Peter Wilson Auctioneers

Peter Wilson FINE ART AUC TIONEERS • EST 1955

WEDNESDAY 20 & THURSDAY 21 NOVEMBER 2019

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Peter Wilson FINE ART AUC TIONEERS • EST 1955

WEDNESDAY 20 AND THURSDAY 21 NOVEMBER 2019 AT 11.00AM ON VIEW: Sunday 17 November Monday 18 November Tuesday 19 November Morning of auctions

2.00pm 10.00am 10.00am 9.00am

   

4.00pm 5.00pm 4.00pm 11.00am

Catalogues £10 from the saleroom, £12 by post Buyer’s Premium is 22% plus VAT 26.4% inclusive of VAT

PLEASE NOTE: We cannot provide condition reports on the morning of the auction.

Colours in photography may vary from actual items.

All measurements are approximate.

For full condition reports and extra images please visit our website:

www.peterwilson.co.uk

Peter Wilson Fine Art Auctioneers Ltd. Victoria Gallery Market Street Nantwich Cheshire CW5 5DG Telephone: +44 01270 623878 Fax: +44 01270 610508 Email: auctionspeterwilson.co.uk

www.peterwilson.co.uk Registered in England | Registration No. OC359701

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Peter Wilson FINE ART AUC TIONEERS • EST 1955

ROBERT STONES Managing Director robstones@peterwilson.co.uk

NICK ALLSOPP Saleroom Manager nick@peterwilson.co.uk

CHRIS LARGE Ceramics & Glass, Firearms, Weapons, Musical Instruments, Tribal Art chris@peterwilson.co.uk

STEPHEN SPARROW Pictures, Maps, Coins & Medals stephen@peterwilson.co.uk

LIZ BAILEY Silver, Jewellery & Watches liz@peterwilson.co.uk

PETER HOPKINS Fine and Rare Wine & Spirits Specialist Consultant auctions@peterwilson.co.uk

ALAN SHAW Stamps & Cigarette Cards auctions@peterwilson.co.uk

ADRIAN SMITH Interiors Sale Team adrian@peterwilson.co.uk

Cover illustrations: Cover: lot 324 Inside Front: lot 316 2

JAYNE TATLER Accounts jayne@peterwilson.co.uk

SHARON SPARROW Administrator auctions@peterwilson.co.uk

PAUL JERVIS Interiors Sale Team paul@peterwilson.co.uk

ROMANA BLOOR Receptionist marnie@peterwilson.co.uk

Inside Back: lot 274

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INDEX DAY ONE Silver & Plated Ware

1 - 49

Jewellery

50 - 264

Watches

265 - 314

DAY TWO Collectors Items

315 - 321

Metalware

322 - 324

Cameras

325 - 330

Toys

331 - 333

Stamps, Postcards & Ephemera Glass Ceramics

334 335 336 - 375

Asian Art

358 - 375

Bronzes & Sculpture

376 - 381

Clocks & Barometers

382 - 389

Prints & Engravings (Modern/Contemporary)

390 - 413

Prints & Engravings (18th/19th Century)

414

Oil Paintings (Modern/Contemporary)

415 - 498

Watercolours, Pastels & Inks (Modern/Contemporary)

499 - 539

Oil Paintings (18th/19th Century)

540 - 555

Watercolours, Pastels & Inks (18th/19th Century)

556 - 580

Miniatures Furniture

581 582 - 640

3

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SILVER & PLATED WARE

2

1 A George III berry spoon and an Edwardian silver jug, spoon with hallmarks for Peter & William Bateman, London, 1807, gross weight 3.22ozt. £60 - £120

1

2 A cased set of four George III silver berry spoons, the old English pattern berry spoons with embossed bowls and foliate detail stems, hallmarks for William Eley, William Fearn and William Chawner, London 1808, gross weight 8.35ozt. £100 - £200 3 A selection of George III and later silver cutlery, to include eight silver sauce ladles, mostly fiddle pattern, a George III silver serving spoon, a 1930s silver toddy ladle, four EPNS lobster picks and various other silver items, gross weight of silver 22.22ozt. £200 - £300

3

4

4 A George IV silver cream jug, the baluster body with embossed pastoral decoration and central cartouche, with scrolling handle and raised on a circular spreading base, hallmarks partially indistinct, London, 1823, height 12cm, gross weight 2.26ozt. £60 - £120

5 5 A George IV silver snuff box, of rectangular form with reeded decoration and embossed foliate detail to lid, with silver gilt interior, hallmarks for Smith & Vernon, Birmingham, 1826, length 5.9cm, gross weight 1.47ozt. £60 - £120

4 For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

6

6 Two 19th Century silver berry spoons, of old English pattern, with embossed floral bowls and foliate detail stems, hallmarks for Jonathan Hayne, London, 1824 and Lawrence Holme Twentyman, Cape Colony, circa 1830, length 23.2cm, gross weight 3.78ozt. £60 - £120

8 A Victorian silver cream jug, of typical form, with embossed floral swag decoration and scrolling handle raised on three scrolling feet, hallmarks for Daniel & Charles Houle, London, 1867, height 11cm, gross weight 3.24ozt. £60 - £120

7 7 A Victorian silver snuff box, of rectangular form with scrolling border and buckle detail vacant cartouche to the silver gilt interior, hallmarks for Hillard & Thomason, Birmingham, 1856, length 7.3cm, gross weight 2.91ozt. £60 - £120

10 A selection of silver snuff boxes, to include a Victorian circular reeded snuff box of square form, a 1970’s rectangular snuff box with embossed cherub decoration and three others, four hallmarked, gross weight 5.03ozt (5). £100 - £200

9 A late Victorian silver plated and cut glass epergne, the fluted cut clear glass vase above a circular cut glass dish with scalloped edge, raised on a bulbous column supported by four moulded grypons, culminating on a square gadrooned base with four bun feet, marked EPBM, maker’s marks for John Round & Son Ltd., numbered 80, 12356, height 49cm. £100 - £200

9

10

8

5

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12 11 11 A late Victorian silver sugar caster, of hexagonal baluster form, with pierced foliate design and finial to the lid, with a spreading hexagonal base, hallmarks for Charles Boyton, London, 1898, height 21cm, gross weight 9.95ozt. £80 - £120

12 A set of Russian silver handled flatware, the silver filled handles with scrolling embossed decoration and monogrammed terminals, including a fish slice, serving spoons, etc, Moscow assay marks, Cyrillic maker’s mark, possibly Gustav Gustavovich Klingert, lengths 25.5 to 33cm (7). £100 - £200 13 An Edwardian silver cut glass dressing table set by Finnigans & Co London, comprising silver backed brushes, silver handled shoe horn, glove stretches, button hook and silver lidded jars with repoussé and vacant cartouche decoration, together with various leather travel accessories to include wallets, leather bound address book, complete in monogrammed leather travelling case, hallmarks for Finnigan’s Ltd., London, 1901, gross weight of silver lids 1.61ozt. £200 - £300

14 Two early 20th Century silver sugar nips, to include an Edwardian Asprey example together with a 1930s pair, hallmarks for London and Sheffield, 1902 and 1935, lengths 8-9cm, gross weight 1.1ozt. £60 - £120 15 An Edwardian silver ink stand by Henry Matthews, pattern 09, holding two silver lidded clear glass inkwells atop the oval tray with gadrooned rim and tapered feet, hallmarks for Henry Matthews, Birmingham, 1902, length 20cm, gross weight of silver 3.66ozt. £60 - £120

14

13

15

6

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

16

16 An Edwardian silver sauce boat, of typical form, with fluted edge and scrolling handle, raised on three hoof feet, hallmarks for William Aitken, Birmingham, 1903, height 8cm, gross weight 4.09ozt. £60 - £120 17 An Edwardian silver photograph frame, of hinged design, the scrolling embossed silver fronted frame with three vari shape vacancies and blue velvet reverse, hallmarks for William Devenport, Birmingham, 1904, dimensions 22 by 21cm. £60 - £120

17

18 An Edwardian silver salver, of circular shape with a stepped border and scalloped rim, raised on three scrolling feet, signed Goldsmiths & Silversmiths Company Ltd., 112 Regent St London, hallmarks for Goldsmiths & Silversmiths Co Ltd., London, 1905, diameter 31.5cm, gross weight 26.2ozt. £250 - £350 19 A Liberty & Co. Cymric silver and enamel vesta case designed by Archibald Knox, of rectangular form, with blue and green enamel motif to front, hallmarks for William Hair Haseler, Birmingham, 1905, length 5cm, gross weight 1.22ozt. £300 - £400

18

19

7

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21

20 An Edwardian silver picture frame, of rectangular form with cartouche to top, embossed and pierced with a scrolling design, hallmarks for Samuel M Levi, Birmingham, 1906, dimensions 36 by 29cm. £100 - £200

21 An Edwardian silver double sovereign case, of rectangular form with foliate detailing and vacant cartouche, hallmarks for ‘J.G,’ Birmingham, 1907, length 5.8cm, gross weight 1.37ozt. £60 - £120 22 An Edwardian silver three piece tea set, the slightly tapered set with half fluted accents and foliate decoration, comprising a teapot, cream jug and sugar bowl, hallmarks for George Nathan & Ridley Hayes, Chester, 1908, height of teapot 19cm, gross weight 29.1ozt. £250 - £350

20

22

23 A silver bonbon dish, probably Scandinavian, the oval shape dish with scrolling rim, half-fluted body and twin handles, raised on four paw feet, stamped 830, length 19cm, gross weight 4.08ozt. £60 - £120 24 An early 20th Century novelty silver pug pin cushion, realistically modelled, with collar and textured fur detailing, hallmarks for Crisford & Norris, Birmingham, 1911, dimensions 7.3 by 5.8cm, gross weight 0.92ozt. £100 - £200

23 24

8

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

25 An early 20th Century silver tazza, the oval bowl with scalloped rim and repoussé figural decoration with a tapered stem and spreading oval base with similar repoussé work and four scrolling feet, John Hall & Co., Glasgow, 1912, accompanied by a 'Compliments of Wartski Llandudno' slip from original purchase, height 17.5cm, gross weight 39.4ozt. £350 - £450

9

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26 A Mappin & Webb silver sugar pot and plated tray, the sugar pot of squat form with part reeded body and angular handles, hallmarks for Mappin & Webb Ltd., Birmingham, 1912, together with a silver plated circular tray with central bull cartouche, engine turned decoration and woven border, signed Mappin Brothers, 222 Regent Street, London, diameter 23cm, gross weight of hallmarked item 5.88ozt (2). £100 - £150

26

27 An early 20th Century silver trophy, designed as a twin handled cup with flared rim, inscription reading ‘Preston May Day Procession of Horses, the Edmumds Cup, Milk Kitters’ Class...’ with accompanying wooden stand, hallmarks for Elkington & Co Ltd., Birmingham, 1913, height 21cm, gross weight 15ozt. £120 - £220

27

10

28 A 1920s silver bowls trophy, the twin handled cup with embossed foliate decoration and detachable lid with figural finial, raised on a circular spreading base, hallmarks for Barker Brothers, Chester, 1924, height 16cm, gross weight 4.41ozt. £60 - £120

28

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

29 A 1920s Georg Jensen silver tazza, pattern 446, designed by Georg Jensen, the flared bowl with lightly planished surface, to the five foliate filigree junctions and elongated stem, beaded border and spreading petalled base, Maker’s marks for Georg Jensen, stamped 446, Danish Assay marks, Christian F. Heise to base, import marks for Stockwell & Co., London, 1927 to bowl, height 19.5cm, gross weight 14.3ozt.

Illustrated in Georg Jensen Design, Janet Drucker, catalogue page 50. £1,000 - £2,000

11

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31 30 30 A 1920s Walker & Hall silver trophy, the twin handled trophy with spreading circular foot, inscribed ‘Camelot School, House Cup for Games, Presented by Dr & Mrs McConnell,’ raised on a Walker & Hall plinth, hallmarks for Walker & Hall, Sheffield, 1928, height 20.3cm, gross weight 13.8ozt. £100 - £200 31 A 1920’s silver hot water jug, of octagonal form with tapered body and scrolling wooden handle, hallmarks for Edward Barnard & Sons Ltd., London, 1929, height 26.5cm, gross weight 23.02ozt. £200 - £300

32

12

32 A 1930s silver four piece tea set, of squat faceted form with gadrooned rim and angular handles, comprising a tea pot, hot water jug, sugar bowl and milk jug, hallmarks for Ollivant & Botsford, Sheffield, 1930 and 1933, height of water jug 21.4cm, gross weight 45.87ozt. £400 - £600

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

33

35

34

33 A 1930s silver fruit bowl, the circular bowl with faceted detail and spreading base, hallmarks for Joseph Gloster Ltd., Birmingham, 1933, diameter 18cm, height 12.5cm, gross weight 12.71ozt. £100 - £200

35 A 1930’s silver and leather cased hip flask, retailed by Boodle & Dunthorne, of typical form, hallmarks for James Dixon & Sons, Sheffield, 1937, signed Boodle & Dunthorne, Lord St., Liverpool, height 15.5cm. £100 - £200

34 A 1930s silver salver, of circular outline with gadrooned surround raised on three ball and claw feet, hallmarks for James Dixon & Sons Ltd., Sheffield, 1936, diameter 20.5cm, gross weight 10.85ozt. £100 - £200

36 A mid 20th Century silver four piece tea set, of bulbous form, with faceted body and scrolling handles raised on four hoof feet, comprising a hot water jug, cream jug sugar pot, and later teapot hallmarks for Viner’s Ltd., Sheffield, 1951, 1957, height of hot water jug 23cm, gross weight 56.7ozt. £500 - £600

36

13

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38

37

37 A 1960s silver trophy, designed as a twin handled cup with scrolling handles and spreading circular base, atop the accompanying wooden stand with plaque reading ‘Banks & District Agricultural Society, The G Munford Challenge Cup, Best Turnout,’ hallmarks for Viner’s Ltd., Sheffield, 1960, height 16cm, gross weight 12.7ozt. £100 - £200 38 A 1960s silver cigar box, of rectangular form with central cartouche and engine turned decoration to lid, wood lined interior, hallmarks for Harman Brothers, Birmingham, 1961, dimensions 16.5 by 11.5 by 3.5cm. £60 - £120

39

39 A pair of 1960’s miniature silver salvers, each of circular outline, with a pie-crust rim and three hoof feet, hallmarks for Douglas Heeley, Sheffield, 1961, diameter 15.7cm, gross weight 8.6ozt. £80 - £120 40 A 1960s silver model of a cockerel, naturalistically modelled with textured feathers and plumage, hallmarks for Edward Barnard & Sons Ltd., London, 1966, height 22.6cm, gross weight 23.2ozt. £300 - £400

40

14

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

41 An 80 piece set of 1960s ‘Rat Tail’ pattern silver cutlery and flatware, comprising ten table forks, ten table knives with filled handles and steel blades, ten dessert forks, ten dessert knives with filled handles and steel blades, ten table spoons, ten soup spoons, twelve teaspoons, ten dessert spoons, two soup ladles, and six table spoons, hallmarks for MDQ, Sheffield, 1968, gross weight 136.48ozt. £1,000 - £2,000

15

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42

42 An Elizabeth II silver tray, of oval outline, with pierced sides, twin handles and gadrooned rim, raised on four bun feet, hallmarks for Barker Ellis Silver Co., Birmingham, 1993, length 41cm, gross weight 64.4ozt. £650 - £850

44 Two Dutch silver spoons, each with a decorative figural handle, the first with a pierced bowl, openwork stem and stork terminal, together with one other, Dutch assay marks, lengths 17.8 and 21.7cm, gross weight 3.69ozt. £100 - £150

43 A Dutch silver pocket corkscrew, in the form of a desk seal with figural Bacchus handle, Dutch assay marks for Gouda, 1996, length 8.5cm, gross weight 2.60zt. £150 - £200

45 A Dutch silver travel fork, the folding fork with detachable spoon bowl, scrolling decoration and figural terminal, Dutch assay marks, length 11.5cm, gross weight 1.43ozt. £80 - £120

43

45

44

16

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

46

47

49

46 A Dutch silver nutmeg grater, of cylindrical form with scrolling decoration and floral hinged lid, opening to reveal a grater, Dutch assay marks, length 7.2cm, gross weight 2ozt. £80 - £120 47 A Dutch silver perpetual calendar, of circular outline, with one side detailing the amount of days, daylight hours and zodiac of each month, and the other revealing the weekdays and notable dates, Dutch assay marks, diameter 7cm, gross weight 2.45ozt. £80 - £120 48 A silver Pedro Duran candelabra, the five embossed floral sconces raised on four scrolling arms from the central baluster columnm with similarly decorated spreading base, maker’s marks for Pedro Duran, assay marks, stamped 925, height 46cm. £350 - £450 49 A Tiffany Co. novelty pill box, in the form of a barrel with sliding circular lid, signed ‘Tiffany & Co. makers, sterling 24049’ height 2.9cm gross weight 0.56 ozt. £50 - £70

48

17

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JEWELLERY

51 54

55

50

54 A charm bracelet, the flat curb link chain with engraved and polished links, stamped 9c, suspending a 1930s 9ct gold and enamel fob together with a chalcedony seal, length 19.5cm, gross weight 42g. £400 - £500

50 An Edwardian silver chatelaine chain, the openwork scrolling panels depicting a crowned heart and putti suspending four fancy link chains terminating with a vesta case, a mechanical pencil, a pair of scissors and a compact, hallmarks for Lawrence Emmanuel, Birmingham, 1901, gross weight 4.29ozt. £60 - £120 51 A loose heart cut diamond weighing 0.40ct, estimated colour tinted, estimated clarity VS2-SI1. £250 - £350 52 A Cartier diamond LOVE bangle, designed as a series of screw head motifs and brilliant cut diamond collets, with screw fittings, signed and numbered Cartier RE2653, stamped 750, estimated total diamond weight 0.40ct, size 17, with screwdriver, gross weight 29.5g. £2,500 - £3,500

53 An 18ct gold diamond hinged bangle, the graduated square shape diamond double line with brilliant cut diamond sides and plain polished reverse, hallmarks for Birmingham, total diamond weight 7.36cts, stamped to clasp, length of inner diameter 6cm, gross weight 27.1g. £600 - £800

55 A 1960s 9ct gold bracelet by Smith & Pepper Ltd., the interwoven link bracelet with central chevron motif, suspending four 9ct gold charms to include a Cropp & Farr treasure chest, a horse, a boat and a church, bracelet with maker’s marks for Smith & Pepper Ltd., hallmarks for Birmingham, 1960, length 20.6cm, gross weight 55.6g. £550 - £600

52 53

18

For condition reports please go to www.peterwilson.co.uk

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57

56

58 59

56 A German silver cuff bangle, of bi-colour design, the textured acanthus leaf with polished stem to centre, German assay marks, stamped 925, 750, length of inner diameter 6cm, gross weight 50g. £60 - £120

60

57 A diamond hinged bangle, the baguette cut diamond line with brilliant cut diamond sides and plain polished reverse, stamped K18, total diamond weight 4.81cts, stamped to bangle, length of inner diameter 6.1cm, gross weight 26.8g. £2,000 - £2,500

61

58 A 9ct gold gate-link bracelet, the gate-link chain with textured brick-link spacers and a heart shape padlock clasp, hallmarks for London, 1979, maker’s marks C.S.F.S, length 20cm, gross weight 29.6g. £250 - £350 59 An 18ct gold ruby bracelet, the tapered and grooved fancy link bracelet, with detachable circular shape ruby foliate cluster, cluster may also be worn as a brooch, stamped FCT 750, length 20cm, gross weight 77.3g. £2,000 - £2,500

60 A diamond bracelet, comprised of a series of pavé set diamond and polished links, with a partially concealed push piece clasp, stamped 750, estimated total diamond weight 1.50cts, length 20cm, gross weight 21.8g. £1,200 - £1,800

61 An 18ct gold diamond tennis bracelet, designed as a baguette cut diamond line with partially concealed push piece clasp, hallmarks for Birmingham, total diamond weight 5.10cts, stamped to clasp, length 18.9cm, gross weight 14.7g. £1,200 - £1,800

19

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62

63

64

62 An 18ct gold diamond bracelet, designed as a series of 'brown' brilliant cut diamond clusters, with similarly cut diamond collet accents and trace link chain spacers, hallmarks for London, 2004, estimated total diamond weight 1.30cts, length 17.5cm, gross weight 5g. £300 - £400 63 A 14ct gold bracelet, the graduated fancy woven link bracelet with partially concealed push piece clasp, foreign assay marks, stamped 585, length 20.3cm, gross weight 33.3g. £450 - £550

65

64 An 18ct gold diamond hinged bangle, the square shape diamond line within a channel setting, to the plain polished reverse, hallmarks for Birmingham, 1999, estimated total diamond weight 1.25cts, length of inner diameter 6cm, gross weight 14.4g. £600 - £800

65 A diamond hinged bangle, the graduated brilliant cut diamond line with plain reverse, stamped 750, total diamond weight 2cts, stamped to bangle, length of inner diameter 6cm, gross weight 15.8g. £800 - £1,200 66 An early 20th Century peridot and split pearl bracelet, designed as a circular shape peridot collet line with kite shape split pearl spacers and replacement push piece clasp, length 21cm, gross weight 11.5g. £150 - £200 67 A cultured pearl bracelet, the triple strand of uniform cultured pearls with a cylindrical sliding clasp, stamped 750, length 19.5cm, gross weight 37g. £620 - £720 68 An early 20th Century 9ct gold charm bracelet, the hollow curb link chain with heart shape padlock clasp, suspending three 9ct gold charms including a St Christopher medallion, a cross and a bell, padlock with hallmarks for Birmingham, 1900, length 19cm, gross weight 21.1g. £200 - £250

66 68

67

20

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

69 70

69 A platinum diamond bangle by Boodles, the princess cut diamond line inset to the polished bangle with plain hinged reverse, hallmarks for London, 1998, maker’s mark B&D, signed Boodles, total diamond weight 3.32cts, stamped to bangle, estimated colour F-G, estimated clarity VS, length of inner diameter 6.2cm, gross weight 32.9g. Accompanied by maker’s case. £5,000 - £7,000 70 A 9ct gold initial bangle, the polished ‘M’ atop the rope twist bangle, stamped 9ct, length of inner diameter 5.5cm, gross weight 12.4g. £100 - £150 71 A diamond hinged bangle, of bi-colour design, the brilliant cut diamond rope twist front with similar polished sides and hinged reverse, stamped 18k, estimated total diamond weight 1ct, length of inner diameter 6.2cm, gross weight 53.9g. £1,200 - £1,800 72 A diamond hinged bangle, designed as a raised brilliant cut diamond line with plain polished reverse, stamped 18K, estimated total diamond weight 1ct, length of inner diameter 5.9cm, gross weight 9.2g. £480 - £580

74

72

71

73

73 An 18ct gold diamond hinged bangle, the pavé set diamond bangle with polished hinged reverse, hallmarks for London, 2006, estimated total diamond weight 1.40cts, one diamond deficient, length of inner diameter 5.8cm, gross weight 25.2g. £500 - £700

74 A pair of diamond bangles, each designed as a series of brilliant cut diamond quatrefoil clusters with similarly cut diamond spacers and scrolling wirework settings, estimated total diamond weight 3.50cts, length of inner diameter 6.1cm, gross weight 37.4g (2). £1,800 - £2,800 75 A 9ct gold initial bangle, the polished ‘G’ atop the rope twist bangle, stamped 9ct, length of inner diameter 5.3cm, gross weight 10.2g. £100 - £150

75

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76

77 76 An early 20th Century diamond and split pearl brooch, the old cut diamond within an old and rose cut diamond double crescent surround, atop the polished bar with split pearl terminals, stamped ZB&S, estimated total diamond weight 1.25cts, principal diamond weight approx 0.35ct, estimated J-K, P2, length 4.5cm, gross weight 6.2g. £150 - £250

79

77 A mid Victorian enamel, diamond and pearl mourning brooch, designed as a rose cut diamond forget-me-not, with black enamel backing and split pearl tiered surround, to the scalloped black enamel border, with glazed panel reverse, length 3.3cm, gross weight 14.6g. £100 - £150 78 A 1970s emerald and diamond brooch, of abstract design, the brilliant cut diamond and circular shape emerald within an openwork textured surround, estimated total diamond weight 0.15ct, length 3.2cm, gross weight 12g. £200 - £300

80

79 A late Victorian ruby and diamond crescent brooch retailed by Wartski, of typical form, the cushion shape ruby graduated line with old cut diamond duo spacers, estimated total diamond weight 0.75ct, length 5.7cm, gross weight 4.8g.

Accompanied by a Wartski of LLandudno fitted case and original receipt dated 1949. £700 - £900 81

78 80 Two diamond and gem-set bug brooches, including an emerald and a sapphire bug, each with brilliant cut diamond eyes, length 2.7cm, gross weight 5.6g. £100 - £200 81 A vari gem bug brooch, with oval shape amethyst and split pearl body, ruby eyes and old cut diamond wings, atop the polished bar with split pearl accent, estimated total diamond weight 0.70ct, length 5cm, gross weight 7.2g. £300 - £350 82 A late 19th Century shell cameo, enamel and ruby memorial brooch, the oval shell cameo depicting an angel playing two trumpets and a torch to the background, within a circular shape ruby openwork surround and black enamel bar sides, length 6.5cm, gross weight 7g. £70 - £100 83 An Arts & Crafts opal and vari gem brooch attributed to Arthur and Georgie Gaskin, the central rectangular opal within an oval opal, blister pearl, pear shape green paste and circular pink gem foliate wirework surround, two pastes deficient, unsigned, length 4.3cm, gross weight 11.6g.

See Victoria & Albert Museum item E.704-1969 for a sketch depicting a similar design, dated 1911-1912. £250 - £350 84 A 19th Century malachite and diamond brooch, the rectangular malachite carving depicting a mythological scene of a cherub and a gryphon, within a rose cut diamond surround, length 2.4cm, gross weight 5.7g. £300 - £400

82

84 83 22

For condition reports please go to www.peterwilson.co.uk

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86

88 85 87

85 A late 19th Century Swedish 18ct gold split pearl brooch by G Dahlgren & Co., of shield outline, the split pearl line with textured foliate terminal within a shield shape surround, suspending a spherical drop, assay marks for Malmö, 1879, length 6.4cm, gross weight 10g. £200 - £300 86 A multi-gem spray brooch by Cropp & Farr, the circular shape zircon and amethyst floral sprigs with textured butterfly accents and zircon, tourmaline, citrine and garnet cluster to ribbon, makers marks for Cropp & Farr, stamped 9ct, 5963, length 6.2cm, gross weight 13.7g. £150 - £250 87 A jade and marcasite double clip brooch, designed as a carved jade duo, depicting fruits and gourds, within a marcasite foliate and openwork surround, length 6.8cm, gross weight 30.5g. £150 - £250 88 An early 20th Century cultured pearl, amethyst and diamond brooch, of circular outline, the cultured pearl within an oval shape amethyst, diamond chip and seed pearl undulating surround, Swiss assay marks, length 3.9cm, gross weight 10.9g. £100 - £200

89 An early 20th Century diamond and pearl brooch, designed as a vari-cut diamond ribbon tied in two bows, encasing a trio of graduated pearls, estimated total diamond weight 0.20ct, length 6.5cm, gross weight 5.6g. £240 - £340 90 A mid Victorian foil back garnet and chrysoberyl brooch, the oval foil back garnet cabochons and cushion shape chrysoberyl within a scrolling surround with spherical and ropework accents, suspending snake link chain swags and pear shape drops, length 7.9cm, gross weight 15.1g. £200 - £300 91 A tourmaline garnet and split pearl brooch, designed as a circular shape green tourmaline and similar shape garnet trio, within a split pearl surround, accompanied by a Wartski’s of Llandudno case, length 3.6cm, gross weight 6.5g. £150 - £250

90

91

89

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92 A late 19th Century diamond brooch, designed as a rose cut diamond floral cluster within a similarly cut diamond openwork foliate surround, replacement pin with French assay marks, principal diamond estimated 0.85ct, length 4.2cm, gross weight 13.8g. £1,500 - £2,000

92

93 A Georg Jensen brooch, pattern no. 258, designed by Arno Malinowski, the bird in flight with foliate detailing, within an openwork wreath, maker’s marks for Georg Jensen, stamped Sterling Denmark, length 4cm, gross weight 7.2g. £150 - £200

93

94 An early 20th Century diamond bar brooch, the graduated old cut diamond line with scrolling similarly cut diamond sides, estimated total diamond weight 1.15cts, principal diamonds estimated colour I-J, estimated clarity P1-P2, length 4.7cm, gross weight 4.4g. £350 - £450

95

95 An Art Nouveau opal and diamond brooch retailed by Wartski, the circular oval opal cabochon and rose cut diamond drop, suspended from a sinuous openwork rose cut diamond panel, with a trio of oval opal cabochon and rose cut diamond floral clusters, and circular opal cabochon cap, length 4.6cm, gross weight 13.1g.

Accompanied by fitted case and original purchase receipt from Wartski’s of Llandudno dated 1951. £600 - £800

96

98

94

96 An early 20th Century Murrle Bennett & Co. peridot and split pearl brooch, of asymmetric design the circular shape peridot duo with split pearl accents, within an openwork navette shape surround, stamped MB & CO, 9ct, length 3.7cm, gross weight 1.8g. £120 - £180 97 An early 20th Century Murrle Bennett & Co. split pearl pin, of sinuous design in the form of a treble clef with split pearl accent, stamped MB & CO, 9ct, length 3.4cm, gross weight 0.7g. £50 - £70 98 A sapphire stick pin, the oval shape yellow sapphire weighing approximately 6.50cts within a twelve claw setting, length of setting 1.4cm, length of pin 7.2cm. £300 - £400 99 A late 19th Century coral stickpin, the coral carving depicting a cherub with floral garland, AF, length of stickpin head 2.4cm, in fitted case, gross weight 2.7g. £70 - £90

99

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102 100

103

101 100 A pair of 1920s 18ct gold cufflinks, each designed as a pair of oval shape panels with central monogram and scrolling surround, with trace link chain spacers, hallmarks for G H Johnstone & Co., Birmingham, 1921, length 1.8cm, gross weight 8.7g. £220 - £280

105 A pair of ruby and diamond earrings, each designed as a pear shape ruby and brilliant cut diamond cluster suspended from a similarly cut diamond line surmount, estimated total diamond weight 1.20cts, length 3.2cm, gross weight 8.5g. £1,200 - £1,800

101 A selection of early 20th Century dress studs, to include a cased set of silver gilt blue and white enamel dress studs, a cased pair of seed pearl dress studs and two others. £60 - £80

106 A pair of old cut diamond stud earrings, estimated total diamond weight 0.50ct, estimated colour I-J, estimated clarity SI-P2, gross weight 1.3g. £300 - £400

102 A pair of knot earrings, each designed as a polished and textured openwork knot, stamped 750, length 2cm, gross weight 6.2g. £100 - £150 103 A pair of 18ct gold Leo de Vroomen mabé pearl and diamond earrings, each designed as a mabé pearl within a textured surround, with brilliant cut diamond collet accents, ropework and sphere detailing, signed de Vroomen, hallmarks for London, 1994, length 2.9cm, gross weight 30.2g. £1,800 - £2,200 104 A pair of diamond drop earrings, each designed as a pear shape and brilliant cut diamond cluster drop, suspended from a baguette cut diamond and brilliant cut diamond surmount, estimated total diamond weight 1.85cts, principal diamonds estimated 0.40ct, estimated IJ colour, SI2-P1 clarity, length 2.4cm, gross weight 4.2g. £650 - £850

107 A pair of opal and diamond earrings, each designed as a circular opal cabochon within a single cut diamond surround, estimated total diamond weight 1.50cts, length 1.4cm, gross weight 5.3g. £700 - £900

104

108 A pair of synthetic sapphire and diamond earrings, each designed as a rectangular shape synthetic sapphire within a brilliant cut diamond surround, stamped 14K, estimated total diamond weight 0.45ct, length 1.5cm, gross weight 9.3g. £250 - £350

105 106

107

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109

111

110

109 A pair of 18ct gold diamond earrings, each designed as an old cut diamond with single cut diamond line accent atop the convex bar, French assay marks, estimated total diamond weight 1.75cts, estimated colour J-K, estimated clarity P1-P2, length 1.8cm, gross weight 5.3g. £550 - £650

112

110 A pair of 18ct gold diamond hoop earrings, each designed as a brilliant cut diamond line with hinged reverse, hallmarks for London, estimated total diamond weight 1ct, length 1.5cm, gross weight 3.6g. £400 - £600 111 A pair of 18ct gold Leo de Vroomen earrings, each designed as a planished cushion shape stud with grooved detailing, signed de Vroomen, hallmarks for London, 1995, length 2.8cm, gross weight 29.2g. £1,000 - £1,500

113

112 A pair of Sri Lankan sapphire drop earrings, each designed as a cushion shape sapphire weighing 5.50 and 6.20cts respectively, suspended from an oval shape sapphire with knife-edge bar spacers and spherical surmount, length 3.5cm, gross weight 5g. Accompanied by GCS report number 79232-27 dated 23.9.19 stating that the principal stones are Sri Lankan, no heat treatment. £800 - £1,200

114

114 A pair of aquamarine and diamond earrings, each designed as an oval shape aquamarine within a brilliant cut diamond scalloped surround, estimated total diamond weight 0.75ct, length 1.4cm, gross weight 3.1g. £500 - £550 115 A pair of sapphire and diamond hoop earrings, each designed as a square shape diamond line with single cut diamond sides and polished hinged reverse, stamped 14K, estimated total diamond weight 0.20ct, length 1.5cm, gross weight 5.2g. £200 - £300 116 A pair of brilliant cut black diamond stud earrings, estimated total diamond weight 2.40cts, length 0.7cm, gross weight 3.5g. £300 - £350 117 A pair of diamond earrings, each designed as a square shape diamond quatrefoil cluster, stamped 18K, estimated total diamond weight 0.65ct, length 1cm, gross weight 2.6g. £100 - £150 118 A pair of 18ct gold Leo de Vroomen earrings, each designed as a grooved triangular convex line within a textured surround, maker’s marks for Leo de Vroomen, hallmarks for London, 1990, length 3cm, gross weight 30.3g. £1,000 - £1,500

113 A pair of Georg Jensen earrings, 62 pattern, each designed as a convex disc with swirling motif, and screw back fittings, maker’s marks for Georg Jensen, stamped STERLING, length 1.8cm, gross weight 6.6g. £60 - £80

115

116

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117

118

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121 119 120 119 A pair of cultured pearl and diamond earrings, each designed as a cultured pearl bead with single cut diamond collet centre, within a vari-cut diamond convex shell surround, estimated total diamond weight 0.7ct, length 1.5cm, gross weight 7.5g. £150 - £200 120 A pair of diamond earrings, each designed as a convex hinged hoop with a triple row of brilliant cut diamonds, estimated total diamond weight 6.30cts, estimated J-tinted colour, P1-P2 clarity, length 2.5cm, gross weight 13.2g. £2,500 - £3,000 121 A pair of Burmese pink sapphire and diamond earrings retailed by Wartski, each designed as a circular shape pink sapphire within a circular cut diamond surround, estimated total diamond weight 1ct, length 1.1cm, gross weight 3.7g.

Accompanied by Wartski fitted case and original purchase receipt dated 1956, as well as a certificate from GCS stating that the rubies are Burmese, with no evidence of heat treatment. £1,500 - £2,000 122 A pair of diamond earrings, each designed as a graduated brilliant cut diamond convex line, with baguette cut diamond line accent, and similarly cut diamond terminal, estimated total diamond weight 5cts, length 3.1cm, gross weight 15.7g. £1,500 - £2,000

123 A pair of carved jade earrings, each designed as a circular jade carving depicting flora and fauna, length 1.2cm, gross weight 4.3g. £100 - £150 124 A pair of Stephen Webster silver and sapphire earrings, each designed as an openwork hoop with green sapphire bar terminal, suspending a textured and openwork scrolling drop, hallmarks for London, 2010, maker’s marks for Stephen Webster, length 7.4cm, gross weight 19.6g.

Accompanied by maker’s case. £70 - £90

122

125 A pair of 18ct gold diamond cluster earrings, of floral design, the brilliant cut diamond within a similarly cut diamond surround, hallmarks for Birmingham, estimated total diamond weight 0.90ct, length 1cm, gross weight 3.5g. £300 - £500

123

126 A pair of emerald and diamond earrings, each designed as a marquise shape emerald within a graduated brilliant cut diamond partial surround, stamped 18K, estimated total diamond weight 1ct, length 1.7cm, gross weight 9.6g. £1,200 - £1,800 125

127 A pair of 18ct gold Leo de Vroomen amethyst and enamel earrings, each designed as a cushion shape amethyst cabochon, with orange and green enamel surround, signed de Vroomen, hallmarks for London, 1996, length 3cm, gross weight 44.1g. £1,000 - £1,500

126

124

127

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132

131

128

128 A selection of coral jewellery, to include a coral and diamond cluster pendant, together with a pair of 18ct gold coral and split pearl drop earrings, estimated total diamond weight 0.25ct, lengths 2.4 and 4.5cm, gross weight 11.9g. £360 - £460 129 A suite of vari-gem leopard jewellery, to include a 9ct gold leopard brooch, with emerald eyes and circular shape sapphire and colourless gem spots, together with a pair of accompanying earrings, brooch with hallmarks for London, 1988, length of brooch 4.1cm, length of earrings 3cm, gross weight 16.1g. £180 - £220 130 A selection of coral jewellery, to include a pair of carved coral bull earrings, together with a carved coral brooch depicting cupid riding a dolphin and a wreath brooch, AF (3). £60 - £80

129

131 An early 20th Century aquamarine negligee pendant, the circular 21ct aquamarine suspending cushion and pear shape aquamarine drops, with trace link chain sides, length 45cm, gross weight 13g. £100 - £150

134 132 A sapphire pendant, the cushion shape sapphire collet suspended from a trace link chain, stamped 750, length of pendant 1.9cm, length of chain 49cm, gross weight 7.6g. £280 - £320 133 A 1970s 9ct gold collarette necklace, the graduated necklace with polished and textured bar accents, to the push-piece clasp,hallmarks for London, 1978, length 41cm, gross weight 20.6g. £180 - £220 134 An Art Nouveau 9ct gold turquoise and pearl pendant, the oval turquoise cabochon within an openwork sinuous design, suspending a baroque pearl, hallmarks for London 1904, importers mark for Max Stollsteimer, length of pendant 5.3cm, length of chain 58cm, gross weight 4.7g. £100 - £150

133 130

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135

136

135 A diamond necklace, the 0.72ct square modified brilliant cut light pinkish brown diamond suspended within a brilliant cut diamond circular surround to the fancy link chain, estimated total diamond weight 1.60cts, length of pendant 2.9cm, length of chain 42cm, gross weight 8.8g. Accompanied by a copy of GIA certificate no. 16825509 dated 2008 stating that the colour is natural. £2,200 - £2,800

137

136 An early 20th Century opal, diamond and seed pearl necklace, the pear opal cabochon and old cut diamond drop suspended from a triangular opal cabochon with similarly cut diamond surround to the integral trace-link chain with seed pearl spacers, estimated total diamond weight 1.05cts, estimated colour I-J, estimated clarity SI, length of drop 4.3cm, length of chain 43cm, gross weight 9.9g. Accompanied by Wartski case and original purchase receipt from A. Prosser & Son dated 1958. £800 - £1,200 137 A 9ct gold necklace, designed as a series of convex curved links with scrolling spacers, hallmarks for Sheffield, length 41.5cm, gross weight 21.6g. £180 - £220 138 An early 20th Century 9ct gold Albert chain, the graduated curb link chain with T-bar attachment and spring clasp terminals, hallmarks for Birmingham, length 43.5cm, gross weight 46.9g. £450 - £550

138

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139

142

139 A Liberty & Co. Arts & Crafts moonstone and blister pearl pendant, the circular moonstone cabochon within a wirework floral surround, suspending an oval blister pearl collet, with base metal rope twist chain, length of pendant 4.3cm, length of chain 38cm, gross weight of pendant 3.6g.

Illustrated in Liberty & Co. catalogue no.3. £200 - £300

140

140 A diamond and cultured pearl necklace, designed as a double strand of uniform cultured pearls with a circular shape vari cut diamond openwork clasp, estimated total diamond weight 0.95ct, principal diamond weight approx.

0.40ct, estimated colour I-J, estimated clarity P1P2, length 75cm. £400 - £600 141 An 18ct gold red paste necklace, the three openwork links with circular red paste accents and fancy ball and cross chain sides, stamped 750, maker’s mark DL, length 43.5cm, gross weight 41.8g. £800 - £1,200 142 An amethyst and diamond pendant necklace retailed by Wartski, the pear shape amethyst pendant with a vari-cut diamond tapered surmount, with oval shape amethyst and old cut diamond duo drop sides, all suspended from a trace link chain, estimated total diamond weight 0.65ct, length of pendant 4.3cm, length of chain 46cm, gross weight 14.5g. Accompanied by original purchase receipt from Wartski’s of Llandudno dated 1949. £500 - £700

141

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145

143 A 1980’s 9ct gold garnet necklace, the circular shape garnet within a textured starburst surround, with overlapping ribbon style fancylink chain sides, hallmarks for London, 1981, length 42cm, gross weight 22.7g. £200 - £250

143

144 An 18ct gold chain necklace, the graduated fancy link chain with textured and polished links to the spring clasp, Italian assay marks, length 45.5cm, gross weight 14g. £300 - £350 145 An 18ct gold Mappin & Webb diamond cross pendant, the baguette cut diamond cross with similarly cut diamond tapered surmount, hallmarks for London, 2000, maker’s marks for Mappin & Webb, estimated total diamond weight 1ct, suspended from an 18ct gold box link chain, length of pendant 3cm, length of chain 46cm, gross weight 5.3g. £300 - £400 146 A fringe necklace, the chevron link chain suspending a series of graduated polished bars, stamped 750, length 42.5cm, gross weight 40.9g. £1,200 - £1,800

146 144

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150

151 148 147 A Deakin & Francis 9ct gold split pearl necklace, designed as a fancy link chain with split pearl spacers, hallmarks for London, 1979, maker’s marks for Deakin & Francis, length 38cm, gross weight 6.7g. £60 - £80 148 An 18ct gold necklace, designed as a series of spherical and marquise textured beads with trace link chain spacers, import marks for London, 1973, length 82cm, gross weight 39.5g. £1,000 - £1,500 149 A cultured pearl and diamond necklace, the single strand of graduated cultured pearls with a brilliant cut diamond push piece clasp, estimated total diamond weight 0.15ct, length 43cm. £150 - £200

149

150 An 18ct gold locket, the circular shape vacant pocket watch case embossed with a dragon, suspended from a flat curb link chain, French assay marks, length of pendant 3.9cm, length of chain 59cm, weight approx. 14.8g. £300 - £350

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151 A diamond pendant, designed as a brilliant cut diamond cluster atop the textured and polished spray surround, suspended from a box link chain, stamped 750, estimated total diamond weight 0.55ct, length of pendant 4.4cm, length of chain 49cm, gross weight 16.1g. £750 - £850

For condition reports please go to www.peterwilson.co.uk

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155 153

152 152 A George V sovereign dated 1914, with wirework pendant mount, suspended from a fancy trace link chain, length of pendant 3.5cm, length of chain 48cm, gross weight 15.3g. £250 - £300 153 A ruby diamond and enamel heart pendant, the heart shape ruby within a brilliant cut dimond surround with enamel cap and tapered surmount, estimated total diamond weight 1.25cts, length 3cm, gross weight 11.6g. £2,200 - £2,800 154 An 18ct gold chain necklace, the flat curb link chain with elongated links and spring clasp, Italian assay marks, length 61cm, gross weight 19.2g. £420 - £520

154

155 An 18ct gold multi gemstone necklace by Louis Féraud, designed as a polished bar suspending a trio of vari shape tourmaline, blue topaz and amethyst drops, suspended from a snake link chain, Italian assay marks, signed Féraud, length of pendant 4.9cm, length of chain 42.5cm, gross weight 13.4g. £600 - £800 156 A black diamond Rosary necklace, the black diamond cross, suspended from a black diamond beaded necklace with circular black diamond spacer, estimated total diamond weight 13cts, length 68cm, gross weight 71.7g. £500 - £700

156

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157 A Tiffany & Co. diamond single stone pendant, the brilliant cut diamond weighing 0.62ct within a four claw setting, suspended from an integral trace link chain, maker’s marks for Tiffany & Co., stamped PT950, estimated colour F-G, estimated clarity VS, length 42cm, gross weight 3.1g. £2,000 - £2,500 158

157

158 A diamond pendant, designed as a heart pavé set with graduated white to tinted brilliant cut diamonds and a similarly cut diamond tapered surmount, estimated total diamond weight 1.10cts, length 2.4cm, gross weight 6.4g. £380 - £480

159

159 An aventurine quartz necklace, the single strand of spherical and disc shape aventurine quartz beads with an oversized spring clasp, length 92cm. £100 - £150

160 A coral and ruby necklace, the double strand of graduated coral beads terminating in a foliate push piece clasp set with a circular shape ruby cluster, stamped 750, length 39.5cm, gross weight 76.8g. £240 - £340

160

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162

161

165

161 An 18ct gold sapphire and diamond cultured pearl necklace, the double strand of graduated cultured pearls with a rectangular openwork push piece clasp, set with vari shape sapphires and rose cut diamonds, French assay marks, length 49.5cm, gross weight 41.6g. £400 - £450 162 An early 20th Century garnet and split pearl pendant, of openwork design, the pear shape garnet and split pearl cluster within a foliate scrolling surround, with circular shape garnet surmount, suspended from a later 9ct gold flat curb-link chain, length of pendant 3.9cm, length of chain 40cm, gross weight 6g. £60 - £80 163 A 9ct gold diamond single stone pendant, the brilliant cut diamond collet with snake link chain, hallmarks for London, estimated diamond weight 0.10ct, length of pendant 0.7cm, length of chain 41cm, gross weight 7.1g. £150 - £200

164 A cultured pearl necklace, designed as a woven multi-strand cultured pearl line, with textured push piece clasp, stamped 14K, length 43cm. £200 - £300 165 A cultured pearl and diamond necklace, the cultured pearl drop with brilliant cut diamond cap, suspended from a similarly cut diamond openwork surmount with flat curb link chain sides, stamped 750, estimated total diamond weight 0.65ct, length 43.5cm, gross weight 12.6g. £480 - £580

164

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166 167 168

166 An aquamarine and diamond pendant, the oval shape aquamarine weighing 6.02cts within a brilliant cut diamond surround and surmount, suspended from a trace link chain, estimated total diamond weight 2.20cts, length of pendant 3.3cm, length of chain 50cm, gross weight 9.9g. £1,800 - £2,200 167 A 1970s 9ct gold ingot, suspended from an early 20th Century 9ct gold Albert chain, ingot with hallmarks for London, 1977, length 36.5cm, gross weight 53.9g. £650 - £850 168 A jadeite gourd pendant, the jadeite gourd and bird carving suspended from a fancy-link white metal chain, length of carving 4cm, length of chain 42cm, gross weight 8.3g. £100 - £150 169 An 18ct gold citrine necklace by Wellendorff, the circular citrine collet with grooved sides, inset to the double rope link chain with spring clasp and brilliant cut diamond polished ‘W’, maker’s marks for Wellendorff, length 40.5cm, gross weight 109.4g. £4,500 - £5,500

169

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170

171

172

170 A sapphire, emerald and diamond necklace, designed as a pear shape sapphire brilliant cut diamond and tapered baguette shape emerald drop, suspended from an oval sapphire cabochon and brilliant cut diamond surmount, with snake link chain sides, estimated total diamond weight 1ct, estimated colour I-J, estimated clarity SI, length 43cm, gross weight 8g. £300 - £350 171 An early 20th Century photo locket, the circular glazed compartment within a scalloped and beadwork surround, suspended from a triple row plaited trace-link chain, stamped 9ct, length of locket 4.8cm, length of chain 46cm, gross weight 54.5g. £500 - £600 172 An early 20th Century 9ct gold Albert chain, the graduated curb link chain with T-bar attachment and spring clasp terminals, suspending a 1920s 9ct gold medallion, hallmarks for Birmingham, length 39.5cm, gross weight 39.6g £400 - £450

173 An 18ct gold and diamond cultured pearl necklace, the single strand of uniform cultured pearls with a trapezoid brilliant cut diamond clasp, suspending a series of star, heart and cultured pearl drops from box link chains, Italian assay marks, estimated total diamond weight 0.25ct, length 48cm, gross weight 48.1g. £850 - £950

173

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174

177

175 178

174 A cultured pearl and diamond pendant, the large cultured pearl with a brilliant cut diamond cap, estimated total diamond weight 0.50ct, length 3cm, gross weight 13.9g. £350 - £450 175 A 9ct gold fob chain, the fancy openwork link chain with T-bar and spring clasp terminals, import marks for Sheffield, 1997, length 19.5cm, gross weight 26.8g. £250 - £300

178 An early 20th Century peridot and split pearl pendant, the pear and circular shape peridot collet drops, suspended from a similar shape split pearl foliate surround, to the later flat curb link chain, stamped 15ct and 585 respectively, length of pendant 4.4cm, length of chain 45cm, gross weight 6.6g. £100 - £150

176 A diamond and cultured pearl rosary necklace, designed as a pavé set diamond cross, suspended from a similarly set diamond convex heart, with pink cultured pearl bead spacers, estimated total diamond weight 2.50cts, length 70cm, length of drop 16.5cm, gross weight 47.6g. £1,700 - £1,900 177 An 18ct gold sapphire and diamond pendant, the pear shape sapphire with a pavé set diamond partial surround and integral trace link chain sides, import marks for Sheffield, 1986, estimated total diamond weight 0.50ct, length 43.5cm, gross weight 7g. £360 - £460

176

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179 179 A ruby and diamond dress ring, the oval and circular shape ruby cluster within a square shape panel, with tapered vari-cut diamond shoulders, estimated total diamond weight 0.60ct, ring size L1/2, gross weight 5.7g. £160 - £260

182 182 A vari gem cluster ring, the trio of brilliant cut diamond and circular shape ruby, emerald and sapphire floral clusters with marquise shape diamond petal accents, estimated total diamond weight 0.80ct, ring size K1/2, gross weight 7g. £220 - £280

180 180 A diamond eternity ring, the brilliant cut diamond line claw set into the polished band, estimated total diamond weight 1.60cts, ring size P1/2, gross weight 5.3g. £700 - £900

183 183 An 18ct gold diamond band ring, the pavé set diamond band with polished sides, hallmarks for Edinburgh, estimated total diamond weight 1.50cts, ring size S1/2, gross weight 10.1g. £600 - £800

181 181 An 18ct gold diamond single stone ring, of bicolour design, the 0.51ct brilliant cut diamond within a six claw setting to the heart detail shoulders, accompanied by an Anchorcert certificate 125448-004 stating that the diamond is F, VVS1, hallmarks for Sheffield, 2004, ring size M1/2, gross weight 3.8g. £800 - £1,200

184 184 A sapphire and diamond dress ring, the oval shape sapphire with baguette cut diamond sides and similarly cut diamond tapered shoulders, stamped 750, estimated total diamond weight 0.90ct, ring size K, gross weight 6.3g. £800 - £1,200

185 185 A ruby and diamond three stone ring retailed

by Wartski, the circular shape ruby with old cut diamond sides, stamped 18ct, estimated total diamond weight 0.80ct, estimated colour I-J, estimated clarity SI, ring size Q1/2, gross weight 3.6g. Accompanied by original purchase receipt from Wartski of Llandudno, dated 1944. £1,200 - £1,800

186 186 An 18ct gold diamond three stone ring, the brilliant cut diamond line with shared claw settings, stamped 18ct, estimated total diamond weight 0.65ct, estimated colour J-K, estimated clarity P1-P2, ring size Q, gross weight 2.6g. £150 - £200

187 187 Two interlocking dress rings, each designed as an open band, one polished and one set with brilliant cut diamonds, estimated total diamond weight 1.50cts, ring size Q, gross weight 18.4g. £700 - £900

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188 188 A Georg Jensen silver ring, pattern 11a, the polished dome within a foliate surround, stamped STERLING DENMARK and 11A, maker’s marks for Georg Jensen, ring size Q, gross weight 8.3g. £50 - £70

189 189 A foil back ruby and diamond dress ring, the oval shape foil back ruby duo with an oval shape ruby and rose cut diamond coronet, to the similarly cut ruby and diamond chip sides, ring size R, gross weight 5g. £100 - £150

190 190 A sapphire and diamond cluster ring, the oval shape sapphire within a brilliant cut diamond scalloped surround and similarly cut diamond shoulders, stamped 18ct, estimated total diamond weight 0.80ct, ring size N1/2, gross weight 3.4g. £850 - £950

191 191 A diamond dress ring, of abstract design, the curved asymmetric panels with single cut diamond accents, stamped 750, maker’s mark 367AL, ring size N, gross weight 5.5g. £100 - £150

192 192 A sapphire and diamond dress ring, the slightly graduated square shape sapphire line within a single cut diamond surround, stamped 18ct, estimated total diamond weight 0.15ct, ring size M1/2, gross weight 3.5g. £520 - £620 193 A diamond five stone ring, the graduated brilliant cut diamond line with tapered shoulders, stamped 18ct, estimated total diamond weight 1.30ct, estimated J-K, SI-P2, ring size P1/2, gross weight 3.8g. £1,200 - £1,800

194 194 An 18ct gold tourmaline and diamond dress ring, the rectangular shape indicolite tourmaline with brilliant cut diamond openwork shoulders, hallmarks for Birmingham, estimated total diamond weight 0.30ct, ring size O, gross weight 9.6g. £420 - £520

193

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195 An impressive 18ct gold diamond single stone ring, the square emerald cut diamond with baguette cut diamond tapered shoulders, principal diamond weight 4.03cts, estimated colour J-K, estimated clarity VS, ring size K, gross weight 4.3g. £15,000 - £18,000

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196 196 An 18ct gold diamond cluster ring, the brilliant cut diamond line with similarly cut diamond graduated sides, import marks for London, 1998, estimated total diamond weight 1.10cts, ring size N, gross weight 5.1g. £280 - £320

199 199 A Boodles & Dunthorne diamond cluster ring, the marquise shape diamond within a brilliant cut diamond surround and tapered shoulders, stamped 18ct, maker’s marks for Boodles & Dunthorne, estimated total diamond weight 1.20cts, principal diamond weight approx.

0.50ct, estimated colour I-J, estimated clarity SI, ring size P, gross weight 4.2g. £500 - £700

202 202 An opal and cultured pearl dress ring, of abstract floral design, the off-round cultured pearl and oval opal cabochon duo within a foliate surround, stamped 750, ring size P1/2, gross weight 19.7g. £500 - £600

197 197 An 18ct gold diamond band ring, the brilliant cut diamond line inset to the polished band, hallmarks for London, 1975, estimated total diamond weight 0.65ct, ring size O1/2, gross weight 4.1g. £150 - £200

200 200 A ruby and diamond dress ring, the oval shape ruby with brilliant cut diamond collet accents within a vari-size brilliant cut diamond openwork surround, stamped 18ct, estimated total diamond weight 0.25ct, ring size M, gross weight 3g. £560 - £660

203 203 A platinum diamond band ring by David M Robinson, the square shape diamond line inset to the shaped band, hallmarks for Edinburgh, 2006, maker’s marks for David M Robinson, estimated total diamond weight 1.05cts, estimated colour I-J, estimated clarity VS2-SI1, ring size S1/2, gross weight 19.4g. £600 - £800

198 198 A sapphire and diamond dress ring, designed as an old cut diamond and circular shape sapphire line with vari cut diamond duo spacers, stamped 18ct, estimated total diamond weight 0.50ct, principal diamond approx. 0.35ct, estimated K-L, SI, ring size N, gross weight 3.4g. £120 - £180

201 201 A diamond cluster ring, of navette outline, the single cut diamond within a brilliant cut diamond surround, stamped 750, estimated total diamond weight 0.55ct, ring size O1/2, gross weight 5.7g. £200 - £250

204 204 An aquamarine and diamond cluster ring, of geometric design, the rectangular shape aquamarine within a square shape diamond tapered surround, stamped 18ct, estimated total diamond weight 0.35ct, ring size P, gross weight 4g. £600 - £650

For condition reports please go to www.peterwilson.co.uk

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205 205 A diamond cluster ring, the brilliant cut diamond within an openwork baguette and brilliant cut diamond tiered and scalloped surround, estimated total diamond weight 2.65cts, principal diamond estimated 0.50ct, H-I colour, SI2-P1 clarity, ring size N, gross weight 11g. £2,000 - £3,000

208 208 A sapphire and diamond cluster ring, the cushion shape sapphire within a brilliant cut diamond surround and baguette cut diamond shoulders, stamped PLAT, estimated total diamond weight 0.60ct, ring size O1/2, gross weight 4.6g. £860 - £960

211 211 A platinum emerald and diamond dress ring, designed as a brilliant cut diamond collet within a calibré cut emerald and single cut diamond octagonal surround, estimated total diamond weight 0.20ct, hallmarks for London, 1989, ring size M1/2, gross weight 4.3g. £180 - £220

206 206 A platinum ruby and diamond cluster ring, the cushion shape ruby within a brilliant cut diamond halo surround and similarly cut diamond shoulders, hallmarks for London, 2007, estimated total diamond weight 0.15ct, ring size K1/2, gross weight 4.8g. £250 - £350

209 209 An 18ct gold diamond five stone ring, designed as an old cut diamond line with crossover shoulders, hallmarks for Birmingham, 1975, estimated total diamond weight 2cts, estimated colour J-K, estimated clarity P1-P2, ring size L, gross weight 5.1g. £1,200 - £1,800

212 212 A late Victorian 18ct gold ruby and diamond dress ring, the cushion shape ruby line with old cut diamond duo spacers and scrolling shoulders, hallmarks for Birmingham, 1896, ring size Q1/2, gross weight 4.9g. £180 - £200

207 207 A diamond cluster ring, the brilliant cut diamond, with rose cut diamond quatrefoil accents and scalloped tiered surround, one rose cut diamond deficient, principal diamond weight approx. 0.30ct, estimated J-K, SI, ring size P, gross weight 7g. £180 - £220

210 210 A late Victorian diamond single stone ring retailed by Wartski, the old cut diamond star set within the tapered band, hallmarks for Birmingham, 1886, estimated diamond weight 0.15ct, estimated colour J-K, estimated clarity SI, ring size S, gross weight 5.2g. Accompanied by original purchase receipt from Wartski’s of Llandudno, dated 1943. £100 - £150

213 213 An 18ct gold diamond cluster ring, of asymmetric design, the brilliant cut diamond dome with grooved crossover surround, hallmarks for London, estimated total diamond weight 1.60cts, ring size M, gross weight 10g. £400 - £600

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214 214 A diamond three stone ring, the old cut diamond with circular cut diamond sides and tapered shoulders, stamped 18ct, estimated total diamond weight 0.90ct, estimated colour IJ, estimated clarity P1-P2, ring size R1/2, gross weight 2.7g. £300 - £400

217 217 A Victorian half sovereign dated 1899, within a 9ct gold ring mount, hallmarks for Birmingham, 1981, ring size R, gross weight 9.9g. £100 - £150

220 220 A topaz and diamond cluster ring, the oval shape golden topaz within a brilliant and baguette cut diamond surround, stamped 18ct, estimated total diamond weight 0.35ct, ring size M, gross weight 4.3g. £100 - £150

215 215 An emerald and diamond cluster ring, the oval shape emerald within a brilliant cut diamond surround, stamped 18ct, estimated total diamond weight 1.60cts, estimated J-K, SI, ring size P, gross weight 4.8g. £1,600 - £2,000

218 218 An opal and diamond dress ring, the oval opal cabochon line with old cut diamond duo spacers, stamped 18ct, estimated total diamond weight 0.20ct, ring size N1/2, gross weight 4g. £180 - £220

221 221 A diamond eternity ring, designed as a brilliant cut diamond line in four claw settings, stamped 585, estimated total diamond weight 0.45ct, ring size L, gross weight 1.9g. £200 - £300

216 216 An 18ct gold diamond dress ring, the brilliant cut diamonds within a rectangular shape panel, import marks for London, 1987, estimated total diamond weight 0.35ct, ring size U, gross weight 8.9g. £220 - £280

219 219 A diamond single stone ring, the old cut diamond within an eight claw setting, stamped 18ct & Pt, estimated diamond weight 1ct, estimated colour G-H, estimated clarity SI, ring size O, gross weight 2.2g. £1,500 - £2,000

222 222 A tanzanite and diamond cluster ring, the square shape tanzanite within a brilliant cut diamond surround, stamped 750, total diamond weight 0.10ct, stamped to band, ring size N, gross weight 3.6g. £100 - £150

For condition reports please go to www.peterwilson.co.uk

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223 223 A diamond three stone ring, the brilliant cut diamond line with crossover shoulders, estimated total diamond weight 0.60ct, estimated colour J-K, estimated clarity SI2-P2, ring size O, gross weight 3.1g. £120 - £180

226 226 A synthetic sapphire and diamond cluster ring, the rectangular shape synthetic sapphire within a brilliant cut diamond surround, stamped 14K, estimated total diamond weight 0.35ct, ring size S, gross weight 7.9g. £300 - £400

229 229 An emerald and diamond cluster ring, the central oval shape emerald within a brilliant cut diamond tiered surround, stamped 18ct, estimated total diamond weight 2.30cts, ring size M, gross weight 8.8g. £700 - £900

224 224 A diamond single stone ring, the cushion cut diamond within a four claw setting, with brilliant cut diamond line shoulders, stamped 14K, estimated total diamond weight 1.40cts, principal diamond estimated 1.05cts, estimated colour K-L, estimated clarity VS2-SI1, ring size L, gross weight 2.4g. £1,900 - £2,200

227 227 A platinum diamond five stone ring, the brilliant cut diamond line with raised bar spacers, hallmarks for London, 2010, total diamond weight 1.50cts, stamped to band, estimated colour J-K, estimated clarity SI, ring size K1/2, gross weight 5.2g. £650 - £850

230 230 A sapphire and diamond five stone ring, the circular shape sapphire and old cut diamond line with tapered shoulders, stamped 18ct and Plat, estimated total diamond weight 0.30ct, ring size L1/2, gross weight 2.7g. £380 - £480

225 225 An 18ct gold tanzanite and diamond cluster ring, the oval shape tanzanite within an undulating tapered baguette cut diamond surround, hallmarks for London, ring size M, gross weight 4.6g. £120 - £180

228 228 A 14ct gold sapphire and diamond dress ring, designed as a baguette cut diamond undulating line, with circular shape sapphire tiered sides, Swiss assay marks, estimated total diamond weight 0.50ct, ring size L, gross weight 8.4g. £280 - £380

231 231 A platinum diamond band ring, the princess cut diamond line within a channel setting, hallmarks for London, 2004, estimated total diamond weight 1.90cts, estimated colour J-K, estimated clarity SI, ring size Q1/2, gross weight 8.9g. £650 - £850

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232 232 A synthetic opal triplet and diamond cluster ring, the oval synthetic opal triplet within a single cut diamond surround, stamped 18k, estimated total diamond weight 0.65ct, ring size M1/2, gross weight 6.3g. £150 - £250

233 233 An amethyst dress ring retailed by Wartski, the oval shape amethyst in a yellow metal mount, ring size N. Accompanied by box and original purchase receipt from Wartski’s of Llandudno dated 1953. £60 - £80

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234 234 An 18ct gold opal and diamond five stone ring, the oval opal cabochon line with rose cut diamond spacers, hallmarks for Sheffield, 1987, ring size Q, gross weight 3.7g. £200 - £300

237 237 A diamond solitaire ring, the old cut diamond within a twelve claw setting, estimated diamond weight 1.60cts, estimated colour J-K, estimated clarity P2, ring size N1/2, gross weight 2.6g. £1,800 - £2,200

235 235 An 18ct gold Sri Lankan sapphire and diamond three stone ring, the cushion shape Sri Lankan sapphire weighing approx. 3cts, with old cut diamond sides, estimated total diamond weight 0.75ct, estimated colour I-J, estimated clarity P1P2, ring size P1/2, gross weight 3.5g.

Accompanied by a GCS report, number 7923469, dated 23.9.19 stating that the sapphire is Sri Lankan, no heat treatment. £1,500 - £2,000

238 238 An 18ct gold sapphire and diamond cluster ring, the brilliant cut diamond within a circular shape sapphire and single cut diamond tiered surround, hallmarks for London, estimated total diamond weight 0.50ct, principal diamond estimated 0.25ct, estimated colour I-J, estimated clarity P1-P2, ring size Q, gross weight 4.3g. £150 - £200

236 236 An opal and garnet cluster ring, of floral design, the circular opal cabochon within a circular shape garnet scalloped surround, stamped 18ct, M&Co., ring size N, gross weight 6.2g. £150 - £200

239 239 An 18ct gold diamond cluster ring, of floral design the brilliant cut diamond within a similarly cut diamond surround, hallmarks for London, estimated total diamond weight 1ct, ring size L, gross weight 3.3g. £400 - £500

For condition reports please go to www.peterwilson.co.uk

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240 240 A diamond five stone ring, the graduated old cut diamond line with rose cut diamond spacers and scrolling shoulders, stamped 18, estimated total diamond weight 1.70cts, estimated colour J-K, estimated clarity SI2-P2, ring size O, gross weight 4.2g. £1,000 - £1,500

241 241 A mid 20th Century emerald and diamond dress ring, of abstract design, the brilliant cut diamond and circular shape emerald accents atop the textured openwork setting, estimated diamond weight 0.10ct, stamped 750, ring size O1/2, gross weight 16.2g. £380 - £420

242 242 A platinum diamond single stone ring, the square modified brilliant cut diamond weighing 0.71ct, within a four claw mount, accompanied

by GIA certificate number 6157428687 dated 2013 stating that the diamond is D colour, SI1 clarity, hallmarks for London, ring size J, gross weight 3.8g. £1,500 - £2,000

243 243 A synthetic ruby intaglio ring, the rectangular synthetic ruby intaglio with tapered shoulders, ring size U, gross weight 11.8g £220 - £280

244 244 A diamond eternity ring, the brilliant cut diamond line inset to the polished band, estimated total diamond weight 1.30cts, ring size K1/2, gross weight 3.3g. £450 - £550

245 245 A diamond three stone ring, designed as an old cut diamond line with bifrucated tapered shoulders, estimated total diamond weight 1ct, estimated colour I-J, estimated clarity SI-P2, ring size Q, gross weight 3.1g. £200 - £300

246 246 An 18ct gold emerald and diamond cluster ring, the square shape emerald weighing approximately 3.50cts within a tapered baguette cut diamond undulating surround, hallmarks for Sheffield, 1993, estimated total diamond weight 1.50cts, ring size L, gross weight 7.5g. £3,500 - £4,500

247 247 An 18ct gold diamond cluster ring, the old cut diamond floral cluster, atop the rose cut diamond openwork dome and scalloped surround with grooved shoulders, estimated old cut diamond weight 1.10cts, principal diamond approx. 0.30ct, estimated colour J-K, estimated clarity P1-P2, French assay marks, ring size J, weight approx. 20.9g. £800 - £1,200 47

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248 248 An early 20th Century 18ct gold diamond five stone ring, the old cut diamond line inset to the polished band, hallmarks for London, 1913, estimated total diamond weight 0.70ct, ring size V1/2, gross weight 6.9g. £300 - £400

251 251 A diamond single stone ring, the brilliant cut diamond within an eight claw setting, stamped 18ct and Plat, estimated diamond weight 0.65ct, estimated colour I-J, estimated clarity SI2-P1, ring size L1/2, gross weight 2.4g. £600 - £650

249 249 An 18ct gold diamond dress ring, designed as a brilliant cut diamond line with asymmetric shoulders, hallmarks for Sheffield, 1987, estimated total diamond weight 0.45ct, ring size N, gross weight 4.8g. £200 - £250

252 252 A late Victorian diamond five stone ring, the old cut diamond line with rose cut diamond spacers and scrolling shoulders, stamped 18ct, estimated total diamond weight 1.50cts, estimated colour J-K, estimated clarity SI-P2, ring size N1/2, gross weight 4g. £800 - £1,200

250 250 An 18ct gold sapphire and diamond cluster ring, the oval shape sapphire within a brilliant cut diamond surround, hallmarks for London, estimated total diamond weight 0.80ct, ring size Q, gross weight 5.5g. £300 - £400

253 253 An early 20th Century diamond cluster ring retailed by Wartski, of floral design the circular cut diamond collet within an old cut diamond foliate surround, stamped 18ct, estimated total diamond weight 0.30ct, ring size R, gross weight 2.4g. Accompanied by original box and purchase receipt from Wartski’s of Llandudno, dated 1943. £300 - £350

254 254 An 18ct gold diamond five stone ring, the brilliant cut diamond line with raised bar spacers, hallmarks for London, estimated total diamond weight 0.80ct, ring size K, gross weight 4.1g. £300 - £400

255 255 An amethyst single stone ring, the rectangular shape amethyst within a similar shape surround, ring size R1/2, gross weight 5.9g. £150 - £200

256 256 A sovereign ring, the 1974 sovereign in 9ct gold textured ring mount with scrolling shoulders, hallmarks for London, 1974, ring size V, gross weight 17g. £250 - £300

For condition reports please go to www.peterwilson.co.uk

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257

257 A 1960s 18ct diamond spray brooch by Ben Rosenfield, designed as a textured foliate spray with single and brilliant cut diamond accents, maker’s marks for Ben Rosenfield, BRLd, hallmarks for London, 1968, estimated total diamond weight 2.30cts, length 6.4cm, gross weight 30.9g. £1,200 - £1,800

258

259

258 A pair of 1960s 18ct gold diamond earrings by Ben Rosenfield, each designed as a textured foliate spray with brilliant cut diamond accents, maker’s marks for Ben Rosenfield, BRLd, hallmarks for London, 1969, estimated total diamond weight 0.85ct, length 3.4cm, gross weight 15.3g. £450 - £550

260

259 An emerald and diamond cluster ring, the pear shape emerald within a brilliant cut diamond scalloped surround, estimated total diamond weight 0.30ct, ring size L, gross weight 4.1g. £180 - £220 260 A pair of 18ct gold emerald and diamond earrings, each designed as a pear shape emerald and brilliant cut diamond drop, suspended from a brilliant cut diamond collet line and similarly cut diamond cluster surmount, estimated total diamond weight 1.20cts, length 3.5cm, gross weight 8.4g. £350 - £450 261 An 18ct gold emerald and diamond necklace, the pear shape emerald within a vari cut diamond surround, with fancy link chain sides, stamped 14K, estimated total diamond weight 0.60ct, length 40cm, gross weight 14.5g. £700 - £900

261

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262

262 A suite of diamond jewellery, comprising a ring, bracelet and pair of earrings each designed with baguette cut diamond lines and grooved bar spacers, stamped 18K and 750, estimated total diamond weight 4cts, ring size J, length of bracelet 17.7cm, length of earrings 2.3cm, gross weight 44.4g. £2,000 - £2,500 263 A set of amethyst and split pearl jewellery, comprising a necklace and a brooch, each designed as an oval shape amethyst within a split pearl surround, length of necklace 65cm, length of brooch 2.9cm, gross weight 17.8g. £150 - £200 264 A selection of 19th Century seals, to include a rock crystal, enamel and lapis lazuli desk seal, a coated ivory and hardstone desk seal, an agate and bronze desk seal, together with three further seals, lengths 2.2 to 8.4cm (6). £220 - £280

263

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264

For condition reports please go to www.peterwilson.co.uk

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WATCHES PLEASE NOTE: All clocks and watches are sold without warranty. Comments regarding the going condition of clocks and watches relate to their state at the time of cataloguing and those comments may no longer be correct at the time of sale or delivery. Buyers should assume that all lots will require servicing to be useable and reliable. Clocks and watches are not tested for accuracy, duration or water tightness’

265 265 A diamond cocktail watch, the rectangular cream dial with Arabic hour markers within a single cut diamond case, case stamped ALL PLAT, movement signed Mira, estimated total diamond weight 0.90ct, gross weight 15g. £300 - £400

266 266 A Supra diamond cocktail watch, the rectangular cream signed dial with Arabic hour markers within a similarly shaped case with brilliant cut diamonds hexagonal set, to the fancy link bracelet with folding clasp, case stamped 14k, estimated total diamond weight 0.25ct, gross weight 14.4g. £480 - £580

267 267 A gents Belmar chronograph wristwatch, the circular signed dial with three subsidiary dials, date aperture to 4 and diamond dot hour markers, within a stainless steel case with brilliant cut diamond bezel and rubber strap, no. B-5048, limited edition, case diameter 50mm, with maker’s case. £80 - £120

268 268 A gents Breitling Chronomat steel chronograph wristwatch, model no.

B13047, the signed blue metallic dial with three subsidiary dials, date aperture to 3 and rotatable bezel with yellow gold quarters and fancy link bracelet, mechanical automatic self winding Swiss jewelled lever movement, Serial No. 105098, case width 44mm, accompanied by maker’s box. £550 - £750

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269 A stainless steel Breitling Superocean automatic wristwatch, ref. A17364, the circular black dial with Arabic and baton hour markers, luminescent hands, yellow outer seconds track and date aperture to 3, within a stainless steel case with black rubber bezel and strap, case numbered 1350026. £1,000 - £1,500

269

270 A 1960s 18ct gold and diamond Bueche Girod ladies automatic wristwatch, the rectangular cream signed dial with Roman numerals to 6 and 12, to the single cut diamond bezel and textured brick link bracelet with sliding clasp, signd 17 jewel movement no. 65, Swiss assay marks, import marks and hallmarks for London, 1964, estimated total diamond weight 0.45ct, case diameter 24mm, gross weight 48.3g. £1,200 - £1,800 271 A 1960s ladies 9ct gold diamond and ruby Beuche Girod ladies cocktail watch, the circular signed cream dial with baton hour markers, within a 9ct gold case with hinged textured brilliant cut diamond and circular shaped ruby cover, with crossover fancy link bracelet sides and sliding clasp, hallmarks for London, 1963, 17 jewel movement, case diameter 15mm, gross weight 40.8g. £400 - £600 270

272 A Cartier stainless steel Tank Francaise wristwatch, the rectangular rose mother of pearl dial with Roman numeral hour markers, pink sapphire cabochon crown and fancy link bracelet, ref. 2384, case numbered 533821NX, accompanied by spare link, box and papers.

Purchased at Mappin & Webb, London on 19th June 2009. £900 - £1,400

272 271

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For condition reports please go to www.peterwilson.co.uk

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273 A 1980s 18ct gold Chopard Geneve lapis lazuli automatic wristwatch, the signed lapis lazuli dial with enamel profile depicting King Fahd of Saudi Arabia, to the 18ct gold cushion shape case with fancy link bracelet and folding clasp, 25 jewel 2-66 calibré movement, Swiss assay marks, together with accompanying lapis lazuli signet ring and cufflinks in a fitted Mouawad case.

Provenance: this watch was gifted by King Fahd of Saudi Arabia to our vendors’ father, who was the Captain of the Royal Yacht of Saudi Arabia, Al Riyadh, from 1978 until 1985. The watch is believed to have been given as a retirement present circa 1985, three years before Fortune Magazine reported King Fahd’s wealth to be $18 billion, making him the second richest person in the world at the time of publication. £10,000 - £15,000

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274 An 18ct gold Franck Muller Conquistador Cortez wristwatch, the square signed black dial with white Arabic hour markers, red outer seconds track, subsidiary dials to 3 and 9, and date aperture to 6, within an 18ct rose gold case, no. 37, case diameter 40mm, with accompanying box and certificate of origin and warranty. £4,000 - £5,000

274

275 275 A 1960s ladies 9ct gold Garrard wristwatch, the signed circular cream dial with Arabic and baton numerals, 17 jewel movement, within an octagonal case numbered 87732, 168431, with fancy link bracelet and folding clasp, hallmarks for Birmingham, 1961, case diameter 22mm, gross weight 15.9g. £70 - £100

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276 276 A Girard Perregaux wristwatch, the rectangular shape cream dial with baton hour markers, movement signed and numbered Girard Perregaux, 7919355, within a gold plated rectangular case, to the later fancy link bracelet, stamped 585, total weight approx. 44.3g. £400 - £450

277 277 A 1970s ladies 9ct gold Hamilton wristwatch, the circular signed champagne dial with Arabic and baton numerals, 17 jewel movement numbered 88, within a circular case and textured link bracelet with folding clasp, hallmarks for London, 1971, case diameter 17mm, gross weight 19g. £150 - £200

For condition reports please go to www.peterwilson.co.uk

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278 278 A H. Stern ladies faceted sapphire stainless steel quartz wristwatch, the rectangular signed black dial with single cut diamond accent and Roman numeral hours to the blue sapphire bezel, with fancy link bracelet and folding clasp £150 - £200

283 283 An 18ct gold ladies Loridal wristwatch, the signed silvered dial within an 18ct white gold case to the fancy link bracelet with folding clasp, Italian Assay marks, gross weight 26.7g. £500 - £700 281 281 A mid 20th Century gents Longines stainless steel automatic wristwatch, the signed white dial with Arabic hour markers, within a stainless steel case and later expandable bracelet, 17 jewel movement, calibré 6952, numbered 53061815, case back numbered 1096 1, 866, case diameter 32mm. £150 - £200

284 284 A 1970’s 9ct gold Omega ladies automatic wristwatch, the cushion shape white signed dial with baton hour markers, within a 9ct gold case, and textured bracelet with folding clasp,17 jewel movement numbered 32805735 1, calibré 485, hallmarks for London, 1972, gross weight 28.1g. £220 - £320

279 279 A 1940’s 9ct gold cased Longines wristwatch, the circular signed cream dial with black and red Arabic hour markers, outer minutes track and subsidiary seconds dial to 6, 17 jewel movement no. 7500173 within a 9ct gold case no.17423, hallmarks for London, 1948, with a later black leather strap. £150 - £250

280 280 A mid 20th Century Longines stainless steel watch, the circular signed silver tone dial with alternating Arabic and dot hour markers and outer minutes track, signed manual wind movement numbered 7788025 within an Acier Inox stainless steel case, numbered 6101,1,131, case diameter 36mm. £70 - £100

282 282 A mid 20th Century gents Longines stainless steel ‘Conquest’ automatic wristwatch, ref. 9000 8, the circular signed cream dial with baton hour markers, within a stainless steel case, 19 jewel movement, calibré 19AS, numbered 10010453, case back with Conquest badge, numbered 888, case diameter 34mm. £200 - £300

285 285 A 1970s Omega electronic f300 Chronometer stainless steel wristwatch, the circular signed silvered dial with baton hour markers, red seconds hand and date aperture to 3, within a stainless steel case, ref. 198001, 1250 movement no. 34816062, with fancy link bracelet and folding clasp, case diameter 35mm. £100 - £150

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286 286 A 1970s Omega electronic f300hz De Ville Chronometer wristwatch, the signed circular gold tone dial with baton hour markers, and date aperture to 3, within a gold plated and stainless steel case, ref. 1980032, cal. 1250 movement, no. 34673013, with black leather strap, case diameter 35mm. £250 - £350

287 287 A gents stainless steel Omega Constellation quartz wristwatch, ref 1438, the circular signed gold tone dial with dot hour markers, outer seconds track and date aperture to 3, within a bicolour case and fancy link bracelet, case back numbered 396 1070, 396 1080, case diameter 32mm, with spare link, box and booklet. £250 - £300

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288 288 A mid 20th Century gents Omega Seamaster De Ville automatic wristwatch, the circular signed cream dial with baton hour markers, date aperture to 3 and outer minutes track, within a stainless steel case and brown leather strap case diameter 35mm, with accompanying stainless steel Omega bracelet no.12. £200 - £300

290 290 A stainless steel Omega De Ville automatic wristwatch, the circular signed dial with baton hour markers and date aperture to 3, within a stainless steel case numbered 166033, case diameter 34mm. £200 - £250

289 289 A 1970s gents 9ct gold Omega De Ville wristwatch, the circular cream signed dial with baton hour markers, within a 9ct gold case, cal. 625, movement signed and numbered 35238887, case with hallmarks for London, 1973, case numbered 1115067, on black leather strap with gold plated Omega buckle, case diameter 32mm. £200 - £300

291 291 A 1960s 9ct gold ladies Omega wristwatch, the square silvered dial with baton hour markers, 17 jewel movement no. 620, signed and numbered 24597508 within a 9ct gold case numbered 3113490, to the 9ct gold textured link bracelet with folding clasp, hallmarks for London, 1967, with maker’s box, gross weight 50.7g. £550 - £650

292 292 An Omega Seamaster stainless steel watch bracelet, with signed deployant clasp, numbered 455B. £80 - £120

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

293 293 A 1960s ladies 18ct gold diamond Vertex Revue cocktail watch, the circular signed dial with baton hour markers, to the single cut diamond bezel and vari cut diamond lugs, with 9ct gold fancy link bracelet, signed 17 jewel movement, case numbered 1509/8110, estimated total diamond weight 0.90ct, case diameter 17mm, gross weight 23.5g. £350 - £450

296 296 A ladies 18ct gold Patek Philippe wristwatch, the circular signed dial with dot hour markers, within an 18ct gold case and fancy woven link bracelet with folding clasp, 18 jewel signed movement, numbered 865780, Swiss assay marks, case back numbered 63139Z, case diameter 17mm, gross weight 24.7g. £800 - £1,200

294 294 A mid 20th Century stainless steel British Military RAF Pilots Omega wristwatch, the circular signed black dial with Arabic hours, outer tracking and luminous dot markers, 16 jewel movement no. 9742437, calibré 30 T2 SC, within an Acier Staybrite stainless steel case numbered 10325443, issue markings A.M. 6B/159 4533/42, case diameter 32mm. £400 - £600

295 295 A 1980s gents stainless steel Omega Seamaster bracelet watch, the circular signed dial with baton hour markers, outer minutes track and date aperture to 3 within a stainless steel case and fancy link bracelet, cal. 1010, 17 jewel movement numbered 42 371672, case diameter 35mm. £250 - £350

297 297 An 18ct gold cased Patek Philippe watch, the circular white enamel dial signed Patek Philippe & Cie, Geneve, with Arabic hour markers, outer minutes track and subsidiary seconds dial to 6, within an 18ct gold circular case, Swiss assay marks, movement numbered 115107, together with a later maker's pouch. £2,200 - £2,800

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298 298 A 1960s 9ct gold Record wristwatch, the signed circular cream dial with Arabic hour markers, 17 jewel movement numbered 630, within a 9ct gold case and fancy link bracelet, hallmarks for London, 1963, in maker’s case, gross weight 55.2g. £300 - £500

301

301 A 1990s gents 18ct gold Rolex Cellini watch, circa 1995, the signed silver tone dial with baton hour markers, within an 18ct gold case and original black crocodile leather strap, Swiss assay marks, ref. 4112, W043011, case diameter 34mm, with maker’s box. £1,200 - £1,800

299 299 A mid 20th Century Rolex Oyster stainless steel military wristwatch, the circular signed cream dial with Arabic quarter markers and baton hour markers, with subsidiary seconds dial to 6, and luminescent hands, within a stainless steel case, reference 6244, serial 920981, 15 jewel movement signed and numbered 18785, case back with Royal Australian Air Force inscription ‘A56500 R.A.A.F. HIND’ case diameter 32mm. £500 - £700 300 A ladies Rolex Oyster Perpetual Datejust wristwatch, circa 1988, the gold tone signed dial with baton hour markers and date aperture to 3, with fluted bezel and bi-colour jubilee link bracelet, R208104, case diameter 26mm, with box and papers. £1,000 - £1,500

302 302 A mid 20th Century 9ct gold cased Tissot Antimagnetique wristwatch, the circular signed dial with Arabic numerals and subsidiary seconds dial to 6, 15 jewel movement, numbered 2751581, in a gold case bearing hallmarks for Birmingham 1952, diameter 32mm. £100 - £150 300

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303 303 A 1960s ladies 9ct gold Tissot ‘Stylist’ wristwatch, the square signed goldtone dial with baton numerals, 17 jewel signed movement numbered 11944731 within a square shape case numbered 19125, with a fancy link bracelet and folding clasp, hallmarks for Birmigham, 1969, case width 17mm, gross weight 16.8g. £150 - £200

304 304 A 1960s Tudor Royal 9ct gold wristwatch, the circular signed cream dial with gold tone Arabic hour markers within a 9ct gold case, 17 jewel signed movement, hallmarks for Birmingham, 1961, case back numbered 12829, 99556, case diameter 32mm. £350 - £450

305 305 A stainless steel military wristwatch, the circular dial with Arabic hour markers, outer seconds track, luminescent hands and subsidiary seconds dial to 6, within a stainless steel case, 15 jewel movement, numbered 59, case back with arrow marker ‘ATP Bravingtons’ case diameter 32mm. £70 - £100

306 306 A 1920’s silver Movado Ermeto travel clock, the square dial with Arabic numerals within a sliding silver case, numbered 1222267, import marks for Glasgow, 1929, gross weight 79.9g. £60 - £80

307 307 A Victorian 18ct gold E.J. Dent full hunter pocket watch, the circular white enamel dial with Roman numeral hour markers, outer minutes track and subsidiary seconds dial, signed and numbered E.J. Dent London 19173, movement signed and numbered ‘E.J. Dent, Watchmakers to the Queen, London, 19173,’ inner case bearing inscription ‘Presented to the Rev’d Will’m Lake Onslow by his pupils on the paying off of her Majesty’s ship Hastings, May 1853 as a token of their esteem and gratitude,’ outer case bearing engraving and motto ‘Festina Lente,’ hallmarks for London, 1852, within a Dent fitted presentation case, diameter 50mm. £400 - £600

308 308 An Edwardian ladies 18ct gold open face pocket watch, the circular white enamel dial with Roman numeral hour markers, outer minutes track and subsidiary seconds dial to 6, within an 18ct gold floral case, base metal inner plate, crown winding and Swiss jewelled lever movement, import marks for London, 1907, case numbered 1697125, case diameter 36mm, gross weight 30.1g. £150 - £200

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309 309 A ladies 18ct gold open face pocket watch, the circular gilt dial with Roman numeral hour markers and foliate decoration within an 18ct gold case bearing Swiss assay marks, numbered 20540, base metal inner plate, together with keys. £120 - £180

311 311 An Omega open face pocket watch, the signed white enamel dial with Roman numeral hour markers, outer minutes track and subsidiary seconds dial, movement signed and numbered 5117758, case numbered 5960396, case diameter 50mm. £60 - £80

310 310 An 18ct gold Waltham open face pocket watch, the circular white enamel signed within an 18ct gold case, signed keyless movement numbered 7238596, case with Swiss assay marks, numbered 22919, case diameter 39mm, gross weight 52.9g. £1,200 - £1,300

312 312 A Leonidas military pocket watch, the signed white dial with Arabic hour markers, outer minutes track and subsidiary seconds dial, case numbered 333919, G.S.T.P. J.1028, case diameter 51mm. £60 - £80

313 313 A late Victorian 18ct gold ladies open face pocket watch, the white enamel dial with Roman numeral hour markers and outer minutes track within the 18ct gold foliate case bearing hallmarks for London, 1885, numbered 8902, with the movement signed Arnold & Lewis, 7 St Ann’s Square, Manchester, No. 8902, suspended from a 15ct gold brooch, case width 38mm. £250 - £350

314 314 An 18ct gold Jaeger Le Coultre Q pocket watch, the black signed circular dial within an 18ct gold case, Swiss assay marks, case numbered 200 006 1, 1560302, with maker’s leather pouch, case diameter 24mm, gross weight 14g. £450 - £650

For condition reports please go to www.peterwilson.co.uk

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DAY TWO COLLECTORS ITEMS

315

317

316

315 Beatrice Hindley two plant studies circa 1920, cold painted metal construction, fitted into wood pots, signed to the bases, 11cm high £400 - £600 316 Beatrice Hindley plant group study circa 1920, cold painted metal construction, fitted into wood pots, 11cm high £300 - £500

318

317 Beatrice Hindley two plant studies circa 1920, cold painted metal construction, fitted into wood pots, 11cm high £400 - £600

319

318 Beatrice Hindley two plant studies circa 1920, cold painted metal construction, fitted into wood pots, the largest measures 6.4cm diameter £200 - £300 319 Beatrice Hindley two plant studies circa 1920, cold painted metal construction, fitted into wood pots, the tallest stands 7cm high £400 - £600 320 Early 19th Century apothecary, the mahogany case containing various green fabric lined compartments to contain twelve small and eight larger bottles (four smaller and four larger bottles now missing), many bottles labelled Humphrey & Jones Pharmaceutical, Berwyn Street, Llangollen, two lower drawers fully fitted with more bottles and storage containers, one drawer labelled F. Foster Chemists, 2 Old Bond Street, width 25cm (10”), depth 23cm (9”), height 25cm (10”). £300 - £500

321

321 A pair of gilt metal and blue enamelled opera glasses marked Asprey, contained within blue leather carrying case. £100 - £200 320 61

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322

324

METALWARE 322 Bronze bell marked J. Warner and Sons, London, 1886, diameter 36cm (14”), height 39cm (15”), weight 34kg. £250 - £350 323 Nicole Freres musical box, single comb playing on 9.5” cylinder, with six accompanying hemispherical bells, lever wind playing eight airs, rosewood and ebonised case, with original trademark tune card to lid, case width 61cm (24”), depth 38cm (15”), height 27cm (10.5”). £800 - £1,200

323

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324 Late 19th Century Arts and Crafts copper and wrought metal coal bin, the two scrolling uprights with sunflower terminals supporting circular bin with cover, handle in the form of animal claw and ebonised wooden grab bar, height 69cm (27”), diameter of bin 38cm (15”). £200 - £300

For condition reports please go to www.peterwilson.co.uk

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CAMERAS

328 328 Leitz Elmarit R 1:2.8 / 135mm lens, serial number 3135728, with body and lens cap. £100 - £150 325 325 Rolleiflex twin lens camera, fitted with Tessar 1:3.5 f=75mm and Heidosmat 1:2.8 / 7mm mm lenses. £150 - £200

326 326 Leica R7 SLR Camera body, serial number 1909805, with Nikon ever ready case. £150 - £250

327 327 Leitz Summicron R 1:2/50mm E55 lens, number 3677762, with Leica lens cap and Canon body cap. £200 - £300

329 329 Leica R8 camera, serial number 2775421, with box and instructions. £200 - £300

330 330 Leitz Elmarit R 1:2.8 / 35mm lens, serial number 3108380, with lens and body cap. £150 - £200

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331

333

TOYS 331 Jumeau doll, with open mouth and sleep eyes, marked with an impressed 70 to reverse of head, 70cm high £500 - £700 332 Jumeau doll, with closed mouth and open eyes, the reverse of head marked with transfer B.G.D.G, and painted Vv, 57cm high £500 - £700 333 Jumeau doll, with open mouth and sleep eyes, the reverse of the head marked DEP and 11 at the base of the neck, 59cm high £500 - £700

STAMPS, POSTCARDS & EPHEMERA 334 GB stamp collection in Windsor album, from QV 1d black (3 margins), imperf 1d reds with Maltese cross cancels, fine used pair of 2d blues plate 7 and selection of KGV and KGVI items including high values, also a few Morocco Agencies at back of album. £200 - £300

332

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339

335

GLASS 335 Cut glass lustre, with diamond cut fields, mounted with fourteen droppers, mid 19th century, 24cm high £80 - £120

CERAMICS 336 Coalport encrusted twin handled vase, painted with flower studies, mid 19th century, 40cm high £80 - £120 337 Worcester twin handled sauceboat, circa 1760, painted with a version of the ‘Two Handled Sauceboat Landscape’ in underglaze blue, workman’s mark to base, 22cm long £80 - £120

336

337 338 Large pair of Villeroy and Boch Mettlach vases, decorated with stalks and bamboo in a Aesthetic taste, impressed marks and 1567 design number to base, second half of the 19th century, 54cm high £200 - £300 339 Creamware tankard, printed with Masonic details and named David Duncan 1802 together with an early 19th century pearlware mug named T.C. Earl, the creamware tankard stands 15cm high £120 - £200 340 Masons ironstone Neapolitian ewer on plinth, circa 1850, modelled with two cherubs and elaborate scroll and leaf work, decorated in an imari palette, impressed ‘Masons Patent Ironstone China’ to base, the ewer measures 68.5cmn high, the wood plinth stands 67cm high £500 - £700

338

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344 Clarice Cliff preserve, cup and saucer and a plate, decorated in Secrets pattern. The preserve stands 10cm high £180 - £220 345 Clarice Cliff bowl, decorated with house and bridge pattern, 20cm diameter. £250 - £350

341 341 Two Wedgwood black basalt plaques, one depicting Nelson the other Thomas Whieldon, both unmarked, together with a non Wedgwood green jasper plaque of Wesley 19th century (3) The largest measures 11.5cm high £100 - £200

342 J. Fischer Budapest reticulated vase, with spelter base, 47cm overall height the vase alone measures 36cm £80 - £120

346 Clarice Cliff preserve, plate and Biarritz plate, decorated with melons, Oranges and flower sprigs patterns, the Biarritz plate measures 18.5cm wide. £150 - £250

343 343 Beswick Partridge group, model number 2064, 15cm high. £100 - £150 347 347 Moorcroft Sweet Briar pattern lamp and shade, after Rachel Bishop, the ceramic part measures 28cm excluding fittings. £80 - £120

342 345

344

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346

For condition reports please go to www.peterwilson.co.uk

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348 348 Moorcroft brambles pattern lamp and shade, after Sally Tuffin designer, the ceramic part measures 15cm high excluding fittings. £80 - £120

349

349 Royal Doulton Henry VIII and six wives figure set, to include Henry VIII HN.3350 together with models of Catherine of Aragon, HN.3233, Anne of Cleves HN. 3356, Jane Seymour HN.3349, Catherine Howard HN3449, Catherine Parr HN.3450, Anne Boleyn HN. 3232, and Catherine Howard HN.3449, (7) £350 - £450

351 351 Wedgwood black basalt dolphin candlestick, set on shell moulded base, 22.5cm high £80 - £120

352 352 Wedgwood jasper ware lidded vase of campana shape, decorated with classical figures on a light blue ground, impressed marks to base, 29cm high £80 - £120

350 350 Royal Doulton Arab prototype figure, the base bearing the factory mark and ‘Factory Proof’ 25cm high £200 - £300

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353 353 Large pair of Royal Worcester figures, modelled with their pet cat and dog, impressed marks, late 19th century, 32cm high £150 - £250 354 Royal Worcester twin handled lidded vase signed T. Nutt, painted with fallen fruit, black printed mark to base, 21.5cm high £500 - £700

355 355 Royal Worcester bull dog, with wood base and certificate, model number 486, 22cm overall height £100 - £200 356 Royal Worcester Hadleys camel posy vase, modelled in recumbent pose, moulded marks to underside, late 19th century, 26cm long £100 - £150 357 Set of twelve Royal Worcester plates signed H. Ayrton, painted with fish studies with pale yellow borders, date codes for 1932 - 1934, 23cm diameter

356

£200 - £300

354

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357

For condition reports please go to www.peterwilson.co.uk

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ASIAN ART 358 Japanese Ivory okimono, a man scared by a kitten clawing at his leg, signed to the base Meiji Period 1868-1912, 10.5cm high £300 - £400 359 Japanese Ivory okimono, depicting an Oni with temple bell, unsigned, Meiji Period 1868-1912, 9cm high £200 - £300 360 Japanese Ivory okimono, depicting a farmer with basket about to catch chicks and a hen, signed to the base Meiji Period 1868-1912, with wood stand, the ivory figure measures 11.5cm high £1,500 - £2,000

358

359

361 Japanese Ivory okimono, depicting a girl, boy with a ball and basket, a chick at the base, signed to the base Meiji Period 1868-1912, 15cm high £200 - £400 362 Japanese Ivory okimono, depicting a father and his two sons carrying a lantern with a dog at the base, unsigned, Meiji Period 1868-1912, 14cm high £400 - £500 363 Japanese Ivory okimono, depicting a Geisha with parasol, signed to the base Meiji Period 1868-1912, 1cm high £150 - £250 364 Japanese Ivory okimono, depicting a falconer with falcon, a goose at the base, unsigned, Meiji Period 1868-1912, 15.5cm high £400 - £500

361

362

360

363

364

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365 365 Japanese satsuma vase and a miniature ewer and cover, painted with figures, landscapes and birds within panels, signature to bases, Meiji period 1868 -1912, the vase stands 11.5cm high £100 - £150

366 366 Chinese vase, painted with dragons chasing flaming pearls, with later Victorian yellow over glaze decoration, late 19 th century, 38.5cm high £100 - £200

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367 367 Japanese Shibayama vase, the white metal body set with two gilt panels inlaid with mother of pearl and ivory, both panels signed on the inside, signature to base, with wood stand and box, Meiji period 1868-1912, the vase alone stands 16.5cm high £300 - £500

368 368 Chinese turquoise vase, Qing seal mark and period, with wood base, the vase stands 23cm high £50 - £100

369 369 Chinese Jade bowl, mounted on wood stand, 19th century 10.4cm diameter £80 - £120

370 370 Chinese vase, painted with figures in blue and white, 19th century, together with fittings to convert into a lamp which do not harm the vase, 46.5cm high £200 - £300

For condition reports please go to www.peterwilson.co.uk

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374 374 Japanese Ivory okimono, depicting a farmer and sons feeding birds, signed to the base Meiji Period 1868-1912, 15cm high £400 - £500 371 371 Japanese Ivory okimono, depicting a fisherman and his son climbing rocks with their catch, signed to the base Meiji Period 1868-1912, 25cm high £100 - £200

373 373 Chinese vase, painted with figures in blue and white, 19th century, together with fittings to convert into a lamp which do not harm the vase, 42.5cm high £200 - £300

375 375 Japanese satsuma vase, painted with figures, sailing barges, herons within panels, signature to base, Meiji period 1868 -1912, 11.5cm high £80 - £120

372 372 Chinese moon flask vase, with twin handles painted with figures in underglaze blue, late 19th early 20th century, 20.5cm high £100 - £150

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377

BRONZES & SCULPTURE 376 Late 19th Century Japanese cast bronze figure of a stalking Tiger, open mouth, glass eyes, naturalistic stripes, seal mark to underside of body, length 30cm (12”), all standing on stained wooden plinth. £100 - £200 377 19th Century French, coloured bronze, signed, Douret, two sea urchins with sashes holding reigns attached to a turtle, length 25cm (10”), height 24cm (9”). £400 - £500 378 Late 19th Century Japanese bronze figure of an Elephant being attacked by two Tigers, outstretched trunk with ivory tusks, naturalistic grained skin to Elephant, Tigers with acid etched striped markings, height 38cm (15”), width 28cm (11”), all standing on stained wooden plinth. £100 - £200 378

379 Boldeu, 20th Century, Card players dancing, signed, silver coloured alloy metal sculpture, set on wooden base, overall height 56cm, 22in. £100 - £200 380 Boldeu, 20th Century, Figure dancing, signed and numbered 6/29, bronze sculpture, set on marble base, overall height 39.5cm, 15.5in. £200 - £400 381 Boldeu, 20th Century, Track cyclist, signed, bronze sculpture, set on marble base, overall height 32cm, 12.5in. £200 - £400

379

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380

381

For condition reports please go to www.peterwilson.co.uk

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CLOCKS & BAROMETERS 382 J.N. Bidion, Faversham bracket clock, 8-day single fusée movement co inverted to anchor escapement, back plate with floral bright cut decoration, silvered arch dial with Roman and Arabic numerals, satinwood case, painted black string and floral decoration, brass acorn finials, folding brass handle, painted monogram WS, width 28cm (11”), depth 19cm (7.5”), height 51cm (20”). £1,000 - £1,200 383 A Charles Frodsham silver cased carriage clock, the white circular dial with Roman numeral hour markers, and pierced scrolling surround, within a silver case with columnar corners, swing handle and four raised feet, 11 jewel movement, hallmarks for TC, London, 1977, height 15.5cm with handle, accompanied by key. £300 - £500 384 A Charles Frodsham silver cased carriage clock, the white signed dial with Roman numeral hour markers, within a silver case with cylindrical corners, tapered finials and four bun feet, no.

6000, hallmarks for TC, London, 1977, height 10.5cm with handle, accompanied by key. £150 - £250 385 A Charles Frodsham silver cased carriage clock, the white signed dial with Roman numerals, bevelled glass, scroll swing handle with a central crown, and classical maidens to corners, no.

0245, 12cm high with handle, accompanied by key. Hallmarks for TC, London, 1977 - designed to commemorate the Queen’s Silver Jubilee, limited edition. £150 - £250

382

383

384

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386

386 Late 17th Century chamber alarm clock, the iron and brass frame supporting 30-hour movement with anchor escapement, hemispherical cast alarm bell marked ‘I.B.’, single finger cast chapter ring with Roman numerals, inner secondary alarm dial with Arabic numerals, rope pull, later brass weights, bracket and pendulum, dial diameter 16cm (6”), overall height 28cm (11”). £300 - £500

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387

388

389

387 James Sandiford, Salford, late 18th Century long- case clock, 8day movement striking on single bell, brass arched dial with rolling moon, applied spandrels, chapter ring with Arabic and Roman numerals, secondary dial and date aperture flanked by decorative etched scrolls supporting two birds, case with swan neck pediment, glazed door frame to canopy missing, trunk with quarted fluted columns, central door with moulded edge, figured mahogany box base with original bracket feet, height 226cm (89”). £500 - £700

388 Leigh Newton late 18th Century long-case clock, 8-day movement, striking on single bell, arched white painted dial containing rolling moon, spandrels painted with classical figures depicting the four seasons, chapter ring with Arabic and Roman numerals, two secondary dials, case with swan neck pediment, framing gilded glazed panels, trunk with fluted quartered columns, door with shaped top, feather figuring, box base, height 226cm (89”). £200 - £300

389 Late 18th Century long-case clock, 8-day movement striking on single bell, square brass dial with spandrels, chapter ring with Arabic and Roman numerals, secondary minute dial, case with canopy, decorated with blind fretwork panel, trunk with fluted quartered columns, cross-banded door, box base with batwing white-wood inlays, height 194cm (76”). £400 - £600

For condition reports please go to www.peterwilson.co.uk

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PRINTS & ENGRAVINGS MODERN/CONTEMPORARY

390 394 394 ARR Roger Hampson (1925-1996), “Farnworth Mill”, signed, numbered 5/20 and titled in pencil in the margin, linocut, image size 42 x 30.5cm, 16.5 x 12in. £200 - £400

390 Lancashire People & Places - The graphic art of Roger Hampson, signed and numbered 222/500 by Roger Hampson on the title page, with reproductions from original works by Roger Hampson, published in 1994 by Elaine Mather, printed by Revell & George Ltd., Manchester, one volume, card covers, page size 42 x 30cm, 16.5 x 11.75in, together with a selection of signed Christmas cards from the artist and featuring his original works reproduced on the front of each (14). £100 - £200

392 392 ARR Roger Hampson (1925-1996), “Fred”, signed, numbered 5/10 and titled in pencil in the margin, linocut, image size 25 x 20.5cm, 9.75 x 8.25in. £150 - £200

395 395 ARR Roger Hampson (1925-1996), “Accrington Conversation”, signed, numbered 3/10 and titled in pencil in the margin, with gallery label on verso, linocut, image size 32 x 20.5cm, 12.5 x 8in. £150 - £200 391 391 ARR Geoffrey Key (1941-), “Girl with Bird”, signed and dated 1.2.81 within the plate, from “Daydreams” the boxed set of 26 limited edition silkscreen prints, published in 1983 by B&P Screen Print Limited, silkscreen print, sheet size 59.5 x 41.5cm, 23.5 x .16.25in. £100 - £200

393 393 ARR After Brian Shields (Braaq) (1951-1997), “Does that Mean the Bags Full of Tea? - St. Andrews”, signed and numbered 75/600 in pencil in the margin, colour reproduction print, image size 40 x 60.5cm, 15.75 x 23.75in. £100 - £150 75

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399

396 396 ARR After Laurence Stephen Lowry R.A. (18871976), “The Harbour”, signed in pencil in the margin, with Fine Art Trade Guild blindstamp, published in 1972 by Venture Prints Limited of Bristol, colour reproduction print, image size 40.5 x 56cm, 16 x 22in. £1,000 - £1,500

400 398 398 ARR Roger Hampson (1925-1996), “Fish and Chips”, signed, numbered 6/10 and titled in pencil in the margin, linocut, image size 31 x 25.5cm, 12.25 x 10in. £200 - £400

397 397 ARR Roger Hampson (1925-1996), “Old Woman in Scarf”, signed, titled on verso, monoprint, image size 46.5 x 32cm, 18.25 x 12.5in. £200 - £400

399 ARR After Laurence Stephen Lowry R.A. (British, 1887-1976), “People Standing About”, signed in pencil, with Fine Art Trade Guild blindstamp, from an edition of 500, colour reproduction print, image size 34 x 51.5cm.; 13.5 x 20.25in. £1,000 - £1,500 400 ARR Roger Hampson (1925-1996), “Mrs Crompton”, signed, numbered 5/10 and titled in pencil in the margin, linocut, image size 20.5 x 17cm, 8 x 6.75in. £100 - £150 401 ARR Roger Hampson (1925-1996), “Public Library”, signed, numbered 3/10 and titled in pencil in the margin, linocut, image size 30.5 x 25.5cm, 12 x 10in. £200 - £400

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401

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402

405

402 ARR After Laurence Stephen Lowry R.A. (18871976), “St. Simon’s Church”, signed and numbered 95/300 in pencil in the margin, reproduction print, image size 38 x 28cm, 15 x 11in. £1,000 - £1,500

405 ARR After Laurence Stephen Lowry R.A. (British, 1887-1976), “Landscape with Farm Buildings”, signed in pencil in the margin, with Fine Art Trade Guild blindstamp, colour reproduction print, image size 40 x 50cm, 15.75 x 19.75in. £1,000 - £1,500

403 403 ARR Roger Hampson (1925-1996), “Beer Drinkers”, signed and titled in pen in the margin, linocut, image size 22 x 27cm, 8.75 x 10.75in. £200 - £400

404 404 ARR Roger Hampson (1925-1996), “Walking Day”, titled on gallery label verso, monoprint, image size 14.5 x 9.5cm, 5.75 x 3.75in. £100 - £150

406 406 ARR Roger Hampson (1925-1996), “Smiles on a Bench”, monoprint, image size 36 x 50.5cm, 14.25 x 20in. £300 - £500

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411 ARR Roger Hampson (1925-1996), “Bridge in Bolton”, signed, numbered 9/10 and titled in pencil in the margin, linocut, image size 30.5 x 28.5cm, 12 x 11.25in. £200 - £400

407 407 ARR Roger Hampson (1925-1996), “Smiling Miner”, signed, numbered 16/20 and titled in pencil in the margin, linocut, image size 21.5 x 18cm, 8.5 x 7in. £150 - £200

409 409 ARR Roger Hampson (1925-1996), “Squatting Miners”, signed, numbered 7/10 and titled in pencil in the margin, linocut, image size 27 x 26.5cm, 10.75 x 10.5in. £200 - £400

412 412 ARR After Laurence Stephen Lowry R.A. (18871976), “Figures in the Park”, signed and numbered 73/100 in pencil in the margin, published by Peinture in 1976, colour reproduction print, image size 40.5 x 30.5cm, 16 x 12in. £1,000 - £1,500

410 410 ARR Roger Hampson (1925-1996), “Lune Street, Tyldesley”, signed, numbered 4/10 and titled in pencil in the margin, linocut, image size 29 x 30.5cm, 11.5 x 12in. £150 - £200 408 408 ARR After Laurence Stephen Lowry R.A. (18871976), “Man looking out to Sea”, with Fine Art Trade Guild blindstamp, published in 1973 by Adam Collection Ltd, from an edition of 850, colour reproduction print, image size 35.5 x 25cm, 14 x 10in. £100 - £200

413 413 ARR Roger Hampson (1925-1996), “Two Miners”, signed and numbered 1/20 in pen in the margin, linocut, image size 23.5 x 15.5cm, 9.25 x 6in. £150 - £200 411 78

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

416 ARR Margaret Chapman (1940-2000), “Hostile Crowd”, signed and dated ‘76, titled on verso, oil on board, 59.5 x 49cm, 23.5 x 19.25in. £500 - £700

414 414 Folio of eight proof etchings by Charles Maurice Detmold (British, 1883-1908) and Edward Julius Detmold (British, 1883-1957), Animal and fish studies, all signed in pencil in the margins by one or both artists, published October, 1898, some hand-coloured, various plate sizes 7 x 10.5cm, 2.75 x 4.25in, 12 x 9.5cm, 4.75 x 3.75in, in original card folder with additional coloured etching on the cover. £600 - £800

OIL PAINTINGS MODERN/CONTEMPORARY

417 417 ARR Colin Taylor, 20th/21st Century, “London Road”, signed, titled and dated ‘June 2012 - Nov. 2014’ on verso, oil on canvas, 40 x 40cm, 15.75 x 15.75in. * This painting is number 9 of a series of 34 paintings, all painted between 2011 and 2015 and exhibited at Contemporary Six Gallery, Manchester in June 2015. £100 - £200

420 420 Igor Pavlovich Rubinsky (Russian, 1919-95), “Harbour on the Kamchatka Peninsula”, signed, dated 1988 and titled in Cyrillic script on verso, oil on board, 39 x 59cm, 15.25 x 23.25in. £100 - £200

415 415 ARR Michael Barnfather (1934-), “The Goose Girl, Monkton near Honiton”, signed, titled on verso, oil on canvas, 36.5 x 75cm, 14.5 x 29.5in. £150 - £200

418 418 ARR Jerry White (1952-), “The Go-Between”, titled on artist’s label verso, oil on card, 33 x 26.5cm, 13 x 10.5in. £100 - £200

416

419 419 ARR Gladys Hamilton Cooper (1899-1975), “At the Gates”/ “Which Way Out”, signed, titled twice and dated 1973 on verso, oil on board, 59 x 74.5cm, 23.25 x 29.25in, set in a handmade frame by Theodore Major, together with a selection of black and white photographs of the artist and her work and including a photograph of the artist with Theodore Major. £200 - £400

421 421 Ian Fennelly, 20th Century, “Rapeseed Field, Burton”, signed, titled on exhibition label verso, oil, 42 x 53.5cm, 16.5 x 21.25in, and another smaller painting by the same hand depicting trees and a church, signed and dated 1992, oil, 20.5 x 31cm, 8 x 12.25in, together with a print “Vacancies”, indistinctly signed and dated ‘82, numbered 32/250 and titled in pencil in the margin, image size 30.5 x 30.5cm, 12 x 12in (3). £100 - £150

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425 425 ARR Kenneth Lawson (British, 1920-2008), “Abstract Landscape”, signed, titled on label verso, acrylic on board, 52.5 x 90cm, 20.75 x 35.5in. £300 - £500

429 429 David Hillhouse (1945-2013), “The Blue Bucket”, signed, titled on verso, egg-tempera on board, 15 x 15cm, 6 x 6in, together with a signed print by the artist, “Pigeon Feed”, signed and numbered 59/850 in pencil in the margin, colour reproduction print, image size 15 x 15cm, 6 x 6in (2). £100 - £150

422 422 ARR Charles William Oliver (1911-2004), “The Gardens”, signed and dated ‘53, titled on exhibition labels verso, oil on board, 59.5 x 44.5cm, 23.5 x 17.5in. £150 - £200 426 426 ARR Charles M. Jones (1923-2008), Street scene with figures, signed, with artist’s label on verso, oil on canvas, 38.5 x 49cm, 15.25 x 19.25in. £200 - £400 430 430 Sydney Poole, 20th Century, “Football” depicting a football match between Manchester City and Wolves, signed and dated 1947, titled on artist’s label verso, unframed, oil on canvas, 61.5 x 66.5cm, 24.25 x 26.25in. £300 - £500

423 423 ARR Michael Ashcroft (1969-), “A Break in the Clouds - Bigbury on Sea, Devon”, signed, titled and dated 2011 on verso, oil on board, 45.5 x 75.5cm, 18 x 29.75in. £300 - £500

427 427 ARR Leslie A. Wilcox (1904-1982), Coastal scene with moored boat, signed, oil on canvas, 100.5 x 126cm, 39.5 x 49.5in. £200 - £400

424 424 ARR Gladys Hamilton Cooper (1899-1975), “Growing Up”, titled and dated 1968 on artist’s label verso, oil on board, 60 x 75.5cm, 23.5 x 29.75in, set in a handmade frame by Theodore Major. £200 - £400

80

428 428 ARR Matt Weldon, 20th Century, “Manchester from Winter Hill”, signed, titled on label verso, oil on canvas, 19 x 49cm, 7.5 x 19.25in. £100 - £200

431 431 ARR George R. Kennerley (1908-), “Lady with Hat and Fur Stole”, signed, titled on verso, oil on board, 13.5 x 15cm, 5.25 x 6in. * Solo shows include Crane Kalman & Cadogan.

Exhibited at the Royal Academy. Represented in the Walker Gallery and House of Commons Collection. £100 - £200

For condition reports please go to www.peterwilson.co.uk

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435 435 ARR George Sykes, 20th Century, “Saddleworth Church and Inn”, signed and dated ‘91, titled on artist’s label verso, acrylic, 24 x 33cm, 9.5 x 13in. £100 - £200

438 438 ARR Michael Barnfather (1934-), “The Resting Place, The Old Mill, Stamford”, signed, titled on verso, oil on canvas, 49 x 100cm, 19.25 x 39.25in. £200 - £400

432 432 ARR George Sykes, 20th Century, “Seated Model”, signed, titled on verso, oil on board, 54.5 x 40.5cm, 21.5 x 16in. £100 - £200 436 436 ARR Tony Sheath (British, b.1946), “On The Avon”, signed, titled on gallery label - ‘Frost & Reed Ltd, Worthing’ verso, oil on canvas, 59.5 x 90cm, 23.5 x 35.5in. £300 - £500

439 439 ARR Paul Martinez-Frias (British, b.1929), Rural landscape with sheep, signed and dated ‘91, oil on board, 69.5 x 75cm, 27.25 x 29.5in. £200 - £400

433 433 ARR Roy Burrows (1922-2010), “Hafod by Llyn Cowlyd”, signed and dated ‘70, oil on board, 43 x 89cm, 17 x 35in. £100 - £200

437 437 ARR Michael Ashcroft (1969-), “View from Hoghton Tower”, signed, titled on label verso, oil on board, 14 x 19cm, 5.5 x 7.5in. £100 - £200

440 440 ARR Geoffrey Yeomans (1900-2000), “Tors Ltd”, signed, titled on artist’s label verso, oil on canvas, 60.5 x 90.5cm, 23.75 x 35.75in. £200 - £400

434 434 ARR Tom Hackney, 20th Century, Portrait of a lady, oil on canvas, 70.5 x 103cm, 27.75 x 40.5in. £300 - £500

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441 441 ARR Charles M. Jones (1923-2008), Beach scene, signed, oil on board, 19 x 24cm, 7.5 x 9.5in. £100 - £150

444 444 ARR Kenneth Lawson (British, 1920-2008), “Blue Ligurian Coastline (Italian Riviera)”, signed, titled and dated 1970 on label verso, oil on board, 59.5 x 90cm, 23.5 x 35.5in. £300 - £500

447 447 ARR George R. Kennerley (1908-), “Dried Flowers”, signed, titled on verso, acrylic on board, 39.5 x 42cm, 15.5 x 16.5in. £100 - £200

442 442 ARR Charles M. Jones (1923-2008), “Fox Hill, Upper Norwood” after Pisarro, signed, titled on verso, oil on board, 29.5 x 34.5cm, 11.5 x 13.5in. £150 - £200 445 445 ARR Alan King, 20th Century, “Castle on High” - Great Western Railway “Lulworth Castle” - No. 5003 on Dainton Bank, Devon, initialled, titled and dated 1989 on artist’s label verso, with certificate of authenticity, oil on canvas, 44.5 x 34.5cm, 17.5 x 13.5in. £100 - £200

443 443 Lionello Balestrieri (Italian, 1872-1958), Portrait of a seated lady, signed, oil on canvas, 49.5 x 36.5cm, 19.5 x 14.5in. £100 - £200

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448 448 ARR Andrew Grant Kurtis, 20th Century, “Lakeside Tranquillity”, signed, titled and dated 2004 on artist’s label verso, oil on board, 29 x 19cm, 11.5 x 7.5in. £100 - £200

446 446 ARR Drummond Mayo R.S.W. (Scottish, b.1929), “After Dinner”, signed, titled on label verso, mixed media, 20.5 x 35.5cm, 8 x 14in. £100 - £200

For condition reports please go to www.peterwilson.co.uk

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454 ARR Constantine Sterio, 20th Century, “Landscape No. 5”, signed, titled and dated 1995 on verso, oil on board, 29 x 39cm, 11.25 x 15.25in. £100 - £200

449 449 ARR Alwyn Crawshaw (1934-), “Old Dobbin”, signed, titled on verso, oil on canvas, 50 x 100.5cm, 19.75 x 39.5in. £100 - £200

452 452 ARR Simon Keenleyside (British, 1976-), Snow blizzard landscape, unsigned, oil on canvas, 51 x 61cm, 20 x 24in. £200 - £400

455 455 ARR Margaret Chapman (1940-2000), “On The Beach”, signed and dated 1973, titled on verso, oil on board, 59.5 x 44cm, 23.5 x 17.25in. £500 - £700

450 450 ARR Margaret Chapman (1940-2000), “Runaway Horse”, signed and dated 1976, titled on verso, oil on board, 59.5 x 59.5cm, 23.5 x 23.5in. £500 - £700

453 453 ARR Zachary Walsh, 20th Century, “Immersed”, signed, titled and dated ‘04 on verso, unframed, oil on canvas, 89 x 68.5cm, 35 x 27in. £300 - £500

456 456 ARR Michael John Ashcroft M.A.F.A. (1969-), Coastal view, signed, oil on board, 30 x 75.5cm, 11.75 x 29.75in. £200 - £400

451 451 Russian School, 20th Century, River scene, initialled and dated ‘87, titled in Cyrillic script on verso, oil on board, 32 x 36cm, 12.5 x 14.25in. £100 - £200

454

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458 458 ARR Vincent Selby (1919-2005), Rural view, signed, oil on canvas, 39.5 x 80cm, 15.5 x 31.5in. £100 - £200

459 459 ARR Michael John Ashcroft M.A.F.A. (1969-), “Albert Dock, Liverpool”, signed, titled and dated 2007 on verso, oil on board, 18 x 15.5cm, 7.25 x 6.25in. £100 - £200

457 457 Todd White (American, b.1969), “The Ink’s Drying”, signed, titled and dated 2008 on verso, with certificate of authenticity, oil on canvas, 75.5 x 45cm, 29.75 x 17.75in. £5,000 - £7,000

84

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462 462 ARR John Thompson (1924-2011), “Group Series No. 725”, signed, titled and dated 2000 on verso, oil with thumbnail, 54.5 x 52.5cm, 21.5 x 20.75in. £600 - £800

465 465 ARR David Barnes (1943-), “Snowdonian Farm”, signed and titled on verso, oil on board, 49.5 x 49.5cm, 19.5 x 19.5in. £300 - £500

460 460 ARR Geoffrey Yeomans (1900-2000), “Flat 33, Caldecote”, titled on gallery label - ‘Montpellier Studio, London’ verso, oil on board, 74 x 44.5cm, 29 x 17.5in. £100 - £200

463 463 Charles Holmes, 20th Century, “The Peveril of the Peak, Dovedale, Derbyshire”, signed, titled on verso, oil on board, 39.5 x 49cm, 15.5 x 19.25in, together with another rural scene by the same artist, signed, oil on board, 26.5 x 33.5cm, 10.5 x 13.25in (2). £100 - £200

461 461 ARR George Sykes, 20th Century, “Girl Sewing”, signed, titled on verso, oil on board, 33.5 x 27cm, 13.25 x 10.5in. £100 - £200

464 464 ARR James Hardaker (1901-1991), Still life of anenomes in a vase, signed, oil on board, 39 x 49cm.; 15.5 x 19.25in. £100 - £200

466 466 ARR John McCombs (1943-), “The Family”, initialled and dated ‘76, oil on board, 23 x 29.5cm, 9 x 11.5in. * Attended the Manchester Art School, then St. Martin’s School of Art, 1962-67. McCombs was a member of the Royal Institute of Oil Painters also showing at Tib Lane and Portland galleries in Manchester, Chenil and Mall Galleries and at several public galleries in the north. Salford Art Gallery and Manchester City Art Gallery hold examples. £100 - £200

467 467 ARR Charles Wyatt Warren (1908-1983), Lake scene, signed, oil on board, 59 x 89.5cm.; 23.25 x 35.25in. £500 - £700

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468 ARR Geoffrey Key (1941-), “Red Hill and Farms”, signed and dated ‘07, titled on verso, oil on board, 50 x 58cm, 19.75 x 22.75in. £5,000 - £7,000

468

469 469 ARR Bohuslav Barlow (1947-), Children on a canal path, signed and dated ‘88, oil on board, 29 x 36cm, 11.5 x 14.25in. £100 - £200

470 470 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Sun, Wigan, Shawl, Woman”, signed and dated ‘67, titled on verso, with certificate of authenticity, oil on board, 44.5 x 59.5cm, 17.5 x 23.5in. £600 - £800 471 ARR Geoffrey Key (1941-), “Standing Woman”, signed and dated ‘87, titled on verso, oil on canvas, 74 x 48.5cm, 29.25 x 19in. £4,000 - £6,000

471 86

For condition reports please go to www.peterwilson.co.uk

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472 472 ARR David Barnes (1943-), “Welsh Hamlet”, signed and titled on verso, oil on board, 29.5 x 60cm , 11.5 x 23.5in. £300 - £500 475 475 Frederick J. England (1939-), “Just Strolling About Stoke”, signed, titled and dated ‘19 on verso, unframed, oil on canvas, 40 x 40cm, 15.75 x 15.75in. £150 - £200

476 476 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Wigan Pier”, signed, titled on verso, oil on board, unframed, 30.5 x 35.5cm, 12 x 14in. £300 - £500

473 473 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Red Dog”, signed, titled on verso, oil on board, 18.5 x 23.5cm, 7.25 x 9.25in. £300 - £500

474 474 ARR Bohuslav Barlow (1947-), “Bewildered”, signed and dated ‘97, titled on verso, oil on canvas, 40 x 50cm, 15.75 x 19.5in. £100 - £200

477 477 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “High Walk, Congleton”, signed, titled on verso, oil on board, 33 x 29cm, 13 x 11.5in. £1,500 - £2,000

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478 478 ARR David Barnes (1943-), “Cottage in Gwynedd”, signed and titled on verso, oil on board, 33.5 x 23.5cm, 13.25 x 9.25in. £200 - £400 479 ARR Geoffrey Key (1941-), “Garden Figures II”, signed and dated ‘93, titled on verso, oil on board, 52.5 x 40.5cm, 20.75 x 16in. £3,000 - £5,000

479

480 480 ARR David Barnes (1943-), “Autumn in the Lledr Valley”, signed and titled on verso, oil on board, 39.5 x 29.5cm, 15.5 x 11.75in. £200 - £400 481 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Goostrey, Cheshire”, signed, titled and dated 1958 on verso, oil on board, 40.5 x 47.5cm, 16 x 18.75in. £1,000 - £2,000 481 88

For condition reports please go to www.peterwilson.co.uk

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482 482 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), Portrait of Princess Margaret and her son - Viscount Linley, signed and dated ‘62, indistinctly titled on verso, with certificate of authenticity and also a photograph of the artist stood alongside this painting, oil on board, 79.5 x 54cm, 31.25 x 21.25in. £300 - £500

483 483 Frederick J. England (1939-), “Old Street, Longton”, signed, titled on verso, unframed, oil on canvas, 40 x 40cm, 15.75 x 15.75in. £100 - £200

486

484 484 William Turner F.R.S.A., R.Cam.A. (1920-2013), Urban landscapes with figures (unfinished), unframed, oil on canvas, 101.5 x 76cm, 40 x 30in (2).

Provenance: Originally sold by Peter Wilson Auctioneers on the instructions of the Executors of the late Mr William Turner. £100 - £200

485 485 ARR J.L. Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Glencoe Bridge”, signed, titled on artist’s label verso, oil on board, 29 x 37cm, 11.5 x 14.5in. £300 - £500 486 ARR Geoffrey Key (1941-), “Storm Light”, signed and dated ‘16, titled on verso, oil on canvas, 50 x 60cm, 19.75 x 23.75in. £5,000 - £7,000

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487 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “The Prisoner in a Greatcoat”, signed and dated ‘05, titled on verso, oil on canvas, 99.5 x 74cm, 39.25 x 29.25in. £5,000 - £7,000

488 488 ARR Gordon Radford (1936-2015), “Measurements Factory, Oldham”, initialled, titled and dated 1967, oil on canvas, 29 x 39.5cm, 11.5 x 15.5in. £100 - £200

487

489 489 ARR Ivan Taylor (1946-), “Morning Light, Norfolk”, signed, titled on artist’s label verso, oil on board, 37.5 x 48.5cm, 14.75 x 19in. £100 - £200 490 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Turner’s Vaults, Stockport”, signed, titled on verso, oil on board, 19 x 24.5cm, 7.5 x 9.5in. £1,000 - £1,500

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491 491 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Wigan, Sun, Shawl and Dog”, signed and dated ‘70, titled on verso, oil on board, 29 x 39.5cm, 11.5 x 15.5in. £500 - £700 For condition reports please go to www.peterwilson.co.uk

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492 492 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Alderley Edge”, signed, titled on verso, oil on board, 9.5 x 24cm, 3.75 x 9.5in. £300 - £500

493 493 ARR Tadeusz Was (1912-2005), Figure, signed, oil on board, 54 x 41cm, 21.25 x 16.25in. £100 - £200

494 494 ARR Millicent E. Ayrton R.Cam.A., M.B.E. (19132000), “Dolwyddelan Castle”, signed, titled on artist’s label verso, oil on board, 42.5 x 65.5cm.; 16.75 x 25.75in. £200 - £400 495 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “The Laughing Christ”, signed and dated 1986, titled on verso, oil on board, 54.5 x 36.5cm, 21.5 x 14.25in. * This image depicts Christ laughing at mankind’s feeble attempts at worshipping him, by splitting up into various religions. £3,500 - £4,500

495

496 496 ARR Peter Stanaway (1943-), “West Coast, Clare”, signed, titled on verso, acrylic on board, 41.5 x 50.5cm.; 16.25 x 19.75in. £300 - £500

497

497 ARR Tadeusz Was (1912-2005), Two figures, signed, mixed media, 55 x 45.5cm, 21.75 x 18in. £100 - £200 498 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Bridge at Henley”, signed, titled on verso, oil on board, 19 x 24cm, 7.5 x 9.5in. £500 - £700

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WATERCOLOURS, PASTELS & INKS MODERN/CONTEMPORARY 502 ARR Roger Silvester (1939-2016), “Winter Farmland”, unsigned, titled on verso, gouache, 42 x 60.5cm, 16.5 x 23.75in. £100 - £200

499 499 ARR Brian Dobson, 20th Century, “San Tropez”, signed, titled on verso, watercolour, 51.5 x 72cm, 20.25 x 28.25in. £100 - £200

506 506 ARR John Thompson (1924-2011), Floral still life, signed, mixed media, 49.5 x 59cm,. 19.5 x 23.25in. £300 - £500 503 503 Philip Wilson Steer O.M., N.E.A.C. (1860-1942), Rural view, signed and dated 1917, watercolour, 22 x 27.5cm, 8.75 x 10.75in. £100 - £150

500 500 Francis Coudrill (1914-1989), Figure studies, unsigned, gouache, 16 x 12.5cm, 6.25 x 5in (4). £100 - £150

504 504 Francis Coudrill (1914-1989), Historical scenes and mythical creatures, some signed, gouache, various sizes 24.5 x 35cm, 9.75 x 13.75in (5). £100 - £200

507 507 ARR Liam Spencer (1964-), “High Street”, signed, titled and dated 2008 on verso, ink and wash, 18.5 x 25.5cm, 7.25 x 10in. £100 - £200

501 501 ARR John Thompson (1924-2011), “Rhodes Bank, Oldham”, signed and titled, watercolour and ink, 28.5 x 38.5cm, 11.25 x 15.25in. £200 - £400

505 505 ARR Gordon Radford (1936-2015), “Brancaster, Norfolk”, signed and titled, watercolour, 30.5 x 44.5cm, 12 x 17.5in. £150 - £200

502

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508 508 ARR John Thompson (1924-2011), “Kitchen Flowers”, signed, titled on verso, mixed media, 75 x 54.5cm, 29.5 x 21.5in. £500 - £700

For condition reports please go to www.peterwilson.co.uk

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510

511

510 ARR John Thompson (1924-2011), “Group Series No. 702”, signed, titled and dated ‘Nov 2000’ on verso, mixed media, 55 x 75cm, 21.75 x 29.5in. £800 - £1,200 511 ARR Arthur Berry (1935-1994), “Street Punk”, signed and dated ‘94, titled on verso, mixed media, 54.5 x 38cm, 21.5 x 15in. £1,000 - £1,500

509 509 Todd White (American, b.1969), “All in One Piece When Broken” (Head Final), signed and titled, with artist’s blindstamp, dated 2006 on certificate of authenticity verso, ink drawing, 6.5 x 20.5cm, 10.5 x 8in. £200 - £400

512 512 ARR John Thompson (1924-2011), “Village Market Tommyfield, Oldham”, signed, titled on gallery label verso, mixed media on paper, 38.5 x 49cm, 15.25 x 19.25in. £600 - £800

513 513 ARR John Haydn Jones (1923-1997), “Crown Hotel, Nantwich”, signed, titled and dated 1992 on artist’s label verso, pen and ink drawing, 30.5 x 25cm, 12 x 10in. £100 - £200

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517 ARR E. Anthony Orme (1945-), Pole dancing female nude, signed, pastel. 47.5 x 34.5cm, 18.75 x 13.5in. £100 - £200

514 518 518 ARR John Thompson (1924-2011), “Self Portrait with Suit and Tie”, signed, titled on gallery label verso, mixed media on paper, 49 x 39cm, 19.25 x 15.25in. £300 - £500

514 ARR John Thompson (1924-2011), “Group Series No. 863”, signed, titled and dated ‘02 on verso, mixed media, 54 x 74.5cm, 21.25 x 29.25in. £800 - £1,200

516 516 ARR John Thompson (1924-2011), “Wroxham”, signed, titled on gallery label - ‘The Catto Gallery, London’ verso, mixed media on paper, 39 x 49cm, 15.25 x 19.25in. £300 - £500

515 515 Todd White (American, b.1969), Portrait of a lady holding a wine glass, signed, ink drawing, 32 x 24.5cm, 12.5 x 9.75in. £200 - £400

519 519 Style of Laurence Stephen Lowry R.A. (18871976), Figure study alongside railings, bears initials and signature on verso, dated 1957, with extensive annotations on the front and back of the paper, red crayon, 13.5 x 10.5cm, 5.25 x 4.25in. £300 - £500

517

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522 ARR John Thompson (1924-2011), “Group Series No. 948”, signed, titled and dated 2002 on verso, mixed media, 49 x 74cm, 19.25 x 29.25in. £1,000 - £2,000

524 ARR Brian Nolan (1931-), “Sir Galahad” - Jane’s Hole, Collyhurst, Manchester, signed, titled and dated ‘Feb 10th, 1963’, pastel, 26.5 x 32.5cm, 10.5 x 12.75in. £100 - £200

520 520 ARR John Thompson (1924-2011), “Fair Days, Oldham”, signed and titled, mixed media, 39 x 59.5cm, 15.5 x 23.5in. £600 - £800

523 523 ARR Alan Lowndes (1921-1978), “Eros”, signed, titled on gallery label - ‘Jo Bennett Original Pictures’ verso, pencil sketch, 23.5 x 19.5cm, 9.25 x 7.75in. £100 - £200

521 521 ARR Bohuslav Barlow (1947-), “Two Swans at the Bridge, Chester”, initialled, titled on verso, mixed media, 55 x 37cm, 21.5 x 14.5in. £100 - £200

525 525 Lynda Roberts, 20th/21st Century, “Liverpool Palm House XIV”, “Hamilton Square XI and XIV” and “Liverpool XXIII”, all signed and titled in pencil on the mounts, mixed media and collage, each 12 x 12cm, 4.75 x 4.75in (4). £100 - £200

524

526 526 ARR E. Anthony Orme (1945-), Seated female nude, signed, pastel, 42 x 29.5cm, 16.5 x 11.75in. £100 - £200

522

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527 527 ARR George Thompson (1934-2019), “Albert Square, Manchester”, signed, titled and dated ‘97 on verso, pastel, 34.5 x 50.5cm, 13.5 x 19.75in. £100 - £200 529 529 ARR Lynda Roberts, 20th/21st Century, “Alhambra IV”, signed and titled, with exhibition label on verso, mixed media and collage, 73 x 52.5cm, 28.75 x 20.75in. £100 - £200

528 528 ARR E. Anthony Orme (1945-), Standing female nude, signed, pastel. 47.5 x 34.5cm, 18.75 x 13.5in. £100 - £200

530 530 ARR Alan Lowndes (1921-1978), Portrait of a cat, signed, ink on paper, 22 x 19.5cm, 8.75 x 7.75in. £100 - £200

531 531 ARR John Thompson (1924-2011), “Man in a cap”, signed, dated 2002 on verso, mixed media, 39.5 x 29.5cm, 15.5 x 11.5in. £300 - £500

532 532 ARR Russell Howarth (1927-), Rural scene with farm buildings, signed, pencil, 18.5 x 22cm, 7.25 x 8.75in. £100 - £200

533 533 ARR Trevor Grimshaw (1947-2001) , Industrial landscape with fence, signed and dated ‘74, graphite, 26.5 x 71cm, 10.5 x 28in. £1,500 - £2,000 96

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534 534 ARR Trevor Grimshaw (1947-2001), “Railings and Pools”, signed and dated ‘74, titled on verso, graphite, 15 x 15cm, 6 x 6in. £500 - £700 537 537 ARR Harold Riley (1934-), Female portrait, signed and dated ‘69, pastel, 38.5 x 23.5cm, 15.25 x 9.25in. £200 - £400

538 538 ARR Trevor Grimshaw (1947-2001), “Railway Study”, signed and dated ‘72, titled on verso, graphite, 20 x 14cm, 8 x 5.5in. £500 - £700

535 535 ARR Bob Richardson (1938-), “Evening Light, Pickmere”, signed and dated ‘76, titled on verso, pastel, 43 x 54.5cm, 17 x 21.5in. £150 - £200

536 536 ARR Trevor Grimshaw (1947-2001), “Two Telegraph Poles”, signed, titled on verso, graphite, 10 x 11cm, 4 x 4.25in. £500 - £700

539 539 ARR Trevor Grimshaw (1947-2001), “Northern Landscape”, signed and dated ‘87, titled and signed on verso, graphite, 15 x 24.5cm, 5.75 x 9.75in. £1,000 - £1,500

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OIL PAINTINGS (18TH/19TH CENTURY)

540 540 Attributed to Edward Masters (British, fl.18691875), Scene of village life outside an inn, unsigned, oil on canvas, 18.5 x 36.5cm, 7.25 x 14.25in. £150 - £200 541 After Sir Godfrey Kneller (British, 1646-1723), Portrait of Captain Edward Dod, Royal Navy (1688-1763), unsigned, oil on canvas, 88.5 x 70cm, 35 x 27.5in. £1,000 - £2,000

542 542 English School, 19th Century, Portrait of a lady wearing a lace cap, unsigned, oil on board, 17.5 x 14cm, 7 x 5.5in. £100 - £200

543 543 English School, 17th Century style, Portrait of William Prescot of Ayrfield, titled, oil on panel, 75 x 62cm, 29.5 x 24.5in. £200 - £400

544 544 English School, 19th century, Rural scene with figures and a donkey gathered around a fire, unsigned, oil on canvas, 46.5 x 60cm, 18.25 x 23.5in. £100 - £200

545 545 After George Morland (British, 1763-1804), “Girl and Pigs”, unsigned, oil on canvas, 34.5 x 45cm, 13.5 x 17.75in. £150 - £200

541 98

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547 English School, 18th Century, Portrait of Charity Woodroffe, wife of George Dod (1660-1736), unsigned, titled on mount, oval, oil on canvas, 74 x 61.5cm, 29 x 24.25in. £1,000 - £2,000

548 548 Henry Hadfield Cubley (1858-1934), “The Pier, Fort William”, initialled, titled and dated 1885 on verso, oil on board, 29 x 39.5cm, 11.5 x 15.5in. £100 - £200

546 546 English School, 19th Century, Portrait of a seated girl with a doll, unsigned, oil on canvas, 25 x 19.5cm, 9.75 x 7.75in. £100 - £200

549 549 Albert William Holden (British, 1848-1932), Portrait of a cavalier, signed, oil on panel, 17.5 x 12.5cm, 6.75 x 5in. £100 - £200

550 550 Albert Dunington (1860-1928), “Near Invercailgie, Scotland”, signed and dated 1891, titled on verso, oil on canvas, 49.5 x 75.5cm, 19.5 x 29.75in. £300 - £500

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WATERCOLOURS, PASTELS & INKS 18TH/19TH CENTURY

551 551 Attributed to John Crome (1768-1821), Moonlit river scene with boats and windmills, unsigned, oil on canvas, 19 x 24cm, 7.5 x 9.5in. £100 - £200

553 553 Alfred Grenfell Haigh (1870-1963), “McMahon II”, signed and dated ‘Newmarket 1901’, oil on canvas, 30.5 x 39.5cm, 12 x 15.5in. £100 - £200

554 554 Herbert St. John Jones (1872-1939), “A Kill with the South Cheshire near Peckforton Wood”, signed and dated 1902, titled on verso, oil on canvas, 39 x 59cm, 15.5 x 23.25in. £300 - £500

552 552 John Clayton Adams (1840-1906), “Evening Harvest”, signed and dated ‘89, titled on verso, oil on canvas, 74 x 49cm.; 29.25 x 19.25in. £300 - £500

556 556 Henry Charles Brewer (1866-1950), Spanish river scene with hilltop fort, unsigned, watercolour, 34.5 x 49.5cm, 13.5 x 19.5in. £150 - £200

557 557 Benjamin John Ottewell (1847-1937), “Saint Raphael”, signed and dated 1899, titled on verso, watercolour, 30 x 48cm, 11.75 x 19in. £300 - £400

555 William Mellor (1851-1931), River landscape with sheep and lake scene with cattle watering, both signed, a pair, oil on board, 21.5 x 44.5cm, 8.5 x 17.5in (2). £400 - £600

555

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558 558 William (Walter) Henry Pigott (British, 18101901), Highland cattle in a rural landscape, signed, watercolour, 33 x 49.5cm, 13 x 19.5in. £100 - £200 561 561 Ernest F. Hill (fl.1897-1940), Portrait of Don Quixote, signed and dated 1898, watercolour, 56.5 x 39cm, 22.25 x 15.25in. £200 - £400

559 559 Henry Charles Brewer (1866-1950), Mountainous Spanish scene at sunset with church and figures, unsigned, watercolour, 24.5 x 35cm, 9.5 x 13.75in. £100 - £200

562 562 Albert Pollitt (1856-1926), Beach scene with boats and figures, signed, watercolour, 38.5 x 57.5cm, 15.25 x 22.75in. £100 - £200

564 564 Samuel Towers R.C.A. (1862-1943), “Llanberis Lake with Snowdon and Llanberis Pass in the Distance”, signed and dated 1914, titled on artist’s label verso, watercolour, 51.5 x 72.5cm, 20.25 x 28.5in. £200 - £400

565 565 Yartland, 19th Century, Continental village scene with figures, signed and dated 1887, watercolour, 37 x 54cm, 14.5 x 21.25in. £100 - £200

566 566 Claude Hayes R.I. (1852-1922), Rural scene with figures, signed, watercolour, 34.5 x 52cm, 13.5 x 20.5in. £200 - £400

560 560 Henry M. Terry (fl.1879-1920), “Sunday Morning”, signed, titled on artist’s label verso, watercolour, 46 x 32.5cm, 18 x 12.75in. £200 - £400

563 563 Frederick Goodall R.A. (British 1822-1904), Middle Eastern street scene, monogrammed, watercolour, 22.5 x 15.5cm, 8.75 x 6.25in. £200 - £400

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572 George Henry Benton Fletcher (1866-1944), Scarab of Amenhotep III at the north-eastern corner of the Sacred Lake of King Thotmoses III at Karnak Temple, unsigned, titled and extensively inscribed on verso, watercolour, 3 2.5 x 25cm,. 12.75 x 10in. £100 - £200

567 567 James Burrell Smith (1822-1897), “A View in Cumberland”, signed and dated 1864, titled on mount, watercolour, 26.5 x 43cm, 10.5 x 17in. £100 - £200

570 570 Francis William Topham R.A. (1808-1877), “Spanish Peasant Girl”, titled on accompanying gallery information, watercolour, 34 x 26.5cm, 13.25 x 10.25in. £150 - £200 573 573 English School, 19th/20th Century, Portrait of a lady holding a basket of flowers, unsigned, miniature, watercolour, 12.5 x 10cm, 5 x 4in. £100 - £150

568 568 Myles Birket Foster (British, 1825-1899), “Raby Castle, Durham”, monogrammed, titled on label verso, oval, watercolour, 12.5 x 16cm, 5 x 6.25in. £200 - £400

571 571 George Stainton (British, 1838-1900), Maritime scene with numerous boats, signed, watercolour, 26 x 38cm, 10.25 x 15in. £100 - £200 574 574 James Burrell Smith (1822-1897), Figures outside a cottage, signed and dated 1874, watercolour, 32.5 x 48.5cm, 12.75 x 19.25in. £100 - £200

569 569 Ralph William Bardill A.R.C.A. (British, 18761935), “Autumnal Woods near Betws-y-Coed”, signed, watercolour, 44.5 x 59.5cm, 17.5 x 23.5in. £200 - £400

572

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575 575 Grace H. Hastie (fl.1874-1927), “In the Pass of Llanberis “, signed, titled on label verso, watercolour, 22 x 33cm, 8.5 x 13in. £100 - £200

578 578 Selim Rothwell (1815-1881), Lake Maggiore, signed and dated 1858, watercolour, 31.5 x 44cm, 12.5 x 17.25in. £100 - £200

580 580 English School, 19th Century, Girl with a basket of flowers, unsigned, oval, watercolour, 43 x 33cm, 17 x 13in. £100 - £200

576 576 Frederick James Aldridge (1850-1933), Harbour scene with various shipping, signed, watercolour, 25 x 34.5cm, 9.75 x 13.5in. £200 - £400

579 579 John Ernest Aitken (British, 1881-1957), “Showery Weather, Chioggia”, signed, titled on label verso, watercolour, 23.5 x 33.5cm, 9.25 x 13.25in.

577 Charles A. Bool, early 20th Century, “Near Betws-y-Coed” and “In the Highlands, Scotland”, both signed, titled on labels verso, a pair, watercolours, each 27 x 37cm, 10.5 x 14.5in (2). £100 - £200

MINIATURES

* Studied at Liverpool, Manchester and Wallasey Schools of Art. Settled in the Isle of Man. Exhibited many at the Walker Gallery, Royal Cambrian Society and the Royal Society of Watercolourists. £100 - £200

581 581 English School, 19th Century, Portrait of a gentleman wearing a head scarf, unsigned, oval, watercolour on paper, 12.5 x 9cm, 5 x 3.5in, set in a gilt-metal frame, together with another similar, 3 x 2.5cm, 1.25 x 1in, set in gilt-metal frame with decorative gilt fabric mount with scrolling detail (2). £100 - £200

577

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582

583

FURNITURE 582 Pair of 20th Century Italian green veined marble urn shaped table lamps, each heavily decorated with swags of applied ormolu flowers, beadwork and cornucopia, height 75cm (29”) £600 - £800

584 A pair of early 20th Century Continental pendant chandeliers, each with central column wire-work arms terminating with glass droplets, six branches with candle effect lights, diameter 60cm (24”), height 92cm (36”). £500 - £700

583 An unusual 20th Century copper effect six branch electrolier, central column with frosted glass, brackets with matching shades, diameter 76cm (30”), height 76cm (30”). £200 - £400

585 Early 20th Century brass framed chandelier, single rod supporting three electric light fittings, six out-swept rods connected to brass pierced and cast ring, supporting multiples of crystal beads forming a bag, diameter 43cm (17”), height 66cm (26”). £80 - £120

584

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585

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586 586 Late 19th Century Chinese stained hardwood circular centre table, top with key pattern decoration, carved and pierced frieze decorated with flower heads, four scroll leg supports, diameter 92cm (36”), height 80cm (31”). £200 - £400

588

587 587 Late 19th Century Chinese camphor wood chest, decorated with inlaid soapstone figures and in garden scene to top panel and sides, 100cm (39”), depth 51cm (20”), height 51cm (20”). £300 - £400 588 Victorian Pier cabinet with matching mirror, mahogany and thuya wood panelled veneers, arched mirror standing on single door cabinet base, decorated with blue and white ceramic classical panels, interior with two fixed shelves, decorated all over with brass beading, width 81cm (32”), height 208cm (82”). £800 - £1,200 589 Edwardian mock Sheraton mahogany display cabinet on table, top section with swan neck pediment above single glazed door covering two fixed shelves, base with single drawer, square section tapering legs, the whole cabinet inlaid with classical urns, trailing stylised vines and other classical whimsies, width 59cm (23”), depth 47cm (18”), height 170cm (67”). £200 - £300

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590 George III mahogany bookcase on secretaire base, top section with two astragal glazed doors (one glazed panel damaged), three adjustable shelves with reeded edge, base with top secretaire drawer decorated with cockbeading, fall front revealing fitted interior, various drawers and pigeon holes surrounding central cupboard, below two single panel doors covering one adjustable shelf, all standing on ogee bracket feet, width 110cm (43”), depth 60cm (24”), height 224cm (88”). £300 - £500 591 Victorian mahogany collectors cabinet, containing eight shallow drawers, each with two button turned handles, all enclosed by two hinged columns (not locking), blind plinth width 60cm (24”), depth 33cm (13”), height 86cm (34”). £200 - £400

590

592 592 19th Century French writing desk, the oval top with green leather inset, banded with brass inlays, single frieze drawer, scroll legs, cast brass mounts, width 130cm (51”), depth 78cm (31”), height 73cm (29”). £150 - £250 593 A pair of Victorian mahogany writing tables, each with rectangular top inset with brown tooled leather writing surface, 4.5” frieze with concealed drawer, trestle base united by turned stretcher, disc feet with original brass casters, width 92cm (36”), depth 60cm (24”), height 72cm (28”). £600 - £1,200

593 591 106

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594

595

594 Mid 18th Century walnut bureau, flap opening to reveal central cupboard flanked by stationery compartments and six drawers, well with sliding panel, later red leatherette writing panel, base with two short and three long graduated drawers, brass plate and bail handles all standing on bracket feet, width 86cm (34”), depth 54cm (21”), height 100cm (39”). £500 - £800

596 Victorian rosewood Davenport writing slope with replacement green tooled leather panel, replacement Bramah lock, knee recess flanked by two tapering fluted columns, small drawer for pen and ink storage, single cupboard door opening to reveal four drawers, each with original turned knob handles, width 61cm (24”), depth 51cm (23”), height 83cm (33”). £300 - £400

595 Edwardian mahogany writing desk, rectangular top with green leather inset, covered with plate glass, base with two stacks of four graduated drawers with brass ring handles, long central drawer above knee-hole with trailing floral white-wood inlay, all standing on four square section tapering legs, terminating with brass articulated casters (wall standing desk as opposed to free standing, therefore only veneered on three sides), width 136cm (54”), depth 67cm (26”), height 75cm (29”). £300 - £500

597 Edwardian mahogany kidney shaped ladies writing desk, with all over cross-banding, green leather inset to top, base with central drawer flanked by two stacks of four graduated drawers, original brass handles and pot casters, width 120cm (47”), depth 60cm (24”), height 71cm (28”). £200 - £400

597 596

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598 George III mahogany bureau bookcase, top section with two astragal glazed doors covering three adjustable shelves, bureau with flap opening to reveal fitted interior, two short and three long graduated drawers, cockbeading and brass fretwork handles, all standing on bracket feet, width 104cm (41”), depth 56cm (22”), height 233cm (92”). £200 - £400 599 Mid 19th Century French Kingwood veneered ladies writing bureau, inlaid with parquetry panels, bellied writing flap with marquetry floral inlays, interior fitted four drawers, single frieze drawer decorated all over with ormolu mounts, width 76cm (30”), depth 48cm (19”), height 100cm (39”). £400 - £600

598 600 600 19th Century oak child’s chair of 17th Century design, cresting rail with Prince of Wales feathers above single panel with stylized flower heads, open arms, solid seat, turned foreleg supports united by stretchers, height 59cm (23”). £100 - £200

601 601 A pair of 20th Century brown leather circular foot stools and one other rectangular stool probably Moroccan, all approximately 60cm (24”) in diameter. £300 - £500

599

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602 602 Victorian Gothic design Church pew, each end with fleur de lis pediment, central back panel with pierced decoration, solid seat, green velvet covered swab cushion, width 163cm (64”), depth 53cm (21”), height 116cm (46”). £150 - £250

603 603 Early 19th Century oak bench, single plank seat with A-frame pegged trestle legs at opposing ends, length 190 (75”), width 28cm (11”), height 48cm (19”). £150 - £250

604 604 Three Dutch mahogany framed single dining chairs, vase shaped splat back, upholstered drop-in seats, serpentine front rail, cabriole foreleg supports, each frame with marquetry inlays depicting birds, vases and flowers, height 114cm (44”). £250 - £350

605 605 A pair of Arts & Crafts design single side chairs, each with gesso and black enamelled painted decoration, loose upholstered seats covering caning, foreleg supports united by pierced and carved stretcher, height 90cm (36”). £200 - £400

606 606 Pair of walnut Chippendale style open arm carver chairs, each with fretwork splat, open scrolling arms, loose seat, cabriole foreleg supports with moulding shells to shoulders, ball-and-claw feet, height 91cm (36”), seat height from floor 42cm (16.5”). £200 - £300

607 607 A pair of mid 19th Century Dutch single chairs, each with carved floral pediment above vase shaped splat, upholstered drop-in seat, cabriole legs with carved shoulders, united by “H” shaped stretchers, height 117cm (46”). £200 - £300

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608

609

608 A set of six William IV mahogany framed single dining chairs, each with carved and moulded back, loose seats, reeded foreleg supports, height 84cm (33”). £200 - £400

611 Victorian rosewood framed footstool, square floral tapestry, box seat supported on four cabriole legs, 66cm (26”) x 63cm (25”), height 40cm (16”). £200 - £300

609 A pair of George III mahogany hall chairs, each with circle back with central panel support, painted crest of Lion passant, solid seat with dish recess and bow front, square section tapering foreleg supports with spade terminals, height 97cm (38”). £200 - £400

612 Mid 19th Century French gesso framed two seater sofa, the “C” shaped frame with upholstered back and seat covered in silk fabric with polychrome floral embroidery, all standing on four turned and fluted legs, width 150cm (59”), depth 80cm (32”), height 101cm (40”). £800 - £1,200

611

610 610 19th Century Indian pine and hardwood stool, rectangular one piece top supported on four turned legs, united by various stretchers, width 36cm (14”), height 48cm (19”). £200 - £300

612

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614 616 Regency rosewood loo table, circular top with matched figured veneers, cross-banded with tulip-wood and rosewood, beading to frieze, all standing on single column, carved with acanthus leaves, platform base, four scroll feet with original casters, diameter 132cm (52”). £500 - £800

613 613 Mid 19th Century French gesso framed two seater salon sofa, scrolling back and arms, double bow front rail, all standing on delicate scroll legs, width 134cm (57”), depth 71cm 28”), height 94cm (37”). £300 - £400 614 Edwardian mahogany framed Bergere three piece suite, comprising three seater settee and two single chairs, each with double caned panels, reupholstered pink draylon cushions, all standing on ball-and-claw foreleg supports, sofa width 175cm (69”), depth 81cm (32”), chairs width 76cm (30”), depth 79cm 931”). £300 - £500 615 George III Irish snap-top table, circular one piece top with heavily carved scroll, rock and icicle decoration, bird cage block above carved baluster column, three out-swept legs with animal claw and egg terminals, diameter 69cm (27”), height 73cm (29”). £500 - £800

615

617 617 Victorian ebonised boulle fold-over card table, serpentine top with green baize interior, front panel and shoulders to all four legs decorated with cast brass classical masks, width 89cm (35”), depth 46cm (18”), height 81cm (32”). £150 - £250 618 19th Century gesso occasional table, white marble inset to circular top, fluted column, baluster decorated with acanthus leaves, three scrolling legs, diameter 38cm (15”), height 76cm (30”). £600 - £800

616

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619 Pair of Napoleon III mid-19th century good quality red stained and mother-of-pearl inlaid boulle side tables of Louis XIV style, each with ormolu mounts, single frieze drawer, swept leg, animal hoof terminals, the rectangular top of one table with gaming chequer board, the other decorated with dancing court figures and musicians, width 79cm (31"), depth 46cm (18"), height 71cm (28").

Unsigned but attributed to the workshop of Befort Jeune. £20,000 - £30,000

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620

621

620 George III oak side table, three plank top with moulded edge above one long and two short frieze drawers, four turned legs with pad feet, width 132cm (52”), depth 61cm (24”), height 70cm (28”). £200 - £300 621 Late 18th Century Continental chest, ark shaped lid with steel strap hinges, original steel lock and key, interior with candle box, front with two raised cushion panels containing marquetry bird and flora inlays, top and bottom rail carved with name “Margretha Albers Anno 1790”, large wrought metal lifting handles to opposing ends, all standing on four bun feet, width 142cm (56”), depth 70cm (28”), height 66cm (26”). £300 - £500

623 623 Mid 19th Century Dutch mahogany veneered floor standing double corner cupboard, dome top above single glazed door covering two fixed shelves, base with bow front single panel door, all standing on bracket feet, the whole cabinet decorated with marquetry inlay birds, flowers, vases of flowers etc., width 81cm (32”), height 195cm (77”). £400 - £600 622 622 George III mahogany press cupboard, top section with figured mahogany frieze above two single panel doors, covering five sliding shelves, base with two short and two long graduated drawers, original brass bail handles, bracket feet, width 127cm (50”), depth 56cm (22”), height 203cm (80”). £500 - £800

114

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624

625

624 Mid 19th Century mahogany wall mounted corner cupboard, moulded frieze above single glazed door with serpentine astragals, original and moulded glass, interior with three concave fixed shelves, green painted width 80cm (31”), depth 50cm (20”), height 118cm (46”). £150 - £250

626 17th Century oak tridarn, open top section above central section containing two cupboards with pegged hinges, decorative turned pendants, base with two three panel doors, width 135cm (53”), depth 53cm (21”), height 190cm (75”). £800 - £1,200

625 George III mahogany serpentine front sideboard, top with cross-banding, black and white string, central drawer flanked by two short drawers and cellerette, all standing on square section tapering legs with spade terminals, width 175cm (69”), depth 74cm (29”), height 90cm (36”). £200 - £300

627 627 18th Century oak dresser, three shelf rack sitting on base with three drawers, rectangular section supports with pot shelf, width 157cm (62”), depth 40cm (16”), height 200cm (79”). £300 - £500 626

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628 628 Late 19th Century rectangular gesso pier glass, pediment with medical crest to oval, flanked by flower heads and foliage, width 56cm (22”), height 180cm (71”), £150 - £250

629 629 Victorian over-mantel mirror, gilded frame, shell motif to pediment, width 117cm (46”), height 157cm (62”). £200 - £400

630 Early 19th Century gesso three glass over mantel mirror, moulded frame with two columns flanking mirrors contained within ebonised beading, width 127cm (50”), height 53cm (21”). £100 - £200

630

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631 631 Early 19th Century Queen Anne design dressing table mirror, single arched glass supported on two turned columns, box base fitted one long and five short drawers, each with brass handles, width 37cm (14”), height 71cm (28”). £200 - £300

633 634 Early 19 th Century pier glass gesso framed ebonised ball decoration to cornice with similarly decorated picture panel above rectangular glass flanked by cluster columns, width 66cm (26”), height 91cm (36”) £200 - £300

633 Regency design oval wall mirror, bevelled glass in gesso frame with egg-and-dart moulding, pediment with Griffins and scrolling foliage, 85cm (33”) x 91cm (36”). £100 - £200

632 632 Early 19th Century gesso wall mirror, the arched frame with impressed trailing leaf design, beaded moult, original mirror, width 76cm (30”), height 104cm (41). £200 - £300

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635

635 Victorian over-mantel mirror, the gesso frame with rope-twist decoration, central panel applied with leaves and grapes, three original bevelled glass mirrors, width 143cm (46”), height 69cm (27”). £200 - £300

638 638 Mid 19th Century jardinière stand of French design, soapstone hexagonal top with brass gallery, three reeded legs, united by platform stretcher with central turned finial, diameter 28cm (11”), height 80cm (31”). £100 - £150

636 636 George III mahogany wine cooler, octagonal section, hinged lid, three polished brass straps, two original folding carrying handles, all standing on four square section legs, diameter 46cm (18”), height 70cm (28”). £400 - £600 637 637 A pair of early 19th Century lime-wood and gesso torcheres, converted to electricity, height 124cm (49”). £200 - £400

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

639 639 George III mahogany three tier dumb waiter, central baluster column supporting three dish turned, one piece mahogany shelves, all standing on three out-swept legs with original brass articulated casters, diameter 65cm (26”), height 140cm (55”). £300 - £400

640 640 Regency rosewood centre table, circular top with macassar ebony crossbanding, inlaid with brass rosettes and honeysuckle emblems, all supported on gesso finished single baluster column, platform base with animal paw feet, width 105cm (41”), height 71cm (28”). £600 - £900

END OF SALE

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GLOSSARY OF TERMS F O R P I C T U R E S , D R A W I N G S , P R I N T S , M I N I AT U R E S E T C .

The first name of names and surname of the artist - in our opinion a work by the artist.

‘Attributed to...’

- in our opinion probably a work by the artist in whole or in part.

‘Circle of...’

- in our opinion a work of the period of the artist and showing his/her influence.

‘Style of...’ / ‘Follower of...’

- in our opinion a work executed in the artist’s style, of a similar period, but not necessarily a pupil.

‘Manner of...’

- in our opinion a work in the artist’s style, but of a later date.

‘School...’

- Accompanied by place name or country, and date - in our opinion a work executed at that location and period.

‘After...’

- in our opinion a copy (of any date) of a work by the artist.

‘Signed and/or dated and/or inscribed’ - in our opinion the signature and/or date and/or inscription are by the artist’s hand.

‘Bears signature and/or date and/or inscription’ - in our opinion the signature and/or date and/or inscription are by another hand.

Dimensions are given height before width.

NOTES

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Peter Wilson FINE ART AUC TIONEERS • EST 1955

TIMED ONLINE AUCTION FINE WINES & SPIRITS Starts Friday 8th November 2019 - 12pm Ends Sunday 24th November 2019 - 22.00

Approximately 100 lots including: Sandeman’s Vintage Port 1945 £350 – 450

Peter Wilson Fine Art Auctioneers LLP Victoria Gallery, Market Street, Nantwich CW5 5DG Telephone: 01270 623878 Fax: 01270 610508 Email: auctions@peterwilson.co.uk

www.peterwilson.co.uk

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CONDITIONS OF SALE Peter Wilson Fine Art Auctioneers Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following Conditions of Sale and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) “Auctioneer” means the firm of Peter Wilson Fine Art Auctioneers Ltd or its authorised Auctioneer, as appropriate; (b) “Deliberate Forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “Hammer Price” means the level of bidding reached (at or above any reserve) when the Auctioneer brings down the hammer; (d) “Terms of Consignment” means the stipulated terms and rates of commission on which Peter Wilson Fine Art Auctioneers Ltd accepts instructions from sellers or their agents; (e) “Total Amount Due” means the Hammer Price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f ) “Sale Proceeds” means the net amount due to the seller, being the Hammer Price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You” or “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate and words importing any Gender include either gender.

6. PAYMENT (1) Immediately a Lot is sold you will: (a) Give to us, if requested, proof of identity, and (b) Pay to us the Total Amount Due in cash or in such other say as is agreed by us.

(2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the Total Amount Due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for no later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment, after which you shall be responsible for any removal, storage and insurance charges.

(3) No purchase can be claimed or removed until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) To proceed against you for damages for breach of contract;

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the buyer at the Hammer Price “the buyer” and any dispute about a bid shall be settled at the Auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The Auctioneer shall act reasonably in exercising this discretion.

(c) To resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the Total Amount Due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) To remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere;

(d) Once made, no bid may be withdrawn.

(e) To charge interest at a rate not exceeding 1.5% per month on the Total Amount Due to the extent it remains unpaid for more than 3 working days after the sale;

(e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

(f ) To retain that or any other Lot sold to you until you pay the Total Amount Due;

(c) Bidders shall be deemed to act as principals.

3. INCREMENTS Bidding increments shall be at the Auctioneer’s sole discretion.

4. THE PURCHASE PRICE The buyer shall pay the Hammer Price together with a premium thereon of 26.4% which shall include VAT on the premium at the rate imposed by law.

5. VALUE ADDED TAX Value Added Tax on the Hammer Price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position).

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(b) To rescind the sale of that Lot and/or any other Lots sold by us to you;

(g) To reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) To apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the Total Amount Due and to exercise a lien (that is a right to retain possession of ) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these Conditions.

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9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the layout of the accommodation and security arrangements.

Accordingly neither the Auctioneer nor its employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the Auctioneer nor its employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. The Auctioneer may at its own discretion on your behalf exceed your commission by one bid. An instruction to buy with no upper limit will not be accepted.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the Auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The Auctioneer normally acts as agent only and disclaims any responsibility for default by seller or buyers.

13. TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot..

14. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf ) must satisfy themselves as to the accuracy of any description applied to a lot.

Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither the Auctioneer nor its employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 information to buyers”.

Please note: Condition of items or other faults is not stated within the catalogue and items are sold strictly as seen. If you are interested in an item and no condition report is present please email auctions@peterwilson.co.uk for more information.

The cost of postage, packing, transport, and shipping is the responsibility of the buyer. The cost of postage, packing, transport, and shipping will not be refunded in any circumstance.

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a Deliberate Forgery may be returned to us by you within 14 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a Deliberate Forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are notable to transfer a good and marketable title to us, you shall have no rights under this Condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions of any person.

17. (1). Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the Auctioneer as appropriate.

(2). Such right and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the Auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

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INFORMATION FOR BUYERS 1. Introduction. The following information notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As Auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. Buyer’s Premium. The buyer shall pay the Hammer Price together with a premium thereon of 22% +VAT (26.4% inclusive). VAT will be at the rate imposed by law.

5. ‘Subject to VAT’ indicates that VAT is payable by the purchaser at the standard rate (presently 20%) on the Hammer Price as well as being an element in the buyer’s premium. Items which are subject to VAT will be cleared marked within the catalogue text as well as being labelled in the saleroom. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the Hammer Price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the Hammer Price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and therefore, accept responsibility for inspecting and investigating lots in which they are interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the Auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the Auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstance lots mis-described because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 2 week time limit. (The expression ‘Deliberate Forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for the compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of threat character because, e.g. they may contain prohibited materials such as ivory. Ask us if you need help.

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9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form.

Some form of identification may be required if you are unknown to us.

Please enquire in advance about our arrangements for telephone bidding.

10. Commission absentee bidding. Commission bids may be left with the Auctioneer indicating the maximum amount to be bid excluding buyer’s premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. The Auctioneer may at his/her own discretion on your behalf exceed your commission by one bid. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). Debit and Credit card payments where the card holder is not present will only be accepted for transactions up to £500. Credit Card payments may only be made using chip and pin up to £2,000. Please note we no longer take payments over the telephone, you can now pay through our website www.peterwilson.co.uk 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Items not removed within four days of the sale will be subject to a storage charge of £1.50 per item per day.

13. Postage and Shipping. Peter Wilson Fine Art Auctioneers Ltd do not provide a postage and packing service however we recommend the following company who deal with all postage, packing, and shipping for us: T.C. Couriers Nantwich, 3 Barker Street, Nantwich, Cheshire, CW5 5SY. Contact Tony Cartwright on +44 (0) 7746 216 322 or email tony69uk@gmail.com Mailboxes Etc., Peel House, 30 The Downs, Altrincham, WA14 2PX. Contact Alex Pye or Palanivel Kandaswamy on Tel: +44 (0) 161 233 0500, Fax: +44(0) 161 233 0400 Email: info@mbealtrincham.co.uk Website: www.mbealtrincham.co.uk 14. ‘The Artists Resale Right’ From mid – February 2006 living artists are entitled to receive a resale royalty each time their art work is bought or sold by an art market professional. However, from 1 January 2012, the Right will be extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright).

Royalties will be payable to the families and beneficiaries of these artists.

This new law has been introduced in the UK following a European Directive. Art work must reach or exceed a certain value before it qualifies for the right. The qualifying threshold in the UK is 1000 euros which is approximately £850. The rates are calculated as a percentage of the sale price and are set out in a sliding scale from 4% to 0.25%.

Portion of the sale price Royalty rate From 1000 to 50,000 euro 4% From 50,000.01 to 200,000 euro 3% This will be an extra charge upon the sum for which the art work is obtained, excluding V.A.T. For auctions this is regarded as the hammer price (excluding the buyers premium).

For more information please see the Important Notice to Bidders posted in the salerooms or alternatively a full copy of ‘The Artists Resale Right Regulations 2006’ which is available on request.

Peter Wilson Fine Art Auctioneers Ltd Victoria Gallery Market Street Nantwich Cheshire CW5 5DG Telephone: +44 01270 623878 Fax: +44 01270 610508 Email: auctionspeterwilson.co.uk

www.peterwilson.co.uk