July 2017 web

Artists’ Estates & Collectable Art Tuesday 4 July 2017

Conditions of Sale & A Guide to Buyers The highest bidder shall be the buyer. In the event of any dispute as to the bidding in respect of any lot, that lot may be offered again at the discretion of the auctioneer whose decision shall be absolute and final.

The auctioneer has the right (i) to refuse any bid; (ii) to advance the bidding at his absolute discretion; (iii) to place a reserve on any lot; (iv) to place a bid or bids on behalf of the seller; (v) to withdraw any lot from sale; (vi) to require a successful bidder to pay forthwith the

whole or any part of the purchase price.

The auctioneer acts as the agent of the seller and neither he nor the seller shall be responsible for any defects or faults in any lot or for any errors of description or for genuineness or authenticity of any lot and no compensation shall be paid in respect of same.

From the time of lot being sold, such lot will be the responsibility of the buyer. Successful bidders are required to pay for purchases immediately on completion of sale unless otherwise arranged.

All intending buyers are required to register for a bidding number prior to auction commencing. Subscribers can use their permanent bidding number. We reserve the right to ask for identification if you are a first time client of International Art Centre.

Each lot shall be paid for and removed at the buyers expense by no later than 4pm Friday 7 July 2017 unless otherwise arranged failing which the auctioneer and/or the seller shall have the right to forfeit any deposit paid by the buyer and to resell the lot either by public or private sale and any deficiency on costs of resale shall be borne by the defaulting buyer.

No lot may be collected or paid for whilst auction is in progress.

SUBJECT BIDS When the auctioneer declares a lot ‘subject’ this means the bid is below the set reserve and is subject to vendor accepting, rejecting or negotiating the bid. International Art Centre will endeavour to make contact with the vendor immediately after sale or the following day. If the bid is accepted, the highest bidder is obligated to make purchase.

ESTIMATES Estimates are provided for each entry and act as a guide only.

They are prepared well in advance of sale and are subject to revision at any time. Estimates are based on hammer price and do not include our buyers premium.

ABSENTEE BIDS Absentee bidding arranged - please refer to absentee bidding page in back of catalogue. Fax to (09) 307 3421 or post to PO Box 37 344 Parnell. Please do not be offended if a member of our staff asks for your credit card details as security.

Absentee bids can also be left via our website to registered members. International Art Centre website www.fineartauction. co.nz acts as a useful auxiliary to the catalogue but we recommend inspection or a condition report prior to leaving a bid.

Our staff will gladly supply you with a condition report on any lot.

TELEPHONE BIDS Telephone bidding available to subscribers. There is no charge for this service.

PAYMENT FACILITIES Eftpos: Available for transactions $2,000 or less which is the banks daily limit. For transactions less than $4,000 a 50% deposit on the evening and balance following morning is acceptable as long as the goods remain on our premises until full payment is made.

Bank deposits: Please ask for our bank details to be faxed or emailed if you wish to pay by direct debit. Quote the Lot number(s) Cheques: Accepted by known clients of International Art Centre or at our discretion. When posting cheques please ensure they are sent to the following address. International Art Centre PO Box 37344 Parnell, Auckland 1151. Make cheque payable to ‘International Art Centre’ Credit cards: Visa & Mastercard accepted with a 2% surcharge. No other credit cards accepted.

FREIGHT & PACKING International Art Centre will gladly arrange in house or professional packing and international, national or local freight at cost.

Please arrange insurance on your items prior to them leaving our premises. In some cases, we may be able to arrange delivery ourselves within the Auckland area.

OTHER ENQUIRIES +64 9 379 4010 Toll Free 0800 800 322 info@fineartauction.co.nz www.fineartauction.co.nz BUYERS PREMIUM 16.5% Buyers premium plus GST on premium applies to all lots.

Total buyers premium is 18.98% including GST Cover: Lot 70

Artists’ Estates & Collectable Art 6:30pm Tuesday 4 July 2017

202 PARNELL ROAD, AUCKLAND NEW ZEALAND PO BOX 37 344, PARNELL, AUCKLAND 1151 PH +64 9 379 4010 www.fineartauction.co.nz

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Viewing Times Wednesday

28 June

10:00am - 5:30pm

Thursday

29 June

9:00am - 5:30pm

Friday

30 June

10:00am - 5:00pm

Saturday

1 July

11:00am - 4:00pm

Sunday

2 July

11:00am - 4:00pm

Monday

3 July

10:00am - 5:30pm

Tuesday

4 July

9:00am - 2:00pm Auction 6:30pm

Parking During Viewing:

Allocated carparks located directly behind International Art Centre.

Further parking at St John’s Car Park, accessed at 244 Parnell Road, 40 metres up from International Art Centre

Parking During Auction:

Two large carparks located in Denby Street directly behind International Art Centre. Ample parking available to auction clients on evening of sale.

Absentee Bidding Absentee Bid Form - page 90 Fax to (09) 307 3421 or email info@internationalartcentre.co.nz Conditions of Sale - inside front cover Bid via website www.fineartauction.co.nz

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May Modern & Contemporary Art

Highlights

With over 80% of entries sold, a total of just under $550,000 was achieved including post auction sales. May’s Modern & Contemporary Art returned a pleasing result commensurate with increasing market response to this sale category. Consign Now to October Modern & Contemporary Art.

Prices quoted are hammer price which attract buyers premium Results www.fineartauction.co.nz

Don Binney $40,000

Paul Dibble $7,000

Max Gimblett $19,000 4

Pat Hanly $10,000

Doris Lusk $8,600

Dick Frizzell $40,000

Glenda Randerson $5,400

Max Gimblett $35,000 5

Lawrence Leitch Return to the Land, Southland Acrylic on board 56 x 126 cm Now on view in gallery $18,800

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2 0 2 PA R N EL L ROA D , AU CK L A N D N E W Z E A L A N D P H +6 4 9 3 7 9 4 0 1 0 www. in te r n a t io n a la r t c e n t re . c o . n z 7

Important & Rare 6:30pm Tuesday 8 August

The sale includes works by Charles Frederick Goldie, Frances Hodgkins, Peter McIntyre and Charles Blomfield. We also have consignments from the Remuera Club (Formally the Commerce Club Auckland) and the Estate of John & Beverly Malcolm - John was the President of the Queen Elizabeth Arts Council and they began collecting in the 1960s and 70s. Previously unseen works by Robert Ellis, Gretchen Albrecht, Ray Thorburn, Pat Hanly and William A Sutton feature as part of this offering.

International Art Centre are delighted to announce a previously unknown masterpiece, held in the same collection for nearly fifty years will comprise the centrepiece of this major sale. Painted by Louis John Steele, it depicts the Father of Auckland, Sir John Logan Cambell in his Parnell mansion Kilbryde where the Parnell Rose Gardens are today. This is one of the most significant historic New Zealand art discoveries in recent years and there is much excitement about it coming to light.

Important & Rare auctions are the proven, pre-eminent sale category for major works of art offered for sale in New Zealand. These auctions take place three times annually. As we fast approach our 50th year in business, experience continues to equal results. 2014 saw Important & Rare auctions realise five of New Zealand’s top ten auction prices. The following year saw new records set with the two top prices in Auckland achieved. With the addition of the record $1.377 million paid for a C F Goldie in April’s 2016 sale, International Art Centre achieved the three highest art auction prices in New Zealand’s history. Due to an appreciative, and greatly valued clientele of nationwide and international buyers and sellers we look forward to breaking new ground.

Consign Today Contact: Richard Thomson Ph. +64 9 379 4010 M. 0274 751 071 E. richard@artcntr.co.nz Catalogue closes 12 July 8

PETER MCINTYRE Rangitikei River Oil on board Estimate $25,000 - 35,000

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Artists’ Estates Consign Today

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International Art Centre’s decades of experience in the auction arena have been underpinned by the consistent delivery of excellent results for our clients, and over the years we have distinguished ourselves as the trusted, go-to institution for the handling of artists’ estate sales. Notable artists’ estates which have in the past been entrusted to International Art Centre include such prominent names as Ida Carey, Douglas Badcock, Gabrielle Hope, William James Reed & John Weeks. Acting with discretion, care and the affordance of specialist expertise, we provide an end-to-end service which guarantees ease of process for the vendor.

The delivery of a bespoke marketing approach which will ensure all works, regardless of value, are presented to their best advantage and achieve their full market potential, are part of the service.

John Weeks 1886 - 1967

Ida H Carey fetched $5,600 February 2017

For a confidential, obligation-free discussion around our handling of artists’ estates, and the services International Art Centre offer.

Contact: Richard Thomson +64 +9 379 4010 richard@artcntr.co.nz Mob. 0274 751071

Allen Maddox 1948 - 2000 Works from the Artist’s Estate Collection To be offered unreserved Allen Maddox is remembered as being one of New Zealand’s finest exponents of abstract expressionism.

His work, spanning over three decades investigates the tension between structure and gesture, primarily utilising the motifs of grids and crosses.

1 1 Allen Maddox

The Kiss

Oil on paper 35 x 50 Inscribed

$1,000 - 1,500

Allen Maddox estate no. aMAD82

2 Allen Maddox

Our Modesty

Oil on paper 15 x 50 Inscribed

$800 - 1,200

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Allen Maddox estate no. aMAD827

3 Allen Maddox

Her Great Modesty

Oil on paper 15 x 50 Inscribed

$800 - 1,200

Allen Maddox estate no. aMAD828

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Allen Maddox The Wedding Oil on paper 15 x 50 Signed, inscribed & dated 1989 $800 - 1,200

Allen Maddox estate no. aMAD829

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Sylvia Siddell 1941 - 2011 Peter Siddell 1935 - 2011 Works from the Artists’ Estate Collection To be offered unreserved 12

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Peter Siddell White House and Puriri Tree, 1969 Oil on board 40 x 52 $2,000 - 4,000

Note:

Title and date are from

artist’s records.

In 1960 Peter Siddell married Sylvia. They lived in Auckland where their two daughters were born.

From 1972 Siddell painted professionally, holding his first solo exhibition that same year.

Peter Siddell’s realist paintings are identified mainly with depictions of the environs of Auckland. While his works appear to be of actual places, his paintings have a subjective component, and might be better described as magic realism than truly realistic. The cityscapes and townscapes in Siddell’s paintings are rendered empty, with the suggestion of events occurring outside the picture area. In this sense, his work can be compared to the metaphysical works of Giorgio de Chirico. Siddell is the second only New Zealand artist to be knighted.

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Peter Siddell Norfolk Pines Digital monoprint, 26 x 38 Signed, inscribed & dated 2009 $1,000 - 1,500

7 Peter Siddell Trellis

Screenprint, edition of 90, a/p, 45 x 37

Signed, inscribed & dated 2005

800 - 1,200 7 13

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When Sylvia Siddell began painting in the 1970s, her art was shaped by the domestic and familiar. She incorporated family life into the process of art-making as a means of balancing her roles as wife and mother with her activity as an artist. Among other women artists of her generation, Siddell elevated the banal and ordinary occurrences of domestic life to an appropriate and challenging subject for art. Her comments on domesticity contained references to her feelings and frustrations about the wider world and continued to inform her work three decades on.

Sylvia Siddell The Dinner Party Series, (4) Dinner Party 6.30pm Dinner Party 8:00 pm Surprise Party Under the Table Four hand-coloured screenprints 41 x 31 Edition of 30 All Signed & inscribed $1,000 - 1,500

9 Sylvia Siddell

Tears of the Moon

Oil on canvas 88 x 50 Signed

$1,000 - 1,500

10 Sylvia Siddell

Moving On

Oil on canvas 88 x 50 Signed

$1,000 - 1,500 8 14

Sylvia Siddell 1941 - 2011 Peter Siddell 1935 - 2011 Works from the Artists’ Estate Collection

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John Weeks 1886 - 1965 Works from the Artist’s Estate Collection to be offered unreserved

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11 John Weeks

Hills & Clouds

Watercolour 25 x 40 Signed

Weeks O’Connor stamp verso

$1,500 - 2,500

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John Weeks Old Hotel Watercolour & pencil 39 x 50 1,000 - 2,000

13 John Weeks

El Hammam Foukani, Morocco

Watercolour 30 x 41 Signed

Inscribed under matt

Weeks O’Connor stamp verso

800 - 1,200

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John Weeks King Country Hills Watercolour 30 x 41 $1,500 - 2,500

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John Weeks King Country Farm Watercolour 23 x 40 $1,500 - 2,500

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Ida Harriet Carey 1891 - 1982 Works from the Artist’s Estate Collection

to be offered unreserved

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Ida H Carey Sing Along - Ropu Waiata Oil on board 66 x 80 $1,500 - 2,500

The works of popular Waikato artist and teacher Ida Carey have received increased market attention over the past few years. During the 1920s whilst based in Sydney, Ida studied with Italian artist Anthony Dattilo Rubbo (1870 - 1955). Best known as a portrait painter, in the 1960s she began a series featuring Maori women with Moko. A versatile artist, Ida was also a competent painter of interiors, landscapes, still life and a series of ballet scenes.

She was a founding member of the Waikato Society of Arts, becoming President in 1934. She succeeded fellow artist Ivy Copeland (1895 - 1961) as a lecturer at Auckland College of Education and taught art in several Hamilton schools. Represented: Christchurch Art Gallery, Rotorua Museum, Waikato Museum & Puke Ariki, New Plymouth.

Ida Carey c. 1971 nfs 18

Note: These are the remaining five works from the Artist’s Estate Collection.

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18 17 Ida H Carey Whakaako

Oil on board 60 x 64

$1,500 - 2,500 18

Ida H Carey Maori Elder in Pink Cardigan Oil on board 67 x 60 $1,500 - 2,500

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Ida H Carey Washing Day Oil on board 43 x 61 1,500 - 2,500

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Ida H Carey Elder - Moko, Cloak & Feather Oil on board 63 x 46 2,000 - 3,000 20 19

Gaston De Vel 1924 - 2010 Works from the Artist’s Estate Collection

to be offered unreserved Belgium born De Vel spent his student years at the AcadĂŠmie Royale des Beaux-Arts, Brussels, which he attended at age 17 from 1941 to 1945. I was taught to paint directly from life, so I could learn to visualise things as an artist in colour, just like the Impressionists.

Now these lessons are in my blood, a part of me.

One of his most influencial tutors was Alfred Bastien, a friend of Claude Monet and John Singer Sargent.

Gaston believes he was one of the last painters to have been taught in the classical and impressionistic fashion by a tutor directly involved with some of the leading artists of that movement. In 1960 he arrived in New Zealand from the Belgium Congo with nothing but peace and safety - it was worth losing everything just for that, Gaston said in an interview with the Auckland Star.

Gaston was awarded the Kelliher Art Prize in 1968.

The 1980s saw several sellout exhibitions in Auckland and at Lewis Paape Gallery, Lower Hutt. His work is part of the permanent collection of Dunedin Public Art Gallery.

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Gaston De Vel Sante Fe, New Mexico Oil on canvas 45 x 38 Signed & dated 1990 $1,000 - 1,500

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Gaston De Vel Ayleford, Kent Oil on canvas 38 x 46 Signed & dated 2000 $1,000 - 2,000

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Gaston De Vel Auckland Skyline Oil on canvas 51 x 60 Signed & dated 1975 $1,500 - 3,000

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Gaston De Vel Centenaire, Brussels Oil on canvas 40 x 51 Signed & dated 1971 $800 - 1,500

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Gaston De Vel Grand Canyon, Arizona Oil on canvas 46 x 55 Signed & dated 1990 $800 - 1,200

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Gaston De Vel Palace of Justice, Brussels Oil on canvas 40 x 51 Signed & dated 1971 1,000 - 1,500

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Gaston De Vel Wendons, Essex Oil on canvas 37 x 45.5 Signed & dated 2000 $1,000 - 2,000

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Gaston De Vel Early Civilization Oil on canvas 39 x 50 Signed & dated 1977 $800 - 1,200

29 Gaston De Vel Anemones

Oil on canvas 40 x 51

Signed & dated 1968

$1,000 - 1,500 25 22

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Gaston De Vel Ancient Ruins, Sicily Oil on canvas 50 x 39 Signed & dated 1977 800 - 1,200

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Gabrielle Hope 1916 - 1962 Works from the Artist’s Estate Collection to be offered unreserved Gabrielle Hope was born in Lower Hutt, she attended Auckland’s Diocesan School for Girls and studied at Elam School of Fine arts. The mother of two children, she lived in Whitford, Waiheke Island and in 1950 purchased a home in Tohunga Crescent, Parnell. Gabrielle’s wide circle of friends included fellow artists Helen Brown, Jan Nigro, Louise Henderson, Robert Nettleton Field, Eric Lee Johnson, Colin & Anne McCahon and Lincoln Lee. Her subject matter extensively encompasses still lifes, landscapes, figures, animals and portraits. The influence of Picasso, and an admiration of Frances Hodgkins is reflected in Hope’s work as is her fascination with western and eastern occult philosophies and symbolism. From 1946 she exhibited with the Auckland and Hamilton Society of Arts and the Auckland City Art Gallery in 1955/56.

From today’s perspective Gabrielle Hope’s work is more vital and modern than ever. There is an uncompromised bravery of brushstroke, a quality of perception leaving no doubt that she was a woman artist ahead of her time.

The artist’s early death at just forty six years of age cut short a career of already considerable achievement.

31 Gabrielle Hope Reflections

Pastel on paper 47 x 37

Signed & 1953

$800 - 1,200 32 Gabrielle Hope Portrait

Pastel on paper 56 x 38 Signed

$500 - 1,000 31 24

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34 Gabrielle Hope

Turkeys at Karekare

Watercolour 38 x 72 Signed

1,000 - 1,500

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33 Gabrielle Hope

Cat with a Fish

Watercolour 52 x 65 Signed

$800 - 1,200

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Pat Hanly Jumping Bride Screenprint, edition 3/6, 50 x 70 Signed, inscribed & dated 1985 $3,000 - 5,000

Provenance Lots 35 - 39 From a Private Collection, London

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36 Pat Hanly Touches

Screenprint, edition 19/25, 48 x 66

Signed, inscribed & dated 1985

$2,500 - 3,500 37 Gretchen Albrecht Corona

Lithograph, editon 6/30, 61.5 x 80.5

Signed, inscribed & dated 2000

$2,000 - 3,000

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Louise Henderson Untitled, c. 1950 Lithograph 38 x 60 $600 - 1,000

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Louise Henderson On the SS Southern Cross Lithograph 35 x 51.5 Signed & dated 1952 $600 - 1,000

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40 Pamela Wolfe Laceleaf

Acrylic on board 119 x 89

Signed & dated 1995

$1,500 - 2,500

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David Barker Shipwright Shed Acrylic on board 58 x 91 Signed & dated 1968 $2,000 - 3,000

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42 Michael Smither Central Otago Landscape Watercolour 38 x 63 Signed & dated 1970 $2,500 - 3,500

Provenance:

Estate of Evelyn Page

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Henryk Syzdlowski Blue Pongas Along White River Oil on canvas 66 x 58 Signed & dated 1984 $1,500 - 2,500

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Grant Banbury Ladder II Mixed media 75 x 28.5 $500 - 1,000

Provenance:

Denis Cohn label verso

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45 Anna Caselberg

In the Garden

Acrylic on board 36 x 53 Signed

$800 - 1,200 46 Michael Smither Landscape

Oil on board 56 x 58

Signed & dated 1965

$1,500 - 2,500

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47 Anna Caselberg

St Kilda with Hillside Workshop c. 1980

Watercolour 45 x 60 Signed

$500 - 1,000 48

Anna Caselberg Man and Boat Pencil on paper 34 x 42 Signed & dated 1982 $300 - 500

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49 Des Robertshaw

Reclining Nude

Acrylic on board 74 x 92 Signed

$1,600 - 2,500 50 Des Robertshaw

Metropole City

Acrylic on board 101 x 75 Signed

$1,600 - 2,500

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51 Stanley Palmer Estuary

Bamboo engraving, edition 21/60, 45 x 65

Signed, inscribed & dated 1979

$500 - 1,000 52 Stanley Palmer Mountainside

Bamboo engraving,

edition 6/60, 33.5 x 23

Signed, inscribed & dated 1979

$400 - 600 53

Stanley Palmer At the Bay quote ~ Katherine Mansfield Bamboo engraving, edition 90/100 47 x 65 Signed, inscribed & dated 1985 $800 - 1,200

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Stanley Palmer Pohutukawas and Island - Mahurangi Bamboo engraving, edition of 60, 46 x 57 Signed, inscribed & dated 1974 $400 - 600

55 Louise Henderson

Abstract Forest

Watercolour 29 x 49 Signed

1,000 - 1,500

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53

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Alexis Hunter The Lure of the Sea Oil on canvas 51 x 61 Signed & dated 1988 verso $2,000 - 3,000

Provenance:

Purchased directly from the artist in

Grey Lynn, 1990, on the eve of her

departure for the United Kingdom 57 Louise Henderson

Hula Girls, Raratonga

Lithograph, edition 10/10, 60 x 45 Signed

$950 - 1,250 56

58 Charles Nathaniel Worsley

Homeward Bound

Watercolour 24.5 x 34.5 Signed

$800 - 1,200 59 Charles Nathaniel Worsley

Wanganui River

Watercolour 24.5 x 34.5 Signed

$800 - 1,200 60 John Barr Clarke Hoyte

Lake Manapouri

Watercolour 21 x 42 Signed

$1,000 - 2,000 61 Charles Nathaniel Worsley

Mt Cook

Watercolour 36 x 25 Signed

$800 - 1,200 62 Charles Nathaniel Worsley

Lucerne, Switzerland

Watercolour 13.5 x 17.5 Signed

$300 - 600

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63

Paul Martinson Giant Moa Oil on board 36 x 28 Signed & dated 1991 $1,000 - 2,000

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Paul Martinson Stout-Legged Moa Oil on board 36 x 28 Signed & dated 1991 $1,000 - 2,000

Illustrated p. 43 New Zealand Extinct Birds Brian Gill & Paul Martinson Random Century, 1991

Illustrated p. 40 New Zealand Extinct Birds Brian Gill & Paul Martinson Random Century, 1991

At about 3m tall in an upright standing position this was the tallest bird known, though not the heaviest.

This short stocky moa was widely found in drier parts of New Zealand

65 Paul Martinson Snipe-Rail

Oil on board 36 x 28

Signed & dated 1991

$1,000 - 2,000

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Paul Martinson South Island Goose Oil on board 36 x 28 Signed & dated 1991 $1,000 - 2,000

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Paul Martinson Finsch’s Duck Oil on board 36 x 28 Signed & dated 1991 $1,000 - 2,000

Illustrated p. 59 New Zealand Extinct Birds Brian Gill & Paul Martinson Random Century, 1991

Illustrated p. 50 New Zealand Extinct Birds Brian Gill & Paul Martinson Random Century, 1991

Illustrated p. 53 New Zealand Extinct Birds Brian Gill & Paul Martinson Random Century, 1991

Remains of this small long- billed rail have been found only in the North Island

This giant flightless goose had greatly reduced wings

This heavily built species with a short bill and stout legs once occurred widely in both main islands

Lots 63 - 67 Notes & provenance: Private Collection, Auckland To be sold without reserve Exhibited: Ferner Galleries Auckland, 1991 Each lot sold with a copy of the limited edition book New Zealand Extinct Birds, Brian Gill & Paul Martinson, Random Century, 1991, together with a limited edition print, Huia by Paul Martinson

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68 Charles McPhee Nani

Oil on velvet 90 x 64

Signed & Inscribed

$1,500 - 2,500

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69 Charles McPhee Mareva

Oil on velvet 91 x 69

Signed & Inscribed

$1,500 - 2,500

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Gary Waldrum Red Plateau IX (Sisters II) Oil on canvas 101 x 168 Signed, inscribed & dated 1997 verso $6,000 - 8,000

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71 John Bevan Ford

Ruru and Kiwi Te Aitanga a Kiwa

Series (The Progeny of Kiwa)

Coloured pencil on paper 83 x 53 Signed

$2,500 - 3,500

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Pat Hanly Summer Bride + Groom Screenprint, edition 18/19, 52 x 63 Signed, inscribed & dated 1990 $2,000 - 3,000

73 Garth Tapper

Wellington - The PM Waiting for His Train

Oil on board 23 x 20 Signed

Inscribed verso

$2,500 - 3,500

Note:

Whilst this work appears to portray a figure

at Papatoetoe Railway Station, Auckland

it bears the inscription in artist’s hand

No. 10 Wellington, The PM Waiting For His Train verso

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George Baloghy The Last and First Cafe - Symonds Street Oil on canvas 59 x 84 Signed & dated 1986 $3,000 - 5,000

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Ruth Coie Four WW1 Studies, 2014 Charcoal drawings 42 x 30 Signed, inscribed & dated 2014 verso $3,000 - 4,000

Two Soldiers and a Donkey in Gas Masks

Three Air Dales with Gas Masks

French Army Dispatch Dog Jumps Over a Soldier in the Trenches

British and German Wounded, Epehy September, 1918

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76 Julian Hooper Sandcracker

Oil on linen 70 x 60

$3,000 - 5,000 Provenance:

Purchased from exhibition titled Williwaw

Ivan Anthony Gallery,

Auckland
May - June 2004

77 Steve Harris

Canterbury Barn, c. 1980

Acrylic on paper 42 x 66 Signed

$5,000 - 8,000

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78 Ian Kingstone

The Buck Stops Here

Oil on board 114 x 79

Signed & dated 2006 Inscribed Prime Beef is Exported to Australia verso

$1,200 - 1,800

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Jan Nigro It’s All In The Way We Look At It Mixed media collage on paper 76 x 53 Signed, inscribed & dated 2001 $1,400 - 1,800

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Dean Buchanan The Marionettes Oil on canvas 124 x 180 Signed & dated 1996 $2,500 - 3,500

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Jason Hicks Te Whenua Oil on canvas 68.5 x 119 Signed, inscribed & dated 1999 $800 - 1,200

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Mark Adams Pacific Island Tattoo The Last Day of Tattooing Artist Fatu Feu’u Large scale silver bromide print 118 x 150 $2,000 - 3,000

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83 J Lincoln Rowe

Mount Everest - A View of the Summit from

Thyangboche Monastry - the British

Fortieth Anniversary Everest Expedition

Limited edition print, 55/500, 45 x 66

Signed in pencil by the J Lincoln Rowe,

Sir Edmund Hillary and Rebecca Stephens

- the first British woman to climb Mount Everest

Proceeds from the sale of this lot in aid

of the Sir Edmund Hillary Himalayan Trust

$800 - 1,200 84

Dick Frizzell Martin Crowe Screenprint, A/P, 80 x 58 Signed, inscribed & dated 1996 $800 - 1,200

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Richard Thompson Untitled Sculpture Painted cast iron 35 x 35 x 27 $500 - 1,000

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86

87 50

88 86

Jean Rochards Ocean, Tahiti Acrylic on canvas 81 x 65 Signed & dated 2005 Inscribed verso $500 - 1,000

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Fatu Feu’u Kupe Sili Sili Lithograph, edition 8/12, 70 x 100 Signed & inscribed dated 2016 $1,000 - 1,500

88 Dick Frizzell Rastafour

Acrylic and collage on paper 21 x 18

Signed, inscribed & dated 2005

$1,000 - 3,000

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91

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89 Louis Boros Untitled

Oil on board 120 x 80

$800 - 1,200 90

Fatu Feu’u Titilo II Monoprint 63 x 50 Signed & dated 1992 $800 - 1,200

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Fatu Feu’u SIOA II Monoprint 75 x 55 Signed & dated 1992 $800 - 1,200

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John Hovell Tuatua (Amphidesma Subtriangulatum) Oil on board 70 x 73 Signed Inscribed & dated 1986 verso $500 - 1,000

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93 Douglas Badcock

Lake Wakatipu, Frankton Arm, Remarkables

Watercolour 23 x 28.5 Signed

$1,200 - 1,800 94 Douglas Badcock Arrowtown

Watercolour 23 x 31 Signed

$1,200 - 1,800

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95 Tim Wilson

Lake Waikaremoana

Oil on board 18.5 x 38 Signed

$800 - 1,200 96

E Mervyn Taylor St Mary’s, Karori Original engraving 18 x 23 Signed inscribed & dated 1937 $1,200 - 1,600

97 E Mervyn Taylor Mai

Screenprint, edition 55/300, 40 x 33

Signed & inscribed on plate

$1,400 - 1,800

Note:

Mai was also produced as a linocut 94

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E Mervyn Taylor Waipoua River Wood engraving, edition of 15, 11 x 13 Signed & inscribed $450 - 650

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E Mervyn Taylor Hillside with Trees Original engraving 17.5 x 17.5 Signed & dated 1936 $800 - 1,200

96 98

97

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100 James F Scott

Les Enfants

Oil on canvas 75 x 55 Signed

$1,500 - 2,500

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101 John Barr Clarke Hoyte Coromandel

Watercolour 20 x 40.5 Signed

$2,000 - 3,000

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102

Charles McPhee Tahitian Hut Oil on board 37 x 47 Signed & dated 1950 $600 - 1,200

103 Ian Hamlin

Sunset Over Te Anau

Oil on board 57 x 87 Signed

$1,000 - 2,000

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104 Gainor W Jackson

Cutty Sark at 17 Knots Passes the

SS Britannia off Sydney 1889

Oil on canvas laid on board 80 x 116 Signed

$3,000 - 5,000

56

During her 1889 voyage to Sydney, Cutty Sark added to her laurels by passing P&O Liner Britannia and beating her into Port Jackson. The clipper was off Gabo island in light winds when she was passed by the steamer. Twelve hours later, the officer of the watch on Britannia reported to his captain the lights of a sailing ship that was sailing at 17 knots compared with their 16, the wind being a stronger southerly ......

From notes affixed verso

105

Marcus King Dominion Monarch Docking at Queens Wharf, Wellington Oil on board 30 x 45 Signed verso $3,000 - 5,000

Provenance:

Private Collection, London

Illustrated: p. 236 Marcus King, Painting

New Zealand for the World, Peter Alsop,

Warren Feeney, Potton & Burton, 2015

The quadruple screw motor vessel Dominion Monarch was the most powerful ocean liner in the world and in her time, the largest ship in the Australasian trade.

With a unique passenger to crew ratio, Dominion Monarch offered a quality of service that has seldom been equalled. She was a most unusual ship; her design was that of a very large cargo-passenger liner, a factor emphasised by her comparatively small passenger complement. Although other vessels of her type had been built previously, and were ordered after her, Dominion Monarch was the largest liner of this format ever built.

57

106

58

Jane Evans From the Sand Dunes Watercolour 40 x 30 Signed & dated 2009 $2,500 - 3,500

107

Jane Evans The Pink Dress Watercolour 75 x 57 Signed & dated 1985 $3,000 - 5,000

108 Peter McIntyre

Itsukushima Shrine, Miyajima, Japan, 1965

Watercolour 51 x 73 Signed

$4,500 - 7,500 Provenance:

Private Collection since 1966

The sketch for this work is illustrated plate 23

Peter McIntyre’s Pacific, A H & A W Reed, 1966

Cruising around the Inland Sea we went to stay at Miyajima. It was raining. Somehow the delicate beauty of Japan, of pine trees and waterfall, temple and shrine, are enhanced by the softening rain.

We climbed through wooded valleys where the lacquered bridges and waterfallls loomed through the mist.

Peter McIntyre - Peter McIntyre’s Pacific, A H & A W Reed, 1966 Itsukushima Shrine is a UNESCO World Heritage Site

59

110 Ferdinando Quintavalla

Summer Fruits

Oil on panel 34 x 49 Signed

$1,000 - 2,000 111

Mark Weston / Otis Frizzell Untitled - A Pair Oil on board 47 x 120 Signed & dated 2007 $1,000 - 1,500

112 John Weeks Moroccan Village

Scene, Tlemcen

Graphite on paper 25 x 32

$600 - 800

109 Mark Olsen

Lilli Jellybean

Oil on canvas 100 x 100 Signed

$2,000 - 3,000 112

111

110 60

111

113

A Austen Deans October Snow, Godley River Oil on board 48.5 x 119.5 Signed and dated 1972 $6,000 - 8,000

114

Laurence WIlliam Wilson Lake Manapouri Oil on canvas 29 x 59 Signed, inscribed & dated 1909 $1,500 - 2,500

61

115

117 115 Herbert Ivan Babbage

St Ives

Watercolour 28 x 23 Signed

$300 - 500 116 Sylvia Siddell Untitled

Graphite on paper 33.5 x 33.5

Signed & dated 30.7.1980

$400 - 600 117

116 62

Grant Corbishley Farm Landscape with Trig Station Oil on canvas 150 x 121 Signed, inscribed & dated 2002 $1,500 - 2,500

119 118

Ralph Hotere Figure Study Xerox monoprint 33 x 21 Signed & inscribed Xerox print in pencil verso $800 - 1,200

119

Jason Grieg Egyptian Isis III ( It’s Made of Fire) Monoprint 32 x 22 Signed & dated 2004 $1,500 - 2,000

120 Jason Grieg Tombs

Monoprint 14.5 x 19.5

Signed, inscribed & dated 1996

$400 - 700

120 63

121

64

121 Tom Esplin

Luarca Spain

Oil on board 50 x 60 Signed

$3,000 - 5,000

123 Helen Brown

Auckland Building, Symonds Street

Watercolour 49 x 35 Signed

$900 - 1,500

122

124 Gaston De Vel

Cray Boats, Iron Pot, Napier

Oil on canvas 32 x 40 Signed

$800 - 1,200

Gaston De Vel Trafalgar Square, London Oil on canvas 40 x 50 Signed & dated 1970 $1,000 - 1,500

122

124

125 Tim Wilson

Sunset - Marlborough Sounds

Oil on canvas 45 x 60 Signed

$1,000 - 2,000

123

125 65

126

129 126 Cyril Whiteoak

Harbour from Waitakere Range

Oil on board 60 x 90 Signed

$800 - 2,000

127

127 Graham Braddock

The Old Homestead by the Sea

Hotere’s Place

Oil on board 45 x 55 Signed

$1,000 - 1,500 128

128 66

Rosa Spencer Bower Bluebells in the New Forest Watercolour 31 x 42 Signed & inscribed verso $500 - 1,000

129 Alice F Whyte

Auckland Wharves

Watercolour 24 x 28 Signed

$400 - 600

131

130 130

Olivia Spencer Bower Cactus Flower Watercolour 55 x 41 Signed & dated 1970 $800 - 1,200

131 Olivia Spencer Bower

Waimakariri River

Watercolour 44 x 56 Signed

$2,000 - 3,000 132 Olivia Spencer Bower

Medieval Village

Watercolour & ink 33 x 24 Signed

$800 - 1,200

132 67

133

133

james Peele Lake Wakatipu Watercolour 42 x 74 Signed & dated 1881 $800 - 1,200

134

Robert Nettleton Field Richard Field as a Baby Watercolour 23 x 22 Dated October 1944 $1,500 - 2,500

135 William George Baker

Cargills Cliffs

Oil on canvas 44.5 x 65 Signed

$800 - 1,500 136

Laurence WIlliam Wilson Mount Tutoka from Pykes River, Martins Bay Oil on canvas 29 x 45 Signed, inscribed & dated 1900 $1,500 - 2,500

137 William Menzie-Gibb

Evening, St Ives Cornwall

Oil on board 27 x 40 Signed

$800 - 1,200

134

Reference: p. 271, R N Field: The Dunedin Years 1925 - 1945, Anna K C Petersen, University of Canterbury Press

138 William Menzie-Gibb

Old Homestead

Watercolour 32 x 44 Signed

$400 - 600 139

J M Mayclair Snr Mt Manaia from Urquharts Bay, Whangarei Heads Oil on board 28 x 44 Signed & inscribed $200 - 400

140 Charles Blomfield

Otira Gorge

Oil on board 42.5 x 57.5 Signed

$1,500 - 2,500

135 68

141 Francis McCracken

View Through The Trees

Watercolour 24 x 33.5 Signed

$800 - 1,200

136

139

137

140

138

141 69

143

142 142

144 Roy Dalgarno The Judges of the High Court, Auckland 1981 Ten etchings, edition of 100, 32.7 x 24.5 All signed & inscribed All unframed in original presentation box $1,000 - 1,500

145 Charles Arthur Wheeler

Morning Stroll

Oil on board 21 x 28 Signed

$2,500 - 3,500

143 Elise Mourant

End of the Day

Watercolour 33 x 47 Signed

$300 - 500

144 Francis McCracken

Street Scene, Edinburgh

Coloured pencil on paper 11.5 x 18 Signed

$300 - 500

70

145

146 K J Andrews

Spring at Mt Cook and Tasman Valley

Watercolour 40 x 60 Signed

$400 - 600

148

147

149 Peter Williams

Berts Gang, Back Country, Gisborne

Oil on board 34 x 44 Signed

$400 - 600

Colin Vernon Wheeler Lindis Pass - Two Views Oil on canvas laid on board 14 x 42 One signed & dated 1962 $1,000 - 1,500

Douglas Badcock Old Barn, North Island Oil on board 45 x 60 Signed & dated 1968 $2,500 - 3,500

71

150

153

151

152 72

154

155 150 Peter Beadle

Stone Cottage, Central Otago

Oil on board 29.5 x 39.5 Signed

$800 - 1,200 151

Jos Kivits Books and Spectacles Oil on canvas 28 x 38 Signed & dated 1976 $500 - 1,000

152 Jos Kivits

The Shelter of Trees

Oil on board 58 x 78 Signed

$500 - 1,000

156

156 Fred Graham

Little Church

Watercolour & ink 30 x 39 Signed

$500 - 1,000 157 Richard Wallwork

Bon Festival

Oil on board 31 x 31 Signed

$800 - 1,200

153 Garth Tapper

The Wrestlers

Oil on board 22 x 29 Signed

$1,500 - 2,000 154

Douglas Badcock Chimney and Sycamores, Macetown Oil on board 40 x 30 Signed & dated 1961 $1,000 - 2,000

155 Nelson Thompson

All Saints Church, Howick

Watercolour and ink 36 x 55 Signed

$800 - 1,200

157 73

158 Peter Brown

Greenstone River

Oil on board 50 x 60 Signed

$400 - 600 159 Tim Wilson

Dusky Sound

Oil on canvas 35 x 62 Signed

$800 - 1,200 160 Brian Halliday

Autumn, near Glendhu Bay, Wanaka

Oil on board 50 x 65 Signed

$500 - 1,000 158

161 Peter Beadle

Mare And Foal Eglington

Valley Fiordland

Oil on board 55 x 75 Signed

$1000 - 1500 162 Judith Moreton

Forest & Stream

Oil on board 61 x 94 Signed

$1,500 - 2,500

159

163 Douglas Badcock

Bayonet and Cecil Peaks, Central Otago

Oil on board 46 x 62 Signed

Inscribed verso

$1,600 - 2,200 164

160 74

Randall Froude Mire Peak Oil on canvas 60 x 90 Signed & dated 1981 $500 - 1000

165 Randall Froude

Deep Cove Doubtful Sound

Oil on canvas 76 x 50 Signed

$500 - 1000

164 161

162

163

165 75

166 Richard Kemplev

The Flower Seller

Oil on canvas 55 x 41 Signed

$800 - 1,200 167 Pietro Anningoni

Italian 1910 - 1988 Portrait

Metal plaque, edition of 250, 9 x 7 Signed

$500 - 1,000 168 Percy Robert Craft

British 1856 - 1934

Corner of a Square, Damascus

Oil on board 24 x 33 Signed

$500 - 1,000 76

169 Paul Beauvais Venice

Oil on canvas

board 22 x 34

Signed & inscribed verso

$400 - 600 170 James Fraser Scott

Coastal Scene

Watercolour 28 x 38 Signed

$400 - 600 171

C Harington The Lea at Hatfield Watercolour 28 x 38 Signed & dated 1926 $400 - 600

168

171

172

Artist Unknown Probably British 19th Century Group Picnic in Castle Gardens Oil on canvas 49 x 59 $500 - 1,000

169

170

172 77

174

174

173 Trevor Lloyd

Tea Tree

Engraving 33 x 11 Signed

$300 - 500

175

174

176 James A Aitken

British 1846 - 1837 Lona

Oil on canvas 29 x 49

Signed & dated 1876

$800 - 1,200

Trevor Lloyd Mt Mania Whangarei & Northland Coast - A Pair Watercolour 20 x 23 $400 - 700

173

175 78

William George Baker Geyser, Rotorua Watercolour 12 x 17 Inscribed verso $300 - 500

176 177

Artist Unknown Horses and Soldiers Oil on canvas 60 x 90 $800 - 1,200

178 Artist Unknown Napoleon

Oil on board 14.5 x 14

$300 - 500

177

178 179

Douglas Badcock Looking up the Owen River from Murchison Oil on board 45 x 60 Signed & dated 1975 $1,000 - 2,000

179 79

180

181

180 Shane Cotton

Broken Water Screenprint,

edition of 60, 40 x 50

Signed & inscribed

$800 - 1,200

186 Tony Lane

Couple Embracing Screenprint,

edition 20/20, 108 x 55

Signed & dated 1987

$500 - 1,000

181

187

Fatu feu’u Pili Opo Lithograph, edtion 18/20, 58 x 74 Signed, inscribed & dated 1988 $400 - 600

182 Dick Frizzell

Sylvan Road Screenprint,

edition 33/100, 75.5 x 57

Signed, inscribed

& dated 2005

$400 - 600

188 Richard Killeen

Wine Attachments Screenprint,

edition 12/100, 56 x 75.5

Signed, inscribed

& dated 2002

$800 - 1,200

183 John Drawbridge

Girl at Window No 1

Line etching 65 x 38 Signed

$800 - 1,200

189 Dick Frizzell Table/Wine

Screenprint,

edition 49/100, 60 x 50

Signed, inscribed

& dated 2002

$600 - 1000

184

Don Driver At the Beach Screenprint, edition 150/150, 76.5 x 57 Signed, inscribed & dated 1982 $400 - 700

185 Dick Frizzell Contacts Screenprint,

edition 71/75 33 x 39

Signed & dated 2003

$800 - 1,200

182 80

Deny Watkins Pili Opo Lithograph, edtion 18/20, 58 x 74 Signed, inscribed & dated 1988 $400 - 600

190 Dick Frizzell

True Colours Screenprint,

edition of 100, p/p

76 x 57 cm

Signed, inscribed

& dated 2007

$1400 - 1,800

185

188

183 189

186

184

187

190 81

197

194 191

191

192 Vida Steinert

Tree Study

Watercolour 44 x 39 Signed

$300 - 500 193

192

Ian Hamlin Evening surf, Punakaiki Oil on board 59 x 49 Signed & dated 1990 $800 - 1,200

Brian Strong Inland Stream Oil on paper 22 x 20 Signed & dated 2002 $400 - 600

194 Richard Ponder

Molesworth Morning

Oil on board 40 x 50 Signed

$800 - 1,200 195 E B Lattey

Bush House

Watercolour 32 x 49 Signed

$400 - 600 196 Robert Proctor

A Sunlit Market

Oil on board 40 x 29 Signed

$800 - 1,200

193 82

C Troughton Clark Heni Pawhatai with Grand Daughter Mehon Taiapa Sepia print 50 x 40 $200 - 400

198 Michael Ponder

The Smithey, Langley

Dale Marlb

Oil on board 30 x 34 Signed

$500 - 1,000 199

Brent Trolle Mt Cook & Mt Tasman Oil on canvas 30 x 40 Signed & dated 2005 $300 - 500

200 Jos Kivits Pronkstilleven

Oil on board 70 x 49

Signed & dated 1976

$800 - 1,200 201 Jos Kivits

Winter Scene

Oil on board 38 x 48 Signed

$800 - 1,200 202

Suzanne Goldberg Desert Landscape Oil on board 42 x 57 Signed & dated 1978 Inscribed verso $200 - 400

203 Suzanne Goldberg Untitled

Oil on board 50 x 72

Signed & dated 1965

$200 - 400 204 Aston Greathead

The Old Wharf from Armers Beach, Kaikoura

Oil on board 38 x 46.5 Signed

$400 - 600

195 201 198

202 199

196

203

197

200

204 83

205 Jos Kivits

The Water Billy

Oil on board 38 x 49 Signed

$800 - 1,200 206 Carl Bland

Bird Man

Pastel on paper 88.5 x 63 Signed

$700 - 1,500 205

207 E G Edwards

The Pink Terraces

Oil on board 50 x 73 Signed

$1,000 - 2,000 208

Paul Martinson Bird in Flight Watercolour 22 x 18 Signed & dated 1992 $800 - 1,200

209 Richard Wallwork

Hay Bales

oil on board 23 x 27 Signed

$400 - 600 210 Jos Kivits Landscape

Oil on board 48 x 70

Signed & dated 1976

$300 - 600 206

207 84

211 Richard Wallwork

An Arab

Watercolour 17 x 12 Signed Inscribed An Arab verso

$250 - 450

208

212 Jos Kivits

Still Life with Chestnuts

Oil on board 20.5 x 28 Signed

$500 - 1,000 213 Jason McCormack

I Have Arrived

Acrylic on linen 85 x 85 Signed

$500 - 1,000 214 Jos Kivits

Upper Waiwera

Oil on board 38 x 27 Signed

$300 - 500 215

Walter Gonim Shaw Savill Liner Watercolour 34 x 48 $150 - 350

216

Alfred Ernest Baxter Selwyn Reservoir Watercolour 23 x 34 Signed & dated 1918 $400 - 600

212

215

209

210

211

213

214

216 217

Johanna Ward View from Veranda, Waiheke Island Oil on paper 43 x 30 Signed & dated 1992 $200 - 400

217 85

86

87

Sale categories at International Art Centre Important & Rare Art Important & Rare auctions are the proven, preeminent sale category for major works of art offered for sale in New Zealand. These auctions take place three times annually. As we fast approach our 50th year in business, experience continues to equal results. 2014 saw Important & Rare auctions realise five of New Zealand’s top ten auction prices. The following year saw new records set with the two top prices in Auckland achieved. With the addition of the record $1.377 million paid for a C F Goldie in April’s 2016 sale, International Art Centre achieved the three highest art auction prices in New Zealand’s history. Due to an appreciative, and greatly valued clientele of nationwide and international buyers and sellers we look forward to breaking new ground.

Modern & Contemporary Art Twice a year our Modern & Contemporary Art auctions play an integral role in enabling market access to the most sought-after artists who have defined New Zealand’s art narrative over the past 50-years. These sales never fail to present an exciting offering of both painting and sculpture by a range of our modern and contemporary greats. Spanning that vital period from the establishment of mid-century modernism through to the cutting edge of our national contemporary art discourse, this is an acclaimed and significant event in the auction calendar. Our new state-of-the-art premises will ensure contemporary art is now exhibited and auctioned in a dynamic and appropriate environment.

Consign Now Richard Thomson Ph. +64 9 379 4010 Mob. 0274 751 071 E. richard@artcntr.co.nz

Expertise Experience Results 88

Always consigning Always cataloguing Collectable & Affordable Art

Single Owner Auctions

The buzz generated by our regular Collectable Art auctions reflects the popularity of this sale: an event at which seasoned connoisseurs and budding collectors alike converge to appreciate one of the most eclectic and diverse offerings available to the market.

Because this auction specifically caters to the more affordable end of the market - generally presenting works valued at $5,000 and less, this is an exciting opportunity to unearth some real treasures. Collectable Art auctions offer a number lower-priced works from highly-sought after artists in print and edition form, as well as quality works from artists whose presence on the secondary market is just beginning to crystallise.

From time to time, the secondary market is fortunate enough to be exposed to one of those rare collections which transcends the value of its individual works of art, and stands to represent something iconic in its entirety. Our team is well-versed in the process of offering single-owner collections for sale, and take pride in the process of curating a single-owner sale when the opportunity arises. We offer a targeted marketing campaign and maximise the use of both electronic and print-based collateral to effectively showcase such collections to maximum effect. The strong networks we have established locally and internationally are reflected in some of the private collections which have been entrusted to us in recent years, namely: the sale of the John Leech Collection, the Barry Pilcher Collection of Contemporary Art and a selection of works from the Fletcher Trust Collection.

Consign Now Luke Davies Ph. +64 9 379 4010 E. luke@artcntr.co.nz

www.fineartauction.co.nz 89

Alternatively, register then bid online www.fineartauction.co.nz

Collectable Art 6:30pm Tuesday 4 July

I instruct International Art Centre to bid on my behalf for the following lots up to the prices indicated below. My bids are to be executed at the lowest attainable price level.

All bids are subject to Conditions of Sale printed in this catalogue.

Registration Bidding Number Name Address Telephone Home

Lot Number

Mob

Artist and Title

Signature........................................................

Email

Bid $NZ (excl. premium)

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/ 2017

International Art Centre offers this service to clients unable to attend sale.

International Art Centre is not responsible for error or failure to execute bids.

Fax +64 9 307 3421 or post to PO Box 37344 Parnell, Auckland 1151, before 2pm 4 July

90

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Absentee Bid Form

91

Index ADAMS M........................................... 82 AITKEN J A........................................ 176 ALBRECHT G....................................... 37 ANDREWS K J .................................. 146 ANNIGONI P..................................... 167 BABBAGE H I..................................... 115 BADCOCK D....................... 93, 94, 148, .......................................... 163, 154, 179 BAKER W G............................... 135, 175 BALOGHY G....................................... 74 BANBURY G........................................ 44 BARKER D............................................ 41 BAXTER A E....................................... 216 BEADLE P.................................. 150, 161 BEAUVAIS P....................................... 169 BLAND C........................................... 206 BLOMFIELD C.................................... 140 BOROS L............................................. 90 BRADOCK G..................................... 127 BROWN P.......................................... 158 BROWN H.......................................... 123 BUCHANAN D.................................... 80 CAREY I H....................16, 17, 18, 19, 20 CASELBERG A..........................45, 47, 48 CLARK C T........................................ 197 COLE R................................................ 75 CORBISHLEY G................................. 117 COTTON S......................................... 180 CRAFT P R......................................... 168 DALGARNO R................................... 142 DE VEL G.................... 21, 22, 23, 24, 25, .....................26, 27, 28, 29, 30, 122, 124 DEANS A A....................................... 113 DRAWBRIDGE J................................ 183 DRIVER D.......................................... 184 EDWARDS E G.................................. 207 ESPLIN T............................................. 121 EVANS J.................................... 106, 107 FEU’U F.............................87, 89, 91, 181 FIELD R N........................................... 134 FORD J B............................................. 71

92

FRIZZELL D..... 84, 88, 182, 185, 189, 190 FRIZZELL O & WESTON M................. 111 FROUDE R................................. 164, 165 GIBB W M...................................137, 138 GOLDBERG S............................ 202, 203 GONIM W......................................... 215 GRAHAM F....................................... 156 GREATHEAD A.................................. 204 GRIEG J..................................... 119, 120 HALLIDAY B....................................... 160 HAMLIN I................................... 103, 191 HANLY P.................................. 35, 36, 72 HARRINGTON C............................... 171 HARRIS S.............................................. 77 HENDERSON L.................. 38, 39, 55, 57 HICKS J................................................ 81 HOOPER J........................................... 76 HOPE G............................. 31, 32, 33, 34 HOTERE R ......................................... 118 HOVELL J............................................ 92 HOYTE J B C................................ 60, 101 HUNTER A............................................ 56 JACKSON G W................................. 104 KEMPLEV R........................................ 166 KILLEEN R.......................................... 188 KING M............................................. 105 KINGSTONE I....................................... 78 KIVITS J..............................151, 200, 201, .......................... 210, 212, 214, 152, 205 LANE T............................................... 186 LATTEY E B......................................... 195 LLOYD T..................................... 173, 174 MADDOX A.............................. 1, 2, 3, 4 MARTINSON P............. 63, 64, 65, 66, 67 MARTINSON P................................... 208 MAYCLAIR J M................................. 139 MCCORMACK J.............................. 213 MCCRACKEN F........................ 141, 144 MCINTYRE P...................................... 108 McPHEE C........................... 68, 69, 102 MORETON J...................................... 162

MOURANT E...................................... 143 NIGRO J.............................................. 79 OLSEN M........................................... 109 PALMER S.......................... 51, 52, 53, 54 PEELE J.............................................. 133 PONDER M....................................... 198 PONDER R......................................... 194 PROCTOR R...................................... 196 QUINTAVALLA F................................ 110 ROBERTSHAW D............................ 49, 50 ROCHARDS J...................................... 86 ROWE J L............................................ 83 SCOTT J F.................................. 100, 170 SIDDELL S............................ 8, 9, 10, 116 SIDDELL P...................................... 5, 6, 7 SMITHER M.................................... 42, 46 SPENCER B R............. 128, 130, 131, 132 STEINERT V......................................... 192 STRONG B......................................... 193 SZYDLOWSKI H.................................... 43 TAPPER G.................................... 73, 153 TAYLOR E M........................96, 97, 98, 99 THOMPSON N................................... 155 THOMPSON R..................................... 85 TROLLE B........................................... 199 UNKNOWN ARTIST.............172, 177, 178 WALDRUM G...................................... 70 WALLWORK R....................157, 209, 211 WARD J............................................. 217 WATKINS D........................................ 187 WEEKS J............... 11, 12, 13, 14, 15, 112 WHEELER C V........................... 145, 147 WHITEOAK C..................................... 126 WHYTE A F........................................ 129 WILLIAMS P ...................................... 149 WILSON T............................ 95, 125, 159 WILSON L W.............................. 114, 136 WOLFE P............................................. 40 WORSLEY C N................... 58, 59, 61, 62

2 0 2 PA R N EL L R OA D , AU CK L A N D N E W Z E A L A N D P H +6 4 9 3 7 9 4 0 1 0 www. f in e a r ta u c t io n . c o . n z