BUILDING CONSTRUCTION

SYMBOL REPRESENTATION OF

COLDWATER

HOTWATER

WASTEPIPELINE

HOTWATERSUPPLY

HWSC

CONTAINER

CEILINGLIGHT

TILE WALLTILE FLOORTILE

COMPANY MYTYLES KAJARIA

THICKNESS 8MM 12MM

MATERIAL CERAMIC CERAMIC

SIZE 200X200 600X600

FINISH MATTE MATTE

COLOR MOROCCANTILE BROWN

PRODUCT

ABSTRACT: ABSTRACT:

The approach of critical regionalism doesn’t limit itself to a particular set of The approach of critical regionalism doesn’t limit itself to a particular set of criteria of design, instead opens up to all segments of function, scale and criteria of design, instead opens up to all segments of function, scale and contexts. It could not only be administered while designing wide-ranged contexts. It could not only be administered while designing wide-ranged public buildings but also while designing something as elementary as a public buildings but also while designing something as elementary as a house, opening up to various possibilities and experiences which differ as per house, opening up to various possibilities and experiences which differ as per the site. the site.

INTRODUCTION: INTRODUCTION:

There is a problem in today’s world of modern architecture. A region losing There is a problem in today’s world of modern architecture. A region losing its fabric due to urbanisation is the biggest problem in today’s its fabric due to urbanisation is the biggest problem in today’s time.Integrating local architecture while respecting the region’s history, time.Integrating local architecture while respecting the region’s history, with newer buildings can keep the identity of the place intact. with newer buildings can keep the identity of the place intact.

Odisha is a land of 16 types of art forms and very deeply rooted culture in Odisha is a land of 16 types of art forms and very deeply rooted culture in its people residing there. Its architecture is one of the oldest form dating its people residing there. Its architecture is one of the oldest form dating back to its ancient times, and the art forms also having high values in Indian back to its ancient times, and the art forms also having high values in Indian history and culture as well. history and culture as well.

Regionalism in Odisha is an architectural and social movement that Regionalism in Odisha is an architectural and social movement that advocates for incorporating culture and vernacularity in public buildings, advocates for incorporating culture and vernacularity in public buildings, including offices, recreational spaces & institutional buildings. including offices, recreational spaces & institutional buildings.

AIM: AIM:

OBJECTIVE: OBJECTIVE:

To study the art and culture of Odisha

To study the art and culture of Odisha

To search for unique middle ground for regional architectire while To search for unique middle ground for regional architectire while capturing Odisha’s essence capturing Odisha’s essence

To understand the need of critical regionalism in public buildings of

To understand the need of critical regionalism in public buildings of Odisha Odisha

To know the design aspects required for designing a public building in

To know the design aspects required for designing a public building in Odisha Odisha by incorporating its local artforms by incorporating its local artforms

NEED: NEED:

The purpose of the study is to bring attention to the need of the time in The purpose of the study is to bring attention to the need of the time in architecture where we need to design in context of the region and how architecture where we need to design in context of the region and how important it is for the users of those public buildings. important it is for the users of those public buildings.

LIMITATION: LIMITATION:

It will only cater to reviving the essence of Odisha

It will only cater to reviving the essence of Odisha

While handling material and user needs to be taken care of

While handling material and user needs to be taken care of

SCOPE: SCOPE:

This movement can be taken into account by government for further

To bridge the gap between local and global architecture while respecting the region’s identity. region’s

To bridge the gap between local and global architecture while respecting the

This movement can be taken into account by government for further design ideas design ideas

Fast and accurate implementation due to being valid regionally Fast accurate implementation due to being regionally

CONTEXT OF THE BUILDING CONTEXT OF THE BUILDING

GEOLOGICAL GEOLOGICAL

CULTURAL CULTURAL

SOCIAL SOCIAL

CONCEPT & PHILOSOPHY CONCEPT & PHILOSOPHY

FUNCTIONALITY FUNCTIONALITY

FORM AND GEOMETRY FORM AND GEOMETRY

VERNACULAR ELEMENTS:

VERNACULAR ELEMENTS:

PLANNING PRINCIPLES

PLANNING PRINCIPLES

CLIMATIC RESPONSE CLIMATIC RESPONSE

MATERIAL USAGE MATERIAL USAGE

LANDSCAPING LANDSCAPING

USER INTERACTION WITH THE USER INTERACTION WITH THE SPACE SPACE

SUSTAINABLE

Odisha is known for its magnificent temples, especially the famous Jagannath Temple in Puri, which is one of the Char Dham pilgrimage sites for Hindus.

The temples of Odisha are known for their intricate carvings and architectural brilliance, with the Kalinga style of architecture being prominent. The Sun Temple in Konark, a UNESCO World Heritage Site, is another remarkable example of Odisha's architectural prowess.

The official language of Bhubaneswar is Oriya. The language found its origin from the Indo-Aryan section of the Indo-European language family. Oriya language shares a resemblance with Assamese and Bengali. The original inhabitants of the city are Adivasis, who still uses some of the lesser known tribal languages to communicate.

Odissi, one of the eight classical dance forms of India, originated in Odisha and is known for its graceful movements and expressive storytelling.