6:30pm Wednesday 30 September 2020
Lot 56
COLLECTABLE ART
6:30pm Wednesday 30 September 2020
Viewing times
International Art Centre, 202 Parnell Road, Auckland
Friday 25 September 10:00am - 5:00pm
Saturday 26 September 10:00am - 4:00pm
Sunday 27 September 11:00am - 4:00pm
Monday 28 September 9:00am - 5:30pm
Tuesday 29 September 9:00am - 5:30pm
Wednesday 30 September 9:00am - 6:30pm
Parking during viewing:
Allocated car parks located directly behind International Art Centre
Parking during auction:
Upper and lower car parks at rear of International Art Centre
Further parking at St John’s Car Park, entry at 244 Parnell Road, 40 metres up from International Art Centre
Front cover illustration: Lot 54
Back cover illustration: Lot 86
ONLINE BIDDING
. Visit auctions.internationalartcentre.co.nz and register on our online bidding platform.
. Please note this new system requires separate registration. NB: Current International Art Centre Member logins are not compatible.
. Apple users may download the International Art Centre App from the App store.
. Android users download from Googleplay.
. Our new bidding platform allows you to browse catalogues, enjoy the auction in real time and place bids from anywhere in the world.
Lot 20 Karl Maughan
Sale contacts
Richard Thomson
Ph +64 9 379 4010
richard@artcntr.co.nz
Mobile 0274 751 071
Maggie Skelton
Ph +64 9 379 4010
maggie@artcntr.co.nz
Luke Davies
Ph +64 9 379 4010 luke@artcntr.co.nz
Conditions of Sale p. 99
Absentee bids p. 93
Telephone bid form p. 93
202 Parnell Road, Auckland, New Zealand
Telephone + 64 9 379 4010 Toll Free 0800 800 322 www.internationalartcentre.co.nz
MARKET WATCH
Tuesday 17 November 2020 ENTRIES NOW
CHARLES FREDERICK GOLDIE
Harieta Huirua - A Chieftainess of the Tuhourangi Tribe, 1921 Oil on canvas 28 x 23.2 cm
Estimate $350,000 - 450,000
IMPORTANT & RARE ART
POST SALE REPORT
Held 11 August 2020
August’s Important & Rare Art auction saw a spectacularly positive response from buyer’s both here and offshore. In the most exciting art auction to be held in recent times, determined bidding achieving record prices was met with enthusiastic rounds of applause from the floor with standing room only.
By embracing the endless benefits of technology through our online bidding platform and App, hundreds of collectors watched and participated remotely. International exposure of art works from our New Zealand premises is attracting worldwide interest from both vendors and buyers. The sale realised the highest total for an art auction in New Zealand to date and included the most expensive painting sold at auction this year. Spirited phone, online and from-the-floor bidding saw Charles Frederick Goldie’s Memories fetch $548,568 and a fine Goldie drawing go for $132,000, a new record for a work on paper by Goldie.
Two works by Banksy achieved unprecedented results, $144,000 for Soup Can, effectively doubling the previous world record of $60,000, set at International Art Centre’s Collectable Art auction in June. Banksy’s Jack and Jill (Police Kids) reached $93,697. $132,000 was achieved for Colin McCahon’s work on paper View from the Top of Cliff Muriwai
An auction record of $55,255 was achieved for a work by the late Tim Wilson and $132,000 was achieved for Michael Smither’s Lovers’ and Dolphins. A major work by John Walsh, Pare to My Place, 2017 fetched $60,062 - also a record auction price. That work will be exhibited at Auckland Art Gallery in December.
The value and enjoyment derived from a well-chosen work of art was clearly acknowledged by buyers and the market in general with sales of over $2.5million.
Prices include buyers premium Full results www.fineartauction.co.nz and on our bidding platform auctions.internationalartcentre.co.nz
Banksy realised $93,697
Ralph Hotere realised $60,062
C F Goldie realised $548,568
Michael Smither realised $132,132
Banksy realised $144,150
C F Goldie realised $132,132
C F Goldie realised $36,037
John Walsh realised $60,062
Philip Clairmont realised $48,050
Ya Ya realised $42,043
Charles Tole realised $19,220
Tim Wilson realised $55,257
Colin McCahon realised $132,132
Louise Henderson realised $30,031
Charles Blomfield realised $114,118
Teuane Tibbo realised $18,319
Sydney Thompson realised $50,194
1 GORDON WALTERS (1919 - 95)
Tawa, 1968
Screenprint from the Barry Lett Multiples, 53.5 x 42
$3,000 - 5,000
PROVENANCE
Purchased new from Barry Lett Galleries, 1968, by present owner
2 GORDON WALTERS (1919 - 95)
Koru
Screenprinted poster 84 x 58
$2,000 - 3,000
EXHIBITED
Free New Zealand Art, Artspace, Auckland, 16 March to 16 April, 2005
3
PETER SIDDELL (1935 - 2011)
Black and White Oil on board 60 x 44
Signed, inscribed & dated 1982 verso
$8,000 - 12,000
LEN CASTLE (1924 - 2011)
Large Inverted Volcano (Red)
Glazed earthenware 19 x 84
Initials impressed on base
$9,000 - 12,000
5 LEN CASTLE (1924 - 2011)
Small Bowl
Stoneware with glazed interior 22 x 22
Initials impressed on base
$800 - 1,200
6 ANN ROBINSON (b. 1944)
Small Pod Vase
Cast glass 23 x 25
$2,750 - 3,250 7 GUY NGAN (1926 - 2017)
Animated Colours
Screenprint, edition of 50, 100 x 70
Signed
$2,500 - 3,500
8
Blue Bowl
Glazed ceramic 43 x 43 x 11
Artist’s stamp impressed on base
$2,000 - 3,000
9 GRAHAM AMBROSE
Blue Bowl
Glazed ceramic 53 x 53 x 10
Artists stamp impressed on base
$1,500 - 2,500
10 LEN CASTLE (1924 - 2011)
Bowl Wax Resist Decoration
Glazed ceramic 34 x 34 x 10
Artist’s stamp impressed on base
$1,000 - 2,000
11 MICHAEL LUCAS
Blue Platter
Glazed ceramic platter 46 x 46 x 11
Artist’s stamp impressed on base
$800 - 1,200
LEN CASTLE (1924 - 2011)
Works from the Collection of Ron Sang Auckland
12
JOHN PARKER (b. 1947)
Three Round Red
Glazed ceramic, largest 16 x 10
Signed on base
$400 - 600
PROVENANCE
Purchased directly from the artist
13
RUTH CASTLE (b. 1931)
Onion Baskets - A Pair
Dyed rattancore 20 x 45
$200 - 400
PROVENANCE
Purchased directly from the artist
14 SUSANNAH BRIDGES
Flame Bowls
Ceramic with a satin/matt charcoal
exterior and gloss “Flame Glaze” interior
32 x 21.5, 27 x 18, 12 x 16
$900 - 1,200
PROVENANCE
Purchased directly from the artist
15
MICHAEL SMITHER (b. 1939)
Oranges in a Seagrass Basket
Screenprint, edition of 65, 100 x 70
Signed & dated 2019
$1,800 - 2,200
16
ROBERT DICKERSON (1924 - 2015)
Advising of the Settlement & Conferring with Junior Counsel - a pair
Offset lithographs, edition of 500, each 30 x 27
Signed
$400 - 800
Collection of Ron Sang Auckland
17
GRETCHEN ALBRECHT (b. 1943)
Waterfall
Watercolour and collage on paper
80 x 120
Signed, inscribed Waterfall & dated 1989
$6,000 - 8,000
18 PAT HANLY (1932 - 2004)
Spring Garden
Oil Pastel on toned paper 30 x 32.5
Signed, inscribed Spring Garden & dated 1977 verso
$7,000 - 10,000
19
PHILIPPA BLAIR (b. 1945)
Hollywood Pool with Lilo
Acrylic on canvas 280 x 100
Signed & dated 1981
$3,000 - 5,000
20 ALAN IBELL (b. 1983)
Kindling, 2013
Acrylic on hardboard 120 x 150
Signed, inscribed on artist’s label affixed verso & dated 2013
$2,500 - 4,500
PROVENANCE
Sanderson Contemporary
21 RICHARD ORJIS (b. 1979)
Flower Idol, 2006
Type C print, edition of 8, 97 x 83
$4,000 - 6,000
PROVENANCE
Private Collection, Auckland
22 OTIS FRIZZELL (b. 1971)
Skull
Spray stencil, edition 8/20, 91 x 66
Signed & dated 2013
$1,000 - 2,000
23
JOHN SHOTTON PARKER (1944 - 2017)
Plain Song
Mixed media on paper 105 x 74
Signed, inscribed Plain Song & dated 1989
$3,500 - 4,500
24 SHANE COTTON (b. 1964)
Incomplete Y’s
Acrylic on Fabriano paper 78 x 54
Signed, inscribed Incomplete Y’s & dated 2014
$8,000 - 12,000
PROVENANCE
Private Collection, Wellington
Purchased from Hamish McKay Gallery
2014, label affixed verso
25 FATU FEU’U (b. 1946)
Equation of Authority
Oil on canvas 180 x 228
Signed, inscribed Equation of Authority & dated 1993 verso
$15,000 - 25,000
PROVENANCE
Collection of the artist
EXHIBITED
Fatu Feu’u Fa’afofoga, RKS Art, Auckland 19 May - 5 June, 1992
This work comprises a grid of 20 square alternating bold frangipani flowers and X-like formations. The composition is partly informed by the Samoan tradition of siapo – a practice based on geometrical precision and repetition. It has a sense of expressionistic unruliness through loose brushwork and drips of paint. The palette functions in a similar way: foundational colours are restrained and earth-like, indicative of traditional tapa practice, and overlaid with neon yellows and greens. This encapsulates the juxtapose nature of Fatu Feu’u’s work in which he bridges traditional Samoan art and New Zealand modernism.
The frangipani flower, though not native to Samoa, is closely associated with the country. In this painting it functions as an instant visual symbol, and a metaphor for Feu’u’s unification of two visual cultures. As with all of his work, Samoan patterns, devices and techniques are not re-imagined through the filter of European-inspired Expressionism, but are left in their native form, wholly intact.
By 1993, when Feu’u completed this painting, he was gaining recognition for his contribution to New Zealand painting. For decades, he had been working in a relatively insular art world in which Pacific art was under-represented and over-appropriated. In spite of this, he had gained a degree of institutional recognition, partly helped by his association with Fomison, Clairmont and Maddox (the stylistic similarities between these four painters are obvious). He was represented by RKS Galleries in Auckland along with Hanly, McCahon and Hotere.
Equation of Authority can be seen as a rightful assertion of Feu’u’s position in New Zealand’s modern art narrative. Nearly three decades later, the title reminds us of the need to go further in recognising and promoting Pacific art in New Zealand. It speaks to a levelling of cultural and artistic duality, in which we are compelled to view cultural memory and consciousness through a bicultural lens.
26
JOHN
Reclining Nude Oil on canvas 43 x 72
Signed & dated 1987
$1,500 - 2,000
EXHIBITED
Restless Spirits, Paintings by John Pule, Ika Lologo, Newton 14 - 26 November 1988. Original exhibition flyer and photo of the artist affixed verso
Legacy
Collage on paper, 29.5 x 27.5
$2,500 - 3,500
PULE (b. 1962)
27 YUKI KIHARA (b. 1975)
Signed & dated 2013 verso
$6,000 - 8,000
28 ANDY LELEISI’UAO (b. 1969)
Choirs of Luplatis Part II
Acrylic on canvas 91 x 75.8
29 SIMON KAAN (b. 1971)
Untitled - From the Beijing Series Oil on carved wood 89 x 190
Signed & dated 04-05
$10,000 - 15,000
30 ANDY LELEISI’UAO (b. 1969)
Choirs of Etropedia Part I
Acrylic on canvas 76.3 x 60.9
Signed & dated 2013 verso
$4,000 - 6,000
31 EMILY WOLFE (b. 1972)
Lace Curtain with Bird
Acrylic on canvas
45.5 x 50.5
$4,000 - 6,000
32 SERAPHINE PICK (b. 1964)
Flight Over Wastelands
Oil on canvas 138.5 x 187.5
Signed, inscribed & dated 1991
$15,000 - 20,000
PROVENANCE
Private Collection, Wellington
Brooke Gifford Gallery, Christchurch
33 ALEXIS HUNTER (1948 - 2014)
Passionate Instincts V
Oil on canvas 129 x 89.5
Signed, inscribed Passionate Instincts V & dated 1983 verso
$5,000 - 8,000
PROVENANCE
Private Collection, UK
British Council Collection label affixed verso
34
35
Triangle from series C
Cast polyester resin & Nelson marble dust, unique sculpture 26 x 36 x 30
$2,000 - 3,000
EXHIBITED
Marte Szirmay: Sculpture as Object and Material
New Vision, Auckland
Untitled
Cast polyester resin & Nelson marble dust
7 x 8
$200 - 300
EXHIBITED
Little Works, Auckland City Art Gallery, 1978
MARTE SZIRMAY (b. 1946)
MARTE SZIRMAY (b. 1946)
36 KEN KENDALL (1928 - 2012) Prickles
Bronze sculpture 30 x 24 x 15
Signed & dated 1979
$1,200 - 1,800
37
KEN KENDALL (1928 - 2012)
Reclining Girl
Terracotta sculpture 21 x 20.5
Signed
$800 - 1,200
38 KEN KENDALL (1928 - 2012)
Jamie Removing a Prickle
Terracotta sculpture 21 x 14.5
Signed $800 - 1,200
39 KEN KENDALL (1928 - 2012)
Standing Boy
Terracotta sculpture 44 x 19
Signed
$1,200 - 1,800
Weaving
Corrugated iron sculpture
158 x 65
Signed & dated 2009 verso
$3,000 - 5,000
Signed & dated 1974
$5,000 - 8,000
41 PHILIP CLAIRMONT (1949 - 84) Untitled Ink on paper 30 x 20
40 JEFF THOMSON (b. 1957)
43 JOHN EDGAR (b. 1950)
Untitled
Coromandel granite with Red granite
12 x 12 x 4
$1,200 - 1,600
42
44
RALPH HOTERE (1931 - 2013)
Nude #2
Ink on paper 28 x 20
Signed. Dated 1991 verso
$5,000 - 8,000
RALPH HOTERE (1931 - 2013)
Aoraki is the Mountain, Waitaki the River
Lithograph, edition of 15, 67 x 50
Signed, inscribed Aoraki is the Mountain, Waitaki the River,
Te Maunga Ko Aoraki
Te Awa Ko Waitaki
Te Whare Ko Uenuku
Te Iwi Ko Te Katiawa
Te Tako Tai Rawhiti
& dated 2004
$5,000 - 8,000
45 JON TOOTILL (b. 1951)
Pepeha for Lily
Acrylic on canvas 120 x 135
Signed, inscribed Pepeha for Lily
Ro Waitaki Toku Awa (Yellow Hat 2) & dated 2006 verso
$5,000 - 7,000
PROVENANCE
Private Collection, Auckland
Purchased from Milford Galleries, Auckland, 2006
Exhibition titled Pepeha for Lily Ko Waitaki
Original exhibition label affixed verso
(b. 1952)
Mother & Child
Acrylic on canvas 107 x 81
Signed & dated 1987
$3,000 - 5,000
46 HARIATA ROPATA TANGAHOE
48 IAN SCOTT (1945 - 2013)
Vermillion Light, 1984
Acrylic on canvas 122 x 91
Signed, inscribed Vermillion Light & dated 1984 verso
$5,000 - 8,000
47 ROY GOOD (b. 1945)
Notched Modular No. 7
Acrylic on Perspex 54 x 54
Signed, inscribed Notched Modular No. 7 & dated 2019 verso
$2,500 - 3,500
49
IAN SCOTT (1945 - 2013)
Small Lattice No 121
Acrylic on canvas 92 x 92
Signed, inscribed & dated 1985 on stretcher verso
$4,000 - 6,000
Double Notched No.2
Acrylic on Perspex 60 x 60
Signed, inscribed Notched Modular No. 2 & dated 2019 verso
$3,000 - 4,000
50 ROY GOOD (b. 1945)
Tip - for Western Park Path, Ponsonby - Marquette
Plaster sculpture 37 x 75 x 17
$2,000 - 3,000
The Night Pack, 2017
Oil on fortified paper 35.5 x 45
$5,000 - 7,000
PROVENANCE
Purchased from the John Walsh, National Bank exhibition, PAULNACHE Gallery, 2017
Acrylic on canvas 101 x 75.5
Signed
$5,000 - 7,000
52 JOHN WALSH (b. 1954)
53 ANDY LELEISI’UAO (b. 1969)
Unmalosa
51 JOHN RADFORD (b. 1965)
One of the life size John Radford Sculptures in Western Park Path 51
BANKSY (British b. 1974)
Have a Nice Day
Screenprint on wove paper
edition 235/500, 34 x 98.7
Numbered
$40,000 - 60,000
This work is accompanied by a Certificate of Authenticity from Pest Control
In one of the first ever screenprints released by Banksy, the artist portrays law enforcement in a bold and striking way in Have a Nice Day. Twenty seven military or riot police are depicted in a single, intimidating line. In the centre of the group is a grey and black tank, underneath which the words Have A Nice Day are written.
The police are kitted out in black riot gear, marching in unison against an unseen threat or in fact towards the viewer. The faces of the police, which in reality would
be covered with protective visors, are covered with bright yellow acid-house style smiley faces; a motif we see fairly regularly in Banksy prints, particularly when it comes to portraying figures that use fear as a means of control.
Whether or not Banksy intended Have a Nice Day to intimidate or amuse, the artwork certainly speaks both to the idea that the police force are not all they seem, perhaps even hiding behind their smiles.
55
56
BLEK LE RAT (French b. 1952)
The Violinist Lithograph, edition 6/20, 76 x 56.5
Signed
$1,500 - 2,500
PROVENANCE
Purchased DK Johnson, Official agent for Le Rat 2013, by current owner
VHILS (Portuguese b. 1987)
Nothing Lasts Forever Screenprint enhanced with ink, edition 67/100, 70 x 50
Signed
$1,000 - 2,000
PROVENANCE
Purchased from Pictures on Walls, London 2008, by current owner
57 JAMIE REID (British b. 1947)
God Save the Queen Lithograph, edition 67/100, 38.5 x 28
Signed & inscribed God Save the Queen
$1,000 - 2,000
PROVENANCE
Purchased from The Aquarium Gallery London 2008, by current owner
58 MR BRAINWASH
(French / American b. 1966)
Handle with Care
Five colour screenprint on archival paper, edition 30/75, 57 x 76
Signed
Thumbprint in ink & dated 2013, verso
$1,500 - 2,500
PROVENANCE
Purchased from Lieberman Gallery, London, 2013, by current owner
59 PENNY (British 21st Century)
Money Shot
Spray paint on card 15.3 x 9.5
Signed & dated 2013
$1,000 - 2,000
PROVENANCE
Purchased directly from artist, 2013
59a KUSHANA BUSH (b. 1983)
Man Renouncing His Shirt
Gouache & pencil on paper 76 x 56
Signed & inscribed ‘Man Renouncing his Shirt’ From All Things to All Men & dated 2011 verso
$6,000 - 8,000
PROVENANCE
Purchased from Brett McDowell Gallery
EXHIBITED
Kushana Bush, All Things To All Men, Hocken Library, Dunedin, 2011, and Pah Homestead, TSB Wallace Arts Centre 2012 ‘Where Do I End and You Begin’, Edinburgh Art Festival, Scotland, 1 August - 14 October 2014
59b MAX GIMBLETT (b. 1935)
Untitled Quatrefoil
Libra gloss on aluminium 38 x 38
$2,000 - 4,000
59c DAMIEN HIRST (English b. 1965)
For the Love of God Diamond Skull 2007 Silkscreen print Diamond Dust, edition 172/250, 100 x 75
Signed
$20,000 - 30,000
59a
59b
60 ILYA BOLOTOWSKY
(American 1907 - 1981)
Untitled Yellow, Red Tondo, Blue Diamond
Three screenprints, edition 8/25, each 56 x 75, image size 40 x 40
Signed & numbered
$2,000 - 3,000
Ilya Bolotowsky was a leading early 20th-century Russian-American abstract painter based in New York City. His work constituted a search for philosophical order through visual expression. It embraced cubism and geometric abstraction. He was influenced by Dutch painter Piet Mondrian.
Bolotowsky adopted Mondrian’s use of horizontal and vertical geometric pattern and a palette restricted to primary colours and neutrals.
Having turned to geometric abstractions in 1936 Bolotowsky co-founded American Abstract Artists, a cooperative formed to promote the works of abstract painters.
61 ELLSWORTH KELLY
(British 1923 - 2015)
Red/Blue (Untitled) from Ten Works x Ten Painters
Screenprint on Mohawk Superfine Cover paper, 1964, from the unsigned edition of 500, 55.6 x 45.7
Published by Wadsworth Atheneum, Hartford, Connecticut
$4,000 - 6,000
62 ANDY WARHOL (American 1928 - 87)
Campbell’s Soup
Sunday B. Morning silkscreen print
89 x 58
Fill in your own signature and Published by Sunday B. Morning stamped verso
$1,500 - 2,500
63 ANDY WARHOL (American 1928 - 87)
Mao
Sunday B. Morning silkscreen print
84 x 74
Fill in your own signature and Published by Sunday B. Morning stamped verso
$1,500 - 2,500
64 ANDY WARHOL (American 1928 - 87)
Marilyn
Sunday B. Morning silkscreen print
91.5 x 91.5
Fill in your own signature and Published by Sunday B. Morning stamped verso
$2,500 - 3,500
65 ANDY WARHOL (American 1928 - 87)
Marilyn, Silver
Sunday B. Morning silkscreen print
91.5 x 91.5
Fill in your own signature and Published by Sunday B. Morning stamped verso
$2,500 - 3,500
66 ANDY WARHOL (American 1928 - 87)
Flowers Hellblau
Sunday B. Morning silkscreen print
90 x 90
Fill in your own signature and Published by Sunday B. Morning stamped verso
$2,000 - 3,000
67 ANDY WARHOL (American 1928 - 87) Poppy Flowers
Sunday B. Morning silkscreen print
90 x 90
Fill in your own signature and Published by Sunday B. Morning stamped verso
$2,000 - 3,000
68 BERNARD VILLEMOT (French 1911 - 90)
Bally Orange
Framed French Vintage Poster 58 x 39
Signed in plate
$1,500 - 2,000
69 BERNARD VILLEMOT
(French 1911 - 90)
Bally Blonde
Framed French Vintage Poster 58 x 39
Signed in plate
$1,500 - 2,000
70
ROLAND HUGON
35e Grand Prix Monaco 77
Lithographic poster 101 x 68
Printed 1990 Automobile
Club de Monaco
$1,500 - 2,000
71 ANDY WARHOL
(American 1928 - 87)
Chanel Poster
Framed poster 172 x 118
$2,000 - 3,000
72
72
GRAHAME SYDNEY (b. 1948)
Fog at Kane’s Pond
Lithograph, edition of 50, 36.5 x 58
Signed, inscribed Fog at Kane’s Pond & dated February 2007
$1,500 - 2,500
73
GRAHAME SYDNEY (b. 1948)
Evening at the Shearer’s Kitchen
Photographic print on archival paper, edition of 10, 46 x 74
Signed, inscribed Evening at the Shearer’s Kitchen & dated 2013
$1,500 - 2,000
74 GRAHAME SYDNEY (b. 1948)
Perriam’s Shoes
Egg tempera on board 29 x 55.5
Signed, inscribed Charlie Perriam’s Property, Upper Clutha Valley, - Drawings begun Dunedin, - March 13th 1975, painting begun 17 March, completed 1 April, 1975 & dated 1975 verso
$15,000 - 20,000
75 GRAHAME SYDNEY (b. 1948)
Fog at Ranfurly
Lithograph, edition of 75, 46 x 46
Signed, inscribed Fog at Ranfurly & dated September 2005
$1,200 - 1,800
76
DAVID BARKER (b. 1941)
Stingray Bay
Acrylic on board 70.6 x 187.5
Signed & dated 1991
$8,000 - 12,000
77
DAVID BARKER (b. 1941)
Wild Oats
Oil on canvas 50 x 90
Signed, inscribed Wild Oats & dated 1975 verso
$2,000 - 3,000
78 ANDREW COATES (b. 1955)
Coastal Scene with Ship and Figures Oil on board 61 x 92
Signed
$8,000 - 12,000
PROVENANCE
W H Patterson Fine Arts, London Original label affixed verso
79 ANDREW COATES (b. 1955)
Evening Sky, Milford Oil on board 21 x 31.5
Signed $1,500 - 2,500
80 ANDREW COATES (b. 1955)
$1,500 - 2,500 78
Late Afternoon, Wanaka Oil on board 18.5 x 28.5
Signed
81 STAR GOSSAGE (b. 1972 )
Untitled Mixed media on paper 51 x 70
$1,500 - 2,500
82
MICHAEL SMITHER (b. 1939)
Shoreline
Screenprint, edition AP, 48 x 66
Signed & dated 1977
$1,800 - 2,500
83 JOHN PULE (b. 1962)
Naau
Woodblock print, edition of 10, 40 x 57
Signed, inscribed Naau & dated 1994
$1,000 - 1,800
MICHAEL SMITHER (b. 1939)
Taranaki III
Screenprint, edition of 75, 19.5 x 62
Signed & dated 2007
$800 - 1,200
85 PAUL DIBBLE (b. 1943)
Four Oars
Cast bronze, edition 2 of 3, 48.4 x 15.4
Signed & dated 2003 on top of base
$13,000 - 15,000
86 PATRICIA FRANCE (1911 - 95)
Women in Landscape
$2,500 - 3,500
$7,000 - 10,000 86
Gouache on board 20 x 21.5
87 STAR GOSSAGE (b. 1972 )
She’s at the Doorstep Oil on wood panel 198 x 46
Signed, inscribed She’s at the Doorstep & dated May 2012 verso
Works from the Frans Baetens and Magda Van Gils Collection
International Art Centre is delighted to offer works from the Private Collection of Muka Studio founders Frans Baetens and Magda Van Gils. These two passionate art teachers collaborated with leading New Zealand artists in the production of handmade prints, initially using the two small stone lithography presses they had brought with them from Belgium in 1983. Some of he artists they worked with included Gretchen Albrecht, Don Binney, Tony Fomison, Nigel Brown, Fatu Feu’u, Dick Frizzell, Ralph Hotere, Pat Hanly, Allen Maddox, Para Matchett, Robyn Kahukiwa, Michel Tuffery and Selwyn Muru.
The Muka Studio Gallery soon had over 100 well known artists exhibiting and working in lithography with them. In 1988 a huge antique Voirin Press, identical to the presses Picasso and Miro used was added to the studio’s assets. Prints for international artists included Ed Ruscha, Michael Kvium,
Panamarenko, Martin Assig, Fred Cress, Kazuo Katase, Luk Tuymans, Ann Veronica Janssens and many others.
In November 1987 at Muka studio, Frans and Magda organised an exhibition of original artworks exclusively for youth. What had been intended as a single show met with great popular success and became an important annual event which lasted for some 35 years and travelled nationwide. Through the efforts of Frans and Magda many young New Zealanders were give the invaluable opportunity to view and acquire especially selected works of art.
Please download the International Art Centre App as further works from this collection will be included in our ART at HOME online auctions. For instructions visit our website www.internationalartcentre.co.nz
88 PAT HANLY (1932 - 2004)
Expo Bride and Groom
Lithograph, edition of 35, 53 x 68
Signed, inscribed Expo Bride and Groom & dated 1993
$1,500 - 2,500
89 GAVIN CHILCOTT (b. 1950)
Self with Lopsided Pots
Watercolour 52 x 73
Signed, inscribed & dated 27.5.89
$1,000 - 2,000
90 DICK FRIZZELL (b. 1943)
Unconscious Woman
Lithograph, edition of 65, 51 x 146
Signed, inscribed Unconscious Woman & dated 2003
$1,500 - 2,500
91 DICK FRIZZELL (b. 1943)
Pink Cup
Monotype 54.5 x 67
Signed, inscribed #1 & dated 6/10/99
$1,500 - 2,500
92 DICK FRIZZELL (b. 1943)
Ukelele
Monotype 54.5 x 67
Signed, inscribed #2 & dated 22/9/99
$1,500 - 2,500
93 DICK FRIZZELL (b. 1943)
Blue Vase
Monotype 54.5 x 67
Signed, inscribed #3 & dated 6/10/99
$1,500 - 2,500
94 DICK FRIZZELL (b. 1943)
Mickey to Tiki Tu Meke - It’s About Time
Screenprint, edition of 250
Signed, inscribed It’s About Time & dated 2007
$3,000 - 5,000
95
DICK FRIZZELL (b. 1943)
Mon Repos
Screenprint, edition of 100, 44.3 x 128.9
Signed, inscribed Mon Repos & dated 2017
$2,500 - 3,000
96 DICK FRIZZELL (b. 1943)
Big Kiss
Screenprint, edition of 80, 120 x 79
Signed, inscribed Big Kiss & dated 2007
$2,500 - 3,500
97 DICK FRIZZELL (b. 1943)
Ochre Tiki
Screenprint, edition of 80, 60.5 x 49.5
Signed, inscribed Ochre Tiki & dated 2006
$1,500 - 2,000
98 DICK FRIZZELL (b. 1943)
The Long Ride Home
Screenprint, edition of 100, 73.8 x 73.2
Signed, inscribed The Long Ride Home & dated 2014
$2,400 - 2,800
99
BANKSY (British b. 1974)
Walled Off Hotel
Framed Poster, open edition, 59 x 42
Walled Off Hotel embossed Stamp
$1,000 - 1,500
PROVENANCE
Original till receipt affixed verso
100 SHEPARD FAIRY (American b. 1970)
Print and Destroy Offset
Lithograph, open edition (Sold Out)
91 x 60.5
Signed in pencil
$300 - 500
PROVENANCE
This version carries the artist’s signature in pencil, lower right
Some people say print will be wiped out by digital media, but I say you can never replace the provocative, tactile experience of a print on the street or in a gallery Printing still matters.
FAIRY
SHEPARD
101 TREVOR MOFFITT (1936 - 2006)
The Passageway Oil on board 54.5 x 59
Signed & dated 1974
Inscribed The Passageway verso
$3,000 - 5,000
PROVENANCE
Purchased directly from the artist by current owner c.1975
102 JEFFREY HARRIS (b. 1949)
Untitled Domestic Scene
Acrylic & oil pastel on paper 43 x 67
Signed & dated 31-1-70
$2,000 - 3,000
103 PAUL RADFORD (b. 1957)
Portrait (Red)
Oil on canvas mounted to board 69 x 51.5
Signed
$800 - 1,200
104 PAUL RADFORD (b. 1957)
Portrait (Blue)
Oil on canvas mounted to board 69 x 51.5
Signed
$800 - 1,200
105 JOHN NICOLL (b. 1943)
Life Sign
Acrylic on MDF 100 x 100
Signed & dated 1990
$1,500 - 2,500
106 PEATA LARKIN (b. 1973)
Poutama Cross (BLK Steps - Version 2)
Acrylic on mesh on canvas 24.5 x 49.5
Signed, inscribed Poutama Cross (BLK Steps - Version 2) & dated 2010 verso
$1,200 - 1,800
107 LUISE FONG (b. 1964)
Around About PVC and acrylic on canvas 110 x 152
Signed, inscribed Around About & dated 2004 verso
$1,500 - 2,500
108 DEAN PROUDFOOT
While the Brave Battles with the Pilgrim... the Flagstaff Falls for a Fourth Time Oil on canvas 120 x 92
Signed, inscribed & dated 2014
$1,500 - 2,500
109 DEAN PROUDFOOT
Still Life with Passion Oil on canvas 120 x 84
Signed, inscribed Still Life with Passion & dated 2011
$1,400 - 2,000
Signed & dated 2020
$5,000 - 7,000
110 JUSTIN SUMMERTON (b. 1952)
Starry Night, Mt Eden Oil on canvas 91 x 74
111
SYLVIA SIDDELL (1941 - 2011)
Le Liaisons Dangereuses
(Portrait of Actress Bridget Armstrong)
Oil on hardboard 60 x 39.5
Signed & dated 1987
$500 - 1,000
112
SYLVIA SIDDELL (1941 - 2011)
Self Portrait
Oil on canvas 51 x 38
Signed & dated 1988
$800 - 1,200
113
SYLVIA SIDDELL (1941 - 2011)
Provisions
Oil on canvas 30 x 30
Signed & dated 2007
$300 - 500
114 SIMON CLARK
Just Do It Yourself, 2014
Oil & 24 carat gold leaf on board 61 x 61
Inscribed Yourself
$4,000 - 5,000
Diversions
Acrylic on aluminium 47 x 61
Signed
$4,000 - 6,000
115 JENNA PACKER (Working 2008 - current)
Gathering Clouds Oil on canvas 50 x 60
Signed & dated 2010
$6,000 - 8,000
116 ELIZABETH REES (b. 1959)
117
PETER O’HAGAN (1942 - 2013)
The Hartford Alumni Take Tea in the Pump Room, Bath
Watercolour, gouache and tinted Gum
Arabic 70 x 72
Signed & dated 2003
$3,000 - 5,000
PROVENANCE
Jonathan Grant Galleries
118
PETER O’HAGAN (1942 - 2013)
Dîner à Paris
Gouache on paper 59 x 70
Signed
$2,000 - 3,000
PROVENANCE
Purchased from the Artist
119
PETER O’HAGAN (1942 - 2013)
Sending a Parcel Back Home Oil on canvas 45 x 60
Signed
$1,000 - 2,000
PROVENANCE
Jonathan Grant Galleries
120 PIERA MCARTHUR (b. 1929)
Restorative Powers of Dom Perignon
Acrylic Marouflage on canvas 168 x 137
Signed, inscribed & dated 2007
$8,000 - 12,000
PROVENANCE
Purchased from SOCA, 2007
1952)
Patterned Lansdcape Oil on stretched hessian
101 x 200
Signed & dated 1989
$3,000 - 5,000
(b. 1952)
Nikau Fantasy Oil on stretched hessian
79 x 103
Signed & dated 2002
$1,500 - 2,500
Sunshine Oil on stretched hessian
154 x 93
Signed & dated 1990
$2,000 - 3,000
121 DEAN BUCHANAN (b.
122 DEAN BUCHANAN
123 DEAN BUCHANAN (b. 1952)
126 A AUSTEN DEANS (1915 - 2011)
Autumn, Mt Peel Oil on board 44 x 86
Signed
$1,000 - 2,000
127
PETER BEADLE (b. 1933)
Remarkables and Frankton Arm Oil on board 41 x 51
Signed
$1,000 - 1,500
124 DOUGLAS BADCOCK (1922 - 2009)
Pioneer Cottage, Wakatipu District
Oil on board 40 x 55
Signed & dated 1971
$2,000 - 3,000
125 DOUGLAS BADCOCK (1922 - 2009)
Winter Afternoon, The Shotover, Wakatipu District
Oil on board 38 x 52
Signed & dated 1974
$1,500 - 2,500
128 DOUGLAS BADCOCK (1922 - 2009)
Skiers
Watercolour 28 x 39.5
Signed
$1,000 - 2,000
129 A AUSTEN DEANS (1915 - 2011)
Misty Morning, Mayfield Oil on canvas board 39 x 85.5
Signed & dated 1968
$1,000 - 2,000
128
130 MILAN MRKUSICH (b. 1957)
Passive Element, 1968
Screenprint from the Barry Lett Multiples 56 x 33
$800 - 1,200
131 TOSS WOOLLASTON (1910 - 98)
Patrick Lucas
Screenprint from the Barry Lett Multiples 45.5 x 56
$300 - 500
132 RALPH HOTERE (1931 - 2013)
Red on Black
Screenprint from the Barry Lett Multiples 56 x 45.5
$1,000 - 2,000
133 ROSS RITCHIE (b. 1941)
Three
Screenprint from the Barry Lett Multiples 43 x 43
$300 - 500
134 ROBERT ELLIS (b. 1929)
Motorways
Screenprint from the Barry Lett Multiples 56 x 45.5
$300 - 500
135 PAT HANLY (1932 - 2004)
Inside the Garden
Screenprint from the Barry Lett Multiples 42 x 51
$700 - 1,000
136 JEFFREY HARRIS (b. 1949)
Etching, edition of 14, 49.5 x 36
Signed, inscribed & dated 1988
$800 - 1,200
137 RUSSELL JACKSON (b. 1947)
Tawharanui Sheep
Oil & enamel on board 51 x 93
Signed, inscribed Tawharanui Sheep & dated 2007
$1,000 - 2,000
138 MICHAEL SMITHER (b. 1939)
Pukekura Park, New Plymouth
Screenprint, Artist’s proof, 78 x 98
Signed & dated 2008
$1,000 - 2,000
139 SHANE COTTON (b. 1964)
Broken Water
Screenprint, edition of 60, 56 x 76
Signed, inscribed Broken Water & dated 2008
$1,000 - 1,500
Lovers
139
140 PARA MATCHITT (b. 1933)
Huakina (1986), Screenprint , edition of 20, 53.5 x 81
Signed, inscribed Huakina & dated 1986
$2,400 - 2,800
141 IVY GRACE FIFE (1905 - 76)
Raining Oil on board 96.5 x 47
Signed & dated 1964
$1,000 - 2,000
142 ANNIE BAIRD (1932 - 99)
Dunedin with Gas Works
Watercolour 73 x 53
Signed & dated 20/12/79
$1,000 - 1,500
143 PHILIP WADDINGTON
(Working 1970s - 2010)
Kuia with Children
Watercolour 70 x 51
Signed & dated 1974
$1,500 - 2,500
144 ROBERT ELLIS (b. 1929)
Captured & Described
Lithograph, edition AP/7, 76 x 56
Signed & dated 2002
$500 - 800
145 WILLIAM HENRY ALLEN (1894 - 1988)
Village Oil on board 30.5 x 40.5
$800 - 1,200
146 WILLIAM HENRY ALLEN (1894 - 1988)
Tree - Copper Beech at Gestingthrop Hall, Essex Oil on board 46 x 37
Signed with initials
$800 - 1,200
147 WILLIAM HENRY ALLEN (1894 - 1988)
Harvesting Oil on canvas board 29 x 39
Signed with initials
$500 - 1,000
PROVENANCE
Sheila Allen Estate Collection
148
148 CHARLES FREDERICK GOLDIE (1870 - 1947)
A Good Joke
Chromolithograph 39 x 31
Signed in plate
$3,000 - 5,000
149 ARTIST UNKNOWN
Portrait of a Young Naval Officer
Oil on canvas 33 x 28
$1,000 - 2,000
150 CHARLES FREDERICK GOLDIE (1870 - 1947)
Sophia
Chromolithograph 38 x 46.5
$2,000 - 3,000
151 BESSIE KENDON BLOMFIELD (1880 - 1984)
$500 - 1,000 150
Giant Kauri trees Oil on board 52 x 45
Signed & dated 1975
152 DICK FRIZZELL (b. 1943)
Overnight Success
Screenprint, edition of 150, 76.5 x 56.2
Signed, inscribed Overnight Success & dated 2009
$1,300 - 1,600
153
DICK FRIZZELL (b. 1943)
Phantom Flowers
Screenprint, edition of 75, 70 x 50.5
Signed, inscribed Phantom Flowers & dated 2004
$1,200 - 1,600
154
NICOLAS DILLON
Quail Family
Watercolour 37 x 56.5
Signed & dated 2010
$1,000 - 2,000
155 GORDON CROOK (1921 - 2011)
The Boating Pond
Screenprint, edition of 10, 54.5 x 72
Signed & dated 1993
$1,500 - 2,000
156 MAUDE BURGE (1865 - 1957)
Venice
Watercolour 31 x 39
Signed
$1,500 - 2,500
157 ARTIST UNKNOWN
$1,500 - 2,000 156
Mother & Child Oil on board 37 x 30
158
Lake Te Anau
Oil on canvas 45 x 90
Signed
$1,000 - 2,000
159 STANLEY PALMER (b. 1936)
Matai Bay Bamboo etching, edition of 60, 30.5 x 58
Signed, inscribed & dated 1978
$400 - 600
160 WILLIAM DARGIE (Australian 1912 - 2003)
Reclining Nude
Charcoal 20.5 x 40
Signed
$500 - 1,000
161
Mountain Vista Oil on canvas 80 x 60
Signed & dated 2011
$1,000 - 2,000
TIM WILSON (1954 - 2020)
CRAIG PRIMROSE (b. 1956)
Lot 7
Guy Ngan
valuation SERVICES
International Art Centre provides formal valuations for insurance purposes, specialising in the preparation of catalogued and photographed inventories. Written valuations can be arranged by appointment. We provide free informal, verbal estimates for any of the works in your collection.
Charles Blomfield Lake Tarawera, 1883 Oil on canvas 50 x 90cm
Reproduced courtesy of The Fletcher Trust Collection
International Art Centre
Appointed Valuers of The Fletcher Trust Collection
Recent Prices Realised
Important & Rare Art
Important & Rare auctions are the proven, preeminent sale category for major works of art offered for sale in New Zealand. These auctions take place three times annually. As we fast approach our 50th year in business, experience continues to equal results. 2014 saw Important & Rare auctions realise five of New Zealand’s top ten auction prices. The following year saw new records set with the two top prices in Auckland achieved. With the addition of the record $1.377 million paid for a C F Goldie in April’s 2016 sale, International Art Centre achieved the three highest art auction prices in New Zealand’s history. Due to an appreciative, and greatly valued clientele of nationwide and international buyers and sellers we look forward to breaking new ground.
COLLECTABLE ART ALWAYS CONSIGNING ENTRIES NOW INVITED
The buzz generated by our Collectable Art auctions reflects the popularity of these sales: an event at which seasoned connoisseurs and budding collectors alike converge to appreciate one of the most eclectic and diverse offerings available to the market. Works span the vital period from mid-century modernism through to the cutting-edge of today’s Contemporary art in New Zealand.
This sale category is an increasingly significant event in our auction calendar. Offering a number of lowerpriced works from highly-sought after artists in print and edition form, as well as quality works from artists whose presence on the secondary market is just beginning to crystallise.
Single Owner Auctions
From time to time, the secondary market is fortunate enough to be exposed to one of those rare collections which transcends the value of its individual works of art, and stands to represent something iconic in its entirety. Our team is well-versed in the process of offering single-owner collections for sale, and take pride in the process of curating a single-owner sale when the opportunity arises. We offer a targeted marketing campaign and maximise the use of both electronic and print-based collateral to effectively showcase such collections to maximum effect. The strong networks we have established locally and internationally are reflected in some of the private collections which have been entrusted to us in recent years.
CONSIGNING INVITED
ART AT HOME ONLINE only Auctions
A quick, easy and reliable solution to larger low value consignments. During the 2020 nationwide lockdowns we stayed connected to our clients, keeping them close to our art. The time was spent productively, resulting in the development of our own online bidding platform and App, successfully auctioning works of art with no exhibition viewing, no printed catalogue, while using state-of-the-art twenty-first-century technology. All transactions were contactless and we reduced our carbon footprint along the way. While the personal service, excitement and atmosphere of our famous live Parnell Road auctions remain and will continue to grow, the success of this online only platform has encouraged us to introduce this as an exclusive and permanent sale category.
CONTACT
Richard Thomson
Ph +64 9 379 4010
M. 0274 751 071
E. richard@artcntr.co.nz
Maggie Skelton
Ph +64 9 379 4010
E. maggie@artcntr.co.nz
Luke Davies
Ph +64 9 379 4010
E. luke@artcntr.co.nz
www.fineartauction.co.nz
202 Parnell Road, Auckland
Index
ALBRECHT G 17
ALLEN W H 145, 146, 147
AMBROSE G ....................................... 9
BADCOCK D .................... 124, 125, 128
BAIRD A 142
BANKSY 54, 99
BARKER D ...................................76, 77
BEADLE P........................................ 127
BLAIR P .............................................19
BOLOTOWSKY I 60
BRAINWASH MR 58
BRIDGES S ........................................14
BUCHANAN D.................. 121, 122, 123
BURGE M 156
CASTLE L 4, 5, 8, 10
CASTLE R 13
CHILCOTT G .................................... 89
CLAIRMONT P ..................................41
CLARK S 114
COATES A 78, 79, 80
COTTON S 24, 139
CROOK G ......................................... 155
DARGIE W...................................... 160
DEANS A A 126, 129
DIBBLE P 85
DICKERSON R ..................................16
DILLON N .......................................154
EDGAR J 43
ELLIS R 134, 144
FAIREY S 100
FEU’U F ............................................ 25
FIFE I G ........................................... 141
FONG L 107
FRANCE P 86 FRIZZELL O 22 FRIZZELL D ...... 90, 91, 92, 93, 94, 95, ................................ 96, 97, 98, 152, 153
GOLDIE C F .............................148, 150 GOOD R 47, 50
GOSSAGE S 81, 87
HANLY P..............................18, 88, 135 HARRIS J ........................................136
HOTERE R 42, 44, 132
HUGON R 70 HUNTER A 33
KENDALL K ................... 36, 37, 38, 39 KENDON BLOMFIELD B ............... 151 KIHARA Y ......................................... 27 LARKIN P
Absentee Bid Form - collectable art
6:30pm Wednesday 30 September
I instruct International Art Centre to bid on my behalf for the following lots up to the prices indicated below. I understand my bids are to be executed at the lowest attainable price level. All bids are subject to Conditions of Sale printed in this catalogue.
REGISTRATION NUMBER
NAME
ADDRESS
TELEPHONE
Signature ........................................................................................... / / 2020
International Art Centre offers this service to clients unable to attend sale and is not responsible for error or failure to execute bids.
Email to info@internationalartcentre.co.nz before 3pm day of sale
Alternatively, register as a member on our website then leave bids online www.fineartauction.co.nz or our bidding platform auction.internationalartcentre.co.nz
202 Parnell Road, Auckland, New Zealand Tel + 64 9 379 4010 email info@internationalartcentre.co.nz www.fineartauction.co.nz
ARTIST NAME
Lot 108
Dean Proudfoot
Lot 65
Andy Warhol
Conditions of Sale and A Guide to Buyers
The highest bidder shall be the buyer. In the event of any dispute as to the bidding in respect of any lot, that lot may be offered again at the discretion of the auctioneer whose decision shall be absolute and final.
The auctioneer has the right -
(i) to refuse any bid;
(ii) to advance the bidding at his absolute discretion;
(iii) to place a reserve on any lot;
(iv) to place a bid or bids on behalf of the seller;
(v) to withdraw any lot from sale;
(vi) to require a successful bidder to pay forthwith the whole or any part of the purchase price.
The auctioneer acts as the agent of the seller and neither he nor the seller shall be responsible for any defects or faults in any lot or for any errors of description or for genuineness or authenticity of any lot and no compensation shall be paid in respect of same.
From the time of lot being sold, such lot will be the responsibility of the buyer.
Successful bidders are required to pay for purchases immediately on completion of sale unless otherwise arranged.
All intending buyers are required to register for a bidding number prior to auction commencing. Subscribers can use their permanent bidding number. We reserve the right to ask for identification if you are a first time client of International Art Centre.
Each lot shall be paid for and removed at the buyers expense by no later than 5:00pm Friday 2 October 2020 unless otherwise arranged failing which the auctioneer and/or the seller shall have the right to forfeit any deposit paid by the buyer and to resell the lot either by public or private sale and any deficiency on costs of resale shall be borne by the defaulting buyer.
No lot may be collected whilst auction is in progress. Payment can also not be made until completion of auction.
SUBJECT BIDS
When the auctioneer declares a lot ‘subject’ this means the bid is below the set reserve and is subject to vendor accepting, rejecting or negotiating the bid. International Art Centre will endeavour to make contact with the vendor immediately after sale or the following day. If the bid is accepted, the highest bidder is obligated to make purchase.
ESTIMATES
Estimates are provided for each entry and act as a guide only. They are prepared well in advance of sale and are subject to revision at any time. Estimates are based on hammer price and do not include buyers premium.
ABSENTEE BIDS
Absentee bidding arranged - please refer to absentee bidding in back of catalogue Fax to (09) 307 3421 or post to PO Box 37 344 Parnell before 3pm day of sale. Please do not be offended if a member of our staff ask for your credit card details as security.
Absentee bids can also be left via our website to registered members. Our website www.fineartauction.co.nz acts as a useful auxiliary to the catalogue but we recommend inspection or a condition report prior to leaving a bid. Our staff will gladly supply you with a condition report on any lot.
TELEPHONE BIDS
Telephone bidding available to subscribers and registered bidders. There is no charge for this service.
PAYMENT OPTIONS
Eftpos: Available for transactions depending on your daily limit.
Bank deposits: Bank instructions on invoice if paying by direct debit.
Quote the Lot number(s) purchased and Surname as reference. International Art Centre no longer accepts cheque or cash payments in excess of NZ$10,000.
Credit cards: Visa and Mastercard accepted - 2% surcharge.
PROTECTED OBJECTS ACT
Art objects over 50 years old made by an artist or maker born in or related to New Zealand may be protected New Zealand objects, and therefore require permission from the Ministry for Culture and Heritage in order to be exported. Applications for permission to export can be made at https://mch.govt.nz/ nz-identity-heritage/protected-objects/exporting
FREIGHT & PACKING
International Art Centre arrange door to door delivery both nationally and internationally. Please arrange insurance on your items prior to them leaving our premises.
OTHER ENQUIRIES
Should you have any questions relating to the sale or if we can be of any other assistance please contact us during business hours on (09) 379 4010, Toll Free 0800 800 322 or email info@internationalartcentre.co.nz
BUYERS PREMIUM
17.5% Buyers premium plus GST on premium applies to all lots. (Total buyers premium is 20.12% including GST)
Andrew Coates
