Peter Wilson Auctioneers

Peter Wilson FINE ART AUC TIONEERS • EST 1955

WEDNESDAY 12 & THURSDAY 13 SEPTEMBER 2018

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Peter Wilson FINE ART AUC TIONEERS • EST 1955 Wednesday 12th sePtember 2018 11.00am – lots 1-336 6.00Pm – lots 337-469

thUrsday 13th sePtember 2018 11.00am – lots 470-698 on VieW: Sunday 9th September Monday 10th September Tuesday 11th September Morning of auctions

2.00pm 10.00am 10.00am 9.00am

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4.00pm 5.00pm 5.00pm 11.00am

Catalogues £10 from the saleroom, £12 by post Buyer’s Premium is 22% plus VAT (26.4% inclusive of VAT)

Please note: We cannot provide condition reports on the morning of the auction.

Colours in photography may vary from actual items.

All measurements are approximate.

For full condition reports and extra images please visit our website:

www.peterwilson.co.uk

Peter Wilson Fine Art Auctioneers LLP Victoria Gallery Market Street Nantwich Cheshire CW5 5DG Telephone: +44 (0)1270 623878 Fax: +44 (0)1270 610508 Email: auctions@peterwilson.co.uk www.peterwilson.co.uk Registered in England | Registration No. OC359701

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Peter Wilson FINE ART AUC TIONEERS • EST 1955

robert stones Managing Partner robstones@peterwilson.co.uk

nick allsoPP Saleroom Manager nick@peterwilson.co.uk

chris large Ceramics & Glass, Firearms, Weapons, Musical Instruments, Tribal Art chris@peterwilson.co.uk

stePhen sParroW Pictures, Maps, Books, Pens, Coins & Military Medals stephen@peterwilson.co.uk

mimi thomPson Wine & Spirits Clocks & Works of Art mimi@peterwilson.co.uk

helena WaUdby Silver, Jewellery & Watches helena@peterwilson.co.uk

daVid byrne Silver, Jewellery & Watches Consultant auctions@peterwilson.co.uk

alan shaW Stamps & Cigarette Cards auctions@peterwilson.co.uk

Jayne tatler Accounts jayne@peterwilson.co.uk

sharon sParroW Administrator auctions@peterwilson.co.uk

adrian smith Gallery Sale Team adrian@peterwilson.co.uk

Cover illustrations: Front Cover: lot 529 Back Cover: lot 673 Inside Front: lot 448 Inside Back: lot 651 2

PaUl JerVis Gallery Sale Team paul@peterwilson.co.uk

romana bloor Receptionist marnie@peterwilson.co.uk

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INDEX

Collectors Items

1 - 19

Metalware

20 - 35

Weapons, Medals & Militaria

36 - 42

Stamps, Postcards & Ephemera

43 - 52

Glass Ceramics

53 54 - 321

Asian Art

322 - 336

Silver & Plated Ware

337 - 368

Jewellery

369 - 448

Watches

449 - 469

Prints & Posters

470 - 481

Oil Paintings (Modern/Contemporary)

482 - 563

Watercolours, Pastels & Inks (Modern/Contemporary)

564 - 589

Oil Paintings (18th/19th Century)

590 - 603

Watercolours, Pastels & Inks (18th/19th Century)

604 - 640

Bronzes & Sculpture

641 - 646

Clocks & Barometers

647 - 669

Classic Cars & Automobilia

670 - 673

Furniture

674 - 698

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collectors items

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1 1 A 19th century sarcophagus rosewood veneered tea caddy. With satinwood inlay and cross-banding and brass lion’s feet. The interior has four compartments. 22 x 37cm. £150 - £250

2 A mid-19th century Russian brass tea tray. Stamped with the date 1830.

With barley twist detail and flower motifs. 53.5 x 42cm. £100 - £150

3 A Victorian Coromandel dressing box. The hinged case has brass fretwork mounts, mother of pearl escutcheon and mother of pearl plaque to top (with the words “Charlotte Jepsen from Isabella Blackburn”). The interior is lined with emerald green velvet with various compartments and letter pocket.

Below are two further drawers with brass handles. Five cut glass pots with brass lids in upper compartment. 19 x 30 x 23.8cm. £100 - £200 4 Three pierced and carved coquilla nuts. Two egg shaped, one apple shaped. With screw tops. Largest is 6.5cm. £100 - £200

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For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

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5 A collection of eight 19th and 20th century pestles and mortars. Three with mock Roman design, with Latin and English inscriptions. One with foliate design and the remaining four of a plain design. The smallest measures 7.5 x 8.2cm and the largest 11 x 14cm. £100 - £150

8 A Georgian silk work tapestry depicting Moses in the reeds.

Showing the moment the infant was found on the banks of the River Nile by the Pharoah’s daughter Bithiah and her maids. Woven in colours of gold, turquoise, white and cerise. 55 x 46cm. £200 - £300

6 Three pierced and carved coquilla nuts. One pear, one egg and one other. Largest 7cm. £100 - £200

9 A late 19th century brass microscope by Edmund Wheeler, London. The brass binocular microscope is supported on trunnions with concave mirror, stamped with the maker’s name to Y-shaped footplate. Comes in an oak carry case, with seven additional lenses, magnifying glass on stand, a scalpel and three boxes of slide specimens.

The case measures 42 x 19cm. £300 - £500

7 An Art Deco Ivory and Onyx Figure by F. Priess. The carved ivory figure of a girl holding a blue painted trinket chest, stands on an octagonal base of pale green onyx. Sign ‘F. Priess’ to the reverse of the figure. 15.5cm height. £500 - £800

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10 An Arts & Crafts movement copper coal scuttle. Embossed with a design of birds and Tudor roses. With hinged lid. 40 x 36.5cm. £80 - £120 11 An Arts & Crafts movement copper and brass dinner gong. With hammered copper and etch marks to the brass gong, with stylized flowers on the pediment. 31 x 36cm. £70 - £100 12 A pair of 19th century bronze candelabra. A male and female figure hold aloft a bower of an acanthus tree with six candle holders. 70 x 40cm. £100 - £200 12

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13 An early 19th century mahogany apprentice chest of drawers. With the initials ‘P. A’ and the date ‘1811’ inlaid to the top. Two short drawers and three long, with ivory escutcheons and some drawers with ivory handles and the others with turned wood. On ogee arched feet with three lobe detail. 38 x 42cm. £100 - £150

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14 An Edwardian copper coal scuttle.

With vase finial, acanthus branch embellishment and ring handles. 37 x 28cm £70 - £100

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

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15 Four pierced and carved coquilla nuts. Three egg shaped and one turret shaped. Largest is 10cm. £100 - £200 16 A fine quality Arctic fox fur coat.

Deep charcoal grey, with flecks of blue and brown. Brushed through with white fur. Would fit a UK size 10 - 12 approx. £200 - £300

18 A 19th century gilt bronze inkstand with lion. The double rope handled tray with single drawer is mounted with a central lion and two cut glass inkwells with brass lids. 12 x 35cm. £150 - £200 19 “Beware of Trains” cast alloy sign, 34cm x 51cm £100 - £150

17 A George III mahogany knife box, the serpentine front has brass plaque and the interior lid is inlaid with marquetry starburst.

The interior is adapted for stationery. 39 x 23cm. £80 - £120

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metalWare

20 21 20 A 19th century pewter tappit hen, 1/2 pint, along with a 19th century pewter tankard, 1 pint and pewter tobacco urn with turned wooden handle. Largest item is 11 x 10cm. £80 - £120

21 A large 19th century brass pestle and mortar. The mortar has swags of leaves and the faces of Pan or Dionysus. 21 x 25cm. £80 - £120 22 A pair of 19th century campana urns with brass handles and a pair of 19th century pewter candlesticks with ejectors.

14 x 11cm and 22 x 11cm respectively. £100 - £200 23 A 19th century quaich bowl. With wriggle work coronet and emblem bearing the date 1784. Diameter (inc. handles) is 21.3cm. £50 - £100 24 An Arts & Crafts movement copper casket. With hammered strap work and nail-head embellishment. 14 x 28 x 18cm. £80 - £120 25 A mid 19th century snuff mull made from a polished cloven cattle hoof and mounted with pewter. Stamped Durie beneath hinged lid. Plus one other snuff mull of a smaller size. 11cm and 7cm length respectively. £100 - £200

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25 For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

26 27 26 A 17th century small pewter plate with touchmark of Edward Kent, London. 22.5cm diameter. An 18th century pewter plate with the touchmark or WIlliam Cooke, Bristol and Gloucester.

13.5cm. An 18th century pewter plate with touchmark of Samuel Spateman, London. 22.2cm diameter. Along with four other pewter plates with unidentified touchmarks. 23.5cm, 23.2cm, 25cm, 23.5cm. £100 - £200 28 A 19th century Russian cloisonné icon of the Virgin and Child. The gilt metal oklad is embellished with cloisonné spandrels and halo encircling the faces of the Madonna and Christ child. Two cloisonné plaques to either side, with unidentified Cyrillic maker’s marks (possibly a St. Petersburg maker). Bought back from Russia by the Plotnikof family.

30 x 22cm. In a gilt wood frame. £500 - £700 27 An 18th century pewter chamber pot. With touchmark for Birch & Villers, Birmingham. 11 x 23cm. £200 - £400 29 Eight 19th century pewter pepperettes of varying designs. £100 - £200

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30 Three Georgian graduated ballaster form pewter tankards.

1 pint, 1/2 pint and 1/4 pint. £50 - £100

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31 Early 20th century pewter pepperette in the form of an owl with amber glass eyes and another pewter pepperette in the form of a dog. 9 and 9.5cm height respectively. £100 - £200 33

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32 A pair of George III pot bellied tappit hens, four five lobed pewter plates and two circular dinner plates. The tappit hens have pot bellied bottom with tapered neck and acorn finials, with GR touch mark to top of neck. The six plates have unidentified touch marks. The tappit hens are 1 pint capacity and the largest plate measures 26.5cm diameter. £100 - £200 33 A pair of George II pewter Rococo fived-lobed side plates with double edge. Bearing the touchmark of Birch & Villers, Birmingham. 19.5cm diameter. £100 - £200 34 Two 18th century pewter chargers. With unidentified touch marks to rim. 42 and 43cm diameter. £100 - £200 35 An EPBN plated pepperette of Benjamin Disreali. 8.5cm £70 - £100

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For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

WeaPons, medals & militaria 36 Two oak double gun cases, each fitted out to take a pair of percussion double barrel shotguns, with lift out tray to reveal the lower gun, lined with green baize, 83cm x 25cm £150 - £250 37 Russian 1828/44 model percussion musket and bayonet, converted from flintlock, the lock plate dated 1832, the barrel numbered 247, the stock with two issue stamps, one brass barrel band stamped 1835 butt plate numbered 35373 .700 calibre, (2) 145cm overall length £300 - £400

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38 38 Two German / Prussian Pickelhaube helmets, each with brass spike eagle plate, national cockades and leather chin straps, one with feint owners name and makers stamps to peak, 20cm high £250 - £350

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39 Sixteenth Lancers chapska helmet or lance cap, post 1902 with elaborate front plate, below red reeding and yellow bands and matching pompom, black and white horse hair plume, with yellow braid retaining cord, green fabric cover, the peak stamped 2109 6 14, 36cm high £400 - £600

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40 Three leather shotgun cases, one of oak and leather construction, labelled James Erskin Newton Stewart to take a pair of 30” barrels, the second stamped A.D. Jansen Bruxelles, to take a set of 28” barrels, of mahogany construction with monogrammed crest initialled C.G.M. with exterior leather cover, the third of Leg of Mutton shape named ‘The Feather Weight’ by Cogswell and Harrison, initialled R.T.J. to take a set of 30” barrels, (3) The largest case measures 83cm wide. £250 - £350 41 Chinese butterfly sword set, with horn grips, bronze guard modelled with a dog mask, contained within fish skin covered scabbard, together with one other similar sword. The butterfly swords measure 64cm overall length in scabbard. £300 - £500

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41 42 Pair of constabulary short swords by T. Baker London, with wire bound fish skin grips, brass fittings locking onto brass and leather scabbards, mid 19th century (2) 75cm long £200 - £300

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For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

STAMPS, POSTCARDS & EPHEMERA

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45 43 GB KGV-KGVI mint and used collection on Windsor album leaves including shades and several varieties. £600 - £800

48 48 GB KEVII collection on Windsor album leaves values for £1 and a few varieties. £500 - £700

44 GB officials QV-KEVII including SG 024 1/- Dull green and carmine. £100 - £150 45 GB QEII collection on Windsor album leaves to 1970 including several phosphor varieties. £300 - £500 46 GB Regionals selection of sets and singles in folder from war occupation to decimal issues £60 - £80

47 47 GB collection on leaves from KGV Downey Heads to 1951 to include several watermark and shade varieties, also KGVI 10/- dark blue UM.. £500 - £700

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49 GB QV collection on two Windsor album leaves from from 1881-1892 including high values.. £300 - £500

51 GB QEII collection on album leaves to 1967 including blocks, shade and watermark varieties. £600 - £800

50 GB QV collection on Windsor album leaves from 1d black to 1d red plate 201 reconstruction. £300 - £500

52 GB QV collection on Windsor album leaves from 1870-1883 including a few varieties and values to 5\-. £500 - £700

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For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

glass

53 Nine mid 19th century ale glasses, the bowls engraved with hops, leaves and barley, 12.5cm high £80 - £120

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ceramics 54 Delft charger painted with vases of flowers in polychrome enamels, also a pair of Chinese export blue and white chargers, all mid to late 18th century, the Delft charger measures 31cm diameter £80 - £120

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55 Pair of Delft chargers, painted with flowers in the style of Chinese export porcelain, in under glaze blue, mid 18th century, 36cm diameter £150 - £200 56 Pratt ware coil snake pipe circa 1800 painted with blue and ocre glazes, 23cm wide £300 - £500 57 Chelsea Derby plate circa 1770, painted with a vase of flowers within blue and gilt border, 23cm diameter £50 - £80

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Porcelain of Penzance, a single oWner collection of 18th centUry Pottery and Porcelain

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60 58 Group of Delft ware, to include five blue and white tiles and two others decorated in manganese, two plates painted with flora issuing from rocks, and a vase painted with a country house, mid 18th century and later, (10) the vase stands 18cm high £120 - £200 59 Champion’s Bristol teabowl and a similar saucer circa 1770, with unusual printed puce floral decoration, Meissen crossed swords mark to the base, (2) the saucer measures 12.5cm diameter £200 - £300 60 Champion’s Bristol cup, cream jug and a saucer circa 1775, painted with flora, the saucer with moulded inner border, blue ‘X’ marks (3) the jug stands 10cm high £120 - £200 61 Bow patty pan circa 1760, painted with flora in under glaze blue, 11.5cm diameter £80 - £120

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61 62 Bow flower pot tub circa 1750, painted with flora, incised 12 to base, 4.5cm high £80 - £120

67 Bow octagonal plate circa 1760 painted with oriental landscapes within a powder blue ground, 17.5cm wide £80 - £120

63 Two Bow creamboats circa 17501760, painted with polychrome flowers and pylon trees pattern in blue, 12cm long £120 - £180

68 Bow coffee cup, tea bowl and a saucer, circa 1750-1760, one painted with a version of Worcester’s Mansfield pattern, another painted with a Chinese musician, the third with pagoda landscape, the saucer measures 12cm diameter £120 - £180

64 Two Bow pickle dishes circa 1765, painted in underglaze blue, the largest measures 9cm wide. £150 - £250 65 Bow jug and a saucer circa 1755, painted with flora in an imari palette, both have ‘W’ marks to bases (2) the jug stands 8.5cm high £100 - £200 66 Bow plate cream jug and saucer dish circa 1750-1760, two painted with flora, one moulded with fish scale and painted with green bands and single flower. Anchor dagger mark to saucer dish. The plate measures 21cm diameter £180 - £220

69 Bow cream jug circa 1760, painted with a version of Worcester’s cannonball pattern in under glaze blue, 7.5cm high £100 - £150 70 Two Bow coffee cups circa 1760, painted with landscapes in under glaze blue, 6cm high £100 - £200 71 Chelsea Derby cup and saucer circa 1770 painted with green leaf and flower chains, gilt anchor and D mark to bases, (2) the saucer measures 12.5cm diameer. £150 - £250

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

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74 72 Two Chelsea plates circa 1750-1760, painted with flowers, one of red anchor period, the other of gold anchor period, both with corresponding marks, (2) 21cm diameter £80 - £120 73 Chelsea Derby cup and saucer circa 1770 painted with a floral sprays, gilt anchor and D mark to bases, (2) the saucer measures 12.5cm £150 - £250 74 Chelsea gold anchor period or early Chelsea Derby period vase circa 1765-70 with twin moulded scroll handles, the floral sprays surrounded by a green scale ground within gilt edged panels, 25cm high £100 - £200 75 Caughley tea bowl and saucer circa 1780, painted with Bridge Windmill pattern in under glaze blue, also one other tea bowl and similar saucer printed with three flower pattern (4) the largest saucer measures 12.5cm diameter £80 - £120

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75 76 Three Caughley jugs circa 1790, two with reeded bodies, one with spiral fluting, ‘S’ mark to base of the blue and gilt jug, (3) 7cm high £100 - £150 77 Caughley small size basket circa 1780, printed with Pine Cone pattern in under glaze blue, ‘C’ mark to base, 18cm from handle to handle. £150 - £250 78 Three Caughley teapot stands circa 1790, one painted with Tower pattern, one with floral sprigs, the third with a cornflower design, also a gilt decorated tea caddy, and a Queens pattern bowl, the bowl measures 15cm diameter £100 - £200 79 Three Caughley tea bowls and saucers circa 1780, two printed with Mother and Child pattern, the other with fence pattern, crescent marks to bases, (6) the largest saucer measures 12.5cm diameter £120 - £180

80 Caughley teapot and a sparrow beak jug circa 1780-1790, painted with floral sprays, the decoration of the teapot possibly by Chamberlain, numeral ‘2’ to underside of cover. (3) The teapot stands 13cm high £100 - £200 81 Four Caughley coffee cups circa 1780-1790, one painted with Chantilly sprigs, another with Tower pattern, the other two printed with Pagoda and Temple pattern, (4) £80 - £120 82 Collection of Caughley circa 1790, to include two tea bowls and saucers painted with honey suckle, six other tea bowls, three saucers, three coffee cups, and two sucrier bases, one with ‘clobbered’ decoration, (18) £80 - £120 83 Collection of Coalport circa 1820, to include two low Chelsea ewers, two tea bowls and saucers, coffee cup and saucer, two saucer dishes, two tea bowls, two other cups and one other saucer, also a Minton coffee can and one other, (15) £100 - £150

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

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84 Collection of Caughley blue and gilt ware, to include a sucrier and cover, plate, two teapot stands, two cups and saucers, two tea cups, coffee cup, two tea bowls and a matching saucer, ‘S’ marks to bases, (15) The plate measures 17cm diameter £80 - £120 85 Two Caughley low Chelsea ewers circa 1780, printed with Birds in Branches and Pleasure Boat patterns in underglaze blue, (2) 11cm long £100 - £150 86 Collection of Coalport blue and white porcelain circa 1800, to include two bowls, teapot stand, saucer dish, four saucers, three tea bowls, and two coffee cups, (13) The saucer dish measures 19cm wide. £80 - £120 87 Caughley mask jug circa 1790, printed with three flower pattern also a tea caddy base printed with Temple pattern together with another sparrow beak jug printed with fruit wreath pattern, (3) The mask jug measures 15cm high £100 - £150

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88 Caughley coffee cup and saucer circa 1790, painted with target pattern, together with a blue and gilt trio, also three coffee cups painted with cornflowers, (8) £100 - £200 89 Collection of Caughley blue and gilt printed ware circa 1780-1790, printed with Temple, Pagoda, Full Nankin, and Pleasure Boat pattern, to include a sucrier and cover, spoon tray, plate two tea bowls, a saucer, and a saucer dish, (8) The saucer dish measures 20cm diameter £150 - £250 90 Two Caughley bowls and three tea bowls circa 1780, printed with three Flower, Fence, Pleasure Boat, Birds in Branches, Fruit Sprigs, patterns, crescent and ‘S’ marks to bases, (5) The largest bowl measures 14cm diameter £80 - £120 91 Caughley asparagus server and a strainer circa 1780 printed with Pleasure Boat pattern, (2) the asparagus server measures 7.5cm high £100 - £200

92 Caughley meat plate, bowl, fan shaped dish and another plate circa 1780-90 the meat plate printed with Willow Nankin pattern, the fan dish painted with Weir pattern, one plate painted with Carnation pattern, the bowl with Chantilly Sprigs, (4) The fan dish measures 35cm wide £100 - £200 93 Four Derby cups and saucers circa 1790, two painted with cornflowers, one with blue and gilt on a salmon pink ground, three with fluted reeded bodies, (8) The saucers measure 13.5cm diameter. £80 - £120 94 Derby patty pan circa 1780 painted with scattered sprigs, impressed `E` to foot rim, 9cm diameter £80 - £120 95 Derby sauce boat, coffee cup circa 1770, one painted with an under glaze blue landscape, the other with Kakiemon panelled patterns, also a plate circa 1790 decorated with a landscape, the painted attributed to Zachariah Boreman, and the gilding William Billingsley, (3) The plate measures 21.5cm diameter £80 - £120

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

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99 96 Liverpool Chaffers coffee cup and saucer circa 1760, painted with a cabbage rose spray, (2) the saucer measures 11.5cm diameter £100 - £200

101 Four Liverpool coffee cups circa 1770 - 1780, one by Christians, printed with flora, three by Penningtons, one with reeded body, (4) 6.5cm high £80 - £120

105 Two Liverpool James Pennington cream boats circa 1770, one painted with flora, the other landscapes both in under glaze blue, (2) 13cm wide £200 - £300

97 Nine Liverpool tea bowls, circa 1770 - 1790, three by Christians, the rest by Penningtons, (9) The largest measures 9cm diameter £80 - £120

102 Four Liverpool Christian’s coffee cups circa 1775, three printed, the forth painted with under glaze blue Chinese figures and landscapes, (4) 6.5cm high £120 - £200

106 Three Liverpool Penningtons cream boats circa 1780, one moulded with shells printed with Lady Servant pattern, another moulded with acanthus leaves printed with stags, another with cartouche moulded body printed with scattered flowers, (3) The largest boat stands 11cm high £120 - £180

98 Two Liverpool Pennington cream boats circa 1770-1780, one by Seth Pennington with moulded cartouche body, the other by John Pennington, both painted with polychrome flowers, (2) 14cm long £100 - £150 99 Three Liverpool Christians coffee cups circa 1770, both with reeded handles painted with flora, (3) 6.5cm high £120 - £200 100 Liverpool Chaffers coffee cup circa 1765, painted with flora and gilt ribbons, 6cm high £100 - £150

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103 Liverpool Penningtons octagonal plate circa 1790-1800, attributed to Seth Pennington, printed with Brosley pagoda pattern in underglaze blue, 19.5cm wide Illustrated in Liverpool Porcelain 1756 -1804 by Maurice Hillis, page 426 plate 10.8. £50 - £80 104 Liverpool Chaffers bowl and two late Chaffers / early Christians tea bowls circa 1765, all with ‘clobbered’ red details over the existing under glaze blue patterns, (3) the bowl measures 11.5cm diameter £100 - £200

107 Liverpool Chaffers mug circa 1760, painted with a floral spray, with flaring base, and scroll handle, 9cm high £80 - £120 108 Two Liverpool James Pennington tea bowls and saucers circa 17671770 one painted with figures, the other with landscapes in under glaze blue, together with three other tea bowls (7) £150 - £250

For condition reports please go to www.peterwilson.co.uk

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111 109 Liverpool Chaffers / early Christians saucer circa 1760 painted with oriental figures, 12cm diameter £80 - £120 110 Three Liverpool Penningtons coffee cans circa 1770, one painted with polychrome flowers, another printed with a landscape, the third printed with flowers in a shell border, (3) 6.5cm high £150 - £250 111 Liverpool Christian’s cream jug circa 1770 painted with flora, together with one other Liverpool cream jug probably Christians painted with Chinese figures, (2) 9cm high £100 - £200 112 Collection of Liverpool Christian’s moulded porcelain circa 1770, to include a bowl, coffee pot base, tea bowl and two coffee cups, painted with under glaze borders above reeded bodies, (5) The coffee pot base measures 18.5cm high £100 - £200

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112 113 Liverpool Philip Christian’s factory large jug circa 1765, painted with flora issuing from rockwork, 21cm high £150 - £250 114 Liverpool Chaffers / Christians leaf dish circa 1760-70 painted with a central butterfly, 11cm wide £100 - £200 115 Liverpool Christian’s helmet shaped cream jug circa 1765-1775, painted with profile bud pattern, 9.5cm high Illustrated in ‘Liverpool Porcelain 17561804’ Maurice Hillis plate 6.74 page 252 £80 - £120 116 Four Liverpool Penningtons coffee cups circa 1780, one printed with flora, two with pagodas in landscapes, the forth with Chinese figures, (4) 7cm high The coffee cup top right is illustrated in Liverpool Porcelain 1756 -1804 by Maurice Hillis, page 435 plate 10.51. £80 - £120

117 Four Liverpool Christian’s coffee cups and a coffee can circa 1770, three painted with floral sprays, one on reed moulded body, another painted with Profile Bud pattern, the coffee can painted with Chinese figures, (5) The coffee can measures 6.5cm high £100 - £200 118 Eleven Liverpool saucers, circa 1770 - 1790, two by Christians, the rest by Penningtons, (11) The largest measures 14cm diameter £100 - £150 119 Three Liverpool Pennington tea bowls and saucers circa 1780, painted with floral groups in polychrome enamels (6) Saucer diameter 13cm £100 - £150 120 Four Liverpool Pennington tea bowls and saucers circa 1770 -1790, two with printed decoration of Chinese figures in landscapes, and floral sprigs, another painted with a landscape with red and gilt clobbering, another painted with Chinese figures within blue border (8) £100 - £200

For condition reports please go to www.peterwilson.co.uk

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123 121 Four Liverpool bowls circa 17701790, one by Christians printed with a landscape, another by James Pennington painted with a landscape, two others by John Pennington printed with Chinese figures and flowers, (4) The largest bowl measures 16cm diameter £100 - £150 122 Liverpool Chaffers bowl circa 1760, painted with a cabbage rose, 15cm diameter £100 - £150 123 Three Liverpool Pennington sparrow beak cream jugs circa 1780, two by John Pennington printed with a pagoda landscape and Fisherman and Cormorant pattern, the third painted with an exotic bird below a blue printed border, (3) The tallest jug measures 10.5cm high £80 - £120 124 Liverpool Christians coffee cup, tea bowl and two saucers circa 17601770, painted with Bird on Branch pattern in under glaze blue, (4) the coffee can measures 6.5cm high £80 - £120

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124 125 Liverpool Christian’s sparrow beak cream jug circa 1765-70, painted with a floral spray, 9cm high £80 - £120 126 Liverpool Chaffers coffee cup and a tea bowl circa 1765, painted with Chinese landscapes in under glaze blue, 6cm high £120 - £180 127 Four Liverpool slop bowls circa 17701780, one by Seth Pennington painted with ‘Family Quarrel’ pattern, the others

by Christians painted with floral designs, one with Chinese figures, (4) the largest bowl measures 16cm diameter £100 - £200 128 Liverpool Chaffers teapot stand circa 1760 of hexagonal section painted with a floral spray, 14cm wide £150 - £250 129 Liverpool Pennington tea bowl and saucer and three coffee cups circa 1780, two cups painted with polychrome floral sprays, the tea bowl and saucer and another cup painted with Chinese figures, (5) The saucer measures 12.5cm diameter £80 - £120

130 Two Liverpool Chaffers saucers and a tea bowl circa 1760-1765, painted with a Chinese landscape and flora issuing from rockwork in under glaze blue, (3) the saucers measure 12cm diameter £150 - £250 131 Liverpool Christians tea bowl and saucer and a coffee can circa 1770, painted with rose sprays, (3) The coffee can measures 6.5cm high £80 - £120 132 Liverpool Christian’s coffee pot circa 1775, printed with Rural Lovers pattern in under glaze blue, 23cm high £100 - £200 133 Liverpool Pennington helmet shaped cream jug circa 1785, probably Seth or John Pennington, with biting snake handle painted with floral spray, together with one other jug painted with an exotic bird within a landscape, (2) 10cm high £100 - £150

For condition reports please go to www.peterwilson.co.uk

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134 Liverpool Christians pickle dish circa 1770, painted with flora in under glaze blue also a Penningtons coffee cup, saucer, and coffee can printed with Quail pattern, (4) The pickle dish measures 8.5cm high £100 - £200 135 Lowestoft coffee cup and saucer circa 1770, printed with Fence pattern in under glaze blue, crescent marks to base (2) the saucer measures 11cm diameter. £80 - £120 136 Lowestoft circa 1770, to include a coffee cup painted with Dolls House pattern in imari, also a slop bowl painted with flora issuing from rocks, a polychome floral bowl and a long bridge pattern teabowl with painter’s mark to foot, (4) The bowl measures 10cm diameter £150 - £250 137 Collection of Newhall and related factories circa 1800-1820, to include a teapot stand, trio, coffee cup and saucer, tea bowl and saucer, four other saucers, a cup, two coffee cans, six other tea bowls, and a small vase, (22) the teapot stand measures 21cm diameter. £100 - £200

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138 Rare English porcelain tea bowl and saucer circa 1800, together with a similar coffee cup possibly Newhall or linked to the factory, (similar to examples found with unusual printed lion mark to base) decorated with an oriental landscape (3) The saucer measures 13cm diameter See Geoffrey Godden ‘English Blue and White Porcelain pg. 391 - 395, as well as Northern Ceramic Society Journal volume 6 1987 ‘Lion of Lane End?’ by Roger Pomfret, and Northern Ceramic Society Journal 12 1995 ‘The Lion Mark Revisited’ by Roger Pomfret for further information on this unusual class of porcelain. Also see Lot 162 from our 18th February 2016 Fine Art Sale for a similar example bearing the lion mark. £80 - £120 139 Collection of Newhall ware and related factories circa 1800 -1820, to include two ewers, two bowls, a plate and three saucer dishes, (8) the plate measures 23cm £80 - £120

140 Two Worcester cups and saucers circa 1770-1780 one printed with The Argument pattern, with disguised numeral mark, another painted in a Kakiemon style with crossed swords marks to base, an Old Mosaic pattern coffee cup, also a tea bowl and saucer and similar coffee cup painted with pink flora, (7) The largest saucer measures 12.5cm diameter £80 - £120 141 Worcester sauce boat circa 1760, painted with the Sinking Fisherman pattern, workman’s mark to base, 15.5cm wide £100 - £200 142 Collection of Worcester circa 1765 1780 to include a teapot stand, Fence pattern teapot base, Birds in Branches cream jug, Natural sprays mug and three saucers one reeded the other two painted with Candle fence and printed with Circled Landscape patterns, the teapot marked with a ‘W’, the rest with a crescent (7) The jug stands 9cm high £100 - £200 143 Three Worcester plates circa 17701780, one printed with Pine cone pattern, another with Fruit Sprigs pattern, the third painted with Hundred Antiques pattern (3) the largest measures 24cm diameter £100 - £200

For condition reports please go to www.peterwilson.co.uk

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144 Eight Worcester cups and five tea bowls circa 1770 - 1790, painted with Mansfield, Kempthorne, Rock Strata, patterns as well as printed with Three Flower, Birds in Branches, Fence and Royal Lily patterns, an interesting blue scale cup probably outside decorated, two coffee cups and a tea bowl have reeded bodies, two tea bowls are moulded with reeding (13) The largest cup stands 6.5cm high £150 - £250 145 Worcester feather-moulded coffee pot and cover circa 1760, painted with the Feather Mould Floral pattern in under glaze blue, workman’s mark to base, (2) 24cm high £100 - £150 146 Five Worcester coffee cups circa 1760 -1780, one painted with Mansfield pattern, workman’s mark to base, another printed with Mother and Child and Man Fishing pattern, another with Fisherman and Cormorant pattern, another painted with Thunder and Lightning pattern, another painted with floral sprays, (5) The tallest cup measures 6.5cm high £100 - £200

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147 Two Worcester tea bowls and saucers circa 1760, the first with feather moulding and workman’s marks to bases, the second with reeded moulding and crescent marks, (4) The largest saucer measures 11.5cm diameter £100 - £200 148 Worcester shell dish circa 1780, printed with Gilliflower pattern, also three plates one printed with pinecone pattern, and a ‘dry blue’ floral saucer dish, (5) The largest plate measures 21.5cm £80 - £120 149 Worcester hexagonal cream boat circa 1760 the moulded body printed with the ‘Early Cream boat Sprays’ pattern in under glaze blue, crescent mark to base, 5.5cm high £80 - £120 150 Worcester teapot circa 1770, painted with Chinese figures in polychrome enamels, (2) 12.5cm high £200 - £300

151 Worcester knife haft circa 1770, painted with under glaze blue flowers and fitted with a Victorian Sheffield silver blade hallmarked 1888, together with two tea bowls one by Worcester the other a Liverpool copy probably James Pennington, both painted with Mansfield pattern, (3) the knife measures 22cm long £100 - £200 152 Two Worcester pickle dishes, the first circa 1758 - 1760, painted with the Two Peony Rock Birds pattern in under glaze blue, workman’s mark to base, the second circa 1775 marked with a crescent, the largest measures 9.5cm high £120 - £180 153 Worcester plate, saucer dish and two bowls circa 1765 - 1780, the saucer dish printed with The Milkmaids pattern after Robert Hancock, (4) The plate measures 21.5cm diameter £100 - £200

For condition reports please go to www.peterwilson.co.uk

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154 Worcester round potted meat tub circa 1775 painted with Mansfield pattern, crescent mark to base, 11.5cm diameter £80 - £120 155 Four Worcester bowls circa 1760 1770, one painted with Landslip pattern, workman’s mark to base, another with moulded and painted with Chrysanthemum, another painted with Waiting Chinaman pattern, the last with Mansfield pattern, (4) The largest measures 18cm diameter £100 - £200 156 Worcester teapot, cream jug, saucer and coffee can circa 1770-1790, painted with Queen Charlotte pattern, hatched square marks to bases, (5) The teapot 13cm high £100 - £150 157 Worcester strap fluted sauce boat circa 1770, painted with flower sprays, crescent mark to base, 19.5cm long £100 - £150

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158 Chamberlain and Flight Worcester tea bowls / cups and saucers circa 1800, to include five tea bowls and saucers by Chamberlain, a Flight trio with crescent marks, a Barr coffee cup and saucer, and a miss matched Flight coffee cup and saucer, also one other tea bowl and saucer painted with flora (19) £80 - £120 159 Collection of Worcester circa 1790 1820, to include six Flight, and Barr, tea bowls, six cups, and a saucer dish, a Chamberlain tea bowl and saucer dish, a Grainger plate, also a Wolfe Mason Liverpool saucer dish and two tea bowls together with another bowl, (16) the largest dish measures 19.5cm diameter £80 - £120 160 Pearlware inkwell circa 1800, painted with roses in under glaze blue also two pearlware tea caddies and a creamware tea caddy, (4) The tallest piece measures 11cm high £100 - £200 161 Collection of Pearlware circa 17801800, to include a feather moulded sauce boat, a saucer, low Chelsea ewer shape cream boat painted with polychrome flowers, a teapot, a blue scale saucer after Worcester, a pickle dish, bowl printed with Fisherman and Cormorant pattern after Worcester, also a creamware bowl painted with floral sprays, (10) the plate measures 19.5cm wide £80 - £120

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162 Pearlware coffee pot base, bowl plate and a saucer circa 1780, painted with pagoda scenes in under glaze blue, (4) The bowl measures 26.5cm diameter £80 - £120 163 Collection of blue transfer printed pottery, to include a supper dish and cover, feeding cup, four tea bowls, a plate warmer, miniature Spode meat plate, also a pearlware basket, miniature delft tile, and three eye ointment covers, (10) The supper dish measures 29.5cm wide £50 - £100 164 Pearlware jug attributed to Liverpool circa 1780 and a tankard, both painted in under glaze blue with pagodas, (2) the jug measures 17cm high £100 - £200 165 Chinese porcelain, to include two coffee cups, six saucers - one for a chocolate cup, one from the Nanking Cargo, and six tea bowls, early 18th century to late 18th century, (14) the largest saucer measures 13.5cm diameter £100 - £200

For condition reports please go to www.peterwilson.co.uk

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166 Collection Chinese porcelain, to include three tea bowls and saucers, a spoon tray, a trembleuse saucer, bowl, a stem bowl, cream jug, and a coffee pot base modelled in a German porcelain style, mid to late 18th century, (12) the coffee pot stands 14cm high £100 - £200 167 Chinese export porcelain chocolate cup and saucer and one other, painted with landscapes in under glaze blue, also a tea bowl and saucer painted with flowers and bamboo, late 18th century, (5) the largest saucer measures 13cm diameter £150 - £250 168 Unusual Chinese soft paste porcelain saucer circa 1750, painted with an exotic birds in under glaze blue 11.5cm diameter £80 - £120

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170 169 Meissen mustard pot circa 1735 painted with quail in a Kakiemon style crossed swords mark to base, also an unmarked egg cup probably Meissen and a miniature tankard, the mustard pot measures 8.5cm high £100 - £150

170 Chinese export porcelain, to include meat plate, two plates, soup bowl, slop bowl and tea caddy, all painted with landscape scenes in under glaze blue, (6) The meat plate measures 36cm wide £80 - £120

For condition reports please go to www.peterwilson.co.uk

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171 Northern Ceramic Society reference material, to include Newsletters 123 (September 2001) to 190 (June 2018) (lacking number 135) also The N.C.S. Journals 5,7,8,14,and 18 through to 34 (21 missing) together with newsletters 86, 105, 108, 113, and index, also five auction catalogues, fourteen exhibition catalogues, and four English Ceramic Circle journals 7,15,16 and 19. £50 - £100 171 172 Fifteen ceramic reference books, to include Spero: 18th Century English Transfer Printed Porcelain and Enamels, Preller: New Hall Pattern Book, Berthoud: A Cabinet of British Creamers, and Compendium of British Cups, Panes: British Porcelain Sauce boats, Girton: Two Quail Pattern, Smith: Lowestoft Porcelain (two volume set) Twitchett: Derby Porcelain, Coysh/Henrywood Blue and White Printed Pottery vol.1, Godden: Chamberlain Worcester Porcelain. (15) £100 - £200

172 173 Ceramic reference books, to include Holgate: New Hall and it’s Imitators, Watney: Longton Hall, and English Blue and White Porcelain, Garner/Archer: English Delftware, Garner: Oriental Blue and White, Godden: Caughley and Worcester Porcelain, and Pottery and Porcelain Marks, Mankowitz: Wedgwood, Sandon: Worcester Porcelain, (29 volumes in total) £100 - £150

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176 174 Cased set of twelve porcelain knives and forks, painted in the Sevres style with exotic birds within gilt cartouches on turquoise grounds, fitted with EPNS mounts, in maroon presentation case, mid 19th century, (12) £250 - £350

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177 Parian table centre piece, modelled with three ladies surrounding a tree which supports a ribbon edged bowl, no marks, late 19th century, 52cm high £100 - £150

178 Pair of Faïence pottery cats, painted with flowers on yellow grounds, late 19 th early 20 th century, (2) 22cm high £80 - £120

175 Otto Drews oval dish, painted with cherubs within a butterfly border, impressed mark, also a Royal Bonn Secessionist vase, (2) The dish measures 33cm wide. £70 - £100 176 Pair of Samson ‘Chelsea’ sheep candlestick figures, modelled in front of floral bocages, spurious anchor marks to reverse, also a pair of Meissen style figures, probably English porcelain, marked with blue under glaze crossed swords, mid to late 19th century, (4) the tallest figure measures 24cm high £80 - £120

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179 Pair of Samson Paris ‘Derby’ figure groups, modelled as lovers on scrolled pierced bases, mid 19th century, 26cm high £200 - £300 180 English porcelain inkwell, painted landscapes within gilt borders, early 19th century, also a Staffordshire zebra, (4) The zebra stands 9cm high £120 - £150 181 Two Russian Gardner porcelain figures, modelled as a Balalaika player, and female dancer, ‘Tapahepz’ marks, numbers 2 and 8 to bases, late 19th century, 16cm high £200 - £400

182 182 Pair of Paris Porcelain Empire period vases, with twin sphinx handles, painted with hunting scenes within two tone matt /burnished gilt grounds, incised ‘D’ to the base of one vase only, early 19th century, 43cm high £800 - £1,200 183 Ault vase designed by Christopher Dresser, with four scrolling handles, shape 319, feint impressed facsimile signature, 29cm high £200 - £300

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184 Royal Dux figure dish, modelled as a lady at the water’s edge, shape 597, pink pad mark, 27cm high £80 - £120 185 Minton Parian figure of Dorothea after John Bell, with moulded pad marks to side of base and impressed marks to the underside, mid 19th century, 34cm high £100 - £150 186 A Spode Felspar dessert service, painted with floral sprays within apple green grounds, comprising of eighteen plates, two lidded tureens and stands, four dishes, and a twin dish, printed marks to base, mid 19th century, (29) The twin handled dish measures 34cm wide £80 - £120

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187 Bloor Derby urn, with twin handles also pot-pourri vase and cover, both painted with imari patterns, early 19th century, (4) the urn measures 29.5cm high £80 - £120 188 Wedgwood black basalt figure ‘Faun and Flute’, early 19 th century 43cm high £800 - £1,200

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189 Pair of Wedgwood Jasper oval plaques, depicting Goddesses, set within oval mahogany frames, impressed Wedgwood X to bases, late 19th century (2) the plaques 11cm high £80 - £120 190 Vienna type dish, of square section with pierced blue and gilt border painted with a titled scene of ‘Jupiter and Calisto’ beehive mark to base, second half of the 19th century, 24cm wide £50 - £80 191 Meissen figure group, modelled as a girl and boy with lamb on scrolled base, incised 812, impressed 97 to base, late 19th /20th century, 12.5cm high £100 - £200 192 Pair of Meissen biscuit porcelain figures, modelled as a Shepherd and Shepherdess, with dog and lambs at their bases, model numbers 2722 and 2723 and crossed swords marks to bases, late 18th / early 19th century, (2) 16.5cm high £70 - £100

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193 Meissen teapot and a Chelsea plate, decorated with insects and flowers, 18th century (3) The plate measures 24cm diameter £50 - £100

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194 San Polo Italia wall plaque, depicting four horses, constructed from separate sections, signed lower right, framed, 56cm x 68cm £200 - £300

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195 Rosenthal Versace Medallion Meandre D’Or pattern dinner service, to include a lidded tureen, three oval serving plates, ten twin handle soup bowls and stands, ten 30cm, ten 27cm ten 23cm and ten 18cm plates, the oval plates and tureen have scratched through marks, (65) £500 - £1,000 196 Set of six Crown Ducal plates, printed with cartoons by C.W. Anderson of ladies drinking at bars in 1930’s costume, titled ‘Bacardi, Martini, Manhattan, Old Fashion, Bronx, and Side Car’ (6) 21cm diameter £80 - £120

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197 Pottery chess set, possibly Macintyre, complete with an additional castle and part of the Bishop model, early 20th century (33) The king stands 7.5cm high £80 - £120

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198 198 Birks Rawlins & Co. Vine pottery Pate sur Pate plaque signed L.A. Birks decorated with a classical figure releasing cherubs from a cage within elaborate scroll two tone ground, with frame, 18.5cm x 12.5cm Illustrated The Vine Pottery Birks Rawlins &Co. by Peter S. Goodfellow page 50 £500 - £800

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200 200 W.M.F. pottery tea set, to include a tea pot, water jug, sugar bowl and cream jug on oval tray, with silver plated mounts, printed marks to bases, (5) The tray measures 44cm wide £80 - £120

199 199 Amphora type figure of a lady, modelled holding a large basket, indistinct moulded signature to back, feint inscribed model number to base, 45cm high £60 - £100

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201 Two Birks Rawlins & Co. Vine pottery vases, one decorated in a pate sur pate by Fred Ridgway, the second tube lined with a formal floral pattern, (2) 22cm high Illustrated The Vine Pottery Birks Rawlins &Co. by Peter S. Goodfellow page 133. £80 - £120 202 Goldscheider figure of a lady, modelled dancing with a tambourine, facsimile Lorenzl signature and shape marks to base, 19cm high £150 - £250 203 Beswick model of Queen Elizabeth II mounted on Imperial Trooping the Colour in 1957. 27cm high £80 - £120

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204 Della Robbia bowl, incised and painted by Annie Smith with a cherub, inscribed ‘Au Revoir’ dated 1896 to base, 26.5cm diameter £500 - £800 205 Royal Doulton Iona, HN.1346, 19cm high £400 - £600 203

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206 Royal Doulton flambe snoozing pigs, 18cm long £100 - £150 207 Two Royal Doulton Lord Nelson commemorative Tygs, decorated with portraits of Nelson and inscribed ‘England Expects Every Man Will Do His Duty’ (2) 16.5cm high £100 - £150

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208 Royal Doulton flambe vase and cover, decorated with landscapes, 36cm high £80 - £120 209 Leslie Johnson oval miniature on porcelain plaque, painted with a portrait of a lady, 6cm high, the frame measures 12cm. £100 - £200 210 Royal Doulton stoneware ewer, incised with dragons and scrollwork, fitted with silver plated cover, also a similar bowl, (2) the ewer measures 29cm high £80 - £120 210 42

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211 Very rare Royal Doulton ‘Chinese Jade’ Buddha, designed by Charles Noke and Harry Nixon, signed Noke, model number 4729, painted and printed marks to base, 9cm high £1,000 - £1,500

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212 Royal Doulton Chang inkwell, signed Noke to base, 4.5cm high £250 - £350

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213 Wedgwood Keith Murray globular vase, decorated with a moonstone glaze, 17cm high £80 - £120

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214 Martin Brothers vase, incised with scrolling leaves and flowers, dated 51899 to base, 13cm high £250 - £350

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215 Two C.H. Brannam Barum pottery cats, with overall blue glazes, one with applied yellow plastic eyes, the largest cat stands 25cm high. £80 - £120 216 Arnhem Art Nouveau twin handled vase, painted with stylised flowers, cockerel mark and number 52 to base, 20.5cm high £80 - £120

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217 Peter Weldon Majolica elephant samovar “Loxodonta Africana”, the elaborate vessel with winged elephant finial surrounded by four candle sconces, sat on a saddle supported by an elephant on scrolled, encrusted and egg and dart architectural base mounted with a further four candle sconces, the base marked with impressed stamps as well as signed and dated 1989, marked Tettenhall College, 92cm high Peter Weldon is a specialist in design and manufacture of period architectural ironwork. His initial training was in the ceramics industry when this piece was produced as part of his degree show. In 1994 Weldon founded his own ceramic business and went on to produce such feats as replicating the famous ‘Tulipieres’ from Chatsworth House, as well as developing Sevresstyle copies with lost-wax bronze mounts and raised paste gilding. In 2001 Peter Weldon sold his ceramic business in order to focus on Ironwork. This current Elephant Samovar is thought to be one of only two produced by Peter Weldon, the technical proficiency to fire such a piece successfully is quite astounding. £400 - £500 218 Schauer Vienna Faience Rudolf Podany design lamp, with glass shade, modelled as a Harlequin and Columbine, shape number 862, / 798 incised and impressed marks to base, the figures measure 41cm high, overall height 70cm. £150 - £250

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219 Moorcroft lamp, decorated with foxgloves pattern after Rachel Bishop, with Moorcroft shade, 36cm high excluding fittings. £120 - £160

219 For condition reports please go to www.peterwilson.co.uk

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220 Moorcroft ewer and a jug, decorated with Iris and Hypericum patterns after Rachel Bishop, the ewer marked as a 1990 Moorcroft Collector’s Club piece, the jug has the original box (2) the ewer measures 24cm high £100 - £150 221 Moorcroft William Morris Golden Lily vase, after Sally Tuffin, 18.5cm high £80 - £120 222 Two Moorcroft vases, small bowl and a box, decorated with Hibiscus, Anemone, and Magnolia, pattern, the Anemone vase has a silver second line mark, (5) three with boxes, the tallest item measures 13.5cm high £80 - £120

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223 Two Moorcroft vases, decorated with Staffordshire Gold pattern after Alicia Amison, both with boxes, (2) The largest measures 16cm £100 - £150 224 Macintyre Moorcroft Florian vase, decorated with Wild Rose pattern, 25cm high £100 - £150 223

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225 Moorcroft Kaffir Lily vase, after Shirly Hayes, Two Star Membership piece, numbered 325, with box, 15.5cm high £80 - £120 226 Moorcroft vase, decorated with foxgloves pattern after Rachel Bishop, 22.5cm high £80 - £120 227 Moorcroft Burdock pattern vase, after Philip Gibson, 16cm high £70 - £100

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228 Two Moorcroft Ginger Jars, decorated with Anna Lily after Nicola Slaney, the other with William Morris Poppy pattern after Rachel Bishop, both with silver second marks, with boxes, 15cm high £100 - £200 229 Moorcroft Carousel vase, after Rachel Bishop, numbered 671, with box, 28cm high £100 - £200 230 Moorcroft Florian Dream Ginger Jar, after Rachel Bishop, number 50, and 11.2.2002 date to base, with box, 15cm high £80 - £120

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231 Two Moorcroft vases, decorated with Sweet Thief and Fuchsias patterns after Rachel Bishop, Moorcroft Collector’s Club mark to base, both with boxes, (2) 16.5cm high £100 - £150

232 Moorcroft vase, decorated with Landing Liberty pattern after Paul Hilditch, second mark covered, 29cm high £80 - £120

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233 Collection of Moorcroft, to include a Pomegranate pattern circular box with screw cover, pansy pattern pin dish, Anemone dish, a Thistle patterned enamels box, two mugs and a Dennis China vase, (8) 16.5cm high £150 - £250

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234 Moorcroft Blue Lotus pattern Ginger Jar, after Rachel Bishop, number 220 to base, with box, 15cm high £80 - £120

235 Moorcroft Lizard Orchid vase, after Philip Gibson, numbered 122 to base, 20cm high £80 - £120

236 Moorcroft Orchid vase, also a Pansy pattern pin dish and Hibiscus pattern bowl, (3) the vase measures 15cm high £80 - £120

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237 Moorcroft Saadian pattern Ginger Jar, after Shirley Hayes, with box, 15cm high £80 - £120

240 Moorcroft Pansy vase, after Rachel Bishop, base signed ‘J.Moorcroft 4.11.95’ with box, 16cm high £80 - £120

238 Moorcroft Martinique vase, after Jeanne Mcdougall, silver seconds line to base, with box, 17.5cm high £70 - £100

241 Moorcroft Tansy pattern vase, after Philip Gibson, with box, 18cm high £80 - £120

239 Moorcroft vase, decorated with Earth Mother pattern after Emma Bossons, number 24 of 75, artist signature and red dot mark to base, 41cm high £150 - £250

242 Collection of Moorcroft, to include six dishes, miniature vase, cup and saucer, one other cup, and “My Collection” shop style sign, all marked with red seconds dots with exception to the sign and the vase.

The sign measures 18cm long £80 - £120

242

For condition reports please go to www.peterwilson.co.uk

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243

243 Moorcroft Fire and Water vase, after Kerry Goodwin, numbered 42 of 50, marked as a second with red dot to base, 52cm high £200 - £300 244 Moorcroft Strawberry Thief vase, after Rachel Bishop, 19cm high £80 - £120

246

244

245 Moorcroft Kiribati vase, after Nicola Slaney, with box, 21cm high £100 - £150 246 Moorcroft Soldier’s Grass vase, Five Star Membership piece, numbered 29, designed by Rachel Bishop, with box, 15.5cm high £100 - £150

247

245

247 Moorcroft vase and small tray, decorated with foxgloves pattern after Rachel Bishop, (2) the tray measures 20cm long £80 - £120 248 Two Moorcroft vases decorated with Staffordshire Gold pattern after Alicia Amison, one with red dot mark for a second, one boxed (2) the largest measures 21cm high £120 - £180

248

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249

249 Moorcroft Carousel Charger, after Rachel Bishop, number 154, silver second line mark to base, with certificate 35cm diameter £70 - £100

251 Moorcroft Talents of Windsor vase, decorated with Windsor Carnation pattern after Sally Tuffin, number 196 of 300, with box, 28cm high £100 - £200

250 Moorcroft clock, decorated with Queen’s Choice pattern, also a Trial bonbonniere decorated with a mushrooms and fungi dated 31.10.2013, both seconds (3) the clock stands 21cm high £80 - £120

252 Moorcroft Rainforest vase, after Sally Tuffin, numbered 24/100, 18.5cm high £80 - £120

251

50

250

252

253 Moorcroft framed Trial plaque, decorated with Staffordshire Gold pattern after Alicia Amison, dated 5.8.11, framed, the plaque measures 22cm x 15cm £120 - £160

253

For condition reports please go to www.peterwilson.co.uk

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254

255

256 254 Two Moorcroft plates, decorated with Rainforest and Mamoura patterns after Sally Tuffin, both with boxes, 26cm diameter £100 - £150 255 Moorcroft Leicester vase, after Rachel Bishop, with box, 16cm high £100 - £150 256 Macintyre Moorcroft biscuit barrel, decorated with a two tone green Florian design, also two saucers, (4) the barrel stands 16cm high £80 - £120

258

257 257 Pair of Moorcroft vases, decorated with foxgloves pattern after Rachel Bishop, one with box, (2) 20.5cm high £120 - £160 258 Four pieces of Moorcroft, decorated with Chicory, Frangipani, Anna Lily, and Finches patterns, three with boxes, (4) the tallest vase measures 9.5cm high £80 - £120

259 Two Moorcroft vases, decorated with Wisteria pattern after Philip Gibson (Moorcroft Collector’s Club) and Fuchsia pattern after Kerry Goodwin 130/300, both with boxes, (2) 15.5cm high £100 - £200

259

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260

261

260 Moorcroft Tempest pattern Ginger Jar, after Philip Gibson, commission by B&W Thornton, Statford on Avon, number 211 of 250, with box, 15cm high £100 - £150 261 Two small Moorcroft Ginger Jars, decorated with Violets and Cluny patterns after Sally Tuffin, Silver second line to the Cluny base, (2) 10cm high £80 - £120 262 Two Moorcroft jugs, one decorated with buttercup pattern the other with Rose pattern after Sally Tuffin, the second stamped Moorcroft Collector’s Club, both with boxes (one missmatching) 14cm high £100 - £200

263 52

262 263 Collection of pottery birds eggs, to include a bird’s nest, four model eggs, another constructed as a pepper pot

by Macintyre pottery, also a gold metallic lustre vase possibly by Macintyre, and nest also a lustre vase, (7) the vase stands 12.5cm high £100 - £150

264 Pair of Moorcroft vases, decorated with foxgloves pattern after Rachel Bishop, one with box, (2) 15.5cm high £120 - £160

264 For condition reports please go to www.peterwilson.co.uk

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265 265 Two Moorcroft vases, one decorated with Comfrey pattern after Philip Gibson, the other a Moorcroft Collector’s Club piece decorated with Grapevine pattern after Sally Tuffin, both with boxes, (2) the tallest vase measures 20.5cm high £100 - £200 266 Moorcroft Thaxted vase, after Philip Gibson, number 89 of 200, with box, 20cm high £80 - £120 267 Moorcroft Dandelion vase, after Sally Tuffin, numbered 73 of 200, with box, 16cm high £100 - £150

266

267

268 Three Moorcroft vases, decorated with Forever England after Vicki Lovatt, and Bluebell Harmony after Kerry Goodwin, all marked as seconds with red dots, 31cm high £120 - £180 269 Macintyre Moorcroft Florian ware jug, decorated with Poppy pattern, also a similar salt, both fitted with plated mounts. The jug stands 20cm high £70 - £100 270 Moorcroft Golden Jubilee 2001 Ginger Jar, after Rachel Bishop, with miss matching box, 15cm high £80 - £120

268

271 Moorcroft vase, decorated with foxgloves pattern after Rachel Bishop, gilt signature and 11.11.95 to base, 36cm high £150 - £200

269

270

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273

272

275

274 272 Two Moorcroft vases, decorated with Peacock Feathers after Rachel Bishop, and Finches pattern after Sally Tuffin, both marked as a seconds with silver lines, (2) the tallest vase measures 18.5cm high £80 - £120

275 Moorcroft Love Labour’s Lost Ginger Jar, after A.J. Amison, number 110 of 250, commission by B&W Thornton Stratford on Avon, with box, 15cm high £150 - £250

276 Three Moorcroft vases, two decorated with Anna Lily pattern, after Nicola Slaney, another with Paradise Found after Vicki Lovatt, all seconds, the tallest vase measures 26cm high £100 - £150

273 Two Moorcroft vases, decorated with Summer Lawn pattern after Rachel Bishop, signed in gilt pen ‘J.Moorcroft 4.11.95’ the other with a daisy pattern, one with box, 13.5cm high £80 - £120 274 Two Moorcroft vases, decorated with Sunflower and Pansy patterns after Rachel Bishop, silver second line marks, (2) 10cm high £80 - £120

276 54

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277 277 Moorcroft Mamoura vase, after Sally Tuffin, signed in gold pen ‘J. Moorcroft 18.4.93’ 16.5cm high £80 - £120

278 279 Moorcroft vase, decorated with Fields of Gold pattern after Alicia Amison, with box, white dot mark to base, 24cm high £100 - £200

278 Moorcroft Minuet Bonbonniere, after Nicola Slaney, with twin handles and cover, with box, 22cm high £100 - £150

279

280 Two Moorcroft vases, one decorated with Bluebell Harmony pattern after Kerry Goodwin, both seconds (2) 31.5cm high £100 - £150 281 Moorcroft Noah’s Ark Ginger Jar, after Rachel Bishop, Moorcroft Collector’s Club and 818 marks to base, with box, 15cm high £80 - £120

280

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282

283

285

284 282 A Moorcroft Queens Choice vase, after Emma Bossons, marked as a second, 23cm high £80 - £120

285 Two Moorcroft vases decorated with Staffordshire Gold pattern after Alicia Amison, one with box, (2) The largest measures 11cm high £80 - £120

283 Moorcroft twin handled vase and a charger, decorated with Snowdrops pattern after Rachel Bishop, marked Moorcroft Collector’s Club, the charger decorated with Magnolia pattern, (2) the charger measures 26cm diameter £80 - £120 284 Moorcroft Twelfth Night Ginger Jar, after Emma Bossons, commissioned

by B&W Thornton, Stratford on Avon, number 96 of 250, with box, 15cm high £100 - £150

56

286 Two Moorcroft vases, one decorated with Butterfly pattern after Rachel Bishop, the other with Finches pattern after Sally Tuffin, with boxes, silver second line to the Finches vase (2) the tallest vase stands 12cm high £100 - £150

286

For condition reports please go to www.peterwilson.co.uk

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287

288

287 Moorcroft lidded vase and a square section vase, decorated with Staffordshire Gold pattern after Alicia Amison, one with box, (3) the largest measures 16cm high £120 - £180 288 Moorcroft Rock Pool vase, after Wendy Mason, numbered 37, silver seconds line mark to base, with box, 16cm high £80 - £120 289 Moorcroft vase and two Cobridge vases, decorated with Clematis, Scallops and Orange Blossum patterns, (3) the Moorcroft vase measures 13cm high £80 - £120

289 290 Moorcroft Collector’s Club vases, decorated with Rudbeckia pattern after Rachel Bishop and Daisy Chain after Sally Tuffin, (2) 20.5cm high £70 - £100

291 Two Moorcroft vases, one decorated with Bluebell Harmony pattern after Kerry Goodwin, second mark covered, the other a Trial vase decorated with castles, (2) 31cm high £80 - £120 292 Moorcroft Brambles pattern Ginger Jar, after Sally Tuffin, 15cm high. £80 - £120

290

291

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293

294

295 293 Moorcroft Angels Trumpets vase, after Anji Davenport, Moorcroft Collector’s Club mark and 1003 to base, with box, 18.5cm high £80 - £120

296 294 Two Moorcroft vases, decorated with Hibiscus and Magnolia patterns, one with box, the Magnolia vase with silver seconds line mark, (2) the tallest vase measures 19cm high £80 - £120

295 Two Moorcroft vases, decorated with Mamoura pattern and Red Tulip pattern after Sally Tuffin, both with silver second line marks to bases, (2) 19cm high £100 - £150 296 Moorcroft Flames of the Forest Ginger Jar, after Philip Gibson, with box, 15cm high £80 - £120 297 Two Moorcroft Trial vases, one decorated with Butterfly Cloud pattern after Emma Bossons, second marks covered (2) 23cm high £80 - £120

297

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298 Moorcroft vase, decorated with foxgloves pattern after Rachel Bishop, with box, 17.5cm high £80 - £120

299 Moorcroft Carousel pattern Ginger Jar, after Rachel Bishop, number 940 to base, with missmatching box, 15cm high £80 - £120

300 Two Moorcroft dishes, the first decorated with Queenie’s Caravan after Emma Bossons, red dot mark, the second with Anna Lily after Nicola Slaney, (2) the largest measures 28.5cm diameter £70 - £100

298

299

301 Moorcroft Jasmine vase, after Rachel Bishop, numbered 825, with box, 23cm high £70 - £100

300

302 302 Macintyre Moorcroft commemorative small bowl, decorated with roses surrounding ‘Coronation of King George V and Queen Mary June 22 1911’ dedication, 12.5cm diameter £80 - £120 301 59

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303

304

305

303 Moorcroft Romeo and Juliet Ginger Jar, after Rachel Bishop, commissioned

by B&W Thornton, number 185 of 250, with box, 15cm high £150 - £250 304 Moorcroft Foxglove vase, after Rachel Bishop, silver seconds line mark to base, 25.5cm high £70 - £100 305 Moorcroft Kyoto pattern vase, after Rachel Bishop, silver second line mark to base, 20cm high £100 - £150 306 Two Moorcroft Vases, decorated with Carousel pattern after Rachel Bishop, numbered 804, and Borage pattern after Philip Gibson, both with boxes, (2) 10cm high £100 - £150

306

307 Moorcroft Royal Tribute vase, after Rachel Bishop, number 8/400, silver second mark to base, with box 27cm high £120 - £180

307 60

308 Moorcroft Blue Rhapsody Vase, after Philip Gibson, Moorcroft Collector’s club 2001 mark to base, with box 25.5cm high £100 - £150

308 For condition reports please go to www.peterwilson.co.uk

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309

309 Two Moorcroft vases, decorated with Golden Lily on ivory pattern and Snakeshead pattern after Rachel Bishop, both with boxes, (2) the largest vase measures 17cm high £100 - £150 310 Two small Moorcroft Ginger Jars, decorated with Indigo pattern after Emma Bossons, and Mistletoe Memories pattern after Rachel Bishop, both with boxes, 11cm high £100 - £150

311

310

311 Three Moorcroft trial vases, decorated with Snow Angels after Helen Dale, dated 20.6.16, another decorated with a Myriad Bulb design, name des. trial 16.2.16, another with a Honey suckle design after Rachel Bishop, (3) the tallest vase stands 23cm high £80 - £120

312

312 Moorcroft Honeysuckle vase, after Rachel Bishop and signed by the designer in gilt pen, 17.5cm high £80 - £120 313 Moorcroft Trial vase, decorated with stylised flowers on a pale green grey ground, dated 10.12.14 to base, with box, 26cm high £100 - £150

313

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314 314 Pair of Sevres vases signed R. Jeandot, decorated with white blossom and gilt leaves on a navy ground, 1920 / 1921 back stamps to bases, 21cm high £80 - £120

316 316 ARR Rupert Spira (b.1960 - ) plate, painted with a central fish, impressed monogram to base, 27cm diameter £80 - £120

62

315 315 ARR David Roberts (b.1947 -) Raku vase, decorated with circular banding, impressed seal mark to base, 36cm wide 21cm high £700 - £1,000

317 317 ARR David Roberts (b.1947 - ) Raku dish, decorated with circular bands on a white ground surrounded by a textured grey exterior, together with copy of ‘Painting With Smoke - David Roberts - Ruku Potter’ by Lynne Green, signed by Roberts.

The dish measures 34cm wide. £300 - £500

For condition reports please go to www.peterwilson.co.uk

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318 318 ARR David Roberts (b.1947 - ) Raku charger, the crackle glaze body surrounded by grey lustre border, impressed seal mark to base, 54cm wide £700 - £1,000

319 ARR Alan Wallwork vase of crescent shape, incised initials to base, 16.5cm wide £50 - £100 320 Attributed to William de Morgan, a Fred Passenger lustre bowl, painted with fish foliate designs, painted F.P mark to base, 36.5cm £80 - £120

319

321 321 Pair of Royal Worcester figures of musicians, shapes H145 and H126, date codes for 1919/20, 31cm high £80 - £120 320 63

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asian art

324

322

323

322 Chinese moon flask, with twin handles, painted with figures in under glaze blue, late 19th century 25cm high £80 - £120 323 A Chinese carved horn libation cup, with zodiac animals and leaf design. 18 x 11cm. £100 - £200 324 A 19th century Chinese enamel quatrefoil teapot. With famille en rose floral design and scenes of ladies in a walled garden and singular flower on base. Approx 18.5 x 9.5cm. £200 - £300

326

325 Small Vietnamese lobed vase painted with under glaze blue scrolling flowers, 15th /16th century, 7cm high £80 - £120

325 326 Large Chinese famille rose twin handled vase, with figures in landscapes painted in blue on raised paste, heightened in gilt, on celadon green ground, mid to late 19th century, 63cm high £70 - £100 327 Twelve late 19th century Chinese ricepaper paintings of floral design. In modern, glazed frames. 33 x 46cm. (12).

Provenance: Previously sold in February 2017 at Christie’s South Kensington. £1,000 - £1,500

327 64

For condition reports please go to www.peterwilson.co.uk

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328

329 328 Chinese silver Canton cigarette box, embossed with a dragon, 15.5cm wide £80 - £120 329 A Chinese Famille verte vase, painted with figures in garden scenes, 19th century, 34cm high £80 - £120 330 Chinese Famille rose ginger jar base, 18th/19th century, 23cm high. £200 - £300

331 Chinese gilt copper lidded box, the lobed melon shape body worked in medium relief on a stippled ground, decorated with melon vines, leaves and butterflies, with twin branch handles and supported on three scrolling feet, Qing Dynasty (1736-1795) (2) 29.5cm high Possibly incomplete and perhaps removed from the Imperial workshops prior to completion. £200 - £300

332 332 Large Chinese Republic period (1912 - 1949) vase, with twin dog mask handles painted with vases of flowers as well as script, 60cm high £400 - £600

330

331

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333

334

333 Chinese hardwood reclining Buddha, with pierced sit in wood stand, late 19th early 20th century, the stand measures 37cm wide. £60 - £80

335

334 Japanese Cloisonné vase, decorated with cockerel on a yellow ground, late 19th early 20th century, 21cm high £150 - £250

335 Samson Japanese bowl, finely painted with Immortals in a satsuma style, the inside painted with a dragon, late 19th century, 24cm diameter £300 - £400

336 Pair of Japanese chargers, painted with vases of flowers in an Imari palette, Meiji period, late 19th century, (2) 45cm diameter £80 - £120 336

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AT 6.00PM silVer & Plated Ware

337

338

337 George III silver salver, hexagonal form on three paw feet, shell and gadroon border decoration, later engraved decorative floral border and initial inscription, 24cm wide, gross weight 17.3ozt, marks for Thomas Hannam & Richard Mills, London, 1764. £200 - £300 338 Twin-handled silver centre dish by Walker and Hall, plain polished circular body on tapered stem and stepped domed foot, scrolling twin handles, width approx. 25.7cm, height approx.

21cm, weight approx. 23.4ozt, marks for Walker and Hall, Sheffield, 1911. £250 - £350

339 339 Circular silver tray by William Hutton & Sons, plain polished circular body with waved border on 3 paw feet, width approx. 30.5cm, weight approx.

23.75ozt, marks for William Hutton & Sons, Sheffield, 1939. £200 - £300

340 Four silver dwarf candlesticks by William Hutton & Sons, corinthian columns to square-stepped filled bases, beaded decoration to bases and sconces, height approx. 13.2cm each, marks for William Hutton & Sons, London, 1897. £150 - £250

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341 A silver toast rack by Mappin and Webb, plain polished body with six divisions on four ball feet, stylized gothic style handle, length approx.

17.5cm, height approx. 13.5cm, gross weight 9ozt, marks for Mappin & Webb, Sheffield. £100 - £200 342 Edwardian silver sugar shaker, plain polished baluster body on pedestal foot, pull-off pierced decoration lid with urn shaped finial, height approx.

16.2cm, weight approx. 4.4ozt, marks for Barker Bros. 1908, Chester. £70 - £100

341 342

344 343 343 Edwardian circular silver tray, plain polished with Chippendale border on 3 paw feet, inscription “WDE January 1913” to centre with floral border, approx. diameter 26.7cm, weight approx.

17.2ozt, marks for Boardman, Glossop & Co Ltd, Sheffield, 1910. £150 - £250 344 Victorian silver and glass spirit flask, plain glass body, silver base with monogrammed initials, silver screw lid, hallmarks for London, 1867, makers Wright & Davies, height approx. 17cm. £70 - £100 345 A Victorian silver and glass five-piece cruet set and stand, the five original faceted bottle with silver tops, marks for Henry Bushell & Co, Birmingham, 1897, the oval stand with pierced decoration on four shell feet, silver stem and loop handle to wooden base, width approx. 16cm x 12.5cm, height approx. 20cm, marks for Thomas Bradbury & Sons, London, 1897. £300 - £400 345

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346

346 Pair of Arts and Crafts silver boat shaped dishes by A. Edward Jones, planished bodies with stud decoration, pierced moulded leaf motifs to bowls, twin scrolling loop handles, square tapered pedestal feet, 23cm long, 11.5cm high, gross weight of pair 11.6ozt, marks for Albert Edward Jones, Birmingham, 1916. £400 - £600 347 Silver milk jug and sugar shaker by Fattorini & Sons, plain polished jug of tapered cylindrical form on spreading foot, stylized c-scroll handle in the form of a dragon, applied Celtic decoration to spout and border, height approx. 11.2cm, together with a matched sugar shaker, circular pulloff lid with pierced decoration and flat topped finial, height approx. 11.5cm, gross weight of set 6.9ozt, marks for Fattorini & Sons, Birmingham, 1936, complete in orginal box. £100 - £200 348 6 Georgian silver table spoons, plain polished form, two family crests engraved to handles of each, 5 with marks for Solomon Hougham, 1801, London, another with marks for William Eley & William Fearn, 1814, London, gross weight of set approx.

12.79ozt. £150 - £250

347

348

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349 Russian Silver Gilt chair salt, the seat a hinged lid, niello and pierced decoration, Russian ‘84’ standard mark, St. Petersburg, dated 1874, maker’s mark ‘AB’, assay master Ivan Vonifatiyevich Yevstigneyev, height approx. 9cm, width approx. 6.5cm, together with a Russian silver salt spoon, Russian ‘84’ standard mark, St. Petersburg, dated for 1871, gross weight of pair 5.6ozt. £100 - £150 350 Russian silver serving spoon/ladle, the bowl of round conical shape to a fiddle pattern handle, Russian ’84 standard silver marks, St. Petersburg, circa 1900, monogrammed initial ‘M’, 24cm long, weight approx. 4.5 ozt. £200 - £300

349

351 350 351 Pair of mid-19th century silver gilt Russian beakers, tapered faceted form, engine turned decoration to each, initials to central cartouches, ‘84’ standard Russian marks, Moscow, date 1867, maker’s mark for Pavel Akimov Ovchinnikov, assay master Aggey Grigoryevich Svechin, height approx. 7.4cm, gross weight of set 4.3ozt. £200 - £300 352 Georgian silver sparrow beak jug of baluster form with sscroll handle and flared base, 11cm high, hallmarked London, 1741, maker assessed as Thomas Farren, gross weight 7.6ozt. £150 - £250 353 17th century William III silver trefid spoon with rat-tail to bowl, hallmarks for London, 1696, pin-dot inscription to terminal ‘1696’ and ‘IP’, length approx. 20cm. £200 - £300

352

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353

For condition reports please go to www.peterwilson.co.uk

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354

354 George I silver slice, rat-tail design, old English pattern terminal, hallmarked London, 1720, maker ‘HM’ (possibly by Henry Morris), inscription to terminal ‘S’ over ‘T*M’, length approx. 18cm long. £100 - £200

355

357

356

355 Set of 3 Georgian silver coasters, marks for Richard Gardner (1775 - 1784), plain wells, gadroon borders, each approx. 11cm diameter, gross weight 8.6ozt. £100 - £200 356 Victorian silver card case, engine turned decoration to to exterior, plain cartouche to one side, shaped scrolling borders, measuring 10cm x 7cm, marks for Owen & Boon, Birmingham, 1856, gross weight. 1.9ozt. £70 - £100 357 Pair of Aesthetic period Chinese silver salts, round baluster form, hammered finish, raised floral and leaf design, Chinese marks to bases, complete with white metal liners, diameter 6cm, height 3.5cm, gross weight (excluding liners) 1.86ozt. £100 - £150

358 358 Pair of Elkington & Co. silver plated tazza stands, ornate stylized flower head and scroll tripod stem, scrollwork decoration to base, shield and bead borders to top, each on 3 paw feet, design no.645 applied pad to base, stamped registration diamond for 1862, height approx. 20cm. £100 - £200

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359

360

359 Irish silver sugar shaker, plain polished baluster form on pedestal foot, pierced decoration lid with spiral finial, height approx. 15.8cm, gross weight 4.1ozt, marks for West and Son, Dublin, 1910. £250 - £400

360 George III silver coffee pot, plain polished baluster form on circular spreading foot with gadroon border, domed hinged lid with bird of prey finial, scrolling handle and cast spout, crest engraved to one side depicting 3 swans in a shield, height approx.

27cm, gross weight approx. 29.9ozt, William & John Dean, London, 1764. £500 - £700

361

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361 Two-drawer standing oak canteen of cutlery, 8 place setting comprising 68 pieces including forks, spoons, fish knives and table knives, each engraved with initial ‘M’, together with 7 matching silver teaspoons and 6 matching silver coffee spoons and steel carvers, marks for Sheffield, dated between 1934 1950, gross weight of silver flatware (including additional spoons) 117.56ozt, complete in green felt lined oak canteen labelled ‘Edward & Sons Ltd, Jewellers and Silversmiths, Buchanan Street, Glasgow’, measuring approx.

77.5cm x 64cm x 40.5cm. (Please note: knives and carvers are steel bladed) £1,000 - £2,000

For condition reports please go to www.peterwilson.co.uk

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362 362 Four-piece silver tea set by Garrard & Co, comprising teapot, hot water jug, sugar bowl and milk jug, plain polished bodies of ridged tapered oval shape with engraved floral border to rims, gilt interiors, teapot and hot water jug with hardwood handles and umbrella shaped finials, gross weight of set approx. 52.6 ozt, marks for Garrard & Co, London, 1954. £300 - £500 363 A George III silver milk jug, plain polished baluster form body with gilt interior, acanthus scroll handle, applied floral borders on spreading pedestal foot, marks for Newcastle, 1836 (note: also a crowned leopard head mark) height approx. 10.5cm, gross weight approx. 9.7ozt. £100 - £200 364 Two German amber glass and silver pepperettes, faceted baluster form glass bodies with engraved floral decoration, pierced silver lids in the form of gourds with stylized stem finials, embossed silver platforms stamped ‘830’ to base, height approx. 13.6cm. £150 - £250

363

365 Dutch 833 standard silver fish slice with banded agate handle, pierced lattice design and scroll patterned slice, Dutch 833 standard marks to reverse and collar, faceted agate handle, total length 26cm. £150 - £200

364

365

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366 Edwardian silver dish, circular bowl with pierced floral decoration, applied shell and gadroon border, width approx. 20.7cm, on spreading pedestal foot, height approx. 8.2cm, gross weight 10.5ozt, marks for London, 1911. £150 - £250

367 Silver coffee pot, plain polished body of curved rectangular form, black umbrella finial and handle, marks for William Adams, Birmingham, 1930, height approx. 21cm, gross weight.

24.7ozt. £200 - £300

366

368 Victorian silver bon-bon dish with pierced and repousee scrolling decoration, on oval pedestal foot, height approx. 11.5cm, width approx.

16cm, weight approximately 7.97ozt. £100 - £150

367

368

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JEWELLERY 369 Samuel Morden 9ct gold pen knife with steel blades, plain polished body inscribed “Bracebridge, re-opened October 19th 1927 by Councillor George Robson, Mayor,” measuring approx. 78mm, loop fastening to one end, two hinged steel blades, marks for Samuel Mordan and Co, London, 1919. £200 - £300

369

371

370

370 9ct yellow gold Albert chain, twisted trombone link design, lobster claw and loop fastening, length approx. 78cm, weight approx. 44.9g. £600 - £800 371 9ct yellow gold muff chain, round box link chain measuring approx. 156cm, lobster claw and loop fastening stamped ‘9.C’, gross weight 25.7g. £290 - £340

372

372 18ct yellow and white gold watch chain, the mixed-link chain alternating yellow and white gold sections, lobster claw and spring-ring fastenings, length approx. 39.8cm, gross weight approx. 13.2g. £200 - £400

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373 9ct yellow gold double Albert chain, comprising two graduated curb link chains to T-bar link, lobster claw and spring ring fastenings, length approx.

21.6cm, gross weight 26.1g. £150 - £250

373

374 Of Masonic Interest, a 9ct gold medallion for Hamer Chapter No. 1393 on red ribbon, inscription to reverse for ‘E.Comp, 1946’, length of medallion 90mm, complete in original box. £150 - £200 375 Of Masonic Interest, a medallion, circa 1900 from Grand Master H.R.H Duke Of Sussex, engraved dedication to reverse reading ‘Honorable testimonial of Masonic Charity of Benevolence Instituted by H.R.H. Aug. Fred. Duke of Sussex, M.W. Grand Master.’, hallmarked 15ct gold rim, medallion approx.

39mm diameter, total length approx.

94mm. £300 - £400

376 Of Masonic Interest, a small enamelled dress medallion for Forest Of Arden 1922 on green ribbon, enamelled panel with banner reading ‘St. James’ Lodge 482’, yellow metal banner reading ‘Mundus Gubernatur Adeo’, 15ct gold set square dropper, total length of medallion 77mm, complete in original box. £100 - £150

375 374

376

377

377 Of Masonic Interest, an enamelled medallion for Forest Of Arden 1922 on green ribbon, enameled panel reading ‘Forest of Arden, Lodge No. 3826,’ 15ct gold set square pendant with enameled inset decoration and inscription to the reverse to Edward Booth, complete in original box. £250 - £400 378 Of Masonic Interest, an enamelled medallion for St James Lodge 482 on green ribbon, enamelled panel with banner reading ‘St James’ Lodge 482’, yellow metal banner reading ‘Mundus Gubernatur Adeo’, the set square drop pendant hallmarked 15ct gold with presentation inscription to reverse for Edward Booth, 1901, total length of medallion 141mm, complete in box with inscription ‘1901, Bro. Edward Booth P.M, St. James Lodge, 482’ to lid. £200 - £300

378

76 For condition reports please go to www.peterwilson.co.uk

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380

379

379 Three yellow gold horse-shoe stick pins, comprising one set with 7 small old cut diamonds, 14mm x 12mm, length of pin approx. 58mm, one set with 4 rough cut diamonds and 3 rubies, 14mm x 12mm, length of pin approx. 58mm, and one set with seed pearls, 9mm x 8mm, length approx. 58mm. £150 - £200 380 Three yellow gold stone set stick pins, including one set with an oval faceted citrine with rope twist border, 16mm x 14mm, length of pin approx. 80mm, one set with a round cabochon garnet, 9mm diameter, length of pin approx.

75mm, and one set with a round faceted amethyst with pierced decoration border, 9mm diameter, length of pin approx. 64mm. £150 - £200

381

381 Set of four yellow gold stick pins, comprising one opal set, 8mm x 6mm, length of pin approx. 48mm, one pearl and diamond set, 15mm across, length of pin approx. 71mm, one with diamond shaped head set with a small old cut diamond 9mm x 5mm, length of pin approx. 52mm,and one Etruscan style set with a small old cut diamond,12mm x 8mm, length of pin approx. 60mm. £150 - £200 382 Set of four yellow gold stick pins, including one of Masonic interest, comprising polish bloodstone with set square and compass emblems with a rope twist border, 12mm x 9mm, total length of pin 69mm, another with plain scale design, 11mm x 10mm,, length of pin approx. 50mm, one set with a cultured pearl, 6mm diameter, length of pin approx.

55mm, and one set with plain polished letter ‘G’, 9mm x 9mm, length of pin approx. 58mm. £150 - £200

382

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383 383 Opal 3-stone and diamond set boat head 18ct gold ring, 3 oval cabochon cut precious opals (centre opal approx. 7mm x 6mm), six small round old cut diamonds, with a total diamond weight of approx. 0.25 carats, gross weight 4.4g, ring size R. £200 - £300

384 384 Diamond platinum solitaire ring, the round brilliant cut diamond weighed weight of 1.03 carats, claw set to plain polished platinum shank, gross weight approx. 4.1g, ring size L. £1,500 - £2,000

385 385 Sapphire and diamond 18ct white gold eternity ring,12 round brilliant cut diamonds weighing a total of approx. 0.75 carats and 12 square-cut sapphires weighing a total of approx.

1.50 carats, flush set to plain polished white gold shank, gross weight approx. 5.1g, ring size P. £400 - £500

386 Edwardian 9ct gold peridot and seed pearl pendant brooch, central oval peridot measuring approx. 7mm x 5mm, fine gold frame comprising floral motifs inset with seed pearls, round peridot dropper approx. 5mm, pendant measuring approx. 45mm x 27mm, gross weight approx. 5.2g. £100 - £200 387 Emerald and diamond set two-section drop garland style pendant and chain, full rubover and grain set with faceted emeralds, rose and rough cut diamonds, silver settings and construction, yellow gold suspension chain to a silver belcher link neck chain, the pendant 7cm long and 5cm wide. £300 - £400

386

388 Victorian pearl, sapphire and diamond bar brooch, comprising 4 half pearls in yellow gold bezel setting, square cut sapphire to centre with small diamonds either side, two small diamond and seed pearl spacers, simple loop and pin fastening to reverse, total length of brooch approx. 48mm, gross weight approx. 6.4g. £300 - £500

388

387 78

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389

391

389 Late Victorian/Edwardian 15ct yellow gold pearl set brooch, comprising plain polished yellow heart motif with initials ‘HDV’ carved to centre, surrounded by four clovers with half pearls set to each petal, stamped ‘15ct’ to reverse, simple pin and loop fastening, safety chain measuring 67mm, gross weight approx. 5.7g. £150 - £200

390 18ct gold pearl ring, the button shaped blister pearl approx. 8mm diameter, crossover shoulders, plain polished shank, unmarked, ring size I. £150 - £250 391 Victorian natural seed pearl flower head and scroll drop brooch, the full set brooch comprising central flower head, scroll surround with bauble drop, the threaded graduating seed pearls to a mother of pearl frame backing, yellow gold hinged pin and simple loop fittings, 5.5cm x 6cm, complete in original fitted box. £200 - £300

392 Victorian amethyst and seed pearl oval cluster yellow gold brooch, central oval mixed cut amethyst 16mm x 14mm, claw set, the oval rubover set surround comprising a total of 20 round half pearls, approx.

2.7mm diameter each, steel hinged pin and loop brooch fittings, 2.5cm width, gross weight 5.6g. £150 - £200 393 Victorian yellow gold opal and diamond tubular scroll drop brooch, comprising hollow gold tubular branches in knot design, carved leaf and vine decoration, set with precious opals and two small diamonds, total length approx. 72mm, gross weight approx. 13.2g, complete in box. £400 - £600

390

392 393

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395 394 Cultured pearl choker necklace with 18ct white gold diamond set clasp, comprising 35 silver-pink pearls, each approx. 12mm diameter, 18ct white gold clasp pave set with small diamonds, tongue and box snap fastening, total length of necklace 46.5cm. £800 - £1,200 395 Moonstone solitaire yellow gold ring, oval cabochon cut moonstone approx. 9mm x 7mm, bezel set to rectangular open scrollwork head, gross weight 4.0g, ring size O. £150 - £200

394

396 Art Deco 14ct white gold, diamond and enamel bar brooch, circa 1920’s/1930’s, small brilliant cut diamond to central square panel, carre set, pierced floral design panels with blue enamel accents, clasp stamped ‘14K’, measuring approx.

59mm, weight approx. 4.3g. £300 - £400 396

397

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397 Circa 1900 ruby and diamond round cluster 18ct gold ring with diamond set shoulders, central ruby measuring approx. 4mm x 3mm, cluster surround of 8 small old cut diamonds, a further old cut diamond to each shoulder, total diamond weight of approx. 0.50 carats, plain polished yellow gold shank, gross weight 2.5g, ring size O. £250 - £400

398

398 Victorian diamond solitaire ring, old cut diamond weighing approx. 0.90 carats, open back illusion setting, yellow gold shank with tulip design cut into shoulders, weight approx.

3.0g, ring size S ½. £300 - £500

For condition reports please go to www.peterwilson.co.uk

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401

400

399 19th century Indian gold bracelet composed of 8 oval miniature paintings on ivory, depicting famous Indian temples, rope twist border decoration to each panel, each approximately 17 x 13mm, overall length 17.5cm. £400 - £600 400 Diamond 5-stone boat head 18ct gold ring, 5 round old cut diamonds, the calculated total diamond weight approx. 1.00 carat, scrollwork mount sides, gross weight 3.8g, ring size O. £300 - £500 401 Victorian turquoise and diamond gold bar brooch, torpedo shaped brooch set with four central turquoise panels with small old cut diamond surround, measuring approx. 39mm long, simple loop and pin fastening to reverse, weight approx. 4.9g, complete in box. £100 - £150

403 18ct white gold sapphire and diamond flower head cluster ring, flower head comprising 4 pink-purple sapphires, each measuring 7mm x 5mm, total weight of sapphires approx.

2.00 carats, border surround of 21 small round brilliant cut diamonds, total diamond weight 0.50 carat, cluster measuring approx. 17mm across, plain polished white gold shank, gross weight approx. 6.0g, ring size P. £1,000 - £1,500 404 Pair of diamond solitaire 18ct gold stud earrings, the two round brilliant cut diamonds with a combine diamond weight of approx. 0.36 carats, 4-claw set, post and butterfly pierced ear fittings. £180 - £220

404

402 Amethyst single stone 18ct gold ring with diamond set shoulders, the octagonal mixed cut amethyst approx. 16mm x 14mm, claw set scroll shoulders, flush set with 6 small round cut diamonds, gross wieght 7.3g, 2 sizing beads to inside shank, minimum size N. £150 - £250

399 403 402 81

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405 9ct yellow gold ladies bracelet, woven link design with snap clasp fastening, length approx. 21cm, weight approx. 36.4g. £400 - £600 406 Diamond set 18ct yellow and white gold bangle, yellow gold triple ropetwist design bangle with white gold central panel pave set with small diamonds, total diamond weight of approx. 1.00 carat, measuring approx.

68mm x 56mm, tongue and box snap clasp with wire safety loop, gross weight approx. 53.9g. £1,500 - £2,000

407 Diamond 18ct white gold tennis bracelet, set with 54 brilliant cut diamonds, total diamond weight approx. 5.00 carats, tongue and box snap clasp with wire safety clips either side, length approx. 18.5cm, gross weight approx. 12g. £1,800 - £2,000

405

406

407

408

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408 9ct gold two-row bracelet and heartshaped padlock fastener, rose gold bracelet comprising 2 curb-link chains, length approx. 20.5cm, 9ct yellow gold padlock fastening measuring approx. 2.3cm x 1.9cm, gross weight approx.49.3g. £400 - £500

For condition reports please go to www.peterwilson.co.uk

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409

409 Diamond Art Deco 18ct white gold and platinum cocktail bracelet, the geometric design curved domed central section continuing to 3 rows each side, tongue and box snap clasp with wire safety clip, the bracelet full set with baguette cut and round brilliant cut diamonds, all of fine and matched quality, the central emerald cut diamond approx. 1.75 carats, assessed colour E/F, assessed clarity VVS/VS, a total overall calculated diamond weight of approx. 20 carats, claw and channel end setting, 17cm long. £40,000 - £60,000

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410

410 Sapphire and diamond fancy oval cluster ring, the large bright mid-blue oval sapphire approx. 15mm x 11mm, an approx. weight of 10 carats, the oval cluster surround comprising a total of 12 round brilliant cut diamonds and 10 tapered baguette cut, a total diamond weight of approx. 2 carats, white and yellow gold claw setting to an 18ct yellow gold shank, ring size P. ÂŁ10,000 - ÂŁ15,000

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411

411 Diamond line bracelet, total of 30 round brilliant cut diamonds, each carre set to square graduating links, total diamond weight of approx. 7.00 carat, tongue and box snap clasp, complete with safety chain, assessed as 18ct white gold. £5,000 - £7,000

412 9ct gold charm bracelet with assorted 9ct gold charms, curb link bracelet with safety chain and heart shaped padlock fastener, approx. 18cm long, assorted charms to include a Victorian full sovereign, an American 5-dollar coin dated 1905, assorted 9ct gold charms including a gold engraved bible, a treasure chest charm containing rose quartz pieces, a cockerel, a boot, a sailing boat and a guitar, gross weight approx. 69.9g. £800 - £1,200

412

413

413 18ct yellow gold diamond set multi-strand bracelet, bracelet comprising 12 rope twist strands with granular decoration, length approx. 18.3cm, central motif comprising 18 small brilliant cut diamonds, total diamond weight approx. 0.75 carats, tongue and box safety snap clasp, gross weight approx. 38.3g. £1,500 - £2,000

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415

414 414 Victorian micro-mosaic brooch, central panel depicting hardstone micro-mosaic landscape of Rome set into polished malachite, silver border surround with decorative floral carvings, measuring approx. 37mm x 43mm.

Note: pin to reverse missing. £75 - £125

416

415 Amethyst and diamond 14ct gold bar brooch, central faceted oval amethyst measuring approx. 10mm x 16mm, 2 small brilliant cut diamonds to either side in tapered white gold settings, openwork propeller design bar, pin and safety loop fastening, total length approx. 65mm, gross weight approx. 9.8g. £180 - £220 416 A Victorian 9ct yellow gold good luck oval brooch, oval body measuring approx. 33mm x 25mm, central motif comprising horse shoe with border surround spelling ‘good luck’, granulated decoration to border, compartment to reverse, safety chain attached measuring approx. 63mm, simple loop and pin fastening, weight approx. 6.0g. £100 - £200

417

417 Pair of diamond 18ct white gold stud earrings, two brilliant cut diamonds, total diamond weight of 0.62 carats, rubover set, 18ct gold post and butterfly back pierced ear fittings, gross weight approx. 2.2g. £900 - £1,400

418

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418 Pair of 18ct gold diamond set curved earrings, the interlocking double c-scroll design channel set with small baguette cut diamonds, a total diamond weight of approx. 2.00 carat (1.00 carat each), omega spring fittings, gross weight 12.8g. £1,500 - £2,500

For condition reports please go to www.peterwilson.co.uk

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419

420

419 Pearl and diamond set 18ct yellow gold drop pendant, the grey-pink cultured pearl measuring approx.

13mm, set to 18ct yellow gold tapered bar pave set with small diamonds, length approx. 43mm, complete on yellow gold ball chain, gross weight approx. 11.3g. £650 - £850

420 Asian style yellow gold and seed pearl pendant, floral scroll and leaf decorated pendant with triple drop comprising clusters of seed pearls post set, length approx. 11.3cm, gross weight approx. 13.0g. £200 - £300

421 Tiffany & Co. 18ct yellow gold heavy gauge heart pendant and chain, belcher link chain measuring approx.

39.5cm, stamped ‘T & CO 750’, heartshaped pendant fastening measuring approx. 2.3cm x 2cm, stamped ‘Tiffany & Co. 750’, gross weight approx. 95.5g. £2,000 - £3,000

421

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423

423 14ct yellow gold diamond drop necklace, textured rope twist chain measuring approx.

42.7cm, diamond crescent dropper comprising 10 small brilliant cut diamonds, total diamond weight approx. 0.50 carats total, tongue and box snap safety clasp, stamped ‘585’, gross weight approx.

33.8g. £800 - £1,200 424 Sapphire and diamond 18ct white gold stylized sprig pendant, 2 oval cabochon cut star sapphires measuring 9mm x 7.5mm, 5 marquise shaped brilliant cut diamonds, total diamond weight of 1.32 carats, claw set, total length of pendant approx. 47mm, complete on silver snakelink chain, lobster claw and loop fastening, gross weight approx. 15.1g. £1,500 - £2,000 422

422 Cultured pearl choker necklace with 9ct white gold diamond set clasp, necklace comprising 44 pearls each approx. 8mm diameter, 9ct white gold bow shaped clasp set with small diamonds, fish hook fastening, total length of necklace 42.2cm. £400 - £600

424

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425 425 Diamond cluster 18ct gold ring, the flower head cluster comprising a total of 9 round brilliant cut diamonds with approx. total diamond weight of 1.50 carat (centre diamond approx. 0.50 carat) claw settings, coronet mount with 18ct yellow gold shank, finger grip beads to inside shank, weight approx. 4.3g. £800 - £1,200

427 427 Diamond 3-row 18ct white gold half eternity ring, a total of 27 round brilliant cut diamonds, total diamond weight stamped to inside shank 2.70 carat, shank 9mm wide, weight approx. 10g, ring size N. £1,750 - £2,250

429 429 Amethyst and diamond 18ct gold 3stone ring, central oval amethyst measuring approx. 16mm x 12mm, 2 brilliant cut diamonds to either side, total diamond weight approx. 0.50 carats, claw set to 18ct white gold plain polished shank, gross weight 6.3g, ring size P. £250 - £400

426 426 A fancy natural intense yellow diamond and white diamond 3stone platinum ring, central round cornered rectangular modified brilliant cut fancy intense yellow diamond accompanied by a copy of GIA coloured diamond grading report no. 6185478103, stating ‘natural diamond fancy intense yellow even distribution, weight 0.50 carats, clarity grade VS1’ (verified report number laser inscribed to girdle of diamond), two pear shaped brilliant cut white diamonds with a combined diamond weight of approx. 0.30 carats, plain polished platinum shank, gross weight approx. 3.7g, ring size M ½. £1,500 - £2,000

428 428 Emerald and diamond 3-row boat shaped cluster ring, comprising a total of 10 round cut emeralds with a total weight of approx. 0.75 carats, and 9 round brilliant cut diamonds with a total weight of approx. 0.50 carats, plain polished yellow gold shank, gross weight approx. 5.5g, ring size P. £300 - £500

430 430 Diamond set crossover twist 18ct yellow gold ring, split front comprising two sections of pave set round brilliant cut diamonds, a total diamond weight of approx. 1.00 carat, plain polished 18ct yellow gold throughout, gross weight 8.7g, ring size P. £300 - £500

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431 431 Diamond and ruby 18ct white gold 3-tiered floral cluster ring with diamond set shoulders, central round brilliant cut diamond weighing approx. 0.75 carats with surround of 10 smaller diamonds, lower tier comprising 21 small marquise cut rubies, two small diamonds to each shoulder, total diamond weight to cluster and shoulders approx. 0.75 carats, plain polished 18ct white gold shank, total weight approx. 6.6g, ring size K. £1,750 - £2,250

432 432 Emerald and diamond geometric design rectangular cluster 14ct white gold ring, four round brilliant cut diamonds and four mixed cut emeralds, white gold channels carre set with small round 8-cut diamonds, ring size Q ½, weight approx. 6.3g. £300 - £500

90

433 433 Diamond 14ct white gold fancy cluster ring, square shaped head comprising 9 princess cut square diamonds with milgrain border, halo surround of small brilliant cut diamonds, total diamond weight 0.75 carats, tapered cathedral setting, diamond set twisted split shank, stamped ‘14KT’ to inside, gross weight approx. 4.6g, ring size approx. I ½. £500 - £600

435 435 Diamond solitaire 18ct gold ring, emerald cut diamond weighing approx. 0.30 carats, bezel set, grooved shoulders continuing to plain polished yellow gold shank, gross weight approx. 3.8g, ring size N ½. £200 - £400

434 434 Diamond 14ct white gold solitaire ring, central brilliant cut diamond weighing 0.90 carats, set to bezel surround set with small diamonds, shoulders set with 10 brilliant cut diamonds, plain polished white gold shank, gross weight approx. 4.7g, ring size O. £2,600 - £3,000

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436 436 Diamond solitaire 18ct gold ring with cross-over shoulders, central cushion cut diamond measuring 1.03 carats, 4-claw set to plain polished 18ct yellow gold shank, gross weight approx. 3.2g, ring size P ½. £1,800 - £2,000

438 438 Diamond 18ct white gold cluster ring, flower head design cluster comprising central brilliant cut diamond measuring approx. 0.50 carats, with a surround of 8 small diamonds, total weight 0.35 carats, raised basket setting to plain polished white gold shank, gross weight approx. 2.8g, ring size K ½. £600 - £800

440 440 Amethyst and diamond 18ct gold cluster ring, central oval amethyst measuring approx. 10mm x 8mm, cluster surround comprising 12 brilliant cut diamonds, total diamond weight approx. 0.66 carats, yellow gold split shank, gross weight 7.4g, ring size N ½. £250 - £400

437 437 Moonstone solitaire yellow gold ring, oval cabochon moonstone measuring approx. 14mm x 11mm x 8mm, raised 4-claw setting, plain polished 18ct yellow gold shank, floral decoration to shoulders, gross weight approx. 6.0g, ring size L. £150 - £250

439 439 Diamond cluster 18ct yellow ring, the hexagonal shaped multi-tiered design cluster comprising small round diamonds pave set to 18ct white gold setting, total diamond weight approx. 2.00 carats, with plain polished yellow gold shank, gross weight approx. 9.0g, ring size P. £600 - £800

441 441 1.36ct diamond platinum solitaire ring, round brilliant cut diamond in six claw setting, weighing approx. 1.36 carats, clarity assessed as VS2, colour assessed as G/H, plain polished platinum shank, weight approx. 3.5g, ring size N. £2,000 - £3,000

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442 442 Diamond set 18ct gold gent’s signet ring, square head comprising 9 small brilliant cut diamonds, total diamond weight approx. 0.50 carats, yellow and white gold stylized watch bracelet shoulders, gross weight 8.2g, ring size O. £400 - £600

444 444 Moonstone solitaire yellow gold ring, oval moonstone cabachon measuring approx. 15mm x 10mm x 5mm, 4-claw open-back setting, plain polished 22ct yellow gold shank, weight approx. 4.5g, ring size F ½. £150 - £250

446 446 Diamond solitaire 18ct gold ring, central brilliant cut diamond weighing approx. 0.30 carats, set into 18ct white gold rubover setting, plain polished yellow gold shank, gross weight approx. 3.4g, ring size N ½. £250 - £350

443 443 Diamond platinum and white gold solitaire ring, central brilliant cut diamond weighing approx. 0.87 carats, clarity assessed as SI2, 6-claw set to plain polished platinum shank, gross weight approx. 3.3g, ring size M. £700 - £1,000

445 445 Diamond five-stone 18ct gold ring, five round brilliant cut diamonds of graduating size, total diamond weight approx. 1.00 carat claw set to plain polished 18ct yellow gold shank, gross weight. 3.6g, ring size O. £300 - £500

447 447 Sapphire and diamond oval cluster 18ct yellow ring with diamond set shoulders, sapphire measuring approx.

7mm x 5mm, tapered baguette cut diamonds to cluster surround and shoulders, diamond weight approx.

1.00 carat, plain polished yellow gold shank stamped ‘750’ to inside, gross weight 7.3g, ring size Q. £400 - £600

For condition reports please go to www.peterwilson.co.uk

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Watches PLEASE NOTE: All clocks and watches are sold without warranty. Comments regarding the going condition of clocks and watches relate to their state at the time of cataloguing and those comments may no longer be correct at the time of sale or delivery. Buyers should assume that all lots will require servicing to be useable and reliable. Clocks and watches are not tested for accuracy, duration or water tightness’

448 Ladies vintage Longines Art Deco yellow gold watch, engine turned pattern, round dial, arabic numerals, yellow gold case, grooved coin edge decoration, winding movement, inscription to reverse for ‘1935’ complete on a modern leather strap. £250 - £350 448

449 A ladies 18ct gold Omega De Ville bracelet watch, with diamond dot champagne dial and diamond bezel, case size 23mm, the reverse with ‘De Ville’ logo to centre, numbered ‘53565489’ quartz battery movement, 5-row D-link yellow gold bracelet, 18ct gold Swiss marks to watch and bracelet, complete with box and paper work. £2,000 - £3,000

449

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451 450 Ladies Rolex 18ct gold bracelet watch, champagne dial to cushion shaped head, case size 20mm, mechanical winding swiss-jeweled Rolex movement to integral milanese flexible gold bracelet with crown logo fold-over ladder snap-clasp, complete with box and paperwork. £1,300 - £1,400

452

451 Gent’s Omega automatic yellow gold bracelet watch, round white dial applied batons, date window to 3’o’clock, case size approx. 36mm, mechanical winding swiss jewelled lever movement, milanese style 9ct gold bracelet, hallmarks for 1977, complete with Omega box as found, overall gross weight including movement 74g. £1,000 - £1,500 452 Circa 1950s Universal Dato-Compax Chronograph wristwatch, round steel dial, Arabic numerals, 4 subsidiary dials, centre seconds timing hands, steel case, crown winding Swiss jewelled Chronograph movement, chronograph function buttons above and below crown, case size 35mm. £200 - £300 453 Gent’s Nautische Instrumente Muhle Glashutte/SA German steel bracelet watch, blue dial, luminous infill, arabic numerals, date window at 3 ‘o’ clock, automatic movement, reverse stamped with ‘M12500’, case size 36mm. £200 - £400

453 450

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454

454 Gent’s Rolex Oyster Perpetual Air-King steel wristwatch, steel dial, applied batons, crown logo to 12 ‘o’ clock, case size 34mm, automatic movement, model no. 5500, serial no.

768916 (circa. 1962), on a later non-Rolex expanding bracelet. £800 - £1,000

455

455 Circa 1950s International Watch Co. 18ct gold watch, champagne dial with applied batons and Arabic numerals, case size 36mm, on expanding plated steel strap. £350 - £500

456 Gent’s Vintage 1960s Breitling Navitimer steel watch, black dial with 3 subsidiary dials, centre seconds timing hand, case size 42mm, manual wind movement, the reverse stamped Breitling to centre and 806 on a Breitling black leather stitched strap, complete in original box with original paperwork for 1966. £3,600 - £4,000

456

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457 Vintage 1993 Gent’s Rolex Oyster Perpetual Date GMT Master II, steel bracelet watch 16710 with Coca-Cola black and red bezel, black dial with date window to 3 ‘o’ clock, case size 40mm, automatic movement, steel jubilee bracelet, serial no. S315023 (1993), complete in box with original paperwork. £5,000 - £6,000

457

458 Gent’s Tudor Geneve wristwatch, black face with luminous hands and indices, brown leather strap, serial no. I323149 and model no. 79910, case size approx. 40mm, complete with additional strap, box and paperwork. £1,000 - £1,200

458

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459 Gent’s Rolex Cellini 18ct white gold wristwatch, abalone shell dial with applied Roman numerals, the reverse stamped with model no. 5330 and serial no. K651901, case size 36mm, winding Swiss jewelled lever movement, 18ct convectional hallmark, complete in box. £4,000 - £6,000

459

460 Gent’s Frank Muller Master of Complication ‘Vegas’ steel watch, the tonneau shaped dial with roulette wheel to centre, crazy Arabic numerals to surround, the reverse engraved No. 251 and 5850 Vegas, automatic movement with central push button to crown operating roulette wheel hand, case size 34mm x 45mm on original Frank Muller leather strap, complete in original wooden case. £4,000 - £6,000

460

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461 Gent’s Breitling Limited Edition Montbrilliant Olympus 18ct rose gold Moonphase watch, white metallic dial with black chapter ring, 3 subsidiary dials and moonphase dial, rotatable bezel surround, case size 42mm, Leon Breitling and building embossed to reverse, limited edition no. 232/250, model/serial ref no. to back H19350 and 2110981 on Breitling stretched leather strap, complete in box. £8,000 - £10,000 461

462 Breitling for Bentley 18ct rose gold wristwatch Limited Special Edition, white metallic dial, 2 subsidiary dials, date window to 8 ‘o’ clock, case size 44mm, the reverse winged Breitling logo and stamped 168/500 and 2123053 on Breitling black crocodile leather stitched strap, complete with original leather pouch box. £10,000 - £12,000

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462

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463

464 Rare Limited Edition Breitling platinum Navitimer wristwatch, marked to dial and reverse with no.

85/100, blue dial with four subsidiary dials, the reverse stamped with no. L33030 and hallmarked with Swiss 950 standard platinum convection mark, case size 38mm, signed to watch back ‘Airborne Platine Serie Limitee 85/100, complete in box. £12,000 - £14,000

463 Gent’s Chopard Mille Miglia vintage 18ct gold wristwatch Limited Edition, 141/250 marked to reverse with model/serial ref nos. 1076009 and 16/1889, black dial, three subsidiary dials, centre sweep seconds timing hand, chronograph function buttons above and below crown, glazed compartment to reverse revealing Chopard 17 jewel Swiss winding movement, 18ct gold Swiss convection hallmark, case size 42mm, on Chopard leather strap, complete in box. £10,000 - £12,000

464

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465

466

465 Waltham 9ct gold full hunter pocket watch, white enamelled dial, Arabic numerals, subsidiary seconds dial, crown winding 15 jewel steel plate lever movement, plain 9ct gold Dennison case hallmarked 1928, case size 50mm, gross weigh 97.1g including movement. £300 - £400

467

466 9ct gold Waltham pocket watch, white enamelled dial, Roman numerals, subsidiary seconds dial, crown winding Waltham 17 jewel movement no. 23037403, plain 9ct gold Dennison case hallmarked 1924, case size 50mm, gross weight 85.2g including movement. £300 - £500 467 18ct gold pocket watch with stop watch function by M.J. Russell, London, white enamelled dial, Roman numerals to chapter ring, crown winding brass plate lever movement engraved ‘M.J. Russell Chronometer Maker London No 18180’, the 18ct gold case with applied floral border, hallmarked Chester, 1905, case size 55mm, stop watch button to side, gross weight 146.8g. £300 - £400

468

468 Rolex vintage silver pocket watch, white enamelled dial, Arabic numerals, subsidiary seconds dial, movement marked ROLEX cal. 548, the case marked OMEGA with 935 Swiss silver marks decorated with engine turned design with central sheild cartouche, case size 52mm. £100 - £150 469 9ct gold slimline pocket watch by Marvin, white metallic dial, applied Arabic numerals, subsidiary seconds dial, crown winding 17 jewel Swiss steel plate movement, plain 9ct gold Dennison case hallmarked 1959, gross weight 43.7g including movement. £150 - £250

469 100

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DAY TWO AT 11.00 AM PRINTS & POSTERS

470

470 ARR After Laurence Stephen Lowry R.A. (British, 1887-1976), “Fever Van”, signed in pen in the margin, with Fine Art Trade Guild blindstamp, colour reproduction print, image size 42 x 51.5cm.; 16.5 x 20.25in. £2,000 - £3,000 471 James Dodds (b.1957), “Windblown Trees” and “Saddleback”, both signed and numbered 35/50 and A/P in pencil in the margins, linocut prints, 14 x 29.5cm, 5.5 x 11.5in and 11.5 x 17cm, 4.5 x 6.75in (2). £100 - £200

471

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472 Toshi Yoshida (1911-1995), “Spring” (“Hakubai ni Mau”), 1982, signed and numbered in pencil in the margin, Japanese woodblock print, image size 50 x 30cm, 19.75 x 11.75in. £100 - £200 473 ARR After Laurence Stephen Lowry R.A. (British, 1887-1976), “View of a Town”, signed in pencil in the margin, with Fine Art Trade Guild blindstamp, colour reproduction print, image size 43 x 54.5cm.; 17 x 21.5in. £1,800 - £2,200

472

473

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475

474 474 ARR Michael Ayrton (1921-1975), “Clown”, signed in pencil in the margin, 1939, etching, plate size 6.5 x 8.5cm, 2.5 x 3.75in. £100 - £200 475 David Hockney R.A. (British, b.1937), “Two Apples, One Lemon and Four Flowers”, 1997, as published in The Independent newspaper on January 7th 1997, offset lithograph (the artist called it a `newsprint`), in colour, image size 33 x 53cm, 13 x 21in.

Although printed in the normal run of the newspaper, this image is a direct result of the production of the newspaper itself. The Independent explained: “Hockney has provided us with four separate pieces of work, all in black and white.

Each corresponds with one of the four colours of the printing process - cyan, magenta, black and yellow. The print itself only exists once the presses roll.” £100 - £200

476 476 ARR Howard Hodgkin (British, 1932-2017), Arch (Composition with Red), signed and numbered 59/65 in pencil, 1971, printed by Curwen Prints Ltd., London, published by Felix Mann and Galerie Wolfgang Ketterer, Munich, with their blindstamp, lithograph printed in colours, the full sheet 50.5 x 65.5cm, 19.75 x 25.75in. £400 - £600

477 477 ARR After Laurence Stephen Lowry R.A. (1887-1976), “Self Portrait”, “The Artist’s Mother” and “The Artist’s Father”, set of 3 mounted in one frame, each signed in pencil in the margin, each number 297 from an edition of 300, colour reproduction prints, each image size 31 x 24cm.; 12.25 x 9.5in (3), together with a limited edition bronze medallion depicting L.S. Lowry, after Leo Solomon, produced by The Morris Singer Foundry Ltd, and engraved ‘127/300’, together with fitted case, certificate from The Morris Singer Foundry Ltd on verso, and printed paperwork relating to the set. £800 - £1,200 103

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479 ARR Valerie Thornton (1931-1991), “Amboise”, signed, dated ‘73 and numbered 63/150 in pencil in the margin, etching with aquatint, plate size 40 x 58cm, 15.75 x 22.75in. £100 - £200

478 478 Breon O`Casey (1928-2011), Linocuts, 1998, edition limited to 200 copies, signed and numbered 123/200 on the last page of the book, printed

by Hugh Stoneman on Somerset TP300gsm paper, one volume, hardback, 16.5 x 16.5cm, 6.5 x 6.5in. £200 - £400

480 Sam Herciger (1917-1981), Collection of twenty-two woodcut prints relating to Jewish life and culture, all signed, titled and numbered 27/250 in pencil in the margins, all unframed, sheet size 29.5 x 42cm, 11.5 x 16.5in (22).

Herciger was born in 1917 in Zawiercie, Poland. He died in Arad, Israel, in 1981. In 1944, he was sent on a transport to the Auschwitz - Birkenau camp with his first wife and members of his family. He was the sole survivor. In 1978 he and his new family emigrated from Belgium to Israel. £200 - £400 481 After Laurence Stephen Lowry R.A. (1887-1976), “The Auction”, numbered 437/850 in pencil in the margin, published by Michael Stewart Fine Art, with publisher’s blindstamp, colour reproduction print, image size 42 x 53cm, 16.5 x 21in. £100 - £200

479

480

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481

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OIl PaINTINgS (mOdERN/cONTEmPORaRy)

.

484 484 ARR Melanie Speight, 20th century, “Best Mate”, signed and dated 2006, titled on verso, oil on canvas, 39.5 x 49.5cm, 15.5 x 19.5in. £100 - £200

483 483 ARR Stephen Rose (British, 1960-), “An Arabesque of Celery”, signed and dated ‘12, titled on gallery label - ‘Mark Mitchell, London’ verso, oil on gessoed panel, 50 x 29cm, 19.5 x 11.5in. £350 - £450

485 ARR Breon O`Casey (1928-2011), “Fat Slug”, titled and dated ‘09 on verso, acrylic, 77.5 x 80cm, 30.5 x 31.5in. £2,000 - £3,000

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487

487 ARR Kenneth Lawson (British, 1920-2008), “Sea and Rocks”, signed, titled and dated 1972 on label verso, oil on board, 59.5 x 89.5cm, 23.25 x 35.25in.

486 486 Lionel Walden (American, 1861-1933), Beach scene, signed, oil on board, 30 x 45cm, 11.75 x 17.75in. £300 - £500

106

By the age of 22 Kenneth Lawson was exhibiting with the `London Group` at Burlington House. Successful exhibitions followed and he exhibited regularly at major galleries in London including The Redfern Gallery, Cork Street; The Leger Gallery, Bond Street; and The Leicester Gallery, Panton Street. During these early years in Dulwich, Kenneth`s mentor was the RA James Fitton, who remained advisor and friend until his death in 1982. In 1951 he was approached

by Graham Sutherland to assist with the large painting `Origins` for the Festival of Britain. Kenneth was the only assistant that Sutherland ever used. The painting was created at The Tate Gallery, Millbank, and has remained there ever since. In 1952 and 1953 Kenneth worked on another project with Graham Sutherland: they worked together on the drawings of the world`s largest tapestry which was made in France and later installed at Coventry Cathedral. Kenneth also became absorbed in the world of theatre and TV and moved North to join the BBC in Manchester where he created the Design Department there. In the North West his work has been shown both in the Manchester and Salford Art Galleries and has included entries in the Laing Collection. Lawson`s work is in private collections in the UK, Europe and America. £500 - £700

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488 488 ARR Heather Jansch (b.1948), Rural lane with farm buildings, signed and dated 1985, oil on canvas, 32 x 40cm, 12.5 x 15.75in. £100 - £200

490 490 ARR Julie Forrester (1954-), “Richard’s Garden”, initialled, titled and dated 2010 on verso, oil on board, 49 x 59cm, 19.25 x 23.25in. £100 - £200

489 489 ARR John Strevens (British 1902-1990) “Winter Sunshine”, signed, titled on verso, oil on canvas, 44.5 x 33.5cm, 17.5 x 13.25in. £200 - £400

491 491 H. Len Hoeven, 20th century, Dutch street scene, signed, oil on canvas, 59 x 49cm, 23.25 x 19.25in. £100 - £200

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494 494 ARR William Harold Stephen Bunce (1920-1995), “Cottages in Anglesey”, initialled and dated ‘72, titled on artist’s label verso, oil on board, 55.5 x 107cm, 21.75 x 42.25in. £300 - £500

492 492 ARR David Bez, 20th/21st century, Industrial canal scene with iron bridge, signed, acrylic, 48.5 x 33cm, 19 x 13in. £300 - £500

495 495 ARR Rosemary Sarah Welch (b.1946), “Rush Hour”, signed, titled on original receipt from ‘Omell Galleries, Windsor’, oil on canvas, 50 x 75cm, 19.5 x 29.5in. £300 - £500

493 493 ARR Christopher E. Barrow A.B.N.A. (1974-), “Outside The Rose and Crown”, initialled, titled on verso, oil on board, 48.5 x 68.5cm, 19 x 27in. £200 - £400

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497 ARR James Dodds (b.1957), “Blue Dory Study”, signed, titled on gallery label - ‘Messum’s Fine Art, London’ verso, oil on board, 41 x 60.5cm, 16 x 23.75in, together with an exhibition catalogue James Dodds, 2013 at Messum’s with this painting illustrated as number 15 (2). £1,600 - £1,800

496 496 ARR John McCombs (1943-), Portrait of a child, initialled and dated ‘74, oil on board, 29 x 24.5cm, 11.25 x 9.75in. £200 - £400

498 498 ARR Margaret Egan (Irish, 20th century), “Autumn Stream”, signed, titled on artist’s label verso, acrylic on board, 20 x 27.5cm, 8 x 10.75in. £200 - £400

497

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499 ARR Melanie Speight, 20th century, “Brave Inca”, signed and dated 2006, titled on verso, oil on canvas, 50 x 75.5cm, 19.75 x 29.75in. £200 - £400 500 Walter Kenneth Jones Lily (1930-2004), “The Works Holidays”, “The Gold Watch” and another, all signed and titled on verso, oil on board, various sizes 29.5 x 39.5cm, 11.5 x 15.5in, 24 x 29cm, 9.5 x 11.5in and 24 x 52.5cm, 9.5 x 20.75in (3). £100 - £200 499 501 Walter Kenneth Jones Lily (1930-2004), “The Stockyard”, “Water Test” and “Tank Loaded, Widnes Foundry”, all signed and titled on verso, one dated 1985, oil on boards, various sizes 37 x 75cm, 14.5 x 29.5in, 32.5 x 30cm, 12.75 x 11.75in and 36 x 53cm, 14 x 20.75in (3). £100 - £200 502 Walter Kenneth Jones Lily (1930-2004), “Stock Yard, Widnes Foundry”, “The Inspectors”, and other industrial scenes, all signed and titled on verso, oil on board, various sizes 27.5 x 38cm, 11 x 15in and 20.5 x 20.5cm, 8 x 8in (5). £100 - £200 500

501 503 503 Bates, 20th century, Coastal scene, signed and dated 1975, oil on canvas, 29.5 x 39.5cm, 11.5 x 15.5in. £100 - £200

502

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504 504 ARR Geoffrey Key (1941-), “Studio Harlequin”, signed and dated ‘14, titled on verso, oil on canvas, 90.5 x 90.5cm, 35.75 x 35.75in. £12,000 - £14,000

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505 505 ARR Roger Hampson (1925-1996), “Bolton Reservoir”, signed, titled on verso, oil on board, 20 x 24.5cm, 7.75 x 9.5in. £800 - £1,000

506 ARR David Barnes (1943-), “Snowdonian Farm”, signed on verso, oil on board, 50 x 39.5cm, 19.75 x 15.5in. £400 - £600

506

112

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507 507 Estella Frances Solomons H.R.H.A. (1882-1968), “Rocks and Sea, Co. Donegal”, initialled, titled on artist’s label verso, oil on board, 32 x 39.5cm, 12.5 x 15.5in. £600 - £800

508 508 ARR John McCombs (1943-), “Bridges of Delph, Winter”, signed and dated ‘99, titled on verso, oil on board, 33 x 37.5cm, 13 x 14.75in. £300 - £500

509 509 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Portswood, Stockport”, signed, titled on verso, oil on board, 39 x 49cm, 15.25 x 19.25in. £1,500 - £2,000

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510 510 ARR Geoffrey Key (1941-), “Garden Figures”, signed and dated ‘93, titled on verso, oil on board, 54.5 x 42cm, 21.5 x 16.5in. £3,000 - £5,000

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511

511 ARR Derrick Guild (Scottish, b.1963), “Bee Bread”, signed, titled and dated 2013 on gallery label ‘Long & Ryle, London’ verso, oil on canvas, 29.5 x 34.5cm, 11.5 x 13.5in. £1,500 - £1,800

512 ARR Stephen Stringer, 20th century, “Allotments”, titled on artist’s label verso, oil on board, 27 x 28cm, 10.5 x 11in. £100 - £150

512

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513

513 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “The Potato Wharf”, signed, titled on verso, oil on board, 19.5 x 21.5cm, 7.5 x 8.5in. £800 - £1,000

514 ARR Arthur Easton (b.1939), “Still Life with Lemons”, signed and dated ‘03, titled on verso, oil on board, 29.5 x 50cm, 11.75 x 19.75in. £150 - £200

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514

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515 515 ARR Ken Howard R.A. (1932-), “Santorini, Morning Light Effect”, signed, titled on label verso, oil on board, 19 x 24cm, 7.5 x 9.5in. £400 - £600

516 516 D.T. Richard, 20th century, Washerwoman by a stream, signed, oil on canvas, 61.5 x 88.5cm, 24.25 x 34.75in. £300 - £500

517

518

517 ARR Christopher E. Barrow A.B.N.A. (1974-), “The Old Town”, initialled, titled on verso, oil on board, 49 x 39cm, 19.25 x 15.25in. £150 - £250 518 ARR Don Mckinlay (1929-2017), “Alison”, initialled, titled and dated ‘08 on verso, oil on board, 70.5 x 60cm, 27.75 x 23.75in. £400 - £600 519 519 ARR John McCombs (1943-), “The Conversation”, signed and dated ‘75, oil on board, 45.5 x 63.5cm, 17.75 x 25in. £400 - £600

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520 520 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Two Friends”, signed ‘Bill Turner’ and dated ‘18 Aug’, titled on verso, oil on board, 53 x 43cm, 21 x 17in. £3,000 - £5,000

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521 521 ARR Peter Stanaway (1943-), “Rochdale Canal”, signed, titled and dated 2004 on verso, acrylic on board, 34 x 39cm, 13.5 x 15.5in. £500 - £700

523 523 ARR Kurt Jackson (b.1961), “An Orange In The Winter”, signed, titled and dated ‘09, acrylic and collage, 16 x 16cm, 6.25 x 6.25in. £150 - £200

524 524 David Barnes (1943-), “Llugwy Farm”, signed on verso, oil on board, 29.5 x 39.5cm, 11.75 x 15.75in. £300 - £500

522 522 ARR David Wilde (1918-1978), “In darkest Levenshulme, top cat Mickey checks out Will and Amys latest contribution to the neighbourhoods graffiti”, signed and titled, acrylic on board, 70 x 50cm, 27.5 x 19.75in. £300 - £500

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525 525 ARR Geoffrey Key (1941-), “Gossips”, signed and dated ‘13, titled on verso, oil on canvas, 49.5 x 59.5cm, 19.5 x 23.5in. £4,000 - £6,000

526 526 H.A. Minton (fl.1891-1920), Cornish coastal scene, signed, oil on board, 29.5 x 44.5cm, 11.5 x 17.5in. £100 - £200

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527 527 ARR Melanie Speight, 20th century, “War Of Attricion” and “Hedge Hunter” at the Cheltenham Gold Cup 2006”, signed and dated 2007, titled on verso, oil on canvas, 50 x 75.5cm, 19.75 x 29.75in. £200 - £400

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528

528 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Glazebrook Station, Risley Moss Line, Irlam o’ the Heights”, signed, titled on verso, oil on board, 39.5 x 49.5cm, 15.5 x 19.5in. £1,500 - £2,000

529 Pierre Adolphe Valette (1876-1942), Portrait of a seated lady, signed and dated 1921, oil on board, 50 x 37cm, 19.75 x 14.5in. £3,000 - £5,000

529

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530 530 ARR David Barnes (1943-), “Overlooking Cardigan Bay”, signed on verso, oil on board, 39.5 x 29.5cm, 15.75 x 11.75in. £300 - £500

531 531 Johan Oldert (South African, 1912-1984), River scene with trees, signed, oil on board, 20 x 25cm, 8 x 10in.

532 532 ARR Roger Hampson (1925-1996), “Tynewydd”, signed, titled on label verso, oil on board, 52 x 37cm, 20.5 x 14.5in. £200 - £400

533 533 K. Douglas, 20th century, Dutch river landscape, signed, oil on canvas, 59.5 x 90cm, 23.5 x 35.5in. £100 - £200

Johan Oldert was born in Rotterdam in the Netherlands but resided in South Africa from 1935. He painted mostly in oils but did a number of portrait busts in bronze, including King George VI and Queen Elizabeth in 1947. Otherwise painted landscapes, still life, figures and abstract pictures. He held numerous solo exhibitions in South Africa and Rhodesia. £100 - £150

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534 534 ARR Geoffrey Key (1941-), “Commuters”, signed and dated ‘11, titled on verso, oil on canvas, 120.5 x 90cm, 47.5 x 35.5in. £8,000 - £10,000

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535 535 ARR Leonard Richmond (1889-1965), “A Country Lane, Shropshire”, signed, titled on artist’s label verso, oil on board, 50 x 60cm.; 19.75 x 23.75in.

Leonard Richmond was born in Somerset, and studied at Taunton and Chelsea Polytechnic. In WWI he was the Canadian Government war artist and in 1925 was commissioned to promote rail and hotel facilities through poster art in western Canada, by the Canadian Pacific Railway. His large colourful posters advertising the region and the Canadian Rockies were much admired, and he worked for the English railways as well. He was a prolific exhibitor at the Fine Art Society, R.A., Cooling and Walker’s Galleries. Also showed widely overseas winning a number of awards. These included the Tuthill Prize at Chicago International Watercolour Exhibition in 1928 and in 1947 silver medal at Paris Salon. Member of PS, RBA, RI and ROI. His work is represented in many public galleries. £300 - £500

536

536 ARR Margaret Egan (Irish, 20th century), “Derrynane, Kerry”, signed, titled on artist’s label verso, acrylic on board, 25.5 x 35.5cm, 10 x 14in. £300 - £400 537 ARR Kenneth Lawson (British, 1920-2008), “Landscape of Spring Solstice”, signed, titled and dated ‘May 1950’ on artist’s label verso, oil on board, 21 x 28.5cm, 8.25 x 11.25in. £100 - £200

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537

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538 538 ARR Geoffrey Key (1941-), “Beyond Pierrot I”, signed and dated ‘01, oil on canvas, 49 x 38.5cm.; 19.25 x 15.25in.

This painting is illustrated on page 63 of Clowns by Geoffrey Key, published in 2001 by Sansom & Company Ltd, Bristol. £5,000 - £7,000

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541 541 ARR Mary Ann Lord (b.1931), “August Space”, signed, titled on label verso, oil on board, 57 x 72cm, 22.5 x 28.25in. £200 - £400

539 539 ARR Peter Stanaway (1943-), “Mill at Diggle”, signed, titled on verso, acrylic on canvas, 49 x 39cm, 19.25 x 15.25in. £500 - £700

542 542 ARR Ghislaine Howard (b.1953), “Salford Demolition”, signed and dated ‘82, oil on canvas, 49 x 68.5cm, 19.25 x 27in. £500 - £700

540 540 ARR David Barnes (1943-), “Moonlight, Trearddur Bay”, signed on verso, oil on board, 44.5 x 59.5cm, 17.5 x 23.5in. £400 - £600

543 543 ARR Melanie Speight, 20th century, “Rooster Booster”, signed and dated 2007, titled on verso, oil on canvas, 40 x 50cm, 15.75 x 19.75in. £100 - £200

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546 ARR Andrew Macara (1944-), “Lilies and Geraniums, Santorini”, signed and dated 2002, titled on label verso, oil on canvas, 49.5 x 59.5cm, 19.5 x 23.5in. £400 - £600

544 544 Stephan de Haan, 20th century, Rural landscape with figures, signed, oil on canvas, 49.5 x 59.5cm, 19.5 x 23.5in. £100 - £200 547 547 ARR Peter Stanaway (1943-), “Rochdale Canal”, signed, titled and dated 2004 on label verso, acrylic on board, 32 x 38.5cm, 12.5 x 15.25in. £500 - £700

545 545 ARR Ken Howard R.A. (1932-), “Manikarnika Ghat from the Ganges, Evening”, signed, titled and dated Feb 2006 on verso, oil on board, 19 x 24cm, 7.5 x 9.5in. £400 - £600

546

548 548 ARR David Barnes (1943-), “Eventide, Penmaen Head”, signed and titled on verso, oil on board, 39.5 x 29.5cm, 15.5 x 11.5in. £200 - £400

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550

550 ARR Donald McIntyre R.I., R.Cam.A., S.M.A. (1923-2009), “Sunlight, Coverack”, signed, titled on artist’s label verso, acrylic on board, 52.5 x 78cm, 20.75 x 30.75in. £7,000 - £9,000

551 ARR Fred Yates (1922-2008), “A Lovely ‘Thick’ Nyons”, signed, titled on gallery label verso, oil on canvas, 24 x 35cm, 9.5 x 13.75in. Exhibited: A Glimpse of the Sea, 2005. £1,500 - £2,000

549 549 ARR David Wilde (1918-1978), “Unloading The Ball Lightning at Pomona Dock”, signed and titled, acrylic on board, 50 x 60cm, 19.75 x 23.5in. £300 - £500

128

552 ARR Geoffrey Key (1941-), “The Grandstand”, signed and dated ‘04, oil on canvas, 74.5 x 100cm, 29.25 x 39.25in. £8,000 - £10,000

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

551

552

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553

553 ARR Liam Spencer (1964-), “Urbis, Manchester”, signed, titled and dated 2002 on verso, oil on board, 29.5 x 37cm, 11.75 x 14.5in. £800 - £1,200

554 ARR Olivia Pilling (1985-), “The Fruit Bowl on the Dresser”, initialled, titled on verso, acrylic on board, 33.5 x 44cm, 13.25 x 17.25in. £250 - £350

554

130

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

555 ARR Peter Stanaway (1943-), “John St. Miles Platting with Johnson’s Mill”, signed, titled and dated 2007 on verso, acrylic on canvas, 44.5 x 34cm, 17.5 x 13.5in. £500 - £700

556 ARR Geoffrey Key (1941-), “Moon Jump”, signed and dated ‘96, titled on verso, oil on board, 34.5 x 46cm, 13.5 x 18in. £2,500 - £3,000 555

556 131

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557 557 Pierre Adolphe Valette (1876-1942), “Fond de Blace”, unsigned, titled and authenticated on gallery label - ‘The Tib Lane Gallery, Manchester’ verso, oil on board, 27.5 x 38cm, 10.75 x 15in. £3,000 - £5,000

558 558 Pierre Adolphe Valette (1876-1942), “La Garde”, unsigned, titled and authenticated on gallery label - ‘The Tib Lane Gallery, Manchester’ verso, oil on board, 31 x 40.5cm, 12.25 x 16in. £3,000 - £5,000 132

For condition reports please go to www.peterwilson.co.uk

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559 559 ARR Roger Hampson (1925-1996), “Old Pit, Rhonda Valley”, signed, titled on label verso, oil on board, 45 x 61.5cm, 17.75 x 24.25in. £500 - £700

560 560 ARR Sue Atkinson (1949-), “The Day Off”, signed, titled on verso, oil on board, 34 x 44.5cm, 13.25 x 17.5in. £300 - £500

561 561 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Chateau Rochpot”, signed and dated 1975, titled on artist’s label verso, oil on board, 48.5 x 59cm.; 19.25 x 23.25in. £3,000 - £5,000

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563

562 ARR Peter Stanaway (1943-), “The Pigeon Loft”, signed, titled and dated ‘Dec 2008’ on verso, acrylic on canvas, 38 x 28cm, 15 x 11in. £400 - £600

563 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “The Garth (Boy with Wheel), Stockport Viaduct”, signed, titled on verso, oil on canvas, 74.5 x 100cm, 29.5 x 39.25in. £6,000 - £8,000

562

134

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

WaTERcOlOuRS, PaSTElS & INkS (mOdERN/cONTEmPORaRy)

564 564 ARR Robert Littleford F.R.S.A., B.W.S. (1945-), Beach scene with figures, signed and dated ‘86, watercolour, 28.5 x 43cm, 11.25 x 17in. £100 - £200

566 566 ARR Albert Rosser (1899-1995), “Crummock & Buttermere Lakes from the slopes of Melbreck”, signed, watercolour, 25 x 35cm, 9.75 x 13.75in. £100 - £200

567 567 Albin Trowski (1919-2012), Three musicians and two others, all signed and dated, watercolours and inks, various sizes 26.5 x 20.5cm, 10.5 x 8in and 26 x 42.5cm, 10.25 x 16.75in (5). £200 - £400

565 565 ARR Andrew Hemingway (British, b.1955), “Corn Sack”, titled on gallery label - ‘Messum’s Fine Art, Cork Street, London’ verso, watercolour, 38 x 28cm, 15 x 11in.

Exhibited: Messum’s, Elemental North 2014, No. 53. £180 - £220 568 568 ARR Emmanuel Levy (1900-1986), “Clown”, signed and dated ‘57, gouache, 38 x 56cm, 15 x 22in. £300 - £500

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570 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Pit Brow Lasses”, signed and titled, with certificate of authenticity on verso, watercolour and pen, 29.5 x 29.5cm, 11.5 x 11.5in.

Provenance - sold on behalf of the Isherwood family, with certificate. this lot. £150 - £200

569 569 ARR Kenneth Lawson (British, 1920-2008), “Exotic Development (Playa del Ingles, Gran Canaria)”, signed, titled and dated 1989 on artist’s label verso, pen and watercolour, 18.5 x 28.5cm, 7.25 x 11.25in. £150 - £200

571 Albin Trowski (1919-2012), London views, both signed and dated 1973, watercolours and inks, 25.5 x 33cm, 10 x 13in and 22.5 x 37cm, 9 x 14.5in (2). £200 - £400 572 Pierre Adolphe Valette (1876-1942), “Environs de Viviers”, signed, titled on verso, watercolour and pencil, 23 x 30.5cm, 9 x 12in. £800 - £1,200 573 Pierre Adolphe Valette (1876-1942), French rural scene, signed, watercolour and pencil, 27 x 37cm, 10.5 x 14.5in. £800 - £1,200 574 Pierre Adolphe Valette (1876-1942), “Au Chambon uns Brailles”, signed, titled on verso, watercolour and pencil, 23 x 31cm, 9 x 12.25in. £800 - £1,200

570

571

136

For condition reports please go to www.peterwilson.co.uk

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573

574 137

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575 575 ARR Caroline Bailey (1953-), “Struan Fields”, signed, titled on verso, mixed media, 31 x 35cm.; 12.25 x 13.75in. £200 - £400

576 576 ARR Dave Hartley, 20th/21st century, “In Flight”, signed and dated 2013, titled on artist’s label verso, pastel, 42 x 69cm, 16.5 x 27.25in. £200 - £400

577 577 Sarah Gillespie, 20th/21st century, “Pool Frog”, initialled and dated ‘15, pencil drawing, 29.5 x 20.5cm, 11.75 x 8in, together with “Falling Bee” and “Outside”, both signed and numbered IV/V and 15/40 in pencil in the margins, mezzotints and drypoints, plate sizes 21 x 15.5cm, 8.25 x 6.25in and 12 x 12cm, 4.75 x 4.75in (3). £100 - £200 138

578 578 ARR Angus Rands (1922-1985), “July Evening, Castle Howard”, signed, titled and dated 1984 on label verso, pastel, 33 x 48.5cm, 13 x 19in. £100 - £200

579 579 ARR Waveney Fredrick (1921-2000), “Esthwaite Water”, signed, titled on verso, pastel, 30.5 x 44.5cm, 12 x 17.5in.

Waveney Frederick studied under Cedric Morris, and specialised in works in pastel. She exhibited at the Pastel Society, the R.B.S.A. and elsewhere. £100 - £200

580 580 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), Portrait studies of L.S. Lowry, signed and dated 1975, graphite and ink drawings, 27 x 21cm, 10.75 x 8.25in.

This is a sheet of sketches done in Lowry’s home when Will Turner was making preparatory sketches that resulted in a final oil portrait. £300 - £500 For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

581 581 ARR Brian Shields (Braaq) (1951-1997), “All Posh Cos It’s Got a Lead”, signed, titled on verso, pastel and pencil drawing, 9.5 x 12.5cm, 3.75 x 5in. £500 - £700

583 583 ARR Brian Shields (Braaq) (1951-1997), “Hoop Rolling”, signed, pastel and pencil drawing, 9.5 x 12.5cm, 3.75 x 5in. £500 - £700

582 582 ARR Brian Shields (Braaq) (1951-1997), “Come On Give Us a Pull”, signed, titled on verso, pastel and pencil drawing, 9.5 x 12.5cm, 3.75 x 5in. £500 - £700

584 584 ARR Brian Shields (Braaq) (1951-1997), “Fetch It Lad”, signed, titled on verso, pastel and pencil drawing, 9.5 x 12.5cm, 3.75 x 5in. £500 - £700

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587 587 ARR Marc Grimshaw (1957-), Italian coastal town with castle, signed, pastel, 42.5 x 60cm, 16.75 x 23.5in. £200 - £400

585 585 ARR Geoffrey Key (1941-), “The Header”, signed and dated 23.6.90, titled on artist’s label verso, ink and wash drawing, 23.5 x 14cm, 9.25 x 5.5in. £500 - £700

586 586 ARR Marc Grimshaw (1957-), Italian coastal town, signed, pastel, 42.5 x 60cm, 16.75 x 23.5in. £200 - £400

140

588 588 ARR Pierre Adolphe Valette (1876-1942), Studies of kneeling female nudes, initialled, with exhibition label - ‘City of Salford Art Galleries’ on verso, charcoal, 52.5 x 33.5cm, 20.75 x 13.25in.

Provenance: Originally from the Perera Collection and then exhibited at the City of Salford Art Galleries in 1984 between September 21st and October 28th. £1,000 - £2,000

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

589 589 ARR Trevor Grimshaw (1947-2001), Townscape with viaduct, signed, graphite, 53 x 71cm, 20.75 x 28in. £4,000 - £5,000

OIl PaINTINgS (18Th/19Th cENTuRy)

590 English School, 18th/19th century, Portrait of Charles Foley Wilmot (1798-1852), unsigned, oil on canvas, 74.5 x 62.5cm, 29.25 x 24.5in. £1,000 - £1,500

591 591 Oliver Clare (1853-1927), Still life with plums and gooseberries, signed, oil on board, 14 x 21.5cm, 5.5 x 8.5in. £200 - £400 590 141

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592 592 Attributed to Anton Mauve (1838-1888), Study of sheep, unsigned, oil on canvas, 20 x 30cm, 7.75 x 11.75in. £150 - £200

594

593 Attributed to George Morland (British, 1763-1804), Rural landscapes with female figures with pigs, sheep and a donkey, both bearing initials, a pair, oil on panel, 19 x 25cm, 7.5 x 10in (2). £150 - £200 594 J. Booth, 19th century, Female portrait, signed and indistinctly dated 18..?, oil on board, 39 x 34.5cm, 15.25 x 13.5in. £100 - £200 595 Cornelis Jan Mension (Dutch, 1882-1950), River view with cathedral, signed, oil on canvas, 28 x 20cm.; 11 x 8in. £100 - £200

595

593 142

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

596 596 George Lance (1802-1864), Still life with fruit, signed and titled on label verso, oil on canvas, unframed, 30.5 x 25.5cm, 12 x 10in. £100 - £200

597 597 Oliver Clare (1853-1927), Still life with raspberries, signed, oil on canvas, 18.5 x 24cm, 7.25 x 9.5in. £200 - £400

598 598 Attributed to George Lance (1802-1864), Portrait of Eliza Cook, unsigned, titled on verso, oil on board, 24 x 19cm, 9.5 x 7.5in.

Eliza Cook (24 December 1818 - 23 September 1889) was an English author and poet associated with the Chartist movement. She was a proponent of political freedom for women and believed in the ideology of self-improvement through education, something she called ‘levelling up’. This made her hugely popular with the working class public in both England and America. £100 - £200

599 599 Style of John Frederick Herring Jnr. (1815-1907), Farmyard scene with figure and horses, pigs, chickens and cattle, bears signature, oil on canvas, 49.5 x 74.5cm, 19.5 x 29.5in. £500 - £700

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601 Herbert St. John Jones (1872-1939), Portrait of a pony, signed and dated 1894, oil on canvas, 23.5 x 28.5cm, 9.25 x 11.25in. £100 - £200

600 600 Daniel Sherrin R.B.A. (1868-1940), Extensive rural landscape with figures and hay stooks in a field, signed, oil on canvas, 59.5 x 105.5cm, 23.5 x 41.5in. £500 - £700

601

602 602 Herbert St. John Jones (1872-1939), Views of Acton near Nantwich to include St. Mary’s Church and The Star Inn, both signed, oil on board, 17 x 27.5cm, 6.75 x 10.75in and 13.5 x 22.5cm, 5.25 x 8.75in (2). £100 - £200

603 603 Thomas Sidney Cooper R.A. (1803-1902), Cattle and sheep in a landscape, signed and dated 1869, oil on panel, 59 x 89cm, 23.25 x 35in. £1,000 - £2,000 144

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

WaTERcOlOuRS, PaSTElS & INkS (18Th/19Th cENTuRy)

604 604 Crozier, 19th century, Expansive river landscape with figures in the foreground, signed, gouache, unframed, 33.5 x 42.5cm, 13.25 x 16.75in. £100 - £200

605 605 Ralph William Bardill A.R.C.A. (British, 1876-1935), Beach scene with boats and gulls, signed, watercolour, 35 x 52cm, 13.75 x 20.5in. £100 - £200

606 606 James C. Morris, (fl.1842-1875), “Carnarvon Castle”, signed and dated 1857, watercolour, 17.5 x 25cm, 7 x 9.75in. £100 - £150

607 607 John Abernethy Lynas-Gray (1869-1940), “An Anglesey Cottage”, signed and dated 1912, titled on mount, watercolour, 27.5 x 45cm, 10.75 x 17.75in. £100 - £200

608 608 Jules Jean Baptise David (1808-1892), Two fashionable ladies in an interior and on a terrace, both signed, watercolour and pencil, 26.5 x 22cm, 10.5 x 8.5in and 28 x 22cm, 11 x 8.75in (2). £150 - £200

609 609 William Matthison (1853-1926), “A View at Arthog, South Wales”, signed, watercolour, 22.5 x 34cm, 9 x 13.5in. £100 - £200

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610 610 Harry Goodwin (British, 1840-1925), “Conway Castle, North Wales”, titled and signed on verso, watercolour and pencil, 30.5 x 51.5cm, 12 x 20.25in. £100 - £200

611 611 Joseph Hughes Clayton (exh.1891-1929), Coastal view with cottages, signed, watercolour, 31.5 x 48cm, 12.25 x 18.75in. £100 - £200

612 612 Joseph Nash O.W.S. (1809-1878), “Southam, Gloucestershire”, signed and dated 1842, watercolour, 38.5 x 54cm, 15.25 x 21.25in.

This example is illustrated on page 193 and plate number 85 in his ‘’The Mansions of England in the Olden Time’’ (18391849). £300 - £500

146

613 613 English School, 19th century, Female portraits, all unsigned, all unframed, various sizes 33 x 25cm, 13 x 10in, 26 x 21.5cm, 10.25 x 8.5in and 21 x 17cm, 8.25 x 6.75in (3). £100 - £200

614 614 Joseph Nash O.W.S. (1809-1878), “Haddon Hall, Derbyshire - Bay Window in Dining Room”, unsigned, watercolour, 28.5 x 40.5cm, 11.25 x 16in.

This example is illustrated on page 99 and plate number 39 in his ‘’The Mansions of England in the Olden Time’’ (18391849). £300 - £500

615 615 Samuel Towers R.C.A. (1862-1943), “An Old Welsh Mill, Beddgelert”, signed, titled on artist’s label verso, watercolour, 37.5 x 60cm, 14.75 x 23.5in. £200 - £400

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

619 619 James Whaite (exh.1881-1916), “Penmaenbach, near Llandudno, Wales”, signed and dated ‘88, watercolour over pencil, 24 x 33.5cm, 9.5 x 13.25in. £100 - £150

616 616 Samuel L. Fossick, 19th/20th century, “Amalfi” and “Antwerp”, both signed, titled and dated 1898 and 1900, watercolour and ink, 76 x 54.5cm, 30 x 21.5in (2). £150 - £200

617 617 Frank Henry Mason (1876-1965), Steam and sailing ships on the Thames, signed and dated ‘98, watercolour, 48 x 74cm, 19 x 29in. £350 - £550

620 620 William Minshall Birchall (1884-1941), “Somewhere East of Suez” and “Out with breeze and tide Woolwich”, both signed and dated 1925, watercolours, 25 x 35.5cm, 9.75 x 14in (2). £200 - £400

618 Charles Edward Dixon (1872-1934), “Off Tilbury”, signed and titled, watercolour, 26 x 76.5cm, 10.25 x 30.25in. £1,000 - £1,500

618 147

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621 621 Joseph Nash O.W.S. (1809-1878), “Sizergh Castle, Cumbria - The Inlaid Chamber”, unsigned, watercolour, 29.5 x 44cm, 11.75 x 17.25in.

This example is illustrated on page 191 and plate number 84 in his ‘’The Mansions of England in the Olden Time’’ (18391849) and also on page 24 of The National Trust, Sizergh Castle, 1977 guidebook. £300 - £500

622 622 Jules Jean Baptise David (1808-1892), Two fashionable ladies in an interior with a child and on a terrace, both signed, watercolour and pencil, 26 x 22cm, 10.25 x 8.5in and 28.5 x 22cm, 11.25 x 8.75in (2). £150 - £200

623 623 Jules Jean Baptise David (1808-1892), Two fashionable ladies in an interior and on a terrace, both signed and one dated 1836, watercolour and pencil, 26 x 22cm, 10.25 x 8.5in and 28 x 22cm, 11 x 8.75in (2). £150 - £200 148

624 624 Willie Stephenson R.C.A. (1857-1938), Rural lane with cottage and figures, signed, watercolour, 26.5 x 36.5cm, 10.5 x 14.5in. £100 - £200

625 625 Hercules Brabazon Brabazon (British, 1821-1906), Egypt, initialled, watercolour over pencil, unframed, 19 x 27.5cm, 7.5 x 10.75in. £200 - £400

626 626 Hercules Brabazon Brabazon (British, 1821-1906), Venice, initialled, watercolour and pastel, unframed, 23 x 21cm, 9 x 8.25in. £200 - £400 For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

627 627 Joseph Nash O.W.S. (1809-1878), “Crewe Hall, Cheshire - The Hall”, signed and dated 1844, watercolour, 34 x 51cm, 13.5 x 20in.

This example is illustrated on page 87 and plate number 33 in his ‘’The Mansions of England in the Olden Time’’ (1839-1849). £500 - £700

628 628 Joseph Hughes Clayton (exh.1891-1929), “Cemaes Bay, Anglesey”, signed, watercolour, 34.5 x 53.5cm, 13.5 x 21in. £100 - £200

629 629 Joseph Nash O.W.S. (1809-1878), “Crewe Hall, Cheshire - The Carved Parlour”, signed and dated 1849, watercolour, 30 x 44.5cm, 11.75 x 17.5in.

This example is illustrated on page 85 and plate number 32 in his ‘’The Mansions of England in the Olden Time’’ (1839-1849). £300 - £500

630 630 Willie Stephenson R.C.A. (1857-1938), “Evening Glow, Gloddaeth Road near Llandudno”, signed, titled on label verso, watercolour, 26 x 35.5cm, 10.25 x 14in. £100 - £200

631 631 William Minshall Birchall (1884-1941), “A ship of other days”, signed and dated 1925, watercolour, 34.5 x 25cm, 13.75 x 9.75in. £150 - £200

632 632 Warren Williams A.R.C.A. (1863-1918), “A Cottage Garden, Glan Conway, North Wales”, signed, titled on mount, watercolour, 25 x 40cm, 10 x 15.75in. £100 - £200 149

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633 633 Warren Williams A.R.C.A. (1863-1918), Lake scene with boats drawn up on the shore and figures in the foreground, signed, watercolour, 43 x 73.5cm, 17 x 29in. £500 - £700

634 634 Warren Williams A.R.C.A. (1863-1918), Fishermen in the harbour, signed, watercolour, 32.5 x 53cm, 12.75 x 20.75in. £200 - £400

150

635 635 Warren Williams A.R.C.A. (1863-1918), Cottage and figures by the sea at Cemaes, Anglesey, signed, watercolour, 32.5 x 50.5cm, 12.75 x 20in. £300 - £500

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

636 636 Warren Williams A.R.C.A. (1863-1918), Beached boats near Marine Walk, Conwy opposite Deganwy showing the Old Harbour, The Castle Hotel and Great Orme in the background, signed, watercolour, 31.5 x 50cm, 12.25 x 19.75in. £300 - £500

639 639 David Bates (1840-1921), “Near Upton-on-Severn”, signed and dated 1905, titled on verso, watercolour and pencil, 24.5 x 35.5cm, 9.75 x 14in. £200 - £400

637 637 Warren Williams A.R.C.A. (1863-1918), Feeding the chickens, signed, watercolour, 32 x 50.5cm, 12.75 x 19.75in. £300 - £500

640 640 George Chinnery (1774-1852), Portrait of a soldier, signed and dated 1806, with handdrawn decorative surround and coat of arms, pencil and watercolour, 41.5 x 29cm, 16.5 x 11.5in. £300 - £500 638 638 David Bates (1840-1921), “Near The Wyche, West Malvern”, signed and dated 1905, titled on verso, watercolour and pencil, 24.5 x 35.5cm, 9.75 x 14in. £200 - £400

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BRONZES & SCULPTURE 641 Two 19th century cast iron reliefs of a Lion and Unicorn by J. Crowley.

Overpainted with cream gloss paint.

Approx 37 x 67cm. £150 - £200

641

642 642 A cold painted bronze of cats playing billiards. 6.5 x 9.3cm. £80 - £100 643 ARR Breon O`Casey (1928-2011), “Small Bird on a Tall Base”, initialled and numbered 3/9, bronze sculpture on a marble base, overall height 31.5cm, 12.5in. £2,000 - £3,000 644 A 19th century French bronze of child and wolf. Possibly one of the Roman twins (Romulus and Remus), the wolf mother protecting the child from a serpent. 22 x 23cm. £100 - £200

644

152

645 A 19th century French bronze of Esmeralda and her goat, Djali . These characters are taken from Victor Hugo’s 1831 novel ‘The Hunchback of Notre-Dame’. 24 x 18cm. £100 - £200

646 ARR Geoffrey Key (1941-), Torso, signed and dated ‘91 on base, wooden painted sculpture, height 47cm, 18.5in. £3,000 - £5,000

645

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

646

643

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clOckS & BaROmETERS PLEASE NOTE: All clocks and watches are sold without warranty. Comments regarding the going condition of clocks and watches relate to their state at the time of cataloguing and those comments may no longer be correct at the time of sale or delivery. Buyers should assume that all lots will require servicing to be useable and reliable. Clocks and watches are not tested for accuracy, duration or water tightness’

648 647 647 A late 19th/early 20th century Portuguese ships barometer. The brass case with weighted bottom is supported on gimble bracket. The silvered forecasting dial has domed glass cover and rack and pinion vernier. Signed J.J.B.L.M, 16a 22, R.N. Desterro, Lisbon. Length 94cm. £100 - £200

154

648 A 19th century German bracket clock with bracket. The oak case has black forest style carving; a crown of roses in a bower on the trefoil pediment sweep down to curlicue feet. Framing a brass dial with brass spandrels with the face of a German forest spirit. The chapter ring has both Roman and Arabic numerals and two subsidiary dials for fast/slow and chime/silent. Three-train movement striking on a quintuple gong. 70 x 34cm. £500 - £700

649 649 A 19th century mahogany stick barometer by A. Lera, Glasgow. The double swan neck pediment with vase finial tops a silvered forecasting dial with vernier and thermometer leading to an inlaid trunk with domed cistern cover. 96cm length. £100 - £200

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

650 A mid 19th century two-day marine chronometer by Thomas Roberts (34 Strand St. Liverpool). The three tiered, brass-bound mahogany cased with glass viewing lid, lifts to reveal brass bevelled chronometer on gimble bracket.

The silvered face has both Roman and Arabic numerals and two subsidiary dials, with the maker’s name in cursive. Twoday, chain driven fusee movement with Harrison maintaining power, spring detent escapement and blued helical hairspring. 19 x 18 x 18cm. Contained within a secondary mahogany box with fittings in order to screw the container to the ship. 23 x 24 x 24cm. £1,000 - £1,500

650

651 An early 19th century marine chronometer by Brockbank & Atkins, London, No. 1167. The three tiered mahogany case with brass carry handles and ivory plaque with the serial no. 1167, the double lid lifts to reveal the brass bevelled chronometer on gimble bracket. The silvered face has both Roman numerals and two subsidiary dials with Arabic numerals and bears the maker’s name in cursive.

Two-day, chain driven fusee movement with Harrison maintaining power, spring detent escapement and blued helical hairspring. 16.8 x 15.7 x 15.7cm. £1,000 - £1,500

651

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652 652 A 19th century Chinoiserie style mantel clock by Wilson & Gill, 138-141 Regent Street, London. The wooden dial has a raised painted scene of a rural landscape in a Chinoiserie style. The brass chapter ring has painted Roman numerals and surrounds two pierced brass hands. The backplate is brass containing the single train movement (stamped with serial number 1088 and ‘English Mvt with French Escpt’). 19 x 19cm. £200 - £300 653 A Victorian walnut bracket clock. The pagoda top has three urn-shaped finials and tiling detail. A pair of brass figureheads of the goddess Athena flank the brass dial which has a silvered chapter ring with Arabic numerals and two subsidiary dials for strike/silent and slow/fast. Threetrain movement striking on Westminster chime and single gong. 52 x 32cm. £200 - £300 654 A 20th century Art Deco swivel clock by Angelus. The brass case comprises a clock, a thermometer, compass, hygrometer and barometer on rotating pedestal stand. 9.7 x 8cm. £200 - £300

653 655 A Jaeger LeCoultre Atmos clock in presentation case and with brushed aluminium bracket (custom made for this clock). The brass framed case with four glass panels and chapter ring with brass Arabic numerals, encases the virtually perpetual motion movement, with the torsion pendulum driven by minute changes in either temperature or atmospheric pressure. ‘Atmos, Swisse Made’ on dial front and to verso ‘LeCoultre & Cie, Swiss Made’. 22.5 x 18 x 13.5cm. £500 - £700

654 655 156

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

657

656 656 A late 19th century single fusee movement mantle clock. The mahogany case has bevelled glass panels to sides and brass framed front door framing a silvered face with Roman numerals and two steel hands.

Single fusee movement with anchor escapement. 23 x 18 x 14cm. £150 - £250 657 A mid 19th century mantle clock by E. White, 19 Jermyn St. London. The curved pediment sits above a brass bezel framing the circular cream painted dial with Roman numerals and maker’s name. Double fusee movement striking on single gong. 31 x 12cm. £250 - £350

659

658 A 19th century brass carriage clock with foliate engraving. The brass framed clock has bevelled glass panels to sides and oval glass to the top. Framing a white enamel face with Roman numerals and subsidiary alarm dial. The case is engraved with a leaf design and the backplate is engraved with the words ‘alarum’ and ‘hands’, no 130. Two-train movement with double striker for hours and the alarm, with quarter repeater button.

12.5 x 9cm. £200 - £300

658 659 A mid 19th century brass carriage by Charles J Klaftenberger (Regent Street, London). The brass frame has bevelled glass panels covering an enamel dial with Roman numerals and a subsidiary alarm dial with Arabic numerals. The back-plate is also stamped with the maker’s name.

Grand-sonniere movement, two-train, striking on a double gong with three striking arms. With original leather carry case. 14 x 9.8cm. £1,000 - £2,000 660 A 20th carriage clock with brass case. Corinthian piers and foliate fretwork frame an enamel dial with Roman numerals. Single-train eight day movement. 14.5 x 8 x 6cm. £400 - £500

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661 661 A mid 19th century mahogany longcase clock by John Cameron, Kilmarnock (1836-9). The straight stepped canopy with semi-circular door, painted dial with rural scenes depicting ‘Spring’, ‘Summer’, ‘Harvest’, ‘Winter’ and the ‘Pass of Killiecrankie’.

The dial is also painted with Roman numerals and has two subsidiary dials with Arabic numerals (for seconds and days of the month). Trunk with long door on square box base. Eightday, two-train movement, striking on a single bell. 214 x 56cm. £300 - £400

158

662 662 A late 17th century mahogany longcase clock by Christopher Gould, London (Fecit Londini). The canopy has straight stepped pediment and engaged pilasters framing a square brass dial with brass spandrels. The silvered chapter ring has both Roman and Arabic numerals, subsidiary seconds dial and date aperture. With pierced fretwork hands. The long door with serpentine arched top leads down to short box base. Eight-day, two-train movement, striking on a single bell. 193 x 43cm. £500 - £700

663 663 A 19th century mahogany longcase clock with glancing eyes. The double swan neck pediment with brass rosettes tops the canopy with fluted columns mounted with brass Corinthian capitals.

The crossbanded door of the hood frames a brass face with brass spandrels, Arabic and Roman numeral chapter ring with central engraved foliate design. The dial also has date aperture and subsidiary dial for seconds. In the upper crescent of the dial is a painted face with glancing eyes encirled with the words; “Whilst time away do’s flee. My eyes do move you see”. The long door of the case is flanked either side by fluted engaged pillasters with brass Corinthian column mounts. On tall box base with fretwork carving and ogee arched feet. Eight-day, two-train movement, striking on single bell. 227 x 55cm. £500 - £800

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

664 664 A second half of the 19th century mahogany barometer by C.W Dixey, London (New Bond Street),‘Optician to the Queen’. The ivorine forecasting dial has domed glass cover and scale vernier with mercury gauge. Column set with ivorine thermometer and ebonised vase shaped cistern cover to base. Length 94cm. £200 - £300

665 665 A late 18th century mahogany longcase clock by Lomax, Blackburn.

The double swan-neck pediment has brass rosettes and marquetry inlaid flowers to the lintel. Brass capitals top the fluted Corinthian pillars which frame a semi-circular arched dial. The brass face has a painted rolling moon, brass spandrels and a silvered chapter ring with Roman and Arabic numerals.

Pierced fretwork hands sit above a subsidiary seconds dial. The case has long door framed by fluted pillasters and wood carved fretwork, on brick box base with marquetry fan design.

Eight-day, two-train movement striking on single bell. 228 x 58cm. £500 - £600

666 666 An early 19th century mahogany longcase clock by Gardner, Belfast (No. 265). The semi-circular pediment is topped with brass cherub finial. A brass bezel frames a round, cream painted dial with Roman numerals and a seconds subsidiary dial with Arabic numerals. The case door has flame veneered short door, fluted pillasters on a rectangular box base, with ogee arched feet. Eight-day, twotrain movement, striking on a single bell. 220 x 47cm. £300 - £400

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667

668 A 19th century Vienna regulator with rosewood case, carved ebonized mounts and satinwood beading. The white enamel dial has half-moon hands, Roman numerals and gilt bevel. Brass weight and pendulum, single-train movement.

105 x 32cm (excluding carved pediment mount). £800 - £1,200

667 A 19th century French ormolu mantel clock and garnitures. Topped with painted ceramic loving cup, swags of flowers frame a painted ceramic dial with bird motif and Roman numerals. The pair of garnitures have cherubs holding twin branch candelabra topped with flaming sconce. The clock has a twotrain movement striking on a single bell, with brocket escapement.

Stamped Japy Freres. Clock: 33 x 24cm. Garnitures: 37 x 20cm. £1,000 - £1,500

668

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For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

669 A rare last quarter of the 18th century mahogany regulator by John Holmes, The Strand, London The shallow arched hood has concave mouldings to the curved pediment, the sides are flanked by canted reeded angles. The shape of the trunk door mirrors that of the hood, with flame veneer. The box base has straight edged cornicing and double stepped plinth.

The one-piece silvered dial is 3.99mm thick, with maker’s name signed across the centre, Arabic numerals in the minute track encircling a subsidiary dial for running seconds and a date aperture with Roman numerals for the months. With original blue steeled hands. Fully latched, single-weight driven 8-day movement with deadbeat escapement, beat adjustment and Bolton shutter. Eight pillars connect front and back plates (the latter is 4.76mm thick) which encase the entire movement. With heavy brass and iron pendulum, with engraved regulation nut. 181 x 41cm.

John Holmes was regarded as one of the fine clockmakers and horologists of his time, “...he seems to have been one among the leading mechanicians, and when the turret clock at Greenwich hospital was destroyed in a fire in 1779 was given the order for a new one.” He also has a gold pocket watch in the Fitzwilliam collection at Cambridge and two mahogany longcases of his making can be found in the Wetherfield Collections. (‘The Antiques Collector’s Club Edition of Old Clocks and Watches’, F. J Britten, 1977, Baron Publishing, pg 461). £40,000 - £50,000

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claSSIc caRS & auTOmOBIlIa

670

670 1959 Heinkel Trojan 200 micro car, registration number: 959 NMK, chassis number: SB7805, engine number: 1520242.

Fully restored, this charming bubble car was purchased on eBay in September 2011 by a local enthusiast, the restoration became an obsessive journey with a large file being created proving the extent of the £20,000 restoration.

Finished in powder blue this fine example has benefited from a bare metal re-spray, the interior now with new carpets and period tartan fabric seat covers. This is a wonderful example of a Heinkel micro car which will create nostalgic fun and attract great attention as an iconic part of motoring history. £14,000 - £18,000

671 1974 MG Midget, registration number: PMS 449M, chassis number: GANG141981G, engine number: 356.

This fully restored example of an MG Midget was restored by its previous owner, an extensive file demonstrating the extent of the work carried out is available, finished in red with black interior and weather equipment, this round wheel arch example with chrome bumpers is often considered to be the best of the MG Midget range, fitted with replacement body shell and various upgrades including walnut trimmed dashboard and door caps, reclining seats and mini light wheels, this usable classic is a wonderful entry model for the MG enthusiast. £5,000 - £7,000

671 162

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

672 672 Aprilia SR 50 Alitalia Replica Colours Scooter 2011, 49CC, Odometer reading: O miles. Currently registered SORN. With two keys, three piece tool set, instruction book and blue canvas cover. The tri-color livery on this scooter is derived from the Alitalia RSV4 World Superbike race team that scored a championship with Max Biaggi. £1,800 - £2,200

673 673 Lambretta Li 150 1961 Scooter, 125CC, chassis number 915084, engine number 914020, Odometer reading : 29322 miles finished in cream, currently registered SORN. With one key and blue canvas cover. £4,000 - £5,000

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FuRNITuRE

674 674 Bechsteine Berlin grand piano, instrument number 10158, rosewood case, iron overstrung frame, fretwork music stand, three octagonal section, tapering legs with ebonised turnings, articulated brass casters, pedals supported on lyre frame, length 237cm (93”), width 150cm (59”), height 97cm (38”). £200 - £400

675 675 Edwardian Arts & Crafts stained oak fireplace surround with central hammered copper panel of trumpet form flanked by sunflower circular rosettes, top panel with stylised carved flower heads and leaves, overall size height 183cm (72”), width 150cm (59”), fireplace opening height 84cm (33”), width 100cm (39”). £500 - £800

164

676 676 Edwardian mahogany vitrine, the cabinet of circular section, top with glazed bevelled single panel, four glass side panels, three circular glass shelves, green baise lined base, all standing on four square section legs with spayed feet, the whole carcass inlaid with black and white stringing, diameter 71cm (28’), height 122cm (48’). £600 - £800

677 677 Edwardian oak revolving bookcase, square section top shelf supported on turned columns, two stage bookshelves all standing on later shepherds casters, height 102cm (44”), 66cm (26”) square. £150 - £250

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

679

678

678 Victorian mahogany collectors cabinet, top section with double glazed doors covering painted stepped display, base fitted two single figured panel doors covering thirty six shallow drawers, each with turned handles and labelling aperture, width 156cm (61”), height 192cm (76”), depth 54cm (21”). £300 - £500 679 Edwardian Hepplewhite design child’s single chair, pierced splat, loose seat, square section foreleg supports of tapering form, united by “H” stretchers, height 64cm (25”). £100 - £200

680

680 Late 19th century regency design library chair, reeded mahogany frame with cane panels to back seat and under arms, turned foreleg support with articulated brass casters, upholstered pads to arms, cushion seat and back. £200 - £400 681 Set of six matching Victorian rosewood crown-back single dining chairs, each with moulded back and crossrail, upholstered green draylon stuff-over seats, serpentine front rail, turned foreleg supports. £450 - £650

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682 682 Set of twelve mid 19th century mahogany dining chairs, comprising ten singles and two open arm carvers, all of Irish Chippendale design, pierced splats with moulded acanthus leaf decoration, upholstered loose seats cabriole foreleg supports with carved shoulders, ball-and-claw feet, retailers mark “Greenlands Limited, Hereford”. £2,000 - £3,000

684 684 Victorian rosewood circular loo table, top with ogee mould above two inch frieze, single octagonal section baluster column with platform base supporting on carved and moulded feet, top diameter 130cm (51”), height 74cm (29”). £450 - £650

683 683 Early 20 th century quarteto nest of tables, rectangular top with bead gallery, spider leg supports with single bow stretcher, labelled Alan & Appleyard Furnishers, Liverpool, width 54cm (21’), height 69cm (27’), depth 37cm (14’). £200 - £400

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685 685 Victorian rosewood library table, rectangular top with rounded corners above 1.5in frieze, decorated with moulded bead, trestle base united by serpentine shaped stretcher, moulded scroll feet, width 127cm (50”), height 72cm (28”), depth 58cm (23”). £200 - £400

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

686

687

686 George III mahogany wine table, single piece circular top supported on birdcage block, baluster shaped single column with triform base, diameter 66cm (26”), height 71cm (28”). £100 - £200 687 Victorian wind-out dining table, top section with ogee mould, three loose leaves all standing on four turned legs with original brass articulated casters with brown ceramic wheels, 240cm (95”) x 120cm (47”), height 71cm (28”). £400 - £600

688 George III mahogany three pedestal regency design dining table, comprising to D-ends, central rectangular shape table united by two further leaves, four reed edge, ring turned columns with out-swept legs, decorated with brass string, brass casters, original brass leave clips, length 305cm (120”), width 120cm (47”), height 74cm (29”). £2,000 - £3,000

688

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691 691 First half 20th century carved Chinese camphor chest, top decorated with duelling warriors on horseback, front panel carved with tranquil garden scenes, all standing on bracket feet, width 102cm (40”), height 58cm (23”), depth 56cm (22”). £100 - £200

689 689 George III figured mahogany linen press, cornice with dentil moulding, matched flame mahogany single panel doors, base with two fixed and one long single drawer, each with brass bale handles, all standing on ogee bracket feet, width 132cm (52”), height 196cm (77”), depth 64cm (25”). £400 - £600

690 690 17th century oak chest of four graduated drawers, six plank top with moulded edge, drawers with applied geometric ogee moulding contained in pegged carcass, bun feet, width 92cm (36”), height 81cm (32”), depth 55cm (21”). £200 - £300

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692 692 George III mahogany chest on chest, top section with ogee mould, two short drawers, three long graduated canted fluted corners, base with three graduated drawers, all with replacement brass bale handles, original bracket feet, width 107cm (42”), height 184cm (72”), depth 56cm (22”). £300 - £400

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

694

694 Victorian figured mahogany twin pedestal sideboard, the shaped back above inverted breakfront top, bow-front central drawer flanked by two pedestals each with moulded oval panel single door, the interior with two sliding drawers, the opposing side with cellarette, width 108cm (78”), height 152cm (60”), depth 63cm (25”). £200 - £400 695 George III oak and mahogany cross-banded dresser base, rectangular top with ogee mould above three cock-beaded drawers, fitted later pierced escutcheons with matching handles, wavy frieze, all standing on cabriolet foreleg supports with pad feet, width 204cm (80”), height 84cm (33”), depth 52cm (20”). £400 - £600

693 693 Early 18th century Jacobean design chest of four graduated drawers, rectangular top with moulded edge, each drawer with later Victorian turned mahogany handle, geometric moulded decoration, cushion fronts to lower two drawers, replacement bracket feet, width 106cm (42”), heigh 102cm (40”), depth 56cm (22”). £250 - £450

695

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696 George III oak dresser, top section with ogee cornice above three fixed shelves with planked back, base with three short drawers each with cock beading, two double panelled doors, interior with fixed shelf, width 168cm (66”), height 208cm (82”), depth 42cm (17cm). £500 - £700 697 Victorian rosewood veneered chiffonier, top with platform shelf decorated with shell and scroll carved pediment, base with single cushion drawer, two single panel doors with pleated fabric flanked by moulded and carved brackets, lined base, width 114cm (45”), height 130cm (51”), depth 51cm (20”). £400 - £600

696

698 698 Victorian rosewood veneered three stage what-not, each rectangular shelf supported on turned columns, box base containing single drawer with turned knobs, baluster shaped legs with articulated brass casters, width 42cm (17’), height 106cm (42’), depth 33cm (13’). £200 - £400 697

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For condition reports please go to www.peterwilson.co.uk

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GLOSSARY OF TERMS F O R P I C T U R E S , D R A W I N G S , P R I N T S , M I N I AT U R E S E T C .

The first name of names and surname of the artist - in our opinion a work by the artist.

‘Attributed to...’

- in our opinion probably a work by the artist in whole or in part.

‘Circle of...’

- in our opinion a work of the period of the artist and showing his/her influence.

‘Style of...’ / ‘Follower of...’

- in our opinion a work executed in the artist’s style, of a similar period, but not necessarily a pupil.

‘Manner of...’

- in our opinion a work in the artist’s style, but of a later date.

‘School...’

- Accompanied by place name or country, and date - in our opinion a work executed at that location and period.

‘After...’

- in our opinion a copy (of any date) of a work by the artist.

‘Signed and/or dated and/or inscribed’ - in our opinion the signature and/or date and/or inscription are by the artist’s hand.

‘Bears signature and/or date and/or inscription’ - in our opinion the signature and/or date and/or inscription are by another hand.

Dimensions are given height before width.

NOTES

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Peter Wilson FINE ART AUC TIONEERS • EST 1955

FINE ART & SPECIALIST AUCTION DATES 12 & 13 SEPTEMBER

Autumn Fine Art

27 SEPTEMBER

Books & Maps

25 OCTOBER

Musical Instruments

8 NOVEMBER

Toys

21 & 22 NOVEMBER

Winter Fine Art

6 DECEMBER

Wines & Spirits

Hours of Business Monday to Friday 09.00 - 17.30 Saturday 09:30 - 12.00 Valuation Days Wednesdays 10.00 -12.00 14.00 - 16.00 Saturdays 09.30 - 12.00

Sold for £28,000

Sold for £10,000

Peter Wilson Fine Art Auctioneers LLP Victoria Gallery Market Street Nantwich CW5 5DG Telephone: 01270 623878 Fax: 01270 610508 Email: auctions@peterwilson.co.uk

www.peterwilson.co.uk

Sold for £17,000

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Peter Wilson FINE ART AUC TIONEERS • EST 1955

ENTRIES aRE NOW INVITEd FOR OuR NExT aucTION OF FINE aRT & aNTIQuES WEdNESday 21 & ThuRSday 22 NOVEmBER 2018 Entries close Friday 12th October 2018 ENQUIRIES Telephone: +44 (0)1270 623878 Fax: +44 (0)1270 610508 Email: auctions@peterwilson.co.uk

www.peterwilson.co.uk

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cONdITIONS OF SalE Peter Wilson Fine Art Auctioneers LLP carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following Conditions of Sale and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) “Auctioneer” means the firm of Peter Wilson Fine Art Auctioneers LLP or its authorised Auctioneer, as appropriate; (b) “Deliberate Forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “Hammer Price” means the level of bidding reached (at or above any reserve) when the Auctioneer brings down the hammer; (d) “Terms of Consignment” means the stipulated terms and rates of commission on which Peter Wilson Fine Art Auctioneers LLP accepts instructions from sellers or their agents;

6. PAYMENT (1) Immediately a Lot is sold you will: (a) Give to us, if requested, proof of identity, and (b) Pay to us the Total Amount Due in cash or in such other say as is agreed by us.

(2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(e) “Total Amount Due” means the Hammer Price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

7. TITLE AND COLLECTION OF PURCHASES

(f ) “Sale Proceeds” means the net amount due to the seller, being the Hammer Price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising;

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for no later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment, after which you shall be responsible for any removal, storage and insurance charges.

(g) “You” or “Your”, etc. refer to the buyer as identified in Condition 2.

(3) No purchase can be claimed or removed until it has been paid for.

(h) The singular includes the plural and vice versa as appropriate and words importing any Gender include either gender.

2. BIDDING PROCEEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the buyer at the Hammer Price “the buyer” and any dispute about a bid shall be settled at the Auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The Auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the Auctioneer’s sole discretion.

4. THE PURCHASE PRICE The buyer shall pay the Hammer Price together with a premium thereon of 26.4% which shall include VAT on the premium at the rate imposed by law.

174

5. VALUE ADDED TAx Value Added Tax on the Hammer Price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position).

(1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the Total Amount Due.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) To proceed against you for damages for breach of contract; (b) To rescind the sale of that Lot and/or any other Lots sold by us to you; (c) To resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the Total Amount Due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) To remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) To charge interest at a rate not exceeding 1.5% per month on the Total Amount Due to the extent it remains unpaid for more than 3 working days after the sale; (f ) To retain that or any other Lot sold to you until you pay the Total Amount Due;

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(g) To reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) To apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the Total Amount Due and to exercise a lien (that is a right to retain possession of ) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these Conditions.

9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the layout of the accommodation and security arrangements. Accordingly neither the Auctioneer nor its employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf.

Neither the Auctioneer nor its employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. The Auctioneer may at its own discretion on your behalf exceed your commission by one bid. An instruction to buy with no upper limit will not be accepted.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the Auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The Auctioneer normally acts as agent only and disclaims any responsibility for default by seller or buyers.

13. TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot..

14. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot.

Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf ) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters

of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither the Auctioneer nor its employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded.

This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 information to buyers”.

Please note: Condition of items or other faults is not stated within the catalogue and items are sold strictly as seen. If you are interested in an item and no condition report is present please email auctions@peterwilson.co.uk for more information.

The cost of postage, packing, transport, and shipping is the responsibility of the buyer. The cost of postage, packing, transport, and shipping will not be refunded in any circumstance.

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a Deliberate Forgery may be returned to us by you within 14 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a Deliberate Forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are notable to transfer a good and marketable title to us, you shall have no rights under this Condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions of any person.

17. (1). Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the Auctioneer as appropriate.

(2). Such right and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the Auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

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INFORmaTION FOR BuyERS 1. Introduction. The following information notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As Auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. Buyer’s Premium. The buyer shall pay the Hammer Price together with a premium thereon of 22% +VAT (26.4% inclusive).

VAT will be at the rate imposed by law.

5. ‘Subject to VAT’ indicates that VAT is payable by the purchaser at the standard rate (presently 20%) on the Hammer Price as well as being an element in the buyer’s premium. Items which are subject to VAT will be cleared marked within the catalogue text as well as being labelled in the saleroom. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the Hammer Price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the Hammer Price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and therefore, accept responsibility for inspecting and investigating lots in which they are interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the Auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the Auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstance lots mis-described because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 2 week time limit. (The expression ‘Deliberate Forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for the compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of threat character because, e.g. they may contain prohibited materials such as ivory. Ask us if you need help.

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9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission absentee bidding. Commission bids may be left with the Auctioneer indicating the maximum amount to be bid excluding buyer’s premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. The Auctioneer may at his/her own discretion on your behalf exceed your commission by one bid. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). Debit and Credit card payments where the card holder is not present will only be accepted for transactions up to £500. Credit Card payments may only be made using chip and pin up to £2,000.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Items not removed within four days of the sale will be subject to a storage charge of £1.50 per item per day.

13. Postage and Shipping. Peter Wilson Fine Art Auctioneers LLP do not provide a postage and packing service however we recommend the following company who deal with all postage, packing, and shipping for us: T.C. Couriers Nantwich, 3 Barker Street, Nantwich, Cheshire, CW5 5SY. Contact Tony Cartwright on +44 (0) 7746 216 322 or email tony69uk@gmail.com Mailboxes Etc., Peel House, 30 The Downs, Altrincham, WA14 2Px. Contact Alex Pye or Palanivel Kandaswamy on Tel: +44 (0) 161 233 0500, Fax: +44(0) 161 233 0400 Email: info@mbealtrincham.co.uk Website: www.mbealtrincham.co.uk 14. ‘The Artists Resale Right’ From mid – February 2006 living artists are entitled to receive a resale royalty each time their art work is bought or sold by an art market professional. However, from 1 January 2012, the Right will be extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. This new law has been introduced in the UK following a European Directive. Art work must reach or exceed a certain value before it qualifies for the right. The qualifying threshold in the UK is 1000 euros which is approximately £850. The rates are calculated as a percentage of the sale price and are set out in a sliding scale from 4% to 0.25%.

Portion of the sale price Royalty rate From 1000 to 50,000 euro 4% From 50,000.01 to 200,000 euro 3% This will be an extra charge upon the sum for which the art work is obtained, excluding V.A.T. For auctions this is regarded as the hammer price (excluding the buyers premium).

For more information please see the Important Notice to Bidders posted in the salerooms or alternatively a full copy of ‘The Artists Resale Right Regulations 2006’ which is available on request.

Peter Wilson Fine Art Auctioneers LLP Victoria Gallery Market Street Nantwich Cheshire CW5 5DG Telephone: +44 (0)1270 623878 Fax: +44 (0)1270 610508 Email: auctions@peterwilson.co.uk

www.peterwilson.co.uk