Force One Magazine 48 - Spring 2026 issue

YEARS

FORCE ONE #48

LET'S RIDE!

As it has become our quiet tradition, the first issue of the year is never chosen at random. We allow ourselves to be guided by the Chinese horoscope - a ritual both playful and strangely prophetic. For 2026, the stars have delivered a creature we could not ignore: the Fire Horse.

The Year of the Fire Horse heralds passion, courage, energy and transformation. Passion, fortunately, has never deserted us. Courage, in the current historical moment, is not merely desirable - it is essential. As for energy and change, they have always been part of Force One’s DNA. In truth, we could not have wished for a more fitting emblem for this new chapter.

It seems we are in excellent company. The great maisons of fashion, haute horlogerie and high jewellery appear equally captivated by equestrian elegance. Within these pages you will discover a curated selection of horse-inspired creations - objects that capture motion, strength and grace in their purest form.

The highest honour of this issue, however, is our encounter with Nic Fiddian-Green, whom we regard as Britain’s most significant contemporary sculptor. His monumental equine heads have redefined the relationship between power and stillness - and, quite simply, few understand the horse as he does.

With equal pride, we confirm our exclusive partnership with The Collection Paris - arguably the club with the greatest number of “horses” anywhere, albeit measured in horsepower rather than hooves - as it continues its international expansion.

A special equestrian sports dossier will guide you through the season’s most prestigious events in show jumping, polo, flat racing and Arabian horse competitions. Meanwhile, Force One advances decisively into the worlds of finance and business as official media partner of the Monaco International Investment Forum.

In short, we have embraced the Fire Horse in full stride.

Hold the reins tightly - it promises to be an exhilarating ride.

Luca Marotta Publisher and Creative Director

Art. No copies.

ivanparadisi.com - contact@force-one.net

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12 - Art / NIC FIDDIAN GREEN

- Photography / OFF WHITE

- Horses / THE WORLD ON HORSEBACK

- Horses / TURF, SPEED, AND THE WEIGHT OF HISTORY

- Horses / WHERE TRUTH OUTRUNS GLOSS

- Horses / LINES, DISTANCES, AND NERVES

- Horses / THE ELITE GAME, NOW TRULY GLOBAL

- Horses / BEAUTY & BLOODLINES

- Fashion / THE COLLECTION

-

/ THE

- Watches / IN THE SIGN OF THE FIRE HORSE

- Jewellery / PRECIOUS AMULETS

- Culture / UTOPIA, ANYONE?

- Show / FEATHERS, SILK, AND PLAYFUL SEDUCTION

- Wellness

- Beauty / ONE DEVICE, SEVEN POWERS

/ A NEW VISION OF LUXURY

- Formula 1 / THE FLOATING ART HOTEL

- Racing / THE RALLY WARRIOR

- Style / VESPA: WE MYTH AGAIN !

- Mindful career / REACTING OR ANTICIPATING ?

- Tennis / ROLEX MASTERS MONTE-CARLO

- Business / MIIF MONACO 2026

-

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NIC FIDDIAN GREEN

SCULPTING STRENGHT, FAITH, AND THE SACRED HORSE.

by Chiara Condi

With the onset of the Year of the Fire Horse, it’s the perfect time to celebrate personal transformation and growth by exploring the captivating sculptures of Nic Fiddian Green. Nic is undoubtedly the artist who today best captures the majesty and power of this sacred animal.

Nic began his artistic explorations at the age of seven by drawing on his kitchen table. As a young boy, he was encouraged by his troubled mother and inspired by the legacy of his architect great-grandfather. Nic initially experimented with painting but soon discovered his exceptional talent and versatility with the pencil. Sketching quickly became a safe haven that allowed the young boy to temporarily escape his uneasy childhood. The more he explored art, the more Nic became interested in portraying the world in its three-dimensionality, observing things in shapes and capturing natural phenomena such as the light that bounces off objects or mountains. This early practice taught Nic one thing that stuck with him for the rest of his life: how to look.

Nic's early passion for art led him to formalize his education at Chelsea Art College. While at the British Museum searching for references to transcribe and transform into unique creations, Nic encountered by pure chance a marble sculpture. That encounter would shape the rest of his life and artistic career, centering it around a lifelong obsessive interest in the head of a horse. Although the Greek Parthenon friezes have inspired countless artists before Nic, the artist has integrated them into the core of his practice. The horse’s head in Selene driving the chariot epitomizes Greek sculptural beauty, harmony, and perfection. Its beauty remained artistically unsurpassed from 500 BC until the time of Michelangelo. The four horses made a lasting impression on the young art student, particularly one that was less fragmented yet still broken and incomplete. It inspired a lifelong quest to decipher that incredible level of beauty, to understand how it was achieved, and, as the artist says, "to do better." Today, forty years later, Nic continues to draw inspiration from this very source in a way that is unique to his practice because, as he states, "in the world of art, there are no rules about what you can and cannot do."

...life exists somewhere between madness and miracles.

Nic Fiddian Green

Since that pivotal day at the British Museum, Nic has been deconstructing and reconstructing the horse’s head, delving into its myriad of facets and mysteries. His exploration has spanned various media, including clay, plaster, bronze (initially preceded by lead), marble, and gold. Over the years, the artist has reworked the subject in countless ways, overcoming unique challenges such as making the head stand independently. Nic has a particular affinity for working with metal due to its beauty and malleability. To create the model, the artist begins by developing an initial structure and covering it with clay and plaster. He then builds upon it, models it, and shapes it, ultimately casting it to create the mold that is transformed into bronze. The material retains strong imprints of this process. Nic then meticulously colors and finishes each piece.

Nic eventually began to explore marble as a medium, traditionally carving and reducing the stone to work it into a sculpture. Starting with a large block, he meticulously carves down the horse's head, removing sixty-five percent of the stone with a hammer and chisel-a method reminiscent of that employed by Michelangelo centuries ago. According to Nic, marble possesses an inherent beauty and mystery, being both soft and hard, reflecting moonlight, and transforming with the time of day. He finds sculpting a rock that formed nineteen million years ago a profoundly mystical experience.

Beyond his physical artistic creations, exploring the symbolism of the horse has become integral to Nic’s personal spiritual journey. The artist lives with his wife, who runs their farm, and has dedicated himself to a life of contemplation. His work is deeply inspired by his reflections on our existence between life and death. Through this rigorous practice, the artist has found his own peace of mind, as well as his strength to endure and persevere despite the personal difficulties and challenges he has faced.

On a broader level, Nic’s sculptures embody the philosophy of finding personal stillness-a state where "things are okay" and one realizes that "it is not all bad." This is a place where one can sit and rest with the confidence of being safe, a place that the artist has been both physically and symbolically searching for his entire life. Nic's horse at water encapsulates this idea. It teaches the viewer, much like the artist, to be present through internal stillness to shield oneself against a highly uncertain world. The expression "you can lead a horse to water, but you can't make it drink," illustrates this perfectly. A horse will only drink once it perceives itself as being safe. It is that same feeling of safety that we strive to find to free ourselves from external fears. And only once we, like the horse, feel secure and have faith can we drink from the source. The source being the symbolic place where we meet and question ourselves because, "life exists somewhere between madness and miracles,“ as Nic states.

On a deeper spiritual level, the artist’s practice has revolved around his personal quest for truth. Nic’s

work is about seeking truth, an inner truth that the artist has personally pursued as a way to conquer his own struggles with addiction. The artist acknowledges that the influence of mind-altering substances made it difficult for him to “find truth.” Seven years later, he can place his hand on his heart and acknowledge that his work is a reflection of his own personal truth. Today he pursues "truth within the work by making it as honest as can be." Nic proudly acknowledges that despite his struggles he never gave up, even when life was at its hardest. Today, Nic confidently asserts that he will never stop until "things are good enough." Until then, he will remain a servant to his craft and material- always learning about it, understanding it, and exploring it a little bit better. He learns and deepens this knowledge each and every day. It has been a journey for him that has spanned over decades.

This journey has guided the artist to where he is today. As Nic says, in a "life where everything is about change and always changing," the horse at water is about seeking and hopefully finding that ultimate peace and serenity. A serenity that only comes when one is still, or as still as one can possibly be. The horse at water symbolizes this state of inner peace, serenity, and stillness achieved when one reaches a place where one feels restful and does not ask oneself too many questions. It is somehow very simple in principle yet so complex to achieve in reality.

The artist’s work is also part of his own prayer and spiritual quest to find greater peace within himself. Although Nic admits he is not yet fully at rest, he

nicfiddiangreen.com sladmore.com

continues to seek inner tranquility. Discovering his purpose has been a way for Nic to navigate away from chaos of the world since his childhood. As Nic acknowledges, "we are all spiritual, whether or not we follow a formal faith." Art serves as a form of spirituality. Nic regards David Hockney as a great "spiritual painter of landscapes." Nature and humanity, created by God, together form a part of life. Nic has developed a particular interest in the monolithic standing stones of Scotland, which have endured for centuries. While we will eventually disappear, the standing stone henge remains as a memorial to earth, time, and humanity - one that nobody truly understands, a testament to a civilization that did things because they mattered and because they deeply cared.

As Nic eloquently observes, we "make a lot of noise between birth and death, but in the end, we are who we are, no greater and no lesser than that. We are all made of flesh, blood, and bone." Despite our human frailty, it is essential to care about life; "not to care is not good, because to care is our obsession starting from birth. The key to life is to keep doing things because man's joy is in the making." That is why much of the artist’s work is untitled, because for him, it simply is. But even through merely existing, the work has the power to indirectly inspire and change the way one feels. Nic’s creative process begins internally and then expands outward. When he starts a piece, the artist doesn't center it around himself; instead, he uses his personal experiences as a foundation to construct a broader vision that connects with others and the external world. His practice is a blend of intellectual and emotional engagement.

Over the years, Nic’s artistic journey has grown increasingly intertwined with his spiritual practice, particularly through his continued sculptural exploration of the head of Christ, a theme that the artist has actively revisited over the last thirtythree years since he lived in a room overlooking Malta's Cathedral. This has more recently expanded into portraying Christ’s crucifixion as a powerful metaphor for revealing one’s visible wounds. As a man of strong faith and a devout Christian, Nic views religion as embodying the spirit's yearning-an inner longing not for a place or person, but for peace. The silence and rituals embraced by religion resonate with his quest for inner tranquility-a peace symbolized by a beautiful English village church, the silent stillness of a churchyard, or the mystical journey to Međugorje.

Reflecting on his forty-year artistic journey, Nic realizes that time has only intensified his insatiable thirst to create. Today, he still loves making his sculptures, perhaps even more than he ever did. As he works, Nic opens his eyes wider and becomes increasingly surprised by what he learns. He continues to explore innovative forms and discover beauty in diverse materials. We remain grateful for the opportunity to witness his ever-evolving and beautiful creations.

images

Hugo Burnand

OFF WHITE

by Vanessa von Zitzewitz

Vanessa von Zitzewitz has never been interested in the surface of things.

I have known her work long enough to understand that what happens between her lens and her subject is not a transactionit is a conversation.

A quiet, almost intimate exchange of trust. She finds in every face, every gesture, every glance, something most ot the people had simply walked past. That is her gift: she does not photograph what she sees, she photographs what she feels.

So when I came across these images, recognising Vanessa as the only possible author felt like the most natural thing in the world.

Because Vanessa is a photographer, but she is a also a rider. She has spent a lifetime in that particular relationship that exists between a woman and a horse, a bond that needs no translation, no explanation. She had already photographed the magnificent purebreds of the Al Shaqab stables in Qatar, and I had never forgotten those images.

What drew me to this work was something I can only describe as inevitability. Here was a photographer who had spent a lifetime understanding horses from the inside — and who had turned that understanding into something extraordinary: a beauty shoot, in every sense of the word. The close-up of a nostril, the language of an ear tilted in curiosity or calm, a mane caught mid-movement like silk in slow wind, a gaze so proud it borders on sovereign.

Because an Arabian horse carries itself like that. Feather-light in every step, yet built of something ancient and unbreakable. A living sculpture that never quite stands still.

In these pages, Vanessa has given us something rare. She has made us see a horse the way she sees the worldwith her whole heart wide open.

Luca Marotta

THE WORLD ON HORSEBACK

by Ryan Reds

There is a moment, standing before a horse, when modern life seems to step back. Not because equestrian sport has stood still - quite the opposite: it is a constantly moving universe, driven by global circuits, advanced veterinary science, complex logistics, major sponsorships and relentless calendars. But because beneath the surface of elite sport and high production values, an older core remains intact: a relationship between two living beings, built on trust, listening and precision. That is what makes equestrianism so difficult to reduce to “a sport”. It is a language.

This special issue sets out to travel the world through the many forms equestrian culture takes, without losing that sense of presence horses impose. From flat racing-where speed becomes an aesthetic and tradition intertwines with industry-to steeplechasing, where bravery and technique are measured in a fine balance between risk and control.

From polo, elite by definition yet increasingly global in its contemporary expression, to show jumping, where performance becomes perfect architecture: rhythm, distance, nerve. And then, the realm of Arabian horses: a world unto itself, suspended

between cultural heritage, selection, showmanship and a near sculptural elegance.

To look at equestrian sport “globally” also means recognising that each discipline carries its own emotional and social geography.

Some fixtures are genuine sporting temples; others become seasons of style-grandstands where competition and society share the same air, paddocks that read like international salons, ports transformed into arenas, racecourses that, for one weekend, become the capital of an entire imagination.

No hour of life is wasted that is spent in the saddle.

Winston Churchill

It is a culture of rituals-dress codes, traditions, gestures-but also of innovation: footing, materials, prevention, athletic management, welfare, safety protocols.

It is no coincidence that equestrianism fascinates different worlds: athletes, breeders, owners, collectors, passionate amateurs, but also those simply drawn to beauty and symbolism.

The horse is, simultaneously, power and vulnerability; elegance and labour; instinct and discipline. And every major competition-whether under Gulf floodlights,

on English lawns, through European capitals or across American expanses-carries an implicit question: how do you build an alliance that holds under pressure?

This special issue is designed as a compass: calendars, unmissable fixtures, atmospheres and identities.

But it is also an attempt to restore meaning: equestrianism as an art of relationship and measure, where real modernity is not only about going faster or jumping higher, but doing so without losing the quality of the bond. In 2026, more than ever, that is where the future of sporting elegance will be decided.

TURF, SPEED, AND THE WEIGHT OF HISTORY

Flat racing is equestrian sport in its most immediate - and, at the same time, most layered - form. It is speed, certainly: a line drawn tight, an acceleration that seems to rewrite space. But it is also industry, bloodlines and national identity.

Nowhere else is the bond between tradition and contemporaneity so visible: historic families, legendary studs and iconic racecourses alongside new international hubs that have reshaped the calendar and the aesthetic of the event.

Flat racing lives on “symbol weekends”- fixtures that are far more than a race. Some venues turn the sporting gesture into social ritual, with codified dress codes and grandstands that feel like international drawing rooms; others deliver ultra-modern nights where sport meets large-scale production, global marketing and high-end hospitality. The result is a discipline able to speak to different audiences: those who follow performance and breeding, those who come for

atmosphere, those drawn by society, and those who see the turf as a full economic ecosystem. And yet, at its heart, a simple truth remains: the horse is an athlete you never truly “own”- you accompany. Management, preparation, choice of programme and timing are a precision craft, built on sensitivity as much as strategy. This is where flat racing stops being just an image-manes in the wind, silks, flashes-and becomes a culture.

To write about flat racing today is to enter a world in which glamour is not an accessory but a parallel language to sport; and where every great meeting is, in essence, a stage for an ancient tension: the pursuit of the perfect run.

FLAT RUN - Key dates 2026

SAUDI CUP

Riyadh, (Saudi Arabia) 13–14 February

The richest night in racing: a “Gulf premium” atmosphere, top-tier hospitality and an unmistakably international crowd.

DUBAI WORLD CUP

Meydan, Dubai (UAE) 28 March

Flat racing as a global spectacle: lounges, corporate tables, red-carpet looks. Here, sport meets the jet set.

KENTUCKY DERBY

Churchill Downs, Louisville (USA) 2 May

America’s defining ritual: hats, tradition, celebrities and a Derby Day culture that writes history.

ROYAL ASCOT

Ascot (UK) 16–20 June Elegance, codified: dress codes, royal energy and pure society. More an institution than a meeting.

QATAR PRIX DE L’ARC DE TRIOMPHE

ParisLongchamp, Paris (FR) 3–4 October

European racing’s chic weekend: Paris, high-end hospitality and the aura of a major cultural rendez-vous.

BREEDERS’ CUP

Keeneland, (USA) 30–31 October

The sport’s World Championships: spectacle, pressure, VIP packages and a crowd that experiences it as a festival.

MELBOURNE CUP

Flemington, Melbourne (AUS) Tuesday 3 November

A national day of fashion, corporate hospitality, and charity: Racing as a social phenomenon.

WHERE TRUTH OUTRUNS GLOSS

Jump racing is the most theatrical - and the most uncompromising - face of the turf. Here, speed is not enough: you need reading, courage and balance. The difference is made by the ability to meet the unexpected without losing clarity. It is a sport with an almost narrative aura: the fence as test, the line as choice, the mistake as an everpresent possibility. For that reason, more than in other disciplines, spectators do not merely watch - they participate emotionally.

The world of jumps has a powerful cultural geography. In parts of Europe it is popular tradition, collective identity, a season that shapes the year. Grandstands become temporary communities: people celebrate, argue, feel. And yet, at the major meetings, a surprisingly strong social dimension emerges: days when style, ritual and conviviality intertwine with competitive tension. It is a unique blend of authenticity and occasion, where the charm lies not in ostentatious luxury, but in atmosphere.

To tell the story of steeplechasing is also to speak of respect and responsibility. It is the discipline that most directly invites questions about limits: how to protect the equine athlete, how to reduce risk, how to evolve without betraying the essence. For that reason, the key fixtures are not only competitions: they are cultural barometers, moments when sport, safety, tradition and future meet.

In an international dossier, jump racing brings a different note: less polish, more character. It is equestrian sport that does not ask to be perfect, but to be true. And when everything clicks - rhythm, trust, decision - the beauty it produces is the kind that stays with you.

STEEPLECHASE - the major fixtures 2026

CHELTENHAM FESTIVAL

Cheltenham (UK) - 10–13 March

The emotional heart of National Hunt: electric stands, Ladies Day, hospitality and an atmosphere like popular theatre.

IRISH GRAND NATIONAL

Fairyhouse (IRL) - 6 April

Irish tradition, vast crowds and perfect storytelling: a sporting day lived as a collective celebration.

GRAND NATIONAL

Aintree (UK) - 11 April

The most mediatic fixture: big-day energy, hats, parties and a legendary aura that goes beyond the race.

PUNCHESTOWN FESTIVAL

Punchestown (IRL) 28 April – 2 May

A true festival: racing, style, food, music and social life.

One of those places where the crowd makes the event.

GRAND STEEPLECHASE DE PARIS

Auteuil, Paris (FR) 16–17 May

The Parisian face of jumps: chic stands, heritage and a discreet elegance. More salon than stadium.

JUMPING

Sport, spectacle and iconic settings 2026

ROLEX GRAND SLAM

- THE FOUR “MAJORS” -

THE DUTCH MASTERS

Hertogenbosch (NL) - 12–15 March

Refined indoor sport, a premium audience and strong brand stature: show jumping at its most elegant.

CHIO AACHEN

Aachen (GER) - 22–24 May

The “Wimbledon” of equestrian sport: packed stands, a city in celebration and prestige you feel in every detail.

SPRUCE MEADOWS ‘MASTERS’

Calgary (CAN) - 9–13 September

Heritage and tradition: a scenic set, an exclusive atmosphere and a classic aura made for covers.

CHI GENEVA

Geneva (SUI) - 9–13 December

Winter glamour indoors: major sponsors, an international crowd and consistently impeccable production.

FINALS THAT DEFINE THE SPORT

FEI JUMPING WORLD CUP FINAL

Fort Worth (USA) - 8–12 April 2026

A high-pressure final in championship mode, with hospitality and a truly international audience.

FEI WORLD CHAMPIONSHIPS

Aachen 2026 (GER) - 11–23 August 2026

The World Championships: a “global event” scale and a context that amplifies every narrative.

LONGINES LEAGUE OF NATIONS FINAL

Barcelona (ESP) - 1–4 October 2026

The team final: elegant, international, with an institutional authority that carries weight.

LONGINES GLOBAL CHAMPIONS TOUR

- THE MOST GLAMOROUS LEGS -

Cannes (FR) - 4–6 June 2026

A sparkling Riviera stop: evening sessions & lifestyle.

Ramatuelle / Saint-Tropez (FR) - 11–13 June 2026

Pure resort mood: Côte d’Azur atmosphere, hospitality and a high-glamour summer audience.

Paris (FR) - 19–21 June 2026

Capital city energy and brand experience: sport with a fashion pulse-ideal for a cultural, contemporary angle.

Monaco (Port Hercule) - 2–4 July 2026

An absolute icon: horses and yachts in the same frame.

One of the world’s most recognisable settings.

The photographs featured on these pages taken from "Saut Hermès 2025" , our love at first sight in the world of Jumping! The 2026 edition will take place at the Grand Palais in Paris on 20-22 March. sauthermes.com

Madeleine Bergsjo @Hermes 2025

LINES, DISTANCES, AND NERVES

Show jumping is equestrian sport in its most architectural form. A course is a composition: lines, distances, turns, time allowed. Performance is the ability to turn that architecture into a fluent gesture, almost inevitable. From the outside, you see height and power; from within, you recognise rhythm. The real luxury here is precision: arriving at the right place, at the right moment, with the right horse.

Internationally, jumping operates on several levels. On one side are the “institutional” fixtures - those that define titles, rankings and legends. On the other are iconic legs that are also spectacle and scenery: urban arenas, cinematic locations, calendars designed for an audience that wants sport and atmosphere. It is the realm where equestrianism openly converses with brands, sponsorship and hospitality - without losing sporting credibility.

The appeal of show jumping also lies in its modernity: it is highly televisual, photogenic, readable even for non-specialists. But behind that apparent cleanliness is immense work: athletic management, prevention, mental preparation, the horserider partnership. And there is a subtle emotional dimension: calm under pressure, the ability not to stiffen, not to betray the horse with anxiety.

In this special issue, jumping becomes the discipline that best speaks to equestrianism as contemporaneity: global sport, top-level event production, and the irresistible idea that elegance and performance can coincide.

Madeleine Bergsjo @Hermes 2025

© Bruno Malegue

POLO - the major arenas 2026

U.S. OPEN POLO CHAMPIONSHIP

Wellington, Florida (USA) - 1–26 April

Florida lifestyle, with a premium crowd: polo as contemporary club culture.

CARTIER QUEEN’S CUP

Guards Polo Club, Windsor (UK) - Finals 14 June 2026

One of the peaks of the English social season: luxury, garden-party and elegance.

COWDRAY GOLD CUP

Cowdray Park (UK) - Finals 19 July 2026

English summer at its best: picnics, hats and tradition. Iconic both in atmosphere and in imagery.

HURLINGHAM OPEN

Buenos Aires (Arg) - 23 September – 4 October

The start of Argentina’s great autumn season:

TORTUGAS OPEN

Buenos Aires (Arg) - 7–25 October

A key stepping-stone to Palermo: pure competition with local and international elite.

ARGENTINE OPEN (PALERMO)

Buenos Aires (ARG) - November/December

The temple: history, intensity and a legendary aura. If polo has a symbolic capital, it is here.

THE ELITE GAME NOW TRULY GLOBAL

Polo is often described as an elite sport, and it is - by history, context and access. But stopping there would be reductive. Polo is an intensely athletic discipline, where the horse is not merely a means but a multiplied partner: several mounts are used in a match, each with a role, an energy and a timing. It is strategy and instinct, speed and reading, team and individuality. Above all, it lives naturally within the language of lifestyle: immaculate grass, openair spectators, club culture, effortless elegance.

Globally, polo has recognisable capitals and seasons that move with almost social rhythm. Some tournaments are society fixtures with luxury branding and hospitality; others are sporting temples whose level draws owners, players and enthusiasts from every continent. This is where polo becomes truly global: from Europe to the Americas, through emerging circuits and new scenes.

What is most compelling today is the evolution of its language. Polo retains its exclusive aura, yet it is opening to new narratives: more international, more media-ready, more attentive to performance and to the story of the horses. It is a delicate balance between tradition and contemporaneity, where club identity coexists with the logic of major event culture.

In a feature dossier, polo works as a bridge between sport and society: it reveals the relational dimension of the horse, the culture of place, and the pleasure of ritual. It offers a precise image of what equestrianism becomes when it is also stagecompetitive, yes, but always with an elegance that never needs to raise its voice.

ARABIAN HORSES main dates 2026

GLOBAL CHAMPIONS ARABIANS TOUR

Riyadh (KSA) - 1-4 April

High visibility and serious hospitality: here, the Arabian becomes both cultural symbol and status.

Kuwait - 22-24 April

A key leg for breeder/owner networking: an exclusive atmosphere, strongly relationship-driven.

Côte d’Azur (F) - 11-12 July

The Riviera-glam highlight: aesthetics, location and a lifestyle crowd. A date that delivers images.

ICONIC FIXTURES BEYOND THE TOUR

Scottsdale - Arizona (USA) - 12–22 February

America’s flagship show: expo, shopping and lifestyle, with a broad audience. Strong “people & culture” value.

Dubai (UAE) - 3–5 April

Dubai-style production: aesthetics, spectacle and a high-spending crowd.

Paris (FR) - 25–27 November

Europe’s summit: top level, luxury hospitality and a powerful image.

BEAUTY, BLOODLINES, AND THE MODERN SHOW

The Arabian horse brings to equestrianism a dimension that is both aesthetic and cultural. It is not simply a breed: it is a symbol. Its image - dished profile, large eyes, proud carriage - has travelled across centuries and geographies, tied to desert histories, dynasties, studs and poetry. Today, on the international circuit, that heritage translates into a sophisticated universe where show culture and genetic selection meet a contemporary idea of prestige.

Arabian competitions have their own codes: they are not only “events” but rituals of presentation, where quality is expressed in tiny details - stance, movement, overall presence. The atmosphere can feel closer to a première than to a conventional sports meeting. Major stops are places of relationship between breeders, owners and a high-spending public; arenas where networking matters as much as the result.

In recent years, premium tours have further shaped the scene, elevating event production into something distinctly international and lifestyle-led: iconic locations, recognisable formats, direction that celebrates aesthetics and storytelling. That makes the Arabian world particularly suited to a magazine dossier: a powerful visual subject, and a culture that naturally blends heritage and modernity.

But to tell it properly means going beyond the image. It means speaking of selection, welfare, responsibility and future: how to preserve purity and elegance without reducing the horse to a mere display piece. This is where the Arabian horse becomes a contemporary subject - an exacting balance between beauty, culture and care.

Eyewear OAKLEY @SOLARIS

Dress VINTAGE THIERRY MUGLER

Stiletto Sandals DOLCE&GABBANA

Car FERRARI DAYTONA SP3

THE COLLECTION PARIS

- Chapter 4 -

Photographer : Anaël Boulay

Jacket MOUTY

Tights ETAM

Stiletto Sandals DOLCE&GABBANA

Car FERRARI 250 GTE

Blazer MOUTY Eyewear PRADA

Earrings MADE FROM A FERRARI DAYTONA SP3 KEY FOB

Shirt and Bag SAINT LAURENT

Lingerie MAISON CLOSE

Pumps PRADA

Photographer / Art Director

Anaël Boulay

shooting with Leica m11 for FORCE ONE / THE COLLECTION PARIS

Styling Luka Magat /off_timemgmt

Hair & Make up Manon Gilbert

Model Eva Navarro

Eyewear RAY-BAN

Head-to-toe CAMPER

Stiletto Sandals DOLCE&GABBANA

Car MERCEDES SLS AMG

THE EQUESTRIAN CODE

by Dafne Funeck

Noble passion or ancient necessity. In the early decades of the twentieth century, fashion discovered equestrianism and rapidly absorbed its codes. Snaffle bits, quilted padding, knee-high boots: technical details born for the saddle that gradually entered the aesthetic vocabulary of the great fashion houses.

The bit became a defining motif for Gucci, whilst the equestrian world permeated the collections of Fendi and Dior. Coco Chanel, too, found in the art of horse riding a model of functional elegance - one built on freedom of movement and sporting rigour. Even today, this language resurfaces in contemporary collections, reinterpreted by designers such as Stella McCartney.

Yet today's journey leads to a parallel world, one shaped by passion and a profound bond with the horse - companion on hacks and in competition alike. Here, fashion gives way to technical apparel, where comfort and style coexist with high-performance materials. Brands such as La Martina, born from the world of Argentine polo, bring an aesthetic authentically rooted in the discipline to the sporting wardrobe. In the same vein, Le Chameau continues to produce technical boots designed for stable life and the outdoors. Jacquarde also fits within this vision, interpreting contemporary equestrianism as a meeting point between fashion and performance. Loro Piana, with its Loro Highlands capsule collection, reinterprets the countryside aesthetic through technical jackets, knitwear in noble fibres and boots conceived for outdoor living.

The technical heart of this world, however, remains the saddle. Specialist saddleries such as CWD, founded in 1998 in the southwest of France, have developed an almost engineering-led approach to the discipline. Equally notable is Devoucoux, based in the heart of the Basque Country, which carries forward an artisanal tradition through bespoke models and technical accessories designed for the transport and protection of equipment. Butet, meanwhile, celebrated forty years in business in 2023 with a special edition saddle created in collaboration with artist Richard Orlinski - transforming a technical object into a creation of precise geometries, almost sculptural in its nature. The saddle also marks the starting point of the Hermès story. Founded in Paris by Thierry Hermès in 1837, the house built its reputation crafting bridles and harnesses for horses destined for the European aristocracy. To this day, these accessories are made entirely by hand by a single artisan - the original nucleus of the house's celebrated savoir-faire.

LA MARTINA

LORO PIANA

DEVOUCOUX

ORLINSKI FOR BUTET

CWD

LE CHAMEAU

48 IN THE SIGN OF THE FIRE HORSE

In 2026, the Year of the Fire Horse enters the world of haute horlogerie as a symbol of energy and momentum towards new horizons - qualities that find their most natural expression in the boldest timepieces of the season.

Clifton 10839

Self-winding Baumatic calibre BM13-1975A, COSC-certified chronometer. 120-hour power reserve. 40 mm stainless steel case. Lacquered dial with equestrian motif integrated into the large date display. Sapphire crystal caseback. Limited edition of 100 pieces.

baume-et-mercier.com

VACHERON CONSTANTIN

Métiers d’Art “The Legend of the Chinese Zodiac Year of the Horse”

Self-winding manufacture calibre 2460 G4. Hand-engraved 18K gold dial with Grand Feu enamel background. Sapphire crystal caseback. Limited edition within the Métiers d’Art collection. Approximately 40-hour power reserve. vacheron-constantin.com

BAUME & MERCIER

The horse, emblem of ambition and archetype of speed, aligns perfectly with its role as the defining symbol of this season's finest watches. When the art of watchmaking meets precision mechanics, the symbol becomes substance: movement turns purposeful, and hours and minutes weave themselves into stories and meaning.

JACOB & CO

Astronomia Art “Stallion”

White Gold – Manual-winding calibre JCAM25. Multi-axis rotating platform with triple-axis tourbillon (20-second, 60-second and 5-minute rotations).

Rotating lacquered magnesium globe and 1-carat Jacob-cut diamond.

Hand-engraved base plate. 18K white gold case with sapphire crystal dome. Approximately 60-hour power reserve. jacobandco.com

JAEGER-LECOULTRE

Reverso Tribute Enamel “Horse”

Manual-winding calibre 822. Pink gold reversible case. Grand Feu enamel decoration with hand-engraved horse motif on the reverse. Rectangular case with sapphire crystal. Approximately 42-hour power reserve.

jaeger-lecoultre.com

PRECIOUS AMULETS

In the sign of the Fire Horse, jewellery ignites with warm reflections and symbolic detail, transforming a zodiacal archetype into something tangible and luminous. The horse - a figure of strength, ambition and movement - becomes a sign to be worn.

Rose gold, crimson accents and polished surfaces amplify the idea of contained energy, while sculpted volumes and fluid lines suggest dynamism without excess. In this landscape, the jewel becomes a quiet ally, a contemporary talisman capable of holding deep meaning and translating it into aesthetic gesture - bridging cultural tradition and modern sensibility.

VAN CLEEF & ARPELS

Lucky Animals Horse Clip

CHOPARD

Ice Cube Bracelet

Ethical 18K rose gold bracelet with red HyCeram central element and signature Ice Cube geometry. chopard.com

18K rose gold clip featuring a sculpted horse motif with guilloché detailing and signature beaded gold border.

vancleefarpels.com

DIOR

Couture Charms Horse Brooch

Sterling silver brooch featuring a sculpted horse silhouette with polished finish. dior.com

Whimsical cast horse pendant and pearl detail. Studded with crystal rhinestones.

marni.com

GUCCI

Horsebit 18K Ring

18K yellow gold ring featuring the iconic Horsebit motif inspired by equestrian hardware. gucci.com

PRINTEMPS DES ARTS DE MONTE-CARLO 2026

by Luca Marotta

For over forty years, the Printemps des Arts de Monte-Carlo has established itself as one of the most anticipated and refined cultural events in the Mediterranean. Under the presidency of H.R.H. The Princess of Hanover, the festival - running this year from 11th March to 19th April 2026 - is far more than a music programme: it is the most eloquent testament to the Principality of Monaco's deep cultural vocation, a place capable of transforming a small nation into a great laboratory of the arts.

This edition's theme, Utopies - Opus 1, resonates as both a promise and a challenge. An invitation to imagine possible sonic worlds, to explore the boundaries of artistic expression without hesitation. It is in this very spirit that artistic director Bruno Mantovani has crafted a programme of extraordinary density and variety. "Organology - the science of musical instrumentslies at the heart of this season," Mantovani has stated, underlining how instruments are "vectors of musical language", capable of giving form to a composer's thought and conveying emotions that words alone could never express. From the Armenian duduk to the ondes Martenot, from gut-stringed instruments to the virtual oboe, the festival becomes a genuine organological journey across eras and cultures.

The visual identity of this edition has been entrusted to the painter Yves Millecamps, whose energetic works - characterised by geometric forms in perpetual motion, somewhere between structuralism and surrealism - accompany the vitality of the musical programme in perfect harmony. His canvases and tapestries seem to dance on the same frequency as the scores on stage: a visual abstraction that celebrates speed, movement and transcendence.

THE NUMBERS BEHIND AN EXTRAORDINARY FESTIVAL

The figures speak for themselves: 27 concerts, of which 15 feature ensembles and orchestras, more than 50 composers involved, more than 80 works performed, and no fewer than 12 world premieres.

Yet the Printemps des Arts is so much more than a music festival:

4 masterclasses, 2 film screenings, 24 different venues, 6 conferences, 4 artist talks, 2 round tables, 3 backstage immersions and 2 open rehearsals for the public.

A fully-fledged cultural ecosystem that brings together Monaco and the surrounding region, from the Cathedral to the Salle Garnier at the Opéra, from the Grimaldi Forum to the Musée Océanographique, and as far as the Théâtre National de Nice.

THE PERFORMERS AND MONACO'S INSTITUTIONAL PILLARS

As every year, the festival rests upon its institutional pillars: the Orchestre Philharmonique de Monte-Carlo, which will take centre stage in several unmissable evenings, and the Ballets de Monte-Carlo, who will bring the festival to a close with a programme of choreographic

miniatures - four new world premieres entrusted to four contemporary composers, alongside the revival of two ballets first presented twenty years ago.

Among the most eagerly awaited names, pianist JeanFrédéric Neuburger and saxophonist-composer Vincent David stand out as the true protagonists of the festival, each appearing in multiple events. Neuburger will undertake a genuine pianistic marathon: from the world premiere of Marc Monnet's new Piano Concerto to the monumental Turangalîla-Symphonie by Messiaen, via Beethoven, Ravel and Boulez. Vincent David, for his part, will perform his concerto Mécanique céleste with the Philharmonic Orchestra, and will also present a chamber programme of contemporary music at the Collection of His Serene Highness the Prince of Monaco's Vintage Cars.

One of the most significant returns of the year is that of Marc Monnet, the festival's former artistic director from 2003 to 2021, who comes back to Monaco with the world premiere of his Concerto for Piano and Orchestra, commissioned by the Printemps des Arts - an event already being heralded as one of the highlights of the entire edition.

Rishab Prasanna Nagaur © Kalasetu

Vincent David © Selmer

A FESTIVAL FOR EVERYONE

Contrary to what one might assume, the Printemps des Arts is by no means a festival reserved for specialists or classical music devotees. The programme embraces jazz with the utmost naturalness - through the quintet of Franco-Armenian pianist Yessaï Karapetian, who blends contemporary jazz with traditional instruments such as the duduk and the blul - as well as Indian classical music, with a captivating Hindustani bansuri flute recital, contemporary music in its most experimental forms, film and documentary screenings, and even a theatricalmusical show designed for families with children from the age of twelve, dedicated to Wagner's Ring Cycle as told by a single performer.

All festival events are open to audiences of every age and free of charge for those under 25 - a powerful statement from a festival that believes in the future of culture and in the accessibility of art.

For forty years, the Printemps des Arts de Monte-Carlo has demonstrated that the greatness of a nation is not measured in square kilometres. Monaco has chosen to invest in beauty, in ideas, in artistic creation. And every spring, the result is there for all to see - and hear.

Les Ballets de Monte-Carlo © JC Vinaj

Yessaï Karapetian © Laetitia Dumez

I Gemelli

© Michal Novak

56

FEATHERS, SILK, AND PLAYFUL SEDUCTION

In a city where masks whisper and canals remember, the Venice Burlesque Festival rises like a silk fan unfurled beneath candlelight. Set within a historic theatre and woven into the living fabric of La Serenissima, it is the only truly international burlesque festival born and staged in Venice itself.

Venice has always understood theatre. It performs itself at dawn, when the lagoon glows like mother-of-pearl; it performs at dusk, when footsteps echo beneath Gothic arches and masks flicker in golden light. It is therefore no coincidence that the Venice Burlesque Festival has found its home in the historic Teatro A L' Avogaria - an intimate jewel box of a theatre where past and present share the same breath.

Now in its second edition, the festival stands as the only truly international burlesque festival conceived and organised within the city of Venice itself. It is not a borrowed spectacle, nor a passing import. It is

rooted in the Venetian cultural fabric, honouring the irony, sensuality and theatrical sophistication that have animated the city since the days of Carnival and Commedia dell’Arte.

At its helm is Crazy Cat, Venetian by birth and spirit, artistic director and creator of the festival. A burlesque performer for over a decade, she has shaped this event alongside the historic Compagnia de Calza I Antichi, the cultural association Arte-Mide - devoted to research and theatrical production on the social history of independent women - and the artistic collective Le Burlescose by Crazy

© Luigi Salvan

© Luigi Salvan

veniceburlesquefestival.it

Cat. Together, they have woven burlesque into Venice’s own narrative of freedom, wit and feminine power. Over two luminous days, the festival unfolded between workshops, a sold-out gala performance and an evocative photographic session. Fourteen performers arrived from across Italy and half of Europe, bringing with them feathers, satire and unapologetic glamour. On stage they were accompanied by the festival French headliner Betty Crispy and the Godmother Sweet Pepper, they competed for the coveted titles inspired by Venetian tradition: La Dogaressa, La Colombina and La Corallina For 2026, the crown of Dogaressa was awarded to

Nathalie Sonnenschine, with Miss Christine Lollidol named Colombina and Ginger La Coquette honoured as Corallina. The Audience Prize, La Gondola, was claimed by Emmaralde - proving how the intimate dialogue between performer and spectator defines true burlesque. The Venice Burlesque Festival stands as an act of cultural belonging. Within the walls of A L’Avogaria, velvet gloves meet Renaissance shadows, and contemporary muses echo the laughter of masked revellers. In celebrating burlesque, Venice celebrates herself - her sensual intelligence, her irreverent elegance, her eternal capacity to seduce the world.

© Sabrina Canola

© Loris Albanese

© © Sabrina Canola

© Sabrina Canola

THE RENZO EXCEPTIONAL APARTMENT FACING THE MEDITERRANEAN

This new apartment is truly exceptional thanks to its seafront position in the new Mareterra waterfront district; its very generous volumes, its vast fully opening terraces with bay windows that vanish to create a seamless indoor/outdoor lifestyle, and its refined, luxurious finishes and amenities. It features a triple reception room, a fitted kitchen with dining area, a master suite of over 100m² with triple exposure, a dressing room for her and one for him, as well as a remarkable, spectacular marble bathroom, two suites of more than 50m² each, a laundry room and two guest toilets.

Sold with double parking, plus a single parking space and a cellar completing this rare opportunity. The ‘Le Renzo’ residence seems to float above the water. A masterpiece by world-renowned architect Renzo Piano, it offers residents a fitness centre, a swimming pool, a spa relaxation area, and 24-hour security and concierge services.

This new Mareterra seaside district, inaugurated only months ago, now features luxury boutiques from prestigious international brands, a marina, gourmet restaurants and a superb waterfront promenade.

Price on request

ONE DEVICE, SEVEN POWERS GUERLAIN'S LONGEVISKIN AT THE HOTEL METROPOLE

The Hôtel Métropole Monte-Carlo has long held its place among the Principality's most storied addresses. Over the past year, the palace has embarked on a sweeping transformation - one that will continue well into the months ahead - reaffirming its position at the very summit of European luxury hospitality.

Among the most significant additions is the new Spa Métropole by Guerlain, opening in July 2025, conceived by designer Samy Itani and enriched throughout by the luminous artworks of Claudine Drai. It is a space where beauty becomes architecture, and architecture becomes art.

At the heart of this sanctuary sits the treatment that will redefine how Monaco's discerning clientele think about skincare: the Longeviskin. Developed exclusively by Guerlain, this device brings together seven of the world's most advanced aesthetic technologies within a single, breathtaking instrumentradiofrequency, micropeeling, LED, microcurrents, cryotherapy, plasma, and ultrasound. Each protocol is entirely bespoke, combining over 300 facial gestures and 200 body techniques to address everything from anti-ageing and radiance to detoxification, drainage, and sculpting.

The Longeviskin is as considered in form as it is in function. Designed by Flavien Delbergue, it draws its aesthetic vocabulary from Art Deco - and specifically from the work of Jean-Michel Frank, the celebrated French decorator and longtime friend of the House of Guerlain. Its lines echo the silhouette of a woman's body and the geometry of an hourglass, sitting with quiet authority within the spa's mineral, intimate atmosphere. Where Claudine Drai's art adorns the walls, the Longeviskin occupies its own sculptural place in the room.

Available from the end of March, the device powers an exceptional range of exclusive protocols:

Face: Infinilift (90 or 120 min) - deep regeneration and firmness; Éclat Lumineux (60 or 90 min) - cellular energy and radiance; Pure Perfection (60 or 90 min) - purifying and corrective clarity.

Body: Fuselage Tonifiant (60 or 90 min) - sculpting and toning; Fuselage Drainant (60 or 90 min) - drainage and lightness; Rituels Addictifs (30 min) - targeted focus on hands, back, or specific zones.

In a city where excellence is the baseline, the Spa Métropole by Guerlain raises every measure.

BETTER AGING AT LILY OF THE VALLEY A NEW VISION OF LUXURY

Overlooking the beach of Gigaro, in the heart of a protected natural environment facing Cap Lardier, Lily of the Valley is far more than a five-star hotel.

Conceived by Philippe Starck, the establishment combines contemporary elegance with Mediterranean inspiration, within an architecture perfectly integrated into its natural surroundings.

Open all year round, the hotel offers a rare experience on the Côte d'Azur: that of a human-scale establishment where luxury is lived in discretion, light and space. Rooms and suites opening onto the sea, vast terraces, sun-drenched swimming pools, beach just minutes away… Lily of the Valley embodies a new generation of

hospitality, where excellence in service meets specialist expertise in health and well-being. It is this dual identity - hospitality and wellness - that makes it a truly unique destination today.

THE ART OF AGEING WELL AT LILY OF THE VALLEY What if the ultimate luxury today were simply to age well?

In the heart of the Gulf of Saint-Tropez, Lily of the Valley has established itself as a pioneering destination for Better Aging. More than a simple wellness destination, the five-star hotel has developed a genuine philosophy: accompanying its guests towards an active, elegant and sustainable longevity.

A BESPOKE SCIENTIFIC APPROACH

The Better Aging programme is built upon a precise methodology, supported by cutting-edge technological tools and an exclusive protocol.

Over 4, 7, 10 or 14 days, each stay begins with a comprehensive assessment carried out by the Shape Club experts: body composition analysis, metabolism, hydration levels, joint mobility and muscular recovery.

These indicators allow for the creation of a fully personalised, evolving and measurable programme. The objective: to optimise the body's essential functions, prevent cellular ageing and restore overall balance.

THREE PILLARS FOR HEALTHY, LASTING RESULTS

The Better Aging programme (like all other Lily of the Valley programmes) is structured around three pillars: sport, treatments and gastronomy.

Treatments: Deep Regeneration

Each treatment stimulates the body's natural regeneration mechanisms, improves circulation and promotes restorative sleep. In a calming environment

overlooking the Mediterranean, the body progressively regains suppleness and tone.

Gastronomy: Nourishing Without Restricting Crafted by Chef Vincent Maillard, the gastronomy combines nutritional precision with pleasure. Developed from fresh, local and seasonal produce, it aims to reduce inflammation, support muscle mass and stabilise energy levels.

Sport: Preserving Strength and Mobility

Reformer Pilates, individual coaching, gentle muscle strengthening, functional mobility, active walks through the preserved grounds of Cap Lardier… Each session is designed to improve posture, preserve muscle density and maintain optimal mobility - all essential keys to ageing in full health.

In a luxury landscape where experience now outweighs ostentation, The Floating Art Hotel - Monaco Edition introduces a new hospitality format: the world’s first floating contemporary art hotel, conceived as a travelling private members’ club.

Anchored in front of the Monte-Carlo Casino during the Monaco Grand Prix (June 4–8, 2026), a private megayacht is transformed into a cultural boutique hotel - intentionally limited, curated and architected around meaning rather than spectacle.

Far from being a one-off initiative, the project positions itself as a new model of experiential luxury, designed to travel between the world’s leading art capitals and engage an ultra-select audience seeking depth, discretion and connection.

A WORLD PREMIERE IN CULTURAL HOSPITALITY

The concept was initiated by Gaëlle Jaunay Calendini, who leads A Love Story Agency, the French and Mediterranean extension of LA-based Meaning Production. After more than a decade orchestrating global cultural campaigns for brands including Google Chrome, McLaren, H&M Home, Acne Studios and Mac Cosmetics - and navigating Monaco’s superyacht ecosystem - she identified a clear absence.

A STRATEGIC GAP IN THE LUXURY ECOSYSTEM

Despite the scale and capital concentrated during the Grand Prix weekend, no format had ever successfully merged museum-level contemporary art, five-star hospitality and high-value peer exchange into a single controlled environment at sea.

The Floating Art Hotel was conceived not as a variationbut as a first.

A world premiere in cultural hospitality. Not louder than the race, more deliberate than the spectacle.

A CURATED CULTURAL PLATFORM

The 350-square-metre Sun Deck becomes an open-air contemporary exhibition space under the curatorial direction of Francesco Marchiaro, founder of Marchiaro Consulting, operating at the intersection of art, strategy and luxury.

Art here is not decorative, it defines tempo and frames exchange.

Each edition invites a curated selection of contemporary

artists, establishing a dialogue between works, architecture and audience. The programme is conceived with an institutional mindset: selective, globally relevant and structurally integrated. The full cultural programmeincluding exhibiting artists and performances - will be unveiled in April 2026. In spring 2026, the first exclusive onboard partners will be announced, introducing private, invitation-only experiences for guests - intimate previews, curated tastings and closed-door encounters.

Art lies at the very core of the project - not as ornament, but as structure - and will remain the defining pillar of every future edition.

AN ULTRA-PREMIUM, LIMITED OFFERING

The Monaco Edition is intentionally limited to 14 private suites, offered as curated three- or four-night experiences. Each suite is conceived as a dedicated artist room, with the entire space curated around the work of a single artist. Prior to booking, residents receive access to a private virtual gallery presenting the participating artists and the suites they inhabit, allowing them to select the artist’s room they wish to stay in. In this way, every cabin becomes an intimate living gallery, not only a place to stay, but a direct encounter with an artist’s universe for the duration of the experience. The experience combines five-star

hospitality, a dedicated 1:1 personal butler, seamless private transfers, full access to the art programme and wellness facilities, and privileged Formula 1 viewing - from the hotel’s private terrace overlooking Sainte Devote to exclusive Paddock Club access for selected guests.

A CONTROLLED DAILY ACCESS SYSTEM

Beyond the resident suites, access operates through a strictly limited Daily Pass system.

A curated number of daytime and evening passes are issued to selected founders, collectors, investors and strategic partners within controlled time windows, preserving discretion while enabling meaningful exchange.

A NEW PARADIGM FOR HIGH-END HOSPITALITY

The Floating Art Hotel introduces a hybrid typology at the intersection of private members’ club, travelling museum and strategic business salon.

In an era where UHNWIs increasingly seek environments that are exclusive yet meaningful, the project positions itself not as another Grand Prix hospitality activation, but as cultural infrastructure.

In a weekend built on speed and excess, it chooses structure and intention.

And that may be the most radical luxury of all.

68 RALLY MONTE-CARLO

HERITAGE, ICE, TALENT & THE NEXT GENERATION

by Manuela Schinaia

From 22 to 25 January 2026, the Rallye MonteCarlo once again set the tone for the World Rally Championship season, reaffirming its status as the most iconic and intellectually demanding event on the calendar. Far from being a simple test of speed, Monte-Carlo is a rally of contrasts: sunlit Mediterranean elegance giving way to snowcovered alpine passes, dry asphalt abruptly turning into black ice, and strategic decisions often proving more decisive than raw performance.

This year’s edition fully delivered on its legendary reputation. Narrow mountain roads framed by snowbanks, rapidly changing grip levels and bold tyre strategies defined a rally where precision and composure were essential. The event was ultimately won by Oliver Solberg, whose performance stood out for its maturity and control,

securing him a prestigious victory in one of the most challenging rallies of the season and confirming his status among the sport’s leading talents.

Monte-Carlo, however, is not only about victory; it is about character. It remains a rally where instinct, discipline and vision must coexist - a true benchmark for drivers aiming to establish themselves at the highest level of international rallying.

During this intense week, we had the opportunity to meet Chris Ingram, one of the drivers competing in the 2026 edition. For him, Monte-Carlo represents more than an opening round: it is a place of personal significance and professional ambition. At a defining moment in his career, this rally stands as both a challenge and a showcase - the perfect stage to express his approach to modern rallying.in its beautiful gardens overlooking the port.

© Jaanus Ree / Red Bull Content Pool

The Rallye Monte-Carlo is known for its complexity and unpredictability. From a driver’s perspective, what truly makes this event different from any other on the WRC calendar? Monte-Carlo is in my view is one of the toughest challenges in Motorsport. It forces you to think constantly. You’re never just reacting, you’re always anticipating: grip levels, temperature changes, tyre behaviour, and how the road will evolve corner by corner. From a dry road, to black ice, to snow, to slush, all in just one kilometre.

One stage can feel like several rallies combined. That’s what makes it special. It rewards drivers who can stay calm, make the right decisions under pressure and execute with discipline. When you perform well here, it’s because preparation, judgement and control all come together, not just pure speed.

Beyond the challenge, it’s also the most prestigious rally in the world. Many people don't realise, but without the Rallye Monte-Carlo, there would be no Monaco Formula 1 Grand Prix, it was the start of it all. Winning it one day is my life's ambition, and I fully believe that my co-driver Alex Kihurani and I have what it takes.

Monaco is your home now. How does racing here influence you, both emotionally and professionally?

Monaco is where I’ve built my personal life and where I build my career day to day. Training, preparation, meetings and long-term planning. Racing here carries a mix of emotion, passion and responsibility. It’s an environment where precision and consistency matter, and that aligns with how I approach my sport now. MonteCarlo is a place where standards and visibility are extremely high, and I see that as an opportunity to show that I’m operating at the highest level, with the right mindset, over the long term.

At this stage of your career, how would you define yourself as a driver, and what do you believe you bring to partners and sponsors beyond pure performance?

I’m a winner with experience, perspective and a clear long-term vision. I’ve won championships, I’ve faced setbacks, and I understand what it takes to build something truly special.

For partners and sponsors, I bring visibility, network and intent. This isn’t about a single event or season, it’s about investing in a journey with a defined pathway, credibility and growth potential. I take representation seriously and aim to build relationships based on trust, performance and long-term value.

Looking ahead, what are your ambitions for the coming seasons, and how do you see your place in the future of international rallying?

My ambition is to establish myself consistently at the highest level, with the goal of securing a Rally1 drive and fighting for the overall World Championship in the coming years. I’m building toward that with a strong, sustainable foundation around me, and an epic team of people!

With the new FIA regulations coming, the top level of rallying becomes more accessible to drivers who have earned their place through performance, not only privilege. I’m focused on long-term projects with people who believe in building a clear vision properly.

Rallying is evolving, and we aim to be part of that evolution, bringing performance, modern thinking and a strong identity to the sport, both on the stages and beyond them.

For partners and sponsors, it’s about investing in a journey with a defined pathway, credibility and growth potential.

Chris Ingram

© Jaanus Ree / Red Bull Content Pool

© Jaanus Ree / Red Bull Content Pool

70 WE MYTH AGAIN ! THE NEW VESPA 946 HORSE

Some objects carry meaning beyond their function. The Vespa 946 Horse is one of them.

The latest chapter in Vespa's Lunar Collection, this limited edition honours the Year of the Horse - not through ornament alone, but through a considered dialogue between symbolism and material intelligence. The scooter's signature bay colour, a deep, lustrous brown, references the natural coat of the horse with quiet confidence rather than theatrical gesture. The steel body plays matte against gloss, restraint against richness - a V monogram stamped within a horseshoe beneath the saddle offering the kind of detail that rewards a second look. The leather saddle, handcrafted by Italian artisans and inspired by equestrian tack, speaks to a tradition where utility and beauty are never in conflict.

Accompanying the 946 Horse is In Sella, the third drop of the Al Vento collection - navy knitwear, a wool varsity jacket bearing the new Royal crest, and a poplin shirt that allows itself a moment of wit: a man in a Vespa helmet sharing an espresso with a horse.

Elegance, here, has a sense of humour. And a very good tailor.

MINDFUL CAREER

THE INVISIBLE LINE BETWEEN REACTING AND ANTICIPATING

by @Manuela_Schinaia_Coach / manuelaschinaia.com

Certified Strategic Coach and Evolutionary Tarologist, with 25 years experience as a marketing strategist in Monaco.

Manuela transformed her own career path to guide others through authentic professional evolution, specializing in professional transitions for executives and high-achievers. Through her unique methodology combining strategic coaching and intuitive tarology, she helps clients dismantle limiting career patterns and design lives aligned with their true essence.

Her SSI (Strategic Symbolic Integration) method has supported professionals in Monaco, France and Italy. Her recent collaborations include exclusive workshops in Monaco, Nice and southern Italy and private coaching retreats for international executives seeking reinvention without compromise.

The mountain road winds through fog so thick I can barely see beyond the next turn. Driving from Monaco toward the Alps in winter means navigating conditions that shift without warning-clear asphalt becomes black ice, dry pavement transforms into slush, all within kilometres. My instinct screams to react: brake hard, slow down, grip the wheel tighter. But reaction is precisely what creates danger here. Anticipation is what keeps you safe.

This distinction-between reacting and anticipating-has become the invisible line I trace daily in my coaching practice. The difference between professionals who survive their careers and those who architect them.

Most executives I meet operate in permanent reaction mode. They wake to urgent emails and spend entire days responding to what's already happened. The crisis that needed preventing yesterday. The conversation that should have occurred last month. The strategy that required planning six months ago. They confuse motion with progress, speed with precision, busy with effective.

I watch this pattern repeat with painful consistency. The leader who waits until retention numbers drop before addressing team morale. The professional who updates their skills only after missing a promotion. The executive who considers their next move only when their current position becomes untenable. They're driving through fog while staring at the road directly beneath their wheels, never lifting their eyes to what's ahead. True mastery-in driving, in sport, in professional life-requires constant anticipation. You're reading conditions before they arrive, making micro-adjustments based on what you see developing, staying calm while processing multiple variables simultaneously.

This isn't instinct. It's discipline.

During a recent session, a client described feeling perpetually behind, constantly firefighting, always one step away from crisis.

When I asked about their preparation rhythms, they looked confused. "Preparation for what? I'm just trying to survive each week."

Here's what I've learned: those who thrive aren't reacting faster. They've stopped reacting altogether. They've built systems of anticipation so refined that by the time others recognize a challenge, they're already three moves ahead.

They don't confuse the urgent for the important. They don't mistake adrenaline for achievement. They understand that sustainable excellence comes from preparation, judgment and disciplined execution-not from pure speed or frantic effort.

The executives I guide toward authentic leadership share a common realization: their careers weren't derailed by dramatic failures but by thousands of tiny reactions that never added up to strategic direction. They spent years responding brilliantly to the wrong things.

What transforms them isn't learning to react better. It's learning to anticipate differently.

This requires uncomfortable honesty about whether you're building toward something or simply managing what arrives. Whether you're executing a vision or just surviving your calendar. Whether your decisions serve this quarter's performance or this decade's trajectory.

The mountain roads taught me that control comes from lifting your eyes beyond the immediate curve. From reading what's developing rather than responding to what's already arrived. From making decisions with information others haven't yet processed.

My clients don't need to drive through Alpine fog to learn this lesson. They need to recognize that their careers demand the same practiced anticipation-the same calm under pressure, the same long-term thinking, the same disciplined execution that separates those who react from those who lead.

Don't balance. Integrate. Always.

Especially when the fog is thick and the road ahead unclear.

CLAY CALLS THE PRINCIPALITY'S GREATEST TENNIS RITUAL RETURNS

by Andrea Dini

April in Monaco arrives with bougainvillea, sea light, and the unmistakable sound of clay. For one week each spring, the Monte-Carlo Country Club transforms into the most cinematic tennis arena on earth - where the Mediterranean becomes a backdrop and the competition, relentless. The 119th edition of the Rolex Monte-Carlo Masters, running 4 to 12 April 2026, promises to be the most compelling chapter yet.

This year's edition opens with the weight of recent history. In 2025, the tournament broke every attendance record it had ever set - 154.169 spectators across the week, with 34 million viewers tuning in across linear and digital platforms, and a staggering 225 million social media impressions. Numbers that speak of a tournament no longer content to be merely prestigious. It has become,

quietly and definitively, a global cultural event. The organisers have responded not by expanding, but by refining. The site has reached its natural capacity, and tournament director David Massey has made a deliberate choice: depth over volume. "Our aim now is to focus on improving the on-site experience," he explains - a philosophy that feels entirely at home in a Principality built on the art of doing less, better.

left page: Carlos Alcaraz © Rolex Media

Stéfanos Tsitsipas © Rolex Media

For 2026, the entertainment spaces have been reconceived with the same attention one might bring to a haute couture edit. The former children's area has evolved into a generous family space - giant screen, deckchairs, refreshment stands, picnic tables - designed so that time between matches feels as considered as the matches themselves. Within the partners' zone, four large screens will carry live play throughout the grounds, ensuring the rhythm of the tournament pulses across every corner of the club.

Technology, too, has been elevated. Sixty cameras installed at the back of the court will offer an immersive, groundlevel perspective on play - an angle never before broadcast from Monte-Carlo. Combined with existing drone coverage and an additional day of global broadcasting from the opening Sunday, the visual language of this tournament is shifting. Tennis as cinema.

For the players, a reinforced Player Village at Monte-Carlo Beach - which extended the site by 35% in 2025 - now includes a high-performance gym and a dedicated mental well-being space. The automated line-call system, which made Monte-Carlo the first Masters 1000 clay event to adopt the technology, continues for a second season.

Then there are the names. Carlos Alcaraz arrives as defending champion, his clay-court instincts as sharp as his ambition. Jannik Sinner - Monaco resident, world number two, and still without a Monte-Carlo title to his name - will be looking to correct that particular absence. Stefanos Tsitsipas, 2024 champion and a man who has made this court something close to a sanctuary, brings his singular brand of Mediterranean tennis back to its natural home.

And then there is Lorenzo Musetti. The Italian arrived at last year's final with the kind of form that felt like destiny - only to face a crueller one at the Australian Open, retiring in the quarterfinals against Djokovic while leading two sets to love. Monte-Carlo 2026 offers a different kind of story, and Musetti will arrive with something to prove, and the game to prove it.

Perhaps the most poignant storyline, however, belongs to Monaco itself. Valentin Vacherot - who in October 2025 became, after coming through qualifying, the lowest-ranked Masters 1000 champion in history at Shanghai - will enter the main draw on his own ranking for the first time. No wild card. No exception. A Monegasque player, in his home tournament, by right. It has never happened before.

The Principality has always known how to stage a moment. This April, the stage is set.

Jannick Sinner © Rolex Media

Lorenzo Musetti © Rolex Media

Valentin Vacherot © Imago

MONACO INTERNATIONAL INVESTMENT FORUM 2026

The fifth edition of the Monaco International Investment Forum (MIIF) will take place on 18 and 19 March 2026 in the prestigious setting of the Yacht Club de Monaco, reaffirming its position as one of the most dynamic and influential investment platforms in the European and international business landscape. Since its inception, the Forum has steadily expanded in scope, quality and global reach, bringing together investors, entrepreneurs, family offices, institutional representatives and industry leaders. Year after year, MIIF has strengthened its role as a high-level meeting point for capital allocation, strategic partnerships and cross-border collaboration.

The event today is leaded by the founder Raffaello Cairoli together with Andrea Dini, event supervisor and Andrea Bogni, relationship manager.

A PROVEN TRACK RECORD OF SUCCESS

The 2025 Monaco edition marked a significant milestone, welcoming over 400 international investors, family office representatives and industry leaders, and fostering highlevel networking and meaningful investment exchange. In November 2025, MIIF further expanded its global footprint with a successful inaugural edition in Dubai, attracting more than 450 professionals from Europe, the Middle East and beyond. MIIF 2026 will feature a series of curated social and business occasions designed to enhance engagement and interaction:

OPENING COCKTAIL RECEPTION

On the evening prior to the Forum, selected delegates will be welcomed to an exclusive cocktail reception at the Aviator

Lounge by Bombardier Aviation. This refined gathering offers an elegant setting for early networking among speakers, investors, sponsors and distinguished guests.

PRESTIGIOUS GALA DINNER

Between the two working days, a celebratory Gala Dinner will be held, providing an exceptional opportunity to build relationships in a prestigious social environment-further strengthening connections beyond the formal conference programme.

INSTITUTIONAL PARTNERSHIP

The 2026 edition is distinguished by a strategic partnership with the Government of Monaco in the framework of the 5th PropTech Symposia, underscoring the Forum’s institutional recognition and its role in fostering innovation across key economic sectors.

PRESTIGIOUS

SPONSORS AND PARTNERS

MIIF 2026 is proudly supported by a group of distinguished sponsors whose expertise and global reach reflect the Forum’s international standing:

Alcenza Properties – A leading real estate firm in Dubai, renowned for delivering tailored investment and property solutions across residential and commercial markets, with a commitment to transparency and high-performance service. Ambassadori Island – A premier luxury-lifestyle and destination brand focused on creating exceptional experiences and high-end residential opportunities, catering to discerning global investors and residents.

Bombardier Aviation – A globally recognised aerospace manufacturer, designing and producing some of the world’s most advanced business jets, serving private, corporate

Tracy Wong - Averell

Alcenza Properties is one of Dubai’s leading real estate companies, providing high-quality services and expert support for clients investing in the UAE. We believe in the market’s strong growth potential and help investors find profitable opportunities. We joined MIIF because it is one of Europe’s top exhibitions and the ideal platform to showcase Dubai projects.

and government clients with unmatched performance and innovation.

Averell – An independent private advisory firm delivering bespoke wealth, governance and legacy solutions for ultrahigh-net-worth families, with a focus on strategic wealth structuring, investment access and multi-jurisdictional planning.

MIIF

2026: A STRATEGIC PLATFORM FOR INVESTMENT AND GROWTH - A PREMIER INVESTMENT FORUM

MIIF serves as a catalyst for investment opportunities, featuring keynote sessions, expert panels, business presentations and curated discussions that address current market trends, global capital flows and innovation-driven sectors.

HIGH-VALUE NETWORKING

The Forum provides a structured yet exclusive networking environment, enabling participants to establish meaningful connections with investors, corporate leaders and strategic partners.

Ambassadori Island Batumi represents Georgia’s ambition to redefine sustainable, smart urban living on the Black Sea.

We chose MIIF because it brings together forward-thinking international investors who value innovation, credibility, and long-term vision, precisely the audience this landmark project is designed for.

A POWERFUL SHOWCASE FOR SPONSORS AND EXHIBITORS

For sponsors and exhibitors, MIIF represents a prestigious international stage, offering direct exposure to a qualified audience, enhanced brand positioning and concrete opportunities for business development-through targeted interactions designed to generate leads, partnerships and commercial relationships.

CROSS-BORDER BUSINESS ACTIVATION

With its international profile and diverse audience, the Forum actively facilitates cross-border collaboration, fostering synergies between established financial centres and emerging markets.

Set against the backdrop of Monaco’s renowned financial and entrepreneurial ecosystem, MIIF 2026 will once again position the Principality as a strategic crossroads for global capital and innovation. This fifth edition promises two days of highlevel dialogue, strategic networking and concrete business opportunities-where vision meets capital, and relationships turn into growth.

Amirans Kavtaradze - CEO Alcenza Properties

Gocha Kamkia - CEO Ambassadori Island

Amirans Kavtaradze - Alcenza Properties

Gocha Kamkia - Ambassadori Island Andrea Bogni, Raffaello Cairoli, Andrea Dini

BOMBARDIER’S GLOBAL 8000 PRIVATE JET THE NEW HEIGHT OF WELLNESS AND PERFORMANCE

Step aboard the fastest business jet in the world and you’ll instantly see, and feel, that this one is different. Indeed, the Global 8000 is aimed at the most discerning travellers – those who value time, flexibility, and an environment designed for maximum comfort, wellness and productivity.

Bombardier’s peerless Global 8000 aircraft has taken private aviation by storm since news of its industry-first supersonic test flight reverberated around the world. Offering four true living spaces plus a separate crew rest area, the 19-passenger Global 8000 delivers an exceptionally refined flying experience. Whether you’re travelling for business, pleasure, or a combination of the two, this jet is tailored to the most discerning passengers – those who value time, flexibility, and an environment designed for maximum

productivity and unparalleled comfort.

On the Global 8000, passengers can take care of business in the six-seat Conference Suite, kick back and relax in the four-place Club Suite, watch a movie in the Entertainment Suite, or retire to the Principal Suite with available full-size bed and private en suite lavatory with available stand-up shower. Not only does the Global 8000 deliver a luxurious and healthy travel experience, but it surpasses other private jets in performance, too. As the fastest civil aircraft since the Concorde, the Global 8000 sets a new industry benchmark with a top speed of Mach 0.95.

Passenger wellness is a priority on the Global 8000, with occupants arriving at their destination feeling refreshed and relaxed, thanks to the lowest cabin altitude in business aviation production. This means that even while cruising at 41,000 feet, passengers feel like they are at the top of the

Burj Khalifa, rather than at the top of a mountain. Additionally, Bombardier’s Pũr Air system, equipped with HEPA filter technology, ensures fast fresh air replacement throughout the cabin, as well passenger-controlled heating and cooling for further future personalization.

Passengers will also enjoy fresh, hot foods prepared in one of business aviation’s largest galley, and total zero-gravity comfort while reclined in Bombardier’s patented Nuage seat. The Nuage seat is the first completely redesigned business aviation seat in 30 years, crafted specifically to reduce lower back pressure, optimize weight distribution and increase circulation during flight.

Bombardier has channelled more than eight decades of craftsmanship and expertise into its new flagship aircraft. Aside from blistering speed, the aircraft also delivers a best-in-class range of 8,000 nautical miles, making non-stop

bombardier.com

flights from Dubai to Houston and London to Perth the new reality. If you’re heading to a more remote destination, chances are the Global 8000 can get you there – its classleading runway performance unlocks access to 30 percent more airports than its closest competitor.

In the competitive arena of ultra-long-range business jets, Bombardier’s Global 8000 stands alone. With nearsupersonic speed, exceptional range and operational agility – plus a thoughtfully designed cabin optimized for productivity and passenger wellness – Bombardier’s Global 8000 is a strategic tool for executives who value time and flexibility.

Its successful launch into service is a testament to Bombardier’s rich history of ingenuity, accumulated expertise and dedication to excellence - qualities that have inspired the company’s products since 1942.

Club Suite

Entertainment suite

Cockpit

Principal Suite Staged Day

One of my first moves was rebranding to ‘Citadel Aviation.’ It signals both internally and externally that we’re broading our capabilities.

Greg Colgan - CEO Citadel Aviation

LEADERSHIP AND VISION GREG COLGAN GUIDES CITADEL AVIATION FORWARD

Greg Colgan Takes the Helm as Citadel Evolves into a Global Aviation Powerhouse.

The V/VIP and elite custom aircraft market is undergoing a significant transformation, driven by an increasing demand for comprehensive, lifecycle-spanning services. Meeting this demand head-on, Citadel Completions has officially rebranded as Citadel Aviation. This strategic evolution, coupled with the appointment of industry veteran Greg Colgan as Chief Executive Officer, marks a pivotal moment for the company as it expands its footprint as a global aviation services organization.

A STRATEGIC EVOLUTION

FROM COMPLETIONS TO COMPREHENSIVE CARE

The transition to the name Citadel Aviation reflects a deliberate shift toward a more integrated and expansive service model. While the company has long been recognized for its exquisite quality and design excellence in aircraft completions, its new identity clarifies its position in a competitive global landscape. Aircraft owners increasingly seek partners capable of supporting multiple stages of an aircraft’s lifecycle. The updated brand

reinforces Citadel Aviation's expanded readiness to meet these complex expectations. Moving beyond a singular focus, the company now offers comprehensive, nose-to-tail solutions, which include:

• Routine and heavy maintenance

• Advanced modifications

• Custom refurbishments

• Full-scale VIP completions

By aligning its brand with this broader scope, Citadel Aviation mirrors wider industry trends. Today's aviation operators value continuity, technical depth, and operational reliability, preferring service providers who can address complex aircraft requirements through a consolidated, single-partner offering.

VISIONARY LEADERSHIP: GREG COLGAN TAKES THE HELM Coinciding with this strategic rebrand is a major leadership transition. Citadel Aviation has appointed Greg Colgan as its new Chief Executive Officer. Bringing over 25 years of experience in the aviation industry, Colgan has a proven track record of

driving innovation, achieving operational excellence, and establishing long-term, high-value client partnerships. Previously serving as the CEO of MRO Holdings, Colgan successfully led that organization to become the largest airframe maintenance provider in the Americas.

His visionary leadership is now focused on Citadel Aviation’s mission: delivering exceptional technical expertise and outstanding customer service. Colgan’s unwavering passion for aviation aligns perfectly with the company's vision to be the global provider of choice for the most discerning wide- and narrow-body aircraft owners. Under his guidance, the company emphasizes consistency, quality, and long-term relationships across its entire service portfolio.

LOOKING TO THE FUTURE

Citadel Aviation’s trajectory over the next year is defined by three priorities: expanded capacity, deeper capability, and continued investment in the people who make both possible.

First, capacity. Citadel’s is focused on expansion to support large cabin and business jet maintenance, refurbishment, and modification, giving aircraft owners a second worldclass option and meaningfully reducing downtime through geographic convenience. In parallel, our Lake

Charles center of excellence for narrow and wide-bodied commercial sized private VVIP aircraft is adding specialized talent, broadening tooling and certifications, and building the operational redundancy that allows clients to benefit from flexibility without any compromise in quality.

Second, capability. We are actively developing advanced avionics integration, partnered with next-generation connectivity solutions, and expanded bespoke interior fabrication to ensure our service offering evolves in lockstep with the expectations of a clientele that is always looking ahead. As cabin technologies advance and the global VVIP fleet continues to grow in both size and sophistication, Citadel intends to lead, not follow, that evolution.

Third, and most critically, our people. Citadel’s culture of accountability, curiosity, and genuine love of the craft is the engine behind everything we deliver. We will continue to invest in training, professional development, and the kind of workplace that has earned four consecutive FAA Employer Diamond Awards.

Our overarching aim is clear: to be the most credible, most capable, and most committed partner in the art of caring for extraordinary aircraft, not the largest, but the one discerning owners trust without reservation.

M DE MEGEVE

THE ALPINE LIGHT

When winter recedes, Megève reveals another rhythm. Snow gives way to wildflowers, terraces reopen to the sun, and the mountains soften into shades of green. In this gentler season, M de Megève embraces a different kind of alpine elegance - one shaped by light, air and open horizons.

Just steps from the village centre, the hotel remains anchored in its contemporary chalet architecture, yet summer transforms its presence. Timber façades glow under long golden evenings, balconies frame vast landscapes, and the surrounding peaks feel less imposing, more inviting. The atmosphere shifts from cocooned intimacy to effortless openness. Days unfold outdoors. Hiking trails begin within walking distance, leading through alpine meadows scented with pine and fresh grass. Cycling routes wind across panoramic passes, while the nearby Mont d’Arbois golf course draws enthusiasts seeking altitude and precision. Even a simple stroll through the cobbled streets of Megève becomes an invitation to slow down - café terraces alive with quiet conversation, boutique windows reflecting the clear mountain sky.

Back at the hotel, the terrace becomes the heart of the season. Sunlight filters through parasols, glasses sparkle, and lunches extend lazily into afternoon. The cuisine follows suit: lighter, vibrant, inspired by regional produce. Fresh herbs, seasonal vegetables and delicate flavours echo the clarity of the landscape itself. Inside, the spa retains its calming presence, yet feels renewed by the brightness outside. After a day in the mountains, the pool and hammam offer cool respite rather than winter recovery - a way to prolong the softness of summer rather than escape the cold.

Evenings arrive slowly. The air remains warm, the light lingers, and the mountains turn blush-pink before dusk. Conversations drift across balconies, unhurried and low. In summer, M de Megève does not lose its discretion; it simply breathes more deeply.

Here, luxury is not about retreating from the elements, but about living gently within them. An alpine address where refinement meets sunlight - and where the mountain, freed from snow, reveals its quiet radiance.

BEAUTY WHITE GOLD

MAKE UP FOR EVER X BLUMARINE

Backstage glow for SS2026. Pure runway energy. makeupforever.com

LA PRAIRIE

White Caviar Collection Eye Extraordinaire. Light, lifted, luminous. laprairie.com

RITO

Gran Galà Extrait de Parfum. Rosewood and gardenia wrapped in ambe and white musk. Decadent, deliberate. ritoitaly.com

TOM FORD

AUGUSTINUS BADER

Light sunscreen with TFC8® SPF 50. augustinusbader.com

Soleil Neige Eau de Parfum. Cr ystalline florals, winter air, alpine radiance. tomfordbeauty.com

ARMANI BEAUTY

Prisma Glass Icy Plumper. Ice-cool volume, mirror-shine finish. armanibeauty.com

SANTONI

Light blue leather laptop bag with Velatura finish. Power dressing, refined. santonishoes.com

BOGLIOLI

Total Look SS2026. Tailoring with metropolitan cool. bogliolimilano.com

GALLO

Light blue cotton socks with checks and bold stripes. Sharp. Playful. gallo1927.com

BORSALINO

Morgan rainproof bucket hat. British weather, Italian savoir-faire. borsalino.com

CLIVE CHRISTIAN

Strange Heavens Out of the Blue Extrait de Parfum. Cocoa, caramel, vanilla laced with smoke. Addictive. clivechristian.com

BRUNELLO CUCINELLI

Sartorial Sunset Square

Titanium Sunglasses with acetate inserts and light blue lenses brunellocucinelli.com

AFTER DARK

LOZZA X LUIS FIGO

Oversized geometric metal sunglasses, with double bridge and bold design. lozzaocchiali.com

Small black leather wallet. With glossy finish and enamel triangle logo. Compact. Coveted. prada.com

LAURENT

Total Look SS 2026. ysl.com

LOUIS VUITTON

Fashion Eye Rajasthan by Bharat Sikka. Travel, reframed. louisvuitton.com

Cosmograph Daytona In 18ct yellow gold with turquoise lacquer dial and Oysterflex bracelet. Precision, amplified. rolex.com

SAINT

ROLEX

PRADA

86 SWEET HARMONY

LES FOLIES DU PARFUM

Vestis Extrait de Parfum - spice, florals, oriental depth. A lingering statement. lesfoliesduparfum.com

PANDORA

Herbarium choker with lilac crystals and black ribbon. Bridgerton allure, modern twist. pandora.com

ANTONIO MARRAS

Total Look SS 2026. Romanticism with an edge. antoniomarras.com

in

VIVAIA Square-toe lace sneakerina with cream laces. vivaia.com

VALEXTRA Iside Tin

powder-blue Millepunte leather. Architectural. Effortless. valextra.com

HER GAMBLING

PINEIDER

Leather backgammon set. Dice, counters, cups. The art of play. pineider.com

GARATTI

Ayoka Rose High Jewellery. Bold brilliance in rose-gold hues. garattimilano.com

CHANEL

Noir Allure Volume Mascara, Rouge Noir collection. For dramatic lashes. chanel.com

VAN CLEEF & ARPELS

Zodiaque Leonis bracelet in yellow gold. Celestial. Iconic. vancleefarpels.com

Keyring with heart-shaped charm. A playful detail to knot onto your purse. stellamccartney.com

LE SILLA

Shirley sandal in halo-grey satin. Open toe, elongated line. Pure seduction. lesilla.com

STELLA MCCARTNEY

In a world where declaring the number of followers and clicks has become an obsessive demand, it's important to understand that if you work and live in luxury, factors such as credibility and the genuine exclusivity of the venues where you are visible are truly the only things that matter. In luxury, less is more, as long as this "less" is the best one ;-)

PARTNERS / VENUES / EVENTS

THE MOST EXCLUSIVE VENUES

MONACO & SURROUNDINGS

• Hotel Metropole

• Hôtel de Paris / Hall

• Fairmont Monte Carlo / Spa

• Negresco (Nice)

• Cap Estel (Èze bord de mer)

• Hôtel du Cap Eden-Roc (Cap d’Antibes)

G&M Design Gallery Cipriani

RELAIS & CHÂTEAUX

• Château de la Chèvre d’Or (Èze Village)

• Château Le Cagnard (Cagnes Sur-Mer)

• Château Saint-Martin & Spa (Vence)

• Monte-Carlo Beach (Roquebrune Cap Martin)

MEGÈVE

• Les Fermes de Marie

• Le Mont-Blanc

• Le Lodge Park

• Les Chalets de Fermes de Marie

• Chalet du Mont d’Arbois

• Flocons de Sel

• Alpaga

• Le Chalet Zannier

COURCHEVEL

• L’ Apogée

• Le K2 Palace

• Le K2 Altitude

• Le K2 Djala

• Le K2 Chogori

• Private Chalet Razzie

• Private Chalet Edelveiss

• Private Chalet Gentianes

PRIVATE CLUBS

• The Collection Paris

• Monaco Yacht Club

• Monte-Carlo Country Club

• Club 39 Monte Carlo

• Luxury Professionals Monaco

• CREM (Club des Résidents Étrangers Monégasques)

PRIVATE AVIATION & LIMOUSINES

• Heliair Desks & Private Flights

• Nice Airport private lounges: AviaVIP, Signature, DC-Aviation

• Let’s Fly (Cannes/Mandelieu Airport)

• AAA Luxury Limousines including Cannes Film Festival and Monaco GP

GOLF & POLO COURSES

• Golf Club de Cannes-Mougins

• Monte-Carlo Golf Club

• Domaine de Barbossi (Mandelieu - La Napoule)

• Domaine de Terre Blanche (Tourrettes, Var)

• Polo Club de Saint-Tropez

SAINT-TROPEZ & CANNES / AND...

• Annex Beach • Private Beaches Cannes

• Villa Marie (Saint-Tropez)

• Lily of the Valley (Saint-Tropez)

• Kube (Saint-Tropez)

• Aéroport International du Golfe de Saint-Tropez

• Le Cagnard

• Domaine des Andeols

MONACO

• Monaco luxury boutiques

• Prestigious residences

• Private Mailing List of 2500 addresses

THE MOST EXCLUSIVE EVENTS

• Formula 1 Grand Prix of Monaco (in partnership with Gootickets)

• Monaco Yacht Show

• International Jumping Monte-Carlo

• Monte Carlo Music Masters

• Pro Am des Parfumeurs

• My Yachts Events (Monaco, Hong Kong, Miami, St. Barth)

...PORTO MONTENEGRO, YACHT CLUB CORTINA D'AMPEZZO, MAGNA PARS HOTEL, L'ARGENTAIA, L'ARGENTARIO GOLF, PORTOFINO

NEWSSTANDS FROM MONACO TO NICE AND MORE...

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