FINE & DECORATIVE ARTS
Wednesday 1 & Thursday 2 October 2025
FINE AND DECORATIVE ARTS
To be held at:
10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ
WEDNESDAY 1 & THURSDAY 2 OCTOBER 2025
Viewing
Monday 29 September – 10am to 5pm, Tuesday 30 September – 10am to 5pm Wednesday 1 October 9am to 10am & Thursday 2 October 9am to 10am
Day of the Sale
Auction scheduled to start at 10am with bidding in the room and live bidding on the internet bidding platforms. Telephone bids and commission bids are accepted and potential bidders will need to be registered with us before the sale.
SPECIALISTS
Live internet bidding is available on www.kinghamsauctioneers.com, www.the-saleroom.com, www.invaluable.com and www.easyliveauction.com together with a fully illustrated catalogue.
Catalogue £10.00 (£14.00 by post)
Kinghams Auctioneers Ltd
10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ NB. Please telephone to arrange collection.
01608 695695 | enquiries@kinghamsauctioneers.com | www.kinghamsauctioneers.com
John Keightley Associate Director Senior Valuer and Cataloguer
Adrian Rathbone Associate Director and Senior Valuer
Michael Jeffery Associate Director and 20th Century Design Specialist
George Kingham Director
Mark Oliver Consultant Decorative Arts Specialist
Steven Bruce Consultant Valuer
Eric Belgrave Photographer
Sarah Powel Office Administrator
MAP AND DIRECTIONS
Our auction centre is located in the historic Cotswold market town of Moreton-in-Marsh
By Car
We are centrally located on the A44 in reach of motorways the M5, M4, M40 and M42. Ample free parking.
By Rail
Moreton-in-Marsh’s train station is less than a mile from the auction centre.
By Plane
The nearest International Airports are Birmingham, 45 miles and Heathrow, 70 miles.
Accomodation
The Howard Arms (10-minute drive from the auction centre) Lower Green, Ilmington, CV36 4LT 01608 682226 www.howardarms.com
DELIVERY SERVICES FOR BUYERS
We offer an in house packing service for most items and paintings up to 110cm x 80cm. Please email enquiries@kinghamsauctioneers.com for a quote or call 01608 695695 for a quotation.
For Furniture:
Tustain Carriers, Fine Art & Antique Carriage 07964 626325 enquiries@tustainclearance.com www.tustaincarriers.com
USEFUL INFORMATION FOR BUYERS
Please see full Terms and Conditions at the back of this catalogue.
Buying at Kinghams Auctioneers Ltd:
There are several ways you can bid at our auctions; by leaving a commission bid, on the telephone and live via the internet.
Bidding in Person
It is essential that all prospective buyers register with us prior to the auction. Proof of identification will be required in order for a bidding number to be allocated which can then be used when bidding for an item.
Commission Bids
Kinghams will execute bids if you are unable to attend the sale. Bids can be left with our staff during or after viewing, or in advance by telephone or e-mail: enquiries@kinghamsauctioneers.com
Telephone Bids
Lines must be booked by 5pm the day before the auction begins. Lines are booked on a first come first served basis. Full name, address and telephone numbers will be required together with proof of identity. Bank and/or credit/debit card details are necessary to secure the line.
Live Internet Bidding
Register online via www.kinghamsauctioneers.com, www.the-saleroom.com, www.invaluable.com, www.easyliveauction.com and www.liveauctioneers.com Various charges apply, please check with your bidding platform.
Condition
Bidders must satisfy themselves as to the condition of each lot. Condition reports are available on request. (no later that 48 hours before the sale).
Buyer’s Premium
There is a buyer’s premium of 26% plus VAT on the first £500,000 of the hammer price of each lot. 18% plus VAT on the excess of £500,001 and up to £1,000,000 of the hammer price of each lot, and 15% plus VAT on the excess of £1,000,001 of the hammer price of each lot.
Payment
Must be made in full before items can be removed from the premises. If buyers are unknown to us, we cannot handover purchase until payment has been cleared.
Payment Methods - We accept payment by:
• Cash - up to £9,000 (subject to money laundering regulations).
• Cheques - we do not accept cheques.
• Debit cards accepted. We do not accept any credit cards.
• Bank transfer to:
HSBC Bank, 32 Bridge St., Evesham, WR11 4RU
Account No.: 51655345
Account Name: Kinghams Auctioneers Ltd
Sort Code: 40-20-27
IBAN: GB91MIDL40202751655345
SWIFTBIC: MIDLGB22
Please note that a fee of £15 will be added for international bank payments.
Day Two
DAY ONE
1 A Chinese jade and marcasite ring, on white metal band, size N 1/2
£20 - £40
2 A Chinese carved jade and white metal mounted buckle, spade form plaques reticulated with floral motifs, 12cm long
£40 - £60
3 An Austro-Hungarian enamelled silver and gem set pendant, modelled as St George on horseback, suspended from a chain with seed pearls, set with red and green stones, 6cm long, 23.6g £40 - £60
JEWELLERY
4 A polished agate link bracelet, alternating oval panels of moss and striped agate, on white metal links, 22cm long
£40 - £60
5 A 9ct gold gem set ring, the central pink sapphire flanked by colourless stones, size O, 2.3g £50 - £80
6 A multi coloured gem set pendant, the reticulated silver drop pierced with foliate scroll ground and set with amethyst, zircon, garnet, citrine and rock crystal, 6cm long
£50 - £80
7 A 19th century yellow metal foilback purple paste drop pendant, with 9ct gold chain, clasp stamped 10ct, length of pendant 4cm, length of chain 40cm, 7.6g
£50 - £100
8 An early 20th century gold turquoise and pearl brooch, length 5.3cm, 4g £50 - £100
9 A cultured pearl single-strand necklace, pearls measure approximately 5.3cm to 7.5cm, with 9ct gold amethyst cluster clasp, clasp stamped 9ct, length 46cm, 24.5g £60 - £80
10 A pair of magnifying glass, with 9ct gold chain, chain with import marks for London 1978, length of magnifying glass 9cm, length of chain 55cm, weight of chain 5.1g £60 - £80
11
11 An Edwardian 9ct gold bar brooch, lozenge form, set with blue paste stones and seed pearls, 5.5cm long £30 - £50
12
12 A Continental gilt metal and sapphire set brooch, circa 1860s, in the form of a posy and holder, the Persian flower head set with blue and pink stones, 11cm long, 14.1g £80 - £120
13 A 9ct gold signet ring, hallmarks for Birmingham 1955, ring size X 1/2, 4.9g £80 - £120
14 A brilliant-cut diamond single-stone stickpin, estimated diamond weight 0.25ct, I colour, SI1 clarity, length 5.5cm, with metal screw stopper, 2.6g £80 - £120
15 A pair of gold chrysoprase cabochon chandelier drop earrings, length 6cm, 4.9g £80 - £120
20 A late Victorian gold black enamel and split pearl foliate brooch, length 3.2cm, 8g £90 - £140
21 An Edwardian 9ct gold locket pendant, with chain, hallmarks for Birmingham 1903, diameter 2.8cm, length of chain 44cm, 11.1g £90 - £140
22 A 9ct gold money clip, stamped 375 to suspension loops on safety chain, length 5.5cm, 4.4g £100 - £150
27 A 14ct gold aquamarine and diamond dress ring, aquamarine measuring 9.9mm by 9.9mm by 6.6mm, stamped 14k, ring size N, 3.8g £120 - £180
16 An early 20th century gold and silver, pink coral and split pearl arrow brooch, with split pearl crescent central highlight, length 6cm, 5.2g £80 - £120 17
17 An early to mid 20th century white metal carved jade necklace, wearable length 46cm, length of drop 3cm, 15.4g £80 - £120
18 An Edwardian 9ct gold engraved bangle bracelet, with safety chain, hallmarks for Chester 1908, inner diameter 5.8cm, 4.6g £80 - £120
19 An Edwardian gold shell cameo brooch, carved to depict a lady in profile with vine leaves and grapes in her hair, length 4.7cm, 11.4g £80 - £120
23
23 A gold sapphire longuard chain, set with oval orange sapphires and circular yellow sapphires, no clasp, length 53cm, 4.3g £100 - £200
24 A pair of 14ct gold peridot, blue topaz and diamond drop earrings, earrings and ear hooks stamped 14k, length 3.9cm, 4.1g £100 - £150
25 A pair of 18ct gold drop earrings, with fixed posts for pierced ears, post and earring backs stamped 750, length 5cm, 2.1g £100 - £200
28 A 14ct gold peridot, blue topaz and brilliant-cut diamond dress ring, peridot measures 8.5mm by 7mm, stamped 14k, ring size N, 4.4g £120 - £180
29 A 9ct gold belcher-link necklace, hallmarks for Birmingham, length 46cm, 8.6g £120 - £180
30 A 9ct gold chain, suspending two intaglio seal fobs, one purple paste and one amethyst, lengths of fobs 2.7cm and 2.8cm, length of chain 42cm, weight of chain 8.4g £120 - £180
31
31 A 9ct gold opal and emerald bracelet, length 18cm, 7.9g £120 - £180
32
26 An 18ct gold jade and diamond pendant, suspension loop stamped 750, length 2.8cm, 2.4g £100 - £200 27
32 A gold seal signet ring, approximate ring size L, 6.3g £120 - £180
33 A pair of 18ct gold emerald and brilliant-cut diamond drop earrings, earrings stamped K18, estimated total diamond weight 0.30ct, length 2.1cm, 3g £120 - £180
34 An 18ct gold sunstone cabochon single-stone ring, hallmarks for Birmingham, ring size N, 3.5g £120 - £180
35 A 9ct gold rope-twist chain necklace, hallmarks for Sheffield 1982, length 55cm, 8.5g £150 - £200
36 A 9ct gold shell cameo brooch and a pair of similar earrings, hallmarks for Birmingham 1985 and 1987, lengths 1.2cm and 3.2cm, total weight 9.2g £150 - £200
37 A George V 1911 half sovereign in 9ct ring mount, 9ct hallmarks, ring size P, 11.5g £380 - £480
38 A 9ct gold synthetic opal line bracelet, hallmarks for Birmingham, length 19cm, 12.1g £150 - £250
39 A gold old-cut diamond cluster bar brooch, with safety chain, estimated total diamond weight 0.70ct, H-I colour, SI2-P1 clarity, length 4.5cm, 3.8g £150 - £250
40 A green tourmaline cluster pendant, suspension loop AF, cabochon measures 19.5mm by 14.7mm, length 2.7cm, 9.2g £150 - £250
41 A late Victorian gold rose-cut diamond target brooch, diameter 3.5cm, 8.4g £150 - £200
42 A pair of mid 20th century mabe pearl and old-cut diamond cluster earrings, AF, estimated total diamond weight 0.90ct, pearls measuring approximately 13.3mm, total weight 8.8g £150 - £250
43 A set of 18ct gold cultured pearl and diamond jewellery, to include a pendant, with chain and a pair of matching stud earrings, estimated total diamond weight 0.10ct, all stamped 750, length of pendant 1.8cm, length of chain 44cm, length of earrings 0.7cm, 4.7g £150 - £250
44 An 18ct gold jade and brilliant-cut diamond pendant, with chain, estimated total diamond weight 0.05ct, pendant stamped 18k, chain and clasp stamped 750, length of pendant 1.8cm, length of chain 44cm, 4.5g £150 - £250
45 An 18ct gold sapphire and diamond cluster pendant, with 9ct gold chain, estimated total diamond weight 0.25ct, pendant and chain with hallmarks for Birmingham 1987, length of pendant 1.8cm, length of chain 21.5cm, 8.3g
£150 - £200
46
46 Three gold gem-set brooches, to include an old-cut diamond brooch, a five stone blue zircon brooch and a cultured and split pearl brooch, lengths 3.7 to 5.7cm, total weight 9.9g £150 - £250
47 Two 9ct gold bracelets, one with cultured pearl spacers and suspending a circular tag, both with 9ct hallmarks, lengths 18cm and 19cm, total weight 9.3g £150 - £250
48 An Edward VII 1907 half sovereign in 9ct pendant mount and chain, mount with hallmarks for London 1975, clasp with import marks for London, length of pendant 3.5cm, length of chain 74cm, 18.2g
£550 - £650
50 A 22ct gold wedding band ring, hallmarks for London 1929, ring size R, 3.8g £200 - £300
51 An 18ct gold brilliant and singlecut diamond cluster ring, estimated diamond weight 1.15ct, H-I colour, P2 clarity, hallmarks for London, ring size J, 5.2g £200 - £300
52
52 An 18ct gold diamond pendant, estimated total diamond weight 0.60ct, stamped 750, length 3cm, 4.1g £200 - £300
53
53 An 18ct gold nephrite jade cabochon intaglio seal signet ring, stamped 18K, ring size K1/2, 4.7g £200 - £300
54
54 An 18ct gold onyx and brilliant-cut diamond swivel pendant, estimated total diamond weight 0.08ct, suspension loop stamped G750, length 2.7cm, 4.9g
£200 - £300
55 An early 20th century 18ct gold old-cut diamond single-stone ring £200 - £300
£650 - £750
49 A Victoria 1898 full sovereign pendant and chain, clasp stamped 9ct, length of pendant 3.5cm, length of chain 65cm, 18.4g
56 A 9ct gold tassel necklace and a pair of matching earrings, pendant and earrings with hallmarks for Sheffield, chain with hallmarks for London, length of earrings 4cm, length of pendant 3.5cm, length of chain 46cm, total weight 11.4g
£250 - £350
57
57 An 18ct bi-colour gold pendant, stamped Quadri 750, length 4.5cm, 7g £300 - £400
58 An 18ct gold cultured pearl dress ring, stamped 18k, ring size Q, 17.3g £300 - £500
59
59 An 18ct gold orange sapphire and diamond dress ring, estimated total diamond weight 0.75ct, stamped Enzo, G750, approximate ring size N, 6.6g £300 - £400
60 An 18ct gold pear-shape emerald single-stone ring, hallmarks for London 2006, ring size M, 6g £300 - £400
61 Two pairs of gold cufflinks, to include a pair of 18ct gold and platinum cufflinks, together with a pair of 15ct gold split pearl accent heart cufflinks, stamped 18ct & Pt and 15ct, lengths 1.2 and 1.5cm, total weight 13.5g £300 - £400
62 An 18ct gold glass-filled ruby line bracelet, with push-piece clasp, estimated total ruby weight 50ct, hallmarks for Birmingham 2006, length 20cm, 31.8g £800 - £1200
63 A Victoria 1887 half sovereign in 9ct gold ring mount, stamped 9ct, ring size P1/2, 10.3g £350 - £450
64 An 18ct gold emerald and brilliantcut diamond necklace and a pair of earrings, estimated total diamond weight 1.20ct, length of earrings and pendant 3.7cm, length of chain 46cm, total weight 8.4g £400 - £600
65
65 Two 18ct gold bloodstone intaglio seal signet rings, one at fault, one stamped 18, ring sizes K and P, total weight 14.8g £400 - £600
66 A Victoria 1893 full sovereign pendant, length 3.5cm, 10.5g £480 - £580
67 An Austrian Secessionist silver bracelet, each link of open coiled wire butterfly form with central floral rosette, stamped marks, 800, 20.5m long, 18.5g £20 - £30
68 Jessie M King for Liberty and Co. an Arts and Crafts gold, turquoise, and mother of pearl necklace, milled foliate coiled and beaded floral motifs suspended on a fine chain, set with cabochon stones, 41cm long, 5.3g £180 - £220
69
69 Charles Horner, an Arts and Crafts silver, enamel and mother-of-pearl pendant, open three leaf floral design, flanked by turquoise brackets, 6.5cm long, 3.5g £100 - £150
70 A German Jugendstil silver and citrine brooch, realistically modelled with roses within a ropetwist border, central square cut stone, 4cm long, 7.2g £20 - £30
71 An Art Nouveau silver pendant with later chain, hallmarks for Birmingham 1910, length of pendant 3.6cm, length of chain 40cm, 7.7g £60 - £80
72 An Art Nouveau gold shamrock brooch, with ruby single-stone highlight, length 3cm, 1.9g £80 - £120
73
73 An Arts and Crafts white metal and Ruskin cabochon brooch, oval form, applied coil and bead decoration, 6cm long £20 - £30
74 A Scandinavian Arts and Crafts silver and turquoise bracelet, open wire floral rosettes with central cabochon stones, linked by double bars, 18cm long, 7.2g £30 - £50
75 An Art Deco Austrain silver and paste set bracelet, the central simulated pearl within red cabochons and laurel wreath, on a bar linked strap, 17.5cm long, 10.7g £30 - £50
76 An Arts and Crafts white metal and hardstone pendant, navette form, modelled in relief with roses around a central circular plaque, 5.5cm long, 5.9g £20 - £30
77
77 An Arts and Crafts green jade type bead necklace, coiled gilt metal chain with a lattice panel of suspended oval and teardrop beads, 40.5cm long
£40 - £60
78 An Arts and Crafts silver and enamelled bracelet, Stainton Brothers, Birmingham 1910, alternating links of Tudor roses in blue green enamel and plain panels, 19cm long, 8.1g £50 - £80
79
79 David Ferreira, a Portuguese Arts and Crafts silver bangle, embossed in relief to each reeded section with a pictorial depiction of the months of the year with the first letter of each month, 7.5cm diameter, 43.7g £30 - £50
80
80 James Fenton, an Arts and Crafts silver and enamelled pendant, Birmingham 1908, modelled as a stylised lotus flower of intersecting petal outlines, in turquoise enamel, 4cm long, 4.7g £50 - £80
81 Bernard Instone, an Arts and Crafts silver and carnelian lapel clip, pyramidal form with rectangular cabochon plaque, vine and grape design, 3.5cm long, 5.7g £30 - £50
82 Bernard Instone, an Arts and Crafts enamelled silver brooch, circa 1940, modelled as a floral sprig with blue petal flowers, stamped marks, 7cm long £50 - £80
83 Bernard Instone, an Arts and Crafts enamel and macasite floral bar brooch, a wreath of pink and blue flowers with yellow berries on a long stem, 7.5cm long £30 - £50
84
84 Gladys and Charles Mumford, an Arts and Crafts carved agate and silver brooch, the central hexafoil plaque within a ropetwist and coiled petal frame, 4cm diameter, 10.6g £20 - £30
85 Nils Erik Elvik, a Skonvirke silver bracelet, Norway circa 1910, cast with reticulated panels of foliate scroll motifs, 19.5cm long, 27.4g £40 - £60
86 An Art Deco jade and silver pendant on chain, the bevelled square plaque set in a quatrefoil frame
£40 - £60
87 WMF, a Jugendstil Myra glass bead and white metal necklace, pale blue frosted spherical beads suspended on a rope chain, 45.5cm long
£50 - £80
88 WMF, a Jugendstil Myra glass bead and white metal chain necklace, eight frosted spherical beads on a ropetwist chain, 53cm long
£50 - £80
89
89 A Scandinavian silver Hattula bird brooch, cast with beaded decoration, the webbed feet articulated and suspended from chains, 5.5cm long, 17.2g
£30 - £50
90 Georg Jensen, two silver brooches, both with maker’s marks, stamped Sterling Denmark 312 and 317, lengths 4.2cm, one with safety chain, total weight 16.9g
£80 - £120
91 A Norwegian silver and enamelled line bracelet, green floral guilloche enamel panels united by daisy incised links, 17.5cm long, 4.8g £30 - £50
92 Ana Nunez Brilanti, a Mexican ‘Aztec’ design silver necklace, alternating incised and stepped geometric panels of graduated size, 38cm long, 67g £100 - £150
93 A large Mexican style white metal and amethyst necklace, central boss form medallion with fan and trefoil link motifs, on alternating fountail and cut stone links, 48cm long, 44.8g £40 - £60
94 A Native American lapis bead necklace with frog talisman pendant, the clasp cast and reticulated with a frog, 49cm long £80 - £120
95 A 1970s 18ct gold signet seal ring, with engraved bird motif, hallmarks for Birmingham 1976, ring size H, 5.4g £200 - £300
96
96 Shimara Carlow, a contemporary silver wire bangle bracelet, hallmarks for Edinburgh for 2004, approximate inner diameter 6.5cm, approximate width 3.5cm, 100.5g £50 - £100
97 Shimara Carlow, a contemporary silver wire choker necklace, hallmarks for Edinburgh 2004, approximate length 37cm, approximate width 4.5cm, 134.6g £70 - £100
98 Tiffany & Co., a pair of silver Starfish earrings, with maker’s pouch, stamped Tiffany & Co. Peretti, stamped Spain 925, length 1.6cm, 3.8g £60 - £80
99
99 Tif fany & Co., a silver Starfish pendant, on cord, with maker’s pouch, signed Tiffany & Co. Elsa Peretti, stamped 925 Spain, pendant length 5cm, length of cord 44cm, 8.5g £80 - £120
100 Accurist, a 9ct gold bracelet watch, hallmarks to clasp, hallmarks to watch head for Edinburgh 1958, head diameter 1.4cm, 11.2g £150 - £200
101 An Art Deco Elgin pocket watch, engine turned dial with subsidiary seconds dial, in a chased and engine turned case, 4.7cm diameter £20 - £30
102 An Edwardian 9ct gold enamel open face pocket watch, AF, import marks to dust cover and outer cover for London 1907, diameter 3.2cm, 20.6g £150 - £250
103
103 An Art Deco platinum and diamond cocktail watch, unsigned manual wind movement, case stamped PLATINE, fitted to a black strap, total weight 8.3g, case measures 14mm £120 - £150
104 Cartier, a Diabolo de Cartier platinum plated pinstripe ballpoint pen, set with a cabochon blue stone, numbered 101417, in original box £120 - £200
105 Victoria, Sovereign, 1887, diameter 2.2cm, 8g £400 - £600
106 Victoria (1837-1901), Specimen Golden Jubilee set, 1887, comprising Five Pounds and Two pounds, Sovereign and Half Sovereign, Crown to Threpence (11), housed in a fitted red leather and blue velvet-lined case £4,000 - £6,000
COINS
107 Edward VII, Sovereign, 1907, diameter 2.2cm, 8g £400 - £600
108 George V, Sovereign, 1913, diameter 2.2cm, 8g £400 - £600
109 George V, Half Sovereign, 1911, 1.9cm, 4g £200 - £300
110 George V, Sovereign, 1912, diameter 2.2cm, 8g £400 - £600
111 George V, Sovereign, 1913, diameter 2.2cm, 8g £400 - £600
112 George V, Sovereign, 1915, diameter 2.2cm, 8g £400 - £600
113 George V, Sovereign, 1927, South Africa Mint, diameter 2.2cm, 8g £400 - £600
114 George V, Sovereign, 1913, diameter 2.2cm, 8g £400 - £600
115 George V, Sovereign, 1911, diameter 2.2cm, 8g £400 - £600
116 Elizabeth II (1926-2022), gold proof Diamond Jubilee sovereign, 2012, IRB initials below for designer Ian Rank Broadley, PJD for designer Paul Day £450 - £550
117 Austria, gold Ducat, 1915, 4 Ducat restrike, diameter 3.9cm, 14g £500 - £800
118 An Edwardian silver vesta case, T H Hazelwood, Bimingham 1909, of small proportions, chased clover decoration, gilt interior, 4cm long, 0.53ozt £20 - £30
119
119 A Chinese silver napkin ring, cast with a dragon in relief, between borders of bamboo, 5cm diameter, 29g £30 - £50
120
120 A Spanish silver figural pickle or cocktail fork, the finial cast as the head of a bulldog, 11cm long, 19.5g £20 - £30
121 An Edwardian silver and glass inkwell, Nathan and Hayes, Birmingham 1901, cube corm with hobnail cut base, domed and hinged bun lid, 9cm high £30 - £50
122 A Scottish Aesthetic Movement novelty silver plated claret jug or water jug, circa 1870, in the form of a thistle flower, the spherical body engraved with foliate diaper pattern, tapered neck and domed lid with floral finial, the handle of tubular rod construction with ceramic insulators, 21cm high £40 - £70
123 An Arts and Crafts white metal chain mail purse, set with purple cabochons, cast and reticulated knotted floral tendril design, 24cm long £50 - £80
SILVER
124 Archibald Knox for Liberty and Co., a Cymric Arts and Crafts silver and enamelled napkin ring, Birmingham 1905, embossed with Celtic knot cartouches in blue green enamel, 5cm diameter, 27g £100 - £150
125 An Arts and Crafts silver dish, A and J Zimmermann, Birmingham 1903, oval form embossed with stylised knotted tulip tendrils and flowers, on a rusticated ground, 13cm long, 1.86ozt £60 - £100
126
126 Johan Rohde for Georg Jensen, a Danish Skonvirke silver and enamelled Konge or Acorn salt cellar, model 62, designed circa 1915, of shouldered porringer form, blue enamel to the interior, 6cm long, 0.67ozt £60 - £100
127 Johan Rohde for Georg Jensen, a silver handled Acanthus bottle opener, 8cm long £30 - £50
128 Georg Jensen, a Danish Arts and Crafts silver ladle, beaded fiddle pattern, 13cm long, 15.9g £40 - £60
129
129 An Arts and Crafts white metal and enamelled cylinder box, the lid set with a metal plaque of purple lilies and initials FC HC, gilt interior, apparently unmarked, 7.5cm diameter £100 - £200
130 Charles Horner, fourteen various silver hat pins, with five others by Charles Horner, set amethyst type and citrine type, a silver plated hat pin stand, and four other hat pins, (parcel) £200 - £400
131
131 Hans Jensen, a Danish Arts and Crafts silver pill box, circular disc form with beaded rims and stylised applied monogram ET, rotating action with closing side hole, 4cm diameter, 17.3g £40 - £60
132 An Arts and Crafts silver and glass inkwell, Martin, Hall and Co., Sheffield 1902, the pale green vessel by James Powell and Sons, supported on an ogee domed base with thee organic whiplash tendril buttress arms terminating in arrow head foliate motifs, the hinged lid of domed form, 10.5cm high £300 - £500
133
133 Graham Leishman Stewart, a Modernist silver gilt and glass paperweight, London 2007, flattened hemispherical form, aventurine and silver foil included cased glass by Michael Hunter, Twist Studio, set with a parcel gilt electroformed plaque in 999 grade silver with Charles Robert Ashbee motto ‘Humanity and Craftsmanship are One’, 8.5cm diameter, 4cm high
Note: commissioned by the Goldsmith’s Company, Goldsmith Hall, as the Prime Warden’s gift for the Court and Ladies Dinner in 2007 £70 - £90
METALWARE AND WORKS OF ART
134 An Arts and Crafts repousse embossed crumb tray, ogee form, decorated with a galleon in full sail, 25cm wide £30 - £50
135 An Arts and Crafts Civic Pewter and Ruskin cabochon set bread board, the planished rim set with four marbled souffle glazed roundels, sycamore board to the centre, 27cm diameter £30 - £50
136
141 Irish School, two Arts and Crafts Gaelic House warming bowls, circa 1920s, turned fruit wood and incised with Celtic knot motifs below mottos, polychrome decorated, 18cm diameter (2)
£80 - £120
£40 - £70
136 An Arts and Crafts pewter and Ruskin cabochon bound wooden book trough, the ends pierced with heart motifs, the front stretcher set with alternating heart shaped and circular plaques in blue green souffle glaze, 38cm wide
137 An Arts and Crafts patinated copper and Ruskin cabochon set coal scuttle, trapezoid form, the hinged lid embossed with stylised poppy heads and knotted tendrils within four blue turquoise marbled roundels, 37cm high
£40 - £70
142
138 An Arts and Crafts Ruskin cabochon set copper and wrought iron fire screen, the square panel repousse embossed with rosette boss and radially studded stylised roses, around a central turquoise souffle glazed plaque, within a coiled strap frame, 69cm high, 63cm wide
£80 - £120
139 An Arts and Crafts copper and Ruskin cabochon set coal bin, with pincer tongs, footed ogee form with domed lid, repousse embossed with stylised bud cartouches and central large green souffle glazed roundel, twin handles, riveted foot, 50cm high
£100 - £200
140 William Hutton and Ruskin Pottery, a pair of Arts and Crafts pewter and cabochon set jardinieres, footed form incised with stylised peacock feather motifs, each with a blue souffle glazed roundel, stamped marks, 13cm diameter, 12cm high (2)
£80 - £120
142 A Glasgow School, Scottish Arts and Crafts metal letter or magazine rack, wall mounted, planished steel embossed with Glasgow rose motifs, the brass pediment with a similarly stylised floral band, 47cm long, 22cm wide
£80 - £120
143 Edward Burne Jones and May Morris (attributed), a PreRaphaelite Arts and Crafts embroidered panel, circa 1890, depicting a woman and staff amongst fruiting grape vines and entwined tendrils, with a poem Calm Are Her Eyes, 50 by 19cm, framed
£500 - £700
144 A pair of Revivalist carved oak corbels, in the late Medieval or Tudor style, modelled as grotesque grinning faces, 21.5cm long (2)
£50 - £80
145 A Gothic Revival pine and parquetry inlaid mirror, in the style of Charles Bevan, rectangular form, octagonal section pilasters united by specimen wood geometric star panels, the bevelled glass 50cm x 38cm, overall 71cm x 59cm £80 - £120
146 An Art Nouveau carved wood mirror frame, modelled in low relief with knotted tendril and flower design, the corners applied with pierced and cast gilt metal rosettes, 61cm x 51cm
£100 - £200
147 A large Art Nouveau wall mirror, modelled in relief with floral tendrils in the French style, painted green and highlighted in red, 109cm high
£100 - £200
148
148 An Arts and Crafts wall light bracket light, probably Jesson, Birkett and Co., circa 1900, the wood mounted planished copper whiplash foliate arm suspending an electrical wire with coronet fitting and frosted straw opal glass onion drop shade, 33cm long £120 - £180
149 A large Arts and Crafts English brass five-light chandelier, in the style of Jesson, Birkett and Co., circa 1900, planished organic floriform tendrils, with four branches and a central light, forming a poppy head, 76cm long £200 - £400
150 An Arts and Crafts copper hall lantern with straw opal glass cylinder shade, probably James Powell and Sons, within a cage of six bowed straps suspended from a conical shade with ring and chain attachment, 51cm high £80 - £120
151 An Arts and Crafts glazed copper hall lantern, circa 1900, of two tiered square section pagoda form, the main cuboid body strapped and glazed with a pierced heart frieze, four coiled strap brackets supporting a turret form chimney with sweeping pitched roof, suspended from a chain, 33cm square, 53cm high £100 - £200
152 W A S Benson, an Arts and Crafts copper and brass table lamp, circa 1900, four angled geometric legs supporting an embossed foliate tray and leaf decoration with strap tendrils around a cylindrical shaft, the six petal sconce supporting a straw opal glass tulip form shade, stamped marks, 62cm high includng shade £400 - £600
153 W A S Benson, an Arts and Crafts brass and copper table oil lamp, circa 1890, the conical reservoir on a turned baluster and spherical knopped support with three levels of embossed copper leaves, on four splayed cabriole legs, stamped marks, 50cm high to fitting £200 - £400
154 An American Art Nouveau cold painted metal and stained glass table lamp, Miller Lamps, circa 1907, the domed shade with six marbled amber panels above a cast and reticulated border, on a square section red, green and gilt painted column support, 60cm high £80 - £120
155 An Arts and Crafts copper tray, in the style of W H Mawson for Keswick, rectangular form, repousse embossed with entwined and mirrored stylised poppy motifs, twin handled, 56cm wide, 32cm deep £50 - £80
156 Keswick School of Industrial Arts, an Arts and Crafts brass and wood folding tray table, the circular tray repousse embossed with a wreath of roses on a Celtic knotted band, planished centre, stamped marks, 58.5cm diameter, 57cm high
£70 - £100
157 Keswick School of Industrial Arts, an Arts and Crafts copper and wood folding tray table, the circular tray repousse embossed with a band of thorny roses on naturalistic stems, planished, on a folding four leg base, 66cm diameter, 62cm high
£70 - £100
158 An Arts and Crafts powder coated iron coal box, cuboid form with cruciform riveted strap and boss decoration in the style of A E Jones, two side handles and internal steel liner, 75cm wide, 38cm high, 38cm deep £100 - £200
159 Archibald Knox for Liberty and Co., three Tudric Arts and Cafts pewter tankards, models 0334, 0280 and 0281, each of cylindrical form with strap handles, decorated in relief with stylised buds and sinuous tendril bands, two lidded and bound with rattan handles, 20cm high (3) £100 - £200
160 After Gustav Stic kley, an Arts and Crafts Mission style patinated copper humidor, cuboid form with riveted strap bracket feet, stepped lid and channeled strap handle, apparently unmarked, 31cm wide, 20cm high, 22cm deep £200 - £300
161 Franz Gruber, a pair of Austrian Art Deco bronze bookends, modelled as squirrels, circa 1925, stamped marks, 16cm high (2) £200 - £300
162 An Art Deco patinated art metal novelty figural cigar cutter lamp base, modelled with a reclining woman in bathing costume, the leg lifting to reveal a cutter, on a marbled stone slab base, with original printed paper conical shade, 22.5cm long £250 - £350
163 Gilbert Bayes, The Goal, an electrotype relief moulded copper plaque, 1892, bronzed patina, depicting a chariot race, 14cm x 65.5cm
Note: see Irvine, L & Atterbury, P, 1998, Gilbert Bayes Sculptor 18721953, Richard Dennis, p.95-96 for the catalogue entry and exhibition notes of this plaque design, with illustration; illustrated in The Art Journal July 1908, Magazine of Art 1895; exhibited at the Royal Academy 1892 etc. £300 - £500
164 Gilbert Bayes, a pair of relief moulded bronzed plaster plaques, dated 1895, after the bronze originals, modelled with sea nymphs in movement, signed in the cast, 61cm x 24cm (2) £100 - £200
165
165 Manuel de Oliveira, Bust of an Asian Man, 1940, from Mundo Portugues, black glazed terracotta, on a marble base, impressed marks Escultura de M Oliveira Cop Por Rafael, 16cm high
Note: part of a series of sculptures made for the Portuguese World Exhibition in 1940 to represent the extent of Portuguese influence throughout the world. The large scale sculptures are on display in the Tropical Botanical Garden in Lisbon £40 - £70
166
166 French Sc hool, early 20th Century, Venus Awakening, bronze, 44cm high, mounted on an octagonal red veined marble plinth £100 - £150
167 A gilt bronze model of a pug dog, in the manner of Franz Bergmann, realistically modelled standing wearing a collar with a buckle fastening, stamped ‘Geshutzt’, 8cm high, 11cm wide £80 - £120
168
168 An Austrian cold painted bronze figure of a Kingfisher, probably Franz Bergman, realistically modelled and coloured, apparently unmarked, 9cm high £150 - £250
169
169 Six Victorian copper jelly moulds, including a Benham & Froud example of Gothic arch design, No.72, 15cm wide, a circular pair, stamped M4.76, a circular example, No.53, an oval example, and a plain ring example engraved with ‘D’ surmounted by a coronet (6) £100 - £150
170 A Victorian Jennens and Bettridge papier mache tea caddy, trefoil form with hinged lid, inlaid with abalone shell borders and foliate scrolls, two lidded compartments with mother of pearl finials and a glass mixing bowl, velvel and washed silk lined, stamped marks 15cm high £400 - £600
171 Transformation playing cards, Metastasis, London, S & J Fuller, 1811, 35 (of 52), hand coloured engraved cartoons after John Nixon, most cards titled in italics, the court cards each depicting a single figure, 6.3cm x 9.2cm, in a marbled card box £300 - £500
172
172 Hunt and Sons, late Gibson, a set of George III playing cards, Number 137, Duty Ace, apparently unplayed, in original embossed stamp duty wrapping with Great Mogul etching £80 - £120
173
173 Gilles de la Boissiere, published by Jean Mariette, after 1691, Jeu de Fortifications playing cards and instructions, cut from the original sheets, 50 cards of 52, on laid paper, printed with contemporary fortifications of the time of Louis XIV
Note: a set of original sheets, hand coloured, are in the British Museum £80 - £120
174 A collection of ten animated single lever magic lantern slides, painted with various comical scenes, probably German, wooden frames with brass fittings, 8cm x 14cm (10)
£80 - £120
175 A large collection of Newton single and double slipper magic lantern slides, wooden frames, some stamped with makers marks, various animated comical scenes with masked sections, 10cm x 18cm
£100 - £200
176 Pair of Antique Green marble ormolu mounted onyx lamps, pedestal urn form with cast floral garland swags, and another (3)
£200 - £300
177 A 19th century brass strung liqueur set, double hinged serpentine box containig glas dirinking items £100 - £200
178
178 J S Thatcher for Vitascope Industries, an Art Deco brown bakelite electric clock, circa 1941, curved bracket form with glazed display window modelled with an illuminated moving diorama of ship on calm seas, above a chromed chapter ring and hands, labels verso, 32cm high
£300 - £500
179 A 19th century Chinoiserie gilt metal and lacquered ink stand or encrier, in the Rococo style, the foliate scroll bordered platform base with Japanned decoration of an Oriental landscape, supporting two similarly lacquered inkwells and a central cast bell, on bracket feet, 40cm wide
Provenance: Christie’s, London, 14th November 2018, Lot 33 £200 - £300
180
180 An African cast bronze figural bust, Benin, Nigeria, 20th century, modelled with a headdress, 28cm high £300 - £500
181 A novelty treen snuff box, 19th Century, in the form of a shoe, studded with dot detailing, 9cm wide £50 - £80
182 Two magic lantern mechanical rackwork slides, of animated optical effect glass plates, in wooden frames, wooden crank handles, 19cm long (2) £40 - £70
183 An ebonised bamboo horse measuring stick, with crooked handle, 94cm long £50 - £80
184
184 A George V silver mounted taxidermy otter paw brooch, Hollman and Norton, Birmingham 1929, inscribed with initials to the mount and date June 10 1929, Underley, 8cm long £50 - £80
185
185 A Victorian Tunbridge Ware double inkwell, Edmund Nye, cuboid form, decorated with foliate bands and a central floral bouquet, containing two square section glass bottles with stoppers, original paper label, 12.5cm wide, 8cm high, 7cm deep £100 - £200
186 Tribal, a 19th century palm leaf religious or philosophical manuscript, Tamil, with hardwood end boards, bound with string, approximately 90 pages £100 - £200
187 Taxider my, a Mirror Carp, mounted in a naturalistic setting amongst reeds, in an eglomise bowfront case, labelled ‘Taken by Mr W. Pearson, 1912, Wgt.1lb 8oz’, 26cm high, 47cm wide, 10cm deep £80 - £120
188 A George III textile sampler, worked by Hannah Redman in coloured threads on linen, dated 1810, strawberry and geometric border, motto, and pictorial including caucasian and black cherubs, wildlife, foliage, a figure and buildings, 43 by 30cm, framed £100 - £150
189 A George III textile sampler, worked in coloured threads on linen by Martha Steel, dated 1792, scrolling foliage border containing a Charity motto within a colonade, two 19thcentury photographs and a lock of hair inset verso, 32 by 29cm, framed £150 - £250
190 A George III textile sampler, strawberry border containing a motto‘Here Hangs all Human Hope’ and depiction of Eve in The Garden of Eden, worked in coloured silks on linen by Elizabeth Wilsdon, aged 10, March 1816, 42 by 32cm, framed £150 - £250
191 A Heeley and Sons Wier’s patent concertina corkscrew, circa 1880s £40 - £60
192 A Betts's Patent Portable Globe, early 20th Century, of collapsible form, boxed £200 - £400
MILITARIA
193 A pair of 19th century Reed of London percussion pistols with spring loaded bayonets, blued steel barrels, engraved makers names to the plates, 18cm long (2)
£600 - £800
194 A large Southport National Agricultural Society silver coloured metal medal, awarded in 1878 for best Channel Island Cow, modelled in relief with coat of arms and farmyard scene, 9cm diameter, 247g
£120 - £180
195 The Most Honourable Order of the Bath, Knight Commander (Military) KCB, comprising a late Victorian silver gilt and enamel neck badge on crimson ribbon, by Garrard & Co., circa 1880, together with a silver star, with yellow metal mounts and polychrome enamel, in original fitted case by Garrard & Co.
£1,500 - £2,500
196 Order of St John of Jerusalem, the insignia of a Knight of Grace of the order, including silver gilt and white enamel breast star and neck badge with ribbon, in fitted box
£300 - £500
197 A Victorian Hampshire Regiment horse brass with leather backing and strap, cast and pierced pear shaped, the brass 17cm long
£30 - £50
198 A Great War medal pair for 27649 Pte A Margetts Rifle Brigade, Royal Engineers, including the Victory Medal and the War Medal
£40 - £60
199 A Great War medal group for 30540 Warrant Officer 2nd Class (Staff Serjeant) W H Allen RAMC, including the 191415 star, War Medal and Victory Medal, on a bar
£50 - £80
200
202 A Great War and World War II Military Cross, DSO and CVO medal group of thirteen awarded to Brigadier L. M. Gibbs, including the Distinguished Service Order, Military Cross and Bar, 1914 star and Bar 5th August to 22nd Novemeber 1914, War Medal, Victory Medal with Mention in Dispatches, India General Service Medal with Waziristan 1921-24 Bar, Defence Medal, 193945 War Medal, George V Coronation medal 1911, George V Silver Jubilee medal 1935, George VI Coronation medal 1937 and Elizabeth II Coronation Medal 1953, together with the neck badge of a Commander of the Royal Victorian Order, numbered C974, and his war diaries
Note: Lancelot Merivale Gibbs was commissioned into the Coldstream Guards in 1910 distinguishing himself during the First World War, being mentioned in dispatches four times, awarded the Military Cross twice, first in January 1917 and then again in January 1919 and receiving the DSO in June 1919. £2,000 - £4,000
203 A Great War and WWII DFC and AFC military medal group of seven awarded to Squadron Leader William Bentley, Royal Flying Corps and Royal Air Force, including the Distinguished Flying Cross, Air Force Cross, Great War and Victory medals, General Service Medal with bars for N W Persia and Iraq, 19391945 Defence Medal and 1939-45 War Medal, attached to a bar and pin
£3,000 - £5,000
200 Indian General Service medal, with North West Frontier 1930-31 clasp, inscribed for 4685215 PTE. G. Charters. KOYLI, together with Khedive’s Sudan 1896-1908, unnamed as issues, with Nyam Nyam clasp (2)
£60 - £100
201 Queen’s South Africa medal, with ‘Releif Of Kimberley’ clasp, inscribed for 26163 Gunner E. Rainey, 76th BTY. Royal Field Artillery,
£100 - £150
204 Militaria; including a World War II military MBE medal group, of Burma Star, Defense Medal 1939-45 Star and War Medal, with United Nations Defense Medal and Korea bar, awarded to Colonel P G Parker, Royal Artillery, together with miniatures, badges, buttons, Commission and epaulettes; other ephemera including photograph album 1955, presented by General Matsutani and a Scroll of Appreciation in recognition of his service as Military Attache to the British Embassy in Japan 1953-56, an original type written testimony documenting the first hand experiences of survivors of the Sime Road Internment Camp, Singapore, at the time of the Japanese Military Police occupation from 10th October 1943, written on 3rd September 1945; school and Royal Military Academy sporting prize medals, in boxes
Provenance: formerly the property of Colonel Parker’s daughter, Annabella Parker, second wife of Maharana Bhagwat Singh of Mewar (Udaipur, India 1921-1984) £100 - £200
206
205 A WW2 German Third Reich Luftwaffe officer’s dagger and scabbard, second model, by Alcoso, Solingen, wire bound cream celluloid grip, with silver braid rope, 43cm long £150 - £200
A German WWII Third Reich Army Officer’s custom leather bound dagger and scabbard, wire bound green leather grip £1,200 - £1,500
207 A WW2 German Third Reich Army officer’s dagger and scabbard, 1935 model by SMF, Solingen, the ribbed handle and eagle crossguard, with a silver thread strap with aluminium buckles, 40cm long £150 - £200
208 A German WWII Third Reich Naval Officer’s dagger and scabbard, wire bound cream celluloid grip, eagle pommel and tooled scabbard £300 - £500
209 A German Third Reich Army officer's dagger (early issue), orange trylon grip, unmarked steel blade, pebbled scabbard with twin ring suspension hooks, 39cm long £350 - £450
209A. A German Third Reich SA NSKK
33 Model dagger, brown moulded wooden grip with inset 'S.A' rune, August Rother blade etched 'Alles Fur Deutschland', nickel mounted and black enamel scabbard with a ring suspension, 37cm long £350 - £450
210 A Japanese Wakizashi short sword in lacquered scabbard, Meiji, applied with menuki to the scabbard, 58cm long £500 - £800
211 A Japanese NCO Shin Gunto sword, pre 1945, cast aluminium handle and steel blade in metal scabbard, stamped serial numbers to both 62110, 97cm long £200 - £300
FURNITURE AND CLOCKS
212 An oriental ebonised jardiniere stand, early 20th Century, elephant mask and trunk tripod supports, wooden tusks, trefoil plinth, scroll feet, 83cm high
£50 - £80
213 A Chinese quartetto nest of hardwood occasional tables, late Qing Dynasty, dished tops, simulated bamboo frames, blossom fretwork carved friezes, largest 72cm high, 49cm wide, 37cm deep (4) £150 - £200
214 An Arts & Crafts dark-stained oak wall hanging cupboard, in the manner of Liberty & Co, circa 1905, plain moulded cornice, overhanging open display shelf over a single cupboard, boxwood strung and stylized marquetry inlay to the door, 71cm high, 61cm wide, 20cm deep
£50 - £80
215 An Arts & Crafts oak side cabinet, attributed to Heals, the upper section with four doors and triple frieze drawers below, with segment handles, fretwork silvered metal borders, raised on a fluted stand with carayatid mask capitals and a wishboneshaped wrought iron stretcher, 138cm high, 107cm wide, 46cm deep.
Reference: for a near identical example, see Christie’s, London, Arts & Crafts with Liberty & Co, 30th June 2005, Lot 175
£300 - £500
216 Glasgow School, an Arts and Crafts oak book table, probably E A Taylor for Wylie and Lochhead, circa 1895, square section, the mid shelf with geometric lattice panels, on square section splayed feet, 47cm square, 74cm high £120 - £180
217 Liberty and Co., an Aesthetic Movement Thebes chair, circa 1890, turned ash and beech, with dowel stretchers and turned shaped legs in the Anglo Egyptian revival £80 - £120
218 Shapland and Petter, an Arts and Crafts oak and tile top bedside table, circa 1900, the square top supported on heart pierced boarded sides and open shelf above a single door cupboard with shelved interior, 80cm high, 43cm square
£80 - £120
219 Liberty and Co., an Aesthetic Movement oak Thebes stool, concave slatted seat on shaped and turned legs
£100 - £200
220 Howard Keith (British, 1902-), for H.K furniture, a ‘Bambino’ armchair, 1950’s, ebonised beech arms and legs, original black and white striped boucle upholstery, H.K label to the underside, 92cm high £100 - £150
221 Niels Otto Moller (Danish, 19201982), for J.L. Moller, a set of eight Model 75 teak dining chairs, rope-woven seats, maker’s plaques, 75cm high, 55cm wide, 40cm deep (8) £1,000 - £1,500
222 Arne Jacobsen for Fritz Hansen, a Danish Mid Century Modernist Series 7 armchair, 1972, white lacquered laminate and steel, fully marked, with date, 76cm high, 58cm wide, 45cm seat height
Note: a rare example of the original 1952 version of the iconic Series 7 chair with arm rests, produced as a single chair from 1955, but with the option of arms. This is a relatively early production model.
£120 - £180
223
223 Niels Otto Moller (Danish, 1920-1982) for J.L. Mollers, a set of eight Model 80 rosewood dining chairs (two carvers), 1960’s, cane backs, cream leather upholstered seats, tapered legs, 78cm high (8). £400 - £600
224
224 Arne Hovmand-Olsen (Danish, 1919-1989), for Mogens Kold, a set of four teak dining chairs, 1960’s, spindle backs, paper cord seats, 98cm high (4) £150 - £200
225
225 Gordon Russell of Broadway, a set of six Bombay rosewood 'Burford' dining chairs, Model Nos. X7059 and X7060, designed by Curly Russell, comprising two carvers, variant with upholstered backs and seats (6). Article 10 Transaction Specific Certificate No.Y7T0N21241 £200 - £300
226 Gordon Russell of Broadway, a set of six mahogany ‘Burford’ dining chairs, Model Nos X7059 and X7060, designed by Curly Russell, comprising two carvers, variant with upholstered backs and seats (6) £100 - £150
227
227 Attributed to Robert Heritage (British, 1927-2008), for Archie Shine Ltd, a rosewood pier cabinet, 1960’s, white veined marble top, strung front with twin short frieze drawers over twin cupboards opening to storage and two inner drawers, flanked by nickel capped bowed pillasters, plinth, 92cm high, 106cm wide, 48cm deep. £200 - £300
228
228 Robert Heritage (British, 1927-2008), for Archie Shine Ltd, a rosewood ‘Planar’ two-tier drinks trolley, 1960’s, inset ebonised surfaces, on castors, 62cm high, 89cm wide, 40cm deep. £100 - £150
229
229 Robert Heritage (British, 1927-2008), for Archie Shine Ltd, a rosewood cabinet trolley, 1960’s, tray top, twin doors opening to a two-tier shelf, on castors, 61cm high, 90cm wide, 44cm deep.
£100 - £150
230 Attributed to Robert Heritage (British, 1927-2008), for Archie Shine Ltd, a rosewood secretaire abattant, 1960’s, white veined marble top, strung front with a single long frieze drawer over a fall-front opening to pigeon holes and till drawers, double door cupboard below, flush handles, flanked by nickel capped bowed pillasters, plinth, 132cm high, 76cm wide, 48cm deep, (key).
£200 - £300
234 Robert Heritage (British, 1927-2008), for Archie Shine Ltd, a rosewood ‘Planar’ console or buffet table, 1960’s, rectangular top with a well for a hotplate (missing), two frieze drawers, one fitted for flatware, on cast aluminium supports, 76cm high, 184cm wide, 46cm deep.
231 Robert Heritage (British, 1927-2008), for Archie Shine Ltd, a rosewood circular extending dining table, 1960’s, D-ends, two additional rectangular leaves, on block legs united by stretchers, 74cm high, 150cm deep.
£200 - £300
232 Robert Heritage (British, 1927-2008), for Archie Shine Ltd, a ‘Bridgeford’ rosewood wall storage unit, 1970’s, the upper section with five cupboard doors, over a long open shelf, sliding door, open shelving, a cupboard, and slender drawers to the central section, two deep drawers and a fall-front cupboard to the base, 189cm high, 230cm wide, 60cm deep. £300 - £500
233 Robert Heritage (British, 1927-2008), for Archie Shine Ltd, a rosewood sideboard, 1960’s, flush fitting white veined marble top, over twin cupboard doors opening to shelving, flanked by a bank of four short graduated drawers, one fitted for flatware, flush brass ring handles, raised on block legs, 76cm high, 215cm wide, 46cm deep.
£1,500 - £2,000
£400 - £600 235
235 Jaeger, two Art Deco glass, brass and lacquered metal barometers, circa 1930s, circular glass see through dials, one with French lettering and metric numbering, the other in English, on black disc bases, 17cm high (2)
£80 - £120
236 A Jaeger Le Coultre Atmos bracket clock, lacqued brass case with glazed top and sides, white enamel chapter ring with Arabic quarter hours, Serial No.46692, 23cm high, 21cm wide, 16cm deep
£300 - £500
BOOKS AND PRINTS
237 An Artist's Life, Retrospective Exhibition Catalogue of Works of Sir Alfred Munnings, K.C.V.O. P.P.R.A. LL.D., 2nd April to 4th June, 1955, Russell-Cotes Art Gallery and Museum, Bournemouth, signed by Alfred Munnings on the cover.
Note: consigned by the same vendor as painting Lots 297 and 298 in this auction.
£40 - £60
238 Shaw, Henry, 1858, Specimen of Tile Pavements Drawn from Existing Authorities, London: Basil Pickering, full colour plate illustrations, quarter bound with papered boards
£50 - £100
239 Reports on the Present Position and Tendencies of the Industrial Arts; as indicated at the International Exhibition of Modern Decorative and Industrial Arts, Paris 1925, Department of Overseas Trade, 208pp, cloth bound
£50 - £100
240 Jones, Owen, 1868, Grammar of Ornament, Quaritch, cloth boards
£50 - £80
241 A collection of exhibition catalogues and journals, including two volumes of the Illustrated Catalogue of the Great Exhibition 1851, the Art Journal Catalogue 1851, Crystal Palace Exhibition catalogue 1862, Dublin Exhibition catalogue, Pavillon du Royaume Uni, with cover designed by Eric Railious, Art Union catalogue 1847, 1843 and Art Journal 1849 (10)
£80 - £120
242 Art and Design books, including Masterpieces of Industrial Art and Sculpture, International Exhibition 1862; Leadless Decorative Tiles Faience and Mosaics; Magazine of Art; Tartans of the Clans of Scotland 1886; Clifford Smith, Complete History of Buckingham Palace, its furniture, Decoration and History (5) £80 - £120
243 Joan Blaeu (Dutc h, c.1599-1673), Comitatus Salopiensis Anglice Shrop Shire, circa 1648, engraved map with colouring, 38 by 50cm, framed £80 - £120
244
244 Hunt, John, The Ascent of Everest, 1953 first edition, signed by the author and members of the the expedition team, including Michael Ward, Michael Westmacott, Tom Bourdillon, George Band, Griffith Pugh, Alfred Gregory, Wilfrid Noyce, Edmund Hillary and George Lowe, Hodder & Stoughton, blue cloth hardback binding and dust jacket, with a letter from Michael Ward dated 2003 £500 - £800
£80 - £120
245 Breton, M. 1824, China, its Costume, Arts, Manufactures etc., volumes I to IV, full bound in Moroccan leather as two books, coloured illustrations (2)
246 Gooding, Mel, Patrick Heron, 1994 first edition, signed, inscribed, and dated 1995 by Patrick Heron, Phaidon, London, with dust jacket, together with a selection of various catalogues and reference literature, including ‘Patrick Heron Paintings 1971-1975, The Waddington Galleries II, London, 1975’ and framed print ‘Four Blues Two Discs, 1970’, (parcel)
252 Rackham, Arthur (Illustrator) and Milton, John, Comus, 1921, one of 550 copies signed by the illustrator, No.176, 24 tippedin colour plates with captioned tissue guards, London, William Heinemann, original vellum-backed boards with gilt tooled titled and cover illustration £300 - £500
253 Britton, John, Graphic Illustrations with Historical and Descriptive Accounts of Toddington, Gloucestershire, The Seat of Lord Sudeley, 1840, first edition, London, cloth bindings, gilt tooled titles.
£80 - £120
247 Churchill, Winston, Marlborough - His Life and Times, 19331938, first edition, in four volumes, London, George G. Harrap & Co, purple cloth-bound hardback bindings with gilt heraldry and titles (4)
£150 - £200
248 Maria Rotch, Agatha Lloyd, Sarah Hoare, Luis Hoare, H. Steele, and others, an early to mid-19th-century ladies album of sketches and drawings, figure and topographical landmark studies, European costume studies in colour, including ‘Peasants of Catalonia’, ‘A Lady & Husbandman of Majorca’, ‘Gipsies of Granada’, ‘Nice - July 1826’, ‘Swiss Cottage’, ‘Herne Bay’ (a sailpowered carriage on a pier), ‘Sundridge Parsonage, 1819’ etc, bound as a volume
£200 - £400
249 Carroll, Lewis, Alice’s Adventures in Wonderland, 1878, FiftySeventh Thousand, PP 192, illustrated by John Tenniel, London, Macmillan and Co, with Carroll, Lewis, Through the Looking Glass and What Alice Found There, 1872, Tenth Thousand, PP 224, illustrated by John Tenniel, London, Macmillan & Co, later full green leather binidngs with gilt spine titles, in a double-section slip case (2)
£200 - £300
250 Seebohm, Henry, The Geographical Distribution of the Family Charadriidae or The Plovers, Sandpipers, Snipes and Their Allies, 1888, London, Henry Sotheran & Co, embossed green pepple-cloth boards with gilt titles
£200 - £400
251 Owen, Wilfred, and Bousfield, Neil (Illustrator), Selected Poems, 2018, London, Folio Society, No.1050/1250, signed by the artist, in slip case £40 - £60
Note: Toddington Manor was purchased by the British artist Damien Hurst in 2005
£100 - £150
254 After William Joseph Shayer, Coaching Days, a set of four, lithographs, published 1886 by Arthur Ackermann, 21 by 64cm, framed (4) £100 - £200
255 Winifred M. Horton (British, late 19th/early 20th Century), I Will Sing a Song Said the Owl, an Arts & Crafts lithograph, titled and Liverpool Art School, 1906 label verso, 53 by 29cm, framed £80 - £120
256
256 Poster Art, a Polish Ex-Combatants Association poster (Stowarzyszenie Polskich Kombatantow) in Great Britain, printed in colours, 57 by 43cm, framed £50 - £80
257 A U.S.A movie title lobby card, Cat on a Hot Tin Roof, M.G.M, starring Elizabeth Taylor, Paul Newman, and Burl Ives, 1958, property of National Screen Service Corp, 26 by 32cm, framed £50 - £80
258 Sir William Nicholson (British, 1872-1949), Sheep; Cow, a pair, woodcut, 12.5 by 12.5cm, framed (2) £60 - £100
259 Dame Laura Knight R.A. (British, 1877-1970), Ethel (1926), signed l.r., titled verso, soft-ground etching, 35 by 25cm, framed.
Note: portrait of the pianist Ethel Bartlett (1896-1978).
Note: Artist Resale Rights apply £350 - £450
260 Sir Terry Frost R.A. (British, 1915-2003), a scarf, red and black linear design, facsimile signature, printed on pure Beckford silk, 50 by 164cm.
Note: Artist Resale Rights apply £40 - £60
261 Margaret Eccleston (British, 1934-2017), Untitled, signed l.r., lithograph in colours, No.1/1, 19 by 15.5cm, framed £30 - £50
262 Ismail Fattah (Iraqi, 1934-2004), Face in red, blue and green, signed and dated 2001 l.r., blind stamps and Arabic script, etching in colours No.16/20, 11 by 9cm, unframed £80 - £120
263
263 Ismail Fattah (Iraqi, 1934-2004), The Rooster, signed and dated 2002 l.l., blind stamps and Arabic script, etching in colours, 57 by 44cm, framed £400 - £600
264 Ismail Fattah (Iraqi, 1934-2004), Face in blue, yellow and green, signed and dated 2001 l.r., blind stamps and Arabic script, etching in colours No.12/20, 12 by 9.5cm, unframed £80 - £120
265 Ismail Fattah (Iraqi, 1934-2004), Face in black, blue and white, signed and dated 2001 l.r., blind stamps and Arabic script, etching in colours No.20/20, 11.5 by 9cm, unframed £80 - £120
266 Ismail Fattah (Iraqi, 1934-2004), Face in black, pink and yellow, signed and dated 2001 l.r., blind stamps and Arabic script, etching in colours No.16/20, 11 by 9cm, unframed £80 - £120
267 Bashar Nida’a Kadhim Jawad Al Kadhom (Iraqi, 1966), Two Female Nudes, signed l.l., dated 2001 l.r., monochrome etching No.34/40, 49 by 42cm, framed £80 - £120
PAINTINGS
268 British School, 19th Century, oval portrait of a young gentleman, bust-length in 17th-century dress, including a flat and broad white lace collar, G.B. initials l.r., watercolour heightened with white, inscriptions verso, 11.5 by 9.5cm £80 - £120
269 James Wilcox (British 1778-1865), Sketches in Great Hormead, 1844, a portfolio of 32 ink and wash monochome paintings, in original leather embossed and oilskin folder, with index, each titled, signed and dated, 19cm x 23cm (32) £300 - £500
270 James Wilcox (British 1778-1865), an extensive portfolio of watercolours and monochrome ink and wash landscap and topographical paintings including Isle of Dogs, 1848, Blackwall 1843, St James Park, London 1844, Woolwich Barracks 1843, Royston, Richmond Brigde 1839, Chigwell Manor, Windsor Castle 1803, Houghton Hall 1802, a View of Canterbury 1800, Walton etc. £400 - £600
271 Attributed to Helen Alingham (British, 1848-1926), The Trophy Public House - a village thatched half-timbered pub, lady and gent seated in the doorway, ducks, cattle, and a row of thatched cottages beyond, watercolour heightened with white, 28 by 45cm, framed
£1,000 - £1,500
272 Maria Louisa Angus (British, late 19th/early 20th Century), Rich Gifts Wax Poor when Givers Prove Unkind (from Shakespeare’s Hamlet), signed l.r., titled verso, watercolour, 18 by 13cm, framed
£100 - £150
273 Arthur Rackham (British, 1867-1939), A Cornish Mill Stream, signed and dated 1889 l.l., titled verso, watercolour, 36 by 27cm, framed
£150 - £200
274 Joseph Edward Hennah (British, 1897-c.1963), St Andrews, Fife; Dunnottar Castle, two, both signed l.l., titled verso, watercolour, largest 25 by 35cm, framed (2).
Note: Artist Resale Rights apply
£50 - £80
275 Jozef Hoemaeker (Belgian, 1911-1980), portrait of a lady in profile, and a gentleman from behind, bust length, signed and dated 1940 l.r., pencil, 26 by 24cm, framed
£50 - £80
276 S..M..Gray (British, act early 20th Century), market scenes in Cairo, a pair, both titled, signed and dated 1920, watercolour, 25 by 17cm, gilt frames (2)
£80 - £120
277 Attributed to Reginald George Haggar (British, 19051988), children’s illustrations, a pair, indistinctly titled l.l., pen and watercolour, 26 by 22cm, framed (2)
£80 - £120
278 Leopold Pilichowski (Polish, 1869-1933), portrait of a gentleman, bust-length wearing a shirt and tie, signed u.r., indistinctly titled u.l., pastel, 50 by 38cm, framed
£80 - £120
279 Alexandre Maximenko (Alexandre Grigorievich Makismenko) (Ukrainian, 1916-2011), Priest; Jovial Priest, a pair or full-length portraits, both signed and dated 1994 l..r., titled in Cyrillic l.r., pencil, 30 by 21cm, unframed (2)
£80 - £120
280 Dirk Wilhelm Meeles (Meelis) (Dutch, 1872-1958), a market scene with market traders and customers, signed l.r., watercolour, 41 by 54cm, framed
£80 - £120
281 Henryk Sajdak (Polish, 1905-1995), Krakow market scenes, and a farmstead, three, all signed, watercolour, largest 20 by 26cm, framed (3)
£100 - £120
282 Jerzy Faczynski (Polish, 1917-1994), a folder of portraiture sketches, 1960’s to 1970’s, pen, ink, and watercolour, various sizes, largest 29 by 21cm, unframed and loose, with a few unassociated sketches/studies by Polish artists (parcel).
Provenance: with Bonhams, Chester, June 2006
£150 - £200
283 Władysław Skoczylas (Polish, 1883 934), a theatrical costume design for Melah or Judasz, signed l.r., titled l.l., female figure study in pencil verso, watercolour, 21 by 13cm, unframed.
287
287 Satoshi Kitamura (Japanese, 1956), cover illustration for ‘The Happy Christmas Book’, signed l.r., titled verso, pen, ink and watercolour, 26 by 38cm, framed £200 - £300
288 Edgar James Maybery (British, 1887-1966), a landscape with a castle ruin on a hilltop, signed l.r., watercolour, 19 by 26cm, framed £40 - £60
£200 - £300
Note: verso bears stamp and details from the Polish Museum authorities, dated 1946
284 Katya Gridneva (Ukrainian, 1965), Ballerina, signed and dated 2000 l.r., pastel, 75 by 51cm, framed.
Note: Artist Resale Rights apply
£200 - £300
285 Charles Frederick Tunnicliffe R.A. (British, 1901-1979), Canada Geese by the edge of a Pool, signed l.r., watercolour, gouache and pencil, 38 by 57cm, framed.
Note: Artist Resale Rights apply
£800 - £1,200
286 Brian Hatton (British, 1887-1916), The Outcast, charcoal, titled verso, 47 by 37cm, framed.
Note: the sitter is thought to be the model Beatrice Stuart, and the work is a study for the oil painting.
Provenance: with Clarges Gallery, London. Exhibited: Clarges Gallery, 29th February to 30th March 1972, Entry No.5 £200 - £300
289
289 Mary Fedden R.A. (British, 1915-2012), Wren, signed and dated 1979 l.r., watercolour, 16 by 22.5cm, framed.
Note: Artist Resale Rights apply £600 - £800
290 Mary Fedden R.A. (British, 1915-2012), Dipper Bird, signed and dated 1991 l.r., watercolour, 21 by 14cm, framed.
Note: Artist Resale Rights apply £800 - £1,200
291 Dutch School, early 19th Century, still life with flowers entwined around a fluted covered classical urn on a plinth, a pair, oil on panel, 40 by 22cm, framed (2)
£200 - £300
292 Follower of Albert Joseph Moore, An Open Book, oil on canvas, 35 by 30cm, gilt frame
£100 - £150
293 William Alfred Hunt (British, late 19th Century), The Ludicrous Operator or Blacksmith Turn’d Tooth Drawer, after John Harris, signed and dated 1886 verso, oil on canvas, 92 by 70cm, gilt frame £300 - £500
294 G..Galli (20th Century), fishing boats at sea, signed l.r., oil on board, 19 by 24cm, framed
£40 - £60
295 John Holland (British, 1857-1920), an expansive landscape at sunset with a whisky distillery and associated stills, two figures in the foreground, one wearing a tam o shanter, signed l.l., oil on canvas, 65 by 105cm, gilt frame.
Provenance: Lot 508, 19th Century Paintings, Sotheby’s, London, 25th November 1997 £1,500 - £2,000
296 H..Wexxxxhardt (20th Century), a woodland footbridge, indistinctly signed l.r., oil on canvas, 23 by 17cm, framed
£40 - £60
297 Follower of Sir Alfred James Munnings, portrait of a gentleman, possibly a cavalry officer on horseback with a riding crop, in a stormy landscape, bears initials ‘A.J.M’ verso, oil on canvas, 40 by 50cm, in a carved wooden frame.
Provenance: inherited by the current private vendor over seventy years ago.
£1,000 - £1,500
298 Follower of Sir Alfred James Munnings, portrait of a horse in a stable yard, bears initials ‘A.J.M’ in pencil verso, oil on canvas, 40 by 50cm, in a carved wooden frame.
Provenance: inherited by the current private vendor over seventy years ago.
£1,000 - £1,500
299 Colin Simmonds (British, 1940), The River Verney, mid Wales, signed and dated 1986 l.r., titled verso, oil on canvas, 40 by 55cm, framed £40 - £60
308 Jean Ronsin (French, 1905-1979), a French farmstead, signed l.r., oil on canvas, 34 by 26cm, framed £50 - £80
309 Continental School, early 20th Century, a fishing boat on a riverbank, indistinctly signed l.r., oil on board, 30 by 40cm, framed £60 - £100
310 Jean Ronsin (French, 1905-1979), Bord de L’Yonne a Courlon; Le Pont du Vigan (Gard), a pair, both signed l.l., oil on board, 15 by 22cm, framed (2) £60 - £100
311 Moi Parry (Welsh, 20th Century), The Crucifixion, signed l.l., oil on board, 37 by 27cm, framed £60 - £100
312 French Impressionist School, mid-20th Century, a church graveyard, indistinctly signed l.l., Ecole Francaise, 1950 label verso, oil on board, 48 by 32cm, framed £80 - £120
300 Continental School, 20th Century, an autumnal woodland path with a hut, indisctinctly signed l.r., and verso, oil on canvas, 55 by 45cm, framed
£50 - £80
301 Eastern European School, a town with a yellow bus, signed with monogram and dated ‘91’ l.r., oil on canvas board, 28 by 22.5cm, framed £50 - £80
302 Russian School, 20th Century, a building with a tower, indistinctly signed l.r., oil on board, 30 by 38cm, framed £50 - £80
303 Jose Belon (French, 1861-1927), Les Bords du Lot, a Faraque des Ases, pres de Cahors (The Banks of the River Lot, Faraque des Ases, near Cahors), signed l.l., titled verso, oil on board, 18 by 23cm, framed
313
£50 - £80
304 Leon Launay (French, 1890-c.1956), a view in Bozel, signed l.l., indistinctly titled and signed verso, oil on canvas, 27 by 35cm, unframed £50 - £80
305 Lau Nay (20th Century), abstract figures and a bird, signed l.r., mixed media, 30 by 30cm, framed £50 - £80
306 Leon Launay (Frenc h, 1890-c.1956), Saint Moritz, signed l.r., titled and signed verso, oil on canvas, 46 by 55cm, unframed £50 - £80
307 Attributed to Robert Woodley-Brown (British, act.18401860), river landscapes with a figure in a boat, a pair, indistinctly titled and signed verso, oil on canvas, 20 by 30cm, gilt frames (2)
£50 - £100
313 Robert Blackwell (British, 20th Century), Christmas Morning, 1940, signed l.r., titled verso and details of the naval event depicted, oil on canvas, 40 by 75cm, framed £80 - £120
314 Leon Launay (Frenc h, 1890-c.1956), an autumnal wooded landscape with falls, signed l.r., oil on board, 36 by 53cm, framed £80 - £120
315 Leon Launay (Frenc h, 1890-c.1956), Bords de Jeine, signed l.r., titled verso, oil on board, 60 by 92cm, and another work by the same artist, a woodland landscape with falls, signed l.l., oil on board, 50 by 73cm, both unframed (2) £80 - £120
316 Moi Parry (Welsh, 20th Century), a tugboat guiding a liner, signed l.r., oil on board, 38 by 47cm, unframed £80 - £120
317 Zofia Gasienica-Roj (Polish, 1923-1981), dragon slayer and Regal figure wearing an animal stole, folk-art reverse paintings on glass, a pair, both signed, one dated 1975, 35 by 28cm, and four similar examples, unsigned, framed (6) £80 - £120
318 Henryk Sajdak (Polish, 1905-1995), a view in Raclawice (Poland), signed l.l., titled verso, oil on board, 19 by 24cm, framed £80 - £120
319 G..E..Ball (British, 20th Century), cubist portrait of a lady, half-length with arms crossed, signed l.r., oil on board, 34 by 22cm, framed £100 - £150
320 Ruben Safronov (Russian, 1969), Winter Evening with Church, signed in Cyrillic script l.l., titled verso, oil on canvas, 77 by 81cm, framed £100 - £150
321
321 Antoni Wrobel (Polish, 1920-2009), Przystan II, signed and dated 1986 l.r., titled verso, oil on canvas, 60 by 72cm, framed £100 - £150
322 Pieter Adriaan C. Schipperus (Dutch, 1840-1929), a Dutch river landscape with a figure in a punt, figures conversing on a path, and a church spire, signed l.l., oil on canvas, 40 by 52cm, framed £100 - £150
323
323 Leon Launay (French, 1890-c.1956), a river landscape, signed l.l., oil on canvas, 37 by 53cm, framed £100 - £150
324
324 Joseph Edward Hennah (British, 1897-c.1963), Newlyn, Cornwall, signed l.r., titled verso, oil on canvas board, 30 by 22cm, framed.
Note: Artist Resale Rights apply £100 - £150
325 Dirk Wilhelm Meeles (Meelis) (Dutch, 1872-1958), portrait of a blonde-haired young girl, bust-length, signed l.r., oil on canvas, 45 by 40cm, framed £100 - £150
326 G.T.H (British, mid-20th Century), a harbour scene with fishing boats and warehouses, signed with initials l.r., oil on canvas, 46 by 65cm, framed £100 - £150
327
327 Joseph Edward Hennah (British, 1897-c.1963), a Dorsetshire landscape with gently rolling hills, signed l.r., oil on board, 28 by 38cm, framed.
Note: Artist Resale Rights apply £100 - £150
328 Joseph Edward Hennah (British, 1897-c.1963), The Butts, Portland, signed l.r., titled verso, oil on canvas, 35 by 45cm, framed.
Note: Artist Resale Rights apply £100 - £150
329
329 Abraham Hulk (Dutch, 1851-1922), a river landscape with a figure in a punt; a river landscape with a church spire, a pair, both signed, one with inscription verso mentioning The Royal Academy, oil on canvas, 60 by 40cm, framed (2) £150 - £200
330
330 Zdzislaw Lachur (Polish, 1920-2007), W. Swiatyni (In the Temple), signed l.r., signed, titled, and dated 1969 verso, mixed media laid down on board, 60 by 44cm, framed £150 - £200
331 Follower of Alfred Fontville de Breanski, a Highland Loch scene, indistinctly signed with initials and dated 18XX, l.l., oil on canvas, 38 by 52cm, framed £150 - £200
332 Leszek Stanko (Polish, 1924-2011), a country hamlet, signed and dated 1968 l.r., oil on card, 25 by 35cm, framed £200 - £300
333 Jozef Galuba (Polish, 20th Century), Jerozolima, Brama Dawida (David’s Gate or Zion Gate), signed with initials and dated 1945 l.r., titled verso, oil on board, 51 by 44cm, framed £200 - £300
334 Paul Sinding (Danish, 1882-1964), Linieskibet Daanebrog under Ririgning ved Nyholms Mastekron, (a naval warship in dock), signed l.r., titled verso, oil on canvas, 97 by 110cm, framed £200 - £300
335 David Burton (British, 1883-1945), a Leicestershire Hunt, signed l.r., oil on board, 50 by 75cm, framed £200 - £300
336
336 Henryk Baranowski (Polish, 1932-2005), a single-story whitewashed cottage with washing line and ladder, signed l.l., oil on board, 20 by 28cm, framed £250 - £350
337
337 Alan King (Scottish, 1946-2013), Sad Head, signed l.r., titled and dated 2011 verso, oil and gold leaf, 11.5 by 7cm, framed.
Provenance: with John Noott, Broadway.
Note: Artist Resale Rights apply £300 - £500
338 Paul Raymond Seaton (British, 1953), Eastbourne, signed with initials l.r., titled verso, oil on canvas, 38 by 53cm, framed.
Provenance: with John Noott, Broadway.
Note: Artist Resale Rights apply
£400 - £600
339 James Brereton (British, 1954), Picking up a Pilot, The Square Rigger ‘Wavertree’, signed l.r., titled and dated 1979 verso, oil on canvas, 50 by 76cm, framed.
Note: Artist Resale Rights apply
£400 - £600
340 Alfred Fontville de Breanski (British, 1877-1957), Pentland Hills, Scotland, signed l.l., indistinctly titled verso, oil on canvas, 50 by 40cm, framed.
Note: Artist Resale Rights apply
341 Alfred Fontville de Breanski
with
Note: Artist Resale Rights apply
£400 - £600
£400 - £600
(British, 1877-1957), a Highland Loch scene
cattle watering, signed l.r., oil on canvas, 38 by 52cm, framed.
342 Willem Anton Alexander Knip (Laren School) (18831967), Still Water, St Tropez, France, signed and dated 1925 l.r., oil on canvas, 40 by 80cm, framed
£400 - £600
343 Alasdair Lindsay (British, 20th/21st Century), Pier, titled, signed and dated 2018 verso, acrylic on canvas, 132 by 120cm, framed £500 - £800
344 Kathleen Hale (British, 1898-2000), Cascade and Pool, signed l.l., oil on canvas, 62 by 75cm, framed.
Note: Artist Resale Rights apply £600 - £900
345 Paul Raymond Seaton (British, 1953), Rhodedendron with Blue, White & Silver II, signed with initials l.r., titled verso, oil on canvas, 60 by 75cm, framed.
Provenance: with John Noott, Broadway.
Note: Artist Resale Rights apply £800 - £1,200
346. Xue Wang (Chinese, 1980), The Night Kiosk, signed l.l., oil on canvas, 50 by 60cm, framed. Exhibited: Miles Gallery, London, 2011 £1,000 - £1,500
347 John Randall Bratby R.A. (British, 1928-1992), portrait of Major General G.L. Hamilton, signed l.c., titled verso, oil on canvas, 55 by 40cm, framed.
Note: Artist Resale Rights apply £400 - £600
348 Alan King (British, 1946-2013), We Reigned from Tuscany, signed l.r., titled verso, oil on canvas, 68 by 73cm, framed.
Provenance: with John Noott, Broadway.
Note: Artist Resale Rights apply £2,500 - £3,500
349 Mohammed Al Qasim (Iraqi, 20th/21st Century), Love, signed l.l., titled and dated 2003 verso, oil on canvas board, 98 by 118cm, unframed £100 - £150
DAY TWO
350 A Chinese hardwood and mother of pearl inlaid reticulated garden seat, barrel form of bound quatrefoil tendril lattice, the top set with a marble disc, decorated with foliage and birds throughout, on bracket feet, 50cm high
£500 - £700
351
ASIAN ART
354
356
356 A Chinese octagonal jade plaque set into a silvered box, archaistic style carving with central yin yang symbol, 10cm diameter £100 - £200
351 A Chinese bronze censer, in the archaistic style, square section on four elephant trunk bracket feet, bands of key and C scroll motifs, zhuanshu mark, 12cm square
£70 - £100
352
352 A Chinese monochrome puce glazed bowl, Yongzheng mark, finely potted footed form with even fruitskin enamelled exterior, white interior, underglaze blue six character and concentric ring mark, 13.5cm diameter
£80 - £120
353 A Chinese blue and white sleeve vase, Kangxi mark, of cylindrical form with everted lip, the sides painted with a garden scene depicting two boys playing alongside a female figure, height 26cm
£100 - £200
354 A pair of Chinese wooden temple lion dogs, Qing Dynasty, Ex-Shanxi Province, carved with mouths open, the male with one paw upon a ball, the female with her cub, traces of red lacquer and gilt, 32cm high (2)
£100 - £150
355
355 A Chinese tea dust glaze twin handled vase, Qianlong mark, green glazed shouldered bottle form with horse head handles, modelled in relief with a band of teardrops, impressed mark, 37.5cm high
£100 - £200
357
357 A Chinese carved spinach jade bowl, rounded form with everted rim, 10cm diameter £50 - £80
358 A Japanese jardiniere, late 19th Century, of hexagonal bombe form, Imari decoration with alternating cartouche panels of foliage, 21cm high £150 - £200
359 A series of Chinese watercolour and ink paintings on pith paper, late Qing Dynasty, comprising seven figural paintings of exterior and interior scenes, three battle scenes depicting figures being pursued on horseback with fans and weapons, some figures depicted wearing masks, an interior court scene with central figure in imperial blue robes on a ground of rich Persian carpet, 19 by 30.5cm, black lacquer framed (7) £200 - £400
360 A Chinese celadon dish, Yongzheng mark, slip decorated and incised with a central dragon amongst clouds, within a peony and ribbon border, 38cm diameter £300 - £400
PAPERWEIGHTS
£150 - £180
361 Ray Annenberg for Whitefriars, a Star of David glass paperweight, millefiori canes, 8cm diameter
362
362 Whitefriars, a 50 years of Israel commemorative glass paperweight, 1978, star of David within concentric blue and white millefiori canes, signature cane and incised number, 7.5cm diameter £100 - £150
363 St Mande, a scrambled glass paperweight, circa 1860s, multicoloured canes and cogs, 7.5cm diameter
£250 - £350
364
368
368 Baccarat, a Dupont period millefiori garland paperweight, circa 1920s, six rings of half pink and half mustard green canes around central blue red cogs, 6cm diameter £150 - £180
369 Baccarat, a dog silhouette millefiori glass paperweight, 1978, the large central cane within demilunes of concentric cogs within a ring od smaller silhouettes, signed in cane, incised marks 298, 7.5cm diameter, boxed £150 - £250
370 Baccarat, a flower basket glass paperweight, 1976, facet cut, opaline ground, 231 of 300, signed in cane, incised marks, 8cm diameter £200 - £300
371 Baccarat, a huntsman silhouette glass paperweight, 1974, blue garland on a scrambled latticino ground, the central large cane within a band of smaller silhouettes, etched marks, 8cm diameter
£200 - £250
373 Baccarat, a quail silhouette glass paperweight, 1975, the large central cane within spaced concentric ring of silhouette and cogged millefiori canes, on a blue opaque ground, etched marks, 8cm diameter £200 - £250
374 Baccarat, a swan silhouette glass paperweight, 1974, the large central cane within a scrambled latticino ground of multicoloured ring and spaced smaller silhouette canes, etched marks, 8cm diameter
£200 - £250
375
375 Baccarat, a monkey silhouette glass paperweight, 1976, the large central cane within an opaline ground of radiating lines of smaller silhouettes, between alternating panels of blue and green concentric star canes, etched marks, 8cm diameter £200 - £250
376 Baccarat, a spaced millefiori on scrambled latticino glass paperweight, circa 1970s, lens cut to the top and sides, etched mark, 8cm diameter £350 - £450
364 A Millefiori garldand glass paperweight, probably Baccarat, green, blue and pink swags with mustard yellow canes to the inner ring, 7cm diameter
£250 - £300
365 Murano, a millefiori glass Star of David paperweight, central aventurine star on blue opaque ground within a clustered millefiori band, foil label, 7cm diameter £50 - £80
372
372 Baccarat, a horse silhouette glass paperweight, 1974, the large central cane within a scrambled latticino ground of multicoloured spaced smaller silhouette canes, etched marks, 8cm diameter £200 - £250
377 Baccarat, a garland millefiori glass paperweight, circa 1860s, the central blue spoked cane within a ring of nine green cogs, interlocking red and white garlands, 8cm diameter £250 - £300
366 Baccarat, a miniature millefiori glass paperweight, 19th century, eight white multi star canes within a ring of spoked canes, 4cm diameter
£250 - £300
367 Baccarat, a Dupont period concentric millefiori glass paperweight, 20th century, four rings of green, red and white canes, 6.5cm diameter £300 - £350
378
378 Baccarat, a pansy glass paperweight, 19th century, the flower with single bud in purple and yellow petals, star cut base, 6.5cm diameter
£120 - £150
379 Baccarat, a monkey silhouette glass paperweight, 1976, the large central cane within an opaline ground of radiating lines of smaller silhouettes, between alternating panels of blue and green concentric star canes, etched marks, 8cm diameter
385 Baccarat, a jester silhouette and spaced millefiori glass paperweight, 1977, blue opaline ground, with a central large cane within grouped multicoloured cogs and interlocking squares, etched marks, 8cm diameter £200 - £300
£200 - £250
380
380 Baccarat, a garland millefiori glass paperweight, 1850, the central dated plaque within pink ring and interlocking red and purple swags, lens cut facets, 7.5cm diameter £150 - £200
386 St Louis, a six-ring dolly paperweight, millefiori five petal flower on an orange opaline ground, number 299 of 400, 7.5cm diameter, boxed with certificate £200 - £300
387
390 Perthshire, a scrambled millefiori glass paperweight, 1991, regular latticino rod ground, spaced silhouette canes, 7cm diameter £100 - £150
391 Perthshire, a Scottish millefiori glass paperweight, blue ground with a ring of spaced canes, 7.5cm diameter, boxed £80 - £120
392
381 Baccarat, a butterfly glass paperweight, 1978, number 85 of 125, on a textured silver and yellow gravel ground, 7.5cm diameter
387 St Louis, a scrambled millefiori and latticino glass paperweight, circa 1850s, 6.5cm diameter £200 - £250
£200 - £300
382
382 Baccarat, an elephant silhouette glass paperweight, 1974, the large central cane within a millefiori ground of cogged canes and spaced small silhouettes, etched marks, 8cm diameter £250 - £300
388 Clichy, a millefiori glass paperweight £60 - £100
389
392 Ken Rosenfeld, a Garden Vegetable glass paperweight, 1991, decorated with radishes, carrots, asparagus and turnips, signature cane and incised marks, 8cm diameter £100 - £200
393 Rosenthal, a set four Studio Line Andy Warhol transfer printed glass paperweights, 9cm diameter (one boxed) (4) £80 - £120
394 A Murano hot air balloon glass paperweight, after Baccarat, the central opaline image within concentric millefiori rings, foil label, 9.5cm diameter £50 - £80
383 Baccarat, a deer silhouette and facet cut glass paperweight, 1976, the large central cane within radiating panels fo concentric millefiori spoked in green and yellow between lines of smaller silhouette canes, lens cut cuface panels, etched marks, 8cm diameter
£180 - £220
384 Baccarat, a squirrel silhouette glass paperweight, 1972, the large central cane within a latticino ground of concentric bands of millefiori cogs and canes, the third ring with smaller silhouettes, etched marks, 8cm diameter £300 - £350
389 Clichy, a scrambled millefiori glass paperweight, circa 1860s, suspended layer of compressed random canes including rose, 6.5cm diameter £250 - £300 390
395
395 John Deacons, a Scottish scrambled millefiori glass paperweight, 2015, including silhouette and signature canes, 8cm diameter £100 - £150
396 John Deacons, a latticino and coiled rod glass paperweight, radiating from a central millefiori rosette, signature cane, 6.5cm diameter £80 - £120
GLASS
397 A Facon de Venise propeller knopped wine glass or goblet, late 17th century, the large conical bowl on merse and shoulder knop, the stem with four wrythen fins, lightly tooled, on a conical foot, 15.6cm high, rim 8.8cm diameter, foot 7.2cm diameter
£200 - £400
401 A pair of gilt glass magnum decanters, circa 1810, Prussian form with fluted bases and slice cut necks, decorated with gilt swags and floral festoons, lozenge stoppers, 31.5cm high
£120 - £180
402 Four various 19th century etched and diamond point engraved glass rummers, including two square footed examples circa 1800, one blade knopped glass dated 1807 and a plain stemmed rummer with initials and date 1843, 16cm high (4)
£50 - £100
398 A facet cut pedestal sweetmeat glass, circa 1760, the double ogee bowl with denticulated rim on a knopped stem and domed foot, 15cm high
399 Two George III white metal mounted facet cut glass bowls, circa 1760, each of ogee form, the gadrooned and denticulated swag collared rims with spoon apertures, 14cm diameter (2)
£70 - £100
£50 - £80
403 A pair of early Victorian engraved glass marriage rummers, circa 1840, conical bucket bowls engraved with hops and what to one, the other with fruiting grape vines, initialled Mrs D and Mr D, on plain solid stems and conical feet, 14cm high (2)
£40 - £60
£40 - £70
400 Three facet cut glass spirit decanters, circa 1800, canted with milled lozenge stoppers, engraved with the names Brandy, Hollands and Shrub, 22cm high (3)
£30 - £50
404 A Victorian mourning glass goblet, circa 1840, the large bell shaped bowl on a hollow ball knopped stem containing platted hair, conical domed foot, 15m high
405 A Bohemian amber cased engraved glass goblet, late 19th century, chalice form, the bowl decorated in the round with a neo-classical landscape of temple and figure, on a facetted spreading pillar and star cut base, 16cm high £50 - £100
406
406 A Bohemian ruby washed and gilt glass casket, with applied opaque opaline edges, decorated with Persoan style quatrefoil and knotted tendril motifs, 10cm wide, 8cm high, 6.5cm deep £80 - £120
407 A German engraved wine glass, etched with a view of a Bavarian country house, the reverse inscribed Thilenius, 13cm high £30 - £50
408
408 An Apsley Pellatt sulphide glass portrait bust of Queen Victoria, convex lens form with hobnail ground, 6cm diameter, framed £40 - £70
409 A miniature glass liqueur bottle or carafe for Anisette Brizard, circa 1890, squat globe and shaft form, etched with the brand name, 8cm high £30 - £50
410 James Powell and Sons, Whitefriars for Davenports, an important Victorian glass sweetmeat dish and stand, 1837, made for the Corporation of London’s banquet for Queen Victoria, the bell shaped bowl with denticulated rim on a sweeping foor, the plate of circular form, engraved with a wreath of roses, the centre frosted and reverse cut with crowned cypher VR, 19cm diameter (2)
Note: see Evans, W et al. 1995, Whitefriars Glass, p.19, fig.15 for an illustration of a topaz glass finger bowl from the same service, engraved with the same rose decoration, cypher and coronet; the banquet was held on 9th November 1837, attended by the Queen. All the glass was supplied by the Staffordshire firm of Davenport, and made by the local glass house at Whitefriars, James Powell and Sons. The service is best known for the small number of topaz coloured items produced. £200 - £400
411 James Powell and Sons, Whitefriars for Davenports, a pair of important Victorian glass carafes, 1837, made for the Corporation of London’s banquet for Queen Victoria, bulbous form, each engraved with a wreath of roses between frosted curtain bands of lens cut beads, the necks of prism cut octagonal section, 14cm high (2)
Note: see Evans, W et al. 1995, Whitefriars Glass, p.19, fig.15 for an illustration of a topaz glass finger bowl from the same service, engraved with the same rose decoration; the banquet was held on 9th November 1837, attended by the Queen. All the glass was supplied by the Staffordshire firm of Davenport, and made by the local glass house at Whitefriars, James Powell and Sons. The service is best known for the small number of topaz coloured items produced. £150 - £250
412 Charles Eamer Kempe, an Arts and Crafts stained glass panel of St Paul, circa 1870, formerly from Christ Church, Gailey, Staffordshire, the single light in two united sections, the figure of the Apostle with sword, and book, in an interior scene with diaper leaded Morris inspired panes around the shield of St Paul, flanked by channels of alternating Gothic monogram and geometric motif panels, all above a further coat of arms within the same ground, 177cm high, 59cm wide overall, coloured panel 37cm wide
Note: Commissioned for the Chapel of Ease adjacent to Penkridge Church, the panel was removed at the deconsecration of Christ Church in 1980; with original correspondence from the Lichfield Diocesan Board of Finance dated September and November 1979, agreeing to the purchase of the glass panels £600 - £800
413 An Arts and Crafts Gothic Revival silver-mounted glass bottle, A R Mowbray and Co Ltd., London 1927, in the style of A W N Pugin, the glass by James Powell and Sons, Whitefriars, of footed baluster form, silver cap with knurled rim and internal cork stopper, 12cm high £30 - £50
414 Philip Webb for James Powell and Sons, Whitefriars, a set of four Arts and Crafts wine glasses, circa 1870, the wrythen ribbed conical trumpet bowls on blade knopped doubled twisted strand stems and wrythen ribbed splayed feet, 12cm high (4) £400 - £600
415
415 Philip Webb for James Powell and Sons, Whitefriars, an Arts and Crafts wine glass, circa 1860, optic ribbed ogee bowl in a bisected double twist stem and disc foot, 11.5cm high
Note: for examples of this glass see the Victoria and Albert Museum, bequest of May Morris, and the Cheltenham Museum and Art Gallery; Carruthers, A. and Greenstead, M., 1999, Simplicity and Splendour, Cheltenham Collections, p.92 and fig.42, for an illustrated example £50 - £80
416
416 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts wine glass, circa 1880, the rounded tulip bowl with applied Alsatian blue threaded spiral decoration to the lower two thirds, on plain stem and conical foot, 14cm high £100 - £200
417 A suite of Arts and Crafts wine and port glasses, probably John Walsh Walsh, circa 1900, the wrythen optic ribbed bowls cut with feathered fronds, including ten wine and four port glasses, on plain stems, 13.5cm high (14) £60 - £100
418 A large Arts and Crafts pink glass vase, possibly James Powell and Sons, Whitefriars, optic ribbed elongated bulbous form with eveted and crimped rim, 38.5cm high £50 - £100
419 Thomas Webb, an Arts and Crafts silver mounted Stourbridge glass jug, William Henry Sparrow, Birmingham 1904, in the Aesthetic style, modelled as a quatrelobed gourd or melon with curved tubular neck and hollow handle, 15.5cm high
Note: see McConnell, A, 2018, The Decanter; Ancient to Modern, for an example of this form by Thomas Webb in ivorine glass £40 - £70
414
420 Thomas Webb, a set of four Edwardian intaglio cut rock crystal glass liqueur glasses, circa 1905, the tulip form bowls with stylised flowers and foliate scrolls, on slender hexagonal section inverse baluster stems and star cut feet, 12.5cm high (4) £30 - £50
421
421 Thomas Webb and Sons, an Edwardian intaglio engraved rock crystal glass and silver mounted decanter, TW&S (Webb), London 1904, footed amphora shouldered form with optic wrythen body, cut with Rococo foliate scrolls and floral garlands of alternating roses and daisies, the hollow stopper similarly decorated, 29cm high £80 - £120
422 Frederick Carder for Stevens and Williams, an intaglio cut rock crystal engraved hock wine glass, circa 1900, the ogee tulip bowl decorated with stylised honeysuckle flowers between trefoil lappets, above a fine hobnail base, on a knopped inverse baluster stem, with lens cut and notched lappets, on a conical foot of radiating mitres within a band of alternating foliate and berry motifs, 17cm high £40 - £70
423 A Bohemian jewelled and gilt glass box and cover, probably Moser, circa 1890, cylindrical drum form with coral design and white enamelled beads, 7.5cm diameter £30 - £50
424 Koloman Moser for E Bakalowits Sohn, a Secessionist glass jug, Meyrs Neffe, circa 1900, optic mould blown barrel form with meteor or peacock eye design, applied amber handle, 16.5cm high
See: MAK, Vienna, Glass Collection, GL 3290-7; MAK, The Glass of the Architects, p. 99 for an example of this service design £150 - £250
425
425 Kralik, a Secessionist iridescent glass thorn vase, circa 1900, bulbous form with pulled nodules to the body, in green lustre, 17cm high £40 - £70
426
426 Kralik, a Secessionist iridescent glass Fish Scale vase, circa 1900, square section bulbous bottle form, green lustre, 17cm high £40 - £70
427 Josef Rindskopf, a Secessionist iridescent glass vase, squat gourd form with crimped rim, applied with opaline radiating teardrop tendrils on a green lustre ground, 18cm high £40 - £70
428 Josef Rindskopf, a Secessionist iridescent glass pulled feather vase, circa 1910, ovoid gourd form, green lustre with pulled opaline trails, 13cm high £30 - £50
429 Loetz, a Secessionist iridescent glass Crete Rusticana three handled vase, circa 1900, bulbous form with applied strap handles and raspberry prunts, 15.5cm high £80 - £120
430 Daum, Nancy, an enamelled cameo glass salt cellar, circa 1900, cylindrical form, carved in the round with a landscape of trees and hills, enamelled mark and cross of Lorraine, 4.3cm diameter
£200 - £300
431
431 Simon Gate for Orrefors, an Art Deco Astrid glass decanter, designed circa 1923, Venetian style footed slender gourd bottle form with pinched leaf stopper, in amethyst, 40cm high
433 Lalique, a Taureau glass paperweight, model 1194, designed 1931, and a Perche glass car mascot, model 1158, designed circa 1929, both polished and frosted, the fish with moulded mark R Lalique, both incised Lalique France, 16cm long (2)
£50 - £80
434
434 A pair of Jobling silver mounted glass pin dishes, 1934, modelled in relief with goldfish, polished and frosted, the rims by Turner and Simpson, Birmingham, 7.5cm diameter (2) £80 - £120
435 Barnaby Powell for James Powell and Sons, Whitefriars, a Sea Green ribbon trailed glass vase, model 8886, designed 1932, together with an Art Deco optic ribbed vase, possiblly from the Wealdstone range, circa 1930, 26cm high (2) £30 - £50
436 Stuart, an Art Deco enamelled glass cocktail shaker, circa 1929, of Stratford form, painted with a band of multi coloured cherries and branches, etched mark, 22.5cm high £30 - £50
437 Stuar t, an Art Deco enamelled glass fruit set, circa 1930, Stratford form, including five bowls with integrated dished bases and two serving bowls, each painted with bands of multi coloured fruiting branches, black rims, 12cm diameter (7) £30 - £50
438 Stuar t, three Art Deco polka dot enamelled glass vessels, including a cocktail glass, serving bowl and fruit dish, with clustres of yellow, orange and black dots, 20cm diameter (3) £20 - £40
£50 - £100
Note: an example of this iconic design by the famous Scandinavian glass designer is in the Victoria and Albert Museum
432 Charles Graffart and Rene Davenne for Val St Lambert, an Art Deco Luxval smoked amber glass vase, circa 1925, moulded, cut and polished, flared form, stylised guilloche coil and lens decoration on a rusticated textured ground, 17cm high
£40 - £70
439
439 Stuart, two Art Deco enamelled glass preserve pots, circa 1929, one in green glass of barrel form, painted with a vine of flowers, the other cylindrical decorated with fruiting branches, etched marks, 10cm high (2) £30 - £50
440 Ludwig Kny for Stuat, a set of four Art Deco enamelled glass cocktail glasses, circa 1930, rounded bowls an short tapered stems, painted in blue and orange with cockerels, concentric banding to the stems and foot rims, etched marks, 9.5cm high (4) £50 - £80 441
441 Stuart and Sons for Cunard, an Art Deco glass beaker, designed for RMS Queen Mary ocean liner, circa 1936, barrel form, with half mitre wave cutting, etched mark, 9.5cm high £80 - £120
442 Herbert Webb for Webb Corbett, a set of six Art Deco cut glass wine glasses, circa 1930s, conical form, cut with stylised foliate fronds of graduated mitre leaves, the feet with radiating fern branches, etched marks to each, 10.5cm high (6) £40 - £70
443
443 An Art Deco pink glass cocktail shaker, possibly Moser, circa 1930, optic ribbed and stepped with conical stopper, 24.5cm high £40 - £70
444 An Art Deco enamelled glass cocktail decanter, circa 1940s, spherical form, decorated with crosshatch and dot design in black and white enamel, gilt concentric ring design to the rim, 17cm high £30 - £50
445 Thomas Pitchford for Thomas Webb, an Art Deco electric blue and colourless glass lemonade or cocktail jug, circa 1935, the conical wrythen ribbed body on a blue foot, with an applied look handle, 22cm high £40 - £60
446 James Hogan for James Powell and Sons, Whitefriars, an Art Deco sea green and colourless glass goblet, model M53, designed circa 1935, together with an amber vase, after a Gertrude Jekyll Munstead vase design, angled conical form, 16.5cm high (2) £30 - £50
447 William Wilson and James Hogan for Powell and Sons, Whitefriars, two Commorative engraved glass goblet vases, 1937, Edward VIII and George VI, diamond engraved cyphers and dates, bell shaped bowls with blue knops and sweeping conical feet, incised marks Whitefriars, 18.5cm high (2) See: Jackson, L. 1996, Whitefriars Glass, p.144 pl.175 for an illustrated example of theses two glasses £50 - £80
448 Geoffrey Baxter for James Powell and Sons, Whitefriars, two Modernist glass ham bone vases, model 9571, circa 1962, in Willow and Arctic Blue, 20.5cm high (2) £30 - £50
449 Arthur Percy for Gullaskruf, two Swedish Modernist glass vases, circa 1951, bulbous bottle form with elongated necks, including amethyst and ruby colours, 33cm high (2) £40 - £70
450 David Hammond for Thomas Webb, a commemorative Shakespeare glass tankard or mug, 1964, cylindrical form, engraved with the name William Shakespeare, above mitre and line cut dates 1564 1964, etched marks design sponsored by the Shakespeare anniversary council, 15.5cm high £30 - £50
451
451 David Queensberry for Webb Corbett, a Modernist Queensway glass vase, 1964, cylindrical form, cut with vertical panels of alternating frosted and polished lens cuts, etched mark, 11.5cm high £40 - £70
452
452 Harold Wilson interest, Keith Budge for Caithness, a Modernist glass presentation bowl, footed form, engraved with an inscription from the Labour Party Scottish Council, to the Prime Minister, at the Opening of Keir Hardie House, Glasgow, 1st March, 1975, signed, 18cm high Provenance: formerly from the estate of Harold and Mary Wilson £80 - £120
453 Hans Erik Andersen for Dartington and Ronald Stennett Willson and Frank Thrower for Wedgwood, four Modernist glass vessels, including a Cylinder vase RSW20 in cranberry red, a Midnight Grey candle holder, Adam bud vase and Kingfisher blue candlestick D71, designed 1967, etched marks and labels to two, 20cm high (4) £40 - £70
454 Cruise Line interest, Willy Johansson for Hadeland, a pair of Tangen wine glasses, for Norwegian American Cruises, circa 1980s, conical bowls with terdrop inclusions, engraved with theh emblem of the NAC, on knopped stems and fotded style feet, 14cm high (2) £30 - £50
455
455 Christer Sjogren for Lindshammar, two sets of six Swedish Modernist glass knife rests, circa 1960s, textured ice cube form, in original boxes, 3cm cube (12) 30 - £50
456 Donald Pollard for Steuben (attributed), a Modernist glass two ring neck ship’s decanter, 20th century, the gourd form stopper with internal airtwist bubbles, 28cm high £30 - £50
449
453
457 Alessandro Mandruzzato, a Venetian Murano Sommerso glass vase, mid 20th century, pentagonal section, peach coloured internal colouring between colourless, 14.5cm high £50 - £80
458 A Memphis school Italian Murano stemmed glass, probably Cendese, Venice, circa 1980, the pear shaped bowl on a double column stem in blue and green, residue of a Murano glass label to foot, 19cm high £30 - £50
459 Mdina, a tortoiseshell studio glass vase, circa 1970s, square section shouldered bottle form with flared neck, signed, 22cm high £30 - £50
460. Richard Golding for Okra, an iridescent studio glass vase, 1982, cylindrical from, combed lustre decoration in pale blue over cobalt, incised marks RPG 82 LSC 13, 18cm high £40 - £60
461
461 Siddy Langley, an iridescent studio glass vase, 1994, bulbous form with cylindrical neck and everted rim, combed swag decoration on peacock blue lustre ground, incised marks, 14cm high £50 - £80
462
462 Lalique, a Dahlia glass vase, polished and frosted, incised marks Lalique France, 24cm high £100 - £200
CONTINENTAL CERAMICS
463
463 A Spanish Fajalauza faience glazed pottery bowl, Granada, 19th century or earlier, painted with brown and green lappet design in the Hispano Moresque style, 28.5cm diameter
£80 - £120
464
464 Hochst, an 18th century German porcelain saucer, underglaze blue crowned wheel mark and impressed wheel, circa 1760, painted with a floral bouquet with daisy and smaller sprigs, red border, incie P, 13cm diameter
£30 - £50
465 After Carlo Maratta, a continental porcelain plaque, painted with a detail of the work titled Holy Night, 24 by 18cm, framed £200 - £300
466 Schierholz, a novelty half litre character stein, modelled as a Sad Raddish, pewter mount and inset lid, printed marks, 20cm high
£40 - £60
467 Argilor, a pair of Art Deco figural bookends, Paris circa 1930, the ceramic models of stylised women mounted on amboyna bases, 19cm high (2)
£100 - £150
468 Robj, Paris, an Art Deco figural perfume lamp, circa 1930s, modelled as a courting couple, the internal bulb illuminating the woman’s skirt, the man holding a vessel for perfume, 30.5cm high
£100 - £200
469
469 Longwy for Atelier Primavera, an Art Deco faience bowl, circa 1925, shallow form, slip stencilled and gilded with gulls over a seascape, printed marks, 38.5cm diameter £400 - £600
470 Fornasetti, two Surrealist Tema e Variazioni plates, number 182 and 306, monochrome printed decoration, one as a woman holding baubles with faces, 26cm diameter (2) £100 - £200
471 Fornasetti, two Surrealist Tema e Variazioni plates, number 10 and 9, monochrome faces, one with gilt decoration, the other as a tattooed face, 26cm diameter (2) £150 - £250
472 Fornasetti, two Surrealist Tema e Variazioni plates, number 155 and 228, monochrome faces, one wearing glasses, the other with nose piercings and jewellery, 26cm diameter (2) £150 - £250
473 Fornasetti, two Surrealist Tema e Variazioni plates, number 333 and 181, monochrome faces, one wearing a diving suit, 26cm diameter (2) £150 - £250
MOORCROFT
474 William Moorcroft for James MacIntyre, a small vase, circa 1908, ovoid form with flared neck, printed marks and underglaze green monogram, 6.5cm high
£70 - £100
475 William Moorcroft for James MacIntyre, an Eighteenth Century coffee cup and saucer, flared concial form, printed marks, underglaze green monogram, 6.5cm high
£70 - £100
476 William Moorcroft for James MacIntyre, a Green and Gold garland coffee cup and saucer, circa 1903, flared conical form, printed marks, together with a Rose and Forget Me Not panel on powder blue saucer and cup, impressed marks, 6.5cm high (2)
£80 - £120
477
477 William Moorcroft for James MacIntyre, a Blue Rosse and Poppy Panel vase, circa 1908, pedestal shouldered form with everted rim, printed mark and underglaze green signature, 21.5cm high
£400 - £600
483
483 William Moorcroft for James MacIntyre, a small Pansy on White vase, circa 1911, shouldered ovoid form with narrow neck and everted rim, printed marks and underglaze green signature, 8.5cm high £200 - £400
484 William Moorcroft for James MacIntyre, a Pansy on white sugar bowl, circa 1911, ovoid form with top handle, underglaze green signature, 12cm high
Provenance: from the Moorcroft family Collection £200 - £300
485 William Moorcroft for James MacIntyre, a Florian Ware Violet on blue vase, circa 1903, elongated waisted form with crimped rim, printed mark and green monogram, 25cm high
Provenance: from the Moorcroft family Collection £80 - £120
478 William Moorcroft for James MacIntyre, a Florain Ware Poppy coffee cup and saucer, circa 1899, flared conical form with bamboo moulded handle, pritned marks, incised and underglaze blue monograms, 7cm high
£80 - £120
479 William Moorcroft for James MacIntyre, a miniature Rose and Forget me Not on celadon vase, circa 1908, shouldered form, printed mark and underglaze green monogram, 7.5cm high
£40 - £60
480 William Moorcroft for James MacIntyre, a miniature Rose and Forget me Not on celadon vase, circa 1908, spherical form with everted rim, printed marks and underglaze green monogram, 4.5cm high
£80 - £120
481 William Moorcroft for James MacIntyre, a miniature Rose Garland vase, circa 1903, slender baluster form, printed marks and underglaze green onogram, 7.5cm high £80 - £120
482 William Moorcroft for James MacIntyre, a miniature Rose Garland vase, circa 1903, spherical form with everted rim, printed marks and underglaze green monogram, 4.5cm high £80 - £120
486
486 William Moorcroft for James MacIntyre, a miniature Blue Poppy Garland on blue stippled vase, circa 1903, shouldered form, printed marks and underglaze green monogram, 7.5cm high £100 - £200
487
487 William Moorcroft for James MacIntyre, a miniature Blue Poppy Garland vase, circa 1903, shouldered form, printed marks and underglaze green monogram, 7.5cm high £100 - £200
488 William Moorcroft for James MacIntyre, a miniature Blue Poppy vase, circa 1903, slender inverse baluster form, printed marks and underglaze green monogram, 7cm high £100 - £200
489 William Moorcroft for James MacIntyre, a miniature Blue Poppy vase, circa 1903, shouldered form, printed marks and underglaze green monogram, 8cm high £100 - £200
490 William Moorcroft for James MacIntyre, a miniature Blue Cornflower on Blue vase, circa 1902, shouldered form, printed marks and underglaze green monogram, 8cm high £100 - £200
491 William Moorcroft for James MacIntyre, a miniature Alhambra tyg, circa 1903, three handled flared form, printed marks, 4.5cm high £100 - £200
492 William Moorcroft for James MacIntyre, a miniature blue and white Alhambra or Tulip vase, circa 1903, twin handled amphora form, printed marks, 5.5cm high £100 - £200
493 William Moorcroft for Liberty and Co., a small Tudor Rose vase, James MacIntyre, circa 1905, waisted trumpet form, printed marks and underglaze green signature, 12.5cm high £120 - £180
494 William Moorcroft for James MacIntyre, a miniature Eighteenth Century twin handled cup, circa 1908, flared and footed form with motto band Christmas Greetings, printed marks and underglaze green monogram, 5cm high £150 - £250
495 William Moorcroft for James MacIntyre, a monochrome Peacock vase, circa 1900, shouldered cylinder form, printed number and underglaze green signature, 27.5cm high
Provenance: from the Moorcroft family Collection £400 - £600
496 William Moorcroft for James MacIntyre, a Florian Ware Peacock vase, circa 1900, ovoid form, printed marks and underglaze green monogram, 9.5cm high £400 - £600
497 William Moorcroft for James MacIntyre, a miniature Blue Cornflower on Blue stippled vase, circa 1902, shouldered form, printed marks and underglaze green monogram, 8cm high £150 - £250
498
498 William Moorcroft for James MacIntyre, a miniature Blue Poppy on blue vase, circa 1903, slender inverse baluster form, printed marks and underglaze green monogram, 7cm high £150 - £250
499 William Moorcroft for James MacIntyre, a miniature Eighteenth Century vase, circa 1908, footed conical form, printed marks and underglaze green monogram, 6.5cm high £40 - £70
500
500 William Moorcroft for James MacIntyre, a Florian Ware Peacock vase, circa 1900, bulbous form with elongated neck and crimped rim, printed mark and underglaze green monogram, 17cm high
Provenance: from the Moorcroft family Collection
£400 - £500
495
496
501 William Moorcroft for James MacIntyre, a Hesperian Ware Lilac vase, circa 1902, elongated ogee chalice form, printed Florian mark and underglaze green signature, 25cm high
Provenance: from the Moorcroft family Collection
£500 - £800
502 William Moorcroft for James MacIntyre, a Florian Ware Blue Poppy vase, circa 1903, bulbous form with elongated neck and crimped rim, printed marks and underglaze green signature, 20cm high
£400 - £600
503
503 William Moorcroft for James MacIntyre, a Pomegranate on ochre tobacco jar and cover, circa 1911, squat rounded drum form with screw lid, underglaze green signature, 15cm diameter
£800 - £1,200
504
504 William Moorcroft for James MacIntyre, a Cornflower tobacco jar and cover, circa 1912, squat ovoid form with screw lid, printed marks and underglaze green signature, 15cm diameter
£500 - £800
506 William Moorcroft for Shreve and Company, San Francisco, a Claremont coffee pot, James MacIntyre, circa 1903, ogee shouldered barrel form, printed registration number and underglaze green painted marks and signature, 24cm high
Provenance: from the Moorcroft family Collection £800 - £1,200
507
£600 - £800
505 William Moorcroft for James MacIntyre, a Spanish vase, circa 1910, flared trumpet form, underglaze green signature, 25cm high
507 William Morcroft for Liberty and Co., a Hazledene vase, James MacIntyre, circa 1903, ogee chalice form, printed mark and underglaze green signature, 25cm high £1,000 - £1,500
506
508 William Morcroft for James MacIntyre, a Hazledene coffee pot, circa 1903, conical bell form with spiral loop top handle, printed registration number and underglaze green signature, 25cm high
Provenance: from the Moorcroft family Collection £800 - £1,200
509 William Moorcroft, a small Wisteria vase, circa 1920, inverse baluster form, impressed marks and underglaze blue monogram, 13.5cm high £200 - £300
510 William Moorcroft, a small Flambe Leaf and Berry vase, circa 1930, squat ovoid form with everted rim, impressed marks and facsimile signature, 6.5cm high £200 - £300
511 William Moorcroft, a small Orchid on ochre vase, circa 1930, inverse baluster form, impressed marks and facsimile signature, 10.5cm high £200 - £300
512 William Moorcroft, a Leaf and Berry coffee cup and saucer, circa 1930, footed and rounded form, Flambe highlights, impressed facsimile marks, 6cm high £200 - £300
513 William Moorcrof t, a Daffodil monochrome vase, circa 1920, waisted knopped trumpet form, impressed Burslem marks and underglaze green signature, 13cm high £80 - £120
514 William Moorcrof t, a small Pansy on white vase, circa 1914, inverse baluster form, impressed Burslem marks and underglaze green monogram, 9cm high
Provenance: from the Moorcroft family Collection £400 - £600
515 William Moorcrof t, a small Flambe Wisteria vase, circa 1920, squat ovoid form with everted rim, impressed marks, 6.5cm high £200 - £300
516 William Moorcroft for Liberty and Co., a Tudric pewter mounted Pomegranate tazza, circa 1928, ochre ground, stamped marks to the planished pedestal foot, 01313, underglaze blue monogram, 19cm diameter £60 - £100
517 William Moorcroft, a small Flambe Anemone vase, circa 1935, inverse baluster form, impressed marks and facsimile signature, 9cm high £200 - £300
518 William Moorcroft, a Pomegranate coffee cup together with a saucer, circa 1928 and 1935, flared concial form, impressed marks and facsimile to one, underglaze blue monogram to the cup, 6.5cm high £100 - £150
519 William Moorcroft, a small Spanish vase, circa 1914, bulbous form, impressed Burslem marks and underglaze green monogram, 7.5cm high
Provenance: from the Moorcroft family Collection £300 - £500
520 William Moorcroft, a Late Florian plate, circa 1918, circular shallow dished form, impressed Burslem marks and underglaze green signature, 22cm diameter
Provenance: from the Moorcroft family Collection £200 - £300
521
521 William Moorcroft, a small Flambe Late Florian vase, circa 1920, baluster form, impressed marks, 9.5cm high £200 - £300
522 William Moorcroft, a small Flambe Wisteria vase, circa 1920, shouldered form, impressed marks and underglaze blue monogram, 8.5cm high
£200 - £300
523 William Moorcroft, a small Dark Orchid or Iris vase, circa 1918, squat ovoid form with everted rim, impressed Burslem mark and underglaze green monogram, 6.5cm high
£200 - £300
527 William Moorcroft, a small Big Poppy vase, circa 1925, squat ovoid form with everted rim, blue ground, impressed marks, 6.5cm high £80 - £120
528 William Moorcroft, a small Pansy on white vase, circa 1918, squat ovoid form with everted rim, impressed Burslem marks and underglaze green monogram, 6.5cm high £200 - £300
524 William Moorcroft, a small Pansy on celadon vase, circa 1915, squat ovoid form with everted rim, impressed Burslem marks and underglaze green signature, 6.5cm high
£200 - £300
525 William Moorcroft, a Pansy on white mik jug, circa 1925, ovoid form with sparrow beak and bifurcated tendril handle, impressed marks and underglaze blue monogram, 11cm high
£200 - £300
526
529
529 William Moorcroft, a Late Claremont matt vase, circa 1935, baluster form, impressed marks and facsimile, underglaze brown monogram, 12cm high £300 - £500
530 William Moorcroft, two Yacht coffee cups and saucers, circa 1935, flared conical form with loop handles, includng matt orange glaze, impressed marks and facsimile signatures, 7cm high (2)
Provenance: from the Moorcroft family Collection £80 - £120
531 William Moorcrof t, a Tropical Fish bowl, circa 1933, ogee section footed form, impressed marks and facsimile signature, underglaze blue monogram, 17cm diameter £100 - £200
532 William Moorcroft, an Orchid or Iris vase and cover, circa 1918, shouldered ovoid form, impressed Burslem marks and underglaze green signature, 15cm high £300 - £500
£200 - £400
526 William Moorcroft, a Persian jardiniere, circa 1914, ovoid shouldered form, impressed Burslem marks, underglaze green signature, 23cm diameter
533 William Moorcroft, a Weeping Willow Landscape matt glazed bowl, circa 1930, footed form, impressed marks and facsimile signature, underglaze grey signature, 20.5cm diameter
£250 - £350
524
527
534
534 William Mooorcroft, an Orchid on Ochre vase, circa 1935, shouldered form, impressed marks and facsimile, underglaze blue signature, 24cm high £400 - £600
535 William Moorcroft, a large Wisteria jardiniere, circa 1928, shouldered ovoid form, impressed marks and underglaze green signature, 30cm diameter £300 - £500
536
536 William Moorcroft, a Big Poppy vase, circa 1920, shouldered form, impressed marks and underglaze teal signature, 25cm high £600 - £800
537
537 William Moorcroft, a Moonlit Blue vase, circa 1930, open mouthed baluster form, impressed marks and facsimile signature, underglaze blue signature, 23.5cm high £600 - £800
538 William Moorcroft, a large Late Florian vase, circa 1918, bulbous form with slightly flared neck, impressed Burslem marks and underglaze green signature, 35cm high £800 - £1,200
539
539 William Moorcroft, a Peacock Feather vase, circa 1918, baluster form with elongated neck, impressed Burslem marks, 21cm high
Provenance: from the Moorcroft family Collection £500 - £800
540 William Moorcroft, a Dark Orchid or Iris vase, circa 1918, pedestal shouldered form with flared neck, impressed Burslem marks and underglaze green signature, 26.5cm high £500 - £800
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
541
541 William Moorcroft, a small Waving Corn vase, circa 1935, inverse baluster or temple jar form, impressed marks and facsimile signature, 8cm high
£150 - £200
542
542 William Moorcroft, a Waratah vase, circa 1932, footed spherical form, impressed marks and facsimile signature, underglaze blue monogram, 11cm high
£800 - £1,200
543 William Moorcroft, a small Flambe Dawn vase, circa 1928, baluster form, impressed marks and underglaze blue monogram, 11.5cm high
Provenance: from the Moorcroft family Collection
£200 - £400
544 William Moorcroft, a large Flambe Dawn vase, circa 1928, shouldered form, impressed marks and underglaze blue signature, 37cm high
Provenance: from the Moorcroft family Collection
£800 - £1,200
545 Walter Moorcroft, a Flambe Arum Lily bowl, circa 1960, footed form, impressed marks and undergaze teal monogram, 23.5cm diameter £40 - £70
543
544
ART POTTERY AND RUSKIN
546
546 Christopher Dresser for Minton, an Aesthetic Movement vase, 1870, footed globe and shaft form, bleu celeste ground enamelled with Chinese style floral roundels below a band of Oriental trident and heart symbols, the neck with pyramidal lappets and foliate coronet motifs, impressed marks, 19.5cm high £400 - £600
547 A collection of Minton copper printing plates, including the original Christopher Dresser cranes design for vase shape number 1544, circa 1880 and earlier £100 - £200
548 Christopher Dresser for Minton, a pair of Aesthetic Movement jardinieres on stands, modelled in relief with storks on branches, the plates with bamboo sprigs to the rims, pink interiors, white on blue (2) £300 - £400
549 An Aesthetic Movement majolica teapot, Brown Westhead Moore and Co., circa 1865, octagonal section modelled in relief with a Pugin style Gothic revival quatrefoil and flowering plant, prunus blossom to the spout and finial, stamped marks, 22cm high
£100 - £200
550 A Fieldings majolica garden seat, circa 1880, modelled in relief with ostriches and herons in the Aesthetic manner, cylindrical form, 49cm high £250 - £350
551 William de Morgan for Meryon Abbey, a Persian Palmette tile, circa 1885, impressed mark, 15.5cm square £120 - £180
552
552 William de Morgan for Sand End Pottery, an Argyll tile, polychrome decorated with a bird amongst Persian flowers, the lower tile from a two tile panel, impressed marks, 20.5cm square
£200 - £300
553
553 William De Morgan for Merton Abbey, a Bedford Park Daisy tile, circa 1885, yellow and green colourway, impressed marks, 15.5cm square £150 - £250
554 Rebecca Coleman for Minton, a large Kensington Gore charger, titled Christie, circa 1870s, painted with a girl in profile wearing a conical bonnet and a turquoise scarf, within an Aesthetic style border of concentric bands and spoked wheels, apparently unsigned, 41.5cm diameter £800 - £1,200
555 Henry Stacy Marks for Minton, a pair of Aesthetic Movement tile plaques, monochrome painted with allegorical figures of Summer and Autumn modelled as Classical women harvesting wheat, 41cm x 20cm, framed (2) £80 - £120
556 A pair of Aesthetic Movement painted tile plaques, in the style of Walter Crane, £60 - £90
557 C H Brannam, an art pottery fish motto jug, 1895, the side spout modelled as a fish head, slipdecorated and incised with an aquatic scene and a verse ‘Good wishes to you my friend...’, incised marks, 14.5cm high £60 - £80
558 Devon art pottery motto ware including C H Brannam and Baron pottery, a puzzle jug, plate, double gourd vase, jugs and a lizard applied vase, incised marks and variously dated circa 1900, 17.5cm high (6) £100 - £200
559 Roger Dean for Thomas Forester and Sons, pair of tubeline moulded jugs, concal form with angled handles, decorated with peacocks in the Art Nouveau style, relief marks and signatures, (2) £100 - £200
560 Edwin and Walter Martin for Martin Brothers, a stoneware gourd vase, 1904, ogee shouldered ovoid form, decorated with blue glazed eye motifs, on a brown ground, incised marks 7-1904 Martin Bros London + Southall, 9cm high £400 - £600
561
561 Hannah Barlow for Doulton Lambeth, a stoneware pedestal vase, 1878, sgraffito decorated in the round with a pride of lions, between rosette studs and lappet bands, incised marks, 26cm high £350 - £450
562
562 Weymss Pottery, a figure of a pig, painted in the Langton design with stylised flowers and leaves, painted mark W65, 17cm long
£100 - £200
563 Wemyss Pottery, a large commemorative tankard or porter mug, 1906, painted with the cypher and national emblems of Edward VII and inscribed Fear God Honour the King, 1906, 14cm high
£120 - £180
564 John Wadsworth and Leon Solon for Minton, a small Secessionist jardiniere and stand, circa 1900, the ogee planter decorated with turquoise and blue flowers and sinuous tendrils, on a green ground, supported on a matching inverse trumpet form stand, impressed marks, 40cm high £70 - £100
565
565 John Wadsworth and Leon Solon for Minton, a small Secessionist jardiniere and stand, circa 1900, the ogee planter decorated with red and peach flowers and sinuous tendrils, on a green ground, supported on a matching inverse trumpet form stand, impressed marks, 40cm high £100 - £200
566 Richard Joyce for Pilkington, a Royal Lancastrian lustre vase, circa 1920, shouldered ovoid form, painted with foliate scroll lapets between reeded pilasters, impressed and painted marks, 10cm high £150 - £250
567
567 Richard Joyce for Pilkington, a Royal Lancastrian lustre vase, circa 1920, ovoid baluster form, decorated with a band of red and blue floral rosettes between borders of bar and dot panels, impressed marks and painted monogram, 9.5cm high £250 - £350
568 Ruskin Pottery, a vine painted yellow lustre vase, 1911, bulbous form with wide elongated neck, impressed marks, painted scissors, 16cm high £30 - £50
569 Ruskin Pottery, a holly wreath painted candlestick, circa 1906, trumpet form with poppy head ogee head, yellow ground with green stencilled decoration, impressed marks, 15cm high £40 - £60
570 Ruskin Pottery, a Lustre vase, 1922, conical bulbous form with trumpet neck, peach glazed, 15.5cm high £40 - £70
571 Ruskin Potter y, two Crystalline Glaze vases, 1932 and 1933, one of conical ovoid form with everted rim, in banded and streaky blue, the other of bulbous form with orange band over green, impressed marks, 15cm high (2) £40 - £60
572 Ruskin Pottery, a Crystalline Glaze vase, 1932, ogee necked shouldered form, blue speckled ochre draining to green with a central cream band, impressed marks, 28cm high £50 - £80
573
573 Ruskin Pottery, a Crystalline Glaze vase, circa 1932, shouldered cylinder form, banded in curdled turquoise, ochre and blue, impressed marks, 26cm high £50 - £80
574
574 Ruskin Pottery, a transmutational semi Crystalline Souffle type vase, 1933, conical form with flared rim, glazed in orange over curdled turquoise with curtain banding, impressed marks, 23.5cm high £50 - £80
575 Ruskin Pottery, two Crystalline Glaze vases, 1932, one of footed spherical form with yellow fruitskin over orange and green, the other of conical bulbous form, in banded orange and green, impressed marks, 18cm high (2) £50 - £80
576 Ruskin Pottery, a twin handled Crystalline Glaze vase, circa 1930, shouldered cylinder form with angled handles, streaky yellow ochre with speckled blue crystals, impressed marks, 26cm high £70 - £100
577 Ruskin Pottery, a large pale blue lustre vase and cover, 1918, spherical form with domed ogee lid and pear finial, impressed marks, 33.5cm high£50 - £100
578 Ruskin Potter y, a lavender lustre pot and cover, 1927, squat barrel form, incised with a band of dots and lines, the flat lid with a domed finial, 9.5cm high £50 - £80
579 Ruskin Pottery, a bronzed Lustre vase, 1908, conical bulbous form with cylindrical neck, impressed marks, 22cm high £50 - £80
580 Ruskin Pottery, a turquoise lustre ginger jar and cover, 1923, ovoid form, impressed marks, 17.5cm high
Provenance: Bonhams 1st September 2005, lot 229 £60 - £80
581 Ruskin Pottery, a pink lustre jar and cover, 1924, waisted drum form, mottled drip glazed with iridescent curtains, impressed marks, 15cm high £60 - £100
582
582 Ruskin Pottery, a miniature Crystalline vase, circa 1930, conical gourd form, grey ochre over matt blue glaze, original paper label, 4cm high £70 - £100
583 Ruskin Pottery, a Lustre vase, 1925, slender waisted trumpet form, mottled blue over ochre glaze, impressed marks, 34cm high £70 - £100
584 Ruskin Potter y, a Lustre vase, circa 1920, bulbous form with flared trumpet neck, lavender blue glaze, impressed marks, 23.5cm high £70 - £100
585 Ruskin Pottery, a small Souffle lustre glazed vase, 1915, squat bulbous form, graduated pink draining to iridescent, impressed marks, 4.7cm high £70 - £100
586 Ruskin Pottery, a Kingfisher lustre eggshell bowl, circa 1920, footed ogee form, iridescent matt crystalline glaze, impressed marks, 13cm diameter £80 - £120
587 Ruskin Pottery, a silver mounted Kingfisher lustre vase, 1920, shouldered form, iridescent matt and gloss glaze, impressed marks and hallmarks for London, 10cm high £80 - £120
588 Ruskin Pottery, a Kingfisher lustre vase, 1914, and a ginger jar 1917, each with iridescent matt crocodile skin glaze, impressed marks, 17.5cm high (2) £80 - £120
589
589 Ruskin Pottery, a Souffle glazed bowl, 1919, footed form with everted rim, mottled blue green, impressed marks, 11.5cm diameter £80 - £120
590 Ruskin Pottery, a miniature Kingfisher lustre bowl, 1923, footed form, iridescent gloss fruitskin glaze, impressed marks, 6cm diameter £40 - £70
591 Ruskin Pottery, a small Souffle glazed vase, 1927, shouldered form, marbled streaky blue over black, impressed mark, 10.5cm high £80 - £120
592 Ruskin Pottery, a small Souffle glazed vase, circa 1909, double gourd form, crudled turquoise, impressed marks, 7.8cm high £80 - £120
593
593 Ruskin Pottery, a small Lustre green tea dust vase, 1911, shouldered form, impressed marks, 11.5cm high £80 - £120
594 Ruskin Pottery, a large orange lustre ginger jar, 1921, ovoid form, impressed marks, 25cm high £80 - £120
595
595 Ruskin Potter y, an eggshell Lustre bowl, 1920, footed form with speckled lavender teadust, ochre rim and iridescent waves, impressed marks, 20.5cm diameter £100 - £200
596 Ruskin Pottery, a miniature High Fired vase, circa 1920, conical gourd form, aubergine banding with oxide speckles and sang de boeuf flambe, impressed marks, 3.8cm high £100 - £200
597
597 Ruskin Potter y, a miniature High Fired vase, circa 1920, conical gourd form, sang de bouef and purple flambe glaze with oxide spots, impressed marks, 3.8cm high £100 - £200
598 Ruskin Pottery, a miniature High Fired vase, circa 1920s, shouldered form, sang de boeuf flambe with green oxide speckles, impressed marks, 4cm high
£100 - £200
599 Ruskin Pottery, a Kingfisher lustre vase, 1915, bulbous cylinder or elephant’s foot form, iridescent matt glaze, impressed marks, 16cm high £100 - £150
600
600 Ruskin Pottery, a Kingfisher lustre vase, 1915, inverse baluster form, iridescent matt fissured glaze, impressed marks, 19cm high £120 - £180
601 Ruskin Pottery, a Kingfisher lustre vase, 1912, spherical bulbous form with tapered cylindrical neck, iridescent matt and fruit skin glaze, impressed marks, 24.5cm high £150 - £250
602 Ruskin Pottery, a small Kingfisher lustre vase, 1918, bulbous cylinder or elephant’s foot form, iridescent matt glaze, impressed marks, 8.5cm high £70 - £100
603 Ruskin Pottery, a Kingfisher lustre vase, 1922, slender shouldered form, iridescent fissured crocodile skin glaze, impressed marks, 25cm high£150 - £250
604 Ruskin Pottery, a small Kingfisher lustre eggshell bowl, circa 1900, footed form, iridescent gloss glaze, painted scissor mark, 8cm diameter £40 - £60
605 Ruskin Pottery, a Kingfisher lustre vase, 1922, shouldered barrel form, with everted rim, iridescent gloss glaze, impressed marks, 22cm high £150 - £250
598
606 Ruskin Potter y, a Kingfisher lustre vase, 1924, footed trumpet form, iridescent crystalline glaze, impressed marks, 16.5cm high
£180 - £250
607 Ruskin Pottery, a Kingfisher lustre vase, 1926, shouldered form, iridescent matt crystalline glaze, impressed marks, 22.5cm high
£200 - £300
608
608 Ruskin Potter y, a Kingfisher lustre vase, 1921, wide mouthed Meiping form, matt iridescent glaze, impressed marks, 31.5cm high
£200 - £300
609 Ruskin Pottery, a small High Fired vase, 1920, squat bulbous form, sang de boeuf hares fur with lilac fissures, impressed marks, 9.5cm high
£200 - £400
610 Ruskin Pottery, a High Fired vase, circa 1910, bulbous form with flared trumped neck, sang de boeuf flambe with purple band to the shoulder, over white ground, impressed marks, 23cm high
£200 - £400
611
611 Ruskin Potter y, a High Fired vase, 1920, shouldered form, fissured lilac and red sang de boeuf flambe, impressed marks, 25.5cm high
£200 - £400
612
612 Ruskin Pottery, a small High Fired reticulated ginger jar and cover, 1927, ovoid form, pierced with four rosettes of six heart shaped petals, mottled dove grey grlaze, impressed marks, 9.5cm high
£150 - £250
613 Ruskin Potter y, a High Fired vase or lamp stand, circa 1920s, fluted octagonal bracketed form, green oxide speckled over pale sang de boeuf flambe glaze, impressed marks, recess 12.5cm diameter, overall 24cm diameter
£150 - £250
614
614 Ruskin Pottery, a High Fired vase, 1933, bulbous cylinder or elephant’s foot form, sang de boeuf flambe with lilac drips over white, impressed marks, 20cm high £300 - £500
620 Ruskin Pottery, a High Fired ginger jar, and a cover, 1927, ovoid form, purple and sang de boeuf over dove grey glaze, the lid set with a cabochon plaque, impressed marks, 10.5cm high
£100 - £200
621 Ruskin Potter y, a High Fired vase or lamp stand, circa 1927, five footed bracket form incised with lozenge decoration, lilac over dove grey flambe glaze, original label, raised foot ring 12.5cm diameter, overall 21cm diameter
£100 - £200
622
622 Ruskin Pottery, a High Fired vase or lamp stand, 1925, four tulip form bracket feet between fret cut nodules, sang de boeuf flambe over dove grey, impressed marks and sticker, dished ring 11.5cm diameter, overall 17cm diameter
Provenance: Wade Collection, Sothebys 2002 £100 - £200
£100 - £200
615 Ruskin Pottery, a tiny High Fired vase, circa 1920s, conical gourd form, sang de boeuf flambe over dove grey, impressed marks, 2.8cm high
616 Ruskin Pottery, a High Fired vase, 1933, conical double gourd form, curtains of sang de boeuf over white with green oxide speckles, impressed marks and Howson Taylor signature, 20cm high
£300 - £500
617
617 Ruskin Pottery, a miniature High Fired Melba cup, circa 1920, white with sang de boeuf flambe banding, impressed mark, 3.5cm high £70 - £100
623
623 Ruskin Pottery, a High Fired pedestal bowl, 1926, footed form with everted rim, the exterior in red and purple sang de boeuf flambe with green oxide speckles, the interior in curtain glazed turquoise, 12cm diameter
£300 - £500
£80 - £120
618 Ruskin Pottery, a small High Fired dish, 1927, circular form, sang de boeuf flambe over dove grey glaze, impressed marks, 8cm diameter
624 Ruskin Pottery, a large Kingfisher lustre vase, 1924, shouldered barrel form, with everted rim, mottled iridescent matte orange peel and gloss glaze, impressed marks, 38cm high
£300 - £500
£100 - £200
619 Ruskin Pottery, a small High Fired bowl, 1933, footed form, sang de boeuf flambe glaze with green oxide spots and lavender splashes, impressed marks, 6cm diameter
625
628
628 Ruskin Potter y, a High Fired vase, 1900, inverse baluster form, turquoise with curtain band, over curdled red and lilac sang de boeuf, impressed marks, original label Taylor Leadless Glaze West Smethwick, 21cm high
Provenance: Wade Collection, Sotheby’s London 8th November 2002, lot 309
£400 - £600
625 Ruskin Pottery, a High Fired vase, 1909, flared trumpet of Lily form, sage green oxide mottling over white with sang de boeuf fissures, impressed marks, 24.5cm high
£400 - £600
626
626 Ruskin Pottery, a High Fired vase or lamp stand, circa 1930, of Chinese bracketed form, purple and sang de boeuf flambe glaze, impressed marks, recess diameter 12.5cm diameter, overall 16cm diameter
Provenance: Wade Collection, Sotheby’s 8th November 2002, lot 430
£150 - £250
629
£150 - £250
627 Ruskin Pottery, a High Fired vase or lamp stand, circa 1920s, bracketed square section, purple and sang de boeuf flambe glaze with green oxide speckles, impressed marks, recess 13.8cm diameter, overall 22cm diameter
629 Ruskin Pottery, a High Fired vase, 1905, onion bottle or bulbous form, speckled lilac over sang de boeuf flambe with a curtain band of hares fur, impressed marks, 18cm high £500 - £800
630 Ruskin Pottery, a High Fired vase, 1908, cylinder necked bulbous form with everted rim, pink and purple ground with speckled green oxide splashes, impresed marks, 15cm high £500 - £800
631 Ruskin Pottery, a High Fired vase, 1905, of temple jar of inverse baluster form with domed lid, lilac hares fur flambe, with green curtain and oxide speckles, impressed marks, 21cm high
£500 - £800
632
632 Ruskin Pottery, a High Fired vase, 1905, shouldered Meiping form, blue speckled ochre ground with thick green fruitskin glazes, lilac curtain burnt oxide splashes, impressed marks, 15cm high
£600 - £1,000
633 Ruskin Pottery, a small High Fired vase, 1926, flared cylinder or Lily form, red dang de boeuf over white, impressed marks, 14cm high
Provenance: Phillips, 22nd October 1997, lot 575 £120 - £180
634 Ruskin Pottery, a High Fired lamp base on stand, circa 1920, elongated inverse baluster form on sgraffito incised bracket base, lilac hares fur curtains over sang de boeuf flambe, metal fixings, 55cm high including fitting
£600 - £1,000
635 Ruskin Pottery, a High Fired twin handled lamp base, circa 1930, footed conical form with loop handles, ochre and sang de boeuf flambe applied with green oxide speckles and splashes throughout, the foot pierced, impressed marks, 39cm high including fitting £700 - £1,000
636 Ruskin Pottery, a High Fired vase, 1914, shouldered form, sang de boeuf flambe ground with electric blue hares fur curtain with dribbled green oxide, impressed marks, 30cm high £800 - £1,200
637 Ruskin Pottery, a High Fired vase, 1906, concial bottle gourd form, dribbled green oxide splashes over purple and red sang de boeuf flambe, impressed marks, 26.5cm high £800 - £1,200
638
638 Ruskin Pottery, a High Fired vase, 1907, squat bulbous form, turquoise ground hares fur and green oxide speckles, impressed marks, 25cm high £1,000 - £1,500
639 Ruskin Pottery, a High Fired tray, 1930, rectangular slab form, sang de boeuf flambe glaze with green oxide speckles and turquoise patches, impressed marks, 30cm x 20.5cm £150 - £250
640 Ruskin Potter y, a large High Fired vase, 1910, shouldered form with conical neck, heavily speckled in green oxide over a lilac sang de boeuf flambe ground, impressed marks, 32cm high £1,200 - £1,800
641 Ruskin Pottery, a small High Fired vase or lamp stand, circa 1930, square section bracket form, oxide speckled sang de boeuf flambe glaze, impressed marks, recess 5.3cm diameter, overall 9cm diameter £120 - £180
642 Ruskin Pottery, a large High Fired vase, 1914, wide necked baluster form, fissured and scaled red and purple sang de boeuf flambe with green oxide dribbles to the lower body, impressed marks, 32.5cm high
Note: illustrated in the Studio magazine 1916 £1,200 - £1,800
643 Ruskin Potter y, a High Fired type vase, 1919, shouldered inerse baluster form, curtain glazed purple flambe with oxide speckles to the rim and interior, impressed marks, 24cm high £100 - £200
644 Ruskin Pottery, a Souffle glazed vase, 1919, shouldered barrel form, fissured blue and black, impressed marks, 29cm high £200 - £400
645 Ruskin Pottery, a Souffle glazed vase, circa 1900, cylindrical lily type form, painted with a landscape of snowdrops and vegetation, painted scissor mark, 29.5cm high Provvenance: Albert Wade Collection, Sotheby’s 2002 £200 - £300
646
646 Ruskin Pottery, a miniature souffle glazed ginger jar and cover on stand, circa 1920s, the ovoid vase on a square section bracket stand, impressed marks, 4cm high £80 - £120
647 Ruskin Pottery, a Souffle glazed vase, 1913, squat bulbous baluster form, streaky mottled blue, impressed marks, 21cm high £150 - £250
648
648 Ruskin Pottey, a Souffle glazed vase, 1911, slender footed barrel form, curdled green turquoise over ochre, impressed marks, 22cm high £150 - £250
649
649 Ruskin Pottery, a small Souffle glazed vase with silver coloured metal stopper, circa 1902, Meiping form, streaky blue glaze, the stopper of melon form, impressed WHT monogram mark, 12cm high £80 - £120
650
650 Ruskin Pottery, a Souffle Glazed vase, 1906, Meiping form, green mottled fruitskin glaze, impressed marks, 18cm high £120 - £180
651
651 Ruskin Potter y, a Souffle glazed candlestick, circa 1905, shape 18, ogee column form with dished disc base, curdled blue on a turquoise ground, apparently unmarked, 17.5cm high £60 - £100
652 Ruskin Potter y, a small Souffle glazed vase, 1906, inerse baluster form, curdled and hares fur turquoise glaze, impressed marks, 10cm high £80 - £120
details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
653
653 Ruskin Pottery, a very large Souffle glazed vase, circa 1905, Meiping form, pink and turquoise dripped glaze, apparently unmarked, 47.5cm high
Provenance: Albert Wade Collection; Sotheby’s 2002
£400 - £600
654 Ruskin Potter y, a Souffle glazed vase, 1917, curdled green over dark ochre, impressed marks, 27cm high
£100 - £150
655 Ruskin Pottery, a Souffle glazed vase, circa 1905, conical gourd form, black gloss glaze, impressed WHT monogram and Ruskin mark, 17cm high
£120 - £180
656 Ruskin Pottery, a pair of Souffle glazed candlesticks, 1922, trumpet form with ogee sconces, teal hares fur glaze, impressed marks, 17cm high (2)
£100 - £200
657 Ruskin Pottery, a Souffle glazed potpourri vase and cover, 1905, ovoid form with pierced and domed lid, incuse slip decorated with a band of fruiting grape vines, purple pink glazed, impressed marks, incuse scissor mark and original paper labels, 16cm diameter
£100 - £200
658
658 Ruskin Potter y for Shreve Crump and Low, a silver overlay souffle glazed vase, 1905, slender inverse baluster form, pink hares fur glaze, overlaid with panels of sweetpea flowers on knotted sinuous tendrils, stamped marks and marked to the silver, 19cm high
£500 - £800
658A. Daisy Makeig Jones for Wedgwood, a Flame Fairyland Lustre pedestal chalice bowl, Z5360, variation of Fairy Gondola to the interior, the exterior in Twyford Garland, printed and painted marks, 27cm diameter
£2,000 - £4,000
659 Charles Noke for Royal Doulton, a very large Exhibition Flambe jardiniere, circa 1920, shouldered form, with an experimental Chang type drip glaze, on a Chinese carved hardwood and marble inset stand, impressed marks to the vase, 46cm high, 51cm diameter
Note: formerly part of the Doulton factory museum collection, this vase with its stand was on display in the archive collection, illustrated in the 1984 commemorative brochure for the visit of the Princess of Wales to the factory.
£1,000 - £1,500
660 Charles Noke for Royal Doulton, The Moor, HN 2082, a large Prestige figure modelled in a cape and red robes, gilt mark and printed Doulton mark, 43cm high £400 - £500
661 Gilbert Bayes for Royal Doulton, Blackbird, a stoneware figural washing post finial, circa 1931, treacle glazed, modelled perched on a stump, cemented to a Doulton block base, 50cm high, overall 82cm high
Note: made for the courtyard of St Christopher’s Flats, Somers Town, London, similar finials of different designs were installed at each of the housing blocks constructed by the St Pancras Housing Association between 1928 and 1938.
£1,000 - £1,500
662 Gwendolen Parnell for Chelsea Cheyne Pottery, a figure of a character from the Beggar’s Opera, circa 1920, modelled as a woman in 18th century costume, on block base, incised marks and monogram, 21cm high £70 - £100
658A
663
663 Elizabeth Mar y Watt, a Scottish Arts and Crafts painted soup bowl, or twin handled cup, decorated with rabbits leaping between multicoloured toadstools, signed with monogram, 17cm wide £180 - £250
664 Frederick Rhead for Foley, a small Intarsio twin handled vase, shouldered conical form, decorated with stylised poppies and foliate scrolls, printed marks, 8.5cm high £50 - £80
665 Millicent Taplin for Wedgwood, a prototype handcraft painted moonstone bowl, circa 1958, circular with everted rim, decorated with radiating pink and grey elliptical leaf motifs, impressed and painted marks, 25cm diameter £40 - £70
666 Alfred Read for Poole, a Freeform cucumber dish, pattern ROC, circa 1955, painted with bands of stylised leaves on peach and purple stripes, printed marks, 41cm long £40 - £70
667 Beswick, a graduated set of Swallow wall plaques, 7571, 757-2 and 757-3, modelled in flight (3) £80 - £120
668 Beswick, a graduated set of three flying partridge wall plaques, impressed marks 1188-1, 1188-2, 1188-3, 21.5cm long (3) £120 - £180
669 Sally Tuffin for Dennis China Works, a novelty mouse chess piece, modelled as a Bishop, numbered 32, 8cm high £50 - £100
670 Sally Tuffin for Dennis China Works, two novelty mouse chess pieces, circa 2012, on black and white socle bases, numbered 110 and 106, 5cm high (2) £50 - £80
671 Dennis China Works, a John Scott Collection vase, 2015, incised and tubeline decorated, modelled after Christopher Dresser with anthropomorphic figures holding hands between geometric stylised foliage, impressed marks, 12.5cm high £80 - £120
672 Diana Worthy for Crich Pottery, a studio pottery teapot and a biscuit barrel, shouldered ovoid form with domed lids, polychrome glazed with abstract intersecting mounds, some with tree landscapes, incised marks, 21cm high (2) £40 - £70
673 David Leach for Lowerdown, a studio pottery vase, square section cylinder form, painted with foliate sprigs, impressed seal marks, 15cm high £50 - £80
674 Phil Rogers (British, 1951-2020), a studio pottery faceted, nuka glazed bottle/vase, 24cm high, a green stoneware bowl with applied concentric circle relief decoration, 19cm diameter, and a bowl and cover, artist’s seal mark to base (3)
Note: Purchase receipt with faceted bottle £100 - £150
665
BRITISH CERAMICS
675
675 John Stinton for Royal Worcester, a twin handled dish, square form, painted with Highland cows in a misty landscape, 24cm wide
678
£850 - £950
676
676 John Stinton for Royal Worcester, a Highland Cattle painted plate, within a blue and gilt border, 23cm diameter
£800 - £900
677 James Stinton for Royal Worcester, a boxed coffee set, painted in the round with Romantic Claudian landscapes, signed, including six cups and saucer, with silver spoons £2,800 - £3,000
678 John Stinton for Royal Worcester, a Highland Cattle painted plate, within a blush gilt gadrooned border, 27cm diameter
£850 - £950
679 Sebright for Royal Worcester, a fruit painted box and cover, squat rounded form, painted with a central still life plaque within green and foliate gilt ground £350 - £450
680 John Stinton for Royal Worcester, a Highland Cattle painted plate, within a gilt berry border and acid etched rim, 26cm diameter
£900 - £1,000
681 Harry Stinton for Royal Worcester, a Highland Cattle painted plaque set into a silver tray mount, 1928
£1,100 - £1,300
682 Harry Stinton for Royal Worcester, a boxed set of six coffee cups and saucers, painted with Highland cattle in mountainous misty landscapes, signed, with silver spoons
£3,000 - £3,500
683 John Stinton for Royal Worcester, a large framed Highland Cattle painted plate, 27cm diameter
£2,200 - £2,500
684 A Worcester blush ivory basket, modelled with four straps united by an acanthus wreath handle, painted with floral panels, 26.5cm high £120 - £180
685 John Stinton for Royal Worcester, a Highland Cattle painted jardiniere, relief moulded Rococo arcading
£2,200 - £2,500
686 Harry Stinton for Royal Worcester, a pair of Highland Cattle painted potpourri vases and covers, footed ovoid form with relief moulded basket weave lower sections, the onion dome lids similarly moulded and pierced, internal covers, 20.5cm high (2)
£3,500 - £4,000
687 A pair of Royal Worcester reticulated figural pedestal vases, 1908, modelled as blush gilt birds supporting egg shaped amphoral vessels with lids, pierced with Mannerist winged putto faces and foliate scrolls, puce marks, 22.5cm high (2) £80 - £120
688 Harry Stinton for Royal Worcester, a Highland Cattle painted vase, twin handled pedestal form, with Grecian handles in green gilt, 24cm high £800 - £900
687
688
686
689 James Hadley for Royal Worcester, a pair of Shot Enamel figures of gold prospectors, modelled as a man and woman with spades, polychrome and blush gilt decoration, 41cm high (2)
£300 - £500
690
690 G White for Royal Worcester, a Peacock decorated ewer, gilt blush relief moulded arcading and lappets, 29.5cm high
£500 - £800
691 A Royal Worcester reticulated jug, double walled parian bisque painted with a bird and flowers, highlighted in gilt, 10.5cm high
£500 - £600
692 Dorris Lindner for Royal Worcester, four animal figure groups, including Foals, Young Spotted Deer and May Times (4)
£300 - £400
693 Doris Lindner for Royal Worcester, a figure group, ‘Huntsman and Hounds’, No.3115, date cypher for 1958, 19cm high, 18cm wide, on a wooden plinth
£200 - £300
694 James Hadley for Royal Worcester, a pair of blush gilt figures of travellers, modelled as a man and woman next to tree stumps, 36cm high (2)
£500 - £800
695 Raby for Royal Worcester, a large blush ivory floral painted vase, twin handled Persian bottle form relief moulded with floral motifs, painted in raised gilt with wildflowers, signed with monogram, 43cm high
£350 - £450
696 A Royal Worcester blush ivory jardineire, modelled in relief with lions mask handles, in the Mannerist style
£280 - £350
697 Kitty Blake for Royal Worcester, two blackberry painted bowls (2)
£750 - £850
698 Townsend for Royal Worcester, a dog painted plaque, depicting spotted hunting dog, framed
£1,100 - £1,200
699
699 A Coalport jewelled and reticulated pedestal vase and cover, of lidded urn form, celeste bleu ground with enamelled gilt foliate scrolls and sprigs, encrusted in relief with gilt ribbon swags and bows, pierced fluting to the neck and foot, the lid similarly decorated with an acanthus finial, 24cm high
£200 - £400
700 A miniature Minton trial garden seat, relief moulded drum form with rose and lily motifs, on a turquoise ground, 10cm high
£60 - £100
701 Albion Birks for Minton, a pair of pate sur pate plates, each decorated with Allegorical Classical muses and putti spinning, within riased gilt foliate borders, 23cm diameter, framed (2)
£1,000 - £1,500
702 Leighton Maybury after Dante Gabriel Rosetti, a painted ceramic plaque La Ghirlandata, 1984, signed and titled verso, 25cm x 19cm, framed
£80 - £120
703 A Royal Crown Derby Imari dessert service, icnluding eleven plates and two serving dishes (13)
£550 - £650
704
704 George White for Royal Doulton, a scene painted vase, The Lesson, twin handled pedestal urn form, decorated with a woman and a girl playing the violin , surrounded by flowers, the reverse with a floral bouquet, signed, painted marks to the underside, 36cm high
£300 - £500
709
709 A Royal Doulton prototype character jug, Uncle Sam, highlighted in gilt, stamped marks Property of Royal Doulton, 17cm high £300 - £500
710 A Royal Doulton ‘Flambe’ prototype character jug, Aladdins Genie, 1994, limited edition, unnumbered, underglaze printed marks, 19.5cm high £300 - £500
711 A Royal Doulton prototype character jug, John Bull, stamped marks Property of Royal Doulton, 14.5cm high
£300 - £500
712 A Royal Doulton Flambe figure, Forever Yours, from the Images range, 2005, HN4870, 32cm high £60 - £100
£80 - £120
705 Two Royal Doulton prototype dog figures, modelled as a pekingese and a terrier, each with a flambe tinted glaze, printed marks, 6cm high (2)
706 E Percy for Royal Doulton, a pair of Fancy Bird painted plates, within foliate scroll and garland wreath and ribbon cartouches, with further birds, overpainted transfer decoration, signed, 23cm diameter (2)
£50 - £80
707 A Royal Doulton Tiny character jug, Gandhi, in orange robe, printed mark, 4cm high
£100 - £200
708 A Royal Doulton Tiny character jug, Nancy, in green shawl and yellow hat, printed mark, 4cm high £100 - £200
713
713 Lowestoft, a blue and white porcelain saucer, circa 1765, painted in the Man on a Tightrope pattern, within a lattice border, 12.5cm diameter £50 - £70
714 Lowestoft, a relief moulded blue and white porcelain sauceboat, circa 1770, footed form with floral printed decoration, 14cm long £60 - £80
715 Lowestof t, a blue and white porcelain low Chelsea ewer, numeral 5 mark, circa 1764, painted with flower head decoration, 10cm long £80 - £120
716 Lowestof t, a blue and white porcelain patty pan, of large proportions, circa 1770, central moth motif within floral spays, berry and husk border, 13.5cm diameter £80 - £120
717 Chelsea, a Hans Sloane style, floral painted fluted porcelain bowl, red anchor mark, circa 1755, shallow form with scalloped rim, decorated with botanical bouquets, sprigs and insects, burgundy rim, 29cm diameter £80 - £120
718 Bow, a large pair of porcelain figures, red Chelsea anchor and dagger marks, circa 1760, modelled as a shepherd and shepherdess in 18th century costumes, the man with a barrel, metal rake and dog beside, the woman with a flask and lamb, on Rococo foliate scroll and shell bracket bases, highlighted in gilt, applied with florally encrusted boccage, 26.5cm high (2) £1,500 - £2,000
715
716
717
719 Worcester, four items of black and puce printed tea ware, circa 1765-1770, including a Hancock ‘L’Amour’ teapot stand, two ruins printed tea bowls and a wrythen fluted tea cup with similar ruins, 13.5cm diameter (4)
£60 - £80
720
720 Worcester, a porcelain tea cup, circa 1770, painted en grisaille with Chinaman with a Parasol design, reeded body and ogee handle, 8.5cm diameter
Provenance: Sir James Lever collection, labelled to underside
£60 - £80
722 Worcester, two items of blue and white porcelain, crescent marks, circa 1770, including a reeded slop bowl with cntral floral motif and cell border, and a small patty pan painted in the Mansfield pattern, 15cm diameter (2) £50 - £70
£60 - £80
721 Worcester, a porcelain tea bowl, workmans mark, circa 1756, painted en grisaille with Boy on a Buffalo pattern, 7.5cm diameter
723 Worcester, a black printed soup plate, circa 1770, ogee border, decorated with a scene of Ruins with Statue of Marcus Aurelius, within floral sprays, gilt rim, 22.5cm diameter £60 - £100
721
722
723
719
724 Worcester, a blue and white printed mug, crescent mark, circa 1760-65, baluster form decorated in the Plantation pattern, 12cm high £80 - £120
725 Worcester, a blue and white fluted tea cup and saucer, disguised numeral mak, circa 1780, printed in the Bandstand pattern
£40 - £70
726 A Bristol spirit barrel, circa 1800, initialled £100 - £200
727 Derby, a rare blue and white printed plate, circa 1770-75, decorated with a still life of flowers in an Oriental jardiniere, within a relief moulded ogee lappet border in the Persian style, 22cm diameter
728 J and W Ridgway, a Staffordshire blue and white transfer printed Scenes of Oxford and Cambridge Colleges meat platter, circa 1835, depicting All Souls College and St Mary’s Church, Oxford, 53cm long, 40cm deep £80 - £120
729 A Spode tea set, model 2479, circa 1800, including teapot and stand, six breakfast cups, six tea cups, twelve saucers, jug, sucriere, slop bowl and two dishes, each with relief moulded quatrefoil motif bands and gilt denticulated banding, painted marks (31)
£200 - £400
730 A large Staffordshire pearlware Hebe jug, circa 1790, modelled in relief with figures having a picnic, 24cm high
£140 - £180
731 A pearlware spirit barrel, dated 1809, realistically modelled and painted with prattware colours, incised name 'Susanna Shaw' and date, 17cm high £200 - £300
732 A pearlware model of a stag, circa 1790, modelled seated next to a bocage tree, sponge decorated, 15cm high £50 - £100
733 Three English Delft blue and white plates, Lambeth circa 1770, two with rabbits grazing (3) £200 - £300
734 An English Deflt blue and white dry drug jar, circa 1700, pedestal form, ovoid body painted with the name S Pectora, on a splayed trumpet foot, 17cm high £1,200 - £1,400
735 An English Deflt blue and white dry drug jar, circa 1700, pedestal form, ovoid body painted with the name S Violar, on a splayed trumpet foot, 17cm high £1,200 - £1,800
736 An English Deflt blue and white dry drug jar, circa 1700, pedestal form, ovoid body painted with the name OL Virid, on a splayed trumpet foot, 17cm high £1200 - £1800
Note: see Phillips, London, 2000, Watney Collection Part II, lot 772, for an example of this plate
£60 - £100
737 An early to mid 18th century Defltware spitton, Kraak style floral panel decoration, blue dash handle, possibly Dutch or English, G mark to the base, 9cm high £60 - £80
734, 735 & 736
Entries Invited Louis Comfort Tiffany for Tiffany Studios, an Art Nouveau table lamp base, circa 1890-1900.
Entries Invited
Peter Lanyon (British, 1918-1964), Portreath 2, 1949, oil on board.
TERMS & CONDITIONS OF SALE AND BUSINESS
These Conditions of Sale and Business constitute the contract between Kinghams Auctioneers limited and the seller, on the one hand, and the buyer on the other. By bidding at the auction, and/or consigning to Kinghams Auctioneers limited, you agree to be bound by the following terms.
CONDITIONS OF SALE
1. DEFINITION
In these terms of business: Kinghams Auctioneers Ltd is referred to as ‘Kinghams’. The Kinghams representative conducting the auction is referred to as the ‘auctioneer’.
2. AGENCY
The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers if the transaction is not completed and paid for.
3. TERMS OF SALE
The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment.
4. DESCRIPTIONS AND CONDITION OF LOTS
Every effort is made to ensure the accuracy of statements relating to authorship, descriptions, origin, date, age, provenance and condition of lots. Statements made orally or in the catalogue are opinions given after careful consideration and research. Prospective buyers are given ample opportunity to view lots before any sale. When bidding, buyers acknowledge that they are fully satisfied as to the description and condition of the lot.
5. ATTRIBUTION OF PICTURES
(a) If the forename(s) (or asterisks where not known) and surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work by the named artist.
(b) If the initials of the forename(s) and the surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work of the period of the named artist and may be wholly or in part his work.
(c) If the surname of the artist is given, this indicates that in the opinion of Kinghams the picture is a work of the same school of the named artist, or by one of his followers, or in his style and of uncertain date.
(d) The term ‘Bears signature’ indicates that in the opinion of Kinghams this is not the signature of the artist.
(e) All other terms are self-explanatory.
6. FORGERIES
Notwithstanding Condition 4, any lot which proves to be a deliberate forgery may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence provided that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium.
7. THIRD PARTY LIABILITY
Every person on Kinghams premises before, during or after a sale shall be deemed to be there at their own risk and shall have no claim against Kinghams in respect of any injury they may sustain or any accident which may occur.
8. DISPUTES
Any dispute not covered in these terms of business will be settled at the sole discretion of Kinghams.
9. GENERAL
We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.
a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of the Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.
b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.
Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email in which case it shall be deemed to have been received by the addressee 48 hours after posting.
Special terms may be used in catalogue descriptions of particular classes of terms in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.
Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of the Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.
English law applies to the interpretation of these Conditions.
TERMS OF CONSIGNMENT FOR SELLERS
1. INTERPRETATION
In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’ etc. refer to Kinghams Auctioneers Ltd.
2. WARRANTY
The Seller warrants that possession in the lots can be transferred to the Buyer with good and marketable title, free from any third party right and encumbrances, claims or potential claims. The Seller has provided all information concerning the items ownership, condition and provenance, attribution, authenticity, import or export history and of any concerns expressed by third parties concerning the same.
3. COMMISSION
Commission is charged to sellers at a flat rate of 15%, 1.5% insurance, and a £5/10 entry fee per Lot plus VAT.
4. REMOVAL COSTS
Items for sale must be consigned to the saleroom by and stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.
5. LOSS AND DAMAGE OF GOODS
a) Loss and Damage Warranty – Kinghams is not authorised by the FSA to provide insurance to its clients and does not do so. However, Kinghams for its own protection, assumes liability for property consigned to it at the lower pre-sale estimate until the hammer falls. To justify accepting liability, Kinghams makes a charge of 1.5% of the hammer price plus VAT. The liability assumed by Kinghams shall be limited to the lower pre-sale estimate or the hammer price if the lot is sold.
b) If the owner of the goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owners risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 5(a) is inapplicable.
6. ILLUSTRATIONS
The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.
7. MINIMUM BIDS AND OUR DISCRETION
Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 8. We may sell lots below the reserve provided if we can account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to 10% below the formal reserve.
8. RESERVES
a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to unreasonably high reserves {in which case goods carry the storage (Condition 17) and loss damage warranty (Condition 5(a) charges as stipulated in these Terms of Consignment}.
b) A reserve once set cannot be changed except with our consent.
c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.
d) Reserves are not usually accepted for lots expected to realise below £50.
9. ELECTRICAL ITEMS
These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.
10. SOFT FURNISHINGS
The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.The rights of disposal referred to in clauses 9 and 10 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection upon request.
11. DESCRIPTIONS
Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 4 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.
12. UNSOLD ITEMS
If an item is unsold it may at our discretion be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred.
13. WITHDRAWN AND BOUGHT IN ITEMS
These are liable to incur charges on being bought in or withdrawn after being catalogued.
14. CONDITIONS OF SALE
You agree that all goods will be sold subject to our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses, liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.
15. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST
You authorise us to deduct commission at the stated rate and all expenses incurred from your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. You authorise us at our discretion to negotiate a sale by private treaty not later than the close of business 48 hours after the day of sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply.
17. STORAGE
We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make storage charges.
18. SETTLEMENT
Subject to funds having cleared in our account we aim to pay you no later than four weeks following the sale. If the buyer has not paid for the goods no settlement will be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. Please note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 11 above and you should therefore bear this in mind before parting with the proceeds of sale.
INFORMATION FOR BUYERS
1. INTRODUCTION
The following notes are intended to assist buyers particularly those who may be inexperienced or new to our saleroom. All sales are conducted in accordance with our Conditions of Sale. Our staff will be happy to help you with anything you do not fully understand.
2.
AGENCY
As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly, if you buy your primary contract is with the seller.
3. THE BUYER
The highest bidder acknowledged as such by the auctioneer will be the buyer. If any dispute arises, the auctioneer has absolute discretion to settle the matter. The auctioneer rules the bidding and bids cannot be retracted. The auctioneer reserves the right to refuse any bid.
The successful bidder, whether bidding for himself or for a third party, is entirely responsible for paying for the lots they have bought in accordance with Kinghams’s Conditions of Sale and Business. The auctioneer reserves the right to bid on behalf of the sellers for any lot and to withdraw, consolidate or divide any lot or lots.
4. REGISTRATION
Unless registered already on a bidding platform, it is essential that all prospective buyers register with us, giving their full name, address, contact telephone number(s) and email address. First time buyers will be required to provide proof of identity (i.e. driving licence/passport), a valid debit or credit card and a copy of a utility bill confirming their name and address. Upon receipt of the above a paddle will be issued, which is only valid for the current sale. The paddle may be used to indicate your bids to the Auctioneer during the sale. If successful, the bidder must ensure that their number can be seen by the Auctioneer and that it is their number that is called out. Should there be any doubts as to price or buyer, please draw the Auctioneer’s attention to it immediately.
5. BUYER’S PREMIUM - COMMISSION CHARGES
There is a buyer’s premium of 26% plus VAT on the hammer price of each lot up to and including £500,000. The buyer’s premium is 18% plus VAT on the hammer price of each lot on the excess of £500,001 up to and including £1,000,000. The buyer’s premium is 15% plus VAT on the hammer price of each lot on the excess of £1,000,001.
6. VALUE ADDED TAX
Lots on which the buyer may have to pay VAT on the ‘hammer price’ are indicated in the catalogue with the following symbol *. The buyer must pay this VAT at the rates that apply on the day of the auction in addition to the buyer’s premium and VAT thereon.
7. AUCTIONEERS MARGIN SCHEME
This scheme allows auctioneers to sell items without VAT on the hammer price. The buyer then pays an amount equivalent to VAT. This amount cannot be refunded and is not shown separately on the invoice.
8. PAYMENT
Buyers must pay in full before items can be removed from the premises (please see “payment methods” below).
Invoices will be issued from the day of the sale. Buyers must pay their invoice in full within 24 hours and advise when they will be collecting their item(s). Any invoices which remain unpaid after seven days will incur interest at 5% above the base rate, charged from the date of the sale. If buyers are unknown to us, we cannot hand over purchases unless we have adequate references or payment is cleared.
Payment Methods
We accept payment by:
Cash - up to £9,000 (subject to money laundering regulations). Cheques - we do not accept cheques.
Debit cards accepted - we do not accept any credit cards.
Please note that we are unable to accept any card payments where the cardholder is not present.
Bank transfer to:
HSBC Bank, Bridge St, Evesham WR11 4RU
Account no.: 51655345
Account name: Kinghams Auctioneers Ltd
Sort code: 40-20-27
IBAN: GB91MIDL40202751655345
SWIFTBIC: MIDLGB22
Please note that a fee of £15 will be added for international bank payment.
9. LIVE INTERNET BIDDING
Live online auctions are in conjunction with the-saleroom.com, invaluable.com and easyliveauction.com
We ask that you register for the sale a minimum of 24 hours before the auction.
When you have registered, you can watch the auction in real time; simply click the bid button to place a bid.
If your bid is successful we will notify you after the sale for payment. Charges will be made for internet bidding dependent on the auction platform. See their terms and conditions for details.
10. TRANSFER OF RISK
Each lot is the buyer’s sole responsibility from the fall of the hammer.
11. COMMISSION BIDS
If instructed, Kinghams will execute bids and advise prospective buyers. This service is free.
Buyers who cannot come to a sale may leave their bid with our staff after/during viewing, or make their bid in advance by telephone or email (enquiries@kinghamandormeauctioneers.com). Such bids are placed at the buyer’s own risk.
Bids must be made at least one hour before the sale starts, but we advise buyers to make bids at the earliest possible opportunity. When making bids, buyers must provide: Their full name
Address
Email address
Contact telephone numbers
The number of the lot they wish to buy Their maximum bid amount – excluding commission which will be added to the invoice afterwards
Buyers must state what their maximum bid would be. We cannot accept an instruction to ‘buy’ or unlimited bid.
We will ensure that lots are bought as cheaply as possible depending on the bids made and other reserves. If identical bids are placed, they will be dealt with on a “first come first served” basis.
12. TELEPHONE
BIDS
Lines for telephone bidding should be booked 24 hours before the auction. Lines are booked on a “first come first served basis.” Full name, address and telephone numbers will be required together with proof of identity and address. Bank and credit/debit card details are also necessary to secure the line.
13. DATA PROTECTION
Kinghams will use information provided by its clients or obtained by Kinghams relating to its clients for the provision of auction services or as required by law. Kinghams may need to record telephone conversations for security or legal reasons or as necessary to provide a higher quality of service. Clients agree that Kinghams may use sensitive information that they supply to Kinghams. Unless permitted by law, Kinghams will not otherwise process sensitive personal data without express consent. By agreeing to the Conditions of Sale and Business, clients agree to the processing of their personal information.
14. STORAGE AND COLLECTION
Please note all items after the auction will be removed to store. Arrangements for collection can be made with the office.
15. ELECTRICAL GOODS AND SOFT FURNISHINGS
These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations.
16. EXPORT OF GOODS
Buyers intending to export goods should check whether an export licence is required and whether there is any specific prohibition on importing goods of that character because e.g. they may contain prohibited materials such as ivory. Ask us if you need help.
17. PACKING AND DESPATCH
We offer a packing and despatch service for smaller lots. We also use national and local carriers. Further details can be obtained from our office.
18. DROIT DE SUITE ROYALTY CHARGES
A picture or work of art by an applicable living artist, or those who have died within the last 70 years, which costs more than £1,000 hammer price will incur a royalty charge paid by the buyer. We pass this payment on to the Design and Artists Copyright Society (DACS), and do not charge a handling fee. Buyers can calculate royalty charges on the DACS website. Items marked with the † symbol in the catalogue will potentially incur royalty payments.
The actual qualifying threshold is calculated by the Artist’s Resale Right Service Hub and can be found on the DACS website.
The royalty charge for pictures and works of art that achieve a hammer price of more than £1,000, but less than that of £50,000 is 4%. On pictures and works of art that achieve a hammer price of more than £50,000 a sliding scale of royalty charges applies. For a complete list of the royalty charges and threshold levels please download more information from the DACS website.
The royalty charge is added to invoices and must be paid before purchases are removed. VAT is not paid on royalty charges.
19. CITES LICENSE - IMPORTANT NOTICE RELATING TO SPORTING AND NATURAL HISTORY
Clients intending to import/export any item derived from natural history specimens into/from a non-European country should first check for any Import/Export and possession restrictions prior to bidding/selling. Certain species (λ) are also subject to CITES regulations when exporting/ importing these items out of the EU. CITES regulations are given on www.ukcites.gov.uk or maybe obtained from Animal Health, Wildlife Licensing and Registration Service, Zone 1/17, Temple Quay House, 2 The Square, Bristol BS1 6EB. Those species that are covered by the US Endangered Species Act (USESA) or The Migratory Bird Treaty Act (MBTA): potential US bidders should check with USF&W (US Fish and Wildlife Services) for trade/possession restrictions in the US prior to bidding.
