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SURPRISING PRINTEMPS DES ARTS ATLANTIC RECORDS' HISTORY FORCE ONE ART&DESIGN THE HIDDEN SANCTUARY OF SUPERCARS STARRED TABLES FOR THE SPRING ALL EYES ON US

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FORCE ONE

#44

UN CON VEN TIO NAL. There’s something electrifying about breaking the mould about choosing the unexpected path and finding beauty, meaning, and thrill where others might not look. Force One begins this issue by celebrating precisely that: the unconventional, the bold, and the unapologetically original. We start with Monte Carlo’s Printemps des Arts, a festival that reinvents the classical with a programme that surprises as much as it delights. From there, we shift to the rebellious energy of Atlantic Records, a label that didn’t just follow trends - it created them, bringing to life the voices of legends across genres and generations. In our Art & Design section, we meet Roberta Verteramo, whose tactile, sculptural works challenge the line between art and craftsmanship. Also featured is Maestro Enzo Cacciola, who since the '70s has redefined painting with raw, industrial materials - an artist who sees texture where others see constraint. We wander into the velvet shadows of Venice’s first burlesque festival and descend 20 metres underground into Monte Carlo’s most exclusive club for supercar owners. Two life coaches with unorthodox methods offer fresh perspectives, and a Michelin-starred chef strips away the theatrics to put taste back in the spotlight. Our shopping page becomes a cabinet de curiosité, where rare, playful, and exquisite finds await the curious eye. Welcome to a world that refuses the predictable. Enjoy the read.

Luca Marotta

Publisher and Creative Director

#44

INDE X

07 - Culture / A FESTIVAL IN BLOOM 12 - Music & Books / 75 YEARS OF ATLANTIC RECORDS 17 - Force One Art&Design / A JOURNEY OF INSPIRATION 22 - Art partnership / FORCE ONE AND THE CERCLE PERNOD-RICARD 24 - Art / ENZO CACCIOLA @FORCE ONE ART 26 - Art / PIÙ CORNER MILAN 28 - Show / VENICE IS BURLESQUE ! 30 - Sport / A NEW SOUVEREIGN IN MONTE CARLO ? 32 - Supercars / THE HIDDEN SANCTUARY 36 - Formula 1 / GOOTICKETS: AT THE GRAND PRIX, LIKE NO ONE ELSE 40 - Business & Finance / MONACO INTERNATIONAL INVESTMENT FORUM 42 - Yachting / EXPLORING DREAMS FOR SALE 46 - Yachting / RIVA GLIDES ONTO THE SNOW 47 - Yachting / ELECTRIC DREAMS 48 - Lifestyle & Business / THE LUXURY OF BEING, AND LEADING 50 - Wellness / VOREVO, A GYM IN A MIRROR 52 - Real Estate / PANORAMIC VIEWS 54 - Fine Dining / SIGNATURE DISH: NATURE 60 - Venues / REDIFINING LUXURY AT THE LILY OF THE VALLEY

62 - Fine Dining / SPRINGS RETURN TO LOUROC 64 - Fashion / ALL EYES ON US 74 - Beauty / ROMANTIC HEARTBEAT 76 - Shopping /SPRING CHOICES FOR him & her "RO BER TA VER TER AM

Self-Portrait - Cover Photo

Creative Director & Publisher Luca Marotta Editorial Director Andrea Dini Fashion Editor Dafne Funeck Art Editor Chiara Condi Jewelry and Watches Editor Laura Canepa

# 44

Cars Editor Richard McCreery

Translations Marsglobus Ltd

Senior Contributors Daniele Crippa Keith Francis

Lifestyle / Events Photographer Bruno De Marquis Francesca Cari

Editorial Contributors Asia Fernandez Zhou Nicholas Reds Olivia Rose Manuela Schinaia Lien Simcic Ross Taylor

Editorial Photographers Leandro Azzolini Alice Blangero BMI Imaging Systems Marco Borrelli Chiara Bruschini Sabrina Canola

Nino Esposto Franck Follett Le photographe du dimanche Walter Iooss Jr Jim Marshall November Studio Michael Pöhn Mick Rock Yann Sasportas M Sordello Blandine Soulage Victor Velter Vinaj Post Production Thomas Bourgoin / HGS

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PRINTEMPSDESARTS.MC +377 93 25 58 04 * Pour le dernier concert du jour - sauf événements en collaboration – réservation obligatoire

25 concerts 400 artistes 46 compositeurs 80 œuvres 17 lieux 12 conférences

A FESTIVAL IN BLOOM

THE PRINTEMPS DES ARTS DE MONTE-CARLO 2025 by Luca Marotta The Printemps des Arts festival in Monaco unfurls as a remarkable cultural event, spanning nearly two months in its 55th edition. Founded in 1970 at the instigation of Princess Grace of Monaco and presided over by H.R.H. the Princess of Hanover since 1984, this festival has evolved into one of the Mediterranean's most distinctive celebrations of music and art. Now in its fifth year under the artistic direction of Bruno Mantovani, the festival continues to embody an open and curious spirit. As Mantovani himself says, with his characteristic infectious smile that perfectly represents the festival's welcoming approach, "When I conceive the programme of the festival, I do so as a composer." For him, "the Printemps des Arts is a work" in itself. A Season of Musical Renewal Just as spring gives the festival its name and represents a time of rebirth, openness, and renewed energy, the Printemps des Arts designed by Bruno Mantovani offers a journey of continuous discovery and rediscovery. It presents lesserknown compositions by great names of classical music alongside works by composers largely unknown to mainstream audiences. This musical landscape is further enriched by jazz influences, cinematic connections, and opportunities such as masterclasses and backstage visits.

Neue Vocalsolisten © Alice Blangero

Beyond the concerts themselves, the festival offers complementary activities to enhance understanding and appreciation. There are backstage visits, commented rehearsals, and film screenings. Before each concert, discussions and talks with musicologists such as Jean-François Boukobza, Tristan Labouret, and Pierre Rigaudière provide context and insights. The audience itself reflects this diversity-vast, multicoloured, and varied, from very young children to centenarians. When it comes to culture, the Principality demonstrates its commitment to investing in young people by making all Printemps des Arts concerts free for those under 25. The venues are equally diverse. Beyond the expected theatres and auditoriums, concerts and meetings take place in art galleries, the cathedral, and even cinemas-each space creating a unique atmosphere for experiencing music. The 2025 Edition: A Special Celebration This year's festival is particularly significant as it commemorates the centenary of Pierre Boulez's birth. Born on March 26, 1925, at the beginning of spring, Boulez was a pioneering figure in 20th-century music. As Mantovani explains, "Celebrating his centenary in a festival he visited and which has presented his music on several occasions naturally came to me." Rather than focusing solely on Boulez's compositions, Mantovani has chosen to create a portrait "on the margins of the obvious," approaching this singular personality through the prism of his tastes, influences, his repertoire as a conductor, and his relationships with artists he admired-and even those he disliked. A Musical Landscape of Extraordinary Diversity The 2025 festival offers a breathtaking array of performances: 80 works, by 46 composers, performed by more than 400 artists across 17 venues. This rich tapestry includes orchestral masterpieces, chamber works, jazz performances, and contemporary compositions. The festival opens with a prelude concert conducted by Philippe Jordan, featuring music by Wagner and Mahler. This is followed by a musical promenade through the Francis Bacon MB Art Foundation, where violinist Aya Kono performs works by Boulez and Luciano Berio amidst Bacon's powerful canvases-illustrating how different artistic expressions can enhance one another.

printempsdesarts.mc

Eric Lebrun © Alice Blangero

Pierre Boulez © Vinaj

Michael Pöhn Philippe Jordan © Wiener Staatsoper /

BBC / Pascal Rophé © Alice Blangero

One of the most anticipated performances features the Neue Vocalsolisten, a renowned vocal ensemble from Stuttgart specialising in contemporary music. They will perform Karlheinz Stockhausen's monumental "Stimmung" from 1968, a work of murmurs, contemplative harmonies, and deep rituals that will open this edition of the festival. The BBC Symphony Orchestra, which Boulez directed from 1971 to 1975, will present two exceptional concerts devoted to early 20th-century modernism, featuring pianist François-Frédéric Guy. These programmes showcase works by composers who influenced Boulez, including Béla Bartók, Claude Debussy, Arnold Schoenberg, and Igor Stravinsky. Nurturing New Talent and Exploring Connections The festival places significant emphasis on supporting emerging musicians. The traditional concert of conservatories opens the stage to young performers from the Rainier III Academy of Monaco and regional conservatories. Masterclasses with distinguished artists such as Vincent Le Texier, Jean-François Heisser, and Éric Lebrun provide valuable learning opportunities. The festival also explores unexpected connections. Despite Boulez's occasional criticism of jazz as "predictable," pianist Hervé Sellin will revisit, recompose, and recolour the music of Claude Debussy and Maurice Ravel with his inimitable jazz sensibility. Similarly, the Ensemble Linea will perform works by André Jolivet, whom Boulez initially dismissed but later came to respect, and Raphaël Cendo, a contemporary composer known for his interest in electronic music who has published acerbic tributes against Boulez. A Festival of Many Dimensions The Printemps des Arts transcends traditional boundaries between artistic disciplines. This year, Francis Bacon's works provide the visual identity for the festival's posters and programmes, reflecting Boulez's admiration for the British painter. As Mantovani notes, "Beyond the visual arts, Pierre Boulez showed immense sensitivity to great poetic texts," which will be explored through performances of works by Debussy and Ravel, as well as readings of poetry by René Char, Stéphane Mallarmé, and others. The festival also delves into Boulez's lesser-known interests, such as his passion for 16th and 17th-century repertoire.

Bruno-Mantovani © Blandine Soulage

"When I conceive the programme of the festival, I do so as a composer."

Works by Dowland and Monteverdi will be performed by organist Éric Lebrun and during a concert by Les Musiciens du Prince and Il Canto di Orfeo. The Ballets de Monte-Carlo will present a programme centred around a new piece inspired by Arnold Schoenberg's "Transfigured Night," choreographed by Marco Goecke-highlighting Boulez's support for ballet music, especially when composed by his favourite composers. Mantovani's Vision: Freedom and Experimentation Bruno Mantovani brings to the festival his perspective as a composer, conductor, pedagogue, musicologist, radio producer, and institution director. Under his guidance, the Printemps des Arts has become a true playground for experimentation. "In Monaco, we talk more about the substance than the context. We talk about the works," Mantovani explains. "It's touching to see that they are still essential. A form of elevation through rigour, artistic and intellectual elitism is encouraged." He enjoys "total freedom of programming and even encouragement to be bold" at Monaco. "No constraint of profitability is opposed to me," he continues. "The Printemps des Arts does not offer anything that has been given elsewhere. Our programmes are designed by the musicians and myself." This artistic freedom, actively encouraged by the Princess of Hanover, allows Mantovani to create a festival that offers fresh perspectives and unexpected combinations. Like spring itself, which brings renewal to the natural world, the Printemps des Arts brings renewal to the cultural landscape of Monaco. As the 2025 edition unfolds from the prelude on March 2nd to the final concert on April 6th (with a postlude by the Ballets de Monte-Carlo in late April), it invites audiences to experience the transformative power of music in all its diversity - a celebration of creativity, innovation, and artistic excellence in the heart of Monaco.

Les Musiciens du Prince © Marco Borrelli

SOUL AND SOUND

REVOLUTIONARIES by Keith Francis

When Ahmet Ertegun and two fellow music lovers founded Atlantic Records in New York in 1947, they could hardly have imagined their passion for discovering new talent and producing records would shape 75 years of popular culture. The secret behind this remarkable global success? Atlantic pioneered a revolutionary business model while championing an impressive range of musical genres - from Black music like R&B, soul, jazz and hip-hop to rock, pop, dance and beyond. Taschen's magnificent new publication "75 Years of Atlantic Records" arrives as the definitive visual history and reference work on this legendary music label. The result of four years of meticulous work, this stunning book draws from Atlantic's vast archives, featuring countless images never before published. Aretha Franklin at Symphony Hall, Newark, New Jersey, 1969 © Walter Iooss Jr

Taschen - a publisher known for its bold creative choices and refusal to follow standard paths - feels like the perfect match for Atlantic's legacy of artistic courage and innovation. Both have made their mark by trusting their instincts and redefining what's possible in their respective industries. The images selected for this article pay homage to some of Atlantic's greatest icons - from the explosive power of Aretha Franklin to the tormented genius of John Coltrane and the suave sophistication of Bryan Ferry. These photographs, taken from the remarkable Taschen book, capture the essence of artists who defined their eras. Page through the book and you'll discover soul pioneers Aretha Franklin and Ray Charles, jazz innovators John Coltrane and Charles Mingus, pop icons like the Bee Gees and ABBA, rock legends from Led Zeppelin to the

Rolling Stones, avant-garde vocalists like Roberta Flack and Stevie Nicks, and today's stars including Ed Sheeran and Cardi B. The collection showcases posed portraits, concert shots, pivotal studio moments and intimate backstage glimpses captured by some of the world's finest photographers - Annie Leibovitz, Jim Marshall, Lee Friedlander, Walter Iooss Jr., Anton Corbijn, Chuck Pulin, Albert Watson and David LaChapelle. Captivating captions by Richie Unterberger and Herb Powell provide context for the images, while awardwinning writers David Ritz, Ben Ratliff, Elizabeth Nelson and Barney Hoskyns, among others, explore the various genres produced by the label, alongside timelines and profiles of Atlantic's pioneering figures. An introduction by Bruno Mars explains how Atlantic revolutionised the way records were made and enjoyed.

taschen.com

75 YEARS OF ATLANTIC RECORDS Hardcover in slipcase, 33x33 cm, 5,14 Kg, 462 pages 150 €

Brian Ferry at Holland Park, London, 1974 © Mick Rock

Atlantic's story begins with Ertegun's simple desire: "When I first started Atlantic Records, I intended to make good blues and jazz music, as well as some pop music. My main interest was in jazz and blues." From these modest beginnings - initially funded with £10,000 from Ertegun's dentist - Atlantic grew into one of the most consistently successful companies in music history. The early days were precarious. Jerry Wexler, who joined as a general partner in 1953, recalled, "We used to have to sell 60,000 singles a month to meet expenses." Their first office was in the now-defunct Jefferson hotel, with subsequent moves to cramped quarters where resourcefulness trumped resources. At one point, Ertegun and Wexler shared an office with a grand piano - by night they'd stack one desk atop another to clear space for recording sessions.

Atlantic's signature sound emerged almost by accident. Unable to find authentic Delta bluesmen in New York, they worked with local musicians from jazz and swing backgrounds. "When we had these musicians try to play in an authentic blues fashion, it didn't result in what we expected," Ertegun explained. "But it created something intriguing - music with a blues feel but with a particularly Northern, urban influence." This distinctive style appealed to both Black and white audiences, becoming some of the earliest crossover music - or as Ertegun put it, "In fact, the music we were making was rock and roll." From these beginnings, Atlantic evolved into a powerhouse spanning genres and decades. The gorgeous Taschen volume now preserves this remarkable legacy in all its beauty and detail - an essential collection for music lovers everywhere.

I never even thought about whether or not they understand what I’m doing… the emotional reaction is all that matters. As long as there’s some feeling of communication, it isn’t necessary that it be understood.

"In Coltrane’s back yard

, Queens, New York , 1963

" © Jim Marshall

John Coltrane

C U L L I N A N

D I A M O N D S

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ART AND DESIGN #2

A JOURNEY OF INSPIRATION

by Chiara Condi As a luxury magazine, Force One found it important to bring the world of art and design to its readership to cover its passion for culture, patronage and collecting. For every issue, Chiara Condi, international art and design curator, will select four distinguished artists and designers for every issue. We invite you to delve deep into the work and creations of these artists to uncover their inspiration and technique. By uncovering their work we hope to bring you more closely to the artists, we invite you to travel with us to their studios. We hope that their creations will inspire you as much as they have inspired us. For this edition I selected two artists and two designers whose work and approach are deeply remarkable. Purdey Fitzherbert’s abstract works demonstrate the power that materials and process-based art has in touching our souls. We can spend hours standing meditatively before her pieces, dreaming and pondering the layers of meaning behind the beautifully colored layers of weathered and torn paper that cover her canvases. Hers are works of beautiful destruction in which the transient, ephemeral, moments of the universe come to life. Megan Marrin magically transports into minutely accurate renderings of French designer Jean Michel Franks’ long-gone interiors. As we dig behind their seductively beautiful design and into their depth we begin to unravel Frank’s psychology as well as our own. The realism and precision of Megan’s brushstroke fully immerses us into Frank’s rooms and thereby his reality. Her mastery n capturing the slightest detail of the rooms is mesmerizing. The works are so beautiful that their aesthetic power almost distracts us from the profound reality they reveal. Roberta Verterano’s designs powerfully integrate African influences into an Italian design aesthetic to create combinations of shapes and materials that are unique to her practice. Roberta’s works reflect a deep search for identity and technical perfection that give life to her bronzes. The unconventional table, the masterpiece of her collection, is the epitome of beautiful functionality; it can serve as a coffee table, a chair, and a shelf. The true beauty of Roberta’s work lies in her passion and devotion to bronze, as well as her ongoing quest to creatively combine it with other unusual materials. Pierre Yves Guenec’s marbles strike the perfect equilibrium between design and functionality. Pierre Yves begins with a stone around which he designs everything to the utmost perfection. Behind his apparently effortless shapes there are years of effort. Everything in his universe is rounded and beautiful, representing natural materials and forms at their best. When one returns to the essential everything matters- materials, forms, and shapes must all be flawless. Less is more only if it is perfect, and Pierre Yves achieves that perfection in every single one of his pieces.

no Roberta Vertera Megan Marrin bert Purdey Fitzher

ec Pierre Yves Guen

PURDEY FITZHERBERT

(b. 1987, lives in London)

Purdey Fitzherbert masterfully covers her canvases with rolls of Japanese paper to create visually stunning works of art. As she rolls the paper onto the canvas, she adds layers of crushed snow and ice, filling them with pigment and ink. By moving heat over the paper, patterns appear and permanently catch onto the surface. Her environment becomes part of this process as the paper naturally absorbs dampness, wind, debris, salt, sea, and other natural elements. She then adds natural pigments and dyes, made from ground and filtered bark, plants, and beetle shells, including ground ash, coal, brick, soil and assorted debris. Purdey covers the canvas with these pigments, creating debris in the ink, which forms subtle patterns as it flows across the surface. Rust and salt erode the surface of the paper to transform this beautiful, soft, paper into something un-paper like. Anything from a mark, print, bleach of sunlight can be and become part of this process. It is partly a mystery how things unravel onto the canvas during this process of creation. The artist's first series explored the idea of perception and the act of awareness—seeing something that cannot be grasped and held onto, but rather only experienced. Pigment and ground metallic powders are trapped between layers of tiny circles. The patterns symbolize transient moments in nature, such as the instant sunlight hits flowers at dawn. Light and colours momentarily appear before they eventually disappear. The artist’s meditative walks, a ritual used to soothe her insomnia, inspired her to capture the ephemeral moments in nature that we can only observe when we slow down. Through photographs and fine pigments she captures these tiny instants and translates them onto her canvases. As one moves around the canvas, colors appear and disappear, conveying an overall sense of impermanence. The circles are self-healing mandalas, as we contemplate the subtle, euphoric, and beautiful moments that pass, and that we can only grasp if we are fully aware. Purdey’s canvases connect us to the surrounding energies of the universe. We feel a humbling fragility in her paper, which can be ripped, saturated and turn brittle. Through it we behold the beauty of that transient, ephemeral, moment when things are about to turn. We witness the instant something strong becomes weak, just before it breaks or transforms. It is also the moment that something beautiful turns into something ugly. We know that once this moment passes, it will disappear forever. But it leaves room for the new and rebirth, just like in her process inks, dyes, and materials are transformed into something else and new forms are revealed. Purdey’s works all have an aura of magical mysticism, leaving us in wonder before her enigmatic process of creation. We behold with intrigue the materiality of the canvas, never fully comprehending how things came onto its surface. Images arise from the paper that we cannot fully decipher. As we grapple with their creation, we step outside ourselves. This mysterious alchemy of materials draws onto the canvas infinite possibilities for interpretation. And as we seek to better understand them, we are overcome by a poetic feeling of immense joy, sadness or nostalgia. Their abstraction leaves us the room to feel, to react to the colors, marks, and surfaces. We are forced to imagine there, where no story is imposed.

Cadmium ickled with Hot Dewy Green Pr - 177 x 206 cm es dy pigment, ink, japanese paper,

al ing Pink with Te Expanding Sink g, ink, dyes in fill n iro t, en pigm japanese paper, 220 x 114 cm

Sherfesee Room on Canvas 2023/2024 - Oil cm 3 18 x 2 19

ent Guerlain Apartm as nv Ca on l Oi 4 2023/202 cm 1,5 18 232,5

MEGAN MARRIN

(lives in New York)

Megan Marrin has spent decades exploring the absence of bodies, an underlying theme that she masterfully incorporates in her latest paintings of Jean Michel Frank interiors. Throughout her career as an artist, Megan developed her practice through well developed series that have built upon each other, exploring the implications of the presence and absence of the human body. Although the body is never present, it is always somehow implied. In her latest series, the artist further delves into this practice by exploring French interior designer Jean Michel Frank (1895-1941) through his interiors. Frank’s influence is so ubiquitous that some of his designs continue to exist without his credited authorship. Megan explores Frank as someone who made a major contribution to the world of design. All the interiors are void of him, just like they are void of the people who inhabit them, yet the presence of the artist and the inhabitants is heavily felt throughout her paintings. The work explores Frank through his psychological states and life experiences that guided him aesthetically. It offers a glimpse into Frank’s mysterious character, as a Jewish artist during the wars, as Anne Frank’s cousin, as an artist whose family was deeply affected by war. Frank somehow transformed and broke from his past to become an untrained amateur who challenged interior design, inspired by and inspiring the Paris of his time, including through his collaborations with musicians and artists such as Giacometti and houses such as Guerlain. This genius side cohabited the shadow side of a man who became wrapped up in this fast paced environment and past trauma, subject to the stress, fear, and neurosis that made him a frequent visitor to sanitariums. There is no existing written archive of Jean-Michel Frank; Megan spent years researching and meticulously assembling old polaroids from the 60s and auction catalogues to reconstruct his rooms onto gigantic, life-scale canvases, to bring rooms that no longer exist vividly back to life. We fully experience the rooms Frank designed, which are windows into Frank’s inner and external world. The rooms are dark theaters; they are beautiful on the outside, yet there is an invisible dark side hanging over them, hiding a deeply troubled man with a complex psychology. Megan’s paintings accentuate Frank’s aesthetic break with the past through this emptiness as well as his unlikely material combinations, such as wire mesh, parchment walls, or green rubber, which somehow appear inexplicably elegant. We see the simple materials such as leather, straw or wood that Frank works and transforms in stunning ways. Each room is constructed around one or two objects of importance, such as a table, an armoire, or an etching. Through this immersive experience into Frank’s world, Megan demonstrates that the body and space are one and inseparable. Humans activate rooms; rooms are made for people, to be activated by the people who inhabit them. These rooms are empty, yet lived in. They are a place for the soul to go to rest–church-like, monastic, and rich. To display the works in a museum show in Aspen, the artist created the ultimate visual and sensory experience by displaying her “rooms” in a cork-lined room. Frank chose cork to design Schiaparelli’s perfume bottle boxes, but on a deeper level the cork represents Frank’s own view of himself as a Proustian character, copying Proust who lived in a cork lined bedroom to escape and isolate himself from the world.

ROBERTA VERTERAMO

(b. in 1977, lives in Turin)

Roberta Verteramo masterfully works bronze into sculptural objects by incorporating distinct African influences into a long tradition of Italian design. Before designing her own pieces, Roberta founded a workshop at the Triennale Design Museum in Milan in which she spent many years restoring masterpieces by iconic designers. Inspired daily by the geniuses of design, she went on to build upon and break from their work. Roberta’s creations deeply explore the themes of identity and culture. Who are we and where do we come from? How do common values such as unity, solidarity and sustainability unite us through a universal human code? Roberta explored the concept of identity by leaving Italy to spend time with African tribes carrying on ancestral practices. These practices have deeply inspired her work, which she integrates and transforms into a contemporary discourse. Their influence is omnipresent in Roberta’s work in subtle and less subtle ways, including the wood burning techniques she learned from tribes that she uses to make her jewelry, or more indirectly, through the incisions that she draws onto her tables, which tribes use as a demarcation of identity on the skin. African communities view artisans as wizards because of their power to transform materials. Roberta has integrated this spirituality into the practice and discipline with which she works bronze, adopting a technique that is similar to that for sculpting marble. She uses a scalpel to create a chalk form or model, which she then works into wax, and finally into bronze. She then carves incisions onto the bronze as a reference to identity. The sculpture, however, must also be functional because human beings are an essential part of her sculptures. In her universe a single object can have not one but multiple functionalities. Roberta built her unconventional table around the African concept that an object can be used to contain, to carry objects and to sit on. The Nianwesy selene side table, is dedicated to the tribe of the same name, which consecrates its existence to the cult of the moon, from which the artist draws inspiration. Once she mastered the art of bronze, Roberta began experimenting new ways to combine bronze with other materials. An example is her Rizoma table, which combines resin and bronze. Rizoma, directly refers to a type of root found in Africa, whose members can carry life independently from the mother root. Roberta has also succeeded in the difficult alchemy of combining bronze with glass, creating caviar bowls with bronze interiors surrounded by murano glass. Her Om vase seeks to capture man’s first breath as the glass blowing straw expands the crystal into an egg shaped form. Roberta continuously explores and researches new textures and materials from Africa to incorporate into her work, including fragments of leaves, palm leaves, dirt, and seeds. This evolution and quest in her practice is constant, because as she says, beauty is intrinsically linked to spirituality, which drives her deep commitment to create works that deeply touch the soul.

e nventional tabl Rhizoma unco Goccia

Alexander Sofa NYX Chair

PIERRE YVES GUENEC

(b.1990, lives in New York)

Pierre Yves Guenec is a French designer whose work is inspired by the generations of craftsmen in his family that preceded him as well as his own background as a visual artist. Pierre Yves began his aesthetic quest as a student in art school, which he eventually dropped because he found art too abstract, conceptual and disconnected from reality. He believed that objects had intrinsic value, not merely as vehicles through which the artist conveys a deeper message. This led him to a practice in which the message was as important as the technique and the result, in other words to functional design. Pierre Yves spent the next six years as a master blacksmith with a renowned brotherhood of French craftsmen, Les Compagnons, working on restoring heritage sites such as Versailles, Notre Dame and castles across France. From the Compagnons he received rigorous training in proportions and how to use different materials. This eventually led him to combine art and technique into his first pieces of functional design. Pierre Yves’s works are foremost sculptures, but sculptures with a purpose that perfectly balance a beautiful aesthetic with a mastery of materials and the functionality the object has to fulfill. Meaning and form come together to create an object that one can experience with the body. As part of his process, Pierre Yves draws, draws, and draws, sometimes even for four years, before he creates a single piece, constantly adapting his design. This was the case for his first table. His objective is to create something that looks so strikingly natural that the eye cannot seize the effort behind it. His beautifully crafted pieces with rounded edges are extremely hard to master; once you master the curve you master everything else. The artist brings things back to the essential; less forms, less things, because everything is more striking with less. Everything in this apparent effortlessness, however, is paradoxically highly researched, including the rare black marble he uses from a long lost quarry in France rediscovered only thirty years ago. It is the only marble that is purely black and white. Its black perfectly matches the luxurious Loro Piana cashmere cushion that makes this beautiful sculpture functional. Pierre Yves’ functional sculptures are all about the materials he selects and the shapes or forms he gives to those materials. Man has sculpted stone and bronze for centuries in the history of art, a tradition within which the artist seeks to inscribe his own furniture. Pierre Yves sets out to create designs that are first of all sculptures, but sculptures with a use, constantly searching for that perfect balance between aesthetic, materials and the object’s use. His aesthetic is pure, dictated by a choice of materials such as wood, marble,which he learned to master during his craftsmen days. Pierre Yves avoids any decorative finishes, preferring to leave the materials in their naturally raw state. Even his bronzes are unpolished, or unprotected from age. They age and patina as they do in nature, along with the piece, as a testament to the passage of time. According to Pierre Yves good furniture should not be shaped by an era, but rather define it. And he has managed to do exactly that.

AN EXCEPTIONAL

PRIVATE ART DINNER On January 30th Force One collaborated on its first private art dinner with Le Cercle by Pernod-Ricard and Christofle, bringing together the worlds of luxury and art. The dinner, curated by art curator Chiara Condi, brought the two worlds together over a beautifully decorated table, dinner menu, and champagne tasting. Guests enjoyed a beautiful evening around an ephemeral table, covered in flowers and candles, set with the best Christofle silver and china, and delighted in special cuvées of champagne and finely elaborated French cuisine. The evening with Frank Perrin took place in the artist's hidden Parisian studio in Saint-Germain-des-Prés. On occasion of the dinner, Frank Perrin showcased “Smash,” a series of artworks created from reworked champagne wire cages that the artist crushes into forms and shapes named after major atomic explosions, such as Hiroshima and Bikini. Through this technique the artist transforms the wires into beautiful pieces with anthropomorphic forms such as female profiles, flowers, and natural shapes that engage the viewer’s interpretation.The dinner marked Perrin’s first full exhibition of the series to the public. The first work in the series was shown to the public on the occasion of Art Basel Paris in October 2024.

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All images © Chiara Brus

chini

Guests experienced a unique evening in the presence of the artist, Le Cercle members, and fellow art lovers. As the evening progressed, guests were invited to taste five of the finest Perrier-Jouët vintages, ending with a special edition of Cognac Martell. French chef Bastien de Changy accompanied the champagne tasting with a special menu of five dishes designed especially to pair the champagne built around the finest French products. The evening was co-sponsored by Christofle, which adorned the table with its finest silverware and china from their current collections, displayed on a beautifully decorated table with a flower and candle light arrangement by Cléo Perrin. Dishes were served on Christofle’s Malmaison Impériale Limoges china, which reinterprets the emblematic codes of the Malmaison collection into a modern and feminine way. Each plate had its own design corresponding to each serving of the tasting menu. Christofle accompanied the Malmaison Impériale china with an unexpectedly baroque silverware from their Jardin D’Eden collection by Marcel Wanders, which is covered in a luscious and detailed arabesque embroidery. Champagne was served throughout the evening from the Anemone Belle Epoque champagne bucket, especially created by the master silversmiths of Christofle for Perrier-Jouët in 1902. Throughout the evening guests engaged in a meaningful exchange with the artist around his work and process, including a visual demonstration of the unique technique behind the “Smash.” Each guest took home a mini “Smash” as a token by which to remember the evening. For the first time in France, Perrier-Jouët unveiled the new edition of its iconic “Ode à la Nature” collection to this exclusive gathering of guests. Entitled “Volutes,” this latest creation embodies the poetic fusion between art and champagne. A true collector’s piece, the bottle and its sculptural counterpart are available exclusively within Le Cercle Cellar. The dinner for Perrier Jouet was hosted by Le Cercle, the Pernod Ricard Group’s private club in France and Monaco, which offers a hundred members unique experiences around the group’s best champagnes, wines and spirits.

Superficie Integrativa - 1973 - industrial painting on canvas - 148 x 105 cm Museo del Novecento Collection

Left to right: Daniele Crippa, Enzo Cacciola, Luca Marotta

The exhibition also displayed some "Multigum"

ENZO CACCIOLA

@FORCE ONE ART by Chiara Condi Force One has once again demonstrated its growing commitment to the world of contemporary art, hosting a prestigious exhibition of Italian Analytical Painting master Enzo Cacciola. This significant cultural moment marked the final event held in Force One’s historic portside office in Monaco, ahead of its relocation to the Rocher, just steps from the Prince’s Palace. A key figure in the international art scene, Cacciola's work has been showcased across the globe – notably at Documenta 6 in Kassel in 1977. His Monaco debut precedes an artistic journey to Western Sahara, where he will use desert sand in his creative process. Since the 1970s, Cacciola has employed unconventional materials such as sand, cement, industrial paint, and glue, pushing the boundaries between painting and materiality. Reflecting on a concrete piece displayed in the exhibition,

Cacciola explained his conceptual shift from “painting” to “realisation”. His chosen materials, subject to internal and unpredictable chemical reactions, are left to evolve independently. Unlike Pollock, who intervened on similar surfaces, Cacciola allows the work to “paint itself”, embracing transformation as a core element of the artwork. The result is a profound meditation on the dialogue between thought and material process. A standout of the exhibition was Superficie Integrativa (1973), recently acquired by the Museo del Novecento in Milan. The show was curated by renowned art critic Daniele Crippa, and Force One proudly represents Enzo Cacciola in the Principality of Monaco.

POLO RESORT & COUNTRY CLUB

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Sina Moghanian and Collection of Solmaz Fooladi

PIÙ CORNER

CREATIVE COLLABORATIVE SPACE SINCE 2017 by Olivia Rose A Conversation with Founder & Creative Director, Sina Moghanian. O.R.: S.M., Più Corner is becoming a recognized independent creative hub in Milan, bridging the worlds of art, design, and culture. What inspired you to create this space? S.M.: Più Corner was born out of a personal vision - one shaped by my multidisciplinary background in art, design, and creative consultancy. Coming from Iran and settling in Milan, I realized many talented creatives lacked a platform that not only showcased their work but also helped them develop their professional identity. I wanted to create a space that functioned as a bridge between contemporary art and design, where creatives could collaborate, experiment, and grow. Più Corner is about fostering connections, creating opportunities, and pushing the boundaries of creativity. O.R.: So Più Corner is more than just an exhibition space? S.M.: Exactly. It’s a think tank for creative professionals. We go beyond traditional exhibitions by offering creative consultancy helping artists refine their work, advising designers on branding and positioning, and facilitating collaborations with brands and cultural institutions like Zona Blu, which is one of our key partners. In a way, we curate not just artworks, but careers and opportunities. Whether it’s supporting an emerging artist in developing their portfolio or guiding a designer in positioning their brand, our goal is to offer real professional value while maintaining a strong creative identity.

O.R.: Più Corner brings together creatives from different disciplines. What do you think is the key to fostering meaningful collaborations? S.M.: True collaboration goes beyond simply sharing a space-it’s about creating a dialogue between different creative minds. At Più Corner, we encourage artists and designers to step outside their usual frameworks, connect with new perspectives, and explore unexpected intersections between art, design, and culture. Whether through exhibitions, events, or creative consultancy, we focus on building relationships that lead to authentic and impactful projects. The best ideas come from diversity and shared energy, and that’s what we cultivate here.

Artworks by Farid Golesork h

O.R.: You mentioned Più Corner is also a creative consultancy. Tell us more. S.M.: Many artists and designers struggle with presenting their work professionally-whether it’s for galleries, clients, or press. Più Corner steps in as a consultancy and incubator, helping creatives refine their narratives, develop strong portfolios, create high-quality content, and connect with the right audience.

Milan Art Week - Group Exhibition

We also produce short films and documentarystyle videos to give our network a stronger voice. Visual storytelling is becoming essential for success in the creative industry, and we want to support artists and designers in communicating their vision in the best way possible. O.R.: Where do you see Più Corner evolving in the coming years? S.M.: The vision is always growing. We want to deepen our collaborations with independent designers, cultural institutions and interior design studios, while continuing to nurture emerging artists and designers. Expanding our content creation division is also a priority, as storytelling-through film, photography, and editorial projects-has become an essential part of creative success today. We also plan to develop stronger partnerships with the design industry, especially during key events like Milan Art, Fashion, and Design Week, to offer even more opportunities for innovation and exposure.

Artworks by Elysanne Schuurman & David Hatters Milan Design Week - Tappeto Volante Exhibitio

28 veniceburlesquefestival.it

, Lady Roberta Kent © Sabrina Canola Left to right: Crazy Cat, Emilie Bon Rêve

IT'S BURLESQUE TIME! 1ST VENICE BURLESQUE FESTIVAL by Olivia Rose Venice has always been a city of seduction, transformation, and theatricality. From the mystery of its masks to the decadence of its carnival and the libertine legend of Casanova, the city has long embraced the allure of disguise and drama. Was it really possible that a place like this, where elegance and history dance together in the alleys and canals, could go without its own burlesque festival? On Saturday 18 January 2025, that gap was finally filled with the first edition of the Venice Burlesque Festival, held at the charming Teatro A L’ Avogaria – a space that has long been at the heart of the city’s cultural scene. This inaugural event brought burlesque into the Venetian spotlight, reaffirming what those close to the artform have long said: burlesque is complex, demanding, and deeply refined. At the helm of the festival was Crazy Cat – a true Venetian, burlesque performer, show producer, and teacher for over a decade. With her vision and passion, she led the

organisation of the festival as its artistic director. She was supported by the historic Compagnia de Calza I Antichi, the cultural association Arte-Mide (dedicated to researching and staging women’s history), and her own artistic collective Le Burlescose by Crazy Cat. The show, hosted on stage by Crazy Cat and Janette Jolie, was structured as a true competition, culminating in the crowning of the first “Dogaressa” of the Venice Burlesque Festival. This title, echoing the female counterpart to the Doge – the head of state in the Venetian Republic – was awarded to Emilie Bon Rêve.

Second and third places were honoured with titles drawn from the characters of commedia dell’arte. Lady Poopise was named Colombina, while Countess SinAtra was crowned Corallina. Each performance was evaluated by a jury, while the audience was treated to a show filled with glamour, wit, and theatrical flair. The event also included awards given by partner festivals. Louise Droz and Poppy Lou received direct access to the Vintage Circus & Burlesque competition. Hurricane Irina earned her spot in the Pisa Burlesque Festival. Countess SinAtra, already third-place winner, was awarded twice more – an engagement with the Hurly Burly Show and a special prize from Roberta Pennisi, also known as Lady Roberta Kent, the festival’s prestigious guest of honour and an internationally renowned performer.

The evening was not simply a contest but a vivid showcase of the many faces of burlesque – from comedic timing to poetic sensuality, from historical nods to modern innovation. The audience, diverse and enthusiastic, mirrored the variety on stage, proving that this artform speaks across generations, identities, and styles. In its debut edition, the Venice Burlesque Festival reminded everyone that burlesque, in its elegance and its theatrical depth, continues to seduce and surprise – and above all, to bring together performers and audiences in a uniquely inclusive celebration of art.

Emilie Bon Rêve © Nino Esposto

Crazy Cat herself received the Jenny Je Je Corró special bodypainting award, while Sea Star was granted a free application to the Taormina Burlesque Festival.

Collection Spring / Summer 2019

STEFANOS TSITSIPAS

THE NEW SOVEREIGN OF THE ROLEX MONTE-CARLO MASTERS? by Ross Taylor As the clay court season approaches, all eyes turn to the picturesque courts of the Monte-Carlo Country Club, on the Mediterranean coastline. Among the contenders, one name stands increasingly prominent: Stefanos Tsitsipas, who has established a remarkable dominance at this prestigious tournament, winning three of his last four appearances. The Greek star has just claimed the twelfth title of his career, defeating Canadian Felix Auger-Aliassime in Dubai - his first tournament victory since last year's triumph at the Rolex Monte-Carlo Masters. This recent success marks an important milestone under coach Dimitris Chatzinikolaou, who joined his team last summer. "I've seen great improvements in how I approach matches and daily work. I've finally managed to apply in matches what I've been doing in practice," Tsitsipas revealed after defeating Matteo Berrettini at Indian Wells. "Even before, I would win many practice sets against good opponents, but in matches, that spark was missing." With his recent ascent of two positions in the ATP rankings, Tsitsipas enters the tournament with renewed confidence. His affinity for clay courts is undeniable, and the absence of Jannik Sinner coupled with Carlos Alcaraz's seemingly dulled brilliance this season only strengthens his position as favourite. Nevertheless, the competition remains formidable. Tennis highlander Novak Djokovic, along with Alexander Zverev, Taylor Fritz, and Casper Ruud (the latter losing to Tsitsipas in last year's final) will all be vying for the trophy. This year's tournament will also see the introduction of automated officiating. For the first time in its history, the tournament will replace line judges with the Electronic Line Calling Live system, based on Hawk-Eye technology. Additionally, Video Review will offer players and umpires the ability to verify decisions through instant replays. This development should prevent controversies like last year's semifinal, where Tsitsipas benefited from an evident officiating oversight against Sinner. The Rolex Monte-Carlo Masters heralds the beginning of the Principality's grand events season. The unique setting, with courts seemingly floating between the azure Mediterranean and Monte-Carlo's iconic skyline, creates an atmosphere unmatched in tennis. As April approaches, the question remains: Will Stefanos Tsitsipas cement his status as the new sovereign of Monte-Carlo, or will another challenger claim the throne at one of tennis's most spectacular venues?

I just want to go out there and be a gladiator, and that's how I approach every single match I get to play.

THE HIDDEN SANCTUARY: MONACO'S ELITE SUPERCAR HAVEN

EMOTION OVER PERFORMANCE © Alexia Roux

by Luca Marotta

Imagine strolling through Monte Carlo's grand Place du Casino. The gleaming façades of the Casino and Hôtel de Paris dazzle in the Mediterranean sun as supercars glide by, drawing admiring glances from tourists. You might think you're witnessing the pinnacle of luxury. But what if I told you that the most extraordinary treasures lie beneath your feet, some 20 metres below the surface? Just a few months ago, Monaco welcomed "The Collection Paris" to its prestigious Carré d'Or district. After conquering the French capital, this exclusive members-only club has established its second home in the spiritual heartland of luxury automobiles - a sprawling 4,000 square metre underground sanctuary just steps away from Casino Square. Founded by former Ferrari executives Hugo Valat and Laurent Buisine, who bring over 15 years of experience in the luxury automotive world, The Collection Monaco represents a radical reimagining of what a car collectors' club can be. Their vision extends far beyond secure storage - it's about creating a complete lifestyle experience that celebrates automotive passion while offering unprecedented privacy. "In Monaco, privacy has become increasingly precious," explains Laurent Buisine as he guides me through the subterranean space. "Our members value the ability to arrive at Casino Square without being swarmed by smartphone-wielding tourists or social media influencers hunting for content." The club's ingenious solution is an exclusive private entrance that allows members to bypass the public eye entirely. Their prized vehicles - ranging from rare classics to the latest hypercars - remain secure in temperature - controlled conditions, cared for by

34 specialists who understand that these aren't merely cars, but expressions of art and engineering excellence.

creating an immersive atmosphere that heightens the appreciation of automotive excellence.

What truly distinguishes The Collection Monaco is its philosophical approach. "We understand that owning these vehicles is about emotion," says Hugo Valat. "The visceral thrill of acceleration, the distinctive sound of each engine, the craftsmanship - these elements create a profound connection between driver and machine."

The club fosters these connections through carefully curated driving experiences across Europe's most picturesque routes. From coastal drives along the Côte d'Azur to adventures through Italian countryside, members share their passion in the company of likeminded enthusiasts.

The emotions and joy are intensified by the welcome reserved for those entering this treasure chest, greeted by a unique light and sound show that changes with every visit. This bespoke sensory experience is specially designed for each individual event hosted within the sanctuary,

Within the club's walls, a sophisticated lounge provides a haven for relaxation or business discussions. The interior design blends automotive aesthetics with refined luxury - think butter-soft leather, polished metals, and subtle nods to racing heritage. Here, members can also peruse the latest issue of Force One

35 Magazine, media partner in Monaco, while enjoying exceptional service. Perhaps most remarkable is the club's exclusivity. While The Collection Paris caps membership at 100, Monaco's roster is strictly limited to 75 members - making it one of the world's most selective automotive communities. Adding further prestige is the partnership with Ferrari Formula 1 driver Charles Leclerc, whose involvement bridges the worlds of racing and collecting. Strategic collaborations with Monaco's Société des Bains de Mer (SBM) enhance the offering further, providing members with privileged access to the principality's finest hotels and venues for extraordinary experiences.

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As evening falls, I watch a member arrive to collect his Bugatti Chiron. The staff have prepared it meticulously not a fingerprint mars its lustrous paintwork. He exchanges quiet words with another collector before disappearing through the private exit. In a world where luxury is increasingly defined by experiences rather than possessions, The Collection Monaco offers something truly exceptional - a space where automotive dreams are not only stored but celebrated, where privacy is paramount, and where passionate collectors can share their most treasured pursuits away from prying eyes. Beneath Monaco's glittering surface lies a new standard in automotive appreciation, hidden in plain sight.

PARTNERSHIP

GOOTICKETS

EXPERIENCE THE MONACO GRAND PRIX LIKE NEVER BEFORE by Asia Fernandez Zhou

In the world of motorsport, few experiences match the incredible atmosphere of a Formula 1 Grand Prix. At GooTickets www.gootickets.com, we bring fans closer to the action with exclusive access to the world’s most desired race events. And when it comes to iconic races, the Monaco Grand Prix stands in a league of its own. The Monaco Grand Prix is not just a race, it is a unique spectacle, a blend of speed, glamour, and prestige. Nowhere else does motorsport meet luxury quite like Monte Carlo, where the roar of engines echoes through the streets, and the thrill of competition unfolds against a stunning backdrop. Imagine watching the world’s most legendary street circuit from an exclusive terrace, complete with gourmet cuisine, open bars, and breathtaking views of the track, all paired with live entertainment. GooTickets’ premium hospitality terraces put you right in the heart of the action while surrounding you with unmatched comfort. From panoramic viewing locations to five-star service, we bring you closer to the excitement, offering a race weekend that blends adrenaline with elegance. Whether you are a passionate fan or experiencing the Monaco Grand Prix for the first time, our meticulously curated hospitality packages ensure that your experience is second to none.

The hospitality team, left to right: Alexane Browarnyj, Camille Gherardi, Eventhia Solari, Aleksandra Motykiewicz

For all hospitality inquiries, feel free to contact our team at hospitality@pg-mc.com or call us at +377 93 25 47 22 We’ll be happy to assist you!

GOOTICKETS’ HOSPITALITY PACKAGES: REDEFINING YOUR F1 JOURNEY GooTickets’ premium hospitality packages take your Formula 1 experience to the next level. With privileged locations overlooking key sections of the circuit, you will enjoy unbeatable race views paired with first-class amenities. Our handpicked packages cater to every preference, from premium grandstand seats to private terraces. With our COMBO PACKAGES, you can mix and match grandstand seating with hospitality access or enjoy a different luxury terrace each day, experiencing multiple stunning views throughout the race weekend for a fully personalised experience. Some of our terraces offer exclusive entertainment, including F1 simulators, celebrity guest appearances, live DJ sets, and behind-the-scenes interviews, taking your Monaco GP experience to the next level. Our exclusive terraces include prime spots with views of the starting grid, main straight, Monaco’s iconic port, and the first corner at St Devote, ensuring seamless front-row access to Monaco's glamour. For an even more immersive experience, we also offer yacht hospitality and exclusive after-parties. New for this year, we are launching the BRUNCH @ ICONIC SHANGRI-LA ROOFTOP, an ultra-chic hospitality, located in the highest hospitality category, offering luxury with a Mediterranean garden vibe, high-end entertainment, a live DJ set, an exquisite brunch with live cooking by an award-winning catering, and unbeatable race views. At the same stunning location, we will also have a SATURDAY NIGHT AFTER PARTY from 8 PM to midnight.

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YOU’VE NEVER EXPERIENCED THE GRAND PRIX LIKE THIS

because it’s never happened like this before.

Discover the new product Brunch @ Iconic Shangri-La Rooftop.

mcinvestmentforum.com

MIIF 2025: A TRIUMPHANT EDITION The 4th edition of the MIIF took place on 13th14th March at the prestigious Yacht Club de Monaco, welcoming over 400 investors, family office representatives, UHNWIs, VHNWIs, and industry leaders. Over two dynamic days, MIIF reinforced its status as a premier global investment platform, fostering highlevel networking, insightful discussions, and groundbreaking opportunities. Day 1 featured business networking, where exhibitors engaged directly with investors at private booths and delivered pitch presentations. Day 2 hosted educational conferences on key topics, including: Success strategies for start-ups Bridging private and public markets The realities of life as a public company AI integration in organisations Vision 2030 for Abu Dhabi and Dubai Financing the energy transition Innovation and entrepreneurship in a global economy Blockchain’s role in global finance A major highlight was the Charity Gala Dinner in support of the MediAlthea Association, founded by Maria-Francesca Angelini. A charitable auction contributed to MediAlthea’s mission of helping children in need worldwide. Special thanks to sponsors Max AI Co-Pilot by Ubiquity, Infracorp, DIA Properties, and Ultimate Catamarans, as well as event partners Sophrance, YPO Monaco & French Riviera, Euronext, Goldman Sachs, and the Monaco Economic Board. Their support was instrumental to MIIF 2025’s success. MIIF remains committed to fostering investment excellence. A second major event will take place in Dubai on 13th November 2025.

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EXPLORER DREAMS FOR SALE

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BARON TRENCK I & II

BARON TRENCK The motor yacht Baron Trenck is a 43.5-meter (142.8 feet) explorer vessel built by the Italian shipyard Eurocraft Cantieri Navali and launched in 2011. Designed for longrange cruising, she combines the robust characteristics of an exploration vessel with the luxurious amenities of a superyacht. Baron Trenck features a steel hull and aluminum superstructure, providing durability and strength for extended voyages. With a beam of 8.2 meters (26.9 feet) and a draft of 3 meters (9.8 feet), she boasts a gross tonnage of 478 GT. Her exterior and interior designs were crafted by Eurocraft's in-house team, reflecting a classic aesthetic with modern touches. Powered by twin MTU engines, each producing 800 horsepower, Baron Trenck achieves a top speed of approximately 14 knots and a cruising speed of 10 knots. One of her standout features is her impressive range; at a cruising speed of 10 knots, she can cover up to 11,600 nautical miles without the need for refueling. This extensive range makes her particularly suited for transoceanic voyages and exploration of remote destinations. The yacht accommodates up to 12 guests across 6 cabins, including a full-beam master suite located on the main deck, a full-beam VIP cabin on the lower deck, one double cabin, and three twin cabins. The interior is finished in classic cherry wood, complemented by cream carpets and upholstery, creating a warm and inviting atmosphere. The main salon offers ample seating and entertainment options, while the formal dining area

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provides an elegant space for meals. Baron Trenck's trideck layout offers multiple outdoor spaces for relaxation and entertainment. The expansive sun deck features a Jacuzzi surrounded by sun pads, providing panoramic views and an ideal spot for sunbathing.The yacht is equipped with Naiad zero-speed stabilizers, enhancing stability both at anchor and underway, ensuring a comfortable experience for all on board. With a draft of just 3 meters, she can access shallower bays, offering greater flexibility in cruising destinations. Beyond private cruising, Baron Trenck is well-suited for charter operations and has been utilized for corporate events and large gatherings. Her spacious decks can accommodate many guests for events, making her a versatile option for various occasions. The yacht has undergone regular maintenance, including a 10-year survey and recent repainting in 2022/2023, ensuring she remains in prime condition for both private use and charter opportunities. As a commercial yacht, Baron Trenck is well-suited for charter operations, both in the Mediterranean during the summer and in the U.S. during the winter. In recent years, she has generated impressive revenue through charters. Her interiors are classic, adorned with cherry wood, creating an authentic nautical ambiance. The asking price has recently been reduced by €1 million, bringing it to € 9,900,000 excluding VAT.

BARON TRENCK II Building on the success of Baron Trenck, Eurocraft Cantieri Navali launched Baron Trenck II in 2022. This 43.5-meter (142.9 feet) expedition yacht shares many design elements with her predecessor but incorporates modern advancements and customized features. Like the original, Baron Trenck II features a steel hull and aluminum superstructure, with a beam of 8.2 meters (26.9 feet) and a draft of 3 meters (9.8 feet). She also boasts a gross tonnage of 478 GT. The in-house design team at Eurocraft Cantieri Navali handled both the exterior styling and interior design, ensuring a cohesive and contemporary aesthetic. Equipped with twin diesel MTU 12V 2000 M60 engines, each producing 2,000 horsepower, Baron Trenck II can reach a top speed of 14 knots and comfortably cruises at 10 knots. Her fuel tanks have a capacity of 105,000 liters, granting her a maximum range of 7,200 nautical miles at 10 knots, making her well-suited for long-distance exploration. Baron Trenck II offers accommodation for up to 12 guests in 6 suites, comprising an enormous master

cabin, a VIP cabin, one double cabin, and three twin cabins. She can also carry up to nine crew members to ensure a seamless luxury yacht experience. The interior design emphasizes modern luxury, with high-quality materials and finishes throughout. The yacht's tri-deck configuration provides ample outdoor spaces, including a sun deck equipped with lounging areas and a Jacuzzi. The exterior design reflects the robust nature of an explorer yacht while offering the comforts and amenities expected of a luxury vessel. As of the latest available information, Baron Trenck II is listed for sale with an asking price of €26,000,000 excluding VAT. This presents a unique opportunity to acquire a recently built expedition yacht that offers a rare combination of luxury, performance, and longrange capability. With its Italian craftsmanship, robust engineering, and refined design, Baron Trenck II stands out in the expedition yacht market. Whether for exploration or relaxation, she offers her future owner a truly remarkable yachting experience.

Both Baron Trenck and Baron Trenck II are for sale and they exemplify the capabilities of Eurocraft Cantieri Navali in producing robust, long-range explorer yachts that do not compromise on luxury and comfort. These vessels are well-suited for owners and guests seeking adventure on the high seas without sacrificing the amenities of a superyacht lifestyle. Contacts: Gaspard Milazzo - CEO & Founder / Sales Broker : gm@g-yachts.com / +41 754 08 08 08 Camilla Maurizio - Yacht Broker : camilla@g-yachts.com / +39 366 195 6338

rivaclassiche.com

RIVA GLIDES ONTO THE ICE by Andrea Dini St. Moritz just got cooler - and not just because of the snow. On February 21–22, 2025, The I.C.E. St. Moritz transformed the iconic frozen lake into a high-altitude runway for vintage elegance, and Riva Classiche made sure boats weren’t left out of the party. Yes, you read that right. While classic cars gleamed in the alpine sun, a perfectly restored Riva Olympic stole the scene - not on water, but right on the snow. The legendary boat, a symbol of Italian dolce vita, looked right at home amid the frozen glamour of the Engadin valley. But Riva didn’t stop there. The Grace La Margna Hotel played host to the exclusive Riva Lounge, where guests soaked in the brand’s timeless style surrounded by

collectibles and accessories from the Riva Boutique. Between sips of espresso and admiring chrome, visitors could dive into the spirit of la dolce Riva - without getting their feet wet. Riva Classiche, the Ferretti Group’s division dedicated to restoring and preserving classic Riva powerboats, brought both heritage and horsepower to this unique concours of elegance. With exclusive access to historical archives and a meticulous certification process, the brand ensures every classic boat remains as authentic as the day it left the shipyard. Boats on ice? Only Riva could pull it off with such effortless chic. The I.C.E. was sizzling this year - and not just from the engines.

sunreef-yachts.com

ELECTRIC DREAMS SET SAIL HERE As I stepped into the glitzy world of the Dubai International Boat Show 2025, I expected sun, sparkle, and superyachts - but I didn’t expect Athena Too, Red Azalea, and one jaw-dropping electric world premiere to steal the show. Sunreef Yachts didn’t just make waves this year - they brought a full-on tsunami of innovation. Picture this: on February 21st, the spotlight hit the ULTIMA 55, an all-electric catamaran that looked more spaceship than boat. With its sleek lines and silent power, it drew a crowd including none other than Sheikh Rami bin Khalid Al Qasimi and Sheikh Ahmed bin Khalid Al Qasimi. It wasn’t just a yacht launch - it was a moment. And oh, it came with a

serious flex: it’s the first yacht made at Sunreef’s new shipyard in Ras Al Khaimah. Big debut energy! But that wasn’t all. The ever-glamorous 80 Sunreef Power Eco and its sibling Red Azalea were floating proof of the brand’s regional dominance. Between bubbly toasts, deck tours, and eco-geek talk with Sunreef’s R&D team, I learned that three Ultima 66 had already been sold - and the 60 and 100 Power too. Let’s just say, if James Bond ever goes green, he’s getting a Sunreef. I came for boats. I left dreaming of silent seas...

LIFE PURPOSE

THE LUXURY OF BEING YOURSELF

Lien Simcic Holistic Counselor and Soulologist, Educational Pedagogical Coach and Kundalini Bodywork Practitioner, based in Switzerland and also working in Monaco. As a counselor Lien has been helping people find and live their life purposes by reconnecting themselves with their inner truths, learning how to balance their inner feminine and inner masculine energies to become co-creators of the lives they dream and desire. Since June 2024, together with her business partner Angelika Khon (Life & Business Coach), they have started collaborating with the Yacht Club de Monaco by launching the first Wellness Conference in collaboration also with Anastasia Loginova (Cultural Producer, Curator & Artist). More projects ahead with the Yacht Club in 2025. emeraldcounseling.ch

Nowadays it has become more and more common to question ourselves on who we truly are outside of our social environment and family constellations. What is my life purpose and is it possible to have it all? The journey towards a life of happiness seems to evade many people where they find themselves needing to compromise between what pleases them due the obstructing belief that we can’t have it all. What does having it all even mean? Does it mean having everything I need to be truly happy or has it become a belief of trying to reach the impossible that can never be reached and thus holds us locked in an endless attempt to reach a goal that doesn’t exist but keeps us busy working to get there under the illusion that only by reaching that goal I will be happy. And since it is impossible to reach an illusion, we slide into the surrender of a life of unhappiness. Since I can’t have it all, where having it all is an illusionary concept of reaching an impossible goal, I settle and learn to be happy with less. And suddenly being happy seems to have become a value that needs to be learned, instead of a natural state of well-being. And what is even more disturbing is that many find themselves feeling guilty or embarrassed if unable to feel happy in their lives. As if they are somehow failing in their quest for happiness because unable to learn to settle for less. What if unhappiness was a red alarm trying to alert us that something in our lives is not working? That maybe the choices we are taking are not truly fulfilling us? That maybe I don’t want to settle for less? That maybe inside of me there is something telling me there is more to life and I have been told a lie that I cannot have more? What is more? Has more become the equivalent of not knowing how to be happy with less and thus bordering with the belief of being spoiled? What if more means a life filled with more things and people that make you feel good? What if more means you want to feel more? Laugh more? Have more moments of joy

and pleasure? Does that make you spoiled? No!! That makes you human. A human being feeling their inner reality, feeling your soul calling for what you appreciate in life. Calling for what makes you feel good. Calling for a life that makes you feel at home with yourself – living a life that reflects your inner values and principles. And finally: what is happiness? It is the state of feeling free to be yourself without the fear of judgement. When being yourself means living a life that fulfils you and allows you to experience your inner beauty in the physical world. A balance between the opposites where you can feel without conditionings, express your feelings and learn to support them in your best interest, where best interest means a balanced way of supporting your well-being. And yet, somehow for many, it has become a true luxury to be oneself in this world where we are constantly told what to like, what we need, how we should behave, what we should have, what we should desire, and so on the list is infinite. And what if for a moment we allowed ourselves just to be and breathe and observe while asking ourselves: who am I truly? And even if the answer might take some time to become clear, if there is a quest that we should all try to endeavour ourselves towards, is the pursuit of our authenticity. I call it pursuit because many seem to have lost themselves in the expectations of others or even their own expectations guided by very ambitious brains thinking to know who someone should be without truly allowing the person to be who they actually are. The power of your authenticity will set you free! Because all you really need to be happy is to be yourself.

MINDFUL CAREER

THE LUXURY OF AUTHENTIC LEADERSHIP

Manuela Schinaia Certified Strategic Coach and Evolutionary Tarologist, with 25 years experience as a marketing strategist in Monaco. Manuela transformed her own career path to guide others through authentic professional evolution, specializing in professional transitions for executives and high-achievers. Through her unique methodology combining strategic coaching and intuitive tarology, she helps clients dismantle limiting career patterns and design lives aligned with their true essence. Her 10-session transformation program has supported professionals in Monaco, France and Italy. Her recent collaborations include exclusive workshops in southern Italy and private coaching retreats for international executives seeking reinvention without compromise. IG: Manuela_Schinaia_Coach

In the gilded corridors of career success, I've encountered a peculiar paradox: executives who've scaled the heights of achievement yet stand emotionally bankrupt at the summit. Their corner offices and impressive portfolios conceal a profound disconnect - success acquired at the cost of authenticity. What strikes me most in my coaching practice is how many accomplished professionals whisper the same confession: "This isn't really me." They've built empires that no longer reflect their true selves, crafting lives that appear enviable from the outside while feeling hollow from within. The ultimate luxury isn't another acquisition-it's the courage to shed the impressive facade we've constructed. Consider the investment banker who confided that each morning required an elaborate psychological costume change-armor donned piece by piece before entering her firm's glass fortress. Or the tech executive who realized that fifteen years of strategic brilliance had been deployed in service of products that held no personal meaning. These individuals hadn't merely strayed from their paththey'd forgotten they ever had one. The truth? Authenticity requires tremendous courage. Far easier to continue the performance, accumulating accolades while postponing fulfillment to some nebulous future. "When I've reached this target," they tell themselves, "then I'll pursue what truly matters." Yet that moment of permission never arrives-the goalpost perpetually shifts, keeping authenticity perpetually out of reach. I call this the prestige trap-the addiction to external validation that renders our internal compass useless. Breaking free requires acknowledging an uncomfortable reality: our impressive careers may be brilliant answers to questions we never actually asked ourselves. What would you do if reputation and expectations vanished tomorrow? If financial considerations were removed from the equation? The answers often reveal how far we've drifted from our authentic course.

The executives I guide through transformative career changes aren't escaping responsibility-they're embracing a deeper one. They're recognizing that aligning their professional expression with their inner truth isn't self-indulgent; it's the most profound contribution they can make. When we bring our authentic selves to our work, we don't merely perform better-we transform the very nature of success. Reclaiming authenticity isn't about dramatic gestures. It begins with small moments of truth-telling, with creating spaces to reconnect with dormant aspects of yourself. What stirred your passion before pragmatism took precedence? What talents have you suppressed in the name of practicality? The true luxury of our age isn't the freedom to acquire anything-it's the courage to become who you already are. To strip away the layers of "should" and "must" that have accumulated over decades. To recognize that you haven't lost yourself; you've simply been obscured beneath expectations. I've witnessed executives transform their relationship with power once they found the courage to lead authentically. I've seen creative visionaries reclaim their voice after years in corporate silence. The common element? They all recognized that postponing authenticity was costing more than continuing the charade was worth. The greatest privilege isn't having everything-it's needing less to feel complete because you're no longer outsourcing your worth to external achievements. True wealth is measured by how little you need to compromise your essence to feel successful. Are you ready to claim that luxury for yourself?

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VOREVO

INNOVATION AND TECHNOLOGY FOR THE FITNESS OF THE FUTURE

VOREVO is a company born with a clear vision: to revolutionise the fitness sector through technological innovation. Founded by Alessandro Tarricone and Gianluca Tordi, the company has rapidly established itself as a point of reference for those seeking cutting-edge solutions for training and physical wellbeing. VOREVO's flagship product is TrainPRO Mirror, a highly technological machine that represents a true revolution in the fitness world. Thanks to its compact design – just 2 square metres – and its versatility, TrainPRO Mirror offers a unique training experience, combining four different modes: isotonic, eccentric, isokinetic and hydrodynamic. With adjustable resistance up to 100 kg, the device perfectly adapts to the needs of athletes, physiotherapists, personal trainers and fitness enthusiasts, guaranteeing a scientific and effective approach to training. The value of innovation and the quality of VOREVO products have allowed the company to expand rapidly. A branch in Dubai was recently inaugurated, a strategic step to enter an international market attentive to wellbeing and the most advanced technological solutions. This expansion allows VOREVO to be ever closer to customers and partners in a global context, bringing its experience and innovation to a hub of worldwide relevance. For customers interested in discovering and directly testing the TrainPRO Mirror, VOREVO has opened a showroom in Monte Carlo, thus offering the possibility to experience an immersive experience with the machine and fully understand its potential. The aim is to provide an exclusive and personalised service, allowing anyone to experience first-hand the quality and effectiveness of VOREVO technology. Another fundamental milestone for the company will be participation in the Rimini Wellness fair (Pavillion d3, Stand 107), which will take place from 29th May to 1st June. This event represents an unmissable opportunity to present the latest innovations, meet industry professionals and consolidate its presence in the market. Contact: +39 345 646 2162 VOREVO continues to invest in research and development, with the aim of improving and expanding its offering. The company's mission is clear: to make fitness increasingly accessible, personalised and technologically advanced, offering innovative solutions that can improve people's quality of life worldwide.

51 Alessandro and Gianluca, how did the idea of VOREVO come about and what is your mission? Alessandro Tarricone: VOREVO was born from our passion for innovation and the desire to improve people's fitness experience. Our mission is to provide technological solutions that make training more effective, accessible and personalised, integrating elegant design and advanced functionality. Gianluca Tordi: We saw the opportunity to fill a gap in the market, offering devices that combine technology, efficiency and design, adapting to both industry professionals and end users. What are the trends for training and health in the coming years? Gianluca Tordi: There will be an increasing move towards personalised training based on the analysis of individual data. Our devices are developed with this in mind to offer personalised, high-level training. Alessandro Tarricone: Our devices provide complete training in a limited space, allowing both professionals and amateurs to achieve excellent training levels. There's been much talk about artificial intelligence in recent years. What are you doing in this regard? Gianluca Tordi: We have developed our innovative app EVOLVA that integrates AI, Cloud, IoT and serves both as a marketplace for personal trainers and as support. Alessandro Tarricone: Artificial intelligence is revolutionising the fitness and wellness sector, and we at VOREVO are at the forefront of this transformation. With our innovative app, we are developing an ecosystem that not only intelligently connects users and personal trainers, but also offers advanced training support. The platform will be able to analyse performance data, personalise training programmes and improve the user experience in real-time, making fitness increasingly effective and accessible.

Dr. Eng. Gianluca Tordi, eMBA: Biomedical Engineer with 15 years of international experience in Switzerland, Sweden, UK, and the Netherlands for multinationals such as Novartis, J&J, Bayer. Founder of the TS Quality group, active since 2012 and currently present in Italy, Switzerland, UK, Shanghai for consultancy in the Medical Device and EHealth Platforms field. Serial Entrepreneur with companies active in the Medical Device, Pharma, and Wellness sectors. Dr. Alessandro Tarricone, Founder and CEO of We Want More Srl, expert in sports, fitness and wellness with over 10 years of experience. He has managed physiotherapy centres, gyms, collaborated with Serie A teams and racing drivers, and operated in luxury hotels. Teacher and trainer, he has revolutionised the sector with innovative "All in One" solutions, providing advanced machinery to gyms, rehabilitation centres, sports teams and drivers.

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SIGNATURE DISH: NATURE EXPERIENCING THE UNIQUE CUISINE OF BALZI ROSSI by Luca Marotta

ristorantebalzirossi.it via balzi rossi 2 - frontiera san ludovico ventimiglia - italy

Every restaurant has two souls: the first is static - the establishment itself, with its history, structure, and the territory it represents. The second evolves over time, embodying the beating heart of the venue through its chef, who may change over the years. This duality creates a unique identity that, when perfectly balanced, offers diners an experience transcending mere sustenance. One of the most challenging feats for any restaurant is achieving harmony between these two souls, striking a delicate balance between past and present, tradition and innovation. This equilibrium becomes even more elusive when the establishment in question - Balzi Rossi - has been synonymous with a singular culinary vision for decades, guided by the same chef who elevated this relatively small venue, perched on rocks mere metres from the Franco-Italian border, to Michelin-starred glory. The location itself is extraordinary - a restaurant sitting on the Mediterranean shoreline, where waves crash against the rocks below the dining terrace. The white interior maintains a refined elegance, allowing panoramic sea views to take center stage. In summer, the terrace offers dining that captures the essence of Riviera living - sundrenched by day and romantically illuminated by night. Founded in 1982, Balzi Rossi now operates under the direction of Piedmontese Chef Enrico Marmo, who returned in 2022 to lead the restaurant where he had previously worked from 2016 to 2019. His homecoming offered the advantage of intimate familiarity with the heritage he was inheriting, yet simultaneously presented the weighty responsibility of ensuring the Ligurian Coast's sun (or rather, the French Riviera's, as we're practically there) continued to shine upon this splendid establishment. Mission accomplished: within six months, Balzi Rossi reclaimed its Michelin star, a reward to the collective efforts of the owners and the entire team. The restaurant's name itself - Balzi Rossi or "red cliffs" - references the dramatic geological formations that characterise this stretch of coastline, the same formations that house the famous prehistoric caves nearby. This connection to the land runs deeply through every aspect of the dining experience, reinforcing the establishment's commitment to its territory.

56 On a bright afternoon, just before the kitchen begins preparations for evening service, a local fisherman delivers the day's catch - a carefully curated selection of specimens. "We never keep fish in the freezer; we exclusively use same-day catch," explains the chef as two cooks prepare the kitchen. The staff is deliberately small, a detail that speaks volumes about the restaurant's philosophy. The attention to detail extends beyond the kitchen - the service staff move with quiet efficiency, knowledgeable about every ingredient and preparation method, creating an atmosphere of relaxed sophistication. Marmo doesn't rise to inspect the delivery. "We maintain relationships with very few suppliers who understand precisely what we require and never fall short of our expectations." Nature as Philosophy The foundation of everything at Balzi Rossi is simple: exclusively local products, only the highest quality, and precisely the quantity needed for the open days. In this region, you must follow natural cycles. The restaurant maintains a nearby garden with fifteen terraced levels, planning seasonal productions throughout the year. These terraces cascade down the hillside, each dedicated to specific vegetables, herbs, and fruits that thrive in the Mediterranean microclimate. The garden follows traditional agricultural techniques, using no chemicals and relying on companion planting to control pests naturally. "We use vegetables and fruits exclusively from this land. You won't find tomatoes in winter; we don't use preserves to make tomato pasta sauce out of season. It might seem commercially impractical, but we believe in complete transparency with our guests." This commitment to seasonality dictates the daily menu. If morning brings freshly caught langoustines from Sanremo, then langoustines appear on the evening menu. Otherwise, the restaurant offers something different. This isn't affectation - it's an approach that aligns with a restaurant seeking to genuinely represent its locality. The menu transforms constantly based on daily fresh ingredients. Regular patrons understand that returning after just a few days might present an entirely different menu. If artichokes arrive in the morning, they're served raw at lunch and cooked by evening. This daily variation creates an excitement and anticipation among diners, who very often choose to surrender completely to the chef's offerings rather than selecting specific dishes. Cooking Over Presentation Balzi Rossi emphasises distinct flavours and aromatic herbs, focusing on cooking technique rather than mere presentation. The cuisine draws inspiration from Italian tradition, adding a touch of French feeling - a natural consequence of the restaurant's border location - creating something distinctly its own. While visually appealing, dishes never sacrifice temperature or precise cooking for aesthetics.

57 The kitchen operates with just three staff members - perhaps minimal, but reflecting a deliberate choice for a unified team working toward shared goals. This philosophy prevents monotony, avoiding assembly-line repetition. "I'm enormously enthusiastic yet perpetually unsatisfied as a perfectionist," Marmo admits. "This mindset actually prevents me from accepting anything as truly definitive. Daily changes allow continuous self-challenge. It occasionally presents risks, but we've developed the expertise to immediately discern whether a dish meets our clientele's expectations." Simplicity as Luxury "Recent decades have witnessed a shift from genuine culinary exploration to an almost obsessive pursuit of complexity and aesthetics, often masking substantive deficiencies—ideas rather than authentic cooking," Marmo reflects. "Experiment as you might, but simplicity invariably resurfaces. That is true luxury." Sustainable Practice The practical dimension of this philosophy manifests in kitchen management. Balzi Rossi has embraced the "zero waste" approach long before it became fashionable. The restaurant's primary concern was minimising waste, addressed through daily menus, offmenu specials, and a concise carte always marked "subject to availability." Nothing is frozen - absolutely nothing – except of course ice cream bases. This approach simultaneously optimises economic management while reinforcing the restaurant's environmental consciousness. The wine list reflects similar principles - predominantly featuring small producers from nearby regions who practice sustainable viticulture. This careful curation extends to every aspect of service, from the handcrafted tableware to the linen napkins. The most gratifying response to this philosophy? Recently, a guest smiled and said, 'I'll return the day after tomorrow - don't tell me what's on the menu, I know it'll be a surprise!' What more could one desire?

Balzi Rossi achieves something remarkable - it maintains the formal excellence of a Michelin-starred establishment while cultivating the intimate comfort of home cooking. "One particularly satisfying achievement: numerous Michelin-starred colleagues dine here and return regularly. That surely indicates something significant." Looking forward, the restaurant envisions various developments, from expanding the premises to enhancing services. Yet every consideration is viewed through the lens of preserving their fundamental culinary philosophy. Departing, one feels profound satisfaction and reassurance. It is indeed possible to savour a Michelin-starred dinner knowing you've contributed to zero waste, in a setting that balances refined elegance with genuine warmth. Balzi Rossi represents a magnificent rediscovery of what truly matters in gastronomy – gourmet food, respect for nature, and genuine hospitality. One lingering doubt remains regarding Chef Marmo's insistence on relative indifference to plating aesthetics: was he entirely serious? Judge for yourself from the photographs - each dish reveals a natural artistry that contradicts these modest claims.

Experiment as you might, but simplicity invariably resurfaces. That is true luxury."

Enrico Marmo

REINVENTING LUXURY

WITH LILY OF THE VALLEY'S PRIVATE VILLAS Nestled in the Bay of Gigaro, just minutes from Saint-Tropez, the 5-star hotel Lily of the Valley welcomes guests all year round with warm hospitality and a refined yet generous sense of luxury. Beyond its rooms and suites, the establishment boasts an exclusive collection of exceptional residences - living spaces where luxury and elegance come together to offer a unique experience.

Villa W © November Studio

VILLA W Tucked away in the hotel’s lush gardens, Villa W is a sanctuary where luxury and privacy intertwine. Time seems to stand still for guests who enjoy the full range of hotel services while indulging in a tailor-made experience. Bathed in natural light, the elegantly designed living spaces seamlessly blend contemporary aesthetics with Mediterranean traditions. Noble materials, bespoke furnishings, and carefully curated décor by Philippe Starck create a warm and inviting atmosphere, perfect for relaxation. This villa accommodates up to six guests, featuring three bedrooms with en-suite bathrooms.

Pool Suite © November Studio

Villa W is distinguished by its breathtaking view of the Bay of Gigaro and its expansive sundrenched terrace with a private pool. From the comfort of a sun lounger or while dining al fresco, guests can take in the ever-changing hues of the Mediterranean while savouring the Provençal delights of the Vista restaurant. POOL SUITES Just below the hotel and steps away from Gigaro Beach, the Pool Suites offer a discreet yet luxurious retreat. Each of these true Beach Houses opens onto a private garden with a pool, embodying understated elegance. Set in the heart of a Mediterranean garden, just opposite Lily of the Valley’s Beach Club and minutes from the hotel, the eight Pool Suites provide an idyllic escape.

Villa W © November Studio

The most spacious of them, the Pool Suite Villa, features three bedrooms and is set within an expansive private garden with a pool, making it the perfect place to create cherished memories with loved ones. Whether gathered around the outdoor dining table, relaxing in the lounge area, or enjoying a personal coaching session by the pool, the Pool Suite Villa is designed as a luxurious sanctuary immersed in nature. These villas also offer the privilege of Lily of the Valley’s hotel services, including a dedicated butler service to cater to guests' every request. Additionally, guests enjoy full access to the hotel’s extensive facilities, including the Shape Club, Beach Club, and restaurants, ensuring a truly immersive and complete experience at Lily of the Valley.

Pool Suite © November Studio

lilyofthevalley.com

MEDITERRANEAN ELEGANCE

SPRING RETURNS TO LOUROC

by Nicholas Reds

There’s something magical about returning to Hôtel du Cap-Eden-Roc in the spring. As the Mediterranean begins to shimmer again under the Riviera sun, the hotel reopens its doors on 18th April 2025 - just in time for Easter - with that unmistakable blend of elegance, calm and anticipation. And at the heart of it all, Louroc reawakens. Perched at the very edge of Cap d’Antibes, the restaurant feels like it’s been carved into the coastline itself. Year after year, it continues to hold its Michelin star - a quiet confirmation of the dedication and soul that live in this kitchen. It’s not about show; it’s about something much deeper. Chef Sébastien Broda leads with instinct and sincerity. His cooking isn’t just refined - it speaks. You taste the sea, the earth, the season. His dishes are rooted in the region but never stuck

in place. They evolve, just like the view outside the window. As Sébastien says: “In our plates, meats, fish and vegetables each take turns speaking. Echoes between land and sea form, creating an authentic, sincere and generous language.” That’s exactly what you feel when you dine here: a kind of quiet conversation between nature and flavour. On the sweet side, Chef Pâtissier Tarek Ahamada brings his own kind of poetry. He joined the hotel

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just last year, and already his creations have become part of the Louroc experience. This Easter, he’s crafted Roches & Reflets - an elegant chocolate egg inspired by the rugged rocks and the reflections of the sea that surround the hotel. The details are delicate, almost sculptural, with gentle nods to the infinity pool and the textures of the coast. It’s refined, thoughtful, and a little nostalgic.

Here, echoes between land and sea take shape, creating an authentic and generous language" Sebastien Broda

Tarek’s work—alongside that of chocolatier Guillaume Durand - is never just dessert. It’s emotion. You see it. You taste it. And you remember it.

calm precision of the kitchen brigade, everyone here shares the same goal - to make you feel something, to surprise you, to create a memory.

Every season brings something new to Louroc, yet the feeling remains the same: warm, thoughtful, quietly exceptional. From the welcoming presence of Frédéric Hardy and Jérémy Heuline in the dining room, to the

I’ve seen this place evolve, season after season. But stepping into Louroc always feels like coming home - with the sea at your feet, a glass of wine in hand, and a sense that something special is about to happen.

Marni

ALL EYES ON US by Dafne Funeck Sharp lines, bold volumes. This season’s eyewear doesn’t just complete the look - it leads it. Each pair tells a different story, yet they all converge at a precise point, where form and identity overlap. These are objects to be worn but also to be observed. Statements of style, never merely functional. A glance that reveals who we are before we even speak. Gucci reinterprets oversized frames with a retro spirit, shaping theatrical silhouettes infused with a thoroughly contemporary sensibility. Marni, on the other hand, plays with the contrast between structure and color, crafting sculptural volumes that maintain both harmony and lightness. Lapima, a Brazilian brand with an architectural soul, sculpts acetate into fluid, luminous lines designed to enhance every face. Luxury speaks in a more subtle language with Christian Louboutin and Pucci, where color becomes a stylistic signature, blending sobriety and boldness in perfectly balanced doses. Tiffany & Co. continues its tradition of essential elegance, defined by precious reflections and clean lines, while Stella McCartney intertwines ethics and style, offering sophisticated and conscious eyewear. Alongside these visions, timeless classics hold their ground: Moscot, with its iconic frames born in the heart of New York, and Persol, a longstanding emblem of Italian savoir-faire through timeless design. Schiaparelli, with its artistic and visionary spirit, transforms every pair of glasses into a narrative object, almost sculptural. Austrian brand Silhouette focuses on extreme lightness, while Fendi plays with sharp geometries and couture details. Bottega Veneta and Oliver Peoples explore a quiet elegance, built on balance, refinement, and meticulously chosen materials. L.G.R. blends adventure with nostalgic aesthetics, while Sportmax approaches eyewear as a natural extension of urban fashion, balancing functionality with formal precision. In this landscape rich with nuances, eyewear becomes a personal language, a way to interface with the world.

Christian Louboutin Eyewear

Lapima

Pucci Eyewear

Gucci

Schiaparelli

Moscot

Tiffany & Co.

Stella McCartney

Saskia Diez

Silhouette

Persol

Fendi

L.G.R.

Oliver People

Bottega Veneta

SPORTMAX

Y T U A BE ROMANTIC HEARTBEAT MAC M•A•Cximal Sleek Satin Lipstick

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BOBBI BROWN PAC-MAN™ Power Play Eye Palette.

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DOLCE & GABBANA Devotion Rich Body Cream

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CHLOÉ Eau De Parfum Atelier Des Fleurs Cedrus

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AUGUSTINUS BADER X LA BONNE BROSSE L imited edition Nylon Brush

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SPRING SHOPPING !

CHANEL Beauty Backstage Couture Spring Summer 2025

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HIM SPORT ADDICTION

MONTECORE Sleeveless twill vest with front zipper

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D.A.T.E. Athleta Nylon Black shoes

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OMEGA Omega Seamaster Diver 300 m in Bronze, Gold, adn Burgundy

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LOUIS VUITTON X TM Superflat Characters Skateboard with LV Hands logo

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BOSS Total Look SS 2025

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E T T A M M I N E D A 'S IT

ICON DENIM Classic denim cap with embroided logo

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DIOR Metal keyring with dog decoration

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GAS Total Look SS 2025

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DIESEL "D Red", Lavender, grapefruit, and sandalwood

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HER

ITÉ S O I R U C E D T E N I CAB

FALIERO SARTI Cachemere and Silk scarf with cartographic print

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HARRY WINSTON "Marvelous Peacock" Three-in-one high jewelry timepeace combining a functional handheld fan, a secret watch hidden by the plumage, and a base to mount it as a table clock

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VALENTINO

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"Pavillon des Folies" Total Look SS 2025

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LABSOLUE 32 Mimosa Home perfume, the quintessence of femininity by Marie Salamagne

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MOORER Cashmere and Suede gloves

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A NIGHT AFFAIR

BELVEDERE Organic Luxury Polish Vodka, made with organic rye, purified water, and distilled by fire

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VIVIENNE WESTWOOD Albane bracelet, antique gold-toned plating Limited edition

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FENDI CASA "Dame" Table red lampshade with marble base

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LA REVÊCHE Black Leyla dress with rose

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LESILLA "Bella" slingback 120 mm Opium red vynil

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In a world where declaring the number of followers and clicks has become an obsessive demand, it's important to understand that if you work and live in luxury, factors such as credibility and the genuine exclusivity of the venues where you are visible are truly the only things that matter. In luxury, less is more, as long as this "less" is the best one ;-)

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* LA PERFORMANCE MÉCANIQUE POUSSÉE À L’EXTRÊME

Calibre maison squeletté à remontage automatique Réserve de marche de 50 heures (± 10 %) Platine et ponts en titane grade 5 Rotor en platine Boîtier en titane grade 5

A Racing Machine On The Wrist