FORCE ONE 31

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I DREAM OF ARGENTAIA HELMUT NEWTON HOFA DOLCE&GABBANA JEWELS&WATCHES VERSACE HIGH JEWELLERY FOGLIZZO NEW BENTAYAGA HYBRID WINTER DESTINATIONS

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FORCE ONE

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"MANIFESTO FOR A COLOURFUL WINTER" At Force One, we solemnly declare our commitment to colour your life!

Our cover "shout" is full of colour, joyous, anti-grey and anti-cold, both meteorologically and metaphorically considering this particular historical moment.

Do we want a cold grey winter ? NO !

A fatalist attitude ? NO !

Long live life ! Long live love ! Long live C – O – L – O – U – R !

Browse through our pages to discover the richest, most sparkling jewels, in photos shot exclusively for Force One of Dolce&Gabbana’s haute joiallerie and horlogerie.

Stroll with us through the centuries of art, from Caravaggio to digital NFT. Pausing on the way to appreciate some age-old traditional crafts: wonderful marbled paper and car seats in eco-sustainable leather; take a spin on a racing go-kart for a lap with the world champion, and take the new Bentley hybrid for your ride home… no, not home, go spend the night at the Argentaia, the fantastic resort in Italy’s beautiful Maremma region and our magazine’s new partner.

Ready for the snow ? Leave now for Courchevel and Megève… pack your most glamorous wardrobe aided by our selection in the Fashion Editorial signed Stefano Facca, yet another exclusive for Force One readers: Armani Neve, Valentino, Issey Miyake…you name it, Force One has it !!!

Good reading, good travel, good life !

Luca Marotta

Publisher and Creative Director

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INDE X

08 - Party / FORCE ONE NIGHT @39 CLUB 12 - High Jewellery / THE GRAND TOUR 18 - High Jewellery & Watches / WHEN I FIRST SAW YOU 24 - Fashion / VERSACE: THE MATHEMATICS OF LUXURY 30 - Fashion / PESERICO: PERFECT SYNTHESIS 36 - Photography / A PROFESSIONAL VOYEUR 38 - Art / HOFA: BEYOND THE HEAVENS 42 - Art / A MASTERPIECE IN VERSILIA 44 - Places / I DREAM OF ARGENTARIA 52 - Design / THE ARTISTS OF GREEN 54 - Taste / ONLY ONE: COMPTE DE MONTE-CARLO 58 - Luxury / NO DIGITAL, PLEASE 60 - Luxury / A STICH IN TIME 66 - Speed / A HIGH SPEED LIFE 68 - Cars / BENTLEY BENTAYAGA HYBRID 70 - Fashion / HAPPY SNOW 88 - Pleasure / SHOPPING 92 - Beauty / CONFIDENCE BOOSTERS 96 - Destinations / CORCHEVEL & MEGÈVE 108 - Yachting / MONACO YACHT SHOW 110 - Yachting / A WIDER HORIZON

FASHION EDITORIAL "HA

PPY SN OW " Photograp

her Stefano Facca

ON Cover Photo JW ANDERS ED2 << Index Photo DSQUAR

Creative Director Luca Marotta

Senior Contributor Alice Gardner

Styling Fabio Pravato

Editorial Director Andrea Dini

Editorial Contributors Vicky Morris Richard McCreery Manuela Schinaia Keith Francis Olivia Rose Andrea Levy Francesco Marchiaro Alexandra Baaske

Fashion Photographer Stefano Facca

Fashion Editor Alberto Corrado Jewelry and Watches Editor Laura Canepa Layout Force One

Translations Marsglobus Ltd

Lifestyle Photographer Francesca Cari Editorial Photographers David Andre David Churchill L. Di Orio Philippe Fitte ImagIN

L Design Francis Hammond Fresh Influence Alessandro Levati SGP Sebastien Montaz Carlo Scarpato SGP Franck Paubet PG Media Michele Siconolfi Sportinfoto Alex Stephen Teuschen Anne-Emmanuelle Thion Wafeproject

Post Production Thomas Bourgoin Advertising & Development contact@force-one.net +33 (0)6 40 61 02 05

Force One is published by One Force Sarl Principality of Monaco SSN 2271-4111 www.force-one.net

Sunreef Yachts | Tarcice 6, 80-718 Gdansk, Poland | +48 797 842 754 | info@sunreef-yachts.com | www.sunreef-yachts.com

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FORCE ONE NIGHT #2

@ 39 MONTE CARLO

by Manuela Schinaia On 23rd of September 2021, the “Force One Night #2”, annual private cocktail, took place in the prestigious sports club of the Principality, the Thirty Nine Montecarlo.

The event was part of a two night program, a regular rendez-vous for business and party lovers.

Its has been wonderful to finally gather together again since last edition of the Monaco Yacht Show.

Over 200 guests gathered during the two days private event at Thirty Nine Monte Carlo Private Club for the traditional Business Networking opening event followed by the chic and glamour Force One Night #2, which was jointly hosted by Force One Agency and Investor Media Monaco.

All images © Francesca Cari

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During the first night, the IMM Annual Private Rencez-Vous, the selected partners had the opportunity to present their products and investment opportunities to a limited and select number of guests. The event has been made possible by partners NPD and Marinepool. Sundek beachwear wanted to celebrate the marine atmosphere of the evening, offering each of the guests a swimsuit from the 2021 collection.

A trendy atmosphere, on the other hand, during Force One Night # 2, with the event sponsored by the most important luxury fashion outlet on the Italian and French Riviera, The Mall Sanremo, which invited all guests to take advantage of a reserved offer.

To worthily celebrate the resumption of the Monaco Yacht Show and the release of the new issue of Force One, the champagne flowed in torrents, and it could only be Champagne Compte de Monte-Carlo, the only champagne branded by the Principality.

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THE GRAND TOUR

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OF HIGH JEWELLERY

by Laura Canepa - www.theducker.com Among the luxury sectors that showed greater resourcefulness in 2021, despite the complicated situation created by the pandemic, high jewellery has shone with enthusiasm and resilience.

In the name of creative passion and the jeweller’s art, the great international fashion houses have presented their new collections, in which important masterpieces and exceptional sets have appeared to indicate the personal philosophy to follow in the future. In some areas, the protagonist was a search for innovation. In others, the study and reinterpretation of historical codes and stylistic features, or the celebration of important anniversaries seemed to take the lead.

Not many people actually know that it takes at least two years to create a high jewellery collection, from project inception to final result. In this long, passionate creative process, the foundations for creating true masterpieces lie in the procurement and selection of the gems. Essential phases that have presented an even greater challenge this year than ever before, in terms of time and resources, due to restrictions on travel and the closure of the workshops, which however, the sector appears to have overcome thanks to its incredible tenacity.

So what are the aesthetic icons of this precious universe in 2021? We’ve brought together ten jewellery houses in a Grand Tour from Paris via the Italian peninsula to the Principality of Monaco, then from the coasts of southern France to London and across the ocean to the States to get all the news from New York.

A veritable odyssey in contemporary taste and style, sanctioned by the jeweller’s art and that essential creative flair capable of making dreams come true. One of the most beautiful expressions of human emotion.

GRAFF If watchmaking and astronomy have been linked in close symbiosis for centuries, jewellery likewise confirms its seduction by the celestial vault. "We all live under one sky, and the sunrise, sunset and phases of the moon are all witnessed with unerring regularity, wherever we are in the world." - comments Anne-Eva Geffroy, design director of Graff talking about the new Graff Tribal collection. Made up highfalutin specimens in which the purity and brilliance of diamonds is sovereign, the ensemble revisits universally understood codes. Symbols and patterns known as elementary forms in all cultures and civilizations that now offer an unprecedented stylistic language.

Graff High jewellery Tribal Collection.

Gateway set consisting of earrings with round cut diamonds (10.40 cts), bracelet with round and emerald cut diamonds (29.10 cts).

Matching necklace.

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CARTIER This year Cartier chose Lake Como to present Sixième Sens high jewellery with a special ambassador, Golshifteh Farahani, musician, singer and film star.

In a tribute to the magnetism of gems, sublimated through the jeweller’s art and mastery, the collection is a riot of sapphires, emeralds and diamonds with chromatic touches that turn to the warmest and most persuasive shades of topaz and tourmaline.

Cartier Sixième Sens Collection. Sharkara necklace in white gold, pink tourmalines, garnets, coloured sapphires, diamonds.

Photo: Julien Vallon © Cartier

FLORILÈGE DE VIE The collection from Florilège de Vie jewellery,a contemporary Milanese brand, draws inspiration from nature and its stars. Alongside gold, titanium is a favoured metal, making the jewels extremely light and easy to wear.

Florilège de Vie Jardin Secret Collection.

The Rabbit and the Butterfly reversible earring in titanium and gold with blue, purple, green and orange baguette, drop and brilliant cut sapphires (12.20 cts) and round blue diamonds (0.75 cts).

15 PASQUALE BRUNI Not everyone knows that Milan, fashion and design capital and business and finance hub, also has hidden away corners, springs of eternal beauty where history and tradition meet.

Like the hidden gardens, scattered along the 5 Vie, or hidden in the alleys of Brera.

Pasquale Bruni’s collection is dedicated to these timeless corners, so loved by the Milanese, where peace and quiet reign. Artfully crafted in the Vicenza atelier, it comes in a delicate pink gold paired with diamonds. To interpret the most intimate beauty that knows not the passage of time.

Pasquale Bruni, Secret Gardens Collection. Ring in rose gold, white and champagne diamonds.

CHANEL In 1921 Gabrielle Chanel was the first couturière to venture into the world of perfumery.

Her Chanel N ° 5 met with overwhelming success, subverting the rules of the sector linked to the tradition of mono floral perfumes.

Today, a century later, the maison is celebrating its anniversary with an entire collection of high jewellery. In five chapters divided into 123 pieces, Chanel Collection N° 5 interprets the compelling dialogue between the minimalism, mystery, graphism and sensuality of the most famous fragrance in the world.

Protagonists: the design of the bottle and cap, the silhouette of the number 5, the flowers and the sillage of the fragrance. In homage to the revolutionary spirit of an icon that once again demonstrates its eternal perfection.

Chanel High Jewellery, Collection N ° 5.

Ribboned N ° 5 brooch in yellow gold, platinum, diamonds, imperial topaz and orange sapphire.

One 30.97 cts imperial topaz 30.97 cts. One 4.09 cts oval cut orange sapphire.

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CHOPARD Caroline Scheufele, Co-President and Artistic Director of Chopard, aims at the dream, at the joie-de-vivre, in a rediscovered emotion of dreamlike escapism that warms the soul. The 74 pieces of the Chopard Red Carpet Collection, as many as there are editions of the Cannes Film Festival (of which the Maison has been an official partner since 1998), tell of a dream destination, a paradise where inspiration and imagination converge.

Flanked by traditional gems (rubies, sapphires, diamonds and emeralds) emerge magnetic opals, lively garnets and Paraiba tourmalines. A kaleidoscopic palette magnified by ethical gold and combined with innovative, extremely light titanium. For comfortable portability in the bosom of the most refined aesthetic.

Chopard Red Carpet Collection . “Rose” ring in Fairmined certified ethical white gold and titanium with round sapphires (22.91 cts), intense fancy yellow diamonds, black and white diamonds, onyx cabochons.

MAISON VITALE 1913 Coherent with the trends but independent in aesthetic, the high jewellery of Maison Vitale 1913, a brand closely linked with the Principality of Monaco, combines tradition and refinement.

An alchemy characterized by a select search for the stones and a touch of Italian style. Because the history of the brand began over a century ago in Vicenza, a Northern Italian city with a rich jewelling tradition, in the early 1900s.

Vitale 1913, Divine Collection.

White gold chandelier earrings with oval blue sapphires (43.85 cts) and diamonds (2.60 cts).

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BOUCHERON Inspired by the work of artist Olafur Eliasson, Claire Choisne, creative director of Boucheron, continues an intense search for innovation. For Holographie she chose to work with unprecedented techniques, hitherto never used in the high jewellery sector.

Spraying precious metals at high temperatures onto ceramic or rock crystal, the Maison has recreated the natural magic of a rainbow of colours. A revolutionary philosophy that doesn’t betray the historical values of the brand, highest of which the natural beauty of precious stones.

Boucheron High Jewellery. Holographique necklace in white gold, with 20.21 cts Ceylon octagonal yellow sapphire, holographic rock crystal and pave diamonds.

18 BVLGARI 350 masterpieces, entirely handmade, which together represent the most precious collection of high jewellery presented by Bvlgari in its 137 year history.

These are the numbers of Magnifica, presented in Milan by the Roman brand, the result of a reflection on the artistic professions of Italy and on cultural influence of the female universe over the centuries.

From painter Artemisia Gentileschi to Zaha Hadid, the architect who revolutionized the contemporary era with her avant-garde vision. Gems wisely played and balanced in the design by the creative director Lucia Silvestri certainly come to the aid in transmitting inspiration and magic.

Bvlgari High Jewellery Magnifica Collection. Emerald Ellipse necklace in white gold, a 60 carat central drop-cut emerald (from Zambia), emeralds, diamonds and diamond pavé.

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HARRY WINSTON From the very beginning, love and friendship have been dear to Harry Winston. For the Christmas holidays, among its wonders the maison is also offering a line dedicated to the city of New York, with which it has particularly close ties.

The charm of the cosmopolitan metropolis is encapsulated in the purity of large-carat precious stones, like the Colombian emeralds dominating the Cathedral necklace, combined with the transparency of fancy-cut diamonds. A homage to the city of dreams, where everything is possible.

Harry Winston, Cathedral necklace in platinum and yellow gold with 5 Colombian teardrop emeralds (65.63 cts), 122 pear, baguette and marquise diamonds (46.83 cts).

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WHEN I FIRST SAW YOU a timeless love story DOLCE&GABBANA JEWELRY AND WATCHES

photographer stefano facca

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Djily Good Luck men's necklace in 18kt gold with pendants Underwear Dolce&Gabbana Justyna Logo earrings in 18kt gold with DG initials decorated by 98 colourless sapphires Logo necklace in 18kt yellow and white gold with DG pendant decorated by 44 colourless sapphires Body Dolce&Gabbana

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Djily Good Luck men's necklace in 18kt gold with pendants DG7 watch with 18kt rose gold case and black alligator strap

Justyna Logo earrings in 18kt gold with South Sea pearl Logo necklace in 18kt yellow gold with DG initials decorated by 98 colourless sapphires and a South Sea stone Logo ring in 18kt gold Iris watch in 18kt rose gold with various stones (topaz, peridot, turmaline, quartze, citrine, rhodolite, sapphire and garnet) and 5 rubies, black alligator strap

Justyna Logo earrings in 18kt gold with DG initials decorated by 98 colourless sapphires Logo ring in 18kt gold Logo ring in 18kt gold with 49 colourless sapphires Logo ring in 18kt yellow and white gold with 49 colourless sapphires Logo bracelet in 18kt gold with a DG pendant decorated by 49 colourless sapphires Logo bracelet in 18kt gold with a DG pendant decorated by 49 colourless sapphires and a South Sea pearl Fashion Editor Alberto Corrado Stylist Fabio Pravato Photographer Assistant Leonardo Galeotti Stylist Assistant Ella Perrotta Lina Iuliano Gianni Oliva Models Justyna Szwejk @fashionmodel.it Djily Niang @independent_mgmt Make up Ildana Khalitova - Hair Stefano Rolandi Production Force One Monte Carlo Special Thanks Somma1867 for the pure cotton satin bedspread from "The Jewel" line www.somma1867.it

versace.com

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THE MATHEMATICS OF LUXURY

by Alberto Corrado

© Alessandro Levati SGP Italia

Meticulous attention to detail has always central in the history of this Italian Maison.

To which we can now add a reinterpretation of the emotional landscape, redesigning the collective imagination.

Fall Winter 2021

Making comparisons with Versace style is no easy feat.

It means measuring up against the historic cornerstones that have characterized the Maison’s collections for the last forty-three years. Taking turns at the helm of the brand, season after season, Donatella Versace has applied her creative flair to the fundamental principles that animate the unmistakable “Versace style”.

A punctilious, precise, architectural concept of male and female elegance founded on strong, iconic elements: the Dionysian glamour enhancing sensuality, unprecedented colour combinations and forms to make the body bloom,

scrupulous researches into exotic new fabrics like the brand’s signature Oroton, the incredibly soft and light metal mesh that drapes like silk, not to mention the contrasting designs of the prints and the captivating power of the Medusa logo.

And, above all, sartorial care taken to the extreme that, year after year, breathes life into harmonious, coherent looks both male and female, all unequivocally Versace.

The Fall Winter 2021 -2022 collection masterfully develops all of these themes, declining them in contemporary codes, interpreting the iconic Greca

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We’re living in the age of all and now, so paradoxically, despite the digital frenzy, I give my women and men time to understand my message.

Donatella Versace

pattern as a dynamic and immersive 3D effect labyrinth, along with the new Versace La Greca design, made up of the original Greca combined with the Versace logo in different sizes and colours.

Donatella Versace by Mert and Marcus (detail)

For women the Maison offers a series of looks with strong decorative detail created by colour contrasts veiling the habitual extreme complexity of the modelling, where the figures have reduced volumes with rounded shoulders and narrow waists enhanced by trapeze skirts, shortened trousers and dresses, uncomplicated for the day, sensual and daring for the night.

Fall Winter 2021

© Alessandro Levati SGP

3 images © Carlo Scarpato SGP

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DUA LIPA - © Carlo Scarpato SGP

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Spring Summer 2022

These same elements flow into the men’s collections too, in tailored garments sensually embracing the body or with the variations on the Greca design applied to jacquard suits, combined with lurex or on rubber chest patches like team emblems, while the fabrics range from glossy vinyl to matte wool.

The result is a collection in perfect harmony with Versace's sense of humour and rebellious character, forever considered a symbol of true freedom of expression and underground culture, but with a surprisingly futuristic aesthetic, given by tailored cuts that simplify the lines of all the items.

The amazing cast of top models both male and female certainly contributed to creating this atmosphere, using the coherence of the aesthetic to seek a unity of goals in absolute parity, unifying attitudes and feelings with different, but similar garments.

“Now I’ve really understood that this is both present and

future for me” says Donatella Versace, confirming her programmatic manifesto for the Maison.

“Top models are like actresses, they animate the clothes, like an actor animates a character. While I was filming the digital show, I realized how important it is to give them time to “feel” the clothes they’re wearing. We’re living in the age of all and now, so paradoxically, despite the digital frenzy, I give my women and men time to understand my message ".

Closing the circle, in ongoing references to past and future eras, are the accessories from the new La Greca bags, customizable with additional pockets for a highly personalised look, to the smaller mix-and-match shoulder bags and jewellery with the 3D Greca on oversized earrings, hairclips, brooches and buckles.

Yet another way the Maison proves its depth is on a communicative inclusive level bringing fashion, music and art together, creating hype not just through the social channels but inside and outside the show, where we can always find a healthy slice of the brand’s fans.

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Versace Holiday Campaign by Camille Summers Valli

We got a taste of this at the presentation of the Spring Summer 2022 collection, with the strains of "Physical" as the soundtrack introducing guest star Dua Lipa, pop-star and one of Versace’s new faces, who opened and closed the show.

A collection based on the versatile nature of the foulard, able to transform into virtually anything from a fluttering blouse to a sexy minidress, combined with iconographic prints with sketchy, almost unfinished looks as if ripped apart and tacked together.

“The foulard is a fundamental element of Versace's heritage and its DNA” says Donatella. “It’s the canvas on which our iconic prints have followed on, one after another, and has been worn in so many ways, from knotted tops to bandanas.

It’s even been an accessory for bags. It's a way of adding the Versace touch to any look. The foulard has characterized our collections since the very start, but this season we’re turning everything upside down so it’s not just an accessory, but a

provocative, sexy, daring piece of clothing."

So if everything feminine starts out from foulards promising a blaze of exuberant colours and combinations, the masculine is given soft fits in printed silk clashing with sportswear to wrap the body, and pure tailored suits in fluorescent orange, pink and blue sequins.

Fashion as a visual code, but the mirror of another function as well, perhaps more important, that of signification. Wearing a garment is fundamentally an act of signification, beyond the basics of modesty, ornament and protection. It is something profoundly social, at the very heart of society’s dialectic.

It’s a means of comprehension that Donatella Versace has been coding for several years, to give an understanding of contemporary phenomena, transforming clothes and accessories into roadmaps of emotion, atlases for rewriting each of our desires.

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Versace Resort Collection 2022

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PESERICO PERFECT SYNTHESIS

by Andrea Levy Peserico's language of look breaks the rules spotlighting actuality, by reinterpreting what is.

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Classic elegance analysed, questioned, inverted and subverted in an international act of estrangement that makes us reconsider what we think will be the trend for the coming winter.

Thoughts that lead straight to exploring the universe of a firm that has made an international emblem of its passion for haut couture. We’re talking about a tailoring tradition founded back in 1962 in Cornedo Vincentino on the creative capacity of Maria Peserico, who from a little workshop specializing in women’s trousers created an internationally renowned.

A company that has reaffirmed its aesthetic and cultural codes year after year, constantly probing the present to always be actual in a continually changing society, but always holding on to the underlying themes of it origins.

The Maria Perserico look, now under the guidance of the family’s second generation through her son, Riccardo the company CEO, with creatie director Paolo Gonnella, not only goes beyond different times and epochs, but the concepts and the judgements that afflict the world of fashion and design as well.

In a continual putting back into play of what’s right or wrong, good taste or bad taste, chic or cheap, perfect or imperfect her collections become expressive exercises that allow what is to reveal itself with the aggressive, seductive attraction of the new.

This operation, this method, cannot but reverberate in every element of the femminine wardrobe, in the pure white of the pant suits doubling into shades of beige and camel, the exclusive macro-checks aligned with classic pinstripes or the outfits in slate grey corduroy.

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peserico.com

And in the men’s too where suits and outerwear of indisputable elegance define the harmony of the man in a play of fluid volumes and pure, essential lines.

Each of these items becomes a tile making up that social-artistic mosaic that, season after season, redesigns the female (and male) figure representative of our actuality.

And in the dialectic between form and function, Perserico’s search seeks conciliation between meaning and practical use.

The new collections for this winter are aimed at subverting classic fashion through a rediscovery of canonic lines even in the accessories. Basically, there’s curiosity in the work, the care for detail, the manufacture and the exaltation of practical and creative mastery.

Further codes of an approach to style truly unique in the fashion of today.

35 C U L L I N A N

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A PROFESSIONAL

VOYEUR

by Keith Francis

In these times of collective virtue-signalling navel-gazing quasihysteria, as always Benedikt Taschen comes to our rescue, fearlessly publishing a volume crammed full of images to remind us that nudity, complicity, voyeurism and exhibitionism are all essential ingredients of happiness. Naturally, for anyone not scandalised by a bit of bare flesh…

Helmut Neustädter was born into a wealthy Jewish family in Berlin in 1920, and fell in love with photography at a tender age. Having saved to buy himself a box brownie, he intuitively began photographing the things that fascinated him the most, like the Berlin Funkturm, glistening symbol of an emerging modern age and a motif to which he would return, as well as experimenting with night photography, once shooting a whole roll of film in the Berlin metro. None of the photos came out, but he’d discovered you can take photos in the dark. Coming of age in Berlin, one of the most avantgarde cities of the time, young Helmut developed in a culture overripe with pleasure, provocation, and decadence.

But dark forces were on the rise in Germany. After the infamous Kristallnacht in 1938, realising the city was no longer safe, Helmut packed a suitcase, grabbed two cameras and fled. His teacher, a Jewish lady he’d been very close to, stayed and was later taken to a concentration camp and killed, a fate he himself would certainly have met, had he not left.

Via Singapore he eventually reached Australia where he anglicised his name, and met his wife June, a model who’d come to pose and fell in love with his work.

He soon established himself as a fashion photographer, and landed a contract to shoot for British Vogue. In Europe again, Helmut’s radical aesthetics proved better suited to Parisian tastes. After landing a contract with French Vogue, in 1961 the couple arrived in Paris, where Helmut finally received proper recognition for his work, which drew very much from his early years in the Weimar Republic grafted into controversial, hypersexualised imagery linked with the themes of surrealism - the dominant art movement in Berlin during his youth.

Newton’s obsessions became power and sex. Sex and power, how sex makes you powerful. Funny he photographed Margaret Thatcher... but his style really does capture the coldness, the calculation of that particular iron lady. He loved powerful women, and is even said to have fantasized about photographing Camilla Parker Bowles (big nude? The mind boggles…).

Helmut Newton was a both an active witness and an influencer of fashion across time. Pushing artistic boundaries he influenced fashion and so society itself, entering forever into the collective imagination thanks to the sheer number of pictures taken over fifty years in virtually every country in the world, creating one of the most published bodies of work in the history of photography.

Taschen’s Helmut Newton - Legacy showcases highlights and rediscovered images from this unprecedented body, celebrating Newton’s lasting influence on visual art to this day.

Heather looking through a keyhole Paris 1994 © Helmut Newton Foundation, Berlin

EXHIBITION Helmut Newton Foundation Jebensstraße 2, 10623 Berlin open until May 22, 2022 helmut-newton-foundation.org

BOOK taschen.com

Helmut Newton. Legacy Helmut Newton, Matthias Harder, Philippe Garner Hardcover 24 x 34 cm, 3,04 kg, 424 pages € 80 © TASCHEN

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Cindy Crawford - American Vogue Monte Carlo 1991

© Helmut Newton Foundation, Berlin

Carla Bruni, Bluemarine, Nice 1993 © Helmut Newton Foundation, Berlin

Thierry Mugler - American Vogue, Monte Carlo 1995 © Helmut Newton Foundation,

Berlin

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nership. pted record of ow , which is an encry ain ch ck blo e th code locked into a unique line of ch NFT refers to Ea n. ke to e ibl * NFT, non-fung

thehouseoffineart.com

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THE HOUSE OF FINE ART

BEYOND THE HEAVENS

by Francesco Marchiaro

In its short history, The House of Fine Art (HOFA) has established itself as a pioneer and innovative visionary in the art sphere. As it approaches its 10-year anniversary, HOFA is once again showcasing its leadership in the art space, redefining the art world as we know it with its latest NFT* and group exhibition, “Beyond the Heavens”.

The exhibition will begin at Art Miami from November 30 to December 5 ahead of moving to HOFA’s London Mayfair Gallery until January 10.

The event will showcase a selection of some of the rarest and highly sought-after digital works on the market today, including the likes of Yuga Labs’ Bored Ape Yacht Club (BAYC) and Larva Labs’ Meebits, along with a curated selection of works by HOFA represented contemporary artists.

The BAYC NFT is part of a headlining limited NFT collection of 10,000. The current minimum price for a single BAYC NFT is 66.66 ETH - a staggering increase from its initial offering value of 0.08 ETH this past April. The highly valued digital work has attracted notable collectors like NBA player Steph Curry, and electronic music producer and DJ Marshmello.

Meebits mark Larva Labs’ third venture in the NFT space and follows its highly successful 2D Cryptopunks. Cryptopunks were featured in HOFA’s previous NFT exhibition, “Portrait of an Era”, which was dubbed the most valuable NFT exhibition in history, receiving global acclaim.

With Meebits Larva Labs have created low-poly and voxel 3D graphics, a style used in iconic games like Minecraft and Roblox. The collection has been in the works for a few years with its creators hoping the 3D avatars will serve a timeless role in virtual worlds.

The exhibition ingeniously utilises multimedia artists, Jan Kálab and Adam Martinakis, to bridge between the NFT portion of the exhibition and the contemporary artworks display. Polish artist, Adam Martinakis, showcases a digital 3D composition of his evocative 2012 “Golden Boy”.

Meanwhile, Czech artist, Jan Kálab, serves as the primary connector between the show’s digital and contemporary facets. His contemporary piece “Yellow Meduza” accompanies his latest NFT piece, “Breathing Turkis Lagoon.” Kálab’s digital images add an unmissable dimension of life and feeling to his work.

On the contemporary side of the exhibit Kálab is accompanied by some of the biggest names in the contemporary art space at the moment – many of whom utilise an amalgamation of techniques, breaking the moulds of traditional art, and incorporating modern and often technology driven concepts.

Joseph Klibansky’s favourite bronze sculpture, “The Thinker”, is featured, showcasing the Dutch artist’s hallmark themes looking into symbolistic connotations, essentialism, and the paradoxes of life. A selection of Ilhwa Kim’s metaphorical collective universes will be on display. Each piece consists of tens of thousands of seed units that represent unique universes, creating a transformative visual experience that changes from every angle of perception.

Filipino-Australian artist, Loribelle Spirovsky, a finalist for the 2017 Australia Archibald Prize, one of the most prestigious portraiture awards in the art space, will showcase “Homme 249”. Her work externalises the internal conflict within the human psyche, creating an unsettling and surreal effect. Fellow Australian artist, Jason Sims, explores the properties of light and reflection to create illusions of space, challenging our perception of reality with his “Light Break (Nexus)”.

The traditional is revived and given a second life with Italian artist, Fabio Viale’s, “Kouros” pieces. His modern and distinctive tattoo colouring technique has revolutionised the traditional world of sculpture. Similarly, the modernisation of classic techniques can be

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seen in Argentinian artist, Romina Ressia’s, “Double Bubble Gum”. Her pictorial style, encompassing anachronisms, absurdism, and irony to address modern issues, has been making a distinguished impression in the contemporary art world. Ressia was named a rising talent by the influential Women’s Forum for the Economy and Society.

The exclusive and distinguished selection of works for the “Beyond the Heavens” is yet another reflection of The House of Fine Art’s commitment to continual innovation, attracting rarefied pieces of appreciating value, and representing a diverse compilation of artists.

HOFA: A Storied Decade Since its birth, HOFA has made an indelible mark on the art space, transforming the way people invest and collect art around the world. With locations in London and Mykonos, HOFA started out in 2012 as a traditional contemporary art gallery. Within six years the gallery branched out into the crypto sphere, becoming the first gallery ever to make its entire collection available in crypto.

While the coronavirus pandemic marked a time of significant difficulty for many businesses and organisations, HOFA used the pandemic as an opportunity

to develop and expand its digital and crypto projects.

The results of those efforts were made conspicuously apparent this past year, which saw HOFA release its first NFT, “Pink Flower”, by Zhuang Hong Yi; and its first NFT exhibition, “Matter & Form”.

Over the year, HOFA has continued to expand its share of voice in the digital art world. This past autumn it hosted the most valuable NFT gallery exhibition ever recorded; announced the release of its own mobile App; launched its own exclusive smart contract and NFT platform, HOFA.io, built on the Ethereum Network with sustainable ethics; and developed its own Swiss-based cryptocurrency, Artem, to facilitate trades on its platform.

HOFA.io is the first NFT marketplace owned and managed entirely by a leading international art gallery. The platform was developed exclusively for the sale of crypto-art and adopts a hybrid model that reduces its carbon footprint.

HOFA has already minted and auctioned its initial set of artworks on the platform.

The avant-garde House of Fine Art will undoubtedly be a key instrument in determining the artistic zeitgeist of the 2010s and 2020s. Artistic collectors and investors take note.

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A MASTERPIECE IN VERSILIA

by Manuela Schinaia Caravaggio's " San Giovanni Battista disteso", star of an exhibition in Camaiore, Tuscany.

The purpose of important cultural exhibitions has always been to attract as many people as possible, naturally to introduce the works on display to the widest possible audience, but sometimes, and mistakenly, curators tend to take the number of admissions as an indicator of its success.

This is perhaps one of the reasons why in culture is more often than not offered only in the high season in popular tourist spots. But now a few courageous curators are riding an opposite wave: that of attracting an attentive, refined or simply curious audience to visit an exhibition, with the ease of doing it in the tranquillity of the low season.

FO: Managing a territory that begins in hills full of history and reaches a sea that since the post-war years has become an international summer ‘must’ can’t be easy: how did this courageous initiative come about?

Alessandro Del Dotto: The summer just ended has been as difficult as it was satisfying for our municipality. Indeed, the administrative complexities that have characterized this difficult period for all of us didn’t diminish out desire to bring culture to the daily lives of our citizens and tourist visitors alike. We managed to put on quite a few events this season, ranging from the Gaber Festival to Camaiore d'Altri Tempi and on to È la via dell'arte.

So the arrival in our city of "Il San Giovanni Battista disteso"

by Michelangelo Merisi, is another reason to be proud and represents the continuation of what has always been our aim

as a Municipal administration: to enhance Camaiore through art, culture and knowledge, especially though events with elements of history and art linked with Camaiore. With this initiative we offer citizens and tourists to chance to admire a precious piece of art that not only belongs to the history of our country, but to the whole world. I sincerely thank everyone involved in making this event possible. " FO: Managing to present a Caravaggio is a great result!

Daniele Crippa: The Art Promoter Cultural Association has been organizing exhibitions in public spaces for decades, and over the years has presented works by important artists of great cultural depth. The opportunity to be the first in Italy to host a very rare painting by Caravaggio was an opportunity we couldn’t miss. Thanks to the support of art historian Francesco Moretti I was able to present the opportunity to the Mayor of Camaiore, which having one of the most fascinating Museums of Sacred Art in its territory, presented itself as the perfect place. The enthusiasm linked with the vision to involve the world of culture at a time when we all needed a sign of recovery certainly was a determining factor.

FO: Where did this painting come from? What can you tell us about it origins?

Daniele Crippa: The painting has long belonged to a Maltese collector who bought it from its last owner, an American Masonic lodge. The canvas was originally part of the Medici collections, and sailed from the port of Livorno

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to cross the ocean. Since then it has left Malta only for exhibition in a number of major Japanese galleries. It’s hard to convince a collector to part, even if temporarily, with such a masterpiece, but the name Versilia and the prestige of the Museum of Religious Art, so well-guarded for centuries by the Confraternity of the SS. Sacramento di S. Michele Arcangelo and S. Vincenzo Martire, were our secret weapons in this quest!

FO : Is it easy to attribute a work to such a famous artist?

Daniele Crippa: Absolutely not. There are two main theories as to the origin of this canvas, the first that it was painted in Malta/Messina in 1609, and the second that is was painted in Naples in 1610. I’m more convinced by the Maltese one, given that Antonio Martelli, Knight of Malta, was exiled in 1558 after falling out with the Medici, and appears to have helped Caravaggio during his escape from Malta and during his time in Messina. Between October and December 1609 he was also asked to bring the artist back to the island.

On the other hand, if the painting had been created in Naples, then it corresponds with the period when Michelangelo Merisi was a guest at the Villa di Chiaia with Costanza Colonna, and so would have been a gift from the Viceroy of Naples to the Duke of Urbino. If this is the case, it could even be an allegorical portrait of crown prince Federico.

Both theories make for fascinating stories, as was the entire life of Michelangelo Merisi.

FO: Has Professor Mina Gregori, the world's leading specialist on the artist, expressed her opinion on the authorship of San Giovannino?

Daniele Crippa: Obviously yes. She has confirmed it to be a genuine work by the hand of Caravaggio.

Her report also contains a detailed chronological history of the painting’s various changes of ownership, which first appears in the Medici archives in 1641. Above all, her report is backed by references from most of other academics specialized in the work of this iconic artist.

FO: We really felt the enchantment of the area of the Museum the work was exhibited in: how did the visitors react to it?

Daniele Crippa: There are many galleries and museums that already have their own charisma either because they’ve been designed by archistars (referring to contemporary galleries), or because history has endowed them with vast cultural experience. The architecture of the Museum of Sacred Art of Camaiore is already significant in itself, being an example of the classic stately architecture of a city with many ecclesiastic offices, but the Meeting Room of the Confraternity of San Michele Arcangelo, constructed around 1700 I think, is the best possible place to exhibit a masterpiece of this calibre.

When Professor Vittorio Sgarbi came to review the San Giovannino, he noticed that the bench where Caravaggio's work was located was surmounted by a tabernacle with a crucifix, almost embraced by two other crucifixes located on either side, in perfect dialogue the crucifix-staff the young Baptist is holding. We couldn’t have it done better!

FO: Getting back to the courageous idea to present an iconic masterpiece of world art in the low season. How did it go?

Daniele Crippa: The first "boost" came from Vittorio Sgarbi’s visit, who also commented on the fascinating sculpture by Matteo Civitali, scheduled for exhibition alongside a sculpture

by Vangi in the next important exhibition at Rovereto’s Mart, a major internationally art gallery. The Municipal administration’s decision to stage the exhibition in a low season was very intelligent I think, because it gave residents and local art lovers the chance to view the work in tranquillity, without to chaos of the crowds, as well as facilitating organized tours with visits to the opera, the city and all it has to offer. I think this wave of success will act as a magnet for Christmas tourism as well.

I love to remember an anecdote about Caravaggio, this artistic genius, prisoner of his own opinionated and quarrelsome character, who also possessed sensitivity in recognizing the value of others: when he arrived in Rome and saw the works of Michelangelo, he who was born Michelangelo Merisi, bowing humbly before the works of the great artist, declared that thereafter he would only be called by the name of his family’s birthplace: Caravaggio.

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I DREAM

OF ARGENTAIA

by Alice Gardner Maremma. It’s a landscape untouched. Equidistant from the great cities of Florence and Rome, this southern coastal strip of Tuscany is timeless. Ethereal. Houses rise from the rock as if born of the same lithosphere.

Turquoise skies blanket the perfumed verdant hills and red earth. The air is sweet with ancient zephyr.

It is amongst this rustic idyll that you’ll find Argentaia, whose name has echoed in the surrounding hills for over nine centuries.

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Under the golden patina of Mediterranean sun lay what were once the ruins of a 12th-century convent.

Dating back to an age between the collapse of the Western Roman Empire and the dawn of the Italian Renaissance, the foundations of Argentaia have stood proudly resolute.

With the crystal-clear direction of owner-turned-architect Paolo Vico, Argentaia has ascended triumphantly from the chronicles of local history; from convent to farm to lying in ruins, once more she has risen from the rubble and entered this next phase of her life.

Argentaia now offers high-end, eco-friendly hospitality to those luxury-seekers who don’t just wish for a relaxing break in the beautiful Tuscan hills. According to Vico, “it’s about time travel” for the culturally sophisticated. Indeed, every single crevice of this six-suite estate oozes the kind of charm reserved only for timeworn relics. Even the nuns would approve.

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Its sacred past now has a commanding present. Vico himself oversaw the works that took a little over nine years to complete, with conservation and restoration at its very heart. His fastidious and conscientious approach included moving 10 electricity pylons from the otherwise unspoilt panorama overlooking the Monte Argentario peninsula. Ancient texts were studied to conceive a modern interpretation of a Tuscan fortified farm, complete with its own hortus conclusus – a walled garden filled with aromatic lemon and pomegranate trees. And local craftsmen were instructed with techniques at least 300 years old to preserve the ineffable surroundings. Time is not lost here. It’s invested.

Argentaia is the perfect synthesis of ancient ruin and contemporary art, married together by Vico’s genius dreamlike vision. With all the charm of a glass of Orto delle Monache served in the estate’s wine cellar, this restoration is a meticulous revamp of what you expect a luxury break to be. Gone are the superfluous trappings of modern extravagant hotels. Here, expert artisans, local craftsmen and globally renowned artists – including Matteo Pugiliese, Matteo Luca, Pixel Pancho and Gustavo Aceves – unite with Vico’s foresight to create something that’s beyond luxury; every carefully selected stone, every handcrafted nail, every piece of artwork comes together to create the overall Argentaia experience.

49 THE SUITES

Design. Style. Comfort. The trifecta of relaxation.

Every one of the six suites are unique in their commitment to perfection.

From the locally-crafted scented candles to underfloor heating, attention to detail is rigorous.

All feature king-size beds, oversized bathrooms and private balconies overlooking the sweeping landscapes of vineyards and olive groves, where the view is not diminished after sunset; you can instead turn your eyes upwards to stargaze from the roof deck terrace.

The mixture of reclaimed wood, exposed stone and natural furnishings befit the overall ambience of this ancient environment

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FEATURED SUITE: IL MASTIO

Known as the Keep Tower, this suite befits two guests with 360-degree views and a 64sqm private roof deck with sunbeds.

On the lower level is a stunning white stone bathroom with a large handmade freestanding bathtub, opposed by an ancient stone fireplace and reclining sofa.

On the upper level, a magnificent double bedroom with king-size bed, high wooden ceilings, wide bifora windows overlooking Giglio Island and a further carved fireplace.

THE SURROUNDINGS

Surrounded by 80 hectares of vineyards, olive groves, pomegranate trees and grazing land, Argentaia’s estate is a tribute to her history - and named after the nearby sea of Argentario.

The estate is also home to horses, donkeys and poultry, while local wildlife sees roe deer, foxes, porcupines, hawks and owls roam land that dates back to the Etrsucans.

Not far from the estate you’ll find the medieval villages of Magliano, Talamone, Pereta, Capalbio and Pitigliano with stonewalled castles and hilltop towers.

AMENITIES

Punctuating Argentaia with a scent of modernity, the cutting-edge stainless steel kitchen provides the stage for the in-house chef Gianpiero Cesarini, who prepares his amazing traditional Italian and international cuisine from local produce - including some from the estate farm. It’s the promise of his food that draws in many of Argentaia’s guests year after year.

There’s also a large infinity pool that jets out into the horizon, formed of stone, iron and hand-painted tiles. There are wine tastings in the wine cellar, a fully equipped movie theatre, tennis court, gym, yoga room and games room. There’s also pet therapy with the estate’s farm animals and a spa with world-class treatments and facilities.

argentaia.com

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LABSOLUE: THE PERFUME LABORATORY

Every suite at Argentaia features a scent created specifically for it by the artisan noses at LabSolue.

Created by Vico’s wife - Ambra Martone - and her sister Giorgia, they have built upon their family’s historic cosmetics brand, established in 1945 by Vincenzo Martone.

Fragrances are inspired by Italy and its aromatics, founded on the principles of nostalgia and the emotions of essence.

Science meets love meets research in the creation of every sophisticated fragrance, reflected in the harmonic blending of the aromatics of nature with the art of perfume making.

PARTNERSHIP

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THE ARTISTS OF GREEN

by Olivia Rose World history is nothing but the partnership between Man and Nature: in this essential meeting Gruppo Giardini places its entrepreneurial challenge.

For over thirty years the company has worked with passion and expertise to ensure that that projects are devoted to the protection of the environment in which they are inserted.

Respect for the nature, aesthetic sensibility and technical skills are part of Gruppo Giardini DNA and its way of working, where nothing is left to chance.

Operating all over the world, the company gives life to "green scenarios", often very ambitious, accompanying their client step by step in the visualization and realization of his project.

They observe, listen and find the best solutions for intervention, often in different climatic conditions and with very complex operations.

Gruppo Giardini always looks at the future knowing that professional specialization and products quality play a decisive role in the development of high-profile projects.

So does the respect of deadlines...

The ability to encode the language of nature, joined to the sincere will to listen to the client, enables Gruppo Giardini to shape exciting environments through the harmony between shapes, colours and scents.

GG was born in Pistoia, in the heart of Tuscany: child of a region recognized as a synonymous with beauty and with the style that painters and poets have always wanted to immortalize.

Here Gruppo Giardini has its roots, becoming a witness and interpreter of Italian style in the world.

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Marseille "The Docks"

© PG Media

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Lucca "Villa Reale di Marlia"

The ability to decode the language of nature make it possible to create places that excite through the harmony between shapes, colours and scents.

Alessandro De Francesco CEO & Founder

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Tuscany "Private property Andrea Bocelli"

Moscow "Winter Garden"

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ONLY ONE.

COMTE DE MONTE CARLO.

by Alexandra Baaske The first ingredient of any great champagne is grapes, the second is the people. "We have both. And I am not saying that as a producer - but as a client.

My team and me are always the first customers, so we try to create a champagne that we would always want to drink. A champagne that has a delicious taste and that never gives you headaches. Each bottle gives you the pleasure of sharing unique bubbles with those who are your special few." - Philippe Melliard, President.

How many champagne brands were created by two families, by the marriage of two unique types of expertise?

Only one: Comte de Monte Carlo. How many champagne brands were created in Monaco? Only one: Comte de Monte-Carlo. How many champagne brands were launched by a passionate customer in his late sixties?

"To be honest, I don’t know. I believe that only one was born in Monaco and raised in Champagne: Comte de Monte-Carlo. " Comte de Monte-Carlo offers various champagnes with names that are evocative of the region: Riviera, Sainte Dévote, Carré d’Or and Noblesse Oblige.

The first ingredient of any great champagne is grapes, the second is the people. We have both.

Philippe Melliard President Champagne Comte de Monte-Carlo

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Comte de Monte-Carlo is the official Champagne of Monaco Yacht Show

La Riviera is a blend of Chardonnay, Pinot Noir and Meunier. It is aged for four years on lees and dosed with eight grams of liqueur. Golden yellow with aromas of brioche and apricot, gingerbread and cinnamon on the palette. “It is smooth, round, very pleasant for an aperitif and for any occasion,” explains Melliard. Grape variety: 40% Chardonnay, 30% Pinot Noir, 30% Pinot Meunier. It was bottled in March 2015, with four years on slats.

Le Sainte Dévote is a ‘Blanc de Blancs’, thus 100% Chardonnay. It has been aged for four years and dosed with 7.8 grams of liqueur. It is fresh, light, with notes of citrus and violet, lemon and vanilla.

“Le Carré d’Or is a low pressure ‘Blanc de Blancs’ Champagne, 100% Chardonnay. Aged for three years, the

Champagne was made using a second fermentation at below three bars of pressure. It’s delicate, pale in colour with lovely bubbles,” explains Philippe Meillard.

Champagne Noblesse Oblige is a blend of Pinot Noir and Chardonnay from 2010 and dosed with seven grams of traditional liqueur.

Noblesse Oblige is complex and refined, with notes of truffle and walnut oil, good as an aperitif. “It’s lively and complex which makes it an unforgettable experience.”

The Champagne house partners of Comte de Monte-Carlo all have the top HVE3 certification: High Environmental Value, which indicates a strong focus on biodiversity and low environmental impact.

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NO DIGITAL, PLEASE. UNIQUENESS IS THE REAL VALUE.

by Olivia Rose A letter, a notebook, a handwritten diary, a bespoke handcrafted box, are not whims for a few bored rich, but a primary need for those who are still able to watch without the need for a screen, to write without the need for a keyboard, and to dream, while remaining well anchored in reality. For Daniela Prina, handcrafted paper maker, wealth – both moral and material - is not an NFT. In Brussels, lives a woman, Sardinian by birth, who every morning goes to her studio, looks at the handwritten order register, puts on an apron, and begins to work, rigorously following a timeless ritual.

It starts with the preparation of the “size”, a mix of water and seaweed ("I recommend Irish Moss: the best!", she says) that is left to rest in a rectangular tank.

In the meantime, the paints are prepared and thinned, so that they will float on the “size”.

She then looks at her notes, perhaps taken a year earlier, related to that specific paper model, for that specific

customer, who always wants the same type of paper.

Every detail counts in this craft process: the room temperature, the humidity of the air, the percentage of Irish moss in the water...

Every day, Daniela Prina produces strictly handcrafted marbled paper. And, if you think of the old paper that is a bit sad and boring, well, you are wrong. With one-of-a-kind craftsmanship, this architectural and design historian (she can tell you, for example, how the papers were produced in the 18th century) has developed

an absolutely modern style.

By applying a centuries-old technique, perfected through in-depth study and experimentation, she designs products with a distinctly elegant and contemporary touch.

"Without any excess, however, because true luxury is not ostentatious" - she adds.

Therefore, Papiers Prina’s brand is not only a reference for museums, bookbinders and bibliophiles, but is a real cult address for those customers who understand the profound meaning of her work: high society, jewelers, interior designers, artists, collectors and decorated paper enthusiasts are in the private agenda of this special woman.

W: papiersprina.design IG: #papiers_prina E: info@papiersprina.design

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FOGLIZZO A STITCH IN TIME

by Alice Gardner For over 7,000 years, leather has been crafted into everything from clothing to furniture. Strong, flexible and durable, it has provided the perfect canvas for craftsmen to exhibit their talents in innovative and tangible ways. And for three generations, Foglizzo has been doing just that.

Connecting past, present and future, the unique qualities of leather have been celebrated in the fine craftsmanship of Foglizzo’s luxury goods. Driven by Italian tradition and generations of artisanal know-how, this year marks 100 years since the workshop’s founding.

Having started out by crafting leather for the restoration of vintage cars, Foglizzo’s luxury leathers can now be found across the yachting, aviation, automotive and interior design industries.

Perhaps most famed for their production of highly-customisable leathers for classic and luxury cars, Foglizzo’s premium automotive leather can be found in masterpieces from the iconic Ferrari GTC4 Lasso to the custom Sciàdipersia Carrozzeria Touring Superleggera. Always careful to maintain the integrity of the car’s design, Foglizzo are experts in matching colours from Clorofilla Ivory Beige to Holz Pumpkin Orange to the character of the brand.

While traditional methods remain at the heart of everything they do, Foglizzo have recently created their Atelier – an artisanal laboratory to find new and creative expressions for leather. From crafting intricate parchments to transforming exotic leathers into contemporary artworks, this is where art meets innovation meets tradition. And this is why their leather goods are sought after the world-over.

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Q&A WITH

MARCO FOGLIZZO

by Luca Marotta Meeting with Marco Foglizzo, CEO of the company, who represents, together with his brothers Paolo and Piero, the third generation at the head of the family business.

© Michele Siconolfi

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F.1.M.: How are you planning on celebrating 100 years of craftsmanship at Foglizzo?

M.F.: Unfortunately, the pandemic has pretty much ruined our plans for celebrations, from Rome to New York, London to Paris, Hong Kong to Singapore... But, this situation has forced us into thinking deeply about what our work really means. We had a long moment of introspection, to foresee the future of the company, to visualize the path we have to walk in the next 100 years.

F.1.M.: And what was the result of this analysis?

M.F.: We have decided upon the pillars on which we have to base our work. Tradition: because you have to follow your DNA; Technology: because new methods are modifying the way in which we work and go to market; and Sustainability: leather is one of the most ecological materials, and we aim to speed up the process and improve every aspect of our production.

F.1.M.: Talk to us a little about technology.

M.F.: Technology represents an historical pivotal point. The pandemic simply accelerated the change that was already happening. As an example, our products and textures can now be rendered in very high quality, giving the opportunity to architects and designers to show the materials in a super realistic layout. Now designers can start from a high quality rendering; they see the actual material at the end of the process, not at the beginning as they used to do.

This is possible because our clients operate at the highest level, so the quality of our products is not taken for granted. They know that the final result will be at the best. We are also looking at other innovative opportunities, such as becoming suppliers of "textures" for the videogame industry. We are helping create a process of "dematerialization" of the most "material" item that could exist!

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© Michele Siconolfi

© David Churchill

F.1.M.: And sustainability?

M.F.: People often ignore that leather is one of the most sustainable materials. All our leathers come directly from the meat industry. Sustainability is a culture, but it is also a science, and science often makes mistakes. I'll give you an example.

When analysts calculated that the CO2 emission necessary for leather produces 3% of CO2 emissions, their calculation was based on leather representing the 3% of the weight of a cow. But this is totally wrong: the animal would not be farmed just for the leather. The leather is a waste product!If we weren't using meat, we wouldn't have leather! By using the leather we're actually optimizing the CO2 emissions.

So, for the past year and a half we have been working on ways to achieve zero emissions within five years. And we are working on every single aspect of the production.

F.1.M.: Your approach seems rather unique in the luxury industry.

M.F.: On the contrary! We have a great advantage compared to the standard market. The world of luxury is dictated by those clients who do not look for a little reduction in price. They want exclusivity. This gives us the necessary leverage to experiment, test and innovate. This process is obviously expensive, but it eventually leads to positive results, also in the search for sustainable solutions.

For example, we are looking at ways to cut out the use of chrome and other metals from the dying of the leather. Instead, we are using a liquid that’s produced from the pressing of olives when producing oil. This material is not as cost-effective as when using the heavy metals used by the common industry, but because we are not constrained by having to produce goods cheaply, we can keep on working along this path and ultimately refine and increase the efficiency of this procedure. One day, it will become the ideal solution!

foglizzo.com

TELEIOS

LURATE CACCIVIO (CO) VIA VARESINA ,3, 22070 + 39 391 7672613

WWW.TELEIOS.TECH

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66 © Spor tinphoto Umbo

PORTRAIT OF A HIGH SPEED LIFE

SIMONE CUNATI

by Vicky Morris

Simone Cunati, the winner of the KZ2 2020 Karting World Championship and founder of Teleios, is one of those people that lives life to the full.

2020 was a good year for Simone Cunati, a 24-year-old professional driver from Senna Comasco, as he won the FIA title of World Champion in KZ2 Karting and founded his first company, Teleios.

2020 was a difficult year for most of us because of the European lockdown but Simone managed to transform his need to practice for the FIA Karting KZ2

World Championship into a company: Teleios. Simone developed a driving simulator that would enable him to train, despite all European-level track competitions being cancelled. This one-year journey of hard work ended with a double victory: the FIA world title and the birth of his rapidly growing business. The Como-based company was created with the technical skills of cofounder Leonardo Bernasconi.

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© Wafeproject

© Philippe Fitte

Simone's career in motorsports was not always straightforward. After a season in Formula 4 he got a call from Ferrari as the Scuderia di Maranello brought together the most promising talents for three days in Fiorano: "I was the fastest and held the track record in F4. The head of the Academy approached me and asked me to move forward to F3. But it required over a million euros. I didn’t have that money. In the last race of the championship, when I had a very good chance of winning, they suddenly told me that I would not race. I couldn't give up like this. In 2017, I came back and in 2019, I won the Italian flag, finished seventh in the European Championship and sixth in the World Championship.

In 2020, I finished second in the Italian ACI Karting Championship, second in the CIK FIA KZ2 European

Championship and, finally, I won the CIK FIA KZ2 World Title. With the creation of Teleios it was a double victory for me! " Today, Simone remains a presence in the paddock at all the important events in the karting world. He also enjoys coaching young Mini Kart talents such as Charles Le Clerc's cousin, Andrea Manni, and dedicated future professional tennis player Olga Dalinova.

She was lucky enough to have a very special day when she not only got to try the Teleios F1 simulator but also had personal coaching from Simone on the Karting track. Could her day get any better? Well yes! Olga received a personalised helmet decorated by Adrien Paviot, creator of helmets of Formula 1 superstars such as Charles Leclerc, Max Verstappen and Pierre Gasly.

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The Bentayga Hybrid outside the new Maybourne Riviera Hotel

HAVE YOUR CAKE AND EAT IT WITH THE BENTLEY BENTAYGA HYBRID.

by Richard McCreery Bentley was once famously accused of building the world’s fastest trucks, by Ettore Bugatti of all people who, at times, was also a manufacturer of large and fast cars like the 6.4 metre, 12.7 litre Bugatti Royale. That seems rather unfair.

Bentleys may be large (the Bentayga SUV is over 5 metres long and 1.7 metres high), but that is where the resemblance ends. Ask any truck driver! Or almost, because Bentley does indeed produce the world’s fastest SUV - the Bentley Bentayga Speed which has a declared top speed of 306 km/hr. However, this is not that car. This is something far more impressive.

The Bentayga Hybrid is not really about going fast.

Of course, it is hardly slow, making the sprint to 100 km/hr in 5.5 seconds and topping out at 254 km/ hr, which is faster than Maserati’s Levante Hybrid SUV, but the essence of this car is less about speed than it is about being smooth. You don’t buy this car because you need to go places as quickly as possible

but because you have other more demanding travel requirements. In fact, the addition of a plug-in electric motor means the hybrid model brings a whole new dimension to Bentley ownership.

The car’s party trick becomes apparent right from the off, when it starts by default in full electric mode and you begin to glide forward without a single sound.

It at once feels eery and at the same time perfectly suited to such a cossetting luxury vehicle. Whilst I couldn’t hear the ticking of the clock, as an old Rolls Royce advert once used to claim, it is certainly quiet enough to hear the sound of your own breathing.

The muted growl of the 3.0 litre V6 turbo engine only breaks the silence when it cuts in automatically, and

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very smoothly, as you gather speed. Even with the motor up and running, you are still moving forward in a bubble of tranquillity when compared to most cars.

It still feels as though you are in a standard petrolengined Bentley.

The Hybrid may have 449 bhp but it doesn’t have the urgency of some sportier SUVs, which might have something to do with its extra weight: 230 kgs more than the V8 version of the Bentayga, thanks to that extra battery, and finally tipping the scales at a hefty 2,645 kgs.

The Bentayaga Hybrid corners relatively well for a car of this size, and it doesn’t feel quite as large as it looks when an average size human stands next to it, but you soon realise it is a very different beast from the sportier SUV models produced by other luxury manufacturer.

Perhaps ironically, the Bentayga Hybrid is at its best at low speeds. The ability to travel 40 kilometres on electric power alone means it is perfect for swooshing around town, which is probably where most SUVs spend the greater part of their life, and it also means you can feel less guilty about adding to the exhaust fumes at pavement level, because there aren’t any (it produces 82 g/km CO2 overall, and 0 g/km CO2 in full electric mode). The benefits of this model become even more apparent when you remember that you still have a petrol engine should you need it for that trip up to a ski resort or a day out in Portofino. Range anxiety is never a problem.

The interior is beautiful, such a lovely place to spend time that you won’t want to get out. You have to make a conscious effort to only glance briefly at the spectacular hi-tech displays whilst driving (including head-up) and they blend harmoniously with the sumptuous leather and aluminium interior. The First Edition car that I was driving has secondary leather hide that is called Porpoise, although this refers to the dark grey colour rather than the source.

Bentley claims that they use animal hides handpicked from animals that live high up in the mountains, which are “naturally free of the insect bites that could otherwise leave blemishes in the leather”. Modern car interiors are not renowned for being covered in insect bites but it highlights the attention to detail which is evident in the way the car is finished, with the care of a piece of jewellery rather than a simple object for transporting us from A to B. The Bentayga Hybrid starts at the same price as the V8 model so it really is a choice between all-petrol performance and dual-power practicality. For many people, it will seem like a no-brainer.

This Hybrid Bentley may not quite live up to the reputation as the fastest truck in the world, but it could be one of the most appealing, to buyers of luxury SUVs. With the combination of opulence and speed, electric and combustion power, it allows owners to enjoy the best of all worlds. As the British like to say, it allows them to have their cake and eat it.

Clothing, accessories, and sports gear GIORGIO ARMANI

HAPPY SNOW photographer stefano facca

Fluo leopard print coated satin quilted jackets, underwear, fluo leopard print quilted nylon boots DOLCE&GABBANA

Patent leather hat BORSALINO

Left: Maxi duvet jacket, bijoux, belt, gloves and derby Right: Faux fur sweatshirt, trousers and slides, bijoux DOLCE&GABBANA

Pink satin and Marabout coat STEPHAN JANSON Camouflage printed organza dress DAVII Leaf pendant gold ADAIS Leather derbies PRADA Rare desk and chair C12 (on the wallpaper) Vase Metabowl#2 by Audrey Large - The Netherlands, 2019

Total look JUUN.J

Green / purple patchwork Mongolian fur coat Short jacket with asymmetrical zip Black techno cady trousers Mary Jane moccasin in black naplack EMPORIO ARMANI Brooch DEMALDÈ Ring SHARRA PAGANO

Total looks ALEXANDER MCQUEEN

Tridente armchair / P9 by Estúdio de Arte Palma - Brazil, 1948 Jacarandà wood, fabric upholstery by Janet Yonati Low table by Estúdio de Arte Palma - Brazil, 1949‐1951 ca.

Bla Bardmattan carpet - Sweden, 1942

Bombers TANADORI YOKOO ISSEY MIYAKE Trousers, HOMME PLISSÉ ISSEY MIYAKE Black and green flat cap BORSALINO Orange cap PHILOSOPHY DI LORENZO SERAFINI Socks GALLO Sneakers STW THE VERTICAL LINE

All the girls: clothes, berets, ruffs, bags with gold chain and black boots PHILOSOPHY DI LORENZO SERAFINI Justyna is wearing Viv’ choc bag in silver leather and Viv' Go-Thick loafers in patent leather with metal buckle ROGER VIVIER Socks GALLO

Clothing and accessories FENDI

Clothing and accessories FERRARI

Clothing VALENTINO accessories VALENTINO GARAVANI

Pink satin and Marabout coat STEPHAN JANSON Camouflage printed organza dress DAVII Leaf pendant gold ADAIS Leather derbies PRADA Rare desk and chair C12 (on the wallpaper) Vase Metabowl#2 by Audrey Large - The Netherlands, 2019

Clothing and accessories MIU MIU

Green / purple patchwork Mongolian fur coat Short jacket with asymmetrical zip Black techno cady trousers Mary Jane moccasin in black naplack EMPORIO ARMANI Brooch DEMALDÈ Ring SHARRA PAGANO Tridente armchair / P9 by Estúdio de Arte Palma - Brazil, 1948 Jacarandà wood, fabric upholstery by Janet Yonati Low table by Estúdio de Arte Palma - Brazil, 1949‐1951 ca.

Bla Bardmattan carpet - Sweden, 1942

Clothing and accessories, Aria Collection GUCCI

Camouflage clothing, gloves and hat STONE ISLAND Balaclava INVERNI, Backpack and bags AU DÉPART PARIS Sunglasses AETHER EYEWEAR

Green / purple patchwork Mongolian fur coat Short jacket with asymmetrical zip Black techno cady trousers Mary Jane moccasin in black naplack EMPORIO ARMANI Brooch DEMALDÈ Ring SHARRA PAGANO Tridente armchair / P9 by Estúdio de Arte Palma - Brazil, 1948 Jacarandà wood, fabric upholstery by Janet Yonati Low table by Estúdio de Arte Palma - Brazil, 1949‐1951 ca.

Bla Bardmattan carpet - Sweden, 1942

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Clothing and accessories 3 MONCLER GRENOBLE Adam: boots MOON BOOT Aleksandra: mask MYKITA boots HUNTER

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Left to right Aleksandra: down jacket K-WAY, sweater R&D K-WAY, latex stirrup pants AMINA MUADDI X WOLFORD, bag HIBOURAMA, boots KALLISTÉ Naya: army cape JET SET, quilted mini dress JIJIL, jacky belt SALAR, thermos 24BOTTLES, boots HUNTER Justyna: fringed dress ALESSANDRO VIGILANTE, vinyl boots GIUSEPPE ZANOTTI All girls TOM FORD EYEWEAR Svend: down jacket and waterproof backpack PEOPLE OF SHIBUYA, t-shirt FRED PERRY X RAF SIMONS, trousers FRED PERRY

Clothing and Accessories EA7 EMPORIO ARMANI

Photographer Stefano Facca Fashion Editor Alberto Corrado - Stylist Fabio Pravato

Photographer Assistant Leonardo Galeotti - Stylist Assistant Ella Perrotta, Francesca Piana, Lina Iuliano, Gianni Oliva

Models Svend T, Aleksandra K, Marco M, Justyna Szwejk, Naya@fashionmodel.it Ibere Nakamura @ww_mgmt, Mouhamadou Gueye @independent_mgmt, Adam Loebbert @urbnmilan Make up Chiara Cima @theagencyaldocoppola - Hair Stefano Rolandi Production Force One Monte Carlo - Special Thanks Bea Group Milan

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CLASSIC FRED PERRY Merino wool crewneck sweater with Laurel Wreath logo on the sleeve.

fredperry.com

BURBERRY The pre-collection 2022 plays on the concept of duality, the ever-present reference where freedom, quality and tailoring are masters.

burberry.com

HERMES The play of lines and colours in the Vèronique Nichain collection is like an invitation to bask in the energy of a return to optimism, with nonchalance and elegance as the guiding stars.

CITIZEN

hermes.com

Promaster Diver Automatic NY0140-80E Stainless steel 44 mm case, sapphire glass, water resistant to 200m

citizenwatch.com

HERNO Presents 6 new projects for the Herno Globe collection, the brand's container for eco-sustainable production processes: two for recycled nylon and four for recycled wool.

herno.com

HIM

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SPORT

1017 ALYX 9SM

Matthew Williams, the brand’s founder and creative director, conceived this project with a metropolitan attitude.

Practical duvet jackets, parkas, sleeveless jackets and coats designed for comfort.

alyxstudio.com

RICHARD MILLE RM 35-03 Automatic Rafael Nadal with Butterfly Rotor Skeletonised automatic-winding movement with hours, minutes, seconds, patented butterfly rotor, sport mode and function selector.

Case dimensions: 43.15 x 49.95 x 13.15 mm Available in two models: • In white Quartz TPT® and Carbon TPT® with the caseband in Carbon TPT® • In blue Quartz TPT® with the caseband in white Quartz TPT®

richardmille.com

ALEX DE PASE Iconic runners in black calfskin and white mesh with two-tone scoubidou in yellow and orange leather. Alex de Pase signature chrome piercing on the tongue; K-Diamond runner sole in white 3D rubber; red/black spoiler, black tread; Kiss tattoo. Made in Italy.

alexdepase.eu

SACAI Since the debut of her Tokyo-based brand Sacai, Chitose Abe has always bought ingenuity to her pattern-making, splicing garments into hybrids co-opted as emblems of cool across the market.

sacai.jp

ISABEL MARANT Haleyh hat, Mantsyh coat, Rayal shirt, Zafferh tee-shirt, Niounik trousers, Alseeh shoes.

isabelmarant.com

HER

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CLASSIC

LONGCHAMP Creative director of the Maison, Sophie Delafontaine, plays with the female form that’s the meeting point of dynamism and design, keeping the deepest of artisan traditions intact to reinvent a wardrobe’s "must have".

longchamp.com

GIANNICO Victoria boot in rust python.

Completed with a leather lining and a covered 9 cm heel. Made in Italy.

EBEL The new Discovery Lady is perfectly in synch with today's feminine spirit.

Go sleek and understated with the classic variation, or shine bright with this 69 diamond-set bezel version.

giannicoofficial.com

ebel.com

16ARLINGTON This young brand features light, voluptuous fabrics, delicate feathers and minimal decorations. A collection designed to embrace the curves and enhance the qualities, hiding the faults that each of us has, regardless of size.

16arlington.co.uk

TAGLIATORE 0205 Through the women’s collection, Pino Lerario, creative director of Tagliatore 0205, narrates and consolidates the dialogue between male and female, always at the heart of the brand's DNA.

tagliatore.com

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SPORT

DES PHEMMES An effortless and contemporary look that transcends the seasons to promote an intellectual, timeless aesthetic. A constant search for fabrics, colours and couture in proportions and details

instagram.com/desphemmes

CELINE Medium Ava bag with Celine strap in Quilted Nylon Khaki.

celine.com

FURLA Villa is a practical and functional mini cross-body.

In Milos calfskin, it features an adjustable leather shoulder strap.

furla.com

HUBLOT Classic Fusion Takashi Murakami Sapphire Rainbow.

Hublot and Takashi Murakami unveil the second timepiece of their collaboration. Limited edition of 100 pieces

hublot.com

RENE CAOVILLA Cleo combat leather ankle boots, the perfect compromise between urban style and sparkle.

The iconic spiral and snake head add the finishing touch to these classic bikers, for a slender look

renecaovilla.com

SAVE THE DUCK With the winter upon us, the time has come to finally give way to the warmest garments: 100% animal-free and cruelty-free duvets, nice and simple.

savetheduck.it

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FENTY BEAUTY DIAMOND BOMB TRIPLE DRIP ALL-OVER DIAMOND VEIL PALETTE A palette for immersing yourself in the 3 most popular Gloss Bomb nude shades, reinvented in brilliant finish version, for all skin tones. The texture is in the form of a fresh, gelatinous powder that melds instantly with the skin.

fentybeauty.com / sephora.it

ICONA MILANO MAKE-UP Glamor LipCare is like a balm, covering the lips with a light, uniform, elegant film. Based on spheres of hyaluronic acid, it gives volume and elasticity, with a touch of mint extract for freshness.

iconamakeup.com

CHRISTIAN LOUBOUTIN Ispirate al sole splendente del deserto, le tre nuove Eau de Parfum Intense di Christian Louboutin sono racchiuse in bottiglie di vetro bordeaux scuro abbinate a tappi in arancione-oro per creare un look sofisticato.

La collezione offre tre diverse fragranze unisex: Loubicharme, Loubiluna, Loubprince.

christianlouboutin.com

SALLY HANSEN Shine On Collection, for a holiday manicure with full colour and maximum brilliance for up to 14 days. This best-selling Miracle Gel nail polish gives gel-effect nails without needing a UV lamp. In Snow Flake & Glitter Glam - Diamond Shine, and Party Star versions.

sallyhansen.com

KYLIE COSMETICS 24K BIRTHDAY COLLECTION HIGHLIGHTER A vegan, cruelty-free formula, illuminating, silky and easy to blend, for an intense gold glow effect.

Available in limited edition exclusively in the shade Good as Gold.

VERA WANG A feminine amber-floral fragrance, Princess was created by Ilias Ermenidis and Harry Fremont.

For the head: Water lily, Apricot, Apple and Mandarin; For the heart: Chocolate, Guava, Tiare and Tuberose; The base notes are Vanilla, Amber and Woody. verawang.com

kyliecosmetics.com / douglas.it

CONFIDENCE BOOSTERS 93 FROM THE WORLD OF BEAUTY NUXE REVE DE MIEL CREMA MANI To give relief to dry hands, Nuxe offers a cream with a repairing formula made with honey and precious vegetable oils. Its velvety texture nourishes the hands right up to the tips of the nails.

nuxe.com

BEAUTY THINKERS An Italian cosmetic start-up with winning ingredient is hydroxytyrosol, an antioxidant obtained from the pressing of olives from century-old trees rendered bioavailable in a formula created in collaboration with the University of Ferrara.

beautythinkers.com

DAVID BECKHAM BOLD INSTINCT

L. RAPHAEL L.RAPHAEL, the Science of Beauty & Wellbeing Clinic and luxury skincare brand, announces the grand opening in November of its state-of-the-art Men's Club Clinic at its flagship location in Geneva. Here we present the iconic Balancing Geranium Oil.

This sensuous, passionate perfume certainly doesn’t leave you indifferent. Top notes are peat, pineapple and bay leaf; middle notes cinnamon, cardamom and nutmeg; the base notes of ambergris, musk and patchouli.

beckham-fragrances.com

l-raphael.com

SOMATOLINE COSMETIC LIFT EFFECT 4D CREMA FILLER ANTIRUGHE Double action anti-wrinkle treatment: immediate filler effect and acts on the 4 dimensions of wrinkles (Width – Depth – Quantity – Dryness) after just 4 weeks. The texture is embracing

somatoline.com

CARTA AROMATICA D’ERITREA The preparation of the traditional formula has been faithfully preserved.

Musks, resins and essential oils are the natural ingredients of this inimitable Officinal Purification Paper, now accompanied by an extraordinary line of products for purifying and perfuming environments. cartaeritrea.it

REAL ESTATE

PANORAMIC VIEW 5-ROOM APARTMENT SOLE AGENT

In an exclusive building with park and swimming pool, this beautiful 5-room apartment boasts a spacious terrace with views over the sea and the Principality. It offers generous volumes and comprises a living-room and a dining room both leading to the terrace, an equipped kitchen, 2 spacious bedrooms, 2 bathrooms, and a study, numerous storage spaces, a guest toilet.

The property is sold with one cellar and one parking lot.

Price : 9,450,000 €

LE K2 PALACE COURCHEVEL

LE K2 ALTITUDE COURCHEVEL

TWO DESTINATIONS DISCOVER OUR LUXURY HOTELS & SPA IN COURCHEVEL & VAL D’ISÈRE

LE K2 CHOGORI VAL D’ISÈRE

LE K2 DJOLA COURCHEVEL

FOUR LUXURY HOTELS WELCOME TO YOUR RESORTS AT LE K2 COLLECTIONS

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oetkercollection.com

GOURMETS

ON THE SLOPES! Michelin star Chef Jean-Luc Lefrançois takes his cuisine to heights!

Always on the lookout for something new and with an irrepressible desire to create a truly unforgettable experience for his clients and confirm the special bond he has with them, for the coming winter season the chef of l'Apogée Courchevel, has decided to offer guests the opportunity - to put it in his own words “to share a beautiful moment in the spirit of exchange and conviviality”.

In keeping with the philosophy of the Oetker Group (which has just opened a new establishment in Geneva and is preparing to inaugurate another in Capri next April), the chef, a great sportsman and mountain lover, proposes a truly unusual day out, starting in the morning skiing together in the spectacular mountains surrounding the slopes of Courchevel, then stopping somewhere a bit ‘off the beaten track’ to enjoy a "gourmand" picnic, immersed in nature.

"I’m a lover of travel and the mountains", says Jean-Luc Lefrançois, "and I love sports: trail running, high altitude running, uphill skiing... As well as being designed for my customers, the idea of offering them the chance to share this aspect of my ‘universe’ and bring my passion for the mountains and for cooking together is also a very important moment for me personally.

For example, while I’m sitting on a chairlift I get the chance to chat with my guests, to get to know them and create a bond. That gives me a lot of positive energy.

So much so that when I get back to the Apogée my colleagues are amazed because not only I am not tired, but totally invigorated and ready to get up and go! " Being the chef of two realities as different as the Chateau Saint Martin and the Apogée gives me the chance to get out of my kitchen and move between these two universes, to meet customers from different places and cultures.

I love travel and I’m fascinated by discoveries and encounters.

Travelling makes me feel like a sort of an ambassador of our values and culture. For me it is important to find the same customers in the two hotels because it allows me to create strong ties with them, which go both ways, That’s fundamental for me.

For example, one particular episode that struck me happened at a pastry workshop held by our pastry chef at Château St Martin. A customer was invited to visit the kitchens and after our initial greetings he recognized me.

In effect we’d met years before in the Caribbean, on the beach and got on extremely well. Then suddenly there he is in my kitchen! It was unbelievable! " "Last year the Apogée wasn’t able to open, so I can’t wait to get back to Courchevel and launch the 2021 - 2022 season: I consider myself a man of many passions and my philosophy is: life is wonderful and exceptional and must be lived to the full!"

PRESTIGE ON THE SLOPES

Chalet Gentianes

Chalet Edelweiss

Chalet Razzie

The ultimate in comfort

Europe’s most luxurious private Chalet

Opulence on the slopes

For more informations or for a reservation :

Tel. : + 33 (0) 6 62 99 80 29 / E-mail : info@courchevelprestigechalets.com / www.courchevelprestigechalets.com

floconsdesel.com

© Fresh Influence

© Francis Hammond

© Anne-Emmanuelle Thion

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FLOCONS

DE SEL The heights of Megève are majestic and you can really lose yourself in the surroundings, while looking for the perfect place of respite. With the blue glaciers of the Mont Blanc Massif and the mountain pasture farmhouse staring you in the face, you are lost in the clouds. Your eyes halt on a resplendent establishment opened by Kristine and Emmanuel Renaut fourteen years ago, and eureka, you know you have found it..

The spacious 5-star Flocons de Sel, equipped with modern conveniences, boasts all the charm of high-altitude chalets, and is the ideal destination for mountain enthusiasts accustomed to elegant surroundings and a friendly atmosphere. The hotel’s 6 rooms, 2 privates chalets, 2 Suites, and 2 luxury apartments, are all decorated in a refined and sober style, and you quickly acquiesce to being at home.

Emmanuel Renaut, holder of the prestigious "Meilleur Ouvrier de France" (winner of a second Michelin Star in 2008), created the Flocons de Sel gastronomic restaurant and the Flocons Village Bistro, at the village center. In February 2012, Emmanuel Renaut was consecrated with a third Michelin star!

You should really plan to stay over several days in order to enjoy the exquisite cuisine. Try spending a week in a private chalet, or a one night in a top-of-the-range apartment to soak in the atmosphere; or simply drop in for a relaxing massage.

Either way, you are sure to appreciate the perfect combination of luxury and space of the Flocons de Sel.

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SIBUET

maisonsethotels-sibuet.com

MEGÈVE PASSION

by Vicky McCreery

For over 30 years the Sibuet family has been offering special moments, serving guests in cosy and authentic settings, making sure that everyone who enters their hotels, properties, villas and chalets, come away with an unforgettable memory.

In 1981, Jocelyne and Jean-Louis Sibuet boldly ventured into a small hotel in Megève which they transformed with their own style. It was in 1989 that they took the first step of an epic journey at the Fermes de Marie, which today is an emblematic place celebrating the art of living in the mountains. They then performed their magic once again on the Hotel Mont-Blanc in 1994. Two years later, Sibuet took over Lodge Park, which very quickly became the chic and trendy trapper haunt of Megève. Sibuet has completed its compelling offer with the Chalets des Fermes collection of chalets, 3 spas and l’Epicerie des Fermes, a delightful delicatessen filled with delicious treats.

FERMES DE MARIE Skiing holidays are all about those special moments you get to share with your family, and Les Fermes de Marie is decidedly a kids-friendly hotel. Not surprising when you consider that Sibuet is very much a family business…

© L.Di Orio

The mountains have a magical power that contributes to children’s development, enriching their imagination, teaching them about taste, enchanting their senses. With the Hameau des Enfants (the Children’s Hamlet) Les Fermes de Marie has invented an entire offering dedicated to bringing wonder to children. Each week, a Kid’s Concierge puts together a programme of fun activities especially for them: a cookery workshop with mini stoves to learn how to cook, a circus workshop followed by a show, sledge races, snowball fights, white angel treasure hunts, costume design, building an igloo ... there’s always a new activity to try. Play areas here are age appropriate to ensure everybody has fun and there is a dining room with its own private chef and Children’s Table.

There are so many thoughtful touches that make life for the young ones (and their parents) extra special, providing many moments they can all enjoy on their own and as a family.

> fermesdemarie.com

HOTEL MONT-BLANC

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© L. DI Orio

© David André

LODGE PARK

> hotelmontblanc.com

© L Design

This new décor, adorned exclusively in a monochrome white, resonates perfectly with the name of the hotel. There are numerous handcrafted pieces from the 50s and 60s, such as the sofas by Guillerme et Chambon and a fabulous collection of ceramics by Vallauris. This is a good start for the winter season, but what about the rest of the hotel?

After a wonderful day’s skiing you’ll be ready for a gourmet afternoon tea in the hotel’s ultra-cosy lounges. A brand new irresistible hot chocolate menu accompanies sweet treats and it is hard to resist a hot chocolate topped with whipped cream or an After Eight. Don’t miss the hotel’s signature patisserie: the Mont-Blanc and its delicious sweet chestnut spread.

From 6pm, the hushed atmosphere of the Mont Blanc bar takes on a jazzy feel! A cosy place to stop by early evening to sample the finest vintage champagnes, followed by dinner at Les Enfants Terribles and its new bistro snack menu straight from L’Épicerie des Fermes.

© David Andre

The legendary Megève address that is synonymous with elegant extravagance has recently given its lounges and guest rooms a makeover, instilling a modern and timeless atmosphere through a blend of fine ceramics, arts and crafts, and 1950s and ‘60s furnishings.

The result? Chic and maybe even iconic.

A visit to Lodge Park feels like a journey to the ends of the earth, but once you are there, you’ll enjoy this trendy, elegant haven that wonderfully captures the feel of a chic, Nordic mountain refuge.

Lodge Park is an elegant lodge with a stylish mix of the Far North, the African Savannah and a Scottish manor house, featuring trapper snowshoes, antelope horn chandeliers, colourful ethnic fabrics, antler armchairs and sequoia trunk tables.

What better place to enjoy a delicious Christmas brunch? Lodge Park’s festive Sunday brunch is famous for its cosy atmosphere and open fire, hot chocolate with marshmallows and spiced tea. The Christmas theme continues with the food: truffled scrambled eggs, pâté en croûte and cranberry jam, pannetone, and golden waffles with maple syrup adorn the gigantic buffet. > lodgepark.com

LE CHALET DES FERMES This year Les Chalets des Fermes boasts a brand-new chalet: Le Chalet du Skieur, an exceptional retreat at the heart of Les Fermes de Marie, a two-minute walk from the centre of the village.

The ultimate in luxury…

Opening in December 2021, Le Chalet du Skieur is a fitting name for this authentic chalet built in 1939 with its wood façade and red and white shutters.

The 120m2 property offers 3 bedrooms, a kids area reached with a ladder, a wellness area with a sauna, and a wonderful living room for family time. Whether snuggled up on a cosy sofa in front of the fireplace or out on the terrace taking in the breathtaking views, it will feel like a home away from home.

> chaletsdesfermes.com

L'ÉPICERIE DES FERMES Since its creation last winter, L’Épicerie des Fermes delicatessen has become one of Megève’s Institutions, thanks to its range of over 1,000 different niche products - local, artisan and world cuisine.

Lovingly homemade meals are available to take away or can be delivered. They include pâté en croûte and terrines, mini macaroni with truffles, veal blanquette, foie gras and home-smoked salmon, Savoyard cheese fondue, soups, ice creams, cakes.... as well as delicious picnics available to take away, such as rustic bread sandwiches, carefully selected cured meats and cheeses, lentil and serac cheese salad, as well as a strawberry cake to die for!

© Franck Pa

ubel

The wine and spirits list is just as appetising with over 400 products, including rare wines. These include those produced by the Sibuet family at the Domaine de Marie in Ménerbes, as well as some fantastic spirits and even mini bottles of génépi.

> epiceriedesfermes.com

PURE ALTITUDE The story of Pure Altitude begins in the restful world of the spa at the Fermes de Marie in Megeve, the original spa that is the perfect embodiment of the Pure Altitude philosophy.

105 © Sebastien Mo

ntaz

Created by Jocelyne Sibuet, this inhouse brand exploits the benefits of mountain plants and minerals. Enjoy 13 treatment rooms decorated with a nature theme, an indoor pool, indoor and outdoor jacuzzis, saunas and a Japanese soaking tub.

NORDIC CHIC © MPM

Discover a Nordic world of fine natural raw materials at the Lodge Park Spa, where you have everything you need to prepare you for the mountain peaks and end a day out skiing on a relaxing note.

ICY BEAUTY The Hôtel Mont-Blanc Spa is inspired by ice floes, it takes on the role of a glacier and plays freely with cold and hot contrasts.

It’s just like being in a winter wonderland!

In homage to the legendary peak after which the hotel is named, you’ll find changing rooms in the style of a chic igloo, snowball-shaped lamps and walls covered in snow crystals: a stylish white realm that plunges us, when not in the indoor pool which looks out onto the snow, into deep relaxation.

© L. Di Orio

For those who are explorers at heart, the Lodge Park spa nurtures a wood-inspired ambience, ideal for taking some time to relax, whether it’s one of the treatments, such as the famous “Skier’s Secret” sports massage, or experiencing the Nordic spa spirit. For example, the indoor pool resembles a large natural well, nestling deep in the woods, whilst the jacuzzi bubbles like a hot spring. The sauna and steam room are calming refuges bathed in hints of cinnamon and golden honey from the Canadian cedar.

© Alex Stephen Teuscher

zannierhotels.com/lechalet

ZANNIER HOTELS

LE CHALET Expressing the same purity and simplicity as the pristine white peaks of the Mont Blanc mountain range, three-alpine chalets include 12 exceptionally large suites, gourmet restaurant and wellness spa, perched above the breathtaking setting of Megève. Wintertime pursuits for beginners, the more adventurous or families are tailored by a dedicated ski concierge.

Leonardo Da Vinci’s quote “Simplicity is the ultimate sophistication” perfectly sums up Zannier Hotels Le Chalet, with its simple yet luxurious décor, authentic and convivial atmosphere and dedicated staff.

Celebrating its tenth anniversary this season, restaurant La Ferme de Mon Père will certainly be one of the highlights of your stay. The new-look restaurant will shake up your expectations of a traditional alpine restaurant with healthier sharing dishes that put vegetables centre stage, served in the relaxed and buzzy backdrop of the chic bistro. Executed with elegance and flair, the vibrant spread of dishes draws on a range of globally inspired influences. They have been designed to embrace the spirit of sharing. Veggie bites and dishes can be enjoyed at the bar or with a group of friends at a table. Meat, fish and poultry haven’t been totally forgotten, with attention paid to the sourcing of produce. To finish, pretty-as-a-picture

desserts including the famous a-la-minute waffles will be on offer.

After a tiring day on the slopes, from 4pm to 6 pm you can enjoy afternoon tea with fresh pastries served by the fireplace. It’s the perfect way to end a day of skiing and to begin a relaxing night.

To finish the day off you can return to your cosy room or suite, with its minimalist design and breathtaking views over the village, for a well-deserved rest.

Why not try the well-being break which includes a 45-minute body massage and access to the relaxation area and pool, as well as a lunch, afternoon tea or aperitif? To make the most of your break, take advantage of our luxury car to tour the village - Zannier Hotels Le Chalet is the only hotel in Megève to offer this service!

Crédits photos : PCST Caroline Morandi

POLO RES OR T & COUNTRY CLUB

LUXURY RESORT SPORT & LIFESTYLE M E M B E R S C LU B

Private domain of 100 ha secure 5 mins from St.Tropez

Exclusive Private Membership

High-end infrastructures

Sports Center for high-level physical training

Helipads 20 mins from Monaco 15 mins from Nice Airport

Become a member, contact at +33 (0)6 72 23 44 97 or by mail: operations@polo-st-tropez.com Polo Resort & Country Club, 1999 Route du Bourrian 83580 Gassin

monacoyachtshow.com

108 Clients have turned to yachting to escape the gloomy context that the pandemic has brought about and the frustration of having their freedom restricted.

Therefore, 2021 has been a win-win for everyone involved in yachting.

Gaëlle Tallarida General Director of the Monaco Yacht Show

TRIOMPHE!

by Andrea Dini After two long years, the Monaco Yacht Show returned with gusto.

MYS 2021 rose up to the industry-wide challenge set forth a few months ago by expectant exhibitors and visitors, building the show around the visitor experience and that – in particular – of future yacht buyers.

While 300 exhibitors and a maximum of 90 yachts had originally been announced, these numbers increased to an impressive 440 exhibitors and 101 superyachts on the day, half of which were launched in 2020 and 2021. Combined, these yachts saw an estimated total of €3.6 billion moored in and around Port Hercule; this included 37 new launches and 14 superyachts measuring over 70m in length.

Even though the return of MYS was highly celebrated within the industry, visitor numbers were purposefully reduced to ensure health regulations were met. This allowed organisers to also focus on specific profiles and facilitate those all important connections between exhibitors and (potential) clientele.

The show was split into clear-cut themed exhibition areas, aimed at improving the visitor experience. Day 1 of the show – invite only – was targeted at yacht owners and future buyers and charterers. 300 special guests were able to enjoy exclusive access to the yachts, tenders, designers, brokers and shipyards represented at the show, as well as meet with other exhibitors within the comfortable setting of air-conditioned tents set up on Quai Antoine 1er.

Early reports from the exhibiting yacht builders and brokers suggest that this exclusive approach saw their visiting schedules full from the very start of the event with clients who had serious intent to buy. This trend certainly fits in with the current rise in yacht sales.

"The 2021 edition of the Monaco Yacht Show was the first opportunity to see the results of a change in approach to the show, by placing the focus firmly on the customers of the industry rather than the business activities within it. The result was a more relaxed atmosphere, and with no overcrowding of the quays the experience for those customers was much more in line with the superyacht experience itself. " - Theo Hooning, Secretary General of SYBAss.

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Returning too this year was the 5th edition of the Monaco Yacht Summit, welcoming 60 owners, charters and future buyers (or their representatives). Before visiting the show the following day, participants had the opportunity to talk with various speakers, designers, brokers and builders, gleaning essential information in order to safely embark on their yacht construction, chartering or purchasing projects.

Among the new additions to this year’s show was the Yacht Design & Innovation Hub. This offered visitors a better understanding of a custom yacht’s construction process and a look into the future of superyacht design, thanks to lectures by designers Espen Øino, Luiz De Basto Designs, Sam Sorgiovanni, Sinot Yacht Architecture and Design and Winch Design. This interactive space also allowed attending designers to present their work, giving visitors an opportunity to meet the experts who will design their future yacht.

The new Sailing Yacht Area featured no less than 12 large sailing yachts. A fitting number, given that sail boats currently represent 15% of the world’s yachting fleet. This space dedicated to sailing yachts targeted a new yachting clientele, showcasing the benefits of a sportier and more environmentally friendly way of sailing, whilst still enjoying the same level of comfort, technology and facilities as on board motor yachts.

The next edition of the Monaco Yacht Show will take place 28 September - 1 October 2022

© ImagIN

The 2021 edition thus marks a key step in the MYS’s new approach for the coming years, aimed at offering a tailor-made platform for a new generation of customers.

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A WIDER HORIZON SUNREEF'S LARGEST SUPER CAT

by Andrea Dini Taking motor catamaran design to the next level, the 100 Sunreef Power is a transatlantic luxury craft built to offer unmatched comfort and a unique cruising experience. Hull number one of the shipyard’s latest super cat model is a highly-customized yacht with a powerful presence and a striking hull finish combining dark grey and rose gold.

The relaxation area of the main deck comprises a large lounging space to portside with a drop down 55’’ TV and a custom-designed drinks bar to starboard.

Towards the bow part of the saloon, the yacht’s galley offers restaurant quality amenities and access to a cold room below decks. The main deck also houses a wellequipped gym looking out over the ocean and leading to the vast bow terrace.

Creative Freedom With natural oak veneers, rose quartz, brass accents and custom-built cabinetry, the interior décor of the

yacht reflects the owners’ liking for classic design.

This homelike interior styling is continued in all the catamaran’s staterooms. Guest accommodation for ten is spread across 5 large en suite cabins. Located in the port hull, the master suite features a king-size bed and a relaxation area with ocean view. One of the suite’s stand-out features is the generous master bathroom with classic black and white tiling. The owner’s cabin neighbors one of the guest rooms which offers a double bed, voluminous storage, an en suite bathroom and a vanity desk. The starboard hull houses three guest cabins offering the same level of comfort.

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The 100 Sunreef Power is a bespoke motoryacht designed for all-year navigation in supreme luxury.

With an imposing presence, this ultramodern catamaran combines unrivalled living space with reliable performance and outstanding autonomy.

With the 100 Sunreef Power using an ultramodern, energy-saving air-conditioning system, the yacht is able to provide air-conditioning throughout the whole night without using the generators.

100 Sunreef Power also boasts a large aft hydraulic platform and a voluminous garage concealing two three-seater jet skis, a refueling station and plenty of storage for water toys.

The Power of Versatility The megayacht flybridge of the 100 Sunreef Power offers extreme comfort with plenty of relaxation areas, including a bar and a large dining table. Guests can also enjoy baths in the custom-built spa pool flanked by large sunpads. The area can also be transformed into an outdoor cinema with a high-end audio system, a retractable projector and screen.

The 100 Sunreef Power provides comfortable crew accommodation in three crew cabins, two located in the bow part of the hulls and one to the aft.

The yacht’s stern cockpit spans over the entire 13.5m beam of the catamaran offering a large dining space, a daybed, a wet bar and access to the day head. The

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YARE 2021 AGAIN IN PRESENCE The International event dedicated to yacht refit and aftersales has seen over 1,000 meetings held in the two sessions dedicated to business matching that allowed companies in the sector to come into close contact with Superyacht captains, tours in the yachting districts and visits to shipyards, technical workshops.

The keys to allow refit and aftersales shipyards and companies to act on a global market where the supply chain (shipyards and refit yards, supply, refit and service companies, captains, customers and charters) is increasingly international and less than a single district, will be to invest in innovation, training of the new generations, sustainability by anticipating and relaunching the issues of the near future. Despite the restrictions due to the fight against Covid-19, Yare has got an interesting response with over 250 participants in the event in attendance: 70 Superyacht captains and 60 international companies and a unique live international B2B business event. Held last October, again in presence in Viareggio, Yare (Yachting Aftersales and Refit Experience) - the international business event of the yachting industry - is organized by Navigo, service center for the innovation and development of boating. During the two days of the the eleventh edition captains and international companies were able to deepen thematic topics on the sector during the workshops and the forum: new refit projects, development of new propulsions, ground services edge, cybersecurity, innovation and sustainability, legal and financial aspects of management. According to the estimates of The Superyacht Group, Yare international media partner, the sector of motor yachts from 30-50 meters represents 59% of the world order backlog.

The anticipation on the trends of the next few years concerns a hypothesis of growth of the superyacht fleet (based on the performance of 20 leading Italian and foreign shipyards) that passes from 5,718 yachts on the market in 2020, to 6,749 in 2025 and 7,700 in 2030. "For Navigo - underlines Pietro Angelini, general manager of the company - it was a challenge to propose the only event in presence with meetings for the sector.

We have created, for the captains and the participating companies, the possibility of meet each other in presence regarding all the technical and management aspects of the yachts with the aim of improving the relationship between those who work in services and after-sales, to do business in dedicated B2C sessions and to network in some beautiful and suggestive locations of Viareggio and Versilia, socializing and building relationships".

Because each client, each place is unique.

Customizable Contemporary Furniture

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CALIBRE RM 67-01

BOUTIQUES RICHARD MILLE PARIS 8e 17 avenue Matignon +33 (0) 1 40 15 10 00

MONACO Allée François Blanc +377 97 77 56 14

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