Woolley & Wallis - Ceramics

WOOLLEY & WALLIS SA L I S B U R Y SA L E R O O M S

ENGLISH & EUROPEAN CERAMICS & GLASS Tuesday 8th March 2011

Specialist Departments Please dial 01722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery

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ASIAN ART John Axford MRICS ASFAV — Sophie Lister — Clare Durham — Tim Wright (Consultant)

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BOOKS & MANUSCRIPTS Liz Merry (Consultant)

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CLOCKS Will Hobbs — Richard Price (Consultant)

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GENERAL OFFICE Ruth Pike Pauline West Linda Garthwaite

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SALEROOM MANAGER David Jordan

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PRESS & PUBLICITY Clare Durham

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JEWELLERY Jonathan Edwards FGAA Marielle Whiting

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PAINTINGS Victor Fauvelle Jo Butler

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SILVER Rupert Slingsby Lucy Grazier

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Members of The Society

ACCOUNTS & OFFICE MANAGER Janice Clift —

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ENGLISH & EUROPEAN CERAMICS & GLASS John Axford MRICS ASFAV — 424506 Clare Durham — 424591 Sophie Lister FURNITURE Will Hobbs Mark Richards Jim Gale Gemma Bush

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424510

BOARD OF DIRECTORS Paul Viney ASFAV Chairman and Managing Director John Axford MRICS ASFAV Willi Verdon-Smith FRICS COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

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ENGLISH & EUROPEAN CERAMICS & GLASS TUESDAY 8TH MARCH 2011 AT 10.30AM

Viewing Times Saturday 5th March Monday 7th March Tuesday 8th March

10.00am – 1.00pm 10.00am – 7.00pm 9.00am – 10.30am

Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price.

ENQUIRIES Clare Durham 01722 424507 claredurham@woolleyandwallis.co.uk

John Axford 01722 424506 johnaxford@woolleyandwallis.co.uk

Sophie Lister 01722 424591 sophielister@woolleyandwallis.co.uk

Catalogue £12.00 (£15.00 by post) Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

ENGLISH & EUROPEAN CERAMICS & GLASS

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A pair of Bohemian glass bottle vases, 19th century, each enamelled with a panel of a profile portrait, the reverses with panels of flowers, on an ornate gilt foliate ground, 17.5cm. (2) £100-200

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Two blue glass decanters and stoppers, late 18th century, one with a gilded cartouche containing a monogram, the stopper gilded with the letter R to each side, 29cm max. (4) £300-500

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Eight wine glasses, mid 18th century and later, three raised on airtwist stems, four on multiple series opaque twist stems, one on a two colour twist, 16cm max. (8) £300-500

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Five wine glasses, 2nd half 18th century, four with engraved, cut and polished designs of flowers, leaves and a bee, the fifth with a wrythen type bowl, all raised on faceted stems, 16cm. max. (5) £600-1,000

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A Baccarat ruby glass scent bottle and stopper, 2nd half 19th century, the diamond banded body highlighted with gilt bands, moulded ‘BACCARAT’ mark to the base, and a Bohemian glass bottle and stopper, flashed with opaque bands painted with flowers, damage to one stopper, 14.5cm. (4) £100-200

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Three wine glasses, 18th century, two flaring from the foot with differing airtwist stems, the third a flared bowl raised on an airtwist stem, 21.7cm max. (3) £600-800

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Two decanters and stoppers, late 18th century, one of Prussian form with diamond banding and two neck rings, the other engraved with a simple garland below four rows of polished ovals, 29cm max. (4) £250-350

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A good Jacobite toasting glass, mid 18th century, made in three parts, the flared bowl engraved with a six-petal rose and two buds, rising from a delicate airtwist stem, 18.2cm. £800-1,200

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A small engraved wine glass, 2nd half 18th century, the bellshaped bowl decorated with honeysuckle, raised on a double-knopped airtwist stem, 15cm. £350-450

10. A good wine glass, 2nd half 18th century, the flared bowl engraved with a hibiscus type flower, the reverse with a flying insect, raised on a double-knopped airtwist stem, 17.3cm. £500-800

11. A pan-topped wine glass, mid 18th century, raised on a gently knopped airtwist stem, 17.8cm. £300-400

12. A large Jacobite goblet, mid 18th century, engraved with a sixpetal rose and single bud, the reverse with a large butterfly, raised on a thick multiple series opaque twist stem, 20cm. £800-1,200 Paper label for the Ron and Mary Thomas Collection, no. 156.

13. A good flute glass, 2nd half 18th century, with a tall wrythen bowl issuing from a multiple series airtwist stem, 20.5cm. £600-800

14. A Jacobite glass tumbler, 2nd half 18th century, the slightly flared body engraved with a large rose and smaller single flower stem, 9.5cm. £600-800

15. An engraved glass rummer, early 19th century, decorated with a swan swimming amidst bulrushes, the reverse with a monogram ‘GD’ between barley and grapevine, 13.7cm. £100-200

16. Two wine glasses, 18th century, one with a trumpet bowl raised on a double series opaque twist stem with three knops, the other a tall flaring bowl raised on a fine opaque twist stem, 19.8cm max. (2) £350-450

17. Two wine glasses, mid 18th century, one a bell-shaped bowl raised on a teardrop knopped stem on a folded foot, the other with a trumpet bowl raised on a knopped stem and slightly domed foot, 16.5cm max. (2) £600-800

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18. Four small glass vases, two decorated with a lustre, one with a gilded band of grapevine, a blue opaline glass salt, and a purple metal-mounted bell, 13.5cm max. (5) £300-500

19. Cranberry glass, mostly 19th century, including a four trumpet épergne, a Jack in the Pulpit type vase, three other vases, a jug, two cups and a scent bottle and stopper, 37cm max. (11) £100-200

20. A set of eight amber glass apothecary bottles and stoppers, variously enamelled with crested shields titled with the contents, 25cm. (16) £100-200

21. An opaque glass silver-mounted scent bottle, c.1885, onlaid in turquoise with an all over prunus branch design picked out in raised gilding, London hallmarks for 18856, 10cm. £100-200

22. A small pair of glass table lustres, 19th century, the cut forms stepped and waisted and each hung with eight lustres in clear and yellow glass, some losses, 14.5cm.

(2) £50-150

23. Eight glass scent bottles, most with metal mounts, variously cut and coloured, two with overlaid flashing, and a glass scarf ring overlaid in white and blue, 8.5cm max.

(9) £300-500

24. A pair of Continental glass decanters and stoppers, each painted en grisaille with a titled portrait of Admiral Nelson or Fildmarshal [sic] Duke of Wellington, the reverses with figures in fishing trawlers, 26cm. (4) £200-300

25. A Beijing glass brushpot, 20th century, the glass overlaid in white and carved with dragons chasing flaming pearls around ruyi cloud scrolls, a small V-section broken out and reglued, 16.5cm high. £100-200

26. Three tall glass tazzae, 19th / 20th century, one decorated with ovolu bands in black and gilt, the other two with foliate scrolls and floral gilt designs, 22.7cm max.

(3) £150-250

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27. A Stuart Crystal bowl by Mary Stevens, 20th century, engraved with a continuous honeysuckle design with scattered insects, signed and titled, 23cm dia. £200-300

28. Five wine glasses, c.1800, perhaps Irish, engraved with four bands of stars intersected by a band of polished ovals, and five later glasses with knopped stems, 12cm max. (10) £300-500

29. A large glass footed bowl, 2nd half 18th century, with a reverse folded foot, 24cm dia. £150-250

Provenance: purchased from Howard Phillips in the 1980s.

30. Three glass tubs and covers, two with stands, variously cut with diamond banding and star bases, 21cm max. (8) £400-600

31. Eleven English and Continental wine glasses, mid 18th century and later, six raised on folded feet, one with Jacobite type engraving, and two jelly glasses with wrythen bowls, 22cm max. (13) £300-500

32. Three decanters and stoppers, late 18th century, variously engraved with ‘PORT’, grapevine and the monogram ‘RJC’, and a bird crest above an empty cartouche, faceted stoppers, 31cm max. (6) £500-800

33. Five moulded jelly glasses, 2nd half 18th century, four with pan tops, the fith larger and with a handle, all raised on domed bases, 11cm max. (5) £150-250

34. A pair of cut glass salts, 19th century, a pair of small decanters and stoppers, with diamond banding, and a cut glass butter tub, cover and stand, minor faults, 23cm max. (9) £200-300

35. A moulded glass teabowl and saucer, with an all over diamond design, 11.3cm. £300-400

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Two wine glasses, mid 18th century, the flared bowls each raised on a knopped teardrop stem above a folded foot, 15.8cm max. (2) £700-1,000

37. A Jacobite wine glass, mid 18th century, engraved with a six petal rose and two buds, the reverse with a butterfly, all raised on an airtwist stem, 17.2cm. £400-600 38. A good pair of blue glass small decanters and stoppers, late 18th century, gilded in the Giles atelier with birds perched on leafy branches within elaborate rococo cartouches, scattered flowers decorating the rest of the body, the stoppers faceted, 19cm. (4) £1,600-1,800 39.

A tall Jacobite goblet, mid 18th century, engraved with a six-petal rose and two buds, raised on an airtwist stem, 17.5cm.

£700-1,000

40. A rare Beilby enamelled wine glass, c.1765, decorated in white with four floral garlands, probably by Mary Beilby, raised on a plain stem above a folded foot, 14cm. £2,500-3,500 Cf. J. Rush, A Beilby Odyssey, p.60, pl.18 for a glass with the same design.

It is extremely unusual to find a Beilby glass raised on a plain stem.

41. A Masonic firing glass, late 18th / early 19th century, engraved with a set square and pair of compasses around the letter G, raised on a double series opaque twist stem and thick foot, 11cm. £250-350

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42. An unusual wine glass, 2nd half 18th century, with an octagonal bowl raised on a double series opaque twist stem, 15cm. £600-1,000

43. Two wine glasses, 2nd half 18th century, engraved in the Jacobite style with a large rose, one with a butterfly and raised on an airtwist stem, the other with a sunburst raised on an opaque twist stem, 15cm. (2) £600-800

44. A Johann Kunckel ruby glass, c.1680, set into 19th Continental silver mounts of angel masks and mythical beasts, the glass removable from the base, 18.5cm overall. £600-1,000

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Johann Kunckel (c.1630-1703) was the chemist and alchemist credited with the development of ruby glass coloured by gold prior to 1679, as mentioned in the first edition of Ars Vitraria.

45. Two wine glasses and an ale glass, 2nd half 18th century, the ale typically engraved with hops and barley, the wines with flowers, all raised on multiple series opaque twist stems, 17.5cm max. (3) £400-600

46. Three wine glasses, mid 18th century, the flared bowls raised on knopped stems, two above a folded foot, the other with two teardrops, 16.5cm max. (3) £700-1,000

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47. A Venetian-style goblet, 19th century, the fluted cranberry bowl richly gilded with rococo scrolls, raised on a faceted and knopped stem, 22.5cm. £100-200

50. A Continental enamelled glass flask, 19th century, painted with a white bird in a central cartouche, the reverse with a stylized vase of flowers, 13.5cm. £150-250

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48. A good and large Moser vase, c.1900, deeply engraved with a continuous design of tousled sunflowers and scattered butterflies, the uneven rim representing tightly bunched grasses, the foot with a band of smaller flower stems, ‘Moser’ signature to the underside, 37.5cm. £600-1,000

51. A sealed and dated wine bottle, the large squat form applied with a circular seal for ‘R Wilkins, Potterne, 1805’, 26.5cm. £400-600 Provenance: from the collection of Roger and Jill Bichard of Seend House, Wiltshire.

49. A Lobmeyr enamelled goblet, 19th century, brightly decorated with an allover stylized design and geometric bands, ‘JLL’ monogram mark to the foot, 13.5cm. £300-400

52. A Moser glass Mosque lamp, c.1900, painted with stylized script in blue and red enamel on a green ground, printed mark to the base, 15.5cm. £300-500

53. An Irish glass carafe, 2nd half 18th century, engraved with a simple stylized foliate garland above a moulded fluted base, 22cm. £200-300

54. A pair of Bohemian ruby-flashed souvenir goblets dated 1849, the tall octagonal forms engraved with scenes of famous buildings in Prague, inscribed ‘H Liddell Prague 31st March 1849’, a similar small bowl, and a Bohemian amber goblet engraved with spa locations and titled ‘Mrs Lawrence’, the goblet’s stem lacking, 19cm max. (4) £250-350

55. Fourteen green wine glasses, 19th century, including a set of six flutes on knopped stems, a set of four with rounded bowls on double knopped stems, and three with hollow stems applied with raspberry prunts, 15.5cm max. (14) £200-300

56. A pair of opaque white glass vases, 18th / 19th century, of lightly spiralled form, and a Whitefriars paperweight bottle vase and stopper, with concentric rings of canes in blue, red and white, 14cm max. (4) £150-250

57. A small opaline glass vase, 19th century, enamelled and gilded with a bird among ivy applied with red berries, 9cm. £50-150

58. Five small wine glasses, c.1780, each engraved with a spray of flowers, a bee to the reverse, raised on faceted stems, 12cm. (5) £180-220

59. Bristol blue glass, 18th / 19th century, including a decanter and stopper with traces of gilding, and three finger bowls, an amethyst spiral-moulded bowl, and a tall glass ewer with ruby-flashed faceted handle, 31.5cm max. (7) £100-200

60. Various glass, 18th century and later, including a Lynn tumbler, another tumbler with a lemon squeezer base, engraved with the Farmer’s Arms, two jelly glasses, a pair of salts and a glass wine pourer and stopper. (8) £200-300

61. A glass hookah base, 18th century, of bell-shaped form, 26cm across. £10-20

62. An ale glass, mid 18th century, the bowl engraved with hops and barley, raised on an airtwist stem, another ale glass with faceted stem, an early folded foot wine glass, later engraved with ‘W Taylor 1836’, and a late wine glass raised on an opaque twist, minor faults, 20cm max. (4) £350-450

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63. An English porcelain plaque, 19th century, titled ‘The Mulligrubs, Dodd’s Thoughts upon Death’ and depicting the unfortunate figure looking glum in a graveyard, mounted in a wooden shieldshaped frame, the porcelain 24cm. £200-300 William Dodd (1729-77) was appointed chaplain to King George III in 1763. Living beyond his means led him to forge a bond in the name of Lord Chesterfield; the discovery of which saw him sentenced to death.

Despite pleas for a pardon by personages as notable as Dr Samuel Johnson he was hanged in 1777.

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64. A Neale & Co. Jasperware cassolette, 1st half 19th century, applied in white on blue with putti at various pursuits between Classical urns and obelisks, the cover inverting to form a candlestick, impressed mark to the base, 23cm. (2) £200-300 Provenance: from the collection of Roger and Jill Bichard of Seend House, Wiltshire.

65. An English Jasperware two-handled vase and cover, 1st half 19th century, perhaps Neale & Co., applied in white on blue with Classical figures between Corinthian columns, raised on a black octagonal base, 30cm. (2) £150-250

66. A salt-glazed stoneware cruciform ewer dated 1823, the spout with a maskhead, incised with ‘Sudeley Castle’, monogrammed initials and the date in Roman numerals, the handle broken off and repaired, 32.5cm. £200-300 65

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67. A Mason’s stone china inkstand, 19th century, decorated in an Imari pattern, set with three receptacles and a front pen tray, raised on claw feet, one item missing, 18cm. (3) £200-300

68. Two Turner stoneware jugs, 19th century, in two sizes, each applied with a scene of archery practice beneath a band of fronded foliage, the necks glazed brown, impressed marks, 20cm and 17.5cm. (2) £100-200

69. A pair of Wedgwood Jasperware vases and covers, c.1800, decorated in white on black with dancing Classical maidens, and a Wedgwood Jasperware plaque similarly decorated in white on sage green, some restoration to the handles, 17.5cm max. (5) £200-300

70. A small salt-glazed teapot and cover, painted with flowers and enamelled in deep red, a Whieldon-type figure of Venus and Cupid, and a Pennington Liverpool blue and white jug, some damages, 16cm max. (4) £200-300

71. Eighteen furniture rests, 19th century, variously moulded as lion heads, female busts and bearded Green Man type figures, all covered in a treacle glaze, some damages, 12cm max. (18) £50-150

72. A pair of pearlware ice pails and covers, 19th century, printed and coloured with an Oriental design of birds perched amidst peony and chrysanthemum, raised on modern gilt stands, a little restoration, 33cm. (4) £300-500

73. Two blue and white tureens and covers, 19th century, printed with scenes of figures in landscapes within floral borders, a two-handled dish, charger and strainer with similar decoration, 51.5cm max. (7) £150-250

74. Six Pratt or pearlware children’s plates, 19th century, the wells printed with scenes of children at various pursuits within moulded and painted rims, a section of one rim broken, 18cm. (6) £150-250

75. A set of twelve French pearlware plates, early 19th century, printed with scenes from literature and fairy tales, including Puss in Boots and Cinderella, titled, within berried borders, impressed ‘LL&T Mont Av’ marks, 21.7cm. (12) £80-120

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76. A pair of Staffordshire models of recumbent spaniels, 19th century, lying on green cushions with forepaws crossed, their coats decorated with red wheels of fire, each model with a penhole, some restoration, 14cm. £200-300 77. A large pair of Staffordshire spaniels, 19th century, decorated with patches of black enamel, and two Staffordshire models of dalmatians, standing four square on grassy bases, a little restoration, 29.5cm max. (4) £100-200 78. Three Derby sweetmeat figures, c.1775, modelled as small children holding baskets before them, a Derby model of a ewe suckling its lamb, incised numbers, and a pair of Walton pearlware sheep and lamb groups, applied marks to the reverse, some damages, 18cm max. (6) £500-1,000 79. Two pearlware girl and lamb groups, c.1800, one a Salt model, titled to the base, each of a girl standing or sitting before bocage, some restoration, 14cm max. (2) £150-250 80. Two pearlware cow creamers, the bovines sponge-decorated in ochre and black, the bases and maids glazed in green, one with a cover, c.1800, 17cm. (3) £300-500

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81. Two pearlware sheep groups, c.1800, one a ewe standing before a trunk spill with a lamb beneath its feet, the other recumbent before flowering bocage, some restoration, 12.5cm max. (2) £250-350

82. Ten pottery and porcelain models of military and political figures, early 19th century and later, including Napoleon, Wellington and Sir Robert Peel, and a military face jug, 40cm max. £150-250 Paper labels for the Sir Alfred Owen Collection and the Salter Collection to some.

83. An Alcock porcelain model of a swan, early 19th century, swimming proudly along a blue watery base, its wing feathers detailed in gilt, 13cm. £100-200

84. A Jerome Massier faïence model of a cattle cart, c.1900, two bullocks in a yoke pulling a two-wheeled cart behind them, painted mark to the base, minor damages, 44cm. £250-350

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85. A pair of pearlware models of a stag and doe, 1st half 19th century, recumbent on rocky bases, their heads turned back over their shoulders, their coats decorated with characteristic circular markings, some good restoration, 17cm. (2) £150-250

89. A Thomas Fell & Co lustre watch stand, 1st half 19th century, modelled as a Classical portico with two Corinthian columns on a stepped base, decorated with splashes of blue, green and pink lustre, impressed ‘FELL’ mark to the base, some good restoration, 27cm. £200-300

86. A pair of Wood & Caldwell pearlware lions, c.1800, recumbent on rectangular bases highlighted with ochre lines, each with its head turned and tail flicked over its back, wearing charmingly quizzical expressions, impressed marks, a few small chips to the bases, 12.8cm. £400-600

90. Two pearlware sheep and lamb groups, c.1800, one a Salt model, each of a ewe standing four square before flowering bocage, a recumbent lamb at its feet, applied ‘SALT’ mark to the reverse, some restoration, 14.7cm max. (2) £250-350

Cf. Pat Halfpenny, English Earthenware Figures, p.166.

87. A small pearlware model of a rabbit, 1st half 19th century, its coat decorated with splashes of black, a model of a lion and a pearlware model of a hunter with his hound, some restoration to the hunter, 18.7cm max. (3) £50-150 88. A rare pair of Rockingham models of a stag and a doe, c.1830, the white-glazed models with detailing picked out in black enamel, the stag’s head with two holes to receive horns, some wear, the antlers lacking, 17.5cm. (2) £100-150

91. A good pearlware rabbit tureen and cover, 1st half 19th century, modelled as a large black and white lop-eared bunny seated in a radish patch, a little retouching to the black enamel, 22.5cm. (2) £800-1,200 92. A Whieldon-type model of a cat, late 18th century, sitting on its haunches with head turned to sinister, its coat decorated in spots of brown and ochre, 7.8cm. £400-600 93. An English lustreware wall pocket, 19th century, probably Spode, modelled as a large shell with spiral ribbing, decorated in a mottled glaze of sepia and purple lustre, damages, 25.5cm. £50-150

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94. Three pastille burners and covers, 19th century, modelled as square cottages with multiple chimneys and brightly enamelled, minor damages to one, 12cm max. (7) £250-350

95. A small Pratt ware plate, late 18th century, the well moulded with two fish, their scales highlighted in typical shades of ochre and umber, within a blue feather-moulded rim, 10.8cm. £150-250

96. Four Pratt or pearlware money box houses, 19th century, one perhaps Scottish, variously modelled and typically enamelled, each with a coin receptacle to the back of the roof, some good restoration, 13cm max. (4) £400-600

97. Three Pratt ware jugs, late 18th / early 19th century, one moulded with titled portraits of Admiral Nelson and Captain Berry, one with Lord Wellington and General Hill, the smallest with village people setting their dog on a runaway fox, some restoration, 15.5cm max. (3) £500-800

98. A Pratt ware plaque, early 19th century, moulded with a Classical figure being tempted by Venus as Cupid clings to her leg, broken and repaired, 22cm. £100-200

99. Two Sunderland moulded lustre jugs, 1st half 19th century, one moulded with a hunting scene, the other with strands of hops, picked out in green enamel and pink lustre, restoration to one handle, 19cm max. (2) £200-300

100. A Wedgwood black basalt sucrière and cover,of simple circular form, impressed ‘WEDGWOOD’, and a large salt-glazed tureen and cover, moulded with panels of basketweave and scrolling designs, restoration to the tureen’s handles, 32cm max. (4) £50-150

101. A large bargeware teapot, 19th century, the pear-shaped body applied with floral roundels and vignettes of three putti, 45cm. (2) £150-300

102. A Mocha ware câchepot and stand, late 18th century, applied with garlands issuing from masks and incised with bands, and a Mocha ware jug marbled in ochre and blue, some damages and restoration, 14.3cm max. (3) £500-800

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103. A Pratt ware jug, c.1790, each side moulded with a panel containing peacocks above a stiff leaf border, enamelled in a typical palette of blue, green and ochre, some restoration to the spout and rim, 17cm. £150-250

104. A Jackfield type jug, 19th century, painted with sprays of stylized yellow flowers on a brownish-black ground, and a smaller agateware jug striated with cream and treacle glazes, a chip to the larger jug’s spout, 23.5cm max. (2) £200-300

105. A named and dated pearlware jug, one side printed and overpainted with The Farmer’s Arms, the other with a large toper, inscribed ‘Matthew & Ellen Bayley 1810’ with a six line stanza, some damages to the rim, 20cm. £120-150

106. A large Whieldon-type plate, late 18th / early 19th century, decorated in a mottled cream and sepia glaze, and a Jackfield type footed jug, decorated in a rich black glaze, 33.3cm max. (2) £100-200

107. A Pratt ware coffee pot and cover, early 19th century, typically decorated in green, brown, ochre and blue with a stylized floral design, minor restoration to the cover, 29cm. (2) £250-350

108. A large silver lustre jug, 1st half 19th century, decorated with ships, trees and birds, inscribed ‘Joseph Hackwood’ over a café au lait ground, the spout moulded as a mask head, some wear, 27cm. £100-200

109. A pair of creamware boxes and covers, late 18th century, each modelled as a bunch of grapes with vine leaf covers, decorated in a Whieldon-type glaze of brown and green, some good restoration to the covers, 14cm. (4) £100-200

110. A George Jones Majolica Stilton cheese stand and cover, c.1872, modelled as a thatched straw hive raised on a square stand, registration diamond, damages and repairs, 34cm. (2) £200-300

111. A pair of blue stoneware candlesticks, 19th century, perhaps Ridgway, the columns and flared bases painted with flowers, 20.5cm. (2) £50-150

Cf. Robert Cluett, George Jones Ceramics, p.49.

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112. A blue and white pearlware bowl, late 18th century, the exterior painted with simple buildings in a landscape, the interior inscribed ‘Jolly Mortals Fill Your Glases’ [sic], some restoration, 24.5cm. £150-250 113. A dated pearlware loving cup, painted in blue with the inscription ‘R H 1788’ amidst stylized flower sprays, a Spode tazza and two ladles printed with figures before a bridge, some damage and restoration, 31.5cm max. (4) £150-250 114. Nine English plates and dishes, 19th century, mostly Spode, variously printed with English and Oriental flowers and birds, 26cm max. (9) £50-150 115. Twenty six English and Chinese blue and white cups and teabowls, 18th and 19th centuries, painted and printed with Chinese landscapes, buildings and pagodas, some damages. (26) £100-200 116. A set of eight blue and white Ridgway plates, 19th century, printed with The Picnickers, unmarked, 25cm. (8) £100-200

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117. Eleven delftware plates and a bowl, most 18th century, variously decorated in blue, polychrome and manganese with Oriental figures in landscapes, flowers and fruit, damages and restoration, 23cm max. (12) £500-1,000

118. A creamware teapot and cover, late 18th century, painted in polychrome enamels with large flower sprays, with a double strap handle, some good restoration to the cover, 18.5cm. (2) £150-250

119. Cricketing interest: a pearlware mug, 1st half 19th century, the slightly waisted form applied with two batsmen and a bowler in white on a blue ground, 10cm high. £50-150

120. A Wedgwood black basalt wine pot and cover, c.1790, the body applied with scenes of putti at various pursuits, the cover with a Sibyl knop, impressed ‘Wedgwood’ mark, some restoration, 18cm. (2) £100-200

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121. A massive Donyatt brewing pot, late 18th century, the bulbous form with traces of a yellowish glaze, a short handle reaching from the neck to the shoulder, some surface wear and chipping, 46cm. £250-350 Cf. Richard Coleman-Smith, Excavations in the Donyatt Potteries, for pots of this shape.

122. A creamware urn and cover, early 19th century, decorated with an egg and spinach glaze, the cover pierced with an arrangement of holes, restoration to the cover, 27cm. (2) £150-250 123. A large salt-glazed stoneware Bellarmine or Bartmann-type jug, 19th century, applied and incised with a stylized bearded face, some surface wear, 45cm. £150-250 124. Napoleonic interest: a brown stoneware portrait jug, 19th century, of Napoleon wearing a tricorn hat, impressed P to the base of the handle, applied mark for ‘Stephen Green Lambeth’ to the base, a chip to the base, 21.5cm. £150-250 125. Four pottery tiles, c.14th century, incised and glazed with differing stylized floral designs, mounted on a black board. £100-200 By repute taken from the Church of Black Friars, St Nicholas, Chester.

126. A stoneware wet drug jar, c.1800, applied with the Royal Arms of the United Kingdom, highlighted in black and red enamel, 20cm. £200-300

127. Two slipware puzzle jugs, early 19th century, decorated in a treacle type glaze, the necks variously pierced with geometric designs, minor damages, 17cm max. (2) £200-300

128. Three brown stoneware face mask vessels, 19th century, one jug with an unusual sunburst sprig to each side of the rim, applied with scenes of topers, a smaller jug and two-handled mug moulded as Bacchus, some restoration to one, 20cm max. (3) £250-350

129. Two encaustic tiles, c.14th century, decorated in yellow and brown, and an impressed pottery tile decorated with the Arms of England, an early two-handled cooking pot, the interior glazed in olive green, some damages, 24cm max. (4) £50-150

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130 (detail)

130

130. A salt-glazed stoneware pew group, of Adam and Eve standing either side of the Tree of Knowledge up which a serpent entwines, incised ‘Wm Lockett 1741’, set into a large glazed wooden box, 16cm. £1,000-2,000

131. A small salt-glazed leaf moulded cream jug, c.1760, the folds and veins of the leaves picked out in green and pink enamels, minor faults, 12cm. £50-150

132. A massive pearlware bowl, late 18th / early 19th century, the exterior painted with a farming scene, a ship and a four line stanza, the interior with a swan and cygnet, cracks, 39cm dia. £400-600

131

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133 133. A good salt-glazed punch bowl, 2nd half 18th century, painted with a young girl milking a goat, a ragged boy beside her, drinking from a bowl, in a village landscape, the reverse and interior with vignettes of rural buildings, the interior rim with a border of four floral panels between green diaper bands, two tiny rim chips, 29.5cm. ÂŁ3,000-5,000 Provenance: from the collection of Roger and Jill Bichard of Seend House, Wiltshire.

134. A salt-glazed teapot and cover, 2nd half 18th century, one side decorated with a young girl pointing to her right and wearing a feathered hat, the reverse with a man standing with his back to the viewer and waving his hat, within large flower stems, the handle and spout moulded as twigs, some restoration to the spout and knop, 19cm. (2) ÂŁ200-300

135. A salt-glazed teapot and cover, 2nd half 18th century, brightly enamelled with peony and prunus issuing from stylized rockwork, the handle and spout formed as gnarled twigs, a little restoration to the spout, 18cm. (2) ÂŁ1,000-1,500 Provenance: from the collection of Roger and Jill Bichard of Seend House, Wiltshire.

134

135

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136. A pearlware stag group, 1st half 19th century, recumbent before flowering bocage and raised on a rococo scroll base, some restoration, 13.5cm. £150-250

137. A Neale & Co creamware fern pot, cover and stand, c.1780-90, with double serpent handles, moulded with foliate swags and acanthus leaf borders, with flowers painted in green and manganese, the cover restored, some wear, 20cm. (3) £100-200

138. A pearlware cow and calf group, c.1800, the heifer standing four square with her head inclined to her recumbent calf, some restoration and some flaking to the green enamel, 14cm. £150-250

Cf. Diana Edwards, Neale Pottery and Porcelain, p.145.

139. A pair of pottery models of aquatic birds, 19th century, decorated in a bright turquoise glaze highlighted in a deeper blue, 40.5cm. (2) £100-200

140. A Hearty Good Fellow Toby jug, 19th century, the toper holding a foaming jug of ale bearing the legend ‘Success to our Wooden Walls’, holding his pipe across his chest, a tiny hole to one side of his coat, 28.5cm. £50-150

141. A pair of Majolica heron stick stands, 19th century, each modelled as a tall wading bird standing before a bulrush receptacle and holding a struggling amphibian in its beak, some damages, 66cm. (2) £250-350

142. A Minton Parian bust of the Duchess of Sutherland, c.1869, modelled by Matthew Noble, impressed marks, and a Minton biscuit porcelain model of the Duke of Wellington, leaning on a plinth and pulling his cloak around his shoulders, a chip to one finger, 28cm max. (2) £250-350

143. A Della Robbia style panel, 19th / 20th century, decorated with the Virgin and child, and a similar relief-moulded plaque of a religious scholar, perhaps St Jerome, 49cm max. (2) £400-600

144. A pair of Minton Parian figures, 19th century, of William Wilberforce and Mrs Hannah More, the latter after the painting by H. W. Pickersgill, both seated in armchairs and raised on scrolling bases, unmarked, 18.5cm. (2) £250-350

Cf. Richard Dennis, The Parian Phenomenon, p.129 and p.95.

The Duke of Wellington figure with a paper label for Cecil Woodham-Smith CBE.

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These plaques were removed from the Fulham residence of the community of St. Katharine of Alexandria after it was bombed during WWII.

Cf. Richard Dennis, The Parian Phenomenon, p.94.

William Wilberforce and Hannah More were notable philanthropists, united by the antislave movement.

145. A Dutch Delft three vase garniture, late 18th century, two flared and one covered, each painted in blue with an agitated parrot chained to a perch beneath which a dog barks, within moulded panels, painted marks for De Lampet Kan, some restoration to the cover, 39cm max. (4) £400-600

146. Four Wedgwood creamware plates, late 18th century, printed in black with a figure fishing before a bridge, a cowgirl herding her charges, within an oak leaf garland border, 25cm. (4) £180-220

147. A faïence armorial bottle vase, 2nd half 18th century, decorated with a polychrome shield of a peacock and fish, the reverse with a scrolling banner, an albarello titled ‘CORTIC: CEDRIC’ within bands of scrolling blue foliage, three Delft plates variously decorated in blue, a strainer bowl and a vase and cover, some damages, 39cm max. (8) £250-350

148. A collection of Delft and delftware tiles, 18th and 19th centuries, variously decorated in blue, polychrome and managanese with figures, religious scenes, landscapes and flowers, damages, 13cm. (71) £200-300

149. A pair of creamware handled tureens and covers, c.1800, enamelled with bands of apple green, 29cm across. (4) £150-250

150. A creamware mug, late 18th / early 19th century, printed with a foxhunt scene, 15cm. £150-250

151. A Copeland Parian figure of The Cottage Girl, c.1876, after Gainsborough, modelled holding a small dog and a jug, titled, impressed signature and mark to the reverse, and a Minton Parian figure of the Prince of Wales, after the 1846 portrait by Franz Xavier Winterhalter, 37cm max. (2) £300-500

152. A creamware vase and cover, 19th century, moulded with garrya swags issuing from tied ribbons and applied roundels, the domed cover pierced with a geometric design, some good restoration, 31.5cm. (2) £50-150

153. A Meissen biscuit porcelain group of Cupid and Psyche, 19th century, the lovers entwined in an embrace, a length of drapery preserving their modesty, raised on a square base, blue crossed swords mark and incised ‘D79’, small losses, 29cm. £200-300

Cf. Richard Dennis, The Parian Phenomenon, p.146 and p.80.

Exhibited: The Cottage Girl exhibited at the 1984 Richard Dennis Parian Exhibition, no.

316.

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154. A Talavera or Puente del Arzobispo dish, 17th century, painted in a typical palette with a large rabbit raised on its haunches between two trees, within a border of branches, damaged and riveted, 37.5cm. £150-250

155. A Minton Majolica oyster dish, with four graduated tiers of shells surmounted by a fish and eel finial, rising from a base moulded with seaweed, impressed numbers and date code for 1872, a small chip to one shell, 25cm. £800-1,200

156. An Hispano-Moresque lustre dish, 16th century, decorated with a geometric foliate design in a rich copper lustre, broken in half and repaired, 33cm. £100-200

Cf. Marilyn Karmason & Joan Stacke, Majolica, p.45.

157. A sgraffito earthenware dish, perhaps Italian, decorated with a central dog-like creature within hatched bands and panels of flowers, 24.5cm. £150-250

158. A Continental faïence tureen and cover, 1st half 19th century, the rococo moulded form picked out in polychrome enamels, the lid painted with flower sprays, some good restoration to the knop and handles, 34cm. (2) £150-250

159. Six Dutch Delft plates, late 18th / early 19th century, painted in blue with a Peacock pattern of stylized feathers and fruit, with yellow band rims, blue BP marks to the base, some damages, 23cm. (6) £100-200

160. A Strasbourg faïence bough pot, the flared form typically painted with a large central flower spray with scattered leaves around, the top pierced with an arrangement of 21 small holes around a central opening, cracked, 21cm across. £300-500

161. Four delftware saucers, 2nd half 18th century, two decorated with a stylized flowerhead design in green and red, two others with differing floral designs in blue, and a similarly decorated teabowl, restoration, 11.3cm. (5) £200-300

162. A Strasbourg faïence inkwell and cover, 19th century, set with four small holes around a central well, painted with flowers in a typical palette of green and magenta, damage to the inset well, 12.2cm. (3) £100-200

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163

164

163. A delftware polychrome tile, 2nd half 18th century, decorated with a single long-tailed yellow bird, perched on a green stem, each corner with a blue trefoil motif, mounted in a wooden frame, 12.2cm. £200-300

164. A good pearlware bust of Voltaire, c.1795, after the 1718 painting by Nicolas de Largillière, his head turned slightly to dexter, raised on a waisted and titled socle, 21cm. £150-250 Paper label for the collection of Sir Alfred Owen, New Hall, Walmley.

165 165. Two delftware printed tiles, 18th century, probably Liverpool and printed by Sadler, one in blue with a figure walking his dog before farm buildings, the other in manganese with ducks swimming in a municipal river, both within octagonal panels with elaborate edges, one in a wooden frame, minor damages, 13cm. (2) £500-700 Cf. Anthony Ray, English Delftware Tiles, col.pl.G, no.619 for the border used on similar scenes.

166 166. Theatrical interest: three delftware printed tiles, 2nd half 18th century, probably printed by Green, in black with three famous thespians in well known roles, within borders of theatrical motifs, titled, damages, 12.5cm. (3) £200-300 Cf. Anthony Ray, English Delftware Tiles, p.277, no.784 for the harlequin tile.

167. A set of five delftware polychrome plates, the wells each painted with a central panel of a yellow bird before a red pagoda, the rims with alternating panels of foliage, on a blue ground, 30cm. (5) £1,000-2,000 167

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168. Two delftware wall pockets, 2nd half 18th century, one blue glazed with a central human mask, the visage of a bearded mythical being at the base, the other moulded with stylized flowers and foliage detailed in blue, some damages, 21cm. (2) £400-600

169. A large Nevers jardinière, late 18th century, each side painted in blue and black with buildings in a wooded landscape between blue dash borders, a foliate scroll beneath each handle, restored cracks, 35cm across. £500-800

170. A delftware wall pocket, 2nd half 18th century, probably Liverpool, moulded with three birds converging on berries hanging from branches, enamelled in blue, a 5.5cm crack, 16cm. £300-400

171. A rare polychrome delftware puzzle jug, 2nd half 18th century, painted with a typical four line stanza beneath a tall reticulated neck and between two flower sprays in yellow, red, green and blue enamel, some damages, 19cm. £300-500

172. A delftware wall pocket, 18th century, the spiral moulded body painted in blue with a small spray of flowers beneath a blue scale ground and three moulded flowerheads, a little restoration, 17.5cm. £300-400

173. A good delftware footed sweetmeat dish, 18th century, divided into five sections and painted with a dense design of Oriental flowers around a central sunburst, small rim chips, 22.8cm across. £600-1,000

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175 (part lot)

174. A Delft six tile panel, c.1800, painted in manganese with a striped cat sitting in a magisterial fashion before a scampering mouse, in a later black wooden frame. 43cm overall. £400-600

175. A pair of Delft six tile panels, each painted in polychrome enamels with a large parrot on a hanging perch, the tiles unmounted, 39cm overall. (12) £200-300

176. A large Delft hexagonal jardinière stand, 19th century, each side painted in blue with figures in landscapes between moulded colonnades, raised on six ball feet and with scroll ball rests to the top, damages and losses, 40cm. £1,000-2,000 176

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177

178

179

180

181

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183

184

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177. A delftware saucer dish, 18th century, probably Brislington, painted in blue with a seated Chinese figure in a garden scene, a restored rim section, 22cm. £500-800 178. A large early delftware dish, c.1700, probably Brislington, decorated in blue with a bird in flight above stylized flowers and insects, the border with a floral half mon design, 34cm. £800-1,200 Cf. Garry Atkins Exhibition 2006, cat. no. 7.

182. A delftware saucer dish, 18th century, probably Lambeth, painted with a central stylized flower head in red and blue, within a scalloped border of green and red, 22.7cm. £50-150

183. A delftware bulb pot, 2nd half 18th century, probably Brislington, painted with birds and stylized Oriental foliage, the top pierced with two concentric bands of small holes around a central opening, restored, 18cm dia. £600-800

179. A Delft lobed dish, 2nd half 18th century, the well painted in blue and manganese with sailing boats beside buildings, within a wide stylized floral border, 23cm. £50-150 180. A delftware fluted dish, 18th century, in Le Croisic style, painted with yellow tulips to the well and rim, some restoration, 22cm. £50-150 181. A deep delftware bowl, 2nd half 18th century, the exterior painted in blue, red and green with stylized foliate motifs, the interior with a blue motif beneath a hatched band, broken and riveted, 25cm dia. £250-350

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184. A large delftware dish, 2nd half 18th century, perhaps Brislington, painted in blue with a Chinese boy chasing a butterfly before mountains, 36cm. £200-300

185. A delftware blue and white bottle and basin, 2nd half 18th century, probably Liverpool, well painted with three large specimens of Oriental flowers, a little restoration, 32cm max. (2) £800-1,200

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188

186

189

190

191

192

193

186. A Deruta faïence armorial albarello dated 1562, titled ‘BELGIVI’ within a leaf cartouche of yellow, blue and ochre, above a shield and the initials ‘VB’, the base broken off and restored, 20cm. £800-1,200 Cf. Christie’s Pictorial History of European Pottery, p.57, no.5 for a syrup jar from the same set.

187. A Montelupo maiolica albarello, early 16th century, decorated with palmetta Persiana or the Pinecone pattern, with two mirrored bands of stylized palmettes in blue, ochre, green and manganese, between ochre bands, broken and reglued, 21cm. £1,500-2,500 Cf. Jeanne Giacomotti, Les Majoliques des Musées Nationaux, p.39, no. 143 for a similar albarello.

188. A large maiolica globular vase, 18th century, one side painted with a profile portrait of a man wearing a green hat, the reverse with the Madonna and Child, between stylized foliate scrolls issuing from urns, some wear to the enamel, 28cm. £400-600 189. A delftware baluster jug, early 18th century, perhaps English, painted in blue with a Chinese figure in an Oriental landscape, the handle with a scroll terminal, some good restoration, 19cm. £250-350

190. Two delftware dishes and a bulb pot, 18th century, the bulb pot painted in blue with panels of a stylized foliate design, a lobed dish painted with Oriental figures and a polychrome bowl with pinched edge, some restoration, 26cm max. (3) £400-600 Paper labels for the Hodgkin Collection and the Gautier Collection.

191. Ten English blue and white plates or dishes, mostly 19th century, and four Chinese porcelain plates, all decorated with Chinese pagodas including variations on the Two Temples, Broseley or Buddleia pattern within various borders, minor faults, 25.5cm max.

(14) £50-150 192. A Delft jar and cover, probably 19th century, modelled as a curly-haired dog sat up on its haunches, a Meissen white-glazed teapot and cover applied with prunus, and an Italian porcelain moulded coffee pot with replacement cover, some damages and restoration, 27cm max. (6) £150-250 193. A delftware bowl, 2nd half 18th century, the exterior painted in blue and manganese with buildings in an Oriental landscape, the interior inscribed ‘One Bowl More And then’ beneath a bianco-soprabianco border, a section broken out and reglued, 23cm. £250-350

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194. A large Royal Worcester two-handled vase and cover, c.1892, shape 1515, decorated with a design of spindly daisies edged in raised gilt, the neck with four small pierced panels, printed mark, 29cm. (2) £150-250

195. A large Royal Worcester pot pourri vase and cover, c.1906, with inner cover, decorated with a sprawling spray of aster type flowers, the tall cover of tasselled crown form, printed mark and date code, restoration to the outer cover, 44cm. (3) £250-350

196. A Crown Derby two-handled vase, c.1885, decorated with a large iris bloom in raised gilding highlighted with green and red enamel, printed mark and date code, some restoration, 28cm. £200-300

197. A pair of Royal Worcester twohandled vases, c.1885, decorated with berried twigs with raised gilt detailing, printed and impressed marks, 30.8cm. (2) £200-300

198. A Royal Worcester figural centrepiece, late 19th century, a labourer and his companion struggling to lift an enormous basket which rests on the remains of a large tree trunk, the details highlighted in gilt, applied mark, 27cm. £150-250

199. A pair of Royal Worcester vases, 1914, painted by James Stinton, each with a pheasant cock and hen, signed, the necks reticulated, printed marks and date codes, 13.5cm. (2) £400-600

200. A Royal Crown Derby miniature coffee pot and cover, early 20th century, and two miniature tea cups and saucers, decorated in the Imari palette, and a Royal Crown Derby repoussé ware vase, printed factory marks, 8.5cm max. (7) £100-200

201. A matched pair of Royal Worcester blush porcelain nautilus shell vases, early 20th century, a square section vase, cover and inner painted with blue tits, a large vase and inner cover, a tapering jug and metalmounted biscuit jar all decorated with flowers, printed marks and date codes from 1894 to 1909, 20.8cm max. (8) £300-500

202. A jewelled Coalport three-handled cup, late 19th century, the cobalt blue body applied with turquoise beads on gilt panels, and a Coalport cruciform cup and saucer, similarly decorated on a yellow ground, printed factory marks, 22cm max. (3) £250-350

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205

204 203. A Minton porcelain lamp, c.1900, painted by James Dean with large pink roses, signed, impressed marks and indistinct date code, 47.5cm. £300-500

204. A large pair of Royal Worcester figures of L’Allegro and Il Penseroso, 1900, standing in demure poses and wearing long robes highlighted with pink and blue flowers, printed marks and date codes, titled in gilt to the bases, 41cm. (2) £1,500-2,000

205. A Grainger’s Worcester reticulated vase and cover, c.1875, the cream body delicately pierced in the manner of George Owen with an elaborate foliate scrolling design, some damage to the cover, 20cm. (2) £100-200

206. A Royal Worcester candle snuffer, 1938, modelled as a nun clutching a Bible, her rosary and key chain hanging from her waist, printed mark and date code, 9cm. £50-150

206

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207

208

209 207. Various Meissen porcelain, 20th century and earlier, including a small vase painted with fruit, a floral spill vase, a plate painted with birds and scattered insects, and a chamberstick painted with panels of figures, blue crossed swords marks, two cancelled, 24.8cm max. (4) £200-300

208. An enamel footed cup and stand, decorated with a band of heartsease, an enamel ring tree, a miniature jewelled enamel basket and a miniature enamel compact with hinged lid, 7.5cm max. (5) £150-250

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209. A Meissen sucrière and cover with matching milk jug, 19th century, later decorated with courting couples, and a Meissen bell painted with battle scenes, cancelled blue crossed swords marks, 10.5cm. (4) £300-500

210. Three Minton ornithological plates, 20th century, painted with a quail, a coot and two curlew, signed ‘A. H. Wright’, within raised gilt rims and bands of interlocking foliate garlands, printed marks and titled to the reverse, 23.5cm. (3) £150-200

211. Three Royal Worcester miniature boxes and covers, late 19th / early 20th century, each painted with a bird, a small oval portrait plaque, a circular cameo plaque and a miniature Royal Worcester figure of a seated elf, 4cm max. (9) £200-300

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212. Three English porcelain armorial tazzae, 19th century, the wells painted with flowers and fruit, the rims with the crest for Hope within a pink border, and two porcelain covers bearing the Hope monogram, some damages, 24cm max. (5) £200-300

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213. Literature: Branyan, French and Sandon, Worcester Blue and White Porcelain 1751-1790, F. Severne MacKenna, Chelsea Porcelain; The Red Anchor Wares, and a large number of other books primarily on English porcelain, including many standard reference works. (A lot) £500-1,000

214. Literature: Lady Charlotte Schreiber’s Journal, Vols I and II, and a large number of other books and catalogues primarily on English porcelain, including The Frank Lloyd Collection, and the catalogues for the Barbara Leake and Billie Pain collections. (A lot) £500-1,000 213

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215. A collection of fruit, including glass and plastic, modelled as grapes, lemons, pears and a pomegranate. (20) £100-200

216. Two Meissen models of slippers, 19th century, each painted with a courting couple within a cartouche on a pale blue or peach gilded ground, cancelled blue crossed swords marks, a small painted chip to one, 17cm. (2) £250-350

217. Literature: Old English Porcelain, The Lady Ludlow Collection, number 12 of a limited edition of 100 autographed copies, signed ‘Alice Ludlow’, bound in red leather and within a fabric presentation case. £300-400

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218. Four Meissen saucers, 18th century, two moulded with grapevine, two painted with flowers and insects, a Meissen plate and a Ludwigsburg plate with flower decoration, and five English porcelain coffee cups, some damages, 24.5cm max. (11) £150-250

219. Two Egyptian faïence ushabti, each decorated in an all over greenish glaze, and a similar bronze figure with heavily degraded surface, 17.5cm max. (3) £300-400

220. An Attic-style mastoid cup, painted in the black figure style with lions, a goose, two bulls and a harpy, the details highlighted in red and white, the rim broken and repaired, 13.5cm. £50-150

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220

221. Literature: P.D.G. Pugh, Staffordshire Portrait Figures, and many other works on English ceramics. (A lot). £20-40

222. Literature: A library of reference works on English ceramics including Bristol and Plymouth Porcelain Collection by Trapnell, W.D. John, Swansea Porcelain, and Nantgarw Porcelain by the same author, and a large number of auction and trade catalogues on the same subject. (A lot) £500-1,000 221

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225

224 223. An English porcelain pot pourri vase and cover, c.1820, probably Spode, the shallow bowl painted with a band of naturalistic flowers on a gilt ground, raised on three term feet standing on a triform base, the three scroll handles issuing from ram heads, the cover of a pierced petal design, 23.5cm. (2) £800-1,200

224. An English porcelain two-handled vase and cover, 1st half 19th century, painted in the Sèvres style with a young suitor reading to two ladies in a woodland, the reverse with flowers, on a turquoise ground with allover gilt design, signs of refiring, the cover’s knop restored, 40cm. (2) £300-500

225. A Paris porcelain bough pot and cover, 19th century, painted with floral arrangements in three panels, the cover pierced with three lipped openings, some restoration to the cover, 24.5cm. (2) £100-200

226. An English porcelain bough pot and cover, 1st half 19th century, painted with a carriage and figures on horseback approaching a stately home, within panels of birds in flight above village landscapes, some good restoration, 22cm. (2) £150-250 226

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227. A Coalport Feltspar two-handled vase, c.1820-30, boldly painted with a band of naturalistic flowers within moulded and gilded stiff leaf borders, printed factory mark, 26cm. £300-500

228. A Derby trumpet vase and stand, c.1800, the flared vase painted with a central cartouche of large blooms spilling from a wicker basket, on a cobalt blue ground with gilt seaweed design, fitting into a two-handled stand, the interior enamelled black, puce factory mark, restored body crack, 18.5cm. (2) £250-350

229. A Coalport campana vase, c.1815, well painted with a large spray of flowers including rose, stock and convolvulus, the reverse with a gilt scroll, unmarked, 24cm. £250-350

230. A large Copeland Spode ewer, c.1895, the body richly painted in iron red and peach with stylized foliage and floral designs, the handle formed as a double-headed dragon, printed mark, cracked, chips to the wings, 37.7cm. Together with a mirrored wood stand. (2) £100-200

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231. A Daniel egg cup, 1st half 19th century, painted with buildings and flowers, an English porcelain ewer applied with an effusion of flowers in white on a lilac ground, two miniature boxes and covers and a jewelled model of a slipper, 16cm max. (7) £150-250 232. A pair of Coalport plates, c.1825, painted with sprays of English garden flowers within blue and gilt borders, and an English porcelain commemorative jug painted with flowers and inscribed ‘in Compliment to Mr William Jones from the Potteries for Making the Best Paper in the Kingdom’, 24.5cm max. (3) £180-200 233. A pair of Royal Crown Derby plates, painted by Cuthbert Gresley with floral arrangements within pale blue borders, signed, printed marks and date codes for 1939, 23cm. (2) £100-200 234. A Meissen butter dish and cover, 19th century, the moulded form painted with large sprays of deutsche Blumen within elaborate gilt scrolling borders, cancelled blue crossed swords mark, 20.5cm. (2) £200-250 235. A Minton porcelain stand, c.1865, the gilt dish painted in the Gothic style with an elaborate green design, the stem encircled by three herons in biscuit porcelain, a Minton cabinet plate decorated with a putto holding a crowned monogrammed shield, and a BrownWesthead Moore & Co plate enamelled with Cupid on a turquoise ground, signed to his flowing robe, some damages, 23.5cm. £100-200

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239 236. Various English porcelain, 19th century, including a Derby porter mug, two inkwells of varying form, an English basket finely painted with flowers, and a pair of plates painted with flower sprays, some damages and restoration, 21.5cm max. (9) £100-200

237. A Meissen tea canister, 18th century, painted in deep purple with flowers, blue crossed swords and dot mark, and a Meissen box with a shell-moulded cover, cancelled mark, restoration to the cover, 12cm. (3) £300-500

238. A pair of English porcelain campana vases, 19th century, painted with figures before Brighton Pavillion and on a beach, on a claret ground with gilt stylized floral bands, one handle lacking, one broken, 16.8cm. (2) £20-40

239. A Meissen circular box and cover, 19th century, painted with deutsche Blumen including cornflower, primrose and tulip, blue crossed swords mark, 7.5cm. (2) £80-120

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248

240. A pair of English porcelain moulded vases, 19th century, with an allover floral design issuing from rockwork, decorated in gilt on a black ground, a small rim chip, 24.5cm. (2) £50-150 241. A Minton porcelain portrait plate, late 19th century, studio decorated with the portrait of a young girl wearing a summer hat, inscribed ‘A Boullemier’, faint impressed mark to the reverse, 26.5cm. £150-250 242. A Samson scent bottle, 2nd half 19th century, after Derby, modelled as two lovers embracing beneath an oak tree, the stopper formed as two turtledoves, pseudo factory mark in red, some restoration, 10cm. £100-200 243. Two Royal Worcester models of apes, early 20th century, one glazed a dark orange, the other naturalistically painted, printed factory mark to one, 7cm. (2) £300-400 244. Two Grainger’s Worcester models of squirrels, c.1825, each animal seated on its haunches and eating a nut clasped in its forepaws, the tails and bases with gilt detailing, impressed ‘GRAINGER LEE & CO WORCESTER’ mark to one, restoration to the ears, 6.5cm. (2) £180-220

245. An English porcelain inkwell with cover and liner, c.1810, probably Derby, decorated with a geometric design in gilt, black and red, bearing the monogram ‘WP’, unmarked, a small chip to the cover, 15cm across. (3) £300-400

246. An unusual Spode pen tray, 1st half 19th century, decorated with scenes of villagers and musicians in celebration beneath a puce glaze, printed ‘SPODE’ mark, 27.3cm. £200-300

247. A porcelain shell-shaped inkstand and inner well, 1st half 19th century, perhaps Welsh, painted with strawberries, primrose and blossom, with an associated cover painted with pink roses, restoration to the well, 10cm. (3) £150-250

248. An English porcelain model of a slipper, 19th century, glazed in puce, the back trodden down, 8.5cm. £20-40

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249. A Minton pâte-sur-pâte type vase, late 19th century, decorated with a bird perched atop a berried twig amidst grasses and butterflies on a bright turquoise ground, printed mark, 21.5cm. £100-200

250. An English porcelain vase, 2nd half 19th century, moulded and gilded with flowering prunus branches on a cobalt blue ground, the handles formed as dragons, 31.7cm. £80-120

249

250

251. A Sèvres cabinet plate, 19th century, the well painted with wild roses, the rim with a geometric design in gilt and silver on a cobalt blue ground, 23.6cm. £200-300

252. A pair of small Derby plates, 1st half 19th century, painted with ruined buildings in landscapes and pink roses, a Derby plate painted by George Robertson in pattern 178, and another plate painted with roses, factory marks to the latter two in blue and puce, 24.7cm max. (4) £250-350

251

253. A pair of English porcelain twohandled vases, 1st half 19th century, each side boldly painted with flowers on an apple green ground, within rococo moulded panels, 20cm. (2) £150-250

252

254. A Continental portrait plaque box, 19th century, the gilt metal box lid inset with a circular plaque of a young lady wearing a large feathered hat, signed, 9.5cm dia. £200-300

253

254

255. An English porcelain plaque, 19th century, painted with figures before a view of Treffrey House Tower in Cornwall, titled to the reverse, in a gilt wood frame, the plaque 13cm x 15.5cm. £200-300 Provenance: from the collection of Roger and Jill Bichard of Seend House, Wiltshire.

256. An English porcelain plaque, 19th century, painted with cattle and figures in boats before Salisbury Cathedral, 21cm.

Framed. £80-120 255

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256

257. A Derby ornithological dessert plate, c.1815, painted by Richard Dodson with a green woodpecker and golden Oriole perched on a branch above water, on a pale blue ground, crowned D and crossed batons mark in gilt, 22.3cm. £250-350

258. A pair of Derby ornithological dessert plates, c.1815, painted by Richard Dodson with brightly coloured birds including ducks and a kingfisher, perched on branches above water within octagonal gilt borders on a pale turquoise ground, crowned crossed batons marks in iron red, 22.2cm. (2) £400-600

257

258

259. A Coalport two-handled cup and cover c.1820, painted with tulip, lilac, rose and convolvulus on a pale yellow ground, 13.5cm. (2) £200-300

260. A fluted Derby teapot, cover and stand, c.1795, decorated in pattern 133 with a geometric band above a pale pink ground, some restoration, 24.5cm. (3) £150-250

261. A pair of Derby ornithological plates, c.1815, painted in the manner of Richard Dodson with birds with bright plumage perched amidst trees, within elaborate gilded borders of stylized foliage, crowned crossed batons in iron red, 22.4cm. (2) £400-600

262. A pair of English porcelain ornithological spill vases, early 19th century, painted with a goldfinch and a bullfinch perched on a berried or flowering branch, on a green ground, one with a rim chip, 10.5cm. (2) £200-300

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260

261

262

263. A Derby porter mug, c.1815, painted with an octagonal cartouche of a bridge spanning an Italian river, iron red factory mark and titled ‘In Italy’, some restoration, 15.5cm. £150-250

264. A Flight Barr and Barr Worcester basket, c.1820, each side painted with a figure in a landscape, standing between the gold detailing of the basket’s handles, painted mark to the base, 8.8cm. £150-250

265. A pair of Derby câchepots, 1st half 19th century, each painted with a Classical figure within gilt decorative bands, one with a repaired rim section, 9cm. (2) £100-200

263

264

266. A Coalport pen tray, c.1810, the boatshaped form with a gilt winged figurehead at each end, painted with flowers to the interior, the exterior highlighted on a blue scale ground, 31cm. £120-150 265

266

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267. A New Hall teapot, c.1790, painted with a central sunburst mon surrounded by flower garlands, a New Hall cup and saucer and a teabowl and saucer, a crack to the teapot, 23cm max. (6) £100-200

268. A Derby ewer and basin, c.1810, decorated with a wide band of stylized gilt flowerheads on an orange ground, gilt factory mark to the basin, 35cm. (2) £800-1,200

269. A Sèvres-style part tea service, 19th century, painted with portraits of the French monarchy and nobility, each inscribed ‘L. Malpass’, titled to bases, the saucers with floral arrangements, on a bleu de Roi ground, interlaced Ls marks, damages. Comprising: a teapot and cover, milk jug, four cans and four saucers. £200-300

270. A shaped Derby dish and two plates, c.1795, each painted with a central pink rose, the rims bordered in peach and gilt, crowned crossed batons and D marks in puce, 31.5cm max. (3) £80-120

271. A Derby part dessert service, c.1815, painted with a dense pattern of seaweed fronds and tendrils in cobalt blue and gilt, red crowned crossed baton marks, some wear.

Comprising: an oval tazza, ten shaped dishes in three forms and 22 plates. (33) £200-300

272. A Caughley part dinner service, late 18th century, gilded with flowers within an ovolu border, impressed P marks to some, some wear and damages. Comprising: five shaped dishes and four plates. (9) £20-40

273. An English porcelain part tea service, 1st half 19th century, perhaps H. R. Daniel, the rims moulded and decorated with gilt rococo scrolls on peach bands, damages.

Comprising: two square dishes, four tea cups, four coffee cups and eight saucers.

(18) £20-40

274. A large Worcester boat-shaped bowl, c.1780, decorated with a wide band of gilt seaweed tendrils over cobalt blue, 38cm. £50-150

275. A Minton part dessert service, 1872, painted in pattern G305 with wild plant and flower specimens on a pale green ground, gold dentil rims, impressed marks and date codes. Comprising: two high tazzae, two low tazzae and twelve plates. (16) £150-250

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276. A Spode porcelain part dessert service, c.1820, the wells finely painted in pattern 4011 with flowers, the moulded borders decorated with a white foliate design on a pale café au lait ground, printed marks for Spode Felspar to most.

Comprising: a sauce tureen, cover and stand, four shaped dishes and 12 plates (one a Copeland replacement). (19) £300-500 276

277. Two Royal Copenhagen Flora Danica plates, 20th century, painted with Jasione montana L., Viola epipsila Ledele, and three similar plates with different fruit designs (untitled), a triangular dish painted with Vinca minor L., and a triangular box, cover and stand painted with Campanula uniflora L., 20.5cm max. (9) £1,000-2,000 277

278. Four Coalport botanical plates, c.1820, finely painted with specimens from Curtis’s Botanical Magazine, within moulded apple green borders, each titled to the reverse, 23.5cm. (4) £300-400 278

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279. A Royal Worcester part dinner service, 1903, decorated in the Imari palette with a radiating design of peony and chrysanthemum, printed marks and date codes, retailer’s mark for Matlocks, Oxford Street. Comprising: four oval dishes, four soup plates and twelve plates. (20) £200-300

280. A matched Worcester part service, late 18th century and later, decorated with the Queen Charlotte pattern. Comprising: three oval chargers (unmarked), 25 Barr Worcester small plates, ten Barr Flight Barr or earlier plates, one Spode replacement and four Spode dishes. (43) £400-600

281. A Coalport part dinner service, 1st half 19th century, decorated with an Imari pattern of flowers issuing from rockwork, within a panel of stylized designs, some wear. Comprising: fifteen plates and eight soup plates. (23) £100-200

282. Four Coalport botanical dishes, c.1810, two square and two shaped, painted with single floral specimens titled to the reverse in iron red, within yellow borders, 22cm max. (4) £100-200

283. A Spode pearlware part service, c.1810, decorated in pattern 1370 with continuous bands of grapevine, with peach lustre borders. Comprising: one tazza, two baskets and stands, six dishes in three styles and seven plates. (18) £250-350

284. An English porcelain tea service, 19th century, decorated with wide bands of red leaves entwined with gilt foliage and tendrils, some damages. Comprising: a teapot, cover and stand, slop bowl, sugar bowl and cover, a milk jug, two dishes, four plates, ten saucers, six tea cups and four coffee cans. (33) £100-200

285. A New Hall part tea service, c.1800, decorated with a Mandarin pattern, and a Chamberlain’s Worcester part tea service, the fluted forms decorated in cobalt blue and gilt. Comprising: five New Hall cups, five teabowls and three saucers, and seven Chamberlain’s teabowls, one coffee cup and six saucers. (27) £100-200

286. A Caughley blue and white tea canister, c.1770, printed with the Fence pattern, a plate brightly enamelled with Oriental foliage, and a Meissen saucer painted with figures in a harbour within a typical elaborate cartouche, 21.5cm max. (3) £200-300

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287. A Bristol-style part tea service, 19th century, painted with swags of berried laurel between gilt and green husk bands, with gilded dentil borders, X 3 marks. Comprising: a teapot and cover, a jug and associated cover, six cups and eight saucers. (18) £150-250

288. A Meissen part dessert service, 19th century, outside decorated with sprays of deutsche Blumen between panels of reticulation, cancelled blue crossed swords mark. Comprising: a circular dish and 16 plates. (17) £100-200

289. Four botanical dishes, 1st half 19th century, including Spode and Davenport, and a jug, variously painted with floral specimens and red hot chilli peppers, and a Wedgwood creamware teapot, cover and stand, titled ‘Nursery’, various impressed marks, some restoration, 28cm max. (8) £200-300

290

291

292

293

290. A Derby saucer dish, c.1815, the well painted with a central flower spray including rose and tulip, within a wide band of elaborate gilt leaf scrolls on a cobalt blue ground, crowned crossed batons mark in iron red, 21.5cm. £220-250

291. A Chamberlain’s Worcester spiral moulded jug, c.1810, decorated in pattern 240 with a Japan design in the Imari palette, painted mark and pattern number to the base, a small rim chip, 13.5cm. £50-150

292. A large Davenport dish from the William IV service, c.1830, the centre painted with a patriotic spray of roses, thistles, leek and shamrock tied with a Union ribbon, the interior rim with floral reserves on a green ground hatched in gilt, printed factory mark, restored, 33cm across. £500-800 This service was commissioned by the King for his Coronation Banquet; the incorporation of the symbolic flowers was a specific request of William IV and proved a worrying task for John Davenport. The service earned the factory their Royal commission.

293. A Chamberlain’s Worcester armorial dish, c.1820, painted with the arms of Attwood, surmounted by a swan crest and bearing the motto ‘Vive Et Vivere Sinas’, the rim with three panels of garden flowers on a green ground, painted mark, 26cm. £150-250

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294. A Höchst model of a boy, 2nd half 18th century, wearing a green jockey cap, a white cloth issuing from his trouser pocket, faint blue wheel mark, small chips to his cap, 11.5cm. £200-300

295. A Meissen figure of a lady, 19th century, after a model by Acier, one hand holding a letter, the other tucked into a colourful feathered muff, blue crossed swords mark and incised ‘D66’, a large chip to the footrim, 21cm. £200-300

296. A Berlin figure of Calliope, probably 18th century, standing holding laurel wreaths, a pile of books precariously balanced on one hip, titled, blue sceptre mark, some restoration, 19cm. £150-250

297. A pair of German porcelain figures, late 19th century, of Classical maidens emblematic of Music and the Theatre, and an Italian porcelain figure of a young girl in elaborate dress, picking flowers from a tree, 20.5cm max. (3) £50-150

298. A pair of white-glazed Meissen-style salts, 19th century, modelled as a cherub standing between two oval baskets and raised on rococo scrolls, blue crossed swords marks, 12cm. (2) £150-250

299. Three Höchst figures of musicians, late 18th century, playing the bagpipes, trumpet and tabor, raised on flat rococo bases, red wheel marks, some restoration, 12.5cm. (3) £150-250

300. Five Volkstedt models of putti, 20th century, in playful positions, printed marks, 9cm. (5) £80-120

301. A pair of Meissen sweetmeat figures, 19th century, modelled as a man and his companion, semi-reclining with loosened clothing on scrolled rococo bases, blue crossed swords marks, damages, 33cm. (2) £200-300

302. A small Meissen figure of a Classical maiden, 19th century, resting a basket of flowers on one hip and draped in a blue robe, cancelled blue crossed swords mark, a tiny amount of restoration to the flowers, 13cm. £250-350

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303. A good Höchst figure group, 2nd half 18th century, of a girl leaning over a boy sleeping beneath a plinth surmounted by an urn, a small dog sniffing his shoulder, his satchel disregarded at his feet, blue wheel mark, some restoration, 19.5cm. £1,000-2,000

304. A large French porcelain group, 19th century, after Meissen, of a lady alighting from a carriage, her hand being kissed by her suitor while two footmen dance attendance, pseudo crossed swords mark, small losses, 29cm. £200-300

303 305. A Meissen model of Touch, 19th century, represented by a young lady seated beside a table on which rests a bird cage, the beloved occupant extending its head and nibbling her finger, blue crossed swords mark, incised ‘E4’, a minute chip to the footrim, 15.5cm. £400-600

306. A French porcelain figural group, 19th century, after Meissen, a young couple draping themselves in floral garlands while a musician plays on, his back discreetly turned, raised on a rocky base, pseduo blue crossed swords mark, minor damages and restoration, 23cm. £100-200 304

305

306

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307. A Ludwigsburg figure of a female falconer, 2nd half 18th century, holding a large bird with a long tail, and wearing a long purple tunic over a yellow skirt, blue factory mark, restoration to the bird’s head, 16cm. £300-500

308. A Berlin figure of a boy, 2nd half 18th century, carrying a bird’s nest in his hat with two chicks peeping their heads above the rim, blue sceptre mark, some retouching to the black enamel, 14.5cm. £150-250

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308 309. A Meissen model of Night, 19th century, the figure draped in a robe of midnight blue surmounted by a crown, clutching three thistles and with an owl perched on a branch by her feet, raised on a circular base, blue crossed swords mark, incised M106, 16.5cm. £250-350

310. A Meissen figure of a scolded boy, 19th century, tied to a chair and crying over a quote from Virgil’s Aeneid, blue crossed swords mark, some good restoration, 14cm. £300-500

309

310 311. A large Meissen garden group, after a model by Acier, with two central figures beneath a tall tree and atop a rocky stump, two further couples around the circular base, the sides moulded with an interlocking circle design in gilt, blue crossed swords mark, incised ‘D93’, 19th century, minor damages and restoration, 49cm. £1,500-2,000

312. A good and large Meissen figure of a female gardener, 19th century, resting a basket of bright flowers on her right hip, holding a sickle in her left hand, a tall flower vase to her side, blue crossed swords mark, 35.5cm. £600-1,000 311

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312

313. A Jacob Petit pagoda figure, 2nd half 19th century, of a bearded Chinaman seated cross-legged and wearing elaborately decorated robes, his head, hands and tongue articulated, blue JP mark, some damages, 30cm. £1,500-2,500

314. Two Höchst models of putti, 2nd half 18th century, one of Cupid standing before a stump on which rests his quiver of arrows, the other a female cherub with an upturned jug of water, blue wheel marks, one crowned, some good restoration, 13.5cm. (2) £300-500

315. A Volkstedt pagoda figure, c.1900, the corpulent female dressed in a floral robe, her mouth agape to reveal a protruding tongue and fine teeth, her hands and head articulated, blue factory mark, 30cm. £1,000-2,000

One with a paper label for the Luise Hofmann Collection.

316. A Meissen figure of a potter, 19th century, seated barefoot before his wheel on which stands an unfinished clay vessel, incised and impressed numbers, blue crossed swords mark, his fingers chipped and lacking, 20cm. £150-250

317. A Meissen putti group, 19th century, the two scantily clad cherubs either side of an urn draped in laurel garlands, blue crossed swords mark and incised ‘H39’, some good restoration to the fingers, 11.2cm. £250-350

318. A Meissen model of a chef, late 18th century, sitting beside a stove and work bench, the tools of his trade scattered around his feet, blue crossed swords mark, and a German figure of a lady holding a letter, Ludwisgburg mark, some damages, 24.5cm max. (2) £200-300

319. A Meissen figure of a bird seller, 19th / 20th century, after J. J. Kändler, holding a bird in each hand, their wooden cage suspended around his neck, his coat painted with flowers, 23cm. £150-250

320. A Doccia figure of Il Capitano, probably 19th century, from the Commedia dell’arte, wearing a short red tunic under a flowing yellow coat, his left hand placed theatrically on one hip, raised on a small square base, a little good restoration to his right hand, 13.5cm. £200-400

321. A Ludwigsburg model of a female bird seller, 2nd half 18th century, standing beside a cage of finches and holding a brace of game birds in her right hand, blue factory mark, some restoration, 12.5cm. £300-500

Provenance: from a distinguished private European collection.

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324. Ω A Berlin figure of a water nymph, 19th century, emerging naked from the bulrushes with a paddle clasped in both hands, an overturned urn spilling water beside her, blue sceptre mark, 13cm. £50-150

322. A Frankenthal figure of a young musician, 2nd half 18th century, playing his pipe and standing on a square scrolling base, and a Ludwigsburg figure of a flower girl, her apron full of blooms, blue factory marks, some restoration, 13.5cm max. (2) £200-300

323. A Meissen model of a bird, 19th century, with brown flecked and striped plumage, perched on a tree stump and turning its head to sinister, blue crossed swords mark, incised 2075, minor damages, 17cm high. £400-600

325. A Höchst night light, 2nd half 18th century, with inner candle holder, painted with polychrome insects around a purpurmalerei scene of two figures, the back of the vessel rising up to form a protective cowl, crowned blue wheel mark, a small amount of good restoration, 17.5cm. (2) £400-600

326. A Meissen quill holder and a cream pot, c.1765, painted in blue with differing design of Oriental flowers, the cream pot of lightly ribbed form and raised on three claw feet, crossed swords and dot marks, painter’s marks, cover lacking, 15.5cm max. (2) £200-300

327. A Meissen vase and cover, 19th century, painted with a vignette of a courting couple, the reverse with flowers, amidst flower encrusted garlands, two putto standing on the base, the cover reticulated and surmounted with an elaborate floral knop, blue crossed swords mark, minor damages, 34cm. (2) £400-600

329. A Meissen model of a dancing shepherdess, 19th century, playing the tambourine as she moves, a patterned scarf tied loosely around her hair, a lamb bleating beside her, blue crossed swords mark, incised and impressed numerals, minor damages and restoration, 21cm. £150-250

330. A Meissen figure of a farm girl, 19th century, feeding a family of chickens gathered at her feet from a shallow bowl resting on her left hip, incised and impressed numbers, blue crossed swords mark, minor damages, 12cm. £150-250

328. Ω A German porcelain figure of a couple, perhaps Sulzbach, walking side by side along a flower strewn path, her fashionably wide skirt decorated with a repeated floral pattern, some restoration, 18.2cm. £100-200

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332

331

331. A large Furstenberg vase and cover, 2nd half 18th century, brightly painted with parrots and other birds perched on branches, the reverse with a large flower spray, on a yellow ground, the cover with three panels of reticulation, minor restoration, 42cm. (2) £800-1,200

332. A Höchst tall ewer, 2nd half 18th century, painted with a large flower spray, the sides and foot with smaller sprigs and single stems, elaborate gilt rococo borders, blue crowned wheel mark, 20cm. £400-600

333. A Nyon jug and cover, late 18th century, naturalistically painted with butterflies, moths and insects amidst strewn flower sprigs, beneath a gilt garland border, blue fish mark, 21cm. (2) £500-1,000 333

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336. Ω A Berlin plate, 19th century, from a Royal Service, painted in red with a crowned monogram beside a putti amidst clouds, the moulded border with trailing flowers, blue sceptre mark and printed KPM, 24.5cm. £100-200

334. A Berlin cup and saucer, early 19th century, painted in purpurmalerei with tousled flowers entwined around a gilt quatrefoil design, blue sceptre marks, 13.3cm. (2) £100-200

335. A Berlin portrait plate, 19th century, painted with a Classical maiden draped in a billowy white and pink robe, her right hand full of pink flowers, within a gilded and reticulated rim, blue sceptre mark, 23.5cm. £100-200

337. A pair of Sèvres-style spill vases, 19th century, painted with circular cartouches of fruit and flowers within elaborate foliate gilt borders on a cobalt blue ground, pseudo interlaced Ls marks, 8.8cm. (2) £150-250

338. A Vienna cabinet plate, 19th century, painted with a young shepherd arranging flowers in the hair of his companion, titled ‘Die Letzten Rosen’ (The Late Roses) to the reverse, shield mark, 25.8cm. £200-300

339. A large pair of Meissen moulded dishes, 19th century, and a similar smaller, the wells painted with flowers, the rims moulded with flowers or grapevine and highlighted with gilt, blue crossed swords marks, two cancelled, 31.2cm max. (3) £200-300

340. A Meissen fluted dish, c.1735-40, painted in the Kakiemon palette, with the Schmetterling pattern, a large butterfly perched on a flowering branch, the rim with sprays of prunus and other Oriental blossoms, brown line rim, blue crossed swords mark, a small restored rim chip, 21.2cm. £700-900

341. A pair of Fürstenberg cabinet plates, 2nd half 18th century, the wells brightly enamelled with flowers within reticulated rims of interlocking circles highlighted in pink and blue, painted F marks, 23.8cm. (2) £250-350

342. Five English porcelain saucers, 2nd half 18th century, including a Bow trembleuse saucer painted with the Kakiemon Two Quail pattern, another painted with flowers, and three other English porcelain saucers with similar decoration, 15.5cm max. (5) £250-350

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WELSH PORCELAIN & PINXTON CHINA

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344

345

346

347

348

349

350

343. Two Swansea porcelain cups and saucers, c.1820, one painted with polychrome flower sprays amid gilt foliage, the other a band of blue flowers on a gilt ground, and a Swansea plate decorated in the Oriental style, printed red mark to the plate, some wear, the plate cracked, 21cm max. (5) £400-600

351 347. A Pinxton slop bowl, c.1800, painted in pattern 314, the Pearl pattern, with small sprigs beneath an orange and grisaille border issuing gilt garlands, painted pattern number to the base, 17cm. £300-400

The plate with a paper label for the Harry Sherman Collection, no. 27.

344. A Pinxton slop bowl, c.1800, painted in pattern 342 with Imari palette panels of Oriental flowers, some wear to the gilt rim, 16cm. £250-350

348. A Pinxton coffee can, cup and saucer, c.1810, and a plate, all painted in pattern 218 with buildings and bridges between tall leafy trees, gilded pattern numbers to most, some wear, 20.3cm max. (4) £200-300

349. Literature: E. Morton Nance, The Pottery and Porcelain of Swansea and Nantgarw, two copies. (2) £50-150 345. A Pinxton fluted sugar bowl and cover, c.1800, decorated in pattern 46 with sprigs of thistle in gilt, blue, green and red, painted pattern number to the base and inside cover, and a fluted milk jug painted in pattern 94 with rose garlands, some restoration to the jug, 15.5cm. (3) £350-450

350. A Swansea plate, c.1815-18, painted with six flower stems including rose and convolvulus, impressed mark, 20.5cm. £200-300

346. A Swansea cup and saucer, c.1815, decorated in pattern 219 with an Oriental landscape bordered by European flower panels, faint printed and painted marks, 21cm max. (2) £150-200

351. An early 19th century Pontypool tole rectangular tray, with pierced raised borders and a floral painted centre, 16.25 x 12.5in (41 x 32cm). £200-300

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353

354

355

356

357

358

359

360

352. A Swansea plate, c.1817, the centre decorated in a Mandarin pattern with five figures in an Oriental garden, the rim with vignettes of birds in trees, faint iron red mark, 21cm. £400-600

353. A large Pinxton mug, c.1800, naturalistically painted with a large spray of flowers, the reverse with a smaller sprig, gilt motif to the handle, 11cm high. £700-1,000 Cf. C. Barry Sheppard, Pinxton Porcelain 1795-1813, p.217, pl.221 for a mug of similar form.

354. A Nantgarw moulded soup plate, c.1818-20, London-decorated with six monochrome flower sprays in blue, the scrolling moulded rim edged with a gilt dentil border, impressed ‘NANT-GARW CW’, 24.4cm. £400-600

357. A Swansea two-handled dish, c.1815-20, decorated in the Mandarin palette with figures seated beside a river and before a pagoda, iron red factory mark, and a similarly decorated sauce tureen and cover, one tureen handle restored, 29.2cm max. (3) £300-500

358. A Swansea cup and two matching Continental cups and saucers, 19th century, decorated with panels of trees before bridges within gilt and green enamel borders, painted ‘Swansea’ marks to all, the Swansea cup titled, 13.7cm. (5) £200-300

359. A Pinxton cylindrical mug, c.1800, painted perhaps by William Billingsley with a spray of flowers and two smaller sprigs above a gilt band, 11.5cm high. £350-450

355. A Nantgarw moulded plate, c.1815-18, London-decorated with seven sprays of flowers in a china blue, within a gilt dentil rim, impressed ‘NANTGARW CW’ mark, 24.8cm. £200-300 356. A Pinxton teapot, cover and stand, c.1800, decorated in pattern 1 with bands of gilt leaves over seaweed tendrils, ‘PN1’ in gilt to the inside of the cover, some restoration, 24.5cm. (3) £400-600

360. A Nantgarw square moulded dish, c.1815-20, the well painted with a spray of flowers including poppy and convolvulus, the rims with birds, flowers and fruit, within a gold dentil rim, impressed ‘NANTGARW CW’ mark, 24cm. £500-1,000

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361. A Pinxton scallop edged dish, c.1800, painted with a central oval panel of two figures in a rowing boat upon a wide river with trees overhanging the water, within a wavy gold band, star and crescent mark, 30.3cm. £800-1,200

362. Two Nantgarw dessert dishes, c.1815-18, one round, one square, both London decorated with the Tumbling Baskets pattern, the wells with small floral sprays, the rims with single blooms alternating with the upturned baskets spilling flowers, and a small plate similarly decorated with flowers within an elaborate gilt border, impressed mark to one, 26cm max. (3) £800-1,200

363. A Pinxton slop bowl, c.1800, unusually decorated to the interior with a rectangular scene of figures fishing beside a river, beneath an overhanging tree, within a gilt tendril border, the exterior sparsely decorated with scattered gilt leaves, 16cm dia. £600-800

364. A Pinxton tall mug, c.1805, painted with a figure on horseback approaching Penhow Castle before a line of trees, within a gilt band and dot border, and with two gilt flower sprays, titled in red to the base, a little wear to the gilt rim, 9.5cm. £1,000-2,000

365. A Pinxton yellow ground coffee can, c.1800, painted with a large tree overhanging a river with buildings on the bank beyond, unmarked, cracked, 6.3cm. £1,400-1,600

366. Three Swansea plates, c.1815-17, painted in the manner of Henry Morris with flowers including narcissus, carnation, heather, tulip and auricula, two with gilt rims, the third with a delicate border in gilt and green enamel, and a similarly decorated Derby plate, 24.3cm max. (4) £800-1,200 One plate with a paper label for the Harry Sherman Swansea Porcelain Collection, no. 129.

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367. A Swansea porcelain dessert plate, c.1815-17, the well painted with strawberries and flowers within an elaborate band of gilt and dark green enamel, the rim highlighted in a similar fashion, stencilled iron red mark, 21.3cm. £400-600

368. A Swansea porcelain dessert plate, c.1815-17, the well painted with flowers, including daffodil, rose and auricula, within a stylized gilt border highlighted with green enamel, the moulded C scroll border similarly embellished, unmarked, 21.3cm. £400-600 Paper label for the Roland Hembrow Collection, Bridgend.

369. A Swansea porcelain rectangular footed dessert dish, c.1820, delicately painted in the manner of Henry Morris, with a spray of flowers including stock, roses and convolvulus, within a stylized gilt border hung with fronds of gilt and green enamel foliage, the exterior painted with further floral sprays, a little wear to the gilding, 32cm. £1,000-2,000 Provenance: a private collection.

370. A Swansea porcelain footed rectangular dessert dish, c.1820, finely painted in the manner of Henry Morris, with a central spray of flowers bordered by stems of heather, forget-me-not and tulip, the foot with similar decoration, restoration to one handle, 32cm. £1,000-2,000

371. Three moulded Nantgarw dessert plates, c.1815-18, London decorated with flowers, fruit, birds and butterflies to the wells and rims, within gilt dentil borders, impressed marks to two, one restored, 22.2cm. (3) £800-1,200

372. A Swansea-style cabinet cup and saucer, 19th century, painted with panels of flowers resting upon stone plinths, within stylized gilt borders, painted ‘Swansea’ in iron red, 15.2cm. (2) £100-200

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373. A pair of Swansea porcelain dessert plates, c.1815-17, the wells painted with dog rose, probably by William Pollard, the moulded C scroll rims with sprays of strawberry, forget-menot and convolvulus, unmarked, one with small footrim chips, 21.1cm. (2) £1,000-2,000 373

374. A rare Pinxton teapot, cover and stand, c.1800, decorated in pattern 354 with a rich gilt design of tangled leaf tendrils, the teapot’s shoulders rising to a scalloped edge, painted pattern number to the teapot and cover, 25cm. £2,800-3,200 374

375. A Swansea porcelain two-handled dish, c.1815-18, painted with single opulent blooms in the manner of Henry Morris, 28.5cm. £350-450 375

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376. A Longton Hall leaf dish, c.1758, brightly enamelled with flowers and insects, moulded with heartsease, some restoration to the handle, 22cm. £350-450

377. A Chelsea leaf-shaped dish, c.1755, finely painted with flower sprays and scattered leaves and single stems, with applied flowering twig handle, brown line rim, a little damage and restoration to the handle, 26cm. £300-500

378. Two Chelsea botanical plates, c.1757-60, painted with large floral specimens and scattered insects, one with a large moth hovering above, brown and red anchor marks, one plate broken and restored, 21.5cm. (2) £250-350

379. A good Worcester Blind Earl plate, c.1770, painted in the Giles atelier with butterflies scattered around the moulded and enamelled leaves, the scalloped rim with a gilt border, 19.5cm. £1,500-2,000

380. A large Longton Hall leaf dish, c.1765, the heart-shape painted with a polychrome bouquet of flowers within graduated bands of green and yellow, some wear and restoration, 26cm. £200-300

381. A pair of Chelsea vine dishes, c.1755, the scalloped rims moulded at each end with vine leaves and tendrils, the wells painted with polychrome flowers, one broken in half and restored, 27cm. (2) £300-500

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382. A pair of Worcester scallop edged plates, c.1770, decorated with the Dragons in Compartments pattern, some wear, 21cm. (2) £200-300

383. A pair of Worcester scallop edged plates, c.1765-70, the wells painted with a flower burst within wide cobalt blue borders elaborately edged in gilt, open crescent marks, 19.7cm. (2) £400-600

384. A rare Worcester plate, c.1765, decorated in an unusual famille verte pattern of mythical beasts, gold crescent mark, a Worcester plate painted with the Dragons in Compartments pattern, blue seal mark, and two Worcester teabowls, 22.3cm max. (4) £400-500

385. A Worcester two-handled vase, c.1765, brightly painted in the Kakiemon palette with birds and mythical beasts on a blue ground, and a Worcester saucer dish painted with the Jabberwocky pattern, blue seal marks, some restoration to the dish, 18cm max. (2) £300-400

386. Three octagonal Bow plates, c.1760, painted with scattered flowers, another with vignettes of Oriental landscapes on a powder blue ground, and a Bow moulded oval dish painted with flowers, various marks, 20cm max. (5) £300-500

387. Four Chelsea plates, c.1755-60, painted with large loose sprays of flowers, single blooms and small sprigs scattered around the rims, red and brown anchor marks, one with a small rim chip, 22cm max. (4) £250-350

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388. A set of four Chelsea peony dishes, c.1755, each moulded with two leaves joined by a thick stalk handle and enamelled in shades of green and yellow, the flowers delicately painted to the centre with blue and purple detailing within scattered flower sprays, red anchor marks, minor damages, 23cm. (4) ÂŁ1,000-2,000

389. A pair of Worcester armorial plates, c.1770, painted with the arms of Calmady, of Cornwall and Devon, within a berried border entwined around a gilt band, 22.7cm. (2) ÂŁ2,300-2,800

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390. A Chelsea plate, c.1760, the well painted with exotic birds surrounded by floral sprays and scattered smaller sprigs, gold anchor mark, 22.5cm. £400-600

395. A Chelsea oval dish, c.1760, painted in the manner of James Giles with naturalistic flower sprays within claret borders highlighted with gilt swags, gold anchor mark, a small repair, 28cm. £350-450

Provenance: from the collection of Roger and Jill Bichard of Seend House, Wiltshire.

Paper label for Earle D Vandekar.

391. A small Worcester scallop edged plate, c.1770, painted in the Giles atelier with a central peacock, two other exotic birds perched in leafy branches, old restoration, 19cm. £200-300

392. A Chelsea octagonal plate, c.1755, finely painted with scattered flowers, the moulded border alternated with single blooms, red anchor mark, 25cm. £250-350 393. A Chelsea moulded dish, c.1758, the silver-shaped form painted with still life arrangements of various fruit and vegetables, brown anchor mark, a little wear, 24.5cm. £460-500 394. A Bow octagonal dish, painted in the Kakiemon palette with the Partridge or Two Quail pattern, the rim with a thin border of flowerheads in iron red and gilt, c.1753, a few tiny rim chips, 22.2cm. £300-400

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396. A rare Derby beaker, c.1780, painted perhaps by Edward Withers with flower sprays in the naturalistic style, and a Derby plate painted in the Billingsley manner with three central pink roses within a wide border of the same, puce factory mark, 25cm max. (2) £150-250

397. A Chelsea moulded plate, c.1755, naturalistically painted with blown flowers in a delicate polychrome palette, brown line rim, red anchor mark, 24.5cm. £200-300

398. A pair of Worcester shaped dessert dishes, c.1770, painted with the Sir Joshua Reynolds pattern within wide gilt and cobalt blue borders, open crescent marks, 26.5cm. (2) £750-1,000

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405

406

407

399. A Worcester scallop edged plate, c.1765-70, decorated in a Japan pattern with Imari prunus to the well and bands of Kakiemon flowers radiating between blue panels and stylized chrysanthemum mons, pseudo Chinese mark, 19cm. £200-300

404. A Worcester chocolate cup and stand, c.1765, painted with colourful exotic birds and ladybirds within a blue and gilt border, the cup’s interior with a single butterfly, open crescent marks, 15cm. (2) £600-800

400. An elongated octagonal Bow dish, c.1760, painted with a purple butterfly hovering between large floral sprays, the rims scattered with single stems, 26cm. £150-250

405. Two pairs of Chelsea dishes, c.1760, one pair boldly painted with flowers, the other pair of oval form and painted with fruits and insects, all with feather-moulded rims, brown anchor marks, 26.2cm max. (4) £500-1,000

401. A Worcester teapot and cover, c.1768, each side painted with a Chinese family at various pursuits in an interior, some good restoration, 18.5cm. (2) £300-400

402. A Flight Worcester heart-shaped dish, c.1790, painted in the earlier style with cartouches of flowers and butterflies on a blue scale ground, blue seal mark, 27cm. £200-300

403. A Chelsea fluted bowl, c.1755, after Meissen, painted in the deutsche Blumen style with naturalistic flowers, brown line rim, minor fritting to the rim, 17.5cm. £500-700

406. A Worcester faceted teapot and cover, c.1765, painted with a Japan pattern of panels of chrysanthemum and prunus between blue bands, blue seal mark, some restoration to the cover, 18cm. £250-350

407. A Worcester sucrière and cover, c.1765, painted with a version of the Queen’s pattern in the Imari palette, the cover with a large floral knop, a little restoration to the knop, 13cm. (2) £250-350

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408. A pair of Chelsea strawberry leaf moulded sauceboats, c.1755, the stalk handles entwined with fruiting and flowering strawberry stems, the base similarly moulded, each painted to the interior and exterior with flower sprays, scattered blooms and insects, losses to the trailing at the base of each handle, 19cm. (2) £400-600

409. Seven English porcelain coffee cups, 2nd half 18th century, including Worcester, Chaffers and other Liverpool, variously decorated with flowers sprays, some with gilt and iron red borders, minor faults to some, 8cm. (7) £300-500 One with a paper label for the Billie Pain collection.

410. Four English porcelain cups, 2nd half 18th century, including a Bristol inverted pear shaped cup, a Liverpool fluted coffee cup, two Lowestoft coffee cups, and a Worcester bell-shaped mug, all decorated with polychrome flowers, 9.5cm max. (5) £600-1,000

411. Two English porcelain teapots and covers, 2nd half 18th century, a coffee pot and cover and a miniature Bow teapot, all painted with colourful sprays of flowers, unmarked, minor damages, 26.5cm max. (7) £800-1,200

412. Three Bow coffee cups, c.1760, brightly painted with naturalistic flowers beneath iron red borders, and three other English coffee cups with similar decoration, 8cm. (6) £300-500

413. A Vauxhall coffee cup and saucer, c.1760, and a similar tea bowl, decorated with polychrome flower sprays and scattered insects and butterflies, and a similarly decorated Longton Hall small bowl, 11.6cm max. (4) £600-800 All but the teabowl with paper labels for the Watney Collection.

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414. Six English porcelain coffee cans, 2nd half 18th century, including Worcester and Liverpool, all painted with polychrome flower sprays with various iron red borders, 8.5cm max. (6) £600-1,000

415. Five English porcelain milk jugs, 2nd half 18th century, including Lowestoft, Bristol and Liverpool, decorated with polychrome flower sprays, 10cm max. (5) £500-800

416. Five English porcelain slop bowls, 2nd half 18th century, including Worcester, Longton Hall and Liverpool, painted with flowers, foliate sprays and Oriental rockwork, some damages, 15.5cm. (5) £250-350

417. Five English porcelain cream boats, 2nd half 18th century, including Caughley, Worcester, Bow and Liverpool, variously moulded and decorated with polychrome flower sprays and sprigs, 13cm max.

(5) £600-1,000

One bowl with a paper label for the Watney Collection.

418. A Bristol teabowl and saucer, c.1775, and a Chelsea Derby teabowl and saucer, the bowls of ogee form, painted in polychrome enamels with garlands of flowers within gilt dentil rims, painted and gilded factory marks, a few small footrim chips, 12cm max. (4) £250-350

419. A Chelsea bell-shaped cup and saucer, c.1756, finely painted with sprays of flowers including lonicera, red anchor marks, and three Chelsea-Derby teabowls with two saucers brightly painted with flowers, c.1770, gilt D and anchor marks, 12.5cm max. (7) £500-700

Loose paper label for the Trapnell Collection.

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420. A good Vauxhall spoon tray, c.1758-60, the lobed form decorated with scattered flowers and insects, 13cm. £800-1,200 Provenance: Paper label for the Barbara Leake collection. Simon Spero’s 1992 exhibition, catalogue number 7.

422. A Christian’s Liverpool moulded cream jug, c.1760, painted with a loose spray of flowers and single stems beneath a cobalt blue and gilt band, 8cm. £200-300 Paper label for the Billie Pain collection.

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421. A Bristol water jug and cover, c.1775, painted with flower sprigs and scattered single leaves, the moulded cover surmounted by a floral knop, blue cross mark, some gilt wear, a chip to the cover, 13cm. £400-600

423. A Chelsea cup, c.1756, the flared sides painted with a large polychrome flower spray and three individual stems, brown line rim, red anchor and 21 mark, 19.3cm. £100-200

424. A good Samuel Gilbody coffee cup, c.1755-60, delicately enamelled in pastel shades with peony and chrysanthemum issuing from a shallow bowl, beside a scroll tied with ribbon, 7.9cm. £500-800

425. A Vauxhall vase, c.1760, decorated with detailed butterflies and a caterpillar around polychrome flower sprays, the cover lacking, wear to the gilt footrim, 12cm. £500-800

Cf. The Watney Collection, Part II, lot 669 for a spoon tray with similar decoration.

426. An important Vauxhall tea canister, c.1752-54, each side decorated with a spray of garden flowers amidst scattered single blooms, a large butterfly to one side, the shoulder moulded with basketweave, the cover lacking, 10cm. £400-800

427. A rare Worcester inkwell, c.1760, the finely waisted form delicately painted with a large flower spray and two insects, the shoulders with a purple foliate scroll, the neck rim with a geometric border, a small chip to the footrim, 6cm. £800-1,200

Provenance: Bonhams, The Joseph Handley Collection, Sept 1999, lot 190, and The Billie Pain Collection of British Porcelain, November 2003, lot 295.

Provenance: from the collection of Roger and Jill Bichard of Seend House, Wiltshire.

Illustrated: Simon Spero Exhibition 2001, no. 12.

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430 428. An enamel scent bottle, late 18th / early 19th century, each side decorated with figures before ruined buildings beside water within raised cartouches in white and gilt enamel, a gilt metal bird stopper attached by a chain, 8.7cm. £500-700 429. An English porcelain miniature vase, or scent bottle, 2nd half 18th century, painted with a sprawling spray of flowers, the reverse with dusky pink roses, raised on a scalloped foot, tiny frits to the rim, 16.8cm. £150-250

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430. A Bilston enamel étui, late 18th century, painted with single figures within raised gilt cartouches on a white ground detailed in raised white flowerheads, titled ‘Fidelle et Sincére’, the top unscrewing as a thimble, the bottom loose from the gilt metal mount, 13.5cm. £850-1,200 431. An English enamel oval snuff box, 19th century, the metal-mounted hinged lid painted with a girl milking a goat, the sides with flower sprigs, a little overpainting to one corner, 9.3cm. £120-150

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432. A pair of enamel salts, late 18th century, the pink bodies raised on three feet and decorated with flowers within raised gilt cartouches, and an enamel tea canister decorated with panels of fruit and flowers on a turquoise ground, 14.5cm max. (4) £250-350 433. A jewelled porcelain snuff box, 2nd half 18th century, painted with a portrait between two putti, the base with a landscape and the sides with motifs of victory and war, four enamel patch or snuff boxes, variously decorated with figures, birds, flowers and sayings, and a porcelain box with hinged lid, printed in blue with an Oriental design, some losses, 8cm max. (6) £400-600

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434. Three enamel patch boxes, late 18th / early 19th century, variously decorated with sentimental verses and a bird, the interiors fitted with mirrors, some cracks, 4.2cm max. (3) £250-350

435. English porcelain teawares, 2nd half 18th century, including a Worcester teacup and saucer with crossed swords mark, four teabowls and two saucers, two coffee cups and one saucer, 14cm max. (11) £250-350

436. Seven English porcelain teabowls and saucers, 2nd half 18th century, including Caughley, Chaffers and other Liverpool, variously decorated with flowers, exotic birds and garlands, minor faults to some, 13.5cm. (14) £500-800 One with a paper label for the Barbara Leake collection.

437. A Worcester fluted trio, c.1760, decorated with a Japanese pattern of prunus and chrysanthemum, seal marks, an English porcelain jug, painted with titled sepia landscapes, and two Imari cups and saucers, the jug cracked, 16cm max. (8) £150-250

438. A pair of Worcester fluted plates, c.1765-75, painted with bright blooms, a matching cup and two Worcester saucers and a teabowl decorated with a cornflower-type sprig, seal marks to the plates and cup, 18.4cm max. (6) £200-300

439. Three Worcester tea cups and saucers, c,1765-75, all later decorated with varying designs of landscapes, exotic birds and radiating stripes with gilt garlands, seal marks and crossed swords marks, two saucers with short cracks, 13.5cm. (6) £100-200

440. Two Worcester porcelain tea canisters, c.1765, one painted with the Joshua Reynolds pattern, the other with flowers on a blue scale ground, a fluted dish with a similar colourful bird, a cup and saucer and a slop bowl decorated with Imari patterns, seal and open crescent marks, 23.3cm max. (6) £250-350 Paper labels for The Sidders Collection of Worcester Porcelain (exhibited 1985) and the Burrell Collection no. C31.

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441. Four Meissen cups and saucers, mid 18th century, painted with deutsche Blumen within osier moulded borders, blue crossed swords marks, £200-300

442. A Worcester fluted trio, c.1765, decorated with floral swags, crescent marks, a Chelsea Derby plate painted with garlands around a central urn, and another similarly decorated plate with a paper collection label for C W Barton, the saucer cracked, 22cm max. (5) £200-300

443. A Worcester teapot and cover, c.1765, painted with Oriental figures, three hard-paste porcelain saucers, a polychrome delftware tile and two porcelain lids, some damages, 18cm max. (8) £150-250

441

444. A Worcester feather moulded bowl, c.1765-70, the exterior decorated with Oriental figures and a monkey in a tree, the interior with four figures and a red and gilt border, some wear to the interior, 20.5cm. £400-600

445. A Derby rococo moulded vase, c.1765, topped with an effusion of blooms, the body painted with a bird perched on a branch, and a Worcester two-handled vase decorated in the Giles atelier with flowers and blue bands, some damages, 17cm max. (2) £200-300

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446. A pair of Longton Hall coffee cups, c.1755-58, painted with polychrome flower sprays centred around large pink roses, a teabowl and saucer and an oval fluted dish all with similar decoration, damages to the dish, 22.4cm max. (5) £600-800 Paper labels for the Watney Collection and for the Barbara Leake Collection.

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444 447. A Lowestoft cream jug, c.1770, painted with flowers beneath an iron red border, and an English porcelain teabowl and saucer decorated with stylized pink roses, 12.5cm max. (3) £250-350

448. Four Worcester coffee cups, c.1770, variously decorated with a banded Kakiemon design, the Harvest Bug or Astley pattern, Oriental figures and flowers, blue seal mark to one, minor faults, 8cm. (4) £300-400 445

447

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449. Two Derby cups, c.1758-60, one bellshaped with a wishbone handle, and an octagonal Derby butter tub, all painted with sprays of flowers in the cotton stem style, brown line rims, 12.6cm max. (3) £500-700 The bell-shaped mug with a paper label for the Barbara Leake collection.

450. A rare Worcester teapot and cover, c.1780, painted in the Oriental style with flowers, butterflies and a mythical fish-like creature, and a Worcester slop bowl painted with the Harvest Bug or Astley pattern, unmarked, the teapot cracked, 19cm max. (3) £300-400 451. A Sèvres-style two-handled cup and saucer, 19th century, painted with oval vignettes of sculptural seedheads and foliage, joined by rose garlands and bulrush stems, interlaced Ls mark and painter’s mark, a tiny chip to the cup’s footrim, 13.3cm. (2) £200-300

449

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451

452

453

454

452. A Worcester teapot and cover, c.176570, decorated with scenes of Oriental figures at various pursuits in an interior, 19cm. (2) £350-450 453. A Worcester teapot and cover, c.1775, painted in the Giles atelier with panels of Oriental figures and flowers between orange bands with chrysanthemum mons, 18.5cm. (2) £460-500 454. A pair of Worcester cups and saucers, c.1760, printed in purple with The Milkmaids pattern, the cup interiors with a swan swimming, crossed swords and 9 mark, 13.3cm. (4) £180-220 454A. A fluted Worcester trio, c.1765, decorated with a radiating pattern in the Kakiemon palette, a fluted teabowl and saucer similarly decorated in the Imari palette, and a tea cup and saucer painted with panels of Kakiemon flowers on a blue scale ground, blue seal marks to some, 13cm. (7) £250-350 454A

Provenance: from the collection of Roger and Jill Bichard of Seend House, Wiltshire.

455. A pair of Ludwigsburg casters, mid 18th century, painted with vignettes of courting couples within puce feathered and moulded borders between diaper panels, formed with screw covers, blue linked C marks, some damages, 12cm. (4) £100-200 456. A Worcester bowl, c.1755, printed and painted with the Red Bull pattern, the eponymous beast standing before Oriental figures, a chip to the footrim, 12cm. £300-500

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462

463 457. A small Worcester bowl, c.1765, outside decorated with Chinese figures in gardens on an elaborate scrolling ground in gilt, blue and pink, a small star crack to the base, 10cm dia. £250-350 458. A Chelsea strawberry leaf sauceboat, c.1755, the twig handle entwined with small fruits and flowers, painted to the exterior and interior with scattered blooms, brown line rim, red anchor mark, 18cm. £800-1,200 459. A Continental porcelain double-walled bowl, 2nd half 18th century, probably Doccia, the exterior painted with flowers and insects between reticulated panels, the interior with a spray of flowers, a small chip to one of the panels, 9cm dia. £100-200 460. A Worcester blue and white footed dish, c.1775, printed with a refined version of the Gilliflower Print, the quatrelobed dish reticulated around the rim and edges of the well, further reticulation to the foot, hatched crescent mark, small rim flaws, 29cm across. £150-250 The central print of this dish bears closer similarity to the rarer Carnation and Fruit Sprigs print, without the latter part of the design.

461. A pair of Continental porcelain miniature flower urns, 18th century, modelled with various flowers issuing from Classical vases, damages and restoration, 9.5cm. (2) £100-200

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465 462. A Worcester blue and white teabowl and saucer, c.1760, painted with the Quail pattern, a large insect flying above the two cartoonish birds, within a blue dot border, open crescent marks, 12.7cm. (2) £400-600 463. A Nové teabowl, mid 18th century, painted with a soldier seated on a grassy bank with his rifle resting on his shoulder, before buildings, the interior with a gilt border and scattered gilt leaves, red star mark, 6.5cm. £200-300 464. Ω A good and rare set of four Capodimonte miniature vases, c.1750, the spiral moulded bodies painted with differing sprays of single flower stems and surmounted with dolphin handles detailed in gilt, minor faults, 7cm. (4) £1,000-2,000 Provenance: from a distinguished private European collection.

465. A Worcester ice pail or bottle cooler, c.1790, painted in blue with the Royal Lily pattern, the angular handles with gilt decoration, some wear, 21cm across. £260-300 Provenance: The Zorensky Collection of Worcester Porcelain Part 2, Bonhams, February 2005.

Paper label for the Sir Jeremy Lever Collection.

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469

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473

466. A Worcester blue and white tea service, c.1765-70, painted with the Immortelle pattern on ribbed forms, crescent marks to some.

Comprising: a teapot and cover, milk jug and cover, sucrière and cover, tea canister and cover, four teabowls, one tea cup and three saucers. (16) £250-350

467. Worcester and Caughley blue and white teawares, c.1760-70, printed in blue with the Fence pattern, crescent marks to some.

Comprising: a Worcester teapot and cover, a milk jug and cover, six miniature teabowls and four saucers. (14) £150-250

468. A large Worcester blue and white basket, c.1768, decorated with the Pinecone Basket pattern, the exterior applied with flowers and leaves, crescent mark, 33cm. £300-500

469. A large Worcester blue and white jardinière, c.1770, the octagonal form painted with Oriental flowers and foliage, blue crescent mark, 32cm across. £1,000-2,000

470. A very rare Worcester junket dish, c.1765, decorated with the Junket Dish Florals, Second Edition, with four vignettes of flowers within basket moulded panels, open crescent mark, 23cm. £450-650

471. A St Cloud trembleuse saucer, c.1750, the well with ribbed moulding within an elaborate blue rococo border, 12.7cm. £80-120

472. A Worcester geranium leaf moulded butter boat, c.1758, painted in blue with the Butter Boat Mansfield Pattern, workman’s mark beneath the handle, 8.5cm. £100-200

473. A large Tournai blue and white dish, 2nd half 18th century, painted with a flying insect above Oriental foliage within a moulded rim, 42.2cm. £200-300

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474. Three Bow figures, c.1765-75, of a female falconer, a bird seller and a floral shepherdess, raised on rococo bases, red anchor and cross mark to one, one with restoration, 20cm max. (3) £500-1,000

474

475

475. Four Derby models of putti, c.176065, of Infant Season type, depicted wearing floral wreaths, three holding flowers, the fourth a nest of chicks, minor faults, 14.5cm max. (4) £100-200

476. A pair of Worcester blue and white plates, c.1775, painted with the Rubber Tree Plant pattern, the scalloped edges with a jagged blue border, pseudo Chinese marks distinctive to plates of this pattern, small rim chips, 19.7cm. (2) £300-500

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477

477. A Lowestoft blue and white moulded teabowl and saucer, c.1770, painted with small vignettes of Oriental landscapes within geometric borders, minor faults, 12cm. (2) £400-600

478. A large Derby figure of Milton, c.1765, standing beside a moulded pillar and resting against a pile of books, a verse from Paradise Lost gilded onto a scroll, one finger lacking, 29.5cm. £200-300

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479. A near pair of Continental porcelain figures, 19th century, in the Meissen style, of a gallant and his companion, each carrying flowers and raised on a circular base, pseudo crossed swords marks, minor damages and restoration, 36cm. (2) £400-600

480. A Lowestoft blue and white plate, c.1770, painted with peony issuing from rockwork before an Oriental fence, a 7.5cm rim crack, 22.7cm. £200-300

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481. A Bow figure of a Turk, c.1765, standing amidst large applied flowers with one hand on his hip, his head turned to dexter, wearing a fur lined robe, raised on a scroll footed base, some restoration, 14cm. £250-350

482. A pair of Derby vintner figures, c.1765, modelled on rococo scrolling bases with baskets of grapes on their laps, and a pair of Derby candlestick figures of a boy and his companion seated with lapfuls of flowers, supporting candle sconces on branch stems, damages, 14cm max. (4) £300-500 482

483

484

485

483. Two pairs of Derby garland figures, c.1765, of Infant Season type, each seated on flowering bocage and holding a floral garland, raised on scrolling bases, some damages, 13.5cm. (4) £150-250

484. A Meissen figure of Harlequin, mid 18th century, seated on a rocky stump with his bagpipes tucked under one arm, wearing a pointed blue hat, his pink pantaloons decorated with playing cards, faint blue crossed swords mark to the reverse, some restoration, 13cm. £750-1,000

485. A Derby model of a stag, c.1780, recumbent before flowering bocage, with tall antlers, incised ‘N’ to the base, the enamelling perhaps later, a little good restoration, 10cm. £80-120

486. A Bow figure of a nun, c.1760, her hands together in prayer and face raised in supplication, dressed in a simple black habit with loose wimple, standing on a pad base applied with coloured enamel flowers, some restoration, 13.5cm. £300-500

487. A near pair of Derby candlestick figures, c.1765, of a gallant and his companion holding flowers and fruit and supported large candle sconces issuing from branches up which a large flowering creeper climbs, 25cm. (2) £600-1,000

486

487

Paper labels for Kitley House, no. 341.

488. A Worcester square lobed dish, c.1770, and a scallop-edged plate, both painted with a version of the Hop Trellis pattern, a restored chip to the plate, 24cm max. £150-250

489. A Derby figure of James Quinn as Falstaff, c.1775, holding a shield and sword and raised on a scrolling base, damages and restoration, 21.2cm. £50-150

488

489

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490. A moulded Worcester coffee cup, c.1755, the closely ribbed form surmounted by a band of flowers in blue, painted ‘W’ mark to the base of the handle, 5.3cm high. £250-350 Provenance: from the collection of Roger and Jill Bichard of Seend House, Wiltshire.

492. A Bow blue and white sauceboat, c.1758, decorated with a European figure wearing a large hat, the reverse with an Oriental figure before an incense burner, the interior with Oriental flowers, a little restoration to the rim, 20cm. £200-300

491. A Worcester blue and white two-handled sauceboat, c.1760, the interior painted with figures in a watery Oriental landscape, the exterior with four moulded vignettes, workman’s mark, 22.7cm. £400-600 Provenance: from the collection of Roger and Jill Bichard of Seend House, Wiltshire.

493. A rare Worcester blue and white basket, c.1770, painted with the Anenome and Bellflower Spray pattern, the interior with single flowerheads and leaves, the exterior applied with flowers where the reticulations touch, open crescent mark, 16.6cm. £750-1,000

Provenance: from the collection of Roger and Jill Bichard of Seend House, Wiltshire.

494. A large Worcester blue and white mug, c.1775, printed with the Parrot Pecking Fruit pattern, the hungry bird taking its pick from a feast of fruits beneath its branch, printed crescent mark, 14.8cm. £350-450

495. A tall Worcester blue and white mug, c.1755, the slightly waisted form painted in the Walk in the Garden pattern with a Long Eliza and small boy with a fishing pole, beneath birds in flight and perched on trees, workman’s mark to the base, 14cm. £250-350 Provenance: from the collection of Roger and Jill Bichard of Seend House, Wiltshire.

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496. A good Worcester printed punch bowl, c.1770-75, the exterior printed in black with a continuous scene of the The Fox Hunt after a painting by James Seymour, the interior with After the Hunt and four vignettes of hounds with their spoils, a little wear to the interior, 28.5cm. £2,000-3,000 Provenance: from the collection of Roger and Jill Bichard of Seend House, Wiltshire.

Cf. Simon Spero, 18th Century English Transfer-Printed Porcelain and Enamels from the Joseph M. Handley Collection, p.104-105 for a similar example.

497. A Worcester King of Prussia mug, c.1770, printed with flags and victory motifs, a winged putto bringing a crown of laurels upon the King’s head, titled 1757 King of Prussia, anchor rebus and RH monogram, 8.6cm. £250-350

498. A large English porcelain cylindrical mug, 2nd half 18th century, perhaps Worcester, painted with the gilt initials ‘JER’ beneath a floral garland, neat flower sprays to either side, between gilt bands, 17.5cm. £1,500-2,500

Provenance: from the collection of Roger and Jill Bichard of Seend House, Wiltshire.

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499. A rare matched pair of Chelsea models of ducks, c.1751, after the ‘Little Black and White Duck’ engraving by George Edwards in his Natural History of Uncommon Birds, each standing on a tree stump, its head tucked down to its chest as it preens its feathers, raised anchor mark to each, some restoration, one perhaps later enamelled, 11cm. (2) £8,000-12,000 Cf. Margaret Legge, Flowers and Fables, A Survey of Chelsea Porcelain 1745-69, p.28, no.21 for the same model.

Provenance: from the collection of Roger and Jill Bichard of Seend House, Wiltshire.

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500. Rhinoceros horn, early 20th century, lower horn 42cm, upper horn 23cm, mounted on a wooden shield.

ÂŁ30,000-40,000

CITES Appendix 1, Annex A (exempt). A copy of the letter confirming this is available.

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Clarice Cliff & Art Deco Including the collection of Jimmy Greaves Wednesday 9th March 2011

An original artwork panel,

by Dodo Burgner.

Estimate: ÂŁ400-600

ENQUIRIES Michael Jeffery Tel: 01722 424505 michaeljeffery@woolleyandwallis.co.uk

Silver Wednesday 20th April 2011 Closing date for entries 4th March

A set of four George III silver candlesticks, by William Café, London 1763.

Sold for £8,800

ENQUIRIES Rupert Slingsby Tel: 01722 424501 rupertslingsby@woolleyandwallis.co.uk Lucy Grazier Tel: 01722 424530 lucygrazier@woolleyandwallis.co.uk

Auction Information OPENING HOURS Monday to Friday 9am to 5.30pm and 10am to 1pm on Saturdays VIEWING All our specialist auctions are on view at least two days prior to the sale, and details will be found in the relevant catalogues.

BIDDING To bid at the auction, you will need a bidding number.

This can be obtained from the office either during the view or on the day of the sale.

ABSENTEE BIDDING If you are unable to attend the sale you can leave a written commission bid. This will be executed on your behalf by the auctioneer who will endeavour to purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. On the more expensive lots it is usually possible to bid on the telephone by prior arrangement with the office.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot where practical.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 19.5% + VAT at the appropriate rate.

SALE RESULTS Results from this sale are available from our office on 01722 424500 and are posted on our website www.woolleyandwallis.co.uk a few days after the sale.

STORAGE CHARGES Storage charges will be levied on all lots in the Furniture and Works of Art and Clock sales not collected within 14 calendar days of the sale. This will include a handling fee of £20 (+VAT) per consignment and a storage charge of £2 (+VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

ARTISTS RESALE RIGHT / DROIT DE SUITE Lots potentially subject to the levy are marked with a ‡ symbol next to the lot description. Works by living artists who are nationals in European Union Countries and certain other countries are subject to the levy if they sell for a hammer price of the sterling equivalent of €1.000 or more.

The levy will be added to the purchaser’s invoice and the full amount will be paid by us to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale, or for any further information.

Royalty

For the Portion of the resale price - in Euro

4% 3% 1% 0.5% 0.25%

Up to €50,000 €50,000.01 - 200,000 €200,000.01 - 350,000 €350,000.01 - 500,000 In excess of €500,000

Up to a maximum levy of €12,500

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and may require funds to be cleared before purchases can be released.

The following methods of payment may be made: bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a limit of £5,000.

Wire transfers should be sent to: Lloyds TSB, Blue Boar Row, Salisbury SP1 1DB. Account name Woolley & Wallis Salisbury Salerooms Ltd. Clients Account Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect It is company policy not to accept single or multiple payments in cash equivalents in excess of £5,000 (or the equivalent value in another currency).

Where practical, payment can be made and purchases collected during the auction.

Please note that lots will remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

PACKING AND SHIPPING All our packing and shipping is arranged through Alban Shipping. Please see details at the back of this catalogue.

VAT Lots marked with an asterisk (*) are subject to VAT at the standard rate on the hammer price.

Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium.

The colours printed in the catalogue are not necessarily true.

All weights and measures given in the catalogue should be regarded as approximate.

Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required.

Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors.

Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Christine Johnson 01722 424510

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 19.5% + VAT at the appropriate rate.

5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order.

However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character because, e.g. they may contain prohibited materials such as ivory. Ask us if you need help.

9. Bidding. Bidders may be required to register before the sale commences and lots will be invoiced to the name and address on the registration form.

Some form of identification may be required if you are unknown to us.

Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium.

They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. There is a minimum charge of £5 per lot.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate.

To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4(a) is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first.

The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls.

Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.

The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur.

We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

14. Authority to deduct commission and expenses and retain premium and interest.

4. THE PURCHASE PRICE

(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

5. VALUE ADDED TAX

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions. and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. After sale settlement of the net sum due to you normally takes place within 28 days of the sale (by crossed cheque to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

The Buyer shall pay the hammer price together with a premium thereon of 19.5% + VAT at the appropriate rate.

Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements.

Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition orestimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

EXPORT LICENCES European Community and United Kingdom. The following are examples of categories with the current limits above which either an EC or a UK licence is required for the export of cultural goods more than 50 years old.

Archaeological objects Elements of artistic, historical or religious monuments Zero Manuscripts, documents and archives (excluding printed matter) Architectural, scientific and engineering drawings produced by hand Photographic positive or negative or any assemblage of such photographs Textiles (excluding carpets and tapestries) Paintings in oil or tempera Watercolours, gouaches and pastels Prints, Engravings, Drawings and Mosaics

Zero

Zero £10,200 £10,200 £34,300 £103,000 £20,600 £10,200

An EC licence is required for the export from the European Community of cultural goods controlled by EC regulations. A UK licence is required for the export from the UK to another member state of the EC of all cultural goods valued at or above the UK licence limit but below the EC licence limit. EC and UK licences are issued by the Department of National Heritage.

Packing and Despatch We have negotiated competitive rates with Alban Shipping – Specialist Shippers of Antiques, Collectors’ Items and Fine Art, for the packing and despatch of lots purchased at our salerooms.

Unfortunately, Woolley & Wallis are unable to offer any other packing and despatch service of their own.

Alban Shipping collect items for our Salisbury Salerooms on a weekly basis and offer a fast, friendly and efficient shipping service via all methods of modern transport, by air, sea and road, including – air-post, courier, air and seafreight. They also offer a case making service.

Insurance Full comprehensive Transit Insurance is charged from £2.50 or 1.5% of the hammer price.

For further details please contact: Mr. Andrew Jackman on 01582 493 099 who will be able to assist with any enquiries or information that you may require.

Alban Shipping Specialists Shippers of Antique, Collectors’ Items and Fine Art Unit 4, Premier Business Park, Dencora Way, Luton, Bedfordshire LU3 3HP

Quotations Alban Shipping will be pleased to provide a prompt individual quotation for this service.

Minimum Charge Their minimum charge is £35 plus VAT which includes the collection, expert packing and despatch for inland delivery.

Mastercard and Visa are welcome.

Telephone Fax E-mail Web

01582 493 099 01582 490 147 info@albanshipping.co.uk www.albanshipping.co.uk

WOO L LE Y & WA L LI S

Delivery Instructions

Please complete and return to: Woolley & Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508 Name

GOODS FOR COLLECTION

Address

Sale Date

Lot No(s)

Description

Postcode Telephone

Fax

Name Delivery address

Postcode Telephone

Fax

Email Mobile Please tick relevant boxes: For collection from

Castle Street

Old Sarum

Accounts

Date

I authorise Alban Shipping to collect the above lots on my behalf and deliver to the address given above. I understand that payment is to be made direct to Alban Shipping.

Carrier

Date

Signed

For Office Use

Date

WOO L LE Y & WA L LI S Absentee Bid Form English & European Ceramics & Glass

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Tuesday 8th March 2011 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email Debit/Credit Card details: VISA OTHER

MASTERCARD

SWITCH

(please specify)

We do not accept American Express cards

Cardholder Card No. Valid from Expiry date Issue No.

(Switch only)

If you have not settled your account within 21 days of the auction Woolley & Wallis Salisbury Salerooms Ltd reserves the right to debit all charges due. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. By signing below you are authorising this payment to be taken by us. ID is required for all first time bidders.

Signature Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

Price Excluding buyer’s premium & VAT

AUCTION CALENDAR 20TH CENTURY DESIGN 9th March 2011 – Clarice Cliff & Art Deco 22nd June 2011 – Arts & Crafts Michael Jeffery 01722 424505 • michaeljeffery@woolleyandwallis.co.uk PAINTINGS 23rd March 2011 15th June 2011 Victor Fauvelle 01722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler 01722 424592 • jobutler@woolleyandwallis.co.uk FURNITURE & WORKS OF ART 5th April 2011 5th July 2011 Will Hobbs 01722 339752 • willhobbs@woolleyandwallis.co.uk Mark Richards 01722 411854 • markrichards@woolleyandwallis.co.uk CLOCKS, POCKET WATCHES & BAROMETERS 19th April Will Hobbs 01722 339752 • willhobbs@woolleyandwallis.co.uk Richard Price 01722 339752 • richardprice@woolleyandwallis.co.uk SILVER 20th April 2011 20th July 2011 Rupert Slingsby 01722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Grazier 01722 424530 • lucygrazier@woolleyandwallis.co.uk JEWELLERY 21st April 2011 21st July 2011 Jonathan Edwards 01722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting 01722 424595 • mariellewhiting@woolleyandwallis.co.uk ASIAN ART 18th May 2011 John Axford 01722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister 01722 424 591 • sophielister@woolleyandwallis.co.uk BOOKS & MANUSCRIPTS 15th June 2011 Liz Merry 01722 424500 • lizmerry@woolleyandwallis.co.uk

• Entries can be accepted up to six weeks prior to auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

www.woolleyandwallis.co.uk