Wednesday 22 & Thursday 23 July 2026
FINE, DECORATIVE ARTS AND DESIGN
To be held at:
10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ
WEDNESDAY 22 & THURSDAY 23 JULY 2026
Viewing
Monday 20 July – 10am to 5pm, Tuesday 21 July – 10am to 5pm Wednesday 22 July 9am to 10am & Thursday 23 July 9am to 10am
Day of the Sale
Auction scheduled to start at 10am with bidding in the room and live bidding on the internet bidding platforms. Telephone bids and commission bids are accepted and potential bidders will need to be registered with us before the sale.
SPECIALISTS
Live internet bidding is available on www.kinghamsauctioneers.com, www.the-saleroom.com, www.invaluable.com and www.easyliveauction.com together with a fully illustrated catalogue.
Catalogue £10.00 (£14.00 by post)
Kinghams Auctioneers Ltd
10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ NB. Please telephone to arrange collection.
01608 695695 | enquiries@kinghamsauctioneers.com | www.kinghamsauctioneers.com
John Keightley Associate Director Senior Valuer and Cataloguer
Adrian Rathbone Associate Director and Senior Valuer
Michael Jeffery Associate Director and 20th Century Design Specialist
George Kingham Director
Mark Oliver Consultant Decorative Arts Specialist
Steven Bruce Consultant Valuer
Eric Belgrave Photographer
Sarah Powel Office Administrator
MAP AND DIRECTIONS
Our auction house is located in the historic Cotswold market town of Moreton-in-Marsh
By Car
We are centrally located on the A44 in reach of motorways the M5, M4, M40 and M42. Ample free parking.
By Rail
Moreton-in-Marsh’s train station is less than a mile from the auction centre.
By Plane
The nearest International Airports are Birmingham, 45 miles and Heathrow, 70 miles.
Accommodation
The Howard Arms (10-minute drive from the auction centre) Lower Green, Ilmington, CV36 4LT 01608 682226 www.howardarms.com
DELIVERY SERVICES FOR BUYERS
We offer an in house packing service for most items and paintings up to 110cm x 80cm. Please email enquiries@kinghamsauctioneers.com for a quote or call 01608 695695 for a quotation.
For Furniture:
Tustain Carriers, Fine Art & Antique Carriage 07964 626325 enquiries@tustainclearance.com www.tustaincarriers.com
USEFUL INFORMATION FOR BUYERS
Please see full Terms and Conditions at the back of this catalogue.
Buying at Kinghams Auctioneers Ltd:
There are several ways you can bid at our auctions; by leaving a commission bid, on the telephone and live via the internet.
Bidding in Person
It is essential that all prospective buyers register with us prior to the auction. Proof of identification will be required in order for a bidding number to be allocated which can then be used when bidding for an item.
Commission Bids
Kinghams will execute bids if you are unable to attend the sale. Bids can be left with our staff during or after viewing, or in advance by telephone or e-mail: enquiries@kinghamsauctioneers.com
Telephone Bids
Lines must be booked by 5pm the day before the auction begins. Lines are booked on a first come first served basis. Full name, address and telephone numbers will be required together with proof of identity. Bank and/or credit/debit card details are necessary to secure the line.
Live Internet Bidding
Register online via www.kinghamsauctioneers.com, www.the-saleroom.com, www.invaluable.com, www.easyliveauction.com and www.liveauctioneers.com Various charges apply, please check with your bidding platform.
Condition
Bidders must satisfy themselves as to the condition of each lot. Condition reports are available on request. (no later that 48 hours before the sale).
Buyer’s Premium
There is a buyer’s premium of 26% plus VAT on the first £500,000 of the hammer price of each lot. 18% plus VAT on the excess of £500,001 and up to £1,000,000 of the hammer price of each lot, and 15% plus VAT on the excess of £1,000,001 of the hammer price of each lot.
Payment
Must be made in full before items can be removed from the premises. If buyers are unknown to us, we cannot handover purchase until payment has been cleared.
Payment Methods - We accept payment by:
• Cash - up to £9,000 (subject to money laundering regulations).
• Cheques - we do not accept cheques.
• Debit cards accepted. We do not accept any credit cards.
• Bank transfer to:
HSBC Bank, 32 Bridge St., Evesham, WR11 4RU
Account No.: 51655345
Account Name: Kinghams Auctioneers Ltd
Sort Code: 40-20-27
IBAN: GB91MIDL40202751655345
SWIFTBIC: MIDLGB22
Please note that a fee of £15 will be added for international bank payments.
CONTENTS
Day One
and Paintings
Day Two
Catalogue Available Online www.kinghamsauctioneers.com
–
–
– 449
Antique Jewellery 450 – 585 Coins
Medals and Militaria
Metalware and Works of Art
586 – 590
591 – 600
– 660
Books and Manuscripts 661 – 665
Furniture and Clocks
– 686
Antique Glass, including Modern Lalique 687 – 737 Continental Ceramics 738 – 753 British Ceramics 754 – 783
DAY ONE
20TH CENTURY JEWELLERY
1 Liberty and Co., an Arts and Crafts silver and enamelled stick pin, Birmingham 1906, plain circular form with blue green enamel centre, 1.86g £40 - £60
2 Liberty & Co., by Archibald Knox, an Arts & Crafts silver Cymric brooch, with maker’s mark, stamped Cymric, length 2.7cm, 4.7g
Provenance: Private Cotswold collection £40 - £60
3 Jessie M. King for Liberty and Co., a Cymric Arts and Crafts silver and enamelled target brooch, Birmingham 1901, circular form, embossed with concentric bands of ogee form seed heads, around a central mother of pearl cabochon, 3.3cm diameter, 8.2g £150 - £250
4 An Arts and Crafts silver and gem set pendant brooch, oval form, the central mother of pearl plaque within a beaded open wire tendril frame set with green chrysoprase cabochons, 5cm wide, 13.5g £100 - £150
5 Bernard Instone, an Arts & Crafts silver enamel floral bar brooch, stamped Sterling Silver, length 7.2cm, 6.2g
Provenance: Private Cotswold collection £50 - £80
6 An Arts & Crafts foil-backed orange gem pendant necklace, length of pendant 4cm, length of necklace 41cm, 6.8g £60 - £80
7 An Arts & Crafts moonstone, blister pearl, blue paste and colourless gem clip, length 5.7cm, 16.2g £60 - £90
8 An Arts & Crafts silver smoky quartz and brown enamel ring, attributed to Bernard Instone, stamp indistinct, ring size M, 4.2g
Provenance: Ella Annesley Voysey, thence by descent £60 - £90
9 An Arts & Crafts silver citrine and split pearl brooch, with scroll and bead detail, attributed to W. T. Blackband, length 5cm, 17.2g
Provenance: Ella Annesley Voysey, thence by descent £70 - £100
10 Two Arts & Crafts silver gem set brooches, gemstones include blister pearl, hardstone and paste, flower brooch with maker’s mark for Albert Edward Jones, flower brooch with hallmarks for Birmingham 1903, lengths 3 and 4.7cm, total weight 14.6g
Provenance: Private Cotswold collection £70 - £100
11 Archibald Knox for Liberty and Co., an Arts and Crafts silver and enamelled brooch, circa 1905, bud form with segmented roundel and foliate wings, in blue green enamel, 3.2cm wide, 4.8g £80 - £120
12 Archibald Knox for Liberty and Co., a Cymric Arts and Crafts silver and enamelled brooch, Birmingham 1902, circular form, embossed with a galleon in sail, with orange enamel, 2.5cm diameter, 5.6g £80 - £120
13
13 James Fenton, an Arts and Crafts silver and enamelled pendant, Birmingham 1908, winged cartouche form with drop below, textured basse taille bubble effect turquoise, blue and green enamel, suspended on two chains united on a ring, 6cm long, 3.5cm wide, 7.5g £150 - £200
14 A pair of Arts & Crafts silver amethyst and turquoise clip-on earrings, length 2cm, 5.4g
Provenance: Private Cotswold collection £80 - £120
15 An Arts & Crafts silver blue chalcedony brooch, with bunches of grapes and leaf detail, length 8.5cm, 10.3g
Provenance: Private Cotswold collection £80 - £120
16
16 Liberty, an Arts & Crafts silver buckle, with maker’s mark, hallmarks for Birmingham 1913, length 6.7cm, 33.8g
Provenance: Private Cotswold collection
£80 - £120
17 Charles Horner, an Arts and Crafts silver and enamelled pendant, Chester 1916, open crescent lyre form with central mother of pearl cabochon, blue green guilloche enamel, suspended on two chains united by a milled spiral roundel, 5cm long, 5.3g £100 - £150
18 Guild of Handicraft (attributed), an Arts and Crafts silver and enamelled brooch, the rectangular plaque in blue green enamel flanked by foliated scroll brackets with acorn and oak leaf motifs, 4cm long, 5.5g £100 - £200
19
19 An Arts & Crafts rock crystal and blister pearl pendant necklace, length of pendant 7.5cm, length of necklace 42cm, 18g £100 - £200
20
20 An Arts and Crafts silver and enamelled butterfly brooch, John Atkins, Birmingham 1918, the blue and green enamel wings painted with black veins, 6.5cm long, 20g £120 - £150
21
21 An Arts and Crafts silver and enamel pendant, Gourdel Vales, Birmingham 1907, planished strap and knotted tendril shield form with green metallic enamelling, drop below, 4.5cm long, 7.3g £150 - £180
22 Murrle Bennett, an Arts and Crafts silver and enamelled buckle, import marks London 1903, the two reticulated asymmetircal cartouche form plaques with central oval roundels in blue green enamel, studded with rivet motifs, 7.5cm long, 1ozt £150 - £250
23 Charles Horner, an Arts and Crafts silver and enamelled pendant necklace, Chester 1908, reticulated open wing form with panels of blue green enamel, drop below, suspended from two chains united by a triangular link, 6.5cm long, 6.2g £180 - £220
24
24 Charles Horner, an Arts and Crafts silver and enamelled pendant, Chester 1914, open diamond form with three slats set with a mother of pearl cabochon, turquoise guilloche enamel highlighted with a green garland, 4.5cm long, 4.8g £180 - £220
25 An Arts & Crafts silver opal, garnet, blister pearl and enamel pendant, length 5.5cm, 6.9g £180 - £220
26
26 Liberty & Co., by William Hair Haseler, an Arts & Crafts silver enamel pendant, with later chain, pendant with maker’s mark, pendant stamped Silver, chain clasp stamped 925, length of pendant 4.7cm, length of chain 45cm, 14.7g £200 - £400
27 Charles Horner, an Arts and Crafts silver and enamelled pendant necklace, Chester 1909, open crescent lyre form with Egyptial lotus drops and mother of pearl cabochon, blue turquoise guilloche enamel, 6.5cm long, 5.6g £220 - £250
30 An Arts & Crafts gold pearl and enamel brooch, attributed to Archibald Knox, length 3.6cm, 4.2g £250 - £350
28 Archibald Knox for Liberty and Co., a Cymric Arts and Crafts silver and enamelled brooch, circa 1905, of double crescent form with knotted tendrils, in blue green enamel, gold coloured pin, 3.5cm long, 5.4g
£250 - £300
29 Archibald Knox for Liberty and Co., a pair of Arts and Crafts silver and enamelled cufflinks, Birmingham 1903, the oval plaques with sinuous tendrils and spade leaves, on blue, green and purple enamel ground, 2.5cm long, 8g (2)
£250 - £280
31 An Arts and Crafts silver, amethyst and moonstone necklace, in the style of Sibyl Dunlop, the main pendant of reticulated trefol motifs alternating with facet cut purple stones around a central oval cabochon and further drop below, suspended on four chains united by double trefoil and moonstone cartouche, two further swag chains 40.5cm long, 18.5g
£300 - £400
32 John Paul Cooper for the Artificaers Guild (attributed), an Arts and Crafts silver and moonstone necklace, the knotted tendril and beaded leaf pendant set with an oval cabochon within ropework border, a further drop below, suspended from a chain of coiled and scroll knotted links alternating with rope set stones, 41.5cm long, 6.8g
£300 - £500
33
33 An Arts and Crafts silver and opal ring, the central oval stone within a bifurcated berried laurel setting, approx size K, 3.2g £300 - £500
34 An Arts & Crafts silver moonstone and enamel necklace, S-hook clasp stamped 925, length of pendant 5.7cm, length of necklace 40cm, 17.4g £300 - £500
35
35 Liberty & Co., an Arts & Crafts silver enamel pendant with later chain, pendant with maker’s mark, pendant stamped Silver, chain clasp stamped Sterling, length of pendant 6.8cm, length of chain 41cm, 17.8g £300 - £400
36 An Art Nouveau silver enamel brooch, depicting a lady in profile, signed Fraises, length 2.4cm, 4.3g £50 - £80
37 An Art Nouveau gold split pearl foliate brooch, French assay mark, length 3.4cm, 2.9g £180 - £220
38 A pair of early 20th century Charles Horner silver enamel cufflinks, further enamel cufflinks and paste button set with fitted case, blue enamel cufflinks with maker’s mark and hallmarks for Chester 1925, length of cufflinks 1.5 and 2cm, length of buttons 1.5cm, weight of silver cufflinks 7.1g
Provenance: Private Cotswold collection £50 - £80
39 Knoll and Pregizer, an early 20th century silver gilt blue and white enamel cross and fringe brooch, with maker’s mark, stamped 925, length 5.8cm, 6.6g £100 - £150
40 Charles Horner, three early 20th century silver and enamel jewellery items, to include a silver enamel ring with hallmarks for Chester 1909, an enamel hatpin with hallmarks for Chester 1906, and an imitation and enamel brooch with hallmarks for Chester 1914, ring size L1/2, length of hatpin 22cm, length of brooch 2.8cm, total weigth 10.4g £120 - £180
41 Murrle Bennett, a Jugendstil silver and enamelled necklace, the central shrub form plaque with blue turquoise flower motifs on a leady ground, with drop below, suspended on two chains with knotted spade form links, 46cm long, 12.9g £280 - £320
42 Heinrich Levinger (attributed), a Jugendstil silver and enamelled pendant, open winged form with trefoil bell drop, set with hematite cabochons, blue grey guilloche enamel to the cells, 4.5cm long, 8.6g £280 - £320
44
44 A Jugendstil silver gilt, plique a jour enamel and pearl brooch, Meyle and Mayer, modelled as a swallow in flight, varie hue blue and white body, set with a turquoise cabochon eye, the wings in purple draining to colourless, edged in graduated seed pearls, obscured stamped marks, 8.2cm long, 7.7g £300 - £500
45 Ruskin, two Arts and Crafts silver mounted brooches, one of bar form with green souffle cabochon, the other with a blue heart plaque, 5.8cm long (2) £30 - £50
46 Ruskin, three Arts and Crafts silver and cabochon set rings, two oval and one circular plaque in tuquoise souffle glazes, impressed marks to two, sizes L, M and N1/2 (3) £40 - £70
47 Ruskin, five various Arts and Crafts silver mounted brooches, circualr and oval forms, souffle glazed in purples and greens, stamped marks to all, 3.5cm diameter (5) £80 - £120
48
43 A Jugendstil silver, enamel and hardstone set brooch, open flowering tendril design set with an agate type cabochon, 3.8cm diameter, 8.2g
£300 - £400
48 Ruskin, three Arts and Crafts silver and white metal, cabochon set rings, including a wirework example with leaves and flowers, set with turquoise, purple and blue green plaques, stamped marks, sizes K, O and P1/2 (3) £40 - £70
49 Ruskin, an Arts and Crafts pewter mounted pendant necklace, the flambe purple pink arrowhead plaque within a repousse embossed leaf and berry frame, with beaded border, 5.5cm long £40 - £70
50 Ruskin, an Arts and Crafts gilt metal and souffle roundel bracelet, the pinlk and turquoise marbled oval cabochons linked by double gilt bars, 18.5cm long £40 - £70
51
51 Ruskin, four Arts and Crafts pewter mounted brooches, including Kingfisher lustre, High Fired and souffle glazed examples, the heart and oval form plaques set within embossed foliate and geometric frames, 10cm wide (4) £40 - £70
52 Ruskin, an Arts and Crafts silver brooch, in the Celtic Iona style, the central purple souffle glazed cabochon within a boat shaped milled scroll and knotted tendril frame, 4.5cm wide, on original card £40 - £60
53 Ruskin, an Aventurine and silver mounted brooch, Birmingham 1917, circular plaque form in bronzed glitter glaze, stamped marks, 4cm diameter, in a fitted box £40 - £70
54 Ruskin, four various Arts and Crafts silver mounted brooches, circular, oval and square panels in blue and brown souffle glazes, impressed marks, 4.5cm diameter (4) £40 - £70
55 Ruskin, four Arts and Crafts silver mounted brooches, circular and oval forms, souffle glazed in various colours, stamped marks to all, 4.5cm diameter (4) £50 - £80
56
56 Ruskin, an Arts and Crafts silver coloured metal pendant necklace, the central spear head high fired plaque in blue grey flambe over brown, within knotted wire tendril and ivy leaf frame, suspended on two chains, 6cm long £70 - £100
57
57 Ruskin, an Arts and Crafts silver mounted pendant, Plantagenet, the turquoise souffle glased square plaque within an open beaded quatrefoil frame, stamped marks, suspended on a silver chain, 3.5cm long £50 - £80
58
58 Ruskin, four Arts and Crafts metal mounted brooches, including Plantagenet and AC makers marks, the rounded cabochons within planished and tooled frames, various purple and blue souffle glazes, 5cm wide (4) £50 - £80
59 A E Jones for Ruskin, an Arts and Crafts silver mounted brooch, Birmingham 1909, octagonal form, cloudy blue souffle glazed plaque within a chased willow wreath frame, 5cm diameter £60 - £100
60
60 Ruskin, a large Arts and Crafts silver mounted pendant, the oval souffle glazed purple plaque within an open coiled wire frame, suspended on a chain, 9cm long £60 - £100
61
61 Ruskin, an Arts and Crafts silver coloured metal bracelet, in the Jugendstil style, four planished and pierced oval links set with central green cabochons, united by two strands of fine chains, 17cm long £60 - £100
62 Ruskin, an Arts and Crafts silver necklace, the heart shaped blue green souffle glazed plaque suspended from two chains united by a cabochon roundel, stamped 800 silver, 5.8cm wide £60 - £80
63 Ruskin, three Arts and Crafts silver and metal mounted brooches, oval form, including High Fired and souffle glazes, impressed marks and original ‘Real Ruskin Ware’ sales cards, 5cm wide (3) £60 - £80
64 Sibyl Dunlop, an Arts and Crafts Iona style silver necklace, marked London 1964, formed of reticulated Celtic knot crescents, each marked, 42.5cm long, 67g £400 - £600
65 Georg Jensen, a pair of mid 20th century silver flower clip-on earrings, with maker’s mark, design number 67, stamped 925S Denmark, length 1.7cm, with maker’s case, 7.5g £40 - £60
66 Georg Jensen, a pair of floral cufflinks, with maker’s mark, stamped 925S Denmark, length 2.4cm, 15.4g
Provenance: Private Cotswold collection £50 - £80
67 Georg Jensen, a silver floral brooch, with maker’s mark, design number 236A, import marks for London 1991, length 4.2cm, with maker’s box and pouch, 13.1g
Provenance: Private Cotswold collection £50 - £80 68
68 Georg Jensen, a pair of early 20th century silver moonstone leaf clip-on earrings, with maker’s mark, design number 108, stamped 925S Denmark, length 2.3cm, 7.7g
Provenance: Private Cotswold collection £80 - £120
69 Georg Jensen, a pair of mid 20th century moonstone flower clip-on earrings, signed Georg Jensen, design number 100A, stamped 925S Denmark, length 2cm, 7g
Provenance: Private Cotswold collection £80 - £120
70 Georg Jensen, by Arno Malinowski, a 1940s butterfly and floral circular brooch, with maker’s mark, design number 283, stamped 925S Denmark, length 5.4cm, 26.8g £150 - £200
71 Henning Koppel for Georg Jensen, a Modernist silver and enamelled brooch, model 307, in the form of a stylised angel fish with purple splash enamel, 6.5cm long, 31.3g £180 - £220
72 David Andersen, by Willy Winnaess, a mid 20th century blue enamel leaf brooch and clip-on earring set, with maker’s mark, stamped 925S Sterling Norway, length of brooch 6.7cm, length of earrings 3.2cm, 13.2g
£100 - £150
73
73 A cicada insect brooch, stamped Stg Sil, length 4.7cm, 15g £70 - £100
74
74 A Hans Hansen Danish Silver Designs silver link bracelet, seven square links, stamped DSD makers marks and 925S, 20cm. wide £200 - £300
75
75 A Jane Macintosh silver and diamond disc pendant, the circular pendant set with a brilliant-cut diamond, on wire necklace, estimated diamond weight 0.35ct, I-J colour, SI clarity, in Jane Macintosh retail box, unsigned, 2cm diam. £200 - £300
77 An Art Deco marcasite, onyx, mother-of-pearl and imitation pearl brooch, length 6.8cm, 20.5g
Provenance: Private Cotswold collection
£80 - £120
78
78 Three Art Deco pieces of celluloid jewellery, to include two brooches and a necklace, length of brooches 7 and 7.2cm, length of necklace 47cm
Provenance: Private Cotswold collection
£90 - £140
76 A Mexican hardstone plaque pendant and chain, pendant stamped Mexico, pendant and chain stamped 925, length of pendant 4.2cm, length of chain 60cm, 13.9g
£30 - £50
79
79 Cartier, an Art Deco 18ct gold hinged necklace spacer, signed Cartier, engraved London, length 1.5cm, 3.4g
Provenance: Countess of Rosse, Anne Parsons £180 - £220
80 An Arts and Crafts owl buckle, silver coloured metal set with black paste eye detail, length 10cm, width 6.5cm, with a Tadema Gallery fitted case
Provenance: Private Cotswold collection
£50 - £80
81 Lea Stein, a celluloid cat brooch, c. 1990, signed Lea Stein, length 7.2cm, 10.8g
Provenance: Private Cotswold collection
£30 - £50
82 Lea Stein, a celluloid owl brooch, c. 1990, signed Lea Stein, length 6.5cm, 10.3g
Provenance: Private Cotswold collection
£30 - £50
83 Lea S tein, a celluloid penguin brooch, signed Lea Stein, length 8.5cm, 9.7g
Provenance: Private Cotswold collection
£40 - £60
84 Lea Stein, two celluloid owl brooches, c. 1990, signed Lea Stein, lengths 6.1cm each, total weight 19.4g
Provenance: Private Cotswold collection
£50 - £80
85 Lea Stein, a celluloid cat brooch, signed Lea Stein, length 8.3cm, 12g
Provenance: Private Cotswold collection
£40 - £60
86 Lea Stein, a celluloid cat brooch, signed Lea Stein, length 9.8cm, 14.5g
Provenance: Private Cotswold collection
£40 - £60
87 Lea Stein, a celluloid fox brooch, signed Lea Stein, length 8.9cm, 10.9g
Provenance: Private Cotswold collection
£50 - £80
88 Lea Stein, a celluloid cat brooch, signed Lea Stein, length 10.3cm, 8.7g
Provenance: Private Cotswold collection
£40 - £60
89 Lea Stein, a celluloid elephant brooch, c. 1968-1980, signed Lea Stein, length 7cm, 12.2g
Provenance: Private Cotswold collection
£40 - £60
90 Lea Stein, a celluloid owl head brooch, c. 1990, signed Lea Stein, length 9.5cm, 13.4g
Provenance: Private Cotswold collection
£40 - £60
91 Lea Stein, a celluloid owl head brooch, c. 1990, signed Lea Stein, length 9.6cm, 14.1g
Provenance: Private Cotswold collection
£40 - £60
92 Lea Stein, two celluloid owl brooches, c. 1990, signed Lea Stein, lengths 6.2 and 6.5cm, total weight 19.4g
Provenance: Private Cotswold collection
£50 - £80
93
93 A silver mounted triple cased flash cut and gilded glass scent bottle, the glass probably Bohemian, circa 1850, ogee Gothic cutting, with embossed and chased hinged coronet lid, 13cm long £100 - £150
94 Christopher Dresser, an Aesthetic Movement cut glass and silver plate mounted claret jug, John Grinsell and Sons, the spherical glass body by Stevens and Williams with martele cutting, geometric plated mounts, 17.5cm high £60 - £100
SILVER
95 An Arts and Crafts silver plated grape stand, Walker and Hall, circa 1905, the square platform base with bracket feet and a naturalistic coiled tendril grape suspension branch, applied with leafy vine handles, 25cm square, 28cm high, with four Stanley Bone China plates (5) £80 - £120
96 Oliver Baker for Liberty and Co., an Arts and Crafts silver trinket box, Birmingham 1910, the planished oval bowl with engine turned hinged lid, supported in a cradle of strapped bracket legs with terfoil feet, united on a cruved open diamond frame, 8cm wide, 2.27ozt £180 - £220
97
97 Kate Harris for William Hutton, an Arts and Crafts silver cigarette case, London 1903, cushioned form, embossed with the head of a girl in profile, gilt interiot, 9cm x 6.5cm, 2.86ozt £80 - £120
98 A E Jones, two Arts and Crafts silver spoons, Birmingham 1906 and 1908, the planished spade form bowls on cast chevron stems with foliate shield cartouche terminals, one with the arms of Oxford University, 16cm long, 2.0ozt (2) £40 - £70
99
99 Archibald Knox for Liberty and Co., a Cymric Arts and Crafts silver salt cellar and spoon, Birmingham 1903, the shouldered amphora bowl embossed with tulip motifs, on four splayed spindle legs united by X frame, the spoon of flat handled spade form, 5.5cm diameter, 1.57ozt (2) £200 - £400
100. Archibald Knox for Liberty and Co., an Arts and Crafts silver and enamelled double sovereign case, William Hair Haseler, Birmingham 1911, set with a roundel of overlapping leaves, in blue green enamel, 5.5cm long, 1ozt £180 - £220
101 Archibald Knox for Liberty and Co. (attributed), an Arts and Crafts silver coloured metal and enamelled napkin ring, circa 1900, embossed with a stylised foliate tendril motif in blue green enamel, 4cm diameter, 0.66ozt £20 - £40
102
102 Archibald Knox for Liberty and Co., a cased set of six Cymric Arts and Crafts silver and enamelled buttons, Birmingham 1904, of large size, knotted whiplash tendril design in blue green enamel, 3.5cm diameter, original box (6)
103
103 Archibald Knox for Liberty and Co., an Arts and Crafts silver and enamelled napkin ring, William Hair Haseler, Birmingham 1905, applied with a Celtic knot roundel in blue green enamel, 5.2cm wide, 0.82ozt £80 - £120
104
104 Archibald Knox for Liberty and Co., a set of six silver and enamelled coffee spoons, Birmingham 1952, the apple shaped terminals of interlocking tendrils in green and turquoise enamel, in a Liberty box, 9.5cm long, 1.35ozt (6) £150 - £250
105 Johan Rohde for Georg Jensen, a pair of silver Acorn pattern cake forks, 14.5cm long, 1.7ozt (2) £40 - £70
106 A Jugendstil silver plate and ebony handled glass lemonade jug or pitcher, circa 1920, the facet panelled body with a cylindrical collar and semicircular handle, 30cm high £80 - £120
107 Two Art Deco glass and plate mounted cocktail shakers, one by William Suckling, with silver plated lid on a plain glass body, the other of footed barrel form with enamelled red and white stripes, chrome plated mounts, 23cm high (2) £40 - £70
108 Luc Lanel for Christofle, a Gallia Art Deco silver plated Champagne bucket, circa 1930, conical form with concentric stepped base, trapezoid side handles, stamped marks, 0408, 21cm high, 23cm wide £100 - £200
DESIGN FURNISHINGS AND LIGHTING
109 An Edwardian Arts and Crafts style brass four branch pendant light, the slender baluster and ring stem supporting four shallow arched branches wish dished and cylindrical sconces, 38cm long
£50 - £100
110 An Edwardian etched glass pendant light, the double ogee drop shade decorated with foliate motifs and optic wrythen bands, supported in a foliate coronet fitting, 27cm long £50 - £80
113
113 A pair of Victorian gilt metal and glass articulated wall lights, cast in the form of Harpies holding flaming torches, with etched cranberry glass campana shades, 33cm long, 45cm high (2)
£120 - £180
114 A set of four cast and gilt bronze three branch wall sconces, each modelled as coiled hunting horns united by a ribbin on a tasseled oak leaf and deer leg encrusted ribbon festoons, stamped numbers, 72.5cm long (4)
£350 - £450
115 An Art Deco table lamp, 1930s, star-shaped chrome base, multi-glass rod column, 34cm high, excluding the fabric shade
£150 - £200
£100 - £150
111 An Art Deco bronzed spelter table lamp, circa 1930’s, in the form of a semi-nude female dancer, mounted on an onyx sloped plinth, globe shade, 50cm high, 28cm wide
112
112 David Linley (British, 1961), a classical oak and ebonised table lamp, fluted tapered column, raised on a square plinth with marquetry stylised acanthus, 46cm high excluding fittings, with a crimson silk shade.
Note: Artist Resale Rights apply
£100 - £150
116 An Art Deco desk light, 1930s, chrome base incorporating red phenolic plaques and chrome pillars to form a pyramid, 30cm high excluding the fabric shade
£150 - £200
117
117 A Hungarian Mofem Art Deco table lamp and alarm clock combined, 1930s, adjustable domed nickel shade, inverted arch-shaped clock with a black dial, mounted on a hexagonal grey veined marble plinth, 28.5cm high £200 - £300
118 A suite of three Art Deco wall lights, 1930s, orange phenolic and chrome, comprising a double branch light and a pair of single lights, frosted glass flame shades, 40cm high (3)
£300 - £500
119
119 A late 19th-century Rococo revival chandelier, probably French, gold painted bronze with a central foliate column splitting to three branches, punctuated by three winged putti, 64cm high
£300 - £500
122
122 A Peill & Putzler Lido ‘mushroom’ table lamp, opaline glass, designed in the 1970s, 42cm high £150 - £200
120 A late Victorian, gilt brass five-light chandelier converted from gas to electricity, c.1880, each branch commencing from Etruscan style winged female figures, the double scrolling arms fixed by a border of rosettes, terminating in five pink fading to clear frosted glass shades, the central pendant terminating in an acorn finial is stamped with a patent lozenge mark, 78cm high, 73cm in diameter (approx)
£400 - £600
121
123
123 John Walsh Walsh, an Arts and Crafts straw opal glass pendant light in brass mount, the teardrop shade modelled in opaque relief with iris motifs, overall hangs 47cm, shade 19cm long
£50 - £100
121 A pair of enamelled metal wall lights in the manner of Stilnovo, wasited form, enamelled mint green with pierced bands, brass mount unsigned, 30cm drop (2)
£120 - £180
124 Emile Galle, an Art Nouveau marquetry inlaid occasional table, circa 1900, the oval top inlaid with specimen woods depicting marigolds, on a trestle base of triple branched legs united by a stretcher, signed in the inlay, 74cm wide, 77cm high 46cm deep
£500 - £800
SCULPTURE
125
125 Rudolf Thiele for Goldscheider, a cold painted and patinated terracotta bust of a Bedouin woman, model 1101, circa 1897, signed in the mould Thiele, on a square section splayed socle base, impressed marks 280 59 painted IV, 63cm high £100 - £200
126 Tom Greenshields, a cold cast bronze sculpture ‘Kevin’, modelled as a nude man reclining with a book, signed to the leg, 24cm high £150 - £250
127 Paul Philippe (attributed), an Art Deco carved Carrara marble figure, circa 1920s, modelled as a semi nude woman in tight breeches, standing beside a plinth, apparently unsigned, 59.5cm high £500 - £800
128
128 A gilt bronze and onyx figure of a cockerel, French, circa 1900, modelled crowing, on a drum base, 22.5cm high £200 - £300
129 A carved marble bust of Clytie (also identified as Antonia), after the Ancient Roman example of the 1st Century AD, mounted on a grey veined plinth, unsigned, 49cm high
Note: the original bust was excavated in Naples and is currently in the British Museum £200 - £400
130 Verdigris bronze, double figure group £200 - £300
131
131 A carved wood sculpture of a fox in the manner of Hagenauer, stylised form, with applied ebony eyes, and a teak Toucan dish, unsigned, 30cm. wide (fox),(2) £150 - £200
132
132 Hagenauer Werkstätte, a patined brass and wood model of a standing deer, on rounded rectangular brass base, stamped marks to base, 38.5 cm. high, 36cm wide £400 - £600
133
133 Hagenauer Werkstätte, an Art Deco carved wood and brass model of standing bison, modelled grazing, stamped marks, 30cm long £150 - £200
134 Charles J Spooner, an Arts and Crafts carved oak occasional table, circa 1900, the top in the form of a rose, on three sabre legs, stamped markers marks, Burton, 51cm high
Note: Burton based carver and designer C J Spooner supplied many of the fairground carousel figures for the travelling circuses in the late 19th and early 20th century £50 - £80
135 A pair of cast bronze crescent plaques depicting scenes from Shakespeare plays, including A Midsummer Night’s Dream and Hamlet, one on a wooden mount, apparently unsigned, 36.5cm long (2) £80 - £120
136
136 Kate Harris for William Hutton, an Arts and Crafts pewter and Ruskin cabochon set ewer or claret jug, circa 1900, planished and waisted chalice form, the handle cast in high relief with a maiden’s head above a souffle glazed cabochon, lyre thumbpiece and flat lid, 31cm high £100 - £200
137 Louis Emile Cana (French, 1845-c.1895), a bird with her nest and a trio of fledglings, signed in the cast, bronze, 14cm high, 17cm wide £150 - £250
138
138 A French ormolu five light figural candelabrum, 19th century, modelled as Venus supported on a foliate scroll of seaweed, on scalloped shell and scroll mound, the platform base with Rococo scroll and floral bracket feet, the laurel crowned figure holding a cornucopia of foliate tendrils and sconces, stamped marks 1972, 59.5cm high
£150 - £250
139 Felix Sanzel (French, 1829-1883), Winged Cupid, signed in the bronze, No.9716, 19.5cm high
£200 - £300
140 Ferdinand Barbedienne (French, 1810-1892), Diana of Versailles, signed in the cast ‘Muse du Louvre’, bronze, all-over dark brown patina, 40cm high.
Note: After the slightly larger-than-life marble statue of the Greek goddess Artemis (the Roman goddess Diana) with a deer, a modern addition, which is part of the collection of the Louvre in Paris. It is a Roman copy from the first or second century of a lost Greek bronze original from circa 330 BC, sometimes attributed to Leochares
£300 - £500
141 A pair of ‘Grand Tour’ classical bronze/gilt bronze desk twin-handled campana urns, 19th Century, gadroon rims, acanthus detailing, raised on fluted socles, square plinths, 31cm high (2)
£400 - £600
ASIAN ART
142
142 A Japanese Imari bowl, Meiji, scalloped form, the interior painted with alternating roundels and cartouches of dragons and phoenix birds between rock, peony and pine landscapes, on a gilt scroll and red ground, the exterior with an extensive floral shrub ground, 30.5cm diameter £40 - £70
146
146 A Chinese jadeite pendant, oval carved with flowers, with yellow metal mounts, 20th century, unsigned, 4cm. drop £50 - £80
147 Four Chinese blue and white porcelain block tiles, Qing, hollow square section slab form, each decorated with naturalistic plants and insects, within geometric borders, 25cm square (4). £200 - £300
143 Three Chinese silk embroidered sleeves, 20th Century, comprising a pair with cockerels and flying insects amongst foliage, and a single sleeve with birds perched on and around branches, 41 by 9cm, framed (3)
£50 - £80
144
144 Chinese School, 19th Century, a panoramic view of a tea plantation with figures at work, oil on canvas, 46 by 60cm, in a black lacquer and gilt chinoiserie frame.
Provenance: with Spink, London, No.K2 5032 £300 - £500
145
145 A pair of Chinese hardwood stands, square section, each set with hardstone panel, early 20th Century, 13.5cm. high, 21cm. square top (2)
Provenance: Private English collection. £50 - £100
148
148 A Persian relief moulded tile, modelled and painted with a falconer on horseback with attendant, in a mille fleur style ground, below a trailing vine and lotus flower border, 25cm x 17cm £50 - £80
149 A Chinese silk wall panel, Qing dynasty, painted in polychrome with a flowering branch with a hanging basket suspended, birds in flight, within a trailing floral border, 178 by 71cm, framed £60 - £100
150
150 A Chinese famille rose ginger jar, decorated in the round with pak choi lappets and insects, including butterflies, beetles, crickets and dragonflies, 16cm high £50 - £80
151
151 A large Persian Indian brass samovar, 19th century or earlier, of traditional Mughal or Kashmiri style, the spherical body decorated in low relief with foliate and knotted tendril roundels and a central band of Arabic lettering between scrolling vine borders, on a reticulated domed foot, the handle cast and tooled as zoomorphic birds, double hinged lid with internal coal chimney, the smpout milarly decorated and modelled with an open mouthed beast’s head, 52cm high
£80 - £120
152
152 A pair of Oriental brass figures, modelled as cranes on tortoises, each bird with a foliate branch in its beak, 26cm high (2)
£80 - £120
153 Indian School, 19th century, a series of eight Mughal-type miniatures, gouache painted on mica, depicting musicians and a procession of martyr pedestal tombs, illustrations, 10 by 6cm each, framed together.
Note: see examples in the Wellcome Collection no.580868i and 581438i
£80 - £120
154 A Japanese Satsuma pottery flask, decorated with fan designs, a Satsuma beaker and another beaker, unsigned, 13.5cm. high (3)
£80 - £120
155
155 A Chinese Cantonese cylindrical teapot and cover, 19th Century, 14cm. high, (2)
£80 - £120
156
156 A Chinese celadon porcelain model of a duck, and a small seated figure of a Buddha, probably early 20th Century, 19.5cm. wide, (2)
£80 - £120
157 A miniature Chinese porcelain model of a book, decorated with a seated figure and goats, probably 19th Century 8cm. wide
£100 - £150
158
160 A Chinese famille verte vase, Hongwu Ming marks, probably Qing, yenyen form, painted with populated garden landscape roundels within a chrysanthemum and lotus studded foliate scroll ground of Imperial five claw yellow and white dragons, bordered with archaistic lappets and key motifs, the underside of the rim decorated with a quatrefoil diaper trellis band of alternating butterly motifs and cartouches of lotus flowers, 43cm high
Provenance: property of an English aristocrat £200 - £400
£100 - £150
158 A Chinese turquoise Buddhistic lion ewer, probably 19th Century, 20cm. high
159 Three Chinese famille rose and famille verte plates, including peach and peony design, auspicious symbols around a floral Qianlong vase, and a lotus flower and peaches example, 23.5cm diameter (3)
£100 - £200 160
161
161 A Chinese Dehua, blanc de Chine figure of a fisherman, Boji Yuren (Wide Ranging Fisherman), modelled with prominent ribs in loose robes, holding a basket of fish and standing on a rocky pedestal above swirling waves, impressed four-character seal mark, possibly attributed to Su Xuejin, 33cm high
Note: Su Xuejin is regarded as a master porcelain artist working during the late Qing period; his work features in international collections, see V&A collection no.C.49-1953 and The Met 34.13
£200 - £400
162 A Chinese hardwood low table, late Qing dynasty, recessed rectangular top, fretwork frieze, 29cm high, 76cm wide, 41cm deep
£100 - £120
163
ART GLASS
166
£300 - £500
163 A Japanese inlaid bronze and mixed metal takazogan plate, applied with chrysanthemum, prunus and peonies in copper, gilt metal and silver, within a bamboo border, signed Nishikyo, 27.5cm diameter
164
166 James Powell and Sons, Whitefriars, a Revivalist wine glass, from service 176, circa 1860, the rounded funnel bowl with a band of oval lens cuts, on a facet cut stem and conical foot, 12.5cm high
See Evans, W et al, 1995, Whitefriars Glass, Museum of London, p.254, pl.355 for an illustration £50 - £80
167 James Powell and Sons, Whitefriars, a Revivalist glass drinking set, circa 1860, pattern 1056, including two ovoid form carafes with beaker lids and a decanter and stopper, each etched with bands of Etruscan wheat motifs below beaded and concentric line borders, 31.5cm high (6)
See Evans, W. et al. 1995, Whitefriars Glass, Museum of London, p.253, pl.352 for illustrated designs in the 1860s catalogue; also Jackson, L. 1996, Whitefriars Glass, Richard Dennis, p.54, fig.138 for a similarly etched ewer and glass acquired from the Paris Universal Exhibition of 1878, currently in the Museum of Decorative Arts, Berlin £60 - £80
164 A Chinese blue and white cylinder vase or brush pot, sixcharacter blue Kangxi mark, painted with two pupulated landscape scenes of mountains with rivers, between poems, 17cm high, 19.5cm diameter
£400 - £600
165 Japanese School, a collection of twelve colour woodblock prints, various artists including Utagawa Kunisada and Eisen, 19th century, signed and annotated in the plate, 34cm x 23cm, framed (12)
£100 - £200
168 Richardson, a pair of Aesthetic Movement etched and threaded glass beakers, circa 1880, concial footed form, the bowls decorated with a foliate trellis design, the feet with blue ribbon trailing and rigaree collar, applied raspberry prunts to the pontils, 13cm high (2) £50 - £80
169
169 Philip Webb for James Powell and Sons, Whitefriars, an Arts and Crafts flint wine glass, circa 1860s, the horizontally lobed bucket bowl on a four strand twisted stem and domed foot, 10cm high
Note: Retailed through William Morris’ company, Morris Marshall Faulkner and Co., an example of this glass is in the Victoria and Albert Museum, London; see Rudoe, J & Coutts, H, 1992, Table Glass Designs of Phillip Webb and T. G. Jackson for James Powell & Sons, Whitefriars Glassworks, Decorative Art Society Journal, vol.16, p.27, fig.5b for an illustrated example of a similar design and the original line drawn design by Webb in the Victoria and Albert Museum, C.264-1926 £250 - £350
170
170 Philip Webb for James Powell and Sons, Whitefriars, an Arts and Crafts wine glass, circa 1860, the cylindrical drum bowl applied with eight beads to the base, on a plain straight stem and conical foot, 12.5cm high
Note: an early example of Webb’s design for William Morris and his Red House tableware; see Rudoe, J and Coutts, H., 1992, Table Glass Designs of Philip Webb and T G Jackson for James Powell and Sons Whitefriars Glassworks, Decorative Arts Society, No.16, pp.2441, p.28, fig.6a, for the original line drawing in the Victoria and Albert Museum, E330-1944 £300 - £500
171 Philip Webb for James Powell and Sons, Whitefriars, an Arts and Crafts wine glass or goblet, designed circa 1860, optic ribbed ogee bowl on a bisected double twist stem and disc foot, 13cm high
Note: for examples of this glass see the Victoria and Albert Museum, bequest of May Morris, and the Cheltenham Museum and Art Gallery; Carruthers, A. and Greenstead, M., 1999, Simplicity and Splendour, Cheltenham Collections, p.92 and fig.42, for an illustrated example; also Rudoe J & Coutts,1992, Table Glass Designs of Phillip Webb and T. G. Jackson for James Powell & Sons, Whitefriars Glassworks, Decorative Art Society Journal, vol16, p.33, fig.12a (illustrated); Fine Arts Socety, John Scott Collection, number 7 £40 - £70
172
172 Philip Webb for James Powell and Sons, Whitefriars, an Arts and Crafts wine glass, circa 1860, optic ribbed conical ogee bowl, on a bisected double twist stem and disc foot, 11.5cm high
Note: for examples of this glass see the Victoria and Albert Museum, bequest of May Morris, and the Cheltenham Museum and Art Gallery; Carruthers, Aand Greenstead, M., 1999, Simplicity and Splendour, Cheltenham Collections, p.92 and fig.42, for an illustrated example. £40 - £70
173 After Philip Webb for James Powell and Sons, Whitefriars, a large uranium green Arts and Crafts wine glass, circa 1910, the optic ribbed ogee bowl on a merse and bifurcated twisted stem and radially ribbed conical foot, etched with garland husk swags in the NeoClassical revival style to the bowl, 19cm high
Note: an unusual variation, in both colour and size, of the original Webb table glass designs produced from the 1860s, this example combines Arts and Crafts simplicity with traditional Garland taste and contemporary colour trends. £70 - £100
174 T G Jackson and Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts straw opal wine glass, model 2101, designed 1870, produced circa 1878, the flared double ogee bowl on an inverse baluster stem and conical foot with polished pontil, 14cm high
Note: following the success of the architect Sir Thomas Graham Jacksons’ most iconic wine service and Powell’s experimentation with uranium in producing their straw and blue opal ranges, Whitefriars started to produce the service in this new colourway. The first drawn design, which includes this glass, a decanter and Champagne saucer, is signed and dated 1870 and reproduced in Apollo magazine 1930; extensive design records photographs in the Museum of London are reproduced in Rudoe J & Coutts, H,1992, Table Glass Designs of Phillip Webb and T. G. Jackson for James Powell & Sons, Whitefriars Glassworks, Decorative Art Society Journal, vol16, pp.35-39. Examples of this glass also appear in international museum collections £80 - £120
175 An Arts and Crafts white opalescent Venetian inspired wine glass, probably James Powell and Sons, Whitefriars, circa 1876, the ogee obowl on a spiral twisted tapered stem and ribbon threaded concial foot, 12cm high
Note: this appears to resemble the early and experimental pieces of opalescent glass made by Harry Powell in the late 1870s, prior to the perfection of the straw and blue opal ranges in 1878. £70 - £100
176 T G Jackson for James Powell and Sons, Whitefriars, an Arts and Crafts wine glass, model 2101, circa 1870 for William Morris and Company, dark green, the flared double ogee bowl on an inverse baluster stem and conical foot with polished pontil, 14.2cm high
Note: arguably Sir Thomas Graham Jacksons most iconic glass design, the large wine glass, as part of an extensive table service, was retailed through Morris and Co. and used in several important Arts and Crafts commissions, including Wightwick Manor. The first drawn design, which includes this glass, a decanter and Champagne saucer, is signed and dated 1870 and reproduced in Apollo magazine 1930; extensive design records photographs in the Museum of London are reproduced in Rudoe J & Coutts, H,1992, Table Glass Designs of Phillip Webb and T. G. Jackson for James Powell & Sons, Whitefriars Glassworks, Decorative Art Society Journal, vol16, pp.35-39. Examples of this glass also appear in international museum collections £100 - £200
177 T G Jackson for James Powell and Sons, Whitefriars, an Arts and Crafts port glass, circa 1878, the bulbous shouldered bowl on a slender inverse baluster stem and conical foot, 13cm high £80 - £120
to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.
178 Harry Powell after T G Jackson and Philip Webb, an Arts and Crafts amber Champagne glass, circa 1880, the ogee domed bowl designed by Jackson, on a four stranded twisted stem, by Webb, and conical foot, 12.2cm high
Note: following the success of T G Jackson’s 1870 wine service (examlpes from which are in this auction), and the Philip Webb designs retailed through Morris, Marshall and Faulkner from the 1860s, Harry Powell combined elements of each designer in a variety of different wine services, from the 1880s through to the early 20th century £180 - £220
179 After Philip Webb, for James Powell and Sons, Whitefriars, an Arts and Crafts blue opal liqueur glass, circa 1878, the conical bowl on a blade knopped plain stem and domed foot, 7cm high
Note: the design forms part of a series of glasses from Webb’s drawings in the Victoria and Albert Museum, each with a bladed knop or merse below the bowl, on a plain stem (Rudoe, J and Coutts, H, 1992, Table Glass Designs of Philip Webb and T G Jackson for James Powell and Sons, Journal of Decorative Arts Society, No.16, pp.24-41, p.29, fig.8). Blue opal glass was produced by Whitefriars after 1878 £60 - £100
180 Thomas Webb, an Arts and Crafts ruby opal and amber glass beaker, circa 1880, dimpled and footed cylindrical form with an opalescent band, 10.5cm high
£50 - £80
181 Harry Powell for James Powell and Sons, Whitefriars, a set of six Arts and Crafts glass liqueur glasses, circa 1870s, from the ‘Inexpensive Household Service’, plain rounded bowls on simple cylinder stems, 8.5cm high (6)
See: Evans, W, et al. 1995, Whitefriars Glass, Museum of London, p.261, pl.375 for an illustration of the design in a contemporary sales catalogue £40 - £70
182 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts straw opal glass jug and beaker set, circa 1880, footed and shouldered form with applied loop handle, the beakers of conical form, 19cm high (3)
£100 - £200
183 Harry Powell for James Powell and Sons, Whitefriars, a set of four Arts and Crafts wine glasses, circa 1890, conical trumpet form on plain stem and conical foot, 13cm high (4)
Note: later variations of this simple design were produced in an optic ribbed pattern, after 1900
£60 - £100
184 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts amber glass tazza, circa 1880, the shallow radially ribbed dish on a hollow blown twisted stem and conical foot, 17cm diameter, 9cm high
Note: from an extensive service acquired by John Scott from a private Australian commission. £150 - £200
185 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts amber punch glass, circa 1880, optic ribbed and dimpled baluster form, applied with a loop handle, 7.5cm high
Note: from an extensive service acquired by John Scott from a private Australian commission £40 - £70
186
186 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts amber glass finger bowl and ice plate or stand, circa 1880, optic ribbed bulbous form with four dimples, on a broad rimmed dish, 16cm diameter (2)
Note: from an extensive service acquired by John Scott from a private Australian commission £40 - £70
187
187 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts wine glass, circa 1890, the tulip bowl with combed ruby stripes and woodgrain effect foot, 13.5cm high £250 - £350
188
188 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts ruby glass roemer, circa 1870, the tulip shaped bowl and integrated stem applied with colourless prunts and rigaree band, on a threaded sweeping foot, 11.5cm high
Note: an early example of the experimental use of ruby glass, displaying imperfections in the glass itself £50 - £80
189 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts Roman Cut wine glass, circa 1904, the bulbous tulip form bowl with a band of facet cuts above lens border, on a hexagonal stem and conical foot, 12cm high £30 - £50
190
190 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts Revivalist heavy baluster wine glass, circa 1890, the large rounded funnel bowl on a double knopped inverse baluster stem and domed folded foot, 17cm high
Note: part of Harry Powell’s Glasses with Histories series, this design is illustrated in Powell’s hand drawn notebooks, reproduced in Evans, W. et al. 1995, Whitefriars Glass, Museum of London, p.275, Plate 421, annotated with an optional engraved addition of God Bless King William to the bowl. While larger examples of 18th century style heavy baluster glasses were made in the 1930s to the 1950 for commemmorative events such as the Coronations, early experimental glasses such as this one are very rare. £200 - £400
191 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts glass air twist and controlled bubble port glass, circa 1890, the optic ribbed bell shaped bowl with a spiral band of air bubbles, on a tapered stem of three helix strands, on a radial ribbed conical foot, 12.8cm high
Note: from the 1880s Harry Powell experimented with trapped air techniques, in the 18th century manner, re interpreting the traditional methods in a new and innovative way to create contemporary designs. See: Evans, W. et al. 1995, Whitefriars Glass, Museum of London, p.79, pl.78 for an illustrated example of this pattern combination on a champagne flute, possibly from the same service; also the Art Journal, 1889, for an illustration of a goblet, reproduced in Jackson, L, 1996, Whitefriars Glass, p.15, fig.30 £180 - £220
192
192 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts wine glass, circa 1900, the Venetian type bell shaped bowl on a twisted and plain slender stem and rounded foot, 15cm high
Note: following Philip Webb’s designs of the 1860s, which featured bifurcated twisted stems similar to this glass, Harry Powell continued to experiment and adapt different design and manufacturing elements to accommodate changing styles and tastes. £50 - £100
193 Harry Powell for James Powell and Sons, Whitefrairs, an Arts and Crafts thistle head wine or Champagne glass, circa 1890, the dimpled bowl with spiral optic ribbing, on a plain stem and disc foot, 11.8cm high
Note: see Jackson, L, 1996, Whitefriars Glass, Richard Dennis, p.104, pl.33, for an example of this glass £40 - £70
194 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts blue opal poppy head wine glass, circa 1900, the dimpled pear shaped bowl with everted rim, on a plain stem and conical foot, 14.5cm high £100 - £200
195 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts silk purse glass carafe, circa 1900, vertically ribbed and dimpled pouch form with rigaree collar and square mouth, 18.5cm high
Note: examples of this design were retailed through Tiffany and Co., New York, circa 1909. £30 - £50
196 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts glass Lotus decanter, circa 1900, optic ribbed amphora form with radially ribbed conical foor and bladed merse, the stopped of hollow twisted teardrop form, 34.5cm high
Note: designed originally as part of the extensive King of Siam service, the form soon became a classic, being used with silver mounts by Ashbee and Knox or cut with various floral designs and mottos; see Evans, W, et al, 1995, Whitefriars Glass, Museum of London, p.80 fig.81 for a contemporary photo of the design £60 - £80
197
197 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts Tear wine or sherry glass, circa 1899, flint trumpet form, applied with four sea green vertical trails, on a conical foot, 14cm high £120 - £180
198 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts straw opal wine glass, circa 1880, the large optic ribbed bowl on a plain stem and conical foot, 12cm high
See: Jackson, L. 1996, Whitefriars Glass, Richard Dennis, p.102 pl.23 for an illustrated example of this glass £40 - £70
199 Stuart and Sons, an Arts and Crafts Cairngorm glass and silver plated preserve basket, circa 1900, the crimped rim bowl applied with green eyed peacock trails and rigaree collar, in a wire cradle with three pointed bracket feet, 16cm high £40 - £70
200 Stuart and Sons, an Arts and Crafts green glass bowl, circa 1900, footed and flared reeded form, 20.5cm diameter £30 - £50
201 An Art Nouveau relief moulded and enamelled glass vase, probably Mont Joye, circa 1900, shouldered form, green frosted and painted with an open poppy, feathered rim, 22cm high £40 - £70
202 Ludwig Moser, an enamelled glass vase, circa 1890, optic ribbed spherical form with amber rim and foot, painted in the round with lily of the valley, polished pontil, 7.5cm high £70 - £100
203 Koloman Moser for E Bakalowitz & Sohne, a Secessionist iridescent liqueur glass, Meyrs Neff, circa 1900, the amber lustre ovoid bowl on a colourless mersed slender plain stem and conical foot, 15cm high
Note: the collections of MAK, Vienna, and the Leopold Museum, Vienna, have several similar examples of this glass, with both iridescent and coloured bowls; see Leopold, E and Kutzenberger, S, 2018, Koloman Moser- Die Sammlung Leopold, Vienna for an example in the same decor pattern. £40 - £70
204 Kralik, a Secessionist iridescent Crete green glass vase, circa 1900, shouldered form with wrythen fluting, 21cm high £30 - £50
205 Legras, a marbled art glass vase, circa 1920, wrythen lobed baluster form, cranberry opaque with mica inclusions, crimped rim, 18.5cm high £30 - £50
206 Two Secessionist enamelled wine glasses including a Theresienthal ivy painted Champagne glass, the ogee bowl on a bowed stem, the other with an electric blue bowl painted with fruiting flower branch, probably Harrach, on an amber inverse baluster stem, 18.2cm high (2)
£40 - £70
207 Frederick Carder for Stevens and Williams, an Arts and Crafts glass jug, circa 1902, shouldered inverse baluster form optic moulded with teardrop motifs in the Secessionist Art Nouveau style, plain base and polished pontil, 19cm high £50 - £80
208 Quezal, an American Art Nouveau iridescent glass King Tut vase, circa 1900, footed and shouldered amphora form, decorated with blue, yellow and opaque lustre swirl design, peach interior, signed, 33cm high £500 - £800
209
209 Louis Comfort Tiffany, an American Art Nouveau iridescent Favrile liqueur glass, the ogee bulbous bowl with a blue opaline rim draining to green pearlescent lustre, on a plain stem and foot, incised marks 5 LCT Favrile, 12cm high £60 - £100
210
210 Gordon Russell for Stevens and Williams, Royal Brierley, a pair of Arts and Crafts Lygon type series hock wine glasses, the rounded optic ribbed bowls on bifurcated twisted stems on conical feet, etched marks Brierley, 19.2cm high (2) £50 - £80
211
211 Gordon Russell for James Powell and Sons, Whitefriars, a Sea Green Stanway glass vase, circa 1927, of footed and optic ribbed bell form, variation of model W62, 22.5cm high
Provenance: from the Gordon Russell shop in Broadway; purchased by the current vendor from Keil Ltd, Broadway 1978 £50 - £80
212
212 Monart, Salvador Ysart for John Moncrieff and Sons, a Scottish Art Deco glass vase, circa 1930, shape N X, pattern 234, opaque yellow with multicoloured blue and brown to the rim and shoulder above scrolling tendrils in the Paisley Shawl manner, 13cm high £80 - £120
213 Monar t, Salvador Ysart for John Moncrieff and Sons, Scottish Art Deco glass bowls, circa 1930, including an NA shape bowl, size X in colour 162, black and aventurine over mottled jade green, a circular dish with inverted rim, shape Y, size XII in colour 396 with aventurine, yellow, green and orange splashes, and another dish of the same shape, size XIII in colour 187, 12.5cm diameter (3) £40 - £60
214 Marcel Goupy (attributed), a French Art Deco enamelled glass pedestal fruit bowl, circa 1930, shallow form, reverse painted with stylised berries in gold and black, between radiating silver and black stripes, on a blue domed foot, 25.5cm diameter £50 - £100
215 Michel Herman, an Art Deco enamelled black glass vase, circa 1930, spherical form, painted with stylised African flowers on zigzag random lattice ground, 14cm high £30 - £50
216
216 An Art Deco silver lustre and etched glass galleon vase, probably Czech, circa 1930, bucket form, etched with a ship in full sail on open seas with silver stars, coulds and birds in flight, 21.5cm high £40 - £70
217 Vittorio Zecchin, an Italian Murano glass colour twist wine glass or goblet, circa 1930, the topaz coloured drum bowl with blue banded everted rim on a blue spiral stem and disc foot, 19.3cm high £50 - £80
218 Salviati, a set of four Venetian Murano glass bowls, circa 1920s, pale amber, drum form on plain collared sweeping feet with folded rims, incised S mark to each, 10cm diameter (4)
£50 - £100
219 Jacob E Bang for Holmegaard, an Art Deco smoked glass Topaz vase, model 3428, designed circa 1927, multi lobed gourd form on a splayed foot, 29cm high
See: McConnell, Andy, 2006, 20th Century Glass, p.141, for an example of this vase; originally designed as part of a new range of glass developed to reignite and revitalise the Holmegaard factory production and save the factory from bankruptsy in 1927, this became a popular seller in the smaller sizes, while this example is unusual for its large size. £80 - £120
217
219
223 William Willson and Barnaby Powell for Whitefriars, an Art Deco sea green glass sherry decanter, M60, and a water jug with two goblets, M74, 21cm high (4) £40 - £70
224 Per Lutken for Holmegaard, a set of five large Canada smoked glass wine goblets, circa 1950s, of stemless ogee form, together with a similar smoky green tapered decanter, possibly Holmegaard, glasses 16cm high, decanter 30cm high £40 - £70
225 Vasart, Ysart Brothers, a Scottish art glass tulip lamp, footed form, mottled purple over grey green with a band of multicoloured millefiori swirls, 25cm high See: Turner, Ian, et al. 1990, Ysart Glass, Volo Edition, p.15, pl.119 for a comparable example. £40 - £70
226 Geoffrey Baxter for James Powell and Sons, Whitefriars, a Ruby red optic wave ribbed vase, model 9462, circa 1957, shouldered ovoid form, 35cm high
Note: illustrated in the 1957 Whitefriars caatalogue p.9 £40 - £70
220 Whitefriars, James Powell and Sons, an Art Deco Emerald glass vase, model W33, circa 1930, optic ribbed conical form with foot, 20.5cm high
£40 - £70
221 Barnaby Powell for James Powell and Sons, Whitefriars, a cloudy green glass bowl, model 9143, circa 1935, flared and footed form, opaque and green marbled, 26cm diameter
£50 - £80 222
222 William Butler for James Powell and Sons, Whitefriars, an Art Deco optic wave glass bowl, model 7170, circa 1920, flint colour, footed form, 23cm diameter
227
227 Geoffrey Baxter for James Powell and Sons, Whitefriars, a textured range Sage green glass Haemorrhoid glass vase, model 9829, designed circa 1974, 33.5cm high
£40 - £70
Note: this is a relatively rare large and colourless example of this bowl design, which is more often found in amber, green or amethyst, amongst other colours.
Note: a very rare model from Baxter’s bark effect moulded glass range, illustrated in the 1974 Whitefriars catalogue, the vase was only in production for a few years £500 - £800
228 Geoffrey Baxter for James Powell and Sons, Whitefriars, a textured range Willow glass hooped vase, model 9680, designed circa 1966, 29.5cm high £100 - £200
229 Willy Johansson for Hadeland, a Modernist Diamant glass vase, circa 1970, cylindrical form, cut with vertical bands of diamond form nodules, incised marks, 23.5cm high £50 - £80
230 Josef Hospodka for Chribska, a Modernist Czech glass Propeller vase, circa 1970, green cased in colourless with heavy wrythen fluting, 26cm high £40 - £70
231 William Wilson and Harry Dyer for James Powell and Sons, Whitefriars, a large Knobbly range streaky glass vase, model 9611, designed circa 1964, brown and colourless, 25cm high £20 - £40
232 Aino Aalto for Iittala, an Art Deco plum glass serving bowl, circa 1932, stepped concentric form, 35.5cm diameter £30 - £50
233 Mdina, an Art Glass Earthtones vase, circa 1975, square section bottle form with broad rim, marbled brown mesh over sandy yellow, signed, 27.5cm high £30 - £50 234
234 Joseph Said for Mdina, an Art Glass Fish vase, 1978, axe head form, relief moulded, with internal blue opaline striations and deep tortoiseshell colouration, signed, 21.5cm high £150 - £250 235
235 Stuart Fletcher for Topglass, a studio glass vase, baluster form decorated with internally marbled pink and amber veins and metallic inclusions, incised marks, 24cm high £30 - £50
236 Jill Devine, a studio glass vase, circa 1980s, spherical form with everted broad rim, marbled opaque yellow with an aubergine mesh spiral, signed, 8.5cm high
Note: Jill Devine worked at and managed The Foundry, a cooperative studio glass blowing facility initiated by Royal Brierley crystal in 1986 at their derelict furnace in Stourbridge £30 - £50
MOORCROFT AND ART POTTERY
237 William Moorcroft for James MacIntyre, a miniature Eighteenth Century vase, circa 1908, shouldered form with flared neck, highlighted in gilt, printed mark and underglaze green monogram, 7.5cm high £80 - £120
238 William Moorcroft for James MacIntyre, a miniature Eighteenth Century vase, circa 1908, elongated ogee chalice form, highlighted in gilt, printed mark and underglaze green monogram, 7.5cm high £80 - £120
239 William Moorcroft for James MacIntyre, a miniature Eighteenth Century ewer, circa 1908, waisted baluster form, printed mark and underglaze green monogram, 5.5cm high £80 - £120
240 William Moorcroft for James MacIntyre, a miniature Violet on blue vase, circa 1903, elongated inverse baluster form, printed mark and underglaze green monogram, 7.5cm high
Provenance: MacMillan and Perrin Moorcroft Pottery Exhibition 1978 £100 - £150
241 William Moorcroft for James MacIntyre, a miniature Rose and Forget Me Not on celadon green vase, circa 1908, elongated baluster form, printed mark and underglaze green monogram, 7.5cm high £100 - £200
242 William Moorcroft for James MacIntyre, a miniature Tulip on blue vase, circa 1903, baluster form, printed mark and underglaze green monogram, 6.5cm high £150 - £250
243 William Moorcroft for James MacIntyre, a miniature Rose and Forget Me Not on white vase, circa 1907, ovoid double gourd form, printed mark and underglaze green monogram, 7.5cm high
£200 - £400
244 William Moorcroft for James MacIntyre, a miniature Thistle wreath on pink ground vase, circa 1904, shouldered form, printed mark and underglaze green monogram, 8cm high £200 - £400
245 William Moorcroft for James MacIntyre, a miniature Poppy Garland on blue ewer, circa 1903, amphora form, printed mark and underglaze green monogram, 6cm high £200 - £400
246 William Moorcroft for James MacIntyre, a miniature Lilac panel vase, circa 1905, footed conical form, printed mark and underglaze green monogram, 7.5cm high £200 - £400
247 William Moorcroft for James MacIntyre, a miniature Violet vase, circa 1904, flared conical baluster form, printed mark and underglaze green monogram, 7.5cm high £200 - £400
248 William Moorcroft for James MacIntyre, a miniature Lilac Panel vase, circa 1905, double ogee pedestal form, printed mark and underglaze green monogram, 7cm high £200 - £300
249 William Moorcroft for James MacIntyre, a miniature Poppy on blue mustard pot and lid, circa 1903, ovoid form, printed mark, 6.5cm high
£250 - £350
250
250 William Moorcroft for James MacIntyre, a miniature Poppy on blue ewer, circa 1903, double ogee gourd form, printed mark and underglaze green monogram, 9cm high £300 - £500
251 William Moorcroft for James MacIntyre, a Florian Narcissus or Daffodil vase, circa 1900, shouldered form with everted rim, printed marks and underglaze green monogram, 21.5cm high
£300 - £500
£200 - £250
252 William Moorcroft, a miniature Spanish vase, circa 1914, footed conical form, impressed marks and underglaze green monogram, 7.5cm high
253 William Moorcroft, a small Pansy on White vase, circa 1915, inverse baluster form, impressed marks and underglaze green signature, 9.5cm high
Provenance: Waddingtons, 22nd March 2004, lot 71 £150 - £250 251
254
254 William Moorcroft, a miniature Late Florian Cornflower on green vase, circa 1915, footed conical form, impressed Burslem marks and underglaze green signature, 7.5cm high £200 - £400
255
255 William Moorcroft, a Persian bowl, circa 1914, ovoid spherical form, purple ground bands, impressed Burslem marks, underglaze green signature, 15cm diameter, 11cm high
£400 - £600
256
257 William Moorcroft for James MacIntyre, a Wisteria on white tobacco jar and cover, circa 1912, ovoid form with screw lid, printed mark and underglaze green signature 14cm diameter
£500 - £800
258
£400 - £600
256 William Moorcroft, a large Pansy on White twin handled vase, circa 1914, footed beaker form with four radial fins to the rim between horizontally looped handles, impressed Burslem marks and underglaze green signature, 22cm high
258 William Moorcrof t, a Persian twin handled vase, circa 1914, conical form with strap handles, green bands to the rim and foot, impressed Burslem mark, impressed Burslem marks and underglaze green signature, 21cm high
Provenance: Harriman Judd Auction, Sotheby’s 22nd January 2001
£500 - £800
259 William Moorcroft, a large Pomegranate bowl, 1918, footed form, blue ochre ground, impressed Burslem marks, underglaze green signature and date, 32.5cm diameter
£150 - £250
260 William Moorcroft, a Pomegranate vase, circa 1918, inverse baluster form, impressed Burslem marks and underglaze green signature, 24cm high
£150 - £250
261 William Moorcroft, a Pomegranate vase, circa 1918, footed inverse baluster form, blue ochre ground, impressed marks and underglaze blue signature, 17.5cm high
265
265 William Moorcroft, a Big Poppy vase, circa 1925, elongated inverse baluster form, blue ochre ground, impressed marks and underglaze teal monogram, 18cm high
Provenance: Waddingtons, 11th July 1998, lot 63
£60 - £100 262
262 William Moorcroft, a Pomegranate bowl, circa 1928, cylinder footed ovoid form with inverted rim, blue ochre ground, impressed marks and underglaze blue signature, 25cm diameter
£150 - £250
£200 - £400
£100 - £150
263 William Moorcrof t, a Pomegranate bowl, circa 1918, straight sided footed form, blue ochre ground, impressed marks and underglaze blue signature, 23.5cm diameter
264 William Moorcroft, a Pomegranate bowl, circa 1915, shallow flared dish form, blue ochre ground, impressed Burslem marks, underglaze green monogram, 31.5cm diameter
£120 - £200
266
266 William Moorcroft, an Eventide bowl, circa 1925, shallow footed form, impressed marks and underglaze teal signature, 25.5cm diameter
£350 - £450
267
267 William Moorcroft, a Flambe Honeysuckle vase, circa 1930, shouldered form, impressed marks and facsimile , underglaze blue monogram, 21.5cm high £500 - £800
268 William Moorcroft, a small Waving Corn vase, circa 1930, waisted form, impressed facsimile signature, 9cm high£120 - £180
269 Copeland, a set of four Aesthetic Movement majolica glazed allegorical tiles, modelled in relief as the four elements, each putto holding or surrounded by the elemental symbols, within circular cartouches, stamped marks, 20.5cm square (4) £400 - £600
270
270 An Aesthetic Movement blue and white six tile panel, circa 1880, painted with a scene of characterful birds in a wetland scene, anthropomorphic scescent moon, 31cm x 45cm, framed £100 - £200
271 Craven Dunnill, an Arts and Crafts tile plaque, relief moulded with a maiden and putton, in the Art Nouveau style, 30cm x 15cm, framed £50 - £80
272 Minton, an Aesthetic Movement painted tile, monochrome decorated with charaterful vultures on a rocky outcrop, within geometric border, 22cm square, framed £50 - £70
273 Minton, a Majolica Wilbraham tray or figural dish, 1870, modelled in high relief as a blue tit on an oak leaf, with branch feet and acorns, impressed marks 1331, 21cm long £40 - £70
274
274 Christopher Dresser for Old Hall, an Aesthetic Movement Eureka jug, circa 1885, chamfered square section baluster form, transfer printed with stylised vases of Persian flowers and foliate scrolls, on a pink ground, the collar with a band of Egyptian fan motifs, whiplash handle, printed marks, 29.5cm high £60 - £100
275
275 Christopher Dresser for Minton, an Aesthetic Movement jug, circa 1873, baluster form, decorated with a gilt band of stylised rosettes between red bands and Greek key and lappet borders, printed and impressed marks, 30.5cm high £40 - £70
276 Henry Stacy Marks for Minton, a pair of Aesthetic Movement tile panels, 1883, painted in the PreRaphaelite style with Falconer and Hunter in Medieval costumes, on a gilt yellow ground, 41cm x 21cm, framed (2) £400 - £600
277
277 James Hadley for Royal Worcester, an Aesthetic Movement relief moulded Chinese vase, 1873, shouldered cuboid censer form, each side with archaistic symbol panels and arched lappets, applied with a dragon lizard to one side, on ogee domed bracket feet, highlighted in gilt, impressed and puce printed marks, 13cm high, 14.5cm wide £120 - £180
278 George Woolliscroft Rhead for Doulton Lambeth, a pair of large Aesthetic Movement tile panels, circa 1878, painted on Minton blanks with Holbeinesque full length portraits of a falconer and a woman, printed and moulded marks, signed, 79cm x 30cm, framed (2) £300 - £500
279 John Moyr Smith for Minton, a set of six Aesthetic Movement Early English History tiles, black and sepia, including Boadicea, Harold, William, Edwin, Edward the Martyr and Alfred, framed as one panel, overall 36.5cm x 51.5cm £100 - £200
280 J Gould for Copeland, a pair of Arts and Crafts Shakespearian tile panels, painted with scenes from Alls Well That Ends Well and Winter’s Tale, 40cm x 20cm, framed (2) £100 - £200
281 An Arts and Crafts five tile frieze, circa 1890, depicting kneeling angels between sinous hop vines, in green and blue, 15cm x 75cm, framed £200 - £300
280
282
289 An Art Nouveau tile panel, circa 1900, probably Continental in the style of Leon Solon and John Wadsworth for Minton, stylised blue hydrangea and sinuous symmetrical leaves and tendrils in green tubeline effect on ochre, 15cm x 45cm, framed as one £80 - £100
290
£50 - £80
282 An Aesthetic Movement twin handled faience vase, probably Burmantofts, circa 1880, ovoid bottle form with ribbed and angled handles in the style of Christopher Dresser, decorated with a band of relief moulded rosettes between incised acanthus lappet borders, unmarked, 21cm high
283 Doulton Lambeth, a silver mounted stoneware jug, 1878, conical form, relief moulded with a tiled diaper pattern of alternating crucifom rosettes and panels of four quatrefoil motifs, netween Egyptian lotus flower borders, 24cm high
290 Karl Rudolf Ditmar for Heliosine, an Austrian Secessionist iridescent lustre vase, circa 1890, shouldered pear shaped form with narrow neck and flared rim, intense crackled papillon favrille type glaze in deep purple to green, 15.5cm high £60 - £100
£150 - £200
284 Royal Doulton, a stoneware money box, shouldered baluster urn form with domed top, applied in relief with fruiting festoons and swags, 12.5cm high
£50 - £80
285 Doulton Lambeth, a stoneware commemorative jug for William Ewart Gladstone, footed barrel form, tubelined with inscribed banners of quotations flanking a relief moulded portrait oval, 22.5cm high
£100 - £150
286 Mark V Marshall for Royal Doulton, a stoneware model of a grotesque animal, circa 1905, modelled as a deformed toadlike imp, glazed in blue, impressed marks, 6cm high
Note: see Eyles, D, 2002, Doulton Lambeth Wares, Richard Dennis, p.258, for an illustration of a model of the same design £150 - £250
287 Craven Dunnill, a pair of intaglio and relief moulded pictorial plaques depicting peasant children, grey majolica glazed, 30cm x 15cm, framed (2)
£50 - £80
291
£80 - £120
288 Craven Dunnill, a pair of Arts and Crafts intaglio and relief moulded pictorial tile plaques depicting Art Nouveau allegorical figures, one playing a harp, turquoise majolica glazed, 30cm x 15cm, framed (2)
291 Richard Joyce for Pilkington, a Royal Lancastrian lustre vase, 1909, single handled conical bottle form with broad everted rim, painted with stylised bluebells in red on a pale yellow ground, spiral cloud band to the neck, impressed and painted marks 2798, 17cm high £150 - £250
292 Gordon Forsyth for Pilkington, a Royal Lancastrian lustre vase, 1909, single handled conical bottle form with everted broad rim, painted with a band of swans on a green ground with fuurther concentric bronzed bands, painted and impressed marks, 17cm high £150 - £250
293
293 Pilkington (attributed), an Arts and Crafts six tile panel, circa 1900, tubelined, depicting a peacock and poppies in landscape, 36cm x 52cm overall
Note: see the Victoria and Albert Museum collection C.187-1976, for an example of this tile panel £150 - £250
294
294 J H Barratt and Co., an Arts and Crafts tubelined two tile panel, circa 1900, each with a galleon in sail, 30cm x 15cm, framed
Note: an example of this tile design is in the collection of the Victoria and Albert Museum, London £80 - £100
295 Rhodes Tile Co., a pair of Glasgow School Arts and Crafts dust pressed tiles, circa 1900 in the Art Nouveau style, with stylised flowers and tendril cartouches, green and red majolica glaze, 15cm x 30cm, framed £40 - £70
296 T and R Boote, an Arts and Crafts three tile panel, dust pressed with galleon motifs on red ground, 15cm x 45cm, framed as one £80 - £100
297
297 After C F A Voysey, an Arts and Crafts tile, stencilled with birds in a stylised foliate roundel, on a blue ground, 15cm sqaure, framed £50 - £80
298 An Arts and Crafts four tile panel, circa 1920, painted with Little Bo Peep retrieving her lamb across a river, within turquoise and blue geometric border, 20cm square, framed £80 - £100
299 Vera Huggins for Royal Doulton, a stoneware pedestal bowl, circa 1930, footed conical form, sgraffito decorated with stylised flowers, blue glazed interior, incised and impressed marks, 23cm diameter £50 - £80
300 Leslie Harradine for Royal Doulton, The Bather, HN687, an Art Deco figure of a nude woman, in blue lined purple and spotted bath robe, painted marks, 20cm high £200 - £400
301 Leslie Harradine for Royal Doulton, Butterfly, HN719, an Art Deco figure of a woman in butterfly wing cape, painted marks, 17cm high
£400 - £600
302 Leslie Harradine for Royal Doulton, Lido Lady, HN1220, an Art Deco figure of a woman holding a dog, in pyjamas, painted marks, 18cm high
£80 - £120
303 Clarice Cliff for Newport Pottery, a large Original Bizarre charger, broad rimmed with blue and green borders, printed marks, 45cm diameter
£50 - £80
304 Keith Murray for Wedgwood, an Art Deco vase, footed, flaring, cylindrical form, celadon green grlazed, incised with concentric bands of cut decoration, printed factory mark, KM monogram, 20cm high
£40 - £60
305 John Clappison for Hornsea, five Classic range vessels, circa 1960, including a pair of twin handled vases, a pair of jugs and a squat twin handled amphora vase, in fluted black, grey and blue, printed marks, 22cm high (5)
£50 - £80
306 Alfred Read for Poole, a Modernist Freeform geometric painted dish, design PJL, 1950s, footed shallow form model 920, decorated with concentric bands of mustard yellow with grey rectabgle motifs, 33cm diameter
£40 - £60
307 Alison Brigden for Troika, a cube vase, decorated and incised with geometric shapes in blue and cream on a green grey ground, painted marks, 8.5cm high
£50 - £80
308 A Richard Parkinson Pottery Leaf dish designed by Susan Parkinson, resist decorated, glazed in brown and black, impressed factory marks, 28.5cm. wide
£100 - £200
309 Bernard Leach (British, 1887-1979), a stoneware tall jug, 24cm high, a twin-handle covered bowl, a large bowl, 24cm diameter, a single handled pourer, and a handled bowl (a/f), with seal marks (5).
Note: Artist Resale Rights apply
£150 - £200
310 Simon Rich (b.1949), a studio pottery blue glazed raku vase, ovoid form with manganese rim, impressed seal mark, 10.5cm high
£30 - £50
308
310
PRINTS AND PAINTINGS
311 James Isaac Atkinson Anderson (Br itish, 1813-1877), a series of four albumen photographs of classical marble statuary, 19 by 25.5cm, in two frames (2)
£100 - £150
312 Giovanni Volpato (Italian, 1733-1803), Pio Sexto Pont Max, a set of four, engravings by Bernardino Nochi et al, 51.5 by 73.5cm, gilt frames (4)
£300 - £500
313 Corneille (Corneille Guillaume Beverloo) (Dutch, 19222010), Scene Mexicaine, signed and dated 1972 l.r., lithograph in colours, Ed.E.A, 49 by 65cm, framed.
Note: Artist Resale Rights apply
£100 - £150
314 Poster Design, a series of seven shop showcards for Sketchley (Dry Cleaners), circa 1950’s, ‘Coats Cleaned Better’, ‘Plain Skirts Dry Cleaned, Pleating Extra’, ‘Brighten Up’, ‘Raincoats Cleaned and Reprofed’, ‘Always Well Turned Out’, ‘Summer Dresses’ and ‘Wool Dresses’, 50 by 37cm, unframed (7)
£100 - £150
315 Ossip Zadkine (French, 1890-1967), Untitled, a suite of three from the Apollinaire series, all signed l.r., monochrome etchings, Ed.66/75, 31 by 21cm, framed (3).
Note: Artist Resale Rights apply
£300 - £500
316 Ar thur S. Mole & John D. Thomas (American, act.c.1900c.1920), The Official Living Flag Picture of 10,000 Sailors, The Great Lakes Naval Training Station, 1917, 35 by 26.5cm, with certificate of authenticity, framed £200 - £300
317 American School, 20th Century, Cat, Cigar, Plane, Sub (x2), Flying Car, Steps, Bunny, Can of Worms, Untitled (x2) and Footy, set of twelve, all indistinctly signed l.r., limited edition screenprints (Ed out of 7 and 10), 29 by 39cm, framed (12) £200 - £300
318 Albany Wiseman (British, 1930-2021), Hedsor Park, colour lithograph, signed l.r. and numbered 120 of 150, 44cm x 57cm, framed £40 - £70
319
319 Hans Arp (Jean Arp) (French, 1886-1966), Vers Le Blanc Infini (1960), etching, 24 by 16cm, framed £300 - £500
320 Laurence Stephen Lowry R.A. (British, 1887-1976), Deal Beach, signed l.r., Fine Art Rade Guild blind stamp l.l., offset lithograph in colours, published in 1973 by Venture Prints Ltd, Bristol, Ed.850, 26 by 50cm, gilt frame.
Note: Artist Resale Rights apply
£800 - £1,200
321 Paul Emile Pissarro (French, 1884-1972), a bustling village street scene with a hotel, signed l.r., colour etching, 12 by 12cm, framed.
Note: Artist Resale Rights apply
£300 - £500
322 Barbara Rae R.A. (Scottish, 1943), Fish Pool, signed l.r., titled l.c., screenprint, Ed.123/125, 95 by 55cm, framed.
Note: Artist Resale Rights apply
£500 - £800
323 Sir Terry Frost R.A. (British, 1915-2003), Camberwell Green (2003), signed and dated l.r., aquatint, woodcut, collage/wove paper, Ed.137/275, printed by Stoneman Graphics, Cornwall, published by the artist, Newlyn, 32 by 37cm, framed.
Literature: Kemp 211.
Note: Artist Resale Rights apply
£500 - £800
324 Karolina Larusdottir (Icelandic, 1944-2019), Pancakes, signed l.r., titled l.l., etching in colours, Ed.10/75, 40 by 49cm, framed.
Note: Artist Resale Rights apply
£200 - £300
325 Derrick Greaves (British, 1927-2022), Easel (1984), signed and dated l.r., screenprint in colours, Ed.XX/175, 54 by 63cm; and another, Tall Green Vase (1981), signed and dated l.r., screenprint in colours, Ed.A/P, 50 by 37.5cm, both framed (2).
Note: Artist Resale Rights apply
£100 - £150
326 Jason Shulman (British, 20th/21st Century), The Grey Spots are Terrorists, signed verso, print/multiple on sheet metal, 159.5 by 120cm, unframed £200 - £300
327 School of Giovanni Battista Tiepolo, Rest on the Flight into Egypt, T.L initials l.l., brown ink and wash, 32 by 36cm, framed £200 - £300
328 Thomas Hearne (British, 1744-1817), Angling or La Peche a la Ligne, from the Rural Sports series, watercolour and ink on paper, painted oval, circa 1779, 17 by 20cm, framed.
Provenance: with Sotheby’s, London, 1979.
Note: this, along with eleven other paintings, was reproduced as an engraved print, in reverse, by William Byrne circa 1781. This is the original artwork from which the print was made £100 - £150
329 James Bourne (British, 1773-1854), Eashing Bridge, near Godalming, watercolour, 16 by 21cm, framed £30 - £50
330
330 Francis Oliver Finch O.W.S. (British, 1802-1862), a Romantic river landscape with a castle ruin, figure and cattle in the foreground, watercolour, 19 by 29cm, framed.
Provenance: from the Collection of Leonard Ingram £300 - £500
331 William Collingwood Smith (British, 1815-1887), cattle and maid near a farmhouse, watercolour, 34 by 23cm, framed £100 - £150
332 Edward Duncan R.W.S. (British, 1803-1882), fishermen hauling in nets, watercolour, 10 by 23cm, framed £60 - £100
333 Marine School, early 20th Century, the single-funnel cargo steam ship ‘Collivaud’ at sea, gouache, 49 by 74cm, gilt frame £100 - £150
334
334 Tom J. Owen (British, act late 19th Century), a single-funnel steamship at sea, signed and dated 1894 l.r., gouache, 15 by 29cm, gilt frame £120 - £150
335
335 John Faulkner (Irish, 1835-1894), Coventry from Coundon Hill, titled and signed l.l., watercolour, 43 by 71cm, gilt frame.
Provenance: Lot 284, The Irish Sale, Sotheby’s, London, 21st May 1998 £300 - £500
336 William Mark Fisher R.A. (American, 1841-1923), A Farmyard Pond, signed l.r., titled verso, watercolour, 25 by 37cm, framed £100 - £150
337
337 British School, late 19th/early 20th Century, portrait of a Pre-Raphaelite-style young woman gathering blossom, bust-length in an open-neck yellow dress, watercolour painted circular, 32cm diameter, gilt leaf moulded frame £150 - £200
338
338 Robert Gustave Meyerheim R.I. (German, 1847-1920), Driving the Flock, signed l.r., titled verso, watercolour, 39.5 by 67cm, framed
Provenance: Lot 66, Fine British & Continental Watercolours & Drawings, Bonhams, London, 17th March 1999.
Exhibited: Royal Academy, London 1881, No.22 £700 - £900
339 William Thomas Wood RWS (British, 1877-1958), Bridge at Maldon, Essex, signed l.l., titled verso, watercolour, 23 by 35cm, framed.
Note: Artist Resale Rights apply £60 - £100
340 No lot
341 Reginald Harry Austin (Royal Worcester artist) (British, 1890-1955), still life with nest of Robin eggs, on a mossy bank, signed l.l., watercolour, 14 by 18cm, gilt frame, with another still life of flowers and foliage on a mossy bank, unsigned, watercolour, 13 by 18cm, gilt frame (2) £80 - £120
342 Circle of Spy (Leslie Matthew Ward), a caricature portrait of an artist, full-length working on a miniature canvas, watercolour heightened with white, 40 by 17cm, framed £50 - £80
343 James Orrock R.I. (Scottish, 1829-1913), Near Ludlow, titled and signed l.l., watercolour, 28 by 40cm, framed £80 - £120
344 C..Kensington (British, ?-c.1914), S.S. Port Albany steamship at sea, signed l.l., titled l.c., watercolour, 14.5 by 31cm, framed £80 - £120
345 William H. Perks (British, late 19th/early 20th Century), Triple Gateway, Dudley Castle; Evening - Yardley Wood, a pair, both signed and one dated 1907 l.r., titled verso, watercolour, 24 by 34cm, gilt frames (2) £100 - £150
346
346 Dora Curtis (British, 1875-1920), an Arts & Crafts illuminated illustration from Stories from King Arthur and His Round Table, from the book published by J.M. Dent & Sons, signed and dated 1905 l.r., watercolour, 17 by 12cm, framed £100 - £150
347 Charlotte Bendall, attributed The Pied Piper of Hamelin, a pair of painted wood panels, oak frame unsigned, annotated to reverse in ink Charlotte Bendall 38 x 16cm. (panel), (2)
Literature English & Continental Pictures, Christies, 31st January 1991 lot 335 for a large panel of the same subject by Charlotte Bendall. £400 - £600
348 Harry Morley ARA (British, 1881-1943), Peasants Outside a Spanish Town, signed with monogram l.r., titled verso, watercolour, 25.4 by 33cm, framed £100 - £150
349 S. Y. Alderman (British, early 20th Century), a singlefunnel steamship passenger yacht at sea, signed and dated 1918 l.l., gouache, 43 by 61cm, gilt frame £100 - £150
350 Edmund Dobson (British, late 19th Century), A Village Maiden, signed and dated 1885 l.r., titled and inscribed verso ‘.... Exhibited at The Royal Academy in 1885’.., watercolour, 34.5 by 25cm, framed £150 - £200
351 Plato Cornelius von Ustinov (Israeli, 1903-1990), Man with a Hoe, signed and dated 1925 l.l., titled on the mount below, pencil, 15 by 12.5cm, framed.
Note: the artist was Uncle to the famous actor Sir Peter Ustinov (1921-2004) £60 - £100
352
352 F..Corpuz (late 19th/early 20th Century), the Blue Cross steamship at sea, signed, inscribed ‘Antwerp’ and dated 1909 l.l., gouache, 37 by 61cm, framed £150 - £200
353
353 Peter Evans (British, 1943), Landscape at Boutelles, signed l.r., gouache, 15 by 42,5cm, framed.
Note: Artist Resale Rights apply £100 - £150
354 Sir William Rothenstein (British, 1872-1945), An Alpine Village, signed with initials and dated 1929 l.r., gouache, 47 by 38cm, framed
359 John Hassall (British, 1868-1948), The Capture of a Convoy, signed l.r., titled l.r., watercolour, 58 by 43cm, framed
£350 - £450
355 Charles Eddowes Turner (British, 1883-1965), Coronation Naval Review, Spithead, 15th June 1953, signed l.l., titled on a plaque below, watercolour, 44 by 67cm, framed.
Note: used as a poster design for Arthur Balfour & Co, Capital Steel Works, Sheffield (sample pasted verso).
Note: Artist Resale Rights apply
£300 - £400
£200 - £300
356 Joyce Bruce (British, early 20th Century), Victory (St George and the Dragon), signed with monogram and dated 1925 l.r., Royal Institute of Painters in Water Colours label verso, watercolour, 63 by 43cm, framed
£200 - £400
357 Charles M. McArthur (British, act.c.1860-c.1880), St Mark’s, Venice; The Stairs of the Ducal (Doge’s) Palace, Venice, a pair, titled and inscribed by the artist verso, one signed and dated 1882 l.r., watercolour, 51 by 73cm, gilt frames (2) £200 - £300
358
358 Garden William Fraser (British, 1856-1921), The River Nene with Upwell Church beyond, watercolour, 19 by 27cm, gilt frame £300 - £500
360
360 Mick Rooney R.A. (British, 1944), Catatonic, signed and dated 2009 l.r., mixed media, 17 by 21cm, framed.
Provenance: with Fosse Gallery, Stow-on-the-Wold.
Note: Artist Resale Rights apply £450 - £650
361 Richard Adams (British, 1960), Dustbin Day, pastel, 57.5 by 71.5cm, framed.
Note: Artist Resale Rights apply £500 - £800
362 Andrew King (British, 1956), Cromer, Norfolk, signed and dated 1981 l.l., titled verso, watercolour, 31 by 46cm, framed.
Note: Artist Resale Rights apply £100 - £150
363 Andrew King (British, 1956), Aix-en-Provence, Sunlight & Shadow, signed l.l., titled verso, watercolour, 51 by 38cm, framed.
Note: Artist Resale Rights apply
£150 - £250
364
364 William Gear R.A. (Scottish, 1915-1997), abstract composition in yellow, blue and red, signed and dated 1996 l.r., mixed media on paper, 40 by 48cm, framed.
Note: Artist Resale Rights apply
£800 - £1,200
365
365 Mary Fedden R.A. (British, 1915-2012), a meadow landscape with poppies and cow parsley, signed and dated 1982 l.l., watercolour, 22 by 34cm, framed.
Note: Artist Resale Rights apply £500 - £800
366
366 Mary Fedden R.A. (British, 1915-2012), still life with a jug of foliage, signed and dated 1986 l.l., gouache, 11 by 15.5cm, framed.
Note: Artist Resale Rights apply £800 - £1,200
367 A 19th-century heraldic panel, the central cartouche containing two stags and nine dog heads, surrounded by scrolling foliage, surmounted by a profile of a collared dog in profile with a rose in its mouth, motto in a banner below ‘Habere et Dispertire’ (To Have and to Share), polychrome and gilt paint on a panel, 54 by 46cm, Hogarth frame £200 - £300
368 After Pitati de Bonifazio Veronese, Christ and the Woman taken in Adultery, oil on canvas, 85 by 200cm, unframed.
Note: After the original in the Pinacoteca di Brera, Milan £1,000 - £1,500
369
371 Richard Livesay (British, 1753-1826), portrait of the owner or Captain of the Isle of Wight Ferry Rye Packet, signed and dated 1815 l.c., oil on canvas, 75 by 61.5cm, gilt frame
£1,200 - £1,800
£300 - £500
369 French School, circa 1820, an Empire scene with a group of classically attired figures and an infant on a coastal veranda, oil on canvas, 93 by 76cm, unframed
370 After Francois Boucher, cherubs at play with floral garlands and a bow and arrow, indistinctly signed l.l., oil on canvas, 50 by 41cm, gilt frame £150 - £200
372
372 Late 18th-century school, circa 1790, portrait of a military gentleman, bust-length, wearing a powdered wig, jacket with epaulettes and a white enamel Maltese cross decoration, oil on canvas, 64 by 49cm, unframed £400 - £600
373 British Marine School, late 19th Century, a single-funnel steamship heading into port, oil on canvas, 30 by 45cm, unframed £60 - £100
374
374 British Marine School, early 20th Century, a steampowered cargo ship at sea, the funnel and flag with ‘T’ insignia, oil on canvas, 43 by 59cm, unframed
£200 - £300
375 George Stainton (British, act.1860-1890), Fishing Running for Port; Wreck off Selsley Bill, a pair, both signed l.r., titled verso, oil on canvas, 22 by 29cm, gilt frames (2).
Provenance: with Kenulf Fine Arts, Stow on the Wold £800 - £1,200
376
376 Late 19th Century Marine School, a British Royal Naval steam-powered armoured battleship at sea, oil on canvas, 24 by 47cm, unframed £200 - £300
377
377 Naive School, 19th Century, Rangoon Harbour with a paddle steamer, sailing boats and junks, oil on canvas, 30 by 40cm, unframed £200 - £300
378 Robert T. Mumford (British, 1895-1939), Willows at Hemingford, signed l.r, titled verso, oil on board, 30 by 40cm, unframed £80 - £120
379
379 British Naive School, 19th Century, a town square with a single spire Gothic church, oil on board, 30 by 45cm, framed £150 - £200
380 British School, circa 1860, The Organ Grinder, oil on canvas, 75 by 63cm, gilt frame £150 - £200
381
381 Henry Nelson O’Neil A.R.A. (Russian, 1817-1880), He Loves Me, He Loves Me Not, signed and dated 1858(?) l.r., oil on panel painted oval, 26 by 23cm, gilt frame £800 - £1,200
382
382 John Prescott Knight R.A. (British, 1803-1881), The Donkey, oil on board, 34 by 29cm, framed.
Provenance: Lot 8, Studio Sale, Christie’s, 2nd July 1881; John Rumens Fine Art £300 - £500
383 Edward Hargitt (British, 1835-1895), a Highland scene with cattle, signed l.r., oil on canvas, 30 by 45cm, gilt frame
£150 - £200
384
384 Allan Ramsay (Scottish, 1852-1912), a Highland landscape with a croft, horse and cart, and folk at work, signed and dated 1905 l.r., oil on canvas, 30 by 45cm, gilt frame.
Provenance: Lot 1253, Sotheby’s, 2nd September 1998
£200 - £300
385 Allan Ramsay (Scottish, 1852-1912), The North Esk, from above Millden; Edzell, from Arnhall Wool Mill, a pair, both titled, signed and dated 1905 verso, one signed and dated 1905 l.l., oil on canvas, 30 by 45cm, gilt frames (2)
389
£400 - £600
386 William Yale (British, 1843-?) for Copeland, figures on a bridge over a river, the flanking woodland in autumnal hues, circa 1880, signed l.r., oil on an earthenware plaque, 34 by 45cm, gilt frame
389 J.V.R. Parsons (British, act.1891-1914), portrait of the Girl Out of Doors, three-quarter length seated wearing a brown coat, landscape beyond, signed l.r., oil on canvas, 111.5 by 86cm, gilt frame
£2,000 - £3,000
Provenance: Lot 654, The Contents of Trelissick House, including The Copeland China Collection, Bonhams, 24th July 2013; Private Collection, Oxfordshire
£300 - £500
387 Richard Barrett Talbot Kelly (British, 1896-1971), Young Oystercatcher, signed l.r., titled verso, watercolour, 19 by 13.5cm, gilt frame; and another, Ringed Plover Chick, signed l.r., titled verso, watercolour, 21 by 14cm, both framed (2).
Provenance: with The Wildlife Gallery, Lavenham.
Note: Artist Resale Rights apply
£100 - £150
388 Louis Bosworth Hurt (British, 1856-1929), A Highland Burn, signed l.l., titled verso, oil on board, 30 by 45cm, gilt frame.
Provenance: with The McEwan Gallery, Ballater, Aberdeenshire
£150 - £200
390 British Naive School, 19th Century, a winter village scene with a church spire, cottages, horses hauling a ‘Crowley & Co Carriers’ wagon, two figures conversing, and a dog, oil on canvas, 85 by 104cm, unframed
£200 - £300
391 Edward Smith (?) (British, late 19th Century), Southgate Street, Gloucester, indistinctly signed l.l., titled below, oil on canvas, 55 by 45cm, gilt frame
£100 - £150
392 J..Squires (British, late 19th Century), a pastoral scene with a woman about to cross a stone bridge over a river, signed and dated 1891 l.r., oil on canvas, 46 by 80cm, gilt frame
£100 - £150
393 John Frederick Herring (British, 1815-1907), A Winter Farmyard with Horses, Pigs and Chickens; A Rustic Farmyard with Horses, Pigs and Chickens, a pair, both signed, oil on canvas, 40 by 61cm, gilt frames (2) £5,000 - £6,000
394 James Levin Henry (British, 18551929), River with a Bridge, signed and dated 1923 l.l., oil on canvas, 39.5 by 29cm, framed £200 - £300
395 Edward Dawson (British, 19411999), Fishing Early Morning, signed l.r., titled verso, oil on canvas, 40 by 50cm, gilt frame.
Provenance: with Halcyon Gallery, Birmingham.
Note: Artist Resale Rights apply £150 - £200
396
396 Charles Murray Padday (British, 1868-1954), lobster creels in a boat shed, signed and dated 1917 l.l., oil on canvas, 35 by 24cm, unframed £150 - £250
397 German School, 19th Century, a snowy winter landscape with figures, a dog, cattle, and a donkey outside a cottage, oil on canvas, 35 by 40cm, framed
£150 - £200
398 Carlton Alfred Smith (British, 18531946), Feeding Time, signed and dated 1887 l.r., titled verso, oil on panel, 33 by 24cm, gilt frame.
Provenance: with Charles Nicholls & Son, Manchester; Lot 174, Victorian Paintings & Sculpture, Sotheby’s, London, 16th December, 1987; Bourne Gallery, Reigate
£1,500 - £2,000
399 Jose Mingret (French, 1880-1969), a snow-capped mountainous landscape, signed and inscribed verso, ‘Exposition Mai 1923, Galerie Le Goupy, Paris’, ‘Exposition Juin 19X7, Galerie Georges Petit’, oil on canvas board, 39 by 52cm, gilt frame
£150 - £200
400 Circle of Gabriel Loppe, an Alpine landscape with glaciers, bears signature ‘G. Loppe’ l.l., oil on canvas, 50 by 36cm, framed.
Provenance: Lot 155, Debenham Coe & Co, London, 8th December 1970
£200 - £300
401
401 Edwin Henry Eugene Fletcher (British, 1857-1945), Shipping on the Thames, signed l.l., oil on canvas, 76 by 126cm, framed
£150 - £200
408
408 Paul Schouten (Paul Henry Shouten) (Belgium, 1860-1927), Awaiting the Catch, signed l.r., oil on canvas, 38 by 58cm, gilt frame
£400 - £600
409 British School, mid-19th Century, Visiting Grandma, indistinctly signed l.r., oil on canvas, 40 by 35cm, gilt frame
£400 - £600
402 Fred Thurlby (British, 1865-1946), Sawgate Menestrel Fashion, Vol 42; Sawgate Rose of Secundus, Vol 42, a pair, both titled l.c., both signed and dated 1919, oil on canvas, 35 by 45cm, framed (2)
403 P..Todd (British, early 20th Century), a naive village scene with a church, ‘Cavendish Arms’ public house and figures conversing, signed with initials l.l., oil on canvas, 60 by 80cm, framed
£100 - £150
404 Manner of Claude-Marie Dubufe (French, 1790-1864), portrait of a young lady, bust-length in profile, wearing a red wrap, Neoclassical French Academy style, oil on canvas, label verso 'A Portrait Representing a Woman, from Du Boeuf', 55 by 46cm, gilt frame
£250 - £350
Note: See similar composition, 'The Surprise', Claude-Marie Dubufe, a student of Jacques-Louis David (French, 1748-1825), National Gallery no. NG457
£200 - £300
405 Edmund G. Fuller (British, 1858-1944), waves breaking on a shore, a pair, both signed l.l., oil on board, 19 by 24cm, ebonised frames (2)
£150 - £250
406 19th Century School, Tyger, Tyger, Burning Bright, oil on canvas, 50 by 69cm, framed
£150 - £250
407 C.K.M (British, late 19th Century), S.S. City of Paris, Inman Line passenger steamship liner at sea, signed with initials and dated 1889 l.l., oil on canvas, 75 by 58cm, unframed
£200 - £300
410. George Dunlop Leslie R.A. (British, 1835-1921), Paolo and Francesca, from Dante’s Inferno, after Jean-Auguste-Dominique Ingres, signed and dated 1851 l.r., oil on canvas, 34 by 28cm, gilt frame.
Note: After the 1814 original work residing in the Musée Condé
£200 - £300
411 After Edwin Landseer, The Illicit Highland Whisky Still, oil on canvas, 45 by 59 cm, birds-eye maple frame
£200 - £300
412
412 Edward Aubrey Hunt (American, 1855-1922), portrait of Mrs Hubert Coop, bust-length, wearing a wide-rimmed hat and a white dress, her pet dog at her side, inscribed, signed and dated 1906 u.r., oil on canvas, 79 by 66cm, framed.
Provenance: Lot 59, British Impressionist and Post-Impressionist and Modern Drawings and Sculpture, Sotheby’s, London, 25th May 1983
£1,500 - £2,500
413 Robert Noble (British, 1857-1917), By Tranquil Waters, Morning, Surrey, signed and dated 1893 l.l., titled verso, oil on canvas, 30 by 50cm, gilt frame
£200 - £300
414 C..Strout (British, act.1884-1892), Clara, of Cloncester, Capt W. Butt, off Hartland, 1872, signed l.l., titled l.c., oil on canvas, 50 by 76cm, unframed
£400 - £600
415 Louis Aime Japy (French, 1840-1916), a pastoral landscape with cattle watering, signed l.r., oil on panel, 31 by 40cm, gilt frame
£200 - £300
416
416 Herbert Davis Richter RBA, RI, ROI, RSW (British, 18741955), Still Life of an Urn of Mixed Flowers, signed l.r., oil on canvas, 102 by 76cm, gilt frame £800 - £1,200
417
417 Julius Olsson R.A. (British, 1864-1942), A Heavy Swell, signed l.r., oil on canvas, 46 by 61cm, unframed.
Provenance: with Messum’s
£400 - £600
418 Henry Le Jeune A.R.A. (British, 1819-1904), Ruth & Naomi, signed with monogram l.l., oil on panel, 50 by 60cm, framed £200 - £400
419 M.S. (British, late 19th Century), a pheasant, standing atop a rock surrounded by chicks below, a distant landscape beyond, signed with initials M.S. and dated 1875 l.l., oval, oil on canvas, 105 by 68cm, gilt frame £300 - £500
420 Bennett Oates (British, 1928-2009), Carnations and Iris in a Glass Bowl, signed and dated 1977 l.r., titled verso, oil on panel, 59 by 64cm, gilt frame.
Note: Artist Resale Rights apply
£400 - £600
421 Alfred Jensen (Danish, 1859-1935), White Star Line RMS Titanic at sea; Cunard Line RMS Mauretania at sea, a pair, both signed with the former dated 1912 l.r., oil on canvas, 30 by 50cm, unframed (2) £400 - £600
422 Mary Martin (British, 1951), still life with sunflowers in a glass vase, signed and dated 1975 l.r., Royal Academy of Arts, London, label verso, oil on canvas, 60 by 51cm, unframed
£150 - £200
423 Simon John Garden R.W.A. (British, 1960), My House on the Hill takes Seven Days to get to on Foot, signed and titled verso, oil on board, 61 by 85cm, framed.
Note: Artist Resale Rights apply
£400 - £600
424
424 Simon John Garden R.W.A . (British, 1960), Place of Special Shapes, signed and titled verso, oil on board, 61 by 85cm, framed. Provenance: with Brian Sinfield, Burford.
Note: Artist Resale Rights apply
£400 - £600
425 Simon John Garden R.W.A. (British, 1960), Leaving the Canyon, signed verso, oil on board, 90 by 64cm, framed.
Note: Artist Resale Rights apply
£400 - £600
426 Simon John Garden R.W.A. (British, 1960), Man on a White Dirt Trail, titled and signed verso, oil on board, 122 by 61cm, framed.
Note: Artist Resale Rights apply
£400 - £600
427
427 William Gunning King (British, 1859-1940), The Bird Box, portrait of a mother raising her infant child to feed birds in a bird box, signed and dated 1878 l.r., oil on canvas, 48 by 26cm, gilt frame
£800 - £1,200
428
428 James Walker Tucker (British, 1898-1972), Springtime in the Cotswolds, signed l.r, titled verso, oil on canvas, 40 by 50cm, gilt frame
Note: Artist Resale Rights apply £500 - £700
429 Timothy Easton (British, 1943), The Hoeing Team, signed l.r., titled verso, oil on canvas, 21 by 51cm, gilt frame
Provenance: with Brian Sinfield, Burford; Exhibited: Brian Sinfield, Timothy Easton Exhibition, 1992.
Note: Artist Resale Rights apply £200 - £300
430
430
431 Maria
Circle of Paul Nash, The Days of Steam Driven Fairs, titled verso, oil on board, 45 by 56cm, framed £500 - £700 431
Szantho (Hungarian, 1897-1998), portrait of a female nude, full-length seated turned to the right upon drapery, signed l.l., oil on canvas, 80 by 60cm, gilt frame £700 - £1,000
432 Keith Money (New Zealand/British, 1935), Mrs Talbot-Ponsonby’s Hunters, Todenham Manor, signed l.l., oil on board, 78 by 115cm, gilt frame.
Provenance: with James Bourlet & Sons, London.
Note: Mr and Mrs Talbot-Ponsonby’s hunters and event horses painted at Todenham Manor, located three miles from Kinghams auction centre. Vendor Comments: ‘The artist Keith Money was standing on the drive at the manor with his back to the house, facing the park, the east, and Brailes Hill. The three horses, from left to right, are Red Port, my stepfather’s show jumper, Barley Wine, my stepfather’s hunter, and Bally Bricken, my mother’s hunter. The dogs are Nickel and Bes. My stepfather, Jack Talbot-Ponsonby, was a horseman all his life; he was in the 7th Hussars and Lancashire Fusiliers. For a long time, he was chef d’quipe of the British show-jumping team. We came to Todenham Manor in 1960’s, where we had been in Arundel, Sussex, where he was a trainer to the Duchess of Norfolk. While at Todenham, he ran an equestrian school for show jumping; unfortunately, he died after a fall out hunting at the end of the 1960s’ £1,000 - £1,500
433 John W. Lines (British, 1938), Wheelie Bin Dodger, signed l.l., titled verso, oil on canvas, 38 by 42cm, framed.
Note: Artist Resale rights apply £150 - £200
434 Chris Thomas (British, 1947), Millook Beach, signed, titled and dated 2005 verso, impasto oil on board, 92 by 122cm, unframed £500 - £800
435 Bryan Kneale R.A. (British, 1930-2025), Horse’s Head (Relief), titled and dated 1960 verso, mixed media, 60 by 121.5cm, in a glazed box frame, 95 by 156cm.
Provenance: with Redfern Gallery, London, label verso.
Note: Artist Resale Rights apply
£1,000 - £1,500
436 Sophie Anderson (French/British, 1823-1903), portrait of a Mediterranean boy, bust-length, wearing a waistcoat and holding panpipes, signed l.r., oil on canvas, 40 by 33cm, gilt frame
£1,000 - £1,500
437 Andrew King (British, 1956), The Boathouse, Burnham, Overy Straite, Norfolk, signed l.r., oil on board, 44 by 63cm, framed.
Note: Artist Resale Rights apply
£150 - £200
438 Andrew King (British, 1956), Oaks in Winter, signed l.r., titled verso, oil on board, 55 by 77cm, gilt frame.
Note: Artist Resale Rights apply
£200 - £300
439 Emerson Mayes (British, 1972), West Coast Dusk V, titled verso, oil on panel, 23 by 26cm, framed
£100 - £150
440 Louise Mansfield (Irish, 1950-2018), Beach Days, titled verso, oil on canvas, 76 by 101cm, gilt frame.
Provenance: with The Bruton Street Gallery, London.
Note: Artist Resale Rights apply
£1,000 - £1,500
441 Prudence Turner (Pakistani, 1930-2007), Nr Edinburgh, signed l.r., titled verso, oil on canvas, 60 by 90cm, gilt frame
£150 - £200
442 Clare Rose (British, 20th/21st Century), Fran, signed with initials and dated 1998 l.r., titled verso, oil on gesso, 28 by 18cm, framed
£60 - £100
443 Alan James Chisholm (British, act.c.1973), Life Class, signed l.l., titled verso, oil on board, 50 by 75cm, framed
£100 - £150
444 Edward Noott (British, 1963), Anemones, signed l.r., oil on canvas, 40 by 40cm, framed.
Provenance: with John Noott, Broadway.
Note: Artist Resale Rights apply
£200 - £300
445 Edward Noott (British, 1963), The Manor House Garden, signed l.l., titled verso, oil on canvas, 102 by 122cm, framed.
Note: Artist Resale Rights apply £400 - £600
446 P. J. Crook (British, 1945), Angel in the Garden, signed l.l., titled and dated 2008 verso, acrylic on board, 21 by 25.5cm, integral painted frame.
Provenance: painted to be auctioned for Macmillan Nurses Cancer Support on BB1 Cash in the Attic.
Note: Artist Resale Rights apply £1,500 - £2,000
447 P. J. Crook (British, 1945), The Infants & the Lion, signed l.r., titled and dated 1978/2007 verso, acrylic on board, 23.5 by 28.5cm, integral painted frame.
Provenance: with Fosse Gallery, Stow-onthe-Wold.
Note: Artist Resale Rights apply £1,500 - £2,500
448
Note: Artist Resale Rights apply
£4,000 - £6,000
449
Note: Artist Resale Rights apply
£7,000 - £9,000
P.J. Crook (British, 1945), 31st December 1999, signed l.r., titled verso, acrylic on canvas, 101 by 132cm, integral painted frame.
P. J. Crook (British, 1945), Grande Parade, signed l.l., titled and dated 2004 verso, acrylic on canvas, 127 by 177cm, integral painted frame.
Lot 654
A Toleware oval twin-handled tray, French, early 19th Century Est. £250-350
Lot 703
A pair of Bohemian cased and gilt ruby glass portrait vases, 19th century Est. £200-400
Lot 578
An Indian Kundan-set ruby, emerald and white sapphire pendant, with cultured pearl drop Est. £1,000-1,500
Lot 753
Herend, a monumental pair of exceptionally large twin-handled vases and covers Est. £5,000-8,000
Lot 684
An Edwardian mahogany and satinwood vitrine or display cabinet, circa 1910, of Sheraton Revival design Est. £1,000-1,500
Lot 739
A pair of French Luneville, Terre de Lorraine, Blanc de Chine faience figure groups, circa 1750 Est. £400-600
TERMS & CONDITIONS OF SALE AND BUSINESS
These Conditions of Sale and Business constitute the contract between Kinghams Auctioneers limited and the seller, on the one hand, and the buyer on the other. By bidding at the auction, and/or consigning to Kinghams Auctioneers limited, you agree to be bound by the following terms.
CONDITIONS OF SALE
1. DEFINITION
In these terms of business: Kinghams Auctioneers & Valuers is referred to as ‘Kinghams’. The Kinghams representative conducting the auction is referred to as the ‘auctioneer’.
2. AGENCY
The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers if the transaction is not completed and paid for.
3. TERMS OF SALE
The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment.
4. DESCRIPTIONS AND CONDITION OF LOTS
Every effort is made to ensure the accuracy of statements relating to authorship, descriptions, origin, date, age, provenance and condition of lots. Statements made orally or in the catalogue are opinions given after careful consideration and research. Prospective buyers are given ample opportunity to view lots before any sale. When bidding, buyers acknowledge that they are fully satisfied as to the description and condition of the lot. The absence of a condition report or reference to condition in catalogue descriptions does not indicate that the lot is without fault.
5. ATTRIBUTION OF PICTURES
(a) If the forename(s) (or asterisks where not known) and surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work by the named artist.
(b) If the initials of the forename(s) and the surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work of the period of the named artist and may be wholly or in part his work.
(c) If the surname of the artist is given, this indicates that in the opinion of Kinghams the picture is a work of the same school of the named artist, or by one of his followers, or in his style and of uncertain date.
(d) The term ‘Bears signature’ indicates that in the opinion of Kinghams this is not the signature of the artist.
(e) All other terms are self-explanatory.
6. FORGERIES
Notwithstanding Condition 4, any lot which proves to be a deliberate forgery may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence provided that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium.
7. THIRD PARTY LIABILITY
Every person on Kinghams premises before, during or after a sale shall be deemed to be there at their own risk and shall have no claim against Kinghams in respect of any injury they may sustain or any accident which may occur.
8. DISPUTES
Any dispute not covered in these terms of business will be settled at the sole discretion of Kinghams.
9. GENERAL
We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.
a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of the Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.
b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.
Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email in which case it shall be deemed to have been received by the addressee 48 hours after posting.
Special terms may be used in catalogue descriptions of particular classes of terms in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.
Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of the Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.
English law applies to the interpretation of these Conditions.
TERMS OF CONSIGNMENT FOR SELLERS
1.
INTERPRETATION
In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’ etc. refer to Kinghams Auctioneers & Valuers.
2. WARRANTY
The Seller warrants that possession in the lots can be transferred to the Buyer with good and marketable title, free from any third party right and encumbrances, claims or potential claims. The Seller has provided all information concerning the items ownership, condition and provenance, attribution, authenticity, import or export history and of any concerns expressed by third parties concerning the same.
3.
COMMISSION
Commission is charged to sellers at a flat rate of 15% plus VAT on each lot. There is a lotting charge of £5.00 (+VAT) per lot sold or unsold. There is a charge of £10.00 (+VAT) per furniture lot sold or unsold (defined by staff).
Insurance is charged at 1.5% (+ VAT) of hammer price or bottom estimate if unsold.
4.
REMOVAL COSTS
Items for sale must be consigned to the saleroom by and stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.
5. LOSS AND DAMAGE OF GOODS
a) Loss and Damage Warranty – Kinghams is not authorised by the FSA to provide insurance to its clients and does not do so. However, Kinghams for its own protection, assumes liability for property consigned to it at the lower presale estimate until the hammer falls. To justify accepting liability, Kinghams makes a charge of 1.5% of the hammer price plus VAT. The liability assumed by Kinghams shall be limited to the lower pre-sale estimate or the hammer price if the lot is sold.
b) If the owner of the goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owners risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 5(a) is inapplicable.
6. ILLUSTRATIONS
The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.
7. MINIMUM BIDS AND OUR DISCRETION
Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 8. We may sell lots below the reserve provided if we can account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to 10% below the formal reserve.
8. RESERVES
a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to unreasonably high reserves {in which case goods carry the storage (Condition 17) and loss damage warranty (Condition 5(a) charges as stipulated in these Terms of Consignment}.
b) A reserve once set cannot be changed except with our consent.
c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.
d) Reserves are not usually accepted for lots expected to realise below £50.
9. ELECTRICAL ITEMS
These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.
10. SOFT FURNISHINGS
The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.The rights of disposal referred to in clauses 9 and 10 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection upon request.
11. DESCRIPTIONS
Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 4 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.
12. UNSOLD ITEMS
If an item is unsold it may at our discretion be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred.
13. WITHDRAWN AND BOUGHT IN ITEMS
These are liable to incur charges on being bought in or withdrawn after being catalogued.
14. CONDITIONS OF SALE
You agree that all goods will be sold subject to our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses, liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.
15. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST
You authorise us to deduct commission at the stated rate and all expenses incurred from your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. You authorise us at our discretion to negotiate a sale by private treaty not later than the close of business 48 hours after the day of sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply.
17. STORAGE
We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make storage charges.
18. SETTLEMENT
Settlement is started from 4 weeks after the auction, subject to normal business conditions and funds being cleared. If the buyer has not paid for the goods no settlement will be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. Please note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 11 above and you should therefore bear this in mind before parting with the proceeds of sale.
INFORMATION FOR BUYERS
1. INTRODUCTION
The following notes are intended to assist buyers particularly those who may be inexperienced or new to our saleroom. All sales are conducted in accordance with our Conditions of Sale. Our staff will be happy to help you with anything you do not fully understand.
2.
AGENCY
As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly, if you buy your primary contract is with the seller.
3. THE BUYER
The highest bidder acknowledged as such by the auctioneer will be the buyer. If any dispute arises, the auctioneer has absolute discretion to settle the matter. The auctioneer rules the bidding and bids cannot be retracted. The auctioneer reserves the right to refuse any bid.
The successful bidder, whether bidding for himself or for a third party, is entirely responsible for paying for the lots they have bought in accordance with Kinghams’s Conditions of Sale and Business. The auctioneer reserves the right to bid on behalf of the sellers for any lot and to withdraw, consolidate or divide any lot or lots.
4. REGISTRATION
Unless registered already on a bidding platform, it is essential that all prospective buyers register with us, giving their full name, address, contact telephone number(s) and email address.
All buyers will be required to provide proof of identity (i.e. driving licence/passport). Upon receipt of the above a paddle will be issued, which is only valid for the current sale. The paddle may be used to indicate your bids to the Auctioneer during the sale. If successful, the bidder must ensure that their number can be seen by the Auctioneer and that it is their number that is called out. Should there be any doubts as to price or buyer, please draw the Auctioneer’s attention to it immediately.
We reserve the right to investigate and identify all bidders and the source of any funds received by us, including but not limited to engaging approved thirdparty vendors. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Kinghams Auctioneers & Valuers Limited or the Seller.
5.
BUYER’S PREMIUM - COMMISSION CHARGES
There is a buyer’s premium of 26 per cent plus VAT on the hammer price of each lot up to and including £500,000. The buyer’s premium is 18% plus VAT on the hammer price of each lot on the excess of £500,001 up to and including £1,000,000. The buyer’s premium is 15% plus VAT on the hammer price of each lot on the excess of £1,000,001.
6. VALUE ADDED TAX
Lots on which the buyer may have to pay VAT on the ‘hammer price’ are indicated in the catalogue with the following symbol *. The buyer must pay this VAT at the rates that apply on the day of the auction in addition to the buyer’s premium and VAT thereon.
7.
AUCTIONEERS MARGIN SCHEME
This scheme allows auctioneers to sell items without VAT on the hammer price. The buyer then pays an amount equivalent to VAT. This amount cannot be refunded and is not shown separately on the invoice.
8. PAYMENT
Buyers must pay in full before items can be removed from the premises (please see “payment methods” below).
Invoices will be issued from the day of the sale. Buyers must pay their invoice in full within 24 hours and advise when they will be collecting their item(s). Any invoices which remain unpaid after seven days will incur interest at 5% above the base rate, charged from the date of the sale. If buyers are unknown to us, we cannot hand over purchases unless we have adequate references or payment is cleared.
Payment Methods
We accept payment by:
Cash – up to £9,000 (subject to money laundering regulations).
Debit cards - Visa, Delta, Switch, Connect (we accept a maximum payment of £1,000 by phone)
Bank transfer to:
HSBC Bank, Bridge St, Evesham WR11 4RU Account no. 51655345
Account name Kinghams Auctioneers & Valuers Sort code 40-20-27
IBAN GB91MIDL40202751655345
SWIFTBIC MIDLGB22
Please note that a fee of £15 will be added for international bank payment. Please note we do NOT accept credit card or paypal payments. In case we have to provide a payment link a 5% fee of the total invoice value will be charged.
9. LIVE INTERNET BIDDING
Live online auctions are in conjunction with the-saleroom.com, invaluable.com and easyliveauction.com
We ask that you register for the sale a minimum of 24 hours before the auction. When you have registered, you can watch the auction in real time; simply click the bid button to place a bid.
If your bid is successful we will notify you after the sale for payment. Charges will be made for internet bidding dependent on the auction platform. See their terms and conditions for details.
10. TRANSFER OF RISK
Each lot is the buyer’s sole responsibility from the fall of the hammer.
11. COMMISSION BIDS
If instructed, Kinghams will execute bids and advise prospective buyers. This service is free.
Buyers who cannot come to a sale may leave their bid with our staff after/during viewing, or make their bid in advance by telephone or email (enquiries@ kinghamsauctioneers.com). Such bids are placed at the buyer’s own risk.
Bids must be made at least one hour before the sale starts, but we advise buyers to make bids at the earliest possible opportunity. When making bids, buyers must provide:
Their full name
Address
Email address
Contact telephone numbers
The number of the lot they wish to buy
Their maximum bid amount – excluding commission which will be added to the invoice afterwards.
Buyers must state what their maximum bid would be. We cannot accept an instruction to ‘buy’ or unlimited bid.
We will ensure that lots are bought as cheaply as possible depending on the bids made and other reserves. If identical bids are placed, they will be dealt with on a “first come first served” basis.
12. TELEPHONE BIDS
Lines for telephone bidding must be booked 24 hours before the auction. Lines are booked on a “first come first served basis.” Full name, address and telephone numbers will be required together with proof of identity and address. Bank and credit/debit card details are also necessary to secure the line.
13.
DATA PROTECTION
Kinghams will use information provided by its clients or obtained by Kinghams relating to its clients for the provision of auction services or as required by law. Kinghams may need to record telephone conversations for security or legal reasons or as necessary to provide a higher quality of service. Clients agree that Kinghams may use sensitive information that they supply to Kinghams. Unless permitted by law, Kinghams will not otherwise process sensitive personal data without express consent. By agreeing to the Conditions of Sale and Business, clients agree to the processing of their personal information.
14. STORAGE CHARGES
Handling and storage charges may be applied to any purchased or unsold lots that have not been collected within 14 days from the date of the auction at the following rates:
Small items (such as jewellery, watches, books or ceramics): handling fee of £20 per lot plus storage charges of £2 per lot per day.
Medium items (such as most paintings or small items of furniture): handling fee of £30 per lot plus storage charges of £4 per lot per day.
Large items (items that cannot be lifted or moved by one person alone):handling fee of £40 per lot plus storage charges of £8 per lot per day.
Oversized items (such as monumental sculptures): handling fee of £80 per lot plus storage charges of £10 per lot per day.
A lot’s size with be determined by Kinghams Auctioneers on a case by case basis (typical examples given above are for illustration purposed only)
All charges are subject to VAT, where applicable. All charges are payable to Kinghams Auctioneers.
Storage charges will cease for purchased lots which are shipped through Kinghams Auctioneers’ shipping service from the date on which we have received a signed quote acceptance from you.
14.1
LIABILITY FOR LOSS OR DAMAGE
Buyers are reminded the Kinghams Auctioneers accepts liability for loss or damage to lots for a maximum period of thirty (30) days after the date of the auction.
15. ELECTRICAL GOODS AND SOFT FURNISHINGS
These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations.
16. EXPORT OF GOODS
Buyers intending to export goods should check whether an export licence is required and whether there is any specific prohibition on importing goods of that character because e.g. they may contain prohibited materials such as ivory. Ask us if you need help.
17. PACKING AND DESPATCH
We offer a packing and despatch service for smaller lots. We also use national and local carriers. Further details can be obtained from our office.
18. DROIT DE SUITE ROYALTY CHARGES
A work of art by a living artist, or those who have died within the last 70 years, which costs more than the UK sterling equivalent of €1,000 will incur a royalty charge. We pass this payment onto the Design and Artists Copyright Society (DACS), and do not charge a handling fee. Buyers can calculate royalty charges on the DACS website.
Items marked with the † symbol in the catalogue will potentially incur royalty payments.
We use the euro to UK sterling exchange rate which applies on the day of the sale. It is the buyer’s responsibility to check the relevant exchange rate.
The actual qualifying threshold is calculated by the Artist’s Resale Right Service Hub based on the European Central Bank reference rate published at 2.15pm on the day of the sale, and can be found on the DACS website.
The royalty charge for pictures which achieve a hammer price of more than the UK sterling equivalent of €1,000, but less that the UK sterling equivalent of €50,000 is 4%. On works of art that achieve a hammer price of more than the UK sterling equivalent of €50,000 a sliding scale of royalty charges applies. For a complete list of the royalty charges and threshold levels please download more information from the DACS website.
The royalty charge is added to invoices, and must be paid before purchases are removed. VAT is not paid on royalty charges.
19. CITES LICENSE - IMPORTANT NOTICE RELATING TO SPORTING AND NATURAL HISTORY
Clients intending to import/export any item derived from natural history specimens into/from a non-European country should first check for any Import/Export and possession restrictions prior to bidding/selling.
Certain species (λ) are also subject to CITES regulations when exporting/ importing these items out of the EU. CITES regulations are given on www.ukcites.gov.uk or maybe obtained from Animal Health, Wildlife Licensing and Registration Service, Zone 1/17, Temple Quay House, 2 The Square, Bristol BS1 6EB. Those species that are covered by the US Endangered Species Act (USESA) or The Migratory Bird Treaty Act (MBTA): potential US bidders should check with USF&W (US Fish and Wildlife Services) for trade/possession restrictions in the US prior to bidding.
MAY FINE & DECORATIVE ARTS HIGHLIGHT
Attributed to Paulus Moreelse (Dutch, 1571-1638), portrait of a young lady, oil on panel, 67 by 47cm.
Provenance: a deceased Estate, Oxfordshire SOLD FOR £70,848
FINE, DECORATIVE ARTS & DESIGN 14 & 15 OCTOBER 2026
Entries invited until 16 September
Dr Christopher Dresser for Elkington, an important electroplated conical sugar bowl, Model No.247, dated 1878.
EST. £10,000 - £20,000
Contact: Adrian Rathbone, John Keightley & Michael Jeffery
