Portfolio - Iman Ramshini

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Creativity has always b e en the leavening element in my p ersonality. I have always sought various challeng es and conver te d them into opp or tunities. As a 22-yeariman.ramshini@gmail.com old multi-cultural individual, I trie d to work, travel and exp erience dif ferent +31614826103 forms of ar ts and their substantial elements. I enjoy co oking, photography and sp or ts alongside professional https://www.linkedin.com/in/iman-ramshini-a15067158 work and designing. These activities retain my mind unrestricte d to diverse approaches regarding meaning ful and functional designs.

Admiraliteitskade 40-811, Rotterdam

R A M S H I N I

BSc of Architecture, urbanism and building science, designer

E D U C A T I O N S

Allameh Tabatabaee School TEHRAN, IRAN

GPA: 87/100

High Allameh Tabatabaee School TEHRAN, IRAN

09/2015 - 07/2016 GPA: 19.85/20

C E R T I F I C A T E S

3 D S- M A X & A UT O C A D B E G I NN E R S T O A DVA N C E D

A DVA N C E D D I P LO M A I N I N T E RIOR DECORATION

Tehran Institute of Technology TEHRAN, IRAN

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URBAN DESIGN

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09/2014 - 06/2015 Semi-final

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Allameh Tabatabaee High School TEHRAN, IRAN

04/2015 - 10/2015 Certificated

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M AT H PHYSICS YMPIAD

Box Hill Institute TEHRAN, IRAN

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Delft University of Technology DELFT, NEDERLAND

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Delft University of Technology DELFT, NETHERLANDS

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HIGH SCHOOL D I P LO M A IN M AT H E M AT I C S A N D P H Y S I C S - H AVO D I P LO M A

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ROTTERDAM, NETHERLANDS

YEAR P R E - U N I V E R S I T Y IN A N D C E R T I F I C AT E M AT H E M AT I C S A N D University of Amsterdam P H Y S I C S - H AVO D I AMSTERDAM, NETHERLANDS P LO M A 09/2016 - 06/2017 FOUNDING IN BUSINESS ECONOMICS

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I N T E R N S H I P A R C H I- B AC H E LO R A R C H IT E C T U R E A N D I N T E- T E C T U R E, U R B A NRIOR DESIGN ISM AND BUILDING KRAAIJVANGER ARCHITECTS SCIENCES

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INCLUSIV(C)ITY

CreAtING AN INcLUsIVe cItY FroM A hUMAN eYe perspectIVe

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n al nex o i s n e u m i so d e fa e r n h t

y t i c e v i s u l c in

concept of neighbourhood Equal rights and participation

ECONOMIC INCLUSION

Creating jobs for all

SOCIAL INCLUSION

Residents enjoying economic growth

preserve current identity diverse groups

SPATIAL INCLUSION affordable housing for all

diverse architectural styles

accessibility

proximity

T h e Concept diagram

We h a v e a d r e a m . T h e d r e a m t h a t R o t t e r d a m w i l l b e c o m e a s h o w c a s e f o r t h e f u t u r e i n c l u s i v e c i t y. W i t h m o r e t h a n 1 m i l l i o n r e s i d e n t s w e f e e l t h a t w e s h o u l d strive to make the city as inclusive as we can. But what is an inclusive city? An i n c l u s i v e c i t y i s o n e t h a t v a l u e s a l l p e o p l e a n d t h e i r n e e d s e q u a l l y. I n o r d e r t o u n derstand the term of inclusivity and to identify potential opportunities, we discern 3 categories: • Spatial inclusion • Social inclusion • Economic inclusion 6

“REDEVELOPING THE AREA OF ALEXANDER-ZUIDPLEIN FROM A HUMAN EYE PERS P E C T I V E W I T H A N U LT I M AT E G O A L O F I N C R E A S ING USERS’ SENSE OF INCLUSIVITY IN ALL THREE A S P E C T S ; S PAT I A L , S O C I A L AND ECONOMIC, WHILE FUTURE- PROOFING THE C I T Y A N D R E TA I N I N G I T S LOCAL IDENTITY.” 3D model 7

Site plan

Water compa

Site cross section 8

any

TO D E S I G N A N I N C L U S I V E C I T Y , W E H AV E TO P U T A S P E C I A L F O C U S O N T H E S PAT I A L A N D S O C I A L E X P E R I E N C E F R O M T H E H U M A N S C A L E , L O O K I N G I N TO H O W D I F F E R E N T D E C I S I O N S W I L L A F F E C T T H E P E O P L E W E D E S I G N F O R . TH I S WAY , W E WA N T TO U S E T H E H U M A N E Y E P E R S P E C T I V E A S A TO O L TO C R E AT E T H E I N C L U S I V E C I T Y . M O R E O V E R , S TA R T I N G F R O M A S M A L L E R S C A L E W I T H O U R C A S E S T U D Y D E E S C H , W I L L H E L P U S V I S UA L I Z E H O W T H E I N C L U S I V E C I T Y W I L L L O O K L I K E TO B E A B L E TO A P P LY I T ON A BIGGER SCALE (A-Z AND REGIONAL).

H AV I N G T H I S V I S I O N I N M I N D , W E WA N T TO I N T R O D U C E 4 C O N C R E T E I N T E R V E N TIONS IN OUR DESIGN FOR DE ESCH: S E C O N D LY , C R E AT I N G A F U T U R E - P R O O F L I V I N G E N V I R O N M E N T I S E S S E N T I A L TO I M P R O V E T H E WA L K A B I L I T Y O F T H E C I T Y A N D I M P R O V E T H E W E L L B E I N G O F I T S C I T I Z E N S . TO AC H I E V E T H AT , W E W I L L C R E AT E A G R E E N R O U T E F O R B I K E R S A N D P E D E S T R I A N S AC R O S S T H E E N T I R E P L A N A R E A F R O M A - Z . TH E G R E E N R O U T E W I L L C O N N E C T N O R T H A N D S O U T H W I T H N E W WAY S O F WAT E R T R A N S P O R T L I K E R O B O AT O R WAT E R TA X I .

MOREOVER, PRESERVING AND ENHANCING THE LOCAL IDENTITY OF DE ESCH WILL BE A F O C U S P O I N T A S W E L L . G I V I N G A L L P E O P L E T H E O P P O R T U N I T Y TO K N O W T H E H I S TO R Y O F T H E I R H O M E W I L L M A K E T H E M M O R E C O N N E C T E D TO I T . E N H A N C I N G I T S G I V E N L A N D S C A P E A N D M O N U M E N T S , D E E S C H W I L L H AV E A N E W C U LT U R A L C E N T E R I N DW L , A N D A TI D E PA R K W I L L B E C R E AT E D E M B R AC I N G T H E U N I Q U E P O L D E R A N D DIKE LANDSCAPE OF THE AREA. F I N A L LY , I N O R D E R TO I N C R E A S E T H E E C O N O M I C VA L U E I N R E S P O N S E TO T H E I N C R E A S I N G P O P U L AT I O N A N D TO P R O V I D E M O R E J O B O P P O R T U N I T I E S F O R A L L , A K N O W L E D G E C L U S T E R F R O M T H E B R A I N PA R K TO T H E P O R T R O T T E R D A M I S R E A L I Z E D .

W I T H A G R O W I N G P O P U L AT I O N , M O R E H O M E S W I T H D I V E R S E H O U S I N G T Y P O L O G I E S A R E B U I LT I N D I F F E R E N T D E N S I F I C AT I O N , A C O M B I N AT I O N O F H I G H A N D L O W R I S E B U I L D I N G S W I L L B E C R E AT E D .

Urban farming

Under the bridge

Getijdenpark

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L o o K I N G I N to s c A L e F r o M A - Z , I N o r D e r to I N c r e A s e I N c L U s I V I t Y I N t h e c I t Y W e WA N t to I N t r o D U c e M e A s U r e s r e G A r D I N G Ac c e s s I B I L I t Y A N D F U t U r e - p r o o F I N G t h e c I t Y .

F I r s t LY , t h e Ac c e s s I B I L I t Y A N D c o N N e c t I V I t Y o F t h e A r e A W I L L B e I M p r oV e D I N o r D e r to B r e A K D oW N t h e c U r r e N t s t r o N G B o r D e r s B e t W e e N A r e A s . C r e At I N G Ac c e s s I B L e p U B L I c s pAc e A N D c o N N e c t I N G A L L p e o p L e to t h e r e s t o F R ot t e r DA M I s K e Y I N t h e I M p L e M e N tAt I o N o F I N c L U s I V I t Y I N t h e c I t Y . W e WA N t to Ac h I e V e t h I s B Y p L Ac I N G N e W I N F r A s t r U c t U r e F o r p U B L I c t r A N s p o r t ( t r A M A N D M e t r o ) , I M p r oV I N G eXIstING BIKe AND cAr LANes AND WIth the coNstrUctIoN oF A B r I D G e F o r c Yc L I s t s A N D p e D e s t r I A N s B e t W e e N t h e s o U t h A N D t h e N o r t h o F R ot t e r DA M . B Y c r e At I N G t h I s p e D e s t r I A N B r I D G e W e W I L L c o N N e c t t h e E s c h ( F r o M I t s c U Lt U r A L c e N t e r ) to F e Y e N o o r D . I t W I L L c o N s I s t o F 2 B I K e L A N e s A N D o N e W I D e p e D e s t r I A N pAt h W I t h G r e e N e r Y . W I t h t h I s B r I D G e W e e N A B L e A L L r e s I D e N t s o F D e E s c h to Ac c e s s e A s I LY A L L t h e A M e N I t I e s o F t h e c I t Y I N A FA s t e r A N D e A s I e r WAY , A s W e c o N V e r t D e E s c h I N to A c e N t r A L p o I N t I N t e r M s o F c o N NectIVItY IN the A-Z AreA. S e c o N D LY , c r e At I N G A F U t U r e - p r o o F L I V I N G e N V I r o N M e N t I s e s s e N t I A L to I M p r oV e t h e WA L K A B I L I t Y o F t h e c I t Y A N D I M p r oV e t h e W e L L B e I N G o F I t s c I t I Z e N s . To Ac h I e V e t h At , W e W I L L c r e At e A G r e e N r o U t e F o r B I K e r s A N D p e D e s t r I A N s Ac r o s s t h e e N t I r e p L A N A r e A F r o M A - Z . Th e G r e e N r o U t e W I L L c o N N e c t N o r t h A N D s o U t h W I t h N e W WAY s o F WAt e r t r A N s p o r t L I K e R o B oAt o r WAt e r tA X I .

A-Z vision m

Regional vision map 10

map

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Phasing vision

TH E TI D E PA R K I S A V E R Y I M P O R TA N T PA R T O F T H E G R E E N C O N N E C T I O N A S I T I S L O C AT E D I N B E T W E E N N O R T H A N D S O U T H . W I T H T H I S D E S I G N , W H I C H P R O M O T E S D I D AC T I C A N D I N T E R AC T I V E AC T I V I T I E S F O R A L L T Y P E S O F P E O P L E A N D T H AT C O N N E C T S T H E M TO T H E M A I N I D E N T I T Y O F R O T T E R D A M ( WAT E R ) , W E I N T E N D TO I M P R O V E T H E S O C I A L C O H E S I O N O F D E E S C H W I T H A F O C U S O N I N C L U S I V I T Y , A L S O B R I N G I N G R E S I D E N T S F R O M O T H E R A R E A S O F R O T T E R D A M TO T H I S O A S I S I N T H E C I T Y .

B Y C R E AT I N G A P E D E S T R I A N B R I D G E W E W I L L C O N N E C T T H E E S C H ( F R O M I T S C U LT U R A L C E N T E R ) TO F E Y E N O O R D . I T W I L L C O N S I S T O F 2 B I K E L A N E S A N D O N E W I D E P E D E S T R I A N PAT H W I T H G R E E N E R Y . W I T H T H I S BRIDGE WE IMPROVE THE CONNECTIVITY OF DE ESCH WITH SOUTH-ROTTERDAM. U R B A N FA R M I N G : A L O N G T H E R E G I O N A L D I K E , T H AT U S E D TO B E A W I D E U N U S E D G R E E N S PAC E , W E S E E A L I V E LY S H A R E D S PAC E M A D E F O R U R B A N FA R M I N G . TH I S I S A C O M M U N A L AC T I V I T Y F O R A L L T H E P E O P L E I N DE ESCH WHICH IMPROVES THE SENSE OF COMMUNITY AMONG THE NEIGHBOURS.

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COAST LINE: THE NEW COAST LINE CONSISTS OF A PEDESTRIAN ROUTE THROUGH THE WHOLE COAST IN DE E S C H . W E E N H A N C E T H E G O A L S O F T H E M U N I C I PA L I T Y O F R O T T E R D A M TO M A K E T H E C O A S T O F D E M A A S M O R E I N T E R AC T I V E . B Y M A K I N G T H E G R E E N E R Y M O R E AC T I V E A N D B Y I M P R O V I N G P E D E S T R I A N A N D B I K I N G PAT H S W E I N C R E A S E T H E S PAT I A L Q UA L I T Y O F T H E C O A S T A N D E N H A N C E T H E I D E N T I T Y O F WAT E R . W E R E M I N D P E O P L E T H AT R O T T E R D A M H A S A S T R O N G I D E N T I T Y W H I C H I S R E L AT E D TO WAT E R , A N D T H AT E V E R Y ONE CAN EXPERIENCE IT.

DW L TA N K S : TH E A R E A W H I C H WA S O R I G I N A L LY E N C L O S E D A N D M E A N T O N LY F O R T H E F U N C T I O N O F TH E E V I D E S WAT E R C O M PA N Y WA S D E S I G N E D I N A WAY T H AT I T B E C O M E S V I S I B L E A N D A P P R O AC H A B L E BY T H E R E S I D E N T S O F D E E S C H . B Y T H E N E W D E S I G N T H E P R I VAC Y A N D F U N C T I O N O F T H E C O M PA N Y I S N O T V I O L AT E D B U T I M P R O V E D . W E H AV E M A D E S U R E T H AT T H E WAT E R TA N K S T H AT A R E O F A G R E AT A R C H I T E C T U R A L A N D H I S TO R I C A L I M P O R TA N C E F O R T H E A R E A , A R E E X P O S E D F O R E V E R YO N E W H I L E AT T H E S A M E T I M E R E M A I N P R I VAT E . TH E O P E N A R E A S U R R O U N D I N G TA N K S I S D E S I G N E D TO H AV E A R E S T , E AT A N D I N T E R AC T .

F I N A N C I A L F E A S I B I L I T Y : D U E TO T H E I M P L E M E N TAT I O N O F T H E N A M E D I N T E R V E N T I O N S R E G A R D I N G T H E T H R E E M A I N G R O U P S O F S PAT I A L , S O C I A L A N D E C O N O M I C A L I N C L U S I V I T Y , T H E P R O J E C T R E AC H E S A N O V E R € 5 8 3 , 3 9 6 , 2 6 5 . 2 2 I N TO TA L . TH E P R O J E C T FAC E S A N E G AT I V E N C W I N T H E 3 R D P H A S E D U E TO T H E E X T E N S I V E P R O J E C T O F T H E T U N N E L B U T C A N B E TAC K L E D W I T H S U B S I D I E S F R O M T H E S TA AT D E R N E D E R L A N D E N . I N T H E E N D W E M A K E A B I G P R O F I T .

W I T H T H E S E I N T E R V E N T I O N S W E C R E AT E A N I N C L U S I V E G R E E N P U B L I C S PAC E F O R T H E I N H A B I TA N T S O F R O T T E R D A M A N D T R A N S F E R T H E E S C H I N TO A N E W AC C E S S I B L E U P C O M I N G A R E A .

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R e N oVAt I o N p r o j e c t s

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B L O S S O M O F WA R A storY oF the reNoVAtIoN oF A post-WAr coMpLeX

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Th I s DesIGN Is U N D e r WAY For AN eNseMBLe oF t Wo resIDeNtIAL BUILDINGs AND the coNNectING coLLectIVe s pAc e BetWeeN theM, A soc A L L e D ‘ s tA M p ’ , I N MArIAhoeVe, Th e H AG U e . Th I s s tA M p I s pA r t o F A s e r I e s AND Is L o c At e D oN the corNer oF the DIAMANthorst AND the ReIGersBerGerWeG. M A r I A h o e V e WA s s e t Up IN 1957 As A MIXeD GA r D e N c I t Y : A G r e e N NeIGhBoUrhooD, cLose to the ceNtre oF Th e H AG U e , D e s I G N e D BY t h e Yo U N G U r B A N p L A N N e r F r I t s VA N D e r SLUIjs.

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VA N Der SLUIjs WA s INspIreD BY AN e Xc U r s I o N he AND F e L L oW cIVIL s e r VA N t s F r o M t h e M U N I c I pA L I t Y o F Th e H AG U e M A D e I N 1 9 5 3 to DeNMArK AND S W e D e N . I M M e D I At e LY AFter the SecoND Wo r L D WA r , M U c h h A r D Wo r K WA s D o N e oN the coNstrUctIoN o F t h e W e L FA r e s tAt e AND cItIes sUch As S to c K h o L M AND C o p e N h AG e N Were A GUIDe For MANY DeVeLopMeNts IN the h o U s I N G s e c to r .

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Program requirements

OpeNING oF the ForMer eMptY GreeNerY AND I N c r e A s I N G the seNse oF AWA r e N e s s s h A p e s the s Y s t e M At I c G r I D o F D e V I At I o N IN the NeW GreeNerY AND BUILDINGs. BY IMpLeMeNtING the GrID LINes, seVerAL V I e W L I N e s h AV e BeeN reALIseD FroM DIFFereNt L o c At I o N s IN the sIte pLAN s p e c I F I c L Y the ForMer resIDeNces AND the NeW BUILDINGs.

For BrINGING B Ac K the ForMer socIAL Q UA L I t I e s oF the L o c At I o N NeXt to eMphAsIZING the h I s to r I c A L c h A r Ac t e r I s t I c s oF the BUILDING AND the MIXtUre oF these chArActerIstIcs WIth A More MoDerN A p p r oAc h .

Situation map

17

B A s e L I N e s o F t h e c o N c e p t h AV e B e e N D r I V e N F r o M 6 e L e M e N t s oF tINY hoUses,

G r e e N , c o M M U N I c At I o N , c o L L e c t I V e s pAc e s , s U s tA I N A B I L I t Y A N D h e A Lt h Y M I X . Th e s e e L e M e N t s h AV e B e e N c h o s e N to B r I N G o U t t h e M A X I M U M h I s to r I c A L c h A r Ac t e r o F t h e p r o j e c t W I t h t h e A I M o F M o D e r N s o L U t I o N s F o r r e N oVAt I o N .

Tiny Houses

AS A RESULT OF KEEPING THESE C H A R A C T E R I S T I C S , T H E L- F O R M E D B L O C K HAS BEEN KEPT WITH MAJOR INTERIEUR CHANGES TO CREATE VARIOUS SPACES FOR DIVERSE HOUSEHOLD SIZES AND ACHIEVING THE MENTIONED ELEMENTS THROUGHOUT THE COMPLEX.

Green

Renovation of the ground floor plan

Communication

Renovation of the 1th floor plan

Collective spaces

Sustainability

Renovation of the 2th floor plan

Healthy mix Renovation of the 3,4th floor plans

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OpeNING oF the eMptY ForMer GreeNerY AND

I N c r e A s I N G oF the seNse

AWA r e N e s s

shApes the s Y s t e M At I c G r I D o F D e V I At I o N I N the NeW GreeNerY AND BUILDINGs. BY IMpLeMeNtING the GrID LINes, seVerAL V I e W L I N e s h AV e BeeN reALIseD FroM DIFFereNt L o c At I o N s IN the sIte pLAN s p e c I F I c L Y the ForMer resIDeNces AND the NeW BUILDINGs.

Tiny Houses plan

Axo 19

A N e X t r A Vo L U M e o F s t e e L F r A M e W I t h t F U N c t I o N A L I t Y o F A N I N c L U s I V e s pAc e h A s B A D D e D . S I t t I N G FAc I L I t I e s I N s p I r e t h e U s e r to t h I s FAc I L I t Y W I t h c o M M U N I c At I o N p U r p o s e . T pA s s AG e WAY I N c L U D e s A L I F t F o r B e t t e r DY N A M I c F Users WIth DIsABILItIes.

Renovation east facade

TH E O U T E R L A Y E R O F B R A K E I N T FACADE HAS BEEN REMOVED AND RENOVAT TO REVEAL THE HISTORICAL CHARACT OF THE BUILDING. USAGE OF CONCRE AS THE LOAD BARRIER WAS A STANDA ARCHITECTURAL SOLUTION DUE TO THE SPE AND FUNCTIONALITY OF IT.

Tiny Houses north facade

Renovation west facade

Th e r A N D o M p L Ac I N G o F t h e W I N D oW s WA s the MAIN recoGNIZABLe pAt t e r N I N t h I s B L o c K .

Th e s A M e s t r At e G Y h A s B e e N tA K e N A F t e r the r e N oVAt I o N For the M At t e r oF s U s tA I N A B I L I t Y oF FUNctIoNALItY. Th e G L A s s h A s B e e N r e p L Ac e D W I t h D o U B L e G L A s s F o r r e Ac h I N G the coNNectIoN BetWeeN the oLD pAt t e r N AND the MoDerN reFLectIoN. 20

Tiny Houses south facade

Renovation south facade

Renovation north facade

the eeN Use Th e For

THE TED TER ETE ARD EED

Staal geborsteld 8 mm hoekprofiel

Prefab sandwich paneel (3 lagen): Bepleistering

Koral beton dragende laag Stijve isolatie Buitenspouwblad in architectonisch beton HEA 180

Zwevende dekvloer op visqueen en akoestische isolatie Betonwelfsels en druklaag

Glazen schuifdeur H++

Aluminium kozijn houten steun voor kozijn

Gescheiden fundering voor stalen galerij

Facade fragment

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DesIGN projects

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L E G AC Y O F G R O E N E W E G E N

CAthArsIs IN LIGht oF The ANthropoceNe

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LEGACY OF GROENEWEGEN (LOG) HAS INSPIRED BY THE FORMER SHIP CRAFTSMAN GERRIT GROENEWEGEN (1754-1826), WHO CHANGED HIS CAREER THROUGH A TRAGIC ACCIDENT. THIS TRAGIC ACCIDENT COST GROENEWEGEN A LEG. A LOST THAT LED TOWARD HIS SUCCESSFUL AND FAMOUS PAINTING CAREER. THIS MATTER HAS OCCURRED DUE TO LIMITATIONS IN ONE SENSE OF GROENEWEGEN AND DEVELOPMENTS IN OTHER SENSES. THE LIFE STORY OF GROENEWEGEN INSPIRED THIS DESIGN TO CREATE A SPACE IN WHICH SENSORY PERCEPTION OF THE USERS WITH THE fiVE HUMAN SENSES WOULD BE PLAYED WITH AND LIMITED TO SOME EXTENT TO RAISE AWARENESS. IN THE FRAMEWORK OF LOG PROJECT, THE GUIDING THEME OF SENSORY PERCEPTION IS THE INITIAL STEP OF THE DESIGN PROCESS. APART FROM THE ARTISTIC AND HISTORICAL REFLECTION OF THE LOCATION IN THE GUIDING THEME, SEVERAL MATERIALS HAVE BEEN USED WITH THE AIM OF EMPHASIZING THE CORRELATION BETWEEN MATERIALIZATION AND SENSORY DESIGN. THEREFORE, THE IMPORTANCE OF THE MATERIAL SUCH AS CONCRETE, GLASS AND WOOD AS THE LEAD ACTORS IN THE SCENARIO OF SENSOR PERCEPTION IS WIDE VISIBLE. HOWEVER, TO COME ALONG WITH A BETTER PERSPECTIVE ABOUT THE REASONING BEHIND THIS DESIGN DECISION, CERTAIN UNDERSTANDING IS REQUIRED ABOUT THE CORRELATION OF MATERIALIZATION AND SENSORY DESIGN (FIGURE 2&3). THE INITIAL UNDERSTANDING REQUIRED FOR REALIZING THIS CORRELATION IS THAT DUE TO THE WIDE RANGE OF DIFFERENT DECISIONS (BUCHANAN, 1992; DOW ET AL., 2010; DORST, 2011). EMPHASIZING ON THE MATERIALIZATION IN BETWEEN ALL THE AVAILABLE TOOLS IN DOMAINS DOES NOT DEfiNE THE CONSCIENCE OF THE DESIGN DECISION TILL THE LATER STAGES OF DESIGN IN SENSORY DESIGN WHICH REFLECTS AS SHADOWS AND SMELL IN THE COMPLEX. HOWEVER, IT REFLECTS THE ACHIEVEMENT OF THE PROJECT THROUGH THE SENSORY EXPERIENCE OF THE USERS IN THE COMPLEX IN DIFFERENT TIMES OF THE DAY AND DIFFERENT WEATHER CONDITIONS. THEREFORE, IT IS NECESSARY TO EVALUATE THE DESIGN DECISION WITH ATTENTION TO THE CHARACTERISTICS OF THE CHOSEN GENERIC ELEMENTS. THESE HAVE BEEN SUCCESSFULLY IMPLEMENTED IN THE LGW BY THE RESULTED ANONYMISE CHARACTER BEHIND THE CURVED SHADOWS IN VARIOUS SPACES. THE PRESENCE OF SPECIfiC CEMENT ON THE FLOOR, THE REFLECTION FROM THE FOOTSTEP PLAYS AN MOVING ROLE IN THE SENSORY EXPERIENCE OF THE USERS TROUGH DIFFERENT SPACES WITH DIFFERENT CEILINGS. THE AVAILABILITY OF GLASS FAÇADE WITH OPENINGS PROVIDE THE SUITABLE OPPORTUNITY FOR THE WIND TO BLOW INSIDE THE BUILDING AND BRINGS THE SMELL OF NATURE IN THE INTERIOR OF THE OPEN SPACES.

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Frond facade 1:500

TASTE

Right facade 1:500

TOUCH

HEARING

SIGHT

SMELL

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1.ENTRANCE 137 m2 2.STORAGE 120 m2 3.CHANGING ROOM (OD) 90 m2 4.CLIMBING ROOM 62.5 m2 5.PERSONEL ROOM 73.8 m2 6.TOILETS 135 m2 7,LESSON ROOM I 236.3 m2 8.STORAGE (OD) 120m2 9.COMPETITION ROOM HBO 40 m2 10.INSTALATION ROOMI 35 m2 11.CHANGING ROOM S 4 m2 12.STAIRWAY 13.OFFICE 300 m2 14.MEDIOTECH GS 200 m2 15.MEDIOTECH MP 204 m2

16.MEDIOTECH GW 234 m2 17.LECTURE HALL 145.3 m2 18.TOILET 110 m2 19.SPORT LAB 30 m2 20.RESTAURANT 283.5 m2 21.SPORT HALL 5 365 m2 22.LESSON ROOM II 153.3 m2 23.COMPETITION ROOM HBO 50m2 24.TOILET 155 m2 25.CHANGING ROOM 93m2 26.SPORT HALL 1,2,3 1067 m2 27.SPORT HALL 688 m2 28.TOILET 76 m2 29.CHANGING ROOM 50 m2

1

4

3 11

10

9

12

5

8

7

6 Ground floor 1:500

SUMMER SCHEME CURTAIN WALL FACADE AND TWO OPENINGS IN THE BUILDING LET TWO PROVIDING SUNLIGHT IN ALMOST ALL THE SPACES WITH SUNLIGHT REQUIREMENTS. THEREFORE, THE EDGES OF THE SPACES ARE REACHED WITH NATURAL LIGHTS, AND THE CORE OF THE SPACES ARE DARK TO CREATE THE SHADOW PATTERNS FOR SIGHT SENSORY EXPERIENCE.

PVT PANELS ORIENTED 36 DEGREES TO THE SOUTH

19

MECHANICAL VENTILATION THROUGH THE PRIVATE SPACES, WHICH REQUIRES BOTH IN AND OUT BLOW IN EACH SPACE. THIS SPACE OF ALMOST 500MM HAS BEEN CREATED BY USING WOODEN PLATES IN WILLING HIGHT.

COOLING TROUGH THE VARIOTHERM SYSTEM WITH WOODEN PLATES. THE COOLING HAS BEEN DONE THROUGH THE CEILING, TROUGH THE WOODEN PLATES. THESE PLATES ARE ISOLATED FROM ABOVE WITH ACOUSTIC VALUES .

2

NATURAL VENTILATION FOR THE PUBLIC SPACE TOWARD THE BOTTOM, RESULTING IN BLOWING TOWARD THE PLANTING AROUND THE FACADE’S INTERIOR TO CREATE SMELL SENSOR EXPERIENCE OF NATURE AND REACH THE WILLING TEMPERATURE BETWEEN OUTSIDE AND INSIDE.

SUN BOILER IS USED IN THE SUMMER FOR WARMING UP THE TAP WATER AND SHOWER.

WKO AND WARMTEPOMP FOR COOLING

13 17

WATER TANK FOR SAVING WATER FROM THE INTERIOUR GARDENS AND RAIN FOR USAGE IN WC

WINTER SCHEME CURTAIN WALL FACADE AND TWO OPENINGS IN THE BUILDING LET TWO PROVIDING SUNLIGHT IN ALMOST ALL THE SPACES WITH SUNLIGHT REQUIREMENTS. THEREFORE, THE EDGES OF THE SPACES ARE REACHED WITH NATURAL LIGHTS, AND THE CORE OF THE SPACES ARE DARK TO CREATE THE SHADOW PATTERNS FOR SIGHT SENSORY EXPERIENCE.

14

16

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PVT PANELS ORIENTED 36 DEGREES TO THE SOUTH

MECHANICAL VENTILATION THROUGH THE PRIVATE SPACES, WHICH REQUIRES BOTH IN AND OUT BLOW IN EACH SPACE. THIS SPACE OF ALMOST 500MM HAS BEEN CREATED

BY USING WOODEN PLATES IN WILLING HIGHT.

15

1st level 1:500

LBK

Sun boiler

HEATING TROUGH THE VARIOTHERM SYSTEM WITH WOODEN PLATES. THE HEATING HAS BEEN DONE THROUGH THE CEILING, TROUGH THE WOODEN PLATES. THESE PLATES ARE ISOLATED FROM ABOVE WITH ACOUSTIC VALUES .

SUN BOILER IS USED IN THE SUMMER FOR WARMING UP THE TAP WATER AND SHOWER.

WKO AND WARMTEPOMP FOR HEATING

NATURAL VENTILATION FOR THE PUBLIC SPACE TOWARD THE BOTTOM, RESULTING IN BLOWING TOWARD THE PLANTING AROUND THE FACADE’S INTERIOR TO CREATE SMELL SENSOR EXPERIENCE OF NATURE AND REACH THE WILLING TEMPERATURE BETWEEN OUTSIDE AND INSIDE.

22

20

WATER TANK FOR SAVING WATER FROM THE INTERIOUR GARDENS AND RAIN FOR USAGE IN WC

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25 10

21

24 2nd level 1:500

Zen garden

27

29 26 28 Public space 26

3rd level 1:500

FIRE STOP

SELF LEVELING SCREED 18MM +EPOXY AFWERKING 2MM STAALPLAATBETONVLOER 300MM

GLASWOL 67MM DIVIDER 470 MM HIGHT

VERTICAL ATTACHMENT BRACKET

GLASWOL 100-200 MM

HEA 180 GLASWOL 124 MM

AKUPANEL RUSTIEK NATUURLIJK EIKEN 40mm

APPLY WOOD 50MM CHS-193.7-14.2 FERMACELL GYPSUM FIBREBOARDS 120MM GLASWOL 200 MM

ALUMINIUM KOZIJN WITH VENTILATION

SPOUW 50MM

STEEL ANKERING MODULESTANDARDPANEL 15MM

FIRETDOEK 15MM AKUPANEL RUSTIEK NATUURLIJK EIKEN 25MM

Details 1:50

Facade fragment 1:20 27

CoMpetItIoN projects

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L U N A S O L AC E

CAthArsIs IN LIGht oF The ANthropoceNe

29

EVERY SECOND YEAR SINCE 2004, THE VELUX GROUP HAS INVITED STUDENTS OF ARCHITECTURE TO PARTICIPATE IN THE INTERNATIONAL VELUX AWARD. THE AWARD SEEKS TO CHALLENGE THE STUDENTS TO EXPLORE THE ROLE OF DAYLIGHT IN ARCHITECTURE AND INSPIRE NEW THINKING. THE AIM OF THE AWARD IS TO ENGAGE WITH STUDENTS OF ARCHITECTURE ABOUT HOW TO USE SUNLIGHT AND DAYLIGHT AS MAIN SOURCES OF ENERGY AND LIGHT AND HOW TO ENSURE HEALTH AND WELL-BEING OF THE PEOPLE WHO LIVE AND WORK IN BUILDINGS. 30

LUNA SoLAce AIMs to proVIDe thAt WhIch Is Most LAcKING IN the LIVes oF MetropoLItANs Who hAVe BecoMe DetAcheD FroM the MeANINGs oF theIr LIVes. It GAINs Its NAMe FroM the roMAN persoNIficAtIoNs oF the MooN (LUNA) AND her Brother, the sUN (SoL). OUr proposAL tAKes A stANce AGAINst the speeD, chAos, AND DIstrActIoN oF the MetropoLIs, MAKING Use oF LIGht As A tooL to coNNect Us

to the FeeLING oF BeING pArt oF NAtUre, soMethING MUch LArGer thAN oUrseLVes. For ALL techNoLoGIcAL ADVANceMeNt, We As A socIetY hAVe reGresseD spIrItUALLY, LosING toUch WIth the DIVINe.

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WITH LUNA SOLACE WE PROVIDE A SPACE IN WHICH ONE MIGHT fiND RESPITE FROM THE METROPOLITAN HUBBUB OF ROTTERDAM CITY, IN THE NETHERLANDS, BY ENGAGING WITH THE ENVIRONMENT IN A MORE REAL, PRIMAL SENSE. ROTTERDAM IS LOCATED IN THE RANDSTAD, A REGION DEfiNED NOT ONLY BY ITS IMMENSE POPULATION DENSITY, BUT ALSO BY ITS LIGHT POLLUTION, WHICH IS AMONGST THE WORST IN THE WORLD. AS A RESULT, THE NATURAL CYCLES ARE ESSENTIALLY REMOVED HERE AS THE SKY SHIFTS FROM BLUE TO ORANGE BUT THE DAY GOES ON, AND THE CITY DOESN’T SLEEP. WE HAVE BECOME COMPLETELY DETACHED FROM CELESTIAL, CIRCADIAN AND NATURAL CYCLES, AND LUNA SOLACE AIMS TO REINCORPORATE THESE INTO OUR LIVES.

Situation map

THE DUTCH LANDSCAPE IS ALMOST ENTIRELY DESIGNED, IN LARGE DUE TO ITS HISTORICAL RELATIONSHIP WITH WATER. ALTHOUGH HAVING BEEN CRUCIAL FOR THE SUCCESS OF THE NETHERLANDS, WATER IS OFTEN PERCEIVED AS A THREAT WHICH MUST BE CONTROLLED. IN LUNA SOLACE WE REDEfiNE THIS RELATIONSHIP BY EMPOWERING THE TIDAL CYCLES, GOVERNED BY THE MOVEMENTS OF THE SUN AND MOON. IN WALHAVEN, THE ENTRANCE TO LUNA SOLACE IS A PIER JUST ABOVE LOW TIDE HEIGHT, PROVIDING ACCESS AND EXIT ONLY DURING LOW TIDE. THIS ALLOWS YOU TO REMAIN IN TEMPORARY ISOLATION BETWEEN THE TIDAL CYCLES, CONNECTING YOU TO THE MOVEMENT OF CELESTIAL BODIES. AS YOU APPROACH THE LOCATION, WALKING THROUGH ONE OF THE MOST INDUSTRIAL AREAS OF ROTTERDAM, YOU WILL WAIT ON LAND WATCHING THE WATER SLOWLY REVEAL THE PATH TO YOUR DESTINATION. ONCE THE WATER IS LOW ENOUGH YOU MAY PROCEED, WALKING ALONG THE 500-METRE PATH YOU BECOME SURROUNDED BY AN EXPANSE OF WATER, REALISING THE INFERIORITY OF MAN IN THE PRESENCE OF NATURE. ON THE SUMMER SOLSTICE AS YOU WALK FORWARDS, THE SUNRISE OCCURS EXACTLY BEHIND LUNA SOLACE, A RARE EVENT. TWELVE MINUTES, AND AN INTIMIDATING PILGRIMAGE LATER YOU ENCOUNTER THE ENTRANCE TO LUNA SOLACE: A PORTAL THROUGH A ROUND FACADE WHICH GIVES AWAY NO SECRETS. 32

Tide movement 33

UPON ENTERING LUNA SOLACE, YOU ARE CONFRONTED WITH A SPIRALLING STAIRCASE WRAPPING AROUND THE INTERIOR SPACE LEADING DOWN BELOW. ORGANIC OPENINGS IN THE INTERIOR WALL PERMIT LIGHT TO POUR INTO THE STAIRCASE, PROVIDING YOU WITH GLIMPSES TO THE SKY AS WELL AS DOWNWARDS TO THE BOTTOM OF LUNA SOLACE. AFTER YOUR DESCENT, YOU ENCOUNTER A SUBTERRANEAN WATER GARDEN; THIS POOL OF REFLECTION MIRRORS THE MOVEMENT OF THE SUN AND MOON ABOVE. HERE, WE HAVE PULLED THE SKY DOWN INTO THE EARTH, AND YOU ARE FLOATING BETWEEN TWO SKIES BOTH ABOVE AND BELOW. DURING HIGH TIDE TWO CHANNELS ABOVE LET MINIMAL AMOUNTS OF WATER IN, GLISTENING THE INTERIOR WALLS. WITHIN THE POOL OF REFLECTION THE USER EXPERIENCES A KIND OF PEACE UNATTAINABLE IN THE WORLD ABOVE, AND YOU ARE POSITIONED SUCH THAT THE SOLE POINT OF YOUR ATTENTION IS THE LIGHT, BE IT FROM THE SUN OR FROM THE MOON, OR FROM THE LIGHT POLLUTION OF THE CITY AND NEARBY GREENHOUSES.

REMAINING IN LUNA SOLACE BETWEEN TIDAL CYCLES ALLOWS YOU TO SLOW DOWN AND CONTEMPLATE, EXPERIENCING THE GRADUAL MOVEMENT OF LIGHT ACROSS THE INTERIOR FACADE OF THE SUBTERRANEAN GARDEN DURING THE DAY. AT NIGHT, THE OCULUS ABOVE REVEALS A HIDDEN GALAXY, AND THE INTROVERTED CHARACTER OF DARKNESS ENABLES YOU TO CONNECT WITH YOURSELF AND THE COSMOS BETTER IN COMPLETE ISOLATION AND STILLNESS.

Axo

Tide diagram

34

Shadow inside the structure

BY DIRECTING THE ATTENTION TO THIS SKY AT NIGHT WE SET THE STAGE FOR A KIND OF DISAPPOINTMENT, THAT IS, A DISAPPOINTMENT IN SOCIETY’S CHOICE TO DISREGARD THEIR POSITION IN THE UNIVERSE, GOING SO FAR AS TO DESIGN THEIR NIGHT SKY WITH A TOXIC ORANGE HUE. WE HOPE THAT ONE DAY LIGHT POLLUTION WILL BE BETTER CONTROLLED AND LOCALISED, MAKING THE MILKY WAY VISIBLE. AS THE TIDE RECEDES AGAIN, THE WALLS MATTEN, AND IT IS TIME FOR YOU TO GO BACK AND FACE THE WORLD. ASCENDING THE STAIRS, THE POSITION OF LIGHT HAS SHIFTED, MARKING YOUR CHANGED COSMIC POSITION. THE JOURNEY ALONG THE HIDDEN PATH SEEMS LONGER NOW AS YOU LEAVE THIS PLACE OF TRANQUILITY, BUT YOU ARE NOW REBORN IN THE SENSE THAT YOU UNDERSTAND SOMETHING YOU PREVIOUSLY DIDN’T. WITH THIS WE HOPE TO HAVE GIVEN YOU THE STRENGTH TO RETURN TO THE CHAOS OF THE CITY AND LIVE IN IT WITH A NEW KIND OF HARMONY, KNOWING YOUR POSITION IN THE UNIVERSE.

Day concept

Night concept

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Other projects

36

37

C2C HOUSING

A cIrcULAr ANsWer to coMFort Open space Under the window flower pot Private organic garden Central exhibition-work station Organic seeds Minimum horizental diviation Possible livingroom Deep natural light

Smart Tint - Light in shower Eiland - Workstation side Smart Tint - Sliding door Extra workspace Reading space

Fragrant indoor plants

38

CrADLe to crADLe hoUsING project Is A resIDeNtIAL project WhIch KrAAIjVANGer hAs the INItIAtIVe oF the DesIGN WIth C2C ApproAch. ThIs project FocUses oN the GreeN eArth AND cIrcULArItY throUGhoUt the WhoLe DesIGN IN ALL scALes FroM the DoorKNoBs to ALL the fiNIshING MAterIALs. ThereFore, thIs DesIGN NeeDeD FUrther reseArch reGArDING coMpANIes AND MAterIALs fittING IN the cIrcULAr FrAMeWorK oF the projects. I hAD the respoNsIBILItY oF reseArchING ALL the cIrcULAr AND GreeN ALterNAtIVes For fiNIshINGs, FUrNItUre AND rItUALs For DIFFereNt spAces.

The DIAGrAMs MADe Are the resULts oF MY reseArch WhIch hAVe BeeN preseNteD to KrAAIjVANGer.

Plan scheme

Bedroom scheme

39

C2C HOUSING

A cIrcULAr ANsWer to coMFort Corner kitchen

Circular Home Lab

Eiland - Exhibition/Bench side

Fragrant indoor plants

Open space

Glass railing Lazy cubes (different hights) Open plan Herbs flowers Sitting cubes (different hights)

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Livingroom scheme

Balcony scheme

41

POSTNL

NeW INterIor oF the MoNUMeNt

LOS INTERIEUR

5de verdieping

6de verdieping

VAST INTERIEUR

5de verdieping

6de verdieping

WANDE OMSLOTEN RUIMTE 5de verdieping

6de verdieping

NIEUWE VLOER + VIDES T.B.V DUBBELHOGE DYNAMISCHE ZONE EN TUIN + VERBINDENDE TRAPPEN 6de verdieping

MONUMENT + VIDE INGREEP

5de verdieping

42

PostNL Is A MoNUMeNt WhIch cArrIes A Lot oF VALUe. The INterIor oF t oVAteD AND reDesIGNeD The INterIor hAs BeeN D the VALUes oF the BUILDIN the opportUNItY to Be I the sMALL scALe oF LocK ING proDUcts to Be pUBLI DIAGrAM shoWs the oLD NeWLY INtroDUceD VALU tIoNALItIes AND spAce AN

6de verdieping

5de verdieping

Detailed scheme

tAL BUILDING IN the HAGUe hIstorY AND ArchItectUrAL thIs BUILDING hAs BeeN reNBY KrAAIjVANGer thIs YeAr. DesIGNeD WIth AtteNtIoN to NG IN DIFFereNt DetAILs. I hAD INVoLVeD IN processes FroM Kers AND FUrNItUre to MAKIsheD to the pUBLIc. The tWo D DesIGN prINcIpLes AND the Ues AND prINcIpLes QUA FUNcND theIr coLLABorAtIoN.

Begane grond

Axonometry and spatial functions

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CIC

coLoUr DeFINes INterIor

KITCHEN

DATA MOTEL

CIC project INVoLVeD A Lot oF INterIor reNoVAtIoNs AND A NeW DesIGN reGArDING the FUrNItUre AND fiNIshINGs WhIch hAs BeeN DoNe BU KrAAIjVANGer. ThereFore, FoUr DIFFereNt coLoUr toNes hAVe BeeN UseD to eMphAsIse the DesIGN DecIsIoNs WIthIN the fiNANcIAL AND prActIcAL FrAMeWorK oF the project.

44

LIVING ROOM OFFICE SPACE IN thIs project, I tooK the INItIAtIVe oF MAKING the fiNAL reNDers oF the FoUr VArIeD spAces to eMphAsIse AND DIstINGUIsh the coLoUr UsAGe AND MAterIALIZAtIoN IN coLLABorAtIoN WIth fiXeD AND Loose FUrNItUre. The INForMAtIVe AND VIVID chArActerIstIcs oF the reNDers DespIte the tIMe LIMItAtIoNs resULteD IN the sAtIsFActIoN oF the cLIeNts.

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‘‘SPACE AND LIGHT AND ORDER. THOSE AS MUCH AS THEY NEED BREAD OR A PLA

ARE THE THINGS THAT MEN NEED JUST ACE TO SLEEP’’ LE CORBUSIER