SCULPTURE

Sculpture Brochure

TRADE CLIENTS ONLY

1

Luminaire Arts Ltd is a leading arts consultancy company and gallery space, found in the heart of Pimlico, London. ‘At Luminaire Arts we represent over 300 extraordinary artists from every breadth of the UK and beyond. We help and assist designers and art lovers find artworks that are perfect for their needs and desires. We are thrilled to be sharing with you our Sculpture brochure, which features A highly curated selection of fabulous original sculpture, across a full spectrum of prices, which can be commissioned in practically any size! The result is an unparalleled selection that can be commissioned and delivered anywhere in the world’.

Paresha Raj Burnett, Chief Curator & Director

2

Price categories are listed below.

Each artist's price category is shown in the bottom right hand corner of their pages.

PREMIUM ART - PRICE CATEGORY sizes (cm)

C

C+

D

D+

E

E+

F

F+

SQUARE

£

£

£

£

£

£

£

£

61 X 61

1,050

1,195

1,395

1,595

1,825

2,100

2,395

2,795

76 x 76

1,137

1,295

1,495

1,695

1,985

2,285

2,595

2,995

91 x 91

1,450

1,675

1,925

2,250

2,500

2,750

3,375

3,925

102 x 102

1,530

1,760

1,995

2,295

2,675

3,075

3,495

3,995

122 x 122

1,975

2,250

2,595

2,995

3,450

3,950

4,550

5,225

40 X 50

795

895

1,050

1,195

1,375

1,575

1,795

2,095

46 X 60

895

1,050

1,195

1,395

1,595

1,850

2,125

2,450

61 X 91

1,180

1,350

1,560

1,795

2,050

2,375

2,695

3,150

70 X 100

1,312

1,495

1,735

1,995

2,295

2,635

2,995

3,495

91 X 122

1,750

1,995

2,295

2,650

3,050

3,495

3,995

4,650

100 X 126

1,825

2,095

2,450

2,750

3,250

3,650

4,125

4,750

122 X 152

2,195

2,500

2,895

3,295

3,795

4,395

4,995

5,795

All prices shown are Retail Prices (ex Vat) email us at enquiries@luminairearts.co.uk to receive Trade Discounts off these prices!

RECTANGULAR

Please note that Luminaire Arts reserves the right to alter price categories if necessary.

Contact us for different sizes or colour requirements

3

GENNARO Gennaro started painting in 2006 and after about one year of tests, he decided to stop in order to study the processes of interaction between colours: two enamels poured on an even support tend to blend autonomously. He realized that through this phenomenon - which he defined as “blending” - it was possible to depersonalise the product of the creative act and reach concepts that transcend reality.

By employing a transparent material called “methacrylate”, Gennaro noticed that the colours blended on one side of the support. On its other side, instead, the first moment of the pictorial act remained imprinted, revealing the mark left by the colour before the process of depersonalisation. Hence, he decided to mould the painted support so that the two moments of metamorphosis could be shown and made available to the public.

In 2011, he approached Il Metaformismo, by professor Giulia Sillato. She led him to show his work in several prestigious exhibitions. In 2014, after examining in depth the critical survey on Metaforma for years, the artist published his own programmatic formulation about Seconda Forma (literally “Second Form”). In short, the artist declared that it is necessary to face a first phase of depersonalisation of the creative moment through a painting act in order to describe all the concepts related to the incorporeal. Then, there is a second phase of the sculptural process, during which the creation is brought back to a corporeal level and becomes available to the observer.

4

Conversation Between Colours

Form of Light

La Pentera Rose 1

EE 5

Durro Come La Roccia 1

Protendere

Durro Come La Roccia 2

In Nomine Domini

Seed of God

E E 6

In Une Instant 1

Innalzarsi

In Une Instant 2

Caducita Del Corpo

Lord of the Ocean

E E 7

Sonoro Ancora Un Geco

Wings Fluttering

Sul Fondo Del Mare

The Archer

Mutation

EE 8

Protendere

Works in Situ in the Sudio 01

EE 9

PHILIP M Working in bronze, copper, steel and stainless steel - Philip designs and creates unique and bespoke sculpture, furniture and artworks for home, garden and public or business environments. He designs, fabricates and installs public art pieces and runs workshops in schools and with community groups.

Philip creates an eclectic range of sculpture and contemporary furniture. Highly aesthetic in nature, you will find much of his work curvaceous and tactile, but with a coarseness that is lent from working with bare steel or stainless steel. His style ranges from figurative to abstract and is always in context with its environment.

10

E+ E+ 11

Wave V Patinated

Windvessels

Wave V Copper

City of Angels 2a

Windblown I

E+ E+ 12

Loop

Pyre

Garden Sculpture 2

Djinn V

Djinn III Sphere

Basilisk XII Bronze

E+ E+ 13

JODIE H Jodie is a Metalwork artist based in Leicestershire. She graduated from De Montfort University in 2011 with a First class Ba (Hons) in Design Crafts. She was selected to participant on the Starter studio programme at Yorkshire Artspace, where she won the Sheffield Assay office Precious Little gems commission 2015.

In September 2015 she was selected to be the International artist for the Craft ACT Artist in Residence program in Canberra, where she is currently exhibiting her new collection. Jodie creates woven sculptural objects inspired by Australian fauna, since her first visit to the country in 2012. The abundance of beautiful forms, colours and patterns found in the Australian bushland has motivated her designs. Along with her long time interest in textiles and how these techniques can be used within a metal working tradition. The weaving process in particular is central to her work and it is what drives her development.

Jodie plans her vessels quite logically and mathematically, she weaves the sheet into pattern pieces which will create her desired forms. The woven sheet is then repeatedly hammered and annealed to create the organic colour palette. Her inspiration is to create an aesthetic contrast between the organic colours and form and geometric pattern in the weave. Jodie's intension for all her pieces is to intrigue the viewer and hope they become captivated by these objects and see something new from every angle.

14

Shanahans

Woven Vessel 1

E+ E+ 15

Woven Vessel 2

Woven Vessel 3

E+ E+ 16

Woven Vessel 4

Yerrabi

E+ E+ 17

NICOLA B Having specialized in carving in both wood and stone at Wimbledon Art College, Nicola now works mainly in stone and bronze. Her preference is for medium to larger scale works made in plaster to be cast in bronze although she also makes smaller pieces in stone and bronze for indoors and outside. The originals she usually makes in plaster or occasionally clay depending on the required finish of the cast bronze.

In the Creation sculptures: Pod, Bud, Fig Gourd, Wavy Clam, Sea Cone, Fig Shell and Ammonite, the focus is on simplified abstraction taking the forms back to their basic essence in nature. All of these pieces are about being contained but with a hidden presence inside the forms; shells and fossils depicting a quiet past life, pods and buds describing a quiet present life invisible from the outside yet on the inside depicting growth and a future life waiting to emerge.

The Stone Figurative carvings focus on the same idea of a quiet life within, contemplative and peaceful.

Throughout the past twenty-five years she has been exhibiting both abroad and throughout the UK, regularly in London including at the Mall Galleries, The Royal Academy Summer Exhibition and Cork Street. Her work is also held in both public and private collections in Singapore, Germany, Poland, Hungary and throughout the UK.

18

E+ E+ 19

Windblown

Windblown - back

Meander

Meander - back

E+ E+ 20

Aeris

Ebb and Flow

Furl

Basin I

Furl - back

Basin II

E+ E+ 21

Fig Gourd 1

Bud 1

Fig Shell

Gather Me to You

Pod

Wavy Clam

E+ E+ 22

Blessing

Testimony

Protection

Shadow Clone

Gaze & Wonder 3

E+ E+ 23

BEATRICE H ” Beauty to me is simplicity, clarity, concentration and must extend beyond decorative prettiness. Beauty is to be able to hold contradictions, tensions and ambivalence – it is a balance kept despite conflict.

I am fascinated by ”strong form”. With both figurative and abstract sculptures, I search for a sense of fullness contrasted with negative shapes; sharp angles between surfaces, juxtaposed with smoothness.”

Some of her ideas for sculptures derive from her other career as an arts educator and therapist, which makes her very aware of the psychological and expressive potential of sculptures: “I am influenced by C.G. Jungʼs ideas of archetypes and equally by childhood memories of Sunday visits to a catholic church filled with Baroque carvings . I reconnect with the tradition of sculptures seen in places of worship, and work towards a spiritually potent image used in a secular context.

24

Abstract Wave 2

E+ POA 25

Seedling

Abstract Wave 4

Too Light

Not Enough Shadow

Arum Lily

Flying Couple

E+

POA 26

Buddha Head

Racer Man

Mother and Child 1

Bursting Out 10

Sun and Moon

Ancient Animal

Mother and Child 2

First Womant

E+ POA 27

WENQUIN Wenqin studied at the Art & Design School of Fuzhou University 1995-1999. In September 1999 he studied at the Academy of Art and Design, Tsinghua University in Beijing before going abroad for a MA degree at the Winchester School of Art, Southampton University in UK. Since 2007 he has been teaching in Xiamen University. He is one of the very few living sculptors to have had his work sold at auction by Sotheby`s. He bases his art and his pursuit of academia combining in ancient Chinese culture and contemporary western art with rare success.

POA 28 28

Forward and Backward No.3

Be In Here III No.3

Expanding No.3

POA 29

Expanding No.1

Be In Here I No.1

Forward and Backward No.1

POA 30

Growing

Eternal Curve No3

Waving No2

POA 31

ADELE H Series of large and small ceramic sculptures – intricate, seemingly delicate, yet robust – initially began while Adele was a resident artist at Naturalia in Sevilla in 2012 (part of Beam's Orange and Green programme – Arts Across Borders). Here, she researched pollen grains at Cordorba University and developed a new understanding of a living landscape. Coupled with her re-discovery of pottery skills whilst researching the Mexborough and Dearne Valley Potteries later in South Yorkshire, this amalgamation influenced a new way of working in ceramics and pushing clay material to its’ technological boundaries. Ceramic Landscape links nature with imagination and abstraction in landscape formations, particularly influenced by the wild flowers of East Yorkshire.

Adele’s work has long been associated with innovation in the public realm, and has a long history of experimentation with ceramic form, artwork which has been exhibited across Europe including, the Steninge Slott Cultural Centre Sweden, VI Biennal de Ceramica del Vendrell Barcelona Spain, Ceramica Multiplex at Kerameikon Croatia, and various RHS Gardens including Chelsea Flower Show. Adele began her career working in the public realm with roles as lead artist working in design teams for new public spaces. She has designed and produced architectural ceramics for hospitals, school playgrounds, churches, and, designed healing art schemes that have been incorporated into the fabric of new buildings during the architectural design process.

32

2 Evidence of Turbulence

Seedpod Howitt A G Oxby

POA POA 33

Fractal Blue

Yarrow

Lichen

March Marigold 2

A1

A2

POA 34

Landscape Platter

Wild Landscape

POA 35

CHRIS W An award winning Welsh born artist. His work is focused on contemporary glass design and explores the relationship between light and glass. His art works are juxtapositions and aim to create beauty and complexity out of simplicity. He loves the dual nature of glass, its strength and fragility, working simultaneously with light, colour and structure.

Art has been a consistent focus in Chris's life. Early on he studied art and design at college before becoming a photographer. These pursuits allowed him to develop an understanding of form and light. It wasn't until 2012 that he found his true calling; studying Architectural Glass at University.

36

Reflect

Fragment

Refraction

POA POA 37

Incasement

Refraction II

No. 26

POA POA 38

Light & Structure

Refraction - close up

POA POA 39

PHILIP H With a background in architecture, interior and furniture design Philip is a self-taught sculptor and specialises in sandcasting to make pieces which engage the quality of bronze as a noble material in its own right.

Sculptures are intimate in scale and intended for the interiors of home, office or hotel.

Casting in sand moulds is a simple and ancient method far removed from the sophisticated lost wax operation used by most art foundries. The sand-casting process is relentless and unforgiving - the foundry is no place for a delicate original. It denies a complexity of form that imposes a disciplinary and enriching simplicity.

He cuts, carves, grinds or welds the cast bronze to create unique forms before invariably exposing the natural bronze or oxidising to produce the unique surface finishes that have always been an essential dimension of his work.

40

POA 41

POA 42

POA 43

LATA Born and raised in India, Lata currently lives and works in the UK. Lata is a visual artist that specializes in contemporary sculpture and has completed masters in fine art in both India and the Slade School of Art, London. Her work is held in private collections throughout Europe, India, Middle East and the far East.

Lata's work reflects upon her own life, the experience of migrating from the East to the West. The journey of migration is depicted in the shape of the circular form, symbolic of the cycle of time. The Circular motif represents how things were, how they changed and how they have returned to natural states of what they were, before Lata's transitional journeys to the west. The geometric form of the rectangle and square represents the present, Lata's life in the west, through the balance, integrity, structure and security that are offered. These basic geometric shapes are either utilised individually or contained within another form. Further exploration is made through the use of materials, texture, colour and pattern. The work offers the sense of refamiliarisation with Lata's origins in India.

44

Polo

Beauty Moon

Pearl

POA POA 45

Reflecting Beauty 7

Reflecting Beauty 1

Reflecting Beauty 6

POA POA 46

Reflecting Beauty 2

Reflecting Beauty 3

POA POA 47

JAMES D Starting in the industry at the age of 15, James showed a natural talent for the craft and has been working as a glass artist ever since.

Specialising in working with hot glass, he is adapt at working with solid forms as well as blown pieces. Working with an extensive knowledge of glass techniques James will happily undertake new challenges.

In September 2008 James opened his first Studio set in the inspiring Wiltshire countryside. In 2009 he started as the glass technician at the Royal Collage of Art in London. This roll opened up vast new contacts and opportunities that are still a core of his career to date.

After leaving in London in 2013 James and his partner set up a new studio together. To this day the studio has gone from strength to strength and attracts some of the finest glass artist in the country.

A high skill level, technique and a good eye help make James one of the up and coming glass craftsmen in the glass world today.

48

Detail 1

Clovie in Blue, Steel & Plum

Detail 2

POA POA 49

Detail 1

Clovis in Blue & Tobacco

Clovis in Yellow

POA POA 50

Detail 1

Clovis in Tobacco Detail 2

POA POA 51

DAMJAN In his artistic research he seeks to tell his own story, his experiences, personal responses and feelings, as well as those of people and situations he encounters in his daily life.

He likes to use traditional hand tools, such as the chisel on stone that leaves a unique trail, a personal mark which transmits a human strength to the sculpture and infinitely reflects the sculptor's thoughts in the stone. He loves working with white marble Lasa, Carrara, or Sivec, not polishing them to perfection, sanding them , but leaving the surfaces soft, flowing or wavy, so that they all attract and encourage the desire to touch and caress the shape of the sculpture.

As well as stone and marble he works in the classic materials of bronze, wood and ceramics. Currently he is a member of the artistic association Prologo from Gorizia, Italy. He lives and works nearby in Nova Gorica, Slovenia.

52

Boomerang 1 Cup No. 1

Cup No. 2

Cup No. 3 Boomerang 2

POA POA 53

No. 11

Warrior

Bitel 1

Rose

Warrior b

No. 1

POA POA 54

No. 6

No. 2

No. 3

No. 4

1450

1451

1458

1467

POA POA 55

No. 7

1387

No. 10

No. 13

No. 13

1300

1447

1469

POA POA 56

Sivec White Marble Bronze Seed

Warrior

POA POA

Twins 57

Boomerang 1

Boomerang 2

Warrior In Circle

Seed 12

No 11

Time Capsule

POA POA 58

5582

5543

20185

Bronze Seed In Flower

Seed 21

39

3760

4289

POA POA

Nora 59 59

Verso Le Stelle Lipica

We Two Warriors

Visionary Seed 1

POA POA 60

No. 6

No. 2

No. 3

1450

1451

Seed Travertino Stone

No. 4

560972

POA POA 61 61

Seed 4

Seed Wood Silver

No. 17 Seed 10

1470

POA POA 62

No. 7

Time Capsule 3

Seed Blue Kanfanar Stone

1300

Visionary Seed 13

1447

Visionary Seed 14

3771

POA POA 63

GONZALO Gonzalo is a self-taught artist who began his career as a sculptor in the early nineties. Initially experimenting with figurative sculpture linked to decorative arts, but then acquiring his maturity with a radical evolution towards abstract conceptualism.

Gonzalo sees art as a way to release human concerns. His sculpture refuses a scientific conception of geometry for the sake of an idealistic abstraction closely linked to architecture, mathematics and scientific thinking. The development of abstraction and the use of geometry in his work are closely linked to a rational process based on the discovery of new shapes.

This constant search that guides his work translates into a demonstration of endless variations in geometric shapes.

He talks about his work as consisting of a recital of art and not philosophy. Its uniqueness derives from his dedication to abstract drawing and therefore the sculpture. His sculptures expand in space on a process whose foundations are drawing and architecture.

His structures are reminiscent "geometry basic lines", developed from polygon groups and volumes in mutual contact enigmatically related or overlapping.

Gonzalo sculptures refer to spaces inhabited by humans, sometimes invoking buildings, human or organic shapes or landscapes. He creates his sculptures guiding his artistic intuition through his memories. His shapes give us an insight view into his own experiences.

64

Escultura Pinaculos

POA POA 65

Relieve Abstracto

Relive Ojo Osiris

Relieve circulos III

Nato dalla Riflessione

Relieve Fragmentacion

SOL

Escultura Antropomorfo III

Relieve Evolucion

POA POA 66

Sun

Moon

Spiral

Abstract Architecture I

POA POA 67

Ownership of Artist relationship You agree that the business relationship between the Artist and Us is entirely owned by Us. You will not approach the Artist directly or correspond with the Artist in any way, except with express written authorisation from Us regarding their Artworks.

Copyright All works are subject to availability. Copyright to all material and/or works of art comprising or contained within this brochure is held by Luminaire Arts and/or other copyright holders. It is prohibited to reproduce, modify, adjust or otherwise use any of the images or information in any manner or form without the express written permission of the copyright holder. For further information or details of any of the works listed please contact us.

68

Luminaire Arts 7 Denbigh Street, Pimlico, London SW1V 2HF enquiries@luminairearts.co.uk www.luminairearts.co.uk www.lumiarts.co.uk

69

Sculpture Brochure

TRADE CLIENTS ONLY 70