Morphets Auctioneers

MORPHETS FINE ART AUCTIONEERS & VALUERS SINCE 1895

Thursday 11th September 2014 at 10.00am

Lot 206

MORPHETS FINE ART AUCTIONEERS & VALUERS SINCE 1895

FINE ART AND ANTIQUES THURSDAY 11TH SEPTEMBER 2014

ORDER OF SALE Royal Interest

ON VIEW Tuesday 9th September 2pm-7pm Wednesday 10th September 10am-5pm Sale Day 8.30am-10am Front Cover Illustration: Lot 33 Catalogue: £7.00

1-12

Books, Maps and Engraving

13-31

Collectors’ Items

33-42

Boxes, Treen and Metalware

43-52

Clocks

56-64

Works of Art

67-82

European Ceramics

85-103

Asian Ceramics, Works of Art and Furniture

107-133

Glass

136-145

Silver

148-167

Objets de Vertu

168-179

Jewellery

180-197

Watches

198-203

Oil Paintings

204-224

Works by Brian Shields ‘braaq’ (1951-1997)

225-235

Enquiries concerning this sale:

Watercolours, Pastels and Drawings

236-258

Elizabeth Pepper-Darling ASFAV

Prints and Posters

261-283

Saleroom and Offices: 6 Albert Street, Harrogate HG1 1JL Tel: 01423 530030 Fax: 01423 500717 e-mail: enquiries@morphets.co.uk

The Piano

All lots are illustrated and can be viewed on the internet via www.morphets.co.uk www.the-saleroom.com/morphets

the-saleroom.com

Live bidding is available for this sale Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 3% of the hammer price plus VAT at the rate imposed

Period and Later Furniture, Carpets and Mirrors

286 287-328

End of Sale

Members of the Society

of Fine Art Auctioneers.

MORPHETS Fine Art & Antique Auctioneers since 1895

Information For Buyers 1. INTRODUCTION

7. CONDITION REPORTS We may be able to assist buyers unable to view by providing a condition report, but these reports are based solely on our own opinion and are for guidance only and no responsibility is accepted for their accuracy. Intending buyers are strongly encouraged to view. (Please see our Conditions of Sale).

The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues.

Our staff will be happy to help you if there is anything you do not fully understand.

8. ELECTRICAL GOODS Collectable items which are electrical are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

2. AGENCY As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

9. EXPORT OF GOODS Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character because, e.g. they may contain prohibited materials such as ivory.

3. ESTIMATES Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot.

The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

10. BIDDING Bidders are required to register before the sale commences and lots will be invoiced to the name and address on the registration form. You will need a bidding card which is available free of charge, upon production of current identification that can confirm your name and address (eg driving licence, passport, utility bill, but please note that we will not accept bank debit or credit cards as identification).Otherwise, a refundable CASH deposit of £50 must be paid, your deposit will be set against your invoice if you are successful with your bid, or refunded to you once we have established that no bids have been allocated to your bidding number.

4. BUYER’S PREMIUM The Conditions of Sale oblige buyers to pay a buyer’s premium at 15% on the hammer price of each lot purchased.

In addition, VAT is chargeable on this premium (see below).

Please see note under live bidding on the following page.

5. VAT (*) indicates that there is a VAT element payable by the purchaser at the standard rate within the hammer price as well as being payable on the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due on importation into the UK. Lots which appear without the above symbol indicate that no VAT is payable on the hammer price. This may be because such lots are sold using the Auctioneers’ Margin Scheme and, if so, it should be noted that the VAT included within the Premium is not recoverable as input tax.

11. COMMISSION BIDDING Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyer’s premium.

They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone, e-mail or fax.

In order for Commission and Telephone Bids to be operated, we will require your credit/debit card details. Confirmation of any bids taken over the telephone must be made in writing (fax, email or post) by 9am on the day of the sale.

6. CONDITIONS OF LOTS Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Intending buyers have ample opportunity for inspection of goods and neither the seller nor we as the auctioneers accept any responsibility for their condition.

In particular, mechanical objects of any age are not guaranteed to be in working order. However, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

MORPHETS Fine Art & Antique Auctioneers since 1895

12. METHODS OF PAYMENT Goods can be paid for during the sale.

We accept the following forms of payment:Cash: (up to a limit of £5,000 due to money laundering regulations) Cheques: goods will only be released on cleared cheques Debit Card: Cardholder Not Present transactions subject to maximum £500 limit 2

Credit Card: subject to a charge of 2% plus VAT, Cardholder Not Present transactions subject to maximum £500 limit

SELLING AT MORPHETS Selling by auction is a simple and efficient way of disposing of either a single item or an entire household on the open market with professional advice. Morphets’ staff are available to assist you with your sale.

Bank Transfer: details available from the Office.

13. COLLECTION AND STORAGE Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying our storage charges.

Morphets hold quarterly catalogue sales which include fine art, antique furniture, works of art and regular sales of household content and Victoriana. Your consignment will be individually assessed for the most suitable sale.

GLOSSARY OF TERMS CONCERNING THE ATTRIBUTION OF PAINTINGS AND DRAWINGS (i) The christian name(s) and surname of the artist indicates in our opinion a work by the artist.

FREE ADVISORY SESSIONS are held every Wednesday between 3 p.m. - 6 p.m. when our valuers are on hand to assess the auction value of your property free of charge.

(ii)

The initials of the christian name(s) and the surname of the artist indicate in our opinion a work of the period of the artist which may be wholly or in part his work.

If your items are too large or numerous to bring to the office an appointment can be made for our valuers to call at your home.

(iii)

The surname only of the artist indicates in our opinion a work of the school or by one of the followers of the artist or in his style and of uncertain date.

(iv)

‘‘Bears signature’’ indicates in our opinion that this is not the signature of the artist.

LIVE BIDDING IS AVAILABLE FOR THIS SALE Any bids made via www.the-saleroom.com live auction service will be subject to an additional 3% commission on the hammer price.

(v)

The name of the artist preceded by ‘‘After’’ indicates in our opinion a copy of the work of the artist.

ARTISTS RESALE RIGHTS In accordance with Artists Resale Rights Regulations 2006, all lots marked ARR which sell for €1,000 or more are subject to a resale royalty charge ("Royalty"). This Royalty is payable by the Bidder. The Royalty will be charged at a rate of 4% of the total hammer price (exclusive of Bidder's premium which is payable under clause 8a) for lots selling for amounts up to €50,000.

For lots selling in excess of €50,001, the Royalty shall be calculated at a reduced rate (details available on request).

The Royalty is not subject to VAT and is payable in sterling calculated on the day of sale at the prevailing rate of exchange.

Payment shall be passed directly to the Design and Artists Copyright Society (DACS), 33 Great Sutton Street, London EC1V 0DX. For further information please contact the Auctioneers or DACS on 0845 4103410 or visit their website at www.dacs.org.uk

NOTICE TO BUYERS OF GEMSTONES/JEWELS Many coloured gemstones have been subjected to a variety of treatments designed to enhance their appearance, for example heating is regularly used to improve colour or transparency in rubies and sapphires. Other treatments such as oiling, enhance the clarity of emeralds. Other coloured gemstones may have undergone permanent or semi-permanent treatments such as dyeing, irradiation, coating and impregnation, which may require further re-treatment in order to retain their appearance.

The jewellery trade generally accepts these treatments.

Prospective purchasers should assume all gemstones will have been treated unless statements are made to the contrary.

Recent advancements in technology have led to some diamonds being treated in a variety of ways designed to enhance their appearance. These treatments can include fracture filling, laser drilling, irradiation and coating. Every effort is made to identify such treatments, however it is not possible for Morphets to guarantee that all lots containing diamonds are free of these enhancements.

MORE ABOUT MORPHETS Morphets offer a complete auction sales and valuation service. Call in to discuss your particular requirements with our valuers. Valuations can be prepared for Probate, Insurance, Family Division etc. for private clients, executors and trustees. Most valuations can be started within seven days.

All dimensions and estimated weights of gemstones have been determined without unsetting the stones and are therefore only approximate because of limitations imposed by the mount.

Estimated weights are normally calculated by applying standard formulae to the measurements taken.

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MORPHETS Fine Art & Antique Auctioneers since 1895

ROYAL INTEREST

© Vandyk and Reproduced with the kind permission of St Georges Chapel Archives and Chapter Library, Windsor Castle.

ROYAL INTEREST The following twelve lots were bequeathed by Canon John N Dalton to Sir and Lady Forbes-Watson and then to the vendor by descent.

John Neale Dalton (1839-1931), originally from the Isle of Thanet, Kent, graduated from Clare College Cambridge with a degree in Theology. After rapid progression through Church he was appointed to Whippingham on the Isle of Wight where Queen Victoria became aware of him. In 1871 Dalton was appointed as tutor to Queen Victoria’s grandsons, Prince Albert Victor and Prince George, later to become George V. It was at Dalton’s suggestion, that the two Princes embarked on a three year world cruise on HMS Bacchante between 1879-1882, with Dalton as their guardian, chaplain and tutor. George V held Canon Dalton in such high regard that he appointed him as domestic chaplain for the Royal Family at Windsor where he remained until his death in 1931.

MORPHETS Fine Art & Antique Auctioneers since 1895

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ROYAL INTEREST

Lot 1

Lot 1 THE GIFT OF HRH PRINCE EDWARD OF WALES TO THE REVEREND CANON JOHN NEALE DALTON, a pair of silver twin branch three light candelabra by Elkington & Co., in neo-classical style, each with raised centre light with stiff leaf bordered and fluted urn shape sconces with circular drip trays, reeded ‘S’ scroll arms and on square tapered and fluted column and weighted square base with conforming stiff leaf borders, inscribed to base ‘ From HRH Prince Edward of Wales January 8th 1885’ and from their ‘Royal Highnesses The Prince and Princess of Wales January 8th 1885’, Birmingham 1884, 41cm high, with oak fitted cases bearing seals and labels for Lady Forbes-Watson. See illustration £1,000 - £1,500

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MORPHETS Fine Art & Antique Auctioneers since 1895

ROYAL INTEREST

Lot 2

Lot 2 THE GIFT OF PRINCE GEORGE, DUKE OF YORK TO THE REVEREND CANON JOHN NEALE DALTON, a pair of 15ct gold and crystal cabochon intaglio cufflinks, oval, reverse painted on a mother-of-pearl ground with the cypher of George V as Duke of York, in original red morocco leather case bearing the Duke of York’s insignia.

See illustration £2,000 - £3,000

Lot 3 DOWNEY W.D, Edward VII and Queen Alexander, a pair of portrait photographs, half-length, each signed in ink to mount, 43cm x 32.5cm. See illustration £200 - £300 Lot 3

MORPHETS Fine Art & Antique Auctioneers since 1895

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ROYAL INTEREST

Lot 4 Lot 4 C.W.ALLEN 19TH CENTURY, The Reverend Canon John Neale Dalton (1839-1931), head and shoulders portrait, in profile, pencil, titled to lower left, signed and dated ‘C.W.Allen 11/8 1884 Heidelberg Villa Felseck’, 39cm x 26cm. See illustration £100 - £150 Lot 5 THE GIFT OF ALBERT EDWARD, PRINCE OF WALES TO THE REVEREND CANON JOHN NEALE DALTON, a Victorian drum case mantel clock, within a bronze ships wheel frame, the white enamel dial with black Roman numerals, the reverse with a holosteric barometer, on a raised plinth inset with a compass, engraved with a presentation inscription ‘To the Revd J.N. Dalton MA HMS Bacchante from Albert Edward, Prince of Wales September 13th 1879’, on an ebonised base, 34cm high x 21cm wide (glass to barometer cracked).

See illustration £800 - £1,200

Lot 5

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MORPHETS Fine Art & Antique Auctioneers since 1895

ROYAL INTEREST

Lot 6 Lot 6 A SIGNED PHOTOGRAPH OF GEORGE, DUKE OF YORK AND THE OFFICERS OF THE HMS BACCHANTE, signed in ink by the officers including Prince George, dated July and August 1892. See illustration

Lot 7 King George V. Dalton (Canon John Neale).- THE CRUISE OF HER MAJESTY’S SHIP ‘BACCHANTE’ 1879 1882 - AUTHOR’S OWN COPY WITH MARGINALIA. 2 vol., half titles, folding engraved map with edge wear and charts, some gathers loose, publisher’s cloth, crude sellotape repair to spine of vol. 1, 1886; Albert Victor (H.R.H. Prince) and George of Wales (H.R.H. Prince) EPITOME OF CRUISES OF H.M.S. BACCHANTE. DEDICATION FROM AUTHOR, engraved frontispiece, publisher’s cloth, Portsmouth 1882 (3).

Footnote: Young Prince George sailed for three years on HMS Bacchante with his brother Victor Albert and their tutor the Reverend Canon John Neale Dalton between 1879 and 1882. £300 - £400

Footnote: Latter item inscribed to E. M. Dalton 1882. £200 - £300

MORPHETS Fine Art & Antique Auctioneers since 1895

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ROYAL INTEREST

Lot 8 Lot 8 King George V .- Royal Navy. Jellicoe (Admiral Viscount of Scapa).- THE GRAND FLEET 1914-16 PRESENTATION COPY FROM PRINCE GEORGE (LATER KING GEORGE V) bookplate of Sir Charles Cust on front pastedown, folding maps, publisher’s cloth, a little worn, 8vo. See illustration

Lot 9 King George V. Brehm (Alfred Edmund), Duemichen (Johannes) & Werner (Charles).- LE NIL - PRESENTATION COPY FROM PRINCE GEORGE (LATER KING GEORGE V), map, 24 chromolithographed plates with tissue guards, original publisher’s patterned cloth, top hinge broken, g.e., folio, Paris, 1882. See illustration Foornote: Presentation copy from Princes George and Victor Albert ‘Eddy’ to their tutor Rev Canon John Neale Dalton, dated Christmas 1882, Sandringham. £300 - £400

Footnote: Contains letters on front pastedown from King George to Dalton on the death of Cust, referring to his time on H.M.S. Britannia with Cust as his Captain, another

by Cust himself bequeathing the book to his sister and a third by Dalton referring to his father in law’s role alongside Cust in the battle of Jutland, all dated 1931 and an unrelated, detached dedication from another work from Prince George to Dalton dated 1907. £100 - £200

Lot 9 9

MORPHETS Fine Art & Antique Auctioneers since 1895

ROYAL INTEREST

Lot 10

Lot 10 Prince Albert.

PRESENTATION COPIES FROM PRINCE ALBERT Marryat (Cpt [F.] R.N).- THE PIRATE AND THREE CUTTERS - 20 engraved plates, including frontispiece and additional engraved title, one plate loose but undamaged, 1854; Oliphant (Laurence).NARRATIVE OF THE EARL OF ELGIN’S MISSION TO CHINA AND JAPAN IN THE YEARS 1857, ‘58, ‘59 2 vol, folding engraved maps, some handcoloured in outline, chromolithographed plates, some damp-staining to extremities, Edinburgh & London, 1859, very occasional spotting, library stamps of the Library of the Naval Knights of Windsor, contemporary half calf over patterned boards, a little scuffed at extremities, 8vo (3).

See illustration Footnote: Presentation copies from Prince Albert (styled as HRH the Prince Consort) to the Library of the Naval Knights of Windsor, dated Feb 9th 1860. The Knights were dissolved by Act of Parliament in 1892 and the library dispersed. £300 - £400

Footnote: Presentation from King George to his former tutor and aide Rev Canon John Neale Dalton, on the accession of his son Edward, Prince of Wales, dated Windsor Castle, 24th June 1910. £80 - £120 Lot 12 King George V. Stanley (Arthur Penrhyn) HISTORICAL MEMORIALS OF WESTMINSTER ABBEY engraved plates, g.e., morocco binding with gilt dentelles, boards detached, 1869; Sheppard (Edgar) MEMORIALS OF ST JAMES’S PALACE 2 vol., lithographed plates, tissue guards, 1894; Maxwell (Sir Herbert) THE LIFE OF WELLINGTON… 2 vol., battle plans and plates, 1899; Abbott (Edwin A.) ST. THOMAS OF CANTERBURY HIS DEATH AND MIRACLES 2 vol., half titles, publisher’s cloth, 8vo. PRESENTATION COPIES FROM PRINCE GEORGE (LATER KING GEORGE V) (7) Footnote: All works in this lot are Christmas presentations from Prince George to his former tutor and later aide Rev Canon John Neale Dalton dating from 1874, 1894, 1899 and 1900 respectively. £100 - £200

Lot 11

MORPHETS Fine Art & Antique Auctioneers since 1895

Lot 11 King George V. THE BOOK OF COMMON PRAYER PRESENTATION COPY FROM KING GEORGE V, g.e., morocco binding, scuffed at extremities, folio, [c1910]; and another (2). See illustration

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BOOKS, MAPS AND ENGRAVING

BOOKS, MAPS AND ENGRAVING Lot 13 Keats (John) ISABELLA AND THE POT OF BASIL illustrated by W.B. MacDougal on handmade paper, tissue guard, publisher’s boards, gilt, slight wear to spine ends, t.e.g., others uncut, 4to, 1898. See illustration £200 - £300 Lot 14 Andersen (Hans Christian) THE LITTLE MERMAID one of 150 copies, bookplate on front pastedown, a little light spotting to preliminaries, plates with tissue guards, publisher’s boards, lacking spine, 1903; Shelly (Percy Bysshe) THE LYRICAL POEMS AND TRANSLATIONS… large paper copy, one of 250, vellum, Florence Press, 1918, 4to (2) £80 - £120 Lot 15 Alighieri (Dante) LA DIVINA COMMEDIA illustrations, hand finished in gilt, oblong 4to, 1902; Khayam (Omar) RUBAIYAT Brangwen (Frank, illust.) tipped-in colour plates, tissue guards, publisher’s cloth, Foulis Press 1910; Lamb (Charles) ESSAYS OF ELIA and LAST ESSAYS OF ELIA, publisher’s reverse calf, gilt, t.e.g., others uncut, 1904-05 (4) £80 - £120 Lot 16 Hawkins (Francis) YOUTHS BEHAVIOUR, contemporary calf embossed for William Stirling, 16mo, 1663; Gordon (Rev. James) A HISTORY OF IRELAND, vol 1 & 2, contemporary half calf with titles to black morocco on spine, marble paper covered boards, 4to, 1806; Diane (Comtesse) MAXIMS OF LIFE, contemporary full red morocco, raised spine bands, 16mo,1911; Aurelius (Marcus) ANTONINUS, contemporary half dark brown morocco, raised spine bands, marbled paper covered boards and end papers, 16mo, 1913 (5) £150 - £180

Lot 13 Lot 17 Hughes (Ted) THE HAWK IN THE RAIN, Faber & Faber, London, 1st ed. 1957, blue cloth, d.w; Lee (Laurie) MY MANY-COATED MAN, Andre Deutsch, London, 1st ed. 1955, printed boards, d.w; Roethke (Theodore) WORDS FOR THE WIND, Secker & Warburg, London, 1st ed.

1957, green cloth, d.w; Sitwell (Edith) EPITHALAMIUM, ltd. ed, No. 52 of 100 , signed by the author, redcloth; Cornford (Frances) COLLECTED POEMS, Cresset Press, London, 1st ed.

1954, pale green cloth, d.w; Gordon (Hampden) and Dennys (Joyce) illus.

RHYMES OF THE RED TRIANGLE, Bodley Head, London, blue cloth with printed paper boards (6) £150 - £180 Lot 18 Knight (Charles) POPULAR HISTORY OF ENGLAND 8 vol.; Browning (Oscar) THE NEW ILLUSTRATED HISTORY OF ENGLAND 3 vol., additional engraved titles; Taylor (James) THE VICTORIAN EMPIRE...

5 vol., original publisher’s pictorial cloth, g.e., 4to, v.d.; and 7 others, similar (23) £40 - £60

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Lot 19 Surtees (R.S.) MR FACEY ROMFORD’S HOUNDS hand-coloured plates, tissue guards, contemporary half calf over cloth, spine gilt, t.e.g., others uncut, 8vo (1865); Crane (Walter, illust.) PAN-PIPES, chromolithographed plates throughout, contemporary boards, bevelled edges, oblong 4to, n.d.; Morris (Rev. Francis Orpen) COUNTY SEATS OF THE NOBLEMEN & GENTLEMEN OF GREAT BRITAIN & IRELAND, vol 5 only, 30 chromolithographed plates, disbound in original boards, 4to (n.d.) (3) £40 - £60 Lot 20 Churchill (Winston S.) THE SECOND WORLD WAR 6 vol., 1948 - 54; A HISTORY OF THE ENGLISH SPEAKING PEOPLES 4 vol. 1956 - 58; PAINTING AS A PASTIME 1948; WAR SPEECHES vols 1, 2, 3 and 7 only, (vol. 3 second impression) publisher’s cloth, dust jackets, 4to (15) £60 - £80

MORPHETS Fine Art & Antique Auctioneers since 1895

BOOKS, MAPS AND ENGRAVING

Lot 24 Lot 21 Riccardi Press. Hardy (Thomas) SELECTED POEMS one of 1015, original publisher’s cloth-backed boards 1921; Bliss (Douglas Percy) THE DEVIL IN SCOTLAND 1934; BORDER BALLADS, 1925, publisher’s illustrated boards; Surtees (Robert Smith) HILLINGDON HALL dust jacket, 1931 Dulac (Edmund) PICTURE BOOK FOR THE RED CROSS, tipped-in colour plates, publisher’s cloth, 1915; and another, Foulis Press, 8vo (6) £60 - £80 Lot 22 Wisden (John) CRICKETER’S ALMANACK 1932-66 (lacking 1944 and 1946) 1932-36 in later blue cloth lacking wrappers, remainder in original publisher’s linen except 1941-43, 1949-50, 1955 and 196263 in hard covers, 8vo (33). £300 - £500

Lot 23 Milne (A.A) NOW WE ARE SIX ink inscription to half title, g.e., 1927; Lawrence T.E. SEVEN PILLARS OF WISDOM 1935, publisher’s boards; and 17 others, mainly children’s (19). £40 - £60 Lot 24 Sowerby (James) and James Edward Smith ENGLISH BOTANY, OR COLOURED FIGURES OF BRITISH PLANTS, 2nd edition, vol. 1-7 only (of 12), hand-coloured engraved plates, contemporary half calf over patterned boards, 8vo, [1832]-40 (7).

See illustration Footnote: Contains ink inscription to front free-endpapers alluding to ‘Batemans Sale 1926’. An excellent, solid set with only very minor rubbing and scuffing and two loose plates to vol. V. £300 - £500

MORPHETS Fine Art & Antique Auctioneers since 1895

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Lot 25 Burns (Robert) WORKS 5 vol. engraved frontispiece in vol. 1, contemporary half calf over patterned boards, 6mo, 1814; and another (6) £40 - £60 Lot 26 Rosinus (Joannes, Johann Roszfeld) ROMANARUM ANTIQUITATUM LIBRI DECEM, EX VARIS SCRIPTORIBUS SUMMA SIDE SINGULARIQUE DILIGENTIA COLLECTI, title in red and black, 2 folding engraved woodcuts, second a little creased with a few simple tears along folds, numerous other vignettes and woodcuts throughout, marginal worming to a few gathers, bound-in with an earlier, possibly 16th century, printed leaf, contemporary calf, rubbed with some worming to base of spine, 4to, Stephanus [Ettiene], Gamonet, [Geneva] 1611 £100 - £200

BOOKS, MAPS AND ENGRAVING

Lot 29 Lot 27 Andrewes (Rev. Lancelot) XCVI SERMONS BY THE RIGHT HONOURABLE AND REVEREND FATHER IN GOD, LANCELOT ANDREWES, LATE LORD BISHOP OF WINCHESTER engraved frontispiece, torn with loss, engraved vignettes to title and throughout, contemporary panelled calf, large, worn, top board detached, lower board crudely repaired, 4to, Richard Badger, 1641. £50 - £70

Lot 28 [Allestree (Richard)] THE WORKS OF THE LEARNED & PIOUS AUTHOR OF THE WHOLE DUTY OF MAN 2 vol. in 1, additional engraved title detached, engraved vignettes to titles, contemporary tooled panelled calf, worn, boards held by strings, Oxford, R. Norton, 1687 £50 - £70 Lot 29 GREENWOOD (CHRISTOPHER) MAP OF YORKSHIRE, 9 linen-backed folding maps 600 x 710mm in a cloth slip case 1815-16-17. See illustration £200 - £300

Lot 30 JOHN SPEEDE 1610, West Riding of Yorkshire, hand coloured map with plan of York, title cartouche, figural scale and various coats of arms, 38cm x 51cm (plate) £200 - £250 Lot 31 SAMUEL AND NATHANIEL BUCK, South East Prospect of Leeds in the County of York c.1750, hand coloured engraving, panoramic view with letterpress below, key identifying seven landmarks and the city’s coat of arms, 31.5cm x 82cm £80 - £120 Lot 32 SPARE LOT

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MORPHETS Fine Art & Antique Auctioneers since 1895

COLLECTORS’ ITEMS

MORPHETS Fine Art & Antique Auctioneers since 1895

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COLLECTORS’ ITEMS Lot 33 REJLANDER (OSCAR), AN ALBUM OF SEVENTY ALBUMEN PRINTS, CIRCA 1865-66 A rare and interesting folio of seventy portrait and figurative photographs by this pioneer, the albumen prints mounted on giltedged card leaves in a single volume with gilt and tooled black morocco bindings, the sitters including Rejlander himself, Mary Rejlander (nee Bull), Sir Henry Taylor, Hallam Tennyson (son of Lord Alfred Tennyson), John and Minnie Constable, the youngest of Lord Hawarden’s children, possibly including Elphinstone ‘Eppy’ Maud and other unidentified subjects, album 30cm x 25cm, prints varying in size from 12cm oval up to 21cm x 15cm, some with titles or annotations in pencil. See illustration.

The complete album is re-created as a pageturner pdf book on www.morphets.co.uk Provenance: This album was part of the estate of Surgeon Commander Herbert Ackland Browning RN and thence by descent to the vendor.

Commander Browning served throughout the First World War, never married and died at the family home in Dawlish in 1955. Herbert’s father, Captain George Browning RN, was a naval hydrographer and married Elizabeth (nee) Kendal, daughter of Dr Marsters Kendal of Kings Lynne, honorary surgeon to the

Prince of Wales, later King Edward VII, at Sandringham. It is possible that the album belonged to him and was thus lent to the Prince of Wales and others as annotations indicate.

Footnote: Oscar Gustav Rejlander (1813-1875), known as the Father of Art Photography, was born in Sweden and studied art in Rome, settling in England in the 1840s. He lived in Lincoln and later Wolverhampton, working as an artist and portrait miniaturist. He took an active interest in photography, seeing its potential for assisting artists and in 1853 attended lessons in the London studio of Nicholas Henneman. This inspired him to develop his own techniques experimenting with portraiture although it is his pioneering work in photo-montage, combining several negatives to form one image, that brought him to wider renown. His best known work The Two Ways of Life comprised thirty-two negatives and took six weeks to produce. Following its exhibition in Manchester in 1857 a copy was ordered by Queen Victoria for Prince Albert. Rejlander became a member of the Royal Photographic Society, regularly lecturing and publishing on the subject and in 1862 he moved to London where he built a photographic studio designed to make the best use of natural light for his subjects. During his work he came into contact with Julia

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Margaret Cameron, Charles Dodgson (aka Lewis Carroll), Lady Clementina (Maud) Hawarden and Charles Darwin. In the early 1870s he worked with Darwin on illustrations for his treatise on The Expression of the Emotions in Man and Animals.

Although Rejlander sold volumes of his photography through book shops and art dealers it is unknown if the album in this lot was obtained thus

by Captain Browning. One pencil annotation suggests it may have been bought directly from the photographer as it reads ‘Rejlander had refused to sell this copy (the only one obtained from the negative taken) at any price: but the offer of £2.2.0 for the Swedish poor was too much for his nerves and I obtained it DEO GRATIAS’.

A further annotation inside the front cover reads ‘This album has the honour of being submitted in 1866 to HRH The Prince of Wales by Colonel Teesdale (3 weeks), in 1870 at the request of Cardinal Antorelli to HH Pope Pius IXth by Monsignor Pacca (1 week), into 1871 to Her Majesty by Lady Elgin (several weeks)’.

Some of the prints herein are well known examples also held in the collections of the Royal Photographic Society, the Victoria and Albert Museum and the Metropolitan Museum of Art, New York. £7,000 - £10,000

MORPHETS Fine Art & Antique Auctioneers since 1895

COLLECTORS’ ITEMS Lot 34 NINE AMBROTYPE FEMALE PORTRAITS, half and three-quarter length, oval and rectangular in gilt metal mounts and frames, 6.5cm x 5.25cm £100 - £150

Lot 35 AN EARLY 20TH CENTURY JAPANESE SHIBAYAMA LACQUERED PHOTOGRAPH ALBUM, the cover applied to the front with mother-ofpearl scene of a bird in flowering prunus branches, the back painted in gilt with a riverscape, the interior with forty-six hand tinted photographs of views and landscapes with figures, 28cm x 36cm. sEE ILLUSTRATION £150 - £250

Lot 36 A 19TH CENTURY POLYESIAN ADZE, of square and rounded section all over carved with geometric bands and ground, the triangular section head with geometric bands and ground, the triangular section head without blade and with remnants of finely braided cord, 93cm long. See illustration £400 - £600

Lot 35

Lot 37 A 19TH CENTURY FIJIAN HARDWOOD PADDLE-SHAPE CLUB, serrated edge and raised horizontal rib to head of ‘blade’, plain rounded handle, 100cm long. See illustration £400 - £600 Lot 38 A 19TH CENTURY FIJIAN HARDWOOD PADDLE-SHAPE CLUB, serrated edge and raised horizontal rib to head of ‘blade’, plain oval section handle partly bound with finely braided cord, 109cm long. See illustration £400 - £600

Lot 36

Lot 37

MORPHETS Fine Art & Antique Auctioneers since 1895

Lot 38 16

COLLECTORS’ ITEMS Lot 39 MARSH ARAB (IRAQ) WALL HANGING, hand worked in predominantly red and orange wools, measuring approximately 2.38 metres x 1.74 metres. See illustration Footnote: The Marsh Arab civilisation and culture was centred at the confluence of the Tigris and Euphrates rivers in the marshes of Southern Iraq.

They lived in arched reed houses, often on floating islands of reed and were all but destroyed by Saddam Hussein when, after the first Gulf war in 1991, his government aggressively revived a programme to divert the flow of the two great rivers away from marshes in retribution for a failed Shia uprising (most of the Marsh Arabs were of that religious persuasion and their numbers have dwindled from about half a million in the 1950s to as few as 20,000 in Iraq). As a result of Saddam’s actions, the Marsh Arab culture has almost been wiped out and the woollen wall hanging, to which this example relates, has become a rare item. £250 - £350 Lot 40 A ROYAL SOUTH PACIFIC TAPA, a large example measuring 2.7 x 1.8m, all over painted with stencils in bold geometric patterns in shades of brown. Tapas may be found in many islands throughout the South Pacific and are worn by men and women as skirts during ceremonial occasions; used for wall-hangings, floor coverings and table cloths when dignitaries sit on the floor around the tapa. Made from the bark of mulberry trees it is dried in the sun before being soaked, following which it is beaten on a wooden anvil using wooden mallets; this thins the bark and extends the width, several strips are then beaten to form a single sheet. For important tapas several sheets are joined together using the same process. This example was presented to the vendor by the son of an important Fijian chief £80 - £120

Lot 39 Lot 41 AN ARAB JIMBAYA (KHANJA) DAGGER, having a curved damascened blade, carved hardwood hilt, the white metal scabbard inset with semi-precious stones, 39.5cm long £100 - £150

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Lot 42 AN EARLY 19TH CENTURY SILKWORK depicting The Discovery of Moses, oval in verre églomisé mount, 37cm x 29cm together with another, later, a full length study of a young woman carrying a basket of flowers oval, in verre églomisé mount c.1920 and a third, of a young child lost in woods (3) £80 - £120

MORPHETS Fine Art & Antique Auctioneers since 1895

BOXES, TREEN AND METALWARE

BOXES, TREEN AND METALWARE Lot 49 A 19TH CENTURY OAK WALL BRACKET carved as a female bust amongst fruit, flowers and scrolling leafage supporting a rectangular plinth with naturalistic and riband rim, 38cm wide x 47.5cm long £80 - £120 Lot 45

Lot 43 Lot 43 A VICTORIAN FIGURED WALNUT AND BRASS INLAID DRESSING CASE, rectangular, having brass Greek key borders, shield shape cartouche and banner to the lid and escutcheon, the interior mirror-lined and fitted with a lift-out tray filled with EPNS lidded glass jars and bottles, ivory and bone toilet requisites and a boxwood handle nail file and buffer, 30.5cm x 23cm deep x 13cm high. See illustration £150 - £200 Lot 44 A REGENCY ROSEWOOD STANDISH, of oblong form, two hinged flaps flanking a central turned bar handle, enclosing a pen well and two lidded compartments centred by an inkwell, a narrow drawer with turned wood handle to one side, 22.5cm wide £200 - £250

Lot 45 A 19TH CENTURY TURNED ELM BOWL, of circular outline, the rim and exterior decorated with gilded metal studs, bosses and dragon motifs, 36.5cm diameter x 17cm high. See illustration £150 - £200 Lot 46 A LATE 19TH CENTURY FRUITWOOD SHOVEL, for coffee bean mixing, 92cm long £80 - £120 Lot 47 A VICTORIAN MAHOGANY TRUNCHEON, the brass mount inscribed ‘VR Weeton Township’, with ribbed handle and turned knop finial, 30cm long. See illustration £80 - £120 Lot 48 A VICTORIAN MAHOGANY TRUNCHEON, the patinated brass mount inscribed ‘VR 283’, with ribbed handle and turned finial, 38cm long £60 - £90

Lot 50 A SATINWOOD TABLE TOP GLAZED FOLIO CABINET, of rectangular shape, the convex frame with gilt slip, opening verso with a hinged back, the spring mount inside bearing a label for J & W Vokins, with brass bale handle and two brass detachable feet, possibly associated, fitting to recesses to allow portrait or landscape aspect, 66cm x 55cm £120 - £180 Lot 51 A 19TH CENTURY BRASS FENDER, having a baluster spindle gallery above a foliate pierced panel with bosses, 124cm wide x 32cm deep x 23cm high (exterior) £100 - £150 Lot 52 A VICTORIAN COPPER TEA URN, the domed fluted cover with foliate finial, twin scroll handles and brass tap, on square base with bracket feet, 45cm high £40 - £60 Lots 53-55 SPARE LOTS

Lot 47

MORPHETS Fine Art & Antique Auctioneers since 1895

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CLOCKS

CLOCKS

Lot 56 Lot 56 A LATE 19TH CENTURY FRENCH GILT BRASS CARRIAGE CLOCK WITH PUSH REPEAT BY DROCOURT, PARIS, Paris, having a white enamelled dial with Roman and Arabic numerals, a subsidiary hour dial with Arabic, the two train movement with platform escapement, striking the hour and half hour on a gong, stamped with the Drocourt mark and numbered 25897, the gorge case with bevelled glass, complete with leather carry case and double-ended winder, 12.5cm high. See illustration £700 - £800 Lot 57 A JAEGER-LE-COULTRE BLACK PERSPEX AND GILT BRASS MANTEL CLOCK, of rectangular form, the opaque perspex dial with baton numerals and hands, jewelled eight day winding movement, signed to glass, stamped no. 480 to winding plate, on a plinth base, in original presentation case, 15cm high x 13.5cm wide. See illustration £350 - £450

Lot 57

Lot 61

Lot 58 AN ART DECO MANTEL CLOCK BY ATO, circa 1935-39, the plate glass face of the rectangular shape with canted corners, etched with vertical stripes, the brushed metal chapter ring with stylised Arabic numerals around a mirrored centre, set on a geometric Bakelite and stainless steel stand, battery powered electric movement, 26cm x 58cm £80 - £120 Lot 59 AN EARLY 20TH CENTURY GILT BRASS CARRIAGE CLOCK, the white enamel dial having black painted Roman numerals, the two train movement with platform escapement, striking the hour and half hour on a gong; the gorge case with bevelled glass and double ended winder, 17cm over handle £100 - £150

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Lot 60 AN EDWARD VII MAHOGANY MANTEL CLOCK of arched outline, the silvered dial having black painted Roman numerals, eight day movement striking on a gong; the case inlaid in satinwood with stringing and oval shell paterae, on plinth base with gilt compressed feet, 33cm high £70 - £100 Lot 61 A FRENCH CHARLES X ORMOLU MOUNTED PORTICO MANTEL CLOCK, of Gothic Revival design, the gilt dial having black painted Roman numerals, engine turned rosette to centre, the eight-day movement striking on a bell, with an elaborate cast gothic tracery arch and rosette pendulum; the case of architectural design cast with gothic tracery, the four columns with finely cast foliate capitals and bases, the plinth base on foliate bracket feet, 52cm high x 25cm wide. See illustration £300 - £500

MORPHETS Fine Art & Antique Auctioneers since 1895

CLOCKS

Lot 62 Lot 62 A MID-19TH CENTURY CHINESE MANTEL CLOCK for the European market, the twin barrel brass fusee alarum movement with crown wheel escapement, striking on two bells, the back plate engraved in the Regency manner and with an indecipherable maker’s name, the circular white enamel dial with Roman numerals and Arabic numerals at the quarters, set within a rectangular brass mask heavily engraved with stylised bats, foliate scrolls and symbols on a pounced ground, the glazed hardwood case inlaid with mother of pearl to the frieze frame, and with twin pierced and carved sound holes above glazed apertures to the sides, the back with a pierced sliding cover, 22.2cm wide x 26.6cm high. See illustration £800 - £1,000

Lot 63

Lot 64

Lot 63 A LATE GEORGE III MAHOGANY LONGCASE CLOCK BY DAWSON, HADDINGTON, the eight day, four pillar movement striking on a bell, the circular painted dial with Roman and Arabic numerals, secondary seconds and calendar dials, the glazed arch topped hood with circular door, decorated with three turned vase finials, the trunk with oblong panel door flanked by corner pilasters, the moulded box base raised on bracket feet, 205cm high.

See illustration £700 - £900

Lot 64 A GEORGE III OAK LONGCASE CLOCK, the eight day, four pillar movement striking on a bell, the square brass dial with Roman numerals to the chapter ring, the four spandrels decorated with moulded mask and scroll corner pieces, the flat topped case with dentil cornice and plain turned pillars, the trunk with arch topped panel door and moulded brass key escutcheon, the plain box base raised on four bracket feet, 200cm high. See illustration £300 - £500 Lots 65-66 SPARE LOTS

MORPHETS Fine Art & Antique Auctioneers since 1895

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WORKS OF ART

WORKS OF ART

Lot 67 Lot 67 JOSEPH KORSCHOEN (-1876), silver patinated bronze figure of a borzoi hound, on rectangular plinth, signed and dated 1902, 80cm long x 50cm high. See illustration £2,500 - £3,000 Lot 68 A FRENCH GILT METAL OVAL PLAQUE c. 1885, the bronze panel moulded in high relief with a finely detailed botanical spray of flowers, a ribbon bearing the maker’s mark H.GAUTRUCHE DOREUR, R.RAMBUTEAU 71, PARIS, all gilt and within an oval claret velour mount and giltwood frame, plaque 16cm x 11.5cm, frame 30cm x 26cm. See illustration £100 - £150

Lot 69 AN EARLY 20TH CENTURY FRENCH BRONZE AND ORMOLU FIGURAL TABLE LAMP, modelled as a girl in 18th century dress holding a basket from which issues three flower stems terminating in tulip nozzles, set on a gadrooned pedestal base moulded with swags, raised on four floret feet, 40cm high (excluding electric fittings) £250 - £350

Lot 68

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MORPHETS Fine Art & Antique Auctioneers since 1895

WORKS OF ART

Lot 70 Lot 70 AFTER AUGUSTE MOREAU, A PAIR OF LATE 19TH CENTURY BRONZE FIGURES OF PUTTI, probably emblematic of Summer and Autumn, modelled as winged putti standing and carrying aloft amphora vessels, set on domed bases, one moulded with flowers, the other with grapes, above red marble plinths, signed, 26cm high. See illustration £300 - £500 Lot 71 A PAIR OF LATE 19TH CENTURY FRENCH BRONZE FIGURES OF PUTTI, each modelled balancing on one tiptoe with an arm raised, one holds a floral garland, set on moulded circular ormolu bases, 24cm high.

See illustration £250 - £350

Lot 71 Lot 73 A PAIR OF REGENCY GILT BRASS CLOAK PINS, relief decorated with baskets of flowers and foliage on a hatched ground, each with a wall bracket, 17.5cm wide. See illustration £100 - £150 Lot 72 Lot 72 A PAIR OF 19TH CENTURY BRONZE CHERUB ORNAMENTS, each modelled as a dancing cherub on a rectangular stepped base, 10cm high x 8.5cm wide. See illustration £80 - £120

Lot 75 AN EARLY 18TH CENTURY TORTOISESHELL SNUFF BOX, oval, with silver mounts engraved ‘Rd Dalton 1705, Inter Cruces Triumphans in Cruce’, 10cm x 8cm Lot 73

MORPHETS Fine Art & Antique Auctioneers since 1895

Lot 74 AN 18TH CENTURY PATINATED COPPER FIGURE OF LAZARUS, carrying a staff, a hound at his feet, 10cm high, together with a 19th century gilt-copper panel, rectangular, decorated in relief with a three-quarter figure of St. Peter sitting in the garden of Gethsemane, 16cm x 12.5cm (2) £70 - £100

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Footnote: This item relates to the Reverend Canon John Neale Dalton, see lots 1 to 12 £70 - £90

WORKS OF ART Lot 76 A CARVED IVORY FIGURE OF A NUDE MAIDEN in reflective pose standing on an alabaster pedestal (metal band repair to ankles), 19cm high £60 - £80 Lot 77 A PAIR OF FRENCH ART DECO BRONZE BOOKENDS, c.1935, modelled as stylised parrots perched on pale green onyx bases, 22cm long x 13cm high. See illustration £150 - £180

Lot 77 Lot 81 A NAPOLEON III KINGWOOD TABLE JARDINIERE of serpentine form with gilt metal mounts, pierced gallery, branch form carrying handles and inset with four Sèvres-style porcelain plaques painted with flowers, set on four ball feet, 47cm x 30cm x 23cm.

See illustration £300 - £500

Lot 78 AN ART DECO BRONZE AND SHELL TAZZA, modelled as a Nubian boy reaching towards a spider at the edge of its web, set on a turned gilt metal base, 23cm across £100 - £150 Lot 79 A PAIR OF ART NOUVEAU PEWTER FIGURAL CANDELABRA, c.1900, modelled as maidens in flowing diaphanous robes with wrythen plant stems emerging, terminating in twin tulip shaped nozzles, originally electroplated silver, 26cm high £150 - £250

Lot 80 Lot 80 A PAIR OF LATE 19TH CENTURY FRENCH GILT BRASS, CHAMPLÉVE ENAMEL AND ETCHED GLASS VASES, each having a baluster body, the glass liner etched with floral sprays and with bracketed rim, on a domed circular foot, on velvet lined giltwood plinth, 20cm high (23.5cm high with plinth). See illustration £200 - £250

Lot 81

Lot 82 A 19TH CENTURY FRENCH KINGWOOD PARQUETRY TABLE JARDINIERE, of sarcophagus form with gilt metal mounts, pierced gallery and scroll carrying handles, 55cm x 34cm x 22cm. See illustration £300 - £500 Lots 83-84 SPARE LOTS

Lot 82 23

MORPHETS Fine Art & Antique Auctioneers since 1895

EUROPEAN CERAMICS

EUROPEAN CERAMICS

Lot 87

Lot 85 A DOULTON LAMBETH VASE BY EDITH LUPTON, dated 1886, of baluster shape with trumpet neck, incised with nasturtiums and foliage picked out in coloured glazes against a ‘gilt-circle’ ground, impressed factory marks, 46cm high £200 - £300 Lot 86 A CONTINENTAL EARTHENWARE ART NOUVEAU VASE, circa 1900, probably Austrian, of ovoid shape with tapered cylindrical neck and everted rim, painted in underglaze colours with stylised tulips and foliage above leaping dolphins, painted and impressed factory marks, 25cm high £70 - £90

Lot 89

Lot 87 ATTRIBUTED TO THEODORE DECK AND CHRISTOFLE: A PAIR OF CHINESE STYLE ORMOLU MOUNTED VASES, circa 1860, of square section and baluster shape, moulded with lion head and ring handles, decorated with dark blue-green streaked glazes, the gilt metal mounts finely moulded with scrolls and acanthus leaves, 38cm high. See illustration £300 - £400 Lot 88 A PAIR OF GIEN FRENCH FAIENCE VASES, late 19th century, of flattened amphora shape with twin strap handles, painted in colours in the Renaissance style with classical medallions, strapwork, masks and beasts, 22cm high, printed marks £100 - £150

MORPHETS Fine Art & Antique Auctioneers since 1895

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Lot 89 A LARGE AND IMPRESSIVE PAIR OF ROYAL WORCESTER ‘OLD IVORY’ VASES AND COVERS, circa 1885, of amphora shape with twin scroll handles, the shoulders moulded with strapwork, masks and swags, the bodies decorated with fine raised paste gilt chrysanthemums and foliage, set on pedestal bases moulded with masks and foliage, all detailed in gilt, puce printed factory marks and no. 1398, 51cm high. See illustration £800 - £1,200 Lot 90 A FIRST PERIOD WORCESTER POLYCHROME SLOP BOWL, c. 1770, of plain rounded form, decorated with a scale blue ground and giltedged reserves of flower sprays, fret mark in blue, 15cm diameter £150 - £180

EUROPEAN CERAMICS Lot 91 A GROUP OF 18TH CENTURY ENGLISH PORCELAIN TEAWARES, c.

1770-1790, to include two Worcester ‘scale blue’ tea saucers, two Worcester ‘Queens’ pattern coffee cups, a Worcester blue printed ‘Bell Toy’ pattern saucer, a Caughley blue and gilt teacup and saucer, a Derby blue and gilt teabowl and saucer, a Chelsea Derby cream jug with green floral swags and a teabowl of the same pattern (11) £180 - £220 Lot 92 AN 18TH CENTURY WORCESTER CHINA BLUE AND WHITE TEA BOWL painted with sprays of flowers and an insect, 7.6cm diameter £50 - £60

Lot 96 A SPODE BLUE PRINTED ASHET OR LARGE PLATTER, c.1835, of canted oval shape, decorated with the ‘Filigree’ pattern of flower vase within a meandering border of flowers and foliage, 57.5cm across, blue printed Spode mark £100 - £150 Lot 97 A COPELAND POTTERY CHARGER OR WALL PLATE, printed in black and polychrome painted with a Chinese garden with birds, rockware and tree peonies, within a diaper border reserved with six floral panels, impressed and printed marks, circa 1875-90, pierced suspension lugs to back, 48cms diameter £40 - £60

Lot 93 A SITZENDORF PORCELAIN BUST OF PRINCESS MARIE ZEPHINNE, c.1890, modelled after original Meissen kinderbust by J. J. Kändler, painted in colours, 14cm high £150 - £180 Lot 94 A LEEDS POTTERY CREAMWARE OVAL DISH AND STAND, of basket weave moulded and looped openwork form, each with impressed mark to the underside, circa 1850, the dish 25.8cm wide, the stand 28.4cm wide £60 - £80 Lot 95 A ‘SÈVRES’ PORCELAIN TAZZA, of circular form, bleu du roi glazed and gilt lined, the baluster pillar on a spreading circular base, printed marks to the underside, late 19th century, 32.5cm diameter, 24.7cm high £50 - £70

Lot 98 Lot 98 A WEDGWOOD LUSTRE ‘NIZAMI’ PATTERN DISH BY DAISY MAKEIGJONES, of circular outline, printed and enamelled with ‘ The Old Woman complaining to Sultan Sanjar’, within a sea-green and gilt border, and conforming border to the exterior, on three stylised claw feet, printed mark pattern no. Z5494, 16.5cm diameter x 4.5cm high. See illustration £300 - £400

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Lot 99 A ROYAL DOULTON FIGURE, HN1262, SPANISH LADY, 20.5cm high £200 - £250 Lot 100 A ROYAL DOULTON POTTERY FIGURE ‘THE ALCHEMIST’, HN1282, painted title and number and printed back stamp to underside, 29cm high £80 - £100 Lot 101 A ROYAL DOULTON VASE of fluted tapering bulbous form decorated in an unusual green and gilt chinoiserie pattern with pagodas, trees and birds, pattern no. E5101, 14cm high £50 - £60 Lot 102 A GOUDA POTTERY JARDINIERE AND PEDESTAL, painted in the Irma pattern, the jardiniere of shouldered circular section, the baluster shaped pedestal on a broad circular base, painted underglaze blue mark and no.121 and conforming incised numerals to the underside of the jardiniere and conforming mark and no.139 to the underside of the pedestal, circa 1910, 103cm high overall £200 - £250 Lot 103 A GOUDA VASE painted with seed heads amongst stylised leaves in blue gilt and ochre within black borders, signed to underside £15 - £25 Lots 104-106 SPARE LOTS

MORPHETS Fine Art & Antique Auctioneers since 1895

ASIAN CERAMICS, WORKS OF ART AND FURNITURE

ASIAN CERAMICS, WORKS OF ART AND FURNITURE Lot 107 A LARGE CHINESE PORCELAIN MOON FLASK, 20th century, of flattened circular shape with twin dragon handles, decorated in ‘brocade’ enamel colours with dragons and bats amid clouds within a border of fruits, flowers and further dragons, detailed in gilt, Yongzheng mark, 40cm high £200 - £300

Lot 111 A CHINESE PORCELAIN FAMILLE ROSE PLATE, Daoguang mark and probably of the period, of plain circular dished shape, painted in colours with a scene of figures picking cherries from a tree in a fenced garden, 25cm diameter £150 - £180 Lot 112 A CHINESE BLUE AND WHITE VASE, 20TH CENTURY, of pear shape with ‘garlic neck’, painted with a wrythen dragon amid clouds, tobacco leaves to the neck, 32.5cm high £200 - £300

Lot 108 Lot 108 A CHINESE PORCELAIN FAMILLE ROSE LEAF DISH, Guangxu mark and possibly of the period, modelled as a lotus leaf, the stem forming a pourer, painted in colours, 18cm long. See illustration £150 - £250 Lot 109 A CHINESE PORCELAIN FAMILLE ROSE BOWL, 19/20th century of octagonal shape, the outside painted in colours with chickens amid flowers and butterflies, the inside solid turquoise, 15.5cm diameter £60 - £80 Lot 110 A CHINESE PORCELAIN FAMILLE ROSE BOWL AND COVER, Kangxi sixcharacter mark but 20th century, painted in colours with two dragons chasing a flaming pearl amid clouds to a circular reserve within a broad yellow ground border with iron red fretwork and shou medallions, 26cm diameter £250 - £350

Lot 113 A PAIR OF CHINESE YELLOW GROUND FAMILLE ROSE VASES, Jiaqing seal marks but probably Republic period, of ovoid ‘bag of rice’ shape moulded with ribbon ties, painted in colours with scattered flower sprays against a yellow ground incised with dense scrolling foliage, 19.5cm high £200 - £300 Lot 114 A CHINESE BLUE AND WHITE POT AND COVER, Yongzheng six character mark but 20th century, of drum shape, the top painted with a seated figure, possibly the immortal Zhongli Quan, he holds a fan and staff, the rim edge with a border of lingzhi, 9.5cm diameter £80 - £120 Lot 115 A CHINESE BLUE AND WHITE BOWL, Yonglo archaic mark but late 20th century, of inverted bell shape and painted with dragons above waves, 8.5cm high x 15cm diameter £60 - £80

MORPHETS Fine Art & Antique Auctioneers since 1895

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Lot 116 A NEAR PAIR OF CHINESE BLUE AND WHITE GINGER JARS AND COVERS, 19th century, of ovoid shape and painted with birds and butterflies amid scattered flowers and foliage, four-character Kangxi marks, 11cm high, together with a Chinese blue and white ginger jar and cover, 19th century, of ovoid shape, painted with a scholar and two boys in a rocky garden, 14cm high (3) £80 - £120

Lot 117 Lot 117 A LARGE CHINESE BLUE AND WHITE DISH, 17TH CENTURY, late Ming, provincial, the soft paste porcelain of circular dished form, painted with a pheasant perched amid flowering branches within a broad diaper border inset with lobed flower panels, 44cm diameter (some ‘museum’ type repairs to rim). See illustration £300 - £400 Lot 118 A CHINESE CELADON GLAZED STONEWARE VASE, 20th century, of ovoid shape and moulded to the neck and shoulder with archaistic bosses, the body incised with auspicious animals in geometric panels £100 - £150

ASIAN CERAMICS, WORKS OF ART AND FURNITURE Lot 121 A GROUP OF CHINESE BLUE AND WHITE PORCELAIN, to include a bowl of inverted bell form painted with pomegranates and foliage picked out in copper red, Qianlong mark but possibly later, 20.5cm diameter (repaired), another bowl of rounded shape and painted with the eight immortals in a landscape, a dragon to the inside, 21.5cm diameter, and a tri-part box and cover, the square section stacking layers painted with dense flowers and foliage, 12.5cm high (3) £50 - £70 Lot 122 A GROUP OF CHINESE WORKS OF ART, to include a bronze champlevé altar stick, of knopped baluster form, 36.5cm high, a brass bowl of rounded form and moulded with mythical beasts, apocryphal Xuande mark, with hardwood stand, 24cm diameter; a small bronze baluster vase, 11cm and a small soapstone seal carved with a lion dog, 5.5cm high (4) £50 - £70 Lot 119 Lot 119 A LARGE AND IMPRESSIVE PAIR OF CHINESE SECTIONAL BONE VASES AND COVERS, possibly Republic, of baluster form and canted square section, carved with scenes of figures to one side and dragons verso within shaped panels, twin dragon head and ring handles, the cover surmounted with dragons, 40cm high. See illustration £700 - £900

Lot 120 AN ANGLO-INDIAN SADELI WORK SOLITAIRE BOARD, late 19th century, of octagonal shape and set on four turned ivory feet, 20.5cm across £50 - £70

Lot 123 A CHINESE SILVER PARASOL OR UMBRELLA HANDLE, 19th to early 20th century, of tapering form with flattened globular pommel, finely moulded with playful rats amid scrolling vines and leaves within shaped panels, the pommel with a two character inscription possibly reading ‘Rainy Days’, 30cm long. See illustration £200 - £300

Lot 123 27

MORPHETS Fine Art & Antique Auctioneers since 1895

ASIAN CERAMICS, WORKS OF ART AND FURNITURE Lot 124 FIVE PAIRS OF CHINESE RED-STAINED BONE CHOPSTICKS, two pairs joined with chain links, all with silver foilwrapped terminals, early 20th century, 21cm long £80 - £120 Lot 125 A JAPANESE TANTO, the bone scabbard and handle carved allover with Samurai warriors and other figures in a townscape, early 20th century, 37.5cm overall £100 - £150

Lot 128 A SET OF FOUR EARLY 20TH CENTURY CHINESE HARDWOOD TABLES, of rectangular outline, each with a recessed panel to the top, the frieze blind carved with scrollwork and on a square section supports joined by conforming stretchers, the largest 48.5cm x 34cm x 70cm £500 - £550

Lot 129 A 19TH CENTURY CHINESE HARDWOOD AND ROUGE MARBLE STAND, rectangular, the frame carved with scrolling leafage and with pierced apron, on rounded legs joined by a centre tier and undertier, on stylised claw on ball feet, 41.5cm wide x 31cm deep x 80.5cm high.

See illustration £200 - £300

Lot 126 A CHINESE CINNABAR LACQUER RECTANGULAR BOX AND COVER, the lid decorated with figures in a landscape, early 20th century, 12.7cm wide £80 - £120

Lot 130

Lot 129

Lot 127 Lot 127 A CHINESE MARBLE TOPPED CARVED HARDWOOD URN STAND, the circular top with beaded edge and inset with a red-veined marble panel, raised on four leaf-carved cabriole supports between pierced flower and leaf carved friezes, terminating in scroll feet united by a plain stretcher, 46cm x 39cm. See illustration £150 - £250

MORPHETS Fine Art & Antique Auctioneers since 1895

Lot 132

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ASIAN CERAMICS, WORKS OF ART AND FURNITURE Lot 130 A LATE 19TH/EARLY 20TH CENTURY JAPANESE SET OF THREE GRADUATED TABLES of square outline, each having a dished surface, the panel sides inset with mother-ofpearl mosaic and with quatrefoil-shaped aperture, the largest 37.5cm square x 27.5cm high. See illustration £100 - £150

Lot 131 A CHINESE ROSEWOOD CABINET, having a moulded cornice above two triple indented panel doors each carved in relief with courtesans and artists in palace gardens and pagodas, above two long drawers, similarly carved, on square legs, 96cm wide x 44cm deep x 157cm high £250 - £400

Lot 132 TWO JAPANESE COLOUR WOODCUT PRINTS, MEIJI PERIOD, interior with geisha girls playing various instruments, two framed as one, 34cm x 46cm. See illustration £70 - £100 Lot 133 PROVINCIAL MUGHAL OUDH, LATE 18TH CENTURY, Durga with her lion fighting an army of demons, watercolour, 23cm x 14.5cm. See illustration £400 - £500

Lots 134-135 SPARE LOTS

Lot 133

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MORPHETS Fine Art & Antique Auctioneers since 1895

GLASS

GLASS Lot 138 A MODERN LALIQUE ‘BOURGEUIL’ DRINKING GLASS, of conical shape with stepped bands of moulded triangles at the base, on a slightly conical foot, 10cm high £30 - £40 Lot 139 A MODERN LALIQUE ‘BAGATELLE’ VASE, clear and frosted, of ovoid shape and moulded in high relief with birds nestled amid dense foliage, 17cm high £150 - £180 Lot 136

Lot 142

Lot 136 A PAIR OF EROLE BAROVIER ITALIAN GLASS FIGURES OF DANCERS, Post War, free blown in white and red glass with ‘free gold’ flecks, the figures with crimped hair and flowing robes in balletic poses, set on domed bases, signed, 28cm high. See illustration £400 - £600

Lot 142 A MODERN LALIQUE GLASS VASE, clear frosted and gilt, of bucket shape, moulded with scroll shape fins finished in gilt with bands of ‘S’ scrolls in between, 18.5cm high. See illustration £250 - £350 Lot 143 A MONART GLASS TABLE LAMP, c.1930s, of green and amber marbled glass, the double gourd shape with internal light and chrome fittings, base 28cm high with fitting overall 47cm high £100 - £150 Lot 140

Lot 137 Lot 137 A MODERN LALIQUE ‘MEDUSA’ BLACK GLASS VASE, of ovoid shape and moulded with wrythen flutes accented with incised dots, number 421 from a limited edition of 999, 17.5cm high. See illustration £150 - £180

Lot 140 A MODERN LALIQUE ‘OMBELLES’ VASE, clear and frosted, of pear shape and hexagonal section, intaglio moulded with long stemmed ferns and flowers, 28.5cm high. See illustration £250 - £300 Lot 141 A MODERN LALIQUE FIGURE OF A SPARROW, frosted, modelled with head up, 8.5cm high £75 - £100

MORPHETS Fine Art & Antique Auctioneers since 1895

Lot 144 A VALLON ART DECO GLASS BOWL, frosted and opalescent, the underside moulded fruiting damson sprays, moulded factory mark, 23.5cm diameter £100 - £150 Lot 145 A PAIR OF 19TH CENTURY ENGLISH CUT GLASS TAZZAS OR COMPOTES of fine quality with diamond cut bowls on hexagonal waisted baluster stems with star cut bases, 22.8cm diameter x 17.8cm high £100 - £150 Lots 146-147 SPARE LOTS

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SILVER

SILVER Lot 148 AN EDWARD VII SILVER PEDESTAL BOWL OF MONTEITH STYLE, by Mappin & Webb, of circular outline with cut scrolled rim and on a circular pedestal foot, engraved presentation inscription, London 1906, 18cm diameter x 15cm high, approximate weight 23oz £180 - £220 Lot 149 AN ELIZABETH II SILVER TEAPOT AND HOT WATER JUG of irregular octaganol outline with domed covers, composition finial and handle, on raised foot, Birmingham 1960, total approximate weight 38oz £280 - £320 Lot 150 A PAIR OF VICTORIAN SILVER GILT DESSERT SERVING SPOONS, each having a face mask and rocaille terminal, wrythen handle and an alternating fluted and leaf scroll bowl, London 1898, maker’s intitials WCJL, 21cm, total approximate 5oz £60 - £80 Lot 151 A GEORGE V SILVER PHOTOGRAPH FRAME, by A & J Zimmerman, rectangular, of engine turned decoration with vacant cartouche, Birmingham 1919, 21cm x 15.5cm £60 - £80 Lot 152 A GEORGE V SILVER PHOTOGRAPH FRAME, rectangular serpentine outline, with beaded rims, Birmingham 1918, maker’s initials G & C Ltd, 25cm x 20cm £50 - £70 Lot 153 A GEORGE V PINT TANKARD of plain cylindrical form by James Deakin, Birmingham 1931, approximate weight 10.5oz £70 - £100 Lot 154 A SET OF SIX EDWARD VII SILVER TABLESPOONS, fiddle pattern, each initialled ‘D’, Sheffield 1904, maker’s initials ‘J & JM’, total approximate weight 15oz £120 - £150

Lot 155 A GEORGE III SILVER TRAY BY EBENEZER COKER, circular, having a ‘C’ scroll border, gadroon and rocaille rim, engraved to the centre with a heron amongst reeds, on three claw on ball feet, London 1767, 26cm diameter, approximate weight 18oz £300 - £400 Lot 156 A LARGE GEORGE V SILVER VASE BY ELKINGTON & CO, having a dished neck with circular scalloped and foliate pierced rim, the tapered body initialled ‘C’ and having three tendrillike arms, possibly for baskets now missing, on a knopped socle and circular spreading foot, Birmingham 1910, 34cm high, approximate weight 15.5oz £120 - £150 Lot 157 A GEORGE V SILVER SALVER, Birmingham 1924, of quatrefoil outline, 31.5cm x 22cm, approximate weight 13oz £100 - £125 Lot 158 AN EDWARD VII SET OF TWELVE ARTS & CRAFTS SILVER TEASPOONS and sugar tongs, each with pierced shield shape top, Glasgow 1904, maker M&A, total approximate weight 6oz £60 - £80 Lot 159 A PAIR OF IRISH SILVER SUGAR SIFTERS, Charles Lamb, 1902, of egg shape with ball finials and conical feet, incised with Greek key bands, 11cm high, approximate weight 6.2oz £100 - £150 Lot 160 A PAIR OF SILVER SALTS, Peter & Ann Bateman, London 1803, of oval shape with neo-gothic pierced sides, set on four claw feet, with blue glass liners, 8cm long, approximate weight 3oz £100 - £150

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Lot 161 A SILVER MUSTARD POT, Walker & Hall, Sheffield 1889, of oval shape with wrythen fluting, blue glass liner, approximate weight 3.4oz £80 - £100 Lot 162 A SET OF SIX VICTORIAN SILVER FIDDLE AND THREAD PATTERN DESSERT SPOONS, possibly William Theobalds, London, all 1841, approximate weight 11oz £90 - £110 Lot 163 A SET OF SIX VICTORIAN SILVER FIDDLE PATTERN TABLESPOONS, marked CB, London 1949, approximate weight 15oz £120 - £140 Lot 164 A SET OF SIX WILLIAM IV SILVER FIDDLE AND THREAD PATTERN DESSERT FORKS, probably James Beebe, London 1835, approximate weight 10oz £80 - £100 Lot 165 A SET OF SIX WILLIAM IV SILVER FIDDLE AND THREAD PATTERN DINNER FORKS, probably James Beebe, London 1835, approximate weight 14oz £100 - £150 Lot 166 A VICTORIAN SILVER CRUET STAND

by Henry Holland, London 1866, of oblong form repoussé decorated with ‘C’ scroll, flowers and opposing vacant cartouche, with central carrying handle, on bracket feet, fitted with five of seven glass bottles, 18cm x 15.5cm £125 - £150 Lot 167 A CONTINENTAL SILVER ENAMEL CARD CASE, London import marks, 1927, the engine turned decoration under lemon yellow enamel, within dot and dash borders, the interior gilt, approximate weight 4oz, 8cm x 5cm £80 - £120

MORPHETS Fine Art & Antique Auctioneers since 1895

OBJETS DE VERTU

OBJETS DE VERTU Lot 171 FOUR VICTORIAN GLASS DOUBLE ENDED SCENT AND SALT BOTTLES, of faceted cylindrical shape, one clear glass with white metal caps, one clear glass with brass caps, one blue glass with brass caps and one amber glass with brass caps, 11.5cm to 12.5cm £120 - £180

Lot 173 THREE VICTORIAN FLASHED GLASS SCENT BOTTLES the first of oblong shape, ruby flashed and cut with deep geometric facets, white metal cap, 7cm, the second of ovoid shape, blue flashed and cut with oval facets, white metal cap, 9.5cm, the third of tapering form overlayed in white and pink, cut with oval and circular facets, brass repoussé cap, 11cm £100 - £150

Lot 168 Lot 168 IN THE MANNER OF RUBENS, CONTINENTAL SCHOOL, portrait of a woman, possibly Mary, wearing blue and red robes and carrying a branch or reed, her right hand raised, oval, gouache on ivory, 8cm x 7cm, gilt metal within ebonised oblong wood frame with oak leaf cluster cresting £100 - £150

Lot 172 A NAILSEA TYPE GLASS SCENT BOTTLE of flattened ovoid shape, the dark blue glass with white stripe, 7cm long, together with a Continental latticino scent bottle, of gourd shape and internally decorated with white and blue spiral stripes, with brass repoussé cap, 7.5cm (2).

See illustration £80 - £120

Lot 172

Lot 169 ENGLISH SCHOOL, CIRCA 1840, PORTRAIT OF A LADY, bust length, turned dexter, facing sinister, wearing a blue dress with lace-trimmed, white silk collar, gold brooch and pendant earrings, a draped curtain to her rear, watercolour on ivory, verre églomiséframed as an oval, 9.4cm x 7.2cm, gilt plaster frame £275 - £325 Lot 170 A VICTORIAN GLASS SCENT BOTTLE of flattened ovoid shape, engraved with initials ‘JW’ amid scattered foliage, 8.5cm, together with two Near Eastern composite snuff bottles, a Continental scent bottle and a Caithness glass thimble (5) £40 - £60 Lot 175

MORPHETS Fine Art & Antique Auctioneers since 1895

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OBJETS DE VERTU Lot 174 TWO VICTORIAN MINIATURE GLASS SCENT BOTTLES, the dark blue glass facet cut, one of cylindrical shape, the other ovoid and double ended, both with white metal caps, 4cm and 7cm £80 - £120

Lot 175 THREE VICTORIAN DOUBLE ENDED GLASS SCENT AND SALT BOTTLES, the green glass facet cut, one with brass caps, the remaining two with gilt metal repoussé caps, 11.5cm, 12.5cm and 13.5cm. See illustration £120 - £180 Lot 176 THREE VICTORIAN RUBY GLASS DOUBLE ENDED SCENT AND SALT BOTTLES, the first of plain cylindrical shape, with white metal caps, the second ovoid and centre-breaking with brass mounts, inscribed ‘MARCH 22, 1874’, the third cylindrical and facet cut with white metal repoussé caps, 10cm, 13cm and 10.5cm £100 - £150

Lot 177 A VICTORIAN RUBY GLASS DOUBLE ENDED SCENT AND SALT BOTTLE of cylindrical shape and cut with triangular facets, plain gilt metal caps, 15cm £80 - £120

Lot 178 AN EDWARD VII RUBY GLASS DOUBLE ENDED SCENT AND SALT BOTTLE of cylindrical shape and hobnail cut, with plain gilt metal caps, in fitted box for Rimmel, London, 12cm £80 - £120

Lot 179 Lot 179 ENGLISH SCHOOL c.1820, portrait of a young lady with two children and dogs, full length wearing a gold dress and holding a spaniel, a girl to her right wearing a purple dress and holding a spaniel aloft, a boy to the left wearing a blue jacket and trousers embracing a springer, moulded oval wood frame, 13.5cm x 11cm, the frame 23.5cm x 20.5cm. See illustration £700 - £800

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MORPHETS Fine Art & Antique Auctioneers since 1895

JEWELLERY

JEWELLERY Lot 182 A BANGLE BY TIFFANY of faux bamboo pattern in yellow metal (this metal has been tested and valued as 18ct gold), signed Tiffany & Co @ 1996 750, total approximate weight 30gm. See illustration £425 - £550 Lot 183 A NECKLACE in 18ct gold with two woven strands of articulated segments to the front, a single strand to the back and arrow head terminals, total approximate weight 20gm £275 - £350

Lot 180 Lot 180 A NECKLACE OF OVAL FACETED GARNETS in 9ct gold, each link collet set, backed and joined between scrolls with three pendants to the front similarly set, hallmarked for London 1960, approximate length 40cm, total approximate weight 29gm. See illustration £225 - £275 Lot 181 A 19TH CENTURY NECKLACE OF FOUR STRANDS OF FACETED GARNET BEADS fastened with a three piece box and tongue snap, set with a garnet cluster with foliate scrolls of 9ct and base metal, approximate length 39cm, total approximate weight 35gm £125 - £175

Lot 182

Lot 183B A BRACELET in rOSE, white and yellow 9ct gold the gate type links of chevron pattern with box fastener, Birmingham 1973, total approximate weight 20gm £140 - £180 Lot 184 AN EMERALD AND DIAMOND SET BROOCH in 18ct gold by Alabaster and Wilson, the circular faceted emeralds and brilliant cut diamonds are clear set and raised against a pierced and engraved weeping willow bough, Birmingham 1968, total approximate diamond weight 0.09ct, total approximate weight 13gm £175 - £225 Lot 184B A BROOCH OF ORGANIC ABSTRACT DESIGN in 18ct gold set with rubies and a diamond, the brilliant cut diamond and circular faceted rubies graduated claw set and raised against the pierced coral like twist, Birmingham, import for R.H.B 1968, total approximate diamond weight 0.10ct, total approximate weight 9gm £125 - £175

MORPHETS Fine Art & Antique Auctioneers since 1895

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Lot 185 Lot 185 A DIAMOND NECKLACE, in 18ct white gold, the foliate links and pendant drops set with brilliant cut stones, approximate length 42cm, total approximate diamond weight 3.30ct, total approximate weight 31gm. See illustration £1,500 - £1,800

Lot 186

JEWELLERY Lot 186 A VICTORIAN OPAL AND DIAMOND BROOCH-PENDANT, in 15ct gold and silver, the oval cabochon collet set and raised against a pierced scroll surround set with Old European cut diamonds, with detachable brooch fitting and folding pendant loop, approximately 36mm x 26mm, approximate weight of opal 10.95ct, total approximate weight of diamonds 0.40ct. See illustration £500 - £700 Lot 187 AN EDWARD VII OPAL SET BRACELET

BY ALABASTER & WILSON, in 9ct gold graduated hollow curb links, total approximate weight 9gm £150 - £200 Lot 187B A PAIR OF EARLY 20TH CENTURY OPAL AND STUD EARRINGS, the circular cabochon stones collet set in 9ct gold £70 - £90 Lot 188 A SINGLE STONE AQUAMARINE SET DRESS RING, the step cut stone claw set in yellow metal (this metal has been tested and valued as 14ct gold), with pierced gallery, approximate weight of aquamarine 3.19ct, total approximate weight 4gm £90 - £120 Lot 188B AN AQUAMARINE PENDANT, the triangular brilliant cut stone is claw set in yellow metal (this metal has been tested and valued as 14ct gold) £90 - £120 Lot 189 AN EDWARD VII SHELL CAMEO BROOCH, in 9ct gold, the oval head and shoulders portrait of male and female figures in classical dress, collet set in twisted wire surround, approximately 56mm x 43mm, total approximate weight 18gm £100 - £150

Lot 194

Lot 190 Lot 190 A DIAMOND CLUSTER RING, in 18ct white gold, the seven principal stones of brilliant cut, claw set and raised against a surround of small stones of circular outline, total approximate diamond weight 2.05ct. See illustration £1,500 - £2,000 Lot 191 A BRACELET OF CURB LINKS, in 9ct gold,with padlock fastener, total approximate weight 40gm £300 - £400 Lot 192 AN EDWARD VII GOLD CHAIN OF BANDED TRACE LINKS, in 9ct gold, approximate length 93cm, total approximate weight 19gm £140 - £170 Lot 193 A VICTORIAN TURQUOISE AND DIAMOND CLUSTER RING, in 18ct gold, the circular cabochon turquoise claw set and raised against a surround of Old European cut diamonds £200 - £250 Lot 193B A NECK CHAIN OF FACETED BELCHER LINKS IN 18CT GOLD, approximate length 51cm, total approximate weight 12gm £175 - £225

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Lot 194 A THREE STONE DIAMOND RING, the brilliant cut stones claw set and graduated in line in white metal (this metal has been tested and valued as 18ct gold), with further eight cut stones to each shoulder, total approximate diamond weight 0.75ct.

See illustration £400 - £500 Lot 195 A BRACELET IN 9CT GOLD BRICK TYPE LINKS with radiating textured decoration to the front, concealed fastening and figure of eight safety catches, approximate length 18cm, approximate width 22cm, total approximate weight 53gm £375 - £475 Lot 196 A GEORGE V THREE STONE DIAMOND SET BAR BROOCH, the transitional brilliant cut stones are claw set and graduated in line on a knife edge bar in 18ct gold with platinum facing, 9ct gold pin and later rolled gold safety chain, total approximate diamond weight 0.55ct, total approximate weight 3gm £150 - £200 Lot 197 A GEORGE V SET OF MOTHER-OFPEARL AND ROSE DIAMOND DRESS CUFFLINKS, collar and shirt studs in 9ct gold, of hexagonal outline, in original fitted case, total approximate weight 10gm £100 - £150

MORPHETS Fine Art & Antique Auctioneers since 1895

WATCHES

WATCHES

Lot 198

Lot 199

Lot 201

Lot 198 A GENTLEMAN’S ROLEX SPORT WRISTWATCH c.1940s, in 9ct gold, having a circular silvered dial, Arabic numerals, luminous sport hands and subsidiary seconds dial, cushionshaped case, Chester 1945, signed to dial and jewel lever movement. See illustration £350 - £450

Lot 200 A GENTLEMAN’S BELGRAVIA WATCH CO. POWERTEMPO WRISTWATCH, in stainless steel skeleton case, having a circular silvered and engine turned dial with black Roman numerals, blued steel breguet Empire hands, centre sweep counterpoise, subsidiary dials with blue tint, and date crescent, signed to dial, crown and jewel lever movement, no. 601099 and case no.

B201587, in original case with guarantee card £300 - £400

Lot 202 A LADY’S MONTENAPOLEON WRISTWATCH BY LORENZ, in 18ct gold, on an integral brick-type bracelet, the rounded rectangular brushed gilt dial with gilt batons and hands, signed to dial, button, bracelet and case no.23009 with original case and papers, total approximate weight 76gm £1,000 - £1,500

Lot 199 A GENTLEMAN’S ROLEX SPEED KING PRECISION WRISTWATCH, c.1970s, in stainless steel oyster case, approximate diameter 30mm, having a circular silvered dial, chrome batons, hands and sweep centre seconds, signed to dial, crown and oyster bracelet, in original packaging.

See illustration £450 - £650

Lot 201 A GENTLEMAN’S OMEGA AUTOMATIC WRIST WATCH IN 9CT GOLD HORNED CASE c.1960, the two tone champagne dial with gilt arrow heads, batons, alpha hands and centre sweep seconds, signed to dial, case no. 922 281 83 501 calibre, 20 jewelled lever movement No 16678984 and 9ct gold buckle.

See illustration £300 - £400

MORPHETS Fine Art & Antique Auctioneers since 1895

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Lot 203 A LADY’S LONGINES WRISTWATCH in 9ct gold case on integral textured Milanese bracelet, the cushion shaped brushed gilt dial having gilt and black batons and hands, signed to dial, button and 17 jewelled lever movement No. 51710656, Swiss and hallmarked LONDON (import 1972), total approximate net weight 26gm £175 - £225

OIL PAINTINGS

OIL PAINTINGS

Lot 204 CIRCLE OF PIETRO ANTONIO ROTARI, Portrait of a young woman, half length, looking to sinister, wearing a green gown and headdress, oil on panel, unsigned, 47cm x 36cm. See illustration £1,500 - £2,000

Lot 205 ITALIAN SCHOOL (17TH/18TH CENTURY), Study of putti, a pair, oil on panel, unsigned, 33cm x 38cm.

See illustration £1,000 - £1,500

Lot 204

Lot 205 37

MORPHETS Fine Art & Antique Auctioneers since 1895

OIL PAINTINGS

Lot 206

MORPHETS Fine Art & Antique Auctioneers since 1895

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OIL PAINTINGS Lot 206 HENDRIK WILLEM MESDAG (Dutch 1831-1915), Preparing to Unload the Catch, fishing boats off shore at sunset, oil on canvas, signed to lower right, 50cm x 49cm, gallery label for M Newman, 43a Duke Street, St. James’, London SW1. See illustration £16,000 - £20,000 Lot 207 19TH CENTURY ENGLISH SCHOOL Hamlet with countrywoman with her spinning wheel beside the road and traveller on horseback, oil on canvas, unsigned, 30.5cm x 40.5cm £175 - £225 Lot 208 18TH CENTURY ENGLISH SCHOOL Huntsman, horse and hound in a lake and mountain landscape, oil on board, unsigned, 25cm x 32cm £275 - £325 Lot 209 JAMES HARDY JUNIOR RI (British 1832-1889), Dead game, fruit and vessels, oil on canvas, signed and dated (18)69 lower right, 15.5cm x 25.5cm £200 - £250 Lot 210 19TH DUTCH SCHOOL Quiet estuary scene with fishing boats, oil on board laid onto panel, bears signature Andreas Waldorp and dated 1883 to lower right, 38cm x 50.5cm £150 - £200 Lot 211 AFTER TENIERS THE YOUNGER, Peasants merry making before a riverside tavern, oil on canvas, unsigned, 56cm x 78cm, 19th century (paint loss) £150 - £200 Lot 212 CONTINENTAL SCHOOL 19TH CENTURY, Street scene with figures accompanied by a dog, church beyond, oil on panel, unsigned, 38cm x 28.5cm £125 - £150

Lot 216 Lot 213 SIDNEY PIKE (British late 19th/early 20th century), Bringing in the Catch, morning tide; coastal landscape at sunset, a pair, oil on canvas, signed and dated (19)06? to lower right, 14cm x 43cm £200 - £300 Lot 214 ARR STEPHANIE VON TRAUTWEILER (Austrian 1888-1979), Still life study of red white roses held in a green vase, oil on canvas, signed to lower right, 61cm x 82cm £150 - £200 Lot 215 ARR Joseph Pighills (1902-1984) Haworth Street scene with figure, oil on card, signed to lower right, 15cm x 27.5cm £50 - £70 Lot 216 ARR OWEN BOWEN (1873-1967), A Westerly Sky, figures on a moorland path under gathering rain clouds, oil on canvas, signed and dated 1918 to lower right, 64cm x 77cm. See illustration £500 - £700 39

Lot 217 ARR LEOPOLD RAUTHAUG (Austrian 1868-1959), Haus Bechstein, Mit Untersberg, a view of the Bechstein family house in summer, a dog in the foreground, mountains beyond, oil on canvas, signed, inscribed and dated 1932, typed label verso inscribed with artist, title and NSDAP Abteilung Bilderkaufe Munchen, Arcistrasse, Vermerk: I A Dr J Goebbels, stencilled with an eagle and swastika, 94cm x 74cm.

Provenance: This painting was presented by the artist to Helene Bechstein. When the house was taken by the Nazis the Bechsteins left the painting in the house. It was ultimately sent to Munich by Borman for an exhibition when the house became a guesthouse for the NSDAP. £500 - £700

MORPHETS Fine Art & Antique Auctioneers since 1895

OIL PAINTINGS

Lot 219

Lot 220 Lot 218 ARR DEBORAH JONES (1921-2012), Maintenance at Blackbushe, Bellman hanger interior with engineers overhauling an aircraft, oil on canvas, signed and indistinctly dated to lower right, 51cm x 61cm £80 - £120 Lot 219 ARR TONY KARPINSKI (b. 1965) Cape Buffalo Bull, in Savanna habitat, oil on board, signed to lower right, inscription verso, with Haynes Fine Art 2004, label verso, 58.5cm x 86.5cm. See illustration £3,000 - £3,500 Lot 220 ARR JOHN MACKIE (b.1955) Port Grimaud, France, canal scene with moored boats, oil on canvas, signed and dated 1989 to lower left, 71cm x 91cm. See illustration £750 - £1,000 Lot 221 EARLY 20TH CENTURY EUROPEAN SCHOOL Venetian lagoon with sail boats, oil on canvas, indistinctly signed to lower left, 30.5cm x 57cm £75 - £100 Lot 222 ARR RONALD CAVALLA (b.1940) Fishing vessels at sea, at anchor and beached, a set of four, oil on board, signed to lower left and right, 8.5cm x 12.5cm £175 - £225 Lot 223 ARR BARRY LEIGHTON-JONES (b.1932-2011), half portrait of a young boy wearing a straw hat, crying, oil on canvas, signed to lower left, 50.5cm x 40.5cm £125 - £150 Lot 224 ARR ARTHUR DELANEY (British 1927-1987), The Royal Exchange, Manchester, street scene with figures and tram, oil on board, signed to lower right, 23cm x 15cm. See illustration £1,500 - £2,500

Lot 224 MORPHETS Fine Art & Antique Auctioneers since 1895

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WORKS BY BRIAN SHIELDS ‘BRAAQ’ (1951-1997)

WORKS BY BRIAN SHIELDS ‘BRAAQ’ (BRITISH 1951-1997)

Lot 225

Lot 225 ARR BRIAN SHIELDS ‘BRAAQ’ (1951-1997), ‘York Races’, the racecourse with crowded stands and paddock, the riders at full gallop nearing the winning post and braaq playing at jockeys, amongst throngs of people in the enclosure, oil on board, signed ‘braaq ann’ to lower left, 49cm x 63cm. See illustration £45,000 - £50,000

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MORPHETS Fine Art & Antique Auctioneers since 1895

WORKS BY BRIAN SHIELDS ‘BRAAQ’ (1951-1997) Lot 226 ARR BRIAN SHIELDS ‘BRAAQ’ (19511997), Parade with marching band followed by braaq and his dog, the street lined with onlookers, rows of houses, a church and the city beyond, oil on panel, signed ‘braaq 77 Ann’ to lower left, 30cm x 35.5cm. See illustration £14,000 - £16,000

Lot 226

Lot 227 ARR BRIAN SHIELDS ‘BRAAQ’ (19511997), ‘Isn’t It Good When You’ve Got Money’, winter landscape with snow covered fields, braaq sledging with friends, others building a snowman and figures chatting, oil on canvas, signed ‘braaq ann’ to lower left, 45.5cm x 60.5cm. See illustration £16,000 - £18,000

Lot 227

MORPHETS Fine Art & Antique Auctioneers since 1895

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WORKS BY BRIAN SHIELDS ‘BRAAQ’ (1951-1997) Lot 228 ARR BRIAN SHIELDS ‘BRAAQ’ (19511997), ‘John Taylor’s Bric-A-Brac Shop’, busy street scene with figures, the shop and terraced houses, oil on board, signed ‘braaq Ann’ to lower left, 20cm x 25.5cm. See illustration £8,000 - £10,000

Lot 228

Lot 229 ARR BRIAN SHIELDS ‘BRAAQ’’ (19511997), ‘’I’m Telling You Agnes, the Lad Needs Therapy’’, winter landscape at sunset with figures on a frozen lake, a couple in the crowd watching braaq race across the ice on a sledge pulled by two dogs, oil on canvas, signed ‘braaq Ann’ to lower left, 46cm x 61cm. See illustration Provenance: Purchased by the vendor in the 1980s directly from the artist at his home. Bears original label with title £12,000 - £15,000

Lot 229

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MORPHETS Fine Art & Antique Auctioneers since 1895

WORKS BY BRIAN SHIELDS ‘BRAAQ’ (1951-1997) Lot 230 ARR BRIAN SHIELDS ‘BRAAQ’ (19511997), Parkland on the edge of a town with figures, pastel, signed ‘braaq’ to lower left, 23.5cm x 34cm.

See illustration £2,000 - £2,500

Lot 231 ARR BRIAN SHIELDS ‘BRAAQ’ (19511997), Industrial city landscape with river and figures, pastel, signed ‘braaq 79 Ann’ to lower left, 16.5cm x 26.5cm. See illustration £1,000 - £1,500

Lot 230

Lot 232 ARR BRIAN SHIELDS ‘BRAAQ’ (19511997), Braaq and friends snowballing, a pair, pastel, signed braaq to lower left and right, 20cm x 29cm. See illustration £3,000 - £4,000

Lot 231

Lot 232 MORPHETS Fine Art & Antique Auctioneers since 1895

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WORKS BY BRIAN SHIELDS ‘BRAAQ’ (1951-1997)

Lot 233

Lot 234

Lot 233 ARR BRIAN SHIELDS ‘BRAAQ’ (1951-1997), Study of braaq and two pals, pencil and watercolour, signed braaq and dated (19)75 to lower right, 18.5cm x 13.5cm. See illustration £1,500 - £2,500 Lot 234 ARR BRIAN SHIELDS ‘BRAAQ’ (1951-1997), Braaq watching on as a skinhead stands in a dustbin, a younger boy balancing on the handle and grasping the other by the head, pencil and watercolour, signed and dated (19)75 to lower right, 18.5cm x 13.5cm. See illustration £1,500 - £2,500 Lot 235 ARR BRIAN SHIELDS ‘BRAAQ’ (1951-1997), braaq and dog helping to bath two young boys in a tin bath, whilst two more wait their turn, pencil and watercolour, signed and dated (19)75 to lower right, 18.5cm x 13cm. See illustration £1,500 - £2,500 Lot 235

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MORPHETS Fine Art & Antique Auctioneers since 1895

WATERCOLOURS, PASTELS AND DRAWINGS

WATERCOLOURS, PASTELS AND DRAWINGS Lot 236 ARR WILLIAM BARTOL THOMAS (1877-1947), Revesby Abbey, the abbey and gardens, watercolour, signed to lower right, 24cm x 35cm £250 - £300 Lot 237 AFTER PAUL SANDBY (1730-1809) Figure of an artisan, watercolour and pencil, unsigned, 19cm x 12.5cm £275 - £325 Lot 238 MANNER OF THALES AND A.V.COPLEY FIELDING (1793-1837 AND 1787-1855) Barden Towers The Wharfe valley with angler on the river bank, the hunting lodge seen across the valley, watercolour in sepia tones, unsigned, title and attribution to mount, 34cm x 51.5cm £275 - £325

Lot 239 DAVID COX JNR (1809-1885) Mountain Tarn Above Wharfedale, Yorkshire Landscape, on the ridge of moors above Wharfedale and Littondale, watercolour, signed and dated 1842 to lower right, titled verso, 14cm x 24cm £80 - £120

Lot 240 WILLIAM CROUCH (act.1817-1850) Lakeland view, possibly Ullswater, watercolour, unsigned, attribution and date 1836 verso, 9.5cm x 14.5cm £125 - £150

Lot 241 AFTER DAVID COX SNR (19th Century English) On the Moors Above Bettws y Coed, Shepherd on horseback with dog and flock on a moorland pathway, watercolour, bears signature, attribution and title verso, 16.5cm x 23cm £80 - £120

Lot 245 Lot 242 ARR PERCY LANCASTER RI (18781951) Lakeland landscape with shepherd and flock on a fellside, watercolour and pencil, signed to lower right, 34cm x 49cm £175 - £225 Lot 243 G SIMONAU (Belgian 1810-1870), River scene with figures, watercolour, signed and dated 1865 lower right, 23.5cm x 32cm £40 - £60

Lot 244 THOMAS MILES RICHARDSON Jnr, (British 1813-1890), Italian rural landscape with farm buildings and mountains beyond, watercolour, unsigned, numbered ‘24’ to lower right, 23cm x 29.5cm £100 - £150

MORPHETS Fine Art & Antique Auctioneers since 1895

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Lot 245 HENRY BARLOW CARTER (18031867) Fishing boat making for harbour in a storm, watercolour with scratching out, signed and dated 1850 to lower right, 30.5cm x 45.5cm. See illustration £400 - £600

Lot 246 CUTHBERT CROSSLEY (1833-) East Coast fisherman beside a beached rowing boat, watercolour, monogram and dated 1921 to lower right, 20cm x 24.5cm £80 - £120

Lot 247 ARR WILLIAM MILLER FRAZER (Scottish 1864-1961), Fair is the Morn in Flowering May, figures dancing beneath blossom trees, watercolour, signed and dated 1924 to lower left, 27cm x 37cm, Taylor & Brown, George St., Edinburgh gallery label verso £100 - £150

WATERCOLOURS, PASTELS AND DRAWINGS Lot 254 ARR HENRI EDION (AUSTRIAN 19051987), The Letter, watercolour and gouache, signed and dated 1968 to lower right, 37cm x 52cm £200 - £250 Lot 255 ARR PHILIP NAVIASKY (1894-1983), female nude reclining, three-quarter portrait, red conte crayon on buff paper, unsigned, 34cm x 24cm Provenance: Artists’ studio sale; Rodney Kent West Park, Harrogate £75 - £125 Lot 256 ARR ANGUS RANDS (1922-1985), Duck Street, Nidderdale, landscape with wild flowers and Dales longhouse, pastel, signed to lower right, title to artist’s label verso, 30cm x 43cm. See illustration £100 - £150

Lot 252 Lot 248 H*. P*. CLIFFORD (British School, early 20th century), Beach scene with mother and children sitting at the foot of the cliffs, watercolour, signed to lower right, 36cm x 24.5cm £60 - £80 Lot 249 LENNARD LEWIS (1826-1913) Fishing hamlet at dusk, with beached boats, figures and cottages against a mountain backdrop, watercolour, signed and dated 189* to lower left, 23cm x 50cm £60 - £90

Lot 252 ALFRED LEYMAN (1856-1933), Clovelly, village scene with figures, a pair, watercolour, signed to lower left, 40cm x 28cm. See illustration £250 - £350 Lot 253 ARR HENRI EDION (AUSTRIAN 19051987), Two in a Boat, watercolour and gouache, signed and dated 1968 to lower right, 37.5cm x 52.5cm £200 - £250

Lot 257 ARR DAVID ALLEN RSMA (b.1945), Fewston, near Harrogate, with cottages and red telephone box, pastel, signed to lower left, 19.5cm x 27cm £50 - £75 Lot 258 ARR TONY BRUMMEL SMITH, BRITISH (b.1949), Arcades of the Prado, Havana, street scene with figures, watercolour, signed to lower right, 41.5cm x 34cm £60 - £90 Lots 259-260 SPARE LOTS

Lot 250 W* H* PEARSON (fl. 1900) East Coast smacks, in a stiff breeze, watercolour, signed and titled to lower left, 50cm x 31.5cm. £75 - £100 Lot 251 WILMOT PILSBURY (1840-1908) Spring, A Farmhouse, Farmhouse and buildings through trees, with rooks in a field before, watercolour, signed and dated 1896 to lower right, titled and attribution verso, 26cm x 36cm £275 - £325 Lot 256 47

MORPHETS Fine Art & Antique Auctioneers since 1895

PRINTS AND POSTERS

PRINTS AND POSTERS Lot 261 AFTER FRANCIS WHEATLEY (17471813), Cries of London, thirteen stipple engravings by G.Vendramini, Schiavonetti, A.Cardon and Gaugain in ebonised frames, 39.5cm x 28.75cm (12), 40.5 x 31.5cm (1) £50 - £70 Lot 262 ARR BY AND AFTER PAULA REGO (Portugese b.1935), Study of a girl, in profile, sitting on a step, black and white print, signed artist’s proof, limited edition no. 75/75, 37cm x 26cm £200 - £250

Lot 263 ARR BY AND AFTER HENRY MOORE (1898-1986) Lullaby - Sleeping Head (1973) from a series of illustrations based on W.H.Auden’s poem ‘Lullaby’ signed and numbered H.C. 1/X in pencil to the margin, 27cm x 29cm. See illustration

Lot 265 ARR BY AND AFTER CAREL WEIGHT RA (1907-1997), Turner Goes to Heaven, lithograph in colours, limited edition no.19/85, blind stamp, signed and numbered in pencil to the margin, 62cm x 51cm (image), unframed £150 - £200

NB Traditionally H.C., or ‘hors commerce’, graphics would be pulled with the regular edition but were marked by the artist for use in exhibitions or as gifts £400 - £500 Lot 264 ARR BY AND AFTER OLWYN BOWEY RA (b.1936), Victorian Greenhouse, lithograph in colours, limited edition no. 2/140, signed, titled and numbered in pencil to the margin, 51.5cm x 45cm (image), unframed £80 - £120 Lot 266 Lot 266 ARR BY AND AFTER CAREL WEIGHT RA (1907-1997), Running Man, silkscreen in colour, limited edition no. 20/85, signed and numbered in pencil to the margin, 51cm x 51cm, unframed. See illustration £150 - £200 Lot 267 ARR BY AND AFTER NORMAN R HEPPLE RA (1908-1994), Rivals at Low Tide, beach scene, screenprint, limited edition no. 130/185, blind stamp, signed and numbered in pencil to the margin, 55cm x 69cm, unframed £125 - £175 Lot 268 ARR BY AND AFTER NORMAN R HEPPLE RA (1908-1994), Afternoon Catch, beach scene with children, screenprint, limited edition no.

155/195, blind stamp, signed and numbered in pencil to the margin, 51cm x 61cm (image) (unframed) £100 - £150

Lot 263 MORPHETS Fine Art & Antique Auctioneers since 1895

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PRINTS AND POSTERS

Lot 277 Lot 269 ARR BY AND AFTER NORMAN R HEPPLE RA (1908-1994), Shrimping, two children in the shallows, screenprint, limited edition no.

7/285, blind stamp, signed and numbered in pencil to the margin, 32.5cm x 34cm (image) (unframed) £100 - £150 Lot 270 ARR BY AND AFTER HELEN BRADLEY (1900-1979), Oh The Tide Is In, colour print, limited edition no.

342/850, Fine Art Trade Guild blind stamp, signed in pencil to the margin, 36cm x 54cm £100 - £150 Lot 271 ARR BY AND AFTER HELEN BRADLEY (1900-1979), Enchanted Garden, colour print, limited edition no.

667/850, Fine Art Trade Guild stamp, signed in pencil to the margin, 27cm x 37cm £50 - £70 Lot 272 ARR BY AND AFTER HELEN BRADLEY (1900-1979), Going Home, colour print, limited edition no. 645/850, Fine Art Trade Guild stamp, signed in pencil to the margin, 27cm x 37cm £80 - £100

Lot 278 Lot 273 ARR AFTER LAURENCE STEPHEN LOWRY (1887-1976), Viaduct Street Passage, colour print, limited edition no. 738/850, blind stamp, unsigned, 34cm x 23.5cm (plate) £150 - £250

Lot 274 ARR AFTER LAURENCE STEPHEN LOWRY (1887-1976), Salford Street Scene 1928, colour print, limited edition no. 173/850, unsigned, 40cm x 30cm (plate) £150 - £250 Lot 275 ARR AFTER LAURENCE STEPHEN LOWRY (1887-1976), Crowd Around A Cricket Sight Board, colour print, limited edition no. 182/850, Fine Art Trade Guild blind stamp, unsigned, 23.5cm x 76cm (plate) £150 - £250 Lot 276 ARR BY AND AFTER LAURENCE STEPHEN LOWRY (1887-1976), The Level Crossing, Burton on Trent, colour print, limited edition no.

392/850, Fine Art Trade Guild blind stamp, signed in pencil to the margin, 41cm x 57cm (faded) £100 - £150 49

Lot 277 ARR BY AND AFTER RUSKIN SPEAR (1911-1990), At The Circus, silkscreen in colours, limited edition no. 90/140, blind stamp, titled, signed and dated 1989 in pencil to the margin, 75cm x 57.5cm (image) (unframed). See illustration £275 - £350 Lot 278 ARR BY AND AFTER FREDERICK GORE RA (1913-2009), Torrent, silkscreen in colours, limited edition no. 80/125, blind stamp, signed in pencil to the margin, 55cm x 71cm (image) (unframed). See illustration £150 - £200 Lot 279 ARR BY AND AFTER ROBERT BUHLER RA (1916-1989), Dawn-Venice no.

20/140; Winter Piece no. 50/140; 18th Century Viaduct no. 80/140, silkscreen in colour, limited editions, blind stamp, each signed to the margin and one dated 1988, 53cm x 71cm; 51cm x 61cm and 57cm x 71cm (image), unframed (3) £300 - £350

MORPHETS Fine Art & Antique Auctioneers since 1895

PRINTS AND POSTERS

Lot 281 Lot 280 ARR BY AND AFTER ELENA GAUSSEN-MARKS (b.1938), Dinner, Chelsea Arts Club, silkscreen in colours, limited edition no. 2/140, blind stamp, signed, titled and numbered in pencil to the margin, 50cm x 60cm (image), unframed £100 - £150

Lot 281 ARR ROY FAIRCHILD-WOODARD (1953-) Intimacy I and Intimacy II interiors with female figures, a pair, screenprint in colours, titled, no.

291/300 and 146/300 and signed to lower right in pencil to the margin, 39.5cm x 29cm (image). See illustration £125 - £175 Lot 282 E H SPENCER, York, original poster, quad royal, printed for British Railways (North-Eastern Region), Waterlow & Sons Ltd £100 - £150

Lot 283 E H SPENCER, Pictorial Map of Yorkshire by British Railways, original poster, quad royal, printed for British Railways (North Eastern Region) 1959

by The British Colour Printing Co. Ltd together with BOLTON ABBEY, original photographic poster, double royal, printed for BR (NER) by Chromoworks Ltd; and British Isles Network, original poster, quad royal, printed for The British Transport Commission P/1832 by Waterlow & Sons Ltd (3) £70 - £100 Lots 284 & 285 SPARE LOTS

MORPHETS Fine Art & Antique Auctioneers since 1895

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PERIOD AND LATER FURNITURE, CARPETS AND MIRRORS

PERIOD AND LATER FURNITURE, CARPETS AND MIRRORS Lot 286 A KOHLER AND CAMPBELL BLACK LACQUERED BABY GRAND PIANO, No. SKG500S, on square tapered legs with brass castors, 151cm wide x 156cm deep x 103cm high. See illustration £700 - £1,000 Lot 287 A TABRIZ CARPET, NORTH WEST PERSIA, the camel field with a symmetrical design of vines issuing flowers and leaves enclosed by a pale green curling leaf and palmette border, 474cm x 356cm £100 - £200 Lot 288 A 1920s CLEAR AND BLUE GLASS WALL MIRROR, dodecagon, the bevelled glass bordered in blue with facteted glass bosses, 72cm diameter £150 - £180 Lot 289 A REGENCY PARCEL GILT AND EBONISED OVER MANTEL MIRROR, the ball knop-decorated cavetto cornice of inverse breakfront form, above a plaster frieze ornamented with anthemion and other devices and a rectangular mirrored plate, flanked by paterae-headed, spiral turned pillars, 141cm wide x 86cm high £500 - £550 Lot 286 Lot 290 A 19TH CENTURY MAHOGANY BERGERE ARMCHAIR in the Regency manner, with caned back panel, sides and seat (replaced with a panel), padded armrests and loose cushions, the turned and fluted armrest supports and conforming legs with brass caps and castors £450 - £550 Lot 291 A REGENCY MAHOGANY SCROLL END SOFA, having a swept back, show frame and on swept legs with brass caps and castors, 190cm wide.

See illustration £300 - £500 Lot 291 51

MORPHETS Fine Art & Antique Auctioneers since 1895

PERIOD AND LATER FURNITURE, CARPETS AND MIRRORS

Lot 292

Lot 293

Lot 292 AN EARLY 19TH CENTURY MAHOGANY SOFA TABLE, having twin rectangular drop leaves with rounded corners, two frieze drawers with gilt metal rosette and ring handles and opposing dummy drawers, on refectory standards and downswept legs with brass caps and castors, 96cm wide. See illustration £300 - £500 Lot 293 AN EARLY 19TH CENTURY ROSEWOOD CANTERBURY, having four railed divisions, turned finials and uprights, drawer to base with turned handles and on ring turned vase legs with brass caps and castors, 45.5cm wide x 35.5cm deep x 55cm high. See illustration £100 - £150

Lot 294

Lot 294 A GEORGE III DWARF MAHOGANY CHEST, crossbanded and having four graduated drawers with oval brass back plates and swing handles, on shaped bracket feet, 73cm wide x 43cm deep x 71cm high. See illustration £250 - £350

Lot 296 A VICTORIAN ROSEWOOD STOOL, rectangular, having a floral needlework cover above pierced swagged aprons, on cabriole legs, foliate carved to the shoulder and on knurled feet, 47cm wide x 41cm deep x 47cm high £70 - £90

Lot 295 AN EDWARD VII MAHOGANY KETTLE STAND, of square outline having a fretwork gallery above a blind fretwork frieze on square collared splayed legs with pierced angle brackets and joined by a pierced serpentine rising cross stretcher, 31cm square x 68cm high £80 - £120

Lot 297 A 19TH CENTURY MAHOGANY POLE SCREEN IN THE GEORGE III MANNER, the circular section pillar with brass urn finial, supporting an adjustable rectangular framed needlework panel sewn with the crest of Trinity College, Cambridge, the angular arched tripartite base on pad feet, 153.5cm high £100 - £150 Lot 298 A LATE VICTORIAN MAHOGANY SIDE TABLE, the rectangular top above an undershelf with central divider and on turned, tapering circular supports, brass caps and castors, 67cm x 45.5cm x 74.5cm £70 - £100 Lot 299 A MAHOGANY SIDE TABLE OF ADAMS INFLUENCE, having a guilloche rim above a deep apron centred with an oval boss and tablet, on six moulded square tapered legs carved with ribboned pendant harebell and on spade feet, with plate glass top, 183cm wide x 61cm deep x 87cm high. See illustration £300 - £400

Lot 299 MORPHETS Fine Art & Antique Auctioneers since 1895

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PERIOD AND LATER FURNITURE, CARPETS AND MIRRORS Lot 300 A MID 18TH CENTURY MAHOGANY AND CROSSBANDED TOILET MIRROR having a rectangular plate, moulded frame, square section uprights, the base fitted with three concave fronted drawers, on bracket feet, 45cm wide x 63cm £120 - £150 Lot 301 A REGENCY PENWORK GAMES TABLE, the shaped rectangular top with central games board within a border of fantastic beasts, foliate and floral scrolls and other devices, on a vase-shaped circular section pillar and arched quadripartite base, spade feet, 54.5cm wide x 76.5cm high £300 - £400

Lot 304

Lot 302 AN EARLY 19TH CENTURY MAHOGANY SIDE TABLE, having a drawer above an arched apron, flanked by a small drawer to either side, with ebony stringing and brass handles, on square tapered legs, 98cm wide x 52.5cm deep x 76.5cm high £150 - £200 Lot 303 A 19TH CENTURY CONTINENTAL FIGURED MAHOGANY BOOKCASE, having a deep moulded cornice above a single glazed door, the interior fitted with three adjustable shelves, above a drawer and further drawer to the apron on moulded block feet, 109cm wide x 39cm deep x 216cm high £300 - £400 Lot 304 A VICTORIAN WALNUT SETTEE, having an open moulded frame with carved leaf sprays and button upholstered panel to the back and curved arms, foliate carved uprights and on turned legs with brown ceramic castors, 161cm wide. See illustration £300 - £500

Lot 305 Lot 305 A VICTORIAN SATINWOOD AND KINGWOOD CROSSBANDED DESK WITH GILT METAL MOUNTS, the superstructure having an arched centre section above a single door cupboard, the indented panel inset with a ‘Sevres’ style porcelain oval plaque painted with cherubs within a gilt and bleu celeste border, flanked by three drawers to either side with pierced gallery and canted corners with gilt metal foliate mounts, the desk of serpentine outline with two drawers to the swept apron, each inset with a porcelain plaque painted with flowers, on angular cabriole legs with sabots, 139cm wide x 75cm deep x 130cm high. See illustration £1,000 - £1,500 53

MORPHETS Fine Art & Antique Auctioneers since 1895

PERIOD AND LATER FURNITURE, CARPETS AND MIRRORS Lot 306 A VICTORIAN WALNUT ARMCHAIR, having an encircling moulded frame with foliate cresting, pale yellow damask buttoned upholstery to the back, arm pads and bow fronted seat, on turned legs with ceramic castors £200 - £250 Lot 307 A SET OF FOUR MAHOGANY DINING CHAIRS OF HEPPLEWHITE STYLE, each having a hoop back with pierced vase splat carved with Prince of Wales feathers and drapery, upholstered drop in seat, and on square tapered and fluted legs with square feet, comprising carver and three singles, early 20th century £120 - £150 Lot 308 AN EDWARD VII MAHOGANY CHEVAL MIRROR, with satinwood line inlay, having an oval glass, on turned uprights joined by stretchers on square section refectory standards, 160cm high x 67cm wide £250 - £300 Lot 309 A LATE VICTORIAN ROSEWOOD AND SATINWOOD INLAID DISPLAY CABINET, the raised back having an arched cresting with urn finials, moulded cornice and inlaid tablet to the frieze above a bevelled mirror, flanked by a two door cupboard with spindle gallery and drawer below to either side, on reeded uprights, the semi-bow front lower section fitted with a drawer above a two door cupboard inlaid with formal scrolling foliate panels, flanked by a glazed bow front cupboard and quadrant drawer to either side, on square tapered legs, 136cm wide x 56cm deep x 193cm high. See illustration £400 - £600

Lot 309 Lot 310 A LATE 19TH CENTURY AESTHETIC MOVEMENT EBONISED AND AMBOYNA BOW FRONTED CORNER CHAIR, the encircling frame incised and gilt with stringing, stylised harebells and simple scrolls, open arms, having a floral cut velvet button upholstered back, arm pads and seat, on five turned legs with black ceramic castors, 108cm wide x 94cm high £200 - £250

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Lot 311 A LATE 19TH CENTURY AESTHETIC MOVEMENT EBONISED AND GILT DAVENPORT having a spindle gallery and hinged lid to the stationery compartment, fall front with incised writing surface, the interior lined in satinwood, fitted with four drawers and four opposing dummy drawers incised and gilt tied leaf scrolls to the twin indented front panels, turned uprights, on castors, 60.5cm wide x 56cm deep x 86cm high £150 - £200

PERIOD AND LATER FURNITURE, CARPETS AND MIRRORS

Lot 313

Lot 314 Lot 316 A SET OF SIX OAK STOOLS, of mid 17th century style, having upholstered seats on turned and moulded legs joined by plain stretchers. See illustration £300 - £400

Lot 312 A VICTORIAN OAK ‘WIND-OUT’ EXTENDING DINING TABLE, rectangular with rounded corners, with three leaves and on turned legs with brass caps and ceramic castors, 300cm long x 128.5cm wide £600 - £700 Lot 313 AN EARLY 18TH CENTURY OAK CHEST OF DRAWERS, having a planked top with moulded edge, above four twin-indented panel and moulded drawers with later brass back plates and swing handles, indented side panels and on stile feet, 98cm wide x 54cm deep x 90cm high. See illustration £300 - £400

Lot 315 Lot 315 AN 18TH CENTURY JOINED OAK DOUGH BIN, having a flanked top with moulded edge, the interior divided, on baluster turned legs, joined by plain stretchers, on turned feet, 122cm wide x 46cm deep x 75cm high £200 - £300

Lot 314 A LATE 17TH CENTURY OAK JOINED CHEST, having a quadruple indented panel top above a twin indented panel front and sides, moulded muntins and rails on stile feet, 95cm wide x 52cm deep x 64cm high. See illustration £300 - £400 Lot 316

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Lot 317 A 19TH CENTURY ELM LODGING BOX, rectangular, having brass swing side carrying handles and on oval escutcheon, 65cm wide x 43cm deep x 39cm high £150 - £200 Lot 318 A LATE 18TH CENTURY OAK CORNER HANGING CUPBOARD, having a moulded cornice above a single indented panel door, the interior fitted with two shaped shelves, 73cm wide x 90cm high £100 - £150 Lot 319 A LATE 18TH CENTURY OAK LODGING BOX having a planked top, with brass escutcheons and swing handles, on shaped plinth base, 119cm wide x 59.5cm deep x 49.5cm high £200 - £250

MORPHETS Fine Art & Antique Auctioneers since 1895

PERIOD AND LATER FURNITURE, CARPETS AND MIRRORS

Lot 324 Lot 320 A LATE 18TH CENTURY OAK BOX on shaped bracket feet, 61.5cm wide x 36.5cm deep x 31.5cm high £200 - £250 Lot 321 AN EARLY 19TH CENTURY ELM SPINDLE BACK RUSH SEATED SINGLE CHAIR on rounded legs joined by turned stretchers £80 - £120

Lot 324 A THOMPSON OF KILBURN ‘MOUSEMAN’ OAK ‘L’ SHAPE DESK, having a raised ledge back, adzed surface, four graduated drawers to the right pedestal and a two door indented panel cupboard to the left pedestal, iron circular hinges and loop handles, indented panels to the back and sides, on plinth base, carved in low relief with mouse, 204cm wide x 146cm deep x 76.5cm high. See illustration £1,000 - £1,500

Lot 322 A 19TH CENTURY OAK AND MAHOGANY BANDED HANGING CORNER CUPBOARD, having a moulded cornice above a single indented panel door, the interior fitted with four shelves, brass escutcheon, 69.5cm wide x 94cm high £100 - £150 Lot 323 A LATE 18TH CENTURY OAK WALL RACK, having a moulded cornice above a shaped frieze and three open shelves, flanked by four small shelves to either side, 140cm wide x 108cm high £175 - £225 Lot 325

MORPHETS Fine Art & Antique Auctioneers since 1895

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PERIOD AND LATER FURNITURE, CARPETS AND MIRRORS

Lot 326 Lot 325 A PAIR OF THOMPSON OF KILBURN ‘MOUSEMAN’ OAK ARMCHAIRS, each having a rectangular leather slung back, full side panels to the arms, leather seat cushion, and on square legs, carved in relief with a mouse, 113cm high. See illustration £700 - £1,000

Lot 326 DAVID HICKS, c.1970s, A set of eight open armchairs of Adam influence, the encircling frame of cream finish highlighted in red, the oval backs, arm pads and serpentine seats close nail upholstered in fox-red leather, fluted seat rail and square tapered legs with collars. See illustration £800 - £1,200

Lot 327 PIEFF OF WORCESTER, c.1970, A pair of chrome tubular framed armchairs with brown leather buttoned seat and back cushions, and arm pads.

See illustration £150 - £200

Post War Design: Furniture NB: The items of furniture offered in this sale were either not originally intended for use in a private home or will be sold as a Work of Art. It may be that these items do not comply with the Fire and Furnishings (Fire) Safety Regulations Act of 1988 and for this reason should not be used in a private home.

Lot 327 57

MORPHETS Fine Art & Antique Auctioneers since 1895

PERIOD AND LATER FURNITURE, CARPETS AND MIRRORS

Lot 328 ELAMISEN ILOSKI VILKA, NORWAY, a dark stained birch veneer sectional wall unit comprising: five horizontal slatted panels; 85cm wide x 203cm (4) 55cm x 203cm (1) , nine double drawer modules with linear incised fronts with curved integral handles, one with drop front; sixteen hanging shelves £500 - £700

Lot 328

MORPHETS Fine Art & Antique Auctioneers since 1895

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MORPHETS MORPHETS FINE ART AUCTIONEERS & VALUERS SINCE 1895

FINE ART AUCTIONEERS & VALUERS SINCE 1895

Springbank 1966 Sold in 2014 for £1,300

Henry Moore, Reclining Figure Sold in 2014 for £38,000

Fine Wine, Vintage Port and Whisky An evening sale Wednesday 3rd December 2014

Fine Art and Antiques Thursday 4th December 2014

Entries are invited now and until the deadline of 31st October 2014 For further information regarding this sale please contact John Phillips on 01423 530030

Entries are invited now and until the deadline of 7th November 2014 For further information regarding this sale please contact Liz Pepper-Darling on 01423 530030

Conditions of Sale Morphets carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as my be referred to herein.

1. DEFINITIONS In these Conditions: (a) “auctioneer” means the firm of Morphets or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Morphets accepts instructions from sellers or their agent; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid. (b) The maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneers sole discretion.

4. THE PURCHASE PRICE The buyer shall; pay the hammer price together with a premium thereon of 15% plus VAT on the premium at the rate imposed by law. Any bids made via www.the-saleroom.com live auction service will be subject to an additional 3% commission on the hammer price.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position).

6. PAYMENT (1) Immediately a Lot is sold you will; (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us.

(2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any direction of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than two working days following the day of auction after which you shall be responsible for any removal, storage and insurance charges.

(3) No purchase can be claimed or removed until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we as agent for the seller shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise all or any of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere;

(e) to charge interest at a rate not exceeding 2% above Barclay's Bank P.L.C. base rate per day on the total amount due to the extent it remains unpaid for more than two working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted. (h) to apply any proceeds of sale or other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien on any of your property in our posession for any purpose.

9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any neglect or default in so doing or failing to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

any sale and prospective buyers must satisfy themselves as to all such matters. Neither the auctioneer nor its employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of Lots, expressed, implied or statutory are hereby excluded.

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the proceeding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium (but not the amount of any consequential loss, damages, expenses or interest) provided that; (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

17. Any idemnity or exclusion under these Conditions shall extend to all actions, costs, expenses, claims and demands whatsoever suffered or incurred by the person entitled to the benefit of it and the auctioneer declares itself to be a trustee of the benefit of every such clause so far as it is expressed to be for the benefit of its employees and agents.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

13. TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulation of these Conditions in their entirety and on the Terms of Consignments as notified to the consignor at the time of the entry of the Lot.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing within the catalogue.

14. DESCRIPTIONS (1) Subject to the next following Condition concerning deliberate forgeries, any representation or statement by us in any catalogue as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price is a statement of opinion only. Prospective buyers are given ample opportunities to view and inspect before

20. Any indulgence extended to buyers or sellers by us notwithstanding the strict terms of these conditions or of the Terms of Consignment shall effect the position at the relevant time only and in respect of that particular concession only; in all other respects these conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Condition

MORPHETS FINE ART AUCTIONEERS & VALUERS SINCE 1895

Catalogue Subscription Form Illustrated catalogues are available on subscription, postage free, for the programme of Quarterly Fine Art and Antique Auctions at £28 per annum, for the Bi-Annual Fine Wine Sales at £10 per annum and for both sales at £25 per annum.

Overseas subscriptions - Quarterly Fine Art and Antique Auctions at £38 per annum and Bi-Annual Fine Wine Sales at £15 per annum

Catalogue Subscription Form Please complete in CAPITALS Name: (Mr/Mrs/Miss/Ms)

Initials:

Surname:

Address: (in full)

Postcode:

Telephone:

I enclose remittance of £

Signed:

Fax:

Tick as applicable ( ) Fine Art ( ) Fine Wine ( ) Both

Date:

NOTES

63

MORPHETS Fine Art & Antique Auctioneers since 1895

MORPHETS

Commision Bids The Auctioneers will be pleased to execute commissions for purchasers who are unable to attend the sale. This service is free and confidential.

FINE ART AUCTIONEERS & VALUERS SINCE 1895

Auction Date: 11th September 2014

l The commission bid form should

be completed and handed in or sent in prior to the day of the sale.

Lot No.

Description

Limit of Price

l Your bids will be executed at the

lowest amount that reserves and other bids allow.

l All bids left are excluding Buyers Premium and VAT which will be added to your invoice. l If we receive more than one bid of the same amount then the bid that was received first will take precedence. l It is the responsibility of the purchaser to ascertain whether bids have been successful.

l Successful bids should be paid for and removed in accordance with our Terms and Conditions.

Please note: Email bids will not be accepted after 9:00am on the morning of the sale.

the-saleroom.com Morphets also offer an online bidding service via www.the-saleroom.com Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 3% of the hammer price plus VAT at the rate imposed

Salerooms & Offices 6 Albert Street, Harrogate, North Yorkshire HG1 1JL Tel: 01423 530030 Fax: 01423 500717 E-mail: bids@morphets.co.uk For Office Use Only

Please complete name and address section below Name: Address (in full):

Received

Date:

Tel. No.:

Time: By:

E-mail address:

Entered

Date:

Signed:

Date:

Time: By: Bid No:

Members of the Society

of Fine Art Auctioneers.

Lot 204

MORPHETS FINE ART AUCTIONEERS & VALUERS SINCE 1895

SALEROOM AND OFFICES 6 Albert Street, Harrogate HG1 1JL Tel: 01423 530030 Fax: 01423 500717 e-mail: enquiries@morphets.co.uk