being ‘as found’, it is used for guidance only and indicates in our opinion there is significant damage or repair to an item, the omission of this term does not indicate there is not significant damage or repair to an item and Roseberys are not liable for the omission of this term.

Private treaty sales made on these premises under these Conditions are deemed to be sales by auction for the purposes of consumer legislation.

15. Forgeries. Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. Roseberys may require the buyer to obtain at the buyer’s cost the reports of two independent and recognised experts in the field, mutually acceptable to Roseberys and the buyer. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) if you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

16. Online Only Timed Auctions These following terms are applicable only to sales conducted online only and are to be used in addition to the conditions of sale. (a) (i)

Right to Cancel If you are a consumer resident in the European Union you have the right to cancel the contract for the purchase of a lot within 14 calendar days without giving any reason. (ii) The cancellation period will expire after 14 calendar days from the day on which you acquire (or a party nominated by you and is not the shipper) physical possession of the lot. (iii) To exercise the right to cancel, you must inform us of your decision to cancel this contract by a clear written statement (e.g. a letter sent by post, fax or email), or you may use the cancellation form which can be found on our website or by contacting a member of staff. The communication must be received within 14 calendar days from the day on which you acquire the lot. (iv) If you cancel the contract, we will reimburse all payments received from you. As Roseberys are unable to provide a postage or packing service the cost of the initial delivery or collection is not returnable. In addition the cost of returning the item if you choose to cancel the contract is payable by you. (v) We may make a deduction from the reimbursement for loss in value of any goods supplied, if the loss is the result of damaged caused by unnecessary handling whilst in your possession. We will make the reimbursement without undue delay, and not later than (aa) 14 calendar days after the day we receive back from you any goods supplied, or (bb) (if earlier) 14 calendar days after the day you provide evidence that you have returned the goods.

(vi) We will make the reimbursement using the same means of payment as you used for the initial transaction, unless you have expressly agreed otherwise; in any event, you will not incur any fees as a result of the reimbursement.

We may withhold reimbursement until we have received the goods back or you have supplied evidence of having sent back the goods, whichever is earliest. (b) Liability Roseberys nor the seller will be responsible to you for errors during or after the online only timed auction or failures to execute bids placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: any loss of connection to the auction being conducted online; a breakdown or problems with the online bidding software or the website service provider; and/or (iii) a breakdown or problems with any connection, computer, mobile device or system.

General

17. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

18. Where a member of the public causes damage to a lot (or part thereof) the Auctioneers reserve the right to: (a) sell the aforementioned without reserve and to hold that specific individual liable for the amount of any difference between the hammer price and the reserve or low estimate; (b) hold that specific individual liable for the cost of restoration where appropriate; (c) hold that specific individual liable for the full amount of the reserve price or lower estimate as applicable.

19 (a) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

20. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email if provided in which case it shall be deemed to have been received by the addressee 48 hours after posting.

21. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

22. Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

23. English law applies to the interpretation of these Conditions.

These terms and conditions are based upon recommended conditions of sale by SOFAA (the Society of Fine Art Auctioneers) and RICS (the Royal Institute of Chartered Surveyors)

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70/76 Knights Hill London, SE27 0JD +44 (0)20 8761 2522 +44 (0)20 8761 2524 clientservices@roseberys.co.uk

CATALOGUE SUBSCRIPTION FORM FULL NAME: ADDRESS: TELEPHONE:

EMAIL:

SUBSCRIPTION OPTIONS Auction Title

Number of auctions annually

Cost of annual Subscription including UK postage

Cost of annual Subscription including Europe postage

Cost of annual Subscription including rest of world postage

Design: Decorative Arts 1860 to Present Day

3

£37.50

£45

£52.50

Chinese, Japanese & South East Asian Art

2

£25

£30

£35

Impressionist, Modern, Post-War & Contemporary Art

2

£25

£30

£35

Fine & Decorative

3

£37.50

£45

£52.50

Islamic & Indian Arts/ Art of India

3

£37.50

£45

£52.50

Jewellery & Watches

3

£37.50

£45

£52.50

Modern & Contemporary British Art

2

£25

£30

£35

Modern & Contemporary Prints

2

£25

£30

£35

Print & Multiples

2

£25

£30

£35

Old Master, 18th & 19th Century Pictures

3

£37.50

£45

£52.50

Tick to subscribe

Subscription Offer: Buy 2 or more subscriptions save 20% on prices listed Total cost of subscription: Method of Payment: Payment can be made by credit or debit card over the phone or in person, alternatively by bank transfer or cash in person. Payment is accepted via bank transfer to the following account (International bank transfers are subject to a £25 administration fee.): Natwest Bank plc, Bloomsbury Parr’s branch, Sort Code 60-30-06, Account number 36952613, Swift code NWBKGB2L, IBAN GB80NWBK60300636952613.

I would/would not like to receive online catalogues and notifications of the sales that I am interested in as indicated on this form (delete as appropriate).

Signed:

Date:

ROS-010 (2nd text) Listing.qxp_Layout 1 27/06/2019 12:32 Page 151

70/76 Knights Hill London, SE27 0JD +44 (0)20 8761 2522 +44 (0)20 8761 2524 clientservices@roseberys.co.uk

ABSENTEE BID FORM PLEASE COMPLETE THE FORM IN FULL IN CAPITAL LETTERS AND PLACE YOUR BIDS AT LEAST ONE HOUR PRIOR TO THE START OF THE RELEVANT SECTION OF THE AUCTION

FULL NAME: ADDRESS: POSTCODE:

EMAIL:

BIDDER NUMBER: TELEPHONE:

Lot number

GBP £ bid price excluding premium

Lot number

GBP £ bid price excluding premium

All bids are entered subject to Roseberys standard terms and conditions of sale and to any special terms stated by the auctioneers to apply to lot(s) which the prospective purchaser hereby acknowledges and accepts.

Please see catalogue or website for important information for buyers and our full conditions of sale or ask a member of staff for a copy.

I authorise Roseberys to bid on my behalf for the above mentioned lot(s) up to the price(s) stated. I confirm I have read and agree to the buyer’s terms of sale with special attention to the buyer’s premium, additional charges and storage.

Signed:

Date:

AUCTION CALENDAR 2019 July Impressionist, Modern, Post War & Contemporary Art Wednesday 3 July Modern & Contemporary British Art Online Only Auction Monday 15 July – Thursday 1 August Prints & Multiples Online Only Auction Monday 8 July Jewellery & Watches Tuesday 16 July Old Master, 18th & 19th Century Pictures Wednesday 17 July Fine & Decorative Thursday 18 July

August Art & Antiques Saturday 17 August September New Collectors Online Only Auction Monday 2 September – Thursday 19 September Modern & Contemporary British Art Tuesday 24 September October Art & Antiques Saturday 5 October Prints & Multiples Online Only Auction Monday 14 October Islamic & Indian Arts Friday 25 October

70/76 Knights Hill, London SE27 0JD +44 (0) 20 8761 2522 clientservices@roseberys.co.uk

www.roseberys.co.uk

70/76 Knights Hill London SE27 0JD +44 (0) 20 8761 2522 auctions@roseberys.co.uk www.roseberys.co.uk