Kinghams Auctioneers

FINE & DECORATIVE ARTS Thursday 27th & Friday 28th July 2023

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FINE AND DECORATIVE ARTS To be held at: 10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ THURSDAY 27TH & FRIDAY 28TH JULY 2023 Viewing Monday 24th July – 10.00am to 5.00pm Tuesday 25th July – 10.00am to 5.00pm Wednesday 26th July – 10.00am to 5.00pm Day of the Sale Auction scheduled to start at 10am with bidding in the room and live bidding on the internet bidding platforms.

Telephone bids and commission bids are accepted and potential bidders will need to be registered with us before the sale.

SPECIALISTS

George Kingham

John Keightley

Allison White

Adrian Rathbone

Director

Associate Director Senior Valuer and Cataloguer

Auctioneer, Valuer and Photographer

Associate Director

Mark Oliver

Geoff Shepherd

Steven Bruce

Consultant Decorative Arts Specialist

Associate Director Office Manager

Consultant Valuer

David Pregun Jewellery and Watches

Eric Belgrave Photographer

Live internet bidding is available on www.kinghamsauctioneers.com, www.the-saleroom.com, www.invaluable.com, www.easyliveauction.com and www.liveauctioneers.com together with a fully illustrated catalogue.

Catalogue £10.00 (£14.00 by post)

Kinghams Auctioneers Ltd 10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ NB. Please telephone to arrange collection.

Telephone: 01608 695695 Email: enquiries@kinghamsauctioneers.com Website: www.kinghamsauctioneers.com

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MAP AND DIRECTIONS Our auction site is based in the market town of Moreton-in-Marsh on the edge of the Cotswolds.

By Car We are centrally located on the A44 in reach of motorways the M5, M4, M40 and M42

By Rail Moreton-in-Marsh’s train station is less than a mile from the auction site

By Plane The nearest International Airports are Birmingham, 45 miles and Heathrow, 70 miles

Accomodation www.cotswolds.com/accommodation

DELIVERY SERVICES FOR BUYERS We offer an in house packing service for most items and paintings up to 110cm x 80cm. Please email enquiries@kinghamsauctioneers.com for a quote or call 01608 695695 for a quotation.

For Furniture: Stephen Morris Shipping PLC, 9 Ockham Drive Greenford, London, UB6 0FD Tel: 02088 322222

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USEFUL INFORMATION FOR BUYERS Please see full Terms and Conditions at the back of this catalogue.

Buying at Kinghams Auctioneers Ltd:

Condition

There are several ways you can bid at our auctions; by leaving a commission bid, on the telephone and live via the internet.

Bidders must satisfy themselves as to the condition of each lot. Condition reports are available on request. (no later that 48 hours before the sale).

Bidding in Person

Buyer’s Premium

It is essential that all prospective buyers register with us prior to the auction. Proof of identification will be required in order for a bidding number to be allocated which can then be used when bidding for an item.

There is a buyer’s premium of 25% plus VAT on the first £500,000 of the hammer price of each lot. 18% plus VAT on the excess of £500,001 and up to £1,000,000 of the hammer price of each lot, and 15% plus VAT on the excess of £1,000,001 of the hammer price of each lot.

Commission Bids Kinghams will execute bids if you are unable to attend the sale. Bids can be left with our staff during or after viewing, or in advance by telephone or e-mail: enquiries@kinghamsauctioneers.com

Telephone Bids Lines must be booked by 5pm the day before the auction begins. Lines are booked on a first come first served basis.

Full name, address and telephone numbers will be required together with proof of identity. Bank and/or credit/debit card details are necessary to secure the line.

Live Internet Bidding Register online via www.KinghamsAuctioneers.com, www.the-saleroom.com, www.invaluable.com, www.easyliveauction.com and www.liveauctioneers.com.

Various charges apply, please check with your bidding platform.

Payment Must be made in full before items can be removed from the premises. If buyers are unknown to us, we cannot handover purchase until payment has been cleared.

Payment Methods - We accept payment by: • Cash - up to £9,000 (subject to money laundering regulations).

• Cheques - following 5 working days clearance.

• Debit/Credit Cards - American Express or Diners Club not accepted.

We accept maxiumum payments of £500 on credit card.

• Bank transfer to: HSBC Bank, 32 Bridge St., Evesham, WR11 4RU Account No.: 51655345 Account Name: Kinghams Auctioneers Ltd Sort Code: 40-20-27 IBAN: GB91MIDL40202751655345 SWIFTBIC: MIDLGB22 Please note that a fee of £15 will be added for international bank payments.

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CONTENTS Day One Silver

1 – 149

Jewellery, Watches and Pens

150 – 223

Coins and Militaria

224 – 232

Books

233 – 278

Prints and Pictures

279 – 431

Glass

432 – 542

Day Two Oriental and Tribal

543 – 591

Furniture

592 – 626

Clocks

627 – 650

Works of Art

651 – 730

Metalware

731 – 767

Continental Ceramics

768 – 777

Art Pottery

778 – 813

Studio Pottery

814 – 899

British Ceramics

900 – 1045

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DAY ONE

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SILVER

5 5.

A Continental silver and enamelled double compact, import marks for Birmingham 1928, elongated octagonal form, the central oval plaque depicting a courting couple in a Romantic landscape, engine turned, the gilt interior with powder reserves and retractable lipstick holder, 9.5cm long £40 - £70

1 1.

An Israeli silver and gem set kiddush cup, pedestal form with trumpet bowl and splayed foot, applied with ropetwist grape motifs set with turquoise cabochons, the foot with a ring of further ropetwist detailing, 12.5cm high, 1.69ozt £40 - £70 2.

A large Indian, Kutch type, tray, Persian ogee bordered with foliate handles and hand chased floral scroll bands and foliate motifs, 58cm long £100 - £200 3.

Oriental silver and white metal including a Chinese style rosewater sprinkler, an Indian, Kutch type mustard pot, of spherical form on three legs, and an embossed Kiddush style beaker, 13.5cm high, 4.74ozt (3) £40 - £70

4 4.

A pair of Continental or Eastern white metal filigree glass holders, reticulated cylindrical form, beaded foliate scroll and ropetwist decoration, strap handles, 9cm high, 7.47ozt (2) £60 - £80

6 6.

A pair of Russian Soviet silver gilt and cloisonne enamelled scent flasks, circa 1950, pear form, decorated with flower head and beaded borders in blue, yellow and turquoise enamel, the screw caps attached by chains, 6cm long, 1.58ozt (2) £40 - £70 7.

Karl Faberge, an Imperial Russian silver ashtray, BA, St Petersburg circa 1900, Latvian import marks, square section cuboid form, embossed with foliate scroll decoration, the top rim with resting grooves to each side, on four bracket feet, 12.5cm square, 9.19ozt £200 - £400

8 8.

An Italian silver and enamelled box, Masini Enrico di Tomaso, Florence circa 1960, the lid set with a central oval watercolour of the Rape of Tamar, malachite effect enamel panels and chased borders, gilt interior, 7.5cm long, 5cm deep, 3.82ozt £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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9.

A pair of Continental enamelled silver vases, of small proportions, pedestal urn form, blue guilloche enamel ground, painted with vignettes of a Hanseatic market square, gilt foliate sprigs and borders, 7.5cm high, 2.86ozt (2) £100 - £150

16.

An American sterling silver tea strainer and stand, Frank Whiting, circa 1905, the square rimmed bowl with chased floral decoration, resting in a cut glass and silver mounted stand, 15.5cm long £70 - £100 17.

A set of five George III Provincial silver teaspoons, John Langlands II, Newcastle circa 1800, Old English pattern, 13cm long, 2.61ozt (5) £40 - £70 18.

Three George III Scottish Provincial silver dessert spoons, William Jamieson, Aberdeen circa 1810, Fiddle pattern, 17.5cm long, 3.31ozt (3) £60 - £100 19.

A collection of George III and later silver and mother of pearl salt and condiment spoons, 9.5cm long £30 - £50

10 10.

A set of six Soviet Russian silver gilt and cloisonne enamelled teaspoons, Leningrad (St Petersburg) circa 1970, each with beaded ropetwist leaf motifs in green and red enamel, 11.5cm long, 2.92ozt (6) £60 - £100 11.

A large pair of Continental silver gilt sugar tongs, circa 1790, cast and chased in relief with foliate scrolls, lions mask and coiled serpents, lions paw bowls, 18cm long, 2.52ozt £80 - £120 12.

A Continental silver gilt and blue enamelled miniature candlestick, French import marks, splayed conical trumpet form with banded ball knop, ropetwist borders, basse taille engraved with foliate motifs, 6cm high £40 - £70 13.

Christofle, a French silver plated card tray, Henri II style, ogee fluted rectangular form, chased and engraved foliate scroll and diaper panel decoration, stamped marks, 22.5cm x 17cm £40 - £70

14 14.

A Continental silver cigarette case, circa 1900, embossed with mistletoe design, gilt interior, marked .800, 8.5cm x 5cm, 1.45ozt £50 - £80 15.

A Norwegian silver and enamelled thimble, KH, decorated in the round with a seascape at sunset with rock island, set with a jade cabochon, 2.5cm high £100 - £150

20 20.

A George III Old Sheffield Plate and cut glass four bottle cruet stand, circa 1790, boat form, the stand with fluted pillaster supports and strapped holders, on four bracket feet, supporting four bottles with hobnail banding and fluted bases, 22cm long £50 - £80

21 21.

A George III Neoclassical silver bread or cake basket, of oval form with swing handle, reticulated decoration to the body, pedestal foot rim and handle, the base and handle with period script mongram, “WMB”, Philip Freeman, London 1779, length 33.5cm, height (when handle raised) 26cm, weight 643g/20.67ozt approx £500 - £700

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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22 22.

A set of six George III silver teaspoons and sugar tongs, Thomas Streetin, London 1798, bright cut pattern with shield cartouches, the tongs 1791, 13.5cm long, 3.71ozt (7) £40 - £70 23.

A Victorian gilt candlestick converted to a table lamp, Padley, Parkin and Staniforth, Sheffield circa 1850s, in the Italian Rococo style, hexagonal baluster stem with foliate mermaid brackets, on an acanthus scroll and dolphin tricorn bracket base, 32cm high, 39cm to fitting £40 - £70 24.

A George V silver pen knife, J Nowill and Sons, Sheffield 1929, plain form with two folding steel blades, 9cm long£20 - £40 25.

A George III silver milk jug, John Lambe, London 1784, Neoclassical pedestal helmet form, on square foot, beaded rim and high loop handle, 16cm high, 3.86ozt £40 - £70 26.

A George IV silver fish slice, Charles Eley, London 1826, the Grecian spear form blade pierced and bright cut with foliate scrolls and geometric stippled banding, engraved shield on terminal, 31cm long, 5.35ozt £50 - £70 27.

A set of George III silver egg spoons, Richard Turner, London 1815, Fiddle pattern, 12cm long, 1.98ozt (4) £50 - £80 28.

Two George III silver caddy spoons, Thomas Jenkinson and Edward Farrell, London 1817 and 1820, Fiddle pattern, one with a shovel scoop bowl and ladle handle, 13cm long, 1.04ozt (2) £40 - £70

31 31.

An Edwardian silver four piece tea and coffee set, Barker Brothers, London 1907, ogee section boat form, gadrooned rims, ebonised handles and finials, 28cm long, 55.04ozt (4) £500 - £800 32.

A set of twelve Victorian silver table forks, George Adams, London 1879, Fiddle Pattern, 20.5cm long, 29.60ozt (12) £300 - £500 33.

An early twentieth century tortoiseshell frame, of rectangular form with raised pediment, ensuite with four reticulated yellow metal mounts, decorated with putti supporting a heart surmounted by a coronet, and a further central larger yellow metal plaque inscribed, “Pamela”, the glass plate insert supported by a sliding leather back with hinged easel support, marked “Asprey London”, dimensions of frame exterior 20.5cm x 14.5cm, dimensions of photograph panel 13cm x 9cm, approx £400 - £600 34.

A pair of George III silver suace ladles, Thomas Wallis, London 1805, Old English pattern, 17.5cm long, 3.02ozt (2) £40 - £60 35.

A suite of three graduated electroplate meat dish covers, comprising one large and two smaller sized examples, each of ovoid form with bead edge rim and floral and foliate decoration surrounding the armorial crest of a lion passant holding an anchor to one side and the monogram “ME” to the other, each with detachable loop handle decorated with fruiting vine and secured to the underside with a screw thread and bolt, marked “J D & S / 3071”, James Dixon & Sons, Sheffield, c.1890, dimensions (largest) 46cm x 37cm x 30cm, (medium) 35.5cm x 28cm x 25cm, (smallest) 31cm x 23.5cm x 21cm (3) £300 - £400 36.

An Edwardian Britannia Standard silver (0.958) twohandled porringer, modelled after the late seventeenth century style, with cut card work, standing atop a stepped circular with rope twist border, height 8cm, weight 382.88g/12.3ozt approx £250 - £350

29 29.

A set of six Elizabeth II silver gilt and enamelled coffee spoons, Adie Brothers, Birmingham 1960, the bowl backs with white enamel ground painted with floral specimens, turned finials, 10cm long, 1.55ozt (6) £40 - £60 30.

Harrach, a Bohemian Glatt Iris ball footed iridescent glass inkwell, circa 1880, the spherical ink pot with silver plated hinged lid, supported on a three ball base, 11cm high £40 - £60

37

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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37.

A Victorian silver embossed box, Horton and Allday, Birmingham 1890, oval form with domed hinged lid, embossed and chased foliate scroll with zoomorphic and mask motifs, crimped borders, gilt interior, 11.5cm long, 3.21ozt £50 - £80

42.

An Edwardian silver kettle on stand, E Baker, Birmingham 1905, ogee section boat form with reeded band, gadrooned rim and ebonised top handle, on open wire stand with four cabriole legs and shell pad feet, 31cm high, 36.39ozt £250 - £350

38.

A Victorian silver inkwell, John Grinsell and Son, Birmingham 1890, fluted ogee domed with flat hinged lid and fluted foot, glass base and removable ink pot, 11.5cm diameter £50 - £80

43.

A set of twelve Victorian silver dessert spoons, George Adams, London 1879, Fiddle Pattern, 18.5cm long, 19.43ozt £200 - £300 44.

A George V silver six division toast rack, Elkington and Co., Birmingham 1935, rectagular section with pierced gallery and canted arch bars, 10cm high, 3.63ozt £40 - £60

39 39.

A George III silver saucepan, of cylindrical form with sidepouring spout, turned wooden baluster handle, sponsor’s mark misstruck but likely Rebecca Emes & Edward Barnard, London 1811, height 9.5cm, weight 336.5g/10.8ozt gross approx £250 - £350 40.

A set of twelve Victorian silver table spoons, George Adams, London 1879, Fiddle Pattern, 23cm long, 28.67ozt (12) £250 - £350 41.

A set of twelve George III silver table spoons, George Smith and William Fearn, London 1792, Old English pattern, 22.5cm long, 26.05ozt (12) £250 - £350

45 45.

A George VI silver three piece tea set, Stower and Wragg, Sheffield 1939, Art Deco style bowed cuboid form with angled handles and stepped bracket feet, each with chased foliate scroll bands, 27cm long, 42.43ozt £700 - £1,000 46.

Two George V and George VI silver mounted ebony batons, London 1912 and 1942, one with embossed and chased foliate scroll knop and collar, the other chased, 50cm long (2) £60 - £80

47 47.

A George V silver cigarette box, F H Adams, Birmingham 1935, plain cuboid form with hinged lid, twin section cedar lined interior, 16.5cm wide, 3.5cm high, 9.5cm deep £60 - £100

42

48.

Two Elizabeth II silver cruets, C J Vander, Birmingham 1984 and Birmingham 1966, one of George I design with circular mustard and salt cellar, the other of baluster form with ogee fretted rims, blue glass liners, 9.13ozt plus £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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49.

A set of twelve George III silver dinner forks, George Smith and William Fearn, London 1795 and 1792, Old English pattern, 20.5cm long, 24.50ozt (9 + 3) £200 - £400

50 50.

A George IV knife and fork, each with carved agate handle, the three prong fork with silver mounts, maker’s mark misstruck, ‘W...”, London 1824, the knife with white metal collar and steel blade marked, ‘HUSON’, length of knife 26.6cm approx (2) £200 - £300 51.

Four boxed sets of silver tea and coffee spoons, George V and later, including William Devenport, Birmingham 1923, W H Leather, Birmingham 1918, Barker Ellis, 1967, A J Bailey 1926, beaded, Apostle and other designs, 5.02ozt £50 - £80 52.

A set of twelve Edwardian silver teaspoons, Goldsmiths and Silversmiths Company, London 1906, Fiddle Pattern, 14.5cm long, 9.65ozt (12) £60 - £100

56

53.

A George III silver basting spoon, Richard Crossley, London 1794, Old English pattern, 28.5cm long, 3.01ozt £50 - £80 54.

A white metal salver, 18th century style, circular form with beaded border, on three Neoclassical bracket legs, 25.5cm diameter, 16.08ozt £200 - £300 55.

A George III silver teapot, Peter, Ann and William Bateman, London 1802, hemispherical shouldered bowl form with boat form lip, reeded, carved fruitwood handle and finial, 23.5cm long, 18.76ozt £180 - £220 56.

A George III silver reticulated cruet stand and five cut glass bottles, Thomas and Jabez Daniell, London 1772, the cinquefoil lobed stand with foliate scroll gallery and gadrooned rim, on five cast ball and claw open bracket feet, supporting a Rococo scroll handle, facet cut and Victorian silver mounted glass bottles, 23cm high, stand 13.42ozt £150 - £250 57.

Two pairs of George V silver table spoons and dinner forks, Martin, Hall and Co., Sheffield 1925/26, Hanoverian Rat Tail pattern, 21.5cm long, 9.66ozt £80 - £120 58.

Two Victorian silver mustard pots, Benoni Stephens, London 1840, John James Keith, London 1845, cylindrical form, shell thumb piece and ear handle, blue liners and associated silver and EPNS spoons, 7.8ozt (2) £90 - £120 59.

A George V toasting fork, with ebonised rosewood shaft, the fork secured via a gimble mechanism, the silver ferrule inscribed Asprey, London and hallmarked for London, 1913, sponsor’s mark Asprey & Co Ltd., length 88cm approx £150 - £250

61

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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60.

A pair of Edwardian silver sauce boats, Goldsmiths and Silversmiths Company, London 1908, helmet form on three cast shell feet, gadrooned rim and open C scroll acanthus handles, 15.5cm long, 12.90ozt (2) £100 - £200 61.

A pair of Elizabeth II silver candlesticks, C J Vander, Sheffield 1990, Neoclassical reeded conical and campana column form, on circular sweeping bases, weighted, 27.5cm high (2) £100 - £200 62.

Two George V silver capstan inkwells, Birmingham 1919 and 1923, canted and splayed square section with strapped corners, the other of ogee circular form, 13cm diameter (2) £80 - £120 63.

An Elizabeth II silver mug, James Dixon and Sons, Sheffield 1975, footed baluster form with S scroll handle, 13cm high, 12.19ozt £100 - £150

66 66.

A George III silver mounted cut glass mustard pot, Robert Hennell, London 1807, facet cut cylindrical body with S scroll strap handle, ogee domed removable lid, 10.5cm high £50 - £80

64 64.

A George V silver and glass calendar inkwell, Henry Matthews, Birmingham 1911, cushioned pyramid form with mechanical date window and hinged lid, 9.5cm high £80 - £120

67.

An Edwardian silver and tortoiseshell inkwell, Mappin and Webb, London 1907, capstan form with ribbon and reed handing, the hinged lid inlaid with Neoclassical lamp and festoons, 11cm diameter £70 - £100 68.

An Edwardian silver bowl, Daniel and John Wellby, London 1907, embossed with an arcade of trees, a fox chasing a goose and a cottage, on three cast lions mask and paw feet, 13cm diameter, 7.59ozt £70 - £100 69.

A pair of George III silver salts, John Muns, London 1767, on hoof feet, associated silver plated spoons, 6.5cm wide, 2.54ozt (2) £70 - £90 70.

A George VI silver dish, Mappin and Webb, Sheffield 1938, shallow concave circular form, engraved with cyclamens in the Japonesque style, on conical pedestal foot, 12.5cm diameter, 4.19ozt £70 - £100 71.

A Victorian cut glass and silver topped ink well, of flared conical form, with removable glass liner, the hinged cap with monogram beneath a baron’s coronet, sponsor’s marked rubbed but possibly John Grinsell & Sons, height 10cm, diameter of base 10.7cm £150 - £200

65 65.

A Victorian silver and glass inkwell, William Hutton, London 1898, cushioned heart form with hinged heart shaped lid, 8.5cm long £80 - £120

72.

A collection of George III and later silver condiment and coffee spoons, various makers and dates, including slat spoons, 7.30ozt £60 - £100 73.

A George V silver double cruet, Adie Brothers, Birmingham 1935, baluster form on lions paw feet, gadrooned to the rims, including two pepper pots, salt cellars and mustard pots, with spoons, blue glass liners, 14.40ozt £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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77.

Three silver mounted facet cut glass condiment shakers, circa 1760, footed baluster form, each with chased and engraved domed lids, pierced with holes, 13cm high (3) £50 - £80 78.

A Victorian silver mounted cut glask flask, Charles Dumenil, London 1898, the pebble form body probably by Stevens and Williams, intaglio cut and engraved with foliate cartouches and fronds, bayonet lid, 15cm high £50 - £80 79.

A pair of George IV silver condiment labels for Anchovy and Tarragon, Charles Reily and George Storer, London circa 1830, canted rectangular form, engraved lettering on rolo chains, 2.5cm wide (2) £50 - £80 80.

A set of six George III silver teaspoons, Peter and Ann Bateman, London 1792, Celtic Point design with bight cut decoration, 13cm long, 2.56ozt (6) £50 - £80 81.

An Edwardian silver teapot, William Hutton and Sons, London 1905, half reeded rectangular section shouldered boat form, gadrooned and acanthus rim, carved fruitwood handle and finial, 29cm long, 21.66ozt £150 - £250 82.

A pair of Edwardian silver sauce boats, Goldsmiths and Silversmiths Company, London 1908, helmet form on three cast shell feet, gadrooned rim and open C scroll acanthus handles, 17cm long, 17.27ozt (2) £150 - £250

74 74.

A Victorian three decanter set in silver plated stand, cut glass globe and shaft form, with facet cut stoppers, circa 1860, the tricorn platform base with central beaded handle, on three open C scroll bracket feet, 34cm high £80 - £120 75.

An Edwardian silver coffee pot, Thomas Bradbury and Sons, London 1906, octagonal baluster form in the Queen Anne style, carved ebony handle, 23.5cm high, 18.22ozt £150 - £250

83.

A set of ten Elizabeth II silver and enamelled commemorative spoons, Toye, Kenning and Spencer, Birmingham 1977, the finials cast as the Queen’s Beasts, holding coats of arms in polychrome enamel, in fitted case, 15.45ozt (10) £150 - £250 84.

A set of twelve George III silver dessert forks, George Smith and William Fearn, London 1795 and 1792, Old English pattern, 17cm long, 15.10ozt (10 + 2) £150 - £250 85.

A George V silver christening mug, Joseph Gloster, Birmingham 1912, cylindrical form, hollow C handle, 8cm high, 3.33ozt £40 - £60 86.

A set of twelve George III silver dessert spoons, George Smith and William Fearn, London 1792, Old English pattern, 18cm long, 13.54ozt (12) £150 - £250 87.

A set of twelve Victorian silver dessert forks, George Adams, London 1879, Fiddle Pattern, 17.5cm long, 18.82ozt £150 - £250 88.

A set of George V silver and mother of pearl fruit knives and forks, Martin Hall and Co., Sheffiled 1926/27, three pronged forks and solid bladed knives, 19cm long (24) £150 - £250

76 76.

Three Victorian and earlier silver condiment labels for Harvey, Anchovy and Worcester, one marked Charles Rawlings and William Summers, London 1838, canted rectangular form, engraved lettering, on chains, 2.5cm long (3) £50 - £80

89.

A George V silver salver, Robert Pringle, London 1913, fluted ogee rim, on three dolphin scroll feet, 25cm diameter, 16.89ozt £150 - £250 90.

A set of six George III silver table spoons, Solomon Hougham, London 1798, Old English pattern, 22.5cm long, 12.22ozt (6) £120 - £180

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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91 91.

A set of six Elizabeth II silver and enamelled teaspoons, Turner and Simpson, Birmingham 1953, each terminal with the national flower of England, Soctland, Ireland and Wales, in polychrome enamel, 9.5cm long, 1.87ozt £40 - £70 94 94.

A Victorian silver 17th century style inkwell, Goldsmiths and Silversmiths Company, London 1898, the flat disc base with ribbed cylindrical pot, pieced with pen holes to the inner rim, hinged domed lid and ceramic well, 18cm diameter, 13.07ozt £120 - £180 95.

A George III silver and cut glass cruet and stand, Thomas Wallis, London 1807, rectangular facet cut banded bottles, with denticulated lips and ball stoppers, in a plain strapped cage with loop handle, 16cm high £100 - £200 96.

A 17th century silver sweetmeat fork, possibly Italian, unmarked, twin pronged, on a cut and pierced gallery handle with reticulated seal end, 20.2cm long, 23.17g/0.74ozt approx £100 - £150

92

97.

Two pairs of George IV silver framed spectacles, the first with extendable arms, incuse sponsor’s mark, ‘ET’, London 1829, width 10.5cm, length when fully extended 16.2cm, the second with incuse sponsor’s mark, ‘TH’, London 1822, combined weight 44.7g/1.43ozt gross approx (2) £100 - £150

92.

An Elizabeth II reticulated silver tazza, H J L, Sheffield 1967, the flat circular dish pieced and chased with knotted tendrils and grapes, within a cast fruiting vine border, on a domed foot, 22cm diameter, 14.93ozt £120 - £180

98

93 93.

A George V revivalist silver bowl, Walker and Hall, Sheffield 1917, flat based rounded form, applied with foliate fretted cardwork rim in the 17th century style, 11cm diameter, 5.01ozt £40 - £70

98.

A George II or III white metal wine label for Red Port, circa 1750, fret cut cartouche form with pierced lettering, on rolo chain, 4.6cm wide £40 - £60 99.

A George V silver and tortoiseshell hand mirror, Henry Matthews, Birmingham 1926, with wreath decoration, together with a 19th century bronze novelty handmirror, modelled as Pierrot with a crescent moon (2) £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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105. Christopher Dresser for Hukin and Heath, a silver plated six division toast rack, circa 1881, model 2556, the barrel arched base with four pad feet, the rod dividers united by spherical balls, stamped marks, 13cm high £200 - £400

100 100. A Norwegian Romanesque Revival silver gilt and plique a jour enamelled spoon, J Tostrup, Oslo circa 1890, the handle with Gothic quatrefoil panels, ropetwist borders and central helix pilaster in red, purple and yellow enamel, the bowl engraved with knotted foliate scrolls, 15cm long, 1.39ozt £60 - £100 101. Christopher Dresser for Hukin and Heath, a silver plated bachelors teapot and sugar bowl, teapot with wicker handle, 9cm high £200 - £300

106 106. Kate Harris for William Hutton, an Arts and Crafts silver double ink stand, Sheffield 1904, the rectangular tray with serpentine rim of pierced knotted foliate tendrils and daffodils, two cut glass inkwells with hinged silver lids, between two pen troughs, on splayed bracket feet, 23.5cm long, 14.56ozt £200 - £400 102 102. Christopher Dresser for Hukin and Heath, a set of four silver salt cellars and spoons, London 1881, plain barrel form, 5cm diameter, 5.13ozt (8) £100 - £200 103. Christopher Dresser for Hukin and Heath, a silver plated double bonbonniere, circa 1880, the twin oval bowls united by a C loop handle, on four tee peg legs, stamped marks and number 2527, 21cm long £250 - £350

107. Kate Harris for William Hutton, a set of three Arts and Crafts silver buttons, Birmingham 1905, circular, cast with a child’s head in profile, 2cm diameter, 0.28ozt (3) £50 - £80 108. A set of six American Art Nouveau silver gilt and enamelled tea spoons, Gorham, model 808, circa 1900, cast with forget me not terminals in blue enamel, 9.5cm long, 1.24ozt (6) £100 - £150

104. Christopher Dresser for Hukin and Heath, a silver plate and glass oil and vinegar cruet, circa 1885, the globa and shaft ewer bottles, within a double bowl contained, baton handle £300 - £500

109

105

109. Archibald Knox for Liberty and Co., an Arts and Crafts silver and enamelled vesta case, William Hair Haseler, Birmingham 1900, applied with a coiled thorny bud motif in blue, green and purple enamel, 5.5cm long, 1.10ozt £200 - £250

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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110 110. An Arts and Crafts silver three piece tea set, William of Birmingham, probably Birmingham Guild of Handicraft, Birmingham 1903, planished organic ogee form with applied fretted strapwork tendrils, the handles with bisected and coiled strands, 23cm long, 21.75ozt (3) £1,500 - £2,500 111. An Arts and Crafts silver vase, Goldsmiths and Silvermiths Company, London 1911, planished, footed trumpet form, with three open and pierced tendril buttress handles, 20cm high, 6.57ozt Note: examples of the vase were illustrated in the 1906 Studio Yearbook £200 - £400 112. An American Art Nouveau silver hand mirror, Webster and Co., MA, embossed with a maiden in relief, lobed cartouche back, 26cm long £60 - £80

117 116. Bernard Cuzner for Liberty and Co., an Arts and Crafts silver and enamelled dish, Birmingham 1906, oval navette form with applied border of fruiting grape vines between cloisonne enamel cabochons, 5.15ozt £400 - £600 117. Bernard Cuzner for Liberty and Co., an Arts and Crafts silver tea caddy, Birmingham 1911, cuboid form, incised with diaper framed panels of scale type decoration, cylindrical lid, 8.5cm high, 4.18ozt £300 - £500 118. Bernard Cuzner for Liberty and Co., an Arts and Crafts silver three piece cruet, Birmingham 1920, planished footed form, engraved with chased foliate bands and rivet motifs, including pepper pot, mustard and salt cellar, blue glass liners, 5cm high, 3.11ozt (3) £150 - £250

113. Liberty and Co., an Arts and Crafts silver and turquoise set box, Birmingham 1910, cuboid form, the hinged lid set with a cabochon stone, 9cm x 6cm x 4cm, 4.77ozt £220 - £280

114 114. Archibald Knox for Liberty and Co., an Arts and Crafts silver and enamelled notepad case, William Hair Haseler, Birmingham 1905, plain rectangular form with spring hinged cover, decorated with a lyre shaped cartouche in blue green enamel, 6.8cm x 5cm, 1.06ozt £180 - £220 115. An Arts and Crafts silver plated and cut glass claret jug, the optic ribbed conical horn form body etched with stylised poppy design, mounted with a goose beak lid and spout, 24cm high £40 - £70

119 119. Oliver Baker for Liberty and Co., a Cymric Arts and Crafts silver vase, Birmingham 1901, planished amphora form, supported on three kicked cabriole legs and pad feet, the collar embossed with convex pimpled panels, three angled rope twist handles, 11.5cm high, 5.93ozt £1,000 - £1,500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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120. An Arts and Crafts silver sugar caster, Brtitton Gould and Co., Birmingham 1906, lobed bottle form with domed cover, 19cm high, 5.38ozt £60 - £80

129. A pair of Arts and Crafts silver sugar tongs, A M and Co., Birmingham 1906, the poppy head pads on bisected tendril stems, in the Art Nouveau style, 9.5cm long, 0.52ozt £30 - £50 130. Liberty and Co., an Arts and Crafts silver pepper pot, William Hair Haseler, Birmingham 1920, sweeping conical form with pierced lid, 7.5cm high, 0.52ozt £30 - £50 124

121 121. An Arts and Crafts silver and green glass dish and cover, William Henry Sparrow, Birmingham 1905, three handled cylindrical drum form, pierced with C scroll cartouches, angled tendril handles, ogee domed lid, 15cm diameter, 3.44ozt £150 - £250

124. Archibald Knox for Liberty and Co., a Cymric Arts and Crafts silver and enamelled teaspoon, Birmingham 1905, with open knotted tendril and bud terminals, blue green highlights, 10.5cm long, 0.45ozt £40 - £60

131. Liberty and Co., a silver and enamelled pill box, Birmingham 1908, circular form, the hinged lid with purple guilloche enamel roundel within engine turned border, 4.3cm diameter, 1.36ozt £140 - £160

125. Archibald Knox for Liberty and Co., an Arts and Crafts white metal and enamelled scent bottle, circa 1900, the square glass body with a cylindrical domed screw cap champleve, 8cm high £100 - £200 126. Archibald Knox for Liberty and Co., a Cymric Arts and Crafts silver and enamelled teaspoon, Birmingham 1905, with open knotted tendril and bud terminals, blue green highlights, 10.5cm long, 0.46ozt £40 - £60

122 122. Hugh Wallis, an Arts and Crafts silver casket, Chester 1923, cuboid form with hinged lid, lid with central monogram and dated Feb 1924, cedar lined interior, conical bun feet, 9cm high, 14.5cm long, 10cm deep £400 - £600 123. Liberty and Co, an Arts and Crafts silver and turquoise cabochon picture frame, plain rectangular form, set with two stones to the corners, opening 9cm x 6.5cm, overall 11.5cm x 9cm £50 - £80

132

127 127. Archibald Knox for Liberty and Co., a Cymric Arts and Crafts silver and enamelled teaspoon, Birmingham 1905, with open knotted tendril and bud terminals, blue green highlights, 10.5cm long, 0.46ozt £40 - £60 128. Archibald Knox for Liberty and Co., a Cymric Arts and Crafts silver and enamelled teaspoon, Birmingham 1905, with open knotted tendril and bud terminals, blue green highlights, 10.5cm long, 0.46ozt £40 - £60

132. An Arts and Crafts straw opal glass and silver plated epergne, probably James Powell and Sons, circa 1890, the sinuous serpentine strap three bracket support holding three fluted and crimped trumpet vases around a further central vessel, 38cm high £100 - £200 133. Omar Ramsden, an Arts and Crafts silver napkin ring, London 1927, planished square section waisted form, with ropetwist borders, embossed initial S, 6cm long, 1.46ozt £150 - £250

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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138. A George VI Art Deco silver and shagreen pocket cigarette case, Birmingham 1937, 8.5 by 8.5cm, and a machine engraved silver pocket cigarette case, Birmingham 1928, 7.32ozt (2) £80 - £120 139. A harlequin set of six Art Deco silver and enamelled tea spoons, William Hair Haseler, Birmingham 1933, each with a fan shaped terminal in different coloured champleve guilloche enamel, 10cm long, 1.68ozt (6) £40 - £60

134 134. Omar Ramsden, an Arts and Crafts silver matchbox cover, London 1935, cast with a duo of masks depicting comedy and tragedy, between ropetwist bands and fluted cornice moulded ends, 6cm x 4.1cm x 2.2cm, 1.7ozt £250 - £350

140 140. An Art Deco silver plated box and cover, Sheffield circa 1935, squat cylindrical drum form, concentric ribbed rings, the lid with double ring handle, 13cm diameter £50 - £80

135 135. An Arts and Crafts silver salt cellar, William Hutton, Sheffield 1910, three handled tyg form, with blue glass liner, 7cm diameter, 1.16ozt £30 - £50 136. An Art Deco French silver and enamelled easel travel timepiece, early 20th Century, red leather outer case, oval gilt dial with Roman numerals, red guilloche enamel sunburst border, 14 by 11cm, £40 - £60

137

141

137. An Art Deco silver gilt and enamelled compact, Albert Carter, Birmingham 1936, cushioned square section with central green guilloche enamel starburst panel, 6.5cm square £40 - £60

141. An Art Deco silver plated cocktail shaker, Elkington and Co., circa 1930, model 38139, conical form with screw cap and pouring spout, 22.5cm high £40 - £70

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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145. Charles Boyton, a pair of Art Deco style silver salt and pepper pots, London 1948, cuboid form on stepped square pedestal bases, 9.5cm high, 3.72ozt (2) £300 - £500 146. An Italian Modernist silver and lapis compact, G Ciardetti, Florence circa 1950, reeded cuboid form with retractable lipstick, hinged lid and mirror, 8cm x 6cm x 2cm £80 - £120

147 147. David Andersen, a cased Harlequin set of Norwegian silver gilt and enamelled teaspoons, basse taille handles and bowls in various colours of enamel, cast foliate terminals, 10cm long, 2.23ozt (6) £50 - £80

142 142. A French Art Deco silver plated ice bucket, Pierre Bognon, Paris circa 1925, pail form with concentric ring banding, swing loop handle, stamped mark, 21cm high handle raised, 12.5cm high £40 - £60 143. An Art Deco style silver three piece cruet, Angora Silver Plate Co., Birmingham 1939/40, square section angled conical form, with triangular handles, 10cm high, 6.45ozt (3) £80 - £120 144. Lino Sabattini for Christofle France, a silver plated Cardinale vase, stamped marks, 36cm high £80 - £120

148 148. A Modernist silver tea strainer, Elkington and Co, Birmingham 1960, the circular pierced dish bowl with two traingular handles, 12cm long, 1.34ozt £40 - £60

149 149. A Modernist silver porringer bowl, LMP, London 1985, open pierced handle with asymmetrical amoeba motifs, 13cm, 2.64ozt £40 - £70 145

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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JEWELLERY, WATCHES AND PENS 150. A 9 carat gold and aquamarine bar brooch, the central square cut stone flanked by spear head wings, 6cm long, 2.1g £30 - £50 151.

A 9 carat gold and citrine ring, marquise cut stone, size O £30 - £50

152. A 9ct yellow gold charm bracelet, the oval links suspending eight various charms and padlock clasp, hallmarked, approximately 28.3g £300 - £500 153. A 9ct gold carved cameo ring, female portrait within tapered band, ring size P £40 - £60 154. Three 9 carat gold brooches, including garnet and amethyst set examples and a three swallow example, 4.5cm long, 4.5g (3) £40 - £60 155. A 9 carat gold gem set bar brooch, set with rubies and diamonds, within chased foliate scrolls, 5cm long, 4.36g£40 - £70 156. A three strand cultured pearl necklace with 4K gold metal clasp, total length 60cm, a similar single strand cultured pearl necklace with lozenge form clasp 48cm length, and a cultured pearl choker style necklace and bracelet 42cm length (4) £40 - £60 157. Two gold mounted portrait brooches, oval form, one with a Vienna type roundel, the other glazed with an image of Raphael’s Madonna Della Sedia, mother of peal back, 5cm (2) £50 - £80

161 161. 9 carat gold cameo jewellery including two brooches and a ring, ring size P, largest brooch 5cm (3) £50 - £80 162.

A 9ct gold diamond and ruby cluster ring, ring size M £50 - £80

163. A yellow metal opal single stone ring, the split shank oval setting with line engraved shoulders, £60 - £80 164. A pair of 18ct white gold three stone diamond stud earrings (2) £60 - £80 165. A 9ct gold pendant, claw set diamond on geometric gold band, with fine gold chain £70 - £100 166. An Edwardian old and rose-cut diamond openwork bar brooch, with rose-cut diamond line sides, estimated total diamond weight 0.40ct, principal old-cut diamond estimated H-I colour, VS clarity, length 7.1cm, 4.8g £70 - £90 167.

A silver pocket watch and guard chain

£80 - £120

168. A yellow gold fringe necklace, with French marks, tests as 18ct gold, approximately 25.3g £600 - £900

158 158. A pair of 9 carat gold cufflinks, swivel bar backs, fluted rectangular form, 2cm long, 6.0g £50 - £80 159.

6.6g

A 9 carat gold and carnelian set signet ring, size R 1/2, £50 - £80

169.

An 18 carat gold and diamond solitaire ring, size K ½ £80 - £120

170. A gold, amethyst and diamond cluster ring and earrings, central stone within a circle of diamonds, filigree quatrefoil earrings, ring size N £80 - £120 171. A gold, three stone opal and diamond ring, three opal cabochons around a central diamond, size M ½ £80 - £120 172. A pair of purple gem set multi drop earrings, gilt leaf motifs and facet cut stones (2) £80 - £120 173. A 9ct gold coral set pendant, with oval floral carved cabochon in closed back collared and curved barbell mount, on gold link chain, width of pendant 2.5cm, lenth with chain 22cm £80 - £120

160 160. A 9 carat gold and garnet ring, claw set oval stone, size R, 6.3g £50 - £80

174. A late Victorian 9ct gold regard ring, collet set emerald, garnet, amethyst and diamond with one vacant aperture, gold beaded shoulders and part engraved band £80 - £120 175. A 9ct gold sapphire and opal cluster ring, the central set oval sapphire surrounded by ten small claw-set circular opals £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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187.

A 14kt gold diamond cluster ring

£120 - £180

188. An 18ct gold three stone diamond set gypsy ring, with three graduated stones in star cut setting on a tapered gold band, £120 - £180 189. An 18ct gold five stone opal ring, with bezel set graduaed oval cabochon cut stones £120 - £180

176

190

176. A 9ct gold garnet and seed pearl openwork pendant, the interlocking half moon and oval open cartouche united by a bird in flight, the three branched tendrils with foliate terminals, four set garnets and one oval drop, length of pendant 5cm, total length with chain 24cm £100 - £150

190. A Victorian gold, turquoise and split pearl brooch, in the form of two hearts united by a bow, on a safety pin bar, 4.5cm long, 5.16g £120 - £180

177. 18ct gold half eternity ruby and diamond ring,the band set with four facet cut rubies and three diamonds, size K £100 - £150 178. Ruby and diamond cluster pendant and matching stud earrings, flower form pendant set with seven illusion set diamonds and 12 claw set rubies, on fine 9ct gold chain £100 - £200 179. A 9ct gold Emerald and diamond set pendant, claw set emerald and pave set crossover ribbon band, and matching stud earrings (3) £100 - £200 180.

A banded agate bracelet, eight rectangular panels of chamfered hardstone, 5cm wide, 20cm circumference £100 - £150 181. An 18ct emerald and diamond cluster ring, central marquis cut emerald with wrap-a-round band set with 10 graduated diamonds, size S £100 - £150 182. A 9ct gold horseshoe ring, nine diamonds and sapphires, size O £100 - £150 183. A Victorian turquoise and diamond ring, navette form, green and turquoise pave set cabochons with central star set diamond, size P 1/2 £100 - £200 184.

A copal bead necklace

£200 - £300

185.

A Victorian bloodstone locket

£100 - £200

186. A pair of Victorian gold and coral earrings, open foliate scroll cartouches with three bead drops £120 - £150

191. A Victorian silver locket on chased chain collar, alternating ring and foliate strap links £140 - £160 192. A hardstone and white metal seal, carved conical handle, 8cm high £150 - £200 193.

Sapphire and diamond pendant and earrings £150 - £250

194. An 18ct gold diamond and pearl set three stone twist ring, the bezel set single diamond flanked by claw set pearls, ring size M £150 - £200 195. A shell cameo brooch, 9 carat gold mounted, depicting Diana in a horse drawn chariot, within a scroll and bead frame, 6cm £180 - £220 196.

An 18ct gold emerald and diamond set cluster ring, size L £180 - £220

197.

M

An 18ct gold,Sapphire and diamond set cluster ring, size £180 - £220

198.

18ct gold tanzanite and diamond ring, size M ½ £200 - £300

199. James Fenton, an Arts and Crafts silver and enamelled pendant, Birmingham 1909, the circular drop with three moulded spade leaves between hammer head spokes, blue purple enamel ground, suspended from a poppy head bar, 4cm long £150 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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203. Archiald Knox for Liberty and Co., an Arts and Crafts silver and enamelled pendant, William Hair Haseler, circa 1905, open knotted floral drop design with blue green enamel panels, 2.5cm wide, 5.61g £180 - £220 204. Hermann Haussler for Theodor Fahrner, a Jugendstil silver and enamelled buckle, import marks H Terry and Co., Birmingham 1910, ogee serpentine square section with central cloisonne plaque of purple and green floral enamel, within embossed geometric wreath intersected with pierced lozenge centred ovals, 6.8cm square, 1.25ozt £50 - £80

200

205

200. James Fenton, an Arts and Crafts silver and enamelled pendant, Birmingham 1908, the circular drop with three moulded spade leaves between hammer head spokes, green blue enamel ground, suspended from a poppy head bar, further drop below, 5.5cm long, 5.80g £150 - £200

205. Murrle Bennett and Co., an Arts and Crafts silver and enamelled pendant, circa 1905, cast open wreath form, with blu eneamel forget me not motifs and blue green leaves, 3cm wide, 10.19g £180 - £220

201. James Fenton, an Arts and Crafts silver and enamelled pendant, Birmingham 1908, bell flower form with knotted tendrils in blue and green champleve enamel, 2cm wide, 4.76g £150 - £250

206. Charles Horner, an Arts and Crafts silver and enamelled pendant, Chester 1909, in the form of a winged scarab, in yellow and blue enamel, 3cm wide, 4.57g £120 - £180

202. Charles Horner, an Arts and Crafts silver and enamelled necklace, Chester 1908, the open whiplash tendril pendant with blue green enamel panels, suspended from two chains united by circular link, 60cm long, 6cm drop, 7.92g £180 - £220

207

203

207. Charles Horner, an Arts and Crafts silver and enamelled necklace, Chester 1909, the central oval blue green enamel plaque within open tendril and foliate frame, suspended on two chains united by a triangular lozenge, a further drop below, chain 42cm long, 8cm drop, 9.54g £200 - £250

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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208. Charles Horner, an Arts and Crafts silver and enamelled pendant, Chester 1908, in the form of a winged scarab, the wings in blue, purple and green champleve enamel, suspended from two chains united by lozenge plaque, 4.5cm wide, 6.00g £200 - £250 209. Charles Horner, an Arts and Crafts silver and enamelled pendant, Chester 1920, in the form of a winged scarab, the wings in blue and green champleve enamel, suspended from two chains united by lozenge plaque, a further drop below, 4.5cm wide, 6.18g £220 - £280 210. Barnet Henry Joseph, an Arts and Crafts 9 carat gold and pearl pendant, open knotted tendril form with central natural pearl roundel, 5cm long, 3.0g £150 - £250

215. Henning Koppel for Georg Jensen, a Modernist silver bird pendant, import marks London 1963, modelled with wings spread, 2.5cm long £50 - £80 216. A Victorian silver pocket watch, Henry Thompson, London, number 660, the case dated London 1853, white enamelled dial with Roman numerals, 5cm diameter £40 - £70 217. Three silver pocket watches, including Waltham, two with subsidiary seconds dials, 54mm diameter (3) £60 - £80 218. A 9 carat gold ladies wristwatch, chased dial with Roman numerals, 30mm diameter £40 - £70

219 219. Alfred Dunhill, a silver plated Standard table lighter, circa 1950, lever arm, 10.5cm high £50 - £80 211 211. An Arts and Crafts silver gilt and amethyst necklace, the central drop pendant with oval stone in ropetwist border above florally encrusted bouquet, flanked by rosettes and facet cut stones, on a Celtic knot and leaf link chain, 43cm long, 23.7g £100 - £150

220. A Brittanic fountain pen, engine turned black barrel and screw posting cap, lever filler warranted 14 carat gold nib, 13.5cm long £40 - £70 221. Parker, a Junior Duofold fountain pen and pencil set, green with gold trim, 14 carat golf nib, together with a Parker 17 propelling pencil in the smae colour, in original 2 pen box (3) £40 - £60 222. Parker, a Vacumatic fountain pen, circa 1932, laminated gray pearl, diamond clip, Canadian manufacture, no 25 14k gold nib, 13.3cm long £50 - £80

212 212. Attributed to Sibyl Dunlop, an Arts and Crafts silver and moonstone bracelet, interlinked foliate and floral panels with central cabochons, 19cm long.

Provenance: gifted to the current owner’s grandparents by Morris Wartski of Llandudno who was a friend and neighbour £800 - £1,200 213. A cherry red bakelite bead necklace, graduated oval translucent beads, 72cm long £200 - £300 214. Elsa Peretti for Tiffany & Co., a silver Bone cuff bangle, signed Tiffany & Co. Elsa Peretti, 925 Italy, with dust bag and original case, inner diameter 6cm widest, 2.52ozt £500 - £800

223 223. Sheaffer, a Targa two pen set, including fountain pen and rollerball, together with a Fashion ballpoint, matte black lacquer with gold trim, in box (3) £40 - £60

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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COINS AND MILITARIA

224. A quantity of silver coins, pre1921 and pre-1947 three pence pieces, pre 1921 5.68ozt, pre 1947 4.14ozt £100 - £200

225. The Official Commemorative Coin Collection in Honour of H.M. Queen Elizabeth The Queen Mother, thirteen silver proof commemorative coins, including Alderney 5 Pounds 1995, Jamaica 25 Dollars 1994, accompanied

by Certificates of Authenticity, cased £120 - £160

226. A pair of 19th century percussion pocket pistols by J. Beattie, London, screw off octagonal barrels signed to top, dolphin shaped hammers above foliate scroll panels, folding triggers, the grips inlaid with silver scrolls and flowers, 12cm long, in mahogany case, blue baize lined interior fitted with flask, bullet moulds etc £1,000 - £2,000

226

227. A late 19th century Lefaucheux Patent 12mm six shot pinfire revolver

by Bertonnet of Buenos-Ayres & Paris, 6 inch round barrel with raised sighting rib inlaid in gold and signed, frame, trigger guard and cylinder inlaid in gold and former numbered 51957, ebony grip carved with scrolls and scallops, lanyard ring on buttplate, in rosewood case, blue velvet and chequered leather interior, fitted with ebony cleaning rod with jag, turnscrew, spike, key and compartment with metal lined tubes for cartridges. £1,500 - £2,500

227

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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228 228. A pair of 19th century percussion pistols by Brown & Rodda, London, 6 inch octagonal barrels signed to top, dolphin shaped hammers above foliate and signed scroll panels, engraved steel trigger guards and the grips inlaid with silver scrolls and flowers, walnut full stocks with chequered butts and captive ramrods, 30cm long, in mahogany case, green baize lined interior fitted with flask, cleaning rod, bullet moulds etc £2,000 - £3,000 230. A 19th century Bowie knife, 8 inch blade stamped VR Joseph Rodgers & Sons Cutlers To Her Majesty, Rodgers star and cross mark, metal crossguard with stag horn grip, housed in brown leather scabbard with plated mounts, 33cm long £200 - £300

229 229. A Victorian turned treen truncheon, painted blue with V.R monogram to the tip in gilt, 40cm long, with a plain example of a 19th Century truncheon with ring-turned grip, 43cm long (2) £50 - £80

231 231. A Japanese tanto, probably Edo period, lashed ray skin tsuka and simple tsuba, 8 inch blade with shinogi-zukuri and iori mune, contained in a black textured lacquer saya and metal kozuka, 34cm long £300 - £500 232. An Arabic jambiya, double edged blade, rhinoceros horn handle, housed in leather scabbard with metal mounts, 39cm long £40 - £60

230 For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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BOOKS 233. Roberts, Derek, Carriage Clocks and Other Travelling Clocks, 1993, Schiffer Publishing, with Allix, Charles, Carriage Clocks - Their History & Development, 1974, Baron Publishing (2) £20 - £40

243. Dickens, Charles, The Battle of Life, A Love Story, 1846 first edition, Bradbury & Evans, red cloth boards with gilttooled cover and spine title, cupid carrying a scroll on title vignette, gilt edges, publisher’s advertisements, (including Oliver Twist) £40 - £60

234. Lewis, C S, 1948, The Trouble with X, London: Church Union, leaflet with cover, printed Southend on Sea £20 - £40

244. A collection of ten Victorian Valentine cards, paper lace embellished with gilt detailing with pictorial motifs and symbols of affection such as cupids, some with moving parts (10) £40 - £60

235. Prize Bindings, Gilfillan, Rev George, Burns’ Poetical Works, 1856, in two volumes, James Nichol, Edinburgh, green half leather bindings with gilt-tooled spines, marbled boards (2) £30 - £50 236. Bell, Julian, 1936, Work for the Winter and Other Poems, London: Leonard and Virginia Woolf, Hogarth Press, 68p.; together with Songs for Sixpence No.2, 1929 (2) £30 - £50 237. De La Mare, Walter, 1930, News, with drawings by Barnett Freedman, London: Faber and Faber, limited edition, signed by the author, numbered 168 of 500, on hand wove paper, cloth bound; together with Thus Her Tale, a Poem, by the same author, 1923, Edinburgh: Porpoise Press, designs by William Ogilvie (2) £30 - £50 238. G K Chesterton interest: Wicksteed, Philip H., 1904, Early Lives of Dante Translated by Philip H Wicksteed MA, London: Aleander Morning Limited, Kings Classics, 158p. paper boards, inscribed by the author to Mr and Mrs G K Chesterton, Xmas 1904, PHW £30 - £50 239. King, Jessie M., 1910, Grey City of the North; a Book of Drwaings, Edinburgh and London: T N Fovlis, 51p. with dust wrapper; together with Edward Ardizzone illustrated books, Pictures on the Pavement by G W Stonier, Lucy Brown and Mr Grimes, 1970 edition, and Ardizzones Hans Andersen, 1978 (4) £30 - £50

246

240 240. Remarque, Erich Maria, 1929, All Quiet on the Western Front, Boston: Little, Brown & Co., 1st American edition, 291p. woven cloth bound £30 - £50 241. Bingley, W, 1814, Animated Nature; or Natural History of Animals, London, 310p., with engraved illustrations, full leather bound, together with Cervantes, M, 1747, History of the Renowned Don Quixote, Volume II, London: Copper, 276p. full leather bound and Blaeu, C, 1641, Imperatoris Justiniani Institutionum, libri IIII (Justinian Institutes), Amsterdam, 354p plus index (3) £40 - £60 242. Phillips, R, 1822, Wonders of the Heavens, Displayed in Twenty Lectures, London: 6th Edition, with fold out illustrations; Dunster, S. 1739, Horace’s Satires, Epistles and Art of Poetry, London: Mears et al., 477p plus index; Woty, W., 1770, Poetical Works of William Woty, Vol I, London: G Scott, 175p. (3) £40 - £60

245. Austen, John (illus.), 1925, Everyman and Other Plays, London: Chapman and Hall, with gilded and coloured prints, 202p., half block printed paper boards; together with Trevelyan , R C, 1925, Idylls of Theocritus, London: Casanova Society, numbered edition 165 of 750 (2) £40 - £70 246. Hogarth Press including Woolf, Virginia; Fry, Roger; Forster, E M., et al., a collection of 1st edition volumes 1926 to 1934, Walter Sickert: a Conversation by Virginia Woolf, Hogarth Letters 1, 2 and 5, Letter to Madan Blanchard, Letter to an MP on Disarmament (Viscount Cecil), Letter from a Black Sheep (Francis Birrell), Art and Commerce, London: Leonard and Virginia Woolf, Hogarth Press (7) £40 - £70 247. Murdoch, Iris, 1958, The Bell, London: Chatto and Windus, 1st Edition, signed by the author, 320p., green cloth binding £40 - £60 248. Sitwell, Osbert, 1949, Demos the Emperor, London: MacMillan, first edition, signed and dedicated by the author; De La Mare, Walter, 1928, Self to Self, with wood engravings by Blair Hughes Stanton, London: Faber and Gwyer, signed 1st edition, number 391 of 500; Garnett, David, 1928, Old Dovecote, Glasgow: University Press, signed by the author and numbered 450 of 530 (3) £40 - £70

248

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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249. Books including Blackie, W W and A C, 1947, Summer Quarters and Happy Jaunts, London: Blackie, signed and dedicated to Cecily Barker, with hand written letters from the Mackintosh designed Hill House, in which the Blackies lived; Sackville West, V. 1972, Sissinghust, with Cecil Beaton portrait photo; Blunden, E. 1931, To Themis, limited edition copy; Memoir of Sir Algernon Methuen; Evelyn Waugh and Rex Whistler, Wine in Peace and War; Williamson, R, 1970, Acid Child, London: Arcadia Press, limited edition, etc. £50 - £80 250. An Edwardian and later postcard collection, subjects include Louis Wain, WWI silk postcards, woven silk postcards of famous liners to include R.M.S. Lusitania, R.M.S. Grampian, early aviation, gypsy life etc, (parcel) £50 - £80

255 255. Sutherland, Millicent and Walter Crane, 1904, Wayfarer’s Love; Contributions from Living Poets, Westminster: Archibald Constable, printed by the Duchess of Sutherland’s Cripples’ Guild, Hanley, signed by the editor and numbered 11 of 100, vellum bound, gilt embossed with a design by Walter Crane £50 - £80 256. Lord Byron, 1837, Byron’s Works, four volumes, including Dramas Vol II, Don Juan Vol II, Miscellanies Vol I and II, London: John Murray, half leather bound with marbled boards (4) £60 - £100

251 251. Barker, Cicely Mary, Flower Fairies of the... books, first editions: Spring, Gaden, Autumn, Summer and the Wayside, London: Blackie and Sons, one with dust jacket (5) £50 - £80 252. Rubaiyat of Omar Khayyam, 1911, illustrated by Frank Brangwyn, A.R.A, published by T.N. Foulis London and Edinburgh, hardback with cream cloth binding £50 - £80

257. Leather Bindings, Cross, J.W, George Eliot’s Life and Works, in twenty-four volumes, William Blackwood, London, half burgundy leather bindings, with gilt titled spines, marbled boards and endpapers, with four volumes of Lord Macaulay’s History of England, 1905 (29) £70 - £100 258. Fairfax, Thomas, 1760, Complete Sportsman or Country Gentleman’s Recreation Containing the Whole Arts, London: J Cooke, 240p. full leather bound £70 - £100

260 260. Beckett, Samuel, 1954, Waiting for Godot; A Tragicomedy in Two Acts, New York: Grove Press, 1st US edition, 61p., with dust jacket £80 - £120 261. Stanford, Edward, Collins’ Standard Map of London, late 19th Century, hand-coloured and folding, backed on linen, 80 by 86cm, framed £80 - £120 262. Leather Bindings, The Pictorial Edition of the Works of Shakespeare, edited

by Charles Knight, in seven volumes, full tan leather bindings with gilt tooled titled spines, textured boards, marbled inner boards and endpapers, with Austin’s Novels, 1879, in six volumes, half tan leather bindings with gilt tooled titled spines (13) £80 - £120 263. Leather Bindings, Edgeworth, Maria, Edgeworth’s Tales & Novels, ten volumes, 1857, Simpkin Marshall & Co, London, full dark green leather bindings with tooled gilt spines and boards (10) £80 - £120

253. Bouhours, Dominique, 1682, Les Entretiens D’Artiste et D’Evegne, Amsterdam: Jacques Le Jeune, new edition after the 1671 version, 4442p. plus Table des Matieres and end papers, full leather bound £50 - £80 254. Masefield, John, 1936, Victorious Joy or the Hurrying Angel, London: William Heinemann, signed limited edition number 123 of 125, cloth bound, 309p.; together with Collected Poems of James Elroy Flecker, 1923, London: Martin Secker, number 409 of 500, cloth bound, 261p. (2) £50 - £80

259 259. Wright, John, 1648, Form of Church Government to be Used in the Church of Englad and Ireland: Agreed Upon by the Lords and Commons Assembled in Parliament After Advice Had with the Assembly of Divines, London: Kings Head, 46p. pamphlet form £80 - £120

264 264. Albertus Magnus, 1661, De Secretis Mulierum Item de Virtutibus Herbarum, Lapidum et Animalium, Amsterdam: Joh. Janssonius, 358p. plus index, full leather bound, 13cm x 8cm £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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265. Wodeha collection of first edition novels, including Herbert Jenkins editions: Mulliner Nights, 1933 first printing, Joy in the Morning, 1947 fist UK printing, A Gentleman of Leisure, later printing, Mulliner Omnibus, 1935 first printing; Newnes: My Man Jeeves, 1919; New York: Doubleday, If I Were You, 1931; together with five Herbert Jenkins later printings of Money For Nothing, Picadilly Jim, Heavy Weather, Quick Service, Luck of the Bodkins, all cloth bound, no dust jackets (11) £80 - £120

268. Dorothy Oswald Barker (sister of Cicely Mary Barker), hand written Nature Note Book, with watercolour illustrations, August 1909 £100 - £200 269. Leather Bindings, Cunningham, Peter, The Letters of Horace Walpole, 1857, in nine volumes, Richard Bentley, London, full calf leather bindings with gilt tooled titled spines, marbled inner boards and endpapers (9) £100 - £150 270. Leather Bindings, Vanity Fair, 1878, in twenty-four volumes, Smith, Elder & Co, London, half tan leather bindings with gilt tooled titled spines, marbled outer boards and endpapers (24) £100 - £150

266. Autographs, an early 1950’s autograph album, signatures of stars of stage and screen briefly to include Claire Bloom, Billie Whitelaw, Elizabeth Valentine, Ann Todd etc £100 - £150

273. Dickens, Charles, four bound volumes, including first bound editions, 1841 etc., Barnaby Rudge, London: Chapman and Hall, 1841, complete in one volume, cloth bound; Master Humphrey’s Clock, Volume II, London: Chapman and Hall, 1841, with illustrations by George Cattermole and Hablot Browne, half leather bound with marbled boards; American Notes, London: Chapman and Hall, 1850, quater leather bound; Old Curiosity Shop, London: Chapman and Hall, 1848, quater leather bound (4) £100 - £200

271. A collection of 19th Century Valentine cards, predominantly paper lace designs incorporating colour motifs and mottoes of affection, some with moving parts and hidden inscriptions or declarations of love beneath flaps (12) £100 - £150

274 274. Pickering, William (Ed), 1825 Plays of Shakespeare in Nine Volumes, seven volumes, cloth bound miniature editions with paper spine labels (7) £150 - £250

267 267. Cicely Mary Barker, hand written Work List, 1946-1967, a diary detailing the publications, exhibitions and engagements of each year for the author and illustrator of the Flower Fairies books £100 - £200

272 272. Capote, Truman, 1958, Breakfast at Tiffany’s, 1st edition, London: Hamish Hamilton, 159p, with dust jacket by Patricia Davey £100 - £200

275. An antique Islamic illuminated booklet, text in black ink, gilt and blue, bound in an embossed red leather binding £200 - £300 276. Orwell, George, 1949, Nineteen Eighty Four; a Novel, London: Secker and Warburg, 1st Edition, cloth bound, 312p. £200 - £300 277. Eliot, George (Mary Ann Evans), Felix Holt - The Radical, 1866 first edition, in three volumes, William Blackwood & Sons, London, brown cloth boards with gilt spine titles (3) £400 - £600 278. Wilde, Oscar, 1890, Picture of Dorian Gray, in: Lippincott’s Monthly Magazine, No.271, pp.1-100. London: Ward, Lock and Co and Philadelphia: J.B. Lippincott, July 1890, 1st edition, Octavo (238 x 157mm), 4 pages of advertisements at beginning and 20 pages at end. Original cover printed in red and black £400 - £600

278 For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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PRINTS AND PICTURES 279. R..Sayer and J..Bennett, ‘Palemon & Lavinia’, colour print, London 1782, 33 by 25cm, wooden frame £70 - £90 280. Felicien Rops (Belgian, 1833-1898), ‘La Greve’, signed l.c., etching, 18 by 14cm, framed £80 - £120 281. Advertising, a collection of twelve assorted late Victorian and Edwardian shop calendar scroll showcards, typically lithographs of famous paintings of the day, to include Mazawattee Tea, 1910, David Brown Grocer, 1902, Alfred Gurney, Hereford Grocer, 1887, Mays Mineral Waters, R.C. Uglow, 1909, G.W. Woodward, 1887, India & China Tea Co, James Baker Boot & Shoe Manufacturers, largest 75 by 53cm (12) £100 - £150

289. William Nicholson (British, 1872-1949), ‘Newsboy’ from London Types, lithograoh in colours, published by Heinemann 1898, 25 by 22cm, unframed £100 - £120 290. Axel Tallberg (Swedish, 1860-1928), Skoflikaren, signed l.r., etching, 32 by 23cm, framed £40 - £60

282. Jacques Grasset St Sauveur, African interest, Tableau Des Principaux Peuples d frique, the different indigenous peoples of Africa, twenty-four costumes identified with a numbered key, depicting natives including from Egypt, Morrocco, the Gold Coast, Senegal, Angola, Ethiopia, Madagascar, late 18th century engraving, 46 by 53cm , framed £100 - £200 283. After Henry Alken, ‘H. For Windsor! Go Along Bob’, ‘The Race for the Welter Stakes’, ‘Mr Ridgeway’s Good Health - Now!’, ‘What’s The Price of the Young Nag, Miller?’, ‘Fox Hunting for Ever’ and ‘Frank Raby Flapper Shooting’, set of six, colour prints published

by Ackerman 1842, labels verso, 12 by 18.5cm, in the original mahogany framed with gilt fillets (6) £100 - £150 284. After John James Audobon (French, 1785-1851), Black Tern, No. 56, plate CCLXXX. hand-coloured aquatint, from Birds of America, ornithological interest, London: engraved by Robert Havell 1835, 50 by 50cm, framed Provenance: previously in a collection in the North West of England £300 - £400 285. Daguerreotype, American interest, portrait of an Amish gentleman, circa 1860-1870, with gilt surround, newly sealed behind glass in in leather case, 9.5cm x 8cm £100 - £200 286. Joseph Pennell (American, 1856-1927), St James, etching, influenced by James McNeill Whistler, 28 by 22cm, framed £100 - £150 287. Joseph Pennell (American, 1856-1927), The Dock Head, etching, influenced by James McNeill Whistler, 21 by 28cm, framed £100 - £150 288. Hall Thorpe (Australian, 1874-1947), Forget me Knots; Cowslips, a pair, both signed l.r., woodcut in colours, 16.5 by 15cm, framed (2) £100 - £150

291 291. Joan Miro (Spanish, 1893-1983), Untitled, colour print No.1497/1500, 30 by 24cm, framed.

Note: Artist Resale Rights apply

£200 - £300

292. Salvador Dali (Spanish, 1904-1989), Myself at the age of six, Lifting with Extreme Precaution the Skin of the Sea to Observe the Dog Sleeping in the Shade of the Water, watercolour engraving, limited edition 36/295, blind stamp, published 1987 by Demart Pro Arte, with certificate of authenticity, 39 by 53cm, framed £300 - £500 293. Anthony Gross R.A. (British, 1905-1984), ‘Landscape with Preying Mantis’, signed l.r., titled l.l., etching No.22/250, 35 by 45cm, unframed.

Note: Artist Resale Rights apply

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£150 - £200

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294

296

294. Sir Terry Frost R.A. (British, 1915-2003), ‘The Moon Rising’, signed l.r., colour print No.33/75, 55 by 37cm, framed.

Note: Artist Resale Rights apply £1,500 - £1,800 295. Sir Terry Frost R.A. (British, 1915-2003), Blue and Green Vertical Rhythms, signed l.r., Artist Proof colour print, 44 by 62cm, framed.

Note: Artist Resale Rights apply £1,500 - £2,000 296. Sir Terry Frost R.A. (British, 1915-2003), ‘Life’s a Bowl of Cherries 2’, printed signature and Kathleen Frost counter signature l.r., Coriander Studio screen print, 42 by 29cm, framed.

Note: Artist Resale Rights apply £2,000 - £3,000 295

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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297. John I Varley (British, 1778-1842), a rural street scene with figures and a dog, watercolour, 21 by 28cm, framed £150 - £200

314. John Reginald Goodman (British, 1870-1962), Norfolk landscapes, a pair, both signed l.r., watercolour, 34 by 24cm, gilt frames (2) £50 - £80

298. Joseph II Barber (British, 1757-1811), a rustic half-timbered cottage with a thatched roof, watercolour, 15 by 18cm, framed.

315. William E. Powell (British, 1878-1955), ‘In Quest of Romance’, signed and titled l.r., watercolour, 39 by 26cm, framed £50 - £80

Provenance: with Abbott & Holder

£80 - £120

299. Anglo Indian School (19th century), Detachment of the 9th Bengal Irregular Cavalry, watercolour, 19cm x 26cm, unframed £150 - £250 300. Italian School (19th century), Study of a Watercarrier, watercolour, 65 by 40cm, framed £200 - £300 301. Circle of Samuel Prout, fishing and sailing boats a choppy sea offshore, watercolour, 15 by 21cm, framed £50 - £80 302. George I Cruickshank (British, 1792-1878), The Confrontation, signed with initials l.r., watercolour, 17 by 16cm, framed £100 - £150 303. Edward Martindale Richardson (British, 1810-1863/74), ‘Glen Kinglass, Loch Awe, Argyleshire’, titled verso, watercolour, 19 by 48cm, framed £80 - £120 304. Francis Nicholson (British, 1753-1844), ‘Konigssee near Berchtesgadener’, titled verso, watercolour, 30 by 43cm, framed £100 - £150 305. John Massey Wright O.W.S. (British, 1777-1866), ‘Tragedy and Comedy’, watercolour, 17 by 13cm, framed.

Provenance: with Chris Beetles, London

£80 - £120

306. James Ulric Walmsley (British, 1860-1954), Ravenscar viewed from Robin Hoods Bay, signed l.r., watercolour, 25 by 38cm, framed £150 - £200

316. Joseph A. Powell (British, act.1901-194), ‘A Summer Stream’. signed l.r., titled verso, watercolour, 38 by 53cm,l framed.

Provenance: a family collection sold at Sotheby’s, Sussex, Feb 1991 £60 - £100 317. Henry Harris Lines (British, 1800-1889), ‘The Severn near Upton’, signed and dated 1853 l.l., titled verso, watercolour, 25 by 37cm, framed £60 - £100 318. John Michael Brown (British, late 19th Century), ‘A Stormy Sky’, signed l.r., titled verso, watercolour, 15 by 28cm, framed £60 - £100 319. British School, 19th Century, portrait of a boy, bust-length wearing a cloth cap, pastel and pencil, 29 by 22cm, framed £70 - £90 320. William Thomas Martin Hawksworth (British, 18531935), ‘Houses by a Village Green’, watercolour, titled verso, 15 by 22cm, framed.

Provenance: with Thomas Agnew, London

£70 - £90

321. Attributed to Gerald Grubb R.A. (British, 1912-1994), portrait of Julian Trevelyan, attribution and titled verso, pencil and gouache, 18 by 15cm, framed £70 - £90 322. James F. Murray Floyd (British, 1889-1995), ‘Cottages on a Hillside’, signed l..r, titled verso, watercolour, 22 by 29cm, framed £40 - £60

307. Henry Martin Pope (British, 1843-1908), a shepherd and dog with his flock on a hillside, windmill beyond, signed l.r., watercolour, 21 by 33cm, framed £40 - £60 308. Archibald W. Hogg (British, 19th/20th Century), ‘Coldingham Priory’, signed and dated 1895 l.l., watercolour, 22 by 32cm, framed £40 - £60 309. W..Key (British, late 19th Century), a clifftop at sunset; a clifftop path with hiker, a pair, both signed, watercolour, 46 by 29cm, framed (2) £80 - £120

323

310. Conrad H.R. Carelli (Italian, 1869-1956), ‘Santa Maria Della Salute’, signed l.r., titled verso, watercolour, 18 by 27cm, framed.

323. Edward Duncan (British, 1803-1882), ‘Dutch Fishing Boats in a Gale Running for Anchorage’, signed and dated 1872 l.l., titled verso, watercolour, 37 by 68cm, framed.

Provenance: with Thomas Agnew, London

£50 - £80

311. A.. Edouard (French, early 19th Century), a group conversation silhouette portrait, two Doctors in an interior, one seated, signed and dated 1832 l.l., subjects indistinctly titled below, watercolour, 31 by 24cm, gilt frame £100 - £150

Note: exhibited at The Society of Painters in Watercolours, 67th Exhibition, No.101 £300 - £400 324. Wilfred Williams Ball (British, 1853-1917), ‘Cottage near Ringwood, Hants’, signed and dated 1909 l.l., titled verso, watercolour, 19 by 27cm, framed £80 - £120

312. British School, late 19th Century, a mountainous landscape with cattle watering, watercolour, 36 by 50cm, framed £50 - £80

325. W..H..Holder (British, late 19th Century), a shepherd and shepherdess droving their flock of sheep over a bridge, signed and dated 1874 l.r., watercolour, 33 by 37cm, framed £80 - £120

313. William Henry Mander (British, 1850-1922), ‘The River Dee Nr Llangollen’, signed and dated 1913 l.l., titled verso, watercolour, 26 by 35cm, framed £50 - £80

326. Robin Reckitt (British, 1928), Rubecula and other birds, signed l.l., titled and dated 1973 l.r., watercolour, 42 by 34cm, framed £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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327. William Matthison (British, 1853-1926), An Autumn Evening, Stratford, signed l.l., watercolour, 24 by 52cm, framed £80 - £120

335. John Cyril Harrison (British, 1898-1985), Stooping at Ptarmigan; Trying to Rise Above Peregrine, a pair, oval, both titled and signed l.r., pencil, 17 by 22cm, framed (2) £100 - £150

328. William Rainey (British, 1852-1936), ‘A Harbour Scene on the South East Coast’, signed l.l., titled verso, watercolour, 25 by 37cm, framed, with James Sherbourne (British, 20th Century), ‘Beach in Summer’, signed and dated 1943 l.r., titled verso, watercolour, 14 by 22cm, framed (2) £80 - £120

336. Follower of Archibald Thorburn, study of a dead grouse in a winter landscape, gouache, 70 by 52cm, framed £100 - £150

329. Arthur Ralph Middleton Todd R.A. (British, 1891-1966), portrait of a young boy, signed with initials l.r., pastel, 27 by 20cm, framed £80 - £120

337. Pre-Raphaelite School, Portrait of a Saint, depicted holding a quill and manuscript, pencil drawing, 43 by 20cm, framed £60 - £80

330. Henry (Harry) Baker (British, 1849-1875), Glyndyfrdwy Mill on the Dee, signed with monogram l.r, watercolour, 53 by 83cm, framed £80 - £120 331. Charles Edward Dixon R.I. (British, 1872-1934), ‘H.M.S. Speedy leaving Portsmouth’, titled verso, watercolour, 16 by 35cm, framed.

Note: a preliminary study for the illustration in ‘Britannia’s’ Bulwarks’, 1901 £300 - £500 332. Tom Keating (British, 1917-1984), ‘Out Hunting’, signed l.r., titled verso, watercolour, 24 by 30cm, framed.

Provenance: with John Noott. £80 - £120

Note: Artist Resale Rights apply

333. Lady Caroline Waldegrave (British, c.1795-1878), ‘Portsmouth from Ryde, Isle of Wight’; ‘Near Ryde, Isle of Wight’, a pair, titled verso, watercolour, 15 by 21cm, framed (2). £100 - £150

Provenance: with Thomas Agnew, London

334. Attributed to Richard Principal Leitch R.W.S. (British, c.1800-1880), a mountainous river landscape with a fishing boat and fisherman’s cottage in the foreground, watercolour, 10 by 15cm; attributed to Henry Dawson (British, 1811-1878), a poolside house with a figure on a horse and other figures, watercolour, 15 by 13cm and attributed to David Roberts (British, 1796-1864), a dessert palace, indistinctly titled l.l., watercolour heightened with white, 12 by 34cm, all framed (3) £100 - £150

338 338. David Waterson (Scottish, 1870-1954), ‘Autumn at Bridgend’, signed and dated 1946 l.r., inscribed with title on label verso, watercolour, 48 by 75cm, gilt frame £100 - £150 339. Henry John Sylvester Stannard (British, 1870-1951), a harbour viewed from a clifftop, signed l.l., watercolour, 36 by 50cm, framed £100 - £150 340. Robin Reckitt (British, 1928), pheasants in a snowy landscape, signed and dated 1985 l..r, watercolour, 42 by 58cm, framed £100 - £150 341. Ernest Albert Chadwick R.I. R.B.S.A. (British, 18761955), ‘Henley-in-Arden, Warwickshire’, signed l.l., titled verso, watercolour, 28 by 38cm, framed; with ‘Lane near Henley-in-Arden - Driveway of Botley Mill looking towards Botley Hill’, signed l.l., titled verso, watercolour, 26 by 35cm, framed (2) £100 - £150 342. George Goodwin I Kilburne (British, 1839-1924), An Italian Serenade, signed l.l., watercolour, 63.5 by 90cm, gilt frame £2,000 - £3,000 343. John Lewis Chapman (British, 1946), a coastal scene with fisherfolk, signed l.l., watercolour, 13 by 20cm, framed, with The Coal Cart, signed l.r., titled verso, watercolour, 22 by 34cm, framed (2) £70 - £90 344. John Yardley (British, 1933), still life of vases and teddy bear, signed l.r., watercolour, 50 by 68cm, framed.

Note: Artist Resale Rights apply £100 - £150

342

345.Charles Henry C. Baldwyn (Royal Worcester artist) (British, 1859-1943), budgerigars amongst branches of berries, signed l.r, watercolour, 24 by 36cm, framed £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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346. John Lewis Chapman (British, 1946), Westminster bridge in olden times, signed l.r., watercolour, 33 by 46cm, framed £100 - £150

364. J.G. (20th Century), a Dutch classroom scene, signed with initials l.l., oil on panel, 15 by 22cm, framed £80 - £120

347. Pamela Kay (British, 1939), ‘A Glass of Alberic Balbiere Roses’, signed l.r., titled verso, watercolour, 43 by 31cm, framed.

365. Samuel Henry Baker (British, 1824-1909), ‘Bidford Bridge’, signed l.l., titled verso, oil on canvas, 18 by 32cm, framed £80 - £120

Note: Artist Resale Rights apply £100 - £150 348. Robert Thornton Wilding (British, late 19th/early 20th Century), harbour scenes with fishing boats on choppy seas, a pair, both signed l.r., watercolour, 20 by 53cm, framed (2) £120 - £150 349. Robin Reckitt (British, 1928), a meadow with pheasants after R. McPhail, signed l.r., presentation inscription and dated 1988 on mount below, watercolour, 46 by 60cm, framed £150 - £200 350. Pamela Kay (British, 1939), ‘Anemones and Winter Primroses’, signed l.r., titled verso, watercolour, 37 by 51cm, framed.

Note: Artist Resale Rights apply £150 - £200 351. Pamela Kay (British, 1939), ‘Mallow, Hollyhocks and Marguerittes’, signed l.l., titled verso, gouache, 55 by 47cm, framed.

Note: Artist Resale Rights apply £150 - £200 352. Pamela Kay (British, 1939), ‘Sunflowers and Lilies in a Blue Jug’, signed l.r., titled verso, watercolour, 47 by 55cm, framed.

Note: Artist Resale Rights apply £150 - £200 353. John Yardley (British, 1933), ‘Musical Appreciation’, signed l.r., watercolour, 23 by 31cm, framed, with a double-sided watercolour landscape by the same artist (2).

357

366. R..Whitaker (British, 20th Century), Houses of Parliament at Night, signed l.r., oil on board, 39 by 50cm, framed £80 - £120

357. Andrew Litten (British, 1970), reclining female nude, signed l.l., mixed media, 20 by 32cm, framed.

Note: Artist Resale Rights apply £100 - £150

367. 19th Century School, an exotic coastal bay, possibly South America, with fishing boats and two figures in the foreground, oil on canvas, 40 by 60cm, gilt frame £100 - £150

358. J..Raviez (20th Century), still life of a basket of apples and a stoneware jug, signed l.r., oil on canvas, 36 by 52cm, framed £40 - £70

368. British School, 19th Century, The Day’s Catch, a huntsman with game, horse and sporting dogs, oil on canvas, 30 by 39cm, framed £100 - £150

359. Charlotte Storer (British, 19th Century), a garden landscape with a moat, classical statuary and a female figure, inscribed with signature and dated 1889 Paris verso, oil on canvas, 21 by 26cm, gilt frame £50 - £80

369. Henry Maurice Page (British, act.1878-1890), ‘Moonlight on the Zuy der Zee’, signed l.r., inscribed with title, signed and dated 1904 verso, oil on canvas, 20 by 40cm, gilt frame £150 - £250

360. Attributed to Jurg Spiller (19131974), ‘Garden Plan’, titled verso, oil on board, 25 by 30cm, framed £50 - £80

370. Jonathan Sanders (British, 1959), ‘Under the Thorn Tree, Kenya’, signed l.r., titled verso, oil on board, 54 by 69cm, framed.

361. Alfred H Green (British, act.1844-1878), Old Mill Beddgelert North Wales, monogrammed l.m, signed and titled verso, oil on canvas, 36 by 30cm, framed £60 - £80

Provenance: with John Noott Galleries £150 - £200

362. John Henry Boel (British, act.c.1890-1915), a seascape at dusk, signed and dated 1912 l.l., oil on canvas, 45 by 80cm, gilt frame £80 - £120

371. George Aikman A.R.S.A. (Scottish, 1830-1905), Near Stratford on Avon, signed l.l., oil on canvas, 29 by 44cm, gilt frame £150 - £200

363. British School, late 19th Century, beach scenes with fishing boats and lobster nets, a pair, oil on board, 17 by 22cm, gilt frames (2) £80 - £120

372. British School, 19th Century, cattle watering in a mountainous landscape, oil on canvas, 60 by 72cm, gilt frame £150 - £250

Note: Artist Resale Rights apply £80 - £120 354. John Yardley (British, 1933), still life of daisies and other flowers in a glass vase, signed l.l., watercolour, 50 by 36cm, framed.

Note: Artist Resale Rights apply £100 - £150 355. John Lewis Chapman (British, 1946), The Gaiety Theatre in olden times, signed l.r., watercolour, 40 by 51cm, framed £50 - £80 356. Robin Reckitt (British, 1928), a meadow landscape with grouse, signed and dated 1984 l.r., 46 by 62cm, framed £200 - £300

370

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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373. 19th Century School, Woodland Children, indistinctly signed l.r., oil on board, 33 by 23cm, gilt frame £150 - £200

374 374. British School, mid 19th Century, a Highland huntsman with sporting dogs and game, oil on canvas, 60 by 84cm, gilt frame £180 - £220 375. Tony Forrest (British, 1961), elephant in the wild, signed l.l., oil on board, 20 by 19cm, gilt frame.

Note: Artist Resale Rights apply

380

£200 - £300

376. British School, mid 20th Century, portrait of Oliver Twist’s mother, bust length in a green dress with a lace collar, oil on canvas, 55 by 41cm, framed.

Note: created as a prop as featured in the 1948 David Lean film ‘Oliver Twist’, with associated DVD £200 - £400 377. Ebenezer Newman Downard (British, 1829-1894), Gossips, signed and titled verso, oil on canvas, 40 by 30cm, in a late 19th Century gilt frame £200 - £400 378. Follower of Canaletto, Venetian canal scenes, a pair, oil on canvas, 35 by 50cm, gilt frames (2) £200 - £300 379. Style of Wouterus I Verschuur, a stableinterior with mother and child, gentleman and two horses, bears signature on stretcher verso, oil on canvas, 23 by 32cm gilt frame £200 - £300 380. British School, late 19th Century, still life of two suspended dead game birds, oil on canvas, 45 by 34cm, gilt frame £200 - £300

381 381. William Mills (British, 1923-1997), ‘Normandie, The Stream’, signed with initials l.r., titled, signed and dated 1991 verso, oil on canvas, 52 by 61cm, framed £200 - £300

378

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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382. James Longueville (British, 1942), ‘The Thames at Lechlade’, signed l.r., titled verso, oil on board, 50 by 75cm, framed.

Provenance: with John Noott. £200 - £300

Note: Artist Resale Rights apply

383. Susan Bower R.B.A. R.O.I. (British, 1953), ‘The Roulston Scar’, signed l.r., titled verso, oil on board, 38 by 42cm, framed. £200 - £300

Note: Artist Resale Rights apply

388 388. Paul Jean Hugues (French, 1891-1950), a parlour interior, signed l.r., oil on canvas, 32 by 40cm, gilt frame £300 - £500

384 384. Susan Bower R.B.A. R.O.I. (British, 1953), ‘Toasting the Pleasure Boats’, signed l.r., titled verso, oil on board, 40 by 45cm, framed.

Provenance: with Mall Galleries, London. £200 - £300

Note: Artist Resale Rights apply

389 389. Lawrence James Isherwood (British, 1917-1988), ‘Moonlight Sepia - The Pool of London’, signed l.r., inscribed with title verso, oil on board, 37 by 45cm, framed.

Provenance: Michaelmas, Oxford, 1965.

Note: Artist Resale Rights apply 385 385. William Pitt (British, act. 1851-1890), ‘Farm Yard, Portlemouth, Devon’, signed with monogram and dated 1873 l.l., inscribed with title and dated verso, oil on canvas, 24 by 45cm, gilt frame £200 - £300 386. British School, 19th Century, View of a Belgian River Town with Numerous Figures, Animals and Boats, oil on canvas, 65 by 98cm, gilt frame £200 - £300 387. British School, mid 19th Century, a steam train passing through a moorland landscape at sunset, oil on canvas, 38 by 62cm, framed £300 - £500

£300 - £500

390. John Mogford (British, 1821-1885), ‘View in South Wales’, titled below, oil on canvas, 25 by 35cm, gilt frame £300 - £500 391. Simon Williams (New Zealander, 1961), Hawaii Hibiscus, signed l.l., titled verso, oil on canvas, 45 by 25cm, unframed £300 - £500 392. Yvonne Laur (French, 1879-1943), Kittens at Play, signed l.r., oil on panel, 45 by 54cm, gilt frame.

Provenance: Lot 123, The Cat, Bonhams London, 12th September 2001 £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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395. Lucy Ann Leavers (British, 1845-1915), Caught in the Act, signed l.r., oil on re-lined canvas, 60 by 80cm, gilt frame £400 - £600 396. Richard Paton (British, 1717-1791), The ‘Repulse’, 38 Guns, in the Solent off Calshot as the French Frigate ‘Bellone’, she was Captured by the ‘Vestal’, Capt Samuel Hood, 1759, titled on plaque verso, oil on re-lined canvas, 60 by 90cm, gilt frame £1,000 - £1,500

393 393. Richard Slater (British, 1927), an exotic landscape with blazing sun and a shepherd droving cattle over a bridge, signed l.r., oil on board, 34 by 39cm, framed.

Note: Artist Resale Rights apply

£300 - £500 397

394. Basil Nightingale (British, 1864-1940), Wings, signed and dated 1931 l.r., titled l.c., oil on canvas, 65 by 75cm, gilt frame.

Provenance: with John Noott

397. John Wilson Carmichael (British, 1800-1868), Scene off the Dutch Coast, signed and dated 1845 l.r., titled verso, oil on panel, 44 by 60cm, gilt frame.

£300 - £500

Provenance: with The Parker Gallery, London

396

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£800 - £1,200

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398

402

398. Frank William Warwick Topham (British, 1838-1924), ‘Playing Children, Venice’, signed l.r., oil on canvas, 48 by 53cm, gilt frame £400 - £600

402. Pompeo Massani (Italian, 1850-1920), ‘Mutual Admiration’, signed l.r., titled below, oil on canvas, 61 by 80cm, gilt frame £500 - £800

399 399. Claude Cardon (British, 1864-1937), calves, poultry and piglets on a farmyard, signed l.r., oil on canvas, 50 by 75cm, gilt frame £400 - £600

403 403. Carlo Feranti (Italian, 1840-1908), ‘A Chess Problem’, signed l.r., titled below, oil on canvas, 45 by 60cm, gilt frame.

Provenance: Lot 207, British & Continental Pictures, Sotheby’s London, 14th July 2004 £800 - £1,200

400 400. Edward Tolley (British, 19th Century), horses and donkeys in a woodland clearing, a cottage in the distance, signed and dated 1849 l.l., oil on canvas, 71 by 92cm, gilt frame £500 - £800 401. Laslett John Pott R.B.A. (British, 1837-1898), Admiring the Finished Work, signed l.r., oil on canvas, 85 by 80cm, gilt frame £800 - £1,200

404 404. Simon John Garden R.W.A. (British, 1960), ‘My House on the Hill takes Seven Days to get to on Foot’, signed and titled verso, oil on board, 61 by 85cm, framed.

Note: Artist Resale Rights apply

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£1,000 - £1,500

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405. Pier Enrico Guzzi (Italian, 20th Century), Beach Balls, signed l.l., oil on board, 60 by 60cm, framed £2,000 - £3,000

405

407 407. Ronald Ossory Dunlop R.A. (Irish, 1894-1973), ‘The Harbour, St Tropez’, signed l.r., titled verso, oil on canvas, 50 by 60cm, framed.

Note: Artist Resale Rights apply

406 406. Circle of Laura Knight, portrait of a Pierrot, half-length playing a banjo, oil on canvas, 60 by 50cm, framed £300 - £500

£400 - £600

408. Ronald Ossory Dunlop R.A. (Irish, 1894-1973), ‘The Thames at Walton’, signed l.r., titled verso, oil on canvas, 60 by 72cm, gilt frame.

Note: Artist Resale Rights apply

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£1,000 - £1,500

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410. Ronald Ossory Dunlop R.A. (Irish, 1894-1973), still life of chrysanthemum in a vase, oil on board, 50 by 55cm, framed. £200 - £300

Note: Artist Resale Rights apply

411. Ronald Ossory Dunlop R.A. (Irish, 1894-1973), ‘Nude with Pink Bedspread’, signed with initials l.l., oil on board, 20 by 35cm, framed. £150 - £200

Note: Artist Resale Rights apply

409 409. Ronald Ossory Dunlop R.A. (Irish, 1894-1973), landscape with a cottage, signed l.r., oil on canvas, 50 by 72cm, framed. £300 - £500

Note: Artist Resale Rights apply

412 412. Bernard Dunstan R.A. (British, 1920-2017), ‘Getting Up, Nude Stretching, Morning’, titled verso, oil on board, 28 by 43cm, gilt frame.

Note: Artist Resale Rights apply

£500 - £800

413. Chris Thomas (British, 1947), ‘Millook Beach’, signed, titled and dated 2005 verso, oil on board, 92 by 122cm, unframed £1,000 - £1,500

411

413 For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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414. Stephen Mangan (Scottish, 1964), ‘Between Times’, signed l.r., titled verso, oil on canvas, 68 by 48cm, framed.

Provenance: with Richard Hagen.

Note: Artist Resale Rights apply £2,000 - £3,000

414 415. P. J. Crook (British, 1945), ‘Serenade’, signed l.r., titled verso, oil on board, 40 by 50cm, painted frame.

Provenance: with Brian Sinfield.

Note: Artist Resale Rights apply £1,000 - £1,500

415 For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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416 416. P. J. Crook (British, 1945), ‘The Lion, The Lady and the Unicorn’, signed l.r., titled verso, oil on canvas, 93 by 120cm, painted framed.

Note: Artist Resale Rights apply

£6,000 - £8,000

417. David Wilde (British, 1913-1974), ‘Here Comes the Sun’, signed l.r., titled l.l., acrylic, 40 by 50cm, framed.

Note: Artist Resale Rights apply

£60 - £100

418. David Wilde (British, 1913-1974), ‘Aber Falls, Winter’, signed l.r., titled l.l., acrylic, 37 by 51cm, framed.

Note: Artist Resale Rights apply

£80 - £120

419. David Wilde (British, 1913-1974), ‘The Singing Coast’, signed l.r., titled l.l., artist notes verso, acrylic, 42 by 57cm, framed.

Note: Artist Resale Rights apply

£80 - £120

420. David Wilde (British, 1913-1974), ‘Spring Equinox’, signed l.r., titled l.l., artist notes verso, acrylic, 54 by 78cm, mounted.

Note: Artist Resale Rights apply

£100 - £150

421. David Wilde (British, 1913-1974), ‘Wheatfield by the Sea’, signed l.r., titled l.l., artist notes verso, acrylic and collage, 52 by 75cm, mounted.

Note: Artist Resale Rights apply

£100 - £150

422. David Wilde (British, 1913-1974), ‘Alien Seaside’, signed l.r., titled l.l., artist notes verso, acrylic and collage, 46 by 67cm, mounted.

Note: Artist Resale Rights apply

£100 - £150

423. David Wilde (British, 1913-1974), ‘Fire in a Cornfield’, signed l.r., titled l.l., acrylic and collage, 50 by 69cm, mounted.

Note: Artist Resale Rights apply

424. David Wilde (British, 1913-1974), ‘The Cob, Llanfairfechan’, signed l.r., titled l.l., acrylic and collage, 50 by 72cm, mounted.

Note: Artist Resale Rights apply

£80 - £120

425. David Wilde (British, 1913-1974), ‘The Wild Ones’, signed l.r., titled l.l., acrylic, 22 by 57cm, mounted.

Note: Artist Resale Rights apply

£50 - £80

426. David Wilde (British, 1913-1974), ‘Harvest Moon’, signed l.r., titled l.l., acrylic, 54 by 66cm, mounted.

Note: Artist Resale Rights apply

£100 - £150

427. David Wilde (British, 1913-1974), ‘The Orchard’, signed l.r., titled l.l., acrylic, 52 by 60cm, mounted.

Note: Artist Resale Rights apply

£80 - £120

428. David Wilde (British, 1913-1974), ‘Carreg Fawr, Winter’, signed l.r., titled l.l., acrylic, 51 by 70cm, mounted.

Note: Artist Resale Rights apply

£100 - £150

429. David Wilde (British, 1913-1974), ‘The Night Game is Shining’, signed l.r., titled l.l., acrylic, 45 by 64cm, mounted.

Note: Artist Resale Rights apply

£80 - £120

430. David Wilde (British, 1913-1974), ‘Shell Beach’, signed l.r., titled l.l., acrylic and collage, 49 by 69cm, mounted.

Note: Artist Resale Rights apply

£100 - £150

431. David Wilde (British, 1913-1974), ‘The Fall of Icarus’, signed l.r., titled l.l., acrylic, 52 by 72cm, mounted.

Note: Artist Resale Rights apply

£80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£100 - £150

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GLASS 436. A plain stemmed wine glass, circa 1740, the ogee bowl on cylindrical stem and conical folded foot, 15cm high, foot 7.4cm diameter, rim 7.8cm diameter £40 - £60 437. A double series opaque twist wine glass, circa 1755, the ogee bowl on a multi strand helix and double spiral core stem, on conical foot, 14.8cm high, rim 5.1cm diameter, foot 7.2cm diameter £100 - £200

432 432. A plain stem firing glass, circa 1750, the round funnel bowl on a cylindrical stem and thick conical foot, 9.5cm high, rim 5.2cm diameter, foot 5.6cm diameter £40 - £70

433 433. A colour twist wine glass, circa 1760, the bell shaped bowl on a blue and opaque double strand and internal coil stem, on conical foot, 15cm high, rim 7cm diameter, foot 7.5cm diameter £40 - £60 434. Six various 19th and 20th century glasses, including short stemmed tavern rummers, an opaque twist wine glass and ale flutes, 14.5cm high (6) £40 - £70 435. An air trap ale glass, circa 1750, the trumpet bowl engraved with hops and barley, on a single air bubble stem and folded foot, 16.5cm high, foot 8.6cm diameter, rim 8.6cm diameter £40 - £60

438

441

438. A Continental hollow baluster wine glass, circa 1750, the round funnel bowl engraved with Jacoobite Catholic imagery of sun, bird in flight and lilies, below a French motto ‘Ce que je souhaite est divin’, on a double knopped inverse baluster and facet cut stem, folded conical foot, 15cm high, rim 6.6cm diameter, foot, 6.9cm diameter £80 - £120

441. A George III cut glass cylinder decanter, circa 1790, facet cut three ring neck with fluted base, lozenge stopper, 28cm high £50 - £80

439. An opaque twist wine glass, circa 1760, the round funnel bowl on a double series, multi stranded ribbon coil and internal double helix spiral stem, on conical foot, 16cm high, foot 6.4cm diameter, rim 5.2cm diameter £40 - £60 440. An opaque twist wine glass, circa 1760, the ogee bowl on a double spiral and central multi strand twisted core stem, conical foot, 15cm high, foot 6.7cm diameter, rim 5.2cm diameter £40 - £60

442. A George III glass rummer, 1805, the ogee bowl engraved with laurel wreath, mongram and date, on a star ground, on cylindrical stem and square domed lemonsqueezer foot, 13.5cm high £50 - £80 443. A George III masonic engraved rummer, circa 1810, the rounded bowl engraved with three roundels of masonic emblems and monogram, on square based stepped dome lemon squeezer foot, 12.5cm high £50 - £80 444. A Continental opaque twist cordial glass, circa 1775, the cylindrcial bowl on a double series twin strand and central corkscrew twist stem and flat foot, 14cm high, rim 3.8cm diameter, foot 7.4cm diameter £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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445 445. A small firing glass, circa 1750, the drawn trumpet bowl on a short plain stem and thick conical foot, 7cm high, rim 5cm diameter, foot 5.5cm diameter £50 - £80 446. An airtwist wine glass, circa 1755, the pan topped bowl on a multi strand open spiral stem, conical foot, 14.8cm high, foot 6.5cm diameter, rim 5.5cm diameter £50 - £80 447. An air twist wine glass, circa 1750, the trumpet bowl on a single series multi spiral stem and folded foot, 18.7cm high, foot 8.8cm diameter, rim 8.2cm diameter £50 - £80 448. A balustroid wine glass, circa 1740, the bell shaped bowl on a basal knopped inverse baluster stem, conical and folded foot, 14.3cm high, foot 6.4cm diameter, rim 5.9cm diameter £50 - £80 449. A Jacobite air twist wine glass or flute, circa 1740, the trumpet bowl engraved with a seven petal rose, single bud and oak leaf, inscribed Fiat, on a multi spiral stem and conical foot, 21cm high, foot 8cm diameter, rim 7cm diameter £50 - £80 450. A basal knopped wine glass, circa 1740, the trumpet bowl on a plain stem with internal tear drop air bubble and folded conical foot, 16.2cm high, foot 8.4cm diameter, rim 7.6cm diameter £60 - £80 451. An opaque twist wine glass, circa 1760, the round funnel bowl on a double series quadruple strand spiral and lattice core stem, on conical foot, 14.5cm high, rim 5.7cm diameter, foot 7.2cm diameter £80 - £120 452. An opaque and air twist wine glass, circa 1760, the rounded bowl on a double strand ribbon twist and mercury spiral with corkscrew core stem, on conical foot, 13cm high, rim 4.6cm diameter, foot 6.4cm diameter £80 - £120

453

456

453. A Dutch Saxon engraved glass Shipping goblet, second quarter of the 18th century, circa 1740, probably Dutch East India Company, the round funnel bowl decorated with a coastal marine scene of ships in full sail, firing canon against a fortress and other Oriental domed buildings, on an inverse baluster facet cut hollow stem, basally knopped, on conical foot, incised numeral III to the foot, 21cm high £200 - £400 454. A Dutch hollow baluster wine glass, circa 1740, the concial bowl on a knopped heaxagonal moulded inverse baluster stem, and conical folded foot, 17.5cm high, rim 7.6cm diameter, foot 7.9cm diameter £40 - £70 455. A Dutch hollow baluster wine glass, circa 1740, the concial bowl on a heaxagonal moulded inverse baluster stem, and conical folded foot, 14.5cm high, rim 5.7cm diameter, foot 6.9cm diameter £40 - £70 456. A George III cut glass decanter, circa 1815, shouldered barrel form, slice cut with hobnail bands, single ring neck and denticulated rim, knopped mushroom stopper, 21cm high £30 - £50 457. A George III Bristol blue glass decanter, circa 1790, three ring neck tapered form, with white metal ring stopper inscribed Gin, 25cm high £40 - £70

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

457

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458. A George III glass tankard, circa 1770, footed baluster form, moulded wrythen fluting to the lower body, applied banding to the rim and pulled comb strap handle, 19.5cm high £40 - £70 459. A cut glass claret jug, circa 1820, cylinder form with heavy fluting and stepped neck, helmet lip and strap handle, 24cm high £40 - £70 460. A small green glass bottle, 18th century, shouldered mallet form, with folded rim, high domed pontil, 15cm high £40 - £70 461. A Bristol blue glass three ring neck decanter, circa 1810, mallet form with spherical ball stopper, 22cm high £40 - £70 462. A George III Prussian form glass decanter, circa 1800, three ring neck, flute cut lover body and mushroom stopper, 24.5cm high £40 - £70 463. A George III three ring neck glass decanter, circa 1790, Prussian form with ball knopped and star cut mushroom stopper, annulated rings to the neck, 24.5cm high £40 - £70

465

469

464. An etched and cut blue cased glass decanter, circa 1830, slender taper form, blue over colourless, engraved with a spiralling fruiting grape vine, mother of pearl and cork stopper, 32cm and 37cm high £40 - £70

466. A Bristol blue and gilt glass Hollands decanter, circa 1780, broad based taper form, canted cartouche with Neoclassical urn and palm fronds inscribed Hollands, silver plated crescent stopper similarly inscribed, 27.5cm high£50 - £80

465. Three George III glass condiment bottles, circa 1770, optic ribbed pedestal urn form with square bases and lemonsqueezer feet, one with a stopper, 18cm high (3) £40 - £60

467. A Bristol blue glass brandy decanter, circa 1790, three ring neck tapered form, gilt cartouche inscribed Brandy, plated metal stopper also incsribed, 29cm high £50 - £80 468. A George III cut glass decanter, circa 1810, three ring neck Prussian form, the central hatched and star cut hobnail band with a panel vignette, between sliced borders, facet knopped hollow mushroom stopper, star cut base, 25cm high £50 - £80 469. A George III cut glass decanter, circa 1815, Prussian form, two ring neck, cut in the Anglo Irish style with hatched and fronded arcaded panels, below a hobnail band, the mushroom stopper similarly cut, 25cm high £50 - £80 470. A George III cut glass decanter, circa 1810, cylinder form, hobnail cut, with three rings to the neck, knopped and cushioned hobnail pommel stopper, 27cm high £50 - £80 471. A George III three ring neck glass decanter, circa 1800, mallet form, plain rounded rings, bullseye stopper, 27.5cm high £50 - £80

466 464

472. An Irish cut glass scent bottle, circa 1790, fluted navette flask form with faceted edges, white metal screw cap, 13cm long £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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481. A pair of cut glass cylinder decanters, circa 1825, three facet cut ring necks above vertically cut and fluted body, knopped hollow mushroom stoppers, 27cm high (2) £70 - £100 482. Two Irish etched glass decanters, including Acts of Union, circa 1805, one probably Belfast with a ship in full sale, the reverse with roundel with marriage initials between thistles, the other engraved with a banner The Land We Live In, the reverse with the floral emblems of England, Scotland and Ireland, dip moulded fluting and pontils, 20cm high (2) £80 - £120

473 473. An Irish glass scent flask, circa 1800, flattened lozenge form, half mitre cut decoration with stopper and embossed white metal screw cap, 14.5cm long £40 - £70

483. Three Bohemian coloured cased glass liqueur decanters, circa 1880, slender cylinder form, slice cut with hexagonal stoppers, in blue, cranberry and green, 36cm high (3) £80 - £120

476

474 474. An Irish cut glass scent bottle, circa 1790, navette flask form, facet cut hobnail central band with white metal screw cap, 13cm long £50 - £80

476. A George III cut glass claret jug and stopper, circa 1790, the tapered body with vertical slice cut and low relief banded neck above a ribbon border of star and flower motifs, crook handle and facet cut lozenge stopper, 28cm high £60 - £100 477. An Anglo Irish cut glass decanter, circa 1800, broad based taper form with three ring neck, facet cut star banding and facet cut disc stopper, 30.5cm high £60 - £80 478. An Anglo Irish cut glass decanter, circa 1815, three ring neck Prussian form, hobnail lappet panels and slice cut shoulder border, mushroom stopper, 25cm high £60 - £80 479. An Irish glass three ring neck Harvest decanter, circa 1800, probably Cork, Prussian form, engraved with harvest tools, plough and wheat, dip moulded fluting and pontil, annulated rings and faceted lozenge stopper, 26.5cm high £60 - £100 480. A George III three bottle glass cruet in wooden stand, circa 1800, including two Bristol blue bottles wiht gilded lettering and facet cut stoppers for Soy and Ketchup, the colourless bottle with laurel cartouche for Anchovie, in an ogee trefoil ebonised stand with turned brass supports and handle, 15cm high £70 - £100

484 484. A George III Bristol green glass decanter, circa 1780, broad based taper with three ring neck, with Old Sheffield Plate ring stopper inscribed Rum, 22.5cm high £80 - £120 485. A Georgian glass tazza, pedestal form with circular galleried top and Silesian stem, domed and folded foot, 30cm diameter, 15cm high £80 - £120

475 475. A cut glass claret jug and stopper, circa 1835, reeded cylinder form, with helmet lip, hollow bell stopper, 29cm high £60 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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488. Three Bristol blue and gilt glass spirit decanters in ebonised wooden stand, circa 1790, Indian Club form, each with a painted bottle ticket inscribed Hollands, Brandy and Rum, the lozenge stoppers with corresponding initials, the trefoil stand with bobbin turned and brass mounted ring handle, 27cm high £150 - £200 489. Three George III glass spirit decanters, circa 1775, in leather covered stand, lightweight taper form, including a pair of Bristol blue and gilt examples for Brandy and Hollands, initialled H and B, the thrid of colourless glasss engraved with lozenge and flower band, fluted base, 26.5cm high £150 - £200 486 486. A pair of silver mounted blue and gilt glass condiment bottles, circa 1770, mallet form, gilt foliate scroll cartouches and names Soy and Lemon, facet cut Gothic point stopers, 13.5cm high (2) £80 - £120

494 494. A Bohemian enamelled blue glass beaker vase, circa 1900, cylindrical form, painted with yellow enamel foliate scroll design with multicoloured jewels, 9cm high £40 - £60

490 490. A Victorian cut glass square spirit decanter, circa 1880, cuboid form, heavily decorated with octagonal hobnail panels and faceted bands, facet cut spherical stopper, 25cm high £30 - £50 491. A Victorian Nailsea glass miniature tea set, circa 1870, including bowl, jug, cup and saucer, combed opaque and colourless, ground polished pontils, jug 5cm high (4) £40 - £70 487 487. A George III cut glass decanter, circa 1790 boad based taper form, slice cut with three low relief rings to the neck, fluted to the base, engraved with a crest in beaded cartouche, the ball stopper faceted and cut, 28cm high £100 - £200

492. A 19th century Bohemian green cased glass portrait vase, pedestal form, with opaque plaque painted with a young lady, within a gilt foliate and polka dot ground, 23cm high £80 - £120 493. A late 19th century Continental cranberry glass vase, bottleneck form, enamelled with flowers and butterfly, 19cm high £60 - £80

495 495. A Stourbridge cut and engraved glass jug, circa 1870, probably William Fritsche for Thomas Webb, footed baluster form, hobnail cut and decorated with a spiralling band of bamboo and finely engraved bird, 28.5cm high £100 - £200 496. John Orchard for Stevens and Williams (attributed), a silver mounted intaglio cut glass scent bottle, London 1896, spherical form decorated with various flowers including honeysuckle, daisies, chrysanthemums and passion flower, together with a butterfly in flight, the globular lid embossed with foliate scrolls, 14.5cm high £100 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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499. Harry Powell for James Powell and Sons, a straw opal glass hanging shade, circa 1890, conical form with crimped rim, 18.5cm high, 18cm diameter Note: used in the lighting of W A S Benson £40 - £60

501 501. John Walsh Walsh, an Arts and Crafts opalescent glass and gilt metal Morning Glory vase, circa 1903, the optic ribbed trumpet horn vessel in straw opaline, held within a realistically modelled coiled tendril support, with glass bud and gilt leaf, 13.5cm high £50 - £100

497 497. John Northwood, after John Flaxman, a Victorian etched glass claret jug, circa 1870, footed amphora form with tricorn lip and loop handle, engraved with images from Flaxman’s illustrated Homer’s Odyssey, 1805, including Mercury’s Message to Calypso and the Table of Circe, between Neoclassical bands, 32cm high £100 - £150

502

500 500. Gertrude Jekyll for James Powell and Sons, Whitefriars, an exceptionally large Arts and Crafts glass Munstead flower vase, circa 1884, waisted conical form with flared neck, large polished lens pontil, 51cm high

498 498. An Arts and Crafts cased glass and silver plated vase, probably Stevens and Williams, circa 1890, the trumpet form tortoiseshell effect vase with crimped rim, marbled brown and amber over white opaque, within an ogee domed petal base, 24cm high £40 - £60

Note: designed by the influential garden designer, author and horticulturist, for her Surrey estate Munstead Wood (recently acquired by the National Trust earlier this year), this is one of the largest known examples from the range. Jekyll commissioned Powell and Sons to manufacture a range of simple and utilitarian vases for arranging flowers from her newly acquired plot of land near Godalming. The house itself was remodelled by Sir Edwin Lutyens in 1896.

An advert from The Garden journal, March 29th, 1884, shows the range of commercially produced vases of this design (cf. No.51) sold by James Green and Nephew. An optic ribbed example of the same size and design appeared at auction in Edinburgh in 2021, possibly the only other known vase. £300 - £500

502. Josef Riedel, a Secessionist etched, frosted and enamelled glass vase, circa 1910, ogee rimmed navette section boat form, decorated with central panels of knotted tendril and Art Nouveau foliate motifs in gilt enamel, on a semi iridescent incuse carved rustic tiger stripe ground, 14cm long £50 - £80 503. Louis Comfort Tiffany, a Pastel Favrile glass plate, circa 1910, cushioned octagonal form, radiating opaque bands and a turquoise opalescent fading rim, signed to foot edge LCT Favrile, 21.5cm diameter £50 - £100 504. Louis Comfort Tiffany, a miniature Favrile iridescent glass vase, circa 1905, shouldered ovoid form with, incised marks LCT Q6306, 4.5cm high £200 - £250

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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505

506

505. Loetz, a Secessionist iridescent glass Crete Papillon and silver overlay vase, circa 1900, square section wrythen form, applied with chased floral knotted vine, stamped German marks to the silver, 32.5cm high £800 - £1,200

506. Loetz for Van Hauten, a Secessionist iridescent Crete Papillon glass and silver plate mounted vase, dimpled double gourd form, encased within a cage of stylised foliate tendrils and buds, three whiplash handles, 38.5cm high £3,000 - £5,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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507. Arculus and Co., an Art Deco glass vase, circa 1925, footed ovoid form in amber Pompeian bubble glass,15cm high £30 - £50

515. An Art Deco enamelled glass posy bowl, the broad rimmed form with concentric bands in frosted green and yellow, conical body and polished pontil, 24cm diameter £30 - £50

508. Arculus and Co., an Art Deco twin handled glass vase, circa 1925, shouldered ovoid form in blue Pompeian bubble glass,13.5cm high £40 - £60

516 516. A set of Art Deco enamel and lustre painted glass lemonade or cocktail beakers, circa 1930s, ogee form, painted in red, silver and black with vertical waves between crescents and dots, 12.5cm high (6) £40 - £70

509 509. John Walsh Walsh, two Pompeian glasses, circa 1920s, including an electric blue vase or Champagne flute, waisted cylinder form on ball knopped stem, and a uranium green wine glass, on inverse baluster stem, 20.5cm high (2) £30 - £50 510. Stevens and Williams, an Art Deco optic moulded and threaded glass vase, circa 1920s, barrel form diaper moulding with purple spiral trailing, 21cm high £40 - £70 511. Stevens and Williams, an Art Deco threaded and optic moulded glass vase, circa 1920s, shouldered ovoid form, diaper moulding with pink spiral trailing, 15cm high £30 - £50 512. Edward Stromberg for Strembergshyttan, an Art Deco glass vase, circa 1935, optic blown campanula form with serpentine rim, ice blue, 25.5cm high £50 - £70

517 517. Stuart and Sons, a pair of Art Deco enamelled glass sundae dishes, circa 1930, the ogee bowls, ribbed to the lower section, painted with groups of graduated dots in yellow, orange and black enamel, on short knopped stems, acid marks, 10.5cm diameter (2) £20 - £40

513. Stevens and Williams, an Art Deco amber glass vase, circa 1930, optic ribbed beaker form, 25.5cm high £30 - £50 514. Stevens and Williams, an Art Deco optic ribbed glass vase, circa 1930, amber ovoid form, 25cm high £30 - £50

518 518. An Art Deco leaf cut glass vase, Harbridge Crystal, circa 1936, beaker form, engraved with vertical tendrils of mitre cut leaves and flower heads, acid marks, 19.5cm high

515

Note: similar to the popular Clyne Farquharson design for John Walsh Walsh circa 1938, the Harbridge example is illustrated in Benson, N and Hayhurst, J, 2003, Art Deco to Post Modernism, a Legacy of British Art Deco Glass, p.34 fig.175 and also Miller’s Glass of the 20s and 30s, p.35 £40 - £70

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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519 519. Ludwig Kny for Stuart, a set of Art Deco Ellesmere drinking glasses, circa 1930s, mitre cut fern design, acid marks, 10.5cm high (5) £40 - £70 522 522. Stevens and Williams, an Art Deco Royal Brierley cut glass jug, circa 1930, flared waisted form, decorated with bands of zig zag chevrons, hollow blown and cut loop handle, acid etched marks, 17.5cm high £50 - £80

520 520. Ludwig Kny for Stuart and Sons, a large Art Deco cut glass floating bowl centrepiece, circa 1936, flat dished circular tazza form, decorated with stylised palm frond panels, on a knopped stem and star cut foot, acid etched marks, 36cm diameter Note: see Benson, N and Hayhurst, J, 2003, Art Deco to Post Modernism, p.15, fig. 60 for an illustrated example of this comport £40 - £70

521

523

521. Ludwig Kny for Stuart and Sons, an Art Deco cut glass bowl, model 28004, designed circa 1938, conical footed form, the rim with stylised draped swags and festoons around a lens cut ring, the foot with leafy frond cut base, etched mark, 26.5cm diameter

523. Istvan Komaromy, a marbled glass lampwork figure, circa 1950, modelled as a nude woman dancing with a scarf, on a hollow spherical opalescent base, 31.5cm high £300 - £500

Note: an example is illustrated in Benson, N and Hayhurst, J, 2003, Art Deco to Post Modernism, p.14 fig. 44 £40 - £70

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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525. Istvan Komaromy, a pair of marbled glass lampwork figures, circa 1950, modelled as nude women dancing, pale blue and amber, on spherical black balls and domed wooden bases, 27.5cm high (2) £500 - £700 526. John Luxton for Stuart, two Modernist glass vases, circa 1954, footed forms, mitre cut with trellis and star and trellis and stylised flower designs, acid marks, 20cm and 16cm high (2) £40 - £70

527

524 524. Istvan Komaromy, a glass lampwork figure group, circa 1950, modelled as two nude women dancing, pink amber marbled bodies, on rose marble base, original sticker, 27.5cm high £500 - £700

527. David Hammond for Thomas Webb, a Modernist Echo glass bowl, circa 1953, rounded form, cut with alternating mitre and stylised leaf outline motifs, etched mark, 19cm diameter Note: the design was illustrated in the Studio Year Book, 1953-54, p.112 and Rayner et al., 1997, Austerity to Affluence, p.77, G7 £50 - £80

528

525

528. Irene Stevens for Webb Crobett, a Modernist cut glass cocktail shaker, circa 1950, double-lipped shouldered form, cut with a band of stars above vertical hatched bars, the ball knopped stopper with pouring grooves, acid marks, 25cm high £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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533, 535, 534, 529, 532, 536 & 530

529. Geoffrey Baxter for Whitefrairs, a Tangerine textured glass bark effect vase, model 9689, designed circa 1966, cylindrical form, 16cm high £40 - £70 530. Geoffrey Baxter for Whitefrairs, a Kingfisher blue textured glass bark effect vase, model 9689, designed circa 1966, cylindrical form, 16cm high £40 - £60 531. Geoffrey Baxter for Whitefriars, a Glacier textured glass decanter and six Eiger tumbler glasses, model 9725 and W4, designed circa 1967, the cuboid spirit decanter with flat stopper, original paper labels to the glasses, 27.5cm and 10cm high (7) £50 - £80 532. Geoffrey Baxter for Whitefrairs, a Tangerine textured glass bark effect vase, model 9690, designed circa 1966, cylindrical form, 19cm high £50 - £80 533. Geoffrey Baxter for Whitefrairs, a Kingfisher blue textured glass bark effect vase, model 9690, designed circa 1966, cylindrical form, 19cm high £50 - £80 534. Geoffrey Baxter for Whitefrairs, a Ruby textured glass bark effect vase, model 9690, designed circa 1966, cylindrical form, 19cm high £50 - £80

537

535. Geoffrey Baxter for Whitefrairs, a Kingfisher blue textured glass bark effect vase, model 9691, designed circa 1966, cylindrical form, 23cm high £60 - £80 536. Geoffrey Baxter for Whitefrairs, a Ruby textured glass bark effect vase, model 9691, designed circa 1966, cylindrical form, 23cm high £60 - £80 537. Geoffrey Baxter for Whitefriars, a Tangerine textured glass Drunken Bricklayer vase, model 9673, designed circa 1966, 21.5cm high £70 - £100 538. Geoffrey Baxter for Whitefrairs, a Tangerine textured glass TV vase, model 9677, designed circa 1966, 17.5cm high £80 - £120 538 For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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539. A Murano type glass handkerchief vase, late 20th century, cased green stripes over white opaque, 25cm high £50 - £80

540 540. Bent Severin fro Holmegaard, a set of six Princess liqueur glasses, designed circa 1957, the conical stems with teardrop inclusions, 9cm high (6) Note: see McConnell, A. 2006, 20th Century Glass, London, p.161 for an example of this design £40 - £60 541. Theodor Kappi for IIttala, a Modernist Finish glass vase, engraved with an intaglio carved vignette of Leander and the Swan, signed, 14cm high £40 - £70

542 542. Colin Heaney, an Australian studio glass iridescent goblet, 2002, wave combed conical bowl on a ball and claw knopped organic stem and marbled foot, signed, 20.5cm high £40 - £70

END OF DAY ONE

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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DAY TWO

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ORIENTAL AND TRIBAL 543. A near pair of Chinese Doucai style vases, globe and shaft bottle form, decorated with gilt dragons chasing pearls in a bat and floral sprigged ground, 17.5cm high (2) £40 - £70 544. Two Chinese monochrome vases, four character zhuanshu marks for Made in Jingdezhen, each of squat balsuter form, one with elongated neck, high fired hares fur glaze in purple sang de boeuf, 25.5cm and 11cm high (2) £80 - £120 545. A 19th Century Chinese famille rose coffee pot, teapot and cup with wishbone handle, painted in enamels with scenes of figures in domestic interiors and on verandas, coffee pot 24cm high (3) £80 - £120

548. A Chinese famille verte relief moulded vase, shouldered square section, each side with panels of acrobatic boys around central vignettes of figures holding objects in garden settings, 23.5cm high £100 - £200 549. A Chinese porcelain fish bowl, Qing Dynasty, the frieze decorated with two dragons with four claws amongst flowering foliage in yellow, pink and green enamels, the interior painted with goldfish amongst aquatic plants, 36cm high, 40cm diameter (a/f) £100 - £150 550. A Chinese blue and white crackled ice and prunus ginger jar, together with a Republican vase and cover, cylindrical form, peach moulded lid finial, 23cm high (2) £100 - £150

546. Anglo Indian School (19th century), Temple on the Mahindra Mountain Ganjam India, signed R Owen and dated 1865 l.r., watercolour, 23 by 29cm, unframed £80 - £120 547. A Japanese circular porcelain plaque, Meiji period, 1868-1912, painted with a pair of birds in flight amongst clouds, black script signature verso, 37cm diameter, framed £100 - £150

551 551. A Chinese famille verte ginger jar and cover, painted in the round with figures on horseback riding through a garden landscape, blue concentric ring mark, 22cm high £70 - £100

548

552. A Chinese ceramic Ruyi (ceremonial sceptre), 20th Century, profusely moulded with dragons and geometric borders and central cabochon, yelllow, blue, green and pink glazes, impressed seal marks, 52cm long, in a silk fitted presentation case with carved hardwood stand £150 - £200

552

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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559. A Chinese blue and white three piece garniture, the two baluster vases with lids, central sleeve vase, all with dragons within peony foliate grounds, 23cm high (3) £300 - £500 560. Three Chinese export plates, Cantonese, 19th century, painted with court scenes of scholars and tea, within European style fishscale and monochrome landscape cartouche borders, 23cm diameter (3) £300 - £500

553 553. A pair of Chinese bronze lion dogs of shishi, each modelled on four legs, curled tails and headdresses, 16cm long £150 - £250 554. A 19th Century Chinese provincial blue and white baluster vase, two-dimensional beast handles, the body decorated with an acanthus leaf and lappet border containing a band of trailing foliage, 38cm high £200 - £400 555. A Chinese famille verte ginger jar, decorated with panels of floral specimens within a speckled green and floral ground, blue concentric ring mark, 22.5cm high £200 - £300 556. China (19th century), Chinese scroll painting of a landscape and river scene, possibly Qing dynasty, 113cm x 38cm, framed £200 - £300

561 561. A Chinese famille rose brush pot, octagonal form, painted with a populated garden landscape to one half, the reverse with three panels of verse, on bracket feet, 10.5cm high £300 - £500

557. A Persian drawing of a prince on horseback, 19th century, and two others (3).

Provenance: previously in a collection in Cheshire, U.K £200 - £300 558. An Oriental lacquer dressing table box, the double hinged lid with folding mirror above three drawers, painted with dragons and Chinese motifs, side handles, 25cm wide, 19cn high, 30cm deep £300 - £400 562 562. A Chinese famille rose lotus form bowl, footed ogee section, mark for Eternal Blessings and Youthfulness, turquoise ground and yellow foot, enamelled with a bird in a tree, peony and wisteria, 23.5cm diameter £400 - £600 563. A Japanese satsuma ware baluster vase, Meiji period, 1868-1912, painted with a panel of fashionable ladies and infants and a landscape panel with birds and foliage against a mountainous river background, on a deep blue reserve ground with a tooled gilt foliage border, signed, 32cm high £400 - £600 564. A set of six Japanese blue and white relief moulded plates, ogee rimmed, each with an allegorical scene of tiger and figures in rocky landscape, highlighted with underglaze blue verses, 21.5cm diameter (6) £400 - £600

559

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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565 565. A pair of 19th Century Canton famille rose standing elephant candle holders, looking to the right and left respectively, with floral enamelled saddlecloths and caparisons supporting flaring vases on their backs, 16cm high, 14.5cm wide (2).

Provenance: Lot 414, Bonhams, 1st October 2008, Contents of Great Brampton House, Herefordshire £1,500 - £2,000 566. Five Chinese blue and white soup plates, 19th century, painted with conversational figures in garden landscapes, within bamboo and prunus borders, 23cm diameter (5) £400 - £600

570. A Chinese silk embroidered screen, in hardwood and mother of pearl inlaid frame, 73cm high £400 - £600 571. A large Chinese carved hardwood figure, modelled as a warrior with spear and dragon, 91cm high £400 - £600 572. Five Chinese blue and white plates, 19th century, painted with conversational figures in garden landscapes, within bamboo and prunus borders, 23cm diameter (6) £500 - £800

567 567. A set of six Chinese famille rose dinner plates, ogee bordered, enamelled with exotic water birds, within borders of peony, lotus and wildflower sprays, 25cm diameter (6) £400 - £600 568. A Chinese blue and white temple vase, inverse baluster form, painted with dragons and peony design, 32cm high £400 - £600 569. China (18th/19th century), Figures and cow among landscape, Chinese Qing dynasty, label verso J Midleton frame maker Chelsea, 85cm x 44cm, framed £400 - £600

573 573. A Chinese blue and white ewer, lobed baluster form, relief moulded dragon handle, painted with millefleur roundels of peonies between birds and insects, 26cm high £600 - £800

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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574 574. A Chinese polychrome ginger jar, probably Ming, painted with iron red peonies within a green foliate scroll ground, 16cm high £600 - £800 575. A Chinese famille verte vase, shouldered form, painted in the round with a nobleman on horseback embarking on a journey with attendant, below a bamboo neck, underglaze blue concentric ring mark, 45.5cm high £600 - £800 576. A Chinese bronze censer, Xuande cast mark, twin handled squat baluster form, 19cm long £800 - £1,200 577. A Chinese famille jaune vase, inverse baluster form, painted with dragons in flight amongst peonies, 45cm high £800 - £1,200 578. A pair of Chinese verse painted jardinieres, Republican, ogee fluted form, painted with scholars in garden scenes between verses of poetry, 28.5cm diameter (2) £800 - £1,200

577

576

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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581

582

583. A lage pair of Chinese blue and white temple jars and covers, inverse baluster form, painted with foliate scroll and lotus flower design, relief moulded masks to the shoulders, between lappet and Key borders, 48cm high (2) £1,200 - £1,800 584. A large pair of Chinese famille rose floor vases, shouldered form, Canton, relief moulded lizard shoulders and dog handles, painted with floral and populated garden landscape panels, 62cm high (2) £1,200 - £1,500

579 579. A Chinese jade style carved figure of an ox, modelled reclining, russet horns and veins, 27cm long £800 - £1,200 580. A Chinese blue and white five piece altar garniture, crackled ice and prunus ground, each with ogee lotus cartouches depicting still life table and vases, thee with lids, 31cm high (5) £800 - £1,200

585.

Three Chinese hardstone carvings, including a jade dragon, a man holding a bullock, and a monkey, 6.5cm (3) £60 - £80 586. A Chinese hardwood low table, early 20th Century, square section with inset pink marble top, scroll carved and fretwork frieze, block legs terminating in paw feet, 45cm high, 34cm square £80 - £120 587. A Peruvian Cahncay textile burial doll, woman with long hair and an expressive face, 18cm high £100 - £150

581. A pair of Chinese export famille rose platters, 18th century, canted rectangular form, painted with central court scenes of Emperor and dignitaries, within a European style geometric border of monochrome landscapes and birds, 37cm long (2) £1,000 - £1,500

588. A Peruvian Chancay textile burial doll, girl with long hair and an expressive face, 15cm high £100 - £150

582. A pair of Chinese famille rose twin handled vases and covers, 18th century, square section baluster form, reticulated archaistic dragon handles, Doucai type underglaze blue and white floral bordered panels of polychrome enamelled floral vases and sprays with insects, 34cm high (2) £1,000 - £1,500

590. A Peruvian Chancay triple group of textile burial dolls, each as children with expressive faces lying on a bed, 15cm by 15cm £150 - £200

589. A sea coconut coco de mer, carved into a basket with handle, 31cm long £100 - £150

591. A Peruvian Chancay textile burial doll group, two figures lying in a boat, 23cm long £150 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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FURNITURE 592. A 19th Century country side chair, double row spindle back, rush seat, baluster turned stretcher, pad feet £40 - £60 593. A late 19th Century oak hall chair of Gothic Revival design, fretwork pediment top rail, turned finials, vase splat, solid canted seat, trefoil fretwork legs, with a small stool of similar design (2) £60 - £100 594. A mid Victorian figured walnut tea caddy, circa 1860, domed hinged cover with fretwork brass Gothic mounts and escutcheon, fitted interior with twin divisions, 16cm high, 23cm wide, 13cm deep £70 - £90 595. A mid 19th Century mahogany coaching table, circa 1860, hinged top, X frame, baluster turned stretchers, 67cm high, 90cm wide, 50cm deep £80 - £120 596. A 19th century stained beech cellists stool, the serpentine seat on four splayed legs united by shaped stretchers £80 - £120 597. A Regency mahogany tea table, circa 1820, satinwood crossbanded fold-over top, single frieze drawer, ring turned supports, metal castors, 97cm wide £100 - £150

602 602. An early 18th Century oak side table, moulded top, twin double cushion paneled frieze drawers with brass drop handles and escutcheons, baluster turned legs, block feet, 80cm high, 160cm wide, 46cm deep £150 - £200 603. A late 19th Century Black Forest wall-mounted looking glass, circa 1880, the plate concealed behind a door carved with a medieval chivalry scene of a couple with a castle beyond, shell and scroll border, 41 by 37cm £150 - £200

598. A Georgian figured walnut pier glass, shaped pediment with inset carved and gilt shell, the frieze with a still life floral study in oils, moulded border, serpentine apron, the reverse carved with heraldry of a shield surmounted by a bird, 94 by 42cm £100 - £150 599. A Regency rosewood Daveport desk, circa 1820, swivel upper section with metal fretwork gallery, hinged leather inset writing surface, with integrated side drawer for writing requisites, four short graduated drawers with turned handles below, plinth, concealed castors, 85cm high, 52cm wide, 47cm deep £100 - £150 600. A George III country oak hall settle, circa 1770, quarter fielded panel back, downswept scroll arms, cabriole, legs, pad feet, 105cm high, 182cm wide, 69cm deep £150 - £200 601. A George III mahogany chest of drawers, circa 1770, crossbanded moulded edge top, brushing slide over four long graduated drawers with brass drop handles, shaped bracket feet, 83cm high, 79cm wide, 46cm deep £150 - £200

604 604. A late 17th/early 18th Century oak mule chest, moulded top, over a central drawer fascia flanked by cupboards on either side, triple cushion paneled frieze drawers below with drop handles, bracket feet £150 - £250

600

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

601

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608 605. A pair of Regency gilt pier glass mirrors, circa 1820, moulded beadwork borders, acanthus capitals, the friezes each with a classical profile portrait cameo within a lozenge border, 128 by 34cm (2) £150 - £250

609. A George III country oak dresser, circa 1780, plain moulded cornice, panelled back plate rack, triple frieze drawers over a central void flanked by panelled cupboards on either side, block legs,191cm high, 140cm wide, 40.5cm deep £300 - £500

606. A pair of Regency side chairs, circa 1820, two-tone green painted in the ‘Strawberry Hill’ Gothic taste, arched backs incorporating quatrefoil openwork tracery, and spindles, rush seats with period silk covered cushions, simulated bamboo legs and stretchers, 80cm high (2) £200 - £300

610. A mahogany serpentine chest of drawers of Georgian design, moulded top, brushing slide over four long graduated drawers with brass drop handles, Chinese blind fretwork canted pilatsers, shaped bracket feet, 82cm high, 75cm wide, 55cm deep £350 - £450

607. A William and Mary oak hall table, triple frieze drawers with brass handles, dated 1738, baluster turned supports united by an undulating stretcher, 68cm high, 108cm wide, 59cm deep £200 - £300

611. A George II mahogany crossbanded and strung kneehole desk, circa 1760, moulded edge top with central patera marquetry inlay, single long frieze drawer, slim concealed drawer below flanked by triple graduated short drawers to each pedestal with gilt metal handles, kneehole cupboard with patera inlay, shaped bracket feet, 77cm high, 76cm wide, 50cm deep £400 - £600

608. A George III country oak dresser base, circa 1770, moulded top, triple cushion panelled frieze drawers with brass drop handles and escutcheons, the base with two fielded panelled cupboards, block feet, 88cm high, 205cm wide, 56cm deep £200 - £300

612

609

612. A George III country oak dresser. circa 1770, open plate rack, a bank of spice drawers below, the frieze with six various sized drawers, triple arched apron, baluster turned supports, base shelf, block feet, 210cm high, 154cm wide, 49.5cm deep £400 - £600

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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615. Ford Maddox Brown for William Morris, an ebonised Sussex corner armchair, ring turned spindle back, drop-in rush seat, 73cm high £80 - £120 616. An Arts & Crafts side armchair, bar back, ring-turned arm supports and legs, rush seat, spindle stretcher £200 - £250 617. A folding wooden ‘steamer’ deck chair, early 20th Century, carved top rail, woven rattan seat, back and retractable footrest £120 - £150 618. In the style of Christopher Dresser, a modernist metal firescreen, circa 1996, stylised geometric foliate design, signed with monogram for J and J Salt £100 - £200 619. An Aesthetic Movement ebonised and gilt side cabinet, circa 1880, spindle gallery raised back with beveled mirrored plates, single long frieze drawer over a twin cushion panelled cupboard below painted with daffodils, flanked by open display shelving either side, base shelf, 157cm high, 151cm wide, 42cm wide £200 - £300

613 613. Gillows, Lancaster, a pair of George III mahogany hall chairs, circa 1790, shield backs with painted heraldry of William Brooks of Whalley (1763-1846), dished boarded seats, tapered front legs united by H stretchers, one stamped ‘Gillows Lancaster’, 94cm high, 49cm wide, 45cm deep (2).

Note: William Brooks was a cotton merchant and a banker and founder, in 1792, of the Banking House known as Cunliffe, Brooks and Co. which ultimately merged with Lloyds in 1900. His portrait hangs in Blackburn Museum and Art Gallery. A set of fourteen hall chairs including two armchairs of identical design were supplied to Stephen Tempest for Broughton Hall, Yorkshire painted with the Tempest crest in 1789 and remain in the collection of that house, the initial design of 1788 for the Broughton chairs, showing them with fluted legs and without the stretcher, is illustrated in Lindsay Boynton (ed)., Gillow Furniture designs 1760-1800 (Royston, 1995), fig.254 and p.175. one of the armchairs is illustrated and the set described in Susan E. Stewart, Gillows of Lancaster & London 1730-1840, vol.

I (Suffolk, 2008), pp.200/1. One of the set was also included in the 1991/2 Travelling Exhibition Gillow Chairs and Fashion, North West Museum Service, Blackburn, 1991 (Stephen V. Sartin et al.), and illustrated in the accompanying catalogue pp.17/19. An identical single example bearing the same heraldry appeared as Lot 430 in Halls of Shrewsbury Fine Funriture auction on 8th October 2014. £800 - £1,200 614. A pair of traditional elm cock fighting stools, dished seats, cabriole legs, pad feet, hoop stretchers, 38cm wide (2) £1,000 - £1,500

620 620. Attributed to Liberty & Co, an oak Arts & Crafts sideboard, circa 1905, leaded glass doors, carved ‘dragon’ panel, carved details, copper hinges and with the inscription “Let good digestion wait on appetite and health on both”, 203.5cm high, 152cm wide, 62.5cm deep £400 - £600 621. A steel framed rocking chair after a design by R.W. Winfield & Son, late 19th/early 20th Century, canvas seat and arms £600 - £700

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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622

622. Peter Waals, an oak refectory table, circa 1930, tapered plank supports united by a plank stretcher, 75.4cm high, 182.5cm wide, 69.5cm deep. Literature: J.C. Rogers, A.R.I.B.A., Modern English Furniture, Country Life, 1930, p.179 (similar form illustrated) £800 - £1,200 623. An Elizabeth II limed oak coronation stool, faded velvet upholstery with gold braiding, stamped ‘E.R Coronation’ dated 1953 and maker’s mark for Waring & Gillow, 46cm high, 46cm wide, 32cm deep £200 - £300

624. Gary Marcham for W.C.D. Interiors, a contemporary walnut, oak and mahogany love seat in the ‘Windsor’ tradition, 68cm high, 128cm wide, 57cm deep £500 - £600 625. After Marcel Breuer, a nest of three laminated beech plywood occasional tables, originally designed in 1936 for Isokon, largest 38cm high, 61cm wide, 46cm deep (3) £1,200 - £1,500 626. Andre Klauser for Thorsten van Elten, a set of four steel ‘Meccano’ chairs, powder coated in black, pale blue, red and yellow, maker’s marks (4) £100 - £150

625

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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CLOCKS 627. Thomas Armstrong & Brother, Manchester and Liverpool, a late 19th/early 20th Century Aneroid barometer, 15cm silvered dial, circular mahogany cushion frame crossbanded and strung border, 30cm diameter £80 - £120 628. Guilmet, Paris, a 19th Century gilt metal 'Mystery' wall clock, suspension chain supporting a circular case with ribbon pediment, 12cm circular dial with Roman numerals and visible movement, bell strike, pendulum, (key). £300 - £500

635. E. Robinson, Ludlow, a late Victorian burr walnut bracket clock, circa 1890, of Baroque design with pediment, brass finials, and canted glazed front door, gilt metal mounts, arched brass dial, silvered chapter ring with Roman numerals, the movement striking on double gongs, 39cm high, (two keys and pendulum) £150 - £200

629. L’Epee, a 1977 Royal Silver Jubilee commemorative miniature carriage timepiece, oval electroplated case with swing handle, visible escapement, white enamel dial with Roman numerals, 8cm high £50 - £100 630. A late 19th Century French gilt ormolu bracket clock, circa 1870, of Baroque design, surmounted with a model of a seated boy shepherd with dog companion, white enamel dial with Roman numerals signed ‘W.C. Show, Paris’, the movement striking on a bell, 38cm high, (key and pendulum) £80 - £120

636 636. R. Stewart, Paris, a desk timepiece and barometer combined, late 19th/early 20th Century, gilt metal case with protruding handle, the central thermometer flanked by a timepiece with Roman numerals and barometer either side, 16cm high, 16cm wide £150 - £200 637. A late 19th Century gilt metal torsion timepiece, of architectural form with a cupola and fluted columns, bronzed plinth, under a glass dome, 40cm high £150 - £200 631 631. A desk timepiece and barometer combined, late 19th/early 20th Century, gilt metal and bronzed case with a central thermometer flanked by an oval timepiece and barometer on either side, plinth, 14cm high, 21cm wide, (key) £100 - £200 632. A 19th Century mahogany mercury marine stick barometer, caddy top, Dry/Damp gauge, silvered principal gauge, brass cistern and gimbal wall bracket, 99cm high £100 - £150 633. An Edwardian mahogany and strung balloon-shaped bracket clock, circa 1910, 11cm enamel dial with Arabic numerals, gong striking movement, brass bun feet, 26cm high, (pendulum) £100 - £150 634. A French gilt brass carriage timepiece, silvered and filigree dial with Arabic numerals, beaded edges and hinged top handle, 14.5cm high £100 - £150

638. A French carriage alarm clock, early 20th Century, gilt metal case with reeded columns, swing handle, visible escapement, white enamel dial with Roman numerals and subsidiary hour dial, the movement striking on a bell, 11cm high £150 - £200 639. A French ormolu bracket clock, circa 1870, surmounted with a bronze model of a seated greyhound, white enamel dial with Roman numerals signed ‘Raingo Freres, Paris’, eight day movement striking on a bell, 49cm high, (key and pendulum) £200 - £300 640. A brass skeleton clock, Lichfield cathedral triple spire design, single fusee movement striking on a bell, white enamel dial with Roman numerals, 34cm high, on an ebonised oval plinth under a glass dome, (key and pendulum) £300 - £400 641. A 19th Century brass skeleton clock, enamel Roman numerals, single fusee movement striking on a bell, mounted on a rectangular ebonised plinth under and a brass framed glazed dome, 42cm high, (key and pendulum) £350 - £450

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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642

647

642. A French repeating carriage clock, early 20th Century, gilt metal corniche case with swing handle, visible escapement, white enamel dial with Arabic numerals, machine engraved white metal surround, the movement signed ‘R & Co, Paris’ and striking on a gong, 14cm high £400 - £500 643. A repeating carriage clock, early 20th Century, brass corniche case with swing handle, visible escapement window, white enamel dial with Roman numerals, the movement striking on a gong, 13cm high, (key) £400 - £500 644. Jacot, Paris, a repeating carriage clock, early 20th Century, gilt metal corniche case with swing handle, visible escapement, white enamel dial with Roman numerals, the movement striking on a gong, 12cm high £400 - £500 645. David Morice, London, a Regency bracket clock, circa 1820, arched top flame mahogany case with gilt metal swing handle, 18cm painted dial with Roman numerals, signed ‘David Morice, Fenchurch St, London’, fretwork sound grilles, gilt metal bracket feet, double fusee movement striking on a bell, 37cm high, (key and pendulum) £400 - £600 646. Le Roy & Fils, Paris, a gilt brass carriage clock, early 20th Century, five glass cornice case with visible escapement, swing handle, white enamel dial with Roman numerals, the movement striking on a gong, 13.5cm high, (key) £700 - £900 647. A French repeating carriage alarm clock, late 19th/early 20th Century, gilt metal corniche case with swing handle, visible escapement, silvered dial with Roman numerals and subsidiary hour and date dials, the movement striking on a bell, 12cm high, (key) £800 - £1,000

648 648. Drocourt, Paris, a repeating carriage clock, late 19th/early 20th Century, gilt metal corniche case, swing handle, visible escapement, white enamel dial with Roman numerals. the movement stamped ‘E. White, London’, striking on a gong, 14cm high, (key) £1,000 - £1,500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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649. Thomas Green, Bristol Hotwell, a George III bracket clock, ebonised chamfered case, caddy top with brass swing handle and urn finials, convex painted dial with Roman numerals, signed ‘Thomas Green, Bristol Hotwell’, fretwork side sound grilles, shaped gilt metal bracket feet, six pillar triple fusee movement, chiming phrases for the quarters on a graduated nest of eight-bells and completing `Queens` melody on the hour before striking hour on a larger bell, signed and dated 1789, 50cm high, 31cm wide, (key and pendulum), with a contemporary ogee front-sliding wall bracket, 37cm high, 17cm wide.

Note: Thomas Green is recorded in Moore, A.J. The Clockmakers of Bristol 1650-1900 as apprenticed to Charles Horwood, watchmaker and goldsmith on the 27th July 1771. He married Horwood`s daughter before setting up business at Chapel Row, Dowry Square, Hotwells, Bristol in 1780 where he stayed until relocating to Portland Place, Clifton in 1815. Moore transcribes the advertisement for the 1824 retirement auction of his workshop and comprehensive stock in trade, which includes `a capital Regulator by George Graham of London, ditto duplex jewelled and six other clocks of superior manufacturers in handsome cases`. The current lot is illustrated by Moore on page195. £1,000 - £1,500

649

650 650. Henry Capt, Geneve, a repeating carriage clock, late 19th/early 20th Century, architectural brass corniche case with swing handle, visible escapement, white enamel dial with Roman numerals and subsidiary hour dial, the movement striking on a gong, 14cm high £1,200 - £1,500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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WORKS OF ART

653

651. A pair of French bronze and ormolu storm lamps or lanterns, clear glass cylinder shades, the bases of Rococo scroll acanthus leaf design, raised on circular bronze plinths, 55cm high (2) £180 - £220

657. J Crawford (British early 20th century), portrait miniature of an Edwardian woman, wearing a string of pearls, blue shawl, signed l.l., 7.5cm x 6.5cm, gilt fame Ivory Act Exemption Certificate: SDXGRB32 £100 - £200

652. A Peruvian Chancay triple group of textile burial dolls, each as female figures with expressive faces lying on a bed, 13 by 21cm £200 - £300 653. A battery-powered car in the form of a half-size 1945 MG TC, constructed circa 1987, white metal livery, wire wheels including spare wheel, realistic interior red simulated leather upholstery, carpet and wooden dashboard with switchgear, powered by a 12-volt battery, plaque with serial No.007, approximately 165 cm long, 70cm wide £6,000 - £8,000 654. British School, 1830’s, a portrait miniature of Sarah Greenhow (18011891), married George Martineau 1792-1857, bust-length seated wearing a blue and pink floral dress with black necktie, dated 1838 l.r., sitter information verso, watercolour, 21 by 17cm, gilt frame £70 - £90

655 655. A 19th century military portrait miniature, depicting an army officer, circa 1830, half length, in red jacket with sash and 21st regiment sash, 9.5cm x 7.5cm Ivory Act Exemption Certificate No.FAFP84LA £200 - £400 656. Thomas Charles Wageman (British, 1787-1863), portrait of Arthur Fisher Tompson, (1818-1856), three-quarter length standing wearing a waistcoat and tunic holding a top hat and crop, signed and dated 1837 l.l., sitter information verso, watercolour, 30 by 23cm, framed £150 - £200

658 658. A 19th century military portrait miniature, depicting an army officer in red jacket, oval half length, 6.5cm x 5cm, black and gilt frame Ivory Act Exemption Certificate No.HX9VSXLH £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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659. A late 19th century portrait miniature, depicting two 18th century women, half length oval, in pink and blue dresses, 8cm x 6.5cm, black framed Ivory Act Exemption Certificate No.1Y1K4JX7 £40 - £70

666. WHT, an Edwardian portrait miniature, oval, half length, depicting blonde haired woman in white dress with peach waist band, signed l.l., 9cm x 6.5cm, gilt frame Ivory Act Exemption Certificate: SEK9BZRL £100 - £200 667. An Edwardian portrait miniature, oval bust length of a woman in lace trimmed dress, brown hair, 7cm x 5.5cm, gilt frame Ivory Act Exemption Certificate No.HT8XCA6X £60 - £80 668. British School, circa 1840, oval portrait miniature of a lady, bust-length wearing a white lace bonnet, watercolour, 10 by 8.5cm, gilt frame £50 - £80 664

660 660. A 19th century portrait miniature, circa 1820, depicting a lawyer in black coat holding a book, short white hair, oval, 7.5cm x 6cm, black frame Ivory Act Exemption Certificate No.YLCKL2Z4 £70 - £100

664. R..E..Forster (British, early 19th Century), oval portrait miniature of ‘Miss Jane Barrow, married Hall of Hill Park 1827..the Beauty of Kent’, three-quarter length seated wearing ringlets in her hair and an open-topped dress with floral fastening, signed l.r., sitter information verso, 24 by 19cm, framed £80 - £120

669. British School, circa 1820, oval portrait miniature of Ann, daughter of Rev Thomas XXXX of Bassaleg Monmouth, and widow of Thomas Lewis of St Pierre, Married Col. C. Kemeys Kemeys-Tynte of Halswell, April 25th 1798 and died 1835, bust-length wearing a green and lace trimmed bonnet and scarf, watercolour, 17 by 13.5cm, gilt frame £100 - £150

665

661 661. Julia Dagoty, a 19th century portrait miniature, half length oval depicting a gentleman in blue grey coat, signed and dated 1832, 7.5cm x 6cm Ivory Act Exemption Certificate No.K4N5XEVR £200 - £400

665. An Edwardian portrait miniature, bust length of a woman in pink dress, under a tree, in enamelled silver frame Birmingham 1916, 6.5cm x 5cm Ivory Act Exemption Certificate No.KVRJ1STR £70 - £100

670. A 19th century military portrait miniature, Col Taylor, circa 1830s, half length in regimental red jacket, 7.5cm x 6cm, black frame Ivory Act Exemption Certificate No.RKSHP3C8 £200 - £400 671. A pair of early 19th century portraits on ivory, circa 1830, depicting three quarter length lady and gentleman, seated, the man in a black coat, the woman wearing a yellow shawl, 13.5cm x 10cm, framed (2) Ivory Act Exemption Certificate No.BXNEBM9M £200 - £400

662. An early 20th century portrait miniature of an 18th century woman, wearing pearls and a blue sash, oval, 6.5cm x 5cm, framed Ivory Act Exemption Certificate No.XZ39D9K9 £40 - £60 663. An Edwardian portrait miniature, oval, depicting a dark haired woman in lace shouldered dress, signed indistinctly, 7.5cm 5.5cm, gilt framed Ivory Exemption Certificate number: PK3XAATB £100 - £200

670

672. British School, circa 1830, oval portrait miniature of a young lady, halflength seated holding a book, indistinctly signed l.l., indistinctly titled verso, watercolour, 11 by 8cm, black lacquer frame £40 - £60 666

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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673 673. A Bilston type enamelled snuff box, circa 1790, cuboid form, painted with Lorrainian landscapes in the Continental style, gilt plated mounts, 8cm x 6cm x 4cm £40 - £70 674. A George III silver mounted tortoiseshell magnifying glass, circa 1800, oval form, with fluted egde and brackets, hinged swing out lens, 8.5cm long, 6.5cm deep £40 - £70 675. A Regency woven silkwork picture, circa 1820, a pastoral scene with a man on horse with cart beside a pond, thatched farm building and a church with spire beyond, (believed to be a view near Chastleton, Moreton-in-Marsh, Gloucestershire), in a contemporary gilt frame with beadwork border, 23 by 30cm £50 - £80 676. Early photographic interest, four 19th Century daguerreotypes, three portraits, one shop facade and a small embossed red leather photograph album containing single and group portraits (5) £50 - £80

679 679. A George III silver mounted shagreen etui, tapered form, the hinged lid opening to reveal a compartmented interior, 13cm high £60 - £100 680. A Regency mahogany work box, circa 1820, of sarcophagus form with gadroon borders, twin division interior, 16cm high, 36cm wide, 20cm deep £70 - £90 681. A George II mahogany tea caddy, circa 1740, cast brass Rococo swing handle, caddy top, triple division interior, scroll escutcheon, bracket feet, 16cm high, 25cm wide, 14cm deep, (key) £70 - £100 682. A George III mahogany flatware box, circa 1790, crossbanded and strung, shell inlay to the hinged cover, cast brass side handles, 35cm high £70 - £100 683. A Victorian leather Cordite bucket, cylindrical form, transfer printed with the Royal coat of arms, 37cm high £70 - £90 684. A pair French gilt ormolu double branch wall sconces, 19th Century, of openwork Rococo Revival design incorporating scrollwork, baskets of flowers, (later converted to electricity), 47cm high (2).

Provenance: Christie’s Scotland, 9th November 1998 £80 - £120 685. A Victorian work or sewing box, two hinged covers with country house panels inside geometric borders, the swing handle with foliate decoration, 18cm long, 13cm wide £80 - £120

677 677. An early 20th century Czech violin, labelled for Alois Mraz, Praha ( Prague ) and dated 1906, fine grain, with two piece back, 56cm long £50 - £80

686. A George III flame mahogany and boxwood strung tea caddy, circa 1810, rectangular form with copper ring handle, fitted interior with central glass mixing bowl flanked by twin lift-out lidded tea canisters, 16cm high, 31cm wide, depth 16cm £80 - £120

678. A George III mahogany flatware box, circa 1790, crossbanded and strung, shell inlay to the hinged cover, fitted interior, 36cm high, (key) £50 - £80

687. A 19th century silvered bronze bust of Bacchantes, modelled with eyes partially open, on a turned black marble base, 20.5cm high £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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688 688. A 19th century European violin, stamped under the scroll for Turner of London, stamped makers emblem to button, single piece back, 60cm long £80 - £120 689. A small 19th century Derbyshire Blue John dish, circular rounded form, 6.5cm diameter £100 - £150 690. A mid Victorian coromandel work box, circa 1870, the cover with an inset electrotype roundel depicting a joyful cupid scene, pierced brushed brass gothic border and escutcheon, silk lined fitted interior containing a bone tape measure/pin cushion combined and a bone stanhope needle case, 14cm high, 30cm wide, 23cm deep £100 - £150 691. Ten antique bone lace bobbins, mottoes and names, Sweet William, Marry Me, Emma, John, Dear Joseph, Ann (2), Edward, Sarah, Eliza (10) £100 - £150 692.

No lot

695 695. A continental automaton singing bird box, in the manner of Karl Griesbaum, embossed and chased foliate scroll design with hinged oval lid of putti and bird cage, 10cm wide, 6cm deep £150 - £250 696. Forty-two antique bone lace bobbins, five with names, Ann, Mary, Ann, Henry and Jane (42) £150 - £200 697. Fifteen inscribed antique bone lace bobbins, twelve named, Levinia, Emma, Job, John, Sarah, Jane, Philis, Susannah, David, Oliver, Albert, Betsy, motto True Love, two spirals inscribed Kiss Me and A Present (15) £200 - £300 698. Large Carved Marble advertising Slab H S Forsey Late Lane, carved and incised lettering for Purveyors of Corned Beef and Pickled Tongues 107cm x 82cm £200 - £400

693. An Edwardian portrait miniature, oval, depicting a blonde haired girl in white dress, 7cm x 6cm, gilt metal frame Ivory Act Exemption Certificate: B7RQANVQ £100 - £150

699 699. A pair of Victorian novelty antler horn candlesticks, circa 1890, modelled as characterful birds, set with glass bead eyes, curled beaks and fringed hair, mounted in brass, 10cm high (2) £200 - £400 700. A 19th century French Grand Tour bronze obelisk thermometer, modelled as the Luxor obelisk, Paris, raised on square black marble base set with metal railings, fence, 27cm high £200 - £300 694 694. A French silver mounted lacquer snuff box, circa 1780, circular with pink and white pin stripe laccquer, central painted Claudian landscape within tooled ribbon and fluted borders, tortiseshell lined interior, 8cm diameter £100 - £200

701. A pair of 19th century French bronze Rocco chenets of Rococo design, cast with a nude reclining maiden and man, 14.5cm high (2) £250 - £350 702. A 19th century bronze figure group, modelled as two resting deer, raised on rectangular marble base, 13cm high £250 - £350

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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703. Twenty antique bone lace bobbins with mottos and names, many made by ‘Bobbin’ Brown, mottoes, Love will U Marry, Forget me Not, My Dear Father, Jesus...an Love Me too, Kiss Me Quick, names include Dear John, Dear Jonas, Lydia, Lucy, Jesse, Sophie, Charles, Eliza (2), Thomas, Edith and four others including a pewter ‘tiger’ (20) £250 - £300 704. Seventy-two antique bone lace bobbins, decorated, some with pewter spots and wire, others with brass wire, slashes, named Joseph Perrins, Edith, Jane, Edward, Eliza, Samuel, Louisa, Victoria (spiral) (72) £250 - £350 705. A Regency tortoiseshell tea caddy, circa 1820, of serpentine form with silver stringing inlay, fitted interior with twin lidded divisions, plinth, ball feet, 14cm high, 20cm wide, 13.5cm deep.

Exemption Certificate No.8TX9F5FB £300 - £500 706. Naval interest, a pair of 19th century reverse glass silhouette diorama pictures, H.M.S. Euryalus and H.M.S “Lee” Gun Boat, 19 by 23cm, ogee frames (2) Note: H.M.S. Euryalus was a Royal Navy frigate which was present in the Battle of Trafalgar £300 - £500 707. A parquetry peat bucket, ribbed design, alternating vertical staves tapering to foot, brass liner with swing handle, 34cm high £300 - £500 708. A 19th century Italian Grand Tour bronze candlestick holder, modelled as the Roman Temple of Vesta, removable lid converts into smaller candlestick holder, 17cm high £400 - £600

711 711. A George III Derbyshire Blue John and Fluorspar vase, circa 1815, urn form, the main body probably of Millers Vein, on Fluorspar base, with gilt metal mounts, 32.5cm high £1,500 - £2,500

709 709. A pair of bronze and gilt metal figural candelabra, circa 1890, modelled as putti holding flowering torches of lilies and daisies, four branched sconces, on green and black marble socle bases, 53cm high (2) £300 - £500 710. A George III Derbyshire Blue John pedestal cup, circa 1800, three section turned stem on a splayed foot, supporting a dished bowl of ogee form, 13cm high £400 - £600

712 712. A George III Derbyshire Fluorspar pedestal dish, circa 1810, ogee tazza form on turned socle base, on an Ashford marble block plinth, 16cm diameter, 16cm high £1,500 - £2,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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713

713. A pair of 19th century Derbyshire Blue John candlesticks, circa 1820, turned Neoclassical form, on Ashford marble slab bases, 18.5cm high (2) Provenance: Spurrier Smith Antiques, Ashbourne, Derbyshire; private collection £3,000 - £5,000 714. A pair of Aesthetic Movement framed tile panels, one painted with a falconer, the other with a lady flower picking, polychrome decorated, 60cm x 19cm (2) £350 - £450 715. An Aesthetic Movement walnut and brass panelled mechanical coal scuttle, the twin doors opening with the movement of the top handle, embossed with storks, 34cm wide, 44cm high £80 - £120 716. A pair of Arts and Crafts cast copper andirons, circa 1900, the Voysey style heads modelled in relief with stylised heart trees, on crook necks and turned baluster stems and ogee strap and bisected pad feet, 30.5cm high (2) £200 - £300 716 For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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717. An Art Deco Yalacta bakelite yogurt maker, with seven hexagonal section Pyrex glasses, circa 1930s-50s, 28cm diameter £50 - £80 718. Two German bronzed metal figures of elephants, realistically modelled, one marked for Keyser, 26cm high (2) £100 - £200 719. Alfred Emilien de Nieuwerkerke (French, 1811-1892), William I, The Silent Prince of Orange, signed and dated 1843, bronze, oval base, raised on a white marble plinth, bronze 38cm high, 34cm wide £200 - £300

721 721. Emmanuel Villanis, an Art Nouveau bronze bust, Fille D’Eve, circa 1900, modelled as a woman with an apple, on red marble base, signed in cast E Villanis, 24cm high £200 - £300 722. Emmanuel Villanis, an Art Nouveau bronze bust, Sapho, circa 1900, modelled as a girl with plain headband, signed in cast E Villanis, 40cm high £400 - £600

720 720. Emmanuel Fremiet (French, 1824-1910), Saint Michel, signed, No.584 and dated 1878?, bronze, dark brown patina, mounted on a red veined circular marble plinth, 56cm high including plinth £1,500 - £2,000

723 723. Emmanuel Villanis, an Art Nouveau bronze bust, circa 1900, modelled as a woman with headdress and brooched gown, on green marble base, signed in cast E Villanis, 50cm high £800 - £1,200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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724. Otto Poertzel (German, 1876-1963), Turkish Boy, an Art Deco silvered bronze and ivory figure, circa 1925, modelled as a boy in traditional costume and turban, on black marble base, signed Prof Poertzel, 11cm high Ivory Exemption Certificate No.HT3AAN2X £1,000 - £1,500 725. Demetre Chiparus, Dancer of the Ganges (Chain Dancer), an Art Deco gilt and enameled bronze figure, circa 1925, modelled as a semi nude woman in Egyptian style skirt and headdress, arms out and standing on one leg, on an onyx pyramidal base, incised signature to base Chiparus, 30cm high £3,000 - £5,000 726. Josef Lorenzl, an Art Deco gilt metal and onyx figure, circa 1925, modelled as a dancer with arm raised, apparently unsigned, 35.5cm high £80 - £120 727. Max Le Verrier, a patinated art metal figure, circa 1925, modelled as a man with trumpet and flame on composite stone shard base, Incised mark M Le Verrier, 39cm high £100 - £200 728. An Art Deco patinated art metal and granite light fitting, circa 1930, modelled with three stylised pelicans, supporting a milk glass bell shade, 21cm diameter £80 - £120 724

729. In the style of Karl Hagenauer, an Art Deco brass and ebonised sculpture, modelled as an African water carrier, on a circular plinth base, 54cm high £300 - £500

730 730. Kal Hagenauer, an Art Deco nickel plated sculpture, after 1927, modelled as a female head with curled flowing hair, stamped marks, 20.5cm high £800 - £1,200

725

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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METALWARE

737 737. WMF, an Art Deco style silver plated three branch candelabrum, the three organic cornucopia united by a central sphere, on circular stepped base, 19cm high £50 - £80

731 731. WMF, a Jugendstil silver plated mirror, Echo, model 131, modelled in relief with a stylised flowering tree and sinuously clad maiden peering into the bevelled glass, easel back, 37cm high £800 - £1,200 732. WMF, a Jugenstil silver plated comport candlestick, model 329 and 218, the cantilevered sinuous whiplash tendril arm supporting a sconce and a removable dish, 15.5cm high £40 - £70 733. WMF, a Jugendstil copper and brass double inkwell, diamond embossed tray with cylindrical and dome lidded ink pots, united by bars, stamped mark, 23.5cm long £40 - £70 734. WMF, a Jugenstil silver plated and cut glass liqueur set, the embossed and reticulated circular twin handled tray, with floral and C scroll border, central banded and facet cut deanter with six beaker tot glasses, 26cm long £40 - £70 735. Albin Muller for WMF, a Jugendstil silver plated liqueur set, the splayed square base lidded jug and six beakers, cast with stylised seed head roundels, angled and fanned handle, wishbone finial, 22.5cm high £150 - £250 736. WMF, a Jugendstil copper and brass matchbox holder, the rectangular holder supported on two arched elephant head arms united by a crossbar, on a circular concave dished base, 13cm high £50 - £80

738 738. BH Edlunds for Svenskt Tenn, a pair of pewter two branch candelabra, 1928, the trumpet form bases supporting foliate moulded arcaded branches with central budding flower, stamped marks, 24.5cm high (2) £40 - £60 739. Archibald Knox for Liberty and Co., a Tudric Arts and Crafts pewter vase holder, conical form on three open flying buttress propellor feet, pierced with honesty seed pods, 12cm high £50 - £80 740. A Jugendstil copper and brass chamberstick, probably Carl Deffner, the urn form sconce embossed with diamond motifs, supported in a two armed arch and domed base, elongated branch handle with knotted tendril terminal, 10cm high £60 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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746. An Arts and Crafts copper photo frame, rectangular form, repousse decorated with Glasgow style roses, off centre knotted rope bordered aperture, easel back, opening 15.5cm x 10cm, overall 30cm x 23cm £100 - £150 747. Archibald Knox for Liberty and Co., a Tudric Arts and Crafts pewter pen tray, model 01271, mushroom ended rectangular form, embossed with celtic knot panels, 20.5cm long £100 - £150 748. Archibald Knox for Liberty and Co., a Tudric Arts and Crafts pewter basket, model 0357, oval form with top handle, cast with stylised square leaves, 31.5cm long £100 - £200 749. Liberty and Co., an Arts and Crafts Tudric pewter and enamelled casket, model 0851, cushioned cuboid form, the lid with a metallic red, green and blue enamel roundel, 11.5cm wide, 8cm high, 9cm deep £100 - £150

741 741. Archibald Knox for Liberty and Co., a Tudric Arts and Crafts pewter lidded jug, model 0335, cylindrical form, with knotted whiplash strap handle, flat hinged lid, 19cm high £70 - £100 742. Liberty and Co., a Tudric Arts and Crafts pewter preserve spoon, the pointed bowl on a multi tendril stem with open spade finial, 16.5cm long £80 - £120 743. Archibald Knox for Liberty and Co., an Arts and Crafts Tudric pewter broad rimmed dish, model 0111, embossed with stylised leaf motifs to the rim, 24cm diameter £80 - £120 750 750. Archibald Knox for Liberty and Co., a Tudric Arts and Crafts pewter vase, model 0512, the beaker form vessel with serpentine rim, relief moulded with coiled buds, on four open whiplash brackets and disc foot, 10cm high £120 - £180

744 744. David Veasey for Liberty and Co., an Arts and Crafts Tudric pewter crumb tray, model 0509, the segmented dish cast with geometric stylised leaf and berry motifs, naturalistic organic handle, 15.5cm long £100 - £150 745. Archibald Knox for Liberty and Co., an Arts and Crafts Tudric pewter crumb tray, model 0508, sinuous organic leaf form, cast with a spiralling tendril terminating in buds, 28cm long £100 - £150

751 751. Archibald Knox for Liberty and Co., a Tudric Arts and Crafts butter knife, cast with knotted tendril and leaf handle, 14.5cm long £130 - £170

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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754. Archibald Knox for Liberty and Co., a Tudric Arts and Crafts pewter twin handled tray, model 0311, oval form with moulded beaded bud and whiplash tendril border, 36cm long £180 - £220 755. Archibald Knox for Liberty and Co., a Tudric Art and Crafts pewter inkwell, model 0403, the shaped rectangular tray with central hinged lid well, cast with angled knotted tendril and rose bud motifs, 23cm long £180 - £220 756. Archibald Knox for Liberty and Co., a Tudric Arts and Crafts pewter and enamelled dish, model 0535, reticulated oval boat form, central turquoise and green metallic enamel panel, cast in relief with knotted honeysuckle, 25.5cm long £200 - £300

752 752. Archibald Knox for Liberty and Co., a Tudric Arts and Crafts pewter and glass butter dish, model 0575, circular form, four open tendril bracket legs between incised basket weave swags, green glass liner, 13.5cm diameter £150 - £200

757 757. An Arts and Crafts copper casket, repousse embossed with stylised poppy heads and leaves, embossed cigars, riveted strap legs, cedar lined, 22.5cm wide, 9cm high, 15cm deep £200 - £300

753 753. Margaret Gilmour, a Glasgow School Arts and Crafts pewter mirror, circular form, repousse embossed with leaf and flower motifs, incised monogram, 36cm diameter £150 - £250

754

758

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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758. Oliver Baker for Liberty and Co., a large Tudric Arts and Crafts pewter twin handled vase, model 0786, footed conical form, planished,with fret cut and riveted strap handles, embossed with a band of stylised leaves set with turquoise cabochons, 35cm high £220 - £280 759. Archibald Knox for Liberty and Co., an Arts and Crafts Tudric pewter three piece tea set, model 0231, the teapot of squat ovoid form, embossed with knotted budding tendril motifs, on skate feet, rattan handles, including jug and bowl, 25cm long (3) £220 - £280 760. J and F Pool, Hayle, an Arts and Crafts copper watering can, cuboid form, embossed with Glasgow School roses on a rusticated planished effect ground, on four spherical ball feet, arched top handle, 30cm high £220 - £280

763

761 761. Archibald Knox fo Liberty and Co., an Arts and Crafts Tudric pewter and enamelled candlestick, model 0219, the broad base with three panels of blue green enamel between stylised leaves, 11cm high £250 - £350 762. Archibald Knox for Liberty and Co., a Tudric Arts and Crafts pewter and enamelled tray, model 0163, broad rimmed circular form, cast with knotted leafy tendrils and applied with foil backed blue green enamel leaves, 25.5cm diameter £280 - £350 763. Liberty and Co., a pair of Tudric Arts and Crafts pewter and cabochon set vases, model 030, waisted form with three wrythen tendril handles, set with three turquoise stones to each, 19cm high (2) £300 - £400 764. Archibald Knox for Liberty and Co., a Turic Arts and Crafts pewter tazza, model 01161, the shallow dished and planished bowl with bud and tendril border, supported on three blade buttressed stem legs and domed base, 26cm diameter 25.5cm high £300 - £500

764

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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765. Liberty and Co., a Tudric Arts and Crafts pewter and enamelled box, model 0125, planished casket form with hinged lid, inset with a landscape panel of yachts on an estuary, cedar lined interior, 17cm wide, 5.5cm high, 10.5cm deep £400 - £500

766. A E Jones, a pair of Arts and Crafts silver and turned oak candlesticks, Birmingham 1914, the Tuscan column supports on planished and swept square section bases with ropetwist banding, dished sconces, 23.5cm high (2) £800 - £1,200

765

767. Archibald Knox for Liberty and Co., an Arts and Crafts Tudric pewter and Clutha glass comport, model 0276, the double ogee marbled aventurine glass bowl supported in a pierced foliate tendril dish on three buttressed legs and circular base, 17cm high £800 - £1,200

766

767

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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CONTINENTAL CERAMICS 768. A Middle Easterm terracotta painted plate, decorated with stylised flower heads and geometric and beaded bands, 30cm diameter £30 - £50

773. Collet, pair of porcelain metal mounted vases, urn form, painted with muses and putti in clouds, mounted in champleve enamels, 21cm high (2) £100 - £200

769. An Italian Maiolica albarello pharmacy jar, probably 17th century, waisted shouldered form, polychrome decorated with foliate scroll motifs £40 - £60 770. A majolica polychrome plate, circa 18th century, lobed ogee form, moulded with putti playing with a goat within a swags rosettes, putti and sun in splendor border, 29cm wide, together with a Dutch Delft polychrome dish, probably 17th century, painted with Cupid within tulip border, 34cm wide (2) £150 - £250

774 774. Antoine Barrier for Limoges, a pate sur pate plaque, decorated with two hunting dogs in a field, signed, framed, 11cm x 17cm £80 - £120 775. Antoine Barriere, an Art Deco Limoges pate sur pate panel, circa 1925, circular plaque form decorated with a kneeling woman and hoop, gilt foliage, incised marks, 13cm diameter, framed £100 - £200

771 771. A Berlin porcelain tea canister, cuboid form with serpentine sides, relief moulded Rococo foliate scroll shoulders and edges framing painted floral bouquets and sprigs, underglaze blue sceptre mark, 12cm high £40 - £60

776

772 772. A Meissen view painted tea cup and saucer, ogee lotus moulded, painted with quatrefoil vignettes of Romantic landscapes in the Claudian style, within hand decorated foliate scroll borders, on a canary yellow ground, 13.5cm diameter £80 - £120

776. Goldscheider, figure group of a girl and Scottie dog, printed and incised marks 7664, 23cm high £200 - £300 777. Charles Catteau for Boch Freres, an Art Deco vase, circa 1925, shouldered form, incised and enamelled with flowerhead roundels on sand ground, printed and impressed marks, 28cm high £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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ART POTTERY 779. William Moorcroft for Liberty and Co., a Grape lustre bowl, circa 1908, footed rounded drum form, printed marks and underglaze green signature, 25.5cm diameter £150 - £250 780. A set of six Moorcroft Christmas miniature vases, various forms, 2011, 5.5cm high, in original case (6) £300 - £500 781. William Moorcroft, a Waratah vase, circa 1930, shouldered ovoid form, impressed marks and facsimile signature, 25cm high £4,000 - £6,000 782. Christopher Dresser (attributed) for Old Hall, two Aesthetic Movement blue and white Brighton pattern dinner plates, 26cm diameter (2) £40 - £70 778 778. William Moorcroft, a Pomegranate ashtray, circa 1920, squat domed form, with metal mounts, impressed marks, 10.5cm diameter £40 - £60

783. Christopher Dresser, an extensive Wallis Gimson Alexandria pattern part dinner service, including 13 dinner plates, five side plates, three dessert plates, two pairs of tureens and covers of different sizes, ladle and gravy boat etc. £100 - £150

781

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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784. William Morris, a Rose and Trellis tile, designed circa 1880, Poole Architectural Pottery, blue and gree, moulded marks, 15.5cm square £40 - £70

785 785. William De Morgan, a Carnation double tile panel, circa 1898, pink flowers and green foliage, impressed DM marks, 15.5cm square (2) £300 - £500 786. William De Morgan, a Carnation double tile panel, circa 1898, pink flowers and green foliage, impressed DM marks, 15.5cm square (2) £300 - £500 787. C F A Voysey for Pilkington, three Arts and Crafts tiles, circa 1902, moulded tulip design, blue and green glaze, raised P mark, 15.5cm square (3) £400 - £600 788. After W S Coleman for Minton, an oval portrait plaque, 1888, painted with a girl with bead necklace and headdress, impressed marks, 20.5cm x 15cm £60 - £80 789. Robert Wallace Martin for Martin Brothers, a characterful stoneware sculptural bird jar, 1894, speckled brown with blue striped wings, modelled with splayed talons, tilted head and hunched shoulders, squinting eyes broad beak and quizical frown, incised marks to the head and base Martin Bros London + Southall 1-1894, 28cm high £20,000 - £25,000

789

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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790

790. Robert Wallace Martin for Martin Brothers, a stoneware sculptural jar, 1899, modelled as a characterful standing bird with rounded belly and ruff, striped black on brown breast, pale blue, green and tan wings, flanged neck to the body, incised marks to the head R W Martin + Bros, and to the base Martin Bros London + Southall 4-1899, 23.5cm high Provenance: Sotheby’s 29th May 2003, lot 372

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£18,000 - £25,000

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791

791. Robert Wallace Martin for Martin Brothers, a characterful Judge stoneware sculptural jar, 1889, modelled as a bird with long wig, blue blazed breast and crossed talons, with green tipped wing and tail feathers, incised marks to base Martin Bros London + Southall, the head marked Martin Bros London + Southall 4.1889, 25cm high £20,000 - £30,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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792

792. Robert Wallace Martin for Martin Brothers, a stoneware sculptural bird jar, 1881, modelled as a characterful figure with lopsided squinting eyes, elongated beak and knuckled webbed feet, incised patch mark to body R W Martin London 1881, to the neck R W Martin + Bros London + Southall, 33cm high £30,000 - £50,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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794

793. Robert Wallace Martin for Martin Brothers, a small stoneware vase, shouldered and footed bottle form, sgraffito decorated with leaves and cobweb motifs, incised marks Martin London + Southall, 15cm high £100 - £200

794. Harry Nixon and Charles Noke for Royal Doulton, A Quaint Old Bird, a characterful high fired Chang glazed bird jar, circa 1915, modelled as a squat figure with broad beak and owl like eyebrows, crackled grey glaze, painted marks and monogram, 22cm high £6,000 - £8,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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799 799. Wemyss, an apple painted plate, decorated with two fruits on a leafy branch, green border, impressed marks, 14cm diameter £30 - £50

795 795. Eliza Hubert and William Parker for Doulton Lambeth, a stoneware pate sur pate vase, circa 1880, baluster bottle form, relief moulded with Gothic tracery and central band of trefoil and ogee arched arcading, slip decorated with stylised fern and flower motifs, incised marks, 27.5cm high £120 - £180

800 800. Wemyss for Thomas Goode, a Beehive painted plate, decorated with bees in flight around a central hive, impressed and printed marks, 14cm diameter £40 - £60

796 796. Lizzie Shettleworth for Doulton Lambeth, a pair of faience vases, circa 1885, footed amphora form, painted in the Aesthetic style with panels of orange blossom, central band of gingham trefoil vignettes, painted marks, 19cm high (2) £150 - £250 797. A Royal Doulton stoneware jardiniere and stand, relief moulded Art Nouveau style foliate cartouches, 106cm high £400 - £600 798. Francis Pope for Royal Doulton, a stoneware jardiniere on stand, sgraffito decorated with knotted tendril and rosette design, 104cm high £500 - £700

801 801. Wemyss for Thomas Goode, a cherry painted bowl, rounded with everted and crimped rim, impressed and printed marks, 14m diameter £40 - £70

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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806. Wemyss for Thomas Goode, a plum painted and relief moulded preserve jar and cover, cylindrical drum form, the finial modelled as a leafy branch with fruit, impressed, painted and printed marks, 11.5cm diameter £70 - £100

811. Susie Cooper, a Studio Ware vase, circa 1930, shouldered cylinder form with concentric ribbed neck and dimpled body, incised signature, 17cm high £40 - £70

807. E R Wilkes for Howson, a Flambe vase, 1911, inverse baluster form, marbled gray over red, incised marks, 22cm high £60 - £80 802 802. Wemyss for Thomas Goode, a plum painted Biscuit box and cover, cylindrical drum form, the lid with inscription Biscuits, green denticulated borders, impressed and stamped marks, 12.5cm diameter £40 - £70

808. Ruskin Pottery, a pair of Art Deco cystalline candlesticks, circa 1932, hexagonal section splayed form, turquoise glaze, impressed marks, 20cm high (2) £80 - £120 809. Daisy Makeig-Jones for Wedgwood, a Fairyland lustre Gondola pattern Lily bowl, circa 1920, pattern No.Z4968, gilt Portland vase mark, 33cm diameter £1,500 - £2,000 810. An Art Deco tea set, T C Poole and Galdstone china, circa 1930s, conical form with green and range transfer floral design, including 6 cups, saucers and plates, teapot stand and jam dish £40 - £60

812 812. Alfred Read for Poole, a large PKT pattern bowl, shallow conical form with stepped rim, painted with concentric geometric bands to the interior, 36cm diameter £80 - £120 813. Alfred Read for Poole, a PT pattern vase, rounded beaker form, painted with knotted foliate motifs in purple and green, 18cm high £80 - £120

803 803. Wemyss, a twin handled cockerel mug, cylindrical form, painted to each side with chichens and a cockerel in a field, elongated ridged handles, impressed marks, Wemyss Ware RH&S, 14cm high £100 - £200 804. Wemyss, two Cockerel painted vessels, including cylindrical tankard and a waisted vase, each decorated with chickend and cockerel in a field, impressed marks, 14cm high (2) £50 - £80

805 805. Wemyss, a blackberry painted and relief moulded preserve jar and cover, cylindrical drum form, the lid in the form of a leaves and berry, painted mark, 11cm diameter £60 - £80

809

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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STUDIO POTTERY 822. Mary Rich, a small studio pottery vase, shouldered cylinder form with broad rim, green blue ground with gilt geometric chevron banding, impressed seal mark, 11.5cm high £40 - £70

814. A Japanese pottery and lacquer Noh mask of Hannya, open red mouth bearing fangs, 18cm high £40 - £60 815. Akitoshi Kurosaki, a studio pottery Saki cup, fluted and footed form, purple glaze, in signed wooden box, 5cm high £30 - £50 816. Rakusai Onishi, an Akahada vase, bulbous form, mottled iron over blue glaze, in signed wooden box, 13cm high £40 - £60 817. Eichi Kato, a studio pottery Seto tea bowl, cylindrical footed form, cracked grey glaze, in wooden box, 8cm high £40 - £60

818

823

818. Philip Evans (b. 1959), a stoneware hand built multifired vessel, oval form, red glaze interior, textured finish with applied gold leaf, incised signature, 8cm high £40 - £60

823. Eddie Hopkins for Winchcombe Pottery, a large studio pottery jug, ovoid stoneware, green glaze with sgraffito wave banding, impressed marks, 30cm high £40 - £70

819. Andrew Hague for Askrigg Pottery, a large studio pottery dish, circular form, painted with stylised wildflower buds, impressed seal marks, 40cm diameter £50 - £80

824. Ray Finch for Winchcombe, a studio pottery vase, twin handled shouldered ovoid form, tenmoku glaze with blue speckles, impressed seal marks, 25.5cm high £50 - £80

820. Mary Rich, a small studio pottery vase, shouldered ovoid form with flared rim, iridescent purple ground with gilt bands, impressed seal mark, 10cm high £40 - £70

825. Laurence McGowan (b.1942), a stoneware pouring vessel, brushed birds and floral decoration, painted marks and dated 1996, 18cm wide £50 - £80

821.

Kochevet Bendavid (Israeli/British, 20th century), an earthenware teapot, tube lined and brushed fruit and floral decoration, signed, 17cm high £40 - £50

826. Emma Williams (21st century), two terracotta bowls, yellow crawl glaze and navy blue glaze splash, one footed, impressed marks, largest 7cm high (2) £50 - £80

826

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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827. Andrew and Joanna Young (Contemporary), a stoneware teapot and cover, salt glaze, impressed marks A&J Young Gresham, 17cm high

836. David White (1934-2011), a porcelain bottle vase, crackle and multi-subtle glazes, impressed mark, 19cm high Note: Fellow of the Craft Potters Association

Note: examples of their work are housed in the V&A Museum London, See British Studio Pottery, Oliver Watson p.27-272 & 280 £50 - £80 828. Robin Welch, a studio pottery tureen and cover, cylindrical stoneware with banded glaze and domed lid, impressed marks, 26.5cm diameter £60 - £100 829. Robin Welch, a set of six studio pottery tea or soup bowls and saucers, conical form on cylindrical feet, green banded glaze, impressed marks (12) £60 - £100 830. Emma Williams (21st century), a pair of terracotta bowls, one yellow crawl glaze and navy blue glaze splash, the other white crawl glaze and moss green glaze splash, impressed marks, largest 5cm high (2) £50 - £80 831. Robin Welch, a harlequin set of ten studio pottery plates, broad rimmed stoneware, four with plain oatmeal glazed centres, four with mottled beige and red glaze, two with striped ochre glaze, impressed marks, 26.5cm diameter (10) £80 - £120

£100 - £150

837. Chris Carter (b.1945), a stoneware bowl, footed form, volcanic manganese rim and drip glaze interior, impressed mark, 8cm high £100 - £150 838. Ray Finch (1914-2012), a stoneware bowl, footed form, iron and tenmoku glaze with spiral lineal interior, impressed mark, 27cm wide Note: examples of his work are housed in the V&A Museum, London, see British Studio Pottery, Oliver Watson p.181-18 £100 - £150 839. Derek Clarkson (1928-2013), a stoneware bowl, pre1987, brush decoration, impressed mark, 9cm high Note: examples of his work are housed in the V&A Museum, London.

See British Studio Pottery, Oliver Watson p.169 and 276 £100 - £150 840. Barbara and Michael Hawkins, a stoneware vase, mackerel and lustre decoration, bottle form, painted marks, 35cm high £100 - £150

832. Mary Rich (1940-2022), two earthenware bowls, a blue glaze footed example and a grey glaze example, impressed marks, largest 24cm wide (2) £80 - £100

Note: fellow of the Craft Potter's Association

833. Barbara and Michael Hawkins, a stoneware vase, iris flower decoration, baluster form, painted marks, 37cm high £80 - £120 834. Chris Carter (b.1945), a stoneware vase, tapering shouldered form, silicon carbide glaze, impressed mark, 13cm high £90 - £120

841 841. David Frith (b.1943), a stoneware cut sided strap handled teapot and cover, iron glaze and brushed fruit and chequered decoration, 22cm high Note :examples of his work are housed in the V&A Museum, London See British Studio Pottery, Oliver Watson p. 138, 183 and 277 £100 - £150

835

836 842

835. David White (1934-2011), a porcelain bottle vase, crackle and multi-subtle glazes, impressed mark, 17cm high Note: Fellow of the Craft Potters Association

£100 - £150

842. Chris Carter (b.1945), a stoneware bowl, footed form, cream drip glaze and iron glaze interior, impressed mark, 8cm high £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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843

852

843. Gugong Bong, an Abuja studio pottery mug, circa 1967-71, tankard form, tenmoku glazed with spiral design to the body, conical based cylinder form with pronounced thumbpiece, impressed seal mark GB, 15.5cm high

852. John Leach for Muchelney (b.1939), a studio pottery stoneware vase, iron drip glaze with unglazed bottom, impressed mark and stamped Muchelney, 16cm high Note: Examples of his work are housed in the V&A Museum, London.

Note: an almost identical example of the same form with the same spiral motif is in the British Museum, formerly belonging to Sir David Attenborough; Gugong Bong trained under Michael Cardew, and his work is also in the Victoria and Albert Museum, London. £50 - £80 844. Alistair Young, a salt glazed bowl, brown mottled glaze exterior with white porcelain spots, blue glaze interior with indentations, impressed mark, 37cm wide Note: Fellow of the Craft Potters Association £100 - £150

See British Studio Pottery, Oliver Watson p.211 and 278 £120 - £180

850 & 857 850. Peter Hayes (b.1946), a raku fantail mounted on slate base, textured grey and black finish with keyhole, inscribed to base, 38cm high £250 - £300

845. Philip Evans (b. 1959), two stoneware multifired vessels, spherical form, pink textured finish, incised signature, largest 14cm high (2) £140 - £160 846. Derek Clarkson (1928-2013), a stoneware vase, pre-1987, bottle form, brush decoration, impressed mark, 19cm high Note: examples of his work are housed in the V&A Museum, London.

See British Studio Pottery, Oliver Watson p.169 and 276 £150 - £200

853 853. David Leach (1911-2005), a studio pottery stoneware vase, tenmoku glaze, impressed mark, 27cm high £180 - £220

847. Chris Carter (b.1945), a stoneware vase, tapering shouldered form, light silicon carbide glaze, impressed mark, 26cm high £150 - £200 848. Chris Carter (b.1945), a stoneware vase, footed form, iron glaze decoration to each corner, impressed mark, 14cm high £150 - £200 849. Philip Evans (b. 1959), a stoneware multifired vessel, spherical form, pink textured finish, incised signature, 15.5cm high £80 - £120

851 851. Leach Pottery, a St Ives studio pottery jug, circa 1940, treacle glazed bulbous form, impressed seal mark, 26.5cm high £200 - £300

854. Shoji Hamada (Japanese, 18941978), a studio pottery vase, cylindrical form, grey glaze with brush work motifs, in signed wooden box, 14cm high £500 - £700

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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855 855. Dame Lucie Rie (1902-1995), a studio pottery conical bowl, circa 1980, stoneware with pink, beige and taupe internal spiral, the exterior with a similar pitted glaze, impressed seal mark, 24.5cm diameter, 9.5cm high £6,000 - £8,000 856. John Maltby (1936-2020), bird with three fish suspended mounted on a wooden base, a studio pottery stoneware sculpture, impressed seal mark, 35cm high £1,000 - £1,500

857. Peter Hayes (b.1946), a Black Bow mounted on slate base, totem form, textured black finish with copper disc, signed to base, 46cm high £380 - £420 858. John Maltby (1936-2020), three figures and tower mounted on a ceramic base, a studio pottery stoneware sculpture, impressed seal mark, 23cm high £1,000 - £1,500

856 & 858

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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The history of ceramics in the Kwa Zulu province of South Africa originates with the Zulu tribal practice of making ceramics for food storage. For over 1000 years, the Zulu people have been making pottery. Ceramic vessels for beer storage are an integral part of Zulu culture since ritual beer drinking takes place in every aspect of the customary Zulu life. Beer is used to introduce a new child to the family’s ancestors, at all marriage ceremonies as well as burial ceremonies. The beer is also used as a medium to evoke the ancestors – it is served in a pot and left overnight in the back of the hut for the ancestor. Beer was even used as a form of economic exchange. It is the essence of hospitality and commonality. From this tradition of pot making, the skill of ceramic production was passed down from one generation to the next. In the last quarter of the 20th century, a cottage ceramic industry emerge in Kwa Zulu Natal. The art works contained in this sale represent a fine cross section of styles of the artists in this region.

Furthermore, many of the current potters who continue to utilize these traditional techniques have become the backbone of their communities, supporting and improving basic necessities and lifestyles. These skilled artisans often face challenging conditions, such as having to walk long distances of over 500 meters to fetch water for their families and for use in their pottery production.

Despite these hardships, they persevere and contribute significantly to their communities by preserving their cultural heritage and creating beautiful ceramics that not only serve practical purposes but also showcase their artistic talents. These potters play a vital role in sustaining the cultural and economic fabric of the Kwa Zulu province in South Africa.

Some of the main studios that have emerged from this region include Ardmore Ceramics, LoveArt Ceramics, Senzo Duma, and Wiseman, among others. These studios have gained recognition for their exceptional craftsmanship and unique artistic styles. Their works often showcase a fusion of African nature themes, whimsical elements, and traditional textures.

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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862. Sondelani Ntshalintshali for Love Art Ceramics, a studio pottery leopard box and cover, painted by Minenhle Nene, painted marks, 14cm long, 13cm high £150 - £200

859 859. Sbu Ndaba for Love Art Ceramics, a studio pottery giraffe jug, painted by Winnie Nene, painted marks, 28cm high £80 - £120 860. Sbusiso Ndaba for Love Art Ceramics, a studio pottery bird dish, painted by Jabu Nene, painted marks, 13cm diameter £130 - £180

863 863. Sondelani Ntshalintshali for Love Art Ceramics, a studio pottery novelty bird box and cover, painted by Zinhle Nene, painted marks, 13cm high £150 - £200

861. Ojavia and Sindy for Ardmore Pottery, a pair of studio pottery salt and pepper pots, 2002, each modelled with two giraffes, the heads in relief, on green floral headed grounds, the tops with sunflower rosettes, 9.5cm high (2) £80 - £120

864 864. Senzo Duma for Senzo Duma Ceramic Arts, a studio pottery lion and cub novelty box and cover, painted by Virginia Xaba, painted marks, 12cm high £150 - £200

862

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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868. Mondi Manatha for Ardmore Pottery, a studio pottery sculpture, Man and Bird, painted by Mavis Shabalala, painted marks, 18cm high £200 - £300 869. Elias Lulanga for Ardmore Pottery, a studio pottery plate, Shaka Meets the Europeans, painted by Ayanda Mseleku, painted marks, 41cm diameter £200 - £300 870. Zwile and Goodness for Ardmore Pottery, a studio pottery figural egg cup, 2002, modelled as a crocodile, painted geometric scale design, 12cm long £50 - £80 871. Elias Lulanga for Ardmore Pottery, a studio pottery plate, The Warriors Zulu and Girls, painted by Magnificent, painted marks, 42cm diameter £200 - £300

865 865. Sfiso and Zoohna for Ardmore Pottery, a studio pottery figural vase, 2002, modelled as a crocodile feeding a baby, geometric polka dot stripe decoration, painted marks, 30.5cm high £400 - £600 866. Sondelani Ntshalintshali for Love Art Ceramics, a studio pottery bush baby box and cover, painted by Sabelo Nene, painted marks, 9cm wide, 15cm high £150 - £200 872 872. Andrew for Ardmore Pottery, a studio pottery plate, Battle of Hlobane, painted by Ayanda Mseleku, painted marks, 42cm diameter £200 - £300

867

873

867. Teboho Ndlovu for Imvelo Natural Arts, a studio pottery sculpture, Tiger, painted by Elvis Mkhize, painted marks, 24cm long, 11cm high £180 - £220

873. Sbusiso Ndaba for Love Art Ceramics, a studio pottery tortoise box and cover, painted by Jabu Nene, painted marks, 21cm long, 14cm high £200 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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876. Somandla Ntshalintshali for Ardmore Pottery, a studio pottery sculpture, Daniel and the Lions, painted by Ayanda Mseleku, painted marks, 21cm high £300 - £500 877. Virginia Xaba for Ardmore Pottery, a studio pottery bowl, modelled as a man and woman seated on a crocodile, painted

by Alex Siban, painted marks, 22cm high £400 - £600 878. Bennett Zondo for Ardmore Pottery, a studio pottery sculpture, Woman & Child, painted by Bongekile Ntombela, painted marks, 34cm high £400 - £600

874 874. Lefu Thebe for Senzo Duma Ceramic Arts, a studio pottery Zebra novelty box and cover, painted by Mandla Ngwenya, painted marks, 12cm high £200 - £300

879 879. Bennett Zondo for Ardmore Pottery, a studio pottery sculpture, Zulu Warrior Drinking Beer, painted by Siyabonga Mabaso, painted marks, 26cm high £400 - £600

875

880. Moshe Sello for Ardmore Pottery, a studio pottery sculpture, Zulu Man Making Fire, painted by Siyabonga Mabaso, painted marks, 20cm high £400 - £600

875. Bennett Zondo for Ardmore Pottery, a studio pottery sculpture, Zulu Warrior, painted by Siyabonga Mabaso, painted marks, 19cm high £250 - £350

881. Petros Gumbi for Ardmore Pottery, a studio pottery sculpture, man playing bongo drum, painted by Siyabonga Mabaso, painted marks, 22cm high £400 - £600

882 882. Victor Mtshali for Ardmore Pottery, a studio pottery Egyptian gods bowl, footed form, painted by Sbongile Ntombela, painted marks, 26cm wide, 17cm high £400 - £600 876 For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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883

887

883. Mohanyane Khomari for Ardmore Pottery, a pair of studio pottery candle holders, modelled as religious crosses with elephant heads in relief, painted by Relebohile Tjakata, painted marks, 28cm high (2) £500 - £700

887. Moshe Sello for Ardmore Pottery, a studio pottery tureen and cover, modelled with civet cats, painted by Allan Ndlovu, painted marks, 24cm high £600 - £800 888. Mohanyane Khomari for Ardmore Pottery, a studio pottery bowl, modelled with mongoose, painted by Bongekile Ntombela, printed marks, 35cm long, 14cm high £700 - £900

884 884. Sabelo Ntshalintshali for Love Art Ceramics, a studio pottery chameleon vase, twin handled baluster form, painted by Winnie Nene, painted marks, 31cm high £500 - £700

889

885. Victor Shabalala for Zimele Original Ceramics, a studio pottery Zebra and Giraffe bowl, painted by Mbali Zomdo, painted marks, 32cm wide, 19cm high £600 - £800

889. Alex Sibanda for Ardmore Pottery, a studio pottery sculpture, Zulu Family, painted by Jabu Nene, painted marks, 38cm high £850 - £950

886. Sfiso Mvelase for Ardmore Pottery, a studio pottery wall sconce, modelled as two climbing crocodiles, painted by Allan Ndlovu, painted marks, 48cm high £600 - £800

890. Sbu Ndaba for Love Art Ceramics, a studio pottery butterfly bowl, painted by Zinhle Nene, painted marks, 36cm wide, 15cm high £900 - £1,100

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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891

892

891. Sbusiso Ndaba for Love Art Ceramics, a studio pottery pangolin jug, painted by Jabu Nene, painted marks, 43cm high £1,100 - £1,600

893. George Mnyathela for Wiseman Ndlovu, a studio pottery leopard vase, baluster form, painted by Wiseman Ndlovu, painted marks, 40cm high £1,500 - £2,000

892. George Mnyathela for Wiseman Ndlovu, a studio pottery giraffe vase, baluster form, painted by Wiseman Ndlovu, painted marks, 54cm high £1,400 - £1,600

893

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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894

894. Sbusiso Ndaba for Love Art Ceramics, a pair of studio pottery bird candle holders, painted by Nozipho Ntshalintshali, painted marks, 32cm high (2) £1,500 - £2,000

895. Victor Shabalala for Zimele Original Ceramics, a studio pottery sculpture, pangolin, painted by Nompilo Zaba, painted marks, 48cm high £1,600 - £2,200

895

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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896

896. George Mnyathela for Wiseman Ndlovu, a pair of studio pottery gazelle vases, baluster form, painted by Wiseman Ndlovu, painted marks, 39cm high (2) £1,700 - £2,200

897. Sabelo Ntshalintshali for Love Art Ceramics, a studio pottery zebra urn and cover, painted by Zinhle Nene, painted marks, 54cm high £1,900 - £2,100

897

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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898

898. Sabelo Ntshalintshali for Love Art Ceramics, a pair of studio pottery rhino urns and covers, painted

by Winnie Nene, painted marks, 47cm high (2) £3,500 - £4,000

899. Sbusiso Ndaba for Love Art Ceramics, a studio pottery bird jug, painted by Jabu Nene, painted marks, 45cm high £2,100 - £2,600

899

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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BRITISH CERAMICS

900. Fred Catticott for Doulton Lambeth, The Marchioness Playing Cards, impressed mark and dated 1887, 45cm high £2,000 - £2,500

901. Emile Lessore (attributed) for George Jones, two scene painted scallop shell plates, circa 1860, one with a ship sailing on a river, the other with an ivy clad country house, impressed marks, 23cm wide (2) £40 - £60

900

901

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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902

902. A Coalport relief moulded and jewelled portrait painted bracket vase, bombe form on reticulated acanthus scroll cabriole legs, the central Reynolds type portrait of a girl with a rose, within a swagged curtain and foliate scroll cartouche, twin foliate and mask handles, encrusted with agate jewels, the reverse with tooled and raised gilt bi colour emblems of sport, 40.5cm high £2,000 - £3,000 903. A pair of Minton reticulated scene painted plates, each with a central view of Venice and a European river landscape, within turquoise lattice and landscape cartouche borders, puce marks, 24.5cm diameter (2) £200 - £300 904. Stefan Nowacki for Lynton, a floral painted coffee can and saucer, cylindrical form, painted with a floral bouquet within beaded border, on a gilt coral and pink ground, signed, 13.5cm diameter £300 - £400

905. Stefan Nowacki for Lynton, a floral painted coffee can and saucer, cylindrical form, painted with a floral bouquet within beaded border, on a gilt coral and pink ground, signed, 13.5cm diameter £300 - £400 906. Stefan Nowacki for Lynton, a floral painted coffee can and saucer, cylindrical form, painted with a floral bouquet within beaded border, on a gilt coral and pink ground, signed, 13.5cm diameter £300 - £400 907. Stefan Nowacki for Lynton, a floral painted coffee can and saucer, cylindrical form, painted with a floral bouquet within beaded border, on a raised gilt silvered yellow ground, signed, 13.5cm diameter £300 - £400 908. Stefan Nowacki for Lynton, a floral painted coffee can and saucer, cylindrical form, painted with a floral bouquet within beaded border, on a raised gilt silvered green ground, signed, 13.5cm diameter £300 - £400

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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909. Stefan Nowacki for Lynton, a marine painted three piece tea set, baluster form, each decorated with a central roundel to each side of coastal and port scenes of ships in sail, on a raised gilt foliate and cobalt blue ground, signed, 19cm high (3) £1,700 - £2,100

912. C Harris For Royal Crown Derby, a pair of fancy bird painted vases and covers, flattened ovoid form with foliate scroll handles, on four scroll bracket feet, signed, 19cm high (2) £200 - £400 913. Townsend, Austin, Flexman et al for Royal Worcester, five fruit painted tea cups and saucers, circa 1920-1930, each decorated to the interior with peaches, pears, grapes and summer fruits on a mossy bank, gilded exterior and matching and associated saucers, puce printed marks, (10) £400 - £600 914. A Royal Worcester blush ivory vase and cover, ovoid form with relief moulded winged lion handles, painted with flowers, outlined in gilt, 41cm high £100 - £200 915. Harry Stinton for Royal Worcester, a cattle painted comport, 1914, the central scene of watering cows within a gilt beaded and foliate scroll blue and pink ground, 22.5cm diameter £80 - £120 916. Harry Stinton for Royal Worcester, a cattle painted comport, 1913, the central scene of watering cows within a gilt beaded and foliate scroll blue and pink ground, 22.5cm diameter £100 - £200

910 910. A late 19th century Minton pot pourri bowl on integrated stand, reticulated domed cover with rose painted cartouche united by a pierced woven ribbon band, the base with blue and white striped band with pink rose cartouche within jewelled gilded borders, raised on three foliate scroll supports with laurel swags, on domed foot, impressed marks, pattern no.7547, 24cm high £60 - £100

911

917

911. A Royal Crown Derby Persian twin handled gourd vase, circa 1880, double gourd bottle form with reticulated foliate fin handles, decorated with gilt and silvered ogee trellis and floral cartouches, relief mouled bands, 33cm high £60 - £100

917. A Hadleys Worcester twin handled vase and cover, relief moulded pedestal urn form, painted with a pheasant in flight over thicket of brambles, blue and green handles and borders, 35cm high £150 - £250

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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921. John Freeman for Royal Worcester, a fruit painted vase, circa 1960, trumpet form, decorated with peaches and grapes on a mossy ground, fruit vignette to reverse, signed, shape No.G923, 23cm high £200 - £300

918 & 919 918. Edward Townsend for Royal Worcester, a fruit painted vase, circa 1939, ovoid pedestal form, decorated with peaches and blackberries on a mossy ground, shape No.2260, 14cm high £150 - £250 919. George Moseley for Royal Worcester, a fruit painted vase, circa 1937, ovoid pedestal form, decorated with apples and gooseberries on a mossy ground, shape No.2260, 14cm high £100 - £200 920. Horace Price and Walter Austin for Royal Worcester, a fruit painted three piece coffee set, circa 1926, baluster form, decorated all round with apples, pears, plums and summer fruits on a Mossy ground comprising coffee pot and cover, and sugar bowl with gilt interior, both Signed H Price, together with a cream jug with gilt interior signed W H Austin, tallest 17cm high (3) £800 - £1,200

922 922. Harry Stinton for Royal Worcester, a pair of handpainted highland cattle vases, circa 1919, ovoid pedestal form, each decorated with two Highland cows in misty mountain landscapes, landscape vignette verso, signed, shape no.2260, 14cm high (2) £1,000 - £2,000 923. Harry Stinton for Royal Worcester, a highland cattle painted vase, circa 1919, cylindrical form, with reticulated rim on acanthus moulded scroll feet, decorated with Highland cows in a mist shrouded mountainous landscape, signed, shape no.G42, 21cm high £1,000 - £2,000

920

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

921

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924

925

924. John Stinton for Royal Worcester, a Highland cattle painted vase, circa 1910, twin handled ovoid pedestal form, decorated with three Highland cows in a mist shrouded mountainous landscape, with landscape vignette verso, signed, shape no.2336, 31cm high £1,500 - £2,000

925. Harry Davis for Royal Worcester, a sheep painted vase, circa 1909, globular twin handled pedestal form, grey-green glazed foliate moulded trumpet form neck, angular moulded handles, on circular shot enamelled and ivory glazed foot, decorated with two Highland sheep and lamb in a mist shrouded mountainous landscape, with landscape vignette verso, signed, shape no.2440, puce printed mark, 20cm high £800 - £1,200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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925A 925A. James Stinton for Royal Worcester, a sheep painted vase, circa 1934, cylindrical ovoid form, reticulated gilded rim, on four scroll feet, decorated with sheep in wooded mountainous landscape, and landscape vignette verso, signed, shape no.G42, 14cm high £500 - £800

927 927. Harry Stinton for Royal Worcester, a Highland cattle painted vase, ovoid circa 1920, ovoid twin handled form, trumpet form foliate moulded neck and gilded arcaded collar, on circular gilded foot, decorated with two Highland cows in a mist shrouded mountainous landscape with landscape vignette verso, signed, shape No.1762, 20cm high £300 - £500

926 926. Ernest Barker for Royal Worcester, a sheep painted vase, circa 1914, bottle form, shot silk foliate moulded trumpet form neck, on circular foot with foliate moulded collar, decorated with two Highland sheep in mist shrouded mountain landscape, signed, shape no.1661, 24cm high £200 - £400 926A. Harry Davis for Royal Worcester, a sheep painted vase, circa 1910, baluster form with blush ivory reticulated neck and scalloped rim, the lower half with foliate moulded detail, decorated with Highland sheep in a mist shrouded mountainous landscape, and lanscape vignette to reverse, shape no. 1061 13.5cm high £500 - £800

928 928. Harry Stinton for Royal Worcester, a painted stag vase and cover, circa 1932, inverse baluster pedestal form, gilded domed cover with flower bud finial, with Greek key taselled handles on gilded circular swept foot, decorated with a stag and doe in wooded mist shrouded mountainous landscape, signed, shape No 2713, 21cm high £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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931. John Stinton for Royal Worcester, a Highland cattle painted vase, circa 1914, ovoid form, with gilded trumpet shaped neck on circular gilded foot, decorated with two Highland cows in a mist shrouded mountainous landscape, with landscape vignette verso, shape no.H 302, 17cm high £300 - £500 932. Harry Stinton for Royal Worcester, a pair of Highland cattle painted vases, circa 1909 and 1911, tear drop form, foliate moulded neck heightened in gilt, with foliate shot silk handles, on circular foot, decorated with two Highland cows in a mist shrouded Highland landscape, signed, shape no.G995, 15cm high (2) £400 - £600

929 929. Frank Roberts for Royal Worcester, a floral painted vase and cover, circa 1908, elongated ovoid twin handled pedestal form, reeded shot silk and gilded domed cover with bud form finial, reeded neck and twin foliate moulded strap handles, on circular swept and reeded foot and pedestal base with beaded border and lappet moulded foot rim, decorated with anemones and spring flowers, signed, shape no.1957, 40cm high £200 - £300

930 930. Harry Stinton for Royal Worcester, a Highland cattle painted vase, circa 1914, ovoid form, with gilded trumpet shaped neck on circular gilded foot, decorated with two Highland cows in a mist shrouded mountainous landscape, with landscape vignette verso, shape no.H 302, 17cm high £300 - £500

933 933. Harry Davis for Royal Worcester a sheep painted spill vase, circa 1925, cylindrical form, on reticulated and gilded circular integrated stand, decorated with two sheep in riverside farmhouse landscape, with foliate vignette verso, signed, shape no.6/161, 16cm high £500 - £800 934. Harry Stinton for Royal Worcester, a Highland cattle painted vase, circa 1918, cylindrical flared form, painted with two Highland cows in a mist shrouded mountainous landscape, signed, puce printed mark, shape no.G923, 15cm high £250 - £350

935 935. Harry Davis for Royal Worcester, a sheep painted vase, circa 1954, tapered form with wavy rim and gilded border, decorated with two sheep in mist shrouded mountainous landscape, signed, shape no. G957, black printed mark, 8.5cm high £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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936. A Royal Worcester candle snuffer, Toddie, 1897, modelled as a boy in oversized night gown, puce mark, 9.5cm high £40 - £60 937. A Grainger Worcester novelty candle snuffer, modelled as a monkey in night cap, blush ivory and gilt, 9.5cm high £70 - £100 938. Two Royal Worcester candles snuffers, the Old Woman and Young Woman, highlighted in gilt, green marks, 8.5cm high (2) £70 - £90 939. Royal Worcester candle snuffers including Friar Tuck, Welsh Woman, Witch, Reynard the Fox and Mandarin, black and puce marks (5) £80 - £120 940. Royal Worcester candle snuffers including Jenny Lind, Reynard the Fox, Mandarin and the Old Woman, black, green and puce marks (4) £100 - £150

944 944. A Royal Worcester painted spill vase, circa 1923, cylindrical flared form, decorated with kookaburra birds, perched on an acacia branch with cascading yellow flowers, shape no.G923, 19cm high £300 - £500

941 941. A Royal Worcester Town Girl candle snuffer, modelled as a Kate Greenaway character, pink and yellow with gilt highlights, green marks, 13cm high £100 - £200

942 942. Four Royal Worcester Jenny Lind candle snuffers, circa 1910, Confidence and Diffidence, modelled as nightingales in variously coloured dresses, puce marks 11.5cm high (4) £100 - £200 943. Three Royal Worcester candle snuffers, Reynard Fox and Jenny Lind, Confidence and Diffidence, puce marks, 11.5cm high (3) £100 - £200

945 945. William Hale for Royal Worcester, a blush ivory twin handled vase, circa 1905, tapered footed form with gilded acanthus moulded wing handles, on circular domed and flared foot, decorated with Begonia leaves and flowers with raised gilding, signed, shape no.2150, 29cm high £250 - £350

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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946

950

946. Frank Roberts for Royal Worcester a fruit painted nursery coffee pot, circa 1940, baluster lidded form, decorated all round with peaches and grapes, with fruit vignette verso, signed, 13cm high £150 - £250

950. George Cole for Royal worcester, a handpainted ewer, circa 1909, cylindrical tapered form with elongated spout, C scroll handle with moulded flower bud thumbpiece, decorated with apple blossom, forget-me-nots and violets to a mottled ivory ground, signed, shape no. 1260, 16cm high £100 - £200

947. Frank Roberts for Royal Worcester, two fruit painted coffee cups, circa 1960, C scroll handles and crimped gilded rim, decorated all round with apples, peaches and grapes, with gilt interiors, together with an associated saucer signed Rowley, height of cup 6.5cm (3) £60 - £100 948. Frank Roberts for Royal Worcester, a pair of fruit painted coffee cans, circa 1960, tapered cylindrical form, each decorated all round with peaches and grapes, 7cm high, together with a fruit painted coffee can and associated saucer, signed Townsend and Moseley, circa 1930, decorated all round with peaches, apples and grapes, signed, 5cm high (4) £100 - £200

951

949 949. Frank Roberts for Royal Worcester, a fruit painted vase, circa 1960, tapered and crimped form, decorated with peaches and cherries on a mossy ground, fruit vignette verso, signed, shape no.G957, 8.5cm high £100 - £150

951. Ethel Spilsbury for Royal Worcester, a handpainted pot pourri vase and cover, circa 1928, ovoid form, pierced crown cover with floral finial, with inner lid, and ropetwist and foliate moulded shoulders, on circular foliate and floral moulded foot, decorated with daffodils and blue geraniums on a mottled ground, signed, shape no.2048, 24cm high £60 - £100 952. H Lockyer for Royal Worcester, three fruit painted plates, ogee gilt borders, decorated with still life scenes of fruits including pears and raspberries, and peaches and grapes, puce marks, 23cm diameter (3) £500 - £800

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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953. Harry Stinton for Royal Worcester, a Highland Cattle painted plate, gilt gadrooned border, decorated with a misty landscape with grazing cattle, black mark, 27cm diameter £100 - £200 954. H Price and Albert Shuck for Royal Worcester, a matched set of three fruit painted plates, gilt ogee borders, decorated with still life scenes of pears and grapes, plums and grapes and peaches, puce marks, 23cm diameter (3) £500 - £800 955. T Nutt for Royal Worcester, a fruit painted plaque, rectangular form, decorated with strawberries and plums, black mark, 12cm x 17cm, framed £200 - £400 956. J Bowman for Royal Worcester, a fruit painted plaque, rectangular form, decorated with blackberries and apples, black mark, 12cm x 17cm, framed £200 - £400 957. H Price for Royal Worcester, a fruit painted plate, decorated with peaches and grapes, within a gilt gadrooned border, black mark, 22.5cm diameter £200 - £400 953

958. H Price for Royal Worcester, a fruit painted plate, decorated with apples and grapes, within a gilt gadrooned border, puce mark, 22.5cm diameter £200 - £400 959. T Lockyer for Royal Worcester, a fruit painted plate, circa 1935, decorated with apples and grapes, within a gilt gadrooned border, puce mark, 22.5cm diameter £200 - £400 960. P English for Royal Worcester, a fruit painted plate, decorated with plums and grapes, within a gilt gadrooned border, black mark, 24cm diameter £200 - £400 961. H Ayrton for Royal Worcester, a fruit painted plate, decorated with pears and grapes, within a gilt gadrooned border, black mark, 27.5cm diameter £250 - £450 962. J Smith for Royal Worcester, a fruit painted plate, decorated with pears and blackberries, within a gilt gadrooned border, black mark, 27.5cm diameter £300 - £500

961

963. B Cox for Royal Worcester, a fruit painted plate, decorated with peaches and grapes, within a gilt gadrooned border, black mark, 27.5cm diameter £200 - £400 964. T Lockyer for Royal Worcester, a fruit painted plate, decorated with pears and grapes, within a gilt gadrooned border, black mark, 26cm diameter £300 - £500 965. Freeman for Royal Worcester, a fruit painted plate, decorated with apples and grapes, within a gilt gadrooned border, black mark, 20cm diameter £150 - £250 966. P Stanley for Royal Worcester, a fruit painted plate, decorated with peaches and grapes, within a gilt gadrooned border, black mark, 17.5cm diameter £100 - £200 967. Smith for Royal Worcester, a fruit painted strawberry dish, twin handled rectangular form, decorated with apples and blackberries, within gadrooned and shell handled border, gilt marks, 28.5cm wide £500 - £800

964

968. F Clark for Royal Worcester, a fruit painted strawberry dish, twin handled rectangular form, decorated with apples and grapes, within gadrooned and shell handled border, gilt marks, 28.5cm wide £500 - £800

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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972. S Bee for Royal Worcester, a fruit still life painted plaque, decorated with a basket of orchard fruits on a table, puce marks, 11cm diameter, framed £300 - £500

969 969. F Clark for Royal Worcester, a fruit painted strawberry dish, twin handled rectangular form, decorated with apples, strawberries and blackberries, within gadrooned and shell handled border, gilt marks, 28.5cm wide £500 - £800 973 973. R Lewis for Royal Worcester, a fruit painted plate, decorated with apples and grapes within a red ground raised gilt foliate scroll border, black mark, 22cm diameter £200 - £400 974. Telford for Royal Worcester, a fruit painted plate, decorated with peaches and grapes within a red ground raised gilt foliate scroll border, black mark, 22cm diameter £150 - £250 975. D Shinnie for Royal Worcester, a fruit painted plate, decorated with apples and blackberries within a red ground raised gilt foliate scroll border, gold mark, 27cm diameter £100 - £200 976. E Townsend for Royal Worcester, a fruit painted plate, decorated with apples and cherries within a red ground raised gilt foliate scroll border, puce mark, 27cm diameter £150 - £250

970 970. H Henry for Royal Worcester, a fruit painted plate, the central cartouche of apples and grapes within a heavily tooled gilt persian panel and foliate scroll border, gilt marks, 23.5cm diameter £200 - £400 971. S Dare for Royal Worcester, a fruit painted dish, the central cartouche of peaches and grapes within a heavily tooled gilt Persian panel and foliate scroll border, gilt marks, 23.5cm diameter £200 - £400

977. W Bee for Royal Worcester, a set of four fruit painted plates, decorated with apples, plums, berries and grapes within a red ground raised gilt foliate scroll borders, puce marks and Ovington Bros retail mark New York, 23.5cm diameter (4) £500 - £800 978. H Ayrtonfor Royal Worcester, a pair of fruit painted plates, decorated with pears, damsons, apples and cherries, within a peach ground raised gilt foliate scroll borders, blue marks, 27cm diameter (2) £200 - £400 979. R Sebright for Royal Worcester, a fruit painted plate, decorated with apples and blackberries, within a powder blue ground raised gilt foliate scroll border, puce mark, 26.5cm diameter £150 - £250 980. E Phillips for Royal Worcester, a set of six floral painted plates, decorated with bouquets within blue and cream ground raised gilt foliate scroll borders, puce marks, 26.5cm diameter (6) £500 - £800

972 For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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981

981. R Rushton for Royal Worcester, a landscape painted plaque, Bluebell Hew, depicting a woodland path with bluebells, puce mark, 14.5cm x 22cm, framed £2,000 - £4,000

982. John Stinton for Royal Worcester, a landscape painted plaque, depicting cattle watering along a stream, puce mark, 14.5cm x 22cm, framed £800 - £1,200

983. John Freeman for Royal Worcester a pair of fruit painted vases, circa 1960, cylindrical elongated ovoid form, decorated in the round with peaches, blackberries and grapes on a moss covered ground, with gilded reticulated collar, on four acanthus moulded and gilded scroll feet, shape No.G42, black printed marks, 22cm high (2) £1,800 - £2,200

983

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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984

984. P Done for Royal Worcester, a fruit painted vase and cover, circa 2000, globular pedestal twin handled form, decorated in the round with peaches, apples, grapes and cherries on a moss covered ground, moulded and gilded domed cover with flower bud finial, gilded strap and mask handles, on gilt decorated stem and foliate moulded foot and square base, signed, shape No.2363, 22cm high £900 - £1,200

986

988. John Stinton for Royal Worcester, a Highland cattle painted jardiniere, 1915, quarter-lobed circular form, painted with cows in a lake and Scottish mountain landscape, with shot enamelled relief moulded foliate cartouche border, matt gilded rim and stepped circular foot, signed, shape No. 276, puce printed marks, 20cm high, 27cm diameter £1,800 - £2,200

985. Milwyn Holloway, a Highland sheep painted box and cover, circular drum form, the lid with two sheep grazing in misty landscape, signed, 8.5cm diameter £30 - £50 986. S Weston for Royal Worcester, a pair of fruit painted pedestal vases and covers, ovoid footed form, circa 2000, decorated in the round with apples, peaches, blackberries and grapes on a mossy ground, domed gilded cover with flower bud finial and twin Greek handles with modelled gilded tassels, on gilded circular foot, signed, painted No. 2713/2, printed black marks, 25cm high (2) £800 - £1,200 987. John Stinton for Royal Worcester, a Highland Cattle painted pedestal vase and cover, ovoid form, 1906, painted with cows in a mountain landscape, with landscape vignette to reverse, with blush ivory foliate moulded cover on knopped neck, and twin angular foliate moulded handles and circular swept blush ivory foot, Shape No. 2158, puce printed marks, 28 cm high £1,500 - £2,000

988 For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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989

989. John Freeman for Royal Worcester, a pair of fruit painted pedestal vases and covers, mid 20th century, decorated with peaches, grapes and cherries, with fruit vignette to the reverse, domed foliate moulded cover with bud finial, twin mask handles each with scrolling foliate moulded handles, knopped stem and circular foot with lappet moulded border on square gilded inswept foot, signed, shape No.1572, black printed marks, 27cm high (2) £4,000 - £6,000

990. Harry Ayrton for Royal Worcester, a fruit painted pot pourri vase and cover, mid 20th century, decorated with peaches, grapes and raspberries on a mossy ground, reticulated and gilded, foliate moulded cover with flower bud finial, angular relief moulded handles, on knopped stem and stepped circular foot with foliate moulded border, on gilded square in swept base, shape No. H314, black printed mark, 29cm high £2,200 - £2,400

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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991. R Austin for Royal Worcester, a rose painted Bow vase, 1913, ovoid twin handled form, decorated with pink roses, lily of the valley and foliate sprays, on a mottled ivory ground, relief moulded domed shot enamelled cover with flower bud finial, reticulated collar with laurel swags and ribbon border, acanthus moulded handles, on stepped circular foot, shape No. 1428, puce printed marks, 30cm high £2,500 - £3,500

991

992. P English for Royal Worcester, a fruit painted potpourri vase and cover, late 20th century, decorated with apples, grapes, peaches and cherries on moss covered ground, basket weave gilded reticulated cover, with bud finial, fitted inner cover, the body with gilded moulded basketwork decoration to the lower quarter, signed, Shape No.1286, 27cm high £2,200 - £2,600

992

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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993

993. A Shuck and E Phillips for Royal Worcester, a fruit painted part dessert service, including 9 plates and a dish, each with a central still life of fruit, within a raised gilt foliate blue and pink ground border, 23cm diameter (10) £2,500 - £3,500 994. D Fuller for Royal Worcester, a large fruit painted platter, decorated with peaches, raspberries and grapes, within a gilt foliate blue ground border, 41cm diameter £1,000 - £1,500

995. R H Austin (1890-1955, Royal Worcester artist), owl, signed l.r., watercolour, 25 by 19cm, framed £100 - £200 996. C Smith for Royal Worcester, a fruit painted jug, decorated in the round with apples and grapes, gilt interior and handle, 10.5cm high £200 - £300 997. A Royal Worcester rose painted vase, 1924, squat lobed form, gilt rim, puce mark, 8cm high £70 - £100

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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998 998. George Owen for Royal Worcester, a reticulated vase and cover, 1919, the campana body supported on three dolphin scroll acanthus and beaded legs, on a circular platform base, pierced and gilt jewelled honeycomb band below geometric foliate rim, milled and raised gilt scroll motifs below, the splayed lid similarly decorated with interlocking bands of reticulation, raised beading and open laurel finial, incised signature, gilt marks model 2519, 25cm high Note: an almost identical example was sold at Bonhams, London, 2nd December 2009, lot 327 and also Bonhams, London, 10th December 1997, lot 573 £15,000 - £20,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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999. Royal Doulton, a large Pharaoh unusual colourway character jug, model D7028, unnumbered limited edition of 1500, 19.5cm high £300 - £500

1009. A Worcester blue and white relief moulded cream boat, crescent mark, circa 1770, painted with the Two Porter Landscape, double C scroll handle, 12.5cm long £40 - £70

1000. A Royal Doulton Flambe figure, Samurai Warrior, HN3402, with metal sword, limited edition number 271 of 950, 26.5cm high £80 - £120

1010. A Worcester blue and white relief moulded sparrow beak jug, crescent mark, circa 1775, painted border pattern 48, reeded body, 10.5cm high £40 - £70

1005

1001 1001. Royal Doulton, a large Kingsware McCallum character jug, greenish glaze, printed mark, 17.5cm high £300 - £500 1002. An English porcelain sparrow beak cream jug, circa 1765, painted with polychrome floral sprays, 10cm high £20 - £40 1003. A Worcester Hancock transfer printed tea bowl and saucer, circa 1760, sepia brown Tea Party to the saucer (2) £40 - £60

1011

1005. A Copeland Parian urn, twin handled footed form, relief moulded with floral garlands, crossed torch handles and motto banner to the shoulder, gilt borders, stamped marks, 24cm high £40 - £60

1011. A Worcester polychrome and blue and white teapot, circa 1765, printed and painted in the Mandarin salesman pattern, below underglaze blue banding, spherical form, 19cm long £40 - £70

1006. A Crystal Palace Art Union parian vase, twin handled pedestal urn form, relief moulded Classical figures of maidens dancing, highlighted in gilt, moulded mark, 21cm high £40 - £60

1012. A Worcester polychrome coffee cup, circa 1760, painted with European flowers, gilt and red internal border, 6.2cm high £40 - £70

1007. A collection of 17th century slip glazed tiles, two Dutch examples, each with green beige with sgraffito floral and geometric decoration, 13.5cm square (6) £40 - £70 1008. Worcester blue and white tea ware, crescent marks, circa 1770, including relief moulded Chrysanthemum saucer, Cannonball saucer, Immoretelle saucer, Mansfield tea bowl and Fruit and Wreath tea bowl (5) £40 - £70

1004 1004. A Worcester relief moulded polychrome painted sauce boat, circa 1754, high footed with denticulated rim, decorated with Chinese figures in landscapes, 20cm long £100 - £200 1009

1013. A Worcester polychrome coffee cup, circa 1780, painted in the Rich Queens pattern, conical form with ogee ear handle, 6.8cm high £40 - £60 1014. Caughley blue and white tea ware, S marks, circa 1785, transfer printed Chinese landscapes with pagodas and temples, highlighted in gilt, including two saucers, tea bowl and coffee cup (4) £40 - £60 1015. Worcester blue and white relief moulded tea ware, workmans marks, circa 1755-60, Feather Moulded Floral pattern, inncluding tea bowl, saucer and a coffee cup, 12cm diameter (3) £40 - £70 1016. Three Medieval encaustic tiles, probably 14th century, each with Gothic script and motifs, one with the heraldic shield for England, 14cm square (3) £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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1021 1021. A Worcester blue and white mug, circa 1765, in the Plantation pattern, cylindrical form, 12cm high £50 - £80

1017 1017. A Staffordshire porcelain sauce tureen, cover and stand, circa 1840, pattern 2538, retail mark for J Allsup, London, of Warwick Vase form, painted with cartouches of exotic birds within gilt foliate scroll borders, on a blue ground, punctuated with raised enamel floral sprays, the acanthus moulded foot with pierced detailing, 20cm wide £50 - £80

1022. A collection of Medieval encaustic and glazed floor tiles, 14th century and later, various Gothic motifs and green glazes, 11cm square (10) £60 - £100 1023. A Staffordshire figure, married couple, circa 1830, modelled in coats and hats, holding an umbrella and basket, tree stump with bocage, 16.5cm high £60 - £80

1018. A Staffordshire pearlware pottery figure of St Sebastian, circa 1800, modelled as the saint in front of a treen, on block base, impressed marks, 27cm high £50 - £80 1019. An early 19th century salt glaze drug / apothecary jar, circa 1820, baluster form, decorated with coat of arms, 22cm high £50 - £80

1024

1020

1024. An early 19th century Scottish blue and white pearlware commemorative dish, Caledonian pottery Glasgow, circa 1820, for Robert Burns, the central portrait within a border of thistles and roses, 25.5cm diameter £60 - £100

1020. A Sunderland lustre punch bowl, Moore and Co., polychrome printed with characterful dogs Dignity and Impudence, Sunderland Bridge and Gauntlet Clipper Ship, and the New Bridge over the Wear at Sunderland, 29.5cm diameter £50 - £80

1025. A Creamware melon sauce tureen and stand, circa 1780, the body modelled as the fruit with trailing vine, on an integrated leaf dish, 22cm long £70 - £100

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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1033. A Staffordshire pearlware pottery figure of Venus and Cupid, polychrome decorated, on square base, 22cm high Provenance: Frances Dickson and John Lindesay collectors labels. £80 - £120 1034. A collection of Staffordshire figures and flatbacks including two pairs of zebras, equestrian figures, ewe spill vase and cottage, 19.5cm high (8) £80 - £120 1029 1029. A Worcester blue and white relief moulded sauceboat, crescent mark, circa 1765, painted Man with a Bomb pattern, high footed, Rococo scroll cartouches and basket weave ground, 20.5cm long £70 - £100

1026 1026. A salt glazed stoneware Bartmankrugg or Bellarmine jug, possibly 17th century, ovoid form relief moulded and incised mask to the neck and impressed crest to the body, 23cm high £70 - £100

1030. A Wedgwood black basalt Capriware teapot, circa 1820, enamelled with Chinese flowers, ovoid form, highlighted with gilt leaves, impressed marks Wedgwood, 24cm long £80 - £120 1031. A pair of 19th Century Staffordshire flatback chimney ornaments, in the form of greyhounds, each with a hare in its mouth and standing in profile against a tree stump, oval naturally coloured plinths, 19cm high (2) £80 - £120 1032. A collection of Medieval encaustic floor tile, 14th century and later, including various Gothic foliate designs, fleur de lys and corner segments, approx 13cm square (8) £80 - £120

1035 1035. A Worcester black printed mug, circa 1760, cylindrcial form, one side with two bridges, the other with castle tower and ruins, by Robert Hancock, 12cm high £80 - £120 1036. A Masons Ironstone soup tureen, circa 1815, octagonal footed form, printed and painted with peony and parrot design, the domed lid with a scroll finial, moulded rabbit head handles, impressed and printed marks, 35cm long £100 - £150

1027 1027. A small salt glazed stoneware Bartmankrugg or Bellarmine jug, probably 17th century or earlier, ovoid form relief moulded and incised mask to the neck, 11.5cm high £70 - £100 1028. An English Delft blue and white charger, circa 1765, painted with peonies to centre within a cross hatched and floral border, 5cm wide £70 - £90

1031

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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1037. Baird & Tatlock, Glasgow, a 19th Century Scottish treacle glazed stoneware laboratory chemists crock, circular with integral moulded handles, impressed maker’s mark Bovancroft, Glasgow, 14cm high, 28cm diameter £100 - £150

1043. A pair of Scottish pottery figures of Robert Burns and Mary, circa 1840, modelled standing on circular bases, 30cm high (2) £200 - £400

1040 1040. A Staffordshire pottery figural whistle, 19th century, modelled as a man with arms raised, polychrome glazed decoration, 18.5cm high £100 - £200 1038 1038. A Sunderland lustre relief moulded commemorative plaque for Queen Caroline, circa 1820, modelled as a profile portrait, with initials, within integrated yellow and purple frame, 14.5cm x 12cm £100 - £150

1041. A pair of Staffordshire pearlware figures of Old Age, each on circular bases, modelled as a man on crutches and a woman with a basket and stick, polychrome decorated, 21cm high (2) £150 - £250 1042. A Scottish stoneware tulip vase stand, circa 1810, modelled as a tree made arm chair, sponge decorated in brown and blue, with five cavities, 16cm high £150 - £250

1044 1044. A Staffordshire pottery figure of the Prince of Wales on horseback, circa 1855, probably by Thomas Parr, 20.5cm high £200 - £300 1045. A William and Mary Delft commemorative plate, circa 1680, polychrome decorated with a double portrait of the crowned king and Queen, with initials W M R, 22cm diameter £800 - £1,200

1039 1039. A Staffordshire pottery Jackfield teapot or wine pot, circa 1760, relief moulded spherical form with naturalistic branch handle and spout, applied grape vine motif, on three feet, 16cm long £100 - £150

1045

END OF SALE For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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TERMS & CONDITIONS OF SALE AND BUSINESS These Conditions of Sale and Business constitute the contract between Kinghams Auctioneers limited and the seller, on the one hand, and the buyer on the other. By bidding at the auction, and/or consigning to Kinghams Auctioneers limited, you agree to be bound by the following terms.

CONDITIONS OF SALE 1. DEFINITION In these terms of business: Kinghams Auctioneers Ltd is referred to as ‘Kinghams’. The Kinghams representative conducting the auction is referred to as the ‘auctioneer’.

2. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers if the transaction is not completed and paid for.

b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Special terms may be used in catalogue descriptions of particular classes of terms in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of the Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

English law applies to the interpretation of these Conditions.

TERMS OF CONSIGNMENT FOR SELLERS

3. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment.

4. DESCRIPTIONS AND CONDITION OF LOTS Every effort is made to ensure the accuracy of statements relating to authorship, descriptions, origin, date, age, provenance and condition of lots. Statements made orally or in the catalogue are opinions given after careful consideration and research. Prospective buyers are given ample opportunity to view lots before any sale. When bidding, buyers acknowledge that they are fully satisfied as to the description and condition of the lot.

5. ATTRIBUTION OF PICTURES (a) If the forename(s) (or asterisks where not known) and surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work by the named artist. (b) If the initials of the forename(s) and the surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work of the period of the named artist and may be wholly or in part his work. (c) If the surname of the artist is given, this indicates that in the opinion of Kinghams the picture is a work of the same school of the named artist, or by one of his followers, or in his style and of uncertain date. (d) The term ‘Bears signature’ indicates that in the opinion of Kinghams this is not the signature of the artist. (e) All other terms are self-explanatory.

6. FORGERIES Notwithstanding Condition 4, any lot which proves to be a deliberate forgery may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence provided that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium.

7. THIRD PARTY LIABILITY Every person on Kinghams premises before, during or after a sale shall be deemed to be there at their own risk and shall have no claim against Kinghams in respect of any injury they may sustain or any accident which may occur.

8. DISPUTES Any dispute not covered in these terms of business will be settled at the sole discretion of Kinghams.

9. GENERAL We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of the Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

1. INTERPRETATION In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’ etc. refer to Kinghams Auctioneers Ltd. 2. WARRANTY The Seller warrants that possession in the lots can be transferred to the Buyer with good and marketable title, free from any third party right and encumbrances, claims or potential claims. The Seller has provided all information concerning the items ownership, condition and provenance, attribution, authenticity, import or export history and of any concerns expressed by third parties concerning the same.

3. COMMISSION Commission is charged to sellers at a flat rate of 15% plus VAT on each lot. There is a lotting charge of £2.50 plus VAT per lot.

4. REMOVAL COSTS Items for sale must be consigned to the saleroom by and stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

5. LOSS AND DAMAGE OF GOODS a) Loss and Damage Warranty – Kinghams is not authorised by the FSA to provide insurance to its clients and does not do so. However, Kinghams for its own protection, assumes liability for property consigned to it at the lower pre-sale estimate until the hammer falls. To justify accepting liability, Kinghams makes a charge of 1.5% of the hammer price plus VAT. The liability assumed by Kinghams shall be limited to the lower pre-sale estimate or the hammer price if the lot is sold. b) If the owner of the goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owners risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 5(a) is inapplicable.

6. ILLUSTRATIONS The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

7. MINIMUM BIDS AND OUR DISCRETION Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 8. We may sell lots below the reserve provided if we can account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to 10% below the formal reserve.

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8. RESERVES a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold.

Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to unreasonably high reserves {in which case goods carry the storage (Condition 17) and loss damage warranty (Condition 5(a) charges as stipulated in these Terms of Consignment}. b) A reserve once set cannot be changed except with our consent. c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. d) Reserves are not usually accepted for lots expected to realise below £50.

9. ELECTRICAL ITEMS These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

10. SOFT FURNISHINGS The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.The rights of disposal referred to in clauses 9 and 10 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection upon request.

11. DESCRIPTIONS Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 4 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.

12. UNSOLD ITEMS If an item is unsold it may at our discretion be re-offered at a future sale.

Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred.

13. WITHDRAWN AND BOUGHT IN ITEMS These are liable to incur charges on being bought in or withdrawn after being catalogued.

14. CONDITIONS OF SALE You agree that all goods will be sold subject to our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses, liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

15. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST You authorise us to deduct commission at the stated rate and all expenses incurred from your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. You authorise us at our discretion to negotiate a sale by private treaty not later than the close of business 48 hours after the day of sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply.

17. STORAGE We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make storage charges.

18. SETTLEMENT Subject to funds having cleared in our account we aim to pay you no later than four weeks following the sale. If the buyer has not paid for the goods no settlement will be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. Please note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 11 above and you should therefore bear this in mind before parting with the proceeds of sale.

INFORMATION FOR BUYERS 1. INTRODUCTION The following notes are intended to assist buyers particularly those who may be inexperienced or new to our saleroom. All sales are conducted in accordance with our Conditions of Sale. Our staff will be happy to help you with anything you do not fully understand.

2. AGENCY As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly, if you buy your primary contract is with the seller.

3. THE BUYER The highest bidder acknowledged as such by the auctioneer will be the buyer. If any dispute arises, the auctioneer has absolute discretion to settle the matter. The auctioneer rules the bidding and bids cannot be retracted.

The auctioneer reserves the right to refuse any bid.

The successful bidder, whether bidding for himself or for a third party, is entirely responsible for paying for the lots they have bought in accordance with Kinghams’s Conditions of Sale and Business. The auctioneer reserves the right to bid on behalf of the sellers for any lot and to withdraw, consolidate or divide any lot or lots.

4. REGISTRATION Unless registered already on a bidding platform, it is essential that all prospective buyers register with us, giving their full name, address, contact telephone number(s) and email address. First time buyers will be required to provide proof of identity (i.e. driving licence/passport), a valid debit or credit card and a copy of a utility bill confirming their name and address. Upon receipt of the above a paddle will be issued, which is only valid for the current sale. The paddle may be used to indicate your bids to the Auctioneer during the sale. If successful, the bidder must ensure that their number can be seen by the Auctioneer and that it is their number that is called out. Should there be any doubts as to price or buyer, please draw the Auctioneer’s attention to it immediately.

5. BUYER’S PREMIUM - COMMISSION CHARGES There is a buyer’s premium of 25% plus VAT on the hammer price of each lot up to and including £500,000. The buyer’s premium is 18% plus VAT on the hammer price of each lot on the excess of £500,001 up to and including £1,000,000. The buyer’s premium is 15% plus VAT on the hammer price of each lot on the excess of £1,000,001.

6. VALUE ADDED TAX Lots on which the buyer may have to pay VAT on the ‘hammer price’ are indicated in the catalogue with the following symbol *. The buyer must pay this VAT at the rates that apply on the day of the auction in addition to the buyer’s premium and VAT thereon.

7. AUCTIONEERS MARGIN SCHEME This scheme allows auctioneers to sell items without VAT on the hammer price. The buyer then pays an amount equivalent to VAT. This amount cannot be refunded and is not shown separately on the invoice.

8. PAYMENT Buyers must pay in full before items can be removed from the premises (please see “payment methods” below).

Invoices will be issued from the day of the sale. Buyers must pay their invoice in full within 24 hours and advise when they will be collecting their item(s). Any invoices which remain unpaid after seven days will incur interest at 5% above the base rate, charged from the date of the sale. If buyers are unknown to us, we cannot hand over purchases unless we have adequate references or payment is cleared.

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Payment Methods We accept payment by: Cash – up to £9,000 (subject to money laundering regulations).

Cheques – bankers draft, cashiers cheque, personal cheques and travellers cheques are all accepted.

Credit cards – Visa or Mastercard (American Express or Diners Club not accepted).

Debit cards – Visa, Delta, Switch, Connect Please note that we are unable to accept any card payments where the cardholder is not present.

Bank transfer to: HSBC Bank, Bridge St, Evesham WR11 4RU Account no.: 51655345 Account name: Kinghams Auctioneers Ltd Sort code: 40-20-27 IBAN: GB91MIDL40202751655345 SWIFTBIC: MIDLGB22 Please note that a fee of £15 will be added for international bank payment.

9. LIVE INTERNET BIDDING Live online auctions are in conjunction with the-saleroom.com, invaluable.com and easyliveauction.com We ask that you register for the sale a minimum of 24 hours before the auction.

When you have registered, you can watch the auction in real time; simply click the bid button to place a bid.

If your bid is successful we will notify you after the sale for payment.

Charges will be made for internet bidding dependent on the auction platform. See their terms and conditions for details.

10. TRANSFER OF RISK Each lot is the buyer’s sole responsibility from the fall of the hammer.

11. COMMISSION BIDS If instructed, Kinghams will execute bids and advise prospective buyers.

This service is free.

Buyers who cannot come to a sale may leave their bid with our staff after/during viewing, or make their bid in advance by telephone or email (enquiries@kinghamandormeauctioneers.com). Such bids are placed at the buyer’s own risk.

Bids must be made at least one hour before the sale starts, but we advise buyers to make bids at the earliest possible opportunity. When making bids, buyers must provide: Their full name Address Email address Contact telephone numbers The number of the lot they wish to buy Their maximum bid amount – excluding commission which will be added to the invoice afterwards Buyers must state what their maximum bid would be. We cannot accept an instruction to ‘buy’ or unlimited bid.

We will ensure that lots are bought as cheaply as possible depending on the bids made and other reserves. If identical bids are placed, they will be dealt with on a “first come first served” basis.

12. TELEPHONE BIDS Lines for telephone bidding should be booked 24 hours before the auction.

Lines are booked on a “first come first served basis.” Full name, address and telephone numbers will be required together with proof of identity and address. Bank and credit/debit card details are also necessary to secure the line.

13. DATA PROTECTION Kinghams will use information provided by its clients or obtained by Kinghams relating to its clients for the provision of auction services or as required by law. Kinghams may need to record telephone conversations for security or legal reasons or as necessary to provide a higher quality of service. Clients agree that Kinghams may use sensitive information that they supply to Kinghams. Unless permitted by law, Kinghams will not otherwise process sensitive personal data without express consent. By agreeing to the Conditions of Sale and Business, clients agree to the processing of their personal information.

14. STORAGE AND COLLECTION Please note all items after the auction will be removed to store.

Arrangements for collection can be made with the office.

15. ELECTRICAL GOODS AND SOFT FURNISHINGS These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations.

16. EXPORT OF GOODS Buyers intending to export goods should check whether an export licence is required and whether there is any specific prohibition on importing goods of that character because e.g. they may contain prohibited materials such as ivory. Ask us if you need help.

17. PACKING AND DESPATCH We offer a packing and despatch service for smaller lots. We also use national and local carriers. Further details can be obtained from our office.

18. DROIT DE SUITE ROYALTY CHARGES A work of art by a living artist, or those who have died within the last 70 years, which costs more than the UK sterling equivalent of €1,000 will incur a royalty charge. We pass this payment onto the Design and Artists Copyright Society (DACS), and do not charge a handling fee. Buyers can calculate royalty charges on the DACS website.

Items marked with the † symbol in the catalogue will potentially incur royalty payments.

We use the euro to UK sterling exchange rate which applies on the day of the sale. It is the buyer’s responsibility to check the relevant exchange rate.

The actual qualifying threshold is calculated by the Artist’s Resale Right Service Hub based on the European Central Bank reference rate published at 2.15pm on the day of the sale, and can be found on the DACS website.

The royalty charge for pictures which achieve a hammer price of more than the UK sterling equivalent of €1,000, but less that the UK sterling equivalent of €50,000 is 4%. On works of art that achieve a hammer price of more than the UK sterling equivalent of €50,000 a sliding scale of royalty charges applies. For a complete list of the royalty charges and threshold levels please download more information from the DACS website.

The royalty charge is added to invoices, and must be paid before purchases are removed. VAT is not paid on royalty charges.

19. CITES LICENSE - IMPORTANT NOTICE RELATING TO SPORTING AND NATURAL HISTORY Clients intending to import/export any item derived from natural history specimens into/from a non-European country should first check for any Import/Export and possession restrictions prior to bidding/selling.

Certain species (λ) are also subject to CITES regulations when exporting/ importing these items out of the EU. CITES regulations are given on www.ukcites.gov.uk or maybe obtained from Animal Health, Wildlife Licensing and Registration Service, Zone 1/17, Temple Quay House, 2 The Square, Bristol BS1 6EB. Those species that are covered by the US Endangered Species Act (USESA) or The Migratory Bird Treaty Act (MBTA): potential US bidders should check with USF&W (US Fish and Wildlife Services) for trade/possession restrictions in the US prior to bidding.

CONTACT US KINGHAMS AUCTIONEERS CALL ON 01608 695695 OR EMAIL enquiries@kinghamsauctioneers.com WWW.KINGHAMSAUCTIONEERS.COM