Peter Wilson Fine Art Auctioneers

WEDNESDAY 13 & THURSDAY 14 SEPTEMBER 2017

Peter Wilson FINE ART AUC TIONEERS • EST 1955

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Peter Wilson FINE ART AUC TIONEERS • EST 1955 WEDNESDAY 13 & THURSDAY 14 SEPTEMBER 2017 AT 11.00AM ON VIEW: Sunday 10 September Monday 11 September Tuesday 12 September Mornings of auctions

2.00pm 10.00am 10.00am 9.00am

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4.00pm 5.00pm 4.00pm 11.00am

Day One: Lots 1-250 Day Two: Lots 251-590 Catalogues £10 from the saleroom, £12 by post Buyer’s Premium is 20% plus VAT (24% inclusive of VAT)

PLEASE NOTE: We cannot provide condition reports on the morning of the auction.

Colours in photography may vary from actual items.

All measurements are approximate.

For full condition reports and extra images please visit our website:

www.peterwilson.co.uk

Peter Wilson Fine Art Auctioneers LLP Victoria Gallery Market Street Nantwich Cheshire CW5 5DG Telephone: +44 (0)1270 623878 Fax: +44 (0)1270 610508 Email: auctions@peterwilson.co.uk

www.peterwilson.co.uk Registered in England | Registration No. OC359701

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Peter Wilson FINE ART AUC TIONEERS • EST 1955

robert stones Managing Partner robstones@peterwilson.co.uk

nick allsoPP Saleroom Manager nick@peterwilson.co.uk

chris large Ceramics & Glass, Firearms, Weapons, Musical Instruments, Wine & Spirits, Tribal Art chris@peterwilson.co.uk

stePhen sParroW Pictures, Maps & Medals stephen@peterwilson.co.uk

mimi thomPson Clocks & Works of Art mimi@peterwilson.co.uk

alan shaW Coins, Stamps & Cigarertte Cards auctions@peterwilson.co.uk

Jayne tatler Accounts jayne@peterwilson.co.uk

sharon sParroW Administrator auctions@peterwilson.co.uk

helena Waudby Silver, Jewellery & Watches helena@peterwilson.co.uk

adrian smith Gallery Sale Team adrian@peterwilson.co.uk

Cover illustrations: Front: lot 190 Inside Front: lot 67 2

Paul JerVis Gallery Sale Team paul@peterwilson.co.uk

Back: lot 201 Inside Back: lot 364

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indeX day one Collectors Items

1 - 21

Wine & Spirits

2 - 27

Fishing Tackle

28 - 28

Musical Instruments

29 - 30

Weapons & Militaria

31 - 43

African & Oceanic Tribal Art

44 - 60

Books, Maps & Postcards

61 - 62

Glass

63 - 67

Ceramics

68 - 148

Asian Art

149 - 159

Silver

160 - 171

Jewellery

172 - 237

Watches

238 - 250

day tWo Oil Paintings (Modern/Contemporary)

251 - 372

Watercolours, Pastels & Inks (Modern/Contemporary)

373 - 427

Prints & Engravings (Modern/Contemporary)

428 - 452

Modern Sculptures

453 - 454

Oil Paintings (18th/19th Century)

455 - 473

Watercolours, Pastels & Inks (18th/19th Century)

474 - 513

Miniatures

514 - 518

Prints & Engravings (18th/19th Century)

519 - 520

Clocks & Barometers

521 - 524

Longcase Clocks

525 - 529

Furniture

530 - 590

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collectors items 1 A 19th century Dieppe ivory carved box, the hinged cover in the form of a Bishop wearing a mitre, the rectangular base with canted corners and raised on four lion supports, 11cm high. £200-300 2 Jacques Staunton of London 1851-2 ivory chess set. One side natural, the other red. White king stamped ‘JAQUES LONDON’, king’s side knights and rooks stamped with a crown. 32 pieces. Pieces contained in a continental carved wooden box with maroon fabric lining. £200-300

3 A George III ivory patch box with miniature portrait of a gentleman.

7.5cm diameter. £200-300

4 Russian polychrome icon depicting Prince Roman teaching the gospels, observed by Mary, the saints and apostles, 30 x 26cm. £200-250 5 Victorian papier-mâché writing slope with painted walnut wood effect, colbalt blue patterned fabric on the writing slope., Gothic brass strapwork on lid. 23x30cm. £60-100

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Each lot is subject to a Buyer’s Premium of 24% inclusive of VAT @20%

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6 Mahogany wall cupboard inset with two William de Morgan tiles on a single door. The tiles have a winding chrysanthemum in a deep ruby colour with lustre glazed finish.

60x65m; 24x26in. £1,000-1,500

8 Mahogany pond yacht with white painted lead keel and plimsoll line.

Planked deck with single mast and white sail. The miniature yacht is named the ‘Sorais’. Length 130cm; 51in. £300-400

7 George III mahogany cheese coaster with four articulated metal casters.

40x27cm. £200-300

9 Victorian burr walnut tea caddy by Trussell Brighton. Decorated with brass fretwork with domed lid, the interior lined with blue silk. 22x15cm. £100-150 10 A small Georgian style antique cut brass fireplace fender, with a central band and two tiers of cut and pierced foliate decoration. Length 95cm. £60-100

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11 A pair of late 19th century gilt brass twin branch wall lights (2). Height 44cm. £150-200 12 A pair of late 19th century gilt brass twin branch wall lights (2). Height 42cm. £150-200 13 A large circular brass plaque depicting a scene from the Russian Orthodox Church in which the ailing King receives his last sacraments.

96cm diameter, 37in. £100-200 14 Carved granite group of a family of seven elephants at leisure, mostly with ivory tusks, length 93cm. £300-500 6

15 15 Triumph magic lantern in mahogany, brass and steel plate, fitted for electricity, with two mahogany slide holders and wooden outer storage box, minimum length 47cm. Along with a collection of magic lantern slides: Thirty-nine glass magic lantern slides of views of west and central United States, produced by American Museum Natural History, New York, 8.2 x 10cm and a collection of approx. 162 photographic and hand coloured square magic lantern slides of various subjects including architecture, nature, views of Europe, Egypt, India, 8.2 x 8.2cm. £150-250

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Each lot is subject to a Buyer’s Premium of 24% inclusive of VAT @20%

16 Quantity of Birmingham mint ‘Ancient Counties of England’ silver coins (40) complete in mahogany presentation box. £400-500 17 A full one ounce fine gold Kruggerand coin dated 1968, 34g. £800-1,000 18 Three gold full sovereign coins dated 1910, 1911 and 1914.

Confirmed total weight of 24g. £450-550 19 Victorian half sovereign gold coin, shield back, dated 1892. Confirmed weight 4g. £120-220 16

20 English enamel oval plaque circa 1780 probably Bilston, painted with a lady glazing skyward resting her arm on a globe to represent astronomy, fitted in bronze frame, 11cm high,. £300-400 21 Early 19th century needlework picture of a three-masted barque sailing ship, flying the white British ensign flag indicating a Royal Navy vessel. Also depicted is the commissioning pennant. In a gilt frame. 71x53cm; 28x21in. £100-200

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Wine & sPirits

Fishing tackle

musical instruments

22 Chartreuse liqueur, the label reading ‘Liqueur Fabrique a la Gde Chartreuse Fabrique’ the bottle with etched design, (1 bottle) 33cm high. £200-300

28 Hardy’s The Perfection Palakona 9ft split cane fishing rod, with original maker’s bag, serial number H10555. £80-120

29 George Case 48 key Concertina, with Boosey & Ching, Holles Street London address within a cartouche on the pierced black stained wood end plates enhanced with brass inlay on hexagonal body, together with rosewood case, the concertina measures 16cm wide. £300-500

23 Delaforce Port 1977 case of twelve bottles, (12) £600-700 24 Midleton Very Rare Irish Whiskey 1991 - 700ml number 1127 with wood box, certificate and registration card (1 bottle). £500-600 29 25 Malvazia 1941 Madeira Barbeito port, (1 bottle). £100-200 26 Boal 1960 Madeira Barbeito port, (1 bottle). £80-120 27 Marc Du Pere Mathieu, apple wine in novelty ten sided glass bottle with wood apple harvester figure climbing step ladders (1 bottle). £50-100

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30 Wheatstone English concertina, with 48 keys and air release valve, pierced metal plates fitted to rosewood sides, serial number 25524, with original leather case. The concertina measures 16cm wide. £700-1,000 28 8

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WeaPons & militaria 31 Royal Navy 1827 pattern officers sword by Whiteman Portsea, with lions head pommel, the guard tied with original knot, folding hand guard bearing feint owner’s name, and leather scabbard, 94cm overall length. £200-300 32 George VI 1897 pattern Officer’s sword, with Royal Engineers insignia to the blade, number 18584, retailed by J.R. Gaunt and Son, Late Edward Thurkle, London and Birmingham, with steel scabbard, 102cm overall length. £200-300 33 18th Century short sword possibly for a bandsman, made from a shortened 1741 Infantry Hanger, with brass guard, wood grip, slightly curved blade and leather scabbard, overall length 72cm. £120-180 34 Court sword, with triangular form rapier blade and brass guard embossed with figures, with remnants of leather scabbard and one brass fitting, mid 18th century, also a Victorian / early 20th century copy of a 17th century rapier, (2) the rapier measures 96cm long. £100-150 35 1822 type Cavalry sabre by Weyersberg Solingen, with etched blue and gilt blade, brass guard and scabbard, wire bound leather grip, 99cm overall length in scabbard. £100-200 36 George V Artillery Officer’s sword, with leather covered scabbard, etched blade monogrammed H&H Sheffield, with wire bound fish skin grip, 108cm overall length in scabbard. £80-120

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37 Victorian 1897 pattern Officer’s sword, with scabbard, polished etched blade by Cooling & Lawrange Maddox Street and Regent Street, pierced iron guard, fish skin grip, 102cm long. £80-120 38 Imperial German dress sword, with polished blade, plain brass guard, wire bound fish skin grip and black enamelled scabbard. 90cm overall length. £80-120

39 German Third Reich Officer’s tunic, with wire embroided eagle, makers label for Donau, Bad Kreuznach, infantry service ribbon bar. £600-800 40 German WW2 Third Reich Veteran’s peaked cap, maker’s mark J. Herring, traces of owner’s name, with black silk headband and leather strap. £120-160 41 German WW2 Third Reich Railway cap, with eagle badge and wings and rope cord strap. £200-300 42 Remington Smoot single action revolver, with nickel plated body, colour case hardened hammer, and trigger, with chequered brown composition grips, top rim stamped ‘E. Remington & Sons. Ilion.

N.Y.PAT.W.S Smoot. Oct.21 1873. 17cm overall length.

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Obsolete rim fire calibre, no licence required. £250-350

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43 Leather gun case, with maroon fitted interior to take 30” barrels, together with cleaning rod, and cartridge belt, 82cm x 21cm. £50-100

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aFrican & oceanic tribal art 44 Carved soapstone figure probably Isah Sheeq, depicting an Inuit holding a seal, 17cm high. £80-120 45 Carved soapstone figure probably Isah Sheeq, depicting an Inuit sitting on a rock, E9774 to base, 16.5cm high. £80-120 46 Benin bronze warrior, modelled standing holding the remnants of a spear with mask at his side, 34.5cm Ex. Geoffrey Key collection, sold by Peter Wilson Auctioneers on 11th July 2012. £100-200

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47 Yoruba Ibeji female figure, carved wood, beads and pigment, 31.5cm high Provenance: collected by the vendor whilst living and working in Nigeria in 1972. £70-100 48 Bobo Bwa plank mask from Hounde area of Burkina Faso, wood, pigment and fibres, 147cm high excluding the fibres.

Provenance: purchased by the vendor circa 1975/76 whilst living and working in Bobo Dioulasso, Burkina Faso. £100-200

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50 49 Collection of African fabrics, to include a Senufo Korhogo (Fila) fabric cloth painted with masked dancers, a Mali mud cloth gown and another mud cloth, Benin stitched “applique” cloth, and eight other cloths, also two cushion covers. The Senufo Korhogo measures 211 x 119cm

51 Mossi Yatenga mask, Burkina Faso, wood, fibres and pigment, 122cm high excluding the fibres.

Provenance: collected by the vendor whilst living and working in Burkina Faso and other locations in West Africa in the 1970’s. £50-100

52 Dogon Kanaga mask, Mali, wood, pigment and hide string, 89cm high

50 Ashanti / Akan gold weights, fourteen modelled as figures, two lidded ‘gold’ boxes, and nine other weights one cast as a fish another as a fly whisk the rest modelled with geometric designs, bronze and brass, (25) the tallest box measures 9.5cm high Provenance: collected by the vendor whilst living and working in Burkina Faso and locations in West Africa in the 1970’s. £200-300 12

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Provenance: purchased by the vendor circa 1975/76 whilst living and working in Burkina Faso. £100-200

Provenance: collected by the vendor whilst living and working in Burkina Faso, and other locations in Africa in the 1970’s. £80-120

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53 53 Juju Witch Doctor’s costume, white and black dyed knitted fabric, 142cm high Provenance: collected by the vendor in 1971 on the field visit near Kafanchan, Nigeria. £50-100 54 Collection of twenty nine African trade Venetian millefiori glass beads, also fourteen red and amber glass beads, and two Cameroon Abbia nut gaming pieces, the largest bead measures 5cm long.

Provenance: collected by the vendor whilst living and working in locations in West Africa in the 1970’s. £80-120

55 Twenty two African pipes, mainly North and Central Nigeria, carved, wood, bone, clay and metal, also a roll of plaited tobacco, the largest pipe measures 86cm high Provenance: collected by the vendor whilst living and working in Nigeria in the 1970’s. The largest pipe was collected by the vendor whilst visiting the village of Kujama, near Kaduna. £80-120 56 Ethiopian Coptic ‘Magic’ scroll, ink on vellum, 156cm x 10.5cm

57 Five African headrests, to include a Pokot rest decorated with beads, Turkana rest with entwined strap handle, Karamojong rest with scratched animal decoration and two other Ethiopian headrests, (5) the largest measures 18cm high Provenance: collected by the vendor whilst living and working in various locations in West Africa in the 1970’s. £100-200

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Provenance: bought from Addis Ababa central market in 1972 by the vendor. £150-250

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58 Seven African manilla or currency bracelets, brass, bronze and copper, also two edged iron currencies, (9) the largest piece measures 13cm diameter Provenance: collected by the vendor whilst living and working in Africa in the 1970’s. £80-120 59 Bete mask, carved wood with filled back, applied animal fur, and hair. Also a small Burkina Faso Nunuma mask and a Dan passport mask, (3) the Bete mask measures 24cm high excluding the beard.

Provenance: collected by the vendor whilst living and working in Burkina Faso and other locations in West Africa in the 1970’s. £70-100 60 Two Lobi iron phallus, also a Tiv gong, 25cm high Provenance: collected by the vendor whilst living and working in Burkina Faso and Nigeria in the 1970’s. £80-120

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books, maPs & Postcards 61 Freshfield, D.W., The Exploration of the Caucasus, 1896, two volumes, green cloth, teg., spine badly faded to both volumes, front is loose to volume 2. £150-250

62 Anderson, R.H., History of the 45th Rattrays Sikhs, 1925 blue cloth, work, 3ins. split to spine, dedication and comments to title page, 8vo, 1 volume. £100-200

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glass 63 Thomas Webb cameo glass biscuit barrel, decorated with butterflies and flowers on a blue glass ground, fitted with plated mounts, late 19th century, 14.5cm high. £300-400 64 Venetian pier glass, of shield shape, with broken arch pediment, engraved with a harlequin surrounded by floral border separated with applied rope work, scroll and flower head edge, mid 19th century, 97cm high. £250-350 65 Intaglio cut glass dessert service, with central gilded floral bosses surrounded by a diamond cut band and floral gilt border, comprising of eight plates and two tazzas, also a suite of eleven tumblers and twelve wine glasses with acid etched and gilded borders, (33) the tazzas measure 19.5cm diameter. £100-200

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66 Barovier & Toso Murano glass table lamp, Model RAN 7180, with black shade, 38cm overall height. £50-100

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67 Barovier & Toso Murano glass chandelier in blue, model no. 5350/09, size 135cm high, 125cm across. Recently cleaned and refurbished by the factory, now boxed in sealed packaging as supplied directly by the factory. ÂŁ4,000-6,000

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ceramics 68 Two lobed Delft dishes, Lambeth of Bristol, each painted with a figure within landscape in blue, yellow and manganese, late 17th century, (2) 22cm diameter. £200-300 69 Baddeley-Littler sparrow beak jug circa 1780-85 with moulded scroll handle, painted with flora, 8.5cm high £400-600

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70 Unusual Baddeley Littler leaf dish circa 1780 - 85, the moulded body supported by three peg feet, painted with floral chain border, 11.5cm wide. £500-800 71 Baddeley Littler teabowl and saucer circa 1780 - 85, painted with leaf cartouche and feathered border, (2). £200-300 72 Dutch Delft plate dated 1749, inscribed ‘APOL NDT 4m 22 Jagh 1749 3’ in blue, 22.5cm diameter. £100-200

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73 Delft charger possibly Bristol, painted with a lady and gentleman within a landscape scene, mid 18th century, 29cm diameter. £100-150 74 Two Delft plates and small dish, all decorated with flora issuing from rockwork, two painted in blue the third painted in iron red, green and blue, mid 18th century, (3) the largest piece measures 22.5cm diameter. £100-200

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75 Chelsea bell shape coffee cup and saucer circa 1755, with crab stock handle painted with Meissen style flowers, red anchor marks, the saucer bears a red ‘21’ (2). £500-800

77 Worcester bowl circa 1770 decorated with Queen Charlotte pattern crescent mark to base, also a similar Flight period plate, (2) The plate measures 19cm diameter. £80-120

76 Liverpool Christian’s creamboat circa 1770, the moulded body painted with blue flowers, 13cm long. £150-200

78 Liverpool John and Jane Pennington sauceboat circa 1775, painted with underglaze blue flowers, 13cm long. £200-250

79 Early Worcester cos lettuce leaf dish circa 1760, painted with the Blown Tulip leaf dish pattern in under glaze blue, workman’s mark to base (crescent mark normally found on these dishes) 35cm wide. £300-400 80 Bow blanc de chine coffee cup circa 1750, moulded with prunus sprigs, also a Worcester cup printed in blue with fruit sprays and a Flight Worcester Royal Lily pattern cup, crescent marks, (3) 6cm high. £80-120

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81 Part Barr flight Barr tea set circa 1810, bat printed with figures, consisting of four teacups, five coffee cans, five saucers, two saucer dishes, a plate, slop bowl, open sucrier, and cream boat, impressed marks to bases, (20). £200-300 82 Pair of Coalport armorial crested shell dishes, painted with two lion beside a castle shield, within gilded borders, also a lozenge shape dish painted with butterflies and insects, (3) the largest dish measures 31cm wide. £80-120 81 83 Derby basket circa 1760, with pierced sides applied with floral bosses, twisted branch handles painted with a bold floral spray, 29cm wide. £120-180 84 Pair of Meissen biscuit porcelain figures, modelled as a Shepherd and Shepherdess, with dog and lambs at their bases, model numbers 2722 and 2723 and crossed swords marks to bases, late 18th / early 19th century, (2) 16.5cm high. £200-250

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85 Meissen biscuit porcelain figure of a girl, modelled sat on a stool reading, incised F51 to top of base and crossed swords mark to base, late 18th century, 13.5cm high. £200-300

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88 Pair of oval plaques by Giani Silvio, painted with portraits of ladies, the reverses inscribed ‘Borgs S. Jacopo P.3.

Giani Silvio Firenze’ late 19th / early 20th century, (2) framed, the plaques measure 34cm high. £150-250 86 86 Sevres Armorial cabinet plate, the tooled gilt crest surrounded by a blue and gilt border, printed marks to base, also three other French armorial plates, late 19th and 20th century (4) the Sevres plate measures 24.5cm diameter. £100-200

87 Pair of Ludwigsburg Arab Stallions, each modelled with attendant to one side, also a Frankenthal model of a mounted cavalry trooper, underglaze blue marks to bases, late 19th century, (3) 21cm high. £150-250

89 89 Parian Disraeli possibly Robinson and Leadbeater, after E.W. Wyon 1867, mounted on socle base, 36cm high. £150-250

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90 90 Copeland Art Union of London Parian figure of ‘Go to Sleep’ after the original by J. Durham Sc. 1862, modelled as a girl and her dog, impressed marks to base, 45cm high. £150-200

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91 Royal Worcester Parian reclining lady possibly representing Ariadne, modelled on rocking base, impressed marks, late 19th century, 34cm wide. £150-200

94 ARR Michael Casson (1925 -2003) jug, decorated with brown glazes, impressed monogram to base of handle, 28.5cm high £80-120

92 Paris (La Courtille) biscuit porcelain group, modelled as a young hunter standing before a tree holding a bird, a dog at his side and a woman seated beside, incised crossed torches, late 18th century, 31cm. high. £180-220

95 Michael Cardew (1901-1983) lidded box with rope twist handles and feet, painted with blue swirls, painted monogram to base, also another lidded box by David Leach, impressed monogram. (4) The Cardew box measures 19cm high. £150-250

93 96 Fifteen Rye pottery miniatures, including jugs, vases, and Tygs, impressed star mark, (15) The largest piece measures 5cm high. £200-250

93 Adams Parian figure group, modelled as two girls and a boy sat on a rocky base, a dog at their side, impressed mark to reverse, mid 19th century, 32cm high. £100-150

94 ARR Artists’ Resale Rights (“droit de suite”) may apply to this lot.

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98 98 Ruskin vase, with flaring bowl, decorated with a mottled purple glaze, impressed marks to base, 16cm high. £80-120

99 99 Pilkington’s Royal Lancastrian vase, decorated with overall green glaze, shape 2332, also a Royal Doulton Art Nouveau stoneware vase shape 6083, the Doulton vase measures 13cm high. £80-120

97 Two Martin Brothers stoneware tiles, incised with eels in shades of brown and white on a buff coloured ground. Moulded ‘Martin Brothers London’ to reverse, framed. Each tile 7.3cm square. £800-1,200

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100 100 Royal Crown Derby Mulberry Hall Baby Elephant paperweight, number 418 of 950, with box and certificate, gold stopper. 9.5cm high. £80-120

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101 101 Royal Crown Derby Mythical Unicorn and Pegasus paperweights, Limited Edition 745 and 921 of 1750 exclusive to Govier’s of Sidmouth through the Govier’s Collectors Club, designed by June Branscombe with boxes and certificates, gold stopper. (2) The tallest model measures 14cm high. £120-180 102 Royal Crown Derby Goose and Goslins, number 110 pf 750, Designers’ Choice Collection, with box and certificate, gold stoppers, (2) The tallest model measures 9.5cm high. £80-120 103 Three Royal Crown Derby paperweights, Aurora Polar Bear, Boris and Alice Polar Bear Cubs, limited editions numbers 649 of 1500 and 99 of 950, with boxes and certificates, gold stoppers, (3) The tallest model measures 10cm high. £80-120 104 Five Royal Crown Derby bird paperweights, to include Bantam Cockerel, Waxwing, Keddleston Kingfisher, Woodland Pheasant, and Green Winged Teal, all with boxes three are accompanied with certificates, gold stoppers, (5) The tallest model measures 12cm high. £100-150

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105 Four Royal Crown Derby bird paperweights, to include The Newstead Woodpecker, signature edition of 750, Snowy owl, Short Eared Owl, and Owlet, all with boxes, gold stoppers. (4) The tallest model measures 17cm high. £100-150 106 Six Royal Crown Derby paperweights, to include Welbeck Squirrel number 803 of 1250, made for Connaught House, Riverbank Beaver (gold signatures to base), number 2603 of 5000, Woodland Badger, Hawthorn and Bramble hedgehogs, and Millennium Bug, all with boxes three are accompanied with certificates, gold stoppers. (6) The tallest model measures 11cm high. £150-250

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107 Seven Royal Crown Derby paperweights, to include 25th Anniversary Rabbits with certificate, Hamster, Bunny, Bank Vole, Baby Rowsley Rabbit exclusively for Sinclairs, and Red Squirrel, all with boxes, gold stoppers (7) The tallest model measures 9cm high. £150-200

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108 Three Royal Crown Derby paperweights, to include Sea Lion number 123 of 250, made for Connaught House, with wood base, Harbour Seal number 2246 of 4500, and Emperor Penguin, all with boxes, two with certificates, all with gold stoppers. (3) The tallest model measures 13.5cm high. £100-150

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109 Five Royal Crown Derby paperweights, to include Pronghorn Antelope number 476 of 950, with certificate, also an Armadillo, Giant Panda, Donkey and Sitting Pig, all with boxes, gold stoppers. (5) The tallest model measures 16.5cm high. £120-180

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110 Eight Royal Crown Derby paperweights, to include Majestic Cat number 2867 of 3500, Majestic Kitten number 803 of 5000, Misty, Molly and Scruff, Long Tailed Tit, Teal Duckling, and Crested Tit (with gold signature) all with boxes except the Majestic Cat, all with gold stoppers. (8) The tallest model measures 13cm high. £150-200 111 Eight Royal Crown Derby paperweights, to include Nanny Goat with gold signatures to base, Old Imari Polar Bear, Panda Bear, Garden Snail number 317 of 4500, Imari Pig, two Sitting Ducklings, and a Wren, all with gold stoppers, no boxes. (8) The tallest model measures 11cm high. £150-200

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112 Royal Worcester Napoleon Bonaparte on horseback, mounted in wood base, modelled by Bernard Winskill, No. 471 of 750 with certificate 38cm. £600-800 113 Royal Worcester Sabrina Ware tyg, with three stag antler moulded handles, black printed mark, 1930 date code and shape 1421 to base, 22.5cm high. £80-120 114 Coalport silver mounted coffee service, decorated with rose swags under a blue border, the pierced Sheffield silver mounts dated 1906, also a similar Limoges set with Birmingham assay marks for 1908, also one other Staffordshire silver mounted coffee cup and saucer. (26). £100-200

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115 Coalport twin handled lidded vase circa 1900, painted with a landscape within a raised gilt cartouche on blue and yellow ground, printed marks to base, (2) 41cm high. £100-150

118 Coalport twin handled lidded vase circa 1900, painted with a scene of Ben Lomond within a gilt cartouche on blue and yellow ground, printed marks to base, (2) 24cm high. £120-160

121 Coalport twin handled lidded vase circa 1900, painted with a landscape within a raised gilt cartouche on blue and yellow ground, printed marks to base, (2) 31cm high. £150-200

116 Coalport twin handled lidded vase circa 1900, painted with a landscape within a raised gilt cartouche on blue and yellow ground, printed marks to base, (2) 23cm high. £120-180

119 Coalport lidded vase signed E.O. Ball circa 1900, painted with a scene of Tintern Abbey within a raised gilt cartouche on blue and yellow ground, printed marks to base, (2) 26cm high. £200-300

122 Coalport potpourri lidded vase circa 1900 signed E.O. Ball, with interior cover, painted with a scene of Loch Katrine within gilt cartouche on blue and yellow ground, printed marks to base, (3) 16cm high. £300-400

120 Two Coalport twin handled lidded vases, decorated with landscapes within gilt cartouches on blue and yellow grounds, printed marks to bases, (4) the tallest vase measures 19cm high. £80-120

123 Coalport twin handled vase circa 1900, painted with flowers on a blue and white ground, also a smaller vase painted with a loch scene within a blue and yellow ground, (2) the largest vase measures 30cm high. £150-200

117 Coalport twin handled lidded vase circa 1900, painted with a scene of Inverlochy Castle, within a raised gilt cartouche on maroon and yellow ground, printed marks to base, (2) 22cm high. £100-150

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124 124 Coalport ewer circa 1900, painted with an exotic bird within a gilt cartouche on blue ground, printed marks to base, 24cm high. £150-200 125 Pair of Coalport vases circa 1900 signed E.O.Ball, painted with a scenes of Loch Earn and Loch Tay within gilt cartouches on blue and yellow ground, also a similar vase painted with an exotic bird, printed marks to base, (3) the largest vase measures 18cm high. £250-350

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126 Pair of Coalport twin handled lidded vases circa 1900 signed P.Simpson, painted with a Scottish loch scenes within gilt cartouches on blue and yellow ground, printed marks to bases, (4) 37cm high. £500-700 127 Coalport three handled chalice circa 1900, painted with a landscape within a raised gilt cartouche on blue and yellow ground, printed marks to base, 17cm high. £100-150

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128 Coalport twin handled lidded vase circa 1900 signed P. Simpson, raised on four paw feet, painted with a landscape titled ‘In the Highlands’ within a raised gilt cartouche on blue and yellow ground, printed marks to base, (2) 26cm high. £150-200 129 Large Coalport twin handled lidded vase circa 1900 signed F.H. Chivers, painted with fallen fruit within a raised gilt cartouche on blue and yellow ground, printed marks to base, (2) 41cm high. £250-350

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130 130 Moorcroft tazza, decorated with Eventide pattern fitted with Tudric pewter foot, impressed and painted marks, 22cm diameter. £400-500

134 Moorcroft flambé charger, decorated with Orchid pattern, painted and impressed marks to base, 31cm diameter. £120-180

131 Moorcroft flambé vase, decorated with orchid pattern, impressed and painted mark to base, 10cm high. £150-200

135 Goldscheider 1930s Art Deco figure, modelled as a lady in crinoline dress, designed by Claire Weis impressed marks including 7691 shape number to base, 38cm high. £150-250

132 Moorcroft flambé footed dish, decorated with arum lily pattern, impressed and painted marks to base, 17cm diameter. £150-200 133 Moorcroft vase, decorated with pomegranate pattern, impressed and painted marks to base, 32cm high. £500-700

136 Clarice Cliff bowl, decorated with Rhodanthe design, impressed and printed marks to base, 22cm diameter. £80-120

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137 Goldscheider figure of a ballerina designed by Stefan Dakon, dressed in purple floral dress, the base marked with facsimile signature and impressed with modelled number 6361, remnants of paper label to side of base, 27cm wide. £400-600

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143 138 Clarice Cliff Bouquet wall plaque, printed marks to reverse, 34cm diameter. £80-120 139 Troika vase, of rectangular form with oval aperture, painted marks to base including Sue Bladen artist’s monogram, 21cm high. £100-150 140

140 Minton Secessionist stick stand decorated with floral bosses on a red ground, impressed 1911 date code and printed marks to base, 53.5cm high. £100-200 141 Cobridge lidded vase, decorated with The River of Life design after Nicola Slaney, dated 10,2,00, one of a limited number of 300 produced, impressed and painted marks to bases, (2) 30cm high. £300-400

142 Bitossi Aldo Londi 1960’s design horses head, incised with flower head designs and decorated with an overall blue glaze, no marks, 25cm high. £80-120 143 Royal Doulton ‘Reynard The Fox’ coffee set comprising of seven coffee cups, five saucers, sugar bowl, cream jug, and a coffee pot, (16) the coffee pot measures 21cm high. £100-150 144 Two Lladro Ladies with Lilies, model numbers 2463, 2464, one figure has original box, the largest figure measures 36cm high. £150-200

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145 Royal Doulton flambé Gift of Life, from the Images of Fire Range, 23cm high. £80-120 146 Rare Royal Doulton flambé polar bears group, model 54 1912 -1936.

8cm high. £700-1,000 147 Beswick Spirit of Whitfield modelled after ‘Kruger’ by Graham Tongue 24cm high Kruger was the last pit pony to work at the colliery and was retired in 1931.

The first model from this set of four was presented to H.R.H. Princess Royal on her visit to Chatterley Whitfield Mining Museum to open the New Pit on October 13th 1987. £3,000-5,000

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148 Two Beswick fireside Labradors, in black and tan colourways, 33cm high. £80-120

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asian art 149 Two early Chinese bowls, one with ribbed body decorated with sea green glaze, the second with pale celadon glaze, probably Song / Yuan Dynasty, (2) the largest bowl measures 15cm diameter Provenance: One bowl bought from James Murphy - Coins and Antiquities. £100-150 150 A pair of 20th century Chinese pressed brass pagoda lanterns engraved with Chinese motifs.

Approx. 45 cm high; 18in). £150-200

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151 A pair of silver Chinese fingernail guards, engraved with a leaf motif and stamped with the letters ‘LW’ (possibly indicating a maker from Shanghai). Length 8cm. £300-400 152 A Persian School painted wooden plaque decorated with polo players, 19 x 24cm.; 7.5 x 9.5in. £50-100

153 Pair of Chinese export porcelain vases, painted with sheep and flowers in a famille rose palette, (2) 10cm high. £80-120 154 Collection of Chinese porcelain, to include a small mug, teabowl and saucer, two other teabowls and two saucers, Kangxi period and later (7) The mug measures 9cm high. £80-120

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157 155 Three Japanese woodblock prints to include Japanese Osaka School wood block print of a warrior and two others, various sizes 35.5 x 23.5cm.; 14 x 9.25in (3). £100-200 156 A pair of Oriental paintings on silk.

Depicting tropical birds nestled amongst cherry blossom. Mounted in Edwardian gesso frames. 152x70cm (60x27.5in). £400-500

158 Japanese Okimono of a Human Skull, pewter, lacquered brown with gilt eye sockets, seal mark to base, Meji period, 4.5cm high. £100-150 159 Japanese bronze vase, with inlaid silver takazogan work (inlay in relief ) of a snail and bamboo, with wood base, Meji period, 15cm high excluding base. £70-100

157 Chinese export porcelain bowl, painted with pink scale borders and pink and puce floral sprays, late 18th century, 26cm diameter. £80-120

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160 Silver three piece tea set of cushion shape form, with heavily embossed scroll and floral decoration, hardwood handle and knop to teapot. Teapot 16cm high, 30cm long. Hallmarked for Birmingham, 1901. Maker’s mark J.G. (probably Joseph Gloster). Gross weight approx. 37.2 ozt. £350-450 161 A silver corinthian column lamp with glass shade, square stepped base, beaded border, approx. 48cm high, hallmarked London, 1898. Makers William Gibson and John Langman.

Filled column and loaded base. £200-300

162 Irish silver dish ring with a blue glass liner. The traditional form dish ring with pierced, embossed and engraved decoration of a country scene, shepherdess, piper, bird, cow, sheep and buildings within woodland setting. Oval plain cartouche (no inscription). Approx. 20cm diameter, 10cm high. Hallmarked Dublin, 1902.

Gross weight excluding glass liner 11.8 ozt. Maker’s mark J.W. over F.C.W. (James Wakely and Frank Clarke Wheeler). £400-500

163 A silver 3 piece tea set, small circular squat form, plain polished with central tubular decoration, hardwood handle and knop to teapot. Teapot measuring approx. 13cm to tip of handle, 23cm long. Hallmarked London, 1901. Maker’s mark for Charles Stuart Harris. Gross weight 26.8 ozt. £200-300

163 162

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164 Silver salver on three acanthus scroll feet, plain scroll border, plain polished well, crested to centre with a hand holding a cross, motto within bottom ribbon, worn ’Tojours Pret.’ Approx.

36cm diameter. Hallmarked Chester, 1929. Maker’s mark ‘S.B & S Ltd’. Also stamped with retailer’s mark ’S.O. Neill Ltd, Belfast.’ Gross weight 34.9 ozt. £300-400 165 A part canteen of Georgian silver flatware, comprising 12 tablespoons, 12 dessert spoons, 12 table forks and 12 dessert forks. Plain Old English pattern with diagonal grooved borders.

Assorted dates, last quarter 18th century. Assorted makers to include ‘W.C.’ and ‘L.A.W.’ Total silver weight approx. 77.8 ozt. Together with 8 stainless steel bladed table knives. £700-800

166 A pair of German silver salts, in the form of cherubs pushing shell form wheelbarrows, complete with shell salt spoons with lamprey handles. 800 standard silver stamps, also stamped ‘Germany’ to each, measuring 12cm long, weighing approx. 9.15 ozt. £150-250 167 A crested silver salver, the centre crested with 3 arrows through coronet with motto ‘Spiritus Gladius’, stylized flower head pattern, waved beaded borders on three claw and ball feet. 30cm diameter. Hallmarked London 1866. Makers Henry John Lias and Henry John Lias. Weight approx.

32.53 ozt. £500-600

168 Wooden cased twelve piece set of Dresden porcelain handled silver gilt bladed knives, the harlequin handled set comprising pink, burgundy and green handles, each with a cartouche of different figure subject, gilded highlights. The curved silver gilt blades hallmarked ‘London 1889.’ Makers Thomas Walter and Henry Holland. Each knife measuring approx. 18cm long, complete in blue lined wooden box with brass inlaid shield to top.

Provenance: Part of the contents Haigh Hall. £200-300

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169 169 A. Edward Jones Arts & Crafts small silver coffee pot, hammer-planished finish, woven trellis foot ring on four bun feet. Hardwood handle and knop, approx. 18cm high. Hallmarked Birmingham 1920. Gross weight approx. 11.45 ozt. £400-500

170 Silver Walker & Hall three piece tea set, plain polished cushion shaped form on four paw feet with shell form terminals, waved scroll border collars, teapot with hardwood handle and knop, teapot maximum height 16cm, length 25cm. Hallmarked Sheffield, 1955 and 1957, also stamped with Walker & Hall marks to base of each piece. Gross weight approx. 35.4 ozt. £400-600

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171 A pair of Georgian silver sugar tongs

by Ann and Peter Bateman, bright cut decoration, oval plain cartouche to top. Approx. 14cm long. Hallmarked 1794. £70-90

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JEWELLERY

172 172 Yellow gold five stone diamond ring, round brilliant cut diamonds, weighing approx. 0.6ct total, white illusion setting, yellow gold shank, ring size K½. £600-800

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173 A citrine set 14ct gold hinged bangle, the channel set front containing twenty rectangular cut citrines, stamped 14k. Gross weight approx. 23 grams. £300-500 174 An emerald and diamond set 14ct gold hinged bangle, a total of sixteen round brilliant cut diamonds with a total weight of approx. 0.50ct alternating with a total of seventeen round cut emeralds with a total weight of approx. 0.66ct. Gross weight approx. 15.4g. £400-600 175 A large cultured pearl ‘in a cage’ yellow gold pendant with diamond set opening bale, the pearl assessed as South Sea cultured approx. 17mm x 16mm, the bale set with eight small brilliant cut diamonds, the pendant unmarked assessed as 18ct yellow gold. £600-800

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176 An 18ct gold pearl set ring, the half button shaped pearl approx. 13mm diameter. 18ct yellow gold bezel setting and shank, size L½. £300-500 177 A yellow sapphire single stone 18ct yellow gold ring with diamond set shoulders, the rectangular cushion mixed cut yellow sapphire approx.

13.4mm by 9.7mm, four small round brilliant cut diamonds, claw and bead setting, size M. £600-800

178 A diamond set 18ct white gold swirl pendant and chain, small round brilliant cut diamonds, claw set to open swirl link design on a white gold spiga-link chain, pendant 20mm diameter, gross weight 5.4g. Also a pair of diamond 2 row halfset 14ct white gold hoop earrings, 2 rows of small round brilliant cut diamonds to each, 15mm diameter each, gross weight 3.5g. £350-500

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179 179 A Victorian oval shell cameo brooch, the shell cameo carved with a classical winged deity statue on plinth, claw bezel setting, shell and scroll work surround. Yellow gold unmarked, assessed as a minimum of 15ct gold. 65mm x 55mm, gross weight 22.3g. £250-350

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182

180 An 18ct yellow and white gold 9 row necklace and an 11 row bracelet set, comprising alternating white and yellow gold rope twist strands, tongue and box snap clasps with safety clips. Necklace approx. 44cm, bracelet approx. 18cm. Gross weight approx. 97g. £1,800-2,200 181 A Victorian full sovereign gold coin pendant and chain, the sovereign dated 1892 in a later 9ct gold mount with yellow metal chain, weight 23.5g. £250-350

182 A Victorian 9ct gold charm bracelet with seventeen charms, comprising a 1798 shield back half guinea, a 1914 half sovereign, a crystal reverse intaglio of a donkey, a horse’s head intaglio seal fob, a fish, a cat and a shield back base metal token dated 1788, gross weight approx. 33 grams. £600-700

180

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183 A Victorian full sovereign gold coin set brooch, the sovereign dated 1899, the 9ct gold brooch mount later, weight approx. 11.3g. £225-325

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184 An Edwardian 18 gold sovereign holder on a 9ct gold chain, the sovereign holder hallmarked for Chester 1908, with monogrammed initials, gross weight approx. 18.6g, the chain approx. 9g. £500-600 185 A Victorian half sovereign pendant and chain, the half sovereign dated 1887, soldered loop to top on a 9ct gold belcher link chain, gross weight approx. 12.0g. £150-200 186 An 18ct gold small pocket/fob watch and chain, the Swiss floral decorated watch with crown winding lever movement, 35mm case suspended from a contemporary 9ct gold belcher link chain. Gross weight (in movement) 43.7g. £350-450

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187 A Victorian yellow gold garnet set rivière necklace with separate small garnet and seed pearl dropper, complete in fitted box. The graduating necklace comprising 36 oval cut garnets, rub over closed back setting, a separate drop comprising pear cut garnet and two small seed pearls, tongue snap clasp. Length 40cm. £600-700

188 An Edwardian 15ct gold ruby and seed pearl set hinged bangle, small seed pearls to centre with five small rubies inset each side. Hallmarked Birmingham 1904, complete in original London retailer’s fitted leather box. £400-600

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189 An Edwardian amethyst and seed pearl cluster double drop pendant and chain, the central oval amethyst approx. 12.5mm x 8mm small seed pearl surround to staggered double amethyst drop, figaro chain with later bolt ring fastener. Pendant assessed as a minimum of 15ct gold complete in original box. £750-950

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190 An important archaeological Roman intaglio set necklace, 27 Roman hardstone intaglios, mainly of the 1st century CE, set in a later 19th century yellow gold necklace.

The rub over “Roman” style settings with gold jump ring separators between each, tongue snap fastener, approx. 42cm long, containing from left to right the following intaglios (see image);

1) Amethyst – Bird on branch and star (Henig, Britain no.671) 2) Cornelian – Lion 3) Green Chrome Chalcedony - Palm with two cornucopiae 4) Banded Agate – Cow (second half of 1st century BCE, Augustan) 5) Cornelian – Cow 6) Amethyst – Cow 7) Cornelian – Pair of Cows within border 8) Cornelian – Cow beneath a tree (cf. Maaskant-Kleibrink, Hague, no.559)

14) Cornelian – Sphinx (the emblem adopted by Augustus for his first seal) (cf. Sena Chiesa, Aquileia no.1224; Henig, Britain no.654; Maaskant-Kleibrink, Hague, no.531) 15) Amethyst – A satyr, part of the entourage of Dionysus (thiasos) 16) Sardonyx, truncated cone – Cupid 17) Cornelian – Two horses, one with rider 18) Banded Agate – A Boar (second half of 1st century BCE, Augustan ) (cf. Sena Chiesa, Aquileia no.1092) 19) Cornelian – Lion

9) Banded Agate – A palm, a horn of plenty and a globe (representing world rule) (second half of 1st century BCE, Augustan) (cf . Henig and MacGregor, Ashmolean no.11.27)

20) Sard – Pegasus or lion griffin

10) Cornelian – Dolphin and a palm of victory

22) Nicolo (blue onyx) – Dolphin (cf. Sena Chiesa, Aquileia no.1404)

11) Banded Agate – Dioscuri, the two heavenly twins of Greek mythology with their horses (Maaskant-Kleibrink, Hague, no.824) 12) Cornelian – Charioteer with large 2 horse chariot (biga), initialled AV (presumably part of the name of the owner) (Henig, Britain nos 516-518) 13) Sardonyx truncated cone - Bird perched on globe; the bird is pecking from a cornucopia

21) Cornelian – Hand holding corn and poppy head (cf. Sena Chiesa, Aquileia nos 1454-1456)

23) Cornelian – Goat nibbling on ear of corn 24) Cornelian – Cow beneath a tree 25) Cornelian – A hound chasing a hare (cf. Henig and MacGregor, Ashmolean no.9.50) 26) Green Chrome Chalcedony – Goat with a corn ear (symbol of prosperity) 27) Cornelian – 4 corn ears (symbol of prosperity) (cf. Sena Chiesa, Aquileia no.1410)

Please note the 27 intaglios above have been authenticated as 1st century Roman, they are consistent as having been found and probably acquired from Italy prior to having been set in the necklace.and were clearly selected to portray animals and plants.

Identifications by Dr. Martin Henig of the Institute of Archaeology, Oxford.

Sena Chiesa, Aquileia. G. Sena Chiesa, Gemme del Museo Nazionale di Aquileia (Aquileia 1966) Henig, Britain M. Henig, A Corpus of Roman Engraved Gemstones from British Sites (BAR 8., Oxford1974, 1978 and 2007 editions) Henig and MacGregor,Ashmolean M.Henig and A.MacGregor, Catalogue of the Engraved Gems and Finger-rings in the Ashmolean Museum.II.Roman (Beazley Archive and Archaeopress, Oxford 2004) Maskant-Kleibrink, Hague M.Maaskant-Kleibrink, Catalogue of the Engraved Gems in the Royal Coin Cabinet The Hague.

The Greek, Etruscan and Roman Collections (The Hague 1978). Note these gems are now in Leiden. £2,000-2,500

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191 An Edwardian diamond and ruby flower head pendant with small pearl dropper. Small round old cut diamond to the centre of six marquise shaped mixed cut rubies, small pearl dropper. The pendant 15mm diameter, continuing to a figaro link white necklace, set with single round old cut diamond. Assessed as platinum with a white gold barrel snap clasp. £250-350

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192

192 A Victorian long keep/guard chain with spinning fob pendant set with bloodstone to one side and chalcedony to the other. Chain approx. 145cm long with applied pad stamped 9ct. The chain measuring approx. 145cm. Weight of chain excluding fob approx. 28g. £300-400 193 A diamond and sapphire flower head cluster 18ct gold ring central round brilliant cut diamond, approx.

0.20ct, surround of 18 marquise shaped petal form mixed cut blue sapphires with border surround of a further 8 small round brilliant cut diamonds, claw and rub over setting.

Plain polished 18ct yellow gold shank, ring size P½. £300-400 194 A Georgian small carved oval cameo brooch. The central oval cameo carved in relief with a blackamoor head wearing a turban, white background. Inscribed lines to reverse of cameo (indecipherable). Oval yellow gold bezel setting, hinged pin and simple loop fittings, 25mm x 20mm. £100-200

195 195 18ct white gold blue moonstone and diamond elliptical cluster pendant on integral snake link chain.

Faceted moonstone approx. 17mm x 9mm. The marquise shaped cluster surround containing a total of 30 small round brilliant cut diamonds. Gross weight 16.7g. £300-500

193

196 194

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196 Amethyst and seed pearl oval cluster 15ct yellow gold ring. The central oval amethyst approx. 15mm x 11mm. Seed pearl surround, rub over settings, stamped 15ct. Ring size N. £200-300

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197 A circa 1900 oval opal and diamond set brooch, the opal flat polished blue-green colour, measuring approx. 28mm x 23mm, natural stone back, split claw setting, a surround of 8 small round rose cut diamonds in rub over collet mounts, hinged pin and rollover loop brooch fittings (rollover safety loop a later replacement). £800-1,000

199

198 Amethyst and cultured pearl oval cluster brooch.

The central oval amethyst approx. 20mm x 15mm. 21 round cultured pearl surround, hinged pin and safety roll pin brooch fittings. Hallmark 9ct gold, 1964. £200-300 199 A pair of Georg Jensen silver stone set rings. The crossover ring tubular design with oval cabochon cut stones (one to each end) comprising garnet and rose quartz, and moonstone and black onyx. Design number stamped to inside shank 263, intertwined G and J mark. £200-300 200 Diamond 3-stone platinum ring, 3 round brilliant cut diamonds, centre diamond approx. 2ct, 2 diamonds (1 each side) approx. 0.90ct each. 4-claw setting, hallmark to platinum shank, ring size O. £6,500-8,000

200

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201 A Fabergé Egg presentation trinket box by Victor Meyer (workmaster).

18ct gold and royal blue guilloche enamel with 18ct gold fleur-de-lis decoration on 18ct gold scroll work 3 legged stand, complete with leather presentation box and certificate. 70mm long, 45mm diameter. Limited Edition, stamped 18CT FABERGE 51/100. £4,000-6,000

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203 202 Art Deco emerald and diamond set torpedo shaped bar brooch, the central pentagon shaped step cut emerald approx. 5.4mm x 6.8mm of a bright mid-chrome green colour. 2 round old cut diamonds, one each side, 2.8mm diameter, raised rub over settings to flush bead set surround containing 22 small round 8-cut diamonds. Geometric swirl pattern, millgrain edge decoration, the platinum front to 18ct yellow gold reverse. Hinged pin and pull-out barrel brooch fitting. Length 70mm. £800-1,200 203 Art Deco diamond and sapphire and pearl centre boat shaped bar brooch, the central round old cut diamond weighing approx. 0.50ct, 2 round mixed cut blue sapphires (one each side) measuring approx. 4.0 mm diameter, and two round pearls approx. 3.5mm diameter. Raised rub over setting, geometric design, platinum front, flush bead set with a total of 10 small round rose cut diamonds, millgrain edge decoration. 18ct yellow gold construction, hinged pin and pull out barrel brooch fittings, 64mm. £800-1,200 204 Art Deco diamond and pearl platinum and white gold brooch, central cluster of four round old cut diamonds, with four small old Swiss cut diamonds to each side, a total diamond weight of approx. 1ct. 2 button shaped pearls, one to each end approx. 7mm diameter. Hinged pin pull out barrel, brooch fittings, 60mm long. £800-1,200

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205 Pearl and diamond set platinum and white gold Art Deco bar brooch, central round pearl approx. 8mm. Octagonal openwork surround, flush bead set, total of 48 small round 8-cut diamonds. Millgrain edge decoration, hinge pin pull out barrel brooch fittings. 63mm long. £300-500 206 Edwardian single pearl set leaf brooch, central pearl approx.

4mm, yellow gold leaf and stalk design, hinged pin and simple loop brooch fittings. 40mm long. £150-250

206

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207 Victorian green tourmaline, pink topaz, pearl and diamond set enamelled pendant necklace in the style of Carlo Guliano. The central rectangular green tourmaline approx. 10mm x 7.5mm. 2 oval pink tourmaline, approx.

6mm x 4mm and 2 pear shaped pink tourmaline drops, 5.5mm x 4.4mm. 6 seed pearls, and 2 small diamonds, surrounds of yellow, pink, blue and white ermine enamelling in the Renaissance style. The front section continuing to a 3-in-1 figaro link yellow gold necklace, tongue and box snap clasp. ÂŁ2,500-3,500

208 Art Deco carved jadeite and diamond set rectangular panel brooch. The rectangular pierced and carved jadeite plaque with a fruit and floral decoration. A row of diamonds, flush bead set, one each side, a total of 16 round brilliant cut diamonds, calculated total diamond weight approx. 0.36 carats. The jadeite panel approx. 55mm x 24mm. Hinged pin trigger claw loop brooch fittings, assessed as platinum. ÂŁ800-1,000

208

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209 An 18ct white gold pavé set diamond pendant and chain with matching ring. The oval modern design pendant with 7 raised rubover set round brilliant cut diamonds, measuring between approx. 3.4mm and 2.4mm diameter, with a large quantity of small brilliant cut diamonds to pavé set surround. Oval diamond set bale to an 18ct white gold spiga-link chain. Pendant monogram to reverse ‘HB’, measuring 40mm x 27mm.

The ring with 3 raised rub-over set round brilliant cut diamonds, measuring between approx. 3.8mm and 2.4mm, with a large quantity of small round brilliant cut diamonds pavé set to front section surround.

The white gold band ring also initialled to inner shank ‘HB’. Ring size N. Total gross weight 34.8g. £2,800-3,000

209

210 18ct white gold and platinum diamond set stylized spray brooch, a total of 97 round brilliant and round 8 cut diamonds with a calculated total diamond weight of approx. 3ct.

Hinged pin screw loop brooch fittings, 55mm x 40mm, stamped 750 and PT950. £950-1,000 211 A diamond, emerald, ruby and sapphire set 18ct yellow gold stylized butterfly pendant. Emerald, ruby and sapphire cabochon cut stones to wings and head, pavé set diamond wings and body. Size 35mm x 35mm, stamped 750, gross weight 16.8g. £900-1,000

210

212 Green diamond and ruby 6 stone 18ct white gold stylized spray pendant, the 4 green/blue-green coloured diamonds weighing approx.

2ct total, the 2 rubies weighing a total of approx. 1.75ct. 4 claw set, integral loop to reverse, 45mm long. £900-1,000

211

212

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215 213 18ct gold diamond boat shaped cluster ring, a total of 27 round brilliant and round 8-cut diamonds.

White claw settings to open wirework basket style mount and 18ct yellow gold wirework shank. Calculated total diamond weight approx. 1.50ct, ring size R. £600-700 214 A diamond fancy cluster 18ct white gold ring. Total of 27 round brilliant cut diamonds, centre diamond approx. 0.25ct. Split shoulders, white gold shank stamped 750. Ring size L. £600-700 215 A diamond set 18ct gold signet ring, square head and shoulders, floodlight set. Total of 27 round brilliant cut diamonds, calculated total diamond weight of 0.75ct. Gross weight approx.

9.0g, ring size Q. £450-550 216 A diamond set platinum stylized spray brooch, total of 41 round brilliant and round 8-cut diamonds.

Total diamond weight approx. 2ct.

Hinged pin and screw barrel brooch fittings stamped PT950. 5cm long, gross weight 14.2g. £600-700

217

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217 An 18ct white gold diamond flower head cluster drop pendant on a diamond set scroll link collaret.

Flower head cluster claw set with a total of 9 round brilliant cut diamonds suspended from a curved scroll link collaret, claws set with a further 35 small round brilliant cut diamonds. £500-600

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218 A diamond, emerald and ruby set enamelled canntielle style 18ct gold pendant on a 9ct gold 3-and-1 figaro link 9ct gold chain. The off-set square pendant with central cluster of alternating diamonds, rubies and emeralds, black enamel borders.

38mm across, gross weight 25.6g. £900-1,000 219 A diamond cluster 18ct rose gold bracelet with diamond set shoulders, a total of 27 rose cut diamonds, centre diamond approx.

7.3mm diameter. Gross weight 10.6g, 19cm length, stamped 750. £320-420 220 Georg Jensen 925 silver wire-work Alliance bangle. Oval dotted Georg Jensen mark, hallmarked ‘London, 2009. Gross weight 47.4g. £300-400

218

221 Diamond flower head ring, total of 19 round old cut diamonds, centre diamond calculated weight of approx.

0.75ct, a total overall diamond weight of approx. 2ct. 18ct yellow gold shank, ring size P. £1,200-1,600

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224

222 Diamond set 18ct white gold ‘belt style’ bracelet, the mesh link bracelet with diamond set tang style buckle and loop. A total of 24 small round brilliant cut diamonds, bracelet approx. 26cm long (20mm to fastening hole) and approx. 16mm wide. Stamped “750, Italy.” Assessed as 18ct white gold throughout. Gross weight 62.1g. £2,000-2,500 223 Art Deco large smoky quartz single stone 14ct rose gold pendant brooch, the smoky quartz approx. 28mm x 20mm, four claw corner setting to step-down octagonal rose gold border surround, hinged pendant loop to reverse and pin and pull out barrel brooch fittings. The brooch approx. 4cm x 3cm, stamped 14k. £225-275

223

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224 Art Deco diamond solitaire 18ct yellow gold platinum set ring with diamond set shoulders, the central square head set with round brilliant cut diamond weighing approx. 0.36ct.

The geometric design shoulders flush set with a total of 8 small round 8-cut diamonds. Ring size L. £300-400 225 Sapphire, ruby, diamond and opal set silver butterfly brooch, the central oval blue sapphire approx. 5mm x 3.5mm. The body and wings full set with small round mixed cut sapphires and rubies and small round rose cut diamonds, the reverse with hinged pin and simple loop fittings. Brooch measuring 35mm x 30mm. £200-300

225

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227

226 226 Victorian pearl and diamond set star brooch, the full set star comprising a central circular cluster containing four half pearls and five small single and rose cut diamonds, the star ray surround full set with half pearls, the reverse with hinged steel pin and simple loop brooch fitting. Screw thread detachable. Measuring approx. 4cm diameter. Assessed as a minimum of 15ct gold. £500-700 227 Art Deco diamond and ruby white gold and platinum brooch. 7 rectangular and square stepped cut rubies assessed as synthetic. A surround of 16 round old cut diamonds, rub-over and Carré set within a geometric design, hinge pin and trigger loop brooch fittings. 33mm long, gross weight 4.9g. £300-500

228

228 A cultured pearl and turquoise set flower head 18ct gold brooch, circa 1950’s design, textured finish petals, central cultured pearl, 5 small turquoise surround.

Diameter 40mm, gross weight 9.9g. £300-400 229 A diamond solitaire ring, the round old cut diamond with a calculated weight of approx. 1.25ct. White rubover illusion setting, coronet mount, 18ct yellow gold shank. Ring size M. £800-1,000

229

230 A diamond 2 row ring, a total of 12 round old cut diamonds weighing a total of approx. 3ct. Carré set, millgrain edge decoration, split shoulders to 18ct yellow gold shank, platinum settings. Gross weight 6.9g, ring size N. £2,500-3,500

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231 18ct yellow and white gold charm bracelet, containing 10 collector’s luxury gold pendant charms. This unusual and impressive piece comprises: A blackamoor 18ct gold diamond, coral, ruby and sapphire set. The carved hardwood head, with gold earring detail. (Please note a similar charm was sold in these sale rooms July 2015 for £1100) 35mm x 20mm.

A carved green jade Buddha, set within an 18ct gold shrine, with star pattern design and rope twist border. 40mm x 38mm.

18ct gold dragon on a baroque pearl (the pearl hollowed, representing the shell of a dragon’s egg) 30mm x 30mm Two 18ct gold collector’s pendant charms depicting king and queen in the stylized design associated with chess pieces, set with rubies and sapphires.

Approx. 38mm x 28mm each A lapis lazuli globe encased in 18ct gold with loop and spindle to exterior stamped ‘1957’.

30mm x 30mm 18ct gold cornelian seal charm, mounted with a pair of rearing horses with engraved detail.

30mm x 30mm 18ct gold square cylinder pendant charm decorated with Egyptian hieroglyphs.

30mm x 20mm A turquoise pebble encased in 18ct gold scrollwork and leaf design 40mm x 20mm A moonstone set 18ct gold conical shaped pendant charm, textured finish, scrollwork patterning 28mm x 28mm The bracelet comprising alternating yellow and white gold intertwined textured links, tongue and box snap clasp stamped 750. Gross weight approx. 254g. £6,000-8,000

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235

232 Citrine yellow gold set graduating necklace with double-drop pendant. The two section scroll-work yellow gold drop with two large oval citrine approx. 15mm x 14mm and 15mm x 12mm suspended from a riviere necklace containing a total of 28 oval citrine. Tongue and box snap clasp, Victorian unmarked assessed as a minimum of 15ct gold. Length 42cm max. Gross weight approx. 40.0g. £400-600 233 A gent’s vintage Omega 9ct yellow gold wristwatch on leather strap, champagne dial, date window to 3 o’clock. 36mm case size. Mechanical automatic self-winding, Swiss jewelled lever movement. Omega leather strap and gold plated buckle. £300-500

234 A Georgian garnet and seed pearl cluster mourning ring. The cushion shaped head engraved to reverse “Died 29th May 1814 Aged 33.” Scroll worked shoulders, yellow gold shank unmarked. £300-500 235 A 9ct gold necklace and bracelet set of snake jewellery. Necklace comprising a snake head and tail cross over v-shaped front, 2 small ruby eyes, engraved leaf and diaper patterned to coil continuing to plain polished coiled ‘snake-link’ tubular chain. Box and tongue snap clasp with safety clip-over. Together with matching sprung coil link tubular bracelet.

Gross weight approx. 49g. £400-600 236 An amethyst and cultured pearl set coronet and heart 9ct gold brooch.

The heart shaped mixed cut amethyst measuring approx. 10mm x 10mm.

10 small cultured pearls to coronet. 9ct gold hallmark, 1964. £50-80 237 A diamond 3 row 18ct gold ring, the head bead set with a total of 16 round old cut diamonds. Total diamond weight of approx. 1ct. Ring size N. £300-500

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Watches Please note: All clocks and watches are sold without warranty. Comments regarding the going condition of clocks and watches relate to their state at the time of cataloguing and those comments may no longer be correct at the time of sale or delivery. Buyers should assume that all lots will require servicing to be useable and reliable. Clocks and watches are not tested for accuracy, duration or water tightness’

238 240

239

238 Georgian yellow gold small pocket watch by Robert Roskell, Liverpool, white enamel dial, Arabic numerals, fusée movement, No. 67814 engraved Robt Roskell, Liverpool, diamond end stone embossed radiating pattern in case, the watch contained in later presentation silver case, hallmark 1902 with engraved initial to top cartouche, 40mm. *See clocks and watches proviso. £500-700

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239 A lady’s Raymond Weil Tango stainless steel bracelet watch with diamond dot dial and diamond set bezel. The oblong mother of pearl dial with Roman quarters, diamond dot batons between. Small diamonds set to steel bezel surround. The steel head 30mm x 18mm. Reverse stamped with model and serial numbers 5971 and K159931. Satin and polished steel bracelet with concealed clasp. Quartz battery movement. Complete in box with paperwork. £250-350

240 A lady’s Baume & Mercier Baumatic 18ct gold watch on 18ct gold bracelet. Round champagne dial with Roman numerals, Swiss movement, case 25mm diameter. Cast-textured gold bezel, cabochon to winder.

Model/Serial numbers to case 366659 and 947589. £2,500-3,500

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241 A gent’s vintage Omega Constellation 18ct gold watch on a later leather strap. Round steel dial, arrow applied batons, centre sweep seconds hand, yellow gold bezel surround and head.

Case size 36mm, Constellation with logo to centre, 18ct French marks.

Mechanical automatic self-winding Swiss duelled lever movement. Age assessed circa 1950’s, with later nonOmega leather strap. £400-600

241

242 A gent’s vintage Longines 9ct gold wristwatch on later leather strap.

Round white dial, Arabic numerals and arrow shaped batons, subsidiary seconds dial to six o’ clock, yellow gold bezel surround and head. Case size 38mm, plain polished back, 9ct gold hallmark. Winding mechanical Swiss duelled lever movement. Later non-Longines leather strap. £250-350 243 Georgian silver pair case pocket watch by Richard Burns, Manchester. Round white dial, black Arabic numerals, brass plate fusée movement. Floral and scroll pierced balance cock with grotesque mask.

Movement signed ‘Richard Burns, 1041’. Plain silver case, hallmarked Chester, 1802, matching hallmarks to outer case. £200-400

242

244 A lady’s Cartier Santos steel and yellow gold bracelet watch, ivory dial, black Roman numerals, yellow gold bezel surround to brush steel head, 23mm diameter, to a steel and yellow gold 5 row bracelet with concealed fastener. Quartz battery movement, watch back engraved with serial/reference numbers 166921 and 059319. £450-550

243

245 An 18ct yellow gold lady’s vintage cocktail watch with diamond set bezel, round white dial, winding mechanical Swiss jewelled bar lever movement. £300-500

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246 An 18ct yellow gold lady’s small pocket watch. Floral pattern, gold dial, all over floral patterned case, 38mm diameter. Crown winding brass bar, lever movement. 18ct gold Swiss marks. Gross weight 34g. £200-400 247 No lot 246

248 A gent’s Omega Constellation steel and yellow gold bracelet watch, quartz battery movement. Reference number to watch back 59541452.

Complete in box with paperwork. £400-600 249 A gent’s Raymond Weil gold plated wristwatch on leather strap, date window to 3 o’ clock, glazed back revealing Raymond Weil automatic self-winding, 26 jewel Swiss movement. Model/Serial Numbers engraved 2837-V-347965. Case size 42mm. Complete in box with paperwork. £300-500 250 A gent’s Longines slimline steel and gold plated wristwatch “Le Grand Classique.” Model number L46352.

Serial number 29745685. Round white dial, 2 colour bracelet, quartz battery movement. £200-400

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oil Paintings (modern/contemPorary) 251 ARR Kathleen Major (British, 1905-1978), “Finch House, Appley Bridge”, unsigned, titled on artist’s label verso, oil on canvas, 39.5 x 44.5cm.; 15.5 x 17.5in. £100-200

251 252 ARR Ken Howard (British, b.1932), “Christ Church, Newgate Street, London”, signed, oil on canvas, 75 x 60cm.; 29.5 x 23.5in. £2,000-2,500

252 ARR Artists’ Resale Rights (“droit de suite”) may apply to this lot.

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253

255 255 ARR Philip Naviasky (1894-1983), Portrait of a boy, signed, oil on board, 47 x 34cm.; 18.5 x 13.5in.

253 ARR Henri Joseph Pauwels (Belgian, 1903-1983), Cottage with figures and a pond, signed, oil on canvas, 58.5 x 96.5cm.; 23 x 38in. £150-250

* Studied at Leeds School of Art and at the Royal College of Art. Exhibited at the Royal Academy; Royal Society of Portrait Painters; Royal Scottish Academy; Royal Glasgow Institute of Fine Arts and in the provinces. £200-400

254 ARR Geoffrey Key (1941-), “The Reunion II”, signed and dated ‘03, titled on verso, oil on canvas, 39 x 49cm.; 15.5 x 19.25in. £3,000-5,000

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256 ARR Donald McIntyre R.I., R.Cam.A., S.M.A. (1923-2009), “Isle of Tangles No. 9 (Iona)”, signed, titled on artist’s label verso, acrylic on board, 51.5 x 61.5cm.; 20.25 x 24.25in. £3,000-5,000 257 ARR Peter Stanaway (1943-), “Rochdale Canal”, signed, titled on verso, acrylic on board, 33 x 39.5cm.; 13 x 15.5in. £300-500

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ARR Artists’ Resale Rights (“droit de suite”) may apply to this lot.

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258 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Pay Day!”, signed, titled on verso, oil on canvas, 49 x 59cm.; 19.25 x 23.25in. £3,000-5,000

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259 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Epping”, signed, titled on verso, oil on board, 24.5 x 34.5cm.; 9.75 x 13.75in. £300-500

260 ARR Jan Newhouse, 20th century, “Back Wall I”, signed and titled on verso, unframed, oil on board, 81.5 x 81.5cm.; 32 x 32in. £200-400

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261 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Mossley near Stockport”, signed, titled on verso, oil on board, 22 x 14.5cm.; 8.75 x 5.75in. £1,500-2,000

262 ARR Arthur Delaney (1927-1987), Street scene with figures and trams, signed, oil on board, 23.5 x 29.5cm.; 9.25 x 11.75in. £3,000-3,500

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262 ARR Artists’ Resale Rights (“droit de suite”) may apply to this lot.

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265 ARR Nicholas Horsfield (British, 1917-2005), “Dunes, Hightown, Merseyside”, signed and dated 20 July ‘82 on verso, titled on artist’s label verso, oil on canvas, 21.5 x 29cm.; 8.5 x 11.5in. £300-500

263 263 ARR Gordon Radford (1936-2015), “Santa Maria della Salute, Venice”, signed, titled on verso, oil on board, 44.5 x 59.5cm.; 17.5 x 23.5in. £400-600 266 266 ARR Liam Spencer (1964-), “CIS Tower, Manchester”, initialled, titled and dated ‘04 on verso, oil on board, 19.5 x 25.5cm.; 7.75 x 10in. £600-800

264 264 ARR Richard Clare (1964-), “Vagli Sotto, Northern Tuscany”, signed, titled on verso, oil on canvas, 44.5 x 44.5cm.; 17.5 x 17.5in. £150-200

267 267 ARR Reg Gardner (1948-), “Mosley Street, Manchester”, signed and dated ‘05, titled on artist’s label verso, oil on canvas, 44.5 x 34.5cm.; 17.5 x 13.5in. £300-500

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268 268 ARR Harold Riley (1934-), Portrait of a girl, unsigned, oil on board, 24 x 20cm.; 9.5 x 7.75in.

269 269 ARR Harold Riley (1934-), Boy in Florence, signed and dated ‘62, oil on board, 98 x 75cm.; 38.5 x 29.5in. £500-700

Provenance: During the 1960’s Harold Riley used to attend the Little Dolphin Italian Restaurant in Church Road, Eccles, Manchester, and it was during the 1960’s that Harold gave this painting and the following paintings and drawings in this sale

by Harold Riley to the then owners of the restaurant Stefano and Anna Steffenini and Tony Malatesta. This painting together with all following paintings and drawings by the artist in this sale have remained in the Malatesta family ever since, unfortunately the restaurant is no longer there. The collection covers a diverse range of subjects and imagery including views of Manchester and various Italian locations as well as some very important portraiture including such notable figures as the Duke of Edinburgh. £200-400

270 ARR Harold Riley (1934-), Portofino, signed and dated ‘61, oil on board, 75 x 196.5cm.; 29.5 x 77.5in. £1,000-2,000

270 ARR Artists’ Resale Rights (“droit de suite”) may apply to this lot.

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271 ARR Hans Schwarz (Austrian/British, 1922-2003), Patrick Wymark, Head Study, signed and dated ‘61, oil on board, 29.5 x 21.5cm.; 11.75 x 8.5in. £100-150

274 ARR Hans Schwarz (Austrian/British, 1922-2003), Self Portrait with Lena, signed and dated ‘02, oil on board, 121.5 x 90.5cm.; 47.75 x 35.75in. £200-400

272 ARR Stella Steyn (1907-1987), Self portrait, unsigned, with studio sale stamp on verso, oil on canvas, 63.5 x 54cm.; 25 x 21.25in. £100-200

275 ARR Hans Schwarz (Austrian/British, 1922-2003), Standing nude against red background, oil on board, 78.5 x 53.5cm.; 31 x 21.25in. £200-400

273 Granville, 20th century, “Moods of a Violinist”, signed, titled and dated ‘June 1973’ on artist’s label verso, acrylic on board, 49.5 x 75cm.; 19.5 x 29.5in. £100-150

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276 276 ARR A. Thompson, 20th century, Gyrfalcon on a ptarmigan, signed and dated 2007, acrylic on board, 39.5 x 49.5cm.; 15.5 x 19.5in. £200-400

278 278 ARR David L. Prescott, 20th century, “Similarities”, signed, acrylic on board, 28 x 38.5cm.; 11 x 15.25in. £100-200

279 279 ARR David Wilde (1918-1978), “Defeat of the Martians (III)”, signed and titled, acrylic on board, 50 x 60cm.; 19.75 x 23.75in. £200-400

277 277 ARR David L. Prescott, 20th century, Snow leopard, signed, acrylic on board, 38 x 28cm.; 15 x 11in. £100-200

280 280 ARR Anthony Butler R.C.A. (1927-2010), The Acropolis of Athens, signed, dated 1976 on verso, oil on board, 88.5 x 120cm.; 34.75 x 47.25in. £500-700 ARR Artists’ Resale Rights (“droit de suite”) may apply to this lot.

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281 281 ARR Sue Atkinson (1949-), “The Three Clowns”, signed, titled on verso, oil on canvas, 11.5 x 16.5cm.; 4.5 x 6.5in. £100-150 282 ARR Sue Atkinson (1949-), “Cracking the Whip”, signed, titled on verso, oil on canvas, 10.5 x 16.5cm.; 4.25 x 6.5in. £100-150

282 283 ARR Mary Lord, 20th century, “May Morning”, signed, titled on artist’s label verso, oil, 57 x 74.5cm.; 22.5 x 29.5in. * Mary Lord was born in Birstall, West Yorkshire, studied at Leeds College of Art and remains resident in Leeds where she maintains an active studio. Mary is well known for her powerful oil paintings and delicate water colours depicting the Yorkshire Moors and Dales. The landscape is usually viewed from an elevated position and records Mary’s response to the landscape form, the moods of the seasons and the atmosphere of the time of day. She has exhibited widely - both in the North of England and in London. Mary’s work is represented in many collections in her home county of Yorkshire and widely throughout the North of England. £500-700 284 ARR Gordon Radford (1936-2015), “Lunchtime Drinks”, signed, titled on verso, oil on canvas, 28.5 x 39cm.; 11.25 x 15.5in. £300-500

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285 ARR Gordon Radford (1936-2015), “The Breakfast Tray”, signed, titled on verso, oil on canvas, 29 x 39.5cm.; 11.5 x 15.5in. £300-500

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288 288 ARR George Hann (1900-1979), “Paris Opera House”, signed, titled on verso, oil on board, 50 x 60cm.; 19.75 x 23.75in. £100-200

286 286 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Waiting for the Boat”, signed, titled on verso, oil on board, 24 x 19.5cm.; 9.5 x 7.75in. £500-700

289 289 ARR Adam Barsby (b.1969), “Around the Houses”, signed and titled in the margin, acrylic on paper, 67 x 96.5cm.; 26.5 x 38in. £300-500

287 287 ARR Michael D`Aguilar (1924-2011), “Au Bord de la Mer”, signed, titled on verso, oil on board, 19.5 x 24.5cm.; 7.75 x 9.75in. £200-400 290 290 ARR Adam Barsby (b.1969), “Trail Blazers”, signed and titled in the margin, dedicated and dated 2002 on verso, acrylic on paper, 41 x 90.5cm.; 16 x 35.5in. £200-400

ARR Artists’ Resale Rights (“droit de suite”) may apply to this lot.

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291 ARR Lionel Hamilton Renwick (British, 1917-2003), Study for portrait of “Firedance”, signed, titled and dated ‘77, oil on board, 34 x 35.5cm.; 13.5 x 14in. £200-400

292

294 ARR John Hanley (British, 1947-), “No Ball Games”, signed, oil on canvas, 59 x 79cm.; 23.25 x 31.25in. £300-500

292 ARR Lionel Hamilton Renwick (British, 1917-2003), Study for portrait of “Glamour Girl”, signed, titled and dated 1974, oil on board, 29.5 x 34.5cm.; 11.75 x 13.75in. £200-400 293 ARR John Hanley (British, 1947-), “City Life”, signed, oil on canvas, 59 x 79cm.; 23.25 x 31.25in. £300-500

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295 295 Iwona Siwek-Front (Polish, b.1967), Reclining female with cats, signed and dated 16.XI.14.10 1°C, 2007, acrylic on canvas, 60 x 140cm.; 23.5 x 55.25in. £100-200

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296 ARR Richard Rhead Simm (1926-), Portrait of “Mill Reef” with G. Lewis up, signed, titled on verso, oil on canvas, 29.5 x 39.5cm.; 11.5 x 15.5in. £100-200 297 ARR Barry Leighton-Jones (1932-2011), Figure group, signed, oil on canvas, 90.5 x 121.5cm.; 35.5 x 48in. £200-400

299

298 298 Sir Herbert James Gunn R.A. (1893-1964), Portrait of a gentleman, signed, oil on canvas, 90 x 70cm.; 35.5 x 27.5in. £200-400 299 ARR David Wilde (1918-1978), “Salford Docks Blitz”, signed and titled, acrylic on board, 54 x 76cm.; 21.25 x 30in. £300-500 ARR Artists’ Resale Rights (“droit de suite”) may apply to this lot.

300 300 ARR Arthur Henry Andrews (British, 1906-1966), Coastal scene with sailing boat, signed, oil on canvas, 45.5 x 34.5cm.; 18 x 13.75in. £100-200 69

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301 301 ARR Michael Gutteridge, 20th century, “Exchange Square, Looking West”, signed and dated 2004, titled on verso, acrylic on board, 39 x 49cm.; 15.5 x 19.5in. £200-400 302 ARR David Wilde (1918-1978), “Burst Pipes; Angel Meadow”, signed and titled, acrylic on board, 71 x 53cm.; 28 x 20.75in. £400-600 303 ARR David Wilde (1918-1978), “The Last Rusting Titan; Old Slate Line”, signed and titled, acrylic and collage on board, 63.5 x 50.5cm.; 25 x 19.75in. £400-600

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304 ARR John Banting (British, 1902-1972), “Self-Portrait with Skull”, signed and dated 1944 on verso, with gallery label - ‘Pyms Gallery, London’ on verso, oil on canvas, 46.5 x 27.5cm.; 18.25 x 11in. * Surrealist painter and designer, born in London. Banting studied under Bernard Meninsky at evening classes at Westminster School of Art from 1921, going to Paris the following year for further studies. Returning to London in 1925 he became connected with the Bloomsbury Group painters, joined London Group and showed with the 7 & 5 Society. At the beginning of the 1930’s he again went to France where he met Breton, Creval, Giacometti, Duchamp and other artists. Since his death Banting has been included in many exhibitions connected with Surrealism and he was given a retrospective at Oliver Bradbury and James Birch in 1983. £300-500 305 ARR Sarah McConkey (1973-), “The Dispute”, signed and titled on verso, oil on canvas, 37 x 37cm.; 14.5 x 14.5in. £200-400

305

306 ARR Geoffrey Key (1941-), “Park Head”, signed and dated ‘04, titled on verso, oil on canvas, 24 x 19cm.; 9.5 x 7.5in. £1,500-2,000

306 ARR Artists’ Resale Rights (“droit de suite”) may apply to this lot.

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308 307 ARR Raoul Millais (1901-1999), Portrait head study of a horse, initialled, oil on board, 11 x 8.5cm.; 4.25 x 3.25in. £100-200 308 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Fairy Glen, Dwygyfylchi”, signed, titled on verso, oil on board, unframed, 25 x 35.5cm.; 10 x 14in. £300-500

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309 ARR David Barnes (1943-), “Mountain Lake”, signed on verso, oil on board, 24.5 x 19.5cm.; 9.5 x 7.5in. £100-200 310 ARR David Barnes (1943-), “Mountain Hamlet”, signed on verso, oil on board, 24.5 x 19.5cm.; 9.5 x 7.5in. £100-200 311 ARR David Barnes (1943-), “Mountain Cottage”, signed on verso, oil on board, 24.5 x 19.5cm.; 9.5 x 7.5in. £100-200

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312 ARR David Barnes (1943-), “Mountain Farm”, signed on verso, oil on board, 24.5 x 19.5cm.; 9.5 x 7.5in. £100-200

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315

313 ARR David Barnes (1943-), “Snowdonian Cottages”, signed on verso, oil on board, 29.5 x 39.5cm.; 11.5 x 15.5in. £300-500 314 ARR Donald McIntyre R.I., R.Cam.A., S.M.A. (1923-2009), “Sea, Evening Sun”, initialled, titled on verso, oil on board, 34.5 x 24cm.; 13.5 x 9.5in. £1,000-1,500 315 ARR Roy Tidmarsh (1944-), “Viewing at the Royal Academy, London”, signed and dated 1997, oil on canvas, 39 x 49cm.; 15.25 x 19.25in. £200-400

314

ARR Artists’ Resale Rights (“droit de suite”) may apply to this lot.

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316 316 ARR Stephen Wild (1955-), “Bury Market”, signed and dated 2010, oil on canvas, 44.5 x 59.5cm.; 17.5 x 23.5in. £200-400

319 319 ARR Liam Spencer (1964-), “Oxford Street, Manchester”, signed, titled and dated 2010 on verso, oil on board, 54 x 40.5cm.; 21.25 x 16in. £1,500-2,000 317 317 ARR Paul Harley (1943-), “Easedale”, signed and dated ‘98, oil on canvas, 29 x 44.5cm.; 11.5 x 17.5in. £100-150

318 318 ARR John McCombs (1943-), “View overlooking Millgate, Delph”, initialled and dated ‘81, titled on verso, oil on board, 28.5 x 37cm.; 11.25 x 14.5in. £300-500

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320 320 ARR Roger Hampson (1925-1996), “Boats at Kalami, Corfu”, signed, titled on verso, oil on board, 23.5 x 27cm.; 9.25 x 10.75in. £600-800

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321 321 ARR Roger Hampson (1925-1996), “Lancaster”, signed, titled on verso, oil on board, 19.5 x 24cm.; 7.75 x 9.5in. £800-1,200

322 322 ARR K.W. Radcliffe, 20th century, “Hinderton at Woodside”, signed, titled on verso, oil on board, 14 x 29.5cm.; 5.5 x 11.5in. £100-150

ARR Artists’ Resale Rights (“droit de suite”) may apply to this lot.

323 323 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Lobster Pots, Tallon Bay, Cornwall”, signed, titled on verso, oil on board, 19 x 24cm.; 7.5 x 9.5in. £500-700

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327

324 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Clark Green”, signed, titled on verso, oil on board, 18.5 x 24cm.; 7.25 x 9.5in. £500-700

326 ARR Harry Malkin (British, b.1951), “Hot Work”, signed and dated 2013, oil on canvas, 39.5 x 29cm.; 15.5 x 11.5in. £200-400

325 ARR Harry Malkin (British, b.1951), “Boring the Face”, signed and dated 2014, titled on verso, oil on canvas, 40.5 x 30.5cm.; 16 x 12in.

327 ARR Joan Darlington (1932-), “Spellbound”, signed, titled on verso, oil on board, 60.5 x 75.5cm.; 23.75 x 29.75in. £300-500

* Harry Malkin was born in Castleford, West Yorkshire and was a former miner who joined a local art group during the beginning of the big miner’s strike of 1984/85, and never looked back. After the mine was forced to close in 1985 he decided to paint full time, drawing on his experiences of being a miner, his works reflect his social background. £200-400

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328 328 ARR Keith Gardner R.Cam.A. (1933-), “Royal Academy Courtyard at Lloyd Webber Pre-Raphaelite Exhibition”, titled on verso, oil on board, 19.5 x 14.5cm.; 7.75 x 5.75in. £100-200

331

329 329 ARR Keith Gardner R.Cam.A. (1933-), “Tate Gallery, London at the Whistler Exhibition”, signed, titled and dated ‘94 on verso, oil on board, 14.5 x 19.5cm.; 5.75 x 7.75in. £100-200 330 ARR Keith Gardner R.Cam.A. (1933-), “Chester Cross and Eastgate Street”, signed, titled on verso, oil on canvas, 49.5 x 60cm.; 19.5 x 23.5in. £200-400 331 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Boats at Mevagissey”, signed and dated ‘62, titled on label verso, oil on board, 34.5 x 43.5cm.; 13.5 x 17in. £600-800

ARR Artists’ Resale Rights (“droit de suite”) may apply to this lot.

332 332 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Alley, Malta”, signed, titled on verso, oil on board, 39.5 x 29cm.; 15.5 x 11.5in. £300-500

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333 333 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Cap Ferat, Isle de Levant, France”, signed, titled on verso, oil on board, 27 x 37cm.; 10.75 x 14.5in. £300-500

334 334 ARR Liam Spencer (1964-), “Godrevy Lighthouse and Flag”, signed, titled and dated 2011 on verso, oil on board, 14.5 x 19.5cm.; 5.75 x 7.75in. £500-700

335 335 ARR Liam Spencer (1964-), “St. Ives Rainbow”, signed, dated 2012 and titled on verso, oil on board, 20 x 25cm.; 8 x 10in. £600-800 78

336 336 ARR Keith Gardner R.Cam.A. (1933-), “Houses of Parliament from Lambeth”, signed, titled on verso, oil on board, 23 x 30.5cm.; 9 x 12in. £150-200

337 337 ARR Judith Moy, 20th century, “Harbour Walls”, signed, titled on verso, acrylic, 27 x 34.5cm.; 10.5 x 13.5in. £100-200

338 338 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), Female portrait, signed, indistinctly titled and dated ‘Dec ‘81’ on verso, oil on board, 33.5 x 23cm.; 13.25 x 9in. £300-500

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339 339 ARR Liam Spencer (1964-), “Culm Leigh, Devon”, signed, dated 1998 and titled on verso, oil on board, 22 x 29cm. 8.75 x 11.5in. £600-800

342 342 ARR Peter Chan, 20th century, Untitled, oil on board, 44.5 x 44.5cm.; 17.5 x 17.5in. * Peter graduated in Fine Art from Liverpool John Moores University in 2002, and has been involved in both solo and group exhibitions. As well as the Liverpool Biennial, he has had one man shows at the Atkinson Art Gallery in Southport and the Egg Café in Liverpool. £100-200

340 340 ARR Mark Sheeky (1972-), “The Bombing of Dresden”, signed, titled on verso, oil on board, 24 x 35cm.; 9.5 x 13.75in. £100-200

341 341 ARR Mark Sheeky (1972-), “The Hanging of Judas Iscariot”, signed, titled on verso, oil on board, 22.5 x 33cm.; 9 x 13in. £100-200

ARR Artists’ Resale Rights (“droit de suite”) may apply to this lot.

343 343 ARR Paul Lucien Dessau (1909-1999), Portrait of a lady, with artist’s label on verso, oil on board, 49 x 39cm.; 19.25 x 15.5in. £300-500

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344 344 ARR Lewis Noble (1967-), “Dusk IV”, signed and dated ‘98, oil on board, 24.5 x 19.5cm.; 9.75 x 7.75in. £100-150

346 346 ARR Julia Fenby, 20th century, Abstract, signed and dated 1991, acrylic, 56.5 x 56.5cm.; 22.25 x 22.25in. £100-200

348 348 ARR Albert Barlow (1944-), “Man on a Mission”, monogrammed, titled on verso, acrylic on board, 29.5 x 24cm.; 11.5 x 9.5in. £150-250

345 ARR Lucien Cooper (1966-), Abstract, mixed media, 48.5 x 75cm.; 19 x 29.5in. * Completed BA (Hons) Degree, Fine Art Painting at Falmouth College of Art, Cornwall, in 1987. After graduation Lucien set up a studio and started working on two large painting commissions for Sir Anthony Bamford, JCB Ltd. In 1990 Lucien joined the Arts Council of Great Britain’s ‘Glory of the Garden’ Contemporary Arts Team at Stoke-on-Trent City Museum & Art Gallery, eventually becoming Curator of Fine & Decorative Arts. In 2003 Lucien stopped working as a curator to concentrate on painting. Lucien has produced many solo shows and been included in a large number of mixed themed exhibitions, notably The Royal Academy of Arts Summer Exhibition.

Lucien’s paintings are included in public and private collections in the UK, USA, Germany, Italy, Japan. Lucien now lives and works in Leek, Staffordshire Moorlands, UK. £100-200

347 347 ARR Albert Barlow (1944-), “Reflective Mood”, monogrammed, titled on verso, acrylic on board, 29.5 x 24.5cm.; 11.5 x 9.5in. £150-250

349 349 ARR Albert Barlow (1944-), “Canal Walk”, signed and titled on verso, acrylic on board, 19.5 x 14.5cm.; 7.75 x 5.75in. £80-120

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350

350 ARR Arthur Delaney (1927-1987), Altrincham street scene, signed, authenticated on verso by the artist’s son, oil on board, 24 x 32.5cm.; 9.5 x 12.75in. £3,500-4,000

351 ARR Fred Yates (1922-2008), Portrait of a lady in the street with figures passing by, signed, oil on canvas, 61 x 46cm.; 24 x 18in. £1,500-2,000

351 ARR Artists’ Resale Rights (“droit de suite”) may apply to this lot.

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353

354

354 ARR David Wilde (1918-1978), “Alice & Mickey find the Flame Tree at Aber”, signed and titled, acrylic on board, 49.5 x 60cm.; 19.5 x 23.5in. £300-500

352 352 ARR Alan Tortice (1948-), Northern street scene with figures, signed and dated 1987, oil on board, 49 x 59cm.; 19.25 x 23.25in. £600-800 353 ARR David Wilde (1918-1978), “Mickey & Friend at Bangor Boatyard”, signed and titled, acrylic on board, 60 x 49.5cm.; 23.5 x 19.5in. £300-500

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355 355 Eugenio Scorzelli (1890-1958), Italian street scene with figures, signed, oil on board, 24 x 34.5cm.; 9.5 x 13.5in. £300-500

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358 356 Robert Graham, 20th century, Untitled, signed and dated ‘82, titled on exhibition labels verso, oil on masonite, 37.5 x 30cm.; 14.75 x 11.75in. £200-400 357 ARR M. Gallotti, 20th century, Lady overlooking an Italianate coastal view, signed, oil on canvas, 58.5 x 78.5cm.; 23 x 31in. £300-500 358 ARR John P. Rooney (Irish, b.1947), Shawled figures on a country lane, both signed, a pair, acrylic, 38.5 x 59cm.; 15.25 x 23.25in (2). £200-400

356

359 359 ARR David Stefan Przepiora (British, b.1944), Beach scene with figures, signed and dated ‘79, oil on canvas, 49.5 x 59.5cm.; 19.5 x 23.5in. £200-400 357

ARR Artists’ Resale Rights (“droit de suite”) may apply to this lot.

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360 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Trees in Alderley”, signed, titled on verso, oil on board, 19.5 x 21.5cm.; 7.75 x 8.5in. £1,000-1,500 361 Stephen Wild (1955-), “And They’re Off! Royal Ascot 2008”, signed and dated ‘09, titled on verso, oil on board, 30 x 57.5cm.; 11.75 x 22.75in. £300-500 362 Stephen Wild (1955-), “The Harbour at Honfleur”, signed and dated 2015, oil on board, 50 x 40cm.; 19.75 x 15.75in. £200-400

360

363 Stephen Wild (1955-), “The Harbour at Honfleur”, signed and dated 2015, oil on board, 45 x 34.5cm.; 17.75 x 13.5in. £200-400

361

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364

364 ARR Geoffrey Key (1941-), “Sun Through Clouds”, signed and dated ‘09, titled on verso, oil on canvas, 50 x 39.5cm.; 19.75 x 15.5in. £3,000-5,000

ARR Artists’ Resale Rights (“droit de suite”) may apply to this lot.

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365

365 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Sun, Clogs & Shawls, Wigan”, signed, titled and dated ‘68 on verso, oil on board, 39 x 49cm.; 15.25 x 19.25in. £1,000-1,500

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366 ARR Nick Webb (1974-), “Off to Work”, signed, oil on board, 38 x 48.5cm.; 15 x 19in. £200-400

367 ARR Michael Tobin (British, b.1961), “Trams on the Promenade”, signed, oil on canvas, 29 x 39.5cm.; 11.5 x 15.5in. £100-150

367

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368 ARR Harold Riley (1934-), Female portrait, unsigned, oil on board, 37.5 x 28cm.; 14.75 x 11in. £300-500 369 ARR Harold Riley (1934-), Female portrait, unsigned, oil on board, 49.5 x 39cm.; 19.5 x 15.5in. £300-500 370 ARR Harold Riley (1934-), Venetian canal scene, signed and dated ‘62, oil on board, 98 x 75cm.; 38.5 x 29.5in. £500-700

368

369

371 ARR Hans Schwarz (Austrian/British, 1922-2003), Self Portrait with Lena, Canary Wharf beyond, signed and dated ‘95, oil on board, 121 x 141.5cm.; 47.75 x 55.75in. £200-400 372 ARR Hans Schwarz (Austrian/British, 1922-2003), Patrick Wymark in Duchess of Malfi, signed and dated ‘61, oil on board, 114 x 121cm.; 44.75 x 47.75in. £100-200

370

371 ARR Artists’ Resale Rights (“droit de suite”) may apply to this lot.

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Watercolours, Pastels & inks (modern/contemPorary)

373 373 ARR Marc Grimshaw (1957-), “The Grand Canal, Venice”, signed, pastel, 25.5 x 35.5cm.; 10 x 14in. £100-200 374 ARR Trevor Grimshaw (1947-2001), “Poles and Pools”, titled and dated 1972 on artist’s label verso, graphite, 21.5 x 30cm.; 8.5 x 11.75in. £1,000-1,500 375 ARR Trevor Grimshaw (1947-2001), “Northern Landscape”, signed and dated ‘78, graphite, 19 x 27.5cm.; 7.5 x 10.75in. £1,000-1,500

377 377 ARR Harold Riley (1934-), Portrait of a seated girl, signed and dated ‘71, pastel, 60 x 45cm.; 23.5 x 17.5in. £100-200

378 378 ARR Theodore Major (1908-1999), “River with Telegraph Poles”, unsigned, titled on gallery label - ‘Henry Donn Gallery, Manchester’ verso, charcoal drawing, 25 x 36cm.; 10 x 14.25in. £200-400

376 376 ARR Harold Riley (1934-), Female portrait, signed, pastel, 30.5 x 22.5cm.; 12 x 9in. £100-200

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374

375

ARR Artists’ Resale Rights (“droit de suite”) may apply to this lot.

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381 ARR Linda Jane Smith, 20th century, Dog portraits, each initialled, both with gallery label ‘Halcyon Gallery’ on verso, tondo, a pair, gouache, 12.5cm.; 5in diameter (2). £300-500 382 ARR Linda Jane Smith, 20th century, Cows in a meadow, initialled, with gallery label - ‘Halcyon Gallery’ on verso, tondo, gouache, diameter 25.5cm.; 10in. £300-500 379 379 ARR Benno Schotz R.S.A. (1891-1984), “Winter Landscape”, signed, titled on artist’s label verso, ink drawing, 23 x 33cm.; 9 x 13in. £100-150

380 380 ARR Feliks Topolski (1907-1989), Hussars, signed, pencil sketch, 28 x 33cm.; 11 x 13in. £100-150

381

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383 383 ARR Geoffrey Key (1941-), “Two Riders”, signed and dated 1.9.68, titled on artist’s label verso, ink, 27 x 29cm.; 10.75 x 11.5in. £800-1,000

382

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384 ARR Mr. Brainwash (French, b.1966), “Queen with Blue and Green”, signed, titled on label verso, with gallery label - ‘Art Republic, Brighton’ on verso, mixed media, 75.5 x 56.5cm.; 29.75 x 22.25in. * The artist was the subject of the 2010 documentary film Exit Through the Gift Shop by Banksy. £1,500-2,000 385 ARR Mr. Brainwash (French, b.1966), “Queen and Union Jack”, signed, titled on label verso, with gallery label - ‘Art Republic, Brighton’ on verso, mixed media, 75.5 x 56.5cm.; 29.75 x 22.25in. £1,500-2,000

384

386 386 English School, early 20th century, Female portraits, one indistinctly signed, ink, various sizes 26 x 19cm.; 10.25 x 7.5in (6). £100-200

385 ARR Artists’ Resale Rights (“droit de suite”) may apply to this lot.

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387

388

389

391 ARR Jonathan Walker (1966-), “The Stout Fellow”, signed and titled, watercolour and ink, 23 x 19cm.; 9 x 7.5in. £100-150

387 ARR Jonathan Walker (1966-), “Simple Wilf”, signed and titled, watercolour and ink, 18 x 13.5cm.; 7.25 x 5.25in. £100-150

392 ARR Jonathan Walker (1966-), “The Innocent One”, signed and titled, watercolour and ink, 27 x 18cm.; 10.75 x 7in. £150-200

388 ARR Jonathan Walker (1966-), “Thoughts of Lunch”, signed and titled, watercolour and ink, 21.5 x 16cm.; 8.5 x 6.25in. £100-150 391

393 ARR Jonathan Walker (1966-), “The Outcast”, signed and titled, watercolour and ink, 33.5 x 22.5cm.; 13.25 x 9in. £150-200

389 ARR Jonathan Walker (1966-), “Contemplations of a dark past”, signed and titled, watercolour and ink, 18.5 x 16cm.; 7.25 x 6.25in. £100-150

394 ARR Jonathan Walker (1966-), “Bill waits silently for Bufo”, signed and titled, watercolour and ink, 29.5 x 44.5cm.; 11.75 x 17.5in. £200-400

390 ARR Jonathan Walker (1966-), “The Major”, signed and titled, watercolour and ink, 22 x 16.5cm.; 8.75 x 6.5in. £100-150

392

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395 395 Mike Salt, 20th century, Boxing hares and a running hare, both signed and dated ‘93, watercolour and pencil, 19.5 x 25cm.; 7.75 x 9.75in and 11.5 x 29cm.; 4.5 x 11.5in (2). £100-150

396 396 ARR Caroline Bailey (1953-), Floral still life, signed, watercolour, 68.5 x 53cm.; 27 x 21in. £300-500

397 397 ARR James Longueville (1942-), “Mountain Blue - Llyn Padarn”, signed, titled and dated 1979 on artist’s label verso, pastel, 18 x 28cm.; 7 x 11in. £100-150

ARR Artists’ Resale Rights (“droit de suite”) may apply to this lot.

398 398 William Francis Longstaff (1879-1953), “The Cenotaph” and “Westminster Abbey”, both signed, a pair, watercolour and ink, 16.5 x 16.5cm.; 6.5 x 6.5in (2). £200-400

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399 399 ARR Julian Dyson (British, 1936-2003), “St. Mawes”, signed, titled and dated ‘72, with gallery label on verso, charcoal drawing, 33.5 x 25cm.; 13.25 x 9.75in. £100-150

400 400 ARR Ned Owens (1918-1990), “Domestic Interlude”, signed and dated ‘56, titled on verso, watercolour and ink, 31.5 x 42.5cm.; 12.5 x 16.75in. £100-150

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401 401 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “The Sandcastle, Conway”, signed, titled and dated 1953 on verso, watercolour and pencil, 22.5 x 16.5cm.; 9 x 6.5in. £500-700

402 402 ARR Marc Grimshaw (1957-), “Santa Maria della Salute, Venice”, signed, pastel, 25 x 35.5cm.; 10 x 14in. £100-200

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403 403 ARR Marc Grimshaw (1957-), “The Piazzetta San Marco, Venice”, signed, pastel, 21.5 x 24.5cm.; 8.5 x 9.75in. £100-150

405

404 404 ARR Marc Grimshaw (1957-), Venetian canal scene with gondolas, signed, pastel, 24.5 x 40.5cm.; 9.75 x 16in. £100-200 405 ARR Robert Littleford F.R.S.A., B.W.S. (1940-), Portrait of a girl wearing a straw hat, signed and dated ‘93, watercolour, 39.5 x 30cm.; 15.5 x 11.75in. £100-150 406 ARR Robin Dudley Bailey R.C.A. (British, b.1931), “It’s a Goal”, monogrammed, titled on mount, pastel, 34.5 x 25.5cm.; 13.5 x 10in. * Dudley Bailey was born in Didsbury in Manchester in 1931. He trained at Salford Art School and has had four one man exhibitions three in Manchester and one at the Salford Art Gallery. £100-200

ARR Artists’ Resale Rights (“droit de suite”) may apply to this lot.

406

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407 407 ARR Geoffrey Key (1941-), Standing nude, signed and dated 9.2.78, mixed media, 48 x 27.5cm.; 18.75 x 10.75in. £1,000-1,500

408 408 ARR Marc Grimshaw (1957-), Portrait of L.S. Lowry, signed, pencil drawing, 33 x 38.5cm.; 13 x 15.25in. £100-200

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409 409 ARR Geoffrey Key (1941-), “Athlete”, signed and dated 19.12.87, titled on artist’s label verso, watercolour and ink, 43.5 x 34.5cm.; 17.25 x 13.75in. £1,000-1,500

410 410 ARR Anthony McCarthy, 20th century, Manchester cityscape, signed and dated 2016, ink drawing, 26 x 39.5cm.; 10.25 x 15.5in. £100-150

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412

413

414

411 ARR Phil George (1960-), “Life’s A Box of Chocolates”, signed and titled, watercolour and pencil, 33 x 20.5cm.; 13 x 8in. £100-200 412 ARR Phil George (1960-), “Here’s A Nice Cup of… Oh!”, signed and titled, watercolour and pencil, 29.5 x 17.5cm.; 11.75 x 6.75in. £100-200 413 ARR Phil George (1960-), “Sonnet”, signed and titled, watercolour and pencil, 30.5 x 15.5cm.; 12 x 6in. £100-200 414 ARR Phil George (1960-), “You Snapped My String”, signed and titled, watercolour and pencil, 31.5 x 17.5cm.; 12.5 x 7in. £100-200

416 416 ARR Albin Trowski (1919-2012), “And the Building Goes On!”, both signed and dated ‘76, ink drawings, 27 x 34.5cm.; 10.75 x 13.75in (2).

415 415 ARR Peter Biegel (British, 1913-1988), “Spider” - Study of a lurcher in a moorland landscape, signed, titled and dated 1953, pastel, 45 x 57.5cm.; 17.75 x 22.75in. £500-700 ARR Artists’ Resale Rights (“droit de suite”) may apply to this lot.

* These original drawings were used to illustrate the book

by Albin Trowski - My Manchester published in 1976. £100-150

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419 ARR Roland Vivian Pitchforth R.A., A.R.W.S. (1895-1982), “Lagoon, Venice”, signed, titled on gallery label verso, watercolour, 27 x 37.5cm.; 10.75 x 14.75in. £100-200

417 417 ARR Colin Moss, 20th century, Northumbrian rural landscape, signed, watercolour, 25.5 x 35.5cm.; 10 x 14in. £100-150 420 420 ARR Roland Vivian Pitchforth R.A., A.R.W.S. (1895-1982), “Venice Heatwave”, signed, titled on verso, watercolour, 44.5 x 59.5cm.; 17.5 x 23.5in. £200-400

418 418 ARR Eamon McGovern, 20th century, “Gateshead”, signed and titled on verso, watercolour, 48 x 68.5cm.; 19 x 27in. £100-200 421 421 ARR Roland Vivian Pitchforth R.A., A.R.W.S. (1895-1982), River scene, signed, watercolour and pencil, 21.5 x 29cm.; 8.5 x 11.5in. £100-150

419

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422 422 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Raworth near Marple”, signed and dated ‘56, titled on verso, watercolour, 22.5 x 27cm.; 9 x 10.75in. £500-700

424 424 ARR J. McCafferty, 20th century, Study of a peregrine falcon, signed, gouache, 35.5 x 24cm.; 14 x 9.5in. £100-200

423 423 ARR Bob Richardson (1938-), “Monet’s Garden at Giverny”, signed and dated ‘76, pastel, 47.5 x 64.5cm.; 18.75 x 25.5in. £300-500 425 425 ARR Feliks Topolski (1907-1989), “Around the World in 80 Days”, ink drawing, 30.5 x 27cm.; 12 x 10.5in. £100-150

ARR Artists’ Resale Rights (“droit de suite”) may apply to this lot.

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426 ARR Geoffrey Key (1941-), “Bass Player”, signed and dated 9.2.05, mixed media, 40.5 x 28cm.; 16 x 11in. £1,000-1,500

426

427 ARR Geoffrey Key (1941-), “Female Figure”, signed and dated 15.2.05, mixed media, 35 x 24.5cm.; 13.75 x 9.75in. £1,000-1,500

427 100

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Each lot is subject to a Buyer’s Premium of 24% inclusive of VAT @20%

Prints & engraVings (modern/contemPorary)

428 428 ARR Theodore Major (1908-1999), “Future Landscape”, signed, titled and dated 1935 in pencil in the margin, woodcut, 35.5 x 28.5cm.; 14 x 11.25in. £100-200 429 ARR After Laurence Stephen Lowry (1887-1976), “The Level Crossing, Burton On Trent”, signed in pencil in the margin, with Fine Art Trade Guild blindstamp, from an edition of 850, colour reproduction print, image size 41 x 57cm.; 16.25 x 22.5in. £500-700 430 ARR After Laurence Stephen Lowry R.A. (1887-1976), “Great Ancoats Street”, signed and numbered 462/850 in pencil in the margin, with blindstamp, black and white reproduction print from an original pencil drawing, image size 26 x 36cm.; 10.25 x 14.25in. £500-700

429 ARR Artists’ Resale Rights (“droit de suite”) may apply to this lot.

431 431 ARR After Laurence Stephen Lowry R.A. (1887-1976), “Man Taken Ill” and “Outside The Mill”, unsigned, both with Fine Art Trade Guild blindstamps, each from an edition of 550, published by Adam Collection Ltd., black and white reproduction prints, each image size 33.5 x 24.5cm.; 13.25 x 9.5in and 35 x 26cm.; 13.75 x 10.25in (2). £100-200

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432 432 ARR Alan Stones (1947-), “Yoke”, signed, titled and numbered 181/200 in pencil in the margin, dated 1989, original colour lithograph, image size 47 x 48.5cm.; 18.5 x 19in.

434 434 After Helen Bradley (1900-1979), “Hot Pies Now Ready”, “Going Home Through the Snow” and “Winter”, each signed in pencil in the margin, each with Fine Art Trade Guild blindstamp, published by Helen Bradley Prints Ltd, colour reproduction prints, various image sizes 27 x 37.5cm.; 10.5 x 14.75in and 23 x 30.5cm.; 9 x 12in (3). £100-200

* “Yoke” depicts two rams tethered together. This practice was carried out more commonly by farmers in the nineteenth century both to stop the tups from charging at each other and to regulate lambing. £200-400

435 435 ARR After Peter Blake R.A. (British, b.1932), “Coronation Street”, signed and numbered 16/250 in pencil in the margin, colour print, image size 39.5 x 64.5cm.; 15.5 x 25.5in. £100-200

433 433 ARR After Mary Fedden (British, 1915-2012), “The Orange Mug”, signed and numbered 440/550 in pencil in the margin, published in 2000 by Bow Art, with publisher`s blindstamp, colour reproduction print, unframed, sheet size 32 x 40.5cm.; 12.5 x 16in. £100-150

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438 438 ARR Paul Hawdon (1953-), “Il Duomo - Pisa”, signed, titled and initialled ‘A.P.’ in pencil in the margin, etching, plate size 19.5 x 24.5cm.; 7.75 x 9.75in. £100-150

436 436 ARR After Harold Riley (1934-), “Archie Street, Salford”, signed and numbered 10/40 in pencil, with Harold Riley blindstamp, black and white print, 40.5 x 28.5cm.; 16 x 11.25in, together with the original card sleeve in which the print was issued (2). * The print reproduces a drawing of Archie Street by Riley with the odd figure by LS Lowry, together with the written notes made by Harold Riley concerning the scene around the edges. This street was the street in Ordsall which inspired the popular soap opera, Coronation Street. This special edition of only 40 signed prints was made in the studio of the Salford artist Harold Riley and commemorates the 40th anniversary of Granada Television’s Coronation Street. £300-500

437 437 After Harold Riley (1934-), “Blue Day, Bradford Colliery, Manchester” and two other Bradford Colliery scenes, “The Don Cinema Theatre, Manchester” and another by the same artist, colour prints, various sizes 12.5 x 19.5cm.; 5 x 7.75in (5). £200-400 ARR Artists’ Resale Rights (“droit de suite”) may apply to this lot.

439 439 Frans Wesselman (1953-), “Unicorn II”, signed, titled and numbered 20/50, etching, 11.5 x 13.5cm.; 4.5 x 5.5in and another ink drawing by the same hand, 11.5 x 15.5cm.; 4.5 x 6.25in (2). £100-200

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440 440 ARR After Laurence Stephen Lowry (1887-1976), “The Level Crossing, Burton On Trent”, signed in pencil in the margin, with Fine Art Trade Guild blindstamp, from an edition of 850, colour reproduction print, image size 41 x 57cm.; 16.25 x 22.5in. £500-700 441 ARR After Laurence Stephen Lowry (1887-1976), “The Level Crossing”, signed in pencil in the margin, with Patrick Seale Prints Ltd blindstamp, published in 1973, from an edition of 750, colour reproduction print, image size 46 x 56cm.; 18 x 22in. £1,500-2,000

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442 442 ARR Rachel Anne Grigor (1960-), “Rain Child”, signed, titled and dated ‘90 in pencil in the margin, numbered 1/20, etching with aquatint and collage, plate size 39.5 x 29.5cm.; 15.5 x 11.75in. £100-150

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443 ARR After Laurence Stephen Lowry R.A. (1887-1976), “The Contraption”, signed in pencil in the margin, with Fine Art Trade Guild blindstamp, colour reproduction print, image size 31.5 x 30cm.; 12.5 x 11.75in, together with the accompanying preliminary sketches for “The Contraption”, unsigned, from an edition of 750, published by Adam Collection Ltd, colour reproduction print, unframed, image size 24.5 x 16.5cm.; 9.5 x 6.5in (2). £1,000-1,500 444 ARR After Laurence Stephen Lowry R.A. (1887-1976), “Man Holding Child”, signed in pencil in the margin, with Fine Art Trade Guild blindstamp, colour reproduction print, image size 45.5 x 71cm.; 18 x 28in. £1,500-2,000

443

444

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445 445 ARR After Alan Lowndes (1921-1978), “The Ice Cream Cart”, signed in pencil in the margin, numbered 360 from an edition of 500, with Fine Art Trade Guild blindstamp, colour reproduction print, image size 23 x 60.5cm.; 9 x 24in. £100-150 447 447 ARR Rowland Hilder (1905-1993), Rural landscape with farm buildings, signed, dated 1989 and inscribed ‘Artist’s Proof’ in the margin, etching with aquatint, plate size 20 x 25.5cm.; 8 x 10in. £100-150

446 446 ARR After Sir William Russell Flint R.A., P.R.W.S., R.W.S. (18801969), “Gitanas at La Galera”, signed in pencil in the margin, with Fine Art Trade Guild blindstamp, published by Frost & Reed Ltd, 1969, from an edition of 850, colour reproduction print, image size 68 x 50.5cm.; 26.75 x 20in. £150-200

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448 448 After Jeffrey Kroll (American, b.1963), “Stromboli”, signed, dated ‘11 and numbered 28/75 in pencil in the margin, colour lithograph, image size 62 x 67cm.; 24.5 x 26.5in. £100-200

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449 449 ARR After Laurence Stephen Lowry (1887-1976), “Street Scene”, signed in pencil in the margin, with Fine Art Trade Guild blindstamp, from an edition of 850, colour reproduction print, image size 25.5 x 20.5cm.; 10 x 8in. £1,500-2,000

ARR Artists’ Resale Rights (“droit de suite”) may apply to this lot.

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450

450 ARR After Laurence Stephen Lowry R.A. (British, 1887-1976), “The Beach, Deal”, signed in pencil in the margin, with Fine Art Trade Guild blindstamp, published in 1973 by Venture Prints Ltd, colour reproduction print, image size 26 x 50.5cm.; 10.25 x 20in. £1,500-2,000

451 ARR After Trevor Grimshaw (1947-2001), “Stockport Viaduct”, signed and inscribed A.P. in pencil in the margin, from an edition of 150, lithograph, image size 44.5 x 66cm.; 17.5 x 26in. £100-200

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452 ARR Georges Henri Rouault (French, 1871-1958), “Bon Electeur”, signed in ink in the margin, etching with aquatint, on japon-nacre paper, plate size 27 x 17.5cm.; 10.75 x 7in. £200-400

452

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modern sculPtures

453 British School, 20th century, Male portrait bust, monogrammed and dated ‘Sept. 1957’, height 50cm.; 19.75in (including wooden base). £100-150

453

454 ARR Adam Barsby (b.1969), “Love’s Voyage”, signed and numbered 93/350, released in 2001 by De Montfort Fine Art, with certificate of authenticity and original box of issue, bronze sculpture, height 27cm.; 10.75in. £100-200

454

ARR Artists’ Resale Rights (“droit de suite”) may apply to this lot.

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oil Paintings (18th/19th century) 455 Octavius Rickatson R.B.A. (1856-1941), “Approaching Twilight”, signed, oil on canvas, 98.5 x 149.5cm.; 38.75 x 58.75in. * Exhibited at the Royal Academy 1880 - 93; Society of British Artists, Suffolk Street; New Watercolour Society; Grosvenor Gallery; New Gallery and elsewhere. £500-700

455

456 William Mellor (1851-1931), “Nook End Bridge, Ambleside, Westmoreland”, signed, titled on verso, oil on canvas, 90.5 x 70cm.; 35.5 x 27.5in. £2,000-2,500

456

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457

457 William Shayer Senior (1788-1879), “The Rest by the Way”, signed, titled on gilt nameplate, oil on canvas, 74 x 61.5cm.; 29.25 x 24.25in. £2,000-4,000

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458

460

458 R.W. 19th/20th century, Female portrait, initialled, oval, oil on canvas, 54 x 44cm.; 21.25 x 17.5in. £200-400

459 459 English School, early 19th century, Female portrait, unsigned, oil on canvas, 24.5 x 19cm.; 9.5 x 7.5in. £100-200 460 Herbert St. John Jones (1872-1939), “The Cheshire Hunt, Commodore, First Prize Foxhound”, signed and dated 3/8/1922, titled on verso, oil on canvas, 50 x 60cm.; 19.75 x 23.5in. £800-1,000

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461 461 F.E. Jamieson (1895-1950), “Near Ballater” and “Old Road, Glencoe”, signed, both titled on verso, oil on canvas, a pair, each 39.5 x 60cm.; 15.5 x 23.5in (2). £200-400

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462 462 Follower of Jacob Salomonsz van Ruysdael (Dutch, 16301681), A wooded river landscape with figures fishing and cattle, unsigned, attributed on gilt slip, oil on canvas, 37 x 42.5cm.; 14.5 x 16.75in. £500-700

464 464 Edward Robert Smythe (1810-1899), Travellers resting in rural landscapes, unsigned, a pair, oil on canvas, 29 x 39cm.; 11.5 x 15.25in, set in elaborate gilt frames (2). £500-700

463 463 17th/18th century Italian School, Madonna and child, oil on canvas, 88 x 68cm.; 34.75 x 26.75in. £500-700

465 465 English School, 19th century, Girl and dog in rural landscape, possibly a portrait of Queen Victoria with her spaniel Dash, unsigned, oil on canvas, 50 x 42cm.; 19.5 x 16.5in. £100-200

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466

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466 466 Charles Warren Eaton (American, 1857-1937), Woodland sunsets, both signed, a pair, oil on board, 39 x 28.5cm.; 15.25 x 11.25in (2). £5,000-7,000

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467 467 English School, 19th century, Farmyard scenes with horses, unsigned, a pair, oil on copper, 16.5 x 20.5cm.; 6.5 x 8in and 15.5 x 20.5cm.; 6 x 8in (2). £100-150

469 469 William Lakin Turner (1867-1936), “In the Peaceful Woods”, signed, titled and dated 1935 on verso, oil on board, 24.5 x 34.5cm.; 9.5 x 13.5in. £300-500

468 468 After Raphael (1483-1520), Madonna della Seggiola (1513-14) - the Madonna and child with infant John the Baptist, the original housed in the Palazzo Pitti, Florence, oil on canvas, 72.5 x 72.5cm.; 28.5 x 28.5in. £400-600 470 470 A. Amoros, 19th/20th century, Courtyard scene with figures playing cards, signed, oil on board, 13.5 x 20cm.; 5.25 x 8in. £100-200

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472 Frank Hider (1861-1933), “On the Cornish Coast” and “Near St. Ives”, one signed, both titled on verso, a pair, oil on canvas, 34 x 44cm.; 13.5 x 17.5in (2). £200-400

471 471 John Clayton Adams (1840-1906), “Evening Harvest”, signed and dated ‘89, titled on verso, oil on canvas, 74 x 49cm.; 29.25 x 19.25in. £200-400

473 473 Frederick Lewis, 19th century, Portrait of a doberman and a sheepdog, signed and dated 1883, oil on canvas, 34.5 x 34.5cm.; 13.5 x 13.5in. £100-200

472

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Watercolours, Pastels & inks (18th/19th century) 476 Henry John Yeend King (British, 1855-1924), Rural lane with figures and a cottage, signed, watercolour, 24.5 x 34cm.; 9.5 x 13.5in. £100-200

474 474 Samuel Prout O.W.S. (1783-1852), The Wellington Testimonial Clock Tower near London Bridge, signed, watercolour, 46 x 31cm.; 18.25 x 12.25in. £200-400

477 477 C.C. Hollyer, 19th century, Figures on a beach with abbey ruins on clifftop beyond, signed and dated 1872, watercolour and pencil, 31 x 43cm.; 12.25 x 17in. £100-200

475 475 Richard Principal Leitch (Scottish, fl.1840-1875), “On the Thames”, signed and dated 1874, titled on mount, watercolour and pencil, 20.5 x 32.5cm.; 8 x 12.75in. £100-200

478 478 M. Hardy, 19th century, Portraits of girls, both signed and dated 1846, a pair, charcoal drawings, each 29 x 22.5cm.; 11.5 x 9in, set in elaborate gilt frames (2). £100-200 476

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479 479 Walter Richards, 19th/20th century, “Little Buttercup” - Portrait of a girl, signed and dated 1906, titled on artist’s label verso, tondo, pastel, diameter 29.5cm.; 11.5in. £100-200

481 481 John Miller Marshall R.W.A. (fl.1881-1927), Pulls Ferry, Norwich with the River Wensum in the foreground and Norwich Cathedral beyond, signed and dated 1895, watercolour, 43 x 58.5cm.; 17 x 23in. £200-400 482 Orlando Norie (1832-1901), “Off Duty”, signed, watercolour, 19.5 x 14.5cm.; 7.75 x 5.75in. £100-200 483 Miss G.F. Fuller, 19th century, “Harlech Castle”, monogrammed and dated 1889, titled on artist’s label verso, watercolour, 23.5 x 49.5cm.; 9.25 x 19.5in. £100-150

480 480 Edward Henry Wehnert (1813-1868), Interior scene with figures listening to a preacher, signed, watercolour, 103 x 153cm.; 40.5 x 60.25in. £300-500

482

483

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486 486 Achille Vianelli (1803-1894), Italian coastal views and cathedral interior, signed, unframed, ink and sepia wash, various sizes 15 x 22cm.; 6 x 8.75in, together with another drawing by Vervloet, 19th century, “Rome”, signed and titled, unframed, ink and sepia wash, 20 x 28.5cm.; 8 x 11.25in (5). £100-200

484 484 English School, early 19th century, after Richard Cosway R.A. (1742-1821), Portrait of an Officer, of Emigré cavalry of the Légion de Mirabeau, wearing a peaked helmet with silver front plate, black hair crest and white plume, his black jacket with light blue facings and narrow lapels, heavily frogged in silver, silver aiguilette and black breeches fitting into short boots, his rearing horse held by another officer in the background, bearing signature R. Cosway, watercolour on paper, 25.5 x 16.5cm.; 10 x 6.5in. £200-400

487 487 George Goodwin Kilburne (1839-1924), “Tea-Time”, signed, titled on mount, with gallery label on verso, watercolour, 16 x 12.5cm.; 6.25 x 5in. £100-200 485 485 Albert Goodwin R.W.S. (1845-1932), “Boxley Abbey, Kent - Under the quiet Kentish Hills”, monogrammed, titled on artist’s label verso, watercolour and pencil, unframed, 10.5 x 16.5cm.; 4.25 x 6.5in. £200-400

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490 490 Henry Earp Snr. (1831-1914), Rural lane with figures and cattle, signed, watercolour, 26 x 42.5cm.; 10.25 x 16.75in. £100-200

488 488 George Goodwin Kilburne (1839-1924), “A Sunny Day”, signed and dated 1866, titled on mount, with gallery label verso, watercolour, 26 x 20cm.; 10.25 x 8in. £200-400 491 491 David Bates (1840-1921), “Gleanings by the Way, West Malvern”, signed and dated ‘08, titled on mount, gallery label on verso, watercolour, 26 x 36cm.; 10.25 x 14.25in. £200-400

489 489 John Frederick Tayler (1802-1889), Travellers by a bridge in the Highlands, unsigned, titled on gallery label verso, watercolour, 29 x 38.5cm.; 11.5 x 15.25in. £200-400 492 492 Ebenezer Wake Cook (1843-1926), “The Promise of Spring, Lake Maggiore and the Islands”, signed, titled on verso, watercolour and pencil, 55 x 80cm.; 21.5 x 31.5in. £300-500

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493 493 Henry John Sylvester Stannard R.B.A (1870-1951), “Odell Bridge, Bedfordshire”, signed, titled on verso, watercolour, 35.5 x 51.5cm.; 14 x 20.25in. £300-500

495 495 Charles Rowbotham (1858-1921), “Near Bellagio, Lake Como”, signed and dated 1905, titled on gallery label verso, watercolour, 15 x 23cm.; 6 x 9in. £100-200

496 496 Sir Alfred East R.A., R.I., P.R.B.A., R.E (1849-1913), Lake scene, signed, watercolour, 16 x 22cm.; 6.25 x 8.75in. £100-200

494 494 Ebenezer Wake Cook (1843-1926), “Kew Gardens”, signed, titled on mount, watercolour, 25 x 17cm.; 9.75 x 6.75in. £100-150

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497 497 Charles Rowbotham (1858-1921), “San Giovanni, Lake Como”, signed and dated 1898, titled on mount, watercolour, 26 x 38cm.; 10.25 x 15in. £200-400

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498 498 Ebenezer Wake Cook (1843-1926), “Bellagio, Lake Como”, signed, titled on label verso, watercolour and pencil, 24.5 x 34.5cm.; 9.5 x 13.5in. £100-200

500 500 Henry John Sylvester Stannard R.B.A (1870-1951), “Cottage near Bedford”, signed, titled on mount, watercolour, 24 x 37cm.; 9.5 x 14.5in. £200-400

501 501 Henry John Sylvester Stannard R.B.A (1870-1951), “A Quiet Corner, Oundle, Northampton”, signed, titled on verso, watercolour, 26 x 36cm.; 10.25 x 14.25in. £200-400

499 499 Ebenezer Wake Cook (1843-1926), Italian coastal townscape, signed and dated ‘90, watercolour and pencil, 34.5 x 24cm.; 13.5 x 9.5in. £200-400

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502 502 Thomas Bush Hardy R.B.A. (1842-1897), “The Grand Canal, Venice”, signed and titled, watercolour, 43 x 68.5cm.; 17 x 27in. £2,000-3,000

503 503 George Cattermole (1800-1868), “The Arrest”, monogrammed, titled on gallery label verso, watercolour, 26.5 x 38cm.; 10.5 x 15in. £200-400

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504 504 George Cattermole (1800-1868), Figure group with coastal view beyond, watercolour and pencil, 40.5 x 58cm.; 16 x 22.75in. £200-400

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507 507 John Keeley R.B.S.A. (1849-1930), “Newlands Beck, Cumberland”, signed, titled on verso, watercolour, 38 x 50cm.; 15 x 19.75in. £200-400

505 505 Charles Rowbotham (1858-1921), “Sanary near Toulon”, signed, titled on mount, watercolour, 45 x 27.5cm.; 17.75 x 10.75in. £200-400

508 508 John Keeley R.B.S.A. (1849-1930), “Fairy Glen, Betws-y-Coed”, signed, watercolour, 49.5 x 74.5cm.; 19.5 x 29.25in. £300-500

506 506 Ernest Arthur Rowe (1863-1922), “The Long Walk, Villa Carlotta, Lake Como”, signed, titled on artist’s label verso, watercolour, 29.5 x 44.5cm.; 11.5 x 17.5in. £200-400

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509 Gabrielli Carelli (Italian, 1820-1900), “Constantinople”, signed and titled, watercolour, 24.5 x 17cm.; 9.5 x 6.75in. £100-150 510 Henry John Sylvester Stannard R.B.A (1870-1951), Children in a rural landscape, signed, watercolour, 35.5 x 51.5cm.; 14 x 20.25in. £300-500 511 John Edmund Buckley (1824-1876), Mountainous scene with waterfall and figures, signed, watercolour, tondo, diameter 26.5cm.; 10.5in. £100-150 512 Charles F. Buckley (1812-1869), “Lake Windermere, Westmorland”, signed and dated 1864, titled on verso, watercolour, tondo, diameter 24.5cm.; 9.75in. £100-150

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513 513 John Edmund Buckley (1824-1876), “Gossips”, signed and dated 1852, titled on mount, watercolour, 14 x 18.5cm.; 5.5 x 7.25in. £150-200

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517

516 514

miniatures 514 Nellie Hepburn Edmunds (1881-1953), Portrait of Ailsa Matthews, signed and dated ‘25, titled on artist’s label verso, watercolour on ivory, rectangular, 14.5 x 10.5cm.; 5.75 x 4in. £300-500 515 Nellie Hepburn Edmunds (1881-1953), Portrait of a young lady holding a fan, signed and dated ‘21, watercolour on ivory, rectangular, 13.5 x 10cm.; 5.25 x 4in. £300-500

515 516 English School, 18th century, Portrait miniature of a boy, oval, watercolour on ivory, 3cm.; 1.25in high, set in a gilt-metal frame with solid back inscribed ‘J.M. aged 3 years and 9 months, March 1757’. £300-500 517 Continental School, 18th century, Portrait miniature of a gentleman, oval, watercolour on ivory, 4.5cm.; 1.75in high, set in a gilt metal frame with solid back. £200-400 518 English School, early 19th century, Portrait miniature of a gentleman, oval, watercolour on ivory, 6.5cm.; 2.5in high, set in a gilt-metal frame the reverse glazed to reveal a spray of hair. £100-200

Prints & engraVings (18th/19th century)

519 519 After Hippolyte d`Orschwiller (1810-1868), “Steeple Chase Cracks”, “Full Cry”, “Chantilly Races” and “Longchamps Races” being humorous studies of anthropomorphic monkeys riding foxhounds and at the races, c.1860’s, printed by François Delarue and published by W. Schaus, New York, with gallery labels - ‘The Parker Gallery, London’ on verso, hand coloured lithographs, various sizes 35 x 70cm.; 13.75 x 27.5in (4). £100-200

518

520 520 Thomas Hollins, early 19th century, “A View of High Street, Birmingham”, drawn and etched by T. Hollins, aquatinted by J.C. Stadler, published by T. Hollins, Birmingham, July 1st, 1812, etching with aquatint, plate size 59 x 80cm.; 23.25 x 31.5in. £100-150 127

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clocks & barometers 523 George III Mahogany Bracket clock, the painted arched dial inscribed ‘Jas. Common Coldstream’ with Roman numerals and moon phase to arch, twin fusée movement, engraved brass back plate, glazed rear door and two side apertures, with key and pendulum. Height 50cm. *See clocks and watches proviso. £1,000-1,500 521

522

521 An early 20th century silver plated carriage clock incorporating a barometer. With white enamel dials, Roman numerals painted on clock face and small thermometer.

18x13cm. *See clocks and watches proviso. £200-300

522 A brass framed Jaeger LeCoultre desk clock with original presentation case and guarantee certificate no.

355. This unusual clock has a visible Swiss movement with small jewels. It is geometrically designed to give the illusion that the brass pieces marking each hour are suspended in mid-air.

Stamped with Jaeger LeCoultre on the front panel. 15x20cm. *See clocks and watches proviso. £200-300

524 Mid-19th century French brass mantel clock. The dial is engraved with the retailers name ‘Henry Piddick & Sons’ (of Shrewsbury). 8-day movement striking on a bell and a gong. Chapter ring with enamel Arabic numerals. Height 30cm. *See clocks and watches proviso. £100-200

524 523 128

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longcase clocks

525 525 A good first quarter of the 19th century floor standing regulator. Signed Edward Smith**, Dublin *. Arched canopy over glazed door with box plinth base. All veneered in figured mahogany with reeded canted corners. Silvered circular dial with five minute indication, subsidiary seconds dial with Arabic numerals and subsidiary hours dial with Roman numerals. 8 day single train movement with deadbeat escapement and six spoke wheels. Shaped plates united by six substantial pillars, pivots with fixed endcaps. Mercury jar pendulum and brass weights. Height 199cm; 78in. *See clocks and watches proviso. *Loomes, Brian, Watchmakers & Clockmakers of the World, pg 718, Edward Smith Dublin, 1824. **Edward Smith worked as a clock manufacturer and brass founder located at 34 Jervis Street in Dublin. Active 1801-1858.

In 1801 he was appointed clock manufacturer and timepiece to the GPO (General Post Office). (From the archives of the National Museum of Ireland). £1,500-1,600

526 526 Second quarter of the 18th century longcase clock by Thomas Gorsuch of Salop (Old English for Shrewsbury)*.

Oak case (not associated with the movement) with engaged columns and brass key fitting on the door. The canopy has a carved architrave supported on columns and the arched door of the window frames an arched brass dial with silvered chapter ring with Roman and Arabic numerals and cast brass spandrels. There are two subsidiary dials; one for the seconds and one showing the moon phases alongside the days of the month. 8-day two-train movement striking on single bell. Height 208 cm; 82in. *See clocks and watches proviso. *”A fine maker “ according to G.H Baillie ‘Watchmakers and Clockmakers of the World’, Vol. I, 1929, pg 128. £1,000-1,500

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527 527 A last quarter of the 18th century longcase clock by Joseph Atkinson of Gateshead. A Chinoiserie case depicting Japanese style pagodas with flora and fauna, stepped Doric canopy supported on brass mounted pillars. Brass face with cast spandrels framing chapter rings with Arabic and Roman numerals. Two train 8-day movement striking on a single bell.

Height 199cm; 79in. *See clocks and watches proviso.

Pendulum and weights are missing. £300-500

130

528 528 A last quarter of the 18th century longcase clock. Painted with the name Latham, Macclesfield.

Mahogany case with cross-banding with a swan-necked pediment canopy supported on brass mounted columns on matching stepped base.

The squared dial is painted with floral spandrels and Roman and Arabic numerals. Subsidiary seconds dial (hands missing) and rolling counter for days of the month. Height 216cm; 85in.

Weights and pendulum are missing. *See clocks and watches proviso. £200-400

529 529 A last quarter of the 18th century longcase clock. Dial painted with the name Russell Buxton. Stepped arched canopy supported on brass mounted columns, long door on matching base with ogee arched feet. Chapter ring with Arabic numerals, subsidiary seconds dial and sliding counter for the days of the month. The dial is also painted with the motif of a stag in a country landscape. 8-day two train movement striking on a single bell.Height 228cm; 90in. Weights and pendulum are missing. *See clocks and watches proviso. £300-500

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Furniture

530 530 Early 20th century leather covered three panel draft screen, decorated with scrolls of flowers, fruit and oriental birds, each panel height 169cm (66”), width 43cm (17”). £150-250 531 Shannon table top mahogany six drawer filing cabinet, each drawer made to accommodate indexing card systems with patent handles and locking system (key missing), width 64cm (25”), depth 45cm (18”), height 61cm (24”). £300-500 532

532 Oak framed artists easel labelled Winsor & Newton, London, steel and bronze mechanical screw rise and fall action, articulated castors with wooden wheels, width 91cm (36”), depth 81cm (32”), height approx. 236cm (93”). £500-700

531 131

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533 A pair of 20th century Venetian style Blackamoor figures, each holding cornucopia flambéau, dressed in Venetian polychrome painted costume and standing on octagonal section pediments, height 175cm (69”). £500-700 534 A pair of Chippendale design single dining chairs, each with carved and moulded cresting rail above interlacing splat, loose seats with wool work tapestry covers standing on square section chamfered legs with “H” stretchers. £200-400 535 A pair of late 19th century Dutch marquetry inlaid single chairs, stained beech frames with vase shaped splat, drop-in seat, cabriole foreleg support, united by “H” shaped stretchers. £150-250

533

536 Ash and elm comb-back Windsor chair, with saddle seat, turned supports united by “H” form stretchers, one other Windsor chair, back heavily ironed, saddle seat, turned supports. £200-400 537 Mid 19th century ash and elm farmhouse Windsor chair, high hoop back with pierced splat, solid saddle seat, turned supports united by “H” stretchers. £300-500

534

535 132

536

537

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538

539 538 An Edwardian mahogany partners desk, the red leather top with four narrow and two wide frieze drawers, the pedestal bases with cupboard doors containing two banks of drawers and various shelves, height 75cm (30”), width 166cm (65”), depth 91cm (36”) (restored). £400-600

540 Late 19th century mahogany sideboard, galleried back with two short drawers flanking central inverted bow-front drawer all standing on four square section tapering legs, forelegs with moulded decoration, width 133cm (52”), depth 54cm (21”), height 92cm (36”). £400-600

539 Edwardian mahogany cheval mirror, classical blind fret broken, swan neck pediment above rectangular glass with moulded frame, all standing on trestle support with three turned stretchers, out swept legs with acanthus moulded decoration, height 164cm (65”), width 63cm (25”). £500-700

541 Six Edwardian Hepplewhite design mahogany framed dining chairs, comprising five single and one open arm carver, each with wheat ear design above fretwork splat, leather cover loose seats, square section tapering legs with spade terminals united by “H” stretchers. £600-800

540

541 133

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542 542 Regency mahogany twin-pedestal dining table, rectangular top with spare leaf, supported on baluster columns, each with three scroll legs terminating in brass animal paw feet with articulated brass castors, length 120cm (87”), width 117cm (46”), height 72cm (28”). £1,500-2,000

543 George III mahogany writing / dressing chest, rectangular top hinged to reveal fitted interior with four lidded boxes, original tilting mirror now missing, base with central drawer above single door cupboard and flanked by four oak lined deep drawers with original steel locks, width 91cm (36”), depth 61cm (24”), height 81cm (32”). £400-600 544 George III mahogany chest of two short and three long drawers, top cross-banded and stamped “Atherton”, each drawer with oak linings, original handles and escutcheons, cock beading all standing on ogee bracket feet, width 120cm (47”), depth 53cm (21”), height 104cm (41”). £300-500

543

134

544

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545 545 George III mahogany linen press, dentil cornice above two single panel doors with cock beading, base with two short and two long drawers, oak drawer linings, cock beading and original handles all standing on bracket feet, width 130cm (51”), depth 62cm (24”), height 200cm (79”). £500-700 546 17th century jointed coffer, three panel lid with original wire hinges, three carved panels to front initialled “R.P.” and dated “1680”, width 122cm (48”), depth 58cm (23”), height 66cm (26”). £300-500 547

546 547 George III mahogany corner elbow chair, double splat back, loose seat, cabriole foreleg support. £200-400 548 George III carved mahogany upholstered armchair, the show wood frame with upholstered back, open arms and web seat, four scroll legs, brass and leather castors. £1,000-1,200

548

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549 550 George III mahogany secretaire bookcase, top section with dentil cornice above two astragal glazed doors covering three fixed shelves, base with secretaire top drawer fitted stationery compartments and nine sycamore veneered drawers, three further drawers beneath all standing on out swept bracket feet, width 86cm (34”), depth 56cm (22”), height 203cm (80”).

550 549 Four matching George III mahogany Chippendale design single dining chairs, each with carved cresting rail decorated with scrolling acanthus leaves, pierced splat, drop-in upholstered seats, square section chamfered legs (one seat missing). £400-600

Provenance: purchased Linley Hall, Shropshire, from the collection of the late Sir. Jasper and Lady More, Christies 9th March 2016, Lot 38. £500-700 551 Edwardian Queen Anne design cheval mirror, the shaped glass with bevelled edge in moulded frame with mahogany cross banding and ogee gold painted slip all mounted on trestle stick supports with double block-and-turned stretchers, width 71cm (28”), height 175cm (69”). £200-400

552 William IV mahogany dressing table mirror, the rectangular glass mounted on two turned and reeded stick supports, platform base with moulded ring turned bead and four disc feet, width 51cm (20”), depth 23cm (9”), height 65cm (26”). £100-200 553 18th century back stool, two carved and pierced rails, solid seat, blockand-turned foreleg supports, turned front stretcher. £200-400 554 George III mahogany open armchair, upholstered back and seat, forelegs decorated with blind fretwork. £150-250

552 551 136

553

554

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555 555 George III mahogany occasional table, the single piece circular tip up top on turned vase shaped stem, triform base with swept legs and pad feet, diameter 71cm (28”), height 71cm (28”). £150-250 556 An Edwardian nest of four occasional tables, each table with raised cock beading and whitewood stringing standing on spider leg supports with bowed stretcher and sledge feet, largest table width 56cm (22”), depth 38cm (15”), height 71cm (28”). £200-400 557 Edwardian mahogany display cabinet, central glazed door with oval moulding, covering green silk lined two shelf interior, inverted bowed glazed side panels with decorative columns, inlaid all over with whitewood cross banding and stringing, width 112cm (44”), depth 38cm (15”), height 165cm (65”). £300-500

556

557 558 Victorian mahogany extending dining table, rectangular top with moulded edge incorporating two short and one longer leaf, four supports of baluster form terminating with articulated brass castors, length 277cm (109”), width 110cm (43”), height 71cm (28”). £400-600

558

137

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559 Mid 19th century continental Boulle Bonheur Du Jour, top section with two cupboards above two short drawers, base with single frieze drawer, fitted writing slide to interior all standing on swept legs, width 81cm (32”), depth 48cm (19”), height 152cm (60”). £300-500 560 Late 19th century French occasional table, marble top with copper veined decoration, four turned and fluted tapering legs united by fretwork stretcher with central brass finial, diameter 61cm (24”), height 76cm (30”). £150-250 561 Late 19th century Queen Anne design burr oak veneered ladies writing bureau, flap opening to reveal four stationery compartments above four small drawers flanking central cupboard, all above two drawers with brass handles and escutcheons, turned legs united by wavy stretcher, width 56cm (22”), depth 38cm (15”), height 98cm (39”). £400-600

559

560

138

561

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562

562 17th century North Wales oak tridarn, open canopy with panelled back, three frieze drawers, pendants, middle section with double cupboard and fixed central panel, base with two long drawers and two double panelled cupboards, 142cm (56”), depth 56cm (22”), height 190cm (75”). £1,000-1,200

139

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563 19th century Gothic design oak box chair settle, top rail above three panel back, decorated with tracery and heraldic crest, open arms, hinged seat, box base with linen fold panels and heraldic shields, width 74cm (29”), depth 54cm (21”), height 147cm (58”). £400-600 564 17th century oak joint armchair, shaped cresting rail above single panel with carved decorative arch, open scroll arms supported on turned pillars, solid seat, front rail with carved lunettes, foreleg supports united by rectangular section stretchers, width 55cm (22”), depth 56cm (22”), height 109cm (43”). £800-1,000 565 17th century oak joint armchair, cresting rail with nulling above single panel having central diamond cartouche, open arms, solid seat, turned foreleg support united by stretchers, width 58cm (23”), depth 43cm (17”), height 104cm (41”). £1,200-1,400

563

564

140

565

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566 566 Victorian burr oak sideboard, rectangular quartered veneered top above two central drawers flanked by two cupboards all standing on blind base, width 113cm (84”), depth 66cm (26”), height 99cm (39”). £300-500

567 567 George III oak dresser base. Two plank rectangular top above three frieze drawers, central arch flanked by two further small drawers, all standing on square section legs. Bog oak or ebony banding with matching teardrop escutcheons, replacement brass handles, width 198cm (78”), height 89cm (35”), depth 46cm (18”). £800-1,000

568 568 17th century design oak side table, the two plank top standing on four gun barrel turned legs, united by rectangular section stretchers, length 183cm (72”), width 61cm (24”), height 80cm (32”). £500-700 141

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569

570

569 Primitive oak carved side cupboard, shaped top with single door, width 76cm (30”), depth 40cm (16”), height 80cm (32”). £200-400 570 18th century oak chest of drawers, rectangular top with boxwood string above two short and three long walnut veneered drawers with cross banding and brass handles all standing on bracket feet, width 94cm (37”), depth 57cm (22”), height 84cm (33”). £300-500 571 Robert “Mouseman” Thompson light oak bookcase, fitted two fixed and four adjustable shelves with wooden pegs, six panel back carved with trademark mouse, width 84cm (33”), depth 32cm (12.5”), height 183cm (72”). £1,400-1,600 572 Robert “Mouseman” Thompson stool, honey coloured oak frame with leather webbing to seat, width 34cm (13”), depth 27cm (10.5”), height 38cm (15”). £300-500

571 142

572

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573 575

573 Victorian black lacquered games table, top with motherof-pearl inlay forming chess board, each flap decorated with ornamental birds and insects, single frieze drawer, trestle base with sledge feet, all over decorated with chinoiserie, width 59cm (31”), depth 49cm (19”), height 76cm (30”). £100-150

574 Dining / snooker table by W. Jelks & Sons, rectangular four leaf table top with cut corners, green baize covered table with slate bed, replacement pockets by Riley all standing on four barley sugar twist legs, nb. there are no accessories with this table, width 198cm (78”), depth 107cm (42”), height 79cm (31”). £300-500 575 Victorian rosewood side cabinet, white marble top with moulded edge above ogee frieze, double doors with rectangular mirrored panels flanked by barley sugar twist columns all standing on blind base, with 122cm (48”), depth 36cm (14”), height 89cm (35”). £200-400

574

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576

578

576 Edwardian rosewood veneered vitrine, rectangular glazed hinged top with lock, glazed frieze panels all standing on four square section tapering legs, united by shaped stretchers supporting central shelf, the whole piece decorated all over with satinwood stringing, width 64cm (25”), height 81cm (32”), depth 43cm (17”). £300-500

577 Regency rosewood veneered breakfront side cabinet, top section with brass galleried shelf above mirror, central two door cupboard flanked by two smaller wing cupboards, all inlaid with brass and supporting brass grills with silk linings, blind plinth, width 257cm (101”), depth 43cm (17”), height 142cm (56”). £1,000-1,500

577 144

578 Victorian rosewood veneered loo table, circular top supported on single tapering octagonal column, platform circular base with three scroll feet, original steel castors, diameter 117cm (46”), height 68cm (27”). £200-400

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579 580

579 Edwardian rosewood veneered nest of four occasional tables, each with rectangular tops and trestle bases with sledge feet, largest table width 48cm (19”), height 76cm (30”), depth 30cm (12”). £200-400 580 17th century walnut chest on stand, top section with two short and three long graduated drawers, stand with single long drawer, all with herringbone cross banding and brass handles with escutcheons, cabriole leg supports, width 97cm (38”), depth 53cm (21”), height 141cm (55”). £400-600 581 Early 19th century walnut veneered bookcase on bureau, top section with two single panel doors opening to reveal fitted interior with selection of stationery compartments, drawers surrounding central single cupboard door, bureau base with flap opening to reveal matching interior to top, central well all above two short and one false frieze drawer with three graduated long drawers, all fitted brass handles and standing on bracket feet, width 94cm (37”), depth 53cm (21”), height 221cm (87”). £1,000-1,500

581 145

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583 582

582 Mid 19th century walnut veneered side cabinet, of serpentine form, single door and side panels all heavily inlaid with floral coloured marquetry depicting mother-ofpearl insects, interior with adjustable shelf, width 94cm (37”), depth 47cm (17”), height 104cm (41”). £300-500 583 Victorian walnut framed spoon-back chair with deep buttoned upholstery, sprung seat with turned foreleg supports, matching brass and pot articulated castors. £300-500

584 18th century design over mantel mirror, walnut frame, pediment decorated with gilded Ho Ho bird, three mirrors with gilt slip, height 74cm (29”), width 122cm (48”). £150-250 585 George III walnut dressing table mirror, the rectangular glass with gesso slip mounted on two stick supports, box base with three ogee shaped drawers all standing on small bracket feet, width 38cm (15”), depth 21cm (8”), height 56cm (22”). £200-400

585 584

146

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587 586

586 Victorian walnut veneered credenza, inlaid frieze with brass beading above central blind single panel door, flanked by two bowed glazed doors covering blue fabric lined interior, blind base, width 153cm (60”), depth 38cm (15”), height 102cm (40”). £400-600 587 Four 19th century yew and elm lowback Windsor chairs, all of different design, three with crinoline stretchers requiring restoration. £300-500 588 C. Bechstein upright piano, instrument number 45768, iron frame, over strung, underdamped, rosewood veneered case, also accompanied by later duet stool with upholstered seat. £300-500

589

588 589 North West Persian Heriz rug, classic Eastern design with a central gul medallion branching into the traditional gul pattern around the border 332cm (131”) x 431cm (170”). £500-700

590 A pair of early 20th century rouge marble pedestals, each with square revolving tops mounted on turned pillar square section base, 27cm (11.5”) square, height 104cm (41”). £500-700

590 147

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indeX oF artists A Adams, J.C. Amoros, A Andrews, A.H. Atkinson, S. B Bailey, C. Bailey, R.D. Banting, J. Barlow, A. Barnes, D. Barsby, A. Bates, D. Biegel, P. Blake, P. (after) Bradley, H. (after) Brainwash, Mr. Buckley, C.F. Buckley, J.E. Butler, A.

471 470 300 281, 282

396 406 304 347-349 309-313 289, 290, 454 491 415 435 434 384, 385 512 511, 513 280

C Carelli, G. 509 Cattermole, G. 503, 504 Chan, P. 342 Clare, R. 264 Continental School, 18th century 517 Cook, E.W. 492, 494, 498, 499 Cooper, L. 345 D D’Aguilar, M. Darlington, J. Delaney, A. Dessau, P.L. D’Orschwiller, H. (after) Dyson, J.

287 327 262, 350 343 519 399

E Earp, H. 490 East, A. 496 Eaton, C.W. 466 Edmunds, N.H. 514, 515 English School, 18th century 516 English School, 19th century 459, 465, 467, 484, 518 English School, 20th century 386

148

F Fedden, M. (after) Fenby, J. Flint, W.R. (after) Fuller, G.F.

433 346 446 483

G Gallotti, M. 357 Gardner, K. 328-330, 336 Gardner, R. 267 George, P. 411-414 Goodwin, A. 485 Graham, R. 356 Granville 273 Grigor, R.A. 442 Grimshaw, M. 373, 402-404, 408 Grimshaw, T. 374, 375 Grimshaw, T. (after) 451 Gunn, H.J. 298 Gutteridge, M. 301 H Hampson, R. Hanley, J. Hann, G. Hardy, M. Hardy, T.B. Harley, P. Hawdon, P. Hider, F. Hilder, R. Hollins, T. Hollyer, C.C. Horsfield, N. Howard, K.

320, 321 293, 294 288 478 502 317 438 472 447 520 477 265 252

I Isherwood, J.L. 259, 308, 331-333, 338, 365 Italian School 463 J Jamieson, F.E. Jones, H. St. J.

461 460

K Keeley, J. Key, G.

507, 508 254, 306, 364, 383, 407 409, 426, 427 Kilburne, G.G. 487, 488 King, H.J.Y. 476 Kroll, J. (after) 448 L Leighton-Jones, B. 297 Leitch, R.P. 475 Lewis, F. 473 Littleford, R. 405 Longstaff, W.F. 398 Lowndes, A. (after) 445 Longueville, J. 397 Lord, M. 283 Lowry, L.S. (after) 429-431, 440 441, 443, 444, 449, 450 M Major, K. Major, T. Malkin, H. Marshall, J.M. McCafferty, J. McCarthy, A. McCombs, J. McConkey, S. McGovern, E. McIntyre, D. Mellor, W. Millais, R. Moss, C. Moy, J.

251 378, 428 325, 326 481 424 410 318 305 418 256, 314 456 307 417 337

N Naviasky, P. Newhouse, J. Noble, L. Norie, O.

255 260 344 482

O Owens, N.

400

P Pauwels, H.J. Pitchforth, R.V. Prescott, D.L. Prout, S. Przepiora, D.S.

253 419-421 277, 278 474 359

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R Radcliffe, K.W. Radford, G. Raphael (after) Renwick, L.H. Richards, W. Richardson, B. Rickatson, O. Riley, H.

322 263, 284, 285 468 291, 292 479 423 455 268-270, 368-370 376, 377 Riley, H. (after) 436, 437 Rooney, J.P. 358 Rouault, H. 452 Rowbotham, C. 495, 497, 505 Rowe, E.A. 506 Ruysdael, J.S. van (follower of ) 462

S Salt, M. 395 Schotz, B. 379 Schwarz, H. 271, 274, 275, 371, 372 Scorzelli, E. 355 Shayer, W. 457 Sheeky, M. 340, 341 Simm, R. 296 Siwek-Front, I. 295 Smith, L.J. 381, 382 Smythe, E.R. 464 Spencer, L. 266, 319, 334, 335, 339 Stanaway, P. 257 Stannard, H.J.S. 493, 500, 501, 510 Steyn, S. 272 Stones, A. 432

T Tayler, J.F. 489 Thompson, A. 276 Tidmarsh, R. 315 Tobin, M. 367 Topolski, F. 380, 425 Tortice, A. 352 Trowski, A. 416 Turner, W. 258, 261, 286, 323, 324 360, 401, 422 Turner, W.L. 469 V Vianelli, A. W Walker, J. Webb, N. Wehnert, E.H. Wesselman, F. Wild, S. Wilde, D.

486

387-394 366 480 439 316, 361-363 279, 299, 302, 303 353, 354

Y Yates, F.

351

GLOSSARY OF TERMS F O R P I C T U R E S , D R A W I N G S , P R I N T S , M I N I AT U R E S E T C .

The first name of names and surname of the artist - in our opinion a work by the artist.

‘Attributed to...’

- in our opinion probably the work by the artist in whole or in part.

‘Circle of...’

- in our opinion a work of the oeriod of the artist and showing his/her influence.

‘Style of...’ / ‘Follower of...’

- in our opinion a work executed in the artist’s style, of a similar perod, but not necessarily a pupil.

‘Manner of...’

- in our opinion a work in the artist’s style, but of a later date.

‘School...’

- Accompanied by place name or country, and date - in our opinion a work executed at that location and period.

‘After...’

- in our opinion a copy (of any date) of a work by the artist.

‘Signed and/or dated and/or inscribed’ - in our opinion the signature and/or date and/or inscription are by the artist’s hand.

‘Bears signature and/or date and/or inscription’ - in our opinion the signature and/or date and/or inscriptino are by another hand.

Dimensions are given height before width.

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conditions oF sale Peter Wilson Fine Art Auctioneers LLP carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following Conditions of Sale and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) “Auctioneer” means the firm of Peter Wilson Fine Art Auctioneers LLP or its authorised Auctioneer, as appropriate; (b) “Deliberate Forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “Hammer Price” means the level of bidding reached (at or above any reserve) when the Auctioneer brings down the hammer; (d) “Terms of Consignment” means the stipulated terms and rates of commission on which Peter Wilson Fine Art Auctioneers LLP accepts instructions from sellers or their agents; (e) “Total Amount Due” means the Hammer Price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f ) “Sale Proceeds” means the net amount due to the seller, being the Hammer Price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You” or “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate and words importing any Gender include either gender.

2. BIDDING PROCEEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the buyer at the Hammer Price “the buyer” and any dispute about a bid shall be settled at the Auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The Auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the Auctioneer’s sole discretion.

4. THE PURCHASE PRICE The buyer shall pay the Hammer Price together with a premium thereon of 24% which shall include VAT on the premium at the rate imposed by law. (20% + V.A.T (24% inclusive) up to £35,000, 17.5% + VAT from £35,001 to £100,000 and 15% + VAT from £100,001 and above).

150

5. VALUE ADDED TAx Value Added Tax on the Hammer Price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position).

6. PAYMENT (1) Immediately a Lot is sold you will: (a) Give to us, if requested, proof of identity, and (b) Pay to us the Total Amount Due in cash or in such other say as is agreed by us.

(2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the Total Amount Due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for no later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment, after which you shall be responsible for any removal, storage and insurance charges.

(3) No purchase can be claimed or removed until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) To proceed against you for damages for breach of contract; (b) To rescind the sale of that Lot and/or any other Lots sold by us to you; (c) To resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the Total Amount Due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) To remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) To charge interest at a rate not exceeding 1.5% per month on the Total Amount Due to the extent it remains unpaid for more than 3 working days after the sale; (f ) To retain that or any other Lot sold to you until you pay the Total Amount Due; (g) To reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;

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(h) To apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the Total Amount Due and to exercise a lien (that is a right to retain possession of ) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these Conditions.

9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the layout of the accommodation and security arrangements. Accordingly neither the Auctioneer nor its employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

Auctioneer nor its employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded.

This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

Please note: Condition of items or other faults is not stated within the catalogue and items are sold strictly as seen. If you are interested in an item and no condition report is present please email auctions@peterwilson.co.uk for more information.

The cost of postage, packing, transport, and shipping is the responsibility of the buyer. The cost of postage, packing, transport, and shipping will not be refunded in any circumstance.

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf.

Neither the Auctioneer nor its employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. The Auctioneer may at its own discretion on your behalf exceed your commission by one bid. An instruction to buy with no upper limit will not be accepted.

15. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a Deliberate Forgery may be returned to us by you within 14 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a Deliberate Forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are notable to transfer a good and marketable title to us, you shall have no rights under this Condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the Auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

16. We shall have the right at our discretion, to `refuse admission to our premises or attendance at our auctions of any person.

12. AGENCY The Auctioneer normally acts as agent only and disclaims any responsibility for default by seller or buyers.

13. TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot.

Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf ) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither the

GENERAL

17. (1). Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the Auctioneer as appropriate.

(2). Such right and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the Auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

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inFormation For buyers 1. Introduction. The following information notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As Auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

10. Commission absentee bidding. Commission bids may be left with the Auctioneer indicating the maximum amount to be bid excluding buyer’s premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. The Auctioneer may at his/her own discretion on your behalf exceed your commission by one bid. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

4. Buyer’s Premium. The buyer shall pay the Hammer Price together with a premium thereon of 20% +VAT (24% inclusive) on the first £35,000, and a rate of 17.5% +VAT (21% inclusive) on the amount by which the hammer price exceeds £35,001 to £100,000, any sum over and above £100,001 will be charged at 15% +VAT (18% inclusive). VAT will be at the rate imposed by law.

11. Methods of payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

Card payments where the card holder is not present will only be accepted for transactions up to £500.

5. ‘Subject to VAT’ indicates that VAT is payable by the purchaser at the standard rate (presently 20%) on the Hammer Price as well as being an element in the buyer’s premium. Items which are subject to VAT will be cleared marked within the catalogue text as well as being labelled in the saleroom. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the Hammer Price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the Hammer Price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Items not removed within four days of the sale will be subject to a storage charge of £1.50 per item per day.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and therefore, accept responsibility for inspecting and investigating lots in which they are interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the Auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the Auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstance lots mis-described because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 2 week time limit. (The expression ‘Deliberate Forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for the compliance with safety regulations by a qualified electrician first.

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8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of threat character because, e.g. they may contain prohibited materials such as ivory. Ask us if you need help.

13. Postage and Shipping. Peter Wilson Fine Art Auctioneers LLP do not provide a postage and packing service however we recommend the following company who deal with all postage, packing, and shipping for us: T.C. Couriers Nantwich, 3 Barker Street, Nantwich, Cheshire, CW5 5SY. Contact Tony Cartwright on +44 (0) 7746 216 322 or email tony69uk@gmail.com Mailboxes Etc., Peel House, 30 The Downs, Altrincham, WA14 2Px. Contact Alex Pye or Palanivel Kandaswamy on Tel: +44 (0) 161 233 0500, Fax: +44(0) 161 233 0400 Email: info@mbealtrincham.co.uk Website: www.mbealtrincham.co.uk 14. ‘The Artists Resale Right’ From mid – February 2006 living artists are entitled to receive a resale royalty each time their art work is bought or sold by an art market professional. However, from 1 January 2012, the Right will be extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. This new law has been introduced in the UK following a European Directive. Art work must reach or exceed a certain value before it qualifies for the right. The qualifying threshold in the UK is 1000 euros which is approximately £850. The rates are calculated as a percentage of the sale price and are set out in a sliding scale from 4% to 0.25%.

Portion of the sale price Royalty rate From 1000 to 50,000 euro 4% From 50,000.01 to 200,000 euro 3% This will be an extra charge upon the sum for which the art work is obtained, excluding V.A.T. For auctions this is regarded as the hammer price (excluding the buyers premium).

For more information please see the Important Notice to Bidders posted in the salerooms or alternatively a full copy of ‘The Artists Resale Right Regulations 2006’ which is available on request.

Peter Wilson Fine Art Auctioneers LLP Victoria Gallery Market Street Nantwich Cheshire CW5 5DG Telephone: +44 (0)1270 623878 Fax: +44 (0)1270 610508 Email: auctions@peterwilson.co.uk

www.peterwilson.co.uk