Skip to main content

Student Architecture Portfolio

Page 1

JAELYNN TIBBITTS

ARCHITECTURE PORTFOLIO


TABLE OF CONTENTS


5

RESUME

6

ROW HOUSE

14

WAREHOUSE

16

KING RECORDS

26

APARTMENTS

28

POOL HAUS

34

HOSPITAL

36

MULTI-UNIT


RESUME

tibbitjk@mail.uc.edu (614) 284-0996


EDUCATION

SKILLS

UNIVERSITY OF CINCINNATI

ADOBE SUITE

CINCINNATI, OH

AUTOCAD

College of Design, Architecture, Art, and Planning Bachelor of Science in Architecture Graduation: May 2021 University Honors Program Cincinnatus Excellence Scholarship Dean’s List

ENSCAPE REVIT RHINO SKETCHUP

EXPERIENCE TMPARTNERS NASHVILLE, TN • SUMMER 2020 Architecture Co-op

Set up drawings and modeled in Revit. Participated in design charrettes. Attended regular meetings with clients and consultants. Coordinated typical details with the client manager. Assisted interior designers with rendered floor plans and material boards. Organized project proposal templates.

DRAWING DEPT CINCINNATI, OH • FALL 2019 Architecture Co-op

Drafted construction document pages and updated drawings based on consultant drawings and general red lines. Made SketchUp models of various projects to create interior views for consultants and clients. Made graphics and organized photographs for submissions to the Cincinnati Design Awards.

JACKSON LILES ARCHITECTURE SAN FRANCISCO, CA • SPRING 2019 Architecture Co-op

Made adjustments to Revit models and sheets for construction drawing sets. Created views and color schemes for client presentation sets. Created Revit models based on field measurements of new potential sites. Ordered sample materials from brand representatives. Prepared presentation boards and sample boxes for client meetings.

CESO, INC. COLUMBUS, OH • SUMMER 2018 Civil Engineering Co-op

Worked on the civil engineering commercial team. Drafted construction documents in AutoCAD. Created preliminary site plans for a variety of clients, working mainly to create drive aisles and parking to meet jurisdiction requirements. Did due diligence research for new projects that included finding information about the jurisdiction, building and construction permits, and utility location and coordination.


ROW HOUSE


7


1 LIVE

2

WORK

3

GALLERY

1

1 2

2 3

PRIVATE

3 INTERACTIVE


In Cincinnati, a city dense with traditional single-family row houses, this project looked to push the typology of the row house and what it could include. My building explores the idea of live / work, more specifically for those who are artists and maybe sell their work in the nearby neighborhood of Over the Rhine. The basic strategy organizes the work area to the back of the lot, to allow for access if there are employees that may not want to enter through the home. There is an interstitial gallery space that leads into the residential portion of the building. The project incorporates a multi-functional front living room and open stair to encourage moments of interaction and a gradient of public to private space within the home.

SECTION 1

SECTION 2

ROW HOUSE

SECTION 3

9


THIRD FLOOR PLAN

SECOND FLOOR PLAN

FIRST FLOOR PLAN

BASEMENT FLOOR PLAN


The most private spaces, the two bedrooms, are on the top floor. Below is the kitchen, family room, and a raised private study, with a half wall to still maintain views downstairs. The first floor is where the work space is located, which features a loft space with a large glazing wall that fills the entire studio with light. The front entry room can be used as a sitting room by the residents and their guests but also as an informal meeting space for work purposes. The central glass stair is below a skylight, bringing light into the center the long, narrow plan.

ROW HOUSE

11


OLOGIS SAN FRANCISCO GATEWAY

LEVEL 4 - ROOF

3D

LEVEL 3

22'-24'

3D

LEVEL 2

3D

LEVEL 1

24'

3D

22'-24'

tistory Urban Logistics Concept

LT INDUST. MAKER

click on red buttons for links to Plans and 3D

Net Rentable Height Floor Loading Floor Max Parking/ Area (NRA) (ft) (lbs/sf) Configuration Fleet Staging (sf) While working with Jackson Liles Architecture, the majority of my time was spent working on presentation Totals 90' 200-300 886,497

sets for this multi-story industrial warehouse. drawings are all300 from an interactive set we P Level 1 192,091 These24' clr 4' Dock presentation 140 spaces

P Level 2 300 - 24' clr Flat Slab 500 spaces used to show the client and potential214,325 tenants how22'vehicles will move through the structure, how much space

214,723 300 Flat Slab 500 spaces Level 3 22' - 24' clr P tenant 200dock functions Rooftopmay happen 500 spaces clrbasic loading Level 4could - Roofpotentially and parking each have, and16' how within our 243,833 P

Level 1 spaces: proposed layouts.* Additional I helped make changes4,118 to the various layouts in Revit and to keep up with the graphics and Retail 17,406

Maker

color schemes as changes were made almost every day.

PROLOGIS SAN FRANCISCO GATEWAY

PROLOGIS SAN FRANCISCO GATEWAY

DISTRIBUTION LAYOUT

Multistory Urban Logistics Concept

Multistory Urban Logistics Concept

P click here for Plan Key Features

a

b c d e f

Warehouse type space divisible into several units, if desired Long haul truck capacity Tenant controlled staging area Elevated Yard space supports a variety of uses Common vehicle circulation comprised of scissor ramps and common vehicle path Elevators and stairs connecting to main entries

f a

a c

click here for Loading 3D Scenarios

b

e

d

e

b

f

f

click to return

U1

04.26.19

WAREHOUSE


PROLOGIS SAN FRANCISCO GATEWAY

LEVEL 1 - P

Multistory Urban Logistics Concept

3D click he

KIRKWOOD AVE

22'

AREAS (SF)

22' 21'

PARKING

P

PARKING

28'

VEHICLE ENTRY

WAREHOUSE TRUCK COURT PARKING (DEDICAT LIGHT INDUSTRIAL RETAIL NET RENTABLE AR

RETAIL BUILDING SERVICES

CISTERN

VEHICLE EXIT

PARKING

42'

BLDG SERV

COMMON AREA PARKING (GENERA VEHICULAR CIRCUL

TOTAL

CLEAR HEIGHT TRUCK COURT ENTRY/EXIT

TRUCK COURT ENTRY/EXIT

LOADING (THIS L

RANKIN ST

TRUCK

40'

475'

SELBY ST (HWY 280 ABOVE)

125'

85'

DOCK DOOR DRIVE IN DOOR TOTAL

LOBBY

P

SEC

DESIGN VEHICLE 74' TRUCK (OR S

LOBBY FIRE CTRL

FIRE CTRL

P

SEC

15.0 3.0

60'

0.0

OFFICE

OFFICE

4.0

19.5

34'

TYP

180'

30'

WB-67

LEGEND

WAREHOUSE 103,128 SF

LOGISTICS

42'

YARD

34'

RETAIL

LIGHT INDU COMMON

COMMON V 576'

VEHICLE T

32'

RAMP FRO LOADING

LIGHT INDUSTRIAL | MAKER

DOCK

LOADING

GRADE LEV

GRADE LEV DRIVE-IN

MCKINNON AVE

RN

LEVEL 1 - BASE BUILDING

0'

15'

30'

60'

120'

1" = 60'-0"

PROLOGIS SAN FRANCISCO GATEWAY

FLEET MANAGEMENT

4-TENANT YARD LAYOUT

Multistory Urban Logistics Concept

P click here for Plan

P click here for Plan Key Features

Key Features

a b c d e f

c

Bus staging lanes

a

Tenant A space for self-parking

Operations and Office space

b

Tenant B combined space for vehicle staging and storage

Bus maintenance area, light maintenance only

c

Tenant C aisles to marshall fleet

Elevated Yard space supports a variety of uses

d

Tenant D space with tandem layout to arrange fleet for improved access

Common vehicle circulation comprised of scissor ramps and common vehicle path

e

Elevators and stairs connecting to main entries

f

e f

Common vehicle circulation & parking Elevators and stairs connecting to main entires

a

d b

e e

f

c

e

f d

e

click to return

click to return

U2

04.26.19

U8

04.26.19

15


KING RECORDS


17


MUSEUM PRECEDENT STUDIES

FINAL COMMUNITY PRESENTATION

https://youtu.be/_W22OZ7xiqM

https://youtu.be/2OSGHsKgriE

King Records was an independent recording studio in the Evanston neighborhood of Cincinnati from 1943-1975. It is known for its inclusion of both hillbilly music and R&B music at a time when the industry was still mostly segregated, and therefore an instrument in the overlapping of the genres that led to rock and roll. The building it once operated in is now an historic landmark, and in planning to be brought back to life and to honor its history. The project is part of a series of studios exploring the repurposing and refurbishing of this large warehouse site into a unique community space featuring recording studios, performance areas, a cafe, and learning spaces. Working in a group of four, we were to curate and design a museum exhibition telling the story of King Records and of rock and roll within the layout given us from one of last year’s groups. We began by creating videos exploring various aspects of the history and the time period, as well as curation techniques and examples of museums and exhibitions that could inspire us to design in the spirit of rock and roll, opposing tradition and the institution.

KING RECORDS

19


ROCK AND ROLL : A GENRE Highlights the genres and the artists that contributed to the development of rock and roll, from Country and Western to Rhythm and Blues and everything in between. Features spotlights on King artists. Contains interactive elements to more fully immerse into the music.

EVENTS OF THE ERA Contextualizes the previous room of music with key events, including the rise of suburbia culture, the Vietnam War, and the Civil Rights Movement. Features certain areas of protests of these events and the resulting counterculture movement.

MUSIC AS A PROTEST Synthesizes all of the knowledge in a final powerful and interactive room about songs of protest, both then and now. Songs and performance videos and context images are organized by general message. Displays the inherent interconnection of music and current events.

THEMATIC ZONES ANTICIPATION

CHALLENGED

RE-FOCUSED NOSTALGIC

ENERGIZED CURIOUS INTRIGUED

SOMBER

TENSE

DIRECTED EMPOWERED

CIRCULATION

TAKEAWAYS

KING RECORDS

21


Within the first room, about the genre of rock and roll, I created two smaller, separated spaces for more personal reflection on the artists and the circumstances of the time. Especially for younger generations, the originals of many iconic rock and roll songs are not the ones most often recognized or given credit. There are many instances of white artists becoming more popular from songs originally performed by African American artists. The genre of rock and roll itself wouldn’t exist without the appropriation in some cases of R&B music. These interactive displays force the guests to consider this and to maybe learn more about the artists that influenced history’s version of rock and roll.

KING RECORDS

23


I had the opportunity to be involved with multiple stages of this seven story apartment complex in an historic district of Cincinnati during my co-op with Drawing Dept. One of my first tasks was to produce a SketchUp model of a unit to be able to give the project’s interior designer some perspective views to help with choosing finishes and appliances in the bathrooms and kitchens. Later, I was very involved in creating the construction document set, primarily the interior elevations of these key rooms I had previously modeled and how layouts and cabinetry varied by unit.

APARTMENTS


42"

24" 17"

6"

18"

36"

SHOWER WALL TILE

24" DRAWERS

30" BASE CABINET

CABINET NICHE 9'-1112" WITH DOOR BEHIND SHOWER

Unit #3 Floors 2-7

2"

SLIDING GLASS SHOWER ENCLOSURE; SEE INTERIOR SELECTIONS

TOILET PAPER HOLDER SEE INTERIOR SELECTIONS

2 -

KITCHEN

1/2"=1'-0"

MIRROR ATTACHED TO WALL WITH MASTIC; 24" D.W. PROVIDE 3 21" WIDE PAINTED WOOD MOLDING

SHOWER CABINET WALL TILENICHE WITH 36" SINK BASE 18" TRASH DOOR T-2 BEHIND 6'-6"SHOWER

SHOWER FLOOR TILE

SHOWER FLOOR TILE

T-3

T-3

Unit #3 Floors 2-7

21" DRWS.

MIN.

4 -

Unit #3 Floors 3-7 BATHROOM

34" CLEAR MIN.

4 -

Unit #34Floors Unit 3-7 #3 Floors 3-7 -

1/2"=1'-0"

BATHROOM

1/2"=1'-0"

BATHROOM

± 2'-512"

± 2'-0"

1/2"=1'-0"

3 -

24" SINK BASE

3'-1012"

BATHROOM

T-2

TOWEL BAR SEE INTERIOR SELECTIONS

ISLAND

1/2"=1'-0"

112" FILLER

SHOWER WALL TILE

8'-0" BATHROOM CEILING

30" RANGE

80"

T-2

1 -

30" BASE CABINET

4" BACKSPLASH

FILLER

SHOWER WALL TILE

R SE S

3"

C L

SLIDING GLASS SHOWER ENCLOSURE; SEE INTERIOR SELECTIONS

36"

KITCHEN SOFFIT 10'-0" A.F.F.

REFRIGERATOR NICHE 8'-2" A.F.F.

QUARTZ COUNTERTOPS, TYP.

36" H. VANITY

30" WALL CABINET

24" WALL CABINET

30" WALL CABINET

17"

DOOR TO BATHROOM

TILE BACKSPLASH T-6

TILE BACKSPLASH T-6

DOOR TO BEDROOM BEYOND

36"

KITCHEN SOFFIT 10'-0" A.F.F.

REFRIGERATOR NICHE 8'-2" A.F.F.

8'-0"

5'-612"

REFRIGERATOR NICHE

6'-0"

DOOR TO COAT CLOSET

1" CLEAR

42"

24"

2'-0"

24" DEEP

KITCHEN SOFFIT 10'-0" A.F.F.

30" RANGE

1'-0"

30" WALL CABINET

18"

-3

DOOR TO BEDROOM BEYOND

FINISH PANEL

8'-0" BATHROOM CEILING

WER R TILE

TILE BACKSPLASH T-6

T-2 SLIDING GLASS SHOWER ENCLOSURE; SEE INTERIOR SELECTIONS

E WITH

TILE BACKSPLASH T-6

FINISH PANEL

FILLER

30" BASE CABINET

30" RANGE

24" DRAWERS

30" BASE CABINET

2"

9'-1112"

5 -

Unit #3 Floors 2-7 1/2"=1'-0"

1 -

Unit #3 Floors 2-7 1/2"=1'-0"

KITCHEN

KITCHEN

27

U

1/


POOL HAUS


29


AXIS ARRANGEMENT

CIRCULATION

Located on the property that is currently Filson Park in Cincinnati, the Pool Haus is to be a public amenity consisting of a series of pools, saunas, and plunge pools, as well as various levels of public and private spaces for lounging. The project is most simply organized into two elongated platforms, one public and one private, which overlap in the middle where the path turns the corner around the screen of trees and descends into the more peaceful, isolated woods. Once beyond this point, the user is free to wander the open paths and to use any of the amenities or spaces in any order they please. There are lounges hidden behind walls and partial screens for extra privacy, or spaces to lay out by the pool, and several options of saunas with nearby plunge pools, all open to one another but shroudned from the public eye by the cover of nature.

POOL HAUS

31


As an experience heavily influenced by the interaction with nature, the tectonics of the structure also needed to emphasize this connection. I began with the idea of emphasizing the existing site and its topography through a repeating tectonic element at each location, leaning into or protruding from the land so as to draw attention to the structure and how it connects to the ground, to the rest of the structure, and to the sky. I explored in a more diagrammatic way these relationships through some section models, which used more expressive materials to push the limits of the tectonic. Here, I examined the juxtaposition of the massive land and light structure I had previously designed, and imagined how that relationship could be reversed, and what else it revealed about the relative densities of spaces in the project.


POOL HAUS

33


0

8

16

24 FEET

G 90

91

92

94

93

1 A610

96

95

1 A475

3 A475

2 A450

98

97

99

1 A611

G

?

- 1 1/4"

8"

5M S1 06 A

PAT. 1'5-MS105 - 7ROOM 1/2"

TLT 5-MS1085 ?

MS 10 8A

ROOM 10"PAT. 5-MS107

6" 6"

3A 1 A613

TLT 5-MS111

?

5M S1

A 16 S1 5M ?

14 A GUEST CHAIRS HANGING ON HOOK

PAT. ROOM 5-MS113

PAT. ROOM 5-MS110

?

4A 5MS120A ?

HO

5-MS121 A

4' - 8"

5MS162A ?

11

CORRIDOR 5-MS171

TV - 55"

3A

4A

PHARMACIST 5-MS122

21 PREFABRICATED S1 5M CASEWORK ? COORD. WITH VENDOR DRAWINGS

11

2 A476 3A

OVERHEAD CABINET TLT

5M S1 19 A

3A

CUBICLE CURTAIN TRACK

WALL CLOCK

3A

5 ? MS1 24

ALCOVE 5-MS127

PAT. ROOM 5-MS123 F1

F

1 1

STAIR 5-ST101

A 26 S1 5M ?

A

7A

STOR 5-MS174

TLT 5-MS126

TLT 5-MS124

PAT. ROOM 5-MS120

PAT. ROOM 5-MS118

PAT. ROOM 5-MS115

4A

CR

HO 5MS171A 20 MIN 4A

SLOPED TOP

TLT 5-MS119

TLT 5-MS116

TLT 5-MS114

A 11 S1 FOLDING 5M ?

CRASH CART 5-MS117

5MS115A ?

5MS113A ?

ALCOVE 5-MS112

CLEAN EQ 5-MS134

5MS129A ?

A ROOM PAT. 5-MS125

3 A476

VENDOR #5

PTS

3A CORRIDOR 5-MS170

EQ

5MS118A ?

5MS140B C45

5A

1

PB

MECHANICAL 5-ME100

5-MS172 CR

SLOPED TOP 1

PATIENT WARDROBE CABINET

P.O.S. TLT 5-MS129

PREFABRICATED CASEWORK COORD. WITH VENDOR DRAWINGS

P.O.S. PAT. ROOM 5-MS128

SINK WITH APRON PREFABRICATED CASEWORK COORD. WITH VENDOR DRAWINGS

FIFTH FLOOR NOTED PLAN 8

ACC. PAT. ROOM HEADWALL

6

16

LEGEND

0

1

2

1 WALL LEGEND

NOTED PLAN GENERAL NOTES 1 2

PREFAB CASEWORK BY OFS

0

6 FEET

4

3 4 5 6 7

1

2 A475

4 A701

WALL LEGEND

6 FEET

4

EXISTING CONSTRUCTION

REFER TO THE G150 SERIES SHEETS FOR PARTITION TYPES AND DETAILS 1A 1B

2A 2B 2P 2X 2Ai 2Bi

NON-RATED PARTITION

NON-RATED PARTITION

NON-RATED SOUND PARTITION

NON-RATED SOUND PARTITION

4A 4B

SMOKE BARRIER (1-HR FIRE RATING REQ'D)

NON-RATED SMOKE TIGHT PARTITION SMOKE BARRIER (1 HOUR FIRE RESISTANCE RATING REQUIRED) 1 HOUR FIRE PARTITION

5A 5B

1 HOUR FIRE BARRIER

1 HOUR FIRE AND SMOKE BARRIER

6A 6B

1 HOUR FIRE AND SMOKE BARRIER

1 HOUR SHAFT WALL

7A 7B

2 HOUR FIRE BARRIER

2 HOUR SHAFT WALL

3A 3B 3Ai 3Bi

5' - 5"

8

2

NEW CONSTRUCTION

REFER TO SHEET G100 FOR CODE REVIEW DATA. ALL COLUMN FURR-OUTS TO BE HELD TIGHT TO COLUMNS, UNLESS OTHERWISE NOTED. CENTER ALL CROSS-CORRIDOR DOORS. PATCH AND REPAIR EXISTING WALLS AS REQUIRED. PROVIDE BACKING ON WALLS IN C.U./ P.O.U. 5-MSxxx TO SUPPORT STORAGE BINS. COORDINATE LOCATIONS WITH QUANTUM MEDICAL VENDOR DRAWINGS, REFER TO 11/A550 CENTER ALL MONITORS AND TRACKERS ON WALL, UNLESS OTHERWISE NOTED. TDR 5-MSxxx: ALL WALLS TO RECEIVE 3/4'' FIRE RETARDANT PLYWOOD OVER GYPSUM BOARD. REFER TO T302 FOR ADDITIONAL INFORMATION. ALL WALLS ARE TYPE 2A, UNLESS OTHERWISE NOTED.

BASE

ACC. PAT. ROOM. HEADWALL

7

24 FEET

1 A612 RUBBER

VENDOR #2 OFS INFORMATION

0

8 A611

NON-RATED SMOKE TIGHT PARTITION

2 HOUR FIRE PARTITION

2 HOUR FIRE AND SMOKE BARRIER

8A 8B

2 HOUR FIRE AND SMOKE BARRIER

1 HOUR SHAFT WALL

9S

CMU WALL - REFER TO PLAN FOR RATING AND PARTITION TYPE FOR DETAIL

2 HOUR SHAFT WALL

10S 10SE

VENDOR INFO

PATIENT BED RUBBER BASE

10"

C

2' - 0"

10"

5 2' A751

5" 5"

N.S. 5-MS136

5MS131A CORRIDOR ?

STAFF LOUNGE 5-MS131

INFORMATION

TLT 1' - 6" 5-MS106

D.5

10 1/2" 6"

CR

PROXIMITY CABINET

3A

3A

2A

5

2 A600

VENDOR #4

1' - 6"

5"

ALCOVE 5-MS109

CR

5MS138A ?

STAFF TLT 5-MS132

ELEV. LOBBY 5-MS166

INFORMATION

5" 5"

4' - 5 5/8"

2A NOUR. 5-MS138

5A

5MS110A ?

ELEV. #5 5-EL005

EQUIP. STOR. 5-MS140

3A AUTO 3A 3A 3A

3" 3"

3A

5MS107A ?

1 A600

CR

1' - 3"

I

8"

AUTO 5MS170A 3A ?

5MS105A ?

ELEV. #6 5-EL006

CENTERLINE OF BED

5MS101A ?

HSKPG 5-MS101

10' - 0 81/256"

WAITING 5-MS100

1 A476

ELEC 5-ME101

3A 5ME101A ?

7A

5MS103A B90

PUB. TLT 5-MS102

5A

5MS160A ?

4A

1 3A 5A

ALCOVE 5-MS173

6 FEET

NURSE MGR. OFFICE 5-MS133

5MS166A ?

AXON. ACC. PATIENT ROOM

VENDOR #3

3A

4 DICTATION 5-MS135

4"

11 11

VENDOR #1 STERIS CORPORATION INFORMATION

2

5 A750

11

CORRIDOR 5-MS167

5ST101A B90

1

N.S. 5-MS137

CR

HO

ELEV. #4

5ME100A ?

0

5MS139A ?

1

5MS165A ?

ACC. TLT 5-MS165

5MS174A ?

MEDS 5-MS139

5A

4A

2A

6 FEET

4

5A

4

ACC. PAT. ROOM 5-MS164

ACC. TLT 5-MS163

5MS125A ?

2

5MS157A ?

ACC. TLT. ELEVATION 20 MIN

3A

CORRIDOR 5-MS168

3A

HO 5MS167A

5MS163A ?

5MS132A ?

5A

ALCOVE 5-MS159

5MS133A ?

CR

A 61 S1 5M

TLT ? 5-MS161

TLT 5-MS158

5MS155A ?

5MS152A ?

ALCOVE 5-MS154

5M S1 58 A

5MS123A ?

5ST100A B90

1

SOILED HOLD 5-MS141

7A

COMM 5-MS103

E

D1

EYEWASH 5A CR5A CORRIDOR 5-MS169

5A

5MS102A ?

1 A450

0

5MS104A ?

5A

MULTI-PURPOSE/ CONSULTATION 5-MS104

CR

?

5MS134A C45

6 FEET

4

DN

6A 15 MS

TLT 5 ? 5-MS156

TLT 5-MS153

ACC. TLT. ELEVATION

5A

5MS140A C45

2

1 STAIR 5-ST100

2 A700

ALCOVE 5-MS149

5M S1 53 A

3A

5MS141A ?

0

F

5MS147A ?

5MS145A ?

?

?

TLT ? 5-MS151

3A

3

ANTE 5-MS142 5MS142A

A 51 S1 5M

5M S1 48 A

TLT 5-MS148

1' - 4"

2

F.7

5MS142B ?

A 43

ACC. TLT. ELEVATION 3 A450

?

TLT 5 ? 5-MS146

5MS144A ?

5MS150A ?

6A 14 MS

ACC. TLT 5-MS144

ACC. PAT. ROOM 5-MS162

INFORMATION

PAT. ROOM 5-MS160

PAT. ROOM 5-MS157

5MS164A ?

PAT. ROOM 5-MS155

PAT. ROOM 5-MS152

5MS128A ?

PAT. ROOM 5-MS150

PAT. ROOM 5-MS147

7' - 9"

PAT. ROOM 5-MS145

4' - 8"

ISOL. PAT. ROOM 5-MS143

F.7

S1 5M ?

N

KE SUBCONTRACTOR TBD INFORMATION

WALL TO BE DEMOLISHED

0

6 FEET

1

2

4

6 FEET

8"

PATIENT WARDROBE CABINET

7' - 9"

PREFABRICATED CASEWORK COORD. WITH VENDOR DRAWINGS

F1

F

A

PREFABRICATED CASEWORK COORD. WITH VENDOR DRAWINGS

5" 5"

10 1/2" 6"

1' - 6"

2' - 1 1/4"

1' - 6"

1' - 7 1/2"

5" 5"

6" 6"

8"

10"

10"

SINK WITH APRON PREFABRICATED CASEWORK COORD. WITH VENDOR DRAWINGS

A

12

TYPICAL PAT. ROOM FOOTWALL 0

1

2

4

6 FEET

PROXIMITY CABINET

PATIENT BED RUBBER BASE

13

TYPICAL PAT. ROOM HEADWALL 0

1

2

4

INFORMATION

OVERHEAD CABINET

5"

10"

FOLDING GUEST CHAIRS HANGING ON HOOK

4' - 5 5/8"

HCA CONSTRUCTION MANAGER: MICHAEL WHITE

SLOPED TOP

SLOPED TOP

GENERAL CONTRACTOR

TV - 55"

WALL CLOCK

CONSTRUCTION INFO

CL

SUBCONTRACTOR TBD INFORMATION

1' - 4"

CUBICLE CURTAIN TRACK

HCA DESIGN MANAGER: MIKAL MALIK

4

AXON. TYPICAL PATIENT ROOM

3" 3"

2

11

1' - 3"

1

TYP. TLT. ELEVATION

1' - 4"

0

10

SUBCONTRACTOR TBD INFORMATION

TYP. TLT. ELEVATION

2' - 0"

9

CENTERLINE OF BED

4' - 8"

SUBCONTRACTOR TBD INFORMATION

4' - 8"

COPYRIGHT © 2020 TMPARTNERS PLLC, ALL RIGHTS RESERVED. UNAUTHORIZED COPYING, SCANNING, PR

7' - 1"

WALL

PENTHOUSE

6 FEET

COPYRIGHT © 2020 TMPARTNERS PLLC, ALL RIGHTS RESERVED. UNAUTHORIZED COPYING, SCANNING, PRINTING OR DISTRIBUTION IS PROHIBI

HOSPITAL


This is the main project I was involved with during my co-op at TMPartners, a two story expansion of an existing hospital to create a new floor for storage of supplies and a new med/ surg patient room floor. I worked mostly in the drawing sets: adding details, filling out sheets, and keeping the specific needs of the client updated per meetings I would attend. I also attended several design charrette meetings for the project, focusing mainly on creating interest with extruded sections of the otherwise uniform facades and by incorporates elements from another, newer section of the hospital into the prominent stair tower. I created sketches of the stair tower for these meetings to discuss, and modeled the final decided upon form in the Revit model.

35


MULTI-UNIT


37


UNIT CLUSTERING STUDIES

CLUSTER STACKING STUDIES

Designing this multi-unit dwelling in Cincinnati, on the border of the West End and Over the Rhine, began with studies of clustering of units, and how shared spaces could be arranged and utilized. From the strongest of these iterations, I took the strategies of centralized, interspersed common rooms and the arrangement of grouped units organized around two circulation cores. Keeping in mind the context of the city and the typical residents of buildings like these in Cincinnati, I chose to include only studio and 1-bedroom apartments in the building, keeping square footages and individual costs low for young and likely single working professionals in the city.


GROUPED UNITS CIRCULATION GATHERING SPACES

MULTI-UNIT

39


SOUTHEAST AXON [FRONT FAÇADE]

WINDOW SHADING STRATEGIES NW

NW

LOUVERED SYSTEM

NW

BALCONY OVERHANG SE

ROOF OVERHANG SE

SE


NORTHWEST AXON [BACK FAÇADE]

The building forms around a large central courtyard to allow more light into units and outdoor space for residents. Time outside is also encouraged by many opportunities of rooftops and balconies, some shared by units and some open the the entire building. Keeping in mind the cost and the appeal to young professionals of a green, efficient building, the form incorporates several strategies of shading of the windows to reduce heat gain, especially in the summer months.

MULTI-UNIT

41


N N

N

TYPICAL FLOOR PLAN


UNIT A - STUDIO

UNIT B - 1 BEDROOM

UNIT C - 1 BEDROOM, CORNER

MULTI-UNIT

43


THANK YOU JAELYNN TIBBITTS


Turn static files into dynamic content formats.

Create a flipbook
Student Architecture Portfolio by jaelynntibbitts - Issuu