Collectable & Contemporary Art 6:00pm Wednesday 29th August 2012
CONDITIONS OF SALE
The highest bidder shall be the buyer. In the event of any dispute as to the bidding in respect of any lot, that lot may be offered again at the discretion of the auctioneer whose decision shall be absolute and final.
The auctioneer has the right -
(i) to refuse any bid;
(ii) to advance the bidding at his absolute discretion;
(iii) to place a reserve on any lot;
(iv) to place a bid or bids on behalf of the seller;
(v) to withdraw any lot from sale;
(vi) to require a successful bidder to pay forthwith the whole or any part of the purchase price.
The auctioneer acts as the agent of the seller and neither he nor the seller shall be responsible for any defects or faults in any lot or for any errors of description or for genuineness or authenticity of any lot and no compensation shall be paid in respect of same.
From the time of lot being sold, such lot will be the responsibility of the buyer.
Successful bidders are required to pay for purchases immediately on completion of sale unless otherwise arranged.
All intending buyers are required to register for a bidding number prior to auction commencing. Subscribers can use their permanent bidding number. We reserve the right to ask for identification if you are a first time client of International Art Centre.
Each lot shall be paid for and removed at the buyers expense by no later than 4pm Friday 31st August 2012 unless otherwise arranged failing which the auctioneer and/or the seller shall have the right to forfeit any deposit paid by the buyer and to resell the lot either by public or private sale and any deficiency on costs of resale shall be borne by the defaulting buyer.
No lot may be collected or paid for whilst auction is in progress. Please uplift purchases prior to weekend as auction division closed Saturday 1st & Sunday 2nd September 2012.
SUBJECT BIDS
When the auctioneer declares a lot ‘subject’ this means the bid is below the set reserve and is subject to vendor accepting, rejecting or negotiating the bid. International Art Centre will endeavour to make contact with the vendor immediately after sale or the following day. If the bid is accepted, the highest bidder is obligated to make purchase.
ESTIMATES
Estimates are provided for each entry and act as a guide only. They are prepared well in advance of sale and are subject to revision at any time. Estimates are based on hammer price and do not include our buyers premium.
ABSENTEE BIDS
Absentee bidding arranged - please refer to absentee bidding page in back of catalogue. Fax to (09) 307 3421 or post to PO Box 37 344 Parnell. Please do not be offended if a member of our staff asks for your credit card details as security.
Absentee bids can also be left via our website to registered members. Our website www. fineartauction.co.nz acts as a useful auxiliary to the catalogue but we recommend inspection or a condition report prior to leaving a bid. Our staff will gladly supply you with a condition report on any lot.
TELEPHONE BIDS
Telephone bidding available to subscribers. There is no charge for this service.
PAYMENT FACILITIES
Eftpos: Available for transactions $2,000 or less which is the banks daily limit. For transactions less than $4,000 a 50% deposit on the evening and balance following morning is acceptable as long as the goods remain on our premises.
Bank deposits: Please ask for our bank details to be faxed or emailed if you wish to pay by direct debit. Quote the Lot number(s)
Cheques: Accepted by known clients of International Art Centre or at our discretion. When posting cheques please ensure they are sent to the following address. International Art Centre PO Box 37 344 Parnell, Auckland 1151. Make cheque payable to ‘International Art Centre’
Credit cards: Visa & Mastercard accepted with a 2% surcharge. No other credit cards accepted.
EXPORTING
As a general rule, anyone exporting New Zealand works over 60 years of age should apply for an export certificate from the Ministry for Culture and Heritage to avoid issues with customs. This does not apply to non New Zealand works. For full details visit www.mch.govt.nz
FREIGHT & PACKING
International Art Centre will gladly arrange in house or professional packing and international, national or local freight at cost. Please arrange insurance on your items prior to them leaving our premises. In some cases, we may be able to arrange delivery ourselves within the Auckland area.
OTHER ENQUIRIES
+64 9 379 4010 Toll Free 0800 800 322 info@fineartauction.co.nz www.fineartauction.co.nz
BUYERS PREMIUM
15% Buyers premium plus GST on premium applies to all lots. Total buyers premium is 17.25% including GST
Auction Venue
Scarborough Gallery, International Art Centre
Lower Ground Level 272 Parnell Road, Auckland
Viewing Times
Thursday 23rd August 11:00am - 5:00pm
Friday 24th August 9:00am - 5:00pm
Sunday 26th August 11:00am - 4:00pm
Monday 27th August 9:00am - 5:30pm
Tuesday 28th August 9:00am - 5:30pm
Wednesday 29th August 9:00am - 1:00pm - Auction 6:00pm
Absentee Bids
Absentee Bidding Form - Page 79 Fax to (09) 307 3421
Email bidding instructions info@fineartauction.co.nz
Bid via website www.fineartauction.co.nz
Illustrated front cover: Lot 13 Peter Siddell
Illustrated back cover: Lot 129 Charles McPhee
Illustrated inside back cover: Lot 12 Mike Petre
1 ELS NOORDHOF
Bright Water Oil on hardboard 36 x 59.5
Signed
800 - 1,200
2 IDA EISE
From the Domain Oil on board 30 x 37.5
Signed & dated 1929
2,000 - 3,000
3 TOM ESPLIN
Fisherman on the Rhone Oil on board 29 x 44.2
Signed
4,000 - 6,000
4 DOUGLAS MACDIARMID
Still Life with Tangerines Oil on board 26.5 x 34.2
Signed & dated 1957
1,500 - 2,500
5 BESSIE CHRISTIE
The Timber Mill
Watercolour 38 x 50
Signed & dated 1946
1,200 - 1,600
6 OLIVIA SPENCER BOWER
Dark Day, Hut at Arthurs Point
Watercolour 54 x 74.5
Signed 2,500 - 3,500
7 7 MARK CROSS
Karekare
Oil on board 23.5 x 56.5
Signed
2,000 - 3,000
8 HELEN BROWN
Mahurangi
Watercolour 24 x 37
Signed
800 - 1,200
9 HELEN BROWN
Tarawera
Watercolour 21 x 41
Signed & dated 1975
1,200 - 1,600
10
Landscape with Mountain Oil on board 40.4 x 58.7
Signed & dated 1974
Original artist’s label affixed verso
7,000 - 9,000
Red Boat Moeraki
Mixed media on board 46 x 54
Signed 2,500 - 3,500
12 MIKE PETRE
Field Study 198
Ink, graphite, oil & acrylic on canvas 118 x 118
Signed, inscribed & dated 2011 verso
9,000 - 11,000
Oil on board 44 x 27
Signed & dated 1980
Inscribed Gate verso
14,000 - 18,000
Provenance:
Private Collection, Auckland
Acquired by present owner from exhibition, Barry Lett Galleries, Auckland 1980
Signed, inscribed ‘Port Chalmers’ & dated 1990
Signed
Dwellings cut into Hillside, Morocco
Pencil on paper 29 x 42
Signed
600 - 1,000
Pencil on paper 20 x 12.5
Signed, inscribed & dated 1942
1,000 - 1,800
Provenance: Peter McLeavey Gallery 2000
Receipt affixed verso
7,000 - 9,000
Screenprint, edition of 25 52.5 x 75
inscribed & dated 1998 1,500 - 2,500
Screenprint, edition of 25 52.5 x 75 Signed, inscribed & dated 1998
1,500 - 2,500
Silkscreen print, edition of 20 53.3 x 81
- 1,000
Back Beach
Screenprint, edition of 31, 40 x 46
Signed & dated 1984
400 - 600
Back Beach
Screenprint, edition unknown, 68 x 44
Signed & dated 1983
400 - 600
Danske Tiki
Screenprint, edition of 80, 84 x 54
Signed, inscribed & dated 2005 1,500 - 1,800 25
Oystercatcher, Karekare
Lithograph, edition of 54, 36 x 49
Signed
375 - 450
27
Cape Karekare
Bamboo engraving, edition of 60, 18.5 x 27
Signed, inscribed & dated 1980
300 - 500
House and Paddock, Huia
Bamboo engraving, edition of 50, 45 x 57
Signed, inscribed & dated 1970
400 - 600
Assembled Harmony
Signed 4,000 - 5,000
30 JUSTIN SUMMERTON
Mt Wellington from Mt Eden Oil on canvas 76 x 76 Signed & dated 2012 2,800 - 3,600
31 JOHN WEEKS Back Yard, Auckland Oil on board 24.5 x 34.5 1,000 - 1,500
32 GARTH TAPPER Winters Night Oil on board 60 x 81 Signed 5,500 - 7,000
33 JOHN WEEKS The Placid Pool
Watercolour 51.5 x 40.5 Signed
Certificate of authenticity signed by Allan Swinton and Hilda E O’Connor affixed verso 800 - 1500
35
Alpha/Omega
Screenprint, edition of 25 52.5 x 75
Signed, inscribed & dated 1998
1,500 - 2,500
Hopa
Screenprint, edition of 25 52.5 x 75
Signed, inscribed & dated 1998
1,500 - 2,500
Figures in a Landscape, 1969
Mixed media on paper 55.5 x 75.5
Signed
2,200 - 2,600
4,000 - 6,000
3,000 - 5,000
39 BRENT WONG
Clouds, Headland - Field with Posts
Acrylic on board 46.7 x 63.2
Signed & dated 2004
10,000 - 12,000
40 GRANT HANNA
Cycles
Oil on four panels 53 x 150
Signed & dated 2003
8,000 - 12,000 41 ALICE F WHYTE Lachenalias
on board 50 x 35
- 1,200 42 KARL MAUGHAN
Colyton May 2008
The Three Bears of Ponsonby
Watercolour 57 x 75
Signed, inscribed & dated 7/1/1996
900 - 1,300
Provenance: Artist’s Estate Collection
Portrait 2006
Oil on canvas 100 x 75
Signed, inscribed & dated 2006 verso 800 - 1,200
Signed & dated 1986
Inscribed and dated 1986 verso 800 - 1,200
Nancy II
on canvas 110 x 76 Signed, inscribed & dated 2010 800 - 1,200
Pastel on paper 33 x 49
Signed & dated 1999
3,000 - 4,000
Slaughter
Pencil on paper 31.5 x 43.5
Signed. Inscribed on matt
400 - 600
53
HENRYK SZYDLOWSKI
Rooster on Fence Collage Oil on canvas 87 x 87
Signed & dated 1984 1,000 - 2,000
54 STANLEY PALMER
Karamea
Bamboo engraving & lithograph, edition of 100, 35 x 55.5
Signed, inscribed & dated 2010 1,600 - 1,700
55 STANLEY PALMER
Bell - Marae Pahaoa
Bamboo engraving & lithograph, edition of 100, 34.5 x 59
Signed, inscribed & dated 2010 1,400 - 1,600
56 REUBEN PATERSON
GPS
Screenprint & glitter on paper, edition of 50, 44.5 x 44.5
Signed, inscribed & dated 2011 1,600 - 1,900
Head for Home - Wellington Cup
Oil on board 94 x 75
Signed, inscribed & dated 1979
2,400 - 2,800
Inscribed Wellington Orchidra Yellow and Big Gamble Green on painted frame
Inscribed Home Turn in Big Gambles Cup 1970 - 1986 verso
Moonlight Gambler - Frankie Laine Song
Oil on board 49 x 39
Signed & dated 1994
1,200 - 1,500
59 NIGEL BROWN
Clairmont Painting
Acrylic on board 132.5 x 100
Signed, inscribed & dated 1985
10,000 - 15,000
The tragic suicide of Philip Clairmont in 1984 robbed Nigel Brown of a close friend and supporter. The controversial Clairmont series was his way of dealing with this bereavement.
Notable for its use of banner-like text, Brown’s striking Clairmont Painting formally references funerary iconography in its epitaphlike design. The imagery operates as a portrait of their friendship, expressing a series of shared iconographic references such as the black singlet, the heart and skull
61
62 ANNIE BAIRD
From One Tree Hill Watercolour 57 x 75
Signed, inscribed & dated 28/12/1993 1,000 - 1,500
Provenance: Artist’s Estate Collection
64 WILLIAM JAMES REED
The Edge Oil on board 62 x 42
Signed Inscribed & dated 1961 verso 1,500 - 2,500
Provenance: Artist’s Estate Collection
60 STEPHEN ALLWOOD
Back and Wings Oil on canvas 85 x 65
Signed, inscribed & dated 1999 1,200 - 1,500
61 JOHN PAPAS
Journey Oil on board 92 x 92
Signed 800 - 1,200
63 IAN SCOTT
Lion Rock, Piha Oil on board 60 x 80
Signed. Inscribed verso 800 - 1,500
65 CHRIS FINLAYSON
Offering Oil on canvas 64 x 77
Signed 1,500 - 2,500
66 PETER A READ
Andromeda in the Wilderness
Acrylic on board 51 x 65
Signed & dated 1972
800 - 1,200
67 PAT HANLY
Each One His Own Obligation
Lithograph, edition of 5 52.5 x 50
Signed, inscribed & dated 1972 2,000 - 3,000
68 PAT HANLY
Girl’s Head
Lithograph from glass plate printed on linen, edition of 62 57.5 x 45 2,000 - 3,000
69 TOSS WOOLLASTON
Grandson Nicolas aged 9
Charcoal 28 x 20.5
Signed & inscribed 1,000 - 1,500
70 COLIN MCCAHON
Moby Dick is Sighted off Muriwai Beach
Lithograph, edition of 200, 49.5 x 59.5
Signed, inscribed & dated 1972 2,500 - 3,000
71 PAT HANLY
Untitled
Screenprint, edition of 101 56 x 76
Signed & dated 1995 2,800 - 3,200
72 PAT HANLY
Embrace II
Etching, ink and watercolour on paper, edition of 2 38.5 x 50 2,000 - 3,000
73 GAIL HAFFERN
Untitled II
Mixed media on hessian 38 x 65
Inscribed
800 - 1,200
74 GAIL HAFFERN
Untitled I
Mixed media on hessian 38 x 65
Inscribed
800 - 1,200
Squall and Golden Cloud Oil on board 32 x 49
Signed & dated 1978. Inscribed verso 3,500 - 4,500
Base and Awesome (watching my paint dry)
Acrylic on canvas 107 x 107
Signed, inscribed & dated 2007 verso 3,400 - 3,800
Provenance: Private Collection, Christchurch
Westwards from Mt Eden Oil on canvas 120 x 75
Signed & dated 2012
2,500 - 3,500
78 GARTH TAPPER
2 Men at Bar Oil on board 25.5 x 29
Signed. Inscribed verso
3,000 - 5,000
79 PETER MCINTYRE
Na Pali Cliffs, Hawaii
Oil on board 60 x 75
2,000 - 3,000
Illustrated:
Plate 56 Peter McIntyre’s West A H & A W Reed1970
Along the Pali coast of Kauai, the cliffs rise from the sea to a breathtaking 3,000 feet. To some minds Hawaii seems to have little place on the American West, but it has won that place in spirit if not in geography. It was for us our last glimpse of America on our way back to our own country, New Zealand
Text: Peter McIntyre’s West A H & A W Reed1970
80 THOMAS ARTHUR MCCORMACK
Central Otago Watercolour 27 x 37
Signed
1,000 - 1,500
81 BRIAN BADCOCK
Wheatfields, Wairau Valley, Marlborough Oil on board 42 x 55
Signed
2,600 - 3,000
82 VERA WHITEMAN
The Hunt Oil on board 28 x 39 Signed 2,500 - 3,500 83
ARCHIBALD FRANK NICOLL
Haystacks Oil on board 29 x 38 Signed 800 - 1,200
800 - 1,200 85 GASTON DE VEL
Springtime in Gap, France
on canvas 59 x 72 Signed 2,500 - 3,500 86 GASTON DE VEL
Cray Boats, Iron Pot, Napier Oil on canvas 34 x 40 Signed 1,500 - 2,000
400 - 700
Oil on canvas 54 x 45
Signed
2,400 - 2,800
89 RAYMOND CHING
Summer, Spring, Autumn
Watercolour 42 x 60
Signed, inscribed & dated 66
3,500 - 4,500
90 RAYMOND CHING
3 Shearwaters
Watercolour 45 x 68
Signed, inscribed & dated 1960
3,500 - 4,500
91 PHILIP KILMORE
Debutantes
Oil on canvas 76 x 76
Signed 6,500 - 7,500
92 GRAHAME SYDNEY
Jo 90s Bed
Aquatint etching, Artist’s Proof 28 x 38
Signed, inscribed & dated September 1981
800 - 1,200
Signed & dated 2003 5,500 - 6,500
95
95 ANDREW TOPP
Poser
Oil on board 22.5 x 20
Signed & dated 2004
300 - 500
96 MARK OLSEN 0184
Oil on canvas 144.5 x 95
Signed & dated 2004
800 - 1,500
97 GARTH TAPPER
Clay Pipes in Clay Pits
Charcoal on paper 39 x 51
500 - 1,000
98 DICK FRIZZELL
Sleeping Women
Screenprint, edition of 80 40 x 40
800 - 1,500
Signed, inscribed & dated 2008 1,400 - 1,600
Portrait of a Musician
Mixed media on paper 76 x 54
Signed, inscribed & dated 1985
3,500 - 4,500
Male Figure with Carpet Oil on canvas 78 x 79
Signed & dated 9/84
4,000 - 6,000
Under the Pergola Gouache on paper 74 x 105
Signed & dated 1984
2,500 - 3,500
Rocky Seascape, Wellington
Oil on board 29.5 x 39.5
Signed
500 - 1,000
Old Thames Hotel from Queens Wharf, Auckland
Watercolour 24.5 x 22
Signed
800 - 1,200
Early City View
Watercolour 21 x 22.5
Signed
450 - 750
Winter in Dunedin
Oil on board 34 x 36
Signed & dated 1939
800 - 1,200 109
End of the Day
Watercolour 33 x 47
Signed
600 - 800
111
600 - 800 110 PEGGY
Cnr Marewa & Greenland East
Watercolour 25 x 36
Signed
500 - 800
ELISE MOURANT
Rural Landscape
Watercolourr 36 x 54 Signed
Starry Night - South Canterbury Church
Oil & collage on board 25 x 33.5
Signed
2,000 - 3,000
113
Autumn, Arthurs Point, Queenstown
Oil on board 29.5 x 39.5
Signed
2,000 - 3,000
Meat on the Table, Money in the Bank
Screenprint, edition of 100 30 x 36.5
Signed, inscribed & dated 2008
1,400 - 1,600
Garden Seat
Watercolour 35 x 40
Signed
1,500 - 2,500
French Farmhouse
Watercolour 33 x 40
Signed
1,500 - 2,500
117 PETER MCINTYRE
Lambton Quay, Wellington
Ink on paper 39.5 x 32
Signed 1,500 - 2,500
118 ESTHER HOPE
Fishing the Grampians
Watercolour 38 x 55
Signed 2,000 - 3,000
119 ESTHER HOPE
Mt Cook
Watercolour 48 x 61
Signed 1,000 - 1,500
120 GABRIELLE HOPE
Homestead, Karekare
Watercolour 46 x 57
Signed & dated 1962
1,500 - 2,500
121 FRANCIS MCCRACKEN
Puente Bridge, San Martin, Toledo
Pastel on paper 37 x 52
Signed, inscribed & dated 1933
800 - 1,500
Crunchy the Clown Oil on velvet 86 x 68
Signed
1,500 - 2,500
123 JOS KIVITS
The Water Billy Oil on board 38 x 49
Signed 1,000 - 2,000
Mt Cook and Tasman River Oil on board 37 x 75
Signed 2,000 - 3,000
125 PETER BEADLE
Te Wai Wai Bay, Princess Range, Fiordland Oil on canvas board 37 x 77
Signed. Inscribed verso
2,000 - 3,000
Polar Ship and Penguin, Antarctica Oil on board 29 x 34
Signed
500 - 1,000
Halls Arm, Doubtful Sound
Oil on board 39.5 x 50
Signed & dated 1995
Inscribed verso 2,500 - 3,500
128
128 CHARLES MCPHEE
Thilda of Tahiti Oil on velvet 91 x 68
Signed & inscribed 1,000 - 1,400
129 CHARLES MCPHEE
Mareva Oil on velvet 91 x 68
Signed & inscribed 1,000 - 1,400
130 CHARLES MCPHEE
Maori Woman Oil on velvet 91 x 68
Signed & inscribed 1,000 - 1,400
129
Charles McPhee 1910 - 2002 was one of the original velvet painters. He studied with the founder of this genre, American Edgar Leeteg 1904 -1954. In the early years after WWII, painting on velvet was cast as a unique new technique enabling the artist to render life forms in a tactile and extremely lifelike way. McPhee enjoyed immense success, he was always one year behind with his portrait schedule of commissioned works. His popularity was such that his exhibitions were always sell outs. McPhee died in Auckland in November 2002 at the age of 92.
A documentary titled Velvet Dreams was directed by award winning Samoan director Sima Urale in 1998. The narrator meets velvet artists and collectors in Seattle, Arthur Leeteg’s widow in Tahiti, art historians in Auckland and, finally the then 88 year-old velvet painter, adventurer and party boy, Charles McPhee.
Museum Auckland
Watercolour 57 x 75
Signed, inscribed & dated 11/1/1995
1200 - 1,600
Three View from Mt Wellington
Watercolour 57 x 75
Signed, inscribed & dated 20/1/1996
1200 - 1,600
Towards Rangitoto
Watercolour 57 x 75
Signed, inscribed & dated 1993 1,000 - 1,500
Provenance Lots 131 - 133
Artist’s Estate Collection
134 ELLA SPICER
Auckland from Mt Eden Watercolour 28 x 34
Signed
1,200 - 1,700
135 PEGGY SPICER
Auckland from the Domain Watercolour 27 x 38
Signed
1,200 - 1,700
136 ELLA SPICER
Clock Tower, Auckland University Watercolour 34 x 40
Signed
800 - 1,200
137 ELLA SPICER
King Country Landscape
Watercolour 30 x 38
Signed
500 - 1,000
138 PEGGY SPICER
Rangitikei River
Watercolour 35 x 50
Signed
800 - 1,200
139 PEGGY SPICER
Coromandel
Watercolour 27 x 38
Signed
800 - 1,200
140 PEGGY SPICER
Signed
800 - 1,200
Signed & inscribed
2,000 - 3,000
143 GEORGE FRENCH ANGAS
Na Horua or Tom Street. (Elder brother of Rauparaha). E Wai, his wife. Tuarua, or Kopai his son. At Kahotea, near Porirua
Hand coloured lithograph 38 x 29
500 - 1,000
144 GEORGE FRENCH ANGAS
Poahu and E Koti. Two Lads of Poverty Bay. Children of Te Pakaru, The Principal Chief of Kaioha
Hand coloured lithograph 32 x 50
500 - 1,000
145 WILLIAM MENZIES GIBB
A Grey Day Auckland Harbor
Watercolour 22 x 34
Signed. Inscribed verso
500 - 800
JOHN DOUGLAS PERRETT
Cattle in a South Island Landscape
Oil on board 27 x 32 Signed
400 - 800
147 DAVID E HUTTON
The Old Curiosity Shop
Watercolour 25 x 35
Signed
800 - 1200
148 H W PATTLE
Hyde Park, London
Watercolour 25 x 37
Signed, inscribed & dated 1939
450 - 650
149 GWYNETH RICHARDSON
Farm on the Manukau
Watercolour 36.5 x 65.5
Signed
500 - 800
150 JOHN MCINTOSH MADDEN
European Lake Scene
Oil on board 18 x 31
Signed
800 - 1,200
151 JOHN DOUGLAS PERRETT
Near the Base of Mt Sefton
Oil on canvas 60 x 39.5
Signed. Inscribed verso 1,500 - 2,500 152 JOHN DOUGLAS PERRETT
Rangitoto
Pastel 26.5 x 45.5
600 - 1,000
153 CHARLES HENRY HOWORTH
Mt Cook
Watercolour 18 x 53
Signed
600 - 800
154 J & F TALLIS
New Zealand from The Illustrations by H. Warren & Engraved by J.B. Allen Lithograph
155 HENRY WILLIAM KIRKWOOD
Lake Rotoiti, Nelson Lake Oil on board 29 x 61
Signed 2,000 - 3,000
156
ERNEST WILLIAM DRAKE
Lake Te Anau
Oil on board 12 x 44.5
Signed, inscribed & dated 1935
450 - 750
157 SAM STUART
Maori Chief in Geyserland
Watercolour 18 x 16
800 - 1,200
158 LAURENCE WILLIAM WILSON
Hut on the Routeburn Track, Lake Wakatipu
Watercolour 50 x 31.4
Signed, inscribed & dated 1895 4,000 - 6,000
159 IDA H CAREY
Maori Woman with Moko Oil on pinex board 66 x 56
800 - 1,200
Provenance:
Artist’s Estate Collection
160 WALTER WRIGHT
Maori Village
Watercolour 19.5 x 28
Signed
800 - 1,200
161 FRANK WRIGHT
Waikato River Scene with Figures
Watercolour 27.5 x 41
Signed & dated 1903
500 - 1,000
162 FRANK WRIGHT
Mt Cook
Watercolour 19 x 33
Signed
400 - 600
163 HILDA WISEMAN
Mission House, Mission Bay, Auckland
Watercolour 37 x 32
Signed
800 - 1,200
164 VERA CUMMINGS
Harata Rewiri Tarapata Oil on canvas 20 x 15
Signed 1,800 - 2,500
165 IDA H CAREY
Sydney Harbour Oil on board 29.2 x 38.5
Signed 800 - 1,200
Provenance:
Artist’s Estate Collection
166 TOM PEERLESS
Southern Mountains
Watercolour 40 x 32
Signed
400 - 600
167 NUGENT WELCH
Artist’s Sketchbook containing eleven watercolour sketches of naval subjects and war ruins and several pencil studies
Sketchbook 12 x 15.5
Inscribed with several dates 1916 - 1918
1,000 - 1,500
View all sketches on website www.fineartauction.co.nz
168 PETER O’HAGAN
Balloons over the Pomegranate Gouache 65 x 66.5
Signed
1,000 - 1,500
169 PETER O’HAGAN
The Arabian Night Dream Gouache on paper 88 x 77
Signed
1,500 - 2,500
170 PETER O’HAGAN
My New Bora Bora Pareo
Watercolour and gouache on paper 55 x 56
Signed & dated 1995
1,500 - 2,000
171 PEGGY SPICER
Cobb Cottage, Fruitlands, Otago Oil on board 24 x 19
Signed
600 - 1,000
172 MARY HAYWARD
Iris at Val D ‘Iris, Seillans, France
Watercolour 55 x 70
Signed & dated 1995
200 - 400
173 JOHN SPEEDY
Towards Thames from Waiomu Oil on canvas 46 x 90
Signed, inscribed & dated 1980
200 - 600
Signed
800
180 BRIAN HALLIDAY
Forgotten Wagon Oil on board 42 x 55
Signed & dated 1975
800 - 1,200
175 CYNTHIA TAYLOR
Cowes Bay, Waiheke - Triptych
Watercolour 85 x 200
Signed
800 - 1,200
176 OWEN R LEE
Mt Rolleston from Jacks Hut Oil on board 55.5 x 69
Signed
800 - 1,200
177 LOIS MCIVOR
Untitled Abstract Oil on board 58 x 80
Signed, inscribed & dated verso 200 - 400
178 PETER BEADLE
Stirling Falls, Milford Sound Oil on canvas board 60 x 45
Signed
1,200 - 1,600
179 PETER WILLIAMS
The Old Totara Oil on board 44 x 59.5
Signed
700 - 1,100
181 PEGGY SPICER
Arrowtown Cottage
Watercolour 27 x 38
Signed
800 - 1,200
182 PETER BEADLE
Willows, Oreti River, Southland Oil on board 30.5 x 40
Signed 450 - 750
183 JOHN BADCOCK
Four Peaks from Te Moana Oil on board 25.5 x 35.5
Signed 300 - 600
184 WALLACE T MCKEOWN
Hollyford Valley Oil on canvas 49.5 x 70
Signed. Inscribed verso 500 - 800
185 JOS KIVITS
Wainui Stream Oil on board 39 x 49
Signed 400 - 600
186 JOHN ELDER MOULTRAY
Off the NZ Coast Oil on board 29 x 44
Signed. Inscribed verso
500 - 1,000
187 K H DORS
Mahukona off Sydney Oil on canvas 54.5 x 75.5
Signed, inscribed & dated 1917 2,000 - 3,000
188 WILLIAM MATHISON
A South Warwickshire Harvest Scene Oil on canvas 42 x 54.5
800 - 1,200
Signed 1,500 - 2,000 186
Signed, inscribed & dated 1882 verso
189 WILLIAM P LARA
Fishing on the Estate Oil on canvas 74 x 62
190 SAMUEL JOHN LAMORNA BIRCH
La Bastille, France
Watercolour 25 x 35
Signed, inscribed & dated 1923
800 - 1,200
191 RICHARD KEMPLEV
The Flower Seller Oil on board 55 x 41
Signed
800 - 1,200
1,500 - 2,500
Signed
800 - 1,200
194
194 SCHOOL OF MELCHOIR DE HONDECOETER
Poultry in a Landscape Oil on canvas 63 x 74
5,000 - 10,000
195 MRS HAMILTON
Portrait of a Boy
Watercolour 25 x 19
Signed & inscribed
200 - 400
196 ROBERT ANTOINE
Surrealist Composition
Oil on canvas 54.5 x 45
Signed
400 - 600
197 JAMES ABBOTT MCNIELL WHISLTER
(American 1834 - 1903)
Billingsgate
Etching 15.2 x 22.8
Signed & dated 1859 1,000 - 1,500
198 THOMAS MACQUARIE
Market Scene
Oil on canvas 34.5 x 49
Signed and dated 1986
450 - 750
199 SPANISH SCHOOL
Conquistador and Saints Oil on canvas 63 x 43 2,000 - 3,000
200 WILLIAM TAYLOR
British 1857 - 1921
Ship Burning of Teneriffe Oil on board 52 x 75
Signed
800 - 1,200
201 J E MULDER
Floral Still Life Oil on board 40 x 30
Signed & dated 21/9/1929
200 - 300
British 20th Century
The Carnaval Oil on canvas 64 x 75
Signed
800 - 1,200
203 MARGARET PULLEE
ARCA, NEAC, British 1910
The Corner Shop, 1974
Oil on board 49 x 46
Signed 1,500 - 2,000
207 ANITA DE SOTO
Anathema / Anima
Acrylic on linen 110 x 130
Signed & dated 1992
400 - 800
208 PETER SIDDELL
Six O’Clock
Screenprint, edition of 90 38 x 31
Signed, inscribed & dated 1985
500 - 1,000
209 MICHAEL SMITHER
204 ALISON RYDE
Auckland Blue - Balcony
Watercolour 74 x 51.5
Signed
800 - 1,200
205 ANGES WOOD
‘Four Birds’ - Bird Series
Oil on board 105 x 92
Signed & dated 1983
1,500 - 2,500
206 ANGES WOOD
Still Life in Taupo Landscape
Watercolourr 30 x 25
Signed & dated 1983
400 - 600
Chris Cricket Meets Buzzy Bee
Reproduction screenprint, edition of 80 58 x 47
Signed & dated 2011
400 - 600
210 MICHAEL SMITHER
Wave Invading
Screenprint, edition of 70 46 x 46
Signed & dated 2005
400 - 600
500 - 700 204 207
211 COLIN MCCAHON
North Otago Landscape
Screenprint 45.5 x 55.5
Exhibited: Barry Lett Galleries, Auckland November 1968 1,800 - 2500
212 DICK FRIZZELL
Red Herring III
Screenprint, edition of 100 79 x 59
Signed, inscribed & dated 2004
1,200 - 1,500
213 FATU FEU’U
Masiofo
Screenprint, edition of 29 50 x 72
Signed
214 CLAUDIA POND-EYLEY
Anawhata Cabbage Tree
Screenprint, edition of 78 67 x 53
Signed
450 - 650
215 MICHAEL SMITHER
Dreamboats 1
Screenprint, edition of 80 48 x 48
Signed & dated 2006
450 - 650
216 KEITH PATTERSON
Seated Figure
Gouache on paper 38 x 28
Signed & dated 1962
400 - 600
217 JOSEPHINE DO
Upside Down 1
Sceen, inkjet and hand colouring on kozo paper 96 x 62
Signed, inscribed & dated 2001
200 - 400
218 LOIS MCIVOR
West Coast
Oil on canvas 49.5 x 60
Signed. Inscribed & dated 1996 verso
300 - 500
219 LOIS MCIVOR
West Coast
Oil on canvas 60 x 71
Signed. Inscribed & dated 1999 verso
300 - 600
220 LOIS MCIVOR
Waitakaries, 2001
Oil on canvas 34 x 44
Signed, inscribed & dated 2001 verso
200 - 400
221 GRETCHEN ALBRECHT
Why Pigs have CurlyTails
Linocut 24 x 32
Signed, inscribed & dated 1969
500 - 800
222 ELIZABETH BAILEY
As I Walked Past He Sang Me His Song
Watercolour 78 x 55
Signed & inscribed
300 - 500
223 RODNEY FUMPSTON
Untitled Landscape 1987 Oil on canvas 38 x 59
Signed & dated 1987 verso
500 - 800
224 ASTON GREATHEAD
Autumn on the Elms Farm, Kaikoura
Oil on board 38 x 53
Signed & dated 1967
400 - 600
225 RODNEY FUMPSTON
Untitled (Still Arcadia)
Pastel on paper 30 x 40
Signed & dated 1985 verso
350 - 450
226 PHILLIPA BLAIR
Baby Won’t Light My Fire Pastel on paper 82 x 58
Signed & dated 1988
600 - 1,000
227 RODNEY FUMPSTON
Extensions Folly
Etching, edition of 50 65 x 56
Signed
300 - 500
228 ALISON RYDE
Harbour
Watercolour 74 x 102
Signed & dated 1989
800 - 1,200
229 ALAN TAYLOR
Priest of the Red God, Hokianga
Oil on canvas 45 x 45
Signed
800 - 1,200
222
230 E MERVYN TAYLOR
Maui Taming the Sun
Three colour linocut, edition of 40 31.9 x 24.6
Signed & inscribed 2,000 - 3,000
231 LOUISE HENDERSON
Polynesian Girl
Mixed media on paper 29 x 18
Signed & dated 1972
500 - 800
232 SHAGE WEIL
The Jerusalem Gate
Screenprint, edition Artist’s Proof 55 x 36
Signed, inscribed & dated 1968
500 - 800
233 TED DUTCH
Five Figures
Screenprint, edition of 18 53 x 38
Signed, inscribed & dated 1970
500 - 800
Thank you - End of Sale
