JAELYNN TIBBITTS
ARCHITECTURE PORTFOLIO
TABLE OF CONTENTS
5
RESUME
6
ROW HOUSE
14
WAREHOUSE
16
KING RECORDS
26
APARTMENTS
28
POOL HAUS
34
HOSPITAL
36
MULTI-UNIT
RESUME
tibbitjk@mail.uc.edu (614) 284-0996
EDUCATION
SKILLS
UNIVERSITY OF CINCINNATI
ADOBE SUITE
CINCINNATI, OH
AUTOCAD
College of Design, Architecture, Art, and Planning Bachelor of Science in Architecture Graduation: May 2021 University Honors Program Cincinnatus Excellence Scholarship Dean’s List
ENSCAPE REVIT RHINO SKETCHUP
EXPERIENCE TMPARTNERS NASHVILLE, TN • SUMMER 2020 Architecture Co-op
Set up drawings and modeled in Revit. Participated in design charrettes. Attended regular meetings with clients and consultants. Coordinated typical details with the client manager. Assisted interior designers with rendered floor plans and material boards. Organized project proposal templates.
DRAWING DEPT CINCINNATI, OH • FALL 2019 Architecture Co-op
Drafted construction document pages and updated drawings based on consultant drawings and general red lines. Made SketchUp models of various projects to create interior views for consultants and clients. Made graphics and organized photographs for submissions to the Cincinnati Design Awards.
JACKSON LILES ARCHITECTURE SAN FRANCISCO, CA • SPRING 2019 Architecture Co-op
Made adjustments to Revit models and sheets for construction drawing sets. Created views and color schemes for client presentation sets. Created Revit models based on field measurements of new potential sites. Ordered sample materials from brand representatives. Prepared presentation boards and sample boxes for client meetings.
CESO, INC. COLUMBUS, OH • SUMMER 2018 Civil Engineering Co-op
Worked on the civil engineering commercial team. Drafted construction documents in AutoCAD. Created preliminary site plans for a variety of clients, working mainly to create drive aisles and parking to meet jurisdiction requirements. Did due diligence research for new projects that included finding information about the jurisdiction, building and construction permits, and utility location and coordination.
ROW HOUSE
7
1 LIVE
2
WORK
3
GALLERY
1
1 2
2 3
PRIVATE
3 INTERACTIVE
In Cincinnati, a city dense with traditional single-family row houses, this project looked to push the typology of the row house and what it could include. My building explores the idea of live / work, more specifically for those who are artists and maybe sell their work in the nearby neighborhood of Over the Rhine. The basic strategy organizes the work area to the back of the lot, to allow for access if there are employees that may not want to enter through the home. There is an interstitial gallery space that leads into the residential portion of the building. The project incorporates a multi-functional front living room and open stair to encourage moments of interaction and a gradient of public to private space within the home.
SECTION 1
SECTION 2
ROW HOUSE
SECTION 3
9
THIRD FLOOR PLAN
SECOND FLOOR PLAN
FIRST FLOOR PLAN
BASEMENT FLOOR PLAN
The most private spaces, the two bedrooms, are on the top floor. Below is the kitchen, family room, and a raised private study, with a half wall to still maintain views downstairs. The first floor is where the work space is located, which features a loft space with a large glazing wall that fills the entire studio with light. The front entry room can be used as a sitting room by the residents and their guests but also as an informal meeting space for work purposes. The central glass stair is below a skylight, bringing light into the center the long, narrow plan.
ROW HOUSE
11
OLOGIS SAN FRANCISCO GATEWAY
LEVEL 4 - ROOF
3D
LEVEL 3
22'-24'
3D
LEVEL 2
3D
LEVEL 1
24'
3D
22'-24'
tistory Urban Logistics Concept
LT INDUST. MAKER
click on red buttons for links to Plans and 3D
Net Rentable Height Floor Loading Floor Max Parking/ Area (NRA) (ft) (lbs/sf) Configuration Fleet Staging (sf) While working with Jackson Liles Architecture, the majority of my time was spent working on presentation Totals 90' 200-300 886,497
sets for this multi-story industrial warehouse. drawings are all300 from an interactive set we P Level 1 192,091 These24' clr 4' Dock presentation 140 spaces
P Level 2 300 - 24' clr Flat Slab 500 spaces used to show the client and potential214,325 tenants how22'vehicles will move through the structure, how much space
214,723 300 Flat Slab 500 spaces Level 3 22' - 24' clr P tenant 200dock functions Rooftopmay happen 500 spaces clrbasic loading Level 4could - Roofpotentially and parking each have, and16' how within our 243,833 P
Level 1 spaces: proposed layouts.* Additional I helped make changes4,118 to the various layouts in Revit and to keep up with the graphics and Retail 17,406
Maker
color schemes as changes were made almost every day.
PROLOGIS SAN FRANCISCO GATEWAY
PROLOGIS SAN FRANCISCO GATEWAY
DISTRIBUTION LAYOUT
Multistory Urban Logistics Concept
Multistory Urban Logistics Concept
P click here for Plan Key Features
a
b c d e f
Warehouse type space divisible into several units, if desired Long haul truck capacity Tenant controlled staging area Elevated Yard space supports a variety of uses Common vehicle circulation comprised of scissor ramps and common vehicle path Elevators and stairs connecting to main entries
f a
a c
click here for Loading 3D Scenarios
b
e
d
e
b
f
f
click to return
U1
04.26.19
WAREHOUSE
PROLOGIS SAN FRANCISCO GATEWAY
LEVEL 1 - P
Multistory Urban Logistics Concept
3D click he
KIRKWOOD AVE
22'
AREAS (SF)
22' 21'
PARKING
P
PARKING
28'
VEHICLE ENTRY
WAREHOUSE TRUCK COURT PARKING (DEDICAT LIGHT INDUSTRIAL RETAIL NET RENTABLE AR
RETAIL BUILDING SERVICES
CISTERN
VEHICLE EXIT
PARKING
42'
BLDG SERV
COMMON AREA PARKING (GENERA VEHICULAR CIRCUL
TOTAL
CLEAR HEIGHT TRUCK COURT ENTRY/EXIT
TRUCK COURT ENTRY/EXIT
LOADING (THIS L
RANKIN ST
TRUCK
40'
475'
SELBY ST (HWY 280 ABOVE)
125'
85'
DOCK DOOR DRIVE IN DOOR TOTAL
LOBBY
P
SEC
DESIGN VEHICLE 74' TRUCK (OR S
LOBBY FIRE CTRL
FIRE CTRL
P
SEC
15.0 3.0
60'
0.0
OFFICE
OFFICE
4.0
19.5
34'
TYP
180'
30'
WB-67
LEGEND
WAREHOUSE 103,128 SF
LOGISTICS
42'
YARD
34'
RETAIL
LIGHT INDU COMMON
COMMON V 576'
VEHICLE T
32'
RAMP FRO LOADING
LIGHT INDUSTRIAL | MAKER
DOCK
LOADING
GRADE LEV
GRADE LEV DRIVE-IN
MCKINNON AVE
RN
LEVEL 1 - BASE BUILDING
0'
15'
30'
60'
120'
1" = 60'-0"
PROLOGIS SAN FRANCISCO GATEWAY
FLEET MANAGEMENT
4-TENANT YARD LAYOUT
Multistory Urban Logistics Concept
P click here for Plan
P click here for Plan Key Features
Key Features
a b c d e f
c
Bus staging lanes
a
Tenant A space for self-parking
Operations and Office space
b
Tenant B combined space for vehicle staging and storage
Bus maintenance area, light maintenance only
c
Tenant C aisles to marshall fleet
Elevated Yard space supports a variety of uses
d
Tenant D space with tandem layout to arrange fleet for improved access
Common vehicle circulation comprised of scissor ramps and common vehicle path
e
Elevators and stairs connecting to main entries
f
e f
Common vehicle circulation & parking Elevators and stairs connecting to main entires
a
d b
e e
f
c
e
f d
e
click to return
click to return
U2
04.26.19
U8
04.26.19
15
KING RECORDS
17
MUSEUM PRECEDENT STUDIES
FINAL COMMUNITY PRESENTATION
https://youtu.be/_W22OZ7xiqM
https://youtu.be/2OSGHsKgriE
King Records was an independent recording studio in the Evanston neighborhood of Cincinnati from 1943-1975. It is known for its inclusion of both hillbilly music and R&B music at a time when the industry was still mostly segregated, and therefore an instrument in the overlapping of the genres that led to rock and roll. The building it once operated in is now an historic landmark, and in planning to be brought back to life and to honor its history. The project is part of a series of studios exploring the repurposing and refurbishing of this large warehouse site into a unique community space featuring recording studios, performance areas, a cafe, and learning spaces. Working in a group of four, we were to curate and design a museum exhibition telling the story of King Records and of rock and roll within the layout given us from one of last year’s groups. We began by creating videos exploring various aspects of the history and the time period, as well as curation techniques and examples of museums and exhibitions that could inspire us to design in the spirit of rock and roll, opposing tradition and the institution.
KING RECORDS
19
ROCK AND ROLL : A GENRE Highlights the genres and the artists that contributed to the development of rock and roll, from Country and Western to Rhythm and Blues and everything in between. Features spotlights on King artists. Contains interactive elements to more fully immerse into the music.
EVENTS OF THE ERA Contextualizes the previous room of music with key events, including the rise of suburbia culture, the Vietnam War, and the Civil Rights Movement. Features certain areas of protests of these events and the resulting counterculture movement.
MUSIC AS A PROTEST Synthesizes all of the knowledge in a final powerful and interactive room about songs of protest, both then and now. Songs and performance videos and context images are organized by general message. Displays the inherent interconnection of music and current events.
THEMATIC ZONES ANTICIPATION
CHALLENGED
RE-FOCUSED NOSTALGIC
ENERGIZED CURIOUS INTRIGUED
SOMBER
TENSE
DIRECTED EMPOWERED
CIRCULATION
TAKEAWAYS
KING RECORDS
21
Within the first room, about the genre of rock and roll, I created two smaller, separated spaces for more personal reflection on the artists and the circumstances of the time. Especially for younger generations, the originals of many iconic rock and roll songs are not the ones most often recognized or given credit. There are many instances of white artists becoming more popular from songs originally performed by African American artists. The genre of rock and roll itself wouldn’t exist without the appropriation in some cases of R&B music. These interactive displays force the guests to consider this and to maybe learn more about the artists that influenced history’s version of rock and roll.
KING RECORDS
23
I had the opportunity to be involved with multiple stages of this seven story apartment complex in an historic district of Cincinnati during my co-op with Drawing Dept. One of my first tasks was to produce a SketchUp model of a unit to be able to give the project’s interior designer some perspective views to help with choosing finishes and appliances in the bathrooms and kitchens. Later, I was very involved in creating the construction document set, primarily the interior elevations of these key rooms I had previously modeled and how layouts and cabinetry varied by unit.
APARTMENTS
42"
24" 17"
6"
18"
36"
SHOWER WALL TILE
24" DRAWERS
30" BASE CABINET
CABINET NICHE 9'-1112" WITH DOOR BEHIND SHOWER
Unit #3 Floors 2-7
2"
SLIDING GLASS SHOWER ENCLOSURE; SEE INTERIOR SELECTIONS
TOILET PAPER HOLDER SEE INTERIOR SELECTIONS
2 -
KITCHEN
1/2"=1'-0"
MIRROR ATTACHED TO WALL WITH MASTIC; 24" D.W. PROVIDE 3 21" WIDE PAINTED WOOD MOLDING
SHOWER CABINET WALL TILENICHE WITH 36" SINK BASE 18" TRASH DOOR T-2 BEHIND 6'-6"SHOWER
SHOWER FLOOR TILE
SHOWER FLOOR TILE
T-3
T-3
Unit #3 Floors 2-7
21" DRWS.
MIN.
4 -
Unit #3 Floors 3-7 BATHROOM
34" CLEAR MIN.
4 -
Unit #34Floors Unit 3-7 #3 Floors 3-7 -
1/2"=1'-0"
BATHROOM
1/2"=1'-0"
BATHROOM
± 2'-512"
± 2'-0"
1/2"=1'-0"
3 -
24" SINK BASE
3'-1012"
BATHROOM
T-2
TOWEL BAR SEE INTERIOR SELECTIONS
ISLAND
1/2"=1'-0"
112" FILLER
SHOWER WALL TILE
8'-0" BATHROOM CEILING
30" RANGE
80"
T-2
1 -
30" BASE CABINET
4" BACKSPLASH
FILLER
SHOWER WALL TILE
R SE S
3"
C L
SLIDING GLASS SHOWER ENCLOSURE; SEE INTERIOR SELECTIONS
36"
KITCHEN SOFFIT 10'-0" A.F.F.
REFRIGERATOR NICHE 8'-2" A.F.F.
QUARTZ COUNTERTOPS, TYP.
36" H. VANITY
30" WALL CABINET
24" WALL CABINET
30" WALL CABINET
17"
DOOR TO BATHROOM
TILE BACKSPLASH T-6
TILE BACKSPLASH T-6
DOOR TO BEDROOM BEYOND
36"
KITCHEN SOFFIT 10'-0" A.F.F.
REFRIGERATOR NICHE 8'-2" A.F.F.
8'-0"
5'-612"
REFRIGERATOR NICHE
6'-0"
DOOR TO COAT CLOSET
1" CLEAR
42"
24"
2'-0"
24" DEEP
KITCHEN SOFFIT 10'-0" A.F.F.
30" RANGE
1'-0"
30" WALL CABINET
18"
-3
DOOR TO BEDROOM BEYOND
FINISH PANEL
8'-0" BATHROOM CEILING
WER R TILE
TILE BACKSPLASH T-6
T-2 SLIDING GLASS SHOWER ENCLOSURE; SEE INTERIOR SELECTIONS
E WITH
TILE BACKSPLASH T-6
FINISH PANEL
FILLER
30" BASE CABINET
30" RANGE
24" DRAWERS
30" BASE CABINET
2"
9'-1112"
5 -
Unit #3 Floors 2-7 1/2"=1'-0"
1 -
Unit #3 Floors 2-7 1/2"=1'-0"
KITCHEN
KITCHEN
27
U
1/
POOL HAUS
29
AXIS ARRANGEMENT
CIRCULATION
Located on the property that is currently Filson Park in Cincinnati, the Pool Haus is to be a public amenity consisting of a series of pools, saunas, and plunge pools, as well as various levels of public and private spaces for lounging. The project is most simply organized into two elongated platforms, one public and one private, which overlap in the middle where the path turns the corner around the screen of trees and descends into the more peaceful, isolated woods. Once beyond this point, the user is free to wander the open paths and to use any of the amenities or spaces in any order they please. There are lounges hidden behind walls and partial screens for extra privacy, or spaces to lay out by the pool, and several options of saunas with nearby plunge pools, all open to one another but shroudned from the public eye by the cover of nature.
POOL HAUS
31
As an experience heavily influenced by the interaction with nature, the tectonics of the structure also needed to emphasize this connection. I began with the idea of emphasizing the existing site and its topography through a repeating tectonic element at each location, leaning into or protruding from the land so as to draw attention to the structure and how it connects to the ground, to the rest of the structure, and to the sky. I explored in a more diagrammatic way these relationships through some section models, which used more expressive materials to push the limits of the tectonic. Here, I examined the juxtaposition of the massive land and light structure I had previously designed, and imagined how that relationship could be reversed, and what else it revealed about the relative densities of spaces in the project.
POOL HAUS
33
0
8
16
24 FEET
G 90
91
92
94
93
1 A610
96
95
1 A475
3 A475
2 A450
98
97
99
1 A611
G
?
- 1 1/4"
8"
5M S1 06 A
PAT. 1'5-MS105 - 7ROOM 1/2"
TLT 5-MS1085 ?
MS 10 8A
ROOM 10"PAT. 5-MS107
6" 6"
3A 1 A613
TLT 5-MS111
?
5M S1
A 16 S1 5M ?
14 A GUEST CHAIRS HANGING ON HOOK
PAT. ROOM 5-MS113
PAT. ROOM 5-MS110
?
4A 5MS120A ?
HO
5-MS121 A
4' - 8"
5MS162A ?
11
CORRIDOR 5-MS171
TV - 55"
3A
4A
PHARMACIST 5-MS122
21 PREFABRICATED S1 5M CASEWORK ? COORD. WITH VENDOR DRAWINGS
11
2 A476 3A
OVERHEAD CABINET TLT
5M S1 19 A
3A
CUBICLE CURTAIN TRACK
WALL CLOCK
3A
5 ? MS1 24
ALCOVE 5-MS127
PAT. ROOM 5-MS123 F1
F
1 1
STAIR 5-ST101
A 26 S1 5M ?
A
7A
STOR 5-MS174
TLT 5-MS126
TLT 5-MS124
PAT. ROOM 5-MS120
PAT. ROOM 5-MS118
PAT. ROOM 5-MS115
4A
CR
HO 5MS171A 20 MIN 4A
SLOPED TOP
TLT 5-MS119
TLT 5-MS116
TLT 5-MS114
A 11 S1 FOLDING 5M ?
CRASH CART 5-MS117
5MS115A ?
5MS113A ?
ALCOVE 5-MS112
CLEAN EQ 5-MS134
5MS129A ?
A ROOM PAT. 5-MS125
3 A476
VENDOR #5
PTS
3A CORRIDOR 5-MS170
EQ
5MS118A ?
5MS140B C45
5A
1
PB
MECHANICAL 5-ME100
5-MS172 CR
SLOPED TOP 1
PATIENT WARDROBE CABINET
P.O.S. TLT 5-MS129
PREFABRICATED CASEWORK COORD. WITH VENDOR DRAWINGS
P.O.S. PAT. ROOM 5-MS128
SINK WITH APRON PREFABRICATED CASEWORK COORD. WITH VENDOR DRAWINGS
FIFTH FLOOR NOTED PLAN 8
ACC. PAT. ROOM HEADWALL
6
16
LEGEND
0
1
2
1 WALL LEGEND
NOTED PLAN GENERAL NOTES 1 2
PREFAB CASEWORK BY OFS
0
6 FEET
4
3 4 5 6 7
1
2 A475
4 A701
WALL LEGEND
6 FEET
4
EXISTING CONSTRUCTION
REFER TO THE G150 SERIES SHEETS FOR PARTITION TYPES AND DETAILS 1A 1B
2A 2B 2P 2X 2Ai 2Bi
NON-RATED PARTITION
NON-RATED PARTITION
NON-RATED SOUND PARTITION
NON-RATED SOUND PARTITION
4A 4B
SMOKE BARRIER (1-HR FIRE RATING REQ'D)
NON-RATED SMOKE TIGHT PARTITION SMOKE BARRIER (1 HOUR FIRE RESISTANCE RATING REQUIRED) 1 HOUR FIRE PARTITION
5A 5B
1 HOUR FIRE BARRIER
1 HOUR FIRE AND SMOKE BARRIER
6A 6B
1 HOUR FIRE AND SMOKE BARRIER
1 HOUR SHAFT WALL
7A 7B
2 HOUR FIRE BARRIER
2 HOUR SHAFT WALL
3A 3B 3Ai 3Bi
5' - 5"
8
2
NEW CONSTRUCTION
REFER TO SHEET G100 FOR CODE REVIEW DATA. ALL COLUMN FURR-OUTS TO BE HELD TIGHT TO COLUMNS, UNLESS OTHERWISE NOTED. CENTER ALL CROSS-CORRIDOR DOORS. PATCH AND REPAIR EXISTING WALLS AS REQUIRED. PROVIDE BACKING ON WALLS IN C.U./ P.O.U. 5-MSxxx TO SUPPORT STORAGE BINS. COORDINATE LOCATIONS WITH QUANTUM MEDICAL VENDOR DRAWINGS, REFER TO 11/A550 CENTER ALL MONITORS AND TRACKERS ON WALL, UNLESS OTHERWISE NOTED. TDR 5-MSxxx: ALL WALLS TO RECEIVE 3/4'' FIRE RETARDANT PLYWOOD OVER GYPSUM BOARD. REFER TO T302 FOR ADDITIONAL INFORMATION. ALL WALLS ARE TYPE 2A, UNLESS OTHERWISE NOTED.
BASE
ACC. PAT. ROOM. HEADWALL
7
24 FEET
1 A612 RUBBER
VENDOR #2 OFS INFORMATION
0
8 A611
NON-RATED SMOKE TIGHT PARTITION
2 HOUR FIRE PARTITION
2 HOUR FIRE AND SMOKE BARRIER
8A 8B
2 HOUR FIRE AND SMOKE BARRIER
1 HOUR SHAFT WALL
9S
CMU WALL - REFER TO PLAN FOR RATING AND PARTITION TYPE FOR DETAIL
2 HOUR SHAFT WALL
10S 10SE
VENDOR INFO
PATIENT BED RUBBER BASE
10"
C
2' - 0"
10"
5 2' A751
5" 5"
N.S. 5-MS136
5MS131A CORRIDOR ?
STAFF LOUNGE 5-MS131
INFORMATION
TLT 1' - 6" 5-MS106
D.5
10 1/2" 6"
CR
PROXIMITY CABINET
3A
3A
2A
5
2 A600
VENDOR #4
1' - 6"
5"
ALCOVE 5-MS109
CR
5MS138A ?
STAFF TLT 5-MS132
ELEV. LOBBY 5-MS166
INFORMATION
5" 5"
4' - 5 5/8"
2A NOUR. 5-MS138
5A
5MS110A ?
ELEV. #5 5-EL005
EQUIP. STOR. 5-MS140
3A AUTO 3A 3A 3A
3" 3"
3A
5MS107A ?
1 A600
CR
1' - 3"
I
8"
AUTO 5MS170A 3A ?
5MS105A ?
ELEV. #6 5-EL006
CENTERLINE OF BED
5MS101A ?
HSKPG 5-MS101
10' - 0 81/256"
WAITING 5-MS100
1 A476
ELEC 5-ME101
3A 5ME101A ?
7A
5MS103A B90
PUB. TLT 5-MS102
5A
5MS160A ?
4A
1 3A 5A
ALCOVE 5-MS173
6 FEET
NURSE MGR. OFFICE 5-MS133
5MS166A ?
AXON. ACC. PATIENT ROOM
VENDOR #3
3A
4 DICTATION 5-MS135
4"
11 11
VENDOR #1 STERIS CORPORATION INFORMATION
2
5 A750
11
CORRIDOR 5-MS167
5ST101A B90
1
N.S. 5-MS137
CR
HO
ELEV. #4
5ME100A ?
0
5MS139A ?
1
5MS165A ?
ACC. TLT 5-MS165
5MS174A ?
MEDS 5-MS139
5A
4A
2A
6 FEET
4
5A
4
ACC. PAT. ROOM 5-MS164
ACC. TLT 5-MS163
5MS125A ?
2
5MS157A ?
ACC. TLT. ELEVATION 20 MIN
3A
CORRIDOR 5-MS168
3A
HO 5MS167A
5MS163A ?
5MS132A ?
5A
ALCOVE 5-MS159
5MS133A ?
CR
A 61 S1 5M
TLT ? 5-MS161
TLT 5-MS158
5MS155A ?
5MS152A ?
ALCOVE 5-MS154
5M S1 58 A
5MS123A ?
5ST100A B90
1
SOILED HOLD 5-MS141
7A
COMM 5-MS103
E
D1
EYEWASH 5A CR5A CORRIDOR 5-MS169
5A
5MS102A ?
1 A450
0
5MS104A ?
5A
MULTI-PURPOSE/ CONSULTATION 5-MS104
CR
?
5MS134A C45
6 FEET
4
DN
6A 15 MS
TLT 5 ? 5-MS156
TLT 5-MS153
ACC. TLT. ELEVATION
5A
5MS140A C45
2
1 STAIR 5-ST100
2 A700
ALCOVE 5-MS149
5M S1 53 A
3A
5MS141A ?
0
F
5MS147A ?
5MS145A ?
?
?
TLT ? 5-MS151
3A
3
ANTE 5-MS142 5MS142A
A 51 S1 5M
5M S1 48 A
TLT 5-MS148
1' - 4"
2
F.7
5MS142B ?
A 43
ACC. TLT. ELEVATION 3 A450
?
TLT 5 ? 5-MS146
5MS144A ?
5MS150A ?
6A 14 MS
ACC. TLT 5-MS144
ACC. PAT. ROOM 5-MS162
INFORMATION
PAT. ROOM 5-MS160
PAT. ROOM 5-MS157
5MS164A ?
PAT. ROOM 5-MS155
PAT. ROOM 5-MS152
5MS128A ?
PAT. ROOM 5-MS150
PAT. ROOM 5-MS147
7' - 9"
PAT. ROOM 5-MS145
4' - 8"
ISOL. PAT. ROOM 5-MS143
F.7
S1 5M ?
N
KE SUBCONTRACTOR TBD INFORMATION
WALL TO BE DEMOLISHED
0
6 FEET
1
2
4
6 FEET
8"
PATIENT WARDROBE CABINET
7' - 9"
PREFABRICATED CASEWORK COORD. WITH VENDOR DRAWINGS
F1
F
A
PREFABRICATED CASEWORK COORD. WITH VENDOR DRAWINGS
5" 5"
10 1/2" 6"
1' - 6"
2' - 1 1/4"
1' - 6"
1' - 7 1/2"
5" 5"
6" 6"
8"
10"
10"
SINK WITH APRON PREFABRICATED CASEWORK COORD. WITH VENDOR DRAWINGS
A
12
TYPICAL PAT. ROOM FOOTWALL 0
1
2
4
6 FEET
PROXIMITY CABINET
PATIENT BED RUBBER BASE
13
TYPICAL PAT. ROOM HEADWALL 0
1
2
4
INFORMATION
OVERHEAD CABINET
5"
10"
FOLDING GUEST CHAIRS HANGING ON HOOK
4' - 5 5/8"
HCA CONSTRUCTION MANAGER: MICHAEL WHITE
SLOPED TOP
SLOPED TOP
GENERAL CONTRACTOR
TV - 55"
WALL CLOCK
CONSTRUCTION INFO
CL
SUBCONTRACTOR TBD INFORMATION
1' - 4"
CUBICLE CURTAIN TRACK
HCA DESIGN MANAGER: MIKAL MALIK
4
AXON. TYPICAL PATIENT ROOM
3" 3"
2
11
1' - 3"
1
TYP. TLT. ELEVATION
1' - 4"
0
10
SUBCONTRACTOR TBD INFORMATION
TYP. TLT. ELEVATION
2' - 0"
9
CENTERLINE OF BED
4' - 8"
SUBCONTRACTOR TBD INFORMATION
4' - 8"
COPYRIGHT © 2020 TMPARTNERS PLLC, ALL RIGHTS RESERVED. UNAUTHORIZED COPYING, SCANNING, PR
7' - 1"
WALL
PENTHOUSE
6 FEET
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HOSPITAL
This is the main project I was involved with during my co-op at TMPartners, a two story expansion of an existing hospital to create a new floor for storage of supplies and a new med/ surg patient room floor. I worked mostly in the drawing sets: adding details, filling out sheets, and keeping the specific needs of the client updated per meetings I would attend. I also attended several design charrette meetings for the project, focusing mainly on creating interest with extruded sections of the otherwise uniform facades and by incorporates elements from another, newer section of the hospital into the prominent stair tower. I created sketches of the stair tower for these meetings to discuss, and modeled the final decided upon form in the Revit model.
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MULTI-UNIT
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UNIT CLUSTERING STUDIES
CLUSTER STACKING STUDIES
Designing this multi-unit dwelling in Cincinnati, on the border of the West End and Over the Rhine, began with studies of clustering of units, and how shared spaces could be arranged and utilized. From the strongest of these iterations, I took the strategies of centralized, interspersed common rooms and the arrangement of grouped units organized around two circulation cores. Keeping in mind the context of the city and the typical residents of buildings like these in Cincinnati, I chose to include only studio and 1-bedroom apartments in the building, keeping square footages and individual costs low for young and likely single working professionals in the city.
GROUPED UNITS CIRCULATION GATHERING SPACES
MULTI-UNIT
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SOUTHEAST AXON [FRONT FAÇADE]
WINDOW SHADING STRATEGIES NW
NW
LOUVERED SYSTEM
NW
BALCONY OVERHANG SE
ROOF OVERHANG SE
SE
NORTHWEST AXON [BACK FAÇADE]
The building forms around a large central courtyard to allow more light into units and outdoor space for residents. Time outside is also encouraged by many opportunities of rooftops and balconies, some shared by units and some open the the entire building. Keeping in mind the cost and the appeal to young professionals of a green, efficient building, the form incorporates several strategies of shading of the windows to reduce heat gain, especially in the summer months.
MULTI-UNIT
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N N
N
TYPICAL FLOOR PLAN
UNIT A - STUDIO
UNIT B - 1 BEDROOM
UNIT C - 1 BEDROOM, CORNER
MULTI-UNIT
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THANK YOU JAELYNN TIBBITTS