Interior Design September 2020

SEPTEMBER 2020

into the light

A sound perspective

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CONTENTS SEPTEMBER 2020

VOLUME 91 NUMBER 11

ON THE COVER For a private wine cave in the Texas Hill Country, Clayton & Little blasted out a limestone hillside on the client’s ranch and fitted it with a thermally cooled entertaining retreat that hosts up to 20 people and some 4,000 bottles. Photography: Casey Dunn.

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features 102 ALL SHAPES

AND SIZES

by Becky Sunshine

Studium’s many disciplines forge the Spectris Innovation Center, a dynamic Portuguese workplace for HBK, a newly merged tech company.

110 FUSION CENTER

by Jessica Dailey

Combining unexpected colors, eras, and sensibilities has an energizing affect at an office in Xi’an, China,

by Hong Designworks.

118 BUILDING ON GENERATIONS

by Jane Margolies

Steven Harris teams with Manuel de Santaren and Rees Roberts + Partners on a coastal Maine estate’s outbuilding that nods to history while serving a present-day extended family.

126 THE EYE HAS

TO TRAVEL

by Thomas Connors

Deborah Berke Partners creates an ideal environment to experience contemporary art at the 21c Museum Hotel Chicago.

134 EARTHY BLEND

by Annie Block

Journey from a 1,000acre Moravian vineyard to a snug Texan wine cave in this harvest of enological projects.

144 A RCHES OF TRIUMPH

by Rebecca Lo

Leaping Creative invigorates the aesthetic of the dated Chinese foot spa with Forest for Rest in Chongqing.

IVO TAVARES STUDIO

102

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CONTENTS SEPTEMBER 2020

VOLUME 91 NUMBER 11

walk-through 53 READY FOR TAKEOFF

by Colleen Curry 61 CURING THE BLUES

by Nicholas Tamarin

departments 21 HEADLINERS 27 DESIGNWIRE

by Annie Block 33 CROSSLINES

by Jane Margolies A Green Global Vision

Boosting its commitment to sustainability, Neil Jacobs steers wellness hotel brand Six Senses through the pandemic and beyond.

38 BLIPS

by Annie Block 48 PINUPS

by Wilson Barlow 81 MARKET

by Rebecca Thienes and Georgina McWhirter 97 CENTERFOLD 61

Better Together

by Nicholas Tamarin

The annual CODAawards celebrates the artistic results of when creatives and clients unite.

186 BOOKS

by Stanley Abercrombie

191 INTERVENTION

by Wilson Barlow

LOOP AUDIOVISUAL

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188 CONTACTS

RESIDENTIAL ST YLE .

C O M M E R C I A L C A PA B I L I T I E S .

roomandboard.com/bicontract 800.952.9155

editor in chief chief content officer

Cindy Allen, hon. IIDA MANAGING DIRECTOR

ART DIRECTOR

Helene E. Oberman

Karla Lima

EXECUTIVE EDITOR

SENIOR DESIGNER

Annie Block

Stephanie Denig

DEPUTY EDITOR

DESIGNER

Edie Cohen

Hanna Day-Tenerowicz

FEATURES DIRECTOR

CREATIVE SERVICES

Peter Webster

Marino Zullich

SENIOR EDITORS

PRODUCTION DIRECTOR

Georgina McWhirter Nicholas Tamarin MARKET DIRECTOR

Rebecca Thienes ASSISTANT TO THE EDITOR IN CHIEF

Amy Torres ASSISTANT EDITORS

Wilson Barlow Colleen Curry BOOKS EDITOR

Stanley Abercrombie EDITOR AT LARGE

Elena Kornbluth CONTRIBUTING EDITORS

Raul Barreneche Mairi Beautyman Aric Chen Laura Fisher Kaiser Craig Kellogg Jane Margolies Mark McMenamin Murray Moss Jen Renzi Larry Weinberg CONTRIBUTING PHOTOGRAPHERS

FROM WASTE TO WATTS

Benny Chan/Fotoworks Jimmy Cohrssen Art Gray Eric Laignel Michelle Litvin Garrett Rowland

Kevin Fagan 917-934-2825 SENIOR PREPRESS AND IMAGING SPECIALIST

Igor Tsiperson

interiordesign.net SITE EDITOR

Carlene Olsen ASSOCIATE EDITOR

Kristie Garrell WEB EDITOR

Quinn Halman VIDEO PRODUCER

James Eades MULTIMEDIA PRODUCER

Steven Wilsey VIDEO EDITOR

Stephanie Couture SITE CONTRIBUTOR

Jesse Dorris

PRESIDENT

Amanda Schneider DIRECTOR, BUSINESS DEVELOPMENT

Olga Odeide

CHAIRMAN AND CEO OF SANDOW

Adam I. Sandow PRESIDENT

Erica Holborn CHIEF DESIGN OFFICER

Cindy Allen EXECUTIVE VICE PRESIDENT AND DESIGN FUTURIST

A.J. Paron-Wildes INFORMATION TECHNOLOGY DIRECTOR

Edward Sanborn VICE PRESIDENT, CREATIVE OPERATIONS

Michael Shavalier

UPCYCLED LIGHTING: THE COIL COLLECTION Visit LIGHTART.COM to learn more.

SANDOW was founded by visionary entrepreneur Adam Sandow in 2003 with the goal of building a truly innovative media company that would reinvent the traditional publishing model. Today, SANDOW is a fully integrated solutions platform that includes leading content, tools, and services, powering innovation for the design and luxury industries. Its diverse portfolio of media assets includes Interior Design, Luxe Interiors + Design, Galerie, and NewBeauty. Materials Innovation brands include global materials consultancy Material Connexion, game-changing material sampling and logistics platform Material Bank, and materials reclamation program Sample Loop. SANDOW brands also include research and strategy firm ThinkLab. Additionally, SANDOW was selected by the New York City Regional Economic Development Council to be the offi-cial operator of NYCxDESIGN Week.

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vice president publisher Carol Cisco business development VICE PRESIDENT

Laura Steele

SM A R T D E S IGN .

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Kelly Thomas

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MANAGER

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SALES DIRECTORS, NY

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Lauren Chepiga Carlos Dominguez David Timoteo

events DIRECTOR

Caroline Toutoungi 917-934-2872 COORDINATOR

Lorraine Brabant 917-934-2915 ASSOCIATE

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digital VICE PRESIDENT

Bobby Bonett MARKETING DIRECTOR

Samantha Sager AD OPERATIONS DIRECTOR

Kelly Cannon Buchsbaum 917-934-2942 ATLANTA

Craig Malcolm 770-712-9245 CHICAGO

Julie McCarthy 847-567-7545 LOS ANGELES

Reed Fry

949-223-1088 Betsy Alsip 949-223-1088 ITALY, SWITZERLAND

Riccardo Laureri 39-02-236-2500 media@laureriassociates.it

business development EXECUTIVE DIRECTOR

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AD OPERATIONS ASSOCIATE MANAGER

MANAGER

Claire Fogarty SOCIAL MEDIA MANAGER

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Carly Colonnese CLIENT SERVICES SENIOR COORDINATOR

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Sustainability never looked so good.

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E D I T O R ’ S welcome

I looked it up in Merriam-Webster. The far-and-wideranging definitions of this adjective convey qualities varying from outstanding/wholesome to hair-raising/ abnormal! All apply to the crazy days we find ourselves

E .X .C .E.P. T. I.O .N .A .L . in, making the exceptional perhaps not so unusual after all. And that roundabout-ly takes me to our monthly issues in this extraordinary year. For example, in September we would have typically dedicated all coverage—along with all our boundless love—to NYC, our hometown. There is nothing ordinary about these times, however, and that granted us at least a freer hand. We chose to postpone our traditional New York appointment until October (the eventual intent is to throw a monumental “welcome back” celebration).

The marching orders for our September reporting are clear: usefulness above all! So we decided to rigorously redouble our efforts, surveying and reporting from the most forward trenches of the craft and offering to your attention a crystal-clear view of the most active and progressive categories in our industry right now.

Starting dutifully with health and wellness, we showcase a mental-health therapy center for women by women in Manhattan, an L.A. outpatient surgery, a restorative dentistry clinic in London, and a 29,000square-foot spa complete with ancient Chinese foot massage. Moving to hospitality, art is celebrated at the newly renovated 21c Museum Hotel in Chicago by Deborah Berke Partners, a hi-tech workplace gets prefab-ulous new digs courtesy of Studium.Creative Studio, and finally, we toast to a far-flung roundup of exceptional wineries that respect nature and culture.

Altogether, what we spy and deliver in our issues is the essence of what’s melting in the forges of our design future, and as always, we hope it is a restorative tonic for these trying times.

Boundless love,

Follow me on Instagram

thecindygram

PAUL GODWIN

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Lumens is modern like you.

partner: Deborah Berke, FAIA. partner: Terrence Schroeder. firm site: New York. firm size: 50 architects and designers. current projects: Princeton University residential colleges in New Jersey; University of Pennsylvania meeting and guest house in Philadelphia; 21c Museum Hotel in Des Moines, Iowa. honors: Interior Design Best of Year Honoree; NYCxDesign Award; National Design Award, Cooper-Hewitt, Smithsonian Design Museum; AIA New York Honor Award. role model: Painter Titus Kaphar, with whom we’re working on NXTHVN, a Connecticut nonprofit arts and community incubator, for his commitment to mentorship and social change. architecture: Berke is the dean of the Yale School of Architecture and a Pritzker Architecture Prize juror. art: Schroeder loves the visual and performing arts and is a board member of BOFFO, an experimental art and design nonprofit. dberke.com

headliners

Deborah Berke Partners “The Eye Has to Travel,” page 126

“We believe that art and architecture can enhance everyday life” SEPT.20

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Manuel de Santaren

Hong Designworks

“Building on Generations,” page 118 president: Manuel de Santaren. firm site: Boston. firm size: Five designers. current projects: Residences in Massachusetts, Florida, and Montana. role model: Axel Vervoordt for his use of honest and often humble materials mixed with extraordinarily beautiful antiquities and art.

“Fusion Center,” page 110

leader: De Santaren is co-chair of Solomon R. Guggenheim Museum’s Photography Council. supporter: He collects new-media, time-based, and video artworks. manueldesantaren.com

founder, chief designer:

Ming Dang.

firm site: Xi’an, China. firm size: 100 designers. current projects: Maike

Group office, a Fritz Hansen lounge, and Ecco Northwest headquarters, all in Xi’an. honors: IF Design Award; Silver A’ Design Award. role model: Professor Helfried Hagenberg, who influenced Dang to become an interior designer. student: Dang spent time abroad, studying graphic design in Dusseldorf, Germany. teacher: He’s a lecturer at Xi’an University of Science and Technology. behance.net/dang _ming

Studium.Creative Studio

Steven Harris Architects

“All Shapes and Sizes,” page 102 founder: Sérgio Miguel Magalhães. creative director: Catarina Rodrigues. firm site: Porto, Portugal. firm size: Seven architects and designers.

“Building on Generations,” page 118 partner:

Steven Harris, AIA. firm site: New York. firm size: 20 architects and designers. current projects:

current projects: Headquarters for GKN in Porto, Fricon in Vila do

Conde, and Portfolio Vinhos in Vila Nova de Gaia, all in Portugal. honors: Change International Competition Visual Spaces award. side gig: Magalhães is the author of monstruktor.com, his site devoted to his writing and drawings. full-time: He and Rodrigues are also brand and creative directors at AMMP, a branding agency. studium.pt 22

INTERIOR DESIGN

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mind: Harris teaches architecture at Yale University. road: He is an avid Porsche collector. stevenharrisarchitects.com

h e a d l i n e rs

BOTTOM RIGHT: LISA HANCOCK

Residences in New York and Washington, Connecticut. honors: Interior Design Best of Year Awards. role model: Charles Gwathmey for his generosity with young talent and kindness to the architectural community.

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Leaping Creative “Arches of Triumph,” page 144 founder, design director: Zen Zheng. firm site: Guangzhou, China. firm size: 37 designers and project managers. current projects: Tencent office in Guangzhou, HeyTea in Shenzhen, and Oppo office in Dongguan, all in China. honors: Red Dot Award. role model: Nendo’s Oki Sato because his approach to design is simple but always fun. reading: Zheng enjoys books on history, from ancient Rome to the Ming dynasty. going: He’s planning a trip to Switzerland to visit Peter Zumthor’s projects and studio. leapingcreative.com

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INTERIOR DESIGN

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2019-2021

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$

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Ginkgo Rope Collection | jehs+laub

design wire edited by Annie Block

Ajmer Highway, an oil on linen, is among Lily Stockman’s 22 new paintings created during the pandemic lockºdown, appearing in “Seed, Stone, Mirror, Match,” at New York’s Charles Moffett gallery through October 18.

mixing media

LILY STOCKMAN/CHARLES MOFFETT

Readers of this magazine may well be familiar with Block Shop, the textile studio founded by siblings Hopie and Lily Stockman, beloved for their Bauhaus-inspired block prints and transparent production processes. Perhaps a more under-the-radar fact is that older sister Lily is also a prolific abstract painter, who studied under Kiki Smith during her MFA and appren­ ticed in Ulaanbaatar, Mongolia, and Jaipur, India. “I do think I paint like a printmaker,” she says, describing her technique of creating works flat on a saw­ horse, building them up layer by layer, using oils and thinning solvents to manipulate opacity.

In another instance of over­ lapping pursuits, her “Seed, Stone, Mirror, Match” opens this fall in New York on the second floor of a former Benjamin Moore & Co. factory from the 1920’s. It’s Charles Moffett’s new, larger space, which debuted February 29 but closed two weeks later due to COVID-19. This is the gallery’s first in-person exhibition since the pandemic’s start.

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living legend In 2018, Balkrishna Doshi was the first Indian architect to receive the Pritzker Architecture Prize. Even more awe-inspiring is that the 93-year-old still draws, writes, and, up until shelter-in-place orders, made daily visits to his Ahmedabad studio, Vāstu Shilpā Consultants.

d e s i g n w ire Clockwise from top left: The work of Balkrishna Doshi is the subject of “Architecture for the People,” at Chicago’s Wrightwood 659 through December 12. His miniature painting of Sangath architect’s studio, a 1980 project in Ahmedabad, India. Amdavad Ni Gufa gallery, a 1994 collaboration with M.F. Husain in Ahmedabad. His sketch of Aranya, a 1989 low-cost housing project in Indore. Housing for the Life Insurance Corporation of India, Ahmedabad, 1973.

CLOCKWISE FROM TOP LEFT: IWAN BAAN; COURTESY OF VASTUSHILPA FOUNDATION, AHMEDABAD; IWAN BAAN; COURTESY OF VASTUSHILPA FOUNDATION, AHMEDABAD (2)

“Balkrishna Doshi: Architecture for the People,” at Wrightwood 659, the Chicago institution designed by fellow Pritzker winner Tadao Ando, celebrates all this and more. The exhibition presents 23 of Doshi’s institutional and residential projects from 1958 to 2014 through over 200 sketches, paintings, models, and photographs. They display the influences of Le Corbusier and Louis Kahn, with whom he worked before launching his own firm, as well as Doshi’s ability to meld Modernism with traditional Indian techniques and forms. After opening at the National Gallery of Modern Art in New Delhi and traveling to Asia and Europe, this is the show’s Stateside debut.

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A R C H I T E X- L J H . C O M

PRAIRIE SCHOOL COLLECTION

Crafted Constructions, Architectural Aesthetics

etched in stone

Clockwise from top left: The porcelain Dauw, Disk plate and Modus Vivendi bowl, and La Mer Box Macaron are among pieces by Studio Pieter Stockmans, designed between 1987 and 2010, on view at C-Mine in Ghent, Belgium, through June 30.

The handmade hard-porcelain process. The Studio Pieter Stockmans shop and showroom at C-Mine.

D E S I G N w ire

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STUDIO PIETER STOCKMANS

Piet Stockmans, the Belgian ceramicist with pieces in the permanent collections of New York’s Metropolitan and London’s Victoria and Albert museums, turns 80 this October. To mark the milestone, Studio Pieter Stockmans is mounting a retrospective of his work and career, which he began in 1966 as an industrial designer at the Mosa porcelain factory, rising to chief designer and creating Sonja, the iconic stackable mug of which over 40 million were sold.

He founded his studio in 1987, since earning accolades for exquisite hard-porcelain objects, particularly admired and utilized by such Michelin-starred chefs as Alain Ducasse and Thomas Keller. He even devised his own personal colorway, Stockmans Blue, which he discovered after experimenting with kiln temperatures. Crockery in that shade as well as crisp white, plus new items

by Frank Claesen, who’s been designing at the studio for decades, are on display at C-Mine, a 1905 former coal-mine complex in Ghent, that TeamvanMeer! converted into Stockmans’s studio, shop, and showroom in 2010.

S A LVAT O R I _ O F F I C I A L

HENRY PENDANT WITH GLASS SHADE 866.398.1530 | VERMONT USA | DESIGN@VTFORGE.COM | HUBBARDTONFORGE.COM All Designs and Images ©1989 - 2020 Hubbardton Forge, LLC. All Rights Reserved. Hubbardton Forge is the registered trademark of Hubbardton Forge, LLC.

C R O S S lines

a green global vision Boosting its commitment to sustainability, Neil Jacobs steers wellness hotel brand Six Senses through the pandemic and beyond

COURTESY OF SIX SENSES HOTELS RESORTS SPAS

To call Neil Jacobs a hospitality veteran is an understatement. He spent 14 years with Four Seasons Hotels and Resorts. He ended his run there as senior vice president of operations Asia Pacific to join Starwood Capital Group as president of global hotel operations. In his five years at Starwood, he developed the successful Baccarat Hotel and 1 Hotels brands. Clearly, Jacobs is fluent in the language of luxury (as well as in English, French, Spanish, Italian, and Bahasa Indonesia). But in 2012, he made a subtle pivot, joining forces with Pegasus Capital Advisors, which purchased Six Senses Resorts & Spas. Back then, the company was small—mostly beachfront resorts in Southeast Asia. But all along, since its founding in 1995, the Six Senses mission has been to promote personal well-being and the health of our planet. Jacobs’s goal was to fortify that vision while expanding and diversifying locations.

With Jacobs as CEO, Six Senses Hotels Resorts Spas has done just that. Properties have been added in Bhutan, Cambodia, Fiji, and the Seychelles. Shifting sights to Europe, in 2015 the company took over a 19th-century manor house turned hotel in Portugal, hired Clodagh, and remade it into Six Senses Douro Valley, which has the country’s highest occupancy rate.

Properties have opened in France and Turkey since. In early 2021, the company debuts its North American toehold—and first urban project—with Six Senses New York, a 10-story hotel by Gilles & Boissier and a club/spa by INC Architecture & Design at the XI, the much-anticipated, Hudson River–fronting complex by Bjarke Ingels Group. Six Senses London by AvroKO is slated for 2023, bringing the total to 18 hotels and resorts.

COVID-19 has slowed the development of these projects. But with its emphasis on wellness, community, and sustainability, Six Senses, now owned by IHG, may be well positioned to ride out the storm. Jacobs, a London native based in Singapore, who is an American citizen, shares his thoughts.

From top: Six Senses Douro Valley in Samodães, Portugal, the brand’s first European property. The CEO of Six Senses Hotels Resorts Spas.

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What’s your strategy ahead?

Neil Jacobs: We’re going to broaden and deepen what we already do. Connection has always been our vision—reconnecting with oneself, others, and the world. Now, there seems to be a greater sense of mindfulness and need for connection. We’re creating new programming that touches on gratefulness, compassion, even love.

What has reopening been like?

NJ: Six Senses Ninh Van Bay in Vietnam reopened in early May. It was shocking. People got off the boat, ripped off their masks and clothes, and ran for the ocean. Social distancing is already built into how we design many of our properties. Our warm-weather resorts have outdoor restaurants, and there are villas instead of big hotel buildings with long corridors.

What led to launching properties in Europe and cities?

NJ: Some on our team thought we shouldn’t do Douro Valley—it wasn’t us. But we’d wanted to expand into Europe, plus it was a beautiful building.

We brought in Clodagh—who really understands sustainability and wellness—to translate our value set into a building that did have corridors and was set up like a hotel. It turned out wonderfully and showed us, and our customers, that we shouldn’t put ourselves in a box. Who we are isn’t necessarily what a building looks like but how it expresses our mission. We knew then that our properties don’t all have to look the same. In fact, we don’t want them to.

Why Gilles & Boissier for the hotel’s 136 guest rooms?

NJ: We didn’t want traditional interior design. The buildings don’t speak to that. I’d done the Baccarat with Dorothée and Patrick. They’re from Paris and sophisticated. But the fact that they’re great designers was not why we hired them. It’s that they embrace sustainable design. They’ve stayed at Six Senses properties. Our values resonate with and are important to them. That’s what sealed it for me.

What are the rooms like?

NJ: Warm, soft, comfortable. A lot of sustainably sourced timber. We have strict guidelines about where wood comes from and how fabrics are treated. Materials here are natural, organic—that’s who we are—yet more finished than in the resorts.

COURTESY OF SIX SENSES HOTELS RESORTS SPAS

BIG’s twisting XI towers still seem like an architectural departure.

NJ: Actually, the connection I mentioned earlier is manifested in Bjarke’s architecture. I look at his two towers as coming together, creating a connection within a community that also includes 236 condominium apartments. Six Senses Place, the club part of our hotel by INC, which I’d worked with on 1 Hotel Brooklyn Bridge, is geared equally to those residents and hotel guests. The project is about bringing buildings, people, and functions together. And the facade is this beautiful natural travertine. Sustainable materials are outside and in.

c r o s s lines

Opposite, from top: Bjarke Ingels Group’s XI, where Six Senses New York will be located when it opens in 2021. A Douro Valley suite and the hotel’s dining room, both designed by Interior Design Hall of Fame member Clodagh.

From top: Aerial view of beachfront villas at Six Senses Fiji by Richard Priest Architect and Space Studio. Native Vesi wood inside a Fiji villa.

FROM TOP: COURTESY OF SIX SENSES NEW YORK; COURTESY OF SIX SENSES HOTELS RESORTS SPAS (2)

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Have you tweaked anything because of COVID? NJ: Yes, in Six Senses Place. Its 45,000 square feet include the spa, plus restaurant, bar, and rooftop spaces. It’s all very social. But now we’re looking at how to integrate a work environment, because that’s where I think the pandemic is really going to change things, how people work. We’re all hearing that no one will go to the office anymore. But we don’t believe the choices are only working at an office or working at home. We think it’s going to be a combi-

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nation of both. So in addition to the wellness, dining, and cultural offerings, there will also be a workplace.

As for the rooftop, the developer assumed we would be installing a pool up there. But we won’t.

I don’t want that vibe. It will be cool and energized but driven by nature. We’re planting an organic garden—a touchpoint of our brand. It will be where people can dine surrounded by a mini urban farm and restorative river views.

—Jane Margolies

Clockwise from top: A villa suite at Cambodia’s Six Senses Krabey Island designed by Dimensional Interpretation. The Thimphu Prayer Pavilion at Six Senses Bhutan by Habita Architects. The outdoor cinema at Krabey Island.

COURTESY OF SIX SENSES HOTELS RESORTS SPAS

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Art on the move…

COURTESY OF PHILLIPS

Since the onset of COVID-19, urbanites have fled cities for greener, less-populated pastures. Arts entities took note, and some responded quickly with satellite sites, pop-up and permanent. One such is Phillips auction house, which hired StudioMDA to convert a 1925 former town hall by William A. LaFon into Phillips Southampton on the East End of Long Island. The 6,000-square-foot interior is hosting themed exhibitions in advance of upcoming auctions, such as Editions and Photographs, both in New York in October, which will be selling such works as an Alex Katz screen print, a Joan Miró etching, and a Christian Marclay chromogenic print.

Fine Solid Bronze Architectural Hardware 866.788.3631 • www.sunvalleybronze.com Made in the USA 38

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Canyon Willow™

Canyon Linen™

A Colour & Design Inc. Company

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Silent-Silo Thinks Outside of the Box Conceived by Carl Gustav Magnusson, the clever circular design of Silent-Silo takes up a smaller footprint while maximizing functionality. And unlike most office booths, Silent-Silo has oodles and oodles of finish options. Choose from forty-two Dukta Flexible Wood options, sixty-six colors of 100% Wool Design Felt, and add a leather insert in the door pull.

Go big and bold on the interior or choose colors that are soft and soothing to make each Silent-Silo oh-sounique and highly customizable. spinneybeck.com/silent-silo

Silent-Silo Softens Sound All Around Silent-Silo by Carl Gustav Magnusson provides a quiet space for heads-down work or private conversations, so what goes on in the silo stays in the silo. But this innovative pod also softens sound in its surroundings. This unexpected sound absorber pairs 100% Wool Design Felt with acoustic substrate to provide an NRC of 0.50. Plus with over sixty felt colors to choose from, Silent-Silo is equally at home in a gaming startup as it is on a floor with the c-suites. filzfelt.com/silent-silo

Crush™ PANEL @2011modularArts, Inc. Photo by Steve Hall, Hall +Merrick Photography. Designer: Eastlake Studio.

Your own personal meadow…

The Rooftop at Pier 17, the mixed-use building

by SHoP Architects that’s helped revitalize New York’s Seaport district, has been voted the best new concert venue. With the pandemic, however, this summer’s series was cancelled. Rethinking the prime outdoor venue, property operator Howard Hughes Corporation partnered with Relevent to create The Greens, 28 14-square-foot mini lawns, each with cabana-style lounge chairs, an umbrella, food and drink service, and a USB port, that can be reserved for 90 minutes. “The aesthetic we leaned into was ‘ideal picnic,’” Relevent president Claire Annas Keaveney says.

The Greens is open through October.

Hive™ BLOCK ©2012 modularArts, Inc. U.S. Patent 8,375,665

Crush™ PANEL @2011 modularArts, Inc. Photo by Factioned Photo, @factioned

Apollo™ BLOCK ©2011 modularArts, Inc. U.S. Patent 8,375,665

Chelsea™ TILE w/walnut inserts ©2018 modularArts, Inc.

modulararts.com

206.788.4210

Made in the U.S.A.

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RELEVENT ON BEHALF OF THE HOWARD HUGHES CORPORATION

Lucy™ TILE w/silver and gold mirror ©2018 modularArts, Inc.

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Both sides of these partitions are screen-printed with a 1917 sketch by Futurist artist Giacomo Balla

p i n ups text by Wilson Barlow

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clean divide Sam Baron’s modular screens are washable to meet the demands of our time 1. Corniche in beech and vinyl wall covering by Pierre Frey. 2. Horizon in beech and vinyl wall covering by Pierre Frey. pierrefrey.com

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INTERIOR DESIGN

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The only EPA-Approved Disinfectable Fabric

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Va n D u y s e n ’s O t t i L o u n g e C h a i r a n d M e d i u m R o u n d C o f f e e Ta b l e shown with Heatsail Dome | sutherlandfurniture.com

walk through

ready for takeoff In the VIP lounge at Gagarin Airport, a custom play “capsule” upholstered in acrylic references Vostok 1, which transported Soviet astronaut Yuri Gagarin on the first-ever space flight.

firm: vox architects site: saratov, russia

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Nearly 60 years have passed since Yuri Gagarin became the first human being in space. Today, that historic voyage is honored at something else flight-oriented: Gagarin Airport in Saratov—the same Russian city in which the Soviet astro­naut landed in 1961 upon returning from his 108-minute orbit around the earth.

It’s in that new airport that Vox Architects has unveiled a cosmically inspired VIP lounge.

Vox, a Moscow firm led by chief architect Boris Voskoboynikov and head of creative Maria Akhremenkova, had already completed other airports and lounges throughout the coun­try for the clients, SarAero-Invest JSC and Airports of Regions MC. For this project, how­ ever, “We referenced the idea of defying gravity, waiting for a miracle,” Voskoboynikov explains. Although the word luxury never came up in briefings, Voskoboy­nikov says that he and Akhremenkova “strived to create an atmosphere of care and attention—there’s always an elec­ trical socket and room for luggage.”

That the lounge is 11,200 square feet across two floors helps provide the space needed for such amenities. The levels are connected by a circular floating staircase with an elevator in its core. Upstairs, the spaces are private, with meeting and conference rooms geared toward business travelers. The ground floor, where reception and the boarding gate are, is more open and social, offering a restaurant, bar, and children’s play area. Among the lounge’s 54

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Clockwise from opposite, top left: Panels of gradient-printed glass line the corridor to the boarding gate. Ernesto Gismondi pendant fixtures in a meeting room evoke solar flares. In the bar area, PearsonLloyd stools stand on porcelain floor tile. Acrylic-composite solid-surfacing forms the custom reception desk. An elevator is contained in the stairwell’s core. Extra-long linear pendants by Bjarke Ingels Group run above a sectional sofa by UNStudio/ Ben van Berkel in a sitting area.

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themed elements are circular lamps resembling solar flares, cloudlike white-and-gray porcelain flooring, and pops of brilliant blue. “The color reminds us of a rocket shooting into the meso­ sphere,” Akhremenkova notes.

Acrylic in that shade is a component of one of the lounge’s more memorable moments.

It lines the freestanding, spherical “capsule” modeled after Vostok 1, the spacecraft that carried Gagarin into the heavens, in a corner by the windows. Children are often found climbing aboard. “It passes on this amazing story to a new generation,” Akhremenkova adds. “My 7-year-old daughter took part in the

advertising shoot and still recalls the capsule with delight”—a stamp of approval from a very important VIP. —Colleen Curry

FROM FRONT SIX INCH: TABLE (CAPSULE). STEKLO MODA: PRINTED GLASS (HALL). ARFA: CEILING SYSTEM. ARTEMIDE: LIGHT FIXTURES (MEETING ROOM), PENDANT FIXTURES (CONFERENCE ROOM). COR: CHAIRS, TABLE. WALTER KNOLL: STOOLS (BAR), SOFA (SITTING AREA). VITRA: BLACK TABLES (SITTING AREA), SMALL MIRROR (RESTROOM). ARPER: CHAIRS (CONFERENCE ROOM). DYSON: SINK FITTINGS (RESTROOM). THROUGHOUT HI-MACS: SOLID-SURFACING. SMILE: CUSTOM FURNITURE. LAMINAM: FLOOR TILE. ARTEMIDE: LINEAR PENDANT FIXTURES. PROJECT LINE: GENERAL CONTRACTOR.

Clockwise from top left: A relief of Gagarin enlivens a wall in the conference room. The restroom corridor ends in a custom mural of printed ceramic. Restrooms have wash-dry sink fittings by James Dyson. The lounge spans two floors and 11,200 square feet.

SERGEY ANANIEV

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curing the blues From Los Angeles to London and stops in between, these wellness-minded facilities are just what the doctor ordered

ADAM KANE MACCHIA

See page 62 for Real in New York by BHDM Design.

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BHDM Design project Real, New York. standout Which color expresses confidence and empathy? It’s Yves Klein blue, especially when supported by a palette based on diverse skin tones and works by female artists at the new mentaltherapy concept for women by women.

ADAM KANE MACCHIA

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ADAM KANE MACCHIA

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ZGF Architects standout More than just a lab, the structure’s glazed facade with angled projections creates a sense of arrival and ushers in abundant natural light to airy, industrial-chic spaces designed specifically for fundraising, presentations, and entertaining.

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CONNIE ZHOU

project Lundquist Institute for Biomedical Innovation Medical Research Laboratory 1, L.A.

CONNIE ZHOU

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CO Architects project Outpatient Surgery at Cedars-Sinai Advanced Health Sciences Pavilion, L.A.

KIM ROGERS

standout In addition to the technical and functional expertise required to plan dozens of ORs and pre-op and post-anesthesia care units, the 45,000 square feet also deliver a sense of calm through cloudlike ceiling forms of acoustical plaster rimmed with fiber-optics.

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Pedra Silva Arquitectos project Maida Smiles Dental Clinic, London. standout More than 500 handcrafted ceramic discs

based on the implants commonly used in restorative dentistry clad reception’s walls and door leading to the clinical area, where advanced cosmetic dental and facial aesthetic procedures take place.

LOOP AUDIOVISUAL

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NC Design & Architecture project Garden Pavilion, Hong Kong.

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HAROLD DE PUYMORIN

standout When shoppers at a mall so luxe it’s confidential need a break from spending, they can refuel in this lounge offering concierge and coffee service, themed as a cocooning garden in a garden, detailed with raked plaster, oxidized brass, and marble.

Estudio Colmena and Estudio 4 project Fitship, Córdoba, Argentina.

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GONZALO VIRAMONTE

standout The high-concept gym situated inside a 10,000-squarefoot warehouse is big enough to hold a 100-foot running track and a basketball cage as well as sports-medicine, arts, and snack areas.

info@41zero42.it

� Pulp Gold Double Polished - Paper41 Lux Franz

Studio I In project Shiseido Future Solution LX, Shanghai. standout The first flagship for the brand’s new skincare line channels nature through windows fronted in translucent textured fabric, organically curved plaster, and stone surfacing produced in the Japanese mountains.

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WU QINGSHAN

—Nicholas Tamarin

NEW YORK

info-usa@gandiablasco.com

SOLANAS by Daniel Germani

MIAMI miami@gandiablasco.com LOS ANGELES losangeles@gandiablasco.com

www.gandiablasco.com

3730 US HWY 1 SUITE 2 N. BRUNSWICK, NJ. 08902 (732) 353-6383

Kin Seating A new collection by Chris Halstrøm for Design Within Reach

© 2020 Design Within Reach, Inc.

THE BEST IN MODERN DESIGN TRADE 1.800.944.2233 | WWW.DWR.COM CONTRACT 1.800.591.6965 | DWRCONTRACT.COM

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LIGHTING

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www.powellandbonnell.com

INTERIORS

refresh and restore

SERENITY LIGHT, SOUND, RAINHEAD

With many of us spending more time at home these days, why not jazz up your daily ablutions? The Serenity Light, Sound, Rainhead by Thermosol not only gets you clean but is also part therapist: It provides LED chromotherapy and sound therapy alongside its soothing water spray. A staggering 82 water jets meet a mood-lighting mode that automatically shifts color gradually.

(Well-being gurus may prefer the chroma settings that correspond to specific chakras.) Choose to listen to music, meditations, or mantras by connecting the fixture to a Bluetooth media device.

Ceiling-mounted, it comes square or round, can be installed easily without access from above, and is available in 15 finishes, including chrome, matte black, antique brass, and copper. thermasol.com

special bath/spa section

market edited by Rebecca Thienes text by Georgina McWhirter and Rebecca Thienes

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For the inaugural introduction from her namesake studio, young Italian designer Elisa Passino cleverly links the age-old Portuguese tradition of azulejos, or patterned ceramic tile, with the vibrant architecture of Luis Barragán, Ricardo Bofill, and Le Corbusier.

The suite’s nine designs are named after Italian architecture terms, Arco and Capitello among them. Geometrie Componibili—handmade in

the architecture of color Portugal from terra-cotta clay and screenprinted with a mash-up of geometric shapes— suits most interior and exterior applications, including walls, countertops, showers, and swimming pools. Each pattern also comes in 10 colorways that can be swapped with any combination of the studio’s 18 Miami art deco– inspired shades—like Green Salt and Flamenco Red. Passino can also develop custom glazes and compositions. elisapassino.com

ELISA PASSINO

m a r k e t collection bath/spa

“Clay-blending, hand-molding, and screen-printing produce nuances in shade and texture”

LUDOVICA DE FEO

GEOMETRIE COMPONIBILI

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Made in Italy - Made by SICIS

RedeďŹ ning Regenwald Artistic Mosaic Collection

Interiors

SICIS The Art Factory Showroom and Warehouse: 150 Bruckner Blvd Bronx NY 10454 Inquiries: sicis@sicisna.com Tel: 917 291 0399

Peggy round side table

Siam floor lamp Prestige sofa

Celebrity armchair

“The form expresses beauty and harmony”

M A R K E T bath/spa

BOB

he’s got it all Meet Bob, a sink and freestanding cart that, should he appear on a dating app, is bound to make you swipe right because of his dashing good looks. Part of Ceramica Globo’s Opi collection, Angeletti Ruzza Design’s Silvana Angeletti and Daniele Ruzza have assembled the fixture’s curves and straight lines into a pleasing whole. The customizable mix-and-match components are a pill-shape countertop in scratch-proof Dekton—a composite of glass, ceramic, and quartz—atop a visually light frame of powder-coated steel rods. The ceramic basin comes in a selection of Ceramica’s Bagno di Colore hues, terrazzo patterns, or classic white.

An optional MDF drawer finished in one of 14 matte lacquers keeps toiletries organized and out of sight, while a side bar holds a hand towel. ceramicaglobo.com

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Š2020 Snaidero USA

VISION | Pininfarina Design | Made in Italy | 2019 Good Design Award Find a showroom near you, or dealership opportunities 1.877.762.4337 | Exclusively distributed by snaidero-usa.com

looking good, doing good A new pedestal sink by Antoniolupi focuses on more than eye-catching aesthetics, which, by the way, it has in spades. Bolgheri, conceived by Gumdesign’s Laura Fiaschi and Gabriele Pardi, begins with a base in cork, the lightweight material that’s harvested from

“We combined two seemingly antithetical materials” BOLGHERI

cork oaks without harming the living tree, reconstituted, and bound with natural resin. It’s topped by a basin in Cristalmood, Antoniolupi’s proprietary translucent colored resin that’s fully recyclable. The result is a sleek and sustainable fixture boasting texture and contrast— soft and matte, hard and shiny. The basin’s color options are numerous, while the base comes in honey-toned Natural or darker brown Toasted. antoniolupi.it

M A R K E T bath/spa

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Happy D.2 Plus. Design and technology perfectly combined.

The perfect combination of iconic design and innovative technology: the bathroom classic Happy D.2 Plus with harmoniously rounded corners in new variants. The unique Duravit technologies like the patented c-bonded open up new, individual solutions.

Design by sieger design. For more bathroom design visit www.duravit.us

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m a r k e t scape bath/spa

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Christian and Michael Sieger for Duravit

Matt Berman and Andrew Kotchen for Kallista

Patricia Urquiola for Agape

Michael Anastassiades for Aboutwater by Boffi and Fantini

product Happy D.2 Plus C-Bonded. standout Sieger Design’s Happy D.2 Plus series celebrates two decades with an evolution of its patented C-bonded process, which enables a near-seamless connection without protrusion or recess between the fixture’s ceramic basin and oak veneer vanity. duravit.com

product Argile. standout The Workshop/APD founding principals expand their product-design range from rugs to bath fixtures with the cast mineralresin composite tub, its exterior haptic decorative relief inspired by wood cuts and carved clay. kallista.com

product Vieques Outdoor. standout Originally created by the Interior Design Hall of Famer for the W Retreat & Spa Vieques Island, the Puerto Rico hotel she designed, the deep soaking tub is now obtainable in stainless steel for outdoor use, no travel required. agapedesign.it

product AA/27. standout Trompe l’oeil appears in the lighting for which this industrial designer is known, and it’s present in his PVDfinished steel sink fittings: The spout doesn’t touch the surface it appears to be mounted upon, it’s instead connected to the handle. fantiniusa.com

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s c a n di n av i a n spac e s

LIGHT COLLECTION

me m osamp les . c o m

M A R K E T M I C R O bath/spa

“The versatile, handmade basins lift the mood of any commercial or residential space”

PRISM

HOOP

pretty sturdy manufacturer Nood Co. products Hoop, Prism. standout Pigmented concrete makes a splash in the bathroom.

An Australian company based in Perth wants bathroom design to be less black and white (or chrome!). So its basins formed from tinted, sealed concrete come in such pretty pastels and hearty hues as Musk, Pastel Peach, Custard, Mint, Teal, and Copan Blue.

Choose from one of seven circular basin styles—including the 15 ½-inch-diameter Hoop or chamfered edge Prism—that are mounted on a cylindrical base. For a complete petite vanity, insert a tray between the two components in the same or a contrasting color. Surface-mount and wall-hung options also abound and a sweet powder-coated metal stand is on the way. noodco.com.au

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Chicago New York San Francisco Washington, D.C. Boston Denver

Visit our showrooms

Nuez

by Patricia Urquiola Extra Table

by Lievore Altherr Molina

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nice and neat 5

Contemporary-cool finds promote order and delight

6

1. Quick-dry towel with color-coded D-loop in Aegean cotton by Havly, shophavly.com.

2. Object & Totem’s Op-Eye Grid encaustic concrete

tiles through Cooler Gallery and Concrete Collaborative, cooler-gallery.com; concrete-collaborative.com.

3. Martin Cuel’s Bak vessel/drop-in sink in concrete by Lyon Beton, lyon-beton.com.

4. Outdoor shower in marine-grade stainless steel by QTOO, qtoobath.com.

5. Monica Graffeo’s Tape Storage accessoryorganizer belt in technical fabric and PVC by Ever Life Design, everlifedesign.it.

6. Fabrizio Batoni’s Trend X sink fittings in brass in Opaque Black by Zazzeri, zazzeri.it.

7. Le Berre Vevaud’s Stool Barth New in linden wood lacquered Glossy Pink by the Invisible Collection, theinvisiblecollection.com.

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M A R K E T bath/spa

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5810 Black Tempal – NEW

Beautifully superior.

Designed by nature.

Perfected through innovation.

Quartz like no other.

Learn more at caesarstoneus.com

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keep it clean

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3

These products boast style and safety 1. Green Total PlaySteel faucet in

AISI 316L stainless steel by Fir Italia, fir-italia.it.

2. Catherine Braconnier’s Equus Hoof

sculpted porcelain tile in Jumper Blue

by Sartoria, sartoria.design.

3. RS10 hands-free soap dispenser in brushed stainless steel by Vola, through Hastings Tile & Bath, hastingstilebath.com.

4. App basin in ceramic in Petrol Green by Ceramica Flaminia, ceramicaflaminia.it.

5. Urban wall-mount vanity with Fenix countertop in Nero Ingo and Urban storage cubes in steel in Matte White by Hastings Tile & Bath, hastingstilebath.com.

6. The Hemingway shower enclosure in polished stainless steel and glass by Robern, robern.com.

7. Tondo Plus basin in glass-resin in Sage Green Vetrofreddo and stand in painted stainless steel

by Glass Design, glassdesign.it.

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MARKET

bath/spa

4

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LACAVA .com

VANITY + MIRROR SINK FAUCETS TUB + SURROUND

L I NE A i n h ori zon b l u e & b ru s h e d b ra s s C UB E i n w hi te p orc e l a i n E L E G ANZ A i n b ru s h e d b ra s s S UAV E i n h ori zon b l u e

CREATING BEAUTIFUL AND TIMELESS BATHROOMS MADE IN THE USA CUSTOM PROJECTS WELCOME

MAKE THE MOST OF HOME

Shop online or schedule a personalized appointment from the comfort of your home today at fergusonshowrooms.com.

Š2020 Ferguson Enterprises LLC 0720 2025410

Ibiza and Savoiardi Chandeliers

coda awards

interiordesign.net/coda20 for all the winning and merit selections

better together The annual CODAawards celebrates the artistic results of when creatives and clients unite

CLOCKWISE FROM TOP LEFT: DARREN NEWBY; BUREAU BETAK; EMMANUELE COLTELLACCI

Interior Design and CODAworx—the online platform that stands for Collaboration of Design + Art, connecting creatives with potential clients to foster the commissioned-art economy—have recently announced the winners of the eighth annual CODAawards.

Recognizing projects that successfully integrate contracted work into interior, architectural, and public spaces, the honors represent over $89 million in commissions. Judging the 465 entries from 25 countries—Australia, Bulgaria, China, and Israel among them— was a panel of 18 jurors from the design and art worlds, including Gensler principal and creative director John Bricker; Jennifer Kolstad, chair of the American Society of Interior Designers and Ford Motor Company global design director; and Rhode Island School Clockwise from top left: Julian Vossof Design president Rosanne Andreae’s Annabelle Over the Holly­ Somerson. Installations were wood Hills, the residential category selected in 11 categories, such winner, is a stainless-steel sculpture as hospitality, health­care, edu­at a Los Angeles home. A merit selection in the commercial category, cation, and transportation. Ad­Art for Earth was Anne Patterson’s ditionally, the jury’s top 100 immersive installation of laser-cut picks were exhibited online, strips of Zegna fabric commissioned by where the public was invited the company for Milan Fashion Week Fall 2020. At a deconsecrated church in to vote for three favorites.

Here are some of ours.

Parma, Italy, Multiverse by Fuse is an institutional category merit selection.

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FROM TOP: SERGE HOELTSCHI; COURTESY OF FUTUREFORMS

Clockwise from top left: The healthcare winner, Rob Ley’s Endless Miles frames the Martin Luther King, Jr. Community Hospital in L.A. in stainless steel and painted aluminum panels.

Pillars of Dreams by Marc Fornes/TheVeryMany, a landscape merit selection, is a permanent pavilion of ultrathin aluminum for the Valerie C. Woodard Center in Charlotte, North Carolina.

The liturgical winner, Thierry Boissel’s self-supporting facade for the new Saint-Joseph church in Montigny-Lès-Cormeilles, France, is enameled glass. Constellations by FutureForms, the education winner, is a steel theater-in-the-round lit by LEDs at the University of West Florida in Pensacola.

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FROM TOP: NAARO; COURTESY OF CODAWORX

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ALL IN THE MIX

sept20

Come explore what’s around the corner

ºXIAO TAN

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Studium’s many disciplines forge the Spectris Innovation Center, a dynamic Portuguese workplace for HBK, a newly merged tech company

all shapes and sizes text: becky sunshine photography: ivo tavares studio

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What was once an uninspiring 1990’s warehouse in the Northern Portuguese city of Porto is now an open, contemporary office thanks to local firm, Studium.Creative Studio. Conceived for tech client HBK, the Spectris Innovation Centre encompasses 7,000 square feet across a single floor. Studium founder Sérgio Miguel Magalhães and creative director Catarina Rodrigues have designed the workplace for 180 employees to embrace the stark surrounds, just a mile from Francisco Sá Carneiro Airport, but also usher in a new sense of community with elements that are flexible, vivid, on brand, and tied to locale.

For Magalhães, Rodrigues, and their multidisciplinary team, the project represented the opportunity to utilize all of Studium’s portfolio of skills, which includes architecture, branding, and product and web design. With Magalhães as the architectural lead and Rodrigues on furnishings, graphics, and palettes, their shared aim for HBK, which was formed in 2019 when HBM and Brüel & Kjær merged, was to bring the interior alive with the simplest of interventions and a tight edit of materials and color.

When HBK commissioned Studium the warehouse was entirely empty.

Is a blank canvas a gift for an architect? “No, it’s terrible,” Magalhães confesses. “That was the most troubling part of the project. To develop a strategy for a building you need to study its context. The context provided here was none, zero—vacant with a non-referential relation to anything.” Furthermore, external walls were not to be altered and no additional windows or doors were allowed. “The building has a 26-foot ceiling and was very industrial,” Rodrigues remarks.

“We started with the functional goals of the office and then implemented practices that had to do with well-being, community, society—the new way to approach office design,” Magalhães continues.

While the interior feels transformed, there’s no mistaking that you’re in a warehouse. It’s with the lightest touch by Studium’s team of flexible and prefab arrangements, such as lightweight, portable chairs and ottomans, partitions, and shipping containers, which punctuate, humanize, and help temper the voluminous space.

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Previous spread: For the HBK Spectris Innovation Centre in Porto, Portugal, by Studium.Creative Studio, a 1990’s warehouse was converted into a workplace and expanded upon with a steel canopy leading to a new pine-clad structure for employee dining and lounging.

Opposite top: Custom partitions divvy up individual workstations for the 180 employees. Opposite bottom: The machine-cut canopy connects two of the ½-acre site’s existing buildings.

Top: The partition system is made from laser-cut MDF. Bottom: A vertically oriented shipping container turned meeting room and a Portuguese olive tree help scale the warehouse’s 26-foot ceiling.

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“It all feels fluid and easy to navigate: areas for teams to come together, areas for working alone”

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Left: A second shipping con­ tainer, this time positioned horizontally, also functions as a meeting room, connecting to the vertical container via a raised walkway with balu­ strades of welded steel mesh.

Right: Paneling of perforated MDF is colored a shade that symbolizes two merged companies.

“We created a town square of sorts with the shipping containers, and those containers create viewable references,” Magalhães explains. At the office’s heart is what Studium refers to as an auditorium. An arrangement of steel bleachers and raised walkway anchored on either end by the shipping containers, one oriented horizontally, the other vertically, both used as meeting rooms, is based on the principles of an ancient Greek agora, or central public meeting space. There’s even a live Portuguese olive tree there.

The vertical shipping container provided an ideal canvas for Studium’s branding and graphic designers to flex their muscles. On two of its elevations, HBK’s timeline is plotted out in rectang­ ular panels of yellow MDF linked by a circuit of neon-blue LED tubes. Inside both meeting rooms was more opportunity for branding. Perforated MDF lines their interiors, aiding in controlling acoustics and, in the same shade as the timeline rectangles, continuing the project’s dominant hue.

“The yellow represents the two companies coming together,” Rodrigues says, “and warms up the all-gray envelope. Architects usually deflect color, whereas designers like to impose it. We’re in the middle, trying to create equilibrium.” Gray and blue nylon carpet tile installed throughout the meeting rooms helps with acoustics, too; elsewhere, flooring is gray vinyl.

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Beyond the auditorium is a wide circulation area, which provides access to each department—marketing, software development, human resources.

Here in the office area, Studium’s varied disciplines are again put to excellent use. The firm’s product-design team created the + System, a simple LEGO-like construction of MDF pieces that slot together in multiple con­ figurations to create storage, partitions, and workstations—all in that saturated yellow. Bursts of green paint—coating the air ducts, covering the olivetree planter—add a nature note. In such a huge space, lighting was also challenging. “We had two types,” Magalhães says. “Natural light from the existing but tiny windows in the west- and east-bound walls and skylights, and, of course, artificial light.” Studium added spotlights overhead and task lamps at desks, which provide a “more intimate light, almost a partition,” the architect notes.

It all feels fluid and easy to navigate: areas for teams to come together, areas for working alone. More importantly, Magalhães adds, it’s futureproofed, allowing for the business—and staff—to expand. “Phase 1.5 of the project provides the client the opportunity to develop more work space by creating a mezzanine,” he says.

But what about areas for eating and relaxing? That’s where Studium’s work is perhaps most apparent. A new freestanding structure, a rectilinear timber-clad “shack,” as Magalhães calls it, houses the staff dining area. It links to the warehouse via a sinuous steel canopy, and also abuts the site’s storage facility. Nearby, a 20-foot shipping container functions as a lounge, complete with foosball table. “The client has decided that the center is a success,” Magalhães says. “The shack and the project overall correspond to everything we thought about strategically and financially”—and underlines the importance of connection and well-being.

PROJECT TEAM HUGO MARTINS; MIGUEL BARBOSA: STUDIUM.CREATIVE STUDIO. DETAILSMIND: STRUCTURAL ENGINEER, GENERAL CONTRACTOR. SILENCIO: CIVIL ENGINEER. NOGUEIRA FERNANDES: WOODWORK. PRODUCT SOURCES FROM FRONT GUIALMI: TASK CHAIRS, WORKSTATIONS (OFFICE AREA), CHAIRS, OTTOMANS, TABLES (AUDITORIUM, MEETING ROOM).

EFECTOLED: LED TUBES. THROUGHOUT TECHNAL: WINDOWS, DOORS. FORBO: CARPET TILE, VINYL FLOORING. KNAUF: DRYWALL. ONE AIR: HVAC DUCTS. JNF: DOOR HANDLES. LUMITEK; TROMILUX: LIGHTING. CIN: PAINT.

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Opposite top: Vinyl flooring runs through the lounge, located in a separate shipping container outside of the warehouse. Opposite bottom: The perforated MDF helps absorb and contain acoustics in the meeting rooms.

Top: Studium utilized the vertical shipping container’s exterior as a billboard for the company timeline, highlighted by LED tubes. Bottom: A steel bleacher system is based on the principles of an ancient Greek agora, or central public meeting space.

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Combining unexpected colors, eras, and sensibilities has an energizing affect

fusion center at an office in Xi’an, China, by Hong Designworks text: jessica dailey photography: xiao tan

Previous spread: For the Xi’an, China, office of a tech and e-commerce client, Hong Designworks outfitted reception with a custom desk and sitting-area pod, both lit by Lee Broom pendant fixtures.

Top, from left: Acrylic paneling screen-printed with an abstract dot pattern. Constance Guisset’s bench in the reading room. The conference room’s Lievore Altherr Molina chairs and custom table. Bottom: The palette of the 7,000-square-foot workplace is inspired by Le Corbusier’s color theory.

Opposite: In a break-out area, a built-in banquette and James Irvine chairs provide seating.

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A very 21st-century workplace in Xi’an, China, has a decidedly European, early 20th–century influence. The 7,000-square-foot office belongs to an executive with multiple tech and e-commerce businesses—and a flair for the sophisticated and global. “The client loves collecting art and breaking stereotypes,” Ming Dang says. So Dang, founder and chief designer of Hong Designworks, looked beyond the usual office design tropes for the project, which is part work space but also part innovation-collaboration center. His guiding light: Le Corbusier.

The Swiss architect also known as Charles-Édouard Jeanneret believed color was instrumental to orchestrating spatial effects. “Certain colours have the property of stimulating in a lively and dynamic way. . .others are exceptionally constructive, more ‘human’,” he wrote in 1925. Dang pulled from this theory, using color, some in shades rarely associated with workplace, as a central architectural element to differentiate zones and shape the emotional experience of those using the space, which ranges between 10 and 30 people from different companies on any given day. “I wanted to show the client’s own personality in this design as well,” adds Dang, who, like the executive, spent time studying abroad.

A palette of reds, pinks, and white—per Le Corbusier, “constructive” hues, which he considered to be naturally occurring shades used to create atmosphere—was chosen to create a multilayered, multifunctional environment that utilizes color to delineate spaces. White performs as the neutral base, deep red brings warmth and drama, and soft pink serves as a coordinating, transitional accent. The pastel was specifically selected, Dang explains, “to break everyone’s perception of the traditional commercial office.” He also incorporated curved forms and furnishings to produce a futuristic feeling. “Symbolizing the infinity of creative thinking, the rounded elements make the space more playful,” Dang adds.

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“The hushed cocoonlike pods are meant to be calming, quiet, restorative” This page: A Lievore Altherr Molina table stands near an ottoman by Ichiro Iwasaki in the waiting area.

Opposite: Above woven vinyl flooring, recessed LEDs swoop through the office, indicating circulation.

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That this is no ordinary office is clear upon entering reception, where a swooping spiral desk is backed by a deep crimson curtain. Steps away, two cylindrical volumes that function as a waiting area and a reading room have interiors cloaked in brick-red carpet and wall covering. The hushed cocoonlike pods are meant to be calming, quiet, restorative.

Their exteriors, however, are more animated, clad in acrylic screen-printed with an abstract fractal dot pattern that evokes the world of sci-tech, one of the key words guiding the overall concept, along with warmth, business, and nature. Creating this component was the biggest challenge for the Hong Designworks team, according to Dang. They had intended to use fabric, but the material was too soft to fit the curves of the surfaces. A similar pattern reappears in the ceiling above the conference room and private offices, but there it’s applied to perforated aluminum panels that conceal ductwork.

A continuous and sinuous ceiling track of recessed LEDs outlines the different zones, serving as a circulation guide while accentuating the curved shapes and free-flowing vibe. The glowing trail leads back to the conference room, featuring a custom table done in a triangle shape so it won’t block circulation during a meeting, or over to an open, elevated lounge space for collaborative work. At each area, color reinforces the transition: The conference room threshold is marked by a maroon archway, while a raised pale-rose platform denotes the lounge. The latter color extends to the adjoining all-hands area, which has built-in bleacher seating to accommodate up to 30 people for presentations or events and also offers another casual spot for employees to work. “People feel more chilled and comfortable there,” Dang notes.

But even the workstations feel more relaxed than what’s typically found in a tech company’s open office.

Top, from left: Instead of cubicles, the open office area incorporates flexible workstations, including a high table by Metrica, to accommodate the client’s various businesses. The all-hands area holds up to 30 people for presentations and events. Bottom: The adjoining lounge features a custom bench.

Opposite: Arik Levy pendant fixtures and a Jean-Marie Massaud sofa and executive chair furnish one of the project’s two private offices, where the lighted niche is for displaying a tea set.

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They’re separated into pods: one with five fixed desks and a sofa, another with a high-top table that can seat eight, and a third with lightweight moveable chairs and tables and a built-in curved banquette upholstered in millennial pink.

Furniture here and throughout reflects the client’s and Dang’s penchant for the clean-lined and the contemporary, many of the pieces by Lievore Altherr Molina and Jean-Marie Massaud. Lighting is noteworthy, too, with Lee Broom’s ethereal pendant fixtures glowing in reception and Arik Levy’s unadorned conical forms

hanging in a partner’s office. The latter showcases a scarlet-red lightbox of a niche that Hong Designworks carved into the wall for displaying a beloved tea set.

“This is an open, free, and artistic office space that enables the employees to find an appropriate working environment at any time,” Dang concludes. And it’s the thoughtful application of color that achieves that flexible yet stimulating atmosphere. Timeless, yet forward-thinking, the project embodies Le Corbusier’s belief that color is the foundation of a harmonious interior.

PROJECT TEAM XU XIE; QINGE AO; QING WANG; ZHEN YAN; HAICHUAN WANG: HONG DESIGNWORKS. BPI: LIGHTING CONSULTANT. SDCIC CONSTRUCTION GROUP SHARES CO.: GENERAL CONTRACTOR. PRODUCT SOURCES FROM FRONT LEE BROOM: PENDANT FIXTURES (RECEPTION, WAITING AREA). LA CIVIDINA: BENCH (READING ROOM). WALDMANN: PENDANT FIXTURE (CONFERENCE ROOM). ARPER: CHAIRS (CONFERENCE ROOM, BREAKOUT, WAITING AREA, OPEN OFFICE, OFFICE), TABLES (BREAK-OUT, WAITING AREA, OPEN OFFICE, OFFICE), OTTOMANS (WAITING AREA, ALL-HANDS, LOUNGE, OFFICE), SOFA (OFFICE). MILLIKEN: CARPET (WAITING AREA, OFFICE). SHANDONG HONGTAO YICHUANG TECHNOLOGY CO: WALL COVERING. VIBIA: PENDANT FIX­ TURES (OFFICE), RECESSED LIGHTING. THROUGHOUT BOLON: FLOORING, COLUMN SURROUND. KVADRAT: WALL COVERING, CURTAIN FABRIC. BENJAMIN MOORE & CO.; DULUX: PAINT.

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building on generations Steven Harris teams with Manuel de Santaren and Rees Roberts + Partners on a coastal Maine estate’s outbuilding that nods to history while serving a present-day extended family

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text: jane margolies photography: scott frances/otto

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Boaters zipping by might mistake the slender, weathered-gray building peeking out from a certain waterfront property for one of the age-old boathouses that dot the coast of Maine. That would surely please architect and Interior Design Hall of Fame member Steven Harris. He and his team at Steven Harris Architects studied the vernacular structures along the Atlantic Ocean’s edge in preparation for designing a two-story outbuilding on a Kennebunkport estate that is a boathouse, yes, but also a whole lot more.

What becomes clear upon closer inspection is that the simple cedar-shingled structure forms a T with an adjoining granite-faced, single-story entity that together total 2,800 square feet. The pair serve the client’s two-pronged request: a place to store kayaks and another for daytime lounging and evening lobster bakes overlooking the ocean. The resulting pool/boathouse hybrid, which also contains bunk and bathrooms, is a crisp, modern distillation of the historic boathouse form, one that respects and even blends into the natural surroundings.

“With such an extraordinarily beautiful site, our first response is to stay out of the way,” Harris begins. He collaborated on the project with David Kelly, a partner and the head of the landscape department at Rees Roberts + Partners, the sister firm to SHA. “The project defers to the existing landscape and the ocean,” Kelly adds.

It also defers to the parents of the clients. The latter are husband-and-wife art collectors with three teenagers and a primary residence outside Boston who visit the Kennebunkport estate often. Its main house, which sits farther inland on the 3-acre property, belongs to the parents. One requirement for the outbuilding—which is sited slightly downhill, closer to the sea—was that it not obstruct the house’s glorious water views. The boathouse portion, set to the side of the grounds and turned so that it’s perpendicular to the coast, with its narrow facade facing the water, is a self-effacing presence

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Previous spread: At an estate in Kennebunkport, Maine, a gravel drive leads to a new boathouse, with an adjoining pool house, both by Steven Harris Architects, with landscaping by Rees Roberts + Partners.

Bottom left: For the pool house’s open living/dining area, designer Manuel de Santaren selected reclaimed limestone slabs for flooring, solution-dyed acrylic for the custom sofa’s upholstery, and polypropylene for the custom woven rug. Top: Beyond the rift-cut oak dining table is the kitchen, with Corian cab­ inetry and solid-surfacing countertops.

Bottom right: Siding for the boathouse is 16-inch Alaskan Yellow cedar shingles.

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amid the trees, some of them newly planted by Kelly. The pool-house portion, which runs parallel to the coast, can’t be seen at all from the main residence. This is because SHA buried most of it in the ground, and then Kelly planted its roof.

Submerging that part of the structure accomplished more than maintaining open sight lines: It keeps the interior cool even on hot summer days, averting the need for air-conditioning. To compensate for the windowless side of the building, a skylight above the back wall brightens and also illuminates an art installation of stone boulders so massive they had to be wrestled into place before the pool house could be constructed around it. Ample light also streams in from the trio of enormous bronze-framed sliding doors that completely disappear into pockets in the facade’s piers. These bays—along with reclaimed oak ceiling beams—help divide the long sweep of loftlike space into zones for cooking, dining, and lounging.

Manuel de Santaren, the president of his namesake design firm who has worked with the clients on their Boston home, helped with the pool house’s finishes and furnishings, aiming for an “organic feel” and “ease of maintenance,” he explains. Flooring is reclaimed limestone that can withstand dings, the walls clay plaster that de Santaren says yields “a velvety, flat surface.” Furniture includes an oaktopped dining table that seats 10 in chairs covered in caramel faux leather. Equally generous is the sofa upholstered in solution-dyed acrylic the color of warm sand. Opposing armchairs are wrapped in a burlaplike polyolefin.

The table and chairs on the adjoining Dolomite limestone terrace, meanwhile, are powder-coated aluminum, the better to withstand the salt air, de Santaren notes. Chaise longues framed in the same material sit on the deck of what Harris calls “our Oklahoma pool,” referencing its panhandle. A long side measuring 75 feet accommodates laps, while a wider, shallower portion is perfect for lolling on floats.

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This page: Chaise longues with powdercoated aluminum frames stand on the ipe deck fronting the pool, its 75-foot length for laps and its wider, shallower end for relaxing. Inset: Seen from the Atlantic Ocean, the boathouse peeks out from the trees.

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A secluded part of the property purposefully does not have seating. Shaded by maples and poplars, it was landscaped “like a little secret garden,” Kelly says. He brought in native plants to enhance those found on-site and placed them around existing rock formations and a hot tub. Accessed from a staircase leading down from the green roof, it’s like a private escape.

Another escape, albeit slightly more populated, is found in the boathouse. SHA fitted its second floor with no less than eight built-in bunk beds. Their white-painted ladders and railings yield a nautical vibe, while English antique pendant fixtures chosen by de Santaren add an industrial note.

An outdoor shower, a bathroom, and a changing area are incorporated into the lower level.

If the inspiration for the boathouse design came from fact-finding excursions along the shore, the idea for the bunks came from a summer Harris spent between college and graduate school working as a waiter on an overnight train running between New York and Miami. “I became obsessed with sleeping cars,” the Florida native recalls. Except Harris’s version—with its gleaming oak floor and expansive fold-up window ushering in the ocean breeze—goes way beyond any Pullman car.

PROJECT TEAM KIM CLARK: MANUEL DE SANTAREN. JOHN WOELL: STEVEN HARRIS ARCHITECTS. MATT JARRETT: REES ROBERTS + PARTNERS. VENTRESCA LIGHTING DESIGNERS: LIGHTING CONSULTANT. ROSS DALLAND: STRUCTURAL ENGINEER. BECHT ENGINEERING: MEP. CLD CONSULTING ENGINEERS: CIVIL ENGINEER. S.W.COLE ENGINEERING: GEOTECHNICAL ENGINEERING. BOWLEY BUILDERS: GENERAL CONTRACTOR. PRODUCT SOURCES FROM FRONT PARIS CERAMICS: FLOORING (LIVING AREA). AMERICAN CLAY: WALLS. RALPH LAUREN: CHAIR UPHOLSTERY. SUNBRELLA THROUGH KRAVET: SOFA UPHOLSTERY. STUDIO FOUR: CUSTOM RUG. GREGORIUS PINEO: ARMCHAIRS, CUSTOM COCKTAIL TABLE (LIV­ ING AREA), CUSTOM TABLE, CHAIRS (DINING AREA). ARCHITEX: CHAIR UPHOLSTERY (DINING AREA). URBAN ELECTRIC COMPANY: CEILING FIXTURES. JANUS ET CIE: CHAISE LONGUES (DECK), TABLE, CHAIRS (TERRACE). THROUGH BALSAMO ANTIQUES: PENDANT FIXTURE (BUNKROOM). ROCHESTER COLONIAL: WINDOW. THROUGHOUT BROMBAL: CUSTOM WINDOWS, CUSTOM SLIDING DOORS.

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Bottom left: Reclaimed oak ceiling beams and a stone-boulder wall installation by Lew French, a Martha’s Vineyard sculptor, further enhance the pool house’s organic feel. Top: In the boathouse, custom bunks by Steven Harris Architects sleep eight, flooring is 5-inch-wide stained oak planks, and the pendant fixture dates to the early 20th century. Right, from top: A staircase from the pool house’s green roof leads down to the hot tub, designed around rock formations found on-site. Around the bronze-framed sliding walls, the pool house facade is a mix of granite, much of it sourced locally.

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the eye has to travel Deborah Berke Partners creates an ideal environment to experience contemporary art at the 21c Museum Hotel Chicago text: thomas connors photography: julie soefer

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Eye-catching art has been a part of the program at any number of hotels for some time now. But when the work fails to pack a real retinal wallop, the strategy can have all the effect of last season’s wallpaper. Art has been central to the experiential mission of 21c Museum Hotels since the Louisville, Kentucky–based boutique hospitality chain’s inception in 2006. Thanks to a keen curatorial eye and a sympathetic ongoing collaboration with Interior Design Hall of Fame member Deborah Berke, the brand has managed to keep the visual component of its operation fresh.

The latest addition to 21c’s nine-property portfolio—all of which Deborah Berke Partners designed—is a 297-room, 16-story high-rise in downtown Chicago. While most of the chain’s locations have been cases of adaptive re-use (including McKim, Mead & White’s 1914 Fayette National Bank Building in Lexington, Kentucky), the 1927 brick structure in the Windy City was a hotel from the getgo—The James, in its most recent incarnation. Having executed the interiors of that iteration in 2006, Berke was a step ahead of the game in refashioning it for 21c more than a decade later. “It had been a pied-à-terre kind of hotel,” Berke says, looking back. “The rooms were small and had kitchen nooks and weird spaces, which we took out for The James and made into sitting and working areas.

This time, with all the cutting-edge and provocative art in the hotel, the idea was to create a sense of welcoming comfort, with good lighting and all the things you want in a hotel room.”

Another of the firm’s previous design strategies—installing a broad swath of large street-level windows—has played perfectly into its work for 21c. “Chicago is a very dense city with a lot of street life, and these windows now allow us to connect the art inside to the vibrancy of the sidewalk,” Berke notes. “Traditional museums don’t even do that.”

Articulating the brand’s art-driven concept was the firm’s primary charge as it renovated the property. “It’s all about the gallery spaces and the experience of contemporary art,” DBP partner Terrence Schroeder affirms. “So the heavy lifting involved the public areas and flow.” He, Berke, and their team began by creating a double-height lobby and relocating the main staircase, interventions

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Previous spread: A new staircase with balustrades of resin panels backdrops a life-size sculpture by THE KID, a French artist, in the lobby of the 21c Museum Hotel Chicago by Deborah Berke Partners.

Opposite: As with all the public zones, contemporary art is integrated into the hallway leading to the second-floor meeting and conference rooms.

Top, from left: The building’s expansive street-front windows allow passersby to connect with the lobby. James Irvine chairs and Antenna Design tables convert the main gallery into an events space.

Bottom: Nations: Vertières, 1803 by Kapwani Kiwanga hangs behind the custom reception desk.

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that open up the arrival space and provide an engaging visual path from the street deep into the hotel. This was tougher than it sounds, because the building did not have an orderly column grid. “It was kind of eccentric, and we had to work between it,” Schroeder explains. “Because the old stair was threaded through the crazy structure, it didn’t have much of an opening around it. So we migrated it.”

Although still tight, the new location allowed the architects to construct a partly open staircase, its solid balustrades clad in honey-color resin panels strategically lit with LED strips that give the angular form an alluring glow.

The sculptural stair could almost be one of the many three-dimensional artworks that populate the lobby and other gallery spaces—approximately 10,000 square feet in total on the first and second floors—dedicated to showcasing 21c’s impressive contemporary holdings. These currently include a hyper-realistic lifesize male figure astride an equally convincing bison by a French artist known as THE KID; a towering white-resin woman, draped in a cloak like a Renaissance Madonna and floating mysteriously above the floor, by the Italian-Senegalese sculptor Maimouna Guerresi; a large, ghostly American flag made of sheer black chiffon by the Filipino-American conceptual artist Stephanie Syjuco; and many paintings, photographs, videos, and installations—all of them startlingly vivid works that would never be mistaken for mere decorative art.

Berke has been careful to give the collection the museum-quality setting it deserves. Flexible, surface-mounted track lighting with white canisters ensures that each piece is optimally lit. And in true gallery fashion, display areas are mostly all-white with furnishings kept to a minimum, often consisting of nothing more than a few simple white-oak benches of Berke’s design. The emphasis is on being able to move around and look at the art free of distractions. In contrast, guest room hallways are painted darker hues, indicating the more private nature of these areas. The rooms and suites are light and airy, with a calm, cool palette drawn from the Midwestern skies and the waters of nearby Lake Michigan.

Left, from top: Thomas Heatherwick chairs outfit the video gallery, where Kota Ezawa’s National Anthem is currently presented. A custom upholstered headboard spans a suite’s wall. Right, from top: The white-oak bench in the ground-floor space linking the lobby, elevators, lounge bar, and restaurant is also custom. Greenguard-certified polyester-acrylic covers the custom sectional sofa in a suite TV area.

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The architect’s long association with 21c Museum Hotels means her firm now speaks the chain’s signature aesthetic fluently. And with every project, its mastery of the distinctive syntax grows even more idiomatic. “When a design solution in one hotel proves successful, we often carry it forward to the next project,” Schroeder reports. “One classic example goes back to the first property, in Louisville.” The restrooms had to be located far from the restaurant, and there was concern that guests were being forced to walk too long a distance.

But it created a journey through gallery spaces, and once the property opened, it became clear that people enjoyed the trip because of everything they saw along the way. “With each project after that, it became a point to locate the restrooms at some length from the restaurant,” he concludes.

And sure enough, 21c Museum Hotel Chicago offers just such an extended tour of artistic discovery on the way to powder one’s nose.

PROJECT TEAM STEPHEN BROCKMAN; YASEMIN TARHAN; GUNNAR BURKE; VIRGINIA GRAY: DEBORAH BERKE PARTNERS. GREC ARCHITECTS: ARCHITECT OF RECORD. ILLUMINATION WORKS: LIGHTING CONSULTANT. BABICH ACOUSTICS: ACOUSTICAL CONSULTANT. SP ENGINEERS: STRUCTURAL ENGINEER. IMEG CORP.: MEP. BULLEY & ANDREWS: GENERAL CONTRACTOR. PRODUCT SOURCES FROM FRONT 3FORM: BALUSTRADE (STAIR). ACOLYTE LED: LED STRIPS. POLLACK: CURTAIN FABRIC (SECOND-FLOOR HALL). DÉCOR INTERNATIONAL: CUSTOM SWIVEL CHAIRS (SECOND-FLOOR HALL), CUSTOM BENCHES (GALLERIES). ARPER: STACKING CHAIRS (MAIN GALLERY). KNOLL: MEETING TABLE, WALL COV­E R­ ING. CONWED: ACOUSTIC PANELING. RULON INTERNATIONAL: SLAT CEILING. BROTHERS OF INDUSTRY: CUSTOM DESK (RECEPTION). HERMAN MILLER: CHAIRS (VIDEO GALLERY). MOHAWK: CARPET. REMINGTON: CUSTOM LINEAR CEILING FIXTURE, CUSTOM FLOOR LAMP (BEDROOM). SHAW HOSPITALITY: CUSTOM CARPET. 1925 WORKBENCH: BARN-DOOR HARDWARE. MOMENTUM TEXTILES: LOWER-HEADBOARD FABRIC. ERICA SHAMROCK TEXTILES: UPPER-HEADBOARD FABRIC (BEDROOM), CURTAIN FABRIC (LIVING AREA).

LOOMSOURCE: SOFA FABRIC (TV AREA). SOURCE ONE/TRIKES: PILLOW FABRIC (LIVING AREA). ARCHITEX: SOFA FABRIC. ARTERIORS: TABLES, FLOOR LAMP. ROLL & HILL: CEILING FIXTURES. ELITIS: WALL COVERING. CLASSIC STONE: COUNTERTOP. DESIGNTEX: CHAIR FABRIC (LIBRARY). JUSTIN DAVID TEXTILES: PILLOW FABRIC. FIBREWORKS: RUG. NEMO TILE: SLABS, TILE (BATHROOM). THROUGHOUT CREDIBLE HOSPITALITY: CUSTOM FURNITURE. LIGHTING SERVICES: TRACK LIGHTING. CTS CEMENT: FLOORING. ARMSTRONG CEILING SOLUTIONS: ACOUSTIC CEILING TILE. PAINT: SHERWIN-WILLIAMS COMPANY.

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Opposite: A flush-mount ceiling fixture by Jason Miller hangs above antiqued-brass cocktail tables in a suite’s living area.

Top, from left: Upholstered in cotton-polyester velvet, vintage armchairs gather in the library.

Calacatta marble slabs and tile appoint a bathroom. Bottom: Self-leveling concrete flows through the main gallery, with Maimouna Guerresi’s resin figure and Stephanie Syjuco’s black chiffon flag.

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earthy blend Journey from a 1,000-acre Moravian vineyard to a snug Texan wine cave with this harvest of enological projects text: annie block

See page 142 for Lahofer Winery in Dobšice, Czech Republic, by Chybik + Kristof. Photography: Alex Shoots Buildings.

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“Through our work, we’re searching for innovations that appear familiar, roaming somewhere between the old and the new”

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Destilat Design Studio project Gut Wagram, Mitterstockstall, Austria. standout Ancient and modern tastefully mix at the threebuilding complex encompassing 17 acres of vineyards, a historic bathhouse turned guesthouse, and an 18th-century cellar adjoining a 21st-century addition for production and tastings, capped by a 33-foot peaked ceiling. photography Monika Nguyen.

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Jouin Manku project Château de Ferrand, Saint-Émilion, France. standout The renovation of a centuries-old stone building on the 100-acre estate produced a trio of experiential spaces: a shop, tasting room, and lounge, marked by slender French limestone bricks, oak trusses and beams, a revolving colored-glass screen, and a sparkling 60-foot-long skylight. photography Nicolas Mathéus.

“We tried to bring out three things: respect for nature, purity, and the cultivation of deep joy”

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“Materials are locally sourced, durable, easy to maintain, and rich—without being precious”

Clayton & Little project Private wine cave, Hill Country, Texas. standout Blasted out of a ranch’s limestone hillside for a stealthy presence, the thermally cooled 1,400 square feet are brimming with white oak, Douglas fir, live-edge cedar, slate, and textured and castin-place concrete, yielding a luxe hideaway for up to 20 people and some 4,000 bottles. photography Casey Dunn.

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“The project is rooted in our respect for the longstanding symbiosis between nature and culture”

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Chybik + Kristof project Lahofer Winery, DobĹĄice, Czech Republic. standout Thermally modified pine and reinforced concrete undulate into an open-air amphitheater outside and a vaulted tasting room and visitor center inside, echoing the archetypal cellars and topography of the Moravian region as well as immersing into and not disrupting it. photography Clockwise from bottom right: Alex Shoots Buildings (4); Laurian Ghinitoiu.

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leaping creative Deck for well story goes here deck for well story goes here

text: jesse dorris photography: douglas friedman

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Leaping Creative invigorates the aesthetic of the dated Chinese foot spa with Forest for Rest in Chongqing text: rebecca lo photography: minjie wang SEPT.20

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Rooted in traditional medicine, the Chinese foot massage has been around for millennia. But it wasn’t until the late 20th century that the practice gained mainstream popularity. That was when

China’s disposable income increased— first in Hong Kong and southern parts of the country, then gradually in other provinces—and people would spend money on visits to foot spas. Today, however, those spas are typically associated with older people seeking relief from the aches and pains of aging.

Because of that stereotype, the genre struggles to attract new and younger generations. But Zen Zheng, founder

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and design director of Leaping Creative, is changing that with Forest for Rest, a 29,000-square-foot spa in Chongqing for which he devised an innovative narrative and branding package.

Situated in the heart of Sichuan, a sprawling megacity, Forest for Rest is the brainchild of Siwei Liu, a secondgeneration spa entrepreneur. Occupying one end of a mall filled with trendy eateries and bars, the building itself is in Chongqing’s former central business district, which has relaxed in recent years into a tourist hotspot with a mix of contemporary and traditional attractions. Forest for Rest is accessible by its main entrance in the mall via a softly glowing escalator tunnel or by elevators to a secondary entry.

“Initially, we weren’t sure about the design direction,” Zheng begins, explaining his firm’s approach to the development of the leisure and wellness brand. “After weeks of researching the market, we decided to offer something fun and intriguing, different to what’s currently available and what young customers expect. The primary goal was to shake off preconceptions about the industry by upgrading the foot spa experience, showing that it can be cool and fashionable.”

To do so, Leaping Creative conceived a story centered on the Hercules beetle.

Native to rain forests, the insect is known for its incredible strength and vitality. Zheng developed a narrative for the beetle as an avatar for fatigued Gen Y and Z customers arriving at Forest for Rest. In Zheng’s story, the beetle discovers an oasis wonderland in the green forests of his native home after an exhausting journey across a desert wasteland. In the forest, he rejuvenates, indulging in nourishing water treatments. “Our narrative of relaxation during, and energized after, a spa journey was established at the beginning of the process, and we designed the project based around that,” Zheng continues. “The logo and icon followed.” He’s referring specifically to a 3-foot-high beetle in laser-cut steel that appears in the entry and guides customers along their journey.

Previous spread: At Forest for Rest, a foot-massage spa in Chongqing, China, by Leaping Creative, the reception area is subdivided by painted plywood partitions meant to resemble sand dunes.

Opposite top: A food and beverage station serving the 33 private treatment rooms features synthetic terrazzo flooring. Opposite bottom: One of two entry corridors is designed like a maze to encourage Instagram-generation customers to pause and take selfies while being visually guided to the reception area.

Top: More synthetic terrazzo flooring flows through the café located off reception. Bottom: From the mall’s second level, the spa’s main entrance is via calming zinc-enclosed escalators lit by LEDs.

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Top, from left: A niche fitted with a brass beetle. Looping brand animation visible through a wall cutout. Granite walls finished with textured paint.

Center, from left: The locker room beyond the shoe-change area. The laser-cut, welded steel 3-foot beetle.

Bottom, from left: Products for pur­ chase in the café’s custom painted MDF and velvet display unit. A backlit porthole’s translucent acrylic panels in the elevator corridor. The tiered waiting area.

Opposite: The changing area offers seating platforms topped with hand­ made grasslike wool, while the ceiling is reflective satin-finished steel.

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That installation extended to print materials, screens, and 3-D installations “in a holistic way,” one being the looping brand animation that’s viewed through a cutout in one of the café’s plywood walls. “The layout plan follows the narrative,” Zheng says, “while the spa’s product packaging introduces whimsical details.”

Twin doors open to an expansive café and a reception area beyond.

Large swaths of arching taupe-painted partitions not only mimic sand dunes but also the mountainous terrain surrounding Chongqing. Stones embedded in the otherwise uniformly gray

within the room.” As part of the brand’s DNA, the café attached to the entry highlights the youthful communal revitalization that Forest for Rest offers. The café also has a small retail component. A freestanding cabinet resembling a treasure chest displays branded products such as towels and essential oils that are available for purchase.

As customers proceed deeper into the forestlike interiors, vignettes of backlit acrylic nature scenes and metallic beetle installations guide the way.

Juxtaposing the bright light found in the desert environs of the cafe, the

“The changing area is bathed in an ethereal glow that resembles moonlight”

terrazzo floor further emphasize the desert feel.

The café acts as a transitional zone: Arrivals can proceed directly to the reception and shoe-change areas for their treatment, while people departing the spa can grab a snack before leaving.

“Food and beverage service after a treatment is standard in the local spa industry,” Zheng says. “But it’s common to provide this service privately

changing area is bathed in an ethereal glow that resembles moonlight. Serpentine benches topped with a mossy material offer semi-enclosed privacy to minimize the awkwardness of removing one’s shoes among strangers.

“That area is my favorite,” Zheng admits. “With its shallow moonlight concept, it’s dreamy and poetic.” The peek-a-boo experience is extended to restrooms, where a row of columns

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housing sinks and mirrors allow glimpses between them into the other genders’ handwashing area.

The deep shadows found in rain forests continue into the private and group massage rooms and supporting facilities. The 33 private rooms are minimally furnished, with generous treatment beds, gently glowing pendant fixtures, and gray granite walls. The group room is like a luxe screening room. The two-tiered space includes seven roomy reclining chairs upholstered in green velvet and a 10-footwide projection screen; visitors can watch the latest blockbuster while simultaneously receiving a foot massage. “It’s turned out to be a popular place for younger customers,” Zheng states. Based on recent records, about half of the visitors are between the ages of 18 and 24. It appears that Leaping Creative successfully kicked the foot spa up a notch.

PROJECT TEAM DONGZHI YOU; C.C. CHEN; CEYU CHEN; JIALU HONG; LINXIONG YAN; DINGLING YAO; ZHENYU YAO; YANZHI TAN; SHUMING YANG; LESHI GONG; LIWEI CHEN; YINJIE LI; MINGHAO LIANG; JIENING HUANG: LEAPING CREATIVE. ZHONGSHAN SIKI LIGHTING CO.: LIGHTING CONSULTANT. PRODUCT SOURCES FROM FRONT DONGGUAN CHAORONG HARDWARE PRODUCTS CO.: ZINC CEILING PLATING (SECONDARY ENTRY). JUCHANG LIGHTING CO.: PENDANT FIXTURES (ENTRIES). YUJIN CARPET COMPANY: RUG (CHANGING AREA). THROUGHOUT HONG TU FANG: TEXTURED PAINT. GUI YI: SYNTHETIC TERRAZZO.

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Opposite top: Looking into the secondary entry, a cutout mimics a tree hollow with a beetle perched to one side. Opposite bottom: Stainless-steel sinks and mirrors in the restroom are nestled in columns that allow for partial views to the opposite side.

Top: A private massage room is outfitted with full-size treatment beds and a niche for displaying the essential oils and other products used during massages. Bottom: Wrapped in sound-proofing velvet, the group massage room includes a large screen showing new movie releases.

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MOOOI Hubble Bubble designed by marcel wanders powered through proprietary electro sandwich technology available with 7 or 11 spheres frosted or oil iridescent glass

LAUNCH EDITORS' NOTE

Hey, designers: They say good things come in threes— so here it is—LAUNCH issue #3. For those just tuning in, let me catch you up real quick!

LAUNCH is our way of bringing you, our designer friends, a curated magazine with an editorial feel— thanks to my super editorial team—alongside technology that connects you to products from your favorite manufacturers faster than you ever thought possible.

Here’s how it works: Just tap the LAUNCH CODES™ featured throughout. The codes automatically open an interface where you can take immediate action, like visit a website or Instagram account, get a PDF, or request a sample. Or, if you’re just browsing, you can save the product for later or forward it to someone else.

LAUNCH

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into the future More than 20,000 design professionals have taken action with LAUNCH, and we’re just getting started.

Want to see what we’ve featured? Check it out at interiordesign.net/LAUNCH. Let me know what you think! Drop me a line at hellocindy@interiordesign.net.

Love,

Cindy Allen and the Interior Design editors

P.S. Just a reminder: If a LAUNCH product is available through Material Bank, and you're a member, you can order a sample with the touch of a button, up until midnight, and get it by 10AM the following day. In fact, you can order as many samples from as many different LAUNCH partners as you like, and get them all in the same box!

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EDITORS’PICKS LAUNCH EDITORS' PICKS

standouts

4 shapes 3 material options custom powder - coat to match brand colors locking casters

DUTCH INVERTUALS Room Divider

Establish boundaries with custom mobile partitions—for offices, restaurants, and health facilities—designed by Wendy Plomp’s Eindhoven-based studio. Through Darran (in the U.S.). darran.com; dutchinvertuals.nl

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LAUNCH EDITORS' PICKS

SCARLET SPLENDOUR Strings

Full disclosure: Slovenian designer Nika Zupanc’s see-through cabinet for the Indian brand is stronger than it appears, crafted as it is of soothing blue steel. scarletsplendour.com

STANDOUTS COLLECTION INCLUDES VANITY , POUF , AND SOFA WAVE PATTERN AT BOTTOM GOLD AND GOLD / SILVER COLOR ALTERNATIVES

48.5 X 22 X 77”

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LAUNCH EDITORS' PICKS

MODEL NO. 116

Hang low with a stout coffee table, its integrated storage compartment printed in ombré mauve or black eco-friendly plant resin and topped with sustainably sourced hardwood. model-no.com

STANDOUTS INDIVIDUALLY CRAFTED CUSTOMIZABLE

7 BODY COLOR OPTIONS 4 TOP SHAPES

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LAUNCH EDITORS' PICKS

standouts for contract and hospitality arm / backrest attaches to seat via a single joint flame - retardant polyurethane foam interior

PORTRAIT: MARCO CRAIG

MOROSO Ruff

Take a seat on Hall of Fame member Patricia Urquiola’s perfectly balanced armchair, a tribute to the late Spanish sculptor Eduardo Chillida, known for his monumental abstractions. moroso.it SEPT.20

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LAUNCH EDITORS' PICKS

CC-TAPIS Lines

Wax crayon sketches of varied-width lines sparked Philippe Malouin’s irregular rug pattern—its intentional waver the result of switching weavers midway through the process. cc-tapis.com

STANDOUTS EACH RUG IS UNIQUE DIP - DYED HIMALAYAN WOOL HANDMADE IN NEPAL

LAUNCH EDITORS' PICKS

STANDOUTS AMERICAN WALNUT BASE AND FEET KVADRAT UPHOLSTERY FABRIC OR COM HANDCRAFTED

MERVE KAHRAMAN PRODUCTS & INTERIORS Beice

According to the New York– and Istanbul-based designer, this three-seater and matching armchair upholstered in pastel hues (mint green, pink, etc.) feel like sitting on cotton candy clouds. mervekahraman.com

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LAUNCH EDITORS' PICKS

SAVOIR BEDS Sky

The bed’s headboard and base are upholstered in dyed leather by British hide specialist Bill Amberg, who harnessed an advanced digital printing technique that enables deeper dye penetration. savoirbeds.com

STANDOUTS BRASS LEGS BLUE , GOLD , OR BLACK COLORWAYS BESPOKE

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LAUNCH EDITORS' PICKS

WISSE TROOSTER Circular

The Dutch designer transforms recycled materials including sustainable acrylics and plastic sheet (repurposed from discarded cutting boards and yogurt cups) into playful wall lamps. qoowl.com

STANDOUTS LED FILAMENT TUBES COMPONENTS CAN BE REUSED OR RECYCLED

3 EDITIONS : SMALL ,

LARGE , AND DOUBLE

PORTRAIT: JEROEN VAN DER WIELEN

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LAUNCH EDITORS' PICKS

TACTO Caminos

Embroidered lines take us on a journey across the pleasingly tactile beige or green rug—named after the Spanish word for “paths”—by Valencia-based design duo Yonoh. tactorugs.com

STANDOUTS KILIM TECHNIQUE

100% WOOL 67 X 94.5” AND 79 X 118”

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LAUNCH EDITORS' PICKS

ANA VOLANTE STUDIO Arc

From the Venezuelan designer’s Moon collection, a handcrafted side table inspired by Brutalism sports double-arc base components representing lunar shadows. anavolante.com

standouts

35” across baltic birch plywood quarter - sawn white oak veneer stainless - steel and brass inlays

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LAUNCH PARTNERS // FABRIC & WALL COVERING

STANDOUTS

5 PATTERNS , 48 COLORS BLEACH CLEANABLE MULTI - USE

54 INCHES WIDE AMERICAN MADE

KNOLL TEXTILES Alias II

From the 24/7 Extreme Performance wall covering line conceived for hightraffic interiors, a modernminded textile crafted of woven polyethylene tape yarn is inherently strong, dimensionally stable, and PVC free. knolltextiles.com

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OUTDOOR

// LAUNCH PARTNERS

EXTREMIS Hopper AA

A passthrough zone at each corner of the monomaterial picnic table eliminates the need to climb over the angular benches to access the tabletop. extremis.com

standouts powder - coated aluminum

5 colors , 3 sizes optional shade designed by dirk wynants

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LAUNCH PARTNERS // FURNITURE

STANDOUTS

12 MODULE STYLES PLYWOOD FRAME FABRIC OR LEATHER UPHOLSTERY ONLINE PLANNER / CONFIGURATOR

SCANDINAVIAN SPACES BOB

This reconfigurable seating system is the very definition of versatility: Interconnecting modules can be individually upholstered, fitted with optional power/USB connection, and interspersed with coordinating tables or even acoustic screens. scandinavianspaces.com 168

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ARCHITECTURAL PRODUCTS

// LAUNCH PARTNERS

STANDOUTS AMERICAN MADE FULLY CUSTOMIZABLE

12 FINISHES HUNDREDS OF HANDLE OPTIONS

ROCKY MOUNTAIN HARDWARE Bronze RFID Hardware

Elevate any lodging security system with the welcoming, organic warmth of solid art-grade bronze hardware—which is fully customizable courtesy of numerous escutcheon styles, lever options, and finishes. rockymountainhardware.com

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LAUNCH PARTNERS // SEATING

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SEATING

// LAUNCH PARTNERS

standouts designed by samuli naamanka

23 standard wood finishes

16 powdercoats upholstered plywood shell swivel base offered with casters or glides

SOURCE INTERNATIONAL Mojo

This small-scale multipurpose chair with a simple, modern form suits any space—office, home, hospitality—and can be specified with bent-plywood or steel legs or a height-adjustable aluminum swivel base. sourceinternationaldesign.com SEPT.20

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LAUNCH PARTNERS // OFFICE

STANDOUTS SOUND - ABSORBENT WOOL FELT OR FLEXIBLE WOOD EXTERIOR

66 WOOL FELT COLORS AUTOMATIC LIGHT AND FAN POWER AND USB OUTLETS DESIGNED BY CARL GUSTAV MAGNUSSON

SPINNEYBECK | FILZFELT Silent-Silo

The felt-lined acoustic pod’s clever circular form—measuring 48 inches across—maximizes functionality in a small footprint, offering a headsdown focus spot while softening sound in the surrounding space. spinneybeck.com

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FABRIC & WALL COVERING

standouts odor and moisture protection permanent stain / spill resistance disinfectable easy cleanup greenguard gold

// LAUNCH PARTNERS

CRYPTON FABRICS Crypton Performance Fabrics

The brand’s beautiful, durable, and sustainable textiles are backed by EPA-approved disinfection and silverion antimicrobial protection, ensuring they’ll meet today’s challenges—and tomorrow’s. crypton.com

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LAUNCH PARTNERS // SEATING

STANDOUTS LEATHER OR FABRIC UPHOLSTERY

16.75" OR 18.5” SEAT HEIGHT DESIGNED BY ANDREAS ENGESVIK

FOGIA Bollo

With generous cushions embracing a slim metal frame, the Swedish maker's comfy, cosseting chair is ideal for projects that call for something unique. Exclusively available through DWR. dwrcontract.com

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FLOORING

// LAUNCH PARTNERS

standouts sound choice backing for superior acoustics greenguard gold

39% pre - consumer recycled content luxury vinyl tile

INTERFACE Brushed Lines

Certified carbon neutral and fully recyclable, this high-end but chicly understated LVT offering has a diffused linear texture and an industrial look—and comes in 16 dusty hues. interface.com

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LAUNCH PARTNERS // OFFICE

CORONA GROUP INC . Intersection

standouts

7 styles

Standing unanchored to the wall, the presentation/divider system’s anodized-aluminum frame can be customized with a variety of materials and components, from glass or porcelain marker-boards to acoustic felt. coronagroupinc.com

lightweight clear satin or black finish

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LIGHTING

// LAUNCH PARTNERS

standouts

6 styles pendant , sconce , and chandelier optional shades

CRAFTMADE Tarryn

Sculpted of satin brass and striking crystal, the streamlined and stately fixture comes with optional black shades whose soft gold lining casts a warm wash of light. craftmade.com SEPT.20

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LAUNCH PARTNERS // KITCHEN & BATH

standouts use indoors or out

16 colors and finishes won ’ t stain , crack , or yellow

CROSSVILLE, INC. Porcelain countertops

Elegant 12mm-thick porcelain slabs ideal for countertop installations offer all the advantages of tile—seductive looks and unparalleled durability among them. crossvilleinc.com 178

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FABRIC & WALL COVERING

// LAUNCH PARTNERS

standouts v - groove patterning

100% wool design felt 66 colors 0.50 nrc direct glue

FILZFELT Hive

Boasting a playful honeycomb form, the easy-to-install acoustic tile series

by Bernd Benninghoff comes in three angular designs, which can be combined and configured in endless ways. filzfelt.com SEPT.20

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LAUNCH PARTNERS // SEATING

STANDOUTS

SOURCE INTERNATIONAL Everwood

DESIGNED BY ANDREAS OSTWALD

A clean-lined, Scandinavian take on the classic wood chair showcases the marriage (and minimalist use) of organic and manmade materials: solid ash and lightweight polypropylene.

6 POLY COLORS 23 WOOD FINISHES OPTIONAL UPHOLSTERED SEAT PAD

sourceinternationaldesign.com

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LAUNCH PARTNERS // ADVERTORIAL

KnollTextiles

The Destination Collection

LAUNCH PARTNERS // MIX

INFINITY DRAIN Slot Linear Drain

PENTALQUARTZ PentalQuartz

Courtesy of a narrow 3/8-inch drainage gap, the linear unit disappears into its surroundings yet doesn’t skimp on function, with an easily accessible clean-out tray.

Combining the beauty of stone with the superior durability of quartz composite, this low-maintenance surface material provides infinite design possibilities for applications ranging from countertops to tub surrounds. pentalquartz.com

infinitydrain.com

U-LINE U-Chill An LED-lit in-counter cooling cylinder crafted of handpolished marine-grade stainless steel maintains the temperature of beverages while they’re being enjoyed. u-line.com/u-chill 182

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DOUG MOCKETT & COMPANY INC. Privacy Screen Panel Bracket Available in three sizes, this easy-install aluminum bracket secures a sneeze guard or divider to a desk, concierge stand, restaurant booth—or anywhere needing privacy, signage, or delineation. mockett.com

MIX

// LAUNCH PARTNERS

HOW TO LAUNCH

™

ONE

pick your product

TWO

tap the LAUNCH™ CODE

THREE

take action

CALL THE REPRESENTATIVE / EMAIL / TEXT / GET QUOTE / ASK THEM TO CALL YOU / GO TO THEIR WEBSITE / GO TO THEIR INSTAGRAM / GET SAMPLE / GET PDF

KASWELL FLOORING SYSTEMS Engineered End-Grain Oak Plank With each square measuring 7x7 inches and a plank length of 7 feet, the engineered flooring format has a top-center-cut layer of end-grain oak ideal for floors and custom millwork. kaswell.com

MixPages.indd 183

KELEEN LEATHERS, INC. STRAP’d Belting Leather Collection

TRUEFORM CONCRETE Outland 60" Concrete Vanity

Create one-of-a-kind walls and floors with saddle/ vegetable-tanned leather available in basic and warm neutrals. In two configurations: loose vintage-style belts and prefabricated panels, as shown. keleenleathers.com

Handmade in the U.S., this vanity is a seamless synthesis of modern and rustic elements—from the distressed-wood shelf to the sturdy welded-steel base. trueformconcrete.com

8/24/20 4:31 PM

CAESARSTONE USA INC. 405 Midday from the solaris outdoor collection stain -, weather -, uv -, and scratch - resistant easy to clean breakthrough technology

230

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IMAGINE DISCOVER REFRESH

Shop the world’s largest collection of premier boutiques for home building and renovation.

Open to the Public • theMART, Chicago More Information: LUXEHOME.COM

KITCHEN • BATH • TILE • STONE • CABINETRY • APPLIANCES • LIGHTING • HARDWARE • FLOORING • WINDOW TREATMENTS • PAINT KITCHEN • BATH • TILE • STONE • CABINETRY • APPLIANCES • LIGHTING • HARDWARE • FLOORING • WINDOW TREATMENTS • PAINT

BOUTIQUES INCLUDE: Ann Sacks

DOM Interiors

Paris Ceramics

Artistic Tile

Ernestomeda Chicago

Poggenpohl

Belwith-Keeler

FANTINI | THE GALLEY

Porcelanosa Tile/Kitchen/Bath/Hardwood

Gaggenau, Thermador, Bosch Experience & Design Center

Scavolini Store Chicago

GRAFF – art of bath design center

The Shade Store

House of Rohl Studio

Sherwin-Williams Color Studio

Katonah Architectural Hardware

SMEG USA

Middleby Residential/Viking Range/La Cornue

Studio Snaidero Chicago

Miele Experience Center

Sub-Zero, Wolf, and Cove Showroom

Moen Design Center

True Residential

Devon&Devon

Monogram Design Center

Vicostone

Divine Flooring

NEFF of Chicago

Waterworks

Exquisite Surfaces

New Style Cabinets

Wood-Mode Lifestyle Design Center

Bentwood of Chicago Brizo and Delta Chicago Buechel Stone Carlisle Wide Plank Floors

45 Boutiques.

One Location.

The Chopping Block Christopher Peacock Dacor Kitchen Theater de Giulio kitchen design

Modern in the Middle: Chicago Houses 1929-1975

Studio Gang: Architecture

by Susan S. Benjamin and Michelangelo Sabatino New York: Monacelli, $60 320 pages, 325 illustrations (64 color)

by Jeanne Gang New York: Phaidon, $80 272 pages, 300 color illustrations

We all know very well Chicago’s early supremacy in modern urban architecture and design, led by Louis Sullivan, Frank Lloyd Wright, and Ludwig Mies van der Rohe. This knowledge was focused on large commercial and institutional buildings, but in their shadow is a multitude of fine modern residential designs. This book is an impressive effort at bringing more attention to these designs of smaller scale but equal skill—work by Wright and Mies, but also by George Fred Keck, Bertrand Goldberg, Jacques C. Brownson, Harry Weese, Walter Netsch, Bruce Goff, Stanley Tigerman, and so many more. And while the survey ends with the houses of 1975, there are mentions also of architects (such as Robert Kleinschmidt and Ron Krueck) who are continuing the modernist tradition in Chicago today.

There are 54 dwellings shown here, and they are not all, of course, of equal interest. But this is a study that is overdue.

Pauline Saliga, executive director of the Chicagobased Society of Architectural Historians, writes that one thought kept coming into her mind as she was writing the book’s foreword: “At last!”

It is, happily, no longer news when a woman heads an important architecture firm. But it is news when she teaches her buildings to dance. Jeanne Gang is the talented head of a firm with Chicago origins and offices also in San Francisco, New York, and Paris. She was the only architect on Time magazine’s 2019 list of most influential people.

Here are 25 projects from Studio Gang’s 23-year history, presented not by date or type but in more interesting groupings with headings such as Rhythm and Flow. The most wellknown is the 2010 Aqua Tower in Chicago, its 82 floors undulating variably. This is more than decoration; as well as nodding to the waves of Lake Michigan, the changes in balcony depths and directions of view signify that these living quarters have distinct characters despite their number.

We also see the rhythm of pitched roofs in the Chicago River Boathouses; the flow of space, light, and circulation in an addition to the American Museum of Natural History; the awareness of nature surrounding the proposed Arkansas Arts Center; and the transparency of the tilted glass planes of the apartment block called Solstice on the Park, also in Chicago.

Gang has written a foreword and a brief introduction to each section and is interviewed by architect Ann Lui, the founding partner of Future Firm. The introduction is by Mohsen Mostafavi, a former dean of Harvard’s Graduate School of Design, where Gang studied and is now a professor.

The handsome book design is by Neil Donnelly. In her acknowledgments, Gang thanks two “courageous and bold” mentors: Henry Henderson, a leader of Chicago’s Natural Resources Defense Council, and architect Stanley Tigerman.

B O O K s edited by Stanley Abercrombie

What They’re Reading...

Hidden Beauty: Exploring the Aesthetics of Medical Science “When I was in high school, I won a bunch of awards for advanced microbiology research. But when I got to Vassar, it was all art and aesthetics. This book is kind of a fusion of those twin interests: science and beauty. It’s not exactly a wellness book, but it sort of became one for me. It’s about finding beauty in unexpected and ostensibly dangerous places in the body, and features beautiful photographs of tools, samples, scans, specimens, and even diseases. In this age of COVID-19, when many of the things I once took for granted—walking outside and breathing without a mask, for one—have taken on an ominous or insidious quality, I hoped to find something beautiful in my newfound fear of commonplace activities and the invisible virus that has upended our lives.

I love texture and pattern, and I can absolutely see translating some elements in Hidden Beauty into fabrics or wall coverings down the line. Without context, some of the images could be extraordinary Italian marbled papers or millefiori designs.”

Bradford Louryk Founder of Bradford Louryk Design 186

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BOTTOM LEFT: NATHANIEL JOHNSTON

by Norman Barker and Christine Iacobuzio-Donahue Atglen, Pennsylvania: Schiffer Publishing, $50 232 pages, 113 images (91 color)

DIFFA’S BOARD OF TRUSTEES & STAFF WELCOMES YOU TO

AUCTION OCTOBER 1-4, 2020 Shop for luxury home interiors and make a DIFFArence!

DBDauction.givesmart.com

c o n ta c t s

DESIGNERS IN SPECIAL FEATURE Chybik + Kristof (“Earthy Blend,” page 134), chybik-kristof.com.

Clayton & Little (“Earthy Blend,” page 134), claytonandlittle.com.

Destilat Design Studio (“Earthy Blend,” page 134), destilat.at.

Jouin Manku (“Earthy Blend,” page 134), patrickjouin.com.

PHOTOGRAPHERS IN FEATURES Scott Frances (“Building on Generations,” page 118), Otto, ottoarchive.com.

Julie Soefer (“The Eye Has to Travel,” page 126), juliesoefer.com.

Xiao Tan (“Fusion Center,” page 110), behance.net/tan-xiao.

Ivo Tavares Studio (“All Shapes and Sizes,” page 102), ivotavares.net.

Minjie Wang (“Arches of Triumph,” page 144), 609034254@qq.com.

DESIGNER IN WALK-THROUGH Vox Architects (“Ready for Takeoff,” page 53), vox-architects.com.

PHOTOGRAPHER IN WALK-THROUGH

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Sergey Ananiev (“Ready for Takeoff,” page 53), sergeyananiev.ru.

Interior Design (USPS#520-210, ISSN 0020-5508) is published 16 times a year, monthly except semimonthly in April, May, August, and October by Interior Design Media Group. Interior Design Media Group, 101 Park Avenue, 4th Floor, New York, NY 10178, is a division of Sandow, 3651 NW 8th Avenue, Boca Raton, FL 33431. Periodicals postage paid at New York, NY, and additional mailing offices. Subscriptions: U.S., 1 Year: $69.95; Canada and Mexico, 1 year: $99.99; all other countries: $199.99 U.S. funds. Single copies (prepaid in U.S. funds): $8.95 shipped within U.S. ADDRESS ALL SUBSCRIPTION RE­QUESTS AND CORRESPONDENCE TO: Interior Design, P.O. Box 16479, North Hollywood, CA 91615-6479. TELEPHONE TOLL-FREE: 800-900-0804 (continental U.S. only), 818-487-2014 (all others), or email: subscriptions@interiordesign.net. POSTMASTER: Send address changes to INTERIOR DESIGN, P.O. Box 16479, North Hollywood, CA 91615-6479. Publications Mail Agreement No. 40624074.

188 INTERIOR DESIGN

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Photo: Rogério Maranhão

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from cold to cool

It was 2002 when portions of Prague were decimated. Weeks of torrential rains that summer caused the Vltava River running through the historic city center to flood. As part of the slow but steady recovery of the oncevibrant waterfront, local architecture firm Brainwork has proposed a creative revitalization of long-abandoned space: a series of century-old vaults once used for storing ice.

Principal Petr Janda led the charge, beginning with tearing out all existing elements, including floors and ceilings. Interiors were then rebuilt with modern HVAC, plumbing, and electrical infrastructure hidden behind a simple shell of sandblasted concrete, intentionally left spare to allow for the widest variety of uses. In some, partitions are partially clad in black titaniumcoated stainless-steel plate, its mirrorlike effect complementing the geometry and airiness of the spaces, especially when lit

by Brainwork’s linear ceiling system. “The contrast between the original confinement and the current openness is the essence of our work,” Janda says.

Another noteworthy feature is the pivoting 18-foot-diameter

i n t er vention

BOYSPLAYNICE

window fronting the vaults.

“Now the city can turn and face the river,” adds the architect, whose choice to provide the tunnels with the ability to open up to fresh air a prescient and fortuitous one in the pandemic era.

Plans for the 20 vaults, whi­ch span 475 to 1,400 square feet, range from cafés and creative studios to public restrooms and a pool. —Wilson Barlow

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