Rosebery's

CHINESE, JAPANESE & SOUTH EAST ASIAN WORKS OF ART Monday 11 November 2019

CHINESE, JAPANESE & SOUTH EAST ASIAN WORKS OF ART Monday 11 November 2019 Starting at 11am VIEWING Thursday 7 November 1pm-5pm Friday 8 November 9.30am-5.30pm Sunday 10 November 10am-2pm Monday 11 November 9.30am-10.30am Head of Department: Bill Forrest Japanese Art: Elizabeth Wormald Asian Art Administrator: Sam Howard Please note the conditions of sale at the back of this catalogue Buyer’s Premium 25% + VAT (30% inclusive of VAT) Condition of items: a catalogue description does not state the condition of the item Catalogue Price £10 (£12 by post) Front Cover: Lot 271 | Back Cover: Lot 502 Inside Front Cover: Lot 107 Inside Back Cover: Lots 99, 100, 101, 104, 105 & 108

70/76 Knights Hill, London, SE27 0JD +44 (0)20 8761 2522 auctions@roseberys.co.uk www.roseberys.co.uk

Online bidding available at:

RoseberysLive

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BUYING AT ROSEBERYS The following is intended to serve as a useful quick reference to buying at Roseberys.

Prior to bidding please familiarise yourself with our full conditions of sale which are applicable when bidding at one of our auctions. Our staff are available to assist you with any questions you may have.

Viewing Catalogues are available from reception and all lots are listed and illustrated at www.roseberys.co.uk Condition is not stated in the catalogue description and buyers are encouraged to view lots in person prior to bidding to satisfy themselves as to the accuracy of the description and condition of lots.

New Bidders New buyers are required to register before bidding. This can be done in person at reception, or via email to clientservices@roseberys.co.uk.

Photographic identification, full contact details and proof of address are required. Roseberys cannot accept bids from unregistered buyers. Once registered you will be provided with a paddle which states your bidding number for the auction.

Alternatively, online bidding is available through www.thesaleroom.com and www.invaluable.com, successful online bidders are charged an additional premium of 5% + VAT. Bidders must register by 9am on the morning of the auction to be able to buy online. You will be asked to complete the registration process prior to approval.

• Telephone bidding: A limited number of phone lines for lots in the auction are available for bidders subject to a minimum threshold. A member of staff would telephone you during the auction and bid live on your behalf. Please contact reception if you would like to enquire about booking a phone line.

The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over the top estimate.

Buyer’s Premium

New International Bidders In addition to providing proof of identity, new international bidders must leave a £500 deposit the first time they register and before bidding.

Successful bidders will be refunded their deposit once they have paid for their lots. Unsuccessful bidders will automatically be refunded within a week of the auction.

The buyer shall pay the hammer price together with a premium thereon of: 25% up to £250,000 (30% inclusive of VAT), 20% from £250,000-500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT) The premium price is subject to VAT at the standard rate.

Methods of bidding

VAT

• In person: at the auction room.

VAT is not charged on the hammer price unless it is stated that there is ‘VAT applicable on the hammer price’ at the end of the description. Buyer’s premium is subject to VAT.

• Commission bid: If you are unable to attend the auction, commission bids may be left indicating the maximum amount to be bid excluding the buyer’s premium. All bids must be received at reception at least one hour before the start of the auction. Clients are also able to leave a commission bid via our website on individual lot pages. These bids are actioned on your behalf by our in-house bidding software RoseberysLive, and are not visible to the auctioneer.

• Online bidding: You can follow all our auctions live online and bid via the internet using RoseberysLive, our in-house live bidding platform.

RoseberysLive is a secure online bidding platform provided by Roseberys to enable our clients to bid online from anywhere in the world. You can register to use the service or view the auction through our website www.roseberys.co.uk.

There is no charge to use this service.

(ARR) – ARTIST’S RESALE RIGHT Qualifying living artists and the descendants of artists deceased within the last 70 years are entitled to receive a re-sale royalty each time their work is bought through an auction house or art market professional.

It applies to lots with hammer value over €1,000 as follows: 0 to €50,000 - 4%, €50,000.01 to €200,000 - 3% €200,000.01 to €350,000 - 1%, €350,000.01 to €500,000 - 0.5% Exceeding €500,000 - 0.25% ARR is capped at €12,500 Please note ARR is calculated in euros.

Auctioneers will apply current exchange rates.

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Payment Payment is required immediately after the auction and can be made in the following ways: • Cash: up to the sterling equivalent of 10,000 Euros on the day of the transaction.

• Debit and Credit cards: excluding American Express. To protect against card fraud we are unable to make ‘card not present’ transactions online or over the phone for amounts over £1000.

To make a payment of over £1000 please make a bank transfer or visit the auction house in person.

• Bank transfer: Payment is accepted via bank transfer to the following account, (International bank transfers are subject to a £25 administration fee.)

Natwest Bank plc, Bloomsbury Parr’s branch, Sort Code 60-30-06, Account number 36952613, Swift code NWBKGB2L, Iban GB80NWBK60300636952613.

• Online via www.roseberys.co.uk (up to £1,000) Clearance of Goods Roseberys requests all lots are collected within five working days following the auction. After this, storage charges of £2 + VAT per lot will apply. Please contact our Client Services team should you be unable to collect your purchases within this time and we would be happy to discuss alternative arrangements.

Delivery Roseberys is unable to pack and ship items but can suggest the following companies: London/Surrey • Capital Fine Art Move: +44 (0) 7957 209523 • Bernard Thornton: +44 (0) 7970 118762 Nationwide/International • Mail Boxes Etc: +44 (0) 20 8649 9777 Specialist Packing • Pack and Send: +44 20 8392 6990 In order to release to a third party carrier you must inform Roseberys in writing of the lot number and carrier name. Please email clientservices@roseberys.co.uk Export of goods Buyers intending to export goods should ascertain whether an export licence is required before bidding.

Export licences are issued by Arts Council England and application forms can be obtained from its Export Licensing Unit. Details can be found on the ACE website www.artscouncil.org.uk or by phoning ACE on 020 7973 5188. The need for import licences varies from country to country and you should acquaint yourself with all relevant local requirements and provisions before bidding. The refusal of any such licences shall not permit the cancelling of any sale nor allow any delay in making full payment for the lot.

Lot 88

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1 1 A Chinese porcelain qingbai dish, Southern Song dynasty, 13th century, moulded to the interior with two fish swimming amongst waves, within a Greek key border, flat glazed base, 14cm diameter 南宋 13世紀 青白釉雙魚紋洗 £200-300*

2 A Chinese qingbai porcelain lobed bowl, Song dynasty, carved to the interior with a continuous band of peonies, diameter 13cm Cf. For a related bowl dated 1200, see Peng, Dated Qingbai Wares of the Song and Yuan Dynasties, pl. 63, p.68; and also see Porcelain of the Song Dynasty (II): The Complete Collection of Treasures of the Palace Museum, no. 200, p.218; and Riely, Chinese Art from the Cloud Wampler and other collections in the Everson Museum, no.36, pp.90-1. 宋 青白釉劃花葵口盞 £4,000-6,000*

3 A Chinese pottery amber glazed figure of a foreign groom, Tang dynasty, with fists clenched, wearing short robes, 27cm high, on fitted hardwood stand, silk box, and a Chinese pottery painted figure of a horse and rider, Sui dynasty, the horse standing four square, the rider with right arm across body and with clenched fist, 31cm high Oxford Authentication Thermoluminescence Analysis Reports, confirming the suggested period of manufacture, accompanies these figures, no. C118s4 and no. C118s5 respectively. 唐 三彩胡人騎馬及站立胡人俑 （2件） £600-800*

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4 A Chinese grey pottery ‘cocoon’ jar, Han dynasty, decorated with linear bands raised on spreading circular foot, 26cm high 漢 陶扁壺 £200-400* 5 A Chinese teracotta figure of a musician, Han dynasty, modelled seated with a drum between his knees, 34cm high 18世紀 粉彩鳳紋將軍罐

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£300-500* 6 A collection of Chinese stoneware miniature green-glazed furniture furniture, Ming dynasty, comprising three chairs and three cupboards, tallest 22.5cm (6) 明 綠釉傢俱模型明器一組（6件） £600-1,000* 7 A Chinese pottery model of a pig house, Han dynasty, modelled with a single pig standing in a pen, glazed in dark green, 23cm wide, with certificate of authenticity 漢 綠釉豬圈模型 £200-300* 8 A Chinese pottery burial figure of a chicken coup and a treacle glazed hexagonal tea cannister, Han dynasty and 18th century, the coup covered in an olive-green glaze 8.5cm wide, the cannister decorated in relief with panels of floral sprays and calligraphy, 10.5cm high (2) 清 18世紀 褐釉六方茶罐 及 漢 陶雞舍模型

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£150-250* 9 A Chinese grey stoneware Cizhou ewer, Song/Yuan dynasty, deeply incised beneath the transparent pale glaze with a continuous floral design, with applied strap handle and angular spout, 19cm high 宋或元 白釉劃花花卉冰裂紋酒壺 £200-300* 10 A Chinese Neolithic grey pottery tripod vessel, Li, Xiajiadian culture, circa 1500 BCE, 22.5cm high 夏家店文化 前1500年 灰陶鬲 £500-800* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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11 11 A Chinese terracotta green glazed granary jar, Han dynasty, the cylindrical body incised with two ribs, raised on three tapering feet, 21cm high 漢 陶綠釉三足罐 隨蓋 £400-600*

12 15 A Chinese grey pottery vase, Warring States, incised with vertical lines to body, 17.5cm high 戰國 幾何紋敞口瓶 £100-200*

12 A Chinese Sichuan pottery amphora, Han dynasty, with everted rim and two strap handles, each side carved with spiral design, 16cm high 漢 陶弧耳灰壺

16 A Chinese grey pottery dish, Han dynasty, 19cm diameter, a Song dynasty bowl, 14cm diameter, a 19th century jar, and a 19th century bowl (4) 漢代陶盤宋代碗及19世紀青花罐 等陶瓷器一組 （4件）

£300-500*

£100-200*

13 A Chinese grey pottery ‘lotus leaf’ jar and cover, Five Dynasties, the sides moulded with four vertical lotus leaves, 21cm high 五代 陶蓮瓣蓋罐

17 A Chinese grey pottery tripod vessel, Han dynasty, decorated in relief to the body with a band of flowering lotus stems, 11cm diameter 漢 陶三足鼎

£200-400*

£150-250*

14 A Chinese grey pottery jar, Warring States period, with broad mouth and slightly everted rim, incised with geometric design, 15.5cm high 戰國 陶漁網紋小罐

18 Four Chinese porcelain bowls, Yuan dynasty, each with pale blue translucent glaze, three with carved foliate decoration, 15.5-17.5cm diameter 元 清白釉碗盤一組 （4件）

£150-250*

£200-300* 19 A Chinese brown glazed squat jar, Yuan dynasty, with mottled light brown glaze, flat unglazed base, 11cm diameter, and a pair of Japanese porcelain bowls painted in underglaze blue with fish, 6cm high (3) 元 棕釉陶水盛 ；日本 青花金魚 紋碗 （2件） 17

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£80-120*

15 20 A Chinese Longquan celadon bowl, Yuan dynasty, 14th century, with thick celadon glaze over grey stoneware body, decorated to the centre with a lotus flower, unglazed, redburnished base, 14cm diameter, 6cm high 元 14世紀 龍泉釉碗 £150-200* 21 A Chinese grey stoneware Longquan celadon vase, Ming dynasty, incised with floral sprays, 19.5cm high 明 龍泉釉劃花敞口瓶 £200-300*

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22 Three Chinese porcelain jarlets, Ming dynasty, 16th-17th century, each painted in underglaze blue with floral sprays, 6cm, 6.5cm, and 8cm high Provenance: Private London Collection 明 16-17世紀 青花小罐三件 £100-200 23 A Chinese grey stoneware celadon Longquan censer, Ming dynasty, incised to the exterior with floral sprays, on three mythical beast mask moulded feet, 26cm diameter 明 龍泉釉暗刻纏枝紋三足大香爐 £600-800* 23

24 A large Chinese grey stoneware Longquan celadon tripod censer, Ming dynasty, carved to the exterior with a continuous band of flowering lotus scrolls, 33cm diameter, on fitted hardwood stand Provenance: Justus Blank, Dutch East India Company, and thence by descent 明 龍泉釉三足大香爐 連木座 £1,500-2,500*

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* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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25 A Chinese Ding ware squat water pot, Ming dynasty, the pale glaze suffused with network of light brown crazing, 6.5cm diameter, on later carved wood stand, fitted rosewood silk lined box 明 白釉壺 £300-500* 26 A large Chinese pottery figure of a Buddhist lion, late Ming dynasty, modelled seated, with back glazed in tones of turquoise and yellow, 36cm high 晚明 三彩子母獅 配木座 £400-800* 27 Two Chinese porcelain wucai covers, 17th century, painted with flowering lotus and peony scrolls, 13.5cm-16.5cm 17世紀 五彩纏枝牡丹紋罐蓋；五彩纏枝 蓮紋罐蓋 £80-120* 28 A pair of Chinese porcelain ‘clobbered’ sleeve vases, Transitional period, painted in underglaze blue with officials and attendants in a mountainous landscape, later decorated with overglaze famille rose enamels, flat unglazed base, 45cm high 轉型期 青花五彩描金人物山水圖紋象足瓶 £2,000-4,000* 28

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29 A Chinese porcelain wucai vase, Transitional period, decorated to the body with two Buddhist lions amidst flowering peony scrolls, flat unglazed base, 27cm high 轉型期 五彩獅子牡丹紋罐 £400-600*

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30 A Chinese porcelain famille verte ‘phoenix’ jar, Kangxi period, decorated to the body with two long-talied phoenixes amongst dense scrolling foliage and flowering chrysanthemums and peonies, underglaze blue double-ring mark to base, 36cm high 清 康熙五彩纏枝牡丹紋罐 £600-800*

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* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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31 An extremely rare Chinese porcelain dish for the Portuguese market, Jiajing period, painted in underglaze blue to the central reserve with a dragon medallion framed by flames and leafy scrolls inside a border of stylised flowers and floral scrolls beneath a geometric border to the rim, the exterior decorated with five medallions interspersed with cloud wisps, two medallions depicting Esfera Armilar, one bearing the IHS insignia, and two depicting landscapes, 30.5cm diameter Note: This dish is part of a small group of pieces that form the first commission of Oriental porcelain for the Portuguese market. Characterised by the simultaneous presence of occidental and Oriental motifs. The present dish bears both the IHS insignia and the Edfera Armilar Royal insignia of D. Manuel I of Portugal (1495-1521) and his son D. João III of Portugal (1521-1557). The illegible inscriptions crossing the Esfera Armilar in this case and the mistakes representing the Portuguese Royal Arms in other cases are a clear sign of the lack of knowledge of the occidental symbols by the Chinese artists. 明 嘉靖 葡萄牙定制青花龍紋洗 £30,000-50,000*

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34 35 A pair of Chinese porcelain tea bowls, Kangxi period, painted in underglaze blue with bamboo and peony issuing from a rocky outcrop, 8.5cm diameter, with a pair of spelter cup stands (4) 清 康熙 青花花卉紋茶盞一對 隨蓮紋銅盞托 £100-200*

33 32 A Chinese porcelain seal paste box and cover, Ming dynasty, 16th century, painted in underglaze blue with a lotus bloom and panels of ‘precious objects’, 10cm diameter

36 A Chinese porcelain yen yen vase, Kangxi period, painted in underglaze blue with two deer and two crane in a mountain landscape, underglaze blue double ring mark to base, 28cm high, with hardwood stand and cover 清 康熙 青花山水吉祥動物紋罐 隨鏤空木蓋及座 £400-600*

Provenance: Private London Collection 明 16世紀 清花印盒 £80-120* 33 A large Chinese porcelain vase, early 18th century, with flared rim above tapering body, painted in underglaze blue with two double-gourd vase-shaped panels decorated with ‘precious objects’ on a foliate scroll ground decorated with two pairs of confronting dragons, underglaze blue double-ring mark to base, 44cm high 十八世紀初 青花開光博古圖纏枝牡丹紋象腿瓶 £1,000-1,500* 34 A Chinese porcelain dish, 17th century, with a slightly everted rim and straight footrim, painted in underglaze blue with a reclining scholar against a foliate background, underglaze blue character mark 吉玉 (‘auspicious jade’) within a double circle to base, 20cm diameter 17世紀 清花人物故事圖盤 £500-800* 36 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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37 37 Three Chinese porcelain plates, Kangxi and 18th century, comprising two similar painted in underglaze blue with flowering peonies, lotus and chrysanthemum within a lappet border, Kangxi minyao marks to bases, 26cm diameter, and a lotusdecorated plate, 22.5cm diameter (3) Provenance: Justus Blank, Dutch East India Company, and thence by descent 清 康熙/18世紀 青花菊紋盤等一組 （三件） £600-800*

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38 A Chinese porcelain ginger jar, Kangxi period, painted in underglaze blue with prunus blossom on a cracked ice ground, unmarked, 23.5cm high, with a carved hardwood lid 清 康熙 青花梅紋罐 配木蓋 £500-800* 39 A Chinese porcelain dish, Kangxi period, painted in underglaze blue with rows of lappets decorated with chrysanthemums, with engraved silver mount to rim, 22cm diameter Provenance: Justus Blank, Dutch East India Company, and thence by descent 清 康熙 青花蓮瓣開光花卉紋盤 鑲卷草紋邊 £150-250*

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40 A Chinese porcelain dish, early 18th century, painted in underglaze blue with a scholar watching two fishermen in a mountainous landscape, apocryphal Chenghua mark to base, 26.5cm diameter 18世紀初 青花山水人物紋盤 £400-600* 41 A pair of Chinese porcelain ‘Romance of the Western Chamber’ dishes, Kangxi period, each painted in underglaze blue with a different scene from the 13th century play by Wang Shifu, 20cm diameter 清 康熙 青花西廂記故事圖盤 一對 £600-800*

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42 A Chinese porcelain bowl, Kangxi period, painted in famille verte enamels with panels of chrysanthemum, peony, magnolia and lotus blossom on powder blue ground with traces of scrolling foliate gilt decoration to the exterior, and branches of flowering plum blossom to the interior, underglaze blue pictorial mark within double ring to base, 19cm diameter, on later hardwood stand 清 康熙 灑藍地開光五彩四季花卉紋描金大碗 £300-500* 43 A Chinese porcelain dish, Kangxi period, painted in famille verte enamels with a central foliate panel with branches of plum blossom on powder blue ground with traces of scrolling foliate gilt decoration, underglaze blue conch shell mark within double ring to base, 27cm diameter 清 灑藍地開光五彩花卉紋盤 £300-500* 43 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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44 Two similar Chinese porcelain dishes for the Islamic market, early Kangxi period, painted in famille verte enamels and underglaze blue, centred with a chrysanthemum surrounded by floral palmettes inside a flowering lotus scroll border, underglaze blue floral mark within a double ring to bases, 38cm diameter 清 康熙 伊斯蘭紋飾青花五彩盤 一對 £300-500* 45 A large Chinese porcelain charger, Kangxi period, painted in famille verte enamels with flowering peonies issuing from rocks inside a border decorated with auspicious objects, underglaze blue Artemisia leaf mark within a double ring to base, 37cm diameter 清 康熙 五彩花卉紋盤 45

£400-600* 46 A large Chinese porcelain dish, Kangxi period, painted in famille verte enamels with a bird perched on a willow tree amidst plum blossom and chrysanthemum, underglaze blue double ring mark to base, 34cm diameter 清 康熙 五彩花卉柳紋盤 £400-600*

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47 A large Chinese porcelain dish, Kangxi period, painted in famille verte enamels with a basket of flowers to the central reserve inside a border decorated with auspicious symbols, underglaze blue Artemisia leaf mark within a double ring to base, 38cm diameter 清 康熙 五彩花卉花籃紋盤 £600-1,000* 48 A large Chinese porcelain dish, Kangxi period, painted in famille verte enamels with a bird and butterflies amidst flowering peonies, underglaze double ring mark to base, 35cm diameter 清 康熙 五彩花蝶紋盤

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£500-800* 49 A Chinese porcelain famille verte bowl, Kangxi period, painted in enamels with alternating panels of animals in landscapes and flowering foliage, underglaze blue double ring mark to base, 22cm diameter 清 康熙 五彩蓮口開光瑞獸花卉紋碗 £400-600* 50 A Chinese porcelain shou character ewer, Kangxi period, moulded and pierced to form a shou character and painted in famille verte enamels with floral motifs, each side centred with a panel depicting Shou Lao holding a peach, the cover surmounted with a seated Buddhist lion, 22.5cm high 清 康熙五彩壽字形茶壺 £3,000-5,000*

50 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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52 51 A Chinese porcelain lotus-moulded celadon glazed ‘dragon’ bowl, Kangxi period, painted in underglaze copper red with two dragons pursuing a flaming pearl above a raised and painted lotus lappet border encircling the base, underglaze blue square hash mark within a double ring to base, 16cm diameter 清 康熙 龍泉釉釉裡蓮瓣紅龍紋碗 53

£400-600* 52 A Chinese Dehua figure of Guanyin, 17th century, modelled seated, wearing flowing robes and with serene expression, 30cm high 17世紀 德化窯觀音 £300-500* 53 A Chinese monochrome porcelain brush pot, 17th century, with allover aubergine glaze, incised with flowering lotus and two cranes, flat unglazed base, 12.5cm high Provenance: Woolley & Wallis, Lot 430, July 15th 2006 17世紀中期 紫釉仙鶴蓮花圖筆筒 £1,200-1,800* 54 A Chinese Dehua libation cup, 17th century, moulded with flowering prunus blossom, 7.5cm high 17世紀 德化窯帖塑梅紋杯 £300-500* 55 Two pairs of Chinese porcelain hounds and a pair of ‘elephant’ taper holders, 18th century, the hounds seated with heads raised and the elephants in a recumbent position, all covered in a white glaze, 5cm-7.5cm high (6) 18世紀 青白釉動物形瓷器一組 （共6件）18世紀

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£400-600* www.roseberys.co.uk

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58 56 A large Chinese porcelain charger, Yongzheng period, painted in famille rose enamels with butterflies above peonies and fruit to the central reserve, inside a floral border, unmarked, 35cm diameter, hardwood stand 清 雍正 粉彩開光蝴蝶牡丹紋盤 隨架 £500-800* 57 A Chinese export miniature tea bowl, 18th century, painted en grisaille and giltheightened with an armorial crest to the interior and a continuous banner with two landscape panels to the exterior, 5cm diameter 18世紀 墨彩描金西洋紋章瓷酒盅 £120-180* 58 A large Chinese Guangdong ware flambé glazed vase, 18th century, with pearshaped body and flared mouth, 41cm high 18世紀 窯變釉撇口尊 £500-800* 59 A large Chinese porcelain imari baluster vase and cover, 18th century, painted with an exotic bird on a rocky outcrop amidst chrysanthemum and peony blossom beneath a lotus decorated ruyi band to neck, the cover surmounted with gilt Buddhist lion finial, 54.5cm high 18世紀 粉彩鳳紋將軍罐 £4,000-6,000* 59 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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60 A pair of Chinese porcelain famille rose kingfishers, Qianlong period, each modelled perched on a pierced simulated rock base, 21cm high 清 乾隆 粉彩瓷塑鳥一對

61 A large Chinese export porcelain basin, Qianlong period, painted in underglaze blue with a continuous expansive landscape, with Buddhist lion mask handles, 30cm diameter Provenance: Justus Blank, Dutch East India Company, and thence by descent 清 乾隆 青花山水樓閣圖紋簋式大爐

£800-1,200*

£1,500-2,500*

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62 Three Chinese porcelain rice bowls and covers, 19th century, each painted in underglaze blue with a scrolling lotus flower design, 17.5cm diameter Provenance: Justus Blank, Dutch East India Company, and thence by descent 19世紀 青花纏枝蓮紋蓋碗一組 （3件） £1,000-1,500* 63 A Chinese porcelain bottle vase, 19th century, painted in underglaze blue with shou characters to the neck and flowering lotus scrolls to the body, with two chilong dragon handles, underglaze blue double ring mark to base, 34cm high 19世紀 青花卷草錦地蓮紋夔耳瓶 £300-500* 64 A Chinese porcelain beaker vase, 19th century, painted in underglaze blue and white with peony and chrysanthemum blossoms issuing from rocky outcrops, below a thin café-au-lait rim, unmarked glazed base, 22cm high 19世紀 青花開光昆蟲花卉圖紋觚 £200-300* 65 A Chinese porcelain small bottle vase, 19th century, painted in underglaze blue with butterflies above chrysanthemum and crab apple blossom, apocryphal underglaze blue Kangxi mark to base, 12cm high 19世紀 青花花卉紋長頸瓶

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66 A Chinese porcelain underglaze blue and celadon bowl, early 19th century, decorated to the interior with five bats, wufu encircling pomegranates, peaches, and a finger citron, the exterior decorated with the Eight Buddhist Emblems interspersed with floral sprays, unmarked, 29cm diameter Provenance: This is accompanied by an appraisal

by Gump’s dated May 196 19世紀 龍泉釉青花吉祥紋碗 £2,000-3,000*

£300-500* 66

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67 Five Chinese porcelain ‘double happiness’ pieces, 19th century, each painted in underglaze blue with trailing vines, comprising large baluster vase, 60cm high, jar with wood cover, 23cm high, baluster vase, 35cm high, and two dishes, 9 and 15cm diameter (5) 19世紀 青花囍字紋瓶及青花纏枝花卉 紋蓋罐，盤等一組 （5件） £600-1,000* 68 A Chinese porcelain bowl, late 19th century, painted in underglaze blue with a dragon to the central reserve, and two dragons to the exterior, apocryphal underglaze blue four-character Kangxi mark to base, 23cm diameter 19世紀 青花龍穿花卉紋碗‘康熙年制’ 四字青花楷書款 £200-300*

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69 A Chinese porcelain jar and wufu celadon glazed dish, 18th and 19th century, the jar painted in underglaze blue with auspicious objects, 21cm high, the dish painted with five bats around a central shou character, 28cm diameter (2) 18世紀 青花五蝠盤 及 19世紀 青花 清供紋罐 £300-500* 70 A Chinese porcelain dish, early 20th century, painted in underglaze blue and white with scholars to the exterior and a figure crossing a bridge to the interior, underglaze blue double ring mark to base, 12cm diameter 20世紀 青花“福祿壽三星”折沿盞

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£150-250*

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71 A Chinese porcelain ‘lança character’ stem cup, Qianlong mark and of the period, painted in underglaze blue to the interior with a stylised peony medallion within a double ring, the flared sides decorated with eight lança characters within flowering lotus stems issuing from acanthus leaves, the underside painted with a frieze of lotus lappets, above a tall spreading foot, 13.6cm high Provenance: Ex. English private collection Cf. A similar smaller version of this stem cup is in the National Palace Museum, Taipei, published in Illustrated Catalogue of Ch’ing Dynasty Porcelain in the National Palace Museum. Republic of China.

Ch’ien-lung Ware and Other Wares, vol. 2, Tokyo, 1981, pl. 13 A stem cup of the same size sold with Sotheby’s, New York, Important Chinese Art 21 March 2018, lot 527 清 乾隆款及時代 青花纏枝蓮紋梵文高足碗 £6,000-8,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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72 A Chinese porcelain Kangxi style jardinière, 19th century, painted in underglaze blue with a battle scene, 17.5cm high 19世紀 青花三英戰呂布圖紋缸

76 A Chinese porcelain jar and cover, 18th/19th century, painted in underglaze blue with a continuous expansive landscape, 11cm high 18/19世紀 青花山水紋蓋罐

£200-400*

£300-500*

73 Two Chinese porcelain vases, late 19th century, each painted in underglaze blue with blossoming prunus branches, 26 and 24cm 19世紀 青花梅紋花觚 及 青花梅紋長頸瓶

77 A pair of large Chinese porcelain rouleau vases, 19th century, painted in underglaze blue with prunus blossom, 44cm high (2) 19世紀 青花冰梅紋棒槌瓶

£100-200*

£300-500*

74 A large Chinese porcelain ovoid jar and cover, mid-19th century, painted in underglaze blue with prunus blossom on a cracked ice ground, underglaze blue double ring mark to base, 34cm high Provenance: Justus Blank, Dutch East India Company, and thence by descent 19世紀 青花冰梅紋蓋罐 £500-800* 75 A large Chinese porcelain jar and cover, late 19th century, painted in underglaze blue with two confronting dragons on a leafy flowering peony ground, apocryphal four-character Kangxi mark to base, 30cm high 19世紀 青花牡丹紋蓋罐 £400-600*

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78 A large Chinese porcelain ginger jar, 19th century, painted in underglaze blue with prunus blossom, bears underglaze blue Kangxi mark to base, 25cm high, with a carved hardwood lid and stand 19世紀 青花冰梅紋罐 隨木雕蓋及底座 £300-500* 79 Two Chinese porcelain jars, 19th century, each painted in underglaze blue, one with precious objects on a celadon ground, 20.5cm high, the other painted with four boys in a procession, 22.5cm high 清 19世紀 青花人物故事紋蓋罐 及 青花清供紋蓋 罐 （2件） £200-400* 80 A Chinese porcelain deep bowl, early 19th century, painted to the central reserve with a vase of flowering lotus stems inside a bird and flower border, 28cm diameter 19世紀 青花四季花卉紋盤 78

£150-250* 81 A collection of Chinese porcelain dishes, 18th century, painted in underglaze blue with hanging baskets of flowers within double ring borders, several bearing underglaze blue apocryphal seal marks within double rings to bases, 14cm-19cm diameter (17) 18世紀 青花清供圖紋盤 一對 £300-500* 82 A Chinese porcelain underglaze blue and yellow enamel rouleau vase, late Qing dynasty, decorated throughout with a continuous scrolling flowering lotus pattern, unmarked, 30cm high 晚清 黃地青花纏枝蓮紋瓶 £100-200*

83 Two Chinese porcelain rectangular funerary boxes and covers, mid-19th century, each painted in underglaze blue with flowering foliage, each inscribed to inside, one dated 1846, 16.5cm and 11cm long 19世紀 青花開光菊紋供盒 兩件 £200-300* 84 A pair of Chinese porcelain small bottle vases, late Qing dynasty, painted in underglaze blue with a continuous mountain landscape, 19cm high 晚清 青花山水紋瓶子一對 £100-200*

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85 85 Five Chinese porcelain dishes, 19th century, painted in underglaze blue and iron red with koi carp, 22cm diameter (5) 19世紀 青花魚紋盤一組 （5件） £100-200*

86 A Chinese porcelain baluster vase, 18th/19th century, painted in underglaze blue with an official surrounded by soldiers in a garden landscape, underglaze blue double-ring mark to base, 45cm high 18/19世紀 青花三國故事紋瓶 £600-800* 87 A Chinese porcelain hexagonal bowl, Jiaqing mark and of the period, painted in underglaze blue with panels of confronting archaistic phoenixes amidst flowering lotus scrolls, underglaze blue seal mark to base, 17.5cm diameter, later wood stand 清 嘉慶款及時代 青花纏枝鳳紋六方倭角碗 隨木座 £400-600*

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88 PLEASE NOTE: ALL BIDDING ON THIS LOT IS SUBJECT TO A DEPOSIT WHICH MUST BE MADE BY 1700 GMT ON 10 NOVEMBER. CONTACT CLIENT SERVICES FOR MORE INFORMATION AND TO REGISTER TO BID 88 A Chinese porcelain Ming-style facetted vase, Qianlong mark and possibly of the period, thickly potted with lipped rim above two moulded mythical beast mask handles to cylindrical neck, the square body with chamfered corners above spreading pedestal foot, painted to the neck and body with a continuous leafy scroll of morning glory with one flower to each side, painted to the base of neck and foot with band of lappets, underglaze blue seal mark to base, 24cm high Provenance: Formerly in a private UK collection, acquired in 1930s Note: This form of vase first appears in porcelain in China in the 15th century. It was a form much admired by the Yongzheng Emperor, and several examples are known to exist which bear his reign mark. A Qianlong mark and period vase of the same height as the present vase is owned by the Shanghai Museum, and is illustrated in Lu Minghua, Shanghai Bowuguan zangpin yanjiu daxi/Studies of the Shanghai Museum Collections: A Series of Monographs. Shanghai 2007, pl. 5-20 清 乾隆款及時代 青花纏枝鳳紋六方倭角碗 隨木座 £30,000-50,000* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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93 89 Six Chinese porcelain plates, 18th and early 20th century, comprising four export plates painted in underglaze blue with landscapes, 23cm diameter, and a pair of yellow ground enamel decorated plates, 25cm diameter (6) 18世紀 粉彩黃地花卉紋盤 一對 嘉慶款 及 20世紀 青花山水紋盤 四件 （6件）

92 Two Chinese porcelain brush pots, late 19th/early 20th century, each painted in underglaze blue with auspicious objects, 11.5cm and 9cm high 19/20世紀初 青花博古紋筆筒 （2件） £120-180*

90 Two Chinese porcelain bowls, 19th century, painted in underglaze blue with flowering lotus scrolls, 11 and 14.5cm diameter 19世紀 青花纏枝花卉紋碗；青花纏枝蓮紋碗 ‘春 玉’款 （2件）

93 Two Chinese export porcelain canted rectangular dishes and a cylindrical teapot, 18th19th century, each painted in underglaze blue, one dish decorated with two deer beside a lingzhi fungus, 32cm wide, the other decorated with floral sprays, 34cm wide, the teapot decorated with a continuous landscape, 12cm high 18/19世紀 外銷瓷盤及茶壺（3件）

£80-120*

£300-500*

91 A Chinese porcelain four section stacking box, 19th century, painted in underglaze blue with stylised lotus flowers and leafy scrolls, unmarked, 14cm high 19世紀 青花花卉紋多層蓋盒

94 A Chinese porcelain jar, early 20th century, painted in underglaze blue with inscription and chrysanthemum sprays, 13cm high 20世紀初 青花花卉詩文罐

£200-400*

£120-180*

£80-120* 95 Two Chinese porcelain plates, 18th and 19th century, each painted in underglaze blue, both unmarked, 23 and 25cm diameter 18/19世紀 青花山水訪友圖紋盤 及 青花菊花蟲鳥 圖盤 （2件） £80-120* 96 Two similar Chinese porcelain baluster vases, 19th century, painted in underglaze blue on a celadon ground with a phoenix and flowering peonies, and various precious objects, 40cm high, and a similar single vase, all converted to lamps (3) 19世紀 青花清供紋大瓶 （3件） £300-500* 97 A pair of Chinese porcelain monochrome vases, yuhuchunping, late 20th century, with allover sang de boeuf glaze, white glazed interior, apocryphal seal mark to base, 36cm high 20世紀 紅釉玉壺春瓶一對 ‘景德鎮制’款

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98 A Chinese Dehua porcelain baluster vase, late Qing dynasty, applied to the neck with two chilong dragons pursuing a pearl, unmarked glazed base, 23cm high 晚清 白釉帖塑龍紋觀音瓶 £200-300* 100

99 A Chinese porcelain monochrome bottle vase, tianqiuping, late Qing dynasty, with allover black glaze, bears underglaze blue Qianlong mark to base, 31cm high 晚清 醬釉天球瓶 乾隆款 £1,200-1,800* 100 A Chinese monochrome porcelain vase, tianqiuping, 19th century, with allover apple-green glaze suffused with black crackle, white glazed, unmarked base, 31cm high Note: For a similar 18th century example see Christies, New York, Fine Chinese Ceramics and Works of Art, 14-15th September 2017, Lot 1240.

19世紀 綠釉小天球瓶 £200-300* 101 A Chinese monochrome porcelain vase, 18th/19th century, with allover apple-green glaze suffused with dark veins, 29cm high Provenance: Justus Blank, Dutch East India Company, and thence by descent 18/19世紀 綠釉冰裂紋撇口瓶 £800-1,200* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

101

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102 A Chinese porcelain celadon baluster vase, 19th century, with moulded decoration depicting a heron in a lotus pond, with pierced archaistic dragon handles to neck, unmarked, 33cm high 19世紀 龍泉釉夔龍耳雕蓮池仙鶴紋瓶 £300-500* 103 A Chinese monochrome porcelain rectangular vase, hu, Qianlong mark, with allover celadon glaze and moulded archaistic decoration, 28cm high Provenance: Justus Blank, Dutch East India Company, and thence by descent 19世紀 粉青釉方壺 “大清乾隆年制”篆書刻款 £800-1,200* 104 A Chinese porcelain flambé bottle vase, tianqiuping, 18th/19th century, the deep purple glaze with red streaks running down from the neck leaving a sesame coloured band at the rim, unglazed base, 19.5cm high 18/19世紀 窯變釉長頸小瓶 £300-500* 104

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105 A Chinese monochrome porcelain bottle vase, 18th century, with allover copper-red glaze, 31.5cm high Provenance: Justus Blank, Dutch East India Company, and thence by descent 18世紀 紅釉膽瓶 £1,200-1,800*

105

106 A large Chinese grey stoneware sang de boeuf meiping vase, 18th/19th century, with allover mottled dark red glaze, crackle glazed base, 31.5cm high Provenance: Spink & Son paper label to base 18/19世紀 紅釉梅瓶 £2,000-3,000*

106

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107 A rare Chinese porcelain ‘Eight Horses of Mu Wang’ brush pot by Chen Guozhi, 19th century, carved in relief with three grooms and eight horses in a continuous landscape, with opaque lemonyellow glaze, the rim and broad footrim finely incised to imitate bamboo, four-character seal mark to base, 14cm high 19世紀 黃釉穆王八駿瓷雕筆筒 £3,000-5,000*

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108 A Chinese monochrome porcelain bottle vase, Qianlong minyao mark and of the period, with allover sacrificial blue glaze, 38cm high, on carved wood stand Provenance: Justus Blank, Dutch East India Company, and thence by descent 清 乾隆款及時代 霽藍釉直頸瓶 £3,000-5,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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109 109 A rare Chinese porcelain monochrome meiping, Qianlong mark and of the period, finely gilt-painted to the body with a band of flowering lotus scrolls, the neck and shoulder decorated with bands of stiff leaves, Greek key, and ruyi lappets, underglaze blue seal mark to base, 16.5cm high Cf. For a similar vase, see Sotheby’s Fine Chinese Ceramics & Works of Art, 6th November 2013, Lot 158 清 乾隆款及時代 藍地描金纏枝蓮紋瓶 £10,000-20,000*

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110 A Chinese porcelain boat-shaped dish, Jiaqing mark and of the period, gilt-painted on a coral ground with bats and lotus blooms around shou characters and double-happiness symbols, turquoise glaze to interior and base, iron-red seal mark to base, 14.5cm long 清 嘉慶款及時代 紅地描金囍壽蓮紋船形碗 £500-800* 111 A Chinese porcelain ‘dragon and phoenix’ bowl, Guangxu mark and of the period, painted to the exterior in famille rose enamels with a phoenix pursuing a dragon pursuing a flaming pearl amidst clouds and flames, iron-red six character mark to base, 14cm diameter 清 光緒款及時代 粉彩龍鳳紋碗

112

£300-500* 112 Three Chinese porcelain ‘birthday’ saucers, Guangxu marks and of the period, painted in famille rose enamels on a yellow ground with flower blossoms and wave patterns throughout, with four roundels containing auspicious characters, iron red six-character mark to bases, 12.5cm diameter, and a cup bearing a similar design (4) Note: The pattern bears the auspicious message ‘wan shou wu jiang’, which symbolises boundless longevity. 清 光緒款及時代 粉彩山水雲紋‘萬壽無疆’杯及託 盤 （共4件） £300-500* 113 A large Chinese porcelain baluster vase, 19th century, painted in famille rose enamels with five deities on various mythical beasts, apocryphal iron red Qianlong seal mark to base, 43cm high 十九世紀 粉彩道教神仙禦獸鳳尾尊 £1,500-2,500*

113 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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114 A pair of Chinese porcelain food warming vessels, Tongzhi period, painted in famille rose enamels with deities and warriors, and with chrysanthemum blooms to liner interior, unmarked, 16cm high 清 同治 粉彩戲曲人物紋圓蓋盒 一對 £400-600* 115 A large Chinese porcelain vase, gu, mid-19th century, painted in enamels and gilt heightened with fish swimming amongst pond weeds, unmarked, 40cm high 19世紀 粉彩魚藻紋觚 £300-500* 116 A Chinese porcelain wucai lobed jar, Qing dynasty, painted in enamels to the body with dragon medallions inside lotus flower and scroll spandrels, apocryphal Jiajing mark to base, with assiciated cover, 35cm high

115

Provenance: Acquired from the collection of Maurice Stewart Collis (1889-1973) 清 五彩龍紋將軍蓋罐 £400-600* 117 A Chinese porcelain underglaze blue and copper-red tea bowl, late Qing dynasty, decorated with four lotus blooms each above a cloud motif, apocryphal Chenghua mark to base, 8cm diameter 晚清 青花釉裡紅蓮紋碗 £400-600*

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118 A pair of Chinese porcelain vases, Tongzhi period, painted in famille rose enamels to two circular panels with roosters and partridges amid peonies, bamboo sprays, and chrysanthemum, on a lime green ground painted with floral motifs, turquoise glazed to interior and base, traces of iron red Qianlong seal mark to base, 20cm high, on later wood stands 清 同治 綠地開光山水鳥紋瓶子 一對

119

£700-1,000* 119 A large Chinese porcelain Dayazhai-type en-grisaille decorated baluster vase, late 19th century, moulded to simulate a sack tied with a ribbon at the neck, the neck and shoulder applied with two turquoise glazed chi-long dragons, the body finely painted with blossoming peony branches on a yellow ground, unmarked, 45cm high 19世紀 黃地墨彩花卉紋花口瓶 £500-800* 120 A Chinese porcelain ‘mythical beasts’ bottle vase, 19th century, painted in famille verte enamels with a dragon to the neck above three mythical beasts to the body, unmarked, 24cm high 19世紀 五彩麒麟紋瓶 £200-300*

120 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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121

121 A Chinese yixing melonform teapot, 19th century, with Buddhist lion finial, incised to the body with a landscape and a poem to reverse, impressed seal mark to base, 18cm long Provenance: Justus Blank, Dutch East India Company, and thence by descent 山水詩文青灰泥紫砂壺 款 £200-400* 122 A Chinese porcelain Guantype scroll weight, 18th century, modelled as a recumbent deer covered in a thick grey-ish glaze suffused with a network of dark lines, 7.5cm long 官窯釉瓷鹿鎮紙 £600-800* 123

123 A Chinese porcelain wucai garlic-head vase, late Qing dynasty/ Republic period, decorated with two dragons amidst clouds and flames, beneath flowering lotus scrolls to the neck, apocryphal Xuande mark to rim, 22.5cm high 清 五彩龍紋蒜頭瓶 £600-800* 124 Two Chinese porcelain bowls, 19th-early 20th century, one painted in underglaze blue with a continuous scene depicting a fishing village, the other painted in enamels depicting The Eight Immortals, 6.5cm and 7cm high (2) 19至20世紀 青花山水漁樂圖碗，‘ 宣德年制’ 四字楷書款；五彩童子 八仙和合二仙碗，‘雍正年制’ 四 字楷書款（共2只） £150-250* 125 Five pieces of Chinese famille rose export porcelain, 18th-early 19th century, comprising pair of vases painted with panels of figures at court, 23cm high, a Canton vase and cover, 32cm high, and two bowls, 22cm diameter 18/19世紀初 粉彩外銷瓷一組 （5件） £200-300*

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126 Ten pieces of Chinese export porcelain, 18th-19th century, comprising a mug, 16.5cm high, sparrow beak jug, circular box and cover, jug and stand, three cups and two saucers (10).

18/19世紀 紋章瓷飲具等外銷瓷一組 （10件） £200-300* 127 A large Chinese porcelain baluster jar, early 20th century, painted in famille rose enamels with two panels decorated with precious objects on a ground decorated with peonies, peaches, lotus, chrysanthemum, bats and butterflies, apocryphal six-character Kangxi mark to base, 48cm high 20世紀 粉彩開光清供吉祥紋罐 £1,000-1,500* 128 Five Chinese export porcelain dishes/plates, 18th and 19th century, comprising one canted rectangular plate painted in famille rose enamels with floral sprays, 25.5cm wide, a similar underglaze blue painted example, 20 x 29cm, and three lotus-decorated saucer dishes, 15 - 18cm diameter (5) 18/19世紀 粉彩及青花瓷盤碗等一組 （5件）

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£200-300* 129 A Chinese provincial earthenware kettle, late 19th century, with allover dark green glaze, 19cm high Provenance: Justus Blank, Dutch East India Company, and thence by descent 19世紀 綠釉提梁藥壺 £150-250* 130 A Chinese porcelain deep bowl, early 19th century, painted in famille rose enamels to the central reserve with a bird perched on a prunus branch inside a border of auspicious objects, 29cm diameter Provenance: Justus Blank, Dutch East India Company, and thence by descent 19世紀 粉彩博古紋喜上眉梢花卉紋折沿大碗

132 A pair of Chinese porcelain jars and covers, late 19th century, each painted in famille rose enamels with a procession scene, 22cm high Provenance: Justus Blank, Dutch East India Company, and thence by descent 19世紀 粉彩’麒麟送子’紋罐 一對 £400-600* 133 Nine pieces of Chinese porcelain, late 19th-early 20th century, comprising three bowls, 22 - 17cm diameter, two small dishes, a teapot, two boxes, and an ink pot, each painted in famille rose enamels (9) 19世紀末/20世紀初 粉彩盤碗一組 （9件） £150-250*

£300-500* 131 A Chinese porcelain bottle vase and a lidded jar, late 19th century, the bottle vase painted in famille rose enamels with panels of figures on a ground decorated with flowers, butterflies and auspicious objects, 29cm high, the jar and cover painted with a ladies and boys in a continuous garden landscape, 25cm high (2) Provenance: Justus Blank, Dutch East India Company, and thence by descent 19世紀 粉彩鑲口開光人物故事花鳥博古紋瓶 及 五 彩仕女童子圖紋瓶

132

£200-400* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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134 A Chinese porcelain doucai ‘lotus’ bowl and a pair of famille rose dishes, late 19th - early 20th century, the bowl painted with lotus blooms connected by meandering leafy scrolls, 13.5cm diameter, the dishes, 15.5cm diameter 19世紀末/20世紀初 鬥彩花卉紋盤 （2件）及青花 描金纏枝蓮紋碗 £150-250*

135 A Chinese porcelain dish, 19th century, with a gilt scalloped rim, painted in famille rose enamels with scholarly objects and peony blossoms to the interior, apocryphal iron red Guangxu seal mark to base, 20cm diameter, and two 20th century bowls (3) 1949 中華聖公會港粵教區百週年紀念白瓷碗；粉彩 ‘四季平安’碗；粉彩古玩圖紋葵口盤 ‘大清嘉慶 年制’礬紅篆書款 （3件） £150-250* 136 Five pieces of Chinese famille rose porcelain, 19th-early 20th century, comprising circular brushwasher, 16cm diameter, rectangular jardiniere, 15.5cm wide, and three dishes, 14 and 18cm diameter 19世紀末/20世紀初 粉彩瓷器一組 （5件） £200-400*

138

137 A Chinese porcelain leaf-shaped footed dish, 19th century, painted in famille rose enamels with insects amongst chrysanthemum sprays and peaches, with lotus blooms to the underside, painted iron red seal mark to base, 24cm diameter, and a porcelain ‘dragon’ dish, 19cm diameter (2) 19世紀 粉彩五龍戲珠紋碟；粉彩昆蟲花卉紋花口高足盤 £200-300* 138 A Chinese porcelain butterfly form bowl, Tongzhi mark and of the period, painted in famille rose enamels with a stylised butterfly, iron-red seal mark to base, 20.5cm wide 清 同治款及時代 粉彩蝴蝶紋隨形碗 £300-500* 139 A pair of Chinese porcelain stem bowls and two brush pots, 19th century, the stem bowls painted to the interior with irises, 11cm diameter, one brush pot shaped as a butterfly and painted with ladies in a garden landscape, 11.5cm high, the other painted with two celestial rams beneath a pine tree, 9.5cm high (4) 19世紀 五彩瓷供盤一組 及 粉彩人物筆筒兩件

139 38

£200-300* www.roseberys.co.uk

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141 140 140 A Chinese porcelain barrel-form garden seat, early 20th century, the dished top pierced with a cash symbol, painted in famille rose enamels with birds perched on flowering wisteria, 48cm high Provenance: Sothebys London, Alexander Iolas, 25th May 2017 lot 140 20世紀初 粉彩喜上眉梢瓷繡墩 £1,500-2,500* 141 A Chinese wucai porcelain gu vase, late Qing dynasty, painted to the neck and base with dragons amid clouds and flames, unmarked, 24cm high 晚清 五彩雲龍紋開光壽字紋觚 £400-600* 142 A Chinese porcelain ewer, 19th century, painted in famille rose enamels on yellow ground with a dragon and phoenix to the central reserve, surrounded by lingzhi clouds and scrolling foliate decoration, 26.5cm high 19世紀 黃地粉彩酒壺

142

£300-500* 143 A pair of Chinese porcelain baluster vases, late 19th century, painted in famille rose enamels with fighting soldiers, on a crackle glazed ground, with moulded peach handles, and another baluster vase depicting a battle scene, tallest 30.5cm high 19世紀末 粉彩人物故事圖瓶 一對 £100-200* 144 A Chinese porcelain jar, late 19th century, painted in famille verte enamels depicting a man riding on horseback alongside an attendant and a domestic scene, 17cm high 19世紀末 五彩人物故事圖罐 £100-200* 144 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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145 A large Chinese porcelain bottle vase, tianqiuping, early 20th century, painted in famille noire enamels depicting a battle scene involving Daoist deities taken from the Ming-dynasty novel ‘The Legend of Deification’, 51cm high 20世紀初 五彩人物故事圖天球瓶 £1,000-1,500* 146 A large Chinese porcelain vase, tianqiuping, Republic period, painted in enamels with exotic birds amidst pine, prunus, and chrysanthemum, dated to 1944, 54cm high 1944 粉彩花鳥紋天球瓶 £2,000-4,000* 147 A Chinese porcelain teapot, Republic Period, painted in famille rose enamels with figures fishing set against a mountainous backdrop, bears Xianfeng mark to base, 11cm high 民國 粉彩山水漁樂圖茶壺 礬紅‘大清咸豐年制’篆 書款

146

148 A Chinese eggshell porcelain bowl, 20th century, painted in famille rose enamels with birds resting amongst plum blossom, painted blue enamel seal mark to base, 18cm diameter 20世紀 粉彩梅紋碗 £80-120* 149 A pair of Chinese porcelain cylindrical vases, Republic period, painted in underglaze blue with the ‘hundred boys’ pattern, unmarked base, 28.5cm (2) Provenance: ‘Ray Manhattans Collection’ paper label to base 民國 青花‘百子圖‘直筒花觚一對 £300-500*

£200-300*

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150 A pair of Chinese porcelain monochrome cups, Republic period, with lemon glaze to the exterior, apocryphal underglaze blue four character Daoguang mark to bases, 5.5cm high 20世紀 黃釉茶盅一對 £100-200* 151 A Chinese porcelain baluster vase, Republic period, painted in famille verte enamels with scholars in a wooded landscape, two engaged in a game of wei qi, apocryphal Daoguang seal mark to base, 31cm high 清 道光 粉彩山水人物紋象首鳳尾尊 ‘大清光緒年 制’礬紅篆書款 £400-600* 152 A Chinese porcelain wrist rest, 20th century, painted in famille rose enamels with a bird resting on a branch amidst flowering chrysanthemum blossoms, 16.5cm long 20世紀 粉彩花卉雀紋臂擱

151

£200-300*

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* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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154 153 A Chinese porcelain seal paste box and cover, Republic period, painted in underglaze blue and copper-red with two scholars engaged in a game of wei qi, 7.5cm diameter 民國 青花山水人物圖紋盤 £600-800* 154 A set of four Chinese porcelain teabowls, Republic period, painted in famille rose enamels with flowering peonies, apocryphal Daoguang marks to bases, 6.5cm high (4) 民國 粉彩牡丹紋茶杯一組 礬紅‘大清光緒年制‘篆書款（4件） £200-300* 155 A Chinese porcelain moon flask, 20th century, painted in famille rose enamels to the central reserve with a crane perched on a branch looking out towards the sunset, the reverse with a collection of flowering plants, on a pale peach ground with flowering plum blossom, with two blue-glazed elephant head handles, 31cm high 民國 淺橘地梅紋開光松枝立鶴圖像耳抱月瓶 £200-300* 156 A set of four small Chinese porcelain rectangular plaques, 20th century, each painted in enamels with a scholar teaching a boy, 20 x 12cm, framed 20世紀 高士授童子瓷板畫一組（4件）

155

£120-180*

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157 A set of four small Chinese porcelain rectangular plaques, Republic period, painted with carp swimming amongst pond weed, 26 x 7cm, in wood frames 民國 池塘魚趣粉彩瓷板一組 （4 件） £300-500* 158 A set of four large Chinese porcelain rectangular plaques, Republic period, painted with exotic birds amongst foliage, 73 x 21cm, in carved wood frames 民國 四季花鳥瓷板四聯屏

157

£800-1,200*

158 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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159 159 A Chinese porcelain rectangular plaque by Wang Yeting (1884-1942), Republic period, painted with two figures in a boat in an extensive landscape, inscribed with poem and artist’s seal mark, hardwood frame, 26cm x 38cm Provenance: Purchased from Peter Wain 23rd November 1997. A copy of the original receipt accompanies this lot 汪野亭 (1884-1942)款 山水瓷板 畫 £2,000-3,000*

160 A Chinese porcelain rectangular jardinière, Republic period, painted in famille rose enamels with a bird perched on a branch amidst flowering plum blossom, two figures in a mountainous landscape, a crane standing in water beside lotus blooms, and precious objects, 23.5cm long 民國 粉彩花鳥山水人物清供圖四 方花盆 £300-500*

161 A pair of Chinese porcelain jardinières, Republic period, finely painted in famille rose enamels with goats and children carrying auspicious objects, with iron red bats flying overhead, painted iron-red Lín zh chéng xiáng marks to base, 27.5cm long (2) Note: These jardinières bear messages of good fortune and prosperity for the New Year, suggested by the presence of ‘three goats welcoming spring’ (‘sanyang kaitai’). 民國 粉彩童子三羊啟泰橢圓花盆 一對 £500-800*

160

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162 A Chinese porcelain brush washer, xi, 20th century, painted in underglaze green and black with koi fish swimming amongst aquatic foliage to the interior, and a coastal landscape to the exterior, underglaze green inscription to base that reads ‘made by the Mofan (fine model) ceramic company of Hunan Province’, 13cm diameter

162

Note: Located in Liling city in South China, the Mofan ceramic company was founded in 1907 and became a known porcelain producing company in the Republic period, and its production continued in the 20th century.

20世紀 粉彩山水魚紋洗 ‘湖南模 範窯業工場制‘款 20世紀

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£300-500* 163 A Chinese porcelain garlichead vase, mid-20th century, finely painted to the bulbous body with a father and son repairing a railroad in a winter landscape, iron red Jingdezhen factory seal mark to base, 25cm high Provenance: Peter Wain collection label to base 民國或更晚 鐵路人物故事圖 瓶 £500-800*

164

164 Four pieces of Chinese porcelain, late 20th century, comprising brush pot, 14cm high, tea bowl, 4.5cm high, and two seal paste jars, 7cm and 5cm diameter, each painted in enamels with birds and flowering foliage, three signed Zhai Xiao Xiang, also a Song dynasty qingbai box and cover, 7cm diameter (5) Provenance: Ex. Peter Wain Collection 瓷器一組 翟筱翔款（3件）；宋 青白釉蓋盒等 （5件） £600-800* 165 A Chinese porcelain underglaze blue and copper red dish, 19th century, decorated with birds amidst blossoming prunus, 25cm diameter, and three similar smaller dishes, 22.5cm diameter 19世紀 青花盤一組 （4件）

165

£400-600* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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170 Two large Chinese Canton porcelain famille rose punch bowls, early 20th century, each decorated with alternating panels of figures and floral sprays, 34 and 36.5cm diameter 20世紀 廣彩人物故事紋碗 £200-400* 171 A pair of Chinese Mingstyle pottery sancai glazed roof tiles, late Qing dynasty, each depicting a horse and rider, glazed in tones of brown, green and yellow, 25cm high (2) 晚清 三彩瓷塑胡人牽馬琉璃瓦一對 £400-600* 172 A Chinese miniature egg shell porcelain baluster vase, late Qing dynasty, 8cm high 晚清 白釉小瓶 £100-150* 173 A Chinese porcelain bowl, 20th century, painted in famille rose enamels with floral sprays, 9cm diameter 20世紀 粉彩花卉紋碗 £200-300*

169

166 A Chinese porcelain ogee bowl, 19th century, painted in famille rose enamels on a sgraffito lime green ground with peonies, apocryphal underglaze blue Qianlong seal mark to base, 18cm diameter 19世紀 綠地粉彩花卉紋碗 乾隆 款 £80-120* 167 A Chinese porcelain pink ground baluster vase, 19th century, painted in famille rose enamels with insects and fruit, gilt metal mounted base, 35.5cm high, and a decorative porcelain hu vase, 24cm high (2) 19世紀 粉地添彩花卉紋瓶 及 羊 首耳青花海水人物故事尊

168 A Chinese porcelain circular box and cover, early 20th century, painted in enamels with a scholar in a landscape, 15cm high 20世紀初 粉彩山水人物紋蓋罐 £80-120* 169 A pair of large Chinese porcelain baluster vases, 20th century, painted in famille rose enamels with exotic birds amidst blossoming peony on a celadon ground, 60cm high 20世紀 牡丹松樹綬帶鳥紋詩文瓶 子 一對

174 A pair of Chinese blanc de chine porcelain cups, Republic period, moulded with floral sprays, 6.5cm diameter 民國 白釉茶盅 一對 £120-180* 175 A Chinese porcelain wine cup, 20th century, painted in famille verte enamels with riders on horseback in a continuous landscape, apocryphal character marks to base, 4.5cm high 20世紀 粉彩山水人物紋茶盅 £300-500*

£1,200-1,800*

£200-300*

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176 176 A Chinese porcelain ‘millefleurs’ bowl, Republic period, painted in famille rose enamels to exterior with a dense pattern of flowers, iron red six-character Guangxu mark to base, 21cm diameter 民國 粉彩百花不露地紋葵口盤 ‘大清光緒年制’ 礬紅楷書款 £300-500* 177 A Chinese porcelain flambé garlic-head vase, Republic period, the neck covered in a lilacblue glaze, running down the body into a rich red and purple glaze suffused with milky streaks, unmarked glazed base, 32cm high 民國 鈞窯釉窄口荸薺瓶 £300-500*

177 179 A Chinese porcelain Kangxi style shou character ewer, 20th century, painted in famille verte enamels, apocryphal Kangxi mark to base, 18.5cm high 20世紀 五彩壽字形茶壺 康熙款 £200-300*

178 A Chinese stoneware flambé glazed vase, Republic period, with flared rim and slender neck, unmarked, 31cm high 民國 鈞窯釉鳳尾尊 £120-180*

180 Six Chinese porcelain bowls, 19th century, painted in famille rose enamels, iron red seal marks to bases, 9-22cm wide 19世紀 粉彩龍紋方口碗等六件；粉彩壽字紋橢圓碗 £200-300*

180 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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183

181 A Chinese porcelain ogee ‘mythical beasts’ bowl, late Qing dynasty, painted in underglaze copper red with dragons, celestial rams, flying fish, and a kylin, on a ground incised with waves, apocryphal incised Xuande mark to base, 19cm diameter 晚清 釉裡紅瑞獸紋碗

182 A pair of Chinese porcelain sang de boeuf bottle vases, late Qing/Republic period, with flared rims, unmarked, 22cm high 晚清/民國 紅釉撇口瓶一對

183 A pair of Chinese porcelain dishes, 19th century, painted in famille rose with peonies on a green ground, unmarked, 32cm diameter 19世紀 粉彩纏枝花卉紋盤 一對

£300-500*

£150-250* 184 A Chinese porcelain ovoid vase, 20th century, painted with two birds amidst blossoming foliage, bears underglaze blue Wang Bu mark, 10cm high 20世紀 粉彩山水圖罐

£800-1,200*

£300-500* 185 A Chinese Junyao water pot, early 20th century, of lotus-bud form, with a cracklesuffused greyish-blue glaze above the foot, decorated with a single purple splash, unmarked glazed base, 11cm high 20世紀初 鈞窯釉桃形水盂 £200-300* 184 48

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186 Two Chinese porcelain dishes, Republic period, each painted in the millefleurs design, one bearing a Guangxu mark, the other a Qianlong Zianzhi mark, 33cm diameter 民國 粉彩百花圖盤 （2件）楷書 ‘乾隆年制’紅彩 款 及 ‘大清光緒年制’紅彩篆書款 £600-800* 187 A Chinese porcelain vase, 20th century, painted in enamels with butterflies, apocryphal blue enamel four-character seal mark to base, 14cm high 20世紀 粉彩蝴蝶紋瓶 £200-300* 188 A pair of Chinese porcelain jars and covers, 19th century, painted in famille verte enamels with birds amidst blossoming chrysanthemum branches, 25.5cm high 素三彩花卉鳥雀圖蓋罐一對

188

£200-400* 189 A Chinese porcelain Ming style jar and a wucai sleeve vase, 19th century, the jar painted in underglaze blue with a scrolling design of flowering chrysanthemum stems, unmarked, 19cm high, the sleeve vase painted with panels of flowering lotus stems to the body, 28cm high (2) 19世紀 五彩象腿瓶 及 青花纏枝花卉紋罐 £300-500* 190 Two Chinese porcelain bowls, a peach shaped box, and a cloisonné bowl, 19th - 20th century, one bowl glazed to the exterior in lime green, 13cm diameter, one with allover crackle glaze, 17.5cm diameter, the peach box 12.5cm wide, the cloisonné bowl 14cm diameter 19世紀末/20世紀初 瓷碗及掐絲琺瑯碗等一組 (4件) £100-200* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

189

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191 A pair of Chinese porcelain celadon vases, 20th century, with archaistic pierced handles to slender neck, apocryphal Yongzheng seal mark to base, 23.5cm high 20世紀 龍泉釉螭耳盤口瓶 一對 雍正款 £800-1,200* 192 Two Chinese porcelain bowls and a Japanese studio pottery bowl, 19th century, 6-7cm high (3) 19世紀 瓷碗一組 （3件） £100-150* 193 A pair of Chinese porcelain ‘bats and clouds’ tea bowls, 20th century, each painted with five red bats, wufu, on a celadon ground decorated with clouds, 8cm diameter 20世紀 青花添彩五蝠紋碗 一對 £400-600*

191

194 A Chinese porcelain small tureen and stand, Hua Rong Tang Zhi mark, early 20th century, painted in enamels and underglaze blue with floral festoons around an armorial crest, 16cm wide, and an early 20th century Chinese porcelain leaf-shaped dish (3) 20世紀 青花五彩描金卷草花卉紋茶壺隨盞托 “華榮堂制” 款 及 粉彩描金鳥紋葉形盞托 £80-120*

193

195 Five pieces of Chinese porcelain and a carved wood figure of Buddha, 18th-20th century, including three tea bowls and a saucer dish (6) 18-20世紀 瓷碟及木雕佛像等一組（5件） £100-150* 196 A Chinese porcelain saucer dish, 20th century, painted in underglaze blue and iron red, the central reserve depicting a Buddhist lion pursuing a flaming pearl, apocryphal underglaze blue six-character Yongzheng mark to base, 10.3cm diameter 20世紀 青花礬紅描金獅子戲繡球盤 ‘大清雍 正年制’款 £200-300*

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197 A Chinese yixing teapot, 20th century, inscribed with poem and decorated with bamboo, 16.5cm long, in fitted silk box 20世紀“寅仙制” 款紫泥紫砂石瓢 £80-120* 198 A Chinese yixing melon-shaped teapot, early 20th century, painted in blue enamels with a Buddhist lion, the cover with Buddhist lion finial, 17cm long 20世紀 紫砂繪藍彩獅紋壺 £200-300* 199 Six Chinese yixing teapots, 20th century, including two enamelled hexagonal teapots, a melon-shaped teapot, and two applied with enamelled foliage, 10 - 16cm high 20世紀 紫砂加彩開光松竹花卉圖紋六方壺 £300-500* 200 Four pieces of Chinese Cultural Revolution porcelain, late 20th century, comprising two bisque figures, 16cm high, a lidded teacup, 13cm high, and a teapot, 16cm high (4) 20世紀 瓷塑文革人物 一對

202

202 A Chinese blanc de chine porcelain figure of Mao Tse Tung, late 20th century, modelled seated in an armchair with legs crossed, 36cm high 20世紀 白瓷毛主席坐像 £100-150* 203 A Chinese composite figure of Shakyamuni Buddha, early 20th century, modelled seated in dhyanasana, 22cm high Provenance: Justus Blank, Dutch East India Company, and thence by descent 20世紀初 石膏釋迦牟尼像 £150-250*

£150-250* 201 Two Chinese yixing Mao Tse Tung teapots, late 20th century, each applied with a plaque depicting the profile of Chairman Mao, 13 and 7cm high 20世紀 紫砂‘紀念毛主席’文革主題秦權壺 ‘中 國宜興’ 款

204 A Chinese Canton ivory brise fan, mid-19th century, carved to each side with figures in an expansive village landscape, 18.5cm long 19世紀中期 象牙扇 £200-400*

£100-150*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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205 A large Chinese ivory tusk carving, 19th century, carved as The Queen Mother of The West (Xiwangmu) holding a floral bouquet bound together with rope, 58.5cm high 19世紀 象牙雕持花西王母像 £5,000-7,000*

206 A Chinese ivory carving of Guanyin, Ming dynasty, carved seated holding a scroll box in her left hand, 11cm high, on later wood stand 明 象牙雕觀音 隨木座 £1,200-1,800*

205

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207 A Chinese double-gourd cricket cage, late 19th/early 20th century, with ivory and tortoishell rim and cover, the domed tortoiseshell cover carved and pierced with fruiting grape vines, the body carved with two horses standing beneath willow trees within a mountain landscape, apocryphal Qianlong seal mark to base, 16.5cm high 19世紀末/20世紀初 葫蘆雕山水駿馬圖 配象牙玳瑁 蓋 ‘乾隆年制’篆書款 £700-900* 208 A large Chinese hardwood circular stand, 20th century, 21.5cm diameter, with ten other circular stands and a circular lid, together with sixteen Chinese hardwood plate stands, many of plain design, some with bat form bases (26) 20世紀 器物木座一組 （26件） £300-500* 209 Three Chinese hardwood stands, 20th century, with pierced and carved decoration, largest 12.5cm diameter 20世紀 木器座一組 （3件）

207

£80-120* 210 A Chinese carved hardwood stand, late Qing dynasty, carved and pierced with fruiting peach branches, gilt-painted to the exterior, 29cm long 晚清 木描金器座

211 Nine Chinese hardwood stands, 19th-20th century, 9-19cm diameter

£150-250*

£150-250*

Provenance: Justus Blank,Dutch East India Company, and thence by descent 19至20世紀 木器座一組 （9件）

208

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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217

212 A collection of various Chinese hardwood stands, 18th-20th century 18至20世紀 木器座一組 £300-500* 213 Three Chinese hardwood and mother of pearl inlaid panels, early 20th century, two depicting fishermen in a landscape, 39 x 60cm, one decorated with floral sprays, 41 x 60cm 20世紀初 木嵌螺鈿漁家樂托盤 一對 及 木嵌螺鈿花卉紋托盤 （3件） £200-300* 214 A Chinese black lacquer and mother of pearl inlaid food tray, early 20th century, centered with a shou character, with shaped rim, apocryphal mark to base, 34cm diameter 20世紀初 黑漆嵌螺鈿倭角八方托盤 £100-200* 215 A pair of Chinese carved wood furniture panels, late Qing dynasty, decorated with court scenes, 14 x 77cm 晚清 木雕描金人物故事紋門板 £200-300* 216 Four Chinese carved wood furniture panels, late Qing dynasty, each decorated with figures in a landscape, 20cm -28cm wide 晚清 木雕漆描金人物故事門板 £100-150* 217 Three Chinese Peking glass bowls and a lime green glass bottle vase, early 20th century, two bowls in amber and one green, 11 and 12cm diameter, the vase 10cm high (4) 20世紀 料器一組 （3件） £200-300* 213

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218 218 A large Chinese huanghuali brush pot, early 20th century, of slightly waisted form and of rich, light tone with dark grain, plug to base, 21.5cm high, 19cm diameter 20世紀 黃花梨筆筒

219

1,200-1,800* 219 A Chinese hongmu brush pot, 18th/19th century, with rich, light, figured grain, 13cm high 18/19世紀 紅木筆筒

222

£400-600* 220 A Chinese bamboo brush pot, 19th century, of plain form, with three stepped feet, 17cm high 19世紀 竹筆筒 £120-180* 221 An unusual Chinese bamboo square brush pot, 19th century, of compressed form with rich light patina, 15.5cm high 19世紀 竹筆筒 £120-1,880* 222 A Chinese bamboo brush pot, 20th century, carved with scholars in a boat within a river landscape, 16cm high 20世紀 竹雕赤壁賦筆筒 ‘王紀常制’ 款 £150-250* 223 A large Chinese bamboo wrist rest, 20th century, inscribed with a poem, 39.5cm long 20世紀 竹雕臂擱 £1,000-1,500* 224 A Chinese bamboo wrist rest and brush pot, 20th century, the brush pot carved with Shou Lao and a poem, 13.5cm high, the wrist rest carved with a crane perched on a pine tree, 28cm long (2) 20世紀 竹雕壽老筆筒 及 ‘松鶴長春’ 臂擱

223

224

£200-300* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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225

226

225 A Chinese bamboo brush rest, 18th/19th century, carved as a scholar reclining against a large peach, holding a small peach in his left hand, on a wooden base, 9.5cm long 18/19世紀 竹雕仙人托桃筆架 £300-500* 226 A Chinese bamboo figure of Shou Lao, 19th century, carved atop a deer, holding a ruyi-sceptre, on fitted hardwood stand, 48cm high 19世紀 竹雕壽老 £200-300* 227 A Chinese abstract rootwood sculpture, late Qing dynasty, carved with branches of blossoming prunus, on fitted stand, 96cm high 晚清 根雕擺件 £300-500*

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228 A Chinese carved wood figure of Li Tieguai, 18th century, carved leaning on his gnarled crutch, 41cm high, on modern display stand 18世紀 木雕鐵拐李像 £600-800*

229 A Chinese tianqi lacquer box, late Qing dynasty, the cover decorated with two raised gilt characters inside a border decorated with auspicious emblems and an archaic frieze, the sides inset with woven panels, 30cm wide 晚清 漆福壽合歡盒 £400-600* 228

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230 A large Chinese cinnabar lacquer circular box and cover, late Qing dynasty, the cover carved with a busy village landscape scene with figures bearing offerings of fruit, the sides carved with panels of figures in wooded landscapes, apocryphal mark to base, 36cm diameter

231 A Chinese cinnabar lacquer quatrefoil treasure box and cover, 18th century, finely carved to the cover with two tribute bearers in a mountainous landscape, 12cm wide 18世紀 紅雕漆山水人物故事海棠式蓋盒 £2,000-3,000*

Provenance: Private collection 晚清 剔紅山水紋圓蓋盒 £2,000-3,000*

231

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232 232 A Chinese cinnabar lacquer archaistic square vase, Qianlong period, finely carved to each side with a panel depicting peonies and chrysanthemums issuing from rocks, on a ground densely decorated with archaic geometric motifs, the waisted neck carved with bats and lotus blooms on a cell diaper ground, 29.5cm high Cf. A similar red lacquer vase is in the National Palace Museum Collection, illustrated in Carving the Subtle Radiance of Colors, Treasured Lacquerware in the National Palace Museum, no.167, p.155 清 乾隆 剔紅漆開光牡丹圖四方瓶 £4,000-6,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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233 233 A Chinese archaistic lapis vase and cover, 18th/19th century, carved to the body with panels of archaic dragons, 18.5cm high, with Japanese wood box 18/19世紀 青金石雕仿古獸紋壺 隨蓋 £500-800* 234 A Chinese soapstone box and cover and two soapstone carvings, early 20th century, the box carved in low relief with a fisherman, 8.5cm diameter

234

236

236 A Chinese soapstone figure of a Luohan, 18th/19th century, carved seated holding a Buddhist lion, his robe hem finely carved with floral sprays, 9.5cm high 18/19世紀 壽山石雕羅漢像 £1,000-1,500* 237 A Chinese Peking blue glass lotus dish, late Qing dynasty, with shaped rim and lobed exterior, 20cm diameter 晚清 透明藍料蓮瓣盤 £80-120*

238 A Chinese agate ovoid snuff bottle, mid-19th century, the brass mounts decorated with ruyi-shaped motifs and Buddhist lion masks, 6cm high 19世紀中期 鑲銅瑪瑙鼻煙壺 £300-500* 239 A Chinese agate finger citron carving, 18th century, on carved and stained ivory fitted stand, 8cm high, and an agate carving of a goldfish (2) 18世紀 瑪瑙雕佛手擺件，配綠彩 象牙座；瑪瑙雕金魚擺件（2件） £200-400*

Provenance: Justus Blank, Dutch East India Company, and thence by descent 20世紀 ‘淂利溴粉’石雕粉盒， 壽山石雕老者隨座及石雕老者立 件 （4件） £200-400* 235 A Chinese carved soapstone figure, late Qing dynasty, carved as a seated deity with a lotus leaf on his back, 4.5cm high 晚清 壽山石雕羅漢坐像 £120-180*

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240 240 A Chinese agate cup, 18th/19th century, finely carved with a boy holding a bat, with lion mask and ring handles, 4.5cm high 18/19世紀 瑪瑙雕童子蝙蝠獅首活環杯

241 A Chinese rosewood and hardstone set ruyi-sceptre, late 20th century, the three hardstone panels carved in low relief cranes and flowers, 47cm long, with glazed display case, stand, and box, also a carved green hardstone circular plaque 20世紀 木嵌白玉如意 隨木雕展示盒

£1,000-1,500*

£1,500-2,500*

241

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250 242 A Chinese pale green jade Yuan style finial, early 20th century, carved with leafy scrolls, 4cm high, on wood stand 20世紀 白玉雕頭飾 £300-500* 243 Three Chinese green hardstone carvings, 20th century, comprising two cicadas and a pendant carved with a boy and a gourd, 4 - 6.5cm long 20世紀 玉蟬兩件 及 玉雕童子掛件

251

252

248 A Chinese jadeite plaque and a suite of jadeite jewellery, 20th century, the plaque carved with a duck and a lotus plant, 6x4cm, the suite of jewellery mounted in yellow metal comprising pair of ear drops, bracelet, ring, brooch and necklace, also a coral mounted ring and two costume jewellery brooches (10) Provenance: Justus Blank, Dutch East India Company, and thence by descent 20世紀 翡翠及珊瑚首飾一組（9件）

£150-250*

£500-800*

244 A Chinese hardstone carving of three boys, 20th century, carved holding a jar aloft, 5.5cm high 20世紀 石雕童子托瓶擺件

249 A Chinese spinach jade ceremonial bi disc, Ming dynasty, 16th/17th century, each side carved with two concentric circles, 5.8cm diameter 明 16/17世紀 仿古碧玉璧

£120-180* 245 Two Chinese green hardstone archaistic carvings, 20th century, each carved as a coiled dragon, 8 and 10.5cm long 20世紀 帶皮玉雕抽象夔龍 一對 £300-500* 246 A pair of Chinese green hardstone vases and covers, late 20th century, carved in the archaic style with mythical beast finials and panels of dragons to the flattened body, on pierced hardwood stands, 34cm high 20世紀 玉雕仿古饕餮紋活環壺形瓶 一對 （2件） £200-400* 247 A Chinese pale green jade belt hook, mid20th century, carved with phoenix head terminal and mounted as a handle to a brass and painted enamel bowl, 15.5cm long, in silk covered box 20世紀 玉雕帶扣 隨粉彩六方小托盞一件 £200-300*

£400-600* 250 A Chinese celadon and russet jade pendant, 19th century, carved with a goldfish amidst a lotus, 5.5cm long, suspended on a hardwood stand 19世紀 青白玉雕金魚穿荷塘墜 配木架 £600-800* 251 A Chinese pale green jade carving of a Buddhist lion, late Qing dynasty, carved in a recumbent pose with its head turned towards its body, 4.3cm long 晚清 青白玉雕回首貔貅 £200-300* 252 A Chinese celadon jade gourd weight, late Qing dynasty/ Republic period, carved as a branch issuing one large and two smaller gourds, 7.5cm high 晚清/民國 玉雕葫蘆鎮紙 £800-1,200*

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253 253 A large Chinese celadon jade bixi carving, late Qing/Republic period, the recumbent bixi issuing clouds from its mouth, with ‘heavenly books’ resting on its back, on fitted hardwood stand carved with clouds, 13.5cm long 晚清/民國 玉雕辟邪 隨座 £5,000-8,000* 254 A Chinese pale green jade bixi head weight, late Qing dynasty, 4.5cm long 晚清 玉雕辟邪頭 255

£300-500* 255 A Chinese pale green and black jade monkey carving, late Qing dynasty, carved as a monkey holding a fruiting branch over its shoulder, 5cm high 晚清 玉雕猴 隨木座 £300-500* 256 Four Chinese pale green jade carvings, late Qing dynasty, comprising a double gourd plaque, 8cm high, a crane, 5cm long, a seated cat, 4.5cm long, and a gourd pendant, 4.5cm high, all with later wood stands 晚清 玉雕一組（4件） £500-800*

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257 259

257 A collection of twenty-four Chinese green jade and hardstone carvings, 20th century, to include three plaques, a hair pin, and a belt hook 20世紀 玉雕等雕件一組 （24件） £800-1,200* 258 A Chinese pale green jade carving of two cats, early 20th century, 3.5cm long 20世紀早期 玉雕雙貓 £200-400* 259 A Chinese pale green jade pendant plaque, Qianlong period, finely carved in low relief as an archaistic phoenix, 5 x 4cm, later mounted in a silver paper knife 清 乾隆 嵌玉雕鳳紋牌竹紋拆信刀 £1,000-1,500*

258

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260 A Chinese celadon jade carving of a crane, 17th century, carved with its head turned towards its body, with incised wings and feathers, 6.5cm long 17世紀 玉雕鶴擺件

261 A Chinese pale green and russet jade carving of a crane, 18th century, finely carved in recumbent pose clutching a fruiting peach branch in its beak, 8.5cm long Provenance: Ex private collection, Spink 18世紀 玉雕鶴銜仙桃

£400-600*

£6,000-8,000*

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262 262 A Chinese celadon jade ‘crane and peach’ carving, 18th/19th century, carved with neck turned backwards clutching a fruiting peach branch in its mouth, 6.5cm long 18/19世紀 玉雕鶴銜仙桃 £1,800-2,200* 263 A Chinese celadon jade lotus weight, 17th century, carved as a lotus pod with meandering leaves ending in a large blossom carved in high relief, 7cm wide 17世紀 青白玉雕荷包蓮蓬擺件 £300-500* 264 A Chinese pale green jade lotus brush rest, 18th century, carved as a lotus bud and flower, on fine fitted hardwood stand carved with lotus and crashing waves and with silver wire inlay, 23cm long 18世紀 玉雕蓮藕 隨木座

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£4,000-6,000*

264

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265 A Chinese celadon jade ‘lotus’ bowl, late Qing dynasty, carved as a lotus flower, with shaped rim, the sides partially double-walled, 10cm diameter 晚清 玉雕蓮瓣碗

266 A Chinese jade brushwasher, late Qing dynasty, of quatrilobe form, carved to the sides in low relief with cranes in flight above crashing waves amidst lingzhi sprigs, the stone of yellowish green tone with pale inclusions, 5cm high x 18cm wide 晚清 白玉海水飛鳥紋海棠形洗 隨木座

£3,000-5,000*

£800-1,000*

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267 A Chinese pale green jade pouring vessel, yi, 17th century, carved with dragon-head handle and finely incised to the body with stylised scroll motifs beneath a Greek key border, stepped, high foot, 11cm long Note: The yi is a pouring vessel that was used in conjunction with the pan, first manifested during the Western Zhou dynasty. Metalworkers made a great variety of bronze vessels for ritual use, and the yi was used for pouring water for washing before conducting a ritual ceremony or feast, with the pan used to collect the water.

267

During the Qianlong period there was a vibrant market for jade objects imitating these ancient bronzes, however craftsmen did not simply copy these forms, instead opting on a synthesis of styles that borrowed from different sources, creating something new in an ancient setting.

The Qianlong emperor regarded jade items not merely as a practical objects, but rather important tools that helped unlock the path towards virtue. In the ‘Ballad on a Cup of Jade’, a poem composed by the emperor during the eight year of his reign, he states the importance of understanding the significance of the object’s ceremonial value, and that the appreciation of jade is not just a purely aesthetic endeavour, but also a spiritual one.

Cf. A similar example sold at Sotheby’s New York, 19th March 2019, Lot 207; another Ming dynasty example with additional Qianlongperiod engraved stand can be found at the National Palace Museum, Taipei, inv. Guyu 1718.

17世紀 青白玉雕仿古夔首柄觥 £3,000-5,000*

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268 A Chinese white jade mythical beast pouring vessel, 18th/19th century, the mythical beast carved seated with head raised and mouth open, carved with archaistic motifs to chest, and with flames emanating from each limb, 11cm long Provenance: Justus Blank, Dutch East India Company, and thence by descent 18/19世紀 白玉雕夔形水柱 £2,000-3,000*

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269 269 A Chinese spinach jade marriage dish, late Qing dynasty, carved in low relief with an exotic bird perched on a blossoming branch emanating from the underside, inscribed ‘baitou fugui’ (wealth and proseperity until old age) to base, 19.5cm diameter 晚清 碧玉‘白頭富貴’盤 £2,000-4,000*

269 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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270 A Chinese spinach jade circular box and cover, 18th/19th century, carved in low relief to the cover with a lotus flower, the base carved with band of ruyi-heads above the broad footrim, 9cm diameter Provenance: Spink & Son paper label to base 18/19世紀 碧玉雕圓蓋盒 £3,000-5,000*

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271 A Chinese spinach jade marriage bowl, Qianlong period, the sides with everted rim and carved in low relief to the exterior with lotus blooms and meandering scrolls, with carved dragonfly-form handles, their wings resting on the rim of the bowl, their bodies suspending loose ring handles, on four rectangular feet, 23cm diameter Provenance: Justus Blank, Dutch East India Company, and thence by descent Note: The jade industry expanded greatly during the Qianlong period following the conquest over the rebellious Dzungar people in Khotan and Yarkand, in present day Xinjiang. The superior quality and quantity of raw jade in the area meant that larger forms were now possible, and the marriage bowl became a popular object during this time. Prior to this conquest jade came in smaller boulders, and there are many poems of the emperor that deplore the scarcity of the material supplied to the Imperial Workshops.

Marriage bowls take their name from the auspicious imagery used in their decoration. This particular object uses the twin dragonfly motif for the handles, an image that symbolises fleeting moments due to their temporary existence in the air. The word for dragonfly, 蜻蜓 (qīng tíng), contains the homophones 清 qīng and 慶 qing, which mean ‘pure’ and ‘celebration’ respectively - most suitable for a marriage gift. The additional lotus bloom motif enriches the auspiciousness of the object - blossoming from the murky mud of the marshes into an untainted white flower, the lotus symbolises purity, and the homophones 廉 lián (incorruptible, modest) 连 lián (join, continuous, successive) and 联 lián (unite, join) enhance the symbolic meaning of the lotus decoration.

Cf. For a comparable marriage bowl with dragonfly-form handles, see Sotheby’s Hong Kong, Fine Chinese Ceramics & Works of Art, 08 October 2010, Lot 2723 清 乾隆 碧玉纏枝蓮紋蜻蜓銜環大碗 參見 蘇富比香港 2010年10月8日 £10,000-15,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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272 272 A Chinese white jade brushwasher, xi, Qianlong mark and of the period, carved to the interior in low relief with three butterflies and a flowering begonia branch, issuing from the exterior, slightly flared footrim, incised seal mark to base 17cm diameter, on associated hardwood stand set with stained ivory reticulated panels Provenance: Justus Blank, Dutch East India Company, and thence by descent Note: A combination that can be found on Chinese porcelain as early as the Yongle reign (1403-24), the butterfly and begonia combination was often utilised in Qing dynasty decoration in order to suggest a duplication of auspicious wishes, owing to the fact the word for butterfly 蝶 (‘die’) is a homophone of the word 疊, which means ‘to repeat’, and also 耋, which means ‘over seventy or eighty years of age’, an auspicious expression of longevity. The begonia, known as ‘qiuhaitang’, is a flower than blooms in autumn; with ‘tang’ being a homophone for ‘clan’. The combination of the pair of butterflies hovering around the begonia blooms expresses the wish for heightened honour and distinction for the family.

Butterflies are also symbolic of love and everlasting happiness in marriage, owing to the fact that butterflies play a important part in many traditional Chinese stories. Of these stories, one of the most notable is The Butterfly Lovers 梁山伯 by the Ming dynasty writer Feng Menglong (1574-1646), in which the lovers Liang Shanbo and Zhu Yingtai are transformed into butterflies after death.

Cf. For a comparable brushwasher, see Sotheby’s London, Important Chinese Art, 10th May 2017, Lot 114 清 乾隆款及時代 白玉雕花卉蝴蝶紋洗 隨座 £5,000-10,000* 272

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273 275 273 A Chinese silver oval basket and four matching oval boxes, 20th century, with two rope-twist swing handles and studded decoration to exterior, the basket 20.5cm wide 20世紀 銀橢圓蓋盒四件 隨銀提梁托盤 一套 £120-180* 274 Eight Chinese silver hair combs, 20th century, each repousse decorated with various auspicious motifs, 8 - 11cm wide 20世紀 銀髮釵一組 （8件） £100-150* 275 Three Chinese silver two-piece buckles, early 20th century, two repousse-decorated with dragons, the other decorated with birds and prunus blossom, 6.5 -8cm wide 20世紀 龍紋銀飾牌等 （3件） £150-200* 276 Ten pairs of Chinese white metal chopsticks, late 20th century, each engraved with foliate motifs, 23cm long 20世紀 銀筷10雙

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£200-300* 277 A Collection of Chinese white metal and kingfisher hair ornaments, Qing dynasty, to include a butterfly hair pin, some pieces mounted with jadeite cabochons 清 點翠嵌寶頭飾一組 £500-800* 278 A Chinese silver spill vase, Hung Chong & Co (Ca. 1880-1925), embossed with panels of inscriptions and village landscapes, on three dragon supports, raised on carved and pierced hardwood stand, 15cm high 19世紀末/20世紀 銀 三龍托瓶 隨木座 £200-300* 279 A Chinese export silver parasol handle, late 19th/early 20th century, decorated with repousse work scene of animals within a landscape within a spiral form frieze, between bands of stiff leaves, the handle 25cm long, the whole 107.5cm long 19/20世紀 鑲銀長杆 £300-500* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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281 280 280 A Chinese silver shell form bowl, Wang Hing, with applied silver gilt crab, raised on three shell feet, 19.5cm wide, approx 9oz 鐵質貝殼形三足託盤 £300-500* 281 A Chinese paktong ruyishaped incense clock, late 19th century, the pierced cover decorated with bats and peaches, 24cm long 19世紀末 白銅如意形焚香爐 £200-300*

282 A Sino-Tibetan giltbronze seated figure of Avalokiteshvara, 18th/19th century, seated in lalitasana with the right foot supported on a flowering lotus stem, and with hands in vitarkamudra each holding a lotus stem, wearing a draped dhoti , a beaded sash, necklaces, armlets, and an elaborate tiara with hair in high chignon, engraved with doublevajra to sealed copper base, 21.5cm high

283 A Chinese gilt-copper figure of a Lohan, late Qing dynasty, seated in dhyasana, wearing flowing robes, 39cm high 鎏金羅漢坐像 £2,000-3,000*

Provenance: Private London collection 18/19 世紀 漢藏風格觀音銅鎏金 造像 倫敦私人收藏 £3,000-5,000*

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284 A Chinese archaic bronze ritual wine vessel, jue, Shang dynasty, the deep U-shaped body raised on three blade-shaped legs, cast to each side with a taotie mask with rounded eyes, all on a leiwen ground, with single loop handle, 21cm high Provenance: Private English collection, acquired in Hong Kong 1980s-1990s 商 青銅爵 £2,500-3,500*

285 Three Chinese archaic bronze vessels, Han dynasty, comprising a tripod brazier with ribbed mid-section and dragon-head handle, 23cm high, a wine vessel with ribbed banding to body and neck, and with dragon decorated handle, 12cm high, perspex stand, and a cylindrical tripod container and cover with taotie mask and ring handles and swing carry handle decorated with dragon masks, 23cm high (3) Provenance: Private English collection, acquired in Hong Kong 1980s-1990s 仿古青铜器一组 汉 英国私人收藏，于80至90年代 购于香港 £1,000-2,000*

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288 A Chinese polished bronze tripod censer and miniature vase, 20th century, 8.5cm diameter and 8cm high 20世紀 銅三足鼎式爐及仿古雙耳銜環方壺 （2件） £300-500* 289 A pair of Chinese polished bronze vases, gu, 19th century, with petal-lobed flared rims, the central knop decorated with two chi-long dragons, 35cm high 19世紀 銅夔龍紋葵口花觚 一對 £400-600* 286

290 A Chinese bronze figure, 20th century, depicting a robed man holding a dagger, 21cm high 20世紀 銅古代人物像 120-180*

286 A Chinese bronze archaistic vase and a Japanese bamboo brush pot, 19th century, the vase decorated with dragons to the bulbous body, 13cm high, the brush pot carved with two samurai warriors, 16.5cm high (2) 19世紀 銅仿古觚形雙龍戲珠香插；竹雕日本人物故 事筆筒 £150-250* 287 A Chinese bronze ‘chilong dragon’ baluster vase, Ming dynasty, 17th century, applied to the body with a coiled chilong dragon, indistinctly inscribed to base, 31cm high 明 17世紀 銅螭龍耳瓶

291 A Chinese Yuan-style bronze archaistic vase, Ming dynasty, with applied taotie mask and loose ring handles, cast to the body with taotie masks and vertical lappets decorated with archaic motifs, 28cm high 明 仿古青銅活環壺 £1,000-1,500* 292 A Chinese bronze archaistic tripod censer, 17th century, with curved upright handles and raised on three mythical beast capped legs, 30cm high 17世紀 銅三足大香爐 £600-1,000*

£800-1,200*

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294 293 A Chinese polished bronze bombe censer and associated stand, late 19th/early 20th century, 12cm diameter 19世 紀 末 /20世 紀 初 銅 三 足 爐 隨 銅 座 “大明宣德年制”款 £100-150* 294 A Chinese bronze bombe censer, 19th century, cast with mythical beast handles, the base cast with two dragons encircling an apocryphal Ming mark, 17cm wide 19世紀 銅簋式爐 £600-800* 295 A Chinese bronze tripod censer, ding, 18th/19th century, with band of ruyi head and Greek key decoration beneath rim, and three slender tapering legs, unmarked, 13cm high 18/19世紀 銅三足鼎式爐 £200-300*

295

296 A Chinese bronze tripod censer, late Qing dynasty, of bombe form, with three squat feet, apocryphal seal mark to base, 11.5cm wide 晚清 銅三足鼎式雙耳香爐 ‘宣德’篆書 款 £300-500* 297 A Chinese polished bronze censer, 18th/19th century, with two rectangular handles with rings attached, on three feet, apocryphal Xuande mark to base, 6cm high 18/19世紀 銅鎏金雙耳銜環鼎式三足香爐 £250-350*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

296

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298 299 A Chinese bronze figure of a deity atop a quilong dragon, Ming dynasty, 17th century, the deity seated in dhyanasana with hands in dhyanamudra, the dragon with snarled expression and looking backwards, 17cm high

298 A Chinese polished bronze censer and stand, 18th/19th century, of typical squat form, with archaistic handles, apocryphal seal mark to base, 18cm wide Provenance: Justus Blank, Dutch East India Company, and thence by descent 18/19世紀 銅三足香爐 隨座 “宣德年制” 款

Provenance: Private UK collection 明 銅地藏菩薩 £2,000-3,000*

£1,200-1,800*

299

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301

302

300 A Chinese brass and champlevé enamel incense burner, late Qing dynasty, with mythical beast finial, the cover and body each decorated with a band of enamel, 19.5cm high 晚清 銅胎掐絲琺瑯牛首耳罐形蓋爐 £80-120* 301 A Chinese bronze and champleve enamel vase, hu, 18th century, decorated to the blubous body with a band of flowering lotus scrolls above archaistic motifs, cast seal mark to base, 31cm high 18世紀 銅胎掐絲琺瑯纏枝蓮紋雙耳銜環壺 £600-800*

303

302 A Chinese gilt metal and cloisonné tripod censer, 20th century, the cover applied with gilt metal pierced finial, auspicious emblems, and two Buddhist lions, on fitted hardwood base, 26cm high 20世紀 銅胎掐絲琺瑯獅首銜環三足熏爐 配木座 £500-800* 303 A Chinese cloisonné deep bowl, Ming dynasty, 17th century, decorated to the interior and exterior with a pair of phoenixes amidst a stylised flowering scroll design on a turquoise ground, 22cm diameter 17世紀 銅胎掐絲琺瑯纏枝鳳凰菊紋大碗 £800-1,200* 304 A Chinese gilt metal and cloisonné squat lobed jar, Qianlong period, decorated with four lotus blooms interconnected by meandering leafy scrolls on a turquoise ground, 6.5cm high 清 乾隆 銅胎掐絲琺瑯纏枝蓮紋小罐 £3,000-5,000* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

304

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305 A Chinese gilt metal and cloisonné rectangular screen, 17th/18th century, decorated with an Asian longhorn beetle climbing a blooming chrysanthemum plant, in hardwood frame, 28 x 34cm 17/18世紀 銅胎掐絲琺瑯花 卉紋插屏 £3,000-5,000*

305

306 A Chinese cloisonné rectangular table screen, 18th century, centered with a stylised lotus flower surrounded by bats on a turquoise ground, in hongmu frame and stand, 32 x 37.5cm 18世紀 木框銅胎掐絲琺瑯蓮紋插屏， 配木座 £2,000-3,000*

306

307 A Chinese archaistic enamel on copper rectangular tray, 19th century, decorated with a taotie mask and archaic motifs inside a Greek key border, 18 x 30cm 19世紀 銅胎掐絲琺瑯方盤 307

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308 A Chinese Canton enamel kettle on stand, Qianlong period, painted to the spherical body with figures in a garden, some picking flowers, and one playing an instrument, with brass swing handle covered with raffia, 30cm high with handle extended Cf. For similar examples see Howard, A Tale of Three Cities Canton, Shanghai & Hong Kong: Three Centuries of Sino-British Trae in the Decorative Arts, no. 202, p.157; and Wirgin, Fran Kina till Eurpoa, no.252, p.239 18世紀 銅胎畫琺瑯人物故事茶壺 隨底座 £4,000-6,000*

309 A Chinese painted enamel canted rectangular jardinière, Qianlong period, painted with panels of fruiting flowers on a lotus decorated ruby ground, 31.5cm long 銅胎畫琺瑯紅地開光花卉紋花盆 £3,000-5,000* 308

309

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310 A large Chinese painted enamel charger, Qianlong mark and of the period, painted to the central reserve with a crane approaching haiwu (‘sea house’) inside a broad border densely decorated with scrolling lotus blooms on a yellow ground, slightly raised red-enamel seal mark to base, 46cm diameter Note: The expression hai wu tian shou 海屋添壽, which translates as ‘may the ancient house for storing changes bring the longevity’, is an auspicious birthday message wishing the recipient a long and happy life. The legend of the ‘Sea House Addition’, alluded to in the central reserve, tells the story of a group of immortals who are discussing their ages. One of the immortals states “Every time the sea dries up and becomes a land of mulberry fields, I place one chip in my house as a record. And I place another one when the land of mulberry fields changes back to become the sea.

Now my house is full of chips. How old do you think I am?” These ‘chips’ are markers used for keeping count, made of wood or bamboo, and the word ‘chip’ (chou 壽) is a homophone for the word meaning longevity (shou 壽), therefore instilling the meaning of adding age or longevity.

The pavilion depicted in the central reserve houses a pot containing three of these ‘chips’, with a crane flying overhead carrying a forth in its beak. The addition of this regal bird deepens the longevity imagery, as the crane is a symbol of longevity because it lives a long life and its white feathers stand for old age. The word for crane, he (鹤), is also a homophone for hé (合), meaning peace and harmony.

A similar Qianlong-period painted enamel dish with the addition of five immortals to the depiction sold at Christies New York, 16th September 2016, lot 1264; a Yongzhengperiod doucai dish with a similar depiction sold at Christies Hong Kong, 29th November 2017, lot 2810, from The Dr James D. Thornton Collection; and a Qianlongperiod silk tapestry depicting a similar scene can be found in the Met Museum, accession number 54.158.1. 清 乾隆款及時代 銅胎畫琺瑯開光海屋添籌圖紋大盤 £3,000-5,000*

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314 311 A Chinese kesi-woven silk fragment depicting Usnisavijaya, 15th-16th century, the goddess seated on a lotus throne beneath clouds and above a border of crashing waves, 16 x 13cm, later mounted on silk covered card 15/16世紀 絲尊聖佛母繡片 £300-500* 312

312 A Chinese silk embroidered skirt, late Qing dynasty, decorated with a panel depicting a peacock amidst floral sprays on a coral ground 織繡群 £200-300* 313 A Chinese yellow silk brocade jacket, late Qing dynasty, with floral embroidered sleeves, and decorated to the trim with auspicious fruit 晚清 織繡夾克 £200-300*

313

314 A Chinese silk covered wall mirror, mid-19th century, embroidered with floral sprays, 27 x 22cm 19世紀 花卉織錦掛屏 £300-500*

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317 315 A Chinese silk embroidered picture, early 20th century, decorated with three Buddhist lions, 39 x 65cm, in glazed frame 20世紀初 織繡雙獅戲繡球 £200-300* 316 Six Chinese silk embroidered panels, late 19th-early 20th century, to include two sleeve sections, 50 x 9cm, and a circular mat, 29cm diameter (6) 19至20世紀初 繡片一組 （6件） £150-250* 317 A Chinese silk embroidered panel, late 19th century, decorated with two phoenixes amidst insects, peony blossom and chrysanthemums, 49 x 17cm, in glazed wood frame 19世紀末 繡片一片 £150-250*

318 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

318 Three Chinese silk embroidered panels, early 20th century, one decorated with a crane amidst clouds, 35 x 37cm 20世紀末 絲綢官員補子兩 塊及人物故事繡片一塊 （3件） £100-200* 85

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319 319 Four Chinese silk embroidered panels, late Qing dynasty, comprising two circular mats, 29 and 33cm diameter, and two rectangular panels, 65 x 32cm and 68 x 35 晚清 絲綢織錦四塊

320 A large Chinese silk embroidered ‘100 butteflies’ panel, early 20th century, decorated with one-hundred butterflies above peonies, 115 x 71cm, in glazed frame 20世紀 花卉蝴蝶紋織錦

321 A set of four Chinese gouache paintings on rice paper, late 19th century, each depicting a figure in an interior scene, 30 x 19cm, in glazed frames 19世紀 外銷通草畫一組

£100-200*

£300-500*

£150-250*

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322 322 Early 20th century Chinese School, ink and colour on silk, studies of female deities with a peacock and a celestial ram, 31 x 20cm, in glazed frames 20世紀 仕女孔雀圖 £150-200* 323 20th century Chinese School, ink and colour on paper, set of ten floral studies, 29 x 21cm, in glazed frames 20世紀 花卉圖一組（10張） £400-500* 324 AFTER ZHOA SHAO’ANG (1905-1998), ink and colour on paper, concertina album of ten leaves, studies of birds, flowers, and insects, 33 x 33cm ea. 趙少昂 花鳥冊頁 一冊 £300-400*

323

324 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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325

325 AFTER XIE ZHILIU (1910-1997), ink and colour on paper, concertina album of eight leaves, studies of lotus, each bear seals and signature of Xie Zhiliu, 34.5 x 22.5cm ea. 謝稚柳 荷花冊頁 一冊 £300-500*

326

326 19th century Chinese School, ink and colour on silk, handscroll section, figures in a procession, 28 x 215cm, in glazed frame 19世紀 大嫁出行圖 £600-800*

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327 19th century Chinese School, two ink and colour on silk paintings, each depicting a procession, 30 x 63cm and 28 x 58cm 19世紀 清 出行圖 £100-200* 328 19th century Chinese school, gouache on paper, study of a barge, 27 x 37cm, in glazed frame 19世紀 駁船通草畫 £300-500* 329 A pair of Chinese reverse painted glass pictures, Qianlong period, each depicting a European lady sitting with books at a table, 30 x 35cm, carved giltwood frames 清 乾隆 歐洲仕女玻璃畫 一對

328

£3,000-5,000*

329

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330 330 An album of twelve Chinese gouache paintings on rice paper, late 19th century, each depicting various stages of tea production and sale, 20 x 30cm 19世紀末 人物通草畫一組（12張） £1,000-1,500*

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331

331 A Chinese painted gesso panel, early 20th century, painted on wood, depicting two meiren dressed in elaborate flowing robes and carrying scrolls, beside two deer, within a wooded landscape, 113 x 85cm 20世紀初 彩繪木屏靈鹿仕女圖 £3,000-5,000* 332 20th century Chinese School, pen and ink on paper, street scene, 24.5 x 15cm 20世紀 古城街景寫生 £80-120*

332 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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333 AFTER TANG YIN (1470-1523), 16th century ink and colour on silk, large handscroll depicting Daoist immortals attending the birthday of Xi Wangmu 唐英款 《群仙会祝图》 卷 16世纪 Note: Although the painting is signed Tang Yin, the style of the painting is dated to the late 16th century, slightly later than this well-known literati artist. Instead, the auspicious theme, stylised figural depiction and the use of ink suggest the origin of the painting as ‘Suzhou Pian’, a type of commercial painting after the titles famous art masters produced in the late Ming (c. 16th century) for the flourishing art market at the time.

In the 16th century, the growing economy leads to the growing wealth of Ming people, especially those living the South of Yangtsu River, which further stimulates the consumption of the arts and causes the flourishing art market. To meet the demand, many paintings were produced after infamous artists including Tang Yin who is known for his literati and figural paintings. Although these paintings are not authentic, some of them are far beyond a bad replica but of a very high quality. The present painting is a good example of the top-quality ‘Suzhou Pian’ painting.

Depiction of immortals gathering is a very common theme for these ‘Suzhou Pian’ paintings because it normally infers good blessing of longevity and auspiciousness. In this scroll, immortals of various type, who come from the sea, sky or land, gathered together for celebrating the birthday of the Queen Mother of the West who is guided by the phoenix riding goddess and flanked by a group of her attendants. Although spuriously given to the tile of Tang Yin, the delicate lines and detailed depiction suggest the great skill and attention to detail of the artist or workshop.

A comparable example can be found in the National Palace Museum i.e. Gathering of Immortals Offering Blessings attr. Qiu Ying and Lofty Gathering at Gem Pond attr Zhao Boju.

Further examples and discussions of ‘Suzhou Pian’ paintings can be found in the catalogue of the National Palace Museum exhibition “Suzhou Fakes” and Their Influence In The 16th to 18th Century’.

17世紀 唐寅 款 群仙祝會圖卷 £4,000-6,000*

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335

334 19th century Chinese School, ink and colour on silk, figures in a mountain landscape, 72 x 32cm 19世紀 文征明款 山水人物圖 £500-700* 335 18th century Chinese School, ink and colour on silk, four figures with a white deer, 27 x 41cm, inscribed to frame Zhou Liang yi dui yi cong ke ge 18世紀 仙人白鹿仕女圖 £300-500* 334

336 20th century Chinese School, ink and colour on paper, mountain landscape, 98 x 52cm, in glazed frame 20世紀 亭台晚照圖 £200-400* 337 20th century Chinese School, ink and colour on paper, mountain landscape, 97 x 48cm, in glazed frame 20世紀 草蘆聽泉圖 £200-400* 338 20th century Chinese School, ink and colour on paper, mountain landscape, 51 x 33cm 20世紀 溪山深居圖 £200-300* 339 20th century Chinese School, ink and colour on paper, figures on a path, with mountain village in the distance, 61 x 36cm 20世紀 山水人物圖 £200-300*

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340

340 20th century Chinese School, ink on paper, abstract mountain landscape, 93 x 45cm 20世紀 雪山圖 £200-300*

341

341 A Chinese brush painting of a king fisher, signed and sealed: together with a reproduction Japanese woodblock print, by Utagawa Kunimasa, titled Yoritomo’s first battle, from the series The Rise and Fall of Genpei, a later printing, both framed, one lacking glazing (2) 水彩荷塘翠鳥 及 歌川 國政 版畫 £80-120*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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342

343

346

342 ANONYMOUS, 20th century Chinese School, ink and colour on paper, hanging scroll, bamboo and rockwork, signed and inscribed, 87cm x 44cm 佚名 20世紀 山石墨竹

346 LUO ZHUPING (19112002), a set of four ink and colour on paper, birds alighting on flowering boughs, each signed and inscribed, 62 x 30.5cm., ea., (4) 羅竹坪 雀停梅枝

£120-180*

£100-150*

343 ANONYMOUS, 20th century Chinese School, ink and colour on paper, hanging scroll, frog with lotus, signed, 68cm x 48cm 佚名 20世紀 青蛙蓮花

347 AISINJUELOUO YUJIA (brother of Puyi), ink and colour on paper, hanging scroll, landscape, signed, 88cm x 42cm 愛新覺羅瑜嘉 水墨山水

£120-180*

£120-180*

344 ANONYMOUS, 20th century Chinese School, ink and colour on paper, hanging scroll, catfish and shrimp amid pond weeds, signed, 130cm x 38cm 佚名 20世紀 荷塘鯉魚

348 CONTEMPORARY CHINESE SCHOOL, ink on paper, study of a bird perched on a branch, inscribed and with red seal, 38 x 42cm 洗靈主人款 烏鴉枝頭

£120-180*

£80-120*

345 20th century Chinese School, ink and colour on paper, hanging scroll, ducks amid blossom, signed, 76cm x 47cm 20世紀 秋水柿鴨 £100-150*

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349 349 ZHAO TIAN LIN (1886-1938), ink on paper, study of bamboo, two seals and inscription which translates as painted in the Summer 1921 at Jing Song Hall, Tianjing, 44 x 35cm 趙天麟 (1886-1938) 墨竹

350

£80-120* 350 YANG SHUKAN (1881-1942), ink and colour on paper fan with bamboo sticks, flowering branch to one side, calligraphy to reverse, 40 x 68cm 楊庶堪(1881-1942) 菊花書法扇 £500-800* 351 TANG DIN ZHI (1878-1948), ink and colour on unmounted fan, floral study, red seal and colophon, 19.5 x 45cm 湯定之(1878-1948) 蘭花扇

351

£200-400* 352 WANG QINGFANG (1900-1956), ink and colour on paper, cicadas around a flower, ca. 1930s, 32 x 32cm 王青芳(1900-1956) 昆蟲蔬果 £200-400*

352 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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353

353 YAN BOLONG (18981955), ink and colour on paper, mouse and sweetcorn, with red seal and colophon, dated September 1935, 32 x 32cm 顏伯龍（1898~1955）老鼠玉米 £300-500*

354

354 YAN BOLONG (18981955), ink an colour on paper, ‘tortoise’, dated to the spring of 1932, 32 x 32cm 顏伯龍 （1898~1955）池塘龜圖

355 YAO HUA (1876-1930), ink on paper, concertina album of six leaves, studies of irises, each 26.5 x 45cm 姚華 (1876－1930) 花卉冊頁

£400-600*

£800-1,200*

355

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357 356 YAO HUA (1876-1930), ink and colour on paper and bamboo fan, one side depicting in red ink rubbing of calligraphy, the other with ink calligraphy by the artist, dated 1945, 31 x 48cm when open 姚華 (1876－1930) 拓印書法扇 £300-500* 357 YIKUANG (1838-1917), ink and colour on silk fan with bamboo guard sticks, mountain landscape, red seal and inscription, 32 x 46cm 奕劻（1838-1917）山水詩文扇 £300-500* 356

358 LAURENCE TAM CHI-SHING, ink on paper, hanging scroll, ‘Chinese Dragon’ calligraphy, inscribed that this was gifted to Sir Percy Cradock, 60 x 38cm 譚志成（1933-2013）書法 £80-120* 359 CHEN YONG (20TH CENTURY), ink and colour on paper fan with bamboo sticks, village within a landscape, 33 x 59cm 20世紀 陳勇款 山水扇面 £80-120*

358

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359

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361 360 TANG DIN ZHI (1878-1948), ink and colour on unmounted paper fan, apple and carrots, 21 x 50cm 湯定之(1878-1948) 蔬菜瓜果扇面 £100-200* 361 HE PEIXIN (1903-1952), ink and colour on paper and stained bamboo fan, fruiting pomegranate tree to one side and calligraphy to reverse, 34 x 45cm 賀培新（1903-1952）石榴書法扇 £300-500* 362 HENGDE, AISIN GIORO (1929/33-2003), ink on paper, two hanging scrolls, calligraphy, each with presentation inscription to Percy Cradock, British Ambassador to the People’s Republic of China from 1978 to 1983, 40cm x 30cm and 87 x 31cm (2) 愛新覺羅毓嶦 (1923-2016) 書法 £100-150* 100

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363

363 GUAN LIANG (1900-1986), ink and colour on paper, hanging scroll, Opera Figures, inscribed and signed, 47.5cm x 65cm 關良 (1900-1986) 戲曲人物 £7,000-10,000*

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364 LEE MAN FONG, (Indonesian, 1913-1988), oil on masonite board, study of two horses, signed and dated 1949, 40cm x 90.5cm Provenance: Justus Blank, Dutch East India Company, and thence by descent Cf. A similar painting, perhaps a companion to the present example, was sold by Christie’s Hong Kong, 30th May 2010, Lot 1223 Classically trained in Chinese ink painting whilst embracing the style of the Dutch Impressionists, Lee Man Fong is renowned for moving fluidly between Eastern and Western aesthetics. Born in the Chinese province of Guangzhou in 1913, Lee migrated to Singapore and eventually settled in Jakarta in 1930, where he secured a job at the Dutch printing company Kolff.

In 1942 Lee was arrested by the Japanese military government for his participation in the revolutionary group Fu Xing She, who opposed Japanese colonialism in Indonesia. His jailer, Takahashi Masao, was an admirer of his work and, interested in his artistic potential, secured his early release within months.

As his artistic profile continued to rise, he was awarded a Malino scholarship to study in the Netherlands. He lived there for six years (1946-1952), during which he held four solo exhibitions in Amsterdam and The Hague, and participated in an international salon in Paris. It was here that Lee began to interweave the dark and fluid palette of the Dutch Impressionists with the classical sensibilities of the Chinese ink tradition.

Combining fluid and airy brushstrokes with a keen sense of light and shade, Lee Man Fong’s depiction of two horses sits proudly amongst his own developed vernacular. His exhibitions in Europe were critically acclaimed, with many buyers purchasing his works.

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The choice of two horses aligns with the favourite subject of Chinese artist Xu Bei Hong (1895-1953), an artist greatly admired by Lee Man Fong. Another artist renowned for his skilful interweaving of Western and Eastern aesthetics in his oil works, and whose primary subject was the horse, there is no doubt Lee took inspiration from this celebrated painter. Xu’s poetic depictions of horses, with vivid contrast between airy and dark, heavy brushstrokes, provided Lee Man Fong an expansive resource from which to draw inspiration, instilling a sense of subdued theatricality in his work. 李曼峰 （1913-1988）雙馬圖 £30,000-50,000*

From the private archive of the family

Great grandfather, Justus Blank (Dutch), lived in Jakarta, Indonesia between the 1890s-1920s, whilst working for the Dutch East India Company. Sometime in the late 1920s he moved back to Holland. The present painting was painted in Holland in 1949, so it is most likely that Justus Blank purchased this from Lee Man Fong’s exhibition in The Hague in 1950. Great granddaughter and great grandson have inherited the painting.

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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365

365 LI GENG (Chinese, b.1950), ink on paper, ‘Symphony by Mahler, Chapter 6’, signed and dated 2018, 68 x 68cm, unframed Note: Li Geng was influenced by the teachings of his father Li Keran from an early age. His father, also an artist, is renowned for grand landscape paintings, so Li Geng’s abstract and peotic compositions are in stark contrast to his father’s. The present painting from the Mahler Symphonies” series is part of Li’s tribute to the early 20th century Austrian composer Gustav Mahler (1860 - 1911), with whom the artist feels great kinship. Mahler was greatly inspired by poetry of some of the greatest Tang dynasty poets Li Bai, Meng Haoran, and Qian Qi, and his popular symphony Das Lied Von Der Erde (Song of the Earth) draws inspiration directly from the beauty and transience of their poetry.

Li Geng currently teaches painting at the Kyoto University of Art and Design. The “Mahler Symphonies” is an ongoing series of monochromatic ink wash paintings created while experiencing the epic orchestral masterpieces of his favourite composer. 李庚（1950-）馬勒《第六交響曲》 £1,200-1,800*

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Born in Chongqing in 1956, Long Quan graduated from the Sichuan Academy of Fine Arts in 1984 and taught there as a professor, as well as travelling to the UK and Germany to study and teach. The ‘Junk’ series, created in the early 1990s, is regarded as his most accomplished collection of works. Using the imagery of solitary boats floating on still waters, Long Quan expresses a piercing sense of isolation and stillness. Undisturbed by wind, rain or sound, the boats float silently in front of endless fog.

366 LONG QUAN, (Chinese, b. 1956), oil on canvas, ‘An Old Junk, 1990’, signed and dated to bottom right, 70 x 65cm Provenance: Purchased in Hong Kong 1992.

Lot is accompanied with certificate of authentication from Gallery 13 Ltd. 龍全 （1956-） 《陽光·路》 1991年 油畫布本 £3,000-5,000*

366

367 LONG QUAN, (Chinese, b.1956), oil on canvas, ‘Sunshine Path, 1991’, 50 x 60.5cm Provenance: Purchased in Hong Kong 1992.

Lot is accompanied with certificate of authentication from Gallery 13 Ltd. 龍全 （1956-） 《老船》 1990年 油畫布本 £2,000-3,000*

367

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368 WANG SHUGANG (Chinese, B.1960); resin and bamboo sculpture, man holding three baskets, 26 x 40cm 王書光（1960-） £2,000-3,000*

368

369 WANG SHUGANG (Chinese, B.1960); resin and bamboo sculpture, man reclining on a tricycle, 26 x 40cm 王書光（1960-） £2,000-3,000*

369

370 WANG SHUGANG (Chinese, B.1960); resin and bamboo sculpture, three suited men, 26 x 40cm 王書光（1960-） £2,000-3,000*

370

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371 HSIANG, Y-P. Noted Porcelains of Successive Dynasties, ed. P. Kuo and J.C. Ferguson. Peiping Chih Chai, 1931. (397 x 275mm). 86 colour plates, 83 folded leaves.

Yellow silk wrappers, elaborate silk case 校注項氏歷代名瓷圖譜 £2,000-4,000*

371

372 A collection of nine Chinese art reference books, to include: Sheaf, Colin, The Hatcher Porcelain Cargoes, 1988; Carswell, John, Blue & White - Chinese Porcelain Around the World, 2000; Allen, Anthony J., Allen’s Introduction to Later Chinese Porcelain, 1996; Jorg, Christiaan J.A., Chinese Ceramics in the Collection of the Rijksmuseum, Amsterdam, 1997; Allen, Anthony J., Allen’s Authentication of Later Chinese Porcelain, 2000; Sotheby’s, Collection de monsieur et madame Luigi Anton Laura, 27 June 2001; Scott, Rosemary E., Percival David Foundation of Chinese Art, 1989; Macintosh, Duncan, Chinese Blue and White Porcelain, 1994; Bonhams, Fine Asian Art, 11 June 2003 (9) 中國藝術參考書一組

372

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373 SEUNGMO PARK, (South Korean b.1969-) Sculpture of a standing man; aluminium wire and fibreglass, on plinth, unique piece, 87 x 27 x 16cm Provenance: Albemarle Gallery, London, where purchased by the current owner.

Note: Seungmo Park is preoccupied by the nature and illusion of existence, our environment and the way we interpret it in relation to his artwork. His fine wire sculptures and mesh installations are instantly recognisable, but on closer inspection show the intricate fabrication and surprising materials which create these painstakingly made artworks. Therefore perhaps it is no surprise he has been caught on camera comparing himself with his metal wire sculptures: “Ultimately then am I really Seungmo Park just because I have a body and existence, or am I an empty shell, or a shadow like them?” 樸勝模 韓 （1969-） 人物立像 £6,000-8,000*

373

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374 A Chinese hardwood jardinière stand, late 19th century, the rouge marble inset top above carved and pierced frieze decorated with prunus blossom, 90cm high 19世紀末 硬木嵌大理石圓架 £120-180* 375 A Chinese hongmu armchair, late 19th century, the pediment carved with two bats above two floral carved panels 19世紀末 紅木方椅 £200-300* 376 A Chinese occasional chair, late 19th century, the yoke-shape back centered with a carved and pierced splat, turned spindles, a circular cane woven panel seat, on squarecut cabriole legs, 85cm high 19世紀末 木雕花靠背圈椅 £800-1,200*

375

377 A Chinese elm horseshoe-backed chair, 19th century, the central splat carved with a panel of lingzhi above a deity 19世紀 木圈椅 £150-250* 378 A Chinese hongmu square table, late 19th century, with carved and pierced frieze raised on square supports, 52cm high 19世紀末 木方凳 £200-300* 379 A Chinese hardwood low table, kang, late 19th century, the rectangular rouge marble inset top above carved and pierced frieze decorated with lotus blooms and bats, 38 x 90cm 19世紀末 硬木嵌大理石矮桌 £1,000-1,500*

377

380 A Chinese hardwood and mother of pearl inlaid table, 20th Century, overall inlaid with mother of pearl birds and foliate decoration, the rectangular top on square legs, joined by three stretchers, 66.5cm high, 50.5cm wide, 30.5cm deep 20世紀 硬木雕花嵌螺鈿長方案 £100-200*

378

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379

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383 381 A Chinese black lacquer three-fold fourpanel screen, 20th century, inlaid to one side with various soapstone depicting exotic brids amidst foliage, 182 x 180cm 20世紀 黑漆嵌百寶花卉鳥紋四扇屏風

385 South East Asian School, (mid-20th century), watercolour on canvas, portrait of a man wearing a black head piece smoking a cigarette, signed, 54.5 x 38cm, unframed 20世紀中期 彩繪民族人物像

£800-1,200*

£100-150*

382 A Chinese lacquered five-fold six panel screen, late 20th century, carved in relief to one side with birds amongst foliage on a gold ground, 185 x 240cm 20世紀末 黑漆金地花鳥六扇屏

386 A Tibetan mandala of Hevajra, 20th century, centered with Hevajra and his consort Nairatma in union in their palace, 47 x 36cm 20世紀 西藏 喜金剛曼荼羅 £300-500*

£300-500* 383 Four Chinese woven stacking wedding baskets, early 20th century, 41 - 62cm high 20世紀初 竹編提梁蓋盒一組 （4件） £300-500* 384 A Chinese lacquered stucco head of a Luohan, 15th/16th century, 21cm high 15/16世紀 泥塑加漆羅漢頭像 £300-500*

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389 387 A Tibetan thangka, early 20th century, the central deity flanked by two attendants and in front of a table of offerings, 107 x 68cm 20世紀 西藏 寶生如來唐卡 £300-500* 388 A Tibetan thangka, 20th century, centered with Shakyamuni Buddha on a lotus throne, surrounded by various incarnations, 91 x 61cm 20世紀 西藏 釋迦牟尼唐卡 £300-500*

389 A Burmese white metal four-piece tea set and tray, 20th century, each embossed with deities and foliate motifs, tray 47cm wide, total approx.

2550 grams 緬甸 20世紀 金屬茶具及托盤一組 £500-1,000* 390 A large Korean pottery celadon glazed jar, 18th/19th century, with wide mouth and lobed body, flat unglazed base, 23cm high Provenance: Justus Blank, Dutch East India Company, and thence by descent 18/19世紀 青釉大罐 £400-600*

388 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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391 A Tibetan gilt bronze figure of a lama, 17th century, with hands clasped in his lap, wearing a robe engraved with foliate scrolls, seated on a double-lotus base, 17cm high 17世紀 西藏 銅鎏金喇嘛像 £2,500-3,500*

391

392 A Tibetan bronze figure of a lama, 15th century, with right hand in bhumisparshamudra, his left hand resting in his lap, wearing voluminous robes engraved with foliate scrolls, seated on a double-lotus base, 13cm high 15世紀 西藏 銅鎏金喇嘛像 £2,000-3,000*

392

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393 A Nepalese gilt bronze jewelled figure of Vasudhara, 15th/16th century, seated in lalitasana over a lotus base with beaded rim, the lowered right hand in varada mudra and the left hand holding the vase of Amrita, wearing a dhoti, the earrings, necklace, and arm adornments set with lapis and turquoise, 10cm high 15/16世紀 銅鎏金財源天母 £600-800*

393

394 A Nepalese gilt bronze figure of Syamatara, 17th century, seated in lalitasana on a double lotus base, her right foot resting on a padma, her hands in varada and vitarka mudra, with elaborate headdress, 21cm high Provenance: Sotheby’s, London, 21.10.1993, lot 409 Published: Himalayan Art Resources (himalayanart.org), item no. 23425 17世紀 銅鎏金綠度母造像 £4,000-6,000*

394 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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396 395 A Tibetan silver and coral-set trumpet, 19th century, engraved to the stem with foliate scrolls above repousse decorated knop, the flared trumpet filigree decorated with festoons above a ruyi-head border and beaded rim, 55cm high Provenance: private Greek collection, 1980s 19世紀 西藏嵌珊瑚銀欽 £700-900* 396 Two Khmer bronze antefixes, 12th century, cast as a mythical bird issuing from a mythical beast mask, 11cm high, on display stands Provenance: Peter Marks (19352010), New York 12世紀 高棉 青銅建築構件 £800-1,200*

397 A Japanese porcelain tensided Imari bowl, 19th century, decorated with chrysanthemum and peonies in red blue and green, floral paulownia border to inner rim, peony branch to the central reserve, 13.8cm wide 19世紀 日本伊萬里青花五彩花卉紋八 方折沿碗 £200-300* 398 Japanese Imari porcelain bowl, 19th century, with scrolling floral border, decorated with peonies 22cm; together with a Japanese porcelain rectangular tray, decorated with bamboo design to inner rim, and poem of February flowers to inner floor, 23.5cm (2) 17世紀 日本 有田焼花卉紋碗及 青 花詩文筆舔 £200-300*

395

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402

401 399 Fourteen pieces of Japanese porcelain, 20th century, including; Daishi Imari plate with typical moulded petal border and decorated with brocade chrysanthemum, signed kigyoku hotei no chin to base; a Kakiemon-style Kutani dish with fuku mark in double square to base, five kacho-e dishes signed suzuki zo; two imari dishes, three blue and white small bowls and plate (14) 20世紀 日本瓷器一組（14件） £100-200* 400 A Japanese porcelain jar, early 20th century, of globular form with everted rim, painted in underglaze blue with flowering peony blossoms, underglaze blue signature mark to base, 19.5cm high 韩国 青花牡丹纹月亮瓶 £100-150* 401 A Japanese porcelain jar, late 19th century, painted in underglaze blue and gilt highlighted with prunus blossom on a cracked ice ground, 18cm high 19世紀 日本青花描金冰梅紋蓋罐

403

£200-400* 402 A pair of Japanese studio pottery saucer dishes, early 20th century, slip-decorated with a central flowerhead, 16cm diameter 20世紀初 日本瓷盤一對 £120-180* 403 A Japanese Mashiko stoneware charger, 20th century, solid and rustic form, rich red glaze with blossom design, style of Shoji Hamada, 39cm diameter £150-200* 404 A Japanese Satsuma vase, late Meiji period, of baluster form, decorated in enamels and gilt, with two panels, one depicting a bird in a cherry tree, the other a sennin riding a crane above a scene of mountains, waterfalls and pine trees, 29cm high 明治晚期 日本薩摩焼山水人物圖紋瓶 £300-500* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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406

405 Japanese miniature Satsuma teapot, Meiji period, depicting two interior scenes of men and women, signed to base Gen Dai Nippon, Satsuma-yaki, Meigyokuzan, 10cm high, miniature lidded satsuma pot, decorated with lilies and butterfly; together with blue and white bowl with kirin to floor, 17cm (3) 明治時期 日本薩摩焼及青花等瓷 器一組（3件）

406 A Japanese Satsuma ware service, early 20th century, consisting of six teacups and saucers, a teapot, lidded sugar bowl and lidded milk jug, each marked with satsuma mon and signed Hakuzan to base, decorated with a scene of young ladies in a garden beneath Mount Fuji, with original hard case 42 x 56 x 14cm 20世紀初 日本 薩摩焼山水人物 紋茶具一組

£150-250*

£300-500*

407 A Japanese Satsuma chrysanthemum bowl, Meiji period, decorated in gold, red, blue, green and white, with chrysanthemums throughout, signed Shozan to base, 25cm wide Provenance: Justus Blank, Dutch East India Company, and thence by descent 明治時期 日本 彩繪描金菊紋大 碗 ‘莊山’款 £600-800*

407

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408

408 A Japanese Satsuma lidded box by Okamoto Ryozan, Meiji period, manufactured by the Kyoto Ceramic Joint Stock Company, with Yasuda Company trademark mon and signed Ryozan to base, the body depicting children and ladies in a garden, the lid an interior scene of a fan dance, each panel featuring gold dot-work clouds typical of Ryozan, box interior decorated with fishing motifs, overall 9.5 x 13.3 x 7.6cm 20世紀初 日本薩摩燒金彩錦手風景人物繪 方蓋盒 ‘京都陶磁器合資會社’款 £2,000-3,000* 409 A Japanese furisode kimono, mid20th century, a formal kimono worn by young unmarried women, cream silk with cranes, embroidered with cherry tree and blossom, metallic gold and silver piping, padded weighting to hem, approx 190cm. long £200-300* 410 A Japanese bronze vase, 20th century, inlaid with bamboo and high relief sparrows, signed, 27cm high; together with tazza decorated with lotus and various insects, supported by three bamboo effect legs, 27.5cm wide; brass teapot decorated with aubergine, 19cm high (3) 20世紀 日本 竹紋瓶及 隨座花卉紋茶壺 一 組（3件） £100-120* * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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411

412

411 A Japanese bronze decorative bowl, Meiji period, of squat rounded form and wide mouth, with two sculpted frogs mounted to the rim, from the Nogawa work shop, signed Yoshimasa to base, 24cm wide Provenance: Justus Blank, Dutch East India Company, and thence by descent 明治時期 日本 銅蛤蟆香爐 £300-500* 413

412 A Japanese bronze quatrilobe censer, 20th century, decorated with cranes flying beneath a pine tree, and sparrow perched on a cherry blossom branch, twin handles of bamboo form, on four scrolling feet, 22.5cm wide 20世紀 日本 海棠形喜上眉梢紋銅香爐 £100-200* 413 Two Japanese bronze rabbits and a toad, Meiji period, the rabbits with etched fur, alert ears and prominent eyes, largest 8cm high (3) 明治時期 鑄鐵蟾蜍；鑄鐵兔一對 （3件） £200-300* 414 A Japanese bronze figure of Jizo Bosatsu, early 20th century, right hand holding a shakujo staff, and left hand posed as if to hold a hoju no tama jewel, his robes painted in rich gold, 64cm high 20世紀初 日本銅鎏金佛立像 £500-800* 415 A Japanese bronze stag beetle okimono, Meiji period, with seal to abdomen, 14cm; together with a small bronze bowl engraved with cranes, minogame and pine trees, 8cm diam (2) 明治時期 銅甲蟲 £150-250* 416 A Japanese silver covered rectangular box and cover, early 20th century, engraved to the cover with bamboo shoots and chrysanthemum, 14cm wide 20世紀初 日本 花卉紋銀方盒 £100-150*

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416

417 A pair of Japanese champleve enamel baluster vases, Meiji period, decorated with birds amongst foliage on a turquoise ground, 14.5cm high 明治時期 日本 銅胎掐絲琺瑯花草鵪鶉小瓶 一對 （2）

417

£200-400* 418 A Japanese cloisonné dish, early 20th century, decorated with a crane in flight amongst floral sprays on a blue ground, 30cm diameter 20世紀初 日本 銅胎掐絲琺瑯仙鶴紋盤 £80-120* 419 A pair of Japanese cloisonné enamel vases, Meiji period, with flared rims leading to tapering cylindrical bodies decorated with prunus and chrysanthemum blossoms amongst a wooden structure, signed to bases, 16cm high (2) 明治時期 日本 銅胎琺瑯風景花卉紋梅瓶 一對 £200-300* 420 A pair of Japanese cloisonné enamel vases, Meiji period, finely decorated with green and red five-clawed dragons flying against a dark blue ground, 25cm high (2) 明治時期 日本 銅胎琺瑯龍紋瓶 一對 明治時期 418

£500-800*

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423 422

421 Japanese shodana cabinet with stand, Meiji period, tortoiseshell inset panels to the top, front and sides, lacquer and gilded decoration depicting flowers and birds, two tortoise shell and gilt decorated panel doors and six variously sized drawers, interior with three further tortoiseshell and gilt decorated drawers, overall 36.5 x 54 x 16.6cm 明治時期 日本 黑漆嵌寶立櫃 £300-500* 422 A Japanese blue glass double-gourd toggle, late 19th century, with metal chrysanthemum to each end, 5cm

424

£150-250* 423 A Japanese lacquer box, 19th century, decorated with carp with inlaid eye against soft jimaki waves, and stylized takamaki-e waves, 16.5 x 9 x 4.5cm £300-500* 424 A Japanese tea ceremony lacquer box, 19th century, lid decorated with a bull looking to the moon, hiramaki-e clouds, bamboo, pine and blossom to four sides, with cricket in grass to inner lid, 11 x 7 x 7.5cm £700-1,000* 425 A Japanese three tiered lacquer jubako, 19th century, decorated with abstract tsugaru nuri in rich ambers and reds, 10.5 x 11.5 x 16cm £2,000-3,000*

425

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426

426 A Japanese lozenge-shaped lacquer box, 19th century, one lozenge decorated with raised takamaki-e pine trees above hiramaki-e waves and a background of nashiji, the other with plovers in flight above hiramaki foliage, stylised Japanese flora and fauna to walls, a green cricket in grass to inner lid, 21 x 11.5 x 11.5cm £3,000-5,000* 427 A Japanese porcelain netsuke, 19th century, modelled as a blue peach with vibrant stem and leaves, 5.5cm £300-400* 428 A Japanese marine ivory netsuke, 19th century, carved as a monk with child, 4cm

427

£200-300* 429 A Japanese boxwood netsuke, 19th century, carved as a mermaid grasping a jewel between her hands, tail carved with intricate scales, 7.8cm £500-700*

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431 430

432

430 A Japanese stag antler manju netsuke, 19th century, lace carved with elegant floral motif, 4cm £300-400* 431 A Japanese wooden netsuke, 19th century, carved as a coiled snake, with inlaid eye, signed to base, 5.5cm £200-300* 432 A Japanese wooden netsuke, 19th century, carved simply as a group of chestnuts, 5.5cm £200-300* 433 A Japanese wooden netsuke, 19th century, carved as a parasol carrier, signed to reverse, 6cm

434

£200-300* 434 A Japanese wooden netsuke, 19th century, carved as a sneezer with koyori, signed Uwasa to base, 3.5cm 433

£200-300* 435 A Japanese marine ivory manju netsuke, 19th century, simply carved with figure at chado, 5.5cm £200-300* 436 A Japanese stag antler netsuke, carved as Gama Sennin, posed with gnarled staff and toad perched on his shoulder, 9cm £200-300* 437 Japanese wooden netsuke, late 18th century, carved as a South Sea islander in a leaf skirt, posed with a drum at his waist and holding a shell to his ear, 10.5cm £400-600*

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439 438

438 A Japanese boxwood shunga netsuke, 19th century, carved as a nude woman seated beside a wove basket, signed Mingyoku, 5.5cm

440

£500-700* 439 A Japanese wooden netsuke, 19th century, carved as a small thatched hut with figures inside, beside a pine and rock formation, signed Horaku to base, 4.5cm £500-700* 440 A Japanese lacquer netsuke, of hexagonal form, with shell inlay and sakura blossom design to each end, 3.5cm £200-300* 441

442

441 A Japanese stag antler netsuke, 19th century, carved as a man struggling with a comically large mushroom, 4.5cm £200-300* 442 A Japanese wooden netsuke, 19th century, carved as a horse grazing with bent left knee, 3.5cm £100-200*

443

443 A Japanese wooden netsuke, 19th century, carved as a bird with inlaid eyes, signed and inscribed kaichu iri, jitsu nari, 4cm

444

£200-300* 444 A Japanese ivory and metal hako netsuke, 19th century, of square form, ivory carved with ki, the character for happiness, a chrysanthemum and oak leaf, 2.5 x 1.5cm £300-400* 445 A Japanese ivory ryusa netsuke, 19th century, with central chrysanthemum, lace carved lotus and turtle, 4cm £300-400*

445

446 A Japanese wooden netsuke, Meiji period, carved as a cluster of Noh masks, signed Shumin, 4.5cm

446

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447

448

449 447 A Japanese wooden netsuke, late Meiji period, carved as a stone cutter with tools, wearing intricately patterned kimono, 5cm £200-300* 448 A Japanese wooden netsuke, Meiji period, carved as a sneezing man with ivory koyori, 4cm £200-300* 449 A Japanese wooden netsuke, Meiji period, carved as a Noh actor, with ivory Okina mask and tabi socks, signed Jugyoku, 4.5cm £200-300* 450 Three Japanese netsuke carved as Dutchmen, 19th century, including two of stag antler, carved with curled hair wearing robes and hats; together with one of Ivory, carved with traditional Dutch clothing, carrying a child atop his shoulders, 9-10.5cm (3) £600-800*

450

451 A Japanese stag antler netsuke, carved as Shoki the Demon Queller, posed with flowing sleeves, sword in hand and a demon in his grip, 7cm £200-300* 452 A Japanese tsuishu manju netsuke, 19th century, of square form, one side decorated with karajishi and peony, the other with asanoha ground, signed Yosei-zo to interior, 4.5cm £300-400*

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453 A Japanese stag antler netsuke, 19th century, carved as Hotei, posed with stomach exposed and holding a sack behind his head, signed Souchi-to, and inscribed tame kudo ani (for Kudo brother) to reverse, 5.5cm £200-300* 453

454 454 Three Japanese wooden netsuke, 19th century, including; an octopus, a cluster of noh masks, and Sennin Tobosaku holding the giant peach of immortality, largest 5cm £200-300* 455 Japanese carved wood Komokuten figure, the guardian deity, seated on dragon throne, wears a red snake around his neck in Karana Mudra pose, 30cm high £300-500* 456 A pair of large Japanese carved wood Nio Temple Guardian figures (Agyō & Ungyō), early 19th century, with traces of polychrome decoration, 140cm high £600-800*

456 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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457 457 Reiki Yamaguchi, Japanese 1894-1979, two-fold furosaki screen, ink in colour against gold ground, decorated with butterflies above clover, signed Reiki ga, sealed Reiki, 150 x 73cm ÂŁ800-1,200*

458 458 A Japanese furosaki two fold screen, 19th century, ink in colours against gold ground, decorated with butterfly above wildflowers, signed and sealed, 90 x 69.5cm ÂŁ1,500-2,000*

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459 After Hakuin Ekaku, 18th century Japanese scroll, depicting Shoki the Demon Queller, inscribed with a poem describing Shoki’s hunt for the demon, bearing two faded red seals, kakemono-e, 114cm x 47.5cm £500-1,000*

460 Japanese School, mid 20th century, abstract oil on canvas, birds in a landscape, signed Teru, 41 x 30.5cm, framed £200-300*

460

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

459

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461 (seals)

461 After Hakuin Ekaku, 18th century Japanese scroll, depicting Shoki the Demon Queller, inscribed with a poem describing Shoki’s hunt for the demon, bearing two faded red seals, kakemono-e £100-200* 462 A collection of nineteen Japanese sumi-e, Shijo School, 20th Century, illustrating various flora and fauna including persimmon, bamboo, cherry and plum blossom, eighteen with artist’s seal; together with two further mounted prints, in folder, largest sheet 36.5 x 27.8cm (unframed) (21) £200-400* 463 Clifton Karhu, American/Japanese, 1927-2007, two woodblock prints in colours, including Mt Fuji “E” and Higashiyama II Kyoto, each signed, titled and numbered 7/80 and 22/100 respectively in pencil, image 25.3 x 15.4 cm and 26.5 x 20.3cm (framed) (2) £400-600*

461

463

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464 A contemporary Japanese print, lithograph in colours on wove, titled Sayasaya, numbered 3/17 and signed with the initials T.H. in pencil to recto, with artist’s seal, sheet 70 x 52cm (framed) £100-150*

464 465 Japanese School, 20th century, Noh actor wearing zo-onna mask, mixed media paint in colours on board, signed Shinkan hitsu, with artist’s seal to recto, 45.5 x 53cm (framed) £200-400*

465

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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467

466

466 Ohara Koson, Japanese, 1877-1945, Northern Lapwing Perched on a Willow Tree, c.

1910, woodblock print in colours, signed Koson, with the red seal Koson, otanzaku 19.2 x 36.8cm (unframed) £100-150* 467 Ohara Koson, Japanese 1877-1945, three woodblock prints in colours, c. 1910s, including; Plum blossom at night, Praying mantis and wasps, Mallards in flight, variously signed and sealed Koson, each otanzaku 19.2 x 36.2cm (unframed) (3) £200-300* 468 Ohara Koson, Japanese 1877-1945, Five woodblock prints in colours of birds, c. 1910s, each signed Koson and sealed Koson, each Otanzaku approx. 19 x 36cm (unframed) (5)

468

£500-700*

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469 Three Japanese shinhanga woodblock kacho-e, Ohara Koson, 1877-1945, Canary and Roses, c.1930, signed and sealed Koson; together with Takahashi Biho 1837- ?, Golden Pheasant and Bird on Branch, c.1930s, each signed and sealed Biho, with Made in Japan stamp to verso, largest sheet 27 x 24.3cm (unframed) (3) £200-300* 470 Two Japanese shin-hanga woodblock prints in colour, Shiro Kasamatsu, 1898-1992, Fukuura Hama no Musume, 1954, signed and sealed Kasamatsu, published by Unsodo; together with Asano Takeji, 1900-1999, A Bamboo in the Shrine, 1953, signed Takeji ga, published by Unsodo, each vertical oban approx. 27.5 x 39.7cm (unframed) (2)

469

£200-300* 471 After Tsuchiya Koitsu, Japanese 1870-1949, The Sacred Bridge at Nikko 1937, and Futarasan at Nikko 1936, both woodblock prints in colours, posthumously published from original blocks c.1960 , each signed Koitsu, Sealed Shin, both o-oban 28 x 43.3cm (unframed) (2) £200-400* 470

471 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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472 472 Katsuyuki Nishijima, Japanese b.1945, two woodblock prints in colours, signed, titled and numbered 164/500 and 452/500 respectively in pencil; together with a further woodblock print in colours, Teruhide Kato b.1936, A Thousand Torii Gates at Fushimi Inari Shrine, with artist's seal, largest image 40.2 x 28.1cm (framed) (3) £100-150* 473 Hiroshi Yoshida, Japanese 1876-1950, Sarusawa pond, 1933, woodblock in colours, signed and titled in pencil, signed and sealed to plate, image 37.3 x 24.7cm (framed) £200-300* 474 Yoshijiro Urushibara, Japanese 1888-1953, Horse (D), c.1950, woodblock print in colours, signed Y. Ushibara in pencil, with artist’s seal Mokuchu, sheet 35.5 x 26 cm (framed) £100-200* 475 Paul Jacoulet, French 1896-1960, Les Bons Piments Rouges!, 1954, woodblock in colours, signed in pencil, bearing artist’s seal, numbered 42/350 to verso, from the series Johokuri Coree, image 30 x 39cm (unframed) £150-200* 472

473

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475

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476

477

476 Portfolio of various reproduction woodblock prints, 20th century, featuring various artists including Utagawa Hiroshige, Utagawa Kuniyoshi, Suzuki Harunobu, and Kiyoharu Kondo, each sheet loose as issued, accompanied by tissue cover with English and Japanese text descriptions, in original fabric folio, each vertical oban approx. 19.6 x 30.1cm (folio) (28) £300-500* 477 Tadamasa Ueno, Japanese 1904-1970, Eighteen Kabuki Plays, 20th century, two woodblock prints in colours; Kamakura Gongoro in the Play Shibaraku and Kagekiyo, each signed, both vertical oban; together with Ota Masamitsu, 1892-1975, Kenuki, 1931, largest image 24.5 x 36cm (3) £200-300*

478

478 After Toshusai Sharaku, Japanese active 1794-95, Actor Matsumoto Koshiro IV as Gorobei the Fishmonger, from the pay Katakiuchi Noriiai-Banashi,1960, woodblock print with mica ground, published by the Institute of Woodcut Prints, with Adachi stamp to verso, vertical oban 46 x 36cm (framed) £100-200* 479 Kitagawa Tsukimaro, Japanese active 1776-1825, Two Beauties Arranging their Hair, c.1810s, woodblock print in colours, signed Kikumaro hitsu, vertical oban 32.5 x 22.3cm (framed) £400-600*

479 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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480 480 Utagawa Yoshitsuya, Japanese 1822 - 1866, Offering Congratulations at the Kamakura Palace, 1861 11th month, woodblock print in colours, complete triptych, each sheet signed Ichiesai Yoshitoshi, published

by Kinshodo (Tsujiokaya Bunsuke), each sheet vertical oban 35.5 x 23.6cm (framed) Note: see Museum of Fine Arts, Boston, accession number 11.37928a-c, for similar example ÂŁ500-700*

481 481 Utagawa Kunisada, Japanese 1786-1864, Act XI of The Storehouse of Loyal Retainers (Chushingura), 1835 8th month, complete triptych woodblock print in colours, signed variously Gototei Kunisada and Kunisada ga, published by Takeuchi Magohachi, each sheet vertical oban approx. 25.5 x 37cm (framed) Note: see Museum of Fine Arts, Boston, accession number 11.39379, for similar example ÂŁ500-700*

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482

482 Utagawa Kunisada, Japanese 1786-1864, two woodblock prints in colours, both signed Toyokuni-ga, including Kanagawa: Iwai Hanshiro VII in the role of Ofune, 1852 8th month, from the series Fifty-three Stations of the Tokaido Road, and Ichikawa Kodanji IV in the play Nezumikomon haru no shingata, 1857, from the series Odori Keiyo Gedai Zukushi, Haiyu nigao azuma nishikie; together with Toyohara Kunichika, 1835-1900, Yoarashi Oki No Shiranami, signed Toyoharu Kunichika hitsu, each vertical oban approximately 35 x 24.3cm (framed) (3) Note: see Museum of Fine Arts, Boston, accession number 11.29445, for similar example ÂŁ200-300* 483 Utagawa Kunisada, Japanese 1786-1864, The actor Sawamura Tanosuke, early 19th century, surimono woodblock print in colours with embossing, signed Toyokuni-ga, sealed kiwame, published by Yamaguchi-ya Tobei, vertical oban 24.8 x 37.6cm (framed) ÂŁ300-500*

483

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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484 Utagawa Kunisada, Japanese 1786-1864, The actor Sawamura Soujiro, early 19th century, surimono woodblock print in colours with embossing and mica dust, sealed kiwame, published by Izumi-ya Ichibei, vertical oban 25.6 x 37.9cm (framed) £300-500* 485 Utagawa Kunisada, Japanese 1786-1864, Ayame no Mae and Gen Sanmi Yorimasa, 1858 10th month, woodblock print in colours with embossing, from the series Toto hiki-kyo, published by Aito; together with Ryusai Shigeharu, 1802-1853, Actor Arashi Rikan II as Sasaki Takatsuna, 1830 3rd month, each vertical oban, largest image 25.5 x 37cm (framed) (2) Note: see Museum of Fine Arts, Boston, no.

11.36206, for similar example £200-300* 486 Utagawa Kunisada, Japanese 1786-1864, Actor as Akoya with blackened teeth, 1862-63, signed Ki-o Toyokuni ga, sealed kiwame, published by Ōtaya Takichi, vertical oban 24.8 x 35.7cm £200-300* 484

485

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486

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487 487 Utagawa Kunisada, Japanese 1786-1864, Two woodblock prints in colours, Koshimoto Okaru and Hayano Kanpei 1852 6th month, signed Toyokuni ga, censor’s seal Murata and Kinugasa, vertical oban 25.3 x 36.3cm; together with Ch. 13 Akashi, 1852 2nd intercalary month, from the series The Colour Print Contest of a Modern Genji, signed Toyokuni ga, published by Sanoya Kihei, vertical chuban 18 x 25cm (unframed) (2) £200-300* 488 Utagawa Kunisada, Japanese 1823-1880, No. 1 Kiritsubo, 1857 1st month, from the series Murasaki Shikibu’s Genji Cards, woodblock print In colours, signed Kunisada ga, largest sheet 25.5 x 37.8cm (unframed) Note: see Art Institute Chicago, accession number 1901.116, and Museum of Fine Arts, Boston, accession number 11.20826 for similar examples £100-150*

488

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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489 Utagawa Hiroshige, Japanese 1797-1858, Cotton-goods Lane, Odenma-cho,1858 4th month, woodblock print in colours, from the series One Hundred Famous Views of Edo, signed Hiroshige ga, published

by Shitaya Uo Ei, vertical oban 22.5 x 34.3cm (framed) ÂŁ400-600* 490 Utagawa Hiroshige, Japanese 1797-1858, Two woodblock prints in colours, including; Hirase in front of Hachiman Shrine at Fukagawa c.183345, from the series Edo Komei Kaitei Zukushi, and Toto Meisho Kanda Myojin, 1832-38; together with Hiroshige II 1861-64, Asuka-yama 1861 10th month, from the series Edo Meisho Zue, each sheet signed Hirosige ga, each horizontal oban image approximately 22.2 x 34.8cm (unframed) (3) Note: see Art Institute Chicago, no.

1943.723, for similar example ÂŁ300-500*

489

490

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491 Utagawa Hiroshige 1797-1858 and Utagawa Kunisada 1823-1880, Hibiscus, 1858, from the series Tosei Jukkasen, woodblock print in colours, signed Hiroshige hitsu and Toyokuni ga, depicting Actors Gado II and Otani Tokuji II, vertical oban (unframed) Note: an edition after the first smaller issue published 1854 6th month, see Museum of Fine Arts, Boston, accession number 11.29213, for similar example ÂŁ200-400* 492 Utagawa Yoshiiku, Japanese 18331904, The great battle of Yashima in the Genpei War, 1860, complete triptych woodblock print in colours, signed Utagawa Yoshiiku ga, each sheet vertical oban 24 x 36cm (framed) ÂŁ100-200*

491

492

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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493

493 Utagawa Yoshiiku, Japanese 1833-1904, A Moon-viewing Party with the Suma Koto in the Bedroom, 1861 1st month, complete triptych woodblock print in colours, each sheet signed Ikkeisai Yoshiiku ga, published by Maruya Jimpachi; together with Ch. 46 Shigamoto: Minamoto no Sanmi Yorimasa, 1863, from the series Modern Parodies of Genji, signed Ikkeisai Yoshiiku ga, each sheet vertical oban approximately 25 x 37cm (unframed) (4 sheets) ÂŁ300-500* 494 Toyohara Kunichika, Japanese 1835-1900, Actor Ichimura Kakitsu IV as Hayano Kanpei Yoshitoshi, 1866 7th month, woodblock print in colours, from Stories of the True Loyalty of Faithful Samurai, signed Kunichika hitsu, sealed Todashima, vertical oban 24.3 x 35cm (unframed) ÂŁ100-150*

494

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495

495 Toyohara Kunichika, Japanese 1835-1900, actor Sawamura Tosho against a ground of irises, c.1865, woodblock print in colours, signed Kunichika ga, published

by Izutsu-ya Shokichi, vertical oban 24.5 x 35.8cm ÂŁ100-200*

496

496 Mori Sosen, Japanese 1747-1821, Two monkeys, a mother and infant with wasp beneath a branch of blossom, ink on silk in colours, unmounted kakemono-e, signed Sosen hitsu, sealed Mori Shusho and Sosen, 33.5 x 62.5cm ÂŁ300-400*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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497 Utagawa Toyokuni, Japanese 1769-1825, The actor Sawamura Tanosuke with a pipe, early 19th century, surimono woodblock print in colours with embossing, signed Toyokuni-ga, sealed kiwame, published by Yamaguchi-ya Tobei vertical oban 25.1 x 37cm (framed) ÂŁ400-600*

497 498 Utagawa Toyokuni, Japanese 1769-1825, Actor in an interior with fan, woodblock print in colours, signed Toyokuni ga, published by Izumi-ya Ichibei , vertical oban 25.7 x 37.6cm (unframed) ÂŁ300-400*

498

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499 499 Utagawa Toyohiro and Utagawa Toyokuni, 1773-1828 and 1769-1825, The sixth month, 1801, woodblock print in colours, complete triptych from the series Twelve Months by Two Artists, Toyokuni and Toyohiro, each sheet signed Toyohiro ga, published by Yamadaya Sanshiro, each sheet vertical oban 37.5 x 24.3cm (unframed) (3 sheets) Note: see Museum of Fine Arts, Boston, accession number 54.190-2, for similar example £200-400*

500 Katsukawa Shunko, Japanese 1743-1812, Two actor prints, woodblock in colours, one signed Shunko ga, one bearing artist’s seal, hosoban 13.7 x 32cm and 15 x 32.5cm (framed) (2) £600-800*

500 * plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

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501 501 Utagawa Yoshikazu, Japanese active ca.1850-70, A Foreign Residence in Yokohama, 1861 1st month, woodblock print in colours, two panels from triptych (incomplete), signed Issen Yoshikazu ga, published by Omiya Kyusuke, each sheet vertical oban 36 x 23.5cm (framed) Note: see The Metropolitan Museum of Art, New York, accession number 2007.49.159, for similar example ÂŁ200-300* 502 Tomikawa Fusanobu (Ginsetsu), active c.1750-80, Jurojin and an Octopus, late 18th century, signed Tomikawa Fusanobu ga, hosoban 14.4 x 31.2cm (unframed) ÂŁ100-200*

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503

503 Kikugawa Eizan, Japanese 17871867, Beauties in a garden, woodblock print in colours, complete triptych, each sheet signed Eizan hitsu, sealed kiwame, each sheet vertical oban approximately 36 x 24 (framed) ÂŁ400-600* 504 Totoya Hokkei, Japanese 17801850, Still life depicting eggs and asparagus, c.1817, surimono woodblock print in colours, with kyoka poems by Gyokkaso Maruzumi and Kumodori Wataori, signed Oju Hokkei hitsu, shikishiban (framed) ÂŁ400-600*

504

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

145

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505 After Katsushika Hokusai, Japanese 1760-1849, Puppeteer Holding Puppet on Go Board, published c.1890s, surimono woodblock print in colours, signed Hokusai Aratame Katsushika Iitsu hitsu, featuring a poem by Shimootogaki Maeda Soramitsuta, shikishiban 21.7 x 18.6cm (framed) Note: see Museum of Fine Arts, Boston, no. 11.25211, Minneapolis Institute of Art, no. P.78.63.32, for similar examples 傳 葛飾北齋 版畫 £200-300*

505 506 Katsushika Hokusai, Japanese 1760-1849, Musicians playing Koto and Flute, 1821, surimono woodblock print in colours with metallic pigments, from the series Five Sibling Pictures of China and Japan for the Zakurogaki Group, signed Getchirojin Iitsu Hitsu (Moonstruck Old Man Iitsu), shikishiban 18.3 x 21cm (framed) £400-600*

506

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507

507 Katsushika Hokusai, Japanese 1760-1849, Koshu Misaka Suimen (Reflection in Lake Misaka, Kai Province), c.1830-34, woodblock print in colours, signed Zen Hokusai Iitsu hitsu, from the series Thirty-six Views of Mount Fuji, an early impression with blue outline, horizontal oban 38.8 x 25cm (framed) ÂŁ1,500-3,000*

* plus Buyers Premium 25% + VAT (30% inclusive of VAT) ARR - indicates an additional charge may apply, see information on page 2.

147

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Inviting Consignments CHINESE, JAPANESE & SOUTH EAST ASIAN ART 19 MAY 2020

Katsushika Hokusai, Japanese, 1760-1849 Three woodblock prints from the series 36 Views of Mount Fuji Sold for £22,500 inc bp

Contact Head of Department Bill Forrest for a complimentary valuation billforrest@roseberys.co.uk +44 (0) 20 8761 2522 | www.roseberys.co.uk

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Inviting Consignments ISLAMIC ARTS 24 APRIL 2020

A large Umayyad carved marble capital, Madinat Al-Zahra, Andalusia, Spain, second half 10th century Sold for ÂŁ46,250 inc bp

Contact Head of Department Alice Bailey for a complimentary valuation alicebailey@roseberys.co.uk +44 (0) 20 8761 2522 | www.roseberys.co.uk

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Inviting Consignments ARTS OF INDIA 9 JUNE 2020

A group of ten Sikh portraits on ivory of Sikh Gurus and two of regimental Sikh banners flanking Guru Nanak, mounted in a carved sandlewood frame, and belonging to the 11th Sikh Regiment of the British Indian Army Sold for ÂŁ25,000 inc bp

Contact Head of Department Alice Bailey for a complimentary valuation alicebailey@roseberys.co.uk +44 (0) 20 8761 2522 | www.roseberys.co.uk

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SPECIALIST TEAM Ian A. Cadzow Chairman & Joint Managing Director Rugs, Furniture & Works of Art iancadzow@roseberys.co.uk Vicki Wonfor Joint Managing Director Head of Corporate Collections vickiwonfor@roseberys.co.uk Peter Greenway Director Head of Professional Services petergreenway@roseberys.co.uk Marcus Grey Director Head of Paintings & Prints marcusgrey@roseberys.co.uk Bill Forrest Associate Director Head of Department Asian Arts billforrest@roseberys.co.uk Helena Anderson Associate Specialist Modern & Contemporary British Art helenaanderson@roseberys.co.uk Alice Bailey Head of Department Islamic & Indian Arts alicebailey@roseberys.co.uk Fiona Baker Head of Department 20th Century & Decorative Arts fionabaker@roseberys.co.uk Mark Bowis Head of Department Jewellery & Watches markbowis@roseberys.co.uk Nigel Dawson-Ellis Junior Cataloguer Furniture & 20th Century Design nigeldawsonellis@roseberys.co.uk Anna Evans Consultant Specialist Works of Art annaevans@roseberys.co.uk Sophie Hetherton Junior Cataloguer & Departmental Assistant Paintings & Prints sophiehetherton@roseberys.co.uk

Roseberys London Main London Saleroom 70/76 Knights Hill London, SE27 0JD

Sam Howard Administrator Asian, Islamic & Indian Arts samhoward@roseberys.co.uk Mark Longley Specialist Ceramics & Glass, Works of Art & Collectables marklongley@roseberys.co.uk

Complimentary valuations Monday to Friday: 9.30am to 5.00pm

Tess O’Brien Specialist Impressionist, Modern, Post War and Contemporary Art tessobrien@roseberys.co.uk

+44 (0) 20 8761 2522 clientservices@roseberys.co.uk

Kate Pritchard Cataloguer & Valuer Paintings & Prints, Modern & Contemporary Art katepritchard@roseberys.co.uk

Central London OfďŹ ce Valuations by appointment.

Please call us on +44 (0) 20 8761 2522 or email our Professional Services department at valuations@roseberys.co.uk to book your complimentary valuation.

Lot 373

Alex Tonkinson Consultant Specialist Modern Design alextonkinson@roseberys.co.uk Elizabeth Wormald Cataloguing Assistant & Administrator Prints & Multiples / Japanese Arts elizabethwormald@roseberys.co.uk Shane Xu Head of Department Modern & Contemporary Prints & Multiples shanexu@roseberys.co.uk

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TERMS OF CONSIGNMENT FOR SELLERS These terms apply to Rosebery Fine Art Ltd trading as Roseberys and Roseberys London.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract.

Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission and Entry Fee. (a) Entry Fee: A charge of £20 is made to each lot sold in addition to vendor’s commission. This charge covers our specialist research, catalogue description, website illustration, marketing on our website and other third party sites as well as live or timed bidding on various internet platforms. (b) Vendors Commission: Is charged on each lot at 15%.

3. Catalogue Illustration Fee. The cost of any illustration is borne by you. Lots may be illustrated in a catalogue and thus a charge of between £20-60 per illustration is applicable, dependent on size. For example a quarter page illustration £20, half page £40, three quarter/full page £60. The copyright in respect of such illustrations shall be the property of the auctioneers, as is the text of the catalogue; any persons to be found to have reproduced such illustrations or text without prior written approval will be deemed as being in breach of copyright law and appropriate legal action may be taken.

4. Loss and Damage of Goods (a) Roseberys is not authorised by the FSA to provide insurance to its clients, and does not so do. However Roseberys, for its own protection, assumes liability for property consigned to it at the lower pre-sale estimate until title passes to the buyer. To justify accepting liability, Roseberys makes a charge of 1.75% of the hammer price plus VAT. The liability assumed by Roseberys shall be limited to the lower pre-sale estimate or to the reserve if the lot was unsold.

Settlement in any claim arising shall be subject to commission as if the lot had sold in the normal manner. (b) If the owner of goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4(a) is inapplicable. (c) Roseberys will not be liable for the loss or damage to frames or glass covering prints, paintings or other works. Old frames are often fragile or subject to deterioration and whilst Roseberys will do their

upmost to ensure the safety and care of frames and glass we will not compensate for loss or damage to property caused by changes in humidity or temperature, normal wear and tear, gradual deterioration, inherent defect or errors in processing.

5. Removal Costs. Items for sale must be consigned to the saleroom by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

6. Minimum Bids and our Discretion. Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 7. We may sell Lots below the reserve provided we account to you for the same sale proceeds that you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to approximately 15% below the low estimate and “wide discretion” allows to use accept a bid of up to approximately 30% below the low estimate.

7. Reserves. (a) Prior to the auction you are entitled to place a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve. If we are unable to offer goods they may be subject to storage charges if uncollected. (b) A reserve once set cannot be changed except with our consent, and confirmed by you in writing. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical Items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft Furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request

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TERMS OF CONSIGNMENT FOR SELLERS 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery or where we are or ought to have been aware of it.

11. Unsold Items. Unsold lots will be automatically reoffered into the next appropriate live or online auction with the low estimate reduced by 40% and if the revised estimate is £200 or below it will be offered without reserve. Alternatively, we may contact you to request that you collect the items. If you do not wish to re-enter the lots please notify Roseberys in writing with collection instructions. Please note storage charges will be incurred if lots are not collected within one week, storage charges will be applied of £2 + VAT per lot per day. If a lot remains uncollected two months after the date of the auction, Roseberys shall have the right to sell the lot at auction without reserve and to deduct from the ‘hammer price’ any sum owing to Roseberys as well as expenses arising from all auctions in which the lot has been included, plus storage and loss and damage warranty charges.

12. Withdrawn Items. (a) If an item is withdrawn prior to the publication of the catalogue a minimum charge of £20 + VAT per lot is applicable. This fee covers administration, handling, storage and loss & damage of the lot whilst in our care. (b) If an item is withdrawn after the online or offline publication of the lots they will incur charges where applicable comprising the sum of the vendor’s commission, the entry fee, the illustration cost, the loss and damage warranty, the buyer’s premium, the marketing fees and other expenses in relation to the item. VAT is applicable on all charges. These commission and premium charges will be calculated upon Roseberys published mid estimate. (c) In the cases of 12 (a) and (b) Roseberys will store the withdrawn item for a period of five days with no charge, after this a storage charge will be applicable at a daily rate of £2 per item per day plus VAT for items that remain uncollected.

13. Conditions of Sale. You agree that all goods will be sold according to our Conditions of Sale.

In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to Deduct Commission and Expenses and Retain Premium and Interest. (a) You authorise us to deduct commission from the hammer price at the stated rate plus all applicable expenses incurred on your account and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us at our discretion to negotiate a sale by private treaty not later than five working days from the date of the auction in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient written sale instructions, client contact details or without our prior written agreement to take delivery and reserve the right to either refuse to receive such goods or to make a minimum warehousing charge of £2 per item per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within twenty one days we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Settlement of the net sum due to you normally takes place 28 days after the sale (by crossed cheque or bank transfer to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

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INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers of Roseberys London particularly those inexperienced or new to our salerooms or online only bidding platform. All sales are conducted according to our printed Conditions of Sale which are readily available for inspection in person, on our website and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot.

The lower estimate may represent the reserve price or may be above the reserve price. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. Buyer’s Premium. The Conditions of Sale oblige buyers to pay a buyer’s premium of 25% up to £250,000 (30% inclusive of VAT), 20% from £250,000-500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT) The premium price is subject to VAT at the standard rate.

5. VAT. The addition of (*) or (VAT applied on hammer price) to the lot description indicates that VAT is payable by the purchaser at the standard rate, presently 20%, on the hammer price as well as being payable on the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the premium is not recoverable as input tax.

6. Artist’s Resale Rights/Droit de Suite. Lots as indicated in the catalogue and if sold for the equivalent of 1000 euros or more on the day of the auction will be subject to a further percentage of the hammer price as follows: From 0 to 50,000 euros subject to 4% From 50,001 to 200,000 euros subject to 3% From 200,001 to 350,000 euros subject to 1% From 350,001 to 500,000 euros subject to 0.5% Exceeding 500,000 euros subject to 0.25% The Artist’s Resale Right payable will be the aggregate of the amounts payable under the above rate bands, subject to maximum royalty payable of 12,500 euros for any single work each time it is sold. Calculations of the artist’s resale right will be based on the pound sterling/Euro reference exchange rate quoted on the date of sale by the European Central Bank.

7. Agents. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested.

Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. Additionally, in specified circumstances lots mis-described because they are ‘deliberate forgeries’ may be returned and repayment made. There is a three week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

8. Electrical goods. These are sold as ‘antiques’ or ‘decorative’ items only and if bought for use must first be checked for compliance with safety regulations by a qualified electrician.

9. Coloured gems. It is common practice for gemstones to be treated in order to enhance colour and clarity. Unless stated buyers should presume coloured stones may well have been exposed to some sort of treatment.

10. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character because, e.g. they may contain prohibited materials such as ivory.

11. Bidding. Bidders are required to register with us before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

12. Commission bidding (i)

Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding the buyers’ premium.

They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received.

Please enquire in advance about our arrangements for leaving commission bids by telephone, email or fax. Please ensure bids are left at least one hour prior to the start of the auction.

(ii) Commission bids may also be left via the Roseberys website.

These bids are executed via the RoseberysLive software and there is no surcharge.

13. Live Online bidding (a) An online bidding service is offered via RoseberysLive, thesaleroom.com and invaluable.com. In completing the bidder registration on these sites the buyer is agreeing to Roseberys conditions of sale. (b) In the case where a debit or credit card has been used to register the buyer also agrees to authorise Roseberys, if they so wish, to charge the debit or credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the online bidding platforms. (c) Please note there is no additional surcharge for any lots purchased via RoseberysLive, whether live bidding or commission bidding.

Any lots purchased via thesaleroom.com or invaluable.com will be subject to an additional 5% commission charge + VAT at the rate imposed on the hammer price. (d) Roseberys offers online bidding services as a convenience to its clients, but neither Roseberys nor the seller will be responsible to you for errors during or after the sale or failures to execute bids, either live bids or commission bids placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: (i) any loss of connection to the auction being conducted online; (ii) a breakdown or problems with the online bidding software or the website service provider; and/or (iii) a breakdown or problems with any internet connection, computer, mobile device or system. (e) By accessing RoseberysLive and using the software provided you are agreeing to the Website Terms and Conditions governing use of our website. Please ensure you familiarise yourself with these prior to accessing our website.

14. Methods of Payment. Payment can be made by cash (maximum 10,000 euros), debit and credit cards (maximum £1,000 online or over the phone) or bank transfer. For international bank transfers an administration fee of £25 is payable. Any cheques tendered will need to allow 10 days to be cleared before removal of lots purchased is permitted. Please note that regulation of money laundering means we are limited to receiving the equivalent of 10,000 euros in cash payment.

15. Collection and storage (a) Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. All lots must be collected within five working days following auction. Storage charges of £2 per lot per day + VAT will be strictly enforced thereafter. (b) Roseberys are unable to pack, post or deliver any items purchased through public or online auction, a list of suggested companies is supplied upon issuing of invoices, upon request or on the company website. These are suggestions only and are not the recommendation of Roseberys or affiliated with Roseberys in anyway and as such Roseberys cannot be held responsible for the individual performance of these companies.

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CONDITIONS OF SALE Rosebery Fine Art Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1.

Definitions

In these Conditions: (a) “auctioneer” means the firm of Rosebery Fine Art Ltd or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Rosebery Fine Art Ltd accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2.

Bidding Procedures and Conduct of the Auction

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid. Any bidder who refuses to provide the requested identification may be refused permission to bid. (b) The auctioneer has discretion at any time to refuse any bid, withdraw any lot, re-offer a lot for sale (including after the fall of the hammer) if they believe there may be error or dispute, and take such action as they reasonably think fit. (c) Subject to condition 2(b) the contract between the buyer and seller is concluded on the striking of the auctioneer’s hammer, whereupon the buyer becomes liable to pay the purchase price. (d) Any post-auction sale of lots offered at auction shall incorporate these conditions as if sold in the auction. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3.

Increments. Bidding increments shall be at the auctioneer’s sole discretion.

4.

The Purchase Price. The buyer shall pay the hammer price together with a premium thereon of 25% up to £250,000 (30% inclusive of VAT), 20% from £250,000500,000 (24% inclusive of VAT), 12% from £500,000 onwards (14.4% inclusive of VAT). The premium price is subject to VAT at the standard rate.

5.

Value Added Tax. Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged

at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots.

(Please refer to “Information for Buyers” for a brief explanation of the VAT position).

6.

Payment

(1) (a) (b)

Immediately a Lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in cash, debit, credit card or bank transfer or in such other way as is agreed by us.

Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(2)

7.

Title and Collection of Purchases. The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (a)(i) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 5 working days following the day of the auction. (ii) Roseberys are unable to pack, post or deliver any items purchased through public or online auction.

A list of suggested companies is supplied upon issuing of invoices, upon request, or on the company website. These are suggestions only and are not the recommendation of Roseberys or affiliated with Roseberys in anyway and as such Roseberys cannot be held responsible for the individual performance of these companies. (b) No purchase can be claimed or removed until it has been paid for and payment has cleared. (c) Invoices will not be split or title transferred to another person(s). Invoices must be paid in full before any lots can be removed. (d) Purchased lots must be collected within the allocated time as stated in the Information for Buyers section 13, storage charges are applicable thereafter. Purchased lots are at the Buyer’s risk (and therefore their sole responsibility for insurance) from the earliest of the collection or the 21st calendar day after the auction.

Until risk passes Roseberys will compensate the buyer for any loss or damage to the lot up to a maximum of the purchase price paid.

8.

(1)

(a) (b) (c)

(d) (e)

Remedies for Non-Payment or Failure to Collect Purchases If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: to proceed against you for damages for breach of contract; to rescind the sale of that Lot and/or any other Lots sold by us to you; to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

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CONDITIONS OF SALE (f)

to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9.

Third Party Liability. All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. Commission, Telephone Bids and Live Online Bidding. Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. (a) Lots will be purchased by the Auctioneer on behalf of the commission bidder for the lowest price allowed by other bids and/or reserves if any, up to and including their maximum bid amount recorded. The Auctioneers cannot accept responsibility for any neglect or default in executing or failing to execute commission bids whether through the auctioneer or through any online bidding software, or where a bidding slip has been completed incorrectly. We urge commission bidders, to ensure that the correct lot number(s) and price(s) are recorded on their bidding forms. (b) Where two or more commission bids at the same level are recorded we reserve the right at our absolute discretion to prefer the first bid so made. (c) Telephone Bids. Any person unable to attend the auction may request to bid on a specific lot by telephone. This facility is only available by prior arrangement with the Auctioneers and not available for online only auctions. The Auctioneers cannot accept responsibility for any neglect or default in executing or failing to execute telephone bids. (d) Live Online bidding. (i) An online bidding service is offered via RoseberysLive, thesaleroom.com and invaluable.com. In completing the bidder registration on these sites, the buyer is agreeing to Roseberys conditions of sale. (ii) In the case where a debit or credit card has been used to register the buyer also agrees to authorise Roseberys, if they so wish, to charge the debit or credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the online bidding platforms. (iii) Please note there is no additional surcharge for any lots purchased via RoseberysLive, whether live bidding or commission bidding. Any lots purchased via thesaleroom.com or invaluable.com will be subject to an additional 5% commission charge + VAT at the rate imposed on the hammer price.

(iv)

(v)

Roseberys offers online bidding services as a convenience to its clients, but neither Roseberys nor the seller will be responsible to you for errors during or after the sale or failures to execute bids, either live bids or commission bids, placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: (aa) any loss of connection to the auction being conducted online; (bb) a breakdown or problems with the online bidding software or the web site service provider; and/or (cc) a breakdown or problems with any internet connection, computer, mobile device or system.

By accessing RoseberysLive and using the software provided you are agreeing to the Website Terms and Conditions governing use of our websites. Please ensure you familiarise yourself with these prior to accessing our websites.

11.

Warranty of Title and Availability. The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

No representation or warranties are made by Roseberys or the seller as to whether any lots is subject to copyright or whether they buyer acquires copyright in any lot.

12.

Agency. The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13.

Terms of Sale. The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot.

14. (a)

Description and Conditions Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description of a lot. Buyers are welcome to make an appointment to view any lots listed on an online only auction. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers�.

Condition Reports. Reports on the condition of any lot are offered by the Auctioneers as a statement of opinion only, and not of fact. Rosebery Fine Art Ltd are not liable for any errors or omissions contained therein. The buyer must satisfy themselves to the condition of any given lot prior to bidding. Roseberys will not be held responsible for any damage or defect that has not been notified to the buyer. Catalogue illustrations are for guidance only and will not convey full information as to the actual condition of lots.

(b)

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CONDITIONS OF SALE (c)

(d)

Where the term (a/f) is used this refers to a lot being ‘as found’, it is used for guidance only and indicates in our opinion there is significant damage or repair to an item, the omission of this term does not indicate there is not significant damage or repair to an item and Roseberys are not liable for the omission of this term.

Private treaty sales made on these premises under these Conditions are deemed to be sales by auction for the purposes of consumer legislation.

15. Forgeries. Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. Roseberys may require the buyer to obtain at the buyer’s cost the reports of two independent and recognised experts in the field, mutually acceptable to Roseberys and the buyer. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) if you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

16. Online Only Timed Auctions These following terms are applicable only to sales conducted online only and are to be used in addition to the conditions of sale. (a) (i)

Right to Cancel If you are a consumer resident in the European Union you have the right to cancel the contract for the purchase of a lot within 14 calendar days without giving any reason. (ii) The cancellation period will expire after 14 calendar days from the day on which you acquire (or a party nominated by you and is not the shipper) physical possession of the lot. (iii) To exercise the right to cancel, you must inform us of your decision to cancel this contract by a clear written statement (e.g. a letter sent by post, fax or email), or you may use the cancellation form which can be found on our website or by contacting a member of staff. The communication must be received within 14 calendar days from the day on which you acquire the lot. (iv) If you cancel the contract, we will reimburse all payments received from you. As Roseberys are unable to provide a postage or packing service the cost of the initial delivery or collection is not returnable. In addition the cost of returning the item if you choose to cancel the contract is payable by you. (v) We may make a deduction from the reimbursement for loss in value of any goods supplied, if the loss is the result of damaged caused by unnecessary handling whilst in your possession. We will make the reimbursement without undue delay, and not later than (aa) 14 calendar days after the day we receive back from you any goods supplied, or (bb) (if earlier) 14 calendar days after the day you provide evidence that you have returned the goods.

(vi) We will make the reimbursement using the same means of payment as you used for the initial transaction, unless you have expressly agreed otherwise; in any event, you will not incur any fees as a result of the reimbursement.

We may withhold reimbursement until we have received the goods back or you have supplied evidence of having sent back the goods, whichever is earliest. (b) Liability Roseberys nor the seller will be responsible to you for errors during or after the online only timed auction or failures to execute bids placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: any loss of connection to the auction being conducted online; a breakdown or problems with the online bidding software or the website service provider; and/or (iii) a breakdown or problems with any connection, computer, mobile device or system.

General 17. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

18. Where a member of the public causes damage to a lot (or part thereof) the Auctioneers reserve the right to: (a) sell the aforementioned without reserve and to hold that specific individual liable for the amount of any difference between the hammer price and the reserve or low estimate; (b) hold that specific individual liable for the cost of restoration where appropriate; (c) hold that specific individual liable for the full amount of the reserve price or lower estimate as applicable.

19 (a) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

20. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email if provided in which case it shall be deemed to have been received by the addressee 48 hours after posting.

21. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

22. Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

23. English law applies to the interpretation of these Conditions.

These terms and conditions are based upon recommended conditions of sale by SOFAA (the Society of Fine Art Auctioneers) and RICS (the Royal Institute of Chartered Surveyors)

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70/76 Knights Hill London, SE27 0JD +44 (0)20 8761 2522 +44 (0)20 8761 2524 clientservices@roseberys.co.uk

CATALOGUE SUBSCRIPTION FORM FULL NAME: ADDRESS:

TELEPHONE:

EMAIL:

SUBSCRIPTION OPTIONS Auction Title

Number of auctions annually

Cost of annual Subscription including UK postage

Cost of annual Subscription including Europe postage

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Design: Decorative Arts 1860 to Present Day

3

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£45

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2

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£30

£35

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2

£25

£30

£35

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3

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£45

£52.50

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3

£37.50

£45

£52.50

Jewellery & Watches

3

£37.50

£45

£52.50

Modern & Contemporary British Art

2

£25

£30

£35

Modern & Contemporary Prints

2

£25

£30

£35

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2

£25

£30

£35

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3

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£45

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I would/would not like to receive online catalogues and notifications of the sales that I am interested in as indicated on this form (delete as appropriate).

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ROS-015_Listing.qxp_Layout 1 17/10/2019 12:55 Page 159

70/76 Knights Hill London, SE27 0JD +44 (0)20 8761 2522 +44 (0)20 8761 2524 clientservices@roseberys.co.uk

ABSENTEE BID FORM PLEASE COMPLETE THE FORM IN FULL IN CAPITAL LETTERS AND PLACE YOUR BIDS AT LEAST ONE HOUR PRIOR TO THE START OF THE RELEVANT SECTION OF THE AUCTION

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Lot number

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Lot number

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All bids are entered subject to Roseberys standard terms and conditions of sale and to any special terms stated by the auctioneers to apply to lot(s) which the prospective purchaser hereby acknowledges and accepts.

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I authorise Roseberys to bid on my behalf for the above mentioned lot(s) up to the price(s) stated. I confirm I have read and agree to the buyer’s terms of sale with special attention to the buyer’s premium, additional charges and storage.

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AUCTION CALENDAR 2019 November Design: Decorative Arts 1860 to the Present Day Monday 4 November Chinese, Japanese & South East Asian Arts Monday 11 November Jewellery & Watches Wednesday 20 November Old Master, 18th & 19th Century Pictures Thursday 21 November

December Urban & Contemporary Art in association with Artsy Monday 18 November – Monday 2 December Impressionist, Modern, Post War & Contemporary Art Wednesday 4 December Fine & Decorative Thursday 5 December

Modern & Contemporary British Art: An Online Only Auction Monday 11 November – Thursday 28 November

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