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July 2017 web

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Artists’ Estates & Collectable Art

Tuesday 4 July 2017

Conditions of Sale & A Guide to Buyers

The highest bidder shall be the buyer. In the event of any dispute as to the bidding in respect of any lot, that lot may be offered again at the discretion of the auctioneer whose decision shall be absolute and final.

The auctioneer has the right -

(i) to refuse any bid;

(ii) to advance the bidding at his absolute discretion;

(iii) to place a reserve on any lot;

(iv) to place a bid or bids on behalf of the seller;

(v) to withdraw any lot from sale;

(vi) to require a successful bidder to pay forthwith the whole or any part of the purchase price.

The auctioneer acts as the agent of the seller and neither he nor the seller shall be responsible for any defects or faults in any lot or for any errors of description or for genuineness or authenticity of any lot and no compensation shall be paid in respect of same.

From the time of lot being sold, such lot will be the responsibility of the buyer. Successful bidders are required to pay for purchases immediately on completion of sale unless otherwise arranged.

All intending buyers are required to register for a bidding number prior to auction commencing. Subscribers can use their permanent bidding number. We reserve the right to ask for identification if you are a first time client of International Art Centre.

Each lot shall be paid for and removed at the buyers expense by no later than 4pm Friday 7 July 2017 unless otherwise arranged failing which the auctioneer and/or the seller shall have the right to forfeit any deposit paid by the buyer and to resell the lot either by public or private sale and any deficiency on costs of resale shall be borne by the defaulting buyer.

No lot may be collected or paid for whilst auction is in progress.

SUBJECT BIDS

When the auctioneer declares a lot ‘subject’ this means the bid is below the set reserve and is subject to vendor accepting, rejecting or negotiating the bid. International Art Centre will endeavour to make contact with the vendor immediately after sale or the following day. If the bid is accepted, the highest bidder is obligated to make purchase.

ESTIMATES

Estimates are provided for each entry and act as a guide only. They are prepared well in advance of sale and are subject to revision at any time. Estimates are based on hammer price and do not include our buyers premium.

ABSENTEE BIDS

Absentee bidding arranged - please refer to absentee bidding page in back of catalogue. Fax to (09) 307 3421 or post to PO Box 37 344 Parnell. Please do not be offended if a member of our staff asks for your credit card details as security.

Absentee bids can also be left via our website to registered members. International Art Centre website www.fineartauction. co.nz acts as a useful auxiliary to the catalogue but we recommend inspection or a condition report prior to leaving a bid. Our staff will gladly supply you with a condition report on any lot.

TELEPHONE BIDS

Telephone bidding available to subscribers. There is no charge for this service.

PAYMENT FACILITIES

Eftpos: Available for transactions $2,000 or less which is the banks daily limit. For transactions less than $4,000 a 50% deposit on the evening and balance following morning is acceptable as long as the goods remain on our premises until full payment is made.

Bank deposits: Please ask for our bank details to be faxed or emailed if you wish to pay by direct debit. Quote the Lot number(s) Cheques: Accepted by known clients of International Art Centre or at our discretion. When posting cheques please ensure they are sent to the following address. International Art Centre PO Box 37344 Parnell, Auckland 1151. Make cheque payable to ‘International Art Centre’ Credit cards: Visa & Mastercard accepted with a 2% surcharge. No other credit cards accepted.

FREIGHT & PACKING

International Art Centre will gladly arrange in house or professional packing and international, national or local freight at cost. Please arrange insurance on your items prior to them leaving our premises. In some cases, we may be able to arrange delivery ourselves within the Auckland area.

OTHER ENQUIRIES

+64 9 379 4010 Toll Free 0800 800 322 info@fineartauction.co.nz www.fineartauction.co.nz

BUYERS PREMIUM

16.5% Buyers premium plus GST on premium applies to all lots. Total buyers premium is 18.98% including GST

Cover: Lot 70

Viewing Times

Wednesday 28 June 10:00am - 5:30pm

Thursday 29 June 9:00am - 5:30pm

Friday 30 June 10:00am - 5:00pm

Saturday 1 July 11:00am - 4:00pm

Sunday 2 July 11:00am - 4:00pm

Monday 3 July 10:00am - 5:30pm

Tuesday 4 July 9:00am - 2:00pm Auction 6:30pm

Parking During Viewing:

Allocated carparks located directly behind International Art Centre. Further parking at St John’s Car Park, accessed at 244 Parnell Road, 40 metres up from International Art Centre

Parking During Auction:

Two large carparks located in Denby Street directly behind International Art Centre. Ample parking available to auction clients on evening of sale.

Absentee Bidding

Absentee Bid Form - page 90 Fax to (09) 307 3421 or email info@internationalartcentre.co.nz

Conditions of Sale - inside front cover

Bid via website www.fineartauction.co.nz

May Modern & Contemporary Art Highlights

With over 80% of entries sold, a total of just under $550,000 was achieved including post auction sales. May’s Modern & Contemporary Art returned a pleasing result commensurate with increasing market response to this sale category. Consign Now to October Modern & Contemporary Art.

Prices quoted are hammer price which attract buyers premium

Results www.fineartauction.co.nz

Don Binney $40,000
Max Gimblett $19,000
Paul Dibble $7,000
Pat Hanly $10,000
Doris Lusk $8,600
Glenda Randerson $5,400
Max Gimblett $35,000
Dick Frizzell $40,000

Lawrence Leitch

Return to the Land, Southland Acrylic on board 56 x 126 cm

Now on view in gallery $18,800

Important & Rare

6:30pm Tuesday 8 August

The sale includes works by Charles Frederick Goldie, Frances Hodgkins, Peter McIntyre and Charles Blomfield. We also have consignments from the Remuera Club (Formally the Commerce Club Auckland) and the Estate of John & Beverly Malcolm - John was the President of the Queen Elizabeth Arts Council and they began collecting in the 1960s and 70s. Previously unseen works by Robert Ellis, Gretchen Albrecht, Ray Thorburn, Pat Hanly and William A Sutton feature as part of this offering.

International Art Centre are delighted to announce a previously unknown masterpiece, held in the same collection for nearly fifty years will comprise the centrepiece of this major sale. Painted by Louis John Steele, it depicts the Father of Auckland, Sir John Logan Cambell in his Parnell mansion Kilbryde where the Parnell Rose Gardens are today. This is one of the most significant historic New Zealand art discoveries in recent years and there is much excitement about it coming to light.

Important & Rare auctions are the proven, pre-eminent sale category for major works of art offered for sale in New Zealand. These auctions take place three times annually. As we fast approach our 50th year in business, experience continues to equal results. 2014 saw Important & Rare auctions realise five of New Zealand’s top ten auction prices. The following year saw new records set with the two top prices in Auckland achieved. With the addition of the record $1.377 million paid for a C F Goldie in April’s 2016 sale, International Art Centre achieved the three highest art auction prices in New Zealand’s history. Due to an appreciative, and greatly valued clientele of nationwide and international buyers and sellers we look forward to breaking new ground.

Consign Today

Contact: Richard Thomson

Ph. +64 9 379 4010 M. 0274 751 071

E. richard@artcntr.co.nz

Catalogue closes 12 July

PETER MCINTYRE Rangitikei River Oil on board Estimate $25,000 - 35,000

Artists’ Estates Consign Today

International Art Centre’s decades of experience in the auction arena have been underpinned by the consistent delivery of excellent results for our clients, and over the years we have distinguished ourselves as the trusted, go-to institution for the handling of artists’ estate sales. Notable artists’ estates which have in the past been entrusted to International Art Centre include such prominent names as Ida Carey, Douglas Badcock, Gabrielle Hope, William James Reed & John Weeks. Acting with discretion, care and the affordance of specialist expertise, we provide an end-to-end service which guarantees ease of process for the vendor.

The delivery of a bespoke marketing approach which will ensure all works, regardless of value, are presented to their best advantage and achieve their full market potential, are part of the service.

For a confidential, obligation-free discussion around our handling of artists’ estates, and the services International Art Centre offer.

Contact: Richard Thomson +64 +9 379 4010 richard@artcntr.co.nz Mob. 0274 751071

Ida H Carey fetched $5,600 February 2017
John Weeks 1886 - 1967

Allen Maddox 1948 - 2000

Works from the Artist’s Estate Collection

To be offered unreserved

Allen Maddox is remembered as being one of New Zealand’s finest exponents of abstract expressionism. His work, spanning over three decades investigates the tension between structure and gesture, primarily utilising the motifs of grids and crosses.

1 Allen Maddox

The Kiss Oil on paper 35 x 50

Inscribed $1,000 - 1,500

Allen Maddox estate no. aMAD82

2 Allen Maddox Our Modesty Oil on paper 15 x 50 Inscribed $800 - 1,200

Allen Maddox estate no. aMAD827

3 Allen Maddox

Her Great Modesty Oil on paper 15 x 50 Inscribed $800 - 1,200

Allen Maddox estate no. aMAD828

4 Allen Maddox

The Wedding Oil on paper 15 x 50

Signed, inscribed & dated 1989

$800 - 1,200

Maddox estate no. aMAD829

Sylvia Siddell 1941 - 2011

Peter Siddell 1935 - 2011

Works from the Artists’ Estate Collection

To be offered unreserved

5 Peter Siddell

White House and Puriri Tree, 1969

Oil on board 40 x 52

$2,000 - 4,000

Note:

Title and date are from artist’s records.

In 1960 Peter Siddell married Sylvia. They lived in Auckland where their two daughters were born. From 1972 Siddell painted professionally, holding his first solo exhibition that same year.

Peter Siddell’s realist paintings are identified mainly with depictions of the environs of Auckland. While his works appear to be of actual places, his paintings have a subjective component, and might be better described as magic realism than truly realistic. The cityscapes and townscapes in Siddell’s paintings are rendered empty, with the suggestion of events occurring outside the picture area. In this sense, his work can be compared to the metaphysical works of Giorgio de Chirico. Siddell is the second only New Zealand artist to be knighted.

6 Peter Siddell

Norfolk Pines

Digital monoprint, 26 x 38

Signed, inscribed & dated 2009

$1,000 - 1,500

7 Peter Siddell Trellis

Screenprint, edition of 90, a/p, 45 x 37

Signed, inscribed & dated 2005

800 - 1,200

When Sylvia Siddell began painting in the 1970s, her art was shaped by the domestic and familiar. She incorporated family life into the process of art-making as a means of balancing her roles as wife and mother with her activity as an artist. Among other women artists of her generation, Siddell elevated the banal and ordinary occurrences of domestic life to an appropriate and challenging subject for art. Her comments on domesticity contained references to her feelings and frustrations about the wider world and continued to inform her work three decades on.

8 Sylvia Siddell

The Dinner Party Series, (4)

Dinner Party 6.30pm

Dinner Party 8:00 pm

Surprise Party

Under the Table

Four hand-coloured screenprints 41 x 31

Edition of 30

All Signed & inscribed

$1,000 - 1,500

9 Sylvia Siddell

Tears of the Moon Oil on canvas 88 x 50

Signed $1,000 - 1,500

10 Sylvia Siddell

Moving On Oil on canvas 88 x 50

Signed

$1,000 - 1,500

Sylvia Siddell 1941 - 2011

Peter Siddell 1935 - 2011

Works from the Artists’ Estate Collection

John Weeks 1886 - 1965

Works from the Artist’s Estate

John Weeks

Hills & Clouds

Watercolour 25 x 40

Signed

Weeks O’Connor stamp verso

$1,500 - 2,500

12

John Weeks

Old Hotel

Watercolour & pencil 39 x 50

1,000 - 2,000 13

John Weeks

El Hammam Foukani, Morocco

Watercolour 30 x 41

Signed

Inscribed under matt

Weeks O’Connor stamp verso

800 - 1,200

King

Watercolour 30 x 41

$1,500 - 2,500

King

Watercolour 23 x 40

$1,500 - 2,500

14 John Weeks
Country Hills
15 John Weeks
Country Farm

Ida Harriet Carey 1891 - 1982

Works from the Artist’s Estate Collection to be offered unreserved

- 2,500

The works of popular Waikato artist and teacher Ida Carey have received increased market attention over the past few years. During the 1920s whilst based in Sydney, Ida studied with Italian artist Anthony Dattilo Rubbo (1870 - 1955). Best known as a portrait painter, in the 1960s she began a series featuring Maori women with Moko. A versatile artist, Ida was also a competent painter of interiors, landscapes, still life and a series of ballet scenes.

She was a founding member of the Waikato Society of Arts, becoming President in 1934. She succeeded fellow artist Ivy Copeland (1895 - 1961) as a lecturer at Auckland College of Education and taught art in several Hamilton schools. Represented: Christchurch Art Gallery, Rotorua Museum, Waikato Museum & Puke Ariki, New Plymouth.

Note: These are the remaining five works from the Artist’s Estate Collection.

Ida Carey c. 1971 nfs
16 Ida H Carey Sing Along - Ropu Waiata Oil on board 66 x 80 $1,500
17 Ida H Carey Whakaako Oil on board 60 x 64
$1,500 - 2,500
18 Ida H Carey Maori Elder in Pink Cardigan Oil on board 67 x 60
$1,500 - 2,500
19 Ida H Carey Washing Day Oil on board 43 x 61 1,500 - 2,500
20 Ida H Carey Elder - Moko, Cloak & Feather Oil on board 63 x 46 2,000 - 3,000

Gaston De Vel 1924 - 2010

Works from the Artist’s Estate Collection to be offered unreserved

Belgium born De Vel spent his student years at the Académie Royale des Beaux-Arts, Brussels, which he attended at age 17 from 1941 to 1945. I was taught to paint directly from life, so I could learn to visualise things as an artist in colour, just like the Impressionists. Now these lessons are in my blood, a part of me.

One of his most influencial tutors was Alfred Bastien, a friend of Claude Monet and John Singer Sargent. Gaston believes he was one of the last painters to have been taught in the classical and impressionistic fashion by a tutor directly involved with some of the leading artists of that movement. In 1960 he arrived in New Zealand from the Belgium Congo with nothing but peace and safety - it was worth losing everything just for that, Gaston said in an interview with the Auckland Star.

Gaston was awarded the Kelliher Art Prize in 1968. The 1980s saw several sellout exhibitions in Auckland and at Lewis Paape Gallery, Lower Hutt. His work is part of the permanent collection of Dunedin Public Art Gallery.

21 Gaston De Vel

Sante Fe, New Mexico

Oil on canvas 45 x 38

Signed & dated 1990

$1,000 - 1,500

22 Gaston De Vel

Ayleford, Kent

Oil on canvas 38 x 46

Signed & dated 2000

$1,000 - 2,000

Signed & dated 1975

$1,500 - 3,000

23 Gaston De Vel
Auckland Skyline Oil on canvas 51 x 60

Gaston De Vel

Centenaire, Brussels Oil on canvas 40 x 51

Signed & dated 1971

$800 - 1,500

25 Gaston De Vel

Grand Canyon, Arizona Oil on canvas 46 x 55

Signed & dated 1990

$800 - 1,200

26

Gaston De Vel

Palace of Justice, Brussels Oil on canvas 40 x 51

Signed & dated 1971

1,000 - 1,500

27

Gaston De Vel

Wendons, Essex Oil on canvas 37 x 45.5

Signed & dated 2000

$1,000 - 2,000

28

Gaston De Vel

Early Civilization Oil on canvas 39 x 50

Signed & dated 1977

$800 - 1,200

29

Gaston De Vel

Anemones Oil on canvas 40 x 51

Signed & dated 1968

$1,000 - 1,500

30 Gaston De Vel Ancient Ruins, Sicily

Gabrielle Hope 1916 - 1962

Works from the Artist’s Estate Collection to be offered unreserved

Gabrielle Hope was born in Lower Hutt, she attended Auckland’s Diocesan School for Girls and studied at Elam School of Fine arts. The mother of two children, she lived in Whitford, Waiheke Island and in 1950 purchased a home in Tohunga Crescent, Parnell. Gabrielle’s wide circle of friends included fellow artists Helen Brown, Jan Nigro, Louise Henderson, Robert Nettleton Field, Eric Lee Johnson, Colin & Anne McCahon and Lincoln Lee.

Her subject matter extensively encompasses still lifes, landscapes, figures, animals and portraits. The influence of Picasso, and an admiration of Frances Hodgkins is reflected in Hope’s work as is her fascination with western and eastern occult philosophies and symbolism. From 1946 she exhibited with the Auckland and Hamilton Society of Arts and the Auckland City Art Gallery in 1955/56.

From today’s perspective Gabrielle Hope’s work is more vital and modern than ever. There is an uncompromised bravery of brushstroke, a quality of perception leaving no doubt that she was a woman artist ahead of her time.

The artist’s early death at just forty six years of age cut short a career of already considerable achievement.

31 Gabrielle Hope Reflections

Pastel on paper 47 x 37

Signed & 1953

$800 - 1,200

32 Gabrielle Hope Portrait

Pastel on paper 56 x 38

Signed

$500 - 1,000

- 1,200

Signed 1,000 - 1,500

33 Gabrielle Hope Cat with a Fish Watercolour 52 x 65
34 Gabrielle Hope Turkeys at Karekare Watercolour 38 x 72

Screenprint, edition 3/6, 50 x 70 Signed, inscribed & dated 1985

$3,000 - 5,000

Provenance Lots 35 - 39

From a Private Collection, London

35 Pat Hanly Jumping Bride
35

Screenprint, edition 19/25, 48 x 66

Signed, inscribed & dated 1985

$2,500 - 3,500 37 Gretchen Albrecht Corona

Lithograph, editon 6/30, 61.5 x 80.5

Signed, inscribed & dated 2000

$2,000 - 3,000 38

Louise Henderson

Untitled, c. 1950

Lithograph 38 x 60

$600 - 1,000

Louise Henderson On the SS Southern Cross Lithograph 35 x 51.5

Signed & dated 1952

$600 - 1,000

Pat Hanly
Touches

Signed & dated 1968

$2,000 - 3,000

40 Pamela Wolfe Laceleaf
Acrylic on board 119 x 89
Signed & dated 1995
$1,500 - 2,500
41 David Barker
Shipwright Shed
Acrylic on board 58 x 91

Michael Smither

Central Otago Landscape

Watercolour 38 x 63

Signed & dated 1970

$2,500 - 3,500

Provenance: Estate of Evelyn Page

43 Henryk Syzdlowski Blue Pongas Along White River

Oil on canvas 66 x 58

Signed & dated 1984

$1,500 - 2,500 44 Grant Banbury Ladder II

Mixed media 75 x 28.5

$500 - 1,000

Provenance: Denis Cohn label verso

45 Anna Caselberg In the Garden Acrylic on board 36 x 53

Signed $800 - 1,200

46 Michael Smither Landscape Oil on board 56 x 58

Signed & dated 1965

$1,500 - 2,500

47 Anna Caselberg St Kilda with Hillside Workshop c. 1980 Watercolour 45 x 60

Signed $500 - 1,000

48 Anna Caselberg Man and Boat Pencil on paper 34 x 42

Signed & dated 1982

$300 - 500

49 Des Robertshaw

Reclining Nude

Acrylic on board 74 x 92

Signed

$1,600 - 2,500

50 Des Robertshaw

Metropole City

Acrylic on board 101 x 75

Signed

$1,600 - 2,500

51 Stanley Palmer

Estuary

Bamboo engraving, edition 21/60, 45 x 65

Signed, inscribed & dated 1979

$500 - 1,000

52

Stanley Palmer

Mountainside

Bamboo engraving, edition 6/60, 33.5 x 23

Signed, inscribed & dated 1979

$400 - 600

53

Stanley Palmer

At the Bay

quote ~ Katherine Mansfield

Bamboo engraving, edition 90/100 47 x 65

Signed, inscribed & dated 1985

$800 - 1,200

54

Stanley Palmer

Pohutukawas and Island - Mahurangi

Bamboo engraving, edition of 60, 46 x 57

Signed, inscribed & dated 1974

$400 - 600

55

Louise Henderson

Abstract Forest

Watercolour 29 x 49

Signed

1,000 - 1,500

56 Alexis Hunter

The Lure of the Sea Oil on canvas 51 x 61

Signed & dated 1988 verso

$2,000 - 3,000

Provenance:

Purchased directly from the artist in Grey Lynn, 1990, on the eve of her departure for the United Kingdom

57

58

Louise Henderson Hula Girls, Raratonga

Lithograph, edition 10/10, 60 x 45

Signed

$950 - 1,250

Charles Nathaniel Worsley Homeward Bound

Watercolour 24.5 x 34.5

Signed

$800 - 1,200

59

60

Charles Nathaniel Worsley Wanganui River

Watercolour 24.5 x 34.5

Signed

$800 - 1,200

John Barr Clarke Hoyte Lake Manapouri

Watercolour 21 x 42

Signed

$1,000 - 2,000

61

Charles Nathaniel Worsley

Mt Cook

Watercolour 36 x 25

Signed

$800 - 1,200

62

Charles Nathaniel Worsley Lucerne, Switzerland

Watercolour 13.5 x 17.5

Signed

$300 - 600

63 Paul Martinson

Giant Moa

Oil on board 36 x 28

Signed & dated 1991

$1,000 - 2,000

Illustrated p. 43

New Zealand Extinct Birds

Brian Gill & Paul Martinson

Random Century, 1991

At about 3m tall in an upright standing position this was the tallest bird known, though not the heaviest.

64 Paul Martinson

Stout-Legged Moa

Oil on board 36 x 28

Signed & dated 1991

$1,000 - 2,000

Illustrated p. 40

New Zealand Extinct Birds

Brian Gill & Paul Martinson

Random Century, 1991

This short stocky moa was widely found in drier parts of New Zealand

65 Paul Martinson

Snipe-Rail Oil on board 36 x 28

Signed & dated 1991

$1,000 - 2,000

Illustrated p. 59

New Zealand Extinct Birds

Brian Gill & Paul Martinson

Random Century, 1991

Remains of this small longbilled rail have been found only in the North Island

66 Paul Martinson

South Island Goose Oil on board 36 x 28

Signed & dated 1991

$1,000 - 2,000

Illustrated p. 50

New Zealand Extinct Birds

Brian Gill & Paul Martinson Random Century, 1991

This giant flightless goose had greatly reduced wings

67 Paul Martinson

Finsch’s Duck Oil on board 36 x 28

Signed & dated 1991

$1,000 - 2,000

Illustrated p. 53

New Zealand Extinct Birds

Brian Gill & Paul Martinson

Random Century, 1991

This heavily built species with a short bill and stout legs once occurred widely in both main islands

Lots 63 - 67 Notes & provenance:

Private Collection, Auckland

To be sold without reserve

Exhibited: Ferner Galleries Auckland, 1991

Each lot sold with a copy of the limited edition book New Zealand Extinct Birds, Brian Gill & Paul Martinson, Random Century, 1991, together with a limited edition print, Huia by Paul Martinson

68 Charles McPhee Nani Oil on velvet 90 x 64
Signed & Inscribed
$1,500 - 2,500
69 Charles McPhee Mareva Oil on velvet 91 x 69
Signed & Inscribed
$1,500 - 2,500

Signed, inscribed & dated 1997 verso

$6,000 - 8,000

70 Gary Waldrum
Red Plateau IX (Sisters II) Oil on canvas 101 x 168

71 John Bevan Ford

Ruru and Kiwi Te Aitanga a Kiwa

Series (The Progeny of Kiwa)

Coloured pencil on paper 83 x 53

Signed

$2,500 - 3,500

72 Pat Hanly

Summer Bride + Groom

Screenprint, edition 18/19, 52 x 63

Signed, inscribed & dated 1990

$2,000 - 3,000

73 Garth Tapper

Wellington - The PM Waiting for His Train Oil on board 23 x 20

Signed

Inscribed verso

$2,500 - 3,500

Note:

Whilst this work appears to portray a figure at Papatoetoe Railway Station, Auckland it bears the inscription in artist’s hand No. 10 Wellington, The PM Waiting For His Train verso

74 George Baloghy

The Last and First Cafe - Symonds Street

Oil on canvas 59 x 84

Signed & dated 1986

$3,000 - 5,000

75 Ruth Coie

Four WW1 Studies, 2014

Charcoal drawings 42 x 30

Signed, inscribed & dated 2014 verso

$3,000 - 4,000

Two Soldiers and a Donkey in Gas Masks

Three Air Dales with Gas Masks

French Army Dispatch Dog Jumps Over a Soldier in the Trenches

British and German Wounded, Epehy September, 1918

Canterbury Barn, c. 1980

Acrylic on paper 42 x 66

$3,000 - 5,000

Provenance:

Purchased from exhibition titled Williwaw

Ivan Anthony Gallery, Auckland May - June 2004

Signed

$5,000 - 8,000

76 Julian Hooper
Sandcracker Oil on linen 70 x 60
77 Steve Harris

78 Ian Kingstone

The Buck Stops Here Oil on board 114 x 79

Signed & dated 2006

Inscribed Prime Beef is Exported to Australia verso

$1,200 - 1,800

79 Jan Nigro

It’s All In The Way We Look At It

Mixed media collage on paper 76 x 53

Signed, inscribed & dated 2001

$1,400 - 1,800

Signed, inscribed & dated 1999

$800 - 1,200

80 Dean Buchanan The Marionettes Oil on canvas 124 x 180 Signed & dated 1996
$2,500 - 3,500
81 Jason Hicks Te Whenua Oil on canvas 68.5 x 119

The Last Day of Tattooing

Large scale silver bromide print 118 x 150

$2,000 - 3,000

82 Mark Adams
Pacific Island Tattoo
Artist Fatu Feu’u

83 J Lincoln Rowe

Mount Everest - A View of the Summit from Thyangboche Monastry - the British Fortieth Anniversary Everest Expedition

Limited edition print, 55/500, 45 x 66

Signed in pencil by the J Lincoln Rowe, Sir Edmund Hillary and Rebecca Stephens - the first British woman to climb Mount Everest

Proceeds from the sale of this lot in aid of the Sir Edmund Hillary Himalayan Trust

$800 - 1,200

84 Dick Frizzell Martin Crowe

Screenprint, A/P, 80 x 58

Signed, inscribed & dated 1996

$800 - 1,200

85 Richard Thompson

Untitled Sculpture

Painted cast iron 35 x 35 x 27

$500 - 1,000

86

Jean Rochards Ocean, Tahiti

Acrylic on canvas 81 x 65

Signed & dated 2005

Inscribed verso

$500 - 1,000

87 Fatu Feu’u

Kupe Sili Sili

Lithograph, edition 8/12, 70 x 100

Signed & inscribed dated 2016

$1,000 - 1,500

88 Dick Frizzell Rastafour

Acrylic and collage on paper 21 x 18

Signed, inscribed & dated 2005

$1,000 - 3,000

80

$800 - 1,200

Signed & dated 1992

Signed & dated 1992

$800 - 1,200

73

Signed Inscribed & dated 1986 verso

$500 - 1,000

89 Louis Boros Untitled Oil on board 120 x
90 Fatu Feu’u Titilo II
Monoprint 63 x 50
$800 - 1,200
91 Fatu Feu’u SIOA II
Monoprint 75 x 55
92 John Hovell Tuatua (Amphidesma Subtriangulatum) Oil on board 70 x

93

Douglas Badcock

Lake Wakatipu, Frankton Arm, Remarkables

Watercolour 23 x 28.5

Signed

$1,200 - 1,800

94

Douglas Badcock

Arrowtown

Watercolour 23 x 31

Signed

$1,200 - 1,800

95

Tim Wilson

Lake Waikaremoana

Oil on board 18.5 x 38

Signed

$800 - 1,200

96 E Mervyn Taylor

St Mary’s, Karori

Original engraving 18 x 23

Signed inscribed & dated 1937

$1,200 - 1,600

97

E Mervyn Taylor

Mai

Screenprint, edition 55/300, 40 x 33

Signed & inscribed on plate

$1,400 - 1,800

Note:

Mai was also produced as a linocut

98

E Mervyn Taylor

Waipoua River

Wood engraving, edition of 15, 11 x 13

Signed & inscribed

$450 - 650

99

E Mervyn Taylor

Hillside with Trees

Original engraving 17.5 x 17.5

Signed & dated 1936

$800 - 1,200

100 James F Scott Les Enfants Oil on canvas 75 x 55 Signed $1,500 - 2,500

Signed

$2,000 - 3,000

Signed & dated 1950

$600 - 1,200

Signed

$1,000 - 2,000

101 John Barr Clarke Hoyte Coromandel
Watercolour 20 x 40.5
102 Charles McPhee Tahitian Hut
Oil on board 37 x 47
103 Ian Hamlin Sunset Over Te Anau
Oil on board 57 x 87

104

Gainor W Jackson

Cutty Sark at 17 Knots Passes the SS Britannia off Sydney 1889

Oil on canvas laid on board 80 x 116

Signed $3,000 - 5,000

During her 1889 voyage to Sydney, Cutty Sark added to her laurels by passing P&O Liner Britannia and beating her into Port Jackson. The clipper was off Gabo island in light winds when she was passed by the steamer. Twelve hours later, the offcerofthe watch on Britannia reported to his captain the lights of a sailing ship that was sailing at 17 knots compared with their 16, the wind being a stronger southerly ......

From notes affxedverso

105 Marcus King

Dominion Monarch Docking at Queens

Wharf, Wellington Oil on board 30 x 45

Signed verso

$3,000 - 5,000

Provenance:

Private Collection, London

Illustrated: p. 236 Marcus King, Painting

New Zealand for the World, Peter Alsop, Warren Feeney, Potton & Burton, 2015

The quadruple screw motor vessel Dominion Monarch was the most powerful ocean liner in the world and in her time, the largest ship in the Australasian trade. With a unique passenger to crew ratio, Dominion Monarch offered a quality of service that has seldom been equalled. She was a most unusual ship; her design was that of a very large cargo-passenger liner, a factor emphasised by her comparatively small passenger complement. Although other vessels of her type had been built previously, and were ordered after her, Dominion Monarch was the largest liner of this format ever built.

From the Sand Dunes

Watercolour 40 x 30

Signed & dated 2009

$2,500 - 3,500

The Pink Dress

Watercolour 75 x 57

Signed & dated 1985

$3,000 - 5,000

106 Jane Evans
107 Jane Evans

108 Peter McIntyre

Itsukushima Shrine, Miyajima, Japan, 1965

Watercolour 51 x 73

Signed

$4,500 - 7,500

Provenance:

Private Collection since 1966

The sketch for this work is illustrated plate 23

Peter McIntyre’s Pacific, A H & A W Reed, 1966

Cruising around the Inland Sea we went to stay at Miyajima. It was raining. Somehow the delicate beauty of Japan, of pine trees and waterfall, temple and shrine, are enhanced by the softening rain. We climbed through wooded valleys where the lacquered bridges and waterfallls loomed through the mist.

Peter McIntyre - Peter McIntyre’s Pacific, A H & A W Reed, 1966

Itsukushima Shrine is a UNESCO World Heritage Site

109

Mark Olsen

Lilli Jellybean Oil on canvas 100 x 100

Signed

$2,000 - 3,000

110 Ferdinando Quintavalla

Summer Fruits Oil on panel 34 x 49

Signed

$1,000 - 2,000

111

Mark Weston / Otis Frizzell

Untitled - A Pair Oil on board 47 x 120

Signed & dated 2007

$1,000 - 1,500

112

John Weeks Moroccan Village Scene, Tlemcen

Graphite on paper 25 x 32

$600 - 800

113 A Austen Deans

October Snow, Godley River Oil on board 48.5 x 119.5

Signed and dated 1972

$6,000 - 8,000

114 Laurence WIlliam Wilson

Lake Manapouri Oil on canvas 29 x 59

Signed, inscribed & dated 1909

$1,500 - 2,500

115

Herbert Ivan Babbage

St Ives

Watercolour 28 x 23

Signed

$300 - 500

116 Sylvia Siddell

Untitled

Graphite on paper 33.5 x 33.5

Signed & dated 30.7.1980

$400 - 600

117 Grant Corbishley

Farm Landscape with Trig Station

Oil on canvas 150 x 121

Signed, inscribed & dated 2002

$1,500 - 2,500

117

118 Ralph Hotere

Figure Study

Xerox monoprint 33 x 21

Signed & inscribed Xerox print in pencil verso

$800 - 1,200

119 Jason Grieg Egyptian Isis III ( It’s Made of Fire)

Monoprint 32 x 22

Signed & dated 2004

$1,500 - 2,000

120 Jason Grieg Tombs

Monoprint 14.5 x 19.5

Signed, inscribed & dated 1996

$400 - 700

120
119

Auckland Building, Symonds Street

Watercolour 49 x 35

Signed

$3,000 - 5,000

124

Signed & dated 1970

$1,000 - 1,500

Signed

$900 - 1,500

Cray Boats, Iron Pot, Napier

Oil on canvas 32 x 40

Signed

$800 - 1,200

121 Tom Esplin
Luarca Spain
Oil on board 50 x 60
122
Gaston De Vel
Trafalgar Square, London
Oil on canvas 40 x 50
123 Helen Brown
Gaston De Vel
121
125 Tim Wilson Sunset - Marlborough Sounds Oil on canvas 45 x 60 Signed $1,000 - 2,000 122
124

Cyril Whiteoak Harbour from Waitakere Range Oil on board 60 x 90

Signed

$800 - 2,000

127 Graham Braddock

The Old Homestead by the Sea Hotere’s Place Oil on board 45 x 55

Signed

$1,000 - 1,500

128 Rosa Spencer Bower Bluebells in the New Forest Watercolour 31 x 42

Signed & inscribed verso

$500 - 1,000 129 Alice F Whyte

Auckland Wharves

Watercolour 24 x 28

Signed

$400 - 600

130 Olivia Spencer Bower

Cactus Flower

Watercolour 55 x 41

Signed & dated 1970

$800 - 1,200

131

Watercolour 44 x 56

Signed

$2,000 - 3,000

132 Olivia Spencer Bower

Medieval Village

Watercolour & ink 33 x 24

Signed

$800 - 1,200

Olivia Spencer Bower Waimakariri River
130
131
132

Reference: p. 271, R N Field: The Dunedin Years 1925 - 1945, Anna K C Petersen, University of Canterbury Press

133 james Peele

Lake Wakatipu Watercolour 42 x 74

Signed & dated 1881

$800 - 1,200

134

Robert Nettleton Field

Richard Field as a Baby Watercolour 23 x 22

Dated October 1944

$1,500 - 2,500

135

136

William George Baker Cargills Cliffs Oil on canvas 44.5 x 65

Signed

$800 - 1,500

Laurence WIlliam Wilson

Mount Tutoka from Pykes River, Martins Bay Oil on canvas 29 x 45

Signed, inscribed & dated 1900

$1,500 - 2,500

137

William Menzie-Gibb

Evening, St Ives Cornwall Oil on board 27 x 40

Signed

$800 - 1,200

138 William Menzie-Gibb Old Homestead Watercolour 32 x 44

Signed

$400 - 600

139 J M Mayclair Snr

Mt Manaia from Urquharts Bay, Whangarei Heads Oil on board 28 x 44

Signed & inscribed

$200 - 400

140

Charles Blomfield

Otira Gorge Oil on board 42.5 x 57.5

Signed

$1,500 - 2,500

141 Francis McCracken View Through The Trees Watercolour 24 x 33.5

Signed

$800 - 1,200

137
139
140

142 Roy Dalgarno

The Judges of the High Court, Auckland 1981

Ten etchings, edition of 100, 32.7 x 24.5

All signed & inscribed

All unframed in original presentation box

$1,000 - 1,500

143 Elise Mourant

End of the Day

Watercolour 33 x 47

Signed

$300 - 500

144 Francis McCracken

Street Scene, Edinburgh

Coloured pencil on paper 11.5 x 18

Signed

$300 - 500

145 Charles Arthur Wheeler Morning Stroll Oil on board 21 x 28

Signed

$2,500 - 3,500

146 K J Andrews

Spring at Mt Cook and Tasman Valley

Watercolour 40 x 60

Signed

$400 - 600

147 Colin Vernon Wheeler

Lindis Pass - Two Views Oil on canvas laid on board 14 x 42

One signed & dated 1962

$1,000 - 1,500

148 Douglas Badcock Old Barn, North Island Oil on board 45 x 60

Signed & dated 1968

$2,500 - 3,500

149 Peter Williams Berts Gang, Back Country, Gisborne Oil on board 34 x 44

Signed

$400 - 600

150 Peter Beadle

Stone Cottage, Central Otago

Oil on board 29.5 x 39.5

Signed $800 - 1,200

151 Jos Kivits

Books and Spectacles

Oil on canvas 28 x 38

Signed & dated 1976

$500 - 1,000

152 Jos Kivits

The Shelter of Trees Oil on board 58 x 78

Signed

$500 - 1,000

153 Garth Tapper

The Wrestlers

Oil on board 22 x 29

Signed

$1,500 - 2,000

154 Douglas Badcock

Chimney and Sycamores, Macetown

Oil on board 40 x 30

Signed & dated 1961

$1,000 - 2,000

155 Nelson Thompson

All Saints Church, Howick

Watercolour and ink 36 x 55

Signed

$800 - 1,200

Watercolour & ink 30 x 39

Signed

$500 - 1,000

157 Richard Wallwork

Bon Festival Oil on board 31 x 31

Signed

$800 - 1,200

156 Fred Graham Little Church

158

Peter Brown

Greenstone River Oil on board 50 x 60

Signed

$400 - 600

159

Tim Wilson

Dusky Sound Oil on canvas 35 x 62

Signed

$800 - 1,200

160

Brian Halliday

Autumn, near Glendhu Bay, Wanaka Oil on board 50 x 65

Signed

$500 - 1,000

161

Peter Beadle

Mare And Foal Eglington

Valley Fiordland Oil on board 55 x 75

Signed

$1000 - 1500

162

Judith Moreton

Forest & Stream Oil on board 61 x 94

Signed

$1,500 - 2,500

163

Douglas Badcock

Bayonet and Cecil Peaks, Central Otago Oil on board 46 x 62

Signed

Inscribed verso

$1,600 - 2,200

164

Randall Froude

Mire Peak Oil on canvas 60 x 90

Signed & dated 1981

$500 - 1000

165

Randall Froude

Deep Cove Doubtful Sound Oil on canvas 76 x 50

Signed

$500 - 1000

161
162
164

166 Richard Kemplev

The Flower Seller Oil on canvas 55 x 41

Signed

$800 - 1,200

167 Pietro Anningoni

Italian 1910 - 1988

Portrait

Metal plaque, edition of 250, 9 x 7

Signed

$500 - 1,000

168 Percy Robert Craft

British 1856 - 1934

Corner of a Square, Damascus Oil on board 24 x 33

Signed

$500 - 1,000

169 Paul Beauvais Venice Oil on canvas board 22 x 34

Signed & inscribed verso

$400 - 600

170 James Fraser Scott Coastal Scene

Watercolour 28 x 38

Signed $400 - 600

171 C Harington

The Lea at Hatfield

Watercolour 28 x 38

Signed & dated 1926

$400 - 600

172 Artist Unknown Probably British 19th Century Group Picnic in Castle Gardens Oil on canvas 49 x 59

$500 - 1,000

173 Trevor Lloyd Tea Tree

Engraving 33 x 11

Signed

$300 - 500

174 Trevor Lloyd

Mt Mania Whangarei & Northland Coast - A Pair

Watercolour 20 x 23

$400 - 700

175 William George Baker

Geyser, Rotorua

Watercolour 12 x 17

Inscribed verso

$300 - 500

176 James A Aitken

British 1846 - 1837

Lona

Oil on canvas 29 x 49

Signed & dated 1876

$800 - 1,200

177 Artist Unknown

Horses and Soldiers Oil on canvas 60 x 90

$800 - 1,200

178 Artist Unknown Napoleon Oil on board 14.5 x 14

$300 - 500

Looking up the Owen River from Murchison Oil on board 45 x 60

Signed & dated 1975

$1,000 - 2,000

179 Douglas Badcock

180 Shane Cotton Broken Water Screenprint, edition of 60, 40 x 50

Signed & inscribed

$800 - 1,200

181 Fatu feu’u Pili Opo

Lithograph, edtion 18/20, 58 x 74

Signed, inscribed & dated 1988

$400 - 600

182 Dick Frizzell Sylvan Road Screenprint, edition 33/100, 75.5 x 57

Signed, inscribed & dated 2005

$400 - 600

183 John Drawbridge Girl at Window No 1 Line etching 65 x 38

Signed

$800 - 1,200

184 Don Driver At the Beach Screenprint, edition 150/150, 76.5 x 57

Signed, inscribed & dated 1982

$400 - 700

185 Dick Frizzell Contacts Screenprint, edition 71/75 33 x 39

Signed & dated 2003

$800 - 1,200

186 Tony Lane Couple Embracing Screenprint, edition 20/20, 108 x 55

Signed & dated 1987

$500 - 1,000

187 Deny Watkins Pili Opo

Lithograph, edtion 18/20, 58 x 74

Signed, inscribed & dated 1988

$400 - 600

188 Richard Killeen Wine Attachments Screenprint, edition 12/100, 56 x 75.5

Signed, inscribed & dated 2002

$800 - 1,200

189 Dick Frizzell Table/Wine Screenprint, edition 49/100, 60 x 50

Signed, inscribed & dated 2002

$600 - 1000

190 Dick Frizzell True Colours Screenprint, edition of 100, p/p 76 x 57 cm

Signed, inscribed & dated 2007

$1400 - 1,800

191 Ian Hamlin

Evening surf, Punakaiki Oil on board 59 x 49

Signed & dated 1990

$800 - 1,200

192 Vida Steinert

Tree Study

Watercolour 44 x 39

Signed

$300 - 500

193 Brian Strong

Inland Stream

Oil on paper 22 x 20

Signed & dated 2002

$400 - 600

194 Richard Ponder

Molesworth Morning Oil on board 40 x 50

Signed

$800 - 1,200

195 E B Lattey

Bush House

Watercolour 32 x 49

Signed

$400 - 600

196 Robert Proctor

A Sunlit Market

Oil on board 40 x 29

Signed

$800 - 1,200

197 C Troughton Clark

Heni Pawhatai with Grand

Daughter Mehon Taiapa

Sepia print 50 x 40

$200 - 400

198 Michael Ponder

The Smithey, Langley

Dale Marlb

Oil on board 30 x 34

Signed

$500 - 1,000

199 Brent Trolle

Mt Cook & Mt Tasman

Oil on canvas 30 x 40

Signed & dated 2005

$300 - 500

200 Jos Kivits

Pronkstilleven Oil on board 70 x 49

Signed & dated 1976

$800 - 1,200

201 Jos Kivits

Winter Scene Oil on board 38 x 48

Signed

$800 - 1,200

202 Suzanne Goldberg

Desert Landscape

Oil on board 42 x 57

Signed & dated 1978

Inscribed verso

$200 - 400

203 Suzanne Goldberg

Untitled

Oil on board 50 x 72

Signed & dated 1965

$200 - 400

204 Aston Greathead

The Old Wharf from Armers Beach, Kaikoura

Oil on board 38 x 46.5

Signed

$400 - 600

205 Jos Kivits

The Water Billy Oil on board 38 x 49

Signed

$800 - 1,200

206 Carl Bland

Bird Man

Pastel on paper 88.5 x 63

Signed

$700 - 1,500

207 E G Edwards

The Pink Terraces Oil on board 50 x 73

Signed

$1,000 - 2,000

208 Paul Martinson

Bird in Flight

Watercolour 22 x 18

Signed & dated 1992

$800 - 1,200

209 Richard Wallwork

Hay Bales

oil on board 23 x 27

Signed

$400 - 600

210 Jos Kivits

Landscape Oil on board 48 x 70

Signed & dated 1976

$300 - 600

211 Richard Wallwork

An Arab

Watercolour 17 x 12

Signed

Inscribed An Arab verso

$250 - 450

212 Jos Kivits

Still Life with Chestnuts

Oil on board 20.5 x 28

Signed

$500 - 1,000

213 Jason McCormack

I Have Arrived

Acrylic on linen 85 x 85

Signed

$500 - 1,000

214 Jos Kivits

Upper Waiwera

Oil on board 38 x 27

Signed

$300 - 500

215 Walter Gonim

Shaw Savill Liner

Watercolour 34 x 48

$150 - 350

216 Alfred Ernest Baxter

Selwyn Reservoir

Watercolour 23 x 34

Signed & dated 1918

$400 - 600

& dated 1992 $200 - 400

217 Johanna Ward View from Veranda, Waiheke Island Oil on paper 43 x 30 Signed

Sale categories at International Art Centre

Important

& Rare Art

Important & Rare auctions are the proven, preeminent sale category for major works of art offered for sale in New Zealand. These auctions take place three times annually. As we fast approach our 50th year in business, experience continues to equal results. 2014 saw Important & Rare auctions realise five of New Zealand’s top ten auction prices. The following year saw new records set with the two top prices in Auckland achieved. With the addition of the record $1.377 million paid for a C F Goldie in April’s 2016 sale, International Art Centre achieved the three highest art auction prices in New Zealand’s history. Due to an appreciative, and greatly valued clientele of nationwide and international buyers and sellers we look forward to breaking new ground.

Consign Now

Richard Thomson

Ph. +64 9 379 4010 Mob. 0274 751 071

E. richard@artcntr.co.nz

Modern & Contemporary Art

Twice a year our Modern & Contemporary Art auctions play an integral role in enabling market access to the most sought-after artists who have defined New Zealand’s art narrative over the past 50-years. These sales never fail to present an exciting offering of both painting and sculpture by a range of our modern and contemporary greats. Spanning that vital period from the establishment of mid-century modernism through to the cutting edge of our national contemporary art discourse, this is an acclaimed and significant event in the auction calendar. Our new state-of-the-art premises will ensure contemporary art is now exhibited and auctioned in a dynamic and appropriate environment.

Always consigning Always cataloguing

Collectable & Affordable Art Single Owner Auctions

The buzz generated by our regular Collectable Art auctions reflects the popularity of this sale: an event at which seasoned connoisseurs and budding collectors alike converge to appreciate one of the most eclectic and diverse offerings available to the market. Because this auction specifically caters to the more affordable end of the market - generally presenting works valued at $5,000 and less, this is an exciting opportunity to unearth some real treasures. Collectable Art auctions offer a number lower-priced works from highly-sought after artists in print and edition form, as well as quality works from artists whose presence on the secondary market is just beginning to crystallise.

Consign Now

Luke Davies

Ph. +64 9 379 4010

E. luke@artcntr.co.nz

From time to time, the secondary market is fortunate enough to be exposed to one of those rare collections which transcends the value of its individual works of art, and stands to represent something iconic in its entirety. Our team is well-versed in the process of offering single-owner collections for sale, and take pride in the process of curating a single-owner sale when the opportunity arises. We offer a targeted marketing campaign and maximise the use of both electronic and print-based collateral to effectively showcase such collections to maximum effect. The strong networks we have established locally and internationally are reflected in some of the private collections which have been entrusted to us in recent years, namely: the sale of the John Leech Collection, the Barry Pilcher Collection of Contemporary Art and a selection of works from the Fletcher Trust Collection.

Absentee Bid Form

Collectable Art 6:30pm Tuesday 4 July

Alternatively, register then bid online www.fineartauction.co.nz

I instruct International Art Centre to bid on my behalf for the following lots up to the prices indicated below. My bids are to be executed at the lowest attainable price level. All bids are subject to Conditions of Sale printed in this catalogue.

Registration Bidding Number

Name

Address

Telephone Home

Lot Number

Artist and Title

Bid $NZ (excl. premium)

Signature........................................................ / / 2017

International Art Centre offers this service to clients unable to attend sale.

International Art Centre is not responsible for error or failure to execute bids. Fax +64 9 307 3421 or post to PO Box 37344 Parnell, Auckland 1151, before 2pm 4 July

Index

ADAMS M .......................................... 82

AITKEN J A ....................................... 176

ALBRECHT G 37

ANDREWS K J 146

ANNIGONI P 167

BABBAGE H I .................................... 115

BADCOCK D ...................... 93, 94, 148, .......................................... 163, 154, 179

BAKER W G .............................. 135, 175

BALOGHY G ...................................... 74

BANBURY G 44

BARKER D 41

BAXTER A E 216

BEADLE P ................................. 150, 161

BEAUVAIS P ...................................... 169

BLAND C .......................................... 206

BLOMFIELD C ................................... 140

BOROS L............................................. 90

BRADOCK G 127

BROWN P 158

BROWN H 123

BUCHANAN D ................................... 80

CAREY I H ...................16, 17, 18, 19, 20

CASELBERG A.........................45, 47, 48

CLARK C T ....................................... 197

COLE R ............................................... 75

CORBISHLEY G 117

COTTON S 180

CRAFT P R 168

DALGARNO R .................................. 142

DE VEL G................... 21, 22, 23, 24, 25, .....................26, 27, 28, 29, 30, 122, 124

DEANS A A ...................................... 113

DRAWBRIDGE J ............................... 183

DRIVER D 184

EDWARDS E G 207

ESPLIN T 121

EVANS J ................................... 106, 107

FEU’U F ............................ 87, 89, 91, 181

FIELD R N .......................................... 134

FORD J B ............................................ 71

FRIZZELL D .... 84, 88, 182, 185, 189, 190

FRIZZELL O & WESTON M ................ 111

FROUDE R 164, 165

GIBB W M 137, 138

GOLDBERG S 202, 203

GONIM W ........................................ 215

GRAHAM F ...................................... 156

GREATHEAD A ................................. 204

GRIEG J.................................... 119, 120

HALLIDAY B ...................................... 160

HAMLIN I 103, 191

HANLY P 35, 36, 72

HARRINGTON C 171

HARRIS S............................................. 77

HENDERSON L ................. 38, 39, 55, 57

HICKS J ............................................... 81

HOOPER J .......................................... 76

HOPE G ............................ 31, 32, 33, 34

HOTERE R 118

HOVELL J 92

HOYTE J B C 60, 101

HUNTER A ........................................... 56

JACKSON G W ................................ 104

KEMPLEV R ....................................... 166

KILLEEN R.......................................... 188

KING M ............................................ 105

KINGSTONE I 78

KIVITS J 151, 200, 201, 210, 212, 214, 152, 205

LANE T .............................................. 186

LATTEY E B ........................................ 195

LLOYD T .................................... 173, 174

MADDOX A ............................. 1, 2, 3, 4

MARTINSON P............ 63, 64, 65, 66, 67

MARTINSON P 208

MAYCLAIR J M 139

MCCORMACK J 213

MCCRACKEN F ....................... 141, 144

MCINTYRE P ..................................... 108

McPHEE C .......................... 68, 69, 102

MORETON J ..................................... 162

MOURANT E ..................................... 143

NIGRO J ............................................. 79

OLSEN M 109

PALMER S 51, 52, 53, 54

PEELE J 133

PONDER M ...................................... 198

PONDER R........................................ 194

PROCTOR R ..................................... 196

QUINTAVALLA F ............................... 110

ROBERTSHAW D........................... 49, 50

ROCHARDS J 86

ROWE J L 83

SCOTT J F 100, 170

SIDDELL S ........................... 8, 9, 10, 116

SIDDELL P ..................................... 5, 6, 7

SMITHER M ................................... 42, 46

SPENCER B R............ 128, 130, 131, 132

STEINERT V........................................ 192

STRONG B 193

SZYDLOWSKI H 43

TAPPER G 73, 153

TAYLOR E M.......................96, 97, 98, 99

THOMPSON N .................................. 155

THOMPSON R .................................... 85

TROLLE B .......................................... 199

UNKNOWN ARTIST ............172, 177, 178

WALDRUM G 70

WALLWORK R 157, 209, 211

WARD J 217

WATKINS D ....................................... 187

WEEKS J.............. 11, 12, 13, 14, 15, 112

WHEELER C V .......................... 145, 147

WHITEOAK C.................................... 126

WHYTE A F ....................................... 129

WILLIAMS P 149

WILSON T 95, 125, 159

WILSON L W 114, 136

WOLFE P............................................. 40

WORSLEY C N .................. 58, 59, 61, 62

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