Cinematic Nightmares, Literary Dreams by j4niew4nie

ci n cinematic nightmares, literary e ma dreams tic n ight mares, lit e ra ry dre ams ci n e ma cinematic tic nightmares, literary dreams n ight mares, lit e ra ry dre ci n e matic n ightmares, lite rary dreams ams JANE TESKA

cinematic nightmares, literary dreams

with additional text from georges perec and Anne F. Garréta

cinematic nightmares, literary dreams

pre face

Welcome to Ci n e matic N ightmares, Lite rary Dreams, an exploration of the intersection where horror books and movies come together. This project started with a simple goal in mind:—to encourage a bit more reading and to take a closer look at how some of our favorite scary stories make their way to the big screen. Think of it as a friendly guide, inviting you to rediscover the joy of reading and offering a behind-the-scenes peek at how books can become those movies that keep you up at night. I'm not here to overanalyze every detail or use fancy film jargon. This is about enjoying the excitement of a good story and appreciating the unique relationship between authors and filmmakers. So, whether you're looking to rekindle your love for reading or are just curious about what makes horror movies tick, you're in good company. E njoy!

8 10 12 14 16 20 22 24 26 28 30

The Shining The Exorcist The Silence of the Lambs The Amityville Horror Jaws American Psycho

nightmares literary dreams

cinematic ightmares, literary dreams

The Ring Psycho Children of the Corn

Coraline Rosemary's Baby

Misery

The Thing

The Ritual

type specifications

credits

cinematic

table of cont e nts

Pe rec

8 1. Of Space 1.1. Generalities Generally speaking, one kind of book is put in the room you cook in, the ones known as ‘cookery books’. Books are not dispersed but assembled. Just as we put all the pots of jam into a jam cupboard, so we put all our books into the same place, or into several same places. Even though we want to keep them, we might pile our books away into trunks, put them in the cellar or the attic, or in the bottoms of wardrobes, but we generally prefer them to be visible.

TH E SH I N I NG Written by Stephen King, Stanley Kubrick, and Diane Johnson Directed by Stanley Kubrick Starring Jack Nicholson, Shelly Duvall, and Danny Lloyd 1981 winner of the Saturn Award for the best supporting actor

05.23.80 4.2/5

SYNOPSIS "The Shining" is a psychological horror film directed by Stanley Kubrick, based on Stephen King's novel of the same name. The story revolves around the Torrance family and their descent into madness as they become isolated in the haunted Overlook Hotel during the winter months. Jack Torrance (played by Jack Nicholson) is a struggling writer and recovering alcoholic who takes a job as the winter caretaker of the remote and desolate Overlook Hotel. He moves in with his wife Wendy (played by Shelley Duvall) and their

young son Danny (played by Danny Lloyd). The hotel's chef, Dick Hallorann (played by Scatman Crothers), also possesses the psychic ability known as "the shining," which allows him to communicate telepathically with Danny. As the winter sets in and the family becomes increasingly isolated, the supernatural forces within the hotel begin to manifest. Danny's psychic abilities reveal disturbing visions of the hotel's past and the malevolent spirits that haunt it. The hotel's history is marked by a series of violent and tragic

9 events, and it becomes clear that it has a dark and sinister presence. Jack's mental state deteriorates rapidly, influenced by the malevolent spirits of the hotel. He becomes obsessed with the hotel's history and begins to exhibit violent and erratic behavior. His descent into madness is epitomized by the famous line, "Here's Johnny!" as he threatens his terrified family with an axe.

2 hr 26 min long, but worth every second

Wendy, increasingly fearful for her and Danny's safety, desperately tries to protect her son and escape the hotel's growing horrors. The climax of the film sees a terrifying chase through the snowcovered hedge maze on the hotel's grounds. "The Shining" is a masterclass in psychological horror, with Kubrick's meticulous direction and Jack Nicholson's iconic performance creating a sense of dread that lingers long after the credits roll. It explores themes of isolation, the fragility of the human mind, and the idea that evil can reside not only in external forces but within ourselves. The film's haunting imagery and unforgettable moments have made it a classic in the horror genre, leaving audiences questioning what is real and what is the product of a tortured mind.

4.5/5 a classic in horror, rewatch this every year, "the suspense element builds nicely throughout the movie."

i f we're be i ng hon est.

“ALL WORK AND NO PLAY MAKES JACK A DULL BOY.”

2 hr 2 min getting a little antsy halfway through

“Mrs. MacNeil, the problem with your f we're daughter ibe i ng is not her hon est. bed; it’s her brain.” 3.5/5 outdated, but was super scary when it first came out. full of horror and tragedy.

TH E EXORCIST Written by William Peter Blatty Directed by William Friedkin Starring Ellen Burstyn, Max von Sydow, and Linda Blair 1974 Oscar winner for Best Writing, Screenplay Based on Material from Another Medium and 1974 Oscar winner for Best Sound

4/5

SYNOPSIS “The Exorcist” is a classic supernatural horror film directed by William Friedkin, based on the novel of the same name by William Peter Blatty. The story follows a mother’s desperate quest to save her possessed daughter from the clutches of evil and the intervention of two determined priests. The film is set in Georgetown, Washington, D.C., and centers around the MacNeil family. Actress Chris MacNeil (played by Ellen Burstyn) becomes increasingly concerned when her 12-year-old daughter Regan (played by Linda Blair) exhibits bizarre and violent behavior. Medical professionals are unable to explain or treat Regan’s condition, and Chris is at her wit’s end. Desperate for answers, Chris turns to Father Damien Karras (played by Jason Miller), a young priest who is also a psychiatrist, for help. Karras is struggling with his own faith and personal demons but is ultimately persuaded to investigate

Regan’s case. Together with Father Lankester Merrin (played by Max von Sydow), an experienced exorcist, they confront the disturbing reality that Regan is possessed by a powerful and malevolent demonic entity. As the exorcism ritual begins, the two priests face the horrors of the supernatural, testing their faith and courage. The film explores themes of good versus evil, the power of faith, and the human capacity to confront unimaginable terror. “The Exorcist” is renowned for its shocking and disturbing scenes, including Regan’s infamous head-spinning and projectile vomiting. It is a harrowing journey into the darkest realms of the human psyche, leaving audiences on the edge of their seats. The film’s unrelenting terror and powerful performances have made it a timeless classic and one of the most iconic and influential horror movies of all time.

Pe rec

12.26.73

1. Of Space

1.1. Generalities

In practice, books are most often arranged one beside the other, along a wall or division, on rectilinear supports, parallel with one another, neither too deep nor too far apart. Books are arranged - usually - standing on end and in such a way that the title printed on the sine of the work can be seen (sometimes, as in bookshop windows, the cover of the books is displayed, but it is unusual, proscribed and nearly always considered shocking to have only the edge of the book on show). In current room layouts, the library is known as an ‘area’ for books. This, most often, is a module belonging as a whole to the ‘living-room’, which likewise contains a drop-leaf drinks cabinet drop-leaf writing desk two-door dresser hi-fi unit television console slide projector display cabinet etc.

and is offered in catalogues adorned with a few false bindings. In practice books can be assembled just about anywhere.

Pe rec

12 1. Of Space 1.2. Rooms where books may be put in the entrance hall in the sitting room in the bedroom(s) in the bogthem to be visible. Generally speaking, one kind of book is put in the room you cook in, the ones known as ‘cookery books’. It is extremely rare to find books in a bathroom, even though for many people this is a favourite place to read in. The surrounding humidity is unanimously considered a prime enemy of the conservation of printed texts. At the most, you may find in a bathroom a medicine cupboard and in the medicine cupboard a small work entitled What to do before the doctor gets there.

TH E Si le nce of th e lam bs Written by Thomas Harris and Ted Tally Directed by Jonathan Demme Starring Jodie Foster, Anthony Hopkins, and Lawrence A. Bonney 1992 Oscar winner for Best Picture, Best Actor in a Leading Role, Best Actress in a Leading Role, Best Director, and Best Writing, Screenplay Based on Material Previously Produced or Published

02.14.91 4.3/5

SYNOPSIS “The Silence of the Lambs” is a gripping psychological thriller directed by Jonathan Demme, based on Thomas Harris’s novel of the same name. The film introduces audiences to the chilling world of serial killers and the pursuit of justice through the eyes of two compelling characters: FBI trainee Clarice Starling and the brilliant but monstrous Dr. Hannibal Lecter. The story begins when Clarice Starling (played by Jodie Foster), a talented but inexperienced FBI trainee, is assigned to interview the brilliant and incarcerated psychiatrist, Dr. Hannibal Lecter (played by Anthony Hopkins). The reason for this meeting is to gain insights into the mind of a serial killer known as Buffalo Bill (played by Ted Levine),

who skins his victims. Clarice hopes that Lecter’s expertise can help them capture this elusive and sadistic murderer. As Clarice delves deeper into her investigation, she faces the gruesome and macabre world of Buffalo Bill. Her encounters with the madman become increasingly intense, leading to a climactic confrontation. Meanwhile, her interactions with Dr. Lecter are a delicate dance of wits, as he helps her, in exchange for details about her own painful past. The film explores themes of psychological manipulation, the blurred lines between good and evil, and the enduring trauma that can shape individuals. It also delves into the disturbing

13 psychology of the characters, with Anthony Hopkins delivering a chilling and iconic performance as Dr. Hannibal Lecter. “The Silence of the Lambs” is a riveting thriller that keeps viewers on the edge of their seats, combining elements of horror, crime, and psychological drama. The film’s suspenseful storytelling and memorable characters have made it a classic in the genre and earned it critical acclaim, including five Academy Awards, including Best Picture. It remains a cinematic masterpiece that continues to captivate and terrify audiences. psychology of the characters, with Anthony Hopkins delivering a chilling and iconic performance as Dr. Hannibal Lecter.

4.5/5 amazing blend of being a psychological crime thriller and horror film, so much suspense.

i f we're be i ng hon est.

“Well, Clarice have the lambs stopped screaming?”

1 hr 58 min on the edge of my seat the whole time

i f we're be i ng hon est.

3/5

“Find the well. It’s the passage to Hell!” 1 hr 57 min yawn.. pretty outdated movie

cool that it's based on true events, but not very well written. dull & a slowburn.

Th e Am ityvi lle Horror Written by Sandor Stern, Jay Anson, and George Lutz Directed by Stuart Rosenberg Starring James Brolin, Margot Kidder, and Rod Steiger 1980 Saturn Nominee for Best Horror Film

3.1/5

SYNOPSIS “The Amityville Horror” is a chilling horror film directed by Stuart Rosenberg, based on the book by Jay Anson, which in turn was inspired by the alleged true events that took place in the Lutz family’s new home at 112 Ocean Avenue in Amityville, New York. The story begins with the Lutz family, comprised of newlyweds George (played by James Brolin) and Kathy (played by Margot Kidder), along with Kathy’s three children from a previous marriage. The family purchases a seemingly idyllic Dutch colonial house in Amityville, unaware of the house’s dark history. A year earlier, a gruesome mass murder took place there, when Ronald DeFeo Jr. killed his family. Soon after moving in, the Lutz family begins to experience a series of unexplained and terrifying supernatural occurrences. George becomes increasingly obsessed with the house, while Kathy and the children are subjected to frightening and violent paranormal events. As the disturbances escalate, it becomes clear that a malevolent and

demonic presence inhabits the home, driving the family to the brink of insanity. George, in particular, is significantly affected, his personality changing dramatically as he becomes more aggressive and unhinged. The family seeks the help of a local priest, Father Delaney (played by Rod Steiger), who attempts to confront the evil force within the house, but is met with a terrifying and powerful resistance. “The Amityville Horror” is a tale of a family’s harrowing ordeal as they grapple with the supernatural forces of evil that haunt their home. The film explores themes of possession, the fragility of the human psyche, and the idea that certain places can be tainted by the events of the past. The movie’s dark atmosphere and unsettling events make it a classic in the horror genre, and it remains one of the most iconic haunted house stories in cinematic history.

1.3. Places in a room where books can be arranged On the shelves of fireplaces or over radiators (it may be thought, even so, that heat may, in the long run, prove somewhat harmful), between two windows, in the embrasure of an unused door, on the steps of a library ladder, making this unusable (very chic), underneath a window, on a piece of furniture set at an angle and dividing the room into two (very chic, creates an even better effect with a few pot-plants).

Pe rec

07.24.79

1. Of Space

Pe rec

16 1. Of Space 1.4 Things which aren’t books but are often met with in libraries Photographs in gilded brass frames, small engravings, pen and ink drawings, dried flowers in stemmed glasses, matchboxholders containing, or not, chemical matches (dangerous), lead soldiers, a photograph of Ernest Renan in his study at the Collége de France,* postcards, dolls’ eyes, tins, packets of salt, pepper and mustard from Lufthansa, letter-scales, picture hooks, marbles, pipe-cleaners, scale models of vintage cars, multicoloured pebbles and gravel, ex-votos, springs.

JAWS Written by Peter Benchley and Carl Gottlieb Directed by Steven Spielberg Starring Roy Scheider, Robert Shaw, and Richard Dreyfuss 1976 Oscar Winner for Best Sound, Best Film Editing, and Best Music, Original Dramatic Score

06.20.75 4/5

SYNOPSIS “Jaws” is a thrilling summer blockbuster film directed by Steven Spielberg, based on Peter Benchley’s novel of the same name. The movie is a gripping tale of suspense and terror, set in the idyllic coastal town of Amity Island, where a maneating great white shark terrorizes beachgoers and threatens to turn the summer season into a nightmare. The story centers around Police Chief Martin Brody (played by Roy Scheider), who is tasked with maintaining law and order on the picturesque Amity Island. However, the island’s tranquility is shattered when the first in a series of gruesome shark attacks occurs. In response, Mayor Larry Vaughn (played by Murray Hamilton) is hesitant to take action, fearing that closing the beaches will harm the town’s tourist-dependent economy. As the attacks continue, Chief Brody, along with marine biologist Matt Hooper (played by Richard

Dreyfuss) and the seasoned shark hunter Quint (played by Robert Shaw), embark on a dangerous mission to hunt down the enormous great white shark responsible for the carnage. The trio faces perilous encounters with the relentless predator, and their journey becomes a battle of wits, courage, and survival. “Jaws” is a masterful blend of suspense, horror, and adventure. It explores themes of man’s struggle against nature, the consequences of hubris, and the fear that lurks beneath the surface. The film is famous for its iconic theme music composed by John Williams, which has become synonymous with impending danger. “Jaws” is celebrated for its pioneering use of suspense and special effects, setting a high bar for the modern blockbuster and earning its place in cinematic history. It remains a timeless classic that continues to captivate audiences of all generations.

5/5 could watch this a million times even though i know what happens every time, theme song is a classic.

i f we're be i ng hon est.

“You’re gonna need a bigger boat.” 2 hr 4 min dying to know how it will end

i f we're be i ng hon est.

3/5 christian bale nailed the role, a little unserious at times despite its nature, unsatisfying ending.

“I like to dissect girls. Did you know I’m utterly insane?” 1 hr 42 min theorizing before during and after

AM E RICAN PSYCHO Written by Brett easton ellis, mary harron, and guinevere turner Directed by mary harron Starring christian bale, justin theroux, and josh lucas 2001 ihg award winner for best movie

2.3/5

SYNOPSIS “American Psycho” is a dark and satirical psychological thriller directed by Mary Harron, based on Bret Easton Ellis’s controversial novel. The film takes a disturbing and sardonic look at the life of Patrick Bateman, a wealthy New York investment banker who leads a double life as a sadistic and psychopathic serial killer. Patrick Bateman (played by Christian Bale) appears to be the embodiment of the yuppie culture of the 1980s, with his designer suits, impeccable grooming, and obsession with materialism. He is surrounded by a circle of similarly affluent and shallow friends and colleagues. However, beneath his polished exterior, Bateman is a man plagued by violent, homicidal impulses. As Bateman’s violent tendencies escalate, he becomes a cold-blooded murderer, targeting strangers and acquaintances alike. He engages in gruesome acts of violence and torture, all while maintaining his façade of a successful and

charming Wall Street executive. The film blurs the lines between Bateman’s twisted reality and his delusions, leaving the audience to question the extent of his murderous acts and whether they are all in his mind. Throughout the film, Bateman’s dark psyche is explored, and his descent into madness is intertwined with scathing social commentary on the shallowness and materialism of the consumerdriven society of the time. “American Psycho” is a disturbing and thoughtprovoking exploration of a psychopath’s mind and a biting critique of the excesses of the 1980s. Christian Bale’s mesmerizing and chilling performance as Patrick Bateman, combined with the film’s satirical tone, makes it a disturbing yet darkly humorous work of cinema. It challenges viewers to confront the moral decay that can hide beneath the veneer of wealth and success.

A library that is not arranged becomes disarranged: this is the example I was given to try and get me to understand what entropy was and which I have several times verified experimentally. Disorder in a library is not serious in itself; it ranks with ‘Which drawer did I put my socks in?’. We always think we shall know instinctively where we have put such and such a book. And even if we don’t know, it will never be difficult to go rapidly along all the shelves. Opposed to this apologia for a sympathetic disorder is the smallminded temptation towards an individual bureaucracy: one thing for each place and each place for its one thing, and vice versa. Between these two tensions, one which sets a premium on letting things be, on a good-natured anarchy, the other that exalts the virtues of the tabula rasa, the cold efficiency of the great arranging, one always ends by trying to set one’s books in order. This is a trying, depressing operation, but one liable to produce pleasant surprises, such as coming upon a book you had forgotten because you could no longer see it and which, putting off until tomorrow what you won’t do today, you finally re-devour lying face down on you bed.

Pe rec

04.14.00

2. Of Order

Pe rec

20 2. Of Order 2.1. Ways of arranging books ordered alphabetically ordered by continent or country ordered by colour ordered by date of acquisition ordered by date of publication ordered by format ordered by genre ordered by major periods of literary history ordered by language ordered by priority for future reading ordered by binding ordered by series

Th e ri ng Written by Ehren Kruger, Kôji Suzuki, and Hiroshi Takahashi Directed by Gore Verbinski Starring Naomi Watts, Martin Henderson, and Brian Cox 2003 Saturn Award winner for Best Horror film and Best Actress

10.18.02 3.5/5

SYNOPSIS “The Ring” is a chilling supernatural horror film directed by Gore Verbinski, based on the Japanese film “Ringu.” The story follows a journalist’s quest to unravel the mystery behind a cursed videotape, which is said to bring death to anyone who watches it within seven days. The film centers around Rachel Keller (played by Naomi Watts), a journalist who stumbles upon a mysterious and ominous urban legend concerning a cursed videotape. After her niece’s sudden and inexplicable death, Rachel learns that her niece and her friends had all watched this disturbing

videotape a week before their deaths. Intrigued and concerned for her own son, Aidan (played by David Dorfman), who watched the tape, Rachel decides to investigate. The cursed videotape is filled with bizarre, surreal, and unsettling images. As Rachel delves deeper into the mystery, she discovers that anyone who watches the tape receives a phone call warning them of their impending death in seven days. To save her own life and her son’s, Rachel must uncover the truth behind the tape’s origin and break the curse.

21 As Rachel races against time, she uncovers a tragic and horrifying backstory connected to a young girl named Samara, whose life was filled with torment and supernatural powers. The film’s tension mounts as she strives to lift the curse while confronting Samara’s vengeful spirit. “The Ring” is a masterfully crafted horror film known for its suspenseful atmosphere, eerie visuals, and hair-raising moments. The film delves into themes of supernatural curses, urban legends, and the enduring power of malevolent spirits. Naomi Watts delivers a compelling performance as the determined protagonist in her quest to unravel the tape’s mystery and protect her family. The movie remains a terrifying and enduring classic in the horror genre. videotape a week before their deaths. Intrigued and concerned for her own son, Aidan (played by David Dorfman), who watched the tape, Rachel decides to investigate.

4.5/5 eerie atmosphere. simple, effective, scary, and engaging.

i f we're be i ng hon est.

1 hr 55 min a classic in horror films

“Seven days...”

1 hr 49 min amazing ending, major twist

“She might have fooled me, but she didn’t fool my mother.”

i f we're be i ng hon est.

4.5/5 ground breaking in the world of horror, the terror lied in people, not monsters or ghosts

PSYCHO Written by Joseph Stefano and Robert Bloch Directed by Alfred Hitchcock Starring Anthony Perkins, Janet Leigh, and Vera Miles 2009 Saturn Award winner for Best DVD Classic Film Release

4.2/5

SYNOPSIS “Psycho” is a classic psychological thriller directed by Alfred Hitchcock, based on Robert Bloch’s novel of the same name. The film takes audiences on a suspenseful and psychological rollercoaster, exploring the disturbed mind of Norman Bates and the secrets lurking within the Bates Motel. The story begins with Marion Crane (played by Janet Leigh), a secretary who embezzles a large sum of money and goes on the run. She takes refuge at the remote Bates Motel after a long and rainy night on the road. The motel is managed by the polite but odd Norman Bates (played by Anthony Perkins), who lives with his overbearing and domineering mother in a gloomy mansion just up the hill. As Marion becomes a guest at the motel, her interactions with Norman become increasingly unsettling. A mysterious and chilling atmosphere surrounds the place, and the audience senses that something is deeply amiss. In one of the most iconic moments in cinematic history, Marion

meets a shocking and violent end in the infamous “shower scene.” Following Marion’s disappearance, her sister, Lila Crane (played by Vera Miles), and Marion’s lover, Sam Loomis (played by John Gavin), become concerned about her whereabouts. They embark on an investigation that leads them to the Bates Motel, where they uncover the horrifying and disturbing secrets hidden within the Bates family. “Psycho” is celebrated for its masterful storytelling, suspenseful pacing, and Alfred Hitchcock’s brilliant direction. The film delves into themes of voyeurism, duality, and the blurred lines between sanity and madness. Anthony Perkins delivers a memorable and chilling performance as Norman Bates, creating one of cinema’s most iconic and complex villains. “Psycho” remains a timeless classic and a groundbreaking work in the thriller genre, continuing to captivate and terrify audiences decades after its release.

2.1. Ways of arranging books None of these classifications is satisfactory by itself. In practice, every library is ordered starting from a combination of these modes of classification, whose relative weighting, resistance to change, obsolescence and persistence give every library a unique personality. We should first of all distinguish stable classifications from provisional ones. Stable classifications are those which, in principle, you continue to respect; provisional classifications are those supposed to last only a few days, the time it takes for a book to discover, or rediscover, its definitive place. This may be a book recently acquired and not yet read, or else a book recently read that you don’t quite know where to place and which you have promised yourself you will put away on the occasion of a forth- coming ‘great arranging’, or else a book whose reading has been interrupted and that you don’t want to classify before taking it up again and finishing it, or else a book you have used constantly over a given period, or else a book you have taken down to look up a piece of information or a reference and which you haven’t yet put back in its place, or else a book that you can’t put back in its rightful place because it doesn’t belong to you and you’ve several times promised to give it back, etc. In my own case, nearly threequarters of my books have never really been classified. Those that are not arranged in a definitively provisional way are arranged in a provisionally definitive way, as at the OuLiPo. Meanwhile, I move them from one room to another, one shelf to another, one pile to another, and may spend three hours looking for a book without finding it but sometimes having the satisfaction of coming upon six or seven others which serve my purpose just as well.

Pe rec

09.08.60

2. Of Order

Pe rec

24 2. Of Order 2.2. Books very easy to arrange The big Jules Vernes in the red binding, very large books, very small ones, Baedekers, rare books or ones presumed to be so, hardbacks, volumes in the Pléiade collection, the Présence du Futur series, novels published by the Editions de Minuit, collections, journals of which you possess at least three issues, etc.

ch i ldre n of th e corn Written by Stephen King and George Goldsmith Directed by Fritz Kiersch Starring Peter Horton, Linda Hamilton, and R.G. Armstrong 1984 winner of Best Fantasy Film

03.09.84 2.8/5

SYNOPSIS “Children of the Corn” is a horror film based on a short story by Stephen King. Directed by Fritz Kiersch, the movie takes viewers into the eerie and unsettling world of Gatlin, a seemingly abandoned small town in rural Nebraska, where a cult of children worships a malevolent entity.

Burt and Vicky discover the town’s dark secret and become trapped in Gatlin as the children are determined to offer them as sacrifices to “He Who Walks Behind the Rows,” a malevolent deity they believe resides in the cornfields surrounding the town.

The story begins with a young couple, Burt (played by Peter Horton) and Vicky (played by Linda Hamilton), who are traveling through rural Nebraska on a cross-country trip. They stumble upon the desolate town of Gatlin, where the children have murdered all the adults in the community as part of a religious uprising led by a charismatic boy preacher named Isaac (played by John Franklin) and his enforcer, Malachai (played by Courtney Gains).

As Burt and Vicky attempt to escape Gatlin and the clutches of the sinister children, they must confront the gruesome and terrifying rituals of the cult. The movie’s tension mounts as they try to survive while uncovering the true nature of the evil force that has taken hold of the children. “Children of the Corn” explores themes of religious fanaticism, the corrupting power of belief, and the

25 darkness that can fester in isolated communities. The film’s eerie atmosphere, unsettling performances by the young cast, and its portrayal of the malevolent cult have made it a cult classic in the horror genre, spawning numerous sequels and adaptations. It remains a chilling and iconic piece of horror cinema.

1.5/5 subpar acting, lack of plot, and extremely poor writing, and completely lost my attention

i f we're be i ng hon est.

“Any religion without love and compassion is false! It’s a lie!”

1 hr 32 min mostly just a waste of my time

i f we're be i ng hon est.

4.5/5 amazing visuals, super scary as a kid. great plot and good takeaways.

“I can see you don’t have button eyes, but... if you’re the same cat, how can you talk?”

1 hr 40 min timeless! a good watch every single time.

corali n e Written by Henry Selick and Neil Gaiman Directed by Henry Selick Starring Dakota Fanning, Teri Hatcher, and John Hodgman 2009 Cristal award winner for Best Feature

2. Of Order

3.9/5

2.2. Books not too difficult to arrange

SYNOPSIS “Coraline,” a stop-motion animated fantasy film directed by Henry Selick, is a visually stunning and darkly enchanting tale that follows the adventures of a young girl named Coraline Jones.

and surreal version of reality. She must summon her bravery and resourcefulness to rescue her real parents, who have been imprisoned by the sinister Other Mother.

Coraline (voiced by Dakota Fanning) is an inquisitive and spirited eleven-year-old who, after moving to a new home with her neglectful parents, finds herself bored and isolated. She discovers a mysterious door hidden in the wall of her new house, which leads to a seemingly identical, but more enchanting, parallel world. In this Other World, her Other Mother (also voiced by Teri Hatcher) and Other Father (voiced by John Hodgman) pay her more attention and shower her with love and affection.

As Coraline confronts her eerie Other World and the sinister intentions of her Other Mother, she embarks on a perilous journey that involves the assistance of a talking cat (voiced by Keith David) and the eccentric Mr. Bobinsky (voiced by Ian McShane).

Initially, Coraline is captivated by the wonders of the Other World, but she soon realizes that everything is not as it seems. Her Other Mother, with her button eyes, becomes increasingly possessive and controlling, and Coraline is trapped in a nightmarish

“Coraline” is a visually stunning and beautifully animated film that explores themes of family, courage, and the allure of escape. The film’s meticulous stop-motion animation brings the eerie and whimsical worlds to life, creating a unique and captivating atmosphere. It’s a story of a young girl’s resilience and her discovery of the value of her real family and the power of her own courage and ingenuity.

Books on the cinema, whether essays on directors, albums of movie stars or shooting scripts, South American novels, ethnology, psychoanalysis, cookery books (see above), directories (next to the phone), German Romantics, books in the Que Sais-je? series (the problem being whether to arrange them all together or with the discipline they deal with), etc.

Pe rec

02.06.09

Pe rec

28 2. Of Order 2.4. Books just about impossible to arrange The rest: for example, journals of which you possess only a single issue, or else La Campagne de 1812 en Russie by Clausewitz, translated from the German by M. Bégouën, Captain-Commandant in the 31st Dragoons, Passed Staff College, with one map, Paris, Librairie Militaire R. Chapelot et Cie, 1900; or else fascicule 6 of Volume 91 (November 1976) of the Proceedings of the Modern Language Association of America (PMLA) giving the programme for the 666 working sessions of the annual congress of the said Association.

rose mary's baby Written by Ira Levin and Roman Polanski Directed by Roman Polanski Starring Mia Farrow, John Cassavetes, and Ruth Gordon 1969 Oscar winner for Best Actress in a Supporting Role

06.12.68 4/5

SYNOPSIS “Rosemary’s Baby,” directed by Roman Polanski, is a classic psychological horror film that delves into the eerie and unsettling world of paranoia, witchcraft, and the sinister secrets hidden in a seemingly ordinary apartment building in New York City. The story revolves around Rosemary Woodhouse (played by Mia Farrow) and her husband Guy (played by John Cassavetes), a young couple who move into the Bramford, an old and prestigious apartment building in Manhattan. They are eager to start a family, and their seemingly friendly neighbors, the Castevets, take a keen interest in their lives. Rosemary becomes pregnant, but her joy quickly turns to anxiety as she suspects that something is terribly wrong. She experiences a series of bizarre and increasingly disturbing events, including a nosy and overly attentive network of neighbors and

strange pregnancy cravings that make her doubt her own sanity. As Rosemary’s paranoia intensifies, she begins to suspect that her neighbors are part of a sinister cult, and that her unborn child is at the center of their diabolical plans. She becomes determined to protect her baby from whatever malevolent forces may be at work. “Rosemary’s Baby” is a masterclass in psychological horror, emphasizing the terror of the unknown and the erosion of a woman’s agency and trust in those around her. The film explores themes of paranoia, gaslighting, and the fear of losing control. Mia Farrow’s performance as the increasingly isolated and tormented Rosemary is a standout, and the film’s tension builds to a climactic and disturbing revelation. “Rosemary’s Baby” remains a chilling and iconic piece of horror cinema.

2.5/5 super slow burn, pretty predictable, and more cult-y than horror.

i f we're be i ng hon est.

“Pain, begone, I will have no more of thee!” 2 hr 17 min soooo long, almost dropped out halfway through

i f we're be i ng hon est.

5/5 super scary as a kid, couldn't stop thinking about it for weeks.

“I’m every nightmare you’ve ever had. I’m your worst dream come true. I’m everything you ever were afraid of.”

3 hr 12 min good coming of age story, although a little long

IT Written by Stephen King, Lawrence Cohen, and Tommy Lee Wallace Directed by Tommy Lee Wallace Starring Richard Thomas, Tim Reird, and Annette O'Toole 1991 Eddie Winner for the Best Edited Episode from a Television Mini-Series

3.4/5

SYNOPSIS The 1990 TV mini-series “It,” directed by Tommy Lee Wallace, is an adaptation of Stephen King’s epic horror novel. The story is a terrifying and nostalgic journey that interweaves the lives of a group of friends in the small town of Derry, Maine, both in the 1950s and 1980s, as they confront a shape-shifting, ancient evil that preys on their deepest fears. The narrative unfolds in two parts, with the first taking place in the 1950s. A group of seven young friends, known as the “Losers’ Club,” comes together to face a malevolent being that often takes the form of Pennywise the Dancing Clown (played by Tim Curry). The children are tormented by Pennywise, who exploits their fears and personal traumas. As the group investigates the mystery of Pennywise, they discover the creature’s ancient origins and its cyclical return every 27 years to Derry. The young friends make a pact to return if the terror ever resurfaces.

The second part of the mini-series takes place in the 1980s when the now-adult “Losers’ Club” returns to Derry, as they promised, to confront the evil entity once again. They must piece together their forgotten pasts and grapple with the traumatic events that scarred their childhoods. “It” is a story of friendship, courage, and the enduring power of childhood bonds. The narrative weaves together supernatural horror with comingof-age themes and explores the idea that evil can take on many forms, preying on the deepest fears and insecurities of its victims. Tim Curry’s iconic performance as Pennywise and the ensemble cast’s portrayal of the “Losers’ Club” contribute to the mini-series’ lasting legacy. “It” (1990) remains a beloved and chilling adaptation of Stephen King’s work, resonating with fans who remember the terror of the clown who feeds on fear.

2. Of Order 2.5 Like the librarians of Babel in Borges’s story, who are looking for the book that will provide them with the key to all the others, we oscillate between the illusion of perfection and the vertigo of the unattainable. In the name of completeness, we would like to believe that a unique order exists that would enable us to accede in knowledge all in one go; in the name of the unattainable, we would like to think that order and disorder are in fact the same word, denoting pure chance. It’s possible also that both are decoys, illusions intended to disguise the erosion of both books and systems. It is no bad thing in any case that between the two our bookshelves should serve from time to time as joggers of the memory, as cat-rests and as lumber-rooms.

Pe rec

11.20.90

GarrEta

32 On Bookselves A Gift What is the Oulipo? An ironic gift in a world of words, words, words surging into books, books, books. In facing this madly proliferating multitude of language there has to be some method. Oulipians pursue deliberate principles of book composition, or, to put it more bluntly, methods and principles designed to both deepen this chronic affliction of ours and learn to live with it. Paul Braffort’s « Invisible Libraries » and Georges Perec’s « Brief notes on the art and manner to put some order in one’s library » are two examples of such efforts. The Oulipo proffers both the poison and the cure for our predicament : methods to write all as-of-yet-still-potential books and principles to array those that already exist, have existed and will exist. For, what is composition if not a considered and deliberate imposition of order?

m ise ry Written by Stephen King and William Goldman Directed by Rob Reiner Starring James Caan, Kathy Bates, and Richard Farnsworth 1991 CFCA Award Winner for Best Actress

11.30.90 3.9/5

SYNOPSIS “Misery” is a harrowing psychological thriller directed by Rob Reiner, based on the novel by Stephen King. The film tells the chilling story of a famous author who becomes the captive of his “number one fan,” leading to a nightmarish battle of wills. The story revolves around Paul Sheldon (played by James Caan), a successful romance novelist known for his beloved series featuring the character Misery Chastain. After finishing his latest book, he sets out to celebrate but is caught in a blizzard and suffers a serious car accident. Paul is miraculously

rescued by Annie Wilkes (played by Kathy Bates), a seemingly kind and attentive nurse. However, Paul soon realizes that Annie is not as benevolent as she appears. She is a deeply disturbed woman who becomes enraged when she discovers that he has killed off her favorite character, Misery, in his latest book. She holds Paul captive in her isolated home and subjects him to a nightmarish ordeal. As Paul’s injuries worsen and he struggles to appease his captor, he concocts a desperate plan

33 for escape. The film becomes a tension-filled battle of wits and a terrifying exploration of the lengths one person will go to for obsession and control. “Misery” delves into themes of obsession, isolation, and the dark side of fandom. The film is renowned for Kathy Bates’s unforgettable and Academy Award-winning performance as Annie Wilkes, which is both deeply disturbing and eerily sympathetic. “Misery” is a suspenseful and intense thriller, masterfully directed by Rob Reiner, that keeps viewers on the edge of their seats as it unfolds a disturbing tale of captivity and the power of the human will to survive.

4.5/5 stephen king's best adaptation, amazing acting

i f we're be i ng hon est.

1 hr 47 min such a tense mood all throughout the movie

“I thought you were good Paul... but you’re not good. You’re just another lying ol’ dirty birdy.”

1 hr 49 min great for its time, thrilling and scary

“I know I’m human. And if you were all these things, then you’d just attack me right now, so some of you are still human.”

i f we're be i ng hon est.

4.5/5 captures paranoia and anxiety better than any other horror film, blends horror and sci-fi well

Written by Bill Lancaster and John W. Campbell Jr. Directed by John Carpenter Starring Kurt Russel, Wilford Brimley, and Keith David 1983 Saturn Award Nominee for both Best Horror Film and Best Special Effects

06.25.82 4.1/5

– Why can’t we just let books be books, running wild, happily piling up, frathouse-party-style, on top of each other, burrowing under beds, flapping in the wind? – Because, it seems, we have so strived to fill the world (and all critical subsets thereof : our stud- ies, bedrooms, houses) with them that they threaten to crowd us out. – But why such striving in the first place? – What if it were in the secret hope of condensing the world into them, trapping it in neat little bricks, and perhaps, ultimately replacing it?

SYNOPSIS “The Thing” is a sci-fi horror masterpiece directed by John Carpenter, serving as a loose remake of the 1951 film “The Thing from Another World.” Set in the harsh and isolated landscape of Antarctica, the film explores paranoia, trust, and the horrors that arise when a shape-shifting extraterrestrial organism infiltrates a research station. The story begins when a team of American researchers at an Antarctic research station is suddenly confronted with a horrifying discovery: a Norwegian research team has been wiped out, and they appear to be in pursuit of a mysterious creature. Unbeknownst to the American team, the Norwegians had uncovered a buried alien spaceship and its pilot, unleashing a deadly extraterrestrial entity capable of imitating any life form. As the American researchers investigate the Norwegian camp, they uncover a nightmarish scene of destruction, chaos, and a frozen corpse that defies explanation. They recover a mangled specimen of the alien organism, and soon realize

the horrifying truth that it can imitate any of them. Paranoia and distrust grip the group, as they are forced to confront the possibility that any one of them could be “the Thing.” The film becomes a relentless, nerve-wracking battle for survival as the team members turn on one another, not knowing who they can trust. The Thing’s ability to mimic humans and take on their forms leads to a series of gruesome and terrifying confrontations. “The Thing” is a chilling exploration of fear, isolation, and the fragility of human trust. The film is known for its groundbreaking practical effects by Rob Bottin, which create grotesque and disturbing transformations. John Carpenter’s masterful direction and Ennio Morricone’s haunting musical score contribute to the film’s enduring status as a classic in the sci-fi horror genre, leaving audiences with lingering questions about the nature of trust and the terrifying unknown.

Books may well be an alien species, parasites proliferating on the body of humanity, breeding uncontrollably in modern climates. You think the genetically re-engineered, radiation-mutated vermin or virus, the face-hugging alien were bad ? Picture in their stead the ultimate uncanny alien species : books. Then, just take another look at your bookshelves, at your bedstand. Forget, sewers, secret labs, transylvanian castles, just think of small town public libraries and online bookstores. Full of replicants, living dead voices, snatched from bodies now rotting in old graves, vampires feeding off your imagination...

GarrEta

th e th i ng

GarrEta

36 Books have invaded your life, colonized your home and brain, and you never even noticed it. You had barely learned to walk, you had already mutated into a reader. As you dozed off under the summer sun, the lame little comic book spread its wings, wrapping itself around your nose, and, snugly, almost protectively, hugged your face. Now your significant other won’t go to sleep without one. Unnatural intercourse with them made you pregnant with thoughts that reared to issue in the birth of more and more books : they used your time, brain and flesh to further their own reproduction. Just as viruses invented airplanes to propagate themselves, books, that selfish species, invented humans in order to multiply. Neither Neo, nor Terminator, nor even Sigourney Weaver, will save us. What is humanity to do, riddled as it is with books as dogs are with fleas, Oedipus with enigmas, and the US with deficits? (And do not think that the obsolescence of the book culture in the computer era heralds the end of the critter : its DNA keeps on mutating and recombining itself into digital media.)

th e ritual Written by Joe Barton and Adam Nevill Directed by David Bruckner Starring Rafe Spall, Arsher Ali, and Robert James-Collier 2017 British Independent Film Award Winner for Best Effects

10.13.17 3.1/5

SYNOPSIS “The Ritual” is a supernatural horror film directed by David Bruckner, based on the novel by Adam Nevill. The story follows a group of friends who embark on a hiking trip in the remote forests of Sweden, only to encounter something ancient and malevolent that lurks in the woods.

wilderness, the group faces various challenges, including harsh weather and rugged terrain. After an injury, they decide to take a shortcut through a dark and foreboding forest. It’s there that they stumble upon an ancient, eerie structure, seemingly made from the trees themselves.

The film begins with a group of five old friends reuniting in London. Luke (played by Rafe Spall) feels guilt-ridden over a recent tragedy that occurred during a convenience store robbery in which he didn’t intervene to save a friend. The group decides to honor their fallen friend by going on a hiking trip in Sweden.

The friends begin to experience strange and inexplicable phenomena, and it becomes evident that they are not alone in the forest. Something sinister is stalking them, and their bonds of friendship are tested as paranoia and fear take hold. As their terrifying experiences intensify, they realize that they have intruded upon a place steeped in ancient folklore and dark, supernatural forces.

As they venture deeper into the dense Scandinavian

37 “The Ritual” delves into themes of guilt, trauma, and the unknown horrors of the wilderness. The film is known for its tense and atmospheric storytelling, as well as its skillful use of suspense and dread. It explores the boundaries between reality and mythology, leaving the audience questioning the true nature of the malevolent presence that haunts the characters. “The Ritual” is a suspenseful and haunting horror film that keeps viewers on the edge of their seats until its chilling climax.

3/5 parts that drag on, but great monster and horror elements

i f we're be i ng hon est.

“If the shortcut was a shortcut, it wouldn’t be called a shortcut, it would be called a route.”

1 hr 34 min suspensful and doesn't rely on jumpscares

type spec i ficat ions aki ra expan de d abcde fgh ijklm nopqrstuvwxyz 1234567890 !@#$%&*()

Synkopy abcdefghijklmnopqrstuvwxyz 1234567890 !@#$%*()

brookline condensed abcdefghijklmnopqrstuvwxyz 1234567890 !@#$%&*()

Oswald Light abcdefghijklmnopqrstuvwxyz 1234567890 !@#$%&*()

ci n e ma tic n ight mares, lit e ra ry dre ams ci n e ma tic n ight mares, lit e ra ry dre nematic ams ghtmares, terary

Garréta, Anne F. "A Gift." On Bookselves. Perec, Georges. Brief Notes on the Art and Manner of Arranging One's Books. Teska, Judy. Personal interview. nov, 2023.

cre dits cre dits cre dits cre dits

cinematic nightmares, literary dreams

ci n e ma tic n ight mares, lit e ra ry dre ams ci n e ma tic n ight mares, lit e ra ry dre ams