Peter Wilson Auctioneers

Peter Wilson FINE ART AUC TIONEERS • EST 1955

WEDNESDAY 11 & THURSDAY 12 SEPTEMBER 2019

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Peter Wilson FINE ART AUC TIONEERS • EST 1955

WEDNESDAY 11TH SEPTEMBER 2019 AT 6.00PM LOTS 1150 THURSDAY 12TH SEPTEMBER 2019 AT 11.00AM LOTS 151551 ON VIEW: Sunday 8 September Monday 9 September Tuesday 10 September Wednesday 11 September Morning of auction

2.00pm 10.00am 10.00am 10.00am 9.00am

    

4.00pm 5.00pm 5.00pm 4.00pm 11.00am

Catalogues £10 from the saleroom, £12 by post Buyer’s Premium is 22% plus VAT 26.4% inclusive of VAT

PLEASE NOTE: We cannot provide condition reports on the morning of the auction.

Colours in photography may vary from actual items.

All measurements are approximate.

For full condition reports and extra images please visit our website:

www.peterwilson.co.uk

Peter Wilson Fine Art Auctioneers Ltd. Victoria Gallery Market Street Nantwich Cheshire CW5 5DG Telephone: +44 01270 623878 Fax: +44 01270 610508 Email: auctionspeterwilson.co.uk

www.peterwilson.co.uk Registered in England | Registration No. OC359701

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Peter Wilson FINE ART AUC TIONEERS • EST 1955

ROBERT STONES Managing Director robstones@peterwilson.co.uk

NICK ALLSOPP Saleroom Manager nick@peterwilson.co.uk

CHRIS LARGE Ceramics & Glass, Firearms, Weapons, Musical Instruments, Tribal Art chris@peterwilson.co.uk

STEPHEN SPARROW Pictures, Maps, Coins & Medals stephen@peterwilson.co.uk

LIZ BAILEY Silver, Jewellery & Watches liz@peterwilson.co.uk

DAVID BYRNE Silver, Jewellery & Watches Consultant auctions@peterwilson.co.uk

ALAN SHAW Stamps & Cigarette Cards auctions@peterwilson.co.uk

JAYNE TATLER Accounts jayne@peterwilson.co.uk

SHARON SPARROW Administrator auctions@peterwilson.co.uk

ADRIAN SMITH Interiors Sale Team adrian@peterwilson.co.uk

PAUL JERVIS Interiors Sale Team paul@peterwilson.co.uk

ROMANA BLOOR Receptionist marnie@peterwilson.co.uk

Cover illustrations: Front & back: lot 343 2

Inside Front: lot 492 Inside Back: lot 7

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INDEX DAY ONE Silver & Plated Ware

1 - 71

Jewellery

72 - 127

Watches

127 - 150

DAY TWO Collectors Items

151 - 158

Metalware

159 - 161

Cameras

162 - 170

Toys

171 - 175

Books & Maps

176 - 203

Pens

204 - 205

Glass

206 - 212

Ceramics

213 - 255

Asian Art

256 - 272

Bronzes & Sculpture

273 - 274

Prints & Engravings (Modern/Contemporary)

275 - 287

Oil Paintings (Modern/Contemporary)

288 - 404

Watercolours, Pastels & Inks (Modern/Contemporary)

406 - 435

Oil Paintings (18th/19th Century)

436 - 461

Watercolours, Pastels & Inks (18th/19th Century)

462 - 472

Miniatures

473

Clocks & Barometers

474 - 480

Furniture

481 - 546

Musical Instruments

547

Rugs & Carpets

548 - 549

Garden Ornaments, Statuary etc

550 - 551

3

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SILVER & PLATED WARE 1 An Edwardian Britannia silver hot water jug, of straight tapering form, with a hinged domed cover, and raised reeded detail to the moulded spout with hinged cap, hallmarks for RH Halford & Sons, London, 1903, height 24cm, gross weight 19.18ozt. £150 - £250 2 A Victorian silver 3-piece communion set of gothic design, the cased set comprising a miniature goblet, jug and paten, each with crucifix cartouche, the goblet with baluster form, scrolling handle and cross finial, with personal engraving dated 1884, hallmarks for “J B,” London, 1883, height of jug 11.5cm, gross weight 5.56ozt. £150 - £200

1

3 A 1970s set of six silver and silver gilt goblets, with straight tapered gilt lined bowls, and gilt textured tree trunk stems to circular foot, hallmarks for TP, London, 1972, height 16cm. £400 - £600

2

3 4

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

4

4 A pair of 1920s silver grape scissors, with moulded handles depicting vines and foxes to the foliate terminals, in a fitted case, hallmarks for Walker & Hall, Sheffield, 1925, length 17.5cm, gross weight 39.95ozt. £80 - £120

5

5 A pair of Scottish silver berry spoons, bowls with embossed floral decoration and scalloped rims and engraved decoration to handles, length approx. 23.5cm, marks for Alexander Spence, Edinburgh, 1798, gross weight of pair 3.95ozt, also a George III silver sugar ladle, bowl with embossed and pierced decoration, engraved decoration to handle, length approx. 17cm, marks for Peter and William Bateman, London, 1807, gross weight 1.47ozt. £100 - £150 6 An early 20th Century silver condiment set, the boxed 7-piece set comprising two pepperettes of typical form, together with four open salts and a mustard pot of bulbous form with three hoof feet and blue glass liners, in a fitted case, hallmarks for George Unite & Sons, Birmingham, 1919, gross weight 11.29ozt. £100 - £150

6

5

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7 7 A pair of German silver models of a Parrot and Parakeet, each perched on a branch with hinged wings and detachable heads, standing on green marble columns with pierced garlands of flowers, to the raised circular bases with acanthus leaf decoration, import marks Chester, 1905 for Samuel Landeck, height 28.2 and 30.5cm. £4,500 - £5,500

6

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

9 8

8 A pair of Walker & Hall silver miniature toast racks, each of gothic design, with four arched divisions on a rectangular base to the stylised quatrefoil handles, hallmarks for Walker & Hall, Chester, 1938, length 8cm, gross weight 3.15ozt. £50 - £80 9 A Georgian silver snuff box, rectangular form with gilt interior, engine turned decoration with floral scroll thumbpiece and applied plain borders to hinged lid, marks for Francis Clark, Birmingham, 1836, 9cm x 3.8cm x 2.4cm, weight approx. 3.56ozt. £200 - £300

10

10 An early 20th Century 4-piece silver teaset, Of rounded octagonal form, with reeded handles and oval spreading feet, comprising a teapot, hot water jug, milk jug and sugar bowl, hallmarks for Atkin Brothers, Sheffield, 1927, height of hot water jug 22cm, gross weight 53.5ozt. £250 - £400 11 An Edwardian silver cut glass dressing table set by Finnigans & Co, London, comprising silver backed brushes, silver handled shoe horn, glove stretches, button hook and silver lidded jars with repoussé and vacant cartouche decoration, together with various leather travel accessories to include wallets, leather bound address book, complete in monogrammed leather travelling case, hallmarks for Finnigan’s Ltd., London, 1901, gross weight of silver lids 1.61ozt. £300 - £500

11

7

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12 A Victorian silver 12-piece cutlery set by Hunt & Roskell, with the pistol grip handles, the set comprising knives and forks in a burr walnut veneered canteen missing central brass cartouche, hallmarks for John Hunt & Robert Roskell, London, 1882. £125 - £175

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13 A silver toast rack, plain polished with 6 divisions, stylized handle, marks for Henry Moreton, Birmingham, 1915, 12cm long, 6cm high, gross weight 2.90ozt. £50 - £70

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14 A large silver plated tray, of rounded rectangular shape, with pierced gallery sides gadroon rim and scrolling cylindrical handles, raised on four bun feet, dimensions 60 x 43cm, unmarked. £80 - £120 15 A silver Russian candle chamberstick, the rectangular base with gadroon border to the shaped sconce with scrolling rim, 84 standard silver Russian marks for St. Petersburg, Carl Magnus, Stahle, height approx.

6.5cm. £60 - £100

14

16 An Edwardian silver twin-handled bowl, Of circular form, with half fluted decoration, scrolling twin handles with a fluted and scalloped rim, raised on a circular spreading base, hallmarks for James Deakin & Sons, Sheffield 1901, height 19cm, gross weight 22.18ozt. £180 - £220

16 8

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

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17 A Georgian silver toast rack, stylized wire-work body with eight divisions on four paw feet, marks for Charles Fox & James Turner, London 1801, length approx. 14.3cm, height approx. 14.5cm, gross weight 5.64ozt. £60 - £80 18 An Edwardian 3-piece silver teaset, of oval form, with half fluted decoration with monogram to front, hinged lids and angular wooden insulator handles, comprising a teapot, hot water jug and cream jug, hallmarks for William Devenport, Birmingham, 1904, height of teapot 20cm, gross weight 37.36ozt. £225 - £275 19 A large silver sugar caster by Carrington & Co, baluster body with embossed floral decoration on pedestal foot, pull-off pierced decoration lid with urn shaped finial, marks for Carrington & Co, London, 1900, 21.5cm high, gross weight 10ozt. £150 - £250 20 An early 20th Century Brittania silver twin handled sugar bowl, of circular form, the bowl with twin gryphon head handles and silver gilt interior to the accompanying lid with tapered finial, hallmarks for Crichton Brothers, London, 1916, diameter of bowl 11cm, gross weight 10.86ozt. £150 - £250

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20

21

21 A pair of Georgian silver sugar tongs, with pierced detailing, “G.W” London, 1802, together with a Victorian silver sifter spoon, Atkin Brothers, Sheffield, 1895, gross weight 1.39ozt. £50 - £80

9

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22 An early 20th Century 4-piece silver teaset, of squat bulbous form with angular handles and central monogram detailing, raised on four bun feet, the hot water jug with tapered neck, comprising a teapot, hot water jug, cream jug and sugar pot, hallmarks for Barker Brothers, Chester, 1918, height of hot water jug 21cm, gross weight 53.51ozt. £250 - £400 23 A cased silver cruet set, comprising a pepperette, salt and mustard pot with blue glass liners and spoons in a fitted case, hallmarks for Francis Howard, Sheffield, 1990, gross weight approx. 4.44ozt. £50 - £80 24 An Edwardian silver tea caddy, of oval shape, the straight body with gadrooning, and stepped top with a shaped hinged lid, hallmarks for Isreal Sigmund Greenburg, Birmingham, 1905, height 8.5cm, gross weight 6.95ozt. £80 - £120

23

25 A silver 4-piece teaset, of octagonal form, with flattened top handles raised on four paw feet, comprising a teapot, hot water jug, sugar bowl and cream jug, hallmarks for Edward Viner, Sheffield, 1946, height of hot water jug 21cm, gross weight 49.37ozt. £350 - £450

25

10

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

26 27

26 A pair of Harrods silver sauce boats, rounded octagonal forms on spreading feet, stamped to base ‘HARRODS LONDON.S.W.’, marks for Harrods Ltd, Sheffield, 1937, gross weight of pair 11.10ozt. £100 - £200 27 A Victorian silver dish ring with blue glass liner, dish ring with pierced, embossed and engraved decoration of woodland animals, flora and fauna, 14cm wide, 8cm high, marks for George Nathan & Ridley Hayes, Chester, 1898, gross weight excluding glass liner approx. 6.62ozt. £200 - £300

28

28 A Victorian silver coffee pot, of baluster form, rim with gadrooning, half-fluted body and scrolling spout, to the flat top wooden insulator handle and hinged lid, hallmarks for Jenkins & Timm, Sheffield, 1896, height 21cm, gross weight 20.35ozt. £180 - £220 29 A Victorian silver hot water jug, of inverted pear shaped form, with gadrooned rim detailing and tapered spout, to the scrolling wooden insulator handle and hinged lid, hallmarks for Goldsmiths & Silversmiths Co Ltd., London, 1913, height 21.5cm, gross weight 20.75ozt. £125 - £175

29

30 An early 20th Century silver Monteith bowl, of circular form with tapered bowl, undulating reeded rim and circular spreading base with wooden plinth, hallmarks for Barker Brothers, Chester, 1914, diameter 19.5cm, gross weight 13.26ozt. £100 - £200 30 11

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34 A silver hot water jug, plain polished baluster form body on pedestal foot, applied floral decoration to spout, urn shaped finial to hinged lid, cane wrapped handle, marks for George Perkins, London, 1910, height approx. 27.5cm, gross weight approx. 22.19ozt. £175 - £225

31 An early 20th Century silver water jug, of baluster form, with central cartouche and repoussé floral detailing to the body, raised on a reeded circular base, with a scrolling acanthus leaf handle, and tapered spout with hinged lid with scrolling finial, hallmarks for Hammond, Creek & Co., Sheffield, 1930, height 24cm, gross weight 17.97ozt. £125 - £175

35 Four Georgian silver fiddle patten tablespoons, of typical form, marks for Josiah & George Piercy, 1818, London, gross weight 9.01ozt. £80 - £120

32 A pair of Georgian silver shoe buckles, oval form with engraved thistle decoration, each buckle measuring 4.5cm x 3cm, gross weight of pair 0.45ozt, unmarked. £40 - £60

36 A Victorian silver ink stand, the inkstand containing two cut glass silver lidded inkwells with taper stick to centre, the octagonal inkstand with pierced gallery sides and beaded rims and four scrolling feet, central cartouche with personal inscription dated 1859, hallmarks for Sheffield, 1858, dimensions 26.2 x 16cm, gross weight of stand 16.59ozt. £180 - £200

33 A white metal Dunhill ladies lighter, of rectangular form, with engine turned detailing and hinged lid, Pat no. 1657352, 2102108, length 5cm. £200 - £300

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35 12

36 For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

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38

37 A Georgian silver cream jug, helmet shaped body with embossed and engraved floral decoration, reeded border and handle, marks for William Bennett, London, 1799, height approx. 9.5cm, gross weight.

2.51ozt. £40 - £60 38 An early 19th Century Scottish provincial silver toddy ladle, fiddle pattern, by William Jamieson of Aberdeen, length 15.8cm, gross weight 0.82ozt. £75 - £125 39 A Paul Storr Georgian silver milk jug, squat baluster formed body on circular pedestal foot, embossed floral decoration to body with two cartouches to either side engraved with lion crest, scrolling handle and gilt interior, marks for Paul Storr, London, 1824, height approx.

11.7cm, gross weight approx. 82ozt. £500 - £800

40

39 40 A Georgian silver chamber stick and snuffer, plain polished with pie crust border, 6-point star crest engraved to dish, complete with matching conical candle snuffer, hallmarks for Henry Hobdell, 1771, London, 8.5cm high, gross weight 6.80ozt. £125 - £175

41 A Victorian cut glass silver rimmed bowl, of circular outline, the hobnail and star clear cut glass bowl with circular foot and plain silver rim, hallmarks for John Grinsell & Sons, Birmingham, date letter partially indistinct, diameter 38cm. £150 - £250

41

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44 44 A late Victorian silver sugar caster, of hexagonal baluster form, with pierced foliate design and finial to the lid, with a spreading hexagonal base, hallmarks for Charles Boyton, London, 1898, height 21cm, gross weight 9.95ozt. £100 - £200

42 An Edwardian silver rose bowl, of circular outline, the bowl with half repoussé foliate and fluted detailing, with scrolling foliate rim, raised on a spreading circular base, hallmarks for William Aitken, Birmingham, 1906, diameter 15.5cm, gross weight 12.35ozt. £125 - £175

45 A pair of 1920s Walker & Hall silver 3-branch candlearbrum, each designed as a tapered stem with urn shape centre suspending two scrolling arms, to the fluted principal candlestick with flamepiece, hallmarks for Walker & Hall, Sheffield, 1921, height 46cm. £300 - £500

43 An early 20th Century silver miniature covered goblet, the planished cup with knop stem and spreading circular foot, together with a Victorian Mappin & Webb miniature paten of circular form, hallmarks for London, 1936 and 1893, gross weight 2.68ozt (2). £40 - £60

45

14

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

46 A silver swing-handled basket by Goldsmiths & Silversmiths, pierced and embossed floral decoration, swing handle on pedestal foot, marks for Goldsmiths & Silversmiths, London, 1898, 14cm high, 17cm wide, gross weight approx. 6.24ozt. £100 - £200 47

47 An early 20th Century silver and enamel capstan inkwell, of circular form, the tapered inkwell with hinged purple and white guilloché enamel lid, hallmarks for Henry Mathews, Birmingham, 1911, diameter 11cm. £60 - £80

46

48 A silver salver, plain polished with stepped wave border on 3 scroll feet, marks for T & Co, Birmingham, 1934, 29.6cm diameter, gross weight 23.29ozt. £175 - £225 49 An Edwardian silver hot water jug

by Goldsmiths & Silversmiths, plain polished cylindrical body on circular foot, flat lid with engraved crest of lion above scrolling banner, wrapped handle, marks for Goldsmiths & Silversmiths, London, 1901, height 20.5cm, gross weight 14.69ozt. £150 - £250

48

50 Three Georgian silver table spoons, including a pair by Thomas Streeten, London, plain polished with engraved initials ‘WRA’ to each, marks for 1802, 22.5cm long, and one other by Peter & William Bateman, London, etched decoration to handle, marks for 1806, 20.5cm long, gross weight 5.58ozt. £70 - £100

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50

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51 A mid 20th century silver tray, of oval shape, with raised and stepped scroll border, twin handles and four hoof feet, hallmarks for Barker Ellis & Co, Birmingham, 1966, dimensions 57 x 34cm, gross weight 87.29ozt. £700 - £1,000 52 Three nurses belt buckles, to include an Edwardian silver belt buckle with pierced swallow design, a base metal and vari-shade enamel belt buckle, and an EPNS pierced scroll work belt buckle, hallmarks for Joseph Gloster, Birmingham, 1902, lengths 8.7 to 10.5cm, gross weight of silver buckle 1.26ozt. £50 - £80

52

53 A Walker & Hall silver and pink enamel topped atomiser, the bulbous cut clear glass bottle with tapered silver and pink guilloche lid, and white metal atomiser stamped ‘PAT 264986,’ lid with hallmarks for Walker & Hall, Sheffield, 1928, height 13.2cm. £75 - £125 54 A late Victorian silver tea caddy, of curved rectangular form, the tapered caddy with gadrooning, hinged lid and tapered finial, raised on four foliate paw feet, hallmarks partially indistinct, William Aitken, Birmingham, 1900, height 13cm, gross weight 6.33ozt. £50 - £70

53

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54

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

55 A Walker & Hall silver butter dish and cover, of octagonal form with applied borders to base, the domed cover with ivory tapered finial, hallmarks for Walker & Hall, Sheffield, 1936, width 13.2cm, gross weight.

8.57ozt. £80 - £120 56 A silver owl pepperette by Israel Freeman & Son, London, silver import marks stamped to base and ‘STERLING GERMANY 925’ 6.5cm high, weight approx. 2.14ozt. £50 - £80

55 56

57 An early 20th Century large silver twin handled tray, of oval shape, with raised reeded border and pierced fretwork gallery sides, with scrolling twin handles, signed Finnigans Ltd to reverse, hallmarks for Docker & Burn Ltd, Birmingham, 1926, dimensions 45.5 x 65.5cm, gross weight 134.71ozt. £1,000 - £1,500 58 An early 20th Century 5-piece silver cruet set, of octagonal form with reeded rims, comprising a mustard pot, open salts, pepperettes and spoons, hallmarks for Edward & Sons, Birmingham, 1926, gross weight 12.74ozt. £125 - £175

58

57 17

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60 59 59 An early 20th century silver bread basket, of circular form, with pierced fretwork decoration, acanthus leaf rim and hinged handle with scrolling decoration raised on a circular spreading foot, hallmarks for William Suckling Ltd., Birmingham, 1924, diameter 22cm, gross weight approx.

11.29ozt. £100 - £200 60 A small silver salver, plain polished hexagonal form with ridged border decoration on 3 scrolling feet, marks for Fordham & Faulkner, Sheffield, 1912, 20.5cm diameter, gross weight 11.98ozt. £100 - £200

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61 A Georgian silver sugar caster, baluster form body on pedestal foot with embossed floral decoration, pull-off lid with embossed and pierced decoration, marks for John Delmester, London, 1763, 21cm high, gross weight 10.49ozt. £250 - £400 62 A 1960s silver topped cut glass caster, the baluster cut glass bottle with plain silver rim and detachable silver domed lid with pierced star detailing and pointed finial, hallmarks for Preece & Williscombe, London, 1964, height 17.5cm, gross weight of lid 0.65ozt. £40 - £60 63 A Victorian 5-piece silver and cut glass cruet set and stand, of circular form, containing five cut glass bottles, three with detachable stoppers and two with silver lids, the circular stand raised on three paw feet and the central carrying handle with beaded edge, hallmarks for Thomas Bradbury & Sons, Sheffield, 1878, dimensions 12.5 x 23cm, weight of stand only 10.5ozt. £70 - £100

63 18

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

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64 A boxed set of six silver apostle spoons, tongs and strainer, shell form bowl with rope twist handles and apostles to hilt, marks for William Devenport, Birmingham, 1899, gross weight of set 1.45ozt. £70 - £100 65 A pair of Edwardian silver desk seals by Sampson Mordan & Co Ltd., each designed as an octagonal seal depicting a monogram and coat of arms respectively, with curved wirework handles, hallmarks for Sampson Mordan & Co Ltd., Chester, 1905, length 5.8cm, gross weight 1.07ozt. £100 - £200

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66 66 A silver chamberstick and candle snuffer marked Goldsmiths & Silversmiths, plain polished tapered body with gadroon border, hinged compartment to front and wirework handle, raised on three triangular feet, hallmarks for London, 1896, stamped Goldsmiths & Silversmiths Co., 112 Regent Street, length 18.5cm, gross weight 8.59ozt. £100 - £200

67 A Georgian silver sugar sifter, baluster form body with engraved floral decoration on pedestal foot, pull-off lid with pierced decoration, urn shapped finial, marks for Samuel Wood, London, 1745, 15.5cm, gross weight 4.72ozt. £200 - £300 68 A Walker & Hall small silver salver, plain polished with scrolling floral border on 3 paw feet, marks for Walker & Hall, Sheffield, 1907, 21.5cm, gross weight 11.58ozt. £150 - £250

68 19

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70 69 An Edwardian silver coin purse, of bulbous rectangular form, the front decorated with repoussé Reynolds cherubs and the reverse bearing a monogram, with hinged opening and suspended from a chain with finger ring, hallmarks for Henry Matthews, Birmingham, 1905, dimensions 13 x 8.5cm, gross weight 3.31ozt. £60 - £80

70 A 1970s Mappin & Webb silver candelabra, the three branch candleabra with a knopped and tapered stem, scrolling branches and a spreading circular foot, hallmarks Mappin & Webb for London, 1974, height 29.7cm. £400 - £600

71 An Edwardian silver inkstand with a pair of inkwells, each with hinged lid, the raised double stamp holder centre with monogrammed initials for 1907, sloping sides, marks for John Collard Vickery, Birmingham, 1907, engraved lid, “AWJ & AMJ from 1907” dimensions 21 x 19.5 x 9cm, gross weight 14.32ozt. £200 - £400

71

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For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

JEWELLERY 72 An Edwardian style 9ct gold pearl sapphire pendant, the modern Edwardian style brooch with seed pearl set scroll work sapphire set to centre drop and bale, 5cm long, gross weight 5.5g. £125 - £175

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73 A diamond tennis bracelet, comprising 36 brilliant cut diamonds, estimated total diamond weight 2.70 to 2.90ct, rub over set one to each octagonal link, with a partially concealed push piece clasp, stamped 750 (18ct white gold), length 19.9cm, gross weight 37.7g. £1,140 - £1,150

74

74 A diamond bracelet, the graduating front section comprising a total of 15 round brilliant cut diamonds with a total diamond weight of approx. 1 carat, square boxed carre settings to curved two bar link bracelet tongue snap-clasp stamped ‘585’, length 18cm, gross weight 8.2g (Note: supplied with extra link). £1,200 - £1,500

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75 A 9ct gold charm bracelet containing twenty four assorted gold charms, hallmarked or assessed as 9ct gold, padlock fastener, gross weight weighing approx 177.2g £1,500 - £2,000 76 An 18ct gold diamond tennis bracelet, a total of thirty one round brilliant cut diamonds, with a total diamond weight of approx. 2.50 - 2.80ct, each rub over flush set to yellow gold heart shaped links, tongue snap clasp, stamped 750, assessed as 18ct gold throughout, 19cm long, gross weight 14.1g. £1,100 - £1,200

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77 A 14ct yellow gold hinged bangle, engine turned, line pattern, tongue box snap clasp with safety clip, 11mm diameter, gross weight 27.3g. £350 - £400

77

78 A diamond tennis bracelet, comprising a total of 132 small round brilliant cut diamonds with a partially concealed push-piece clasp, stamped K18, total diamond weight 1.21cts, stamped to clasp, length 18.7cm, gross weight 7.8g. £260 - £360

78

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For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

79 A Victorian design 18ct gold bangle, set with seed pearl, turquoise sapphire and ruby, circa 1890, the satin finished hinged bangle of belt and buckle form with applied oval and straight bar, grain set with with seed pearls, a small ruby, turquoise and sapphire rubover set to front, snap-clasp with safety chain, the oval bangle 6.5cm x 6cm, maximum of 2cm wide, stamped ‘18K’ to tongue clasp, gross weight 35.8g. £1,000 - £2,000

79

80 A French platinum diamond brooch, of openwork rectangular form, old cut and rose cut diamonds within geometric design, total diamond weight of approx. 1.50ct, the reverse with hinged pin and push barrel brooch fittings, 5cm long, French platinum marks, gross weight 11.2g. £900 - £1,000 80

81

81 A diamond set platinum bar brooch, seven round old cut diamonds, rub over set, surrounded by grain set, single cut diamonds, total diamond weight approx. 5.0ct, hinge pin and barrel brooch fittings, stamped PT950, 8cm long, gross weight 10.2g. £2,500 - £2,600

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83

84

82 An Edwardian 15ct gold and enamelled brooch, the oval openwork brooch comprising an enamelled woodcock, brooch measuring 4.5cm, the reverse with hinged pin and simple loop fittings, stamped 15ct, gross weight 5.0g, complete in box. £200 - £300 83 An Edwardian amethyst oval brooch, the central oval faceted amethyst inset with a diamond star openwork filigree design, yellow gold borders, hinged pin and barrel loop brooch fitting, assessed as a minimum of 15ct gold, complete with modern safety chain. £300 - £500 84 An aquamarine and seed pearl 15ct yellow gold bar brooch, central round mixed cut aquamarine, approx.

0.66ct, four small seed pearls surround, rub over collet settings, looped bar with hinged and simple loop fittings to reverse, gross weight 3.4g. £50 - £100

85 85 A diamond single stone set yellow gold bar brooch/pin, the round old cut diamond weighing approximately 0.25ct, claw set to coronet mount, applied to plain polished yellow gold bar and a hinged pin with safety pin style loop, unmarked assessed as a minimum of 15ct yellow gold, age assessed as circa 1910. £100 - £200

86

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86 An opal and diamond set 15ct gold bar brooch, circa 1900, the elliptical shaped etruscan style brooch with alternating small opals and diamonds, 5cm long, hinged pin and simple loop fitting to reverse, complete with modern safety change, gross weight 4.8g. £100 - £200

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

87

87 A 7-carat diamond Edwardian sun-ray brooch, comprising a total of approx. 105 round old cut and rose cut diamonds, the principle central round old cut diamond weighing approx. 0.90 carat, assessed colour I/J, assessed clarity SI, silver settings, gold reverse, detachable screw fitting, curved brooch pin with pull-out barrel loop, 65mm long, 45mm high. £3,000 - £4,000

89 A Victorian Etruscan style double target brooch, with compartments to reverse, each target with small central half pearl, with central scroll work separator, claw set with three pink tourmaline stones, hinged pin and simple loop fittings to reverse, 5cm long, no marks, assessed as a minimum of 15ct yellow gold, gross weight 14.8g. £250 - £400 90 A Victorian pearl, turquoise and diamond double crescent brooch, one crest comprising half seed pearls, smaller crest comprising turquoise small rose cut diamond to star, hinged pin and simple loop brooch fittings, 25mm, assessed as a minimum of 15ct gold, gross weight 4.0g. £60 - £80

88 A 15ct gold seed pearl set spray brooch, the 2-leaf design full grain set with small half seed pearls, the double acorn stem comprising 2 small pearls, the largest approximately 4mm x 3mm, curved steel pin and simple loop brooch fittings, pendant fitting loop to the end of one of the leaves, 4cm long, gross weight 4.5g. £70 - £100

89 88

90

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91 A pair of emerald and diamond oval cluster, white gold, screw back earrings, two central oval mixed cut emeralds, one to each earring weighing approximately 1ct each, the diamond cluster surrounds comprising baguette cut diamonds, with total diamond weight approximately 2ct (1ct to each earring) screw back, non pierced ear fittings, gross weight 8.8g. £1,500 - £2,200 91

92 A pair of diamond three row 18ct white gold earrings, the curved rectanguler earrings each with three channel set rows of small princess cut and round brilliant diamonds, a total diamond weight of approx.

1.50ct, stamped 750 to reverse, post and butterfly pierced ear fittings, 2cm, gross weight 7.6g. £730 - £830 93 A pair of ruby and diamond set 18ct yellow gold half hoop clip earrings, channel set with square cut rubies alternating with square princess cut diamonds, a total diamond weight of approx. 0.75ct, gross weight 11.2g. £500 - £700 94 A pair of hoop earrings, the hinged hoop earrings with engraved spiral detailing, stamped 750, length 5.3cm, gross weight 5.3g. £180 - £280

92

93

95 A pair of 18ct gold turquoise and diamond set round cluster clip-back earrings, the stylised flower heads earrings with large round cabochon cut turquoise to the centre of each, approx. 11mm diameter, French marks to reverse, total diamond weight approx. 0.30ct, length 2cm, gross weight 12.8g. £320 - £420

95 94

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For condition reports please go to www.peterwilson.co.uk

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97

96 A pair of Georg Jensen 1997 Annual silver clip-on earrings, silver oval cabachons with leaf design borders, measuring approx. 18mm x 13mm, Georg Jensen oval mark, ‘1997’ and ‘925 S DENMARK’ stamped to reverse, clip on fastenings, gross weight of pair 11.6g. £50 - £80 97 A Georg Jensen silver peaks necklace, oval Georg Jensen mark, pre-1975 Birmingham silver hallmark, with maker’s box, gross weight 57.8g. £150 - £250

96

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98

98 A cultured pearl necklace, the single strand comprising 110 Japanese Akoya cultured pearls, 6-6.5mm diameters, with a textured spherical magnetic silver clasp stamped 925, length 83cm. £380 - £480

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99

99 A cultured pearl necklace, the single strand of 97 cultured pearls approx. 7-8mm diameter, light cream coloured, strong and knotted, with a cultured pearl floral cluster push-piece clasp, stamped 750, length 79cm. £370 - £470

For condition reports please go to www.peterwilson.co.uk

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100

100 A 2.47ct diamond 18ct white gold solitaire ring, the round brilliant cut diamond accompanied by an IGI diamond report stating ‘carat weight 2.47 carats, colour I, clarity VS2’, 6-claw set to plain polished 18ct white gold shank, shoulders channel set with 14 small diamonds, gross weight 5.1g, ring size L 1/2. £10,700 - £10,900

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101 A 9ct rose gold belcher link long chain, with a toggle loop to carnelian and bloodstone set swivel fob pendant, the chain only approximately 44g. £400 - £600

101

102 A sapphire and diamond set 18ct white gold lasso drop necklace, two mixed cut oval blue sapphires weighing a total of 2.00 carats, each 4-claw set to 18ct white gold necklace set with total of 113 small brilliant cut diamonds (approx. 4.00 carats total), tongue and box snap clasp safety fastening, gross weight 18g. £1,900 - £2,000

102

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For condition reports please go to www.peterwilson.co.uk

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103

103 A diamond tassel drop 18ct white gold necklace, the single row diamond front with 5 tassel drops to centre, total of 80 round brilliant cut diamonds, total diamond weight approx. 8 carats, the central principle diamond weighing approx. 0.90 carat, assessed colour H/I, assessed clarity SI2/I1, claw settings, continuing to solid bar link chain, tongue snap clasp with safety clip, hallmarked 18ct gold, 43cm long, gross weight 32.0g. £3,000 - £4,000

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104

104 An Art Deco diamond bracelet, the geometric design full set with round old cut and round brilliant cut diamonds throughout, the total diamond weight of approx. 25ct, the central and clasp round halo cluster designs comprising a central diamond of approx. 0.60ct and 0.55ct, the geometric pattern design rub over collet and carre settings, tongue snap clasp with safety clip to one side and safety chain to the other, flexible panel links, 19cm long and 2cm wide, unmarked, assessed as 18ct white gold throughout, age assessed circa 1920/1930s. £20,000 - £25,000

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For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

105 A cultured pearl necklace, the single strand comprising 93 baroque cultured pearls, approx. 7-7.5mm diameters, with a cultured pearl textured push-piece clasp, stamped SILVER, length 83cm. £120 - £220

106 A three row 9ct gold necklace, comprising three curb link rows with yellow gold solid bar spacers between, lobster claw fastener, gross weight 21.6g. £180 - £220

105

106

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107 A diamond solitaire ring, the round old cut diamond weighing approximately 1ct, assessed colour G/H, assessed clarity SI1, platinum setting to 18ct yellow gold shank, ring size O, gross weight 2.2g. £2,000 - £3,000

107

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108 108 A Georg Jensen diamond solitaire 14ct gold wishbone ring, the stylized wishbone front, rub over collet set with a round brilliant cut diamond weighing approximately 0.10ct, 14ct yellow gold, London hallmarks for 1981, makers stamp G.J Ltd, also stamped Denmark, Pattern No. stamped 632, ring size L, gross weight 2.7g complete in Georg Jensen original box. £200 - £300

110 110 A sapphire and diamond 18ct white gold ring, the oval mixed cut blue sapphire measuring approx. 8mm x 6mm, carat weight approx. 2 carats, 5 round brilliant cut diamonds channel set to each shoulder, plain polished white gold shank, ring size L 1/2, gross weight approx. 7.2g. £790 - £890

109 109 A diamond solitaire platinum ring, a round brilliant cut diamond weighing approximately 0.60ct assessed colour G/H assessed clarity SI1 claw setting, platinum shank, ring size O, gross weight 4.1g £700 - £900

111 111 A diamond fancy cluster 18ct gold ring, the oval multitiered cluster, claw set with small round brilliant cut diamonds, with a total diamond weight of approx. 2.00ct, white settings and open-work mount, yellow gold shank, ring size P, gross weight 9g. £600 - £700

For condition reports please go to www.peterwilson.co.uk

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112 An emerald and diamond ring, the central oval mixed cut emerald weighing approx 2ct, the oval cluster surround comprising baguette cut diamonds, weighing a total of approximately 0.75ct, claw settings to 18ct white gold shank, ring size N1/2, gross weight 6.7g. £1,800 - £2,200

112

113 113 A Georg Jensen silver ring 93 pattern, designed by Magnus Steffensen for Georg Jensen, the crossover ring with knife-edge bands and tapered shoulders, maker’s marks for Georg Jensen, import marks for London, 1969, stamped 93, ring size P, gross weight 17.4g. £150 - £200

114 114 A diamond solitaire platinum ring, the round old cut diamond weighing approximately 2 carats, assessed colour H/I assessed clarity VS claw setting to coronet mount, platinum shank, ring size J, gross weight 4.3g. £5,000 - £7,000

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115 115 A full sovereign signet ring in 9ct gold mount and shank, the full sovereign dated 1910, faceted bezel surround to round head, pierced St George and the Dragon shoulders, scroll engraved above and below, ring size S 1/2 gross weight, 14.6g. £250 - £350

116 116 An emerald and diamond 3-tier oval cluster platinum ring, the central emerald cut emerald accompanied by an IGI coloured stone report stating ‘Opinion of Origin: Columbia, Weight: 1.73 carats, Colour: Deep Bluish-Green, with no indications of treatment’, 2-tier oval cluster surrounds comprising a total of 28 round brilliant cut diamonds, weighing a total of approx. 1.40 carats, white claw settings, pointed knife edge shoulders, platinum throughout, ring size R 1/2, gross weight 6.3g. £3,900 - £4,000

117 117 A diamond full eternity 18ct yellow gold ring, the uniform 18ct yellow gold band, channel set with round brilliant-cut diamonds, stamped K18, total diamond weight stamped to inside shank 0.60ct, ring size N, gross weight 4.5g. £150 - £250

118 118 A smoky quartz diamond and topaz dress ring, the circular shape smoky quartz within a brilliant cut diamond surround gallery sides and shoulders set with small topaz, stamped 750, estimated total diamond weight 0.25ct, ring size N1/2, gross weight 8.7g. £400 - £500

119 119 A 14ct gold diamond band ring, six round brilliant cut diamonds with a total diamond weight of approx.

0.60 carat, claw set to plain polished 14ct white gold shank, ring size M, gross weight 2.8g. £250 - £300

For condition reports please go to www.peterwilson.co.uk

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121 121 A full sovereign yellow gold signet ring, the full sovereign dated 1912, claw set to petal form wire-work 9ct gold mount and 9ct gold shank, note the full sovereign 22ct gold as standard, ring size N, gross weight 17.3g. £275 - £325

120 120 A diamond staggered cluster 18ct white gold ring, the staggered claw set cluster comprising round brilliant and baguette cut diamonds, ring size K, 18ct white gold shank, total diamond weight approx 1.5ct. £700 - £1,000

122 122 A 1960s diamond rectangular cluster and blue enamel belt design 18ct gold ring, the centre rectangular cluster comprising six round brilliant cut diamonds, total diamond weight approximately 0.25ct, intersecting buckle design front, blue enamelled belt design shank, London hallmarks for 1969, stamped K Ltd ring size Q 1/2, gross weight 8.6g £250 - £400

123

123 A diamond solitaire ring, the cushion shaped old cut diamond, weighing approx. 1.03ct, assessed as tinted yellow colour, VS2-SI1 clarity, within a four claw setting with crossover shoulders, stamped 750, ring size Q, gross weight 3.2g. £1,600 - £1,700

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124

125

124 An emerald and diamond fancy oval cluster white gold ring, the central oval mixed cut emerald measuring approximately 16.2mm x 13.4mm approximate emerald weight 5.75ct. the oval cluster surround comprising 36 round brilliant cut diamonds, ring size M, total diamond weight approximately 1.50ct, gross weight 8.8g. £1,500 - £2,500

125 A yellow and white diamond 2-tier cluster ring, with diamond set shoulders, the central light yellow diamond weighing approx. 1.23 carats, 4-claw set to tiered diamond cluster surround and diamond set shoulders (total weight 0.70 carats), plain polished 18ct yellow gold shank, ring size L 1/2, gross weight 6.7g. £3,200 - £3,300 126 A diamond three stone ring, the front rub over vertical set with three small princess cut diamonds, stamped 750, ring size M, gross weight 7g. £200 - £300 127 A Staffordshire Knot rope work design 15ct gold brooch, with a pair of matching stud earrings, gross weight 6.8g. £100 - £200

126

127

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For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

WATCHES PLEASE NOTE: All clocks and watches are sold without warranty. Comments regarding the going condition of clocks and watches relate to their state at the time of cataloguing and those comments may no longer be correct at the time of sale or delivery. Buyers should assume that all lots will require servicing to be useable and reliable. Clocks and watches are not tested for accuracy, duration or water tightness’

128 An 18ct white gold and diamond lady’s cocktail watch, on 9ct white gold strap, dial marked Vertex Revue, diamond set bezel surround and lugs, total diamond weight approx 1ct, flexible Milanese style bracelet to ladder snap clasp. £600 - £800

128

129 129 A lady’s 9ct three-colour gold Bueche Girod bracelet watch, square champagne dial, three colour flexible integral brick link, 9ct gold bracelet, fold-over snap clasp, gross weight 72.1g. £400 - £600

130 130 A lady’s vintage Rolco 9ct gold watch on a 9ct gold expanding bracelet, the Art Deco design rectangular dial with black Arabic numerals to 9ct yellow gold rectangular case, the case marked RWC Ltd, Glasow import marks for 1934, case size 28 x 18mm, expanding bracelet marked 9ct. £200 - £300

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131

133

131 A lady's Rolex stainless steel Oyster Perpetual bracelet watch, model number 176200, round bronze dial, Arabic quarters, applied batons steel bezel surround to steel head, case size 28mm, mechanical automatic self winding Swiss jewelled lever movement to a Oyster steel bracelet with fold-over snap clasp, serial number Z553918 (circa 2006/2007), complete with original paperwork and box. £800 - £1,200

133 A gent’s Vacheron and Constantin 18ct gold rectangular slimline watch, rectangular white dial, Roman numerals to yellow gold bezel surround and head, 35mm x 28mm case size, quartz swiss made movement, 18ct gold convention marks to watch back, serial no. 544386, complete on later black leather strap. £700 - £1,000

132 132 A gent’s two-colour Longines La Grande Classique watch, champagne coloured radiating dial, applied batons, date window to 3 ‘o’ clock, mechanical automatic movement, 35mm case size, serial no. 28330653. £150 - £250

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134 134 A gent’s Omega DeVille gold wristwatch, round satin steel dial, yellow gold bezel surround and head, case size 34mm, quartz battery movement, complete on black leather strap with gold plated omega buckle. £400 - £600

For condition reports please go to www.peterwilson.co.uk

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135

137

135 A gent’s vintage Breitling Chronomat Model No. B13047 steel chronograph bracelet watch, round blue metallic dial, subsidiary dials to 6 o’clock, 9 o’clock and 12 o’clock, date window to 3 o’clock, rotatable bezel surround with yellow gold quarters, steel head, 40mm case size, Serial No. 105098, chronograph function buttons above and below crown, mechanical automatic self winding Swiss jewelled lever movement to tubular steel bracelet, with sealed fold-over snap clasp, complete in original box £700 - £1,000 136 A gent’s Breitling Super Avenger steel chronograph bracelet watch, model number A13370, round blue dial, subsidiary dials to 6, 9 and 12 o’clock, date window to 3 o’clock, steel bezel surround to steel head, case size 48.4mm, mechanical automatic Swiss jewelled, chronograph movement to Breitling, three row steel bracelet with fold-over safety clasp, serial number 2626178, in original box. £1,400 - £1,800 137 A gent’s Cartier Santos steel and yellow gold bracelet watch, square white dial, roman numerals, date window to 3 ‘o’ clock, gold bezel surround to brushed steel head, 30mm case size, mechanical automatic self-winding swiss jewelled lever movement, steel bracelet with yellow gold screw-head patterning, fold-over snap clasp, serial no.

296178951, circa 1990s. £800 - £1,200

136

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138

140

138 A gent’s vintage Longines yellow gold wristwatch on a later leather strap, round white dial, Arabic quarters, yellow gold bezel surround and head, case size 35mm, bubble back, mechanical winding Swiss jewelled lever movement. £150 - £250

140 A gent’s Omega Speedmaster chronograph steel bracelet watch, round black dial, subsidiary dials to 3, 6 and 9 o’clock, tachy metre black ceramic bezel surround to steel head, case size 40mm, Speedmaster logo to centre back, serial number 53410262, two steel three row Speedmaster bracelet, complete in original box with international warranty for 1992. £1,500 - £2,000

139

141

139 A gent’s vintage Omega 2-colour bracelet watch, round white dial, subsidiary seconds dial, case size 36mm, mechanical winding Swiss jewelled lever movement, 2-colour Omega bracelet. £100 - £200

141 A gent’s vintage Omega Constellation two colour wristwatch, on gold plated steel Omega bracelet, round domed steel dial, applied batons, date window to 3 o’clock, gold plated bezel surround, case size 35mm, mechanical automatic self-winding Swiss jewelled lever movement, the steel back with central gold plated Constellation logo, chain link gold plated Omega bracelet with fold-over snap clasp. £300 - £500

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

142 142 A gent's Rolex Oyster Perpetual date GMT-Master-11 steel bracelet watch, round black dial applied illuminus in-filled batons and hands, black and blue (Coca Cola) rotatable bezel surround to steel head, case size 42mm, to steel Oyster bracelet with fold over clasp, mechanical automatic self winding, Swiss jewelled lever movement, serial number 476W9643 (to inside rim around dial), post 2011, with box. £4,000 - £6,000

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143 143 A 9ct gold open faced pocket watch, the dial marked H. Pidduck and Sons Ltd. Hanley, white enamelled dial black Roman numeral subsidiary seconds dial, blued steel, spade pattern hour and minute hands, crown winding, Swiss 15 jewel steel lever movement, marked Selezi, 9ct gold Dennison case, hallmarked 1923, case size 49mm, gross weight including movement 80g. £250 - £400

145 145 A 9ct gold Thomas Russell & Son, Liverpool, full Hunter pocket watch, round white enamel dial, black Arabic numerals, subsidiary seconds dial marked Premier, case size 50mm, gross weight 79.7g, crown winding, Swiss made, jewel movement marked Thomas Russell & Son, Liverpool, Premier, movement number 68664, monogrammed initials engraved to front. £400 - £600

144 144 A 9ct gold open faced pocket watch, dial marked Everite, H. Samuel, Manchester, non magnetic, black Roman numerals and subsidiary seconds dial to six o’clock, plain polished 9ct yellow gold case, case size 5cm, hallmarks for 1935, brass 3/4 plate, Swiss 15 jewel lever movement. £250 - £400

146 146 A lady's 18ct gold small pocket watch, round white dial with a subsidiary seconds dial, Roman numerals, all over decorated, 18ct gold with floral and scroll design case, crown winding and Swiss jewelled lever movement case size 36mm, gross weight 30.1g. £200 - £300

For condition reports please go to www.peterwilson.co.uk

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147 147 An 18ct gold small open faced pocket watch, floral dial decoration, chapter ring, Roman numerals, the case all over decorated with floral leaf and scroll decoration, key wind, Swiss lever movement, marked 18k with Swiss marks, case size 44mm, gross weight 57g. £200 - £400

148 148 An 18ct yellow gold small pocket watch, floral engraved dial, black Roman numerals, the case with all over floral leaf and scroll decoration, case size 43mm diameter, key wind lever movement, gross weight 57.1g. £250 - £400

149 149 A 9ct gold Hamilton USA open faced pocket watch, round white dial, black Roman numerals, subsidiary seconds dial, yellow gold Vertex case, crown winding, Hamilton USA 17 jewel steel movement numbered 5417494, case size 50mm, gross weight 77.3g. £250 - £350

150 150 A 9ct yellow gold open face pocket watch, Round white enamel dial, black Roman numerals, subsidiary seconds dial to 6 ‘0’ clock, plain polished 9ct yellow gold case, marks for Dennison Watch Co, Birmingham, 1928, 50mm case diameter, Crown winding, Swiss 15 jewelled movement stamped Hefik Watch Co, presentation inscription to inside cover, for 1947, gross weight 81.2g. £150 - £200

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DAY TWO COLLECTORS ITEMS

151 151 Late 18th century sycamore dairy bowl of turned shallow form, rim with decorative tramlines, two repaired splits, diameter 68cm (27”). £200 - £300

153 153 Early 20th century gramophone, Karna Grand sound box, goose-neck tone-arm, ten inch baize covered turntable complete with burner, stained oak plinth, replacement pressed and painted horn 19” diameter. £100 - £150

152 152 A collection of early 20th century gramophone needle boxes along with three record cleaning pads, Bakelite needle sharpening device, group of transfers for Edison Gem and Columbia Gramophones, four gramophone winding handles and two HMV instantaneous speed testers, also a group of various records including artists such as Louis Armstrong Alligator Blues, Pee Wee Hunt and his Orchestra - Twelth Street Rag, Gracie Fields - Red Sails in the Sunset, Fats Waller Vipers Drag and The Inkspots - Whispering Grass and many others, approximately 40 records in all. £80 - £120 46

For condition reports please go to www.peterwilson.co.uk

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154 A Gramophone and Typewriter Ltd Melba gramophone with G & T Exhibition sound box, brass tonearm, twelve inch rigid turntable, ebonised case with embossed brass lunettes of Art Nouveau design, tapering brass columns, later brass horn, all standing on matching Art Nouveau design, cabinet with black ebony finish and gilt floral decorated panels, overall height including 24” horn, 175cm (69”). £2,000 - £2,500 155 Philips slate surface globe, 17” sphere supported on chrome frame, turned beech base. £100 - £200 156 No lot 157 Black glass panel engraved “Dispensing Department”, width 91cm (36”), height 13cm (5”). £180 - £220 158 A cast iron book press finished in black, with brass handle ends, base plate 25.5 x 31cm, 10 x 12in, together with a cast iron footman. £50 - £70

154

155

157

158

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METALWARE

159 A pair of petal base brass candlesticks, two part cast column with double knop, height 20cm (8”). £50 - £80 160 Late 19th century Arts and Crafts copper and wrought metal coal bin, the two scrolling uprights with sunflower terminals supporting circular bin with cover, handle in the form of animal claw and ebonised wooden grab bar, height 69cm (27”), diameter of bin 38cm (15”). £300 - £400 161 Edwardian ten-division walking cane stand, brass lacquered frame, cast iron base with toleware drip tray, width 43cm (17”), depth 23cm (9”), height 70cm (28”). £200 - £300

159

160

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161

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

CAMERAS

162 167 170 162 Voigtlander Color-Heliar 75mm F.2.5 MC lens, serial number 9010802, with instruction manual. £100 - £150

166 166 Voigtlander Bessa-L camera, serial number 00019869, with Color-Skopar 21mm F.4.MC lens, Pyccap MP-2 5.6/20 lens, 25mm viewfinder, and various accessories. £150 - £200 167 Voigtlander Snapshot-skopar 25mm F4MC lens, serial number 9110457, with instructions. £100 - £150

163 163 Voigtlander Bessa R2C camera, serial number 0101579, with 35mm F.2.5 SC Skopar lens, box and instructions. £200 - £300 168 168 Voigtlander Bessa R2A camera, serial 0002857, with 35mm F.2.5.MC Color-Skopar lens together with box and instructions. £200 - £300

164 164 Leica O series camera, serial number 2677325, with Anastigmat 1:3.5 F=50mm lens, also a 13.5cm view finder, with box and leather case. £200 - £300

165 165 Voigtlander Bessa-L camera, serial number 00050735, with Color-Skopar 28mm F.3.5 lens and instructions. £100 - £200

169 169 Voigtlander Bessa R camera, with Super Wide Heliar Aspherical 15mm F.4.5mm lens and instruction manual. £150 - £200 170 Voigtlander Ultron Aspherical 35mm F1.7 lens, serial number 9961318. £100 - £150

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TOYS

171 171 Victorian wax doll, with blue eyes dressed in knitted clothes 50cm high £100 - £200 172 Jumeau doll, with closed mouth and open eyes, the reverse of head marked with transfer B.G.D.G, and painted Vv, 57cm high £1,000 - £1,500

173

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172 173 Jumeau doll, with open mouth and sleep eyes, the reverse of the head marked DEP and 11 at the base of the neck, 59cm high £800 - £1,200

174 174 Carl Berger three faced doll, with stand and glass dome, doll stands 32cm high, dome and base 45cm high £200 - £300 175 Jumeau doll, with open mouth and sleep eyes, marked with an impressed 70 to reverse of head, 70cm high become deatched from the clothing. £800 - £1,200

175

For condition reports please go to www.peterwilson.co.uk

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BOOKS & MAPS

176 176 Warrington, W., The History of Wales in Nine Books with an Appendix, 1788, full leather, maps 4to and six other mainly topographical volumes, namely Britton, Beauties of England & Wales volume 15, Worcestershire 1814, wear to top of spine and Fosbrooke, The Wye Tour, 1818, leather spine, marbled boards and Warner, R., A Second Walk Through Ales, 1799, full leather, Piggott, I., History of Chester, 1815, full black leather, Borrow, Wild Wales, half leather and Noble & Rose, The Counties of Chester, Derby, Leicester, Lincoln and Rutland, illustrated half leather, marbled boards engravings (7). £100 - £200

177 177 Allen, J., Historical Account of the Town and Parish of Nantwich, with a relation of the remarkable... published Shrewsbury 1774, half leather, marbled boards, front board detached, 89pp, a very scarce item 8vo (1). £100 - £200

178 178 Webb, N., Heathlands, 1986, New Naturalist, first edition, fine, dust wrapper fine in protective sleeve, 1 volume, Page, C., Ferns their habitats in the British and Irish landscape, 1988, Collins New Naturalist, first edition, fine, with fine wrapper in protective sleeve, not price clipped, 1 volume and Simms, E., British Larks, Pipits and Wagtails, 1992, Collins New Naturalist, first edition fine with fine dust wrapper in protective sleeve, not price clipped, 1 volume (3). £150 - £200

179 179 Roscoe, T., Wanderings in South Wales including River Wye and Wanderings in North Wales, 1836 both volumes by Tilt & Simpkin, some foxing, full leather, engravings, aeg. and Bingley, Rev. W., North Wales including it’s Scenery, Antiquities & Customs, 1804 (2 volumes), full leather map (4). £180 - £250

180 180 Bewick, T., A History of British Birds, 1832, (2 volumes), half leather marbled boards, hing to volume 1 weak, engravings and Adams, H.G., Humming Birds described and illustrated, 1856, cold plates (3). £100 - £200

181 181 Baker, O., Ludlow Town and Neighbourhood, 1888, maroon pictorial cloth, illustrated and Ogilby’s Road Maps of England & Wales, Osprey re-print, red cloth and Rowe, G., Scenery of North Devon, red cloth and a Series of Views illustrative of the Boscobel Tracts, red cloth, folio and Taylor, J., The Pictorial History of Scotland (2 volumes), binding worn, many engravings, (6). £50 - £80

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182 182 Wyatt, M.D., The Art of Illuminating as Practised in Europe from the Earliest Times, 1860, chromolithographs W.R. Tymms, corners bumped (1). £50 - £80

184 184 Bligh, Captain W., The Log of H.M.S. Providence 1791-1793, Genesis Publications 1976, half leather number 8 of a limited edition of 500 copies, five raised bands, six spine panels, folio (1). £100 - £200

186 186 Morris, F.O., A History of British Birds (8 volumes), red cloth, coloured engravings, 12mo and Swaysland, W., Familiar Wild Birds, 1st series, 1883, cold plates and Houghton, W., Country Walks, cold plates, no title page (10). £100 - £200

183 183 Rhodes, E., Peak Scenery or Excursions in Derbyshire made chiefly for the purpose of picturesque observation, 1818, four parts in two volumes, brown calf spine, engravings, marbled boards 36 x 27cm and three other volumes namely Nightingale, Topographical and Historical Description of Staffordshire, map, paper covered boards and Leyland, J., The Peak of Derbyshire, 1891 and Calvert, F., Picturesque Views... in Staffordshire, 1830, half leather, marbled boards (5). £100 - £200

185 185 Pelham, C., The Chronicles of Crime (2 volumes), 1841, half leather, marbled boards and Robinson Crusoe (2 volumes), 1790, full brown calf (4). £100 - £200

187 187 Manuscript Recipe Book inscribed M. Duckering’s Recipe Book, 1796, approximately 120 pages, sauces, stews, pies, tarts, picks and wines, binding poor and Manuscript Diary of Frederick D. Cook of Derby, commenced 1862 to 1872, notes of daily activities and interesting events, typescript of diary included. £60 - £80

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

188 188 Plot, R., The Natural History of Staffordshire, 1686, full leather, six spine panels, red title label, engraved plates, 33 x 21cm (12 x 8”) (1). £200 - £400

189 189 Stanley, H.M., In Darkest Africa, 1890 (2 volumes), red cloth, aeg. and Darwin, C., Journal of Researches, 1860, binding broken at front hinge and Captain Cook’s Voyages Round the World, Manchester 1799, full brown calf, six decorated spine panels and Travels Through the Interior Parts of America by an Officer volume 1 only, 1789, front board detached and Lives and Voyages of Drake, Cavendish and Dampier, 1832, half leather, marbled boards (5). £60 - £90

190 190 Warrilow, E., The Sociological History of the City of Stoke-on-Trent, 1977, Ironmarket Press, full leather, slip case, 4to (1). £70 - £100

191 191 Swift. J., Travel into Several Remote Nations... by Lemuel Gulliver, 1886, 180 coloured illustrations, full leather, gilt line pattern to covers, six spine panels, aeg. and nine other volumes including The Lover, 1714, Maxwell, The New Lights of London and Leech, J., The Comic History of England (10). £80 - £150

192 192 Johnson, S., A Diary of a Journey into North Wales in the Year 1774, Robert Jennings, 1816, edited R. Duppa, spine laid down on original leather boards, marbled end papeus (1). £70 - £100

193 193 Troughton, T., Barbarian Cruelty or an Accurate and Impartial Narrative of the Sufferings..., R. Walker 1751, second edition, brown calf, four raised bands, five spine panels, 216 pages plus a supplement of 56pp (1). £100 - £200

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194 194 “Breeches” Bible, Robert Barker, London 1606, see Genesis 3 verse 7, Psalms translated into English “Meeter” by Thomas Sternhold, John Hopkins and others, title page missing, corners worn and bumped, full leather, metal studs to covers, 17 x 22cm (43 x 55”) (1). £300 - £500

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197 197 Walton & Cotton, The Complete Angler on Contemplative Man’s Recreation, 1808, half leather, five spine panels, many engravings and another volume of the same work dated 1876, and White, G., The Natural History of Selbourne (2 volumes), 1825, half leather, marbled boards, six decorated spine panels, marbled end papeus (4). £70 - £100

195 195 Keate, G., An Account of the Pelew Islands situated in the Western Part of the Pacific Ocean composed from the journals and communications of Captain Henry Wilson, second edition, 1788, tree calf, six raised spine bands, 4to (1). £300 - £500

198 198 Walter, R., A Voyage Round the World in the Years MDCCXL, I, II, III, IV by George Anson, John & Paul Knapton, 1748, folding plates, modern binding of half leather and marbled boards (1). £300 - £500

196 196 Bligh, Captain W., The Log of H.M.S. Bounty 1787-1789, Genesis Publication 1975, half leather, number 8 of a limited edition of 500 copies, five raised bands, six spine panels, folio (1). £100 - £200

199 199 Thorburn, A., A Naturalist’s Sketch Book, Longmans, Green & Co., 1919, half red leather, six spine panels, red cloth, teg.

(1). £40 - £70

For condition reports please go to www.peterwilson.co.uk

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200 200 Brown & Amadon, Eagles, Hawks and Falcons of the World (2 volumes), Country Life, 1968, slipcase and Audubon, J.J., The Birds of America, MacMillan, 1937 intro VOGT and Descourtilz, J.T., Pageantry of Tropical Birds, Zwemmer 1960, wrapper torn, folio (4). £70 - £100

203 203 J.M. Barrie, Peter Pan in Kensington Gardens, illustrated

by Arthur Rackham, 1906, Hodder & Stoughton, London and Han’s Andersen’s Fairy Tales, illustrated by Rie Cramer and L.A. Govey, Humphrey Milford, Oxford University Press, London, two volumes (2). £200 - £300

PENS

201 201 Large selection of Northern Art related gallery brochures and books, to include three volumes of ‘Oil Paintings in Public Ownership in Greater Manchester’ and covering artists such as Helen Bradley, Geoffrey Key, L.S. Lowry, Trevor Grimshaw, William Turner, David Carr and many others. £50 - £100

202 202 Large collection of leather bound antiquarian books relating to the French language and arts. £100 - £200

204 204 Dunhill AD2000, ballpoint pen, with black glitter polished body with chrome plated clip, 14cm long, with a spare blue medium ballpoint refill, in a Dunhill presentation case, with service guide and outer box, together with a Parker 61 fountain pen, in its original presentation case (2). £100 - £150

205 205 Two boxed Montblanc Meisterstück Doué Classique Rollerball pens, no. HZ1428528 and GZ1156811, with platinum-coated clips and caps and black precious resin barrels with platinum-coated details, in Montblanc presentation boxes (2). £150 - £200

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207 206

GLASS 206 Wine glass circa 1770, with opaque twist stem, 16cm high £80 - £120 207 Two sets of Cumbria crystal meadow glass engraved with bird studies by R. Ellison, the eight wine glasses have air twist stems, the other set includes eight sherry glases and seven wine glasses, the tallest glass stands 17.5cm high £150 - £250

208 1970s Whitefriars suncatcher glass plaque, designed by Geoffrey Baxter, 19.5cm diameter £100 - £150 209 Baccarat Edith glass vase, of octagonal form, etched mark to base, 18cm high £70 - £100

211 211 Monart glass bowl, decorated with pale green blue swirls and a pink border, 29cm diameter £100 - £150 212 Waterford Jasper Conran Aura pattern glass, to include six champagne flutes, six goblets, six long drinks glasses, all boxed £180 - £220

208

209 56

210 210 Daum Pate de verre wine glass, etched mark and label to base, 16cm high £80 - £120

212 For condition reports please go to www.peterwilson.co.uk

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213

CERAMICS 213 Collection of pottery antiquities, to include a Two frankincense burners, on labelled as a Mabkhar made to an ancient design in Hadramut, the other labelled Salala, a Roman oil lamp, Roman terracotta pilgrim flask (lacking one handle) a perfume flask probably Greek Hellenistic period, two terracotta figures probably Roman, a terracotta figure of seated goddess Hera, labelled as Paetum circa 400 B.C., carved solid stone vessel labelled as Pre-Islamic (Sanat Ajmi) excavated in Saiq, terracotta sprig moulded flask labelled as 2nd century Roman, and a Papyrus fragment St Thomas Gospel Coptic Greek. £200 - £300 214 Delft crested armorial plate, the central shield depicting a bear below coronet, late 18th / 19th century, also a 20th century Kraak style porcelain dish, (2) 22cm diameter £50 - £100

214

215 Two Delft vases and two wet drug jars, painted in underglaze blue, 17th and 18th centuries, the largest measures 22cm high £100 - £150

216 216 Creamware jug circa 1800, printed with patterns Keep Within the Compass and Britians Glory, The Spinning Machine, 27cm high £70 - £100

217 217 Liverpool William Reid mug circa 1760, painted with a Chinese figure beside a table, 11cm high Ex. Watney Collection Lot 1068 Phillips 1st November sale 2000. £500 - £600

218 218 Davenport bough pot circa 1830, with ring handles, painted with a band of flora, 12cm high £70 - £100

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220 Large Derby twin handled campana vase circa 1820, painted with figures and a dog beside a river titled to base, ‘In Italy’ 33cm high £250 - £350

219 219 Minton twin handled lidded vase signed M. Macauley, painted with a continuous landscape scene between pierced rim and foot and turquiose banding, late 19th century, 23.5cm high £300 - £400

221 221 Minton Christopher Dresser design cup and saucer, decorated with raised enamel flowers on a turquoise ground inside key work border, late 19th century, the saucer measures 14cm diameter £300 - £400 222 Minton Majolica table centre piece, modelled with two cherubs and two doves below the quatrefoil shaped dish, impressed date code for 1862, 27cm wide £100 - £200 223 Minton Majolica table centre piece, the basket weave top supported by a single cherub, date code for 1866, 22cm diameter £80 - £120

224 224 Staffordshire bust of Reverend Wesley, modelled after Enoch Wood, on marble effect pedestal with inscribed plaque to reverse, mid 19th century, 28cm high £80 - £120

225 225 Vienna ink stand, painted with a titled scene of Venus within multi coloured raised paste ground, beehive mark to base, mid 19th century £80 - £120

220

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223 For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

226 226 Limoges dinner service gilded by Josephine. Angelic Veith, to include three graduated oval plates, sauceboat, oval tureen, lidded tureen, soup bowls and stands, breakfast bowls, dessert bowls, three graduated sizes of plates, teacups and saucers, signatures to bases and dates from 1924 - 1926 to bases, (129 pieces) £100 - £200

227 227 Two Iranian pottery vases, one painted with script, the other with birds, the largest stands 19cm high £80 - £120

228 228 Two Iranian Qajar pottery bowls, one probably Kashan painted with figures under a deep turquoise glaze, the other probably Safavid painted with birds and flowers, (2) the largest measures 27.5cm diameter. £80 - £120

229 229 Hispano Moresque charger, central boss surrounded by an eight panel formal red lustre design, second half of the 19th century, 38cm diameter £50 - £100

230 230 Iranian pottery blue and white plate, painted with three figures, script marks to reverse, 23cm diameter £50 - £100

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232

231 231 Large pair of continental figures, modelled as a lady with guitar and gentleman with tambourine, late 19th century, 79cm high £100 - £150 232 Faience vase and a charger, the vase painted with a mask and floral bosses, 19th century, the charger measures 34cm diameter £50 - £100 233 Pair of Faïence vases, painted with hunting scenes, mid 19th century, 41cm high £70 - £100

234 60

233 234 Poole Carter Stabler Adams vase, painted with an elaborate Art Deco pattern, impressed mark to base, 24.5cm high £80 - £120 235 Clarice Cliff Delecia vase, 20cm high £80 - £120 236 Royal Doulton Belle, HN.754, 16cm high £120 - £180

235

236 For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

239 239 Moorcroft dish and two handled square shape stand, decorated with pomegranate pattern, the twin handled dish measures 27cm wide £150 - £250

237 237 Pair of Doulton Lambeth vases by William Parker, decorated with moulded and incised flowers, 25cm high £80 - £120

238 238 Large Moorcroft shop display vase, made for a London based retailer, 37cm high This vase is thought to be one eight made and only two in circulation, the rest being at the Moorcroft factory. £120 - £180

240 240 Royal Doulton vase, tube lined in a Moorcroft style with birds in branches, HS monogram to base, 37.5cm high £100 - £200

241

241 Royal Doulton Henry VIII and six wives, to include Anne Boleyn HN3232, Catherine of Aragon HN3233, Jane Seymour HN3349, Anne of Cleves HN3356, Catherine Howard HN3449, Catherine Parr HN3450, and Henry HN3458, all limited editions of 9,500, five with boxes. (7) . £350 - £450 61

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243

247 247 Ruskin high fired bowl, decorated with mottled red patches, impressed 1924 to base, 22.5cm diameter £150 - £250

242 242 Ruskin high fired vase, decorated with a red to white mottled spotted glaze, impressed 1933, 15cm high £300 - £500 243 Four pieces of Ruskin lustre, to include a purple squat vase, a blue and yellow mottled vase, a brown mottled egg cup and a pink mottled plate, (4) The largest vase measures 9.5cm high £150 - £250

245 245 Ruskin vase, decorated with a purple lustre glaze, impressed 1911 to base, 22.5cm high £80 - £120

246 246 Ruskin lustre bowl, decorated with a mottled blue glaze, 22.5cm diameter £80 - £120

248 248 Ruskin vase, decorated with a mottled blue glaze, early scissor mark to base, 20cm high £80 - £120 249 Four pieces of yellow glazed Ruskin, to include two vases, a bowl and a candlestick, (4) the tallest item measures 20cm high £150 - £250

244 244 Ruskin vase, decorated with a purple lustre glaze, impressed 1910 to base, 24cm high £80 - £120

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250 250 ARR John Maltby (1936-) bird box, impressed monogram to reverse 16.5cm high £200 - £300

252 252 Grainger’s Worcester twin handled vase, decorated with raised paste gilded flowers on a duck egg blue ground, 24cm high £150 - £200

251 Pair of Wedgwood Fairyland lustre lidded vases, decorated with Candlemas pattern, 22cm high £800 - £1,200

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254 Pair of Royal Worcester vases signed T. Nutt, painted with fallen fruit below pierced rims, raised on four scroll feet, black marks to base, 22cm high £700 - £1,000

253 253 Pair of Royal Worcester figures, modelled as female dancers, shape numbers 1827 and 1828, date codes for 1926/27 and 1928, 21cm high £80 - £120

255 Royal Worcester dessert service, to include size plates signed H. Henry, a tazza signed Parr, and two oval dishes signed Henry, painted with fallen fruit within elaborate etched gilt borders, gold marks to bases, (9) the plate measure 23.5cm diameter £1,200 - £1,800 256 Royal Worcester twin handled lidded vase signed Ricketts, painted with fallen fruit, shape 2303, date code for 1924, 28cm high £100 - £200 256

254

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For condition reports please go to www.peterwilson.co.uk

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255

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ASIAN ART

257 257 Chinese Canton enamel box, painted with a gentleman playing guitar to a lady within a garden, signed to the inside lid, 7.5cm wide £50 - £100

259 259 Chinese archaic style bronze ding censor, with later wood cover and soapstone finial, Ming period, on wood stand, the bronze part measures 23cm high £200 - £300

258 258 Chinese famille rose vase, painted with birds in branches on a crackle glaze, late 19th century, 31.5cm high £80 - £120

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260 260 Chinese faux bronze porcelain ewer, raised on three feet with dragon spout, late 18th / early 19th century, 15.5cm high £50 - £100

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

261 261 Chinese vase, painted in underglaze blue with birds in branches in a Kangxi style, late 19th century, 28cm high £80 - £120

263 263 Chinese hardwood figure group, carved with two figures riding an elephant, previously a lamp base, late 19th century, 51.5cm high £80 - £120

262 262 Two pairs of Japanese Shibayana bezique counters, lacquered wood and rosewood construction with ivory counters decorated in pearl and gilt, Meiji period 1868 1912. 9cm high £150 - £250

264 264 Chinese Bronze censor, applied with masks and raised on four mask feet, inlaid with silver wire dragons, Shi sou mark to base, 17th Century, 20cm wide £100 - £200

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269 Chinese bronze archaic style ding censor, with twin handles, 17th /18th century, 18cm high £200 - £300

265 265 Chinese famille rose vase, painted with figures in a garden, on hardwood base with wood cover, late 19th century, the vase alone measures 19cm high £80 - £120

267 267 Chinese bronze vase, with pierced neck and twin handles mounted on hardwood base, Song - Yuan dynasty, the bronze vase alone measures 16cm high £150 - £250

270 270 Chinese soapstone censor, with twin dog handles, mounted with finely carved pierced leafwork hardwood cover and base, 15cm high £50 - £100

268 268 Five Chinese monochrome vases, one with ring handles, decorated with turquoise, celadon, crackle green and sang de boeuf glazes, 18th /19th century, the tallest vase measures 33cm high £100 - £200 266 266 Chinese archaic style bronze vase, with twin ring handles, Yuan dynasty, 29.5cm high £200 - £300

271 271 Ivory Figure, finely carved as an old man stood with stick, a hen and basket at his feet, signature to base, Meiji Period 1868-1912, 24cm high £100 - £200 272 No lot 269

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BRONZES & SCULPTURE

273 Victorian bronze figure of Apollo, standing with cloak draped over one arm with sheaf or arrows, base engraved Musee Du Vatican, rouge marble plinth, height 43cm (17”). £200 - £300

273

274 Late 19th century bronze bust cast in the form of the Hop Queen, height 16cm (6.5”). £100 - £150

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PRINTS & ENGRAVINGS (MODERN/CONTEMPORARY)

277

275 275 Herbert Thomas Dicksee (1862-1942), “Polar Bear”, etching, plate size 21 x 27.5cm, 8.25 x 10.75in. £100 - £200 276 After William Turner F.R.S.A., R.Cam.A. (1920-2013), “Princess Street, Manchester”, signed and numbered 7/200 in crayon in the margin, published by Clark Art Ltd. in 2010, unframed, colour reproduction print, image size 42 x 50.5cm, 16.5 x 20in, together with a signed copy of ‘William Ralph Turner’ by Stuart Archer and Bill Clark which contains another signed print ‘Bridge in Salford’, both numbered 40/100, in its original card sleeve (2). £100 - £200 277 After Helen Bradley (1900-1979), “Ah Dear Emily” and “Oh just look said Mother”, both signed in pencil in the margin, both with Fine Art Trade Guild blindstamp, published by Helen Bradley Prints Ltd, colour reproduction prints, image size 30 x 24.5cm, 11.75 x 9.75in, together with a collection of original black and white and colour photographs and negatives of the artist in her Wilmslow home taken by Roland Hicklin in 1974. £100 - £200

278 278 William Walcot (1874-1943), “The Strand”, signed in pencil in the margin, titled on gallery label verso, etching, plate size 11.5 x 18cm, 4.5 x 7in. £100 - £150

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

279 279 ARR After Laurence Stephen Lowry R.A. (1887-1976), “Ferry Boats”, signed in pencil in the margin, with Fine Art Trade Guild blindstamp, from an edition of 500, published by Venture Prints in 1972, colour reproduction print, image size 30.5 x 40.5cm, 12 x 16in. £2,500 - £3,000

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280 280 ARR After Laurence Stephen Lowry R.A. (1887-1976), “Great Ancoats Street”, signed and numbered 162/850 in pencil in the margin, with blindstamp, black and white reproduction print from an original pencil drawing, image size 26.5 x 36.5cm.; 10.5 x 14.5in. £1,000 - £1,500

281 281 ARR After Laurence Stephen Lowry R.A. (1887-1976), “The Lonely House”, signed in pencil in the margin, with Fine Art Trade Guild blindstamp, from an edition of 500, published by Magnus prints, printed by Hind, Hoyle and Light, colour reproduction print, image size 26.5 x 50cm, 10.5 x 19.75in. £600 - £800

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

282 282 ARR After Laurence Stephen Lowry R.A. (1887-1976), “The Harbour”, signed in pencil in the margin, with Fine Art Trade Guild blindstamp, published in 1972 by Venture Prints Limited of Bristol, colour reproduction print, image size 40.5 x 56cm.; 16 x 22in. £1,000 - £1,500

283 283 ARR After Laurence Stephen Lowry R.A. (1887-1976), “Mill Scene”, signed in pencil in the margin, from an edition of 750, published by a national newspaper ‘The Sunday Observer’, colour reproduction print, image size 30.5 x 40.5cm, 12 x 16in. £1,500 - £2,000

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284 ARR After Laurence Stephen Lowry R.A. (18871976), “Burford Church”, signed and numbered 424/850 in pencil in the margin, published by Grove Galleries Ltd., Manchester, colour reproduction print, image size 60.5 x 45.5cm.; 23.75 x 18in. £800 - £1,000

285 ARR After Laurence Stephen Lowry R.A. (18871976), “The Meeting Point”, signed in pencil in the margin, with Fine Art Trade Guild blindstamp, from an edition of 600, colour reproduction print, image size 47 x 71cm.; 18.5 x 28in. £1,000 - £1,500

284

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

286 ARR After Laurence Stephen Lowry R.A. (1887-1976), “The Contraption”, signed in pencil in the margin, with Fine Art Trade Guild blindstamp, colour reproduction print, image size 32 x 30cm.; 12.5 x 11.75in. £1,500 - £2,000

287 ARR After Laurence Stephen Lowry R.A. (1887-1976), “On The Sands”, signed and numbered 312/500 in pencil in the margin, colour reproduction print, image size 38 x 57cm.; 15 x 22.5in. £1,500 - £2,000

286

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OIL PAINTINGS (MODERN/CONTEMPORARY)

288 288 ARR Andrew Vicari (1932-2016), “Watchers at Aberdulais, South Wales”, signed, titled on gallery label - ‘Bramante Galleries Ltd, London’ verso, unframed, oil on board, 42 x 60cm, 16.5 x 23.75in. £100 - £200

290 290 ARR Gladys Hamilton Cooper (18991975), “At the Gates”/ “Which Way Out”, signed, titled twice and dated 1973 on verso, oil on board, 59 x 74.5cm, 23.25 x 29.25in, set in a handmade frame by Theodore Major, together with a selection of black and white photographs of the artist and her work and including a photograph of the artist with Theodore Major. £300 - £500

289 289 ARR David Carr (1915-1968), “Machine Age”, unsigned, with ‘David Carr, Sotheby’s Sale, 7 Jun. 2007’ stamp on verso, unframed, oil on board, 76 x 59cm, 30 x 23.25in. £300 - £500

291 291 ARR Ben Catt (b.1970), Abstract, signed, titled and dated ‘07 on verso, oil on canvas, 140 x 80cm, 55 x 31.5in. £200 - £400

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292 292 ARR Nikki Morris, 20th century, “Keeps on Burning - (The Burning Bush)”, signed, titled and dated ‘Sep. 2015’ on verso, crackle paste/acrylic, 19.5 x 24.5cm, 7.75 x 9.75in. * Nikki Morris lives in Hoyland, South Yorkshire and is a self taught artist who has painted for most of her life.

She has produced works on a huge variety of subjects from Burlesque and Surrealism to dog portraits and Alice in Wonderland. At college she studied Industrial Design. She has worked throughout the UK as a teacher of both Art and Design. Her first solo exhibition was in 2009 at The Hive Gallery. She has also exhibited locally through the Cooper Gallery in Barnsley. Here she undertook a wide variety of projects and painted numerous types of subject matter. Her work was extensively collected by patrons of the gallery and this lead to her selling many commission pieces to customers all over the world. She has recently developed a burning passion for Northern Soul Music - its dancing, the people, the clothes etc and since June 2015 this has become a priority for her. All of her paintings are original concepts, inspired by the music, the books, the video footage, the venues that she visits, the people she meets and the blogs that she reads. £100 - £150

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

293 293 ARR Mike Knowles, 20th/21st century, “Dancing Tree, Stormy Evening, Gorse Flowering”, titled and dated 2015 on artist’s label verso, oil on board, 15.5 x 21cm, 6 x 8.25in. £200 - £400

295 298 ARR Francis Kelly (1927-2012), “Porta, Venice”, signed, titled on verso, oil on board, 60 x 44.5cm, 23.5 x 17.5in. £200 - £400

294 294 Bates, 20th century, Coastal scene, signed and dated 1975, oil on canvas, 29.5 x 39.5cm, 11.5 x 15.5in. £100 - £200 295 ARR Kenneth Lawson (British, 19202008), “Abstract Landscape”, signed, titled on label verso, acrylic on board, 52.5 x 90cm, 20.75 x 35.5in. £500 - £700

297 297 ARR Ben Catt (b.1970), “Architectural Design”, signed, titled and dated ‘07 on verso, oil on canvas, 91.5 x 66cm, 36 x 26in. £150 - £200

299 299 ARR Constantine Sterio, 20th century, “Deniolen, North Wales”, signed, titled and dated 1994 on verso, oil on board, 15 x 23.5cm, 6 x 9.25in. £100 - £200

300 300 ARR Constantine Sterio, 20th century, “Autumn Landscape”, signed, titled and dated 1995 on verso, oil on board, 29 x 39cm, 11.25 x 15.25in. £150 - £200

296 296 ARR Mike Knowles, 20th century, “Bacchanal, after Poussin”, titled and dated 1990 on artist’s label verso, oil on board, 23.5 x 25.5in, 9.25 x 10in. £200 - £400 298

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302 301 301 ARR George R. Kennerley (1908-), “Dried Flowers”, signed, titled on verso, acrylic on board, 39.5 x 42cm, 15.5 x 16.5in. £200 - £300 302 ARR Ben Catt (b.1970), Abstracts, a pair, oil on canvas, 33 x 183cm, 13 x 72in (2). £200 - £400 305 305 ARR Dannielle O’Connor Akiyama (Canadian, b.1957), “Protection 1”, signed and titled on verso, oil on canvas, 61 x 61cm, 24 x 24in. £600 - £800

307 307 ARR Mike Weeden (1957-), “Blue Tree Meadow - Smerral”, signed and titled on verso, oil on canvas, 21 x 29cm, 8.25 x 11.5in. £150 - £200

303 303 ARR Joan Darlington (1932-), “Valuations”, signed, titled on verso, oil on board, 44.5 x 59.5cm, 17.5 x 23.5in. £200 - £400

304 304 ARR Matt Weldon, 20th century, “Manchester from Winter Hill”, signed, titled on label verso, oil on canvas, 19 x 49cm, 7.5 x 19.25in. £100 - £200

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308 308 ARR Uzbekistan School, 20th century, Portrait, signed, dated 1997 and titled in Cyrillic script on verso, oil on canvas, 59.5 x 57.5cm, 23.5 x 22.5in.

306 306 ARR George Sykes, 20th century, “Seated Model”, signed, titled on verso, oil on board, 54.5 x 40.5cm, 21.5 x 16in. £150 - £200

* The painting was purchased from an exhibition of Oil Paintings by Contemporary Uzbekistan artists “Masters of Images” at The Gallery in Cork Street, London in 1997. £100 - £200

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

314 ARR Paul Martinez-Frias (British, b.1929), Rural landscape with sheep, signed and dated ‘91, oil on board, 69.5 x 75cm, 27.25 x 29.5in. £300 - £500

309 309 ARR Stanley Horace Gardiner (British 1887-1952), Rural view, signed, oil on board, 36 x 45.5cm, 14.25 x 18in. £100 - £200 312 312 ARR “Emmesse”, Michael Smith (b.1975), “Blue Dogs at Oxford Road, Manchester”, signed and dated ‘07, oil on board, 82 x 61cm, 32.25 x 24in. £200 - £400 315 315 ARR Willi Kissmer (German, b.1951), “In Front of the Mirror”, signed, titled and dated 1988 on verso, acrylic, 120 x 84cm, 47.25 x 33in. £200 - £400

310 310 ARR David Carr (1915-1968), “House and Machine”, unsigned, unframed, oil on board, 63.5 x 76cm, 25 x 30in. £300 - £500

313 313 ARR Lowell Dobbs (1938-), “The Toilet”, signed and dated ‘09, titled on verso, oil on canvas, 49.5 x 39cm, 19.5 x 15.5in. £200 - £400

316 316 ARR George Sykes, 20th century, “Saddleworth Church and Inn”, signed and dated ‘91, titled on artist’s label verso, acrylic, 24 x 33cm, 9.5 x 13in. £150 - £200

311 311 ARR George Sykes, 20th century, “Girl Sewing”, signed, titled on verso, oil on board, 33.5 x 27cm, 13.25 x 10.5in. £150 - £200

314

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317 317 ARR Andrew Vicari (1932-2016), “The Evening Before”, signed, titled on label verso, oil on board, 29.5 x 83.5cm, 11.75 x 32.75in. £100 - £200

323 323 ARR Constantine Sterio, 20th century, “K. Resting”, signed and dated ‘93, titled on verso, oil on board, 25 x 35cm, 9.75 x 13.75in. £100 - £200

321 321 ARR Gladys Hamilton Cooper (18991975), “Growing Up”, titled and dated 1968 on artist’s label verso, oil on board, 60 x 75.5cm, 23.5 x 29.75in, set in a handmade frame by Theodore Major. £300 - £500

324 ARR Jack Simcock (1929-2012), Barn, signed and dated ‘65, oil on board, 31.5 x 49.5cm, 12.5 x 19.5in. £400 - £600

318 318 ARR Drummond Mayo R.S.W. (Scottish, b.1929), “After Dinner”, signed, titled on label verso, mixed media, 20.5 x 35.5cm, 8 x 14in. £200 - £300

319 319 ARR Constantine Sterio, 20th century, “Landscape No. 5”, signed, titled and dated 1995 on verso, oil on board, 29 x 39cm, 11.25 x 15.25in. £150 - £200

325 325 ARR Richard Weisbrod (1906-1991), “Moored Boats in Winter”, signed and dated ‘57, titled on verso, oil on board, 49 x 74.5cm, 19.25 x 29.25in. £200 - £400

322 322 ARR Jerry White (1952-), “The GoBetween”, titled on artist’s label verso, oil on card, 33 x 26.5cm, 13 x 10.5in. £200 - £400

320 320 ARR Constantine Sterio, 20th century, “Small Landscape”, signed, titled and dated 1993 on verso, oil on board, 14.5 x 22cm, 5.75 x 8.75in. £100 - £200 324

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

326 326 ARR Tim Fargher (1952-), “Hoda and La Vida, Luxor”, signed, titled on artist’s label verso, oil on canvas, 107.5 x 117.5cm, 42.25 x 46.25in. * His exhibitions included Camden Arts Festival, 1978; Fraser Gallery, Woodbridge; Long & Ryle Art International and Portland Gallery, 1992. £300 - £500

327 327 ARR Ben Catt (b.1970), “Architectural Design”, signed, titled and dated ‘07 on verso, oil on canvas, 167.5 x 76cm, 66 x 30in. £200 - £400

328 328 ARR Edo Kaiij, Dutch, 20th/21st century, “Infinity”, signed, titled on verso, oil on canvas, 105 x 160cm, 41.25 x 63in. * Painter Edo Kaaij lives and works in Amsterdam, a city he finds constantly inspiring due to its vibrant energy, the stunning ancient architecture and most of all the enormous cultural diversity of its inhabitants. Edo became fascinated with the art of painting at an early age through his grandfather who was also an artist, and has been painting professionally since 2003.

After a period of focusing on creating purely abstract paintings, Edo felt the need to incorporate further aspects of realism into his paintings. This new approach slowly developed into the style of painting Edo is known for today. His current works are a combination of realism and mysticism, brought together by his abstract play of colours and palette strokes. Inspired by the female face, Edo combines traditional portraiture with thick paint and abstract textures which effortlessly integrate with his figurative subject. £200 - £300

329 329 ARR Don Vaughan (1916-), Rural scene with farmstead, horses and figure, signed, oil on canvas, 75.5 x 100.5cm, 29.75 x 39.5in. £300 - £500

330 330 ARR Colin Taylor, 20th/21st century, “London Road”, signed, titled and dated ‘June 2012 - Nov. 2014’ on verso, oil on canvas, 40 x 40cm, 15.75 x 15.75in. * This painting is number 9 of a series of 34 paintings, all painted between 2011 and 2015 and exhibited at Contemporary Six Gallery, Manchester in June 2015. £150 - £200 81

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331 331 ARR George R. Kennerley (1908-), “Lady with Hat and Fur Stole”, signed, titled on verso, oil on board, 13.5 x 15cm, 5.25 x 6in. * Solo shows include Crane Kalman & Cadogan. Exhibited at the Royal Academy. Represented in the Walker Gallery and House of Commons Collection. £150 - £200

337

333 333 Wilfred Lang (1954-), Abstract, signed, acrylic on canvas, 58.5 x 89cm, 23 x 35in. £200 - £400

334

332 332 ARR Anthony Butler R.C.A. (1927-2010), “Insect”, signed, titled and dated 1962 on verso, oil on board, 59 x 34cm, 23.25 x 13.25in. £300 - £500

334 ARR Andrew Vicari (1932-2016), “Whitsun Watchers”, signed, titled on gallery label - ‘Bramante Galleries Ltd, London’ verso, oil on board, 17 x 54.5cm, 6.75 x 21.5in. £100 - £200

335 335 ARR David Barnes (1943-), “On the Coast”, signed on verso, oil on board, 39.5 x 59.5cm, 15.5 x 23.5in. £300 - £500 82

336 336 ARR David Carr (1915-1968), “Machine and Man”, unsigned, with ‘David Carr, Sotheby’s Sale, 7 Jun. 2007’ stamp on verso, unframed, oil on board, 63.5 x 76cm, 25 x 30in. £300 - £500 337 ARR David Wilde (1918-1978), “Steam, yet more steam, early 1960s (towards Eccles)”, signed and titled, acrylic on board, 48.5 x 71.5cm, 19 x 28.25in. £500 - £700

338 338 ARR Matti Williams, 20th century, “The Street Lamp”, signed, titled on artist’s label verso, acrylic, 30.5 x 45cm, 12 x 17.75in. £100 - £150

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

339 339 ARR James Longueville P.S., R.B.S.A. (1942-), “Evening Sun, Grand Canal, Venice”, signed, titled on gallery label - ‘Sarah Samuels Fine Paintings’ verso, oil on board, 39 x 59cm, 15.25 x 23.25in. * James Longueville was born in 1942 near Chester.

Following a career in journalism, he started to paint professionally in 1972, concentrating on the landscape around his South Cheshire studio. Working in oil, pastel and watercolour, his work is traditionally figurative, influenced by a long line of exponents in European Landscape painting from Boudin, Constable and the East Anglian School to Wilson Steer, Seago and others. He learned much from the fine North country artist Angus Rands. He successfully captures colour, light and atmosphere in his paintings. Being interested in, and/or excited by, his subject is of paramount importance to him - he is fascinated by light and its interaction with colour and activity. He paints daily and travels in England, Ireland, France and Italy always looking for new material. His work hangs in public and private collections as well as in significant corporate collections in this country and abroad. He has won twice the Patterson Pastel Award at the Pastel Society. He was awarded the John White Memorial Prize at Patterson’s Venice in Peril Exhibition 2010. He has exhibited regularly at the Mall Galleries London, and with the Royal Society of British Artists and the Royal Society of Oil Painters. He is a highly regarded senior member of the Pastel Society to which he was elected in 1983. He has shown in the Royal Academy and exhibits with the Royal Birmingham Society of Artists, a full member of which society he was elected in 1989. All his work passes through Sarah Samuels Fine Paintings before going to galleries in London, Norfolk and Suffolk where his work is also regularly exhibited. £500 - £700 340 ARR David Wilde (1918-1978), “Blast Furnace by Night”, signed and titled, acrylic on board, 53 x 65.5cm, 20.75 x 25.75in. £300 - £500

340

341 341 ARR John McCombs (1943-), “The Family”, initialled and dated ‘76, oil on board, 23 x 29.5cm, 9 x 11.5in. * Attended the Manchester Art School, then St. Martin’s School of Art, 1962-67. McCombs was a member of the Royal Institute of Oil Painters also showing at Tib Lane and Portland galleries in Manchester, Chenil and Mall Galleries and at several public galleries in the north. Salford Art Gallery and Manchester City Art Gallery hold examples. £150 - £200

342 342 ARR David Barnes (1943-), “Near Ardmair in the Highlands”, signed on verso, oil on board, 39.5 x 49.5cm, 15.5 x 19.5in. £300 - £500

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343 343 ARR Peter Brook (1927-2009), “Croft House”, signed and titled, oil on canvas, 122 x 183cm, 48 x 72in.

Exhibited: Thomas Agnew & Sons, London, 1972. * Croft House, Huddersfield was the family home of Hollywood film star James Mason’s father. £4,000 - £6,000

344 344 ARR David Wilde (1918-1978), “Snowy Nightshift to the Docks”, signed and titled, acrylic on board, 50 x 60cm, 19.75 x 23.75in. £250 - £300

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345 345 ARR Malcolm Croft (1964-), “Crimson Carnations in a Glass Vase”, signed, titled on verso, oil on canvas, 49.5 x 39.5cm, 19.5 x 15.5in. £300 - £500

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

346 ARR Ken Howard R.A., R.W.S. (1932-), Vineyards, unsigned, oil on canvas, 49 x 57cm.; 19.25 x 22.5in. £1,000 - £1,500

347 347 ARR Albert Barlow (1944-), “On a Mission”, signed, titled on verso, acrylic on board, 16.5 x 16.5cm, 6.5 x 6.5in. £150 - £250

346

350 350 ARR Albert Barlow (1944-), “Late for Work”, signed, titled on verso, acrylic on board, 14 x 19cm, 5.5 x 7.5in. £200 - £400

348 348 ARR David Wilde (1918-1978), “Searchlights along the Irwell”, signed and titled, acrylic on board, 64 x 43.5cm, 25.25 x 17.25in. £300 - £500 349 349 F.J. England (1939-), “Mill Street, Leek”, signed, titled and dated ‘Nov. 18’ on verso, unframed, oil on canvas, 90 x 30cm, 35.5 x 11.75in. £150 - £200

351 351 ARR Gordon Radford (1936-2015), Portrait of a seated girl, signed, oil on board, 49 x 39cm, 19.25 x 15.25in. £200 - £400 85

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355 355 ARR Geoffrey Key (1941-), “Neck and Neck”, signed and dated ‘96, titled on verso, oil on board, 29 x 46.5cm, 11.5 x 18.25in. £3,000 - £5,000 352 352 ARR David Barnes (1943-), “Towards the Conway Valley”, signed on verso, oil on board, 29.5 x 50cm, 11.75 x 19.75in. £200 - £400 354 354 ARR David Barnes (1943-), “Farm in the Rhiniogs”, signed on verso, oil on board, 39.5 x 29cm, 15.5 x 11.5in. £200 - £400

353 353 ARR Gordon Radford (1936-2015), “Glodwick Street, Oldham”, signed, titled and dated 1963, oil on board, 24 x 34.5cm, 9.5 x 13.5in. £200 - £400

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356 356 ARR David Wilde (1918-1978), “In the Deserted Quarry the Night Game was Shining and I was Running for my Life (at last, the Secret Society “Men Who Are Trees” had found me)”, signed and titled, acrylic on board, 48.5 x 68cm, 19.25 x 26.75in.. £300 - £500

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

357 357 ARR Gordon Radford (1936-2015), “Another Cold!”, signed, titled on verso, oil on board, 17 x 22.5cm, 6.75 x 8.75in. £150 - £200

358 358 ARR David Wilde (1918-1978), “All the Fumes of Heavy Industry”, signed and titled, acrylic on board, 46.5 x 58.5cm, 18.25 x 23in. £300 - £500

361 361 ARR Geoffrey Key (1941-), “Moorland Dancers”, signed and dated ‘00, titled on verso, oil on canvas, 49 x 39cm, 19.25 x 15.25in. £3,000 - £5,000

359 359 ARR F.J. England (1939-), “Fenton Kilns, Stoke-on-Trent”, signed and dated ‘19, titled on verso, unframed, oil on canvas, 70 x 50cm, 27.5 x 19.75in. £200 - £400

360 360 ARR Gordon Radford (1936-2015), “The Ashmolean, Oxford”, signed, titled on verso, oil on board, 28.5 x 28.5cm, 11.25 x 11.25in. £200 - £400

362 362 ARR Gordon Radford (1936-2015), “Gipsies, Daisy Nook, Oldham”, signed, titled and dated 1961 on verso, oil on board, 22 x 32.5cm, 8.75 x 12.75in. £200 - £400

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363 363 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Malta”, signed, titled on verso, unframed, oil on board, 20.5 x 25.5cm, 8 x 10in. £100 - £200

364 364 ARR Don McKinlay (1929-2017), “Sunset over Rawtenstall”, initialled, titled on verso, oil on canvas, 38.5 x 38.5cm, 15.25 x 15.25in. £300 - £500

365 365 ARR Don McKinlay (1929-2017), “The Death of Marat” - transcription after David, initialled, titled on verso, oil on board, 22 x 29.5cm, 8.75 x 11.75in. £200 - £400

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369 368 ARR Geoffrey Key (1941-), “At The Jump”, signed and dated ‘08, titled on verso, oil on canvas, 50 x 40cm, 19.75 x 15.75in. £4,000 - £6,000

366 366 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Leyland Ploughed Field”, signed, titled on verso, with original receipt of purchase, unframed, oil on board, 25.5 x 30.5cm, 10 x 12in. £100 - £200

367 367 ARR Ivan Taylor (1946-), “Lower Slaughter, Cotswolds”, signed, titled on verso, oil on board, 29 x 39.5cm, 11.5 x 15.5in. £100 - £200

369 James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “The Houses of Parliament”, signed and dated ‘59, together with another painting by the same hand on verso, floral still life, signed, oil on board, 30.5 x 38cm, 12 x 15in (double sided). £200 - £400

370 370 ARR Gordon Radford (1936-2015), “Dandelions”, signed, titled on verso, oil on board, 24.5 x 17.5cm, 9.75 x 7in. £150 - £200

For condition reports please go to www.peterwilson.co.uk

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368

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373 373 ARR Gordon Radford (1936-2015), “Glodwick, Oldham”, signed, titled on verso, oil on board, 19 x 34.5cm, 7.5 x 13.75in. £200 - £400

371 371 Frederick J. England (1939-), “Pot Bank View II”, signed, titled on verso, unframed, oil on canvas, 90 x 60cm, 35.5 x 23.5in. £300 - £500 374 374 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Blue Figures”, signed, oil on board, 23 x 18cm, 9 x 7in. £400 - £600

372 372 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Bowlers Nerone Bar, London”, signed and dated ‘61, titled twice on verso, oil on board, 26 x 35cm, 10.25 x 13.75in.

Provenance: Originally purchased at The Mill House Gallery, Parbold in October 2008, certificate available. £200 - £400

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375 375 ARR Peter Stanaway (1943-), “The Tube”, signed, titled on verso, acrylic on board, 35 x 42cm, 13.75 x 16.5in. £300 - £500

For condition reports please go to www.peterwilson.co.uk

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376

376 ARR Frederick Gore (British, 1913-2009), “The Picnic”, signed, oil on canvas, 90 x 69.5cm, 35.5 x 27.5in. £3,000 - £5,000

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382 382 ARR Ivan Taylor (1946-), “Bantry Bay, County Cork, Ireland”, signed, titled on verso, oil on board, 29 x 39.5cm, 11.5 x 15.5in. £100 - £200

377 377 ARR J.L. Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Glencoe Bridge”, signed, titled on artist’s label verso, oil on board, 29 x 37cm, 11.5 x 14.5in. £500 - £700

378 378 ARR Gordon Radford (1936-2015), “Daisy Nook, Oldham”, signed, titled on verso, oil on board, 14.5 x 19cm, 5.75 x 7.5in. £100 - £200

379 379 ARR Gordon Radford (1936-2015), “Ponte di Vigo, Chioggia, Venice”, signed, titled on verso, oil on board, 29.5 x 39.5cm, 11.5 x 15.5in. £200 - £400 92

380 380 ARR Peter Stanaway (1943-), “Rochdale Canal”, signed, titled on verso, acrylic on board, 26.5 x 29.5cm, 10.5 x 11.5in. £200 - £400

381 381 James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Shawl Woman” and another similar, both signed, one titled on verso, oil on board, 34.5 x 24.5cm, 13.75 x 9.75in (2). £200 - £400

383 383 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Patti Boyd at Epstein’s Funeral”, signed, titled on verso, oil on board, 48.5 x 36.5cm, 19.25 x 14.25in. £400 - £600

384 384 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), Urban landscapes with figures (unfinished), unframed, oil on canvas, 101.5 x 76cm, 40 x 30in (2).

Provenance: Originally sold by Peter Wilson Auctioneers on the instructions of the Executors of the late Mr William Turner. £200 - £400

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

385 385 ARR Peter Stanaway (1943-), “Granville, France”, signed and dated ‘99, titled on verso, acrylic, 24 x 33cm, 9.5 x 13in. £200 - £400

386 386 ARR Ivan Taylor (1946-), “Nantwich”, signed, titled on artist’s label verso, oil on board, 28.5 x 39cm, 11.25 x 15.25in. £100 - £200

388 390 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Nude - Celia”, signed and dated ‘71, titled on verso, oil on board, 28.5 x 19.5cm, 11.25 x 7.75in. £300 - £500

389 389 ARR Ivan Taylor (1946-), “Weaver View”, signed, titled on artist’s label verso, oil on board, 29 x 39.5cm, 11.5 x 15.5in. £100 - £200 391 391 ARR Gordon Radford (1936-2015), “Measurements Factory, Oldham”, initialled, titled and dated 1967, oil on canvas, 29 x 39.5cm, 11.5 x 15.5in. £200 - £400 392 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Boat on the River, France”, signed, titled on verso, oil on board, 14.5 x 21.5cm, 5.75 x 8.5in. £1,000 - £1,500

387 387 ARR Gordon Radford (1936-2015), “Alyki, Thassos, Greece”, signed, titled on verso, oil on board, 19 x 24cm, 7.5 x 9.5in. £200 - £400

390

388 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Alderley Edge”, signed, titled on verso, oil on board, 9.5 x 24cm, 3.75 x 9.5in. £500 - £700

392

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394 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Nude - Jane”, signed and dated ‘72, titled on verso, oil on board, 21.5 x 16.5cm, 8.5 x 6.5in. £300 - £500

397 397 ARR Peter Stanaway (1943-), “Canal, Salford”, signed, titled and dated 2005 on verso, acrylic on board, 29.5 x 45cm, 11.5 x 17.75in. £300 - £500 393 393 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Leopard”, signed and dated ‘75, titled on verso, oil on board, 44.5 x 34cm, 17.5 x 13.5in. £300 - £500

395 395 ARR Peter Stanaway (1943-), “The Chippy, Miles Platting”, signed, titled and dated ‘Aug. 2004’ on verso, acrylic on board, 36.5 x 29cm, 14.5 x 11.5in. £300 - £500 396 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Bridge at Henley”, signed, titled on verso, oil on board, 19 x 24cm, 7.5 x 9.5in. £1,000 - £1,500

398 398 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “The Labourer”, signed, titled on verso, oil on canvas, unframed, 50.5 x 40cm, 20 x 15.75in.

Provenance: Originally sold by Peter Wilson Auctioneers on the instructions of the Executors of the late Mr William Turner. £100 - £200

394

399 399 ARR Sue Atkinson (1949-), “Children on the beach, Runswick Bay”, signed, oil on board, 18 x 21cm, 7 x 8.25in. £150 - £200

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For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

400 400 ARR Tadeusz Was (1912-2005), Figure, signed, oil on board, 54 x 41cm, 21.25 x 16.25in. £200 - £400

402

401 401 ARR Tadeusz Was (1912-2005), Two figures, signed, mixed media, 55 x 45.5cm, 21.75 x 18in. £200 - £400 402 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “The Tall Man”, signed, titled on verso, oil on board, 24 x 19.5cm, 9.5 x 7.75in. £1,000 - £1,500 403 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Goostrey, Cheshire”, signed, titled and dated 1958 on verso, oil on board, 40.5 x 47.5cm, 16 x 18.75in. £2,000 - £4,000

403

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404 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Bluebirds in the Moonlight”, signed, titled on verso, oil on board, 19 x 24cm, 7.5 x 9.5in. £1,000 - £1,500 405 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Two for Joy”, signed and dated 1986, titled on verso, oil on canvas, 39 x 49cm, 15.25 x 19.25in. £2,000 - £3,000

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

WATERCOLOURS, PASTELS & INKS (MODERN/CONTEMPORARY)

406 406 ARR John Lewis Chapman (1946-), Preston street scene, signed, titled on verso, gouache, 18.5 x 26cm, 7.25 x 10.25in. £100 - £200

407 407 ARR Brian Dobson, 20th century, “San Tropez”, signed, titled on verso, watercolour, 51.5 x 72cm, 20.25 x 28.25in. £150 - £200

408 408 ARR Gordon Radford (1936-2015), “Titian Exhibition, Venice Accademia” - series of studies, all signed and annotated, one dated ‘08, watercolour and pencil, 13.5 x 20cm, 5.25 x 7.75in (4). £100 - £200

409 409 ARR Colin Jellicoe (1942-2018), “CJ & Green, River Valley Sun”, signed and dated 2007, titled on verso, acrylic on paper, 15 x 33cm, 6 x 13in. £100 - £200

410 410 ARR Roger Silvester (1939-2016), “Winter Farmland”, unsigned, titled on verso, gouache, 42 x 60.5cm, 16.5 x 23.75in. £200 - £400

411 411 ARR Robert Burnage (1880-1962), “On Reflection”, signed, titled on receipt verso, watercolour and pencil, 47 x 35.5cm, 18.5 x 14in. £200 - £400

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412 412 ARR Dame Elisabeth Frink D.B.E., R.A. (British, 1930-1993), “Soldier’s Head”, signed and dated ‘65, watercolour, 75 x 55cm, 29.5 x 21.75in. £4,000 - £6,000

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415 Todd White (American, b.1969), Portrait of a lady holding a wine glass, signed, ink drawing, 32 x 24.5cm, 12.5 x 9.75in. £500 - £700

418 418 ARR Constance Taylor (1937-), “Salford Docks”, signed, titled and dated 2014, mixed media, 19 x 15cm, 7.5 x 5.75in. £100 - £150

413 413 ARR E. Anthony Orme (1945-), Standing female nude, signed, pastel. 47.5 x 34.5cm, 18.75 x 13.5in. £150 - £200 416 416 ARR E. Anthony Orme (1945-), Seated female nude, signed, pastel, 42 x 29.5cm, 16.5 x 11.75in. £150 - £200

419 419 ARR Liam Spencer (1964-), “High Street”, signed, titled and dated 2008 on verso, ink and wash, 18.5 x 25.5cm, 7.25 x 10in. £150 - £200

414 414 ARR Brian Nolan (1931-), “Sir Galahad” Jane’s Hole, Collyhurst, Manchester, signed, titled and dated ‘Feb 10th, 1963’, pastel, 26.5 x 32.5cm, 10.5 x 12.75in. £100 - £200 417 417 ARR Theodore Major (1908-1999), “Under the Bridge”, titled on label verso, pastel, 26 x 28cm, 10.25 x 11in. * This drawing was purchased from Jo Bennett Original Pictures in 2001 and prior to this was from the artist’s studio collection. £300 - £500

420 420 Jack Simcock (1929-2012), Abstract II and III, both signed and dated ‘10, felt tip pen, unframed, 30 x 20cm, 11.75 x 7.75in and 27 x 19.5cm, 10.5 x 7.75in (2). £100 - £200

415

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425 ARR E. Anthony Orme (1945-), Pole dancing female nude, signed, pastel.

47.5 x 34.5cm, 18.75 x 13.5in. £150 - £200

421 421 ARR Alan Lowndes (1921-1978), “Eros”, signed, titled on gallery label - ‘Jo Bennett Original Pictures’ verso, pencil sketch, 23.5 x 19.5cm, 9.25 x 7.75in. £150 - £200

423 423 Todd White (American, b.1969), “All in One Piece When Broken” (Head Final), signed and titled, with artist’s blindstamp, dated 2006 on certificate of authenticity verso, ink drawing, 26.5 x 20.5cm, 10.5 x 8in. £500 - £700

426 426 ARR Pat Cooke (1935-2000), “Zap”, signed and dated ‘70, titled on label verso, watercolour and ink, 31 x 16.5cm, 12.25 x 6.5in. £100 - £200 422 422 ARR David Woodford (1938-), “Caernarfon Castle”, signed, titled on verso, pencil and wash, 23 x 23cm, 9 x 9in. * Was a member of the Royal Cambrian Academy and took part in numerous mixed exhibitions. Solo shows included Waterhouse, Mall and Alpine Club Galleries; Mostyn Gallery, Llandudno; Oriel and Chapter Arts in Cardiff; and Oriel Bangor. Arts Council and National Library of Wales, Aberystwyth hold examples. £100 - £150

424 424 ARR Alan Lowndes (1921-1978), Portrait of a cat, signed, ink on paper, 22 x 19.5cm, 8.75 x 7.75in. £150 - £200

427 427 ARR Theodore Major (1908-1999), “Industrial Landscape”, titled on label verso, pastel, 28 x 40.5cm, 11 x 16in. * This drawing was purchased from Jo Bennett Original Pictures in 2001 and prior to this was from the artist’s studio collection. £300 - £500

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428 428 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), Female nude, signed and dated 1963, charcoal drawing, 16.5 x 23.5cm, 6.5 x 9.25in. £100 - £200

429 429 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Cheshire Landscape”, signed and dated 1965, titled on verso, charcoal drawing, 18.5 x 26.5cm, 7.25 x 10.5in. £100 - £200

430

430 ARR Geoffrey Key (1941-), “White Tree”, signed and dated 5.4.79 twice, titled on artist’s label verso, mixed media, 48 x 35.5cm, 19 x 14in. £1,000 - £1,500

431 ARR Geoffrey Key (1941-), “Night Dove”, signed and dated 12.9.85, titled on artist’s label verso, mixed media, 49.5 x 39.5cm, 19.5 x 15.5in. £1,000 - £1,500

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432 432 ARR Trevor Grimshaw (1947-2001), “Chimneys, Steam and Cloud”, ink, 15.5 x 15cm, 6 x 6in. £200 - £400 433 ARR Trevor Grimshaw (1947-2001), “Northern Landscape”, signed and dated ‘87, titled and signed on verso, graphite, 15 x 24.5cm, 5.75 x 9.75in. £1,500 - £2,000 434 ARR Trevor Grimshaw (1947-2001), Industrial townscape with canal, signed, graphite, 44.5 x 27.5cm, 17.5 x 10.75in. £2,000 - £3,000

435 435 ARR Trevor Grimshaw (1947-2001), “Train”, signed and dated ‘74, titled on verso, graphite, 12.5 x 15cm, 5 x 6in. £300 - £500

434

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OIL PAINTINGS (18TH/19TH CENTURY) 436 John Surtees (1819-1915), “Conway Castle”, unsigned, titled on artist’s label verso, oil on canvas, 28.5 x 59.5cm, 11.25 x 23.5in. £300 - £500 437 After Antonio Allegri called Correggio, “Venus with Mercury and Cupid (‘The School of Love’)”, oil on canvas, 158.5 x 115.5cm, 62.5 x 45.5in. £3,000 - £5,000

436

438 438 Tudor St. George Tucker (18621906), “The Mackerel”, unsigned, oil on board, 24.5 x 34.5cm, 9.75 x 13.75in.

Provenance: By direct descent from the artist’s family. * Tudor St George Tucker was an Australian painter. He was born in London, England the son of Captain Charlton Nassau Tucker, a retired cavalry officer in the East India Company’s service. He came to Melbourne in 1881 in search of a healthier climate. He studied at the National Gallery School from 1883– 1887 under George Frederick Folingsby, winning several prizes for drawing, then to Europe in 1887, studying with E Phillips Fox at the Académie Julian and the École des Beaux Arts, Paris. He returned to Melbourne in 1892, where he set up a studio in Flinders Street and from 1893 to 1899 he and Fox ran the Melbourne School of Art, where students included Ursula Foster, Ina Gregory, Henrietta Irving, Bertha Merfield, Mary Nanson Ambrose Patterson and Violet Teague, many of whom attended their summer schools at Charterisville. He returned to London in 1899, working in a studio at Chelsea, and had two

437

paintings in the 1900 Royal Academy exhibition, two in 1901 and one in 1902.

Tucker died on 21 December 1906 of tuberculosis in London. He suffered much from ill health and his work is comparatively little known. He did some good painting in oils which found more favour with other artists than with the public.

He is represented in the National Gallery of Victoria, the National Gallery of Australia, Canberra, and Warrnambool Art Gallery. £200 - £400

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444

439 439 Ralph Todd (Newlyn School, 18561932), Street scene with horse and rider, signed and dated 1893, oil on board, 27 x 17cm, 10.5 x 6.75in. £100 - £200

440 440 English School, 18th/19th century, Male portraits, both unsigned, oil on canvas, 72.5 x 61.5cm, 28.5 x 24.25in (2). £200 - £400

441 441 James Clark (British, 1858-1943), Horses in a field with a stream train passing in the distance, unsigned, oil on canvas, 44.5 x 59.5cm, 17.5 x 23.5in. £200 - £400

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442 442 David Roberts (Scottish, 17961864), Continental harbour scene, signed, oil on board, 23.5 x 33.5cm, 9.25 x 13.25in. £200 - £400 445 445 David Woodlock (1842-1929), “The Young Monk”, unsigned, with exhibition label - ‘Walker Art Gallery, Woodlock Exhibition, 1929’ on verso, oil on panel, 18 x 13cm, 7 x 5in.

443 443 English School, 19th century, Coastal scene with various sailing vessels, unsigned, oil on canvas, 23.5 x 34cm.; 9.25 x 13.5in. £100 - £150 444 Henry Hadfield Cubley (18581934), “Clearing after rain, Barmouth” and “In Glencoe”, both signed, both titled and dated 1924 and 1910 on verso, oil on canvas, 49.5 x 75cm, 19.5 x 29.5in (2). £200 - £400

* This painting was exhibited at the ‘Collective Exhibition of the Art of David Woodlock’, 27th July to 21st August, 1929 at the Walker Art Gallery, Liverpool, No.63. £100 - £200

446 446 Henry Leonidas Rolfe (fl.18471881), Otter with fish, signed and dated 1873, oil on canvas, 29 x 44.5cm, 11.5 x 17.5in. £300 - £500

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447 447 William Widgery (1822-1893), Dartmoor, signed, oil on canvas, 48.5 x 74cm, 19 x 29in. £500 - £700

448 448 J.J. Thorelle, 19th century, “La Reconnaisance”, signed and indistinctly dated 1852, titled on stretcher verso, oil on canvas, 17.5 x 23.5cm, 7 x 9.25in. £100 - £200

449 449 J. Wilson, 19th century, River landscape with figures on the riverbank and cattle watering, signed and dated 1867, oil on canvas, 59 x 104cm, 23.25 x 41in. £100 - £200

451

450 450 David Woodlock (1842-1929), “Town Gate, Morocco”, signed, oil on board, 24.5 x 17cm, 9.75 x 6.75in. £150 - £200

453 453 David Woodlock (1842-1929), Portrait of an elderly Dutch lady, signed and dated 1908, oil on board, 30.5 x 23cm, 12 x 9in. £100 - £200

451 Jane Darmer, 19th century, “Temple of Venus castle of Bauli Pozzuoli, in bay of Baiz”; and another, “St. Sebastian Island of Santa Clara”, a pair, both titled and dated 1848 on verso, oil on canvas, 26.5 x 37.5cm, 10.5 x 14.75in, set in carved giltwood florentine frames (2). £200 - £400

452 452 Dutch School, 18th/19th century, Maritime scene with various sailing vessels, unsigned, oil on canvas, 45 x 55cm, 17.75 x 21.75in. £200 - £400

454 454 David Woodlock (1842-1929), Portrait of a seated Arab gentleman, signed, oil on board, 24.5 x 15cm, 9.75 x 6in. £150 - £200

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455 455 English School, late 18th/early 19th century, Portraits of Mr & Mrs George Greenway of Attleborough Hall, Nuneaton, unsigned, both titled on labels verso, a pair, oil on canvas, 74 x 59cm, 29.25 x 23.25in (2). £200 - £400

458

456 456 Herbert St. John Jones (1872-1939), “A Kill with the South Cheshire near Peckforton Wood”, signed and dated 1902, titled on verso, oil on canvas, 39 x 59cm, 15.5 x 23.25in. £500 - £700

457 457 Herbert St. John Jones (1872-1939), “Hard Time” - portrait of a horse in a stable, signed and dated 1898, oil on canvas, 26 x 31.5cm, 10.25 x 12.25in. £100 - £200

458 Herbert St. John Jones (1872-1939), “Hospital Street, Nantwich - 1800.

The Stafford Coach passing Garnett’s Corner”, signed, titled on verso, oil on canvas, 42 x 51.5cm, 16.5 x 20.25in. £1,000 - £1,500

459 459 William Mellor (1851-1931), “Bolton Woods”, signed, oil on canvas, 29 x 44cm, 11.25 x 17.25in. £300 - £500

460 460 Herbert St. John Jones (1872-1939), “Whistling Coon”, signed, titled and dated 1911, oil on board, 45.5 x 58cm, 18 x 22.75in. £200 - £400 461 William Mellor (1851-1931), River landscape with sheep and lake scene with cattle watering, both signed, a pair, oil on board, 21.5 x 44.5cm, 8.5 x 17.5in (2). £600 - £800

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WATERCOLOURS, PASTELS & INKS (18TH/19TH CENTURY)

462 462 David Woodlock (1842-1929), “Cottage and Garden Scene”, signed, titled on verso, watercolour, 24 x 35cm, 9.5 x 13.75in. £200 - £400

463 463 Octavius Rickatson R.B.A. (18561941), River scene with cattle watering, signed, watercolour, 67 x 49.5cm, 26.5 x 19.5in. £100 - £200

464 464 Grace H. Hastie (fl.1874-1927), “In the Pass of Llanberis “, signed, titled on label verso, watercolour, 22 x 33cm, 8.5 x 13in. £200 - £400

465 465 English School, 19th century, “Bala” with figures harvesting in front of the lake, titled, watercolour, 30.5 x 46.5cm, 12 x 18.25in. £100 - £200

466 466 Frederick E. Valter (1850-1930), “A Group at Maxstoke Farm, Warwickshire”, signed and dated 1905, titled on verso, watercolour and pencil, 32.5 x 45.5cm, 12.75 x 17.75in. £200 - £400

467 467 William Gawin Herdman (18051882), “Morning - Conway”, initialled, titled on label verso, watercolour, 34 x 51cm, 13.5 x 20.25in. £100 - £200

468 468 Frederick E. Valter (1850-1930), Cattle and sheep in a landscape, signed, watercolour and pencil, 16.5 x 26cm, 6.5 x 10.25in. £100 - £200

469 469 Herbert St. John Jones (1872-1939), “The Old South Cheshire Hounds on the way to Dorfold 1898”, signed and titled, watercolour, 21.5 x 28.5cm, 8.5 x 11.25in. £50 - £100

470 470 C.W. House, 19th century, “On the Banks of the Conway, North Wales”, signed, titled and dated 1880, crayon and wash, 25 x 42.5cm, 10 x 16.75in. £100 - £150

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471 Constant Joseph Brochart (French, 1816-1889), Portrait of two girls and a King Charles Spaniel, signed, oval, pastel, 80.5 x 66cm, 31.75 x 26in, set in elaborate gilt frame. £1,000 - £1,500

472 472 George Morosini (Italian/Irish d.1882), Portrait of a boy, signed, coloured chalks, 21 x 16cm, 8.25 x 6.25in. £100 - £200 471

MINIATURES 473 English School, early 19th century, Two portrait miniatures of a gentleman and an elderly lady, both initialled J.B.H., oval, watercolour on ivory, 8cm, 3.25in high, set in ebonised frames with decorative brass oak leaf suspension ring mounts featuring a portrait of King George III and crown, together with another early 19th century portrait miniature of Daniel O’Connell (1775-1847), unsigned, titled on verso, watercolour on ivory, 10 x 7.5cm, 4 x 3in (2). * Daniel O’Connell (Irish, 6 August 1775 – 15 May 1847), often referred to as The Liberator or The Emancipator, was an Irish political leader in the first half of the 19th century. He campaigned for Catholic emancipation - including the right for Catholics to sit in the Westminster Parliament, denied for over 100 years and repeal of the Acts of Union which combined Great Britain and Ireland. £100 - £200

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CLOCKS & BAROMETERS PLEASE NOTE: All clocks and watches are sold without warranty. Comments regarding the going condition of clocks and watches relate to their state at the time of cataloguing and those comments may no longer be correct at the time of sale or delivery. Buyers should assume that all lots will require servicing to be useable and reliable. Clocks and watches are not tested for accuracy, duration or water tightness’

475 474

474 19th century French over-mantel clock, brass frame, polychrome decorated, ceramic tiles depicting 16th century garden scenes of noble figures, 8-day movement striking on single bell, height 30cm (12”). £100 - £150

475 Late 19th century carriage clock, brass frame containing five bevelled glass panels, 8-day movement striking on single gong, white enamel dial, Roman numerals, height 18cm (7”) including folding handle. £200 - £300

476 William Lettey, Dunster, long case clock, 8-day movement striking on single bell, white painted arched dial with rolling moon, spandrels decorated with seashells representing the Somerset coastal county origin, oak case, cross-banded in mahogany, inlaid with ebonised string, canopy with swan-neck pediment, fluted columns with brass capitals, quarted columns to trunk, box base, height 210cm (83”). £350 - £450

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477 Square brass long-case clock 11” dial and movement, Prew, Tewksbury, two other clock faces one marked William Winn Hinstock, diameter 10.5”. £150 - £250 478 Samuel Smith, Richmond, mid 18th century long-case clock, 8-day movement striking on single bell, arched brass dial applied with silvered chapter ring and secondary dial, ormolu spandrels, lacquered case with caddy top, arched door to trunk, box base decorated all over with Chinese chinoiserie, height 245cm (97”). £800 - £1,000

480 Negretti and Zambra London, stick barometer, white dial with vernier, arched pediment with carved decoration to oak case, block cover to cistern, brass adjustment screw, 100cm (39”) high. £200 - £300

479 Late 19th century Vienna regulator, rosewood veneered case with arched glazed front panel contained in brass frame, 8-day two train movement striking on single bell, brocket escapement, white enamelled dial, having Roman numerals, brass pendulum with reeded rod, height 84cm (33”). £100 - £200

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479

480

For condition reports please go to www.peterwilson.co.uk

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FURNITURE

483 483 An unusual 20th century copper effect six branch electrolier, central column with frosted glass, brackets with matching shades, diameter 76cm (30”), height 76cm (30”). £400 - £600

481 481 Late 19th century oak pulpit, front panel of Gothic design with fretwork carving, two side rail supported on trident steel columns, box base with multiples of stages and steps, width 87cm (34”), depth 168cm (66”), height 180cm (71”). £650 - £750

484 484 Early 20th century three branch brass framed electrolier of aesthetic design, central reeded column, branches now supporting modern milk glass shades, approximate diameter 70cm (28”), height 89cm (35”). £250 - £350

482 A pair of early 20th century Continental pendant chandeliers, each with central column wire-work arms terminating with glass droplets, six branches with candle effect lights, diameter 60cm (24”), height 92cm (36”). £800 - £1,200

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485 485 Chinese black lacquered bedroom suite, comprising dressing table, stool, two bedside cabinets, each with single drawer and cupboard base, 6’6” double bed with headboard and matching footboard, the whole piece inlaid with mother-ofpearl, songbirds and branches of flowering prunus. £1,000 - £1,500

486 486 Early 20th century Chinese black lacquered centre table, oval top supported on six scrolling legs with platform shelf, the whole piece decorated with chinoiserie, width 69cm (27”), depth 53cm (21”), height 91cm (36”). £300 - £400

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487 487 Victorian figured walnut mirrorback side cabinet, top section with arched mirror supported by pierced and carved brackets, two shelves, base with single door flanked by shaped display shelves, brass and pot articulated castors, width 91cm (36”), depth 44cm (17”), height 147cm (58”). £200 - £300

488 488 Early 20th century walnut collectors cabinet, gallery top above two single panel doors, fall front flap revealing fifteen fabric lined drawers, the cabinet probably being the upper section of a larger piece of furniture, width 64cm (25”), depth 28cm (11”), height 84cm (33”). £200 - £300

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489 20th century French display cabinet, veneered all over in hardwood with three glazed panels above picture panels covered all over with cast brass mounts, interior with two glazed shelves, red fabric lining, width 71cm (28”), depth 38cm (15”), height 165cm (65”). £200 - £400

490 20th century French display cabinet, top with rouge marble inset, stained beech frame with gold painted metal mounts, interior with two plate glass shelves, width 69cm (27”), depth 33cm (13”), height 140cm (55”). £200 - £400

489

490

491 Late 19th century serpentine front, glazed display cabinet by Edwards & Roberts, top section with swanneck pediment, central bow door covering two fixed shelves, base with three drawers with brass handles, flanked by two cupboards, all standing on square tapering legs with spade terminals, the whole cabinet smothered in swags of flowers, urns, satinwood crossbanding and stringing, width 131cm (52”), depth 53cm (21”), height 220cm (87”). £500 - £700

491

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492 492 George III mahogany breakfront secretaire bookcase, top section with four astragal glazed doors covering adjustable shelves, lower section with central fitted secretaire flanked by four short drawers, four single panel cupboards with black and white string blind plinth, width 193cm (76”), depth 55cm (22”), height 250cm (98”). £1,000 - £1,500

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493 493 Edwardian mahogany kidney shaped ladies writing desk, with all over cross-banding, green leather inset to top, base with central drawer flanked by two stacks of four graduated drawers, original brass handles and pot casters, width 120cm (47”), depth 60cm (24”), height 71cm (28”). £400 - £600

495 495 19th century French writing desk, the oval top with green leather inset, banded with brass inlays, single frieze drawer, scroll leg, cast brass mounts, width 130cm (51”), depth 78cm (31”), height 73cm (29”). £300 - £400

494 494 George III figured mahogany bureau, top with flap crossbanded and with white-wood string opening to reveal fitted interior with central cupboard and various stationery drawers and pigeon holes, base with two short and three long graduated drawers, brass bale handles, bracket feet, width 106cm (42”), depth 56cm (22”), height 104cm (41”). £100 - £200

496 496 Mid 19th century Georgian design mahogany twin pedestal Partners desk, rectangular top with green leather inset fitted six frieze drawers, each pedestal with three drawers on each opposing side, replacement brass ring-turned handles, 136cm (54”) x 120cm (48”). £800 - £1,200

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498 Pair of 19th century Continental walnut framed open arm chairs, each with pierced and carved cresting rail, caned central back-panel, scrolling open-arms with moulded fish-scale decoration, upholstered seats, scrolling foreleg supports, moulded with acanthus leaves, front stretcher carved with sea serpents, height 150cm (59”), width 66cm (26”). £200 - £400

497 497 George III mahogany bureau bookcase, top section with two astragal glazed doors covering three adjustable shelves, bureau with flap opening to reveal fitted interior, two short and three long graduated drawers, cockbeading and brass fretwork handles, all standing on bracket feet, width 104cm (41”), depth 56cm (22”), height 233cm (92”). £400 - £600

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499 499 Early 18th century joint chair, single panel back with diamond carving, open arms, solid plank seat, turned foreleg supports, reconstructed. £250 - £300 500 A set of Six Victorian walnut framed single dining chairs, each with carved and pierced circle backs, stuff-over seat with serpentine front rail, French foreleg supports. £300 - £500

500

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

503 Pair of Regency mahogany hall chairs, each with oval supporting moulded patera, solid seat, reeded sabre foreleg support, height 87cm (34”). £200 - £300

501 501 Twelve Chippendale design mahogany framed dining chairs, comprising ten single and two carver chairs, each with pierced and carved splat-back, stuff-over upholstered seats, cabriole foreleg supports with ball-andclaw feet. £400 - £500 504 504 19th century French footstool, upholstered seat, walnut frame, four carved legs united by “H” stretchers, one leg marked De Landreville, 1884, 64cm (25”) x 51cm (20), height 46cm (18”).

NB. Chateau De Landreville is situated in the Champagne Ardenne district of France and is a turreted stone built, privately owned villa set in magnificent grounds. £400 - £500

502 502 A set of six William IV mahogany framed single dining chairs, each with carved and moulded back, loose seats, reeded foreleg supports, height 84cm (33”). £300 - £400

503

505 505 Early 19th century mahogany framed Gainsborough chair, upholstered back and arms with sprung seat, all standing on square section chamfered legs with “H” formation stretchers, now covered in modern fabric, height 100cm (39”), width 71cm (28”). £500 - £700

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506 506 Victorian Chaise longue, carved and moulded mahogany frame, deep-buttoned scroll arm, sprung seat, all covered in blue velvet, width 205cm (82”), depth 28cm (11”), height 86cm (34”). £200 - £300 509 509 Late 18th century design wing-back upholstered chair, scroll arms, loose seat, carved oak legs with acanthus leaf decoration, ball-and-claw feet, both back legs stamped Gillows, width 84cm (33”), height 122cm (48”). £600 - £800

507 507 A pair of Victorian sprung upholstered armchairs, each with scrolling back and arms, serpentine front rail, turned foreleg supports, articulated castors. £200 - £300

510 510 Victorian walnut part salon suite, comprising four single, one open-arm chair and a nursing chair, each with carved cresting rail, upholstered back and stuff-over seat, turned legs, open armchair with articulated castors. £200 - £400 508 508 Early 19th century hall sofa of William IV design, scrolling arms with oak frame, carved with acanthus leaves, turned and reeded legs standing on brass articulated castors, modern pale yellow fabric covering sprung upholstery, width 238cm (93”), depth 92cm (36”), height 79cm (31”). £300 - £500

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For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

511 511 Queen Anne design two seater sofa by Gillows circa 1900, double hump wing-back, scroll arms, two loose cushions, foreleg supports stamped Gillows of cabriole form with acanthus scroll decoration, animal paw feet, now re-covered in Clarence House fabric, flame pattern, width 135cm (53”), height 127cm (50”). £1,000 - £1,500

512 512 Eoro Saarinen for Knoll Studio 1956 four single tulip chairs, with black fabric pad seats accompanied by matching circular table, diameter 120cm (48”). £2,000 - £2,500

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515 Mid 20th century South American coffee table and two rocking chairs, designed by Angel Pazmino, solid teak frames with brown leather embossed webbing to rocking chairs and matching leather covered coffee table, manufacture by Muebles De Estilo, produced in Ecuador around about 1960, table width 100cm (40”), depth 50cm (20”), height 46cm (18”). £800 - £1,200

513 513 Victorian walnut loo table, oval top with wavy edge, matched flame veneers, supported on single baluster column with acanthus leaf carved decoration, three outswept legs, width 140cm (55”), depth 110cm (43”), height 71cm (28”). £300 - £500

514 514 1960s Dutch low coffee table by Paul Kingma, a multicoloured natural stone and bronze shield shaped top supported on octagonal section column base, 97cm (38”) x 97cm (38”), height 48cm (18”). £250 - £350

516 516 Late 19th century rosewood veneered envelope card table, top with matched veneers, inlaid with white-wood marquetry, opening to reveal green felt lined playing surface with sovereign scoops, frieze containing single drawer with brass bale handle, all standing on four square section scroll shaped legs united by single shelf, 53cm (21”) square, height 72cm (28”). £200 - £300

515

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For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

518 519 Edwardian mahogany occasional table, clover leaf top decorated with cross-banding and marquetry whitewood inlays, three out-swept legs with platform shelf, diameter 60cm (24”), height 69cm (27”). £100 - £150

517 517 George III mahogany fold-over card table, demi-lune top with figured veneer and boxwood string, four inch frieze, four turned legs (two hinged), baize lined interior, width 92cm (36”), depth 46cm (18”), height 74cm (29”). £150 - £200 518 George III mahogany three-pillar dining table, top with moulded edge, two leaves, all standing on turned columns with four reeded sabre legs, brass box castors, length 260cm (103”), width 120cm (48”), height 71cm (28”). £300 - £400

520 520 20th century French vitrine, oval section, black veined marble top, single door covering fabric buttoned lined interior with glass shelf, base with drawer and galleried shelf uniting four swept legs, the whole piece covered with brass classical mounts, width 74cm (29”), depth 44cm (17”), height 150cm (59”). £600 - £800 519 121

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521 521 Early 19th century French armoire, moulded top decorated with flower heads and catherine wheels above two doors, each with two shaped panels, decorated with flowering blossoms, six steel hinges, steel lock, brass escutcheons, interior with laths to support shelves (shelves missing), width 54cm (21”), depth 68cm (27”), height 196cm (77”). £200 - £300

522 522 Edwardian mahogany corner cupboard, with dentil cornice, two astragal glazed doors covering two fixed shelves all standing on unusual single leaf corner, table unit with turned supports, width 102cm (40”), height 204cm (80”). £200 - £300 122

523 523 George III oak press cupboard, top section with two single panel doors flanked by quartered columns, base with three short drawers above two single panel cupboard doors, bracket feet, original turned handles, width 120cm (47”), depth 51cm (20”), height 190cm (75”). £500 - £600

523A 523A Indian hardwood four poster bed, rectangular canopy supported on four turned columns, bed ends with pierced and moulded floral splats, width 180cm (70”), length 212cm (83”). £500 - £700

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

524 524 George III oak and mahogany cross-banded housekeeper’s cupboard, top section with moulded cornice above four two-panel doors covering green painted interior, case with seven drawers surrounding central cupboard, all standing on turned feet, width 178cm (70”), depth 49cm (19”), height 120cm (87”). £800 - £1,200

525 525 17th century oak jointed chest, two plank top with three panel front, applied with later diamond carved decoration, interior with candle box missing, width 112cm (44”), depth 48cm (19”), height 66cm (26”). £200 - £300

526 526 George III oak chest of two short and three long graduated drawers, rectangular two plank top with ogee mould, each drawer with original bale handles, original steel locks, all standing on bracket feet, width 102cm (40”), depth 52cm (20”), height 94cm (37”). £100 - £150

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527 527 20th century French Bombe front commode chest, green veined hard-stone top above three graduated drawers, Kingwood and other exotic hardwood veneers, cast brass decorative mounts, width 110cm (43”), depth 46cm (18”), height 98cm (38”). £600 - £800

528 528 George III mahogany dressing chest, cross-banded top above serpentine front with four graduated drawers, top drawer fitted with mirror slide and compartment dividers (now missing), bracket feet, width 102cm (40”), depth 53cm (21”), height 82cm (32”). £500 - £800

529 529 18th century oak dresser base, two plank top with moulded edge, three frieze drawers with Jacobean geometric moulded decoration, split bobbin turned applied bead, front legs fretwork cut forming vase shaped profile, replacement brass handles, width 168cm (66”), depth 53cm (21”), height 73cm (29”). £300 - £400

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530 530 George III mahogany demi-lune sideboard, top with satinwood stringing, central drawer flanked by four shorter drawers and two cupboards, replacement brass handles, all standing on six square tapering section legs with spade terminals, width 178cm (70”), depth 75cm (29”), height 89cm (35”). £200 - £400

531 531 George III oak dresser base, two plank top with moulded edge and back-board, four mahogany cross-banded drawers, each with brass bale handles, fretwork frieze, turned and block legs, width 213cm (84”). £600 - £800

532 532 George III mahogany serpentine front sideboard, top with cross-banding, black and white string, central drawer flanked by two short drawers and cellerette, all standing on square section tapering legs with spade terminals, width 175cm (69”), depth 74cm (29”), height 90cm (36”). £300 - £400

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

533 533 18th century oak dresser, three shelf rack sitting on base with three drawers, rectangular section supports with pot shelf, width 157cm (62”), depth 40cm (16”), height 200cm (79”). £500 - £600

535 535 First half 20th century oak dresser, three shelf rack encorporating 8-day longcase clock with square brass dial, base with three drawers all standing on six cabriole supports, width 169cm (66”), depth 53cm (21”), height 206cm (81). £300 - £500

534 534 Early 18th century Jacobean design oak dresser, fitted three drawers with geometric moulding, turned handles, standing on cupboard base, two panelled doors flanking central arched recess width 210cm (83”), depth 53cm (21”), height 84cm (33”) (base only), also modern plate rack made to fit dresser base. £500 - £800

536 536 Late 18th century oak dresser, three shelf rack with moulded cornice, base with two plank top, three drawers, original brass handles, fretwork frieze, square section legs, width 186cm (73”), depth 43cm (17”), height 203cm (80”). £400 - £600

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539 Mid 19th century rectangular bevelled glass mirror, contained in Rococo design gesso frame, 122cm (48”), x 76cm (30”). £200 - £300

537 537 20th century Regency design bevelled glass over-mantel mirror, reeded frame with ribbon pediment, width 107cm (42”), height 79cm (31”). £100 - £200

540 540 Regency design oval wall mirror, bevelled glass in gesso frame with egg-and-dart moulding, pediment with Griffins and scrolling foliage, 85cm (33”) x 91cm (36”). £200 - £300

542 542 Late 19th century rectangular gesso pier glass pediment with medical crest to oval, flanked by flower heads and foliage, width 56cm (22”), height 180cm (71”), £300 - £400

538 538 Victorian over-mantel mirror, gilded frame, shell motif to pediment, width 117cm (46”), height 157cm (62”). £400 - £600

541 541 Victorian pier glass, gesso framed pediment moulded in the form of stylised urn and and flowers, width 88cm (35”), height 168cm (66”). £400 - £600 539

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543 543 A pair of early 19th century limewood and gesso torcheres, converted to electricity, height 124cm (49”). £200 - £400

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

544 544 Victorian mahogany half-tester bed, canopy with fabric lining and turned pendent finials supporting curtain rails, bed end with bobbin turned columns and single central panel with matched figured veneers, width 152cm (60”), length 198cm (78”), height 236cm (93”). £200 - £300

545 546 545 Edwardian mahogany torchere, square section tapering column decorated with carved classical swags, square base supported on four animal paw feet, height 125cm (49”). £100 - £150 546 Late 19th century Continental Blackamore figure, carved in the form of a crouching man, painted and stained in naturalistic colours, holding an adjustable circular table, height 57cm (22”). £300 - £500

546A 546A Early 19th century oak dough bin, three plank top with moulded edge, rectangular box base, all supported on four turned legs united by rectangular section stretchers, width 113cm (44"), depth 54cm (21"), height 69cm (27"). £300 - £400

547 547 John Broadwood & Sons London boudoir grand piano, walnut case, overstrung pine frame standing on three turned legs with brass articulated castors, now fitted with electric CD player to provide accompaniment to the pianist, length 165cm (65”), width 145cm (57”). £200 - £400

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RUGS & CARPETS

GARDEN STATUARY

550 550 Victorian cast iron garden urn, in the form of a bunch of bull-rushes, diameter 51cm (20”), height 48cm (19”). £100 - £150 548 548 Modern Kurdistan carpet, mada field with repeating rosette and tarantular motif, saw tooth border, 400cm (156”) x 300cm (117”). £200 - £400

551 551 Late 19th century cast iron garden seat, each end decorated with scrolling arms, legs with flower-head rosettes all united by wooden slats, width 172cm (68”), height 77cm (30”). £200 - £300

549 549 Late 19th century Lilihan carpet, delicate pink fields with all over harati pattern floral design, blue main border with repeating rosette, salvage tapes marked Ray & Mills, Liverpool, 458cm (179”) x 300cm (117”). £500 - £700 128

For condition reports please go to www.peterwilson.co.uk

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GLOSSARY OF TERMS F O R P I C T U R E S , D R A W I N G S , P R I N T S , M I N I AT U R E S E T C .

The first name of names and surname of the artist - in our opinion a work by the artist.

‘Attributed to...’

- in our opinion probably a work by the artist in whole or in part.

‘Circle of...’

- in our opinion a work of the period of the artist and showing his/her influence.

‘Style of...’ / ‘Follower of...’

- in our opinion a work executed in the artist’s style, of a similar period, but not necessarily a pupil.

‘Manner of...’

- in our opinion a work in the artist’s style, but of a later date.

‘School...’

- Accompanied by place name or country, and date - in our opinion a work executed at that location and period.

‘After...’

- in our opinion a copy (of any date) of a work by the artist.

‘Signed and/or dated and/or inscribed’ - in our opinion the signature and/or date and/or inscription are by the artist’s hand.

‘Bears signature and/or date and/or inscription’ - in our opinion the signature and/or date and/or inscription are by another hand.

Dimensions are given height before width.

NOTES

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CONDITIONS OF SALE Peter Wilson Fine Art Auctioneers Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following Conditions of Sale and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) “Auctioneer” means the firm of Peter Wilson Fine Art Auctioneers Ltd or its authorised Auctioneer, as appropriate; (b) “Deliberate Forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “Hammer Price” means the level of bidding reached (at or above any reserve) when the Auctioneer brings down the hammer; (d) “Terms of Consignment” means the stipulated terms and rates of commission on which Peter Wilson Fine Art Auctioneers Ltd accepts instructions from sellers or their agents; (e) “Total Amount Due” means the Hammer Price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f ) “Sale Proceeds” means the net amount due to the seller, being the Hammer Price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You” or “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate and words importing any Gender include either gender.

2. BIDDING PROCEEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the buyer at the Hammer Price “the buyer” and any dispute about a bid shall be settled at the Auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The Auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the Auctioneer’s sole discretion.

4. THE PURCHASE PRICE The buyer shall pay the Hammer Price together with a premium thereon of 26.4% which shall include VAT on the premium at the rate imposed by law.

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5. VALUE ADDED TAX Value Added Tax on the Hammer Price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position).

6. PAYMENT (1) Immediately a Lot is sold you will: (a) Give to us, if requested, proof of identity, and (b) Pay to us the Total Amount Due in cash or in such other say as is agreed by us.

(2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the Total Amount Due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for no later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment, after which you shall be responsible for any removal, storage and insurance charges.

(3) No purchase can be claimed or removed until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) To proceed against you for damages for breach of contract; (b) To rescind the sale of that Lot and/or any other Lots sold by us to you; (c) To resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the Total Amount Due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) To remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) To charge interest at a rate not exceeding 1.5% per month on the Total Amount Due to the extent it remains unpaid for more than 3 working days after the sale; (f ) To retain that or any other Lot sold to you until you pay the Total Amount Due;

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(g) To reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) To apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the Total Amount Due and to exercise a lien (that is a right to retain possession of ) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these Conditions.

9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the layout of the accommodation and security arrangements. Accordingly neither the Auctioneer nor its employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf.

Neither the Auctioneer nor its employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. The Auctioneer may at its own discretion on your behalf exceed your commission by one bid. An instruction to buy with no upper limit will not be accepted.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the Auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The Auctioneer normally acts as agent only and disclaims any responsibility for default by seller or buyers.

13. TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot..

14. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot.

Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf ) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters

of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither the Auctioneer nor its employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded.

This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 information to buyers”.

Please note: Condition of items or other faults is not stated within the catalogue and items are sold strictly as seen. If you are interested in an item and no condition report is present please email auctions@peterwilson.co.uk for more information.

The cost of postage, packing, transport, and shipping is the responsibility of the buyer. The cost of postage, packing, transport, and shipping will not be refunded in any circumstance.

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a Deliberate Forgery may be returned to us by you within 14 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a Deliberate Forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are notable to transfer a good and marketable title to us, you shall have no rights under this Condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions of any person.

17. (1). Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the Auctioneer as appropriate.

(2). Such right and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the Auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

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INFORMATION FOR BUYERS 1. Introduction. The following information notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As Auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. Buyer’s Premium. The buyer shall pay the Hammer Price together with a premium thereon of 22% +VAT (26.4% inclusive).

VAT will be at the rate imposed by law.

5. ‘Subject to VAT’ indicates that VAT is payable by the purchaser at the standard rate (presently 20%) on the Hammer Price as well as being an element in the buyer’s premium. Items which are subject to VAT will be cleared marked within the catalogue text as well as being labelled in the saleroom. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the Hammer Price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the Hammer Price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and therefore, accept responsibility for inspecting and investigating lots in which they are interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the Auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the Auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstance lots mis-described because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 2 week time limit. (The expression ‘Deliberate Forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for the compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of threat character because, e.g. they may contain prohibited materials such as ivory. Ask us if you need help.

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9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission absentee bidding. Commission bids may be left with the Auctioneer indicating the maximum amount to be bid excluding buyer’s premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. The Auctioneer may at his/her own discretion on your behalf exceed your commission by one bid. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). Debit and Credit card payments where the card holder is not present will only be accepted for transactions up to £500.

Credit Card payments may only be made using chip and pin up to £2,000. Please note we no longer take payments over the telephone, you can now pay through our website www.peterwilson.co.uk 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Items not removed within four days of the sale will be subject to a storage charge of £1.50 per item per day.

13. Postage and Shipping. Peter Wilson Fine Art Auctioneers Ltd do not provide a postage and packing service however we recommend the following company who deal with all postage, packing, and shipping for us: T.C. Couriers Nantwich, 3 Barker Street, Nantwich, Cheshire, CW5 5SY. Contact Tony Cartwright on +44 (0) 7746 216 322 or email tony69uk@gmail.com Mailboxes Etc., Peel House, 30 The Downs, Altrincham, WA14 2PX. Contact Alex Pye or Palanivel Kandaswamy on Tel: +44 (0) 161 233 0500, Fax: +44(0) 161 233 0400 Email: info@mbealtrincham.co.uk Website: www.mbealtrincham.co.uk 14. ‘The Artists Resale Right’ From mid – February 2006 living artists are entitled to receive a resale royalty each time their art work is bought or sold by an art market professional. However, from 1 January 2012, the Right will be extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. This new law has been introduced in the UK following a European Directive. Art work must reach or exceed a certain value before it qualifies for the right. The qualifying threshold in the UK is 1000 euros which is approximately £850. The rates are calculated as a percentage of the sale price and are set out in a sliding scale from 4% to 0.25%.

Portion of the sale price Royalty rate From 1000 to 50,000 euro 4% From 50,000.01 to 200,000 euro 3% This will be an extra charge upon the sum for which the art work is obtained, excluding V.A.T. For auctions this is regarded as the hammer price (excluding the buyers premium).

For more information please see the Important Notice to Bidders posted in the salerooms or alternatively a full copy of ‘The Artists Resale Right Regulations 2006’ which is available on request.

Peter Wilson Fine Art Auctioneers Ltd Victoria Gallery Market Street Nantwich Cheshire CW5 5DG Telephone: +44 01270 623878 Fax: +44 01270 610508 Email: auctionspeterwilson.co.uk

www.peterwilson.co.uk