25 Blythe Road

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25 Blythe Road | London’s Specialist Auctioneers

Harry Moore-Gwyn

BRITISH & CONTINENTAL PICTURES Tuesday 31 March 2015

www.25BlytheRoad.com

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AUCTION ENQUIRIES AND INFORMATION Enquiries: Harry Moore-Gwyn Kate Goad 25 Blythe Road Ltd 25 Blythe Road London W14 0PD Tel: +44 (0)20 7806 5541 Fax: +44 (0)20 7602 5973 Email: enquiries@25blytheroad.com

Front cover: Lot 40 Back cover: Lot 76

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Harry Moore-Gwyn BRITISH & CONTINENTAL PICTURES

TO BE SOLD ONLINE BY AUCTION AT www.25blytheroad.com 25 Blythe Road London W14 0PD enquiries@25blytheroad.com Tel. +44 (0) 20 7806 5541

PUBLIC EXHIBITION Friday 27 March 10am to 5pm Sunday 29 March 12 noon to 4pm Monday 30 March 10am to 7pm Tuesday 31 March 10am to 12 noon

SALE DATE

Tuesday 31 March 2015 This auction is conducted online by 25 Blythe Road Ltd in accordance with our Conditions of Business printed in the back of this catalogue and further terms listed at www.25blytheroad.com

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IMPORTANT INFORMATION FOR BUYERS All lots are offered subject to 25 Blythe Road Ltd’s Conditions of Business and to reserves. The Conditions of Business for Buyers are published at the end of this flip catalogue.

Estimates are published as a guide only and are subject to review. The actual hammer price of a lot may well be higher or lower than the range of figures given and there are no fixed “starting prices”.

A Buyer’s Premium of 20% is applicable to all lots in this sale. The Buyer’s Premium is subject to VAT at the standard rate (currently 20%). Unless otherwise indicated, lots are offered for sale under the auctioneer's margin scheme and VAT on the Buyer’s Premium is payable by all buyers.

A webcast fee of 3% + plus VAT is payable on the hammer price for timed online auctions.

Lots marked with the symbol ‡ have been imported from outside the European Union (EU) to be sold at auction under Temporary Import Rules. When released to buyers within the EU, including the UK, the buyer will become the importer and must pay VAT at the rate of 5% on the hammer price and 20% on the Buyer’s Premium. Buyers outside the EU will normally be eligible to obtain a refund in respect of temporary import VAT, upon satisfactory documentary evidence of exportation. Further information on this matter is available on request.

Artist Resale Right On certain Lots marked • in the Catalogue that are sold for a Hammer Price of €1,000 or greater (converted into GBP using the European Central Bank Reference rate prevailing on the Auction End date) an additional premium will be payable by the Buyer to cover the payment of royalties under the Artist Resale Right Regulations 2006. The additional premium will be a percentage of the amount of the hammer price calculated in accordance with the table below, and shall not exceed the equivalent of €12,500.

Hammer Price Percentage Amount From €0 to €50,000 4% From €50,000.01 to €200,000 3% From €200,000.01 to €350,000 1% From €350,000.01 to €500,000 0.5% Exceeding €500,000 0.25% 25 Blythe Road Ltd will be pleased to execute bids on behalf of those clients unable to attend the sale in person, subject to our Conditions of Business. All bids must be submitted in writing in good time and lots will always be purchased as cheaply as possible (depending on any other bids received, reserves and competition). This service is offered free of charge.

25 Blythe Road Ltd can supply quotations for shipping of purchases, including transit insurance and VAT refund administration fees, and will assist in the application for any export licences which may be required. Buyers are reminded that it is their responsibility to comply with UK export regulations and with any local import requirements.

Payment Payment is due in sterling at the conclusion of the sale and before purchases can be released. Please note that we require seven days to clear sterling cheques unless special arrangements have been made in advance of the sale.

We are pleased to accept major credit cards (regrettably we are unable to accept American Express), for which a surcharge will be made of 3% of the transaction total. There is no charge for payments made by a UK debit card; however non-UK debit cards will attract a 3% charge. Cash and Credit card payments, made on the premises, above £6,000 will not be accepted without prior arrangement. Electronic transfers may be sent directly to our Bank.

Storage On receipt of cleared funds, lots can be collected from 25 Blythe Road during the auction or immediately after its completion. Thereafter, all purchased lots will be stored at 25 Blythe Road Ltd’s premises. Please note that collection is

BY APPOINTMENT on +44 (0) 207 602 4805. All lots should be cleared within two months of the auction date, after which they will be transferred to a third party for storage. A transfer fee of £10 per lot plus all incurred transfer and storage costs due to the third party will be payable prior to release.

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1 DANIEL MACLISE, RA (1806-1870) SUSPENSE inscribed with title (verso); sepia wash and pencil.

22cm by 32.5cm; 8 3/4in by 12 3/4in Provenance Bearing the stamps of Sir Williams Drake FSA (1870-1890) from his collection of Maclise drawing, mainly purchased at the artist’s sale (lugt 736) £200-300 2 CIRCLE OF ARTHUR WILLIAM DEVIS (1766-1822) FULL LENGTH PORTRAIT OF AN ARMY OFFICER oil on canvas in a period hand carved guilt frame 77cm by 63cm; 30in 1/2 by 24 3/4in £3000-4000

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2 5

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3 3 MANNER OF SANO DI PIETRO MADONNA AND CHILD oil and gesso 47cm by 36cm; 18 1/2in by 14 1/4in £800-1200 4 **FOLLOWER OF PIETER VAN BLOEMEN,CALLED STANDARD, (18TH CENTURY) A PAIR OF PASTORAL SCENES WITH FIGURES AMONGST RUINS oil on canvas the first: 47cm by 62cm; 18 1/2in by 24 3/8in

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£300-500 5 **FOLLOWER OF PIETER VAN BLOEMEN,CALLED STANDARD (18TH CENTURY) A PAIR OF PASTORAL SCENES WITH FIGURES AMONGST RUINS oil on canvas The first: 47cm by 62cm; 18 1/2in by 24 3/8in £300-500 6 W. GANES (19TH CENTURY) CHARCOAL BURNERS inscribed on label affixed to reverse ‘Charcoal Burners/ In ????

Forest/ William Ganes Painter’; oil on board 36cm by 54cm; 14 1/4 in by 21 1/4in £70-100

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7 7 WILLIAM ARMITAGE (BRITISH, b.1863) HUNTING SCENE signed W. Armitage l.l; watercolour 19cm by 30cm; 7 1/2in by 11 3/4in £60-80

9 9 RICHARD RAMSAY REINAGLE, RA (1775-1862) AND T.SAYWELL (FL. EARLY 19TH CENTURY) A PANORAMIC VIEW OF CHERBOURG signed on reverse of canvas; oil on canvas 53cm by 71cm; 21in by 28in £300-500

10 10 •RICHARD BARRY PARKER (1867-1947) ARTS AND CRAFTS HOUSES watercolour 24.5cm by 38cm; 9 3/4in by 15in £250-350

8 8 WILLIAM EDWARD FROST, RA (BRITISH, 1810-1877) STANDING FEMALE NUDE oil on canvas 55.5cm by 38cm; 21 3/4in by 15in £300-500 7

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11 11 •ARTHUR WARDLE, RI, RBA, (1864-1949) STUDIES OF A PANTHER together with study of a lion’s paw (19cm by 28 cm), by the same artist; coloured chalks 32.5cm by 21.5cm; 12 3/4in by 8 1/2in £250-350

13 13 ENGLISH SCHOOL (18TH - 19TH CENTURY) GROUP OF THREE DRAWINGS including Mother with children, A boy with his dog (signed Duncan Campbell); Study of the tumb of Walter De Grey) Various sizes (3) £200-300

12 12 THOMAS DANIELL, R.A. (1749-1840) AUBDAUR,WATER COOLER pencil 20cm by 16cm; 8in by 6 1/4in £300-400

14 14 GEORGE ARTHUR FRIPP, RWS (1813 - 1896) THE CHURCH PORCH watercolour 25cm by 32cm; 9 3/4in by 12 1/2in Fripp exhibited a watercolour titled “The Church Porch” at the Royal Watercolour Society in 1872. £150-300

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17 17 JOHN MASEY WRIGHT (1777-1866) THE INATTENTIVE POACHER watercolour 17cm by 21cm; 6 3/4in by 8 1/4in (unframed) 15 15 THOMAS SEWELL ROBINS R.A. (1814 - 1880) STUDY OF A FISHERWOMAN signed with initals and dated “TSR 50” l.r.; watercolour 31cm by 18.5cm;12 1/4in by 7 1/4in

£100-150

£200-300

18 18 GASPARD LE MARCHANT TUPPER (BRITISH, 1826-1906) SMYRNA (ISMIR) additional sketch of a horse drawn carriage on reverse; watercolour 15cm by 26cm; 6in by 10 1/4in Provenance Albany Gallery. Tupper served in the Crimea from 1854 to 1856, where he took part in the battle of Balaklava and the repulse of the sortie in October 1854. He was wounded at Inkerman in 1854, and fought in the Siege of Sebastopol. £100-150

16 16 JOHN MASEY WRIGHT (1777-1866) THE BETROTHAL watercolour 22cm by 16cm; 8 3/4in by 6 1/4in (unframed) £100-150 9

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19 19 SEM (GEORGE GOURSAT) (FRENCH, 1863-1934) THREE ITALIAN MILITARY CARICATURES The first: signed l.r, inscribed ‘Ultimo cartuccia.’ (Last Cartridge) u.c; the second signed lower right, inscribed ‘Cavalleria leggera.’

(Light Cavalry) u.c; the third signed lower left, inscribed ‘Cucina economica Eritrea’ (Eritrean Stove); pen and ink and watercolour The first 45.5cm by 30.5cm; 18in by 12in (unframed) (3) £300-500

22 22 WILLIAM GREEN OF AMBLESIDE (BRITISH, 1760-1823) LAKE DISTRICT LANSCAPE NEAR BORROWDALE signed on old backboard: W.Green; watercolour 25.5cm by 38 cm; 10in by 15in (unframed) Green settled in the Lake District just after 1800 and is generally regarded as one of the first artists to make a comprehensive and accurate topographical survey of the area. The result was his major 1819 work The Tourists’ New Guide to the Lake District, based on the numerous watercolours and drawings he made over the previous two decades. At his death in 1823 his epitaph was written by his friend the poet William Wordsworth. £200-300

20 20 WILLIAM WIDGERY (BRITISH, 1822-1893) LANDSCAPE WITH STREAM IN FOREGROUND AND HILLS IN THE DISTANCE, PROBABLY DARTMOOR Signed l.l; watercolour 25cm by 74cm; 9 3/4in by 29 1/4in £40-60

23 23 ENGLISH SCHOOL (EARLY 19th CENTURY) PALACE SCHOOL, ENFIELD watercolour 18.5cm by 25.5cm; 7 1/4in by 10in £80-120

21 21 WILLIAM WIDGERY (BRITISH, 1822-1893) LANDSCAPE WITH STREAM IN FOREGROUND AND COWS BEYOND, PROBABLY DARTMOOR signed l.l; watercolour 25cm by 74cm; 9 3/4in by 29 1/4in £40-60 10

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24 24 ENGLISH SCHOOL (19TH CENTURY) SAILING VESSELS OFF THE COAST watercolour and another watercolour by Marritt, 20th Century (Sailing Vessels off the Coast 20cm by 12.5cm; 8in by 5in) £40-60

26 26 •HENRY JOHN SYLVESTER STANNARD, RBA (1870-1951) CORN STOOKS signed indistinctly l.l; watercolour 24cm by 16cm; 9 1/2in by 6 1/2in £120-180

25 25 HERCULES BRABAZON BRABAZON (BRITISH, 1821-1906) NEAR VILLAFRANCA signed with initials in two places; chalks with watercolour 17cm by 23.5cm; 6 3/4in by 9 1/2in £200-300

27 27 WILLIAM LINNELL (ENGLISH, 1826-1906) SEASCAPE ON THE DEVON COAST oil and gouache on paper 26.5cm by 43cm; 10 1/2in by 17in (unframed) Provenance Mrs Linnell Burton £200-300

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30 J.P MC L. WATTERS (1851-1943) LANDSCAPE NEAR THE SOUTH COAST signed l.l. J.P. Mc L WATTERS; oil on canvas laid to board 19cm by 27cm; 7 1/2in by 10 1/2in £120-180

28 28 JOSEPH PAUL PETTITT (1812-1882) SANDOWN,ISLE OF WIGHT signed monogram l.l; oil on board 35cm by 50cm; 13 3/4in by 19 3/4in 31 31 ALFRED WALTER BAYES (1831-1909)

BY SUNNY SEAS signed with monogram l.r; oil on panel 20cm by 36cm; 8in by 14 1/4in

£100-150

Exhibited The Society of Royal Painters £100-150

29 29 WILLIAM BANKS FORTESCUE, RWA, RBSA (1850 - 1924) A WINDSWEPT MOORLAND LANDSCAPE signed l.r W.B FORTESCUE; oil on Canvas 36cm by 54cm; 14in by 21 1/4 in £150-200

32 32 ALBERT CHEVALLIER TAYLER, RA (1862 - 1925) HMS BIRMINGHAM ON THE OPEN SEAS signed LR A.CHEVALLIER TAYLER, inscribed and titled l.l; oil on canvas 26cm by 38cm; 10 1/4in by 15in £200-300

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33 33 JAMES HAYLLAR R.B.A (1851-1893) A SUNNY AFTERNOON signed LR J.HAYLLAR, oil on canvas 41cm by 51 m; 16 1/4in by 20in £500-700

35 35 •JOSEPH EDWARD HOMERVILLE HAGUE (1884-1971) F.E SMITH AS LORD CHANCELLOR OF ENGLAND signed l.r Hague and inscribed and dated reverse of panel: F. E Smith/ Sworn inas/ Lord Chanceller of England / Law Courts, January 15, 1919/ Homerville Hague/ Painter of/ For Freddy Smith/ from the painter; oil on panel 23cm by 12.5cm; 9in by 4 3/4in £100-150

34 34 ALFRED FITZWATER GRACE, RBA (1844-1903) LANDSCAPE ON THE SOUTH DOWNS oil on board 25cm by 33cm; 9 3/4in by 13in £150-200

36 36 •NORA DAVISON (fl.1880-1930) SAILMAKERS AT BRISTOL DOCKS watercolour 34.5cm by 22.5cm; 13 1/4in by 9in £500-700 13

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37 37 •BEATRICE LANGDON (1898-1986) CHALETS AND A PATH THROUGH THE MOUNTAINS IN SWITZERLAND signed l.r B.Langdon; oil on panel 29cm by 40cm; 11 1/2in by 15 3/4in £60-80

40 40 •HILDA MAY GORDON (1874-1972) TIBET signed “H.M Gordon” l.r; watercolour and gouache 26.5cm by 18cm; 10 1/4in by 7 1/4in £400-600

38 38 CONSTANCE FREDERICA GORDON-CUMMING (1837 - 1924) OUTSIDE SIMLA signed, inscribed and dated “Raby Lodge to Elysium looking to Simla CFGC 1869”; watercolour 39cm by 63cm;15 1/4in by 24 3/4in £500-700

39 39 GERALD PALMER (1887 - CIRCA 1927) AT RONDA watercolour with ink 24cm by 36cm; 9 1/2in by 14in

41 41 PIERO SAN SALVADORE (1892 - 1955) TRAFALGAR SQUARE FROM THE NATIONAL GALLERY signed “San Salvadore” l.c; oil on board 9.5cm by 7.5cm; 3 3/4in by 3in

£250-450

£300-600

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42 42 SAMUEL PEPYS COCKERELL (1848 - CIRCA 1910) BAMBURGH CASTLE watercolour 10cm by 15cm; 4in by 5 3/4in Provenance Abbott and Holder

44 44 HAROLD MARWICK HIGHLAND LANDSCAPE signed and dated “Harold Marwick 1920”; watercolour 38cm by 52cm; 15in by 20 1/2in

£150-250

£200-400

45 45 •HUGH WRIGHT - RUDBY (1855 - 1954) DORSET MOORLAND watercolour 37cm by 51 cm; 14 1/2in by 20in £150-200

43 43 E.M TIVELY PIXIE signed lower left “E.M Tively”, inscribed and dated “Pixie Ap 1929?”; pastel 22.5cm by 17.5cm; 8 3/4in by 7in £200-400

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46 46 JAMES HAMILTON MACKENZIE A.R.S.A., R.S.W. (1875 - 1926) NOCTURNAL STILL LIFE WITH PIPE AND CANDLE oil on board 32cm by 25cm;12 1/2in by 9 3/4in

48 48 EDWARD JULIUS DETMOLD (BRITISH, 1883-1957) OLD CLYMPING, SUSSEX signed with monogram: EJD/1923 l.r; watercolour and bodycolour and another watercolour by the same hand 24.5cm by 35cm; 10in by 14in (2) £180-220

Provenance The artist’s studio £250-350

49 49 •BEATRICE LANGDON (BRITISH, 1898-1986) INGLEBOROUGH PEAK, YORKSHIRE signed l.r and bears title on reverse; oil on panel and another oil on panel of Ingleborough by the same hand The first: 28.5cm by 40cm; 11 1/4in by 15 3/4in (unframed) Ingleborough is the second highest mountain in the Yorkshire dales at 723 metres. It is one of the Yorkshire Three Peaks.

47 47 JAMES HAMILTON MACKENZIE A.R.S.A., R.S.W. (1875 - 1926) FIGURES BY THE GATE OF A CONTINENTAL TOWN oil on canvas laid to panel 35cm by 28cm; 13 3/4in by 11in Provenance The artist’s studio £200-300 16

£60-80

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50 50 V. MEUNIER (1831-1905) GARDENER signed L.r V. Meunier; oil on canvas 38cm by 56cm; 15in by 22in £350-450

51 51 FRANK FREYBURG (1862-1940) FARM BUILDINGS, ST IVES signed LL F.P FREYBURG, signed Frank R. Proschwitzry Freyburg, and dated reverse of panel; oil on panel 16cm by 24cm; 6 ¼in by 9 1/2in

53 53 CONTINENTAL SCHOOL (EARLY 19TH CENTURY) PAIR OF STILL LIFES oil on panel 25cm by 19cm; 9 3/4in by 7 1/2in (2) £150-200

£120-180

52 ATTRIBUTED TO CHAIM SOUTINE (1893- 1943) NOTRE DAME, PARIS signed and inscribed with title l.r; watercolour 26cm by 34cm; 10 1/4in by 13 1/4in

54 54 MANNER OF JACQUES CALLOT PAIR OF RUSTIC SCENES oil on paper laid to panel 5cm by 8.5cm; 2in by 3 1/4in (2)

£600-800

£200-300

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57 57 JOSEPH LOUIS HIPPOLYTE BELLANGE (1800-1866) NAPOLEON ON THE HEIGHTS AT LIGNY signed l.r 29cm by 40cm; 11 1/4in by 15 3/4in 55 55 ENGLISH SCHOOL (EARLY 19TH CENTURY) VIEW OF RICHMOND FROM THE RIVER THAMES Hand coloured engraving 14cm by 16cm; 5 1/2in by 6 1/4in

£30-40

£30-40

58 58 HENRY TONKS (1862-1937) REVERIE signed and dated I.I: H.T./Jan 1885; blue/grey was heightened with white over ink 21cm by 19.5 cm; 8 1/4in by 7 1/4in (unframed) Provenance bequeathed to the artist’s nephew, Myles Tonks and thence by descent

56 56 ENGLISH SCHOOL (EARLY 19TH CENTURY) HEAD OF A WOMAN aquatint 49cm by 36cm; 19 1/4in by 14 1/4in £40-50

Henry Tonks is widely regarded as one of the most influential art teachers of the early twentieth century. Originally trained as a surgeon, Tonks joined the staff of the Slade School of Art at the end of the nineteenth century, becoming Slade Professor of Fine Art in 1918.

He was a major influence on a brilliant generation of young artists who studied there before the War including Stanley Spencer, Dora Carrington, David Bomberg, C.R.W.Nevinson and Mark Gertler. Tonks himself worked as a War artist in World War I where he executed pastel drawings recording facial injuries. This group of drawings by Tonks dates from the earlier part of his life and shows the great charm of his work as a caricaturist and illustrator. The drawings have been in the family of Henry’s nephew Myles Tonks since they were executed and have only very recently been re-discovered. Myles Tonks was also trained as a doctor and studied under his uncle to whom he was very close. He was a talented landscape painter who specialised in views of Devon and the Scottish Highlands £400-600

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59 59 HENRY TONKS (1862-1937) A FOLIO OF PORTRAIT STUDIES including a sheet of studies with a man reading, figures ice skating, a portly gentleman, an Aesthetic gentleman; pen, ink and pencil, with one in watercolour over pencil, several letters from the artist Various sizes (5)

61 61 HENRY TONKS (1862-1937) A FOLIO OF SKETCHES AND STUDIES including: An Aesthetic movement artist in his studio, barges on a river, a sheet of studies of ducks, the spider’s web, a man drinking; pen and ink and pencil, several taken from letters from the artist Various sizes (5) Provenance Bequeathed to the artist’s nephew, Myles Tonks and thence by descent £200-300

Provenance Bequeathed to the artist’s nephew, Myles Tonks and thence by descent £200-300

60 60 HENRY TONKS (1862-1937) AN IDLE AFTERNOON pen and black ink 16cm by 19cm; 6 1/4in by 7 1/2 in (unframed) Provenance Bequeathed to the artist’s nephew, Myles Tonks and thence by descent

62 62 HENRY TONKS (1862-1937) A FOLIO OF STUDIES AND FIGURE SCENES including a lady playing a harmonium by lamplight, Promenading on a London square, the contented reader, Scene at a Classical dance, together with a letter to Henry Tonks from Sir Thomas Monnington PRA; pen and ink, one initialled and dated (1879), several taken from letters from the artist Various sizes (5) Provenance Bequeathed to the artist’s nephew, Myles Tonks and thence by decent £200-300

£200-300 19

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64 R.B.PAYTON (fl.1920s) AN INTERVIEW WITH PROFESSOR TONKS with a cartoon in pen and ink of two gentleman at a garage (verso), signed and dated l.r.: R.B.Payton/1928 and inscribed with title; watercolour over pencil 29cm by 20cm; 11 1/4in by 8in (unframed) Provenance Bequeathed to Henry Tonks’s nephew, Myles Tonks and thence by descent £200-300

63 63 HENRY TONKS (1862-1937) A FOLIO OF PORTRAIT AND FIGURE STUDIES including a bearded gentleman seated on an armchair, a male portrait, an elderly lady being taken in a carriage pulled by a donkey, study of a female nude; pen and ink and pencil, several taken from letters from the artist Various sizes (4) Provenance Bequeathed to the artist’s nephew, Myles Tonks and thence by descent £150-200

65 65 •MYLES TONKS, RI, RBA (1890-1960) A PAIR OF RIVER LANDSCAPES probably both painted in Somerset, one signed: M. Tonks; oil on board Each approx. 26 by 36 cm; 10 1/4 by 14 in Provenance The artist’s studio, by direct descent to the present owner £60-80

66 66 •MYLES TONKS, RI, RBA (1890-1960) A FOLIO OF WATERCOLOURS OF WELSH SUBJECTS including Snowdonia, The Croesor Valley, North Wales, landscape on the river Lledyr, the banks of the river Llugwy and other subjects, some signed, watercolour, one in pen and sepia ink Various sizes (10) Provenance The artist’s studio, by direct descent to the present owner

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£100-150

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67 67 •MYLES TONKS, RI, RBA (1890-1960) BRIDGENORTH, SOMERSET AND OTHER ENGLISH VIEWS comprising three views of Bridgenorth, A distant prospect of Ross-on-Wye, The East Lynne River, Devon and other views, some signed and/or dated; all watercolour Various sizes (12)

69 69 •MYLES TONKS, RI, RBA (1890-1960) A FOLIO OF WATERCOLOURS OF THE SCOTTISH COAST including Sunset over the Isle of Harris, and views of bays and sea lochs along the coast of Sutherland, including one probably of Ardmair Bay, some signed; watercolour Various sizes (14)

Provenance The artist’s studio, by direct descent to the present owner

Provenance The artist’s studio, by direct descent to the present owner

£100-150

£150-200

68 68 •MYLES TONKS, RI, RBA (1890-1960) A LARGE FOLIO OF WATERCOLOURS OF MAINLY SOMERSET VIEWS including Approaching squall over Lundy on the Bristol Channel, “Stacking”, Beeston Castle, Taunton Vale, Nettlecombe Court, Somerset (the home of Garnett Wolseley), rainbow over a West Country valley, cattle drinking by a river and other views, some signed; watercolour Various sizes (20)

70 70 •MYLES TONKS, RI, RBA (1890-1960) A FOLIO OF PASTELS OF COASTAL SCENES Including holiday makers bathing on a beach, sailing boats by a Continental port, views of the Scottish coast and other subjects; pastel Various sizes (5)

Provenance The artist’s studio, by direct descent to the present owner

£150-200

Provenance The artist’s studio, by direct descent to the present owner

£200-300

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71 71 •MYLES TONKS, RI, RBA (1890-1960) A FOLIO OF WATERCOLOURS OF SCOTTISH VIEWS Including Cloudburst over a Highland loch, Loch Leven Argyllshire, Advreck Castle Loch Assynt, Castle Stalker on Loch Linnhe, Loch Inchard, Sutherland, Near Kylesku ferry, Sutherland and other views, some signed; watercolour Various sizes (15) Provenance The artist’s studio, by direct descent to the present owner

73 73 MYLES TONKS, RI, RBA (1890-1960) A GROUP OF PAINTINGS OF SCOTTISH SUBJECTS including a coastal view (possibly Ardmair Bay, Sutherland), snow-capped peaks in the Highlands and other Highland views; oil on board Various sizes (4) Provenance The artist’s studio, by direct descent to the present owner £250-350

£200-300

72 72 •MYLES TONKS, RI, RBA (1890-1960) A FOLIO OF PASTELS OF SCOTTISH VIEWS Mainly Highland landscapes, including Cloudy skies above a Sutherland sea loch, grouse moors (probably in the Scottish lowlands), a rocky waterfall and other views, some signed; pastel Various sizes (5) Provenance The artist’s studio, by direct descent to the present owner £200-300

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74 74 •MYLES TONKS, RI, RBA (1890-1960) A GROUP OF PAINTINGS OF SCOTTISH SUBJECTS including a rocky river and three further Highland views across lochs and sea lochs (mainly in Sutherland); oil on board Various sizes (4) Provenance The artist’s studio, by direct descent to the present owner £100-150

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75 •PERCY DRAKE BROOKSHAW (1907-1993) A GROUP OF ORIGINAL SPORTING POSTERS including Crickets, Race card, Greyhound racing and Seaside services; lithographs in colours Various sizes (76 cm by 52cm, and smaller) (4)

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79

78 •PERCY DRAKE BROOKSHAW (1907-1993) LARGE ARCHIVE OF PRINTED MATERIAL RELATED TO THE ARTIST Including albums of illustrations, proof book jacket designs and books illustrated by the artist (A quantity) £80-120

£120-180 76 •PERCY DRAKE BROOKSHAW (1907-1993) FOLIO OF DRAWINGS OF WARTIME SUBJECTS including Nightime raid over London, San Severe, RAF Regiment resting between Gun post duties, and other wartime studies.

Together with four prints including RAF Manston, RAF gunners, Guard at Admiralty Arch London 1940 (20)

79 •PERCY DRAKE BROOKSHAW (1907-1993) FOLIO OF DRAWINGS AND PRINTS OF ANIMAL SUBJECTS including baboons, elephant, birds in flight, and rhinoceros, hippopotamus and others animals; various mediums Various sizes (15) £250-350

£500-700 77 •PERCY DRAKE BROOKSHAW (1907-1993) FOLIO OF WARTIME PORTRAITS mainly in watercolour, some in pastel and pencil (8) £300-500

80 80 •PERCY DRAKE BROOKSHAW (1907-1993) BOX OF ASSORTED PAINTINGS including Seascapes, Landscapes and Portraits (9) 78

£250-350 23

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81 81 •PERCY DRAKE BROOKSHAW (1907-1993) GROUP OF FOUR PAINTINGS OF MAINLY CORNISH SUBJECTS including Port Isaac, Across The Haven Roscarrock Various sizes (4) £250-350

83 83 •PERCY DRAKE BROOKSHAW (1907-1993) THREE ORIGINAL HOLIDAY POSTERS including two Prestatyn Holiday Camp for British Railways; and Lausanne; lithographs in colours Various sizes (100cm by 63cm) (3) £100-150

82 •PERCY DRAKE BROOKSHAW (1907-1993) A GROUP OF ORIGINAL SPORTING POSTERS including a design for sporting calendar: Crickets, Race Card, Greyhound racing and Seaside services; lithographs in colours Various sizes (76cm by 52cm, and smaller) (4)

84 84 •PERCY DRAKE BROOKSHAW (1907-1993) THREE ORIGINAL HOLIDAY POSTERS including Night & Day Harwich - Hook for British Railways; Prestatyn Holiday Camp; another for British European Airways; lithographs in colours Various sizes (3)

£120-180

£100-150

82

24

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85 85 •PERCY DRAKE BROOKSHAW (1907-1993) PAIR OF HOLIDAY POSTERS including Europe fly BEA for British European Airways, and Your window opens through cooks; lithographs in colours Aprox. 100cm by 63cm (2) £80-120

87 87 •PERCY DRAKE BROOKSHAW (1907-1993) A COLLECTION OF ORIGINAL POSTERS including Service to you for The Post Office, Properly Packed Parcels Please, Fine Thank You with The National Savings Bank and 3 further National Savings posters Various sizes £100-150

86 86 •PERCY DRAKE BROOKSHAW (1907-1993) FOOTBALL EXCURSION Original poster for London transport 76cm by 51cm; 30in by 24 3/4in

88 88 •PERCY DRAKE BROOKSHAW (1907-1993) THE ARTIST’S WARTIME SCRAPBOOK consisting of aprox. 30 pages including original artwork for posters, collages, watercolours, photographs and other ephemera; and also correspondence relating to the artist and a few loose sheets 32cm by 45cm; 12 1/2in by 17 3/4in

£80-120

£400-600 25

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89

90

89 •PERCY DRAKE BROOKSHAW (1907-1993) AN ALBUM OF WARTIME DRAWINGS Approx. 34 pages, including ideas for posters, studies of soldiers, billet camps, and of everyday life of servicemen in active service in Tunisia 30cm by 44cm; 12in by 17 1/7in

92 •HUBERT WELLINGTON (1879-1967) PORTRAIT OF THE ARTIST’S WIFE signed on stretcher Hubert Wellington; oil on canvas 50cm by 41cm; 19 3/4in by 16in

£400-600

93 •ELLIOT SEABROOKE, LG (1886-1950) STILL LIFE signed and dated LR ELLIOT SEABROOK 1927; oil on canvas 60cm by 50cm 23 3/4in by 19 3/4in

£200-300

90 •N. BLOND (MID 20th CENTURY) THE ARTIST’S PALET signed UR N. BLOND; oil on board 33 by 46 cm; 13 by 18 in.

£350-450

£200-300 91 •CRAIGHEAD (fl. Mid 20th CENTURY) LONDON GARDENS AFTER SNOW Oil on canvas signed UR N. BLOND; oil on canvas 69cm by 49cm; 27 3/4in by 19 1/4 in £100-150

91 26

92

93

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94 94 •JEREMY LE GRICE (1936-2012) JUG AND TEA POT STILL LIFE XIII signed, dated (1963) and inscribed with title; oil on board 31cm by 50cm; 12in by 19 3/4 in £500-700

96 96 •CHARLOTTE HALLIDAY RWS (b. 1935) CLIFTON HILLTABBY signed LL CHARLOTTE HALLIDAY 1978; watercolour and gouache over pen and ink 26cm by 22cm;10 1/4in by 8 3/4in £100-150

95 95 •BRIAN SENIOR (b.1935) STILL LIVE signed SENIOR l.r; oil on board 30.5cm by 26 cm; 12in by 10in £250-350

97 97 •CHARLOTTE HALLIDAY RWS (b. 1935) GLOUCESTER TERRACE, BAYSWATER signed and dated LL Charlotte Halladay; pen and ink 28cm by 33cm; 11in by 13in £100-150 27

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98 98 •ALLAN GWYNNE JONES, RA (1892-1982) PORTRAIT OF A YOUNG MAN signed on plate LR ALLAN GWYNNE JONES; etching 11cm by 9 cm; 4 1/4in by 3 1/2in

100 100 •ARNOLD AUERBACH (1898-1978) PORTRAIT BUST AND A BOWL OF ORANGES with a portrait of the artist on reverse of canvas, signed UR 54; oil on canvas 50 by 42 cm; 19 3/4 by 16 1/2 ins £200-300

£100-150

101 NO LOT

99 99 •ARNOLD AUERBACH (1898-1978) STILL LIFE WITH JUG AND PEARS signed l.l ARNOLD AUERBACH 69; oil on board 30cm by 40cm; 12in by 15 3/4in

102 102 SYLVIA SAINT-GEORGE (1905-1940) THE COUNTRY HOUSE signed LR S.George 1946; oil on canvas 51cm by 64cm; 20in by 25 1/4in

£100-150

£100-150

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105 105 •GEORGE HERBERT BUCKINGHAM HOLLAND (1901-1987) LANDSCAPE IN NORTHAMPTONSHIRE signed l.r; oil on canvas 33cm by 42cm; 13in by 16 1/2in £80-120

103 103 •JEHAN DALY (1918-2001) FIGURE STUDY coloured chalks 24cm by 15cm; 9 1/2in by 6in Provenance “With The Trafford Gallery” £100-150

106 106 •EVAN CHARLTON (1904-1984) SURREAL SEASCAPE WITH OCEAN LINER signed with initials EC; sepia wash over pen and ink 45.5cm by 73.5cm; 18in by 29 3/4in £300-400

104 104 SLADE SCHOOL (EARLY 20TH CENTURY) JOSEPH AND HIS BROTHERS oil on canvas en grisailles 36cm by 46cm; 14in by 18in £180-220 29

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107 107 •RUSSELL SYDNEY REEVE, R.B.A., R.E. (1895-1970) FLAMINGOS watercolour over pencil, together with Cow reclining in a shed (unframed drawing) (34.5cm x 27 cm), by the same artist (both unframed) (2) Provenance The artist’s estate

109 109 •AVERIL BURLEIGH, RWS (1883-1949) ALPINE LANDSCAPE watercolour 48cm by 57cm; 18 3/4in by 22 1/2in £300-500

£300-350

108 108 •EVAN CHARLTON (1904-1984) PEONIES AND ROCKS oil on panel 59.5cm by 89.5cm; 23 1/2in by 35 1/4in Provenance Martin Tinney Gallery £600-800

30

110 110 •ARTHUR RALPH MIDDLETON TODD, RA, RWS (1891-1966) CHEPSTOW CASTLE oil on canvas 26cm by 36cm;10 1/4in by 14 1/4in £200-300

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111 111 •SIR STANLEY SPENCER, RA (1891-1959) STUDY FOR CHRIST CARRYING THE CROSS signed and inscribed (verso): “To Mrs Dorothy Eckersley from Stanley Spencer with best wishes, Oct 30th 1948… This is the composition I did immediately before the final composition… which Richard Carline possesses, squared for transfer”; sepia wash over pencil 51 by 35cm; 20 1/16 by 13 3/4in Provenance A gift from the artist to Dorothy Eckersley, October 1948 This is a study for Spencer’s 1920 masterpiece Christ carrying the Cross now in the Tate Gallery (no.4117). The events were inspired by the artist’s childhood memories of Cookham, showing the religious event as observed from the windows of houses in Spencer’s home town. A closely comparable sketch was in the collection of Richard Carline (also now in the Tate) and another in the Stanley Spencer Gallery, Cookham. Another sepia wash drawing and a variation on the same composition was in the collection of W.A.Evill (Evill/Frost Sale, Sotheby’s London, June 2011, lot 151, sold for £21,250). £2000-3000

112 112 •EDWARD BAWDEN, RA (1903-1989) VATHEK BUYS SWORDS FROM THE INDIAN MERCHANT, FROM “AN ARABIAN TALE”; watercolour 20cm by 11cm; 8in by 4 1/2in Provenance The Fine Art Society, London, 1979, Edward Bawden - Illustrator The present work is one of a series of illustrations that Bawden executed for the Folio Society in 1958 for an edition of William Beckford’s Gothic novel, an Arabian Tale or The History of the Caliph Vathek. Bawden enjoyed a long association with the Folio Society, executing drawings for their many books from the 1950s until his death in the 1980s. It was one of his most significant associations as an illustrator and he produced some of his most vibrant and original works for them. £400-600

31

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113 113 •EDWARD ARDIZZONE, RA (1900 - 1979) THE SCULPTURE PARK signed by the artist and dated 1960 or 1966 (verso); pencil 15.5cm by 20.5cm ; 6in by 8in Provenance Acquired directly from the artist’s family by the sole previous owner. Reference: G.White, p.169 £250-350

115 115 •EDWARD BAWDEN, CBE, RA (1903-1989) ELISHA CALLS THE SHULAMITE WOMAN an illustration to Kings II, Chapter 4 for the Oxford Illustration Bible; pencil, ink and lithographic crayon 15cm by 16.5cm; 6in by 6 1/2in Provenance The Fine Art Society (label verso) £200-300

114 114 •ARCHIBALD STANDISH HARTRICK, OBE, NEAC, RWS (1864 - 1950) THE DEE IN SPATE signed l.r AS Hartrick and with the artist’s Fulham address (verso); watercolour and gouache 24.5cm by 34.5cm; 9 1/2in by 13 1/2in Provenance Vincent Lines, the artist’s pupil and lifelong friend, who rescued the contents of Hartrick’s studio in Fulham following his death. £200-300

116 116 •JOHN ALDRIDGE, RA (1905-1983) DUNWICH annotated by the artist in pencil and ink; pencil 21.5cm by 27.5cm; 8 1/2in by 10 3/4in Provenance The Estate of the Artist, thence with the Fry Art Gallery, Saffron Walden £100-150

32

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117 117 •JOHN ALDRIDGE, RA (1905-1983) FARM IMPLEMENTS, GREAT BARDFIELD dated 9 Jan ‘57; pencil drawings 19.5cm by 24.5cm ; 7 3/4in by 9 1/2in Provenance The Estate of the Artist, thence with the Fry Art Gallery, Saffron Walden £200-300

119 119 FREDERICK LANDSEER GRIGGS, RA (1876 - 1938) KIRKSTEAD CHAPEL Signed and dated LL F.L GRIGGS, 1912; pencil 22cm by 21cm; 8 1/2in by 8 1/4in This is an original illustration for Highways & Byways in Lincolnshire (reproduced p.398) £250-350

118 118 •RONALD SEARLE (1920-2011) YUGOSLAVIAN REFUGEE signed l.l Ronald Searle, and inscribed and dated Krandulc/Yugoslavia/Org211947; soft pencil 32cm by 17.5cm; 12 1/2in by 7in

120 120 •JOHN NASH, R.A (1893-1977) NUDE ON A CHAISE LONG annotated by the artist, bearing the artist’s studio stamp on back board; pencil, ink and wash 44cm by 38cm; 17 1/4in by 15in

In 1947, Searle was invited with Paul Hogarth, Laurence Scarfe & Percy Horton to observe the reconstruction of Yugoslavia, Reference: Graphic Master p.13; Davies p.82-3; In Perspective p.24.

Provenance Acquired directly from the artist’s estate (estate stamp verso)

£400-600

£300-500

33

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122

123

125 123 •OLIVER MESSEL (1904-1978) COSTUME DESIGN FOR CLEOPATRA II signed l.r; watercolour 36cm by 25cm; 14 1/4in by 9 3/4in £400-600

121 121 •CLODAGH SPARROW (1905-1957) BATTERSEA FAIRGROUND BY NIGHT signed in pen and dated 1955, titled verso with the artist’s address in Norland Sq. W14; watercolour & gouache 28.5cm by 38cm; 11in by 15in

Sparrow worked for the Norwegian High Command during WW2, producing maps for raids on occupied Norway. After the War she studied at Byam Shaw and the Slade.

124 124 •JULIAN BARROW (1939-2014) ST. LEONARD’S TERRACE signed “Julian Barrow” l.r; oil on canvas 20.5cm by 30cm; 9 3/4in by 11 3/4in

£150-200

£200-300

122 •OLIVER MESSEL (1904-1978) COSTUME DESIGN FOR CLEOPATRA II signed l.r, inscribed “Cleopatra watches Caesar go away”; watercolour 36cm by 25cm; 14 1/4in by 9 3/4in

125 PIETRO ANNIGONI (1910-1988) PORTRAIT OF ZSUZSI ROBOZ Signed, inscribed and dated l.r., ink & pen 52cm by 44cm; 20 1/2in by 17 1/4in

Provenance The Artist’s family

£500-700 £400-600 34

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128 •ELLIS SILAS (b. 1882) THE CITY OF LONDON FOLLOWING A WORLD WAR I ZEPPELIN RAID signed “Ellis Silas” l.l; watercolour and gouache 50cm by 35cm; 19 3/4in by 13 3/4in

126 126 BRITISH SCHOOL OF ROME, (CIRCA 1920) CASTLE OF SANT’ANGELLO wash over pencil 24cm by 49cm; 9 1/2in by 19 1/4in

Born in London, son of flower painter Louis Silas. Studied under his father and under W.R. Sickert. Official war artist for the Australian Government in World War I; Crusading in Anzac is based on his front - line sketchbooks. He after wards spent three years living Gauguin - style, among the natives of Papua, recording his impressions in pencil sketches and watercolours.

Painter of landscapes and seascapes in oil and watercolour, designer of stained glass windows, murals, posters, cards and souvenirs. President of the London Sketch Club (1930). £400-600

£150-300

127 127 THOMAS BUSHBY (1861 - 1918) AT THE VET signed “Bushby” l.l; oil on board 26cm by 50cm; 10 1/4in by 19 3/4in £200-300

129 129 ENGLISH SCHOOL (CIRCA 1920) CLASSICAL SCENE oil on board 57cm by 46cm; 22 1/2in by 18in £400-600

128 35

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130 130 •AUGUSTUS JOHN, OM, RA (1878-1961) PORTRAIT OF MRS CONSTANCE ASTLEY signed twice “John” (lower right),”John 1913” l.l; coloured chalks 53cm by 43cm; 20 3/4in by 17in

132 132 •RONALD SEARLE (1920-2011) EXPORTING FOR THE SMALLER BUSINESS signed and inscribed; pencil, pen & black ink, watercolour and crayon 43.8cm by 29.2cm 17 1/4in by 11 1/2in

£300-500

This is an original illustration for a Lloyds Bank brochure £900-1200

131 131 •ADRIAN DAINTREY (1902-1988) RUE ST. ANTOINE, PARIS signed and dated “Adrian Daintry December 1953”; watercolour over pen and ink 28cm by 38cm; 11in by 15in

133 133 •RONALD SEARLE (1920-2011) THE MYSTERIOUS OBJECT 1973 signed, dated and numbered 78/99; colour lithograph, printer’s stamp 50.8cm by 63.5cm; 20in by 25in

£200-300

£150-200

36

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134 134 •FELIKS TOPOLSKI AT “THE BELLS” CHELSEA A wartime scene, circa 1940, signed; pen and ink 19.1cm by 22.9cm 7 1/2in by 9in £500-700

136 136 BRITISH SCHOOL (CIRCA 1920 - 1940) A FOLIO OF WOOD ENGRAVINGS AND ETCHINGS INCLUDING CHILDREN PLAYING IN BOATS, FARMER DRIVING HIS SHEEP THROUGH THE SNOW, A MARKET’S DOOR, “SEAHORSES” AND OTHER SUBJECTS, Various sizes (7) £30-50

135 135 •GEORGE CAMPBELL, RHS (1917-1979) PALO PEOPLE signed Campbell l.r; watercolour 24cm by 31cm; 9 1/2in by 12 1/4in Provenance Acquired from the present owner’s family from the David Hendriks Gallery in Dublin in 1973. £300-500

137 137 PATRICK PROCKTOR RA (BRITISH, 1936-2003) PORTRAIT OF ROGER BEVAN no. 88/98, signed in pencil l.r; etching with aquatint with margins 46cm by 32cm; 18in by 11 1/2in £70-100 37

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138 138 •ELIOTT SEABROOKE, LG (BRITISH, 1886-1950) BOATS IN A HARBOUR signed with initials: ES l.r; watercolour 45cm by 58cm; 17 3/4in by 22 3/4in £200-300

140 140 •RODNEY JOSEPH BURN, RA, NEAC (BRITISH, 1899-1984) THE HARBOUR AT BEMBRIDGE, ISLE OF WIGHT signed with initials: RJB l.r; oil on canvas 44cm by 59cm; 17 1/4in by 23 1/4in The pretty sheltered coastline at Bembridge on the Isle of Wight was a favourite subject of Burn in the 1950’s. One view of the beach was exhibited at the Royal Academy in 1953 (no.629), and subsequently acquired by the Chantry Bequest for the Royal Academy collection. He exhibited further views of the harbour also at the Royal Academy in 1955, 1957 and 1959, as well as a number of views of other parts of the Island, including several of Newtown.

The present work displays Burn’s distinctive brand of impressionism, together with the typically low viewpoint that many of his works have to help give the viewer a sense of involvement in the scene. £500-700

139 139 •ALFRED KINGSLEY LAWRENCE, RA, RP (BRITISH, 1893-1975) PORTRAIT OF A YOUNG GIRL coloured chalks 50.5cm by 36.5cm; 19 3/4in by 14 1/4in (unframed) Provenance The artist’s estate £150-200

141 141 •RONALD OSSORY DUNLOP, RA, RBA (BRITISH, 1894-1973) THE SEINE, PARIS BY PONT ST MICHEL oil on canvas 37cm by 44.5cm; 14 1/2in by 17 1/2in Provenance Acquired directly from the artist’s family by a previous owner £800-1200

38

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142 142 RONALD OSSORY DUNLOP, RA, RBA (BRITISH, 1894-1973) PORTRAIT OF ANDREW AS A YOUNG CHILD Inscribed and signed: R.O.Dunlop l.r; watercolour and gouache 50cm by 37cm; 20in by 15in £60-80

144 144 •NINA CARROLL (BRITISH, B.1932) A STREET IN OLD WINDSOR signed l.C; watercolour over pen and ink 47.5cm by 38cm; 18 1/2in by 14 61/64in £60-80

143 143 •ELINOR BELLINGHAM-SMITH (ENGLISH, 1906-1988) ELEGANT COUPLE IN ROCOCO DRESS The first signed with initials l.r (unframed); the second: a framed drawing by the same hand The first: 28cm by 20.5cm; 11in by 8in Provenance The artist’s son, John Moynihan; with the 20th Century Gallery, Fulham

145 145 •JONAS PLOSKY (1940-2011) NORTH CORNWALL signed and dated”Plosky 91” l.r; oil on board 38.2cm by 38.2cm; 15in by 15in £300-400

£100-150 39

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146 146 •JONAS PLOSKY (1940-2011) STILL LIFE WITH PINK FLOWER signed “Plosky” l.r; oil on board 45.7cm by 45.7cm; 18in by 18in

148 148 •JONAS PLOSKY (1940-2011) THE COELACANTH signed “Plosky 78” l’r; oil on board 76.2cm by 61cm; 30in by 24in £400-600

£300-400

147 147 •JONAS PLOSKY (1940-2011) FOUND OBJECTS signed “Plosky” l.r; oil on board 23cm by 40.5cm; 9in by 17 3/4in £200-300

149 149 •JONAS PLOSKY (1940-2011) OLD TIMES signed “Plosky” l.r; oil on board 60cm by 76cm; 23 3/4in by 30in £800-1200

40

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150 150 •JONAS PLOSKY (1940-2011) HIGH AND DRY signed “Plosky” l.r; oil on board 46cm by 56cm; 18in by 22in

153 153 •JONAS PLOSKY (1940-2011) LADYBIRD IN CAMDEN TOWN signed “Plosky” l.r; oil on board 90cm by 69cm; 35 7/16in by 27 11/64in £500-700

£400-600

151 151 •JONAS PLOSKY (1940-2011) THE MONUMENTAL ROCK oil on board 107cm by 63.5cm; 42in by 25in

154 154 •JONAS PLOSKY (1940-2011) A FOLIO OF ABSTRACT AND FIGURATIVE STUDIES gouache on paper Various sizes (5) £100-150

£500-700

152 152 •JONAS PLOSKY (1940-2011) CORNISH COMPOSITION signed reverse “JT Plosky”; oil on board 30cm by 104cm; 11in by 41in £300-400

155 155 ALEXANDER RABINE (RUSSIAN 1952-1994) LE DOMAINE DE LA LANDE signed (verso): A.Rabine, inscribed with title, numbered and dated: No.501/1983; oil on canvas 65cm by 92cm; 25 ½in by 36in £600-800 41

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157 DAVID PARTRIDGE (CANADIAN, 1919-2006) NAIL SCULPTURE signed (verso): David Partridge and dated: Apr 1970; metal on panel 31cm by 31cm; 12in by 12in £300-500

156 156 •ANDREW VICARI (ITALIAN/BRITISH, born 1938) PORTRAIT OF A LADY signed (lower right): Viv; pencil and crayon 65cm by 92 cm; 25 ½in by 36in

158 158 DELAUNAY (EUROPEAN, 20TH CENTURY) CRUCIFIXION signed l.r Delaunay; gouache and watercolour 65cm by 50cm; 25 1/2in by 19 3/4in £80-120

£250-350

159 159 GERMAN SCHOOL (20TH CENTURY) GERMAN FAIR oil on panel 29cm by 38cm; 11 1/4in by 15in 157

42

£250-350

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161 R.S. KARGUTKAR (BOMBAY SCHOOL CIRCA 1940-1950) BOMBAY (MUMBAI) STREET SCENE WITH BRITISH SOLDIER’S (CIRCA 1945) signed R.S Kargutkar l.r; watercolour and gouache 43cm by 34cm; 17in by 13 1/4in The activity depicts British soldiers amusement during “rest and recreation” in taking over Victorias (then and still today the city’s horse-drawn cabs). The period is Second World War, when Bombay organised itself against seaborne landings (“the Japanese Scare”) and became a routeing port for the Indian Army transport shipping for the North African and Italian campaigns and for British Army transports for the Burma campaign. The location depicted seems to be the northern entrance to Colaba Causeway. The artist was Maratha, almost certainly trained at the “ Sir J.J” School of Art and a member of the Bombay Art Society, both institutions being the progressive influences in Bombay’s artistic life at the time. £400-800

160 160 •AMLETO DALLA COSTA (1929)

BY THE WINDOW signed and dated “A. Dalla Costa 83” l.l; oil on canvas 68cm by 48cm; 26 3/4in by 19in £300-500

162 162 GEORGE WALLACE (1920 - 2009) ABSTRACT signed and dated “George Wallace 56” l.r; etching 18.cm by 30cm; 7 1/4in by 12in George Wallace was an Irish-born Canadian artist, who studied at the West of England College of Art in Bristol, where he was instrumental in developing the Fine Arts Department. He retired to Greater Victoria in 1985, and he had 13 exhibitions in major galleries including Hamilton and Greater Victoria. £200-400

161

163 163 A BOX OF ASSORTED PICTURES AND PRINTS (19TH & 20TH CENTURIES) Mixed media £20-30 43

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Conditions of Business for Buyers 1.

2.

Introduction (a) The contractual relationship of 25 Blythe Road Ltd and Sellers with prospective Buyers is governed by:(i) these Conditions of Business for Buyers; (ii) the Conditions of Business for Sellers displayed in the saleroom and available from 25 Blythe Road Ltd; (iii) 25 Blythe Road Ltd’s Authenticity Guarantee; (iv) any additional notices and terms printed in the sale catalogue, in each case as amended by any saleroom notice or auctioneer's announcement. (b) As auctioneer, 25 Blythe Road Ltd acts as agent for the Seller.

Occasionally, 25 Blythe Road Ltd may own or have a financial interest in a lot.

Definitions “Bidder” is any person making, attempting or considering making a bid, including Buyers; “Buyer” is the person who makes the highest bid or offer accepted by the auctioneer (or auction system), including a Buyer’s principal when bidding as agent; “Seller” is the person offering a lot for sale, including their agent, or executors; “BR” means 25 Blythe Road Ltd, Auctioneers, 25 Blythe Road, London, W14 0PD, company number 7982062.

“Buyer’s Expenses” are any costs or expenses due to 25 Blythe Road Ltd from the Buyer; “Buyer’s Premium” is the commission payable by the Buyer on the Hammer Price at the rates set out in the Guide for Prospective Buyers and/or Important Information for Buyers; “Hammer Price” is the highest bid for the Property accepted by the auctioneer (or auction system) at the auction or the post auction sale price; “Purchase Price” is the Hammer Price plus applicable Buyer’s Premium and Buyer’s Expenses; “Reserve Price” (where applicable) is the minimum Hammer Price at which the Seller has agreed to sell a lot.

The Buyer’s Premium, Buyer’s Expenses and Hammer Price are subject to VAT, where applicable.

3.

Examination of Lots (a) BR’s knowledge of lots is partly dependent on information provided by the Seller and BR is unable to exercise exhaustive due diligence on each lot. Each lot is available for examination before sale. Bidders are responsible for carrying out examinations and research before sale to satisfy themselves over the condition of lots and accuracy of descriptions. (b) All oral and/or written information provided to Bidders relating to lots, including descriptions in the catalogue, condition reports or elsewhere are statements of BR’s opinion and not representations of fact. Estimates may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time at BR’s absolute discretion.

4.

Exclusions and limitations of liability to Buyers (a) BR shall refund the Purchase Price to the Buyer in circumstances where it deems that the lot is a Counterfeit, subject to the terms of BR’s Authenticity Guarantee. (b) Subject to Condition 4(a), neither BR nor the Seller:(i) is liable for any errors or omissions in any oral or written information provided to Bidders by BR, whether negligent or otherwise; (ii) gives any guarantee or warranty to Bidders and any implied warranties and conditions are excluded (save in so far as such obligations cannot be excluded by English law), other than the express warranties given by the Seller to the Buyer (for which the Seller is solely responsible) under the Conditions of Business for Sellers; (iii) accepts responsibility to Bidders for acts or omissions (whether negligent or otherwise) by BR in connection with

44

the conduct of auctions or for any matter relating to the sale of any lot. (c) Without prejudice to Condition 4(b), any claim against BR and/or the Seller by a Bidder is limited to the Purchase Price for the relevant lot. Neither BR nor the Seller shall be liable for any indirect or consequential losses. (d) Nothing in Condition 4 shall exclude or limit the liability of BR or the Seller for death or personal injury caused by the negligent acts or omissions of BR or the Seller.

5.

Bidding at Auction (a) BR has absolute discretion to refuse admission to the auction.

Before sale, Bidders must complete a Registration Form and supply such information and references as BR requires. Bidders are personally liable for their bid and are jointly and severally liable with their principal, if bidding as agent (in which case BR’s prior and express consent must be obtained). (b) BR advises Bidders to attend the auction, but BR will endeavour to execute absentee written bids provided that they are, in BR’s opinion, received in sufficient time and in legible form. (c) When available, written and telephone bidding is offered as a free service at the Bidder’s risk and subject to BR’s other commitments; BR is therefore not liable for failure to execute such bids. Telephone bidding may be recorded. (d) The above [5. (a) to (c)] will be applicable, where relevant, to online auctions.

6.

Import, Export and Copyright Restrictions BR and the Seller make no representations or warranties as to whether any lot is subject to import, export or copyright restrictions. It is the Buyer's sole responsibility to obtain any copyright clearance or any necessary import, export or other licence required by law, including licences required under the Convention on the International Trade in Endangered Species (CITES).

7.

Conduct of the Auction (a) The auctioneer (or auction system) has discretion to refuse bids, withdraw or re-offer lots for sale (including after the fall of the hammer) if (s)he believes that there may be an error or dispute, and may also take such other action as (s)he reasonably deems necessary. (b) The auctioneer (or auction system) will commence and advance the bidding in such increments as (s)he considers appropriate and is entitled to place bids on the Seller’s behalf up to the Reserve Price for the lot, where applicable. (c) Subject to Condition 7(a), the contract between the Buyer and the Seller is concluded on the striking of the auctioneer's hammer. (d) Any post-auction sale of lots shall incorporate these Conditions of Business.

8.

Payment and Collection (a) Unless otherwise agreed in advance, payment of the Purchase Price is due in pounds sterling immediately after the auction (the “Payment Date”). (b) Title in a lot will not pass to the Buyer until BR has received the Purchase Price in cleared funds. BR will generally not release a lot to a Buyer before payment. Earlier release shall not affect passing of title or the Buyer's obligation to pay the Purchase Price, as above. (c) The refusal of any licence or permit required by law, as outlined in Condition 6, shall not affect the Buyer’s obligation to pay for the lot, as per Condition 8(a). (d) The Buyer must arrange collection of lots within 10 working days of the auction. Purchased lots are at the Buyer's risk from the earlier of (i) collection or (ii) 10 working days after the auction. Until risk passes, BR will compensate the Buyer for any loss or damage to the lot up to a maximum of the

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Purchase Price actually paid by the Buyer. BR’s assumption of risk is subject to the exclusions detailed in Condition 5(d) of the Conditions of Business for Sellers. (e) All packing and handling of lots is at the Buyer's risk. BR will not be liable for any acts or omissions of third party packers or shippers.

9.

Remedies for non-payment Without prejudice to any rights that the Seller may have, if the Buyer without prior agreement fails to make payment for the lot within 5 working days of the auction, BR may in its sole discretion exercise 1 or more of the following remedies:(a) store the lot at its premises or elsewhere at the Buyer’s sole risk and expense; (b) Cancel the sale of the lot; (c) Set off any amounts owed to the Buyer by BR against any amounts owed to BR by the Buyer for the lot; (d) Rreject future bids from the Buyer; (e) Charge interest at 4% per annum above HSBC Bank plc Base Rate from the Payment Date to the date that the Purchase Price is received in cleared funds; (f) Re-sell the lot by auction or privately, with estimates and reserves at BR’s discretion, in which case the Buyer will be liable for any shortfall between the original Purchase Price and the amount achieved on re-sale, including all costs incurred in such re-sale; (g) Exercise a lien over any Buyer’s Property in BR’s possession, applying the sale proceeds to any amounts owed by the Buyer to BR. BR shall give the Buyer 14 days' written notice before exercising such lien; (h) Commence legal proceedings to recover the Purchase Price for the lot, plus interest and legal costs; (i) Disclose the Buyer’s details to the Seller to enable the Seller to commence legal proceedings.

10. Failure to collect purchases (a) If the Buyer pays the Purchase Price but does not collect the lot within 20 working days of the auction, the lot will be stored at the Buyer's expense and risk at BR’s premises or in independent storage. (b) If a lot is paid for but uncollected within 6 months of the auction, following 60 days written notice to the Buyer, BR will re-sell the lot by auction or privately, with estimates and reserves at BR’s discretion. The sale proceeds, less all BR’s costs, will be forfeited unless collected by the Buyer within 2 years of the original auction.

11. Data Protection (a) BR will use information supplied by Bidders or otherwise obtained lawfully by BR for the provision of auction related services, client administration, marketing and as otherwise required by law. (b) By agreeing to these Conditions of Business, the Bidder agrees to the processing of their personal information and to the disclosure of such information to third parties world-wide for the purposes outlined in Condition 11(a) and to Sellers as per Condition 9(i).

12. Miscellaneous (a) All images of lots, catalogue descriptions and all other materials produced by BR are the copyright of BR. (b) These Conditions of Business are not assignable by any Buyer without BR’s prior written consent, but are binding on Bidders' successors, assigns and representatives. (c) The materials listed in Condition 1(a) set out the entire agreement between the parties. (d) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect. (e) These Conditions of Business shall be interpreted in accordance with English Law, under the exclusive jurisdiction of the English Courts, in favour of BR.

25 Blythe Road Ltd’s Authenticity Guarantee If 25 Blythe Road Ltd sells an item of Property which is later shown to be a “Counterfeit”, subject to the terms below 25 Blythe Road Ltd will rescind the sale and refund the Buyer the total amount paid by the Buyer to 25 Blythe Road Ltd for that Property, up to a maximum of the Purchase Price.

The guarantee lasts for one (1) year after the date of the relevant auction, is for the benefit of the Buyer only and is nontransferable.

“Counterfeit” means an item of Property that in 25 Blythe Road Ltd’s reasonable opinion is an imitation created with the intent to deceive over the authorship, origin, date, age, period, culture or source, where the correct description of such matters is not included in the catalogue description for the Property.

Property shall not be considered Counterfeit solely because of any damage and/or restoration and/or modification work (including, but not limited to, recolouring, tooling or repatinating).

Please note that this guarantee does not apply if either:(i) the catalogue description was in accordance with the generally accepted opinions of scholars and experts at the date of the sale, or the catalogue description indicated that there was a conflict of such opinions; or (ii) the only method of establishing at the date of the sale that the item was a Counterfeit would have been by means of processes not then generally available or accepted, unreasonably expensive or impractical; or likely to have caused damage to or loss in value to the Property (in 25 Blythe Road Ltd’s reasonable opinion); or

(iii) there has been no material loss in value of the Property from its value had it accorded with its catalogue description.

To claim under this guarantee the Buyer must:(i) notify 25 Blythe Road Ltd in writing within one (1) month of receiving any information that causes the Buyer to question the authenticity or attribution of the Property, specifying the lot number, date of the auction at which it was purchased and the reasons why it is believed to be Counterfeit; and (ii) return the Property to 25 Blythe Road Ltd in the same condition as at the date of sale and be able to transfer good title in the Property, free from any third party claims arising after the date of the sale.

25 Blythe Road Ltd has discretion to waive any of the above requirements. 25 Blythe Road Ltd may require the Buyer to obtain at the Buyer's cost the reports of two independent and recognised experts in the relevant field and acceptable to 25 Blythe Road Ltd. 25 Blythe Road Ltd shall not be bound by any reports produced by the Buyer, and reserves the right to seek additional expert advice at its own expense. In the event 25 Blythe Road Ltd decides to rescind the sale under this Guarantee, it may refund to the Buyer the reasonable costs of up to two mutually approved independent expert reports, provided always that the costs of such reports have been approved in advance and in writing by 25 Blythe Road Ltd.

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Harry Moore-Gwyn British & Continental Pictures 25 Blythe Road London W14 0PD Tel: +44 (0) 20 7806 5541 Fax: +44 (0) 20 7602 5973 Email: enquiries@25BlytheRoad.com www.25BlytheRoad.com