FINE & DECORATIVE ARTS Friday 12th & Saturday 13th July 2019
FINE AND DECORATIVE ARTS To be held at: Davies House, Davies Road, Evesham, Worcestershire WR11 1YZ
FRIDAY 12TH AND SATURDAY 13TH JULY 2019 Viewing Wednesday 10th July - 10.00am to 5.00pm Thursday 11th July - 10.00am to 7.00pm
Day of the Sale The auction is scheduled to start at 10.00am. Bids will only be accepted from registered bidders. Please ensure you obtain a paddle number on arrival. You will need to be registered before the sale.
SPECIALISTS
Gary Orme
George Kingham
John Keightley
Ally White - Photography
Live internet bidding is available on www.the-saleroom.com, www.invaluable.com, and www.easyliveauction.com together with fully illustrated catalogue. Catalogue £10.00 (£12.00 by post)
Kingham & Orme Auction eers Ltd ( Collection A ddre ss) Davies House, Davies Road, Evesham, Worcestershire, WR11 1YZ NB. Please telephone to arrange collection. Telephone: 01386 244224 Mobile: 07973 207096 / 07976 919836 Email: enquiries@kinghamandorme.com Website: www.kinghamandorme.com
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MAP AND DIRECTIONS Our auction site is based in the market town of Evesham just north of the Cotswolds. By Car We are centrally located in reach of motorways the M5, M4, M40, M42, a short way from the A44
By Rail Evesham’s train station is less than two miles from the auction site
By Plane The nearest International Airports are Birmingham, 45 miles and Heathrow, 90 miles
DELIVERY SERVICES FOR BUYERS For Furniture: Stephen Morris Shipping PLC, 9 Ockham Drive Greenford, London, UB6 0FD Tel: 02088 322222 For Paintings: Aardvark Art Services Ltd Telephone: 01253 794673 Email: info@aardvarkartservices.com For Small Items: Mailboxes, Cheltenham Branch Tel: 01242 530130 Email: info@mbecheltenham.co.uk We also offer an in-house packing service for small items. Please call 01386 244224 for a quotation.
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USEFUL INFORMATION FOR BUYERS Please see full Terms and Conditions at the back of this catalogue.
Buying at Kingham & Orme Auctioneers Ltd:
Buyer’s Premium
There are several ways you can bid at our auctions; in person, by leaving a commission bid, on the telephone and live via the internet.
There is a buyer’s premium of 20% plus VAT on the first £200,000 of the hammer price of each lot. 15% plus VAT on the excess of £200,001 and up to £1,000,000 of the hammer price of each lot, and 12% plus VAT on the excess of £1,000,001 of the hammer price of each lot.
Bidding in Person It is essential that all prospective buyers register with us prior to the auction. Proof of identification will be required in order for a bidding number to be allocated which can then be used when bidding for an item.
Commission Bids Kingham & Orme will execute bids if you are unable to attend the sale. Bids can be left with our staff afterer/during viewing, or in advance by telephone or e-mail: enquiries@kinghamandorme.com
Telephone Bids Lines should be booked by 5pm the day before the auction begins. Lines are booked on a first come first served basis. Full name, address and telephone numbers will be required together with proof of identity. Banl and/or credit/debit card details are necessary to secure the line.
Live Internet Bidding Register online via the saleroom.com, invaluable.com and easyliveauctions.com. Various charges apply, please check with your bidding platform.
Condition Bidders must satisfy themselves as to the condition of each lot. Condition reports are available on request. (no later that 48 hours before the sale).
Payment Must be made in full before items can be removed from the premises. If buyers are unknown to us, we cannot handover purchase until payment has been cleared. Payment Methods - We accept payment by: • Cash - up to £9,000 (subject to money laundering regulations). • Cheques - following 5 working days clearance. • Debit/Credit Cards - American Express or Diners Club not accepted. We accept maxiumum payments of £500 on credit card. • Bank transfer to: HSBC Bank, 32 Bridge St., Evesham, WR11 4RU Account No.: 51655345 Account Name: Kingham & Orme Auctioneers Ltd Sort Code: 40-20-27 IBAN: GB91MIDL40202751655345 SWIFTBIC: MIDLGB22 Please note that a fee of £15 will be added for international bank payments.
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CONTENTS DAY ONE Oriental
1 – 67
Works of Art
68 – 122
Metalware
123 – 210
Clocks
211 – 217
Furniture
218 – 254
Wine
255 – 266
Pictures
267 – 390
Glass
391 – 448
DAY TWO Militaria and Coins
449 – 469
Silver
470 – 586
Jewellery and Watches
587 – 636
Continental Ceramics
637 – 710
Moorcroft
711 – 745
Doulton Lambeth and Art Pottery
746 – 879
Studio Pottery
880 – 886
British Ceramics
887 – 991
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DAY ONE ORIENTAL 1. A large Chinese Export Famille Verte 棠尊 Haitangzun Lobed Vase / Begonia-shaped vase, lobed sections with a
concave neck and an everted floral rim standing on a low flaring foot, decorated in bright polychrome colours on a white ground with oriental ladies in a landscape, indistinct red mark to base, 58cm high £100 - £200
2. A Chinese famille rose teapot, 18th century, squat ovoid form with relief moulded reeding, twisted wire handles, painted with birds in flowering branches and over waves, 13.5cm £40 - £60
7.
7
A Chinese blue and white Wanli vase, square section twin £600 - £800
handled baluster form, 21.5cm high
3.
3
A pair of Chinese famille rose vases, shouldered form with lizard moulded necks and dog handles, painted with panels of figures alternating with floral and bird decoration, 36cm high (2) £600 - £800
4. A large Chinese famille rose baluster temple jar and cover, Yongzheng style, 19th century or earlier, celadon ground,
enamelled with two quail on a rocky chrysanthemums and bamboo, 41cm high
outcrop
with
Provenance: Christie’s, London, Asian Art, 23rd March 2006, lot 2112 £800 - £1200
5. A large Chinese famille rose vase, shouldered form, relief moulded lizards to the neck and dog handles, painted with panels of alternating interior scenes and floral and bird decoration, in a gilt and green foliate scroll ground, 61cm high £600 - £800 6.
A large Japanese Satsuma style charger, Meiji, circa 1880, geometric cartouches, 38cm diameter £30 - £50
8.
8
A Chinese blue and white moonflask, Kangxi mark, four handles, painted with watery landscape to one side, the reverse with a poem, 22cm high £30 - £50
9. A Chinese blue and white ginger jar, stencilled foliate scroll and geometric block design, 24.5cm high £40 - £70
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
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16.
A Chinese famille rose bowl, 18th century, Qianlong, blue seal mark, 12.5cm diameter £50 - £80
17.
A Chinese flambe bowl, Qing, rounded footed form with incised band to the rim, 16cm diameter £80 - £120
18.
A Chinese blue and white bowl,
late Ming, together with a Kangxi saucer, the bowl with floral decoration to the exterior and a central bouquet to the interior, 14.5cm diameter (2)£80 - £120
10
10. A Chinese blue and white brush pot, Guangxu mark and of the period,
painted in the round with a watery landscape, six character mark, 11cm high, 10cm diameter £80 - £120
19. Three Oriental porcelain chargers, including two Japanese Imari
plates and a famille rose example, 37cm diameter (3) £230 - £300
21
21. A pair of Chinese famille rose 19th century Cantonese, vases,
shouldered form, decorated with panels of figures in domestic scenes, 26cm high (2) £50 - £80
22. A Chinese blue and white ginger jar, ovoid form, together with a cylindrical pot, 15.5cm high (2) £40 - £70
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11. A Chinese blue and white ginger jar, probably Qianlong or later, painted
with birds in a tree, double blue ring mark, 17cm high £80 - £120
12. A Japanese Imari plate, Meiji, double scalloped rosette form with geometric panels and floral specimens, six character blue mark, 18.5cm diameter
23
23. A pair of Japanese porcelain vases, probably 18th century, acorn
£30 - £50
13. A Japanese Satsuma box and cover, Meiji, hexagonal form, decorated
with mountain garden scene with bridge and figures, gilt marks, 11cm diameter £40 - £70
14. A Chinese Blanc de Chine figure of Guanyin, 18th century, 29cm high £60 - £80
15.
A Chinese famille rose plate, in the Madame de Pompadour pattern, circa 1750, Rococo style cartouches, 23cm diameter £50 - £80
20
knopped globe and shaft form, the lower half of the body in lustre glaze with craquelure band below blue and white lappets and borders, 26cm high
century Cantonese, converted to a lamp, lizard moulded neck and dog handles, painted with alternating panels, 30cm high £60 - £100
24. An Oriental novelty articulated porcelain figure of a boy, the head and tongue moving, 9cm long £30 - £40
20.
A Chinese famille rose vase, 19th
£100 - £200
25. A Chinese celadon double gourd vase, relief moulded with floral design, 22cm high £30 - £50 26. A pair of Chinese Tang style figures, 19th century, polychrome
decorated and modelled as court figures holding gifts, standing on lotus flower plinths, 59cm high (2) £200 - £300
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
7 32.
λ A 19th century Chinese ivory figure, modelled as an £600 - £700
Elder with peony and staff, 31cm long
27 27.
A pair of large Japanese Satsuma vases, Meiji, shouldered form, painted with panels of figures in stormy lakeside, temple and mountain landscapes, within geometric raised gilt tiled grounds, 60cm high (2) £500 - £800
28. A pair of Japanese famille rose vases, 19th century, in the Chinese Qianlong style, inverse baluster form, lidded, with panels of figures in landscapes, six character red mark, 39cm high (2) £100 - £200
29.
A Chinese export blue and white plate, 18th century, painted with a watery landscape, possibly Nanking Cargo, 28.5cm diameter £50 - £80
30. A 19th century Oriental carved ivory box, cylindrical form, the lid with an entwined dragon in low relief, 6.5cm diameter £30 - £50
33
λ A 19th century Japanese ivory okimono, Meiji, modelled as a man with basket and a dog under, 19cm high
33. 34.
£400 - £600
A Chinese cinnabar lacquer enamel box, with decorated £40 - £70
lid depicting flowers, diameter 6.5cm
35. A Chinese hardwood stand, reticulated foliate friezes between low relief scrolled legs, 42.5cm wide, 19cm deep, 11.5cm high £80 - £120
36. λ A 19th century Japanese Shibayama skull, Meiji, carved and applied with mother of pearl, abalone and horn insects, signed, 6cm high £400 - £600
37. A Japanese Shibayama lacquer tray, decorated with an elder and children in a garden landscape, highlighted in mother of pearl and ivory, relief moulded and tooled maki-e detailing, 51.5cm x 70.5cm £200 - £300
31.
31
A collection of Chinese mother of pearl gaming counters,
18th or 19th century, various shapes, some reticulated, engraved £20 - £40 with foliate and figural scenes (approx. 18)
38.
38
A 19th century carved bone necklace, the pierced £30 - £40
pendant with central flower, 72cm long
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
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40
45
λ A 19th century Japanese ivory okimono, Meiji, reticulated and modelled as two men pruning a bonsai tree, 8cm long £80 - £120
39.
40. λ A 19th century Indian ivory figure of Saraswati, the Hindu deity, modelled playing the sitar, with peacock and foliate arcade, 20cm high £400 - £600 41.
λ A 19th century Japanese ivory netsuke, Meiji, modelled £80 - £120
as an elderly man with deer, 3.5cm long
λ A 19th century Japanese ivory match box, Meiji, the hinged lid etched in bas relief with a monkey, opening to reveal a two section interior, 9cm long, 3cm wide, 1.5cm deep 42.
£30 - £50
λ A 19th century Japanese ivory okimono, modelled as a sitting Buddha, together with a Chinese fork, 14cm long (2)
43.
£40 - £70
λ A 19th century Japanese ivory netsuke, Meiji, modelled as a figure group with man and horned imps, 5cm £80 - £120
44.
45.
λ A 19th century Japanese ivory okimono, Meiji, £700 - £900
modelled as a boy on a horse with old man, 22cm high 46.
λ A pair of 19th century Japanese ivory figures, Meiji, £300 - £500
each with three Samurai, 16.5cm high (2)
47
47. A Chinese bronze Gu vase, Xuande mark, cast with zoomorphic and geometric bands, raised fins, 18cm high 48.
£100 - £200
λ A 19th century Japanese ivory netsuke, Meiji, modelled £80 - £120
as a sleeping man, 6cm long
λ A 19th century Japanese carved ivory scribes box, the lid decorated in gilt with lanterns and bamboo, with internal tray, 4cm x 3.5cm £20 - £40
49.
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
9 50.
λ A 19th century Japanese carved ivory okimono, Meiji, £80 - £120
modelled as a sitting man with temple and bowl, 4cm
51. λ A 19th century Chinese carved ivory puzzle ball on stand, reticulated cylindrical pedestal with prunus and birds, 15cm high £40 - £60 52.
λ A 19th century Japanese carved ivory netsuke, Meiji, £80 - £120
modelled as a cat and rat, 4cm long
52
53.
λ A 19th century Japanese carved ivory shoe horn, the £20 - £40
handle with knotty flowering trunk, 19cm long
54. Two Chinese emboidered panels, including a robe sleeve panel with dragon and waves, 20cm x 56cm and 22cm x 23cm, framed (2) £80 - £120 55.
A Japanese bronze figure of a partridge, Meiji, realistically modelled, highlighted in gilt, signed, 17cm long £100 - £200
λ A 19th century Japanese ivory okimono, Meiji, modelled as a gardener with vegetable, 11cm high £20 - £40
56.
55
57.
8cm
56
57
A Chinese jade carving of a boy on the back of a dragon, £400 - £600
58. A large Chinese enamelled basin, Qianlong, blue with bat and dragon border, interlocking ruyi head and foliate scroll wreaths with key and trefoil bands, together with an enamel tea bowl, 34.5cm diameter (2) £80 - £120
59. λ A 19th century Japanese ivory and bamboo inro, the reticulated top decorated with birds in trees, the shaped body carved in relief with figural roundels, 7cm long £60 - £80 60.
A Chinese carved stone Buddha, agate, modelled £40 - £70
reclining, on a wooden plinth, 16cm
59
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
10 61.
λ A 19th century Japanese ivory okimono, Meiji, modelled as a man playing £800 - £1200
the drums, on wooden base, 17cm high
62. λ A magnificent and fine Chinese Canton export carved ivory brisé fan late 18th / early 19th century, 十八世紀 象牙鏤雕扇, the guardsticks each carved in
relief with four of the eight immortals, the reverse of each with Chinese warriors and birds, the twenty-two sticks carved to one side in relief with numerous oriental figures, scholars and possibly an emperor in a formal garden / palace setting, the upper sticks carved with individual Chinese figures in various pursuits, to the centre is a monogram of the original owner, boxed, length 19cm £500 - £800
63.
λ A fine large Chinese Canton carved ivory Baronial cockade export fan,
64.
An African tribal basket, woven geometric design, 30cm high £100 - £150
late 18th / early 19th century, 十八世紀 象牙鏤雕扇, carved and pierced recto only with floral swags and birds, the central oval cartouche with a baronial crown and monogram of the original owner, two further cartouches, one to each side with pagodas and ships, the handles finely carved with flowers and cartouches of oriental £4000 - £6000 scenes, circa 1800, diameter 38cm, the guardsticks 37cm 65.
A large Persian rug, red field floral motifs with ogee lozenge cartouches, £100 - £150
302cm x 190cm 66.
A tribal rug, Afghan, three interlinked lozenges on a red field, 200cm x £70 - £100
130cm 67.
A tribal rug, Afghan, five lozenge centre within red borders, on a blue field, £80 - £120
61
220cm x 126cm
63
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
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WORKS OF ART
77, 78, 76, 75 and 79 68.
Three 19th century card cases, including Dieppe carved ivory concertina pocket form with relief carved image of Cupid, together with Indian bone and cut steel, 10.5cm x 8cm (3) £30 - £50
76.
A 19th century carved wood snuff box, in the form of a shoe, relief moulded buckle and thumbpiece to the lid in carved bone, 9.5cm long £100 - £150 77. A 19th century carved wood snuff box, in the form of a shoe, rosewood, with brass studding and slide lid, steel heel and toe, 9.5cm long £100 - £150 78.
A 19th century carved wood snuff box, in the form of a £80 - £120
shoe, slide lid, with metal studding, 9cm long
79. A 19th century carved wood snuff box, in the form of a shoe, carved slide lid with diaper detailing, the buckle inlaid as bone, 10cm long £80 - £120
80.
A 19th century taxidermy goat kid, in glazed case, 52cm £150 - £200
x 70cm
81.
69
69.
An 18th or early 19th century tunred treen pedestal bowl,
70.
A 19th century treen pie mould, carved and turned £40 - £60
James Lock and Co., a black bowler hat, approx 54cm £30 - £50
inner circumference, 19.5cm x 15cm
shallow dish form with everted rim on conical foot, 27cm £100 - £200 diameter
fruitwood, 15cm high, 12cm diameter
71. A Victorian rosewood tea caddy, domed casket form, with gilt brass straps, the interior with two compartments labelled Green and Black, 21.5cm wide, 16.5cm high, 11.5cm deep £200 - £300
72. An Edwardian novelty brass letter rack, two section with cast owl, set with purple cabochon back, 10cm high £100 - £150
73. A Victorian leather bound gun case, the carcass covered in tooled leather, with brass corners and stencilled initials W.A.L., the felt lined interior with different compartments and silver plated oil bottle and cartridge belt, label on inside, 82cm wide, 9cm high, 22cm deep £100 - £150 74.
A collection of early 20th century postcards, Jenny Harbour etc, £60 - £80 75.
A 19th century carved wood snuff box, in the form of a
shoe, the slide lid set with horn roundels, the buckle carved in bone, 9.5cm long £100 - £150
82
82.
A 19th century scrimshaw tooth carving, stipple engraved with man and woman, the reverse with a longboat, 12.5cm long
83.
£200 - £400
A Modernist African carved hardwood figure, modelled £20 - £40
as a water carrier, 39cm high
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
12 84. Two 19th century portraits on ivory of a gentleman in profile and head on, individually framed, together with a portrait of a woman, 7.5cm x 6cm (3) £70 - £100 85. A 19th century Silhouette of a gentleman, together with a collection of Baxter prints, framed, Silhouette 10cm x 8.5cm £30 - £50
92.
Liberty and Co., Dress Decoration, catalogue circa 1905, London: Alabaster Passmore and Sons, with coloured plates by H E Howarth £200 - £250
93. Two books depicting a selection of paintings by Kenneth Burton, The County of Gloucestershire and The County of
Worcestershire, part of a series called Counties of Great Britain, limited edition signed and numbered 187/250 and 173/250 (2) £20 - £30
86
86.
Two 19th century Silhouettes, a man and a woman, in profile, one coloured, 8.5cm x 7cm, framed (2) £40 - £60
87. A Victorian two tier mahogany bobbin stand, circa 1870, with brass pin bobbin holders, turned, surmounted by a velvet cushion, 17.5cm high £80 - £120 88.
A 19th century sycamore dairy bowl, turned and incised banding, 37cm diameter £50 - £80
94
94. A 19th century mahogany and satinwood strung novelty jewellery box, in the form of a harpsichord, the hinged lid
opening to reveal a padded interior with mirror, 29.5cm long, 17cm high, 19.5cm deep £200 - £300
95.
A George III gesso looking glass, circa 1790, the oval mirror within a Neoclassical fluted and beaded frame, surmounted by a flaming urn and laurel husk garlands, highlighted in gilt, 66cm x 73cm £80 - £120
89.
89
A 19th century American two tier mahogany workbox,
New York, circa 1875, the lower section with single drawer and pointed finials to each corner, below a bobbin casket with bone trimmed thread holes, surmounted with a pin cushion, 17cm wide, 18cm high, 13cm deep Note: see Thompson, H. L. American Sewing Tools and Trinkets, Vol. 1 p.82 and Vol. 2 p.12, and the front cover illustration of Ronningen, D. C. 2018, Antique American Needlework Tools, for similar examples £120 - £180 90.
A Victorian brass mounted bookslide, set with floral prints £20 - £40
to each end, 33cm long 91.
Dr Friedrich S Krauss, two Art Nouveau bound books,
Streifzuge im Reiche der Frauenschonheit and Die Anmut des £80 - £100 Frauenleibes, cloth bound
96
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
13
105
106
109
96. A 19th century Limoges enamelled and ormolu jewellery box, ovoid acorn form, painted with bindweed, highlighted in gilt,
supported on a three legged hoof and acanthus base, the hinged lid opening to reveal a silk lined interior, 23cm high £80 - £120
97.
A Bilston type enamelled box, in the form of an egg, painted with Dutch village and landscape scenes, 7.5cm long £200 - £300
98.
A 17th century or later carved oak bracket, modelled as the head of Charles I with Renaissance foliate and fruit motifs, 16.5cm long £40 - £70 99.
Four 18th century wooden bowling balls, carved lignum £100 - £150
vitae, 13cm diameter (4)
100. Three boxes of Victorian ivory billiard balls, boxed (9) £200 - £400
101. A French tailors model mannequin, late 19th century, inscribed Paris, 77cm high £50 - £100
102. A Victorian writing slope stationery box, oiled cloth, three fold mechanism with Moroccan leather interior, compartmentalised and pigeon holed with page turner and porcelain note plaques, brass handle to the lid, 36cm wide, 13cm high, 27cm deep £80 - £120
103. A Victorian rosewood and mother of pearl inlaid writing slope, 40cm wide, 13cm high, 24cm deep £30 - £50 104. Spinario or Boy with Thorn, bronze sculpture, after the
original Ancient Greek and later Roman examples, on green marble plinth, 33cm high £200 - £300
105. 19th Century School, Ice Skater Preparing, bronze sculpture, on red marble plinth, 19cm high £80 - £120
106. After Lysippos, Seated Hermes, 19th century bronze sculpture, after the original Classical example, 20cm high £150 - £180
107
107. λ Louis Sosson, an Art Deco ivory figure of a bather, circa £100 - £200
1930, on alabaster plinth, signed, 11.5cm high
108. An Art Deco cold painted figure of a dancer, circa 1930, £100 - £200
on alabaster socle plinth, 33.5cm high
109. Alexandre Ouline, Diana, an Art Deco bronzed figure,
circa 1930, modelled as a nude woman with bow, on black marble and onyx base, signed Oudine, 47.5cm long £200 - £300
110. Dorsane, an Art Deco bronzed and ivorine figure of Spanish dancers, on marble base, signed, 48cm long £200 - £300
111. An Art Deco cold painted figural lamp, circa 1930,
modelled as a cabaret singer, with white Perspex plate, on alabaster base, 38cm high £200 - £300
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
14 116. Demetre Chiparus, Oriental Dancer, an Art Deco patinated bronze and ivory figure, circa 1925, on onyx and £10000 - £15000
agate angled pyramidal plinth, signed, 31cm high
117
117. Victor Silvestre, Jeune Femme au Cabri, bronze, circa
1930, signed, foundry mark for Susse Fres Editions, Paris, 41cm long 15.5cm high £400 - £600
112
112. Ludwig Vordermayer, Die Sanelbinderin, bronze figure,
118. An Art Deco desk set, French circa 1930s, in macassar and ivory, re-polished, comprising mail holder, envelope opener, inkwells, stamper etc £200 - £300
circa 1900, signed and foundry mark, Gladenbeck, Berlin, on £400 - £600 black marble base, 33cm high
113
119
113. Max Le Verrier, a pair of Art Deco bronze bookends,
119. Jens Quistgaard for Dansk Design, a teak ice bucket,
114. R Rochard, an Art Deco figure group of deer, gold
120. A pair of red push and pull glass door handles, possibly Murano, Italian circa 1960s, of rectangular form with metal mounts and chrome fittings (2) £250 - £350
circa 1925, modelled as reclining nude women, signed Janle, £200 - £400 18.5cm high, 16.5cm long (2) £80 - £120
coloured metal on onyx and agate base, 42cm high, 66cm long
115. An Art Deco olive wood and bakelite figural tobacco jar, £30 - £50
modelled as an Oriental man with Rickshaw, 38cm long
£100 - £150
circa 1960s, tapered form with bar handle and lid, 39cm high
121. An Art Deco wall mirror, French circa 1930, the shaped mirror with silver and gilt coloured carved stylised wooden floral frieze, clasp supports and with tassel decorations £100 - £150
122. Liberty and Co., an Arts and Crafts oak mirror, circa
1915, Unto Sleep, pegged construction ith raised lettering, labelled, 48cm x 61cm £150 - £250
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
15
116 For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
16
METALWARE 123. A 17th century pewter broad rimmed alms dish, circa
1675, probably Low Countries, central Byzantine scene of Mother and Child on donkey, whitin a wrigglework border and plain rim, 38cm diameter £400 - £600
129
124
124. A pair of 17th century pewter trencher salts, circular form
with reeded borders, together with another pair of pedestal salt, touchmarks to the rims, 6.5cm high (4) £200 - £300
129. A Charles II large pewter candlestick, circa 1680, multi sided conical form with wide brim knop and fluted and dished foot, 27.5cm high £100 - £200
130. Two 18th century pewter bleeding bowls, circular and oval form with fluted rims, 20cm diameter and 19cm wide £150 - £250
131. A William and Mary pewter broad rimmed dish, London
1688 (Masse 467), wrigglework decorated with a central Persian tent and guard scene within tulip tree and floral border, 37.5cm diameter £60 - £80
125
125. An 18th century twin handled bowl, possibly low countries, touchmark of griffin rampant bearing ewer, IS above, 15cm diameter £50 - £80
126. A George II pewter plain rimmed platter and plate, Stynt
Duncombe of Bewdley (Cotterell 1466), circa 1700 - 1750, touchmarks Duncumb [sic] and London etc.31cm and 28cm diameter (2) £120 - £180
127. An 18th century Scottish pewter tappit hen, planished to £200 - £300
the neck, 28cm high
128. A James II pewter broad rimmed dish, circa 1685, with £80 - £120
wrigglework floral design to the border, 32cm diameter
132
132. An 18th century wrought iron ladle or lamp, the hemispherical bowl on a tapered and riveted stem with curled decoration to the sides, the finial with a hook, 31cm long £40 - £70
133. A pair of 18th century pewter plain rimmed saucers,
touchmarks indistinct, together with a pair of James Dixon and Sons £30 - £40 pewter plates, 15.5cm and 25.5cm diameter (4)
134. A George II or George III pewter plain rimmed plate,
Robert Bush of Bristol (OP737, PS1229), circa 1760, touchmarks £30 - £50 to rim, 24cm diameter
135. A George II pewter plain rimmed platter and plate, Stynt
Duncombe of Bewdley (Cotterell 1466), circa 1750, touchmarks Duncumb [sic] and London etc., together with another attributed, 21.5cm and 34cm diameter (3) £50 - £100
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
17 136. A large pewter shaker, footed baluster form, London touchmark, screw lid, 19cm high £50 - £70
137. An 18th century pewter quaich, plain bowl form with pierced handles, London touchmarks to each, 29cm long £60 - £80 138. Two 18th or 19th century pewter spitoons, squat ovoid £90 - £120
form with flared rim, touchmarks, 21cm and 23cm diameter (2)
146. A George II pewter plain rimmed plate, Thomas
Scattergood (Cotterell 4139), circa 1736, touchmarks to the rim, 24.5cm diameter £100 - £200
147. A George II or George III pewter plain rimmed dish, John
Home (OP2393, PS15), circa 1760, touchmarks to underside, 27.5cm diameter £30 - £50
139. A William III pewter tazza, plain wide brimmed form, on £100 - £150
knopped and stepped pedestal base, 22cm diameter
140
140. An 18th century pewter quaich, touchmark I I B and date £60 - £80
17?? with lion rampant, plain pierced handles, 26cm long
148
148. A George II pewter narrow rim dish, Allen Bright of Bristol
and Colwall (Cotterell 574), circa 1750, touchmarks to underside, 38cm diameter £40 - £70
141. A Charles II pewter broad rimmed dish, dated 1677, central portrait of Charles II within a wrigglework border, 30cm diameter £100 - £150
149. A George II pewter plain rimmed plate, William Lansdown, Bristol (Cotterell 2841), circa 1740, touchmarks to rim, 23.5cm diameter £30 - £50
fluting to the body, scroll handles, 18cm
form, 15cm high (3)
142. An 18th century pewter quaich, relief moulded wrythen £40 - £60
143. A collection of 18th century and later pewter spoons,
some with cast figural terminals, various touchmarks LER etc., £80 - £120 19.5cm long (6)
150. Three 18th century pewter pepperettes, pedestal baluster £40 - £60
151. A 19th century pewter shaker, cupped baluster form on pedestal foot, 18cm high £50 - £80 152. A Victorian cast iron urn and cover, circa 1840, twin handled pedestal form, foliate moulded, 20cm high £30 - £50
144
144. An 18th century pewter measure, lidded, with flat lid and double volute thumbpiece, 20cm high £200 - £300
145. A pair of George II or George III pewter plain rimmed chargers, circa 1760, indistinct touchmarks, London, together
with a narrow rim charger, stamped P W with crowns above, 46cm diameter (3) £80 - £120
153
153. An 18th century Rococo pewter bombe sugar box and cover, touchmarks crowned X, Engels, Harington (?), lobed ogee
form, with reticulated shell scroll gallery and scroll feet, flame finial, approx 17cm long £200 - £300
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
18
160
158. A Charles II pewter candlestick, circa 1667, William Dyer or William Daveson (Masse 114), York type, octagonal base with reeded cluster columns, 16cm high £100 - £200
154
154. An 18th century pewter Monteith wine cooler, twin £80 - £120
handled footed form with ogee crenellated rim, 37cm wide
155. A collection of 18th and 19th century pewter beakers and measures, turned ring decoration to some, 11cm high (10) £50 - £80
156. A pair of pewter pot bellied salts, footed form, 8cm diameter (2) £60 - £80
157. A George I pewter ogee rimmed plate, John Duncombe, Bewdley circa 1720, three touchmarks London, 29cm diameter £70 - £100
159
159. An 18th century pewter loving cup, twin handled pedestal form, turned banding and stepped foot, 19cm high £40 - £60 160. A pair of William III pewter chalices and patens, St Lukes 1699, touchmarks ‘Castle London’ four lions pasant and I A E, to the paten, 20cm high (2) £400 - £600 161. An 18th century reed rimmed platter, London touchmarks £120 - £180
and TMI, 38cm diameter
162. A 19th century pewter plate, engraved with the arms and
crest of the Marquess of Conyngham, coronet to the rim, 34.5cm diameter £80 - £120
158 For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
19
163
163. Hugo Leven for Kayserzinn, a Jugendstil pewter ice bucket, relief moulded in the Art Nouveau style with slylised foliate
heart and tendril design, the handles as leaves, marked 4360, 20.5cm high £100 - £150
164. A Secessionist bronze inkwell, Austrian, circa 1910,
etched and inlaid with foliate scroll panels of pewter, the glass cube well with hinged lid, stamped marks, 19.5cm wide, 21.5cm deep £30 - £50
170
170. WMF, a Jugendstil silver plated mirror, circa 1906,
modelled with a semi nude woman and flowering trees, around a bevelled glass, mahogany back, 37cm x 27cm £300 - £500
171. WMF, a Jugendstil silver plated liqueur set, the stand modelled with a woman holding a flower, kneeling on a scroll bracket, above a tray with seven vacancies and six cut glass shot beakers, 26.5cm high £80 - £120
172. WMF, a pair of Jugendstil plated candlesticks, model
329, open whiplash tendril supports, the bases cast with seeding fern design, 14.5cm high £30 - £50
165
165. WMF, a Jugendstil silver plated and green glass claret jug, trumpet form, relief moulded and reticulated with maidens £300 - £500
and flowers, whiplash tendril handle, stamped marks, 42cm high
166. WMF, a Jugendstil silver plated figural dish, model 68, in the form of a woman holding a plate, 19cm high £40 - £70
167. WMF, a Jugendstil silver plated and glass figural tazza,
modelled as a woman holding a flower, 40cm high£120 - £180
168. WMF, a Jugendstil silver plated and glass figural tazza,
modelled as a woman holding a vase above her head, the square £150 - £250 section base with putti in brambles, 40cm high
169. WMF, a Jugendstil silver plated and cut glass dish,
reticulated twin handled form, with laurel garland and ribbon £60 - £80 reeded bands, 29cm long
173
173. A Jugendstil silver plated and enamelled casket, circa
1900, riveted corner legs, the panelled sides embossed with stylised honeysuckle and roundels, the lid with multicoloured guilloche enamel plaque, overlaid with fruiting tree, lockplate to the front, stamped mark, 13.5cm wide, 8cm high, 10cm deep Note: similar examples with riveted corner leg supports were produced by A.E. Jones in Birmingham in the early 20th century £100 - £200
174. A Jugendstil silver plated and enamelled copper casket,
circa 1900, riveted corner legs, the panelled sides embossed with stylised honeysuckle and roundels, the lid with multicoloured guilloche enamel plaque, overlaid with fruiting tree, 21.5cm wide, 8cm high, 11.5cm deep Note: similar examples with riveted corner leg supports were produced by A.E. Jones in Birmingham in the early 20th century
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
£80 - £120
20
175. WMF, a Jugendstil silver plated casket, rectangular form
embossed with forget me nots and knotted tendrils, supported on open whiplash legs, mahogany lined, 17cm wide, 11.5cm deep, 8cm high £40 - £70
180
176
176. WMF, a Jugendstil silver plated ink stand, model 232, the
square section hinged well, with a relief moulded nude woman and sinuous open tendril dish, 19cm diameter £150 - £250
180. WMF, a Jugendstil silver plated figural dish, model 169,
the central figure of a woman in sinuous dress, forming two trays, in the Art Nouveau style, 23cm high £200 - £300
177. WMF, a pair of Jugendstil silver plated chamberstick,
model 325, circa 1915, angled form with relief moulded fruit £30 - £50 garland roundel, 20.5cm long
181
181. WMF, a Jugendstil silver plated tray, model 249,
modelled as a nude woman on the edge of a lily pond, with snake and flowers, 25cm long £80 - £120
178
178. WMF, a Jugendstil silver plated twin handled bowl, with
blue glass liner, cast in the Art Nouveau style with poppies and sinuous tendril borders, 16cm long £30 - £50
182. WMF, a Jugendstil silver plated figural inkwell, circa
1906, the cartouche shaped dish with low relief lily tendril design, surmounted by a woman reading a letter, in the Art Nouveau style, 20cm high £100 - £150
183
179
179. WMF, a Jugendstil silver plated figural dish, model 169/4, the central figure of a woman in sinuous dress, forming four trays, in the Art Nouveau style, 26cm high £200 - £400
183. WMF, a pair of Jugendstil silver plated vases, three
handled triangular section, relief moulded with scantily clad women playing a harp and pipes, within a sinuous tendril ground, 18.5cm high (2) £120 - £180
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
21
188
184
184. WMF, a pair of Jugendstil silver plated candlesticks,
model 92, square section splayed form, reticulated with sinuous £80 - £120 tendril and leaf design, 28cm high (2)
188. W A S Benson, an Arts and Crafts copper and brass chamberstick, variation of model 744, in the form of a stylised leaf, with balsuter sconce, 27cm long £100 - £200
185
185. Hugh Wallis, an Arts and Crafts copper and pewter inlaid pedestal bowl, planished form, repousse decorated with
geometric band to the knop, the rim with inset triangles, 25cm diameter, 18cm high £50 - £100
186. John Pearson, an Arts and Crafts brass coal scuttle,
189
189. A pair of Glasgow School Arts and Crafts copper and Ruskin cobochon door plates, repousse decorated and planished £150 - £250
with stylised bud and poppy heads, 31.5cm x 13cm (2)
repousse decorated with a galleon to the lid, 27cm high, 41cm £200 - £300 deep
187
187. George Hart for the Guild of Handicraft, an Arts and Crafts enamelled copper box, Chipping Campden, circa 1920,
cylindrical form, set with a green blue enamel roundel, stamped mark, 6cm diameter £150 - £250
190
190. Margaret Gilmour (attributed), a Glasgow School Arts and Crafts brass jardiniere, square section tapered form with
wide brim, repousse decorated with dragon boats in sail on rough seas, 10.5cm high, 12cm square £100 - £150
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
22 195. An Aesthetic Movement cast iron chamber oil lamp,
conical form, relief moulded with butterflies and wild flowers, Falk’s wick and number to base 5178, 29cm high £40 - £70
191
191. Kate Harris for the Art Union, London, an Arts and Crafts silver plated copper ink stand, 1902, shield form, cast with a
central figure receiving a message through an ear trumpet, passing a book to another figure, in the Art Nouveau style, supported on three bun feet, signed, 34cm long, 20cm deep £300 - £500
196
196. Newlyn School, an Arts and Crafts copper biscuit barrel,
oval cylinder form, repousse decorated with galleons in sail, the lid with scallop shells and loop handle, stamped mark, 15cm £180 - £220 diameter, 16cm high to handle
192
192. An Arts and Crafts silver plated and Cairngorm glass epergne, Stuart and Sons, Stourbridge circa 1910, three
colourless trumpet vases with applied peacock trails, supported in a domed stand embossed with the same peacock trail design, 36cm high £80 - £120
197
197. W A S Benson, an Arts and Crafts copper and brass kettle on stand, circa 1905, the ogee body supported on triform base, 27.5cm high £40 - £60
193
193. A pair of Arts and Crafts Ruskin cabochon and brass curtain ties, the turquoise plaques encased in quatrefoil and £100 - £150
riveted boss cartouches, on chain links, 64cm long (2)
194. An Art Nouveau style photo frame, cast brass, modelled
with a figure and sinuous flowers, opening 18.5cm x 14cm, 26cm high £30 - £50
198
198. David Veasey for Liberty and Co., a Tudric pewter inkwell, 076 3, triangular form, relief moulded with stylised trees between three handles, 20cm diameter £100 - £150
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
23 199. David Veasey for Liberty and Co., a Tudric pewter twin handled bowl, 011, footed drum form, stylised rose trees above
a mottoed ribbon band with a verse from Tennyson’s Maud, 32cm diameter £120 - £180
203 203. Archibald Knox for Liberty and Co., a Tudric pewter and enamelled inkwell, 0404 3, the central well flanked by sinuous 200
£250 - £350
knotted tendrils and green blue enamel buds, 23cm long
200. Oliver Baker for Liberty and Co., a Tudric pewter bowl,
067, domed form, supported on four foliate trefoil footed legs, £80 - £120 34cm diameter
204
204. Archibald Knox (attributed) for Liberty and Co., a Tudric pewter jug, pattern 0303, squat bladed baluster form with stylised £20 - £40
bud motifs, stamped marks, English Pewter, 12cm long
201
201. Archibald Knox for Liberty and Co., a Tudric pewter twin handled vase, 029, the elongated foliate tulip shaped body, flanked by stylised whiplash tendrils, 26cm high £100 - £150
205
205. Archibald Knox for Liberty and Co., a Tudric pewter and glass butter dish, 0575, the green cylindrical body supported
within an open Celtic basket weave cage, on four open buttress legs, 13.5cm diameter £60 - £80
202
202. Archibald Knox for Liberty and Co., a Tudric pewter and enamelled cake basket, 0359, the central oval in blue enamel, in a reticulated heart bud gallery, 23.5cm long £200 - £400
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
24
206
208
209
206. Oliver Baker for Liberty and Co., a Tudric pewter tankard, 066, plain form, impressed Liberty mark, 11cm high £40 - £70 207. Archibald Knox for Liberty and Co., a Tudric pewter three piece tea set, 0231, planished, with stulised knotted bud motifs,
on skate feet, rattan handles, including water jug, bowl and teapot, 22.5cm high (3) £80 - £120
208. Archibald Knox for Liberty and Co, a Tudric pewter and glass preserve pot, 01038, gourd form, the domed lid with
stylised bud wreath, on an optic moulded vertical ribbed body, 11cm high £80 - £120
209. Archibald Knox for Liberty and Co., a Tudric pewter bomb vase, 0226, plain form on three buttress handles, 19cm high £100 - £150 210. Archibald Knox for Liberty and Co., a Tudric pewter and glass claret jug, 0308, the green glass decanter body probably
by James Powell and Sons, Whitefriars, in Celtic bud and tendril mounts, 33cm high £1000 - £1500
210
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
25
CLOCKS 211. A Gothic revival cast and gilt metal clock, C and N Muller, the 5 inch enamelled dial with Roman numerals, within a decorated Gothic ogee arched and foliate pinnacled case, with blind arcading below, cast signature, 47.5cm high £80 - £120 212. A gilt brass and enamelled mantle timepiece, champlevé borders and finials with painted and gilt dial, the sides with panels of Persian portraits, 20cm high £300 - £500
213. An Art Deco green onyx mantle clock by Elliott, 15.5cm high £40 - £60
214. An Art Deco marble clock garniture, segment form with convex glass dial over, 43cm wide, 21cm high £40 - £60
211
215 215. A William IV mahogany bracket clock, James Truscott,
Aberyswith, circa 1835, half striking, the 8 inch white enamel dial with Roman numerals, within a foliate and rose carved serpentine topped case, 46cm high, 31cm wide, 18cm deep £600 - £800
216. A George III oak longcase clock, W Twells, Birmingham,
30 hour, 12 inch brass dial, the case with mahogany crossbanding, surmounted by a swan neck pediment £150 - £250
217. An early 19th century mahogany longcase clock by Thwaites & Reed, London, the 12 inch silvered round dial in a flame veneered case, swan neck pediment, height 190cm, width 45cm, depth 23cm £2000 - £2500
212
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
26
FURNITURE
218. A 17th century style open armchair, of wide proportions, turned and jointed oak construction, 105cm high £40 - £70
222
219
219. A Louis XVI style giltwood armchair, 19th century,
upholstered wing back with acanthus carved arms and moulded borders, on turned baton legs, 105cm high £100 - £150
220. A George II style Chippendale upholstered open armchair, mahogany construction with red damask covering, square section legs with rope and egg moulding £80 - £120
222. A Louis XV style French mahogany secretaire, ormolu
mounted, the fall front chest set with three oil on panel paintings, flanked by lions mask and floral garland pilasters, below a floral swag frieze, all on a cabriole legged stand with blind reticulated cast foliate apron and central sun mask, 68cm wide, 118cm high, 37cm deep £300 - £500
223
223. A Louis XV style rosewood bonheur du jour, ormolu 221
221. A French gilt walnut upholstered tub chair, 19th century,
shaped and enclosed panel tongue back, on squat cabriole legs, 88cm high £80 - £120
mounted and set with an oil on board, the single drawer and mechanical domed lid retracting to reveal a leather writing surface and three drawer interior, below a galleried shelf, on cabriole legs, signed to the painting E Martin, 76cm wide, 108cm high, 55cm deep £200 - £300
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
27
224
229
225
224. A Chinese hardwood stand, rectangular form set with pink marble, reticulated key fieze and blind carved foliate scroll legs, 42cm wide, 25cm high, 31cm deep £100 - £150
225. A Chinese hardwood and marble inset occasional table or jardiniere stand, barrel form with open carved knotted lattice design, 40cm diameter, 52cm high £100 - £150
226. A Chinese hardwood and marble inset occasional table or jardiniere stand, barrel form with open carved lattice and prunus design, 40cm diameter, 51cm high £100 - £150
230. An Arts and Crafts mahogany three bay wardrobe,
probably Shapland and Petter, the central mirrored door flanked by embossed silvered poppy panels, in the Art Nouveau style, on a chest of two short over one long drawers, 132cm wide, 206cm £50 - £100 high, 55cm deep 231. An Arts and Crafts walnut desk, in the style of J S Henry,
the leather inset top with three drawers above to side shelves with spindled galleries, supported on Moorish brackets, above wave slatted side panels, 106cm wide, 75cm high, 53cm deep £120 - £180
227. Liberty and Co., an Arts and Crafts Moorish oak occasional table, hexagonal form with onion domed arcading
232. An Arts and Crafts walnut dressing table, probably J S
228. An Arts and Crafts walnut dressing chest, in the style of
£120 - £180
and low shelf, on turned bobbin footed legs, 54cm diameter, 59cm high £150 - £250
Henry, the bisected lower shelf with Moorish frieze above, supported on horizontally ribbed barrel legs, and asymetrical swing mirror, 92cm long, 135cm high, 51cm deep
Shapland and Petter, two short over two long drawers, with key hole fretted sides and sylised bracket feet, 106cm wide, 150cm high, 50cm deep £80 - £120
229. An Arts and Crafts overmantle mirror, probably Shapland
and Petter, inlaid with satinwood and harewood stylised poppy panels, the corners and frieze with fretted foliate motifs, 143cm wide, 115cm high, 22cm deep £100 - £200
231
232
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
28
235
233
233. Liberty and Co., an Arts and Crafts mahogany and leather Thebes stool, the saddle shaped seat embossed Sit Down, £200 - £300
on three splayed and pointed legs, 35.5cm wide, 36cm high
234
234. E G Punnett for Liberty and Co., an Arts and Crafts oak armchair, circa 1900, slatted construction with angled supports and plank seat and legs £300 - £500
235. An Art Deco dressing table and chair, French circa 1930, in maple, raised on four tapered supports with curved front and with two side drawers with metal handles and with triple shaped mirror framed in chrome raised on glass support, the chair reupholstered in cream fabric and with maple frame, 110cm wide, 46cm deep, 138cm high £600 - £800
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
29 236. A rectangular glass and brass coffee/cocktail table,
French, probably Maison Jansen circa 1950s, in the Hollywood Regency Style, 85cm wide, 42cm deep, 44cm high £400 - £600
243
243. A pair of French Art Deco salon chairs, green fabric 237
237. A French day bed upholstered in reproduction 1930s Ruhlmann cream silk stylised Art Deco fabric, the base raised
upholstery on chamfered Ruhlmann style sabre legs, 100cm high backs (2) £40 - £70
on four highly polished tapered supports and with tasseled bolster cushion, 134cm wide, 52cm deep, 64cm high £500 - £800 238. A circular occasional table, French, the circular glass top raised on gilt coloured iron decorative frame with tripod scroll supports, 68cm diameter, 36cm high £100 - £150
244
244. A pair of black lacquered side cabinets, French, restored circa 1930, the tapered supports with open shape shelf and two long drawers with brass handles, 45cm wide, 25cm deep, 74cm high (2) £200 - £250
239
239. Ludwig Mies Van Der Rohe, a mid 20th century Barcelona Chair, circa 1960s, the steel framed, chrome plated
chair upholstered in quilted black leather upholstery with button stitching £600 - £800
240. A pair of occasional tables, French, in maple with lyre shape supports raised on shaped legs and with stretcher, the single long drawer with metal knob handle, 41cm wide, 33cm deep, 64cm high (2) £200 - £250
241. A bar trolley/bar cart, Italian circa 1950, probably Cesare Lacca, the two serving trays supported by a wood and and brass frame and raised on four caster supports, 70cm wide, 44cm deep, 72cm high £300 - £400
242. A black lacquered side cabinet, French, restored circa 1930, with tapered supports and single long drawer with brass handle £100 - £150
245
245. A pair of fluted column display pedestals, Art Deco style,
in satin birch wood, the circular plinths with fluted column supports and with circular tops with black inlay, 36cm diameter, 113cm high (2) £300 - £400
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
30 246. A two tier occasional or coffee table, French circa 1920, of rectangular form, with shaped and tapered legs and with decorative moulding, with replaced blush coloured glass inserts, 68cm wide, 35cm deep, 66cm high £100 - £150
248. An Art Deco style display cabinet in macassar, French,
restored, the pedestal base raised on fluted yellow metal recessed pediment, supporting three long drawers with chrome handles and below glazed case with three glass shelves and chrome framing, 65cm wide, 169cm high, 43cm deep £600 - £800
249. A nest of three Art Deco rosewood occasional tables, plain cuboid form, 60cm wide, 51cm high, 40cm deep £80 - £120
247
247. An Art Deco roll top desk and chair in fiddle back maple,
French circa 1930, refurbished, with new green baize top, the chair upholstered in cream fabric, both with ivorine furniture, £600 - £800 75cm wide, 68cm deep, 94cm high
250
250. A French Art Deco walnut and leather upholstered chair,
cloud shaped spoon back on tapered square section front legs, £40 - £70 supporting an overstuffed seat
251
251. A French Art Deco walnut cabinet or side table, in the style of Ruhlmann, lyre form with single drawer over two open shelves, on a shallow domed foot, 50cm wide, 62cm high, 29.5cm deep £80 - £120
252. A Dyrlund teak and burr elm sideboard, circa 1950s, tambour fronted with shelved interior, 150cm wide, 79cm high, 48cm deep £200 - £300 253. Harvey Guzzini, an Arc Lamp, Italian circa 1970s, the
adjustable floor lamp raised on a circular marble base, chrome body and original white shade £300 - £400
248
254. An Arts and Crafts brass and electroplated standard lamp, circa 1890, the tripod base with trefoil feet below a stylised petal collar and turned knops, supporting a plain shaft with extending ring, 142cm high £50 - £100
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
31
WINE 258. Moet and Chandon, Vintage Champagne, 1945, one bottle £50 - £80 259. Charles Heidsieck, Vintage Champagne, 1955, one bottle £40 - £70
260. Chateau Lascombes, Margaux, 1982, half case (6) £300 - £400
261. Michel Prunier, Auxey Duresses Premiere Cru, Clos du Val, 2000, case (12) £80 - £120
262. Michel Prunier, Auxey Duresses Premiere Cru, Clos du Val, 2000, case (12) £80 - £120
263. Chateau Fombrauge, St Emilion Grand Cru, 1982, six bottles (6) £100 - £200
255
255. Wine including Blason de Bourgone, Montagny Vielles Vignes 2005, Coteaux de Languedoc Le Mejanelle, Cuvee Sommeliere 1998, Brown Brothers Late Harvest Orange Muscat and Flora 1994 etc. £20 - £40
264. Clarendon Hills, Liandra Shiraz, 1999, Clarendon, 12 bottles (12) £100 - £150
256. Jean Biecher, Alsace Riesling, 1993, 50th anniversary of the Liberation of France 1945 £10 - £20
265. Clarendon Hills, Liandra Shiraz, 1999, Clarendon, 12 £100 - £150
bottles (12)
257. Chateau Margaux, Margaux 1966, one bottle £150 - £250
257
266. Hine, Grand Champagne Cognac, cintage 1981 £70 - £100
258
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
266
32
PICTURES 267. H M Bateman (1887-1970), six prints, including,
274. Leslie Moffat Ward (1888-1978) The Farewell, etching
£40 - £70
275. Leslie Moffat Ward (1888-1978) De Lange Jan, etching,
Mesmerism, The Medical Book, The Consultation, A Member of the Society of Hopeless Hypochondriacs, The Man who Paid off his Overdraft and Stage Fright, 25cm x 17cm, framed (6)
268. A pair of Japanese woodblock prints depicting children, £40 - £70
sold by Daikoknya, H. Matsuki, 24cm x 35cm, framed (2)
269
269. Shokei (19th century), Kyoka Yoshi, woodblock print, £30 - £50
1895, 17cm x 21cm, framed
270. Kawanabe Kyosai (1831-1889), Children Swinging, Japanese woodblock print, 18cm x 12cm, framed £30 - £50
271. Sidney Horne Shepherd (1909-1993), Portrait of a
Womans Head, pencil, 1950, signed, 25cm x 20cm, framed but unglazed togther with a lithograph of a Young Girl, signed, 33cm x23cm, framed (2) £30 - £50
£40 - £60
12/16, signed and dated 1913 in plate, 12cm x 16cm, mounted
monogrammed in plate, signed and numbered 6, 19cm x 13cm, mounted £60 - £80
276
276. Ettore Tito (1859-1941), Harlequin and Pierrot, tinted prints, signed in pencil, 32cm x 22cm, framed (2) £40 - £60
277. Bert Bainbridge (1875-1949), Durham, etching, signed
and dated 1929, in pencil, 24cm x 33cm, framed, togther with another etching of Durham Cathedral by M. Rudge, 16cm x 13cm, and a print of The Side Newcastle by T.M.R, 35cm x 28cm (3) £40 - £60
272. A signed portrait photograph of William Lionel Wyllie,
painting outside a house, with sign ‘ Please contribute to the poor artist for the orspital’, Langfier Ltd mount, 20.5cm x 15cm, £100 - £150 unframed
278
278. Mortimer Menpes (1855-1938), Quiet Canal, Shanghai, etching, signed, 22cm x 24.5cm, framed £80 - £120
279. Guy Malet (1900-1973), Knaresborough, etching, signed and numbered 7 of 12, 18cm x 15cm £80 - £120
273
273. Leslie Moffat Ward (1888-1978) Snow at Boston, etching, signed and titled in plate, 19cm x 13cm, mounted £60 - £80
280. Sir Frank Brangwyn RA (1867-1956), Interior of St Hilaire,
Poitiers, coloured print, 1927, after the 1912 version, published by E F d’Alignau and Paul Turpin, from an edition of 120, 46cm x 35.5cm £60 - £80
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
33
281
281. Mabel Royds (1874-1941), Christ in the Carpenters Shop (M.B. 60), coloured woodblock print, signed, 23cm x 20cm £150 - £200
286
286. Mabel Royds (1874-1941), Boat Builders (M.B. 30), coloured woodblock print, signed and titled, 23cm x 30cm £180 - £220
282. Mabel Royds (1874-1941), Christ Healing the Sick (Shillito £100 - £150
10), woodblock print, signed, 27cm x 24cm, framed
287
287. Ian Strang (1886-1952), Dome of St Paul’s, engraving, 1927, signed, from an edition of 75, 29cm x 38cm, framed £200 - £300
283
283. Mabel Royds (1874-1941), Water Carriers (M.B. 19), coloured woodblock print, signed, 19cm x 23cm £150 - £250
284
284. Mabel Royds (1874-1941), Snake Charmer (M.B. 14), coloured woodblock print, signed and titled, 13.5cm x 18cm £200 - £300
285. Mabel Royds (1874-1941), House Tops (M.B. 21), £180 - £220
coloured woodblock print, signed and titled, 23cm x 22cm
288
288. † Allen Jones (b.1937), Right Hand Lady, screenprint £150 - £250
metallic wallpaper, two panel, 1972, 117cm x 52cm, framed
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
34
289
289. Terry Willson (b.1948), Anonymous Proof No. 6, screenprint, 1980, signed and dated, 1st state proof, 76cm x 56cm, framed £100 - £150
291. After
291
Friedrich Hundertwasser (1928-2000), New Zealand Conservation Week poster, 1974, printed with metallic highlights, 81cm x 56cm, framed £60 - £100
292
292. Frank Martin (1921-2005), Vampire, woodblock print, 1970, signed and numbered 3 of 30, 36cm x 48cm, framed £150 - £250
293. Linda Le Kinff (b.1949), Woman with Cat, print, signed artists proof 39 of 50, 20cm x 17cm, framed £30 - £50
290
290. † R B Kitaj (1932-2007), Man with Matisse Tattoo
(Kinsman 97), screenprint in colours, 1978, signed artists proof, aside from the edition of 50, Kelpra, London, 76cm x 55cm, framed £400 - £600
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
35 294. James Cox (b.1956), Theta II, aquatint with gold leaf, signed and numbered 98 of 250, 26cm x 21cm £20 - £40
295. † Roy Lichtenstein (1923-1997), Paper Plate, screenprint,
1969, signed in pencil, printed to the back, 26cm diameter, framed in Perspex box £300 - £500
296. † Howard Hodgkin (1932-2017), Artist and Model, in
Green and Yellow, soft ground etching, 1980, signed and numbered 77 of 100, 81cm x 103cm, framed £500 - £800
297
297. † Victor Pasmore (1908-1998), The Blue Between, print,
published by Marlborough Fine Art Ltd., monogram and date 1978 in the plate, 36cm x 148cm, framed £200 - £400
294
295
298
298. † Craigie Aitchison RA (1926-2009), Still Life with Bird
Vase, silkscreen print, 2004, signed and numbered artists proof 29 of 50 verso, with the Timothy Taylor and Waddington Galleries book catalogue Pictures, in original cloth folder and box, the print 28.5cm x 22cm £400 - £600
299. † Julian Opie (b.1958), Album Photos, 36 colour photographs in blue album, 1995, published for the Calais exhibition, 12cm x 17cm £70 - £90
296
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
36
300
300. † Howard Hodgkin (b.1932), Lotus, screen print, signed and dated 1986, 79cm x 96cm, framed £1500 - £1800 301. † Joe Tilson (b.1928), Earth Earth,
1987, 49 of 50, wood diamond, letters pyrographed and iron, assembled hexagon £800 - £1200
301
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
37
302 302. † Joe Tilson RA (b.1928), Transparency the Five Senses -
Touch, screenprint and Vacuum formed acrylic, 1971, signed and numbered to label verso 28 of 40, 61cm x 60cm £1000 - £1500
303. William John Charles Pitcher (1858-1925), four costume
designs for characters in 40 Thieves, Scene V, the Cave Scene, at Theatre Royal, Drury Lane, Christmas 1886, watercolour, ink and gouache, signed and dated Wilhelm, 20cm x 14cm, 19cm x 12cm, 21cm x 13cm, 17cm x 9cm, framed (4) £200 - £300
304. Theatrical Interest, six costume designs for various Drury Lane theatre productions, including Ladies of Court etc. possibly from Aladdin, 1885, 25cm x 12cm (6) £50 - £100
305. Theatrical Interest, costume designs for a Drury Lane theatre production of Nell Gwynn, circa 1885, watercolour and ink, 30cm x 36cm, framed £70 - £90 306. William John Charles Pitcher (1858-1925), costume
designs for the Suite of Cleopatra, from a Drury Lane theatre production, inscribed with intructions, ink, watercolour and gouache, signed Wilhelm, 18cm x 22cm, framed, together with costume design for a Theatre Royal, Drury Lane production, possibly 40 Thieves, inscribed 8 followers to I, watercolour, ink and gouache, signed, 23cm x 15cm, framed (2) £150 - £200
307. William John Charles Pitcher (1858-1925), three costume
designs for characters in 40 Thieves, Scene V, the Cave Scene, at Theatre Royal, Drury Lane, Christmas 1886, watercolour, ink and gouache, signed and dated Wilhelm, 21cm x 13cm, framed, one without glass (3) £200 - £300 308. William John Charles Pitcher (1858-1925), two costume
designs for characters in 40 Thieves, Scene V, the Cave Scene, at Theatre Royal, Drury Lane, Christmas 1886, watercolour, ink and gouache, signed and dated Wilhelm, 21cm x 12cm, one framed, together with two costume designs for a Drury Lane theatre production, Bonnie Prince Charlie and a peasant girl, ink, watercolour and gouache, one signed Wilhelm, 23cm x 15cm, framed (4) £200 - £300
309. William John Charles Pitcher (1858-1925), costume
design for a character in 40 Thieves, Scene V, the Cave Scene, at Theatre Royal, Drury Lane, Christmas 1886, watercolour, ink and gouache, signed and dated Wilhelm, 20cm x 12cm, framed, together with a costume design for a Drury Lane production, possibly Aladdin, ink, watercolour and gouache, signed Wilhelm, 19cm x 12cm, framed (2) £150 - £200
310. 19th Century School, Theatre Set Design, watercolour, for £30 - £50
a production at Drury Lane theatre, 34cm x 46cm, framed
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
38
311
311. † Geoffrey Underwood (British, 1927-2000), Breaks
Breaking Porthmeor Beach St. Ives, pastel, together St. Ives Beach Low Tide, 28cm x 40cm, both framed (2) £80 - £120
312. † Hubert Williams (British, 1905-1989), Dowgate Dock
and Cannon St Station, pen and ink, signed and titled, 42cm x 29cm, mounted £40 - £60
313. † Geoffrey Underwood (British, 1927-2000), Sunrise St.
317
317. Gordon (20th Century), Ladbroke Grove, watercolour and ink, signed and dated 1958, 34cm x 47cm, framed £30 - £50
318. Albert Moulton Foweraker (1873-1942), Cottage at Dusk, £300 - £400
watercolour, signed and dated 1929, 23cm x 28cm, framed
Ives Harbour, pen & crayon, signed and dated 1994, 29cm x 40cm, framed £40 - £60
314. † Geoffrey Underwood (British, 1927-2000), Nine Hills Devizes, watercolour, signed and dated 1987, 40cm x 58cm, framed, together with a surreal fish scene, crayon, unsigned, framed (2) £50 - £80
315. † Geoffrey Underwood (British, 1927-2000), A folder of works on paper depicting various subjects, watercolour, pencil, ink & crayon, circa 1955, all unframed (7) £50 - £80
319
319. Sidney Lewis Ransom [Mosnar Yendis] (1881-1958), In £100 - £150
the Garden, pen and ink, signed, 25cm x 21cm, framed
320. W R Whitby (19th Century), Resting at the Pathway, watercolour, signed, 51cm x 76cm, framed £50 - £100
316
316. Raphael Kirchner (1876-1917), Nude Model in Stockings,
pencil, 46cm x 30cm, mounted,
Provenance: from a collection purchased at the artist’s studio sale in Paris £100 - £150
321
321. Guy Malet (1900-1973), Near Priddy, watercolour, 21cm x 26cm £50 - £80 322. Fortunino Matania RI (1881-1963), Nude Portrait, pastel, £150 - £250
signed, 34cm x 25cm, framed
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
39
323 323. Henry Whatley (1842-1901), The Fortune Teller, watercolour, signed, 72cm x 106cm, framed £1000 - £1200
326. Lillian
Delevoryas (1932-2018), Mediterranean in Springtime, watercolour, signed, 39cm x 29cm, framed £120 - £160
324. Paul Headley (b.1947), Semi-Clad, mixed media, signed, 33cm x 45cm, framed £150 - £250
325. C. Bommion (19th century), Sisters to the Count of Touraines, watercolour, signed and dated 1839, 23cm x 18cm, framed £80 - £120
327
327. After Lord Frederic Leighton (1830-1896), Ellen Terry on
Stage, watercolour and white highlighing, signed and dated 1891, 23cm x 31cm £150 - £250
326
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
40
328
328. William Stephen Coleman (1829-1904), Young Bather, pencil and watercolour, signed, 31cm x 16cm, framed £300 - £500
Provenance: Christie’s, 5th November 1993, lot 114
329. Sir William Russell Flint RA (1880-196), Bolton Abbey, £400 - £600
pencil and watercolour wash, signed, 19cm x 28cm, framed
330. Two Walt Disney cartoon drawings, including Popeye and
332
332. Michael Jackson (b.1961), Wrens in a Barn, watercolour and goucache, signed and dated 1992, 43cm x 33cm, framed £200 - £300
333. Chinese School, 19th Century, portrait of a man, watercolour, 25cm x 17cm, framed £30 - £50
334. Michael Jackson (b.1961), Badgers, watercolour and goucache, signed and dated 1993, 32cm x 42cm, framed £200 - £300
Mickey and Minnie Mouse, circa 1970s, 25cm x 31cm and 17cm x 25cm, framed, with certificates from Name That Toon £250 - £350
335
335. 19th Century School, Family Portrait, watercolour, circa £200 - £300
1840, widow and her six children, 31cm x 38cm, framed
331
331. † Arthur Wardle (1860-1949), Parrots, watercolour and
336. Robert Cleveley (1747-1809), Dutch Shipping Scene, £200 - £300
watercolour, signed and dated 1788, 13cm x 18cm, framed
£200 - £300
gouache, signed and dated 1940, 57cm x 47cm, framed
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
41 337. Paul Hardy (1862-1942), Confronted in the Chamber, pen and ink wash illustration, signed, 27cm x 18cm, framed
344. † Bernard Meadows (1915-2005), Nude, watercolour and mixed media on paper, 1939, signed, 21.5cm x 13.5cm, framed
338. Stephen Tandori (b.1936), Still Life with Vase of Flowers, watercolour, signed, 18cm x 13cm, framed £30 - £50
345. Roy Turner Durrant (1925-1998), Head on Brown
£50 - £70
£200 - £400
£120 - £180
Envelope, mixed media, signed, 28cm x 21cm, framed
339. A Freeman Smith (19th and 20th Century), Burnaby
Memorial, Birmingham, watercolour, signed and titled, 1914, 36cm x 32cm, framed £30 - £50
340. Peter Collins (1923-2001), Nude Studies, pen and ink, three drawings, 25cm x 29cm, framed (3) £40 - £60
346
346. Roy Turner Durrant (1925-1998), Head, mixed media on £60 - £80
paper, signed, 7.5cm x 4.5cm, framed 341
341. Antonio Guidotti (1881-1958), Venetian Scene with Gondola, watercolour, signed, together with its companion, a pair, 31cm x 16cm, framed (2) £80 - £120 342. Reg Cooke, portrait of a man, pastel, signed, 22cm x £20 - £30
18cm
347
347. John Davison Liddell (1859-1942), Bamburgh Castle, oil £200 - £300
on board, signed and dated 1924, 17cm x 38cm, framed
343
343. Lucy Voelcker (b.1959), Deforestation, mixed media on card, 1987, 28cm x 23cm, framed £40 - £70
348
348. Attributed to William A Breakspeare (1856-1914), In £300 - £500
Council, oil on board, signed and titled, 18cm x 30cm, framed
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
42
354
355
351
351. James Harrigan (b.1937), Pruning Olives, oil on board, signed, 29cm x 39cm, framed £400 - £600 352. J. Soper (20th century), A pair of paintings depicting
Parisian Street Scenes, oil on canvas, signed, framed, 21cm x 26cm (2) £300 - £500 353. An oil Portait Painting of a Lady in a large sun hat, French £100 - £150
circa 1930s, mounted in moulded and carved frame
349
349. George Clare (1835-1890), Still Life with Birds Nest and
Flowers, oil on canvas, together with its companion, Still Life with Fruit, signed, 15cm x 22cm, framed (2) £800 - £1200
350. Oliver Clare (1852-1927), Still Life with Grapes, oil on canvas, together with its companion, signed, 30cm x 23cm, framed (2) £400 - £600
354. Oliver Rhys (fl.1876-95), Contemplation, oil on board, signed, 30cm x 22cm, framed £400 - £600
355. Oliver Rhys (fl.1876-95), Venetian Gossip, oil on canvas, £800 - £1200
signed, 70cm x 90cm, framed
356. Evelyn Cheston (1875-1929), Still Life with Plums and £100 - £200
Flowers, oil on board, signed, 19cm x 29cm, framed
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
43 357. † Geoffrey Underwood (British, 1927-2000), Seated Nude, oil on canvas laid on board, signed and dated 52, 88cm x 28cm, unframed £300 - £500
358. † Geoffrey Underwood (British, 1927-2000), Self Portrait, £30 - £50
oil on board, signed, circa 1980, 61cm x 66cm, unframed
359. † Geoffrey Underwood (British, 1927-2000), A Surrealist
Vision of St. Ives Harbour, oil on canvas laid on board, signed and dated 1990, 122cm x 66cm, unframed £100 - £150
356
360. † Montague Leder (1897-1976) a selection of paintings depicting still life scenes, oil on stretched canvas, unsigned, £50 - £80 unframed (6)
361. † Montague Leder (1897-1976) a selection of paintings depicting various scenes, oil on stretched canvas, unsigned, £50 - £80 unframed (6)
362. † Montague Leder (1897-1976) a selection of paintings depicting various scenes, oil on stretched canvas, unsigned, £50 - £80 unframed (5)
357
363
363. † Alan Cotton (b.1938), Devon Cows II, oil on canvas, £200 - £300
signed, 60cm x 75cm, framed
364. Eric Mason (1921-1986), St Paul’s, oil on canvas, 1981, signed, 90cm x 60cm, framed £50 - £80
365
365. † Anthony Robert Klitz (1917-2000), Walk in the Park, oil £100 - £200
on canvas, signed, 50cm x 100cm, framed
359
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
44
366 366. Chen Erfu (b.1965), River Blue, oil on canvas, signed and dated 2005, 76cm x 102cm, framed £2000 - £4000
367. P. Shenstone (20th century), Abstract Study of Flowers in a Vase, oil on canvas, signed and dated 62, 46cm x 62cm, framed £120 - £160
368. Langton (20th century), Polperro Harbour, oil on canvas, £180 - £220
signed, 38cm x 49cm, framed
369. 20th century, Abstract Study, oil on board, monogrammed M.K., 38cm x 51cm, framed £100 - £150
370. Charles Riley, Uncaged Bird, monogrammed, 36cm x 31cm, framed
oil
£140 - £180
on
canvas,
371. After Murillo (19th century), Boy Playing Dice, oil on canvas, unsigned, 62cm x 42cm, framed £300 - £500
370
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
45
375
375. Olwen Tarrant FROI (b.1927), Far From the Madding Crowd, oil on canvas, signed, 65cm x 81cm, framed £200 - £300
376. Olwen Tarrant FROI (b.1927), The Slopes of Pollensa, oil on canvas, signed, 54cm x 64cm, framed £200 - £300 377. William Davies (b.1928), The Rio Garibaldi, oil on canvas, £250 - £350
signed, 41cm x 51cm, framed 372
378. Sandra Wood (b. 1960), Landscape with Shepherd, oil on board, signed, 9cm x 11cm, framed £30 - £50
373
379
372. Amanda Ward, Sirens, oil on board, signed, 76cm x 51cm, framed £500 - £700
373. Eric Ward (b.1945), Nude in the Artist’s Studio, oil on canvas, signed, 72cm x 92cm, framed £700 - £900
374. Olwen Tarrant FROI (b.1927), The Lamp on the Hill, oil on canvas, signed, 65cm x 82cm, framed £200 - £300
379. Bob Dylan and his Band, Friday December 23rd 2009, oil on canvas, unsigned, 100cm x 80cm, unframed £150 - £200 380. Andrew Smith (b.1936), Departure, oil on card, inscribed verso, 1993, 27cm x 35cm, framed £80 - £120
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
46
386
386. Rosemary Carruthers (b.1943), In the Shade Salles Du Salat S.W. France, oil on board, signed, 23cm x 26cm, framed £120 - £150
381
381. Pierre Mas (b.1933), Still Life, oil on canvas, 82cm x 65cm, signed, framed £150 - £250
382. Clive Frederickson (20th/21st century), Koi Carp, oil on canvas, 90cm x 110cm, signed, unframed £50 - £80
387
387. † Margaret Mellis (1914-2009), Untitled, oil on
unprepared canvas, 1983, from the Skew Series, estate stamp and reference verso, 13.5cm x 12cm, framed £600 - £800
383
383. George Paice (1854-1925), Lady Hawthorn, oil on canvas, signed, 23cm x 31cm, framed £200 - £300
388
388. † Anthony Frost (b.1951), Out of the Kitchen Came Raw Energy, oil on card and board, 1985, signed and inscribed verso, 46cm x 53cm £300 - £500 384
384. Harry Riley (1895-1966), Spain 1950, oil on board, £100 - £150
signed, 40cm x 50cm, framed
385. Caroline Elkington, Two Girls in a Bedroom Interior, oil on £250 - £350
canvas, signed and dated 81, 46cm x 62cm, framed
389. † Geoffrey Key (b.1941), Waiting to Dance, oil on canvas, signed and dated 1998, titled verso, 59cm x 49cm, framed £3500 - £4500
390. † Francis Davison (1919-1984), Fishing Boat at Low Tide, £1500 - £2500
oil on panel, estate stamp verso, 35cm x 70cm, framed
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
47
389
390
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
48
GLASS 391. Four Victorian green glass dump weights, including flower £80 - £120
and bubble included, largest 15cm diameter (4)
397
397. A Nailsea glass paperweight, orange and opaque spiral, 19th century, 7cm diameter £20 - £40
398. A collection of 19th century and later Bohemian glass,
392
392. A Victorian cased glass lantern or pastille burner, circa
including amethyst cased flash cut vase, ruby overlay and acid etched rummer, miniature mug and drinking glass, 18cm high (4) £30 - £50
1880, modelled in the form of a tower cottage, cranberry draining to white, over opaque, supported on a metal ring, 20cm high £30 - £50
393. A crystal chandelier, French, the two circular frames with £200 - £250
cut glass droppers mounted on single long central support
394. Three 19th century Nailsea glass flasks, opaque trailed, £40 - £60
including cranberry glass and colourless, 22cm long (3)
395. A pair of 18th century airtwist glass tapersticks, the
waisted bowl sconces on double knopped multi spiral stems and conical feet, 15.5cm high, 3.5cm rim, 7.8cm foot (2) £300 - £400
399
399. A pair of 19th century Bohemian green cased glass portrait vases, pedestal amphora form with covers, each with an
396
396. Three glass scent bottles including a French Palais Royale blue and brass overlay bottle, circa 1860, with hinged lid, a
Venetian latticio aventurine example and a Bohemian amethyst £40 - £60 cut glass bottle with stopper, 13cm high (3)
opaque plaque painted with a girl, with in a gilt foliate and polka dot ground, geometric Classical banding to the plinths, 41cm high (2) £500 - £800
400. An Apsley Pellatt glass portrait scent bottle, circa 1820, with sulphide bust of a woman, probably Queen Caroline of Brunswick, hobnail cut, with chased gilt hinged top, 8.5cm long
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
£300 - £500
49
401
405
401. A Murano glass facon de Venise winged wine glass or goblet, Venetian, circa 1900, the wrythen ribbed trumpet bowl
on double knopped aventurine and blue glass stem of interlocking serpent tendrils with leaf terminals, on splayed foot, 18cm high £40 - £60
407 406. John Walsh Walsh for W A S Benson, a pair of Arts and Crafts straw opal and opaque threaded glass light shades, ovoid egg form, 7cm opening, 15cm high (2) £120 - £180
407. John Walsh Walsh, an Arts and Crafts straw opal and opaque threaded glass light shade, amphora form, relief £80 - £120
moulded with rope design, 6.5cm opening, 14cm high (2)
408
408. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts green glass vase, circa 1890, optic ribbed, squat 402
402. Jules Barbe for Thomas Webb, a tooled gilt cased glass, silver mounted bottle, 1890, cuboid form, red over opaque,
ovoid form with flared and crimped neck, 9cm diameter, 5.5cm high £30 - £50
decorated with Chinese dragon in swampy landscape, the screw lid embossed and chased with floral foliate design, 19.5cm high £600 - £800
403. An Arts and Crafts straw opal glass oil lamp, the shade
probably by James Powell and Sons, Whitefriars, wrythen opaque trailing, on an optic moulded glass and brass base, 40cm high excluding chimney £70 - £100
404. An Arts and Crafts straw opal glass oil lamp, wrythen
trailed crimped shade over a diamond moulded reservoir, possibly John Walsh Walsh, 35.5cm high £50 - £80
405. John Walsh Walsh for W A S Benson, a pair of Arts and Crafts straw opal and opaque threaded glass light shades, £120 - £180
ogee gourd form with drop finials, 7cm opening, 16cm high (2)
409
409. John Walsh Walsh, a pair of small Pompeian yellow glass posy vases, circa 1928, bulbous form with conical necks, acid
marks, 7cm high (2)
Note: see Reynolds, E. 1999, Glass of John Walsh Walsh, p.46 pl.20 and 21, for examples of this vase £30 - £50
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
50
410
410. Barnaby Powell for Whitefriars, a threaded glass vase, patterm 1258,
circa 1929, blue over colourless, 21cm high £80 - £120
413
413. Monart, an Art Deco MF glass vase, aventurine and yellow mottled with
opaque inclusions, paper label V1.MF 465A, 23.5cm high £150 - £250
416
416. Kralik, a Secessionist Teardrop glass vase, circa 1900, iridescent
elongated double ogee waisted formwith purple drip trailing to the neck, 15.5cm high £20 - £40
417. Two Secessionist glass vases, in
the style of Josef Hoffmann, slice cut tapered form, smoky grey, 10cm and 7.5cm high (2) £30 - £50
418. Kralik (attributed), a Secessionist glass and metal bowl, circa 1900, the
green web lattice trailed bowl with inverted and crimped rim, supported within a cast bronzed cage of stulised poppies, on three sinuous feet, 22cm high £150 - £250
411
411. Stevens and Williams, a rainbow glass bowl, circa 1930s, optic moulded
ribbed and footed form, blue and green swirl design, 26.5cm diameter
419. A Loetz Rusticana iridescent glass tree trunk vase, circa 1899, splayed form
£70 - £100
414
414. A Loetz Pampas miniature glass jug, circa 1900, iridescent green with
with three openings to the shaft, 44cm high £300 - £400
£40 - £70
bronzed web lattice overlay, 9cm high
420
420. Carlo Moretti, three Murano glass vases, Delau, Cozia and Germo, each
412
412. Thomas Webb and Sons, a Cameo Fleur glass vase, circa 1931,
with lattice cheque decoration, signed and numbered, 25cm high (3) £50 - £100
waisted form, pink over colourless lily design, engraved mark, 22cm high £200 - £400
415. WMF,
an
415
Ikora
glass
vase,
pedestal trumpet form, marbled greem £80 - £120 and yellow, 21cm high
421. A Murano iridescent glass vase,
Cristallerie, rounded conical, pedestal form, red iridescent with gilt knop, 21cm £30 - £50 high
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
51
422
422. A large Murano glass figure of a bull, circa 1960s, signed indistinctly, 46cm long £350 - £450
430
430. Jonathan Harris, an iridescent studio cameo glass vase,
silver over red and cut with woodland, 2009, signed and dated, £150 - £250 14cm high
423
423. Jens Quistgaard for Dansk Design, a pair of Modernist green glass candle holders, cylindrical form with waisted necks, 6.5cm high, 7cm diameter (2) £20 - £40
424. Sven Palmqvist for Orrefors, a smoky green glass Fuga bowl together with a similar Czech glass Sommerso type bowl and a footed glass bowl, largest 19.5cm diameter (3)£30 - £50
431
431. Emile Galle, a Wisteria cameo glass box and cover, circa £400 - £600
1900, purple over colourless, signed in cameo, 15cm diameter
425. Per Lutken for Holmegaard, a smoky green glass Rondo vase, 1956, together with a bowl, number 160521 and another blue bowl, two signed, 8cm high (3) £30 - £50
426. Nils Landberg for Orrefors, an engraved glass decanter,
circa 1960s, etched with a hunter and dog in open woodland, £40 - £70 etched marks 2919, 23cm high
427. A collection of Modernist glass, including Caithness cased glass vase, etched vase and textured bark effect green vase, 19cm high (6) £30 - £50
428. An Okra iridescent glass paperweight and leaf dish, the
paperweight in the form of a coiled snake, the dish modelled as a leaf, etched and engraved marks, 22cm long (2) £50 - £80
429. A collection of studio glass and a lucite sculpture,
including Mdina paperweight, iridescent pear shaped vase and £20 - £30 another paperweight
432
432. Daum, an Art Nouveau pate de verre enamelled cameo glass vase, Iris design, with spiders web and grasses, signed, 11.5cm high £200 - £400
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
52 438. Pierre D’Avesn for Daum, an Art Deco glass vase, circa
1933, the textured body with square section rim, flanked by open multi scroll handles, 18cm high £80 - £120
433
433. A French Art Deco lamp, in the style of Louis Majorelle
and Daum, the orange mottles mushroom domed shade on a textured wrought iron stand, 36cm high £100 - £150
434. Muller Freres, a pate de verre glass chandelier, the
central dome shade flanked by three bell shaped shades, mottled multi coloured opaque, supported on wrought iron arms, etched marks, approx. 95cm high £200 - £300
435. Muller Freres, an Art Deco frosted glass chandelier,
French circa 1930s, supported in a metal frame, with central large relief moulded bowl and four additional surrounding glass £100 - £200 drop shades
436. Muller freres, an Art Deco table lamp, French circa
1930s, the cast iron table lamp with frosted Muller Freres style shade £100 - £150
437. Pierre D’Avesn for Verlys, a French Art Deco Collarette glass bowl, circa 1930, frosted with reticulated and milled
crescent rim, raised mark A Verlys, France, 40cm diameter
Note: Pierre D’Avesn designed for Lalique and Daum as well as Verlys, before taking over management of the latter in 1937. Amongst his famous designs for Lalique include the Serpent vase, an example of which sold in these rooms. £50 - £100
439
439. Josef Inwald for Barolac, a Pansy glass vase, model 603,
circa 1930, green stained, acid mark made in Czechoslovakia, 14.5cm high £80 - £120 440. Lalique, a Lion pour Homme glass scent bottle, 10cm high £20 - £30
441. Rene Lalique, a Mures glass inkwell, model 431, designed
circa 1920, blue opalescent and blue stained, engraved mark to edge R Lalique, 16cm diameter £500 - £700
442. Rene Lalique, a Chicoree glass bowl, model 3213,
designed circa 1921, blue opalescent, engraved mark to centre R Lalique France, 24cm diameter £150 - £250
443. Rene Lalique, a Chiens glass bowl, model 3214, designed circa 1921, raised mark to centre R Lalique, engraved France 3214, 24cm diameter £150 - £250
444. Rene Lalique, a Poissons glass dish, model 3263,
designed circa 1921, blue opalescent, raised mark to centre R Lalique, 29.5cm diameter £200 - £400
445. Rene Lalique, a Six Figurines et Masques glass vase,
model 886, designed circa 1912, green stained, etched mark to shoulder and to underside Lalique France, 24.5cm high £1200 - £1800
446. Rene Lalique, a Fleurettes glass nail buffer, model 578, designed circa 1919, blue stained, impressed mark Lalique, 14cm long £80 - £120
447. Rene Lalique, a Saint Francois glass vase, model 1055, designed circa 1930, blue opalescent, acid etched R Lalique France, 17.7cm high £700 - £900 438
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
53
437
442
441
443
445
444
447
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
54
448
448. Rene Lalique, a blue Monaco glass vase, model 1049, designed circa 1930, acid etched R Lalique France, 18cm high £2000 - £3000
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
DAY TWO
56
MILITARIA AND COINS
449
450
452
451
449. Third Reich German Army (Heer) Officer’s dress dagger,
housed in hammered scabbard with two hanging strap rings, ivory celluloid grip and eagle cross guard, pommel with oak leaf decoration, ivory celluloid grip, etched blade marked C. Gustav £300 - £400 Spitzer Solingen, 42cm total length 450. World War Two German RAD Reich Labour Service Enlisted Rank’s dress dagger, housed in black nickel mounted
scabbard with fixed single loop, two piece stag horn grip with plated eagle beak and thick cross guard, blade marked Alcoso Solingen and etched with RAD motto, 40cm total length £500 - £700
451. Third Reich German Airforce (Luftwaffe) 2nd Pattern Officer’s dress dagger, housed in hammered scabbard with two
hanging suspension straps and silver portepee knot, the two aluminium tape straps with grey hashed centre band on a mouse grey velvet backing, orange celluloid grip with wire and eagle cross guard, pommel with oak leaf decoration and swastika, blade marked Wayersberg Solingen, 42cm total length £550 - £750
452. World War Two German Navy (Kriegsmarine) Officer’s dress dagger, housed in hammered scabbard with two hanging
strap rings, cross guard with fouled anchor to centre and release clip to the reverse, pommel in the form of an eagle with swastika, white celluloid grip with wire binding, etched blade marked Eickhorn Solingen, 42cm total length £550 - £750
453
453. Third Reich German Airforce (Luftwaffe) 1st Pattern Officer’s dress dagger, housed in dark blue leather scabbard
with plated mounts and hanging chains with spring clip, blue leather grip with wire and swastika downswept cross guard, pommel with gilt swastika to centre, blade marked Puma Solingen and with Luftwaffe issue number stamp, 48cm total length
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
£750 - £850
57 456. The Royal Fusiliers City of London Regiment sash, worn by Drum Majors or Regimental Lead Tipper for Edward VIII, black facing cloth, embroidered in gold and coloured silks and EVIIIR, with tassels to the base, with red simulated leather backing, together with a Second World War REME officer’s peaked cap, and associated tunic buttons, Major pips and badges £80 - £120
457. Two British military heliographs 5” Mark V in original leather fitted cases, the frames stamped Helio, 5” Mark V,
NIVOC, W. & J. G. Ltd and Helio 5” Mark V C&D B24435, cases stamped HELIO 5” MK.V F. LTD and HELIO 5” MK.V L.A.M (2) £40 - £60
458. A French M1874 Chassepot sword bayonet, the hilt
numbered K26356, the scabbard numbered B2889, 66cm length, together with two 20th century bayonets, and a selection of badges related to 17th Lancers, Dorsetshire Regiment, RAF, Queen Victoria £20 - £30
459. German Erma .22” semi-automatic luger pistol, 4.5”
barrel with deactivation certificate and holster, serial number 11706, together with other pistol components £80 - £120
454
454. Third Reich German SS 1933 model dagger, housed in black anodised, nickel mounted scabbard with hanging ring, crossguard stamped with SS membership number 84575, the hilt with nickel grip eagle and nickel plated mounts, blade marked Robert Klass Solingen and etched with SS Motto, 37cm total length £1500 - £2000
460. Two World War Two era helmets, including a Brodie and £100 - £150
a Zuckerman helmet (2)
461. A Chinese embroidered silk military picture, ‘Allied Forces
in China, 1912-1913, British Legation Guard, Peking’, depicting Regimental and Queen’s colours of Somerset Light Infantry, 48cm x 70cm £40 - £60
462. A white metal mounted cane / walking stick, made from teak and engraved H.M.S. Naiad Trafalgar 1805, 87cm length £50 - £70
463. Queen Victoria 1899 'Old Head' veiled one penny, uncirculated £30 - £50
464. Queen Elizabeth II two Ten Pounds notes, verso Lion & Key, Brown issue, cashier J.S. Fforde, numbers A45 697093 and A45 697092 (2) £60 - £80 465. Queen Elizabeth II two Ten Shillings notes, verso Britannia, Brown issue, cashier J.S. Fforde, numbers 06W 826425 and 06W 826426 (2) £20 - £30
466. Queen Elizabeth II two Ten Shillings notes, verso Britannia, Brown issue, cashier J.S. Fforde, numbers 33U 297978 and 33U 297979 (2) £20 - £30
455
467. Queen Elizabeth II two One Pound notes, verso Isaac Newton, Green issue, cashier J.S. Fforde, together with three similar One Pound notes, cashier D.H.F. Somerset (5) £20 - £30
mounts and acorn frog stud, stag horn grip with plated pommel and hoof cross guard with silver portepee knot, the two aluminium tape straps on a green velvet backing, blade marked Z in Crown over shield and double etched with hunting scenes, 52cm total length £750 - £1000
469. Central Bank of Ireland Lady Lavery Ten Shillings note, Orange issue dated 11/3/59, together with a Five Pounds note, brown issue dated 18/7/57 (2) £20 - £30
455. Third Reich German National Hunting Associations dagger, housed in dark green leather scabbard with plated
468. Bank of EngIand two One Pound notes, Blue issue, cashier K.O. Peppiatt, numbers N20D 665934 and N20D 665935 (2) £30 - £40
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
58
SILVER 470. An 84 piece Gorham Chantilly pattern American silverware £600 - £800
476
476. A George IV Colonial silver dessert spoon, John Hunt, £20 - £40
Calcutta, circa 1825, Fiddle pattern, 17cm long, 1.34ozt
471
471. A set of three Russian silver an enamelled caviar forks, £40 - £60
cloisonne enamel with bi pronged terminals, 8.5cm long, 0.5ozt 472. A pair of Persian white metal and ebony handled salad servers, circa 1940s, reticulated and engraved with dragons and floral cartouches, 28.5cm long (2) £80 - £120 477
477. A set of ten George IV Scottish Provincial silver teaspoons, Charles Murray, Perth circa 1825, fiddle pattern, 13.5cm long, 4.92ozt £300 - £500
473
473. A Chinese silver octagonal box, 19th century, repousse decorated with floral and foliate panels, stamped mark, 7cm high, 1.47ozt £30 - £50
474. A pair of George III Scottish Provincial silver salt spoons, Robert Keay, Perth circa 1810, Fiddle pattern, 9.5cm long, 0.52ozt £40 - £60 475. A George III Scottish Provincial silver preserve spoon, Roberth Naughten, Inverness circa 1815, Fiddle pattern, with square bowl, 15cm long, 0.82ozt £50 - £80
478
478. A George II or George III Scottish silver sauce boat,
Adam Graham, Glasgow circa 1760, shallow ovoid form with ogee rim and ear scroll handle, on three shell moulded stepped feet, stamped AG and Glasgow tree, 15.5cm long, 3.49ozt Note: Glasgow silversmith Adam Graham, was one of a handful of high quality craftsmen emerging in the thriving industrial burgh from the mid 18th century. The use of provincial style marks, with no standard or date letter, was a common occurrence in Glasgow silversmiths before the 1770s. £200 - £400
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
59 479. A pair of George III Scottish silver sugar tongs, Alexander Rollo, Edinburgh 1811, fiddle pattern with shell cast bowls, 14.5cm long, 1.31ozt £40 - £60
484
484. A George III Irish silver jug, Samuel Green, Dublin 1810,
rectangular section baluster helmet form, with raised panels, bright cut decorated, on four ball feet, gadrooned rim, 16cm long, 5.66ozt £100 - £150
480
480. A George III Irish silver sugar basket, Dublin 1792, bright £150 - £250
cut decorated pedestal boat form with swing handle, 7.44ozt
485. An Edwardian Irish silver sauce boat, Wakely and Wheeler, Dublin 1909, in the George II style, embossed wave and dot bands, on three shell moulded and stepped feet, open C scroll acanthus handle, 15.5cm long, 4.94ozt £70 - £100
486. A pair of Victorian provincial silver sugar tongs, Thomas £30 - £50
Hart Stone, Exeter 1866, fiddle pattern, 14cm long, 1.21ozt
487. A collection of silver including nurses buckles, novelty vesta case, pocket watch, compact etc. £280 - £320
488. A sterling silver propelling pencil and a Eversharp silver plated pencil (2) £20 - £40 489. An Edwardian silver stamp envelope vesta case,
Birmingham 1906, together with a malachite clover vesta case, £40 - £70 1.25ozt (2)
490. A George V silver snuff box and a Dutch example,
Birmingham 1917, chased foliate scroll design, largest 5.5cm £30 - £50 diameter, 1.37ozt (2)
481
481. A set of six Victorian Irish silver table forks, George
Waterhouse and Co., Dublin 1842, Celtic Point, bright cut decoration, 20cm long, 13.83ozt £180 - £220
482. A matched set of George III and later Irish silver dessert spoons, various makers, West and Sons, Dublin 1800 and later,
Cletic Point, bright cut deisgn, together with two Sheffield silver spoons of the same design, 19cm long, 7.74ozt (6) £160 - £180
483. A George III Irish silver jug, William Doyle, Dublin 1812, ogee lobed helmet form, 16.5cm long, 6.24ozt £100 - £150
491
491. A Victorian silver and mother of pearl rattle, George
Unite, Birmingham 1862, embossed and chased, whistle and bell, 14cm long £150 - £200
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
60 492. A Victorian silver box, William
Comyns, London 1898, embossed with Reynolds angels, the interior gilded, 7cm long, 5.5cm deep, 2.2cm high, 2.23ozt £60 - £80
499. A George V silver, tortoiseshell and glass scent bottle, William Comyns,
London 1928, shouldered form, etched and engraved with floral swag design, hinged lid and stopper, 13cm high £50 - £80
500
493
493. Two Edwardian silver vesta cases and a white metal example, Birmingham
1905 etc., one with integrated telescopic cheroot holder, chased foliate designs, 1.95ozt (3) £40 - £70
500. Two George V silver and tortoiseshell cut glass bottles or jars,
Samuel Levi, Chester 1923, one hobnail cut with floral wreath overlay to the lid, the other slice cut, with plain lid, marked Sterling, 7cm and 5.5cm high, 6.5 and £40 - £70 4.5cm diameter (2)
494. A collection of five Edwardian and later silver vesta cases, various makers
497. A George V silver and cut glass scent bottle, William Comyns,
Birmingham 1912, spherical form, plain hinged lid with gilt interior and stopper, 11.5cm high £40 - £70
498. A Victorian silver topped glass dressing jar and an Edwardian pin dish,
William Comyns, London 1898 and Birmingham 1904, Reynolds Angels design to each, silver weight 1.90ozt (2) £40 - £60
505. A George V silver photo frame,
Sanders & Mackenzie, Birmingham 1917, plain rectangular form, wooden easel back, opening 13cm x 9cm, overall £40 - £70 14.5cm x 11cm
507. A George V silver photo frame,
Birmingham marks, chased with foliate designs, 2.01ozt (3) £40 - £70
£20 - £40
form, opening 20cm x 14cm, overall 24cm x 18cm £100 - £150
largest opening 18cm x 13cm, 27cm x 20cm overall (4) £100 - £150
495. Three Victorian and Edwardian silver vesta cases, Chester and 496. A George V silver pill box,
504. A pair of George V silver oval photo frames, Birmingham 1921, plain
506. Four Elizabeth II silver photo frames, various dates, velvet backed,
and dates, engine turned, chased and martele finish, 4.64ozt (5) £100 - £150
Berthold Muller, London import 1911, Dutch embossed Rococo type pastoral scene to the lid, 3.5cm long, 0.36ozt
504
501
501. A George V silver and tortoiseshell box, Boots Pure Drug
Company, Birmingham 1923, squat ovoid form with gilt interior and inlaid floral wreath, around a central opening, 10cm diameter, 2.17ozt £40 - £70
502. A George V silver and tortoiseshell brush and mirror set, Corke
Henry Matthews, Birmingham 1913, plain rectangular with egg and dart border, opening 14cm x 9.5cm, overall £60 - £80 17.5cm x 13cm
508. A Victorian silver embossed and reticulated photo frame, James Deakin
and Sons, Chester 1901, Rococo scroll with the emblems of the British Isles, thistle, rose, shamrock, vacant cartouche, velvet easel back, opening 13.5cm x 9.5cm, overall 18cm x 13cm £50 - £80
& Apthorp, London 1920, inlaid with Neoclassical garland ribbon motifs with vacant cartouches, 28.9cm long (3) £50 - £80
503. A George V silver photo frame,
Birmingham 1922, plain rectangular form with raised thread border, opening 20.5cm x 15cm, overall 23.5cm x £80 - £120 18.5cm
509
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
61 509. A George V silver photo frame,
Walker and Hall, Birmingham 1924, engine turned barley design with ogee top and vacant cartouche, opening 14cm x 9.5cm, overall 17cm x 12cm £60 - £80
514. A George V silver photo frame,
Sanders & Mackenzie, Birmingham 1918, plain rectangular form, opening 17.5cm x 11cm, overall 19.5cm x £40 - £70 13.5cm
522. A George VI silver sauce boat,
Edward Viner, Sheffield 1940, in the George II style, on three slipper feet, £30 - £50 15cm long, 3.58ozt
510. An Edwardian silver oval photo frame, Mitchell Bosley & Co, Birmingham
1906, shell and thread border, opening 16.5cm x 7.5cm, overall 20cm x 11cm £40 - £60
511. A pair of Edwardian silver reticulated bon bon dishes, Synyer &
Beddoes, Birmingham 1910, quatrelobed with husk gadrooning, on four foliate tendril feet, 11cm diameter, 4.63ozt (2) £80 - £120
523
515
515. A Victorian silver lozenge photo frame, Henry Matthews, Birmingham
523. A Victorian silver mounted Connemara marble inkwell, Andrew
Barrett and Sons, London 1899, cuboid form with glass liner and peg pen holder, 9cm cube £150 - £180
1901, reticulated and embossed Rococo trellis and foliate scroll design, on velvet backing, the circular opening 9.5cm diameter, 15.5cm square £80 - £120 516. An Elizabeth II silver three piece tea set, Mappin and Webb, Sheffield
1962 to 1965, of fluted hemispherical form, footed, 29.5ozt (3) £300 - £500
512
512. An Edwardian silver photo frame,
Henry Matthews, Birmingham 1904, Reynolds angels design with reticulated and embossed foliate scroll design and vacant shell cartouche, the circular opening 9cm diameter, overall 15cm x £70 - £100 14.5cm
517. A set of four Victorian silver egg spoons, George Adams, London 1881, Queens pattern, gilt bowls, 12.5cm long, 3.51ozt £70 - £100 518. A 19th century silver salt spoon, Paul Storr overstruck with John Hunt, London 1855, cast with Stag Hunt design on Kings shape, 11cm long, 1.00ozt £30 - £50
519. A Victorian silver reticulated dish,
Elkington and Co., Birmingham 1897, octagonal section, embossed and pierced with fruit and trellis design, 15cm £30 - £50 diameter, 3.16ozt
520. An Edwardian silver rose bowl,
Goldsmiths and Silversmiths Company, London 1908, pedestal hemispherical form, embossed with floral sprays and foliate and beaded gadrooning, 17.5cm £180 - £220 diameter, 11.42ozt
513
513. A Victorian silver heart shaped photo frame, Henry Matthews,
Birmingham 1901, embossed and reticulated with foliate scroll decoration and Rococo cartouche, opening 7cm x 5.5cm, overall 12.5cm x 9cm £30 - £50
521. An Edwardian silver cased Goliath watch, Synyer and Beddoes,
Birmingham 1910, engine turned Regency stripe on green Moroccan leather, the velvet interior with stainless steel eight day watch, easel back, 11.5cm high £130 - £200
524
524. An Edwardian novelty silver coal scuttle, Birmingham 1904, with swing handle, 9cm long, 1.78ozt £175 - £200
525. An Edwardian silver dressing mirror, Arthur Johnson Smith, Chester
1902, easel backed support with swivel oval mirror, embossed floral design, 18cm high £150 - £200
526. Four George IV silver table forks,
William Ely and William Fearn, London 1823, fiddle pattern, 20cm long, 9.96ozt £60 - £80 (4) 527. Four George III silver tablespoons, Peter, Anne and William
Bateman, London 1800, Old English pattern, 22cm long, 8.31ozt (4)
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
£60 - £80
62 539. A pair of George III silver salt spoons, circa 1770, cast shell bowls, with twisted and open whiplash handles, 9cm long, 0.38ozt £30 - £50
528. A collection of George III and later silver salt spoons and a caddy spoon, various makers and dates from 1778, 3.39ozt £30 - £50
540. A George III silver dessert spoon, Paul Storr, London 1820, Kings Husk pattern, 17.5cm long, 1.45ozt £60 - £100
533
533. A George III silver salt cellar,
529
529. A William IV silver melon shaped mustard pot, John, Henry and Charles
Lias, London 1835, cast acanthus scroll handle, floral finial and shell and scroll bracket feet, 12cm, 5.59ozt
Francis Spilsbury II, London 1772, Gothic revival pierced gallery of arcading and quatrefoils, below a gadrooned border, on four ball and claw feet, with blue glass £50 - £80 liner, 9cm long, 1.98ozt
£100 - £150
541. Four Victorian silver condiments spoons, Hunt and Roskell, London 1864 and 1866, Hanoverian Thread and Drop Rattail pattern, gilt bowls, including three salt spoons and a mustard, 12.5cm long, 3.61ozt (4) £30 - £50
542. A Victorian silver and horn snuff mull, Nathniel Mills, Birmingha 1838, plain hinged lid, 9cm £200 - £300
530. Three George III silver tablespoons, Peter and William Bateman,
London 1808, Old English pattern, 21.5cm long, 5.28ozt (3) £60 - £80
543
534
534. A pair of George II silver sugar nips or tea tongs, Henry Plumpton,
London circa 1755, scissor action with circular box pivot and shell cast pads, stamped marks to each loop handle, 10.5cm long, 0.87ozt £60 - £100
535. A pair of William IV silver sugar tongs, William Bateman III, London
1836, fiddle pattern, together with five Dutch silver spoons, embossed and cast with 17th century domestic scenes, 3.49ozt (6) £30 - £50
531
536. A canteen of fiddle, thread and shell pattern silver plated flatware,
531. A George III silver caster, London
Elkington and Co., in a two tray oak case
£120 - £180
537. George IV silver fiddle pattern spoons, William Eaton, London 1821
1795, collared double ogee pedestal baluster form, with diaper etched lid and blade knopped finial, 15cm high, 2.78ozt
£100 - £150
and 1823, including five dessert spoons and five teaspoons, together with another teaspoon, 9.43ozt (11) £60 - £80
538. A George IV silver plate and blue glass cruet, the slice cut bottles decorated
in gilt, with facet stoppers to two, within a ribbon and foliate cast stand, 30cm high
532
532. A George III silver pap boat,
London circa 1780, plain form with line border, initials and crest, 11.5cm long, £50 - £100 1.77ozt
£150 - £250
543. A Victorian silver ink stand, Z Barraclough & Sons, Sheffield 1897, Neoclassical boat form with two cut glass inkwells and central taper stick, reticulated trellis galleried sides, on bracket feet, 26cm long, 6.88ozt excluding wells £150 - £250
544. A pair of Edwardian silver dwarf candlesticks, Ellis Jacob Greenberg,
Birmingham 1909, on square bases, weighted, 12.5cm high (2) £80 - £120
545. An Edwardian silver drum mustard pot, Elkington and Co., Birmingham
1903, cylinder form, gadrooned to both rims, the handle cast with acanthus C scrolls and a shell thumb piece, together with a Victorian silver spoon, London 1858, 5.59ozt £80 - £120
546. Edward VII interest, a George V silver and glass desk paperweight,
Arthur William Clare, London 1912, glazed to both sides with a greetings letter signed by King Edward VII, addressed to Bayham Abbey and postmarked for Sandringham 26th December 1909, £60 - £100 22cm x 14cm
547. An Elizabeth II silver gilt and ribbed resin brush and mirror set, Asprey
and Co., London 1954, shaped rectangular form with cast and reticulated foliate corners, mirror 24cm long (3)
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
£80 - £120
63
547
550 556. A Victorian silver reticulated basket, Martin, Hall and Co., Sheffield
1900, rectangular form, pierced with lozenge arcades, over a gallery of wheel motifs, chased and embossed with floral sprays within a cast foliate and C scroll border, on four Rococo acanths bracket feet, 23cm long, 11cm high, 7.50ozt £100 - £150
557. An Art Deco silver cigarette box,
552
552. A Victorian Connemara marble and silver match striker, Henry Griffith &
Sons Ltd., Birmingham 1901, 7cm diameter, 6cm high £100 - £150
548
548. A large George V silver caster,
Barker Brothers, Chester 1922, Queen Anne style, footed octagonal baluster form, 22cm high, 5.25ozt £70 - £100
549. Two George V silver topped cut glass shakers, Birmingham 1921 and
1930, one of pedestal urn form, hobnail cut, the other of conical form with bright cut lid, 18cm high (2) £50 - £80 550. A Victorian silver three piece pedestal tea service, Thomas Bradbury
Collingwood & Sons Ltd, Birmingham 1939, engine turned top with Greek key motifs and vacant cartouche, on four off centre scroll baton feet, cedar lined, 13cm wide, 9cm deep, 4.5cm high £40 - £70
553. An Edwardian silver jug, William Aitken, Birmingham 1902, squat baluster of helmet form, embossed with Rococo style foliate scroll and beaded trellis decoration, gilt interior, on four bun feet, 12cm long, 3.24ozt £50 - £70
554. A George VI silver caster, Bert Gordon, Birmingham 1937, Queen Anne style, square section footed baluster form, 18cm high, 5.33ozt £70 - £90
555. A pair of Edwardian silver Tuscan column candlesticks, Ellis Jacob
Greenberg, Birmingham 1908, plain form, weighted, 15.5cm high (2) £60 - £80
and Sons, London 1901, fluted Neoclassical boat form, the sugar basket with swing handle, Boodle and Dunthorne, Liverpool retailers stamp, 27cm long, 22.0ozt (3) £300 - £400
558
558. An Edwardian silver reticulated basket, Marples & Co., Birmingham
1907, Neocalssical boat form, pierced with foliate scroll decoration, vacant cartouches and swing handle. 11cm high, 12cm long, 2.07ozt £40 - £70
559. A pair of Elizabeth II silver dwarf trumpet vases, W I Broadway and Co.,
551. A George V silver photo frame,
Sanders & Mackenzie, Birmingham 1936, plain rectangular form, opening 27cm x 20cm, overall 30cm x 23cm
Birmingham 1978/79, weighted, 9.5cm high (2) £40 - £60
£160 - £200
556
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
64
564
564. Oliver Baker for Liberty and Co., an Arts and Crafts silver and enamelled buckle, Birmingham 1910, planished and
pierced spade design, with blue green enamel roundels, 8cm long, 1.04ozt £200 - £300
560
560. A pair of Elizabeth II silver trumpet vases, W I Broadway and Co., Birmingham 1977, 16.5cm high (2) £50 - £80 561. A set of four enamelled white metal napkin rings, each
with a painted tile plaque of a bee, within a tendril entwined wire work loop, applied to the back with a different letter, 5.5cm diameter (4) £100 - £200
565
565. Archibald Knox for Liberty and Co., an Arts and Crafts silver and enamelled match box cover, Birmingham 1906, plain 562
562. Oliver Baker for Liberty and Co., an Arts and Crafts silver buckle, Birmingham 1907, planished interlocking tendril knot design, 7cm long, 0.99ozt £200 - £300
form, set with a knotted tendril and heart leaf cartouche, 4.5cm x 3cm x 1.5cm, 0.43ozt £150 - £200
566
566. Nelson and Edith Dawson, an Arts and Crafts silver and enamelled buckle, the square enamel plaque of a collared
563
563. Amy Sandheim, an Arts and Crafts silver napkin ring,
wyvern in red and green, flanked by reticulated repousse knotted tendril links, 11cm long, 1.03ozt £400 - £600
Lonon 1933, half cylinder form, planished and set with a blind fret cast figure of a lion and star, between square cut carnelians, within chased foliate raised borders, 5.5cm long, 1.21ozt £120 - £180
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
65
570
570. Kate Harris for William Hutton and Sons, an Arts and Crafts silver and enamelled box, London 1903, spade form with
planished and pierced sinuous knotted foliate design, over green and blue enamel, the interior gilt, hinged lid, 9.5cm wide, 3.41ozt £800 - £1200
567
567. A Modernist Mexican Taxco silver cake slice or pie server, circa 1950, reticulated foliate and gourd design, with £40 - £60
hardwood handle, stamped marks and Sterling, 24cm long
571
571. David Veasey for Liberty and Co., an Arts and Crafts silver and enamelled napkin ring, Birmingham 1910, embossed
with stylised tulip tree motifs in blue green enamel, 5cm diameter, 0.87ozt £180 - £220
568
568. An Arts and Crafts silver photo frame, J Aitkin and Son,
Birmingham 1908, oval cartouche form with reeded rim and foliate scroll rosettes, opening 14cm x 9cm, 24.5cm x 16.5cm £150 - £200
569. Six Art Deco enamelled silver teaspoons, Turner and
Simpson, Birmingham 1933, geometric wheat terminals in green and blue enamel, 10cm long, 1.72ozt (6) £60 - £80
572
572. Bernard Cuzner (attributed) for Liberty and Co., a set of six enamelled silver buttons, Birmingham 1907, modelled in
relief with galleons and green blue enamel, in original fitted box, 2.5cm diameter (6) £300 - £500
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
66 577. An Arts and Crafts silver photo frame, Sydney & Co., Birmingham 1905, repousse decorated with flowering rosemary in the Art Nouveau style and Shakespearian motto There’s Rosemary, That’s For Remembrance, shaped cartouche form, the circular opening 9cm diameter, overall 16cm high £100 - £150
578. An Art Nouveau style silver photo frame, B T, London
1979, embossed with bamboo and wisteria in a farmyard landscape with geese, opening 11.5cm x 7.5cm, overall 19cm x 13.5cm £40 - £60
573
573. Two Art Nouveau enamelled silver buttons, one converted
to a brooch, guilloche and painted enamel, Vigne and Yris, 2.3cm diameter (2) £100 - £150
574. An Art Deco silver clock, W & Co., London 1924, stepped concentric ring form, 8.5cm diameter £30 - £50 575. A pair of Art Deco Norwegian silver candlesticks,
Brodrene Lohne, Bergen circa 1930, stepped and turned £40 - £70 concentric ring design, weighted, 5.5cm high (2)
579. An
Art Deco silver timepiece, Henry Matthews, Birmingham 1928, cushioned and scalloped cloud form, with Champagne dial and Arabic numerals, 10.5cm wide, 9cm high £40 - £70
580. An Art Deco silver mantle timepiece, Adie Bros,
Birmingham 1932, engine turned domed and stepped case with 3.5 inch silvered dial, Empire electric clock movement, 230 volt AC, 12cm high, 3.43ozt £40 - £70
581. Four Art Deco silver compacts, Birmingham 1934 to 1940, circular form, engine turned, one with marcasite and coral geometric motif, 7.5cm diameter, total weight 9.03ozt £50 - £80
582. Three cased sets of Art Deco and later silver teaspoons,
including enamelled floral, Birmingham 1948, coffee bean £50 - £80 spoons, Birmingham 1959, 4.27ozt (18)
583. An Art Deco silver cigarette case and matchbook case,
Martin Hall and Co., Birmingham 1925 and Frederick Field, Birmingham 1930, both etched with rising sun motifs, gilt £40 - £60 interiors, largest 9cm x 8.5cm, 4.37ozt (2)
576
576. An Arts and Crafts silver watch or clock holder, John
Millward Banks, Birmingham 1907, mushroom domed and embossed with nesting birds in a cottage garden, opening 5.5cm diameter, 11.5cm high £50 - £80
584
584. An Art Deco enamelled and gilt cigarette case, German,
circa 1934, blue guilloche Maltese cross and washed silk design, 8.5cm x 7cm, 3.85ozt £50 - £80
585. An Art Deco silver cigarette case, Thomas William Lack,
Birmingham 1929, engine turned barley design, gilt interior, 10.5cm x 8.5cm, 3.75ozt £30 - £50
586. An Art Deco silver cigar casket, Birmingham 1935,
radiating light ray and engine turned design, with chamfered corners, cedar lined, 11.5cm wide, 9cm deep, 4cm high £40 - £70
577
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
67
JEWELLERY AND WATCHES 587. An Arts and Crafts silver bracelet,
Arthur Johnson Smith, Birmingham 1905, the linked panels embossed with a hooded woman in woodland, 18cm £80 - £120 diameter
592. An Arts and Crafts silver and mother of pearl wirework necklace,
598. Liberty and Co., an Arts and Crafts Cymric silver brooch, in the form
three shell cartouches framed in open scrolls, linked on a chain, 43cm long
of a Celtic or Romano British fibula, stylised zoomorphic and foliate design, stamped marks, 4cm long £150 - £200
593
599
£150 - £200
588
588. An Arts and Crafts silver and mother of pearl necklace, the hammered
and pierced lozenges set with shell roundels, linked by double chains, 44cm long £200 - £250
593. A Secessionist silver and amethyst pendant, open shield form, the cabochon
stone within an applied wire and ropework scroll and knot cartouche, studded with balls, 3.5cm, 45cm long
599. Archibald Knox for Liberty and Co., an Arts and Crafts Cymric silver brooch, knotted thorned tendril design, £100 - £150
planished, stamped marks, 3cm diameter
£70 - £100
594. An Arts and Crafts silver and mother of pearl pendant, open wire work
scroll and leaf design, 4cm diameter, 42cm long £50 - £80
595. Bernard Instone, an Arts and Crafts silver brooch, circa 1920, pierced
589
589. William Mark, an Arts and Crafts silver and enamelled brooch, Chipping
Campden, circa 1912, the fire opal enamel cabochon within a pierced lappet border, stamped marks, 3.5cm diameter Note: Australian silversmith William Mark worked at the Guild of Handicraft from 1909, beofre setting up on his own and remaining in the Cotswolds until his return to Australia in 1920. The influence of his Australian heritage is seen in the simulation of a black opal, emerging out of Australia in the late 19th century.
and modelled in relief with fruiting plant, marked sterling, 5cm £80 - £120
596. An Arts and Crafts silver and enamelled necklace, the blue guilloche
pendant with knotted foliate design in the Art Nouveau style, suspended on chains with blue stones, a garland of natural pearls below, 41cm long £40 - £70
£100 - £150
£40 - £60
591. A Secessionist silver and mother of pearl necklace, the planished
rectangular pendant set with a shell plaque, flaked by concentric open rope links on a fine chain, 47cm long £60 - £80
600. Charles Horner, an Arts and Crafts silver and enamelled brooch,
Chester 1923, open knotted tendril design with blue green enamel, 3.5cm £40 - £70
601
601. Charles Horner, an Art Deco silver and enamelled brooch, Chester 1923, in
590. An Arts and Crafts mother of pearl and silver necklace, plain shell
cabochons suspended on a fine chain, 42cm long
600
597
597. Murrle Bennett and Co., an Arts and Crafts silver and enamelled pendant, the central painted plaque of a
the Egyptian style, modelled as a winged scarab in blue, turquoise and green guilloche and champleve enamel, 7.5cm long £150 - £200
stags head on blue green enamel, within an open leaf and planished studded cartouche, 4cm long, 43cm long £300 - £400
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
68 605. Bernard Instone, an Art Deco silver, marcasite and amethyst necklace,
circa 1925, articulated, stylised open foliate design with graduated stones, stamped marks, pendant 3.5cm long, £60 - £80 39cm long
608. Liberty and Co. (attributed), an Arts and Crafts silver and enamelled pendant, set ith central moonstone within
a cloisonne flower head, in blue green and orange enamel, 3cm diameter £200 - £250
602
602. An Arts and Crafts silver and enamelled bracelet, Stainton Brothers,
Birmingham 1908, alternating blue yellow and blue turquoise guilloche enamel open roundels, of opposing stylised bud and leaf form, 19.5cm long, 0.49ozt £70 - £100 606
606. Barnet Henry Joseph, an Arts and Crafts 9 carat gold, turquoise and pearl brooch, circa 1900, open knotted tendril
and pierced panel design with central cabochon above a natural drop pearl, 3.5cm long £150 - £250
609
609. Bernard Instone, an Art Deco silver, marcasite and garnet brooch,
circa 1925, stylised pierced interlocking trumpet flowers with graduated terminals, £40 - £70 stamped marks, 5cm
603
603. Jessie M King for Liberty and Co., an Arts and Crafts silver, enamel and moonstone pendant, circa 1900, blue
green enamelled open leaf design, surrounding a central cabochon, unmarked, 3.5cm long £100 - £200
610
607
607. Charles Horner, an Arts and Crafts silver and enamelled brooch,
610. An Iona style white metal collar or torque necklace, engraved with Celtic
knot and zoomorphic motif, 13.5cm diameter, 1.33ozt £20 - £40
Chester 1903, shield form, the central bas relief portrait of a woman, within stylised tree cartouche with turquoise cabochon stones, blue and purple £200 - £300 enamel between, 3cm
611
611. Finn Jensen, a Norwegian silver gilt and enamelled brooch, white
604
604. Henry Matthews, an Arts and Crafts 9 carat gold, amethyst and pearl pendant, interlocking stylised leaves with
guilloche enamel with a painted rose, stamped marks, 4cm long £30 - £50
central cabochon and caged Baroque pearl drop, pendant 4.5cm, chain 46cm long, 4.6g £150 - £200
608
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
69 621. John Lecomber, an 18 carat gold minute repeater full hunter pocket watch, white enamel dial with subsidiary
seconds, signed to the movement plate, London 9818, 5cm diameter £2500 - £3000
622. An 18 carat gold Chronograph quarter repeater pocket watch, full
620
612
612. Johannes Torlyk, a Danish Moderinist silver bracelet, circa 1940s, £30 - £50
embossed stylised leaf links, 18.5cm long
620. A five stone opal and gold ring,
hunter case, with subsidiary seconds dial, 5cm diameter £1500 - £2000
graduated cabochon stones, approx. size £60 - £100 K 1/2
613. A Modernist enamelled bracelet,
circa 1970s, planished metal links set with blue enamel ovals, 20cm long £30 - £50
614. A Norwegian silver gilt and enamelled pendant on chain, the
reticulated honeycomb with central green enamel clover leaf, within a blue guilloche wreath border, 3.5cm diameter, chain 40cm long £30 - £50
615
615. A George V silver and enamelled brooch, J Atkin and Son, Birmingham
1913, oval form with blue guilloche wreath and central rose sprig on white, within a white border, 3.5cm long
621
£20 - £40
616. Three 19th century yellow metal and hardstone fobs, including an
enamelled compass, carnelian and agate, engraved Though Lost to Sight, To Memory Dear, 4cm high (3)£100 - £200
617. A Scottish hardstone brooch,
together with a silver and moulded glass button, the brooch of ring form with specimen agates set in white metal, 4cm £40 - £70 diameter (2)
618. A 9 carat gold chain locket bracelet, hollow multi ring links, with £120 - £180
heart padlock, 20cm long, 16.7g
619. Three rings including Art Deco jade type and marcasite, citrine and diamond and sapphire (3) £70 - £100 622
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
70 623. A ladies silver wristwatch, white enamelled dial, on black £50 - £80
632. A Cartier ladies Tank wristwatch, stainless steel, original £1000 - £1500
silk strap, 3cm
box and papers
624. Three silver watches, including pocket watch, fob watch and wristwatch (3) £20 - £40
625. Three Victorian silver cased pocket watches, including
Fattorini and Sons, Bradford, all with subsidiary dials, 5.5cm diameter (3) £40 - £60
626. Three gold plated pocket watches including half hunter with blue enamelled chapter ring, Elgin and Waltham, together with a £30 - £50 Kays Standard Lever watch (4)
627. A 9 carat gold Dennison gents wristwatch, rectangular
633
633. A Tudor Rolex 18 carat gold ladies wristwatch, in box and numbered 1470, 18.3g £80 - £120
form, with Arabic numerals, 4cm long, 2.5cm wide to crown, case excluding movement and glass 7.4g £50 - £70 628. A 9 carat gold ladies wristwatch, on gold spring bracelet £60 - £80
strap, 2.5cm wide, 17.6g
629
629. International Watch Company, Schafenhausen, Caliber 62 gents wristwatch, circa 1942, copper dial with subsidiary
634
634. Alfred Dunhill, a 9 carat gold Rollagas lighter, London £500 - £800
1967, textured finish, in fitted box, 6.5cm long, 110g
seconds dial and Arabic numerals, with blued steel hands, the movement marked 1044163, the case 1076641, 35mm to crown £200 - £400
635. Montblanc Meisterstuck 164 Classique ballpoint pen, gold trim, in box £60 - £80
630. A 9 carat gold ladies wristwatch, Daphne, subsidiary seconds dial, on leather strap, 2.4cm £50 - £80
636. A 9 carat gold pen and pencil set, circa 1900, tapered
631. A 9 carat gold ladies Rotary wristwatch, on gold bracelet strap, Incabloc, 2.7cm £120 - £180
conical form with ball terminals, applied mark 9ct, in fitted box, 19cm long (2) £150 - £200
632 For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
71
CONTINENTAL CERAMICS
637
639
641 641. An Italian maiolica polychrome albarello, Tuscany, circa 1560, waisted gourd form, painted with a woman within scroll cartouche, 18.5cm high £200 - £300
637. An Italian Maiolica albarello, 18th century, painted with a coat of arms, 28cm high £100 - £150
638. Four Delft tiles, 17th or early 18th century, painted with birds and other scenes, 13cm square £80 - £120
642. A saltglazed stoneware Cologne or Frechen cup, circa 1600, ovoid form, relief moulded with the arms of Amsterdam, 14cm high £150 - £200
639. A Montelupo blue and white syrup jar, circa 1710, ovoid footed form, painted with foliate scroll and rosette design, 27cm high £100 - £150
643. A Delft polychrome onion neck vase, circa 1710, painters mark APK, 22.5cm high £100 - £150
640. A Delft charger, circa 1700, polychrome decorated with a galleon, within a spiral and swag border, 31cm diameter
644. A large Delft faience polychrome plate, circa 1720, the
£150 - £250
central roundel of a cherub within a foliate scroll ground and rounded lozenge border, 35cm diameter £200 - £300
644 For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
72 648. A Frankfurt faience ewer, circa 1680, blue and white painted in the Chinoiserie style, with rope twist handle, 24.5cm high £80 - £120
649. A Delft blue and white dish, circa 1750, painted with swans and foliage, within a fruit and pilaster border, 35cm diameter £50 - £80
645
645. A Spanish maiolica albarello, Talavera, circa 1750, blue
on blue sponge decorated, with paper label ‘Calaguala’, 29cm high £200 - £300
650
650. A German stoneware Bellarmine or Bartmakrug, 16th century, ovoid onion form, relief moulded wheel and mask, 22.5cm high £200 - £300
646
646. A Henriot Quimper faience bough pot, panels decorated
with a young gentleman and lady, monogrammed HB to base, 13cm high £40 - £60
651
651. A pair of Faience vases, 19th century, onion knopped
bottle form, painted with millefleur Persian design, impressed and painted marks, 41cm high (2) £100 - £200
652. A Limoges porcelain plate, painted with a girl, by M Picard, within gilt and blue border, 23.5cm diameter £40 - £60
647
647. A Delft blue and white cylindrical pot, probably 18th century, 12cm high £80 - £120
653. A pair of Continental figural salt cellars, modelled as a man and woman reclining with florally encrusted navette dishes, incised No13, 14cm high (2) £50 - £100
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
73 657. A Vienna style porcelain plate, pianted with a central scene of a courting couple, within a reticulated floral and trellis border, 21.5cm diameter £60 - £100
658. A Vienna style porcelain plaque, painted with a man £40 - £70
smoking a pipe, 16cm x 12.5cm, framed
654
654. A Berlin porcelain figure group, modelled as a peasant woman with children, underglaze mark, 18cm high £50 - £100
659
659. A Paris Porcelain jug, circa 1810, cylindrical helmet form, £40 - £70
London deocrated with children playing with blinfold, 12cm high
660. A collection of Continental tea ware, including Meissen, Nymphemburg, Capo di Monte and German porcelain (12) £80 - £120
661. A pair of Sevres style porcelain plates, painted with birds, named to the reverse, cobalt blue and gilt foliate and Rococo scroll borders, 24.5cm diameter (2) £100 - £150 655
655. A pair of Ludwigsburg style Continental porcelain figures,
modelled as children feeding chickens, underglaze blue marks, £60 - £100 14cm high
656. A Vienna style porcelain plate, pianted with a central
662. A Continental porcelain figural three branch candelabrum, modelled as a woman and child beside a florally encrusted tree, 52cm high £100 - £150
663. A Rosenthal dessert service, circa 1960s, painted with fruit
within relief moulded floral gilt borders, including six plates and two twin handled dishes, 22cm diameter, 38cm long (8) £50 - £70
£40 - £70
scene of Diana, within tooled gilt borders, 20cm diameter
664
664. A pair of Meissen style figural candlesticks, modelled as £100 - £150
putti on Rococo scroll bases and lappet columns, 20cm high (2)
657
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
74 665. A Sevres style gilt metal mounted vase, elongated
pedestal amphora form, painted with a courting scene, signed Irene, within a tooled foliate gilt cartouche, 39cm high £120 - £180
672. A Vienna style porcelain twin handled pedestal vase,
painted with a central vignette of romantic omen reading poetry, below a reticulated neck, flanked by acanthus moulded wreath handles, impress marks and underglaze blue beehive, 19.5cm £120 - £180 high
673. A pair of Meissen dishes, painted with floral bouquets and sprays, within a wave rimmed gilt border, 21.5cm diameter (2) £70 - £100
666
666. A Continental porcelain figural three branch candelabrum, modelled as a courting couple with flute and bird, beside a tree, encrusted with roses, 45cm high £100 - £150
667. A Continental rose painted plaque, signed Emile, within a tooled gilt on blue vine border, 40cm diameter, framed £100 - £150
668. A 19th century portrait miniature on porcelain, depicting a young girl, 8cm x 6.5cm, framed £30 - £50
669. A pair of Continental Meissen style figures of a travelling entertainer and a woman, together with a Monkey Band figure, 17cm high £40 - £70
674
674. A Meissen onion pattern two tier pedestal tazza or cake stand, blue and white, the plates with alternating reticulated lattice
and cartouche borders, surmounted by a figural finial in the form of a maiden with an apron of roses, underglaze and impressed marks, 41cm high £250 - £350
670. Two Continental Meissen style onion pattern plates,
together with a Copenhagen floral painted plate and a Royal Crown Derby example, underglaze blue and impressed marks, £40 - £60 31cm diameter (4)
675
675. A Meissen teapot, circa 1820, relief moulded Rococo 671
671. A Sevres style porcelain coffee can and saucer, painted
with travellers and an encampment, within a blue and gilt foliate bordered ground, interlaced L mark, 7cm high £60 - £100
feathered scroll cartouches, painted with courting birds in rustic landscapes, 15.5cm long £200 - £300
676. A Meissen bowl, circa 1820, painted with puce floral bouquets and sprays £40 - £70
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
75
677
677. A Meissen tea bowl and a saucer, circa 1780, the bowl
painted with mercantile marine scenes, the saucer with a central riverside view with figures, gilt marks, 13cm diameter
683
£80 - £120
685
685. A Meissen tea caddy, circa 1740, painted with birds and insects, cuboid form, 10cm high £80 - £120
678
678. A Meissen twin handled bowl and cover, circa 1770,
relief moulded floral sprays and gilt Rococo cartouches, painted with putti, 14cm wide £150 - £250
686. Two Meissen porcelain cups, circa 1740, one of miniature proportions, quatrelobed with scroll handle, the other larger, both painted with floral sprigs (2) £40 - £70
679. A Meissen Swan Service jug, circa 1900, relief moulded with watery landscape and serpent handle, after the 1737 original, 8.5cm high £70 - £100
680. A set of eleven Meissen pictorial dessert plates, painted
with vignettes of children in leisure, industry and learning, signed CH to each, including hunting, farming, haymaking, wine making, story telling, foraging and felling etc., 19th century, 24cm diameter (11) £500 - £700
681. A Meissen figure of cupid, L118, modelled as a puzzled boy with towel, incised and impressed marks, underglaze swords, 19.5cm high £250 - £350 682. Three Meissen Kakiemon coffee cans and saucers, various dates, underglaze blue marks, 6cm high (6) £40 - £70 683. Meissen Hausmaler plate, circa 1730, Augsburg tooled gilt
over underglaze blue decoration, 22.5cm diameter £100 - £150
684. Meissen koreanischer Lowe plate, circa 1740, relief moulded basket weave rim, 24cm diameter £100 - £150
687
687. Francois Maurice, a Palissy dish, circa 1875, relief moulded with a fish on bracken, surrounded by shells and insects, incised signature, 41cm long £300 - £500
688. A French majolica twin handled vase, bulbous form, the
handles modelled as elephants, the neck with millefleur pattern fading to blue, impressed marks 1266, 36cm high £500 - £600
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
76
693
700
697
694. Gustave Van Vaerenbergh, an Art Nouveau bust of a woman, circa 1900,
on pedestal base, moulded marks and number 35, 42cm high £100 - £150
701. Three Katzhutte Hertwig figures of women in crinoline dresses, printed marks, 32cm high (3) £30 - £50
702. A Katzhutte Hertwig Art Deco figure of a woman in dungarees,
together with a butterfly dancer, printed marks to one, 21.5cm high (2) £30 - £50
703. Ferdinand Liebermann for Rosenthal, a figure of a putto playing the £150 - £250
pipes on a tortoise, K.320, 14cm long
689
695
689. Theodore Deck, a Persian Blue faience vase, circa 1875, square section
695. A Limoges pate sur pate box and cover, circa 1925, Interprete d’apres
690. Johann Maresch, a Continental figural lamp, modelled as two gentlemen
696. A Royal Dux figure of a girl in a water lily, circa 1900, 16cm high £80 - £120
shouldered form in the Japonesque style, the arcaded sides with underglaze moulded geometric ground, signed, 30.5cm high £200 - £400
in secret conversation, impressed marks JM 9621, 30cm high, on a wooden lamp stand £100 - £150
691. Albin Dobrich for Ernst Wahliss, Turn, an Art Nouveau terracotta figure,
Lady of Shalott, circa 1900, modelled as a woman with flowers in her hair, stamped marks and signed Doebrich, £200 - £300 86cm high 692. Uriela, a Jugendstil painted terracotta bust of a woman, in the Art
Nouveau style, stamped marks and number 2625, Cologne, 75cm high £150 - £250
693. An Amphora figural wine cooler,
relief moulded with three putti around a woven basket, impressed marks, 32cm £120 - £180 high
Guijac, modelled as a nude female dancer with shawl, highlighted in gilt, 15cm diameter £100 - £150
697. J Gazan for Editions Etling, a French Art Deco figure of a reclining woman reading a book, painted marks, 16cm high, 29cm long £150 - £250 698. Stephan Dakon for Katzhutte Hertwig, an Art Deco figure of a woman in a hat, circa 1935, printed mark and painted No 4, 20.5cm high £80 - £120
699. Stephan Dakon for Katzhutte Hertwig, an Art Deco figure of a Flamenco dancer, circa 1935, printed marks, 23.5cm high £80 - £120 700. Josef Lorenzl (attributed) for Katzhutte Hertwig, an Art Deco figure of a dancer, together with a Fasold Stauch £50 - £100
figure, printed marks, 32.5cm high (2)
704
704. An Art Deco black basalt figure of a jaguar, 26cm long £100 - £200
705. A Royal Copenhagen figure of a Moose, model 2813, 22cm high £120 - £180
706. Royal Copenhagen, a Serval Wild Cat, model 2334, designed circa 1923, 23cm high £400 - £600
707. An Art Deco face mask, in the style of Kurt Goebel for Goldscheider, terracotta glaze with curled hair and scraf, 28cm long £80 - £120 708. A French Art Deco ceramic table twin, orange ground rounded cylinder form
with metal mounts, painted with stylised rose motifs, together with a fabric shade of the same period, 39cm high £20 - £40
709. An Art Deco figure of a womans head, Czechoslovakian, polychrome
decorated glazed earthenware, 21cm high £30 - £50
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
77
710
710. Josef Lorenzl for Goldscheider, a large figure of a dancer in cloak, model 5927, circa 1929, purple with pink flowers, £2000 - £3000
incised signature, impressed marks C4 11, 44.5cm
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
78
MOORCROFT
711
711. Sally Tuffin for Dennis China Works, a large Elephant vase, circa 2005, ovoid conical form, 37cm high £200 - £400
712. Jeanne McDougall for Moorcroft, two small Balloons vases, circa 1998, shouldered form £40 - £70
713. Jeanne McDougall for Moorcroft, a Balloons plate, circa 1998, 26.5cm diameter £40 - £70
716
716. Sian Leeper for Moorcroft, a Coral Reef ginger jar and cover, 2005, limited edition 83 of 100, 25cm high £200 - £300
717. Carol Lovett for Moorcroft, a Puffin vase, circa 1997, squat baluster form, 11cm high £60 - £80
718. Three small Moorcroft vases, including Clematis and Berry, Holly and Berries etc., circa 1996 to 2004, one signed by John Moorcroft, tallest 14cm high (3) £80 - £120 719. A miniature Moorcroft enamelled Claremont ginger jar, £50 - £80
circa 1999, 5.5cm high
720. A miniature Moorcroft enamelled Pansy on white ginger jar, circa 1999, unmarked, 5.5cm high, boxed £20 - £40
721. Jeanne McDougall for Moorcroft, a Balloons ginger jar and cover, circa 1998, 20cm high £80 - £120
722. Anji Davenport for Moorcroft, a Juneberry ginger jar and cover, circa 2000, 16cm high £40 - £70 723. Modern Moorcroft pin dishes, small Bramble vase and £100 - £150
Pansy candlestick, some seconds (5)
724. Beverley Wilkes for Moorcroft, a Swan vase, circa 2000, angled bulbous form, limited edition number 157 of 200, 21cm high £60 - £80
725. Sian Leeper for Moorcroft, an Otter ginger jar and cover, 2004, limited edition 83 of 150, 21cm high £120 - £180
714
714. Jeanne McDougall for Moorcroft, an Arizona vase, circa 1998, inverse baluster form, 22cm high £80 - £120 715. Jeanne McDougall for Moorcroft, a Florida ginger jar and cover, circa 1998, 20.5cm high £100 - £150
726. A Moorcroft Duck vase, circa 2004, ovoid form, 21.5cm high £30 - £50
727. Walter Moorcroft, a Clematis vase, circa 1960, £40 - £70
shouldered form, Late Queen Mary sticker, 18.5cm high
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
79
729
734
728. Walter Moorcroft, a large Clematis flambe vase, circa
1960, elongated ovoid form, Late Queen Mary sticker, 37cm high £120 - £180
729. Walter Moorcroft, a Leaf and Berry vase, circa 1945, inverse baluster form, impressed facsimile signautre and underglaze green monogram, paper warrant label, 24.5cm high £70 - £100
735
734. William Moorcroft for James MacIntyre, a Forget Me Not Panel vase, circa 1909, ovoid shouldered form, printed mark and underglaze green signature, 24cm high £400 - £600
735. William Moorcroft, a Pansy on white vase, circa 1916, angular baluster form, impressed Burslem mark and underglaze green signature, 16cm £150 - £250
730. Walter Moorcroft, an Anemone vase, circa 1960, baluster
form, blue ground, impressed marks and underglaze blue monogram, 24.5cm high £80 - £120
731
731. William Moorcroft for James MacIntyre, a pair of Blue Tulip and Poppy salad servers, circa 1908, 29cm long £100 - £150 732. William Moorcroft for James MacIntyre, a Seaweed pepper pot, circa 1903, printed mark, 6.5cm high £150 - £250
733. William Moorcroft for James MacIntyre, a Rose and Forget Me Not vase, circa 1908, twin handled ogee form, gilt rims, underglaze green signature, 19cm high £80 - £120
736
736. William Moorcroft, a large Plum Wisteria vase, circa 1927, bulbous form with elongated neck, impressed marks, underglaze blue signature and date, 15cm high £300 - £500
737. William Moorcroft for Liberty, a Pansy on blue Tudric pewter mounted vase, circa 1920, footed ovoid form, stamped marks, 18.5cm high £80 - £120
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
80 738. William Moorcroft, a Late Claremont cup and five saucers, circa 1935, impressed marks and facsimile signature (6) £80 - £120
739. William Moorcroft, a matched pair of Pansy on white vases, circa 1916, baluster form, impressed Burslem marks and underglaze green signatures, 13cm high (2) £150 - £200
740. William Moorcroft, a Powder Blue vase, circa 1918, elongated ovoid form, with silver overlay to the shoulders, impressed marks, 26.5cm high £80 - £120
741. William Moorcroft, four Pomegranate vases, circa 1928, including Tudric mounted trumped vase, inkwell base, ovoid vase etc., impressed marks and underglaze green monograms, 16.5cm high (4) £150 - £250
742. William Moorcroft, a Freesia coffee pot, circa 1935,
footed ovoid form, impressed marks and facsimile signature, 21cm high £120 - £180
743. William Moorcroft, a late Claremont pot and cover, circa £150 - £250
1935, salt glazed, impressed mark and facsimile, 9cm diameter
742
744. William Moorcroft, a Pansy on white vase, circa 1930, ovoid form, underglaze blue monogram, 18cm high £400 - £600
745. William Moorcroft, a Fish vase, circa 1930, baluster form,
salt glazed, impressed marks and underglaze blue signature, 18.5cm high £400 - £600
744
745
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
81
DOULTON LAMBETH AND ART POTTERY 746. A large Royal Doulton stoneware jardiniere, shouldered form, relief
moulded acanthus and rosette banding to the shoulder, impressed marks, 32cm diameter £150 - £250
747. A Royal Doulton stoneware bowl,
footed conical form with sgraffito rose design, impressed marks, 23cm diameter £70 - £100
748. A Royal Doulton stoneware tobacco jar, drum cylinder form,
decorated with a landscape view with windmill, 12cm diameter £50 - £80
749. A Doulton Lambeth stoneware vase, conical baluster form with wide
brim top, relief moulded stylised foliate berry motifs, impressed marks, 31.5cm high £80 - £120
751
751. Isabel Lewis for Doulton Lambeth, a faience vase, circa 1880, baluster
form, painted and slip decorated with dog roses, printed mark, 31.5cm high £200 - £300
752. Florence Lewis for Doulton Lambeth, a large faience floor vase,
755
755. Florrie Jones for Royal Doulton, a stoneware vase, circa 1930, shouldered
form, decorated with a band of flowers, marbled glaze, impressed and incised marks, 25cm high £60 - £80
circa 1885, shouldered form, painted with three panels of birds and flowering branches, below a foliate arcade painted and printed marks to base and to the body, 405, 60cm high £1200 - £1600
753. Francis Pope for Royal Doulton, a pair of stoneware vases, circa 1904,
conical form, decorated with stylised tendril leaves, impressed and incised marks, 22cm high (2) £120 - £180
754. Florrie Jones for Royal Doulton, a pair of stoneware vases, circa 1930,
bulbous gourd form, tubelined with a band of alternating tonge lappets between scroll and leaf borders, impressed and incised marks, 35.5cm high (2) £200 - £300
750
750. Agnes Baigent for Doulton Lambeth, a faience vase, circa 1901,
inverse baluster and waisted neck form, painted with irises and tendrils in the Art Nouveau style, printed marks, 45.5cm high £200 - £300
756
756. Eliza Simmance for Royal Doulton, a stoneware vase, circa 1910,
lobed bulbous for with flared neck, pink with leaf and tulip decoration to the body, impressed and incised marks, 24cm high
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
£100 - £150
82 757. Eliza Simmance for Doulton Lambeth, a stoneware vase,
circa 1891, shouldered form with crimped neck, tubelined floral cartouche and foliate motifs, impressed and incised marks, 25cm £100 - £150 high
758. Eliza Simmance for Royal Doulton, a stoneware vase,
circa 1903, waisted cylindrical form with tubelined rose and vine design, impressed and incised marks, 33cm high £200 - £300
759. Eliza Simmance for Royal Doulton, a stoneware jug, circa
1910, bulbous form with strap handle, decorated with acanthus scrolls, impressed and incised marks, 30cm high £100 - £150
763. Elizabeth Fisher for Doulton Lambeth, a pair of stoneware vases, circa 1885, bulbous bottle form with elongated flared
necks, decorated with a beaded foliate diaper trellis of alternting foliate scrolls and laurel fronds, impressed and incised marks, 25.5cm high (2) £120 - £180
764. Emily Stormer for Doulton Lambeth, a stoneware bowl,
circa 1878, pedestal squat campana form, relief moulded with lappets and rosettes, beaded seweed band to the centre, £80 - £120 impressed and incised marks, 15cm diameter
760
760. Eliza Simmance for Royal Doulton, a stoneware vase,
circa 1906, conical gourd form, decorated with lappets of stylised roses in the Art Nouveau style, impressed and incised marks, £100 - £150 18cm high
761. Eliza Simmance for Royal Doulton, a pair of stoneware vases, circa 1922, bulbour cylinder form, decorated with bands £200 - £300
of magnolia, impressed and incised marks, 33cm high
762. Emily Partington for Royal Doulton, a stoneware vase,
shouldered form, tubelined clematis design below relief moulded £100 - £150 Rococo scroll border, 35cm high
765
765. Frank Butler for Royal Doulton, a large stoneware vase,
circa 1907, slender shouldered form, relief moulded and sgraffito decorated with Secessionist stylised peacock eye, tulip tree and sctolling tendril landscape, impressed and incised marks, 46cm £400 - £600 high
766. Frank Butler for Doulton Lambeth, a stoneware candlestick, circa 1886, sgraffito decorated with geometric flower £100 - £200
heads and lappets, impressed and incised marks, 13.5cm high
767. Frank Butler for Doulton Lambeth, a stoneware jug,
decorated with a honeysuckle cartouche and foliate scrolls on a geometric cloud or lightning ground, impressed and incised £80 - £120 marks, 19cm high
763
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
83 773. Hannah Barlow for Doulton Lambeth, a stoneware vase,
1883, footed and shouldered form, sgraffito decorated with dogs, £700 - £1000 impressed and incised marks, 25.5cm high
768
768. Arthur Pearce for Doulton Lambeth, a stoneware ewer,
circa 1891, shouldered form, heavily dimpled and tubelined with flower heads and foliage, impressed and incised marks, 20cm £120 - £180 high
769. Ethel Beard for Royal Doulton, a large stoneware vase,
circa 1925, shaped cylinder form, the rim with a geometric band of coloured lozenges, above a floral and leaf decorated body, £150 - £250 impressed and incised marks, 40.5cm high 770. Leslie Harrdine for Royal Doulton, a stoneware soap dish,
circa 1910, modelled as syrens or mermaids on a rock, 18cm £100 - £150 long
771. Isabella Miller for Doulton Lambeth, a stoneware preserve pot, circa 1880, sgraffito decorated with a foliate
774
774. Mark V Marshall for Royal Doulton, a stoneware vase,
circa 1905, conical baluster form, decorated with foliate scrolls and swirls between mottled green borders, impressed and incised £200 - £300 marks, 31cm high
wreath, plated lid and swing handle, incised and impressed marks, 12cm diameter £30 - £50
772. Arthur Barlow for Doulton Lambeth, a stoneware jug,
1876, shouldered cylinder form, sgraffito decorated with geometric leaf design, highlighted with raised dots, impressed £50 - £80 and incised marks, 23.5cm high
775
775. George Tinworth for Doulton Lambeth, a stoneware figure, Merry Musician, modelled as a pixie playing the cello, incised marks, 12cm high £250 - £300
776. George Tinworth for Doulton Lambeth, a stoneware seaweed vase, 1879, globe and shaft form, relief moulded with prunts, incised and impressed marks, 25cm high £150 - £250
773
777. Anscombe, an exhibition catalogue, Boobies, Boojums and Snarks, Ceramic Curiosities of the Martin Brothers, 1984, signed limited edition 468 of 500, loose sheets and colour plates, in folder £100 - £150
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
84
780
779
778. Robert Wallace Martin for Martin Brothers, a stoneware relief moulded vase, circa 1884, footed ovoid form with floral and leaf decoration, incised marks, 12.5cm high £400 - £600 779. Robert Wallace Martin for Martin Brothers, a miniature stoneware relief moulded vase, 1902, dimpled square section £800 - £1200
with sea urchins to each side, incised marks, 4cm high
780. Robert Wallace Martin for Martin Brothers, a stoneware face jug, 1897, relief moulded to each side with grotesque caricatures, incised marks, 23.5cm high £3000 - £5000
781
781. Robert Wallace Martin for Martin Brothers, a fish vase,
1885, ovoid gourd form with twisted neck, incised with fish, £1500 - £2000 signed and dated, 13.5cm high
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
85
783 782
782. Robert Wallace Martin for Martin Brothers, a dragon vase, 1889, pedestal shouldered form, sgraffito decorated with
zoomorphic foliate scroll design of interlocking serpents, incised marks and date, 20.5cm high £1800 - £2200
783. Robert Wallace Martin for Martin Brothers, a sculpture of a grotesque imp playing a horn, 1911, unglazed, incised marks, 11.5cm high £1800 - £2200
784. Robert Wallace Martin for Martin Brothers, a fish flask,
1886, square section, modelled in low relief with grotesque fish, the handle modelled as a serpent, incised marks and date, 24cm £1800 - £2200 high
784
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
86 785. Four Langley Art Pottery vases,
including a pair incised and moulded with painted riverside views, within foliate scroll ground, an Art Deco example and a jardiniere, tallest 24cm high (4) £80 - £120
786. A pair of Bourne Denby stoneware ewers, circa 1880, tortoiseshell glazed, 24cm high (2) £40 - £70
791. C H Brannam, an art pottery bowl, 1892, sgraffito decorated with fish
in aquatic ground with slip highlighting, incised marks, 20cm diameter £80 - £120
792. James Dewdney for C H Brannam, an art pottery twin handled dragon vase, 1898, ovoid form with flared neck,
795. Carlo Manzoni for Granville Pottery, an art pottery vase, circa 1900,
cylinder form, sgraffito decorated with rose and scale design, incised marks, 11cm high £40 - £70
sgraffito decorated with birds in branches to each side, flanked by relief moulded dragons, incised marks, 26.5cm high £180 - £250
787
787. Glyn Colledge for Bourne Denby, a Cloisonné Cheviot ramakin, single
handled, circa 1957, with stylised sgraffito and enamelled leaf and berry design, together with a Denby earthenware tankard, barrel form, painted with foliate scroll design, 13.5cm long, mug 13cm high (2) £20 - £40
796
793
793. C H Brannam, an art pottery fish jug, 1897, relief moulded fish head
spout, sgraffito and slip decorated with an aquatic scene to one side, the other with motto, ‘Good wishes to you...’, incised marks, 14cm high £80 - £120
796. Carlo Manzoni for Granville Pottery, an art pottery vase, 1898,
onion bottle form, sgraffito decorated with rose wine, below a dotted neck, incised marks, 19.5cm high £80 - £120
794
788
788. A large Bretby Art Pottery dog,
After the War, circa 1900, green glazed, modelled as an injured dog with bandages and raised paw, incised marks £100 - £150 1348, 24cm high
789. A
Bretby
art
pottery
794. William Baron, a Barnstaple Art Pottery teapot, circa 1900, blue glazed
squat ovoid form, with side handle and ribbon finial, incised marks and number, 84, 16cm wide £30 - £50
797. Edmund Harry Elton for Sunflower Pottery, an Elton Ware multi handled vase, double gourd form, relief moulded
vase,
shouldered form, relief moulded with Chinese dragon, green majolica glaze, impressed 9623, 31.5cm high £20 - £40
with flowers, blue green marbled glaze, painted mark, 15cm high £150 - £200
798. Edmund Harry Elton for Sunflower Pottery, an Elton Ware jug, shouldered
790. After Christopher Dresser, three Bretby art pottery bowls, all of squat
inverted form, relief moulded and green majolica glazed, two graduated with martele hammered effect and ring handles, the other with fluted lappets and leaves, on dolphin feet, 26cm diameter (3) £30 - £50
797
form, relief moulded with poppy, blue marbled glaze, painted mark, 16cm high £50 - £80
795
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
87
799
799. Edmund Harry Elton for Sunflower Pottery, an Elton Ware jug, double
gourd form, relief moulded with flowers, green marbled glaze, painted mark, 14cm high £60 - £80
800. Edmund Harry Elton for Sunflower Pottery, an Elton Ware three handled vase, double gourd form, relief moulded
with flowers, blue green marbled glaze, painted mark, 15cm high £150 - £200
802 803. A pair of Ruskin lustre candlesticks, 1906, yellow with painted
wreath design to the feet, impressed marks and painted scissors, 17cm high (2) £70 - £100
804. A Ruskin crystalline lamp base,
1927, footed shouldered form, impressed £120 - £180 marks, 31cm high
805
805. Four Ruskin cabochon brooches,
mounted in silver, green turquoise, impressed marks, 4.5cm diameter (4) £70 - £100
801
801. A Ruskin yellow lustre vase, 1920,
slender shouldered form, impressed marks, 16.5cm high £60 - £80
802. William Howson Taylor for Ruskin, a high fired flagon, 1933, white over red
with green spotting, impressed marks and incised signature, 22cm high £800 - £1200
804
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
88
806
806. A Ruskin high fired bowl, circa 1920, white and red with
black spots, impressed marks, 6.5cm high, 8.5cm diameter, on wooden base Provenance: W Howson Taylor Collection
£400 - £600
808
808. A Ruskin crystalline lamp base, circa 1930, the square section body on an off centre asymetrical bracket foot slab base, impressed marks, 35cm high to fitting £150 - £250
809. A Fulper art pottery vase, circa 1920, winged and glazed in speckled green, impressed marks 863, 22.5cm high £50 - £100
807
807. A Ruskin high fired three piece cruet, circa 1926, mottled
grey with red, flared form, impressed marks and dates to some, 9cm high (3) £400 - £600
810
810. Phoebe Stabler (attributed), a relief moulded plaque of children singing, within a pale blue ground, signed P stabler, 26cm diameter £60 - £100 811. Frederick Rhead for Foley, an Intarsio ewer, shouldered
form, decorated with royal heralds between foliate scroll bands, the neck with rampant lions, printed marks, 3340, 28cm high £200 - £300
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
89
811
816
812. Leon Solon and John Wadsworth for Minton, a Secessionist dressing table set, No.3, including tray, pair of £200 - £300
candlesticks, three boxes and a ring dish, tray 32cm long (7)
813. An Arts and Crafts Minton tile, later decorated, ‘Like unto
ships far off at sea, Outward and homeward bound are we’, 15.5cm square £100 - £150
819 818. A Howsons art pottery vase, circa 1910, shouldered
cylinder form with everted rim, flambe glazed, printed mark, 18.5cm high £70 - £100
819. A Burmantofts Faience art pottery vase, double gourd form, press moulded daisy and tulip leaf design in the Art Nouveau style, treacle glazed, 29cm high £50 - £100
814. A Howsons art pottery vase, circa 1912, squat baluster £50 - £80
form, marbled flambe glaze, incised mark and date, 8cm high
815. A Howsons art pottery vase, circa 1912, ovoid egg form, £60 - £80
marbled flambe glaze, incised mark and date, 12cm high
816. A Howsons art pottery vase, circa 1910, double gourd form, marbled flambe glaze, printed mark, 18.5cm high £100 - £150
817
817. A pair of Howsons art pottery vases, circa 1912, ovoid
form, marbled flambe glaze, incised marks and date, 8cm high (2) £80 - £120
820
820. Leonard King for Burmantofts, an Anglo Persian faience vase, circa 1880, shouldered form with flared neck, painted in
the Iznik style with peony design, impressed marks and painted monogram, D59-111 (809), 24.5cm high £300 - £500
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
90 823. Leonard King for Burmantofts, a large Anglo Persian faience vase, circa 1880, amphora form with flared neck,
painted with bands of foliate scrolls and alternating fish scales, between geometric borders, impressed marks and painted monogram, D-566 2740, 38cm high £600 - £800
824. Gladys Rodgers for Pilkington, a Royal Lancastrian lustre vase, circa 1925, inverse baluster form with everted rim,
decorated with a band of fruiting vines, impressed marks and monogram, 21.5cm high £400 - £600
821
821. Leonard King for Burmantofts, a pair of Anglo Persian faience vases, circa 1880, bulbous bottle form, painted with
825. William S Mycock for Pilkington, a Royal Lancastrian bowl, circa 1930, shallow form, rope and leaf design, incised marks, 22cm diameter £40 - £70
bands of foliate and geometric motifs, impressed marks and painted monogram, 2187 and 2188, 14cm high (2) £300 - £500
826
826. A Royal Doulton Titanian ware vase, painted with a bird of paradise, ovoid form, 18cm high £200 - £300 822
822. Leonard King for Burmantofts, an Anglo Persian faience vase, circa 1880, bulbous bottle form, painted in the Iznik style
with foliate design, impressed marks and painted monogram, D35 (1141), 24.5cm high £300 - £500
827
827. A Royal Doulton Sung type Flambe prunus vase, circa 1920, ovoid form, 13.5cm high £120 - £180
823
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
91
828
828. Fred Moore for Royal Doulton, a Sung Flambe pumpkin vase, circa 1921, lobed form, pritned and painted marks, 18cm high £300 - £500
829. Charles Noke for Royal Doulton, a mottled Flambe vase,
circa 1925, ovoid shouldered form, painted and printed marks, £80 - £120 17.5cm high
831
831. Charles Noke and Fred Allen for Royal Doulton, a Sung vase, circa 1930, waisted bulbous cylinder form, painted with a
woodland scene, printed Flambe mark and painted monograms, 19cm high £700 - £1000
830
830. Charles Noke and Fred Moore for Royal Doulton, a Sung Flambe vase, circa 1930, twin handled flattened shouldered form, printed and painted marks, 16cm high £150 - £250
832
832. Charles Noke and Harry Nixon for Royal Doulton, a Chang vase, circa 1930, bulbous form, painted marks, 16.5cm high £400 - £600
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
92
834
833
835
circa 1930, waisted form, painted marks, 8cm high
835. Carter, Stabler and Adams, a Poole YO vase, shouldered drum cylinder form, impressed marks, shape 960, 17cm high
834. Charles Noke and Harry Nixon for Royal Doulton, a Chang bowl, circa 1930, ribbed hemispherical form, painted marks, 24cm diameter £1000 - £1500
including ED vase, IEE jam pot and lidded sauce pot etc., 15.5cm £50 - £80 high (4)
833. Harry Nixon for Royal Doulton, a Chang beaker vase, £400 - £600
£50 - £100
836. Carter, Stabler and Adams, a collection of Poole pottery, 837. Carter, Stabler and Adams, a Poole EM vase, squat ovoid £30 - £50
form, impressed marks, shape 424, 17cm high
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
93 841. Charlotte Rhead for Crown Ducal, a Rhodian jug, footed £30 - £50
conical form, 16cm high
838
838. Truda Carter for Carter, Stabler and Adams, a Poole EP vase, ovoid form, impressed marks, 29cm high £300 - £500
842
842. Clarice Cliff for Newport Pottery, a Limberlost vase, £200 - £300
bulbous trumpet form, Fantassque Bizarre marks, 22cm high
843. Clarice Cliff for Newport Pottery, a Water Lily bowl, yellow and blue, printed Clarice mark, 22.5cm long £40 - £60
844. Clarice Cliff for Newport Pottery, a My Garden spill vase,
relief moulded cylindrical and footed form, moulded mark, 19cm £30 - £50 high
839
839. Carter, Stabler and Adams, a Poole CY vase, double £50 - £100
ogee shouldered form, impressed marks, shape 968, 17cm high
845. Susie Copper for John Lewis, an Art Deco tea for two set,
Kestrel shape, Orange Polka Dot design, including teapot, two £80 - £120 cups, two saucers, milk and sugar (7)
840. Charlotte Rhead for Crown Ducal and Bursley Ware, two tubelined vessels, including basket and vase, 17cm high (2) £30 - £50
846
846. John Skeaping for Wedgwood, a green glazed figure, £100 - £150
Polar Bear, circa 1927, impressed marks, 18cm high
841
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
94
847
847. John Skeaping for Wedgwood, a Moonstone figure, Tiger £120 - £180
and Buck, circa 1927, impressed and pritned marks, 34cm long
850
850. John Skeaping for Wedgwood, a black basalt figure,
Bison, circa 1927, impressed mark and hand incised signature £200 - £400 to the plinth, 19.5cm high
851
848
848. John Skeaping for Wedgwood, a Moonstone figure,
standing Duiker or Deer, circa 1927, impressed and printed £120 - £180 marks, 20.5cm high
851. Keith Murray for Wedgwood, an Art Deco bowl, circa 1934, green glaze, footed form with turned fluting amd incised banding, facsmile mark, 26cm diameter £100 - £150 852. A Wedgwood lustre bowl, circa 1920, octagonal section, decorated with gilt Chinese charms, gilt mark, Z4827, 9.5cm diameter £30 - £50
853
849
849. John Skeaping for Wedgwood, a matt grey figure,
Sealion, circa 1927, impressed marks, 21cm high £150 - £250
853. Daisy Makeig Jones for Wedgwood, fish lustre bowl, £100 - £150
Imperial form, Z4920, 14cm diameter
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
95
855
857
859 861. Daisy Makeig Jones for Wedgwood, small Oriental lustre bowl or cup, rounded form with everted rim, Z4825, 7.5cm diameter £30 - £50
862. Daisy Makeig Jones for Wedgwood, fruit lustre bowl, £40 - £70
octagonal form, Z5457, orange interior, 12.5cm diameter
854
854. Daisy Makeig Jones for Wedgwood, a Lahore lustre bowl, Imperial form, Z5266, 14cm diameter £200 - £300
855. Daisy Makeig Jones for Wedgwood, a fish lustre vase, £120 - £180
on powder blue ground, footed bottle baluster form, 20.5cm high 856. Daisy Makeig Jones for Wedgwood, a dragon lustre vase, footed trumpet form, Z4829, 20.5cm high £100 - £150
863
863. Daisy Makeig Jones for Wedgwood, fruit lustre bowl, £60 - £80
octagonal form, Z5457, orange interior, 17cm diameter
857. Daisy Makeig Jones for Wedgwood, a dragon lustre vase, inverse baluster form, Z4829, 23cm high £120 - £180
858. Daisy Makeig Jones for Wedgwood, a hummingbird lustre vase, shouldered and footed cylinder form, Z5294, 22cm high £100 - £150 859. Daisy Makeig Jones for Wedgwood, a farmyard lustre vase, on powder blue ground, inverse baluster form, decorated with lambs, Z5183, 22.5cm high £100 - £150
860. Daisy Makeig Jones for Wedgwood, a dragon lustre vase, footed trumpet form, Z4829, 16cm high £80 - £120
864
864. Daisy Makeig Jones for Wedgwood, small fruit lustre bowl, footed squat campana form, Z5457, orange interior, 12cm diameter £40 - £70
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
96
875
872 865. Daisy Makeig Jones for Wedgwood, a dragon lustre bowl, octagonal form, Z4829, 20cm diameter £40 - £70
877
873. A collection of Carlton Ware Rouge Royale, including £80 - £120
jewelled and gilt dish and vases, 25.5cm diameter (6)
866. Daisy Makeig Jones for Wedgwood, a small dragon lustre bowl, octagonal form, Z4829, 11.5cm diameter £40 - £70
867. Daisy Makeig Jones for Wedgwood, a hummingbird
lustre bowl, octagonal form, flying geese border to the inside, Z5088, 17cm diameter £70 - £100
874
874. Eric Ravilious for Wedgwood, an Elizabeth II Coronation mug, 1953, printed marks, 10cm high £100 - £150
868
868. Daisy Makeig Jones for Wedgwood, a hummingbird lustre bowl, octagonal form, Z5294, 13cm diameter £40 - £70
869. Daisy Makeig Jones for Wedgwood, large fruit lustre bowl, octagonal form, Z5457, orange interior, 22cm diameter £80 - £120
870. Daisy Makeig Jones for Wedgwood, a small hummingbird lustre bowl, octagonal form, Z5294, 9.5cm diameter £30 - £50
871. A Wedgwood lustre bowl, circa 1920, octagonal section, decorated with gilt Chinese animals, 11cm diameter £40 - £70
872. A Carlton Ware lamp base, ginger jar form, black ground with enamelled and gilt mallards in flight over irises, 16cm high £50 - £80
875. Colin Melbourne for Crown Devon, a Modernist Memphis vase, circa 1960s, shouldered and blade knopped conical form, £50 - £80
terracotta with gilt and black striped banding, 25.5cm high
876. A Poole Aegean dish, spear form, 82, and a Delphis circular plate, 49, 44cm long and 12.5cm diameter £30 - £50 877. Robert Jefferson for Poole, a Helios lamp, circa 1960s,
cuboid form with relief moulded geometric design in grey and white, 9.5cm square £20 - £40
878. Karen Brown for Poole, a Studio Swanage Viking vase, circa 1999, shouldered form 26.5cm high £80 - £120 879. Sally Tuffin for Poole, a Studio fish vase, footed ovoid £50 - £80
form, circa 1999, 21cm high
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
97
STUDIO POTTERY
881
885
882
880. Sue Bladen for Troika, a wheel vase, relief moulded
883. Derek Clarkson, a studio pottery stoneware vase, ovoid form with iron spotting and leaf design, ipressed mark, 18cm high
881. David Leach for Lowerdown Pottery, a studio pottery beaker vase, circa 1960, ash stained, half glazed with Japanese
884. Derek Clarkson, a studio porcelain vase, 1990,
chevron and rectangle to one side, flags and balls to the other, 11.5cm high £40 - £70
characters between blue and green banded borders, impressed mark, 9cm high £40 - £70
882. Richard Parkinson, a studio pottery figure of a dog, circa 1960s, impressed marks, 14cm high £40 - £60
£30 - £50
shouldered form with crystalline glaze, impressed marks, 21cm high £80 - £120
885. William Ruscoe, a studio pottery figure group, The Picnic, £40 - £60
incised title and impressed mark, 16cm high
BRITISH CERAMICS 886. John Maltby, a studio pottery cup, beaker form with longe handle, slip decorated with floral motifs and abstract lines, signed, 9.5cm high £200 - £300
887. A Coalport scene painted vase, baluster form, Loch Garry, £100 - £150
signed E Ball, in a cobalt blue and gild ground, 15.5cm high
888. A Coalport scene painted vase, baluster form, Loch Earn, in a cobalt blue and gild ground, 15.5cm high £60 - £80 889. A Coalport scene painted potpourri, three handled squat ovoid form with two lids, painted with a central cartouche of Loch Katrine, within a green and gilt ground, 17.5cm high £250 - £350
890. A Coalport scene painted tyg, pedestal form with loch £250 - £300
landscape, within heavily gilded panelled ground, 22.5cm high
891. A Coalport dessert service for six, each painted with a
central landscape view, including Windemere, Loch Tay, Innisfallen, Dover Castle, Bothwell, within a tooled gilt cartouche and foliate beaded shell border, 23cm diameter (6)
889
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
£200 - £400
98 892. T Lockyer, painted porcelain plaque, £2000 - £2200
Edge of the Woods, signed, framed
893. A small Minton twin handled vase and cover, pedestal urn form, turquoise with raised
gilt decoration and floral cartouches, 11cm high £30 - £50
894. Two Minton coffee cups and saucers,
ogee form, tooled gilt diaper bands between interlocking laurel garland borders (2) £100 - £150
895. R Scott for Minton, a marine painted dish, oval form, decorated with boats in sail, signed, 21.5cm long £30 - £50
896. A Nautilus Porcelain bowl, relief moulded basket weave design, blush with floral painting and gilt rim, 14.5cm diameter
£30 - £40
897. A Nautilus Porcelain dessert service,
including comport and plates, releif moulded and pianted with flroal decoration, highlighted £100 - £150 in gilt (10) 898. A large Possil Pottery toilet jug, felief moulded and painted with wild flowers, 30cm high £80 - £120
892
894
898
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
99
899. A Nautilus Porcelain plate with gilt rim, together with another thistle painted and relief moulded plate, 23cm diameter (2) £30 - £50 900. A collection of Nautilus Porcelain tea ware, including cups
and saucers, blush and gilt floral designs, seven cups and saucers and two tea plates etc £110 - £130
901. E J D Bodley, an Aesthetic Movement vase jar and cover,
twin handled barrel form with relief moulded Chinese scroll and floral bands, highlighted in gilt, below a painted flroal bouquet, £40 - £70 to each side, printed mark, 16cm high
902. A Copeland Spode jewelled part dessert service, relief moulded Rococo cartouches with floral sprays on a turquoise fish scale border, surrounding a gilt gadrooned band and central still life with fruit, printed marks, Osler, five plates and two oval dishes, 23cm diameter (7) £200 - £400
903. A Royal Worcester potpourri pot and cover, circa 1860,
cylindrical form, painted with exotic birds within a rose and floral cartouche, between blue ground panels, the lid pierced, with gilt vine borders, on three winged lion mask and paw bracket feet, red marks, 14.5cm high £30 - £50
904
904. J Freeman for Royal Worcester, a fruit painted cup and saucer, decorated with blackberries and peaches £200 - £300 905. Milwyn Holloway, a painted porcelain plaque, marine £150 - £250
scape, sail boats off the coast, 20cm x 25cm, framed
906. Harry Austin for Royal Worcester, a painted plaque, 1916, peacock on a branch, 10cm diameter £100 - £150 907. George Owen for Royal Worcester, a reticulated miniature ewer, circa 1913, pedestal form, painted with rose garlands, signed, gilt mark, 12.5cm high £1500 - £2000
908. A Royal Worcester pedestal vase and cover, 1911,
double ogee gourd form, acanthus handles and applied garlands, powder pink ground with tooled gilt cartouche, painted with an exotic bird in landscape by C Johnson, 24.5cm high £500 - £800
907
909. A Royal Worcester primrose painted cup and saucer,
signed Twin, together with a Royal Crown Derby cup and saucer £200 - £300 (2)
910. A Royal Worcester Hadley Ware vase, with a cover,
1905, together with a relief moulded preserve bot and cover with integrated saucer, 14cm high (2) £30 - £50
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
100 914. Stefan Nowacki for Lynton, a chocolate cup, cover and saucer, painted with wrythen stripes of alternating rose garland
and gilt on blue ribbons, with a central floral bouquet, signed, 16cm high £300 - £500
915. A Gregory for Royal Crown Derby, a twin handled pedestal cup, painted with a floral band above gilt garland and honeysuckle body, 12.5cm high £300 - £500
916. A Royal Crown Derby vase, squat baluster form, twin
handled and footed, painted with a floral band between green and gilt borders, 16.5cm high £200 - £300
917. Leslie Johnson for Royal Doulton, a painted cabinet plate,
King Henry VI, with verse, within a raised gilt foliate scroll border, £200 - £300 signed, titled verso, 27cm diameter
911
911. James Skerrett, a painted porcelain plaque sailing ships at sea, signed, 11.5cm x 17cm, framed £150 - £250
918. A Doulton Burslem Spanish footbath, twin handled, blush
interior rim, textured to the body, printed mark, 53cm long, 21cm high, 34cm wide £200 - £300
919. A Royal Doulton series ware blue poppy jardiniere, footed form, printed marks, 26cm diameter £40 - £70 920. A Royal Doulton character jug, John Barleycorn, D5327, £20 - £40
printed mark, 19cm high
912
912. James Skerrett, a painted porcelain plaque cottage by the sea, signed, 12.5cm x 20cm, framed £150 - £250
913. A Royal Worcester blush ivory biscuit barrel or vase and cover, 1896, lobed ovoid melon form, painted with wild flowers, puce mark 1412, 17cm high £70 - £100
921
921. A Royal Doulton small character jug, Jockey, green and red stripe, printed marks, 12cm high £400 - £600 922. A Royal Doulton character jug, Maori, green pendant and yellow feathers, printed mark, 19cm high £2500 - £3000
923. A Royal Doulton character jug, John Gilpin, brown hat and black cape, printed mark, 17cm high £1500 - £2000
914
924. A Royal Doulton figure, Parsons Daughter, HN564, painted and printed marks, 26cm high £40 - £70
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
101
922
923 928. A collection of First World War commemorative crest ware (20) £100 - £120 929. A collection of First World War commemorative crest ware (15) £100 - £120 930. A collection of First World War commemorative crest ware (20) £100 - £120
925
925. A Royal Doulton figure, Marietta, HN 1341, in red cape, painted marks, 21cm high £150 - £250
926. Margaret Cane for Royal Worcester, Sea Urchin, a figure of a boy, 1935, together with a Chinoiserie figure of a girl, 16.5cm high (2) £40 - £60
927. Six Staffordshire flatback figures, 19th century, including
Princess Royal and Frederick of Prussia, Burns and his Mary, Will Watch, Empress of France, etc., 40cm high (6) £50 - £100
931
931. A W N Pugin (attributed) for Minton, a majolica jardinière, Campana urn form, relief moulded with lead and £400 - £600
scroll rosettes, on a scroll and flower foot, 50cm high
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
102 932. A set of Minton mosaic design tiles, in the style of A W N Pugin, interlaced foliate tenrils with spade leaves, between rosettes and knotted borders, moulded marks, 15cm square (11) £100 - £150
933. Three Crimean War commemorative jugs (3) £50 - £70
934. A Staffordshire porcelain harvest jug, circa 1839,
polychrome decorated and inscribed in gilt John Machin Hinstock, 1839, hand coloured, 20cm high £40 - £70
938. A George Jones sardine box, relief moulded basket and tray design with gilt fish and turquoise seaweed to the lid, impressed marks, 23cm long £50 - £100
939. Thomas Allen for Wedgwood, an Aesthetic Movement jug, hexagonal section, alternating panels of children and sun flowers, with metal lid, 21cm high £30 - £50
940. A Staffordshire transfer printed jug, circa 1840, hand coloured, 24cm high £20 - £40 941. F M Miller for Copeland, a Parian figure of a girl with rabbit, circa 1873, Crystal Palace Art Union, 42cm high £70 - £100
942
942. A pair of Samuel Alcock Staffordshire jugs, circa 1830, 935
935. A Worcester Chamberlains vase and cover, circa 1830, hexagonal section shouldered form with two relief moulded dolphin handles, painted in the Imari style with pheasants and rocky prunus, 35cm high £60 - £80
936. A Masons Ironstone pedestal twin handled bowl, fluted squat Campana urn form, in the Imari style with pheasant and flowers, printed mark, 30cm diameter £50 - £80
in the Chinese style, decorated with panels of prunus and chrysanthemums, dragon handles, 19cm high (2) £80 - £120
943. A pair of Davenport scene painted plates, circa 1815, On the Dart and Castle of Chillon, within tooled gilt foliate on blue borders, printed marks, Davenport Longport, 22.5cm diameter 92) £200 - £400 944. A set of eight Minton Neoclassical border tiles, relief
moulded with alternating urns and honeysuckle linked by laurel garlands, 21cm square (8) £50 - £80
945
937
937. A Staffordshire figure of a pug, circa 1820, modelled sitting on a cushion, 8.5cm high £180 - £220
945. A Copeland figural salt, modelled as a putto holding a conch shell, sitting on dolphins, circa 1860, 18cm high
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
£70 - £100
103
951
951. A pair of Staffordshire Prattware sauceboats, circa 1810, £200 - £300
relief moulded in the form of scaly dolphins, 19cm long (2)
946
946. A Spode pedestal vase, circa 1810, Campana urn form, painted with a romantic landscape with ruins, over a gilt foliate band, 16.5cm high £80 - £120
947. An Adams Jasperware tea service, including teapot and stand, bowl and three jugs, blue with white relief moulded Neoclassical scenes, teapot 24cm long £40 - £60
948. Two Moore Brothers vases, circa 1880, together with a Continental pedestal basked, relief moulded naturalistic leaf form, with hops, flowers and plums, printed marks, 20.5cm high (3) £30 - £50
949. A Wedgwood tri colour Jasperware tea cup, circa 1890s,
green lappets and purple flowers on white ground, impressed marks, 10cm wide £30 - £50
952
952. Obadiah Sherratt, a Staffordshire figure of Flight into Egypt, circa 1820, modelled as mother and child on a donkey, 22.5cm high £100 - £150
953. A collection of six Staffordshire slipware figures, 19th £50 - £80
century, including sheep, woman on horse etc. (6)
950
950. A Spode Bat printed New Oval sugar box or sucriere,
pattern 2208, circa 1814, the body with P301 and P245 to either side, the lid with similar P200 type landscape scenes, black line £20 - £40 decoration, 18cm wide
954
954. A Staffordshire slipware loaf dish, 18th century, circular form, continuous squiggle decoration, 31.5cm diameter £200 - £300
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
104
957
957. Obadiah Sherratt, pair of Staffordshire figures of Venus and Neptune, circa 1820, on bracket stands, the figures standing on rocky shell encrusted outcrops, 27cm high (2) £400 - £600
955
955. A Staffordshire Toby Jug, 18th century, modelled wearing a green coat, 24.5cm high £350 - £450
958
958. Obadiah Sherratt, a Staffordshire figure of a standing cow, circa 1820, infront of a bocage tree, on rainbow decorated base, 20cm high £200 - £300
956
956. A Staffordshire Toby Jug, 18th century, sponge decorated in yellow and puce, 26cm high £300 - £500
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
105
963
963. A Worcester Imari tea bowl and saucer, circa 1760, polychrome decorated with alternating panels of flowers and birds, in geometric and foliate grounds, blue crescent mark, collection labels, saucer 12cm diameter 959
959. A Fremlington pottery jardinière on stand, Devon mid
Provenance: Harris Masterson Collection
£150 - £250
19th century, bucket form on knopped pedestal stand, incised leaf and floral decoration, 27cm high £200 - £300
964
964. A Liverpool porcelain rock and fence pattern bowl, circa £70 - £100
1775, polychrome decorated, 12cm diameter
965. A Chelsea Derby porcelain jar and cover, in the Sevres style, circa 1770, cylindrical form, blue ground, together with a similar cup (2) £40 - £60
960
960. A pair of Prattware figures, circa 1800, modelled as boy and girl musicians with sheep and dog, on square plinth bases, 22cm high (2) £400 - £500
961. Three 18th century or earlier tiles, including Delft blue and white and an encaustic example, 13cm square (3) £100 - £150
962. A large “Liverpool” type Herculaneum Pottery creamware jug with printed decoration, one side of the jug is
printed with an oval medallion inscribed, “Love and Wine” containing a scene of revellers in an inn, the text below saying “On the virtues of wine you may safely depend,he who sticks to his bottle will stick to his friend”, on the reverse of the jug is an oval portrait inscribed “The Lawyer”, 28cm high £80 - £120
966
966. A Worcester clobbered tea bowl and saucer, circa 1765, green and red over underglaze blue £50 - £80 967. Two Flight Barr and Barr, Worcester plates, circa 1810, central crests within peach and gilt foliate borders, 21cm diameter (2) £60 - £80
968. Three Swansea porcelain cups, circa 1810, relief moulded £40 - £70
and gilt decoration (3)
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
106
969
969. A Caughley blue and white Fisherman and Cormorant miniature wine cup, circa 1770, leaf moulded handle, 5cm diameter, 3cm high £80 - £120
974
974. A Worcester porcelain trio, circa 1770, James Giles decorated, with green and gilt prunus decoration
Provenance: Hugh Maude Collection
£80 - £120
975. Three Worcester porcelain cups, circa 1760, including a puce transfer printed fluted bowl, a blue fishscale and exotic bird example and another (3) £60 - £80
976. A Richard Chaffers, Liverpool tea bowl, together with Liverpool printed tea bowl, circa 1760, decorated with country scenes (2) £40 - £70
977. A Bristol porcelain plate, circa 1770, green swag and floral garland border, cross mark, 21cm diameter £80 - £120
970
970. A Liverpool Delft wall pocket, circa 1760, cornucopia form, wrythen reeding with relief moulded floral border, 20cm long £200 - £300
971. A collection of English porcelian, 18th century, incluing Derby, Worcester, Samuel Gilbody, Chelsea etc. £40 - £70
978
978. A Worcester porcelain cup, circa 1760, Stag Hunt pattern within gilt cartouches, 5.5cm high £80 - £120 979. A Pinxton porcelain plate, circa 1800, pattern No. 1, Bute shape, 20cm diameter £40 - £70
972
972. A pair of Derby porcelain cows, circa 1780, modelled infront of bocage, 9cm high (2) £80 - £120
973. A Worcester porcelain cup, circa 1758, Prunus Root £80 - £120
design in underglaze blue
980
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
107 980. A Chelsea figure of a putto, circa 1760, modelled holding a basket, gold anchor mark, 12.5cm high £60 - £80 981. A Derby porcelain basket, circa 1760, blue and white
985. A Lambeth stoneware fox mask flask, Stephen, Green Imperial Potteries, realistically modelled in relief, impressed marks, 19cm long £120 - £180
£80 - £120
lattice, decorated in the Oriental style with rose prunts, 23cm long
982. A salt glazed stoneware fish flask, 19th century, realistically modelled in relief, 19cm long £70 - £100
986
986. A Wrotham type slipware tyg, six handled cylinder form, spot and prunt decoration, 14.5cm high £50 - £80
983
987. An English Delft blue and white charger, circa 1750, painted with a peony design, 34cm diameter £80 - £120
984
988
983. A Victorian tracle glazed stoneware novelty tobacco jar, Jack Tar, modelled as a sailor, 32cm high £100 - £150
984. A saltglazed stoneware fox mask flask, probably Stephen,
Green Imperial Potteries, realistically modelled in relief, 14cm long £120 - £180
988. A canary yellow, silver lustre jug, circa 1815, decorated £100 - £150
with hop leaves and a band of swags to the rim, 12cm high
989. A London salt glazed stoneware tyg, circa 1820, Jolly £100 - £150
Beavis From a Friend, sprigged and impressed, 13.5cm high
990. A salt glazed stoneware sprigged jug, circa 1840, decorated with agricultural scenes, 21.5cm high £50 - £80 991. An 18th century Staffordshire slipware loaf dish, shallow
rectangular form, slip decorated with trailed stipe pattern, 41cm x 32cm £400 - £600
992. A pair of Bristol Delft managnese plates, circa 1720, decorated with floral sprays, 23cm diameter (2) £100 - £150 985
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
THE SHENNAN COLLECTION OF SILVER MUSTARD POTS
109
JOIN US FOR OUR NEXT AUCTIONS INTERIORS AUCTION FRIDAY 20TH SEPTEMBER 2019 FINE & DECORATIVE ARTS AUCTION FRIDAY & SATURDAY 4TH – 5TH OCTOBER 2019 ENTRIES NOW INVITED Front Cover Image: Lot 448
Rene Lalique, a blue Monaco glass vase, model 1049, designed circa 1930
Inside Front Cover Image: Lot 295
Roy Lichtenstein (1923-1997), Paper Plate, screenprint, 1969, signed in pencil
Back Cover Image: Lot 710
Josef Lorenzl for Goldscheider, a large figure of a dancer in cloak, model 5927, circa 1929
NOTES
110
TERMS & CONDITIONS OF SALE AN D BUSIN ESS These Conditions of Sale and Business constitute the contract between Kingham & Orme Auctioneers limited and the seller, on the one hand, and the buyer on the other. By bidding at the auction, and/or consigning to Kingham & Orme Auctioneers limited, you agree to be bound by the following terms.
b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email in which case it shall be deemed to have been received by the addressee 48 hours after posting. Special terms may be used in catalogue descriptions of particular classes of terms in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.
CONDITIONS OF SALE 1. DEFINITION In these terms of business: Kingham & Orme Auctioneers Ltd is referred to as ‘K & O.’ The K & O representative conducting the auction is referred to as the ‘auctioneer’. 2. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers if the transaction is not completed and paid for. 3. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment. 4. DESCRIPTIONS AND CONDITION OF LOTS Every effort is made to ensure the accuracy of statements relating to authorship, descriptions, origin, date, age, provenance and condition of lots. Statements made orally or in the catalogue are opinions given after careful consideration and research. Prospective buyers are given ample opportunity to view lots before any sale. When bidding, buyers acknowledge that they are fully satisfied as to the description and condition of the lot. 5. ATTRIBUTION OF PICTURES (a) If the forename(s) (or asterisks where not known) and surname of the artist are given, this indicates that in the opinion of K & O the picture is a work by the named artist. (b) If the initials of the forename(s) and the surname of the artist are given, this indicates that in the opinion of K & O the picture is a work of the period of the named artist and may be wholly or in part his work. (c) If the surname of the artist is given, this indicates that in the opinion of K & O the picture is a work of the same school of the named artist, or by one of his followers, or in his style and of uncertain date. (d) The term ‘Bears signature’ indicates that in the opinion of K & O this is not the signature of the artist.
Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of the Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. English law applies to the interpretation of these Conditions. TE RMS OF CON SIGN ME NT FOR SE LLE RS 1. INTERPRETATION In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’ etc. refer to Kingham & Orme Auctioneers Ltd. 2. WARRANTY The Seller warrants that possession in the lots can be transferred to the Buyer with good and marketable title, free from any third party right and encumbrances, claims or potential claims. The Seller has provided all information concerning the items ownership, condition and provenance, attribution, authenticity, import or export history and of any concerns expressed by third parties concerning the same. 3. COMMISSION Commission is charged to sellers at a flat rate of 15% plus VAT on each lot sold for up to £999, 10% plus VAT on each lot realising £1,000 and above. There is a minimum charge of £5 plus VAT per lot. 4. REMOVAL COSTS Items for sale must be consigned to the saleroom by and stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.
(e) All other terms are self-explanatory. 6. FORGERIES Notwithstanding Condition 4, any lot which proves to be a deliberate forgery may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence provided that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium. 7. THIRD PARTY LIABILITY Every person on K & O premises before, during or after a sale shall be deemed to be there at their own risk and shall have no claim against K & O in respect of any injury they may sustain or any accident which may occur. 8. DISPUTES Any dispute not covered in these terms of business will be settled at the sole discretion of K & O. 9. GENERAL We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of the Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.
5. LOSS AND DAMAGE OF GOODS a) Loss and Damage Warranty – K & O is not authorised by the FSA to provide insurance to its clients and does not do so. However, K & O for its own protection, assumes liability for property consigned to it at the lower pre-sale estimate until the hammer falls. To justify accepting liability, K & O makes a charge of 1.5% of the hammer price plus VAT. The liability assumed by K & O shall be limited to the lower pre-sale estimate or the hammer price if the lot is sold. b) If the owner of the goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owners risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 5(a) is inapplicable. 6. ILLUSTRATIONS The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 7. MINIMUM BIDS AND OUR DISCRETION Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 8. We may sell lots below the reserve provided if we can account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to 10% below the formal reserve.
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8. RESERVES a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to unreasonably high reserves {in which case goods carry the storage (Condition 17) and loss damage warranty (Condition 5(a) charges as stipulated in these Terms of Consignment}. b) A reserve once set cannot be changed except with our consent. c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. d) Reserves are not usually accepted for lots expected to realise below £50. 9. ELECTRICAL ITEMS These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 10. SOFT FURNISHINGS The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.The rights of disposal referred to in clauses 9 and 10 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection upon request. 11. DESCRIPTIONS Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 4 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. 12. UNSOLD ITEMS If an item is unsold it may at our discretion be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. 13. WITHDRAWN AND BOUGHT IN ITEMS These are liable to incur charges on being bought in or withdrawn after being catalogued. 14. CONDITIONS OF SALE You agree that all goods will be sold subject to our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses, liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 15. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST You authorise us to deduct commission at the stated rate and all expenses incurred from your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. You authorise us at our discretion to negotiate a sale by private treaty not later than the close of business 48 hours after the day of sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply. 17. STORAGE We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make storage charges.
18. SETTLEMENT Subject to funds having cleared in our account we aim to pay you no later than four weeks following the sale. If the buyer has not paid for the goods no settlement will be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. Please note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 11 above and you should therefore bear this in mind before parting with the proceeds of sale. INFORMATION FOR BUYERS 1. INTRODUCTION The following notes are intended to assist buyers particularly those who may be inexperienced or new to our saleroom. All sales are conducted in accordance with our Conditions of Sale. Our staff will be happy to help you with anything you do not fully understand. 2. AGENCY As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly, if you buy your primary contract is with the seller. 3. THE BUYER The highest bidder acknowledged as such by the auctioneer will be the buyer. If any dispute arises, the auctioneer has absolute discretion to settle the matter. The auctioneer rules the bidding and bids cannot be retracted. The auctioneer reserves the right to refuse any bid. The successful bidder, whether bidding for himself or for a third party, is entirely responsible for paying for the lots they have bought in accordance with K & O’s Conditions of Sale and Business. The auctioneer reserves the right to bid on behalf of the sellers for any lot and to withdraw, consolidate or divide any lot or lots. 4. REGISTRATION It is essential that all prospective buyers register with us, giving their full name, address, contact telephone number(s) and email address. First time buyers will be required to provide proof of identity (i.e. driving licence/passport), a valid debit or credit card and a copy of a utility bill confirming their name and address. Upon receipt of the above a paddle will be issued, which is only valid for the current sale. The paddle may be used to indicate your bids to the Auctioneer during the sale. If successful, the bidder must ensure that their number can be seen by the Auctioneer and that it is their number that is called out. Should there be any doubts as to price or buyer, please draw the Auctioneer’s attention to it immediately. 5. BUYER’S PREMIUM - COMMISSION CHARGES There is a buyer’s premium of 20 per cent plus VAT on the hammer price of each lot up to and including £200,000. The buyer’s premium is 15% plus VAT on the hammer price of each lot on the excess of £200,001 up to and including £1,000,000. The buyer’s premium is 12% plus VAT on the hammer price of each lot on the excess of £1,000,001. 6. VALUE ADDED TAX Lots on which the buyer may have to pay VAT on the ‘hammer price’ are indicated in the catalogue with the following symbol *. The buyer must pay this VAT at the rates that apply on the day of the auction in addition to the buyer’s premium and VAT thereon. 7. AUCTIONEERS MARGIN SCHEME This scheme allows auctioneers to sell items without VAT on the hammer price. The buyer then pays an amount equivalent to VAT. This amount cannot be refunded and is not shown separately on the invoice. 8. PAYMENT Buyers must pay in full before items can be removed from the premises (please see “payment methods” below). Invoices will be issued from the day of the sale. Buyers must pay their invoice in full within 24 hours and advise when they will be collecting their item(s). Any invoices which remain unpaid after seven days will incur interest at 5% above the base rate, charged from the date of the sale. If buyers are unknown to us, we cannot hand over purchases unless we have adequate references or payment is cleared.
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Payment Methods We accept payment by: Cash – up to £9,000 (subject to money laundering regulations). Cheques – bankers draft, cashiers cheque, personal cheques and travellers cheques are all accepted. Credit cards – Visa or Mastercard (American Express or Diners Club not accepted). Debit cards – Visa, Delta, Switch, Connect Please note that we are unable to accept any card payments where the cardholder is not present. Bank transfer to: HSBC Bank, Bridge St, Evesham WR11 4RU Account no.: 51655345 Account name: Kingham & Orme Auctioneers Ltd Sort code: 40-20-27 IBAN: GB91MIDL40202751655345 SWIFTBIC: MIDLGB22 Please note that a fee of £15 will be added for international bank payment. 9. LIVE INTERNET BIDDING Live online auctions are in conjunction with the-saleroom.com, invaluable.com and easyliveauction.com We ask that you register for the sale a minimum of 24 hours before the auction. When you have registered, you can watch the auction in real time; simply click the bid button to place a bid. If your bid is successful we will notify you after the sale for payment. Charges will be made for internet bidding dependent on the auction platform. See their terms and conditions for details. 10. TRANSFER OF RISK Each lot is the buyer’s sole responsibility from the fall of the hammer. 11. COMMISSION BIDS If instructed, K & O will execute bids and advise prospective buyers. This service is free. Buyers who cannot come to a sale may leave their bid with our staff after/during viewing, or make their bid in advance by telephone or email (enquiries@kinghamandormeauctioneers.com). Such bids are placed at the buyer’s own risk. Bids must be made at least one hour before the sale starts, but we advise buyers to make bids at the earliest possible opportunity. When making bids, buyers must provide: Their full name Address Email address Contact telephone numbers The number of the lot they wish to buy Their maximum bid amount – excluding commission which will be added to the invoice afterwards Buyers must state what their maximum bid would be. We cannot accept an instruction to ‘buy’ or unlimited bid.
14. STORAGE AND COLLECTION Please note all items after the auction will be removed to store. Arrangements for collection can be made with the office. 15. ELECTRICAL GOODS AND SOFT FURNISHINGS These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations. 16. EXPORT OF GOODS Buyers intending to export goods should check whether an export licence is required and whether there is any specific prohibition on importing goods of that character because e.g. they may contain prohibited materials such as ivory. Ask us if you need help. 17. PACKING AND DESPATCH We offer a packing and despatch service for smaller lots. We also use national and local carriers. Further details can be obtained from our office. 18. DROIT DE SUITE ROYALTY CHARGES A work of art by a living artist, or those who have died within the last 70 years, which costs more than the UK sterling equivalent of €1,000 will incur a royalty charge. We pass this payment onto the Design and Artists Copyright Society (DACS), and do not charge a handling fee. Buyers can calculate royalty charges on the DACS website. Items marked with the † symbol in the catalogue will potentially incur royalty payments. We use the euro to UK sterling exchange rate which applies on the day of the sale. It is the buyer’s responsibility to check the relevant exchange rate. The actual qualifying threshold is calculated by the Artist’s Resale Right Service Hub based on the European Central Bank reference rate published at 2.15pm on the day of the sale, and can be found on the DACS website. The royalty charge for pictures which achieve a hammer price of more than the UK sterling equivalent of €1,000, but less that the UK sterling equivalent of €50,000 is 4%. On works of art that achieve a hammer price of more than the UK sterling equivalent of €50,000 a sliding scale of royalty charges applies. For a complete list of the royalty charges and threshold levels please download more information from the DACS website. The royalty charge is added to invoices, and must be paid before purchases are removed. VAT is not paid on royalty charges. 19. CITES LICENSE - IMPORTANT NOTICE RELATING TO SPORTING AND NATURAL HISTORY Clients intending to import/export any item derived from natural history specimens into/from a non-European country should first check for any Import/Export and possession restrictions prior to bidding/selling.
Certain species (λ) are also subject to CITES regulations when exporting/ importing these items out of the EU. CITES regulations are given on www.ukcites.gov.uk or maybe obtained from Animal Health, Wildlife Licensing and Registration Service, Zone 1/17, Temple Quay House, 2 The Square, Bristol BS1 6EB. Those species that are covered by the US Endangered Species Act (USESA) or The Migratory Bird Treaty Act (MBTA): potential US bidders should check with USF&W (US Fish and Wildlife Services) for trade/possession restrictions in the US prior to bidding.
We will ensure that lots are bought as cheaply as possible depending on the bids made and other reserves. If identical bids are placed, they will be dealt with on a “first come first served” basis. 12. TELEPHONE BIDS Lines for telephone bidding should be booked 24 hours before the auction. Lines are booked on a “first come first served basis.” Full name, address and telephone numbers will be required together with proof of identity and address. Bank and credit/debit card details are also necessary to secure the line. 13. DATA PROTECTION K & O will use information provided by its clients or obtained by K & O relating to its clients for the provision of auction services or as required by law. K & O may need to record telephone conversations for security or legal reasons or as necessary to provide a higher quality of service. Clients agree that K & O may use sensitive information that they supply to K & O. Unless permitted by law, K & O will not otherwise process sensitive personal data without express consent. By agreeing to the Conditions of Sale and Business, clients agree to the processing of their personal information.
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CONTACT US GEORGE KINGHAM CALL GEORGE ON 07976 919836 OR EMAIL george@kinghamandorme.com GARY ORME CALL GARY ON 07973 207096 OR EMAIL gary@kinghamandorme.com WWW.KINGHAMANDORME.COM