Peter Wilson Fine Art Auctioneers

WEDNESDAY 22 & THURSDAY 23 NOVEMBER 2017

Peter Wilson FINE ART AUC TIONEERS • EST 1955

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Peter Wilson FINE ART AUC TIONEERS • EST 1955

WEDNESDAY 22 & THURSDAY 23 NOVEMBER 2017 AT 11.00AM ON VIEW: Sunday 19 November Monday 20 November Tuesday 21 November Mornings of auctions

2.00pm 10.00am 10.00am 9.00am

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4.00pm 5.00pm 4.00pm 11.00am

Day One: Lots 1-348 Day Two: Lots 349-750 Catalogues £10 from the saleroom, £12 by post Buyer’s Premium is 20% plus VAT (24% inclusive of VAT)

PLEASE NOTE: We cannot provide condition reports on the morning of the auction.

Colours in photography may vary from actual items.

All measurements are approximate.

For full condition reports and extra images please visit our website:

www.peterwilson.co.uk

Peter Wilson Fine Art Auctioneers LLP Victoria Gallery Market Street Nantwich Cheshire CW5 5DG Telephone: +44 (0)1270 623878 Fax: +44 (0)1270 610508 Email: auctions@peterwilson.co.uk

www.peterwilson.co.uk Registered in England | Registration No. OC359701

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Peter Wilson FINE ART AUC TIONEERS • EST 1955

ROBERT STONES Managing Partner robstones@peterwilson.co.uk

NICK ALLSOPP Saleroom Manager nick@peterwilson.co.uk

CHRIS LARGE Ceramics & Glass, Firearms, Weapons, Musical Instruments, Tribal Art chris@peterwilson.co.uk

STEPHEN SPARROW Pictures, Maps & Medals stephen@peterwilson.co.uk

MIMI THOMPSON Wine & Spirits, Clocks & Works of Art mimi@peterwilson.co.uk

ALAN SHAW Coins, Stamps & Cigarette Cards auctions@peterwilson.co.uk

JAYNE TATLER Accounts jayne@peterwilson.co.uk

SHARON SPARROW Administrator auctions@peterwilson.co.uk

HELENA WAUDBY Silver, Jewellery & Watches helena@peterwilson.co.uk

ADRIAN SMITH Gallery Sale Team adrian@peterwilson.co.uk

Cover illustrations: Front: lot 734 Inside Front: lot 228 2

PAUL JERVIS Gallery Sale Team paul@peterwilson.co.uk

Back: lot 135 Inside Back: lot 541

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INDEX DAY ONE Collectors Items

1 - 32

Toy

33 - 36

Wine & Spirits

37 - 73

Musical Instruments

74 - 81

Weapons & Militaria

82 - 83

African & Oceanic Tribal Art

84 - 87

Glass Books, Maps & Postcards Glass

88 89 - 97 98 - 125

Ceramics

126 - 223

Asian Art

224 - 247

Silver

248 - 277

Jewellery

278 - 336

Watches

337 - 347

Women's Designer Clothing and Accessories

348

DAY TWO Oil Paintings (Modern/Contemporary)

349 - 448

Watercolours, Pastels & Inks (Modern/Contemporary)

449 - 484

Prints & Engravings (Modern/Contemporary)

485 - 510

Modern Sculptures

511

Oil Paintings (18th/19th Century)

512 - 541

Watercolours, Pastels & Inks (18th/19th Century)

542 - 598

Miniatures

599

Prints & Engravings (18th/19th Century)

600

Bronzes & Sculpture

601 - 605

Clocks & Barometers

606 - 627

Longcase Clocks

628 - 638

Vehicles & Transport Furniture

639 640 - 750

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COLLECTORS ITEMS 1 Mahogany wall cupboard inset with two tiles by J.C. Edwards, Ruabon, North Wales in the style of William de Morgan, the tiles have a winding chrysanthemum in a deep ruby colour with red lustre glaze finish. The cabinet itself has a Liberty & Co. plaque on the inside of the cabinet door. 60x65cm; 24x26in. £500-700

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2 Boyson Tailor and Habit-Maker oak retailers shop sign, width 122cm; 48in, height 88cm; 35in. £80-120 3 Early 19th century Scottish mahogany treen bobbin stand with brass holders. By the cabinet makers JAs Mein. Paper label reads ‘JAs Mein, Cabinet Maker & Upholsterer’, serial no. 21630. 18.8cm; 7.4in height. £80-120

4 George III mahogany miniature tripod table circular top, with an inlaid parquetry satin-wood and ebony star and chevron cross banding.

Turned vase shaped column with triform base. 28cm; 11in diameter. £80-100 5 Victorian figured walnut writing slope with plain brass strapwork.

Interior with leather writing slope.

With removable panel and secret draw plus two ink-wells. 40.6 x 44.5 x 25.4cm; 16 x 17.5 x 10in. £100-150 6 Regency child’s chair ebonised frame with scroll arms and saber legs with cane seat and brass rosettes on the curlicue arms and back. Height 51cm; 20in. £60-100 7

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9 7 7 A pair of art noveau style brass table lamps of an acanthus leaf design curving gracefully into a cluster of flower petals. 45cm; 17.5in height. £70-100 8 2004 gold proof sovereign by Royal Mint, 22ct gold as standard, weight 7.98g, boxed and cased, certificate of authenticity no. 0019. £200-250 9 Boxed proof set of 3 proof half sovereigns of Queen Elizabeth II, 22ct gold as standard, weight specified as 3.99g each, complete with certificate of authenticity. £250-350

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10 2005 Britannia gold proof 4 coin boxed set, comprising denominations of 100, 50, 25 and 10 pound gold coins, coins 22ct gold as standard with a total weight of 62.99g, complete with certificate of authenticity, no. 1566. £1,500-2,000

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11 2006 Britannia gold proof 4 coin boxed set, comprising denominations of 100, 50, 25 and 10 pound gold coins, coins 22ct gold as standard with a total weight of 62.99g, complete with certificate of authenticity, no. 0627. £1,500-2,000

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12 Late 19th century three bottle tantalus, oak frame with brass mounts and decanters with hobnail cutting. 36 x 37cm; 14 x 14.5in. £80-120 13 A pair of 19th century, Australian cameo carved Emu eggs, one depicting an emu the other a kangaroo. Mounted on EPNS and ebonized wood stands with fern leaf ornament. 23cm; 9in height. £80-120

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14 Surveyor’s level by Troughton & Sims London repolished brass case with spirit level and compass contained in mahogany travel box, accompanied by brass and mahogany tripod. Scope: 37cm; 14in. £300-400 15 Surveyor’s level by Negretti & Zambra contained in mahogany travel box, accompanied by brass and mahogany tripod. £400-500

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16 Brass surveyor’s level signed Davis Derby. Single scope with spirit level all contained in mahogany travel box. £150-250

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17 An embossed copper wall mirror with bevelled glass, frame decorated with carriage and four horses in hand.

92 x 51cm; 36 x 20in. £100-200 18 A Robert “Mouseman” Thompson of Kilburn oak adzed nut bowl, with carved mouse signature, diameter 15cm, 6in. £150-200 19 English enamel oval plaque circa 1780 probably Bilston, painted with a lady sat at a table reading perhaps representing Literature, fitted in bronze frame, 11cm high. £300-400

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20 English enamel oval plaque circa 1780 probably Bilston, painted with a lady playing a piano representing music, fitted in bronze frame, 11cm high. £300-400 21 19th century mahogany salt box of primitive design with hinged lid, copper nails, brass banding, tessellated pattern and carved star.

41cm; 16in height. £100-200 22 19th century mahogany candle box, front panel inlaid with knife and fork, framed in herringbone, pine backboard with escutcheon to hang box. 51cm; 20in height. £100-200 7

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23 Gilbert and Sons pocket globe in case, dated 1807, with 148 Leadenhall Street London address, with original case decorated with signs of the Zodiac, (2) 7.5cm diameter. £2,000-3,000 24 24 Circular brass pocket sextant complete with silver scale, arc-minute vernier and scale magnifier in order to measure altitude for celestial navigation. 7cm diameter. £100-200

25 Pair of 19th century brass door finger plates with peacock motif within an art noveau pattern. 55x10.5cm; 21.5 x 4.1in. £100-150

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26 A 19th century ceremonial Germanic drinking horn with bronze and copper embellishments. Four cast copper animals on collar (a boar, a fox, a dog and a deer). Mounted on wooden plinth. Approx 2ft in height. £1,000-2,000 27 Cameo carved conch shell, depicting profile of woman with floral headdress, approx. 13cm high. £100-200

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28 Thompson & Capper Homeopathic Chemists (of ) Liverpool & Birkenhead mahogany chemists box, with leather lined lid with the name of the chemist printed in gold lettering, a number of medicine vials held in wooden tray, a small secondary drawer and also a copy of ‘The Homoeopathic Vade Mecum of Modern Medicine and Surgery’ by Ruddock. 20 x 28 cm; 8 x 11in. £100-200

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29 29 A pair of 19th century bronze candlesticks with brass mounts, with foliate gilding in a Rococo style with a trio of putti at the centre. Converted to electricity. 32cm; 12.5in height. £80-120

31 George III tortoiseshell veneered tea caddy with satin wood stringing and tulip wood cross-banding, with two removable lidded canisters with oval tortoiseshell lids and an inlaid patera motif on the interior lid. Ivory escutcheon and white-metal handle. 13.5 x 22cm; 5.25 x 8.5in. £100-200 32 Set of ‘J. White & Sons of Auchtermuchty’ in Fife, brass beam balance scales complete with seven graduated brass weights. Original paint work in black, gold and red with art noveau style ornament. 79cm; 31in height. £150-250

30 The major parts of a Mechanical tellurium Orrey, late 19th century, the Terrestrial globe printed by P. Hohring, the enamelled dial depicts star signs and calendar months and reads ‘Geographisch Artistische Anstalt von’ (part missing) some parts disassembled. £100-200

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TOyS 33 A collection of Triang Minic ships, Breakwaters, Quay Straights, Storage tanks and buildings to include S.S. United States, S.S. Nieuw (Amsterdam), M885 floating dock, R.M.S. Queen Elizabeth, R.M.S.Saxonia, S.S. Varicella, T.S.S. Vikingen, Franconia (M.708), H.M.S. Vanguard, H.M.S. Bulwark (M.751), Devonshire, Swiftsure, Superb, Jutland, Dainty, Virago, Tobuk, Volage, four Submarines, tugs and light vessels, P.S. Britannia and three Royal yachts. £300-400

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34 Hornby 3-1/2 gauge Stephenson’s Rocket with tender and Coach, model numbers G100, and L5240, with display board. £125-175 35 Heinrich handwerck doll, with open mouth and sleep eyes, dressed in original lace costume, moulded head number 109/11, printed ‘Handwerck’ stamp to body, 51cm high. £200-300

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36 Rocking horse by H. Wakefield Boston, painted dapple grey, with walnut and mahogany turned stand, incised monogram and 44 to underside of horse, 106cm high. £600-800

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WINE & SPIRITS 37 A bottle of Chateau MoutonRothschild, 1955, top shoulder. £300-400 38 A bottle of Château PichonLongueville Baron Chalet de Pauillac, 1961, base of neck. £200-300 44

39 A bottle of Château Cos d’Estournel (Saint Estephe), 1964, into neck. £200-300 40 A bottle of Château Latour Grand Vin, 1970, base of neck. £250-350 41 A bottle of Château Lagrange (St. Julien), 1959, top shoulder. £80-120

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42 Midleton Very Rare Irish Whiskey 1991 - 700ml number 1127 with wood box, certificate and registration card (1 bottle). £500-600 43 No lot 44 One bottle of Bushmills Millennium Malt Whiskey cask no. 306 700ml. As well as two bottles of Bushmills 16 year old Malt Whiskey 700ml £150-250 45 Two bottles of Bushmills 10 year old single malt 700ml and one bottle of Bushmills 10 year single malt 1L. £40-50 46 Two bottles of Bushmills 1608 400th anniversary edition 700ml and one bottle of Bushmills 21 year old whiskey 700ml. £150-250 47 Three bottles of Bushmills 12 year old whiskey 2x 1L and 1x 700ml £60-80

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48 One bottle of Bushmills Black Bush whiskey 1L. One bottle of Bushmills Black Bush with commemorative glass 700ml. 2x Bushmills original whiskey 700ml £30-60 49 Midleton very rare Irish whiskey, 2005- 700ml £150-250 50 Midleton very rare Irish whiskey, 2008- 700ml £100-200

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51 Jameson 15 year aged Irish whiskey, 700ml £50-100 52 Jameson rarest vintage reserve bottled in 2009 750ml £150-250 53 Jameson rarest vintage reserve bottled in 2007. 700ml £200-300 54 Jameson rarest vintage reserve bottled in 2007. 700ml £200-300 51

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55 55 Two bottles of Jameson Irish whiskey 1L. One bottle of Jameson Irish whiskey 700ml. One bottle of Kilbeggan Irish whiskey 1L and One Bottle of Kilbeggan Irish whiskey 700ml £40-80

56 56 One Bottle of Jameson Master Selection Irish whiskey 18years old 700ml. Two Bottles of Jameson special reserve Irish whiskey 700ml silver edition bottle. Two bottles of Kilbeggan Irish whiskey 700ml £40-80 57 Three bottles of Champagne : Laurent Perrier ‘Oil of Ulay’ Rose Champagne (750ml), a magnum of Moet & Chandon Premiere Cuvee Champagne and a bottle of Moet & Chandon Champagne (750ml). £60-100

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58 Three bottles of Pouilly Fusee, 1971 and a bottle of La Chablisienne 1991. £40-60 59 A selection of red wines and port : Christian Moueix Merlot, 1993. Cotes Du Rhone Villages, Reserve, 2001.

Calvet Reserve (Merlot/Cabernet Sauvignon), 1998. Berberana Gran Reserva Rioja, 1970. Wyndam Estate Shiraz, Bin 555, 1987. (5x 750ml bottles). A bottle of Sandeman Port, 1L. £60-80

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57 60 Three bottles of Jameson 1780 special reserve aged 12 years, 1L and one bottle of Jameson gold special reserve Irish whiskey 700ml £250-350 61 Two bottles of Jameson 12 year old Irish whiskey 700ml. One bottle of Jameson 12 year old Irish whiskey 1L. One bottle of Tyrconnell single malt Irish whiskey 700ml. One bottle of Tyrconnell single malt Irish whiskey 1L £60-80 62 Jameson select reserve small batch Irish whiskey 700ml. Jameson signature reserve Irish whiskey 1L. Jameson distillery reserve aged 12 year old Irish whiskey 700ml. Jameson crested 10 year old Irish whiskey 700ml £80-120

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63 63 Three Bushmills miniature collections of Irish whiskey in collectors tins. 5cl each (18x5cl bottles). Connemara Family single malt Irish whiskey miniatures plus whiskey glass (3x 5cl bottles) The Cooley collection of Irish whiskeys (Greenore, Kilbeggan, Tyrconnell and Connemara) 4x5cl bottles. Two sets of Clontarf Irish whiskey trinities with shot glasses (6x200ml bottles) £50-70 64 A Bottle of Locke’s 8 year aged single malt Irish whiskey in ceramic decanter 700ml. A Bottle of Locke’s 8 year aged single malt Irish whiskey 700ml.A Bottle of Locke’s 8 year aged single malt Irish whiskey 700ml. A bottle of Kennedy Celtic Gold Irish whiskey 700ml. A bottle of Delaney’s special reserve Irish whiskey 35cl. £50-70 65 Three bottles of Connemara peated single malt Irish whiskey. 700ml one with collectors glasses. A bottle of Connemara peated single malt Irish whiskey cask strength 700ml £40-80

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66 yellow Spot 12 year old Irish whiskey 700ml. Green Spot Irish whiskey 700ml.

Dylin single malt Irish whiskey 700ml. £70-100 67 Brogans single malt Irish whiskey 700ml. Teeling Irish whiskey 700ml.

Writers Tears, pot still Irish whiskey 700ml.

The Irishman 70 year old Irish whiskey £60-100 68 Powers John Lane Release 12 year old Irish whiskey 700ml. Powers gold label Irish whiskey 700ml. Powers gold label Irish whiskey 700ml with glassed and playing cards. Redbreast Irish whiskey 12 year aged 700ml. Two bottles of Redbreast Irish whiskey 15 year aged £120-220 69 Tullamore Dew Master Blenders reserve Irish whiskey 700ml.

Tullamore Dew Irish whiskey 700ml.

Three ceramic decanters of Tullamore Dew Irish whiskey (3x700ml) £50-100

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70 Three limited edition Titanic souvenir ale bottles. Made by Wade Ceramics using a traditional method used by 19th century brewers to seal bottles of IPA destined for the far east. £60-100 71 A commemorative Jeroboam for the Queens Golden Jubilee. Numbered 4 of 6 and signed in gold paint by the glass maker. £60-80 71

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MuSICAL INSTRuMENTS 74 Rare Wheatstone Duet Aeola, with 72 keys fitted to pierced nickel plated octagonal end plates, Anglo German set up, serial number 31282, for 1926, with original leather case, the instrument measures 34cm wide. £3,000-4,000

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72 Three bottles of Cote de Brouilly, 1978. Two bottles of Chateau Talbot, Grand Cru Classe, 1974. £70-150

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75 Premier / Staccato Hybrid ‘Simple Minds’ drum kit, formerly played by Mike Ogletree, consisting of a Premier bass drum, snare, floor tom, two radial toms, together with two Staccato rack toms and a floor tom, Stagg drum stool and a collection of Pearl and Sonor cymbal stands.

This distinctive hybrid drum kit was formerly the property of Mike Ogletree and used extensively throughout 1982 during Simple Minds tours and recording. The kit was seen on the ‘Sons of Fascination’ and the ‘New Gold’ tour.

The drum sound you can here on songs ‘Colours fly and Catherine Wheel’, ‘Somebody up there likes you’ and ‘New gold dream’ from the Simple Minds album ‘New Gold Dream’ were recorded using this kit. When the band performed on BBC’s Top of the Pops show in 1982 the kit can be clearly distinguished by the distinctive horn shaped ‘Staccato’ drums. The kit can also be seen in action when Simple Minds performed on ‘The Old Grey Whistle Test’.

73 Three bottles of a rare Château Gruaud Larose, 1961. Along with others: A magnum of Domaine Jean Grivot Clos Vougeot, 1982. A bottle of Domaine Marc Morey & Fils Chassagne-Montrachet, 2002. A bottle of Beaujolias Propriete, 1978. A bottle of Mouton-Cadet BordeauxBlanc, 1986 (not pictured) £150-250

Mike Ogletree left Simple Minds in November 1982 and joined the band ‘Fiction Factory’ and used the kit again for live shows an in the studio including the bands best known track ‘Feels (Like Heaven)’.

The hybrid drum kit was left behind by Mike Ogletree when he moved to New York and from 1984/5 resided in John Kerr’s studio (front man of Simple Minds) it is during this period that the kit lost a lot of the ‘breakables’ and is why no cymbals are present and other small parts are missing or replaced. The kit was sold to Drum Vault Edinburgh who fully restored the kit and sold it to the present vendor. £1,000-1,500 76 Boxwood clarinet by T. Prowse, of four sections with ivory mounts and brass keys, stamped ‘T. Prowse Hanway Street, London’, mid 19th century 59cm long. £100-150

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77 Lachenal 48 key concertina, serial no. 45587, with arched pierced rosewood end hexagonal plates fitted with forty eight keys, 16cm wide. £200-400

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78 Epiphone Dot ES335 electric guitar, serial number 10122318227, finished in cherry red with cream binding, fitted with Grover tuners, 109cm overall length. £150-200 79 Ebblewhite Improved concertina, the pierced rosewood sides fitted with forty eight keys, 15.5cm wide. £50-80 80 Gibson A-1 Mandolin, serial number 20887, with arched back and belly, ivoroid binding and floating tortoiseshell effect pickguard, 64cm overall length. £500-800

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81 Grafton cream-coloured acrylic plastic alto saxophone, serial number 11292, retailed by John Dallas & Sons Ltd, with snakeskin effect green case, also a boxed Bandmaster Chromatic mouth organ, the saxophone measures 71cm overall height. £600-800

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WEAPONS & MILITARIA 82 Percussion Sporting / Wildfowling 10 bore gun by J. Wiggan circa 1850, with engraved back action lock and dolphin hammer, gold lined breach, Damascus barrel, chequered stock with silver escutcheon end cap and barrel pin mount, 116cm overall length. £300-400

83 Masonic dagger by Toye & Co. London, with skull pommel and crossbones guard, simulated copper wire bound grip, the leather scabbard fitted with brass mounts engraved Gothic Lodge No. 5754, 39.5cm overall length. £300-350

AFRICAN & OCEANIC TRIBAL ART

84 African Cameroon beadwork helmet mask, carved wood, applied beadwork with elaborate woven coiffure, 40cm high. £100-200

85 African Cameroon beadwork mask, carved wood, applied beadwork with elaborate woven coiffure, 39cm high. £80-120

86 African Dan Mask, with elaborate cowrie shell headdress applied with mirrors, woven coiffure, 38cm high excluding the woven coiffure. £70-100 87 Collection of Crea tribe Canadian Indian beadwork, to include a pair of Moccasins, a belt, head band, pendant and two necklaces, and a bag, collected by the Vendors aunt whilst travelling in the 1960’s. (8). £50-100

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88 Osler & Branch Epergne in an art noveau style, the gilt metal base stands on cast lion’s feet before curling up into acanthus leaves that hold eight cut glass posies. And matched central bowl. 36cm; 14in diameter. £300-400

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BOOKS, MAPS & POSTCARDS 89 Johannes Blaeu (Dutch, 1596-1673), Wales, Wallia Principatus vulgo Wales, published Amsterdam, [1645 or later], decorative cartouche, Spanish text on verso, hand coloured engraved map, plate size 38.5 x 50cm.; 15.25 x 19.75in. £150-200 90 Herman Moll (1654-1732), A New Map of Great Britain, according to the Newest and most Exact Observations, 1726, with inset map of the Orkney and Shetland Islands, printed and sold by Thomas Bowles next the Chapter House in St. Paul’s Churchyard, John Bowles at the Black Horse in Cornhill and by John King at the Globe in the Poultrey near Stocks Market, hand coloured engraved map, 103.5 x 62.5cm.; 40.75 x 24.75in. £300-500

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91 John Senex (1678-1740), A New Map of Great Britain Corrected from the Observations communicated to the Royal Society at London, with inset map of the Orkney and Shetland Islands and decorative title and dedication cartouches, engraving with hand colouring on two sheets joined, 98 x 68cm.; 38.5 x 26.75in. £200-400 91

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92 Johannes Blaeu (Dutch, 1596-1673), Suffolk, Suffolcia Vernacule Suffolke, published Amsterdam, 1646, ornate strapwork cartouche and numerous armorials, Spanish text on verso, hand coloured engraved map, unframed, plate size 38.5 x 50cm.; 15.25 x 19.75in. £100-200

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93 93 Johannes Blaeu (Dutch, 1596-1673), Berkshire, Bercheria vernacule Barkshire, published Amsterdam, 1648, decorative title cartouche and armorials, Spanish text on verso, hand coloured engraved map, unframed, plate size 38.5 x 50cm.; 15.25 x 19.75in. £100-200

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94 Peter Stent (c.1613-1665), Map of Lancastriae, printed and sold by Peter Stent, engraving, plate size 38 x 48cm.; 15 x 19in. £200-400 95 John Speed (1542-1629), Leicester both Countye and Citie described, The Honorable Famylies that have had the titles of Earls thereof with other accidents therein observed, with plan of Leicester and arms, hand coloured, engraved county map, sold

by Thomas Bassett in Fleet Street and Richard Chiswell in St. Paul’s Churchyard, with English text on verso, 39 x 51cm.; 15.5 x 20in. £100-200

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96 BOWEN, Emanuel (1693-1767), An Accurate Map of the County of Lancaster Divided into its Hundreds, from the Large English Atlas, sold by John Bowles & Son in Cornhill & Robert Sayer in Fleet Street, London 1753, hand coloured engraved map, 71 x 54cm.; 28 x 21.25in. £100-200 97 Bible [Greek - Old Testament]. Vetus Testamentum Graecum ex Versione Septuaginta Interpretum. Juxta Exemplar Vaticanum Romae editum, Cambridge: John Field, 1665, printer’s woodcut device to title, double-column Greek text, red morocco, gilt decorated spine (1). £150-200

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98 Eleven glass rummers, with cut, engraved and moulded decorations, early to mid-19th century, (11) the tallest glass measures 13.5cm high. £100-200 99 Victorian cut glass oil lamp, converted to electricity, with messengers patent fittings, star cut reservoir, octagonal stem and star cut base, 45cm high to the top of the bulb holder. £100-150 100 Massive four feet tall Victorian Vaseline glass vase, of flaring form with opaque liner decoration, joined at the foot by a plated mount, 124cm high. £200-300 101 Cut glass lamp, fitted with A&N patent burner, together with funnel and etched shade, late 19th century, 50cm overall height. £200-300

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102 Thomas Webb glass boat shaped flower vase, together with mirrored display stand, with fine intaglio cut cartouches, the wire flower holder flanked by one screw fitted vase, and one drop in trumpet shaped vase, etched signature to one end, 69cm long. £1,500-2,000 103 Pair of fine flutes and a large goblet, with gilt banded decoration, late 19th century, 36.5cm high. £80-120 104 Pair of intaglio cut glass vases circa 1880, the floral decoration heightened in gilt, (2) 23cm high. £80-120 105 Fritz Heckert glass vase circa 1900, with twin handles decorated with raised enamelled decoration, etched F.H. 4697 D.26 to base, 13cm high. £60-100

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106 Murano Badioli vase, decorated with red blue and yellow splashed glass, etched signature to base, 30cm high. £80-120

109 Large Murano Badioli Picasso inspired glass face sculpture, etched signature to base, 45cm high. £300-500

107 Murano Badioli glass vase, decorated with red blue, green white and yellow bands, etched signature to base, 30cm high, also a Murano tear drop weight with coloured twist inclusion, 24cm high. £100-150

110 Murano Badioli Picasso inspired glass face sculpture, of vase form, etched signature to side, 23cm high. £150-250

108 Murano Badioli Picasso inspired glass face sculpture, with impressed mark to side and etched signature to base, 29cm high. £200-300

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111 Murano Vetro Artistico style vase signed F. Ragazzi, decorated with mottled coloured glass and gold inclusions, indistinct signature to base, 27cm high. £80-120 112 Murano Badioli Picasso inspired glass face sculpture, of vase form, etched signature to side, 23cm high. £150-250

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113 114 113 Murano Galliano Ferro glass Latticino dish, with twenty two lattice and coloured canes, 23cm wide. £100-150 114 Murano Badioli Picasso inspired glass face sculpture, with impressed mark to side and etched signature to base, 28cm high. £150-250 115 Murano Badioli Picasso inspired glass face sculpture, with impressed mark to side and etched signature to base, 30cm high. £150-250

116

116 Salviati Mori glass mask candlestick on stainless steel base, 25cm high. £50-100 117 Two F.M. Ballarin Murano glass scent bottles with twisted necks and stoppers together with two squat form similar bottles and stoppers, etched marks to base, labels to sides, the tallest piece measures (8) 25.5cm high. £150-250 118 Gian Signoretto Murano green glass nude female study, mounted on frosted glass base, also a Gian Signoretto figure group of a couple embracing, etched signatures, (2) the tallest piece measures 45cm high. £80-120

117

115

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119 Murano glass sculpture signed Avicehob. P, with red flame top and two blue disks, 53cm high. £50-100 120 Murano glass male torso signed F. Ragazzi, mounted on black glass base, 32cm high. £100-200 121 Murano glass sculpture of an embracing couple signed F. Ragazzi, with multi coloured latticework inclusions, etched signature to base, 36cm long. £100-200

119

120 122 Murano glass sculpture of a bird signed F. Ragazzi, with multi coloured inclusions, etched signature to base, 40.5cm high. £80-120 123 Two art glass vases signed Bilbo, coloured with abstract face designs, 38cm high. £80-120 124 Two Daum dishes, applied with coloured glass kittens playing with balls, etched signatures to sides, 17cm wide. £100-200

121

124

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123

125 Cenedese Murano figure of a Mexican, also a S. Frattini figure group of an embracing couple number 123 of 150, together with another similar indistinctly signed piece, etched marks to bases, (3) the tallest piece measures 34cm high. £80-120

125

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128

127

CERAMICS 131 Early Worcester cos lettuce leaf dish circa 1760, painted with the Blown Tulip leaf dish pattern in under glaze blue, workman’s mark to base (crescent mark normally found on these dishes) 35cm wide. £250-350

126 Baddeley Littler teabowl and saucer circa 1780 - 85, painted with leaf cartouche and feathered border, (2). £150-200 127 Worcester mask jug circa 1780, printed with natural sprays in underglaze blue, crescent mark to base, 23cm high. £50-100

132 Worcester trio circa 1770, painted with puce and gilt floral decorations, also a tea bowl and saucer painted with ‘The Waiting Chinaman’ pattern with later added clobbered decoration, together with a reeded cup and saucer, crescent and scrolled ‘W’ marks to bases, (7). £100-200

128 Worcester teapot circa 1780, with reeded body decorated with turquoise and gilt formal borders, 12cm high. £70-100

129

130

129 Caughley tea bowl and saucer circa 1780, the reeded body painted with floral chains and swags within a pink border, blue S marks to bases, (2). £100-150

133 Staffordshire pearlware named teapot, of lozenge form, with swan finial painted in underglaze blue with ‘Elisabeth Griffiths’ 14cm high. £100-150

130 Liverpool John and Jane Pennington sauceboat circa 1775, painted with underglaze blue flowers, 13cm long. £150-200

131

132

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134 Two Black Basalt teapots one by B.Mayer, the other by Neale & Co. circa 1800 both with cloaked figure finals and moulded bodies, the Neale teapot is of heart shape section, impressed marks to base, (4) 12cm high. £150-250 134

135 Staffordshire Rabbit, modelled eating lettuce leaves, painted with black patches, mid-19th century, 23cm wide. £400-600 136 Slipware bowl, decorated with a stylised leaf pattern, early 19th century, 29cm diameter. £80-120

135

137 Nineteen Enoch Wedgwood copper plates for transfers, some are ex Furnivals, patterns include landscape and topographical scenes, floral and animal designs, many with backstamp beside the main design, most with factory name side, (19) The largest plate measures 38cm x 33cm.

Provenance: The vendor’s husband worked as chief accountant for Enoch Wedgwood and rescued these from the factory closure. £100-150

136

138 Pair of Victorian pottery rustic stoneware arm chairs, possibly by George Fishley of the Fremington Pottery, decorated with brown, blue and white spotted glazes, (2) 20.5cm high. £100-200

138 137 28

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139 139 Large Mason’s Ironstone vase, with twin dragon handles, decorated with a Chinoiserie landscape within cartouche on blue and gilt ground, mid 19th century, 39.5cm high. £50-70

142 Parian figure group of The Three Graces, after Canova, possibly by Robinson and Leadbeater, modelled with three nudes, on oval plinth, late 19th century 29cm high. £150-200

140 Pair of Watcombe Pottery terracotta wall shelves by Joseph Ellis, sculpted with two cherub mermaids hauling nets, impressed marks and 1877 to sides, 28cm high. £150-250

143 Meissen biscuit porcelain figure of a girl, modelled sat on a stool reading, incised F51 to top of base and crossed swords mark to base, late 18th century, 13.5cm high. £150-200

141 Copeland Parian Art union wall bracket or bowl, after A. Malembre Sc. 1880, modelled as a shell with two cherubs gazing skyward, impressed marks to reverse, 21cm high. £250-350

144 Paris (La Courtille) biscuit porcelain group, modelled as a young hunter standing before a tree holding a bird, a dog at his side and a woman seated beside, incised crossed torches, late 18th century, 31cm. high. £150-180

142

143

141

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145 145 Pair of large continental porcelain table candelabra, modelled as a lady and gentleman collecting flowers, stood on scrolled rococo bases with tree effect three branch candelabras to the backs, pseudo Marcolini Meissen marks to bases, one figure has an incised 164, mid 19th century.

71cm high. £500-600

146 Pair of Continental bisque table lights, originally candle, now converted to electricity, modelled with three Grecian maidens and a cherub stood on column bases separated by ormolu mounts, late 19th /early 20th century, 47cm high to the top of the ormolu mount. £200-300

147 30

147 Pair Hispano Moresque type chargers, painted in blue and copper lustre with stylised patterns, one has to initials V.M.D to base, mid to late 19th century, (2) 39cm diameter. £150-250

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148 Herend figure of a gentleman, modelled by J. Istok, dressed in winter overcoat and hat holding a walking stick, printed marks and 5573 model number to base, 32cm high. £80-120 149 Pair of Meissen twin handled vases, painted with floral sprays between moulded cartouches and borders, painted crossed swords marks and incised shape number 186, late 19th early 20th century (2) 28cm high. £200-300 150 Faience pierced oval dish, painted with figures dancing to music, F.R. 1732 monogram to base, 19th century, 28cm wide. £80-120

149 148

151 Italian Maiolica plate probably Castelli, painted with a classical scene, 25.5cm diameter. £80-120 152 Meissen cup and saucer circa 1800, painted with puce flowers on a moulded body, Marcolini mark to bases, also a Dresden saucer painted with a coastal landscape, AR mark to base, (3). £80-120

151

150

153 Vienna type plate, finely painted with an elderly gentleman wearing fur cap and collar, within tooled gilt border, indistinctly signed Wagner? painted bee hive mark to base, late 19th century 27cm diameter. £200-300

152

154 Volkstedt custard cup and cover with saucer circa 1800, painted with floral sprays and green entwined ribbons, painted hayforks mark to base, (3). £80-120

154 153

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155 Two Samson custard cups and covers, one painted with armorial crest, the other with floral border, late 19th century, (4) 8cm high. £70-100

155

156

156 Pair of Dresden plaques, decorated with ladies in Grecian scenes, with gilt glazed frames and slip mounts, late 19th century, (2) the plaques measure 17.5cm x 12cm. £400-500

157 Dresden oval plaque, painted with a portrait of a lady, impressed numeral ‘2’ and pencil marks, mid 19th century, in heavy moulded frame, the plaque measures 18cm high. £300-400

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158 158 Coalport plate signed E. Ball, painted with a scene of Lake Menteith within yellow and blue border heightened with raised gilt, printed and painted marks to base, circa 1900, 23cm diameter. £120-180 159 Coalport twin handled dish signed A. Perry, painted with a scene of San Remo within yellow and blue border heightened with raised gilt, printed and painted marks to base, circa 1900, 31.5cm wide. £250-350 160 Coalport twin handled dish signed F.H. Chivers, painted with fallen fruit on a mossy bank within in green ground heightened with raised gilt, printed and painted marks to base, circa 1900, 34cm wide. £250-300

160

161 Pair of Royal Worcester ewers, with moulded blossom details, decorated with flora on an ivory ground, puce printed marks, shape 1097, and 1890 date codes to bases, (2) 20cm high. £150-250 162 Locke and Co. Worcester vase, with twin flower head handles and pierced neck, painted with two gold finch perched on raised gilt branches on a pale blue ground, green printed marks to base, 18.5cm high. £80-120

161

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164 163 Davenport dessert service, comprising of two low and one high footed tazzas and six plates, painted with imari patterns, printed marks to bases, (9) 23cm diameter. £80-120

164 Hadley’s Worcester twin handled vase circa 1902 signed W. Powell, painted with storks by the water’s edge, green printed marks to base, 25cm high. £200-300

165 165 Minton cabinet cup and saucer circa 1900, finely painted with topographical scenes including the Tower of London, within tooled gilt borders, printed marks to bases, (2). £100-200 166 Royal Worcester plate signed R. Sebright, painted with fruit within raised green and pink gilded border, puce printed marks to base, date code for 1910, 23cm diameter. £250-350 166

167

167 Royal Worcester plate signed W. Bee, painted with fallen fruit within elaborate acid etched border, gold printed mark, date code for 1929, 27cm diameter. £180-220 168 Crown Derby coffee set, painted with imari pattern 2451, comprising of six coffee cans, six saucers, three side plates, a cake plate and a sugar bowl, date codes circa 1908 -1918 (17). £100-150

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170 169

172 Seven Royal Crown Derby paperweights, to include 25th Anniversary Rabbits with certificate, Hamster, Bunny, Bank Vole, Baby Rowsley Rabbit exclusively for Sinclairs, and Red Squirrel, all with boxes, gold stoppers (7) The tallest model measures 9cm high. £100-150

169 Three Royal Crown Derby plates and oval dish, decorated with imari pattern 1128, the plates are 27cm and 21.5cm diameter, the dish is 26cm wide. £80-120 170 Royal Worcester Hadley’s Ware twin handled vase signed A.C. Lewis, painted with pheasants within a country landscape, green printed marks and 1905 date code to base, 10cm high. £200-300

173 Large Royal Worcester plate signed Freeman, painted with fallen fruit, black printed mark to base, also another English porcelain plate painted and signed by ex. Royal Worcester artist Frank T. Higgins, (2) 27cm diameter. £350-450

171 Royal Worcester vase signed G. Stinton, painted with highland cattle, shape H294, 1924 date code to base, (no cover) 20cm high. £200-400

171

174 Royal Crown Derby plate signed Ellis Clark, finely painted with Ludlow Castle Shropshire, within blue, gilt and white jewelled border, date code for 1886, 22cm diameter. £250-350

172

173 174 35

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176 175 175 Cauldon plate signed W.E. Dean, painted with two yachts in rough water within blue and acid etched gilt border, Higgins and Seiter New York retailers stamp to base, 26cm diameter. £250-300

177 176 Royal Worcester basket weave vase, with twin handles and four branch feet, moulded floral decoration, green printed marks to base, late 19th century, 20cm high. £100-200 177 Pair of Royal Worcester vases, painted with roses, green printed marks and date code for 1911, to bases, (lacking covers) (2) 9cm high. £70-100 178 Extensive Spode Seville pattern dinner, tea and coffee service, manufactured 1992-1995, pattern number Y8577, with mottled red/orange band decoration, 77 items, (111).

178

Refer to online catalogue for complete inventory. £200-400 179 Four Royal Crown Derby paper weights, to include a Crocodile, Kangaroo, Cat and Otter, all with gold stoppers and boxes (4). £80-120 180

179

180 Royal Crown Derby “Pearly Queen Stepney” and “Abyssinian” red printed marks to bases, (no stoppers) (2) 22.5cm high. £80-120 181 Wedgwood dinner service, decorated with gilded blue borders, early 20th century, printed marks to bases, (75).

181 36

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182

182 Two Coalport twin handled lidded vases, one painted by M.Harnett to commemorate the 6th birthday of Queen Elizabeth II, number 59 of 60, the second initialled P.G.to commemorate the 1900th Anniversary of the founding of The City OF York, one box present, (4) 24cm high. £100-150 183 Royal Doulton stoneware vase, decorated with vases of flowers on a green ground, shape 6699, also a Doulton Lambeth hexagonal vase decorated with a leaf work stylised pattern shape 7778, impressed marks to bases, (2) the largest vase measures 25.5cm high. £70-100

184

184 Royal Doulton Archives jardinière and vase, decorated with stylised leaf patterns, limited edition numbers 78 and 58 of 100, impressed marks to bases, (2) 24cm high. £80-120 185 Two Goldscheider with Myott figures, one depicting a Victorian lady, the other a young girl and doll, printed and moulded marks to base, (2) the tallest figure measures 23cm high. £80-120 186 Troika vase, the textured surface painted with circle border, painted marks and indistinct artist monogram to base, 26cm high. £80-120

185

186

187 Six Shelley Queen Anne shape cups and saucers, decorated with Crabtree pattern, printed marks to base, (12) the cups measure 6cm high. £100-200 187

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188 Pair of Royal Doulton stoneware vases, moulded with stylised floral patterns, impressed marks, shape 5520 to base, 26cm high. £100-200 189 Della Robbia ewer, incised by Charles Collis, and painted

by Liz Wilkins with an interlocking strap work design, incised and painted marks to base, 29cm high. £450-550 190 Carlo Manzoni (ex. Della Robbia) onion shaped vase, incised with stylised leaf patterns, incised marks to base, no.64 dated 1897, 18cm high. £80-120 191 Della Robbia vase, incised by Harry Fletcher and painted

by Annie Smith with green scrolls and arabesques, incised marks to bases, 28cm high. £400-500 188

189 38

190

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193 194

192 Moorcroft tazza, decorated with Eventide pattern fitted with Tudric pewter foot, impressed and painted marks, 22cm diameter. £300-400

196 Moorcroft vase, decorated with Pomegranate pattern on a dark blue ground, impressed Burslem mark and painted signature to base, 11cm high. £150-250

193 Moorcroft dish, decorated with pansy pattern, painted signature and 1914 date to base, 21.5cm diameter. £300-400

197 Moorcroft vase, decorated with Poppies pattern on a dark blue ground, impressed mark and painted signature to base, 23cm high. £400-500

194 Large Moorcroft bowl, decorated with pansies pattern on a blue ground, impressed and painted marks to base, 38cm diameter. £150-250 195 Large Moorcroft vase, decorated with Pomegranate pattern on a dark blue ground, impressed Burslem mark and painted signature to base, 35cm high. £500-800

198 Moorcroft vase, decorated with Poppies pattern on a dark blue ground, impressed mark and painted signature to base, 15.5cm high. £200-300 199 Moorcroft bowl, decorated with Poppies pattern on a dark blue ground, impressed mark and painted signature to base, 25cm diameter. £300-400

195

196

197

198

199

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201

203

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200 Moorcroft New Zealand range vase, decorated with Milford Sound pattern after Vicky Lovatt, limited edition number 39 of 75, painted and impressed marks to base, 29cm high. £350-450

202 Moorcroft vase, decorated with Windermere Daisies pattern after Nicola Slaney, limited edition number 11 of 35, painted and impressed marks to base, 23cm high. £250-350

201 Moorcroft vase, decorated with City in Sails pattern after Vicky Lovatt, limited edition number 41 of 75, painted and impressed marks to base, 24cm high. £350-450

203 Moorcroft Trial vase, decorated with Moon Shadow pattern after Kerry Goodwin, painted and impressed marks to base, dated 4.1.16 29cm high. £350-450

205 Moorcroft trial vase, decorated with a version of Forget Me Not, painted 21.11.12 to base and impressed marks to base, 15cm high. £100-200 206 Moorcroft twin handled vase, decorated with Queen’s Choice pattern, after Emma Bossons, painted and impressed marks to base, 33cm high. £350-450

204 Moorcroft plaque, decorated with Wood Nymph pattern after Kerry Goodwin, painted and impressed marks to reverse, limited edition number 107 of 150, with frame, the plaque measures 41cm x 10.5cm. £100-200

204 40

205

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207 Three Poole Ionian chargers, decorated by Sue M. Pottinger with stylised floral patterns, printed, painted and impressed marks to base, (3) 32cm diameter. £100-200 208 Rare Royal Doulton flambe polar bears group, model 54 1912 -1936.

8cm high. £500-700

207

209 Royal Doulton Prestige figure group of An Afternoon Stroll, HN.4957, limited edition number 129 of 150, with box and certificate, 23cm high. £300-400 210 Royal Doulton Prestige figure of Paulo from the Mardi Gras Carnival Collection, HN.4963, serial number 55, with box and certificate, 34cm high. £150-250 208 211 Royal Doulton Prestige figure of Chiquita from the Rio Carnival Collection, HN.5133, serial number 40, with box and certificate, 36cm high. £130-200 212 Royal Doulton Prestige figure group of Glad Tidings, HN.5130, limited edition number 133 of 250, with box and certificate, 23cm high. £400-500

209

210

211

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213 Beswick elephant and tiger, model number 1720, 30cm high. £150-200 214 Beswick Mountie Stallion, model number 2431, mounted on wood base, 25cm high. £150-200 215 Beswick Tang Horse, model number 2137, 19.5cm high. £80-100 216 Beswick Barnacle Goose, model number 1052, 17cm high. £100-150

213

217 Beswick opaque white shire horse, model number 818, 21cm high. £100-150 218 Beswick opaque white horse ‘Imperial’, model number 1557, also a Shire foal in opaque white, model number 951, (2) the tallest model measures 20cm high. £100-150 214

215

219 Royal Doulton model of a tiger HN.225, 23cm long. £80-120

219 216

217 42

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220 Beswick Beatrix Potter figure collection, twenty models generally with B.P.3 marks together with five Royal Albert figures, please see online for full listing of figures included in this lot, (27) £250-350 221 Beswick leg horn cockerel, model number 1892, 24cm high. £100-150 222 Beswick game cockerel, model number 2059, 24cm high. £200-300

221

223 Beswick fireside fox, shape 2348, 31cm high. £100-150

222

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224

ASIAN ART 225 Pair of Chinese celadon table lamps of square section, the bases drilled with holes, overall height 33cm. £450-550

224 Pair of Chinese famille rose fish bowls applied with auspicious objects, Qing Dynasty diameter 44cm. £3,000-3,500

225 44

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226

226 A pair of silver Chinese fingernail guards, engraved with a leaf motif and stamped with the letters ‘LW’ (possibly indicating a maker from Shanghai).

Length 8cm. £150-200 227 Pair of Chinese paintings on rice paper, 17.5 x 30.5cm, 6.75 x 12in and 18 x 30.5cm, 7.25 x 12in. (2). £100-150 228 Large Chinese famille verte vase, of yen yen form, painted with warriors and beasts in battle, Kangxi reign circa 1685 - 1710 45cm high. £2,000-3,000

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229 Two Chinese ginger jars and covers, painted with foliate patterns in underglaze blue, with wood bases, late 19th early 20th century, (6) 23cm high. £80-120 230 Early 20th century Burmese rosewood stool with rose soapstone top, carved foliate design with clawed feet.

17cm; 10.5in diameter. 36cm; 14in height. £100-200

229

231 Two late 19th century Chinese cloisonné bowls. With ruyie border and depicting the Chinese four-clawed dragon.

15cm; 6in and 20cm; 8in. £120-160 232 Large Chinese bottle vase, decorated with an overall yellow glaze covering an incised pattern of a dragon and flaming pearl, late 19th early 20th century, 92cm high. £100-200

230

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233 Chinese garden seat, of hexagonal form, moulded with studs and incised cash symbol design to the top, painted in underglaze blue with birds amongst rockwork and flora, late 19th / early 20th century, 44cm high. £100-200 234 Chinese vase, densely painted with a millefiori design, four character seal mark to base, early republic period, 15cm high. £60-100 235 Chinese republic period circular box, painted with recumbent scholar within a garden scene, within floral border, seal mark to base, (2) 9cm diameter. £80-120

234 233

236 Chinese bowl, finely painted in underglaze blue with phoenix and scrolling lotus in early 15th century Ming style, Chenghua mark within double circle to the base, probably early 18th century, with wood stand, 15cm diameter. £400-600 237 Chinese Doucai dish, painted with precious objects, heightened in gilt, late 18th / early 19th century 20.5cm wide. £100-200 238 A pair of brass Cairo ware vases inlaid with silver and copper. A hexagonal fluted neck drops down into a sexfoil shaped bowl, decorated with Islamic script and Byzantine motifs. 26cm; 10.4in height. £100-200

235

236

237

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239

241 241 Hiroshi yoshida (1876-1950), Hodakadake, from series ‘Twelve Scenes in the Alps’, 1926, signed and titled in pencil in the margin, with Jizuri seal in the right hand margin, Japanese woodblock print, 26 x 39cm.; 10.25 x 15.25in. £150-200

240 239 Two Chinese porcelain snuff bottles, painted with figures in a famille rose palette, one has a bone and wood stopper, 19th century, (2) 6cm high. £80-120 240 Chinese gem tree, with celadon jardinière, 20th century, 36cm high. £80-120

242 A late 18th century Tibetan wine ewer. The stone body is embellished with brass and bronze filigree, dragon handle and spout and pierced mounts. 34.5cm; 13.5in height. £80-120 243 Siamese gilded alabaster figure of the reclining Buddha at rest, length 54cm £150-200

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244 Samson Japanese bowl, finely painted with Immortals in a satsuma style, the inside painted with a dragon, late 19th century, 24cm diameter. £300-400

244

245 Japanese Imari charger, painted with an exotic bird and vase of flowers, late 19th / early 20th century, 58.5cm diameter. £100-200 246 Japanese satsuma tazza by Senzan, Taisho period (1912-1926) finely painted with a butterfly and chrysanthemum, the foot painted with birds flying over crested waves, seal mark to base, 19.5cm diameter. £80-120 247 Two Japanese Kutani cats, decorated with gilt fur decoration, late 19th century 16cm high. £200-300 245

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248

SILVER 248 Silver framed mirror, the oblong scroll and floral silver frame with plain shield cartouche to top, hallmarked Birmingham, 1901, bevelled edge mirror, easel stand with green velvet back, the frame 51cm x 35cm. £180-280

249

249 19th century Asian silver tray, embossed borders depicting warrior figures, engraved peacock mark to base, diameter 31cm, gross weight approx. 27.8oz. £350-500 250 An Early Victorian Melon Shaped Silver Teapot by Edward & John Barnard (Edward, Edward Junior, John and William Barnard), hallmarks for London, 1843, inscription to base’The Horn of Plenty Philanthropic Society 7th May 1878. Presented to John Slater by friends and members as a mark of their Esteem & Respect in recognition of services rendered while Chairman,’ measuring spout to handle 26cm, height 13cm, weight approx 22oz. £300-400

250

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251 A silver 3-piece teaset by Kerr & Phillips, hallmarked Glasgow, 1909 of oval faceted form on 4-scroll feet, helmet shaped milk jug, scroll handles, teapot handle to spout 29cm long, 14cm high, total gross weight approx. 42oz. £500-600

252

252 Four George II coin set silver ladles (no hallmarks) together with a William IV example hallmarked 1831, set with George III coin, hardwood and whale bone handles. £200-300 253 Two silver ladles with oval fluted bowls, hardwood handles, one hallmarked 1813, the other 1973, one hallmarked 1799, the other 1973, together with a Georgian silver example with silver coin base, inscription ‘LBE’, hallmarks for 1791, coin dated 1787. £75-125 254 Three small silver ladles, one George III, one William IV, one Victorian, whale bone handles. £150-250

253

254

255 Four silver ladles, no hallmarks, two with pouring spouts, two with plain polished round bowls, whalebone handles. £150-250

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256 A large 2-handled oval silver tray, scroll and floral decoration and central cartouche, stepped waved borders, 4 domed feet, hallmarked Sheffield, 1920, handle to handle 74cm, weight approx. 108oz. £1,000-1,200 257 Early Victorian silver tea pot, ornate embossed floral design to compressed body and spout on four shell feet, finial in the form of a flower, hallmarks for London, 1838, maker’s marks ‘WH’, gross weight approx. 25.4oz. £200-300

257

258 6 sterling silver continental place settings depicting servants carrying assorted dishes, stamped 925, assessed as early 20th century, each approx. 4cm high, total gross weight approx. 3.9oz. £80-120

258

259 A pair of silver pheasants, realistically modelled, hallmarked London, 1969, maker’s I.F. & Son Ltd, a maximum length of 23cm, weight 24.26 oz. £500-600 260 No lot

259

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261 Mappin & Webb 3-Piece late artdeco tea service, hallmarked Sheffield, 1939/1940, cushion shaped curved fluted design to back and front, teapot with an ivory handle and knop on 4-paw feet, gross weight approx. 41oz. £400-600 262 Silver three piece tea set by Nathan & Hayes, stamped to base ‘Pierce & Sons, Huddersfield,’ half scroll design, hardwood handles and knop comprising hinged lidded tea pot, milk jug and sugar bowl, hallmarked Chester, 1900, together with a matched silver lidded hot water jug, gross weight approx. 31oz. £300-500

261

263 Silver salver on four paw and scroll feet, applied shell and scroll form borders, hallmarked Sheffield, 1929, diameter approx. 40cm, weight approx. 60.4oz. £600-800 264 19th century Scottish ram’s horn small snuff mull with silver collar and hinged-lid, inscribed ‘Henry Leckie, 1857,’ no hallmarks, length 8cm weight approx. 3oz. £100-150

262

265 18 pieces of William IV/ Early Victorian silver fiddle pattern flatware, maker’s to include George Adams, comprising 6 table forks, 6 dessert forks and 6 dessert spoons, gross weight approx. 38.9oz. £100-150

263

264

265

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266 266 Silver brandy pan and warmer, the brandy pan with hardwood handle of bulbous shape, warmer on 3-paw feet, hallmarked Birmingham, 1977, silver jubilee mark, length to tip of handle 25cm, weight approx. 20.45 oz. £350-500

267 Victorian silver plated bust of a young boy on pedestal base, possibly in the likeness of the young Prince Edward (later to become Edward VII) stamped Elkington & Co Founders and Boehm” Fecit, 1870, height 25cm. £300-500

268

267 268 Silver and silver gilt duck’s head paper clip, realistically modelled clip with glass eyes, shell form handles, hallmarked London, 2012, 13cm, gross weight approx. 5oz. £200-400 269 Silver goblet with fruiting vine stem, pedestal base, hallmarks for Birmingham, 1974, maker’s mark BS, height 15cm, weight approx. 8.15oz. £200-300 270 Silver round dish of pierced leaf and grapevine design, waved borders, four footed design with grapevine decoration, 23cm diameter, hallmarked Sheffield, 1956, maker’s mark ‘H.A. (Atkin Brothers), gross weight approx. 16.65oz. £150-250

270 269 54

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271

273 271 Silver plated 3-piece serving set, comprising: 2 sauce boats with crinkled rim design, a small dish in the form of a shell, complete on silver plated serving stand, marks to bases ‘RF & Co L’ together with a silver plated oval form biscuit barrel, loop handles on bun feet, mark to base ‘CF & Co.’. £100-200

272 Late Victorian gothic style silver plated standing alter cross, round pedestal base, triangular patterning, the cross with triform ends, and 4 orange-red glass roundels inset into stylized flower head rosettes, height 78cm, diameter of base 22cm. £300-500 273 A Christopher Dresser design silver and glass claret jug, the silver and flat-topped spout with C-scrolled silver handle to bulbous clear glass body with four green tubular lined vertical stripes, silver hallmarks for Birmingham, 1899, maker’s mark John Heath and John Middleton (of Hukin & Heath), height approx. 22cm. £400-600

274 Tortoiseshell and silver pique-work matched part dressing table set, to include a handheld mirror, 4 brushes, a leather polisher, 2 small glass lidded jars, 4-piece nail grooming kit, marks for E.S Barnsley & Co, Birmingham, (1911-1913), also comprising a silver oval box, a silver rectangular casket box marked for William Comyns & Sons Ltd’, Birmingham, a small round silver 3-legged powder box (hallmarks rubbed) and a silver and tortoiseshell shoehorn and buckle hook by Mappin & Webb, also purple leather journal, two purple leather containers, contained in a purple leather travel case, with maker ‘Mappin & Webb Ltd, Oxford St London. W,’ stamped to front, gold lettering stamped to lid ‘K.M. B-Y’, complete with a matching dust jacket, case size 54cm x 35cm. £300-500

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275 An early Victorian 3-piece silvertopped coloured glass spirit bottle set on a silver plated tantalus stand, three scroll feet, waved scroll and form borders, 40cm high, containing three Victorian coloured glass bottles (purple, yellow and green) with silver tops and stoppers of grape and vine design, hallmarked Birmingham, 1842, complete with three silver plated bottle labels (two marked Brandy and Rum, the other unmarked). £100-200

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276 A late Victorian and 20th century part canteen of fiddle pattern silver flatware, comprising 88 table and dessert forks, 79 table, dessert and soup spoons, and 44 teaspoons, 4 soup ladles, 1 large ladle, 1 large serving spoon, assorted makers, mainly George Jackson and David Fullerton (1891 - 1903) and Boodle & Dunthorne (1940-41) each piece crested ‘Post Nubes Lux’ with star above cloud, within oval belt motif, gross weight approx. 541oz £5,000-6,000

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277

277 A Georgian 3-piece silver tea-set, of cushion shape on 4 bun feet, plain with inscription cartouche to each piece, engraved ‘Present from the owners of the Brig Carricks of Carlisle to Capt. Jos. Bushby, 1816.’ Teapot with hinged lid, acanthus leaf two handled sugar basin, and single handled milk jug, pie crust borders, silver gilt interiors, length of teapot 29cm, hallmarks for London, 1816, height 14cm, gross weight 41.25 ozt.

Provenance: Digitized information from the Montreal Gazette (1819) listing arrivals at the Port of Quebec shows a ‘brig Carricks’ arriving on May 31st from Liverpool after a 41-day voyage, mastered by ‘Bushby.’

We believe this was a cargo ship, regularly making trips to and from Canada. £500-800

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278

JEWELLERy 278 Platinum and diamond full eternity ring, approx. 1ct of diamonds in total, ring size J. £600-800

281

280

279 A Fabergé Egg presentation trinket box by Victor Meyer (workmaster). 18ct gold and royal blue guilloche enamel with 18ct gold fleur-de-lis decoration on 18ct gold scroll work 3 legged stand, complete with leather presentation box and certificate. 70mm long, 45mm diameter. Limited Edition, stamped 18CT FABERGE 51/100 £3,500-5,500 280 Art Deco diamond and pearl platinum and white gold brooch, central cluster of four round old cut diamonds, with 4 small old Swiss cut diamonds to each side, a total diamond weight of approx.

1ct. 2 button shaped pearls, one to each end approx. 7mm diameter. Hinged pin pull out barrel, brooch fittings, 60mm long. £700-900 281 Victorian green tourmaline, pink topaz, pearl and diamond set enamelled pendant necklace in the style of Carlo Guliano. The central rectangular green tourmaline approx. 10mm x 7.5mm. 2 oval pink tourmaline, approx. 6mm x 4mm and 2 pear shaped pink tourmaline drops, 5.5mm x 4.4mm. 6 seed pearls, and 2 small diamonds, surrounds of yellow, pink, blue and white ermine enamelling in the Renaissance style. The front section continuing to a 3-in-1 figaro link yellow gold necklace, tongue and box snap clasp. £2,000-3,000

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282

284

285

287 286

282 Sapphire and diamond oval cluster ring, the centre oval blue sapphire approx. 8mm x 7mm, approx. 1.50ct, cluster surround 10 round brilliant cut diamonds weighing a total of approx.

1.50ct, claw settings, split shoulders, 18ct gold shank, ring size R. £800-1,200 283 A Georgian garnet and seed pearl cluster mourning ring. The cushion shaped head engraved to reverse “Died 29th May 1814 Aged 33.” Scroll worked shoulders, yellow gold shank unmarked, ring size Q. £250-350 284 9ct rose gold plain wedding band, Welsh Dragon stamp alongside external Sheffield hallmark for 2005, sponsor’s mark CYM, gross weight 8.2g, the plain D profile 6mm wide, ring size X. £300-500

288

285 Sapphire and diamond oval cluster 18ct white gold ring, the central oval mixed cut blue sapphire approx.

7mm x 5mm, oval cluster surround comprising a total of 10 round brilliant cut diamonds, with a total diamond weight of approx. 0.75ct, white claw setting, ring size R, gross weight 4.4g. £500-800 286 Amethyst and diamond marquise shaped cluster 18ct white gold ring, the central marquise amethyst approx. 10mm x 5mm, 12 small round brilliant cut diamond surround, approx. 0.36ct total, ring size R 1/2, gross weight 4.3g. £200-300

287 A diamond full eternity platinum ring, 22 round old cut diamonds with a total diamond weight of approx. 1ct, flush bead set, the uniform band 2.5mm wide, ring size O, gross weight 2.8g. £400-500 288 Edwardian 9ct gold snake bangle, coiled tubular design to stylized snake head front, green stone eyes, gross weight 18.9g. £400-600 289 A Garrard & Co 18ct gold rope twist bracelet, snake-skin pattern finish, the hollow tubular twist bracelet with box snap-clasp, hallmarked 18ct gold, London import mark 1960, Garrard & Co makers mark approx. 20cm long, gross weight 45.4g. £800-1,200

289

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293

290 A turquoise and diamond cluster 5drop collarette necklace comprising 5 oval cabochon cut turquoise, largest central turquoise 24mm x 17mm, to round cabochon cut turquoise necklace, turquoise graduating between approx. 13mm and 9mm diameters, a total of 2 oval and round diamond set cluster surrounds, comprising small rough cut diamonds, a faceted barrel tonguesnap clasp, 40cm long. £1,500-2,500

291 9ct rose gold horseshoe, bit and stirrup link necklace with drop horse head pendant, trigger claw fastener, 53mm long, gross weight 47.1g. £500-700 292 Cartier 18ct gold diamond interlocking 3 section ring, the 3 flush bead set bands a total diamond weight of approx. 3cts, stamped ‘Cartier’, French 18ct gold marks, and numbered ‘293706,’ ring size I, complete in original Cartier box. £2,000-3,000

293 Pair of diamond cross-over 18ct yellow gold hoop earrings, two cross-over flush bead set rows comprising a total of 82 small round brilliant cut diamonds, a total diamond weight of approx. 1.50ct sprung-hinged loop and post back, pierced ear fittings, 23mm diameter, total gross weight approx. 16.3g. £2,500-3,500 294 Diamond and 18ct yellow gold tennis bracelet, 32 interlocking yellow gold hearts inset with 31 brilliant cut diamonds, tongue and box snap clasp fastening, length approx. 19.2cm, gross weight approx. 38g, diamond weight approx. 2.5ct £2,900-3,000

291

294

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295 Sapphire and diamond set 14ct yellow gold bracelet, 8 oval sapphires approx. 6mm x 4.5mm each, 2 small diamonds between each, (18 diamonds in total) length approx.

18.2cm, gross weight approx. 12.8g. £850-950 296 A cultured pearl 3-row bracelet with 18ct yellow gold sliding clasp, the cultured pearl beads 6-7mm, 19cm long, together with a single row graduating pearl necklace, with 18ct white gold diamond set snap clasp, cultured pearl beads, approx. 8mm to 4.5mm. £300-400

295

297 Sapphire and diamond oval cluster 18ct white gold pendant and chain, the central oval mixed cut cornflower blue sapphire, 9mm x 6.5mm, the oval cluster surround and pendant bale containing a total of 17 brilliant cut diamonds, total diamond weight of approx. 0.75ct, belcher link chain to lobster claw fastener, necklace 20in length. £750-950

296

298 Sapphire and diamond fancy cluster yellow and white gold ring, 5 round mixed cut blue sapphires, approx.

4mm diameter each, and 13 small round 8 cut diamonds, approx. total diamond weight 0.25ct, ring size P, 5.6g. £400-500

297

299 yellow and white diamond 3-stone 18ct white gold ring, the central oval brilliant cut yellow diamond stated as weighed weight 1.01ct, 2 round brilliant cut white diamonds with a combined stated diamond weight of 0.52ct, total weight approx. 5.7g, ring size P. £3,200-3,400 298

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300

303

301

302

300 Diamond solitaire 18ct gold ring with diamond set fan shaped shoulders, the fancy octagonal cut diamond stated as weighed weight of 1.79ct, diamond shoulders containing 6 tapered baguette cut diamonds with a stated weight of 0.60ct total, finger grip beads to inside shank, approx. total weight 6.3g. £2,700-2,800

303 A pair of diamond 2 stone 18ct yellow and white gold drop earrings, a total of 4 round old cut diamonds, a stated total diamond weight of 2.60ct, the two principal diamonds approx.

1.05ct each, yellow and white claw settings, knife-edge suspension bar, shepherd hook spring pierced ear fittings, length 3cm, total weight approx. 5.2g. £1,700-1,900

301 A diamond solitaire 18ct gold ring, the round brilliant cut diamond with a stated weight of 1.25ct, yellow 6claw setting, ring size Q, weight approx. 3.4g. £1,900-2,000

304

305

302 yellow and white diamond 3-stone 18ct gold ring, fancy emerald cut yellow diamond to centre, stated weight 1.03ct, two round brilliant cut diamonds (one each side) with a combined stated weight of 0.44ct, ring size N, total weight approx. 3.7g. £1,900-2,000

304 Diamond solitaire 18ct gold ring, cushion shaped brilliant cut diamond, stated weight 1.01ct, 4-claw set, cross over shoulders, ring size P 1/2, total weight approx. 3.2g. £1,600-1,800 305 Pair of emerald and diamond oval cluster 18ct gold earrings, the 2 central marquise mixed cut emeralds approx. 1.5ct each, yellow rub over set, channel set surround containing a total of 28 round brilliant cut diamonds, stated total diamond weight of 1.50ct, earrings 2cm long, post and spring clip pierced ear fittings, total weight approx. 9.7g. £900-1,200 306 A 2-piece black onyx and diamond cluster pendant and earring set, the round cluster earrings approx. 20mm diameter, the oval pendant approx.

23mm long, white gold settings and construction, together with a pair of black onyx and diamond set 18ct white gold drop earrings, 6cm long. £1,200-1,500

306

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307 307 Green tourmaline and diamond cushion shaped cluster white gold ring, the central cushion shaped green tourmaline approx. 10mm x 8mm, cluster surround comprising a total of 24 small round 8-cut diamonds, with a total diamond weight of 0.25ct, white rub over setting millegrain edge decoration, ring size L 1/2, total weight approx. 3.9g. £300-500

308

308 A cultured pearl two row choker necklace with a diamond flower head clasp, claw and flush bead set in silver, with round old cut diamonds, centre diamond approx. 0.33ct, surround with a total diamond weight of approx. 1.00ct, applied to a yellow gold tongue-snap clasp, cultured pearl beads, approx 7mm diameter, strung and knotted, clasp assessed as late Victorian. £500-700 309 A Georg Jensen 3-piece suite of silver gilt jewellery, white enamelled daisy flower head design, comprising pendant and chain, a ring and a pair of earrings, Georg Jensen oval mark and ‘925 S Denmark,’ pendant 45mm diameter, ring 32mm diameter. £175-225.

310 A pair of organic design yellow gold earrings set with diamond and green tourmaline, a total of 18 marquise shaped green tourmaline and six round brilliant cut diamonds, approx.

43mm long, post-pierced ear fittings, total gross weight approx. 21.2g. £600-800

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309

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311 312

314 312 Tiffany & Co. platinum wedding ring, the plain polished D profile band approx.

6mm wide, stamped ‘Tiffany & Co, PT950’, ring size S, weight approx. 13.5g. £300-400

313

311 Sapphire and diamond five stone boat head 18ct yellow gold ring, central cushion shaped blue sapphire approx. 0.75ct, the two round cut old diamonds weighing approx 0.50ct, claw settings, ring size R. £400-600

313 Stylized amethyst and diamond yellow gold snake bangle, two pear shaped mixed cut amethyst to front terminals, continuing with a flush bead set row each side containing a total of 22 round brilliant cut diamonds, calculated total diamond weight of approx. 1ct, double sprung-hinged opening front section, assessed as 18ct gold, gross weight approx. 33.4g. £900-1,200 314 Emerald and diamond 18ct white gold flower head cluster ring, the central round emerald approx. 0.70ct, a surround of 16 round brilliant cut diamonds, total diamond weight of approx. 1ct, ring size P. £900-1,200 315 A cultured pearl set white gold necklace, 5 graduating cultured pearls, with fancy rope twist links between to a fine belcher link chain, assessed as 18ct white gold, 420mm long, gross weight 6.6g. £200-400 316 Art Deco diamond round cluster ring, flush bead set with a total of 25 round old cut diamonds, total diamond weight approximately 1.00ct, 18ct yellow gold shank, ring size N, gross weight approx. 3.2g. £300-500

315

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317

317 A pair of turquoise and black coral set 18ct gold bead drop earrings, hinged shepherd-hook pierced ear fittings, 5cm long, stamped 750 £150-250 318 A pair of late Victorian/Edwardian aquamarine and seed pearl set yellow gold drop earrings, the aquamarines approx. 3.5 and 3.0mm diameter, screwback non-pierced ear fittings, assessed as a minimum of 15ct gold, 3cm long, complete in box. £250-400

318

321 Ruby and diamond oval cluster ring, the central oval mixed cut ruby approx. 1.20ct, a cluster surround of 16 round brilliant cut diamonds, total diamond weight approx. 0.66ct, claw settings, 18ct yellow gold shank, ring size N. £400-600

322 A ruby and diamond octagonal cluster 18ct white gold ring, central oval mixed cut ruby approx. 6mm x 5mm, cluster surround of 10 round brilliant cut diamonds weighing a total of approx. 0.66ct, rub-over and flush bead settings, small baguette cut diamond to each shoulder, ring size O. £400-600

319 Sapphire and diamond oval cluster ring, the centre oval mixed cut blue sapphire weighing approx. 2ct, cluster surround of 12 round brilliant cut diamonds weighing a total of approx.

1.25ct, claw settings, 18ct yellow gold shank, ring size N. £800-1,200 320 A ruby and diamond oval cluster ring, the central oval mixed cut ruby weighing approx. 2ct, the cluster surround comprising a total of 10 round brilliant cut diamonds, total diamond weight approx. 2ct, claw settings, 18ct yellow gold shank, ring size N. £1,500-2,500

319

320

322 321

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323 A Georg Jensen 18ct gold cufflink and tie tack boxed set, squaresection tubular form cube design, Georg Jensen oval mark, London import mark for 1965, stamped pattern no. 1064. £500-700 323

324 Pair of Georg Jensen silver cufflinks of square-section tubular cube design, oval Georg Jensen Mark, ‘Sterling Denmark’, stamped pattern mark ‘64’, circa 1960’s. £100-200

324

325 A ruby and diamond oval cluster 18ct white gold ring, the central oval mixed cut ruby approx. 12mm x 10mm, (please note the ruby has been treated with some glass filling), the oval cluster surround rub over bead set with a total of 10 round brilliant cut diamonds, total diamond weight of approx. 3cts, ring size N, gross weight 11.2g. £3,800-4,800

325

326

326 A diamond solitaire platinum ring, the emerald cut diamond accompanied by a GIA diamond report, stating carat weight 1.21ct, colour grade G, clarity grade VS1, traditional four claw corner setting, to a D-profile hallmarked platinum shank, ring size O, gross weight approx. 4.4g. £3,000-4,000 327 A Victorian boxed set of Etruscan style brooch and earrings, oval brooch set with ruby and seed pearls with matching drop earrings, assessed as a minimum of 15ct gold, brooch weighing approx. 9.4g, 43mm x 36mm, earrings weighing approx. 3.3g, 16mm x 25mm. £300-500

327

328 Victorian/ Edwardian seed pearl set swallow brooch, stamped 15ct, steel hinged pin and simple loop fittings, the 3 swallow design fully set with seed pearls,weight approx. 5.4g, 50mm length. £100-150 328

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330

331

329 A Victorian 9ct gold fancy link bracelet complete with heartshaped padlock fastener, the fancy trombone link bracelet with waved borders of hollow construction, gross weight 17.5g, chain length 217mm. £150-250 330 A Victorian Art Nouveau yellow gold stylized bust brooch, lady with waved hair design, set with small rose cut diamond necklace and earrings, reverse hinged steel pin, simple loop fitting, French gold marks to loop, assessed as 18ct gold, weighing approx. 4.7g, 26mm x 25mm, also together with a plated base metal similar French Art Nouveau design brooch. £175-225.

331 A 14ct gold bracelet of horse racing interest, comprising 3 round rock crystal reverse intaglio painted horse racing scenes, the central intaglio link stamped ‘14k, PAT.SEPT.1924’ horse head, horse shoe and stirrup yellow gold spacer links between, bolt ring fastener, 18cm long, complete in Martin & Co, Cheltenham box. £600-800

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332 An Edwardian aquamarine, pink topaz and diamond set 9ct gold pendant and chain, the cushion shaped central aquamarine approx.

11mm x 9mm, pendant 45mm long, 3-and-1 figaro 9ct gold chain with barrel snap-clasp, gross weight 7.2g. £200-300 333 A circa 1920/30’s Miki Moto graduating 2-row cultured pearl necklace, cultured pearl beads approx. 7mm graduating to 3.5mm diameter, the cultured pearl set barrel shaped snap clasp with ‘M’ logo, length 41cm. £300-500

332

334 An art deco opal and diamond 18ct white gold ring, the oval cabochon cut precious opal measuring approx.

13.5mm x 7.5mm, 3 small round 8 cut diamonds each side, split shoulders to white gold shank, platinum settings, ring size J. £250-400 335 Diamond 3-stone platinum ring, 3 round old cut diamonds with a total diamond weight of approx. 1ct, white claw setting to platinum shank, ring size P. £400-600 333 336 A diamond and cultured pearl star brooch, central round brilliant cut diamond approx. 0.25ct, reverse with hinged pin and roll over safety loop brooch fittings, hallmarked 14ct gold, 1970, 37mm diameter. £300-500

334

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WATCHES

PLEASE NOTE: All clocks and watches are sold without warranty. Comments regarding the going condition of clocks and watches relate to their state at the time of cataloguing and those comments may no longer be correct at the time of sale or delivery. Buyers should assume that all lots will require servicing to be useable and reliable. Clocks and watches are not tested for accuracy, duration or water tightness’

340

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337

337 A gent’s Frederique Constant Healey steel wristwatch, limited edition no.

0631/2888, round steel dial, applied batons GMT marker hand, date window to 3 o’ clock, case size 43mm, reverse with glazed compartment revealing 26 jewelled automatic movement, black leather strap, complete in box with model of vintage rally Healey, complete with paperwork and limited edition certificate. £1,200-1,500

338

338 Lady’s Must de Cartier gold plated silver watch on leather strap, round steel dial, Arabic numerals, gold plated bezel surround, case approx. 30mm diameter, quartz battery movement, watch back stamped ‘1861’ and ‘CC154023.’ £400-500 339 A vintage Omega dynamic late 1960’s steel watch on orange strap, Omega tang style steel buckle, round grey dial, oval steel head, case size approx. 40mm x 35mm, complete with back removing tool. £200-400 340 Van Cleef & Arpels diamond set 18ct gold wristwatch, three row snake link bracelet, diamond set dial, head and clasp, 18ct gold convention hallmarks stamp to reverse and clasp and No.146081, Quartz battery movement, complete in box, no paperwork. (Illustrated on previous page). £4,000-6,000

341

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341 Gent’s vintage Tudor oyster date two colour watch on a later 9ct gold bracelet, 33mm diameter case, screw-out crown, mechanical winding Swiss jewelled lever movement, steel back stamped “original oyster case” by Rolex, the 9ct gold bracelet approximately 20g, watch serial number 362647. £400-600

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342 343

344 343 Gent’s vintage Longines 18ct gold watch, contemporary presentation inscription for 1959, on an 18ct gold bracelet, gross weight including movement 61.3g, case size approx.

32mm. £400-600

342 18ct gold half Hunter pocket watch, white enamel dial, Roman numerals to inner and external dials, scroll and floral decorated case, mechanical side winding movement, soldered wire lugs, later modern leather strap, case size approx. 34mm. £100-200

344 18ct gold Art Deco lady’s slim watch, Arabic numerals, engine turned pattern dial, movement unmarked, monogrammed initials to reverse, 18ct gold Swiss marks, case size approx. 30mm. £200-300 345 Armand Nicolet Tramelaen 18ct rose gold chronograph, watch with diamond set bezel on leather strap, round mother of pearl dial, subsidiary dials to 3, 6 and 9 o’ clock, date window to 4 o’ clock, diamond bezel surround to rose gold, the head 34mm, reverse with glazed compartment revealing automatic Swiss duelled lever movement, 18ct gold Swiss convention hallmarks, brown alligator leather strap, 18ct rose gold buckle, complete in original box with paperwork and outer carton. £2,500-3,000

345

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WOMEN’S DESIGNER CLOTHING AND ACCESSORIES

346

346 Ladies Longines La Grande Classique diamond set steel quartz watch on leather strap, face set with 12 diamonds, back of case marked ‘La Grande Classique de Longines’ and model/serial numbers ‘L4 709 4’ and ‘32440750’, case approx. 33mm diameter. £400-600 347 Ladies Cartier tank steel and yellow gold watch, oblong white dial, black roman numerals, case size 32mm x 25mm, reverse stamped ‘290450’, ‘PL’, ‘2743’ and ‘ACIER/OR750’, quartz battery Swiss made movement, on non-Cartier black leather strap. £800-1,200

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348

348 Clive Christian porosus crocodile leather olive green messenger bag, front flap bearing a 24 carat gold leafed coat of arms awarded to the company as a reflection of continued British excellence and heritage, gold tone hardware, stud fastener bearing the name “Clive Christian London”, part quilted at front, two section coloured interior with two small wall pockets, open pocket to the back and under flap, adjustable shoulder strap with buckle, height 32cm; 12.5”, depth 11cm; 4.3”, width 29cm; 11.4”, shoulder height drop 56cm; 22” with strap at longest length. £400-600

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Oil Paintings (MOdern/COnteMPOrary)

349 349 ARR arthur delaney (1927-1987), Street scene with figures and trams, signed, oil on board, 23.5 x 29.5cm.; 9.25 x 11.75in. £2,500-3,000

350 Frederick J. england (1939-), “Saturday Night at the Fenton Fryer”, signed, titled on verso, unframed, oil on canvas, 60 x 90cm.; 23.75 x 35.5in. £400-600

350

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351

351 ARR Harold riley (1934-), Portofino, signed and dated ‘61, oil on board, 75 x 196.5cm.; 29.5 x 77.5in. £500-700

352 ARR anthony Butler r.C.a. (1927-2010), The Acropolis of Athens, signed, dated 1976 on verso, oil on board, 88.5 x 120cm.; 34.75 x 47.25in. £300-500

353 ARR sarah McConkey (1973-), “The Dispute”, signed and titled on verso, oil on canvas, 37 x 37cm.; 14.5 x 14.5in. £100-200

354 ARR liam spencer (1964-), “Culm Leigh, Devon”, signed, dated 1998 and titled on verso, oil on board, 22 x 29cm. 8.75 x 11.5in. £400-600 352

353

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356

355 albert Barlow (1944-), “Ay Mister Where’s Yer Parrot”, monogrammed, titled on verso, acrylic on board, 29.5 x 24.5cm, 11.5 x 9.5in. £150-250

357 albert Barlow (1944-), “Lost Dogs”, monogrammed, titled on verso, acrylic on board, 24.5 x 29.5cm, 9.75 x 11.75in. £150-250

356 albert Barlow (1944-), “Off to the Pub”, monogrammed, titled on verso, acrylic on board, 24.5 x 19.5cm, 9.75 x 7.75in. £100-150

358 eugenio scorzelli (1890-1958), Italian street scene with figures, signed, oil on board, 24 x 34.5cm.; 9.5 x 13.5in. £200-400

357

358

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359 robert graham, 20th century, Untitled, signed and dated ‘82, titled on exhibition labels verso, oil on masonite, 37.5 x 30cm.; 14.75 x 11.75in. £100-200

359

360 ARR William turner F.r.s.a., r.Cam.a.

(1920-2013), “Trees in Alderley”, signed, titled on verso, oil on board, 19.5 x 21.5cm.; 7.75 x 8.5in. £500-700

360

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361 361 ARR robert O. lenkiewicz (1941-2002), “Study for Painter with Stella”, from the series PAINTER WITH WOMEN, Observations on the theme of the “Double”, St. Antony theme - Project 18, unsigned, extensively titled and signed on verso, oil on board, 37 x 27cm, 14.5 x 10.5in. £2,000-4,000

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362 362 ARR robert O. lenkiewicz (1941-2002), “Painter with Anna Navas” from the series Painter with Women: Observations on the theme of the “Double”, St. Antony theme; Project 18, extensively titled and signed twice on verso, oil on canvas, 74.5 x 59.5cm.; 29.25 x 23.5in. £5,000-7,000

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363 363 ARR neil Murison r.W.a. (b.1930), “Gulls on the Beach”, signed, titled on verso, oil on canvas, 37 x 45cm, 14.5 x 17.75in. £100-200

365 365 Frederick J. england (1939-), “Home Time Queue”, signed, titled on verso, unframed, oil on canvas, 60 x 40cm.; 23.5 x 15.75in. £200-400

364 364 ARR neil Murison r.W.a. (b.1930), “Harbour Wall”, signed, titled on verso, oil on canvas, 30 x 32.5cm, 11.75 x 12.75in. £100-200

366 366 Frederick J. england (1939-), “Furnace Rails, Shelton Bar”, signed, titled on verso, unframed, oil on canvas, 60.5 x 60.5cm.; 23.75 x 23.75in. £300-500

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367 367 Frederick J. england (1939-), “Last Fag”, signed, titled on verso, unframed, oil on canvas, 57 x 57cm.; 22.5 x 22.5in. £300-500

369 369 ARR Mike Weeden (1957-), “Autumn Trees - Strath”, signed, titled on verso, oil on board, 23 x 26.5cm, 9 x 10.5in. £200-400

370 370 ARR Mike Weeden (1957-), “Croft with Outbuildings, For Sale (Caithness)”, signed, titled on verso, oil on canvas, 39 x 49cm, 15.5 x 19.5in. £300-500

368 368 ARR Peter stanaway (1943-), “Seahouses, Northumberland”, signed, titled and dated 2011 on verso, acrylic on canvas, 74.5 x 49.5cm.; 29.25 x 19.5in. £1,000-1,500

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371 371 ARR tadeusz Was (1912-2005), Figure, signed, mixed media, 25.5 x 20.5cm, 10 x 8in. £100-200

373 373 ARR tadeusz Was (1912-2005), Mother and child, signed, mixed media, 55 x 43.5cm.; 21.75 x 17.25in. £300-500

372 372 ARR Bohuslav Barlow (1947-), “The Single Pink”, signed and dated ‘96, titled on label verso, oil on board, 40 x 30cm, 15.75 x 11.75in. £200-400

374 374 ARR tadeusz Was (1912-2005), Maiden, signed, mixed media, 53 x 43cm.; 21 x 17in. £300-500

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377

378 376 stephen Wild (1955-), “Russian Lady”, signed and dated 2012, titled on verso, oil on board, 34.5 x 24.5cm.; 13.5 x 9.5in. £100-200 377 stephen Wild (1955-), “Brian and Alan”, signed and dated 2011, titled on verso, oil on canvas, 49.5 x 39.5cm.; 19.5 x 15.5in. £200-400 378 stephen Wild (1955-), “Looking for a Job”, signed and dated 2011, titled on verso, oil on board, 39.5 x 29.5cm.; 15.5 x 11.5in. £100-200

375 375 ARR William selby (b.1933), “In the Cottage”, signed, titled on verso, oil on board, 29 x 19cm.; 11.5 x 7.5in. * The artist is self-taught. He was born in Fitzwilliam, Yorkshire, the son of a miner, and worked in the mines 1948-1955, doing his National Service 1955-1957 and then worked in engineering and insurance until he became a fulltime painter in 1974. He is a member of the Royal Institute of Oil Painters in 1982 and the Royal Society of British Artists. He has won several awards. His works can be seen in the Mappin Art Gallery Sheffield. £150-200

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379 379 ARR anthony lewis-dowell, 20th century, “Didsbury Crossroads”, initialled, titled on label verso, oil on board, 50 x 45cm, 19.5 x 17.75in. £100-200

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380 ARR Charles James McCall r.O.i. (1907-1989), “The Art Dealers”, signed and dated 1974, titled on gallery label - ‘Ash Barn’ verso, oil on board, 20 x 25.5cm.; 8 x 10in. £300-500

381

381 ARR tadeusz Was (1912-2005), Seated figure, signed, mixed media, 31.5 x 37cm, 12.5 x 14.5in. £200-400

383 382 ARR James lawrence isherwood F.r.s.a., F.i.a.l. (1917-1989), “Sylvia - Virtue Disturbed”, signed, titled on verso, oil on board, 60 x 44.5cm.; 23.5 x 17.5in, together with a framed black and white photograph of the painting (2). £500-700

382

383 ARR James lawrence isherwood F.r.s.a., F.i.a.l. (1917-1989), “Evening Rain, Valletta”, signed, titled on verso, oil on board, 39.5 x 60cm, 15.5 x 23.75in. £500-700

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385

384 ARR James lawrence isherwood F.r.s.a., F.i.a.l. (1917-1989), “Rain, Trafalgar Square”, signed, titled on verso, oil on board, 23.5 x 34cm, 9.25 x 13.25in. £400-600

385 ARR James lawrence isherwood F.r.s.a., F.i.a.l. (1917-1989), Wigan street scene, signed and dated ‘56, oil on board, 34.5 x 44.5cm, 13.5 x 17.5in. £600-800

386 ARR Ken Howard r.a. (1932-), “Sadar Bafar, Kishangarh, India”, signed, titled on verso, oil on board, 29.5 x 24cm, 11.5 x 9.5in. £1,000-1,500

386

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387 ARR roger Quintaine (1921-2005), “White Horse on the Camargue”, signed, titled on label verso, oil on canvas, 45 x 54cm, 17.75 x 21.25in. £100-200

387

388 ARR david Barnes (1943-), “Cottages on Cardigan Bay”, signed on verso, oil on board, 29.5 x 50cm x 11.5 x 19.5in. £300-500

388

389 ARR david Barnes (1943-), “Pembroke Coastal Path”, signed on verso, oil on board, 50 x 75cm.; 19.75 x 29.5in. £500-700

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390 ARR geoffrey Key (1941-), “Girl With Moon”, signed and dated ‘77, mixed media, 45.5 x 32.5cm.; 18 x 12.75in. £1,500-2,000

390

391 391 Jean laurent (1898-1988), Maritime scenes with sailing boats in choppy waters, both signed, oil on board, 28.5 x 36.5cm, 11.25 x 14.25in and 35 x 45cm, 13.75 x 17.75in. (2). £200-400

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394 394 ARR ivan taylor (1946-), “Stracey Arms Windpump, Norfolk”, signed, titled on artist’s label verso, oil on board, 37.5 x 55cm.; 14.75 x 21.75in. £200-400

392 392 ARR nigel Hemming (1957-), Otter on a riverbank, signed, with gallery label - ‘The Halcyon Gallery, Birmingham’ on verso, oil on canvas, 29.5 x 24.5cm.; 11.5 x 9.5in. £200-400 395 395 ARR ivan taylor (1946-), “River Thurne & Windpump, Norfolk”, signed, titled on artist’s label verso, oil on board, 37.5 x 55cm.; 14.75 x 21.75in. £200-400

393 393 ARR Craig Campbell (1960-), “17th Hole - Gleneagles”, signed and titled, oil on canvas, 44.5 x 59.5cm.; 17.5 x 23.5in. £200-400

396 396 ARR swane, 20th century, Seated nude, signed and dated 2000, oil on canvas, 88 x 78.5cm.; 34.5 x 31in. £200-400

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397

397 ARR alex Campbell (1936-), “Shear Beauty”, signed, titled and dated ‘Feb 1994’ on verso, acrylic on canvas, 74 x 99.5cm.; 29.25 x 39.25in. * Alex Campbell was born in 1936 in Dukinfield, Cheshire. He moved to Nannerch, North Wales in 1973 where there was a wealth of natural beauty and social history for a professional artist to exploit, just waiting to be expressed in art! At an exhibition in 1999, an art critic described his work as a ‘merger of all the European art movements at the beginning of the 20th Century’. Indeed, cubism, futurism, expressionism, vorticism and other similar movements are all his favourites and are present within all his works. Campbell always uses acrylic paint, producing striking images, some with humour. He uses recognised colour theories, whilst adding unique ideas of his own. £400-600

398 ARR Philip Mead (b.1948), “Water Meadows - Winter Light III”, signed and dated ‘91, titled on verso, mixed media on board, 73.5 x 53.5cm, 29 x 21in. £100-200

398

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399 ARR reg gardner (1948-), “Docks At Dusk, High Tide”, signed and dated 2010, titled on verso, oil on canvas, 89.5 x 59cm.; 35.25 x 23.25in. £2,000-3,000 400 ARR stephen Campbell (b.1985), “Crown Barbers, Manchester”, initialled and dated 2012, oil on board, 38 x 60cm.; 15 x 23.75in. * Stephen Campbell is one of the new wave of exciting new artists currently working in Manchester. He was born in 1985 and grew up in of Salford with his family of scientists and medics.

He is self-taught and had his first public commission at 17. In 2007 he was awarded a BA (Hons) in Interactive Arts by Manchester Metropolitan University. He spent time studying and painting in Barcelona and around Poland, working with various artist groups, before returning to Britain, working with other artists and painting on the street. He prefers to paint and draw life as he sees it, usually painting en plein aire and then returning to the studio to build up layers of various different glazes using a combination of materials.

Subject matter changes regularly, a number of paintings feature well known locations in Manchester, but he often uses distorted perspectives to give the paintings a fresh, new feel.

He is always experimenting with new techniques.

He has exhibited extensively since 2006. £1,200-1,400 399

400

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401

401 ARR William turner F.r.s.a., r.Cam.a. (1920-2013), “The Lamplighter”, signed, titled on verso, oil on board, 39 x 49cm.; 15.25 x 19.25in. £2,000-4,000

402 402 ARR Fred yates (1922-2008), “The Smelting Works”, signed, oil on board, 47 x 71.5cm, 18.5 x 28.25in. £1,000-1,500

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403 403 ARR James allan Wheeler (b.1944), “Lonely Top”, signed, oil on cork, 29.5 x 29.5cm, 11.5 x 11.5in. £100-200

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404 404 Bohuslav Barlow (1947-), “Mother and Child”, signed, titled on verso, oil on board, 54 x 37cm, 21.25 x 14.5in. £100-150

405 405 Bohuslav Barlow (1947-), “Samoyed with Red Doll”, signed and dated ‘91, titled on artist’s label verso, oil on canvas, 75 x 75cm.; 29.5 x 29.5in. £300-500

406 406 Bohuslav Barlow (1947-), “Good Friends”, signed and dated ‘97, titled on label verso, oil on board, 33.5 x 27cm, 13.25 x 10.5in. £100-150

407 407 ARR david Wilde (1918-1978), “Moorland Blaze”, signed and titled, acrylic on board, 50 x 66cm.; 19.75 x 26in. £300-500

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408 408 ARR david Wilde (1918-1978), “Summer: Path to the Lake”, signed and titled, acrylic on board, 53 x 74cm.; 21 x 29.25in. £300-500

410

409 409 ARR david Wilde (1918-1978), “Aber Falls In Full Spate”, signed and titled, acrylic on board, 50 x 60cm.; 19.75 x 23.75in. £300-500 410 ARR lewin Bassingthwaighte (1928-1983), “Girl on Staircase”, signed and dated ‘64 on verso, oil on canvas, unframed, 91.5 x 61cm.; 36 x 24in. £1,000-1,500 411 ARR lewin Bassingthwaighte (1928-1983), “Conversation Piece”, initialled and dated ‘65, titled on artist’s label verso, oil on canvas, 101.5 x 76.5cm.; 40 x 30in. £2,000-3,000 411

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414

412 412 Barbara Brody (american, 1941-), “My Sweet Land IV”, signed, mixed media, 37.5 x 41cm.; 14.75 x 16.25in. £300-500

415 415 ARR Christopher Hedley-dent, 20th century, “Circus II, Parody”, signed and titled on artist’s label verso, oil on board, 75 x 105.5cm.; 29.5 x 41.5in. £500-700

413 no lot 414 James Wright (1935-), Rural landscapes with pheasants, all signed, oil on board, various sizes, 19.5 x 24.5cm.; 7.75 x 9.75in and 11.5 x 16.5cm.; 4.5 x 6.5in (3). £150-200 416 416 ARR tom ellis (b.1973), “Kate on the Sofa”, titled on gallery label - ‘Thompson’s, London’ verso, oil on board, 19.5 x 27cm.; 7.75 x 10.75in. £300-500

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417 417 ARR stephen Wild (1955-), “What Shall we do Now?”, signed, titled and dated 2001 on verso, oil on board, 35 x 45cm.; 13.75 x 17.75in. £300-500

419 419 ARR nael Hanna (scottish/iraqi b.1959), “St. Andrews Water I”, signed, titled on gallery label ‘Thompson’s, London’ verso, mixed media, 24 x 34.5cm.; 9.5 x 13.5in. £500-700

420 420 ARR tom robinson, 20th century, Figurative study, initialled and dated ‘59, oil on board, 40 x 50cm.; 15. 75 x 19. 75in. £200-400

418 418 Oleg Putnin, 20th century, “Native Willows”, signed, titled and dated 2000 on gallery label verso, oil on canvas, 49.5 x 39.5cm.; 19.5 x 15.5in. £300-500

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422

421 421 ARR arthur delaney (1927-1987), Floral still life, signed and dated 1966, oil on board, 64 x 35cm, 25.25 x 13.75in. £1,000-1,500 422 irish school, 20th century, Abstract study, bears signature - ‘Patrick Collins’, oil on board, 23.5 x 16.5cm.; 9.25 x 6.5in. £300-500 423 ARR James lawrence isherwood F.r.s.a. (1917-1989), “The Brooch on Old Woman”, signed, inscribed and dated ‘66 on verso, oil on board, 34.5 x 24.5cm.; 13.5 x 9.75in. £300-500

423

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424 424 ARR José echave (spanish, 1921-1983), Two head studies, oil on canvas, 35 x 27cm.; 13.75 x 10.5in. £100-200

426 426 ARR don Mckinlay (1929-2017), Floral still life, signed and dated 2010, oil on canvas laid on board, 71.5 x 69cm.; 28 x 27in. £600-800

425 425 ARR James lawrence isherwood F.r.s.a., F.i.a.l. (1917-1989), “Nude Joan”, signed and dated ‘72, titled on verso, oil on board, unframed, 51 x 40.5cm.; 20 x 16in. £500-700

427 427 ARR don Mckinlay (1929-2017), Floral still life, initialled and dated ‘Jan 96’, oil on canvas, 44.5 x 37.5cm.; 17.5 x 14.75in. £300-500

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428 428 ARR Michael gutteridge, 20th century, “Great Northern Square, Manchester”, signed and dated 2006, with artist’s label inscribed on verso, acrylic, 38 x 48.5cm.; 15 x 19in. £500-700

429 429 ARR Mike Weeden (1957-), “Off To Work”, signed, titled on verso, oil on board, 39.5 x 49.5cm.; 15.5 x 19.5in. £300-500

430 430 ARR Charlie Baird (b.1955), “Musicians”, signed and dated 1990, titled on gallery label ‘Houldsworth Fine Art, London’ verso, oil on board, 47 x 59.5cm.; 18.5 x 23.5in. £200-400

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433 ARR Harold riley (1934-), Portrait of Prince Philip, signed and dated ‘71, oil on board, 49 x 35cm.; 19.25 x 13.75in. £2,000-4,000

431 431 Mike Howarth, 20th century, Rural landscapes, signed, oil and collage on board, 60 x 90.5cm.; 23.75 x 35.75in (2). £200-400

434 434 richard W. Ponder, 20th century, “Victorian Bouquet”, signed, titled and dated 1990 on artist’s label verso, oil on canvas, 50 x 40cm.; 19.75 x 15.75in. £300-500 435 ARR liam spencer (1964-), “Deansgate and Victoria Street”, signed, titled and dated 2003 on verso, oil on board, 20 x 75cm, 7.75 x 29.5in. £1,500-2,000

432 432 ARR david imms (b.1945), “Cornfield Figure”, signed and dated 26.8.99, titled on gallery label verso, mixed media, 36 x 28cm.; 14.25 x 11in. £300-500

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436 436 ARR immanuel Meyer-Pyritz (1902-1974), “Wannsee, Berlin, Germany”, signed, oil on board, 48.5 x 68.5cm, 19 x 27in. £100-200

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433

435

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439 439 ARR derek shapiro, 20th century, Still life of pears and grapes, signed, oil on board, 12 x 17cm.; 4.75 x 6.75in. £100-200

437 437 ARR tadeusz Was (1912-2005), Flowers, mixed media, 38 x 30cm.; 15 x 11.75in. £200-400

438 438 ARR dorothy Bradford (1918-2008), “Looking at Degas’, signed and dated ‘90, titled on verso, oil on board, 39.5 x 29.5cm.; 15.5 x 11.5in. £100-200

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440 440 sheila turner (1941-), “Casey Street, Liverpool”, “Dock View” and “Twin Boats” (Views of the Albert Dock, Liverpool), all signed and titled on verso, oil on board, various sizes 19 x 14cm.; 7.5 x 5.5in and 17.5 x 23.5cm.; 7 x 9.25in (3). £100-200

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441 441 ARR Bohuslav Barlow (1947-), “Laura - Memories”, signed, titled on verso, oil on canvas, 75.5 x 60cm.; 29.75 x 23.75in. £300-500

442 442 ARR robert Fraser, 20th century, “Summer in Snowdonia”, signed, titled on label verso, acrylic on board, 25.5 x 34cm, 10 x 13.25in. £100-150

443 443 ARR Carlos Boada, 20th century, “Autumn”, titled on verso, tondo, oil on board, diameter 29cm.; 11.5in. * Carlos Boada is a well known Spanish artist known for his book illustrations. He has exhibited his work in Spain and Switzerland. £200-250

444 444 ARR John Hanley (British, 1947-), “That Rozza’s About Again”, signed, oil on canvas, 60 x 75.5cm.; 23.75 x 29.75in. £500-700

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445 445 ARR John Hanley (British, 1947-), “The Bridge”, signed, oil on canvas, 59.5 x 75cm.; 23.5 x 29.5in. £500-700

447 447 ARR gordon radford (1936-2015), Portrait of a seated female, signed, oil on canvas, unframed, 61 x 51cm.; 24 x 20in. £200-400

446 446 ernst schwartz (1883-1932), Figures by a lake, signed and dated 1922, oil on board, 41.5 x 38cm.; 16.25 x 15in. £100-200

448 448 ARR Harold riley (1934-), Female portrait, unsigned, oil on board, 49.5 x 39cm.; 19.5 x 15.5in. £200-400

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WaterCOlOurs, Pastels & inKs (MOdern/COnteMPOrary)

449 449 ARR William turner F.r.s.a., r.Cam.a. (1920-2013), “Raworth near Marple”, signed and dated ‘56, titled on verso, watercolour, 22.5 x 27cm.; 9 x 10.75in. £300-500 451 451 ARR robert O. lenkiewicz (1941-2002), “Study of Yana”, signed and dated 12.41am 4th May ‘89, watercolour, 41 x 27.5cm, 16 x 11in. £1,000-2,000

450 450 ARR robert O. lenkiewicz (1941-2002), “Study of Esther”, signed and titled, watercolour, 40.5 x 28cm.; 16 x 11in. £1,000-2,000

452 452 ARR geoffrey Key (1941-), “Mother & Child”, signed and dated 4.3.84, titled on label verso, ink, 54 x 35cm.; 21.25 x 13.75in. £1,500-2,000

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454

453 453 ARR Thomas Rathmell (1912-1990), “Keith in Flying Jacket”, unsigned, authenticated by the artist on verso, pencil drawing, 38.5 x 27.5cm, 15.25 x 11in. £100-200

455 455 ARR Harold Riley (1934-), “Street Dog”, signed, ink drawing, 8 x 5cm.; 3.25 x 2in. £200-400

457 457 ARR Harold Riley (1934-), “Charlie the Knocker-Up “, signed, titled and dated 2013, mixed media drawing, 8.5 x 4.5cm.; 3.25 x 1.75in. £250-300

456 456 ARR Harold Riley (1934-), “Costa Dogs”, signed, ink drawing, 8.5 x 4.5cm.; 3.25 x 1.75in. £200-400

458 458 ARR Harold Riley (1934-), “My dog Billy”, signed, titled and dated 2013, mixed media drawing, 8.5 x 4.5cm.; 3.25 x 1.75in. £250-300

454 ARR Harold Riley (1934-), Series of dogs from the original Hospital Collection, each initialled, ink drawings, each 8 x 4.5cm.; 3.25 x 1.75in (6). * These drawings are illustrated on page 152 of the Hospital Collection book. £1,500-2,000

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461 461 ARR Bob richardson (1938-), “The Tuileries Garden, Paris”, signed, titled and dated 1977 on verso, pastel, 43.5 x 55cm, 17 x 21.75in. £300-500

459 459 ARR Harold riley (1934-), “Lowry walking in Swinton”, signed and dated 2003, ink drawing, 16 x 10.5cm.; 6.25 x 4.25in. £600-800

462 462 ARR June lesley Fox, 20th century, Polo players, signed, watercolour, 39.5 x 29.5cm.; 15.5 x 11.5in. £100-200

460 460 ARR reg gardner (1948-), Canal scene, signed, pastel, 29 x 19cm, 11.5 x 7.5in. £200-400

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463

465

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463 ARR adrian C. rigby (b.1962), “Titanic - Sailing Day”, signed, titled on label verso, gouache, 58 x 95cm.; 22.75 x 37.5in. £2,500-3,000

464 464 ARR ivan taylor (1946-), “Longton Skyline circa 1959”, signed, titled on artist’s label verso, watercolour, 26.5 x 73.5cm.; 10.5 x 29in. £200-400 465 ARR trevor grimshaw (1947-2001), “The Express”, signed, graphite, 53 x 75cm, 21 x 29.5in. £2,000-3,000

466 466 John thompson (1924-2011), “Cottage” and “Peeping Corner, Delph”, both signed, one titled, a pair, watercolours, 12 x 16.5cm, 4.75 x 6.5in. (2). £100-200

467 467 ARR John thompson (1924-2011), “Delph, Saddleworth”, signed and titled, watercolour, 41 x 62cm.; 16.25 x 24.25in. £200-400

468 468 ARR anne stafford, 20th century, “A Path through the Trees”, signed and dated ‘78, titled on label verso, watercolour, 18 x 13cm, 7 x 5in. £100-200

469 469 ARR trevor grimshaw (1947-2001), “Steam”, signed and dated ‘72, titled on label verso, graphite, 14 x 16.5cm.; 5.5 x 6.5in. £200-400

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470 470 ARR trevor grimshaw (1947-2001), “Landscape with Curves and Rectangles”, signed, charcoal, 25 x 43.5cm.; 9.75 x 17.25in. * This drawing is illustrated in the “Shades of Grey” Retrospective Exhibition catalogue, published in 2004. £1,500-2,000

471 471 ARR richard Weisbrod (1906-1991), Dock scene, unsigned but signed on the reverse of the image in pencil, watercolour and ink, 33.5 x 49cm, 13.25 x 19.25in. £100-120

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472 472 graeme drendel (b.1953), Man and Woman, signed and dated ‘96, titled on gallery label - ‘Australian Galleries’ verso, gouache on paper, 19 x 16cm, 7.5 x 6.25in. £200-400

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475 tania Kugai, 20th century, “Blue Park”, signed, titled and dated 2001 on gallery label verso, pastel, 23 x 41cm.; 9 x 16in. £100-200

473 473 graeme drendel (b.1953), Violinist, signed and dated ‘95, titled on gallery label ‘Australian Galleries’ verso, gouache on paper, 14 x 14cm, 5.5 x 5.5in. £200-400

476 476 igor rebrov (b.1967), “The Wind”, signed, titled and dated 2002 on gallery label verso, mixed media, 20 x 28cm.; 8 x 11in. £100-200

474 474 graeme drendel (b.1953), “Companion - Male and Female”, both signed and dated ‘99, titled on gallery labels - ‘Australian Galleries’ verso, a pair, gouache on paper, 29 x 20cm, 11.5 x 7.75in (2). £400-600

477 477 deborah steggel, 20th century, Garden statue, mixed media, 65 x 48.5cm.; 25.5 x 19in. £100-200

475

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480 ARR terry Mcglynn (1903-1973), Mediterranean village, signed, watercolour, 36 x 49cm.; 14.25 x 19.25in. £100-200

478 478 ARR tadeusz Was (1912-2005), “Desert”, signed and titled, ink and wash, 22.5 x 28cm.; 9 x 11in. £100-200

481 481 Phil george (1960-), “Gone fishin - study” and “Hole in one? - study”, both signed and titled, watercolours, 27.5 x 14.5cm.; 11 x 5.75in (2). £200-400

479 479 ARR terry Mcglynn (1903-1973), Roses, signed, watercolour and gouache, 35.5 x 45.5cm.; 14 x 18in. * Studied at Manchester School of Art. A member of the Manchester Group. £100-200

482 482 Phil george (1960-), “Happy with my allotment” and “I live in my greenhouse”, both signed and titled, watercolours, 20 x 12.5cm.; 8 x 5in (2). £150-200

480

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Prints & engravings (MOdern/COnteMPOrary)

483 483 ARR lynn golden, 20th century, “The Mauve Towel, Porthcurnick Beach”, signed, titled on verso, pastel, 16 x 21cm.; 6.25 x 8.25in. * Lynn Golden trained at St Albans School of Art before moving to Cornwall in 1976, where the effects of light and weather on coastal landscape became the focus for her work. Particularly known for working in pastel, she makes many of her pieces on site. Still life pieces, and larger acrylic paintings are produced in the studio. More recently, Lynn has experimented with metal leaf, egg tempera and other media on board, extending her exploration of light, form and composition. £100-200

485 485 signed first edition of ‘street dogs’ by Harold riley, signed in ink by the artist, also containing an ink drawing by the artist inside the book of a dog in a frame, dated 1985, numbered 80 from an edition of 500 copies (one volume). £300-500

484 484 ARR trevor grimshaw (1947-2001), “Stone Circle”, signed, gouache, 10.5 x 16.5cm.; 4.25 x 6.5in. £200-400 486 486 signed copy of ‘street dogs’ by Harold riley, signed in ink by the artist and dated 1985, together with ‘A Day with Lowry’ by Harold Riley (two volumes). £50-100

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487 487 signed copy of ‘sketches from the Belfry’ by Harold riley, signed in pencil, published to commemorate 1993 Ryder Cup by Johnnie Walker, from an edition of 500 copies, 200 signed and numbered, bound in leather, with original dust jacket (one volume). £100-150

489 489 ARR alan stones (1947-), “Yoke”, signed, titled and numbered 181/200 in pencil in the margin, dated 1989, original colour lithograph, image size 47 x 48.5cm.; 18.5 x 19in. * “Yoke” depicts two rams tethered together. This practice was carried out more commonly by farmers in the nineteenth century both to stop the tups from charging at each other and to regulate lambing. £100-200

488 488 signed copy of ‘ten days from Manchester’ by Harold riley, signed and dated ‘93 in ink, from a limited edition of 25 copies, the first copy being presented to Her Majesty The Queen on the occasion of the opening of Terminal Two at Manchester Airport on the 5th of March, 1993, bound in leather, with original dust jacket (one volume). £200-400

490

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490 ARR after Harold riley (1934-), “Archie Street, Salford”, signed and numbered 10/40 in pencil, with Harold Riley blindstamp, black and white print, 40.5 x 28.5cm.; 16 x 11.25in, together with the original card sleeve in which the print was issued (2). * The print reproduces a drawing of Archie Street by Riley with the odd figure by LS Lowry, together with the written notes made by Harold Riley concerning the scene around the edges. This street was the street in Ordsall which inspired the popular soap opera, Coronation Street. This special edition of only 40 signed prints was made in the studio of the Salford artist Harold Riley and commemorates the 40th anniversary of Granada Television’s Coronation Street. £100-200

492

491 491 ARR after robert O. lenkiewicz (1941-2002), “Painter with Anna / St. Antony Theme”, signed, titled and numbered 125/275 in pencil in the margin, colour reproduction print, image size 73 x 73cm.; 28.75 x 28.75in. £300-500 492 ARR after robert O. lenkiewicz (1941-2002), “Painter with Women - St. Antony Theme”, signed, titled and numbered 134/475 in pencil in the margin, with Washington Green blindstamp, colour reproduction print, image size 63.5 x 48.5cm.; 25 x 19in. £200-400 493 ARR after robert O. lenkiewicz (1941-2002), “Daemon Series / Project 18”, signed, titled and numbered 203/375 in pencil in the margin, colour reproduction print, image size 83.5 x 54cm.; 33 x 21.25in. £300-500

493

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495

494 494 ARR after robert O. lenkiewicz (1941-2002), “The Barbican Fisherman 2000”, signed and numbered 44/250 in pencil in the margin, colour reproduction print, image size 47 x 60.5cm.; 18.5 x 23.75in. £200-400 495 ARR after robert O. lenkiewicz (1941-2002), “Warren Woods”, signed, titled and numbered 229/375 in pencil in the margin, colour reproduction print, image size 27.5 x 99.5cm.; 10.75 x 39.25in. £200-400

496 496 ARR after robert O. lenkiewicz (1941-2002), “The Painter with Mary - Project 14”, signed, titled and numbered 55/250 in pencil in the margin, colour reproduction print, image size 46.5 x 63cm.; 18.25 x 24.75in. £300-500

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497 497 ARR after robert O. lenkiewicz (1941-2002), “Anna / Last Judgement, Project 18”, signed, titled and numbered 258/375 in pencil in the margin, colour reproduction print, image size 57 x 50cm.; 22.5 x 19.75in. £300-500

498 498 ARR after robert O. lenkiewicz (1941-2002), “The Painter with Karen - St. Antony Theme”, signed, titled and numbered 113/495 in pencil in the margin, colour reproduction print, image size 64 x 73.5cm.; 25.25 x 29in. £300-500

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501 501 after J. steven dews (1949-), Yachting scenes, both signed and numbered 393/395 and 384/395 in pencil in the margin, a pair, colour reproduction prints, image size 20.5 x 28cm.; 8 x 11in (2). £100-200

499 499 ARR after robert O. lenkiewicz (1941-2002), “The Painter with Lisa - Aristotle and Phyllis Theme”, signed, titled and numbered 75/395 in pencil in the margin, colour reproduction print, image size 80.5 x 75.5cm.; 31.75 x 29.75in. £500-700

500 500 ARR Benjamin senior (b.1982), “Stroke Tempo”, signed and dated 2016 on verso, numbered 55/100, produced by Paupers Press, London, printed on Somerset 300 gsm Velvet White paper, lithograph, unframed, sheet size 76 x 60cm.; 30 x 23.5in.

502 502 after anthony Forster (b.1941), “Lower Hill Farm” and “Dovecote Farm”, both signed and numbered 50/500 and 64/500 in pencil in the margin, limited edition prints, image size 35.5 x 45cm.; 14 x 17.75in (2). £100-200

503 503 ARR after Harold riley (1934-), Study of Lowry painting a man on top of his drawing, signed and dated 2002 in ink in the margin, artist’s proof, lithograph, image size 35 x 25.5cm, 13.75 x 10in. £200-400

* This print forms one of a series of images produced by various artists in celebration of Rio and Brazil, with the spirit of Team GB as their inspiration. £150-200 115

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506 ARR geoffrey Key (1941-), “Sunset”, signed and dated ‘80 in the margin, numbered 12/33, block print, 10.5 x 16.5cm.; 4.25 x 6.5in. £100-200 507 ARR after laurence stephen lowry (1887-1976), “An Industrial Town”, signed and numbered 75/500 in pencil in the margin, colour reproduction print, image size 43.5 x 59.5cm.; 17.25 x 23.5in. £1,000-1,500

504 504 ARR after Harold riley (1934-), Lowry Drawing in the Street, circa 1961, signed and dated 2002 in pencil in the margin, artist’s proof, lithograph, image size 33 x 23.5cm, 13 x 9.25in. £200-400

508 508 ARR sir Frank Brangwyn r.a. (1867-1956), “A Mosque, Constantinople”, signed in pencil in the margin, 1911, from a signed impression of 125, plate destroyed, etching, plate size 58 x 73cm, 23 x 28.75in. * The plate was etched from a drawing, ‘The Mosque of Ortakevi, Constantinople, at the entrance to the Bosphorus’. £200-400

505 505 ARR Jennifer dickson r.a. (b.1936), “Sombre Victory”, signed, titled and dated ‘63 in pencil in the margin, numbered 14/20, etching, plate size 35 x 35cm.; 13.75 x 13.75in. £80-100

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509 509 ARR sir Frank Brangwyn r.a. (1867-1956), “Breaking up of the ‘Duncan’”, signed in pencil in the margin, 1911, from a signed impression of 125, plate destroyed, etching, plate size 54 x 82cm, 21.25 x 32.25in. £200-400 510 ARR after laurence stephen lowry r.a. (British, 1887-1976), “Landscape with Farm Buildings”, signed in pencil in the margin, with Fine Art Trade Guild blindstamp, colour reproduction print, image size 40 x 50cm.; 15.75 x 19.75in. £1,000-1,500

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510

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MOdern sCulPtures 511 Josefina alys Hermes de vasconcellos (1904-2005), Portrait busts of Richard Branson, both initialled, two preliminary studies, sculptures, height 21cm, 8.25in (2). * Josefina Alys Hermes de Vasconcellos was an English sculptor of Brazilian origin. She was at one time the world’s oldest living sculptor. She lived in Cumbria much of her working life. Her most famous work includes Reconciliation (Coventry Cathedral, University of Bradford); Holy Family (Liverpool Cathedral, Gloucester Cathedral); Mary and Child (St. Paul’s Cathedral); and Nativity (at Christmas) at St. Martin-in-the-Fields (Trafalgar Square). £50-100 511

Oil Paintings (18tH/19tH Century)

512 512 Follower of Jacob salomonsz van ruysdael (dutch, 16301681), A wooded river landscape with figures fishing and cattle, unsigned, attributed on gilt slip, oil on canvas, 37 x 42.5cm.; 14.5 x 16.75in. £300-500

513 513 edward robert smythe (1810-1899), Travellers resting in rural landscapes, unsigned, a pair, oil on canvas, 29 x 39cm.; 11.5 x 15.25in, set in elaborate gilt frames (2). £300-500

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514 514 attributed to abraham Cooper r.a. (1787-1868), A sleeping dog, monogrammed and dated 1816, attributed on the mount, oil on panel, 13.5 x 15cm.; 5.25 x 6in. £100-200 517 517 t.C, 19th century, Portrait of a pipe smoker, initialled, oil on panel, 24 x 20cm, 9.5 x 8in. £100-200

515 515 James thomas Watts r.Cam.a. r.B.s.a. (1853-1930), “A Golden Moonrise on the Cornish Coast”, signed, titled on artist’s label verso, oil on canvas, 54.5 x 76cm.; 21.5 x 30in. £500-700

516 516 Continental school, 17th/18th century, Still life of a bird and fruit, unsigned, oil on canvas, 43.5 x 59cm.; 17.25 x 23.25in. £150-200

518 518 l. richards, 19th century, Highland scenes, both signed, a pair, oil on canvas, 39.5 x 59.5cm.; 15.5 x 23.5in (2). £100-200

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521 Filiberto Petiti (1845-1924), Rural view, signed, oil on board, unframed, 25 x 33cm.; 9.75 x 13in. £100-200

519 519 Herbert st. John Jones (1872-1939), Woodland scene with figures, after the original picture by William Frederick Witherington R.A. 1865, signed and titled on verso, oil on board, 33 x 40.5cm.; 13 x 16in. £100-200

520 520 Herbert st. John Jones (1872-1939), “A Bit of Old England, Somerset”, signed and dated 1923, titled on verso, oil on board, 32.5 x 40.5cm.; 12.75 x 16in. £100-200

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522 522 english school, 19th century, Rural scene with sheep and cattle, initialled W.H.W., oil on canvas, 29.5 x 44.5cm.; 11.5 x 17.5in. £100-200

523 523 Herbert st. John Jones (1872-1939), “The Old Square, High Street, Nantwich, 1828” - these houses were removed in 1870, signed, extensively titled and dated 1915 on verso, oil on board, 46 x 61cm.; 18 x 24in. £1,000-1,500

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524 524 William Mellor (1851-1931), River scene with watermill, signed, oil on canvas, 59.5 x 44.5cm.; 23.5 x 17.5in. £600-800

526 526 William Mellor (1851-1931), “Autumn River”, signed, oil on canvas, 89.5 x 69cm.; 35.25 x 27.25in. £1,000-1,500

527 527 Herbert st. John Jones (1872-1939), “Lord Byron’s horses stabled in Acton Church during the Siege of Nantwich, 1644”, signed, titled and dated 1925 on verso, oil on canvas, 39.5 x 60cm.; 15.5 x 23.5in. £500-700

525 525 William Mellor (1851-1931), “River Tees near Barnard Castle”, signed, oil on canvas, 89.5 x 69cm.; 35.25 x 27.25in. £1,000-1,500

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528 528 Herbert st. John Jones (1872-1939), “Welsh Row, Nantwich”, signed, oil on board, 34.5 x 54.5cm.; 13.5 x 21.5in, together with another painting by the same artist, Herbert St. John Jones (1872-1939), Cottage garden scene with chicken coop, signed, watercolour over pencil heightened with bodycolour, 27.5 x 22cm.; 11 x 8.75in (2). £300-500

531 531 attributed to george turner (1843-1910), Rural lane with figures, unsigned, oil on canvas, 19.5 x 29.5cm, 7.75 x 11.75in. £100-200

529 529 Franco Paolo Palizzi (1825-1871), Chickens in a field, signed, oil on canvas, 14 x 19.5cm.; 5.5 x 7.75in. £100-200

530 530 William Hunt, 19th century, River scene with windmill, signed and dated 1849, oil on canvas, 44.5 x 60cm.; 17.5 x 23.75in. £200-400

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532 532 B. luny, 19th century, Coastal view at sunset with boats and figures, signed and dated 1828, oil on panel, 21 x 29cm.; 8.25 x 11.5in, together with another similar showing a rural view with figures and a cottage, unsigned, oil on board, 28.5 x 33.5cm.; 11.25 x 13.25in (2). £150-200

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533 533 William Mellor (1851-1931), “Derwentwater” and “Nidderdale from the Moors”, both signed, titled on mounts, a pair, oil on board, 19.5 x 27cm.; 7.75 x 10.75in (2). £1,000-1,500

534 534 Peter le Cave (British, 1769-1811), Rural scene with figures and cattle, signed and dated 1807, oil on canvas, 49.5 x 64cm.; 19.5 x 25.25in. £300-500

535

535 english school, 19th century, Female portrait, unsigned, oil on board, 24.5 x 19.5cm.; 9.75 x 7.75in. £100-200

536 536 José Weiss (1859-1919), River scene with fisherman, signed, oil on canvas, 39 x 50cm.; 15.25 x 19.75in. £300-500

537 537 William Miller Frazer r.s.a. (scottish, 1864-1961), “Haymaking in the Fens”, signed and dated ‘St. Ives 1912’, titled on verso, oil on canvas, 34.5 x 44.5cm.; 13.5 x 17.5in. £500-700 123

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538 538 sir david young Cameron r.a., r.s.a. (1865-1945), “Harvest in Ayrshire”, signed, titled on artist’s label verso, oil on canvas, 29.5 x 44.5cm.; 11.5 x 17.5in. £1,000-1,500

539 James Campbell (1828-1903), Fisherfolk on the beach, both signed, a pair, oil on board, 29 x 22cm, 11.5 x 8.75in (2). £300-500 540 e.J. Pegrum, 19th/20th century, “A Bath Street Scene” and “The Grand Pump Room, Bath”, both signed and titled, a pair, oil on canvas, unframed, 46 x 75cm.; 18 x 29.5in (2). £500-700

539

540

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541 541 William Joseph J.C. Bond (1833-1926), “Boat in Harbour, Sunset”, signed, titled on gallery label - ‘Peter Nahum at The Leicester Galleries’ verso, oil on canvas, 53 x 41cm.; 21 x 16in. * Liverpool landscape painter. Exhibited at Society of British Artists - Suffolk Street, but only twice at the Royal Academy 1856, member 1859. Subjects: landscapes, coastal and harbour scenes, mainly in Cheshire, Wales and Anglesey. £2,000-3,000 125

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WaterCOlOurs, Pastels & inKs (18tH/19tH Century)

544 544 david Bates (1840-1921), “Gleanings by the Way, West Malvern”, signed and dated ‘08, titled on mount, gallery label on verso, watercolour, 26 x 36cm.; 10.25 x 14.25in. £100-200

542 542 george goodwin Kilburne (1839-1924), “A Sunny Day”, signed and dated 1866, titled on mount, with gallery label verso, watercolour, 26 x 20cm.; 10.25 x 8in. £100-200

545 545 Charles rowbotham (1858-1921), “San Giovanni, Lake Como”, signed and dated 1898, titled on mount, watercolour, 26 x 38cm.; 10.25 x 15in. £100-200

543 543 John Frederick tayler (1802-1889), Travellers by a bridge in the Highlands, unsigned, titled on gallery label verso, watercolour, 29 x 38.5cm.; 11.5 x 15.25in. £100-200

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546 thomas Bush Hardy r.B.a. (1842-1897), “The Grand Canal, Venice”, signed and titled, watercolour, 43 x 68.5cm.; 17 x 27in. £1,000-1,500

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546 548 george Cattermole (1800-1868), Figure group with coastal view beyond, watercolour and pencil, 40.5 x 58cm.; 16 x 22.75in. £100-200

547 547 george Cattermole (1800-1868), “The Arrest”, monogrammed, titled on gallery label verso, watercolour, 26.5 x 38cm.; 10.5 x 15in. £100-200 549 549 John Keeley r.B.s.a. (1849-1930), “Newlands Beck, Cumberland”, signed, titled on verso, watercolour, 38 x 50cm.; 15 x 19.75in. £100-200

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552 David Cox, Junior (British, 1809-1885), “The Lledr Valley” and two other rural views, two paintings signed and one dated 1873, watercolours, various sizes 24 x 31.5cm.; 9.5 x 12.5in, 26 x 41cm.; 10.25 x 16.25in and 10 x 20.5cm.; 4 x 8in (3). £100-200

550 550 English School, 19th century, Domestic scene with a family being served a meal at the table, unsigned, watercolour and pencil, 26 x 36cm, 10.25 x 14.25in. £100-200 553 553 William Cruikshank (1848-1922), Mallard taking flight, signed, miniature, watercolour on ivory, 7.5 x 10cm.; 3 x 4in. £100-200

551 551 English School, early 19th century, Lake scene with figures, unsigned, watercolour, 34.5 x 44.5cm.; 13.5 x 17.5in. £100-150

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554 554 Filiberto Petiti (1845-1924) Rural views, some signed, watercolours, all unframed, various sizes 22.5 x 29cm.; 8.75 x 11.25in (8). £200-400

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555 555 William ainsworth Wildman (1882-1950), River scene with buildings on the bank, signed, watercolour and pencil, 31 x 24cm, 12.25 x 9.5in. £100-150

557 557 george gregory (1849-1938), Continental street scene with figures, signed and dated 1893, watercolour, 77.5 x 55cm.; 30.5 x 21.75in. £100-200

558 558 george Hayes r.C.a. (fl.1855-1875), River valley landscape, signed and dated 1876, watercolour, 32.5 x 49.5cm.; 12.75 x 19.5in. £100-200

556 556 english school, 19th century, Family group portrait, unsigned, pastel, 24 x 20cm, 9.5 x 8in, set in elaborate gilt frame. £200-400

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561 561 William B. Henley, 19th century, Winter scene with woodcutter on a woodland path, signed, watercolour, 24.5 x 42cm, 9.75 x 16.5in. £200-400

559 559 Samuel Austin (1796-1834), “The Junction of the Conway and the Machno”, unsigned, attributed and titled on gallery label - ‘Abbott & Holder, London’ verso, watercolour, 33 x 26cm.; 13 x 10.25in. £100-200

562 562 William B. Henley, 19th century, “Returning Home”, signed, watercolour, 24.5 x 42cm, 9.75 x 16.5in. £200-400

563 563 Attributed to Thomas Girtin (1775-1802), “Ripon Cathedral”, unsigned, titled on mount, watercolour, 26.5 x 44cm.; 10.5 x 17.25in. £100-200

560 560 English School, 19th century, Portrait of a gentleman, unsigned, watercolour, 20.5 x 15.5cm.; 8 x 6in.

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564 564 J.Craig, 19th/20th century, “Feeding the Ducks”, signed, watercolour, 25.5 x 31.5cm, 10 x 12.5in. £100-200

567 567 Joseph Hughes Clayton (exh. 1891-1929), Coastal view, signed, watercolour, 35.5 x 56cm.; 14 x 22in. £200-400

568 568 James Price (fl.1842-1876), Rural lane with cottage and chickens, signed, watercolour and pencil, 31 x 52cm, 12.25 x 20.5in. £100-200 565 565 Clara Knight (1861-1940), River scene, signed, watercolour, 23.25 x 33.5cm, 9.25 x 13.25in. £80-100

566 566 Walter stuart lloyd (1845-1959), River scene at Chepstow with figures and boats, signed and dated 1908, watercolour, 38 x 69.5cm, 15 x 27.25in. £300-500

569 569 William Collingwood (1819-1903), River scene with cattle watering, signed and dated 1847, watercolour, 30 x 50cm, 11.75 x 19.75in. £100-200

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570 570 H. Perry Williams, 19th/20th century, “Loch Leven, looking towards Ballachulish Ferry”, signed, titled on verso, watercolour, 32 x 47cm.; 12.5 x 18.5in. £150-200

571 571 sydney goodwin (1867-1944), “Evening Sunset on the Thames”, initialled and dated ‘10, watercolour, 15 x 17cm, 6 x 6.5in. £200-400

572 572 george shalders (1826-1873), “Sheep in Surrey”, signed and dated ‘66, titled on gallery label - ‘The Fine Art Society Ltd., London’ verso, watercolour, 24.5 x 30cm.; 9.5 x 11.75in. £300-500

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573 573 david Cox, Junior (British, 1809-1885), Landscape with castle, unsigned, with gallery label - ‘The Boydell, Galleries, Liverpool’ on verso, watercolour, 17 x 24cm.; 6.75 x 9.5in. £100-150

574 574 Bonomi edward Warren (British, fl.1860-1900), “Box Hill, Surrey”, signed and dated 1871, watercolour, 72.5 x 125.5cm.; 28.5 x 49.5in. £500-700

575 575 Myles Birket Foster (British, 1825-1899), “Low Tide, Mont St. Michel”, monogrammed, titled on gallery label - ‘Thomas Agnew & Sons Ltd, London’ verso, watercolour and pencil, 12.5 x 16cm.; 4.75 x 6.25in. £1,000-1,500

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576 576 isaac Cooke r.B.a. (1846-1922), Lake scene with figures and boats, signed, watercolour and pencil, 16.5 x 24cm.; 6.5 x 9.5in. £100-150

578 578 William Callow r.W.s. (1812-1908), A view of an estuary, unsigned, titled on gallery label - ‘Leger Galleries, London’ verso, watercolour, 22.5 x 31.5cm.; 8.75 x 12.25in. £300-500

579 579 english school, 19th century, Rural view with figures and cattle, unsigned, with gallery label - ‘The Boydell Galleries, Liverpool’ on verso, watercolour, 32 x 46.5cm.; 12.5 x 18.25in. £200-400

577 577 John innes Herdman, 19th century, “St. Nicholas Church and Mersey from Chapel Street”, signed and dated 1859, with gallery label - ‘The Boydell Galleries, Liverpool’ on verso, watercolour, 49.5 x 36cm.; 19.5 x 14.25in. * John Innes Herdman was the son of William Gawin Herdman. £300-500

580 580 William Fleetwood varley (1785-1858), A scene in North Wales, unsigned, attributed and titled on gallery label - ‘The Boydell Galleries, Liverpool’ verso, watercolour, 34 x 49cm.; 13.5 x 19.25in. £100-200 133

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583 583 William Gawin Herdman (1805-1882), “Bottom of Hanover Street, Liverpool”, unsigned, titled and dated ‘March 1854’ on verso, watercolour and pencil, 16 x 20.5cm.; 6.25 x 8.25in. £200-400 581 581 Joshua Cristall (1767-1847), “Prawn Catching”, attributed and titled on mount, watercolour, 29 x 25.5cm.; 11.5 x 10in. £100-200

584 584 Isaac Cooke R.B.A. (1846-1922), River landscape with bridge, signed, with gallery label - ‘The Boydell Galleries, Liverpool’ on verso, watercolour, 19 x 29.5cm.; 7.5 x 11.5in. £100-200 582 582 James Thomas Watts R.Cam.A. R.B.S.A. (1853-1930), Village scene, signed, watercolour, 11.5 x 17cm.; 4.5 x 6.75in. * Studied at Birmingham School of Art. Lived for many years in Liverpool. A most prolific painter with numerous examples shown at the Dudley Gallery London; the Walker Gallery Liverpool; the Royal Academy; the Royal Cambrian Academy and the Royal Institute of Painters in Watercolours. £50-100

585 585 Circle of Anthony Vandyke Copley Fielding (1787-1855), A lake in a mountainous landscape, bears signature, watercolour, 35.5 x 50.5cm.; 14 x 19.75in. £200-400

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588 William gawin Herdman (1805-1882), “East Side of Castle Ditch” from an original drawing, signed, titled and dated 1820, with gallery label - ‘The Rembrandt Gallery, Liverpool’ on verso, watercolour and pencil, 13.5 x 34cm.; 5.25 x 13.25in. £150-200

586 586 isaac Cooke r.B.a. (1846-1922), Lake scene, signed, watercolour, 18 x 26cm.; 7 x 10.25in. £100-200

589 589 samuel austin (1796-1834), A village scene, signed, titled on gallery label - ‘The Rembrandt Gallery, Liverpool’ verso, watercolour, watercolour and pencil, 32.5 x 49.5cm.; 12.75 x 19.5in. £200-400

587 587 isaac Cooke r.B.a. (1846-1922), Mountainous river landscape, signed, with gallery label ‘The Boydell Galleries, Liverpool’ on verso, watercolour, 18 x 26cm.; 7 x 10.25in. £100-200

590 590 edward duncan r.W.s. (1803-1882), Clifftop view with cottages, cattle and sheep, signed and dated 1860, with gallery label - ‘The Boydell Galleries, Liverpool’ on verso, watercolour and pencil, 20.5 x 50cm.; 8 x 19.75in. £150-200

588

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591 591 attributed to samuel Prout O.W.s. (1783-1852), Italian street scene with figures, unsigned, watercolour and pencil, 31.5 x 21.5cm.; 12.5 x 8.5in. £100-200

592 592 samuel Phillips Jackson r.W.s. (British, 1830-1904), “Betws-y-Coed, Evening”, signed and dated 1866, with gallery label - ‘The Boydell Galleries, Liverpool’ on verso, watercolour, 32.5 x 59cm.; 12.75 x 23.25in. £200-400

593 593 aaron edwin Penley (British, 1807-1870), “Fishing on the Lake”, signed and dated 1867, with gallery label - ‘The Boydell Galleries, Liverpool’ on verso, watercolour and pencil, 22 x 32cm.; 8.75 x 12.5in. £100-200

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594 594 augustus John Cuthbert Hare (1834-1903), Durham, unsigned, titled on gallery label - ‘The Boydell Galleries, Liverpool’ verso, watercolour and pencil, 23 x 33.5cm.; 9 x 13.25in. £200-400

595 595 John Henry Mole (1814-1886), Coastal scene, signed and dated 1850, with gallery label ‘The Boydell Galleries, Liverpool’ on verso, watercolour, 18 x 29.5cm.; 7 x 11.5in. £100-200

596 596 albert Moulton Foweraker (1873-1942), “Cordes in the Evening”, signed, titled on label verso, watercolour, 25 x 35.5cm.; 10 x 14in. £200-400

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MINIATURES

599 599 Nellie Hepburn Edmunds (1881-1953), Portrait of a young lady holding a fan, signed and dated ‘21, watercolour on ivory, rectangular, 13.5 x 10cm.; 5.25 x 4in. £200-400 597 597 Thomas Mackay (1851-1920), Cottage scene with seated figure, signed and dated ‘99, watercolour, 17.5 x 13cm.; 7 x 5in. £100-200

PRINTS & ENGRAVINGS (18TH/19TH CENTURY)

598 598 Thomas Mackay (1851-1920), Village inn with figures, signed and dated 1898, watercolour, 21.5 x 31.5cm.; 8.5 x 12.5in. £150-200

600 600 English School, 19th century, “The Pier at Margate” and another coastal view with shipping, lithographs, various sizes 41.5 x 62.5cm.; 16.25 x 24.5in and 48.5 x 85.5cm.; 19 x 33.75in (2). £100-200

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BrOnzes & sCulPture

601

601 Pair of 19th century bronze Marley horses, after Guillaume Coustou, each depicting rearing stallion with horse trainer, height 54cm; 21”. £800-1,000

602 a gilt bronze vide-poche with foliate design in an art noveau style, signed ‘A. Marionnet’. Along with a vintage postcard depicting the sale of items by Marionnet at an objets d’art stand in Paris. 40cm; 15.7in length. £400-500

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603

603 a cast bronze tazza of foliate design with blackberries and the inscription ‘a Marionnet’. 19cm; 7.5cm height.

8cm; 7in diameter. £200-300

605 Belgian bronze plaque depicting hunting scenes in the rainforest. 38cm; 15in diameter. £150-200

604 Middle eastern bronze cooking pot with islamic calligraphy. 20 x 32cm; 8 x 12.5 in. £80-120

604

605

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ClOCKs & BarOMeters

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608

606 a 20th century carriage clock with brass case and enamel chapter ring with Arabic numerals. Swiss-made, two-train eight-day movement striking on single gong. 12cm; 5in height. £200-300

609 Mid 19th century wall clock with mahogany case and domed glass door. Dial signed W.W Kent, Manchester (William Worsley). Single fusee movement. 37cm; 14.5in diameter. £300-400

607 607 an oak and mahogany london & north Western railway wall clock. Cream enamel dial with Roman numerals and single train, eight-day movement. 127cm; 50in height. £400-500

610 610 vienna regulator with stained beech case and white enamel dial framed with gilt work. Three-train movement.

With brass weights and pendulum. 122cm; 48 in height. £500-700

608 a 19th century wall clock with mahogany case. White enamel face with Roman numerals. Single fusee movement.

39cm; 15.5in diameter. £200-300 140

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612

613

611 A late 19th century/early 20th century French carriage clock in a brass oval section case with aneroid barometer.

An engraved inscription reads: ‘From Sir Ernest & Miss Flower, May 1916’ with the letters ‘G.F, A.P’. Single train eight-day movement. Leather presentation case. 11 x 15.2cm; 4.4 x 6in. £400-600

614 A 19th century small French carriage clock with brass case and white enamel face with Roman numerals and subsidiary dial. Single train, eight-day movement striking on single bell with alarm. Original leather case. 11cm; 4.2in height. £80-100

612 A late 19th century English carriage clock with brass face.

Dial signed with makers name; ‘Russell, Malvern’. Single train, eight day movement. Comes in its original leather case.

13cm; 5.3in height. £100-150

615 Early 19th century drop dial wall clock with octagonal mahogany case and brass inlay, white enamel face with Roman numerals. Single fusee movement. 45cm; 17.5in diameter. £200-300

613 A mid 18th century ebonized bracket clock. Brass face with brass spandrels, Roman and Arabic chapter ring, subsidiary seconds dial and date aperture. The face and movement are engraved with the name of the maker Hampson (John), Wrexham and numbered 1160. Single fusee movement, chiming on a three bell carillon. 45 x 24cm; 17.5 x 9.5in. £300-400

616 A 19th century German carriage clock with brass case, white enamel face with Roman numeral chapter ring, two subsidiary dials with Arabic numerals for date and alarm. Twotrain eight-day movement, striking ting-tang on double gong.

Alarm bell concealed in base of case. 15cm; 6in height. £300-400

614

615

616

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617 617 A Victorian skeleton clock. Gothicstyle brass frame with fretted Roman numeral chapter ring. Single fusee movement with an anchor escapement. 33 cm; 13 in height. £200-300

618 618 A mid 19th century decorative skeleton clock. Brass frame with three steeple Gothic design and elaborate fretted chapter ring with Roman numerals. Single fusee movement with an anchor escapement. Striking on single bell with an axe-head striker.

42cm; 16.5in (without dome). £300-400

620 A late 18th century mahogany bracket clock with Chinese Chippendale style case and blind fretwork. Silvered dial with Roman and Arabic numerals, subsidiary months dial, signed John Hamilton, Glasgow (1780-4).

Double fusee movement. 46 x 30cm; 18 x 12in. £400-500

620

621

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619 619 19th century slate mantel clock.

White enamel dial with Roman numerals and open-escapement. A glass panels reveals the gridiron pendulum. Two-train eight-day movement striking on a single bell.

45cm; 17.5in height. £100-200

623 A 19th century French Ormolu mantel clock, with swags of flowers framing a porcelain dial with Roman numeral chapter ring and a porcelain panel depicting three figures in the style of Boucher. Dial stamped with the retailers name; ‘R. Stewart, Paris’.

Twin barrel movement striking on a bell. 49 x 27cm; 19.5 x 10.5 in. £230-330

621 A second quarter of the 18th century brass face and movement ONLY. With brass spandrels, silvered chapter ring with Roman numerals. Engraved with Gabriel Smith (of ) Nantwich, 23cm; 9in diameter. £400-600 622 A mid-19th century Gothic style oak carved bracket clock with bracket. A pointed arched pediment supported on perpendicular columns and stone tracery is imitated in oak. The clock strikes on a bell and chimes on an eight-part carillon. The face is signed James Gowland (London Wall). 91.4 x 48.3 cm; 36 x 19in. £1,500-2,500

623

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624 a 19th century carriage clock.

Brass case with Corinthian columns and copper metal work framing an enamel face with Arabic numerals. Two-train eight day movement striking on single gong, with repeater.

16.5cm; 6.5in height. £1,200-1,500

626 late 19th century drop-dial wall clock with mahogany case. Cream painted face with Roman numerals, with the name of the retailer J. Palin, Nantwich.

Single fusee movement.

38cm; 15in diameter. £80-120

625 vienna regulator with walnut and beech case. Bearing the anchor mark of Gustav Becker on the enamel dial also with Roman numerals and a subsidiary seconds dial. Twotrain movement striking on a gong. With weights and pendulum. 102cm; 40in approx height (excludes top mounted ornament). £150-250

627 a French art deco pyramid marble mantel clock. A blue marble diamond with white marble pyramids forms the case with gilded dial and Arabic numerals. Gilt decals accentuate the face of the clock. Two-train eight day movement, striking on single bell. 36cm; 14in. £100-200

624

626

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lOngCase ClOCKs

628 628 late 18th century longcase clock with mahogany case and matched movement. Fluted Doric columns support a canopy with caddy pediment, dog-tooth moulding tops a long door ending in box base. Brass face with brass spandrels and silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture. Signed Willm Mayhem, Woodbridge. Two-train eight-day movement. 229cm; 90in height. £400-500

629 629 a mahogany longcase clock, with double swan-neck pediment canopy with brass rosettes. Short-door with matched feathered veneers and box base with turned feet.

The oval face is painted with floral and countryside motifs and painted Roman and Arabic numerals with subsidiary seconds dial and date aperture, signed Matthews, Welshpool. Two-train, eight day movement. 221 x 56 cm; 87 x 22 in. £400-600

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630 630 an oak longcase clock with stepped canopy supported on Doric columns framing a square brass dial with brass spandrels, silvered chapter ring with Roman and Arabic numerals.

Subsidiary seconds dial and date aperture. Signed Fran Pile, London.

Eight-day, two train movement. 203 x 47 cm; 80 x 18.5 in. £200-300

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631 631 an 18th century long-case clock, by William lowndes of salop. Oak case with Doric columns supporting a canopy with blind fretwork and stepped pediment. Brass arched dial with brass spandrels, silvered chapter ring with Roman and Arabic numerals and subsidiary seconds dial. Arch contains portrait with glancing eyes and date aperture. Arched door to trunk with boxed base and ogee feet.

Two train, eight-day movement striking on single bell. 218 x 54 cm; 86 x 21.5in. £500-600

632 632 early 19th century French long-case clock. Oak panelled case with painted embellishments. Arched canopy with glazed panels, long door with central starburst. Pressed metal and white painted dial signed Arfel a Jonzac.

Two-train, eight-day movement.

217cm; 85.5 in height. £200-400

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633 633 early 19th century long-case clock

by Francis reynolds, Kensington.

Figured walnut case with Doric columns supporting a stepped canopy with fretted frieze. The square brass dial has silvered chapter ring with Roman and Arabic numerals, brass spandrels with putti, subsidiary seconds dial and date aperture. Two train, eight-day movement. 219 x 54 cm; 86 x 21.5 in. £600-800

634 634 Wall mounted regulator with mahogany case, altered with later box base. White enamel dial with Roman numerals and subsidiary seconds dial, signed Hill, Newcastle.

201cm; 79in height. £400-600

635 635 late 18th century longcase clock with oak case. Doric columns frame a square dial, with blind fretwork under the canopy. Face signed John Baker, South Petherton. Painted with figures on the spandrels with Roman numerals and subsidiary seconds dial.

Single-train, eight-day movement.

197 x 49 cm; 77.5 x 19 in. £150-200

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636 636 a late 18th century longcase clock with oak case. Doric brass topped columns support a double swan-neck pediment with floral brass bosses.

Brass face has both Roman and Arabic numerals with subsidiary seconds dial and engraved ‘Knight Fecit Stone 1784’. Two-train, eight-day movement.

209 x 48.5 cm; 82 x 19.5 in. £300-400

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637 637 a late 18th century country-made long-case clock with matched movement. The oak case has a bull’s eye window. Doric columns frame a square brass face, brass spandrels and brass chapter ring with Roman numerals, signed James Smith, Barthomley. 30-hour movement. 196 x 54 cm; 77 x 21 in. £200-300

638 638 late 18th century long case clock, oak case with arched canopy, swan neck pediment, turned pilasters, trunk with quartered columns, short door, box base with canted corners, original bracket feet decorated all over with panels of figured mahogany, painted dial with sporting gentleman picture panel marked James Sharratt, Stone, stored A.J. Thornton, 1967, 8-day movement striking on single gong, pendulum and two cast iron weights, height 220cm; 87”. £200-300

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veHiCles & transPOrt

639

639 1964 Morris Minor 1000 convertible, current MOT September 2017, registration number ATK 784 B, chassis number MAT51073736, green paintwork, duo-tone green and cream interior, with light brown soft top, eight former keepers, in current ownership from June 2013, V5C available for inspection, no history file. £4,000-6,000

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Furniture

640

642 late 19th century French glazed screen, the bamboo frame supporting three glass panels, each of graduated size and hand painted with wild flowers, largest panel width 34cm; 13”, height 130cm; 52”. £250-450

640 19th century Florentine gesso picture frame containing mirror, foliate design with scallop shells, 86.4cm; 34”, 48.3cm; 19”. £100-200 641 late 19th century gong, supported on oak frame, barley sugar twist columns with acanthus leaf moulding, trestle base, width 61cm; 24”, height 92cm; 36”. £100-200

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150

643 late 19th century Chinese softwood tea chest with polychrome lacquered decoration, hinged lid, re-lined yellow silk interior, standing on later custom made mahogany plinth, four moulded legs united by fretwork stretcher, width 43cm; 17”, depth 31cm; 12”, height 94cm; 37” (including stand). £600-800

642

643

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645 early 19th century louis Xv style secretaire a abattant, rouge marble top above single drawer, fall front writing slope with fitted interior, base with three graduated drawers, veneered all over with kingwood and marquetry floral inlays, brass embellishments, width 69cm; 27”, depth 38cm; 15”, height 142cm; 46”. £600-800

644

646 late 19th century louis Xv style vernis Martin bombe front, five glass display cabinet, veneered in kingwood, single door, five painted panels, all standing on six scroll legs, decorated all over with brass mounts, width 122cm; 48”, depth 48cm; 19”, height 193cm; 76”. £2,000-3,000

644 late 18th century French kingwood veneered writing bureau, top section with flap inlaid with picture panel depicting birds and flowers, interior stepped with small drawers and stationery compartments, well to centre, all standing on four swept legs united by frieze containing two short drawers fitted brass ring handles and escutcheons, width 110cm; 43”, depth 51cm; 20”, height 96cm; 38”. £300-500

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648

649 647 victorian black lacquered games table, top with mother-ofpearl inlay forming a chess board, each flap decorated with ornamental birds and insects, single frieze drawer, trestle base with sledge feet, all over decorated with chinoiserie, width 59cm; 31”, depth 49cm; 19”, height 76cm; 30”. £100-200

650 651 george iii mahogany linen press, dentil cornice above two single panel doors with cock beading, base with two short and two long drawers, oak drawer linings, cock beading and original handles all standing on bracket feet, width 130cm; 51”, depth 62cm; 24”, height 200cm; 79”. £400-600

648 Pair of Prince of Wales investiture chairs, designed by Lord Snowdon for Isokon, plywood construction, Welsh woven fabric seats. £900-1,100 649 six edwardian Hepplewhite design mahogany framed dining chairs, comprising five single and one open arm carver, each with wheat ear moulded design above fretwork splat, leather covered loose seats, square section tapering legs with spade terminals united by “H” stretchers. £300-500 650 regency mahogany twin-pedestal dining table, rectangular top with spare leaf, supported on baluster columns, each with three scroll legs terminating in brass animal paw feet with articulated brass castors, length 120cm; 87”, width 117cm; 46”, height 72cm; 28”. £500-700

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652 652 Four matching george iii mahogany Chippendale design single dining chairs, each with carved cresting rail decorated with scrolling acanthus leaves, pierced splat, drop-in upholstered seats, square section chamfered legs (one seat missing). £200-400

653 edwardian mahogany double standing corner cupboard, architectural pediment above frieze with inlaid swags of flowers, double doors, Gothic design, astragals covering three fixed shelves, base with two single panel doors, smothered in white wood parquetry inlay, all standing on bracket feet, width 79cm; 31”, depth 43cm; 17”, height 120cm; 87”. £400-600

654 victorian mahogany linen press, top section with two single panel doors covering two sliding shelves, base with two short and two long drawers, fitted near matching turned wooden handles, all standing on turned feet, width 122cm; 48”, depth 56cm; 22”, height 198cm; 78”. £250-450

653

655 early 20th century george iii design mahogany stool, upholstered stuff over seat, four cabriole legs with moulded shoulders, ball and claw feet, width 66cm; 26”, depth 46cm; 18”, height 48cm; 19”. £150-250

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655

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657

660

658

661

656 george iii mahogany tip table, single piece circular top supported on single turned column, triform base, outswept feet with biscuit pads, top diameter 74cm; 29”, height 73cm; 29”. £150-250

660 a pair of early victorian mahogany open armchairs, with carved and moulded show wood frames, upholstered back, pad arms and sprung seat covered in pastel pink cotton fabric, each with four scroll legs. £300-500

657 19th century georgian design mahogany wash stand, circular top supported on three turned and scrolling legs containing two drawers and platform base, height 86cm; 34”. £150-250

661 edwardian mock sheraton demi-lune fold-over mahogany card table, top leaf with white wood inlaid swags, ribbons and stylized anthemion baize lined interior inlaid frieze, four square section tapering legs with spayed feet (two legs hinged to form gate), width 91cm; 36”, depth 46cm; 18”, height 75cm; 29”. £400-600

658 early 19th century mahogany framed sofa, hump back, scroll arms, serpentine front, moulded decoration to frame with six square section tapering legs, width 193cm; 76”, depth 84cm; 33”, height 94cm; 37”. £500-700 659 george iii mahogany floor standing corner cupboard, swan neck pediment with key pattern and rosette moulding, top section with two doors, each with raised panels opening to reveal painted barrel back interior with three fixed shaped shelves, base with two cupboard doors all standing on ogee bracket feet, width 122cm; 48”, height 221cm; 87”. £1,500-2,000

662 george iii mahogany library reading table, rectangular top hinged with ratchet support, two fold out candle stands all standing on baluster single column with triform base, top 46cm; 18”, depth 35cm; 14”, height 75cm; 29”. £200-400

662

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663

665 early 19th century mahogany corner display cabinet, architectural features including swan neck pediment, Corinthian column mouldings flanking single astragal glazed door, separate base with similar glazed door, interior with two fixed shelves, width 81cm; 32”, depth 50cm; 20”, height 155cm; 61”. £300-500

664 george iii mahogany bureau bookcase, architectural pediment above two glazed doors, each with six hand drawn clear glass panels, covering three adjustable shelves, base with flap opening to reveal fitted interior, all above two short and two long graduated drawers, the whole bureau bookcase standing on ogee bracket feet, width 107cm; 42”, depth 56cm; 22”, height 242cm; 95”. £300-500

666 two early 18th century Queen anne design single dining chairs, each with mahogany frames, vase shaped back, drop-in seat, each with needlework covers, cabriole foreleg supports with pad feet. £200-400

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665

664

663 george iii mahogany two door corner cupboard, architectural pediment with key cut moulded decoration, two raised and fielded panel doors flanked by moulded Corinthian columns, interior with three fixed shelves, all green painted, width 82cm; 32”, depth 48cm; 19”, height 102cm; 40”. £300-500

667 two early 18th century Queen anne style mahogany framed single dining chairs, each with vase shaped splat back, drop-in tapestry covered upholstered seats with cabriole foreleg supports. £200-400

667

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669

672

668 george iii mahogany open carver of Chippendale design, cresting rail and pierced splat with moulded decoration, scrolling open arms, loose seat with tapestry cover, moulded foreleg support with “H” stretchers. £300-500 669 thebes stool, designed by Leonard Wyburd of William Birch for Liberty & Co. circa 1880, mahogany frame, wool work tapestry covered upholstered dished seat, four ring turned legs linked by stretchers, width 48cm; 19”, depth 48cm; 19”, height 42cm; 16.5”. £600-800 670 edwardian mahogany glazed bookcase, top section with dentil cornice, open shelf, two astragal glazed doors with linen fold panels below, opening to reveal five adjustable shelves, all standing on blind plinth, width 150cm; 58”, depth 43cm; 17”, height 213cm; 84”. £300-500 671 george iii mahogany bow front chest of three graduated drawers, top with white wood string, each drawer inlaid with ebonised cock beading, oval brass plate handles, ivory escutcheons all standing on bracket feet with shaped apron, width 64cm; 37”, depth 56cm; 22”, height 87cm; 34”. £500-700

670

672 george ii Chippendale style mahogany single dining chair, pierced splat, drop-in seat, cabriole foreleg supports with moulded shells to shoulder and acanthus leaves decorating pad feet, stretcher uniting rear legs. £200-400

671

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673

674

673 three late 19th century mahogany framed single dining chairs of Chippendale design, each with pierced splat backs, drop-in seats, moulded foreleg supports united by “H” stretchers. £100-200

674 george iii mahogany chest of two short and three long graduated drawers, top with cross banding and ebony string, each drawer with cock beading, replacement circular ring pull handle, all standing on splay bracket feet, width 90cm; 36”, depth 45cm; 18”, height 90cm 36”. £200-400

675

675 george iii mahogany chest of two short and two long drawers, rectangular top with cross banding and white wood string, frieze with diamonds of satinwood, drawers with cock beading, pine linings, steel locks, replacement brass oval plate handles, all standing on splay bracket feet, width 90cm; 35”, depth 48cm; 19”, height 89cm; 35”. £200-400

676 george iii mahogany chest of two short and three long graduated drawers, rectangular top with ogee mould, drawers with original brass bale handles, cock beading, oak drawer linings and steel locks, bracket feet, width 104cm; 42”, depth 53cm; 21”, height 89cm; 35”. £250-450

676

677 two george ii mahogany single dining chairs of Chippendale design, each with pierced splat backs, upholstered drop-in seat, square chamfered legs united by “H” stretchers. £200-400 677

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679

680

678 george iii mahogany Chippendale style carver chair, pierced and moulded splat back, decorated with leaves and flower head, scrolling arms, drop-in seat, moulded foreleg supports united by “H” stretchers. £150-250 679 early 19th century mahogany what-not, four square shelves with ring turned columns, base with single drawer fitted two knob handles, all standing on original brass articulated castors, width 51cm; 20”, depth 51cm; 20”, height 158cm; 62”. £100-200

681

680 victorian mahogany extending dining table, rectangular top with two leaves, moulded edge, pull out mechanism, all standing of four baluster reeded legs with brass castors, width 201cm; 79”, depth 104cm; 41”, height 71cm; 28”. £400-600 681 edwardian mahogany side table, rectangular top with moulded edge above two frieze drawers, fitted brass ring handles, four cabriole moulded legs with ball and claw feet, 152cm; 60”, depth 61cm; 24”, height 97cm; 31”. £200-400

682

682 edwardian mahogany surprise table, the patent design with two opening flaps to top activating rise and fall mechanism for cocktail cabinet, box base, four square tapering legs with brass articulated castors, label for ‘Maple & Co. Tottenham Court Road, London’, width 61cm; 24”, depth 75cm; 30”, height 81cm; 32”. £800-1,000 683 george iii mahogany open arm chair, upholstered back and seat, scrolling arms, cabriole foreleg support with pad feet. £200-400 683

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684 684 a group of six Queen anne design early 18th century mahogany single dining chairs, each with vase shaped splat back, drop-in seats, cabriole leg supports, in varying condition. £300-500 685 early 18th century mahogany bureau bookcase, top section with architectural pediment, two glazed doors with gesso beading flanked by classical columns and candle stands, interior with adjustable oak shelves, base with flap opening to reveal stepped interior with various drawers and stationery compartments flanking central door opening to reveal inlaid miniature room interior with mirrored back, base with four graduated long drawers, replacement brass handles and escutcheons, canted corners, bracket feet, width 107cm; 42”, depth 61cm; 24”, height 236cm; 93”. £2,000-3,000 686 george iii mahogany chest of two short and three long graduated drawers, rectangular top with ogee mould, drawers all with cock beading and original brass bale handles, all standing on bracket feet, width 109cm; 43”, depth 57cm; 22”, height 91cm; 36”. £300-500

687

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686 687 george iii mahogany chest of two short and three long graduated drawers, rectangular top with three reed edge, drawers all with cock beading, bone escutcheons, turned knobs, pine linings with blue paper, standing on replacement bracket feet, width 84cm; 33”, depth 46cm; 18”, height 94cm; 37”. £200-400 688 george iii mahogany bureau of small proportions, flap opening to reveal fitted interior, comprising stationery compartments, four drawers flanking central cupboard, base with four long graduated drawers, replacement brass handles and escutcheons, original steel locks, oak sides and bracket feet, width 76cm; 30”, depth 43cm; 17”, height 91cm; 36”. £300-500 689 early 19th century hardwood campaign chest, two sections with brass strengthening corners, fitted four drawers, steel folding carrying handles, standing on turned feet, width 79cm; 31”, depth 39cm; 15.5”, height 96cm; 38”. £200-400

688

689

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685

161

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690

691

690 19th Century French Kingwood veneered three shelf wall bracket with ormolu mounts. 76.2 x 53.3cm; 30 x 21 in. £100-200

691 Mid 19th century mahogany demilune fold-over tea table, top with satin wood inlays, swags of flowers and leaves, figured mahogany frieze, four square section tapering legs (two swinging) 91cm; 36”, depth 41cm; 16”, height 72cm; 28”. £100-200

692 692 Victorian figured mahogany tip-up occasional table, the shaped top with fretwork frieze, supported on single column with four outswept scrolling legs, width 81cm; 32”, depth 54cm; 21”, height 70cm; 27”. £200-400

693 Regency mahogany breakfast table, rectangular top with matched flame veneers, cross banded and standing on turned column, platform base, four outswept moulded legs with brass animal paw, cup castors, width 109cm; 42”, depth 152cm; 60”, height 69cm; 27”. £400-600 694 George III mahogany bow front corner cupboard, four inch frieze decorated with patera and classical urn, two doors open to reveal original painted interior with two spice drawers to base, each with inlaid spandrels, oak leaves and acorns, width 71cm; 28”, height 113cm; 45”. £100-200 695 19th century French Boulle side table, rectangular top above single frieze drawer fitted to handles, all standing on swept legs, decorated all over with cast brass, overall in need of heavy restoration, width 76cm; 30”, depth 46cm; 18”, height 72cm; 28”. £200-400 694

693

162

695

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697

696

696 early 20th century onyx and marble plant stand, revolving square top above column, decorated with musical and classical hand painted whimsies, square stepped base with brass pad feet, height 102cm; 40”. £100-200

698

699 robert “Mouseman” thompson stool, honey coloured oak frame with leather webbing to seat, width 34cm; 13”, depth 27cm; 10.5”, height 38cm; 15”. £200-400

697 george iii oak dresser base, two plank rectangular top above three frieze drawers, central arch flanked by two further small drawers, all standing on square section legs, bog oak or ebony banding with matching teardrop escutcheons, replacement brass handles, width 198cm; 78”, depth 46cm; 18”, height 89cm; 35”. £500-700

698 17th century design oak side table, the two plank top standing on four gun barrel turned legs, united by rectangular section stretchers, length 183cm; 72”, width 61cm; 24”, height 80cm; 32”. £300-500

699

163

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700 701

700 victorian oak centre table, rectangular top with cut corners, gadroon mouldings to frieze with Lion mask concealing single drawer, marked ‘Ernest Smith, Southsea’, all standing on four columns with sledge feet carved in the shape of serpents, width 99cm; 39”, depth 69cm; 27”, height 74cm; 29”. £300-500 701 early 19th century oak dresser base, rectangular top with decorative cross banding, seven mahogany cross banding drawers with replacement brass handles and escutcheons surrounding two door cupboards, with raised and fielded panels all flanked by quartered columns and standing on bracket feet, width 168cm; 66”, depth 53cm; 21”, height 80cm; 31”. £200-400

702 164

702 victorian Pollard oak teapoy, the sarcophagus shaped box with hinged lid opening to reveal fitted interior, three compartments with central recess for mixing jar, all standing on rosewood barley sugar twist column, circular platform base with three disc pad feet, width 43cm; 17”, depth 31cm; 12”, height 79cm; 31”. £200-400 703 17th century oak dresser, plate rack with canopy, two shelves, two single panel cupboards, base with three short frieze drawers above two three panel cupboards, width 127cm; 50”, depth 53cm; 21”, height 187cm; 72”. £500-700

703

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704

705

706

704 17th century oak jointed chest, three panel top with original wire hinges, interior with candle box, fitted original lid, two panel front with diamond carved decoration displaying initials ‘AV’, width 113cm; 44”, depth 50cm; 20”, height 65cm; 26”. £200-400

707

705 17th century oak back stool, shaped cresting rail with scored flower head decoration, splat in the form of single raised and fielded panel flanked by turned gun barrel columns, solid seat, block-and-turned foreleg supports united by turned front stretcher. £150-250 706 17th century oak gate-leg supper table, oval top with two leaves, original steel hinges, single drawer, baluster shaped legs standing on hoof feet, width 99cm; 39”, depth 87cm; 34”, height 68cm; 27”. £200-400

708

707 17th century oak jointed chest, three panel top with wire hinges, interior with candle box (lid now missing), two panel front with carving depicting flower heads, crosses and arrows, back of coffer with rail displaying primitive Welsh text, width 114cm; 45”, depth 56cm; 22”, height 67cm; 26”. £300-500 708 17th century oak chest of four graduated drawers, each with moulded raised geometric decoration, width 96cm; 38”, depth 58cm; 23”, height 88cm; 35”. £400-600

709

709 Mid 19th century continental stained oak centre table, the rectangular top with parquetry inlays and acanthus leaf moulding above frieze carved with guilloche concealing two short drawers, four baluster legs united by barley sugar twist stretchers, 163cm; 64”, depth 100cm; 40”, height 76cm; 30”. £400-600

165

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710 reconstructed 17th century design oak livery cupboard, backboard with canopy centre section supporting single cupboard flanked by barley sugar twist columns, base with single drawer and pot shelf decorated all over with bog oak and holly chequering, some panels 17th century, width 125cm; 49”, depth 45cm; 18”, height 165cm; 65”. £400-600 711 late 19th century oak mirror-back sideboard, top section with bevelled glass panel above pot shelf supporting by two columns, base with central drawers and display recess flanked by two seven panel cupboard doors, each covering sliding trays and cellarette, the whole piece with pollard oak panels and original brass handles, width 197cm; 78”, depth 61cm; 24”, height 176cm; 69”. £400-600

710

711

166

712 19th century gothic design oak box chair settle, top rail above three panel back, decorated with tracery and heraldic crest, open arms, hinged seat, box base with linen fold panels and heraldic shields, width 74cm; 29”, depth 54cm; 21”, height 147cm; 58”. £400-600

712

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713 713 17th century oak dresser of small proportions, two shelf rack with overhanging canopy fitted nine wrought metal hooks, base with two short drawers above two cupboards, each with arched raised and fielded panels, width 122cm; 48”, depth 42cm; 16.5”, height 192cm; 75”. £800-1,000

167

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715 714

716

714 17th century oak drop-leaf table, oval top with two gates, single drawer, gun barrel turned legs united by rectangular section stretcher, width 114cm; 45”, depth 89cm; 35”, height 71cm; 28”. £150-250

718 late 18th century oak settle, five raised and fielded panels to back with mahogany cross-banding, open arms, solid seat, cabriole foreleg supports with pad feet, swab cushion, width 156cm; 61”, depth 53cm; 21”, height 104cm; 41”. £250-450

715 17th century oak open arm chair, raised and fielded single panel back, scrolling arms, solid seat, block-and-turned foreleg supports united by stretchers. £150-250

719 Mid 19th century oak refectory table and two matching benches, the table with two plank cleated top support on heavy gothic design, trestle base, united by pegged stretcher, the two benches of the same design, table top length 245cm; 96”, depth 76cm; 30”, height 76cm; 30”, each bench proportionately designed to match the table. £1,000-2,000

716 19th century oak side table, rectangular top with moulded edge to all four sides above single frieze drawer with brass tear drop handles, baluster turned legs united by rectangular section stretchers, width 81cm; 32”, depth 51cm; 20”, height 71cm; 28”. £150-250 717 17th century oak crib, panel sides standing on two rockers, length 94cm; 37”, width 46cm; 18”, height 81cm; 32”. £150-250

720 late 18th century oak floor standing corner cupboard, top section with two doors, each fitted with two panels, with ogee bead and cross banded in walnut, lower section fitted two drawers of similar single panel design, white painted interior with fixed shelves, all standing on bracket feet, width 94cm; 37”, height 201cm; 79”. £150-250

717 718

168

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719

721 721 early 20th century three piece suite, carved and moulded show wood frame, scrolling arms decorated with acanthus leaves, all standing on short cabriole supports with ball and claw feet, comprising three seater settee and two matching chairs, all covered in green draylon with modern fabric covered cushions. £400-600 722 early victorian rosewood sofa table, rectangular top with three inch frieze concealing two drawers all standing on two columns with fluted and moulded decoration, four animal paw feet, width 132cm; 52”, depth 66cm; 26”, height 71cm; 28”. £200-300

722

720

169

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723 724 723 victorian rosewood Canterbury stool, hinged upholstered seat of rectangular shape, all four sides with fretted panels with fabric behind, corners with barley sugar twist columns, all standing on turned feet with brass articulated castors, each stamped ‘Loach & Clarke’s Patent’, width 52cm; 20”, depth 41cm; 16”, height 45cm; 18”. £150-250 724 19th century continental rosewood sewing table, shaped top inlaid with marquetry surrounding picture panel of courting couple, lid lifting to reveal fitted interior, wool bag, single column with triform base, original brown pot castors, width 50cm; 20”, depth 41cm; 16”, height 76cm; 30”. £150-250 725 victorian rosewood veneered fold-over card table, rectangular top with cross banding above shaped frieze with moulded decoration, single column support of baluster form, standing on four outswept legs with moulded shell form, terminals concealing articulated steel castors, width 91cm; 36”, depth 46cm; 18”, height 73cm; 29”. £300-500

726

170

727

725

726 edwardian rosewood veneered nest of four graduated occasional tables, each with rectangular top with cock bead, standing on trestle base with wavy stretchers (larger table measurements) width 48cm; 19”, depth, 31cm; 12”, height 68cm; 27”. £200-400 727 edwardian rosewood veneered envelope table, interior with green felt lining, each panel with sovereign scoops and white wood string, shallow frieze drawer, brass bale handle, cedar wood lining, all standing on four turned and fluted legs with scroll feet, united by “X” stretcher supporting dish shelf, width 55cm; 22”, height 94cm; 29”. £300-400 728 early 19th century rosewood occasional table, circular top with leather inset, two inch frieze with bead, snap top supported on triangular tapering section pillar, triform base with unusual bun feet with gadroon moulding, table top diameter 90cm; 35”, height 94cm; 29”. £400-600

728

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729

730

731

729 Victorian figured walnut Sutherland table, oval veneered top supported on four turned and fluted legs, with unusual scissor action out swept legs and moulded foot and original pot castors. 110cm; 43” x 86cm; 43”. £200-400

732 Two early 18th century Queen Anne style dining chairs, one mahogany with vase shaped splat back, drop-in seat, cabriole foreleg supports, the other walnut with loose seat tapestry covers, cabriole foreleg supports. £200-400

730 Victorian walnut framed spoon-back chair with deep buttoned upholstery, sprung seat with turned foreleg supports, matching brass and pot articulated castors. £250-450

733 George III walnut veneered small kneehole desk, top with cross banding above one long and two stacks of three short drawers, central apron drawer with cupboard to kneehole, all standing on bracket feet, width 81cm; 32”, depth 49cm; 19”, height 79cm; 31”. £300-500

731 George III walnut wine table, single piece dish top raised on vase shaped column, triform base, top diameter 41cm; 16”, height 68cm; 27”. £100-200

733 732

171

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734

734 late 18th century continental walnut side cabinet, ogee mould above two doors, each inlaid with marquetry baskets of flowers opening to reveal reverse side with sunburst of coloured hardwoods, interior with five short drawers and single shelf, base with single long frieze drawer all standing on six square section tapering legs with wavy stretchers, width 163cm; 64”, depth 61cm; 24”, height 195cm; 77”. £3,000-5,000

172

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735

735 1930’s figured walnut bedroom suite comprising three door wardrobe, chest of drawers, two bedside lockers and dressing table, all with moulded gilded decoration. £1,500-2,000

736 Mid 19th century walnut waterfall bookcase, top section with two adjustable shelves, all standing on bracket feet, width 100cm; 43”, depth 35cm; 14”, height 135cm; 53”. £200-400

736

737

737 late 18th century walnut dressing table mirror, rectangular glass supported in gesso and moulded frame, box base with ogee front containing three drawers, all standing on moulded bracket feet, width 37cm; 14.5”, depth 20cm; 8”, height 56cm; 22”. £200-400

738 victorian walnut and mahogany games table, the tilting top of shaped form veneered in figured walnut and inlaid with chess board, all on single column with unusual basket baluster, triform legs, height 70cm; 28”. £200-400

738

173

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739 739 Late 19th century East Caucasian Seychour rug, traditional Eastern design of stylized gul motifs in the centre, branching into a more delicate floral border which lends a Western twist to the design. £400-600 740 20th century silk and cotton Asian rug, madda field with central medallion, light brown border with trailing flower decoration, length 190cm; 75”, width 94cm; 37”. £100-200

740 741 Two 19th century yew wood low back Windsor chairs, each with pierced splats, elm saddle seats, turned legs united by crinoline stretchers. £300-500 742 George III Yew wood bureau, flap opening to reveal four drawer interior with various stationery compartments, base with four graduated drawers, each with cock beading, original bale bell handles, all standing on bracket feet, width 91cm; 36”, depth 50cm; 20”, height 109cm; 43”. £300-500 743 19th century yew Windsor high back chair, pierced splat, elm saddle seat, turned legs with crinoline stretcher. £150-250

741

174

742

743

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745 744 744 a pair of early 20th century rouge marble pedestals, each with square revolving tops mounted on turned pillar, square section base, 27cm; 11.5” square, height 104cm; 41”. £400-600 745 19th century brass log bin, riveted and embossed decoration with two Lion mask handles standing on triform base with bacchanalian mask and hoof, decorated legs, diameter 58cm; 23”, height 76cm; 30”. £100-200

746

746 late 19th century cast iron urn, circular form with egg and dart rim, half fluted bowl, all standing on square section tapering pedestal, white painted, diameter 74cm; 29”, height 84cm; 33”. £200-400 747 late 19th century cast and wrought metal garden bench, later wrought metal seat standing on cast pedestal base with animal paw feet, width 145cm; 57”, height 73cm; 29”. £200-300

747

175

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748

748 19th century botanical pattern “rustic” garden bench, oak leaf acorn and branch design, legs united by entwined snakes, width 127cm; 50”, depth 58cm; 23”, height 59cm; 31”. £1,000-1,500 749 Victorian lead bird bath, cast in the form of a cherub holding a shell above its head, height 71cm; 28”. £200-400 750 19th century wall mounted fountain, cast in the shape of a square panel with bacchanalian mask, 41cm; 16” x 38cm; 15”. £100-200

749

176

750

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Peter Wilson FINE ART AUC TIONEERS • EST 1955

ENTRIES ARE NOW INVITED FOR OUR NEXT AUCTION OF FINE ART & ANTIQUES WEDNESDAY 14 & THURSDAY 15 FEBRUARY 2018 Entries close 12th January 2018 ENQUIRIES Telephone: +44 (0)1270 623878 Fax: +44 (0)1270 610508 Email: auctions@peterwilson.co.uk

www.peterwilson.co.uk

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INDEX OF ARTISTS a Austin, S.

559, 589

B Baird, C. 430 Barlow, A. 355-357 Barlow, B. 372, 404-406, 441 Barnes, D. 388, 389 Bassingthwaighte, L. 410, 411 Bates, D. 544 Boada, C. 443 Bond, W.J.J.C. 541 Bradford, D. 438 Brangwyn, F. 508, 509 Brody, B. 412 Butler, A. 352 C Callow, W. 578 Cameron, D.Y. 538 Campbell, A. 397 Campbell, C. 393 Campbell, J. 539 Campbell, S. 400 Cattermole, G. 547, 548 Cave, P. Le 534 Clayton, J.H. 567 569 Collingwood, W. Continental School 516 Cooke, I. 576, 584, 586, 587 Cooper, A. (attributed to ) 514 Cox, D. (Jnr.) 552, 573 Craig, J. 564 Cristall, J. 581 Cruikshank, W. 553 d Delaney, A. Dews, J.S. (after) Dickson, J. Drendel, G. Duncan, E.

349, 421 501 505 472-474 590

e Echave, J. 424 Edmunds, N.H. 599 Ellis, T. 416 England, F.J. 350, 365-367 English School, 19th century 522 535, 550, 551, 556, 560, 579, 600

178

F Fielding, A.V.C. (circle of ) Forster, A. (after) Foster, M.B. Foweraker, A.M. Fox, J.L. Fraser, R. Frazer, W.M.

585 502 575 596 462 442 537

g Gardner, R. 399, 460 George, P. 481, 482 Girtin, T. (attributed to) 563 Golden, L. 483 Goodwin, S. 571 Graham, R. 359 Gregory, G. 557 Grimshaw, T. 465, 469, 470, 484 Gutteridge, M. 428 H Hanley, J. Hanna, N. Hardy, T.B. Hare, A.J.C. Hayes, G. Hedley-Dent, C. Hemming, N. Henley, W.B. Herdman, J.I. Howard, K. Herdman, J.I. Herdman, W.G. Howarth, M. Hunt, W.

444, 445 419 546 594 558 415 392 561, 562 577 386 577 583, 588 431 530

i Imms, D. 432 Irish School, 20th century 422 Isherwood, J.L. 382-385, 423, 425 J Jackson, S.P. Jones, H.St.J. K Keeley, J. Key, G. Kilburne, G.G. Knight, C. Kugai, T.

592 519, 520, 523 527, 528 549 390, 452, 506 542 565 475

l Laurent, J. 391 Lenkiewicz, R.O. 361, 362, 450, 451 Lenkiewicz, R.O. (after) 491-499 Lewis-Dowell, A. 379 Lloyd, W.S. 566 Lowry, L.S. (after) 507, 510 Luny, B. 532 M Mackay, T. McCall, C.J. McConkey, S. McGlynn, T. McKinlay, D. Mead, P. Mellor, W. Meyer-Pyritz, I. Mole, J.H. Murison, N.

597, 598 380 353 479, 480 426, 427 398 524-526, 533 436 595 363, 364

P Palizzi, F.P. Pegrum, E.J. Penley, A.E. Petiti, F. Ponder, R.W. Price, J. Prout, S. (attributed to) Putnin, O. Q Quintaine, R.

529 540 593 521, 554 434 568 591 418

387

r Radford, G. 447 Rathmell, T. 453 Rebrov, I. 476 Richards, L. 518 Richardson, B. 461 Rigby, A.C. 463 Riley, H. 351, 433, 448, 454-459 485-488 Riley, H. (after) 490, 503, 504 Robinson, T. 420 Rowbotham, C. 545 Ruysdael, J.S. van (follower of ) 512

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s Schwartz, E. Scorzelli, E. Selby, W. Senior, B. Shalders, G. Shapiro, D. Smythe, E.R. Spencer, L. Stafford, A. Stanaway, P. Steggel, D. Swane Stones, A.

446 358 375 500 572 439 513 354, 435 468 368 477 396 489

t Tayler, J.F. 543 Taylor, I. 394, 395, 464 Thompson, J. 466, 467 Turner, G. (attributed to) 531 Turner, S. 440 Turner, W. 360, 401, 449 v Varley, W.F. Vasconcellos, J.A.H. de

580 511

W Warren, B.E. 574 Was, T. 371, 373, 374, 381, 437, 478 Watts, J.T. 515, 582 Weeden, M. 369, 370, 429 Weisbrod, R. 471 Weiss, J. 536 Wheeler, J.A. 403 Wild, S. 376-378, 417 407-409 Wilde, D. Wildman, W.A. 555 Williams, H.P. 570 Wright, J. 414 y Yates, F.

402

GLOSSARY OF TERMS F O R P I C T U R E S , D R A W I N G S , P R I N T S , M I N I AT U R E S E T C . the first name of names and surname of the artist - in our opinion a work by the artist. ‘attributed to...’

- in our opinion probably the work by the artist in whole or in part.

‘Circle of...’

- in our opinion a work of the oeriod of the artist and showing his/her influence. ‘style of...’ / ‘Follower of...’

- in our opinion a work executed in the artist’s style, of a similar perod, but not necessarily a pupil.

‘Manner of...’

- in our opinion a work in the artist’s style, but of a later date. ‘school...’

- Accompanied by place name or country, and date - in our opinion a work executed at that location and period. ‘after...’

- in our opinion a copy (of any date) of a work by the artist. ‘signed and/or dated and/or inscribed’ - in our opinion the signature and/or date and/or inscription are by the artist’s hand.

‘Bears signature and/or date and/or inscription’ - in our opinion the signature and/or date and/or inscriptino are by another hand. dimensions are given height before width.

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nOtes

180

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nOtes

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CONDITIONS OF SALE Peter Wilson Fine art auctioneers llP carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following Conditions of sale and on such other terms, conditions and notices as may be referred to herein.

1. deFinitiOns In these Conditions: (a) “Auctioneer” means the firm of Peter Wilson Fine Art Auctioneers LLP or its authorised Auctioneer, as appropriate; (b) “Deliberate Forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “Hammer Price” means the level of bidding reached (at or above any reserve) when the Auctioneer brings down the hammer; (d) “Terms of Consignment” means the stipulated terms and rates of commission on which Peter Wilson Fine Art Auctioneers LLP accepts instructions from sellers or their agents; (e) “Total Amount Due” means the Hammer Price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f ) “Sale Proceeds” means the net amount due to the seller, being the Hammer Price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You” or “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate and words importing any Gender include either gender.

2. Bidding PrOCeedures and tHe Buyer (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the buyer at the Hammer Price “the buyer” and any dispute about a bid shall be settled at the Auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The Auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. inCreMents Bidding increments shall be at the Auctioneer’s sole discretion.

4. tHe PurCHase PriCe The buyer shall pay the Hammer Price together with a premium thereon of 24% which shall include VAT on the premium at the rate imposed by law. (20% + V.A.T (24% inclusive) up to £35,000, 17.5% + VAT from £35,001 to £100,000 and 15% + VAT from £100,001 and above).

182

5. value added taX Value Added Tax on the Hammer Price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position).

6. PayMent (1) Immediately a Lot is sold you will: (a) Give to us, if requested, proof of identity, and (b) Pay to us the Total Amount Due in cash or in such other say as is agreed by us.

(2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. title and COlleCtiOn OF PurCHases (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the Total Amount Due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for no later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment, after which you shall be responsible for any removal, storage and insurance charges.

(3) No purchase can be claimed or removed until it has been paid for.

8. reMedies FOr nOn-PayMent Or Failure tO COlleCt PurCHases (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) To proceed against you for damages for breach of contract; (b) To rescind the sale of that Lot and/or any other Lots sold by us to you; (c) To resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the Total Amount Due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) To remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) To charge interest at a rate not exceeding 1.5% per month on the Total Amount Due to the extent it remains unpaid for more than 3 working days after the sale; (f ) To retain that or any other Lot sold to you until you pay the Total Amount Due; (g) To reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;

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(h) To apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the Total Amount Due and to exercise a lien (that is a right to retain possession of ) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these Conditions.

9. tHird Party liaBility All members of the public on our premises are there at their own risk and must note the layout of the accommodation and security arrangements. Accordingly neither the Auctioneer nor its employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

Auctioneer nor its employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded.

This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

Please note: Condition of items or other faults is not stated within the catalogue and items are sold strictly as seen. If you are interested in an item and no condition report is present please email auctions@peterwilson.co.uk for more information.

The cost of postage, packing, transport, and shipping is the responsibility of the buyer. The cost of postage, packing, transport, and shipping will not be refunded in any circumstance.

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

10. COMMissiOn Bids Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf.

Neither the Auctioneer nor its employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. The Auctioneer may at its own discretion on your behalf exceed your commission by one bid. An instruction to buy with no upper limit will not be accepted.

15. FOrgeries Notwithstanding the preceding Condition, any Lot which proves to be a Deliberate Forgery may be returned to us by you within 14 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a Deliberate Forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are notable to transfer a good and marketable title to us, you shall have no rights under this Condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

11. Warranty OF title and availaBility The seller warrants to the Auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

16. We shall have the right at our discretion, to `refuse admission to our premises or attendance at our auctions of any person.

12. agenCy The Auctioneer normally acts as agent only and disclaims any responsibility for default by seller or buyers.

13. terMs OF sale The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14. desCriPtiOns and COnditiOn (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot.

Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf ) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither the

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17. (1). Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the Auctioneer as appropriate.

(2). Such right and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the Auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

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INFORMATION FOR BUYERS 1. introduction. The following information notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. agency. As Auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

3. estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

10. Commission absentee bidding. Commission bids may be left with the Auctioneer indicating the maximum amount to be bid excluding buyer’s premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. The Auctioneer may at his/her own discretion on your behalf exceed your commission by one bid. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

4. Buyer’s Premium. The buyer shall pay the Hammer Price together with a premium thereon of 20% +VAT (24% inclusive) on the first £35,000, and a rate of 17.5% +VAT (21% inclusive) on the amount by which the hammer price exceeds £35,001 to £100,000, any sum over and above £100,001 will be charged at 15% +VAT (18% inclusive). VAT will be at the rate imposed by law.

11. Methods of payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

Card payments where the card holder is not present will only be accepted for transactions up to £500.

5. ‘subject to vat’ indicates that VAT is payable by the purchaser at the standard rate (presently 20%) on the Hammer Price as well as being an element in the buyer’s premium. Items which are subject to VAT will be cleared marked within the catalogue text as well as being labelled in the saleroom. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the Hammer Price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the Hammer Price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Items not removed within four days of the sale will be subject to a storage charge of £1.50 per item per day.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and therefore, accept responsibility for inspecting and investigating lots in which they are interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the Auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the Auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstance lots mis-described because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 2 week time limit. (The expression ‘Deliberate Forgery’ is defined in our Conditions of Sale).

7. electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for the compliance with safety regulations by a qualified electrician first.

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8. export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of threat character because, e.g. they may contain prohibited materials such as ivory. Ask us if you need help.

13. Postage and shipping. Peter Wilson Fine Art Auctioneers LLP do not provide a postage and packing service however we recommend the following company who deal with all postage, packing, and shipping for us: t.C. Couriers nantwich, 3 Barker street, nantwich, Cheshire, CW5 5sy.

Contact tony Cartwright on +44 (0) 7746 216 322 or email tony69uk@gmail.com Mailboxes etc., Peel House, 30 the downs, altrincham, Wa14 2PX. Contact alex Pye or Palanivel Kandaswamy on tel: +44 (0) 161 233 0500, Fax: +44(0) 161 233 0400 email: info@mbealtrincham.co.uk Website: www.mbealtrincham.co.uk 14. ‘the artists resale right’ From mid – February 2006 living artists are entitled to receive a resale royalty each time their art work is bought or sold by an art market professional. However, from 1 January 2012, the Right will be extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. This new law has been introduced in the UK following a European Directive. Art work must reach or exceed a certain value before it qualifies for the right. The qualifying threshold in the UK is 1000 euros which is approximately £850. The rates are calculated as a percentage of the sale price and are set out in a sliding scale from 4% to 0.25%.

Portion of the sale price Royalty rate From 1000 to 50,000 euro 4% From 50,000.01 to 200,000 euro 3% this will be an extra charge upon the sum for which the art work is obtained, excluding v.a.t. For auctions this is regarded as the hammer price (excluding the buyers premium).

For more information please see the Important Notice to Bidders posted in the salerooms or alternatively a full copy of ‘The Artists Resale Right Regulations 2006’ which is available on request.

Peter Wilson Fine Art Auctioneers LLP Victoria Gallery Market Street Nantwich Cheshire CW5 5DG Telephone: +44 (0)1270 623878 Fax: +44 (0)1270 610508 Email: auctions@peterwilson.co.uk

www.peterwilson.co.uk