Roseberys

MODERN & CONTEMPORARY BRITISH ART Tuesday 11 June 2019

MODERN & CONTEMPORARY BRITISH ART TO INCLUDE IRISH ART Tuesday 11 June 2019 Starting at 12 noon VIEWING

Friday 7 June 1pm-5pm Sunday 9 June 10am-2pm Monday 10 June 9:30-5:30pm Tuesday 11 June 9:30am-11:30am Specialist: Helena Anderson Please note the conditions of sale at the back of this catalogue Buyer’s Premium 25% + VAT (30% inclusive of VAT) Condition of items: a catalogue description does not state the condition of the item Catalogue Price £10 (£12 by post) Front Cover: Lot 58 Back Cover: Lot 82 Inside Front Cover: Lot 190 Inside Back Cover: Lot 140

70/76 Knights Hill London, SE27 0JD +44 (0)20 8761 2522 auctions@roseberys.co.uk www.roseberys.co.uk

Online bidding available at:

RoseberysLive

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BUYING AT ROSEBERYS The following is intended to serve as a useful quick reference to buying at Roseberys.

Prior to bidding please familiarise yourself with our full conditions of sale which are applicable when bidding at one of our auctions. Our staff are available to assist you with any questions you may have.

Viewing Catalogues are available from reception and all lots are listed and illustrated at www.roseberys.co.uk Condition is not stated in the catalogue description and buyers are encouraged to view lots in person prior to bidding to satisfy themselves as to the accuracy of the description and condition of lots.

New Bidders New buyers are required to register before bidding. This can be done in person at reception, or via email to clientservices@roseberys.co.uk.

Photographic identification, full contact details and proof of address are required. Roseberys cannot accept bids from unregistered buyers. Once registered you will be provided with a paddle which states your bidding number for the auction.

New International Bidders

Alternatively, online bidding is available through www.thesaleroom.com and www.invaluable.com, successful online bidders are charged an additional premium of 5% + VAT. Bidders must register by 9am on the morning of the auction to be able to buy online. You will be asked to complete the registration process prior to approval.

• Telephone bidding: A limited number of phone lines for lots in the auction are available for bidders subject to a minimum threshold. A member of staff would telephone you during the auction and bid live on your behalf. Please contact reception if you would like to enquire about booking a phone line.

The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over the top estimate.

Buyer’s Premium The buyer shall pay the hammer price together with a premium thereon of:

In addition to providing proof of identity, new international bidders must leave a £500 deposit the first time they register and before bidding.

Successful bidders will be refunded their deposit once they have paid for their lots. Unsuccessful bidders will automatically be refunded within a week of the auction.

25% up to £250,000 (30% inclusive of VAT), 20% from £250,000-500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT)

Methods of bidding

VAT

• In person: at the auction room.

VAT is not charged on the hammer price unless it is stated that there is ‘VAT applicable on the hammer price’ at the end of the description. Buyer’s premium is subject to VAT.

• Commission bid: If you are unable to attend the auction, commission bids may be left indicating the maximum amount to be bid excluding the buyer’s premium. All bids must be received at reception at least one hour before the start of the auction. Clients are also able to leave a commission bid via our website on individual lot pages. These bids are actioned on your behalf by our in-house bidding software RoseberysLive, and are not visible to the auctioneer.

• Online bidding: You can follow all our auctions live online and bid via the internet using RoseberysLive, our in-house live bidding platform.

RoseberysLive is a secure online bidding platform provided by Roseberys to enable our clients to bid online from anywhere in the world. You can register to use the service or view the auction through our website www.roseberys.co.uk.

There is no charge to use this service.

The premium price is subject to VAT at the standard rate.

(ARR) – ARTIST’S RESALE RIGHT Qualifying living artists and the descendants of artists deceased within the last 70 years are entitled to receive a re-sale royalty each time their work is bought through an auction house or art market professional.

It applies to lots with hammer value over €1,000 as follows: 0 to €50,000 - 4%, €50,000.01 to €200,000 - 3% €200,000.01 to €350,000 - 1%, €350,000.01 to €500,000 - 0.5% Exceeding €500,000 - 0.25% ARR is capped at €12,500 Please note ARR is calculated in euros.

Auctioneers will apply current exchange rates.

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Payment Payment is required immediately after the auction and can be made in the following ways: • Cash: up to the sterling equivalent of 10,000 Euros on the day of the transaction.

• Debit and Credit cards: excluding American Express. To protect against card fraud we are unable to make ‘card not present’ transactions online or over the phone for amounts over £1000.

To make a payment of over £1000 please make a bank transfer or visit the auction house in person.

• Bank transfer: Payment is accepted via bank transfer to the following account, (International bank transfers are subject to a £25 administration fee.)

Natwest Bank plc, Bloomsbury Parr’s branch, Sort Code 60-30-06, Account number 36952613, Swift code NWBKGB2L, Iban GB80NWBK60300636952613.

• Online via www.roseberys.co.uk (up to £1,000) Clearance of Goods Roseberys requests all lots are collected within five working days following the auction. After this, storage charges of £2 + VAT per lot will apply. Please contact our Client Services team should you be unable to collect your purchases within this time and we would be happy to discuss alternative arrangements.

Delivery Roseberys is unable to pack and ship items but can suggest the following companies: London/Surrey • Capital Fine Art Move: +44 (0) 7957 209523 • Bernard Thornton: +44 (0) 7970 118762 Nationwide/International • Mail Boxes Etc: +44 (0) 20 8649 9777 Specialist Packing • Pack and Send: +44 20 8392 6990 In order to release to a third party carrier you must inform Roseberys in writing of the lot number and carrier name. Please email clientservices@roseberys.co.uk Export of goods Buyers intending to export goods should ascertain whether an export licence is required before bidding.

Export licences are issued by Arts Council England and application forms can be obtained from its Export Licensing Unit. Details can be found on the ACE website www.artscouncil.org.uk or by phoning ACE on 020 7973 5188. The need for import licences varies from country to country and you should acquaint yourself with all relevant local requirements and provisions before bidding. The refusal of any such licences shall not permit the cancelling of any sale nor allow any delay in making full payment for the lot.

Lot 76

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1 Walter Richard Sickert ARA, British 1860-1942 L’Eglise du Pollet, Dieppe pencil and watercolour on paper, signed and inscribed, 21x31cm Note: This work was drawn between 1907 and 1911.

Provenance: St. George’s Gallery Ltd., Grosvenor Street, London (label attached to the reverse of the frame); Sotheby’s London, 15 April 1953, lot 118, where purchased by the present owner Literature: Wendy Baron, ‘Sickert: Paintings and drawings’, New Haven, 2006, p.239, no.129 £2,000 - 3,000 2 Charles Isaac Ginner CBE ARA, British 1878-1952 The Harbour, Boscastle coloured chalks, pen and black ink on laid paper, 24x33cm (ARR) Provenance: Christie’s, London, 9 June 1978, lot 72. According to the catalogue: ‘Drawn in 1934 while the artist was staying with his sister Mrs Ginner-Dyer.

A study for the painting of the same subject (coll. Mrs Ginner-Dyer).’

A copy of this catalogue text is attached to the reverse of the frame Note: Further handwritten inscriptions to the reverse of the frame state: ‘purchased from Ernest Jenkinson by Phil Bartlett, February 2001’ and ‘Graves Art Gallery, Sheffield’. For two oil paintings of the same scene by the artist, see Christie’s London, 12 June 1987, lot 260 and Christie’s London, 7 March 1991, lot 40. £1,000 - 1,500

3 3 Attributed to Eric Ravilious, British 1903-1942 Study of a view from a boat pencil on paper, bears inscriptions and squared for transfer, 24x17cm Note: This drawing may be a study for a watercolour or lithograph by Eric Ravilious that was never produced and appears to relate to his visit to Grimsby in the spring of 1940.

We are grateful to James Russell, author of the forthcoming catalogue raisonné of Ravilious watercolours, for his assistance with the cataloguing of this work. £1,000 - 2,000

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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4 Bertram Nicholls PRBA ROI, British 1883-1974 Scottish National Gallery, from Princes Street Gardens oil on canvas, signed and dated 1945, 51x76.5cm (ARR) £300 - 500 5 Dod Procter RA, British 1892-1972 Burmese Girl, c.1920 4

oil on card, inscribed to the reverse, 38.8x30.6cm (ARR) Provenance: with Orion Gallery, Penzance, according to the label attached to the reverse of the frame; Bonhams, London, 5 March 2013, lot 32 Note: Procter, born Doris Margaret Shaw, was educated amongst the artists’ colonies of Newlyn and St Ives. She and her husband (and fellow artist) Ernest travelled to Rangoon in 1919 to undertake a commission from a Chinese businessman to decorate Kokine Palace. Upon completing their work, they travelled to Mandalay and sailed up the Irrawaddy. This would have been a rare experience for western artists at the time, as Burma was a relatively isolated country with few tourists or foreign visitors.

In 1942, Procter became only the second woman (after Laura Knight) to have been made a Royal Academician since 1768. £4,000 - 6,000 6 Alixe Jean Shearer Armstong, British 1894-1984 Flowers and foliage in a garden oil on canvas, signed, 47x41cm (ARR)

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Provenance: with Webster Fine Arts Ltd, London, according to label attached to the reverse £120 - 180

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7 Catherine Carrington, British 1904-2004 Still life of breakfast table settings two oils on canvas board, both signed with initials CC, 35.5x39cm (max) (2) (ARR) Provenance: acquired directly from the artist Note: Catherine Carrington was the sister-in-law of the Bloomsbury group artist Dora Carrington. £150 - 200 8 Catherine Carrington, British 1904-2004 Still life of potted plant by a window & Still life of a side board two oils on canvas board, both signed with initials CC, 44.4x33.7cm (max) (2) (ARR) Provenance: acquired directly from the artist £150 - 200 9 Augustus John OM RA, British 1878-1961

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Portrait of Mavis Wheeler pencil on wove paper, 17.5x14.5cm (ARR) Provenance: Bonhams, London, 18 July 1973, lot 138: bears certification on inscribed label attached to the reverse of the frame £600 - 800 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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10 Leon Underwood, British 1890-1975

11 Leon Underwood, British 1890-1975

12 Leon Underwood, British 1890-1975

13 Leon Underwood, British 1890-1975

Head Study with a sculpture study at lower edge

Reclining youth

Nude female figure study facing left

Mary at Piano

chalk and pastel on paper, signed and dated 34, 47x34.5cm (ARR) Provenance: the artist’s estate; thence by descent £300 - 500

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red conte and wash on paper, signed and dated 49, 33x48cm (ARR) Provenance: the artist’s estate; thence by descent £400 - 600

conte on paper, signed and dated 37, 53x39.5cm (sheet) (ARR) Provenance: the artist’s estate; thence by descent £200 - 300

conte on paper, bears inscription (likely by Mary Underwood) in pen, 56x38.5cm (ARR) Provenance: the artist’s estate; thence by descent £200 - 300

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14 Leon Underwood, British 1890-1975

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Odalisque watercolour and pencil, 57.5x78.5cm (ARR) Provenance: the artist’s estate; thence by descent £300 - 400 15 Leon Underwood, British 1890-1975 Towards Ladbrook watercolour, inscribed verso and further inscribed by Mary Underwood, 28x39cm (ARR) Provenance: the artist’s estate; thence by descent Note: this work bears an inscription verso by the artist’s wife dated 29/3/76 certifying the authenticity of this watercolour.

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£200 - 300

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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16 Gertrude Hermes, British 1901-1983 Mimosa and Scallops pastel, signed and dated 1947, further inscribed to the reverse of the frame, 48.5x37.2cm (ARR) ÂŁ200 - 300

16 17 Dame Laura Knight DBE RA RWS, British 1877-1970 The Bareback Rider etching, printed initial within the plate, signed in pencil, plate 25.2x12.4cm (ARR) ÂŁ700 - 900

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18 Sir Frank William Brangwyn RA RWS RBA, British 1867-1956 Work: Boiler Makers, Beer Porters, Pottery, Tea and Sugar, Fruit Porters, Curios and Coal, Fruit, Timber Porters, Rug Porters nine photolithographs from of the set of ten reproduced from the cartoons for the paintings for Lloyd’s Register, London, 1914, edition number 42 from the 70 numbered proof editions, in a folio bearing a signed and numbered label, each sheet 39x51cm (ARR)

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£400 - 600 19 No lot 20 Reginald Mills RBA FRSA, British 1896-1950 Self-portrait as a Renaissance artist, c.1930s oil on canvas laid down on board, signed, 39.8x29.7cm (ARR) Note: Reginald Mills is best known for his work as a fireman artist with the Auxiliary Fire Service during World War II, recording the London Blitz. £300 - 500

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21 Desmond Chute, British 1895-1961 St. Catherine (Catharina sponsa Xti) wood engraving on paper laid on a larger sheet of paper, signed in pencil on backing sheet, 10.4x8.3cm (ARR) Note: this engraving is from ‘Horae beatae Virginis Mariae: juxta ritum sacri ordinis praedicatorum’, Ditchling [England]: Typographia S. Dominici, 1923, Syn.4.91.59(11), p.49. £200 - 300 22 Bernard Sleigh RBSA, British 1872-1954 Studies of the nude seven pencils on wove paper, one heightened with black chalk, 38.1x28.3cm (max) (7) (ARR) Provenance: from the artist’s studio; Ivy Anne Ellis £200 - 300 23 Helen Allingham RWS, British 1848-1926 Studies of flowering weeds, possibly Creeping Charlie; four watercolours on a shared mount, 5.5x3.5cm (max) (4) Provenance: Abbott & Holder, London £100 - 150 23 12

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24 British Impressionist School, early 20th century

25 Harry John Pearson RBA, British 1872-1933

26 James Kerr-Lawson, Scottish 1864/65-1939

Sketch of a girl seated on a sand dune

Girl seated on a stool wearing a hat and black coat

View of a monastery on a hill top

oil on canvas, 51x38.5cm

oil on George Rowney & Co. Birchmore board, signed, 30.4x22.6cm

£400 - 600

oil on panel, bears inscription in pencil on the reverse, 19x28cm £400 - 600

£100 - 150

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27 William Bernard Adeney LG, British 1878-1966 French country lane with a cart and farm buildings oil on paper/card over pencil, signed, 31x39.5cm (ARR) £200 - 300 28 Henry Lamb RA, British 1885-1960 Drawing of a tramp ink on paper, bears Lamb studio stamp, 25x19.5cm (ARR) £300 - 500 29 Margaret Fisher Prout ARA, British 1875-1963 Portrait of Mrs West oil on board, signed, 83.7x60.7cm (ARR) Exhibited: New English Art Club, Royal West of England Academy, Bristol, according to the label attached to the reverse of the frame £1,200 - 1,800 29

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30 Joseph Gray, British 1890-1963 Marlow, Buckinghamshire oil on canvas, signed and inscribed verso, 30.5x46cm (ARR) Provenance: Diana Hewlings (the artist’s sister-in-law); thence by descent Note: Joseph Gray was an artist, illustrator, and camouflage painter.

A biography of the artist titled ‘Joseph Gray’s Camouflage’ by Mary Horlock was published in 2018. £200 - 300 31 Walter Taylor, British 1860-1943 Zinnias and daisies in a vase oil on board, signed, further signed and titled to the reverse, 30.5x36.5cm Note: Taylor was a founder-member of the London Group in 1913. £150 - 200

32 Cecil Kennedy, British 1905-1997

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Profusion of Summer Flowers oil on canvas, signed, 76x63cm (ARR) Provenance: with Fine Art of Oakham Ltd, where purchased by the present owner (bears label attached to the reverse of the frame) £2,500 - 3,500

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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33 Attributed to Sir Cecil Walter Henry Beaton CBE, British 1904-1980 Portrait of a soldier ink on paper, mount bears printed inscription, 36x23.5cm Provenance: from the collection of Derek Dodd, an Emmy- and BAFTA-nominated television and theatre set designer £300 - 500 34 Sir Cecil Walter Henry Beaton CBE, British 1904-1980 Portrait of an elegant lady standing full length by a window vintage gelatine silver print, signed in red ink on the margin, 21x16cm (ARR) Provenance: The Estate of the Late Hugh Skillen, 1908-1979 £250 - 350 35 Sir Cecil Walter Henry Beaton CBE, British 1904-1980

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Princess Margaret, a photograph relating to her 21st birthday portrait colour positive glass plate, 22x19cm (ARR) Provenance: The Estate of the Late Hugh Skillen, 1908-1979 £250 - 350

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36 36 John Cecil Stephenson, British 1889-1965 Portrait of Elizabeth Allison oil on canvas, signed and dated 1929, signed, titled and dated verso, 91x71cm (ARR) Provenance: Sotheby’s, London, 2 October 1996, lot 60 £600 - 800 37 Trevor Tennant, British 1900-1980 Portrait of the Artist’s Wife, the Sculptor Dorothy Annan oil on panel, signed, 39.2x29.1cm (ARR) Provenance: with Dorothy Annan; thence by descent; Cock Harbour Gallery; private collection; with The Maas Gallery, London, according to the label attached to the reverse of the support

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Note: Trevor Tennant and Dorothy Annan were members of the left-wing organisation Artists’ International Association, founded in London in 1933, whose aim was the ‘Unity of Artists for Peace, Democracy and Cultural Development’.

38 British School, early 20th century

£300 - 500

pastel, signed ‘George Kirst[?]’ and dated 1937, 74.5x61.5cm

Portrait of a lady in a pale blue dress

£300 - 500 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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39 Richard Garbe RA, British 1876-1957 Bust of a lady terracotta maquette, signed and dated 1948, 31cm high (ARR) £400 - 600 40 Charles Frederick Tunnicliffe OBE RE RA, British 1901-1979 Otters at Play watercolour, signed, 42x56cm (ARR) Provenance: with The Tryon Gallery Ltd, Cork Street, London, according to the label attached to the reverse of the frame Note: Tunnicliffe was known for his depictions of animals and birds. He illustrated the 1932 edition of Henry Williamson’s ‘Tarka the Otter’ with incredibly realistic depictions of otters swimming and playing.

In 1975 he won the gold medal of the Royal Society for the Protection of Birds.

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£600 - 800

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41 Neil Forster, British 1939-2016 Two bulldogs oil on board, signed, 24x34cm (ARR) Note: Forster was a figurative artist who had a talent for portraiture of dogs and horses. He was a friend of the Prince of Wales (and gave him painting lessons) and produced paintings of the Prince’s animals, as well as a portrait of the Prince himself in the role of the last Colonel-in-Chief of the Gordon Highlanders, now in the Regimental Museum. £200 - 300

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42 Neil Forster, British 1939-2016 Studies of Jack Russell terriers five chalk pastels/charcoals on buff and grey coloured paper, each signed in pencil, one titled ‘Kimmy’, 34x37.5cm (max) (5) (ARR) £3,000 - 5,000

42 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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43 Neil Forster, British 1939-2016 Seated nude with towel pastel on buff, signed in pencil, 20x15cm (ARR) Provenance: Bonhams, London, 10 November 1999, lot 106, from The Kimpton Collection ÂŁ500 - 800 44 Colin W Burns, British b.1944 Pheasants, Caister Back Mashes oil on canvas, signed, further inscribed on the selvedge verso, 30.5x42cm (ARR) ÂŁ800 - 1,200

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45 Thomas Martine Ronaldson, Scottish 1881-1942 The Round Pond with Kensington Palace beyond oil on panel, signed with monogram, 18.7x24.8cm £300 - 400 46 Mary Newcombe, British 1922-2008 Farm Ploughs and further Machinery pencil on buff coloured paper, signed, 16x48cm (ARR) £300 - 500

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47 Thelma Hulbert, British 1913-1995 Still life with chair, 1938 oil on canvas laid down on panel, signed and dated indistinctly, 34x27.5cm (ARR) Provenance: gifted by the artist to Mark Glazebrook; thence by descent

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Note: bears label with title and inscription verso. £200 - 300 48 William Eric Thorp, British 1901-1993 River nocturne pastel on brown paper, signed,15.5x23cm (ARR) £200 - 300 49 John Vicat Cole ROI RBA NEAC, British 1903-1975

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The Phonograph Man oil on canvas, 31x46cm (ARR) £100 - 200

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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50 Elwin Hawthorne, British 1905-1954 St. James, Kidbrooke, mid-1930s watercolour and pencil, 15.4x11.3cm (ARR) Provenance: the artist’s estate; thence by descent

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Note: Elwin Hawthorne grew up in Bow, East London. After leaving school at fourteen, he became interested in art and attended classes at the Bethnal Green Men’s Institute and the Bromley and Bow Institute. In 1928 he began working as a studio assistant for Walter Sickert, an acquaintance of Hawthorne’s tutor John Cooper. He exhibited with The East London Art Club at the Whitechapel Gallery in 1928 (where his name was misprinted as Hawthorne, rather than Hawthorn, a misspelling he continued to use throughout his career). This group morphed into the East London Group of artists, of which Hawthorne was a longstanding and prominent member.

A certificate of authenticity from the artist’s son accompanies this lot. £400 - 600 51 Elwin Hawthorne, British 1905-1954 Vanbrugh Park, Blackheath, 1934 pencil and watercolour, 17.3x12.4cm (ARR)

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Provenance: the artist’s estate; thence by descent Note: a certificate of authenticity from the artist’s son accompanies this lot. £400 - 600 52 Elwin Hawthorne, British 1905-1954 Victoria Park, 1932 pencil and watercolour, 17x12.2cm (ARR) Provenance: the artist’s estate; thence by descent Note: a certificate of authenticity from the artist’s son accompanies this lot. £400 - 600

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53 53 Elwin Hawthorne, British 1905-1954

54 Elwin Hawthorne, British 1905-1954

St Mark’s, Victoria Park

Blackheath, mid 1930s

watercolour, signed, inscribed, and dated 1929, 22.5x17.1cm (ARR)

pencil and watercolour, signed and inscribed, 23.9x13.5cm (ARR)

Provenance: the artist’s estate; thence by descent

Provenance: the artist’s estate; thence by descent

Note: a certificate of authenticity from the artist’s son accompanies this lot.

Note: a certificate of authenticity from the artist’s son accompanies this lot.

£600 - 800

£600 - 800

54 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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56 Letitia M Hamilton RHA, Irish 1878-1964 The Lustre Vase oil on canvas laid down on panel, signed, 49.5x39.5cm (ARR) Provenance: Mabel Gibson; thence by descent Note: On the back of the painting a label states "'The Lustre Vase' by Letitia Hamilton ARIA, presented by her to Gwen Lally for Mabel Gibson".

Mabel Gibson was an actress for part of her life, and Gwen Lally, who was involved in putting on historical pageants, lived with her for many years. £3,000 - 4,000 57 Clifford Hall RBA ROI, British 1904-1973 Dartmoor, April 1967, & View of the South Devon Coast between Teinmouth and Holcombe, 1960 two oils on panel, both signed and dated, each 19x24cm (2) (ARR) Note: we are grateful to Geraint Hall for his assistance in cataloguing these works.

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£300 - 500

55 Attributed to the East London Group, St John’s Church Wapping oil on board, 74x49cm Note: This is a painting of St John’s Church, Wapping, viewed from Scandrett Street. The work was likely painted between 1946 and 1963, after the church was bombed in the war but before restoration work began. £250 - 300

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58 James Dickson Innes NEAC, British 1887-1914 Collioure oil on panel, signed, 26.5x35.5cm Provenance: Wilfrid Evill; Miss Honor Frost; the Redfern Gallery, London (partial label attached to the reverse of the frame); Sotheby’s, London, 19 November 1980, lot 168; private collection; Christie’s London, 4 June 2004, lot 57; Agnew’s Gallery, London (label attached to the reverse of the frame); the Redfern Gallery, London; private collection, London; thence by descent Exhibited: Brighton Art Gallery and Museum, ‘The Wilfrid Evill Memorial Exhibition 1965’, cat no. 70 (label attached to the reverse of the frame) Note: Born in Wales, James Dickson Innes is best known for his expressive paintings of mountains and remote landscapes. He trained at the Slade School under Philip Wilson Steer, exhibited with the New English Art Club, and was a member of the Camden Town Group. Augustus John was a particular friend of his, and he had a two-man exhibition at the Chenil Gallery, London with the sculptor Eric Gill.

Innes visited Collioure on the Mediterranean coast of France near the Spanish border three times, first in 1908 with fellow artist John Fothergill. Drawn initially by the heat and location, Innes became enamoured with the vibrant colours and light and painted the picturesque harbour several times. He returned twice more in 1910 and 1912-13. £10,000 - 15,000

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59 Robert Dumont-Smith FRSA, British 1908-1994

60 Robert Dumont-Smith FRSA, British 1908-1994

61 Robert Dumont-Smith FRSA, British 1908-1994

Christ on the Cross

River Landscape

Self portrait, 1950

oil on canvas, signed, inscribed Cashel, Co. Tipperary, 63.5x77cm: together with another oil on canvas of a Mediterranean Coastal Town, signed, 61x107cm (2) (ARR)

oil on board, signed, 161x58.5cm: together with one other oil on board by the same artist depicting A man reflected in a mirror in an interior, 60.5x72cm (2) (ARR)

Provenance: from the Private Collection of Joan Crole (editor of his autobiography Before I Forget)

Provenance: from the Private Collection of Joan Crole (editor of his autobiography Before I Forget)

oil on board, signed and titled on the reverse, 30.5x25cm: together with two further oils on board by the same artist depicting Still life of flowers, and Canal scene, 22.2x30cm (max) (3) (ARR)

£200 - 300

£200 - 300

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Provenance: from the Private Collection of Joan Crole (editor of his autobiography Before I Forget) £200 - 300

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62 Robert Dumont-Smith FRSA, British 1908-1994 Abstract seascape oil on panel, signed, 52x61cm: together with two further oils on board by the same artist depicting Still life of bottles on a ledge, and Farm by a pond, with one further piece of ephemera on board, 30.2x73cm (max) (4) (ARR) Provenance: from the Private Collection of Joan Crole (editor of his autobiography Before I Forget) £200 - 300

63

63 Robert Dumont-Smith FRSA, British 1908-1994

64 Richard Beer, British 1928-2017

65 Ethel Gertrude Jones, British 1869-1949

Still Life with Tulips & Grapes

Dieppe

Clovelly

oil on canvas, signed, 55.5x76cm: together with a 1949 Royal Academy Exhibition Booklet of entrants and card of entry (2) (ARR)

oil on canvas, signed, 59.5x34cm (ARR)

oil on canvas, inscribed on the stretcher, 44x63.5cm (ARR)

Provenance: New English Art Club, Mall Galleries, London, according to label attached to the reverse

£400 - 600

Provenance: from the Private Collection of Joan Crole (editor of his autobiography Before I Forget)

£200 - 300

£200 - 300

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66 Arthur Derek Hill CBE HRHA, British 1916-2000 View from Lough Salt (Donegal) oil on board, signed with initials and dated 1968, further titled in pencil to the reverse of the board, 19.6x35.7cm (ARR) Note: Born in England, Hill was a long term resident of Ireland. Although best known as a portrait painter, he was also deeply inspired by the landscape near his home in Donegal. He was appointed art director at the British School in Rome for several years in the 1950s and 60s, where he met artists such as John Bratby, John Craxton, and Keith Vaughan. ÂŁ800 - 1,200 67 Horace Brodzky, Australian/British 1885-1969 Boatmen 67

oil on board, signed, dated 1915, and titled to the reverse, 28.4x23.3cm (ARR) Provenance: from a New York private collection ÂŁ500 - 700

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Lots 68-72 have been donated to the Ben Uri Museum to be sold for the benefit of their collection programmes 68 Emmanuel Levy, British 1900-1986

71 Emmanuel Levy, British 1900-1986

Rothenberg on the River Tauber, circa 1965

Anna

chalk, black ink, pastel and wash on paper, signed, 47x61cm: together with one other pastel on paper by the same artist depicting Female nude kneeling, signed in pencil, 52x32.5cm (2) (ARR) £150 - 200 69 Emmanuel Levy, British 1900-1986 Venice,1961 mixed media on paper, signed and dated in ink, 56x45.5cm (ARR)

oil on board, signed, 71.5x55cm (ARR) £200 - 300 72 Emmanuel Levy, British 1900-1986 St Stephen’s Church, Vienna ink on paper, signed, 25.5x37.6cm: together with a watercolour by the same artist entitled Spring on the Yorkshire Dales, signed and dated 73 in biro, 39.2x53.5cm (2) (ARR)

70

£200 - 300

£150 - 200 70 Emmanuel Levy, British 1900-1986 Home, 1971 chalk and ink wash on paper, signed, 48.5x35.5cm: together with two other works by the same artist depicting Malta, pencil on paper, signed and dated 71 in pencil, 23.1x29.3cm, and The Garden, pen on paper, signed in pen, 35x25cm (3) (ARR) £250 - 300

71

72 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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73 73 Hans Schwarz NEAC RWS RP RBA, Austrian/British 1922-2003

74 Elizabeth Jane Lloyd, British 1928-1995

Figures by trees in a hillside landscape

Meconopsis Poppies

watercolour, signed and dated 88, 53.2x72.3cm (ARR) Note: Schwarz moved to Birmingham and resumed his studies after he was expelled from art school in Vienna by the Nazis in 1938. He was later a member of the Contemporary Portrait Society and an honorary life member of the Hampstead Artists’ Council. £800 - 1,200

oil on panel, signed with initials, 59x49cm (ARR) Exhibited: Kew Gardens Gallery, ‘The Turning Year’, 1994 £200 - 400 75 Raymond Coxon, British 1896-1997 Untitled forms oil on canvas, signed, 51x77cm (ARR) Provenance: Bonhams and Brooks - The studio sale of Raymond Coxon (bears stamp to stretcher and canvas verso) £300 - 400

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76 76 Mary Fedden OBE, British 1915-2012 Vase of Flowers; oil on canvas, signed and dated 1948, 51x76cm (ARR) Note: Mary Fedden studied at the Slade School of Art from 1932-1936. She served in the Land Army and the Women’s Voluntary Service during the Second World War, before returning to painting in peace time. This elegant early still life shows the influence of Neo-Romanticism in her work and is darker in tone and more painterly in style than her later work. It does, however, foreshadow her better known later still lifes in its carefully planned composition and vibrant reds, pinks, and blues.

The Portland Gallery have kindly confirmed the authenticity of this work. ÂŁ4,000 - 6,000

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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77 77 Sir William MacTaggart PRSA, Scottish 1903-1981 Farm buildings in a hilly landscape pencil on paper, 10x14cm (ARR) Provenance: the artist’s studio sale, Christie & Edminston’s, 2 July 1981; St. Andrew’s Fine Art, Scotland (according to the label attached to the reverse of the frame) £200 - 300 78 June Mendoza AO OBE RP ROI, Australian b.1924 Portrait of Miriam Karlin oil on canvas, signed, 104x59cm (ARR) Note: This work has been donated to the Ben Uri Museum to be sold for the benefit of their collection programmes. £500 - 800

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79 John Stanton Ward CBE RA, British 1917-2007 Miss Lucy Freeman oil on canvas, signed and dated 68, bears inscription on the selvedge, 76x50.5cm (ARR) Exhibited: The Royal Academy Summer Exhibition, 1969, no. 31 £1,500 - 2,500 80 John Stanton Ward CBE RA, British 1917-2007 Gillian, Summertime, 1989 oil on canvas, signed and dated, titled and inscribed on the reverse of the frame and selvedge, 72x50cm (ARR) £800 - 1,200 81 Feliks Topolski RA, Polish/British 1907-1989 Joan watercolour on wove paper, signed with initials and inscribed, titled in pencil, 36.8x26.9cm (ARR) £300 - 500

81 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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82 82 Laurence Stephen Lowry RBA RA, British 1887-1976 Man with Children and Dog oil and pencil on paper, 25.4x17.8cm (ARR) Provenance: The Estate of the Artist; private collection, London Note: L.S. Lowry is best known for his industrial landscapes of North West England, particularly around Salford and Pendlebury, Lancashire, where he worked as a rent collector for most of his career. His busy scenes around mills and factories are often populated with ‘matchstick men’, small spindly figures who together create a sense of great business, a buzzing hive of human activity. In the present drawing, acquired from the artist’s estate, Lowry has distilled the urban environment down to four figures and a dog.

The bold, confident lines, heavy shading, and stooped posture of the figures are all characteristic of his draughtsmanship. Strokes of his signature warm white oil paint serve to heighten the contrast between the dark figures and the lighter background. £7,000 - 10,000

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83 Edward Wolfe RA, South African/British 1897-1982 Repose black pen on paper, signed, 52x32cm (ARR) Note: This work has been donated to the Ben Uri Museum to be sold for the benefit of their collection programmes. £200 - 300 84 Lillian Holt, British 1898-1983 The Old Curiosity Shop, 1968 charcoal on paper, signed and dated in pen, 30.7x24.5cm (ARR) Provenance: with Boundary Gallery according to label attached on the reverse of the frame £500 - 800 85 Lillian Holt, British 1898-1983 El Barrio, San Fransisco, Ronda charcoal on paper, signed and inscribed in pen, 43.5x58.5cm (ARR)

83

Provenance: with Boundary Gallery according to label attached to the reverse of the frame £800 - 1,200

84

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

85

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87 86 Attributed to Inez Estelle Hoyton, British 1903-1983

88 Mary Krishna, British 1909-1968

Abstract composition

Studies of performers, boxers and dancers

watercolour, 20x24cm (ARR)

six crayon drawings on coloured Ingres laid paper, one signed, one with crayon drawing to verso, 24x15.5cm (max) (6) (ARR)

£150 - 200 87 Joseph Webb, British 1908-1962

Provenance: with Alton Gallery, Barnes

Windsor Castle

89 Pic (Charles Samson Higgins), British 1893-1980

eight drypoint etchings on laid paper, each signed and titled in pencil, each 22.5x34.8cm (8) (ARR) £1,200 - 1,600

£150 - 200

Discovery of a Curiously Coloured Country mixed technique oil and gouache on card, 9.3x16.1cm: together with four other works on various paper and card supports by the same artist, each signed, and further signed, titled, and dated to the reverse, 20.2x22.7cm (max) (5) (ARR) Provenance: with Alton Gallery, Barnes £100 - 150

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90

91

90 Alistair K MacDonald, Scottish 1880-1948

92 William Walls RSA RSW, Scottish 1860-1942

Illustration studies

Studies and sketches of farm animals, and farm and country landscapes

pen and black ink and watercolour with touches of white on buff paper, a pair, one signed and dated 1903, each 25.2x17.7cm: together with one other pen and ink study heightened with white by the same artist, 23.5x15.8cm (3) (ARR) Note: MacDonald was born to British parents in Argentina and moved to the Isle of Skye at the age of two.

eighteen watercolours, most signed, dated and titled, and some certified by the artist’s son to verso in pencil, 26.5x41cm (max) (18) Provenance: with the son of the artist, H J Walls; Highgate Gallery £200 - 300

£350 - 450 91 Albert Daniel Rutherston NEA RWS, British 1881-1953 Seated woman leaning on her left arm pen and wash, signed and dated 1944, 39.5x26.5cm (ARR) Provenance: with Sally Hunter Fine Art, London, where exhibited in ‘Albert Rutherston’, October 1996, according to the label attached to the reverse of the frame £200 - 300 92 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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93

94

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96

98

93 Edward Wesson RI RBA RSMA, British 1910-1983

95 Lady Eliza Rolleston, British exh. 1907-1918

97 Lady Eliza Rolleston, British exh. 1907-1918

St Paul’s from the Thames

Mr. Bleriot’s Monoplane, Hardelot, Northern France, Sept. 1911

Children playing on a beach, & Dicky Hull, Hardelot

coloured pencil, inscribed and dated in pencil, 22.8x30.7cm: together with four further coloured pencil drawings by the same artist depicting Wicklow, Houghton Hall, Norfolk, Mrs. Baynes-Badcock, and Lady Evelyn on the beach at Hardelot, circa 1910/1911, all inscribed and dated in pencil, each 22x29.4cm (5)

two coloured pencils on paper, one inscribed in pencil, 21x27.5cm (max) (2)

watercolour, inscribed to the reverse of the frame: together with three further watercolours by the same artist of Buckingham Palace, Port Appin, Argyllshire, & On The Foreshore, Loch Linnhe, all signed, each approx.31.7x49.5cm (4) (ARR) £800 - 1,200 94 Edward Wesson RI RBA RSMA, British 1910-1983 Winter Skyline, Suffolk watercolour, signed: together with four further watercolours by the same artist of a Norfolk landscape, Moorland hillside lake, Mountainous lake, & Moorland lake scene, all signed, one titled and inscribed to the reverse of the frame, each approx. 31.7x48cm (5) (ARR) £600 - 800

Note: Louis Blériot pioneered the first flight across the English Channel in a heavier-than-air aircraft, on 25 July 1909. £150 - 200 96 Lady Eliza Rolleston, British exh. 1907-1918 Study of a young girl seated on a beach in a red coat and hat coloured crayon, 19.8x29cm: together with four further drawings in coloured pencil and crayon by the same artist depicting figurative studies of people, seated or standing, most drawn when in Hardelot, Northern France, 21.2x29cm (max) (5)

£100 - 150 98 Tom Simpson, British c.1846-c.1926 Country landscapes five watercolours, each inscribed in pencil to the reverse, 35.5x25.5cm (max) (5) Provenance: Milne and Moller Gallery; private collection, London £100 - 150 99 Anthony Ratallock, British, late 20th/early 21st century Romney Marsh, near Ruckinge; watercolour on two pieces of joined paper, signed, 12.5x42cm (ARR) £100 - 150

£150 - 200 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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100

101

100 Walter Ernest Webster RI ROI VPRP, British 1878-1959

102 Violet Caroline Duckworth-King, British 1894-1986

Portrait of a girl reading

Oedipus

watercolour, 78.3x56.6cm: together with four offset lithographs printed in colour, one signed in pencil, and one photogravure on linen chine applique, all after the same artist, 66.5x54.7cm (max) (6) (ARR)

two watercolours, both signed with initials and further signed and titled to the reverse in pencil, each 28x38cm (2) (ARR)

£180 - 220 101 Violet Caroline Duckworth-King, British 1894-1986 Street scene watercolour over pencil, signed with initials in pencil: together with two other watercolours by the same artist of a River scene, & Park scene, each signed with initials,18.5x23.5cm (max) (3) (ARR) Note: Violet Caroline Duckworth-King was the daughter of Sir Dudley Gordon Alan DuckworthKing, 5th Bt. In 1920 she married Cecil Bradshaw to become Violet Duckworth-Bradshaw. £100 - 150

42

£100 - 150 103 Violet Caroline Duckworth-King, British 1894-1986 On The Beach gouache on green/grey coloured wove paper, signed in blue biro, further titled and inscribed in pencil to the reverse of the mount, 15.7x27.5cm: together with three gouaches on coloured laid paper sketches depicting beach and parkland scenes, two signed with initials, one inscribed in pencil, and a watercolour on wove paper depicting a cat sleeping on a chair in an interior, signed with initials, inscribed in pencil to the reverse, 28.4x22.8cm (max) (5) (ARR) £150 - 200

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104 HRH The Prince of Wales, Prince Charles, British b. 1948 Wensleydale from Moorcock, 1990 lithograph on Somerset watermarked paper in 13 colours, signed with initial, dated, titled, and numbered 23/295 in pencil, bears publisher’s blindstamp and blindstamp of the Prince of Wales, published by Anna Hunter and Guy Thompson, printed by Stanley Jones at Curwen Chilford Prints, image 38x27cm (ARR) Note: HRH The Prince of Wales (Prince Charles) has published a number of lithographs to benefit his charity, The Prince Charles Trust.

104

£400 - 600

105 Peter Prendergast, British 1946-2007

105

Deiniolen, 1998 gouache and acrylic on paper, 51x61cm (ARR) Provenance: with Boundary Gallery, London, according to label attached to the reverse of the frame £2,000 - 3,000 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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106 Neil Gordon, British b.1959 Self Portrait charcoal and chalk on paper, 25x25cm (ARR) Provenance: with Boundary Gallery, London, according to label attached to the reverse of the frame £400 - 600 107 Stan Smith, British 1929-2001 Male nude seated in sunlit room watercolour, signed in pencil, 31x22.5cm (ARR) £150 - 200

106

108 Adrian Daintrey RWA, British 1902-1988 Salisbury watercolour, signed and titled in black ink, 17.2x25cm (ARR) Provenance: with Sally Hunter Fine Art, according to gallery label attached to the reverse of the frame £150 - 200 109 Gerald Ackerman RI, British 1876-1960 Tintern Abbey & Richard Castle, York

108

two watercolours, both signed, each 23.5x35cm (2) (ARR) Provenance: with The Fine Art Society Ltd., London, according to labels attached to each of the frames £300 - 400

109 44

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110 Sir Herbert Edward Pelham Hughes-Stanton RA HRMS HROI RSW PRWS, British 1870-1937 Hilly Italian landscape watercolour, signed and dated 1930, 55.5x77.5cm £150 - 200 111 Sir Herbert Edward Pelham Hughes-Stanton RA HRMS HROI RSW PRWS, British 1870-1937 Views of Lycabettos, Athens two watercolours, one signed, both inscribed verso in pencil, one bears applied label dated 1937 on the back board, both 25.5x35.8cm (2) (ARR)

110

Note: Hughes-Stanton was a member of Society of 25 Artists. £200 - 300 112 Antony Dufort RBS SPS, British b.1948 Nude reclining pencil on Colyer & Southey board, signed with monogram in pencil, further signed to the reverse, 27.9x37.3cm (ARR) Provenance: acquired directly from the artist

111

£150 - 200

112 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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113

114

115

113 Barbara Dorf, British 1933- 2016

114 Barbara Dorf, British 1933- 2016

115 Barbara Dorf, British 1933-2016

Interior and Chimneys, & Thames and Hammersmith;

Poppies and ranunculi;

Still life interiors

watercolour, signed and dated 86 in pencil, 18.5x19.5cm: together with two further watercolours by the same artist, depicting still life of flowers, both signed and dated 83 & 86 in pen and pencil, 24x17.5cm (max) (3) (ARR)

two watercolours on hand-cut paper, both signed and dated ‘84 in pen, one with a further watercolour verso depicting a church in a landscape, 25.9x19cm and 23.7x19cm (2) (ARR)

£150 - 200

116 Barbara Dorf, British 1933-2016

two watercolours, one signed and dated 76 in pencil, 19x14cm (max) (2) (ARR) £100 - 150

£100 - 150

Lake, garden and London views four watercolours, each signed and dated, one dedicated, three with further watercolours verso depicting London scenes; 28x38cm (max) (4) (ARR) £200 - 300 117 Barbara Dorf, British 1933-2016 A series of still lifes with vases and flowers

117

five watercolours, three signed and dated 84 in pen, two signed and dated 86 in pencil, three with further watercolours verso depicting landscape scenes, 32.2x21cm (max) (5) (ARR) £200 - 400

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118 Ian Grant, British b.1947 Chariot; gouache on brown paper, inscribed in pencil to the mount, 17.8x31.6cm (ARR) Provenance: with Milne and Moller Gallery, London £100 - 150

118

119 George William Collins, British 1863-1949 Old Houses, The Strand, Leigh-On-Sea, Essex watercolour, signed, inscribed and dated 1932 in pencil: together with three further watercolours by the same artist of Cricket at Southchurch, At Abingdon, & Fishing on a town river, two signed and titled, 24.3x33.4cm (max) (4) (ARR) £100 - 150

119

120 Villiers David, British 1906-1985

122 John Edward Meade FRSA, British 1909-1982

Ramadan

View of a town street and church

watercolour, signed, 22.6x31.3cm (ARR)

watercolour, signed in pencil, 26.3x34.9cm (ARR)

Provenance: with J S Maas & Co Ltd, London, according to the label attached to the reverse of the frame £100 - 150

Note: In 1946, Meade joined the Ministry of Works as an artist restorer, where he worked on the restoration of ceilings at the Royal Naval College, Greenwich, and on the Queen’s Audience Chamber at Windsor. £80 - 120

121 Hal Woolf NS, British 1902-1962 Pimlico watercolour and pencil, signed and dated ‘36, 26.3x36.3cm (ARR) Exhibited: The Woodstock Gallery, London, loaned by Finbar Gibbings Esq., according to the former frame label attached to the reverse of the mount £150 - 200 120 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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123 Lucy Dawson, British 1867-1958 The Lazy Model black and white chalk on buff paper, signed and titled, 21.5x27.8cm (ARR) Note: Lucy Dawson also worked under the name ‘Mac’. She was mainly known for her works in pastel, including dog portraits. She was commissioned by the Royal Family to paint their favourite corgi, named Dookie, with the painting later reproduced as the family’s personal Christmas card.

123

£500 - 700

124 124 Sir Albert Edward Richardson PRA, British 1880-1964 A Cathedral Fantasy ink, pencil, and watercolour on paper, signed with initials and dated 1930, 62x72cm (ARR) Exhibited: Luton Museum & Art Gallery, according to the label attached to the reverse of the frame Provenance: Christie’s, London, 19 September 2013, ‘The Collection of Professor Sir Albert Richardson PRA’, lot 353 £1,000 - 1,500 48

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125

126

125 Roy Spencer, British 1918-2006

127 Marion Rhodes RE, British 1907-1998

128 Brenda Holtam RWS, British b.1960

Cheyne Row, Chelsea

A folio of studies and sketches of various subjects to include still life, figures and botanical studies

Welsh dresser, & Mother and child in a doorway, 1990;

charcoal, signed in pencil, titled to the reverse in pencil, dated c.1948 in pencil to the reverse of the mount, 28x37.8cm (ARR) £150 - 200 126 Robert G D Alexander, British 1875-1945

mostly pencil on wove paper, some chalk on coloured paper, most signed in pencil, some further inscribed and titled, 38.3x55.8cm (max) (folio) (ARR)

two oils on board, both signed, one dated in pen and pencil verso, 17x18.5cm and 12.7x13cm (2) (ARR) £150 - 200

£300 - 500

Studies of marine and countryside landscapes; four watercolours, each inscribed in pencil to the reverse, 25.4x31.7cm (max) (4) Provenance: from the studio of the artist £100 - 150

127 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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129

129 John Wilkinson, British b.1934 Peonies watercolour on Saunders Waterford paper, signed, 54.8x75.2cm (ARR) £400 - 600 130 Peter Samuelson, British 1912-1996 Gussie in the Chelston Cross Studio ink and white paint on buff paper, 23.7x27cm (ARR)

130

Provenance: This drawing was executed in 1952 in Torquay. It was purchased by the current owner’s grandfather from Roy Miles Gallery, London (label attached to the reverse of the frame) in the 1970s, having previously been in a private collection £600 - 800

50

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131 Philip Naviasky, British 1894-1983 Collioure pencil drawing, signed and titled in pencil, 26.7x37cm (ARR) Provenance: with Boundary Gallery, London, according to the label attached to the reverse of the frame £250 - 350 132 Philip Naviasky, British 1894-1983 Mending the Nets

131

soft pencil on paper mounted onto board, signed and inscribed in blue pen, 24x38.4cm (ARR) Note: This work has been donated to the Ben Uri Museum to be sold for the benefit of their collection programmes £100 - 150 133 Claude Marks, British/American 1915-1991 Sir Laurence Olivier as ‘The Captain’ in The Dance of Death pen and ink, signed and dated 1967, 14x16.5cm (ARR) Provenance: with Wright Hepburn Gallery, London, according to the label on the reverse of the frame £300 - 500

133

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134 134 Charles Keeping, British 1924-1988

135 John Behan, Irish b.1938

Head of the flayed skin of the Lion of Nemea

Death and the Maiden

pen and ink on paper, signed and dated 1972, 27.7x44cm (ARR)

ink and watercolour, signed and dated 69, 30x25.5cm (ARR)

Note: This work is an illustration design for the book jacket and pages 94/95 of ‘The Golden Shadow’ by Leon Garfield and Edward Blishen, published by Kestrel Books, 1973/1978. Keeping was an illustrator and children’s book author best known for his illustrations for Rosemary Sutcliff’s historical children’s novels, and for the complete works of Charles Dickens for the Folio Society. He was awarded two Kate Greenaway medals during his career. £800 - 1,200

Provenance: Private UK Collection £200 - 300 136 Agnes Drey, British 1890-1957 Still life with Staffordshire figurine oil on canvas, signed, 50.6x61.2cm (ARR) Provenance: with Tony Sanders Gallery, Penzance, according to the inked stamp to the reverse of the canvas Note: Drey was a founder-member of the Penwith Society. £200 - 300

136 52

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137 Rowland Hilder OBE, British 1905-1993 China Clippers mixed media on paper, signed, titled and inscribed on backed board, 37.5x61.2cm (ARR) Provenance: gifted from the artist to the present owner’s father; thence by descent £400 - 600 137 138 John Randall Bratby RA, British 1928-1992 Goat’s head soft pencil on paper, signed in pencil, 20.7x29.5cm (ARR) £200 - 300

138 139 John Randall Bratby RA, British 1928-1992 Beaumont Park Concert gouache, pencil and crayon on paper, signed and inscribed in pencil, 58x41.5cm (ARR) Provenance: purchased from the studio of the artist £800 - 1,200

139 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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140 140 Desmond Morris, British b.1928 Play is Serious mixed media on paper, signed with initials and dated 15, 29.2x41.5cm (ARR) Provenance: acquired directly from the artist Note: we are grateful to Silvano Levy for his assistance with the cataloguing of this work. £1,000 - 1,500 141 Desmond Morris, British b.1928 Statue ink and watercolour on paper, signed with initials, dated 73 and inscribed, 37x24.5cm (ARR) Provenance: acquired directly from the artist Literature: Silvano Levy, Desmond Morris Analytical Catalogue Raisonné 1944-2000 (Antwerp: Petraco-Pandora, 2001), p. 300, cat. no. 1973/25 £1,000 - 1,500 141 54

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142 142 Scottie Wilson, Scottish 1888-1972

143

Birds and Flowers watercolour and gouache on black paper, 30.5x24cm (ARR) Note: This work has been donated to the Ben Uri Museum to be sold for the benefit of their collection programmes. £500 - 800 143 Scottie Wilson, Scottish 1888-1972 Birds and Flowers watercolour and gouache on black card, 40.5x26cm (ARR) Note: This work has been donated to the Ben Uri Museum to be sold for the benefit of their collection programmes. £600 - 800 144 Scottie Wilson, Scottish 1888-1972 Birds

144

watercolour and gouache on paper laid down on card, signed, 53x41cm (ARR) Note: This work has been donated to the Ben Uri Museum to be sold for the benefit of their collection programmes. £600 - 800 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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145 Euan Uglow, British 1932-2000 Vase charcoal on paper, 42.3x41.5cm (ARR) Provenance: L.A. Louver Gallery, Venice, California; Browse & Darby Gallery, London, 1983; private collection, London ÂŁ800 - 1,200

56

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146 Bernard Cohen, British b.1933

148 Attributed to Anthony Hill, British b.1930

Abstract drawing

Relief construction

ink on very fine paper, signed and dated 64, 17.8x12cm (ARR)

mixed media perspex relief construction, 46x26cm (ARR)

£200 - 300

Note: this lot is accompanied by a copy of ‘Constructed Abstract Art in England, A Neglected Avant-Garde’, by Alastair Grant.

See pp.186-194 for similar works.

147 Josef Herman OBE RA, Polish/British 1911-2000

£200 - 300

Untitled (Lion) pen, black ink and wash on paper, 16x21.5cm (ARR) Provenance: with Bernard Jacobson Gallery, London Note: Agi Katz has kindly confirmed the authenticity of this work. £200 - 300

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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149 Derrick Sayer, British 1917-1992

151 Derrick Sayer, British 1917-1992

Untitled abstract

XII

watercolour, gouache and pastel on paper, 83x57.5cm (ARR)

watercolour, gouache and pastel on paper, signed, inscribed, and dated 1980, 83x58cm (ARR)

Provenance: from the collection of the Chelsea and Westminster Hospital £200 - 300 150 Derrick Sayer, British 1917-1992 Tree 150

watercolour, gouache and pastel on paper, signed, inscribed, and dated 1992, 83x58cm (ARR)

Provenance: from the collection of the Chelsea and Westminster Hospital £200 - 300 152 Derrick Sayer, British 1917-1992 Untitled (large abstract) watercolour, oil, and acrylic on brown paper, signed and dated 79, 99.5x252cm (ARR)

Provenance: from the collection of the Chelsea and Westminster Hospital

Provenance: from the collection of the Chelsea and Westminster Hospital

£200 - 300

£400 - 600

151

152 58

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153 Roy Carnon, British 1911-2002 Boat to Norway oil on board, signed, further signed and titled to the reverse, 65.5x44.5cm (ARR) Note: Carnon was an illustrator and best known for his involvement in the production of concept drawings and paintings for the film ‘2001: Space Odyssey’ in 1965, before further working on concept designs for other films such as the Bond films, ‘Superman’ and ‘Raiders of the Lost Ark’. £150 - 200 154 Roy Carnon, British 1911-2002 Denmark oil on board, signed, further inscribed to paper label to the reverse, 28.8x56.3cm (ARR) £150 - 200 155 Roy Carnon, British 1911-2002

153

Houses in a Harbour, Norway oil on board, signed, further signed and titled in black marker to the reverse, 30.6x46.3cm (ARR) £150 - 200 156 Roy Carnon, British 1911-2002 Sortland, Lofoten

155

oil on board, signed, further signed and inscribed in blue biro to the reverse and to a paper label attached to the reverse, 44.3x59.8cm (ARR) £150 - 200

156 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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157 Derek Carruthers, British b.1935 Vertical Pressure II polychrome painted plaster & mixed media relief, signed, inscribed and dated 62.3 verso, 71x60.7x7cm (ARR) £1,000 - 1,500

157 158 Jack Smith, British 1928-2011 Sound Graph oil on board, signed, titled and dated 1973 to the reverse, 74x88.5cm (ARR) Exhibited: Sunderland Arts Centre, Sunderland, ‘Retrospective’, according to the label attached to the reverse of the board Note: Smith was taught by both Ruskin Spear and Carel Weight at the Royal College of Art. £400 - 600

158

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159 Roy Conn, British 1931-2018

159

160

Abstract Geometric composition pencil and gouache on textured paper, signed and dated 1954 on the reverse of the frame, 50.5x38cm (ARR) £150 - 200 160 Roy Conn, British 1931-2018 Geometric relief with purple square collage and oil on board, signed and dated 1963 to the reverse of the frame, approx. 25x25cm (ARR) £150 - 200 161 Roy Conn, British 1931-2018 Blue and brown abstract oil on canvas, signed and dated April 1962 verso, 40.5x50.5cm (ARR) £100 - 150 162 Edward Dutkiewicz, British 1961-2007 Humanoid on a Mirror acrylic on metallic foil paper, 77x51cm (ARR) Provenance: from the collection of the Chelsea and Westminster Hospital, believed to have been donated by the artist

162

£150 - 200

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163

163 Sir Eduardo Paolozzi CBE RA, Scottish 1924-2005

164 Sir Eduardo Paolozzi CBE RA, Scottish 1924-2005

Study for mosaic designs

Abstract drawing

hand colouring (gouache) over photocopied base on paper, 29.5x41.5cm (ARR)

pencil on paper, 24.5x17cm (ARR)

Provenance: the artist’s estate; thence by descent

£600 - 800

£3,000 - 4,000

62

Provenance: the artist’s estate; thence by descent

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165

165 Sir Eduardo Paolozzi CBE RA, Scottish 1924-2005 Geometric drawing pencil on paper, 24.5x17cm (ARR) Provenance: the artist’s estate; thence by descent £600 - 800 166 Sir Eduardo Paolozzi CBE RA, Scottish 1924-2005 Pair of collages two collages on paper, one bears signature to reverse of frame, each 29.5x20.5cm (2) (ARR) Provenance: the artist’s studio; Marcus Campbell Art Books, London, where purchased by the present owner £300 - 500

166 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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167

168

167 Sir Eduardo Paolozzi CBE RA, Scottish 1924-2005

168 Sir Eduardo Paolozzi CBE RA, Scottish 1924-2005

169 Sir Eduardo Paolozzi CBE RA, Scottish 1924-2005

Right foot

Sphere

plaster, 13x19.5x9cm (ARR)

plaster with lacquer, 9cm diameter (ARR)

Four small gears & Two medium gears

Provenance: the artist’s studio; Marcus Campbell Art Books, where purchased by the present owner £200 - 300

Provenance: the artist’s studio; Marcus Campbell Art Books, where purchased by the present owner £300 - 500

six plaster maquettes, various dimensions, 10x4.5cm (max) (6) (ARR) Provenance: the artist’s studio; Marcus Campbell Art Books, where purchased by the present owner £200 - 300

169

64

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170 170 Sir Eduardo Paolozzi CBE RA, Scottish 1924-2005 Two large gears & Small ear three plaster maquettes, large gears each 11x8x4cm, small ear 7.5x5x1cm (ARR) Provenance: the artist’s studio; Marcus Campbell Art Books, where purchased by the present owner £300 - 500

171 171 Sir Eduardo Paolozzi CBE RA, Scottish 1924-2005 Six Million Dollar Man, Car, & Popeye on a Gear three plaster maquettes, various dimensions, 18.5x6x4cm (max) (3) (ARR) £400 - 600 172 Sir Eduardo Paolozzi CBE RA, Scottish 1924-2005 Large head plaster, signed with initials in pencil, 13x7x10cm (ARR) £300 - 500 172 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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174 Robert Hill, British 1932-1990 Farmstead oil on canvas, inscribed verso ‘David Murray Scholarships/Robert Hill’, further inscribed ‘Farmstead’ on stretcher, 76x101.5cm (ARR) Note: This is an early work by the artist, entered for one of the David Murray Scholarships in landscape while he was a student at the Royal Academy Schools. He won several of these scholarships in the 1950s. £300 - 500 175 Robert Hill, British 1932-1990 Demolition, Holland Park House, London oil on board, signed and dated 54, inscribed ‘Robert Hill, David Murray [scholarship]’ verso, 74x121cm (ARR) 173 173 David Blackburn MBE, British 1939-2016

Exhibited: Daily Express Young Artists Exhibition, 1955, according to the label attached verso £500 - 700

Beach, Stone and Magic Carpet pastel on paper, signed and dated 1983, further signed, inscribed, and dated verso, 68.5x53cm (ARR) £300 - 500

175 66

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176

176 Francis Davison, British 1919-1984 Yellow, blue, grey and black, 1970 paper collage, 95x92cm (ARR) Provenance: Sotheby’s, London, 3 November 2010, The Robert Devereux Collection sale, lot 333; Simon Hilton Ltd, according to the label attached to the reverse of the frame £3,000 - 5,000

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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177 Geoffrey Raymond Reeve ARCA, British b.1936 Revolution oil on board, signed and dated 56, also titled and dated verso, 50x37cm (ARR) Provenance: from the artist’s studio £400 - 600 178 Michael Canney, British 1923-1999 Contrapuntal I, 1980 mixed media relief sculpture, signed, inscribed and dated 1980 on the reverse, 35.3x35.3cm (ARR) £400 - 600 179 Harold Cohen, British 1928-2016 Untitled abstract composition mixed technique collage, drypoint with monochrome watercolour wash, 39x28.1cm (ARR) 177

Exhibited: Ashmolean Museum, Oxford, Oxford University Art Club, Monday 19th November 1951, according to the invitation card accompanying this lot £150 - 200

178 68

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180 Jolan Polatschek Williams, Austrian/British 1908-1988 Abstract oil on canvas, signed and dated ‘64, further signed to the reverse, and inscribed to paper label attached to the reverse, 61x50.4cm (ARR) £200 - 300 181 Jolan Polatschek Williams, Austrian/British 1908-1988 Abstract oil on canvas, signed in pencil to the selvedge, further inscribed and dated to partial paper label attached to the selvedge, 40.5x30.5cm (ARR) £200 - 300 182 Roger Mayne, British 1929-2014 Girl, Islington, 1959, & Teenage Couple, Crystal Palace, 1961

180

two vintage silver prints, both signed, titled, dated and annotated and bearing the artist’s stamp verso, 23.7x17.4cm and 25x17.8cm respectively (2) (ARR) Provenance: Sotheby’s, 18 September 2018, Made in Britain Sale, lot 184 £300 - 500

182 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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183 183 Kit Barker, British 1916-1988

185 Kit Barker, British 1916-1988

Mud Flats, Arnside

Untitled (American cityscape)

oil on canvas, signed, inscribed and dated verso, 76x102cm (ARR)

watercolour and gouache on paper, signed and dated 74, 14x20.5cm (ARR)

Provenance: purchased from The Waddington Galleries, London, in 1966; private collection; Adams, Dublin, 24 November 2013, lot 590

Provenance: Collection of Leslie Norris; private collection; Cotswolds Auction, 2009, where purchased by the present owner

£600 - 800

£200 - 300

184 Kit Barker, British 1916-1988

186 Kit Barker, British 1916-1988

St Mark’s, Venice

Thruxton Folly, Wiltshire, 1974

gouache and watercolour on paper, signed and dated 48, 30.5x45.7cm (ARR)

watercolour on paper, signed and dated indistinctly, 15.3x24.5cm (ARR)

£200 - 300

£200 - 300

184

185

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187 Kit Barker, British 1916-1988 Face of Shelley at Levici pencil, pastel and charcoal on paper, inscribed, further inscribed verso ‘For Leslie Norris, with love, Kit’, 41.5x29cm (ARR) Provenance: Collection of Leslie Norris; private collection; Cotswolds Auction, 2009, where purchased by the present owner £200 - 300 188 Robert Hunter, British 1920-1996 Family gouache on wove paper, signed and titled, 36x28cm (ARR) £100 - 150

189 190 Michael Craig-Martin CBE RA, Irish b.1941 Prototype of 4 Complete Clipboard sets extended to 5, 1971

gouache on card, signed, 26.8x22.3cm (ARR)

letter in blue ink, signed and dated 1971, clipboard, with multiple photocopied notes with sketched drawings and typed text, 37.5x23cm (max) (a lot): together with additional ephemera about the artist and his work to include a catalogue of Selected Works 1966-1975 from the Arnolfini Gallery and another from the Waddington Gallery 1985, in addition to private view invitation cards from 1969-1976, taken from the Rowan Gallery, Arnolfini Gallery, and the Turnpike Gallery, 22.5x21cm (max) (a lot) (ARR)

£100 - 150

£200 - 300

189 Robert Hunter, British 1920-1996 Abstract composition

190 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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191

191 Olwyn Bowey RA, British b.1936 The Walled Garden oil on board, signed, 73.7x99cm (ARR) Exhibited: Royal Academy Summer Exhibition, 1999, no. 737 Note: a copy of the catalogue for the 1999 RA Summer Exhibition, and a photocopy of a letter from the artist to the owner of this painting, accompany this lot.

Olwyn Bowey studied at the Royal College of Art where she was awarded a David Murray Landscape Scholarship. While her early career focused on portraiture, her interests diverged increasingly towards landscape and still life, with a particular eye for botanical painting. Bowey is now known for her plein air landscape and garden paintings, and for her oils depicting her greenhouse, which doubles as her studio. ÂŁ2,000 - 3,000

72

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192 192 Sir Walter William Herbert, British 1934-2007 The North Pole watercolour, signed and dated 1982, 38x56cm (ARR) £100 - 150 193 193 Bernard Dunstan NEAC RA RWA, British 1920-2017

194 Bernard Dunstan NEAC RA RWA, British 1920-2017

Nude at Dressing Table, 1984

Woman looking out of a bedroom window

pastel, signed with initials, 23x16.5cm (ARR)

pastel, signed with initials, 26.5x33.5cm (ARR)

Provenance: with Thomas Agnew’s & Sons, London, according to the label attached to the reverse of the frame

£300 - 500

£300 - 500

194

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196

195 195 Ken Howard RA, British b.1932

197 Ken Howard RA, British b.1932

Sunrise Hammersmith Bridge

Sargans Castle, Rain Effect

oil on canvas board, signed, inscribed on the reverse, 20.4x25.2cm (ARR)

oil on canvas board, signed, inscribed on label attached to the reverse, 30.5x25.4cm (ARR)

£700 - 900

£500 - 700

196 Ken Howard RA, British b.1932

198 Ken Howard RA, British b.1932

Looking towards the Wetterhorn, 2010

A Rose is a Rose is a Rose

oil on canvas board, signed, inscribed on label attached to the reverse, 30.4x25cm (ARR)

oil on canvas board, signed, inscribed on the reverse, 35x25.4cm (ARR)

£500 - 700

£600 - 800

197 74

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199 Liam Hanley, British b.1933 The River Thames (recto), Landscape at Domme (verso) oil on canvas, signed, 71x91cm (ARR) £1,000 - 1,500

199 200 Anthony Eyton RA, British b.1923 Portrait of a nude, standing full-length, 1987 oil on canvas, signed, with a dated dedication to the reverse of the frame from the artist, 66.5x54cm (ARR) £300 - 400 201 Anthony Eyton RA, British b.1923 Portrait of a seated woman traditionally held to be Anne Gertrude Butcher oil on canvas, signed, 91x71cm (ARR)

200

Exhibited: London, South London Gallery, Anthony Eyton Retrospective, no. 44, according to the label attached to the reverse of the frame £150 - 200 202 Donald Hamilton Fraser RA, British 1929-2009 Dancer resting chalk on brown paper, signed in pencil, also signed, titled and inscribed to the reverse of the frame, 57.5x39.5cm (ARR) £300 - 500

202 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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203 203 Grace O’Connor, British b.1977 The Club House, 1994 oil on canvas, signed and dated, 99x126cm (ARR) Exhibited: Boundary Gallery, London, 1994 Note: Born in the United States, Grace O’Connor moved to the UK at the age of sixteen. She attended the Royal Academy Schools and has a studio in London, but the influence of her childhood is a constant presence in her work. American landscapes and teenagers appear in surreal settings that feel at once familiar and distant. O’Connor was shortlisted for the Jerwood Drawing Prize in 2007 and has had solo exhibitions at the Boundary Gallery, the Paul Stolper Gallery, and the Grosvenor Gallery. £2,000 - 3,000 204 Grace O’Connor, British b.1977 The Surge, 1993 oil on canvas, signed and dated, 130x165cm (ARR) Provenance: purchased from the Boundary Gallery, London in 1994, from the exhibition staged there the same year £2,500 - 3,500

204 76

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205 Adrian George, British b.1944 Marble with drapes, 1985 pastel with crayon in colours on paper, signed and dated, also titled and inscribed on the reverse of the frame, 75x53cm (ARR) Provenance: Francis Kyle Gallery, London; the Paul Gambaccini collection £500 - 700 206 Alastair Proud SWLA, Irish b.1954 Stags on a highland hillside oil on board, signed, 32.4x50cm (ARR) Note: Proud has been a member of the Society of Wildlife Artists since 1986. £300 - 500 207 Jean Young, British 1914-1995 Mother and children in an interior oil on canvas, signed and inscribed ‘Nevill Gallery’ verso, 40.7x50.7cm (ARR) £300 - 500 205

206 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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209 Carolyn Sergeant, British 1937-2018

211 Carolyn Sergeant, British 1937-2018

Apple on Red

Ivy, Mistletoe and Dock

oil on paper, signed with initials and dated ‘91, 37x26.5cm (ARR)

oil on board, signed with initials and dated ‘93, 40.7x50.9cm (ARR)

Provenance: the artist’s studio; with The Maas Gallery, London, according to the label attached to the reverse of the support £150 - 250

209 208 Carolyn Sergeant, British 1937-2018 Geranium and Snowdrops oil on board, signed with initials, 10.1x15.2cm (ARR) Provenance: the artist’s studio; with The Maas Gallery, London, according to the label attached to the reverse of the support

Provenance: the artist’s studio; with The Maas Gallery, London, according to the label attached to the reverse of the support £200 - 300

210 Carolyn Sergeant, British 1937-2018 Honeysuckle, Spindle and Michaelmas Daisy oil on board, signed with initials and dated ‘01, 39.9x55.5cm (ARR)

212 Carolyn Sergeant, British 1937-2018 Tulip, Dandelion, Bluebell, Cuckoo oil on board, signed with initials, 30.4x35.6cm (ARR)

Provenance: the artist’s studio; with The Maas Gallery, London, according to the label attached to the reverse of the support

Provenance: the artist’s studio; with The Maas Gallery, London, according to the label attached to the reverse of the support

£200 - 300

£200 - 300

Note: Carolyn Sergeant (née Cann) studied at the Wimbledon School of Art, 1955-1959, and at the Royal Academy Schools, 1959-1962, where she met her husband John Sergeant. £200 - 300

211 78

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215

216

213 Carolyn Sergeant, British 1937-2018

215 Carolyn Sergeant, British 1937-2018

Narcissus, Daffodil, Brambles and Gooseberry Twig

Bramble, Nettle and Hazel

oil on board, signed with initials and dated ‘01, 34.8x50cm (ARR)

oil on board, signed with initials and dated 2002, 80.6x60cm (ARR)

Provenance: the artist’s studio; with The Maas Gallery, London, according to the label attached to the reverse of the support

Provenance: the artist’s studio; with The Maas Gallery, London, according to the label attached to the reverse of the support

£200 - 300

£300 - 400

214 Carolyn Sergeant, British 1937-2018

216 Carolyn Sergeant, British 1937-2018

Geranium

Aaron’s Rod

oil on board, signed with initials and dated ‘93, 31.4x39.5cm (ARR)

oil on board, signed with initials and dated ‘02, 80.4x59.5cm (ARR)

Provenance: the artist’s studio; with The Maas Gallery, London, according to the label attached to the reverse of the support

Provenance: the artist’s studio; with The Maas Gallery, London, according to the label attached to the reverse of the support

£200 - 300

£300 - 400

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218

219

217 John Sergeant, British 1937-2010 Young girl in front of an open book oil on canvas, 30.5x40.5cm (ARR) Note: John Sergeant entered the Royal Academy Schools in 1959, winning the Drawing Prize in 1961.

In 1989 the Prince of Wales asked Sergeant to contribute drawings to his book ‘Visions of Britain’.

John Sergeant was married to the artist Carolyn Sergeant. £200 - 400 218 John Sergeant, British 1937-2010 Self-portrait of the artist holding palette and brushes oil on canvas laid down on board, 39x28cm (ARR) 220

80

£300 - 500

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223

219 John Sergeant, British 1937-2010

222 John Sergeant, British 1937-2010

Self-Portrait

Lily II

oil on canvas, 66.2x48.1cm (ARR)

pastel, signed in pencil, 46.3x37.7cm (ARR)

£400 - 600

Exhibited: The Mall Galleries, 1983, according to the label attached to the reverse of the frame

220 John Sergeant, British 1937-2010 Self-Portrait oil on canvas, 76.3x61cm (ARR) £500 - 700 221 John Sergeant, British 1937-2010 A Girl

£150 - 250 223 John Sergeant, British 1937-2010 The Queen Mother inspecting troops at a military parade oil on paper laid down on board, 56.3x78.4cm (ARR) £200 - 300

pencil on wove paper, signed, 32.8x27.2cm (ARR) £100 - 200

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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225 Dr Mary Nicol Neill Armour LLD RSA RSW, British 1902-2000 Castle Toward, 1972 pastel, signed, dated, and inscribed, 33x45.5cm (ARR) Provenance: with the Fine Art Society, London, December 1990, according to the label attached to the reverse of the frame £200 - 300

225

226 Eileen Hogan, British b.1946 Chestnut Walk

224 Charles Mackesy, British b.1962 Asleep and Awake watercolour over traces of pencil, signed in pencil, 21.5x30.5cm (ARR) Provenance: The Kimpton Collection; Bonhams, 10 November 1999, from the sale of the same name, lot 11 £200 - 400

oil on board, signed with initials and dated 1988, 120x181.5cm (ARR) Exhibited: The Royal Academy Summer Exhibition 1988 (as ‘Tooting Common’), according to the label attached to the reverse of the Frame; The Fine Art Society, London, 1988 (as ‘Tooting Common’) according to the label attached to the reverse; The London Institute Gallery, Under the Influence, 21 April - 30 May 1997, illustrated in the catalogue, pp. 38-39 Note: The artist made some minor changes to the painting after the publication of the ‘Under the Influence’ catalogue. £1,000 - 1,500

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227 Jehan Emile Daly, British 1918-2001 Apple on a plate black and coloured chalk on brown coloured laid paper, signed and dated 91, 17.5x27.5cm (ARR) £80 - 120 228 Jehan Emile Daly, British 1918-2001

227

Toy Cannon black and coloured chalk on brown coloured laid paper, 17.6x22.1cm (ARR) £80 - 120 229 Jehan Emile Daly, British 1918-2001 Study of keys black and coloured chalk on buff coloured laid paper, signed, 13.6x23.3cm (ARR) Exhibited: Hazlitt, Gooden & Fox, London, ‘Three Contemporary Masters’, 2 - 25 November 1994, cat no. 39 £80 - 120

228

230 Jehan Emile Daly, British 1918-2001 A Chair black and coloured chalk on blue coloured laid paper, signed and dated 89, 18.4x17.7cm (ARR) £80 - 120

230

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231

233

231 Julian Barrow, British 1939-2003

233 Julian Barrow, British 1939-2003

235 Julian Barrow, British 1939-2003

Landscape in Kashmir

Sweet Shop, Varanasi

oil on canvas, signed, 19.5x24cm (ARR)

oil on canvas, signed, 24.3x19cm (ARR)

Three views of Shugborough Estate

Note: bears an unidentified exhibition label to the reverse of the frame.

Note: bears an unidentified exhibition label to the reverse of the frame.

£200 - 300

£200 - 300

232 Julian Barrow, British 1939-2003

234 Julian Barrow, British 1939-2003

Banyan Tree, Mysore

South Asian landscape

oil on canvas, signed, 15.5x20.5cm (ARR)

oil on canvas, signed, 19.5x24.2cm (ARR)

Exhibited: The Leger Galleries, London, 25 November - 18 December 1992, ‘Julian Barrow: Recent Paintings’ (bears label to the reverse of the frame)

£200 - 300

oil on canvas, signed and dated 1973, 39.5x50cm (ARR) £400 - 600 236 Julian Barrow, British 1939-2013 Views of deer in parkland, circa 1965 oil on canvas, signed and dated indistinctly, 41x55cm (ARR) £400 - 600

£200 - 300

234 84

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237 Mary Gallagher, Scottish b.1953 Playpark at Evening oil on paper, signed, bears further inscription on label attached to the reverse of the frame, 39x38cm (ARR) ÂŁ300 - 500 238 Elizabeth Magill, Irish b.1959 Rose, 1990 oil on unstretchered canvas, signed, titled and dated 90 on the reverse, 71x61cm (ARR) Provenance: purchased from the artist by the present owner in 1990 ÂŁ1,500 - 2,500 237

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239 Reg Eldridge, British 1919-2016 Life drawing class with a seated male model oil on board, 35x34cm: together with another oil on board entitled ‘Isobel’, signed and dated verso 1982, 50.5x61cm (2) (ARR) Provenance: the artist’s estate; thence by descent Note: Reg Eldridge studied under Vivian Pitchforth, Ruskin Spear, and Derrick Greaves. He exhibited with the London Group in the 1950s and subsequently with the Royal Society of British Artists, the Royal Institute of Oil Painters, and the Royal Society of Portrait Painters. After retiring to Dulwich, he continued teaching portrait and figure painting in and around South London.

239

£200 - 300

241 240 Reg Eldridge, British 1919-2016

241 Reg Eldridge, British 1919-2016

Nude lying on a bed with white sheets

Girl with Hair Plaited, Putney, 1976

oil on canvas, 46x86cm (ARR)

oil on board, signed inscribed and dated verso, 76x107cm (ARR)

Provenance: the artist’s estate; thence by descent £200 - 300

86

Provenance: the artist’s estate; thence by descent £300 - 500

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242 242 Christopher Miers, British b.1941

243 Charlotte Verity, British b.1954

Distant View, Algarve, circa 1985

The Green Tablecloth

oil on board, signed, 20.5x40.7cm (ARR)

oil on canvas, dated June 8th 1981 verso, 92x137.5cm (ARR)

Provenance: RSA Exhibition, 1985, at the Mall Galleries, London, according to label attached verso ÂŁ200 - 300

Provenance: Anne Berthoud Gallery, London, where purchased by the present owner ÂŁ400 - 600

243 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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244

247

244 Charlotte Kienitz, British 20th/21st century

245 Charlotte Kienitz, British 20th/21st century

246 Charlotte Kienitz, British 20th/21st century-

Norman chapels, Purbeck

Dorset landscapes

Dorset coastal scenes;

gouache and with black and white chalk on board, signed in pencil, 30.2x23.7cm (ARR)

two watercolours with charcoal, both signed in pencil, 16.6x23.6cm (max) (2) (ARR)

three watercolours with coloured chalks, all signed in pencil, 22.4x30.9cm (max) (3) (ARR)

£150 - 200

£150 - 200

£150 - 200 247 Ray Evans RI, British 1920-2008 Boats at Hastings acrylic on board, signed, 23x32.6cm (ARR) Exhibited: The Sheen Gallery, London, April 2005, according to the label attached to the reverse of the frame £250 - 300 248 Ben Levene RA, British 1938-2010 Green pastures and hedgerows, 1973 oil on canvas, signed and dated on the reverse, 48.5x61cm (ARR) £400 - 600

248 88

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249 Ray Atkins, British b.1937 Broom oil on hardboard, signed, titled and dated 91 to the reverse, 90.5x122cm (ARR) Note: Atkins is a member of the St Ives School and London Group. £400 - 600 250 Anthony Robert Klitz, Irish 1917-2000 Worcester oil on canvas, signed, further titled and inscribed to partial paper label attached to the reverse of the frame, 51x101.5cm (ARR)

249

Provenance: with The Ravensbourne Galleries, Beckenham, according to the label attached to the reverse of the frame £300 - 500 251 Alan Furneaux, British b.1953 Mermaid on a shore by moonlight oil on canvas, signed, 40.5x41cm (ARR) £200 - 300

251

250 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

89

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252 Simeon Stafford, British b.1956 Fairground in winter oil on canvas, signed, 90x90cm (ARR) £800 - 1,200 253 Simeon Stafford, British b.1956 Street in Salford oil on canvas, signed, further signed and inscribed on the reverse, 90x90cm (ARR) £800 - 1,200 252

254 Simeon Stafford, British b.1956 Fair by the Sea oil on canvas, signed, further signed and inscribed on the reverse, 90x90cm (ARR) £800 - 1,200 255 Simeon Stafford, British b.1956 Street scene with numerous cars and figures oil on canvas, signed, inscribed on the reverse, 90x90cm (ARR) £800 - 1,200

253

255 90

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256 Derek Boshier, British b.1937 Abstract (figure in the woods) oil on paper, 69.5x52cm (ARR) Provenance: purchased 1996, probably from Derek Boshier - Recent Works exhibition at Connaught Brown, London £400 - 600 257 Joash Woodrow, British 1927-2006 Three figures seated in a row pastel on coloured paper, 50x63cm (ARR) Provenance: with 108 Fine Art, Harrogate Note: This work has been donated to the Ben Uri Museum to be sold for the benefit of their collection programmes. £400 - 600 258 John Kingerlee, Irish b.1936 Head watercolour, signed and dated 67, 40.5x29.5cm (ARR)

256

£150 - 200 259 William Hunter Littlejohn RSA RSW, British 1929-2006 Blue Fish and Screen pencil and watercolour on paper, signed and dated 81, further inscribed to label to reverse of the frame, 48x76cm (ARR) £200 - 300 260 Maurice Man, British 1921-1997 Nude in a pink skirt sleeping pastel on black laid paper laid down on card, signed, accompanied by partial artist’s address paper label to the reverse of the card, 23.3x62.5cm (ARR) £100 - 150 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

257 91

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262 Gerard Morris, British b.1955 Man holding wooden pole pastel and black chalk, 28.5x20cm (ARR) £150 - 250 263 Philip Sutton RA, British b.1928 Snape Village, 1957 oil on canvas, signed, titled and dated July ‘57 to the reverse, 25.4x40.6cm (ARR) Provenance: with Brandler Galleries, Essex; where purchased by the family of the current owner in 1998; thence by descent £1,500 - 2,000 262 261 Gerard Morris, British b.1955 Father holding child, 1989 pastel with chalk, signed and dated 89 in pencil, 32.7x22.8cm (ARR)

264 Philip Sutton RA, British b.1928 Female nude with arms behind her head watercolour over traces of pencil on paper, signed in pencil, 75.5x76cm (ARR) £100 - 150

Provenance: with Boundary Gallery, according to label attached on the reverse of the frame £150 - 250

263 92

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265 William Bowyer RA RWS, British 1926-2015 St Peter’s Square oil on panel, signed, titled to the reverse, 43.2x30.6cm (ARR) Provenance: Christie’s, 5 September 1997, lot 214; Christie’s, 24 November 2005, lot 256 £300 - 500 266 Victoria Crowe OBE DHC FRSE RSA RSW, Scottish b.1945 Vigil in Siena oil on board, signed, further titled and inscribed to the reverse of the support, 75x90.2cm (ARR) Provenance: with Aitken Dott Plc, according to the label attached to the reverse of the support Exhibited: The Scottish Gallery, Edinburgh, ‘Victoria Crowe New Paintings’, 4-29 November 1995, cat. no. 6, according to the label attached to the reverse of the support £800 - 1,200

265

266 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

93

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267 267 Padraig MacMiadachain RWA, Irish 1929-2017

268 Dan Perfect, British b.1965

Lights Below the Sea (Fuerta Ventura, Canarias), c. 1960s

Untitled, 1990

oil and mixed media on board, signed, further inscribed verso, 24x33cm (ARR)

mixed technique monoprint in colours, 30x46cm (ARR)

Provenance: donated to the FARA Foundation to be sold to benefit their charitable work

£150 - 200

£300 - 500

269 David McClure RSA RSW RGI, Scottish 1926-1998 Woodpecker, & Bunting On a Bamboo Cane oil on board and oil on card, both signed, and further signed, titled and inscribed in black marker to the reverse, 24.1x19cm and 24x19.3cm (2) (ARR) Provenance: with Aitken Dott Plc, according to the labels attached to the reverse of the frames Exhibited: The Scottish Gallery, Edinburgh, ‘David McClure “Recent Paintings”‘, 7-30 November 1994, cat. nos. 17 and 14 respectively, according to the labels attached to the reverse of the frames £400 - 600

269 94

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270 Ian Hay, British b.1940 Foggy Day, Whitehall, 1996 pastel on paper, signed and dated 96, 29x37cm (ARR) Note: This work has been donated to the Ben Uri Museum to be sold for the benefit of their collection programmes. £100 - 150 271 Paul Stevenson, British b.1976 Sail and Steam in a Norman Church, 1992 oil and pencil on sawn and carved hardboard, signed and dated, also signed, titled, dated and inscribed on the reverse, 58x58cm (ARR) Exhibited: Michael Parkinson Gallery, Sea Interludes, 7-30 April 1993 £200 - 300 272 Glynn Boyd Harte, British 1948-2003 Italian groceries watercolour on paper, signed and dated April 1986, 70x100cm (ARR)

271 273 John Danvers, British b.1947 Vase, Wing and Maple Leaf, 1991 oil on board, signed, titled and dated 91 verso in pencil, 82x59.5cm (ARR) Provenance: Contemporary Art Society

Provenance: Francis Kyle Gallery, London; the Paul Gambaccini collection

Note: This work has been donated to the Ben Uri Museum to be sold for the benefit of their collection programmes.

£500 - 700

£150 - 200

272 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

95

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274 Marian Leven RSA, Scottish b.1944 Camas, 1996 watercolour and ink, signed, inscribed on label attached to the reverse of the frame, 44x59cm (ARR) £150 - 200 275 Ken White, British b.1943 275

Off the Leash, 2010 oil on canvas, signed and dated, 91.4x121.9cm (ARR) Provenance: with Panter and Hall, London, according to label attached to the reverse £400 - 600 276 Ken White, British b. 1943 Getting Up Steam, 2010 oil on canvas, signed and dated, 80x100.3cm (ARR)

276

Provenance: with Panter and Hall, London, according to label attached on the reverse £300 - 500 277 George Weissbort, Belgian/British 1928-2013 Still life with a guitar and a violin on a chair oil on canvas laid down on board, signed and dated 1974, 39.5x32.5cm (ARR) Provenance: Christie’s, London, 28 April 2000, lot 78 £600 - 800

277 96

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278 278 Huw Williams, Welsh b.1970 Stallion 3/4 (Movement) oil on canvas, signed, 183x182.5cm (ARR) Provenance: acquired directly from the artist Note: Huw Williams is best known as a contemporary horse painter whose work captures the power of stallions in motion. The sinuous horses are highlighted against dark matte backgrounds, which isolate their forms as if they were sculptures. Williams’s work is normally on a monumental scale, ranging from 5 to 12 feet in both dimensions. £4,000 - 6,000

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

97

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279 Jo Brocklehurst, British 1935-2006 Woman in a red hat Conte, pastel, and watercolor on beige paper, signed and dated 1981, 83x58cm (ARR) Provenance: purchased from the Francis Kyle Gallery, London, circa early 1980s (gallery label attached to the reverse of the frame) ÂŁ600 - 800

279 280 Maggi Hambling CBE, British b.1945 Clown 10 oil on paper, signed and dated 76, 45.5x31.7cm (ARR) ÂŁ1,200 - 1,800

280 98

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281 Pamela Shole, Contemporary School, late 20th century Interior scene with a still life mixed media on two sheets of handmade paper, signed and dated ‘87 in pencil, 102x136cm (ARR) £200 - 300

281 282 Edmund Chamberlain, British b.1968

283 Colin Thoms SSA, Scottish 1912-1997

284 Mardi Barrie RSW, Scottish 1930-2004

Still life with teasel and shells

Abstract composition

Wooded Château

pencil on paper, 61x63.5cm (ARR)

mixed media on card, signed with initials and dated 90 in pencil, 22.5x30cm (ARR)

acrylic on board, 29.3x24.5cm (ARR)

Provenance: Browse & Darby, London; private collection £300 - 500

Provenance: England & Co, London, where purchased by the present owner

Provenance: with Thackeray Gallery, London, according to the label attached to the reverse of the frame

£100 - 150

£200 - 300

282 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

284 99

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285

100

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285 David Walker, British b.1976 The Sun Stares Back spray paint and arcylic on canvas, signed verso, 220x160cm (ARR) £3,000 - 5,000 286 David Walker, British b.1976 Restless Minds Wander Further, 2017 spray paint and acrylic on canvas, signed, titled and dated verso, 140x100cm (ARR) £1,500 - 2,000 287 David Walker, British b.1976 Each Pinned Through the Heart to the Bullseye of the World acrylic on canvas, signed verso, 120x120cm (ARR) £500 - 700

286

287 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

101

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288 Anne Sassoon, British b.1943 Seated woman and a man in a hat oil on canvas, 152.5x122cm (ARR) Provenance: from the collection of the Chelsea and Westminster Hospital, acquired directly from the artist £200 - 300

288

289 Anne Sassoon, British b.1943 Group at Table oil on canvas, 122x152cm (ARR) Provenance: from the collection of the Chelsea and Westminster Hospital, acquired directly from the artist £200 - 300 290 Anne Sassoon, British b.1943 Group of Figures oil on canvas, 100x118cm (ARR)

289

Provenance: from the collection of the Chelsea and Westminster Hospital, acquired directly from the artist £200 - 300

290 102

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291 Tristan Pigott, British b.1990 Dirty Table, 2013 oil on linen, bears inscribed label to the reverse of the frame,120x120cm (ARR) £1,000 - 2,000

291 292 Nigel Shafran, British b.1964 Washing up, circa 2000 c-type print, 101.5x89.5cm (ARR) £800 - 1,200

292 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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293 293 Natalika Mali, British b.1971 Nobleman, from the series ‘A Hole in my Heart’ c-print on aluminium, 164.5x109.5cm (ARR) Provenance: Sotheby’s East, London, 7th June 2016, lot 214 £1,000 - 1,500

104

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294 David Mach RA, Scottish b.1956 The Wild Bunch II collage, signed and dated 92, 51x55.5cm (ARR) Provenance: with Jill George Gallery, London, according to the label attached to the reverse of the frame; Sotheby’s, London, 6 March 2014 £1,000 - 1,500 295 David Mach RA, British b.1956 Battersea Chair V, 1996 mixed media with collage, signed and dated ‘96 in red, 79x110.5cm (ARR) Provenance: Christie’s, London, 16 October 2013, lot 188.

294

£800 - 1,200

295 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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296

296 Allen Jones RA, British b.1937 Dangerous Erection, Endangered Species II, Far Out, & Red Sea four fan-shaped watercolours, each signed, titled and dated ‘82 in pencil, 15x28.5cm (max) (4) (ARR) Provenance: with Waddington Galleries Ltd, London; Scorpio Aviation and Marine Ltd, according to the labels attached to the reverse of the frames Note: Born in Southampton, Jones studied at the Hornsey College of Art and then at the Royal College of Art where he was a contemporary of David Hockney, R.B. Kitaj and others who would be key players in the emerging Pop Art movement in Britain. Although he is perhaps best known for his provocative fibreglass fetish sculptures, Allen Jones has worked in watercolour throughout his life. In 2007, the Royal Academy invited him to select watercolours from his own collection for display in their Tennant Room. The present set of four works reference traditional Chinese watercolours in their fan-shaped design, which the Impressionists sometimes adopted themselves, but employ Jones’s bold colours and pop art aesthetic to create striking contemporary compositions. £4,000 - 6,000

106

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297 297 Guy Portelli, British b.1957 John Lennon, 2002 mixed media, bronze and glass, etched signature, editioned 4/10 and dated on the underside, 27.5cm height (ARR) ÂŁ4,000 - 6,000

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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298 Mr Jago (Duncan Jago), British b.1972 Flying figure oil on MDF board, 140x120cm (ARR) Note: the artist has kindly confirmed the authenticity of this work. £200 - 400 299 Mr Jago (Duncan Jago), British b.1972 Green and pink abstract oil on MDF board, signed, 140x120cm (ARR)

298

Note: the artist has kindly confirmed the authenticity of this work. £200 - 400 300 Mr Jago (Duncan Jago), British b.1972 Pink and white figure oil on MDF board, 205x120cm (ARR) Note: the artist has kindly confirmed the authenticity of this work. £600 - 800

299

300 108

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301 James Maconochie, British b. 1965 Ferrus Island oil on canvas, signed and titled on the reverse, 61 x 61cm (ARR) Provenance: purchased directly from the artist in the mid 1990s £300 - 400

301 302 Richard Walker, Scottish b.1954 Boomtown mixed technique on canvas, signed, titled and dated ‘00, 152.5x122cm (ARR) £800 - 1,200

302 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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305 Joe Rose, German/British 1915-1999 Black and Coloured Abstract Painting oil on board with glaze, signed, 33x48.5cm (ARR) Note: This work has been donated to the Ben Uri Museum to be sold for the benefit of their collection programmes. £100 - 150 306 Izgan Baz, Turkish/British 20th century 303 303 Brenda Hartill, British b.1943 Solar Sequence XII

Untitled abstract composition mixed media on canvas, signed verso, 86x127cm (ARR) Provenance: from the artist’s studio, thence by descent £200 - 300

mixed media on board, 80x100x11cm (ARR) £120 - 180 304 Joe Rose, German/British 1915-1999 Untitled abstract mixed media on board, signed, 90x120.5cm (ARR) Note: Between 1957 and 1971 Rose moved to Australia, where he was elected a member of the Australian Watercolour Institute. Upon returning to Britain, he joined the Contemporary Portrait Society, Contemporary Art Society, and Ben Uri Art Society.

307 Heather Bray, British 20th/21st century Abstract watercolour watercolour and ink on paper, signed, 16x25.7cm (ARR) Provenance: with the Avalon Gallery, Marazion, according to the label attached to the reverse of the frame £150 - 200

£300 - 400

304 110

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308 William Ware, British 1915-1997 Cornish Landscape oil on canvas, signed, also inscribed verso, bears submission label for The Royal Academy Summer Exhibition 1968 attached to the reverse of the frame, 85x110cm (ARR) £300 - 500

308

309

309 Ann Carrington, British 20th/21st century

310 Jon Groom, British b.1953

Angel Wings, 1987

Untitled, in blue

painted wooden clothes pegs and metal frame, 122x107cm (ARR)

acrylic on shaped canvas, two, both stamp-signed to the reverse, 30x43.5cm and 25.4x43.8cm (2) (ARR)

Provenance: purchased at the artist’s MA Show at the Royal College of Art, London, in 1987 Note: a certificate of authenticity accompanies this lot. £800 - 1,200 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

£100 - 200

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311

312 112

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313 311 Michael Kenny RA, British 1941-1999

313 Michael Kenny RA, British 1941-1999

Beyond Truth and Beauty 4, 1989

Truth and Beauty V (Large version)

pastel and black pencil on white wove paper, signed, dated and inscribed, 70 x 92.5cm (ARR)

pastel and pencil on paper, signed, inscribed, and dated 88, 112.5 x 147.8cm (ARR)

Exhibited: Royal Academy Summer Exhibition 1990, according to the label attached to the reverse of the frame Provenance: Annely Juda Fine Art, according to label attached to the reverse of the frame £700 - 1,000 312 Michael Kenny RA, British 1941-1999 Eunoë I pencil, charcoal, pastel, and oil on paper, signed, inscribed, and dated 91, 76.5x101.6cm (ARR) Exhibited: Royal Academy Summer Exhibition 1991, according to the label attached to the reverse of the frame Provenance: Annely Juda Fine Art, London, according to the label attached to the reverse of the frame

Exhibited: Royal Academy Summer Exhibition 1989, according to the label attached to the reverse of the frame £700 - 1,000 314 David Banks, British b.1942 Abstract composition with a female figure pencil, signed and dated 71 in pencil, 18x26.6cm (ARR) Provenance: acquired directly from the artist £100 - 150

£800 - 1,200 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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316

315 Stephen Buckley, British b.1944

316 Stephen Buckley, British b. 1944

Pots and Pans, 1983

Spring Stone, 1969

lithograph in colours, signed, dated and numbered AP 2/8 in pencil, with blindstamps, 77 x 57cm (ARR)

mixed media on canvas laid on board, in four panels, each signed and dated verso, each 275.5x46cm (overall 275.5x184cm) (ARR)

ÂŁ100 - 150

Exhibited: Six at the Hayward, Hayward Gallery, London, 1969 Provenance: Max Gordon (purchased from the above exhibition); David Gordon; donated to the Chelsea and Westminster Hospital in 2002 ÂŁ2,000 - 3,000

114

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317

317 Philip Reeves RSA PRSW RGI RE, British 1931-2017 Directional Image gouache, pencil and paper on wood, signed, 80x80cm (ARR) ÂŁ700 - 1,000 318 Norman Adams RA, British 1927-2005 Olive grove, weeds, Near St Remy pencil and watercolour on paper, signed with initials, dated 84 and inscribed, further inscribed to reverse of the frame, 33x37.5cm (ARR) ÂŁ300 - 500

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

318

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319 319 Hughie O’Donoghue RA, British b. 1953 Untitled (abstract drawing) charcoal on paper, signed and dated 76, 112x76.5cm (ARR) £2,000 - 3,000

116

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320 320 Attributed to Hughie O’Donoghue RA, British b.1953 Untitled (charcoal drawing with square) charcoal on paper, 129.5x107.2cm £1,000 - 1,500

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

117

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321

321 Sir Terry Frost RA, British 1915-2003 Three Squares painted cut out squares, inscribed and dedicated on the reverse of the discs, 15 x 8.5cm (ARR) Provenance: Moore-Gwyn Fine Art, London and previously owned by Denis and Jane Mitchell, gifted to them by the artist, according to label attached to the reverse of the frame ÂŁ600 - 800

118

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322 322 Sir Terry Frost RA, British 1915-2003 Bloom Around Red, 1990 monotype in colours on Bokingford 400gsm paper, printed by Hugh Stoneman and Alan Cox at the Print Centre, London for the exhibition ‘Terry Frost Monotypes for a 75th Birthday’ at Austin Desmond Gallery, 1990, no. 8, sheet 120 x 119cm (ARR) Note: the present work is a monotype, created by painting onto a piece of perspex which is then put through a flat bed rolling press. As the image is painted onto the perspex, rather than engraved or etched, the image cannot be transferred successfully more than once without repainting, making each monotype unique. This lot is accompanied by a copy of the exhibition guide for ‘Terry Frost Monotypes for a 75th Birthday’ held at Austin Desmond Gallery, London, 1990. £3,500 - 4,500 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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323

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324

323 Sir Terry Frost RA, British 1915-2003

324 Sir Terry Frost RA, British 1915-2003

Serenissimo - A tribute to Venice and the Lagoon (Glass Disc)

Serenissimo - A tribute to Venice and the Lagoon (Glass Vase)

hand blown Murano glass disc with applied glass ‘brushstrokes’ on a metal stand, signed, titled, and dated ‘Venice 2001’, ii/iii AP, 48cm diameter (ARR)

Hand blown Murano glass with applied glass ‘brushstrokes’, etched title, 1/9 + 3 AP, signature, inscription ‘Venice 2001’, and edition AP II/III 30x22cm (ARR)

Note: Sir Terry Frost produced a series of works in Murano, the island in the Venetian lagoon famous for its glass-blowing in the late 1990s/early 2000s. He was enthralled by the artisans he met there and did not merely design these pieces, but was present and participated in their manufacture. These intricate objects reflect Frost’s interest in vivid colour, abstraction, and gesture. Although these are editioned artist proofs no further edition was made and each work is, by the nature of being hand-blown, unique. This lot is accompanied by a certificate of authenticity from the Murano Glass Project Curator.

Note: Like the previous lot, this work was produced in 2001 when Sir Terry Frost visited Murano and worked with artisans there to produce a number of glass designs. No edition was produced beyond the artist’s proofs, and each of these works is in fact unique by virtue of being hand made. This lot is accompanied by a certificate of authenticity from the Murano Glass Project Curator. £3,500 - 4,500

£3,000 - 5,000

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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INDEX OF ARTISTS A Ackerman RI, Gerald 109 Adams RA, Norman 318 Adeney LG, William Bernard 27 Alexander, Robert G D 126 Allingham RWS, Helen 23 Armour LLD RSA RSW, Dr Mary Nicol Neill 225 Armstong, Alixe Jean Shearer 6 Atkins, Ray 249 B Banks, David 314 Barker, Kit 183, 184, 185, 186, 187 Barrie RSW, Mardi 284 Barrow, Julian 231, 232, 233, 234, 235, 236 Baz, Izgan 306 Beaton CBE, Attributed to Sir Cecil Walter Henry 33 Beaton CBE, Sir Cecil Walter Henry 34, 35 Beer, Richard 64 Behan, John 135 Blackburn MBE, David 173 Boshier, Derek 256 Bowey RA, Olwyn 191 Bowyer RA RWS, William 265 Brangwyn RA RWS RBA, Sir Frank William 18 Bratby RA, John Randall 138, 139 Bray, Heather 307 Brocklehurst, Jo 279 Brodzky, Horace 67 Buckley, Stephen 315,316 Burns, Colin W 44 C Canney, Michael 178 Carnon, Roy 153, 154, 155, 156 Carrington, Ann 309 Carrington, Catherine 7, 8 Carruthers, Derek 157 Chamberlain, Edmund 282 Chute, Desmond 21 Cohen, Bernard 146 Cohen, Harold 179 Cole ROI RBA NEAC, John Vicat 49 Collins, George William 119 Conn, Roy 159, 160, 161 Coxon, Raymond 75 Craig-Martin CBE RA, Michael 190 Crowe OBE DHC FRSE RSA RSW, Victoria 266

122

D Daintrey RWA, Adrian Daly, Jehan Emile

108 227, 228 229, 230 Danvers, John 273 David, Villiers 120 Davison, Francis 176 Dawson, Lucy 123 Dorf, Barbara 113, 114, 115 116, 117 Drey, Agnes 136 Duckworth-King, Violet Caroline 101, 102, 103 Dufort RBS SPS, Antony 112 Dumont-Smith FRSA, Robert 59, 60, 61, 62, 63 Dunstan NEAC RA RWA, Bernard 193, 194 Dutkiewicz, Edward 162

Higgins (see Pic), Charles Samson 89 Hilder OBE, Rowland 137 Hill, Attributed to Anthony 148 Hill, Robert 174, 175 Hill CBE HRHA, Arthur Derek 66 Hogan, Eileen 226 Holt, Lillian 84, 85 Holtam RWS, Brenda 128 Howard RA, Ken 195, 196, 197, 198 Hoyton, Attributed to Inez Estelle 86 HRH The Prince of Wales 104 Hughes-Stanton RA HRMS HROI RSW PRWS, Sir Herbert Edward Pelham 110, 111 Hulbert, Thelma 47 Hunter, Robert 188, 189

E Eldridge, Reg Evans RI, Ray Eyton RA, Anthony

I Innes NEAC, James Dickson

239, 240, 241 247 200, 201

F Fedden OBE, Mary 76 Forster, Neil 41, 42, 43 Fraser RA, Donald Hamilton 202 Frost RA, Sir Terry 321, 322 323, 324 Furneaux, Alan 251 G Gallagher, Mary Garbe RA, Richard George, Adrian Ginner CBE ARA, Charles Isaac Gordon, Neil Grant, Ian Gray, Joseph Groom, Jon

237 39 205 2 106 118 30 310

H Hall RBA ROI, Clifford 57 Hambling CBE, Maggi 280 Hamilton RHA, Letitia M 56 Hanley, Liam 199 Harte, Glynn Boyd 272 Hartill, Brenda 303 Hawthorne, Elwin 50, 51, 52, 53, 54 Hay, Ian 270 Herbert, Sir Walter William 192 Herman OBE RA, Josef 147 Hermes, Gertrude 16

58

J Jago (Duncan Jago), Mr 298, 299, 300 John OM RA, Augustus 9 Jones, Ethel Gertrude 65 Jones RA, Allen 296 K Keeping, Charles 134 Kennedy, Cecil 32 Kenny RA, Michael 311, 312, 313 Kerr-Lawson, James 26 Kienitz, Charlotte 244, 245, 246 Kingerlee, John 258 Klitz, Anthony Robert 250 Knight DBE RA RWS, Dame Laura 17 88 Krishna, Mary L Lamb RA, Henry 28 Leven RSA, Marian 274 Levene RA, Ben 248 Levy, Emmanuel 68, 69, 70, 71, 72 Littlejohn RSA RSW, William Hunter 259 Lloyd, Elizabeth Jane 74 Lowry RBA RA, Laurence Stephen 82

www.roseberys.co.uk

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M MacDonald, Alistair K 90 Mach RA, David 294, 295 Mackesy, Charles 224 MacMiadachain RWA, Padraig 267 Maconochie, James 301 MacTaggart PRSA, Sir William 77 Magill, Elizabeth 238 Mali, Natalika 293 Man, Maurice 260 Marks, Claude 133 Mayne, Roger 182 McClure RSA RSW RGI, David 269 Meade FRSA, John Edward 122 Mendoza AO OBE RP ROI, June 78 Miers, Christopher 242 Mills RBA FRSA, Reginald 20 Morris, Desmond 140, 141 Morris, Gerard 261, 262 N Naviasky, Philip 131, 132 Newcombe, Mary 46 Nicholls PRBA ROI, Bertram 4 O O’Connor, Grace 203, 204 O’Donoghue RA, Attributed to Hughie 320 O’Donoghue RA, Hughie 319 P Paolozzi CBE RA, Sir Eduardo 163, 164, 165, 166, 167, 168 169, 170, 171, 172 Pearson RBA, Harry John 25 Perfect, Dan 268 Pic 89 Pigott, Tristan 291 Portelli, Guy 297 Prendergast, Peter 105 Procter RA, Dod 5 Proud SWLA, Alastair 206 Prout ARA, Margaret Fisher 29 R Ratallock, Anthony 99 Ravilious, Attributed to Eric 3 Reeve ARCA, Geoffrey Raymond 177 Reeves RSA PRSW RGI RE, Philip 317 Rhodes RE, Marion 127 Richardson PRA, Sir Albert Edward 124

Rolleston, Lady Eliza 95, 96, 97 Ronaldson, Thomas Martine 45 Rose, Joe 304, 305 Rutherston NEA RWS, Albert Daniel 91 S Samuelson, Peter 130 Sassoon, Anne 288, 289, 290 Sayer, Derrick 149, 150, 151, 152 Schwarz NEAC RWS RP RBA, Hans 73 Sergeant, Carolyn 208, 209, 210 211, 212, 213, 214, 215, 216 Sergeant, John 217, 218, 219, 220 221, 222, 223 Shafran, Nigel 292 Shole, Pamela 281 Sickert ARA, Walter Richard 1 Simpson, Tom 98 Sleigh RBSA, Bernard 22 Smith, Jack 158 Smith, Stan 107 Spencer, Roy 125 Stafford, Simeon 252, 253, 254, 255 Stephenson, John Cecil 36 Stevenson, Paul 271 Sutton RA, Philip 263, 264 T Taylor, Walter Tennant, Trevor Thoms SSA, Colin Thorp, William Eric Topolski RA, Feliks Tunnicliffe OBE RE RA, Charles Frederick U Uglow, Euan Underwood, Leon V Verity, Charlotte

Webster RI ROI VPRP, Walter Ernest 100 Weissbort, George 277 Wesson RI RBA RSMA, Edward 93, 94 White, Ken 275, 276 Wilkinson, John 129 Williams, Huw 278 Williams, Jolan Polatschek 180, 181 Wilson, Scottie 142, 143, 144 Wolfe RA, Edward 83 Woodrow, Joash 257 Woolf NS, Hal 121 Y Young, Jean

207

31 37 283 48 81 40

145 10, 11, 12, 13 14, 15 243

W Walker, David 285, 286, 287 Walker, Richard 302 Walls RSA RSW, William 92 Ward CBE RA, John Stanton 79, 80 Ware, William 308 Webb, Joseph 87

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EXPLANATION OF CATALOGUING TERMS Any statement as to authorship, attribution, origin, date, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. Roseberys reserve the right, in forming their opinion, to consult and rely upon an expert or authority considered by them to be reliable.

1.

‘Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work by the artist.

2.

‘Attributed to Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, probably a work by the artist.

3.

‘Studio of Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work likely to come from the studio of the artist or closely associated with the artist.

4.

‘Circle of Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work by an unidentified artist working in the artist’s style and during the period of the artist’s life.

5.

‘Follower of Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a work by an unidentified artist working in the artist’s style, contemporary or near contemporary.

6

‘School of Peter Paul Rubens, Flemish 17th century’ * In our opinion, a work executed during this period and in the style associated with that artist.

7.

‘Flemish School, 17th century’ * In our opinion, a work executed during this period and in the style associated with that location.

8.

‘Manner of Peter Paul Rubens’ * In our opinion, a work by an unidentified artist working in the artist’s style but at a later date, although not of recent execution.

9.

‘Style of Peter Paul Rubens’ * In our opinion, a work by an unidentified artist working in the artist’s style and of recent execution.

10.

‘After Peter Paul Rubens, Flemish 1577-1640’ * In our opinion, a copy by an unidentified artist of a named work by the artist.

11.

A picture catalogued with accompanying dates e.g. 1577-1640 relates to the identification of the particular artist and is not proof of attribution or indicative of authenticity.

12.

The terms ‘signed’, ‘dated’, ‘inscribed’ means that in our opinion these are by the artist’s hand.

13.

The terms ‘bears signature’, ‘bears date’, ‘bears inscription’ means that in our opinion that these have been added by another hand other than the artist.

14.

All references to signature, inscriptions and dates refer to the present state of the work.

15.

Dimensions are given in centimetres, height before width and are measured from the edges of the work if these are visible and if not, from the front.

16.

All pictures are framed, unless otherwise stated in the catalogue.

17.

Catalogue and website images may not be a true representation of an item due to printing or photographing processes.

18.

(ARR) – ARTIST’S RESALE RIGHT Qualifying living artists and the descendants of artists deceased within the last 70 years are entitled to receive a re-sale royalty each time their work is bought through an auction house or art market professional.

It applies to lots with a hammer value over €1,000 as follows: 0 to €50,000 - 4% €50,001 to €200,000 - 3% €200,001 to €350,000 - 1% €350,001 to €500,000 - 0.5% Exceeding €500,000 - 0.25% ARR is capped at €12,500.

Please note ARR is calculated in euros.

Auctioneers will apply current exchange rates.

Lot 152

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SPECIALIST TEAM Ian A. Cadzow Chairman & Joint Managing Director Rugs, Furniture & Works of Art iancadzow@roseberys.co.uk Vicki Wonfor Joint Managing Director Head of Corporate Collections vickiwonfor@roseberys.co.uk Peter Greenway Director Head of Professional Services petergreenway@roseberys.co.uk Marcus Grey Director Head of Paintings & Prints marcusgrey@roseberys.co.uk Helena Anderson Associate Specialist Modern & Contemporary British Art helenaanderson@roseberys.co.uk Luke Axford Junior Cataloguer Paintings, Prints & Frames lukeaxford@roseberys.co.uk Alice Bailey Head of Department Islamic & Indian Arts alicebailey@roseberys.co.uk Sam Howard Administrator Asian, Islamic & Indian Arts samhoward@roseberys.co.uk Fiona Baker Head of Department 20th Century & Decorative Arts helenaanderson@roseberys.co.uk Mark Bowis Head of Department Jewellery & Watches markbowis@roseberys.co.uk Nigel Dawson-Ellis Junior Cataloguer Furniture & 20th Century Design nigeldawsonellis@roseberys.co.uk

Roseberys London Main London Saleroom 70/76 Knights Hill London, SE27 0JD Complimentary valuations Monday to Friday: 9.30am to 5.00pm +44 (0) 20 8761 2522 clientservices@roseberys.co.uk Central London Office Valuations by appointment.

Please call us on +44 (0) 20 8761 2522 or email our Professional Services department at valuations@roseberys.co.uk to book your complimentary valuation.

Lot 79

Anna Evans Consultant Specialist Works of Art annaevans@roseberys.co.uk Bill Forrest Head of Department Asian Arts billforrest@roseberys.co.uk Richard Gibbon Specialist Jewellery, Silver, Fashion, Textiles & Luxury Accessories richardgibbon@roseberys.co.uk Mark Longley Specialist Ceramics & Glass, Works of Art & Collectables marklongley@roseberys.co.uk Tess O’Brien Fine Art & Pictures Consultant tessobrien@roseberys.co.uk Kate Pritchard Cataloguer & Valuer Paintings & Prints, Modern & Contemporary Art katepritchard@roseberys.co.uk Alex Tonkinson Consultant Specialist Modern Design alextonkinson@roseberys.co.uk Shane Xu Head of Department Modern & Contemporary Prints & Multiples shanexu@roseberys.co.uk

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TERMS OF CONSIGNMENT FOR SELLERS These terms apply to Rosebery Fine Art Ltd trading as Roseberys and Roseberys London.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract.

Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission and Entry Fee. (a) Entry Fee: A charge of £20 is made to each lot sold in addition to vendor’s commission. This charge covers our specialist research, catalogue description, website illustration, marketing on our website and other third party sites as well as live or timed bidding on various internet platforms. (b) Vendors Commission: Is charged on each lot at 15%.

3. Catalogue Illustration Fee. The cost of any illustration is borne by you. Lots may be illustrated in a catalogue and thus a charge of between £20-60 per illustration is applicable, dependent on size. For example a quarter page illustration £20, half page £40, three quarter/full page £60. The copyright in respect of such illustrations shall be the property of the auctioneers, as is the text of the catalogue; any persons to be found to have reproduced such illustrations or text without prior written approval will be deemed as being in breach of copyright law and appropriate legal action may be taken.

4. Loss and Damage of Goods (a) Roseberys is not authorised by the FSA to provide insurance to its clients, and does not so do. However Roseberys, for its own protection, assumes liability for property consigned to it at the lower pre-sale estimate until title passes to the buyer. To justify accepting liability, Roseberys makes a charge of 1.75% of the hammer price plus VAT. The liability assumed by Roseberys shall be limited to the lower pre-sale estimate or to the reserve if the lot was unsold.

Settlement in any claim arising shall be subject to commission as if the lot had sold in the normal manner. (b) If the owner of goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4(a) is inapplicable. (c) Roseberys will not be liable for the loss or damage to frames or glass covering prints, paintings or other works. Old frames are often fragile or subject to deterioration and whilst Roseberys will do their

upmost to ensure the safety and care of frames and glass we will not compensate for loss or damage to property caused by changes in humidity or temperature, normal wear and tear, gradual deterioration, inherent defect or errors in processing.

5. Removal Costs. Items for sale must be consigned to the saleroom by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

6. Minimum Bids and our Discretion. Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 7. We may sell Lots below the reserve provided we account to you for the same sale proceeds that you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to approximately 15% below the low estimate and “wide discretion” allows to use accept a bid of up to approximately 30% below the low estimate.

7. Reserves. (a) Prior to the auction you are entitled to place a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve. If we are unable to offer goods they may be subject to storage charges if uncollected. (b) A reserve once set cannot be changed except with our consent, and confirmed by you in writing. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical Items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft Furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request

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TERMS OF CONSIGNMENT FOR SELLERS 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery or where we are or ought to have been aware of it.

11. Unsold Items. Unsold lots will be automatically reoffered into the next appropriate live or online auction with the low estimate reduced by 40% and if the revised estimate is £200 or below it will be offered without reserve. Alternatively, we may contact you to request that you collect the items. If you do not wish to re-enter the lots please notify Roseberys in writing with collection instructions. Please note storage charges will be incurred if lots are not collected within one week, storage charges will be applied of £2 + VAT per lot per day. If a lot remains uncollected two months after the date of the auction, Roseberys shall have the right to sell the lot at auction without reserve and to deduct from the ‘hammer price’ any sum owing to Roseberys as well as expenses arising from all auctions in which the lot has been included, plus storage and loss and damage warranty charges.

12. Withdrawn Items. (a) If an item is withdrawn prior to the publication of the catalogue a minimum charge of £20 + VAT per lot is applicable. This fee covers administration, handling, storage and loss & damage of the lot whilst in our care. (b) If an item is withdrawn after the online or offline publication of the lots they will incur charges where applicable comprising the sum of the vendor’s commission, the entry fee, the illustration cost, the loss and damage warranty, the buyer’s premium, the marketing fees and other expenses in relation to the item. VAT is applicable on all charges. These commission and premium charges will be calculated upon Roseberys published mid estimate. (c) In the cases of 12 (a) and (b) Roseberys will store the withdrawn item for a period of five days with no charge, after this a storage charge will be applicable at a daily rate of £2 per item per day plus VAT for items that remain uncollected.

13. Conditions of Sale. You agree that all goods will be sold according to our Conditions of Sale.

In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to Deduct Commission and Expenses and Retain Premium and Interest. (a) You authorise us to deduct commission from the hammer price at the stated rate plus all applicable expenses incurred on your account and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us at our discretion to negotiate a sale by private treaty not later than five working days from the date of the auction in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient written sale instructions, client contact details or without our prior written agreement to take delivery and reserve the right to either refuse to receive such goods or to make a minimum warehousing charge of £2 per item per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within twenty one days we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Settlement of the net sum due to you normally takes place 28 days after the sale (by crossed cheque or bank transfer to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

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INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers of Roseberys London particularly those inexperienced or new to our salerooms or online only bidding platform. All sales are conducted according to our printed Conditions of Sale which are readily available for inspection in person, on our website and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot.

The lower estimate may represent the reserve price or may be above the reserve price. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. Buyer’s Premium. The Conditions of Sale oblige buyers to pay a buyer’s premium of 25% up to £250,000 (30% inclusive of VAT), 20% from £250,000-500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT) The premium price is subject to VAT at the standard rate.

5. VAT. The addition of (*) or (VAT applied on hammer price) to the lot description indicates that VAT is payable by the purchaser at the standard rate, presently 20%, on the hammer price as well as being payable on the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the premium is not recoverable as input tax.

6. Artist’s Resale Rights/Droit de Suite. Lots as indicated in the catalogue and if sold for the equivalent of 1000 euros or more on the day of the auction will be subject to a further percentage of the hammer price as follows: From 0 to 50,000 euros subject to 4% From 50,001 to 200,000 euros subject to 3% From 200,001 to 350,000 euros subject to 1% From 350,001 to 500,000 euros subject to 0.5% Exceeding 500,000 euros subject to 0.25% The Artist’s Resale Right payable will be the aggregate of the amounts payable under the above rate bands, subject to maximum royalty payable of 12,500 euros for any single work each time it is sold. Calculations of the artist’s resale right will be based on the pound sterling/Euro reference exchange rate quoted on the date of sale by the European Central Bank.

7. Agents. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested.

Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. Additionally, in specified circumstances lots mis-described because they are ‘deliberate forgeries’ may be returned and repayment made. There is a three week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

8. Electrical goods. These are sold as ‘antiques’ or ‘decorative’ items only and if bought for use must first be checked for compliance with safety regulations by a qualified electrician.

9. Coloured gems. It is common practice for gemstones to be treated in order to enhance colour and clarity. Unless stated buyers should presume coloured stones may well have been exposed to some sort of treatment.

10. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character because, e.g. they may contain prohibited materials such as ivory.

11. Bidding. Bidders are required to register with us before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

12. Commission bidding (i)

Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding the buyers’ premium.

They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received.

Please enquire in advance about our arrangements for leaving commission bids by telephone, email or fax. Please ensure bids are left at least one hour prior to the start of the auction.

(ii) Commission bids may also be left via the Roseberys website.

These bids are executed via the RoseberysLive software and there is no surcharge.

13. Live Online bidding (a) An online bidding service is offered via RoseberysLive, thesaleroom.com and invaluable.com. In completing the bidder registration on these sites the buyer is agreeing to Roseberys conditions of sale. (b) In the case where a debit or credit card has been used to register the buyer also agrees to authorise Roseberys, if they so wish, to charge the debit or credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the online bidding platforms. (c) Please note there is no additional surcharge for any lots purchased via RoseberysLive, whether live bidding or commission bidding.

Any lots purchased via thesaleroom.com or invaluable.com will be subject to an additional 5% commission charge + VAT at the rate imposed on the hammer price. (d) Roseberys offers online bidding services as a convenience to its clients, but neither Roseberys nor the seller will be responsible to you for errors during or after the sale or failures to execute bids, either live bids or commission bids placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: (i) any loss of connection to the auction being conducted online; (ii) a breakdown or problems with the online bidding software or the website service provider; and/or (iii) a breakdown or problems with any internet connection, computer, mobile device or system. (e) By accessing RoseberysLive and using the software provided you are agreeing to the Website Terms and Conditions governing use of our website. Please ensure you familiarise yourself with these prior to accessing our website.

14. Methods of Payment. Payment can be made by cash (maximum 10,000 euros), debit and credit cards (maximum £1,000 online or over the phone) or bank transfer. For international bank transfers an administration fee of £25 is payable. Any cheques tendered will need to allow 10 days to be cleared before removal of lots purchased is permitted. Please note that regulation of money laundering means we are limited to receiving the equivalent of 10,000 euros in cash payment.

15. Collection and storage (a) Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. All lots must be collected within five working days following auction. Storage charges of £2 per lot per day + VAT will be strictly enforced thereafter. (b) Roseberys are unable to pack, post or deliver any items purchased through public or online auction, a list of suggested companies is supplied upon issuing of invoices, upon request or on the company website. These are suggestions only and are not the recommendation of Roseberys or affiliated with Roseberys in anyway and as such Roseberys cannot be held responsible for the individual performance of these companies.

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CONDITIONS OF SALE Rosebery Fine Art Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1.

Definitions

In these Conditions: (a) “auctioneer” means the firm of Rosebery Fine Art Ltd or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Rosebery Fine Art Ltd accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2.

Bidding Procedures and Conduct of the Auction

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid. Any bidder who refuses to provide the requested identification may be refused permission to bid. (b) The auctioneer has discretion at any time to refuse any bid, withdraw any lot, re-offer a lot for sale (including after the fall of the hammer) if they believe there may be error or dispute, and take such action as they reasonably think fit. (c) Subject to condition 2(b) the contract between the buyer and seller is concluded on the striking of the auctioneer’s hammer, whereupon the buyer becomes liable to pay the purchase price. (d) Any post-auction sale of lots offered at auction shall incorporate these conditions as if sold in the auction. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3.

Increments. Bidding increments shall be at the auctioneer’s sole discretion.

4.

The Purchase Price. The buyer shall pay the hammer price together with a premium thereon of 25% up to £250,000 (30% inclusive of VAT), 20% from £250,000500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT). The premium price is subject to VAT at the standard rate.

5.

Value Added Tax. Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged

at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots.

(Please refer to “Information for Buyers” for a brief explanation of the VAT position).

6.

(1) (a) (b) (2)

Payment Immediately a Lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in cash, debit, credit card or bank transfer or in such other way as is agreed by us.

Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7.

Title and Collection of Purchases. The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (a)(i) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 5 working days following the day of the auction. (ii) Roseberys are unable to pack, post or deliver any items purchased through public or online auction.

A list of suggested companies is supplied upon issuing of invoices, upon request, or on the company website. These are suggestions only and are not the recommendation of Roseberys or affiliated with Roseberys in anyway and as such Roseberys cannot be held responsible for the individual performance of these companies. (b) No purchase can be claimed or removed until it has been paid for and payment has cleared. (c) Invoices will not be split or title transferred to another person(s). Invoices must be paid in full before any lots can be removed. (d) Purchased lots must be collected within the allocated time as stated in the Information for Buyers section 13, storage charges are applicable thereafter. Purchased lots are at the Buyer’s risk (and therefore their sole responsibility for insurance) from the earliest of the collection or the 21st calendar day after the auction.

Until risk passes Roseberys will compensate the buyer for any loss or damage to the lot up to a maximum of the purchase price paid.

8.

(1)

(a) (b) (c)

(d) (e)

Remedies for Non-Payment or Failure to Collect Purchases If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: to proceed against you for damages for breach of contract; to rescind the sale of that Lot and/or any other Lots sold by us to you; to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

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CONDITIONS OF SALE (f)

to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9.

Third Party Liability. All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. Commission, Telephone Bids and Live Online Bidding. Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. (a) Lots will be purchased by the Auctioneer on behalf of the commission bidder for the lowest price allowed by other bids and/or reserves if any, up to and including their maximum bid amount recorded. The Auctioneers cannot accept responsibility for any neglect or default in executing or failing to execute commission bids whether through the auctioneer or through any online bidding software, or where a bidding slip has been completed incorrectly. We urge commission bidders, to ensure that the correct lot number(s) and price(s) are recorded on their bidding forms. (b) Where two or more commission bids at the same level are recorded we reserve the right at our absolute discretion to prefer the first bid so made. (c) Telephone Bids. Any person unable to attend the auction may request to bid on a specific lot by telephone. This facility is only available by prior arrangement with the Auctioneers and not available for online only auctions. The Auctioneers cannot accept responsibility for any neglect or default in executing or failing to execute telephone bids. (d) Live Online bidding. (i) An online bidding service is offered via RoseberysLive, thesaleroom.com and invaluable.com. In completing the bidder registration on these sites, the buyer is agreeing to Roseberys conditions of sale. (ii) In the case where a debit or credit card has been used to register the buyer also agrees to authorise Roseberys, if they so wish, to charge the debit or credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the online bidding platforms. (iii) Please note there is no additional surcharge for any lots purchased via RoseberysLive, whether live bidding or commission bidding. Any lots purchased via thesaleroom.com or invaluable.com will be subject to an additional 5% commission charge + VAT at the rate imposed on the hammer price.

(iv)

(v)

Roseberys offers online bidding services as a convenience to its clients, but neither Roseberys nor the seller will be responsible to you for errors during or after the sale or failures to execute bids, either live bids or commission bids, placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: (aa) any loss of connection to the auction being conducted online; (bb) a breakdown or problems with the online bidding software or the web site service provider; and/or (cc) a breakdown or problems with any internet connection, computer, mobile device or system.

By accessing RoseberysLive and using the software provided you are agreeing to the Website Terms and Conditions governing use of our websites. Please ensure you familiarise yourself with these prior to accessing our websites.

11.

Warranty of Title and Availability. The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

No representation or warranties are made by Roseberys or the seller as to whether any lots is subject to copyright or whether they buyer acquires copyright in any lot.

12.

Agency. The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13.

Terms of Sale. The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot.

14. (a)

Description and Conditions Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description of a lot. Buyers are welcome to make an appointment to view any lots listed on an online only auction. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers�.

Condition Reports. Reports on the condition of any lot are offered by the Auctioneers as a statement of opinion only, and not of fact. Rosebery Fine Art Ltd are not liable for any errors or omissions contained therein. The buyer must satisfy themselves to the condition of any given lot prior to bidding. Roseberys will not be held responsible for any damage or defect that has not been notified to the buyer. Catalogue illustrations are for guidance only and will not convey full information as to the actual condition of lots.

(b)

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CONDITIONS OF SALE (c)

(d)

Where the term (a/f) is used this refers to a lot being ‘as found’, it is used for guidance only and indicates in our opinion there is significant damage or repair to an item, the omission of this term does not indicate there is not significant damage or repair to an item and Roseberys are not liable for the omission of this term.

Private treaty sales made on these premises under these Conditions are deemed to be sales by auction for the purposes of consumer legislation.

15. Forgeries. Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. Roseberys may require the buyer to obtain at the buyer’s cost the reports of two independent and recognised experts in the field, mutually acceptable to Roseberys and the buyer. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) if you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

16. Online Only Timed Auctions These following terms are applicable only to sales conducted online only and are to be used in addition to the conditions of sale. (a) (i)

Right to Cancel If you are a consumer resident in the European Union you have the right to cancel the contract for the purchase of a lot within 14 calendar days without giving any reason. (ii) The cancellation period will expire after 14 calendar days from the day on which you acquire (or a party nominated by you and is not the shipper) physical possession of the lot. (iii) To exercise the right to cancel, you must inform us of your decision to cancel this contract by a clear written statement (e.g. a letter sent by post, fax or email), or you may use the cancellation form which can be found on our website or by contacting a member of staff. The communication must be received within 14 calendar days from the day on which you acquire the lot. (iv) If you cancel the contract, we will reimburse all payments received from you. As Roseberys are unable to provide a postage or packing service the cost of the initial delivery or collection is not returnable. In addition the cost of returning the item if you choose to cancel the contract is payable by you. (v) We may make a deduction from the reimbursement for loss in value of any goods supplied, if the loss is the result of damaged caused by unnecessary handling whilst in your possession. We will make the reimbursement without undue delay, and not later than (aa) 14 calendar days after the day we receive back from you any goods supplied, or (bb) (if earlier) 14 calendar days after the day you provide evidence that you have returned the goods.

(vi) We will make the reimbursement using the same means of payment as you used for the initial transaction, unless you have expressly agreed otherwise; in any event, you will not incur any fees as a result of the reimbursement.

We may withhold reimbursement until we have received the goods back or you have supplied evidence of having sent back the goods, whichever is earliest. (b) Liability Roseberys nor the seller will be responsible to you for errors during or after the online only timed auction or failures to execute bids placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: any loss of connection to the auction being conducted online; a breakdown or problems with the online bidding software or the website service provider; and/or (iii) a breakdown or problems with any connection, computer, mobile device or system.

General

17. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

18. Where a member of the public causes damage to a lot (or part thereof) the Auctioneers reserve the right to: (a) sell the aforementioned without reserve and to hold that specific individual liable for the amount of any difference between the hammer price and the reserve or low estimate; (b) hold that specific individual liable for the cost of restoration where appropriate; (c) hold that specific individual liable for the full amount of the reserve price or lower estimate as applicable.

19 (a) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

20. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email if provided in which case it shall be deemed to have been received by the addressee 48 hours after posting.

21. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

22. Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

23. English law applies to the interpretation of these Conditions.

These terms and conditions are based upon recommended conditions of sale by SOFAA (the Society of Fine Art Auctioneers) and RICS (the Royal Institute of Chartered Surveyors)

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Fine Art Valuers & Auctioneers Professional Services and Private Client Department Roseberys London has been working with solicitors, insurance companies and private clients for almost 30 years, priding ourselves on our discreet and confidential nature to provide a range of Professional Formal Valuation services.

Probate Independent valuations of personal chattels under Section 160 of the Inheritance Tax Act 1984 for executors and solicitors who are acting on behalf of a deceased estate in compliance with the requirements of HM Revenue and Customs.

Family Division Professional comprehensive valuations of antiques, artwork, jewellery and other items to enable the equitable division of possessions amongst family members if the need arises to assist in the drawing up of a Will or pursuant to a Court Order for example.

Divorce and Financial Remedy Undertaking inventories and the valuation of personal possessions for Divorce and Financial Remedy proceedings instructed by individual solicitors or as a joint instruction by the Central Family Court and acting as the expert under FPR Part 25.

Insurance A detailed and illustrated open market valuation of your artworks, antiques and jewellery ensuring that you are neither under insured nor over insured to avoid any unrealistic premium payments and subsequent disputes should a claim arise.

For further information please contact Maria Zuccon mariazuccon@roseberys.co.uk +44 (0) 20 8761 2522 www.roseberys.co.uk

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Inviting Consignments MODERN & CONTEMPORARY BRITISH ART 24 SEPTEMBER 2019

Craigie Aitchison CBE RSA RA, British 1926-2009Crucifixion, 1971-1973; oil on canvas Sold for £22,500 February 2019

For further information or a complimentary valuation please contact Helena Anderson | helenaanderson@roseberys.co.uk +44 (0) 20 8761 2522 | www.roseberys.co.uk

ROS-005 Mod Brit (2nd text).qxp_Layout 1 10/05/2019 15:19 Page 134

70/76 Knights Hill London, SE27 0JD +44 (0)20 8761 2522 +44 (0)20 8761 2524 clientservices@roseberys.co.uk

CATALOGUE SUBSCRIPTION FORM FULL NAME: ADDRESS: TELEPHONE:

EMAIL:

SUBSCRIPTION OPTIONS Auction Title

Number of auctions annually

Cost of annual Subscription including UK postage

Cost of annual Subscription including Europe postage

Cost of annual Subscription including rest of world postage

Design: Decorative Arts 1860 to Present Day

3

£37.50

£45

£52.50

Chinese, Japanese & South East Asian Art

2

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£30

£35

Impressionist, Modern, Post-War & Contemporary Art

2

£25

£30

£35

Fine & Decorative

3

£37.50

£45

£52.50

Islamic & Indian Arts/ Art of India

3

£37.50

£45

£52.50

Jewellery & Watches

3

£37.50

£45

£52.50

Modern & Contemporary British Art

2

£25

£30

£35

Modern & Contemporary Prints

2

£25

£30

£35

Print & Multiples

2

£25

£30

£35

Old Master, 18th & 19th Century Pictures

3

£37.50

£45

£52.50

Tick to subscribe

Subscription Offer: Buy 2 or more subscriptions save 20% on prices listed Total cost of subscription: Method of Payment: Payment can be made by credit or debit card over the phone or in person, alternatively by bank transfer or cash in person. Payment is accepted via bank transfer to the following account (International bank transfers are subject to a £25 administration fee.): Natwest Bank plc, Bloomsbury Parr’s branch, Sort Code 60-30-06, Account number 36952613, Swift code NWBKGB2L, IBAN GB80NWBK60300636952613.

I would/would not like to receive online catalogues and notifications of the sales that I am interested in as indicated on this form (delete as appropriate).

Signed:

Date:

ROS-005 Mod Brit (2nd text).qxp_Layout 1 10/05/2019 15:19 Page 135

70/76 Knights Hill London, SE27 0JD +44 (0)20 8761 2522 +44 (0)20 8761 2524 clientservices@roseberys.co.uk

ABSENTEE BID FORM PLEASE COMPLETE THE FORM IN FULL IN CAPITAL LETTERS AND PLACE YOUR BIDS AT LEAST ONE HOUR PRIOR TO THE START OF THE RELEVANT SECTION OF THE AUCTION

FULL NAME: ADDRESS: POSTCODE:

EMAIL:

BIDDER NUMBER: TELEPHONE:

Lot number

GBP £ bid price excluding premium

Lot number

GBP £ bid price excluding premium

All bids are entered subject to Roseberys standard terms and conditions of sale and to any special terms stated by the auctioneers to apply to lot(s) which the prospective purchaser hereby acknowledges and accepts.

Please see catalogue or website for important information for buyers and our full conditions of sale or ask a member of staff for a copy.

I authorise Roseberys to bid on my behalf for the above mentioned lot(s) up to the price(s) stated. I confirm I have read and agree to the buyer’s terms of sale with special attention to the buyer’s premium, additional charges and storage.

Signed:

Date:

AUCTION CALENDAR 2019 May Chinese, Japanese & South East Asian Art Tuesday 21st May June Art & Antiques Saturday 1st June Prints & Multiples in Assocaition with Artsy Online Only Auction Monday 3rd June Tuesday 18th June

Modern & Contemporary British Art Tuesday 11th June Arts of India Wednesday 12th June Design: Decorative Arts 1860 to the present day Tuesday 25th June July Impressionist, Modern, Post War & Contemporary Art Wednesday 3rd July

70/76 Knights Hill, London SE27 0JD +44 (0) 20 8761 2522 clientservices@roseberys.co.uk

www.roseberys.co.uk

70/76 Knights Hill London SE27 0JD +44 (0) 20 8761 2522 auctions@roseberys.co.uk www.roseberys.co.uk