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BRITISH ART POTTERY Thursday 12th November 2026

BRITISH ART POTTERY To be held at 10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ

THURSDAY 12 NOVEMBER 2026 AT 10AM Viewing Monday 9 November – 10am to 5pm, Tuesday 10 November – 10am to 5pm Wednesday 11 November – 10am to 5pm & Thursday 12 November – 9am to 10am Day of the Sale Auction scheduled to start at 10am with bidding in the room and live bidding on the internet bidding platforms. Telephone bids and commission bids are accepted and potential bidders will need to be registered with us before the sale. Contact michael@kinghamsauctioneers.com – 07854 840784

SPECIALISTS

Michael Jeffery

George Kingham

John Keightley

Adrian Rathbone

Eric Belgrave

Associate Director and 20th Century Design Specialist

Director

Associate Director Senior Valuer and Cataloguer

Associate Director and Senior Valuer

Photographer

Live internet bidding is available on www.kinghamsauctioneers.com, www.the-saleroom.com, www.invaluable.com, and www.easyliveauction.com together with a fully illustrated catalogue. Catalogue £10.00 (£14.00 by post) Cover Illustrations: Front: lot 15 – Back: lot 61 – Inside front: lot 202 – Inside back: lot 32

Kinghams Auctioneers Ltd 10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ 01608 695695 | enquiries@kinghamsauctioneers.com | www.kinghamsauctioneers.com NB. Please telephone to arrange collection.

MAP AND DIRECTIONS Our auction house is located in the historic Cotswold market town of Moreton-in-Marsh By Car We are centrally located on the A44 in reach of motorways the M5, M4, M40 and M42. Ample free parking.

By Rail Moreton-in-Marsh’s train station is less than a mile from the auction centre.

By Plane The nearest International Airports are Birmingham, 45 miles and Heathrow, 70 miles.

Accommodation The Howard Arms (10-minute drive from the auction centre) Lower Green, Ilmington, CV36 4LT 01608 682226 www.howardarms.com

DELIVERY SERVICES FOR BUYERS We offer an in house packing service for most items and paintings up to 110cm x 80cm. Please email enquiries@kinghamsauctioneers.com for a quote or call 01608 695695 for a quotation. For Furniture: Tustain Carrier Fine Art & Antique Carriage 07964 626325 enquiries@tustainclearance.com www.tustaincarriers.com

USEFUL INFORMATION FOR BUYERS Buying at Kinghams Auctioneers Ltd:

Buyer’s Premium

There are several ways you can bid at our auctions; by leaving a commission bid, on the telephone and live via the internet.

There is a buyer’s premium of 26% plus VAT on the first £500,000 of the hammer price of each lot. 18% plus VAT on the excess of £500,001 and up to £1,000,000 of the hammer price of each lot, and 15% plus VAT on the excess of £1,000,001 of the hammer price of each lot.

Bidding in Person It is essential that all prospective buyers register with us prior to the auction. Proof of identification will be required in order for a bidding number to be allocated which can then be used when bidding for an item.

Commission Bids Kinghams will execute bids if you are unable to attend the sale. Bids can be left with our staff during or after viewing, or in advance by telephone or e-mail: enquiries@kinghamsauctioneers.com

Telephone Bids Lines must be booked by 5pm the day before the auction begins. Lines are booked on a first come first served basis. Full name, address and telephone numbers will be required together with proof of identity. Bank and/or credit/debit card details are necessary to secure the line.

Artist’s Resale Rights (Droit De Suite) Royalty Charges) A picture or work of art by an applicable living artist, or those who have died within the last 70 years, which costs more than £1,000 hammer price will incur a royalty charge paid by the buyer. Items marked with ARR in the catalogue will potentially incur royalty payments.

Payment Must be made in full before items can be removed from the premises. If buyers are unknown to us, we cannot handover purchase until payment has been cleared. Payment Methods - We accept payment by: • Cash - up to £9,000 (subject to money laundering regulations). • Cheques - we do not accept cheques. • Debit cards accepted. We do not accept any credit cards.

Live Internet Bidding Register online via www.kinghamsauctioneers.com, www.the-saleroom.com, www.invaluable.com, www.easyliveauction.com and www.liveauctioneers.com. Various charges apply, please check with your bidding platform.

Condition Bidders must satisfy themselves as to the condition of each lot. Condition reports are available on request. (no later that 48 hours before the sale).

• Bank transfer to: HSBC Bank, 32 Bridge St., Evesham, WR11 4RU Account No.: 51655345 Account Name: Kinghams Auctioneers Ltd Sort Code: 40-20-27 IBAN: GB91MIDL40202751655345 SWIFTBIC: MIDLGB22 Please note that a fee of £15 will be added for international bank payments.

MARTIN BROTHERS POTTERY 1 A Martin Brothers stoneware vase by Edwin and Walter Martin, shouldered for with applied loop handles, incised and painted with white anemone flowers in a brown ground, incised Martin Bros London & Southall, chip to top rim, 9.5cm. high.

Provenance The George Twyman Collection of Martin Ware. British Art Pottery, Woolley and Wallis, 27th November 2019, lot 111. Private collection. £100-200 2 A Martin Brothers stoneware vase by Edwin and Walter Martin, dated 1884, shouldered cylindrical form, incised with wild flowers on a textured ground, in ochre and blue on a tan ground, incised 12-84, Martin Bros London & Southall, professional restoration, 12.5cm. high Provenance British Art Pottery,Woolley and Wallis, 27th November 2019, lot 111. Private collection. £80-120 3 A Martin Brothers stoneware bird vase by Edwin and Walter Martin, flaring, shouldered form incised and painted with finches flying amongst grasses in ochre on a tan ground, incised Martin Bros London & Southall, museum restored, 9cm. high Provenance Private collection.

£100-200

4 A Martin Brothers stoneware vase by Edwin and Walter Martin, slender, shouldered form on flaring foot, incised and painted with poppy flowers in green and blue on a buff ground, indistinct incised marks, restored, 12cm. high Provenance The George Twyman Collection of Martin Ware. British Art Pottery, Woolley and Wallis, 27th November 2019, lot 111. Private collection. £80-120 5 A Martin Brothers stoneware vase by Robert Wallace Martin, shouldered form on flaring pierced foot, incised classical dragon motif inside scrolling foliage in tan on a deep umber ground, incised R W Martin London & Southall, 24cm. high

Provenance Private collection.

£200-300

6 A Martin Brothers stoneware miniature gourd ewer by Edwin and Walter Martin, incised twisted ribs glazed green and ochre on a tan ground, incised Martin Bros London, 9cm. high Provenance British Art Pottery, Woolley and Wallis, 27th November 2019, lot 184. Private collection. £80-120 7 A Martin Brothers stoneware gourd vase by Robert Wallace Martin, swollen form with modelled ribs, glazed matt blue, incised R W Martin & Bros Southall, 19.5cm. high Provenance The George Twyman Collection of Martin Ware. British Art Pottery, Woolley and Wallis, 27th November 2019, lot 143. Private collection. £100-200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

8 A Martin Brothers stoneware gourd vase by Edwin and Walter Martin, dated 1900, swollen cylindrical form with modelled vertical ribs, glazed olive green with blue highlights on an off white ground, incised 7-1900 Martin Bros London & Southall, 13cm. high. Provenance George Kingham. British Art Pottery, Woolley and Wallis, 27th November 2019, lot 25. Private collection.

£300-400

9 A Martin Brothers stoneware gourd pot by Edwin and Walter Martin, dated 1903, fluted cylindrical form with modelled and incised vertical ribs and veins, glazed green and blue on a buff ground, incised 5-1903 Martin Bros London & Southall, damages, 9.5cm. high, Provenance The George Twyman Collection of Martin Ware. British Art Pottery, Woolley and Wallis, 27th November 2019 lot 155. Private collection.

£80-120

10 A Martin Brothers stoneware gourd vase by Edwin and Walter Martin, swollen octagonal form with modelled ribs and horizontal veins, glazed ochre over tan, incised 9 X N 3, 13.5cm. high, Provenance The George Twyman Collection of Martin Ware. British Art Pottery, Woolley and Wallis, 27th November 2019, lot 142. Private collection.

£150-200

11 A tall Martin Brothers stoneware gourd vase by Robert Wallace Martin, shouldered form with modelled ribs, covered with a mottled umber metallic glaze on tan, the neck glazed blue incised R W Martin & Bros, Southall, 22cm. high Provenance Private collection.

£200-400

12 A Martin Brothers stoneware gourd vase by Robert Wallace Martin, swollen shouldered form with modelled ribs, glazed with streaked umber metallic glaze over tan, incised R W Martin & Bros, Southall, 13cm. high Provenance The George Twyman Collection of Martin Ware. British Art Pottery, Woolley and Wallis, 27th November 2019, lot 142. Private collection.

£80-120

13 A Martin Brothers stoneware gourd vase by Edwin and Walter Martin, dated 10-190, tapering, cylindrical form, with incised rib decoration, glazed blue and ochre, incised 10-190, Martin Bros London, 9cm. high Provenance The George Twyman Collection of Martin Ware. British Art Pottery, Woolley and Wallis, 27th November 2019, lot 148. Private collection.

£100-200

14 A Martin Brothers stoneware gourd vase by Edwin and Walter Martin, dated 1913, shouldered ovoid form, modelled in relief with warts, glazed blue incised 6-1913, Martin Bros, London & Southall 7cm. high Provenance The George Twyman Collection of Martin Ware. British Art Pottery, Woolley and Wallis, 27th November 2019, lot 146. Private collection.

£150-200

15 A good Martin Brothers stoneware bird jar and cover sculpture by Robert Wallace Martin, dated 1887, modelled leaning forward with a downcast gaze, his broad beak with textured feather ridge, standing on long talons gripping the domed base, on ebonised wood stand, incised R W Martin Sc, 1-1887, Southall, hairline crack to front of body, small chip to tail feathers, 30.5cm. high (2) Provenance The Harriman Judd Collection part 2, Sotheby’s New York, 6th October 2001, lot 170. AD Antiques. Private collection.

£20,000-30,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

16 A fine Martin Brothers stoneware Bird vase by Edwin and Walter Martin, dated 1893, shouldered, square section, incised to each side with a standing anthropomorphic wading bird amidst grasses and bamboo, in green, blue and ochre on a tan ground, with flaring, fluted neck, incised 11-1893 Martin Bros London & Southall, 23.5cm. high Provenance British Art Pottery, Woolley and Wallis, 3rd December 2014, lot 143. AD Antiques. Private collection.

£10,000-20,000

17 A Martin Brothers stoneware dragon jug by Robert Wallace Martin, dated 1885, shouldered form, incised and painted with classical dragons amongst scrolling foliage, in buff on a brown ground, incised 7-9-85 R W Martin & Bros London & Southall, cracked, 17.5cm. high Provenance The George Twyman Collection of Martin Ware. British Art Pottery, Woolley and Wallis, 27th November 2019, lot 92. Private collection. £80-120

17 both sides

18 A Martin Brothers stoneware jug by Robert Wallace Martin, dated 1886, incised with wild flowers in ochre on a buff ground, incised 8-1886 R W Martin & Bros London & Southall, stress hairlines to neck, 24cm. high Provenance The George Twyman Collection of Martin Ware. British Art Pottery, Woolley and Wallis, 27th November 2019, lot 92. Private collection. £120-180 18 both sides

19 A large Martin Brothers stoneware bird jardiniere by Edwin and Walter Martin, dated 1891, shouldered form, incised with grotesque birds wading and fishing amongst reeds, a flock of ducks flying in the distance, glazed green and brown, highlighted with white on a tan ground incised 11-1891 R W Martin & Bros, London & Southall, 22cm. high Provenance The George Twyman Collection of Martin Ware. British Art Pottery, Woolley and Wallis, 27th November 2019, lot 107. Private collection. £600-1,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

20 A Martin Brothers stoneware bird jar and cover by Robert Wallace Martin, dated 1884, modelled standing with wings tucked in,long tapering beak and eyes partially closed, glazed in shades of green and blue, incised R W Martin London 1884 to body, R W Martin & Brothers 6 1884 London & Southall to head, minor professional restoration to body, 35cm. high (2) Provenance Heritage Auctioneers, 2016. Private collection.

£30,000-40,000

21 A Martin Brothers stoneware Grotesque vase by Robert Wallace Martin, dated 1889, shouldered, ovoid form with collar neck, incised with Classical grotesque dragon like creatures amidst berried, flowering foliage, in ochre and white on a tan ground, incised 4-1889 R W Martin & Bros, London and Southall, stencilled number, 21.5cm. high Provenance AD Antiques. Private collection.

£2,500-3,500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

22 A rare Martin Brothers stoneware Birdman jar and cover by Robert Wallace Martin, dated 1907, modelled seated, arms clasping his leg, glazed tan with green, white and black highlights, incised R W Martin & Bros, London & Southall 14.12. 1907 to head body incised Martin Bros, minor restoration to beak, 20cm. high (2) Literature Malcolm Haslam The Martin Brothers Potters, Richard Dennis Publications, page 129 figure 197 for a comparable birdman figure. Fantasies in Clay, Martin Brothers Art Pottery (1873-1923), Blackwell, 2008, for a comparable figure. Provenance Dr Jim Wilkes. Steven Honig. The Steven Honig Collection, Sotheby’s New York. March 12th 1997 lot 318. Wonderous Beasts, Feathered Fantasies: R W Martin & Brothers, Phillips, New York, 15th December 2015, lot 22. Private collection.

£35,000-45,000

23 Ian Gregory (1942-2021) The Martin Brothers Potters, 1978 a salt-glaze stoneware invitation for Malcolm Haslam, for the preview of the Martin Brothers Potters exhibition, 1978, organised by Richard Dennis at Sotheby’s Belgravia, impressed seal mark and inscription, minor repair to pediment, 25cm. high Provenance Malcolm Haslam. Catalogue notes This brilliant invitation was designed for the ground breaking The Martin Brothers Potter’s exhibition held by Richard Dennis at Sotheby’s Belgravia in 1978. It is based on the 16 Brownlow Street shop with a bottle kiln in the distance, Ian Gregory added humour and individuality to the invites with varying products in the window, birds perched on the pediment and here a cat eyeing a resting bird from the first floor window. This example was given to Malcolm Haslam author of the book The Martin Brothers Potters book published by Richard Dennis in conjunction with the 1978 exhibition. £400-600 24 A modern stoneware tortoise jar and cover by Ben Sharp, dated 2023/24, inspired by Robert Wallace Martin and the Martin Brothers, modelled as a grotesque tortoise, glazed in ochre and green, incised Ben Sharp, London, 6.6.24 to head, 19.9.23 to body 11cm. high, 18cm long (2) £200-300 25 A modern stoneware bird jar and cover by Ben Sharp, dated 2025, inspired by Robert Wallace Martin and the Martin Brothers, the standing rotund bird with talons crossed and quizzical stare, glazed tan, and ochre, with blue highlights, on turned wood base, incised Ben Sharp London, 23.5.25, 25.5cm. high (3) £350-450

26 A modern stoneware bird jar and cover by Ben Sharp, dated 2026, inspired by Robert Wallace Martin and the Martin Brothers, the slender bird modelled standing with forward looking stare, with spread talons, short, hooked beak and long ears, glazed blue and green, highlighted with white, on turned wood base, incised Ben Sharp London, 6.1.26, 27cm. high (3) £450-550

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

DOULTON WARE

27 A Doulton Lambeth Going to the Derby stoneware frog group menu holder by George Tinworth, modelled as three frogs sitting in a carriage driven by a small riding a mouse, before a road sign inscribed Epsom, the base inscribed Going to the Derby, glazed in colours, impressed Doulton Lambeth mark and GT monogram, minor firing flaws to base of sign, 15.5cm. wide, 10.5cm. high Literature Peter Rose, George Tinworth - The Harriman-Judd Collection, CDN Corporation,page 131 plate 120 this example illustrated. £2,000-3,000

reverse

29 other side 30

28 A Doulton Lambeth stoneware jardiniere, hexagonal, tapering section, modelled in relief with alternate panels of birds and flowers, in tan, blue and green on an ochre ground, unmarked, damages, 17cm. high £80-120 29 A large Doulton Lambeth stoneware jardiniere and saucer by Florence Barlow, the cylindrical jardiniere pate sur pate decorated with finches flying and perched on foliate boughs, with carved foliate panels inside applied beadwork border, in green, blue and white on a buff ground, the saucer with a frieze of stiffleaf decoration, impressed Doulton Lambeth marks 1880 to jardiniere and 1881 to saucer, incised FEB mark to side of jardinere, fine stress hairline to base, 24.5cm. high (jardiniere) 30cm diam. (saucer), (2) £300-500 30 A Doulton Faience pottery vase, ovoid with flaring neck, painted with flowers and foliage in colours on a graduated ground, impressed factory mark, painted EDH monogram, 28.5cm. high £80-120 31 A rare Royal Doulton Titanium Ware Barn Owl vase Harry Allen, cylindrical form, painted with a Barn owl perched on a tree bough above a string of five caught mice, in colours on a graduated blue to grey ground, printed factory mark, painted title and signature, small glaze chip to top rim, 26cm. high Provenance Arts and Crafts, Woolley and Wallis, 20th June 2018 lot 100. Literature Doulton Ware Lambeth Art Pottery Part II, Richard Dennis Gallery, 1975, catalogue number 422 for a comparable vase decorated by Harry Allen with owls. £500-1,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

32 Henry Stacy Marks RA (1829-1898) The Painting Lesson watercolour on paper, depicting a medieval artist painting large vase with flamingos, as a young boy watches on, the studio with a flamingo, pelican and stork, framed, and a Diploma of Merit from Messrs Howell & James signed by Henry Stacy Marks, signed lower right H S M 32 x 20.5cm (image) Provenance The Collection of Richard Dennis.

£300-500

33 A large Brown Westhead and Moore Aesthetic Movement charger in the manner of William S Coleman, painted with a young woman holding a pipe with a bubble above a young baby, in an Aesthetic interior, in colours, inside laurel border, impressed factory marks, painted T Brooke 11 signature, stress hairlines and old repair to rim, 62cm. diam. £150-200

34 A William Ault pottery vase, ovoid with waisted cylindrical neck, printed and painted with a band of foliage and scroll panels, in ochre, tan and green on a graduated yellow and red ground, impressed William Ault signature, England, 31.5cm. high £150-250

35 An unusual Royal Worcester Aesthetic Movement vase, disc form on four scroll feet, the body pierced with a Japoniste roundel of a monkey perched in a prunus tree, the reverse with blossom sprays, unmarked, professional restoration to feet, 17cm. high £150-200

37 38

36 Christine Gregory (active 1910-1946) Standing Priest, 1932 pottery covered in a ochre and blue glaze, incised Christine Gregory 1932 to base, professional restoration, 18.5cm. high Catalogue notes A British sculptor and potter, among the first women elected as a member of the Royal Society of British Sculptors. She was nominated for membership by Francis Derwent Wood in 1922. Christine exhibited at the Arts and Crafts Society, the Royal Academy and the International Society of Sculptures, Painters and Gravers. She was a close friend of the sculptor Flora Kendrick (later Shipp). £100-150

37 Irene Mary Browne (1881-1977) Hagar in Oriental Costume porcelain, a rare Fulham figure group, modelled with Ishmael,a young child, and Hagar in embrace, glazed in colours incised Irene Brown to base 19.5cm. high Literature Ceramic Collection and Archive, Aberystwyth University, catalogue number C460 for a comparable figure, purchased from the British Institute of Industrial Art, 1922. £300-500

38 A Della Robbia Pottery plaque, rectangular, cast in low relief with a cherub holding two Art Nouveau tulip flower stems, in colours on a white, incised and painted numbers, factory mark missing, 40.5 x 17.5cm. £200-300 39 A Cantagalli Pottery Renaissance vase with applied snake handles, the swollen body painted with portrait cartouche inside wreath border, on a ground of musical instrument and classical motif, in colours, painted factory mark, 33cm. high £150-200 40 A large and impressive Aesthetic Movement Bretby Pottery spill vase, modelled as a monkey seated, clasping three tall bamboo stems, glaze green impressed factory marks, restored toes, 43cm. high £150-200 41 A large Wardle Pottery jardiniere, shouldered ovoid form, cast in relief with fruit swags and classical Bacchanalian masks, between stylised foliage bands, in turquoise on a white ground, impressed factory marks, hairline to top rim, 39.5cm. high £150-200 42 An unusual Wedgwood Pottery bowl probably by Frances Ramsey, dated 1913, painted to the well with foliate sprays, small yellow flowers and blue berries, the rim a geometric border, in blue, green and yellow, impressed Wedgwood mark, painted 31.1.13 date and FR monogram, 21cm. diam. Catalogue notes Frances Ramsey (1859-1928) was best known for her paintings and jewellery, the jewellery she exhibited at the Arts and Crafts Exhibition Society in 1916. It is suggested that Frances and her sister Violet probably knew Alfred and Louise Powell and they might well have given them ceramic painting lessons £80-120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

43 A Ruskin Pottery high-fired stoneware jug by William Howson Taylor, dated1933, ovoid form with open mouth and strap handle, densely speckled in green oxide splashes over purple streaked sang de boeuf flambe ground, impressed factory marks, 19cm high Provenance The Nick Rocke Collection of British Art Pottery, Woolley and Wallis, 25th February 2015, lot 174. £400-600 44 A Ruskin Pottery vase by William Howson Taylor, dated 1915, compressed form with cylindrical neck, covered in a white glaze under translucent lavender and streaked glaze to the shoulder, impressed factory marks, hairline to top rim, 15cm. high £150-200 45 A Ruskin Pottery Pottery high-fired stoneware miniature vase by William Howson Taylor, slender ovoid form with tapered shoulders, sang de boeuf over dove grey flambe, impressed factory mark, 3.8cm high £100-200 46 A good Ruskin Pottery high-fired stoneware carafe vase by William Howson Taylor, dated 1933, covered in a flambe and sang de boeuf glaze with white, silver-grey, turquoise and lavender patches, impressed factory marks, 23cm. high £1,500-2,000 47 A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1905, shouldered Mei ping form, blue speckled ochre ground with thick green fruit skin glazes, lilac flame curtain with burnt oxide splashes, impressed factory marks, 15cm high

47A

Catalogue notes A similar vase in the same glaze was sold in these rooms in October 2025, lot 632 £600-800 47A A Ruskin Pottery high-fired stoneware inkwell by William Howson Taylor, circular section with silver plated rotating mount and cover, curdled yellow over ochre with blue flambe, impressed factory mark, 9cm diameter £200-400 48 A Ruskin Pottery high fired stoneware vase stand by William Howson Taylor, four tall bracket legs with curled feet, green oxide speckled lilac and sang de boeuf flambe over dove grey and ochre, impressed marks, the inner ring 9cm diameter, 6.5cm high Provenance The Albert E Wade Collection, part II, Sotheby's 8th November 2002, lot 470 (part). £200-400

WILLIAM DE MORGAN 49 A large John Pearson pottery Galleon bowl, flaring conical form, painted with a manned ship at sail on a calm sea, three leaping fish to the foreground, in blue, green and silver lustre, outlined in black, the exterior foliage band, painted JP monogram, cracked, 29cm. diam, 11.5cm high £300-500 50 A William De Morgan Persian vase, slender, shouldered ovoid form, painted with panels of flowers and Iznik foliage in turquoise, blue, green and aubergine on a white ground, the neck with a simple floral frieze, unmarked, chips, 16.5cm. high £200-300 51 A William De Morgan twin-handled Persian vase by Fred Passenger, slender, shouldered form on domed foot, applied with twin-strap handles, painted with Iznik flowers and foliage in shades of blue, turquoise and aubergine on a cream ground, painted FP monogram, professional restoration, 31.5cm. high £1,000-1,500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

52 A William De Morgan Pottery lustre charger by Fred Passenger, painted to the well with a vase decorated with a shoal of scaly small fish, the rim a band of foliage, in ruby lustre on a white ground, the reverse with a band of stylised leaves, painted FP, restored, 36cm. diam. Provenance Private collection.

£1,500-2,000

53 A William De Morgan Persian vase painted by Edward Porter, shouldered, ovoid form with knopped neck, painted with stylised flower panels inside foliate borders in shades of blue, turquoise and white, outlined in black, the neck with a band of stylised tulip flower stems, impressed tulip mark, painted EP monogram, professional restoration, 24cm. high £2,000-3,000

54 A William De Morgan Fulham Sunflower tile, painted with a large flower and foliage in ruby lustre on a white ground, painted William De Morgan & Co Fulham London, chipped edge, 15 x 14.5cm.

Literature Jon Catleugh William De Morgan Tiles, Richard Dennis, page 63 fig.51 for a comparable tile illustrated. £200-400 55 A William De Morgan Fulham Sunflower tile, painted with a large flower and foliage in ruby lustre on a white ground, painted William De Morgan & Co Fulham London, 15 x 15cm. Literature Jon Catleugh William De Morgan Tiles, Richard Dennis, page 63 fig.51 for a comparable tile illustrated. £200-400

56 A William De Morgan Merton Abbey Period Carnations tile, painted with two flower stems in blue and green on a white ground, impressed factory mark, chips to corners, 15.5cm. square £150-200 57 A William De Morgan Sand’s End Pottery Tudor Rose tile, dust pressed, glazed in green on a blue ground, and a William De Morgan Tulip and Trellis tile on a Poole Architectural blank, impressed factory marks, Tudor Rose re-stuck, 15cm. square (2) £100-200

58 Three William De Morgan Sands End Pottery tiles, from a panel, painted with fruiting tree boughs and foliage, in green, ochre and yellow on a pale blue ground, impressed factory mark, minor glaze chips, cement to back, 15.6cm square (3) £300-500 59 Six William De Morgan Persian tiles, each painted with flowers and foliage in green on a white ground, impressed DM 98 mark, minor glaze loss, 15.5cm square (6) Provenance Private collection.

£300-500

60 A William De Morgan Sand’s End Pottery Persian twelve tile panel, the large eight-inch tiles painted with flowers and foliage in green on a white ground, impressed factory mark, minor glaze loss, 20.5cm. square (each tile), (12) Provenance Private collection.

£800-1,200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

61 A fine William De Morgan large Persian Ornate Bird Catching Fish two tile panel, painted with a heron with a small fish in its beak, standing on a river bank watching a stream of larger fish swimming past, in colours, framed, marks concealed, stress firing hairline to bottom tile, 41 x 20.5cm Provenance Private collection. Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis publications, page 145 catalogue number 862 for a related single tile panel of Ornate bird catching fish. The John Scott Tile Collection, Pitkin Publishing, Jackfield Tile Museum, page 309 for another example of this two tile panel illustrated. £5,000-10,000

62 A William De Morgan Marlborough eight large tile panel, painted in shades of aubergine, green and blue, framed unmarked, 20cm square tiles, 89 x 48.5cm (panel) Provenance The Rita Smythe collection. Literature Martin Greenwood, The Designs of William De Morgan, Richard Dennis, page 148 catalogue number 690-691 for the original drawing. £2,000-3,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

WILLIAM MORRIS TILES

63 A rare Morris Marshall Faulkner & Co Medea three tile panel designed by Sir Edward Coley Burne-Jones, from The Legend of Good Women by Geoffrey Chaucer, painted standing holding a round pot, a sprig of foliage in her other hand, painted in colours framed, frame back stamped Morris & Co, exhibition and collection paper labels, top tile broken, minor rim chips,15cm square (tiles), 49.5 x 19.5cm. Provenance Mrs Lucius Gubbins, after 1934 Private collection. British Art Pottery, Woolley and Wallis, 28th November 2012 lot 126. Richard and Hilary Myers. Literature Richard and Hilary Myers, William Morris Tiles, Richard Dennis Publications, page 90 figure 34b this actual panel illustrated. Exhibited Morris Centenary Exhibition Victoria & Albert Museum, London 1934. Morris & Company Tiles, exhibition at William Morris Gallery, 14th September 1996 - 5th January 1997, exhibit no. 80. Morris & Company Tiles, Court Barn, 2015. Catalogue notes This design is closely based upon the painting Morgan Le Fay painted by Burne-Jones in 1862 now in the Cecil French Bequest Gallery Collection of the London Borough of Hammersmith and Fulham. The pot, in the Le Fay painting contains a magic potion - here on the tile design it probably contains the poison Medea will spread on Glauce’s golden robes. £6,000-10,000 63

64 A rare Morris Marshall Faulkner & Co Lucretia three tile panel designed by Sir Edward Coley Burne-Jones, from The Legend of Good Women by Geoffrey Chaucer, painted standing holding a sword, painted in colours framed, frame back stamped Morris & Co, exhibition and collection paper labels, top tile restored, minor rim chips,15cm square (tiles), 49.5 x 19.5cm. Provenance Mrs Lucius Gubbins, after 1934 Private collection. British Art Pottery, Woolley and Wallis, 28th November 2012 lot 127. Richard and Hilary Myers. Literature Richard and Hilary Myers, William Morris Tiles, Richard Dennis Publications, page 90 figure 34a this actual panel illustrated. Exhibited Morris Centenary Exhibition Victoria & Albert Museum, London 1934. Morris & Company Tiles, exhibition at William Morris Gallery, 14th September 1996 - 5th January 1997, exhibit no. 80. Morris & Company Tiles, Court Barn, 2015. Catalogue notes Lucretia, whose rape and suicide led to the establishment of the Roman Republic, also appears in Burne-Jones’s studies for Chaucer’s Legend of Good Women. Six of these became stained glass windows for the Combination Room, Peterhouse College, Cambridge. Burne-Jones’s designs were also reproduced in designs for embroidery and as a series of two tile panels. These three tile Morris & Co tile panels are rare with only five known to exist. Etta May Gubbins (1871-1955) who purchased these tiles after the 1934 exhibition, was a New Zealander who had settled in Eastbourne with her Husband Lucius Gubbins after the First World War. She became a considerable patron of Morris & Co. £6,000-10,000 64

TILES 65 A Copeland tile in the manner of William Morris, painted in blue with a scrolling, berried foliage design on blue and white squared ground, impressed Copeland, minor chips, 15.5cm. square

Provenance Richard & Hilary Myers.

£80-120

66 Two Minton Hollins & Co large Aesop’s Fables tiles, probably after Walter Jenks Morgan, printed in colours, one with a dog admiring his reflection on a narrow wooden bridge over a river, in a Medieval garden, the other a wolf and the lamb on a river bank, after an illustration by Walter J Morgan, impressed factory marks, Dog tile repaired, 20.5cm. square (2) £80-120 67 A set of Minton Hollins & Co Seasons tiles, each screen printed in terracotta and yellow, impressed factory marks, Spring repaired, 10cm square (4) £200-300 67

68 A set of twelve Minton Hollins & Co Zodiac tiles, each screen printed with a star sign roundel in terracotta and yellow on a white ground, impressed factory marks, damages to Leo, Capricorn and Sagittarius tiles, 10cm square (12) £300-500 69 Five Aesthetic Movement Minton Hollins & Co Months tiles, each printed and painted with classical figures representing the month, comprising January and February, March and April, May and June, July and August, and November and December, impressed factory marks, chips, 15.3 x 15.3cm square (5) £50-100

70 A Pilkington’s Lancastrian Pottery tile in the manner of Lewis F Day, cast in low relief with an Art Nouveau flower and foliage, in colours on a turquoise ground, a J C E ruby lustre tile, three Minton Art Nouveau tiles, and ten other Art Nouveau tiles, impressed P mark, chips, 15.3cm square (15) £100-200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

71 A J & J Wade Flaxman Tile Works Art Nouveau tile possibly designed by Eleanor Fortesque Brickdale, slip trail decorated with an Art Nouveau maiden, glazed umber, impressed factory marks, 15.3cm. square Literature Fired Earth 1000 Years of Tiles in Europe, TACS/Richard Dennis, page 129 catalogue number 410 for two comparable tiles, one based on Chance a watercolour by Eleanor Fortesque Brickdale, reproduced in The Studio Volume 23, 1909. £100-200 72 A J C Edwards Devil tile stand designed by Charles Francis Annesley Voysey, decorated in low relief with a stylised Devil figure, glazed green, impressed factory marks, minor glaze loss, 16cm. square

Literature Karen Livingstone, CFA Voysey Arts and Crafts Designer, V&A Publications, page 283 catalogue number 368 and 369 for two comparable examples illustrated. £150-200 73 An Aesthetic Movement tile mirror, comprising seven tiles painted en grisaille with medieval pursuits, probably Copeland, in pale green, inside De Morgan blue spacer tiles, in ebonised wood frame, marks concealed, 77.5 x 73.5cm. £400-600 74 A Carter’s Poole Pottery Farmyard Series four tile panel designed by E E Strickland, pattern FY2, printed in colours with a Windmill on a hill top, another Carter’s Farmyard Series tile panel decorated with two haystacks (FY5), and another with a turkey standing in a farmyard setting, impressed Carter’s marks, painted design numbers, 31cm square (panel) (12). Literature Leslie Hayward & Paul Atterbury Poole Pottery Richard Dennis Publications, page 169 for the Farmyard Series illustrated as individual tiles. £200-400 75 A pair of tubelined Nursery tiles designed by Charlotte Rhead, each decorated with Dutch children in a landscape, glazed in colours framed 15.5cm square (tile), (2) £300-500

76 Three H R Johnson Tropical Fish tiles, screen printed in red and white and yellow and white fish on a sky blue ground, two H R Johnson Op Art tiles and two other tiles, impressed factory marks, minor rim chips, 15.3cm square (7) Provenance Private collection.

£80-120

74 part

76 part

THE MIKE HIGGINS COLLECTION OF DELLA ROBBIA POTTERY (PART 2) 77 A Della Robbia Pottery Water Bottle vase by William Warwick and probably Edward Turri, ovoid with cylindrical neck, incised with a cartouche of glass jar containing a bunch of grapes, incised Fin Che Si Rompa (until it breaks), in purple, green, blue and yellow, incised factory mark, date 1896, T and W with four dots monograms, 18cm. high Literature Peter Hyland The Della Robbia Pottery Birkenhead, ACC Books, page 218 figure 237 this actual vase illustrated. £100-200 78 A rare Art Nouveau Della Robbia Pottery jar and cover by Ruth Bare, dated 1898, cylindrical form, incised with bands of hearts on a textured ground, in red and green on a sand yellow ground, incised factory mark, date and RB monogram, restored cover, 17.5cm. high (2) £150-250

77 both sides

79 A Della Robbia Pottery vase and cover, dated 1902, shape no.144, shouldered form with domed cover, incised and painted with stylised Art Nouveau fish with long flowing tails, in turquoise, green and yellow, incised factory mark, 1902 date and EJ monogram, painted GS monogram, restored cover, 20.5cm. high (2) £200-300 80 A Della Robbia Pottery tazza by Charles Collis and Tom Hall, incised and painted with dog rose to the interior, the exterior banded, in turquoise, sand, green and red, incised factory mark, C and painted TH monogram, professional overpainting to bands, 18.5cm. diam. £100-200

81 A Della Robbia Pottery bowl by John Fogo, incised with a simple star motif to the well, the rim a geometric frieze, in shades of green, yellow and red, incised factory mark, JF monogram, 19cm. diam. £60-100

side view 81

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

82 A rare Della Robbia Pottery Holy Water Font by Liz Wilkins, Irish Clay, modelled as a a Celtic Cross, glazed yellow and green on a turquoise ground, painted factory mark, B’Head and LW monogram, 17.5cm. high Literature Peter Hyland The Della Robbia Pottery Birkenhead, ACC Books, page 78 for the contemporary illustration of three comparable fonts in the Liverpool Mercury, 11th October 1894. £200-300

83 A Della Robbia Pottery by John Cecil Shirley and Alice Louisa Jones, dated 1905, painted with a parading peacock to the well, the rim a frieze of a pair of peacocks on vine boughs, in chore, green, blue and yellow, incised marks, 1905 and Shirley, painted LJ monogram, 40.5cm. diam. £500-800

84 A large Della Robbia Pottery wall charger by Charles Collis and Tom Hall, circa 1894, with raised central boss, incised and painted with radiating Art Nouveau flower stems and entwined foliage, in yellow, pink, green and turquoise, incised factory mark, C G94, and painted TH monogram, minor glaze frits to rim, 49.5cm. diam. £800-1,200 84

85 A Della Robbia Pottery Tall Water Vase by Annie Smith, dated 1897, incised and painted with foliage boughs in shades of green and ochre on a cream ground incised factory mark and date, painted AS monogram, restored handle, 29cm. high £200-300 86 A Della Robbia Pottery Egyptian Revival Tall Water Vase by Arthur Bells, shouldered cylindrical form, the neck incised with an Egyptian portrait, the body with bands of scrolling foliage, a stylised winged scarab Hieroglyph to the base of the handle, in green, blue and cream on a terracotta ground, incised factory mark, AEB monogram, restored 28.5cm. high £200-300 87 A Della Robbia Pottery ewer by Liz Wilkins, dated 1896, incised and painted with a simple frieze of foliage stems, between bands of trefoil flowers in green, red and yellow, incised and painted factory mark, 1896 date and monogram, minor restoration to spout,16.5cm. high £150-200 85

88 A Della Robbia Pottery Princess of Wales Water Bottle by Arthur Bells, shouldered form, incised with panels of peacock feather, in green on a terracotta ground, incised factory mark and AEB monogram, 19cm. high £200-300 89 A Della Robbia Pottery vase by Charles Collis and Tom Hall, waisted cylindrical form, incised with bands of ivy leaf in green and ochre on a pale blue ground, incised factory mark, C and 229, painted TH monogram, minor glaze loss to top rim, 12.5cm. high £120-180 90 A Della Robbia Pottery vase by Tom Hall, waisted cylindrical form, incised and painted with Art Nouveau flower stems in green, yellow and ochre, incised factory mark, TH monogram, minor glaze loss to top rim, 12.5cm. high £120-180

91 A Della Robbia Pottery shouldered bowl, dated 1895, compressed form incised and painted with stylised flower panels in red, green, aubergine and turquoise on a terracotta ground and a Carlo Manzoni vase dated 1897, incised factory mark 1895 date and possible Lizzie signature, 15cm. diam (2) £120-180

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

92 both sides 93

92 A Della Robbia Pottery vase by Charles Collis and probably May Furniss, dated 1905, ovoid, incised with Art Nouveau wild roses, inscribed Gather Ye Rosebuds While You May, glazed in red, yellow, ochre and green incised factory mark and C, painted 05 and MF monogram, restored, 9.5cm. high £150-200

93 A Della Robbia Pottery vase by Enid Woodhouse, ovoid with knopped cylindrical neck, painted with panels of yellow wild flowers, inside Persian arch flanked by leaves, in ochre, yellow, turquoise and green on a white ground, incised factory mark and Enid signature, 22cm. high £150-200

94 A Della Robbia Pottery vase by Cassandra Annie Walker, dated 1898, shouldered form with flaring neck and three applied handles, incised with panels of Art Nouveau flowers and foliage in green, yellow turquoise and blue, incised factory mark, 1898 date and CAW monogram, 20cm. high £300-400

95 A Della Robbia Pottery vase and cover by Ruth Bare, shouldered ovoid form with flaring cylindrical neck and domed cover, incised with stylised flowers in blue, pink and purple, outlined in green on a deep purple ground, the neck incised il suo tempo ogni cosa ha (everything has its time), incised factory mark, RB monogram and 28, 23cm. high £300-400

96 An early Della Robbia Pottery vase by Harry Fletcher, dated 1895, ovoid with moulded twin-handles, incised and painted with flowers in yellow, blue and green on a turquoise ground, incised factory mark and F, painted 1895 date and CO mark, 10cm. high Catalogue notes This early vase has an unusual version of the painted Della Robbia galleon mark. £100-200 96

97 A Della Robbia Pottery twin-handled vase by Harry Fletcher, dated 1901, incised and painted with bands of scrolling foliage in green, yellow and ochre, incised factory mark, date and F and EJ monogram, minor glaze loss to handle, 11.5cm. high £100-200

98 A Della Robbia Pottery pot and cover by Liz Wilkins and Annie Davis, the swollen pot and cover incised and painted with a stylised lotus flower in blue, yellow and green on a incised ground, between holly leaf and berry panels, incised factory mark ADs monogram, painted LW monogram, minor glaze frit to topm rim, 10cm. high (2) £150-200 99 A Della Robbia Pottery vase by Hannah Jones, shouldered form painted with stylised wild roses in pink, green and turquoise on a white ground, incised factory mark, 19 and painted HJ monogram, small glaze chip to top rim, 9cm. high £100-200 100 A Della Robbia Pottery bottle vase by Annie Jones and Willie Williams, incised and painted with panels of stylised foliage and berries to body and neck, in turquoise, green, blue and yellow incised mark, W and painted AJ monogram, fine hairline to top rim, 22cm. high £150-200

100

101

101 A Della Robbia Pottery vase by Charles Collis and Emily Margaret Wood, shouldered ovoid body with flaring neck, incised with a band of foliage between geometric borders, the top rim with similar foliate frieze in turquoise and blue incised factory mark, 407 and C monogram, painted EMW monogram, minor glaze nicks to top rim, 20cm. high £150-200 102 A large Della Robbia Pottery jardiniere by Liz Wilkins, dated 1900, shouldered form, incised and painted with a band of scrolling thistle flowers, between bands of stylised flower stems, in yellow, green and turquoise on a ochre ground, painted factory mark, LW and unattributed monogram, dated 1900, 24.5cm. high £600-800

102

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

103

104

103 A Della Robbia Pottery Albarello vase by Charles Collis, incised and painted with stylised flowers and foliage in ochre and pale green on a streaked green ground, incised factory mark, C monogram and indistinct painted monogram, 19cm. high £200-300

105

104 A large Della Robbia Pottery Cantagalli twin-handled vase by Cassandra Annie Walker, dated 1904, ovoid with applied dolphin handles, painted with Art Nouveau flower stems in yellow, green, turquoise and mushroom, incised factory mark, painted CAW monogram and 1904, one handle restored, 32.5cm.high £500-800

105 A large Della Robbia Pottery Cantagalli twin-handled vase by Charles Collis and Harry Fletcher, ovoid, with applied twin dolphin handles, incised and painted with Art Nouveau tulip flower roundels, with Tudor rose flowers in shades of blue, turquoise, red, yellow and ochre, incised factory mark, and CC mark, scratched 1897 date, and F monogram, handles restored, 32cm. high £800-1,200

106 A Della Robbia Pottery Large Algerian twin-handled vase by Annie Davis and JS, incised and painted with scrolling bands of clover leaf, in turquoise, green and yellow on a blue ground, incised factory mark, JS monogram, painted AD monogram, minor glaze nicks, 38.5cm. high £400-600

106

107 A Della Robbia Pottery Albarello vase by Annie Davis and possibly Jessie Sinclair, incised and paintyed with geometric panels in blue, turquoise and green on a terracotta ground, incised factory mark, JS monogram, painted AD monogram, restored top rim, 21cm. high £200-300

108 A Della Robbia Pottery twin-handled vase by Hannah Jones, incised with panels of foliage in green, yellow and ochre, painted HJ monogram, hairline to top rim, 27.5cm high £250-350 107 108

109 A Della Robbia Pottery single-handled vase by Violet Woodhouse, shouldered, ovoid form, incised and painted with flowers stems, in yellow, green, turquoise and ochre on a cream ground, incised factory mark, painted Violet, 23cm. high £150-200

110 A Della Robbia Pottery solifleur vase by Arthur Bells, the ovoid body incised with panels of foliage in green, ochre and cream, incised factory mark and AEB monogram, 19cm. high £100-120

110 109

111 A Della Robbia Pottery Irish vase by Harry Fletcher and EFF, shouldered form, incised with overlapping scales, in pink and green incised factory mark, F and Irish, painted EFF monogram, 17cm. high Catalogue notes The incised inscription Irish refers to the body material being from a batch of clay imported from Ireland in 1902. £120-180

112 A Della Robbia Pottery twin-handled vase by Liz Wilkins and Jessie Sinclair, shouldered form with applied scroll handles, incised and painted with panels of oak leaves and acorns, in green blue and ochre on a tan ground, impressed factory marks, JS monogram and 549, painted LJ monogram, 31cm. high Literature Peter Hyland The Della Robbia Pottery Birkenhead 1894-1906, ACC Books, page 161 figure 171 for a comparable vase illustrated. £250-350

111 112

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

113

114 both sides

115

113 A Della Robbia Pottery Dutch vase by Arthur E Bells, shouldered form, painted with a band of swans swimming, in ochre, blue and green on a cream ground, incised factory mark, AEB monogram and painted green monogram, 12.5cm. high £200-300

114 A Della Robbia Pottery twin-handled Moorish vase by Annie Smith, painted with a cockatoo and parrots perched on a branch, below a flock of swallows flying, in colours incised Factory mark, 1896, S and painted AS monogram, pontil chips to base rim, 23.5cm. high Literature Peter Hyland, The Della Robbia Pottery, Birkenhead, ACC Books, page 215 figure 232 this actual vase illustrated. £300-500

115 A Della Robbia Pottery twin-handled vase by Harry Fletcher, tapering ovoid form with applied twin dragon handles, incised and painted with panels of flowers and foliage in yellow, turquoise and blue incised factory mark, 478 and F monogram, 25cm. high £200-300

116 A rare Della Robbia Pottery Lizard vase possibly by George Warhurst and ELL, the bottle form applied with two modelled lizards, incised and painted with Art Nouveau Flag Iris, a moth perched on the tip of one leaf, in yellow, green and turquoise, incised factory mark, ELL 778 and painted GW monogram, minor professional restoration to top rim and one lizard, 39cm. high £1,000-1,500

116

117 A Della Robbia Pottery altar vase by Liz Wilkins, dated 1901, footed form, incised and painted with a large palmette inscribed IHS, christogram, inside stems of foliage, in blue and yellow on a turquoise ground, impressed factory mark and 1901 date, painted LW monogram, 22.5cm. high £120-180

118 A Della Robbia Pottery vase by Annie Smith, dated 1896, shouldered form with swollen cylindrical neck, incised with simple foliate, flame motif, circles and scrolls, in red and yellow under a green glaze, incised factory mark, 1896 date and AS monogram, minor glaze frits, 17.5cm. high £80-120 117

118

119 A Della Robbia Pottery vase by Charles Collis, ovoid with tapering cylindrical neck and knopped rim, incised and painted with Art Nouveau flower stems in yellow and green on a turquoise ground, incised factory mark, C and 573, restored neck, 34cm. high £250-300

120 Ellen Mary Rope (1855-1934) Sunrise Greetings, 1903 a painted plaster plaque, in oak frame signed E M Rope, dated 1903, 31 x 9.5cm (panel) Provenance Design Since 1860, Lyon & Turnbull, 31st October 2018 lot 125. £300-500

119

120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

121 A Della Robbia Pottery plaque by Marian de Caluwé, modelled in low relief with a resting child, glazed yellow and blue on a white ground, framed painted mark, MdeC and 14, museum restored, 43 x 16.5cm. (plaque) Provenance Arts and Crafts, Woolley and Wallis, 6th October 2020, lot 92. £200-400 122 A Della Robbia Pottery vase by Aphra Peirce, baluster form, incised and painted with cherubs flying in a cloudy sky, between bands of entwined rose flowers, in colours incised factory mark, D and AJP monogram, professional restoration, 16.5cm. high £300-500 123 A Della Robbia Pottery vase by Charles Collis and Hannah Jones, ovid with tapering, knopped neck, incised with lily flower stems in white, yellow and green on a turquoise ground, below a band of Art Nouveau foliate Mon, incised factory mark, C and 735, painted HJ monogram, 34cm. high £300-500

122

124 A Della Robbia Pottery vase by Charles Collis and Alice Jones, ovoid with tall waisted cylindrical neck, incised and painted with grape vine and bunches of grapes to the body with tall stylised leaves to the neck, in green, blue, turquoise and yellow, incised factory mark, C and 293, painted AJ monogram, minor glaze chips to foot rim, 32.5cm. high £300-500 125 Olive Cambridge Harbutt (1878-1965) The Winged Steeds of Time, 1913 plaster panel, framed signed Olive C Harbutt,1913 91 x 41cm (panel)

121

Catalogue notes Olive Cambridge Harbutt’s father William was credited for the invention of plasticine in 1895 and her mother was an accomplished portrait miniaturist (she was commissioned by Queen Victoria to paint portraits of herself and the late Prince Albert). £300-500 123

125

124

PILKINGTON’S LANCASTRIAN POTTERY 126 A Pilkington’s Lancastrian Pottery baluster vase by William S Mycock, dated 1910, painted with wild roses, in red and golden lustre on a blue ground, impressed factory marks, painted artist monogram and date code, stress crack, 25.5cm. high Provenance Private collection of Pilkington’s Lancastrian Pottery. £200-400 127 A Pilkington’s Royal Lancastrian vase by Richard Joyce, bottle form, painted with a knight on horseback in armour, holding a lance, the reverse with a heraldic shield, in gold and red lustre on a dark blue ground, impressed factory marks, painted artist cipher, 24cm. high Provenance Private collection of Pilkington’s Lancastrian Pottery. £300-500

126

128 A Pilkington’s Lancastrian bowl by Richard Joyce, painted to the well with a medieval knight on horseback, on scrolling foliate ground, in golden lustre on a red ground, painted artist cipher, professional restoration to top rim, 22cm. diam. Provenance Private collection of Pilkington’s Lancastrian Pottery. £120-180

127

129 A Pilkington’s Lancastrian Pottery vase, shape no.2801, dated 1909, shouldered form with flaring neck, the body modelled in low relief with shields, glazed in gold lustre on a red ground, the interior glazed gold, and another Pilkington’s Lancastrian Pottery twin-handled vase, shape no.2805, covered in a flambe glaze, impressed factory marks, main vase hairline to top rim, second vase restored neck, 12cm. high (2) Provenance The Nick Rocke Collection of British Art Pottery, Woolley and Wallis, 25th February 2015, lot 222 (main vase). Private collection of Pilkington’s Lancastrian Pottery. £120-180 130 An unusual Pilkington’s Lancastrian ‘Soap Bubble’ vase and cover, shape no.2642, covered in a running, curdled red glaze over orange, impressed marks, hairline to cover and glaze loss to vase, 29cm. high Provenance British Art Pottery, Woolley and Wallis, 25th November 2015, lot 182. Private collection of Pilkington’s Lancastrian Pottery. Literature The Nick Rocke Collection of British Art Pottery, Woolley and Wallis 25th February 2015, lot 189 for vases with a similar experimental glaze. £250-300

128

131 A Pilkington’s Lancastrian pottery urn by William S Mycock, dated 1912, modelled in relief with four lion mask handles to the shoulder, painted with swags and geometric borders in ruby and gold lustre on a cream ground, impressed factory mark, painted artist cipher and date code, professionally restored foot, 28cm. high Provenance Private collection of Pilkington’s Lancastrian Pottery. £300-500

129

132 A Pilkington’s Lancastrian Pottery small pedestal bowl by Gladys Rogers, shape no.3157, painted to the interior with radiating branches with dots in dark bronze on a blue ground, the exterior glazed blue, another pedestal bowl by Gladys Rogers, and a Pilkington’s ruby lustre bowl and vase, impressed factory mark, painted artist cipher, minor damages, 9cm. diam. (4) Provenance Private collection of Pilkington’s Lancastrian Pottery. £150-200

130

131

132

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

133 A Pilkington’s Lancastrian solifleur vase by Richard Joyce, dated 1913, ovoid with tapering, cylindrical neck, painted with a frieze of stags running through a wooded landscape, the neck with a band of slender trees in golden lustre on a midnight blue ground with ruby highlights, impressed factory mark, painted artist monogram and date code for 1913, 22.5cm. high Literature Anthony Cross Pilkington’s Royal Lancastrian Pottery and Tiles, Richard Dennis Publications, page 61 plate XXXVI for three comparable vases by Joyce painted with similar deer and stags. £400-600

133

134

134 A Pilkington’s Lancastrian Pottery vase by Richard Joyce, dated 1912, shouldered, cylindrical form with flaring rim, painted with birds perched on a flowering bough, in gold lustre on a deep red ground, impressed factory mark, painted artist monogram and date code, 23cm. high Provenance Private collection of Pilkington’s Lancastrian Pottery. £250-350

135 A Pilkington’s Royal Lancastrian vase by Richard Joyce, dated 1918, shouldered, cylindrical form with short neck, painted with a frieze of stags standing between slender trees in golden lustre on an orange/yellow ground, between bands of flowers and scroll, impressed factory mark, painted artist monogram and date code, 23.5cm. high

135

Provenance Private collection of Pilkington’s Lancastrian Pottery. £250-350

136 A Pilkington’s Royal Lancastrian heraldic lustre vase by William S Mycock, dated 1923, twin handled moonflask form on rectangular foot, painted coats of arms to each side, shields of fleur de lys and lion rampant, below foliated helmets and crests, inside borders, bronze and red lustre on a blue ground, impressed factory mark, painted artist monogam and and date, 27cm high Provenance Fine and Decorative Arts, Kingham’s Auctioneers, 3rd March 2022, lot 994. Private collection of Pilkington’s Lancastrian Pottery. £1,000-2,000

136 both sides

MOORCROFT POTTERY 137 A Moorcroft Pottery Florian Ware solifleur vase designed by William Moorcroft, compressed form with swollen cylindrical neck, tubeline decorated with scrolling flower motif in blue on a pale blue ground, the neck with falling leaves, incised signature, printed Florian ware mark, minor professional restoration to top rim,13cm. high £80-120 138 ‘Revived Cornflower’ a James Macintyre & Co Florian Ware vase designed by William Moorcroft, compressed form with tall cylindrical solifleur neck with fluted rim, tubeline decorated with panels of flowers in blue, yellow and green on a pale blue ground, printed factory mark, painted green signature, professional restoration to top rim, 19.5cm. high £200-300

137

139 ‘Mask’ a rare Moorcroft Pottery plaque designed by Francis Arthur Edwardes, modelled in relief, partially covered in a flambe red glaze, unsigned, 8.3cm. long £100-200

138

140 ‘Forget me not’ a James Macintyre & Co egg cup on stand designed by William Moorcroft, tubeline decorated in blue on a green ground, and two Moorcroft Pottery Clematis miniature vases designed by Walter Moorcroft, printed Macintyre mark, 7cm. high (3) £100-200

139

141 ‘Aquilegia’ a Moorcroft Pottery flambe vase, ovoid with cylindrical neck, painted in colours under a flambe glaze, impressed factory marks, 10cm. high £80-120

140

141

142 ‘Big Poppy’ a Moorcroft Pottery vase designed by William Moorcroft, shouldered, cylindrical form, tubeline decorated with a yellow poppy flower to either side, in yellow and blue on a celadon ground, a Moorcroft Pottery Flamminian Ware vase designed by William Moorcroft retailed by Liberty & Co and a Arum Lily lamp base designed by Walter Moorcroft, impressed factory mark and facsimile signature, Flamminian vase chip to top rim, 21cm. high (3) £150-200 143 ‘Moonlit Blue’ a Moorcroft Pottery vase with Tudric pewter foot designed by William Moorcroft, retailed by Liberty & Co, flaring cylindrical form, tubeline decorated with trees in a landscape in green and blue on a midnight blue ground, stamped marks, small chip to top rim, 16cm. high £200-300

142

143

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

144 ‘Flambe Eventide’ a tall Moorcroft Pottery vase designed by William Moorcroft, shouldered form, tubeline decorated with trees before rolling hills, in colours under a light flambe glaze, impressed factory marks, painted blue signature, 33cm. high Provenance Reginald E.J. Moore CBE, thence by descent. Reginald (Reg) Moore was Secretary-General for the Trades Fairs, working on them in the 1930s and 1940s before retiring after the 1951 Festival of Britain. Literature Paul Atterbury Moorcroft Pottery, Richard Dennis Publications, 1st Edition, 1990 page 95 plates 2 and 3 for comparable landscape vases illustrated. Page 131 plate a contemporary photograph of R.E.J. Moore for with Walter Moorcroft showing Queen Mary a large Clematis pattern vase at the 1947 British Industries Fair. Walter Moorcroft Memories of Life and Living, Richard Dennis Publications, page 6 for a contemporary photograph of Walter Moorcroft with R.E.J. Moore showing a vase to Queen Mary a collector of Moorcroft for over 30 years. £3,000-5,000

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147

145

145 A Moorcroft Pottery Trellis limited edition clock designed by Sally Tuffin, rectangular, tubeline decorated in colours, in original box, a Moorcroft Pottery 1989 Museum mug and a Halcyon Days Millienium 2000 The Arts Box enamel box, impressed factory marks, clock number 292/300, 15cm. high (3) Provenance Private collection.

£80-120

146 ‘Butterfly’ a Moorcroft Pottery vase designed by Rachel Bishop, dated 1993, compressed form, painted in colours on a cream ground, and a small Moorcroft Pottery ‘Black Tulip’ vase designed by Sally Tuffin, impressed factory marks, painted WM monogram, 12cm. high (2) £100-200 147 ‘Simeon’ a modern Moorcroft Pottery vase designed by Philip Gibson, shouldered form, painted in colours and a Moorcroft Pottery Pansy vase designed by Rachel Bishop, impressed and painted marks, 18cm. high (2) £80-120 148 ‘De Morgan Heron’ a Dennis China Works limited edition 12’ Etruscan vase designed by Sally Tuffin, after William De Morgan, dated 2015 shouldered form with flaring rim, tubeline decorated with wading birds by a stream, in colours and pearl lustre, impressed factory marks, painted monogram, number 9 of 20, 36cm. high £400-500

148

149

149 ‘Knox Leaf’ a Dennis China Works Trial vase designed by Sally Tuffin, 2024, after a textile design by Archibald Knox, cylindrical with flaring foot, tubeline decorated with leaf repeat in yellow on a cream ground, impressed factory marks, T1 trial mark, 25cm. high Catalogue notes This example is a trial pattern and shape both inspired by Archibald Knox’s designs for Liberty & Co. It was produced to commemorate the Archibald Knox Exhibition, Order and Beauty, held on the Isle of Mann in 2025. £250-350 150 ‘De Morgan Sunflowers’ a Dennis China Works 12’ Conical vase designed by Sally Tuffin, after William De Morgan, dated 2018, tapering cylindrical form with flaring rim, tubeline decorated in colours, impressed factory marks, painted monogram, dated 2018, 28.5cm. high Catalogue notes This vase was based on the magnificent twin-handled vase designed by William De Morgan illustrated on the cover of Kinghams William De Morgan Master Potter exhibition May 2026. The vase was owned by Richard Dennis and Charles and Lavinia Handley Read. £350-450

150

151

151 ‘Foliate Owl’ a Dennis China Works 10’ Conical trial vase designed by Sally Tuffin, 2018, tapering cylindrical vase with collar rim, tubeline decorated with owls in colours, highlighted in gilt, impressed factory marks, painted TB monogram 24cm. high £300-400

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

153 152

152 A Wiltshaw & Robinson Carlton Ware Handcraft coffee set for five, pattern no. 3658, comprising coffee pot and cover, milk-jug, five cans and saucers, each printed with a black cubist design, outlined in silver on a jade green ground, printed and painted marks, small chip to rim of coffee pot, fine star crack to base of one can, 20cm. high (coffee pot), (13) £100-200 153 A Clarice Cliff Bizarre ‘Orange Bridgewater’ pattern Bon Jour preserve pot and cover, painted in colours, a Clarice Cliff ‘Pine Grove’ Bon Jour preserve pot, a Crocus tea cup and saucer, a Conical jug, a Delicia flower brick and a Wilkinson Pottery Cauldron painted with green and black bands, printed factory marks, 10.5cm. high (8) £80-120 154 A Clarice Cliff Fantasque Bizarre ‘Autumn’ pattern plate, dated 1930, painted in colours inside green and yellow bands to the rim, impressed date mark, printed factory mark, 22.5cm. diam. £80-120

154

155 An Art Deco Crown Works Crayon plate by Susie Cooper, pattern 882, painted with a stylised flower and foliage design in mushroom and black on a cream ground, printed and painted factory marks, impressed date mark, 28.5cm. diam. Provenance Private collection.

£50-100

156 A rare Shelley Pottery bowl designed by Walter Slater, decorated to the well with an eagle fighting a snake, the rim inscribed Vi et Virtue, in blue and yellow lustres, printed Shelley mark, professional restoration, 30.5cm. diam. Literature Dreweatts Donnington Priory, 27th October 2009 lot 52 for a comparable, possibly same, bowl. £80-120 157 A Shelley Pottery Sunray Vogue teapot and cover designed by Eric Slater, pattern 11742, printed in yellow and black with an Art Deco sun motif, printed and painted factory marks, 11cm. high (2) £150-200

155

158 A Shelley Pottery Blue Block Mode tea cup trio designed by Eric Slater, pattern 11788, cup, saucer and side plate, printed and painted in blue, black and silver, a Susie Cooper Productions Graduated Bands jug, a Susie Cooper small footed bowl, a Wedgwood Pottery tankard designed by Keith Murray and a Wedgwood bowl by Nick Monro, printed and painted factory marks, 16cm. wide (side plate), (7) £80-120

156 157

158

159

160

159 A Wedgwood Pottery footed bowl designed by Keith Murray, shape no. , the foot and rim with incised bands, covered in a Matt Straw glaze, and another Wedgwood Pottery bowl designed by Keith Murray, impressed and printed factory marks, printed facsimile signature, small bowl restored, 25cm. diam. (2) Provenance Private collection of Keith Murray ceramics. £300-400

161 161 open

160 A Wedgwood Pottery Top-Hat bowl designed by Keith Murray, shape no.3812, shallow foot supporting flaring ribbed rim, covered in a Matt White glaze, printed factory mark, KM monogram, 24cm. diam. Provenance Private collection of Keith Murray ceramics. £250-350 161 A rare Wedgwood Pottery tobacco jar, seal lid and cover designed by Keith Murray, shape no. 3862, swollen ovoid form with incised bands, covered in a Matt Straw glaze, impressed and printed factory marks, printed facsimile signature, 17cm. high (3) Provenance Private collection of Keith Murray ceramics. £300-500

162

162 A Wedgwood Pottery black basalt bowl designed by Keith Murray, shape no. 3813, flaring conical form on shallow foot, the top rim with incised band, impressed factory marks, printed facsimile signature, hairline to rim, 16.5cm. diam. Provenance Private collection of Keith Murray ceramics. £300-500 163 A Wedgwood Pottery Black Basalt bowl designed by Keith Murray, with faceted rim, impressed factory mark, printed facsimile signature, 24cm. diam.

163

Provenance Private collection of Keith Murray ceramics. £300-500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

164

165

164 A Wemyss Pottery Black Cockerel tea cup, saucer and side plate, painted in colours, the rim incised Bon Jour, impressed and printed marks, chips to cup and saucer, 12.3cm wide (side plate), (3) Provenance Aalholm Slot, Nysted, Denmark, Sotheby’s 20-23rd May1996 lot 1737. Private collection. £80-120 165 Harry Parr (1882-1966 presumed) Elizabethan Lady, 1921 Chelsea, pottery sculpture of a woman standing, glazed in colours with gilt highlights, incised HY Parr 1921 Chelsea to base, small chip to base 25cm. high £100-200 166 A Pottery figure of a young boy walking with his baby sister, glazed in colours, unsigned, 25.5cm. high £80-120

166

ARR 168

Stella R Crofts (1898-1964) Little Cart Horse, 1935 stoneware sculpture, glazed white, and two stoneware seal figures by Stella Crofts, glazed green incised Stella R Crofts, 1935 9cm. wide, 9cm. high (3) Provenance Private collection of Stella Crofts Pottery. Literature Paul Hughes, Stella’s Ark, Park Farm Press, page 107 this actual figure illustrated. £100-200

169 Howard Bissell Bull stoneware, resist decorated in ochre and brown, applied paper label, 40cm. wide £100-200

167 Charles Vyse (1882-1971) Bust of a Young Girl, 1912 plaster on oak base, incised Charles Vyse, 1912 to back of bust 58.5cm. high Literature Terrence Cartlidge, Charles & Nell Vyse, Dennis & Pascoe, page 7 for a black and white photograph of the Cheyne Row studio displaying four comparable busts. £200-400

167

168 169

170 A large Troika Pottery Cube vase by Linda Taylor, incised with geometric panels in blue, cream and black painted Troika Cornwall England and artist monogram, 14.5cm. high Provenance Private collection.

170

£80-120

171 A Troika Pottery Slab vase by LF, cast in low relief with an abstract panel of naked torso and arrows, the reverse with geometric panel, in green, ochre and tan, painted Troika Cornwall, LF monogram, 17.5cm. high £150-200

171

172 A Troika Pottery Coffin vase by Louise Jinks, modelled in low relief with geometric panels, in blue and green on a buff ground, another similar by Alison Brigden, and a small Troika wheel vase by Alison Brigden, painted marks, 17.5cm. high (3) £100-200 172

173

173 A Troika Pottery Wheel vase by Alison Brigden, modelled in low relief with geometric design in tan and green, and two Troika Pottery cylinder vases, painted Troika and monogram, 12cm. high (3) £80-120 174 A tall Denby Pottery Cheviot bottle vase designed by Glyn Colledge, ovoid with tall tapering cylindrical neck, painted with panels of stylised leaves and flowers in colours on a mottled mushroom ground, printed factory marks, painted facsimile signature, 43cm. high Provenance John Clark. Private collection.

175

£100-200

175 A Denby Tigo Ware vase designed by Tibor Reich, swollen form, incised columns, in cream and matt black, and five Denby Cloisonne dishes designed by Glyn Colledge, printed mark, 21.5cm. high (6) Provenance Private collection.

£80-120

176 A Foley Bone China model of a Poodle dog by Donald Brindley, modelled seated, printed and painted with simple scroll motif, and a Denby stoneware Poodle dish printed factory mark, painted DB monogram, 23cm. high (2) £80-120

174

176

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

177

178

177 A Wedgwood Pottery Design 63 ‘Beehive’ jar and cover designed by Peter Wall, cylindrical form, printed with honeycomb design i blue, black, green and red, and another Wedgwood Pottery jar and cover designed by Peter Wall with star motif in black and gold, printed factory marks, 12.5cm. high (4)

180 A rare Midwinter Pottery vase by Jessie Tait, probably a trial, swollen cylindrical form with tall, tapering neck, tubelined in pale grey and salmon pink with columns and dots, printed factory mark,impressed T mark, 28cm. high

Provenance Private collection.

Literature Stephen Jenkins Midwinter Pottery A Revolution in British Tableware, Richard Dennis Publications, page 22 for a selection of similar vases and beakers, freehand decorated, illustrated in Pottery and Glass in 1958. £150-200

£80-120

178 A Midwinter Pottery Music Score vase designed by Jessie Tait, shape no.209, tubeline decorated in black on a white ground, a Midwinter Stubble vase shape no.209 and another shape 207 impressed and printed factory marks, minor damages,17.5cm. high (3) Provenance Private collection. Literature Stephen Jenkins Midwinter Pottery A Revolution in British Tableware, Richard Dennis Publications, page 50 for comparable vases illustrated. £100-200 179 A large Midwinter Modern Range vase designed by Jessie Tate, shape no.203, ovoid with tapering neck applied black slip design, printed factory mark, 22.5cm. high £60-100

Provenance Private collection.

181 A rare and early Jessie Tait terracotta vase dated 1957, shouldered form slip decorated with foliage in cream and black on a terracotta ground, another early Jessie Tait vase and bowl with chevron and geometric designs and another glazed mushroom, dated 1958, incised signature and date, chip to rim of bowl, one vase repaired, 14cm. high (4) Provenance Private collection. Literature Stephen Jenkins Midwinter Pottery A Revolution in British Tableware, Richard Dennis Publications, page 95 for a related hand-thrown terracotta jug. £100-200 182 A Denby Tigo Ware ‘Florence’ vase designed by Tibor Reich, taperig ovoid form, decorated in black on a white ground with a stylised figure, unsigned, 37cm. high £300-500

182

179

181

180

184 part 183

POOLE POTTERY 183 A watercolour design for Mountain Goats possibly for Carter, Stabler & Adams Poole Pottery, four designs of standing goats and a frieze of three stylised goats, in colours, framed unsigned, 25 x 17.5cm. £80-120 184 Six Carter, Stabler & Adams Poole Pottery plates designed by Truda Carter, painted by Doris Marshall, pattern EE, each painted with a radial band of stylised fuchsia flowers and foliage, an egg cup similar, another egg cup, four Poole Pottery Delphis bowls shape no.38, and a small Delphis pin dish impressed and painted marks, 14.5cm diam. (13) £80-120 185 A Carter Stabler & Adams Poole Pottery vase by Ruth Pavely, shape no.429, pattern ZW, shouldered, cylindrical form, painted with Art Deco flowers and foliage, in colours on a white ground, impressed factory marks, painted artist cipher, 25.5cm. high £80-120 186 An unusual Poole Pottery Delphis vase, tapering, ribbed form, covered in a streaked green/blue glaze, and a large collection of Poole Pottery including Delphis, Aegean Thistlewood tableware, a Poole Studio Millenium wall plate, a vase by Allan White and modern Poole Pottery, printed Poole England mark, 14cm. diam. (a lot) £150-250 185

186 part

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

187 Harold and Phoebe Stabler The Bull, 1914 a rare Hammersmith Bridge Pottery sculpture, stoneware, glazed in colours impressed Hammersmith Bridge seal, incised potted by Harold Stabler, Hammersmith, London, 1914 33cm. wide Provenance Private collection, London. Literature Leslie Hayward and Paul Atterbury, Poole Pottery, Richard Dennis Publications, page 40 for a later example produced by Poole Pottery illustrated. £800-1,200

188 A Poole Pottery Freeform vase, pattern PX, asymmetric rim, painted with foliate motif in red and green, a Contemporary plate, three square dishes, three shaped dishes a salt and a pepper pot, printed and painted factory marks, 14.5cm. high (10) £100-200 189 A Poole Pottery Contemporary vase designed by Alfred Read, pattern EX/YHS, shouldered, tapering form, painted with columns of stylised foliage in grey and black, with yellow lines, on a white ground printed and painted factory marks, 20cm. high Provenance Private collection.

£80-120

190 A tall Poole Pottery Contemporary carafe vase designed by Alfred Read, pattern X/PKC, painted with columns of hatching lime green and grey alternating with white on grey, printed and painted factory marks, 39cm. high

188

Provenance Private collection.

£150-200

191 A Poole Pottery trial Contemporary vase probably designed by Alfred Read, shape no.696, ovoid with tapering cylindrical solifleur neck, painted with purple cross motif on a blue ground, impressed and painted factory marks and artist monogram, paper collection label, 19.5cm. high Provenance The Harriman Judd Collection, Sotheby’s online. Private collection. £80-120 192 An early Poole Pottery Delphis vase, shape no.90, painted with geometric panels to one side in umber, turquoise, blue and orange, printed Poole England mark and painted monogram, 20cm. high £80-120 189

191

193 A Poole Pottery Delphis vase by Angela Wyburgh, tall, waisted cylindrical form, modelled with a band of impressed circles, glazed blue and turquoise on a red ground, printed factory mark, painted artist monogram, 40cm. high Provenance Private collection. Literature Robert Prescott-Walker Collecting Poole Pottery, Francis Joseph, page 104 this vase illustrated. £80-120

190

192

194 A Poole Pottery Studio vase, footed, flaring conical form painted with a geometric band in turquoise, yellow and ochre on a white ground, printed Poole Studio England mark, 10.5cm. high £100-200

193

194

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

195

195 A unique Poole Pottery Poole Harbour sixteen tile panel by Tony Morris, painted with a scene of the Harbour from below Evening Hill, in blue and black, mounted and framed, signed to the mount A S Morris, 92 x 46cm (tile panel) 112 x 56cm (frame) Provenance Private collection of Poole Pottery.

£1,000-2,000 197 Tony Morris Maori, 2002 a Home Studio charger, made after Tony left Poole Pottery, painted in colours with a portrait impressed AW monogram for Allan White and painted TM monogram, 36cm. diam. £300-500

196 Tony Morris Faces, 2007 a Home Studio twenty-one tile panel, after Poole Pottery, three offset square panels, painted in colours, on a gilt wood mount, painted TM monogram, 107 x 57cm (frame) Provenance Private collection of Poole Pottery. £700-900

196 197

198 A large Poole Pottery Delphis charger by Carol Cutler, shape no.5, painted with geometric abstract design in red, orange and blue textured glaze, printed factory mark, painted artist cipher, 36cm. diam. Provenance Priavte collection.

£120-180

199 A Poole Pottery Delphis plate by Patricia Wells, shape no.4, painted with an abstract design in purple, blue, green and turquoise, printed factory mark, painted artist cipher, 27cm. diam. Provenance Priavte collection. 198

£80-120

200 A Poole Pottery Studio plate, painted with two stylised trees in turquoise, yellow, green and orange, and another Poole Pottery Delphis plate impressed factory marks, painted artists ciphers, 20.5cm. diam. (2) Provenance Private collection.

£80-120

201 A Poole Pottery Studio plate by Tony Morris, painted with a sunrise design in blue, yellow and brown, impressed script Poole Studio printed Poole Studio marks, 27cm. diam. Provenance Private collection of Poole Pottery.

£800-1,200

199

200

201

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

202 201A

201A A rare Poole Pottery Studio ‘Clown’ charger by Tony Morris, painted with a portrait of a clown, in colours outlined in black, printed Poole Studio TV mark, painted TM monogram and impressed duck feet mark, 42cm. diam.

202 A rare and early Poole Pottery Studio wall plate by Tony Morris, painted and resist decorated with a Welsh coal mine scene in New Tredegar, in colours, impressed Poole Studio mark, overpainted TM monogram, 27.5cm. diam.

Provenance Modern Art & Design, Chorley’s Auctioneers, 26th April 2022, lot 430. Private collection of Poole Pottery. £1,500-2,000

Provenance Private collection of Poole Pottery. Catalogue notes This wall plate was painted by Tony in 1963 shortly after he arrived at Poole Pottery, it features a mining scene in New Tredegar, in the Rhymeny Valley Wales where Tony came from. The plate shows a discernable scene of mining with cranes, a cargo train with four carriages each marked with an H monogram whilst also shows his growing interest in abstraction. Tony used the Red Indian glaze on the houses, crane and carriages, a glaze only used for a short period at Poole. Kinghams would like to thank the Virtual Museum of Poole Pottery for their help cataloguing this lot. £1,500-2,000

203 A Poole Pottery Studio plate by Tony Morris, painted with a stylised face and reflection, in shades of yellow, orange, green and turquoise, inside radiating geometric border, printed Poole Studio TV mark, 27cm. diam. Provenance Christie’s South Kensington. John Runniff-Nutman collection. Private collection of Poole Pottery.

£800-1,200

203

204 part

205

206

STUDIO POTTERY 204 A collection of twenty two Art and Design reference books and catalogues, including; A Potter’s Book by Bernard Leach, The Technique of Pottery by Dora Billington, The Pot Book by Edmund de Waal, Craqueles by Patrick Malaureille, An Elegant Affair Susie Cooper, by Bryn Youds, Peter Layton and Friends Celebrating London Glassblowing, and Japonisme from Falize to Faberge, (22) £50-100

207

205 George J Cox (1884-1946) Shouldered vase, 1912 Mortlake Pottery, covered with a thick sang de boeuf glaze, which drips inside the neck, incised Mortlake, GJC 1912 and ZA, 17cm. high Catalogue notes George Cox studied at the Royal College of Art, establishing the Mortlake Pottery in 1911 at 42 Upper Richmond Road. £80-120

208

206 Frances Richards (1903-1985) flower vase, 1922 shouldered, cylindrical form covered in a running pink and sky-blue glaze, incised monogram and date, small glaze nick to top rim, 16.5cm. high £60-100 207 David Leach OBE (1911-2005) Slipware platter a large Lowerdown Pottery dish with pie-crust rim, slip glazed yellow with ochre trails, impressed DL seal 41.5cm. wide Literature Emmanuel Cooper and Kathy Niblett, David Leach, Richard Dennis Publications, page 83 for two comparable dishes made with Clive Bowen at Bideford. £150-200 208 Ray Finch (1914-2012) Slipware jug Winchcombe Pottery, ovoid with chestnut glaze to the foot decorated with cream dot panels, and a collection of Winchcombe Pottery comprising, two handled bowls and covers by Sidney Tustin, a small jug by Sidney Tustin, a pot and cover by Charles Tustin, a square dish and four various jugs, impressed seal marks, various damages. 8cm. high (13) £80-120 209 Clive Bowen (born 1943) Bowl earthenware, footed, flaring conical form with collar rim, slip and comb decorated in yellow, ochre and green unsigned, 24cm. diam. £80-120

209

210

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

211

212

210 Mary Wondrausch (1923-2016) Dish earthenware, decorated to the well with berries in yellow and ochre, painted MW monogram 23.5cm. diam. £60-100

214 David Leach OBE (1911-2005) Cylindrical vase Lowerdown Pottery, ribbed painted with bands of stylised blue arcaded swags and orange oxide spots, impressed seal mark, 20cm high £50-80

ARR 211

Bernard Leach CBE (1887-1979), attributed Milk-jug an early Leach Pottery jug, ovoid with spli decorated Leach seal mark to the side, impressed seal mark, chips to spout and handle, 7.5cm. high Provenance Private collection

£80-120

ARR 212 Bernard Leach CBE (1887-1979) Leach Pottery vase stoneware, facetted body with flaring cylindrical neck, covered a green and blue running matt glaze to the foot, impressed seal marks, 17.5cm. high £300-500

ARR 213 Bernard Leach CBE (1887-1979) Raku vase an early St Ives vase, swollen cylindrical form w glazed with blue over cream, with green highlights and rust coloured dots, impressed seal mark, probable painted BL mark, 7.5cm. high

213

215 David Leach OBE (1911-2005) Fluted bowl, stoneware, footed form, covered in a Dolomite glaze with iron speckles, impressed DL seal 10.5cm. diam. £80-120

214

216 David Leach OBE (1911-2005) Tea set for four Lowerdown Pottery, porcelain teapot and cover with incised comb decoration, covered in a blue Y-Ching glaze, with over-slung bamboo handle, and four tea bowls, and two studio pottery teapot and covers impressed seal marks, one cup repaired, 13.5cm. high (teapot), (10) Provenance Clarice Cliff, Art Deco & Design, Woolley and Wallis, 20-21st March 2024 lot 288. Private collection. £100-200

215

Literature Aberystwyth University Ceramics collection, numbers c180, C182 and C183 for three comparable vases all with painted BL monogram and impressed seal, by Bernard Leach, bought at the Red Rose Guild in 1925. There is also a Raku pot C184 similar but with only the impressed seal mark. £300-400 216 part

218

219

217

217 Joanna Wason (born 1946) Squat ovoid vase, stoneware, Leach Pottery St Ives, covered in a ribbed, orange shino with tenmoku glazed arcade decoration, impressed personal and pottery seal marks, 14cm high £40-60

221 Mike Dodd (born 1943) Jug stoneware, covered in an ash glaze, and a cut-sided strainer by Mike Dodd impressed seal marks, 13.5cm. high (2) £60-100

218 Jim Malone (born 1946) Cut-sided bowl stoneware, flaring form, covered in a tenmoku glaze to the foot impressed seal mark, 14cm. high 24cm. diam.

222 Svend Bayer (born 1946) Bowl stoneware, painted to the well with a stylised wading bird, in iron on a cream ground, the rim with cobalt band, the exterior a band of simple brushed fish motif, unsigned, 18cm. diam. £80-120

Provenance Private collection.

220

221

£80-120

219 Phil Rogers (1951-2020) Pot and cover stoneware, simple impressed decoration, covered to the foot in a celadon ash glaze, two stoneware jars with porcelain covers by Phil Rogers and a twin-handled pot and cover impressed seal mark, 12cm. high (8) £120-180

223 Rupert Spira (born 1960) Tea cup and saucer stoneware, painted with simple brushed foliate design in cobalt on ash, a singlehandled baluster vase by Francis Lloyd-Jones, a stoneware caddy and cover and a bellied jug both by Jynsym Ong impressed seal mark to cup and saucer, small chip to rim 15cm diam. (saucer), (6) £80-120

220 Phil Rogers (1951-2020) Bottle vase shouldered form, each side painted with simple grass motif on a grey-ash glaze, and two small footed bowls by Phil Rogers, impressed seal mark, 21cm. high (3) £80-120

224 Clive Bowen (born 1943) Tall ewer earthenware, slender, swollen form with impressed shell marks to base rim, and unsigned 43cm. high £80-120

223

224

222

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

225

226 both sides

RICHARD BATTERHAM ARR 225

Richard Batterham (1936-2021) Cut sided jar and cover stoneware, the cut-sided jar glazed in tenmoku over ash, the cover ash glaze unsigned, auction paper label, 14cm. high (2) Provenance Studio Ceramics, Adam Partridge, 20th October 2023, lot 469. Private collection. £80-120 227

ARR 226

Richard Batterham (1936-2021) Teapot and cover stoneware, ovoid with chatter band to shoulder, covered to the base with an ash glaze, cobalt painted 6 15.5cm. high (2)

228

Provenance Purchased directly from Richard Batterham at his Durweston Pottery. £200-300 227 Richard Batterham (1936-2021) Cut-sided vase stoneware, covered to the foot with an ash glaze, and a small beaten jar and cover by Richard Batterham unsigned 9cm. high (3) £60-100 ARR 228

Richard Batterham (1936-2021) Caddy and cover stoneware, with chatter band, covered in an ash glaze painted cobalt mark, impressed H 13cm. high (2) Provenance Private collection. Literature Tanya Harrod and Sarah Griffin (edited) Richard Batterham Studio Potter, V&A Publishing, page 100 catalogue number 81 and 82 for comparable forms. £100-200

ARR 229 Richard Batterham (1936-2021) Batter Bowl stoneware, covered to the interior and shoulder with an ash glaze unsigned, paper label number 197 27.5cm. wide, 12.5cm. high

229

Provenance The Estate of Richard Batterham. British Art Pottery & Design, Woolley and Wallis, 29th November 2023, lot 782. Private collection. £100-200 ARR 230

Richard Batterham (1936-2021) Caddy and cover salt-glazed stoneware, unsigned, cobalt blue 5 20cm. high (2) Provenance The Estate of Richard Batterham. Studio Pottery including the Rosslyn Hill Collection, Woolley and Wallis, 20th March 2025, lot 533. Private collection. £200-300 230

233 231

232

234

231 Richard Batterham (1936-2021) Six dessert bowls stoneware, each with chatter band, ash glazes cobalt painted 6 to four, 13.5cm. diam. (6) Provenance Private collection.

235

£100-200

232 Richard Batterham (1936-2021) Bowl with chatter band stoneware, covered to the foot with an ash glaze, two small dishes and a rectangular casserole by Richard Batterham, and three other bowls unsigned, damages 13.5cm. diam.(7) £80-120

236

237

238

235 Jim Malone (born 1946) Jug on three feet Ainstable Pottery, stoneware, shouldered form with impressed and carved decoration, covred in tenmoku glaze over ash, and two smaller jugs by Jim Malone, impressed seal marks, 21cm. high (3) Provenance Private collection.

£80-120

236 Jim Malone (born 1946) Cut-sided teapot and cover, Lessonhall, stoneware, cut-sided, covered to the foot with an ash glaze impressed seal marks, 15.5cm. high (2) £60-100

233 Richard Batterham (1936-2021) Four Mugs stoneware, covered in black iron glaze to the foot, unsigned, small glaze chip to one, 9.5cm. high (4)

237 Jim Malone (born 1946) Cut-sided jug Ainstable Pottery, stoneware covered with a running green ash glaze over kaki to the foot, ash interior, impressed seal marks, 27.5cm. high

Provenance Private collection.

Literature Tanya Harrod and Sarah Griffin, Richard Batterham Studio Potter V&A Publishing, page catalogue number 44-47 for comparable examples illustrated. £100-200

238 Jim Malone (born 1946) Cut-sided jug Ainstable Pottery, porcelain, covered in a pale celadon glaze impressed seal marks, 26cm. high

234 Richard Batterham (1936-2021) Cut-sided bowl, stoneware, the exterior black iron, the interior glazed ash, and a stoneware jug by Richard Batterham, unsigned, chip to spout of jug 14.5cm. diam. (2) £80-120

£100-200

Provenance British Art Pottery, Woolley and Wallis, 10th December 2025 lot 145 (part). £100-200 239 Jim Malone (born 1946) Pair of bowls Ainstable Pottery, stoneware, each incised with zigzag band ash glaze to the foot impressed seal marks, 12cm. diam. (2) £80-120

239

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

241

240

240 Mashiko Pottery Charger stoneware, in the manner of Shoji Hamada, covered in a tenmoku glaze with trailed cross motif in iron, unsigned 46cm. diam. £100-200 241 Katsue Ibata (born 1958) Footed bowl earthenware, glazed to the bowl in cream with blue spots, and two smaller tea bowls by Katsue Ibata impressed seal mark to side, applied exhibition number KI.20 17cm. diam.10.5cm. high (3) £80-120 242 Kanjiro Kawai (1890-1966), manner of Vase stoneware, rectangular, shouldered section, the body with brushed hakemi over tenmoku, with painted flower stem motif in tenmoku and copper, unsigned 20.5cm. high 18cm. wide. £200-400 243 Tokuda Yasokichi III (1933-2009) Bottle vase Mashiko, pear shaped with tall cylindrical solifleur neck, dark blue and turquoise bands running to the foot over silver-grey, painted signature, with signed wooden box and cover, 23cm. high (3) Provenance Private English collection of Studio Pottery. Takuda Yasokichi, also known as Masahiko, was a renowned Japanese pottery from a family of traditional crafts potters. He developed a more modern, international style, and was designated a Living National Treasure, in Japan, in 1997. His work is found in major museums worldwide. £150-200

242

243

244 Tokuda Yasokichi III (1933-2009) Bottle vase Mashiko, pear shaped with tall cylindrical solifleur neck, dark blue band to body and neck with central streaked turquoise band, running to the foot, painted signature, with signed wooden box and cover, 23cm. high (3)

244

Provenance Private English collection of Studio Pottery. Takuda Yasokichi, also known as Masahiko, was a renowned Japanese pottery from a family of traditional crafts potters. He developed a more modern, international style, and was designated a Living National Treasure, in Japan, in 1997. His work is found in major museums worldwide. £150-200 245 Shoji Hamada (1894-1978) Bottle stoneware, square section, painted with roundel to each side, in green and red on a speckled oatmeal glaze, under brushed ochre, in original fitted box, vase unsigned, box signed 26cm. high (3) £800-1,200 245

246

248

247

249

250

246 Ian Gregory (1942-2021) Bird a stoneware sculpture of a bird on a pedestal, glazed in green and ochre, a Sasha Wardell jug, a salt-glazed stoneware mug by Anthony Theakston and a plate by Michael Cardew impressed seal mark, chips to Cardew plate, 8.5cm. high (4) £80-120

249 Mary Rich (1940-2022) Solifleur vase porcelain, shouldered white with pained chestnut and iron bands, am Emily Myers solifleur vase, a Jane Hamlyn jug, a mustard glazed porcelain vase by Tanya Gomez and a porcelain bottle by Peter Wills, impressed seal marks, 9cm.high (Mary Rich), (5) £80-120

247 Willy Cartwright Sunday Lunch, pottery sculpture of an old man seated at the dining table, holding a glass of wine, smoking a cigar, the table with a roast chicken, wine bottle and place setting, in colours, indistinctly signed to plate, chip to base rim, 26cm. high £60-100

250 Mike Brashier (born 1939) Bellied jug stoneware, covered to the foot in a transparent green glaze with wood ash, impressed seal mark, 29cm. high £80-120

248 Willie Cartwright Comical Scottie dog, glazed terracotta sculpture, Comical Elephants and Hawk two other sculptures by Willie Cartwright, unsigned (3) £80-120

251 Martha Allen Sun Rise, 1987 stoneware box and cover, glazed green painted signature, title and date 42cm. high (2) £80-120 252 Rosemary Wren (1922-2013) Goldfinch, stoneware, glazed in naturalistic colours painted monogram, 12cm. wide £50-100

252 251

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

253

254 255

253 Clare Sutcliffe (1943-2018) Vase stoneware, ovoid with collar rim, covered in a speckled, opalescent Chun glaze to the foot, impressed seal mark, 17cm. high Provenance Private collection. Catalogue notes Originally an actress, Clare appeared in Coronation Street, Z Cars and Softly Softly, before concentrating on potting and painting in Horsham. £100-200 254 Adam Buick (born 1978) Small Moon Jar ovoid, footed form covered to the foot in celadon with iron spots, blistered texture surface impressed seal mark, 9.5cm. high £80-120 ARR 255 Joanna Constantinidis (1927-2000) Vase stoneware, ovoid form, matt grey graduating to tan with spots, impressed seal mark, 11.5cm. high £150-250

256

256 Abdo Nagi (1941-2001) Ovoid vase with rim, raku, covered in a deep ox blood red glaze with blue and white splashes impressed seal mark, flooded, paper exhibition label, 24cm. high £200-300 257 Ilona Sulikova (born 1949) Optical vase stoneware with printed black op art geometric design unsigned 22cm. high £100-200

257

258

259

ARR 258

Ewen Henderson (1934-2000) Tea Bowl, circa 1982 hand-built stoneware with porcelain laminate slips, unsigned 10cm. high Provenance The David Cripps & Annie Fewlass Collection, gifted by Ewen Henderson to David and Annie. £200-400

ARR 259. Ewen Henderson (1934-2000)

Tea Bowl, 1972 an early, hand-built stoneware with painted green patches, unsigned 10.5cm. high Provenance The David Cripps & Annie Fewlass Collection, gifted by Ewen Henderson to David and Annie. Exhibited 1972, probably Crafts Council.

£400-600

ARR 260

Ewen Henderson (1934-2000) Vase, circa early 1970s early, stoneware hand-built vase, ovoid with collar rim with applied laminate slips, unsigned 17.5cm. high

260

Provenance The David Cripps & Annie Fewlass Collection, gifted by Ewen Henderson to David and Annie. £800-1,200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

ARR 261

Dame Lucie Rie (1902-1995) Conical bowl flaring porcelain form, covered to the foot with a cream glaze with turquoise to the rim and mushroom patches, impressed seal mark, fine hairline to edge of rim 17.7cm diam, 7.5cm high Provenance Private collection.

£1,000-2,000

262 Michael Mick Casson (1925-2003) Vase salt-glaze stoneware, waisted cylindrical form with incised lines, impressed seal mark, 13.5cm. high £80-120

262

264

263

263 Michael Mick Casson (1925-2003) Teapot and cover stoneware, cylindrical form resist decorated with chequerboard panel, impressed seal mark, 11cm. high (2) £80-120 264 Roger Cockram (born 1947) Frog Bowl stoneware pedestal bowl with pierced frieze of frogs, in colours impressed seal marks, incised signature 15cm. high £80-120 265 Janice Tchalenko (1942-2018) Poppy a Dartington Pottery service, painted with stylised flowers, comprising, six dinner plates, six side plates, teapot and cover, four mugs, four tall mugs, five saucers, sugar basin, three graduated jugs, oval dish, casserole, tureen and cover, eight various bowls vase impressed seal marks 27cm. diam. (plates), (43) £300-500

265 part

266 Janice Tchalenko (1942-2018) Footed bowl probably Dartington Pottery, stoneware, painted with peacock motif in blue and green, unsigned 27cm diam, 11.5cm high. £80-120

267

266

267 Sotis Filippides (born 1963) Vase with collar stoneware, cylindrical with swollen neck collar, textured, pitted white exterior with ash bands, the interior glazed pitted white incised artist monogram, 24.5cm. high £250-350 268 Sotis Filippides (born 1963) Flaring vase stoneware, textured tan exterior, the interior glazed pitted white incised artist monogram, 15.5cm. high £80-120 269 Sotis Filippides (born 1963) Flaring bowl stoneware, textured tan exterior, the interior glazed blue incised artist monogram, 29cm. diam. 21cm. high £250-350

268

269

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

270

270 Audrey Richardson (born 1931) Flattened vase T-material, white with grey lines and interior, impressed seal mark, 16.5cm. high £150-250 271 Peter Simpson (born 1943) Split Ovoid porcelain, sprayed sky blue, unsigned, 16.5cm. high £100-200 272 Gillian Montegrande (born 1960) Squiggle vase, 2018 black stoneware vase form, incised GRM, 18 43cm. high £100-200

271

273 Emily Myers (born 1965) Flaring charger with torn rim stoneware, glaze turquoise blue to the foot unsigned, applied paper label, 36cm. wide. £80-120 274 Elizabeth Raeburn (born 1943) Spade Form Vessel raku fired stoneware, glazed grey, white and salmon pink, a small Paul Jackson bottle, two sculptural vessels, a bowl and a pouring vessel, impressed seal marks, 29.5cm. high (Raeburn), (6) £80-120

272

273

274 part

275

276

275 Mary Rich (1940-2022) Conical bowl porcelain, footed form, pink and blue bands over white, with gilt geometric bands to interior and exterior, and another conical porcelain bowl by Mary Rich impressed seal mark, pencil no.1 to main, no.4 to second bowl 24cm. diam, 8.4cm. high (2) Provenance Private collection.

277

278

£150-200

276 Mary Rich (1940-2022) Solifleur vase porcelain, pink and peach bands over white, with gilt geometric bands to interior and exterior, and two miniature porcelain vases by Mary Rich impressed seal mark, 12cm. high (3) Provenance Private collection.

£100-200

277 Peter Lane (born 1932) Conical bowl porcelain, crackled white glaze with turquoise bands and manganese rim, incised Peter Lane 14.8cm diam. £80-120

279

278 Jude Jelfs (born 1950) Naked Torso porcelain, two stylised figure sculptures, incised signature 14.7cm. high (2) £80-120 ARR 279 David Burnham Smith (1937-2019) Jug, 1998 porcelain, painted in colours, and a pinched pot by David Burnham Smith, dated 2006 signed DBS and dated 1998 11cm. high (2) £150-250

280 Alan Caiger-Smith MBE (1930-2020) Pedestal bowl, 1960 Aldermaston Pottery, tin-glazed earthenware painted artist monogram, small chip to underside of foot rim, 20cm. diam. 16.5cm high £100-200 280

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

ARR 281 Anthony Theakston (born 1965) Penguin ceramic sculpture, glazed white incised signature 7.5cm. high £400-600

281

282

ARR 282

Peter Hayes (born 1946) Blade Form porcelain on raku base, set on polished black slate plinth, incised Peter Hayes to side of slate 25cm. high £100-200

ARR 282A

Colin Pearson (1923-2007) Winged vase a large hand-built stoneware vase, cylindrical with applied wing handles, glazed pale blue, pink and white, impressed seal mark to side 25cm. high 38cm wide. £1,500-2,500

282A

ARR 283

Phillip Eglin (born 1959) Football Team, 2007 hand-formed dish, in blue on a white ground painted Eglin 2007 19.5cm. wide Provenance Private collection.

£100-200 283

JOHN WARD

ARR 284 John Ward (1938-2023) Vessel stoneware, swollen form, tapering to square section neck, matt white with turquoise and mushroom, impressed seal mark, 21cm. high

Provenance Private collection.

£2,000-3,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

ARR 285

John Ward (1938-2023) Vessel stoneware, incised geometric lines, glazed matt black with chestnut brown to rim, impressed seal mark, 18.5cm. high Provenance Private collection.

£3,000-5,000

PETER BEARD 286 Peter Beard (born 1951) Ovoid vessel stoneware, incised with vertical lines, in cobalt blue, impressed seal marks, 12.5cm. high £250-350

287 Peter Beard (born 1951) Square vessel stoneware, resist decorated in cobalt blue, impressed seal marks 20cm. high

286

287

£400-600

288 Peter Beard (born 1951) Hexagonal vessel stoneware, resist decorated with cobalt blue panels, impressed seal marks, 20cm. high £400-600

288

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

289 Peter Beard (born 1951) Bottle form stoneware, resist decorated with irregular columns in cobalt blue and turquoise impressed seal marks, 41cm. high £600-800

290 Peter Beard (born 1951) Large Ovoid vessel stoneware, resist decorated with irregular cobalt blue columns, impressed seal marks 34cm. high £800-1,200

291 Peter Beard (born 1951) Wavy Vessel stoneware, resist decorated in cobalt blue and turquoise impressed seal marks, 27cm. high, 30cm wide £1,000-1,500

289

291

290

293

294 both sides

292

292 Ron Hitchens (1926-2019) Geometric panel (untitled) twenty-eight modelled tiles, covered in a matt copper glaze, on painted hessian mount, framed, signed Ron Hitchens to back, pencil 18gns 36 x 11.5cm (panel) 61 x 24cm (frame) £100-200 293 Aki Moriuchi (born 1947) Six beakers stoneware, footed, cylindrical form, each altered with indentation, covered in a pitted glaze with iron speckling, one with two brushed panels, impressed seal marks, 10cm high (tallest) (6) £200-400

295

294 John Maltby (1936-2020) Teapot and cover stoneware, octagonal section, with over-slung bamboo handle, painted with panels of stylised flowers in red, blue and tenmoku, impressed seal mark, 19.5cm. high (2) £100-200 ARR 295. John Maltby (1936-2020) Through the Window, Hero off St Ives wooden wall hanging automata of a sailing ship, unsigned, stamped mark 25cm. wide

296

Provenance The Stour Gallery. Private collection.

ARR 296. John Maltby (1936-2020) A Drama at Sea (a small tragedy), 2006 stoneware tile applied pieces depicting a steam boat sinking, life boats and figures in the sea in the foreground, glazed impressed seal mark, front and back, applied paper title label 20cm. square

Provenance Commissioned directly from John Maltby by the vendor. Catalogue notes This tile plaque was commissioned by the vendor directly from John Maltby who in making the plaque has applied over twenty individual pieces. The tile was commissioned to hang in a Grade 1 listed late 17th Century Almshouse designed by Sir Christopher Wren with connections to the sea. The complex was built by The Corporation of Trinity House for retired ‘Masters and Commanders of Ships’ and their widows. Once it had been decided to house Royal Navy seamen at Greenwich Pepys, Evelyn and Wren put their heads together to do something for merchant seamen. Two sets of Almhouses – Mile End and Dartford were built. Dartford no longer exists, but Trinity Green was rescued twice. Once from demolition at the end of the 19th century when Charles Robert Ashbee and William Morris campaigned for its survival (Ashbee went on to be the architect for a scheme of improvements) and again after heavy bombing in WW2. £300-400

£200-300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

297

298

297 Dorothy Feibleman (born 1951) and Annie Fewlass (born 1944) Necklace labradorite, moss agate, Denim Lapis and African beads set with Egyptian Paste geometric pieces made by Dorothy Feibleman for Annie Fewlass unsigned 47cm. long Catalogue notes Dorothy Feibleman designed and made a group of small Egyptian Paste pieces for the textile and clothes designer and maker Annie Fewlass, originally they were used on her garments. They were later used in a small series of necklaces constructed by Annie Fewlass. £100-200 ARR 298

Breon O’Casey (1928-2011) Cuff bangle textured, ridged silver, stamped BOC signature, 8cm diam. 6cm wide Provenance Private collection.

£500-800

ARR 299

Breon O’Casey (1928-2011) Necklace seventy interlinked, hammered silver rings stamped BOC signature to one link 89cm. long Provenance Private collection.

£300-500

299

THE WILLIAM WATERS COLLECTION 300 A Royal Doulton Flambe vase, fluted Lotus bud form, covered in a red flambe glaze, a Sung glaze model of two doves, a Royal Doulton stoneware sugar basin modelled with fish, a stoneware vase, and two other Royal Doulton flambe pieces, printed factory marks, damages (7) £100-200 301 A Tall Doulton Faience bottle vase by Alice Euphemia Thatcher, ovoid with tapering, knopped neck, painted with magnolia flowering boughs in colours on a sky blue ground, impressed factory marks, painted artist monogram, professional restoration, 37.5cm. high £80-120

300

302 A Doulton Carrara Ware vase by Ada Dennis, solifleur bottle form, painted with a panel of young children resting in a field, in colours on a white ground, highlighted in gilt, impressed factory mark, painted monograms, repaired, 27.5cm. high £80-120 303 An Aesthetic Movement W B Simpson & Sons tile plaque of Medea, painted in blue, yellow and white on a cream ground, painted mark to front, 30.5 x 15,5cm. £80-120

301

302

304 An Aesthetic Movement pottery jardiniere probably Mintons, model no. 1654, Oriental censor form on tripod feet with mask handles, cast in low relief with a band of Chinese dragons, glazed turquoise blue, impressed numbers, mark removed, 31cm wide, 18cm high £80-120 305 An unusual Minton Secessionist candlestick designed by John Wadsworth and Leon Solon, shape no.1, pierced, domed base tubeline decorated with bunches of grapes, in green and blue, and a Minton Secessionist vase, shape no.12, printed factory marks, damages and restoration, 11cm. high (2) £60-100

303

304

305

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

306 A tall Manzoni Pottery ‘Floral Age’ Minerva Ware vase by Carlo Manzoni, dated 1896, baluster form with applied foliate handles, the body incised and painted with a panel of cherub collecting flowers and making floral garlands, the reverse with stylised foliate panel, in green, yellow, blue and turquoise, incised title, makers mark, signature and date to inside of neck, professional restoration, 49.5cm. high £100-200

307 A small Della Robbia Pottery vase by Alice Louisa Jones and ELL, ovoif with flaring neck, incised with stylised flowers in green and yellow on a turquoise ground, incised factory mark and ELL, painted LJ monogram, 13.5cm. high £80-120 306 both sides

308 A Moorcroft Pottery Flamminian Ware vase designed by William Moorcroft, retailed by Liberty & Co, swollen cylindrical form, tubeline decorated to the shoulder with Art Nouveau flower roundel, in blue on a streaked red ground, incised Moorcroft signature, printed Liberty mark, minor stress hairlines to top rim,9.5cm. high £80-120

309 A Copeland porcelain plate painted by Ann Macbeth, painted with flowers in blue, white and copper lustre on a purple lustre, printed Copeland mark, painted AMcB initials, 23cm diam. £80-120

307

308

309

310

310 A S Hancock & Sons Morrisware pomander vase designed by George Cartlidge, pattern C56-5, tapering cylindrical form with pierced shoulder, tubelined with flowers and foliage, inscribed Of Past Summers Essence, in green, purple and blue printed factory mark, painted green signature, 19cm. high £100-200

311 A Pilkington’s Lancastrian Pottery vase by Charles Cundall, dated 1909, shouldered form, painted with doves flying amongst treesin golden lustre on a red ground, impressed factory marks, painted artist cipher and date code, glaze cracking, 15.5cm. high £100-200 312 A Pilkington’s Lancastrian Pottery solifleur vase by William S Mycock, dated 1919, painted with panels of flowers in ruby and golden lustre on a blue ground, impressed factory mark, painted artist cipher and date, glaze cracking, 19.5cm. high £100-200 313 A Pilkington’s Lancastrian vase by William S Mycock, dated 1911, shouldered form, painted with hounds chasing a hare, in golden lustre with ruby highlights on a mottled orange ground, impressed factory mark, painted artist cipher and date code, 14.5cm. high £200-400

311

312

314 A Pilkington’s Lancastrian vase by Richard Joyce, dated 1910, ovoid, shouldered form, painted with scaly fish swimming amongst waterweed in golden lustre, with ruby red highlights on a lime green ground, impressed factory mark, painted artist cipher and date mark, professional restoration, 15.5cm. high £200-400 315 A Pilkington’s Lancastrian Pottery bowl by Annie Burton, painted to the interior well with a flowerhead in gold, blue and red lustre, the exterior striped blue and red lustre painted B, 10cm. diam. £80-120

313

315 314

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

316 A Ruskin Pottery high-fired stoneware vase designed by William Howson Taylor, dated 1907, shouldered form with cylindrical neck, white with streaked lavender and purple, with turquoise splashes, impressed factory mark and date, cracked, 19cm. high £80-120 317 A Ruskin Pottery stoneware Souffle glaze vase by William Howson Taylor, slender, Mei ping form, covered in a purple and lavender streaked souffle glaze, impressed factory mark, flooded date possibly 1910, 18.5cm. high £150-250 318 A Ruskin Pottery high-fired stoneware vase by William HowsonTaylor, dated 1905, waisted cylindrical from, covered in a speckled lavender and turquoise glaze over sang de boeuf glaze impressed Ruskin, 1905 date and painted scissor mark, 17.5cm. high £200-300

316 two views

319 A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1914, ovoid with cylindrical neck and flaring rim, covered in a running green and blue glaze, impressed factory mark and 1914 date, professional restoration to neck, 22.5cm. high £150-250 320 A Ruskin Pottery stoneware Lustre vase by William Howson Taylor, dated 1913, slender,shouldered cylindrical form, covered in a pale blue lustre glaze, a Ruskin Pottery vase glazed matt blue, a crystalline glaze vase, an Orange lustre ginger jar and cover and a small vase, impressed factory marks, 21.5cm. high (6) £100-200

317

320

318

319

321 A Danish pottery figure by Herman August Kähler, modelled as a crouching naked young woman, incised monogram, Danmark 18cm. high £50-100 322 A Danish stoneware figure of The Birth of Venus by Holger Christiensen, possibly Saxbo, modelled kneeling in a large clam shell, covered in a speckled mushroom glaze incised signature, 39cm.high £80-120

321

322

323 An Art Nouveau Lachenal solifleur vase by Edmond Lachenal, waisted foliate stem covered in a streaked blue and flambe lustre glaze, painted Lachenal and monogram, drilled base, minor glaze loss, 16.5cm. high £100-200

324 Denise Wren (1891-1979) Plate, 1923 Oxshott Pottery, painted with Art Nouveau flowers and foliage and Celtic Knot motif, influenced by Archibald Knox, in colours incised Oxshott 1923, paper label, 21cm diam. £80-120

324

325 An Oxshott Pottery vase, cylindrical form, covered in a sandy yellow glaze, an Ashby Guild flambe vase, two Ashworth Pottery vases, a tile and two continental pottery vases incised Oxshott, 16cm. high (7) £100-200

323

325

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

326 328 327 ARR 326 Tony Laverick (born 1961) Vase ovoid, painted with geometric panels, highlighted with gilt painted TL monogram, 20 21cm. high £150-200 ARR 327 Tony Laverick (born 1961) Shallow bowl, 2001 painted to the well with a geometric landscape in colours, highlighted in gilt, on a blue veined ground, painted monogram, MMI date 31cm. diam. £50-100 ARR 328 Tony Laverick (born 1961) Vase, 2016 tapering cylindrical form glazed with geometric panels, highlighted in lustre painted monogram, 16 20cm. high £150-200 ARR 329

Jonathan Chiswell-Jones (b.1944) Bowl reduction fired lustre, with Persian design in red and blue lustre painted monogram, 6748 21cm. diam. £80-120

ARR 330

Jonathan Chiswell-Jones (b.1944) Wild Roses Charger reduction fired lustre, yellow and silver lustre on blue painted monogram, 3501 34cm. diam. £100-200

ARR 331

Jonathan Chiswell-Jones (b.1944) Wildflowers Charger reduction fired lustre, red and silver lustre on a blue ground, the rim inscribed He Who Binds To Himself aJoy Doth The Winged Life Destroy, But He Who Kisses The Joy As It Flies Lives in Eternity’s Sunrise, painted monogram 41cm. diam. £200-400

329

ARR 332

Jonathan Chiswell-Jones (b.1944) Dodo Charger reduction fired lustre wall charger, ruby, blue and silver lustre painted monogram, 4704, BB 43cm. diam. Provenance Blackwell House, The Arts and Crafts Home, purchased by vendor. £200-400 330

331

332

333 A Loetz glass vase, footed ovoid form with cylindrical, knopped neck and fluted rim, covered in a golden iridescence, and another glass bowl similar, unsigned, 18cm. high (2) £100-200

334 A Haida enamelled glass vase, swollen cylindrical form, enamelled with panel of flowers in colours, highlighted with gilt bands, and a continental glass tankard with pewter mounted cover, unsigned, 13.5cm. high (2) £80-120 333

335 A WMF Ikora glass vase probably designed by Karl Weidmann, flaring conical form with knop, mottled green glass graduating to red rim, with air bubble inclusions, cased in clear, unsigned 33.5cm. high £80-120

336 A James Powell & Sons Whitefriars stained glass window the design attributed to William Butterfield, diamond panels depicting ears of corn, unsigned, 41 x 27.5cm. £200-300 334

335

337 A James Powell & Sons ruby glass Poppy head decanter with white metal stopper probably designed by Harry Powell, tapering square section dimpled body with rigaree band to neck, a blue opalescent glass vase, a fluted glass vase and a wine glass unsigned, 25cm. high (5) £80-120

336

337

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

338 Samuel Sam Herman (1936-2020) Vase, 1981 swollen form pale red with black and red stripes, green and blue patches with aventurine, etched Samuel Herman, 1981 and CA26 14.5cm. high £100-200 339 Mike Hunter Twists Vetri, 1990 clear glass vase with internal blue, white and green flower head motif, and white zanfirico, on applied foot, etched signature, date and title, applied artist label, 35cm. high £100-200 340 Peter Layton (born 1937) Ovoid vase London Glassblowing Studio, blue and cream striated glass cased in clear etched signature, 11cm. high £80-120

338

341 Peter Layton (born 1937) Vase London Glassblowing Studio, flattened form, blue, yellow and red streaked glass cased in clear incised Peter Layton 19cm. wide £80-120 342 Peter Layton (born 1937) Pulled rim vase London Glassblowing Studio, blue and cream pulled glass design cased in clear etched Peter Layton signature, paper label BPL09 24cm. high £100-200

339

340

343 Peter Layton (born 1937) Solifleur vase London Glassblowing Studio, blue, ruby and pink glass cased in clear, etched signature, paper label PL20 25.5cm. high £100-200 344 Peter Layton (born 1937) Tall Vase London Glassblowing Studio, veined red graduating to pale blue shoulder, cased in clear etched Peter Layton 28cm. high £150-250

342

341

343

344

345

346

ORIGINAL DESIGNS FOR STAINED GLASS WINDOWS 345 Heaton Butler & Bayne, attributed William of Wykeham, John Wycliffe & Saint Matthew watercolour on paper stained glass window design, framed and another stained glass window design unsigned 43.5 x 19cm (frame) (2) £80-120 346 Heaton Butler & Bayne Crucifixion watercolour design for a stained glass window, framed unsigned, paper label to reverse 22.5 x 15.5cm (image) Provenance Heaton Butler & Bayne studio. The Maas Gallery, 1998 (ex cat). Moss Gallery. William Waters collection.

£100-200

347 Henry James Holiday (1839-1927) South Window Chancel, Mossley Hill Church, 1881 watercolour and ink design for a stained glass window for James Powell & Sons, Whitefriars, framed signed and dated 36 x 26cm (image) £150-200 347

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

348

348 Robert Turnill Bayne (1837-1915) Two Saints or Bishops ink on paper design for a stained glass window for Heaton, Butler and Bayne, framed unsigned, 121 x 62.5cm (image) £200-400

349

349 Carl Almquist (1848-1924) Christ with a Soldier and an Angel, Harthill Church No.3 Lower Tier ink and wash on paper design for stained glass for Shrigley & Hunt for All Hallows Church, Harthill, framed unsigned 148 x 47cm (image) £200-400

350 Carl Almquist (1848-1924) Sleeping Disciples, Harthill Church No.2 ink on paper design for a stained glass window for Shrigley & Hunt, for All Hallows Church, Harthill, Cheshire, framed annotated Harthill Ch No.2 113 x 49cm (image) Provenance William Waters collection. Catalogue notes Carl Almquist was a Swedish-born stained-glass artist whose professional life was spent entirely in Britain. He was a pupil of Henry Holiday and became one of the principal designers at Shrigley & Hunt where he is credited with developing their Pre-Raphaelite, aesthetic style. £200-400 350

351 Sir Edward Coley Burne-Jones (1833-1898) Study of a Standing Male with a Sword pencil on brown paper design for a stained glass window, squared for transfer, framed unsigned 30.5 x 15cm (image) Provenance British European and Sporting Pictures, Tennants Auctioneers, 16th July 2022, lot 1020. This drawing is a working, preparatory sketch for part of a stained glass window at the Council Chambers, Dundee. £500-1,000

352 Charles Haslewood Shannon (1863-1937), attributed Standing Martyr watercolour on paper, framed unsigned, 44x 19cm (image)

351

352

Provenance The William Waters Collection. £400-600

353 Percy Bulcock (1877-1914) Virtue and Vice on The Path of Life ink on paper, framed concealed inscription to reverse, 29 x 15cm (image) £100-200

354 Charles Haslewood Shannon (1863-1937) Female nude with drape, 1896 pencil and white heightener on paper, framed signed CHS dated 96 29.5 x 20cm £400-600

353

354

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

355

355 E Goering Le Village de Kergroix, Morbiham, Bretagne watercolour and pencil on paper, framed signed and titled lower left, 45 x 37cm. image £100-200 356

356 William Gershom Collingwood (1854-1932), attributed Waterfall under a Crescent Moon oil on canvas, in a carved wood frame, unsigned, 21.5 x 44cm. (image) £300-500

ARR 357 Gordon H Wyllie (1930-2005) Red Fields, 1988 gouache on paper, framed signed Wyllie, 88 bottom right

Provenance The Open Eye Gallery, Edinburgh.

£200-400

357

359 part

358

358 ‘The Quest’ volume 1 and 2, (numbers 1-6), by Birmingham Guild of Handicraft, printed on handmade paper with woodblock illustrations, covers designed by Henry Payne and Ernesy Treglown, 1895, in original cloth boards, (two volumes) £150-200 359 The Book of Plates Volume 1 and Volume 2 (1900) published by Otto Schulze & Co, The Yellow Book volume IX 1896, Stories by Hans Christian Andersen (two volumes) published by George Allen, Renaud of Montauban, Huon of Bordeaux published by George Allen, Poems of Wordsworth published by Methuen & Co, The Story of Alexander published by David Nutt, 1894 illustrated by Fred Mason, and Spenser’s Faerie Queen published by J M Dent (10) £100-200 360 Constantin Meunier (1831-1905) Le Marteleur patinted bronze sculpture, on veined marble base signed in the cast C Meunier 52cm. high 361 New Sculpture, manner of Sleeping naked Woman patinated bronze unsigned 14cm. high

360

£500-1,000

£100-200

361

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

362 Reginald Fairfax Wells (1877-1951) Cart horse patined bronze sculpture, signed R F Wells, 37cm. wide 34.5cm. high Literature Sculpture and Pottery by Reginald Wells, Carfax & Co, 1908, catalogue number 15 for a bronze listed as Horse, priced at 27 Guineas. Reginald Fairfax Wells, Sculptor,Potter, Designer 1877-1951, Luton Museum, 1998, page 9 catalogue number 102 for a stoneware example, dated 1923, illustrated. £600-1,000

363 364

363 A Swedish Art Nouveau patinated bronze vase Emy Wahlstrom, compressed body with cylindrical neck, cast in relief with an aquatic scene of prawns and seaweed, signed in the vase to the base rim, 14.5cm.high £80-120

364 An Art Nouveau pewter coupe, circular foot supporting shaped stem with trilobed branches supporting the bowl, cast with elliptical motif and set with red cabochon, an Art Nouveau pewter tray cast with maiden probably WMF, model no.249 and an Art Nouveau figural candlestick, main chalice unmarked 26cm. high (3) £80-120

365 part

365 An Art Nouveau WMF pewter wall charger, model no.231, cast in low relief with a maiden portrait amongst flowers, with radiating sinuous stems and pierced rim, and an Art Nouveau dish modelled with a resting maiden, probably WMF, cast number, 30cm diam. (2) £80-120

366 A Liberty & Co Tudric Pewter hot-water pot and hinged cover designed by Archibald Knox, model no.0231, cast in low relief with Art Nouveau flower stems, and a matched milk-jug and sugar basin, stamped marks, 22cm. high (3) £100-200

366

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

367

367 A Liberty & Co English Pewter cannister and cover designed by Archibald Knox, model no. 0193, cylindrical, cast in low relief with Art Nouveau flower stems, a Liberty crumb tray and two elliptical bowls, stamped marks, 11.5cm. high (5) £100-200

368 An electroplated tea cannister and cover probably A E Jones, number 1633, shouldered form, hammered finish with applied rope bands, a silver vesta case, a pair of Art Nouveau plated butter knives, a brass pepper pot and a plated sugar basin, stamped 1633 to base, 12cm. high, (7) £80-120

368

369 A Hamilton & Inches sugar silver sifter, fluted form, the cover with berry terminal, pierced foliate vents, an ASco silver goblet, inscribed 1913, and a Hunt and Roskell silver goblet stamped marks, Edinburgh, 1925, 14cm. high (3) £80-120

369

370 part

371

370 A pair of Keswick School of Industrial Arts copper plates, stamped in low relief to the rim with a frieze of split pomegranates and foliage, and a Newlyn copper jug stamped in low relief with fish and shells, stamped marks, 24cm. diam. (3) £80-120 371 A Birmingham Guild of Handicraft copper and brass planter designed by Arthur Stansfield Dixon, the swollen, hammered copper body with applied brass loop handles, and a Birmingham Guild of Handicraft copper tray stamped mark, 16cm. high (2) £150-250 372 A John Round & Son tall silver and ivory coffee pot the design attributed to Kate Harris, model no.11214, tapering cylindrical form, cast in low relief with Art Nouveau flower stems, with hinged cover, ivory finial and side-handle, stamped marks,JR London 1905, 26cm. high 372

Note: Ivory Exemption Certificate No.RV5386XK. £200-400

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

373

373 A modern Guild of Handicraft silver and glass wine ewer after a design by Charles Robert Ashbee, dated 2008, ovoid olive green glass body with tapering neck, applied with tapering silver neck, hinged cover with tall streamlined lip, five strand wirework handle, applied with two red glass cabochon, stamped marks, GofH, London 2008, 25.5cm. high £500-1,000

END OF COLLECTION

END OF SALE 91

2027 AUCTION CALENDAR 15th April British Art & Design

17th June

A William De Morgan Late Fulham Period Alarmed Bird and Formal Foliage tile Provenance The Allan & Sondra Gotlieb Collection

Sold for an Auction World Record £8,500 (£11,150 including fees), 8th October 2026

Fine Arts & Crafts

14th October Moorcroft Pottery

11th November British Art Pottery

CONTACT Michael Jeffery michael@kinghamsauctioneers.com

TERMS & CONDITIONS OF SALE AND BUSINESS These Conditions of Sale and Business constitute the contract between Kinghams Auctioneers limited and the seller, on the one hand, and the buyer on the other. By bidding at the auction, and/or consigning to Kinghams Auctioneers limited, you agree to be bound by the following terms. CONDITIONS OF SALE 1. DEFINITION In these terms of business: Kinghams Auctioneers & Valuers is referred to as ‘Kinghams’. The Kinghams representative conducting the auction is referred to as the ‘auctioneer’. 2. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers if the transaction is not completed and paid for. 3. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment. 4. DESCRIPTIONS AND CONDITION OF LOTS Every effort is made to ensure the accuracy of statements relating to authorship, descriptions, origin, date, age, provenance and condition of lots. Statements made orally or in the catalogue are opinions given after careful consideration and research. Prospective buyers are given ample opportunity to view lots before any sale. When bidding, buyers acknowledge that they are fully satisfied as to the description and condition of the lot. The absence of a condition report or reference to condition in catalogue descriptions does not indicate that the lot is without fault. 5. ATTRIBUTION OF PICTURES (a) If the forename(s) (or asterisks where not known) and surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work by the named artist. (b) If the initials of the forename(s) and the surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work of the period of the named artist and may be wholly or in part his work. (c) If the surname of the artist is given, this indicates that in the opinion of Kinghams the picture is a work of the same school of the named artist, or by one of his followers, or in his style and of uncertain date. (d) The term ‘Bears signature’ indicates that in the opinion of Kinghams this is not the signature of the artist. (e) All other terms are self-explanatory. 6. FORGERIES Notwithstanding Condition 4, any lot which proves to be a deliberate forgery may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence provided that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium. 7. THIRD PARTY LIABILITY Every person on Kinghams premises before, during or after a sale shall be deemed to be there at their own risk and shall have no claim against Kinghams in respect of any injury they may sustain or any accident which may occur. 8. DISPUTES Any dispute not covered in these terms of business will be settled at the sole discretion of Kinghams. 9. GENERAL We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of the Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email in which case it shall be deemed to have been received by the addressee 48 hours after posting. Special terms may be used in catalogue descriptions of particular classes of terms in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of the Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. English law applies to the interpretation of these Conditions. TERMS OF CONSIGNMENT FOR SELLERS 1. INTERPRETATION In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’ etc. refer to Kinghams Auctioneers & Valuers. 2. WARRANTY The Seller warrants that possession in the lots can be transferred to the Buyer with good and marketable title, free from any third party right and encumbrances, claims or potential claims. The Seller has provided all information concerning the items ownership, condition and provenance, attribution, authenticity, import or export history and of any concerns expressed by third parties concerning the same. 3. COMMISSION Commission is charged to sellers at a flat rate of 15% plus VAT on each lot. There is a lotting charge of £5.00 (+VAT) per lot sold or unsold. There is a charge of £10.00 (+VAT) per furniture lot sold or unsold (defined by staff). Insurance is charged at 1.5% (+ VAT) of hammer price or bottom estimate if unsold. 4. REMOVAL COSTS Items for sale must be consigned to the saleroom by and stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 5. LOSS AND DAMAGE OF GOODS a) Loss and Damage Warranty – Kinghams is not authorised by the FSA to provide insurance to its clients and does not do so. However, Kinghams for its own protection, assumes liability for property consigned to it at the lower presale estimate until the hammer falls. To justify accepting liability, Kinghams makes a charge of 1.5% of the hammer price plus VAT. The liability assumed by Kinghams shall be limited to the lower pre-sale estimate or the hammer price if the lot is sold. b) If the owner of the goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owners risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 5(a) is inapplicable. 6. ILLUSTRATIONS The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 7. MINIMUM BIDS AND OUR DISCRETION Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 8. We may sell lots below the reserve provided if we can account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to 10% below the formal reserve.

8. RESERVES a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to unreasonably high reserves {in which case goods carry the storage (Condition 17) and loss damage warranty (Condition 5(a) charges as stipulated in these Terms of Consignment}. b) A reserve once set cannot be changed except with our consent. c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

18. SETTLEMENT Settlement is started from 4 weeks after the auction, subject to normal business conditions and funds being cleared. If the buyer has not paid for the goods no settlement will be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. Please note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 11 above and you should therefore bear this in mind before parting with the proceeds of sale. INFORMATION FOR BUYERS

d) Reserves are not usually accepted for lots expected to realise below £50. 9. ELECTRICAL ITEMS These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 10. SOFT FURNISHINGS The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.The rights of disposal referred to in clauses 9 and 10 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection upon request. 11. DESCRIPTIONS Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 4 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. 12. UNSOLD ITEMS If an item is unsold it may at our discretion be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. 13. WITHDRAWN AND BOUGHT IN ITEMS These are liable to incur charges on being bought in or withdrawn after being catalogued. 14. CONDITIONS OF SALE You agree that all goods will be sold subject to our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses, liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 15. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST You authorise us to deduct commission at the stated rate and all expenses incurred from your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. You authorise us at our discretion to negotiate a sale by private treaty not later than the close of business 48 hours after the day of sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply. 17. STORAGE We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make storage charges.

1. INTRODUCTION The following notes are intended to assist buyers particularly those who may be inexperienced or new to our saleroom. All sales are conducted in accordance with our Conditions of Sale. Our staff will be happy to help you with anything you do not fully understand. 2. AGENCY As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly, if you buy your primary contract is with the seller. 3. THE BUYER The highest bidder acknowledged as such by the auctioneer will be the buyer. If any dispute arises, the auctioneer has absolute discretion to settle the matter. The auctioneer rules the bidding and bids cannot be retracted. The auctioneer reserves the right to refuse any bid. The successful bidder, whether bidding for himself or for a third party, is entirely responsible for paying for the lots they have bought in accordance with Kinghams’s Conditions of Sale and Business. The auctioneer reserves the right to bid on behalf of the sellers for any lot and to withdraw, consolidate or divide any lot or lots. 4. REGISTRATION Unless registered already on a bidding platform, it is essential that all prospective buyers register with us, giving their full name, address, contact telephone number(s) and email address. All buyers will be required to provide proof of identity (i.e. driving licence/passport). Upon receipt of the above a paddle will be issued, which is only valid for the current sale. The paddle may be used to indicate your bids to the Auctioneer during the sale. If successful, the bidder must ensure that their number can be seen by the Auctioneer and that it is their number that is called out. Should there be any doubts as to price or buyer, please draw the Auctioneer’s attention to it immediately. We reserve the right to investigate and identify all bidders and the source of any funds received by us, including but not limited to engaging approved thirdparty vendors. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Kinghams Auctioneers & Valuers Limited or the Seller. 5. BUYER’S PREMIUM - COMMISSION CHARGES There is a buyer’s premium of 26 per cent plus VAT on the hammer price of each lot up to and including £500,000. The buyer’s premium is 18% plus VAT on the hammer price of each lot on the excess of £500,001 up to and including £1,000,000. The buyer’s premium is 15% plus VAT on the hammer price of each lot on the excess of £1,000,001. 6. VALUE ADDED TAX Lots on which the buyer may have to pay VAT on the ‘hammer price’ are indicated in the catalogue with the following symbol *. The buyer must pay this VAT at the rates that apply on the day of the auction in addition to the buyer’s premium and VAT thereon. 7. AUCTIONEERS MARGIN SCHEME This scheme allows auctioneers to sell items without VAT on the hammer price. The buyer then pays an amount equivalent to VAT. This amount cannot be refunded and is not shown separately on the invoice.

8. PAYMENT Buyers must pay in full before items can be removed from the premises (please see “payment methods” below). Invoices will be issued from the day of the sale. Buyers must pay their invoice in full within 24 hours and advise when they will be collecting their item(s). Any invoices which remain unpaid after seven days will incur interest at 5% above the base rate, charged from the date of the sale. If buyers are unknown to us, we cannot hand over purchases unless we have adequate references or payment is cleared. Payment Methods We accept payment by: Cash – up to £9,000 (subject to money laundering regulations). Debit cards - Visa, Delta, Switch, Connect (we accept a maximum payment of £1,000 by phone) Bank transfer to: HSBC Bank, Bridge St, Evesham WR11 4RU Account no. 51655345 Account name Kinghams Auctioneers & Valuers Sort code 40-20-27 IBAN GB91MIDL40202751655345 SWIFTBIC MIDLGB22 Please note that a fee of £15 will be added for international bank payment. Please note we do NOT accept credit card or paypal payments. In case we have to provide a payment link a 5% fee of the total invoice value will be charged. 9. LIVE INTERNET BIDDING Live online auctions are in conjunction with the-saleroom.com, invaluable.com and easyliveauction.com We ask that you register for the sale a minimum of 24 hours before the auction. When you have registered, you can watch the auction in real time; simply click the bid button to place a bid. If your bid is successful we will notify you after the sale for payment. Charges will be made for internet bidding dependent on the auction platform. See their terms and conditions for details. 10. TRANSFER OF RISK Each lot is the buyer’s sole responsibility from the fall of the hammer. 11. COMMISSION BIDS If instructed, Kinghams will execute bids and advise prospective buyers. This service is free. Buyers who cannot come to a sale may leave their bid with our staff after/during viewing, or make their bid in advance by telephone or email (enquiries@ kinghamsauctioneers.com). Such bids are placed at the buyer’s own risk. Bids must be made at least one hour before the sale starts, but we advise buyers to make bids at the earliest possible opportunity. When making bids, buyers must provide: Their full name Address Email address Contact telephone numbers The number of the lot they wish to buy Their maximum bid amount – excluding commission which will be added to the invoice afterwards. Buyers must state what their maximum bid would be. We cannot accept an instruction to ‘buy’ or unlimited bid. We will ensure that lots are bought as cheaply as possible depending on the bids made and other reserves. If identical bids are placed, they will be dealt with on a “first come first served” basis. 12. TELEPHONE BIDS Lines for telephone bidding must be booked 24 hours before the auction. Lines are booked on a “first come first served basis.” Full name, address and telephone numbers will be required together with proof of identity and address. Bank and credit/debit card details are also necessary to secure the line. 13. DATA PROTECTION Kinghams will use information provided by its clients or obtained by Kinghams relating to its clients for the provision of auction services or as required by law. Kinghams may need to record telephone conversations for security or legal reasons or as necessary to provide a higher quality of service. Clients agree that Kinghams may use sensitive information that they supply to Kinghams. Unless permitted by law, Kinghams will not otherwise process sensitive personal data without express consent. By agreeing to the Conditions of Sale and Business, clients agree to the processing of their personal information.

14. STORAGE CHARGES Handling and storage charges may be applied to any purchased or unsold lots that have not been collected within 14 days from the date of the auction at the following rates: Small items (such as jewellery, watches, books or ceramics): handling fee of £20 per lot plus storage charges of £2 per lot per day. Medium items (such as most paintings or small items of furniture): handling fee of £30 per lot plus storage charges of £4 per lot per day. Large items (items that cannot be lifted or moved by one person alone):handling fee of £40 per lot plus storage charges of £8 per lot per day. Oversized items (such as monumental sculptures): handling fee of £80 per lot plus storage charges of £10 per lot per day. A lot’s size with be determined by Kinghams Auctioneers on a case by case basis (typical examples given above are for illustration purposed only) All charges are subject to VAT, where applicable. All charges are payable to Kinghams Auctioneers. Storage charges will cease for purchased lots which are shipped through Kinghams Auctioneers’ shipping service from the date on which we have received a signed quote acceptance from you. 14.1 LIABILITY FOR LOSS OR DAMAGE Buyers are reminded the Kinghams Auctioneers accepts liability for loss or damage to lots for a maximum period of thirty (30) days after the date of the auction. 15. ELECTRICAL GOODS AND SOFT FURNISHINGS These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations. 16. EXPORT OF GOODS Buyers intending to export goods should check whether an export licence is required and whether there is any specific prohibition on importing goods of that character because e.g. they may contain prohibited materials such as ivory. Ask us if you need help. 17. PACKING AND DESPATCH We offer a packing and despatch service for smaller lots. We also use national and local carriers. Further details can be obtained from our office. 18. DROIT DE SUITE ROYALTY CHARGES A work of art by a living artist, or those who have died within the last 70 years, which costs more than the UK sterling equivalent of €1,000 will incur a royalty charge. We pass this payment onto the Design and Artists Copyright Society (DACS), and do not charge a handling fee. Buyers can calculate royalty charges on the DACS website. Items marked with the † symbol in the catalogue will potentially incur royalty payments. We use the euro to UK sterling exchange rate which applies on the day of the sale. It is the buyer’s responsibility to check the relevant exchange rate. The actual qualifying threshold is calculated by the Artist’s Resale Right Service Hub based on the European Central Bank reference rate published at 2.15pm on the day of the sale, and can be found on the DACS website. The royalty charge for pictures which achieve a hammer price of more than the UK sterling equivalent of €1,000, but less that the UK sterling equivalent of €50,000 is 4%. On works of art that achieve a hammer price of more than the UK sterling equivalent of €50,000 a sliding scale of royalty charges applies. For a complete list of the royalty charges and threshold levels please download more information from the DACS website. The royalty charge is added to invoices, and must be paid before purchases are removed. VAT is not paid on royalty charges. 19. CITES LICENSE - IMPORTANT NOTICE RELATING TO SPORTING AND NATURAL HISTORY Clients intending to import/export any item derived from natural history specimens into/from a non-European country should first check for any Import/Export and possession restrictions prior to bidding/selling. Certain species (λ) are also subject to CITES regulations when exporting/importing these items out of the EU. CITES regulations are given on www.ukcites.gov.uk or maybe obtained from Animal Health, Wildlife Licensing and Registration Service, Zone 1/17, Temple Quay House, 2 The Square, Bristol BS1 6EB. Those species that are covered by the US Endangered Species Act (USESA) or The Migratory Bird Treaty Act (MBTA): potential US bidders should check with USF&W (US Fish and Wildlife Services) for trade/possession restrictions in the US prior to bidding.

CONTACT US KINGHAMS AUCTIONEERS CALL ON 01608 695695 OR EMAIL enquiries@kinghamsauctioneers.com WWW.KINGHAMSAUCTIONEERS.COM