Woo l le y & Wa l li s SA L I S B U R Y SA L E R O O M S
Jewellery Thursday 21st July 2011
Specialist Departments Please dial 01722 followed by the number listed below
20TH CENTURY DESIGN Michael Jeffery
ASIAN ART John Axford MRICS ASFAV — Sophie Lister — Clare Durham — Tim Wright (Consultant)
424506 424591 424507
BOOKS & MANUSCRIPTS Liz Merry (Consultant)
CLOCKS Will Hobbs — Richard Price (Consultant)
— — — —
GENERAL OFFICE Ruth Pike Pauline West Linda Garthwaite
SALEROOM MANAGER David Jordan
PRESS & PUBLICITY Kate Williams
339752 411854 339161 339752
JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA
PAINTINGS Victor Fauvelle Jo Butler
SILVER Rupert Slingsby Lucy Grazier
Members of The Society
ACCOUNTS & OFFICE MANAGER Janice Clift —
ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham — 424507 John Axford MRICS ASFAV — 424506 Sophie Lister — 424591 FURNITURE Will Hobbs Mark Richards Jim Gale Gemma Bush
VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424510
BOARD OF DIRECTORS Paul Viney ASFAV Chairman and Managing Director John Axford MRICS ASFAV Willi Verdon-Smith FRICS COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA
of Fine Art Auctioneers
Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508
Jewellery Thursday 21st July 2011 at 11.00am Viewing Times Saturday 16 July Monday 18 July Tuesday 19 July Wednesday 20 July Thursday 21 July
10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm 9.00am – 10.45am
Special Jewellery Notices Not all images are to scale. Most lots are illustrated and can be enlarged at www.woolleyandwallis.co.uk
ENQUIRIES Jonathan Edwards FGAA 01722 424504 email@example.com
Weights and measurements in the catalogue are approximate only. Condition reports are available from the department but not on multiple lots. Saturday collections by appointment only. COLOURED STONES It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones. Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within TWO WEEKS of the sale date.
Please note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price.
Catalogue £10.00 (£12.00 by post) Front cover: Lot 1546 Inside front cover: Lot 1434 This page: Lot 1378 Inside back cover: Lot 1447 Back cover: Lot 1542
Marielle Whiting FGA 01722 424595 firstname.lastname@example.org
1200. A large quantity of jewellery, costume jewellery etc. £300-400
1201. A large quantity of costume jewellery, jewellery, wristwatches etc. £150-250
1202. Assorted jewellery and costume jewellery etc.
1203. A jewellery box containing assorted costume jewellery, flint arrow heads and a rattle snake tail. £200-300
1204. A green leather jewellery box containing various items of jewellery, watches etc and a dilapidated jewellery box containing a Liberty & Co silver spoon with enamel decoration and various items of costume jewellery etc. £400-500
1205. A jewellery box containing various items of jewellery and costume jewellery and silver items etc. £300-400
1206. A 22ct gold wedding ring, 4g. Size N. And four other rings. And a quantity of costume jewellery, jewellery etc. £100-150
1207. A gold long guard chain, the fine fancy link chain is set with green gem stones in spectacle mounts. 139cm in total. Broken in two places. A lady’s gold wristwatch, a pair of 9ct gold cuff links and assorted jewellery, costume jewellery etc. £100-150
1208. A multicoloured Tibetan glass and agate bead necklace, and another similar bead necklace. £100-200
1209. Six items of jade mounted gold jewellery, a pair of pink stone set white gold earrings, a quantity of doublet and triplet opals and three unset stones. £100-200
1210. A small carved hardstone cameo depicting Medusa in gold frame, 2cm wide. A carved shell cameo brooch also depicting Medusa and various other items of jewellery. £100-150
1211. A fresh water cultured pearl and coloured bead multistrand necklace. A citrine mounted gold ring, an amethyst mounted gold ring with matching earrings, an amethyst and seed pearl mounted 9ct gold pendant on a 9ct gold neck chain and a silver charm bracelet. £200-300
1212. A carved shell cameo brooch depicting Medusa. Gold frame. Another cameo brooch, a moss agate mounted gold pendant, a moss agate mounted gold ring and a solid white opal mounted gold pendant. £300-400
1213. A cased set of moss agate mounted gold studs, and another similar set designed as bloodstone mounted gold horseshoes. An 18ct yellow gold beetle brooch mounted with cabochon stones, a winged amethyst heart brooch, a seed pearl set gold brooch, a seed pearl set gold pendant and a pair of black onyx drop earrings. £200-300
1214. A pair of 18ct gold oval disc cuff links, engraved with initials. Two gold dress studs, one set with pearls the other with sapphires on shell ground, case. And a smoky quartz mounted gold ring. £100-150
1215. A pair of cultured pearl and diamond set gold drop earrings. A diamond five stone gold ring. And a pair of diamond set gold earrings. £100-150
1216. Two garnet set cluster brooches, and a garnet set shamrock pendant. £80-120
1217. A gold charm bracelet, the 9ct gold curb link bracelet is mounted with assorted gold charms. 45g in total. With a 9ct gold heart shaped locket pendant and gold chain, a pearl set gold circle brooch, a pair of gold earrings, cultured pearl earrings, a gold wristwatch and a silver gilt and enamel bracelet. £400-600
1218. A gold sapphire and diamond line bracelet, and other assorted gold jewellery, 45g in total. £400-600
1219. An Edwardian two colour gold pendant, centred with a circular cut peridot within seed pearl surround. With four further gold mounted pendants, a gold oval locket pendant set with emeralds and seed pearls and three assorted gold brooches . £100-150
1220. A gold wristwatch, gold bracelet, charm bracelet, gold compass fob and a gold thimble. £500-700
1221. A small gold brooch with blue and white enamel decorations, centred with a cluster of seed pearls and a gold bar brooch with gilt metal dog. Case. £100-150
1222. A pair of micro mosaic mounted gold earrings, a pair of gold hemisphere earrings, and a pair of amethyst mounted silver drop earrings. £100-150
1223. A 9ct gold curb link bracelet and a 9ct gold circular brooch and ring. An 18ct gold wedding ring and a small gold bracelet section. 54g in total. £400-600
1224. Three gold rings and a gold curb link bracelet, two gold brooches and two gold pendants. £250-350
1225. Two 9ct gold necklaces, two 9ct gold rings and two pairs of 9ct gold earrings. 42g in total. £300-400
1226. A gold charm bracelet, a pair of gold cuff links, two gold rings, a gold watch key £200-300 and gold stock pin. 27g.
1227. A 9ct gold curb link bracelet set with assorted gold charms, two other gold bracelets, two gold lockets and a gold chain. 100g in total. £600-800
1228. A pair of pear shaped pink topaz and seed pearl drop earrings, and a pair of coral bead drop earrings on gold chains, cased. £200-300
1229. A diamond set 18ct white gold half hoop ring, and a diamond set 18ct white gold solitaire ring. Both size L. £80-120
1230. An emerald and diamond cluster ring, set in 18ct yellow gold. Size O 1/2. And an emerald and diamond cluster ring set in 18ct gold. Size O 1/2. £200-300
1231. A sapphire and diamond three stone ring, the square shaped sapphire is set with two round brilliant cut diamonds in gold. Size O. And a ruby and diamond seven stone ring, set in 9ct gold. Size P. £100-150
1232. A diamond five stone gold ring. And an emerald and diamond five stone gold ring. £150-200
1233. A diamond three stone ring set in platinum, three other diamond and gem set gold rings, a pair of white gold diamond set earrings and a sapphire and diamond cluster ring set in white gold. £300-400
1234. A Regency gold signet ring with secret compartment. The damaged carnelean engraved Fanny with four slide action opening compartments. Size K. And three other antique gold rings. £400-600
1235. A sapphire and diamond cluster ring, eleven other gem set gold rings and another ring. The gold rings weigh 42g. £200-300
1236. A carved carnelean intaglio mounted gold ring, depicting an eagle and sixteen further assorted antique gold rings. £300-400
1237. Nine gold diamond and gem set rings. £100-150
1238. Seven assorted stone set 9ct gold rings. And three other stone set gold rings. And a green stone pendant set in gold on fine link 9ct gold chain. 57g in total. £350-450
1239. A gold charm bracelet, the graduated gold curb link bracelet mounted with assorted gold charms. 19.5cm. 86g. £600-800
1240. A fancy link gold chain, mounted with assorted gold charms. 35g. £400-600
1241. A gold charm bracelet. The 9ct gold curb link bracelet is set with assorted gold charms. 35g. A citrine set gold fob on a short gold chain. An 18ct gold wedding ring (7g) and a gold replica coin. £300-400
1242. A gold charm bracelet, the 9ct gold curb link bracelet is mounted with assorted fob seals. 142g total. £1,500-2,000
1243. A gold charm bracelet, the curb link bracelet mounted with three gold charms. A four row fine link gold necklace mounted with pearls. A gold fine link necklace suspending a diamond set gold heart shaped pendant and a seed pearl. And a gold heart shaped pendant centred with a pearl to the blue and white enamel ground. A gold heart shaped locket pendant and a stone set pendant. £300-400
1244. An early 19th Century agate and citrine mounted gold bracelet. Two agate mounted gold brooches. A gold bracelet alternately set with turquoise cabochons and pearls and a green stone crystal mounted gold pendant on a fine link gold neck chain. A pair of pearl centred shell and gold cuff links. £300-400
1245. An Edwardian double sided glazed gold locket with seed pearl borders, containing a miniature painting of a lady wearing a bonnet. On a fine link gold chain. With a gold pixie pendant and chain, gold St Christophers pendant. A pair of 9ct gold cuff links and a lady’s gold wristwatch set with six small rubies. £400-600
1246. Two gold lady’s wristwatches. A gold brooch and other items of jewellery etc. £80-120
1247. A 22ct gold wedding ring, 8g. Two pairs of gold cuff links and various other items of gold jewellery etc. 20g. A gold ships wheel compass pendant, a scottish silver brooch and other items. £250-350
1248. Three assorted stone set fob seals. A carnelean intaglio mounted gold ring. An agate mounted gold fob, a gold buckle ring, a small desk seal and a sovereign mounted gold pendant. £500-700
1249. Twelve assorted miniature fob seals. And a shield shaped bloodstone mounted French gold chatelaine clip. £100-150
1250. A group of twenty three reverse carved monochrome intaglio plaques including a Regency brooch depicting huntsmen with hounds. £400-600
1251. A pair of paste set drop earrings. Cased. A paste set swirling star brooch and £40-60 a single paste stone.
1252. A yellow gold curb link bracelet, £400-500 17cm. 24g.
1253. A matching gold fancy link bracelet. 18.5cm. 16g. £200-300
1254. An 18ct gold fancy link necklace, 78cm. 75g. £1,000-1,500
1255. A gold bracelet, 18cm. 44g. £750-1,000
1256. An 18ct gold watch chain with two gold swivel clips, 34cm, 39g. £600-800
1257. A 14ct gold curb link bracelet. 22cm. 62g. £600-800
1258. Cartier. A gold long chain necklace with spectacle mounts. 67cm. 11g in total. £250-350
1259. A 9ct gold ingot pendant, with a 9ct gold twisted rope neck chain. 41g in total. £350-450
1260. A yellow gold flat curb link bracelet, 21cm. 76g. £1,000-1,500
1261. A gold fringe necklace. 45cm. 39g. £800-1,200
1262. Cartier. An 18ct yellow gold graduated curb link necklace, signed Cartier Paris with inventory number 02265 and French control marks. 45cm. 77g. £2,500-3,500
1263. A sovereign, 1997.
1265. Three sovereigns, 1911 (2) and 1913. £500-600
1266. A sovereign pendant, 13g in total.
1268. Two sovereigns, 1913 (2) and two half sovereigns, 1901 and 1912. £500-600
1264. Four half sovereigns. 1893, 1910, £350-450 1912 and 1913.
mounted gold £200-300
1267. An 18ct gold and leather sovereign purse, retailed by Clark, 33 New Bond Street. Containing a sovereign, Melbourne 1905. £250-350
1269. Four half sovereign pendants, all with gold frames. 1987 and 1997 (3). 30g in total. £400-600
1270. A gold curb link bracelet. With six gold mounted half sovereign pendants and another similar gold medallion pendant. £1,500-2,000
1271. A late 19th Century Austro Hungarian pendant. Designed as a stylised mermaid with enamel decoration and seed pearls on a fine link chain. £60-80
1272. An early 19th Century paste and seed pearl set gold giardinetto pendant. And a late 19th Century Austro Hungarian enamel and silver St George pendant. £100-150
1273. A carved and pierced jade pendant, on a fine link white gold neck chain and two jade moutned rings. £200-300
1274. A large carved and pierced jade pendant, depicting birds and fish amongst foliage. Suspended from a green jade bead. 8.5cm high. £400-600
1275. A long green stone bead necklace, a carved jade pendant, and a blue stone pendant. £60-80
1276. An interesting South East Asian gold and tortoiseshell pendant brooch, with matching earrings, all with fine gold filigree decoration, and set with seed pearls and turquoise cabochons. 9.5cm wide. £1,300-1,500
1277. A pair of jade and diamond drop earrings, the carved jadeite sections are set with small circular cut diamonds in white gold. £500-700
1278. A mutton fat jade bangle, a gold ring mounted with an oval shaped jade cabochon and small diamonds and a gold bracelet alternately set with jade cabochons and small diamonds. £200-300
1279. A diamond set open crescent £250-350 brooch, 4cm wide.
1280. A pair of ruby and diamond cluster earrings, each slightly oval shaped ruby is set within a surround of small circular brilliant cut diamonds in white gold. £200-300
1281. An Edwardian brooch set with graduated sapphires and diamonds in silver and gold. £300-400
1282. An opal pendant, the gold pendant is mounted with a section of boulder opal. And three stick pins. £100-150
1283. A diamond set gold stylised bow brooch. With lattice ribbons and diamond set scrolls in gold. 7cm wide. 22g. £400-600
1284. Tiffany. A pair of gold tied knot earrings. With enamel decoration. 3cm wide. £600-800
1285. An Edwardian ruby and diamond gold hinged bangle. £300-400
1286. A sapphire and diamond set stylised gold gate link bracelet. 28g. £300-400
1287. A cultured pearl mounted white gold pendant, on a fine link white gold neck chain. £250-350
1288. A pair of emerald and diamond drop earrings, the pear shaped emeralds suspend from six graduated circular cut diamonds in articulated rubover white gold mounts. £1,000-1,500
1289. A Regency gold locket pendant, the oval shaped pendant is chased with foliate £150-220 scroll decoration. 6cm high.
1290. A late Victorian diamond and pearl foliate brooch, set with rose cut diamonds in silver and gold and centred with a pearl. Case. £200-300
1291. An attractive lilac sapphire bead bracelet. Comprising eleven strands of faceted sapphires with silver clasp. £600-800
1292. An emerald and diamond gold hinged bangle, mounted with three clusters of pear shaped emeralds and diamonds in gold. £300-400
1293. A ruby and diamond pendant set in white gold, on a fine link white gold neck chain, with matching earrings. Cased. £600-800
1294. A sapphire and diamond set gold pendant, on a fine link gold neck chain. £400-600
1295. A pair of diamond set gold ball earrings by Tiffany. Signed. £250-350
1296. A diamond three stone pendant, the three circular brilliant cut diamonds are set in white gold on a fine link white gold neck chain. £400-600
1297. A diamond set pendant. The gold pendant is centred with a round brilliant cut diamond with inscription to the reverse dated 1929. 1.8cm wide. £100-150
1298. A yellow sapphire mounted gold stick pin. £300-400
1299. A pearl and diamond set gold stick pin, and a pearl set gold locket brooch. Case. £100-150
1300. A sapphire and diamond scroll brooch pendant, with blue enamel decoration in silver and gold. £300-400
1301. A diamond set white gold fine link £200-300 neck chain. 42cm.
1302. A diamond set pierced silver foliate £400-600 brooch.
1303. A pair of diamond stud earrings, each stud set with four marquise shaped diamonds and a centre square shaped diamond to the illusion white gold mount. £450-550
1304. An unusual amethyst and seed pearl pendant, formed as three rectangular cut amethysts suspending three pear shaped amethysts and suspended from three circular cut amethysts on a fine link gold neck chain. £80-120
1305. An 18ct white gold hinged bangle, pavé set with small brilliant cut diamonds. 25g. £1,000-1,500
1306. A five row 18ct white gold fine link necklace, with three spherical white gold beads pavé set with small diamonds. 43cm. 20g. £600-800
1307. A gold curb link bracelet, mounted with various coloured gem stones. 19cm. 24g. £600-800
1308. A diamond set heart bracelet. The white gold plain oval link bracelet suspends six white gold hearts, pavé set with diamonds and pierced back. £1,500-2,000
1309. A 9ct gold snake design bangle, metal core. £150-250
1310. A turquoise and diamond set cluster ring, the oval shaped turquoise is set within a surround of rose cut diamonds in gold. And a triple cluster turquoise and diamond bar brooch in gold. £300-400
1311. A gold panther brooch pavé set with diamonds, sapphires and with ruby eyes. With matching ring and earrings. 24g. £200-300
1312. A pair of diamond cluster earrings, each circular cut diamond is set within a border of eight smaller diamonds in gold. £300-400
1313. A pear shaped diamond set gold pendant, On a fine link yellow gold neck £1,000-1,500 chain.
1314. An Edwardian ruby and diamond £200-300 set floral brooch pendant.
1315. A sapphire and diamond set brooch, the two oval shaped sapphires are set with eight small diamonds in gold. £300-400
1316. A sapphire and diamond set gold hinged bangle. 13g. £200-300
1317. A diamond and pearl set scroll brooch, set with rose cut diamonds in silver and gold and suspending two terminal pearls. Fitted case by Spink. £150-250
1318. An unmounted part drilled pearl, with Gem Testing Laboratory report number 128466 stating that the pearl weighs 7.75cts and is natural. £1,000-1,500
1319. A seed pearl necklace, the graduated seed pearls with a yellow gold clasp. 50cm. £100-150
1320. An egg form pearl pendant, the two section pearl pendant is set with a centre line of small diamonds and suspends from a fine link platinum chain set with seed pearls. £500-700
1321. A three row seed pearl necklace (broken) and a seed pearl sautoir. 236cm. £150-200
1322. A single row matched cultured pearl necklace, the pearls measure approximately 7.0mm. With a garnet and pearl clasp and a matching cultured pearl bracelet. The necklace 61cm. Case by Mappin and Webb. £150-200
1323. A two row cultured pearl necklace, the baroque pearls with a sapphire and diamond set white gold clasp and a diamond set white gold space bar. £750-1,000
1324. A single row graduated untested pearl necklace, with garnet set gold clasp. £100-200
1326. A three row pearl and cultured pearl necklace, the gold clasp mounted with pearls. With certificate number 1103/15 stating that the four tagged pearls are cultured, the remainder are natural. £700-900
1325. Two graduated pearl necklaces. £1,000-1,500
1327. An early 19th Century seed pearl mounted necklace, with gold and shell backing and with a brooch. Damaged. Fitted case by Payne and Son. £200-300
1328. A set of late George III cut steel buttons and buckles, comprising twenty pierced circular buttons, (2.5cm diameter), ten smaller similar buttons (1.6cm diameter) and a pair of buckles. Fitted case. £800-1,200
1329. Cartier. A gold plated fountain pen with black enamel decoration and cabochon red stone terminals, cased. £80-120
1330. A Movado travel clock. Centre opening activating winding. Square signed dial with subsidiary seconds dial and luminous Arabic numerals. Hinged strut support and python cover. Numbered 505480. 7.8cm wide (open). £150-200
1331. A lady’s 9ct integrated white gold wristwatch by Tiso, and four other wristwatches. £80-120
1332. A lady’s 9ct yellow gold wristwatch, the square white signed dial with baton numerals and integrated 9ct gold band. Omega case. £200-300
1333. A lady’s 18ct gold wristwatch, with black Roman hour numerals, the winder at XII. £150-250
1334. A gentleman’s 9ct gold wristwatch by Acurist. A gentleman’s gold watch by Zenith, two lady’s gold wristwatches, a gentleman’s steel wristwatch by Longines, silver arrow. And two other steel wristwatches. £200-300
1335. Rolex. The steel wristwatch with plain white dial signed Rolex Oyster Chronometer. 2.6cm diameter dial. Associated leather band. £400-600
1336. Rolex, an 18ct yellow gold oyster perpetual wristwatch, signed white dial with batton numerals and sweep seconds hand. The dial 2.8cm. Associated metal band. £600-800
1337. A lady’s white gold wristwatch by Omega, the plain signed circular white dial with batton numerals and small diamonds set to the bezel. Integrated white gold band by Omega. £400-600
1338. An 18ct two colour gold wristwatch, the square dial signed Benson with applied gold Arabic numerals and subsidiary seconds dial. The dial 2.3cm wide. The movement numbered 731522. The case with Glasgow import marks for 1930. The case engraved to the reverse. No band. £400-600
1339. A lady’s 9ct gold wristwatch by Zenith, signed plain dial with Roman numerals at the quarters. 9ct yellow gold bracelet. 20g in total. £100-150
1340. Rolex. The steel wristwatch with Arabic numerals and associated leather band.
1341. A gentleman’s 9ct gold wristwatch by Zenith, plain signed dial with sweep seconds hand and date aperture. With 9ct integrated yellow gold band. 56g in total. Zenith case and papers. £300-500
1342. An 18ct yellow gold dress watch by Corum, plain signed dial. 18ct integrated yellow gold band. 57g in total.
1343. A lady’s diamond set cocktail wristwatch, rectangular dial with black Arabic numerals. The platinum case set overall with circular and baguette shaped diamonds with further diamonds to the open work shoulders. £650-800
1344. An Edwardian diamond set platinum wristwatch, the square dial with black Arabic numerals and set overall with graduated circular cut diamonds a foliate shoulders. Case numbered 55796. Black silk adjustable band. £500-700
1345. An Art Deco diamond set white gold dress wristwatch, on a white gold mesh link bracelet.
1346. Rolex. A steel and gold oyster perpetual date-just wristwatch. With date aperture at 3 o clock and sweep seconds hand. Batton numerals and signed grey metallic dial (3cm). Gold and steel Rolex band. £1,000-1,500
1347. Rolex. Oyster Quartz Datejust. A gold and steel wristwatch, the signed dial (2.9cm diameter) with batton numerals and sweep seconds hand and date aperture. Rolex steel and gold band, cased. £800-1,200
1336 1343 1342
1348. A sapphire and diamond seven stone ring, the three oval shaped sapphires are set with four small circular cut diamonds in 18ct gold. Size L. And a Victorian lozenge shaped diamond cluster ring, pavé set with graduated cushion shaped diamonds in gold. Registry mark and partial Birmingham marks for 1873. Size O 1/2. £300-400 1349. A ruby and diamond ring, the french cut rubies and circular cut diamonds of square chequer board form. Set in yellow and white gold. Size P. £600-800 1350. A white and pink diamond ring, the marquise shaped diamond is set within a surround of two rows of small circular cut pink diamonds. Set overall with further small circular cut white diamonds in white gold. Size N. £1,300-1,500 1351. A diamond seven stone ring, the seven graduated cushion shaped diamonds are set in white gold. Size R.
1352. A sapphire and ruby cross over ring, set with a pear shaped ruby and sapphire in gold. Size N.
1353. A French sapphire and diamond two row ring, pavé set with cabochon sapphires set with pairs of small diamonds and further diamonds to the shoulders. French control marks to the shank exterior. Size I. £1200-1500 1354. An emerald and diamond cluster ring, the oval shaped emerald is set within a surround of small circular brilliant cut diamonds and a border of calibré cut emeralds in yellow and white gold. Eight small shoulder diamonds. Size O 1/2. £1000-1500 1355. A diamond three stone ring, the graduated circular cut diamonds are millegrain set in white gold. Size N 1/2.
1356. A diamond three stone ring. The gypsy ring is pavé set with three cushion shaped diamonds in gold. Size Q.
1357. A tanzanite and diamond ring. The oval tanzanite is set within a surround of twelve circular cut diamonds in white gold. Size O 1/2. £2,500-3,500 1358. A diamond five stone ring, the emerald cut diamond is set with two baguette shaped diamonds to each shoulder in white gold. Size O 1/2. £1,000-1,500 1359. A diamond three stone ring, the three circular cut diamonds are set in 9ct gold. Size P 1/2.
1360. A diamond three stone ring, the marquise shaped diamond is set with two triangular shaped shoulder diamonds in white gold. £1,000-1,500 1361. A diamond cluster ring. The centre round brilliant cut diamonds set within a surround of eight smaller round brilliant cut diamonds in 18ct white gold and platinum. Size N. £400-600 1362. A jade and diamond ring, set with an oval shaped jade cabochon and small diamonds to the textured white gold mount. The ring divides to two. Size K. £400-600 1363. A ruby and diamond cluster ring, the oval shaped ruby is set within a surround of ten round brilliant cut diamonds in gold. Size O 1/2. £200-300 1364. A diamond cluster ring, the centre circular cut diamond is set in platinum and millegrain set with smaller diamonds to the shoulders. Size M 1/2. £800-1,200 1365. A diamond solitaire ring, the slightly cushion shaped diamond is set with two baguette shaped shoulder diamonds in white gold. Size M 1/2. £200-300 1366. A sapphire and diamond cluster ring, the oval shaped sapphire is set within a surround of twelve circular cut diamonds in yellow and white gold size N 1/2. £600-800 1367. A ruby and diamond ring, set with line of calibré cut rubies and graduated circular cut diamonds in gold. Size L.
1368. An aquamarine and diamond cluster ring, the oval shaped aqaumarine is set within a surround of small circular cut diamonds in white gold, size O. £400-600 1369. A diamond solitaire ring, the slightly oval shaped diamond is set in white gold. Size P.
1370. An emerald and diamond three stone ring, the central oval shaped emerald weighs approximately 2.00cts, with circular cut diamonds to each shoulder. Set in yellow and white gold. Size N. £1,000-1,500 1371. A peridot and diamond cluster ring, the oval shaped peridot set within a surround of circular cut diamonds, in white and yellow gold. Size O. £500-700 1372. A George III gold mourning ring, with plaited hair to the centre glazed compartment within a border of garnets. Black enamel shank with inscription dated 1769. £100-150 1373. A sapphire and diamond ring, the cushion shaped sapphire is set with six small circular cut shoulder diamonds in gold. Size N 1/2. £300-400 1374. A diamond five stone ring, set with five graduated old circular cut diamonds in white gold. Size G (with size reducing pellets to the inner shank). £300-500 1375. A synthetic ruby and diamond ring. The rectangular cut synthetic ruby set with a square cut diamond to each shoulder, in platinum. Size T. £300-400 1376. A diamond cluster ring, the nine cushion cut diamonds set in 18ct yellow gold. Size K.
1377. A monkey brooch, the monkey seated on a gold bar with pearl terminals and pavé set with circular cut white pastes and green paste eyes. With another similar monkey hanging from a chain. Another similar brooch suspending a paste set silver orangutan, a silver dragonfly brooch mounted with butterfly wing, an iridescent green beetle with silver mounts and a gold mounted man in the moon brooch. £200-300 1378. A set of six dress links. In the form of small butterflies pavé set with diamonds and rubies. With further rubies to the body. Set in gold. £3,000-5,000 Cased. The butterflies 1.5cm wide. 1379. A pendant ball watch by Bucherer, with blue guilloche enamel decoration on a silver gilt neck chain with blue enamel decoration. £200-300 1380. Tiffany. A pair of button form gold cuff links, the discs 1.4cm wide.
1381. A ball pendant watch, white enamel dial with blue and red Arabic numerals with twist action winding, the bezel within a surround of rose cut diamonds and centre band of calibré cut rubies to the grey guilloche enamel ground. Further diamonds set to the floral pendant loop. Suspended from a platinum long guard chain formed of twisted links and set with seen pearls and a larger rose cut diamond. The chain 81cm £1,000-1,500 long. The watch 1.8cm wide. 1382. An early 20th Century diamond set platinum fob watch on long diamond chain. The plain cream enamel dial with black Arabic numerals and a diamond set sunburst pattern applied to the reverse. The case numbered 55504 and marked with various inventory numbers and makers marks. 2.5cm wide. On a fine link platinum chain. Alternately mounted with circular and oval sections millegrain set with rose cut diamonds. The chain 61cm. £3,200-3,600 1383. A pair of circular gold cufflinks. Set with hexagonal sections of mother of pearl within a white gold engine turned surround and surmounted with a small pearl. £100-150 1384. A carved shell cameo brooch. Well detailed and depicting Aurora’s procession. With black frame. The cameo 6.5cm wide. £200-300 1385. A set of shell and opal dress studs. Each circular shell disc is centred with a cabochon opal, with yellow gold mounts. Fitted case by Greaves. The discs 1.4cm wide. £400-600 1386. A pair of gold pierced stylised scrolling dragon cuff links. Possibly American. Each mounted with a circular cut diamond.
1387. A pair of lapis lazuli bar cuff links, mounted in gold and with cabochon ruby terminals. Cased by Harrods.
1388. A set of dress cuff links and studs. Comprising pearl set circular black onyx cuff links in yellow and white gold. And with three larger and two smaller similar studs. £400-600 1389. Fabergé. A rectangular silver cigarette case with lime green guilloche enamel decoration, laurel borders. Hinged compartment to one end containing striker. Diamond set thumb piece. The cover marked for Faberge in cyrillic with makers mark for August Hollming and 88 zolotnik mark and with three rubbed marks to the side. With faint scrached inventory number 24049. The body marked with kokoshnik and zolotnik mark and workmaster’s initials. £4,000-6,000 Re-enamelled and later gilt interior. Damaged thumb piece. Faberge records hold that a red enamel box bearing the same inventory number was sold to Princess Alexis Orloff on 24th December 1913 for £23 1390. A cased set of dress cuff links and studs, comprising a pair of cuff links and four larger and two smaller buttons. Centred with a half pearl on shell ground and 9ct gold mounts. Fitted case by Tessier. £400-600 1391. A cased set of dress cuff links and studs. The shell and white gold mounts each centred with a seed pearl. Tessier case.
1392. Van Cleef and Arpels, a pair of yellow gold ball cuff links. Pavé set with small circular cut sapphires and rubies. Signed (twice) VCA and inventory number 11534. £2,000-2,500 1393. A pair of gold cuff links, each link painted with the head of a horse of yellow guilloche enamel ground. The horse with the white head band is believed to be Santa Claus, winner of the 1966 Epsom Derby. £300-400 1394. A pair of pierced circular cuff links in the form of a monkey clasping a circular cut diamond. Possibly American.
1395. A Royal Air Force Brooch, with rose cut diamond set eagle and with red enamel decoration. 2.4cm wide.
1396. A gold pendant realistically formed as a trumpet. 9g.
1397. A regimental brooch, for the Queen’s Bays regiment 2nd Dragoon Guards. Set with rose cut diamonds in gold and platinum with red enamel decoration. 2.8cm wide. £250-350
1377 (part) 1379
1393 1392 1395
1398. A diamond five stone ring, the graduated circular cut diamonds set in white gold. Size O 1/2.
1399. A Victorian diamond set marquise shaped ring. Set with a centre line of five graduated small diamonds to the blue guilloche enamel ground and with surround of further small diamonds in gold. The reverse of the ring with fluted decoration. £200-300 1400. A fancy coloured pear shaped diamond ring. Rub over set in platinum. Size O.
With correspondance claiming that the diamond weighs 1.31cts. 1401. A diamond three-stone ring, the three circular-cut diamonds are set in white gold. Size Q.
1402. A late Victorian 18ct gold double snake ring. The heads set with diamonds. Marked for Chester 1901. Size P. And a stick pin. £150-200 1403. A diamond full circle eternity ring, the circular cut diamonds are set in platinum. Size M.
1404. A diamond five stone ring, the graduated circular cut diamonds are set with smaller rose cut diamonds (one missing) in gold with £200-300 carved shank. Size R. 1405. A diamond three stone ring, the three old brilliant cut diamonds are set in 18ct yellow gold. Size M.
1406. An emerald and diamond cluster ring, the emerald cut emerald is set within a surround of sixteen round brilliant cut diamonds in white gold. Size O 1/2. £1,200-1,500 1407. A diamond solitaire ring, the transitional circular cut diamond is set with four small shoulder diamonds in platinum. Size O 1/2. £500-700 1408. A diamond three stone ring, the three graduated cushion shaped diamonds are set in platinum and yellow gold, size J.
1409. A diamond cluster ring, the seven circular cut diamonds set in yellow and white gold. Size N 1/2.
1410. A sapphire and diamond ring, the oval shaped sapphire set within a surround of ten circular cut diamonds in yellow and white gold. Size P. £400-600 1411. A garnet and diamond cluster ring, the cabochon oval shaped garnet is set within a surround of cushion shaped diamonds in silver and gold. Size O. £800-1,200 1412. A sapphire and diamond cluster ring, the round cut sapphire is set within a surround of round brilliant cut diamonds in gold. Size N. £450-650 1413. A seven stone diamond cluster ring, set in white gold. Size P.
1414. A diamond solitaire ring, the transitional round circular cut diamond is set with two smaller diamonds to each shoulder in platinum. Size Q. £300-400 1415. A fancy yellow diamond ring, the circular diamond weighs approximately 0.29cts and is set in 18ct gold with ten small shoulder diamonds. Size N. Case by Wint & Kidd. £300-500 1416. A ruby and diamond three stone ring. The oval shaped ruby is set with two triangular shaped shoulder diamonds in yellow and white gold. size L 1/2. £2,000-2,500 1417. A three stone sapphire ring, centred with an oval shaped blue sapphire with two white shoulder sapphires in gold. Size P. 1418. A diamond seven stone ring, set with seven round brilliant cut diamonds in white gold. Size P.
1419. A diamond cluster ring, the circular cut diamonds pavé set within a surround of six smaller circular cut diamonds in white gold. Size P. £900-1,200 1420. A diamond and emerald set 18ct gold ring, size S. 1421. A peridot and diamond ring, the oval shaped peridot is set with small brilliant cut diamonds in white gold. Size L 1/2.
1422. A sapphire and diamond cluster ring, the oval shaped sapphire is set within a surround of round brilliant cut diamonds in white gold. Size N 1/2. £800-1,200 1423. A diamond cluster ring, the centre circular cut diamond is millegrain set within a surround of smaller diamonds in white gold and platinum. Size M 1/2. £300-400 1424. An antique diamond two row half hoop ring. Set with twelve graduated circular cut diamonds in 18ct gold. Size P. And a seven stone diamond ring, set in gold. Size N 1/2. £300-400
1425. Murrle Bennett & Co, an art Nouveau silver and enamel pendant. Mounted with a blister pearl and suspending a smaller similar pendant. The main body counter enamelled over monogram and 950. On a fine link silver neck chain. 2cm wide. £300-400 1426. Murrle Bennett & Co, an amethyst set silver necklace, circa 1905, with centre square section Celtic Knot panel and four oval shaped amethysts, stamped MB&Co 950. £600-800 1427. A sapphire bead and diamond necklace. The graduated sapphire beads are separated with three pavé diamond set white gold spherical beads and twelve diamond set rondels. Sapphire set white gold clasp. 42cm. £1,500-2,000 1428. A white gold circular brooch alternately set with groups of four calibré cut emeralds and four circular cut diamonds. 3.5cm wide. £3,000-4,000 1429. An Austro Hungarian early 20th Century reverse carved crystal brooch, the circular crystal painted with a vase of flowers within white £400-600 enamel border. The gold frame engraved to the reverse 1916. 2.5cm wide. 1430. Murrle Bennett & Co, an Arts and Crafts silver brooch mounted with an oval shaped amethyst. Signed with monogram and 950. 2.8cm wide. £250-350 1431. A diamond set cluster brooch, millegrain set with nine graduated transitional circular cut diamonds within a shaped border of smaller diamonds in white gold. 3cm wide. £1,250-1,500 1432. An Egyptian influenced gold brooch, with enamel lotus decoration and suspending a conch pearl. 3cm wide.
1433. A Piel Freres Egyptian Revival enamelled metal belt buckle, rounded square section, set with a faïence scarab beetle to each corner, central eye panel, with enamelled lotus fan stamped marks 7.0cm. wide. £200-300 1434. Garrard. A diamond set platinum double clip brooch, Each triangular section set with graduated circular cut diamonds to the lattice design. Both sections signed Garrard London. 7.5cm wide. Fitted case by Garrard. £2,000-3,000 1435. A diamond cluster ring, the transitional circular cut diamond weighs approximately 1.85cts and is set in platinum with smaller circular and baguette shaped diamonds. Size P 1/2. £4,000-6,000 1436. A pair of turquoise diamond and black onyx drop earrings, the turquoise and black onyx beads suspend from small circular cut diamonds millegrain set in white gold. 6cm. £1,800-2,500 1437. A demantoid garnet and diamond set yellow and white gold hinged bangle. Set with three graduated cushion shaped demantoid garnets and two shoulder pear shaped demantoid garnets. £5,000-7,000 1438. A French diamond set white gold bracelet, the hinged and open work panels are set with graduated circular cut diamonds. 18cm. £5,000-7,000 1439. An emerald and diamond brooch in the Egyptian manner. Centred with a rectangular part cabochon emerald within a pierced mount millegrain set with graduated circular cut diamonds and smaller emeralds in platinum. French control mark to pin. 7cm wide. £9,000-12,000 1440. A pretty diamond bow brooch, set overall with graduated circular brilliant cut diamonds in white gold. 4cm wide.
1441. Andrew Grima, an 18ct yellow gold fluted ring. The open mount with diamond set terminals. Signed and with London marks for 1995. £800-1,200 1442. A diamond line bracelet, set with fancy square shaped diamonds in white gold.
1443. An Art Deco diamond panel bracelet, comprising eight rectangular panels, each millegrain set with three circular cut diamonds within a surround of smaller rose cut diamonds. 17.5cm. £4,500-5,500
1444. An opal and diamond cluster ring, the solid oval shaped opal is set within a surround of twenty one small old circular cut diamonds in white gold. With six further shoulder diamonds, size O. £1,200-1,600 1445. A Regency style gold ring, the oval shaped tourmaline is set within a surround of seed pearls with foliate bifurcated shoulders. Size S. £300-500 1446. A diamond necklace, designed as graduated cut down silver and gold colets, each mounted with a diamond section. 41cm £2,000-3,000 1447. A 19th Century fruiting vine necklace, alternately mounted with realistically formed seed pearl set grapes and gold leaf sections with tendrils. 39cm. £2,000-2,500 1448. A 19th Century coral articulated and graduated necklace. And a smaller coral necklace. 1449. A four row graduated coral bead necklace. The beads graduated from 5.5 to 10.5mm. 35cm (minimum). 1450. A diamond solitaire ring, the cushion shaped diamond with scroll decoration on matted ground. Size R.
£200-300 £800-1,200 £300-400
1451. A pair of George III diamond drop earrings, the graduated mixed diamonds are set in silver and gold.
1452. A Victorian gold choker length collar necklace, 37cm. 33g.
1453. An early 19th Century amethyst, pearl and gold brooch. Centred with an oval shaped cabochon amethyst within a surround of four oval shaped amethysts and four pearls to the gold cannetille mount. 4cm wide. £350-450 1454. An early 19th Century gold brooch centred with an oval shaped pink topaz, four emeralds, four diamonds and four half pearls in a filigree gold mount. £4,000-6,000 1455. A George III diamond brooch. Of circular form and set with a cushion shaped diamond within a border of smaller diamonds in silver and gold. Detachable brooch mount. 2.5cm wide. £6,000-8,000 Provenance: The owner’s grandfather, Lt Col John Grenville Fortescue married Daphne Bourke in 1917. Her grandfather was the 6th Earl of Mayo and Viceroy of India from 1869 until his assassination in 1872. Family tradition holds that the brooch came from India and possibly from the Viceroy. 1456. A pair of cultured pearl and diamond drop earrings, the slightly pear-shaped cultured pearls each suspend from a circular-cut diamond and smaller diamond with diamond set caps, each pearl measures 9.5 and 9.6mm diameter. £1,500-2,000 1457. A carved coral pendant, depicting the head of Medusa with gold pendant loop. 4.4cm wide. 1458. A ruby three stone ring, the three oval shaped rubies are set in yellow gold with carved shoulders, size M.
1459. A sapphire five stone ring, the graduated oval shaped sapphires are set in gold with rose cut diamonds (some missing). Carved shoulders. Size O 1/2. £1,200-1,500 1460. A ruby five stone ring, the five slightly oval shaped rubies are set with small cushion shaped diamonds in gold. Carved shoulders, size R. £1,500-2,000 1461. A diamond seven stone ring, the centre cushion shaped diamond is set with three smaller diamonds to each shoulder. Set in yellow, gold with carved shank. Size N. £3,000-4000 1462. An emerald and diamond ring, the cushion shaped emerald is set with two cushion shaped diamonds in yellow gold with carved shoulders and four smaller diamonds. Size N. £2,500-3,500 1463. A pair of 19th Century cluster bead coral earrings. The seven egg shaped coral beads suspend from a circular button shaped coral bead. £300-400
1464. A pearl and untested pearl pendant. The upper oval shaped pearl with a gem and pearl laboratory certificate number 3858 stating that the pearl measures 9.23 by 9.81 by 12.69mm and weighs 9.22cts and is a natural saltwater pearl. The lower button shaped pearl is untested. Set in silver and gold. With rose cut diamonds. Some missing. On a fine link gold neck chain. £1,000-1,500 1465. A pearl, tourmaline and diamond pendant, the circular cut pink tourmaline is set within four circular cut diamonds and suspends a £800-1,200 slightly baroque pear shaped pearl. On a fine link gold chain. 1466. An Edwardian mauve enamel pendant. The circular gold pendant centred with a pearl to the purple guilloche enamel ground and suspending a further pearl. Fine link gold neck chain set with a small pearl. Glazed locket compartment to the reverse containing hair. 2.5cm wide. Case by Hennell. £200-300 1467. A pearl topaz and diamond pendant, the oval shaped topaz suspends from a pink and white button pearl with kite shaped diamond terminal. Set in gold on a fine link white gold neck chain. With spectacle mounted small diamonds. £2,000-3,000 1468. A Belle Epoque aquamarine and diamond pendant, the circular aquamarine is set within a surround of rose cut diamonds and a further scroll border of diamond set fleur-de-lys. Set in platinum on a fine link platinum chain. £2,500-3,000 1469. A graduated pearl and diamond necklace, the millegrain set diamond pierced oval links are separated with thirteen graduted pearls, platinum and white gold. 40cm long. £10,000-15,000 With Gem and Pearl Laboratory report number 4198 stating that the largest pearl measures 10.2 to 11.8mm and the smallest pearl is 6.4 to 6.8mm, all natural pearls, fourth from tongue end is freshwater, the remainder all saltwater. 1470. A pair of pearl mounted earrings. Each earring mounted with two baroque shaped pearls separated with a small diamond (one missing). In white gold. £3,000-5,000 With Gem and Pearl Laboratory certificate number 03295 stating that the four pearls are natural (saltwater). 1471. An Edwardian fringe pendant, mounted with peridots, pink tourmalines, seed pearls and white stones to the fine link gold necklace. 39cm. Fitted case. £600-800 1472. A single row graduated pearl necklace, the one hundred and seventy nine pearls graduate from 1.9 to 5.0mm with a diamond set barrel shaped clasp. 43cm. With fitted coiled case. £800-1,200 With pearl report from the Gem and Pearl Laboratory number 4189 stating that the pearls are all natural (saltwater) 1473. A pearl and diamond ring, set with three pearls and four small diamonds in gold. Size P. 1474. A pearl mounted ring, the button shaped pearl is set with three small shoulder diamonds in white gold. Size L.
With Gem and Pearl Laboratory certificate number 03722 stating that the pearl is natural (saltwater). 1475. An aquamarine and ruby ring, the emerald cut aquamarine is set with four calibré cut shoulder rubies in gold. Size M.
1476. A large button shaped pearl and diamond pendant, set in white gold with a border of rose cut diamonds.
With Gem and Pearl Laboratory report number 1861 which dates that the pearl measures 18.9 - 19.42 x 15.72mm and weighs 39.96cts. Natural freshwater pearl. 1477. Cartier. A diamond brooch, of rectangular form with D terminals and millegrain set overall with graduated circular cut diamonds in platinum. Signed Cartier La London inventory number possibly 7357. 3.4cm wide. £1,000-1,500 1478. A pearl set white gold cross pendant, fitted case by Collingwood. 2.7cm high.
1479. A conch pearl and diamond earring, suspended from three cushion shaped diamonds with rose cut diamond set caps in white gold. £800-1,200 1480. Cartier. A Royal presentation brooch. The gold brooch with enamel G within the Royal Garter beneath the crown. Further enamel decoration. Signed Cartier London. 3.5cm wide. Fitted Cartier box. £800-1,200 Accompanied with the following explanation of the presentation: This gold and enamel brooch was presented to Miss Olive Revill by the then Prince George, Duke of Kent, sometime in the early 1930s. Miss Revill was a night nurse at the London Clinic when the Duke of Kent was admitted for reasons that were never disclosed. When Prince George was discharged, he presented Miss Revill with this brooch to show his gratitude. With a black and white image of a nurse, possibly Miss Olive Revill. 1481. A pearl pendant, the oval shaped baroque pearl suspends from a pendant mounted set with graduated diamonds.
1482. Cartier. A Early 20th century small arrow pin. Set with sections of black onyx and diamond set feathers, platinum. Signed Cartier Paris. French control marks. 4cm. £300-500
1480 1473 1476 1482
1483. A pair of carved turquoise and diamond forget me not earrings. Each flower head centred with a small diamond and mounted in gold. £800-1,200 1484. A French diamond set gold stylised starburst brooch, set with graduated small diamonds. French control marks. 4cm wide. 15g. £300-400 1485. A garnet and diamond pendant, the central circular green garnet set with two triangular shaped diamonds to the shoulders and £600-800 suspending a larger triangular shaped diamond. On a fancy link yellow gold chain. 1486. A long diamond necklace, mounted with 153 round brilliant cut diamonds in 18ct white gold. The diamonds weigh approximately 35.00cts in total. 79cm long. 90g in total. £18,000-20,000 1487. A pair of sapphire and diamond drop earrings, the centre cushion shaped diamonds are millegrain set within a surround of calibré cut sapphires and further border of millegrain set diamonds in gold. £3,500-4,500 1488. A brooch formed as a duck chef. Realistically formed in yellow and white gold with baroque pearl body and diamond set apron and scarf. Stamped 750. 3.7cm high. £600-800 1489. A pair of sapphire and diamond cluster earrings, the oval shaped sapphires are set within a surround of twelve brilliant cut diamonds in white gold. £9,000-12,000 1490. A pair of cultured pearl and diamond drop earrings, the pearls suspend from a yellow gold foliate design centred with a diamond with two smaller diamonds. £600-800 1491. An 18ct gold bird brooch. Realistically formed with ruby eyes and a cluster of a turquoise, diamond and sapphire to the gold branch. 2.5cm wide. £200-300 1492. A pair of diamond set white gold scroll earrings, set with graduated transitional circular cut diamonds and graduated baguette shaped diamonds. £3,500-4,500 1493. Kutchinsky, a stylised rope design yellow gold brooch. The terminals set with small diamonds and tied with a further cluster of small diamonds. Signed. 5cm high. 38g. With Kutchinsky case. £1,000-1,500 1494. A pair of citrine, peridot and diamond set white gold earrings. 1495. A pair of yellow gold drop earrings by Lalaounis. In the Etruscan style.
1496. A spinel and diamond cluster ring, set with graduated oval shaped red spinels and circular cut diamonds in white gold. Size L 1/2. £1,000-1,500 1497. A diamond set gold hinged bangle, of rope design and centred with a transitional circular cut diamond which weighs approximately 1.75cts and with six further diamonds and twelve smaller diamonds. 80g in total. £6,000-8,000 1498. A diamond solitaire ring, the radiant cut diamond weighs approximately 5.05cts and is set with six baguette shaped shoulder diamonds in platinum and white gold. Size Q. With Cartier box. £25,000-30,000 1499. A tanzanite and diamond ring. The oval shaped tanzanite is set with two round brilliant cut diamonds in gold. Size L.
1500. A diamond solitaire ring. The circular cut diamond weighs approximately 1.00cts and is set in white and yellow gold. Size N. £1,000-1,500 1501. A diamond solitaire ring, the baguette shaped diamond weighs 3.45cts and it set in platinum. Size N.
With a diamond report from Anchorcert number 1/22781-001 stating that the diamond has J colour with VS2 clarity. 1502. A diamond solitaire ring. The old circular cut diamond weighs approximately 1.50cts and is set in platinum. Size N.
1503. A pair of citrine and diamond cluster earrings, the oval shaped citrines are set within a surround of circular cut diamonds in gold. £300-400 1504. A diamond line bracelet, the forty two round brilliant cut diamonds weigh approximately 9.50cts in total. Set in white gold. £4,800-6,000 1505. A diamond line bracelet, the forty one circular cut diamonds are set in white gold. 18.5cm long.
1506. A diamond line bracelet, the twenty nine circular brilliant cut diamonds are set in white gold rub over flexible mounts. The diamonds total approximately 7.50cts. 18cm long. £3,800-5,000
1507. An antique gold posy ring, engraved to the interior IxLYKExMYxCHOYCE (sic). Size P1/2. 4.3g £500-700 1507 detail 1508. A diamond three stone ring, the centre transitional round brilliant cut diamond weighs approximately 1.75cts and it set in platinum and yellow gold with two similar shoulder diamonds which weigh approximately 1.50cts together. £5,000-7,000 1509. A diamond three stone ring, the three old circular cut diamonds weigh approximately 4.00cts in total and are set in white gold. Size N. £4,000-6,000 1510. A gold mythological beast ring. With oval shaped diamond to its mouth and pierced scroll shoulders. Exterior control mark, possibly £900-1,200 French, size O. 1511. An early Victorian gold pendant. Set within a surround of graduated seed pearls and with a fine link gold neck chain. Containing hair and a seed pearl motif. Fitted case. £200-300 1512. A Regency small citrine mounted signet ring, the circular cut citrine mounted with an Earls coronet over the Prince of Wales coronet. Pierced gold mount with foliate decoration. Size M. £400-600 1513. A Regency fine link gold necklace. The circular links with chevron decoration and a turquoise set clasp. 42cm long.
1514. A Regency gold long guard chain, the circular links decorated with stars on matted ground. Gold hand clasp with ruby ring. 118cm. £800-1,200 1515. An Edwardian cabochon chrysoberyl and diamond target brooch, the chrysoberyl is set within a surround of cushion shaped diamonds within a border of twelve larger millegrain set round diamonds. Set in platinum and gold. £600-800 1516. A 19th Century gold neck chain with large gold bolt ring. 46cm. 22g.
1517. A pair of diamond flower head cluster earrings, each set with a circular cut diamond within a surround of eight smaller diamonds and smaller diamond border. Set in silver and gold. £8,000-12,000 1518. A pair of Victorian amethyst earrings, each gold earring mounted with a pair shaped and an oval shaped amethyst. Cased. £300-400 1519. A gold bracelet. The fancy link braclet is 21cm long and weighs 15g.
1520. A pair of gold Etruscan style drop earrings, with filigree decoration and double hinged. 7cm long.
1521. A Regency garnet and diamond brooch, centred with a long oval cabochon garnet within cushion shaped diamond surround. Set in silver and gold with inscription to the reverse dated 1830. £500-700 1522. A large sapphire and diamond ring, the oval shaped sapphire is set in platinum with diamond set underbezel (some missing) and stylized palmette shoulders. Size J. £3,000-4,000 With report from the Gem and Pearl Laboratory stating that the sapphire weighs 58.02g and no evidence of heat treatment was observed. 1523. A Regency gem set gold locket pendant. Of rectangular cushion form and set with coloured stones with cannetille decoration. Glazed hinged locket compartment to the reverse. £300-500 1524. A sapphire and diamond set closed crescent brooch, with an outer row of graduated oval shaped sapphires and an inner row of graduated cushion shaped diamonds in silver and gold. Detachable brooch fitting. £800-1,200 1525. A gold butterfly brooch, the wings set with diamonds, rubies, emeralds and sapphires in silver and white gold.
1526. A mid 18th Century sentimental pendant. With central pear shaped locket compartment containing two locks of hair. Within a carved and pierced silver surround set with rubies and diamonds. 21mm wide. £300-500 1527. A sapphire and diamond cluster ring, centred with a circular old cut diamond within a surround of six oval shaped sapphires and small diamonds, and a border of cushion shaped diamonds in silver and gold. Size Q 1/2. £2,000-2,500
1517 1515 1518
1528. A pair of jade and diamond drop earrings, the green jade pea pods suspend from baguette and circular cut diamonds and a lavender £1,500-2,000 jade spherical bead. White gold mounts. 6cm. 1529. An Edwardian jade and diamond pendant, the circular jade disc is set with a circular cut diamond, within a diamond and seed pearl £800-1,200 gold frame. 1530. A triangular jade pendant, the pierced and carved jade section set within a surround of small round brilliant cut diamonds and suspending from a larger diamond in gold. £1,000-1,500 1531. A sapphire and diamond two stone ring, the circular transitional cut diamond is set with a circular cut sapphire in yellow gold. Size M. £1,500-2,000 1532. A late Victorian opal and diamond pendant, two pear shaped oval cabochons suspend from an oval shaped opal (crazed) within a border of eight small diamonds in gold. Fine link gold chain. Fitted case by Edward Tessier. £800-1200 1533. A circular green jadeite bangle. 5.9cm (internal)
1534. A jade and diamond brooch, the circular jade disc is set in white gold with graduated circular cut diamonds. The disc approximately 1.3cm wide. £800-1200 1535. A pair of jade diamond and black onyx earrings, each earring suspends a carved jade section suspended form small diamonds and a black onyx lozenge in white gold. £500-700 1536. A cabochon emerald and diamond ring, the oval shaped emerald is set in white gold with V shaped shoulders set with small diamonds. Size N 1/2. £1,800-2,500 1537. A pair of Art Deco gem set clips set with diamonds, aquamarines and garnets to the carved lapis lazuli and black onyx scroll sections. French control marks to the pins and signed RR, possibly for Robert and Robert. 12cm wide (total) £2,000-3,000 1538. A sapphire mounted gold dragon ring. The realistically formed dragons hold the slightly baroque shaped cabochon sapphire. Size O 1/2. £500-700 1539. A pair of diamond stud earrings, the transitional circular cut diamonds are set in gold.
1540. A sapphire and diamond mounted gold hinged bangle, set with an oval shaped sapphire and a cushion shaped diamond. 37g in total. £2,500-3,500 With the gem and pearl laboratory certificate number 1813 stating that the stone weighs 2.10cts and has no evidence of heat treatment. 1541. A diamond solitaire ring, the circular transitional brilliant cut diamond is set in platinum with four baguette shaped shoulder diamonds. Cased by Garrard. Size O 1/2. £20,000-30,000 With British Gemmological Institute certificate number 20676/09, dated 20th November 2009, stating that the diamond weighs 2.76cts. has colour F with VS2 clarity. 1542. Cartier. A sappire diamond and pearl set platinum floral brooch, the double flower head brooch is centred with a six sided diamond and four different coloured pearls to one side and three rectangular cut sapphires and diamonds to the other. Diamond set stem and leaves. Signed Cartier Monture and with French control marks. £2,500-3,500 1543. A sapphire, ruby and diamond bracelet. Formed as two flexible panels each alternately set with circular cut diamonds and sapphires or rubies. White gold. 17cm long. £1,500-2,000 1544. A diamond cluster ring, the centre circular old cut diamond weighs approximately 2.05cts. Set within a surround of graduated circular and baguette shaped diamonds in platinum. Size Q. £5,000-7,000 1545. A diamond set flower head brooch. Missing centre stone. Set with graduated round brilliant cut diamonds (two missing). Set in platinum. 4cm wide. £2,000-3,000 1546. A Belle Epoque diamond brooch, millegrain set with a circular transitional cut diamond to the centre with swirls of scrolling lattice sections, set with graduated smaller circular cut diamonds to the shaped circular design. 5cm wide. £3,000-5,000 1547. A pair of diamond stud earrings, the brilliant cut diamonds are set in white gold. The diamonds weigh 1.51cts each. Case by Boodle and Dunthorne. £20,000-30,000
1531 1532 1533 1529
1534 1535 1536
Silver Tuesday 19th and Wednesday 20th July 2011
ENQUIRIES Rupert Slingsby Tel: 01722 424501 email@example.com Lucy Grazier Tel: 01722 424530 firstname.lastname@example.org
By Omar Ramsden, a fine Art and Crafts silver sugar caster, London 1937. Estimate £1,500 - £2,000
English and European Ceramics and Glass Tuesday 13th September 2011 Closing date for entries 5th August
A rare Meissen model of Atlas, 18th century. From a private English collection. Estimate: ÂŁ1,000 - ÂŁ2,000
ENQUIRIES Clare Durham Tel: 01722 424507 email@example.com
Paintings Wednesday 28th September 2011 Entries are being accepted for this sale until 8th August
ENQUIRIES Victor Fauvelle Tel: 01722 424503 firstname.lastname@example.org
Ferdinand Leeke (German 1859-1923) Flower gatherers Signed and dated 14 Oil on canvas 117 x 150cm Estimate: ÂŁ8,000 - ÂŁ12,000
Clocks, Pocket Watches, Scientific Instruments & Barometers Tuesday 25th October 2011 Entries are now being accepted for this sale
A gold pair cased verge watch, signed 'Hen Neve, London' Sold for ÂŁ3,300
ENQUIRIES Will Hobbs Tel: 01722 339752 email@example.com
Jewellery Thursday 27th October 2011 Entries are currently being accepted for this sale
ENQUIRIES Jonathan Edwards Tel: 01722 424504 firstname.lastname@example.org Marielle Whiting Tel: 01722 424595 email@example.com
A Victorian diamond set sunburst brooch. Sold for ÂŁ26,000
A Chinese silver tray of theatrical interest, 19th century, 32oz Estimate: ÂŁ3,000 - ÂŁ5,000
Asian Art Wednseday 16th and Thursday 17th November 2011 Entries are currently being accepted for this sale
ENQUIRIES John Axford Tel: 01722 424506 firstname.lastname@example.org
Auction Information OPENING HOURS Monday to Friday 9am to 5.30pm and 10am to 1pm on Saturdays VIEWING All our specialist auctions are on view at least two days prior to the sale, and details will be found in the relevant catalogues. BIDDING To bid at the auction, you will need a bidding number. This can be obtained from the office either during the view or on the day of the sale. ABSENTEE BIDDING If you are unable to attend the sale you can leave a written commission bid. This will be executed on your behalf by the auctioneer who will endeavour to purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. On the more expensive lots it is usually possible to bid on the telephone by prior arrangement with the office. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot where practical. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 19.5% + VAT at the appropriate rate. SALE RESULTS Results from this sale are available from our office on 01722 424500 and are posted on our website www.woolleyandwallis.co.uk a few days after the sale. STORAGE CHARGES Storage charges will be levied on all lots in the Furniture and Works of Art and Clock sales not collected within 14 calendar days of the sale. This will include a handling fee of £20 (+VAT) per consignment and a storage charge of £2 (+VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.
ARTISTS RESALE RIGHT / DROIT DE SUITE Lots potentially subject to the levy are marked with a ‡ symbol next to the lot description. Works by living artists who are nationals in European Union Countries and certain other countries are subject to the levy if they sell for a hammer price of the sterling equivalent of €1.000 or more. The levy will be added to the purchaser’s invoice and the full amount will be paid by us to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale, or for any further information. Royalty
For the Portion of the resale price - in Euro
4% 3% 1% 0.5% 0.25%
Up to €50,000 €50,000.01 - 200,000 €200,000.01 - 350,000 €350,000.01 - 500,000 In excess of €500,000
Up to a maximum levy of €12,500
PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and may require funds to be cleared before purchases can be released. The following methods of payment may be made: bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a limit of £5,000. Wire transfers should be sent to: Lloyds TSB, Blue Boar Row, Salisbury SP1 1DB. Account name Woolley & Wallis Salisbury Salerooms Ltd. Clients Account Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect It is company policy not to accept single or multiple payments in cash equivalents in excess of £5,000 (or the equivalent value in another currency). Where practical, payment can be made and purchases collected during the auction. Please note that lots will remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. PACKING AND SHIPPING All our packing and shipping is arranged through Alban Shipping. Please see details at the back of this catalogue. VAT Lots marked with an asterisk (*) are subject to VAT at the standard rate on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. The colours printed in the catalogue are not necessarily true. All weights and measures given in the catalogue should be regarded as approximate.
Valuations Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.
PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.
INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual clientâ€™s needs.
We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales. Contact Christine Johnson 01722 424510
For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.
FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.
Woolley & Wallis valuations are accepted by all leading insurance companies.
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CASTLE RD A345
LONDON, ANDOVER & WINCHESTER
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Woolley & Wallis Salisbury Salerooms Ltd. Registered in England No. 2998482 VAT No: 9832 29 in association with Woolley & Wallis, Chartered Surveyors Design & Production by Jamm Design - Tel. 020 8901 7522
SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 19.5% + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders may be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).
12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.
TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. There is a minimum charge of £5 per lot. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4(a) is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.
11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.
2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.
14. Authority to deduct commission and expenses and retain premium and interest.
4. THE PURCHASE PRICE
(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.
5. VALUE ADDED TAX
(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions. and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. After sale settlement of the net sum due to you normally takes place within 28 days of the sale (by crossed cheque to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.
CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.
The Buyer shall pay the hammer price together with a premium thereon of 19.5% + VAT at the appropriate rate. Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.
10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition orestimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions.
PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.
BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return. EXPORT LICENCES European Community and United Kingdom. The following are examples of categories with the current limits above which either an EC or a UK licence is required for the export of cultural goods more than 50 years old. Archaeological objects Elements of artistic, historical or religious monuments Zero Manuscripts, documents and archives (excluding printed matter) Architectural, scientific and engineering drawings produced by hand Photographic positive or negative or any assemblage of such photographs Textiles (excluding carpets and tapestries) Paintings in oil or tempera Watercolours, gouaches and pastels Prints, Engravings, Drawings and Mosaics
Zero £10,200 £10,200 £34,300 £103,000 £20,600 £10,200
An EC licence is required for the export from the European Community of cultural goods controlled by EC regulations. A UK licence is required for the export from the UK to another member state of the EC of all cultural goods valued at or above the UK licence limit but below the EC licence limit. EC and UK licences are issued by the Department of National Heritage.
Packing and Despatch We have negotiated competitive rates with Alban Shipping – Specialist Shippers of Antiques, Collectors’ Items and Fine Art, for the packing and despatch of lots purchased at our salerooms. Unfortunately, Woolley & Wallis are unable to offer any other packing and despatch service of their own.
Insurance Full comprehensive Transit Insurance is charged from £2.50 or 1.5% of the hammer price. For further details please contact: Mr. Andrew Jackman on 01582 493 099 who will be able to assist with any enquiries or information that you may require.
Alban Shipping collect items for our Salisbury Salerooms on a weekly basis and offer a fast, friendly and efficient shipping service via all methods of modern transport, by air, sea and road, including – air-post, courier, air and seafreight. They also offer a case making service.
Alban Shipping Specialists Shippers of Antique, Collectors’ Items and Fine Art Unit 4, Premier Business Park, Dencora Way, Luton, Bedfordshire LU3 3HP
Quotations Alban Shipping will be pleased to provide a prompt individual quotation for this service. Minimum Charge Their minimum charge is £35 plus VAT which includes the collection, expert packing and despatch for inland delivery. Mastercard and Visa are welcome.
Telephone Fax E-mail Web
01582 493 099 01582 490 147 email@example.com www.albanshipping.co.uk
woolley & wallis
Please complete and return to: Woolley & Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508 Name
GOODS FOR COLLECTION
Name Delivery address
Email Mobile Please tick relevant boxes: For collection from
I authorise Alban Shipping to collect the above lots on my behalf and deliver to the address given above. I understand that payment is to be made direct to Alban Shipping.
For Office Use
woo l le y & wa l li s Absentee Bid Form
PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order
Thursday 21st July 2011 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)
Postcode Daytime telephone Email Debit/Credit Card details: VISA OTHER
We do not accept American Express cards
Cardholder Card No. Valid from Expiry date Issue No.
If you have not settled your account within 21 days of the auction Woolley & Wallis Salisbury Salerooms Ltd reserves the right to debit all charges due. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. By signing below you are authorising this payment to be taken by us. ID is required for all first time bidders.
Signature Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508
Price Excluding buyer’s premium & VAT
aucTion calendar FURNITURE & WORKS OF ART 11th October 2011 Will Hobbs 01722 339752 • firstname.lastname@example.org Mark Richards 01722 411854 • email@example.com SILVER 19th & 20th July 2011 26th October 2011 Rupert Slingsby 01722 424501 • firstname.lastname@example.org Lucy Grazier 01722 424530 • email@example.com JEWELLERY 21st July 2011 27th October 2011 Jonathan Edwards 01722 424504 • firstname.lastname@example.org Marielle Whiting 01722 424595 • email@example.com ENGLISH & EUROPEAN CERAMICS & GLASS 13th September 2011 Clare Durham 01722 424507 • firstname.lastname@example.org PAINTINGS 28th September 2011 7th December 2011 Victor Fauvelle 01722 424503 • email@example.com Jo Butler 01722 424592 • firstname.lastname@example.org 20TH CENTURY DESIGN 21st September 2011 – 20th Century Design 30th November 2011 – British Art Pottery, including Studio Pottery Michael Jeffery 01722 424505 • email@example.com CLOCKS, POCKET WATCHES & BAROMETERS 25th October 2011 Will Hobbs 01722 339752 • firstname.lastname@example.org Richard Price 01722 339752 • email@example.com ASIAN ART 15th November 2011 – Yixing Zisha Wares 16th November 2011 – Asian Art Part I 17th November 2011 – Asian Art Part II John Axford 01722 424506 • firstname.lastname@example.org Sophie Lister 01722 424 591 • email@example.com BOOKS & MANUSCRIPTS 7th December 2011 Liz Merry 01722 424500 • firstname.lastname@example.org • Entries can be accepted up to six weeks prior to auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk
Published on Jun 23, 2011