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Shakespeare Theoretically Dancing Program

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ISU THEATER SEASON 2022-23 Sept. 29–Oct. 2, 2022 ~ New Theater Studio Production Caroline is quick and sardonic, homebound due to illness. Anthony is athletic, sensitive, and popular. As these two let down their guards and share their secrets, a seemingly mundane poetry project unlocks a much deeper mystery that has brought them together. (laurengunderson.com)

November 10-13, 2022 ~ Dreiser Theater Mainstage Production Shakespeare’s comedy about a major act of betrayal, ill treatment, the development of magic arts and a plot of revenge. Reworked with a surgical cutting by Dr. Berchild, this is not your parents’ Shakespeare! (rsc.org.uk)

February 23-26, 2023* ~ Dreiser Theater Studio Production In the overwhelming quiet of the woods, six runaways from city life embark on a silent retreat. As these strangers confront internal demons both profound and absurd, their vows of silence collide with the achingly human need to connect. (smallmouthsounds.com)

April 20-23, 2023* ~ New Theater Mainstage Production Get your deerstalker cap on — the play’s afoot! Holmes and Watson must crack the mystery of “The Hound of the Baskervilles” before a family curse dooms its newest heir. Can our heroes discover the truth in time? Join the fun and see how far from elementary the truth can be. (kenludwig.com) *pending rights acquisition

April 29, 2022


DANCE

These dances were created by students in Teresa McCullough’s PE 474: Dance Composition and PE 363: Dance Repertory, as well as volunteer projects by students in the Dance Minor.

Breath

Choreographed by Phajja Johnson Dancers: Emma Burchell, Cayla Daulton, Phajja Johnson, Meaghan Ogle, Greta Pfaff, and Jennifer Reardon

A Night at the Ball

Choreographed and performed by Tayla Haas and John Smith

Andante

Choreographed and performed by Madeline Elkins

Bitter Truth

Choreographed and performed by Samantha Baker, Phajja Johnson, and Jennifer Reardon

Growth

Choreographed and performed by Athalia Barrett

Just Fine

Choreographed by Samantha Baker Dancers: Samantha Baker, Haley Burke, Tayla Haas, Phajja Johnson, and Greta Pfaff

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THEORY

THTR 482: Theater Theory, taught by Chris Berchild, is the capstone course for all theater majors. This course is an intensive study of various approaches to examining the theater experience, including aesthetic, formal, literary, political, psychological, and performance theories. The students devised the performance. Devisors Dakota Allen | Elizabeth Brown | Emma Burchell Mia Carrillo | Meaghan Ogle | Jennifer Reardon Carsyn Wayland | Essica Whitsett | Will Wortman

MACBETH

by William Shakespeare Adapted by Christopher Berchild

This adaptation of the play focuses on the witches as mechanisms of fate. The entire world as we see it is controlled, constructed, and populated by the witches in an attempt to bring about Macbeth’s demise. Tonight, you will see only part of the entire play--from Act I, scene 1 to the end of Act II, scene 1. This partial performance of MACBETH is presented by students enrolled in Julie Dixon’s THTR 414G: Cultural Study and Performance class. This performance serves as fulfillment, in part, of grants received by the Department of Theater from Indiana State University’s Center for Global Engagement, Center for Student Research and Creativity, and College of Arts & Sciences. These grants helped to financially support student study abroad over Spring Break 2022 in London and Stratford-upon-Avon in the United Kingdom. Cast Emma Burchell.............................................................MacBeth Carsyn Wayland....First Witch (also Duncan, Angus, Lady MacBeth) Mia Carrillo.......Second Witch (also Ross, Malcolm, Lady MacBeth) Haliey Hughes.......Third Witch (also Sergeant, Banquo, Messenger, Lady MacBeth) Crew Costume Design and Coordination.............................Kristin Wentz Stage Manager and Board Op...................................Kristin Wentz

ab

SPECIAL THANKS

Chris Berchild | Michael Jackson | Alicia Jay Kate Mott | Grace Muñoz | David Vogel

ab


DANCE

These dances were created by students in Teresa McCullough’s PE 474: Dance Composition and PE 363: Dance Repertory, as well as volunteer projects by students in the Dance Minor.

Breath

Choreographed by Phajja Johnson Dancers: Emma Burchell, Cayla Daulton, Phajja Johnson, Meaghan Ogle, Greta Pfaff, and Jennifer Reardon

A Night at the Ball

Choreographed and performed by Tayla Haas and John Smith

Andante

Choreographed and performed by Madeline Elkins

Bitter Truth

Choreographed and performed by Samantha Baker, Phajja Johnson, and Jennifer Reardon

Growth

Choreographed and performed by Athalia Barrett

Just Fine

Choreographed by Samantha Baker Dancers: Samantha Baker, Haley Burke, Tayla Haas, Phajja Johnson, and Greta Pfaff

ab

THEORY

THTR 482: Theater Theory, taught by Chris Berchild, is the capstone course for all theater majors. This course is an intensive study of various approaches to examining the theater experience, including aesthetic, formal, literary, political, psychological, and performance theories. The students devised the performance. Devisors Dakota Allen | Elizabeth Brown | Emma Burchell Mia Carrillo | Meaghan Ogle | Jennifer Reardon Carsyn Wayland | Essica Whitsett | Will Wortman

MACBETH

by William Shakespeare Adapted by Christopher Berchild

This adaptation of the play focuses on the witches as mechanisms of fate. The entire world as we see it is controlled, constructed, and populated by the witches in an attempt to bring about Macbeth’s demise. Tonight, you will see only part of the entire play--from Act I, scene 1 to the end of Act II, scene 1. This partial performance of MACBETH is presented by students enrolled in Julie Dixon’s THTR 414G: Cultural Study and Performance class. This performance serves as fulfillment, in part, of grants received by the Department of Theater from Indiana State University’s Center for Global Engagement, Center for Student Research and Creativity, and College of Arts & Sciences. These grants helped to financially support student study abroad over Spring Break 2022 in London and Stratford-upon-Avon in the United Kingdom. Cast Emma Burchell.............................................................MacBeth Carsyn Wayland....First Witch (also Duncan, Angus, Lady MacBeth) Mia Carrillo.......Second Witch (also Ross, Malcolm, Lady MacBeth) Haliey Hughes.......Third Witch (also Sergeant, Banquo, Messenger, Lady MacBeth) Crew Costume Design and Coordination.............................Kristin Wentz Stage Manager and Board Op...................................Kristin Wentz

ab

SPECIAL THANKS

Chris Berchild | Michael Jackson | Alicia Jay Kate Mott | Grace Muñoz | David Vogel

ab


ISU THEATER SEASON 2022-23 Sept. 29–Oct. 2, 2022 ~ New Theater Studio Production Caroline is quick and sardonic, homebound due to illness. Anthony is athletic, sensitive, and popular. As these two let down their guards and share their secrets, a seemingly mundane poetry project unlocks a much deeper mystery that has brought them together. (laurengunderson.com)

November 10-13, 2022 ~ Dreiser Theater Mainstage Production Shakespeare’s comedy about a major act of betrayal, ill treatment, the development of magic arts and a plot of revenge. Reworked with a surgical cutting by Dr. Berchild, this is not your parents’ Shakespeare! (rsc.org.uk)

February 23-26, 2023* ~ Dreiser Theater Studio Production In the overwhelming quiet of the woods, six runaways from city life embark on a silent retreat. As these strangers confront internal demons both profound and absurd, their vows of silence collide with the achingly human need to connect. (smallmouthsounds.com)

April 20-23, 2023* ~ New Theater Mainstage Production Get your deerstalker cap on — the play’s afoot! Holmes and Watson must crack the mystery of “The Hound of the Baskervilles” before a family curse dooms its newest heir. Can our heroes discover the truth in time? Join the fun and see how far from elementary the truth can be. (kenludwig.com) *pending rights acquisition

April 29, 2022


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Shakespeare Theoretically Dancing Program by isutheater - Issuu