Rosebery's

DESIGN: 1860 TO THE PRESENT DAY Monday 4 November 2019

DESIGN: 1860 TO THE PRESENT DAY Monday 4 November 2019 Starting at 12 noon VIEWING Thursday 31 October 1pm-5pm Friday 1 November 9.30am-5.30pm Sunday 3 November 10am-2pm Monday 4 November 9.30am-11.30am Specialists: Fiona Baker Nigel Dawson-Ellis Alex Tonkinson Please note the conditions of sale at the back of this catalogue Buyer’s Premium 25% + VAT (30% inclusive of VAT) Condition of items: a catalogue description does not state the condition of the item Catalogue Price £10 (£12 by post) Front Cover: Lot 112 Back Cover: Lot 111 Inside Front Cover: Lot 60 Inside Back Cover: Lot 56

70/76 Knights Hill London, SE27 0JD +44 (0)20 8761 2522 auctions@roseberys.co.uk www.roseberys.co.uk

Online bidding available at:

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BUYING AT ROSEBERYS The following is intended to serve as a useful quick reference to buying at Roseberys.

Prior to bidding please familiarise yourself with our full conditions of sale which are applicable when bidding at one of our auctions. Our staff are available to assist you with any questions you may have.

Viewing Catalogues are available from reception and all lots are listed and illustrated at www.roseberys.co.uk Condition is not stated in the catalogue description and buyers are encouraged to view lots in person prior to bidding to satisfy themselves as to the accuracy of the description and condition of lots.

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Photographic identification, full contact details and proof of address are required. Roseberys cannot accept bids from unregistered buyers. Once registered you will be provided with a paddle which states your bidding number for the auction.

Alternatively, online bidding is available through www.thesaleroom.com and www.invaluable.com, successful online bidders are charged an additional premium of 5% + VAT. Bidders must register by 9am on the morning of the auction to be able to buy online. You will be asked to complete the registration process prior to approval.

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The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over the top estimate.

Buyer’s Premium

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Successful bidders will be refunded their deposit once they have paid for their lots. Unsuccessful bidders will automatically be refunded within a week of the auction.

The buyer shall pay the hammer price together with a premium thereon of: 25% up to £250,000 (30% inclusive of VAT), 20% from £250,000-500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT) The premium price is subject to VAT at the standard rate.

Methods of bidding

VAT

• In person: at the auction room.

VAT is not charged on the hammer price unless it is stated that there is ‘VAT applicable on the hammer price’ at the end of the description. Buyer’s premium is subject to VAT.

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There is no charge to use this service.

(ARR) – ARTIST’S RESALE RIGHT Qualifying living artists and the descendants of artists deceased within the last 70 years are entitled to receive a re-sale royalty each time their work is bought through an auction house or art market professional.

It applies to lots with hammer value over €1,000 as follows: 0 to €50,000 - 4%, €50,000.01 to €200,000 - 3% €200,000.01 to €350,000 - 1%, €350,000.01 to €500,000 - 0.5% Exceeding €500,000 - 0.25% ARR is capped at €12,500 Please note ARR is calculated in euros.

Auctioneers will apply current exchange rates.

Payment Payment is required immediately after the auction and can be made in the following ways: • Cash: up to the sterling equivalent of 10,000 Euros on the day of the transaction.

• Debit and Credit cards: excluding American Express. To protect against card fraud we are unable to make ‘card not present’ transactions online or over the phone for amounts over £1000.

To make a payment of over £1000 please make a bank transfer or visit the auction house in person.

• Bank transfer: Payment is accepted via bank transfer to the following account, (International bank transfers are subject to a £25 administration fee.)

Natwest Bank plc, Bloomsbury Parr’s branch, Sort Code 60-30-06, Account number 36952613, Swift code NWBKGB2L, Iban GB80NWBK60300636952613.

• Online via www.roseberys.co.uk (up to £1,000) Clearance of Goods Roseberys requests all lots are collected within five working days following the auction. After this, storage charges of £2 + VAT per lot will apply. Please contact our Client Services team should you be unable to collect your purchases within this time and we would be happy to discuss alternative arrangements.

Delivery Roseberys is unable to pack and ship items but can suggest the following companies: London/Surrey • Capital Fine Art Move: +44 (0) 7957 209523 • Bernard Thornton: +44 (0) 7970 118762 Nationwide/International • Mail Boxes Etc: +44 (0) 20 8649 9777 Specialist Packing • Pack and Send: +44 20 8392 6990 In order to release to a third party carrier you must inform Roseberys in writing of the lot number and carrier name. Please email clientservices@roseberys.co.uk Export of goods Buyers intending to export goods should ascertain whether an export licence is required before bidding.

Export licences are issued by Arts Council England and application forms can be obtained from its Export Licensing Unit. Details can be found on the ACE website www.artscouncil.org.uk or by phoning ACE on 020 7973 5188. The need for import licences varies from country to country and you should acquaint yourself with all relevant local requirements and provisions before bidding. The refusal of any such licences shall not permit the cancelling of any sale nor allow any delay in making full payment for the lot.

Lot 169

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1 Christopher Dresser (1834-1904), an electroplated claret jug, model number 16587, made by Elkington & Co Designed c.1865, Late 19th Century, stamped maker’s shield mark, with ‘Elkington’ struck through, numbered 16587 Of bulbous form with broad neck, the lid hinged in two places, the handle embossed with stylised decoration 23.5cm high

2 Christopher Dresser (1838-1904) for Coalbrookdale, a gilt cast-iron umbrella/stick stand Stamped ‘Coalbrookdale, No 267008, No 245’ and with diamond design registration mark for 1872, Having a central shaped and decorated stem, the base with removeable drip pan, on compressed feet 79cm high, 54.5cm wide, 23 deep

Note: Christie’s London, British and Continental Decorative Arts, 12th May 1999, lot 212 (similar claret jug with matching finial illustrated with a drawing from Dresser’s Notebook and numbered 16587) £500 - 800

Note: This design was registered and patented by Coalbrookdale Iron Foundry at the Public Records Office on 10th October 1872, and is umbrella stand no 245 in their 1875 Castings Catalogue. An example is illustrated in ‘Truth Beauty Power, the Designs of Dr Christopher Dresser, The John Scott Collection, The Fine Art Society, Vol.5, no 31, 2014’. £800 - 1,000

3 Haviland & Co for Gilman Collamore, a set of four porcelain oyster plates c.1880, all with printed pale blue mark ‘Haviland & Co pour Gilman Collamore, Union Square, New York’, and two printed ‘H&Co’ Each transfer printed with shells and aquatic motifs 22.5cm across (4) £100 - 150 3 4

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4 4 An Edwardian silver and oak photograph frame Partial maker’s mark W & SNS, London hallmarks 1904 The silver decorated with a boy playing a pipe, sitting beneath a tree and watching his sheep, mounted on an oak back with easel support 21cm high, 15cm wide £200 - 300

5 5 An Art Nouveau ‘Japanesque’ silver and mahogany hinged double photograph frame Mark of E. Mander & Son, Birmingham hallmarks for 1907 The frame of asymmetric form, the silver embossed with waterlilies and leaves, having a textured ground, one aperture rectangular the other circular, personalised bottom right 22cm high, total width 27cm £400 - 600

6 Omar Ramsden (1873-1939), a silver and birds-eye maple cigarette box Mark of Omar Ramsden, London hallmarks for 1935 The maple box with silver framed edges and hinges, the lid with silver clasp opens to the interior with a central divider, silver framed base and feet 5.5cm high, 12cm wide, 11.3cm deep £400 - 600

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* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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7 Omar Ramsden (1873-1939) and Alwyn Carr (18721940), a silver and ‘snake wood’ document box c.1910, engraved ‘Omar Ramsden et Alwyn Carr me Fecervnt’, no hallmarks The rectangular box with wrap around strap hinges and hasp locks, the top centred with a brass and enamel Arms for the Featherstonehaugh/Featherstone family 4.7cm high, 31.7cm long, 10cm deep £400 - 600

8 Latino Movio (1858-1949), an Arts and Crafts silver stemmed bowl Mark of Holland, Aldwinckle & Slater, facsimile signature ‘L Movio’, London Hallmarks 1907 The bowl with hammered and gilt interior, the outer rim heavily embossed with poppies, leaves and buds, having a knopped stem, the shaped base embossed with poppy seed pods and leaves 12cm high, 15.3cm diameter (12.4oz) £2,000 - 3,000

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9 9 An Arts and Crafts silver bowl with separate copper armature Mark of Johnson, Walker & Tolhurst Ltd, London hallmarks 1905, Rd.469429, copper also marked with maker’s marks and registration number The hammered silver bowl with rolled rim sits in a riveted copper armature, the flattened supports having shaped feet 27 diameter and 15.5cm high (silver 20.6 oz)

10 William Hutton & Sons, a pair of Arts and Crafts silver and enamel photograph frames Mark of William Hutton & Sons Ltd, London hallmarks 1904, Rd. 404510 Each with shaped corners high-lighted with blue green enamels, mounted on oak with easel support and bevelled glass 20.6cm high, 17cm wide (2) £1,800 - 2,200

£2,500 - 3,500

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* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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11 11 Duchess of Sutherland Cripples’ Guild, a large silver-plated copper open work stemmed bowl c.1910, stamped D.S.C.G with coronet Pierced, chased and embossed bowl with everted rim, raised on a plain flared base 13cm high, 43.8cm diameter £300 - 500

12 12 Duchess of Sutherland Cripples’ Guild, a large silver-plated copper dish c.1910, stamped D.S.C.G with coronet Embossed with vine, grapes and florets, plain everted rim, the centre engraved with the pelican feeding her young 40.8cm diameter £150 - 200 13 Duchess of Sutherland Cripples’ Guild, a silverplated copper twin-handled dish c.1910, stamped D.S.C.G with coronet Embossed with lobed sides and centred with a floral motif, with scroll and figure-head handles 40.5cm across

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£120 - 180 14 Duchess of Sutherland Cripples’ Guild, a silverplated copper jug with hinged cover c.1910, stamped D.S.C.G with coronet The hinged cover with acorn decorated thumb piece and wicker covered handle; together with a plate embossed with a Tudor rose and a small bowl embellished with a decorative band Jug 17.5cm high; plate 25.4cm diameter; bowl 13.5cm diameter (3) £100 - 150

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15 Duchess of Sutherland Cripples’ Guild, a large silver-plated copper dish c.1910, stamped D.S.C.G with coronet Embossed with radiating ribs and a central motif of vine, grapes and leaves 29.8cm diameter £80 - 120

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16 Connell & Co, a pair of Arts and Crafts silver and enamel photograph frames LGC mark for Connell & Co, London hallmarks for 1903, RD. 404506 The silver embellished in the top corners with stylised decoration high-lighted with blue green enamels, mounted on oak with easel supports, with bevelled glass 19.7cm square (2)

17 Hutton & Sons, a pair of Art Nouveau silver, oak and enamel photograph frames Mark of Hutton & Sons Ltd, London hallmarks 1903, Rd.404507 Each silver corner embellished with stylised leaf motifs heightened with blue and green enamels 18.7cm. high, 17.7cm wide (2) £2,200 - 2,800

£2,500 - 3,500

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18 Benson, a pair of silver plated brass chamber sticks Early 20th Century, stamped ‘Benson’ in a rectangle Each having a centred sconce and curled handle above a shaped lobed dish, the handle terminates with a leaf motif, personalised engraved ‘C’ on one 16cm wide £250 - 350

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19 Keswick School of Industrial Art, a large brass Charger c.1900, stamped K.S.A.I. Embossed in the centre with a peacock and foliage, enclosed by a peacock feather border, with raised plain rim 50.4cm diameter £100 - 150

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20 Moorcroft Macintyre, a pair of Florian ware ‘Poppy’ pattern ceramic and silvered metal salad servers Early 20th century, unsigned The handles tube-lined, coloured and glazed (2) 28.5cm long £100 - 200

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23 21 William De Morgan (1839-1917), a hand painted six-inch ‘Galleon’ tile 1898, partially obscured impressed Late Fulham Period circular mark Painted in shades of green with a galleon with a ribbon flag at the bow and scrolling waves at the prow, glazed 15.3cm square

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24 22 William De Morgan (1839-1917), a hand painted six-inch ‘Galleon’ tile Early Fulham period 1888-1897, impressed Sands End floral roundel Painted in shades of green with a galleon with patterned sails and two dolphins at the bottom 15.5cm square £500 - 800

£500 - 800 23 William De Morgan (1839-1917), a hand painted six-inch ‘Galleon’ tile Early Fulham period 1888-1897, impressed Sands End floral roundel Painted in shades of green with a galleon with a single patterned sail 15.5cm square

24 William De Morgan (1839-1917), a hand painted six-inch ‘Galleon’ tile Early Fulham period 1888-1897, impressed Sands End floral roundel Painted in shades of green with a galleon with a patterned sail and oars 15.5cm square

£500 - 800

£500 - 800

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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25 Richard Joyce (1873-1931), a Royal Lancastrian lustre vase Painted date cypher for Richard Joyce 1914, Impressed Royal Lancastrian, England The baluster form decorated with floral vignettes 23cm high £500 - 800

26 A Copper Arts & Crafts frame with a Henry John Dobson print c. 1910 The copper frame embellished with thistles in each corner and inscribed with the Selkirk Grace “Some hae meat and canna eat, And some wad eat that want it, But we hae meat and we can eat, Sae let the Lord be Thankit”, the print is of Dobson’s painting ‘Burn’s Grace’, signed H.J Dobson ARCA 53cm high x 62.7cm £300 - 400

27 27 American, a hook rug Mid-20th Century Woven with flowers and triangular motifs 156cm x 90cm £150 - 250

28 28 Liberty & Co, a ‘Wylye’ mahogany occasional table c.1904 Circular top, raised on three splayed feet united by a triangular under-tier 46cm high, 36.5cm diameter Literature: Victor Arwas, The Liberty Style, Academy Editions London, 1979, No 2, (a table of similar form is illustrated and catalogued as “ The ‘Wylye’ oak tea table’, c.1904. Probably designed by Leonard F. Wyburd, this threelegged table was a variant of the three-legged ‘Thebes’ stool.” £100 - 200

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29 29 Charles Francis Annesley Voysey (1857-1941), a ‘Donnemara’ Hand-Knotted Donegal Wool Carpet c. 1905 The field woven with a repeating pattern of stylised tulips, flowers and foliage within a foliate border, in shades of green, blue, purple, grey, beige and touches of orange (historical repairs) 396.5cm x 311.5cm Literature: Malcolm Haslam, Arts & Crafts Carpets, Rizzoli New York, 1991, pp. 91, 92-3, 122, 123 for illustrations of this pattern in different colour ways £3,000 - 4,000

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* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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30 Robert Thompson (1876-1955), a ‘Mouseman’ English oak cheese board and an ashtray c.1970, both carved with a mouse The octagonal board with raised and adzed surface; the ashtray carved with a circular dish, two grooves and a mouse Board 30.5cm long; ashtray 10cm long (2) £100 - 150 31 Robert Thompson (1876-1955), a ‘Mouseman’ English oak occasional table with octagonal top c.1970, signed with a carved mouse on one support The adzed octagonal top supported on a cruciform stem and base 47.5cm high

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£300 - 500

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32 Robert Thompson (1876-1955), a ‘Mouseman’ English oak coffee table with rectangular top c.1970, signed with a carved mouse on one support The adzed rectangular top raised on two faceted baluster columns on bar feet united by a stretcher 44cm high, top 91cm x 37.5cm £400 - 600

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33 Robert Thompson (1876-1955), a ‘Mouseman’ English oak spinning chair c.1970, signed with a carved mouse on edge of the back The shield shaped seat showing exposed wedged round mortise and tenon joints, with shaped and pierced back, on three angled octagonal supports 84.5cm high

34 Robert Thompson (1876-1955), a ‘Mouseman’ English oak three-legged stool c.1970, signed with a carved mouse on the side of the seat With kidney shaped seat showing exposed wedged round mortise and tenon joints, on three angled octagonal supports 45.5cm high

£200 - 300

£150 - 250

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* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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35 35 A small Arts & Crafts stained pine Book case with Forty works by William Shakespeare c.1897 The oak frame and shelves set with three brass figurative panels in the style of Burne-Jones, inscribed respectively ‘Born to speak all mirth’ (Much ado about Nothing), ‘Let times news be known’, ‘Miserys Lovs O’come to me’ (The life and death of King John), the forty bound works by Shakespeare published J.M. Dent 1897, the volumes have the ‘Ex Libris of J.H. Charlton’ on the inside of the front cover Bookcase 40.5cm high, 69cm wide, 16.5cm deep £300 - 500

36 German, two Jugendstil silver, enamel and chrysoprase brooches probably made in Pforzheim c.1900, one stamped DGRM 800, the other stamped 900 One picked out in pale green and mauve enamels, the other with blue enamel, both set with chrysoprase cabochons 3.5cm wide and 4.5cm wide (2) £300 - 500 37 Kate Harris for William Hutton & Sons, a silver belt Mark of William Hutton and Sons Ltd, Birmingham hallmarks 1904 Each link embossed with the head of a woman wearing a bonnet 69cm long £400 - 600

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38 Liberty & Co, a set of six ‘Cymric’ silver and enamel buttons Mark of Liberty & Co, Birmingham 1903, ‘Cymric’ Stylised leaf pattern, high-lighted with blue/green enamels; together with a pair of Liberty & Co silver ‘pomegranate’ buttons, marked, 1902; an assortment of twenty one silver Art Nouveau buttons struck with various patterns, marked; and eight mixed buttons, unmarked, of which two are set with pastes (37) £400 - 600 38

39 An Edwardian silver and oak photograph frame Mark of M. & C. Lister Ltd, Birmingham hallmarks 1906 Having an oval aperture, the silver embossed with a lady sitting in thought beside a pond, a city behind her and a gentleman in the distance top left, oak back and easel support 21.5cm high, 17.3cm wide

40 A pair of Art Nouveau silver photograph frames Mark of J. Aitkin & Son, Birmingham hallmarks 1903, Rd. 413303 The silver of shaped outline embossed with forgetme-knots and inscribed ‘Friendship is a sheltering tree’ Coleridge, mounted on mahogany with easel supports 18.4cm high, 13.3cm wide (2)

£250 - 350

£400 - 600

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* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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41 An Edwardian Silver dressing table set in fitted oak box Silver with mark of Henry Matthews, Birmingham hallmarks 1901, 1902, 1904, box marked Walker & Hall Sheffield Comprising: a hand mirror, two hair brushes, two clothes brushes and a comb, each piece embossed in the centre with the head of a maiden with flowers in her hair, further embellished with scrolls and foliage Hand mirror 27.5cm long; box 10.5cm high, 40.5cm wide, 22cm deep (7 including box) £200 - 300

41 (open) 42 Erhardt & Sohne, a German Jugendstil brass inlaid rosewood and mahogany games/card box c.1910 Twin-handled, the hinged top inlaid with four knights riding one horse, each shield decorated with a card suite motif, enclosing a plain interior, the supports with brass inlay, (lock missing) 11cm high, 36cm wide, 22.5cm deep £200 - 300 42

43 Art Nouveau, a pair of large pewter candelabra c.1900, possibly German, unsigned Each with four screw attached and removeable sconces, with open work stem and base, embellished with dandelion leaves 45.5cm high (2) £500 - 700

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44 An Art Nouveau brass inlaid burr-walnut jewellery box, probably French c.1900, paper label for ‘Aux Galeries Lafayette, Paris’ The rectangular hinged top inlaid with pendant flowers and leaves, the interior silk lined and having a velvet covered removeable tray, with key 9cm high, 23.8cm wide 16.2cm deep £120 - 180

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45 McVitie & Price, an Art Nouveau copper and brass jewelley box with hinged cover c.1910, stamped ‘McVitie & Price, London and Edinburgh’ The top and sides inset with Ruskin ceramic roundels, the metal embellished with sinuous tendrils, riveted brass legs, original key, and green velvet lined interior 8.5cm high, 18cm long, 13cm deep £150 - 250

46 Vallérysthal, a glass vase with enamelled decoration c.1900, signed Vallérysthal in polished flower motif The pale greeny/blue and red body internally decorated with metallic foil specks, acid-etched in relief with trailing leafy branches, the main flower with red and gold enamelled petals centred with a small butterfly, with gilt highlights, the top with blue-dispersed patches on the dark red neck, the greeny/blue base acid textured with star shaped flowers 9.5cm high, approximately 15cm across £600 - 800

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47 Gallé, a double-overlay cameo glass ‘Daffodil’ vase c.1904-1906, signed in cameo Gallé with star preceding The tapering form of kidney section, the white frosted body overlaid and acid-etched with daffodils and leaves, the flowers and buds are polished 27.5cm high £700 - 900

49 48 Art Nouveau, a green glass vase with sinuous plated metal mounts c.1900, unsigned, probably Bohemian/Austrian The textured green glass vase mounted in sinuous metal frame with stylised leaves and flowers 45cm high £300 - 400 49 Theresienthal, two enamelled wine glasses c.1900 Each clear glass bowl painted in enamels with vine, grapes and leaves, one having twist stem with painted linear decoration: together with a vase with flared rim, enamelled decoration and gilt swags 21cm high (3) £200 - 300 50 Possibly Loetz, an iridescent glass vase with handles c.1920 Tapered form with quatrefoil rim, pale body and undulating iridescent handles and rolled rim 18cm high Literature: Lötz Böhmisches Glas 1880-1940, Band 2, Katalog de Musterschnitte, p.245, no. 1849 (a design of a similar form vase but with a circular neck rim and three loops to each handle) £100 - 150

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51 WMF, a ‘Myra’ iridescent glass vase and a small pin tray c.1930 The bulbous vase with ribbed sides and everted neck decorated with a gold/green iridized surface; the bowl with ribbed side having a green blue iridized interior and a gold/purple exterior Vase 15.5cm high; bowl 10.5cm diameter (2)

55 Attributed to Salviati (Italian), a tall glass vase Early 20th century, unsigned A tall amber coloured glass vase with twin handles modelled as stylised birds in flight, together with a tall trumpet shaped blue glass vase, probably Italian Salviati 27.8cm high £100 - 200

£150 - 250 52 Attributed to Wilhelm Krallik, a twin handled iridescent vase c.1905 Red glass body with purple and green iridescent skin subtly decorated with stylised stemmed flowers and leaves, with twin claw handles; together with a Wilhelm Krallik pierced and waisted vase in opaline and pink 28cm high and 18cm high respectively (2) £200 - 300

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53 A Bohemian iridescent glass vase with gilt metal mounts c.1900 Shouldered vase with pale blue and gold decoration, the metal embossed with leaves and berries; together with an iridescent bowl attributed to Fritz Hecker, with wavy rim, decorated with iridescence and undulating lines 24.5cm high and 16cm diameter (2) £120 - 180 54 A pair of Austrian Iridescent glass vases, possibly Loetz c.1905 The pale almost opalescent bodies decorated with green iridescent splashes; together with a pair of dark tapered glass vases with quatrefoil necks and iridescent splashes 10cm high, 23cm high (4)

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£100 - 150

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56 Hans Christiansen (1866-1948), a Pair of Mettlach Art Nouveau stoneware vases, “Die Nacht” (The Night) and “Der Tag” (The Day) c.1898, Impressed Mettlach VB (Villeroy & Boch) numbered 2424 and 2425 respectively Each incised and coloured, one depicting an Art Nouveau maiden with dark brown hair and poppies and representing ‘Night’, the other a maiden with light brown hair and irises and representing ‘Day’ (small restoration to ‘Day’ vase) 25cm high (2) Literature: Margret Zimmermann-Degen, Hans Christiansen, Ko� nigstein im Taunus : Langewiesche, 1985, p.198 (both referenced and with the date of 1898 and 2425 ‘Day’ illustrated) £3,000 - 5,000

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57 57 Minton Secessionist, a matched set of four plates Early 20th Century, each impressed Mintons and painted 3514A, three with date codes 1904, 1904 and 1911 Moulded raised outline of stylised flowers and thorny stems, coloured and glazed Largest 23.5cm diameter, smallest 22.8cm diameter (4) £100 - 150

58 58 Minton Secessionist, a matched jardinière and stand Early 20th Century, Jardinière with raised Mintons England mark, and printed Mintons Ltd, indistinct marks to base With cast outline and printed Art Nouveau flowers and foliage, coloured and glazed (restoration to top of base) Total height 87cm (2) £250 - 350 59 Raoul François Larche (1860-1912), an art Nouveau terracotta sculpture La Baigneuse (A Bather), c.1900, signed Raoul Larche, with raised foundry seal for Susse Fres Editeurs, Paris Modelled as a naked woman reclining on a leaf strewn mound 44.5cm high, 79cm long £500 - 700

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* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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60 60 Louis Majorelle (1859-1926), an Art Nouveau small carved walnut buffet c.1900, apparently unsigned Panelled back with shelf, the top supported on openwork supports carved with chicory and with frieze drawer, two-tiers below, plinth base, sinuous plant form bronze handles 139cm high, 120cm wide, 42cm deep Purchased: Christie’s London, 21st November 2012, sale 4326 lot 556

61 Savu Savargin (18901954), a patinated bronze vide poche c.1920, signed Savarign Cast from a model as a sleeping nude 30cm long

£3,000 - 4,000

£200 - 300

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62 René Lalique (1860-1945), a clear and frosted car mascot 'Victoire' No. 1147, weak moulded R Lalique, designed 1928 Moulded as the 'spirit of the wind' with streamlined hair (bruise to base) 26.2cm long £6,000-8,000 62 (detail)

63 René Lalique (1860-1945), a set of eight clear and frosted glass cocktail sticks ‘Barr’, No.3893, designed 1932, each acidstencilled R Lalique on the end of the stick Each moulded with a double sided smiling face, the sticks embellished with cross hatching, in fitted Lalique box, the silk printed Lalique Place Vendôme 24 Paris Varying in length from 12.2cm to 12.8cm (8) £400 - 600 63

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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64 René Lalique (1860-1945), a clear and frosted glass bowl with green staining ‘Gui No 1’, No.3223, designed 1921, engraved R. Lalique France Intaglio moulded with branches of mistletoe with berries in relief, heightened with green staining 23.7cm diameter £200 - 300 65 René Lalique, (1860-1945), a large clear and polished glass fish ‘Gros Poisson, Algues’, No.1101, designed 1922, engraved R. Lalique France Naturalistically modelled and moulded (some polishing) 30.5cm high, 42.5cm long

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£1,000 - 1,500 66 Lalique, a group of modern clear and frosted glass Post-war, each signed Lalique (R) France Comprising: a circular powder box the cover moulded with daisies, 11.5cm diameter; together with an oval dish with petal like border, 27.5cm long; a pair of tea-light candle holders, 7cm high; a shell form bowl, 21.5cm wide; a glass model of a frog and one of a bird (7)

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£300 - 500

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67 67 René Lalique (1860-1947), a clear and frosted glass picture frame mounted with a timepiece ‘Hirondelles’, No. 257, designed 1926, signed R. Lalique France The rectangular form with rounded corners intaglio moulded with swallows, the centre mounted with a rectangular nickel plated dial with Swiss movement and easel support 13cm high x 10cm wide

68 68 René Lalique (1860-1947), a clear and frosted and enamelled Brule-parfum for Marcas et Bardel - 7 ‘Egyptiennes No.1’ designed 1926, moulded R.Lalique France Moulded with stylised dancing figures heightened with black enamel, with chromium plated collar and cover enclosing the wick 13.5cm high (cracked)

69 Gabriel Argy-Rousseau (18851953), a pâte-de-verre ‘Medallion’ ashtray 1923, signed G. Argy-Rousseau Elliptical form, the centre moulded with a head in profile, raised on a short foot 15.4cm wide £600 - 800

£100 - 150

£700 - 900

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70 Louis Sosson (Act.19051930), a patinated and gilt bronze and ivory figure of a lady Skier c.1920, engraved on base ‘L. Sosson’ Cast and carved from a model as a young woman dressed for a day on the slopes with her skis strapped to her back, raised on an onyx plinth 37.5cm high £1,200 - 1,800

71 Bergman, an Austrian patinated and cold-painted bronze car mascot ‘Angel of Victory’, c.1920, signed NamGreb, with Urn mark Modelled and cast as the winged classical female figure holding a laurel crown in one hand, integral base, traces of colour 18.5cm high

71

£300 - 500

70 72 G. Daverny, an Art Deco cold-painted bronze group ‘Diana with Birds’, stamped ‘Bronze veritable’, engraved on reverse of base ‘G. Daverny, Editions Reveyaolis Paris’ Cast from a model and depicting a kneeling Diana with spear and two birds with long tails, on stepped marble base 46.5cm high x 103.5cm long £600 - 900

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75

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73 Cartier, an Art Deco cold-painted bronze of a dancer c.1930, engraved on marble ‘Cartier’ Cast from a model and depicting a young woman wearing a short tunic, adopting a stylish pose, raised on stepped marble plinth (split to standing foot) 52.7cm high £400 - 600 74 Josef Lorenzl (1892-1950), a cold-painted bronze figure of a lady in riding dress c.1930, signed on bronze base ‘Renz’ Cast from a model as a young woman wearing jodhpurs, riding boots and holding a riding crop, green onyx base 20cm high £200 - 300 75 D.H Chiparus (1886-1947), a gilt and patinated bronze figure ‘Little Clown’, c.1920, Signed ‘H. Chiparus’ on bronze on the back of her top Cast from a model and depicting a smiling child wearing a clown costume, on circular marble base 22cm high

76

Literature: Bryan Catley, ‘Art Deco and other Figures’, Antique Collectors Club, Suffolk, 1978, p.66 (similar figure illustrated)

76 Hester Mabel White (act. 1898-1948), a patinated and cold painted bronze and ivory figure ‘The Locket’, c.1920, engraved on marble base ‘H.M. White’ Modelled as a woman wearing eastern dress and holding a locket in one hand carved with the head of a man, on marble base (composition restoration to one finger) 38. 5cm high

£1,000 - 1,200

£600 - 800

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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77

78

77 Pierre Lenoir (18791951/1953) and Andre Fau (1896-1982), a ceramic figure ‘La petite frileuse’, c.1920, impressed Pierre Lenoir, Andre Fau, Boulogne, Made in France Modelled as a naked young girl with her arms crossed, crackle glazes, rectangular base 55.5cm high £200 - 300 78 Gustavsberg, an ‘Argenta’ ceramic vase c.1930, signed in ‘silver’ Gustavsberg, Anchor, Argenta, Å, 101, A15, Made in Sweden Tapered form with shaped rim, the mottled green glazed body decorated with ‘silver-coloured’ decoration depicting a naked woman and foliage, with foliage on the reverse, inscribed on the back on the foot ‘25 ÅR I Konsum Flen’ 25.5cm high

79 Gustavsberg, a group of ‘Argenta’ ceramics Second quarter 20th Century, signed Gustavsberg, Argenta, with various numbers Comprising: a pair of small ribbed vases, a cylindrical vase with floral stems and a square dish with floral motif, mottled green glaze with ‘silvercoloured’ decoration Tallest 10cm high (4) £100 - 150

79 81 Keith Murray (1892-1981), a Wedgwood Art Deco ceramic vase c.1930, printed KM monogram and Wedgwood factory marks Tapered shouldered vase with horizontal ribbing, covered in a turquoise glaze; together with another by Murray of ribbed ovoid form, covered in an offwhite glaze 20cm and 18.5cm high respectively (2) £150 - 250

80 Fulham Pottery, a twin handled planter 2nd quarter 20th century, impressed marks to base A large stoneware twin handled planter with an unglazed exterior and cream glazed interior 57cm wide and 25.5cm high £300 - 500

£200 - 300

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82 Carlton Ware, a collection of Yellow Buttercup design ceramic tea ware Mostly dating from the 1930s and later, printed factory marks, Made in England, ‘Australian Design’ Registration Applied for Comprising: a boxed child’s plate and spoon, with a handwritten note from Daisy to Dolly dated 1938, a cased plate and knife, a cased set of butter dishes and knives, with in addition a tea pot and cover, an associated sugar bowl and cover, sugar bowl, milk jug, two cups and saucers, a small sauce boat, a large jug, a mug, a quaiche type dish, a three division dish, a two handled bowl, a strainer, a pedestal bowl, an oval boat shaped bowl,two circular dishes of varying size, a butter dish and cover, two toast racks, a sugar shaker, four egg cups, two napkin rings, two peppers, two salts, a mustard pot and cover, a spoon, a crescent shaped dish, an oval dish for egg cups; together with yellow petal moulded saucer, and two pieces of green glazed Carlton ware Sugar shaker 13cm high (41) £150 - 200

83 83 Walter Slater, a Shelley lustre ware dish c.1920, Printed factory marks, Walter Slater facsimile signature The interior decorated with flowers , leaves and tendrils outlined in gilt, on a lustre ground 31cm diameter £150 - 250

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84 (detail)

84 (mark)

84 Charles Noke and Harry Nixon for Royal Doulton, a large ‘Chang’ bowl c.1925, signed ‘Chang Royal Doulton’, Noke, HN monogram The bowl of irregular oval form, the walls decorated with waterlily leaves and a bud and covered with a thick crackled glaze, rich in colours with flambé red, the interior of the bowl predominantly green 39cm wide

85 Puiforcat, a French silver plated and ebonisedrosewood ‘Etchea 1937’ pattern tea/coffee set Each with Stamped maker’s mark, Puiforcat France, originally designed in 1937 this version made c.1994 Made in the Art Deco style and comprising: a coffee pot, a tea pot, a sugar bowl and a tray with two rosewood handles; the hollow wares with ebonised-rosewood handles and ebonisedrosewood finials on the covers, the latter having a bayonet fixing Tray 71cm x 40cm; Coffee pot 14cm high; teapot 11cm high; sugar 8.5cm high (4)

£2,000 - 3,000

£600 - 800

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86 German, a harlequin set of six silver and ceramic menu holders c.1920, all stamped ‘800’ with some indistinct maker’s marks, two with German Crescent moon and crown Modelled as stylised birds, glazed, and mounted on silver bases (two ceramic birds restored) 4.5cm high approximately (6) £100 - 150 87 Sarome ‘Cruiser’ lighter, an enamelled metal lighter in the form of a ship c.1960, Stamped Sarome “Cruiser” Automatic Super Lighter, S.G.W. MFG. Co. Ltd Decorated in black and red; together with another Sarome ‘Cruiser’ lighter in red and cream, stamped marks and Pat. No. 132583; and a ‘Ribbon Linear’ ship lighter in black and red, stamped marks and Patent numbers Longest 8cm (3)

86

£150 - 200 88 J.Tostrup (Norwegian), a silver and enamelled bowl Mid 20th century, marked Sterling, J.Tostrup, Norway, 161 to base along with monograms A white enamelled silver bowl of squared form 15cm wide x 5cm high

87

£100 - 200 89 Christofle, a set of twelve ‘Gallia’ metal knife rests c.1920, metal stamped maker’s marks, case printed maker’s mark Each cast as a stylised animal or bird, comprising: a peacock, swan, dove, bear, lion, pelican, hare, fox, pig, dog, cat and a fish, with ‘distressed’ box Fish 11cm long (12)

88

£500 - 700

89 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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90 Two First World War enamelled ‘Sweetheart’ brooches Stamped W.W. LD, Sterling, ‘The Allies Aeroplane’, Regd 644982 Each one modelled as mono plane enamelled with the flags of the allied countries, Great Britain, France, Belgium, Japan and Russia, (one with replacement propeller) 4cm long (2) £300 - 500 91 Atributed to Henri-Georges DUPETIT (19031989), designs for wrought iron doors, c.1930 Pencil on tracing paper, with four other designs by the same hand 24.5cm x 19cm: attributed to Arthur Litt, British 1905-1961- “Dessins industriels”, c.1930; gouache/paper, stamped verso in red ink, 23.5cm x 17.8cm; together with two further designs by the same artist, 19.7cm x12cm (max) (unframed) (8) (ARR)

90

£200 - 300

91

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92

92 Designs for Bianchini-Férier: Georges BERTHIER, c.1940, Silk square project for Bianchini-Férier: hunting with hunt Gouache on pencil lines; on the back signed and titled Chasse à courre, annotation on the back of colours, 80 x 80cm; together with anonymous, c.1950, Two tie projects for BianchiniFérier: “Brooklyn n ° 1605” and “Century 1608”, Gouache and annotation colours; and Robert Gattiker, c.1926, Fabric projects for Bianchini-Ferier, Four gouache drawings, stamp on the back (7 in total) (unframed) Note: Bianchini-Férier is the longest continuously running silk mill in Europe. Founded in 1888, the firm specialised in jacquard-woven dress and furnishing silks, and became renowned for its fine silk velvets and silk-and-metal brocades for haute couture in the early 1900s. £200 - 400

93 Attributed to Gerda Wegener (1885-1940), a watercolour ‘The Judgement of Paris’, c.1930, signed ‘W’ lower left corner Paper laid on board, depicting stylised figures in a garden, the male figure holds a golden apple in his hand, framed by the Rowley gallery Image 51.5cm x 34.2cm

93

£800 - 1,200

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94 (verso) 94 Bloomsbury School, a two fold fire screen c. 1930, unsigned A hand painted fire screen depicting classical urns with garlands of fabric to one side and oval panels with stylised flowers in planters with similar garlands of fabric above, painted in muted tones of pink and brown on a grey background Each panel 103cm high x 53cm wide

94

£200 - 400

95 Venesta Ltd, a birch veneered bent plywood stool for Isokon c.1930, paper label to underside ‘Venesta, Made in Estonia’ The rounded square seat on tapering and pierced base 46cm high, 33cm wide £500 - 800

95

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95 (mark)

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96 (mark)

96 Jean Perzel (1892-1986), a model ‘52 BIS’ uplighter floor lamp c.1938, stamped to base ‘J. Perzel’ With cream lacquered finish, the conical shade resting on glass bowl, above tapering stem to circular stepped base 170cm high £700 - 1,000

97 Jules Leleu (1883-1961), a set of four oak and upholstered elbow chairs Designed 1938 Upholstered back with stuff over seat, having curved arms with scroll terminals, tapered front supports with brass sabots 84.5cm high, 62cm wide (4) Literature: Under the direction of Francoise Siriex, Leleu Classic French style for a modern world 1920-1973, Hudson Hill Press, Vermont, 2008, p.459 design drawing illustrated (similar chair, no.2799, dated 1938.)

Note. The Chair was also used in 1954 for the carriage suite on the train of the then French President of the Republic, Mr René Coty, the chairs were used in the salon.

See detail on page 87 £2,000 - 3,000 96

97

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98 98 A Moroccan handwoven long pile wool rug Second quarter 20th century grey with red and green 219cm x 136cm £300 - 500

99 99 An Art Deco rug, possibly Irish c.1930 With ovoid medallion and stylised floral motifs in orange, red and green, with brown border 132cm x 69cm £150 - 250

100 French Art Deco, a wrought iron console table c.1920 The Portoro marble top, above pierced geometric support, flanked by scrolling supports, raised on marble plinth 91cm high, 122cm wide, 36cm deep £600 - 800

100

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101 French Art Deco, an hexagonal marble pedestal table c.1920 The top with inlaid sunburst pattern, raised on square tapering column to stepped plinth base 62cm high, 60cm wide, 37cm deep £300 - 400

101

102 102 French Art Deco, a pair of leather upholstered and beech armchairs c.1930’s Upholstered in black leather, with square back and curved armrests, raised on curved feet 86cm high, 66cm wide (2) £600 - 900

103 Moroccan, a handwoven long pile wool rug Second quarter 20th century Woven with irregular stylised motifs and lozenge motifs in black, grey and cream on a red field 208cm x 96cm £250 - 350 103 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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104

104 Attributed to Lucien Rollin (1906-1993), a French Art Deco Dining Table c.1930, underside of table and extension leaves impressed LR The shaped rectangular top raised on six curved supports united on a curved base, having two extension leaves that can be added at either end 74cm high, 183cm long, 101cm wide, each extension 45.5cm long £1,500 - 2,000 105 William Arthur Chase (British), a Rowley Gallery mirror c. 1930, labelled to reverse and stamped ROWLEY to panel A large mirror in typical combed gold painted frame with marquetry panel of the ‘Village Smithy’ 81cm x 45cm £100 - 200

105

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107

106 Attributed to D Surth, a printed Fabric design Dated in pen on reverse 1936 and inscribed ‘D. Surth’ Printed in colours, oak frame, glazed 26.7cm x 34cm (framed) £100 - 150 107 An Art Deco mottled glass ceiling shade c.1930, Manner of Daum, bears signature The bowl supported by chains and having a ceiling rose 38cm wide £100 - 150 108 French Art Deco, a Macassar Bibliothèque c.1930 The central pair of doors enclosing shelves, flanked by slender glazed doors enclosing shelves with cupboard below, chromium plated pulls and hinges 214cm high, 166cm wide, 44cm deep £180 - 220

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108

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109

110

109 Cyril Shiner (1908-1989), an electro-plated nickel silver stacking tea set made by Slade & Dolphin Ltd Designed 1946, stamped EASI-NEST, A.1. E.P.N.S, PRO. PAT., No. 3948, Regd Design, 853938, Made in England Comprising: a tea pot and a hot water pot, both with hinged lids and pierced handles (to release heat), a twin-handled sugar bowl and a milk jug Total height stacked 32.5cm high; hot water pot 12.5cm high; teapot 21.5cm wide (4)

110 An Etched glass panel in three parts ‘In Memoriam’, mid-late 20th century, apparently unsigned Asymmetric form, three glass panels mounted together and each one engraved on both sides, the central panel depicting a seated ‘anguished’ man, with barbed poppies, doves and ghostly figures, the smaller panel at the top engraved with a tank, tank canons firing and a splintered barren tree, the smaller panel at the bottom engraved with a lighted candle and a row of books, the panel slides into a stepped green stained wood plinth 74.5cm high x 53cm wide approximately

Note: There is a similar set in the V & A Museum and their collection notes mention that this was designed for Hotel use and could be stored taking up less room than a typical four piece set. They also point out that the tea and water pot lids hinge back completely so that the pots can be drained properly. £400 - 600

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Notes: Possibly a memorial/commemoration for WWI. Tanks were first used in World War I at the Battle of Flers-Courcelette in September 1916 (part of The Battle of The Somme). £500 - 800

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111

111 John Makepeace (b.1939), a Kingwood ‘Spink’ occasional table 1980, stamped to underside ‘John Makepeace Workshops’ Kingwood laminated legs and top, of flower form with central trefoil aperture, shaped supports 37.5cm high, 80.5cm diameter Purchased: Christie’s London, 5th July 2011, sale 6716 Lot 4 See back cover for further illustration £2,000 - 3,000

111 (mark)

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111 (detail)

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“Gerald Benney was one of the most outstanding and influential British goldsmiths of the second half of the 20th century. During a career spanning more than 50 years, he was the first British craftsman to hold four Royal Warrants simultaneously. His work has had a major impact on the survival of domestic silver in Britain.”

Gerald Benney’s obituary in the Independent written by John Andrew, Wednesday 2 July 2008.

www.roseberys.co.uk

111 (marks) 44

112

112 Gerald Benney (1930-2008), a pair of large silver gilt and enamel covered jugs ‘AGB’ mark of Gerald Benney, London hallmarks 1973, bases stamped ‘Gerald Benney London’ and ‘AAE’ mark for master enameller Alan Alfred Evans Each of baluster form and decorated with Benney’s distinctive ‘bark finish’, having a plain spout, curved and cream enamelled handle and a hinged domed cover richly enamelled in a deep translucent red, the top of the hinge engraved ‘ML’, below the spout each jug is engraved with a man’s head and drops of blood enclosed within a buckled garter 25.5cm high (total weight 87oz) £15,000 - 25,000

111 (marks)

“In the mid-sixties, soon after moving into Beenham, Gerald started hammering a cup into shape with a hammer whose surface, unknown to him, had been damaged by banging onto hard nails and other hard household products. After half a dozen blows, he realised he had inadvertently imposed a pleasing pattern onto the silver. He filed the hard end of the hammer to make the pattern more emphatic, and produced a few complete beakers and goblets to test his new idea.”

Graham Hughes, ‘Gerald Benney Goldsmith - The Story of fifty years at the bench’, Starcity, Alfriston, 1998, p205

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113 (verso)

113 113 Richard Garbe (1876-1957) RA, a carved ivory sculpture ‘Cupid’, signed ‘Richard Garbe’ and dated 1950 Elongated form carved in the round with winged cupid with bow, a quiver of arrows and a bird at his feet, wood base (ARR) 59.5cm high This lot is sold with an Article 10 Licence.

Provenance: Victor Arwas Note. Richard Louis Garbe, RA, was born in London in 1876 and was a twin, his brother was Franz Paul Garbe. He was the son of Prussian born Gustave Garbe, an ivory carver by trade and with whom he first learnt the art of carving. He studied at the Central School of Arts & Crafts and later went back as a teacher.

In 1926 he became the Head of Sculpture at the Royal College of Art where he stayed until 1946. An ivory carving by him, ‘Primavera’, is in the collection of the Victoria and Albert Museum. £2,500 - 3,500

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114 114 Gio Ponti (1891-1979) ‘Le Tre Grazie’, 1976, signed ‘Gio Ponti 76’ verso Acrylic, gouache, Perspex A further related composition of three female figures on reverse, framed (ARR) Image 98.5cm x 71.5cm Provenance: Sotheby’s, London, 5 April 2006, Lot 310 Sold with a Certificate from Gio Ponti’s daughter, Giovanna Rossell Ponti, dated 1999 £4,000 - 6,000

114 (verso) * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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115 115 Henri Matisse, French 1869-1954Lumière rousse, Visages, 1946 (Duthuit 11); Lithograph in sanguine on Lana wove paper, number 46 from the edition of 200 (there were also 30 copies on Montval and 20 hors commerce copies), printed for Dr. Philippe Carlotti, sight 33x24.5cm (framed)(ARR)

116

116 Michael Simpson (b.1951) British, a large bronze group Boxing Hares, edition 2/21, inscribed to base MS 2/21, 93cm high (ARR) £600 - 800

117 L’Estampe Moderne, 77 lithographs, edited by Charles Masson and H. Piazza, printed and published by Imprimerie Champenois, Paris, May 1897April 1899, mixed and incomplete content with some duplicates, one by Louis Rhead and one by Hans Christiansen (77) £100 - 200

£200 - 300

117

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121

119

119 Georg Jensen, a silver floral brooch with turquoise cabochon Marks of Georg Jensen for 1910-1925, stamped 925 Sterling Denmark, 13 Oval form embellished with a flower, floret and leaves 5.1cm across £200 - 300 120 Arno Malinowski (1899-1976) for Georg Jensen, a silver heart-shaped brooch with bird Mark of Georg Jensen for 1933-1944, 925 Sterling Denmark, 239 Heart shaped frame, with plump bird and leaf decoration 4cm across £150 - 250

120 118 Nanna Ditzel (1923-2005) for Georg Jensen, a pair of silver earrings Mark of Georg Jensen since 1945, stamped Sterling Denmark, 126 Curved form with screw fixings 3cm across (2)

121 Arno Malinowski (1899-1976) for Georg Jensen, a silver pendant Mark of Georg Jensen since 1945, 925, Sterling Denmark 93 Square frame enclosing two plump birds and an ear of wheat, with chain 3.5cm square £150 - 250

£100 - 120

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122

123 123 Arno Malinowski (1899-1976) for Georg Jensen, a silver heart-shaped pendant with bird Mark of Georg Jensen since 1945, 925 Sterling Denmark, 97 Heart shaped frame, with bird and leaf decoration, with chain pendant 4cm across 124

£200 - 300 124 Arno Malinowski (1899-1976) for Georg Jensen, a silver ‘Moonlight Blossom’ brooch GJ monogram mark used 1933-1944, Sterling Denmark, 283 Circular frame enclosing two moths on a branch of blossom 5.2cm diameter £150 - 200

125 122 Hugo Liisberg (1896-1958) for Georg Jensen, a silver brooch Mark of Georg Jensen since 1945, Sterling Denmark, 300 Rectangular frame enclosing a duck in flight and reads 4.8cm across

125 Arno Malinowski (1899-1976) for Georg Jensen, a silver ‘Robin in Fern’ brooch GJ monogram mark used 1933-1944, Sterling Denmark, 309 A plump bird perched on and partly enclosed by a fern leaf 4.9cm across £150 - 250

£150 - 200

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126

126 Georg Jensen, a silver ‘leaf and seed’ bracelet set with chrysoprase and amber GJ monogram mark used 1933-1944, 830s, Denmark, 3 Leaf and floral sections set with cabochons of chrysoprase and amber 17.3cm long

128

129

128 Georg Jensen, a gold and aquamarine ring c.1925, GI mark 765, 18k, 188 Believed to be designed by Georg Jensen (18661935), leaf and scroll centred with an aquamarine Ring size P £200 - 300

£300 - 400

127 Georg Jensen, a gold and sapphire bar brooch c.1925, GI mark 765, 18k 169 Believed to be designed by Georg Jensen (18661935), leaf and scroll centred with a sapphire cabochon 6.2cm long

129 Georg Jensen, gold and aquamarine pendant c.1925, GI mark 765, 18k, 32 Believed to be designed by Georg Jensen (18661935), leaf and beaded openwork frame for central aquamarine, small gold drop, chain From loop to drop 3.8cm £700 - 900

£200 - 300

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130 Bernard Leach (1887-1979), a watercolour of Chinese boats Early to mid 20th century, faint pencil initials to lower right, pencil annotation to reverse ‘Mr Manners / Marazion’ Brush and black ink and wash on paper, fishing boats and junks in a Chinese harbour 31cm x 37.5cm (image) (ARR) Provenance: Private Collection, Bath; Tremayne Applied Arts, St Ives Literature: For similar examples of fisherman in punts see ‘Drawings, Verse and Belief - Bernard Leach’ Oneworld, 1988 revised third edition. In particular, images on pages 27, 87 and 95 130

£100 - 200

Note: Bernard Leach was born in Hong Kong and lived between there and Japan until settling permanently in England at the Leach Pottery, St Ives in 1920. It is worth drawing attention to the silhouetted figures in a punt centre right which bear a similarity to his famous Pilgrim plate ‘Wanderer’ figure. He was to return to the Far East throughout his life

131

132

131 Bernard Leach (1887-1979), a limited edition lithograph c. 1973/4, signed and numbered 27/200 A Curwen Press ‘Deer Plate’ lithograph depicting a slipware plate with a stag in the central well 77.5cm x 57cm (ARR)

132 Bernard Leach (1887-1979), a limited edition lithograph c.1973/4, signed and numbered 56/100 A Curwen Press ‘Tree Jar’ lithograph depicting a large Bernard Leach globular vase 77.5cm x 57cm (ARR)

Provenance: Tremayne Applied Arts, St Ives

Provenance: Tremayne Applied Arts, St Ives

£100 - 200

£100 - 200

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133 Dan Arbeid (1928-2010), a tall bottle vase c.1968, impressed DA seal to base A fine handbuilt stoneware bottle vase of slender form tapering to a gentle shoulder and narrow neck, glazed in white over the textured body 44.8cm high (ARR) Note: Dan Arbeid was seen as one of the most important handbuilders of the post war period whose work is held in the V&A permanent collection

134 134 Alan Wallwork (b. 1931), a fine perforated stoneware vase 2nd half 20th century, initialled to base A curved form vase with multiple perforations in bands around the central opening, the two tips of the top edge nearly meeting in the middle, mottled glaze with blues inside the perforations and to the interior 20.5cm high and 23cm wide (ARR)

Literature: For near identical smaller examples in the V&A collection see Studio Pottery, Oliver Watson, Phaidon, Plate 69, Page 92 £200 - 300

£300 - 500

133

136

135 135 Guy Sydenham (1916-2005), three chess pieces Mid to late 20th century, each signed to base Three stylised chess pieces; a rook, a pawn and a bishop Bishop 8cm high, pawn 7cm high and rook 6cm high (ARR) (3)

136 Guy Sydenham (1916-2005), king and queen chess pieces Mid to late 20th century, both signed to base A scarce pair of chess pieces modelled as a king with crown and a taller queen with a hat Queen 11cm high, king 8.5cm high (ARR) (2)

£300 - 500

£300 - 500

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137 Alan Caiger-Smith (b.1930), a deep bowl c. 1999, painted marks to base A good earthenware bowl decorated with lustre brushwork of plant forms (possibly seaweed) over a dark blue ground, together with a decorated tin glazed bowl possibly by Edgar Campden and a small porcelain tea-bowl indistinctly signed ACS bowl 22.5cm deep (ARR) (3) £300 - 500 137 138 Ian Harris (British), a large pebble form vase Late 20th/early 21st century, impressed seal to base edge A large hand built stoneware pebble form vase with a narrow neck, glazed off white with brown speckling around the top and neck edge 31cm long x 15.5cm high (ARR) £150 - 200

139 Svend Bayer (b.1946), a large bird bowl Late 20th century, unsigned A large stoneware bowl with a painted bird to the central well and a decorated interior rim together with a plate by the same hand painted with two fish swimming in opposing directions Bowl 37cm diameter x 8cm high, plate 28cm diameter (ARR)

138

£100 - 200 139

140 Rosemary Wren (1922-2013), a stoneware owl c.1975, signed, dated and stamped mark to base A stylised stoneware model of an owl decorated with incised panels of decoration glazed mottled green and tenmoku with unglazed section around the eyes 21cm high (ARR) £100 - 150

140 54

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141 Rosemary Wren (1922-2013) and Peter Crotty (1943-) a pair of dogs c. 1988, impressed and painted marks to base An unusual pair of stoneware dogs modelled as stylised Border Collies, titled to base respectively Merlin and Justin 27cm high and 15cm high (ARR) (2) Note: Rosemary Wren was renowned for her stylised animals and these appear to be a private commission due to the names underneath, however there appear to be no other examples of her ever making dogs £200 - 400

142 Rupert Spira (b.1960), a fine bowl Early 21st century, potters RS seal to base A good stoneware bowl of gently altered form with bright yellow glaze to interior, white runs to the interior rim and a white glazed exterior 22.5cm long x 8.4cm high (ARR)

141

£400 - 600

143 David Mellor (1930-2009), an extensive part cutlery service c. 1977, knives stamped marks to blade An extensive Sheffield stainless steel and resin handled part cutlery set in Chinese Ivory design, comprising of 2 serving spoons, 7 soup spoons, 6 pudding spoons, 8 dinner forks, 7 dinner knives, 8 smaller forks and 6 smaller knives (44) Serving spoons 21cm long

142

Note: The Chinese Ivory cutlery range won a Design Council Award in the year of its manufacture, 1977 £80 - 120

144 George Craig Spence (b.1931), a relief painting Mid to late 20th century, signed to front and Liberty label and biography to reverse A large trailed plaster relief painting of seven stylised soldiers with shields and spears in oranges and browns on hardboard in an aluminium frame 63cm high x 103.5cm wide (ARR)

143

£200 - 300

144 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

55

145 John and Sylvia Reid, a ‘Metallux’ five light pendant light for Rotaflex c.1950’s With five orange and white enameled and pierced cylindrical shades 75cm high

146 Greaves and Thomas, a pair of reclining armchairs c.1960 The teak frames with cream velvet upholstered seat, having foldout foot rest, raised on cylindrical tapering feet each 92cm high, 69cm wide (2)

£500 - 700

£350 - 450

145

146

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147

147 Ernest Race (1913-1964), a Mark II ‘Penguin Donkey’ for Isokon c.1960s The white painted carcass, with opposing open shelves, on square splayed legs 39.5cm high x 53.5cm wide x 40cm deep £400 - 600

148 Geoffrey Harcourt (b.1931), a ‘Michigan 450’ swivel armchair for Artifort c.1960s, cast mark to underside - ‘Artifort’ With burgundy upholstered leather seat and padded armrests, on steel swivel base 89cm high, 57cm wide £150 - 200

149 No lot 148

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

57

150

150 White and Newton Ltd, a teak sideboard c.1960s With three drawers, a fall front door enclosing pull out slide and two small shelves and a sliding door enclosing one shelf, raised on hexagonal feet joined by stretchers 70cm high, 217cm wide, 44.5cm deep £300 - 500

151 151 A set of six modern pine dining chairs c.1990 The backrests with tapering slats, above square cord seats on square tapering legs 88cm high, 43cm wide (6) £100 - 200

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152 152 Ercol, a nest of three light elm and beech ‘Pebble’ tables c.1980, with applied label to underside - ‘Ercol, made in High Wycombe , Buckinghamshire, 1981’ The shaped tops, on splayed and tapering legs largest 41cm high, 65cm wide, 44cm deep (3) £200 - 300

153 No lot

154 Barney Heron, a beech lounge chair c.1950’s A scarce example, the tapered and angled frame with strung seat support, having two loose cushions, on splayed tapering legs 84cm high, 57cm wide

154

Note: this chair is one of four bespoke chairs commissioned by the vendors parents and produced by Barney Heron c.1950 £400 - 600 154 (with cushion) * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

59

155 Pirelli Calendars (Italian), a large collection Late 20th / early 21st century, boxed A large colection of Pirelli calendars, all in original packaging, comprising 1984, 1986, 1987, 1988, 1989, 1990, 1991, 1992, 1993, 1994,1995, 1996, 1997, 1998, 1999, 2000, 2001, 2002, 2003 (3), 2004, 2005 (2), 2006, (25 Total) £300 - 500

155

156

157

156 Robert Indiana, American 1928-2018Summer - Love, 2006; Hand tufted wool, with publisher’s label verso, numbered 337, published by galerie-f, Germany, overall 42cm x 42cm (framed)

157 Robert Indiana, American 1928-2018Magyar - Love, 2006; Hand tufted wool, with publisher’s label verso, numbered 234, published by galerie-f, Germany, overall 42cm x 42cm (framed)

£100 - 150

£100 - 150

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158 Attributed to Archimede Seguso (1909-1999), a zanfirico bowl Mid 20th century, apparently unsigned A good glass bowl with alternating latticino twists in dark brown and white with biomorphic rim Length of bowl 20cm £150 - 200

158

159

160

159 After Joan Miro, Spanish 1893 - 1983 Affiche pour l’ exposition de 3 livres de Joan Miro a Osaka: Joan Miroy Catalunya, Les Esencias de la Terra et Ma de Proverbis [Maeght 680], 1970; Lithograph in colours on poster paper, printed and published by Poligrafa, Barcelona, text in Japanese, 82.9cm x 64.5cm (framed)

160 Pablo Picasso, Spanish 1881-1973, Dibujos de Picasso (Drawings by Picasso) Poster, Sala Gaspar[Mourlot 339], 1961; Offset lithograph in colours from an unsigned edition of 500, printed by Foto-Repro S.A. Barcelona, published by Sala Gaspar, Barcelona, sheet 70cm x 50cm (framed) (ARR)

£200 - 300

£200 - 400

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

61

161 Pierro Fornasetti (1913-1988), three early storage jars c. 1960, printed marks to base Three lidded storage jars with utensils design to the front; one for flour, one for coffee and one for rice Flour 24cm high, rice and coffee both 17.5cm high (3) £100 - 200 162 Venini (Italian), a paperweight c.1969, original label to side A clear glass paperweight with a radiating white linear decoration to base, together with a waisted controlled bubble vase, an amethyst and blue decorated bowl, a scent bottle and stopper and a Murano La Fenice glass vase Paperweight 13cm diameter (5)

161

£100 - 200 163 After Bjorn Wiinblad (1918-2006), A pair of costume designs Late 20th century, signed in the image Two offset lithographs in colours Each 54.5cm x 73.5cm (including frame) (2) £100 - 200 162

163

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164

164 After Keith Haring, American 1958-1990Alien Attack I, Flying Angel, Alien Attack II, Barking Dogs, Laser Beam, and Party, 1982; Six lithographs on wove, from the edition of 2000, printed by Fleetwood Press, New York, Published by Tony Shafrazi Gallery, New York, each sheet 25cm x 25cm (framed) (6) £1,000 - 1,500

165 After Eileen Gray, a model ‘E-1027’ side table, designed 1927 c.2000 The circular glazed table top on adjustable tubular chrome plated frame 66cm high, 51cm diameter £150 - 250 165

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

63

166 Modernist School, a wool rug 2nd half 20th century, unsigned A large wool rug decorated with abstract designs in red, black, brown and cream 210cm x 153cm £100 - 200

167 After Meret Oppenheim, a ‘Traccia’ table, designed 1939 c.1980 The oval giltwood top, on cast bronze legs 65cm high, 68cm wide, 53cm deep

166

£800 - 1,200

168 After Frank Lloyd Wright, a pair of cherry wood ‘Barrell’ chairs for Cassina c.1986, with impressed marks to underside ‘Cassina Frank Lloyd Wright 1986’, No’s ‘32690’ and ‘32707’ The curved slatted back, above curved armrests and burgundy upholstered circular drop in seat, on conforming base each 81cm high, 54cm wide (2) £700 - 1,000

167

168

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169 Pierro Fornasetti (19131988), a “Sole di Capri” pattern magazine stand c.1950s, applied label to base ‘Fornasetti Milano, Made in Italy’ Transfer printed with yellow “Sole di Capri” pattern on black ground, with brass rod divider, raised on splayed and tapering brass feet 38cm high, 43cm wide, 20.5cm deep £800 - 1,200

169

170 Osvaldo Borsani (19111985), a rosewood bar / cabinet c.1950 The upper section with three folding panels, enclosing a maple veneered and mirror backed interior, with two shelves and two drawers, the lower section with central fallfront storage compartment, enclosing one shelf flanked by four drawers, raised on tapering legs with brass sabots 145cm high, 178cm wide, 44cm deep Note : This lot comes together with Article 10 paperwork £600 - 800 170

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

65

171 Italian, a pair of textured glass and brass wall appliques, in the manner of Stilnovo c.1950 The curved and tapering textured glass shades, on brass supports 38cm high, 20cm wide (2) £500 - 800

171

172 Italian, a birch and ebony inlaid dining table, on black lacquered legs c.1950 The rounded rectangular top inlaid with abstract, geometric shapes, on curved and tapering ebonised legs with brass sabots 78cm high, 150cm wide, 95cm deep £200 - 400

172

173 Attributed to Stilnovo (Italian), a brass and opaline glass eighteen light chandelier c.1950 With eighteen curved brass arms, terminating in tapering white glass shades 51cm high, approx. 106cm wide £800 - 1,200

172 (detail)

173

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174 Italian, a pair of rosewood and walnut bed side tables c.1940s With sepia coloured glass tops, above two cupboard doors with brass handles in the form of stylised leaves, on splayed, tapering legs with brass sabots each 64cm high, 60cm wide, 33cm deep (2) £300 - 600

174

175

175 Attributed to Harvey Probber (1922-2003), a large three seater sofa c.1950s Of curved form, upholstered in red and white vinyl material, with loose seat cushion, on cylindrical stained wood legs 63cm high, 265cm wide, approx.

100cm deep £400 - 600

176 After Pablo Picasso (1881-1973), an Ege Art Line rug c.1994, signed in weave and labelled to reverse A limited edition (265/600) wool rug after the Picasso painting ‘Sleeping woman with bird’ 140cm x 200cm

176

£400 - 600

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

67

177 A Perspex and brass mirror, possibly French c.1960-70 Of rectangular form, the mirror plate set within brass and Perspex borders 100cm high x 80cm wide £200 - 300

178 Pierre Paulin (1927-2009), a ‘Globe’ chair and ottoman for Artifort c.1980, chair and ottoman stamped to underside - ‘Artifort’ Each upholstered in sky blue fabric, on chromed steel swivel bases (2)

177

£150 - 250

179 Pierre Cardin (b. 1922), a woollen carpet c.1960, labelled to reverse - ‘ Pierre Cardin, Prado international’ With orange design on brown ground 366cm x 244cm £700 - 1,000

178

179

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180

180 Pierre Cardin (b. 1922), a woollen carpet c.1970 With geometric purple and red design on black ground 346cm x 246cm £700 - 1,000

181 Warren Platner (1919-2006), a Platner armchair for Knoll c.1970-80, Knoll fabric to Underside of seat with red fabric upholstered armrests and drop in seat on nickel rod frame 75cm high, 70cm wide £300 - 400

182 Charles and Ray Eames, a pair of model ‘EA 108’ office chairs for ICF Spa, Milan c.1970s, each with applied label to underside - ‘Made according to the original Design of Charles Eames, ICF’ With black fabric upholstered seat, on aluminium swivel base 83cm high, 56.5cm wide (2) £200 - 300

181

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

182

69

183 Peter Hvidt & Orla MølgaardNielsen, a model ‘FD451’ sofa for France and Son c.1950s, with applied metal manufacturer’s label to frame The teak frame with loose green upholstered cushions and seat, the armrests with rattan work panels, raised on tapering legs, to plastic disc feet 75cm high, 158cm wide, 73cm deep £500 - 700

183

184 Yngve Ekström (1913-1988), a pair of ‘Lamino’ armchairs for Swedese c.1950, each stamped to underside - ‘Swedese, Yngve Ekström’ With laminated teak and oak construction, upholstered in sheepskin material Each 100cm high, 69.5cm wide (2) Note: Originally purchased by the previous owner from Heals in the 1950’s then reupholstered by Heals in 1975 for which a receipt is available.

184

£1,500 - 1,800

185

185 Alf Svensson (1929-1999), a set of four ebonised ‘Domus 1’ lounge chairs for Dux c.1950s With ebonised beech frames and loose seat cushions, on tapering legs each 68cm high, 56cm wide (4) £200 - 300

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186

187 186 Folke Pålsson, a set of four white painted model ‘F77’ side chairs, for FDB Møbler c.1960s, stamped to underside - ‘Made in Denmark, FDB’ The spindle back, above shaped seat, on cylindrical tapering legs 79cm high, 43cm wide (4)

187 Illum Wikkelso (1919-1999), a ‘Gyngestol Nr. 3’ rocking chair for Niels Eilersen Møbler c.1950s The stained beech frame with spindle backrest and curved arms, on tapered legs, joined by stretchers and raised on rocker rails 91cm high, 55cm wide

£150 - 200

£150 - 200

188 188 Grete Jalk (1920-2006), A pair of teak lounge chairs for France & Son c.1960, each with metal label to frame - ‘France & Son, Denmark’ With curved armrests, on tapered legs, having two loose blue wool upholstered cushions 81cm high, 72cm wide (2) £800 - 1,200

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

71

189

189 Arne Hovmand Olsen (1919-1989), a teak sideboard for Mogens Kold Møbelfabrik c.1960, applied metal label to back - ‘MK Craftsmanship, Made in Denmark’ With four cupboard doors, two enclosing one shelf, two enclosing one shelf and six open drawers, raised on rectangular supports 71.5cm high, 160cm wide, 44cm deep £500 - 700

190

190 Attributed to Arne Hovmand Olsen (1919-1989), a teak sideboard c.1960 With two sliding doors, enclosing two drawers and single shelf, raised on tapering ebonised legs 79.5cm high, 144cm wide, 43cm deep £400 - 600

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191 191 Modernist, a pair of ceramic lamps c.mid 20th century, printed numbers to base A pair of tall pottery lamp bases, probably Italian, of cylindrical stepped / ribbed form, glazed gold 50cm high each (excluding fittings) £200 - 300

193 192 Attributed to Johannes Andersen (1903-1995), a set of six teak and vinyl upholstered chairs c.1960 Upholstered in blue vinyl material, with ‘cow horn’ shaped backrest with tapered supports, above upholstered seat, raised on cylindrical tapering legs, 71cm high, 54cm wide (6)

193 A copper pendant light in the manner of Svend Aage HolmSørensen c.1970 The rectangular copper shade, with applied graduated copper reflectors 107cm high £150 - 200

£400 - 600

192

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

73

194 194 After Arne Jacobsen (19021971), a set of four ‘Dot’ stools c.1960 The circular teak veneered plywood seats on tripod tubular metal legs 44cm high 30.5cm diameter (4) £80 - 120

196 A chromed floor lamp with orange enameled shade c.1950, metalwork stamped ‘OMI’ and ‘DBGM’ The adjustable tapered shade, on cylindrical stem, with chromed tri-form base 147cm high £100 - 200

195

195 Kastrup Holmegaard (Danish), a glass lamp base 2nd half 20th century, label to base A Le Klint lamp base in blue glass with brass mounts, originally designed by Esben Klint in the mid 1950’s 30.5cm high (including mount) £100 - 200

197 Ole Wanscher (1903-1985), a teak coffee table for France and Son c.1960s, with applied metal manufacturer’s label to underside The floating rectangular top on short brass supports, raised on tapering legs 50.5cm high, 150cm wide, 60cm deep £200 - 300

196

74

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198 199 198 Ilmari Tapiovaara (1914-1999), a ‘Pirkka’ dining table for Laukaan Puu c.1955, stamped to underside ‘Laukaan Puu, Made in Finland, Tapiovaara’ The rectangular pine top, on splayed black lacquered tapering supports 69cm high, 119.5cm wide, 70cm deep

199 Fase of Madrid, a Tharsis desk lamp Late 20th century, tagged with original label A stylish chromed lamp with rotating light head on the end of a curved arm 45.5cm high £300 - 500

200 A Brazillian hardwood sideboard c.1960’s Of rectangular form, with three lockable cupboard doors with original keys, each enclosing two shelves, on cylindrical tapering feet 77cm high, 140cm wide, 43.5cm deep Note - this sideboard was originally purchased by the previous owner in Brazil, c.1960

£400 - 600

£300 - 500

200

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

75

201

201 Michael Ducaroy (1925-2009), a ‘Togo’ leather sofa suite for Ligne Roset c.1970 Upholstered in black leather, comprising a three seat sofa, a two seat sofa and an ottoman Three seater - 80cm high, 172cm wide Two seater - 80cm high, 126cm wide Ottoman - 42cm high, 80cm wide (3) £300 - 500

202

202 De Sede, a seven section brown leather sofa c.1970 With five centre sections and two corner sections each section approx. 90cm high x 70cm wide (7) £400 - 600

203 A brass three light standard lamp in the manner of Goffredo Reggiani c.1970, applied label to stem - ‘Made in Italy’ With three adjustable domed shades on moveable arms to central stem, raised on circular marble base 206cm high £200 - 300

203

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204 A glass and chromed floor lamp c.1950s The stem comprised of glass rods, on circular chromed and burl wood effect base 160cm high £100 - 200

205 Barovier & Toso, a Murano glass uplighter floor lamp c.2000, applied label to shade - ‘Barovier & Toso, Murano, Venezia, Made in Italy’ The opaque glass shade with gold inclusions, on ribbed brass stem to circular base 187cm high £400 - 600

206 Gaetano Pesce (b. 1939), an ‘Airport’ lamp c.1986 The flexible urethane polychrome screen, with a series of lights, on metal rod supports to rectangular lead feet approx. 115cm high, (ARR) Provenance: Sotheby’s, London, 4th November 2015, lot 33 £2,000 - 3,000

204

205

206

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

77

207 207 Yrjo Kukkapuro (b.1933) a ‘Saturnus’ sectional sofa, for Haimi With white leather upholstery on white plastic injection moulded circular bases, comprising of six sections two end chairs, two centre seats and two corner seats End seats approx. 75cm high, 73cm wide Centre seats approx. 75cm high, 63cm wide Corner seats approx. 75cm high, 96cm wide (6) £500 - 800

208 208 Philippe Starck (b.1949), a set of six ‘Ed Archer’ chairs for Aleph c.1980, each chair stamped ‘Aleph by Starck’ The black leather upholstered tubular steel frame, with single rear tapering aluminium leg (6) £800 - 1,200

209 Attributed to Maarten van Severen (1956-2005), a set of six ‘CN II’ chairs c.1990 The seat with aluminum sheet construction, on square section front legs 77.5cm high, 37.5cm wide (6) Note - purchased by the vendor through David Chipperfield architects c.1999 £800 - 1,200

209

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210 210 Angelo Mangiarotti (1921-2012), a ‘Giogali’ ceiling light for Vistosi c.1970 Comprising tiers of Murano glass hooks, on steel frame 200cm high 211

£800 - 1,200

211 Moroccan, a coloured cotton and wool rug with wool highlights Mid-20th Century Woven with colourful stripes and tufted motifs 402cm x 126cm

212 Maarten van Severen (1956-2005), a set of four ‘No.3’ chairs for Vitra and a ‘Lim’ dining table by MDF Italia c.2010, chairs with applied paper Vitra label to underside and impressed marks - ‘.03, Design Maarten Van Severen, Vitra’ With grey coated polyurethane foam seats, on enameled steel legs, the dining table with rectangular top inset with opaque glass, on silvered metal supports Chairs - 80cm high, 38cm wide Dining table - 72cm high, 219.5cm wide, 89.5cm deep (5)

£200 - 300

£800 - 1,200 212

212

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

79

213

214 Vorwerk, a German machine woven wool ‘Parsa’ carpet c.1960, Maker’s label Vorwerk, Parsa, Fabr.

No.21218, Dess No. 11076/47, Gross No. 250/350 Woven, densely patterned, colourful field 342cm x 251cm

213 Ron Arad (b.1951), a pair of ‘Voido’ Rocking chairs for Magis c.2000, marked to underside - ‘voido design by R. Arad for Magis Made in Italy’ The grey Polyethylene seat above two pierced and curved ovoid forms each 78cm high, 57cm wide (2)

£300 - 500

£600 - 800

214

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215

215 An Electro-Mechanical ‘North Star’ pinball machine, model number 208, manufactured by D Gottlieb & Company (1931-1977) c.1964 Designed by Wayne Neyens, with artwork by Roy Parker, units made 2525, Serial number 06854 180cm high, 60cm wide, 132cm deep Fully renovated between January to April 2015. This includes a mechanical overhaul, repainted cabinet to original design and colours, new reproduction back glass and full exterior chrome finish with original chromed legs. The machine is on free play but also comes with a 50p coin mechanism with a switch which allows either coin or free play to be chosen.

The game is fully working with an original playfield with new rubbers, lamps, lamp holders, lane guides, fully rebuilt flippers, pop and dead bumpers and light shield plastics.

The game comes with a copy of the original schematic. £3,000 - 4,000

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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Albert Chevallier Tayler NEA RBA ROI RBC, British 1862-1925-Interior scene with figures luncheoning; oil on canvas

OLD MASTER, 18TH & 19TH CENTURY PICTURES Thursday 21 November Contact Head of Department Marcus Grey for more information marcusgrey@roseberys.co.uk +44 (0) 20 8761 2522 | www.roseberys.co.uk

A pair of George III ormolu and blue-john cassolettes, attributed to Matthew Boulton, c.1770

FINE & DECORATIVE Friday 22 November Contact Head of Sale Mark Longley for more information marklongley@roseberys.co.uk +44 (0) 20 8761 2522 | www.roseberys.co.uk

NOTES

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Carlo Bugatti (1856-1940), a walnut, ebonized wood, pewter and brass inlaid and hammered brass cabinet c.1900

DESIGN: DECORATIVE ARTS 1860 TO THE PRESENT DAY Now Welcoming Consignments for 2020 Contact Head of Department Fiona Baker for a complimentary valuation fionabaker@roseberys.co.uk +44 (0)20 8761 2522 | www.roseberys.co.uk

EXPLANATION OF CATALOGUING TERMS Any statement as to authorship, attribution, origin, date, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. Roseberys reserve the right, in forming their opinion, to consult and rely upon an expert or authority considered by them to be reliable.

1.

‘Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work by the artist.

2.

‘Attributed to Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, probably a work by the artist.

3.

‘Studio of Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work likely to come from the studio of the artist or closely associated with the artist.

4.

‘Circle of Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work by an unidentified artist working in the artist’s style and during the period of the artist’s life.

5.

‘Follower of Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work by an unidentified artist working in the artist’s style, contemporary or near contemporary.

6

‘School of Peter Paul Rubens, Flemish 17th century’ * In our opinion, a work executed during this period and in the style associated with that artist.

7.

‘Flemish School, 17th century’ * In our opinion, a work executed during this period and in the style associated with that location.

8.

‘Manner of Peter Paul Rubens’ * In our opinion, a work by an unidentified artist working in the artist’s style but at a later date, although not of recent execution.

9.

‘Style of Peter Paul Rubens’ * In our opinion, a work by an unidentified artist working in the artist’s style and of recent execution.

10.

‘After Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a copy by an unidentified artist of a named work by the artist.

11.

A picture catalogued with accompanying dates e.g. 1577-1640 relates to the identification of the particular artist and is not proof of attribution or indicative of authenticity.

12.

The terms ‘signed’, ‘dated’, ‘inscribed’ means that in our opinion these are by the artist’s hand.

13.

The terms ‘bears signature’, ‘bears date’, ‘bears inscription’ means that in our opinion that these have been added by another hand other than the artist.

14.

All references to signature, inscriptions and dates refer to the present state of the work.

15.

Dimensions are given in centimetres, height before width and are measured from the edges of the work if these are visible and if not, from the front.

16.

All pictures are framed, unless otherwise stated in the catalogue.

17.

Catalogue and website images may not be a true representation of an item due to printing or photographing processes.

18.

(ARR) – ARTIST’S RESALE RIGHT Qualifying living artists and the descendants of artists deceased within the last 70 years are entitled to receive a re-sale royalty each time their work is bought through an auction house or art market professional.

It applies to lots with a hammer value over €1,000 as follows: 0 to €50,000 - 4% €50,001 to €200,000 - 3% €200,001 to €350,000 - 1% €350,001 to €500,000 - 0.5% Exceeding €500,000 - 0.25% ARR is capped at €12,500.

Please note ARR is calculated in euros.

Auctioneers will apply current exchange rates.

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Lot 134

SPECIALIST TEAM Ian A. Cadzow Chairman & Joint Managing Director Rugs, Furniture & Works of Art iancadzow@roseberys.co.uk Vicki Wonfor Joint Managing Director Head of Corporate Collections vickiwonfor@roseberys.co.uk Peter Greenway Director Head of Professional Services petergreenway@roseberys.co.uk Marcus Grey Director Head of Paintings & Prints marcusgrey@roseberys.co.uk Bill Forrest Associate Director Head of Department Asian Arts billforrest@roseberys.co.uk Helena Anderson Associate Specialist Modern & Contemporary British Art helenaanderson@roseberys.co.uk Alice Bailey Head of Department Islamic & Indian Arts alicebailey@roseberys.co.uk Fiona Baker Head of Department 20th Century & Decorative Arts fionabaker@roseberys.co.uk Mark Bowis Head of Department Jewellery & Watches markbowis@roseberys.co.uk Nigel Dawson-Ellis Junior Cataloguer Furniture & 20th Century Design nigeldawsonellis@roseberys.co.uk Anna Evans Consultant Specialist Works of Art annaevans@roseberys.co.uk

Roseberys London Main London Saleroom 70/76 Knights Hill London, SE27 0JD Complimentary valuations Monday to Friday: 9.30am to 5.00pm +44 (0)20 8761 2522 clientservices@roseberys.co.uk Central London Office Valuations by appointment.

Please call us on +44 (0) 20 8761 2522 or email our Professional Services department at valuations@roseberys.co.uk to book your complimentary valuation.

Lot 97

Sophie Hetherton Junior Cataloguer & Departmental Assistant Paintings & Prints sophiehetherton@roseberys.co.uk Sam Howard Administrator Asian, Islamic & Indian Arts samhoward@roseberys.co.uk Mark Longley Specialist Ceramics & Glass, Works of Art & Collectables marklongley@roseberys.co.uk Tess O’Brien Specialist Impressionist, Modern, Post War and Contemporary Art tessobrien@roseberys.co.uk Kate Pritchard Cataloguer & Valuer Paintings & Prints, Modern & Contemporary Art katepritchard@roseberys.co.uk Alex Tonkinson Consultant Specialist Modern Design alextonkinson@roseberys.co.uk Elizabeth Wormald Cataloguing Assistant & Administrator Prints & Multiples / Japanese Arts elizabethwormald@roseberys.co.uk Shane Xu Head of Department Modern & Contemporary Prints & Multiples shanexu@roseberys.co.uk

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TERMS OF CONSIGNMENT FOR SELLERS These terms apply to Rosebery Fine Art Ltd trading as Roseberys and Roseberys London.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract.

Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission and Entry Fee. (a) Entry Fee: A charge of £20 is made to each lot sold in addition to vendor’s commission. This charge covers our specialist research, catalogue description, website illustration, marketing on our website and other third party sites as well as live or timed bidding on various internet platforms. (b) Vendors Commission: Is charged on each lot at 15%.

3. Catalogue Illustration Fee. The cost of any illustration is borne by you. Lots may be illustrated in a catalogue and thus a charge of between £20-60 per illustration is applicable, dependent on size. For example a quarter page illustration £20, half page £40, three quarter/full page £60. The copyright in respect of such illustrations shall be the property of the auctioneers, as is the text of the catalogue; any persons to be found to have reproduced such illustrations or text without prior written approval will be deemed as being in breach of copyright law and appropriate legal action may be taken.

4. Loss and Damage of Goods (a) Roseberys is not authorised by the FSA to provide insurance to its clients, and does not so do. However Roseberys, for its own protection, assumes liability for property consigned to it at the lower pre-sale estimate until title passes to the buyer. To justify accepting liability, Roseberys makes a charge of 1.75% of the hammer price plus VAT. The liability assumed by Roseberys shall be limited to the lower pre-sale estimate or to the reserve if the lot was unsold.

Settlement in any claim arising shall be subject to commission as if the lot had sold in the normal manner. (b) If the owner of goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4(a) is inapplicable. (c) Roseberys will not be liable for the loss or damage to frames or glass covering prints, paintings or other works. Old frames are often fragile or subject to deterioration and whilst Roseberys will do their

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upmost to ensure the safety and care of frames and glass we will not compensate for loss or damage to property caused by changes in humidity or temperature, normal wear and tear, gradual deterioration, inherent defect or errors in processing.

5. Removal Costs. Items for sale must be consigned to the saleroom by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

6. Minimum Bids and our Discretion. Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 7. We may sell Lots below the reserve provided we account to you for the same sale proceeds that you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to approximately 15% below the low estimate and “wide discretion” allows to use accept a bid of up to approximately 30% below the low estimate.

7. Reserves. (a) Prior to the auction you are entitled to place a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve. If we are unable to offer goods they may be subject to storage charges if uncollected. (b) A reserve once set cannot be changed except with our consent, and confirmed by you in writing. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical Items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft Furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request

TERMS OF CONSIGNMENT FOR SELLERS 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery or where we are or ought to have been aware of it.

11. Unsold Items. Unsold lots will be automatically reoffered into the next appropriate live or online auction with the low estimate reduced by 40% and if the revised estimate is £200 or below it will be offered without reserve. Alternatively, we may contact you to request that you collect the items. If you do not wish to re-enter the lots please notify Roseberys in writing with collection instructions. Please note storage charges will be incurred if lots are not collected within one week, storage charges will be applied of £2 + VAT per lot per day. If a lot remains uncollected two months after the date of the auction, Roseberys shall have the right to sell the lot at auction without reserve and to deduct from the ‘hammer price’ any sum owing to Roseberys as well as expenses arising from all auctions in which the lot has been included, plus storage and loss and damage warranty charges.

12. Withdrawn Items. (a) If an item is withdrawn prior to the publication of the catalogue a minimum charge of £20 + VAT per lot is applicable. This fee covers administration, handling, storage and loss & damage of the lot whilst in our care. (b) If an item is withdrawn after the online or offline publication of the lots they will incur charges where applicable comprising the sum of the vendor’s commission, the entry fee, the illustration cost, the loss and damage warranty, the buyer’s premium, the marketing fees and other expenses in relation to the item. VAT is applicable on all charges. These commission and premium charges will be calculated upon Roseberys published mid estimate.

13. Conditions of Sale. You agree that all goods will be sold according to our Conditions of Sale.

In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to Deduct Commission and Expenses and Retain Premium and Interest. (a) You authorise us to deduct commission from the hammer price at the stated rate plus all applicable expenses incurred on your account and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us at our discretion to negotiate a sale by private treaty not later than five working days from the date of the auction in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient written sale instructions, client contact details or without our prior written agreement to take delivery and reserve the right to either refuse to receive such goods or to make a minimum warehousing charge of £2 per item per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within twenty one days we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Settlement of the net sum due to you normally takes place 28 days after the sale (by crossed cheque or bank transfer to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

(c) In the cases of 12 (a) and (b) Roseberys will store the withdrawn item for a period of five days with no charge, after this a storage charge will be applicable at a daily rate of £2 per item per day plus VAT for items that remain uncollected.

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INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers of Roseberys London particularly those inexperienced or new to our salerooms or online only bidding platform. All sales are conducted according to our printed Conditions of Sale which are readily available for inspection in person, on our website and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot.

The lower estimate may represent the reserve price or may be above the reserve price. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. Buyer’s Premium. The Conditions of Sale oblige buyers to pay a buyer’s premium of 25% up to £250,000 (30% inclusive of VAT), 20% from £250,000-500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT) The premium price is subject to VAT at the standard rate.

5. VAT. The addition of (*) or (VAT applied on hammer price) to the lot description indicates that VAT is payable by the purchaser at the standard rate, presently 20%, on the hammer price as well as being payable on the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the premium is not recoverable as input tax.

6. Artist’s Resale Rights/Droit de Suite. Lots as indicated in the catalogue and if sold for the equivalent of 1000 euros or more on the day of the auction will be subject to a further percentage of the hammer price as follows: From 0 to 50,000 euros subject to 4% From 50,001 to 200,000 euros subject to 3% From 200,001 to 350,000 euros subject to 1% From 350,001 to 500,000 euros subject to 0.5% Exceeding 500,000 euros subject to 0.25% The Artist’s Resale Right payable will be the aggregate of the amounts payable under the above rate bands, subject to maximum royalty payable of 12,500 euros for any single work each time it is sold. Calculations of the artist’s resale right will be based on the pound sterling/Euro reference exchange rate quoted on the date of sale by the European Central Bank.

7. Agents. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested.

Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. Additionally, in specified circumstances lots mis-described because they are ‘deliberate forgeries’ may be returned and repayment made. There is a three week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

8. Electrical goods. These are sold as ‘antiques’ or ‘decorative’ items only and if bought for use must first be checked for compliance with safety regulations by a qualified electrician.

9. Coloured gems. It is common practice for gemstones to be treated in order to enhance colour and clarity. Unless stated buyers should presume coloured stones may well have been exposed to some sort of treatment.

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10. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character because, e.g. they may contain prohibited materials such as ivory.

11. Bidding. Bidders are required to register with us before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

12. Commission bidding (i)

Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding the buyers’ premium.

They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received.

Please enquire in advance about our arrangements for leaving commission bids by telephone, email or fax. Please ensure bids are left at least one hour prior to the start of the auction.

(ii) Commission bids may also be left via the Roseberys website.

These bids are executed via the RoseberysLive software and there is no surcharge.

13. Live Online bidding (a) An online bidding service is offered via RoseberysLive, thesaleroom.com and invaluable.com. In completing the bidder registration on these sites the buyer is agreeing to Roseberys conditions of sale. (b) In the case where a debit or credit card has been used to register the buyer also agrees to authorise Roseberys, if they so wish, to charge the debit or credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the online bidding platforms. (c) Please note there is no additional surcharge for any lots purchased via RoseberysLive, whether live bidding or commission bidding.

Any lots purchased via thesaleroom.com or invaluable.com will be subject to an additional 5% commission charge + VAT at the rate imposed on the hammer price. (d) Roseberys offers online bidding services as a convenience to its clients, but neither Roseberys nor the seller will be responsible to you for errors during or after the sale or failures to execute bids, either live bids or commission bids placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: (i) any loss of connection to the auction being conducted online; (ii) a breakdown or problems with the online bidding software or the website service provider; and/or (iii) a breakdown or problems with any internet connection, computer, mobile device or system. (e) By accessing RoseberysLive and using the software provided you are agreeing to the Website Terms and Conditions governing use of our website. Please ensure you familiarise yourself with these prior to accessing our website.

14. Methods of Payment. Payment can be made by cash (maximum 10,000 euros), debit and credit cards (maximum £1,000 online or over the phone) or bank transfer. For international bank transfers an administration fee of £25 is payable. Any cheques tendered will need to allow 10 days to be cleared before removal of lots purchased is permitted. Please note that regulation of money laundering means we are limited to receiving the equivalent of 10,000 euros in cash payment.

15. Collection and storage (a) Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. All lots must be collected within five working days following auction. Storage charges of £2 per lot per day + VAT will be strictly enforced thereafter. (b) Roseberys are unable to pack, post or deliver any items purchased through public or online auction, a list of suggested companies is supplied upon issuing of invoices, upon request or on the company website. These are suggestions only and are not the recommendation of Roseberys or affiliated with Roseberys in anyway and as such Roseberys cannot be held responsible for the individual performance of these companies.

CONDITIONS OF SALE Rosebery Fine Art Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1.

Definitions

In these Conditions: (a) “auctioneer” means the firm of Rosebery Fine Art Ltd or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Rosebery Fine Art Ltd accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2.

Bidding Procedures and Conduct of the Auction

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid. Any bidder who refuses to provide the requested identification may be refused permission to bid. (b) The auctioneer has discretion at any time to refuse any bid, withdraw any lot, re-offer a lot for sale (including after the fall of the hammer) if they believe there may be error or dispute, and take such action as they reasonably think fit. (c) Subject to condition 2(b) the contract between the buyer and seller is concluded on the striking of the auctioneer’s hammer, whereupon the buyer becomes liable to pay the purchase price. (d) Any post-auction sale of lots offered at auction shall incorporate these conditions as if sold in the auction. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3.

Increments. Bidding increments shall be at the auctioneer’s sole discretion.

4.

The Purchase Price. The buyer shall pay the hammer price together with a premium thereon of 25% up to £250,000 (30% inclusive of VAT), 20% from £250,000500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT). The premium price is subject to VAT at the standard rate.

5.

Value Added Tax. Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged

at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots.

(Please refer to “Information for Buyers” for a brief explanation of the VAT position).

6.

Payment

(1) (a) (b)

Immediately a Lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in cash, debit, credit card or bank transfer or in such other way as is agreed by us.

Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(2)

7.

Title and Collection of Purchases. The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (a)(i) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 5 working days following the day of the auction. (ii) Roseberys are unable to pack, post or deliver any items purchased through public or online auction.

A list of suggested companies is supplied upon issuing of invoices, upon request, or on the company website. These are suggestions only and are not the recommendation of Roseberys or affiliated with Roseberys in anyway and as such Roseberys cannot be held responsible for the individual performance of these companies. (b) No purchase can be claimed or removed until it has been paid for and payment has cleared. (c) Invoices will not be split or title transferred to another person(s). Invoices must be paid in full before any lots can be removed. (d) Purchased lots must be collected within the allocated time as stated in the Information for Buyers section 13, storage charges are applicable thereafter. Purchased lots are at the Buyer’s risk (and therefore their sole responsibility for insurance) from the earliest of the collection or the 21st calendar day after the auction.

Until risk passes Roseberys will compensate the buyer for any loss or damage to the lot up to a maximum of the purchase price paid.

8.

(1)

(a) (b) (c)

(d) (e)

Remedies for Non-Payment or Failure to Collect Purchases If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: to proceed against you for damages for breach of contract; to rescind the sale of that Lot and/or any other Lots sold by us to you; to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

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CONDITIONS OF SALE (f)

to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9.

Third Party Liability. All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. Commission, Telephone Bids and Live Online Bidding. Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. (a) Lots will be purchased by the Auctioneer on behalf of the commission bidder for the lowest price allowed by other bids and/or reserves if any, up to and including their maximum bid amount recorded. The Auctioneers cannot accept responsibility for any neglect or default in executing or failing to execute commission bids whether through the auctioneer or through any online bidding software, or where a bidding slip has been completed incorrectly. We urge commission bidders, to ensure that the correct lot number(s) and price(s) are recorded on their bidding forms. (b) Where two or more commission bids at the same level are recorded we reserve the right at our absolute discretion to prefer the first bid so made. (c) Telephone Bids. Any person unable to attend the auction may request to bid on a specific lot by telephone. This facility is only available by prior arrangement with the Auctioneers and not available for online only auctions. The Auctioneers cannot accept responsibility for any neglect or default in executing or failing to execute telephone bids. (d) Live Online bidding. (i) An online bidding service is offered via RoseberysLive, thesaleroom.com and invaluable.com. In completing the bidder registration on these sites, the buyer is agreeing to Roseberys conditions of sale. (ii) In the case where a debit or credit card has been used to register the buyer also agrees to authorise Roseberys, if they so wish, to charge the debit or credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the online bidding platforms. (iii) Please note there is no additional surcharge for any lots purchased via RoseberysLive, whether live bidding or commission bidding. Any lots purchased via thesaleroom.com or invaluable.com will be subject to an additional 5% commission charge + VAT at the rate imposed on the hammer price.

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(iv)

(v)

Roseberys offers online bidding services as a convenience to its clients, but neither Roseberys nor the seller will be responsible to you for errors during or after the sale or failures to execute bids, either live bids or commission bids, placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: (aa) any loss of connection to the auction being conducted online; (bb) a breakdown or problems with the online bidding software or the web site service provider; and/or (cc) a breakdown or problems with any internet connection, computer, mobile device or system.

By accessing RoseberysLive and using the software provided you are agreeing to the Website Terms and Conditions governing use of our websites. Please ensure you familiarise yourself with these prior to accessing our websites.

11.

Warranty of Title and Availability. The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

No representation or warranties are made by Roseberys or the seller as to whether any lots is subject to copyright or whether they buyer acquires copyright in any lot.

12.

Agency. The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13.

Terms of Sale. The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot.

14. (a)

Description and Conditions Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description of a lot. Buyers are welcome to make an appointment to view any lots listed on an online only auction. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

Condition Reports. Reports on the condition of any lot are offered by the Auctioneers as a statement of opinion only, and not of fact. Rosebery Fine Art Ltd are not liable for any errors or omissions contained therein. The buyer must satisfy themselves to the condition of any given lot prior to bidding. Roseberys will not be held responsible for any damage or defect that has not been notified to the buyer. Catalogue illustrations are for guidance only and will not convey full information as to the actual condition of lots.

(b)

CONDITIONS OF SALE (c)

(d)

Where the term (a/f) is used this refers to a lot being ‘as found’, it is used for guidance only and indicates in our opinion there is significant damage or repair to an item, the omission of this term does not indicate there is not significant damage or repair to an item and Roseberys are not liable for the omission of this term.

Private treaty sales made on these premises under these Conditions are deemed to be sales by auction for the purposes of consumer legislation.

15. Forgeries. Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. Roseberys may require the buyer to obtain at the buyer’s cost the reports of two independent and recognised experts in the field, mutually acceptable to Roseberys and the buyer. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) if you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

16. Online Only Timed Auctions These following terms are applicable only to sales conducted online only and are to be used in addition to the conditions of sale. (a) (i)

Right to Cancel If you are a consumer resident in the European Union you have the right to cancel the contract for the purchase of a lot within 14 calendar days without giving any reason. (ii) The cancellation period will expire after 14 calendar days from the day on which you acquire (or a party nominated by you and is not the shipper) physical possession of the lot. (iii) To exercise the right to cancel, you must inform us of your decision to cancel this contract by a clear written statement (e.g. a letter sent by post, fax or email), or you may use the cancellation form which can be found on our website or by contacting a member of staff. The communication must be received within 14 calendar days from the day on which you acquire the lot. (iv) If you cancel the contract, we will reimburse all payments received from you. As Roseberys are unable to provide a postage or packing service the cost of the initial delivery or collection is not returnable. In addition the cost of returning the item if you choose to cancel the contract is payable by you. (v) We may make a deduction from the reimbursement for loss in value of any goods supplied, if the loss is the result of damaged caused by unnecessary handling whilst in your possession. We will make the reimbursement without undue delay, and not later than (aa) 14 calendar days after the day we receive back from you any goods supplied, or (bb) (if earlier) 14 calendar days after the day you provide evidence that you have returned the goods.

(vi) We will make the reimbursement using the same means of payment as you used for the initial transaction, unless you have expressly agreed otherwise; in any event, you will not incur any fees as a result of the reimbursement.

We may withhold reimbursement until we have received the goods back or you have supplied evidence of having sent back the goods, whichever is earliest. (b) Liability Roseberys nor the seller will be responsible to you for errors during or after the online only timed auction or failures to execute bids placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: any loss of connection to the auction being conducted online; a breakdown or problems with the online bidding software or the website service provider; and/or (iii) a breakdown or problems with any connection, computer, mobile device or system.

General 17. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

18. Where a member of the public causes damage to a lot (or part thereof) the Auctioneers reserve the right to: (a) sell the aforementioned without reserve and to hold that specific individual liable for the amount of any difference between the hammer price and the reserve or low estimate; (b) hold that specific individual liable for the cost of restoration where appropriate; (c) hold that specific individual liable for the full amount of the reserve price or lower estimate as applicable.

19 (a) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

20. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email if provided in which case it shall be deemed to have been received by the addressee 48 hours after posting.

21. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

22. Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

23. English law applies to the interpretation of these Conditions.

These terms and conditions are based upon recommended conditions of sale by SOFAA (the Society of Fine Art Auctioneers) and RICS (the Royal Institute of Chartered Surveyors)

93

70/76 Knights Hill London, SE27 0JD +44 (0)20 8761 2522 +44 (0)20 8761 2524 clientservices@roseberys.co.uk

CATALOGUE SUBSCRIPTION FORM FULL NAME: ADDRESS:

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Design: Decorative Arts 1860 to Present Day

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Chinese, Japanese & South East Asian Art

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£30

£35

Impressionist, Modern, Post-War & Contemporary Art

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Fine & Decorative

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£45

£52.50

Islamic & Indian Arts/ Art of India

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£45

£52.50

Jewellery & Watches

3

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£45

£52.50

Modern & Contemporary British Art

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£30

£35

Modern & Contemporary Prints

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£30

£35

Print & Multiples

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Old Master, 18th & 19th Century Pictures

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Subscription Offer: Buy 2 or more subscriptions save 20% on prices listed Total cost of subscription: Method of Payment: Payment can be made by credit or debit card over the phone or in person, alternatively by bank transfer or cash in person. Payment is accepted via bank transfer to the following account (International bank transfers are subject to a £25 administration fee.): Natwest Bank plc, Bloomsbury Parr’s branch, Sort Code 60-30-06, Account number 36952613, Swift code NWBKGB2L, IBAN GB80NWBK60300636952613.

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94

Date:

70/76 Knights Hill London, SE27 0JD +44 (0)20 8761 2522 +44 (0)20 8761 2524 clientservices@roseberys.co.uk

ABSENTEE BID FORM PLEASE COMPLETE THE FORM IN FULL IN CAPITAL LETTERS AND PLACE YOUR BIDS AT LEAST ONE HOUR PRIOR TO THE START OF THE RELEVANT SECTION OF THE AUCTION

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All bids are entered subject to Roseberys standard terms and conditions of sale and to any special terms stated by the auctioneers to apply to lot(s) which the prospective purchaser hereby acknowledges and accepts.

Please see catalogue or website for important information for buyers and our full conditions of sale or ask a member of staff for a copy.

I authorise Roseberys to bid on my behalf for the above mentioned lot(s) up to the price(s) stated. I confirm I have read and agree to the buyer’s terms of sale with special attention to the buyer’s premium, additional charges and storage.

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95

70/76 Knights Hill, London SE27 0JD +44 (0) 20 8761 2522 clientservices@roseberys.co.uk

www.roseberys.co.uk

AUCTION CALENDAR 2019 November Design: Decorative Arts 1860 to the Present Day Monday 4 November Chinese, Japanese & South East Asian Arts Monday 11 November Jewellery & Watches Wednesday 20 November Old Master, 18th & 19th Century Pictures Thursday 21 November Fine & Decorative Friday 22 November

Modern & Contemporary British Art: An Online Only Auction Monday 11 – Thursday 28 November

December Urban & Contemporary Art in association with Artsy Monday 18 November – Monday 2 December Impressionist, Modern, Post War & Contemporary Art Wednesday 4 December

70/76 Knights Hill London SE27 0JD +44 (0) 20 8761 2522 auctions@roseberys.co.uk www.roseberys.co.uk