Kinghams Auctioneers

FINE, DECORATIVE ARTS & DESIGN Wednesday 4 & Thursday 5 March 2026

FINE, DECORATIVE ARTS AND DESIGN To be held at: 10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ WEDNESDAY 4 & THURSDAY 5 MARCH 2026 Viewing Monday 2 March – 10am to 5pm, Tuesday 3 March – 10am to 5pm Wednesday 4 March 9am to 10am & Thursday 5 March 9am to 10am Day of the Sale Auction scheduled to start at 10am with bidding in the room and live bidding on the internet bidding platforms.

Telephone bids and commission bids are accepted and potential bidders will need to be registered with us before the sale.

SPECIALISTS

George Kingham

John Keightley

Adrian Rathbone

Michael Jeffery

Director

Associate Director Senior Valuer and Cataloguer

Associate Director and Senior Valuer

Associate Director and 20th Century Design Specialist

Mark Oliver

Steven Bruce

Sarah Powel

Eric Belgrave

Consultant Decorative Arts Specialist

Consultant Valuer

Office Administrator

Photographer

Live internet bidding is available on www.kinghamsauctioneers.com, www.the-saleroom.com, www.invaluable.com and www.easyliveauction.com together with a fully illustrated catalogue.

Catalogue £10.00 (£14.00 by post)

Kinghams Auctioneers Ltd 10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ NB. Please telephone to arrange collection.

01608 695695 | enquiries@kinghamsauctioneers.com | www.kinghamsauctioneers.com

2

MAP AND DIRECTIONS Our auction centre is located in the historic Cotswold market town of Moreton-in-Marsh

By Car We are centrally located on the A44 in reach of motorways the M5, M4, M40 and M42. Ample free parking.

By Rail Moreton-in-Marsh’s train station is less than a mile from the auction centre.

By Plane The nearest International Airports are Birmingham, 45 miles and Heathrow, 70 miles.

Accomodation The Howard Arms (10-minute drive from the auction centre) Lower Green, Ilmington, CV36 4LT 01608 682226 www.howardarms.com

DELIVERY SERVICES FOR BUYERS We offer an in house packing service for most items and paintings up to 110cm x 80cm. Please email enquiries@kinghamsauctioneers.com for a quote or call 01608 695695 for a quotation.

For Furniture: Tustain Carriers, Fine Art & Antique Carriage 07964 626325 enquiries@tustainclearance.com www.tustaincarriers.com

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USEFUL INFORMATION FOR BUYERS Please see full Terms and Conditions at the back of this catalogue.

Buying at Kinghams Auctioneers Ltd:

Condition

There are several ways you can bid at our auctions; by leaving a commission bid, on the telephone and live via the internet.

Bidders must satisfy themselves as to the condition of each lot. Condition reports are available on request. (no later that 48 hours before the sale).

Bidding in Person

Buyer’s Premium

It is essential that all prospective buyers register with us prior to the auction. Proof of identification will be required in order for a bidding number to be allocated which can then be used when bidding for an item.

There is a buyer’s premium of 26% plus VAT on the first £500,000 of the hammer price of each lot. 18% plus VAT on the excess of £500,001 and up to £1,000,000 of the hammer price of each lot, and 15% plus VAT on the excess of £1,000,001 of the hammer price of each lot.

Commission Bids Kinghams will execute bids if you are unable to attend the sale. Bids can be left with our staff during or after viewing, or in advance by telephone or e-mail: enquiries@kinghamsauctioneers.com

Telephone Bids Lines must be booked by 5pm the day before the auction begins. Lines are booked on a first come first served basis.

Full name, address and telephone numbers will be required together with proof of identity. Bank and/or credit/debit card details are necessary to secure the line.

Live Internet Bidding Register online via www.kinghamsauctioneers.com, www.the-saleroom.com, www.invaluable.com, www.easyliveauction.com and www.liveauctioneers.com.

Various charges apply, please check with your bidding platform.

Payment Must be made in full before items can be removed from the premises. If buyers are unknown to us, we cannot handover purchase until payment has been cleared.

Payment Methods - We accept payment by: • Cash - up to £9,000 (subject to money laundering regulations).

• Cheques - we do not accept cheques.

• Debit cards accepted. We do not accept any credit cards.

• Bank transfer to: HSBC Bank, 32 Bridge St., Evesham, WR11 4RU Account No.: 51655345 Account Name: Kinghams Auctioneers Ltd Sort Code: 40-20-27 IBAN: GB91MIDL40202751655345 SWIFTBIC: MIDLGB22 Please note that a fee of £15 will be added for international bank payments.

CONTENTS Day One Jewellery

1 – 46

Silver

47 – 81

Works of Art

82 – 136

Medals and Militaria

137 – 146

Books and Prints

147 – 196

Paintings

197 – 316

Furniture and Clocks

317 – 339

Day Two Asian Art

340 – 381

Glass

382 – 499

Continental Ceramics

500 – 530

Moorcroft and Art Pottery

531 – 604

British Ceramics

605 – 662

DAY ONE

6

JEWELLERY 14.

An Edwardian 15ct gold diamond cannetille brooch and an early 20th century gold imitation pearl bar brooch, one with 15ct gold hallmarks for Chester, 1907, one stamped 9ct, lengths 4.6 and 5.8cm, 6.2g. £150 - £250

1 1.

An early 20th century rose and old-cut diamond and ruby fox head stickpin, length 5.1cm, 2.5g. £200 - £300 2.

A full sovereign pendant, mount stamped 9ct, length 3.5cm, 10.2g. £600 - £800

15

3.

A 9ct gold brilliant-cut diamond ring, estimated diamond weight 0.05ct, hallmarks for London, ring size W, 4.2g. £120 - £180 4.

An 18ct gold old-cut diamond cluster dress ring, estimated total diamond weight 0.35ct, I-J colour, SI2-P1 clarity, stamped 18ct, ring size M, 3.8g £200 - £300

15.

An 18ct gold opal cabochon and diamond dress ring, estimated total diamond weight 0.15ct, stamped 18ct Plat, ring size O1/2, 2.2g £120 - £180 9 9.

An Edwardian 9ct gold amethyst and split pearl openwork pendant, with chain, both stamped 9ct, length of pendant 3.5cm, length of chain 42cm, 4.5g. £120 - £180

16.

An early 20th century 15ct gold gem-set stickpin and a 1960s 9ct gold split pearl leaf brooch, stickpin head stamped 15ct, length 5.4cm, 1.3g, brooch with hallmarks for Birmingham, 1963, length 4.3cm, 4.9gm. £150 - £200

10.

An 18ct gold emerald and brilliant-cut diamond cluster ring, estimated total diamond weight 0.25ct, hallmarks for London, 1981, ring size N, 3.5g. £250 - £350 5 5.

A pair of 9ct gold amethyst drop earrings and an amethyst and split pearl cluster ring, earrings with hallmarks for Birmingham, 1992, length of earrings 3.5cm, ring size L1/2, 20.3g. £500 - £700 6.

Three gold bar brooches, to include a a tri-colour flying duck with enamel head, an old-cut diamond cluster and a ruby and old-cut diamond heart with sword bar, all unmarked, lengths 6.5 to 5cms, total weight 9.3g £300 - £400

17

11 11.

Two onyx signet rings, one stamped 10K, one stamped 9ct, ring sizes L and T, 5.6g. £150 - £200

7.

An early 20th century gold shield-shape bloodstone cabochon signet ring, ring size P1/2, 5.3g. £150 - £200

18

12 12.

An early 20th century 9ct gold enamel Masonic signet ring, hallmarks for Chester, 1918, ring size P1/2, 6.4g. £200 - £300

8 8.

An 18ct gold diamond and ruby dress ring,estimated total diamond weight 0.50ct, H-J colour, Si2-P1 clarity, stamped 18c, ring size S, 3.2g £200 - £300

17.

A cameo brooch and pair of cultured pearl cufflinks, length of brooch 5.6cm, length of cufflink face 1.2cm, 21.7g. £300 - £400

13.

Two 9ct gold chain necklaces, both with hallmarks for 9ct gold, lengths 46 and 47cm, 13.5g. £350 - £450

A jade and gem-set pendant and 18. bracelet, both with Chinese character detail, both stamped 14K 585, length of pendant 6.8cm, 28g, length of bracelet 18cm, 22.7g. £150 - £250 19.

A silver bracelet, with French assay marks, length 18cm, 89.7g £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

7

20.

Henry William King, an Arts and Crafts silver and enamelled brooch, the central convex roundel painted with a kingfisher on a riverbank, within open C scroll and foliate wreath frame, stamped marks and sterling, signed to the enamel HWK, 3.8cm diameter, 11.5g £80 - £120

27.

An Arts and Crafts carved boulder opal pendant, in the style of Wilhelm Scmidt, modelled as a crab, suspended on a gold loop stamped 18 ct, 5cm £80 - £120 28.

An Arts and Crafts silver and agate necklace, the central polished oval stone within a ropetwist frame, surmounted by coiled wire and conjoined ring, suspended on quatrefoil and round link chains, 5cmm 43.5cm long, 16.7g £120 - £150

24 24.

Archibald Knox for Liberty and Co, an Arts and Crafts silver and enamelled pendant, John Baker Bennett, ring and trefoil frond form, in green and red enamel, 4cm long, 4.4g £120 - £150

29.

An Arts and Crafts agate and silver bracelet, graduated specimen cabochons and amethyst clasp, 17cm long, 53g £60 - £80

21 21.

Amy Sandheim, a large Arts and Crafts silver and gem set cruciform pendant necklace, circa 1920, cast with reticulated foliate and fruting vines and set with multi coloured baguete and cabochon stones including brown zircon, tourmaline cabochons and facet cut quartz, on a double chain of knotted and cable links, 7.5cm, 25.3g £400 - £600 22.

An Arts and Crafts silver and agate brooch, rectangular form, the central oval stone plaque flanked by open scrolled, fruting and foliate tendrils, 6.2cm wide, 15.3g £50 - £80

30

25 25.

Liberty and Co., a silver and moonstone pendant, circa 1917, cast and reticulated with Renaissance style foliate scrolls and set with graduated cabochons, 5.5cm long, 5.2g Note: illustrated in the 1917 Yuletide catalogue for Liberty £300 - £500

30.

Georg Stoger for Wiener Werkstatte, a Secessionist silver and enamelled brooch, circa 1915, the square plaque painted with a bird on branch, in brown enamel., within a stepped silver frame, stamped marks WW 900 GSt, 2.6cm square, 8.8g £300 - £500 31.

Charles and Gladys Mumford, an Arts and Crafts silver and carnelian brooch, oval frame with coiled wire tendrils and applied leaves, set with a red cabochon stone, 4cm long, 8.7g £20 - £30

32

23 23.

Archibald Knox for Liberty and Co, an Arts and Crafts 9 carat gold and pearl pendant, John Baker Bennett, open knotted and coiled wire tendril cartouche with stylised kidney leaf motifs around a central mother of pearl oval plaque, a Baroque pearl drop below, 4.5cm long, 3.7g £300 - £500

26 26.

An Arts and Crafts silver and enamelled plaque pendant on chain, the ciruclar roundel with ropetwist cloisonne enamel in green and yellow, within an open S scroll and beaded frame, 3.5cm diameter, 9.6g £60 - £80

32.

An Art Deco silver, garnet and marcasite bee brooch, modelled with articulated wings, bands of red and silver facet cut stones, 5.5cm wide, 14.3g £40 - £60

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

8

33

37

41

33.

A Continental Art Deco silver and turquoise brooch, pierced rectangular form, with frosted glass back, modelled as a stylised flower amongst arches, set with tiny turquoise stones and paste chips, stamped marks, 925, 4cm. wide £100 - £200

37.

Aksel Holmsen, a Norwegian silver gilt and enamelled flower brooch, in the form of an orchid, white guilloche enamel petals and ball knopped stamen, 6.5cm long, 22.9g £60 - £100

41.

A Modernist silver brooch, HAB, London 1992, oval form, cast and pierced with Memphis style zigzag and triangle motifs on a rusticated ground, 5.5cm wide, 16.5g £20 - £30

38.

A Mexican silver brooch, in the form of an Aztec mask, modelled in relief with embossed features and nose ring, stamped marks, 4.5cm long, 13.8g £20 - £30

42.

A 9ct gold chevron necklace, import marks for Birmingham, 1989, length 40.5cm, 9g. £200 - £300 43.

A George V full sovereign, length 2.2cm, 8g. £600 - £800 44.

Charles I, Oxford mint, silver shilling, 1643, 3.4cm diamter, 5.7g £200 - £300

34 34.

A Scandinavian silver and gilt metal target brooch, mid 20th Century, depicting a triple mast sailing ship on choppy seas, unmarked, 5cm diameter £60 - £100

45 45.

A 19th century gold retractable pencil, with carved carnelian intaglio terminal, length 9.3cm, 14.5g. £200 - £300

39

35

39.

A Modernist white metal necklace, 1974, in the Brutalist style, the abstract pendant studded with cuboid forms, fret cut and applied with geometric tendril motifs, suspended on two rusticated wave link chains, scratched mark Zina 74, 54cm long, 58.8g £80 - £120

35.

Georg Jensen, a silver brooch, modelled as a bird eating berries, model number 175, signed Georg Jensen, import marks for London 1959, diameter 4.6cm, 13.3g £150 - £250

40.

Erik Dennung, a Danish silver torque choker, with maker’s mark, stamped made in Denmark, inner diameter 10.4cm, 92.2g. £100 - £150

36.

A mid 20th century bangle, stamped 15ct, width 7mm, 11.4g. £500 - £700

46 46.

Waterman, a silver #22 or 422 taper cap eyedropper fountain pen, hallmarked Frank D Waterman, London 1913, hardened rubber collar and barrel terminal, the lid of tapered torpedo form with no clip, postable to the barrel, the gold nib maked New York, size 2, the cap marked Watermans Ideal Fountain Pen, 14.6cm long £100 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

9

SILVER 47.

An Ottoman silver and coin set dish, incised panel and foliate wreath decoration, 9.5cm diameter, 2.1ozt £40 - £60 48.

Four novelty Indian white metal menu holders, each in the form of reptile, including cobra and lizards, 8cm high, 1.4ozt/40g (4) £50 - £80 49.

An Arts and Crafts silver box, Deakin and Francis, Birmingham 1902, cushion topped cuboid form, the hinged lid planished and embossed with a stylised plant, 15cm wide, 4cm high, 5.5cm deep, 5.7ozt/178g £300 - £400

52 52.

An Arts and Crafts Renaissance Revival silver and glass tankard, William Tolhurst, London 1901, the green body encased in ropework straps and central cartouche plaque, the domed lid with simulated foliate riveted straps between red enamelled cabochons, 24cm high £800 - £900

50

53

50.

Christopher Dresser for Hukin and Heath, an Aesthetic Movement silver plate mounted glass claret jug, model 2475, circa 1885, the conical body with plain collar and coiled tendril C scroll handle, flat lid, engraved date 1887, 24.5cm high £60 - £100

53.

Oliver Baker for Liberty and Co., a Cymric Arts and Crafts silver bowl, Birmingham 1902, planished ogee section with inverted rim, pierced with spade motifs, 11cm diameter, 2.35ozt £200 - £300

51.

Christopher Dresser for Richard Hodd and Sons, an Aesthetic Movement silver plated sugar bowl, 1878, twin handled angled baluster form, stamped marks and design registration diamond, 6.5cm high, 11cm wide Note: some of Dresser’s earliest designs were produced by the Hatton Garden firm of Richard Hodd and Sons, prior to the Hukin and Heath showcase of designs in 1879. This bowl is part of a well known Dresser designed tea set; a service of this design including the bowl was exhibited at Hereford Museum & Art Gallery The Art & Craft of Design: An Exhibition of Work by Christopher Dresser 20th January3rd March 2007; See Bonhams, New York, 19th December 2007 for an example of a three piece tea set of this design; also Christie’s Harry Lyons Collection, 19th October 2004, lot 315 for an example of the kettle from this service. £40 - £70

54 54.

Oliver Baker for Liberty and Co., a Cymric Arts and Crafts silver bowl, Birmingham 1902, squat form with inverted rim, coiled and bifurcated tendril straps, of whiplash bracket form, 12cm diameter, 3.4ozt £200 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

10

55.

An Arts and Crafts silver and gem set napkin ring, Collins and Co., Birmingham 1911, waisted form with central Celtic knotted band and purple cabochon stone, 4.5cm diameter, 0.64ozt £80 - £120

60 60.

An Arts and Crafts silver box, Richard Llewellyn Rathbone, Chester 1932, circular form, the domed lid embossed with a stylised tree, milled rims, 4cm diameter, 0.84ozt £120 - £180

56

61.

Lawrence Emanuel, an Arts and Crafts silver and enamelled pill box, Birmingham 1909, circular form with reticulated lid, engraved with a central basse taile enamel rose and chased leaves, within cream and green guilloche wreath, 3.7cm diameter, 0.51ozt/15.8g £100 - £150

56.

Kate Harris for William Hutton, an Arts and Crafts silver box, Birmingham 1903, circular with hinged lid embossed with an Art Nouveau woman holding a pair of peacocks, 5.8cm diameter, 1.75ozt £100 - £150 57.

Kate Harris for William Hutton, an Arts and Crafts silver mustard pot, London 1903, embossed with straps of reticulated stylised dahlias, on open stemmed bracket feet, naturalistic tendril handle and glass liners, 9cm high, 3.33ozt/103g £150 - £200 58.

Three Arts and Crafts hat pins, including a silver Murrle Bennett tulip leaf example, a German Jugendstil purple stone set pin and an enamelled cabochon (3) £30 - £50

62 62.

John Birkett for Keswick School of Industrial Art, an Arts and Crafts silver tea caddy, Birmingham 1889, cuboid form with domed lid, repousse embossed, with zoomorphic foliate scrolls, birds, urns and masks in the Northern Mannerist style, the hinged lid revealing a gilt interior, 12.5cm wide, 11.5cm high, 9cm deep, 9.4ozt Note: a rare early silver assayed piece by the KSIA £800 - £1,200 63.

Four Arts and Crafts silver and gem set spoons, planished, the terminals with interlocking concentric rings and set with smoky quartz, stamped Silver, 11cm long, 53.8g £30 - £50 59 59.

An Arts and Crafts silver photo frame, Henry Matthews, Birmingham 1901, bracketed circular form, £70 - £100

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

11

67.

Harald Nielsen for Georg Jensen, an Art Deco silver Pyramid cruet set on tray, the spherical condiments on stepped cylinder bases, the mustard pot with a geometric lappet and disc handle and blue glass liner, on a circular tray with concentric segment handles, 17cm wide, 12.62ozt/358g £800 - £1,200

64 64.

H. G. Murphy, an Art Deco silver beaker, Falcon Studios mark, London 1938, footed and tapered, incised with bands of geometric foliate tufts between lightning bolt motifs, 9.5cm high, 160g/5.64ozt £1,000 - £1,500

68 68.

Georg Jensen, two Skonvirke silver spoons, Copenhagen 1924 and 1925, import marks for London, planished, bifurcated open stems cast in relief with berries, tendrils and acanthus lappets to the handles, 17cm long, 2.23ozt/69g £100 - £200 69.

Georg Jensen, a Danish silver Blossom spoon, model 41, import marks for London 1930, the coiled tendril terminal with graduated beads,13.7cm long, 31.5ozt/1ozt £50 - £80 70.

Gundorph Albertus for Georg Jensen, an Art Deco silver Cactus pattern spoon, with a loop handle, stamped marks, 13.3cm long, 1.0ozt, 32.2g £100 - £150 65 65.

Sibyl Dunlop, an Arts and Crafts silver and amethyst set bowl, London 1929, planished and footed, applied with cast blind fret knotted foliate motifs set with central oval cabochons, 13.5cm diameter, 10.99ozt £800 - £1,200 66.

John Sidney Reeve, an Arts and Crafts silver spoon, Birmingham 1916, the planished pear shaped bowl on a stranded stem with ropetwist wire, a strapped and prunted ball knop and blue cabochon set finial, 12.5cm long, 0.69ozt £50 - £80 71 71.

Georg Jensen, two silver preserve spoons, Blossom pattern, import marks for London 1925 and 1931, the coiled tendril handles with bead and leaf terminals, planished bowls, stamped marks 21 26, 13.5cm long, 1.87ozt/58g £100 - £150 72.

Arts and Crafts silver spoons including Georg Jensen Acorn pattern grapefruit spoon, a Scottish Modernist spoon, Edinburgh 1986, a Dutch galleon spoon and a fiddle pattern teaspoon, the terminal pierced and etched with a pied piper figure, 16cm long, 2.8ozt/87g £150 - £200

67

73.

A Georg Jensen set of silver dressing table brushes and a hand mirror, designed by Harald Nielsen, each with cast dolphin motif stamped marks, 23cm. long (hand mirror), (3) £150 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

12

74

77

74.

A Danish silver candlestick in the manner of Georg Jensen, tapering foot supporting knopped stem and flaring sconce, decorated with a band of scrolling grape vine, and a pair of silver salt and pepper pots in original fitted case, stamped marks, 9cm. high (3)

77.

Johan Rohde for Georg Jensen, a Danish silver Skonvirke cigarette box or casket, model 39, circa 1919, cuboid form, the hinged and planishe dlid embossed with a central foliate rosette or scalloped organic leaf and berry form, within a beaded rim, with wooden liner, stamped marks, 13.5cm wide, 5cm high, 9.5cm deep £800 - £1,200

Provenance: From a private English Collection.

£150 - £250

75.

A Georg Jensen silver Pyramid spoon and fork designed

by Harald Nielsen, four Georg Jensen silver Acorn Melon spoons, a Georg Jensen silver Pyramid salt spoon, a Georg Jensen silver spoon and fork, six napkin rings, five hallmarked silver and one white metal, combined weight 358g/11.51ozt approx Provenance: Ella Voysey, thence by descent

£150 - £250

78 78.

Tias Eckhoff for Georg Jensen, a silver Cypress pattern fruit set, designed 1953, import marks for London 1963/64, including six grapefruit spoons and a jam spoon, 15.5cm long, 6.6ozt/205g £200 - £300

76 76.

Johan Rohde for Georg Jensen, a Danish silver Skonvirke box or casket, model 195, circa 1919, cuboid form, the hinged and planishe dlid embossed with a central foliate rosette or scalloped organic leaf and berry form, within a beaded rim, with wooden liner, stamped marks and date, 18cm wide, 5.5cm high, 13cm deep £1,000 - £1,500

79 79.

Gerald Benney C.B.E. (British 1930-2008), a cased Modernist silver-gilt brooch, London 1967, in the form of a stylised feather, with texturing decoration, length 7.4cm, weighable 15g/0.48 £150 - £250

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

13

WORKS OF ART

80

82

80.

Robert Welch (British, 1929-2000), a pair of Modernist silver candlesticks, London 1978, the ogee sconces on slender stems, spread circular bases, 33.5cm high, 15.91ozt (2)

82.

An Arts and Crafts silver plated and enamelled bracket clock, the oak body of domed and waisted form, embossed with Father Time resting over a 2 inch turquoise enamel dial with braille chapter ring, Art Nouveau style knotted tendrils and motto So runs the round of life from hour to hour, above three rosettes, 18.5cm high £150 - £250

Provenance: Private Collection, Cotswolds

£700 - £900

83

81 81.

Guido Niest (Italian, 1958), an electroplated sculptural vase, maker’s marks, 28cm high (with certificate) £50 - £80

83.

A E Jones, an Arts and Crafts silver plated mantle time piece, the planished oval form case with cirular clock face and Arabic numerals, supported on four tapered hoofed faun legs with horned masks, united on a rectangular base with central foliate bosse, on four bun feet, surmounted by a mushroom knop finial, stamped number 1752, 20cm high, 17cm wide £150 - £250

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

14

86.

WMF, a Jugendstil silver plated three piece strawberry and cream set, including jug, bowl and tray, embossed in relief with concentric scrolling wave motifs, the handles similarly modelled in the Nordic style, stamped marks to each, 30.5cm long (3) £40 - £60

84 84.

An Art Nouveau art metal figural table lamp, circa 1910, modelled as a maiden with outstretched arms and floral hairstyle, in the style of WMF and Augustus Saint Gaudens, on a bracketed plinth base, holding torches, the straw opal shades of campana form with vertical stripes, crimped rims, applied with beaded tassel shawl, 58.5cm high £100 - £200

87.

An Arts and Crafts copper and glass lantern form pendant light fitting, tapered cylinder form with strapped bands encasing a frosted glass star cut shade, the domed top pierced with stylised foliate motifs, 37cm long £80 - £120

85

88

85.

WMF, a Jugendstil novelty silver plated and glass claret jug or whisky flagon, in the form of a coopered barrel, circa 1900, banded with rivet embossed straps, etched vertical plank lines, stamped marks to the hinged lid and to the handle, 22.5cm high £80 - £120

88.

Jesson, Birkett and Co., an Arts and Crafts pendant light fitting or chandelier, circa 1910, the hemispherical inverted crown of five reticulated and embossed foliate straps united on a ring set with Ruskin cabochons, suspending five opal glass shades £500 - £800

87

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

15

89.

Two Arts and Crafts embossed leather photo frames, rectangular, easel backed, decorated with stylised poppies and foliate tendrils (2) £40 - £70

96 96.

Two Arts and Crafts copper plaques, cast in low relief with allegorical scenes of sculpture and poetry, 13cm x 33cm £50 - £80 97.

Gittins Craftsmen Limited (Birmingham Guild of Handicraft), an Arts and Crafts metal die stamp, modelled in relief with a stylised depiction of Vulcan, within the company name, set into a bronzed presentation stand, 13cm high 90 90.

An Art Nouveau pokerwork wall-mounted smoker’s companion, circa 1905, the tentril handled door decorated with a pair of entwined serpents surmounted by an owl with wings outstretched, opening to an interior with two drawers, 45cm high, 33cm wide, 14.5cm deep £80 - £120

Note: the firm of Gittins was taken over by the Birmingham Guild in 1910 £30 - £50

91.

An Arts and Crafts pewter clad and Ruskin cabochon set standard lamp, square section on a platform base, planished and set with blue souffle roundels and shaped plaques, 148cm high £100 - £200 92.

An Arts and Crafts copper bound and Ruskin cabochon set oak coal bin or jardiniere, angled polygonal section, set with turquoise souffle roundels, on a circular base with ball feet, 40cm diameter, 37cm high £50 - £80

98 A monumental bronze study of a panther with prey, 98.

20th Century, in the Art Deco style, appears unsigned, 38cm high, 97cm wide £400 - £600 99.

An Austrian patinated brass floor standing dumb waiter sculpture, in the manner of Hagenauer Workshop, modelled standing, holding two circular trays and ebonised wood rail, stamped made in Austria, 110cm. high £500 - £800

93 93.

An Arts and Crafts Iona style copper buckle, cast in relief, the central roundel with a crouching woman, flanked by stylised poppies, 13cm long £20 - £30 94.

An Arts and Crafts enamelled copper box, circa 1915, cuboid form, applied riveted and foliate strap decoration, the plaque in the Egyptian style with figure and peacocks, titled Vanitas, 15.5cm wide, 8.5cm high, 12cm deep £300 - £500 95.

Gilbert Bayes, a pair of relief moulded bronzed plaster plaques, dated 1895, after the bronze originals, modelled with sea nymphs in movement, signed in the cast, 61cm x 24cm (2) £100 - £200

100 100. Karl Hagenauer, three Art Deco chromed brass napkin rings, the reeded discs surmounted by stylised animals including cat, dog and lamb, stamped Hagenauer Werkstatte marks, 5cm diameter (3) £50 - £100

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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101. An American Modernist chrome metal and glass table lamp in the manner of Adnet, heavy, spherical glass body with tapering chrome neck, adjustable, resting on three conjoined ball foot, stamped marks to fitting, 22.5cm. high £150 - £250

102

105

102. Jacques Arlaud (French, 20th Century), an Art Deco style art metal plaque, female nude seated on a scroll in relief, signed in the metal, 37 by 26.5cm, framed £50 - £80

105. G A Scott for Maclamp Co., a Mid 20th Century Modernist table lamp, circa 1958, copper lacquered aluminium, the articulated conical shade on adjustable tubular arm, on a cast blackened fork base, 68cm high extended £100 - £200

103. Josep Maria Subirachs, a commemorative bronze medal for the 50th anniversary of La Seda De Barcelona SA, 1975, modelled in relief with monogram and a Classical torso, 6cm diameter £20 - £40

106 106. A Victorian Japanned lacquer and reverse painted glass inset box, ogee fluted section, decorated with gilt foliate scrolls highlighted in red and white lacquer, the lid with a coastal view highlighted in abalone, velvet interior, 27cm wide, 11.5cm high, 19cm deep £50 - £100

104 104. Robert Michel (German, 1897-1983), a silvered bronze sundial paperweight in the Art Deco style, for Caisse des Depots et Consignations, dated 1981, 9.5cm wide £40 - £60

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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109

107 107. A framed and inscribed photograph of Prince and Princess Henry of Prussia, 1912, hand written In rememberance of Wimbourne House, Irene Princess Henry of Prussia, 1912, the tooled leather frame surmounted by the monogram of Henry, within a glazed velvet lined wooden frame, photo size 17.5cm x 11.5cm, overall 30.5cm x 24.5cm

111

The William Kent designed London town house became a fashionable society venue for European aristocracy at the end of the 19th century, frequented by Evenlyn Waugh and Winston Churchill amongst other.

The photograph commemorates the visit of the Princess. £50 - £100 108. Armand Guichard, a French brass mechanical corkscrew, L’Excelsior, double pillar and plate form with screw thread, shaped ebony handle, stamped marks, 18.5cm long £70 - £100 109. A brass mechanical coffee grinder cokscrew, of Italian design, double pillar open barrel with crank shaft and turned wooden handle, 15cm long £50 - £80 110. Two French chromed metal lever corkscrews, including Le Presto single arm double pillar barrel example and a double arm Tyr corkscrew, 18cm long (2) £50 - £80 111. A French single lever corkscrew, double pillar barrel and ratcheted lever arm, stamped marks AC Brevete SGDG Paris, 17.5cm long £40 - £70

113

112. Armand Guichard, a French chrome plate corkscrew, L’Excelsior, double pillar and plate form with screw thread, shaped ebony handle, stamped marks, 18.5cm long £70 - £100 113. Friedrich Kummer, a patent mechanical corkscrew, double pillar open barrel with tooth lock and channeled barrel mechanism, turned wooden handle, 17cm long £100 - £150 114. James Heeley and Sons, a Bakers Patent Double Lever corkscrew, with independent lever arms, 17cm long £80 - £120 115. Dowler Patents, a Thomason type mechanical double action corkscrew, the brass barrel with cast plaque, turned barrel form wooden handle with brush, 20cm long £100 - £200 114

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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116. Glen Grant 1936 Highland Malt Scotch Whisky, bottled

by Gordon MacPhail, 75cl, 40% volume £400 - £600

122 122. Reid and Sigrist Ltd, a Rangefinder Reid III camera, number P2576, with a Taylor Hobson Anastigmat lens f/2 2”, No330007, 35mm, signed lens cap, in a leather Leica case £1,000 - £1,500

117

123

117. Macallan, 25 year old Anniversary Malt whisky, 43%, 75cl, no distillation date, in wooden crate £1,000 - £1,500

123. A North American Iroquois beadwork cushion, 19th century, petal border with linked swags, the central velvet backed motif of a beaver within coloured leaves and rosettes, 17cm long £80 - £120

118. A George III novelty turned treen tea caddy, circa 1810, in the form of an apple, remnants of foil-lined interior, 10cm high £150 - £200 119. A large walnut and inlaid table tea caddy, flat platform design with hinged lid and two glass bowls, 61.5cm x 27.5cm £120 - £180 120. ‘Freddie Keppard’s Olympia Band’ a large painted wood advertising sign, playing at Preservation Hall friday and Saturday nights, modelled in low relief with the jazz trumpeter performing, 92cm. high, 75cm wide. £100 - £200

124. A George III textile sampler, Map of Europe, 1785, worked in coloured threads on coarse linen by C(?). Crichton, showing the principal countries and seas, 48 by 48cm, in an ebonsied and gilt Hogarth frame Provenance: from the collections of two prominent Anglo-Irish and British aristocratic families, directly descended from Lord Patrick James Stuart (1794- 1859), brother of John 2nd Marquess of Bute and great grandson of John Stuart, 3rd Earl of Bute (1713 -1792), Prime Minister to George III, resident at Cardiff Castle, Wales; Dumfries House, Scotland and Wilton Crescent, Belgravia, London £80 - £120

121. Dentistry Interest, a mid-20th Century mahogany portable dentists’ cabinet, chrome fittings, swing handle, upper compartment over a bank of six long graduated drawers, marked A.S.H. London, 34cm high, 33cm wide, 22cm deep (key) £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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128. A 19th-century cast-iron country house door stop, modelled as a lion rampant on a plinth, with polychrome decoration, 38cm high £60 - £100

125 125. A 17th-century stumpwork picture, depicting two courtiers beside a fountain with palaces, shepherdess, fruiting and flowering trees, a mermaid, a lion, a leopard, a dog, a rabbit, a squirrel, insects etc, signed with initials ‘A.M’, 42 by 52cm, in a period carved wood frame with carved foliage in high relief.

Provenance: Private Collection, Wales

£2,500 - £3,500

129 129. A Victorian country house enamelled tinplate or toleware postage rack, Shoolbred, Loveridge and Co., Wolverhampton, walnut effect decoration, with reticulated trays for Post and Delivery, above a drawer inscribed Stamps, Wafers, below a rotating dial with month, date and day chapter rings, 34cm high £80 - £120

130 130. A pair of Derbyshire carved alabaster and ashford marble figures of recumbent cows, circa 1820, probably John Mawe, veined and realistically modelled, on black slab bases, 13cm long (2) £100 - £200

126 126. A 17th-century silkwork casket, circa 1680, depicting King Charles II and subjects to the fall-front, mother and children to the caddy top, and friezes of flowers, insects and beasts, fitted central drawer enclosing six various blown glass toiletry flasks and four further drawers, one with a secret ring drawer, raised on wooden bun feet, 29cm high, 27cm wide, 22.5cm deep.

Provenance: Private Collection, Wales

£2,000 - £4,000

127. An early 20th century charity collection box, in the form of a house, the Crusade of Rescue Homes for Destitute Children, pasted with various advertising and information, 17cm high £70 - £100

131 131. Franz Xavier Bergmann (Austrian, 1861-1936), an Arabian rifleman sprinting, signed with an urn mark, cold-painted bronze, No.5801, Geshulzt, mounted on a rock, 20cm high £600 - £900

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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133 133. After Charles Gabriel Sauvage Lemire (French, 17411827), classically draped boy writing, seated on a tasselled cushion, signed in the cast, bronze, all-over dark brown patina, E. Colin & Cie, Paris foundry mark, mounted on a canted rouge-veined marble plinth, 12cm high, 13.5cm wide £100 - £150 134. Georges Omerth, a bronze militaria figure group, soldiers loading an atillery gun, on a green marble base, signed in the cast G Omerth, 55cm long £2,000 - £2,500 135. Evgenii Alexandrovich Lanceray (Russian, 1848-1886), Georgian Boy with Three Donkeys, a bronze figure group, circa 1870, realistically modelled and cast by the Chopin Foundry, on a naturalistic base, signed in cyrillic and with Finance Ministry mark, 23cm long, 20cm high

132

Note: see Dementieva, L A, 2011, Album of Models by the Sculptor Eugene Lanceray, Moscow, pp.86-87, 318, No.27, for the original wax model of this group. Also Christie’s, London, Important Russian Art, 25th Novemebr 2019, lot 347, for an illustrated example £3,000 - £5,000

132. Pierre Ettienne-Daniel Campagne (1851-1914) Phryne (before her judges) carrera marble sculpture of a standing naked maiden, signed Campagne to side and titled 61cm. high £1,500 - £2,000

134

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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135

136 136. Evgenii Alexandrovich Lanceray (Russian, 1848-1886), Boy with Three Horses, bronze figure group, circa 1870s, realistically modelled and cast by the Chopin Foundry, St Petersburg, on a naturalistic oval base with fence, signed in cyrillic and in European script Fx Chopin, with Finance Ministry marks, 29cm long, 20cm high Note: see Christies, London, Russian Art, 2nd December 2009, lot 144 for an example of this sculpture

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£3,000 - £5,000

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MEDALS AND MILITARIA 137. A George VI silver OBE to Miriam Lightowler, Mayor of Halifax, 1934 to 1935, suspended on a red and blue trimmed ribbon, in a Royal Mint fitted presentation case £50 - £80 138. Masonic Interest, a series of miniature silver gilt and enamel Masonic Medals on a bar, to Bro Arthur Lawrence Lightowler, Probity Lodge No.61, with 1901, 1911, and 1935 Royal commemorative medals etc (parcel) £80 - £120 139. An 18ct gold and enamel County Borough of Halifax 1934-35 Mayor decoration, maker J.W.C, Birmingham 1930, engraved ‘Presented to Mrs Miriam Lightowler J.P by the Halifax Country Borough Council in Appreciation of Her Mayoral Service, Nov 1934- Nov 1935’, on a Halifax enamelled 18ct gold pin, blue ribbon, approximately 1.38ozt all in, in a fitted leather presentation case with gilt tooled cover inscription £800 - £1,200 140. A pair of WWI RAF War and Victory medals, to 2. Lieut.

A.L. Lightowler. R.A.F. on ribbons (2). £150 - £200 141. Rene Lalique, Journee du Poilu, gilt metal brooch, 1915, in the form of a Maltese cross, modelled in low relief, stamped mark R Lalique, 2.4cm square £20 - £40 137

139

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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142

145

142. S S Empire Windrush, an enamelled gilt metal brooch, in the form of a ships wheel, with inscribed garter and ensigns, 4cm diameter £70 - £100

145. A WW2 German Third Reich Army officer’s dagger and scabbard, 1935 model, the ribbed orange handle and eagle crossguard, 40cm long £300 - £500

143. A Regimental Torquay motto ware tea set, for the Devons, circa 1910, including teapot, jug and sugar pot, slip decrorated and applied with the Devonshire regimental badge, 16cm long £100 - £150

144 144. Crimea, a parianware jug, relief moulded with soldiers and inscribed plaques for Alma, Inkermann, Balaclava and Sebastopol, naturalisitic branch handle, 27cm £100 - £200

146 146. A German WWII Third Reich Naval Officer’s dagger and scabbard, wire bound cream celluloid grip, eagle pommel and tooled scabbard with oak leaf bands, 42cm long £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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BOOKS AND PRINTS

147 147. Historiae Augustae Scriptores X, Tom I, 1652, London, Cornelii Bee, red and black title page, contemporary full calf binding with banded spine £50 - £80 148. Holinshed, R (Raphael), 1577, Chronicles of England, Scotland and Ireland, London: John Harrison, three volumes and preface bound as one, preface 1-126, England 1-278, Soctland 1518, Ireland 1-74, full bound in leather £400 - £600 149. Heinsius, Daniel, Aesops Fables, c.1642, in Latin and Greek, woodblock illustrations, vellum binding £30 - £50

153 153. Dulac, Edmund, Picture Book for the French Red Cross, circa 1915, Hodder and Stoughton, tipped-in colour plates and leaflet, cloth boards £30 - £50 154. Evans, C (pub.), 1849, Grand Panorama of London from the Thames, London, folded and printed, 18ft in length, cloth bound boards £100 - £150

150 150. Maitland, William, The History of London from its Foundation to the Present Time, 2 Vols, 1756, London, T. Osborne and J. Shipton, calf full leather bindings with banded spines and gilt titles (2) £80 - £120 151. Smith, R, 1725, Court Cookery; or the Compleat English Cook, London: T Wootton, 218pp plus introduction and index (14), lacking title page, full bound in leather 8vo £80 - £120 152. Ruskin, John, The Stones of Venice, 1851 first edition, London, Smith, Elder and Co, brown embossed cloth binding with gilt illustration and title, with Creasy, Edward S, Memoirs of Eminent Etonians, with Notices of the Early History of Eton College, 1850, London, Richard Bentley, tan cloth binding with gilt titles (2) £40 - £60

155 155. Peepshow, Lane’s Telescopic View of the Interior of the Great Industrial Exhibition, printed by C. Moody, 1851, ten hand-finished colour lithograph divisions, including front cover with circular glass peephole, depicting the interior of the Exhibition at Crystal Palace with figures, fountains, and trees, linen bellows, 15.5 by 17.5cm, with cardboard outer slipcase Note: Similar examples are held in the V&A collection £400 - £600 156. Peepshow, a paper peepshow or tunnel view book, circa 1840, depicting dancing partners at a ball with an orchestra on stage, ink pen and pencil on paper, 15.5 by 22cm when closed, 60cm fully extended Note: Similar examples are held in the V&A collection £200 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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157. Carroll, Lewis, Alice’s Adventures in Wonderland, 1897, People’s Edition, Sixty-Ninth Thousand, with Through the Looking Glass and What Alice Found There, 1894, People’s Edition, TwentyThird Thousand, illustrated by John Tenniel, London, Macmillan and Co, green illustrated cloth boards (2) £40 - £60

162. A contemporaty English craft bookbinding, 1986, containing manuscript illustrated copy of Irene Mountfort, O Paddy, black and red leather boards, gilt lettered spine, stamped bookbinders mark D.B-W. 1986, in card case £70 - £100 163. Doyle, Richard, In Fairyland. A Series of Pictures from the Elf-World, with a Poem by William Allingham, 1870 first edition, London, Longmans, Green, Reader & Dyer, green cloth boards with gilt title and illustration, folio £80 - £120

158 158. Lewis, C S, 1950, Lion the Witch and the Wardrobe; a story for children, London: Geoffrey Bles Ltd., 173pp, plus end papers, illustrations by Pauline Baynes, with dust jacket and cloth binding, 8vo £600 - £800 159. Betjeman, John, Summond by Bells, 1960 first edition, inscribed, signed and dated by the author, London, John Murray, embossed bell creen cloth boards with gilt titled to the spine £40 - £60 160. Gould, Lt Commander Rupert T, The Marine Chronometer, Its History and Development, 1923, London, J.D. Potter, green cloth boards with gilt title, with Lloyd, H. Alan, Chats on Old Clocks, 1951, Daniels, George, The Art of Breguet, 1975, and Ward, F.A.B, Time Measurement, 1958 (4) £50 - £80 161. Bradley, Martha, The Cook, Housekeeper’s and Gardiner’s Companion, circa 1760, vol 1 August (of 2 vols), S, Crowder & H. Woodgate, (incomplete), re-bound in tan calf leather £50 - £80

164. A collection of material related to Lewis Carroll (Charles Lutwidge Dodgson) and ‘Alice’s Adventures in Wonderland’, including a book containing a handwritten letter from George Herbert Kitchin addressed ‘My Dear Vernon’ dated January 3, 1935, on headed note paper for Compton End, Winchester, together with numerous annotated press cuttings, original pen and ink drawings pasted on paper after John Tenniel, depicting the Mad Hatter’s Tea Party and illustrations from ‘You Are Old, Father William’, also volumes including Carroll, Lewis, ‘An Index to “In Memoriam”’, London: Moxon & Co., 1862, a limited edition softcover copy of ‘Eight or Nine Wise Words About Letter Writing’, 68/75, Esher: Penmiel Press, 1981, pitman’s shorthand and Stead’s Books fro the Bairns editions of ‘Alice’s Adventures in Wonderland’, also ‘A Dream Play For Children’ adapted by H. Savile Clarke (pckt) Letter excerpt: “The friendship with Mr Dodgson dated from my father’s days as Tutor at Christ Church, Oxford, and Dodgson himself was evidently very fond of my mother, judging from his letters to her, full of whimsies. I remember him most clearly, when he used to take our photographs and let us watch him developing them in his college rooms - the stuffy smell of the dark room, the water running, and the ruby light. There are quantities of photos, especially of “Xie”, with whom he fell in (fatherly) love when Alice Liddell grew too old and Dodgson was choked off by her rather snobby mother.

We were about 7 and 8, I expect.”

Note: An amateur photographer, Alexandra ie Kitchin, was Lewis Carroll’s most frequent child sitter; her great nephew Vernon Parry Kitchin compiled albums of material related to Lewis Carroll, see Sothebys, London, 29 November-12 December 2023, Lot. 266, https://www.sothebys.com/en/buy/auction/2023/booksmanuscripts-and-music-from-medieval-to-modern/lewis-carroll-selec ted-portraits-of-alexandra-xie £80 - £120 165. Symonds, R.W. Thomas Tompion - His Life & Work, 1951, first edition, London, B.T. Batsford, blue cloth boards, dust jacket £100 - £150 166. Deans Moveable Books, including Rose Merton the Little Orphan, circa 1860, (Deans New Dress Book); Cock Robin, circa 1858; Childrens Sports and Pastimes; Popular Performance of Galanti Show and Red Riding Hood, circa 1858, all London: Dean and Son, cloth spines, coloured prints (5) £100 - £200 167. Japanese Fairy Tale Series, volumes 1 to 18, published in Tokyo by Kobunsha, circa 1885-1903, with coloured woodblock type prints, told in English by Mrs T H James, silk thread brinding, 18cm x 12.5cm (18) £100 - £200 168. Dore, Gustave (Illustrator), Poe, Edgar Allen, The Raven, with Comment by Edmund Stedman, 1884 American 1st edition, New York, Harper & Brothers, illustrated plates, buff cloth boards with gilt embellished cover illustration, folio £150 - £200 169. Jones, Owen, The Psalms of David Illustrated, London, Day & Son, 1861, chromolithograph, ornamental and printed titles, dedication on two pages, illuminated in gold and colours, oak leaf embossed boards with title ‘The Victoria Psalter’ £200 - £300

162

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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170. Smith, Dodie, The Hundred and One Dalmations, 1956 first edition and 1957 edition, The Starlight Barking - More About The Hundred and One Dalmations, 1967 first editions (x2), Dear Octopus, 1938 first edition, signed, The Town in Bloom, 1965 first edition, signed, Capture the Castle, 1948 first edition, signed, A Tale of Two Families, 1970 first edition, signed (x2), The Girl from the Candle-Lit Bath, 1978 first edition, signed, It Ends with Revelations, 1967 first edition, signed, The New Moon with the Old, 1963 first edition, signed, Look Back With Love, 1974 first edition, Look Back with Mixed Feelings, 1978 first edition, signed, Look Back with Astonishment, 1979 first edition, signed and The Midnight Kittens, 1978 first edition (16).

Note: those editions that are signed by the author are mostly dedicated to the theatre producer George Laurier Lister O.B.E (British, 1907-1986) £200 - £300 171. Circle of George Frederick Watts RA The Three graces and two musician panels, a triptych, framed, unsigned, 15.3 x 5cm (main image), 41.5 x 14.5cm. (frame) Literature: Noble & Private Collections, part II, Christies 26th April 2017, lot 382 for an identical print. £100 - £200 172. Charles Sims R.A. (British, 1873-1928), The Offering, signed l.r., titled verso, aquatint, 28 by 35cm, framed £70 - £100 173. Robert Herdman-Smith (British, 1879-1945), The Japanese Lantern: The Blue Parakeet, a pair, both signed l.r., titled l.l., colour etchings, 17.5 by 12.5cm, framed (2) £50 - £80 174. Sydney d’Horne Shepherd (Scottish, 1909-1993), Daphnis and Chloe, signed l.r., titled l.l., screenprint in colours, Ed.8/15, 59 by 39.5cm, framed £80 - £120 175. Pablo Picasso (Spanish, 1881-1973), The Painter and His Model, lithograph, dated 1964 l.r., unnumbered from the Monte Carlo, Sauret edition of 3,000, 31.5 by 24cm, framed. £80 - £120

Note: Artist Resale Rights apply

178 178. Sir Sidney Nolan OM RA (1917-1992), Lighthouse, 1966 screenprint on paper, framed signed in pencil Nolan 59 x 47cm (image) 80 x 59cm (frame) Catalogue notes: Produced in London in the 1960s this print was produced in an edition of 70 with several artist proofs including the example held in the Tate Gallery. £250 - £350 179. Alexander Calder (American, 1898-1976), Laughing Moon (1974), promotional lithograph in colours, laid down on board, 77 by 57cm, unframed £150 - £200 180. David Gentleman (British, 1930), The Garrick Club, signed l.r., titled and dated 1977 below, lithograph No.29/120, 64 by 50cm, framed.

Note: Artist Resale Rights apply

£80 - £120

181. Marcel Gromaire (1892-1971) Melencolia, (seated nude) etching on arches paper, framed signed and numbered 3/50 25.5 x 18.5cm. (image) £300 - £400

176 176. John Northcote Nash CBE RA (British 1893-1977), Window Plants, lithograph in colours, 1945, published by School Prints Limited, printed by Baynard Press, signed and dated in the plate l.l., to the full edges of the sheet 60cm x 76cm, framed £150 - £250 177. Ceri Richards (Welsh, 1903-1971), Hammerklavier, signed and dated 1958 u.r., A.P lithograph in colours, 50 by 76cm, framed.

Provenance: with Louise Kosman, Edinburgh.

Note: Artist Resale Rights apply

£150 - £250

182. Laurence Scarfe (British, 1914-1993), Royal Coat of Arms commissioned by the Central Office of Information, 1963, gold heightened silkscreen colour print, 100 by 73cm, framed, together with a newspaper clipping dated December 29 1963, announcing the newly completed design in full colour and it’s first appearance as frontispiece to the 1964 edition of the Central Office of Information handbook ‘Britain’ Note: A significant figure in British modernism, Laurence Scarfe was a multidisciplinary artist remembered for his murals at major international art and industry expositions, poster and graphic design for national bodies: the BBC, the Post Office and London Transport (1939-69). His work is represented in significant collections including the Tate Gallery, the Imperial War Museum, the Government Art Collection and the Victoria & Albert Museum.

Provenance: Estate of the artist and thence by descent £100 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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183. Laurence Scarfe (British, 1914-1993), a collection of preliminary studies for the Royal Coat of Arms, commissioned between 1958-1964 by the Central Office of Information, the UK government’s marketing and communications agency, including silk screen prints in different colour ways, original sketches and painted designs etc., majority signed/annotated, variously sized (qnty) Note: A significant figure in British modernism, Laurence Scarfe was a multidisciplinary artist remembered for his murals at major international art and industry expositions, poster and graphic design for national bodies: the BBC, the Post Office and London Transport (1939-69). His work is represented in significant collections including the Tate Gallery, the Imperial War Museum, the Government Art Collection and the Victoria & Albert Museum.

Provenance: Estate of the artist and thence by descent £80 - £120 184. Graham Clarke (British, 1941), Song of Samuel, Ed.106/250; Industry, Ed.38/100; Beneath the Green Willow, Ed.38/100; Spring Ploughboys, Ed.38/100 and Song of Old, Ed.378/400, five, all signed l.r., titled l.l., arched top etchings in colours, with literature, largest 33 by 52cm, framed (5). £150 - £200

Note: Artist Resale Rights apply

185. Johnny Dewe-Mathews (British, 1946), The Guitar Player, signed with initials and dated 2000 l.l., print in colours, 40 by 48cm, framed. £60 - £100

Note: Artist Resale Rights apply

186. Johnny Dewe-Mathews (British, 1946), Forro; Copacabana and Ilha Grande, set of three, all signed l.r., titled l.c., colour prints, Ed.12/100, 20 by 27cm, framed. £40 - £60

Note: Artist Resale Rights apply

189 189. Allen Jones R.A. (British, 1937), Paso Doble (1983), signed and dated l.r., screenprint in colours on wove paper, Ed. Printers Proof, 88 by 65cm, framed.

Literature: Lloyd 91. £200 - £300

Note: Artist Resale Rights apply

187 187. Allen Jones R.A. (British, 1937), No Strings (1995), signed and dated l.r., lithograph in colours, Ed.4/50, shell blind stamp l.l., 76.5 by 56cm, framed.

Literature: Loyd 109.

Note: Artist Resale Rights apply

£200 - £300

188. Allen Jones R.A. (British, 1937), Rosso (1977), signed l.c., chromolithograph, BolaffiArte blind stamp l.l., 27.5 by 20.5cm, framed.

Note: Artist Resale Rights apply

£100 - £150

190 190. Allen Jones R.A. (British, 1937), Kneeling Woman (1970), offset lithograph in colours on Japan nacre paper, 75 by 53cm, framed.

Literature: Lloyd 54.

Note: Artist Resale Rights apply

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£150 - £250

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191. Michael Rothenstein R.A. (British,1908-1993), The Owl III (1955-56), signed l.r., linocut in colours, 72 by 45cm, framed. £250 - £350

Note: Artist Resale Rights apply

194 194. David Hockney (British, 1937), The Sexton Disguised as a Ghost (from the story The Boy Who Left Home to Learn Fear, for Six Fairy Tales from The Brothers Grimm), 1969, Goldmark etching, aquatint, Ed of 400, 23.5 by 27cm, framed. £400 - £600

Note: Artist Resale Rights apply 192 192. Dame Elizabeth Violet Blackadder R.A. (Scottish, 19312021), View of a Garden, signed l.r., titled and dated 1996 verso, colour etching, Ed.8/30, 9.5 by 11.5cm, framed.

Provenance: with Mercury Gallery, London. £150 - £200

Note: Artist Resale Rights apply

195 195. Banksy (British, 1974), Di-Faced Tenner (2004), offset lithograph in colours (recto/verso), 7.5 by 14.5cm, loose in a magnetic perspex display. £300 - £500

Note: Artist Resale Rights apply

193

196

193. Elisabeth Frink R.A. (British, 1930-1993), Coriolanus (1964), signed l.r., lithograph, Ed.26/50, 50.5 by 37.5cm, framed.

196. Blek le Rat (Xavier Prou) (French, 1951), Last Tango (in Paris) (2006), signed l.r., screenprint on wove paper, Ed. 98/145, 59 by 56cm, framed.

Note: Artist Resale Rights apply

£300 - £500

Note: Artist Resale Rights apply

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£400 - £600

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PAINTINGS 197. F.. Knight (British, mid 19th Century), expansive views of Indian coastal bays, one with shepherds conversing in the foreground, fishing boats beyond, the other a beach scene with fisher folk, military figures and cavalry, a pair, both signed l.l., watercolour, 52 by 92cm, framed (2).

Note: by family repute, believed to have been worked by a military figure whilst on an overseas campaign during the Indian uprising of 1857.

Provenance: These paintings were inherited by Elizabeth Backwith (nee Cumming) from her parents Dickie and Anna Cumming (proprietors) of Roxburgh House Nursing Home in Kineton, Warwickshire, during the 1970’s. The paintings were gifted to the Cummings by a long-term resident of the nursing home Mrs (Gertrude) Margaret Hewlett (nee Hood-Gregory). They had been passed down the Hood-Gregory (later Gregory-Hood) family. For context, (Gertrude) Margaret Hewlett was the daughter of Hon. Alexander Frederick Hood Gregory JP; his son (Margaret’s brother switched the name around to Gregory-Hood). Hon. Alexander Frederick Hood Gregory JP inherited Stivichall Hall in Coventry from his cousin, Major Francis Hood-Gregory (who passed with no descendants). Hon. Alexander Frederick Hood Gregory, JP, was a direct descendant of Admiral Sir Samuel Hood (the first Admiral Hood, after whom HMS Hood was named). The vessel was lost in 1941 with the largest single loss of life ever recorded by HM Royal Navy. The paintings are believed to have been passed to (Gertrude) Margaret Hewlett by her brother Grosvenor Percy Hood who served in the Central Indian Horse, Indian Army, and who died in Agra, Uttar Pradesh, in 1904, aged 21 years. £300 - £500

201. William Clarkson Stanfield (British, 1793-1867), Boulogne, 1828, watercolour, 18 by 26cm, framed.

Note: this is evidently an early version of Stanfield’s 1836 watercolour now in the Whitworth Museum, Manchester. Stanfield went to Boulogne to recuperate from pleurisy in 1828. To Ruskin he was ‘the leader of the English Realists’ £150 - £200 202. British School, late 18th/early 19th Century, portrait of a gentleman, standing full-length in an interior, ink and wash. 19 by 13cm, framed £60 - £100 203. British School, 19th Century, portrait of a jockey, full-length standing wearing a peaked cap and riding boots, sanguine chalk, 13.5 by 6.5cm, framed £50 - £80 204. British School, early 20th Century, a design for a stained glass window, depicting The Virgin Mary and Saints, trefoil tracery, watercolour, Frost & Reed label dated 1907 verso, 24 by 14.5cm, framed £100 - £150 205. Joseph John Jenkins (British, 1811-1885), The Young Artists, signed l.l., watercolour, 38 by 58cm, gilt frame £80 - £120 206. Samuel Owen (British, 1768-1857), Shipping off the Kent Coast, signed l.l., titled verso, watercolour, 14 by 20cm, framed.

Provenance: with Albany Gallery, London

£200 - £300

198. European School, 18th Century, fragment designs for classical friezes, ink and wash, largest 37 by 11.5cm, gilt frames (2) £80 - £120 199. Attributed to Thomas Patch (British, 1725-1782), two mythological/classical dancing figures, sanguine chalk, 19 by 24cm, framed £100 - £150

207 207. Gaspard Gobaut (French, 1814-1882), a Parisian scene from the Seine, sailing barges in the foreground, signed l.l., Mme Marcel Guiot, Paris label verso, watercolour, 11.5 by 17.5cm, gilt frame £100 - £150 208. John MacWhirter R.A. (Scottish, 1839-1911), Cap d’Antibes, Southern France, signed with initials l.r., titled verso, watercolour, 17 by 25cm, framed.

Provenance: with John Noott, Broadway

£150 - £200

209. William Mackenzie Thomson (British, act.1870-1892), a Royal Navy cruiser at sea, signed l.l., watercolour, 19.5 by 30cm, framed £100 - £150

200

210. Wilfred Williams Ball (British, 1853-1917), Autumn Morning, Minehead, titled and signed l.r., watercolour, 16 by 26cm, framed £150 - £200

200. Follower of Jacob de Wit, a putto seated on a rock, inscribed u.r., chalk heightened with white, 34 by 24cm, framed £150 - £200 For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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211. Minnie Agnes Cohen (British, 1864-1940), a winter landscape lane, signed l.l., watercolour, 44 by 89cm, framed £100 - £150

215. Arthur Reginald Smith A.R.A. R.S.W. R.W.S. (British, 1871-1934), Threshfield, signed l.r., titled verso, watercolour, 20 by 33cm, framed £80 - £120

212. Edwin Sherwood Calvert R.S.W. (Scottish, 1844-1898), Summer Time, Barbizon, signed l.l., titled verso, watercolour, 16 by 23.8cm, framed £80 - £120

216. Julius M. Delbos (British, 1879-1970), Parame, signed l.r., titled l.l., watercolour, 34 by 39cm, framed £80 - £120 217. John Strickland Goodall (British, 1908-1996), Oh My Hat; The Proposal, two, both signed, titled verso, watercolour, 13 by 16.5cm, framed, with John S. Goodall’s Album, 1994, signed (3). £100 - £150

Note: Artist Resale Rights apply

218. Valery Gridnev (Russian, 1956), Girl in Traditional Costume, signed l.r., titled verso, charcoal, 29 by 20cm, framed £100 - £150 219. Style of Bernd Reuters, an Art Deco cover illustration for ‘Sport Bild’, Shooting Party, monogram l.l., watercolour and pencil heightened with white, 30 by 23cm, framed £60 - £100

213 213. Sir Edward John Poynter P.R.A. R.W.S (British, 18361919), A Musical Gathering, possibly a scene from Washington Irving’s ‘Rip Van Winkle’, signed with monogram and dated 1871 l.c., brown wash heightened with white, 22 by 17cm, gilt frame £150 - £250

220 220. Attributed to Julius Mendes Price (British, 1857-1924), portrait of a young lady in profile, bust-length in a green dress, holding a red squirrel, in the Pre-Raphaelite style, signed with initials and dated 1923 l.r., watercolour and pencil, 34 by 22.5cm, framed £200 - £300 221. Heino Breilmann (German, 1921-2001), Woman in Hat, signed l.r., pen and ink, 36 by 26cm, framed.

Note: Artist Resale Rights apply 214 214. Walter Richard Sickert (British, 1860-1942), Tiperary (Study for), signed l.r., titled l.l., pencil, pen and ink, 21 by 15.5cm, framed.

Provenance: with The Fine Art Society, London; Lord Goodman £400 - £600

£80 - £120

222. Michael John Heath (British, 1935), Broadcasting House/No.10 Downing Street, an illustration for Punch, 25th March 1988, signed l.r., ink and gouache, the printed illustration pasted verso, 40 by 27.5cm, framed.

Note: Artist Resale Rights apply

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£80 - £120

31

223. Blair Hughes-Stanton (British, 1902-1981), Bathers, signed and dated 1929 l.r., titled verso, watercolour and pencil, 32.5 by 41cm, framed. £150 - £200

Note: Artist Resale Rights apply

224

231

224. Jack Bilbo (German, 1907-1967), Fruit de Passion, signed with initials u.l., titled, inscribed and dated 1950 verso, watercolour, 25 by 18cm, framed.

231. Mabel Lucie Attwell (British, 1879-1964), Did You Know I’m also a Good Cook?, signed l.r., titled below, watercolour and bodycolour, 24.2 by 18.5cm, framed.

£150 - £200

Provenance: with Chris Beetles, London. Illustrated: Design for Postcard No.3277, for Valentine of Dundee.

225. Angel Diaz Dominguez (Spanish, 1881-1952), The Knarled Old Tree, a fantastical illustration for Alice in Wonderland, signed l.l., watercolour, 63 by 49cm, framed £150 - £200

Literature: John Henty, The Collectable World of Mabel Lucie Attwell, London, Richard Dennis, 1999, page 63. Exhibited: The Illustrators.

The British Art of Illustration 1871-2022, Chris Beetles Gallery, London, November - December 2022, No.101.

Note: Artist Resale Rights apply

226. Zsuzsi Roboz (Hungarian, 1929-2012), He Thinks He Is, signed l.l., titled verso, pastel, 69 by 99cm, framed.

£600 - £800

Note: Artist Resale Rights apply

Provenance: with David Messum, London, Zsuzsi Roboz Exhibition, 2000.

Note: Artist Resale Rights apply

£200 - £300

227. John Thompson (British, 1924-2011), Que for the Circus, signed and dated 1951 l.l., charcoal on paper, 17 by 25cm, framed £150 - £200 228. Peter J. Ashmore (British, 20th Century), Cheapside, Bow Church. 1886/St Mary-Le Bow, Cheapside, signed l.r., titled on the mount, watercolour, 28.5 by 21cm, gilt frame.

Provenance: with Richard Hagen, Broadway; Lot 113, The London Sale, Christie’s, London, 26th November 1999 £200 - £300

232

229. Eric Gill (British, 1882-1940), Standing Nude (a Male Youth), dated 1926 l.r., titled verso, pencil and red crayon, 27 by 20cm, framed.

232. Mary Tourtel (British, 1874-1948), six illustrations depicting Rupert Bear on a fishing trip, featuring Podgy Pig and Freddie/Ferdy Fox, all signed with initials l.r., ink and coloured pencil, some heightened with white, 12 by 16cm, unmounted and unframed (6).

Provenance: with The Piccadilly Gallery, London

£200 - £300

230. Sir Osbert Lancaster (British, 1908-1986), You know, darling, there are times when I feel just like Marie Antoinette fiddling while Rome burns, inscribed ‘for Bridget’ and signed l.r., pastel and ink, 18.5 by 12cm, with Osbert, Lancaster, Signs of the Times, 1961 first edition, signed and dedicated to ‘Bridget’, London, John Murray, yellow cloth illustrated boards (2).

Note: Artist Resale Rights apply

Note: Born in Canterbury, Mary Tourtel became a children’s book illustrator with her first works published in 1897. She married the news editor of the Daily Express, Herbert Tourtel, and Rupert the Bear was inaugurated in 1920 as a comic strip to rival those in the Mail and Mirror. These sketches were probably intended for the Daily Express strip. £800 - £1,200

£150 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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233. John Northcote Nash R.A. (British, 1893-1977), The Scottish Island of Iona, signed l.r., titled verso, watercolour, pen and chalk, 26 by 36cm, framed. £700 - £900

Note: Artist Resale Rights apply

236. Lord Paul Ayshford Methuen (British, 1886-1974), The Thames at Greenwich, signed l.r., titled and dated 1944 l.l., watercolour, 27.5 by 37cm, framed.

Provenance: with Leicester Galleries, London. £200 - £300

Note: Artist Resale Rights apply

237 237. Paul Lucien Maze (French, 1887-1979), Long Island, signed l.r., titled l.l., watercolour and pencil, 19 by 32cm, framed.

234 234. Wilfred Gabriel de Glehn R.A. (British, 1870-1951), Latona Fountain, Versailles, signed and dated 1918 l.r., titled verso, No.478, watercolour, 40 by 50cm, framed. Exhibited: Summer 1997, David Messum, London.

Provenance: with David Messum Fine Art, London

£400 - £600

Provenance: Lot 71, Twentieth Century British Art, Christie’s, London, 6th September 2000.

Note: Often referred to as the last of the Post-Impressionists, Maze became acquainted and began a lifelong friendship with Sir Winston Churchill whilst serving together in WWI. Their mutual love of painting led to Maze becoming the leader’s artist mentor or ‘Cher Maitre’. £800 - £1,200

Note: Artist Resale Rights apply

238 235 235. Reginald Brill (British, 1902-1974), The Black Bull, pen, ink, wash, and pencil squared for transfer, 21.5 by 31cm, framed.

Provenance: The artist’s studio.

Literature Judith Bumpus, Reginal Brill, Scholar Press, 1999, illus.pl.34. During the 1960’s Brill made a series of paintings of livestock markets, making studies of the characters and events in the markets of King’s Lynn, Bury St Edmunds, and Sudbury. The present work is a study for his 1966 oil painting, The Black Bull in the Ring (Private Collection).

238. Paul Lucien Maze (French, 1887-1979), Yachts off the Coast, signed l.l., watercolour and pencil, 20.2 by 32.3cm, framed.

Provenance: Lot 75, 20th Century British Art, Christie’s, London, 6th September 2000.

Note: Often referred to as the last of the Post-Impressionists, Maze became acquainted and began a lifelong friendship with Sir Winston Churchill whilst serving together in WWI. Their mutual love of painting led to Maze becoming the leader’s artist mentor or ‘Cher Maitre’.

Note: Artist Resale Rights apply

Provenance: Lot 74, 20th Century British Art, Sotheby’s, London, 6th November 2007.

Note: Artist Resale Rights apply

£300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£800 - £1,200

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245 239 239. Paul Lucien Maze (French-British, 1887-1979), At the Races, Goodwood, signed l.l., pastel on paper, 33 by 44.5cm, framed. £300 - £500

Note: Artist Resale Rights apply 240.

No Lot

241. David Birtwhistle (British, 1947), Broadcasting House, Portland Place, London, signed l.l., watercolour and gouache, 33 by 54cm, framed. £70 - £100

Note: Artist Resale Rights apply

242. John Humphrey Spender (British, 1910-2005), Landscape, signed and dated 1963 l.r., titled verso, watercolour, 34 by 47cm, framed.

245. Terry Frost R.A. (British, 1915-2003), Untitled, composition in yellow, blue, pink, and black, signed and dated 1975 l.r., inscribed ‘A/P’ l.l., pastel, 48 by 67cm, framed.

Provenance: with Market House Gallery, Marazion, Cornwall. £1,500 - £2,000

Note: Artist Resale Rights apply

246. Thomas John Coates (British, 1941-2023), Barges and Gondolas, Venice, signed with monogram l.r., titled verso, watercolour, 25 by 35cm, framed. £150 - £200

Note: Artist Resale Rights apply

247. Tony Allain (British, 1949), Still Life with Lemons, signed l.l., titled verso, pastel, 24 by 25cm, framed.

Provenance: with John Noott, Broadway

£70 - £100

£150 - £200

Note: Artist Resale Rights apply

248 243 243. John Knapp-Fisher (British, 1931-2015), River Brett, Hadleigh, signed l.r., titled and dated 1966 l.l., ink and watercolour, 12 by 16.5cm, framed. Exhibited: Hintlesham Festival Exhibition, label verso.

Note: Artist Resale Rights apply

£300 - £500

244. Scottie Wilson (Scottish, 1888-1972), Head, titled verso, ink and crayon, 13 by 12cm, framed.

Note: Artist Resale Rights apply

£150 - £200

248. Johnny Dewe-Mathews (British, 1946), Forro, signed with initials and dated 2000 l.c., titled verso, watercolour and conte, 56 by 76cm, framed.

Note: Artist Resale Rights apply

£200 - £300

249. Johnny Dewe-Mathews (British, 1946), Forro, Violet Blouse, signed with initials and dated 2000 l.l., titled verso, watercolour and conte, 50 by 60cm, framed.

Note: Artist Resale Rights apply

£100 - £150

250. Johnny Dewe-Mathews (British, 1946), Copacabana Sunset, signed with initials and dated 2000 l.r., titled verso, watercolour, 58 by 78cm, framed.

Note: Artist Resale Rights apply

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£150 - £200

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251. Johnny Dewe-Mathews (British, 1946), Copacabana Midday, signed with initials and dated 2000 l.r., watercolour, 28 by 38cm, framed.

254. Edward Pritchett (British,1808-1894), Venice, a view of the Palazzo Ducale and the Piazzetta San Marco from the Punta della Dogana, signed l.l., oil on canvas, 70 by 100cm, gilt frame.

£100 - £150

Note: Artist Resale Rights apply

Provenance: Private Collection, Cotswolds.

Note: although celebrated for painting numerous views of Venice, the artist seems to have had a particular fondness for depicting this particular composition with variations of figures and boat positions £4,000 - £6,000

252. Johnny Dewe-Mathews (British, 1946), Beach Ball Seller, signed with initials and dated 2000 l.l., watercolour, 26 by 28cm, framed. £50 - £80

Note: Artist Resale Rights apply

253

255

253. Follower of Canaletto, Venice, a bustling scene in the Bacino di San Marco, oil on canvas, 80 by 130cm, gilt frame.

255. Marco Grubacs (Italian, 1839-1910), Tourists on the Riva degli Schiavoni, Venice, signed and inscribed ‘Venezia’ l.l., oil on canvas, 28 by 42.2cm, gilt frame.

Provenance: Private Collection, Cotswolds

£800 - £1,200

Provenance: with Haynes Fine Arts, Broadway; Lot 143, 19th Century European Art, Christie’s, London, 6th June 2013 £1,000 - £1,500

254

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

35

256. Marco Grubacs (Italian, 1839-1910), tourists at St Mark’s Square, Venice, with the Doge’s Palace and St Mark’s Campanile, signed l.l., oil on canvas, 30 by 41.5cm, gilt frame £1,000 - £1,500

256

257. Henry Pether (British, 18001880), Venice by Moonlight, signed l.l., titled below, oil on canvas, 60 by 90cm, gilt frame.

Provenance: Cotswolds

Private Collection, £3,000 - £5,000

257

258 258.

Henry Pether (British, 1800-1880), The Tower of London, signed l.l., titled verso, oil on canvas, 43 by 92cm, gilt frame.

Provenance: Private Collection, Cotswolds; Lot 217, British Paintings 1500-1850, British Drawings and Watercolours, Victorian Pictures, Sotheby’s, London, 12th June 2003 £3,000 - £5,000 For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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259 259. Henry Pether (British, 1800-1880), a moonlit view of Windsor Castle, St George’s Chapel, and the Eton boathouses from the Thames, signed l.r., oil on canvas, 60 by 91cm, gilt frame. £4,000 - £6,000

Provenance: Private Collection, Cotswolds

260 260. Henry Pether (British, 1800-1880), London, a moonlit view of the Palace of Westminster with Big Ben along the River Thames, oil on canvas, 60 by 90cm, gilt frame.

Provenance: Private Collection, Cotswolds

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£10,000 - £15,000

37

261. C..Smith (British, mid-19th Century), Moonlight on the Moor, signed and dated 1861 l.l., titled verso, oil on canvas, 30 by 40cm, gilt frame.

Provenance: label verso states that the painting was once owned by Hayward Porter, President of the Manchester Cotton Exchange £80 - £120 262. Circle of Julius Caesar Ibbetson, Lake District scenes - a figure leading a horse; figures and horses on a ferry, a pair, one bears signature ‘Ibotson’ l.r., oil on panel, 19 by 25cm, in early 19th Century gilt gesso frames (2) £300 - £500

266 266. Robert Ernest Roe (British, 1852-1921), a busy Thames scene with barges and merchantmen, St Paul’s Cathedral in the distance, signed l.l., oil on canvas, 45 by 55cm, gilt frame £400 - £600 267. George Sarson (British, 1880-1969), a winter park scene with figures at leisure, signed l.l., oil on board, 44 by 64cm, gilt frame £80 - £120 263 263. Peter Graham R.A. (Scottish, 1836-1921), Morning Mists, A Scottish Highland scene with cattle grazing, signed and dated 1891 l.r., titled on a plaque below, oil on canvas, 125 by 175cm, gilt frame £2,000 - £3,000 264. Francis E. Jamieson (British, 1895-1950), On the Broads, signed l.l., titled verso, oil on canvas, 30 by 50cm, gilt frame £60 - £100

265 265. Robert John Hammond (British, act.1879-1911), Faggot Gatherers; The Homestead, a pair, both signed and dated 1897 l.l., titled below, oil on canvas, 40 by 30cm, gilt frames (2) £400 - £600

268 268. Maud Cruttwell (British, act late 19th Century), The Restorer, signed and dated 1893 l.r., oil on canvas, 36 by 29cm, gilt frame £300 - £500 269. August Heyn (German, 1837-1920), The Schoolroom, signed and dated 1870 l.l., oil on canvas, 87 by 71.2cm, gilt frame £400 - £600

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

38

270

271

270. Pio Ricci (Italian, 1850-1919), The Rose, signed l.l., oil on canvas, Flor & Finnel, Florence label verso, 74.3 by 53.3cm, in a gilt Florentine open scrollwork frame.

271. Frederic Soulacroix (Italian,1858-1933), The Charming Performance, signed l.l., oil on canvas, 44 by 32.5cm, gilt frame.

Provenance: Private Collection, Cotswolds; Lot 120, Interiors, Christie’s, New York, 2nd April 2008 £2,000 - £3,000

Provenance: Private Collection, Cotswolds; Lot 78, 19th Century European Art Including Spanish Pictures, Christie’s, London, 18th November 2004 £3,000 - £5,000

272. Marcel Brunery (French, 1893-1982), A Fine Vintage, signed l.r., oil on canvas, 54 by 64cm, gilt frame.

Provenance: Private Collection, Cotswolds; with MacConnal Mason, London; Haynes Fine Art, Broadway.

Note: Artist Resale Rights apply £1,500 - £2,500

272

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

39

273. Andrea Landini (Italian, 1847-1912), The Toast, signed l.l., oil on canvas, 50 by 60cm, gilt frame.

Provenance: Private Collection, Cotswolds £3,000 - £5,000

273

275 274 274. Marcel Brunery (French, 1893-1982), Musical Connoisseurs, signed l.r., oil on canvas, 50 by 60cm, gilt frame.

Provenance: Private Collection, Cotswolds.

Note: Artist Resale Rights apply

£1,500 - £2,500

275. British School, late 19th Century, portrait of the young Miss Twinning (of the Tea Dynasty), full-length seated in a white dress on a settee beside a basket of flowers, oval, oil on canvas, 98 by 125cm, gilt scroll frame Provenance: from the collections of two prominent Anglo-Irish and British aristocratic families, directly descended from Lord Patrick James Stuart (1794- 1859), brother of John 2nd Marquess of Bute and great grandson of John Stuart, 3rd Earl of Bute (1713 -1792), Prime Minister to George III, resident at Cardiff Castle, Wales; Dumfries House, Scotland and Wilton Crescent, Belgravia, London £150 - £200 276. Andras Mikola (Hungarian, 1884-1970), portrait of a farmer, half-length in profile holding an implement, signed u.r., signed, inscribed Baia-Mare and dated 1968 verso, oil on canvas, 70 by 59cm, unframed £100 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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277. Mortimer Luddington Menpes R.B.A. R.E. R.I. R.O.I. N.E.A.C. (Australian, 1855-1938), The Argonauts of the Sun (Benares), signed l.r., titled below and verso, oil on panel, 19 by 15.5cm, gilt frame.

Provenance: The Forbes Collection; with W.B. Simpson, Glasgow Note: born in Port Adelaide, Australia, Menpes moved to London in 1875, where he later became a disciple of James McNeil Whistler. Like Whistler, Menpes became heavily influenced by Japanese art, design printmaking, and his work shows this influence. Mixing in influential artistic circles of the day, in 1886, he became godfather to his friend Oscar Wilde’s son Vyvyan. £3,000 - £5,000

277 278. Mortimer Luddington Menpes R.B.A. R.E. R.I. R.O.I. N.E.A.C. (Australian, 1855-1938), Where All the Hours are Holy (Benares), signed l.r., titled below and verso, oil on panel, 19 by 15.5cm, gilt frame.

Provenance: The Forbes Collection; with W.B. Simpson, Glasgow Note: born in Port Adelaide, Australia, Menpes moved to London in 1875, where he later became a disciple of James McNeil Whistler. Like Whistler, Menpes became heavily influenced by Japanese art, design printmaking, and his work shows this influence. Mixing in influential artistic circles of the day, in 1886, he became godfather to his friend Oscar Wilde’s son Vyvyan. £3,000 - £5,000

278

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

41

279. Alexander C. Dalzell (British, 1905-1990), Furnished Room, signed l.l., titled verso, oil on canvas, 60 by 50cm, framed £80 - £120

288. William Kennedy (Scottish, 1859-1918), Bouquet/Still Life with Flowers, signed l.l., inscribed ‘Bouquet presented by Loch Kinloch S(Sunday) S(School) to Rev and Mrs M. Lang 7 Feb 188(4 or 9)’ l.r., titled verso, oil on canvas, 24 by 19.5cm, gilt frame.

280. Circle of Geza Vastagh, Lion and Lioness, oil on canvas, 86 by 108cm, gilt frame £300 - £500

Provenance: with Duncan R. Miller Fine Arts; Andrew McIntoshPatrick.

281. Eric J. Goddard (British, 1909-1993), portrait of a horse and dogs in open pasture, signed and dated 1973 l.r., oil on canvas, 50 by 66cm, framed £80 - £120

Note: Kennedy studied in Glasgow and then Paris, where he encountered the work of Bastien Lepage. Returning to Scotland, he became President of The Glasgow School. This study shows the influence of Whistler. £200 - £300

282. Philip Connard R.A. (British, 1875-1958), Study for Jane, Evelyn, James & Helen (Now in the Tate Gallery), signed with initials l.r., titled and dated 1913 verso, oil on canvas board, 20 by 13.5cm, framed.

289. Diana Maxwell Armfield R.W.S. (British, 1920), Shells Remaining, signed with monogram l.r., titled verso, tempera emulsion, 11.5cm diameter, framed.

£150 - £200

Note: Artist Resale Rights apply

£150 - £200

Note: Artist Resale Rights apply

283. Emile Gody (French, 20th Century), Moulin de la Galette, Rue Lepic, signed l.l., titled verso, oil on board, 52 by 64cm, framed £100 - £150 284. Einar Johansen (Danish, 1893-1965), St German des Pres, Quarter Latin, Paris, signed with initials l.r., titled verso, impasto oil on canvas, 60 by 70cm, framed. £150 - £200

Note: Artist Resale Rights apply

285. Walter Durac Barnett (British, 1876-1961), At Solva, Pembrokeshire, signed l.r., titled on National Society label verso, oil on board, 25 by 35cm, framed £150 - £250

290 290. Michael Matthews (British, 1933), a moonlit dockside scene with shops, horse and carriage, and figures, signed l.r., oil on board, 23.5 by 28.5cm, gilt frame. £400 - £600

Note: Artist Resale Rights apply

291. Leonard Richmond (British, 1889-1965), a tree-lined river landscape, signed l.l., oil on board, 39 by 49cm, framed. £400 - £600

Note: Artist Resale Rights apply 286 286. Jean Hippolyte Marchand (French, 1883-1940), Paysage au Pont, signed l.l., titled and dated 1926 verso, oil on board, 24.5 by 34.5cm, framed.

Note: Marchand was a French cubist painter, printmaker, and illustrator associated with figures of the Bloomsbury Group.

Provenance: with Pitcairn Galleries, Knutsford

£500 - £800

287. Davy Brown (Scottish, 1950), Sunshine after Rain, signed l.l., titled verso, oil on board, 29 by 29cm.

Note: Artist Resale Rights apply

£100 - £150

292 292. Donald N. Provan (Scottish, 1964), Dark Beach, signed, titled, and dated 2003 verso, oil on board, 82 by 152cm, framed.

Note: Artist Resale Rights apply

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£800 - £1,200

42

293. Michael Matthews (British, 1933), a moonlit dockside scene with shops, horse and carriage, and figures, signed l.r., oil on board, 23.5 by 28.5cm, gilt frame.

295. Steven Spurrier R.A. (British, 1878-1961), Red-Roofed House, West Wittering, signed l.r., Exhibition No.230 l.l., oil on board, 37 by 54cm.

£400 - £600

Note: Artist Resale Rights apply

Provenance: by descent within the family of the artist. £400 - £600

Note: Artist Resale Rights apply

296. Clifford Fishwick (British, 1923-1997), Four Bathers, signed and dated 1958 l.r., titled and also signed and dated 1958 verso, oil on board, 75 by 120cm, framed. £400 - £600

Note: Artist Resale Rights apply

297. Darren Hughes (British, 1970), Bro Waun, signed, titled, and dated 2008 verso, mixed media on board, 25 by 100cm, framed. £500 - £600

Note: Artist Resale Rights apply

294 294. Doris Claire Zinkeisen (Scottish, 1898-1991), The Ballet Dressing Room, signed and dated 1944 l.r., oil on canvas, 55 by 65cm, gilt frame. £800 - £1,200

Note: Artist Resale Rights apply

298 298. Antal Jancsek (Hungarian, 1907-1985), Donner Circus, signed with initials l.l., titled verso, Hungarian National Gallery export stamp verso, oil on canvas, 51 by 61cm, unframed £200 - £400

295

297

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

43

299 299.

John Boyd (Irish, 1957), The Waiting Room, signed l.r., titled and dated 1991 verso, oil on board, 53 by 74cm, framed.

Provenance: with Christoher Hull Gallery, London. Coll Rory Carvill Esq 1992. £3,000 - £5,000

Note: Artist Resale Rights apply

300 300.

Doris Clare Zinkeisen (Scottish, 1898-1991), The Frozen Thames in 1813, signed l.r., titled verso, oil on canvas, 50.8 by 76.1cm, framed.

Provenance: Private Collection, Cotswolds.

Note: Artist Resale Rights apply For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£2,000 - £3,000

44

301. Doris Clare Zinkeisen (Scottish, 1898-1991), Christmas Morning, signed l.r., titled on a plaque below, oil on canvas, 49.5 by 74.5cm, framed.

Provenance: Cotswolds.

Private

Collection,

Note: Artist Resale Rights apply £1,000 - £1,500 302. Rosie Lippett (British, 20th/21st Century), The Present, signed l.r., dated 2011 verso, oil on board, 60 by 60cm, framed £200 - £300

301

303. P. J. Crook (British, 1945), Metropolis, signed l.r., titled and dated 1999 verso, acrylic on canvas, 116 by 100cm, integral painted frame.

Provenance: with Brian Sinfield, Burford.

Note: Artist Resale Rights apply £4,000 - £6,000

303

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

45

304 304. P.J. Crook (British, 1945), The Lady, The Lion and The Unicorn, signed l.r., titled verso, acrylic on canvas, 93 by 120cm, integral painted frame.

Provenance: with Brian Sinfield, Burford. £4,000 - £6,000

Note: Artist Resale Rights apply

305 305.

P. J. Crook (British, 1945), Serenade, signed l.r., titled verso, acrylic on board, 40 by 50cm, integral painted frame.

Provenance: with Brian Sinfield, Burford.

Note: Artist Resale Rights apply For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£1,000 - £1,500

46

310. Stephen Mangan (Scottish, 1964), Between Times, signed l.r., titled verso, oil on canvas, 70 by 50cm, framed.

Provenance: with Richard Hagen, Broadway. £1,500 - £2,000

Note: Artist Resale Rights apply

311. Jonathan Shaw (British, 1959), Tropical Blue Seascape, signed l.r., oil on board, 59 by 44cm, framed £100 - £120 312. Jonathan Sanders (British, 1959), Elephants at Dusk, signed l.r., titled verso, oil on board, 34 by 43cm, framed.

Provenance: with John Noott, Broadway

£120 - £150

313. Andrew Walker (Scottish, 1959), Yellow Fields in Springtime, signed l.l., titled verso, oil on canvas, 26 by 28cm, framed.

Provenance: with Broadway Modern. £80 - £120

Note: Artist Resale Rights apply

306 306. Simon John Garden (British, 1960), A Place to Visit, titled and signed verso, oil on board, 90 by 64cm, framed. £1,000 - £1,500

Note: Artist Resale Rights apply

307. Simon John Garden (British, 1960), Path to the Sea, titled and signed verso, oil on panel, 22 by 32cm, framed. £300 - £500

Note: Artist Resale Rights apply

308. Simon John Garden (British, 1960), Mystical Boat, titled and signed verso, oil on board, 90 by 64cm, framed. £1,000 - £1,500

Note: Artist Resale Rights apply

309. Simon John Garden (British, 1960), Hut, titled and signed verso, oil on panel, 32 by 45cm, framed.

314 314. David Tindle R.A. (British, 1932), Thames Estuary, signed and dated 1959 l.r., titled verso, oil on board, 45 by 80cm, framed.

Provenance: with The Piccadilly Gallery, London. £400 - £600

Note: Artist Resale Rights apply

£400 - £600

Note: Artist Resale Rights apply

315 315. Rob Milliken (British, 1948), Please Sir, May I Have Some More, signed l.r., titled verso, egg tempera on gesso panel, 30 by 40.5cm, framed.

Note: Artist Resale Rights apply

£300 - £500

316. Giles Penny (British, 1962), Three Circles, signed and dated 2007 l.l., titled verso, oil on canvas, 91 by 76cm, framed.

Note: Artist Resale Rights apply 310 For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£300 - £500

47

FURNITURE AND CLOCKS 317. A George III country oak chest of drawers, circa 1800, moulded top over four long graduated drawers with turned pulls, on shaped bracket feet, 95cm high, 107cm wide, 54cm deep £80 - £120 318. A George III mahogany games table, circa 1770, breakfront fold-over top with green baize lining and counter wells, gateleg action, lappet-capped tapered legs terminating in pad feet, 71cm high, 86cm wide, 81cm deep (open) £100 - £150

322

319 319. A George III mahogany lowboy, circa 1780, moulded top, central frieze drawer flanked by two deep drawers on either side, brass drop handles, lappet moulded turned supports, pad feet, 68cm high, 77cm wide, 47cm deep £300 - £500

322. A Regency rosewood chiffonier, circa 1820, raised mirrored back with brass baluster front supports, white veined marble top, twin frieze drawers with turned pulls, gadroon and roundel mouldings, over a pair of silk pleated lozenge gilt brass grille doors, raised on knopped peg feet, 122cm high, 97cm wide, 39cm deep £150 - £250

323 320 320. A George III mahogany chest of drawers, of small proportions, circa 1780, crossbanded moulded top, brushing slide over four long graduated drawers with drop brass handles and fretwork escutcheons, shaped bracket feet, 76cm high, 76cm wide, 45cm deep £200 - £300 321.

No Lot

323. A substantial mahogany gentleman's library specimen cabinet, 19th Century, egg and dart edge mouldings, comprising a triple bank of fourteen short graduated drawers with turned pulls, 129cm high, 132cm wide, 50cm deep £1,000 - £1,500 324. An Edwardian circular mahogany salon coffee table, circa 1910, satinwood crossbanded, and boxwood strung with floral marquetry and parquetry inlay, quatrefoil undertier with a baluster turned gallery, on ceramic castors, Druge & Co metal label to the underside, 60cm high, 90cm diameter £150 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

48

331 331. A steam-bent plywood side or writing table, after the Model 80 series by Alvar Aalto for Artek, designed 1933, rectangular black Linoleum top, 67cm high, 90cm wide, 50cm deep £100 - £150

325 325. A pair of Edwardian mahogany serpentine fronted bedside tables, circa 1910, crossbanded and strung throughout, raised gallery backs, fretwork backboards, each with a single frieze drawer over a cupboard, aprons, outswept legs, 88cm high, 41cm wide, 36cm deep (2) £200 - £300 326. An Arts and Crafts pokerwork corner shelf, circa 1910, decorated with medieval figures making music in arched doorways in polychrome, signed with initials M.V, 41cm high, 26cm wide £50 - £80 327. An Arts and Crafts oak occasional table, in the Cotswold School style, cruciform plank suppots on stepped skate feet, with ogee brackets supporting a circular top, shelves below, 68cm diameter, 61.5cm high £100 - £200 328. An Arts and Crafts Iona style carved pine armchair, decorated in relief with Celtic knotted cross backsplat, dragon arms and various Nordic or Viking motifs £80 - £120 329. An Arts & Crafts oak wall mirror, circa 1900, the framed carved in relief with scrolling acanthus leaves and flowering foliage, containing an oval plate, 75 by 105cm £80 - £120 330. A pair of lounge chairs, 1970’s, probably Italian, angular backs and low arms, blue/grey fabric upholstery, on brushed aluminium bases, 68cm high, 85cm wide (2) £500 - £600

330

332 332. A Swedish Broderna Andersson teak rocking chair designed by Inge Andersson, with sprung, back and seat pads, applied Broderna Andersson label, 75cm. high, 69.5cm. wide £150 - £200 333. A Herman Miller office chair designed by Charles & Ray Eames, burnished aluminum frames, mustard seat applied label 100cm. high Provenance: 20th Century Design, Woolley and Wallis, 9th October 2013 lot 1554. £80 - £120

333

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

49

334. Charles and Ray Eames for Herman Miller, a lounge chair Model 670 and a similar (unmarked) ottoman Model 671, designed in 1956, laminated rosewood faced ply shells, black leather buttoned upholstery, enamelled aluminium bases, the chair with ‘Herman Miller 1’ black strip label, the chair 80cm high, the ottoman 42cm high (2). £3,000 - £5,000

Note: CITIES Article 10 Certificate No.25GBA10LLIPEB

334 337. A Regency mahogany bracket timepiece, circa 1820, arched caddy top with brass acorn finial, brass-strung and inlaid case, 15cm white painted dial with Roman numerals, ring side handles, ball feet, single fusee mechanism, 43cm high, (key and pendulum) £100 - £150

335. Herbert Gibbs for A. Younger Ltd, a mid-century rosewood sideboard, triple blind lattice pannelled doors flanked to the right by a graduated bank of three drawers, one with internal flatware divisions and Younger label, metal ring handles, raised on tapered legs, 73cm high, 205cm wide, 46cm deep, together with an unassociated wooden circular extending dining table, crossbanded top, diameter 121cm, with two additional leaves (2).

338. A French clock garniture, early 20th Century, gilt ormolu and Carrara marble, Baroque design of segment form, 9.5cm circular convex enamel dial with Arabic numerals between floral swags, colonade below, raised on toupee feet, 41cm high, with a matching pair of five-light candelabra on circular plinths (3) (face mask pendulum) £150 - £200

Provenance: A Private Cotswold Residence Note: A Younger Ltd was a leading British furniture manufacturer in the 1950s and 1960s. They produced high-quality, well-made furniture, made in low volume, aimed at the top end of the market, selling through independent retailers as well as through Heals. They were amongst the first British furniture companies to adopt the Danish modern style in the 1950s and the first to abandon it, in search of a new style in the late 1960s. £400 - £600

339. A French green onyx and champleve enamel four glass clock garniture, early 20th Century, bowfronted case with glazed door, 9cm dial with Arabic numerals within circles, canted pillasters, raised on a plinth with presentation plaque dated 1916, toupee feet, 33cm high, 22cm wide, 14cm deep, with a pair of matching urns (key and mercury pendulum) (3) £400 - £600

336. Giancarlo Vegni (Italian, 1949) for Fasem, a Bulgarian Red saddle leather dining set, 1980’s, comprising four chairs, two with tension straps, two without, with maker’s labels, embossed marks, and fire batch labels, and a matching circular dining table with a plate glass top, 130cm diameter (5) £800 - £1,200

336

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

DAY TWO

52

ASIAN ART 340. A Chinese turquoise glazed octagonal dish on stand, together with another stand, the dish modelled in relief with fluting and ogee rim, on a reticualted three section base, pierced with scroll brackets, on a circular platform, 13cm high (3) £50 - £80 341. Two Chinese relief moulded melon boxes and covers, green and puce grounds, applied with tendrils and leaves, segmented turquoise glazed interiors, on bracket feet, 23cm diameter (2) £80 - £120

345. A Chinese Famile Rose Lotus and Shoulao porcelain puzzle cup painted in polychrome, 19th Century, unmarked, 9cm. high Provenance: From a private English Collection.

£100 - £150

346. A Korean Goryeo pottery bowl, inlaid band of stylised foliage, and a Japanese Satsuma bowl painted to the well with a scaly carp fish, Korean bowl repaired with silver kingsugi, Satsuma bowl re-stuck, 17.5cm. diam. (Goryeo bowl), (2) Provenance: Private English collection

£100 - £150

347. A Japanese Seto Ware stoneware tea container, glazed to the foot with a dark chestnut glaze, and nine other vase similar, unsigned, 11cm. high (10) Provenance: Private English collection.

£100 - £200

342 342. A Chinese Jun glazed Song style ding censer, of traditioal ovoid form with three peg legs, twin loop handles with panels, 9cm high £50 - £80

348 348. A Yixing pottery teapot and cover, modelled in low relief with blossom between bands of cloud, and a small brass pot in silk bag with in design and caligraphy unsigned, minor chips to top rim of teapot, 13cm. high (3) Provenance: Private English collection

343 343. A Chinese snuff bottle and stopper, decorated with copper red patches to the shoulder, and green agate stopper, 19th Century, 8cm. high (2) Provenance: From a private English Collection.

£80 - £120

344. Twenty six Chinese hardwood stands, the tallest wood stand carved as a stylised gnarled tree, 9cm. high (tallest) Provenance: Private English Collection.

£80 - £120

£100 - £200

349 349. A Chinese Cizhou pottery vase, painted with panels of a scholar, standing attendant and a stylised bird, probably Ming 15cm. high Provenance: Private English collection.

£150 - £200

350. A Chinese famille rose teapot and cover, Qing Dynasty, bullet shape, painted with panels of figures and infants in a domestic interior, cane handle, 14cm high £70 - £90

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

53

355. A Chinese famille rose vase, Republican, Qianlong four character seal mark, shouldered ovoid form with wide everted rim, painted with a scene of woman and child under a pine tree, in a terraced garden landscape, the reverse inscribed with a poem, below black bands of scrolls and beads, 14cm high £80 - £120

351 351. A Japanese Imari punch bowl, Edo, footed form, decorated with underglaze blue chrysanthemums and peonies highlighted in red and gilt, with green leaf decoration, 31cm diameter £80 - £120 352. A Chinese blue and white vase, Kangxi mark and possibly of the period, inverse baluster form, painted with two opposing dragons flanking flowering and leafy peony stems, 18cm high £80 - £120 353. A Chinese blue and white onion-necked bottle vase, Qing dynasty, cafe au lait rim, painted with a pavilion in a river landscape, 21cm high, together with a pair of Chinese blue and white brush pots, cylinder form, painted with seabirds in flight, 11.5cm high (3) £80 - £120 356 356. A Chinese famille verte ginger jar, tall shouldered form, painted in the round with a terrace garden scene of a scholar in his study watching various figures, underglaze blue concentric ring mark, 19cm high £200 - £400 357. Seven Chinese small Yixing teapots and covers, each with seal marks, 6.5cm. high (tallest) (14) Provenance: Private London Collection, acquired no later than 1990’s. £100 - £200

354 354. A Chinese famille rose rising figure tea bowl, the outer bowl enamelled with elders and verses, the central dome with miniature model of Shou Lao, emerging from the opening when filled with liquid, 8.3cm diameter £50 - £100

358

355

358. A large Chinese sang de boeuf glazed vase, shouldered ovoid form, red hares fur with purple and taupe rim, 55cm high £100 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

54

359. A pair of Chinese famille rose vases, shouldered form with flared rims, painted with mirrored scenes of Guanyin with child in procession, sitting on shishi or Fu dogs, flaked by attendants, gilt rims, 23.5cm high (2) £300 - £500

362 362. A Chinese famille rose armorial punch bowl, circa 177075, painted with the crest and motto of Fullarton, Lux In Tenebris, bordered with floral garlands, sprigs and bamboo wreath, highlighted in gilt, 30.5cm diameter Provenance: this bowl along with other items from the service were given to Lord Patrick James Stuart (1794-1859), second son of the Marquess of Bute, in the early 19th century as part of a gambling debt from the Fullartons, and thence by descent to the present owner See: Christies, London 8th June 2004, lot 357, for the rest of the service £200 - £400

360 360. A Chinese rectangular porcelain table screen, late Qing dynasty, painted in the famille verte palette with a gathering of figures on a waterfront balcony, awaiting the arrival of guests in a punt, mounted in a fretwork hardwood stand. Provence: Private Collection, Cotswolds £300 - £500

363 361 361. A Chinese blue and white ginger jar and cover, Kangxi style, painted with cartouche panels of vases and pots with plants and domestic objects, on a blossom and crackle ground, double circle mark, 34cm high £300 - £500

363. A Chinese Dragon and Phoenix gilt decorated powder blue vase, Guangxu mark and probably of the period, spherical baluster form, painted with roundels of dragon and phoenix, within a foliate scroll ground of bats, lotus flowers and auspicious symbols, 38cm high Provenance: Private English collection.

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£1,500 - £2,000

55

364. A Chinese bamboo brush pot, Qing dynasty, carved in high relief with scholars in and around pagodas in a mountainous landscape, cloud opening, 16cm high, 12cm wide £150 - £200

368. A Chinese bone and bamboo mahjongg set, in a relief carved and gilded case, four drawers of pieces with a further drawer of markers, the top handle modelled with two seated figures £200 - £400 369. A pair of Chinese silk embroidered panels from a robe, Qing dynasty, depicting clusters of blue and white flowering foliage within a triple-sided border, incorporating gold bullion thread, on a rust-coloured ground, 33 by 27cm, framed (2) £80 - £120 370. Ten Chinese Jade, jadeite and hardstone carvings, a bowl, a small snuff bottle and a small carving of a camel, unsigned, largest 11cm wide.bowl 12cm diam. (13) Provenance: Private English Collection.

£100 - £200

365 365. A Chinese Thousand Faces fan, 19th-century Cantonese, the lacquer guards painted in gilt with vignettes of populated garden terraces and interiors, the sticks similarly decorated, polychromepainted landscape applied with ivory faces, 28.5cm long.

Note: Ivory Exemption Certificate No.UECS77S9

£200 - £300

366. A Chinese Thousand Faces fan, late 19th century, carved bamboo guards in the Cantonese style, the sticks reticulated, painted with figures in a terraced garden landscape. applied with ivory faces, 28cm long, in a fitted lacquer box.

Note: Ivory Exemption Certificate No.JK79GSRZ

£100 - £200

367. A large Chinese carved buffalo horn on carved hardwood stand, carved with nine standing and seated mythical figures to either side, 19th/20th century, 56cm. wide, 39.5cm. high (2) Provenance: Private English collection.

£200 - £300

371 371. A Japanese stag horn netsuke of a figure holding a mask, and another carved stag horn figure seated on a tree stump, 19th Century unsigned, 5cm. high (2) Provenance: Private English Collection.

£100 - £200

372. A Chinese copper and enamel knife scabbard, tapering form enamelled in colours, 18th/19th century, unsigned, 20cm. long Provenance: From a private English Collection.

£80 - £120

373 373. A Chinese carved jade belt hook, modelled in relief with two dragons, one of reticulated foliate form, on a hardwood stand, 14cm long £200 - £400

368

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

56

378. A large Chinese carved hardwood figure of Shouxing, modelled in high relief holding a peach and staff, on a reticulated gnarled root base, set with polishe cabochon eyes, 61cm high £200 - £300 379. A Chinese polished bronze censer with lion mask handles, probably 19th Century, dragon and three character mark to base, 19.5cm. wide Provenance: Collection.

From

a

Private Scottish £150 - £250

376

374 374. A Chinese relief carved shell, on a reticulated prunus root hardwood base, the front carved with an extensive Cantonese populated and terraced garden landscape, 22.5cm wide, 30cm high £200 - £300

376. A Chinese hardwood table chest or cabinet, cuboid form with hinged lid and double doors, fitted with brass hinges, mounts and lock plates, the lid opening to reveal a removable tray, the doors revealing four drawers of different sizes, with side carrying handles, 39cm wide, 39cm high, 30cm deep £80 - £120 377. A Japanese black lacquer photograph album, late Meiji period, circa 1890, the front cover with cranes in gilt relief in flight over Mount Fuji, the rear with flying insects, housing forty-seven tinted photographs behind tissue paper, topographical views including Nagasaki Harbor, Takaboko, etc, and figures in traditional dress, 31 by 39cm £150 - £200

380 380. A large Japanese bronze jardiniere, lobed and shouldered form, applied with high relief birds on branches, including peacocks and pheasants, below a geometric honeycomb and floral rosette rim, 51cm diameter, 32cm high £150 - £250

375 375. A fragment from a Japanese Raigo Amida painting, depicting the descent of Kannon, possibly Kamakura period or later, painted in colours and gilt, on silk, 34.5cm x 23.5cm £200 - £400

381 381. A large oriental cloisonne ginger jar and cover, 20th century, decorated with branches of peaches and a pair of bats on a yellow geometric cell ground, Greek key base rim, unmarked, 37cm high £100 - £150 378

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

57

GLASS

382 382. A Dutch light baluster wine glass, circa 1720, the conical bowl with teardrop base, on an inverted baluster and tear included stem and conical foot, 17cm high, rim 7.7cm diameter, foot 8.4cm diameter £50 - £100 383. An opaque and air twist glass ale flute, circa 1750, the bell shaped bowl on a multi stranded stem of alternating opaque and mercury spirals, on a folded conical foot, 17.2cm high, rim 7cm diameter, foot 8.1cm diameter £50 - £80

386

387

386. A Dutch or Silesian engraved glass goblet, circa 1760, the large round funnel bowl profusely decorated with floral vases and foliate scrolls, harebell garlands and festooned bouquets, on a hollow invserse baluster stem of moulded hexagonal section, with merse and socle, on a conical foot simialrly engraved in the Bohemian Renaissance style, 21.5cm high £200 - £400

390. An opaque twist wine glass, circa 1760, the bell shaped bowl on a triple knopped stem with central solid core and double strand, on conical foot, 16.4cm high, rim 6.2cm diameter, foot 7cm diameter £50 - £80

384. An opaque twist wine glass, circa 1760, the round funnel bowl on a double thread spiral and internal coiled lattice tube stem, on conical foot, 14.7cm high, rim 5.6cm diameter, foot 7.3cm diameter £40 - £70

387. A Dutch engraved Lauenstein glass armorial goblet, mid to late 18th century, the waisted bucket bowl with basal tear drop inclusions, decorated with a coat of arms, on an inverse hollow baluster and knopped stem, the domed foot engraved to the rim with palm and foliate fronds, 22.5cm high, rim 10cm diameter, foot 11.8cm diameter £150 - £250

385. A plain stemmed wine glass, circa 1750, the bell shaped bowl on a plain cylindrical stem and folded foot, 15.8cm high, rim 6.5cm diameter, foot 7.2cm diameter £40 - £60

388. A facet stem wine glass, circa 1770, the ogee bowl on a bowed knop stem and conical foot, 14.6cm high, rim 5cm diameter, foot 6.7cm diameter £40 - £70 389. An opaque twist wine glass, circa 1760, the bell form bowl on a double spiral and multi strand core stem, on conical foot, 16.4cm high, rim 5.8cm diameter, foot 7.4cm diameter £40 - £70

391 391. An opaque twist wine glass, circa 1760, the bell shaped bowl on a triple knopped stem with central lattice core within multi stranded twists, on conical foot, 17.5cm high, rim 7.2cm diameter, foot 7.2cm diameter £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

58

395. A facet stem wine glass, circa 1780, the ovoid bowl on a plain stem and conical foot, 14.2cm high, rim 5.1cm diameter, foot 6.7cm diameter £30 - £50 396. An opaque twist wine glass, circa 1765, the ogee bowl on a slender multi stranded double helix and corkscrew core stem, on conical foot, 16cm high, rim 5.1cm diameter, foot 6.9cm diameter £50 - £80

402. An opaque twist wine glass or ale flute, circa 1760, the bell shaped bowl on a threaded ribbon helix and corkscrew stem, on conical foot, 17cm high, rim 6.4cm diameter, foot 6.9cm diameter £60 - £100

397. An opaque twist toasting glass, circa 1760, the flute moulded ogee bowl on a multi strand and central tube stem, on a heavy conical foot, 10.5cm high, rim 4.6cm diameter, foot 6.5cm diameter £60 - £100 398. A colour twist wine glass, circa 1760, the bell shaped bowl on a centrally knopped opaque and red stranded stem, on conical foot, 15.5cm high, rim 6.5cm diameter, foot 6.8cm diameter £40 - £70

392 392. An opaque twist wine glass, circa 1760, the optic fluted ogee bowl on a multi stranded ribbon spiral and corkscrew lattice stem, on conical foot, 14.4cm high, rim 5.2cm diameter, foot 6.8cm diameter £50 - £80

399. A colour twist wine glass, circa 1760, the rounded bowl on a red and opaque strand stem with central lattice tubular core, on conical foot, 14.5cm high, rim 5.5cm diameter, foot 7.2cm diameter £40 - £70

393. An opaque twist wine glass, circa 1760, the plain ogee bowl on a lattice threaded double corkscrew helix and central double ribbon stem, on a conical foot, 14.3cm high, rim 5cm diameter, foot 6.5cm diameter £50 - £80

403 403. An opaque twist engraved wine glass, circa 1765, the ogee bowl decorated with a wreath of flowers and foliage, on a multi threaded ribbon and corkscrew stem, on conical foot, 14.8cm high, rim 4.9cm diameter, foot 6.6cm diameter £70 - £100 404. An opaque twist wine glass, circa 1760, the optic fluted round funnel bowl on a double ribbon strand and helixical core stem, on folded foot, 14.3cm high, rim 5.1cm diameter, foot 6.6cm diameter £70 - £100 405. A gilded facet stem wine glass, circa 1780, the panel cut rounded bowl with gilt rim, on a cut stem and conical foot, 14.2cm high, rim 5cm diameter, foot 6.8cm diameter £50 - £80 406. A George III glass three ring neck decanter, circa 1785, plain Prussian form with bullseye or target stopper, 26cm high

400 400. A pair of Dutch engraved colour twist wine glasses, circa 1760, the bell shaped bowls with grape vine and bird motifs, on red and opaque strand and central lattice tube stems, on conical feet, 15.5cm high, rims 5.8cm diameter, feet 6.7cm diameter (2) £60 - £100 394 394. An opaque twist wine glass, circa 1760, the plain ogee bowl on a threaded ribbon and multi stranded open core stem, on conical foot, 14cm high, rim 4.8cm diameter, foot 6.5cm diameter £50 - £80

401. An opaque twist wine glass, circa 1760, the rounded funnel bow on a multi threaded ribbon and quadruple twist core, on conical foot, 15.5cm high, rim 5.5cm diameter, foot 7cm diameter £60 - £100

Note: Perhaps the pinnacle of the English glassblowing tradition, this decanter epitomises understated elegance and functionality; the plain Prussian decanter combined ergonomical praticality in the form of the three graspable rings, the hand width dimensions of the neck and the indented stopper, all to aid usage and avoid slippage form the hand and prevent drips from reaching the base of the decanter, with functionality, allowing the wine to be seen clearly and to be aerated; a timeless design, without the additional (and arguably unecessary) decorations of later examples, which William Morris, John Ruskin and Harry Powell strived to promote with their Arts and Crafts movement. An almost identical example is illustrated in McConnell, A, 2009, The Decanter, p.164 £40 - £70

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

59

412. Richardson, Stourbridge, a William IV apple green glass three ring neck Nelson or cylinder decanter, circa 1830, the octagonal section panel cut body with facet cut shoulder and applied neck rings, with a target stopper, 32cm high £50 - £100 413. A French glass fruit paperweight, probably Pantin, circa 1850, coloured lampwork single pear on leafy branch, within a colourless ground, polished pontil, 4.5cm diameter Provenance: Sothebys, London, 3rd March 1992, lot 76 £200 - £400

409

407 407. An Irish engraved glass part moulded decanter, probably B Edwards, Belfast, circa 1800, two ring neck, dip moulded fluting to the lower third, wheel engraved with a kidney cartouche bottle ticket for Brandy, the reverse with initials MC between crossed laurels, with a target stopper, 30.5cm high £150 - £250

409. An American three part mould amethyst glass ewer or claret jug, probably early 19th century, New England, Prussian form with bands of reeding and hobnail panels, applied with a strap handle, rough pontil, 22cm high £50 - £100

414 414. St Louis, a panelled jasper ground glass crown paperweight, circa 1850, the central rosette of cogged canes within eight radiating opaque rods, alterning green and red gravel ground with red and yellow cased millefioiri canes between, surrpunded to the exterior by a ribbon twist torsade, gound pontil, 8cm diameter £80 - £120 415. Baccarat, a 19th century amethyst glass scent bottle, circa 1850, footed double gour baluster form with hollow conical stopper, 16.5cm high £30 - £50

410

408 408. An Irish triple ring neck glass decanter and stopper, Cork or Belfast, circa 1800, Lightweight Prussian form with dip moulded fluting to the lower third, cut with bands of hobnail and diamond motifs below three milled neck rings, the flat mushroom stopper star cut and notched, moulded ring to base, 25cm high £80 - £120

410. A George III bone mounted glass cruet bottle, circa 1770, double ogee cylinder form with moulded fluting, the lid turned with a screw fixing dome and detachable finial, 16.5cm high £40 - £70

416. A large pair of 19th-century Bohemian glass apothecary vessels and stoppers, pedestal teardrop form, the stoppers also in the form of decanters with further hollow stoppers, engraved with foliate decoration, 72cm high (2) £80 - £120 417. A Bohemian ruby cased glass portrait box and cover, 19th century, cylindrical form, the central oval depicting a woman, on gilt foliate scroll red ground, 12.5cm high £150 - £200

411. A matched set of ten George III glass rummers, circa 1800, each with a moulded lemon squeezer foot, square base and rounded socle stem, 13.5cm high (10) £200 - £400

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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422. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts wine glass, circa 1880, the rounded tulip bowl with applied Alsatian blue threaded spiral trailed decoration to the lower two thirds, on plain stem and conical foot, 14cm high £100 - £200

418

420

418. A Bohemian enamelled opaline glass vase, circa 1880, baluster form, decorated in the Persian style with foliate tendrils and polychrome flowers, on white opaque ground, painted marks V 135, 9.5cm high £40 - £70

420. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts ruby red bowled wine glass, circa 1890, the tulip form bol on a colourless stem and conical foot, 13.5cm high £50 - £80

423 423. Harry Powell for James Powell and Sons, Whitefrairs, an Arts and Crafts wine glass, circa 1890, flared trumpet form with panel cuts forming an octagonal plain stem and octagonal faceted foot, 12.5cm high Note: influenced by Harry Powell’s interest in both historical British cut glass glass and the Venetian styles becoming fashionable at the end of the 19th century, this glass combines the slice cutting found in his experimental and Roman glass series (Evans, W. et al, 1995, Whitefriars Glass, Museum of London, p.78, fig.77) with the more contemporaty Art Nouveau trends as seen in his tear and motto engraved glasses (an example of the latter is also in this auction). £40 - £60

419 419. Thomas Webb, an Arts and Crafts ruby opal and amber glass beaker, circa 1880, dimpled and footed cylindrical form with an opalescent band, 10.5cm high £60 - £100

421 421. James Powell and Sons, Whitefriars, an Arts and Crafts cranberry red cased wine glass, circa 1860, the rounded bowl on a plain stem and conical foot, pink ruby engraved with a Gothic initial, polished pointil, 11cm high Note: an unusual early example of coloured glass by Powell, another example of this shape and colour, but with a cut pattern, was sold in these rooms 8th March 2024, lot 676 and illustrated in Evans, W et al, 1995, Whitefriars Glass, p.253, showing that wine service in the 1860s catalogue £50 - £100

424. T G Jackson and Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts glass jug, 1878, shouldered form with angled handle, 12.5cm high Note: see Jackson, L, 1996, Whitefriars Glass, Richard Dennis, p.98, plate 7 for an example of a similar design £40 - £70 425. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts Roemer wine glass, circa 1880, the ogee bowl with applied rigaree band and raspberry prunts, on an applied coiled conical foot, in green amber, 12cm high Note: from a series of historical revival German wine glasses produced from the 1880s, derived from examples in European Museum collections £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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429. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts poppy head wine glass, circa 1890, optic ribbed pear shaped with four dimples and everted rim, on plain stem and conical radiating foot, 11.5cm high £40 - £70

426 426. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Craft Spanish cut glass liqueur decanter, circa 1900, square section shouldered form with floral panels, facet cut lozenge stopper, 19cm high £40 - £60

427 427. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts glass air twist and controlled bubble wine goblet, circa 1890, the optic ribbed bell shaped bowl with a spiral band of air bubbles, on a tapered stem of three helix strands, on a radial ribbed conical foot, 16.5cm high Note: from the 1880s Harry Powell experimented with trapped air techniques, in the 18th century manner, re interpreting the traditional methods in a new and innovative way to create contemporary designs. This appears to be a very rare and unusually large example of the use of these techniques, reflecting the trend in the 1880s for Venetian capacity wine goblets. See Evans, W. et al.

1995, Whitefriars Glass, Museum of London, p.79, pl.78 for an illustrated example of this pattern combination on a champagne flute, possibly from the same service; also the Art Journal, 1889, for an illustration of this glass, reproduced in Jackson, L, 1996, Whitefriars Glass, p.15, fig.30 £200 - £400

428 428. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts composite stem wine glass, circa 1900, Dutch Light baluster form, the large bell shaped bowl on bladed and hollow ball knops, over a teared inverse baluster knopped stem, on a plain conical foot, polished pontil, 18.5cm high Note: Harry Powell’s fascination with antique glass and pottery from all historical periods, and his particular interest in the complex stems of 18th century English wine glasses, led to a period of experimentation in recreating and reinterpreting historical designs. The fineness and size of the bowl of this glass is typical of those used in Powell’s Venetian inspired range, in turn derived from the Venetian glass exhibited at the Exhibition of Ancient and Medieval Art, Society of Arts, London, 1850 and copied in James Croft Powell’s 1867 sketch book, which shows a similar glass. The technical execution of the stem is clearly inspired by Harry Powell’s experimentation from the 1880s with traditional English air twist and bubble included stems (illustrated in Evans, W et al. 1995, p.102) which continued through to the 20th century, while taking note of changing commercial trends in style and drinking habits, using a larger, thinner bowl and aesthetically designed finer stem.

A similar compositional design showing the bell shaped bowl over a bladed knop, ball knop and inverse baluster stem, is illustrated as a line drawing numbered 1228, in Harry Powells Glasses with Histories notebook (Evans, W. et al 1995, p.276). £200 - £400

430 430. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts etched glass Champagne flute or wine glass, circa 1900, the flared optic ribbed bowl engraved with a sinuous band of ivy and berries in the Art Nouveau style, above a German motto Auf Wieder-sehen!, on a plain slender stem and radiating conical foot, 18cm high Note: this glass appears to be from a series of flutes, each with a different sentimental motto or greeting; another example appeared in the Louisiana Purchase Exposition of 1904, in St Louis, illustrated in a contemporary photograph, Evans, W et al.

1995, Whitefriars Glass, p.80, fig.81, showing the same decoration and a different motto; several examples of the engraved glass produced during this period were purchased by Charles Rowley for the Manchester Municipal School of Art, including another example from this service, now in the Manchester Museum collection and illustrated in Jackson, L, 1996, Whitefriars Glass, Manchester City Art Gallery, p.105, pl.34, which has the motto Ut Prosim!. The use of mottos and engraving was a development by Powell in appealing to the growing popularity of Arts and Crafts sentimentality, similar to the metalworkers of the guilds. The use of international languages was an appeal to both the international market and to a Bohemian elite. £150 - £250

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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431 431. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts wine glass, circa 1900, the hexagonal rimmed conical bowl with diamond moulded optical decoration, on a double strand twisted stem and pain conical foot, 14cm high Note: see Evans, W et al, 1995, Whitefriars Glass, Museum of London, p.75, fig.73 for an illustrated example of this glass in the Musuem of London collection; noted as an example of Harry Powell’s exceptional use of subtle decoration both in optic moulding and hot tooling to produce balance, elegance and funtionality in late 19th century table glass. £150 - £250 432. Stevens and Williams for Hukin and Heath, an Arts and Crafts silver mounted glass decanter, hallmarked for Heath and Middleton, London 1903, of double gourd form, applied with lens cut prunts and trails, hollow spherical stopper, 21cm high £60 - £80

435 435. A Lobmeyer enamelled glass ewer, shouldered form with applied handle, the body enamelled with a Persian mystical bird between bands, in blue, white, aubergine and green, highlighted in gilt, painted hatch factory mark, 21cm. high £600 - £800 436. Two Arts and Crafts trailed glass vases, one probably by Stuart, circa 1900, both of waisted bulbous form with crimped rims and threaded spiral trail, one green over colourless, 15.5cm high (2) £30 - £50 437. Kralik, a Secessionist iridescent glass Fish Scale vase, circa 1900, square section bulbous bottle form, green lustre, 17cm high £30 - £50

433

438

433. Thomas Webb and Sons for William Comyns, an Arts and Crafts intaglio engraved rock crystal glass claret jug or whisky flagon, with silver mounts, London circa 1900, the ovoid body cut with symmetrical stylised flowers in the Art Nouveau style, below a rusticated panel cut shoulder, applied loop handle, 25cm high £120 - £180

438. An Art Nouveau Austrian iridescent glass vase, swollen cylindrical form with trefoil neck, pale pink glass with pulled green linear design with aventurine, unsigned, 17.5cm. high £200 - £300

434. Jules Barbe for Thomas Webb, an Arts and Crafts glass vase, circa 1900, the optic ribbed trumpet form bowl decorated with raised gilt Rococo scroll cartouche and foliate sprigs, on a hollow triple knopped stem and radiating petal base, 16cm high £30 - £50

439. Saint Louis, an Art Nouveau gilt and grive degage etched glass vase, circa 1900, elongated baluster form on domed foot, random combed textured body with stylised daisies on sinuous tendrils, 15.5cm high £40 - £70

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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440

442

440. Emile Galle, an Art Nouveau cameo glass Orchid vase, circa 1900, tapering cylindrical form with flaring rim, yellow cased in brown, decorated with scrolling orchid flower stems, Cameo Galle signature, 16.3cm high £500 - £800

442. Daum, Nancy, an Art Nouveau cameo enamelled glass vase, circa 1900, barrel form, mottled blue pate de verre draining to green, decorated with blue bell flowers, acid etched Daum Nancy mark, 12.5cm high £1,500 - £2,000

441

443

441. Daum, Nancy, an Art Nouveau cameo enamelled glass vase, circa 1900, solifleur form, yellow glass, enamelled with aquilegia flowers in pink and green, acid-etched Daum Nancy signature, 16.5cm high £1,200 - £1,800

443. Daum, Nancy, an Art Nouveau pate de verre glass perfume bottle and stopper, circa 1900, circular flattened disc form, dark blue graduating to pale blue with appled amber glass insect to the shoulder, signed Daum Nancy to base, 9cm high (2) £1,500 - £2,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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446 446. A tall Art Nouveau cased glass vase probably Daum Nancy, footed, cylindrical form with inverted rim, mottled green and yellow glass cased in clear, overlay decorated in red with waterweed, unsigned, 28cm. high £800 - £1,200 447. Alfred Finot for Amalric Walter, an Art Nouveau pate de verre glass dish, oval form, mottled yellow, cast in relief with two sinuous maidens, their long flowing hair forming the rim, A Walter Nancy and A Finot, 22.5cm. wide See: Noël Daum, La Pate de Verre, Denoel, page 105, plate 129 for a comparable Art Nouveau dish, Femme Couchée, by Alfred Finot modelled with a full maiden. £2,000 - £3,000

444 444. Daum, Nancy, an Art Nouveau cameo glass Dandelions vase, circa 1900, cylindrical, elliptical section, marbled pate de verre peach cased in orange and green, decorated with seeding dandelions dispersing in the wind, etched signature Daum, Nancy, 40.5cm high £2,500 - £3,500 445. Emile Galle, an Art Nouveau 'Aquatique' enamelled and acid etched opalescent glass vase or bowl, circa 1900, elliptical section with pulled top rim, decorated with water lily flowers and pad leaves, in colours on an opaque pale blue ground, with applied relief modelled snail shells, gilt cameo flower mark Pour Bonheur A Emile Galle, 27.5cm wide Note: the sketch design for the mark on the base of this vase was sold at Hindman, Chicago, Louis Daniel Brodsky Collection, 22nd Feb 2015, lot 15 £3,000 - £5,000

448 448. Josef Hoffmann for Lobmeyr, a Secessionist wine glass, circa 1917, from the Patrician service, the bell form bowl on a short stem and wide foot, 10cm high £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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445

447

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

66

449. Josef Hoffmann for E Bakalowits and Sohne, Wiener Werkstatte, a Secessionist optic ribbed liquer glass, circa 1917, the bell shaped bowl on a slender tapered stem and conical foot, 15.5cm high Note: see Oberhuber, O and Noever, |P, 1987, Josef Hoffmann; Ornament zweichen Hoffnung und Verbrechen, p.267, G49, for an illustrated example of this design £40 - £70

455 455. ‘Gui’ no.948 a Lalique opalescent glass vase designed

by Rene Lalique, cast and etched Lalique, £600 - £1,000

450 450. An Italian Murano glass jug, facon de venise, in the style of Seguso, circa 1920, the spherical body with concial foot and flared neck, panels of aventurine inclusions and strap handle, 13cm high £40 - £70 451. Kralik, an Art Deco tango spatter glass bowl and cover, circa 1925, red cased, with blue and yellow speckles to the finial and lid, 11.5cm high £30 - £50 452. Charles Schneider, an Art Deco Le Verre Francias cameo glass vase, circa 1925, bulbous headed form, orange cased in mottled brown draining to green, eteched with stylised poppies, signed in cameo Charder, 41cm high £150 - £250 453. Marius Ernest Sabino, a set of three Art Deco moulded glass plaques, circa 1925, modelled in bas relief and frosted with the Three Graces, Hunters and Muses resting by a tree, each marked Sabino France, 12.5cm x 30.5cm (3) £150 - £200 454. Allan Edgar Howes for Jobling, a set of three Art Deco frosted glass plaques, modelled in relief with muscial putti with tambourines, signed in the panel AH, 23.5cm x 17cm (3) Provenance: Christies, 28th July 1995, lot 3

456 456. ‘Pinsons’ no.1038 a Lalique clear and frosted glass vase designed by Rene Lalique, with blue staining, wheel cut R Lalique France mark, 19.5cm. high £1,000 - £1,500 457. An Art Deco Czech ‘skyscraper’ scent bottle, late 1920s, of stepped form with linear and spherical black enamel sides, matching stopper, 17.5cm high £40 - £60

Note: Edgar Allan Howes was a sculptor known for his architectural and municipal commissions, notably the doorway of the London School of Hygiene and Tropical Medicine and the decoration of Bermondsey Health Centre £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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462. Herbert Webb for Webb Corbett, a set of six Art Deco cut glass drinking glasses, circa 1930, conical form with concentric wave cut decoration above a facet mitre cut stem and plain foot, acid marks to some, 9cm high (6) £50 - £100

466. William Wilson and Barnaby Powell for James Powell and Sons, Whitefriars, an Art Deco flint glass decanter, model 2481, circa 1935, shouldered cylinder form with plain mushroom stopper, 25cm high £30 - £50

463. Ludwig Kny for Stuart and Sons, an Art Deco glass Woodchester variation decanter, circa 1925, optic ribbed conical form, cut with stylised fern leaf motifs between frosted lens dots, pear form hollow stopper, 33cm high £30 - £50

467. Barnaby Powell for James Powell and Sons, Whitefriars, an Art Deco sapphire blue glass bowl, model W57, designed 1931, as part of the Wealdstone Range for Wuidart, footed squat optic banded, 21cm diameter £30 - £50

458 458. Elizabeth Graydon Stannus, an Art Deco Graystan glass vase, trumpet form in cloudy opaque and blue, on a yellow domed and folded foot, etched mark, 27cm high £50 - £80

468 468. James Hogan for James Powell and Sons, Whitefriars, an Amber glass bowl or vase, model 9157, circa 1935, footed and flared oval section, 14cm hich, 28cm wide £40 - £70

459. Elizabeth Graydon Stannus, an Art Deco Graystan glass vase, footed and shouldered form, marbled cloudy opaque and pink, on colourless foot, engraved mark, 22cm high £40 - £60 464 464. Simon Gate for Orrefors, a large Art Deco Thousand Windows glass vase, designed circa 1930, footed rounded bucket form with hexagonal section rim, with six levels of half lens cuts within elongated mitre bands, incised marks Orrefors G 0395 - 231, 27.5cm high £50 - £80

469. Irene Stevens for Webb Corbett, a Modernist cut glass centrepiece bowl, circa 1950, shallow circular form, decorated with seven petal lens cut centre with radiating mitre cut foliate fronds, etched marks, 29.5cm diameter£40 - £60

470 470. Elis Bergh for Kosta, a Modernist glass twin handled vase, model BH 1525, footed shallow ovoid form with applied teardrop handles, in smoky green, incised marks, 8cm high, 21.5cm wide £30 - £50 465

460 460. Elizabeth Graydon Stannus, an Art Deco Graystan glass vase, shouldered cylinder form, marbled cloudy blue, on a colourless foot, incised mark, 25.5cm high £40 - £70 461. Elizabeth Graydon Stannus, an Art Deco Graystan glass vase, pedestal trumpet form, cloudy red opaque, squat ball knopped stem on a domed and folded foot, engraved mark, 23cm high £40 - £70

465. Ludwig Kny for Stuart and Sons, an Art Deco cut glass bowl, model 28004, designed circa 1938, conical footed form, the rim with stylised draped swags and festoons around a lens cut ring, in the style of Laura Knight, the foot with leafy frond cut base, etched mark, 26.5cm diameter

471. Edward Hald for Orrefors, an Art Deco blue glass vase, circa 1930s, footed conical form with inverted rim, 19.5cm high £30 - £50

Note: an example is illustrated in Benson, N and Hayhurst, J, 2003, Art Deco to Post Modernism, p.14 fig. 44 £20 - £40

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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476 476. Flavio Poli for Seguso (attributed), an Italian Murano glass Sommerso bowl, circa 1960, shallow circular form, cased with red and optic blue, 14cm diameter £40 - £70

472 472. Simon Gate for Orrefors, an Art Deco glass vase, black footed trumpet form, optic moulded colourless body, incised marks 1930 G, 31.5cm high £30 - £50

480 480. Frantisek Vizner for Skrdlovice, a tall cylindrical glass vase, model no 7350, with applied clear glass discs with fine air bubble inclusions. unsigned 32.5cm. high

473. Gunnar Nylund for Strombergshyttan, a Modernist Sharks Tooth glass vase, circa 1957, ice blue, 19.5cm high £30 - £50 474. Frtiz Lampl for Bimini, a set of six lampwork cocktail glasses and a decanter, each with an opalescent mermaid supporting a pink glass cope etched with floral motif (7) £100 - £150

Provenance: A private collection of post-war Czechoslovakian art glass.

477 477. Frantisek Vizner for Skrdlovice, a glass vase, model no. 6840, shouldered amber glass with impressed grid panel decoration,19cm. high

Literature Czech Art Glass Designs from Skrdlovice, private press, catalogue number 54 for a vase with comparable technique illustrated. £150 - £250

Provenance: A private collection of post-war Czechoslovakian art glass.

Literature: Czech Art Glass Designs from Skrdlovice, private press, catalogue number 26 this vase illustrated £100 - £200 478. Milan Nosek for Beranek, a glass vase, green glass cased in thick clear glass, wedge shaped, 21.5cm. high Provenance: A private collection of post-war Czechoslovakian art glass. £100 - £200 479. Frantisek Vizner for Skrdlovice, a glass vase, model no. 6828, thick, shouldered clear glass with internal air bubble decoration, cylindrical neck, 18cm. high

475 475. Fratelli Toso, a Modernist Italian Murano glass Fazzoletto or handkerchief vase, circa 1950s, opaque threaded filigree decoration, 13cm high £50 - £80

Provenance: A private collection of post-war Czechoslovakian art glass.

Literature: Czech Art Glass Designs from Skrdlovice, private press, catalogue number 25 this vase illustrated £120 - £180

481 481. Vladimir Jelinek for Skrdlovice, a glass Heart vase, model no. 6528, heartshaped blue glass vase with amethyst inclusions and apperture, unsigned, 14.5cm. high Provenance: A private collection of post-war Czechoslovakian art glass.

Literature Robert Bevan Jones & Jindrich Parik (General Editor Mark Hill) Beranek & Skrdlovice Legends of Czech Glass, page 60 for a comparable vase. Mark Hill, Hi Sklo Lo Sklo, Mark Hill Publishing, page 42 for a comparable vase illustrated. £150 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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485. Frantisek Vizner for Skrdlovice, a cylindrical clear glass vase, model no.7350, with applied clear glass discs with fine air bubble inclusions. unsigned 17.5cm. high Provenance: A private collection of post-war Czechoslovakian art glass.

Literature: Czech Art Glass Designs from Skrdlovice, private press, catalogue number 54 this vase illustrated. £150 - £250

482 482. Vladimir Jelinek for Skrdlovice, a glass Heart vase, model no. 6528, heart-shaped amethyst glass vase with air bubble inclusions and apperture, unsigned, 15.5cm. high Provenance: A private collection of post-war Czechoslovakian art glass.

Literature Robert Bevan Jones & Jindrich Parik (General Editor Mark Hill) Beranek & Skrdlovice Legends of Czech Glass, page 60 for a comparable vase. Mark Hill, Hi Sklo Lo Sklo, Mark Hill Publishing, page 42 for a comparable vase illustrated. £150 - £200 483. Frantisek Vizner for Skrdlovice, a glass vase, model no.7931, shouldered, square section with tapering neck, heavy clear glass internally deorated with green spiral, unsigned, 19cm. high

486

Provenance: A private collection of post-war Czechoslovakian art glass.

486. Beranek Glass, a cylindrical glass vase, green cylindrical glass with internal linear design, and another blue glass cased in clear, applied Beranek labels, 26cm. high (2)

Literature: Czech Art Glass Designs from Skrdlovice, private press, catalogue number 81 for a comparable form with internal air bubble bands. £150 - £250

Provenance: A private collection of post-war Czechoslovakian art glass. £150 - £200

487 487. Stanislav Libensky for Benarek Glass, a spherical glass vase, shape no.7713, blue, cased in thich clear glass with amber glass thread, applied Beranek label, 15.5cm. high 484 484. Frantisek Vizner for Skrdlovice, a mould blown glass vase, square section, cylindrical glass vase with fluting, 30.5cm. high Provenance: A private collection of post-war Czechoslovakian art glass. £150 - £200

Provenance: A private collection of post-war Czechoslovakian art glass.

Literature Robert Bevan Jones & Jindrich Parik (general Editor Mark Hill) Beranek & Skrdlovice Legends of Czech Glass, page 90 for an identical vase, dated 1977. page 90 for an identical vase £150 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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490 490. Frantisek Vizner for Skrdlovice, a spherical glass vase, blue glass cased in clear with silver mica band decoration, unsigned 17cm. high

488 488. Frantisek Vizner for Skrdlovice, a modernist glass vase, model no. a cylindrical clear glass vase graduating to blue, with applied red pigment panels, unsigned 20cm. high Provenance: A private collection of post-war Czechoslovakian art glass.

Literature: William Warmus, Sklo/Glass Frantisek Vizner, 1951-2001, plate III-9 for a comparable example illustrated and dated to 1973 (Barry Friedman Collection). Fine, Decorative Arts & Design Kinghams Auctioneers, 3rd December 2025, lot 609 for a related vase. £200 - £300

Provenance: A private collection of post-war Czechoslovakian art glass.

Literature: Robert Bevan Jones & Jindrich Parik (General Editor Mark Hill) Beranek & Skrdlovice Legends of Czech Glass, page 69 for a large charger by Vizner with the same mica decoration, illustrated, late 1970s £120 - £180 492

491 489 489. Frantisek Vizner for Skrdlovice, a glass vase, model no. 7342, shouldered, square section, amber glass with tapering clear glass neck, the body with modelled linear design, 26.5cm. high Provenance: A private collection of post-war Czechoslovakian art glass. £200 - £300

491. Frantisek Vizner for Skrdlovice, a glass vase, model no. 8611, tapering cylindrical glass vase, blue cased in clear with air bubble decoration, signed Vizner, 31cm. high Provenance: A private collection of post-war Czechoslovakian art glass.

Literature: Czech Art Glass Designs from Skrdlovice, private press, catalogue number 95 this vase illustrated £200 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

493

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492. Miloslava Svobodova for Skrdlovice, a large Modernist Galaxy light blue cased glass vase, model no. 6533, tall, cylindrical form with applied glass, unsigned, 38cm. high Provenance: A private collection of post-war Czechoslovakian art glass.

Literature: Czech Art Glass Designs from Skrdlovice, private press, catalogue number 18 this vase illustrated Robert Bevan Jones & Jindrich Parik (general editior Mark Hill), Beranek & Skrdlovice Legends of Czech Glass, page 50 for a comparable vase illustrated. £200 - £300 493. Marie Stahlikova and Milena Veliskova for Skrdlovice, model no. 6070, a tall, solifleur glass vase, black glass cased in clear with pullled top rim, and applied surface amber spiral band, unsigned 37.5cm. high Provenance: A private collection of post-war Czechoslovakian art glass.

Literature: Robert Bevan Jones & Jindrich Parik (General Editor Mark Hill) Beranek & Skrdlovice Legends of Czech Glass, page 123 for a comparable vase illustrated, circa 1960. £250 - £350

496 496. Jiri Suhajek, a large ovoid Crystalex Flora glass vase, opaque white glass cased in blue and clear, with yellow spot and band decoration with surface decorated metallic patches to the neck, unsigned, 25cm. high Provenance: A private collection of post-war Czechoslovakian art glass. £150 - £250 497. Amanda Brisbane (British, 1964-2016), a studio art glass sculpture, textured and marbled with applied gold leaf, signed with initials and dated 1987, 12.5cm high, 16cm wide £40 - £60

494 494. Vladimir Jelinek for Moser, Mother and Child a rare glass vase, flattened disc form olive green glass inside amber cased in clear, with impressed hand print to one side, the other with cut and polished disc, etched V Jelinek signature, 22cm. high Provenance: A private collection of post-war Czechoslovakian art glass.

Literature: New Glass A Worldwide Survey, The Corning Museum of Glass, New York 1979, Pilkington Group, catalogue no.94 for a comparable Mother & Child vase dated to 1978. £800 - £1,200 495. Jan Gabrehl probably for Sklo Union, a spherical disc glass vase, compressed form, amber glass graduating to pale blue with surface radiating texture lines unsigned 10.5cm. high, 21cm. diam.

Provenance: A private collection of post-war Czechoslovakian art glass. £100 - £200

498 498. A Daum Nancy glass sculpture of a stylised bird, thick clear glass, modelled standing in a rocky outcrop, etched Daum Nancy, 37cm. high £80 - £120 499. Daniel Whittard for Edinburgh Crystal, a Stratus cut glass bowl, from the Edge range, circa 2000, rounded conical form with graduated panel cuts to four sides, etched marks, 22.5cm diameter £30 - £50

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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CONTINENTAL CERAMICS 500. A near pair of scent bottles modelled as miniature twin handled baluster vases and covers, Meissen style blue crossed sword marks, in the early 18th century style, 8cm high (2) £80 - £120

504. Sceaux, a faience pottery sugar caster, 18th century, footed baluster form, painted with exotic birds within C scroll cartouches and garland stripe ground, the integrated domed lid pierced and speckled, gilt S.X mark, 16.5cm high £40 - £70

507. Doccia (Ginori), a set of four floral painted porcelain dessert plates, late 18th century, each with a central bouquet within border of sprigs, gilt rim, gilt star marks to each, 23cm diameter (4) Provenance: hand written labels to each, purchased in Florence in 1794 £80 - £120

501

508

501. Ansbach, a porcelain saucer circa 1770, painted with a polychrome rural scene of figures and cottage, within a gilded border, painted stork mark, 13.3cm diameter £40 - £60

508. Berlin, a fruit and floral painted porcelain ecuelle, late 18th century, the twin handled bowl with bifurcated berried branch moulded handles, the finial modelled as a strawberry, on large scallop rimmed stand decorated with bouquets of fuit and vegetables and flowers, underglaze blue marks, 22.5cm diameter £80 - £120

502. Hochst, an 18th century German porcelain saucer, underglaze blue crowned wheel mark and impressed wheel, circa 1760, painted with a loral bouquet with daisy and smaller sprigs, red border, incie P, 13cm diameter £30 - £50 503. Sevres, a republican period porcelain part dessert service, circa 1800, bleu celeste ground, painted with floral garland bands and tooled gilt swags and festoons, including a twin handled Campana ice pail, two footed dishes and plates, RF Sevres painted marks to each (9) £150 - £200

504

505 505. A Meissen type blanc de Chine figure of a shepherd, after Johann Friedrich Eberlein and J J Kaendler, modelled sitting on a rocky outcrop and tree stump, underglaze blue mark and incised 59, 15.5cm high £50 - £100

509. Meissen after J J Kaendler, an allegorical figure group of Water, from the four elements, model C98, modelled as a putto holding fish beside lobster cages, on an oval Rococo scroll base, underglaze and incised marks, 10.5cm high £150 - £250

506. Meissen, a floral painted scent bottle, double gourd form, decorated with floral bouquets and insects, the stopper applied with a rose, underglaze blue mark, 10.5cm high £50 - £80

510. A pair of Meissen blanc de Chine figural and flroally encrusted candelabra, each modelled in the 18th century style as a tree with twin branches, figures of hunter and havester below, on pierced Rococo scroll bases, blue marks and incised 1611, 28cm high (2) £300 - £500

507

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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511

513

511. Meissen, a porcelain figure group of a sleeping woman, after M V Acier, model E58, sitting on a chair with arm resting on a table, encrusted with reticulated lace decoration and floral dress, underglaze and incised marks, 19cm high £150 - £250

517 520. A Vienna type portico clock, the spheical cased movement suspended between four columns, below a dome decorated with portrait vignettes, on a cuboid platform base, gilt foliate scroll and jewelled cobalt ground, on pad feet, with key, 36cm high £300 - £500

512. Meissen, a porcelain figural vase, model 1649, the central Classical relief moulded urn on pedestal base, surrounded by three putti, on an acanthus bordered naturalistic base, underglaze blue and incised marks, 15.5cm high £150 - £250 513. Meissen, a musical satyr figure group, model D56, the young faun playing a drum, sitting on a lioness, on a naturalistic and relief moulded feathered Rococo scroll base, underglaze blue and incised marks, 18cm high £150 - £250 514. Meissen, two figure groups, each modelled as a boy and woman feeding poultry, the woman with a group of chicks, the boy with goslings and geese, on Rococo scroll bases, underglaze blue and incised marks, 13cm high (2) £200 - £300 515. Heinrich Schwabe for Meissen, a figure of Cupid in a Trap, model L120, on a relief moulded floral mound and socle base, underglaze and impressed marks, 19.5cm high £200 - £400 516. A set of eight Meissen reticulated plates, each painted with exotic birds and poultry, within relief moulded trellis borders or foliate cartouches, 23.5cm diameter (8) £200 - £400 517. Meissen, a porcelain figure group of apple pickers, modelled with a tree and ladder and four characters in eighteenth century costume, on a Rococo scroll base, underglaze and incised marks 2229, 27cm high £200 - £400 518. A large pair of Meissen figures of magpies, each modelled in opposing form, perched on a tree stump and rocky outcrop with tails raised, blue sword and incised marks 62, 52cm high (2) £200 - £400 519. A small pair of Vienna porcelain vases and covers, twin handled urn form, painted in the round with Classical allegorical figures, on gilt ground bands of raised diaper pattern, titled to the underside, the cylindrical drum bases in cobalt blue with foliate scroll and enamelled decoration, (2) £150 - £250

521 521. A pair of Vienna porcelain vases and covers, pedestal urn form, painted in the round with Classical allegorical figures, on gilt ground bands of raised diaper pattern, titled to the underside, the cylindrical drum bases in cobalt blue with foliate scroll and enamelled decoration, 49cm high (2) £400 - £600 522. A pair of Vienna porcelain pot pourri vases and covers, twin handled Grecian urn form, painted in the round with Classical allegorical figures, on gilt ground bands of raised diaper pattern, titled to the underside, the cylindrical drum bases in cobalt blue with foliate scroll and enamelled decoration, 33cm high (2) £400 - £600

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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523

526

527

523. A large Austrian cold-painted terracotta model of a pug dog, early 20th Century, modelled seated wearing a collar, tongue out, inset glass eyes, 35cm high £150 - £200 524. A Royal Dux Bohemia figurine, classical maiden seated on a rocky outcrop holding panpipes. a sheep at her side, gilt and polychrome decorated, pink triangle mark, No.410, 32cm high £80 - £120

528 528. A pair of Fornasetti 12 Vegetalli pattern plates designed

by Pierro Fornasetti, each printed in colours with vegetables, printed factory marks, dated 1955, 25.5cm. diam. (2) Provenance: Purchased by the vendor’s parents in Italy in 1955. £100 - £200 529. Aldo Londi for Bitossi, a large Rimini blue glaze vase, cylinder form, chip and dot incised decoration, 43cm high £100 - £150

525 525. Konrad Hentschel for Meissen, a porcelain figure group of a girl with a toy pram, model W124, circa 1905, modelled with a white dress and floral blanket, underglaze and incised marks, 14cm high £300 - £500 526. French School, circa 1920s, an Art Deco gilt crackle glaze terracotta sculpture of Apollo seated, legs crossed with a lyre, indistinctly signed, 33cm high, 37cm wide, 23cm deep £150 - £200 527. Helen Konig Scavini (Italian, 1886-1974), for Lenci, Donna Con Cagnolino (Woman with Puppy), dated 1936, an Art Deco figurine of a kneeling nude young woman wearing a black and white chequered beret, a puppy by her side, and a book under her right hand, signed ‘Lenci, Torino F - 1936- XIV, Made in Italy’, 23cm high £1,000 - £1,500

530 530. Aldo Londi for Bitossi, a Puime Multicolore centrepiece bowl, circa 1955-57, boat form, on four conical feet, painted with stylised leaves in different colours, painted marks, Italy, 34cm long £60 - £100

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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MOORCROFT AND ART POTTERY 540. William Moorcroft for James MacIntyre, a miniature Blue Rose and Poppy panel vase, circa 1908, shouldered form with narrow flared neck, printed mark and underglaze green monogram, 7.5cm high

531. William Moorcroft for James Macintyre, a pair of Aurelian vases, circa 1899, footed niverse baluster form, underglaze green marks, 21.5cm high (2) £150 - £250 532. William Moorcroft for James MacIntyre, a Florian Poppy coffee cup and saucer, circa 1903, the flared cup with bamboo handle, underglazr green signatures, 11.6cm diameter £80 - £120 533. William Moorcroft for James MacIntyre, a Pomegranate on ochre coffee cup and saucer, circa 1910, the cup of flared form with bamboo handle, underglaze green signatures, 11.6cm diameter £100 - £200 534. William Moorcroft for James MacIntyre, a Florian Poppy bowl, circa 1900, ovoid form, underglaze green signature, 18cm diameter £100 - £150

Provenance: Christie’s, 27th July 2010, lot 64 £200 - £300

538 538. William Moorcroft for James MacIntyre, a miniature Poppy Garland vase, circa 1903, baluster form, pritned mark and underglaze green monogram, 6cm high £150 - £250

535. William Moorcroft for James MacIntyre, a miniature Eighteenth Century pattern vase, circa 1908, shouldered form, highlighted in gilt, printed mark and underglaze green monogram, 8cm high £80 - £120

541 541. William Moorcroft for James MacIntyre, a miniature Honesty on blue vase, circa 1903, stippled, footed ovoid form with straight neck, printed mark and underglaze green monogram, 8cm high £250 - £400

539 539. William Moorcroft for James MacIntyre, a miniature Poppy on blue mustard pot and lid, circa 1903, baluster form, with alternating open flowers, printed mark, 6.5cm high £200 - £400

536 536. William Moorcroft for James MacIntyre, a miniature Rose and Forget Me Not on white vase, circa 1907, twin handled baluster form, printed mark and underglaze green monogram, 6.5cm high £120 - £180

542 542. William Moorcroft for James MacIntyre, a miniature Hazledene vase, circa 1903, conical baluster form, impressed marks and underglaze green signature, 7.5cm high £300 - £500

537. William Moorcroft for James MacIntyre, a miniature Alhambra vase, circa 1903, shouldered form, printed mark, 7.5cm high £150 - £250

540

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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545. William Moorcroft for James MacIntyre, a miniature Poppy on blue ewer, circa 1903, double ogee gourd form, printed mark and underglaze green monogram, 9cm high £400 - £600

543 543. William Moorcroft for James MacIntyre, a miniature Lilac Panel box and cover, circa 1905, cylinder form, gilded, printed mark and underglaze green monogram, 5cm high £300 - £500

546 546. William Moorcroft, a small Spanish vase, circa 1914, elongated baluster form, impressed Burslem marks and underglaze green signature, 15.5cm high £400 - £600

544 544. William Moorcroft for James MacIntyre, a miniature Violet vase, circa 1904, flared baluster form, printed mark and underglaze green monogram, 7.5cm high £300 - £500

547

545

547. William Moorcroft for James MacIntyre, a miniature Claremont vase, circa 1905, shouldered form with flared neck, impressed number and underglaze green signature, 8cm high £400 - £600

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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548 548. William Moorcroft for James MacIntyre, a Pansy on white box and cover, circa 1911, squat ovoid form with screw lid, underglaze green signature, 15cm diameter £500 - £800 550 550. William Moorcroft for James MacIntyre, a miniature Blue Poppy on pink vase, circa 1903, footed conical form, printed mark and underglaze green monogram, 7.5cm high £600 - £800

549 549. William Moorcroft for James MacIntyre, a miniature Blue Harebell vase, circa 1903, double gourd baluster form, printed mark and underglaze green monogram, 8cm high Provenance: Christie’s, 5th September 1997, lot 13

£600 - £800

551 551. William Moorcroft for Liberty and Co., a Rose Lustre vase, circa 1908, elongated bulbous form, underglaze green signature, 24.5cm high £800 - £1,200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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556. William Moorcroft, a Leaf and Berry vase, circa 1935, inverse baluster form, impressed marks and facsimile signature, 24cm high £200 - £300 557. William Moorcroft, a Pomegranate vase, circa 1918, baluster form, blue ground, impressed marks and underglaze green signature, 21.5cm high £150 - £200

552 552. William Moorcroft, a Persian vase, circa 1914, ships decanter form with knopped neck and green ground to the rim, impressed Burslem marks, underglaze green signature, 26cm high £800 - £1,200

558 558. William Moorcroft, a Waratah vase, circa 1930, baluster form, green ground, impressed facsimile signature and underglaze green monogram, 18cm high £4,000 - £6,000 559. Walter Moorcroft, a Pineapple Plant jardiniere, circa 1986, footed form, impressed marks and underglaze green signature and date, 22cm high £100 - £150 560. Walter Moorcroft, a Toadstool jardiniere, shouldered form, impressed marks and underglaze green monogram £120 - £180

553 553. William Moorcroft, a large Pansy jardiniere, circa 1920, squat baluster form, celadon ground, impressed Burslem mark and underglaze green signature, 25cm diameter £80 - £120 554. William Moorcroft, a Big Poppy vase, circa 1925, elongated inverse baluster form, blue ochre ground, impressed marks and underglaze blue signature, 26cm high £300 - £500 555. William Moorcroft, a flambe 1937 Royal Commemorative tobacco jar and cover, barrel form, conical lid and ball finial, impressed facsimile marks £250 - £350

561. A large Moorcroft Pottery Bottle Kiln vase designed by Rob Tabbenor, dated 2000, swollen form, tubeline decorated with bricks, and another smaller Moorcroft Pottery bottle kiln vase, glazed in colours, impressed and painted marks, smaller vase limited edition 72/100, 30.5cm. high (2) Provenance: Private collection of Moorcroft Pottery.

£250 - £350

562. ‘Godwin’ a Dennis Chinaworks vase designed by Sally Tuffin, produced for the Victoria & Albert Museum, dated 2010, after a design by E W Godwin, incised with panels of birds beside Kawphyrite tables designed by E W Godwin, highlighted in brown on a cream ground, impressed and painted marks, 15.5cm. high £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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563 563. George Jones, a novelry majolica jug, modelled in relief as a swallow or swift building a nest, textured gourd form, blue glazed interior, lozenge registration mark, 13cm high £300 - £500 564. Christopher Dresser for Minton, an Aesthetic Movement bowl, 1866, footed with everted rim, decorated with a gilt band of pink and blue enamelled geometric flowers on angled vine, impressed marks, 38.5cm diameter £40 - £70

566 566. Burmantofts, an Aesthetic Movement faience majolica jardiniere stand, turned balustroid column form, relief moulded leaves and fern fronds, in green and yellow, with red glazed base and capital, impressed marks Burmantoft Faienece monogram, 1938, 62cm high, recess 12cm diameter, top 16cm diameter £120 - £180 567. A pair of Art Pottery ewers, Burmantofts style faience turquoise glazed with angular handles, 31cm high (2) £50 - £80

565 565. Christopher Dresser for Linthorpe, an Aesthetic Movement art pottery twin handled vase, circa 1880s, ovoid form with broad flaring rim and angled strap handles, red draining to marbled and curdled white, green and ochre, 7cm high £50 - £100

568 568. John Pearson, an Arts and Crafts six tile panel, in the style of William de Morgan, painted in blue with a large galleon of figures hunting sea creatures, various ensigns and banners with latin mottos, 30cm x 43cm, framed £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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569 569. William de Morgan for Merton Abbey and Sands End Pottery, two Raised Lion lustre tiles, circa 1885 and 1890, modelled with opposing lions rampant, impressed marks, 15.5cm square (2) £80 - £120

572

570 570. Fulham Art Pottery, a stoneware beaker and bottle or carafe, the beaker with a silver mount dated London 1890, both sgraffito decorated with beaded lappet arcading and foliate fronds, the blue ground with stylised Oriental form characters, unmarked, 28cm high (2) £80 - £120 571. C J C Bailey, Fulham, a set of four stoneware spirit flagons, circa 1880, square section shouldered form, applied with banners titled RUm, Gin, Irish Whisky and Scotch Whisky, sgraffito decorated with lappet corners and folikate scrolls, applied relief moulded floral rosettes, salt glazed and highlighted in blue, impressed marks, 20cm high (4) £80 - £120

572. Martin Brothers, a stoneware vase, 1897, shouldred ovoid and footed form, sgraffito decorated with tiger lilies and insects in green and white on a matt saltglazed ground, manganese bands and rims, incised marks 6-1897 Martin Bros London + Southall, 21cm high £1,200 - £1,800

573. Robert Wallace Martin for Martin Brothers, a characterful Judge stoneware sculptural jar, 1889, modelled as a bird with long wig, blue blazed breast and crossed talons, with green tipped wing and tail feathers, incised marks to base Martin Bros London + Southall, the head marked Martin Bros London + Southall 4.1889, 25cm high Note: the companion bird to this one, of the same date, was sold at Christies London, 18th December 1985, lot 85, and later at Phillips, New York, 15th December 2015, lot 6 £25,000 - £30,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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573

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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574

574. Robert Wallace Martin for Martin Brothers, a stoneware face vase, circa 1880, ovoid form, modelled in low relief with four grimacing grotesque and characterful masks with long hair and beards, between blue sgraffito lappets, incised marks Martin Bros London + Southall, 24cm high £3,000 - £5,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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575

575. Robert Wallace Martin for Martin Brothers, a grotesque stoneware jug or spoon warmer, circa 1880, modelled as a fantastical beast, the double gourd body with wide open bearded snarling mouth, coiled tail handle and two hooved front feet, partially incised marks RW Martin, London + Southall, 22cm high Note: a very similar example is illustrated in the Isaeblle Anscombe catalogue of Boobie, Boojums and Snarks, Ceramic Curiosities of the Martin Brothers 1880-1914, 1981, Richard Dennis, p.49, fig.65 £5,000 - £8,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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576

576. Robert Wallace Martin for Martin Brothers, a novelty stoneware sculptural fish jug, 1887, modelled as a coiled sea creature, mouth open, the arched fin forming the handle, incised marks 3-1887, RW Martin + Bros, London + Southall, 22cm high Note: similar examples from this aquatic series of coiled fish and snail jugs, all produced in 1887, appear in Haslam, M, 1978, Martin Brothers, p.62, Fig. IX; one example similar to this jug is in the collection of the William Morris Gallery, London, while another was sold at Skinner, New York, 24th October 2009 £8,000 - £12,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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577

577. Robert Wallace Martin for Martin Brothers, a novelty stoneware characterful beast spoon warmer, 1882, modelled as a zoomorphic turnip with four paws and coiled conical nightcap, wide grinning mouth, incised marks Martin London + Southall 8.9.1882, and to a panel on the body R W Martin London 1882, 15cm high £5,000 - £8,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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578

578. Robert Wallace Martin, a characterful stoneware sculptural jar, 1888, modelled as a grotesque and impish monkey, hands clasped and thumbs protruding, open mouthed toothy grin, incised marks to the head R W Martin and Brothers London & Southall, 6.1888, and to the body R W Martin Southall, 20cm high Provenance: Harriman Judd collection; Sotheby’s New York, 6th October 2001, lot 141; Rago Arts 22nd October 2018, lot 333 £6,000 - £8,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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579

579. Robert Wallace Martin for Martin Brothers, a novelty sculptural stoneware bed warmer, 1880, modelled in relief as a characterful and angry tortoise, glazed in blues, greens and browns, incised marks, R W Martin, London & Southall, 5.1880, 30cm long Provenance: Bonhams London, 12th June 2012, lot 54

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£30,000 - £50,000

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580. Andrew Hull, a large aquatic and wetlands bird vase, 2010, limited edition number 13 of 20, bulbous form with elongated cylindrical neck, sgraffito decorated in the style of Robert Wallace Martin and the Martin Brothers with characterful and grotesque long legged birds above fish and sea creatures, impressed marks and signed, 46.5cm high £100 - £200

583 583. Charlotte Rhead for Burley Ware, an Arabian coffee set, circa 1920s, including six cans and saucers, coffee pot, jug and bowl, blue floral design in low relief, highlighted in gilt, 20cm high (15) £300 - £400 584. Susie Cooper, a Studio Ware sgraffito incised jug, circa 1930, ovoid shouldered form, decorated in low relief with stylised flowers, blue glazed, incised signature, 14cm high £40 - £70

581 581. Mary Watts for Compton Pottery, an Arts and Crafts relief moulded sculptural wall plaque, the Guardian Angel, modelled as a figure in Pre Raphaelite costume with sword and halo, within a foliate cartouche, 31.5cm long See: Calvert, H and Boreham, L. 2019, Mary Seton Watts and the Compton Pottery, p.144 for an illustration of three similar plaques Provenance: from the collections of two prominent Anglo-Irish and British aristocratic families, directly descended from Lord Patrick James Stuart (1794- 1859), brother of John 2nd Marquess of Bute and great grandson of John Stuart, 3rd Earl of Bute (1713 -1792), Prime Minister to George III, resident at Cardiff Castle, Wales; Dumfries House, Scotland and Wilton Crescent, Belgravia, London £150 - £250

Lots 585 to 600 are a generous donation from the collection of Catherine Rickman. Proceeds from the sale of the Keith Murray collection will support New Brewery Arts, Cirencester.

585. Keith Murray for Wedgwood, an Art Deco Champagne glazed vase, model 4217, tapered cylinder form with groups of incised banding, 20cm high £80 - £120 586. Keith Murray for Wedgwood, a collection of seven various green, Straw and Moonstone tankards, together with a pair of cocktail cups, concentric concial feet and hemispheical bowls, facsimile signatures (9) £80 - £120 587. Keith Murray for Wedgwood, a set of Art Deco Iris soup bowls and covers, with plates, Moonstone with floral motifs, highlighted in silver lustre, together with an Annular teapot, matt green glaze (20) £80 - £120

588 588. Keith Murray for Wedgwood, an Art Deco black basalt bowl, model 3815, circular form with panel cut rim, facsimile signature, 24cm diameter £100 - £200 582 582. Frederick Rhead for Foley (Shelley), a small Intarsio jardiniere, squat shouldered form, decorated with a stylised band of geese in a landscape between floral scroll borders, printed marks, 9.5cm high, 12cm diameter £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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589 589. Keith Murray for Wedgwood, a large Art Deco Moonstone bowl, model 3995, flared form with stepped concentric foot, facsimile signature, 36cm diameter £100 - £200

593 593. Keith Murray for Wedgwood, two Art Deco green vases, one of footed conical bowl form with concentric stepped bands, the other of reeded barrel form, facsimile signatures, 20cm high (2) £100 - £200

590 590. Keith Murray for Wedgwood, two Art Deco Moonstone and green vases, model 4197, spherical bomb form with incised concentric bands, cylindrical necks, facsimile marks, 16cm high (2) £100 - £200 591. Keith Murray for Wedgwood, two Art Deco Moonstone bowls, model 3815 and 3812, one with faceted panel rim the other with broad incised rim, facsimile signatures, 24cm diameter (2) £100 - £200

594 594. Keith Murray for Wedgwood, an Art Deco large green vase, model 3753, footed conical form with concetric stepped bands, facsimile signature, 22cm high £100 - £200 595. Keith Murray for Wedgwood, two Art Deco green bowls, model 3806 and 3819, one of footed cup form with incised banding, the other of faceted conical form, facsimile signatures, 26cm diameter £100 - £200

592

596

592. Keith Murray for Wedgwood, two Art Deco vases, one teal blue, spherical with concentric broad fluting, the other in green, of reeded tapered form, facsimile signatures, 22cm high (2) £100 - £200

596. Keith Murray for Wedgwood, an Art Deco Moonstone vase, spherical form with broad concentric fluting, facsimile marks, 20cm high £150 - £250 597. Keith Murray for Wedgwood, an Art Deco Moonstone broad rimmed bowl, circular form with concentric fluted rim, 36cm diameter £150 - £250

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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BRITISH CERAMICS 605. James Stinton for Royal Worcester, a set of six pheasant painted coffee cups and saucers, each decorated with birds in misty moorland, gilt interiors, signed, puce marks (6) £400 - £600 606. A Royal Worcester Patent Metallic wall pocket, late 19th Century, of cornucopia form with an acanthus pediment bracket, impressed, printed marks, and incised model No.950, 24cm high £100 - £150 607. Poole, a collection of painted nursery mugs, circa 1920s, together with later mugs and plate £100 - £150 598 598. Keith Murray for Wedwood, an Art Deco brown basalt vase, model 3991, vertically ribbed footed barrel form, facsimile signature, 22cm high £150 - £200

608. Daisy Makeig Jones for Wedgwood, a Cobble and Zoo nursery warming plate together with Paragon, Chelsea and Ridgway plates £50 - £100

599. Keith Murray for Wedgwood, an Art Deco olive green vase, model 4196, spherical foooted form with borad concetric fluting, facsimile mark, 20cm high £150 - £200

609. Hilda Cowham for Shelley, a collection of printed nursery ware including baby plates, bowls and mugs, variously decorated with verse £100 - £150 610. Walt Disney, Louis Wain and Chloe Preston for Paragon, four nursey plates including Peek a Boo series, Tinker Taylor and Mickey Mouse (4) £100 - £150

600 600. Keith Murray for Wedgwood, an Art Deco Moonstone shouldered vase, conical form with incised concentric bands, facsimile signature, 29cm high £200 - £300 601. A George Clews Ltd model of a Puff Adder, glazed in green and orange, another similar, a Clews Chameleon, a dragon and a toad, impressed marks, 10cm wide (adder), (5) £80 - £120 602. A pair of Crown Lynn Wharetana Art pottery Maori bookends, model no.1919, modelled with Moko face tattoos, covered in a green glaze, impressed factory mark, 14cm. high (2)£400 - £600 603. A large studio pottery jug, bulboud form, celadon glazed and decorated with impressed rosettes and incised circle motifs, 37cm high £60 - £100

611

604 604. David Tipler for Aldermaston, a set of seven studio pottery lustre painted goblets, circa 1970, pedestal form, each decorated with a different foliate motif in red lustre, 14cm high (7) £80 - £120

611. Louis Wain for Max Emanuel and Co., a Lucky Haw Haw Cat vase, designed circa 1914, modelled as a cubist figure with pipe and monocle, painted meow meow notes, signed, printed marks and painted Registration 638317, 13cm high £1,000 - £1,500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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619. A Copeland Aesthetic Movement garniture of three vases, circa 1873, the central jardiniere modelled in relief with bamboo and central bird and butterfly painted cartouches, in blue celeste and gilt, the handles in the form of two storks, flanked by interlocking square section spill vases, smilarly decorated with ruyi moulded borders on Chinese foliate bracket feet, printed marks, 16.5cm high (3) £70 - £100

612 612. Mabel Lucie Attwell for Shelley, circa 1930, a cruet set, the stand in the form of a green glazed lily pad, detailed with a stalk and pixie handle, and adorned by three individual pots including a salt, pepper, and mustard pot all in the form of a toadstool, green printed mark, 8cm high, 14cm wide. £100 - £150

620. A late Victorian Aesthetic Movement bone china tea set, comprising a teapot with a double branch handle and finial, milk jug, sugar bowl, six cups and saucers, painted botanical studies within gilt borders, impressed Rd. Noxxxxxx, and painted mark ‘F.T. 1895’, the teapot 14cm high, on an unassociated hard-paste tray £80 - £120 621. A relief moulded terracotta plaque, The Law Suit, depicting figures arguing over a cow, 20cm x 30cm £50 - £80

613. Barbara Vernin for Royal Doulton a Bunnykins Bumpe Cars baby’s plate together with other Bunnykins plates and a mug £50 - £80 614. Paragon China, Animal Alphabet series nursery ware, including Baby’s Plate, mug, teacup, saucer, bowl and plate, ‘ROBERT’ £80 - £120

622 622. Belleek, a first period scallop shell and coral bowl, highlighted in pink and turquoise, black printed mark, 30cm wide £40 - £70 623. A rectangular porcelain plaque, late 19th Century, painted in puce with a standing classical winged cherub with a bow and arrow in profile, 26 by 19cm, framed £50 - £80 615 615. Leslie Harradine for Royal Doulton, a complete set of six figures of Dickens characters, circa 1952, including HN2096 Fat Boy, HN 2099 Mr Pickwick, HN 2101 Uriah Heap, HN 2097 Mr Mickawber, HN 2098 Mr Pecksniff and HN 2100 Saiery Gamp, third version, printed marks, 19.5cm high (6) £80 - £120 616.

624. A Staffordshire transfer printed Greyhouds mug, Bourne and Leigh, Leighton Pottery, decorated in the round and hand coloured with greyhounds racing, printed marks, 10cm high £40 - £70

No Lot

617. A Royal Doulton flambe hugging monkey figure group, printed marks, 6.5cm high £50 - £80 618. A Royal Doulton farm scene vase, shouldered form, painted with a turkey farmer and birds in a field, 10cm high £50 - £80

625 625. A collection of Staffordshire creamware pharmacy or drugs jars, mid 19th century, cylindrical form in blue and white, of varying size, some with labels (10) £80 - £120

619 For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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626. A pair of ceramic chimney models of cats, early 20th Century, black and white coats, gilt bow collars, seated on pink tasseled cushions, 17cm high (2) £120 - £150

627 627. A silver lustre pearl ware pottery jug, globular form, circa 1815, resist decorated with a blue and white sporting dog hunting scene, 14cm high £150 - £200

631

636

631. A Staffordshire pearlware figure of Neptune, circa 1800, modelleds a a crowned man standing on a dolphin, with trident, on square base, 23.5cm high £40 - £70

636. Derby, a small porcelain figure group of Neptune, circa 1770, the Classical standing figure crowned and draped, standing beside a dolphin, on a Rococo shell base, 19cm high including trident £50 - £80

632. A pair of Staffordshire pearlware figures of rams, circa 1830, sponged brown spots, standing beside leafy bocage, on oval domed plinths each with a simulated stream, 12cm high, and a similar model of a recumbent doe, 9.5cm high (3) £60 - £100

637 637. Derby, a pair of porcelain painted flower pot models, circa 1770, the banded jardinieres decorated with floral sprigs, contianing relief moulded flowering plants of conical form, patch marks, 14cm high (2) £80 - £120

628 628. A Sunderland pink lustre jug, dated 1844, sepia transfers titled ‘A West View of the Ironbridge over the Wear under the Patronage of R. Burdon Esq. M.P’, ‘Friendship, Love and Truth’ motto and ‘Caroline Bosdet, 1844, Young Cottagers’, 18.5cm high £200 - £300 629. An early to mid 18th century Delft blue and white spittoon, circa 1720, Kraak style floral panel decoration, blue dash handle, possibly Dutch or English, G mark to the base, 9cm high £40 - £60 630. A Leeds Pottery model of a twostory cottage, early 19th Century, Prattware and bocage decorated, impressed marks, 11cm high £80 - £120

633 633. A pair of Fancy Bird painted rams head pot-pourri vases, Chelsea gold anchor marks, urn form on square bases, reticulated to the shoulders, decorated with birds, flowers and foliage, highlighted in gilt, 20cm high (2) £80 - £120 634. Derby, a pair of porcelain figure groups, circa 1785, the Prudent Mother and Madonna and Child, modelled as seated women with children, on relief moulded Neoclassical square plinth bases, turquoise glazed chairs, highlighted in gilt, incised numbers 138 and 37, 20cm high £80 - £120 635. A Derby patch mark season figure, circa 1770, Spring, modelled as a standing cherub wearing a floral garland and sash, holding a basket of chicks, 14cm high £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

638

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638. Derby, a large porcelain figure group of Neptune, on stand, circa 1770, the Classical standing figure crowned and draped, standing beside a dolphin, on a heavily encrusted and reticulated shell and seaweed mound, the rusticated stand similarly decorated, 41cm high including trident £200 - £400 639. Derby, a porcelain figure group of Neptune, circa 1770, the Classical standing figure crowned and draped, standing beside a dolphin, on a Rococo scroll basw, encrusted with shells and seaweed, 28cm high including trident £70 - £100 640. Derby, a porcelain figure group of Neptune, circa 1770, the Classical standing figure crowned and draped, standing beside a dolphin, on a heavily encrusted and reticulated shell and seaweed mound, 29cm high including trident £80 - £120 641. A pair of Derby figures of a French shepherd and shepherdess, circa 1820, each wearing florally sprigged clothes, holding a lamb and a dog, raised on naturalistic circular pierced gilt bases, red D surmounted by coronet marks, 12.5cm high, and a pair of Derby porcelain twin handled vases painted with birds on branches, gilt rams head handles, unmarked, 11.5cm high (4) £60 - £100

644 644. Chamberlain, Worcester, an Imari part tea set, patterm 475, circa 1820, including boat form teapot on stand, sucriere and slop bowl, four tea cups, two coffee cups and five saucers, painted mark, 27cm long £80 - £120

642 642. Caughley, two items of blue and white printed porcelain, circa 1780, including a reeded sauce boat in the Full Nankin pattern and a small pickle leaf dish in the Fisherman pattern, 9cm (2) £30 - £50

645 645. Barr, Flight and Barr, Worcester, a heraldic strawberry dish, circa 1810, painted in the Japan pattern, the central crest and motto probably of the White family, lobed square section, impressed and puce marks 26.5cm diameter £60 - £100 646. Worcester, a scalloped blue fish scale plate, square seal mark, circa 1770, gilt cartouche panels painted with floral sprays, 20cm diameter £50 - £80 647. Worcester, a blue and white tea bowl and saucer, crescent marks, circa 1780, decorated in the Circled Landscape pattern, 13cm diameter £30 - £50

648 643 643. Worcester, Chamberlains, a Jabberwocky variation plate, circa 1820, paited with a central Kakiemon type dragona dn chrysanthemum scene within Rococo scroll and pumice cartouche and floral panel border, gilt rim, puce marks, 21.5cm diameter £40 - £60

648. Worcester, a puce printed and fluted bowl, circa 1760, decorated with the Bagpiper, the Tease and the Milkmaid, the interior with Swans pattern, gilt rim, 15cm diameter Provenance: Zorensky Collection, label verso; Bonhams 2004 Illustrated in Cook, Cyril, 1955, Life and Work of Robert Hancock, item 107 £60 - £100

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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655. Wedgwood, a creamware part soup or dinner service, circa 1790s, each with painted orange borders of Greek key design, in the Neoclassical style, including a pair of twin handled kylix form sauce tureens on stands, with lids, a pedestal twin handled navette form comport on stand, two quatrefoil dishes and two oval platters, 31cm long (10) £100 - £200

649 649. Worcester, a black printed leaf dish, circa 1755, relief moulded and decorated with the Cock, Hen and Chicks pattern, within a green border, with stork handle, 18cm long £50 - £80 650. Worcester, a blue and white low sauce boat, circa 1770, ribbed and painted with the Full Moon pattern, floral border pattern to the exterior, 20.5cm long Provenance: Huxley Robinson collection label underside £70 - £90

656 656. Wedgwood, two creamware relief moulded fern dishes, together with three daffodil painted dessert plates, circa 1780s, named with botanical inscriptions to the reverse, bordered in brown lines, dishes 28cm long (5) £50 - £80

657

651

657. Vauxhall, a blue and white tea bowl, circa 1755, painted with a Chinese riverscape to one side and a moored boat to the other, 7.3cm diameter £80 - £120

651. Liverpool, a blue and white porcelain coffee can, probably Chaffers or Philip Christian, circa 1765, painted in the canon ball pattern, diaper inner border, 6.5cm high £50 - £80 652. Liverpool, three items of blue and white porcelain, including a Chaffers saucer circa 1760, painted with Two Men Bowing, blue glazed in imitation of Chinese porcelain, a teabowl painted in the plantation pattern, circa 1765, probably Philip Christian and a Pennington moulded sauce boat printed with Fruit and Floral pattern, circa 1780, 13cm high (3) £50 - £70 653. Lowestoft, three items of blue and white porcelain, circa 1770-80, including a relief moulded small sauce or cream boat with printed floral patternm a small mug printed with a Chinese riverscape scene and a coffee cup, 15cm long (3) £60 - £90 654. Wedgwood, a collection of creamware dinner ware, circa 1780s, including border patterns 82 and 156, dinner plates, soup plates and segment side plates, a sauce tureen with integrated stand, together with a pedestal comport with oakleaf and Greek key border, impressed marks to most, 25.5cm diameter £80 - £120

658 658. Bow, a blue and white porcelain octagonal plate, circa 1760-65, painted to the central well with a holed rock, peony and chrysanthemum within a diaper band and floral border, painters mark 17, 24cm diameter £70 - £90

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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660. Bow, a famille rose decorated porcelain vase and cover, circa 1747-49, of Chinese temple jar form, shouldered and painted with peonies and chrysanthemums emerging from a rocky outcrop, with insects, below a cartouched border of trellis design, the lid similarly decorated, 24cm high £800 - £1,200 661. Bow, a porcelain figure of Hermes (Mercury), circa 1760, modelled holding a caduceus, wearing a winged hat and sandles, on a florally encusted Rococo scroll base, unmarked, 20.5cm high £100 - £200

659 659. Bow, a polychrome painted porcelain sparrow beak cream jug, circa 1760, fluted strap handle, decorated with a bouquet of roses and other European flowers, the reverse with crossed floral stems, below a red arcade and dot border, 7.5cm high Note: see the Victoria and Albert Museum for an example with a similar floral composition, C.201-1924 £80 - £120

662 662. Bow, a porcelain figure of Juno, circa 1760, modelled in relief as a woman with eagle, on a florally encrusted base, painted anchor and dagger mark, 21cm high £150 - £250

660

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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NOTES

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NOTES

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TERMS & CONDITIONS OF SALE AND BUSINESS These Conditions of Sale and Business constitute the contract between Kinghams Auctioneers limited and the seller, on the one hand, and the buyer on the other. By bidding at the auction, and/or consigning to Kinghams Auctioneers limited, you agree to be bound by the following terms.

CONDITIONS OF SALE 1. DEFINITION In these terms of business: Kinghams Auctioneers Ltd is referred to as ‘Kinghams’. The Kinghams representative conducting the auction is referred to as the ‘auctioneer’.

2. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers if the transaction is not completed and paid for.

3. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment.

4. DESCRIPTIONS AND CONDITION OF LOTS Every effort is made to ensure the accuracy of statements relating to authorship, descriptions, origin, date, age, provenance and condition of lots. Statements made orally or in the catalogue are opinions given after careful consideration and research. Prospective buyers are given ample opportunity to view lots before any sale. When bidding, buyers acknowledge that they are fully satisfied as to the description and condition of the lot.

5. ATTRIBUTION OF PICTURES (a) If the forename(s) (or asterisks where not known) and surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work by the named artist. (b) If the initials of the forename(s) and the surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work of the period of the named artist and may be wholly or in part his work. (c) If the surname of the artist is given, this indicates that in the opinion of Kinghams the picture is a work of the same school of the named artist, or by one of his followers, or in his style and of uncertain date. (d) The term ‘Bears signature’ indicates that in the opinion of Kinghams this is not the signature of the artist. (e) All other terms are self-explanatory.

6. FORGERIES Notwithstanding Condition 4, any lot which proves to be a deliberate forgery may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence provided that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium.

7. THIRD PARTY LIABILITY Every person on Kinghams premises before, during or after a sale shall be deemed to be there at their own risk and shall have no claim against Kinghams in respect of any injury they may sustain or any accident which may occur.

8. DISPUTES Any dispute not covered in these terms of business will be settled at the sole discretion of Kinghams.

9. GENERAL We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of the Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Special terms may be used in catalogue descriptions of particular classes of terms in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of the Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

English law applies to the interpretation of these Conditions.

TERMS OF CONSIGNMENT FOR SELLERS 1. INTERPRETATION In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’ etc. refer to Kinghams Auctioneers Ltd. 2. WARRANTY The Seller warrants that possession in the lots can be transferred to the Buyer with good and marketable title, free from any third party right and encumbrances, claims or potential claims. The Seller has provided all information concerning the items ownership, condition and provenance, attribution, authenticity, import or export history and of any concerns expressed by third parties concerning the same.

3. COMMISSION Commission is charged to sellers at a flat rate of 15%, 1.5% insurance, and a £5/10 entry fee per Lot plus VAT. 4. REMOVAL COSTS Items for sale must be consigned to the saleroom by and stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

5. LOSS AND DAMAGE OF GOODS a) Loss and Damage Warranty – Kinghams is not authorised by the FSA to provide insurance to its clients and does not do so. However, Kinghams for its own protection, assumes liability for property consigned to it at the lower pre-sale estimate until the hammer falls. To justify accepting liability, Kinghams makes a charge of 1.5% of the hammer price plus VAT. The liability assumed by Kinghams shall be limited to the lower pre-sale estimate or the hammer price if the lot is sold. b) If the owner of the goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owners risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 5(a) is inapplicable.

6. ILLUSTRATIONS The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

7. MINIMUM BIDS AND OUR DISCRETION Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 8. We may sell lots below the reserve provided if we can account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to 10% below the formal reserve.

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8. RESERVES a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold.

Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to unreasonably high reserves {in which case goods carry the storage (Condition 17) and loss damage warranty (Condition 5(a) charges as stipulated in these Terms of Consignment}. b) A reserve once set cannot be changed except with our consent. c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. d) Reserves are not usually accepted for lots expected to realise below £50.

9. ELECTRICAL ITEMS These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

10. SOFT FURNISHINGS The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.The rights of disposal referred to in clauses 9 and 10 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection upon request.

11. DESCRIPTIONS Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 4 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.

12. UNSOLD ITEMS If an item is unsold it may at our discretion be re-offered at a future sale.

Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred.

13. WITHDRAWN AND BOUGHT IN ITEMS These are liable to incur charges on being bought in or withdrawn after being catalogued.

14. CONDITIONS OF SALE You agree that all goods will be sold subject to our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses, liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

15. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST You authorise us to deduct commission at the stated rate and all expenses incurred from your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. You authorise us at our discretion to negotiate a sale by private treaty not later than the close of business 48 hours after the day of sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply.

17. STORAGE We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make storage charges.

18. SETTLEMENT Subject to funds having cleared in our account we aim to pay you no later than four weeks following the sale. If the buyer has not paid for the goods no settlement will be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. Please note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 11 above and you should therefore bear this in mind before parting with the proceeds of sale.

INFORMATION FOR BUYERS 1. INTRODUCTION The following notes are intended to assist buyers particularly those who may be inexperienced or new to our saleroom. All sales are conducted in accordance with our Conditions of Sale. Our staff will be happy to help you with anything you do not fully understand.

2. AGENCY As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly, if you buy your primary contract is with the seller.

3. THE BUYER The highest bidder acknowledged as such by the auctioneer will be the buyer. If any dispute arises, the auctioneer has absolute discretion to settle the matter. The auctioneer rules the bidding and bids cannot be retracted.

The auctioneer reserves the right to refuse any bid.

The successful bidder, whether bidding for himself or for a third party, is entirely responsible for paying for the lots they have bought in accordance with Kinghams’s Conditions of Sale and Business. The auctioneer reserves the right to bid on behalf of the sellers for any lot and to withdraw, consolidate or divide any lot or lots.

4. REGISTRATION Unless registered already on a bidding platform, it is essential that all prospective buyers register with us, giving their full name, address, contact telephone number(s) and email address. First time buyers will be required to provide proof of identity (i.e. driving licence/passport), a valid debit or credit card and a copy of a utility bill confirming their name and address. Upon receipt of the above a paddle will be issued, which is only valid for the current sale. The paddle may be used to indicate your bids to the Auctioneer during the sale. If successful, the bidder must ensure that their number can be seen by the Auctioneer and that it is their number that is called out. Should there be any doubts as to price or buyer, please draw the Auctioneer’s attention to it immediately.

5. BUYER’S PREMIUM - COMMISSION CHARGES There is a buyer’s premium of 26% plus VAT on the hammer price of each lot up to and including £500,000. The buyer’s premium is 18% plus VAT on the hammer price of each lot on the excess of £500,001 up to and including £1,000,000. The buyer’s premium is 15% plus VAT on the hammer price of each lot on the excess of £1,000,001.

6. VALUE ADDED TAX Lots on which the buyer may have to pay VAT on the ‘hammer price’ are indicated in the catalogue with the following symbol *. The buyer must pay this VAT at the rates that apply on the day of the auction in addition to the buyer’s premium and VAT thereon.

7. AUCTIONEERS MARGIN SCHEME This scheme allows auctioneers to sell items without VAT on the hammer price. The buyer then pays an amount equivalent to VAT. This amount cannot be refunded and is not shown separately on the invoice.

8. PAYMENT Buyers must pay in full before items can be removed from the premises (please see “payment methods” below).

Invoices will be issued from the day of the sale. Buyers must pay their invoice in full within 24 hours and advise when they will be collecting their item(s). Any invoices which remain unpaid after seven days will incur interest at 5% above the base rate, charged from the date of the sale. If buyers are unknown to us, we cannot hand over purchases unless we have adequate references or payment is cleared.

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Payment Methods We accept payment by: Cash - up to £9,000 (subject to money laundering regulations).

Cheques - we do not accept cheques.

Debit cards accepted - we do not accept any credit cards.

Please note that we are unable to accept any card payments where the cardholder is not present.

Bank transfer to: HSBC Bank, Bridge St, Evesham WR11 4RU Account no.: 51655345 Account name: Kinghams Auctioneers Ltd Sort code: 40-20-27 IBAN: GB91MIDL40202751655345 SWIFTBIC: MIDLGB22 Please note that a fee of £15 will be added for international bank payment.

9. LIVE INTERNET BIDDING Live online auctions are in conjunction with the-saleroom.com, invaluable.com and easyliveauction.com We ask that you register for the sale a minimum of 24 hours before the auction.

When you have registered, you can watch the auction in real time; simply click the bid button to place a bid.

If your bid is successful we will notify you after the sale for payment.

Charges will be made for internet bidding dependent on the auction platform. See their terms and conditions for details.

10. TRANSFER OF RISK Each lot is the buyer’s sole responsibility from the fall of the hammer.

11. COMMISSION BIDS If instructed, Kinghams will execute bids and advise prospective buyers.

This service is free.

Buyers who cannot come to a sale may leave their bid with our staff after/during viewing, or make their bid in advance by telephone or email (enquiries@kinghamandormeauctioneers.com). Such bids are placed at the buyer’s own risk.

Bids must be made at least one hour before the sale starts, but we advise buyers to make bids at the earliest possible opportunity. When making bids, buyers must provide: Their full name Address Email address Contact telephone numbers The number of the lot they wish to buy Their maximum bid amount – excluding commission which will be added to the invoice afterwards Buyers must state what their maximum bid would be. We cannot accept an instruction to ‘buy’ or unlimited bid.

We will ensure that lots are bought as cheaply as possible depending on the bids made and other reserves. If identical bids are placed, they will be dealt with on a “first come first served” basis.

12. TELEPHONE BIDS Lines for telephone bidding should be booked 24 hours before the auction.

Lines are booked on a “first come first served basis.” Full name, address and telephone numbers will be required together with proof of identity and address. Bank and credit/debit card details are also necessary to secure the line.

13. DATA PROTECTION Kinghams will use information provided by its clients or obtained by Kinghams relating to its clients for the provision of auction services or as required by law. Kinghams may need to record telephone conversations for security or legal reasons or as necessary to provide a higher quality of service. Clients agree that Kinghams may use sensitive information that they supply to Kinghams. Unless permitted by law, Kinghams will not otherwise process sensitive personal data without express consent. By agreeing to the Conditions of Sale and Business, clients agree to the processing of their personal information.

14. STORAGE AND COLLECTION Please note all items after the auction will be removed to store.

Arrangements for collection can be made with the office.

15. ELECTRICAL GOODS AND SOFT FURNISHINGS These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations.

16. EXPORT OF GOODS Buyers intending to export goods should check whether an export licence is required and whether there is any specific prohibition on importing goods of that character because e.g. they may contain prohibited materials such as ivory. Ask us if you need help.

17. PACKING AND DESPATCH We offer a packing and despatch service for smaller lots. We also use national and local carriers. Further details can be obtained from our office.

18. DROIT DE SUITE ROYALTY CHARGES A picture or work of art by an applicable living artist, or those who have died within the last 70 years, which costs more than £1,000 hammer price will incur a royalty charge paid by the buyer. We pass this payment on to the Design and Artists Copyright Society (DACS), and do not charge a handling fee. Buyers can calculate royalty charges on the DACS website.

Items marked with the † symbol in the catalogue will potentially incur royalty payments.

The actual qualifying threshold is calculated by the Artist’s Resale Right Service Hub and can be found on the DACS website.

The royalty charge for pictures and works of art that achieve a hammer price of more than £1,000, but less than that of £50,000 is 4%. On pictures and works of art that achieve a hammer price of more than £50,000 a sliding scale of royalty charges applies. For a complete list of the royalty charges and threshold levels please download more information from the DACS website.

The royalty charge is added to invoices and must be paid before purchases are removed. VAT is not paid on royalty charges.

19. CITES LICENSE - IMPORTANT NOTICE RELATING TO SPORTING AND NATURAL HISTORY Clients intending to import/export any item derived from natural history specimens into/from a non-European country should first check for any Import/Export and possession restrictions prior to bidding/selling.

Certain species (λ) are also subject to CITES regulations when exporting/ importing these items out of the EU. CITES regulations are given on www.ukcites.gov.uk or maybe obtained from Animal Health, Wildlife Licensing and Registration Service, Zone 1/17, Temple Quay House, 2 The Square, Bristol BS1 6EB. Those species that are covered by the US Endangered Species Act (USESA) or The Migratory Bird Treaty Act (MBTA): potential US bidders should check with USF&W (US Fish and Wildlife Services) for trade/possession restrictions in the US prior to bidding.

CONTACT US KINGHAMS AUCTIONEERS CALL ON 01608 695695 OR EMAIL enquiries@kinghamsauctioneers.com WWW.KINGHAMSAUCTIONEERS.COM