Barry Pilcher Collection catalogue

BARRY PILCHER COLLECTION CONTEMPORARY NEW ZEALAND PAINTING, SCULPTURE & PHOTOGRAPHY 27 May 2015

Conditions of Sale & A Guide to Buyers The highest bidder shall be the buyer. In the event of any dispute as to the bidding in respect of any lot, that lot may be offered again at the discretion of the auctioneer whose decision shall be absolute and final.

The auctioneer has the right (i) to refuse any bid; (ii) to advance the bidding at his absolute discretion; (iii) to place a reserve on any lot; (iv) to place a bid or bids on behalf of the seller; (v) to withdraw any lot from sale; (vi) to require a successful bidder to pay forthwith

the whole or any part of the purchase price.

The auctioneer acts as the agent of the seller and neither he nor the seller shall be responsible for any defects or faults in any lot or for any errors of description or for genuineness or authenticity of any lot and no compensation shall be paid in respect of same.

From the time of lot being sold, such lot will be the responsibility of the buyer. Successful bidders are required to pay for purchases immediately on completion of sale unless otherwise arranged.

All intending buyers are required to register for a bidding number prior to auction commencing. Subscribers can use their permanent bidding number. We reserve the right to ask for identification if you are a first time client of International Art Centre.

Each lot shall be paid for and removed at the buyers expense by no later than 4pm Friday 29 May 2015 unless otherwise arranged failing which the auctioneer and/or the seller shall have the right to forfeit any deposit paid by the buyer and to resell the lot either by public or private sale and any deficiency on costs of resale shall be borne by the defaulting buyer.

No lot may be collected or paid for whilst auction is in progress.

SUBJECT BIDS When the auctioneer declares a lot ‘subject’ this means the bid is below the set reserve and is subject to vendor accepting, rejecting or negotiating the bid. International Art Centre will endeavour to make contact with the vendor immediately after sale or the following day. If the bid is accepted, the highest bidder is obligated to make purchase.

ESTIMATES Estimates are provided for each entry and act as a guide only.

They are prepared well in advance of sale and are subject to revision at any time. Estimates are based on hammer price and do not include our buyers premium.

ABSENTEE BIDS Absentee bidding arranged - please refer to absentee bidding page in back of catalogue. Fax to (09) 307 3421 or post to PO Box 37 344 Parnell. Please do not be offended if a member of our staff asks for your credit card details as security.

Absentee bids can also be left via our website to registered members. International Art Centre website www.fineartauction. co.nz acts as a useful auxiliary to the catalogue but we recommend inspection or a condition report prior to leaving a bid.

Our staff will gladly supply you with a condition report on any lot.

TELEPHONE BIDS Telephone bidding available to subscribers. There is no charge for this service.

PAYMENT FACILITIES Eftpos: Available for transactions $2,000 or less which is the banks daily limit. For transactions less than $4,000 a 50% deposit on the evening and balance following morning is acceptable as long as the goods remain on our premises until full payment is made.

Bank deposits: Please ask for our bank details to be faxed or sent by email if you wish to pay by direct debit. Quote the Lot number(s) Cheques: Accepted by known clients of International Art Centre or at our discretion. When posting cheques please ensure they are sent to the following address. International Art Centre PO Box 37 344 Parnell, Auckland 1151. Make cheque payable to ‘International Art Centre’ Credit cards: Visa & Mastercard accepted with a 2% surcharge. No other credit cards accepted.

FREIGHT & PACKING International Art Centre will gladly arrange in house or professional packing and international, national or local freight at cost.

Please arrange insurance on your items prior to them leaving our premises. In some cases, we may be able to arrange delivery ourselves within the Auckland area.

OTHER ENQUIRIES +64 9 379 4010 Toll Free 0800 800 322 info@fineartauction.co.nz www.fineartauction.co.nz BUYERS PREMIUM 15% Buyers premium plus GST on premium applies to all lots.

Total buyers premium is 17.25% including GST

BARRY PILCHER COLLECTION CONTEMPORARY NEW ZEALAND PAINTING, SCULPTURE & PHOTOGRAPHY 6:30pm Wednesday 27 May

272 PARNELL RD, AUCKLAND, PO BOX 37 344 TEL +64 9 379 4010 FAX +64 9 307 3421 www.fineartauction.co.nz

Auction Venue Scarborough Gallery, International Art Centre Lower Ground Level 272 Parnell Road, Auckland

Viewing Times Thursday Preview evening

21 May 21 May

10:00am - 5:30pm 5:30pm - 8:00pm

Friday

22 May

10:00am - 5:00pm

Saturday

23 May

11:00am - 4:00pm

Sunday

24 May

11:00am - 4:00pm

Monday

25 May

9:00am - 5:30pm

Tuesday

26 May

9:00am - 5:30pm

Wednesday

27 May

9:00am - 1:00 pm - Auction 6:30pm

Absentee Bids Absentee Bidding Form - page 107 Fax to (09) 307 3421 Conditions of Sale - inside front cover Email bidding instructions info@fineartauction.co.nz Bid via website www.fineartauction.co.nz

272 PARNELL ROAD, AUCKLAND PO BOX 37 344 AUCKLAND 1151 TEL +64 9 379 4010 FAX +64 9 307 3421 www.fineartauction.co.nz

Seung Yul Oh

JJaboo, 2008

Invitation Opening Preview

Please join us to view artwork and meet Barry Pilcher 5:30pm - 8:00pm Thursday 21 May

Please RSVP Luke Davies luke@artcntr.co.nz Text 021 741 360

272 PARNELL RD, AUCKLAND, PO BOX 37 344 TEL +64 9 379 4010 FAX +64 9 307 3421 www.fineartauction.co.nz 5

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The Barry Pilcher Collection spans fifteen years of diverse acquisition. Painting, sculpture and photographic art works by emerging, midcareer and established contemporary New Zealand artists come direct to the auction rooms from the taxation adviser’s Manawatu home.

The Pilcher Collection commenced with the purchase of a work from Paul Dibble’s Calici Smile series following Pilcher’s viewing of Dibble’s major Survey Exhibition at the Manawatu Art Gallery, 2001. Over the next decade and a half, Pilcher actively viewed, researched and acquired the art that piqued his interest. In the process an impressive and note-worthy collection has been created.

Many of the works are by Wallace Art Award winning artists who have gone on to attain firm positions in the New Zealand contemporary art market. This sale affords a unique buying and viewing opportunity to art lovers and collectors alike.

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Horace Moore-Jones Simpson and His Donkey (Private Dick Henderson) Watercolour 90 x 60cm, Signed & dated 1915 Estimate $300,000 - $500,000 Auckland Commerce Club Collection

Important, Early & Rare July 2015

Consign Today

International Art Centre’s Important, Early & Rare sales continue to attract some of New Zealand’s most important artworks. The July 2015 sale is no exception. From the Auckland Commerce Club Collection, after over thirty years on longterm loan to Auckland War Memorial Museum, International Art Centre is privileged to offer two of Australasia’s most memorable ANZAC images. The largest and best known watercolour of six versions painted by Horace Moore Jones of Simpson and His Donkey, will be sold with the original photograph. This photograph, taken

by Dunedin born, Sergeant James G. Jackson, NZMC on 12 May 1915, is of stretcher-bearer Dick Henderson of Waihi with his help-mate, Murphy the donkey. The Red Cross insignia is pinned to Murphy’s muzzle-band. It is this photograph which inspired Horace Moore-Jones to paint one of the most poignant images of the Gallipoli campaign. Regarded as a national treasure and icon of Gallipoli this is a truly extraordinary offering.

Further Consignments invited

Contact Richard Thomson richard@artcntr.co.nz Toll Free 0800 800 322 Mob 0274 751 071

Sergeant James G Jackson The Man and the Donkey The original 1915 photograph on the market for the first time Auckland Commerce Club Collection

EXTRAORDINARY ART FOR EXTRAORDINARY PEOPLE

1

Kushana Bush b. 1983 Squared off Muzzle Gouache and graphite on paper 760 x 560 Signed, inscribed & dated 2010 verso Estimate $4,000 - 6,000

Provenance:

Ivan Anthony, Auckland Exhibited:

Pimp Squeaks Kushana Bush

Ivan Anthony Gallery

20th October - 20th November 2010

2 Sam Mitchell b. 1971 Bravo

Acrylic on perspex 420 x 330

Signed, inscribed & dated 2010

Estimate $2,000 - 3,000 Provenance:

Mary Newton Gallery, Wellington

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3

Michael Harrison b. 1961

You Can’t Do That, 2002

Watercolour and pencil 300 x 210 Signed

Estimate $1,500 - 2,000 Provenance:

Hamish McKay Gallery, Wellington

Illustrated: p. 36 Home New Zealand February - March 2010 issue

4

Kelcy Taratoa b. 1972

Who Am I Episode 003 Acrylic on canvas 1060 x 1670 Signed & dated 2003 Estimate $3,000 - 5,000

Provenance:

Purchased directly from the artist 2004 Exhibited:

Te Whare Toi, The Dowse May 2004

Latitude, Taketake Gallery, Whakatane 28

February - 29 April 2005

12

kelcytaratoa: myspace Christchurch Art Gallery 23 March 2007 – 24 June 2007

Kelcy Taratoa has been hailed as one of New Zealand’s most exciting young artists, bringing a new presence to New Zealand art. His work explores popular culture, personal identity and what it means to grow up as a Maori in the city. He is of Ngaiterangi and Ngati Raukawa descent. Through his work he acknowledges his disassociation from any positive sense of identification with his Maori ancestry, growing up in a detribalised typically urban New Zealand

setting. The landscapes in which his self-portraits dwell are suburban and capture the debilitating sense of soullessness that may be experienced in many New Zealand cities and towns. Through his studies in Maori Visual Arts at Massey University, completed in 2005, where study of New Zealand history played an important role, he came to assertively appreciate the value of his own individual story and path. kelcytaratoa: myspace Christchurch Art Gallery.

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5 Harry Watson b. 1965

Koru, 2004

Oil on oak 360 x 295

Estimate $1,000 - 1,500

Provenance:

FHE Galleries

Gallery label affixed verso 14

Sara Hughes b. 1971 Data Attraction II Screenprint on Fabriano paper 565 x 750 Edition of 25 Signed, inscribed & dated 2006 Estimate $700 - 1,000

Karl Maughan b. 1964 Vivian, 2007-08 Oil on canvas 500 x 600 Signed, inscribed & dated 2007-08 verso Estimate $3,500 - 5,500

Provenance:

Thermostat Gallery, Palmerston North

Exhibited:

Karl Maughan, A Clear Day

Te Manawa, Palmerston North 2008

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Judy Millar b. 1957 Untitled, 2001 Acrylic and oil on aluminium 550 x 760 Signed, inscribed & dated 2001 verso Estimate $4,000 - 6,000

Provenance:

Bartley Nees Gallery, Wellington

Illustrated:

p. 44 - 45 Judy Millar You You, Me Me

Kerber Verlag, Bielefeid

Published on the occasion of Judy Millar’s exhibition Giraffe-Bottle-Gun at the 53rd

Biennale di Venezia 2009

9

Paul Maseyk b. 1964

In Coromandel Town I Listened to BFM Earthenware, coloured slips, clear glaze, gesso, acrylic paint 730 x 300 Signed, inscribed & dated 2007 Estimate $7,000 - 10,000

Provenance:

Masterworks, Auckland Paul Maseyk is a leading New Zealand ceramic artist who is steadily developing an international reputation. His work has grown out of a domestic pottery practice and today largely focuses on individual works that combine a strong narrative approach with a considerable monumentality of form.

10 Judy Millar b. 1957 Untitled

Acrylic, oil on aluminium 1020 x 800

Signed & dated 2003 verso

Estimate $6,500 - 9,500 Provenance:

Bartley Nees Gallery, Wellington

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Andre Hemer b. 1981 I’m New Zealands’ next top painting (...more soul than a sock with a hole) Acrylic on canvas 300 x 300 Signed, inscribed & dated 2006 verso Estimate $800 - 1,200

Provenance:

Bartley & Company Art, Auckland

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Andre Hemer b. 1981 Things to do with paint that won’t dry Acrylic on linen 200 x 200 Signed, inscribed & dated 2008 verso

Estimate $500 - 1,000

Provenance:

Antoinette Godkin Gallery, Auckland

13

Reuben Paterson b. 1973

I am the Resurrection, and I am your Wife Oil & glitter on canvas 760 x 760 Signed, inscribed & dated 2003 on stretcher verso Estimate $4,000 - 6,000

Provenance:

Gow Langsford Gallery, Auckland

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Exhibited: Are You Right Not to Like Modern Art Te Manawa, Palmerston North 6 December 2008 - 8 March 2009 21

14

Seraphine Pick b. 1964 Hell Hound on my Trail From Burning the Furniture Series Oil on canvas 250 x 250 Signed & dated 2007

Estimate $2,000 - 3,000

Exhibited:

Burning the Furniture, Seraphine Pick

7 November - 30 November,

Hamish McKay Gallery, Wellington 2007

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15 Seraphine Pick b. 1964

It Will Take Time to Restore Chaos

Oil on canvas 200 x 250

Signed & dated 2007

Estimate $2,000 - 3,000

Exhibited:

A Winter Show - Group Exhibition,

25 July - 11 August 2007,

Hamish McKay Gallery, Wellington

Hamish McKay Gallery stamp verso

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17

Fiona Pardington b. 1961 Still Life with a Persimmon, Puriri Flowers and a Skull Glass, from the Colin McCahon Residency, 2013 Pigment inks on Epson hot press natural, edition of 10, 400 x 550 Signed verso Estimate $2,500 - 3,500

Provenance:

Two Rooms, Auckland

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Israel Tangaroa Birch b. 1976 Golden Oriori Series 2005 Lacquer on stainless steel 510 x 510 Signed verso

In Still Life with a Persimmon, Puriri Flowers and a Skull Glass two puriri flowers, found in the luxuriant bush outside the studio, nestle on top of a plump persimmon.

The pictorial space in this work is extremely shallow and it’s not apparent what the fruit is resting on. We can intuit a horizontal surface only because we know the kowhai seeds must be resting on something. This strategy of taking the world away from the images by photographing them against dark backgrounds creates a climate of uncertainty and encourages us to see the objects in a new context. It’s something Pardington does often in her photographs.

Estimate $1,000 - 2,000

Virginia Were, Art News, Summer 2013

Provenance:

Thermostat Gallery, Palmerston North Oriori is generally translated as lullaby. An oriori was traditionally used as a method of transmitting knowledge to a baby. ‘I wonder if she can hear us calling to her? Israel Birch

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18

Heather Straka b. 1972

Estimate $12,000 - 16,000

St Sebastian Oil on canvas 630 x 430 Signed, inscribed & dated 2005 verso

Provenance:

Janne Land Gallery, Wellington Exhibited:

Wallace Trust Touring Exhibition 2005 - 2006

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John Andrew

Marivare

Oil on canvas 840 x 1200

Signed, inscribed & dated 2006

Estimate $1,000 - 1,500

Provenance: Purchased directly from the artist

20

Heather Straka b. 1972

Estimate $8,000 - 12,000

The Noble Savage II Oil on board 1070 x 810 Signed, inscribed & dated 2012 verso

Provenance:

Jonathan Smart Gallery, Christchurch Exhibited:

The Noble Savage March 23 - April 14, 2012

Jonathan Smart Gallery, Christchurch

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21

Ben Cauchi b. 1974

Portrait & Smoke

Ambrotype 230 x 300

Signed, inscribed & dated 2004 verso

Estimate $1,500 - 2,000 Provenance:

McNamara Gallery, Wanganui

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Exhibited: Exhibition Toured by Aratoi - Wairarapa Museum of Art & History, augmented by Te Manawa Palmerston North 29 October - 9 December 2005

22

Heather Straka b. 1972

Foe & Friend Oil on two canvas boards 430 x 325 Signed, inscribed & dated 2004 verso

Exhibited: In the The First Fleet - 28/8/04 - 16/9/04 Catalogue No.11 Milford Galleries Dunedin

Estimate $6,000 - 9,000

Provenance:

Janne Land Gallery, Wellington

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23

Seung Yul Oh b. 1981

Estimate $4,000 - 6,000

Ode Pou Automotive paint on fibreglass, two parts 880 x 700 x 545

Provenance:

Starkwhite, Auckland

24

Sara Hughes b. 1971 Melissa 2, 2005 Acrylic on linen 800 x 800 Signed & inscribed verso Estimate $4,000 - 6,000

Provenance:

Bartley Nees Gallery, Wellington Exhibited:

Beyond the Horizon

Bartley Nees Gallery, Wellington 2005

The New Painting - Paintings in the Digital Age. Pataka 12 May - 12 August 2007

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25

Sara Hughes b. 1971 For My Darlings 2004 Acrylic on aluminium 3 panels 520 x 1420 Signed & inscribed verso Estimate $3,000 - 4,000

Provenance:

Bartley Nees Gallery, Wellington

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26

Sara Hughes b. 1971 Infiltrate 2007 Acrylic on linen 800 x 800 Signed & inscribed verso Estimate $4,000 - 6,000

Provenance:

Gow Langsford Gallery, Auckland

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27

Will Handley

Shifted Theories, 2013 Ink and acrylic paint on X board, foam board, cardboard and corflute 1050 x 790 Signed, inscribed & dated 2013 Estimate $2,500 - 3,500

Exhibited:

In Notable Outcomes,

Sanderson Gallery 2013

28 Judy Millar b. 1957 Untitled

Acrylic, oil on aluminium 760 x 550

Signed & dated 2004 verso

Estimate $4,000 - 6,000

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Provenance: Bartley Nees Gallery, Wellington

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29

Roberta Thornley b. 1985 Untitled (Son) Archival pigment ink photograph on Ilford Galerie Gold Fibre Silk paper mounted on aluminium, edition of 3, 910 x 645 Estimate $2,500 - 3,500

Provenance:

Tim Melville Gallery, Auckland

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Roberta Thornley b. 1985 Eddie, 2008 C-type photograph, edition of 3, 250 x 300

"... although the cinematic quality of her photographs might evoke the dark sensuality of Bill Henson or the surreal narratives of David Lynch, the place to begin with Roberta Thornley's work is in the 'everyday' world. There is no narrative linking her works. Rather, they are discrete images about the simplest and yet most evocative of ideas. Contained within each work is a sense of the efflorescence of life and the wet, dark, decaying extreme that is part of its cycle of disintegration and renewal. Her work has an underlying element of unease, as if each image marks a crucial connection between beauty, desire, and the 'bible-black' of melancholy."

Dr Kriselle Baker, Art New Zealand, issue #134, Winter 2010.

Estimate $800 - 1,200 Provenance: Tim Melville Gallery, Auckland

I want my photographs to ask questions and to be rich with narrative possibilities. At the same time I try to evoke atmospheres that oscillate between melancholy and desire.

Roberta Thornley

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Kate Woods

River Site 2008 C-type photograph, edition 1/4, 19.5 x 28 Signed, inscribed & dated 2008 Estimate $500 - 1,000

Provenance:

City Art Rooms, Auckland

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32 John Pusateri b. 1978

The First Lesson - From ‘Wrest’ Series 2008

Charcoal drawing on paper 960 x 740 Signed

Estimate $1,000 - 1,500

Provenance:

Seed Gallery, Auckland

Tony De Lautour b. 1965

Untitled 2004

Oil on canvas 300 x 400 Signed

Estimate $800 - 1,500 Provenance:

Hamish McKay Gallery, Wellington

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Andrew McLeod b. 1976 That’s Love Oil on canvas 260 x 280 Signed & dated 2005 Estimate $1,000 - 1,500

Provenance:

Peter McLeavey Gallery, Wellington Illustrated:

Shhhh Shhhh Shhhh Shhhh Shangrila

Andrew McLeod

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Andrew McLeod b. 1976

Liz 2006

Oil on canvas 330 x 240

Signed & dated 2006

Estimate $1,000 - 1,500

Provenance:

Ivan Anthony, Auckland 41

36

Andrea Du Chatenier b. 1958 The Man who Smelt the Flowers Ceramic sculpture with glass eyes 450 x 350 x 410 Estimate $1,000 - 1,500

Provenance:

Seed Gallery, Auckland Exhibited:

Andrea du Chatenier, Weepers, Wonderers and Wounded, Seed Gallery 2014

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Brendon Wilkinson b. 1974 Androgyne, 2011 Watercolour 370 x 380 Signed & dated 2011 Estimate $800 - 1,200

Provenance:

Purchased from Peter McLeavey 2011

Peter McLeavey chose the frame for

this work.

Exhibited: Silverfish, Brendon Wilkinson

Ivan Anthony Gallery, Auckland

Illustrated p. 16

Silverfish, Brendon Wilkinson

Self published

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38

John Oxborough

Angel 2001 Acrylic on paper 600 x 420 Signed, inscribed & dated 2001 Estimate $1,000 - 1,500

Provenance:

Christopher Moore Gallery, Wellington Exhibited:

Reflections, John L Oxborough

Christopher Moore Gallery, Wellington

26 August - 21 September 2002

39

Richard Orjis b. 1979 Flower Idol, Floros Type C print, edition of 8, 978 x 838 Inscribed & dated 2006 verso

Estimate $4,000 - 6,000

Provenance:

Roger Williams Contemporary Art Auckland Illustrated:

p. 6, Richard Orjis Park

Elam MFA Show 2006 Exhibited:

Floriferous, Sarjeant Gallery,

Wanganui 3 April - 23 May 2010

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Saskia Leek b. 1970 Small Lips Oil on board 240 x 330 Signed & dated 2001 verso

41

Gavin Hurley b. 1973 Love Sydney I Oil on linen 460 x 360 Signed, inscribed and dated 2007 verso

Estimate $2,000 - 3,000

Estimate $3,000 - 5,000

Provenance:

Ivan Anthony, Auckland

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Provenance:

Mary Newton Gallery, Wellington

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42

Seung Yul Oh b. 1981

Estimate $4,500 - 6,500

JJaboo, 2008 Oil on canvas 900 x 1800 Signed verso

Provenance:

Starkwhite, Auckland Exhibited:

Are You Right Not To Like Modern Art

Te Manawa, Palmerston North

6 December 2008 - 8 March 2009

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43 Shane Cotton b. 1964

Slow Red Line Acrylic on paper 530 x 760 Signed & dated 2007 Estimate $7,000 - 10,000

Provenance:

Hamish McKay Gallery, Wellington

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44

Andy Leleisi’uao b. 1969 Plastic Kiwis of New Zealand Mixed Media sculpture 330 x 150 Signed & dated 2005 Estimate $1,000 - 1,500

Provenance:

Whitespace, Auckland

Exhibited:

Ballad of Cheekie Darkie, Whitespace,

Auckland 2006

45

Paul Dibble b. 1943 Shrine from Calici Smile Cast Bronze, edition of 2, 470 x 580 x 110 Signed & dated 2001 Estimate $8,000 - 12,000

Provenance:

Taylor Jensen Fine Arts, Palmerston North Exhibited:

The Calici Smile, Bowen Galleries, 2001 Illustrated:

p. 37 Home New Zealand

February - March 2010 issue

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46

Paul Dibble b. 1943 Torso after Brancusi with Seagull Cast bonze, edition of 3, 510 x 390 x 155 Signed & dated 2004 Estimate $4,000 - 6,000

Provenance:

Thermostat Gallery, Palmerston North Exhibited:

Group Sculpture Exhibition, Bowen

Galleries, Wellington, 2004

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Paul Dibble b. 1943 Above and Below Cast bronze, edition of 3, 520 x 730 x 120 Signed & dated 2005 Estimate $8,000 - 12,000

Provenance:

Taylor Jensen Fine Arts Exhibited:

Parallel Strands, Taylor Jensen Fine Arts,

Palmerston North, 2005

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48

Rohan Wealleans b. 1977

Sub Mariner 2009 Acrylic paint, paper, adhesive tape 300 x 215 x 600 Signed, inscribed & dated 2009 verso Estimate $1,000 - 1,500

Provenance:

Hamish McKay Gallery, Wellington Exhibited:

Private View, Group Exhibition

Hamish McKay Gallery, Wellington

12 - 23 December 2009

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Alvin Pankhurst b. 1949 Silent Echoes Oil on canvas 770 x 1020 Signed & dated 2000 Estimate $10,000 - 15,000

Provenance:

Purchased directly form the artist, 2003

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I have a long association with this painting. I started painting Silent Echoes in the late 1970s, completing it several decades later in 2000. In 2001 the work was part of a series accepted for the the Royal Academy's Summer Exhibition when thirty paintings from non-British artists were shown. It features the room in which I painted when living in Newtown,

Wellington. The same room was the setting for my 1970s paintings Maybe Tomorrow and Urban Sprawl.

In this work we open the door on a forgotten scene.

A fallen vase of entangled wild roses in search of water, a glass fruit bowl bearing desiccated orange skins and a plate of broken stemmed wine glasses.

Alvin Pankhurst

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Bill Hammond b. 1947

Estimate $2,500 - 3,500

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Picnic Lithograph, edition of 30, 540 x 660, Signed, inscribed & dated 2007

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John Walsh b. 1954

Tane Tanga Oil on board 900 x 1200 Signed, inscribed & dated 2005 Estimate $10,000 - 15,000

Provenance:

Papergraphica, Christchurch

Provenance:

John Leech Gallery, Auckland

Exhibited:

Cave Painting 14 August - 8 September

2007, Brooke Gifford Gallery, Christchurch

Illustrated: p. 36 Home New Zealand February - March 2010 issue

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Israel Tangaroa Birch b. 1976

Manutai 6 Sculpture 280 x 280 On display plinth

Estimate $800 - 1,200

Provenance:

Thermostat Gallery, Palmerston North Exhibited:

Thermostat Gallery 8 - 28 May 2009.

Manutai is the name of my marae in Nuhaka situated between Wairoa and Gisborne. Manu translated is bird, and Tai is the sea. When I initially started researching my whakapapa (genealogy) of Ngati Rakaipaaka of Nuhaka, I found Manutai was not only a reference to sea birds, but also referred to the birds beneath the sea. I have utilised the Mangopare (hammerhead) Kowhaiwhai pattern to express the narratives associated with my marae. The compositions are arranged to reflect the ideas and concepts of whakapapa. Israel Birch

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Shane Cotton b. 1964 Stelliferous Biblia VII Acrylic on canvas 355 x 355 Signed, inscribed & dated 2001 verso Estimate $6,000 - 8,000

Provenance:

Hamish McKay Gallery, Wellington

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Sylvia Siddell 1941 - 2011 The Birds, the Bat and the Beasts Aesop Fables Oil & acrylic on canvas 800 x 1200 Signed & dated 2006 Estimate $3,000 - 5,000

Provenance:

Artis Gallery, Auckland

55 Fatu Feu’u b. 1946 Sopoilangi

Acrylic on canvas 835 x 1115

Signed, inscribed & dated 2001 verso

Estimate $2,000 - 3,000 Provenance:

Warwick Henderson Gallery, Auckland

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Nigel Brown b. 1949

Manart Humanism Oil on board 1180 x 600 Signed, inscribed & dated 1990 Estimate $4,000 - 6,000

Provenance:

Warwick Henderson Gallery, Auckland

Illustrated: p 65 Art New Zealand,

#104 Spring 2002 61

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Sam Duckor-Jones

Estimate $1,000 - 2,000

Sydney

Ceramic paint dolly 920 x 300 x 600

Signed & dated 2014

Exhibited:

First Trip to the Big City, Bowen Galleries,

Wellington 7 April - 3 May 2014

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58

Mark Curtis b. 1975 England

Estimate $2,500 - 3,500

William at War Oil and glitter on canvas 1010 x 560 Signed, inscribed & dated 2006 verso

Provenance:

Orexart, Auckland Exhibited:

New Zealand Academy of Fine Arts, Wellington

Platform Gallery, Hamilton

Orexart, Auckland

This work is part of a series of works that investigate contemporary articulations of Queer identity in a postmodern world. The works are an exploration of Queer stereotypes, gay motifs and my own critical responses to theses modes of representation within New Zealand and the Pacific. There are three William paintings in the Wallace Arts Trust Collection. MC Mark Curtis was born in Windsor, England. He is well known for his large-scale glitter carpet installations, he maintains a painting practice and is an experienced printmaker (relief and etching). Curtis graduated from RMIT University, Melbourne in 2003 with a Masters Degree in Fine Arts and currently lectures at Mediarts, Waikato Institute of Technology, New Zealand. As part of his Masters, Curtis was ordained as a Minister of the Universal Life Church, Modesto, California. His works are in major collections nationally and internationally, including: The Wallace Trust Collection and the Waikato Museum Collection.

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Stephen Marty Welch b. 1972

Asianus Oil on board 1200 x 900 Signed & dated 2007 Estimate $1,500 - 2,500

Provenance:

SOCA Gallery, Auckland

Exhibited:

The Sitting, Stephen Marty Welch

The New Zealand National Portrait Gallery,

18 December 2008 - 31 January 2009

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Reuben Paterson b. 1973

Black and White T.V. Screenprint and glitter on paper, edition of 45, 700 x 500 Signed, inscribed & dated 2005 Estimate $1,500 - 2,500

Provenance:

Gow Langsford Gallery, Auckland Exhibited:

Dispelling the Myth, Te Manawa,

Palmerston North,

20 September - 7 December 2008

61 Star Gossage b. 1973 Eden

Oil on board 290 x 180

Signed & inscribed verso

Estimate $1,500 - 2,500 Provenance:

Tinakori Gallery, Wellington

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62

Mark Rayner

Estimate $500 - 1,000

Little Green Man - Alien Invasions

Mixed media sculpture 1170 x 540 x 350 Signed, inscribed & dated 2012 on base

Provenance:

Purchased directly from the artist, 2012 Exhibited:

The Conspiracy Theory Art Exhibition, Mangaweka Yellow Church Gallery, 2012

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Liz Maw b. 1966

Hos達nna Oil on board, 450 x 570 Signed, inscribed & dated 2006 Estimate $4,000 - 6,000

Provenance:

Peter McLeavey Gallery, Wellington

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64 Simon Kaan b. 1971 Untitled

Oil on board 170 x 550

Signed & dated 2013 verso

Estimate $1,000 - 2,000 Provenance:

Sanderson Gallery, Auckland

65

Young Sun Han b. 1982 USA

Pareidolia Unique digital c-type print 500 x 400 Signed, inscribed & dated 2008 verso Estimate $800 - 1,200

Provenance:

City Art Rooms, Auckland

Includes a unique text and image Audio CD, 4 mins 48 sec, looped - read by Young Sun Han & Siobhan Harvey.

66

John McLean

Acrobat Returning Home Oil on canvas 800 x 800 Signed & dated 2004 Estimate $3,000 - 5,000

Provenance:

McPherson Gallery, Auckland

68

67 Wayne Youle b. 1974

Three Artists in a Bar

Four powder coated laser-cut steel pieces

380 x 310

Signed & dated 2005 on each piece verso

Estimate $1,000 - 1,500 Provenance:

Purchased from Bartley Nees Gallery,

Wellington, June 2005

68

John Oxborough

Model with Couch Acrylic and ink on archival paper 740 x 540 Signed & dated 2004 Estimate $1,000 - 1,500

Provenance:

Sanderson Contemporary

69

Ans Westra b. 1936

Te Kao, North Cape, 1983

Silver gelatin print 260 x 270 Signed

Estimate $2,000 - 3,000

70

Provenance:

Suite Gallery, Wellington

Provenance:

Suite Gallery, Wellington

Illustrated: p. 152 Whaiora The Pursuit of Life, Photographs: Ans Westra

Text: Katerina Mataira,

Allen & Unwin Port Nicholson Press 1985

Illustrated:

Washday at the Pa, Ans Westra

Schools Publications, 1964

Ans Westra b. 1936

Smoking Minties Wrappers

Silver gelatin print 280 x 280 Signed

Estimate $2,000 - 3,000

71

71 Robyn Kahukiwa b. 1940 Uenuku

Watercolour 210 x 150

Signed, inscribed & dated 2012 verso

Estimate $800 - 1,200

Provenance: Warwick Henderson Gallery, Auckland

72

Robyn Kahukiwa b. 1940 Maui E Muriranga Whenua Oil on canvas 453 x 605 Signed & dated 2003

Estimate $2,000 - 3,000

Illustrated: p. 3 Nga Atua, Robyn Kahukiwa, self published 2012

Provenance:

Bowen Galleries, Wellington Illustrated:

p. 148 The Art of Robyn Kahukiwa, with

essays by Hinemoa Hilliard, Edward

Lucie-Smith, Jonathan Mane-Wheoki, Reed

Publishers 2005

Maui Tikitiki a Taranga went to his kuia

Muriranga Whenua for knowledge. She

gave him her kauae raro, bottom jaw.

He was the chosen one to receive the knowledge. Robyn Kahukiwa

73

73

Todd Stratton

Estimate $1,000 - 1,500

Little Son and You Oil & varnish on board 1230 x 800 Signed & dated 2006 verso

Provenance:

Roger Williams Contemporary, Auckland

74

74 James Robinson b. 1972 Paracite

Mixed media on canvas 2440 x 960

Signed & dated 2004

Estimate $8,000 - 12,000

Provenance:

Bath Street Gallery, Auckland

Exhibited:

Rise: A Series of New Works by James Robinson

Toured by Temple Gallery Dunedin 2004

Te Manawa, Palmerston North

15 October - 11 December 2005 Illustrated:

p. 36 Home New Zealand - Art Houses

Feb / March Issue

75

75

Wayne Youle b. 1974

Tony De Lautour Lion from the Old Boys Club Series Nickel plated laser cut steel 150 x 130 Estimate $500 - 800

Provenance:

Bartley Nees Gallery, Wellington Exhibited

Kia Ora Bro - New Works by

Wayne Youle, Bartley Nees

Gallery, Wellington

16 August - 11 September 2005

76

Tony De Lautour b. 1965

Conspiracy Plan Oil on canvas 800 x 1000 Signed, inscribed & dated 2002 Estimate $5,000 - 8,000

Provenance:

Hamish McKay Gallery, Wellington Exhibited:

Landscaper, Te Manawa, Palmerston

North, 20 September - 30 November 2003

Illustrated: p. 36 Home New Zealand February - March 2010 issue

77

77

Wayne Youle b. 1974

Pretty Boy 1 & 2, 2003 - A Pair

Mixed media 170 x 170

Signed verso

Estimate $500 - 1,000

Provenance

Bartley Nees Gallery, Wellington lllustrated:

Seen This Century: 100 Contemporary New

Zealand Artists - Warwick Brown

Random House 2009

78

78

Hye Rim Lee b. 1965

Estimate $1,500 - 2,000

Candyland #4 C-type print with custom made frame with two pot automotive paint finish, edition of 5, 400 x 400

79

Hye Rim Lee b. 1965

Candyland #19 C-type print with custom made frame with two pot automotive paint finish, edition of 5, 400 x 400 Estimate $1,500 - 2,000

Illustrated:

p. 79+95+97 Hey Rim Lee,

Art Contemoraneo, Malaga 2008

Illustrated:

p. 94+95+98 Hey Rim Lee,

Art Contemoraneo, Malaga 2008

Exhibited:

Starkwhite, Auckland 2009

Candyland, Hye Rim Lee,

Adam Art Gallery, Wellington 2008

Exhibited:

Starkwhite, Auckland 2009

Candyland, Hye Rim Lee,

Kukje Gallery, Seoul, South Korea 2006

Adam Art Gallery, Wellington 2008

79

80

Young Sun Han b. 1982 USA

Estimate $1,200 - 1,800

81

Young Sun Han b. 1982 USA

Estimate $1,200 - 1,800

82

Young Sun Han b. 1982 USA

Estimate $1,200 - 1,800

Mr Universe Chromira print mounted to di-bond, anti-UV glossy laminate, edition of 4, 1830 x 915

Chaugazer Chromira print mounted to di-bond, anti-UV glossy laminate, edition of 4, 1830 x 915

Alpha Male Chromira print mounted to di-bond, anti-UV glossy laminate, edition of 4, 1830 x 915

Exhibited: invAsian!, City Art Rooms,

Auckland, 2007

80 80

The portraits present various ethnic Asian men as icons who are in control of their sexuality. I have vamped up exotic qualities in exchange for power.

These bodies create desire from a position of control while hinting at the threat of a takeover.

Young Sun Han

81

82 81

83 Irene Ferguson b. 1970

Man With Chicken

Chalk on toned paper 560 x 370

Signed & dated 2005

Estimate $800 - 1,200 Provenance:

Janne Land Gallery, Wellington Exhibited:

Landscapes and Figures

Janne Land Gallery, Wellington

17 July - 11 August 2007.

Irene Ferguson gained a Diploma of Fine Arts with Honours from Otago School of Fine Art, Dunedin in 1993 and a Master of Fine Arts from the New York Academy of Art in 2005. In 2002 she was awarded the William Hodges Fellowship residency by the Southland Art Foundation. In 2003 she was awarded a Creative Communities Grant by the Wellington City Council and in 2008 Ferguson was the Artist in Residence at Samuel Marsden Collegiate School, Wellington. From 2005 - 2006 she lived and worked in New York City. In 2010 she travelled to Italy to complete training in portraiture at the Charles H. Cecil Studios in Florence, Italy.

In 2006 Ferguson was as finalist in the BP Portrait Award at the National Portrait Gallery, London latter winning the 2008 Adam Portrait Award.

82

84

Ryuzo Nishida b. 1976 Japan Matsu Modoki Acrylic paint and plastic models 260 x 260 Inscribed & dated 2007 Estimate $500 - 800

Provenance:

Seed Gallery, Auckland

85

Kylie Tiuka b. 1965

He Mana Tawhito Mixed media sculpture 400 x 300 Estimate $800 - 1,200

Provenance:

Bartley & Company Art, Wellington

Kylie Tiuka won the 2013 Rotorua Museum

Supreme Award with her work titled Te Korihi (Birdsong)

83

86

Lingikoni Vaka’uta

We Don’t Need to Speak the Same Language to Communicate Ink on Paper 670 x 425 Signed, inscribed & dated 2003 Estimate $500 - 800

Provenance:

Oedipus Rex Gallery, Auckland

87

Liam Barr b. 1966 The Mighty Moa Oil on canvas 910 x 710 Signed, inscribed & dated 2007 Estimate $3,000 - 5,000

Provenance:

Warwick Henderson Gallery, Auckland

85

88

Mark Olsen b. 1962

A Man and His Lady

Oil on canvas 1680 x 1120 Signed

Estimate $3,000 - 5,000 Provenance:

Fishers Fine Arts Exhibited:

12th Annual Wallace Art Awards

Finalist, 12 September 5 October, 2003

88

89 Rozi Demant b. 1984

The Cages

Acrylic on board 1800 x 530 Signed

Estimate $4,000 - 6,000 Provenance:

Warwick Henderson

Gallery, Auckland

86

90

90

89

Andrew Barnes-Graham b. 1962 The Rollercoaster Riders Acrylic on canvas 900 x 910 Signed, inscribed & dated 2006 verso Estimate $2,000 - 3,000

Provenance:

Sanderson Contemporary Art, Auckland 87

92 Pauline Thompson 1942 - 2012 Light

Oil on canvas 400 x 500

Signed & dated 2001

Estimate $500 - 800 Provenance:

Ardor Gallery, Parnell, Auckland.

91

Andy Leleisi’uao b. 1969 Legagemasala Village Oil on canvas 330 x 240 Signed, inscribed & dated 2003 verso

Painting is based on a poem by Kirin Cerise 1969 - 2000 Could you Beat and flail your wings against these walls?

You know I’ll hold them tight Against that other noise...

I know your light has touched me Just the feeling of your thoughts towards me Lights me

Estimate $500 - 1,000

Provenance:

Whitespace, Auckland

88

93

Michel Tuffery b. 1966

Tamaitiiti Tui Lua Acrylic on tapa 480 x 520 Inscribed & dated 2003 verso Estimate $1,500 - 2,500

94

Michel Tuffery b. 1966

Tania Le Sa Acrylic on tapa 610 x 400 Signed, inscribed & dated 1994 Estimate $1,500 - 2,500

Provenance Lots 93 + 94 Williams Gallery, Petone

89

95

Pete Wheeler b. 1978 Untitled

Watercolour on canvas 300 x 400

Signed & dated 2006 verso

Estimate $500 - 1,000 Provenance:

Whitespace, Auckland

96 95

Pete Wheeler b. 1978

Deliver Me Oil & oilstick, graphite, charcoal on paper 620 x 620 Signed & dated 2005 Estimate $800 -1,200

Provenance:

Whitespace, Auckland Exhibited:

VITAMIN P Pete Wheeler

30 July -18 August 2005, Whitespace, Auckland

97

96 90

Robert McLeod b. 1948

Goodbye Clem 2010 Wood sculpture on plastic wheels 510 x 400 Signed & inscribed Estimate $1,000 - 2,000

Provenance:

Bowen Galleries, Wellington

97

98

98

Di Ffrench 1946 - 1999 Hunter Warrior Series Cibachrome, edition of 4, 780 x 600 Signed, inscribed & dated 1990/91 verso Estimate $500 - 1,000

Provenance:

Artis Gallery, Auckland

Exhibited: Di Ffrench: Activating Ideas Dunedin Public Art Gallery, 2007 Di Ffrench, Sculptural Photographs: A Survey, Artis Gallery, Auckland 29 June - 16 July 2011

91

99

Jinx in the Sky

I Love You in Your Tragic Beauty - A Pair Acrylic on plywood panels 600 x 400 Signed & dated 2011 Estimate $800 - 1,200

Exhibited:

Beauty Meets the Bazaar, Depot Artspace

2011 Thistle Hall, Wellington 2011

92

Whilst on exhibition at Thistle Hall, Wellington in 2011, the two works were stolen from the gallery and became part of a nationwide news story relating to the theft. The works were subsequently returned to the artist. http://www.stuff.co.nz/dominion-post/news/wellington/8533811/Reward-for-stolen-Thistle-Hall-artwork The works were purchased directly from the artist

100

Wayne Youle b. 1974

Estimate $250 - 350

Often Licked, Never Beaten 3 Synthetic resin each 90 x 40

Provenance:

Bartley Nees Gallery, Wellington

101

Liyen Chong b. 1979 Malaysia

Shall I put you off with my Unknot: Becomes Doctrine 2005 Artist’s hair on cotton 90 x 30 Estimate $800 - 1,200

Provenance:

64zero3, Christchurch An artist of Malaysian-Chinese descent, Liyen Chong boldly negotiates Eastern and Western art forms, motifs and languages to create works that are conceptually rich and visually immaculate. In 2011 she was artist in residence at McCahon House (Titirangi) and Tylee Cottage (Whanganui) and in 2012 she participated in the Asia New Zealand Foundation residency at the Goyang Art Studio in South Korea. Chong’s work is held in major public and private collections including: the Chartwell Collection (Auckland), The University of Canterbury Art Collection (Christchurch) and the National Gallery of Australia Collection (Canberra).

100

101

102

Jochen Schmidt b. 1947

Atoll Bay Oil & sand on canvas 920 x 1370 Signed, inscribed & dated 2002 verso

Provenance:

Warwick Henderson Gallery, Auckland

Estimate $1,000 - 2,000

103

Richard Orjis b. 1979 ‘Sugar Rush’ No.5 Type C print, edition of 6, 690 x 990 Signed, inscribed & dated 2001 - 2008

Estimate $1,000 - 1,500

Provenance:

McNamara Gallery, Wanganui Illustrated:

NZ Home & Garden, Noelle McCarthy,

My Favourite Room

94

104 Ben Webb 1976 - 2014 Study

Mixed media on etching paper

920 x 700

Signed & dated 2007

Estimate $1,000 - 1,500 Provenance:

Jonathan Smart Gallery, Christchurch

105

Erena Baker

Toku Iwi - Raukawa from the Pepeha Series Digital photograph with custom mount 260 x 200 Estimate $400 - 600

Provenance:

Thermostat Gallery, Palmerston North

95

106

Kereama Taepa

#4 Woman feat. Whakarua Kopito Acrylic paint on canvas on board 500 x 800 Dated 2004 verso Estimate $800 - 1,200

Provenance:

Te Manawa, Palmerston North Exhibited:

Te Tataitanga Matatu

An Exhibition of Year One Toioho Ki Apiti

Postgraduate Candidates

Te Manawa, Palmerston North 2004

96

107

Mike Weston b. 1963 & Otis Frizzell b. 1971

Celebrity War Porn

Archival Ink jet pigment print,

edition of 180, 330 x 630

Signed, inscribed

& dated 2004

Estimate $500 - 800 Provenance:

Williams Gallery, Petone

108

Michel Tuffery b. 1966

Manhattan to Kaiwharawhara Oil on metal 90 x 490 Signed & dated 2004 Inscribed verso Estimate $800 - 1,200

Provenance:

Williams Gallery, Petone

109

Andrea Du Chatenier b. 1958 Autopsy series: Body 2005 Mixed media sculpture 1200 x 400 variable Estimate $800 - 1,200

Provenance:

Seed Gallery 2007 Exhibited:

Chain of Being

Hastings City Art Gallery

2 December - 6 February 2012 Andrea Du Chatenier received a runner-up award in the 2007 Wallace Art Awards. That same year James Robinson was the winner.

109 97

110

Cliff Whiting b. 1936 Hatupatu and the Death of Kurangaituku Lino print, edition 4/40 400 x 300 Signed, inscribed & dated 2007 Estimate $300 - 500

Provenance:

Homeprint, Fielding

111

Aleksandra Petrovik b. 1985 112

Untitled

Watercolour 500 x 400 Signed

Estimate $400 - 600

Aleksandra Petrovik b. 1985

Siamese Mannequin, 2007

Watercolour 250 x 200 Signed

Estimate $200 - 300

Provenance: Provenance:

Sanderson Contemporary Art, Sanderson Contemporary Art, Auckland Auckland

113 John Pule b. 1962 Sun

Etching and woodblock

on Velin Arches paper,

edition 18/30, 145 x 85

Signed, inscribed

& dated 2007

Estimate $300 - 500

114 John Pule b. 1962 Days

Etching and woodblock

on Velin Arches paper,

edition 18/30, 145 x 85

Signed, inscribed

& dated 2007

Estimate $300 - 500

115 John Pule b. 1962 Ascend

Etching and woodblock

on Velin Arches paper,

edition 18/30, 145 x 85

Signed, inscribed

& dated 2007

Estimate $300 - 500

Provenance: Provenance: Provenance:

Papergraphica, Christchurch Papergraphica, Christchurch Papergraphica, Christchurch

99

116

Gareth Watkins b. 1958 Torso 2010, The Death of Abel 2010, Angel Wings (Plastic) Three photographs 455 x 300 Inscribed & dated 2010 verso Estimate $300 - 500

116

117

James Robinson b. 1972 120 Gregor Kregor b. 1972 Black and White on paper, Sheep Mixed media, ink, oil &

Glazed ceramic 230 x 390 thread 180 x 120 Signed Signed, inscribed & dated 2003

Estimate $300 - 500 Estimate $300 - 500 Provenance: 118 James Robinson b. 1972

Bowen Galleries, Untitled Wellington

Mixed media on canvas

150 x 150 121 John Roy

Signed & dated 2007

Fallen 2003

Estimate $200 - 400

Unique bronze 120 x 150

119 Kat Weir

Estimate $200 - 300

Double the Fun

Watercolour 120 x 200 Provenance: Inscribed

Mary Newton Gallery,

Estimate $300 - 400 Wellington

Provenance:

Bartley Nees Gallery Exhibited:

Freshfaced Bartley Nees Gallery

28 February-25 March 2006

100

122 Cliff Whiting b. 1936 Tawhirimatua Lithograph,

edition 4/100 110 x 100

Signed & inscribed

Estimate $150 - 250 123

Rachael Garland

A Time, to Every Purpose.

Lithograph, edition 7/15 130 x 320 Signed, inscribed & dated 2003 Estimate $80 - 120

124

James Robinson b. 1972 Input Integrating Mixed media, ink, thread & collage 180 x 120 Signed, inscribed & dated 2007 verso

Estimate $300 - 500

119

122

123

117 120

118

121

124

101

125

Michel Tuffery b. 1966

126

Owen Leong b. 1966 Second Skin, Milk Ring Digital video on CD

Tangaroa Harakeke up the Whanganui River Woodblock on embossed Pescia paper, edition 3/22 75 x 28 Signed, inscribed & dated 2008 Estimate $300 - 500

Estimate $800 - 1,200

127 James K Low b. 1988

Broom of Doom, Don’t Cry Death Defy series, 2008

Photographic print 920 x 770

Dated 2008 -2011

Estimate $800 - 1,200

Provenance:

McNamara Gallery, Wanganui Illustrated: Cover, Artzone #34

April - July 2010

128

125

Pauline Thompson 1942 - 2012 The Welcome Swallow & Maiariki 2003 A Pair Oil on card 550 x 550 Signed & dated 2003 Estimate $150 - 250

128

129

126

128

Rick Rudd

Teapots (3) Estimate $400 - 600

Exhibited:

Rick Rudd’s Orange Crush 2012

Rayner Brothers, Wanganui 129

130

Matthew Couper b. 1976

Estimate $400 - 600

127

Répondez S’il Vous Plaît Oil on metal 200 x 230 Signed & dated 2007

Provenance:

Janne Land Gallery, Wellington 130

103

131

131

132

Jermaine Reihana

He Manu Triptych Oil on canvas 1000 x 1500 Signed & dated 2011 verso Estimate $800 - 1,200

Provenance:

Thermostat Gallery, Palmerston North Exhibited:

DISAMBIGUATION new paintings by

David Pearce and Jermaine Reihana,

Thermostat Gallery. Palmerston North

8 - 28 April, 2011

104

132

Rangi Kipa

Hei Tiki 2005 Corian, plastic 70 x 40 Estimate $250 - 350

133

Rudyard Yap

Estimate $250 - 350 (Not illustrated)

Anne of Cleves, Catherine Howard, Jane Seymour, Catherine of Aragon, Anne Boleyn, Catherine Part The Tudors Seus Six photographs 195 x 290

134

Glenn Skipper

Manaia

Bronze sculpture 470 x 300

Signed & dated 2002

Estimate $600 - 1,000 Provenance:

Thermostat Gallery, Palmerston North

135

Vanessa Wairata Edwards

Karanga mai ra....

Print & ink on woven paper edition 8/20 200 x 200 Signed & dated 2003 Estimate $150 - 250

Provenance:

Purchased directly from the artist

134

Exhibited:

Our Place, Central Print Council Exhibition,

Te Manawa, Palmerston North, 5 June - 12 September 2004

136

Geoffrey Heath

Blue Monday 2005 C-Type colour photograph, edition of 3, 300 x 370 Signed verso Estimate $400 - 600 (Not illustrated) 135

105

Lot 16 Israel Birch 106

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Index ANDREW J..............................................19

HURLEY G................................................41

REIHANA J............................................131

BAKER E.................................................105

IN THE SKY J ...........................................99

ROBINSON J................... 74, 117, 118, 124

BARNS-GRAHAM A................................90

KAAN S....................................................64

ROY J....................................................121

BARR L.....................................................87

KAHUKIWA R.....................................71, 72

RUDD R.................................................129

BIRCH I T............................................16, 52

KIPA R....................................................132

SCHMIDT J............................................102

BROWN N...............................................56

KREGAR G............................................120

SIDDELL S................................................54

BUSH K.......................................................1

LEE HYE R..........................................78, 79

SKIPPER G.............................................134

CAUCHI B...............................................21

LEEK S......................................................40

STRAKA H....................................18, 20, 22

CHONG L.............................................101

LELEISI’UAO A...................................44, 91

STRATTON T.............................................73

COTTON S.........................................43, 53

LEONG O..............................................126

TAEPA K.................................................106

COUPER M............................................130

LOWE JAMES K.....................................127

TARATOA K................................................4

CURTIS M.................................................58

MASEYK P.................................................9

THOMPSON P.....................29, 30, 92, 128

DE LAUTOUR T...................................33, 76

MAUGHAN K............................................7

TIUKA K....................................................85

DEMANT R..............................................89

MAW L.....................................................63

TUFFERY M ........................93, 94, 108, 125

DIBBLE P......................................45, 46, 47

MCLEAN J...............................................66

VAKA’UTA L.............................................86

DU CHATENIER A............................36, 109

MCLEOD A.......................................34, 35

WALSH J..................................................51

DUCKOR-JONES S..................................57

MCLEOD R..............................................97

WATKINS G............................................116

EDWARDS VANESSA W........................135

MILLAR J.......................................8, 10, 28

WATSON H................................................5

FERGUSON I............................................83

MITCHELL S................................................2

WEALLEANS R.........................................48

FEU’U F....................................................55

NISHIDA R................................................84

WEBB B..................................................104

FFRENCH DI............................................98

OLSEN M.................................................88

WEIR K...................................................119

FRIZZELL O & WESTON M.....................107

ORJIS R............................................39, 103

WELCH S M.............................................59

GARLAND R..........................................123

OXBOROUGH J................................38, 68

WESTRA A.........................................69, 70

GOSSAGE S............................................61

PANKHURST A.........................................49

WHEELER P........................................95, 96

HAMMOND B.........................................50

PARDINGTON F.......................................17

WHITING C....................................110, 122

HAN YOUNG S......................80, 81, 82, 65

PATERSON R......................................13, 60

WILKINSON B..........................................37

HANDLEY W............................................27

PETROVIC A..................................111, 112

WOODS K...............................................31

HARRISON ML...........................................3

PICK S................................................14, 15

YAP R.....................................................133

HEATH G...............................................136

PULE J....................................113, 114, 115

YOULE W..............................67, 75, 77, 100

HEMER A...........................................11, 12

PUSATERI J..............................................32

YUL OH S...........................................23, 42

HUGHES S ...............................6, 24, 25, 26

RAYNER M...............................................62

Lot 72 Robyn Kahukiwa

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