The Prince's Trust

Evening of Art 100 per cent of the profits to support disadvantaged young people

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Dear Supporter, On behalf of The Prince’s Trust, delighted to present this fantastic collection, generously donated for second Evening of Art by some of country’s most renowned artists. We very grateful to them for their support.

I’m art our the are

This special event gives you the chance to acquire some truly outstanding art. We’d like to raise £70,000 for disadvantaged young people in the South West, by auctioning 70 pieces this evening.

Massive thanks to our sponsors and supporters Coutts & Co, Withy King, Reside Bath and The Roper Family Trust. All money raised tonight will go towards helping to change the lives of young people. We’re also grateful to iBid who will be facilitating the Silent Auction Technology and Tom Best, of Christie’s, for hosting the Live Auction.

The UK economy is slowly moving towards recovery, but youth unemployment still remains a huge problem. About one in six 16-24 year olds in the South West (17 per cent) are out of work - that’s almost 70,000 young people, with so much untapped potential. This inactivity generates lots of other problems too, including crime, anti-social behaviour and mental health issues - and extra costs for taxpayers.

The Prince’s Trust reaches out to young people in the South West and helps them improve their confidence and motivation, by supporting them into employment, training or education. Three-quarters of our young people achieve a positive outcome, as a result of our support.

I’m very grateful to the committee of volunteers who have worked so hard over the last year to help plan this event, and to the pro-bono support we have received. These invaluable contributions will help us achieve our ambition of raising £70,000 to help support disadvantaged young people.

Here’s how you can take part in the auction. This year, with more art available to buy, all pieces will be available online ahead of the event via princes-trustbathart2013.com. The artwork will also be exhibited at the Evening of Art (strictly by invitation only) where you can bid using the Silent Auction technology or by participating in the exciting Live Auction.

To find out more about how the Silent Auction and Live Auction will work, please see the information page.

Once again, sincerest thanks to the artists for their extremely generous donations, and to you for your support. The Prince’s Trust wouldn’t exist without you.

Dermot Finch Director, South of England, The Prince’s Trust

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Evening of Art Thursday 5th December 2013 The Assembly Rooms, Bennett Street, Bath, Avon BA1 2QH Drinks reception and Silent Auction from 6.15pm Bid on pieces of art easily using readily available touch screen tablets.

Live Auction from 8.15pm Tom Best, of Christie’s, will conduct the auction of thirteen pieces of art.

Specialist Mary McCarthy mary@mmcontemporaryarts.com Viewing lots by appointment and all Prince’s Trust enquiries Please contact Sarah Crooks on 0117 943 4968 or via email at sarah.crooks@princes-trust.org.uk

The Prince’s Trust, 9 Marsh Street, Bristol BS1 4AA

iBid Tel 020 7524 7813 enquiries@ibid-events.com www.ibid-events.com

Tel 0117 943 4948 www.princes-trust.org.uk

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LOCATION

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Further information This year all artwork will be available to view and bid for online in advance of the event via princes-trustbathart2013.com. There will be a countdown clock on the website detailing when the online bidding will commence (approximately three weeks prior to the event). You will be able to bid on artwork right up until 12.00 noon on the day of the event, Thursday 5th December. Thereafter, the website will be closed to any more online bids.

The Silent Auction The highest bids for each piece of art, taken from the above website, will be transferred onto our Silent Auction technology on the day of the event. The state-of-the-art touch screen tablets will be waiting for guests on arrival at the Assembly Rooms to continue with the final bidding on the night. Anyone who registers and bids online before the event will be able to keep their log in details and use them on the night with the Silent Auction tablets; simple!

What if I don’t attend on the night?

If you are a winning bidder from your online bid but do not attend the event, you will be informed of your success by email and a Prince’s Trust member of staff will contact you to arrange payment and delivery of art. Please note that delivery charges will apply.

The Live Auction Impressionist and Modern Art expert Tom Best of Christie’s will be conducting the Live Auction on the evening. Thirteen of the most exclusive and collectable pieces from the exhibition will be auctioned in this way. These items are listed separately in this catalogue.

For further guidance, or should you have any queries, please contact Sarah Crooks on 0117 943 4968 or sarah.crooks@princes-trust.org.uk From everyone at The Prince’s Trust, enjoy the art, the evening and thank you for helping make positive changes to the lives of disadvantaged young people.

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RAFFLE A raffle will be held on the evening of the auction.

If you are attending the Evening of Art in person, you will have the chance to take part and win one of these special prizes: ➔ Lunch for four in the Director’s Dining Room at Coutts’ Head Office in the Strand, kindly donated by Coutts & Co. This prize is to be arranged for a mutually agreeable date before 5th December 2014. ➔ One night’s accommodation in a suite at The Royal Crescent Hotel in Bath, inclusive of breakfast and a bottle of Ruinart Champagne, kindly donated by The Royal Crescent Hotel.

The prize is valid Monday to Thursday night until 31st May 2014, but is not available during Easter. ➔ Lunch for two at the House of Lords on a mutually agreeable date within the first six months of 2014.

Terms and Conditions apply

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SILENT AUCTION LOTS Lot 1 Rob Ryan (Cypriot, b. 1962) Look Closer silkscreen printed in colours, 2013, signed in pencil lower right, numbered AP, published by the artist on wove paper with full margins Full sheet. 840 x 1142mm (33 x 45 in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £1,000 – £1,500

Rob Ryan was born in Akrotiri, Cyprus, and studied Printmaking at the Royal College of Art. He works primarily with papercut printmaking, applying the method to a variety of media, from ceramics to textiles. He’s produced work with many high-profile clients, including Paul Smith, Fortnum & Mason and Vogue. His work often comprises two parts: a whimsical protagonist and an autobiographical piece of prose, sometimes solemn, sometimes humorous. Most recently, Rob exhibited at London’s Air Gallery and the Shire Hall Gallery in Stafford.

Look Closer is a limited edition screenprint of a dreamlike skyline, created with water-based inks and wood-free paper.

See more at robryanstudio.com

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Lot 2 Anna Mullin (British, b. 1984) A Safe Place to Grow, 2013 Acrylic paint on textured pastel paper Signed, titled and dated in pencil verso d. 240mm (9 ½ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £300 – £500

Sneaky Racoon, the pseudonym of graphic artist, designer and art director, Anna Mullin, lives and works in London. Her love of nature and animals was instilled by her childhood in rural Germany and inspires much of her work today. Anna was recently commissioned to paint a sculpture for the Gromit Unleashed event. Creature Comforts raised £19,000 in the auction to support Bristol Children’s Hospital.

A Safe Place to Grow (acrylic on paper) was painted specially for this event. The small field mouse, safely sleeping amid wild flowers and meadow grass, parallels the work of The Trust, both protecting and nurturing the young.

For more of Anna’s art, visit sneakyracoon.com

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Lot 3 Amanda Allen (British, b. 1965) Life Study I, 2013 Charcoal on paper Signed in charcoal lower right v. 730 x 500mm (28 ¾ x 19 ¾ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £400 – £600

Amanda Allen lives in Bath and works predominately with charcoal and oil. She’s best known for her portraiture and human form painting.

Light Study 1 (charcoal on paper) reflects Amanda’s commitment to fine art’s best traditions of sight-size and observation. That classical approach, so says Amanda, ‘best captures a sense of connection between the subject and the art’.

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Lot 4 Broose Dickenson (American, b. 1965) Victoria – Civilization laser print on paper, 2013, signed in pencil lower right, numbered 1/1, on wove paper with full margins Full sheet. 160 x 130mm (6 ¼ x 5 in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £100 – £150

An artist, musician and songwriter, Broose Dickinson was born in Splendora, Texas. He featured in the BBC2 series Show Me the Monet, was a finalist in the 2011 Bath Prize and recently won VideoMaker magazine’s Hottest & Brightest Award. Broose lives and works in Bath, where he’s a member of the 44AD Art Space studio group.

Victoria-Civilization, a unique digital laser print, combines contemporary subject-matter – imagery from the popular video game, Civilization – with the appearance of a traditional etching, and is typical of Broose’s dramatic work.

For more about the artist and his work, visit broose.com 11

Lot 5 Mark Houlding (Iranian, b. 1950) Cherry Line, 2009 Spirit stain on board Signed and dated in silver ink lower right 812 x 812mm (32 x 32 in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £1,500 – £2,000

Mark Houlding studied at the Royal College of Art between 1973 and ’76. He sells and exhibits work in Britain and abroad. He lives and works in Cornwall with his wife Bev, who has also donated a piece for this auction, at their eponymous studio and gallery.

Mark paints what he describes as ‘larger than life fruits’ with spirit-based wood stains. The intensity and fluidity of that medium marries perfectly with the bright, bold subject-matter. Cherry Line (wood stain on board) is typical of his work, arranging composition and form to emphasise tone and colour.

For more about Mark and his art, go to houldingandhoulding.co.uk 12

Lot 6 Sue Hunter-Jones (British, b. 1960) Quartet, 2008 Collage of layered paper Signed in pencil lower right 310 x 310mm (12 ¼ x 12 ¼ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £100 – £200

Sue Hunter-Jones studied Graphic Design at Bristol University. She works for various design agencies and also from her home studio, where she produces original collage work and models and crafts for children’s books.

She’s exhibited in many public and private collections, including at the NB Gallery in Trowbridge and the Assembly Rooms in Bath.

Sue’s collages are created from handmade papers, which she meticulously cuts and layers. Birds and trees are recurring motifs, as per Quartet, Sue’s donated piece. She’s influenced by Japanese art and the countryside of Bath, where she lives and works.

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Lot 7 Cherry Pickles (British) Taverna, Scoutari Beach Before the Fire, Peloponnese, 1994 Oil on linen Signed in blue ink verso 610 x 610mm (24 x 24 in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £1,500 – £2,000

Born in Bridgend, South Wales, Cherry Pickles studied Mathematics at Ulster University – like most painters do! Her artistic training began at Chelsea School of Art, continuing at the Slade School of Fine Art. Cherry paints extensively in Greece, and also works and exhibits in America, Haiti and The Dominican Republic. Back in Britain, she’s best known for her self-portraiture, winning prizes at Lynn Stainer and the National Portrait Gallery. In 2013, she’s featured in the Sky Arts Portrait Painter of the Year Competition, the Royal Society’s SELF and the Ruth Borchard Self-Portrait Competition, the latter of which acquired Cherry’s entry for its permanent collection. She was until recently Senior Lecturer at Cardiff Art School and now tutors at The Prince’s Drawing School.

Taverna, Scoutari Beach before the Fire, Peloponnese (oil on linen canvas), a brooding yet colourful piece, was painted during a visit to Greece.

To see more paintings by Cherry, visit axisweb.org 14

Lot 8 Natalie Meyjes (American, b. 1962) Poached Eggs, 2013 Hand-coloured copperplate etching Signed and titled in black ink verso 255 x 180mm (10 x 7 ¼ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £200 – £300

A former ballerina, Natalie Meyjes swapped the stage for the studio in 1988. She studied Painting and Sculpture at the San Francisco Art Institute and has exhibited in California, Paris and London.

Poached Egg is one of a collection of 18 watercolour etchings Natalie painted for a recent project.

To see other work by Natalie, visit longandryle.com 15

Lot 9 Elisabeth de Las Casas (English, b. 1963) View from Brassknocker Hill, 2012 Ink and colour wash on paper Signed in pencil lower right 360 x 510mm (14 ¼ x 20 in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £400 – £600

Elisabeth de Las Casas studied at St Martins College of Art and the Slade School of Fine Art. She’s best known for her vivid landscapes and paints with a variety of media to convey nuance of mood and texture. She’s exhibited solo in New York and in group shows throughout the UK. View from Brassknocker Hill (ink and colour wash on paper) was painted in Bath last year.

See more at elisabethdelascasas.co.uk

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Lot 10 Bert Commeny (French, b. 1968) Enjoy the Night in Villefranche Bay, 2013 Acrylic on paper Signed in white acrylic paint lower right and signed, titled and dated in pencil on mount 405 x 301mm (16 x 11 ¾ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £300 – £500

Bert Commeny was born in Paris and graduated from the École des Beaux-Arts. Today, he lives in the South of France, working from his gallery in Villefranche-sur-Mer. He’s exhibited in group and solo shows in Europe and America, is permanently displayed at the Museum of Arts & History in Borme-les-Mimosas, and is a former winner of the prestigious Renoir Prize.

Bert’s donated piece, Enjoy the Night in Villefranche Bay (acrylic on paper), celebrates the scenic beauty of the South of France that inspires much of his work.

See more at artofbert.com 17

Lot 11 Francis Martin (British, b. 1958) Expression of Horror, 2009 Collage on board Signed and dated in pencil verso v. 235 x 200mm (9 ¼ x 8 in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £100 – £150

Francis Martin is a self-taught portrait and landscape painter, living and working in Bristol. Before he began painting professionally, Francis was a graphic designer and teacher.

His work celebrates the expressiveness, beauty and dignity of ordinary people and everyday scenes. His donated piece, Expression of Horror (collage), was produced in 2009.

For more about Francis and his work, visit francismartin.co.uk

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Lot 12 Bonnie-Helen Hawkins (British, b. 1969) Autumns Gold limited edition print in full colour, 2013, signed in pen lower right, numbered A/P, on stretched canvas Full sheet. 1000 x 1000mm (39 ½ x 39 ½ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £500 – £700

Bonnie-Helen Hawkins’ piece, Autumns Gold (limited edition print), is a work of which the artist is particularly proud. It was printed specially for this auction, a tribute to The Prince’s Trust, which supported Bonnie so encouragingly at the start of her career.

For more about the artist and her work, go to bonniehelenhawkins.com

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Lot 13 Varosha Lamb, 1974 Maja, 2013 Oil on canvas Signed in black ink verso 610 x 460mm (24 x 18 in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £200 – £300

Varosha Lamb is a portrait painter, living and working in Dorset. She aims to ‘get as much of each subject’s character on to the canvas, not just from observation of features and mannerisms, but also from listening to their stories’.

Maja (oil on canvas) is a portrait of Varosha’s favourite model, described as such for her ‘striking features, powerful poses and colourful life’.

See more at varosha.co.uk

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Lot 14 Su Blackwell (British, b. 1975) The Snow Queen giclee printed in colours, 2009, signed in pencil lower right, open edition, on Hahnemuhle Fine Art paper with full margins Full sheet. 345 x 260mm (13 ½ x 10 ¼ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £100 – £150

Su Blackwell was born in Sheffield and studied at the Royal College of Art. She’s exhibited solo in Edinburgh, London and New York, and her work is part of the collections at Museum Sheffield and the Bronte Parsonage Museum in Haworth. Among the many high-profile clients to commission Su’s work are British Airways, The Guardian and Vogue. She lives and works in London.

Su’s stunningly intricate book sculptures are carved from paper with a scalpel and translate our favourite fairy tales from the words on the page to the three-dimensional space above it. She often portrays a young, lonely female protagonist to convey the theme of childhood and the tension between wonder and fear within it.

To see more of Su’s work, visit sublackwell.co.uk

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Lot 15 Diana Armfield RA RWS (British b. 1920) Flock of Sheep lithograph printed in one colour, signed in pencil lower right, numbered proof, published by the artist on wove paper with full margins Full sheet. 277 x 285mm (10 ¾ x 11 ¼ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £100 – £150

Diana Armfield studied at the Slade School of Fine Art, then at the Central School of Arts & Crafts. Her textiles and wallpaper designs are permanently exhibited at the Victoria & Albert Museum, London. Meanwhile, her paintings regularly adorn the walls of the Royal Academy and the New Grafton Gallery, to name but two, and are permanently displayed at the Royal West of England Gallery. Diana is a member of the Royal Academy, the Royal Watercolour Society, the New English Art Club and the Royal West of England Academy.

Diana’s landscape paintings are famous for their small format – as per her donated piece, Flock of Sheep (lithograph).

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Lot 16 Susannah Phillips (British, b.1969) Flags II, 2012 Ink, wax and material on paper Signed in pencil lower left v. 350 x 280mm (13 ¾ x 11 in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £150 – £200

A graduate of the prestigious Glasgow School of Art, Susannah Phillips juggles her design and illustration work with her art. The theme of flags is a recurring one in Susannah’s work, conveying the artist’s love of colour, pattern and line.

Flags II (ink, wax and material) is one such piece, reflecting both her dedication to the art of drawing and her bold experimentation with mixed media.

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Lot 17 Vivien Mallock ARBS (British, b. 1945) Kingfisher, 2012 Bronze sculpture Artist’s monogram on base 300 x 100 mm(12 x 4 in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £800 – £1,200

Vivien Mallock is best known for her large public sculptures. Her latest installation, a golden eagle with a wingspan of six feet, was commissioned by the National Memorial Arboretum to honour the Army Air Corps.

Between her larger commissions, she produces smaller pieces of human and animal subjects, of which Kingfisher (bronze) is one magnificent example.

To see more of Vivien’s acclaimed work, visit vivienmallock.co.uk

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Lot 18 Olivia Clifton-Bligh (British, b. 1971) Cock Pheasants & Crab Apples, illuminated golf leaf lino cut on paper, 2013, signed in pencil lower right, numbered 5/30 Full sheet. 365 x 645mm (14 ¼ x 25 ¼ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £300 – £500

A sculptor and printmaker, Olivia Clifton-Bligh studied at Goldsmiths College and now works at Bull Mill Arts in Wiltshire, an artists’ collective founded by Lord Bath. She’s exhibited across the UK and is a member of the Royal British Society of Sculptors.

In her prints, of which Cock Pheasants & Crab Apples is one beautiful example, Olivia works with linoleum and woodcuts, pressing each piece by hand and illuminating her scenes with gold leaf.

See more of Olivia’s work at bullmillarts.co.uk

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Lot 19 Teresa Pemberton (British, b. 1948) Evening Shoreline, 2013 Oil on canvas Signed and dated in black ink verso 200 x 200mm (8 x 8 in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £300 – £500

Teresa Pemberton studied Fine Art Painting at the University of Hertfordshire, graduating in 1996 with First Class Honours. Today, she lives and works in Cornwall, the sights and sounds of the coastal surroundings inspiring her large landscape paintings.

In Evening Shoreline (oil on canvas), Teresa’s bold treatment of light and colour conjures that visual language of the Cornish coast.

For more of Teresa’s work, go to teresapembertonarts.com

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Lot 20 Darren Baker (British, b. 1976) Classic Horse Study giclée print in colour, 2013, signed in pencil lower left, numbered AP on archival wove paper Full sheet. 300 x 210mm (11 ¾ x 8 ¼ in) Including Certificate of Authenticity Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £150 – £200

Darren Baker is among Britain’s foremost classical realist painters. His work hangs in many public and private collections, most notably in Downing Street and St James’s Palace. After graduating from art school in Bradford, and with help from The Prince’s Trust to kick-start his career, Darren was appointed official artist of the Professional Footballers’ Association. He’s perhaps most famous for his portraits of sports stars and public figures, including Lewis Hamilton, Jonny Wilkinson, Tony Blair and – let’s not forget! – HRH the Prince of Wales.

In 2011, Darren painted the Queen for Her Majesty’s 85th birthday.

A Prince’s Trust Ambassador, Darren is delighted to donate Classic Horse Study (giclée print) for this auction.

For more about the artist and his work, visit darrenbaker.co.uk 27

Lot 21 Bev Houlding (British, b. 1955) Silver Ball, 2003 Oil on board Signed in black ink lower right 812 x 812mm (32 x 32 in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £1,500 – £2,000

Bev Houlding was born in Birmingham and studied Fine Art Painting at Goldsmiths College (1974-77). In 1984, she opened her studio and gallery with husband Mark, first in Fareham, before relocating to Emsworth in 1990, then to Cornwall in 1996.

Silver Ball (oil on board) captures Bev’s intense signature style, both in terms of technique and subject. For Bev, the creative process starts with carving her image from the board, applying oils and varnish, and last – but certainly not least! – setting the work alight with a blow torch. This scene depicts a Hyrlian match, an oldfashioned version of rugby, native to Cornwall.

See more of Bev’s work at houldingandhoulding.co.uk 28

Lot 22 Sir John Standing (British, b. 1934) The Mahal, Deograh, Rajasthan, India Watercolour on paper Signed in black ink lower left 270m x 340mm (10 ½ x 13 ¼ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £150 – £200

Sir John Standing is one of Britain’s most respected stage, film and television actors. From an acting dynasty, he succeeded his father, Sir Ronald Leon, as the 4th Baronet in 1964. He was educated at Eton College and Millfield School, before serving in the King’s Royal Rifle Corps. He later studied at Byam Shaw School of Art in London. Whenever Sir John isn’t on set or learning lines, he loves to paint landscapes – like his donated piece, The Mahal, Deograh, Rajasthan, India.

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Lot 23 Joe Tymkow (British, b. 1953) Dereliction archival C- Type print on photographic paper, 2011, signed in pencil lower right, numbered 1/15 Full sheet. 220 x 280mm (8 ¾ x 11 in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £200 – £300

Graduating from art school just three years ago, Joe Tymkow is already Co-Director of Fringe Arts Bath and has featured in many exhibitions, including the 2011 Threadneedle Prize at the Mall Galleries. His work often combines traditional artistic media – oils, inks and acrylics – with less conventional materials, including bitumen, shellac and emulsion.

Dereliction is a limited edition C-Type print of a painting inspired by Joe’s childhood memories of playing with friends in post-war bombsites and the human stories with which those scenes are imbued.

For more, visit www.joetymkow.co.uk

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Lot 24 Lindsay Telling (British, b. 1960) Before the Tide Turns, 2013 Three glass panels with copper wire and cobalt oxide mounted with steel fixings on wood Signed and titled in black ink verso 456 x 865mm (18 x 34 in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £600 – £800

Lindsay Telling studied at Bristol School of Art and works principally with glass. She’s influenced by the natural world, particularly the landscape of Cornwall, and the art of John Piper, Graham Sutherland and Kurt Jackson.

She recently exhibited at the New Street Gallery in Penzance, and at the Royal West of England Academy. Last year, she was invited to be Artist-in-Residence at Clifton College Preparatory School. Lindsay lives and works in Bristol and is represented by Hand Made Glass and Artspace, Kingston Seymour.

Before the Tide Turns mixes fused glass with copper wire, cobalt and copper oxide. Like much of Lindsay’s work, it captures nature at its simplest and most arresting – and in the surroundings of her beloved Cornwall.

For more about Lindsay, her work and commissions, go to waterfrontglass.co.uk

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Lot 25 Gerald Scarfe (British, b. 1936) Four PM’s and a Funeral silkscreen printed in various colours, 2012, signed in pencil lower right, numbered 18/100, on archival paper with full margins Full sheet. 482 x 330mm (19 x 13 in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £200 – £300

Gerald Scarfe is Britain’s most celebrated satirical cartoonist. Born in London and following a brief period of study at the Royal College of Art, he was first published in Punch and Private Eye. Today, his work features in many of the world’s most respected publications, including The New Yorker, Vogue, Tatler and, most famously, The Sunday Times, at which he’s worked for 46 years. He’s published several books of his work and his fifty-plus solo exhibitions have spanned New York, Osaka, Montreal, Chicago and London. When he isn’t satirising our politicians, Gerald designs sets and costumes for operas and plays, writes and directs films and documentaries for television, and designs animation, notably for Pink Floyd’s The Wall and Disney’s Hercules. Gerald also painted a sculpture to support the Gromit Unleashed event in Bristol. Watch Out Gromit won the joint second highest bid at the auction, raising a fantastic £50,000.

4 PM’s and a Funeral was published in the 14 April 2013 edition of The Sunday Times, three days before the funeral of Lady Thatcher.

For more about Gerald and his work, go to geraldscarfe.com 32

Lot 26 Peter Clossick (British, b. 1948) Autumn Fungi, 2010 Oil on canvas Signed in black ink lower right 300 x 610mm (12 x 24 in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £400 - £600

Peter Clossick is a fine art painter who conceptually approaches painting directly from life. He predominantly works in oils, with ideas formed through the physical act of painting and drawing.

Educated at Goldsmiths College and Camberwell School of Art, Peter has been in shows regularly since 1978, including Whitechapel Open, the RA Summer Shows and the London Group, of which he was President between 2000 and 2005. In 1989 he had his first one-man exhibition in Sweet Waters Gallery and has exhibited at the Royal Portrait Society, the Mall Galleries, and many others. Internationally he has shown in the USA and around Europe.

Autumn Fungi (oil on canvas) frames wild mushrooms gathered by Peter from local woodland against a surrealist landscape; that unlikely marriage of abstract treatment and natural subject characterises Peter’s work.

See more at peterclossick.com

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Lot 27 Ros Franklin (British, b. 1955) Honey Bee and Spindle & Sloe Berries (two works), 2013 Watercolour on velum Signed with artist’s monogram in pencil lower right on both works Each. 80 x 80mm (3 ¼ x 3 ¼ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £600 – £800

Ros Franklin studied Botanical Painting at the English Gardening School, where she was mentored by the renowned horticulturalist Ann-Marie Evans and awarded the prestigious Diploma of Botanical Painting. This year, Ros was one of eight artists to win the RHS Silver Medal for the Spots & Stripes group exhibition. Her first solo exhibition at the RHS will follow next year. She teaches from her studio in Dorset, at the Eden Project and elsewhere. She’s a Fellow of the Eden Project Florilegium Society, where she was recently elected Chairman. Ros also painted a sculpture, Dog Rose, for the Gromit Unleashed event, raising £20,000 for Bristol Children’s Hospital.

Ros paints with delicate watercolours, extra-smooth paper and miniature brushes to achieve the infinitesimal detail for which she’s known. That meticulous approach is wonderfully evident in Spindle & Sloe Berries (watercolour on vellum).

For more about Ros and her work, go to rosfranklin.co.uk

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Lot 28 Jackie Wibberley (British, b. 1945) India Street Steps, Edinburgh, Mixed media on paper Signed in black ink lower left 1150 x 600mm (45 ¼ x 23 ½ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £400 – £600

India Street Steps, Edinburgh (mixed media) is inspired by happy memories of Jackie’s post-war childhood and, specifically, the end of sweet rationing. She recalls Saturday mornings when she and her brother would ‘hurtle down these steps to The Chocolate Box, our local sweet shop’.

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Lot 29 Elizabeth Adams (British, b. 1972) Reclining Nude, 2012 Oil on linen Signed in white oil paint lower right and signed in black ink verso 260 x 355mm (10 ¼ x 14 in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £400 – £600

Elizabeth Adams is a self-taught artist, best known for painting the human form, both portraiture and life. She’s exhibited work across the UK, including at the Victoria Art Gallery, the Holbourne Museum and, perhaps most notably, for the Garrick/Milne Prize at Christie’s in London.

Recently, Elizabeth began to experiment with new media, exploring how her oil paints interact with different textures. Her donated piece, Reclining Nude, painted on linen, is one such work.

Follow Elizabeth on Twitter @EAArtist

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Lot 30 Chris Insoll (British, b. 1956) Still Life, 2012 Oil on canvas Signed and dated in white oil paint lower right 295 x 395mm (11 ¾ x 15 ½ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £400 – £600

Chris Insoll studied at Chelsea and Falmouth schools of art. After graduating, he swapped London for the Cornish coast, where he lives and works today. He’s exhibited in both group and solo shows across the UK and Europe. In 1984, he founded the Portscatho Society of Arts, which promotes the creative industries in Cornwall.

Chris’ work is currently displayed at the Truro Museum and Art Gallery and Falmouth Art Gallery.

Still Life (oil on canvas), Chris’ donated piece, arranges form, colour and light to characteristically dramatic effect.

For more, visit chrisinsoll.com

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Lot 31 Sally Muir (British, b.1954) Black Dog, 2013 Charcoal and oil on paper Signed in black ink under the dog tail 700 x 500mm (27 ½ x 19 ¾ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £400 – £600

Sally Muir paints portraits, landscapes and – last but not least – dogs! For her current ‘a dog a day’ project, she’s publishing a painting on Facebook every day. Sally works with a variety of media, including oil, watercolour, pen and ink, print and, as per Black Dog, charcoal.

Sally’s work is displayed at the Dogs in Art exhibition in Stockbridge, the Holbourne Museum in Bath – which features her portrait of comedian Bill Bailey – and many other public and private collections.

For more, go to sallymuir.co.uk 38

Lot 32 Annemarie Blake (Irish) Frome Winter Landscape lithograph, conte, oil, wax, 2012, signed in white oil paint lower right, on Somerset paper Full sheet. 610 x 122mm (24 x 48 in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £800 – £1,000

Born in Dublin, Annemarie Blake was a draughtsman and silkscreen printer before studying History, Printmaking and Painting in Cork and London. She works predominately with Somerset Paper, canvas and board panel, upon which she coats numerous layers of composition, imbuing her art with great depth and texture. She’s currently working towards an exhibition about Glastonbury 2013, throughout which she was on location painting.

Frome Winter Landscape was inspired by the countryside of the artist’s home and showcases Annemarie’s gift for tone and light, conveying both stillness and drama, to create a brilliantly ambiguous, compelling piece.

For more about the artist, her work and exhibitions, visit annemarieblakefineart.co.uk

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Lot 33 Tyler Stone (British, b. 1972) Velvet Cloud, 2013 Oil on canvas Signed in orange oil paint lower right and signed, dated and titled in black ink verso 600 x 700mm (21 ¾ x 27 ½ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £1,200 – £1,800

Born in Exeter, Tyler Stone is a largely self-taught artist, influenced by the raw beauty of the natural world. His paintings are featured in private collections in London, Paris and New York, and he’s represented by Edgar Modern.

Tyler’s work is characterised by simplified scenery, bold colour and flattened perspective, romantically alluding to his childhood in the Devon countryside. Most recently, he’s experimented with different media, including collage and stencilling. Velvet Cloud (oil on canvas) is an imagined landscape, inspired by the pines and heathland of Dorset.

To see more of Tyler’s work, go to tylerstoneart.com

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Lot 34 Richard Neville (British, b. 1960) View Across from Shieldaig, 2013 Watercolour on paper Signed in red watercolour ink lower right v. 330 x 500mm (13 x 19 ¾ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £600 – £800

Richard Neville is Executive Director of Coutts & Co, one of the world’s oldest banks. When he isn’t managing the company’s South West offices, Richard paints watercolour landscapes. The Scottish Highlands and Spanish coastline are among Richard’s favourite inspirations. He’s also painted a series of cityscapes in New York and Chicago. Last year, he won the Jean Kent Award in North Somerset; this year, he was the selectors’ choice at the Clevedon Art Club summer show. Following those successes, Richard’s work is now attracting interest from numerous galleries.

Richard has donated View Across from Shieldaig, a watercolour so exquisite it does the gorgeous Northwest Highlands justice.

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Lot 35 Carolyne Kardia (British, b. 1951) Oscillation, 2013 Acrylic on canvas Signed verso 1100 x 600mm (43 ¼ x 23 ¾ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £1,000 – £1,500

Carolyne Kardia studied Fine Art at St Martins, Sculpture at the Royal College, and Art and Psychology at Hertfordshire College of Art. Her first solo show was in 1978, and her latest was just last year. She’s lectured at various art schools and works at Jules Thorn Day Hospital, where she’s taught a pottery class for almost 20 years. Carolyne has most recently exhibited at the Dorchester Museum for Dorchester’s Summer Festival, the Rope Store Studio Gallery in Stroud and the Blyth Gallery in Manchester.

In Oscillation (acrylic paint on canvas), the soaring colour that typifies Carolyne’s paintings is on glorious show.

For more, go to carolynekardia.co.uk

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Lot 36 Laura Cramer (Irish, b. 1969) Flower Girl with Snails, 2013 Oil on board Signed lower left in white oil paint 510 x 510mm (20 x 20 in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £800 – £1,200

In 1987, Laura Cramer swapped home, the idyll of rural Ireland, for Denmark, where she studied Russian at the Slavic Institute of Copenhagen. Later, she travelled to Russia, working with and mentored by three of Moscow’s most prominent artists: Evegeny Lanceray, Yuri Konenyenko and Yuri Koval. Inspired by Koval’s advice to ‘paint what you see – and a little bit more’, Laura discovered abstract painting, the style for which she’s now known.

Today, Laura lives and works in Bristol. Most recently, she was commissioned by Aardman to paint two sculptures for the Gromit Unleashed event. Vincent van Gromit and Five a Day Dog collectively raised a fantastic £47,000 for Bristol Children’s Hospital.

Flower Girl with Snails (oil on board) gathers many elements and inspirations from nature – specifically, from Laura’s garden at home – and delves into the theme of feminine contemplation.

For more about Laura, her work and exhibitions, visit cramerpaintings.com 43

Lot 37 Natalie Guy (British, b. 1975) Daisy Daisy, 2013 Swarovski crystals, beads, mirror, clear glass, wording, iridescent tiles and gravel on board Signed, titled and numbered 1/5 in blue ink verso 530 x 530mm (20 ¾ x 20 ¾ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £1,200 – £1,800

Natalie Guy’s fine art mosaics are meticulously crafted and inspired by the natural world – as observed from her studio on the south coast. She produces commissioned art for both public and private collections, but is also passionate about her charity work: to create great public art, furnishing our everyday lives and communal spaces with the beauty and otherworldliness of her mosaics.

Natalie works with a variety of media, from crystals and diamonds to tiles and hardware! Daisy, Daisy arranges an array of such materials to capture the shimmering image of a single flower, the timeless symbol of so many of our most famous fairy tales.

See more of Natalie’s work online at natalieguymosiacs.co.uk

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Lot 38 Ronnie Wood (British, b. 1947) Tiger silkscreen printed in numerous colours, signed in pencil lower right, titled in pencil lower left, numbered 39/120, on wove paper with full margins Full sheet. 620 x 465mm (24 ¼ x 18 ¼ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £600 – £800

Ronnie Wood isn’t just the legendary guitarist of the Rolling Stones, the greatest rock ‘n’ roll band on the planet.

As if that weren’t enough, he’s also a painter and printmaker of distinction. He was born in Middlesex and trained at Ealing Art College in West London, where his older brothers had also studied. For Ronnie, his music and art are inseparable. Indeed, many of his favourite paintings are portraits of the musicians he most admires.

Ronnie’s numerous one-man exhibitions have spanned decades and continents.

In 1987, Ronnie worked for several months in a print studio in England, refining his printmaking skills and style.

He’s come a long way from that shop floor and now deploys a variety of printmaking techniques in his work, including etching, drypoint, screenprint and digital. Tiger is one of a collection of silkscreen prints of animals inspired by Ronnie’s many visits to Africa with Tusk, the wildlife conservation charity of which he’s a patron.

See more of Ronnie’s work at ronniewoodexhibition.com 45

Lot 39 Bonnie-Helen Hawkins (British, b. 1969) Prussian Blue, 2013 Oil on canvas Signed in pen verso 610 x 610mm (24 x 24 in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £1,500 – £2,000

Bonnie-Helen Hawkins combines the atmosphere of impressionism with dedication to fine art technique and nods to abstract modernism to create work as personal as it is dramatic. The artist imbues her paintings with an emotional response to subject, light and colour. Bonnie’s exhibited in London, Paris, Amsterdam and New York, and is currently preparing for a solo show in Beijing, to celebrate the Chinese Year of the Horse.

Prussian Blue is of a stunning Lipizzaner Stallion, the animal’s grace and drama a perfect match for Bonnie’s intense style.

See more at bonniehelenhawkins.com 46

Lot 40 Sir Peter Blake CBE RDI (British, b. 1932) The Venice Suite silkscreen and photo collage, 2009, signed in pencil lower right, numbered 75/75, published by Paul Stolper, on wove paper with full margins Full sheet. 405 x 305mm (16 x 12 in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £400 – £600

The Godfather of British Pop Art, Sir Peter Blake is among our country’s most famous artists. He studied at the Gravesend School of Art and later at the Royal College. In the early 1960s, he emerged as a leading figure in the Pop Art movement, designing the iconic cover of the Beatles’ LP Sgt. Pepper’s Lonely Hearts Club Band. Sir Peter is another artist who supported the Gromit Unleashed event, painting Hound Dog which raised £28,000 in the auction.

A Prince’s Trust Ambassador of over 12 years, Sir Peter has donated numerous works during that time, The Venice Suite (silkscreen and photo collage), being the latest.

For more about the artist and his work, go to peterblakegallery.com 47

Lot 41 Julia Cooper (British, b. 1951) Cannis, Fowey, 2013 Oil on canvas Signed in blue oil paint lower left edge and signed and titled in black ink verso 1000 x 800mm (39 ¼ x 31 ½ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £800 – £1,200

From her seaside studio in Fowey, Cornwall, Julia Cooper creates redolent abstract canvases of the Cornish coastline.

Inspired by the grandeur of Patrick Heron’s work of the 1950s and ‘60s, Julia experiments with oils and watercolours, which she’ll often scratch and deface to infuse her paintings with the natural rhythm and weathered history of the scenes they depict. Cannis (oil on canvas) is one such evocative example.

To see more of Julia’s work, visit jcooperart.co.uk

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Lot 42 John Harland (British, b. 1959) Apollo, 2012 Mixed media on board Signed, dated and titled in black ink verso 470 x 470mm (18 ½ x 18 ½ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £1,000 – £1,500

John Harland studied Architecture at the University of Bath – where essays and exams were second to one extra-curricular activity: his passion for painting. After graduating, he worked in a framing shop, learning many of the techniques he deploys today for his hand-carved ‘tramp’ frames. He’s exhibited work in Britain, Europe and America, most recently at the Museum of Modern Art, Oxford. John lives and works in Bath.

The Royal Academy magazine calls John a ‘painter’s painter’. Apollo (mixed media), like much of his work, is characterised by his distinctive use of colour and form.

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Lot 43 Anna Dougherty (British, b. 1971) Honey for Two, 2013 Oil on board Signed and dated in purple oil paint lower right 170 x 215mm (6 ¾ x 8 ½ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £600 – £800

Anna Dougherty graduated from Oxford University before studying History of Art at University College, London.

Her paintings are exhibited widely, both here and abroad. In 2012, she was Artist-in-Residence at St Anne’s College. Two years before, she featured in the Discerning Eye Exhibition at the Mall Galleries and the BP Portrait Award. Anna’s first solo show of still life paintings is scheduled for next year at the Victoria Art Gallery in Bath.

Among her current commissions, she’s painting a portrait of the Professor of Modern History at her alma mater, Oxford University.

Honey for Two (oil) captures the beauty of a fleeting moment, a celebration of life’s small yet profound pleasures.

Learn more about the artist and her work at annadoughertypaintings.co.uk

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Lot 44 Chris Dunn (English, b. 1986) The Royal Crescent, Bath limited edition print with watercolour enhancement, 2013, signed in pencil lower right, numbered A/P, on paper Full sheet. 390 x 1140mm (15 ¼ x 45 in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £800 – £1,000

Chris Dunn won the Bath Prize 2011, the Minerva Prize 2012 and the Young Artist Prize at the Bath Artist Society, also in 2012. He’s currently working towards a solo show at the Daniel Haghen Gallery in Paris.

Chris describes his work as ‘watercolour meets wild imagination!’ For this auction, he donates Royal Crescent Bath, an Artist’s Proof with hand-painted watercolour enhancement.

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Lot 45 Ian Marlow ARBS (British, b. 1955) Simplicity 3, 2013 Marine grade stainless steel sculpture Engraved with artist’s signature on base of sculpture 500 x 300 x 300mm (19 ¾ x 11 ¾ x 11 ¾ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £1,000 – £1,500

A member of the Royal British Society of Sculptors, Ian Marlow exhibits widely and produces work to commission for private and corporate clients.

He sculpts with stainless steel and is inspired by the natural world. His art juxtaposes nature and mankind’s place within it, and how those two realms interact, be it in harmony or in conflict. He often adds textile to his sculptures, which imbues the steel with a shimmering fluidity and playful curvature one wouldn’t ordinarily associate with the medium. All those hallmarks are evident in Simplicity 3 (marine grade stainless steel), Ian’s donated work. Ian was also involved with the recent Gromit Unleashed event, producing Sir Gromit - a Gromit sculpture in a suit of armor which raised £28,000.

See more of Ian’s art at marlowsculpture.co.uk

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Lot 46 Jason Kelly (British, b. 1986) Diamond Queen 1 silkscreen printed in various colours and glazes with diamond dust, 2013, signed in pencil lower right, numbered HC 1/3, on Somerset Tub paper, with full margins Full sheet. 745 x 790mm (29 ¼ x 31 in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £1,000 – £1,500

Born in Cornwall, Jason Kelly is a conceptual artist, influenced by the St Ives School, particularly the abstract work of Barbara Hepworth and Sir Terry Frost. Jason’s currently experimenting with printmaking in collaboration with Peter Blake, Barbara Rae and other artists. Most recently, Jason exhibited a collection of British-themed conceptual pieces in Mayfair to mark the 50th anniversary of James Bond. His work is currently displayed at Mount Street Galleries in London.

To commemorate the Diamond Jubilee, Jason created a series of silkscreen prints, collectively entitled Identity.

Diamond Queen 1, comprising 17 layers of colour beneath a collage of £50-notes, depicts the iconic portrait of Queen Elizabeth II, set against a glistening backdrop of black diamond dust.

See more at jasonkelly.co.uk

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Lot 47 Martin Roberts (British, b. 1956) Dixon, Todd and Hunter on the Bandi Barq Road, 2011 Oil on canvas Signed in black pen lower left 510 x 762 mm (20 x 30 in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £1,200 – £1,800

A graduate of the Slade School of Fine Art, Martin Roberts lives and works in the South West.

Martin’s donated piece, Dixon, Todd and Hunter on the Bandi Barq Road (oil), depicts the most dramatic of subject-matters: a team of bomb disposal experts, immediately following their successful disabling of an improvised explosive device (IED). LCpl Damon Dixon, Electronic Counter-Measures Operator; LCpl Gareth Todd, IED Disposal Infantry Escort; and Cpl Steven Hunter, all led by WO2 Iain Martin, IED Disposal Operator, were the team famously responsible for rending safe a record 12 IEDs during one operation. The painting captures the physical and mental exhaustion of the men; the dignity of their courage and grace amid sheer relief to be alive.

To see more of Martin’s work, go to hangtheart.com/martinroberts

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Lot 48 Andrew Macara NEAC RBA (British, b. 1944) Boat Race, Salcombe, 2013 Oil on board Signed in grey oil paint lower right and signed, dated, titled in black ink verso 250 x 505mm (10 x 20 in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £1,500 – £2,000

Andrew Macara briefly studied Contemporary Art at St Ives School but considers himself a largely self-taught artist. He’s a member of both the Royal Society of British Artists and the New English Art Club. Andrew travels extensively, which provides rich creative inspiration, though his native Derbyshire continues to star in much of his work.

Andrew’s paintings are highly collectable, notably his scenes of the British seaside – one of which is his donated piece, Boat Race, Salcombe (oil).

For more, go to macara.com

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Lot 49 Paula Lundy (British, b. 1979) Hills, 2013 Mixed media on canvas Signed in silver ink lower right 1500 x 1200mm (59 x 47 ¼ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £1,000 – £1,500

Paula Lundy began painting when, aged just seven, she was taught by an artist who lived across the street from her childhood home. Now, 27 years later, she’s exhibited throughout the UK and sold paintings worldwide.

Paula lives and works in the South West. Her unique style comes from her passion for combining heavy texture with strong visual metallics. Distinctive in appearance and textured form, her art frequently compels the viewer to reach out and touch it. In 2009 Paula attended The Prince’s Trust Explore Enterprise Course and received a small grant to help her develop her business idea selling her work.

The moon is a recurring motif in Paula’s work, including Hills (mixed media). She’s inspired by how the moonlight interacts with architecture, illuminating the most interesting features and textures of buildings. Her paintings are imbued with a dreamlike atmosphere – apt given that Paula’s work will often originate from her dreams.

See more at paulalundy.co.uk 56

Lot 50 Richard Murphy (British, b. 1961) Through the Sands, Saunton Sands, 2012 Mixed media on board Signed and dated in gold ink lower right and signed, dated and titled in gold ink verso 450 x 610mm (17 ¾ x 24 in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £800 – £1,200

Richard Murphy studied at Chelsea School of Art, graduating in 1985 with First Class Honours. He paints with many media, including oils, acrylics and resins, and has twice exhibited with the RWA. Richard’s work is often inspired by water, particularly the rivers and courses of his native Bristol. The fluidity of the subject, and his variety of techniques and forms, suffuse his paintings with narrative, texture and atmosphere. His work aims to ‘share the affinity he feels for the places he paints’. Through the Sands, Saunton Sands is typical of his evocative style.

For more, go to bristolcontemporaryart.com/richardmurphy

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Lot 51 John Myatt (British, b. 1945) Portrait Head in the Style of Henri Matisse print in full colour, 2013, signed in pencil by the artist verso and signed as Henri Matisse, 1936, lower right, numbered Artist’s Proof, on wove paper Full sheet. 520 x 400mm (20 ½ x 15 ¾ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art Please note that John Myatt signed many of his works Henri Matisse but this is a forged signature not an authentic one. £1,500 – £2,000

John Myatt perpetrated what Scotland Yard calls the ‘biggest art fraud of the 20th century’. In 1995, he was arrested and at once confessed to producing over 200 forgeries, crimes for which he’d serve four months in prison. Today, John paints on the right side of the law and his ‘legitimate fakes’ are exhibited in galleries and collected by fans all over the world.

Portrait Head (print) is John’s brush drawing portrait in the style of French master, Henri Matisse.

To read about John’s fascinating life and see more of his work, visit johnmyatt.com 58

Lot 52 Daisy Sims-Hilditch (British, b. 1991) Villa Gamberaia, 2013 Oil on canvas Signed in paint lower right 300 X 400mm (11 ¾ x 15 ¾ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £800 – £1,000

Daisy Sims-Hilditch is this event’s youngest exhibitor and currently studies Fine Art at the Charles Cecil Studios in Florence. Her influences range from the impressionists of the 19th century to the contemporary British artist, Ken Howard, who mentors her and with whom she has spent time on painting trips to both Morocco and Santorini. In 2011, she was one of only 20 artists shortlisted from 18,000 entries for the prestigious Saatchi Gallery/Sunday Telegraph Art Prize for Schools.

Villa Gamberaia (oil) was inspired by the artist’s love of the Tuscan countryside.

For more, visit daisysimshilditch.com

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Lot 53 Amal Barwell (French, b. 1976) Girl with Black Coat, 2013 Oil on canvas Signed in black oil paint lower right 1200 x 1000mm (47 ¼ x 39 ½ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £3,000 – £5,000

Amal Barwell was born in France and studied Art History at the University of Strasbourg. She later lived and worked in Brazzaville, Republic of Congo, kindling a passion for primitive art and inspiring a collection of works that she later exhibited closer to home in Basel, Switzerland. Today, Amal continues to travel widely, and those experiences inform much of her art. When she isn’t venturing to foreign lands, she lives and works in Fowey, Cornwall.

Amal paints with a variety of media, including aerosol, oil, collage and pencil – sometimes all in the one painting!

For this auction, Amal has generously donated Girl with the Black Coat.

See more at amalbarwell.co.uk 60

Lot 54 Susan Derges (British, b. 1955) Stiniel C-Type print in colours, 2012, edition of 9, on aluminium Full sheet. 610 x 330mm (24 x 13 in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £2,000 – £3,000

Susan Derges is one of the world’s most celebrated photo artists. She was born in London and studied at Chelsea School of Art and Slade School of Fine Art. From 1980, she lived and worked in Japan, returning to Britain six years later, rejuvenated by the influence of Japanese minimalism and her discovery of ‘camera-less’ photography. Her work hangs in galleries in Europe, America and Japan, including the Metropolitan Museum, New York, and the Victoria & Albert Museum, London.

Stiniel (digital C-type print), a trademark natural landscape, was photographed in Devon last year.

See more of Susan’s work online at susanderges.com

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Lot 55 Lady Deirdre Dyson (British, b. 1943) Fish on Crumpled Paper, 2013 Oil on canvas Signed in purple oil paint lower left 910 x 1020mm (36 x 40 in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £2,000 – £3,000

Lady Deirdre Dyson is perhaps best known for her bespoke carpet design business and showroom in Chelsea.

However, she’s also a painter of distinction, exhibiting solo at the Grosvenor Gallery and Simon-Capstick-Dale galleries in London and New York.

Fish on Crumpled Paper (oil on canvas), conceived with delicate colours and in a figurative style, typifies the artist’s bold yet decorative signature.

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Lot 56 Irene Marsh (British, b. 1945) Margaret’s Buildings Looking South limited edition print with watercolour enhancement, 2013, signed in pencil lower right 1902 x 685 (43 x 27 in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £1,500 – £3,000

Irene Marsh is a fine art painter, working exclusively with watercolours. She paints landscapes of Somerset, where she lives and works, and cityscapes of London, Bristol, Bath and Wells. She’s creatively drawn to scenes of rainy days, and images of reflections, from car windows and wet paving stones, for example. To capture those minute details, Irene is painstakingly precise; she’ll often paint no more than a square inch in a working day.

Sentimentality is conspicuous by its absence from Irene’s work: she aims to present the scenes she paints exactly as they are, warts and all.

Irene’s sharp-as-glass reflections star in her donated work, Margaret’s Buildings Looking South, a unique print with hand-painted watercolour enhancement and hand-written message from Irene, produced specially for this event.

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Lot 57 Thomas William Dowdeswell (British, b. 1979) High Octane Pursuits, 2012 Oil on canvas Signed and dated in black ink lower leading edge 1022 x 1830mm (48 x 72 in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £1,500 – £2,000

Thomas William Dowdeswell began painting at 21, upon the death of his father. He’s exhibited in Britain, Europe and America, and was recently proud to part of Gromit Unleashed, the charity fundraiser for Bristol Children’s Hospital. His large cityscape paintings are influenced by M C Esher, Edward Wadsworth and Marcel Duchamp.

Among Thomas’ current projects are a commission for Wild in Art – an interpretation of George Orwell’s masterpiece 1984 – and preparation for major exhibitions in London and Dubai next year. Thomas recently supported the Gromit Unleashed event by painting Being Gromit Malkovich. The sculpture raised £21,000 in support of Bristol Children’s Hospital.

High Octane Pursuits (oil on canvas), Thomas’s donated painting, was inspired by the London Olympics.

Discover more at thomasdowdeswell.com

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TOM BEST CHRISTIE’S AUCTIONEER AND JUNIOR SPECIALIST OF IMPRESSIONIST/MODERN ART When he qualified as an auctioneer last year, Tom set the bar as one of the youngest to take to the rostrum in the company’s long history. Previous to this Tom had completed a Masters degree at the University of St Andrews, where he focused on the late works of Pablo Picasso, before joining the Christie’s Impressionist & Modern Art department at King Street in London in 2010.

With several charity auctions already under his belt, Tom soon started training to become a Christie’s auctioneer and has been wielding the gavel for the company both in the South Kensington and revered King Street premises. Tom has also travelled extensively, taking charity auctions in Moscow, in London, in Dorset and even in uniform.

Alongside his role as an auctioneer, Tom continues to work as a specialist for the Evening Sale of Impressionist & Modern Art where his passion for art history lies.

Contact: E: tbest@christies.com T: 020 7752 3218

LIVE AUCTION LOTS Live Lot 1 Nick Park CBE (British, b. 1958) Gromit Pours the Tea - Wallace and Gromit, 2013 Watercolour and ink on paper Signed in black ink lower right 210 x 295mm (8 ¼ x 11 ¾ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £3,000 – £5,000

A Prince’s Trust Ambassador of over 15 years, Nick Park is one of Britain’s most acclaimed animators and filmmakers. He’s got the Academy Awards to prove it! Four of them in all: three for Best Animated Short (Creature Comforts, The Wrong Trousers and A Close Shave) and, most recently, for The Curse of the Were-Rabbit, in the category of Best Animated Feature. All four films were created and produced by Aardman, where Nick is Co-Director. Obviously Nick was heavily involved with the recent Gromit Unleashed event, producing his own sculpture, News Hound which fetched an amazing £50,000 at the auction.

Gromit Pours the Tea is a one-off painting of Nick’s most loved characters, Wallace and Gromit. This is a rare opportunity to acquire a unique and sought-after piece of history.

For more about Nick and his work at Aardman, visit aardman.com

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Live Lot 2 Nick Cudworth (British, b. 1947) Ullswater Steamers (Lake District Series Number 4), 2013 Oil on canvas Signed and dated in black ink verso 300 x 600mm (11 ¾ x 13 ¾ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £2,000 – £3,000

An artist of range and renown, Nick Cudworth was born in Derby and studied at Chelsea School of Art. His paintings hang in public and private collections across the world, including his famous pastel of Ken Loach, the film director, in the National Portrait Gallery. Nick lives in Bath, working from his own studio and gallery.

Ullswater Streamers, is one of Nick’s highly collectable landscapes, and depicts the artist’s favourite place: the English Lake District.

See more of Nick’s work at nickcudworth.com

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Live Lot 3 Sam Zealey (British, b. 1986) Maquette – Myriad, 2013 String, MDF, oak, body filler and paint sculpture 700 x 200 x 200mm (27 ½ x 8 x 8 in) Accompanied by a signed Certificate of Authenticity Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £3,000 – £5,000

Sam Zealey is a conceptual sculptor, working largely with manmade materials to convey big ideas about nature, our universe and the position of human beings within it. He’s exhibited solo at Carslaw St* Lukes Gallery and Tim Sheward’s Project in London. In 2013 Sam was selected from 6,000 entries as one of only six finalists in the Saatchi Young Artist of the Year competition.

Maquette-Myriad, Sam’s donated work, is part of his Column Series, a tribute to the pursuit of knowledge, and a depiction of the various ways that science interacts with the world.

See more of at samzealey.com 68

Live Lot 4 Sir Quentin Blake CBE FCSD RDI (British, b. 1932) Big Healthy Girl, 2012 Watercolour and pastels on paper Signed and dated in pencil lower right 570 x 762mm (22 ½ x 30 in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £3,000 – £5,000

Sir Quentin Blake is Britain’s most celebrated illustrator. His work was first published in Punch when he was still at school. For over 20 years, he taught at the Royal College of Art, where he was Head of the Illustration Department from 1978 to ‘86. He’s best known for his fruitful collaborations with writers, including Russell Hoban, Joan Aiken, Michael Rosen and, most famously, Roald Dahl. He’s also created much-loved characters of his own, notably Mister Magnolia and Mrs Armitage. Sir Quentin’s sculpture for the recent Gromit Unleashed event, Gizmo, fetched £32,000 in the auction for Bristol Children’s Hospital.

Big Healthy Girl is one of a collection of 35 watercolour pastel drawings, many of which were exhibited at the Malborough Galleries in December 2012.

See more of Sir Quentin’s work at quentinblake.com

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Live Lot 5 Ken Howard OBE RA (British, b.1932) Udaipur, India, 2013 Oil on board Signed in blue oil paint lower right and titled and dated in black ink verso 255 x 200mm (10 x 8 in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £3,000 – £5,000

Professor Ken Howard OBE is a figurative painter and Royal Academician. In 1998 he was elected president of the New English Art Club, and in 2010 he was awarded the OBE for services to Art. Born in London in 1932, Ken studied at the Hornsey School of Art and first exhibited at the Royal Academy aged just 20. After completing National Service, he studied at the Royal College of Art, and thereafter embarked on a career that culminated in 2011 with the publication of his autobiography, Light and Dark.

In 1973 Ken was appointed the official war artist in Northern Ireland by the Imperial War Museum, and between 1973 and 1980 he worked with the British Army in Germany, Cyprus, Oman, Hong Kong, Nepal, Norway, Canada, Belize and Brunei. He has held one-man exhibitions almost every year since 1966 both in the UK and internationally: in London, Plymouth, Folkestone, Hong Kong, St Helier in Jersey, Nicosia in Sicily, Delhi, Johannesburg and Cape Town.

His work has been commissioned by The Drapers Company, the States of Jersey, HQ British Army of the Rhine, UN forces in Cyprus, The London Stock Exchange, Lloyds of London, and Banque Paribas; it appears in public collections at the Royal Academy, Plymouth City Art Gallery, Sheffield Art Gallery, Hove Museum and Art Gallery, the Guildhall Art Gallery, London.

Ken also takes an active role in supporting other artists, including Daisy Sims-Hilditch, an emerging young artist, who has also donated a piece to support this auction.

Udaiper India (oil on board) was painted in February and exhibited at the Tyron Gallery in London.

See more of Ken’s work at kenhoward.co.uk

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Live Lot 6 Eileen Cooper (British, b. 1953) Venice Drama, 2008 Gouache on paper Signed and dated in pencil lower right and signed dated and titled in blue ink verso 570 x 760mm (22 ½ x 30 in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £3,000 – £5,000

Eileen Cooper studied at Goldsmiths (1971-74) and the Royal College of Art (1974-77). And so began her illustrious painting and printmaking career. For many years, she lectured at the Royal College – £where she was bestowed the honour of Fellow in 2006 – £and the London Art School. She later became Head of Printmaking at the Royal Academy, where, in 2011, she was the first woman to be elected Keeper.

Venice Drama, combines bold, stylised linearity with formal composition for a most thought-provoking piece.

For details of Eileen’s work and upcoming exhibitions, go to eileencooper.co.uk

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Live Lot 7 Patrick Haines (British, b. 1961) Swallow Level, 2013 Bronze sculpture mounted on wood and brass spirit level Signed, dated and numbered 25/25 in black ink on base verso 170 x 310 x 60mm (6 ½ x 12 x 2 ½ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £800 – £1,200

Born in Walsall, Patrick Haines studied Horticulture and Fine Art Sculpture at what’s now Staffordshire University. Later, he worked in Film and Television, notably at Aardman, where his credits included Wallace & Gromit and Creature Comforts. Today, Patrick lives and works in Bristol and Bath. He’s represented by the Bo.lee Gallery in London.

Swallow Level captures Patrick’s trademark style, combining the natural world with manmade objects to create an atmospheric juxtaposition between nature, society and the myths each propagates.

For more, visit patrickhainessculpter.com

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Live Lot 8 Paul Emsley (British, b. 1947) Study – Young Woman, 2013 Chalk and pencil on paper Signed in pencil top right 170 x 120mm (6 ¾ x 4 ¾ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £4,000 – £6,000

Paul Emsley is one of Britain’s most distinguished artists. He was born in Glasgow and lived in South Africa for 27 years, teaching at the University of Stellenbosch. In 1996, Paul returned to the UK. He’s won numerous honours, including the BP Portrait Award 2007. Last year, he was commissioned by the National Portrait Gallery to paint the first official portrait of HRH the Duchess of Cambridge. He lives in Wiltshire and is represented by the Redfern Gallery in London.

‘I have always loved drawing,’ says Paul. ‘The dryness of the paper and the chalk demand precision and exactness.

It quickly exposes one’s weaknesses and mistakes, leaving no room for cleverness or tricks.’ That technical mastery is copiously evident in Paul’s donated piece, Study - Young Woman (black chalk and pencil on paper).

See more at paulemsley.com

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Live Lot 9 Anita Klein (Australian, b. 1960) Holby City at The Hilton, 2010 Acrylic paint on board Signed and dated in black acrylic paint lower left 600 x 750mm (23 ¾ x 29 ½ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £3,000 – £5,000

Anita Klein is one of Britain’s best-loved painters and printmakers. She studied at the Chelsea and Slade schools of art. From 2003 to ’06, she was President of the Royal Society of Painter Printmakers. Her work is part of many private and public collections in Europe, America and Australia, including at the Arts Council of Great Britain, the British Museum and the British Library. She regularly exhibits with Eames Fine Art and Advanced Graphics London. Anita lives and works in England and Italy.

Holby City at the Hilton (acrylic on board), Anita’s donated work, reflects the humour and ambiguity for which her paintings are renowned.

To see more of Anita’s work, visit her website: anitaklein.com

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HRH The Prince of Wales

The Castle of Mey (© A. G. Carrick Limited)

2012 Watercolour

Live Lot 10 HRH The Prince of Wales (b. 1948) The Castle of Mey lithograph printed in colours, 2012, signed and dated in pencil, numbered AP 6/20, on wove paper with full margins.

275 x 410mm (10 ¾ x 16 in) Accompanied by a Certificate of Authenticity from HRH The Prince of Wales and displayed in a blue leather bound presentation case.

Provenance: Donated by the Artist to The Prince’s Trust Evening of Art His Royal Highness The Prince of Wales’ passion for watercolour painting is well-documented. His aptitude for art has found its place in his extensive charitable work, both in terms of raising funds and providing opportunities for young artists as president of The Prince's Trust.

HRH The Prince of Wales founded The Prince's Trust in 1976. Having completed his duty in the Royal Navy, His Royal Highness became dedicated to improving the lives of disadvantaged young people in the UK, and founded The Trust to deliver on that commitment. On The Trust's launch in 1976 twenty-one pilot projects were set up around the country. Grants were given to a 19-year old woman to run a social centre for the Haggerston Housing Estate in east London, and for two ex-offenders to run a fishing club. Funds also allowed the hire of swimming baths in Cornwall to train young life guards and for a self-help bicycle repair scheme.

Thirty-seven years later, The Prince’s Trust has helped more than 750,000 young people overcome challenges such as abuse, depression, addiction and homelessness, with more than three in four moving into work, education or training.

The Castle of Mey is one of a collection of watercolours depicting Royal Residences painted by HRH The Prince of Wales. The castle was built by George IV, Earl of Caithness, in the 16th century. It was acquired by HM Queen Elizabeth, the Queen Mother, in 1952, who arranged its restoration. In 1996, the estate was transferred to the Queen Elizabeth Castle of Mey Trust, whose President is The Prince of Wales.

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Live Lot 11 Nick Jeffrey (British, b. 1975) Obscura, 2012 Gold and silver leaf mirror with various preserved and set butterflies Signed with artist’s insignia, a silver butterfly, lower right 605 x 405 x 120mm (23 ¾ x 16 x 4 ¾ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £6,000 – £8,000

Born in Zambia, Nick Jeffrey is best known for his spectacular butterfly artwork. He combines raw and modern materials – Perspex, mirrors, resin and others – with butterflies sourced from sustainable farms. By manipulating light and reflection, Nick replicates the fragile, transient beauty of his subject. He’s greatly influenced by fresco paintings of the 15th century and traditional Japanese art, including Shinto shrine screen painting and Gyotaku fish prints. Nick’s work is currently exhibited at the Sladmore Gallery and with Grandy Art. In Obscura, the artist frames butterflies and mirrors in Perspex for a dazzling, vintage piece.

See more of Nick’s work at njjart.co.uk

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Live Lot 12 Peter Brown NEAC (British, b.1967) Winter from Beechen Cliff, 2010 Oil on canvas Signed and dated in black oil paint lower left 610 x 1200mm (24 x 47 ¼ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £6,000 - 8,000

Peter Brown is an all-weather painter of street scenes and landscapes of cities. Known for working directly from his subject throughout the year he is affectionately known as ‘Pete the Street’! He’s won numerous honours, including the 2008 Prince of Wales Award for Portrait Drawing, and his paintings are exhibited in galleries throughout the UK. Peter remains artistically attached to his beloved Bath, but his love of travel, recently to France, Spain and India, has broadened his creative horizons. He’s represented by Messum’s in London and lives in Bath with his wife and five children.

Winter from Beechen Cliff (oil on canvas) was painted in 2010 from a frosty hilltop overlooking Bath.

For more, visit petethestreet.com

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Live Lot 13 Sam Wigan (British, b. 1974) Pan, 2012 Bronze Sculpture Signed, dated and inscribed AC (Artist’s Copy) on base 960 X 700 X 700mm (37 ¾ x 27 ½ x 27 ½ in) Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £8,000 – £12,000

Please note that The Prince’s Trust will only receive a donation if the sale of this work exceeds £6,000 Sam Wigan is a sculptor of the classical tradition, whose work typically depicts the human form. Described variously as ‘lyrical’, ‘joyful’ and ‘elevating’, Sam’s sculptures range from traditional busts to figurative compositions that instil this most classic of mediums with contemporary vitality. Among Sam’s high-profile clients are Charles Saatchi and Crispin Odey. He’s also exhibited solo at Cork Street, co-founded the Young Master Initiative at the Saatchi Gallery and tutors young artists at The Prince’s Drawing Schools.

Pan (bronze) reflects Sam’s commitment to marrying the classical and contemporary in his work.

See more at samwigan.com

Proud to support The Prince’s Trust Evening of Art

Designers of auction catalogues, fine art books and brochures 020 8901 7522 info@jammdesign.co.uk www.jammdesign.co.uk

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Index of Artists ARTIST

PAGE

A Adams, Elizabeth - Reclining Nude Allen, Amanda - Light Study I Armfield RA, Diana - Flock of Sheep

36 10 22

B Baker, Darren - Classic Horse Study Barwell, Amal - Girl with Black Coat Blackwell, Su - The Snow Queen Blake, Annemarie - Frome Winter Landscape Blake CBE RDI, Sir Peter – The Venice Suite Blake CBE FCSD RDI, Sir Quentin - Big Healthy Girl Brown, Peter - Winter from Beechen Cliff

27 60 21 39 47 69 77

C Clifton-Bligh, Olivia - Cock Pheasants & Crab Apples Clossick, Peter -Autumn Fungi Commeny, Bert - Enjoy the Night in Villefranche Bay Cooper, Eileen - Venice Drama Cooper, Julia – Cannis, Fowey Cramer, Laura - Flower Girl with Snails Cudworth, Nick - Ullswater Steamers (Lake District Series Number 4)

ARTIST

16 61 11 50 64 51 62

E Emsley, Paul-Study - Young Woman

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44

H Haines, Patrick - Swallow Level Harland, John - Apollo Hawkins, Bonnie-Helen - Prussian Blue Hawkins, Bonnie-Helen - Autumn’s Gold Houlding, Bev - Silver Ball Houlding, Mark - Cherry Line Howard, Ken – Udaiper, India Hunter Jones, Sue - Quartet

72 49 46 19 28 12 70 13

I Insoll, Chris - Still Life

37

J Jeffrey, Nick - Obscura Kardia, Carolyne - Oscillation

76 42

53 74

L Lamb, Varosha - Maja Lundy, Paula - Hills

20 56

N Neville, Richard - View Across from Shieldaig P Park, Nick - Gromit Pours the Tea Pemberton, Teresa - Evening Shoreline Philips, Susannah - Flags II Pickles, Cherry - Taverna, Scoutari Beach Before the Fire, Peloponnesse His Royal Highness,The Prince of Wales The Castle of Mey

41 66 26 23 14 75

R Roberts, Martin - Dixon, Todd and Hunter on the Bandi Barq Road 54 Ryan, Rob - Look Closer 8

F Franklin, Ros - Honey Bee and Spindle & Sloe Berries 34 G Guy, Natalie - Daisy, Daisy

K Kelly, Jason - Diamond Queen 1 Klein, Anita - Holby City at the Hilton

M Macara, Andrew - Boat Race, Salcombe 55 Mallock, Vivien - Kingfisher 24 Marlow, Ian - Simplicity 3 52 Marsh, Irene - Margaret’s Buildings Looking South 63 Martin, Francis - Expression of Horror 18 Meyjes, Natalie - Poached Eggs 15 Mullin, Anna (Sneaky Racoon) - A Safe Place to Grow 9 Muir, Sally – Black Dog 38 Murphy, Richard - Through the Sands, Saunton Sands 57 Myatt, John - Portrait Head in the Style of Henri Matisse 58

25 33 17 71 48 43 67

D de Las Casas, Elisabeth - View from Brassknocker Hill Derges, Susan - Stiniel Dickinson, Broose - Victoria-Civilization Dougherty, Anna - Honey for Two Dowdeswell, Thomas - High Octane Pursuits Dunn, Chris - Royal Crescent, Bath Dyson, Deirdre - Fish on Crumpled Paper

PAGE

S Scarfe, Gerald - 4 PM’s and a Funeral 32 Sims-Hilditch, Daisy - Villa Gamberaia 59 Standing, John - The Mahal, Deograph, Rajasthan, India 29 Stone, Tyler - Velvet Cloud 40

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T Telling, Lindsay - Before the Tide Turns Tymkow, Joe -Dereliction

31 30

W Wibberley, Jackie - India Street Steps, Edinburgh Wigan, Sam - Pan Wood, Ronnie - Tiger

35 78 45

Z Zealey, Sam - Maquette-Myriad

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Conditions of Sale for the [Evening of Art] on [Thursday 5th December] (the “Sale”)

The items offered in this Sale and listed in this catalogue (the “Property”) will be sold by Prince’s Trust Trading Limited, a company registered in England and Wales under number 3161821.

Prince’s Trust Trading Limited is a company which has covenanted to pay its net profits each year to The Prince’s Trust, a charity registered with the Charity Commission under number 1079675.

These terms constitute the contract for sale (the “Contract for Sale”) of any lot by Prince’s Trust Trading Limited (the “Seller”) to the Purchaser (as defined below) at the Sale.

Any questions in relation to the auction should be directed to the Seller and not to the auctioneer, who serves merely as auctioneer for the Seller in conducting the sale. The Sale is subject to the following terms and conditions which govern the sale of all the Property offered (as amended by any posted notices or oral announcements during the auction) (the “Conditions of Sale”): 1. The Seller assumes no risk, liability or responsibility for the authenticity or the authorship of any of the Property (that is, the identity of the creator or the period, culture, source or origin, as the case may be, with which the creation of any property is identified herein); The Property is sold with all faults and imperfections and errors of description; The Seller does not make or give and does not agree to make or give any representation of fact, undertaking, obligation, guarantee, contractual promise or warranty or undertake any duty of care of any kind or nature, expressed or implied, in relation to any description (which shall include inter alia physical condition, size, quality, rarity, importance, genuineness, attribution, authenticity or provenance) of any of the Property or any estimate in relation to it, nor in relation to satisfactory quality of the Property or its fitness for purpose. No statement made in the auction catalogue, at any time before, during or after the Sale, in any Sale invoice or elsewhere, will be deemed to be such a representation of fact, undertaking, obligation, guarantee, contractual promise or warranty.

2. Any of the Property may be withdrawn by the Seller at any time before the Sale.

3. Unless otherwise announced by the auctioneer at the time of the Sale, all bids are per lot as numbered in the catalogue.

4. The Seller reserves the right to reject a bid from any bidder. Property may be offered subject to a reserve price. In the event of any dispute between bidders, the auctioneer will have sole and final discretion either to determine the successful bidder or to reoffer and resell the lot in dispute. If any dispute arises after the Sale, the Sale records of the Seller will be conclusive in all respects.

5. If the auctioneer determines that any opening bid is not commensurate with the value of the Property, he may reject the same and withdraw the Property from Sale, and if, having acknowledged an opening bid, he decides that any advance thereafter is insufficient, he may reject the advance.

6. The sale of any lot is complete and the Contract for Sale is made at either the fall of the auctioneer’s hammer in the case of the live auction, or at the announced closing time of the silent auction. Thereupon, the highest bidder acknowledged by the auctioneer for any lot is the purchaser (the “Purchaser”) of that lot (the “Lot”) and is contractually bound to: assume the risk and responsibility of the Lot; sign a confirmation of purchase thereof; and pay the full amount of his highest bid for the Lot (the “Purchase Price”).

7. Title to the Lot remains in and is retained by the Seller until the Purchase Price and all other sums payable by the Purchaser to the Seller have been paid in full, and received in cleared funds by the Seller. The Seller is entitled to withhold possession of the Lot from the Purchaser until this time. The Seller is only required to hold the Lot for 90 days from the date of the Sale, after which, if the Purchaser has not collected or arranged for collection of the Lot, the Seller may, at its sole discretion, send the Lot to external storage for the account and at the risk and expense of the Purchaser. Any charges associated with the transport and storage of the Lot are to be borne by the Purchaser and will be added to the Purchase Price.

8. Risk in the Lot passes to the Purchaser at the fall of the auctioneer’s hammer in respect of the Lot. The Seller will thereafter not be responsible for the Lot and the Purchaser will indemnify the Seller and keep the Seller fully indemnified from and against all claims, proceedings, costs, expenses and losses arising in respect of any injury, loss and damage caused to the Lot after the fall of the auctioneer’s hammer until the Purchaser obtains full title to it.

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9. All lots must be claimed within 12 months of the Sale, unless otherwise noted.

10. If the foregoing conditions and other applicable conditions are not complied with, without prejudice to any other remedies available to the Seller by law, which for the avoidance of doubt includes the right to take legal proceedings against the Purchaser for any sum due under the Contract for Sale and/or damages for breach of contract, the Seller, at its sole discretion, is entitled to exercise one or more of the following rights: to terminate the Contract for Sale immediately for breach of contract; to retain possession of the Lot; to be paid interest on any monies due at the rate of 5% per annum above the base rate of National Westminster Bank Plc to be calculated on a daily basis; to retain as liquidated damages all payments made by the Purchaser; to resell the Lot by auction, private treaty or any other means to any third party, on three days’ written notice of intention to sell to the Purchaser, following which the Purchaser will be liable to Seller for payment of any shortfall between the Purchase Price and the sum of the price achieved upon resale all other charges due hereunder and any incidental damages. The Seller is under no obligation to achieve an optimum or fair market value for the Lot upon resale.

11. The Purchaser will indemnify the Seller against all legal and other costs of enforcement, all losses and other expenses and costs incurred by the Seller (whether or not court proceedings will have been issued) as a result of the Seller taking any of the steps under clause 10.

12. Payments for purchases must be made in pound sterling (unless otherwise noted) and in any one of the following forms: cash, cheque (backed by cheque guarantee card) or major credit cards.

13. In no circumstances will the Purchaser be able to rescind the Contract of Sale.

14. Subject to paragraph 16, in no circumstances will the Seller be required to refund any amount paid in respect of any lot to the Purchaser.

15. The Purchaser will be wholly responsible for any removal, storage, shipping, delivery costs, other charges and expenses incurred by the Seller in connection with the Lot and for complying with all import or export regulations in connection with the Lot. 16. If the Seller is prevented from performing its obligations under the Contract for Sale by circumstances beyond its control or if performance of its obligations would by reason of such circumstances give rise to a significantly increased financial cost to it, the Seller will not, for as long as such circumstances prevail, be required to perform such obligations. In such circumstances, the Seller will not be deemed to be in breach of the Contract of Sale, or be liable for failure to fulfill any of its duties thereunder and will only be liable to refund the Purchaser such sum that is equal to the Bid Amount (where this has been fully paid by the Purchaser) less any costs incurred by the Seller in connection with the Lot. 17. References in these Conditions of Sale to the singular will include references to the plural (and vice-versa) and reference to any one gender will include reference to other genders.

18. These Conditions of Sale, as well as the Purchaser’s and the Seller’s, respective rights and obligations hereunder, will be governed by and construed and enforced in accordance with the laws of England and Wales.

19. By bidding at the Sale, whether present in person or by agent, commission bid, telephone or other means, the bidder will be deemed to have agreed to these Conditions of Sale and to have consented to the exclusive jurisdiction of Courts of England and Wales. These Conditions of Sale and the documents referred to herein constitute the entire agreement between each bidder at the Sale and the Seller.

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With thanks…

The Prince's Trust would like to thank the following people and organisations who have generously donated their time and effort to help make tonight a very special evening.

First and foremost our sponsors and supporters; Coutts & Co, Withy King, Reside Bath and The Roper Family Trust.

Our incredible committee who have dedicated so much time and passion to this event over the last 18 months – to Jenny Bower, Alison Woodhead, Morag Scott-Farrar, Kate KemplePalmer and Richard Neville.

Sue Scates, Danielle Clarke and Bonnie-Helen Hawkins for their support in securing donations of artwork; Mary McCarthy for her valuation and art expertise; Sharon Love and the team at The Royal Crescent Hotel for their ongoing support and for donating a raffle prize; Misha Ostromecki for photographing the Art; Coutts & Co and Lord Strasburger for kindly donating two of this evening’s raffle prizes and Tom Best for conducting our Live Auction.

Jacki Connell and all at Jamm Design for kindly designing our auction catalogue at no cost to The Trust, and Cambrian Printers in Aberystwyth for their contribution to the auction catalogue.

We would also like to thank all those supporters who have offered their help and assistance since this catalogue went to print, as well as all of this evening’s guests and volunteers.

Finally, our sincere thanks go to the talented artists who have made this event possible.

Prince’s Trust Trading Ltd is a Registered Company No: 3161821. All net proceeds from this event will be donated to The Prince's Trust, a registered charity, incorporated by Royal Charter, in England and Wales (1079675) and Scotland (SC041198).

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The Prince’s Trust believes in young people. Every year we help over 3,700 disadvantaged young people in the South West overcome barriers and move towards a brighter future.

On average it costs £1,000 to support each young person. We can’t continue our work without your help. Please contact us to make a donation or for more information.

Jack.lewis@princes-trust.org.uk 01179 434 952