

Artists’ Estates & Collectable Art
Tuesday 4 July 2017
Conditions of Sale & A Guide to Buyers
The highest bidder shall be the buyer. In the event of any dispute as to the bidding in respect of any lot, that lot may be offered again at the discretion of the auctioneer whose decision shall be absolute and final.
The auctioneer has the right -
(i) to refuse any bid;
(ii) to advance the bidding at his absolute discretion;
(iii) to place a reserve on any lot;
(iv) to place a bid or bids on behalf of the seller;
(v) to withdraw any lot from sale;
(vi) to require a successful bidder to pay forthwith the whole or any part of the purchase price.
The auctioneer acts as the agent of the seller and neither he nor the seller shall be responsible for any defects or faults in any lot or for any errors of description or for genuineness or authenticity of any lot and no compensation shall be paid in respect of same.
From the time of lot being sold, such lot will be the responsibility of the buyer. Successful bidders are required to pay for purchases immediately on completion of sale unless otherwise arranged.
All intending buyers are required to register for a bidding number prior to auction commencing. Subscribers can use their permanent bidding number. We reserve the right to ask for identification if you are a first time client of International Art Centre.
Each lot shall be paid for and removed at the buyers expense by no later than 4pm Friday 7 July 2017 unless otherwise arranged failing which the auctioneer and/or the seller shall have the right to forfeit any deposit paid by the buyer and to resell the lot either by public or private sale and any deficiency on costs of resale shall be borne by the defaulting buyer.
No lot may be collected or paid for whilst auction is in progress.
SUBJECT BIDS
When the auctioneer declares a lot ‘subject’ this means the bid is below the set reserve and is subject to vendor accepting, rejecting or negotiating the bid. International Art Centre will endeavour to make contact with the vendor immediately after sale or the following day. If the bid is accepted, the highest bidder is obligated to make purchase.
ESTIMATES
Estimates are provided for each entry and act as a guide only. They are prepared well in advance of sale and are subject to revision at any time. Estimates are based on hammer price and do not include our buyers premium.
ABSENTEE BIDS
Absentee bidding arranged - please refer to absentee bidding page in back of catalogue. Fax to (09) 307 3421 or post to PO Box 37 344 Parnell. Please do not be offended if a member of our staff asks for your credit card details as security.
Absentee bids can also be left via our website to registered members. International Art Centre website www.fineartauction. co.nz acts as a useful auxiliary to the catalogue but we recommend inspection or a condition report prior to leaving a bid. Our staff will gladly supply you with a condition report on any lot.
TELEPHONE BIDS
Telephone bidding available to subscribers. There is no charge for this service.
PAYMENT FACILITIES
Eftpos: Available for transactions $2,000 or less which is the banks daily limit. For transactions less than $4,000 a 50% deposit on the evening and balance following morning is acceptable as long as the goods remain on our premises until full payment is made.
Bank deposits: Please ask for our bank details to be faxed or emailed if you wish to pay by direct debit. Quote the Lot number(s) Cheques: Accepted by known clients of International Art Centre or at our discretion. When posting cheques please ensure they are sent to the following address. International Art Centre PO Box 37344 Parnell, Auckland 1151. Make cheque payable to ‘International Art Centre’ Credit cards: Visa & Mastercard accepted with a 2% surcharge. No other credit cards accepted.
FREIGHT & PACKING
International Art Centre will gladly arrange in house or professional packing and international, national or local freight at cost. Please arrange insurance on your items prior to them leaving our premises. In some cases, we may be able to arrange delivery ourselves within the Auckland area.
OTHER ENQUIRIES
+64 9 379 4010 Toll Free 0800 800 322 info@fineartauction.co.nz www.fineartauction.co.nz
BUYERS PREMIUM
16.5% Buyers premium plus GST on premium applies to all lots. Total buyers premium is 18.98% including GST
Cover: Lot 70


Viewing Times
Wednesday 28 June 10:00am - 5:30pm
Thursday 29 June 9:00am - 5:30pm
Friday 30 June 10:00am - 5:00pm
Saturday 1 July 11:00am - 4:00pm
Sunday 2 July 11:00am - 4:00pm
Monday 3 July 10:00am - 5:30pm
Tuesday 4 July 9:00am - 2:00pm Auction 6:30pm
Parking During Viewing:
Allocated carparks located directly behind International Art Centre. Further parking at St John’s Car Park, accessed at 244 Parnell Road, 40 metres up from International Art Centre
Parking During Auction:
Two large carparks located in Denby Street directly behind International Art Centre. Ample parking available to auction clients on evening of sale.
Absentee Bidding
Absentee Bid Form - page 90 Fax to (09) 307 3421 or email info@internationalartcentre.co.nz
Conditions of Sale - inside front cover
Bid via website www.fineartauction.co.nz
May Modern & Contemporary Art Highlights
With over 80% of entries sold, a total of just under $550,000 was achieved including post auction sales. May’s Modern & Contemporary Art returned a pleasing result commensurate with increasing market response to this sale category. Consign Now to October Modern & Contemporary Art.



Prices quoted are hammer price which attract buyers premium
Results www.fineartauction.co.nz

Don Binney $40,000
Max Gimblett $19,000
Paul Dibble $7,000
Pat Hanly $10,000




Doris Lusk $8,600
Glenda Randerson $5,400
Max Gimblett $35,000
Dick Frizzell $40,000
Lawrence Leitch

Return to the Land, Southland Acrylic on board 56 x 126 cm
Now on view in gallery $18,800

Important & Rare
6:30pm Tuesday 8 August
The sale includes works by Charles Frederick Goldie, Frances Hodgkins, Peter McIntyre and Charles Blomfield. We also have consignments from the Remuera Club (Formally the Commerce Club Auckland) and the Estate of John & Beverly Malcolm - John was the President of the Queen Elizabeth Arts Council and they began collecting in the 1960s and 70s. Previously unseen works by Robert Ellis, Gretchen Albrecht, Ray Thorburn, Pat Hanly and William A Sutton feature as part of this offering.
International Art Centre are delighted to announce a previously unknown masterpiece, held in the same collection for nearly fifty years will comprise the centrepiece of this major sale. Painted by Louis John Steele, it depicts the Father of Auckland, Sir John Logan Cambell in his Parnell mansion Kilbryde where the Parnell Rose Gardens are today. This is one of the most significant historic New Zealand art discoveries in recent years and there is much excitement about it coming to light.
Important & Rare auctions are the proven, pre-eminent sale category for major works of art offered for sale in New Zealand. These auctions take place three times annually. As we fast approach our 50th year in business, experience continues to equal results. 2014 saw Important & Rare auctions realise five of New Zealand’s top ten auction prices. The following year saw new records set with the two top prices in Auckland achieved. With the addition of the record $1.377 million paid for a C F Goldie in April’s 2016 sale, International Art Centre achieved the three highest art auction prices in New Zealand’s history. Due to an appreciative, and greatly valued clientele of nationwide and international buyers and sellers we look forward to breaking new ground.
Consign Today
Contact: Richard Thomson
Ph. +64 9 379 4010 M. 0274 751 071
E. richard@artcntr.co.nz
Catalogue closes 12 July
PETER MCINTYRE Rangitikei River Oil on board Estimate $25,000 - 35,000


Artists’ Estates Consign Today
International Art Centre’s decades of experience in the auction arena have been underpinned by the consistent delivery of excellent results for our clients, and over the years we have distinguished ourselves as the trusted, go-to institution for the handling of artists’ estate sales. Notable artists’ estates which have in the past been entrusted to International Art Centre include such prominent names as Ida Carey, Douglas Badcock, Gabrielle Hope, William James Reed & John Weeks. Acting with discretion, care and the affordance of specialist expertise, we provide an end-to-end service which guarantees ease of process for the vendor.

The delivery of a bespoke marketing approach which will ensure all works, regardless of value, are presented to their best advantage and achieve their full market potential, are part of the service.
For a confidential, obligation-free discussion around our handling of artists’ estates, and the services International Art Centre offer.
Contact: Richard Thomson +64 +9 379 4010 richard@artcntr.co.nz Mob. 0274 751071

Ida H Carey fetched $5,600 February 2017
John Weeks 1886 - 1967
Allen Maddox 1948 - 2000
Works from the Artist’s Estate Collection
To be offered unreserved
Allen Maddox is remembered as being one of New Zealand’s finest exponents of abstract expressionism. His work, spanning over three decades investigates the tension between structure and gesture, primarily utilising the motifs of grids and crosses.

1 Allen Maddox
The Kiss Oil on paper 35 x 50
Inscribed $1,000 - 1,500
Allen Maddox estate no. aMAD82
2 Allen Maddox Our Modesty Oil on paper 15 x 50 Inscribed $800 - 1,200
Allen Maddox estate no. aMAD827
3 Allen Maddox
Her Great Modesty Oil on paper 15 x 50 Inscribed $800 - 1,200
Allen Maddox estate no. aMAD828
4 Allen Maddox
The Wedding Oil on paper 15 x 50
Signed, inscribed & dated 1989
$800 - 1,200
Maddox estate no. aMAD829




Sylvia Siddell 1941 - 2011
Peter Siddell 1935 - 2011
Works from the Artists’ Estate Collection
To be offered unreserved
5 Peter Siddell
White House and Puriri Tree, 1969
Oil on board 40 x 52
$2,000 - 4,000
Note:
Title and date are from artist’s records.
In 1960 Peter Siddell married Sylvia. They lived in Auckland where their two daughters were born. From 1972 Siddell painted professionally, holding his first solo exhibition that same year.
Peter Siddell’s realist paintings are identified mainly with depictions of the environs of Auckland. While his works appear to be of actual places, his paintings have a subjective component, and might be better described as magic realism than truly realistic. The cityscapes and townscapes in Siddell’s paintings are rendered empty, with the suggestion of events occurring outside the picture area. In this sense, his work can be compared to the metaphysical works of Giorgio de Chirico. Siddell is the second only New Zealand artist to be knighted.

6 Peter Siddell
Norfolk Pines
Digital monoprint, 26 x 38
Signed, inscribed & dated 2009
$1,000 - 1,500
7 Peter Siddell Trellis
Screenprint, edition of 90, a/p, 45 x 37
Signed, inscribed & dated 2005
800 - 1,200



When Sylvia Siddell began painting in the 1970s, her art was shaped by the domestic and familiar. She incorporated family life into the process of art-making as a means of balancing her roles as wife and mother with her activity as an artist. Among other women artists of her generation, Siddell elevated the banal and ordinary occurrences of domestic life to an appropriate and challenging subject for art. Her comments on domesticity contained references to her feelings and frustrations about the wider world and continued to inform her work three decades on.


8 Sylvia Siddell
The Dinner Party Series, (4)
Dinner Party 6.30pm
Dinner Party 8:00 pm
Surprise Party
Under the Table
Four hand-coloured screenprints 41 x 31
Edition of 30
All Signed & inscribed
$1,000 - 1,500
9 Sylvia Siddell
Tears of the Moon Oil on canvas 88 x 50
Signed $1,000 - 1,500
10 Sylvia Siddell
Moving On Oil on canvas 88 x 50
Signed
$1,000 - 1,500
Sylvia Siddell 1941 - 2011
Peter Siddell 1935 - 2011
Works from the Artists’ Estate Collection




John Weeks 1886 - 1965
Works from the Artist’s Estate
John Weeks
Hills & Clouds
Watercolour 25 x 40
Signed
Weeks O’Connor stamp verso
$1,500 - 2,500

12
John Weeks
Old Hotel
Watercolour & pencil 39 x 50
1,000 - 2,000 13
John Weeks
El Hammam Foukani, Morocco
Watercolour 30 x 41
Signed
Inscribed under matt
Weeks O’Connor stamp verso
800 - 1,200

King
Watercolour 30 x 41
$1,500 - 2,500
King
Watercolour 23 x 40
$1,500 - 2,500

14 John Weeks
Country Hills
15 John Weeks
Country Farm

Ida Harriet Carey 1891 - 1982
Works from the Artist’s Estate Collection to be offered unreserved


- 2,500
The works of popular Waikato artist and teacher Ida Carey have received increased market attention over the past few years. During the 1920s whilst based in Sydney, Ida studied with Italian artist Anthony Dattilo Rubbo (1870 - 1955). Best known as a portrait painter, in the 1960s she began a series featuring Maori women with Moko. A versatile artist, Ida was also a competent painter of interiors, landscapes, still life and a series of ballet scenes.
She was a founding member of the Waikato Society of Arts, becoming President in 1934. She succeeded fellow artist Ivy Copeland (1895 - 1961) as a lecturer at Auckland College of Education and taught art in several Hamilton schools. Represented: Christchurch Art Gallery, Rotorua Museum, Waikato Museum & Puke Ariki, New Plymouth.
Note: These are the remaining five works from the Artist’s Estate Collection.
Ida Carey c. 1971 nfs
16 Ida H Carey Sing Along - Ropu Waiata Oil on board 66 x 80 $1,500



17 Ida H Carey Whakaako Oil on board 60 x 64
$1,500 - 2,500
18 Ida H Carey Maori Elder in Pink Cardigan Oil on board 67 x 60
$1,500 - 2,500
19 Ida H Carey Washing Day Oil on board 43 x 61 1,500 - 2,500
20 Ida H Carey Elder - Moko, Cloak & Feather Oil on board 63 x 46 2,000 - 3,000


Gaston De Vel 1924 - 2010
Works from the Artist’s Estate Collection to be offered unreserved
Belgium born De Vel spent his student years at the Académie Royale des Beaux-Arts, Brussels, which he attended at age 17 from 1941 to 1945. I was taught to paint directly from life, so I could learn to visualise things as an artist in colour, just like the Impressionists. Now these lessons are in my blood, a part of me.
One of his most influencial tutors was Alfred Bastien, a friend of Claude Monet and John Singer Sargent. Gaston believes he was one of the last painters to have been taught in the classical and impressionistic fashion by a tutor directly involved with some of the leading artists of that movement. In 1960 he arrived in New Zealand from the Belgium Congo with nothing but peace and safety - it was worth losing everything just for that, Gaston said in an interview with the Auckland Star.
Gaston was awarded the Kelliher Art Prize in 1968. The 1980s saw several sellout exhibitions in Auckland and at Lewis Paape Gallery, Lower Hutt. His work is part of the permanent collection of Dunedin Public Art Gallery.
21 Gaston De Vel
Sante Fe, New Mexico
Oil on canvas 45 x 38
Signed & dated 1990
$1,000 - 1,500
22 Gaston De Vel
Ayleford, Kent
Oil on canvas 38 x 46
Signed & dated 2000
$1,000 - 2,000

Signed & dated 1975
$1,500 - 3,000
23 Gaston De Vel
Auckland Skyline Oil on canvas 51 x 60

Gaston De Vel
Centenaire, Brussels Oil on canvas 40 x 51
Signed & dated 1971
$800 - 1,500


25 Gaston De Vel
Grand Canyon, Arizona Oil on canvas 46 x 55
Signed & dated 1990
$800 - 1,200
26
Gaston De Vel
Palace of Justice, Brussels Oil on canvas 40 x 51
Signed & dated 1971
1,000 - 1,500
27
Gaston De Vel
Wendons, Essex Oil on canvas 37 x 45.5
Signed & dated 2000
$1,000 - 2,000
28
Gaston De Vel
Early Civilization Oil on canvas 39 x 50
Signed & dated 1977
$800 - 1,200
29
Gaston De Vel
Anemones Oil on canvas 40 x 51
Signed & dated 1968
$1,000 - 1,500




30 Gaston De Vel Ancient Ruins, Sicily


Gabrielle Hope 1916 - 1962
Works from the Artist’s Estate Collection to be offered unreserved
Gabrielle Hope was born in Lower Hutt, she attended Auckland’s Diocesan School for Girls and studied at Elam School of Fine arts. The mother of two children, she lived in Whitford, Waiheke Island and in 1950 purchased a home in Tohunga Crescent, Parnell. Gabrielle’s wide circle of friends included fellow artists Helen Brown, Jan Nigro, Louise Henderson, Robert Nettleton Field, Eric Lee Johnson, Colin & Anne McCahon and Lincoln Lee.
Her subject matter extensively encompasses still lifes, landscapes, figures, animals and portraits. The influence of Picasso, and an admiration of Frances Hodgkins is reflected in Hope’s work as is her fascination with western and eastern occult philosophies and symbolism. From 1946 she exhibited with the Auckland and Hamilton Society of Arts and the Auckland City Art Gallery in 1955/56.
From today’s perspective Gabrielle Hope’s work is more vital and modern than ever. There is an uncompromised bravery of brushstroke, a quality of perception leaving no doubt that she was a woman artist ahead of her time.
The artist’s early death at just forty six years of age cut short a career of already considerable achievement.
31 Gabrielle Hope Reflections
Pastel on paper 47 x 37
Signed & 1953
$800 - 1,200
32 Gabrielle Hope Portrait
Pastel on paper 56 x 38
Signed
$500 - 1,000


- 1,200
Signed 1,000 - 1,500

33 Gabrielle Hope Cat with a Fish Watercolour 52 x 65
34 Gabrielle Hope Turkeys at Karekare Watercolour 38 x 72

Screenprint, edition 3/6, 50 x 70 Signed, inscribed & dated 1985
$3,000 - 5,000
Provenance Lots 35 - 39
From a Private Collection, London
35 Pat Hanly Jumping Bride
35

Screenprint, edition 19/25, 48 x 66
Signed, inscribed & dated 1985
$2,500 - 3,500 37 Gretchen Albrecht Corona
Lithograph, editon 6/30, 61.5 x 80.5
Signed, inscribed & dated 2000

$2,000 - 3,000 38

Louise Henderson
Untitled, c. 1950
Lithograph 38 x 60
$600 - 1,000
Louise Henderson On the SS Southern Cross Lithograph 35 x 51.5
Signed & dated 1952
$600 - 1,000

Pat Hanly
Touches


Signed & dated 1968
$2,000 - 3,000
40 Pamela Wolfe Laceleaf
Acrylic on board 119 x 89
Signed & dated 1995
$1,500 - 2,500
41 David Barker
Shipwright Shed
Acrylic on board 58 x 91

Michael Smither
Central Otago Landscape
Watercolour 38 x 63
Signed & dated 1970
$2,500 - 3,500
Provenance: Estate of Evelyn Page

43 Henryk Syzdlowski Blue Pongas Along White River
Oil on canvas 66 x 58
Signed & dated 1984
$1,500 - 2,500 44 Grant Banbury Ladder II
Mixed media 75 x 28.5
$500 - 1,000
Provenance: Denis Cohn label verso



45 Anna Caselberg In the Garden Acrylic on board 36 x 53
Signed $800 - 1,200
46 Michael Smither Landscape Oil on board 56 x 58
Signed & dated 1965
$1,500 - 2,500


47 Anna Caselberg St Kilda with Hillside Workshop c. 1980 Watercolour 45 x 60
Signed $500 - 1,000
48 Anna Caselberg Man and Boat Pencil on paper 34 x 42
Signed & dated 1982
$300 - 500



49 Des Robertshaw
Reclining Nude
Acrylic on board 74 x 92
Signed
$1,600 - 2,500
50 Des Robertshaw
Metropole City
Acrylic on board 101 x 75
Signed
$1,600 - 2,500
51 Stanley Palmer
Estuary
Bamboo engraving, edition 21/60, 45 x 65
Signed, inscribed & dated 1979
$500 - 1,000
52
Stanley Palmer
Mountainside
Bamboo engraving, edition 6/60, 33.5 x 23
Signed, inscribed & dated 1979
$400 - 600
53
Stanley Palmer
At the Bay
quote ~ Katherine Mansfield
Bamboo engraving, edition 90/100 47 x 65
Signed, inscribed & dated 1985
$800 - 1,200
54
Stanley Palmer
Pohutukawas and Island - Mahurangi
Bamboo engraving, edition of 60, 46 x 57
Signed, inscribed & dated 1974
$400 - 600
55
Louise Henderson
Abstract Forest
Watercolour 29 x 49
Signed
1,000 - 1,500







56 Alexis Hunter
The Lure of the Sea Oil on canvas 51 x 61
Signed & dated 1988 verso
$2,000 - 3,000
Provenance:
Purchased directly from the artist in Grey Lynn, 1990, on the eve of her departure for the United Kingdom
57
58
Louise Henderson Hula Girls, Raratonga
Lithograph, edition 10/10, 60 x 45
Signed
$950 - 1,250
Charles Nathaniel Worsley Homeward Bound
Watercolour 24.5 x 34.5
Signed
$800 - 1,200
59
60
Charles Nathaniel Worsley Wanganui River
Watercolour 24.5 x 34.5
Signed
$800 - 1,200
John Barr Clarke Hoyte Lake Manapouri
Watercolour 21 x 42
Signed
$1,000 - 2,000
61
Charles Nathaniel Worsley
Mt Cook
Watercolour 36 x 25
Signed
$800 - 1,200
62
Charles Nathaniel Worsley Lucerne, Switzerland
Watercolour 13.5 x 17.5
Signed
$300 - 600







63 Paul Martinson
Giant Moa
Oil on board 36 x 28
Signed & dated 1991
$1,000 - 2,000
Illustrated p. 43
New Zealand Extinct Birds
Brian Gill & Paul Martinson
Random Century, 1991
At about 3m tall in an upright standing position this was the tallest bird known, though not the heaviest.
64 Paul Martinson
Stout-Legged Moa
Oil on board 36 x 28
Signed & dated 1991
$1,000 - 2,000
Illustrated p. 40
New Zealand Extinct Birds
Brian Gill & Paul Martinson
Random Century, 1991
This short stocky moa was widely found in drier parts of New Zealand



65 Paul Martinson
Snipe-Rail Oil on board 36 x 28
Signed & dated 1991
$1,000 - 2,000
Illustrated p. 59
New Zealand Extinct Birds
Brian Gill & Paul Martinson
Random Century, 1991
Remains of this small longbilled rail have been found only in the North Island
66 Paul Martinson
South Island Goose Oil on board 36 x 28
Signed & dated 1991
$1,000 - 2,000
Illustrated p. 50
New Zealand Extinct Birds
Brian Gill & Paul Martinson Random Century, 1991
This giant flightless goose had greatly reduced wings
67 Paul Martinson
Finsch’s Duck Oil on board 36 x 28
Signed & dated 1991
$1,000 - 2,000
Illustrated p. 53
New Zealand Extinct Birds
Brian Gill & Paul Martinson
Random Century, 1991
This heavily built species with a short bill and stout legs once occurred widely in both main islands
Lots 63 - 67 Notes & provenance:
Private Collection, Auckland
To be sold without reserve
Exhibited: Ferner Galleries Auckland, 1991
Each lot sold with a copy of the limited edition book New Zealand Extinct Birds, Brian Gill & Paul Martinson, Random Century, 1991, together with a limited edition print, Huia by Paul Martinson


68 Charles McPhee Nani Oil on velvet 90 x 64
Signed & Inscribed
$1,500 - 2,500
69 Charles McPhee Mareva Oil on velvet 91 x 69
Signed & Inscribed
$1,500 - 2,500

Signed, inscribed & dated 1997 verso
$6,000 - 8,000
70 Gary Waldrum
Red Plateau IX (Sisters II) Oil on canvas 101 x 168

71 John Bevan Ford
Ruru and Kiwi Te Aitanga a Kiwa
Series (The Progeny of Kiwa)
Coloured pencil on paper 83 x 53
Signed
$2,500 - 3,500

72 Pat Hanly
Summer Bride + Groom
Screenprint, edition 18/19, 52 x 63
Signed, inscribed & dated 1990
$2,000 - 3,000
73 Garth Tapper
Wellington - The PM Waiting for His Train Oil on board 23 x 20
Signed
Inscribed verso
$2,500 - 3,500
Note:
Whilst this work appears to portray a figure at Papatoetoe Railway Station, Auckland it bears the inscription in artist’s hand No. 10 Wellington, The PM Waiting For His Train verso


74 George Baloghy
The Last and First Cafe - Symonds Street
Oil on canvas 59 x 84
Signed & dated 1986
$3,000 - 5,000
75 Ruth Coie
Four WW1 Studies, 2014
Charcoal drawings 42 x 30
Signed, inscribed & dated 2014 verso
$3,000 - 4,000
Two Soldiers and a Donkey in Gas Masks
Three Air Dales with Gas Masks
French Army Dispatch Dog Jumps Over a Soldier in the Trenches
British and German Wounded, Epehy September, 1918






Canterbury Barn, c. 1980
Acrylic on paper 42 x 66
$3,000 - 5,000
Provenance:
Purchased from exhibition titled Williwaw
Ivan Anthony Gallery, Auckland May - June 2004
Signed
$5,000 - 8,000
76 Julian Hooper
Sandcracker Oil on linen 70 x 60
77 Steve Harris


78 Ian Kingstone
The Buck Stops Here Oil on board 114 x 79
Signed & dated 2006
Inscribed Prime Beef is Exported to Australia verso
$1,200 - 1,800
79 Jan Nigro
It’s All In The Way We Look At It
Mixed media collage on paper 76 x 53
Signed, inscribed & dated 2001
$1,400 - 1,800

Signed, inscribed & dated 1999
$800 - 1,200

80 Dean Buchanan The Marionettes Oil on canvas 124 x 180 Signed & dated 1996
$2,500 - 3,500
81 Jason Hicks Te Whenua Oil on canvas 68.5 x 119

The Last Day of Tattooing
Large scale silver bromide print 118 x 150
$2,000 - 3,000
82 Mark Adams
Pacific Island Tattoo
Artist Fatu Feu’u

83 J Lincoln Rowe
Mount Everest - A View of the Summit from Thyangboche Monastry - the British Fortieth Anniversary Everest Expedition
Limited edition print, 55/500, 45 x 66
Signed in pencil by the J Lincoln Rowe, Sir Edmund Hillary and Rebecca Stephens - the first British woman to climb Mount Everest
Proceeds from the sale of this lot in aid of the Sir Edmund Hillary Himalayan Trust
$800 - 1,200
84 Dick Frizzell Martin Crowe
Screenprint, A/P, 80 x 58
Signed, inscribed & dated 1996
$800 - 1,200
85 Richard Thompson
Untitled Sculpture
Painted cast iron 35 x 35 x 27
$500 - 1,000





86
Jean Rochards Ocean, Tahiti
Acrylic on canvas 81 x 65
Signed & dated 2005
Inscribed verso
$500 - 1,000
87 Fatu Feu’u
Kupe Sili Sili
Lithograph, edition 8/12, 70 x 100
Signed & inscribed dated 2016
$1,000 - 1,500
88 Dick Frizzell Rastafour
Acrylic and collage on paper 21 x 18
Signed, inscribed & dated 2005
$1,000 - 3,000



80
$800 - 1,200
Signed & dated 1992
Signed & dated 1992
$800 - 1,200
73
Signed Inscribed & dated 1986 verso
$500 - 1,000

89 Louis Boros Untitled Oil on board 120 x
90 Fatu Feu’u Titilo II
Monoprint 63 x 50
$800 - 1,200
91 Fatu Feu’u SIOA II
Monoprint 75 x 55
92 John Hovell Tuatua (Amphidesma Subtriangulatum) Oil on board 70 x



93
Douglas Badcock
Lake Wakatipu, Frankton Arm, Remarkables
Watercolour 23 x 28.5
Signed
$1,200 - 1,800
94
Douglas Badcock
Arrowtown
Watercolour 23 x 31
Signed
$1,200 - 1,800
95
Tim Wilson
Lake Waikaremoana
Oil on board 18.5 x 38
Signed
$800 - 1,200
96 E Mervyn Taylor
St Mary’s, Karori
Original engraving 18 x 23
Signed inscribed & dated 1937
$1,200 - 1,600
97
E Mervyn Taylor
Mai
Screenprint, edition 55/300, 40 x 33
Signed & inscribed on plate
$1,400 - 1,800
Note:
Mai was also produced as a linocut
98
E Mervyn Taylor
Waipoua River
Wood engraving, edition of 15, 11 x 13
Signed & inscribed
$450 - 650
99
E Mervyn Taylor
Hillside with Trees
Original engraving 17.5 x 17.5
Signed & dated 1936
$800 - 1,200





100 James F Scott Les Enfants Oil on canvas 75 x 55 Signed $1,500 - 2,500

Signed
$2,000 - 3,000
Signed & dated 1950
$600 - 1,200

Signed
$1,000 - 2,000

101 John Barr Clarke Hoyte Coromandel
Watercolour 20 x 40.5
102 Charles McPhee Tahitian Hut
Oil on board 37 x 47
103 Ian Hamlin Sunset Over Te Anau
Oil on board 57 x 87

104
Gainor W Jackson
Cutty Sark at 17 Knots Passes the SS Britannia off Sydney 1889
Oil on canvas laid on board 80 x 116
Signed $3,000 - 5,000
During her 1889 voyage to Sydney, Cutty Sark added to her laurels by passing P&O Liner Britannia and beating her into Port Jackson. The clipper was off Gabo island in light winds when she was passed by the steamer. Twelve hours later, the offcerofthe watch on Britannia reported to his captain the lights of a sailing ship that was sailing at 17 knots compared with their 16, the wind being a stronger southerly ......
From notes affxedverso

105 Marcus King
Dominion Monarch Docking at Queens
Wharf, Wellington Oil on board 30 x 45
Signed verso
$3,000 - 5,000
Provenance:
Private Collection, London
Illustrated: p. 236 Marcus King, Painting
New Zealand for the World, Peter Alsop, Warren Feeney, Potton & Burton, 2015
The quadruple screw motor vessel Dominion Monarch was the most powerful ocean liner in the world and in her time, the largest ship in the Australasian trade. With a unique passenger to crew ratio, Dominion Monarch offered a quality of service that has seldom been equalled. She was a most unusual ship; her design was that of a very large cargo-passenger liner, a factor emphasised by her comparatively small passenger complement. Although other vessels of her type had been built previously, and were ordered after her, Dominion Monarch was the largest liner of this format ever built.

From the Sand Dunes
Watercolour 40 x 30
Signed & dated 2009
$2,500 - 3,500

The Pink Dress
Watercolour 75 x 57
Signed & dated 1985
$3,000 - 5,000
106 Jane Evans
107 Jane Evans

108 Peter McIntyre
Itsukushima Shrine, Miyajima, Japan, 1965
Watercolour 51 x 73
Signed
$4,500 - 7,500
Provenance:
Private Collection since 1966
The sketch for this work is illustrated plate 23
Peter McIntyre’s Pacific, A H & A W Reed, 1966
Cruising around the Inland Sea we went to stay at Miyajima. It was raining. Somehow the delicate beauty of Japan, of pine trees and waterfall, temple and shrine, are enhanced by the softening rain. We climbed through wooded valleys where the lacquered bridges and waterfallls loomed through the mist.
Peter McIntyre - Peter McIntyre’s Pacific, A H & A W Reed, 1966
Itsukushima Shrine is a UNESCO World Heritage Site

109
Mark Olsen
Lilli Jellybean Oil on canvas 100 x 100
Signed
$2,000 - 3,000

110 Ferdinando Quintavalla
Summer Fruits Oil on panel 34 x 49
Signed
$1,000 - 2,000
111
Mark Weston / Otis Frizzell
Untitled - A Pair Oil on board 47 x 120
Signed & dated 2007
$1,000 - 1,500
112
John Weeks Moroccan Village Scene, Tlemcen
Graphite on paper 25 x 32
$600 - 800




113 A Austen Deans
October Snow, Godley River Oil on board 48.5 x 119.5
Signed and dated 1972
$6,000 - 8,000
114 Laurence WIlliam Wilson
Lake Manapouri Oil on canvas 29 x 59
Signed, inscribed & dated 1909
$1,500 - 2,500




115
Herbert Ivan Babbage
St Ives
Watercolour 28 x 23
Signed
$300 - 500
116 Sylvia Siddell
Untitled
Graphite on paper 33.5 x 33.5
Signed & dated 30.7.1980
$400 - 600
117 Grant Corbishley
Farm Landscape with Trig Station
Oil on canvas 150 x 121
Signed, inscribed & dated 2002
$1,500 - 2,500
117

118 Ralph Hotere
Figure Study
Xerox monoprint 33 x 21
Signed & inscribed Xerox print in pencil verso
$800 - 1,200
119 Jason Grieg Egyptian Isis III ( It’s Made of Fire)
Monoprint 32 x 22
Signed & dated 2004
$1,500 - 2,000
120 Jason Grieg Tombs
Monoprint 14.5 x 19.5
Signed, inscribed & dated 1996
$400 - 700


120
119

Auckland Building, Symonds Street
Watercolour 49 x 35
Signed
$3,000 - 5,000
124
Signed & dated 1970
$1,000 - 1,500
Signed
$900 - 1,500
Cray Boats, Iron Pot, Napier
Oil on canvas 32 x 40
Signed
$800 - 1,200
121 Tom Esplin
Luarca Spain
Oil on board 50 x 60
122
Gaston De Vel
Trafalgar Square, London
Oil on canvas 40 x 50
123 Helen Brown
Gaston De Vel
121




125 Tim Wilson Sunset - Marlborough Sounds Oil on canvas 45 x 60 Signed $1,000 - 2,000 122
124




Cyril Whiteoak Harbour from Waitakere Range Oil on board 60 x 90
Signed
$800 - 2,000
127 Graham Braddock
The Old Homestead by the Sea Hotere’s Place Oil on board 45 x 55
Signed
$1,000 - 1,500
128 Rosa Spencer Bower Bluebells in the New Forest Watercolour 31 x 42
Signed & inscribed verso
$500 - 1,000 129 Alice F Whyte
Auckland Wharves
Watercolour 24 x 28
Signed
$400 - 600

130 Olivia Spencer Bower
Cactus Flower
Watercolour 55 x 41
Signed & dated 1970
$800 - 1,200
131
Watercolour 44 x 56
Signed
$2,000 - 3,000
132 Olivia Spencer Bower
Medieval Village
Watercolour & ink 33 x 24
Signed
$800 - 1,200


Olivia Spencer Bower Waimakariri River
130
131
132


Reference: p. 271, R N Field: The Dunedin Years 1925 - 1945, Anna K C Petersen, University of Canterbury Press

133 james Peele
Lake Wakatipu Watercolour 42 x 74
Signed & dated 1881
$800 - 1,200
134
Robert Nettleton Field
Richard Field as a Baby Watercolour 23 x 22
Dated October 1944
$1,500 - 2,500
135
136
William George Baker Cargills Cliffs Oil on canvas 44.5 x 65
Signed
$800 - 1,500
Laurence WIlliam Wilson
Mount Tutoka from Pykes River, Martins Bay Oil on canvas 29 x 45
Signed, inscribed & dated 1900
$1,500 - 2,500
137
William Menzie-Gibb
Evening, St Ives Cornwall Oil on board 27 x 40
Signed
$800 - 1,200
138 William Menzie-Gibb Old Homestead Watercolour 32 x 44
Signed
$400 - 600
139 J M Mayclair Snr
Mt Manaia from Urquharts Bay, Whangarei Heads Oil on board 28 x 44
Signed & inscribed
$200 - 400
140
Charles Blomfield
Otira Gorge Oil on board 42.5 x 57.5
Signed
$1,500 - 2,500
141 Francis McCracken View Through The Trees Watercolour 24 x 33.5
Signed
$800 - 1,200






137
139
140



142 Roy Dalgarno
The Judges of the High Court, Auckland 1981
Ten etchings, edition of 100, 32.7 x 24.5
All signed & inscribed
All unframed in original presentation box
$1,000 - 1,500
143 Elise Mourant
End of the Day
Watercolour 33 x 47
Signed
$300 - 500
144 Francis McCracken
Street Scene, Edinburgh
Coloured pencil on paper 11.5 x 18
Signed
$300 - 500
145 Charles Arthur Wheeler Morning Stroll Oil on board 21 x 28
Signed
$2,500 - 3,500



146 K J Andrews
Spring at Mt Cook and Tasman Valley
Watercolour 40 x 60
Signed
$400 - 600
147 Colin Vernon Wheeler
Lindis Pass - Two Views Oil on canvas laid on board 14 x 42
One signed & dated 1962
$1,000 - 1,500

148 Douglas Badcock Old Barn, North Island Oil on board 45 x 60
Signed & dated 1968
$2,500 - 3,500
149 Peter Williams Berts Gang, Back Country, Gisborne Oil on board 34 x 44
Signed
$400 - 600







150 Peter Beadle
Stone Cottage, Central Otago
Oil on board 29.5 x 39.5
Signed $800 - 1,200
151 Jos Kivits
Books and Spectacles
Oil on canvas 28 x 38
Signed & dated 1976
$500 - 1,000
152 Jos Kivits
The Shelter of Trees Oil on board 58 x 78
Signed
$500 - 1,000
153 Garth Tapper
The Wrestlers
Oil on board 22 x 29
Signed
$1,500 - 2,000
154 Douglas Badcock
Chimney and Sycamores, Macetown
Oil on board 40 x 30
Signed & dated 1961
$1,000 - 2,000
155 Nelson Thompson
All Saints Church, Howick
Watercolour and ink 36 x 55
Signed
$800 - 1,200

Watercolour & ink 30 x 39
Signed
$500 - 1,000
157 Richard Wallwork
Bon Festival Oil on board 31 x 31
Signed
$800 - 1,200

156 Fred Graham Little Church



158
Peter Brown
Greenstone River Oil on board 50 x 60
Signed
$400 - 600
159
Tim Wilson
Dusky Sound Oil on canvas 35 x 62
Signed
$800 - 1,200
160
Brian Halliday
Autumn, near Glendhu Bay, Wanaka Oil on board 50 x 65
Signed
$500 - 1,000
161
Peter Beadle
Mare And Foal Eglington
Valley Fiordland Oil on board 55 x 75
Signed
$1000 - 1500
162
Judith Moreton
Forest & Stream Oil on board 61 x 94
Signed
$1,500 - 2,500
163
Douglas Badcock
Bayonet and Cecil Peaks, Central Otago Oil on board 46 x 62
Signed
Inscribed verso
$1,600 - 2,200
164
Randall Froude
Mire Peak Oil on canvas 60 x 90
Signed & dated 1981
$500 - 1000
165
Randall Froude
Deep Cove Doubtful Sound Oil on canvas 76 x 50
Signed
$500 - 1000





161
162
164

166 Richard Kemplev
The Flower Seller Oil on canvas 55 x 41
Signed
$800 - 1,200
167 Pietro Anningoni
Italian 1910 - 1988
Portrait
Metal plaque, edition of 250, 9 x 7
Signed
$500 - 1,000
168 Percy Robert Craft
British 1856 - 1934
Corner of a Square, Damascus Oil on board 24 x 33
Signed
$500 - 1,000

169 Paul Beauvais Venice Oil on canvas board 22 x 34
Signed & inscribed verso
$400 - 600
170 James Fraser Scott Coastal Scene
Watercolour 28 x 38
Signed $400 - 600
171 C Harington
The Lea at Hatfield
Watercolour 28 x 38
Signed & dated 1926
$400 - 600




172 Artist Unknown Probably British 19th Century Group Picnic in Castle Gardens Oil on canvas 49 x 59
$500 - 1,000




173 Trevor Lloyd Tea Tree
Engraving 33 x 11
Signed
$300 - 500
174 Trevor Lloyd
Mt Mania Whangarei & Northland Coast - A Pair
Watercolour 20 x 23
$400 - 700
175 William George Baker
Geyser, Rotorua
Watercolour 12 x 17
Inscribed verso
$300 - 500
176 James A Aitken
British 1846 - 1837
Lona
Oil on canvas 29 x 49
Signed & dated 1876
$800 - 1,200


177 Artist Unknown
Horses and Soldiers Oil on canvas 60 x 90
$800 - 1,200
178 Artist Unknown Napoleon Oil on board 14.5 x 14
$300 - 500


Looking up the Owen River from Murchison Oil on board 45 x 60
Signed & dated 1975
$1,000 - 2,000

179 Douglas Badcock



180 Shane Cotton Broken Water Screenprint, edition of 60, 40 x 50
Signed & inscribed
$800 - 1,200
181 Fatu feu’u Pili Opo
Lithograph, edtion 18/20, 58 x 74
Signed, inscribed & dated 1988
$400 - 600
182 Dick Frizzell Sylvan Road Screenprint, edition 33/100, 75.5 x 57
Signed, inscribed & dated 2005
$400 - 600
183 John Drawbridge Girl at Window No 1 Line etching 65 x 38
Signed
$800 - 1,200
184 Don Driver At the Beach Screenprint, edition 150/150, 76.5 x 57
Signed, inscribed & dated 1982
$400 - 700
185 Dick Frizzell Contacts Screenprint, edition 71/75 33 x 39
Signed & dated 2003
$800 - 1,200
186 Tony Lane Couple Embracing Screenprint, edition 20/20, 108 x 55
Signed & dated 1987
$500 - 1,000
187 Deny Watkins Pili Opo
Lithograph, edtion 18/20, 58 x 74
Signed, inscribed & dated 1988
$400 - 600
188 Richard Killeen Wine Attachments Screenprint, edition 12/100, 56 x 75.5
Signed, inscribed & dated 2002
$800 - 1,200
189 Dick Frizzell Table/Wine Screenprint, edition 49/100, 60 x 50
Signed, inscribed & dated 2002
$600 - 1000
190 Dick Frizzell True Colours Screenprint, edition of 100, p/p 76 x 57 cm
Signed, inscribed & dated 2007
$1400 - 1,800












191 Ian Hamlin
Evening surf, Punakaiki Oil on board 59 x 49
Signed & dated 1990
$800 - 1,200
192 Vida Steinert
Tree Study
Watercolour 44 x 39
Signed
$300 - 500
193 Brian Strong
Inland Stream
Oil on paper 22 x 20
Signed & dated 2002
$400 - 600
194 Richard Ponder
Molesworth Morning Oil on board 40 x 50
Signed
$800 - 1,200
195 E B Lattey
Bush House
Watercolour 32 x 49
Signed
$400 - 600
196 Robert Proctor
A Sunlit Market
Oil on board 40 x 29
Signed
$800 - 1,200
197 C Troughton Clark
Heni Pawhatai with Grand
Daughter Mehon Taiapa
Sepia print 50 x 40
$200 - 400
198 Michael Ponder
The Smithey, Langley
Dale Marlb
Oil on board 30 x 34
Signed
$500 - 1,000
199 Brent Trolle
Mt Cook & Mt Tasman
Oil on canvas 30 x 40
Signed & dated 2005
$300 - 500
200 Jos Kivits
Pronkstilleven Oil on board 70 x 49
Signed & dated 1976
$800 - 1,200
201 Jos Kivits
Winter Scene Oil on board 38 x 48
Signed
$800 - 1,200
202 Suzanne Goldberg
Desert Landscape
Oil on board 42 x 57
Signed & dated 1978
Inscribed verso
$200 - 400
203 Suzanne Goldberg
Untitled
Oil on board 50 x 72
Signed & dated 1965
$200 - 400
204 Aston Greathead
The Old Wharf from Armers Beach, Kaikoura
Oil on board 38 x 46.5
Signed
$400 - 600













205 Jos Kivits
The Water Billy Oil on board 38 x 49
Signed
$800 - 1,200
206 Carl Bland
Bird Man
Pastel on paper 88.5 x 63
Signed
$700 - 1,500
207 E G Edwards
The Pink Terraces Oil on board 50 x 73
Signed
$1,000 - 2,000
208 Paul Martinson
Bird in Flight
Watercolour 22 x 18
Signed & dated 1992
$800 - 1,200
209 Richard Wallwork
Hay Bales
oil on board 23 x 27
Signed
$400 - 600
210 Jos Kivits
Landscape Oil on board 48 x 70
Signed & dated 1976
$300 - 600
211 Richard Wallwork
An Arab
Watercolour 17 x 12
Signed
Inscribed An Arab verso
$250 - 450

212 Jos Kivits
Still Life with Chestnuts
Oil on board 20.5 x 28
Signed
$500 - 1,000
213 Jason McCormack
I Have Arrived
Acrylic on linen 85 x 85
Signed
$500 - 1,000
214 Jos Kivits
Upper Waiwera
Oil on board 38 x 27
Signed
$300 - 500
215 Walter Gonim
Shaw Savill Liner
Watercolour 34 x 48
$150 - 350
216 Alfred Ernest Baxter
Selwyn Reservoir
Watercolour 23 x 34
Signed & dated 1918
$400 - 600








& dated 1992 $200 - 400

217 Johanna Ward View from Veranda, Waiheke Island Oil on paper 43 x 30 Signed



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Important
& Rare Art
Important & Rare auctions are the proven, preeminent sale category for major works of art offered for sale in New Zealand. These auctions take place three times annually. As we fast approach our 50th year in business, experience continues to equal results. 2014 saw Important & Rare auctions realise five of New Zealand’s top ten auction prices. The following year saw new records set with the two top prices in Auckland achieved. With the addition of the record $1.377 million paid for a C F Goldie in April’s 2016 sale, International Art Centre achieved the three highest art auction prices in New Zealand’s history. Due to an appreciative, and greatly valued clientele of nationwide and international buyers and sellers we look forward to breaking new ground.
Consign Now
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Ph. +64 9 379 4010 Mob. 0274 751 071
E. richard@artcntr.co.nz
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Consign Now
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Ph. +64 9 379 4010
E. luke@artcntr.co.nz
From time to time, the secondary market is fortunate enough to be exposed to one of those rare collections which transcends the value of its individual works of art, and stands to represent something iconic in its entirety. Our team is well-versed in the process of offering single-owner collections for sale, and take pride in the process of curating a single-owner sale when the opportunity arises. We offer a targeted marketing campaign and maximise the use of both electronic and print-based collateral to effectively showcase such collections to maximum effect. The strong networks we have established locally and internationally are reflected in some of the private collections which have been entrusted to us in recent years, namely: the sale of the John Leech Collection, the Barry Pilcher Collection of Contemporary Art and a selection of works from the Fletcher Trust Collection.
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Collectable Art 6:30pm Tuesday 4 July
Alternatively, register then bid online www.fineartauction.co.nz
I instruct International Art Centre to bid on my behalf for the following lots up to the prices indicated below. My bids are to be executed at the lowest attainable price level. All bids are subject to Conditions of Sale printed in this catalogue.
Registration Bidding Number
Name
Address
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Lot Number
Artist and Title
Bid $NZ (excl. premium)
Signature........................................................ / / 2017
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Index
ADAMS M .......................................... 82
AITKEN J A ....................................... 176
ALBRECHT G 37
ANDREWS K J 146
ANNIGONI P 167
BABBAGE H I .................................... 115
BADCOCK D ...................... 93, 94, 148, .......................................... 163, 154, 179
BAKER W G .............................. 135, 175
BALOGHY G ...................................... 74
BANBURY G 44
BARKER D 41
BAXTER A E 216
BEADLE P ................................. 150, 161
BEAUVAIS P ...................................... 169
BLAND C .......................................... 206
BLOMFIELD C ................................... 140
BOROS L............................................. 90
BRADOCK G 127
BROWN P 158
BROWN H 123
BUCHANAN D ................................... 80
CAREY I H ...................16, 17, 18, 19, 20
CASELBERG A.........................45, 47, 48
CLARK C T ....................................... 197
COLE R ............................................... 75
CORBISHLEY G 117
COTTON S 180
CRAFT P R 168
DALGARNO R .................................. 142
DE VEL G................... 21, 22, 23, 24, 25, .....................26, 27, 28, 29, 30, 122, 124
DEANS A A ...................................... 113
DRAWBRIDGE J ............................... 183
DRIVER D 184
EDWARDS E G 207
ESPLIN T 121
EVANS J ................................... 106, 107
FEU’U F ............................ 87, 89, 91, 181
FIELD R N .......................................... 134
FORD J B ............................................ 71
FRIZZELL D .... 84, 88, 182, 185, 189, 190
FRIZZELL O & WESTON M ................ 111
FROUDE R 164, 165
GIBB W M 137, 138
GOLDBERG S 202, 203
GONIM W ........................................ 215
GRAHAM F ...................................... 156
GREATHEAD A ................................. 204
GRIEG J.................................... 119, 120
HALLIDAY B ...................................... 160
HAMLIN I 103, 191
HANLY P 35, 36, 72
HARRINGTON C 171
HARRIS S............................................. 77
HENDERSON L ................. 38, 39, 55, 57
HICKS J ............................................... 81
HOOPER J .......................................... 76
HOPE G ............................ 31, 32, 33, 34
HOTERE R 118
HOVELL J 92
HOYTE J B C 60, 101
HUNTER A ........................................... 56
JACKSON G W ................................ 104
KEMPLEV R ....................................... 166
KILLEEN R.......................................... 188
KING M ............................................ 105
KINGSTONE I 78
KIVITS J 151, 200, 201, 210, 212, 214, 152, 205
LANE T .............................................. 186
LATTEY E B ........................................ 195
LLOYD T .................................... 173, 174
MADDOX A ............................. 1, 2, 3, 4
MARTINSON P............ 63, 64, 65, 66, 67
MARTINSON P 208
MAYCLAIR J M 139
MCCORMACK J 213
MCCRACKEN F ....................... 141, 144
MCINTYRE P ..................................... 108
McPHEE C .......................... 68, 69, 102
MORETON J ..................................... 162
MOURANT E ..................................... 143
NIGRO J ............................................. 79
OLSEN M 109
PALMER S 51, 52, 53, 54
PEELE J 133
PONDER M ...................................... 198
PONDER R........................................ 194
PROCTOR R ..................................... 196
QUINTAVALLA F ............................... 110
ROBERTSHAW D........................... 49, 50
ROCHARDS J 86
ROWE J L 83
SCOTT J F 100, 170
SIDDELL S ........................... 8, 9, 10, 116
SIDDELL P ..................................... 5, 6, 7
SMITHER M ................................... 42, 46
SPENCER B R............ 128, 130, 131, 132
STEINERT V........................................ 192
STRONG B 193
SZYDLOWSKI H 43
TAPPER G 73, 153
TAYLOR E M.......................96, 97, 98, 99
THOMPSON N .................................. 155
THOMPSON R .................................... 85
TROLLE B .......................................... 199
UNKNOWN ARTIST ............172, 177, 178
WALDRUM G 70
WALLWORK R 157, 209, 211
WARD J 217
WATKINS D ....................................... 187
WEEKS J.............. 11, 12, 13, 14, 15, 112
WHEELER C V .......................... 145, 147
WHITEOAK C.................................... 126
WHYTE A F ....................................... 129
WILLIAMS P 149
WILSON T 95, 125, 159
WILSON L W 114, 136
WOLFE P............................................. 40
WORSLEY C N .................. 58, 59, 61, 62

