Rosebery's London

JEWELLERY & WATCHES Wednesday 20 November 2019

JEWELLERY & WATCHES Wednesday 20 November 2019 Starting at 1pm PREVIEW EVENT Join us to view a selection of highlights from the auction at The Clubhouse, 8 St James’s Square, London, SW1Y 4JU Wednesday 13 November, 11am-6pm

VIEWING Sunday 17 November 10am-2pm Monday 18 November 9.30am-5.30pm Tuesday 19 November 9.30am-5.30pm Wednesday 20 November 9.30am-12.30pm Head of Department: Mark Bowis FGA DGA FSA Please note the conditions of sale at the back of this catalogue Buyer’s Premium 25% + VAT (30% inclusive of VAT) Condition of items: a catalogue description does not state the condition of the item Catalogue Price £10 (£12 by post) Front Cover: Lot 54 Back Cover: Lot 92 Inside Front Cover: Lots 318, 324,322,195,93,276,184,316,304,319 Inside Back Cover: Lots 157,162,164,172,173,174,163,167

70/76 Knights Hill London, SE27 0JD +44 (0)20 8761 2522 auctions@roseberys.co.uk www.roseberys.co.uk

Online bidding available at:

RoseberysLive

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BUYING AT ROSEBERYS The following is intended to serve as a useful quick reference to buying at Roseberys.

Prior to bidding please familiarise yourself with our full conditions of sale which are applicable when bidding at one of our auctions. Our staff are available to assist you with any questions you may have.

Viewing Catalogues are available from reception and all lots are listed and illustrated at www.roseberys.co.uk Condition is not stated in the catalogue description and buyers are encouraged to view lots in person prior to bidding to satisfy themselves as to the accuracy of the description and condition of lots.

New Bidders New buyers are required to register before bidding. This can be done in person at reception, or via email to clientservices@roseberys.co.uk.

Photographic identification, full contact details and proof of address are required. Roseberys cannot accept bids from unregistered buyers. Once registered you will be provided with a paddle which states your bidding number for the auction.

Alternatively, online bidding is available through www.thesaleroom.com and www.invaluable.com, successful online bidders are charged an additional premium of 5% + VAT. Bidders must register by 9am on the morning of the auction to be able to buy online. You will be asked to complete the registration process prior to approval.

• Telephone bidding: A limited number of phone lines for lots in the auction are available for bidders subject to a minimum threshold. A member of staff would telephone you during the auction and bid live on your behalf. Please contact reception if you would like to enquire about booking a phone line.

The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over the top estimate.

Buyer’s Premium

New International Bidders In addition to providing proof of identity, new international bidders must leave a £500 deposit the first time they register and before bidding.

Successful bidders will be refunded their deposit once they have paid for their lots. Unsuccessful bidders will automatically be refunded within a week of the auction.

The buyer shall pay the hammer price together with a premium thereon of: 25% up to £250,000 (30% inclusive of VAT), 20% from £250,000-500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT) The premium price is subject to VAT at the standard rate.

Methods of bidding

VAT

• In person: at the auction room.

VAT is not charged on the hammer price unless it is stated that there is ‘VAT applicable on the hammer price’ at the end of the description. Buyer’s premium is subject to VAT.

• Commission bid: If you are unable to attend the auction, commission bids may be left indicating the maximum amount to be bid excluding the buyer’s premium. All bids must be received at reception at least one hour before the start of the auction. Clients are also able to leave a commission bid via our website on individual lot pages. These bids are actioned on your behalf by our in-house bidding software RoseberysLive, and are not visible to the auctioneer.

• Online bidding: You can follow all our auctions live online and bid via the internet using RoseberysLive, our in-house live bidding platform.

RoseberysLive is a secure online bidding platform provided by Roseberys to enable our clients to bid online from anywhere in the world. You can register to use the service or view the auction through our website www.roseberys.co.uk.

There is no charge to use this service.

(ARR) – ARTIST’S RESALE RIGHT Qualifying living artists and the descendants of artists deceased within the last 70 years are entitled to receive a re-sale royalty each time their work is bought through an auction house or art market professional.

It applies to lots with hammer value over €1,000 as follows: 0 to €50,000 - 4%, €50,000.01 to €200,000 - 3% €200,000.01 to €350,000 - 1%, €350,000.01 to €500,000 - 0.5% Exceeding €500,000 - 0.25% ARR is capped at €12,500 Please note ARR is calculated in euros.

Auctioneers will apply current exchange rates.

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Payment Payment is required immediately after the auction and can be made in the following ways: • Cash: up to the sterling equivalent of 10,000 Euros on the day of the transaction.

• Debit and Credit cards: excluding American Express. To protect against card fraud we are unable to make ‘card not present’ transactions online or over the phone for amounts over £1000.

To make a payment of over £1000 please make a bank transfer or visit the auction house in person.

• Bank transfer: Payment is accepted via bank transfer to the following account, (International bank transfers are subject to a £25 administration fee.)

Natwest Bank plc, Bloomsbury Parr’s branch, Sort Code 60-30-06, Account number 36952613, Swift code NWBKGB2L, Iban GB80NWBK60300636952613.

• Online via www.roseberys.co.uk (up to £1,000) Clearance of Goods Roseberys requests all lots are collected within five working days following the auction. After this, storage charges of £2 + VAT per lot will apply. Please contact our Client Services team should you be unable to collect your purchases within this time and we would be happy to discuss alternative arrangements.

Delivery Roseberys is unable to pack and ship items but can suggest the following companies: London/Surrey • Capital Fine Art Move: +44 (0) 7957 209523 • Bernard Thornton: +44 (0) 7970 118762 Nationwide/International • Mail Boxes Etc: +44 (0) 20 8649 9777 Specialist Packing • Pack and Send: +44 20 8392 6990 In order to release to a third party carrier you must inform Roseberys in writing of the lot number and carrier name. Please email clientservices@roseberys.co.uk Export of goods Buyers intending to export goods should ascertain whether an export licence is required before bidding.

Export licences are issued by Arts Council England and application forms can be obtained from its Export Licensing Unit. Details can be found on the ACE website www.artscouncil.org.uk or by phoning ACE on 020 7973 5188. The need for import licences varies from country to country and you should acquaint yourself with all relevant local requirements and provisions before bidding. The refusal of any such licences shall not permit the cancelling of any sale nor allow any delay in making full payment for the lot.

Lot 61

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1 A 9ct gold wristwatch, by Rolex, the white circular dial with red Arabic 12 and black Arabic hour markers, in plain case to an expandable flexible bracelet, case interior and movement signed Rolex, case number 561078, London import hallmarks, 1913, case 27mm wide ÂŁ200 - 300*

2 Two gold rings and a wristwatch; comprising: a 22ct gold band ring, Birmingham hallmarks, 1929, 6.8g; a 9ct gold band ring, London hallmarks, 6.6g; and a 9ct gold wristwatch, the circular dial with Roman numerals and subsidiary seconds, Chester hallmarks, winding crown deficient, to a gold plated bracelet (3) ÂŁ120 - 160*

3

3 A charm bracelet, of rectangular link design suspending various charms, including: a fish with turquoise cabochon eyes; an incense burner with coral, corallium rubbrum, cabochon; a padlock, one side with a single cabochon turquoise, the other side mount deficient; a Torah; and a mouse ÂŁ600 - 800*

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4 An early 20th century gold bracelet, of curb-link design with 9ct gold padlock clasp, clasp with Birmingham hallmarks, 1905 £200 - 300*

5 A late 19th century / early 20th century gold, turquoise and half-pearl bracelet, of curb link design set at intervals with turquoise or halfpearl three stone clover leaf detail, to a padlock clasp, 20cm long £300 - 500*

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7

6 A charm bracelet, the circular link bracelet suspending various charms including: a 9ct gold sports car; a 9ct gold sprung guillotine; a 9ct gold rickshaw; an enamelled stork and baby; an enamelled horse in horseshoe; a 9ct gold chimney sweep; and a 9ct. gold pair of boots; 17.5cm long £300 - 500*

7 A charm bracelet, the circular and rectangular loop-link bracelet suspending various charms including: a rose-cut diamond set violin; a violin in 9ct gold violin case, the case inscribed ‘BIG FIDDLE’; a telephone; a 9ct gold mounted compass; a straw boater with red enamel ribbon, some loss to enamel; a pram; a ballerina; and a 9ct gold grand piano; 17.5cm long £800 - 1,200*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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8 8 A group of gold coins, comprising: three sovereigns, Edward VII (2) 1907 and 1908, George V 1911; three George V half-sovereigns, 1911, 1914 and 1915; and a German 20 Marks, Wilhelm II, 1901 (7) £700 - 900* 9 A group of 9 various gold coins, comprising: four Elizabeth II, proof sovereigns and four proof half sovereigns, all dated 1980; and a commemorative gold coin for Montenegro for the occasion of the transfer of the mortal remains of Nikola I, the king and ruler of Montenegro, and the queen Melina, to Cetinje, all in plastic holders and issue cases, stated weight 6.78g (9) £850 - 1,000* 10 A pendant-mounted George III Spade Guinea, 1798, to a gold pendant mount, gross weight 8.8g £180 - 220*

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11 A group of jewellery, silver objects and costume jewellery, including: an Art Nouveau gold, turquoise and half-pearl brooch, by Murrle, Bennett & Co of typical whiplash design, maker’s mark; a lady’s 18ct gold wristwatch of octagonal form, the dial with Roman numerals, 15 jewels movement, London import hallmarks, glass and straps deficient; an old-cut diamond, half-pearl and rose-cut diamond clasp, 1.2cm; a late 19th century gold, hardstone cameo and half-pearl ring, the rectangular hardstone carved to depict a female profile, chipped; a Middle Eastern turquoise and seed pearl pendant; a pair of Edwardian turquoise and half-pearl earpendants, hook fittings; a pair of single cultured pearl earstuds; two 19th century oval citrine single stone brooches in gilt mounts; a coral, corallium rubrum, bead triple row necklace, stringing detached; a pierced spherical clasp; a silver mounted circular mirror, the reverse with pale blue guilloche enamel, Birmingham hallmarks, 1923; a silver miniature compact of octagonal form with gilt interior, the circular lid with pale blue guilloche enamel, Birmingham hallmarks, 1925; a silver pill box, the lid with applied pig, European Convention hallmark; three early 20th century silver thimbles; a gilt metal and vari-coloured paste bracelet; and various items of jewellery and costume jewellery £250 - 350*

11 (part)

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12 A group of jewellery and costume jewellery, including: two pairs of opal single stone drop earrings; two Star of David pendants, one suspended from a neckchain; a pair of Star of David earrings; a box-link neckchain; a garnet cluster ring; two fancy-link bracelets; an enamel pendant; a lady’s gold plated quartz wristwatch by Citizen; and a quantity of costume jewellery £500 - 700* 13 An emerald-set pendant necklace and a synthetic sapphire and diamond ring, the scroll design openwork cross pendant with circular-cut emerald accents, to a ropework necklace, pendant 8.2cm long, necklace 77.0cm long; the ring with central oval synthetic sapphire to a marquise and brilliantcut diamond surround, ring size L; together with a gilt metal and paste ring (3) £800 - 1,200* 13 14 A group of jewellery and costume jewellery, comprising: four rings, a circular-cut sapphire and old-cut diamond cluster, a cultured pearl bombé cluster, a late 19th century gold, garnet topped doublet and half-pearl five stone, and a colourless paste and enamel floral design ring; a pair of oval pink sapphire and single-cut diamond cluster earstuds; a 19th century gold, blue enamel and half-pearl rectangular brooch; a slightly graduated coral, corallium rubrum, bead necklace, 53.0cm long; a rose quartz lavallier necklace; a pair of oval citrine single stone earrings in gilt mounts; two colourless paste floral clips, an imitation pearl stickpin; and a dyed plastic duck brooch, fitting partially deficient £300 - 500*

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* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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15 15 A group of jewellery, comprising: an early 20th century jadeite jade, diamond and seed pearl brooch of elongated form, the trefoil surmount with single pear shaped jade bead and brilliant and rose-cut diamond and seed pearl detail, one diamond deficient, mounted in gold and platinum; a gilt metal bracelet suspending two jadeite jade beads; a 19th century ‘Tassie’ type glass intaglio in later, 20th century 9ct gold mount, hallmark partially indistinct; a 9ct gold and shell cameo brooch, the oval shell carved to depict a female profile, Birmingham hallmarks, 1968; a late 19th / early 20th century gilt and enamel locket necklace, the circular pendant with purple guilloche enamel to the front and reverse, the necklace with purple enamel twin bar spacers; a late 19th century gold necklace, the belcher link necklace suspending a three colour floral design panel with half-pearl accent and twin tassel drops; and a gilt metal circular brooch with purple and colourless paste cluster centre and cultured pearl border Please note that the jade has not been tested for natural colour origin £100 - 200* 16 A lady’s 9ct gold wristwatch, by Longines, the circular silvered dial with applied Arabic numerals, signed Longines, the 17 jewelled lever movement signed Longines, number 12745579, with snap-on case back number 40446, London hallmarks, 1965, to a 9ct gold tapering flexible bracelet, 15cm long, in maker’s case

17 A 19th century garnet necklace, composed of a line closed-set circular cabochon garnets, mounted in gold, 36.5cm long; together with a pair of rectangular-cut garnet single stone earstuds (3) £250 - 300*

Offered for sale for the benefit of the Battersea Dog and Cats Home £80 -120*

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18 A Victorian paste riviere necklace, composed of a series of graduated foiled old-cut colourless paste with smaller single-cut paste spacers, mounted in silver, two small paste deficient, c. 1890, 38.5cm long £150 - 200* 19 A garnet bead necklace, the double row of faceted garnet beads to an engraved box clasp, 60.0cm long £100 - 200*

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20 A diamond ring and a bracelet, the ring set to the front with an old-cut diamond four stone cluster, ring size W; the two colour bracelet of fancy chevron link design, 19.5cm long (2) £300 - 500*

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* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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21 A late 19th / early 20th century gold charm bracelet, charms include: a pendant-mounted Egyptian gold 100 Piastres coin; a cornelian scarab pendant; a miniature, opal and rose-cut diamond Royal Fusiliers badge; a Victorian gold kidney shaped folding key locket pendant; and a paste elephant charm; 18cm long £500 - 800*

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22 A 19th century gold bracelet suspending various fob seals, the curb-link bracelet with fifteen gold, gold cased and gilt fob seals, some mounted with various hardstones, several engraved with initials or crests, two early 19th century watch keys, and a gold nugget charm, 17cm long, gross weight 102.9g £600 - 800* 23 A group of jewellery, comprising: a millegrain-set old-brilliant-cut diamond five stone half-hoop ring, ring size O½; an 18ct gold old-brilliant-cut diamond five stone half-hoop ring, Birmingham hallmarks, 1905, ring size K; a claw-set brilliant-cut diamond three stone ring; a 9ct gold, sapphire and diamond five stone half-hoop ring; a 9ct gold band ring, 2.5g; a 9ct gold signet ring, 3.5g; a garnet cluster ring; a 9ct gold neckchain, 2.6g; and two lady’s 9ct gold wristwatches each with gilt bracelets, one signed Vertex, the other Medana (10) £150 - 200*

www.roseberys.co.uk

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24 A pair of 18ct gold cufflinks, of polished oval panel design with chain link connections, London hallmarks, 1915, 12.7g £150 - 200*

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25 A pair of ancient Greek silver coin set cufflinks, each coin obverse depicting the head of Athena, in collet mount with ropework border and chain link connections, each panel 1.3cm diameter, in retailer’s case stamped Longmire £400 - 600*

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26 A pair of sapphire cufflinks, by Tabbah, designed as two interlocking rope hoops, each intersected by two calibré-set sapphires, hinge fittings, both signed N. Tabbah, 2.5cm wide £300 - 500*

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* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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27 27 Two pairs of cufflinks, one pair of textured reef knot design to hinge fittings, the other designed as unwinding conical scroll with brushed interior, also with hinged fittings (4) £150 - 200*

28 A pair of diamond cufflinks, the circular panels with raised single-cut diamond single stone centres to chain link fittings, each panel with matt finish and raised polished border, each panel 1.3cm dia £200 - 300* 28

29 A pair of diamond-set rectangular cufflinks, one end of each engine-turned panel set with single-cut diamond ‘C’ shaped accent, to rectangular striated hinged bar fittings, panels 2.1cm long £200 - 300* 29

30 A pair of diamond cufflinks, each oval panel with old brilliant-cut diamond two stone centre and single-cut diamond line detail, to figure-of-eight link connections, each panel 1.5cm long £1,300 - 1,800*

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31 An early 20th century, 9ct gold and onyx dress set, comprising: a pair of cufflinks designed as octagonal onyx panels to bar-link connections; four matching dress buttons and two studs, in fitted case, c. 1930* £200 - 300*

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32 A pair of diamond and cultured pearl cufflinks, the panels of openwork scalloped shell design, with circular-cut diamond border to black cultured pearl centres, hinge fittings, 1.50cm dia £400 - 600*

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33 A pair of ruby and diamond cufflinks, composed of brilliant-cut diamond graduated circular panels with central calibré-cut ruby line and half-moon ruby two stone detail, to chain link connections, panels 1.4 and 1.2cm dia £1,700 - 2,200*

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34 Two pairs of two colour cufflinks, of interlocking hoop design, to hinge fittings, one pair with three textured hoops, the other pair of stacked textured hoop design, 2.3 and 2.0cm wide £300 - 400*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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37 35 Six pairs of clip earrings, comprising: a pair of semicircular brick link design with central circular-cut sapphire line; a pair of cultured pearl designed as a flower, the crinkled petals with yellow and blue enamel; a pair of 9ct gold, two-tone knot ear clips, London import hallmarks; a pair of coral, corallium rubrum, cabochons: a pair of pear-shaped brushed hoops; and a pair of stylised wheat sheaf design (12) £700 - 1,000*

36 A group of jewellery, comprising: a 9ct gold necklace suspending a cabochon coral pendant; a pair of coral drops; a pair of coral cruciform design earrings and ring; a twig coral necklace; three various amber and ambroid necklaces; and an amber bracelet and earrings, all coral, corallium rubrum £200 - 300*

37 A late 19th century 18ct gold keywind fob watch, the textured gilt dial with central three colour flowerhead motif and Roman numerals, foliate engraved case, London hallmarks, 1884, case 37mm wide, with an 18ct curb link watch chain £500 - 700*

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38 A 19th century gold openface pocket watch, a rolled gold pocket watch and a silver fob watch, the openface watch with white enamel dial (cracked) with Roman numerals, the gilt cuvette signed Lacolley, Grande Rue No 60, a Lisieux, jewelled lever movement; a rolled gold open-face keyless lever pocket watch, by Waltham, the white enamel dial with Roman black numerals; and a late 19th century silver fob watch (3) ÂŁ200 - 300* 38

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39 A 19th century gold and enamel keywind cylinder fobwatch, the circular engine turned dial with Roman numerals, glass deficient, the case floral engraved with polychrome enamel decoration, signed Chles Oudin a Paris, loss to enamel, case 36mm wide ÂŁ200 - 300*

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40 A gold plated musical automaton and alarm pocket watch, by Charles Reuge, the eccentric white enamel dial with Roman numerals, sweep centre seconds, blued steel alarm hand, set in pastoral enamel scene, surmounted by vari-coloured gilt automaton scene depicting a falconer watering his horse at a trough with a lady operating the pump flowing simulated water, the huntsman raising and lowering his arm holding a hawk, signed Reuge, the circular engine-turned case, stepped bezel, milled band, hinged case back, the automaton and music activated through the alarm or by pressing the button through the cuvette along with musical keywind hole, the seventeen jewelled unadjusted keyless lever movement signed Pontifa SA, the cuvette signed Reuge a Saint Croix, number 2416, c. 2010, case 58mm wide, with key, presentation case and instructions ÂŁ1,000 - 1,500* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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41 A collection of Brazilian Tortoise Leaf beetle jewellery, comprising: a necklace; a panel link bracelet; a gilt hinged bangle; earstuds; and single beetle pendant necklace (6) £200 - 300*

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42 A 19th Century Austro-Hungarian silver enamel and gem mounted agate pedestal dish and a small Chinese agate bowl, the oval dish mounted with a modelled song bird with pavé ruby wings, enamelled head and tail, perched on emerald cluster leaves with pearl buds, (some stones deficient), the oval foot with polychrome foliate enamel decoration, 8.5cm wide; the bowl carved as a lotus, 8.5cm wide (2) £300 - 500*

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43 A late 19th century silver mounted glass intaglio desk ornament, the oval intaglio depicting a scene from the Trojan wars, in framed mount with twin dolphin surmount and engraved oval foot, 11.0cm high £200 - 300*

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45 A group of six stickpins, including: one with diamond single stone top; one with octagonal shaped amethyst; one with opal and ruby two stone buds; one with half-pearl horse shoe; one with single sapphire with seed pearl detail; and one with untested pearl top, three with cases (6) ÂŁ200 - 300*

44 A group of six late 18th / early 19th century gold fob seals, including: one of swivel design, one side with engraved figure of Hope the other with a miniature compass; another with oval cornelian matrix engraved with the bust of Cleopatra and asp; another with swivel double matrix, one side cornelian with engraved armorial, the other blood stone with initials (6) ÂŁ500 - 700*

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* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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46 A group of jewellery, comprising: two Victorian gold oval hinged lockets, one mounted with lapis lazuli the other bloodstone; a mid-19th century black onyx rectangular cluster mourning ring, dated 1852; four various 19th century mourning brooches, one dated 1837; a Chinese carved lapis lazuli pendant; and a pair of gilt lorgnettes in fitted case (9) ÂŁ200 - 300*

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47 A group of jewellery, comprising: a 19th century diamond and turquoise brooch, the old-cut diamond claw-set on embellished baton to turquoise double fan surround and turquoise points, 5.2cm long; three stickpins, one designed as a textured fox head, one with opal cabochon, the other set with two old-cut diamonds and a sapphire; and a set of four dress studs of varying sizes (8) ÂŁ150 - 200*

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48 An Edwardian demantoid garnet brooch, composed of a line of circular-cut demantoid garnets, mounted in gold with platinum front, c.1905, 5.6cm long, in case £300 - 500*

49 A coloured diamond single stone ring, the brilliant-cut brown diamond, weighing approximately 1.20 carats, in claw mount with tapered baguette-cut diamond single stone shoulders, ring size S½ £1,500 - 2,000*

50 A diamond half hoop ring, set to the front with an alternating line of brilliant and square-cut diamonds, ring size L½ (sizing beads) £400 - 600*

51 An emerald and diamond half hoop ring, the front composed of a line of alternate square-cut emerald and diamond three stone sections, mounted in 18ct gold, London hallmarks, 2001, ring size N £300 - 500*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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52 An agate geode ring, the freeform geode within an open wirework abstract design mount with bead detail and single brilliant-cut diamond accents, c.1970, ring size L £150 - 200* 53 An agate and ruby pendant necklace, of abstract naturalistic design, the nodule of agate suspending three articulated fringes of collet-set rubies, the reverse with bar brooch fitting, chain 44.0cm long, pendant 4.2cm wide £250 - 350* 54 An 18ct gold and rock crystal brooch, by John Donald, of abstract design, the rock crystal geode in multi-prism design mount, makers mark JAD for John Donald, London hallmarks, 1965, 6.0cm x 5.0cm, in maker’s case

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John Donald is widely regarded as one of the most innovative jewellery designers to have emerged from post-war Britain. His iconic work, closely associated with London during the sixties and seventies, attracted many notable clients and patrons, including Princess Margaret and the Queen Mother. Donald earned a name as a pioneering artist-jeweller who championed creative expression and individuality through his revolutionary designs. Brooches played a particularly significant part in launching his career, as they provided him with maximum scope for expression. As a result, some of his most important ideas can be traced back through his brooch design.

Examples of John Donald’s work are held in the collections of the Victoria & Albert Museum, the Museum of Scotland and the collection of the Worshipful Company of Goldsmiths.

In the above example the uniformity of the polished rods both mirror and contrast with the abstract clustering of the natural crystals, the design an embodiment of ‘balanced irregularity’, a concept favoured by Donald who believed that “all stones, however valuable, however beautiful, must be subordinate to design.” £1,000 - 1,500*

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55 An 18ct white gold and green tourmaline brooch, by John Donald, of abstract design, the six columnar tourmaline crystals, of varying sizes, radiating hammered spikes from floral clusters, London hallmarks, 1963, 65mm x 60mm £1,200 - 1,600* 56 An 18ct gold and amethyst ring, and a pair of 18ct gold earrings,

by John Donald, designed as either domed or spherical openwork clusters of striated cubes, set irregularly, the ring with central tumble polished amethyst, the earrings designed as spheres suspended from a stylised flower of striated cubes, ring with maker’s mark JAD for John Donald and London hallmarks, 1963, earrings unsigned with partial London hallmarks (3) £600 - 800*

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57 A pair of seed pearl-set earrings attributed to Gillian Packard, the abstract design openwork clusters with seed pearl detail, to later 18ct gold post fittings with London hallmarks, 2003, 1.2cm wide Vendor states the earrings were acquired from Gillian Packard £150 - 200*

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58 A 9ct two colour gold brooch

by Gillian Packard, the abstract design panel composed of vari-length rods with bead detail, maker’s mark GEP, London hallmarks, 1964, 4.7cm long £150 - 200*

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* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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59 An 18ct gold and smoky quartz brooch, of sloped lozenge shaped design, the central circularcut smoky quartz in claw setting, to a two colour 18ct gold mount, London hallmarks, 1996, 8.0cm long £700 - 1,000*

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60 A two colour ‘Acanthus’ bangle by Helen Woodhull, of torc design with central stylised twin palmette motif, signed H. Woodhull, inner diameter 8cm, c. 1980, with catalogue Helen Woodhull (1940-2005) was a prominent New York jewellery designer whose jewellery designs were influenced by ancient and antique themes in silver and gold. She ran three premises on the Upper East side and furnished designs for Tiffany, Cartier and Georg Jensen. £200 - 300*

www.roseberys.co.uk

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61 A bracelet by Bjorn Weckstrom for Lapponia, of abstract stepped panel design, signed Lapponia Finland, Bjorn, with maker’s mark for Lapponia, 17.5cm £5,000 - 7,000* 62 A two colour bracelet by Juhani Linnovaara for Lapponia, of textured rounded rectangular hinged panel design, each panel with raised polished centre, signed Lapponia with maker’s mark, also signed Juhani, Finnish assay mark for 1973 £2,000 - 3,000* 61

63 A tourmaline-set ‘Flowering Wall’ necklace and a pair of cultured pearl earrings by Bjorn Weckstrom for Lapponia, the tapered rectangular textured openwork ‘wall’ pendant set with a series of green tourmaline crystal drops, to a textured shaped triangular surmount and matching rectangular link neck chain, signed Lapponia with maker’s mark, also signed Bjorn, Finnish assay marks for 1973, 53.5cm long; the earrings of textured abstract panel design with single cultured pearl, signed Bjorn with maker’s mark for Lapponia, screw fittings, 1.2cm (3) Born in Helsinki in 1935, Bjorn Weckstrom graduated from the the Finnish Goldsmith’s school, Helsinski, in 1956. In 1963 the founder of Lapponia, Pekka Antilla, employed him as his new designer, a role Weckstrom continues to fulfil today.

62

In 1965 Lapponia entered the International Jewellery Contest in Rio de Janeiro and Weckström’s ‘Flowering Wall’ necklace won the Grand Prix receiving worldwide recognition for the company and himself. £2,500 - 3,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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PROPERTY OF A DISTINGUISHED COLLECTOR 64 A pair of diamond drop earrings, by H. Stern, each composed of nine partly graduated interlocking plain discs, with one central circular-cut diamond larger chased disc, maker’s mark for H. Stern, 9.5cm long £700 - 1,000*

65

64

65 A diamond ‘Hera’ ring, by H. Stern, of brushed triple ivy leaf design with circular-cut diamond loop, the hoop stamped with five-pointed star for H. Stern, French assay marks, ring size H £700 - 1,000* 66 A ‘Chopardissimo’ ring, by Chopard, the revolving wide band inscribed ‘Chopard’ in italic script, inner hoop signed Chopard, ring number 826580-5109 6153546, French assay marks, ring size L½ £300 - 500* 66

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67 A coloured diamond large cluster ring, designed as three overlapping pierced stylised butterfly wing petals, with pavé pale brown diamonds, to a triple wire hoop, ring size I Please note that the coloured diamonds have not been tested for natural colour origin £1,000 - 1,500*

67

68 A four-gem ring, by Bulgari, of quatrefoil design, set with oval cabochon pink tourmaline, green tourmaline, citrine and blue topaz in white and yellow gold, London hallmarks, 2001, signed BVLGARI, number 1970 AL, ring size K £1,000 - 1,500* 68

69 A mother-of-pearl and diamond ‘Intarsio’ ring, by Bulgari, the oval mother-of-pearl panel beneath an openwork applied overlay, brilliant-cut diamond edge terminals above and below, signed BVLGARI, number A3S6EE, ring size K½ £800 - 1,200*

69

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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70 A blue topaz ‘Tabou’ ring, by Pomellato, of pavé circular-cut topaz bombé design with varisized oval topaz accents, signed Pomellato, ring size J £1,000 - 1,500*

70

71 An onyx and pink tourmaline ring, by Pomellato, with cushion-shaped faceted onyx to free-form cabochon pink tourmaline single stone shoulders, signed Pomellato, French assay marks, ring size I £800 - 1,200* 71

72 A pair of coloured diamond drop earrings, by H. Stern, each designed as two pavé light brown diamond graduated overlapping leaf design drops to a circular-cut diamond looped suspension, maker’s mark for H. Stern Please note that the brown diamonds have not been tested for natural colour origin £1,500 - 2,000* 72

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73 An amethyst, moonstone and diamond ring, of floral design, the circular-cut diamond boss centre to a surround of two circular cabochon amethysts and two circular cabochon moonstones in double claw settings, ring size J½ £400 - 600* 73

74 A bespoke cultured pearl, ruby and pink sapphire ring, by Lydia Courteille, the cultured grey pearl, diameter approximately 17mm, to pavé circular-cut ruby and pink sapphire feather surround and shoulders, oxidized mount, signed Lydia Courteille, Paris, number 3106, French assay marks, ring size J £1,000 - 1,500* 74

75 A ruby and diamond ‘The Moon’ ring, by Repossi, of pavé circular-cut ruby oval bombé design with cushion and oval-cut ruby and rose-cut diamond accents, part mount oxidised, engraved Platone, Copernico and Albategni, signed Repossi, THE MOON, ring size K½ £1,000 - 1,500* 75

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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78

76 A diamond pendant necklace, by Piaget, the single chain fastened and adjusted with a cylindrical barrel slide set with seven circular-cut diamonds, signed Piaget, number D00986, 70.0cm long £800 - 1,200* 77 An 18ct white gold diamond and cultured pearl ‘Mademoiselle’ quartz wristwatch, by Chanel, the pavé diamond square dial to white gold bezel, the bracelet composed of five strands of cultured pearls secured by a slide clasp, baton hands, glass, case and bracelet signed Chanel, the case back secured by four screws, cultured pearl embellishment on crown, European Convention and French assay marks, case 23mm wide, 16cm long £2,000 - 3,000*

76

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78 A pair of Chinese-inspired carved turquoise, diamond and onyx earrings, the carved pear shaped cabochon turquoise with carp detail to pavé-set, circular-cut diamond panels, rectangular onyx cabochons and circular cabochon turquoise surmounts, 6.4cm long £500 - 800*

www.roseberys.co.uk

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VARIOUS PROPERTIES 79 An 18ct white gold ‘crystal haze’ bracelet,

by Stephen Webster, designed as five collet-set octagonal shaped faceted dark blue backed rock crystal articulated panels with brilliant-cut diamond claw shoulders and lozenge shaped hematite connecting links, each panel with foliate reverse, signed Stephen Webster, London hallmarks, 2007, 17.5cm long £2,000 - 3,000* 79

80 A group of four rings, comprising: one of abstract ridged design, signed Hans Hansen, Denmark, ring size P; one of abstract furled leaf design, signed Lapponia, ring size N; an oval and circular-cut amethyst cluster, ring size M; and a marquise-cut synthetic colour change corundum single stone, ring size N (4) £200 - 300*

80

81 A peridot and diamond ring, the central claw-set cushion shaped peridot between triangular-cut diamond single stones, to a plain hoop, ring size M £600 - 800* 81

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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82 A Victorian gold-mounted agate cameo demi parure, comprising: a circular brooch, the onyx cameo depicting a classical female profile, and a pair of drop earrings ensuite, c. 1870, in fitted case, brooch 4.5cm dia £750 - 850*

83 A 19th century French gold mounted agate cameo brooch, the oval cameo carved in high relief to depict a classical female in profile facing left, the gold mount with tubular shape border, French marks, c. 1880, 6.0cm long £1,200 - 1,600*

83

84 A 19th century Italian mosaic brooch, depicting the Doves of Pliny, the gold oval mount with rope and wire work decoration, Vatican mark, 4.9cm long £500 - 700*

84

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85 A late Victorian gold and mosaic earrings and pendant suite, the pendant with oval mosaic panel depicting vari-coloured flowers, the gold mount with applied scroll, leaf and wirework decoration, to a glazed locket reverse, the earrings of matching pear shaped panel design, later screw fittings, pendant 6.1cm long, earring panels 3.1cm long ÂŁ1,000 - 1,500* 85

86 A pair of early Victorian gold and gem-set earrings, each of scroll design set with garnets and pale green gems, possibly chrysolites, to later mounted shepherd hook fittings, c. 1840* ÂŁ300 - 500*

86

87 An Indian gem and enamel pendant / stickpin, of Navaratna design, the central foiled pear shaped ruby and turquoise flowerhead with half-pearl centre, to a surround of nine foiled gems including half-pearl, turquoise, cushion shaped garnet and cabochon emerald, suspending seed pearl triple drops with either foiled emerald or opal top, with polychrome enamel detail and bird motif to the reverse, some loss to enamel, pendant loop with later pin fitting, 4.6cm long ÂŁ150 - 200*

87

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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88

88 A late 19th century / early 20th century gold and turquoise single stone ring, the single pointed dome shaped turquoise in claw-set mount to a pierced foliate gallery and rose-cut diamond four stone graduated shoulders, French import marks, c. 1900, ring size I ÂŁ400 - 600*

89 A late 19th / early 20th century gold and opal ring, with central collet-set oval opal to decorative border and chased foliate shoulders, indistinct engraved inscription to hoop, c.1900, ring size L ÂŁ150 - 200* 89

90 A topaz, diamond and seed pearl cluster ring, the 19th century cluster with central partially closed-set cushion shaped yellow topaz with rosecut diamond and seed pearl surround, mounted in gold, to a later hoop, ring size K ÂŁ600 - 800* 90

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91 A late 19th century diamond five stone cross shaped cluster ring, composed of five oldbrilliant-cut diamonds with old-cut diamond single stone points to trefoil stylised leaf shoulders, ring size M £1,500 - 2,000* 91

92 A mid 19th century ruby and diamond twin heart cluster ring, each pear shaped ruby within an old-cut diamond surround, to a rose-cut diamond bow surmount, mounted in gold, circa 1840, ring size O £1,500 - 2,000*

93 A Victorian diamond three stone ring, of half-hoop design composed of three cushion shaped old-brillaint-cut diamonds, weighing approximately 1.30 carats, 1.00 carat and 1.00 carat, with rose-cut diamond four stone points and carved shoulders to a plain hoop, c. 1890, ring size P £3,000 - 5,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

92

93

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94 A late 19th century gold, diamond and gem blackamoor stickpin, the carved basalt head wearing a gold crown set with oldbrilliant-cut diamonds, emeralds, rubies and turquoise, the head with seed pearl earrings and wearing a diamond single stone necklace, c. 1890, 9.0cm long £600 - 800* 95 A pair of 19th century gold filigree bracelets, each composed of six rectangular openwork filigree hinged panels to a slide fitting clasp, approximate inner circumference 16.0cm (2) £2,000 - 3,000* 96 Two diamond and gem stickpins, the first a late 19th century, onyx and rose-cut diamond blackmoor, the carved onyx head with rose-cut diamond shoulders and star head ornament, mounted in silver, 1.2cm long; the second an early 20th century square-cut sapphire and single-cut diamond chequerboard design circular panel, mounted in platinum, 0.8cm dia (2) £200 - 300* 94

96

95

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97

99

98

97 A late 18th / early 19th century diamond and ruby brooch, of shaped triangular form composed of old-cut diamond and ruby entwined lines with lozenge shaped and circular-cut ruby single stone accents, mounted in silver and gold, 3.2cm long £800 - 1,200* 98 An Edwardian diamond and half- pearl flower pendant/brooch, the oldbrilliant-cut diamond star shaped centre with pavé half-pearl cluster divisions, c.1905, detatchable pendant and brooch fitting, 2.5cm long £500 - 700* 99 A late 19th / early 20th century sapphire and diamond necklace, the central cushion shaped sapphire collet within a scrolling openwork surround, suspending two smaller matching tiered drops, the knife edge bar suspensions with old-cut diamond single stone spacers, to a fine belcher link neckchain, circa 1900, 51.0cm long £2,600 - 3,400*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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100

101

102

100 A diamond and sapphire bracelet, the central early 20th century openwork section composed of three graduated old brilliant-cut collets with old, single and rose-cut diamond quatrefoil borders and square-cut sapphire two stone divisions, mounted in gold with platinum front, to a later openwork rectangular link back section, 17.0cm long £600 - 800* 101 A diamond and moonstone articulated flexible bracelet, composed of circular cabochon moonstone collets with old-brilliant-cut diamond-set pierced rectangular connecting panels, 19.0cm long £4,500 - 5,000* 102 An early 20th century natural pearl, diamond and emerald brooch, the rose-cut diamond Greek key design openwork circular panel with central bouton pearl, measuring approximately 9.52 - 8.55 x 8.08mm, to a calibré emerald border, mounted in gold and platinum, circa 1910, 2.8cm dia Accompanied by pearl report number 0127977 dated 26th February 2008, from The Gem Testing Laboratory of Great Britain, London, stating that the part drilled pearl was found to be natural £1,700 - 2,000*

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103 A 19th century emerald and diamond brooch, the central claw-set rectangular-cut emerald with old-minecut diamond foliate spray surround, in gold and silver mount, c. 1840, 4.0cm wide £2,800 - 3,500* 103

104

104 A cultured pearl bracelet with aquamarine, diamond and ruby clasp, the clasp with central early 19th century mounted oval mixed cut aquamarine, approximate dimensions, 19mm x 13.5mm depth, 6.8mm, within calibré ruby surround and old-brilliant-cut diamond border, to a cultured pearl triple-row bracelet, 16.0cm long £1,500 - 2,000*

105 A 19th century, Victorian, emerald and diamond ring, the central rectangular-cut emerald in gold collet setting, within silver-set old-mine-cut diamond border to diamond foliate shoulders and dot engraved hoop, c.

1860, approximate dimensions of emerald, 10.1mm x 7.0mm x 3.1mm £1,500 - 2,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

105

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106 A topaz and diamond ring, of half-hoop design, the central claw-set octagonal-cut pale yellow topaz with lozenge shaped topaz single stone shoulders, to pavé brilliant-cut diamond gallery, ring size, N £500 - 700*

106

107

107 A diamond five stone ring, of half-hoop design, composed of graduated brilliant-cut diamonds in claw-set mount, ring size N £100 - 200*

108

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108 A diamond single stone ring, the oldbrilliant-cut diamond, weighing approximately 1.00 carat, in square-shaped bezel with calibré sapphire surround, to circular-cut diamond-set bifurcated shoulders, ring size N £1,800 - 2,200*

www.roseberys.co.uk

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109 A 22ct. gold bangle, of circular form, with filigree detail to edges, Sheffield hallmarks, 1993, 6.1cm dia, 34.0g £800 - 1,200*

109

110 A continental bangle, of rectangular-section hinged design, inner diameter 5.8cm £200 - 300*

110

111 An 18ct gold bracelet, of rope twist design, Birmingham import hallmarks, 19.7cm long, 18.8g £200 - 300*

111

112

112 A flexible bracelet, of fancy link design, 19.5cm long, together with a spare link £280 - 380*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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113 A quantity of costume jewellery including: a 19th century gold mourning ring: a nephrite jade bead necklace: a tiger’s eye necklace; five wristwatches, one by Omega; and a group of brooches (a lot) £80 -120* 114 A Portuguese, multi-gem bracelet, designed as a series of articulated domed square panels, each set with mulitple faceted and cabochon gemstones, including sapphire, emerald, amethyst, peridot, half-pearl, turquoise, and garnet, with rose-cut diamond line connecting links, signed Rosas de Portugal, 19.2cm long £1,500 - 2,000*

115

115 A diamond single-stone ring, the brilliant-cut diamond in raised setting to a plain hoop, ring size N½, together with a diamond ring of undulating wave design, ring size N; a three-tone band ring, ring size M½; and a synthetic sapphire ring, ring size M (4) £200 - 300*

114

116 A group of three brooches, one depicting the Lion of Judah, with pendant, signed AMITAI, possibly for Amitai Kav; another of stylised openwork design, with Greek meander pattern encircling the Parthenon in raised relief, with pendant loop; the third brooch designed as a sun with applique enamelled sword and crown (3) £500 - 700*

116

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117 117 Two gem-set necklaces, one designed as a thread of bezel-set squarecut rubies weaving around a graduating series of articulated rings, to a bar link chain, 42.0cm long; the other of articulated triple scroll link design, the lower links set with graduating oval sapphires, 38.0cm long (2) £500 - 700*

118 A large quantity of jewellery and costume jewellery, including: a cultured pearl necklace with marcasite clasp; a cultured pearl set bracelet; a craved treated jadeite jade pendant with cord collar; two nephrite jade pendants with cord necklaces; a collection of oval polished cornelians, a number intaglio carved; a citrine and marcasite bracelet; two carved shell cameo brooches; four various amber or ambroid bracelets, two with indications of heat treatment; a cultured freshwater pearl and tumble polished blue / green gem rondelle sautoir with faceted rock crystal detail and terminals; various hardstone necklaces including a tiger’s eye bead necklace and a polished oval panel agate necklace; a circular cabochon amethyst single stone pendant; together with a large group of costume jewellery (a lot) £300 - 400*

119

120

119 A 9ct gold compendium sovereign case by Deakin & Francis, of engine turned rounded rectangular form opening to reveal sovereign and half-sovereign holders and a circular compartment with hinged lid, Birmingham hallmarks, 1938, maker’s mark, gross weight 105g £1,000 - 1,500*

120 A diamond, ruby and sapphire rose brooch, the two flowerheads with either brilliant-cut diamond and circular-cut ruby or sapphire clusters, on textured branch, 6.0cm long £300 - 500*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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121 An early 20th century opal and diamond cluster ring, the oval opal within a single-cut diamond surround, with platinum setting and gold hoop, ring size M £400 - 600* 121

122 An emerald and diamond cluster ring, the rectangular-cut emerald in four claw setting with brilliant-cut diamond border to plain hoop, ring size L £500 - 700* 122

123 A ruby and diamond three stone ring, the central oval ruby flanked by two old- brilliant-cut diamonds, ring size N½ £150 - 200* 123

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124 A large quantity of costume jewellery, including: a Tiffany chain link bracelet; two green cord set bracelets, by Links of London; two crystalset bangles, by Swarovski; and two watches, one by Hamilton, the other by Aviator, together with a bevelled mirrored glass jewellery box (a lot) £200 - 300*

125

125 A large rock crystal and ambroid necklace, the rock crystal lozenge spacers to graduated cylindrical ambroid beads, 60.0cm long £500 - 700* 126 A group of five gem rings and a paste ring, comprising; an oval mixed-cut amethyst single stone; a rectangular-cut citrine single stone; an oval amethyst single stone; an oval garnet single stone; a cabochon tiger’s eye single stone; and an oval orange paste in pierced floral mount (6) £400 - 600* 126

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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127 A pair of amethyst, diamond and coral earclips by Vourakis, each designed as a pearshaped amethyst single stone drop suspended from a cabochon coral, corallium rubrum, and brilliant-cut diamond asymmetric cluster, signed Vourakis, 4.0cm long £1,000 - 1,500*

127

128 Two pairs of gem earclips, set with either single fancy-cut oval cabochon amethysts or fancy-cut circular cabochon smoky quartz in collet mounts, 2.2 and 1.7cm long (4) £200 - 300*

128

129 A citrine, emerald and diamond pendant, the free form citrine carved with floral motifs and mounted with pavé diamond-set collar, suspended from a trefoil carved emerald loop with diamond centre, 5.2cm long £800 - 1,200*

129

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131

130 An 18ct gold and vari-gem bracelet, composed of a line of tapered panels set with either graduated buff-top peridots, citrines or garnets, London import hallmarks, 1997, 18.0cm long ÂŁ500 - 700*

131 An aquamarine and cultured pearl pendant, collar necklace, the rectangular-cut aquamarine in four claw setting within bar surround, with cultured pearl and disc bar below, suspended from a fine wire collar, collar approximately 44.0cm long ÂŁ200 - 300*

132 A diamond half-hoop ring, the central line of old brilliant-cut diamonds between tapered domed sides, French assay marks, ring size M ÂŁ400 - 600* 132

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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133 A Navajo penannular bracelet, formerly the property of Elton John, decorated with arcing stamped designs, 6.5cm dia

133

Provenance: The Elton John Jewellery Collection at Sotheby’s New Bond S treet on Tuesday 6th September, 1988 (part lot 397) £200 - 300*

134 A Zuni turquoise cluster bracelet, designed with three rows of small turquoise cabochons to beaded spacers, together with a Navajo bracelet, inlaid with malachite to rope-twist design edge, and a circular bangle, the entire circumference set with turquoise cabochon stones (3) £200 - 300*

134

135 A Zuni ring, designed as an owl, the feathers inlaid with mother-of-pearl, tipped with turquoise, the mother-ofpearl eyes with onyx centre, the reverse signed Zuni, Snoue, ring size N £250 - 300* 136

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136

136 A fine Navajo ‘Kachina’ necklace, by Doris Small Canyon, designed as five Kachina either side of one larger Kachina, each decorated with turquoise cabochons of varying sizes, 67cm long Provenance: Purchased on the 10th May, 1985 from the Navajo Arts and Crafts Enterprise, Window Rock, Arizona, during their visit to Hatfield House, Hertfordshire (see article in the Daily Telegraph, pg. 17, on 7th May, 1985) £800 - 1,200*

137 A pair of peyote bird inlaid earrings and an inlaid bracelet, each of Zuni style, the earrings designed as peyote birds, the plumage inlaid with mother-of-pearl, turquoise and hardstone, screw clip fastenings to the reverse; the bracelet designed as a Navajo headdress, the arcing mother-ofpearl feathers tipped with jet, turquoise drops to either side, the shoulders also with inlaid feather pattern (3) £200 - 300*

137

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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138

138 Two Navajo kachina-design neckties and a set of turquoise inlay kachina cufflinks, one necktie designed as a seated kachina with inlaid turquoise, mother-of-pearl and hardstone pattern, the reverse fastening clip marked ‘Bennet/Pat.Pend, 50.0cm long (kachina 6.5cm), the second designed as a dancing kachina, with inlaid turquoise, mother-of-pearl and tortoiseshell, 46.0cm long (kachina 5.5cm), the hinged cufflinks of winged kachina design, with oval turquoise inlay (4) £500 - 700*

138

139 139 A Navajo-style metal link belt, with rectangular stamped buckle, designed with alternate oval and circular links, the buckle engraved with a feather design, 81.0cm long, together with two Mexican brooches and a Navajo brooch, one brooch designed as a butterfly, with a turquoise-set roundel on each wing, 8.0cm wide, the other with openwork figure, 5.3cm dia, and a Navajo brooch, with stamped floral design, the reverse stamped KB, possibly for Kenneth Begay, 5.5cm dia (4) £200 - 400*

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140 A Navajo, turquoise bangle and two Navajo, turquoise rings, the bracelet with single oval turquoise and stamped design, one ring with oval turquoise and scroll circumference, ring size P, the other set with triangular-shaped turquoise, ring size M½ (3) £250 - 350*

141 Two Navajo bangles, a hair clip and ring, one bangle stamped RH Begay/Sterling, designed with a pair of sacred figures; the other with central turquoise floral spray; the hair clip of rectangular form, with central lozenge of turquoise and stamped design, 10.0cm long; the ring inlaid with coloured hardstone and mother-of-pearl, sprung insert, ring size M Provenance of the first bangle: Purchased on 10th May, 1985 from the Navajo Arts and Crafts Enterprise of Window Rock, Arizona, during their visit to Hatfield house in Hertfordshire (see article in the Daily Telegraph, pg. 17, on 7th May, 1985) £250 - 350*

140

141

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142

142 A Mexican flexible necklace and bracelet, and a black onyx bracelet, the necklace of broad fancy curb-link design, 41.5cm long; a matching bracelet, 18cm long, both signed Mexico, Te 06; and a Mexican bracelet composed of oval black onyx and stirrup design articulated links, signed Mexico, TA-19, 18cm long (3) £150 - 200* 143

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143 A group of items, comprising: a boxed pair of Hermes cufflinks, designed as articulated stirrups, signed Hermes; together with a small Hermes box, of stirrup design, signed Hermes Paris, 4.1cm; and a paperweight by Lalaounis depicting Philip of Macedon with horses and chariot, all with boxes (3) £300 - 500*

www.roseberys.co.uk

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144 A ‘Return to Tiffany’ heart tag necklace, by Tiffany, of iconic chain link design, the heart-shaped tag bearing the inscription ‘Please return to Tiffany & Co. New York’, 39.0cm long, with original pouch and box £200 - 400*

145 A Zodiac Gemini pendant, by Fred, depicting the Dioscuri and tree, pendant loop with maker’s openwork signature; together with a Dunhill rollerball pen, with box, refills and documents; three lighters, two of woven design and one of stained mahogany veneer chess board design; a magnifying glass, by Chaumet; and a pocket photograph frame,

by Dupont (7) £600 - 800*

145

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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146

146 A 9ct gold wristwatch, the two tone cushion shaped dial with Arabic numerals and subsidiary seconds, 15 jewel mechanical movement, case signed Stolkace, Chester hallmarks, 1939, case 26mm wide; together with seven various analogue and digital wristwatches including: a cushion shaped quartz wristwatch, by Fred, dial signed Fred, case number 844, case 30mm wide; and a quartz example by GaGa, the circular mother-of-pearl dial with tapered baton and dot hour markers, to a moulded resin bezel and stainless steel case, with maker’s buckle, dial signed GaGa, case with repeat signature, REF. 220, case 44mm wide Please note that the straps for some of these watches are for display purposes only and will be removed at the time of purchase £150 - 200*

147 A stainless steel quartz wristwatch by Georg Jensen, the grey circular dial with sweep centre seconds, dot markers and date aperture at ‘9’, dial signed Georg Jensen, case signed Georg Jensen Denmark, design 345 Jørgen Møller and number 105710, case 36mm wide, in maker’s pouch, straps partially deficient; together with a stainless steel and aluminium quartz wristwatch by Alessi, the green circular dial with white dot markers, case signed Alessi Ettore Sottass Christopher Redfern, case 39mm wide (2) £100 - 150*

147

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148

149

148 An automatic wristwatch, by Hublot, the circular black dial with luminous Arabic numerals and hands, sweep centre seconds, within two colour brushed design bezel, the case back secured by six screws, signed Hublot, MDM, number 1531.2 286805, to rubber straps with matching two colour clasp, case 36mm wide £700 - 1,000* 149 A stainless steel automatic chronograph wristwatch, by Bulgari, the black circular dial with Arabic ‘12’, baton numerals, sweep centre seconds, three silvered subsidiary dials for constant seconds, 30 minute and 12 hour registers and date aperture, the circular case with screw down crown and two buttons in the band, to integral fancy link tapered bracelet with deployant clasp, bezel engraved BULGARI BULGARI, dial and case signed Bulgari, case number BB 38 SS CH, L 15357, case 38mm wide £400 - 600*

150

150 A stainless steel and mother-of-pearl quartz five time zone wristwatch, by Jacob & Co for Theo Fennell, the mother-of-pearl dial with Arabic ‘3’, ‘6’ and ‘9’, luminous hands, pink sweep centre seconds hand, and dyed pink mother-of-pearl vari-shaped subsidiary dials indicating the time in Los Angeles, Tokyo, London and New York, the case with four time adjustor buttons in the band, dial and case signed Jacob & Co with maker’s mark, dial also with maker’s mark for Theo Fennell at ‘12’, case stamped Five Time Zones, Los Angeles, New York, Tokyo, Paris, No. S3611, to black polyurethane straps with maker’s stainless steel deployant clasp, case 41mm wide, in maker’s case and card outer, together with maker’s blue, yellow, cream and white polyurethane straps, each with maker’s stainless steel deployant clasp £200 - 300*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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153

151 152

151 A lady’s diamond ‘Sugar Cube’ quartz wristwatch, by Corum, the square dial with deep pink crystal within circular-cut diamond bezel, the case back secured by four screws, signed Corum, number 137.424.47, case 16mm x 16mm, with maker’s case and card box Please note that the straps are for display only and will be removed at the time of purchase £200 - 300* 152 A stainless steel and diamond ‘Happy Sport’ quartz wristwatch, by Chopard, the square pink mother-of-pearl dial with Roman quarters, signed Chopard, enclosing five free moving diamond collets, within circular-cut diamond bezel and cabochon sapphire crown and lug terminals, the case back secured by four screws, signed Chopard Happy Sport, number 27/8894-23 11 768977 8892, case 23mm, with maker’s case and card box Please note that the watch straps are for display purposes only and will be removed at the time of purchase £1,200 - 1,800* 153 A French wristwatch, by Baume & Mercier for M Gerard, the rectangular champagne dial with engraved baton quarters signed M Gerard, within framed ‘G’, the seventeen jewel lever movement signed Baume & Mercier, French assay marks, case 29mm wide £200 - 300*

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157

155 156

154 A small group of 9ct gold jewellery and a wristwatch, comprising: a pair of cufflinks of engine turned oval panel design with chain link connections, Chester hallmarks, 1956, 15.7g; a fancy link bracelet, London hallmarks, 2.9g; the 9ct gold watch with circular dial with Arabic and baton markers, winder damaged, to a flexible bracelet, Chester hallmarks £250 - 300* 155 A lady’s 18ct gold diamond bracelet watch, by Beuche Girod, the circular dial with applied baton markers, within circular-cut diamond bezel, jewelled lever mechanical movement, signed Precision, to a broad textured bracelet, London hallmarks, 1980, 16cm long, gross weight 61.0g £800 - 1,200* 156 An 18ct gold and diamond quartz ‘Divan’ wristwatch by Cartier, the rectangular dial with Roman numerals and secret signature at ‘X’, to a brilliant-cut diamond two row bezel, dial signed Cartier, the case back secured by eight screws, case signed Cartier and number 271618CE 2601, with maker’s, diamond-set 18ct gold buckle, European Convention hallmarks, case 31mm wide, in maker’s case with card outer Please note that the watch straps are for display purposes only and will be removed at the time of purchase £4,000 - 5,000* 157 A lady’s 18ct gold ‘Panthere’ quartz wristwatch, by Cartier, the square silvered dial with Roman numerals and secret signature at 10 o’clock, signed Cartier, the case back secured by eight screws, signed Cartier, number 1070, cc234591, to 18ct gold, Panthere bracelet with deployant clasp, signed Cartier, European Convention hallmark, case 22mm wide, 15cm long £2,500 - 3,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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158

159

158 A bracelet watch by Jaeger LeCoultre, the timepiece mounted within the broad basket weave design bracelet, the circular silvered dial with applied gilt Arabic 12 and 6 and spearpoint markers, signed Jaeger-LeCoultre, backwind jewel lever movement, case number 733570, the dial concealed by flip-up design bracelet chape, French import mark, 17.0cm long £1,500 - 2,000* 159 A lady’s 18ct gold wristwatch, by Rolex, the circular silvered engine-turned dial with black ‘Breguet’ numerals and blued steel hands signed Rolex, the 15 jewel lever movement timed 6 positions for all climates, signed Rolex Prima, case number 4326 signed RWC Ltd, Glasgow import hallmarks, 1924, case 23mm wide Please note that the straps are for display purposes only and will be removed at the time of purchase £400 - 600* 160 A lady’s ‘Happy Diamonds, quartz wristwatch, by Chopard, the central champagne dial within brilliant-cut diamond bezel signed Chopard, the border with rock crystal enclosing six brilliant-cut diamond free moving collets within diamond surround and diamond single stone points to Prince-ofWales-link triple row bracelet, the case back signed Happy Diamonds G 4292 number 1979125181, case 22mm wide, 17cm long, with maker’s case £1,000 - 1,500*

160

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161

162

161 An automatic wristwatch, by Jaeger-LeCoultre, the cream coloured circular dial with baton hour markers and luminous dot accents, day / date aperture, days in French, to an associated flexible bracelet, dial signed JaegerleCoultre Club Automatic, case number 1154300 E300901, case 34mm wide, 17.0cm long, with maker’s box £600 - 800*

PROPERTY OF A DISTINGUISHED COLLECTOR 162 A lady’s diamond wristwatch by A. Barthelay, the tonneau shaped dial with Roman numerals to a brilliant-cut diamond bezel and two colour brick link bracelet with double deployant clasp, dial signed A. Barthelay Paris, French assay marks, case 21mm wide £600 - 800*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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165 164 163

163 An 18ct white gold and diamond quartz wristwatch by Audemars Piguet, the pavé single-cut diamond cushion-shaped dial to brilliant-cut diamond bezel, the dial with applied sapphire dot markers and baton hands, the reverse signed Audemars Piguet, number D 56731, with integral brick link and rope design bracelet, European Convention hallmark and Swiss assay mark, the case secured by four screws, case 30 mm wide, bracelet 20.5cm long, with maker’s presentation wood case £3,000 - 4,000* 164 A lady’s 18ct gold and diamond quartz wristwatch, by Piaget, the pavé brilliant-cut diamond square dial with brilliant-cut diamond bezel and slightly tapering brick link bracelet, glass and case signed Piaget, case number 15301 K 615 499039, European Convention hallmark, case 17mm wide, 17.0cm long, in maker’s case and card box £3,000 - 4,000* 165 A ladys’ 18ct gold and diamond quartz wristwatch, by Audemars Piguet, the diamondset circular dial with sapphire markers to a double row diamond bezel, two diamond-set scrolls with cabochon sapphire points joining to an articulated bracelet composed of diamond-set oval links with triangular spacers, the case back secured with four screws, signed Audemars Piguet, number D 83328, European Convention hallmark, double-deployant clasp, case width 20mm, 16cm long, in maker’s presentation case and card box £3,000 - 4,000*

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166

167

168

166 An 18ct gold automatic wristwatch, by Vacheron Constantin, the cushion-shaped dial with applied baton markers and date aperture to a rope-design bezel, the dial signed Vacheron Constantin, Genève, number 530167, the bracelet of flexible rope twist design, European Convention hallmark, case 30mm wide, 20.5cm long £2,000 - 3,000* 167 An 18ct gold and diamond automatic ‘Phidias’ wristwatch, by Vacheron Constantin, the circular gilt dial with single-cut diamond dot hour markers and date aperture, to a brilliant-cut diamond bezel and integral tapered fancy rectangular link bracelet with brilliant-cut diamond line edging, with double deployant clasp, dial and case signed Vacheron Constantin, case also signed Phidias No. 1020 and number 609528, European Convention hallmark, case 32mm wide £3,000 - 5,000* 168 An 18ct gold automatic ‘Constellation’ wristwatch by Omega, the rectangular textured dial with bowed sides, signed Omega Constellation chronometer automatic, with applied baton markers and hands, to integral textured bracelet with adjustable clasp, London import hallmarks, date letter indistinct, case 27mm wide, 20.5cm long £1,500 - 2,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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169

170

171

169 An 18ct gold and diamond quartz wristwatch by Piaget, the square, black dial with brilliant-cut diamond dot markers to slightly graduating integrated brick link bracelet, dial and case signed Piaget, case number 80131 K61, 486766, the case back secured by four screws, European Convention hallmark, case 23mm wide, bracelet 19cm long, with maker’s presentation case £1,500 - 2,000* 170 An 18ct gold automatic wristwatch by Piaget, the white circular dial with date aperture, Roman numeral quarters and applied baton hour markers, dial signed Piaget, within a reeded bezel, case signed Piaget and number 24001 M 501 D 595766, the integral open link reeded bracelet to double-deployant clasp, European convention hallmark and Swiss assay mark, case 33mm wide, bracelet 20cm long, with maker’s presentation case £2,000 - 3,000* 171 An 18ct gold and diamond quartz wristwatch by Piaget. the circular gilt dial with brilliantcut diamond dot hour markers, to a brilliant-cut diamond bezel with reeded spacers and slightly tapered rectangular link flexible bracelet, each link with brilliant-cut diamond five stone line detail, dial and case signed Piaget, case number 84024 K 818 537736, European Convention hallmark, case 32mm wide, 19.5cm, with maker’s presentation case and card box £2,500 - 3,500*

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172

173

174

172 An 18ct gold and diamond bracelet watch, by Chopard, the oval white dial with Arabic quarters to a triple row diamond bezel surround, baton shoulders with four ruby cabochon points and a ruby cabochon crown, the dial signed Chopard, Genève, to a brick link bracelet, case number 10/6308-21, 379662, 5246, European Convention hallmark, the case back secured by six screws, case 30mm wide, length 17cm, with maker’s presentation case £2,000 - 3,000* 173 An 18ct gold and diamond quartz wristwatch, by Piaget, the diamond-set square dial, to an integral bracelet of graduated rectangular articulated links, pavé-set with diamonds and separated by gold bar spacers, the case back secured by four screws, case signed Piaget, number 7131 C725, 428555, European Convention hallmark, case 24mm wide, 19cm long, with maker’s presentation case, card box and booklet £5,000 - 7,000* 174 An 18ct gold and diamond quartz wristwatch by Audemars Piguet, the black cushion shaped dial with single-cut diamond dot hour markers, to a brilliant and baguette-cut diamond bezel and reeded brick link, slightly tapering flexible bracelet, dial and case signed Audemars Piguet, case number D47377, European Convention hallmark, case 30mm wide, bracelet 18.0cm long, with maker’s presentation case and card box £2,000 - 3,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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VARIOUS PROPERTIES 175 A steel and gilt quartz ‘Riviera’ desk clock

by Baume & Mercier, the circular dial with Roman numerals, gilt hour markers and date aperture, to a gilt bezel and steel case, case signed Baume & Mercier Riviera, case number 2440 1 240 081, in mahogany stand with applied plaque stamped Baume & Mercier Geneve, case 11.5cm wide, in maker’s case £150 - 200* 176 A 9ct gold flexible bracelet, of broad bricklink design, with engraved decoration, Birmingham hallmarks, 17.5cm long, 62.5g £620 - 680*

175

176

177

177 A necklace by Chiampesan, of curb link design, signed Chiampesan, 46.0cm long £2,900 - 3,500*

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178

178 A suite of Indian zircon jewellery, comprising: a necklace and bracelet of strung panel design, the necklace with box link backchain, bracelet partially detached; a pair of pendant earrings with cultured pearl tassel drops, post fittings; and a lozenge shaped panel ring; in traditional wax filled mounts, all set throughout with vari-shaped foiled colourless zircons, bracelet 18.5cm long, earrings 5.5cm long, ring size S (5) ÂŁ500 - 700* 179 An Indian freshwater cultured pearl necklace, the five row freshwater cultured pearl necklace set at intervals with square or octagonal pierced panels with central matching lozenge shaped panel, to a two row back section; together with a pair of matching circular panel earrings with freshwater cultured pearl drops, hook fittings and a matching octagonal panel ring, necklace 63.0cm long, earrings 5.1cm long, ring size S (4) ÂŁ150 - 250*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

179

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180 180 A late 19th / early 20th century gold and opal doublet bracelet, composed of seven graduated collet-set oval opal doublet articulated panels with oval pierced lozenge design connecting panels, c. 1900, 19.0cm long, in fitted case (VAT charged on the hammer price) £600 - 800*

181

182

64

181 A diamond dress stud and a group of stickpins, comprising: an old brilliant-cut diamond single stone dress stud; stickpins - a late 19th / early 20th century old-cut diamond and sapphire cluster with later stickpin; an oval opal single stone; an old-cut diamond single stone flowerhead, later stickpin; a late 19th century seed pearl single stone with rose-cut diamond loop; a late 19th century coral, corallium rubrum, bead with applied rose-cut diamond and blue enamel fly; a 19th century silver and hardstone circular panel; a 19th century rose-cut diamond single stone in gold circular panel; a fox head; a fox; a ropework knot, pin broken; a glazed hair and paste cluster; a synthetic sapphire and single-cut diamond cluster; and a stickpin mount £400 - 600*

182 A late 19th / early 20th century gold and gem butterfly bar brooch, the delicately engraved wings set with sapphires, pink sapphires, rubies and seed pearls, the body composed of an oval opal and cushion-cut sapphire to ruby eyes, c. 1900, 3.5cm wide, one ruby deficient £150 - 200*

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183 183 An early twentieth century diamond and onyx bar brooch, the diamond and onyx oval cluster, styled as a flower, with collet-set circular-cut diamond centre to graduating onyx arms extending to diamond terminals, mounted in platinum and gold, c.1925, 7.0cm long ÂŁ200 - 300*

184 184 A diamond cluster ring, the single brilliant-cut diamond centre to crossover surround of brilliant-cut diamonds graduating to a plain twist hoop, ring size K ÂŁ800 - 1,200*

185 185 An Art Deco diamond clip brooch, of rectangular pierced geometric design, set throughout with old-brilliant-cut diamonds, c. 1930, 3.2cm long ÂŁ600 - 800*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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186

187

186 An impressive two colour gold, diamond and ruby rose spray brooch, the central flower claw-set with four circular-cut rubies and diamond dew drop, the rose gold leaves with old-brilliantcut diamonds, ruby and diamond bud and calibré ruby and platinum-set diamond line cross over stems, c.1945, 12.0cm long £2,000 - 3,000*

188

187 A platinum and two colour gold, diamond and ruby brooch, of flower spray design, the bicolour flowerhead with old brilliant-cut diamond single stone centre and circular-cut ruby detail, to circular and single-cut diamond stem and openwork leaves, the applied butterfly with cabochon emerald eyes and circular-cut ruby wing detail, c.1945, 8.3cm long £600 - 800* 188 A pair of circular, diamond earrings by Gavello, each of stylised bouton design with central brilliant-cut diamond nine stone motif, signed Gorvello, 2.3cm dia £1,000 - 1,500*

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189

191

189 An emerald and diamond nine stone half hoop ring, composed of an alternating line of circular-cut emeralds and brilliant-cut diamonds, mounted in 18ct gold, London hallmarks, 1989, ring size Q £500 - 700* 190 A mid 20th century gold and gem bracelet, composed of a series of claw set square-cut gemstones, including amethyst, peridot, garnet and pink tourmaline, 15.5cm long, gross weight 26.0g £400 - 600* 191 A continental, diamond flexible necklace, of rectangular-link panels the central panels alternately set with three brilliant-cut diamonds, 41.5cm long £1,000 - 1,500*

190

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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193

192

194

192 A late 19th century turquoise, half-pearl and rose-cut diamond locket pendant, the oval locket with applied turquoise, half-pearl and rose-cut diamond star motif, together with a circular link neckchain, pendant 4.8cm long, neckchain 54.0cm long £250 - 350* 193 A geometric link necklace, designed as a series of open rectangles, alternating in size, to a curb chain with catch, adjustable length £900 - 1,200* 194 Two Egyptian style brooches / pendants and a synthetic ruby pendant, each similarly designed brooch / pendant depicting a Pharaoh’s profile, one with rose-cut diamond and circular-cut ruby and emerald accents, to openwork surrounds with winged scarab, circular-cut ruby Ankh and rose-cut diamond and circular-cut ruby and emerald detail, each 3.8cm high; the circular openwork pendant depicting a twin headed bird with circular-cut synthetic ruby accents, 4.1cm high (3) £600 - 800*

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195

196

197

195 A platinum, diamond single stone ring, the single cushion-shaped old-brilliant-cut diamond, weighing approximately 1.50 carats, in rub over platinum mount, ring size R ÂŁ2,500 - 3,500* 196 A diamond two stone pendant necklace, the brilliant-cut diamond, weighing approximately 3.60 carats, in filigree collet mount suspended by a narrow vertical bar from a smaller brilliant-cut diamond, in similar design mount, pendant 3.7cm long, chain 41.0cm long ÂŁ4,000 - 6,000* 197 An 18ct white gold, diamond tassel necklace, designed as two brilliant-cut diamond graduated line drops with central shorter line of brilliant-cut diamonds forming a fringe, to a fine belcher-link back section, London hallmarks, 2005, 41.0cm long ÂŁ1,800 - 2,500*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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200

198 A diamond cross pendant necklace,

by Tiffany, the pendant set with eleven brilliant-cut diamonds, to a chain, the pendant signed T&CO, the chain also signed, chain 42.0cm long, with maker’s pouch and box £300 - 500* 199 A ‘Love Branch’ brooch, by Tiffany, the branch with bud detail, signed Tiffany & Co, 9.0cm long, with makers pouch and card box £400 - 600*

198

200 Five pendant necklaces, by Tiffany, together with a pair of Tiffany screw back earrings and two Tiffany brooches, three of the pendants of heart design, one inset with single diamond detail, one pendant with starfish, another with shaped motif, the earrings with pear-shaped drops, one bar brooch star-shaped, the other a butterfly, all items signed Tiffany&Co, all with original pouches and boxes except star brooch (pouch only) (9) £200 - 400*

199

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201

201 A cultured pearl and diamond necklace, the double row of cultured pearls with pavé-set diamond collar spacers, to a 19th century brooch designed as a rose-cut diamond bow, one stone deficient, and box clasp, 50.0cm long £800 - 1,200*

202

202 A cultured pearl and diamond cluster ring, the central cultured pearl within a surround of brilliant-cut diamonds, ring size J½ (hoop is hinged and expands) £400 - 600* 203 A cultured pearl and diamond ring, of crossover design, the two central cultured pearls to brilliant-cut diamond line shoulders, ring size P½ £250 - 350*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

203

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204

205

204 A diamond, sapphire, garnet and citrine gate-link bracelet, with an alternating pattern of pavé-set circular-cut diamond, sapphire, green garnet or citrine links, the coloured gemstones set in oxidised mounts, 17.5cm long £4,000 - 5,000*

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205 An emerald and diamond cluster ring, the oval emerald within a brilliant-cut diamond surround, ring size P £600 - 800*

206

206 An emerald and diamond cluster pendant, the pear shaped emerald within a brilliant-cut diamond surround to a pear-cut diamond single stone surmount and fine link chain, pendant 2.4cm long £1,000 - 1,500*

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207 A diamond and sapphire cluster ring, of abstract floral design, with pear shaped sapphire petals and four circular-cut diamond points, to baguette-cut diamond shoulders and plain hoop, ring size Q½ £400 - 600* 207

208 A pair of sapphire and diamond ear pendants, composed of two graduated clusters, the drops with oval sapphire single stone, the tops a circular-cut sapphire, with brilliant-cut diamond surrounds and single stone connecting link, post fittings, 2.5cm long £600 - 800* 208

209 A pair of sapphire and diamond earrings, the brilliant-cut diamond cluster centres with pear shaped sapphire border, clip and post fittings, 2.1cm wide £600 - 800* 209

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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210 A ruby and diamond cluster pendant necklace, the oval ruby within a brilliant-cut diamond surround, to a fine link chain, cluster 1.3cm long, neckchain 37.0cm long £400 - 500* 210

211 A ruby and diamond flower brooch, the flowerhead with pavé circular-cut ruby domed centre to pavé diamond petals, 3.8cm wide £1,800 - 2,000*

211

212

74

212 A ruby and diamond ring, the central, bezel-set ruby with diamond points to ruby shoulders and diamond horseshoe surrounds, the embellished gallery to plain hoop, ring size L £500 - 1,000*

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213

213 An emerald and diamond cluster ring, the brilliant-cut diamond centre to a circular-cut emerald surround and brilliant-cut diamond border, ring size Q £500 - 700*

214

214 An emerald and diamond flexible bracelet and ring, the bracelet designed as a series of diamond-set articulated panels, each with a circular-cut emerald centre claw-set within an openwork star, 18.5cm long; the ring of cluster design, the central rectangular-cut emerald within rose-cut diamond surround to plain hoop, ring size P (2) £800 - 1,200*

215 A jadeite jade and diamond cluster ring, the oval jade cabochon to diamond double row surround, the plain hoop branching at shoulders, ring size L½ A verbal opinion from the Pearl & Gem Laboratory, London stated that the jadeite was natural jadeite with no indication of treatment, high content of chromium and is imperial jadeite jade £1,000 - 1,500*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

215

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218

216 A sapphire and diamond cluster ring, the central circular sapphire to a brilliant-cut diamond surround with baguette-cut diamond accents and brilliant-cut diamond line shoulders, mounted in platinum, London hallmarks 2006, ring size Q £1,000 - 1,500*

217 A platinum, sapphire and diamond eternity ring, composed of a single-row of alternately set three stone single-cut diamond and calibré sapphires, ring size M £200 - 300*

216

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218 A sapphire and diamond necklace, composed of a line of graduated oval sapphires with graduated brilliant-cut diamond four stone square clusters between, 41.0cm long £2,500 - 3,500*

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219 219 A group of jewellery, comprising: a late Victorian oval amethyst single stone brooch; an oval shell cameo brooch depicting the profile head of a young lady; a garnet single stone ring; two bar brooches; a heart pendant; and a gilt and imitation pearl brooch £300 - 400* 220 A group of diamond jewellery comprising: an opal three stone and diamond half-hoop ring, ring size P; two diamond cluster rings with brilliantcut diamond centres, sizes S and Q; and a diamond pendant, signed Fa’Cadoro, of two-tone foliate drop design, to a fine box link neckchain, clasp defective, 50.0cm long (4) £250 - 350*

220 221 A 9ct gold gate link bracelet, to a 9ct gold padlock clasp, London hallmarks, 17.0cm long, 20.2g £150 - 200*

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222 222 An enamel chain necklace, the fancy, textured chain with blue enamel lozenge shaped openwork spacers, 73.0cm long £250 - 300*

223 A small group of jewellery, comprising: a malachite and diamond ring of broad tapered halfhoop design, the three graduated malachite panels with brilliant-cut diamond line divisions, ring size M; a Victorian gold boss design brooch; a 9ct gold scrolling leaf design brooch, London hallmarks, 1989, 3.6g; and a bracelet set with a series of polished blue gem beads with ‘evil eye’ spacers, bracelet detached (4) £200 - 300* 224 Three gem rings, comprising: an opal and diamond cluster ring, the claw-set oval opal with single-cut diamond border, ring size N; a synthetic ruby and single-cut diamond geometric cluster ring, ring size N; and a 9ct gold and garnet three stone ring with colourless paste points, ring size M½ (3) £250 - 300*

223

224

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225

225 A bi-metallic bangle and pair of earrings by Bulgari, of ‘Tubogas’ design, the inner steel band with applied diagonal bands, bangle sprung, earrings with clip fittings, all signed Bulgari, inner circumference of bangle approximately 16.0cm, earrings 2.5cm long (2) £3,000 - 4,000* 226 A gem and enamel brooch, by Boucheron, modelled as a stylised bird of paradise, perched on an orange enamel branch, with circular cabochon sapphire body, ruby eye and ruby, sapphire and emerald tail feather detail, signed Boucheron Paris, number 37451, 3.7cm long £2,200 - 3,000* 227 An 18ct gold and onyx ‘Tubogas’ ring, by Bulgari, the tubogas design hoop with central circular black onyx set bezel with Bulgari, Bulgari logo, signed Bulgari, London hallmarks, 2000, ring size K/L £600 - 800*

227

226

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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229

228 A diamond ‘Socrate’ ring, by Van Cleef & Arpels, of between the fingers design with four brilliant-cut diamond clusters to a reeded hoop, signed VCA, number BL 53171 53, French assay mark, ring size M £3,000 - 4,000* 229 A flexible necklace, by Tiffany & Co, of triple-row swag design, composed of reeded pod shaped articulated links with coller-shaped connections, the clasp signed Tiffany & Co, copyright 1992, with maker’s slip case £5,000 - 7,000* 230 A pair of diamond-set earclips, of pierced stylised flowerhead design with brilliant-cut diamond cluster centre and detail, 3.8cm wide £1,000 - 1,500*

228

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231 An Imperial Russian gold and enamel scent bottle, the oval mottled pink and brown glass bottle with applied cabochon sapphire, ruby and rose-cut diamond floral spray motif mounted on a pink guilloche enamel oval central plaque with seed pearl border, the hinged pink guilloche enamel domed cap with cabochon gem top and chased foliate detail, part Russian marks to top, c. 1910, 8.5cm high ÂŁ1,500 - 2,000*

231 232 232 A diamond and gem-set hardstone scent bottle, the rounded agate body with applied collar set with single-cut diamonds between cabochon emeralds and rubies, the screw cap set with a single circular cabochon aventurine quartz with cabochon ruby finial, late 20th century, 6.0cm high Provenance: Property from a member of the Princely Family of Hohenzollern ÂŁ2,000 - 3,000*

233 A pair of Edwardian, rock crystal drop earrings, the mixedcut briolette rock crystal drops suspended from a thin gold cuboid bar to articulated seed pearl points, screw fittings, c. 1905, 5.3cm long, in fitted case ÂŁ200 - 300*

233

233

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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234

234 An opal necklace with opal, diamond and sapphire clasp, the double row of bouton shaped opal beads to an opal and brilliant-cut diamond figure-of-eight crossover design clasp with baguette diamond and calibré sapphire centre, 40.0cm long £1,800 - 2,200* 235 An opal and diamond cluster pendant, the cabochon opal set within a brilliant-cut diamond scalloped surround, the suspension loop with bezel-set diamond point, 2.0cm long £600 - 800* 236 A pair of shell earrings, by Trianon, designed as white shells, umbonian elegans, each set with single coral, corallium rubrum, collet, signed Trianon number 19294, 2.6cm long £400 - 600*

235 236

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237 A pair of diamond drop earrings, each with oval-shaped drop set in the centre with a circular and baguette-cut diamond navette shaped cluster motif, with circular-cut diamond surround in pearshaped settings, to a diamond geometric panel connecting link and suspension, 5.7cm long £1,800 - 2,200*

237

238 A pair of diamond cluster earclips, each clip designed as a marquise diamond triple cluster with central single brilliant-cut diamond collet, 1.8cm wide, with retailers case £1,400 - 2,000* 238

239 A single stone diamond ring, by Cartier, the claw-set brilliant-cut diamond, weighing 0.41 carats, to a plain hoop, signed Cartier, number YC2015, with maker’s case and documents, ring size K½ Accompanied by report number 6157313901, dated March 08 2013, from the Gemmological Institute of America, GIA, stating that the diamond weighing 0.41ct is of G colour and VVS2 clarity £600 - 800*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

239

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240

241

242

243

240 A sapphire bracelet, the front set with a line of graduated cushion shaped sapphires in pierced surrounds to a fancy link back section, 18.2cm long £1,000 - 1,500* 241 A sapphire single stone pendant, the cut-cornered rectangular sapphire within a pierced surround, 2.5cm long £1,500 - 2,000* 242 A sapphire single stone ring, the cushion shaped sapphire in pierced surround to a plain hoop, ring size J½ £1,000 - 1,500* 243 A pair of sapphire earrings, the cushion shaped sapphire single stone drops in pierced surrounds to circular-cut sapphire single stone tops in matching mounts, post fittings, 2.4cm long £800 - 1,200*

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244

244 A sapphire necklace, composed of a series of oval and pear shaped sapphire collets, 45.0cm long £550 - 650* 245 An 18ct gold, diamond, ruby and sapphire reversible eternity ring, by Chaumet, the half ruby/half sapphire calibré-set band to articulated hinged brilliant-cut diamond half hoops, signed Chaumet London, London hallmarks, ring size M, with makers case and box £600 - 800* 246 A sapphire and synthetic sapphire cluster ring, the central oval-cut sapphire in claw-set mount with synthetic colourless sapphire border, ring size R £200 - 300*

245

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

246

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247

247 An 18ct gold, diamond-set necklace and bracelet, by Fope, of brick link design with brilliant-cut diamond twin line spacers, 50.5 and 18.5cm long, European Convention hallmark and Birmingham hallmarks, both signed Fope, Italy ÂŁ1,000 - 1,500*

248 A pair of coloured sapphire and diamond drop earrings, by Gorvello, each designed as a pavĂŠ diamond and graduated tone pink sapphire pear-shaped drop to a free form shaped top with diamond frond motifs, signed Gorvello, 6.0cm long ÂŁ1,000 - 1,500*

248

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250

249 A diamond single stone ring, the brilliant-cut diamond, weighing approximately 2.00 carats, to reeded shoulders, ring size R £2,000 - 3,000* 250 A jadeite jade bead necklace, with graduating jade beads, ranging in diameter from 4.1mm to 9.8mm, the necklace 82.0cm long Please note that the jade has not been tested for natural colour origin £600 - 800* 251 A diamond bombé ring, the domed bezel pavé-set with circular-cut diamonds to a tapering hoop, ring size M £800 - 1,200*

249 251

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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254

252

252 A pair of diamond and cultured pearl earrings and a pair of jadeite jade earrings, the cultured pearls suspended from zig-zag bars with diamond spacers, 2.5cm long, the jade earrings, of Oriental design, with two jade panels suspended from a circular jade hoop, 6.0cm long (4) Please note that the jade has not been tested for natural colour origin £200 - 300* 253 A diamond and enamel flexible bracelet, designed as a series of channel-set brilliant-cut diamond figure-of-eight shaped links with black enamal crossover motif and connecting links, signed Movito, 18.0cm long £2,300 - 2,800* 254 An 18ct gold, diamond and green tourmaline cluster ring, the oval mixed cut green tourmaline in four claw mount, with brilliant-cut diamond border, the hoop stamped with initials TR, ring, ring size M £300 - 500*

253

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255 A collection of original artwork of jewellery designs on wove paper, including working drawings of Art-Deco design bracelets, brooches, rings and various necklaces, some with annotations, many coloured with gouache, ink and watercolour, the sketches (probably British designs) grouped and displayed within window mounts, all c. 1930, in three folios (a lot) ÂŁ3,000 - 5,000*

255

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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256

256 A continental, diamond-set two colour bracelet, of curb-link design, alternately set with brilliant-cut diamond links, 17.0cm long £900 - 1,100* 257 A 19th century gold and lapis lazuli cross pendant necklace, the intersection embellished with seed pearls, the ropework chain with four cultured pearl intervals, pendant 5.5cm long, the chain 60.0cm long £400 - 600*

257

258 A late 19th / early 20th century French, ruby and diamond flexible bracelet, composed of foliate openwork links each set with a single cabochon ruby collet within reeded shaped border to double-link border and old-cut diamond two stone accents, French assay marks and indistinct number, c. 1900, 17.5cm long £1,500 - 2,000*

258

259 A Victorian silver bangle,

by Robert Philipps, designed as two fish swimming towards shell terminals forming a hook clasp, maker’s mark and registry mark for 21st June 1883 £200 - 300* 259

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260

261

260 A lapis lazuli necklace, composed of a single row of uniform lapis lazuli beads, 97.0cm long ÂŁ200 - 300* 261 A jadeite jade necklace, designed as a single row of jade beads, 52.0cm long Please note that the jade has not been tested for natural colour origin ÂŁ200 - 300* 262 An early 20th century gold, synthetic ruby and diamond circular cluster ring, the circular bezel with central collet-set brilliantcut diamond to a ruby and lasque-cut diamond surround (one synthetic ruby deficient), ring size P ÂŁ150 - 200*

262

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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263 A French flexible necklace, of graduated cable-link design, French assay marks, 45.5cm long £800 - 1,200*

263

264 An emerald and diamond cluster ring, the central circularcut emerald within a brilliant-cut diamond surround, ring size S £300 - 500* 264

265 A pink sapphire and diamond cluster ring by Asprey & Garrard, the oval pink sapphire within a brilliant-cut diamond surround, mounted in 18ct gold, London hallmarks, 1999, maker’s mark for Asprey & Garrard, ring size O½ £800 - 1,200*

265

266 A diamond and gem panel bracelet, composed of four circular-cut diamond-set rectangular panels each with either ruby, sapphire, green garnet or brown diamond crescent shaped detail, circular-cut diamond central floral motif and baguette-cut diamond points, to a matching clasp, with diamond stirrup-type connecting links, 17.0cm long Please note that the brown diamonds have not been tested for natural colour origin £5,600 - 6,500*

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267

267 A ruby and diamond three stone ring, the central oval ruby flanked by two brilliant-cut diamonds single, in 18ct gold hoop, London hallmarks, 1992, ring size Q £500 - 700* 268 A garnet necklace, the fine herringbone link necklace with a series of three stone collet sections, set throughout with oval and cushion shaped garnets, mounted in 14ct gold, London hallmarks, 2016, 67.5cm long £900 - 1,200*

268

270 269 269 A ruby and diamond cluster ring, the abstract flowerhead cluster claw-set with marquise-cut rubies and four brilliant-cut diamond single stone points, ring size P½ £200 - 300*

270 A ruby and diamond half hoop ring by Asprey & Garrard, composed of an alternating line of circular-cut rubies and brilliant-cut diamonds, mounted in 18ct gold, London hallmarks, 1999, maker’s mark for Asprey & Garrard, ring size M £400 - 500*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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271

272

271 A pair of diamond and ruby drop earrings, each suspending a pear-shaped diamond drop from collet-set ruby, the diamond and ruby trefoil surmount to diamond articulated link and pavé-set diamond and ruby stylised surround with millegrain detail, 6.1cm long £5,000 - 7,000* 272 A lady’s Art Deco platinum and diamond wristwatch, the rectangular silvered dial with Arabic numerals and blued steel hands, within circular-cut diamond bezel with baguette diamond and diamond shoulders, 15 jewel lever movement, to a circular-cut diamond rectangular openwork panel link bracelet, c. 1930, 16.5cm long £1,000 - 1,500* 273 A lady’s Art Deco platinum and diamond-set ‘Princess’ wristwatch, by Rolex, the silvered rectangular dial with black baton markers and blued steel hands, signed Rolex, the platinum case with old single-cut diamond stepped shoulders, the 17 jewel lever movement timed 6 positions, signed Rolex Princess, movement number 275, case number 1822 1463B, to cordette straps with base metal clasp, c. 1930, case 23mm x 35mm £1,500 - 2,000* 273

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274 A diamond pendant, the heart shaped diamond single stone in claw mount to a tapered baguette-cut diamond single stone surmount, with fine link neckchain, pendant 1.4cm long £1,000 - 1,500*

274

275 A diamond and coloured diamond lily-of-the-valley clip brooch, the floral spray with pavé diamond flowers and ribbon bow, to baguette pale yellow diamond stems and central binding, 9.5cm long Please note that the pale yellow diamonds have not been tested for natural colour origin £3,500 - 4,500*

275

276 A diamond cluster ring, the old brilliant cut diamond pavé-set marquise cluster in scroll-embellished gallery to plain hoop, ring size O £500 - 1,000* 276

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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277 A diamond and coloured diamond necklace, the front composed of five graduated star motifs pavé-set with brilliant-cut diamonds, yellow tinted diamonds or pink diamonds, to a reeded panel neckchain set at intervals with matching star motifs Please note that the coloured diamonds have not been tested for natural colour origin £800 - 1,200*

277

278

279

278 A sapphire and diamond bracelet, composed of a line cut-cornered rectangular sapphire collets with brilliant-cut diamond four stone square clusters between mounted in 18ct gold, London Import hallmarks, 1994, 18.2cm £1,000 - 1,500*

96

279 A tourmaline and diamond cluster ring, the claw-set oval green tourmaline within a brilliant-cut diamond surround, ring size M £600 - 800*

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280

281

282

283

280 A diamond single stone ring, the single circular-cut diamond, weighing approximately 0.80 carats, to single-cut diamond single stone shoulders, ring size R £700 - 1,000* 281 A ruby and diamond ring, the front set with an alternating line of marquise-cut rubies and diamonds, ring size M £500 - 700* 282 A pair of cultured pearl and diamond earrings, the cultured pearl drops, measuring approximately 12.0mm, to brilliant-cut diamond surmounts, baguette-cut diamond single stone suspensions and cultured pearl tops, post fittings, 3.5cm long £400 - 600* 283 A diamond necklace, composed of two rows of slightly graduated faceted diamond beads, 41.0cm long £800 - 1,200*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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287 284

285

284 A pale yellow and pink topaz five stone ring, the central claw-set pale yellow rectangular topaz with baguettecut pink topaz two stone stepped shoulders, ring size O½ £500 - 700*

285 A pair of diamond, garnet and sapphire ear studs, each designed as a cut apple, pavé-set with circular-cut diamonds, green garnet and sapphire core and pip detail within green garnet border and leaf motif, 1.6cm long £400 - 600*

287 An emerald and diamond half hoop ring, composed of an alternating line of brilliant-cut diamonds and circular-cut emeralds, mounted in 18ct gold, London hallmarks, ring size M½ £400 - 600*

286

286 A cultured pearl necklace with diamond clasp, the single row of cultured pearls, graduating from approximately 12.1 to 14.5mm, to a pavé-diamond set fluted design clasp, 48.0cm long £1,000 - 1,500*

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288

289

288 A pair of cultured pearl and diamond ear pendants, the cultured peal drops with rose-cut diamond set caps, brilliant-cut diamond single stone suspensions and cultured pearl tops, post fittings, 3.3cm long £800 - 1,200*

289 A pair of sapphire and diamond drop earrings, each with diamond-set stylised foliate openwork panels with calibré sapphire decoration, to diamond collet and baguette-cut diamond line articulated link suspension and diamond and sapphire cluster tops, 6.0cm long £1,800 - 2,200*

290

290 An Art Deco diamond brooch, the openwork hexagonal plaque set with old brilliant, old and rose-cut diamonds, mounted in platinum, c. 1930, 4.5cm long £2,000 - 3,000*

291

291 A cultured pearl and diamond ring, of crossover design, the two cultured pearls to graduated brilliant-cut diamond five stone shoulders, ring size H £300 - 500*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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292 A diamond pendant necklace, of fringe design, the diamond-set articulated chevrons graduating to stylised floral motif suspended within a pavé-set diamond surround, with a fringe of seven diamond trefoil drops, the chain with diamond spacers, pendant 6.0cm long, chain 42.0cm long £1,700 - 2,200*

292

293 A pair of 18ct white gold, diamond cluster earrings, each designed as a central old brilliantcut diamond with diamond border to a diamond six stone top, London hallmarks, 2004 and European Convention hallmark, 1.8cm long £150 - 200* 293

294 A diamond single stone ring, the single marquise-cut diamond with diamond three stone shoulders, ring size L½ £800 - 1,200* 294

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295 An 18ct white gold, diamond single stone ring, the rectangular-cut diamond, weighing approximately 0.50 carats, European convention hallmark, ring size L; and an 18ct white gold pavé diamond half-eternity ring, ring size L (2) £600 - 800*

295

296 A diamond eternity ring, composed of a line single-cut diamonds, ring size Q½ £300 - 400* 296

297 A diamond half hoop ring, the front composed of a line of baguette-cut diamonds, mounted in platinum, London hallmarks, 2009, ring size N £600 - 800*

298 A diamond-set band ring, the front set with a line of single-cut diamonds, ring size P £150 - 200*

299 A diamond half hoop ring, the front composed of a line of alternate brilliant and square-cut diamonds, ring size M £200 - 300*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

297

298

299

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300

102

300 A sapphire and diamond ring, of crossover design, each terminal a french-cut sapphire square cluster, the shoulders with applied brilliant-cut diamond butterfly motif, mounted in 18ct two colour gold, Birmingham hallmarks, ring size P £600 - 800*

301

301 A sapphire and diamond cluster ring, of crossover design, with single brilliant-cut diamond and circular-cut sapphire to baguette and navettecut diamond two row graduated shoulders, ring size L £800 - 1,200*

302

302 A ruby and diamond flowerhead cluster ring, the central oval ruby within a brilliant-cut diamond surround, ring size P £500 - 700*

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303 A diamond ring, of flowerhead cluster design set throughout with old brilliant-cut diamonds, to wirework shoulders, ring size L½ £1,000 - 1,500* 303

304 A diamond cluster ring, the central brilliantcut diamond within a surround of brilliant and baguette-cut diamonds, ring size L (hoop is hinged and expands) £800 - 1,200*

305 A diamond single stone ring, the old brilliant-cut diamond, weighing approximately 0.90 - 1.00 carat, in claw mount to old-cut diamond three stone shoulders, ring size O £800 - 1,200*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

304

305

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306 306 A diamond oval cluster ring, the pavé-set diamonds to openwork gallery and plain hoop, ring size I £200 - 300*

307 307 A diamond three stone ring, of half-hoop design comprising three brilliant-cut diamonds weighing approximately 0.60 carats, 0.40 carats and 0.35 carats, in claw-set mount to a plain hoop, ring size K½ £1,000 - 1,500*

308 308 A Belle Époque coral, diamond and sapphire brooch, the circular cabochon coral, corallium rubrum, within a calibré sapphire surround set within an old-cut diamond oval pierced panel with rose-cut diamond lattice work canted border, mounted in platinum, c. 1910, 4.8cm long £1,200 - 1,600*

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309 309 A sapphire and diamond ring, the oval sapphire in claw mount with old-cut diamond line shoulders, to a plain hoop, ring size L £600 - 800*

310

310 A pair of pearl earstuds, each pearl, measuring approximately 8.2mm, on scalloped mount, post fittings Please note that the pearls have not been tested for natural origin £800 - 1,200*

311

311 An 18ct white gold, diamond flexible bracelet, the broad bracelet set with brilliant-cut diamond multiple links, London hallmarks, 18.0cm long £4,000 - 6,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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312

313

312 A ruby and diamond ring, of domed cluster design, the cushion shaped ruby collet to a pavé brilliant-cut diamond surround with square-cut diamond detail, ring size M £800 - 1,200*

315

313 A platinum, ruby and diamond three stone ring, the cushion shaped ruby with pear-cut diamond single stone shoulders, London hallmarks, 2004, ring size N £2,000 - 3,000*

314

314 A diamond and emerald bracelet, composed of circular-cut diamond graduated articulated links, the central link with millegrain-set old brilliant-cut diamond, weighing approximately 2.04 carats, the openwork geometric links set with calibré emerald detail, 17.5cm long £5,600 - 6,500* 315 A delicate diamond necklace, with faceted spherical diamond spacers to connecting links, 43.5cm long £1,500 - 2,000*

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316

317

318

316 A coloured diamond and diamond ring, the cushion shaped modified brilliant-cut fancy light yellow diamond, weighing 1.25 carats, to triangular-cut diamond single stone shoulders with brilliant-cut diamond surround and triple row shoulders, ring size L Accompanied by report number 1235454090 dated 18th August 2016 from the GIA, Gemological Institute of America, stating that the diamond weighing 1.25 carats is Natural Fancy Light Yellow, clarity VS1, fluorescence Medium Blue (VAT charged on the hammer price) £3,500 - 4,500* 317 A diamond floral ribbon spray clip brooch, designed as twin flowerhead clusters with scrolling ribbon shoulders, set throughout with brilliant-cut diamonds, 5.5cm long £2,500 - 3,000* 318 A diamond single stone ring, the radiant-cut diamond, weighing 5.02 carats, in broad four claw mount with graduated brilliant-cut diamond five stone shoulders, mounted in 18ct white gold, London hallmarks, 2008, ring size I Accompanied by report number 010000163480 from the International Institute of Diamond Grading & Research (IIDGR, a De Beers Group Company) dated 15 June 2018 stating that the diamond is colour QR, clarity SI2, fluorescence negligible, diamond laser inscribed IIDGR 2257030 £5,000 - 20,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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319

320

319 A diamond three-stone ring, the central square modified brilliant diamond flanked by two square modified brilliant diamonds to a plain hoop, ring size I

320 A sapphire and diamond ring, the claw-set cushion-cut sapphire, weighing 5.34 carats, to tapering baguette-cut diamond single stone shoulders, ring size M

Accompanied by three certificates from the Gemmological Institute of America, GIA: the first certificate, number 6195509230 dated March 17 2015, stating that the diamond weighing 1.50ct is of D colour and VS2 clarity; the second certificate, number 2217050857, dated October 30 2015, stating that the diamond weighing 0.50ct is of D colour and VS2 clarity; the third certificate, number 6205953248, dated October 16 2015, stating that the diamond weighing 0.50ct is of D colour and VS2 clarity, ring size I £5,000 - 7,000*

Accompanied by report number 5182852053 dated November 9th 2017, from the Gemmological Institute of America, GIA, , dated November 9th 2017, stating that the stone shows no indications of heating, origin Sri Lanka £3,500 - 4,500*

321 A pair of diamond clip brooches, of similar spray bouquet design, each with a ribbon of baguette cut diamonds encircling the pavé-set single-cut diamond bouquet, one diamond deficient, with five larger brilliant-cut diamond points, 8.0cm and 8.5 cm long (2) £3,000 - 5,000*

321

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322 A coloured diamond and diamond ring, the cushion modified brilliant-cut fancy greyish yellowish green diamond, weighing 0.90 carats, with brilliant-cut light pink diamond surround and brilliant-cut diamond border and shoulders, ring size L Accompanied by report number 2166847371, dated 22nd September 2017, from the GIA, Gemological Institute of America, stating that the diamond weighing 0.90 carats is Natural Fancy Grayish Yellowish Green, clarity SI1, fluorescence None

322

Please note that the pink diamonds have not been tested for natural colour origin (VAT charged on the hammer price) £4,200 - 4,800*

323

323 A pair of diamond cluster earrings, the cut-cornered rectangular diamond centres within shaped baguette-cut diamond borders, post fittings, 1.0cm long £3,500 - 4,000*

324 A platinum and diamond single stone ring,

by Boodles, the Asscher-cut diamond, weighing approximately 2.20 carats, in four claw mount to baguette diamond three stone shoulders and brilliant-cut diamond curved line gallery, signed Boodles with maker’s mark B&D for Boodles & Dunthorne, London hallmarks, 2014, ring size K

324

Accompanied by report from the Gemmological Certification Services, GCS, London £15,000 - 20,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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EXPLANATION OF CATALOGUING PRACTICE FOR JEWELLERY Terms used in this catalogue have the meaning ascribed to them below:

5.

Mounted by Cartier In Roseberys qualified opinion the setting has been created by the jeweller using stones originally supplied by the jeweller’s client.

6.

Mount only by Cartier In Roseberys qualified opinion the mount is by the jeweller, but either the gemstones have been replaced or the piece has been altered in some way after the manufacture.

1.

Antique – over one hundred years old

2.

Art Nouveau – 1895-1910

3.

Belle Epoque – 1895-1914

4.

Art Deco – 1915-1935

5.

Retro – 1940s

Jewellers in the Title 1.

By Cartier When maker’s name appears in the title, in Roseberys qualified opinion it is by the maker.

Jewellers beneath the main description

2.

Signed Cartier Has a signature which in Roseberys qualified opinion is authentic.

3.

With maker’s mark for Cartier Has a mark denoting a maker which in Roseberys qualified opinion is authentic.

4.

By Cartier In Roseberys qualified opinion the objects is by the jeweller although unsigned.

PERIODS

IMPORTANT NOTICES GEMSTONES

GOLD

Coloured gemstones such as rubies, sapphires and emeralds may have been treated to improve their appearance, using methods such as heating and oiling.

These treatments are accepted by the international jewellery trade but may make the gemstone vulnerable to fading and require special care over time.

Gold of less than 18ct. purity does not qualify in all countries as ‘gold’ and may be refused import into those countries as gold.

All types of gemstones may have been improved by various techniques. We do not obtain a gemmological report for every gemstone sold in our auctions.

When Roseberys obtain gemmological reports which include that for jadeite and pearls from nationally or internationally recognised gemmological laboratories such reports will be described in the catalogue.

Reports from American gemmological laboratories will describe any improvements or treatment to the gemstone. Reports from the European gemmological laboratories will describe any improvement or treatment only if we request that they do so but will confirm when no improvement or treatment has been carried out.

Because of the variations on approach and technology, laboratories may differ in opinion as to whether a particular gemstone has been treated, the amount of treatment or whether treatment is permanent. The gemmological laboratories will only report on the improvements of treatments known to the laboratories at the date of the report.

JEWELLERY OVER 50 YEARS OLD

Under current laws, jewellery over 50 years old which is worth £39,219 or in excess of this figure will require an export license.

WATCHES

Almost all watches have undergone repair or alteration in their lifetime and may include parts that are not original to the watch. We do not give a warranty that any individual component part of any watch is authentic.

As some antiques or collectors watches often have very fine and complex mechanisms, as general service or repair work may be necessary for which the buyer is responsible. Roseberys do not provide batteries for quartz wristwatches.

Most watches have been opened in the past in order to inspect the condition of the movement. Consequently watches with water resistant cases may not be waterproof. Roseberys do not give a warranty that any watch is in working order or timekeeping.

Estimates are based on information in the gemmological report, or if no report is available assume that the gemstones have been treated or colour enhanced.

Roseberys make no guarantee regarding these reports.

Lot 105

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SPECIALIST TEAM Ian A. Cadzow Chairman & Joint Managing Director Rugs, Furniture & Works of Art iancadzow@roseberys.co.uk Vicki Wonfor Joint Managing Director Head of Corporate Collections vickiwonfor@roseberys.co.uk Peter Greenway Director Head of Professional Services petergreenway@roseberys.co.uk Marcus Grey Director Head of Paintings & Prints marcusgrey@roseberys.co.uk Bill Forrest Associate Director Head of Department Asian Arts billforrest@roseberys.co.uk Helena Anderson Associate Specialist Modern & Contemporary British Art helenaanderson@roseberys.co.uk Alice Bailey Head of Department Islamic & Indian Arts alicebailey@roseberys.co.uk Fiona Baker Head of Department 20th Century & Decorative Arts fionabaker@roseberys.co.uk Mark Bowis FGA DGA FSA Head of Department Jewellery & Watches markbowis@roseberys.co.uk Nigel Dawson-Ellis Junior Cataloguer Furniture & 20th Century Design nigeldawsonellis@roseberys.co.uk Anna Evans Consultant Specialist Works of Art annaevans@roseberys.co.uk Sophie Hetherton Junior Cataloguer & Departmental Assistant Paintings & Prints sophiehetherton@roseberys.co.uk

Roseberys London Main London Saleroom 70/76 Knights Hill London, SE27 0JD Complimentary valuations Monday to Friday: 9.30am to 5.00pm

Sam Howard Administrator Asian, Islamic & Indian Arts samhoward@roseberys.co.uk Mark Longley Specialist Ceramics & Glass, Works of Art & Collectables marklongley@roseberys.co.uk Tess O’Brien Specialist Impressionist, Modern, Post War and Contemporary Art tessobrien@roseberys.co.uk

+44 (0) 20 8761 2522 clientservices@roseberys.co.uk

Kate Pritchard Cataloguer & Valuer Paintings & Prints, Modern & Contemporary Art katepritchard@roseberys.co.uk

Central London OfďŹ ce Valuations by appointment.

Alex Tonkinson Consultant Specialist Modern Design alextonkinson@roseberys.co.uk

Please call us on +44 (0) 20 8761 2522 or email our Professional Services department at valuations@roseberys.co.uk to book your complimentary valuation.

Elizabeth Wormald Cataloguing Assistant & Administrator Prints & Multiples / Japanese Arts elizabethwormald@roseberys.co.uk

Lot 226

Shane Xu Head of Department Modern & Contemporary Prints & Multiples shanexu@roseberys.co.uk Geoff Young FGA DGA Senior Consultant Jewellery geoffyoung@roseberys.co.uk

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TERMS OF CONSIGNMENT FOR SELLERS These terms apply to Rosebery Fine Art Ltd trading as Roseberys and Roseberys London.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract.

Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission and Entry Fee. (a) Entry Fee: A charge of £20 is made to each lot sold in addition to vendor’s commission. This charge covers our specialist research, catalogue description, website illustration, marketing on our website and other third party sites as well as live or timed bidding on various internet platforms. (b) Vendors Commission: Is charged on each lot at 15%.

3. Catalogue Illustration Fee. The cost of any illustration is borne by you. Lots may be illustrated in a catalogue and thus a charge of between £20-60 per illustration is applicable, dependent on size. For example a quarter page illustration £20, half page £40, three quarter/full page £60. The copyright in respect of such illustrations shall be the property of the auctioneers, as is the text of the catalogue; any persons to be found to have reproduced such illustrations or text without prior written approval will be deemed as being in breach of copyright law and appropriate legal action may be taken.

4. Loss and Damage of Goods (a) Roseberys is not authorised by the FSA to provide insurance to its clients, and does not so do. However Roseberys, for its own protection, assumes liability for property consigned to it at the lower pre-sale estimate until title passes to the buyer. To justify accepting liability, Roseberys makes a charge of 1.75% of the hammer price plus VAT. The liability assumed by Roseberys shall be limited to the lower pre-sale estimate or to the reserve if the lot was unsold.

Settlement in any claim arising shall be subject to commission as if the lot had sold in the normal manner. (b) If the owner of goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4(a) is inapplicable. (c) Roseberys will not be liable for the loss or damage to frames or glass covering prints, paintings or other works. Old frames are often fragile or subject to deterioration and whilst Roseberys will do their

upmost to ensure the safety and care of frames and glass we will not compensate for loss or damage to property caused by changes in humidity or temperature, normal wear and tear, gradual deterioration, inherent defect or errors in processing.

5. Removal Costs. Items for sale must be consigned to the saleroom by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

6. Minimum Bids and our Discretion. Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 7. We may sell Lots below the reserve provided we account to you for the same sale proceeds that you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to approximately 15% below the low estimate and “wide discretion” allows to use accept a bid of up to approximately 30% below the low estimate.

7. Reserves. (a) Prior to the auction you are entitled to place a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve. If we are unable to offer goods they may be subject to storage charges if uncollected. (b) A reserve once set cannot be changed except with our consent, and confirmed by you in writing. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical Items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft Furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request

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TERMS OF CONSIGNMENT FOR SELLERS 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery or where we are or ought to have been aware of it.

11. Unsold Items. Unsold lots will be automatically reoffered into the next appropriate live or online auction with the low estimate reduced by 40% and if the revised estimate is £200 or below it will be offered without reserve. Alternatively, we may contact you to request that you collect the items. If you do not wish to re-enter the lots please notify Roseberys in writing with collection instructions. Please note storage charges will be incurred if lots are not collected within one week, storage charges will be applied of £2 + VAT per lot per day. If a lot remains uncollected two months after the date of the auction, Roseberys shall have the right to sell the lot at auction without reserve and to deduct from the ‘hammer price’ any sum owing to Roseberys as well as expenses arising from all auctions in which the lot has been included, plus storage and loss and damage warranty charges.

12. Withdrawn Items. (a) If an item is withdrawn prior to the publication of the catalogue a minimum charge of £20 + VAT per lot is applicable. This fee covers administration, handling, storage and loss & damage of the lot whilst in our care. (b) If an item is withdrawn after the online or offline publication of the lots they will incur charges where applicable comprising the sum of the vendor’s commission, the entry fee, the illustration cost, the loss and damage warranty, the buyer’s premium, the marketing fees and other expenses in relation to the item. VAT is applicable on all charges. These commission and premium charges will be calculated upon Roseberys published mid estimate. (c) In the cases of 12 (a) and (b) Roseberys will store the withdrawn item for a period of five days with no charge, after this a storage charge will be applicable at a daily rate of £2 per item per day plus VAT for items that remain uncollected.

13. Conditions of Sale. You agree that all goods will be sold according to our Conditions of Sale.

In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to Deduct Commission and Expenses and Retain Premium and Interest. (a) You authorise us to deduct commission from the hammer price at the stated rate plus all applicable expenses incurred on your account and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us at our discretion to negotiate a sale by private treaty not later than five working days from the date of the auction in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient written sale instructions, client contact details or without our prior written agreement to take delivery and reserve the right to either refuse to receive such goods or to make a minimum warehousing charge of £2 per item per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within twenty one days we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Settlement of the net sum due to you normally takes place 28 days after the sale (by crossed cheque or bank transfer to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

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INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers of Roseberys London particularly those inexperienced or new to our salerooms or online only bidding platform. All sales are conducted according to our printed Conditions of Sale which are readily available for inspection in person, on our website and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot.

The lower estimate may represent the reserve price or may be above the reserve price. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. Buyer’s Premium. The Conditions of Sale oblige buyers to pay a buyer’s premium of 25% up to £250,000 (30% inclusive of VAT), 20% from £250,000-500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT) The premium price is subject to VAT at the standard rate.

5. VAT. The addition of (*) or (VAT applied on hammer price) to the lot description indicates that VAT is payable by the purchaser at the standard rate, presently 20%, on the hammer price as well as being payable on the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the premium is not recoverable as input tax.

6. Artist’s Resale Rights/Droit de Suite. Lots as indicated in the catalogue and if sold for the equivalent of 1000 euros or more on the day of the auction will be subject to a further percentage of the hammer price as follows: From 0 to 50,000 euros subject to 4% From 50,001 to 200,000 euros subject to 3% From 200,001 to 350,000 euros subject to 1% From 350,001 to 500,000 euros subject to 0.5% Exceeding 500,000 euros subject to 0.25% The Artist’s Resale Right payable will be the aggregate of the amounts payable under the above rate bands, subject to maximum royalty payable of 12,500 euros for any single work each time it is sold. Calculations of the artist’s resale right will be based on the pound sterling/Euro reference exchange rate quoted on the date of sale by the European Central Bank.

7. Agents. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested.

Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. Additionally, in specified circumstances lots mis-described because they are ‘deliberate forgeries’ may be returned and repayment made. There is a three week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

8. Electrical goods. These are sold as ‘antiques’ or ‘decorative’ items only and if bought for use must first be checked for compliance with safety regulations by a qualified electrician.

9. Coloured gems. It is common practice for gemstones to be treated in order to enhance colour and clarity. Unless stated buyers should presume coloured stones may well have been exposed to some sort of treatment.

10. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character because, e.g. they may contain prohibited materials such as ivory.

11. Bidding. Bidders are required to register with us before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

12. Commission bidding (i)

Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding the buyers’ premium.

They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received.

Please enquire in advance about our arrangements for leaving commission bids by telephone, email or fax. Please ensure bids are left at least one hour prior to the start of the auction.

(ii) Commission bids may also be left via the Roseberys website.

These bids are executed via the RoseberysLive software and there is no surcharge.

13. Live Online bidding (a) An online bidding service is offered via RoseberysLive, thesaleroom.com and invaluable.com. In completing the bidder registration on these sites the buyer is agreeing to Roseberys conditions of sale. (b) In the case where a debit or credit card has been used to register the buyer also agrees to authorise Roseberys, if they so wish, to charge the debit or credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the online bidding platforms. (c) Please note there is no additional surcharge for any lots purchased via RoseberysLive, whether live bidding or commission bidding.

Any lots purchased via thesaleroom.com or invaluable.com will be subject to an additional 5% commission charge + VAT at the rate imposed on the hammer price. (d) Roseberys offers online bidding services as a convenience to its clients, but neither Roseberys nor the seller will be responsible to you for errors during or after the sale or failures to execute bids, either live bids or commission bids placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: (i) any loss of connection to the auction being conducted online; (ii) a breakdown or problems with the online bidding software or the website service provider; and/or (iii) a breakdown or problems with any internet connection, computer, mobile device or system. (e) By accessing RoseberysLive and using the software provided you are agreeing to the Website Terms and Conditions governing use of our website. Please ensure you familiarise yourself with these prior to accessing our website.

14. Methods of Payment. Payment can be made by cash (maximum 10,000 euros), debit and credit cards (maximum £1,000 online or over the phone) or bank transfer. For international bank transfers an administration fee of £25 is payable. Any cheques tendered will need to allow 10 days to be cleared before removal of lots purchased is permitted. Please note that regulation of money laundering means we are limited to receiving the equivalent of 10,000 euros in cash payment.

15. Collection and storage (a) Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. All lots must be collected within five working days following auction. Storage charges of £2 per lot per day + VAT will be strictly enforced thereafter. (b) Roseberys are unable to pack, post or deliver any items purchased through public or online auction, a list of suggested companies is supplied upon issuing of invoices, upon request or on the company website. These are suggestions only and are not the recommendation of Roseberys or affiliated with Roseberys in anyway and as such Roseberys cannot be held responsible for the individual performance of these companies.

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CONDITIONS OF SALE Rosebery Fine Art Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1.

Definitions

In these Conditions: (a) “auctioneer” means the firm of Rosebery Fine Art Ltd or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Rosebery Fine Art Ltd accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2.

Bidding Procedures and Conduct of the Auction

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid. Any bidder who refuses to provide the requested identification may be refused permission to bid. (b) The auctioneer has discretion at any time to refuse any bid, withdraw any lot, re-offer a lot for sale (including after the fall of the hammer) if they believe there may be error or dispute, and take such action as they reasonably think fit. (c) Subject to condition 2(b) the contract between the buyer and seller is concluded on the striking of the auctioneer’s hammer, whereupon the buyer becomes liable to pay the purchase price. (d) Any post-auction sale of lots offered at auction shall incorporate these conditions as if sold in the auction. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3.

Increments. Bidding increments shall be at the auctioneer’s sole discretion.

4.

The Purchase Price. The buyer shall pay the hammer price together with a premium thereon of 25% up to £250,000 (30% inclusive of VAT), 20% from £250,000500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT). The premium price is subject to VAT at the standard rate.

5.

Value Added Tax. Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged

at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots.

(Please refer to “Information for Buyers” for a brief explanation of the VAT position).

6.

Payment

(1) (a) (b)

Immediately a Lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in cash, debit, credit card or bank transfer or in such other way as is agreed by us.

Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(2)

7.

Title and Collection of Purchases. The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (a)(i) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 5 working days following the day of the auction. (ii) Roseberys are unable to pack, post or deliver any items purchased through public or online auction.

A list of suggested companies is supplied upon issuing of invoices, upon request, or on the company website. These are suggestions only and are not the recommendation of Roseberys or affiliated with Roseberys in anyway and as such Roseberys cannot be held responsible for the individual performance of these companies. (b) No purchase can be claimed or removed until it has been paid for and payment has cleared. (c) Invoices will not be split or title transferred to another person(s). Invoices must be paid in full before any lots can be removed. (d) Purchased lots must be collected within the allocated time as stated in the Information for Buyers section 13, storage charges are applicable thereafter. Purchased lots are at the Buyer’s risk (and therefore their sole responsibility for insurance) from the earliest of the collection or the 21st calendar day after the auction.

Until risk passes Roseberys will compensate the buyer for any loss or damage to the lot up to a maximum of the purchase price paid.

8.

(1)

(a) (b) (c)

(d) (e)

Remedies for Non-Payment or Failure to Collect Purchases If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: to proceed against you for damages for breach of contract; to rescind the sale of that Lot and/or any other Lots sold by us to you; to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

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CONDITIONS OF SALE (f)

to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9.

Third Party Liability. All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. Commission, Telephone Bids and Live Online Bidding. Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. (a) Lots will be purchased by the Auctioneer on behalf of the commission bidder for the lowest price allowed by other bids and/or reserves if any, up to and including their maximum bid amount recorded. The Auctioneers cannot accept responsibility for any neglect or default in executing or failing to execute commission bids whether through the auctioneer or through any online bidding software, or where a bidding slip has been completed incorrectly. We urge commission bidders, to ensure that the correct lot number(s) and price(s) are recorded on their bidding forms. (b) Where two or more commission bids at the same level are recorded we reserve the right at our absolute discretion to prefer the first bid so made. (c) Telephone Bids. Any person unable to attend the auction may request to bid on a specific lot by telephone. This facility is only available by prior arrangement with the Auctioneers and not available for online only auctions. The Auctioneers cannot accept responsibility for any neglect or default in executing or failing to execute telephone bids. (d) Live Online bidding. (i) An online bidding service is offered via RoseberysLive, thesaleroom.com and invaluable.com. In completing the bidder registration on these sites, the buyer is agreeing to Roseberys conditions of sale. (ii) In the case where a debit or credit card has been used to register the buyer also agrees to authorise Roseberys, if they so wish, to charge the debit or credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the online bidding platforms. (iii) Please note there is no additional surcharge for any lots purchased via RoseberysLive, whether live bidding or commission bidding. Any lots purchased via thesaleroom.com or invaluable.com will be subject to an additional 5% commission charge + VAT at the rate imposed on the hammer price.

(iv)

(v)

Roseberys offers online bidding services as a convenience to its clients, but neither Roseberys nor the seller will be responsible to you for errors during or after the sale or failures to execute bids, either live bids or commission bids, placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: (aa) any loss of connection to the auction being conducted online; (bb) a breakdown or problems with the online bidding software or the web site service provider; and/or (cc) a breakdown or problems with any internet connection, computer, mobile device or system.

By accessing RoseberysLive and using the software provided you are agreeing to the Website Terms and Conditions governing use of our websites. Please ensure you familiarise yourself with these prior to accessing our websites.

11.

Warranty of Title and Availability. The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

No representation or warranties are made by Roseberys or the seller as to whether any lots is subject to copyright or whether they buyer acquires copyright in any lot.

12.

Agency. The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13.

Terms of Sale. The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot.

14. (a)

Description and Conditions Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description of a lot. Buyers are welcome to make an appointment to view any lots listed on an online only auction. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers�.

Condition Reports. Reports on the condition of any lot are offered by the Auctioneers as a statement of opinion only, and not of fact. Rosebery Fine Art Ltd are not liable for any errors or omissions contained therein. The buyer must satisfy themselves to the condition of any given lot prior to bidding. Roseberys will not be held responsible for any damage or defect that has not been notified to the buyer. Catalogue illustrations are for guidance only and will not convey full information as to the actual condition of lots.

(b)

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CONDITIONS OF SALE (c)

(d)

Where the term (a/f) is used this refers to a lot being ‘as found’, it is used for guidance only and indicates in our opinion there is significant damage or repair to an item, the omission of this term does not indicate there is not significant damage or repair to an item and Roseberys are not liable for the omission of this term.

Private treaty sales made on these premises under these Conditions are deemed to be sales by auction for the purposes of consumer legislation.

15. Forgeries. Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. Roseberys may require the buyer to obtain at the buyer’s cost the reports of two independent and recognised experts in the field, mutually acceptable to Roseberys and the buyer. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) if you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

16. Online Only Timed Auctions These following terms are applicable only to sales conducted online only and are to be used in addition to the conditions of sale. (a) (i)

Right to Cancel If you are a consumer resident in the European Union you have the right to cancel the contract for the purchase of a lot within 14 calendar days without giving any reason. (ii) The cancellation period will expire after 14 calendar days from the day on which you acquire (or a party nominated by you and is not the shipper) physical possession of the lot. (iii) To exercise the right to cancel, you must inform us of your decision to cancel this contract by a clear written statement (e.g. a letter sent by post, fax or email), or you may use the cancellation form which can be found on our website or by contacting a member of staff. The communication must be received within 14 calendar days from the day on which you acquire the lot. (iv) If you cancel the contract, we will reimburse all payments received from you. As Roseberys are unable to provide a postage or packing service the cost of the initial delivery or collection is not returnable. In addition the cost of returning the item if you choose to cancel the contract is payable by you. (v) We may make a deduction from the reimbursement for loss in value of any goods supplied, if the loss is the result of damaged caused by unnecessary handling whilst in your possession. We will make the reimbursement without undue delay, and not later than (aa) 14 calendar days after the day we receive back from you any goods supplied, or (bb) (if earlier) 14 calendar days after the day you provide evidence that you have returned the goods.

(vi) We will make the reimbursement using the same means of payment as you used for the initial transaction, unless you have expressly agreed otherwise; in any event, you will not incur any fees as a result of the reimbursement.

We may withhold reimbursement until we have received the goods back or you have supplied evidence of having sent back the goods, whichever is earliest. (b) Liability Roseberys nor the seller will be responsible to you for errors during or after the online only timed auction or failures to execute bids placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: any loss of connection to the auction being conducted online; a breakdown or problems with the online bidding software or the website service provider; and/or (iii) a breakdown or problems with any connection, computer, mobile device or system.

General 17. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

18. Where a member of the public causes damage to a lot (or part thereof) the Auctioneers reserve the right to: (a) sell the aforementioned without reserve and to hold that specific individual liable for the amount of any difference between the hammer price and the reserve or low estimate; (b) hold that specific individual liable for the cost of restoration where appropriate; (c) hold that specific individual liable for the full amount of the reserve price or lower estimate as applicable.

19 (a) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

20. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email if provided in which case it shall be deemed to have been received by the addressee 48 hours after posting.

21. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

22. Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

23. English law applies to the interpretation of these Conditions.

These terms and conditions are based upon recommended conditions of sale by SOFAA (the Society of Fine Art Auctioneers) and RICS (the Royal Institute of Chartered Surveyors)

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70/76 Knights Hill London, SE27 0JD +44 (0)20 8761 2522 +44 (0)20 8761 2524 clientservices@roseberys.co.uk

CATALOGUE SUBSCRIPTION FORM FULL NAME: ADDRESS:

TELEPHONE:

EMAIL:

SUBSCRIPTION OPTIONS Auction Title

Number of auctions annually

Cost of annual Subscription including UK postage

Cost of annual Subscription including Europe postage

Cost of annual Subscription including rest of world postage

Design: Decorative Arts 1860 to Present Day

3

£37.50

£45

£52.50

Chinese, Japanese & South East Asian Art

2

£25

£30

£35

Impressionist, Modern, Post-War & Contemporary Art

2

£25

£30

£35

Fine & Decorative

3

£37.50

£45

£52.50

Islamic & Indian Arts/ Art of India

3

£37.50

£45

£52.50

Jewellery & Watches

3

£37.50

£45

£52.50

Modern & Contemporary British Art

2

£25

£30

£35

Modern & Contemporary Prints

2

£25

£30

£35

Print & Multiples

2

£25

£30

£35

Old Master, 18th & 19th Century Pictures

3

£37.50

£45

£52.50

Tick to subscribe

Subscription Offer: Buy 2 or more subscriptions save 20% on prices listed Total cost of subscription: Method of Payment: Payment can be made by credit or debit card over the phone or in person, alternatively by bank transfer or cash in person. Payment is accepted via bank transfer to the following account (International bank transfers are subject to a £25 administration fee.): Natwest Bank plc, Bloomsbury Parr’s branch, Sort Code 60-30-06, Account number 36952613, Swift code NWBKGB2L, IBAN GB80NWBK60300636952613.

I would/would not like to receive online catalogues and notifications of the sales that I am interested in as indicated on this form (delete as appropriate).

Signed:

Date:

ROS-016 Listing.qxp_Layout 1 23/10/2019 13:41 Page 119

70/76 Knights Hill London, SE27 0JD +44 (0)20 8761 2522 +44 (0)20 8761 2524 clientservices@roseberys.co.uk

ABSENTEE BID FORM PLEASE COMPLETE THE FORM IN FULL IN CAPITAL LETTERS AND PLACE YOUR BIDS AT LEAST ONE HOUR PRIOR TO THE START OF THE RELEVANT SECTION OF THE AUCTION

FULL NAME: ADDRESS:

POSTCODE:

EMAIL:

BIDDER NUMBER: TELEPHONE:

Lot number

GBP £ bid price excluding premium

Lot number

GBP £ bid price excluding premium

All bids are entered subject to Roseberys standard terms and conditions of sale and to any special terms stated by the auctioneers to apply to lot(s) which the prospective purchaser hereby acknowledges and accepts.

Please see catalogue or website for important information for buyers and our full conditions of sale or ask a member of staff for a copy.

I authorise Roseberys to bid on my behalf for the above mentioned lot(s) up to the price(s) stated. I confirm I have read and agree to the buyer’s terms of sale with special attention to the buyer’s premium, additional charges and storage.

Signed:

Date:

AUCTION CALENDAR 2019 November Design: Decorative Arts 1860 to the Present Day Monday 4 November Chinese, Japanese & South East Asian Arts Monday 11 November Jewellery & Watches Wednesday 20 November Old Master, 18th & 19th Century Pictures Thursday 21 November

December Urban & Contemporary Art in association with Artsy Monday 18 November – Monday 2 December Impressionist, Modern, Post War & Contemporary Art Wednesday 4 December Fine & Decorative Thursday 5 December

Modern & Contemporary British Art: An Online Only Auction Monday 11 November – Thursday 28 November

70/76 Knights Hill, London SE27 0JD +44 (0) 20 8761 2522 clientservices@roseberys.co.uk

www.roseberys.co.uk

70/76 Knights Hill London SE27 0JD +44 (0) 20 8761 2522 auctions@roseberys.co.uk www.roseberys.co.uk