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A Special Thanks: Endowment and Membership Contributions

A  SPECIAL THANKS

SEMC Endowment Contributions

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Many thanks to our FY2022 endowment contributors for investing in the future of SEMC! When you are thinking of honoring or remembering someone, please consider a contribution to the SEMC endowment. For more information, contact Executive Director Zinnia Willits at 404.814.2048 or zwillits@semcdirect.net.

David Butler Graig Shaak Heather Marie Wells

THE PAST PRESIDENTS CIRCLE

Members of the Past Presidents Circle contribute $150 annually for at least two years to the endowment fund:

George Bassi Sharon Bennett David Butler Charles “Tom” Butler Tamra Sindler Carboni Micheal A. Hudson Darcie MacMahon Douglas Noble Robert Rathburn Graig D. Shaak Robert Sullivan Kristen Miller Zohn

THE WILLIAM T. AND SYLVIA F. ALDERSON ENDOWMENT FELLOWS

Thirty members of SEMC have made commitments of distinction as Alderson Fellows. Their investment of at least $1,000 each is a significant leadership gift, reflective of a personal commitment to the professional association that has meant so much to each of them.

Platinum Alderson Fellows  (minimum $5,000) Sylvia F. Alderson Bob Rathburn Graig D. Shaak Nancy & Robert Sullivan

Medallion Alderson Fellows  (minimum $2,500) George Bassi Sharon Bennett David Butler Tamra Sindler Carboni William U. Eiland Martha Battle Jackson Pamela Meister Richard Waterhouse Alderson Fellows  (minimum $1,000) T. Patrick Brennan Michael Brothers W. James Burns Matthew Davis Horace Harmon Brian Hicks Pamela Hisey Micheal Hudson Kathleen Hutton Rick Jackson Andrew Ladis John Lancaster Elise LeCompte Allyn Lord Michael Anne Lynn R. Andrew Maass Darcie MacMahon Susan Perry Robin Seage Person Allison Reid Steve Rucker Michael Scott Warren Heather Marie Wells Kristen Miller Zohn

Other SEMC Contributions

ANNUAL MEETING 2021

10-31 Inc. Bonsai Fine Art Case Antiques Auctions and Appraisals Chattanooga Tourism Company Collector Systems Conserv Erco Lighting Exhibit Concepts Nick Gray DeWitt Stern Group Mary Miller Monadnock Media National Museum of African American History and

Culture – Office of Strategic Partnerships OTJ Architects Our Fundraising Search Riggs Ward Design TimeLooper Warner Museums Michael Warren William G. Pomeroy Foundation

GENERAL OPERATING

Matthew Davis William Eiland R. Andrew Maass Katy Menne Michelle Schulte Marianne Richter Michael Scott Gaylord & Dorothy Donnelley Foundation Institute of Museum and Library Services

Lauren Virgo Michael Warren Heather Marie Wells

LAPAGLIA FUND

Carolyn Reams

LEADERSHIP INSTITUTE

Robin Reed Michael Warren Heather Marie Wells Association of African American Museums

EDUCATE & ENGAGE YOUR VISITORS THROUGH YOUR STORY

Content Creation

Does your site need to create new content? Do you need help with Production? Do you require foreign language translation? Accessible tours? From on-site research and script creation, to final audio/multimedia production, our Creative Team will endeavor to provide an enlightened, engaging, and educational vision. Every content creation project that we undertake begins with us listening to you. Our Creative Team will consult with you to ensure your vision is interpreted in a unique and engaging way. Tour-Mate will transfer all ownership of copyrights for all tours created to clients once complete payment has been received.

Service

Tour-Mate stands behind all of its interpretive platforms. Unless otherwise indicated, equipment provided by Tour-Mate is warranted for one year from the date of delivery. Unlike warranties offered by other vendors, a Tour-Mate warranty (parts & labor) covers all malfunctions attributable to not only manufacturing defects but also normal wear and tear (including battery replacements). Five (5) Day Service Turn-Around Tour-Mate offers a five (5) day turnaround on most equipment repairs from receipt of malfunctioning units at one of our Service depots. Tour-Mate has two Service depots – one in Victor, NY and one in Toronto, ON.

@tourmatesystems • 800.216.0029 • www.tourmate.com SEMC thanks all our active members, including those who have recently joined (in bold). Without your support and participation, we could not provide region-wide services such as our awards, and scholarship programs, as well as our outstanding Annual Meeting and acclaimed Leadership Institute and Jekyll Island Management Institute. If you are an individual member and your museum is not an institutional member, please encourage them to join. For information on memberships and benefits visit semcdirect.net, email Smemberservices@semcdirect.net, or call 404.814.2047. For your convenience, the last page of this newsletter is a membership application.

STUDENT ($25)

Phyllis Asztalos, Tallahassee, Florida Greg Bell, Marietta, Georgia Kasey Bonanno, Buford, Georgia

Audio Tours

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Eco Solutions

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Flexibility and efficiency of light were key requirements for the Virginia Museum of History and Culture renovation project. Visit ERCO in Booth 25 to learn about the products used to meet those demanding goals.

ERCO is proud to be a Bronze Sponsor of the SEMC 2022 Annual Conference, including sponsorship of the Expo Halls Opening and Closing Receptions.

Deanna Bradley, Tallahassee, Florida Jon Broadbooks, Cooperstown, New York

Diana Bryson, St. Petersburg, Florida

Sean Burke, Knoxville, Tennessee

Jamie Bynum, Carrollton, Georgia Riva Cullinan, Tuscaloosa, Alabama William Donaldson, Monroe, North Carolina Cassandra Erb

Kendall Fairbanks, Apopka, Florida

Nathan Fleeson, Lawrenceville, Georgia Sharon Fox, Wetumpka, Alabama Breanna Gehweiler, Dallas, Georgia

Evangeline Giaconia, Gainesville, Florida

Madeline Greene, Powell, Tennessee Kelsey Hawkins, Arlington, Tennessee Anna Henderson, Chattanooga, Tennessee Tyler Hendrix, Bonaire, Georgia

Joshua Howe, Winter Park, Florida

Kate Hughes, Murfreesboro, Tennessee Melody Hunter-Pillion, Cary, North Carolina

Ivy Johnson, Gainesville, Georgia

Megan Keener, Merritt Island, Florida Ryan Marquez, Bellingham, Massachusetts Rachel Mohr, Tuscaloosa, Alabama JoCora Moore, Raleigh, North Carolina Brandy Morales, Douglasville, Georgia Samantha Oleschuk, New Hill, North Carolina

Kaniah Pearson, Atlanta, Georgia

Sarah Robles, Murfreesboro, Tennessee Apoorva Shah, Miramar, Florida Linda Shea, Baton Rouge, Louisiana Margaret Stevenson, New Orleans, Louisiana Trisha Strawn, St Petersburg, Florida Megan Tewell, Johnson City, Tennessee Ashlee Thompson, Tuscaloosa, Alabama Eileen Tomczuk, New Orleans, Louisiana Alyssa Watrous, Rome, Georgia Casey Wooster, St. Augustine, Florida

INDIVIDUAL ($45)

Benjamin Adamitus, Fort Atkinson, Wisconsin Krishna Adams, Murfreesboro, Tennessee Jess Alden, Atlanta, Georgia

Lucy Allen, Madison, Mississippi Susanne Allen, Sarasota, Florida Andy Ambrose, Macon, Georgia Katie Anderson, Huntsville, Alabama Madeleine Arencibia, Fort Pierce, Florida Emilie Arnold, Dalton, Georgia Becca Barnes, Cartersville, Georgia Kathleen Barnett, Vicksburg, Mississippi

Amber Barnhardt, Athens, Georgia

Vincent Barraza, New Orleans, Louisiana Trevor Beemon, Marietta, Georgia Austin Bell, Marco Island, Florida

Eboni Belton, Columbia, South Carolina

Victoria Berry, Stillwater, Oklahoma

Erin Blackledge, Brandon, Mississippi

Linda Bitley, Smyrna, Georgia Steven Blashfield, Richmond, Virginia Jan Clapp Bomar, Fort Monroe, Virginia Judith Bonner, New Orleans, Louisiana Mary Bowers, Hixson, Tennessee Kathleen Boyle, Brentwood, Tennessee Amanda Briede, LOUISVILLE, Kentucky Margaret Brown, Durham, North Carolina Beth Burkett, Ravenel, South Carolina Rebecca Bush, Columbus, Georgia Jayd Buteaux, New Iberia, Louisiana RaeLynn Butler, Okmulgee, Oklahoma

Samantha Bynum, Paris, Arkansas

Deanna Byrd, Caddo, Oklahoma Marvin Byrd, Loganville, Georgia Colleen Callahan, Richmond, Virginia Sharon Campbell, Travelers Rest, South Carolina Christian Carr, Savannah, Georgia Staci Catron, Atlanta, Georgia Olivia Cawood, Cleveland, Tennessee Anna Chandler, Spartanburg, South Carolina Celise Chilcote-Fricker, Lexington, Kentucky Lola Clairmont, Asheville, North Carolina Mara Clauson, Acworth, Georgia Sharon Corey, Pawleys Island, South Carolina Leah Craig, Bowling Green, Kentucky Matthew Davis, Gray, Georgia Dean DeBolt, Pensacola, Florida Patty Dees, Cartersville, Georgia

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Bartholomew Delcamp, Winter Haven, Florida Kathryn Dixson, Atlanta, Georgia Jeff Donaldson, Atlanta, Georgia

James Draper, Merritt Island, Florida

Didi Dunphy, Athens, Georgia Christian Edwards, Pittsboro, North Carolina William Eiland, Athens, Georgia

Tyler Fasnacht, Buford, Georgia

J.R. Fennell, Lexington, South Carolina Jay Ferguson, Louisville, Kentucky Rachael Finch, Franklin, Tennessee Marvin Fonseca Meghan Forest, Asheville, North Carolina

V. Taylor Foster, Louisville, Kentucky

Robin Gabriel, Georgetown, South Carolina Stacey Gawel, Augusta, Georgia Glen Gentele, Orlando, Florida

Meghan Gerig, Sautee Nacoochee, Georgia

Mandy Gibson, Hendersonville, North Carolina David Goist, Asheville, North Carolina Claudio Gomez, Knoxville, Tennessee Sue Grannis, Maysville, Kentucky Cindy Green, Franklin, Tennessee Kristi Grieve, Cartersville, Georgia Carolyn Grosch, Asheville, North Carolina Dawn Hammatt, Abilene, Kansas Azjoni Hargrove, Charleston, South Carolina Brad Hawkins, Woodstock, Georgia Joy Hayes, Baltimore, Maryland Minna Heaton, Charleston, South Carolina Natalie Hefter, Hilton Head Island, South Carolina Sue Hiott, Clemson, South Carolina LaQuinton Holliday, Meridian, Mississippi Kelsey Horn, Golden, Mississippi Michele Houck, Huntersville, North Carolina

Mary Hull, Raleigh, North Carolina

Kathleen Hutton, Winston-Salem, North Carolina Juliette Ibelli, Fort Myers, Florida Marian Inabinett, High Point, North Carolina Alyssa Jones, Beech Island, South Carolina Emily Jones, Cleveland, Mississippi Patricia Kahn, Sarasota, Florida

Shaker Village of Pleasant Hill

Harrodsburg, Kentucky

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Diane Karlson, Little Rock, Arkansas Martha Katz-Hyman, Newport News, Virginia Marianne Kelsey, Greensboro, North Carolina Kecia Kelso, Montgomery, Alabama Tracy Kennan, New Orleans, Louisiana Jim Kern, Vallejo, California Connor Kilian, New Orleans, Louisiana Valarie Kinkade, Fort Lauderdale, Florida Glenn Klaus, Alexandria, Virginia Lauren Kraut, Gainesville, Virginia Debbie Laffey, Franklin, Tennessee Laurel Lamb, Fayetteville, Arkansas Anne Lampe, Baltimore, Maryland John Lancaster, Pulaski, Tennessee Karol Lawson, Lynchburg, Virginia William Lazenby, Chantilly, Virginia Elise LeCompte, Gainesville, Florida Carla Ledgerwood, Atlanta, Georgia Anne Lewellen, Jacksonville, Florida Cindy Lincoln, Raleigh, North Carolina

Felise Llano, Tampa, Florida

Ellen Lofaro, Knoxville, Tennessee Catherine Long, Cumming, Georgia Brian Lyman, Saucier, Mississippi Deborah Mack, Alexandria, Virginia Darcie MacMahon, Gainesville, Florida Ty Malugani, Birmingham, Alabama Patrick Martin, Old Hickory, Tennessee Kali Mason, Dallas, Texas Tori Mason, Nashville, Tennessee Barbara McClendon, Jackson, Mississippi Jan McKay, Avon Lake Ohio Kimberly McKinnis, Norfolk, Virginia

Hilda McSween, Fort Pierce, Florida Amberly Meli, Tallahassee, Florida

Katy Menne, Leland, North Carolina

Cindee Millard, Waco, Texas

Brittany Miller, Louisville, Kentucky Tricia Miller, Athens, Georgia Annelies Mondi, Athens, Georgia Allison Moore, Kennesaw, Georgia

Kate Moore, Marietta, Georgia

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Stephanie Moore, Asheville, North Carolina

Kandace Muller, Luray, Virginia

Chris Munster, Greensboro, North Carolina

Brian Murphy, Florence, Alabama Mary Anna Murphy, St. Petersburg, Florida Chantell Nabonne, New Orleans, Louisiana Michael Nagy, Atlanta, Georgia Raka Nandi, Memphis, Tennessee

Kathy Neff, Greensboro, North Carolina

Amy Nelson, Lexington, Kentucky Ginny Newell, Columbia, South Carolina Kimberly Novak, Alpharetta, Georgia Heather Nowak, Fultondale, Alabama

Lisa Ortega-Pol, San Juan, Puerto Rico

Heather Otis, Marco Island, Florida

Lauren Pacheco, Greensboro, North Carolina

Robert Parker, Tupelo, Mississippi Yunice Patrick, Mableton, Georgia Sharon Penton, Mooresville, North Carolina Susan Perry, Atlanta, Georgia Robin Person, Natchez, Mississippi Deborah Randolph, Raleigh, North Carolina Rachel Reese, Chattanooga, Tennessee A.J. Rhodes, Arden, North Carolina Carolyn Rice, Clarkesville, Georgia Heather Rivet, Charleston, South Carolina Stephani Roohani, Evans, Georgia Lolita Rowe Ann Rowson Love, Tallahassee, Florida Tania Sammons, Savannah, Georgia Mike Santrock, Hapeville, Georgia

Samantha Sauer, Jacksonville, Illinois Tory Schendel-Vyvoda, Evansville, Indiana

Tony Schnadelbach, Jackson, Mississippi Leah Schuknecht, Tyrone, Georgia Michael Scott, Jekyll Island, Georgia Patricia Shandor, Lexington, South Carolina Debbie Shaw, Murfreesboro, Tennessee Beth Shea, Oak Ridge, Tennessee Catherine Shteynberg, Knoxville, Tennessee Alan Shuptrine, Lookout Mountain, Tennessee Christy Sinksen, Athens, Georgia

John Slemp, Tucker, Georgia Amanda Smith, Sandy Springs, Georgia James Smith, St. Augustine, Florida Laura Smith, Huntsville, Alabama Linda Smith, Columbia, South Carolina

Sarah Soleim, Wake Forest, North Carolina

Richard Spilman, Helena, Arkansas Rona Stage, Bokeelia, Florida Chelsea Stutz, Beech Island, South Carolina Dorothy Svgdik, Cordova, Tennessee Deitrah Taylor, Perry, Georgia Alice Taylor-Colbert, Greenwood, South Carolina Kimberly Terbush, Greensboro, North Carolina Sarah Tignor, Spartanburg, South Carolina Nick Twemlow, Atlanta, Georgia Deborah Van Horn, Lake Buena Vista, Florida Pamela Vinci, Baton Rouge, Louisiana Holly Wait, Columbus, Georgia Heather Waldroup, Boone, North Carolina Celia Walker, Nashville, Tennessee Micah Walsh, Roswell, Georgia Amanda Ward, Bradenton, Florida Stacy Watson, Paducah, Kentucky John Wetenhall, Washington, District of Columbia Liberty Wharton, Daytona Beach, Florida

Harvee White, Canton, Georgia

Jason Wiese, New Orleans, Louisiana Charles Williams, Albany, Georgia Jennifer Wisniewski, Maumelle, Arkansas John Woods, South Windsor, Connecticut Brian Wuertz, Raleigh, North Carolina Jane Young, Madison, Mississippi

BENEFACTOR ($75)

Felicia Abrams, Williamsburg, Virginia

George Bassi, Laurel Mississippi Margaret Benjamin, Greensboro, North Carolina Jamie Credle, Savannah, Georgia Patrick Daily, Hickory, North Carolina Jennifer Foster, Lexington, Kentucky La Ruchala Murphy, Columbia, South Carolina

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LeRoy Pettyjohn, Memphis, Tennessee James Quint, Hammondsport, New York Robin Reed, Fort Monroe, Virginia Marsha Semmel, Arlington, Virginia Sgt. Gary Spencer, Raleigh, North Carolina Auntaneshia Staveloz, Silver Spring, Maryland John White Jr., Marietta, Georgia Joshua Whitfield, Warner Robins, Georgia

RETIRED ($25)

Ed Barth, Dunedin, Florida Nancy Doll, Greensboro, North Carolina Lee Gabrielle, W Palm Beach, Florida Joyce Ice, Santa Fe, New Mexico Martha Jackson, Raleigh, North Carolina

Mary Kay Klein, St. Petersburg, Florida

Vicky Kruckeberg, Chapel Hill, North Carolina R. Maass, Longboat Key, Florida Yvonne McGregor, St. Augustine, Florida Robert Montgomery, Newberry, South Carolina Douglas Noble, Gainesville, Florida Carl Nold, Chapel Hill, North Carolina William Paul, Jr., Athens Georgia Georgia Pribanic, Jacksonville, Florida

Amy Pruitt, China Grove, North Carolina

Judith Robb Graig Shaak, Gainesville, Florida James Shepp, Winter Park, Florida

Catherine Thornberry, Dunedin, Florida

Ida Tomlin, Meridian, Mississippi

INSTITUTIONAL MEMBERS

(Category 1: $50 ) 21c Museum Hotel Louisville, Louisville, Kentucky Altama Museum, Vidalia, Georgia Apopka Historical Society, Apopka, Florida Appleton Museum of Art, Ocala, Florida Arkansas National Guard Museum,

North Little Rock, Arkansas

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New Jersey * New Orleans *Albuquerque New England * Florida

Arlington Historic Houses, Birmingham, Alabama Art Center Sarasota, Sarasota, Florida Bandy Heritage Center for Northwest Georgia,

Dalton, Georgia Caldwell Heritage Museum, Lenoir, North Carolina Calico Rock Community Foundation, Calico Rock, Arkansas Cameron Art Museum, Wilmington, North Carolina Carnegie Center for Art and History, New Albany, Indiana Clemson University, Clemson, South Carolina Clemson University’s Bob Campbell Geology Museum,

Clemson, South Carolina Daura Gallery - University of Lynchburg, Lynchburg, Virginia Department of Historic Museums, Georgia College,

Milledgeville, Georgia Drayton Hall, Charleston, South Carolina Dunedin Fine Art Center, Dunedin, Florida Eleanor D. Wilson Museum at Hollins University,

Roanoke, Virginia Florida CraftArt, St. Petersburg, Florida Fort Wayne Museum of Art, Fort Wayne, Indiana Friends of Cassidy Park Museums, Bogalusa, Louisiana Funk Heritage Center of Reinhardt University,

Waleska, Georgia Gaston County Museum of Art & History,

Dallas, North Carolina Gibbes Museum of Art,

Charleston, South Carolina Historic Augusta, Inc., Augusta, Georgia

Historic Cane Hill, Inc., Cane Hill, Arkansas

Historic Dumfries Virginia & The Weems-Botts Museum,

Dumfries, Virginia HistoryMiami, Miami, Florida

International Arts Center, Troy, Alabama

International Towing & Recovery Museum, Chattanooga, Tennessee KMAC Museum, Louisville, Kentucky Kentucky Native American Heritage Museum, Inc,

Corbin, Kentucky Lam Museum of Anthropology, Wake Forest University,

Winston-Salem, North Carolina

Lowe Art Museum, University of Miami, Coral Gables, Florida Maier Museum of Art, Randolph College, Lynchburg, Virginia Mandarin Museum & Historical Society, Jacksonville, Florida Marine Corps Museum Parris Island,

Parris Island, South Carolina Meadows Museum of Art at Centenary College of Louisiana,

Shreveport, Louisiana Mississippi Industrial Heritage Museum, Inc.,

Meridian, Mississippi Museum of Design Atlanta, Atlanta, Georgia Museum of Durham History, Durham, North Carolina Museum of the Southeast American Indian,

Pembroke, North Carolina Oglethorpe University Museum of Art (OUMA),

Atlanta, Georgia Ohr-O’Keefe Museum of Art, Biloxi, Mississippi Patrick Henry Memorial Foundation, Brookneal, Virginia Patriots Point Naval & Maritime Museum,

Mount Pleasant, South Carolina SC Confederate Relic Room & Museum,

Columbia, South Carolina

Spotsylvania County Museum,

Fredericksburg, Virginia

Swannanoa Valley Museum, Black Mountain, North Carolina The Museum, Greenwood, South Carolina The Bass Museum of Art, Miami Beach, Florida The Guntersville Museum, Guntersville, Alabama The Parthenon, Nashville, Tennessee The Ralph Foster Museum, Point Lookout, Missouri University of South Alabama Archaeology Museum,

Mobile, Alabama Vanderbilt University Fine Arts Gallery, Nashville, Tennessee

Virginia Museum of Transportation, Roanoke, Virginia

Washington and Lee University, Lexington, Virginia Waterworks Visual Arts Center, Salisbury, North Carolina Yeiser Art Center, Paducah, Kentucky

(Category 2: $150 ) A.E. Backus Museum & Gallery, Fort Pierce, Florida Adsmore Museum, Princeton, Kentucky Aiken County Historical Museum, Aiken, South Carolina

Alabama Music Hall of Fame, Tuscumbia, Alabama Aldie Mill & Mt. Zion Historic Parks, Aldie, Virginia Anderson County Museum, Anderson, South Carolina Andrew Low House Museum, Savannah, Georgia Appalachian State University Turchin Center for the Visual

Arts, Boone, North Carolina Arkansas Air and Military Museum, Fayetteville, Arkansas Art Museum of the University of Memphis (AMUM),

Memphis, Tennessee Bartow History Museum, Cartersville, Georgia Beaches Museum, Jacksonville Beach, Florida Calhoun County Museum, St. Matthews, South Carolina Carnegie Visual Arts Center, Decatur, Alabama Charlotte Museum of History, Charlotte, North Carolina Chieftains Museum/Major Ridge Home, Rome, Georgia Computer Museum of America, Roswell, Georgia Dade Heritage Trust, Miami, Florida East Tennessee Historical Society,

Knoxville, Tennessee Fort Smith Regional Art Museum, Fort Smith, Arkansas Hilliard Art Museum University of Louisiana at Lafayette,

Lafayette, Louisiana Historic Clayborn Temple, Memphis, Tennessee Historic Natchez Foundation, Natchez, Mississippi Historic Paris Bourbon County Hopewell Museum,

Paris, Kentucky Historic Rosedale Plantation, Charlotte, North Carolina Historic Tuscaloosa, Tuscaloosa, Alabama Horry County Museum, Conway, South Carolina International Museum of the Horse,

Lexington, Kentucky Iredell Museums, Statesville, North Carolina Kennesaw State University - Museums, Archives,

Kennesaw, Georgia Kentucky Department of Parks, Frankfort, Kentucky LaGrange Art Museum, LaGrange, Georgia Marietta Museum of History, Marietta, Georgia Matheson History Museum, Gainesville, Florida Memorial Hall Museum, New Orleans, Louisiana Mennello Museum of American Art, Orlando, Florida

Expand and diversify your collection

Proud partners of SEMC members: Arkansas Museum of Fine Arts – Birmingham Museum of Art Georgia Museum of Art – High Museum of Art – New Orleans Museum of Art

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Morris Center for Lowcountry Heritage, Ridgeland,

South Carolina Mosaic Templars Cultural, Little Rock, Arkansas

Museum of the Mississippi Delta,

Greenwood, Mississippi

Museum of the Shenandoah Valley, Winchester, Virginia Northeast Georgia History Center, Gainesville, Georgia Opelousas Museum and Interpretive Center, Opelousas,

Louisiana

Parris Island Historical Museum Society,

Parris Island, South Carolina

PIHMS, Parris Island, South Carolina Pinellas County Historical Society/Heritage Village,

Largo, Florida President James K. Polk State Historic Site/NC Dept of

Natural & Cultural Resources, Pineville, North Carolina River Discovery Center, Paducah, Kentucky Robert C. Williams Museum of Papermaking,

Atlanta, Georgia

Salem Museum & Historical Society, Salem, Virginia

SCAD FASH Museum of Fashion + Film, Atlanta, Georgia Sculpture Fields at Montague Park, Chattanooga, Tennessee South Union Shaker Village, Auburn, Kentucky Southern Poverty Law Center, Montgomery, Alabama Sumter County Museum, Sumter, South Carolina Swope Art Museum, Terre Haute, Indiana Tampa Baseball Museum at the Al Lopez House,

Tampa, Florida The Mitford Museum, Hudson, North Carolina Thomas County Historical Society, Thomasville, Georgia Thronateeska Heritage Foundation, Inc., Albany, Georgia Tryon Palace, New Bern, North Carolina University of Mississippi Museum & Historic Houses,

Oxford, Mississippi University of Richmond Museums, Richmond, Virginia Wetzel County Museum, New Martinsville, West Virginia

(Category 3: $250 ) Amelia Island Museum of History, Fernandina Beach, Florida Children’s Museum of Oak Ridge, Oak Ridge, Tennessee City of Raleigh - Historic Resources & Museum Program,

Raleigh, North Carolina DeKalb History Center, Decatur, Georgia Earl Scruggs Center, Shelby, North Carolina

Gadsden Arts Center & Museum, Quincy, Florida Georgia Southern University Museum, Statesboro, Georgia Hickory Museum of Art, Hickory, North Carolina Historic Oakland Foundation, Atlanta, Georgia International African American Museum,

Charleston, South Carolina Knox Heritage & Historic Westwood, Knoxville, Tennessee Magnolia Mound Plantation, Baton Rouge, Louisiana Marietta/Cobb Museum of Art, Marietta, Georgia Middleton Place Foundation, Charleston, South Carolina Museum Center at 5ive Points, Cleveland, Tennessee Old State House Museum, Little Rock, Arkansas Spartanburg Art Museum, Spartanburg, South Carolina

Tuskegee Institute National Historic Site (National

Park Service), Tuskegee Institute, Alabama

Walter Anderson Museum of Art, Ocean Springs, Mississippi West Baton Rouge Museum, Port Allen, Louisiana Windgate Museum of Art at Hendrix College,

Conway, Arkansas Wiregrass Museum of Art, Dothan, Alabama (Category 4: $350 ) Alabama African American Civil Rights Heritage Sites

Consortium, Birmingham, Alabama Alexandria Museum of Art, Alexandria, Louisiana Anniston Museum of Natural History, Anniston, Alabama Augusta Museum of History, Augusta, Georgia Biblical History Center, LaGrange, Georgia Blowing Rock Art & History Museum,

Blowing Rock, North Carolina Center for Puppetry Arts, Atlanta, Georgia Charles H. Coolidge National Medal of Honor

Heritage Center, Chattanooga, Tennessee Children’s Hands on Museum, Tuscaloosa, Alabama Cook Museum of Natural Science, Decatur, Alabama David J. Sencer CDC Museum, Atlanta, Georgia DEA Museum, Arlington, Virginia Discovery Park of America, Inc., Union City, Tennessee Folk Pottery Museums of NE GA, Sautee Nacoochee

Cultural Center, Sautee Nacoochee, Georgia FSU Museum of Fine Arts, Tallahassee, Florida

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Halsey Institute of Contemporary Art,

Charleston, South Carolina Hampton Roads Naval Museum, Norfolk, Virginia Hermann-Grima & Gallier Historic Houses,

New Orleans, Louisiana High Point Museum, High Point, North Carolina Hills & Dales Estate, LaGrange, Georgia Historical Society of Martin County, Stuart, Florida History Fort Lauderdale, Fort Lauderdale, Florida International Civil Rights Center & Museum,

Greensboro, North Carolina Lauren Rogers Museum of Art, Laurel, Mississippi Leepa-Rattner Museum, Tarpon Springs, Florida Longue Vue House and Gardens, New Orleans, Louisiana Longwood Center for the Visual Arts, Farmville, Virginia Louisiana State University Museum of Art,

Baton Rouge, Louisiana McKissick Museum, University of South Carolina,

Columbia, South Carolina Mosaic, Jekyll Island Museum, Jekyll Island, Georgia

Museo de Arte de Ponce, Ponce, Puerto Rico

Museum of Art – DeLand, DeLand, Florida Museum of Contemporary Art North Miami,

North Miami, Florida Museum of the Southern Jewish Experience,

New Orleans, Louisiana Office of Historic Alexandria, Alexandria, Virginia Orange County Regional History Center, Orlando, Florida Portsmouth Museums, Portsmouth, Virginia

Rogers Historical Museum, Rogers, Arkansas

Shiloh Museum of Ozark History, Springdale, Arkansas Sidney & Berne Davis Art Center, Fort Myers, Florida The Charleston Museum, Charleston, South Carolina Tubman Museum, Macon, Georgia Upcountry History Museum- Furman University,

Greenville, South Carolina West Virginia Department of Arts, Culture and History,

Charleston, West Virginia

(Category 5: $450 ) Alabama Department of Archives and History,

Montgomery, Alabama

Asheville Art Museum, Asheville, North Carolina Bechtler Museum of Modern Art, Charlotte, North Carolina Belle Meade Historic Site & Winery, Nashville, Tennessee Birthplace of Country Music Museum, Bristol, Tennessee Cape Fear Museum of History and Science,

Wilmington, North Carolina Catawba Science Center, Hickory, North Carolina Coastal Georgia Historical Society, St. Simons Island, Georgia Columbia Museum of Art, Columbia, South Carolina Crystal Bridges Museum of American Art,

Bentonville, Arkansas Culture & Heritage Museums, Rock Hill, South Carolina Customs House Museum and Cultural Center,

Clarksville, Tennessee Florence County Museum, Florence, South Carolina Georgia Museum of Art, University of Georgia,

Athens, Georgia Historic Arkansas Museum, Little Rock, Arkansas History Museum of Mobile, Mobile, Alabama Hunter Museum of American Art, Chattanooga, Tennessee Huntington Museum of Art, Huntington, West Virginia Huntsville Museum of Art, Huntsville, Alabama Jule Collins Smith Museum of Fine Art at Auburn University,

Auburn, Alabama Jupiter Inlet Lighthouse & Museum, Jupiter, Florida Kentucky Derby Museum, Louisville, Kentucky Knoxville Museum of Art, Knoxville, Tennessee Lodge Cast Iron, South Pittsburg, Tennessee Louisiana Art & Science Museum, Baton Rouge, Louisiana Louisiana’s Old State Capitol, Baton Rouge, Louisiana McClung Museum of Natural History and Culture,

Knoxville TN Memphis Brooks Museum of Art, Memphis, Tennessee Mississippi Arts and Entertainment Experience,

Meridian, Mississippi Mississippi Department of Archives and History,

Jackson, Mississippi Mississippi Museum of Art, Jackson, Mississippi Mississippi Museum of Natural Science, Jackson, Mississippi

Mobile Museum of Art, Mobile, Alabama

MOCA Jacksonville, Jacksonville, Florida Morris Museum of Art, Augusta, Georgia

At Alexander Haas we believe that the ability to separate fact from fiction is critical to developing successful fundraising

Fiction: We need to write more grants and get more corporate giving to increase fundraising. Fact: Giving by individuals far outpaces foundation and corporate giving with nearly 4 of 5 charitable dollars coming from individual donors. Fiction: People don’t give to the arts. Fact: Arts giving grew faster than any other sector in 2021, reaching $23.5 billion

Our consultants start with facts, not fiction, to help you develop real-world strategies to improve your fundraising results

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Rodin: Contemplation and Dreams at the Polk Museum of Art at Florida Southern College.

FLORIDA

Each era has its own proclaimed master sculptor, recognized as a master in that artist’s own lifetime. Some names are more familiar than others — Polykleitos (Classical Greece), Donatello (Early Renaissance), Michelangelo (High Renaissance), Bernini (Baroque), and Canova (Ne0-Classical) to name a few — but all have captured the minds, eyes, and hearts of generations of art lovers. For the late nineteenth century, on the cusp of the abstractive trends of the twentieth, the celebrated master sculptor was Auguste Rodin (1840-1917). Rodin’s sculptures not only revived for a new century the expressive and naturalistic style of antiquity, using ancient Greek sculptors’ medium of choice but also propelled figurative sculpture into the modern age with emotion and pathos never seen before in the sculpted form. And now Rodin comes to Florida. This summer (June 25 through October 30, 2022), the Polk Museum of Art at Florida Southern College invites visitors into the world of the modern master with an astonishing exhibition featuring more than forty bronze sculptures filling the Museum’s first-floor galleries. The largest exhibition of sculptures in the Museum’s history, Rodin: Contemplation and Dreams takes its title from the sculptor’s own words; he described the ability of art ideally to “open before us an enchanted land of contemplation and dreams” — and, in his work, Rodin sought to transport and amaze his viewers.

Rodin’s sculptures are instantly recognizable, with his Thinker and Gates of Hell emblems in the history of art. Forgoing idealization for astonishingly naturalistic representation, Rodin created sculptures that connect with their viewers and speak to the universal emotions and

mentalities of the human experience. Tapping into the deep roots of humanity, Rodin also imbues his figures with his personal touch, presenting them in previously unseen (or even unwieldy) poses or making gestures that appear shockingly un-staged and thus even more human. It is often difficult to believe that his sculptures are merely bronze, so readily do they look like they should come to life, weep, or speak. Indeed, Rodin’s sculptures draw their power from physical and psychological truth, capturing human anguish, drama, tragedy, mindfulness, and hope through the sculpted form.

An artist of the post-Impressionist era (roughly the last two decades of the nineteenth century), Rodin is not easily categorized. His focus on “real” human forms behaving in “real” human ways echoes the strengths of the French Realists and Impressionists, who focused similarly on the world and people of the here and now — and how we actually see them. Meanwhile, the unmitigated expressive emotion of Rodin’s figures, such that they make viewers actually feel something themselves, recalls the expressionistic manners of fellow postImpressionist-era artists including Vincent Van Gogh. But whereas those artists are celebrated principally for their tw0-dimensional work, Rodin injects into the arena of sculpture all the humanity and emotion of the real world with a touch and style uniquely his own.

KENTUCKY

The American Saddlebred Museum (https://asbmuseum.org/) is pleased to announce the grand reopening of the Elisabeth M. Goth History Wing. This $4,000,000 project tells the story of the American Saddlebred, a native Kentucky horse. The new History Wing features an expanded history of the American Saddlebred from past to future, a virtual reality exhibit, life-size mare and foal sculptures, children’s activities, exhibits highlighting the versatility of the American Saddlebred, and interactive exhibits.

Fine harness buggy in the Elisabeth M. Goth History Wing, American Saddlebred Museum.

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LOUISIANA

In celebration of the Louisiana Art & Science Museum’s 60th anniversary, LASM has published a collection catalog titled Sixty Years of Collecting at the Louisiana Art & Science Museum, thanks to a generous Rebirth Grant provided by the Louisiana Endowment for the Humanities (LEH). This new catalog is available free of charge at LASM and is also available online via the museum’s virtual learning platform at virtual-lasm.org.

The publication illustrates Louisiana’s unique history and culture through the artwork held in LASM’s collection that was created by Louisiana-born and Louisiana-based artists working in the nineteenth century until today. The full-color publication consists of a forward by Serena (Meredith) Pandos, LASM’s President & Executive Director; an introduction by LASM’s Past Curator Lexi Adams; artist biographies focused on their connections to Louisiana; high-resolution photographs of a selection of objects on view in Our Louisiana; and a brief history of LASM’s sixty years of service to the community.

In her forward in the catalog, Pandos states, “The Louisiana Art & Science Museum continues to be defined by the belief that the disciplines of art and science shape, complement, and spring from one another. We hope you enjoy this publication as much as we have enjoyed creating it, with special thanks to the Louisiana Endowment for the Humanities, the many visionaries and philanthropists who have gifted so generously to make our permanent art collection the treasure that it is today, and to my visionary predecessors Adalié Brent and Carol Gikas, whose hard work paved the way these last sixty years, as we plan for the next sixty.”

This publication was made possible by a Rebirth grant from the Louisiana Endowment for the Humanities in 2021. Funding for 2021 Rebirth grants has been administered by the Louisiana Endowment for the Humanities (LEH) and provided by the National Endowment for

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the Humanities (NEH) as part of the American Rescue Plan (ARP) and the NEH Sustaining the Humanities through the American Rescue Plan (SHARP) initiative.

At the LSU Museum of Art, Blurring Boundaries: The Women of American Abstract Artists, 1936–Present highlights the indelible ways in which the women of American Abstract Artists have, for more than eighty years, shifted and shaped the frontiers of American abstraction. The hierarchy of distilled form, immaculate line, and pure color came close to being the mantra of modern art—particularly that of American Abstract Artists (AAA), the subject of this exhibition. From the outset—due as much to their divergent status as abstract artists as to their gender—women of American Abstract Artists were already working on the periphery of the art world. In contrast to the other artist collectives of the period, where equal footing for women was unusual, AAA provided a place of refuge for female

artists. Through fifty-six works, Blurring Boundaries explores the artists’ astounding range of styles, including their individual approaches to the guiding principles of abstraction: color, space, light, material, and process.

Blurring Boundaries: The Women of American Abstract Artists, 1936–Present was organized by The Clara M. Eagle Gallery, Murray State University, Murray, KY and the Ewing Gallery, The University of Tennessee, Knoxville, TN and is toured by International Arts & Artists, Washington, DC. The exhibition was curated by Rebecca DiGiovanna. This exhibition is sponsored locally by Taylor Porter Attorneys At Law. Now on view at the LSU Museum of Art in Baton Rouge, LA until on view until October 23, 2022.

Featuring two paintings and two drawings, Mario Moore: Responding to History at the LSU Museum of Art provides an in-depth look at Moore’s nuanced artwork During and After the Battle. At over five feet by six feet, the large-scale artwork offers much to contemplate.

Katinka Mann, Red Yellow Polaroid, 1982. Polaroid print. Courtesy of the artist.

The painting within the painting makes this work even more intriguing. A product of a collaboration with fellow

Mario Moore, During and After the Battle, 2020. Oil on linen. Purchased with funds from the Winifred and Kevin P. Reilly Initiative for Underrepresented Artists.

artist Mark Gibson, During and After the Battle responds to classical painting traditions, American history, and the Civil War, and reflects on the past and the present. Mario Moore: Responding to History also includes Gibson’s painting Battle of Antietam, which gives visitors another view into Moore’s process for During and After the Battle. Moore recently had an exhibition of his work at the Arthur Roger Gallery in New Orleans, Louisiana entitled A New Republic, which included a series of paintings depicting Civil War scenes placed in contemporary settings. Drawing influences from Peter Paul Rubens, During and After the Battle realistically depicts the violence of the Civil War and references elements of Black masculinity.

This exhibition was organized by Clarke Brown, LSU Museum of Art Curatorial Fellow. Moore’s painting was acquired in 2020 with funds from the Winifred and Kevin P. Reilly Initiative for Underrepresented Artists. Support for all LSU Museum of Art exhibitions is provided by the Annual Exhibition Fund donors. Now on view at the LSU Museum of Art in Baton Rouge, LA until on view until October 23, 2022.

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From the Halsey’s exhibition Only You Can Prevent a Forest by Kirsten Stolle.

SOUTH CAROLINA

The Halsey Institute of Contemporary Art at the College of Charleston is presenting an exhibition in fall 2022 that examines the global influence of agrichemical companies on our food supply.

Using appropriation, wordplay, and humor, Ashevillebased artist Kirsten Stolle co-opts advertising strategies used by agrichemical corporations to resurface and critique company history. Her work interrogates the global influence of chemical companies on our food supply and their consistent efforts to downplay effects of their toxic products on our health and environment. Stolle is interested in how chemical giants like Bayer/ Monsanto and Dow Chemical position themselves as modern agricultural companies while actively concealing their pesticides’ decades-long toxic impact on the soil. By deconstructing their marketing methods, Stolle can begin to uncover the misdirection and invite viewers to critically engage with industry propaganda.

For her exhibition, Only You Can Prevent A Forest, Kirsten Stolle will create photo-based collages, visual poetry interventions, text-based sound animation, a neon wall piece, and her first site-responsive sculptural installation. Building upon her decade-long research into companies like Bayer/Monsanto and Dow Chemical, the work will forefront historical ties to chemical warfare and reveal persistent greenwashing.

Kirsten Stolle: Only You Can Prevent A Forest will be on view from August 26 to December 10, 2022.

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