Rosebery's London

PRINTS & MULTIPLES Monday 14 October 2019

PRINTS & MULTIPLES Monday 14 October 2019 Starting at 12noon VIEWING Thursday 10 October 1pm-5pm Friday 11 October 9.30am-5.30pm Sunday 13 October 10am-2pm Monday 14 October 9.30am-11.30am Head of Department: Shane Xu Please note the conditions of sale at the back of this catalogue Buyer’s Premium 25% + VAT (30% inclusive of VAT) Condition of items: a catalogue description does not state the condition of the item Catalogue Price £10 (£12 by post) Front Cover: Lot 285 Back Cover: Lot 349 Inside Front Cover: Lot 300 Inside Back Cover: Lot 121

70/76 Knights Hill London, SE27 0JD +44 (0)20 8761 2522 auctions@roseberys.co.uk www.roseberys.co.uk

Online bidding available at:

RoseberysLive

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BUYING AT ROSEBERYS The following is intended to serve as a useful quick reference to buying at Roseberys.

Prior to bidding please familiarise yourself with our full conditions of sale which are applicable when bidding at one of our auctions. Our staff are available to assist you with any questions you may have.

Viewing Catalogues are available from reception and all lots are listed and illustrated at www.roseberys.co.uk Condition is not stated in the catalogue description and buyers are encouraged to view lots in person prior to bidding to satisfy themselves as to the accuracy of the description and condition of lots.

New Bidders New buyers are required to register before bidding. This can be done in person at reception, or via email to clientservices@roseberys.co.uk.

Photographic identification, full contact details and proof of address are required. Roseberys cannot accept bids from unregistered buyers. Once registered you will be provided with a paddle which states your bidding number for the auction.

Alternatively, online bidding is available through www.thesaleroom.com and www.invaluable.com, successful online bidders are charged an additional premium of 5% + VAT. Bidders must register by 9am on the morning of the auction to be able to buy online. You will be asked to complete the registration process prior to approval.

• Telephone bidding: A limited number of phone lines for lots in the auction are available for bidders subject to a minimum threshold. A member of staff would telephone you during the auction and bid live on your behalf. Please contact reception if you would like to enquire about booking a phone line.

The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over the top estimate.

Buyer’s Premium

New International Bidders In addition to providing proof of identity, new international bidders must leave a £500 deposit the first time they register and before bidding.

Successful bidders will be refunded their deposit once they have paid for their lots. Unsuccessful bidders will automatically be refunded within a week of the auction.

The buyer shall pay the hammer price together with a premium thereon of: 25% up to £250,000 (30% inclusive of VAT), 20% from £250,000-500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT) The premium price is subject to VAT at the standard rate.

Methods of bidding

VAT

• In person: at the auction room.

VAT is not charged on the hammer price unless it is stated that there is ‘VAT applicable on the hammer price’ at the end of the description. Buyer’s premium is subject to VAT.

• Commission bid: If you are unable to attend the auction, commission bids may be left indicating the maximum amount to be bid excluding the buyer’s premium. All bids must be received at reception at least one hour before the start of the auction. Clients are also able to leave a commission bid via our website on individual lot pages. These bids are actioned on your behalf by our in-house bidding software RoseberysLive, and are not visible to the auctioneer.

• Online bidding: You can follow all our auctions live online and bid via the internet using RoseberysLive, our in-house live bidding platform.

RoseberysLive is a secure online bidding platform provided by Roseberys to enable our clients to bid online from anywhere in the world. You can register to use the service or view the auction through our website www.roseberys.co.uk.

There is no charge to use this service.

(ARR) – ARTIST’S RESALE RIGHT Qualifying living artists and the descendants of artists deceased within the last 70 years are entitled to receive a re-sale royalty each time their work is bought through an auction house or art market professional.

It applies to lots with hammer value over €1,000 as follows: 0 to €50,000 - 4%, €50,000.01 to €200,000 - 3% €200,000.01 to €350,000 - 1%, €350,000.01 to €500,000 - 0.5% Exceeding €500,000 - 0.25% ARR is capped at €12,500 Please note ARR is calculated in euros.

Auctioneers will apply current exchange rates.

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Payment Payment is required immediately after the auction and can be made in the following ways: • Cash: up to the sterling equivalent of 10,000 Euros on the day of the transaction.

• Debit and Credit cards: excluding American Express. To protect against card fraud we are unable to make ‘card not present’ transactions online or over the phone for amounts over £1000.

To make a payment of over £1000 please make a bank transfer or visit the auction house in person.

• Bank transfer: Payment is accepted via bank transfer to the following account, (International bank transfers are subject to a £25 administration fee.)

Natwest Bank plc, Bloomsbury Parr’s branch, Sort Code 60-30-06, Account number 36952613, Swift code NWBKGB2L, Iban GB80NWBK60300636952613.

• Online via www.roseberys.co.uk (up to £1,000) Clearance of Goods Roseberys requests all lots are collected within five working days following the auction. After this, storage charges of £2 + VAT per lot will apply. Please contact our Client Services team should you be unable to collect your purchases within this time and we would be happy to discuss alternative arrangements.

Delivery Roseberys is unable to pack and ship items but can suggest the following companies: London/Surrey • Capital Fine Art Move: +44 (0) 7957 209523 • Bernard Thornton: +44 (0) 7970 118762 Nationwide/International • Mail Boxes Etc: +44 (0) 20 8649 9777 Specialist Packing • Pack and Send: +44 20 8392 6990 In order to release to a third party carrier you must inform Roseberys in writing of the lot number and carrier name. Please email clientservices@roseberys.co.uk Export of goods Buyers intending to export goods should ascertain whether an export licence is required before bidding.

Export licences are issued by Arts Council England and application forms can be obtained from its Export Licensing Unit. Details can be found on the ACE website www.artscouncil.org.uk or by phoning ACE on 020 7973 5188. The need for import licences varies from country to country and you should acquaint yourself with all relevant local requirements and provisions before bidding. The refusal of any such licences shall not permit the cancelling of any sale nor allow any delay in making full payment for the lot.

Lot 155

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1 Leon Underwood, British 1890-1975

2 Leon Underwood, British 1890-1975

3 Leon Underwood, British 1890-1975

Portrait of a Young Woman

Masquerade, 1926

Bird and Cherry

white line etching on wove, signed in pencil, plate 13.5 x 8.5cm (framed) (ARR)

wood engraving on laid, signed in pencil, sheet 39 x 25.9cm (unframed) (ARR)

woodcut on laid, signed, titled and numbered 3/50 in pencil, image 14 x 12cm (unframed) (ARR)

£100 - 150*

£150 - 200*

£150 - 200*

4 Leon Underwood, British 1890-1975 Joie de Vie, 1944 linocut in colours on wove, signed, dated, titled and numbered 8/25 in pencil, sheet 56 x 39.5cm (unframed) (ARR) £300 - 500*

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5 Stanley Anderson CBE RA, British 1884-1966 Self portrait [Forster 209], 1933 engraving on wove, signed and titled in pencil, from the edition of 40; together with Fruit Stealers No. 1 Wells Cathedral [Forster 131], 1921, etching on wove, signed in ink, titled, dated and inscribed in pencil, from the edition of 2 proofs, sheets 29.5 x 23.3 and 30.5 x 26.9cm, accompanied by 5 personal letters of correspondence from the artist (unframed) (2 + 5) (ARR) ÂŁ400 - 600*

5 6 Stanley Anderson CBE RA, British 1884-1966 Wind-swept Corn [Forster 221], 1938 and The Stone-breaker [Forster 226], 1940 engravings on wove, two, both signed and titled in pencil, from the unnumbered edition of 40 and 109 respectively, sheets 30.2 x 23.1 and 32.3 x 25.9cm (unframed) (2) (ARR) ÂŁ400 - 600*

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* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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7 Bernard Howell Leach CH CBE, British 1887-1979

8 Bernard Howell Leach CH CBE, British 1887-1979

Winter landscape, Harefield

Tree

etching on wove, numbered 1/25 in pencil, plate 19.5 x 14cm (unframed) (ARR)

etching with aquatint on wove, numbered 1/25 in pencil, sheet 38 x 28cm (unframed) (ARR)

Note: inscribed ‘authenticated by Janet Leach’ in pencil and bearing red inked stamp to verso

Note: inscribed ‘authenticated by Janet Leach’ in pencil and bearing red inked stamp to verso

£300 - 500*

£200 - 300* 9 Allin Braund, British 1915-2004 Hedgrow, 1961 etching in colours on wove, signed, dated, titled and numbered 3/30 in pencil; together with one lithograph in colours and four further etchings by the same artist, each signed, titled, dated and numbered variously, largest sheet 72 x 56.2 cm (unframed) (6) (ARR) £500 - 700*

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10 Josef Herman OBE RA, British 1911-2000

10

Mother and Child, 1961-2 lithograph in colours on wove, signed and numbered 1/50 in pencil, image 72 x 49cm (framed) (ARR)

11

Note: See Tate Britain, accession number P06276 for similar example £100 - 150* 11 Graham Sutherland OM, British 1903-1980 Insect no. 9 [Tassi 69], 1963 lithograph in colours on Arches wove, dated in the plate, signed and numbered 4/35 in pencil, from the portfolio titled Europaeische Graphik I, printed by Emil Matthieu, with their blindstamp, published by Felix H. Man and Galerie Wolfgang Ketterer, Stuttgart, with their blindstamp, sheet 56.4 x 45cm (unframed) (ARR) £250 - 350* 12 Graham Sutherland OM, British 1903-1980* Hatching I [Tassi 180], 1967-77 etching with aquatint in colours on Magnani laid paper, signed and numbered 56/66 in pencil, from the suite titled The Bees, printed by 2RC Edizioni d’Arte, with their blindstamp, published by Marlborough Fine Art Ltd., London, sheet 56.4 x 45cm (unframed) (ARR)

12

£250 - 350* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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13 Ceri Richards CBE, British 1903-1971 Over Sir John’s Hill, 1965 lithograph in colours on wove, signed, dated and numbered 23/50 in pencil, from the portfolio Twelve Lithographs for Six Poems by Dylan Thomas, sheet 81.5 x 60cm (framed) (ARR) Note: see Tate Britain, accession number P06484, for similar example £200 - 300*

13

14 Harold Cohen, British 1928-2016 First Folio A-G, 1965 the complete set of seven screenprints in colour on wove, each signed, dated, titled and inscribed ‘printers proof 2/2’ in pencil, proofs aside from the edition of 50, each sheet 76.2 x 76.2cm (framed) (7) (ARR) Note: see Tate Britain, accession numbers P04126, P04127, P04128, P04129, P04130, P0413 and P04132, for similar examples £400 - 600*

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15 Lynn Chadwick CBE RA, British 1914-2003 Figure III, 1966 lithograph in colours on wove, signed, dated and numbered 29/50 in black ballpoint pen, sheet 82 x 59.6cm (unframed) (ARR) Note: see Tate Britain, accession number P06069, for similar example ÂŁ300 - 500*

15 16 Lynn Chadwick CBE RA, British 1914-2003 Figure IV, 1966 lithograph in colours on wove, signed, dated and numbered 20/50 in black ballpoint pen, sheet 81.7 x 59.6 cm (unframed) (ARR) Note: see Tate Britain, accession number P06070 for a similar example ÂŁ300 - 500*

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* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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17 Lynn Chadwick CBE RA, British 1914-2003 Fur Coat, 1971 lithograph on BFK Rives wove, signed, dated and numbered 110/200 in pencil, printed by Erker Presse St. Gallen, with their blindstamp, published by Kunstverein, Dusseldorf, sheet 76.5 x 56cm (unframed) (ARR) ÂŁ300 - 500*

17 18 Lynn Chadwick CBE RA, British 1914-2003 Four Reclining Figures, 1971 lithograph on BFK Rives wove, signed, dated and numbered 98/150 in pencil, printed by Erker Presse, St Gallen, with their blindstamp, published by Kunstverein, Hannover, sheet 76.6 x 56cm (unframed) (ARR) ÂŁ400 - 600*

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19 19 Lynn Chadwick CBE RA, British 1914-2003 Reclining Figure on Green Wave, 1971 lithograph in colours on BFK Rives wove, signed, dated and numbered E.d.A. IV/XX in pencil, an artist’s proof aside from the edition of 200, published by Erker Presse, St. Gallen, with their blindstamp, sheet 75.8 x 55.3cm (unframed) (ARR) £300 - 500* 20 Lynn Chadwick CBE RA, British 1914-2003 Checkmates, 1972 lithograph in colours on BFK Rives wove, signed, dated and numbered 31/99 in pencil, printed by The Erker Presse, St Gallen, with their blindstamp, published by St. Erasmo Club d’Arte, Rome, sheet 75.9 x 56.2 (unframed) (ARR) £400 - 600*

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* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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21 Sir Sidney Nolan OM AC, Australian 1917-1992

22 Sir Sidney Nolan OM AC, Australian 1917-1992

23 Sir Sidney Nolan OM AC, Australian 1917-1992

Leda and the Swan, 1961

Rinder Subject I, 1969

First-class Marksman, 1978-79

lithograph on wove, signed and numbered 109/125 in pencil, from a series of eight prints titled The Leda Suite, published

by Ganymed Press, London, Ltd., sheet 68.3 x 53.8cm (unframed) (ARR)

lithograph on wove, signed and numbered 41/70 in pencil, sheet 66.5 x 50.3cm (framed)

screenprint in colours on wove, signed and numbered 28/60 in pencil, from a portfolio of 10 prints titled Ned Kelly II, image 63 x 46.5cm (framed)

Provenance: purchased by the current owner at Bonhams Chelsea, 28th July 1999, lot 106

Note: see Tate Britain, accession number P01456, for similar example £150 - 250*

Note: see Tate Britain, accession number P05484, for similar example £500 - 700*

£100 - 150*

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25 24 Laurence Stephen Lowry RBA RA, British 1887-1976

25 Laurence Stephen Lowry RBA RA, British 1887-1976

The Pond, 1974

The Lonely House

offset lithograph in colours on wove, signed in pencil, from the edition of 850, printed by Beric Press, published by Mainstone publications, with the Fine Art Trade Guild blindstamp, image 56 x 43cm (framed) (ARR)

offset lithograph in colours on wove, signed in pencil, from the edition of 500, published by Magnus Prints, image 35 x 56cm (framed) (ARR) ÂŁ800 - 1,200*

ÂŁ2,000 - 3,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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26 Laurence Stephen Lowry RBA RA, British 1887-1976 The Contraption, 1975 offset lithograph in colours, signed in pencil, from the edition of 750, image 31.5 x 30cm (framed) (ARR) £1,000 - 1,500*

27 Laurence Stephen Lowry RBA RA, British 1887-1976 The Harbour, 1972 offset lithograph in colours on wove, signed in pencil, from the edition of 850, published by Venture Prints, image 40.5 x 55.5cm (framed) (ARR) £1,500 - 2,000* 26

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28 Laurence Stephen Lowry RBA RA, British 1887-1976 Britain at Play offset lithograph in colours on wove, signed in pencil, from the edition of 850, printed by Beric Press, published by Mainstone publications, with the Fine Art Trade Guild blindstamp, image 60 x 44.6cm (framed) (ARR) ÂŁ1,500 - 2,000*

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29 Laurence Stephen Lowry RBA RA, British 1887-1976 Mill Scene offset lithograph in colours on wove, signed in pencil, from the edition of 750, published by The Sunday Observer, image 40.3 x 30.7cm (framed) (ARR) ÂŁ1,500 - 2,000*

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* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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30 Dame Elisabeth Frink CH DBE RA, British 1930-1993

31 Dame Elisabeth Frink CH DBE RA, British 1930-1993

The Millers Tale I [Wiseman 37], 1970

The Reeves Tale [Wiseman 30A], 1970

etching with aquatint on Hayle Mill hand made cream wove, signed, titled and numbered 11/70 in pencil, from the suite Canterbury Tales, published

by Leslie Waddington Prints Ltd., London, plate 30.5 x 25cm (framed) (ARR)

etching with aquatint on wove, signed, titled and numbered 59/70 in pencil, from the suite Canterbury Tales, published by Leslie Waddington Prints Ltd., London, plate 30.2 x 27cm (framed) (ARR)

£400 - 600*

£400 - 600*

32 Alan Davie, Scottish 1920-2014 Foxwatch (orange) XXI & V, 1970 two lithographs in colours on wove, each signed, dated and numbered 22/75 and 4/75 respectively in pencil, each image 76 x 56cm (framed) (2) (ARR) £600 - 800*

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33 Derrick Greaves, British b.1927 Vase and Falling Petal, 1971 lithograph in colours on wove, signed and numbered 52/65 in pencil, published by Wolfgang Ketter, Munich, with their blindstamp; together with Easel, 1984, screenprint on wove, signed, dated and numbered 137/175 in pencil, printed at Kelpra Studios, London, largest sheet 64.5 x 75.5cm (unframed) (2) (ARR) £250 - 350*

33 34 Robyn Denny, British 1930-2014

35 Robyn Denny, British 1930-2014

Thomas Suite IV (blue & red), 1975

Generations 17 and 18, 1978

screenprint in colours on wove, signed, dated and numbered 81/100 in pencil, image 28.4 x 18.8cm (framed) (ARR)

etching with aquatint in colours on Arches wove, two, both signed, dated, titled and inscribed colour proof in pencil, aside from the editions of 35, from the suite of 24, printed by JC Editions, with their blindstamp, each sheet 70.5 x 52.1cm (framed) (2) (ARR)

£200 - 300*

£600 - 800*

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* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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36 Gordon House, British 1932-2004 Richard Smith a Studio Showing Poster, 1962 screenprint on silver paper, poster for the Richard Smith studio showing at 13 Bath Street, London 5-8 July 1962, sheet 62.1 x 41.7cm (unframed) (ARR) £100 - 150*

36 37 Gordon House, British 1932-2004 Four Posters, 1963-66 screenprints in colours on wove, four posters for the exhibitions Marcel Duchamp at the Tate, Sidney Nolan at Bonython Art Gallery, Paul Klee at the National Museum of Wales, and Graham Sutherland at Glynn Vivian Art Gallery, printed variously at Kelpra Studio, Colorcraft and Lund Humphries. each sheet 51.2 x 76.2cm (unframed) (4) (ARR) £300 - 500*

38 Gordon House, British 1932-2004 37

Eight Red Arcs [Baro 6], 1964 screenprint in colours on laid, signed and numbered 14/40 in pencil, from The Institute of Contemporary Arts Portfolio, printed at Kelpra Studio, sheet 51 x 25.5cm (unframed) (ARR) Note: see Tate Britain, accession number P04334, and the collection of the British Council, accession number P818, for similar examples £200 - 300*

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39 Gordon House, British 1932-2004

40 Gordon House, British 1932-2004

Quarter Yellow [Baro 120], 1978/79

Bridges Portfolio, 1985

lithograph in colours on wove, signed, dated, titled, and numbered 4/80 in pencil, image 94 x 68.7cm (framed) (ARR)

the complete portfolio of eight etchings with aquatint in colours on wove, each signed, titled and numbered 1/30 in pencil, printed by Kelpra Studios, each sheet loose as issued, in original navy fabric cover, overall 42 x 53.7cm (folio) (ARR)

£200 - 300*

£400 - 600*

41 Gordon House, British 1932-2004 Off The Black Hill Portfolio, 2000 the complete portfolio of six screenprints in colours on Arches wove, each signed, dated, titled and numbered 16/25 in pencil, with title page, published by Highbury Studio, each sheet loose as issued, in original red fabric cover, overall 51.5 x 66cm (folio) (ARR) £400 - 600* 41 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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42 Ian Tyson CM AOE, British b.1933

43 William Tucker RA, British b.1935

The Pronouns- A Collection of 40 Dances- for the Dancers, 1971

B.Blue and C.Brown, 1969

screenprints in colours on wove, nine, each signed and numbered in pencil, published by Tetrad Press, London, sheets loose as issued, each sheet 50.8 x 63.4cm (unframed) (9) (ARR) £300 - 500*

screenprints with collage in colours, two, both signed, dated and numbered 64 and 18 from the editions of 75 in pencil to verso, largest sheet 76 x 98cm (unframed) (2) (ARR) Note: see Tate Britain, accession numbers P05235 and P05236, for similar examples £200 - 300*

44 Mark Lancaster, British b.1938 Eighths, 1967 screenprint in colours on wove, signed, dated, titled and numbered 37/75 in pencil, sheet 68 x 101.5cm (unframed) (ARR) (VAT charged on hammer price) Note: see Tate Britain, accession number P04548, and Victoria & Albert, accession number CIRC.241-1969, for similar examples £150 - 200* 44

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45 Chris Orr MBE RA, British b.1943 Chris Orr’s John Ruskin, 1972 five etchings in colours on wove, from the portfolio of ten plates, each signed, titled, dated and numbered 40/50 in pencil, loose as issued, each sheet 67.2 x 49cm (unframed) (5) (ARR) £400 - 600*

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46 Barry Flanagan OBE RA, British 1941-2009

47 Edward Burra, British 1905-1976

George Melly and the Artist By His Sitter, 1972

Surreal Cafe, 1972

two etchings on wove, each titled and dated in the plate, each plate 20 x 25cm (framed) (2) (ARR)

etching on wove, signed and numbered 40/75 in pencil, plate 30 x 25cm (framed) (ARR)

Note: see Tate Britain, accession number P02752, for similar example £150 - 200*

Provenance: Flowers Gallery, London; from the estate of Robert Heller £300 - 500*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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48 Julian Trevelyan RA, British 1910-1988

49 Julian Trevelyan RA, British 1910-1988

The Well of Loneliness

Avignon, 1972

etching with aquatint in colours on wove, signed, titled and numbered 9/50 in pencil, plate 24.5 x 17.5cm (framed) (ARR)

etching with aquatint in colours on wove, signed and titled in pencil, aside from the numbered edition of 65, from the Provencal Suite, sheet 58.5 x 58cm (framed) (ARR)

£400 - 600*

Note: see Tate Britain, accession number P01322, for similar example £400 - 600*

50 Adrian Heath, British 1920-1992 Untitled, 1973 lithograph in colours on wove, signed, dated and numbered 56/75 in pencil, from The Mark Rothko Memorial Portfolio, printed by Kelpra Studio, published by Matthews, Millar & Dunbar, sheet 58 x 79.8cm (unframed) (ARR) £200 - 300*

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51 51 William Scott CBE RA, British 1913-1989 Untitled, 1972 screenprint in colours on wove, signed, dated and numbered 58/72 in pencil, from A Poem for Alexander, printed by Kelpra Studios, published by Leslie Waddington, London, sheet 38.2 x 57.6cm (framed) (ARR) Note: see Tate Britain, accession number P05111, for similar example ÂŁ2,000 - 3,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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52 Henry Moore OM CH FBA, British 1898-1985

53 Henry Moore OM CH FBA, British 1898-1986

Hommage à Rodin [Cramer 59], 1966

Ideas for Sculpture [Cramer 103], 1969

lithograph in colours on Arches wove, signed and inscribed epreuve d’artist in pencil, an artist’s proof aside from the edition of 35, printed by J E Wolfensberger, published by Arted Editions d’Art, image 30 x 23.5 (framed) (ARR)

etching on Arches wove, signed and numbered 59/100 in pencil, printed by Frélaut and Lacourière, published by Arted Editions d’Art, Paris, plate 30 x 23.5cm (framed) (ARR) £800 - 1,200*

Note: see Tate Britain, accession number P02080, for similar example £500 - 700* 54 Henry Moore OM CH FBA, British 1898-1986 Four Silhouette Figures [Cramer 283], 1973 lithograph on wove, inscribed Curwen Studio Proof in pencil, printer’s proof aside from the edition of 50, printed by Curwen Prints, with their blindstamp, published by Gerald Cramer, Geneva, sheet 45 x 33cm (unframed) (ARR) 54

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£300 - 500*

www.roseberys.co.uk

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55 Henry Moore OM CH FBA, British 1898-1986 Reclining Figure 4 [CGM 475], 1978 etching on Richard de Bas wove, signed and numbered G 1/25 in pencil, from the deluxe edition of The Reclining Figure, printed by Atelier Lacourière et Frélaut, published by Ganymed Original Editions Ltd., sheet 51.5 x 44.3cm (unframed) (ARR) £700 - 900*

55 56 Henry Moore OM CH FBA, British 1898-1986 Ideas for Metal Sculpture V [Cramer 615], 1981 lithograph in colours on TH Saunders wove, with Curwen Studio Proof stamp, a printer’s proof aside from the edition of 50, printed by Curwen Studio, published

by Raymond Spencer Ltd., sheet 44.8 x 43.7cm (unframed) (ARR) £300 - 500*

56 57 Henry Moore OM CH FBA, British 1898-1986 Mother and Child XIX [Cramer 689], 1983 etching on Arches wove, signed, inscribed PL XIX and numbered 59/65 in pencil, from the suite of 30 etchings Mother and Child, printed by James Collyer and John Crossley, with their blindstamp, published by Raymond Spencer Company Ltd., sheet 62 x 51.9cm (unframed) (ARR) £600 - 800* 57

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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59 58 Henry Moore OM CH FBA, British 1898-1986 Mother and Child XXX, 1983

58

etching in colours on Arches wove, signed, inscribed PL XXX and numbered 40/65 in pencil, from the suite of 30 etchings Mother and Child, printed by James Collyer and John Crossley, with their blindstamp, published by Raymond Spencer Company Ltd., sheet 51.9 x 43.9cm (unframed) (ARR) £600 - 800* 59 Henry Moore OM CH FBA, British 1898-1986 Bolaffiarte number 8, 1971 offset photolithograph in colours on wove, signed and dated in pencil, numbered 156 from an edition of 5000, sheet 29.5 x 23cm (unframed) (ARR) £300 - 500* 60 Henry Moore OM CH FBA, British 1898-1986 Mother and Child with Border Design [C.433], 1976 lithograph in colours on wove, a proof aside from the signed and numbered edition of 75, published

by N Helion Editions Productions, Paris, 1978; together with two lithographs in colours and one etching by the same artist, including Earthquake in Harbour, Six Reclining Figures, and Woman Putting on Stocking, largest sheet 77 x 57cm (unframed) (4) (ARR) £700 - 900*

60

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61 61 After Henry Moore OM CH FBA, British 1898-1986 Pink and Green Sleepers, 1949-63 collotype in colours on wove, signed and dated in the plate, published by Ganymed Original Editions, plate 55.3 x 37.5cm (framed) (ARR) Note: see Victoria and Albert Museum, accession number E.48-1980, for similar example £200 - 300* 62 John Piper CH, British 1903-1992

62

Reden Hall, Norfolk: The Tower [Levinson 124], 1964 lithograph in colours on wove, signed and numbered 35/70 in pencil, plate IV from A Retrospective of Churches, printed by Curwen Studio, published by Marlborough Fine Art, London, sheet 81.8 x 59.3cm (framed) (ARR) Note: see Tate Britain, accession number P06429, for similar example £300 - 500* 63 John Piper CH, British 1903-1992 Anglesey Beach [Levinson 120], 1963 lithograph in colours on Arches wove, signed and numbered 57/65 in pencil, printed at Curwen Studio, published by Galerie Wolfgang Ketterer, Munich, with their blindstamp, sheet 65 x 50cm (framed) (ARR) Note: see Tate Britian, accession number P06425, for similar example £600 - 800* 63

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64

65

64 John Piper CH, British 1903-1992

65 John Piper CH, British 1903-1992

Llan-y-Blodwell, Shropshire: Mid 19th Century Furnishing and Painting [Levinson 128], 1964

Gedney Lincolnshire [Levinson 139], 1964

lithograph in colours on Barcham Green wove, signed and numbered 23/70 in pencil, from A Retrospective of Churches, printed by Curwen Studio, published by Marlborough Fine Art, London, sheet 81 x 59.8cm (framed) (ARR) Note: see Tate Britain, accession number P06433, for similar example £500 - 700*

lithograph in colours on Barcham Green wove, signed and numbered 21/70 in pencil, from A Retrospective of Churches, printed by Curwen Studio, published by Marlborough Fine Art, London, sheet 82.5 x 59.6cm (unframed) (ARR) Note: see Tate Britain, accession number P06444, for similar example £400 - 600* 66 John Piper CH, British 1903-1992 Fotheringhay, Northamptonshire: Medieval Stone [Levinson 135], 1964 lithograph in colours on Barcham Green wove, signed and numbered 23/70 in pencil, from A Retrospective of Churches, printed by Curwen Studio, published by Marlborough Fine Art, London, sheet 81.1 x 59.2cm (framed) (ARR) Note: see Tate Britain, accession number P06440, for similar example £500 - 700*

66

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67 John Piper CH, British 1903-1992 St Matthias, Stoke Newington, London by William Butterfield [Levinson 143], 1964 lithograph in colours on Barcham Green wove, signed and numbered 23/70 in pencil, from A Retrospective of Churches, printed by Curwen Studio, published by Marlborough Fine Art, London, sheet 81.5 x 58.5cm (framed) (ARR) Note: see Tate Britain, accession number P06448, for similar example £500 - 700*

67 68 John Piper CH, British 1903-1992 St Mary’s Paddington [Levinson 145], 1964 lithograph in colours on Barcham Green wove, signed and numbered 21/70 in pencil, from A Retrospective of Churches, printed by Curwen Studio, published by Marlborough Fine Art, sheet 82 x 59.7cm (unframed) (ARR) Note: see Tate Britain, accession number P06450, for similar example £500 - 700*

68

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69 John Piper CH, British 1903-1992 Foliate Heads II [Levinson 246], 1975 screenprint in colours on Arches wove, signed and inscribed A/P in white pencil, an artist’s proof aside from the edition of 75, printed by Kelpra Studio, published by Marlborough Fine Art, London, sheet 76.8 x 58.4cm (framed) (ARR) Note: see Tate Britain, accession number P05401, for similar example £600 - 800* 69 70 John Piper CH, British 1903-1992 Whithorn Priory [Levinson 248], 1975 screenprint in colours on wove, signed and inscribed A/P in pencil, an artists proof aside from the edition of 70, from the series titled Five Views of Scottish Chapels, printed by Kelpra Studio, published by Marlborough Fine Art, sheet 97.5 x 66.4cm (framed) (ARR) £700 - 900* 70 71 John Piper CH, British 1903-1992 The Visitation/ Saints [Levinson 253], 1975 lithograph in colours on wove, signed and numbered 71/90 in pencil, published by Wolfgang Ketter, Munich with their blindstamp, sheet 56 x 48cm (unframed) (ARR) £250 - 350*

71

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72

73

72 John Piper CH, British 1903-1992

73 John Piper CH, British 1903-1992

Foliate Head [Levinson 256], 1976

Castle Martin [Levinson 259], 1976

lithograph in colours on wove, signed and numbered 58/90 in pencil, sheet 54 x 36.5cm (framed) (ARR)

screenprint in colours on Arches wove, signed and inscribed A/P in pencil, an artist’s proof aside from the edition of 70, printed at Kelpra Studio, published by Marlborough Fine Art, sheet 70.5 x 102.7cm (framed) (ARR)

£600 - 800*

Note: see Tate Britain, accession number P05407, for similar example £700 - 900* 74 John Piper CH, British 1903-1992 Temple of Diana [Levinson 408], 1988 etching in colours on Arches wove, signed and numbered 95/100 in pencil, printed at Kelpra Studio, published by CCA Galleries, London, plate 60 x 40.2cm (framed) (ARR) £500 - 700*

74 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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75 75 Various Artists, Omaggio a Michelangelo, 1975 the portfolio, comprising seven etchings and three lithographs (out of 13) on Rives wove, each signed and numbered 48/200 in pencil, published by Bruckmann-Stiftung, sheets loose, within the original beige linen covered portfolio case with green leather front panel, overall 85 x 63cm (folio) Artists include: Horst Antes; Jorge Castillo; Emilio Greco; Renato Guttuso; Jean Ipouséguy; Giacomo Manzù; Marino Marini; Eduardo Paolozzi; Fritz Wotruba, and Paul Wunderlich. £1,500 - 2,000* 76 Anthony Gross CBE RA, British 1905-1984 Homage to Constable- Salisbury Cathedral [Herdman 7601], 1976 etching on wove, signed in the plate, signed, titled and numbered 33/100 in pencil, from the portfolio titled For John Constable, published by Bernard Jacobson, London, sheet 63.5 x 51cm (framed) (ARR) £200 - 300*

76 32

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77 Peter Eugene Ball, British b.1943 Untitled (mermaid), 1977 etching with hand-colouring on wove, signed, dated and numbered 1/25 in pencil, plate 21 x 15cm (framed) £400 - 500* 78 Arthur Boyd AC OBE, Australian 1920-1999 Fire and Water, 1962-63 etching and aquatint on wove, signed and numbered 18/75 in pencil, sheet 61.2 x 54.5cm (unframed) £300 - 500* 79 Arthur Boyd AC OBE, Australian 1920-1999

77

Shoalhaven lithograph in colours on wove, signed and numbered 71/100 in pencil, sheet 85 x 61.3cm; together with Juiker on Sandbank, 1978, lithograph in colours on wove, signed and inscribed artist’s proof, aside from the edition of 97, sheet 77.5 x 57.2 (unframed) (2) Note: see Tate Britain, accession number P06760, for similar example £300 - 500* 80 Arthur Boyd AC OBE, Australian 1920-1999 Bundanon Quartet, 1991 the complete portfolio of four lithographs in colours on wove, each signed, titled and numbered 101/137 in pencil, each sheet 63.8 x 83cm (unframed) (4)

78

£300 - 500*

79 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

80 33

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81

82

81 Sir Kyffin Williams KBE RA, Welsh 1918-2006

82 Sir Kyffin Williams KBE RA, Welsh 1918-2006

Conwy Castle

Stormy Mountainscape

offset lithograph in colours on wove, signed and numbered 424/500 in pencil, image 58 x 42cm (framed)

offset lithograph in colours on wove, signed and numbered 4/150 in pencil, image 35.5 x 21.5cm (framed) (ARR)

£250 - 350*

£200 - 300*

83

84

83 John Hoyland RA, British 1934-2011

84 John Hoyland RA, British 1934-2011

Tembi, 1980

Orange-Pink-Green, 1971

etching and aquatint in colours on wove, signed, dated and numbered 55/60 in pencil, printed at Kelpra Studios, published by Waddington Graphics, sheet 70 x 55cm (framed) (ARR)

screenprint and lithograph in colours on wove, signed, dated and numbered 42/75 in pencil, sheet 76.6 x 57cm (unframed) (ARR)

Note: see Tate Britain, accession number P05551, for similar example

Note: see Tate Britain, accession number P0121, and the Government Art Collection, London, accession number 9669, for similar example

£500 - 700*

£150 - 200*

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85

86

85 Stephen Buckley, British b.1944

86 William Tillyer, British b.1938

The September Suite, 1977

Nicholson, The Half Vase, 1983

etching with aquatint in colours on wove, two, each signed, dated and numbered in pencil, each from the edition of 50, each sheet 49.6 x 70cm (unframed) (2) (ARR)

etching with aquatint in colours on wove, two, each signed and numbered 131/150 and 117/150 respectively in pencil, published by Romer Frankland Limited Editions, each sheet 81.4 x 70.4cm (framed) (2) (ARR)

£150 - 200*

£200 - 300*

87 Chris Plowman, British 1952-2009 Work Surface, 1980 polychrome print in colours signed on wove, dated, titled and numbered 14/30 in pencil; together with Country Wires, 1976, photoaquatint in colours, signed, dated, titled, and numbered 6/20 in pencil, largest sheet 74.4 x 57.7cm (unframed) (2) (ARR) £150 - 200*

87

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88

89

88 Bryan Ingham, British 1936-1997

89 Bryan Ingham, British 1936-1997

White Jug II (Kynance), 1980

Worpswede Stilleben, 1982

soft and hardground etching with handcolouring on wove, signed, dated, titled and numbered iv/xii in pencil, sheet 39.2 x 26.5cm (unframed) (ARR)

soft and hardground etching in colours on wove, signed, dated, titled, and inscribed A/P in pencil, sheet 34.2 x 26.6cm (unframed) (ARR) £150 - 200*

£150 - 200* 90 Stanley William Hayter CBE, British 1901-1988 Apparition [B&M 424], 1982 engraving and softground etching in colours on BFK Rives wove, signed, dated, titled and numbered 34/50 in pencil, plate 52 x 35.5cm (framed) (ARR) Note: see National Gallery of Art, Washington, accession number 2012.92.104, for a similar example £200 - 300*

90

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91 Stanley William Hayter CBE, British 1901-1988 Angels Wrestling [B&M 193], 1950 engraving and etching on BKF Rives wove, signed, dated, titled and numbered 21/50 in pencil, printed at Atelier 17, sheet 66 x 51cm (unframed) (ARR) ÂŁ600 - 800*

91 92 Stanley William Hayter CBE, British 1901-1988 Rue de la Villette [B&M 35], 1930 engraving with drypoint on BFK Rives wove, signed and numbered 11/50 in pencil, from the series Paysages Urbains, printed by Paul Haasen, published by Editions des Quatre Chemins, Paris, sheet 37.8 x 28.4cm (unframed) (ARR) Note: see Museum of Modern Art, New York, accession number 8.1989, for similar example ÂŁ500 - 700*

92

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93 Sir Terry Frost RA, British 1915-2003 Untitled [Kemp 73], 1975 monochrome lithograph on wove, signed, dated and inscribed AP in pencil, an artist’s proof aside from the edition of 75, from the IAA Portfolio, printed at Burleighfield House, Loudwater, published by the United Kingdom National Committee for the International Association of Art, sheet 68.2 x 48cm (unframed) (ARR) 93

Note: this print is one of several proofs pulled using only the black plate, the coloured edition is in the collection of the Tate Britain, accession number P03099 £200 - 300* 94 Sir Terry Frost RA, British 1915-2003 Alhambra [Kemp 62], 1972 lithograph in colours on BFK Rives, signed, dated and numbered 53/65 in pencil, printed at Emil Matthieu Atelier, published by Leslie Waddington Prints, London, sheet 104.6 x 74.5cm (framed) (ARR) Note: see Tate Britain, accession number P01149, for similar example

94

£700 - 900* 95 Sir Terry Frost RA, British 1915-2003 Ochre, Red, Blue [Kemp 50], 1969 lithograph in colours on BFK Rives wove, signed, dated and numbered 68/75 in pencil, printed at Emil Matthieu Atelier, published by Leslie Waddington Graphics, London, sheet 105.1 x 75.2cm (framed) (ARR) Note: see Tate Britain, accession number P01141, for a similar example £600 - 800*

95

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96 Sir Terry Frost RA, British 1915-2003 Sun Up, Newlyn [Kemp 86], 1984 screenprint in colours on wove, signed, dated and inscribed p/p in pencil, a printer’s proof aside from the edition of 25, printed at the Royal College of Art Print Making Department, sheet 78.8 x 52.6cm (unframed) (ARR) £400 - 600* 96

97 Sir Terry Frost RA, British 1915-2003 Bloom around Red, 1990 monotype in colours on Bockingford 400gsm wove, printed by Hugh Stoneman and Alan Cox at the Print Centre, London, for the exhibition ‘Terry Frost Monotypes for a 75th Birthday’ at Austin Desmond Gallery, 1990, No. 9, sheet 120 x 119cm (framed) (ARR) Note: This lot is accompanied by a copy of the exhibition guide. £2,500 - 3,500*

97

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98 Sir Terry Frost RA, British 1915-2003 Serenissimo - A tribute to Venice and the Lagoon, 2001 hand blown Murano glass disc with applied glass ‘brushstrokes’ on a metal stand, signed, titled, and dated ‘Venice 2001’, ii/iii AP, 48cm diameter (multiple) (ARR) Note: Sir Terry Frost produced a series of works in Murano. He was enthralled by the artisans he met and did not merely design these pieces, but was present and participated in their manufacture. Although these are editioned artist’s proofs no further edition was made and each work is, by the nature of being hand-blown, unique. This lot is accompanied by a certificate of authenticity from the Murano Glass Project Curator. £2,000 - 3,000*

98

99 Sir Terry Frost RA, British 1915-2003 Serenissimo - A tribute to Venice and the Lagoon, 2001 hand blown Murano glass with applied glass ‘brushstrokes’, etched title, inscribed Venice 2001, AP II/III from the edition of 9 plus 3 AP, 30 x 22cm (vase) (ARR) Note: Sir Terry Frost produced a series of works in Murano. He was enthralled by the artisans he met and did not merely design these pieces, but was present and participated in their manufacture. Although these are editioned artist’s proofs no further edition was made and each work is, by the nature of being hand-blown, unique. This lot is accompanied by a certificate of authenticity from the Murano Glass Project Curator. £2,500 - 3,500* 99 40

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100 John Walker, British b.1939 Headingly I-V, 1969 the complete series of five lithographs in colours on wove, each signed, dated and numbered 34/75 in pencil, each sheet 70.5 x 103 cm (unframed) (5) (ARR) £300 - 500* 101 John Walker, British b.1939 Untitled, 1977

100

etching with aquatint on wove, signed, dated and inscribed A/P in pencil, plate 41 x 90cm (framed) (ARR) £200 - 300* 102 John Walker, British b.1939 The Prahan Etchings, 1981 three etchings on BFK Rives, each signed, dated and inscribed A/P in pencil, artist’s proofs aside from the editions of 25, from a suite of 23, printed by John Neeson and Ian Parry at Prahan College of Advanced Education, largest sheet 69.5 x 53cm (unframed) (3) (ARR)

101

£300 - 500* 103 John Walker, British b.1939 Untitled, 1987 monotype in colours on thick hand-made paper, signed and dated in pencil, plate 46 x 30.7cm (unframed) (ARR) £400 - 600* 102

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

103

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104

105 104 Rigby Graham MBE, British 1931-2015

105 Kim Lim, Singaporean/British 1936-1997

Ballynalacken, 1986

Dunhuang Series 3, 1988

etching with aquatint in colours on wove, titled and dated in the plate, signed and inscribed ‘A.P.’ in pencil, plate 30.1 x 19.2cm (framed)

lithograph in colours on wove, signed, dated, titled and numbered 4/10 in pencil, sheet 74.7 x 54.5cm (framed) (ARR)

£200 - 300*

£200 - 300*

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106 Victor Pasmore CH CBE, British 1908-1998 Variation No.1, 1971 screenprint in colours on wove, initialled and numbered 43/75 in pencil, from the series Points of Contact- Variations, printed by 2RC Edizioni d’Arte, with their blindstamp, published by the International Association of Art, with their blindstamp, sheet 63.5 x 47cm (unframed) (ARR) £500 - 700*

106 107 Victor Pasmore CH CBE, British 1908-1998 Points of Contact 25, 1974 screenprint in colours on wove, initialled and numbered 24/70 in pencil, printed at Kelpra Studio, published by Marlborough Graphics, London, plate 73.4 x 55cm (framed) (ARR) £800 - 1,200*

107

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108 108 Victor Pasmore CH CBE, British 1908-1998 Images on the Wall, 1992 the incomplete set, comprising eleven etchings (out of 12) in colors on BFK Rives wove, each initialed and dated in pencil, proofs aside from the edition of 50, published by Marlborough Graphics Ltd., London, each sheet 57 x 50cm (unframed) (11) (ARR) ÂŁ6,000 - 8,000*

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109

110

109 Albert Irvin RA, British 1922-2015

110 Gillian Ayres CBE RA, British 1930-2018

Montcada II, 1993

Untitled, 1957

screenprint in colours on wove, signed, titled and numbered 57/90 in pencil, published by Advanced Graphics, sheet 86.5 x 70.5cm (framed) (ARR)

screenprint in colours on wove, signed, dated, and inscribed ‘proof print’ in pencil, 76.2 x 47.3cm (framed) (ARR)

£300 - 500*

£300 - 500*

111 Gillian Ayres CBE RA, British 1930-2018 Sikar ii, 1993 etching with aquatint and carborundum in colours on wove, with acrylic hand-colouring, signed and numbered 18/100 in pencil, plate 85.5 x 84.5cm (framed) (ARR) £1,000 - 1,500*

111

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112

113

112 Colin Self, British b.1941

113 Michael Kenny RA, British 1941-1999

Power and Beauty No.4, 1968

Night Series, 1996

screenprint in colours on wove, signed, titled and numbered 55/75 in white ink, sheet 105 x 67.5cm (unframed) (ARR)

the complete series of 6 etchings with collograph in colours on Somerset TP 300gsm wove, each signed, dated, titled and numbered 9/30 in pencil, printed by Martin Saull, published by Pratt Editions, Kent, each sheet 32 x 30.2cm (unframed) (6) (ARR)

Note: see Tate Britain, accession number P77699, for similar example £150 - 200*

£500 - 700*

114 Michael Kenny RA, British 1941-1999 Substantia, 1999 screenprint in colours on wove, signed in pencil, sheet 76 x 55.2cm (framed) (ARR) Provenance: purchased from the artist’s estate by the present owner £100 - 150*

114

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115

116

115 Sophie Ryder, British b.1963 Minotaur Head (Large), 1995 linocut in colours on wove, signed, dated and numbered 16/50 in pencil, sheet 48.4 x 48.3cm (unframed) (ARR) £150 - 200* 116 Sophie Ryder, British b.1963 Paint Pots, 2001 screenprint in colours on wove, signed, dated and numbered 31/50 in pencil, sheet 68.5 x 54cm (unframed) (ARR) £150 - 200* 117 Craigie Aitchison DBE RSA RA, Scottish 1926-2009

117

Daffodils and Candlestick, 1998 screenprint in colours on wove, signed and inscribed AP in white ink, an artist’s proof aside from the edition of 75, sheet 69 x 56.3cm (unframed) (ARR) £400 - 600* 118 Various Artists, Founders Print offset lithograph in colours, sheet mounted to card, featuring 25 images by various artists including Elizabeth Blackadder, Mary Fedden, Victor Pasmore and Dame Elizabeth Frink, signed by each artist and numbered 103/250 in pencil, published by The Eye Gallery, with their stamp to recto, sheet 101.5 x 72.3cm (unframed) £200 - 300*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

118

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119 119 Théophile Alexandre Steinlen, French/Swiss 1859-1923 Route Traversant un Village, 1902 etching with aquatint in colours on thick laid, signed and inscribed a zug Delatre, bon a tirer in pencil, a printers proof from the edition of 20, sheet 32.5 x 27cm (unframed) Note: dedicated to Eugene Delatre in pencil £1,000 - 1,500* 120 Pierre-Auguste Renoir, French 1841-1919 Claude Renoir, de trois-quarts a gauche [Stella 19], 1908 120

soft-ground etching on laid, numbered 25/50 in pencil, sheet 34 x 26cm (unframed) £300 - 500*

48

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121 121 Maurice de Vlaminck, French 1876-1958 Montral [Walterskirchen 8], 1913 woodcut on Verge de Hollande van Gelder laid, signed in pencil, from the unnumbered edition of 60, printed by Henri M. Petiet, published by Editions Henri Kahnweiler, Paris, image 33.5 x 25.5 (framed) (ARR) ÂŁ2,000 - 3,000* 122 Aristide Maillol, French 1861-1944 Untitled (Nude) lithograph printed in sanguine on wove, with monogram stamp within the plate, signed with monogram and numbered 8/50 in pencil, image 33 x 25cm (framed) ÂŁ400 - 600* 122

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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123

124 123 Georges Rouault, French 1871-1958 Le Clown a la Grosse Caisse, 1930 aquatint in colours on BFK Rives laid, published by Ambroise Volland editeur, Paris, from ‘Le Cirque’, an edition of 270, plate 31 x 21cm (framed) (ARR) £500 - 700* 124 Georges Rouault, French 1871-1958 Clown et Enfant, 1930 aquatint in colours on BFK Rives laid, published by Ambroise Volland editeur, Paris,from ‘Le Cirque’, from an edition of 270, sheet 31x 21cm (framed) (ARR) £500 - 700* 125 Georges Rouault, French 1871-1958 Le Jongleur, 1930

125

aquatint in colours on BFK Rives laid, published by Ambroise Volland editeur, Paris, from ‘Le Cirque’, from an edition of 270, 31 x 21cm (framed) (ARR) £500 - 700*

50

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126 126 George Grosz, German 1893-1959 Bagdad-on-the-Subway, 1935 the complete set of six lithographs in colours on Arches wove, each signed and numbered 118/150 in pencil, published by the Print Club, New York, each sheet 48 x 28cm (framed) (6) (ARR) ÂŁ2,200 - 2,800*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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127 127 Joan Mirรณ, Spanish 1893-1983 Femme et Chien devant la Lune [Dupin 18], 1935 pochoir in colours on wove, signed, dated and numbered 29/60 in pencil, published by Group Adlan, Barcelona, sheet 49.5 x 65.2cm (framed) (ARR) Note: see Museum of Modern Art, New York, accession number 203.1990, for similar example ยฃ12,000 - 18,000*

52

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128 128 Joan Miró, Spanish 1893-1983 La Femme Au Miroir [Mourlot 242], 1956 lithograph in colours on Rives BFK wove, signed and inscribed EA in pencil, an artist’s proof aside from the edition of 150, published by Maeght Éditeur, Paris, sheet 56.2 x 38.5cm (framed) (ARR) £10,000 - 15,000* 129 Joan Miró, Spanish 1893-1983 Atmosfera Miró [Mourlot 190], 1959 lithograph in colours on wove, signed in pencil, a proof aside from the numbered edition of 160, published by Editorial RM Barcelona, sheet 22.8 x 25.1cm (unframed) (ARR) £1,000 - 1,500*

129

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130 Joan Miró, Spanish 1893-1983 Le Rebelle [Dupin 439], 1967 etching with aquatint and carborundum in colours on Mandeure wove, signed and numbered 33/75 in pencil, printed by Arte Adrien Maeght, Paris, published by Maeght Editeur, sheet 103.9 x 74cm (framed) (ARR) £15,000 - 20,000*

130 131 Joan Miró, Spanish 1893-1983 L’Invention du Regard [Dupin 537], 1970 etching with aquatint and carborundum in colours on Arches wove, signed and numbered 28/75 in pencil, sheet 50 x 66.2cm (framed) (ARR) £1,500 - 2,000*

131

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132

133

132 Joan Miró, Spanish 1893-1983 L’Astre Bleu [Mourlot 857], 1972 lithograph in colours on Rives vellum, signed and numbered XXI/LXXX in pencil, from the wide margin edition of Miro Lithographs I, printed by Mourlot, published by A.C. Mazo, Maeght, Paris and Poligragrafa, Barcelona, sheet 45 x 36.6cm (unframed) (ARR) £1,500 - 2,000* 133 Joan Miró, Spanish 1893-1983 Saturnale d’ Insectes [Dupin 746], 1975 etching with aquatint in colours on wove, signed and numbered 15/50 in pencil, published by Maeght Editeur, Paris, sheet 91.5 x 63.2cm (framed) (ARR) £3,000 - 5,000* 134 Joan Miró, Spanish 1893-1983

134

Plate 21, from Maravillas con variaciones acrosticas en el Jarden de Miro [Mourlot 1071], 1975 lithograph in colours on Arches wove, signed and numbered 17/75 in pencil, from the deluxe edition, printed by La Poligrafa, published by Ediciones Poligrafa, S.A., Barcelona, sheet 74.7 x 53cm (unframed) (ARR) £2,000 - 3,000* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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135

135 Joan Miró, Spanish 1893-1983 Album 21 [Maeght 1126-1146], 1978 the complete set of 21 lithographs in colours on Arches wove, each signed and inscribed EA in pencil, artist’s proof aside from the numbered edition of 75, published

by Maeght Editeur, Paris, each sheet 65 x 49.7cm (5 framed/16 unframed) (21) (ARR) £20,000 - 30,000*

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135

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136 136 After Joan Miró, Spanish 1893-1983 Le Moulin a Cafe [Maeght 1701], 1954 etching with aquatint in colours on Rives BFK wove, signed, dated and numbered 111/300 in pencil, printed by Georges Visat, Paris, published by Maeght Editeur, Paris, plate 56 x 48.5cm (framed) (ARR) £3,000 - 5,000* 137 Karl Otto Gotz, German 1914-2017 137

Untitled, c.1946 lithograph on wove, image 49.1 x 39.5cm (framed) (ARR) £300 - 500*

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138

139

140

138 Jean Arp, German/French 1886-1966

139 Jean Cocteau, French 1889-1963

140 Marie Laurencin, French 1883-1956

Ramures, 1954

L’Homme Poisson, circa 1950s

Jeunes Filles dansantes

woodcut in colours on wove, image 19 x 15cm (framed) (ARR)

lithograph printed in colours on wove, signed within the plate, signed and inscribed EA in coloured crayon, image 26 x 39.5cm (framed) (ARR)

drypoint etching in colours on wove, signed in pencil, from an unnumbered edition, plate 12.7 x 8.1cm (unframed) (ARR)

£200 - 300*

£200 - 300*

£300 - 500*

141 Léonard Tsuguharu Foujita, Japanese/French 1886-1968 Fillette et Baguette de Pain, 1960 lithograph in colours on wove, laid on board, initialled in the plate, signed and dated in ballpoint pen with additional hand illustration of a cat, aside from the numbered edition of 25, sheet 44. x 35.6cm (framed) (ARR) £500 - 700*

141

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142

143

142 After Georges Braque, French 1882-1963

143 Georges Braque, French 1882-1963

Pichet et oiseau [Maeght 1005], c. 1950;

Les Fleurs Violets, c. 1955-60

etching with aquatint in colours on BFK Rives wove, signed and numbered from the edition of 300 in pencil, plate 51.2 x 42cm (framed) (ARR)

etching with aquatint in colours on Arches wove, signed and numbered 92/200 in pencil, published

by Atelier Crommelynck, Paris, with their blindstamp, plate 47.5 x 29.3cm (framed) (ARR)

£1,500 - 2,000*

£800 - 1,200*

144 144 After Georges Braque, French 1882 - 1963 The Plow (La Charrue), c.1960 lithograph in colours on BFK Rives wove, signed and inscribed HC in pencil, an hors commerce aside from the unrecorded edition, published by Gallery Maeght, Paris, image 49.7 x 15.5cm (framed) (ARR) Note: this edition is not included in the catalogue raisonne, however there are a number of graphics based on Braque’s works published by Maeght and directed by the artist. £200 - 300*

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145

146

145 Marie Cerminova Toyen, Czech 1902-1980*

146 Milton Avery, American 1885-1965,

Untitled from The Alert Box, 1959-60

Untitled (Nude), 1961

lithograph in colours on Japan paper, signed and numbered VIII/XX in pencil, sheet 24 x 16cm (framed) (ARR)

linocut in colour, signed, dated and inscribed AP in pencil, image 6.2 x 9.1cm (framed) £800 - 1,200*

Note: this print commemorates the International Surrealist Exhibition (EROS) 1938 £500 - 700*

147 Ralston Crawford, American 1906-1978 Untitled, 1955 lithograph on wove, signed and numbered 16/25 in pencil, 68.5 x 53cm (framed) (ARR) £400 - 600*

147

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148 Pierre Alechinsky, Belgian b.1927 Une Societe, 1962 lithograph in colours, signed, dated, titled and numbered 1/60 in pencil, image 43 x 57 (framed) (ARR) Note: see Museum of Modern Art, New York, accession number 666.1981, for similar example £400 - 600*

148 149 Maria Elena Vieira Da Silva, Portuguese 1908-1992 Bibliography of Works by Rene Char 1928-1963 [Riviere 83], 1964 etching with aquatint on Arches wove, signed and numbered 40/50 in pencil, printed by L’Imprimerie Union à Paris, published by Ribaute-lès-Tavernes Éditeur, sheet 16.3 x 25cm (unframed) (ARR) £500 - 700*

149 150 Nikos Hadjikyriakos-Ghika, Greek 1906-1994 Farm Scene etching on wove, signed and numbered 13/20 in pencil, sheet 56.5 x 77cm (unframed) (ARR) £300 - 500*

150

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151 151 Nassos Daphnis, Greek/American 1914-2010*

152 Chryssa Vardea-Mavromichali, Greek/American 1933-2013

Flirtation, 1948

Times Square, Fragment No 9, 1979

etching with aquatint, signed, dated, titled and numbered 3/35 in pencil, plate 25 x 20cm (unframed) (ARR)

screenprint in colours on wove, signed and numbered 146/300 in pencil, sheet 98 x 64cm (unframed) (ARR)

£200 - 300*

£150 - 200*

152

153 Alekos Fassianos, Greek b.1935 Untitled (two figures) lithograph printed in colours on wove, signed, inscribed EA and numbered 11/30 in pencil, sheet 58 x 75cm (unframed) (ARR) £200 - 300*

153

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154 154 Pablo Picasso, Spanish 1881-1973 Exposition Vallauris [BLOCH 1301], 1964 linocut in brown on Arches wove, with artist’s stamped signature, inscribed ‘Maquette pour le tirage’ in pencil, a proof aside from the numbered edition of 168, with Marina Picasso inkstamp to verso, printed by Arnéra, Vallauris, sheet 75.2 x 62cm (unframed) (ARR) £3,000 - 5,000*

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155 155 Pablo Picasso, Spanish 1881-1973 Portrait of Jacqueline [Bloch 827; Mourlot 289], 1956 offset lithograph in colours on wove, signed and numbered 89/100 in pencil, published by H. Matarasso, Nice, sheet 66.8 Ă— 50.3cm (framed) (ARR) Note: see National Gallery of Victoria, accession number 324-5, for similar example ÂŁ6,000 - 10,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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156 After Pablo Picasso, Spanish 1881-1973 Femme au chapeau a pompons et au corsage imprime, 1994 pure wool rug in colours, signed and inscribed ‘Pour Sabartes, son ami, Picasso’ in the rug, from an edition of 500, manufactured by Desso, published by SPADEM, rug 90 x 120cm (framed) (ARR) £1,000 - 1,500*

156 157 After Pablo Picasso, Spanish 1881-1973, Maternité [Ginestet/Pouillon 670], 1930 etching with aquatint in colours on wove, engraved by Jacques Villon, published by Chalcographie du Louvre, Paris, with their blindstamp, plate 65 x 42cm (framed) (ARR) £2,000 - 3,000*

157

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158

159

158 Almir da Silva Mavignier, Brazilian b.1925

159 Victor Vasarely, Hungarian/French 1908-1997

Punctum, 1965

Untitled

screenprint in colours on Schoellers Hammer Karton wove, signed, dated, and numbered 109/125 in pencil, image 63.4 x 63cm (framed)

screenprint in colours on wove, singed and inscribed ‘F.V’ 28/50, image 76.6 x 59.4cm (framed) (ARR)

Provenance: Flowers Gallery, London; from the estate of Robert Heller

£700 - 900*

£300 - 500* 160 Leopold Survage, Russian/French 1879-1968 Colored Rhythms II, 1968 lithograph in colours on vellum, signed and numbered AN 52/75 in pencil, from the portfolio titled Rhythm in Colour, printed by Mourlot, Paris, sheet 65.5 x 51.5cm (unframed) (ARR) Note: authenticated with the artist’s atelier stamp £200 - 300*

160

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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161 Sonia Delaunay, French 1885-1979 Untitled, 1971 lithograph in colours on hand made Japanese paper, signed and numbered 43/75 in pencil, from the UNESCO portfolio, printed at 2RC Workshop, published by the International Association of Art, with their blindstamp, sheet 63.2 x 45.8cm (unframed) (ARR) £1,200 - 1,800*

161 162 Paul Wunderlich, German 1927-2010

163 Paul Wunderlich, German 1927-2010

Twilight (wicker chair), 1971

Twilight plate 2, 1971

lithograph in colours on wove, signed and numbered 116/125 in pencil, sheet 83.5 x 62.6cm (framed) (ARR)

lithograph in colours on Rives wove, signed and numbered 10/125 in pencil, sheet 74.5 x 56.3cm (framed) (ARR)

£300 - 500*

£300 - 500*

162

163

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164

165

164 After Serge Poliakoff, Russian 1906-1969 Abstract composition in blue, red and yellow, 1973 lithograph in colours on wove, signed and inscribed CH. Sorlier Grav. in the plate, numbered 38/100 in pencil, sheet 74.3 x 51.8cm (unframed) (ARR) Note: this lithograph, from an original gouache painting, was made on the occasion of the artist’s exhibition at the A.B.C.D Gallery, Paris, Nov-Dec 1973 £200 - 300* 165 Roberto Matta, Chilean 1911-2002 Viens Voir, 1969 etching with aquatint in colours on Japon paper, signed and numbered 95/99 in pencil, plate 54.5 x 50cm (framed) £500 - 700* 166 Jean-Paul Riopelle, Canadian 1923-2002 The Call [Riopelle 1972.30 EST.LI.ALB.], 1972 lithograph in colours on Arches wove, signed and inscribed E.A., an artist’s proof aside from the edition of 100, from Parler De Cordes, printed by Imprimerie ARTE Adrien Maeght, published by Maeght, Paris, sheet 53.5 x 34.5cm (unframed)

166

£700 - 900* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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167 Salvador Dali, Spanish 1904-1989 Vision planetaire et scatologique [Michler & Löpsinger 645], 1974 drypoint etching on chromolithograph with embossing in colours on Arches wove, signed and numbered 30/195 in pencil, from La Conquete du Cosmos, printed by Bellini, published by Lavigne, sheet 69.6 x 99.6cm (unframed) (ARR) £400 - 600*

167 168 Salvador Dali, Spanish 1904-1989 Le Cercle visceral du cosmos [Michler & Löpsinger 647], 1974 drypoint etching on chromolithograph with embossing in colours on Arches wove, signed and numbered 30/195 in pencil, from La Conquete du Cosmos, printed by Bellini, published by Lavigne, sheet 69.5 x 99.3cm (unframed) (ARR) £400 - 600*

168

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169 Salvador Dali, Spanish 1904-1989 The Flight of Satan [Michler and Löpsinger 713], 1974 drypoint etching in colours on Lana wove, signed and numbered 136/225 in pencil, from the portfolio titled Le Paradis Terrestre, printed by Ateliers Rigal, published by Editions de Francony, Nice, sheet 56 x 44.5cm (framed) (ARR) £800 - 1,200*

169

170 Salvador Dali, Spanish 1904-1989 Nu aux violettes (Nude with veils) [Michler & Löpsinger 768], 1975 drypoint etching with stencil in colours on Arches wove, signed and inscribed EA in pencil, an artist’s proof aside from the edition of 700, from a suite of 6 prints titled Quevedo’s Visions, printed by Ateliers Rigal, published by Borjeson/Editions Graphiques, plate 52.3 x 36.4cm (framed) (ARR) £500 - 700*

170

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171 171 Salvador Dali, Spanish 1904-1989 Coronation of the King of Spain [Michler & Löpsinger 776], 1975 heliogravure with stencil in colours on Arches wove, signed and numbered 338/350, printed by Torrents, published by Editions Graphiques Internationales, sheet 76 x 56.1cm (unframed) (ARR) £1,000 - 1,500*

172 172 Salvador Dali, Spanish 1904-1989 Les Chairs monarchies and Les Panaches panaches [Michler & Löpsinger, 1336 and 1340], 1977 two photolithograph in colours on Rives wove, each signed and inscribed A/P 20/50 in pencil, both with accompanying drypoint etching titled La Cuillere molle [Michler & Löpsinger 509], from a portfolio of 12 photolithographs titled Les Diners de Gala, printed by Draeger/Bellini, published by Jean Lavigne, plate 57 x 48cm (framed) (2) (ARR) £500 - 700*

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173 Salvador Dali, Spanish 1904-1989 Le Cheval de la Mort, 1983 lithograph in colours on Arches wove, signed and numbered 99/250 in pencil, from the portfolio Les Chevaux de Dali, published by Armand Israel, sheet 36.3 x 56cm (unframed) (ARR) ÂŁ500 - 700*

173 174 Salvador Dali, Spanish 1904-1989 Les Chevaux de Dali, 1983 the incomplete portfolio, comprising seventeen (out of 18) lithographs in colours on Arches Vellum, with title and text pages, numbered 1085 of 4980 in the colophon, each print is signed in the plate and bears the S.P.A.D.E.M copyright blindstamp, printed by Claude Jobin, published by Armand & Georges Israel, with their blindstamp, each lithograph loose as issued, in the original dark red velvet box with copper front plate created by Dermont-Duval, Paris, overall 60.2 x 41 x 6.5cm (folio) (ARR) ÂŁ400 - 600*

174

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175 175 After Salvador Dali, Spanish 1904-1989 Bataille autour d’une Pissenlit, 1988 jacquard tapestry in cotton and wool blend, with woven signature ‘Salvador Dali’ in black, number 222 from the edition of 600 on the label to the reverse of the frame, published by Tapisseries du Lion, overall 105 x 137cm (framed) (ARR) £1,200 - 1,800* 176 After Salvador Dali, Spanish 1904-1989 Cerebra, El Can del inferno- Canto VI, 1988

176

screenprint in colours on silk scarf, after the image from The Divine Comedy, published Les Heures Claires, scarf 90 x 90cm (framed) (ARR) £500 - 700*

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177 Jo Delahaut, Belgian 1911-1992 Composition in Blue and Black, 1975 screenprint in colours on handmade wove, signed, dated and numbered 257/300 in pencil, sheet 65.5 x 50cm (unframed) (ARR) £200 - 300*

177

178 178 Various Artists, San Lazzaro et ses Amis, 1975 the complete portfolio of 15 lithographs in colours on wove, with title page and justification, numbered 239 from the edition of 575, printed by Arte Adrien Maeght, published by XXe Siecle, Paris, each sheet loose as issued, in original cream buckram case, overall 39 x 28 x 5.6cm (folio) Artists include: René Magritte, Georges Braque, Alexander Calder, Graham Sutherland, Marc Chagall, Wassily Kandinsky, Max Ernst, Hans Hartung, Max Bill, Zao Wou-Ki, Pablo Picasso, Joan Miró, Henry Moore, Alberto Magnelli and Lucio Fontana. £2,000 - 3,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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179 Saul Steinberg, Romanian/American 1914-1999 Three Landscapes, 1976 one lithograph in colours, one drypoint, and one screenprint on Arches wove, signed, dated and numbered H/C 5/5 and inscribed for Yona Fischer, a proof aside from the edition of 100, printed by Styria Studio, New York, sheet 74.5 x 54.7cm (unframed) (ARR) £1,000 - 1,500* 180 John Henry Olsen, Australian b.1928 Kangaroo Country, 1979 lithograph in colour on wove, signed, titled and numbered VIII/X in pencil, sheet 50 x 66cm (unframed) £200 - 300* 181 Ku-lim Kim, South Korean b.1936 Untitled, 1979

179

etching in colours on wove, signed, dated and numbered 12/20 in pencil, sheet 66 x 50.2cm (unframed) £150 - 200*

180

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182 Marc Chagall, Russian/French 1887-1985 Double Visage [Mourlot 925], 1978 lithograph in colours on Japon nacré, signed and numbered IX/IX, an artist’s proof aside from the numbered edition of 50, plate 26.3 x 24.7 (framed) (ARR) £3,000 - 5,000*

182 183 Marc Chagall, Russian/French 1887-1985 Painter at the Eiffel Tower [Mourlot 949], 1979 lithograph in colours on Japon nacré, signed and numbered from the edition of 50 in pencil, published by Maeght, Paris, sheet 59 x 44.7 cm (unframed) £2,500 - 3,500*

183

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184 184 After Marc Chagall, Russian/French 1887-1985 Sirène au Poète [Sorlier 27], 1967 lithograph in colours on Arches wove, signed and numbered 38/150 in pencil, from Nice and the Côte d’Azur by Charles Sorlier, published by Mourlot, Paris, plate 61 x 46cm (framed) (ARR) £6,000 - 8,000*

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185

186 185 Antoni Tapies, Spanish 1923-1012

186 Antoni Tapies, Spanish 1923-2012

Cap [Galfetti 1120], 1987

M 1/2 [Galfetti 808], 1981

etching in colours with carborundum on wove, signed and numbered in pencil, from the edition of 99, printed and published and by Poligrafa Obra Grafica SL, Barcelona, sheet 131 x 97.5cm (framed) (ARR)

lithograph in colours on Arches wove, signed and numbered 27/75 in pencil, printed by Atelier Lelong, Paris, image 100 X 70cm (framed) (ARR) ÂŁ500 - 700*

ÂŁ1,000 - 1,500*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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187 Antoni Tapies, Spanish 1923-2012 Flacon, 1984 etching printed in colours with embossing on wove, signed and numbered 25/50 in pencil, plate 32.4 x 29.4cm (framed) (ARR) £300 - 500*

187

188 188 Antoni Tapies, Spanish 1923-2012 Llull-Tapies [Galfetti 1035-1059], 1985 the complete set of twenty-four etchings with aquatint, collage, flocking and embossing in colours on wove, signed and numbered in pencil to the colophon, two prints signed in pencil, published by Daniel Lelong and Carles Taché, Barcelona, each sheet loose as issued, in original brown cloth case, overall 56 x 43 x 8.5cm (folio) (ARR) £1,200 - 1,800*

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189 Hans Hartung, German/French 1904-1989 Heraclite - La foundre pilote l’univers, 1997 the complete portfolio of three lithographs in colours on Arches wove, each plate signed and numbered from the edition of 90 in pencil, with title-page, justification and fragments of text from Heraclite, published by Editions F.B., Paris, sheets loose, within the original mustard cloth portfolio, overall 60 x 47.5 x 2cm (portfolio) (ARR) £2,000 - 3,000*

189

190 Hans Hartung, German/French 1904-1989 Heraclite- Mieux vaut cacher sa deraison, 1987 the complete portfolio of five etchings with aquatint in colours on Arches wove, each plate signed and numbered from the edition of 90 in pencil, with justification, title page and accompanying text from Heraclite, published by Editions F.B., Paris, sheets loose as issued, within the original blue cloth portfolio, overall 60 x 47.5 x 2cm (portfolio) (ARR) £3,000 - 5,000* 190

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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191 191 Piero Dorazio, Italian 1927-2005

192 Balthus, French 1908-2001

Kókkora, 1987

Wuthering Heights, 1989

the complete set of eight lithographs in colours on Rives wove, signed in pencil and numbered 120/200 in ink on colophon, seven of the eight lithographs signed in pencil, printed and published

by Erker-Presse, St. Gallen and Galerie und Verlag Aras, Ravensburg e Saulgau, each sheet loose as issued, in original cloth bound cover, overall 26 x 19 x 3cm (folio) (ARR)

the complete portfolio of twelve lithographs in colour, with texts by Emily Brontë, published by Séguier, Paris, each lithograph signed in pencil, sheets loose, within the red fabric covered folio case as published, overall 39.2 x 29.5 x 4cm (folio) (ARR)

£1,200 - 1,800*

193 Jean Messagier, French 1920-1999

£1,500 - 2,000*

Trigger for a Tree, 1985 etching with aquatint in colours on wove, signed and inscribed E.A in pencil, dedicated ‘pour cici et raymond, amicalement, Paris, 1972’ in pen, a proof aside from the edition of 30, sheet 66.5 x 50.5cm (unframed) (ARR) £150 - 200*

192

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194 Enrico Castellani, Italian 1927-2005 Composition II, 1996 embossing on Etna della Sicars handmade paper, signed, dated and numbered 32/75 in pencil, from Trous, published by Proposte d’Arte Colophon, Belluno, sheet 30 x 30cm (framed) (ARR) £1,000 - 1,500*

194 195 Garry Shead, Australian b.1942

196 Jean Signovert, French 1919-1981

Stockman’s Dream, Farewell, Horse and Lady, and Mirage, 2006

Sublime

four etchings in colour on wove, each signed, titled and numbered 1/25 in pencil, each sheet 56.2 x 76cm (unframed) (4)

etching and carborundum on Vellum wove, signed and inscribed E.A. in black ballpoint pen, an artist’s proof from an unknown edition, sheet 32.5 x 25cm (unframed) (ARR)

£200 - 300*

£200 - 300*

195

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196

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197 Various Artists, Australian 20th/21st century A collection of Aboriginal etchings etching on wove, three, each signed and numbered in pencil; together with linocut on Whatman paper, signed, titled and inscribed A/P in pencil, an artist proof aside from the edition of 70, largest plate 24.5 x 32.5cm (framed) (4) ÂŁ300 - 500*

197

198 Andre Naude, South African b.1950 The Shady Road, Vergelegen etching on laid, signed and titled in pencil, together with eight further etchings by the same artist depicting various scenes of South Africa, each sheet 27 x 22cm (unframed) (9) ÂŁ200 - 300*

198

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Harry Bertoia 1915-1978 Harry Bertoia, born in a small village in Italy, moved to America at 15 to undertake studies in painting and drawing at the School of the Detroit Society of Arts and Crafts. He went on to develop his style at the Cranbrook Academy of Art where in 1939 he was asked to reopen the school’s metalworking shop.

As one of the most renowned American sculptors and furniture designers of the 20th century, Harry Bertoia started with jewellery then sculpture, he found a passion for monotype prints, a medium he came back to time and time again throughout his life. Bertoia would apply ink to a glass surface then place rice paper onto the glass, creating the images with his fingers and other pointed tools through the reverse of the paper, making each monotype a unique handcrafted piece. Notably Bertoia did not work with other print makers and did not receive much formal training. Harry Bertoia did not sign his works, as he believed his creativity derived from divine sources, or ‘the great Oneness’ claiming that his art should not be prescribed to one man’s name.

199

199 Harry Bertoia, American 1915-1978 Untitled (2248 & 276) monotype on rice paper, two, both inscribed with number and one initialled in pencil, added later by Brigitta Bertoia, sheets 61 x 33.5cm and 60.5 x 22.5 (framed) (2) £1,000 - 1,500*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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200 Harry Bertoia, American 1915-1978 Untitled (1822, 1881 & 1181) monotype on rice paper, three, each inscribed with number and two initialled in pencil, added later by Brigitta Bertoia, largest sheet 60.6 x 33.5cm (framed) (3) ÂŁ1,200 - 1,800*

201 Harry Bertoia, American 1915-1978 Untitled (1195, 1038 & 1077) monotype on rice paper, three, each inscribed with number to recto and initialled to verso in pencil, added later by Brigitta Bertoia, largest sheet 61.2 x 33cm (framed) (3) ÂŁ1,500 - 2,000* 200

201

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202 Harry Bertoia, American 1915-1978 Untitled (33a & 1053) monotype on rice paper, two, each inscribed with number and initialled in pencil, added later by Brigitta Bertoia, sheets 61.5 x 32.8cm and 49 x 30cm (framed) (2) ÂŁ1,000 - 1,500*

203 Harry Bertoia, American 1915-1978 Untitled (n & H 21) monotype on rice paper, two, each inscribed and one initialled to recto in pencil, added later by Brigitta Bertoia, sheets 65.3 x 26cm and 24.2 x 35cm (framed) (2) ÂŁ1,000 - 1,500* 202

203

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204

205

206

204 Louis Legrand, French 1863-1951

205 Maurice Utrillo, French 1883-1955

206 Raoul Duffy, French 1877-1953

Louis Legrand Peintre et Graveur, 1910

Maurice Utrillo, Eglises et Cathedrales, XXe Siecle

Raoul Dufy, 1930

book by Camille Mauclair, comprising three etchings, three drypoints and eleven heliogravures, Edition de Luxe, text in French, printed by H. Floury & G. Pellet, Paris, 26.3 x 20.5cm (book)

book by G. Charensol, with original monochrome lithograph, signed in pencil by the artist, edition number 449 of 500, printed by Editions des Chroniques du Jour, France, 28.5 x 23cm (book) (ARR)

£150 - 250*

£100 - 150*

book by Marcelle Berr de Turique, comprising original tissue-guarded etched frontispiece ‘Amphritite’ by Dufy (signed in the plate), published

by Librairie Floury, Paris, uncut, original colour pictorial dustjacket bound in, from the edition of 200, illustrated throughout with numerous b/w and colour in-text and full-page illustrations, 26.3 x 21cm (book) (ARR) £150 - 200*

207 Raoul Dufy, French 1877-1953 Héron de Villefosse. Eux de Vie - Espirit de La Fleur et du Fruit, 1954

207

the folio, numbered 78, one of the 50 copies on vélin d’Arches wove from the total edition of 300, comprising twelve pochoir in colours, and the suite of seven monochrome prints on Chine paper, with title page, table of contents, justification and various texts in French, preface by Georges Duhamel, sheets folded and loose as issued, wraparound printed cover sheet on handmade peach coloured paper, published by Bernard Klein, Paris, with original folder and slipcase, overall 40.3 x 30.3 x 5cm (folio) (ARR) £500 - 700*

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209

208 208 Jules Pascin, French 1885-1930

209 After Pierre Auguste Renoir, French 1841-1919

Pascin (XX Siecle 6), 1931

Seize Aquarelles Et Sanguines de Renoir, 1948

the book, numbered 494 from the edition of 500, comprising an engraving by the artist, preface by Paul Morand, published by Paris: Éditions de Chroniques du Jour, G. di San Lazzaro, bounded as issued with duck jacket, overall 28.5 x 22.8cm (book)

the complete portfolio of sixteen lithographs in colours on Johannot wove, numbered 303 from an edition of 500, published by Quatre CheminsEditart, Paris, each sheet loose as issued, in original blue card slipcase, overall 38.5 x 27.4cm (folio) £200 - 300*

£150 - 200*

210 Henri de Toulouse-Lautrec, French 1864-1901 Histories Naturelles, 1949 edition number 506 of 1350, with twenty-two facsimile reproduction prints, by Jules Renard, published by Libairie Floury, Paris: together with three further books about the same artist, titledLautrec (2 copies) & Les Affiches de Toulouse Laurtrec, all printed in Paris and with original covers, largest overall 38 x 27.7cm (books) (4) (ARR) £200 - 300*

210

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211 Henri Matisse, French 1869-1954 Portraits by Henri Matisse, 1954 book by Andre Sauret, numbered 833 from the edition 2850, comprising two lithographs, one as frontispiece, the other in blue, black and yellow as wrapper, printed by Mourlot Freres, France, with original card covers, folder and slip-case, 32 x 25 x 3.5cm (book) (ARR) ÂŁ500 - 700*

211

212

212 Henri Matisse, French 1869-1954 Verve Vol. IV, No 13, 1945 the book with screenprint cover in colours, with the two portraits of Angele Lamotte, lacking the frontispiece and the title page, published by Editions de la Revue Verve, Paris, together with four other editions of Verve including Vol. III No 9, VII No 25 and 26, VI No 23, and No 4, each book 36 x 26.5cm (book) (5) (ARR) ÂŁ400 - 600*

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213 213 Henri Matisse, French 1869-1954 Verve Vol. IX, No 35-36, 1958 the complete book, comprising forty lithographs mostly in colours, with title page, text and reproductions, printed by Mourlot Frères, Paris, published by Editions de la Revue Verve, Paris, the sheets bound as issued within the original illustrated boards, overall 36.6 x 27.3cm (book) (ARR) £2,500 - 3,500*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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214 Henri Matisse, French 1869-1954 Jazz Portfolio, 1947, 2005 the complete portfolio of twenty colour lithographs in colours on BFK Rives wove, numbered 169 from the edition of 1300, printed at Atelier Stephane Guilbaud, published

by Editions Anthese, Paris, each sheet loose as issued, in original red cloth case, overall size 41.1 x 31.8 x 7cm (folio) (ARR) 214

£400 - 600*

215 Pablo Picasso, Spanish 1881-1973 Verve: Volume VIII 29-30 Suite De 180 Dessins De Picasso, 1954

215

the complete volume of sixteen lithographs in colours, each sheet bound as issued, printed

by Draeger and Mourlot, published by Editions de la Revue Verve, Paris, overall 36.2 x 27.2 x 2.7cm (folio) (ARR) £400 - 600*

216 Derrière Le Miroir, No 148, la Foundation Marguerite et Aime Maeght, 1964 the book with text by Henry Maldiney, comprising five lithographs in colours by and after George Braque, Alberto Giacometti, Marc Chagall, Raoul Ubac, Joan Miro, and Pierre Tal Coat, published by Maeght Editeur, Paris, overall 38.5 x 28.5cm (hardback book) £400 - 600* 216

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217 Derrière le Miroir, No 110, Ellsworth Kelly, 1958 the book comprising four double page lithographs in colours, text by E. C. Goossen, published by Maeght Editeur, Paris, on the occasion of the artist’s first solo exhibition at Galerie Maeght, Paris, overall 38.1 x 28.1cm (book) £150 - 200*

217 218 Derrière Le Miroir, No 154, Kandinsky, 1965 the book comprising four double page lithographs in colours, with text by Werner Haftman, together with three further Kandisnky editions including; No. 101-102-103, 1957, No 118, 1960 and 179, 1969, with nine double page lithographs and two single sheet lithographs in colours, published by Maeght Editeur, Paris, each 38.1 x 28.2cm (books) (4) £600 - 800*

218

219 Derrière Le Miroir, No 113, Alexander Calder, 1959 the book, comprising two lithographs in double page, one in colours, with text by Georges Salles; together with No 124, Eduardo Chillida, 1961, comprising two lithographs in double page, with text by James Johnson Sweeny, both published by by Maeght Editeur, Paris, each overall 38.1 x 28.2cm (book) (2) £250 - 350* 219

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220 Marc Chagall, Russian/French 1887-1985 Dessins et Aquarelles pour Le Ballet, 1969 [Cramer 78. Sorlier 101. Gauss 581] book by Jacques Lassingne, with original lithograph in colours of ‘Equisse pour Alexo’ by Marc Chagall bound in, together with numerous colour reproduction illustrations throughout, text in French, lithograph printed by Mourlot, copyright Societe Internationale D’Art. XXe Siecle, Paris, with original slip case, 36 x 27cm (hardback book) (ARR) £200 - 300*

221

220 221 Marc Chagall, French/Russian 1887-1985

222 Jean Cassou, French 1897-1986

The Jerusalem Windows, 1962

Mai 68 Affiches, 1968

the book, without the two original lithographs, with text by Jean Leymarie, published by Andre Sauret, Monte Carlo: together with three further books relating to artist including: Les Vitraux pour Jerusalem, 1961, Poèmes d’Amour, 1925, and Programme XXXVI Gala des Artistes, 1966, overall 33.5x 25cm (books) (4)

the complete edition of 35 lithographs and screenprints mostly in colours, numbered 200 from the edition of 1000, with preface by Jean Cassou, printed by Atelier Populaire, published by Tchou, each sheet bound as issued, overall 49 x 33cm (book)

£200 - 300*

Note: this collection of revolutionary protest posters from May 1968 includes works by artists including Alechinsky, Bona-Pieyre of Mandiargues, Costa, Cremonini-Gaudibert, Dufour-Butor, Milhaud, Segui, Effel and Sempé. £100 - 150*

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223 Joan Miro, Spanish 1893-1983 Miro Lithographe, Vol. I-III, printed 1972-1977 three books, text in French, Volume I and Vol II each containing 11 lithographs in colours, and Volume III containing 5 lithographs in colours, bound (as issued), on wove, with the original lithograph dust jacket, printed by Mourlot, Paris, published by Maeght, Paris, overall size 32.8 x 26cm, (books) (3) (ARR)

223

£1,000 - 1,500* 224 Joan Miro, Spanish 1893-1983 Miro Lithographs, Vol. I-V, printed 1972-1992 five books, text in French (Vol I), English (Vol IV & V) and German (Vol II & III). Volume I and Vol II each containing 11 lithographs in colours, Volume III and Volume IV each containing 5 lithographs in colours, bound (as issued), on wove, with the original lithograph dust jacket, printed by Mourlot, Paris, published by Maeght, Paris, overall size 32.8 x 26cm each, (books) (5) (ARR) £1,500 - 2,000* 225 Bernard Cathelin, French 1919-2004 L’ intelligence des fleurs, 1988 portfolio of 5 lithographs in colours on wove, from the edition of 300, published by Editions Mihele Trinckvel, each sheet loose as issued, in the original red cloth folio, overall 44.7 x 33.7 x 2.5cm (folio) (ARR) £100 - 150*

224

225

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226 226 Francis Bacon, British 1909-1992

227 Francis Bacon, British 1909-1992

228 Lucian Freud, British 1922-2011

Three Studies for Portrait of Lucian Freud, 1966

Portrait of Isabel Rawsthorne, 1966

Encore c. 1949, 2003

lithograph in colours on wove, from the special issue of Derriere Le Miroir No.162, an open edition of 1000, published

by Maeght, Paris, each sheet 38.8 x 28cm (framed) (ARR)

lithograph in colours on wove, from the edition of approx. 1000 Derriere Le Miroir art magazine, published by Galerie Maeght, France, image 31.5 x 26cm (framed) (ARR)

offset lithograph, mounted in folded buff card in matching envelope, the Momart Christmas card, published by Momart, London, with accompanying official Momart letter, envelope 24.2 x 20.6cm (unframed) (ARR)

£200 - 300*

£200 - 300*

£300 - 500*

227

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229 Various Artists, A collection of eight Momart Christmas Gifts, 2004-13 eight variously executed multiples, including; Nativity by Paul McDevitt, 2004, It’s a girl! by Ron Muek, 2006, Perceval by Sarah Lucas, 2007, Joyful Sorrow by Richard Hughes, 2008, Bike by Catherine Yass, 2009, Jesus Sandals by Joel Peers & Toby Ziegler, 2010, Found Coin by Gavin Turk, 2011 and Memorabilia by Glenn Brown, 2013, published by Momart, London, each with accompanying official Momart letter, largest parcel 32.5 x 19.5cm (multiple) (8) £500 - 700*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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230

231

232

233

230 Leon Polk Smith, American 1906-1996

232 Leon Polk Smith, American 1906-1996

Tamarind M, 1968

Colour Forms, E, 1974

screenprint in colours on wove, signed and numbered 10/20 in pencil, sheet 76.8 x 56cm (framed)

screenprint in colours on wove, signed and numbered 45/150 in pencil, sheet 84 x 59cm (framed)

£400 - 600*

£400 - 600*

231 Leon Polk Smith, American 1906-1996

233 Leon Polk Smith, American 1906-1996

Tamarind E, 1968

Colour Forms H, 1974

screenprint in colours on wove, signed and numbered 13/20 in pencil, sheet 76 x 56cm (framed) (ARR)

screenprint in colours on wove, signed and numbered 45/150 in pencil, sheet 84 x 59cm (framed)

£400 - 600*

£400 - 600*

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234 After Andy Warhol, American 1928-1987 Stripes From the House of the Shaman, Joseph Beuys Exhibition Poster, 1980 offset lithograph in colours, poster designed by H. Bastian, published by Anthony D’Offay Fine Art, London, from an unnumbered edition, sheet 72.5 x 50.3cm (unframed) Note: see Tate Artist Rooms, accession number AR00756, for similar example £200 - 300*

234 235 After Andy Warhol, American 1928-1987 Mercedes-Benz Formel-1Rennwagen W125, 2007 screenprint in colours on card, with embossed blindstamp of the artists signature, numbered pp2/1000 in pencil, from the series Cars, plate 45.5 x 53.5cm (framed) £1,000 - 1,500*

235

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236 Robert Indiana, American 1928-2018 Marilyn, 2001 screenprint in colours on wove, signed, dated and numbered from the edition of 100 in pencil, sheet 102.5 x 55.8cm (framed) £800 - 1,200*

236

237

238

237 Jacques Monory, French b.1934

238 Christo and Jeanne-Claude, American b.1935

Guns from USA 76, 1976

The Umbrellas, Japan-USA, 1984-91, 1991

screenprint in colours on wove, signed in pencil, from the unnumbered edition of 300, sheet 38 x 28cm (unframed) (ARR)

offset lithograph in colours on cardstock paper, signed in black marker pen, photograph by Wolfgang Volz, sheet 95 x 63.5cm (unframed)

£100 - 150*

£200 - 300*

100

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239 Joe Tilson RA, British b.1928 Alchera 1970-74, 1975 offset lithograph on Japan paper, signed and dated in pencil, from the 1975 exhibition at Studio Marconi, published by Studio Marconi Milan, sheet 99.5 x 69.5cm (unframed) (ARR) £300 - 500* 240 Joe Tilson RA, British b.1928 Arrival of Kore, 1982 etching with aquatint and carborundum in colours, signed, dated and numbered 15/25 in pencil, printed at 107 Workshop, published by Waddington Graphics, sheet 54.7 x 46cm (unframed) (ARR) Note: see Tate Britain, accession number P77060, for a similar example £250 - 350* 239

240

241

241 Joe Tilson RA, British b.1928 Untitled, 1982 lithograph in colours on wove, signed, dated and numbered I/XXV, an artist’s proof aside from the edition of 100, sheet 99.8 x 70.4cm (unframed) (ARR) £500 - 700* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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242

243

242 Joe Tilson RA, British b.1928 Kelpra Prints, 1970 screenprint and photo collage in colours on wove, signed by Joe Tilson and Christopher Prater in pencil, published by Kelpra Studio, featuring the portrait of Christopher Prater, founder of the Kelpra Studio, sheet 76.5 x 55.8cm (framed) (ARR) Note: this print was produced for the Art Council Exhibition at the Hayward Gallery 17 June - 7 July 1970, titled ‘Kelpra Prints: A Selection of Screenprints produced at Kelpra Studio’ £200 - 300* 243 Joe Tilson RA, British b.1928 Earth Earth Earth, 1980 etching with aquatint in colours on wove, signed, dated and numbered 56/60 in pencil, plate 97.5 x 88.5cm (framed) (ARR) £600 - 800* 244 Joe Tilson RA, British b.1928 Six Mark Stones, 1976 etching on wove, signed, dated and numbered 43/100 in pencil, from the Wessex Portfolio, published by La Nuova Foglio, Italy, sheet 34.8 x 49.5cm (unframed) (ARR) £200 - 300* 244

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245 245 Sir Eduardo Paolozzi CBE RA, Scottish 1924-2005 Zero Energy Experiment Pile (Z.E.E.P.), 1970 the complete set of six offset lithographs with screenprint in colours on Astrolux paper, each signed, dated and numbered from the edition of 100, published by Petersburg Press, London, with the original silver portfolio case, each sheet 84.6 x 58.8cm (framed) (6) (ARR) ÂŁ4,500 - 5,500*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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246 Sir Eduardo Paolozzi CBE RA, Scottish 1924-2005 Untitled, 1972 screenprint in colours on Arches wove, signed, dated and numbered 271/300 in pencil, printed at Kelpra Studios, published by Kestner Gesellschaft, Hannover, sheet 94 x 69cm (unframed) (ARR) Note: see Tate Britain, accession number P04886, for similar example £300 - 500*

246 247 Sir Eduardo Paolozzi CBE RA, Scottish 1924-2005 Olympia, 1974 etching with aquatint on wove, signed, dated, inscribed ‘A/P’ and numbered 4/8 in pencil, sheet 51.5 x 37.5cm (unframed) (ARR) Note: see Tate Britain, accession number P01829, for similar example £400 - 600*

247

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248 Sir Eduardo Paolozzi CBE RA, Scottish 1924-2005 The Artist as Hephaestus, 1987 etching on wove, signed, dated and inscribed A/P, an artist’s proof aside from the edition of 100, plate 20.3 x 10.3cm (framed) (ARR) Note: see the National Portrait Gallery, accession number NPG D39527, for similar example £250 - 350*

248 249 Sir Eduardo Paolozzi CBE RA, Scottish 1924-2005 The Wealth of Nations, 1993 etching on wove, signed, dated, and numbered 3/20 in pencil, sheet 56.6 x 37.6cm (unframed) (ARR) £400 - 600*

249

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250 Patrick Caulfield CBE RA, British 1936-2005 I’ll Take My Life Monotonous (Cristea 38 e), 1973 screenprint in colours on Neobond synthetic wove, signed and inscribed AP in pencil verso, one of 20 proof before the issued edition of 200, from the portfolio of ‘Some Poems of Jules Laforgue’, published by Petersburg Press, London, image 38.6 x 33.7cm (framed) (ARR) £500 - 700*

250 251 Patrick Caulfield CBE RA, British 1936-2005 Crying to the Walls: My God! My God! Will she relent?

[Cristea 38g], 1973 screenprint in colours on wove, signed and numbered 80/100 in pencil, from the series Some Poems of Jules Laforgue, published by Petersburg Press and Waddington Graphics, sheet 60.2 x 55.6cm (unframed) (ARR) Note: see Tate Britain, accession number P07158, and the collection of the Arts Council Collection, accession number ACC13/1974, for similar examples £600 - 800* 251

252 Patrick Caulfield CBE RA, British 1936-2005 Oh! If One Of Them, Some Fine Evening, Would Try, 1973 screenprint in colours on wove, signed and numbered 44/100 in pencil, from the series Some Poems of Jules Laforgue, published by Petersburg Press and Waddington Graphics, sheet 60.2 x 55.6cm (unframed) (ARR) Note: see Tate Britain, accession number P07161, and the Arts Council Collection, accession number ACC16/1974, for similar examples 252 106

£500 - 700* www.roseberys.co.uk

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253 Patrick Caulfield CBE RA, British 1936-2005 For John Constable, from the Homage to Constable Suite [Cristea 47], 1976 screenprint in colours on wove, signed and numbered 97/100 in pencil, printed at Advanced Graphics, London, published by Bernard Jacobson Gallery, sheet 102x77cm (framed) (ARR) £800 - 1,200*

253 254 Patrick Caulfield CBE RA, British 1936-2005 Plant Pot [Cristea 61], 1979-80 screenprint in colours on wove, signed and numbered 20/100 in pencil, printed by Kelpra Studio, London, published by Waddington Graphics, London, with their blindstamp, sheet 83.5 x 59.5cm (framed) (ARR) Note: see Tate Britain, accession number P05501, for similar example £600 - 800*

254

255 Patrick Caulfield CBE RA, British 1936-2005 Pink Jug, 1981-82 screenprint in colours on wove, signed and numbered 80/80 in pencil, printed at Kelpra Studio, with their blindstamp, published by Waddington Graphics, London, sheet 98.5 x 80.5cm (framed, unglazed) (ARR) Note: see Tate Britain, accession number P78305, for similar example £300 - 500*

255 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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256 Gerald Laing, British 1936-2011 Triple [SRG 004], 1966 screenprint in colours with Mylar on wove, signed and inscribed XXXIII in pencil, an artist’s proof aside from the edition of 200, from the portfolio 11 Pop Artists, Volume III, printed by Knickerbocker Machine & Foundry Inc., published by Original Editions, New York, sheet 91.7 x 76.3cm (unframed) (ARR) Note: see Museum of Modern Art, New York, accession number 247.1966.3i, for similar example £400 - 600* 256 257 John Lennon MBE, British 1940-1980 Menage a trois, 1970 lithograph in colours on BFK Rives wove, signed and numbered 39/300 in pencil, from the suite of 14 lithographs titled Bag One, published by Cinnamon Press Ltd, sheet 57 x 76cm (framed) (ARR) £700 - 900*

257 258 Michael English, British 1941-2009 Ufo 31 Tot Ct. Rd. Feb 27 Pink Floyd Brothers Grimm Mar 3 Soft Machine Mar 10 Pink Floyd, 1967 screenprint in colours on wove, signed in the plate, promoting three events at the UFO club in March 1967, sheet 73 x 98cm (unframed) (ARR) Note: see Victoria & Albert Museum, London, accession number E.1697-1991, for similar print £800 - 1,200* 258

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260

259 259 Peter Kennard, British b.1949

260 Man Ray, American 1890-1976

Untitled

L’Avventura [Anselmino 36], 1972

two lithographs in colours, both signed and numbered 2/300 in pencil, sheet 152 x 101cm (framed/ one unglazed) (2) (ARR)

etching with aquatint in colours on Arches wove, signed and numbered 41/90 in pencil, sheet 66 x 50.5cm (unframed)

£300 - 500*

£1,000 - 1,500*

261 Man Ray, American, 1890-1976 Cadeau [Martin, Hermann, Krauss 28], 1921/1974 cast flat iron and copper nails multiple, stamp-signed, titled and numbered 4154/5000 on the handle, accompanied by the numbered presentation booklet with text in English and Italian, with presentation case and box, cast by the Mirano Foundry, Venice, published by Luciano Anselmino, overall 16 x 10 x 8cm (boxed) £500 - 700* 261

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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262 R. B. Kitaj RA, American 1932-2007 Plays for Total Stakes [Ramkalawon 32a], 1968 screenprint in colours on Astralux paper mounted on green, signed and numbered 8/70 in pencil, printed at Kelpra Studio, London, published by Marlborough, sheet 66.5 x 66.5cm (framed) Note: this print is a portrait of David Hockney and Peter Schlesinger ÂŁ400 - 600*

262 263 David Hockney OM CH RA, British b.1937 The Sexton Disguised as a Ghost Stood Still as Stone [Tokyo 87], 1969 etching with aquatint on wove, signed in pencil, inscribed and numbered 53/100 in sepia ink verso, from the series titled Six Fairy Tales from the Brothers Grimm, published by Petersburg Press, London and New York, sheet 45 x 31cm (framed) (ARR) ÂŁ700 - 900*

263

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264 264 David Hockney OM CH RA, British b.1937 Smaller Study of Lighting [Tokyo 124], 1973 lithograph in colours on Moulin du Verger du Puymoyen handmade paper, signed, dated and numbered 72/75 in pencil, published by Gemini G.E.L, Los Angeles, sheet 51.2 x 41.2cm (unframed) (ARR) ÂŁ2,000 - 3,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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265 David Hockney OM CH RA, British b.1937 Parade [Tokyo 183], 1967-77 soft-ground etching with aquatint in colours on Inveresk mould-made paper, signed and inscribed AP XXXIV/XXXV in pencil, an artist’s proof aside from the edition of 200, from The Blue Guitar series, printed and published by Petersburg Press, London and New York, sheet 52.6 x 46cm (unframed) (ARR) Note: see Museum of Modern Art, New York, accession number 437.1977.6, for similar print £800 - 1,200*

265 266 David Hockney OM CH RA, British b.1937 Figures with Still Life [Tokyo 187], 196777 etching with drypoint in colours on Inveresk mould-made paper, signed and inscribed AP XXXIV/XXXV in pencil, an artist’s proof aside from an edition of 200, from The Blue Guitar series, printed and published by Petersburg Press, London and New York, sheet 52.4 x 45.5cm (unframed) (ARR) Note: see Museum of Modern Art, New York, accession number 437.1977.10, for similar example £1,000 - 1,500*

266

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267 David Hockney OM CH RA, British b.1937 I Say They Are [Tokyo 193], 1977 etching with aquatint in colours on Inveresk mould-made paper, signed and numbered 50/200 in pencil, from The Blue Guitar series, printed and published by Petersburg Press, London and New York, sheet 52.2 x 45.5cm (framed) (ARR) Note: see Museum of Modern Art, New York, accession number 437.1977.16, for similar example ÂŁ1,500 - 2,000*

267

268

268 David Hockney OM CH RA, British b.1937 China Diary [Tokyo 254], 1982 lithograph in colours on Somerset Satin wove, numbered 401 from the edition of 1000, folded 3 times as issued, with accompanying book by Stephan Spender, signed by the artist and author in pen, published by Thames and Hudson Ltd., London, in original card cover, overall 27 x 21cm (book) (ARR) ÂŁ1,500 - 2,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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269 269 David Hockney OM CH RA, British b.1937 Composition Red & Blue, 2005 lithograph in colours on wove, the Momart Christmas card, artist’s name and title embossed, published by Momart, London, with accompanying official Momart letter, within the original blue paper folder, overall 27.9 x 20.8cm (folder) (ARR) £300 - 500*

270 After David Hockney OM CH RA, British b.1937 Lagan’s Brasserie Illustrated Menu, 1975 offset lithograph in colours on wove, signed, dated and inscribed in the plate ‘for Peter Paris 1975’, featuring Peter Langan, 50 x 34.9cm (framed) (ARR) Note: the pencil list of dishes has faded out £200 - 300*

270

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271 Patrick Procktor RA RE RWS, British 1936-2003 Sadie and Prudence, 1969-70 aquatint in colours on wove, signed and numbered 3/75 in pencil, sheet 70.7 x 50.8cm (unframed) (ARR) £150 - 250*

271 272 Patrick Procktor RA RE RWS, British 1936-2003 Back Bay in Bombay, 1970 & Untitled (blue) aquatint in colours on wove, two, each signed and numbered in pencil, largest image 62 x 43cm (framed) (2) (ARR) £300 - 500*

272 273 Patrick Procktor RA RE RWS, British 1936-2003 Chrysanthemums, 1975 aquatint in colours on wove, signed and inscribed ‘artists print’ in pencil, printed by Collyer and Crossley, image 34.2 x 26.7cm (framed) (ARR) £200 - 300*

273

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275 275 Patrick Procktor RA RE RWS, British 1936-2003 Camels, Tomb of the First Emperor of the Ming Dynasty Zhu Yuan Shang Nanking [Redfern 86], 1980

274 274 Patrick Procktor RA RE RWS, British 1936-2003

etching with aquatint on wove, signed and numbered 29/75 in pencil, printed by JC Editions at Alecto Studios, London, published by The Redfern Gallery and Editions Alecto, from the portfolio ‘China Series’, plate 59.5 x 29cm (framed) (ARR) £300 - 500*

Aesthete, 1979 etching and aquatint on wove, signed and numbered 50/98 in pencil, published by Editions Electo, plate 42 x 28cm (framed) (ARR) £200 - 300* 276 Patrick Procktor RA RE RWS, British 1936-2003 Untitled (boy with soup) aquatint in colours on wove, signed and numbered 27/50 in pencil, image 34.5 x 27cm (framed) (ARR) £200 - 300*

276

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277 Patrick Procktor RA RE RWS, British 1936-2003 Venice etching with aquatint in colours on wove, signed and numbered 12/35 in pencil, sheet 87.5 x 113.5cm (unframed) (ARR) ÂŁ200 - 300*

277 278 Patrick Procktor RA RE RWS, British 1936-2003 Lady Hillingdon, 1991 lithograph in colours on wove, signed and numbered 37/50 in ink, printed by Curwen Chilford, image 50 x 34.5cm (framed) (ARR) ÂŁ300 - 500*

278 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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279 279 Tim Mara, Irish 1948-1997

280 Tim Mara, Irish 1948-1997

281 Tim Mara, Irish 1948-1997

Modern Times Revisited, The Launderette, and Four Door Salon, 1976

Untitled (Animals), 1977

Wire Glass and Carrier Bag, 1996

three photo etchings on wove, each signed, titled, dated and numbered respectively in pencil, largest sheet 75.8 x 55.8cm (unframed) (3) (ARR)

suite of six screenprints, each signed, dated and numbered 8/50 in pencil, from Imagery and Menagery, each sheet 15.2 x 15.2cm (folio) (6) (ARR) £300 - 500*

lithograph and screenprint on wove, signed and numbered 30/100 in pencil, sheet 56 x 76.3cm (framed) Note: see Ireland’s National Cultural Institution for Contemporary Art, accession number IMMA.1287, for similar example

£600 - 800*

£150 - 200*

280

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282

283

282 Tom Phillips CBA RA, British b.1937 After Bamforth, 1976 the complete suite of 10 hand-coloured etchings on wove, each signed, dated and numbered 3/15 in pencil, each plate 14.7 x 10.2cm (framed) (10) (ARR) Provenance: Flowers Gallery, London; from the estate of Robert Heller £300 - 500* 283 Tom Phillips CBA RA, British b.1937 1263 Heads, I Had Not Known Death Had Undone So Many, 1976 etching in colour on BFK Rives wove, signed and numbered 35/110 in pencil, published by Talfourn Press, London, sheet 65 x 50cm (unframed) (ARR) £150 - 200* 284 Dieter Roth, Swiss 1930-1998 Gesammelte Werke Band 39 Poster offset lithograph in colours on thin wove, signed, dated and numbered 19/50 in black marker, sheet 100 x 70.1cm (unframed) (ARR)

284

£600 - 800* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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285 285 Gerhard Richter, German b.1932 Nine Objects (Neun Objekte) [Butin 26 a-i], 1969 the complete portfolio of nine offset lithographs on thick wove, each signed and dated in pencil, justification inscribed H.C, an Hors Commerce aside from the numbered edition of 80, printed by Hoppe & Werry, Mulhein an der Ruhr, published by Galerie Heiner Friedrich and Verlag G. v. Pape, Munich, each print loose as issued, in original paper folder, each sheet 44.9 x 44.9cm (folio) (9) (ARR) Note: Richter created 9 three dimensional wooden objects, photographed and edited the resulting images to produce intriguing images of spatially impossible objects.

See Museum of Modern Art, San Francisco accession number 93.530.7 and the Museum of Modern Art, New York, accession number 111.1998.1-9, for similar portfolios ÂŁ18,000 - 22,000*

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286

287

286 Richard Hamilton CH, British, 1922-2011

287 Richard Hamilton CH, British, 1922-2011

Finn MacCool [Waddington 133], 1983

Just What Is It That Makes Today’s Homes So Different?, 1993

heliogravure engraving and burnishing with liftground and spit-bite aquatint on wove, signed, titled and numbered 44/120 in pencil, printed at Atelier Crommelynck, Paris, published by Waddington Graphics, plate 53.5 x 40cm (framed) (ARR)

digital laser print in colours, signed and numbered 4517/5000 in pencil, produced for the BBC programme QED, sheet 21 x 29.7cm (unframed) (ARR) £200 - 300*

Note: see Tate Britain, accession number P77492, and The Metropolitan Museum of Art, New York, accession number 2000.387, for similar examples £800 - 1,200* 288 Richard Hamilton CH, British 1922-2011 Soft Pink Landscape, 1980 lithograph and screenprint in colours on wove, signed, titled, and numbered 43/136 in pencil, published by Waddington Graphics, image 61 x 79cm (framed) (ARR) Note: see Tate Britain, accession number P07447, for similar example £1,000 - 1,500*

288

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289 289 Bridget Riley CH CBE, British b.1931

290 Bridget Riley CH CBE, British b.1931

About Lilac, 2007

Leap, 2008

screenprint in colours on wove, signed, dated and numbered 49/75 in pencil, printed by Artizan Editions, Hove, sheet 48.5 x 80cm (unframed) (ARR)

screenprint in colours on wove, signed, dated and numbered 6/75 in pencil, printed by Artizan Editions, Hove, sheet 44.5 x 83.8cm (unframed) (ARR)

ÂŁ3,000 - 5,000*

ÂŁ3,000 - 5,000*

290

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291

292

291 Howard Hodgkin, British 1932-2017 Welcome- Winter Sports, 1983 lithograph in colours on Rives BFK wove, signed, dated and numbered XLIII/L in pencil, an artist’s proof aside from the edition of 150, from the series Art and Sport, printed at Petersburg Studios, published by Visconti Fine Art, sheet 84.8 x 60.9cm (unframed) (ARR) Note: this series was commissioned as the official art portfolio for the 1984 Sarajevo Winter Olympics poster £600 - 800* 292 Sir Peter Blake CBE RDI RA, British b.1932 F is for Football, 1991 screenprint in colours on wove, signed and numbered 78/95 in pencil, from the portfolio of 26 prints titled Alphabet, published by Waddington Graphics and Coriander Studio, London, sheet 102 x 77.5cm (framed) (ARR) Note: see the collection of the British Council, accession number P5982, for similar example £500 - 700*

293 293 Sir Peter Blake CBE RDI RA, British b.1932 Kate, 2010 screenprint in colours with photographic collage and Diamond Dust on wove, signed and numbered 17/100 in pencil, from the portfolio Stars, sheet 75 x 57.8cm (unframed) (ARR) £800 - 1,200*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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294 294 Sir Peter Blake CBE RDI RA, British b.1932 I Love You, 2013 digital print in colours on wove, signed and numbered 82/200 in pencil, from the Art Car Boot Fair, London, sheet 42 x 29.5cm (unframed) (ARR) £600 - 800* 295 Sir Peter Blake CBE RDI RA, British b.1932 To Her Majesty, Queen Elizabeth II, 2016 giclee print in colours on wove, signed and numbered 15/150 in pencil, to coincide with the Art Car Boot Fair, sheet 29.7 x 21cm (framed) (ARR) £600 - 800*

295

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296 Sir Peter Blake CBE RDI RA, British b.1932 Hastings Memories, 2016 inkjet print in colours on wove, signed and numbered 57/150 in pencil, from the Art Car Boot Fair, Hastings, sheet 29.5 x 21cm (framed) (ARR) ÂŁ200 - 300* 297 Sir Peter Blake CBE RDI RA, British b.1932 Red Nose Day, 2019 screenprint in colours on Somerset Tub White 410 gsm wove, signed, titled, dated and numbered 159/250 in pencil, printed by Coriander Press, London, sheet 62 x 60cm (unframed) (ARR) ÂŁ1,500 - 2,000*

296

297

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298 Patrick Hughes, British b.1939 Show, 2011 hand-painted and photographic multiple with archival inkjet in colours, signed and inscribed artist’s proof in pencil, aside from the edition of 50 in pencil, housed in a Perspex box, overall 43 x 88 x 18cm (ARR) £2,000 - 3,000* 298

299 Patrick Hughes, British b.1939 Weather Cock, 1979 screenprint in colours, signed, dated, titled and numbered 18/100 in pencil, image 74.8 x 56.1cm (framed) (ARR) £200 - 300*

299 126

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300 Patrick Hughes, British b.1939 Serenissima, 2016 hand-painted and photographic multiple with archival inkjet in colours, signed and inscribed artist’s proof in pencil, aside from the edition of 50 in pencil, housed in a Perspex box, overall 52 x 107 x 20cm (ARR) £7,000 - 9,000* 300

301 Patrick Hughes, British b.1939 Bend in the Road, 1988 lithograph in colours, signed, titled, dated and numbered 11/75 in pencil, sheet 57.2 x 41.8cm (framed) £150 - 200*

301

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302 302 Bruce Mclean, Scottish b.1944

303 Bruce Mclean, Scottish b.1944

Facade Park, 1998

An Ideal Home, 1999

two-part screenprint in colours on Arches wove, signed in pencil, the edition was 45, from the series Kilometre Theatre and Seven Other, both sheets 73.5 x 88.5cm (framed) (2) (ARR)

two-part screenprint in colours on Somerset Satin wove, both signed in pencil, the edition was 45, from the series Kilometre Theatre and Seven Other, each sheet 88.5 x 73.5cm (framed) (2) (ARR)

Note: see Tate Britain accession number P78295 for similar example

Note: see Tate Britain accession number P78293 for similar example

ÂŁ500 - 700*

ÂŁ500 - 700*

303

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304 304 Bruce Mclean, Scottish b.1944 Designer Traffic Jam - Celebration of an Intersection, 1998 two-part screenprint in colours on wove, signed in pencil, the edition was 45, from the series ‘Kilometre Theatre and Seven Other’, both sheets 73.5 x 88.5cm (framed) (ARR) (2) Note: see Tate Britain accession number P78294 for similar example £500 - 700* 305 Bruce Mclean, Scottish b.1944 Great Arch of Art, 1998

305

screenprint in colours on Somerset Satin wove, signed in pencil, the edition was 45, from the series ‘Kilometre Theatre and Seven Other’, sheet 73.5 x 88.5cm (framed) (ARR) Note: see Tate Britain accession number P78294 for similar example £250 - 350* 306 Bruce Mclean, Scottish b.1944 Hot Slick, 1989 screenprint in colours on wove, signed, titled, dated and numbered 118/250 in pencil, sheet 120 x 149.5cm (unframed) (ARR) £200 - 300*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

306

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307 Brendan Neiland, British b.1941 Untitled (HELL20), 1970 screenprint in colours on wove, signed and inscribed ‘Artists Proof’ in pencil, sheet 103 x 72cm (framed) (ARR) Provenance: Flowers Gallery, London; from the estate of Robert Heller £150 - 200* 307

308 Brendan Neiland, British b.1941 Cornerstone, 2006 screenprint in colours on wove, signed, titled and numbered 51/85 in pencil, plate 77.8 x 55cm (framed) (ARR) £150 - 200* 309 Rose Finn-Kelcey, British 1945-2014

308

309

Finger Print, 1982 linocut on Somerset wove, signed, dated, titled and inscribed ‘H/C’ in pencil, an Hors Commerce aside from the edition of 50, from 35 Artists Printmaking Folio 5, sheet 64 X 49cm (framed) (ARR) Note: see Government Art Collection accession number 16402/C for similar example £200 - 300* 310 Sir Richard Long CBE RA, British b.1945 Waterlines, 1989 offset lithograph in colours on wove, signed and numbered 111/250 in pencil, sheet 149.5 x 112.5cm (unframed) (ARR) £200 - 300*

310 130

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311 Sir Antony Gormley OBE, British b.1950 Feeling Material, 2006 etching printed with tone on Somerset wove, signed, dated and numbered 156/250, published by Sadler’s Wells, London, plate 49.5 x 34.6cm (framed) (ARR) £2,000 - 3,000*

311

312 Sir Antony Gormley OBE, British b.1950 Body, 2014 giclée print in colours on Hahnemühle wove, signed, titled, dated and numbered 184/250 in pencil on the reverse, sheet 28 x 21.5cm (unframed) (ARR) £600 - 800*

312 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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313

314

313 Donald Sultan, American b.1951

314 Adrian Wiszniewski, Scottish b.1958

315 Gilbert & George, British b.1943 & 1942

Morning Glories III, 1991

Madonna and Child Study & Crucifixion Study, 1999

Death After Life, 2009

etching with aquatint on wove, initialed, titled, inscribed AP and numbered 9/13 in pencil, aside from the edition of 60, published by Waddington Graphics, London, sheet 156 x 124cm (unframed) £600 - 800*

two linocuts on Tenjin paper, both signed, titled and numbered 6/30 in pencil, published by Glasgow Print Studio, from the set Stations of the Cross, each sheet 62 x 50cm (framed) (ARR) (2) Note: see Victoria & Albert Museum accession number E.522:12-2001 for similar example

ink jet print in colours, signed in ballpoint pen, inscribed H.C.2, an Hors Commerce aside from the edition of 30, published by Oak Tree Fine Press, Oxfordshire, plate 38.7 x 88.6cm (framed) (ARR) Note: this print was produced to accompany the publication of Alan Hollinghurst’s The Line of Beauty £1,000 - 1,500*

£300 - 500*

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316 Gilbert & George, British b.1943 & 1942 Posters from London Pictures, 2012 four offset lithographs in colours on smooth wove, including Islam, Stabbings, Starbucks and Knife Murder, each signed, two in red, and two in black marker pen, from the exhibition London Pictures held at the White Cube, 9th March -12 May 2012, each sheet 90 x 60cm (unframed) (4) (ARR) £300 - 500* 316

317 John Stezaker, British b.1949

318 Raymond Pettibon, American b.1957

Recto/Verso, 2012

Thinking Fastball Seeing Curve, 2016

photolithograph in colours on wove, signed, dated and numbered 72/100 in pencil to verso, sheet 65.3 x 51cm (unframed) (ARR)

90-gram heavyweight black vinyl with etched design and drawing of a baseball in silver pen, signed and numbered from the edition of 25 in silver pen for display on framed screenprinted cardboard (fastener included), together with a one-track 10” vinyl with music by Raymond Pettibon & Oliver Augst in transparent sleeve, white disc cover and bespoke 4 c insert, and CD with original track, overall 53 x 53 x 4cm (framed)

£300 - 500*

317

£600 - 800*

318 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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319 Charming Baker, British b.1964 The Throbbing Realisation that the Future is an Impossible Place to Be, 2011 archival inkjet with a screenprinted varnish and Lascaux Gold on Somerset Enhanced Satin 330gsm wove, signed and numbered 44/250 in pencil, with the artist’s blindstamp, image 28 x 24.5cm (framed) (ARR) £400 - 600*

319

320 320 Mr. Brainwash, French b.1966 Spray Can (Pink), 2013 steel spraypaint can with hand finished paint, signed, dated and numbered 150/700 in black marker, sticker with artist’s thumbprint to base, overall 19 x 6cm (multiple) (ARR) £200 - 300* 321 Pure Evil, British b.1968 I Am a Unicorn, 2014 screenprint in colours on wove, signed and inscribed A/P in pencil, artists proof from the edition of 100, sheet 49 x 34.5cm (unframed) (ARR) £150 - 200* 321

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322 Maya Hayuk, American b.1969 Chem Trails (Bowery Wall) NYC, 2014 photographic giclee print on Somerset Satin Heritage paper, signed, dated, titled and numbered 80/100 in pencil, sheet 61.2 x 35.5cm (unframed) Note: the print features one of Hayuk’s ever changing New York City Murals, photography by Martha Cooper, American, b.1942.

322

£100 - 150* 323 Danny Minnick, American b.1973 Seen Too Much Evil, 2017 screenprint in colours on wove, signed and numbered 102/120 in red pen, with artist’s blindstamp, sheet 50 x 70cm (unframed) £400 - 600*

323

324 Paul Insect, British b.1971 Multiple Mugshot (gold), 2006 screenprint in colours on wove, signed, dated and numbered 33/100 in pencil, published by Pictures on Walls, sheet 70 x 50cm (unframed) (ARR) £200 - 300*

324

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325 325 Banksy, British b.1974 Monkey Queen, 2003 screenprint in colours on wove, numbered 507/750 in pencil, published by Pictures on Walls, London, sheet 49.2 x 34.1cm (unframed) (ARR) This work is accompanied by a certificate of authenticity issued by Pest Control. ÂŁ5,000 - 7,000*

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326 Endless, British 20th/21st century Coco Chapel Beans, 2018 tin can multiple with digital prints in colours, signed and numbered 125/200 in black marker pen, overall 11cm x 7.2cm (multiple) (ARR) ÂŁ120 - 180*

326

327 327 Stik, British b.1979 Sassy: Blue, Red and Yellow, 2013 three offset lithographs in colours, each signed and dated in black marker, published by The Big Issue, folded twice as issued, each image 50.5 x 20.5cm (framed) (3) (ARR) ÂŁ1,000 - 1,500*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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328 Nicolas Party, Swiss b.1980* Flowers and a Few Colours, 2013 screenprint in colours on wove, signed and numbered 11/40 in pencil, published by Glasgow Print Studio, sheet 91.5 x 72cm (unframed) (ARR) £800 - 1,200* 329 Julian Opie, British b.1958 Suwon Invite (Male), 2017 laser-cut acrylic multiple, in 2 parts as issued, for the Opening Reception of the artist’s exhibition at Suwon Ipark Museum of Art, South Korea, overall 7.5 x 12.5 x 23.5cm (ARR) £100 - 150*

328

330 330 Tauba Auerbach, American b.1981 Pop-up Invitation, 2013 printed paper origami invitation for “A Book is Not an X” from the exhibition held at Glenn Horowitz Bookseller Inc., East Hampton, NY, August 12 September 20, 2011, signed with initials, stamped and numbered from the edition of 100, published

by Exhibition A, overall 10 x 10 x 10 cm (unframed) £100 - 150*

329 138

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331 Natasha Law, British b. 1970 Bed Me Mister 2, 2008 lithograph in colours on wove, signed, dated and numbered 11/20 in pencil, plate 39.5 x 28cm (framed) ÂŁ100 - 150* 332 Tracey Emin CBE RA, British b.1963 When I think about Sex, 2005 offset lithograph on wove, signed and dated in pencil, from the unnumbered edition of 1000, published by the White Cube Gallery, London, sheet 59 x 84cm (framed) (ARR) ÂŁ500 - 700*

331

332

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333 333 Tracey Emin CBE RA, British b.1963 Believe in Extraordinary, 2015 lithograph in colours on 300 gsm Somerset, signed, dated and numbered 124/300 in pencil, published by Counter Editions, sheet 76 x 50cm (unframed) (ARR) Note: this print was made to celebrate Team GB’s participation in the first European Games in Azerbaijan £2,000 - 3,000*

140

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334 Tracey Emin CBE RA, British b.1963 iPad Postcard Sketches, The Art Car Boot Sale, 2012 five inkjet prints in colours on wove, each signed and dated in black felt tip, from the unnumbered edition of 200, published by Emin International, with their red stamp to verso, each sheet loose as issued, in original Emin International envelope, each sheet 21 x 15cm (unframed) (5) (ARR) ÂŁ600 - 800*

334

335 Tracey Emin CBE RA, British b.1963 iPad Postcard Sketches, 2013 six inkjet prints in colours on wove, each signed and dated in black felt tip, from the unnumbered edition of 200, published by Emin International, with their red stamp to verso, each sheet loose as issued, in original Emin International envelope, each sheet 21 x 15cm (unframed) (6) (ARR) ÂŁ600 - 800*

335

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336

337

338

336 Tracey Emin CBE RA, British b.1963

337 Tracey Emin CBE RA, British b.1963

338 Tracey Emin CBE RA, British b.1963

But Yea, 2015

My Favourite Little Bird, 2016

digitally printed poster in colours on smooth wove, signed in silver marker, from the unnumbered edition of 500, published by Emin International, sheet 70 x 50cm (framed) (ARR)

digitally printed poster in colours on smooth wove, signed in silver pen, from the unnumbered edition of 500, published by Emin International, sheet 70 x 50cm (framed) (ARR)

My Heart is Always with You, 2015

£600 - 800*

£600 - 800*

digitally printed poster in colours on smooth wove, signed in silver pen, from the unnumbered edition of 500, published by Emin International, sheet 68 x 49cm (framed) (ARR) £600 - 800*

339 Tracey Emin CBE RA, British b.1963 I promise to love you, 2014 digitally printed poster in colours on smooth wove, signed in silver marker, from the unnumbered edition of 500, published by Emin International, with original tube packaging, sheet 70 x 50cm (unframed) (ARR) £500 - 700*

339

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341

340 Grayson Perry CBE RA, British b.1960 House of Love, 2017 stainless-steel shrine with steel figures, signed on the accompanying certificate of authenticity, from the edition of 50, published by Serpentine Galleries, London, overall 60 x 30 x 17.5cm (ARR) £2,500 - 3,500*

341 Grayson Perry CBE RA, British b.1960 Artists’ Medal, 2018 enamel and bronze medal, with ribbon, presentation box and certificate, numbered 6 from the edition of 300, created at the Monnaie de Paris Atelier, authenticated by Aurelien Rousseau, diameter 5cm (boxed) (ARR) £200 - 300*

340

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342 Wang Guangyi, Chinese b.1957 Coca Cola (red) from the Great Criticism Series, 2002 lithograph in colours on wove, signed and numbered 156/199 in pencil, sheet 88 x 77.5cm (unframed) ÂŁ800 - 1,200*

342 343 Wang Guangyi, Chinese b.1957 Gillette from the Great Criticism Series, 2002 lithograph in colours on wove, signed and numbered 163/199 in pencil, published by Kai Po Collection, Hong Kong, sheet 90 x 68.6cm (unframed) ÂŁ800 - 1,200*

343

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344

344 Yang Shaobin, Chinese b.1963 No.10, 2005 lithograph in colours on Arches wove, signed, dated and numbered 56/70 in pencil, printed by idem Paris, with their blindstamp, sheet 76 x 53.4cm (unframed) ÂŁ400 - 600*

345 Zhang Xiaogang, Chinese b.1958 Fantasy from Bloodline: Big Family, 2002 lithograph in colours on Rives BFK wove, signed and numbered 170/199 in pencil, published by Kwai Po Collection, Hong Kong, sheet 78.6 x 64cm (unframed) ÂŁ2,000 - 3,000* 345 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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346 Yang Din, Chinese b.1958 Untitled lithograph in colours on wove, signed and numbered 230/380 in pencil, sheet 25.5 x 28cm (unframed) (folded) £200 - 300*

346

347 Zeng Hao, Chinese b.1963

348 Zeng Hao, Chinese b.1963

Interior (green), 2003

Untitled red, 2002

lithograph in colours on wove, signed and numbered 9/199 in pencil, plate 79 x 63cm (framed)

lithograph in colours on wove, signed and numbered 164/199 in pencil, plate 65 x 56cm (framed)

£500 - 700*

£500 - 700*

347

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349

349 Yue Minjun, Chinese b.1962 You’re so Manet, 2001 screenprint in colours on wove, signed, dated and numbered 24/60 in pencil, sheet 77.2 x 55cm (unframed) £2,500 - 3,500*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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350 David Shrigley, British b.1968 Sell Your Soul, 2012 screenprint in colours on Arches Aquarelles wove, signed with initials, dated, and numbered 61/100 in pencil, sheet 76.5 x 57cm (framed) (ARR) £600 - 800* 351 David Shrigley, British b.1968 Particles of Truth, 2018 linocut on wove, initialled, dated and numbered 83/125 in pencil, sheet 56 x 76cm (framed) (ARR) £1,000 - 1,500* 352 David Shrigley, British b.1968 Fucking Ace, 2018 350

screenprint in colours on wove, signed with initials, dated, and numbered 64/125 verso, sheet 76x56 cm (framed) (ARR) £1,000 - 1,500*

351

148

352

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353 353 David Shrigley, British b.1968 You are not alone & Untitled, 2014 two linocuts on wove, both initialled, dated and numbered from the edition of 100 in pencil, sheet 39 x 28.7cm and 45 x 34.5cm (framed) (2) (ARR) ÂŁ1,000 - 1,500* 354 David Shrigley, British b.1968 Shits, 2019 hand painted acrylic in colours on 640 gsm Fabriano Artistico wove, signed, dated and numbered 6/125 in pencil verso, published by Counter Editions, London, sheet 75.5 x 56cm (unframed) (ARR) ÂŁ3,000 - 5,000*

354 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

149

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355

356 355 The Connor Brothers, British b.1968 A Load of Fuss about Fuck All, 2013 screenprint in four colours on Archival wove, signed and numbered 35/95 in pencil, sheet 54.5 x 43cm (framed) (ARR) £600 - 800* 356 The Connor Brothers, British b.1968 A Load of Fuss About Fuck All, 2015 giclee print in colours on wove, signed, dated and numbered 93/95 in pencil, image 16.5 x 10.5cm (framed) (ARR) £350 - 500* 357 Jonas Wood, American b.1977 Vote, 2018 screenprint in colours on Coventry rag wove, signed, dated and numbered from the edition of 300 in pencil, sheet 40 x 25.4cm (unframed)

357

150

£2,500 - 3,500*

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358

359

358 Ben Eine, British b.1970

359 Ben Eine, British b.1970

Change, 2016

Oranges, 2012

screenprint in five colours on Somerset Satin 300gsm wove, signed, dated and numbered 17/100 in pencil, printed and published by Jealous Gallery, London, with their blindstamp, sheet 59.9 x 48cm (unframed) (ARR)

screenprint in 19 colours with varnish finish on wove, signed, dated and inscribed AP XXX in pencil, an artist’s proof aside from the edition of 300, sheet 70 x 70cm (unframed) (ARR) £200 - 300*

Note: this print was commissioned by the Body Shop and launched at the Vinyl Factory, Soho, London £150 - 200*

360 Ben Eine, British b.1970 Untitled (Context), 2019 screenprint in colours on wove, signed and dated in pencil, from the unnumbered edition of 50 approximately, sheet 30 x 30cm (unframed) (ARR) £100 - 150* 360

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

151

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361 Oli Epp, British b.1994

362 KAWS, American b.1974

Carpe Diem, 2018

Small Lie (Brown, Black & Grey), 2017

screenprint in colours on 410 gsm Somerset Satin White wove, signed and inscribed S.P. in pencil, studio proof aside from the edition of 30, printed and published by Jealous Gallery, London, sheet 76 x 61.4cm (unframed) (ARR) £500 - 700*

three painted vinyl multiples, each with the printed title, artist’s name and date on the underside, from a limited edition fabricated by Medicom Toy, Japan, each within the original packaging, each overall 30 x 16.5 x 15cm (boxed) (3) £1,000 - 1,500*

361

362 363 Yayoi Kusama, Japanese b.1929 Pumpkin, 2016 two painted cast resin in yellow and red, with original boxes as issued, stamped with artist’s name to base, published by Benesse Holdings, Inc., Naoshima, Japan, produced by Kusama Studio, Japan, each 12.7 x 12.7 x 10.6cm (boxed) (2) £600 - 800* 363 152

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364 Takashi Murakami & Virgil Abloh, Japanese b.1962 & American b.1980 Memento Mori Stone Black, Off White and Fluorescent Orange, 2018 three screenprints in colours on wove, each signed by both artists, dated and numbered 21/100 in pencil, published by Kaikai Kiki Co., Ltd., Tokyo, each sheet 47 x 37cm (unframed) (3) Note: American fashion designer Virgil Abloh founded the Off-White fashion house in 2013 and became the artistic director of Louis Vuitton in 2018, Takashi Murakami collaborated with the fashion icon in the exhibition Future History at the Gagosian, London, 21st Feb- 7th Apr 2018. ÂŁ5,000 - 7,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

364 153

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365

365 Yayoi Kusama, Japanese b.1929 Pumpkin 2000 (Yellow) [Kusama 298], 2000 screenprint in colours on 270gsm colorplan wove, signed, dated, titled and numbered 102/200, published by Serpentine Gallery, London, sheet 48 x 64cm (framed) ÂŁ7,000 - 9,000*

154

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366 Candida Hofer, German b.1944 Coloured Wood, 2017 c-print on Fujicolour professional paper, signed in biro, and numbered from the edition of 100 and titled verso, sheet 56 x 57.5cm (unframed) (ARR) £800 - 1,200*

366 367 Rut Blees Luxemburg, German b.1967 US Carwash, 1996 c-print photograph mounted on aluminum, signed and numbered 1/5 in black marker to verso, from the series London- A Modern Project, overall 116 x 90.5cm (ARR) £700 - 900*

367 368 Peter Dazeley, British b.1948 Untitled (marijuana), 1986 dye transfer in colours, signed, dated and numbered 1/2 in pencil, sheet 48.3 x 40.5cm (unframed) £200 - 300*

368 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

155

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369 Peter Dazeley, British b.1948 Solarized Male Nude, 2007 hand printed platinum on Aquarelle Arches, signed, dated and numbered 1/9 in pencil, with artist’s blindstamp, printed by 31 Studio, with their blindstamp, sheet 48.3 x 38.1cm (unframed) £200 - 300*

369

370

371

370 George Barris, American 1922-2016

371 George Barris, American 1922-2016

Portrait of Marilyn Monroe Standing from The Last Photos, 1962

Portrait of Marilyn Monroe, lying down, from The Last Photos, 1962

colour photograph on Kodak, printed later in 1987, signed in black marker recto, numbered 36/99 verso, with the Edward Weston Collection copyright stamp, taken at Santa Monica Beach in 1962, sheet 35.6 x 28cm (unframed)

black and white photograph, printed later in 1987, signed in black marker recto, inscribed A.P. verso, with the Edward Weston Editions Ltd. copyright stamp, taken at Santa Monica Beach in 1962, 35.5 x 28cm (unframed)

£300 - 500*

£300 - 500*

156

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372 Terry O’Neill CBE, British b. 1938 Muhammed Ali, 1972 contact sheet of Muhammad Ali preparing for his fight with Alvin Lewis in Dublin, 1972, printed later, mural size silver print, signed and numbered 7/50 in silver pen, flush mounted on board, framed with pexi-glass, sheet 183 x 122cm (framed) (ARR) Provenance: Chris Beetles Gallery, exhibited February to March 2006, Terry O’ Neill in St. James, the Art of Photography, no 22, according to the label attached to the reverse. £700 - 900* 373 Terry O’Neill CBE, British b. 1938 The Wedding of Ringo Starr and Barbara Bach, 1981 silver gelatin print, printed later in 1985, signed and numbered 5/250 in black ink to mount recto, , image 18 x 28cm (framed) (ARR) Note: the photograph was taken in 1981, printed later for Terry O’Neill’s exhibition ‘Legends’ at Hamilton’s Gallery, where Ringo and Barbara visited the exhibition launch at the gallery. £600 - 800*

372

374 Terry O’Neill CBE, British b. 1938 Clint Eastwood, Arizona, 1971 silver gelatin print, printed later in 1985, signed and numbered 1/250 in black ink to mount recto, image 18 x 28cm (framed) (ARR) Note: the photograph was taken in 1971, printed later for Terry O’Neill’s exhibition ‘Legends’ at Hamilton’s Gallery. £600 - 800*

373 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

374 157

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375 Terry O’Neill CBE, British b. 1938 Frank Sinatra on the Boardwalk, Miami, 1968 silver gelatin print, printed later 1985, signed and numbered 11/150 in black ink to mount recto, image 18 x 28cm (framed) (ARR) Note: the photograph was taken in 1968, printed later for Terry O’Neill’s exhibition ‘Legends’ at Hamilton’s Gallery. £600 - 800* 375 376 Roger Ballen, American b.1950 Sergeant F de Bruin, Department of Prisons Employee, Orange Free State, 1992 gelatin silver print on Ilford Multigrade paper, printed later in 2001, titled, dated and numbered 25/35 in pencil to verso, sheet 36.5 x 36cm (unframed) Note: this print was a gift to British photographer Barry Lategan inscribed ‘Dear Barry, I am pleased that we are friends and thanks for your elegant documentary on my London, 2001 exhibition, Roger Ballen, March 2004, Johannesburg’ in pencil to verso.

Provenance: acquired directly from Barry Lategan by the current owner £1,000 - 1,500*

376 158

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377 David Bailey CBE, British b.1938 Catherine and Paloma Bailey, 1994 gelatin silver print, signed, dated and numbered in pencil to verso, from an edition of 5 prints, image 16.5 x 10.3cm (unframed) (ARR) ÂŁ300 - 500*

377 378 Barry Lategan, British b.1935 David Bailey, 2010 platinum print, signed, titled, dated and numbered 1/15 in pencil, printed by 31 Studio, with their blindstamp, image 50.9 x 40.7cm (unframed) (ARR) ÂŁ1,000 - 1,500*

378 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

159

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379 379 Barry Lategan, British b.1935 Pirelli Calendar, 1988 calendar in original box, signed and dated in black pen, featuring choreography by Gillian Lynne, overall 59 x 42.5cm (unframed) (ARR) Note: Lategan was the first artist to use a male model for Pirelli and received the Halina Award for the calendar. £100 - 150* 380 Barry Lategan, British b.1935 Arnold Newman, 2001 silver bromide print, printed later in 2006, title printed, signed, dated and numbered 2/40 in pencil, with copyright in pencil and an additional snapshot affixed to verso, image 35.5 x 28cm (unframed) £500 - 700*

380 381 Barry Lategan, British b.1935 Sharon Tate, 1969 platinum print, printed later in 2008, signed, titled, dated and numbered 1/10 in pencil, printed by 31 Studio, with their blindstamp, image 43.5 x 43.5cm (unframed) (ARR) Note: Sharon Tate was an American actress and model, married to Roman Polanski, Lategan shot the actress whilst she was pregnant, but tragically the star was murdered by Charles Manson a few days after this photograph was taken. £1,000 - 1,500*

381 160

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382 Barry Lategan, British b.1935

382

Twiggy 1966 platinum-palladium print, printed later in 2012, title printed, signed, dated and inscribed A.P. in pencil, an artist’s proof aside from the numbered edition of 35, printed by 31 Studio, with their blindstamp, image 51 x 43.5cm (unframed) (ARR) Note: Lategan is credited as being the photographer who helped make Twiggy the world’s first supermodel after this photograph was selected by Daily Express journalist Deirdre McSharry to be the in the paper under the headline ‘The Face of 66’. £5,000 - 7,000* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

161

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383 Lee Miller, American 1907-1977 Picnic (Nusch Eluard, Paul Eluard, Roland Penrose, Man Ray, Adrienne ‘Ady’ Fidelin), 1937 platinum palladium print on Aquarel Arches, printed later in 2000, numbered 13/30 in pencil recto and verso, with the artist’s archive and 31 Studio’s blindstamps, image 18 x 18cm (unframed) Provenance: purchased by the current owner from Penrose Film Productions Limited, England, who are the managing agents for the Lee Miller Archive. £1,500 - 2,000*

383

384 384 Robert Capa, Hungarian 1913-1954

385 385 Alvin Langdon Coburn, American 1882-1966

Electa Editrice portfolio, 1979

The Octopus 1912

the complete portfolio of 12 photogravure prints with colophon and double page cover sheet, numbered 212 from the edition of 1000, printed by Gruppo Editoriale Electa S.p.A., Italy, published by Electa, each sheet loose as issued with protective tissue, in original black card folio, overall 41 x 36cm (unframed) (portfolio) (ARR)

platinum/palladium print, printed later in 2002, inscribed p/p in pencil, a printer’s proof, printed by 31 Studio in collaboration with George Eastman House, with their blindstamp, sheet 39 x 29.5cm (unframed)

Note: Portfolio produced to commemorate Venezia ‘79- La Fotografia, exhibition made with Unesco and the Municipality of Venice in collaboration with the International Centre of Photography, New York

£200 - 300*

£250 - 350* 162

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386 Frederick H. Evans, British 1853-1943 The Sea of Steps 1903 platinum/palladium print, printed later in 1999, numbered 10/45 in pencil, published by RPS (Royal Photographic Society) and 31 Studio, with their blindstamp, mounted, with title/text page, in the original dark blue linen folio folder as published, overall 53.5 x 42.5cm (folio folder) (ARR) £1,800 - 2,200*

386 387 Dorothea Lange, American 1895-1965 Migrant Mother, 1936 photogravure print on Rives BFK wove, printed later in 2001, from a limited edition of 500 and 50 unnumbered artist’s proofs, bearing the authorizing stamp of The Dorothea Lange Collection, printed

by Jon Goodman, published by Aperture Foundation, Inc., New York, image 30.5 x 23.5cm (unframed) Note: this print was bought from the printer Jon Goodman, and remains in unopened condition £400 - 600*

387 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

163

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388 388 Irving Penn, American 1917-2009 Colette, Paris, 1951 gelatin silver print, printed later in 1984, initialled and dedicated ‘Dear Barry, with all my thoughts’ to verso in black ink, inscribed ‘51 1P 34A’ verso in pencil, with Condé Nast copyright dry stamp, and the artist’s dry stamp to verso, sheet 45.9 x 40.6cm (unframed) Note: Irving Penn shot French novelist Colette in her apartment in Paris in 1951. Colette was described as having a revelatory forehead, and this open photograph captured an intimacy which startled those who knew her. £5,000 - 7,000*

164

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INDEX OF ARTISTS A Aitchison DB RSA RA, Craigie Alechinsky, Pierre Allin Braund Anderson CBE RA, Stanley Arp, Jean Auerbach, Tauba Avery, Milton Ayres CBE RA, Gillian

117 148 9 5, 6 138 146 110, 111

B Bacon, Francis 227 Bailey CBE, David 377 Baker, Charming 319 Ball, Peter Eugene 77 Ballen, Roger 376 Balthus 192 Banksy 325 Barris, George 370, 371 Bertoia, Harry 199, 200, 201, 202, 203 Blake CBE RDI RA, Sir Peter 292, 293, 294, 295, 296, 297 Blees Luxemberg, Rut 367 Boyd AC OBE, Arthur 78, 79, 80 Brainwash, Mr (Guetta, Thierry) 320 Braque, George 142, 143 Bridget Riley CH CBE 289, 290 Buckley, Stephen 85 Burra, Edward 47 C Capa, Robert 384 Cassou, Jean 222 Castellani, Enrico” 194 Cathelin, Bernard” 225 Caulfield CBE RA, Patrick 250, 251, 252, 253 254, 255 Chadwick CBE RA, Lynn 15, 16, 17, 18 19, 20 Chagall, Marc 182, 183, 220, 221 Christo and Jeanne-Claude 238 Cocteau, Jean 139 Cohen, Harold 14 Crawford, Ralston 147 D Dali, Salvador

167, 168, 169, 170, 171 172, 173, 174, Daphnis, Nassos 151 Davie, Alan 32 Dazeley, Peter 368, 369 De Toulouse-Lautrec, Henri 210 De Vlaminck, Maurice 122 Delahaut, Jo 177 Delaunay, Sonia 161 Denny, Robyn 34, 35 Din, Yang 346 DLM 216, 217, 218, 219 Dorazio, Piero 191 Duffy, Raoul 206, 207 E Eine, Ben Emin CBE RA, Tracey Endless English, Michael Epp, Oli Evans, Frederick H.

358, 359, 360 332 333, 334, 335 336, 337, 338, 339 326 258 361 386

F Fassianos, Alekos 153 Finn-Kelcey, Rose 309 Flanagan, Barry 46 Foujita, Léonard Tsuguharu 141 Freud, Lucian 228 Frink CH DBE RA, Dame Elisabeth 30, 31 Frost RA, Sir Terry 93, 94, 95, 96, 97, 98, 99

G Gilbert & George Gormley OBE, Sir Antony Gotz, Karl Otto Graham, Rigby Greaves, Derrick Gross CBE RA, Anthony Grosz, George Guang Yi, Wang

315, 316 311, 312 137 104 33 76 126 342, 343

H Hadjikyriakos-Ghika, Nikos 150 Hamilton CH, Richard 286, 287, 288, 289 Hao, Zeng 347, 348 Hartung, Hans 189, 190 Hayter CBE, Stanley William 90, 91, 92 Hayuk, Maya 322 Heath, Adrian 51 Herman OBE RA, Josef 10 Hockney OM CH RA, David 263, 264, 265, 266, 267, 268, 269 Hodgkin, Howard 291 Hofer, Candida 366 House, Gordon 36, 37, 38, 39, 40, 41 Howell Leach CH CBE, Bernard 7, 8 Hoyland RA, John 83, 84 Hughes, Patrick 298, 299, 300, 301 I Indiana, Robert Ingham, Bryan Insect, Paul Irvin RA, Albert K KAWS Kennard, Peter Kenny RA, Michael Kim, Ku-lim Kitaj RA, R. B. Kusama, Yayoi

236 88, 89 324 109

362 259 113, 114 181 262 363, 364

L Laing, Gerald 256 Lancaster, Mark 44 Lange, Dorothea 387 Lategan, Barry 378, 379, 380, 381, 382 Laurencin, Marie 140 Law, Natasha 331 Legrand, Louis 204 Lennon MBE, John 257 Lim, Kim 105 Long CBE RA, Sir Richard 310 M Maillol, Aristide 121 Mara, Tim 279, 280, 281 Matisse, Henri 211, 212, 213, 214 Matta, Roberto 165 Mavignier, Almir da Silva 158 Mclean, Bruce 302, 303, 304, 305, 306 Messagier, Jean 193 Miller, Lee 383 Minjun, Yue 349 Minnick, Danny 323 Miro, Joan 127, 127, 129, 130, 131, 132 133, 134, 135, 223, 224 Monory, Jacques 237 Moore OM CH FBA, Henry 52, 53, 54 55, 56, 57, 58, 59, 60 Murakami, Takashi & Abloh, Virgil 365 N Naude, Andre Neiland, Brendan Nolan OM AC, Sir Sidney O Olsen, John Henry O’Neill CBE, Terry Opie, Julian Orr MBE RA, Chris

198 307, 308 21, 22, 23 23

180 372, 373, 374, 375 329 45

P Paolozzi CBE RA, Sir Eduardo

245, 246 247, 248, 249, Party, Nicolas 328 Pascin, Jules 208 Pasmore CH CBE, Victor 106, 107, 108 Penn, Irving 388 Perry CBE RA, Grayson 340, 341 Pettibon, Raymond 318 Phillips CBA RA, Tom 282, 283 Picasso, Pablo 154, 155, 215 Piper CH, John 62, 63, 64, 65, 66, 67 68, 69, 70, 71, 72, 73, 74 Plowman, Chris 87 Polk Smith, Leon 230, 231, 232, 233 Procktor RA RE RWS, Patrick 271, 272 273, 274, 275, 276, 277, 278 Pure Evil 321 R Ray, Man Renoir, Pierre-Auguste Richards, Ceri Richter, Gerhard Riopelle, Jean-Paul Roth, Dieter Rouault, Georges Ryder, Sophie

260, 261 120 13 285 166 284 123, 124, 125 115, 116

S Scott, William 50 Self, Colin 112 Shao Bin, Yang 344 Shead, Garry 195 Shrigley, David 350, 351, 352, 353, 354 Signovert, Jean 196 Steinberg, Saul 179 Steinlen, Théophile Alexandre 119 Stezaker, John 317 Stik 327 Sultan, Donald 313 Survage, Leopold 160 Sutherland OM, Graham 11, 12 T Tapies, Antoni 185, 186, 187, 188 The Connor Brothers 355, 356 Tillyer, William 86 Tilson RA, Joe 239, 240, 241, 242, 243, 244 Toyen, Marie Cerminova 145 Trevelyan, Julian 48, 49 Tucker, William 43 Tyson CM AOE, Ian 42 U Underwood, Leon Utrillo, Maurice V Vardea-Mavromichali, Chryssa Vasarely, Victor Vieira Da Silva, Maria Elena

1, 2, 3, 4 205

152 159 149

W Walker, John 100, 101, 102, 103 Williams KBE RA, Sir Kyffin 81, 82 Wiszniewski, Adrian 314 Wood, Jonas 357 Wunderlich, Paul 163, 164 X Xiaogang, Zhang

345

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EXPLANATION OF CATALOGUING TERMS Any statement as to authorship, attribution, origin, date, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. Roseberys reserve the right, in forming their opinion, to consult and rely upon an expert or authority considered by them to be reliable.

1.

‘Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work by the artist.

2.

‘Attributed to Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, probably a work by the artist.

3.

‘Studio of Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work likely to come from the studio of the artist or closely associated with the artist.

4.

‘Circle of Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work by an unidentified artist working in the artist’s style and during the period of the artist’s life.

5.

‘Follower of Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work by an unidentified artist working in the artist’s style, contemporary or near contemporary.

6

‘School of Peter Paul Rubens, Flemish 17th century’ * In our opinion, a work executed during this period and in the style associated with that artist.

7.

‘Flemish School, 17th century’ * In our opinion, a work executed during this period and in the style associated with that location.

8.

‘Manner of Peter Paul Rubens’ * In our opinion, a work by an unidentified artist working in the artist’s style but at a later date, although not of recent execution.

9.

‘Style of Peter Paul Rubens’ * In our opinion, a work by an unidentified artist working in the artist’s style and of recent execution.

10.

‘After Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a copy by an unidentified artist of a named work by the artist.

11.

A picture catalogued with accompanying dates e.g. 1577-1640 relates to the identification of the particular artist and is not proof of attribution or indicative of authenticity.

12.

The terms ‘signed’, ‘dated’, ‘inscribed’ means that in our opinion these are by the artist’s hand.

13.

The terms ‘bears signature’, ‘bears date’, ‘bears inscription’ means that in our opinion that these have been added by another hand other than the artist.

14.

All references to signature, inscriptions and dates refer to the present state of the work.

15.

Dimensions are given in centimetres, height before width and are measured from the edges of the work if these are visible and if not, from the front.

16.

All pictures are framed, unless otherwise stated in the catalogue.

17.

Catalogue and website images may not be a true representation of an item due to printing or photographing processes.

18.

(ARR) – ARTIST’S RESALE RIGHT Qualifying living artists and the descendants of artists deceased within the last 70 years are entitled to receive a re-sale royalty each time their work is bought through an auction house or art market professional.

It applies to lots with a hammer value over €1,000 as follows: 0 to €50,000 - 4% €50,001 to €200,000 - 3% €200,001 to €350,000 - 1% €350,001 to €500,000 - 0.5% Exceeding €500,000 - 0.25% ARR is capped at €12,500.

Please note ARR is calculated in euros.

Auctioneers will apply current exchange rates.

Lot 264

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SPECIALIST TEAM Ian A. Cadzow Chairman & Joint Managing Director Rugs, Furniture & Works of Art iancadzow@roseberys.co.uk Vicki Wonfor Joint Managing Director Head of Corporate Collections vickiwonfor@roseberys.co.uk Peter Greenway Director Head of Professional Services petergreenway@roseberys.co.uk Marcus Grey Director Head of Paintings & Prints marcusgrey@roseberys.co.uk Bill Forrest Associate Director Head of Department Asian Arts billforrest@roseberys.co.uk Helena Anderson Associate Specialist Modern & Contemporary British Art helenaanderson@roseberys.co.uk Alice Bailey Head of Department Islamic & Indian Arts alicebailey@roseberys.co.uk Fiona Baker Head of Department 20th Century & Decorative Arts fionabaker@roseberys.co.uk Mark Bowis Head of Department Jewellery & Watches markbowis@roseberys.co.uk Nigel Dawson-Ellis Junior Cataloguer Furniture & 20th Century Design nigeldawsonellis@roseberys.co.uk Anna Evans Consultant Specialist Works of Art annaevans@roseberys.co.uk

Roseberys London Main London Saleroom 70/76 Knights Hill London, SE27 0JD

Sophie Hetherton Junior Cataloguer & Departmental Assistant Paintings & Prints sophiehetherton@roseberys.co.uk Sam Howard Administrator Asian, Islamic & Indian Arts samhoward@roseberys.co.uk

Complimentary valuations Monday to Friday: 9.30am to 5.00pm

Mark Longley Specialist Ceramics & Glass, Works of Art & Collectables marklongley@roseberys.co.uk

+44 (0) 20 8761 2522 clientservices@roseberys.co.uk

Tess O’Brien Specialist Impressionist, Modern, Post War and Contemporary Art tessobrien@roseberys.co.uk

Central London OfďŹ ce Valuations by appointment.

Kate Pritchard Cataloguer & Valuer Paintings & Prints, Modern & Contemporary Art katepritchard@roseberys.co.uk

Please call us on +44 (0) 20 8761 2522 or email our Professional Services department at valuations@roseberys.co.uk to book your complimentary valuation.

Lot 289

Alex Tonkinson Consultant Specialist Modern Design alextonkinson@roseberys.co.uk Elizabeth Wormald Cataloguing Assistant & Administrator Prints & Multiples / Japanese Arts elizabethwormald@roseberys.co.uk Shane Xu Head of Department Modern & Contemporary Prints & Multiples shanexu@roseberys.co.uk

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TERMS OF CONSIGNMENT FOR SELLERS These terms apply to Rosebery Fine Art Ltd trading as Roseberys and Roseberys London.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract.

Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission and Entry Fee. (a) Entry Fee: A charge of £20 is made to each lot sold in addition to vendor’s commission. This charge covers our specialist research, catalogue description, website illustration, marketing on our website and other third party sites as well as live or timed bidding on various internet platforms. (b) Vendors Commission: Is charged on each lot at 15%.

3. Catalogue Illustration Fee. The cost of any illustration is borne by you. Lots may be illustrated in a catalogue and thus a charge of between £20-60 per illustration is applicable, dependent on size. For example a quarter page illustration £20, half page £40, three quarter/full page £60. The copyright in respect of such illustrations shall be the property of the auctioneers, as is the text of the catalogue; any persons to be found to have reproduced such illustrations or text without prior written approval will be deemed as being in breach of copyright law and appropriate legal action may be taken.

4. Loss and Damage of Goods (a) Roseberys is not authorised by the FSA to provide insurance to its clients, and does not so do. However Roseberys, for its own protection, assumes liability for property consigned to it at the lower pre-sale estimate until title passes to the buyer. To justify accepting liability, Roseberys makes a charge of 1.75% of the hammer price plus VAT. The liability assumed by Roseberys shall be limited to the lower pre-sale estimate or to the reserve if the lot was unsold.

Settlement in any claim arising shall be subject to commission as if the lot had sold in the normal manner. (b) If the owner of goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4(a) is inapplicable. (c) Roseberys will not be liable for the loss or damage to frames or glass covering prints, paintings or other works. Old frames are often fragile or subject to deterioration and whilst Roseberys will do their

upmost to ensure the safety and care of frames and glass we will not compensate for loss or damage to property caused by changes in humidity or temperature, normal wear and tear, gradual deterioration, inherent defect or errors in processing.

5. Removal Costs. Items for sale must be consigned to the saleroom by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

6. Minimum Bids and our Discretion. Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 7. We may sell Lots below the reserve provided we account to you for the same sale proceeds that you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to approximately 15% below the low estimate and “wide discretion” allows to use accept a bid of up to approximately 30% below the low estimate.

7. Reserves. (a) Prior to the auction you are entitled to place a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve. If we are unable to offer goods they may be subject to storage charges if uncollected. (b) A reserve once set cannot be changed except with our consent, and confirmed by you in writing. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical Items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft Furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request

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TERMS OF CONSIGNMENT FOR SELLERS 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery or where we are or ought to have been aware of it.

11. Unsold Items. Unsold lots will be automatically reoffered into the next appropriate live or online auction with the low estimate reduced by 40% and if the revised estimate is £200 or below it will be offered without reserve. Alternatively, we may contact you to request that you collect the items. If you do not wish to re-enter the lots please notify Roseberys in writing with collection instructions. Please note storage charges will be incurred if lots are not collected within one week, storage charges will be applied of £2 + VAT per lot per day. If a lot remains uncollected two months after the date of the auction, Roseberys shall have the right to sell the lot at auction without reserve and to deduct from the ‘hammer price’ any sum owing to Roseberys as well as expenses arising from all auctions in which the lot has been included, plus storage and loss and damage warranty charges.

12. Withdrawn Items. (a) If an item is withdrawn prior to the publication of the catalogue a minimum charge of £20 + VAT per lot is applicable. This fee covers administration, handling, storage and loss & damage of the lot whilst in our care. (b) If an item is withdrawn after the online or offline publication of the lots they will incur charges where applicable comprising the sum of the vendor’s commission, the entry fee, the illustration cost, the loss and damage warranty, the buyer’s premium, the marketing fees and other expenses in relation to the item. VAT is applicable on all charges. These commission and premium charges will be calculated upon Roseberys published mid estimate. (c) In the cases of 12 (a) and (b) Roseberys will store the withdrawn item for a period of five days with no charge, after this a storage charge will be applicable at a daily rate of £2 per item per day plus VAT for items that remain uncollected.

13. Conditions of Sale. You agree that all goods will be sold according to our Conditions of Sale.

In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to Deduct Commission and Expenses and Retain Premium and Interest. (a) You authorise us to deduct commission from the hammer price at the stated rate plus all applicable expenses incurred on your account and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us at our discretion to negotiate a sale by private treaty not later than five working days from the date of the auction in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient written sale instructions, client contact details or without our prior written agreement to take delivery and reserve the right to either refuse to receive such goods or to make a minimum warehousing charge of £2 per item per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within twenty one days we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Settlement of the net sum due to you normally takes place 28 days after the sale (by crossed cheque or bank transfer to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

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INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers of Roseberys London particularly those inexperienced or new to our salerooms or online only bidding platform. All sales are conducted according to our printed Conditions of Sale which are readily available for inspection in person, on our website and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot.

The lower estimate may represent the reserve price or may be above the reserve price. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. Buyer’s Premium. The Conditions of Sale oblige buyers to pay a buyer’s premium of 25% up to £250,000 (30% inclusive of VAT), 20% from £250,000-500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT) The premium price is subject to VAT at the standard rate.

5. VAT. The addition of (*) or (VAT applied on hammer price) to the lot description indicates that VAT is payable by the purchaser at the standard rate, presently 20%, on the hammer price as well as being payable on the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the premium is not recoverable as input tax.

6. Artist’s Resale Rights/Droit de Suite. Lots as indicated in the catalogue and if sold for the equivalent of 1000 euros or more on the day of the auction will be subject to a further percentage of the hammer price as follows: From 0 to 50,000 euros subject to 4% From 50,001 to 200,000 euros subject to 3% From 200,001 to 350,000 euros subject to 1% From 350,001 to 500,000 euros subject to 0.5% Exceeding 500,000 euros subject to 0.25% The Artist’s Resale Right payable will be the aggregate of the amounts payable under the above rate bands, subject to maximum royalty payable of 12,500 euros for any single work each time it is sold. Calculations of the artist’s resale right will be based on the pound sterling/Euro reference exchange rate quoted on the date of sale by the European Central Bank.

7. Agents. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested.

Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. Additionally, in specified circumstances lots mis-described because they are ‘deliberate forgeries’ may be returned and repayment made. There is a three week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

8. Electrical goods. These are sold as ‘antiques’ or ‘decorative’ items only and if bought for use must first be checked for compliance with safety regulations by a qualified electrician.

9. Coloured gems. It is common practice for gemstones to be treated in order to enhance colour and clarity. Unless stated buyers should presume coloured stones may well have been exposed to some sort of treatment.

10. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character because, e.g. they may contain prohibited materials such as ivory.

11. Bidding. Bidders are required to register with us before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

12. Commission bidding (i)

Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding the buyers’ premium.

They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received.

Please enquire in advance about our arrangements for leaving commission bids by telephone, email or fax. Please ensure bids are left at least one hour prior to the start of the auction.

(ii) Commission bids may also be left via the Roseberys website.

These bids are executed via the RoseberysLive software and there is no surcharge.

13. Live Online bidding (a) An online bidding service is offered via RoseberysLive, thesaleroom.com and invaluable.com. In completing the bidder registration on these sites the buyer is agreeing to Roseberys conditions of sale. (b) In the case where a debit or credit card has been used to register the buyer also agrees to authorise Roseberys, if they so wish, to charge the debit or credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the online bidding platforms. (c) Please note there is no additional surcharge for any lots purchased via RoseberysLive, whether live bidding or commission bidding.

Any lots purchased via thesaleroom.com or invaluable.com will be subject to an additional 5% commission charge + VAT at the rate imposed on the hammer price. (d) Roseberys offers online bidding services as a convenience to its clients, but neither Roseberys nor the seller will be responsible to you for errors during or after the sale or failures to execute bids, either live bids or commission bids placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: (i) any loss of connection to the auction being conducted online; (ii) a breakdown or problems with the online bidding software or the website service provider; and/or (iii) a breakdown or problems with any internet connection, computer, mobile device or system. (e) By accessing RoseberysLive and using the software provided you are agreeing to the Website Terms and Conditions governing use of our website. Please ensure you familiarise yourself with these prior to accessing our website.

14. Methods of Payment. Payment can be made by cash (maximum 10,000 euros), debit and credit cards (maximum £1,000 online or over the phone) or bank transfer. For international bank transfers an administration fee of £25 is payable. Any cheques tendered will need to allow 10 days to be cleared before removal of lots purchased is permitted. Please note that regulation of money laundering means we are limited to receiving the equivalent of 10,000 euros in cash payment.

15. Collection and storage (a) Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. All lots must be collected within five working days following auction. Storage charges of £2 per lot per day + VAT will be strictly enforced thereafter. (b) Roseberys are unable to pack, post or deliver any items purchased through public or online auction, a list of suggested companies is supplied upon issuing of invoices, upon request or on the company website. These are suggestions only and are not the recommendation of Roseberys or affiliated with Roseberys in anyway and as such Roseberys cannot be held responsible for the individual performance of these companies.

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CONDITIONS OF SALE Rosebery Fine Art Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1.

Definitions

In these Conditions: (a) “auctioneer” means the firm of Rosebery Fine Art Ltd or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Rosebery Fine Art Ltd accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2.

Bidding Procedures and Conduct of the Auction

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid. Any bidder who refuses to provide the requested identification may be refused permission to bid. (b) The auctioneer has discretion at any time to refuse any bid, withdraw any lot, re-offer a lot for sale (including after the fall of the hammer) if they believe there may be error or dispute, and take such action as they reasonably think fit. (c) Subject to condition 2(b) the contract between the buyer and seller is concluded on the striking of the auctioneer’s hammer, whereupon the buyer becomes liable to pay the purchase price. (d) Any post-auction sale of lots offered at auction shall incorporate these conditions as if sold in the auction. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3.

Increments. Bidding increments shall be at the auctioneer’s sole discretion.

4.

The Purchase Price. The buyer shall pay the hammer price together with a premium thereon of 25% up to £250,000 (30% inclusive of VAT), 20% from £250,000500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT). The premium price is subject to VAT at the standard rate.

5.

Value Added Tax. Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged

at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots.

(Please refer to “Information for Buyers” for a brief explanation of the VAT position).

6.

Payment

(1) (a) (b)

Immediately a Lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in cash, debit, credit card or bank transfer or in such other way as is agreed by us.

Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(2)

7.

Title and Collection of Purchases. The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (a)(i) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 5 working days following the day of the auction. (ii) Roseberys are unable to pack, post or deliver any items purchased through public or online auction.

A list of suggested companies is supplied upon issuing of invoices, upon request, or on the company website. These are suggestions only and are not the recommendation of Roseberys or affiliated with Roseberys in anyway and as such Roseberys cannot be held responsible for the individual performance of these companies. (b) No purchase can be claimed or removed until it has been paid for and payment has cleared. (c) Invoices will not be split or title transferred to another person(s). Invoices must be paid in full before any lots can be removed. (d) Purchased lots must be collected within the allocated time as stated in the Information for Buyers section 13, storage charges are applicable thereafter. Purchased lots are at the Buyer’s risk (and therefore their sole responsibility for insurance) from the earliest of the collection or the 21st calendar day after the auction.

Until risk passes Roseberys will compensate the buyer for any loss or damage to the lot up to a maximum of the purchase price paid.

8.

(1)

(a) (b) (c)

(d) (e)

Remedies for Non-Payment or Failure to Collect Purchases If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: to proceed against you for damages for breach of contract; to rescind the sale of that Lot and/or any other Lots sold by us to you; to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

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CONDITIONS OF SALE (f)

to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9.

Third Party Liability. All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. Commission, Telephone Bids and Live Online Bidding. Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. (a) Lots will be purchased by the Auctioneer on behalf of the commission bidder for the lowest price allowed by other bids and/or reserves if any, up to and including their maximum bid amount recorded. The Auctioneers cannot accept responsibility for any neglect or default in executing or failing to execute commission bids whether through the auctioneer or through any online bidding software, or where a bidding slip has been completed incorrectly. We urge commission bidders, to ensure that the correct lot number(s) and price(s) are recorded on their bidding forms. (b) Where two or more commission bids at the same level are recorded we reserve the right at our absolute discretion to prefer the first bid so made. (c) Telephone Bids. Any person unable to attend the auction may request to bid on a specific lot by telephone. This facility is only available by prior arrangement with the Auctioneers and not available for online only auctions. The Auctioneers cannot accept responsibility for any neglect or default in executing or failing to execute telephone bids. (d) Live Online bidding. (i) An online bidding service is offered via RoseberysLive, thesaleroom.com and invaluable.com. In completing the bidder registration on these sites, the buyer is agreeing to Roseberys conditions of sale. (ii) In the case where a debit or credit card has been used to register the buyer also agrees to authorise Roseberys, if they so wish, to charge the debit or credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the online bidding platforms. (iii) Please note there is no additional surcharge for any lots purchased via RoseberysLive, whether live bidding or commission bidding. Any lots purchased via thesaleroom.com or invaluable.com will be subject to an additional 5% commission charge + VAT at the rate imposed on the hammer price.

(iv)

(v)

Roseberys offers online bidding services as a convenience to its clients, but neither Roseberys nor the seller will be responsible to you for errors during or after the sale or failures to execute bids, either live bids or commission bids, placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: (aa) any loss of connection to the auction being conducted online; (bb) a breakdown or problems with the online bidding software or the web site service provider; and/or (cc) a breakdown or problems with any internet connection, computer, mobile device or system.

By accessing RoseberysLive and using the software provided you are agreeing to the Website Terms and Conditions governing use of our websites. Please ensure you familiarise yourself with these prior to accessing our websites.

11.

Warranty of Title and Availability. The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

No representation or warranties are made by Roseberys or the seller as to whether any lots is subject to copyright or whether they buyer acquires copyright in any lot.

12.

Agency. The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13.

Terms of Sale. The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot.

14. (a)

Description and Conditions Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description of a lot. Buyers are welcome to make an appointment to view any lots listed on an online only auction. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers�.

Condition Reports. Reports on the condition of any lot are offered by the Auctioneers as a statement of opinion only, and not of fact. Rosebery Fine Art Ltd are not liable for any errors or omissions contained therein. The buyer must satisfy themselves to the condition of any given lot prior to bidding. Roseberys will not be held responsible for any damage or defect that has not been notified to the buyer. Catalogue illustrations are for guidance only and will not convey full information as to the actual condition of lots.

(b)

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CONDITIONS OF SALE (c)

(d)

Where the term (a/f) is used this refers to a lot being ‘as found’, it is used for guidance only and indicates in our opinion there is significant damage or repair to an item, the omission of this term does not indicate there is not significant damage or repair to an item and Roseberys are not liable for the omission of this term.

Private treaty sales made on these premises under these Conditions are deemed to be sales by auction for the purposes of consumer legislation.

15. Forgeries. Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. Roseberys may require the buyer to obtain at the buyer’s cost the reports of two independent and recognised experts in the field, mutually acceptable to Roseberys and the buyer. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) if you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

16. Online Only Timed Auctions These following terms are applicable only to sales conducted online only and are to be used in addition to the conditions of sale. (a) (i)

Right to Cancel If you are a consumer resident in the European Union you have the right to cancel the contract for the purchase of a lot within 14 calendar days without giving any reason. (ii) The cancellation period will expire after 14 calendar days from the day on which you acquire (or a party nominated by you and is not the shipper) physical possession of the lot. (iii) To exercise the right to cancel, you must inform us of your decision to cancel this contract by a clear written statement (e.g. a letter sent by post, fax or email), or you may use the cancellation form which can be found on our website or by contacting a member of staff. The communication must be received within 14 calendar days from the day on which you acquire the lot. (iv) If you cancel the contract, we will reimburse all payments received from you. As Roseberys are unable to provide a postage or packing service the cost of the initial delivery or collection is not returnable. In addition the cost of returning the item if you choose to cancel the contract is payable by you. (v) We may make a deduction from the reimbursement for loss in value of any goods supplied, if the loss is the result of damaged caused by unnecessary handling whilst in your possession. We will make the reimbursement without undue delay, and not later than (aa) 14 calendar days after the day we receive back from you any goods supplied, or (bb) (if earlier) 14 calendar days after the day you provide evidence that you have returned the goods.

(vi) We will make the reimbursement using the same means of payment as you used for the initial transaction, unless you have expressly agreed otherwise; in any event, you will not incur any fees as a result of the reimbursement.

We may withhold reimbursement until we have received the goods back or you have supplied evidence of having sent back the goods, whichever is earliest. (b) Liability Roseberys nor the seller will be responsible to you for errors during or after the online only timed auction or failures to execute bids placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: any loss of connection to the auction being conducted online; a breakdown or problems with the online bidding software or the website service provider; and/or (iii) a breakdown or problems with any connection, computer, mobile device or system.

General 17. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

18. Where a member of the public causes damage to a lot (or part thereof) the Auctioneers reserve the right to: (a) sell the aforementioned without reserve and to hold that specific individual liable for the amount of any difference between the hammer price and the reserve or low estimate; (b) hold that specific individual liable for the cost of restoration where appropriate; (c) hold that specific individual liable for the full amount of the reserve price or lower estimate as applicable.

19 (a) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

20. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email if provided in which case it shall be deemed to have been received by the addressee 48 hours after posting.

21. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

22. Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

23. English law applies to the interpretation of these Conditions.

These terms and conditions are based upon recommended conditions of sale by SOFAA (the Society of Fine Art Auctioneers) and RICS (the Royal Institute of Chartered Surveyors)

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CATALOGUE SUBSCRIPTION FORM FULL NAME: ADDRESS:

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Design: Decorative Arts 1860 to Present Day

3

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£30

£35

Impressionist, Modern, Post-War & Contemporary Art

2

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£30

£35

Fine & Decorative

3

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£45

£52.50

Islamic & Indian Arts/ Art of India

3

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£45

£52.50

Jewellery & Watches

3

£37.50

£45

£52.50

Modern & Contemporary British Art

2

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£30

£35

Modern & Contemporary Prints

2

£25

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Print & Multiples

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Old Master, 18th & 19th Century Pictures

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Subscription Offer: Buy 2 or more subscriptions save 20% on prices listed Total cost of subscription: Method of Payment: Payment can be made by credit or debit card over the phone or in person, alternatively by bank transfer or cash in person. Payment is accepted via bank transfer to the following account (International bank transfers are subject to a £25 administration fee.): Natwest Bank plc, Bloomsbury Parr’s branch, Sort Code 60-30-06, Account number 36952613, Swift code NWBKGB2L, IBAN GB80NWBK60300636952613.

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70/76 Knights Hill London, SE27 0JD +44 (0)20 8761 2522 +44 (0)20 8761 2524 clientservices@roseberys.co.uk

ABSENTEE BID FORM PLEASE COMPLETE THE FORM IN FULL IN CAPITAL LETTERS AND PLACE YOUR BIDS AT LEAST ONE HOUR PRIOR TO THE START OF THE RELEVANT SECTION OF THE AUCTION

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All bids are entered subject to Roseberys standard terms and conditions of sale and to any special terms stated by the auctioneers to apply to lot(s) which the prospective purchaser hereby acknowledges and accepts.

Please see catalogue or website for important information for buyers and our full conditions of sale or ask a member of staff for a copy.

I authorise Roseberys to bid on my behalf for the above mentioned lot(s) up to the price(s) stated. I confirm I have read and agree to the buyer’s terms of sale with special attention to the buyer’s premium, additional charges and storage.

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AUCTION CALENDAR 2019 October Art & Antiques Saturday 5 October

Old Master, 18th & 19th Century Pictures Thursday 21 November

Prints & Multiples Monday 14 October

Fine & Decorative Friday 22 November

Islamic & Indian Arts Friday 25 October

Modern & Contemporary British Art: An Online Only Auction Monday 11 – Thursday 28 November

November Design: Decorative Arts 1860 to the Present Day Monday 4 November Chinese, Japanese & South East Asian Arts Monday 11 November Jewellery & Watches Wednesday 20 November

December Urban & Contemporary Art in association with Artsy Monday 18 November – Monday 2 December Impressionist, Modern, Post War & Contemporary Art Wednesday 4 December

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