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ART at HOME 12 TIMED ONLINE ONLY AUCTION 25 NOVEMBER 6:30PM 1 DECEMBER

Page 1


ART at HOME 12 - Billy Apple & others

Online auction closes 6:30pm 1 December

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1 ART at HOME 12 - Billy Apple & others

Timed online only auction closes 6:30pm 1 December

Please register and participate using our App or bidding platform https://auctions.internationalartcentre.co.nz

2 ART at HOME 12 - Billy Apple & others

Timed online only auction closes 6:30pm 1 December

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Timed Online Only Auction

25 November - closing 6:30pm Wedensday 1 December

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Viewing Times

International Art Centre, 202 Parnell Road, Auckland by appointment info@internationalartcentre.co.nz or by calling 09 379 4010

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Directors Richard Thomson & Frances Davies

202 Parnell Road, Auckland, New Zealand Telephone + 64 9 379 4010 Toll Free 0800 800 322 www.internationalartcentre.co.nz

6 ART at HOME 12 - Billy Apple & others

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Contacts

Richard Thomson

Ph +64 9 379 4010

richard@artcntr.co.nz

Mobile 0274 751 071

Maggie Skelton

Ph +64 9 379 4010

maggie@artcntr.co.nz

Luke Davies

Ph +64 9 379 4010 luke@artcntr.co.nz

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202 Parnell Road, Auckland, New Zealand

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1 BILLY APPLE (1935 - 2021)

From a Private Collection, 2018

UV-impregnated inks on canvas 30 x 30

Estimate

$15,000 - 25,000

PROVENANCE

Private Collection, Auckland

In Wellington City Art Gallery’s seminal 1991 exhibition As Good As Gold, Billy Apple, Art Transactions, 1981-1991 you might have been excused for not noticing the work From a Private Collection, 1991 at a mere 133 x191mm in shades of grey. It would have looked vanishingly small and insignificant on the vast gallery wall against works like From the BNZ Art Collection, 1988 in its bold corporate colours at 1524 x 1067mm or the From the Fay, Richwhite Collection, 1991 on its substrate of kevlar from KZ-7’s sail at 1156 x 2502mm. Further the shades of grey in the Golden Section (61.8% and 38.2% of black) work have seemed shadow like and recessive.

From the Collection works unmistakably associate the collector with the artist, Bill Apple. In a collaboration between the two, colours, substrates and subject matters are agreed; the collector is as strongly identified as the artist. But not all collectors are extroverts and want to have themselves so publicly hung upon a wall.

The Private Collector needed something that spoke about them as anonymous, avoiding the glare of the spotlight, the collector whose ownership is identified only as ‘from a private collection’ when their works are loaned for a gallery exhibition.

The scale of the work and the shades of grey used are fundamental to identifying this work with its private collector owner.

From a Private Collection, 2018 was a collaboration between the artist and the collector in direct lineage from the 1991 work of the same title. The format was updated to reflect the artist’s current practice and the shades for background and lettering reversed. It is a particularly apt recognition of the long collaboration between the two that was both intensely private and unacknowledged by people around the artist.

8 ART at HOME 12 - Billy Apple & others

Timed online only auction closes 6:30pm 1 December

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ART at HOME 12 - Billy Apple & others

Timed online only auction closes 6:30pm 1 December

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10 ART at HOME 12 - Billy Apple & others

2

BILLY APPLE (1935 - 2021)

Apple

Found apple on plinth 8 x 8

Signed

Estimate

$800 - 1,200

Includes a copy of NZ Herald’s Canvas dated 14 March, 2015

PROVENANCE

From a Private Collection

During the course of one of many dinners at the collector’s home

Billy Apple, alchemist like, transformed an artifcial apple into a work of art by simply signing Billy. The apple then became a Billy Apple.

3

BILLY APPLE (1935 - 2021)

Billy Apple TM

Framed serigraph, edition 14/45, 66 x 46

Signed (in apple) and numbered

Estimate

$5,000 - 6,000

PROVENANCE

From a Private Collection

This work marked 45 years of the Billy Apple brand and its new trademark status

Around this period Billy was becoming more reluctant to sign his works saying that his Conceptual work did not need his signature to be a Billy Apple. Unlike the graphite signature on this work, Billy’s 50th birthday work was untouched by the artist’s hand.

Timed online only auction closes 6:30pm 1 December

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4 BILLY APPLE (1935 - 2021)

Numbered and Signed - The Given as an Art-political Statement, 1980

Screenprint, edition 13/25, 56 x 76

Signed & numbered

Estimate

$2,500 - 3,500

PROVENANCE

From a Private Collection

Numbered and Signed - The Given as an Art-political Statement, 1980 is a comment on the art market where the value of a work may be heavily determined simply by the artist who created it and its scarcity. This work boldy states This is a Billy Apple work and there are 25 in the edtion, What more do you need to know?

12

05 BILLY APPLE (1935 - 2021)

Artspace Edtion, 2013, Screenprint, edition of 3, 42 x 29.7 (A3 size)

Signed & numbered

Estimate

$1,000 - 2,000

PROVENANCE

From a Private Collection

ART at HOME 12 - Billy Apple & others

With Billy Apple typically the paper size would determine the edition size in this case A3 being an edition of 3. In the case of the next lot, A4 being an edition of 4

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06 BILLY APPLE (1935 - 2021)

Art for Artspace (RGB)

Three screenprints, edition of 4, each 29.5 x 21 (A4 size)

Common seal of Artspace Aotearoa Trust

$2,000 - 4,000

PROVENANCE

From a Private Collection

Art for Artspace (RGB) were originally intended to be issued over three years, Red 2015, Blue 2016 and Green 2017 to form a set.  The artist intended that the individual pieces only become a complete art work when they are hung together. This concept was used with other works created by Billy Apple. The colours Red, Green and Blue are the primary colours of light in the RGB colour model.

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07 BILLY APPLE (1935 - 2021)

Motion Picture Meets the Apple, 1963

Offset lithograph 58.7 x 46

Estimate $3,000 - 5,000

PROVENANCE From a Private Collection

ART at HOME 12 - Billy Apple & others

EXHIBITED

Billy Apple - A Brand Looking for a Product 19622020

MTG Hawkes Bay Tai Ahuriri , 26 September 2020 - 31 October 2021

ILLUSTRATED

p. 6 Billy Apple A Life in Parts, Christina Barton, Auckland Art Gallery Toi O Tamaki, 2015

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This poster advertising the one night event screening of Billy Apple’s short film, was produced in a limited number at the Royal College of Art in London. It was done under Billy Apples direct supervision and the work has his direct involvement including the application of the green and red markings

Photo of the work on exhibition at MTG Hawkes Bay Tai Ahuriri

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08 BILLY APPLE (1935 - 2021)

PAID:

The Artist Has to Live Like Everybody Else, 1993

Offset lithograph, original Southern Cross invoice, unique, 56.5 x 42 Signed

N.B. This is the first of this series and is signed. other examples were not

Estimate $1,000 - 2,000

EXHIBITED

Toi Toi Toi, Three Generations of Artists from New Zealand, Auckland Art Gallery Toi O Tamaki, 22 May - 24 July 1999

This work includes a copy of the publication Toi Toi Toi, Three Generations of Artists from New Zealand, Auckland Art Gallery Toi O Tamaki, 1999

PROVENANCE

From a Private Collection

09

BILLY APPLE (1935 - 2021)

Cut

Lithograph, edition of 13/25, 58 x 77.5

Signed & dated 1964

Estimate $10,000 - 15,000

PROVENANCE

From a Private Collection

Cut was printed by Roy Crosset at the Royal College of Art in London in early 1964, just prior to Billy permanently moving from London to New York. Billy described Roy as a ‘tradesman printer’. He was a master printer and he used a small scale proofing off-set lithograph printer to produce this work. Roy printed a number of other early works for Billy. Billy brushed the ink directly onto the zinc plate; a rare example of this ‘artist’s hand’ on the finished work. The paper chosen was hand made. The whole process was directed by Billy and an edition of 25 numbered and signed (in graphite) works were printed.

ART at HOME 12 - Billy Apple & others

Warwick Brown invited the collector to transact the first of the ongoing series. The collector agreed and paid the invoice at the Southern Cross office. For Billy Apple’s Transactions Series, the collector had to accept the proposition that the artist had to live like everybody else, the dilemma being the artist had no intention to live like everybody else.

Billy had met Andy Warhol on this second trip to New York in 1962. Warhol was to embrace the technologies of mechanical reproduction as Billy did with Cut and Billy continued to do so for the rest of his life. The green Orchard Services canvas is an example of this where the concepts of the work are beautifully captured by utilising an industrial process subverted for art, UV impregnated pigment on canvas. Billy always sought out the best technicians and the latest technologies.

Ref: Billy Apple His Life & Works Christina Barton

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10

BILLY APPLE (1935 - 2021)

Class 44 Orchard Services

UV-impregnated ink on canvas. 38 x 24

Estimate $2,000 - 4,000

PROVENANCE

From a Private Collection

` Acquired directly from the Artist

Class 44 Orchard Services is part of the Trademark Classes series 2009-2014. There was a series of 8 classes with the initial group printed at size 1000 x 618m. This size is of the ‘Golden Section’ where you take a square from the rectangle and are left with a rectangle that you can take a square from and are left with a rectangle... ad infinitum.

Billy used this ratio in many of his works. This work is of the same proportions but reduced to a more domestic scale, it was made using the same printing techniques as were a number of Billy’s works in the 2000’s. It’s likely unique at this scale.

18 ART at HOME 12 - Billy Apple & others

The collector had known Billy for close on 30 years until his death and worked closely with Billy Apple over a number of years from 2005, with the intention of commercialising an apple to be branded ‘Billy Apple’. This work was gifted by Billy Apple to the collector as a token of gratitude for his involvement in this project.

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11 BILLY APPLE (1935 - 2021)

ART for Youthline New Zealand, 2005

Laser etched acrylic, edition of 200

23.6 x 14.9

Estimate $200 - 400

PROVENANCE

From a Private Collection

` Acquired from The Youthline Art Project by Billy Apple

Youthline Charitable Trust

20 ART at HOME 12 - Billy Apple & others

12

BILLY APPLE (1935 - 2021)

Turn Your Life Around Art Trust Project, 2002

Screenprinted, acrylic 14.6 x 23.6

Estimate $800 - 1,200

NB: This work has four holes which allows the works to be hung in multiple ways

PROVENANCE

From a Private Collection

` Acquired from Turn Your Life Around Art Trust Project, Youthline Charitable Trust

The Billy Apple Art projected incorporated the principles of Euclid’s Golden Section with the organisational structure of the Turn Your Life Around Trust

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13 BILLY APPLE (1935 - 2021)

Art for Scape, 2018

Screenprinted acrylic, edition 10/20, 14.6 x 23.6

Estimate $200 - 400

PROVENANCE

From a Private Collection

` Acquired from Friday feeling! Billy Apple, ART FOR SCAPE, 2018. Support for public art from an Icon of The Arts Foundation.

14 BILLY APPLE (1935 - 2021)

Taranaki Womens Refuge Plaque, 1999

Vinyl text on acrylic, edition of 50, 28 x 23

Includes all accompanying documentation and hanging nail, a facsimile copy of an Evening Post article, and original National Collective of Independent Women’s Refuges Inc. Folder

Estimate $200 - 600

PROVENANCE

From a Private Collection

` Acquired from Billy Apple Womans Refuge Project

15 BILLY APPLE (1935 - 2021)

Art for Aids, 2000

Screenprinted acrylic sign, edition of 50, 14.5 x 23.6

Estimate $500 - 1,000

PROVENANCE

From a Private Collection`

Acquired from New Zealand AIDS Foundation Arts Project, 2000

16

BILLY APPLE (1935 - 2021)

Worth it’s Weight In Gold, screenprint on gold passivated steel, 049oz, 5.5 x 3.5

Gold price per ounce 14 November 2021

$2652.52 , 049oz x $2,652.52 = $1,299.73

Estimate $200 - 400

PROVENANCE

From a Private Collection

Gold fetaured prominently in Billy Apples work, most noteably with the solid gold apple made for Ray Smith’s Auckland Coin & Bullion Exchange in 1983. It was litterally worth it’s weight in gold. `

22 ART at HOME 12 - Billy Apple & others

17

BILLY APPLE (1935 - 2021)

From Barrie Bates to Billy Apple , Arts Council Exhibition Catalogue, and original invitation, Serpetine Gallery, London, 1974

Estimate $200 - 300

PROVENANCE

From a Private Collection`

18

BILLY APPLE (1935 - 2021)

IOU

Printed IOU of $187.50 11 x 8, A7 paper size editon of 7 at this size

Framed size 40 x 30

Signed & dated 31/8/1992 in red crayon

Estimate $400 - 600

PROVENANCE

From a Private Collection

IOU records the artist owing the collector $187.50, redeemable on demand. The collector then invested further in framing IOU, to the artist’s specifications, confirming the transaction was not only about debt, but more importantly art. The collector’s dilemma: to recover the debt or gamble it would be worth more as a work of art. The time has come to find out.

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Front Back and nail

NZ Herald: What is the most misunderstood thing about you?'

Billy Apple That people think I don't make my own works. Look at this way - I refine the concepts behind the works then I work like an art director with a specialist team to produce the best possible outcome.This has been part of my practice since the 60s.'

19 BILLY APPLE (1935 - 2021)

Billy Apple Art Free for the Taking (2005)

Poster framed to Billy’s specifications by John Leech Framing Workshop 58.5 x 79 Commissioned by Artspace, Auckland, 2005

Estimate $1,000 - 1,500

PROVENANCE

From a Private Collection

This poster was available free to patrons of Billy Apple’s exhibition at Artspace, 2005

Given that Billy Apples work relies on the concept and he seldom touched the work in it’s creation, Apple Art Free for the Taking are as valid as any Billy Apple work. The democratisation of art, making it available to many, is a very 1960’s pop art concept.

20 BILLY APPLE (1935 - 2021)

Billy Apple Art Free for the Taking (2015)

Lithographic open edition poster framed to Billy’s specifications by John Leech Framing Workshop Commissioned by Auckland Art Gallery, Toi O Tamaki, 2015

Estimate $1,000 - 1,500

PROVENANCE

From a Private Collection

This poster was available free to patrons of the exhibition Billy Apple® A Life in Parts Auckland Art Gallery Toi O Tāmaki, 2015

26

21 BILLY APPLE (1935 - 2021)

Billy Apple Cider, 2015 - 16

Two cans from product launch unopended, Two unopened signed by Billy Apple and 8 post consumer cans in original packaging

$100 - 200

PROVENANCE

From a Private Collection`

22

BILLY APPLE (1935 - 2021)

Apples Blend Cup and Coffee

Exhibited at Michael Lett 12 December, 2004

$100 - 200

PROVENANCE

From a Private Collection Michael Lett publication

ART at HOME 12 - Billy Apple & others

23 BILLY APPLE (1935 - 2021)

Billy Apple Tea, 2016

Tin Tea 9 x 8 (containing tea)

Auckland Art Gallery, March 2015

$100 - 200

PROVENANCE

From a Private Collection `

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24 BILLY APPLE (1935 - 2021)

Three bottles (Two unopened & one opened) of Kimberley

Rhine Riesling

Served to guests at the opening of the exhibition Billy Apple: As Good As Gold, Art Transaction 1981 - 1991, Auckland Art Gallery

$200 - 400

PROVENANCE

From a Private Collection`

25 Five Publications relating to the work of Billy Apple.

1: Billy Apple: A Life in Parts, Christina Barton

2: Severe Tropical Storm 9301 Irma

3: Art & the 1960’s a Tate Publication

4: Billy Apple, Apple Brand

5: When Art went Pop, British Pop Art The Early Years

Estimate $250 - 350

26 Being Billy Apple - the DVD A Spacific Films Productions

Estimate starting price $1

28 ART at HOME 12 - Billy Apple & others

27 BILLY APPLE (1935 - 2021) Assorted Ephemera

A framed Billy Apple Art for Sale poster (faded) together with T-shirt & items Relating to and auction of Fine Wine for the Auckland Philharmonic Orchestra - poster and catalogue

Three copies of Billy Apples Tales of Gold, The Tale of Ray

Estimate $200 - 400

PROVENANCE

Private Collection, Auckland

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28 BILLY APPLE (1935 - 2021)

30 Days Ciro Coffee

Enamel on passivated steel 26 x 40

Certificate of Authenticity from Ferner Galleries affixed verso

Estimate $8,000 - 12,000

PROVENANCE

Private Collection, Auckland

` Ferner Galleries label affixed verso

ART at HOME 12 - Billy Apple & others

November 25 - closes 6:30pm 1 December

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29 PAHNL (British 21st Century)

It’s Dangerous To Go Alone - Framed

Screenprint, edition 11/40, 49 x 49

Signed

Estimate $400 - 600

30 DAMIEN HIRST (British b. 1965)

Damien Hirst, End of an Era Exhibition Poster

Framed poster with gold foil 90 x 60

Estimate $400 - 600

31 TABBY (Bristish 21st Century)

Flower Drain - Framed

Screenprint, edition 4/20, 39 x 30

Signed in plate

Estimate $500 - 800

30 ART at HOME 12 - Billy Apple & others

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(American 1898 - 1976)

Un Patriot

Lithographic

Estimate $500 - 1,000

33 ALEXANDER CALDER

(American 1898 - 1976)

Bulbe

Lithographic print, edition unknown 38.1 x 27.9

Estimate $500 - 1,000

34 ALEXANDER CALDER

(American 1898 - 1976)

Sabot Et Bonnet Phrygien

Lithographic print,

unknown 38.1 x 27.9

Estimate $500 - 1,000

35

BANKSY (British b.1974)

Forgive Us Our Trespassing Framed double sided offset lithograph

59.5 x 41.6

Signed in plate

Estimate $3,000 - 5,000

36

BANKSY (British b.1974)

Exit Through Gift Shop Poster

Offset lithograph 42 x 60

Estimate $600 - 1,200

37

BANKSY (British b.1974)

Tesco Soup Cans

Framed poster 82.5 x 57.5

Estimate $3,000 - 5,000

38

BANKSY (British b.1974)

Banksy vs Bristol Museum

June 13th - August 31st 2009 Poster

Framed poster 58 x 41

Estimate $500 - 800

39

BANKSY (British b.1974)

Walled Off Hotel

Framed Poster, open edition, 59 x 42

Walled Off Hotel embossed Stamp and original receipt affixed verso

Estimate $1,200 - 1,800

32 ART at HOME 12 - Billy Apple & others

Timed online only auction closes 6:30pm 1 December

https://auctions.internationalartcentre.co.nz/ auctions/4-43H25H/art-at-home-12-billyapple-from-a-private-collection-manyothers?limit=36&search=banksy

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40 RYCA

Sound Of Tha Police

Screenprint, edition 49/50, 49 x 69

Signed

Estimate $400 - 600

34 ART at HOME 12 - Billy Apple & others

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(RYAN CALLAGHAN)

41 BANKSY (British b. 1974)

Walled Off Hotel - Wall Sculpture (Love Hurts)

Miniature concrete souvenir sculpture, handpainted by local artists 13.5 x 11.5

Marked with unique reference number on underside 4343D

Estimate $2,000 - 3,000

https://auctions.internationalartcentre.co.nz/lots/view/44DFFQ0/banksy-british-b-1974-walled-off-hotel-wallsculpture-love-hurts

42 ROY LICHTENSTEIN (American 1923 - 97) Whaam!

Offset lithograph diptych on wove paper 63.5 x 147

Published by The Tate Gallery, London, printed by Beck and Partridge, Leeds, 1967

Estimate $5,000 - 10,000

https://auctions.internationalartcentre.co.nz/lots/view/44DFFQ2/roy-lichtenstein-american-1923-97-whaam

36 ART at HOME 12 - Billy Apple & others

43

44

FRIEDRICH HUNDERTWASSER (Austrian 1928 - 2000)

You Are a Guest of Nature Behave Offset lithograph with metal foil insets in silver 81 x 57

Signed in plate

Estimate $800 - 1,500

FRIEDRICH HUNDERTWASSER (Austrian 1928 - 2000)

The Hundertwasser Collection Poster Offset lithograph with metal foil insets in silver 81 x 57

Signed in plate

Estimate $800 - 1,500

45

Timed online only auction closes 6:30pm 1 December

FRIEDRICH HUNDERTWASSER (Austrian 1928 - 2000)

Conservation Week 1974, New Zealand

Offset lithograph with metal foil insets red 58 x 42 Copyright - Gruener Janura AG Glarus/ Switzerland. Printed by Cicerog mbh Stuttgart/ Western Germany

Estimate $800 - 1,500

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46 KEITH HARING (American 1958 - 1990 )

Montreux Jazz Festival, 1983 (Green)

Official silkscreen poster 100 x 70

Signed & dated 1983 in plate

Estimate $800 - 1,200

47 KEITH HARING (American 1958 - 1990 )

Montreux Jazz Festival, 1983 (Yellow)

Official silkscreen poster 100 x 70

Signed & dated 1983 in plate

Estimate $800 - 1,200

48 KEITH HARING (American 1958 - 1990 )

Montreux Jazz Festival, 1983 (Pink)

Official silkscreen poster 100 x 70

Signed & dated 1983 in plate

Estimate $800 - 1,200

49 FIONA PARDINGTON (b. 1961)

Talia’s Bouquet, Sunuffed Candle and Pounamu Arahura, McCahon Residency, 2013

Pigment ink on Hanemuhle Photo rag, edition of 10 41 x 54

Artist’s label affixed verso

Estimate $8,000 - 12,000

50 FIONA PARDINGTON (b. 1961)

Still Life with Pearls and Whangai Karoro, 2011 Pigment ink on HanemuhlePhoto rag 43.3 x 65

Estimate $8,000 - 12,000

38 ART at HOME 12 - Billy Apple & others

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Screenprint, edition of 50, 76 x 56

Signed, inscribed & dated 1979

Estimate $25,000 - 35,000

51 GORDON WALTERS (1919 - 95)
Karaka

52 J S PARKER (1944 - 2017)

Plain Song Oil on canvas 45 x 35

Signed & dated 2017

Estimate $4,000 - 7,500

53 PAUL RADFORD (b. 1957 )

Baby Bought me a Cadillac

Mixed media – sand texture and acrylic on paper 55 x 74

Signed

Estimate $3,000 - 4,000

40 ART at HOME 12 - Billy Apple & others

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Signed

Estimate $2,000 - 3,000

54 MICHAEL HARRISON
Tears in the Fabric
Acrylic on canvas 40 x 40

https://auctions.internationalartcentre.co.nz/lots/view/4-4DFFQS/ian-scott-1945-2013-moby-dick-is-sighted-off-muriwai-beach

55 IAN SCOTT (1945 - 2013)

Moby Dick is Sighted Off Muriwai Beach Oil on canvas 155 x 176 Signed, inscribed & dated 1972

Estimate $12,000 - 18,000

PROVENANCE

Private Collection, Auckland

42 ART at HOME 12 - Billy Apple & others

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56 PAUL DIBBLE (American 1958 - 1990 )

The Tableaux

Cast bronze, edition 1/5, 38 x 15

Signed, inscribed NZ & dated 2002

Estimate $4,000 - 6,000

PROVENANCE

From the Collection of Sir Grahame Sydney https://auctions.internationalartcentre.co.nz/lots/ view/4-4DFFQU/paul-dibble-b-1943-the-tableaux

Signed

Estimate $14,000 - 18,000

44 ART at HOME 12 - Billy Apple & others

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57 ANDY LELEISI’UAO (b. 1969 )
Uterque People of Arytipidal, diptych
Acrylic on canvas 152 x 152.4

Signed

Estimate $3,800 - 4,800

57 ANDY LELEISI’UAO (b. 1969 )
Polyneitus Spring Part X, 2012
Acrylic on canvas 50.5 x 40.5

No 10. Motorway / City

Oil on board 45 x 45

Signed, & dated 1968

Estimate $12,000 - 18,000

46 ART at HOME 12 - Billy Apple & others

Timed online only auction closes 6:30pm 1 December

Mixed media on paper 76 x 58

Signed, inscribed & dated 1984

Estimate $4,000 - 6,000

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59 ROBERT ELLIS (b. 1929)
60 ROBERT ELLIS (b. 1929) Rakaumangamanga

61 ANN ROBINSON (b. 1944)

Twisted Flax Pods

Cast glass & resin-coated steel 58 x 30

Estimate $10,000 - 15,000

62 MICHAEL SMITHER (b. 1939)

Mother & Child

Pencil on paper 41 x 49

Signed

Estimate $1,000 - 1,500

PROVENANCE

Collection of Sarah Smither

48 ART at HOME 12 - Billy Apple & others

The tradition of life drawing often shows the nude posed and displayed. While Michael trained to render the figure anatomically, muscle and bone under skin ,he was also  influenced by painter’s like Stanley Spencer and Bonnard and the intimacy they gave to domestic subjects-ie Bonnard “ Wife in the bath”. As a young father Michael was able to observe and record first hand the moments of understanding that became a huge part of his vocation as an artist.These drawings began to grow into paintings of domestic life. Fascinated by the innocence and determination, the demand for attention- the child features foremost. While aware that some may find these images confronting, even though part of every parent’s experience, the artist is not one to uphold society’s double standards so can only paint with the eyes of truth . In these times of sexualisation, the body as means rather than a container of soul, how does the viewer react now? Through out art history the mother and child have been paramount as the expression of what it is to be a human being- the representation of life’s very way of making new life.

With unwanted clarity I see myself in this work as we all once were, innocent, natural and unbowed- unaware of the evils set to enslave us.

Sarah Smither

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63 DON BINNEY ((1940 - 2012)

Anawhata Te Henga Boundary

Charcoal on paper 32 x 39

Signed, inscribed & dated 1965

Estimate $10,000 - 15,000

64 DON BINNEY ((1940 - 2012)

Beyond Wainamu, Te Henga

Lithograph, edition of 200 49 x 70.5

Signed, inscribed & dated 1971

Estimate $2,000 - 3,000

65 GUY NGAN (1926 - 2017)

Eclipse

Acrylic on board 100 x 100

Signed, isncribed ‘Eclipse’ & dated 1984

Estimate $15,000 - 20,000

50 ART at HOME 12 - Billy Apple & others

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66 GUY NGAN (1926 - 2017)

Animated Colours

Screenprint, edition of 50, 100 x 70

Signed, inscribed & dated 1993

Estimate $2,500 - 3,500

Estimate $6,000 - 8,000

52 ART at HOME 12 - Billy Apple & others

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67 CHRIS CHARTERIS Navigation Stone 24.5 x 36

68 PEATA LARKIN

Colonies II, 2019

Acrylic on tapestry cloth on board 42.9 x 72.9

Estimate $3,000 - 4,000

Acts, 1993

Lost-wax cast bronze, ten pieces 10 x 30

Estimate $8,000 - 12,000

PROVENANCE

From the collection of an artist who graduated from Elam School of Fine Arts with Michael Parekowhai. Produced at the time of an early exhibition and acquired directly from the artist.

69 MICHAEL PAREKOWHAI

70 RICHARD ORJIS Bed In, 2010

C-type print, edition 1/3, 99 x 149

Estimate $6,500 - 8,000

54 ART at HOME 12 - Billy Apple & others

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C-type print, edition 4/30 91 x 79

Signed & dated 2019

Estimate $4,000 - 6,000

71 PETER STICHBURY
Swoon (Stendhal Syndrome)

72 JAMES COUSINS

Untitled (pl 474)

Oil & acrylic on canvas 55 x 50

Signed & dated 2015 verso

Estimate $800 - 1,200

73 RICHARD KILLEEN

Destruction of the Circle

Unique computer generated photographic print 40 x 40

Signed, inscribed & dated 1990

Estimate $800 - 1,200

74 JULIAN DASHPER

Cass diptych

Oil on red velvet 46 x 77

Signed & inscribed verso

Estimate $2,500 - 3,500

56 ART at HOME 12 - Billy Apple & others

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75 NIGEL BROWN

The Reading

Acrylic on paper 35 x 27

Signed, inscribed & dated November 1980

Estimate $1,500 - 2,500

76 MERVYN WILLIAMS

Horizon (Gold)

Acrylic on canvas 45.5 x 35.5

Signed, inscribed & dated 1992 verso

Estimate $1,500 - 2,500

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Estimate $3,500 - 4,500

58 ART at HOME 12 - Billy Apple & others

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77 ALLEN MADDOX Untitled
Acrylic & crayon on paper 44.5 x 36.5 Gow Langsford Gallery label affixed verso

Self Portrait at 33

Linocut / painted paper, unique, 59 x 49

Signed, inscribed & dated 1982

Estimate $3,000 - 5,000

78 PHILIP CLAIRMONT

79 PAT HANLY

Coupon Crazy

Lithograph on collage, unique, 64 x 55

Signed, inscribed & dated 1988

Estimate $3,000 - 5,000

60 ART at HOME 12 - Billy Apple & others

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Waiting Game, 2017 Oil on canvas 111.3 x 112

Signed verso

Estimate $15,000 - 20,000

80 JOANNA BRAITHWAITE

Bay of Islands Road

Acrylic on board 60 x 27

Signed

Estimate $8,000 - 12,000

Acrylic on paper 76 x 56

Image size 24 x 24

Estimate $1,500 - 2,500

62 ART at HOME 12 - Billy Apple & others

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81 BUCK NIN
82 IAN SCOTT
Lattice

Lithograph, edition 18/30, 42 x 30

Estimate $3,000 - 4,000

Song with a Silent Refrain, 2018

Oil on linen 61.6 x 122.3

Signed & dated 1918

Estimate $12,000 - 16,000

83 EILEEN MAYO
Wounded Bird
84 PETER JAMES SMITH

64 ART at HOME 12 - Billy Apple & others

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Noa - Rua, 2008

Oil on canvas 35.4 x 27.9

Signed verso

Estimate $3,800 - 4,800

Good Planting, 2017

Spray paint, acrylic & paua shell on marine ply 79.2 x 79.2

Signed verso

Estimate $4,000 - 5,500

85 DARRYN GEORGE
86
ZENA ELLIOTT

Pulp The Indigenous Source Oil on board 30 x 40.5

Signed, inscribed & dated 1988 verso

Estimate $6,000 - 7,000

66 ART at HOME 12 - Billy Apple & others

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87 DENYS WATKINS

Oil on board 30 x 40.5

Signed, inscribed & dated 1988 verso

Estimate $6,000 - 7,000

88 DENYS WATKINS
Elliptic Signals

Estimate $10,000 - 20,000

68 ART at HOME 12 - Billy Apple & others

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89 MICHAEL SMITHER
Bathing ( Mother Bathing Baby) Oil on board 87 x 82

Estimate $1,800 - 2,200

90 PATRICK HAYMAN
Lord Nelson & Lady Hamilton Oil on paper 27 x 37

70 ART at HOME 12 - Billy Apple & others

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Mixed media on canvas 148 x 124

Signed & inscribed Wanganui verso

Estimate $1,500 - 2,500

Field Study 209 Ink, graphite, oil & acrylic on paper 35.8 x 41.8

Signed & inscribed

Estimate $3,750 - 4,750

91 JOHN SCOTT Heavy Gauge
92 MIKE PETRE

72 ART at HOME 12 - Billy Apple & others

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93 NIGEL BROWN

Poet Lives

Hand coloured woodcut, edition 2/5, 54 x 60

Signed, inscribed & dated 1983

Estimate $800 - 1,200

94 JAN BARNES

Construction 3 Coastal Fence Line

Oil on wood 136 x 76

Signed & dated August 1984 verso

Estimate $500 1,000

95 PHILLIPA BLAIR

Untitled

Pastel on paper 76 x 56

Signed & dated 1986

Estimate $800 1,200

96 SIMON DENNY

Uwe Timon Prism

Nsa Slide Redesign Proposal (Faz)

Photographic print from a newspaper scan in Perspex case 44 x 31.5

Estimate $800 1,200

97 BRENDAN MCGORRY

Untitled

Oil on board 134 x 99

Signed

Estimate $800 - 1,200

https://auctions.internationalartcentre.co.nz/lots/view/44DFFT4/brendan-mcgorry-untitled

74 ART at HOME 12 - Billy Apple & others

98 ANDY WARHOL (American 1928 - 87)

Marilyn Screenprint 91.5 x 91.5

Fill in your own signature and Published by Sunday B. Morning stamped verso

Estimate $1,000 - 2,000

99 ANDY WARHOL (American 1928 - 87) Mao (Silver) - Framed

Sunday B. Morning silkscreen print 84 x 74

Estimate $1,000 - 1,500

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(American 1928 - 87) Flowers

Sunday B. Morning silkscreen print 90 x 90

Fill in your own signature and Published by Sunday B. Morning stamped verso

Estimate $1,500 - 2,500

100 ANDY WARHOL

101 SALVADOR DALI

(Spanish 1904 - 89)

The Messiah (Woman Leading Horse, 1980

Lithograph, edition of 297/350 70 x 50

Signed

Estimate $800 - 1,200

https://auctions.internationalartcentre.co.nz/ auctions/4-43H25H/art-at-home-12-billyapple-from-a-private-collection-many-

102 DICK FRIZZELL

Second Round

Screenprint, edition 29/50, 26 x 30.3

Signed, inscribed & dated 2015

Estimate $1,200 - 1,500

103 WALDEMAR SWIERZY (1931 - 2013)

Lester

Lithograph, edition of 117/500, 83 x 60

Signed

Estimate $800 - 1,200

76 ART at HOME 12 - Billy Apple & others

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104 PATRICIA GOVEZENSKY (Israel b. 1961)

Dragonfly

Oil on cut steel 20 x 30

Signed

Estimate $400 - 600

https://auctions.internationalartcentre.co.nz/lots/ view/4-4DFFTI/patricia-govezensky-israel-b-1961dragonfly

105 DICK FRIZZELL

Screenprint, edition 23/80, 84 x 54

Signed, inscribed & dated 2005

Estimate $1,750 - 2,150

106 CHARLES

(1870 - 1947) A Good Joke

Chromolithograph 50 x 37

Signed & dated 1905 in plate

Estimate $2,000 - 4,000

78 ART at HOME 12 - Billy Apple & others

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FREDERICK GOLDIE

(1870 - 1947)

A HOT DAY

Chromolithograph 39 x 30.5

Estimate $1,000 - 2,000

107 CHARLES FREDERICK GOLDIE

108 ALAN INGHAM

Nude on a Chair

Bronze, edition of 12, 24 x 20 X 11

Signed

Estimate

$3,000 - 5,000

Diver

Bronze sculpture, edition 5/10, 35.5 x 24

Signed

Estimate

$800 - 1,200

80 ART at HOME 12 - Billy Apple & others

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109 COLIN WEBSTER-WATSON

110 MICHAEL SMITHER (b. 1939)

Taranaki 1

Screenprint, edtion of 60, 18 x 56.5

Signed & inscribed 3/60/77-65

Estimate

$1,800 - 2,600

111 DON BINNEY (1940 - 2012)

Pacific Frigate Bird (From the Barry Lett Multiple Series) Screenprint 54 x 45.5

Estimate

$3,000 - 5,000

Nikau’s

Oil on hessian 113 x 174

Signed & dated 2020

Estimate

$4,000 - 6,000

113 DEAN BUCHANAN (b. 1952)

Patterned Landscape

Oil on canvas 202 x 143

Signed & dated 2020

Estimate

$4,000 - 6,000

82 ART at HOME 12 - Billy Apple & others

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112 DEAN BUCHANAN (b. 1952)

84

ART at HOME 12 - Billy Apple & others

Timed online only auction closes 6:30pm 1 December

114 ARTHUR DAGLEY

West Wind

Acrylic on board 38.5 x 44

Signed

Estimate

$600 - 1,000

115 GRETCHEN ALBRECHT

Woman & Bird

Pencil on paper 55 x 37.5

Estimate

$1,000 - 2,000

116 PHILIP TRUSTTUM

Untitled

Oil on canvas 99.5 x 53

Signed & dated 8/9/01

Estimate

$1,200 - 1,800

117 AGNES WOOD

Double Portrait

Watercolour 30 x 25

Signed

Estimate

$400 - 800

118 ANNA HOLLINGS

Infinity of the Soul

Oil on canvas 45 x 60

Signed & dated 1999

Estimate

$500 - 800

119 JEAN HORSLEY

Bird Valley Oil 75.5 x 88.5

Signed

Estimate

$400 - 600

120 ARTIST UNKNOWN

A Square Swings to the Diagonal

Watercolour 52 x 47

Initialled E. R

Estimate

$200 - 400

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121 DEAN BUCHANAN (b. 1952 )

Signed & dated 2021

Estimate

$3,000 - 5,000

122 DEAN BUCHANAN (b. 1952 )

Oil on unstretched hessian 46.5 x 76

Signed & dated 2006

Estimate

$800 - 1,200

Signed & dated 2001

Estimate

$800 - 1,200

124 ALAN TAYLOR

Hinemoa: Freudian Landscape with Figures Oil on canvas board 33 x 24

Signed & inscribed verso

Estimate

$700 - 1,000

86 ART at HOME 12 - Billy Apple & others

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Camouflage Birds Oil on hessian 120 x 210
Nikau’s
123 DEAN BUCHANAN (b. 1952 ) Landscape Oil on canvas 78 x 64

Lost in Transformation

Oil based enamel on board 91 x 100

Signed & dated 2004 verso

Estimate

$3,000 - 4,000

Estimate

$1,400 - 1,800

Keystone

Acrylic on paper 70 x 101

Signed & inscribed

Estimate

$1,500 - 2,500

88 ART at HOME 12 - Billy Apple & others

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125 LINDA HOLLOWAY
126 PAUL RADFORD
127 SIMON EDWARDS
Seeker, 2010
Watercolour 9.3 x 17.4

90 ART at HOME 12 - Billy Apple & others

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128 CALVIN COLLINS

Untitled

Oil on wooden construction 124 x 84

Signed & dated 1990

Estimate

$1,500 - 2,500

JEFF THOMSON (b. 1957)

Map of New Zealand 2004

Enamel on corrugated iron (three pieces)

180 x 80

Signed & dated 2004 verso

Estimate

$4,000 - 6,000

PROVENANCE

Silich Collection

N.B. This work was offered in the recent Silich Collection but was withdrawn at the time as level restrictions meant it was incomplete.

131 BOBBY DOUGLAS COOKE

Cyber Knitting

Automotive enamel on wood 21.5 x 21.5

Estimate

$150 - 250

92 ART at HOME 12 - Billy Apple & others

130 DOUGLAS MACDIARMID (1922 - 2020)

Creatures in Space VII

Watercolour 35 x 25.5

Signed, inscribed & dated 1968

Estimate

$800 - 1,200

Part of a major meditation on the “Human condition”, this series was inspired by surfers and sun baskers at one with nature at Auckland’s Piha Beach – where Douglas’ parents lived at the time.

Worked in both watercolour and oil, Douglas cryptically noted in his battered painting record journal that the subject was an ‘old couple naked on dark’ [background]. It is the natural counterbalance to a youthful pair representing hope in Creatures in Space – Beginning 1967.

Creatures in Space VII came to New Zealand for MacDiarmid’s 1969 solo exhibition at Suter Art Gallery, Nelson. Listed in the show catalogue as No 24, $40.00.

132 LOUISE HENDERSON

Untitled Oil on board 78 x 57.5

Signed & dated 1985

Estimate

$1,000 - 2,000

133 LORRAINE RASTORFER

Splinter I

Mixed media on board 45 x 29

Signed, inscribed & dated 1997 verso

Estimate

$400 - 600

134 BILL HAMMOND

Untitled Ink & coloured pencil on paper 29.5 x 19

Signed & dated 1990

Estimate

$2,000 - 3,000

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Morning Call

Lithograph on steinback paper, edition 11/12, 110 x 72

Signed, inscribed & dated 1984

Estimate

$800 - 1,200

135 GORDON CROOK

136 DAVID BARKER Dune

Mixed media on paper 37 x 50

Signed, inscribed & dated 1981

Estimate $400 - 800

94 ART at HOME 12 - Billy Apple & others

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137 MARK CROSS

Signed

Estimate

$2,000 - 3,000

Evening, Te Henga
Watercolour 23 x 35.5

Estimate

$5,000 - 8,000

96 ART at HOME 12 - Billy Apple & others

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Signed & dated 1985

Estimate

$5,500 - 6,500

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138 TOBY RAINE Scene from a Movie Oil on canvas 141 x 200
139 MERVYN WILLIAMS Untitled Acrylic on paper 61.5 x 49

98 ART at HOME 12 - Billy Apple & others

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140 SYLVIA SIDDELL

Party Shoes

Oil on board 44 x 61

Signed & dated 1982

Estimate

$400 - 600

141 SYLVIA SIDDELL Across the Table

Pencil on paper 31 x 29.5

Signed & dated 1985

Estimate

$200 - 400

142 YOUNG SUN HAN

Dance of the Cockatrice No. 5

Type C print, edition of 4, 37.5 x 37.7

Signed, inscribed & dated 2010 verso

Estimate

$400 - 800

143 RUTH CASTLE Cane Platter

Dyed rattan core woven wall hanging, 25 x 25

Estimate

$200 - 400

144 GARRY CURRIN

Conversation II, 2015 Oil & mixed media on paper 63 x 93.1

Estimate

$4,000 - 5,250

145 MAX GIMBLETT

Searchings. Selections from the artist’s Journals chosen and arranged by Alan Lonely - The Hollaway Press, 2005 pages

Sixty pages, Edition of 21/80. 31.5 x 25.5

Includes two bound ink studies

Estimate $800 - 1,200

100 ART at HOME 12 - Billy Apple & others

146 PARATENE MATCHITT

Huakina

Silkscreen print, edition 17/20, 59.8 x 85.8

Signed, inscribed & dated 1986

Estimate

$4,000 - 6,000

147 MICHAEL MOORE

Nikau

Acrylic on canvas 88 x 49

Estimate

$2,000 - 3,000

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148 AUSTIN DAVIES

Untitled Acrylic on board 24 x 50

Signed & dated ‘01

102 ART at HOME 12 - Billy Apple & others

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Estimate $800 - 1,200

149 CLARE MATHESON

Abstract RealityAlienating Gaze

Acrylic on six panels 80 x 40

Estimate

$1,000 - 2,000

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Estimate

$2,500 - 3,500

150 AIKO ROBINSON
Love Looks Not with the Eyes, 2018
Lithograph, edition 9/20, 70 x 90.4

151 PAUL HARTIGAN

Rockslab Magoo

Lithograph, edition 2/2, 50 x 65

Signed, inscribed & dated 1989

Estimate

$400 - 600

152 NEIL DAWSON

Untitled

Sculptured blue painted steel mesh and plastic ball 88 x 100

Estimate

$3,000 - 5,000

153 ADRIAN GIBBONS

1/5 Attack

Mixed media on board 67.5 x 94

Signed, inscribed & dated 1993 verso

Estimate

$900 - 1,500

154 MARY MCINTYRE

Portrait of Tony Fomison

Lithograph, edition 14/19 37 x 53

Signed & inscribed

Estimate

$150 - 250

104 ART at HOME 12 - Billy Apple & others

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106 ART at HOME 12 - Billy Apple & others

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155 RONNIE VAN HOUT

Untitled

Black and white photograph 45 x 30

Estimate $3,000 - 4,000

156 SHEPARD FAIREY

Propaganda Spraying Services

Unframed screenprint, 92 x 62

Signed & dated 2020

Estimate $200 - 400

157 SHEPARD FAIREY & GLEN FRIEDMAN

Jim Muir Print

Screenprint, edition 44/450, 45.5 x 61

Signed by both artist’s, inscribed & dated ‘09

Estimate $500 - 800

158

SHEPARD FAIREY

Parlor Pattern Set (Red/Black Edition)

Screenprint (2), edition 23/85 each, 61 x 46.5

Signed & dated 2010

Estimate $1,200 - 1,800

159 BILL HAMMOND

Jingle Jangle, Morning / (Bob Dylan) - published by Christchurch Art Gallery Te Puna o Waiwhetu on the occasion of in the exhibition Bill Hammond: Jingle Jangle Morning, open edition (sold out)

Framed poster 54 x 80.5

Estimate $1,000 - 2,000

Important & Rare Art

Important & Rare auctions are the proven, preeminent sale category for major works of art offered for sale in New Zealand. These auctions take place three times annually. As we fast approach our 50th year in business, experience continues to equal results. 2014 saw Important & Rare auctions realise five of New Zealand’s top ten auction prices. The following year saw new records set with the two top prices in Auckland achieved. With the addition of the record $1.377 million paid for a C F Goldie in April’s 2016 sale, International Art Centre achieved the three highest art auction prices in New Zealand’s history. Due to an appreciative, and greatly valued clientele of nationwide and international buyers and sellers we look forward to breaking new ground.

COLLECTABLE ART

The buzz generated by our Collectable Art auctions reflects the popularity of these sales: an event at which seasoned connoisseurs and budding collectors alike converge to appreciate one of the most eclectic and diverse offerings available to the market. Works span the vital period from mid-century modernism through to the cutting-edge of today’s Contemporary art in New Zealand.

This sale category is an increasingly significant event in our auction calendar. Offering a number of lowerpriced works from highly-sought after artists in print and edition form, as well as quality works from artists whose presence on the secondary market is just beginning to crystallise.

ALWAYS CONSIGNING ENTRIES NOW INVITED

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SINGLE OWNER COLLECTION

From time to time, the secondary market is fortunate enough to be exposed to one of those rare collections which transcends the value of its individual works of art, and stands to represent something iconic in its entirety. Our team is well-versed in the process of offering single-owner collections for sale, and take pride in the process of curating a single-owner sale when the opportunity arises. We offer a targeted marketing campaign and maximise the use of both electronic and print-based collateral to effectively showcase such collections to maximum effect. The strong networks we have established locally and internationally are reflected in some of the private collections which have been entrusted to us in recent years.

ART AT HOME ONLINE AUCTIONS

A quick, easy and reliable solution to affordable consignments. During the 2020 nationwide lockdowns we stayed connected to our clients, keeping them close to our art. The time was spent productively, resulting in the development of our own online bidding platform and App, successfully auctioning works of art with no exhibition viewing, no printed catalogue, while using state-of-the-art technology. All transactions were contactless and we reduced our carbon footprint along the way. While the personal service, excitement and atmosphere of our famous live Parnell Road auctions remain and will continue to grow, the success of this online only platform has encouraged us to retain this as a permanent sale category.

CONTACT

Richard Thomson

Ph +64 9 379 4010

M. 0274 751 071

E. richard@artcntr.co.nz

Maggie Skelton

Ph +64 9 379 4010

E. maggie@artcntr.co.nz

Luke Davies

Ph +64 9 379 4010

E. luke@artcntr.co.nz

www.fineartauction.co.nz

202 Parnell Road, Auckland

202 Parnell Road, Auckland, New Zealand Tel + 64 9 379 4010 www.internationalartcentre.co.nz

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