Volume 5
Issue 11
November 2026
COVER FEATURE
Kajal Naik Goan content creator bringing Konkani humour to life through relatable comedy, family moments and everyday cultural experiences.
Nash Noronha Goan musician and DJ blending musical talent, event management and entrepreneurship to shape Goa’s vibrant entertainment and nightlife scene.
HH Art Spaces Goa-based artist-run collective creating spaces for artistic exploration, experimentation and collaboration while supporting contemporary artists and creative exchange.
Red Canvas Studio Rohit Chari’s creative studio bringing ideas to life through distinctive illustrations, caricatures, branding, visual identities and artistic murals.
Through Red Canvas Studio, Rohit Chari transforms ideas into distinctive visual expressions through caricatures, illustrations, branding and murals. His work brings together creativity and experimentation, contributing to Goa’s evolving artistic and design landscape.
Editorial November brings together stories that reflect Goa’s creative spirit, from comedy and music to contemporary art, culinary traditions and cultural celebrations. This issue of Being Goan highlights individuals and spaces preserving cultural influences while finding new ways to express, experience and share Goa.
Kajal Naik brings everyday Goan experiences to life through relatable Konkani comedy, capturing family moments, local culture and familiar situations through entertaining reels that celebrate Goa’s identity.
Nash Noronha’s journey through music, DJing, event management and hospitality reflects his passion for entertainment. Drawing from his musical roots and entrepreneurial spirit, he continues to contribute to Goa’s vibrant nightlife and entertainment scene.
HH Art Spaces nurtures contemporary artistic practices through residencies, experimentation and collaboration. The Goa-based artist-run collective brings together artists, communities and global creative networks, creating opportunities for artistic exchange and exploration.
Ankur Tewari brings together diverse musical voices and genres as curator of the Serendipity Arts Festival’s music programme. Through performances and immersive experiences across Panjim, he celebrates India’s varied musical identities and creates new ways for audiences to engage with music.
Kamaxi College of Culinary Arts welcomes the festive season with its annual cake mixing ceremony, bringing students and faculty together to celebrate Christmas traditions and culinary skills.
The Serendipity Arts Festival returns to Goa for its 11th edition with over 200 events across visual arts, theatre, dance, music and culinary arts, making art accessible through immersive experiences.
Join us in celebrating Goa’s vibrant stories, from entrepreneurs to artists, each contributing uniquely to our community. Let their journeys inspire you to follow your passions and pursue your dreams with determination.
Well, that's all I have for you from my desk this month. I hope you enjoy reading this month's issue of our e-magazine. Do share it with your friends all across the globe.
Until next month, cheers!
Jessyl Fernandez
Editor
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Index
Editorial Team
01 Kajal Naik
02 Nash Noronha
03 HH Art Spaces
04 Red Canvas Studio
05 Ankur Tewari on Curating Music at Serendipity
06 KCCA Welcomes the Festive Season with Cake Mixing
07 Serendipity Arts Festival Returns for its 11th Edition
Introduction
Goa, the tiniest state on the western coast of India, boasts golden pristine beaches, palm-fringed avenues, flavourful food, delicious Portugueseinfluenced sweets, and warm, hospitable people. Also known as the Ibiza of India for its partying. A tropical paradise of flora and fauna, from the very famous 'almi' (mushrooms) endemic to its forests, that grow only on the red mud anthills, to the solar prawns that are fished immediately after the monsoons, Goa is unique. Tourists are also attracted to Goa for its cultural heritage - from the famous old Portuguese churches like Se Cathedral in Old Goa, the 16th Century Safa Masjid in Ponda and Shree Mangesha Temple in Mardol, the legendary Arvalem or Pandava Caves where the Pandavas of the Mahabharat fame lived, to its two unique festivals - Carnival and Shigmo. Goa plays host to many festivals - the International Film Festival of India that promotes cinema, the Serendipity Art Festival, Sunburn Music Festival, The Grape Escapade to name a few. To showcase this varied heritage of culture, art, tradition, food, and people, in 2015 ItsGoa was born. The main aim was to make it the premier portal for all things Goa. We were able to showcase Goa like never before. Soon our blog-based website transcended the virtual space, with the ItsGoa magazine – a sought-after resource for visitors to Goa from countries like Norway, Germany, UK, USA, UAE, etc.
Chief Editor
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Graphics & Layout
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hotel Lua Nova If holidays are inspired by nature and your thirst for rustic solitude and inner peace, Lua Nova is the hotel your heart was yearning for. Located at Goa's celebrated holiday capital at Baga, it overlooks a beautiful Canvas of village www.itsgoa.com itsgoa_ itsgoa Itsgoa Goa, just 5 minutes walk from the Baga Beach.
Cover feature
Kajal Naik Kajal Naik is a Goan content creator whose relatable Konkani comedy transforms everyday experiences, local culture and family moments into authentic reels that entertain audiences while celebrating Goa’s identity.
Article by: Team ItsGoa
Images by: Kajal Naik
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For Kajal Naik, a content creator from Saligao, Goa,
Although she experienced stage fright during
comedy begins with the ordinary moments of life.
childhood, an unexpected experience at a public-
From amusing family conversations and everyday
speaking competition helped her discover her ability
misunderstandings to the familiar frustrations of
to entertain an audience. What she initially
Goan life, she transforms relatable experiences into
approached as public speaking turned into an
short videos that encourage people to pause, smile
impromptu stand-up comedy performance, which
and laugh.
was warmly received and even earned her a win. That experience gave her the confidence to explore
Her approach is refreshingly spontaneous, relying on
performing further. She began participating in village
natural expression, local humour and an unfiltered
nataks and tiatr, traditional Goan theatre forms, and
style that allows her personality to shine through.
later hosted college events, engaging audiences
Alongside her social media journey, Kajal is pursuing
through her humour and conversational style.
a Master’s degree in English at Goa University and working with the RDX Goa news channel.
Known among friends and loved ones for cracking jokes and finding amusement in everyday situations,
Having completed her Bachelor’s degrees in Arts and
Kajal gradually recognised that humour was a natural
Education, she continues to explore different
part of her personality. These early experiences
avenues of expression, including acting, singing and
helped her understand how laughter could bring
public speaking. For her, creativity is not limited to
people together and gave her the confidence to
one platform; it is an ongoing process of discovering
express herself more freely.
new ways to connect with people.
A Simple Beginning on Social Media
From Stage Fright to Making People Laugh
Kajal began creating content with a straightforward Kajal’s journey into entertainment began long before
intention: to express herself and entertain others.
she started posting reels online.
Encouraged by friends, she decided to give content creation a try for a year, planning to stop if it did not work out. Initially, she experimented with ideas on Instagram without expecting the journey to develop into something significant. The early days were slow, with most of her views coming from friends and relatives. There was a point when she considered giving up, uncertain about whether her videos were reaching anyone beyond her immediate circle.
However, a reel eventually gained widespread attention, introducing her content to a larger audience and encouraging her to continue. The response helped her recognise that people appreciated the familiarity of her videos. Their comments, shares and messages became an important source of motivation, reinforcing her decision to keep creating and building a community around her work.
Unfiltered Comedy Inspired by Everyday Life
Kajal Naik
Kajal describes her content as relatable, lighthearted and rooted in everyday experiences.
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Kajal's participation in a Konkani performative reading at a translation seminar, bringing a script to life through expressive reading and receiving a token of appreciation for the contribution
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Rather than making every concept complicated, she believes simple situations often make the most effective comedy when presented with the right timing and perspective. The aim is to prompt a familiar reaction from viewers: the feeling that the same thing has happened in their own homes or lives.
Celebrating Goan Culture Through Konkani Humour
For Kajal, being a Goan content creator means representing her roots through her own creative expression. She believes Goa's identity extends well beyond its beaches and tourist attractions, encompassing its language, family relationships, traditions, festivals, food and everyday lifestyle. Konkani plays an important role in her videos, allowing her to communicate humour in a way that
Kajal looking graceful in a traditional Indian saree
feels natural to her audience. Local expressions, familiar situations and cultural references make her content particularly recognisable to Goans who share similar experiences.
Unlike highly produced videos that rely on elaborate editing, her reels are generally filmed in a single take, with little to no editing or retakes. She picks up her phone, speaks naturally and allows her thoughts and humour to unfold.
This simplicity is central to her creative identity. She prefers presenting herself as she is in real life rather than relying on elaborate setups, expensive equipment or carefully styled appearances. Her videos often revolve around family interactions, common habits, misunderstandings and situations that viewers can immediately recognise.
Goan life offers a particularly rich source of material. From the summer heat and traffic congestion to unpredictable rain, power cuts and the everyday challenges people encounter, Kajal finds humour in situations that might otherwise provoke frustration. She sometimes raises these familiar concerns through an exaggerated or comedic perspective, giving audiences a chance to laugh at shared experiences. Her creative process is largely observational. Conversations, unexpected incidents, local experiences and social media trends can all
Kajal performing in the Konkani tiatr Vatt Paitolom
spark an idea.
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Actors crew of Konkani drama Angshio Mangshio
Kajal during a college performance, capturing her early enthusiasm for entertaining an audience
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Her work also offers a sense of connection to those living away from home. By bringing elements of Goan life into her reels, she hopes to evoke familiarity and remind viewers of the people, places and experiences they grew up with.
Through this approach, Kajal demonstrates how regional language and culture can become valuable sources of creative storytelling, allowing local experiences to reach a wider audience without losing their authenticity.
The Power of Relatable Moments
Some of Kajal’s most memorable milestones have come from videos inspired by everyday frustrations. A reel about summer heat and power cuts initially received approximately 19,000 views before eventually reaching around 114,000. Another video, in which she expressed her irritation at getting drenched in the rain, crossed 150,000 views.
These responses surprised her, particularly because
Kajal embracing tradition in
she creates her videos independently, without a
a beautiful Nauvari saree
dedicated filming team or specialised equipment. Her preference for appearing natural, rather than dressing up or investing in elaborate production,
experiences, she believes being authentic does not
remains an important part of her approach.
require sharing every aspect of one's life online. Instead, it means being genuine about the
The success of these reels reinforced a lesson she
experiences and perspectives one chooses to
continues to carry forward: a simple idea can
present.
resonate with thousands of people when it reflects something they have experienced themselves. For
Kajal does not feel pressured to post content
Kajal, the numbers are encouraging, but the deeper
continuously. She prefers allowing ideas to develop
reward lies in knowing that her content can brighten
naturally rather than producing videos simply to
someone's day.
maintain a constant stream of uploads. This gives her room to experiment while preserving the
Authenticity with a Sense of Responsibility
spontaneity that defines her style.
While humour is at the centre of Kajal's work, she
Ultimately, she hopes viewers find a moment of
places equal importance on authenticity, positivity,
relief in her work. In a world where people are often
creativity and respect for others. She wants her
occupied with responsibilities and daily stress, even
videos to entertain without unnecessarily hurting or
a short laugh can make a difference.
humiliating anyone.
Looking Ahead: Exploring New Creative Her intention is to create comedy that feels familiar
Possibilities
and sincere rather than forced. She also maintains a distinction between her public presence and private
Kajal sees content creation as an opportunity to
life. Although she draws inspiration from personal
learn, evolve and discover new possibilities.
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She hopes to experiment with different formats, strengthen her storytelling, develop original Goan skits and collaborate with fellow creators. Acting, presenting and other media opportunities also interest her, allowing her to build on the performance skills she has developed over the years.
At the same time, she remains open to paths beyond social media. Teaching and journalism are among her aspirations, reflecting her academic background and interest in communication. Although she did not initially plan to become a full-time influencer or content creator, the experience has given her a platform to explore her abilities and follow her creative interests.
Her goal is to develop a distinct identity that audiences recognise for its humour, relatability and connection to Goan life, while continuing to learn at her own pace.
A Message to Aspiring Creators
Kajal as a police officer in the Kajal encourages anyone interested in content
Konkani drama Angshio Mangshio
creation to begin with whatever resources they have instead of waiting for the perfect moment.
Expensive equipment, a large following and professional production are not prerequisites for sharing an idea. What matters is the willingness to experiment, learn from setbacks and continue despite the fear of judgement.
Her own experience reflects this belief. A journey she initially intended to pursue for just one year has opened up new opportunities for expression and connection, largely because she chose to try rather than hold back.
Through her videos, Kajal hopes to remind people that they do not need to pretend to be someone else to make an impact. Sometimes, the most engaging stories come from ordinary experiences, told honestly and with a sense of humour.
For Kajal Naik, success is not simply about views or recognition. It is about staying true to herself, celebrating the culture she comes from and using
Kajal Naik
laughter to bring people together — one relatable reel at a time.
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DJ
Nash Noronha Nash Noronha’s journey spans music, DJing, event management and hospitality, combining his musical roots and entrepreneurial spirit to create memorable entertainment experiences while contributing to Goa’s vibrant nightlife culture.
Article by: Team ItsGoa
Images by: Nash Noronha
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For Nash Noronha, popularly known as DJ Nash and
His musical exploration continued with the trumpet,
Someone Nashty, music has always been more than
which introduced him to another dimension of
a passion. Born and raised in Goa, he grew up
musical expression. His growing proficiency in brass
surrounded by the state's vibrant musical culture,
instruments eventually led him to become a member
developing an early appreciation for instruments, live
of the Garden Central Brass Band, where he further
performances and the energy of music. What began
strengthened his abilities as a musician.
as a childhood interest gradually evolved into a career in DJing, event management and the nightlife
Alongside practical training, he pursued formal
industry. Today, he brings together his musical
musical education through examinations conducted
knowledge, creative instincts and entrepreneurial
by Trinity College London and the Associated Board
ambitions to create experiences that bring people
of the Royal Schools of Music (ABRSM), covering
together.
both practical and theoretical aspects. His years of learning and performing across three instruments
A Musical Journey Rooted in Childhood
gave him a well-rounded musical foundation that would later influence his approach to DJing.
Nash's introduction to music began with the violin, an instrument he fondly considers the king of
Discovering the World of DJing
instruments. After spending a couple of years learning it, he discovered a growing interest in
While traditional instruments shaped his early
percussion and soon took up the drums. From the
musical journey, Nash's interests began expanding
fourth to the tenth grade, he performed as a
during his late teens. Frequent visits to clubs and
drummer in his school band for almost every
pubs introduced him to Goa's nightlife culture and
academic year. These formative experiences helped
the diverse musical styles of DJs performing across
him develop an understanding of rhythm, timing and
the state and the country. Observing their
musical coordination.
performances and witnessing how music could transform an atmosphere and connect people sparked his interest in exploring DJing.
His exposure to different artists and musical interpretations also helped him understand that every performer brings a distinct identity to their craft. Rather than limiting himself to one style, he developed an appreciation for musical diversity and the creativity involved in curating a set. The transition from playing instruments to performing behind the decks was a natural progression, allowing him to combine his understanding of music with the excitement of live entertainment.
Growing up in a musically inclined household played an important role in this journey. With a father who shared his enthusiasm for music, Nash was introduced to live concerts and band performances from an early age. Goa's wedding and celebration bands further nurtured his interest, while concerts featuring internationally acclaimed acts such as Boyzone, Bryan Adams and Michael Learns to Rock
Nash Noronha
(MLTR) introduced him to sounds that continue to influence his musical preferences.
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Performing for a wedding at Taleigao Community Centre
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His appreciation for retro music, in particular, remains an important part of his musical identity.
Finding the Right Rhythm for Every Audience
Nash's personal musical preferences lean towards Hip-Hop, R&B and Retro, genres that appeal to him for their distinctive rhythms, sounds and timeless quality. However, his approach to DJing extends beyond his individual taste. He believes that every event has its own character and that understanding the audience is essential to creating an enjoyable musical experience.
Whether performing at a private celebration, corporate gathering or club night, he adapts his selections according to the occasion, client's expectations and energy of the crowd. Reading the room and recognising how people respond to
All smiles and good vibes at
different sounds allow him to shape his sets
Soho The Capital Bar
accordingly. For him, the art of DJing lies in finding a balance between personal musical expression and audience engagement.
décor, lighting and sound arrangements. Club events, meanwhile, place greater emphasis on
The COVID-19 pandemic presented an opportunity
entertainment, requiring careful selection of DJs and
to explore alternative ways of connecting with music
live bands, suitable party concepts and, where
enthusiasts. With clubs and live events coming to a
appropriate, themes that contribute to the overall
standstill, Nash and fellow DJs turned to Mixcloud to
atmosphere. Although production and décor remain
keep the nightlife spirit alive. Weekend live
important, the music and performers often form the
performances gave club-goers an opportunity to
central attraction.
enjoy DJ sets from their homes while maintaining a connection with the music community. The platform
For Nash, the most rewarding aspect of event
also helped them reach listeners beyond their
management is seeing an idea translate into an
regular audiences, demonstrating how music could
experience that people genuinely enjoy. He
bring people together even when physical gatherings
acknowledges that every event comes with its own
were not possible.
challenges, unexpected situations and learning opportunities. The satisfaction, however, lies in
Beyond the Decks: Event Management and
knowing that the effort invested behind the scenes
Entertainment
has resulted in a well-executed occasion. Positive feedback from guests and their eagerness to attend
As his involvement in the nightlife industry grew,
future events serve as his greatest measure of
Nash began exploring the organisational side of
success.
entertainment. His experience in event coordination gave him an understanding of the planning,
Slurr: Bringing Music and Hospitality Together
communication and execution required to bring an event together successfully. He recognises that
One of Nash's significant ventures has been his
different occasions demand different approaches.
association with Slurr, a bar that represents the
Corporate events and weddings involve several
coming together of his interests in music, nightlife
considerations, including budgets, artist selection,
and hospitality.
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Getting Nashty at The Nashty Disco at Slurr Panjim
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Founded by his childhood friend Raoul Mendes,
working towards developing Slurr into a distinctive
alongside his elder sister Rhea, Slurr emerged when
hospitality and entertainment destination. The
Raoul took over his mother's restaurant, Casa
association also represents an important step in
Lusitana, and transformed it into a new
Nash's professional journey, allowing him to move
establishment.
beyond performing and event coordination into the operational and creative aspects of managing an
Nash's involvement began when he recognised an
establishment.
opportunity to introduce a different dimension to the space through music and nightlife. He proposed
Looking Ahead: Building a Place of His Own
experimenting with DJ nights, with the first event taking place during Halloween 2025 under his event
While Nash remains committed to music and the
initiative, The Nashty Disco. The response was
nightlife industry, his long-term ambition is to
encouraging, prompting further events and
establish a neighbourhood bar of his own. Rather
eventually helping establish a regular nightlife
than envisioning an extravagant venue, he hopes to
offering at the bar.
create a welcoming space with a distinct personality, where people can enjoy good music, spend time
Recognising Nash's initiative and contribution
with friends and feel comfortable returning
towards developing the entertainment aspect of the
regularly.
establishment, Raoul invited him to join the management. Having always envisioned himself
He imagines it as more than just a place to eat or
running a restaurant, the opportunity aligned with an
drink. Music, entertainment and meaningful
ambition he had carried for years. Together, Raoul,
experiences would form an integral part of its
Rhea and Nash decided to bring their individual
identity, creating an environment that people
strengths, perspectives and ideas to the venture,
associate with familiarity and enjoyment.
Performing for Easter at Cohiba
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Bar Stock Exchange Nights at Soho The Capital Bar
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Playing alongside goas top Djs Dj Jay aka Brainwash and Dj Navin Although he is also open to exploring an interest in politics at some point in the future, his immediate focus remains on building his presence in the hospitality and entertainment sectors.
Outside his professional pursuits, Nash enjoys staying active and exploring new interests, including pickleball and padel. Nevertheless, music continues to remain central to his life, influencing both his personal interests and professional decisions.
Following the Instinct to Pursue a Dream
For aspiring musicians and individuals looking to pursue their passions, Nash's message centres on having the confidence to take the first step. He believes that people should not allow external expectations or the fear of uncertainty to prevent them from exploring something they genuinely believe in.
He encourages aspiring individuals to take risks, remain open to learning and accept that the journey may not always unfold according to plan. Starting from scratch, making mistakes and stepping outside one's comfort zone are all part of building something meaningful. For him, staying true to one's vision and finding an individual approach are equally important.
From learning instruments as a child to performing as a DJ, managing events and becoming part of a hospitality venture, Nash's journey reflects an evolving relationship with music and entrepreneurship.
Guided by curiosity and a willingness to explore new opportunities, he continues to build on his experiences while working towards a vision that brings together the things he values most: music, people and memorable experiences.
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Contemporary Art & Creative Spaces
HH Art Spaces HH Art Spaces is a Goa-based artist-run collective fostering contemporary art through residencies, experimentation and collaboration, connecting artists, communities and global creative networks while nurturing evolving practices.
Article by: Team ItsGoa
Images by: HH Art Spaces
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HH Art Spaces’ working group (L to R): Divyesh Undaviya, Mario D’souza, Madhurjya Dey, Romain Loustau, Madhavi Gore, Shaira Sequeira Shetty, Shivani Gupta, Nikhil Chopra, Shruthi Pawels and Alex Xela Alphonso. Photo Credit: Pretika Menon
In the evolving landscape of contemporary art in
homes and adapting to changing circumstances
Goa, HH Art Spaces has carved out a distinctive
within Goa and the wider contemporary art
identity through its commitment to collective
landscape. Shivani, a partner and member of the
practice, experimentation and exchange. Founded in
collective, became involved with HH while
2014, the artist-run initiative brings together artists,
documenting performance art across South Asia.
thinkers, writers and curators working across
Her longstanding relationship with artists such as
contemporary and performance art. Rather than
Nikhil Chopra led to work involving photography,
functioning as a conventional gallery or exhibition
documentation and the creation of archives around
venue, HH Art Spaces creates an environment
performance art and artistic practices from the
where artistic practices can develop through time,
Global South. Over time, her role expanded beyond
conversation, collaboration and experimentation.
documentation into a broader practice of collaborating, visualising and creating together.
At the heart of its approach is the belief that art is not simply about producing a finished work. It is also
This collective approach is central to HH’s identity.
about the processes, relationships and experiences
Each member brings different experiences,
that shape an artist’s practice. Over the years, this
disciplines and perspectives, contributing to a space
philosophy has allowed HH Art Spaces to evolve
that has continually transformed without losing its
through different spaces, formats and circumstances
core values. Today, HH Art Spaces operates from an
while retaining its emphasis on gathering and
entire building within Aldona Market, creating
hosting.
studios and shared environments where artists can work, meet and exchange ideas.
A Collective Built on Shared Practice
Beyond the Conventional Art Space
HH Art Spaces began in Goa as a movement of artists and has continued to develop through the
Rather than following a conventional model of
collective efforts of the people who have been part
bringing artists in for a finished exhibition and
of it. Its journey has involved occupying different
moving on to the next project, HH Art Spaces places
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Olivier de Sazagan (FR), TRANFIGURATION, Serendipity Arts Festival, Goa, 2019 Photo Credit: Shivani Gupta
Romain Loustau (FR) & Mahavi Gore (IN), THE WAR STARTED DURING SUMMER HOLIDAYS/ WILD HORSE, HH ARPORA, 2016
Photo Credit: Shivani Gupta
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Yuko Kaseki (JP), Nikhil Chopa (IN), Romain Loustau (FR) IT IS LIKELY THE HOUSE WILL BE DISMANTLED PIECE BY PIECE WITH A LARGE CRANE AND A SCAFFOLD TO PROTECT THE REMAINING STRUCTURE Khoj, Delhi, 2016. Photo Credit: KHOJ
greater importance on artistic journeys. Its focus is
Residencies as Living Laboratories
on building practices over time and creating conditions where artists can explore ideas without
The residency programme is one of the ways HH Art
the pressure of a predetermined outcome.
Spaces creates time and space for artistic exploration. Artists are invited to spend a minimum
The space supports a diverse range of practices,
of three to four weeks at the space, without the
including performance, visual, sonic and installation
expectation that they must produce a formal
art. These disciplines often overlap within its studios
exhibition or finished work.
and programmes, allowing artists to encounter approaches outside their own fields. Residency and
Instead, the residency functions as a laboratory.
open studio formats encourage this exchange, while
Artists are encouraged to experiment, co-create,
gatherings bring artists, visitors and members of the
host jams, exchange knowledge and follow
collective into the same environment.
unexpected directions that may emerge through the process. Open Studios can become opportunities to
The idea of gathering is particularly important to
share these developments, while OPEN days can
HH. Its spaces are designed not only for individual
offer glimpses into installations, previews and
artistic production but also for encounters between
collaborations that have grown naturally during the
people and practices. In OPEN 32, for instance, Alex
residency.
Alphonso invited more than 20 collaborators into her space to experiment with installations and live
This approach gives artists the freedom to pause,
acts involving video, performance, voice, sound,
research and reconsider their practices. For
music, painting and digital media. Such projects
emerging practitioners, the space can provide an
reflect HH’s interest in allowing different disciplines
environment in which new ideas and installations
to intersect organically.
can be tested with critical curatorial feedback.
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Madhavi Gore (IN), WOMAN AT THE WINDOW, open 3, 2015
Photo Credit: Munir Kabani
Storefront view, OPEN 32, Alex Xela et.al, HH Art Spaces, Aldona Market, 2026
Photo Credit: Atharv K
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Hilal Ahmad Khan (IN) SOUTH ASIAN BASTARD, Kochi Biennale Foundation, Kochi, 2022 Photo Credit: Shivani Gupta
For established artists, it can offer an opportunity to
Its location is equally significant. Situated within
step away from familiar structures, return to the
Aldona Market, HH exists directly within a public
drawing board and develop new directions. The
environment rather than being separated from
emphasis is therefore not on a fixed result but on
everyday life. People passing through the market can
what can emerge when artists are given the time
encounter the space, its artists and its activities. At
and freedom to work. HH sees these studios as
the same time, the work developed there can
living laboratories, where practices are allowed to
connect with artists and cultural networks across the
evolve, change and take unexpected forms.
world.
Connecting Goa to a Wider Art World
This dual identity is an important part of what distinguishes HH Art Spaces. Goa may often be
HH Art Spaces has developed a longstanding
associated with leisure, retreat and relaxation, but
presence within the contemporary and experimental
HH demonstrates that the state can also provide a
art scene in South Asia and beyond. Its programmes
setting for contemporary, experimental and cutting-
attract a varied audience that includes artists,
edge artistic practices.
musicians, writers, critics, restaurateurs and other members of Goa’s creative community, alongside
Art Shaped by Place and People
visitors connected to cultural networks across India and internationally.
The projects developed at HH are not dictated by a single curatorial formula. They emerge from the
Its position allows HH to move between different
people, artists and practices that surround the
parts of the art ecosystem. The collective can
space, as well as from Aldona Market itself. A
engage with institutions and the market while
willingness to experiment, collaborate and create is
remaining equally comfortable within independent
often the starting point. The collective nature of HH
and fringe art spaces. This flexibility contributes to
has been shaped by the varied experiences of its
an audience that is both diverse and distinct.
members.
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Gallery view, From Zero to Hundred-Annual Fundraiser Exhibition
Shivani Gupta (IN), FINDING MOHINI, Open 3, HH Art Spaces Siolim, 2015
Photo Credit: Munir Kabani
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International residency experiences, academic research, art writing, institutional work, independent collectives, art and design education, painting practices and festival-making have all contributed to the way the space operates.
These influences come together without being forced into a single identity. Instead, they create a framework in which different ways of thinking about art can coexist. The result is a space that remains open to changing circumstances while maintaining a strong sense of collective purpose.
A Year in Kochi
One of the most profound experiences for the collective came through its involvement with the
Amol K PATIL (IN),DON'T GO DEAF,
Kochi Biennale. HH Art Spaces temporarily moved
Antibodies, Aguad Jail, Goa, 2023
its home to Kochi for an entire year to prepare for
Photo Credit: Shivani Gupta
the event, giving the team the time required to develop its vision and engage deeply with the
share, collect, archive, experiment and project their
project.
ideas together, while allowing the work to evolve according to the realities of the world around them.
The process began with finding and restoring sites
Its philosophy also extends to the artists who pass
before moving into the development and
through its doors. Rather than placing practitioners
visualisation of the exhibition. Ten members of the
into categories such as “emerging” or established,
collective lived across three spaces, sharing the
HH emphasises the importance of continuing to
everyday experience alongside the demands of the
develop one’s practice. The idea of being an
project. They ate, slept, worked and discovered
“emerging artist” can imply a fixed hierarchy or
Kochi together, becoming immersed in the city and
destination, while artistic practices are often much
its transformation. The experience extended beyond
more fluid.
the Biennale itself. As artists arrived and began occupying the spaces, the collective witnessed an
The advice that emerges from HH’s own experience
artistic city taking shape around them. The streets,
is simple: keep going. Continue the practice, allow it
venues and surrounding community became part of
to change and remain open to where it leads. For
a larger cultural experience.
the collective, sustained practice has its own ability to give back, while collaboration can create
For HH, the process of opening and eventually
possibilities that individual effort may not achieve
closing the project was as significant as the finished
alone.
presentation. Packing up together and leaving after such an extended period of shared work left a
Ultimately, HH Art Spaces is built on the belief that
lasting impression on the collective, reinforcing the
coming together can create a force greater than the
value of time, immersion and working together.
sum of its parts. From its studios in Aldona Market to its collaborations across India and beyond, the space
Keeping the Practice Alive
continues to create room for artistic practices to develop, intersect and find new possibilities. In doing
For HH Art Spaces, the future is closely tied to the
so, it positions Goa not simply as a place to retreat,
continuation of its existing values. The collective
but as a place where contemporary art can be
hopes to keep creating spaces where artists can
actively made, questioned and experienced.
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Art, Illustration & Creative Design
Red Canvas Studio Rohit Chari’s Red Canvas Studio transforms ideas into distinctive visual experiences through caricatures, illustrations, branding and murals, bringing creativity, experimentation and artistic expression to Goa’s evolving creative landscape.
Article by: Team ItsGoa
Images by: Red Canvas Studio
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Rather than limiting himself to one form of illustration, he actively explored opportunities that would allow him to develop his abilities and establish something of his own.
The journey has involved experimentation, learning and stepping beyond familiar boundaries. One particularly significant development was his decision to take up live caricature assignments at events and art shows. Although he initially felt apprehensive about performing in front of people, he chose to challenge himself and explore this new avenue.
Rohit Chari Art has the power to transform ordinary spaces, communicate ideas and create lasting impressions. At Red Canvas Studio, artist Rohit Chari brings this philosophy to life through caricatures, illustrations, branding, paintings and large-scale wall murals. Based in Panjim, Goa, the creative venture reflects his passion for drawing, experimentation and developing an artistic identity that is both distinctive and versatile.
Originally from Loutolim, a Goan village associated with the legacy of renowned Indian illustrator Mario Miranda, Rohit has built his career around the medium he has always been most passionate about. Through Red Canvas Studio, he continues to explore different forms of visual expression, translating ideas into engaging artwork for individuals, businesses and public spaces.
Turning a Passion into a Profession
Red Canvas Studio began in 2016, driven by Rohit's determination to turn his natural aptitude for drawing into a sustainable creative career. Art had always been his strongest skill, and he found it difficult to imagine himself pursuing a profession outside the creative field.
The experience introduced him to opportunities that differed from conventional studio work. Live caricature sessions allowed him to interact directly with people, observe their expressions and translate their distinctive features into humorous illustrations within a limited time. Overcoming his initial hesitation became an important part of his artistic growth and expanded the possibilities for Red Canvas Studio.
Developing a Distinct Artistic Identity
Rohit acknowledges the influence of Mario Miranda, whose illustrations and distinctive humour have inspired generations of Goan artists. However, his own style has gradually evolved through practice, experimentation and exposure to different creative projects.
One of the most meaningful compliments he receives is when people recognise his artwork as his own before seeing his name attached to it. For him, this recognition signifies the development of a distinctive visual identity an important milestone for any artist seeking to establish a place in the creative industry.
His approach to illustration often depends on the client's brief. When exploring personal concepts, he enjoys taking an abstract, quirky and unconventional direction, combining unexpected visual elements and references that connect to the subject in imaginative ways. This willingness to experiment allows him to approach familiar ideas from fresh perspectives.
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Wall mural at Fat Fish, Anjuna
Wall mural at Bay 15, odxel beach
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They involve patience and sustained effort, particularly when translating a concept onto a large surface.
Despite these differences, Rohit enjoys both forms of work for the unique experiences they offer. While live caricatures allow him to connect directly with people, murals give him the opportunity to transform physical environments and create artwork that becomes part of a space's identity.
A Collaborative Approach to Creative Projects
Bringing a client's vision to life begins with understanding the brief and establishing a clear direction for the artwork. Rohit explains that many
Digital Caricature
clients approach Red Canvas Studio because they already appreciate his style, which allows him to
At Red Canvas Studio, creativity is not confined to a single style or medium. Rohit works across
maintain his artistic identity while responding to their requirements.
traditional and digital art, shifting between small and medium-sized canvases, customised illustrations and expansive murals. This versatility allows him to adapt to different creative requirements while continuing to refine his own artistic language.
For mural projects, the process generally begins with a rough visual concept supported by references that help communicate the proposed direction. Once the client and artist agree on the broad idea, Rohit develops a customised design for review.
From Caricatures to Large-Scale Murals
Discussions and brainstorming sessions follow, allowing both sides to refine the concept before the
Red Canvas Studio offers a diverse range of services,
final design is approved.
including caricatures, illustrations, branding design, paintings and wall murals. Each discipline presents a different creative challenge, giving Rohit opportunities to balance spontaneity with detailed planning. Live caricatures are among the more immediate and interactive aspects of his work. They require him to observe people closely, capture their expressions and create an engaging representation in real time.
The experience is spontaneous, with the interaction itself becoming part of the creative process. Wall murals, however, demand a more structured approach. Unlike personal paintings created purely for enjoyment, commissioned murals require planning, design development, coordination with
Brand Mascot/Brand Identity – Shagoti
clients and careful execution.
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Digital Illustration – Villa Calangute
Brand Mascot – Namaste Chai
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Only after these stages are complete does the execution begin. This process helps establish a shared understanding of the intended result while leaving room for creative exploration during the development phase.
Every commission presents its own set of expectations, and Rohit values the opportunity to interpret each brief differently. Rather than repeating a formula across projects, he seeks approaches that suit the subject, setting and purpose of the artwork.
Notable Projects and Creative Milestones
Over the years, Red Canvas Studio has undertaken projects for a variety of businesses and establishments. Among Rohit's notable works is a large wall mural at Imagine Panjim's office in Altinho, which he executed independently. Another recognised creation is the mascot for Namaste Chai, which has received appreciation from audiences. His portfolio also includes murals and creative projects for The Goan Room, Fat Fish, Villa Calangute, Zostel, Magsons and Coca-Cola.
Brand Mascot – Fenny the Fox These assignments have offered opportunities to work with different briefs, audiences and visual requirements, encouraging him to adapt his ideas to suit each project.Rohit takes pride not only in prominent commissions but also in the smaller achievements that contribute to his progress. He believes every step matters, regardless of whether it appears significant to others.
Looking ahead, one of his major ambitions is to create striking, memorable murals across Panjim. He envisions transforming everyday walls and publicfacing spaces into visual experiences that make people stop, look and engage with their surroundings differently.
Experimentation at the Core of Red Canvas Studio
Package Design – Poker Tales, Play Cards
What distinguishes Red Canvas Studio is its emphasis on versatility and continuous reinvention. Rohit enjoys exploring different mediums, formats and styles rather than restricting his work to one category of art. Moving between traditional techniques, digital illustration, branding and largescale painting allows him to approach creative challenges from multiple perspectives.
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Live Couple Caricature by Rohit Chari
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This philosophy is reflected in the studio's motto: Create | Build | Experiment. It represents an approach that values not only the production of artwork but also the development of ideas, the exploration of possibilities and the willingness to try something unfamiliar.
themselves across too many commitments, aspiring creatives should give each assignment the attention and effort it deserves. Trusting their abilities and remaining dedicated to their craft can help them navigate the challenges of a creative career.
Creating, Building and Exploring What Comes Next
Rohit hopes to contribute to a vibrant artistic ecosystem where creativity can flourish and new concepts can take shape. While he remains open to the direction his journey may take, he intends to continue experimenting, developing his craft and pursuing larger creative opportunities.
Advice for Aspiring Artists
For those looking to turn their artistic interests into a profession, Rohit emphasises originality, consistent practice and commitment. He encourages emerging artists to draw inspiration from others without copying their work or claiming it as their own. Giving appropriate credit and developing an individual style are essential to building a credible creative identity.
He also stresses the importance of sketching regularly. Consistent practice helps artists strengthen their drawing and illustration skills, refine their techniques and become more confident in their abilities. Equally important is learning to focus on one project at a time. Rather than spreading
For Rohit Chari, Red Canvas Studio is an ongoing exploration of what art can achieve when imagination meets a willingness to experiment. From live caricatures that capture individual personalities to murals that reshape visual environments, his work reflects a commitment to discovering new possibilities through illustration and design.
His journey demonstrates that building a creative profession involves more than technical ability. It requires the courage to step outside one's comfort zone, the patience to develop ideas and the determination to keep improving.
As Red Canvas Studio continues to evolve, Rohit's ambition remains rooted in the same principles that inspired its beginnings: creating original work, building meaningful projects and experimenting with ideas that push creative boundaries. With Panjim's walls among his future canvases, he continues to work towards making art an increasingly visible and memorable part of everyday life.
Wall Mural – Imagine Panjim
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Questions & Answers
Many Voices, One Chorus”: Ankur Tewari on Curating the Music at the Serendipity Arts Festival Ankur Tewari curates Serendipity Arts Festival’s music programme, bringing diverse Indian voices, genres and immersive formats together to create unique experiences across Panjim, celebrating India’s many musical identities.
Article & Images by: Team ItsGoa
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Ankur Tewari, one of India’s leading singersongwriters and composers, just wrapped up his project in Venice for Serendipity Arts Festival where he performed for a global audience. Now back in India, he’s gearing up for the Serendipity Arts Festival as one of the curators.
The festival will be held in Panjim, Goa in the month of December from the 13th to the 20th. In an interview with us, the acclaimed singer discussed his experience at Venice, along with his plans for SAF 2026.
You just wrapped up your project in Venice for Serendipity Arts Festival, and you’ll be bringing this musical experience to Goa in December. What are you most excited to bring to the Goa edition of SAF 2026?
We’ve bent a few rules of the conventional way of consuming music. Reshaping the experience, so you don’t just hear it, you wander through it. Now I’m eager to watch the audience find their footing, and perhaps lose it a little.
What was the experience at Venice like?
Venice was sublime. Singing to a room that didn’t know my songs or my language is equal parts thrilling and terrifying, and it reminded me that music and feelings don’t need passports. The audience might not have understood the words, but everybody understood the point. The audience listened with a rare, honest attention, and I’m still riding the high.
You’re curating the Walking Sets at SAF this year. What inspired the idea of turning a walk through Panjim into a musical experience?
I wanted the music to meet the city halfway, so we put it on its feet. The walking sets are my way of saying — you’ve always come to the music, today the music comes to you, with all the enthusiasm you’ve brought to every show before.
There’s a strong focus on young and genre-fluid voices in New Sounds. What are you looking for when you decide which artists belong on this stage?
Our country is overflowing with talent, and too often it’s told to wait its turn, as if a stage were a seat at a very long dinner table. I believe the spotlight should find the newcomers too, so they can grow up in the light without losing the wide eyed wonder that brought them there.
The music programme moves across folk, hip-hop, electronic, R&B, rock and experimental sounds, with artists rooted in very different parts of India. What connects these diverse sounds for you?
India has never sounded like just one thing. It’s a thousand dialects tuning up at once. Each region, style or genre is like a different window onto the same wide, unruly, beautiful country. To celebrate every sound is simply to hold up a mirror to India itself. Many voices, one chorus.
If you could give audiences one reason to experience the music programme at SAF 2026 in Goa, what would it be?
We want to offer a bespoke experience at Serendipity Arts Festival. These performances were made to measure, stitched for this festival and no other. Come see them here, because you won’t find them off the rack anywhere else.
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Ankur Tewari, Music Curator, Serendipity Arts Festival 2026
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AUTHORED ARTICLE
Kamaxi College of Culinary Arts Marks Start of Festive Cheer with Cake Mixing Ceremony Kamaxi College of Culinary Arts begins the Christmas season with its annual cake mixing ceremony, bringing students and faculty together to experience festive traditions while applying practical culinary skills.
Article & Images by: Team ItsGoa
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~ The cake mixing ceremony brings KCCA together
At KCCA, the activity brought classroom learning
for a time-honoured Christmas culinary ritual.
into practice, with students working alongside faculty members and engaging with the processes
Panaji, October 2026: The countdown to Christmas
involved in festive food preparation.
began at the Verna-based Kamaxi College of Culinary Arts (KCCA), as students and faculty came
“Christmas has a way of bringing people together,
together for its annual traditional Cake Mixing
and food has always been at the heart of that
Ceremony, marking the beginning of the festive
celebration. The cake mixing ceremony captures this
baking season. The ceremony involved preparing a
beautifully,
blend of dried fruits, nuts and aromatic spices for
experience and beginning preparations for a season
traditional Christmas cakes.
filled with warmth and generosity.
Prepared well in advance of baking, the mixture is
For our students, it is also an opportunity to be part
typically left to mature for several weeks, allowing
of a tradition that brings as much meaning to the
the ingredients to develop their flavours before
process as it does to the final creation,” said Subhasis
being incorporated into festive cakes.
Mandal, Principal, Kamaxi College of Culinary Arts.
A familiar feature of Christmas preparations in
The ceremony highlighted the role of collaborative
hotels, bakeries and professional kitchens, cake
activities in culinary education, allowing students to
mixing also offers culinary students an opportunity
put their skills into practice while engaging with a
to understand the planning and preparation that go
seasonal preparation that forms part of the
into seasonal baking.
hospitality industry's festive calendar.
it is about coming together, sharing the
Students and faculty of Kamaxi College of Culinary Arts (KCCA), Verna, come together for the traditional Cake Mixing Ceremony, preparing a blend of fruits, nuts and spices ahead of Christmas
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AUTHORED ARTICLE
Art for Everyone: The Serendipity Arts Festival Returns for its 11th Edition The 11th Serendipity Arts Festival returns to Goa with 200+ events across visual arts, theatre, dance, music and culinary arts, making art accessible through diverse, immersive experiences.
Article & Images by: Team ItsGoa
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Nestled in a cosy corner of Moira, the Serendipity
I’ve seen that people perceive art as a very elite
Arts Festival hosted its first Meet and Greet for the
pursuit and so are inhibited by art galleries.
year 2026 at the exquisite Club Solene. Bringing
Serendipity Arts Festival has brought art from within
together art enthusiasts, artists, writers and long-
the gallery space, which is elite, to the street where
standing patrons of the festival, it was an evening of
it is accessible.”
artistic excellence.
The visual arts discipline has quite a few interesting As the Serendipity Arts Festival steps into its second
exhibitions, including Udan Khatola, curated by
decade with this year being its 11th edition, it
writer, poet, and disability rights campaigner, Salil
promises to exceed the high standards it has set for
Chaturvedi. The exhibition displays a pavilion made
itself. Being one of South Asia’s biggest
of waste mobile phone screens sourced from local
multidisciplinary arts festivals, this year the
repair shops, critiquing our contemporary digital
Serendipity Arts Festival (SAF) has so much to offer.
consumption. Udan Khatola will also be on display at
With over 200 events and 16 curators, it includes
the Old GMC Complex throughout the festival.
installations and performances ranging from visual
Besides visual arts, the culinary curator for this year
arts to theatre as well as dance, music and culinary
is Anisha Oommen, the founder of Goya, she brings
arts, to name a few, while also opening its doors to
to the Food Lab a variety of workshops, sessions and
children and persons with disabilities.
exhibitions exploring memories through taste.
Independent art curator Samira Sheth has curated
Mark Rocha, who has been visiting SAF for many
several art exhibitions, including one of art displayed
years, looks forward to this year’s edition,
by persons with disabilities from Divya Sadan, and it
spectator of the event, I enjoy it because I always
was a part of the last edition of the festival. The
get a chance to be surprised every time and there is
curator shared her experience with us, “Serendipity
nothing boring about SAF. Even being on a bus from
Arts Festival very kindly made us a part of the
one venue to another is an experience because
festival. It was a fantastic place to be because it
suddenly someone will get up and start reciting
brought a whole community of people to us and we
poetry and you realise that you are now part of
felt like we were in the centre of all the action. It was
something.”
“Being a
nice to have such a platform.”
Shweta Verma, who has attended almost every One of the highlights this year is a project being
edition of SAF, shares how she looks forward to it
brought by the curator Ram Rahman, a renowned
every year “Living in Panjim means that we can hop
photographer who has exhibited his works at 3 SAF
from one venue to the next. I look forward to good
events before. This year, as a curator, he brings to
theatre performances and I have learnt a lot about
the attendees a special project titled ‘Goa Through
food, culture and even local culture.”
My Eyes’, a series of photos taken by Karan Kapoor from 1976 to 1996. Through this exhibition, Kapoor
The 11th edition of the Serendipity Arts Festival
shares his perception of Goa after his parents, Shashi
being held from 13th to 20th December, 2026 has a
Kapoor and Jennifer Kendal, started renting a small
lot to offer for art enthusiasts as well as amateurs
shack on the beach in a village called Saunto Vaddo
looking to learn. It promises to be 8 days of
in Baga. The exhibition will be on display at the Old
immersive experiences through different mediums,
GMC Complex throughout the festival.
bringing together individuals from different walks of life.
Deepali Nandwani, a writer, talks about how SAF makes exhibitions like these available to the public
The ticket booking for all the programmes of
“What I find interesting about Serendipity Arts
Serendipity Arts Festival, 2026 is live on the website.
Festival is that it's probably India’s only public art
You can find a variety of programmes, while some
festival. Having written about art for years,
are free, others are ticketed.
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Anisha Rachel, Goya, Culinary Arts Curator, Serendipity Arts Festival 2026
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'What Does Loss Taste Like_' curated by Chef Thomas Zacharias and The Locavore at the Serendipity Arts Festival 2025
'Worlds in a Box' workshop facilitated by Sahil Naik at the Serendipity Arts Festival 2025
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