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UPCOMING JT DEADLINES
SPRING 2026
JWNZ TRADE FAIR PROGRAM
BOOKING, EDITORIAL & NEW PRODUCTS: AUGUST 4
ADVERTISING MATERIAL: AUGUST 11
MAGAZINE POSTED: AUGUST 18
SUMMER 2026
BOOKING, EDITORIAL & NEW PRODUCTS: NOVEMBER 12
ADVERTISING MATERIAL: NOVEMBER 19
MAGAZINE POSTED: NOVEMBER 26
AUTUMN 2027
BOOKING, EDITORIAL & NEW PRODUCTS: FEBRUARY 4
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The official magazine of The Jewellers and Watchmakers of New Zealand Incorporated.
As a fourth-generation family business, Morris and Watson is proud to be New Zealand's first RJC-certified company — committed to quality, customer service, ethical business practices and environmental responsibility across everything we do in the precious metals industry.
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TALKBACK
Introducing Belinda Lubkoll, a manufacturing jeweller and designer based at Ringcraft Moana & Belinda Lubkoll Jewellery, Ōakura, Taranaki.
When did you first take an interest in the jewellery trade and what happened next? I began working for our local jeweller, Rob Wright at Ringcraft Moana, when I arrived in New Zealand from Berlin in 2009. My background was in marketing, but shortly after I started, Rob had to undergo hand surgery. I stepped in to help at the bench and quickly fell in love with the process - the ability to bring ideas to life and the satisfaction of working with metal.
Today I am a trained manufacturing jeweller at Ringcraft Moana and run my own business under my name, Belinda Lubkoll Jewellery, where I also offer workshops for a range of skill levels. Preferred type of jewellery to design and favourite materials to work with? I primarily work in gold and silver. Gold is my preferred metal for its richness and versatility, but in the current market most clients choose sterling silver. It’s also the material I tend to use when experimenting with new designs.
Inspiration comes from where? I’m drawn to geometric forms and architecture. One collection was inspired by tiles and wall paintings I saw in castles across Germany.
The Bauhaus, (German art school operational from 1919 to 1933 that combined crafts and the fine arts), has also had a strong influence on me, having grown up surrounded by its architecture and design philosophy.
More recently, I created a collection from shells and textures collected on a local beach in Ōakura, which I exhibited in Munich - very organic and coastal in contrast to my structured work.
Who do you work beside at Ringcraft Moana? I work alongside Rob Wright, who is still active in the workshop. While many would retire at his stage, he continues because he genuinely loves the craft and his long-standing clients. It’s special to see pieces he made 40 years ago come back through the door for repair.
What services does Ringcraft Moana provide? We are a small manufacturing workshop offering everything from repairs to redesigns, combining traditional goldsmithing techniques with modern CAD technology.
What is the best advice re the trade you have ever received? “Learn to enjoy the struggle -the most beautiful gems are shaped by the tumble between rocks and water.” And don’t ask everyone’s opinion or you will turn in circles.
What are some of your favourite jewellery trends right now? I don’t actively follow trends or industry publications. I prefer to focus on developing my own design language rather than responding to seasonal directions.
What is your favourite piece of personal jewellery? I still have gemstones waiting to be turned into pieces I envisioned more than 10 years ago. I guess I just run out of time, so my own jewellery is always a work in progress.
You were an exhibitor at the 2025 Munich Handwerk & Design fair. What pieces did you show? I exhibited pieces inspired by New Zealand’s coastal environment - shells and barnacle textures collected from the beach in Ōakura. The collection included ‘ram’s horn’ sterling silver necklaces set with diamonds and Biron emeralds, honeycomb rings and barnacle-inspired rings with gemstones.
I also spent some time connecting with the industry, including guild members and fellow designers. It was amazing being able to have my own exhibition under my own name overseas.
Tell us about your jewellery making workshop… The idea grew from seeing how fascinated clients were when learning how a wedding band is made by hand. It also highlighted how few traditional goldsmiths remain in New Zealand and the risk of the craft being
Belinda Lubkoll
replaced by large-scale manufacturing. My first workshop invited couples to create rings for each other while hammering, soldering and texturing side by side. Since then, I’ve expanded into weekly workshops covering earrings, bracelets, rings, sand casting, wax carving and stone setting for different skill levels.
What I value most is seeing the pride at the end. The process, the challenge, the laughter and the connection. It creates something far more meaningful than buying a mass-produced piece. I want to help keep this craft alive.
How do you relax away from the bench? I enjoy being active. Mountain biking, artistic inline skating and ice skating whenever I can. We also have animals, which keep me outside before and after work.
Two things that top your bucket list?
Ice skating on Lake Louise in Canada and experiencing a European winter and Christmas with my New Zealand family.
What is the most adventurous thing you have ever done? Leaving Germany with a backpack and moving to New Zealand with very limited English was probably the most challenging and adventurous step I’ve taken.
If there was one luxury item you would like to buy for yourself today, what would that be?
A high-end Garmin adventure watch.
IT’S SHOW TIME
“After a most successful 2025 fair at the Viaduct Events Centre, we are well subscribed (just 10 stands to sell) for the JWNZ Spring Trade Fair on September 13, 2026. We are welcoming some new exhibitors, including Inspiring Pearls, Prana Diamonds, Your Prana Mineral Gallery, Unison Jewellery, Tiverton, GenZ Diamonds, Argosy Jewellery and Jaslin.
“Please mark your diary for a 9.30am start, registration for visitors will be available from July 1 at www.jewelleryfair.co.nz. Come along to enjoy a free barista coffee, a fresh muffin, a Danish pastry, a tasty wrap for lunch break and finish the day with a glass of bubbles. Did I mention the 104 stands, the new releases of watches, jewellery, tools, machinery, gemstones, pearls, diamonds, gold…”
- Debbie Whiting, JWNZ Trade Fair
BILLION BARRIER BROKEN
Christie’s Luxury division surpassed US$1 billion in global auction sales in 2025, achieving a 90% sell-through rate and hammer prices reaching 129% above low estimates.
Digital engagement continued to reshape the market, with 85% of bids placed online and 41% of all new
Manager.
bidders entering Christie’s through Luxury sales. Millennials and Gen Z accounted for 44% of bidders and buyers, while total spend from female clients rose 20% year on year.
Jewellery delivered standout moments including The Mellon Blue Diamond at CHF 20.5 million and the
Marie-Thérèse Pink Diamond, the most expensive JAR jewel ever sold at US$14 million. Watches recorded a record year for Private Sales, with exceptional demand for vintage masterpieces and independent makers such as Patek Philippe, Rolex and F.P. Journe.
CELEBRATING 40 YEARS OF PARTNERSHIPS
“Since 1986, Jewellery Services has evolved from a small repair-focused team into a thriving business of more than 30 employees. Today, our capabilities span setting, manufacturing, CAD, 3D printing and scanning, as well as valuations.
“As we celebrate this milestone, our commitment remains unchanged: to be the trusted partner the jewellery trade depends on. With an ambitious roadmap ahead, we look forward to the next decade of growth and innovation.”
- Richard Mayo, Director of Jewellery Services
GEMMOLOGICAL ASSOCIATION OF NEW ZEALAND 2026 SEMINAR
Date: 8-9 August 2026
Venue: Parnell Conference Centre, 10/20 Gladstone Road, Parnell, Auckland.
Start Times: Saturday: 9.00am Sunday: 9.30am
If you are interested in attending please contact Jill Towers for more information.
Jill Towers - GANZ (acting President)
T 022 414 9405
E Jill Towers - pjtowers@outlook.co.nz
ANYTHING BUT ORDINARY
At Sotheby’s Hong Kong in April the Jwaneng 28.88ct diamond crossed the auction block and sold for more than US$2.6 million. Recovered from Botswana’s Jwaneng mine, it had been transformed from a 114ct rough by months of meticulous craftsmanship. The diamond is a 28.88ct round brilliant-cut diamond graded D colour and flawless clarity by the GIA. These are the absolute top grades achievable in both categories. Beyond that, it carries a Type IIa classification, which places it among the rarest natural diamond types on Earth.
Fewer than two percent of all natural diamonds reach this designation. Type IIa stones contain virtually no nitrogen impurities, the element responsible for the faint yellowish or brownish tint present in most colourless diamonds. The result is a transparency and purity of colour that experienced gemmologists describe as almost water-like.
The Jewellery Services team, based at Rosedale, Auckland.
LA B
IA MON DS
Distributed by Duraflex Group Australia
Contact: Helen Finlayson - The Brand Agent M. +64 27 722 6000 E. helen@thebrandagent.co.nz
Distributed by Duraflex Group Australia
Contact: Helen Finlayson - The Brand Agent M. +64 27 722 6000 E. helen@thebrandagent.co.nz
A LOOK AT THE OSCARS
Jewellery looks from the red carpet and 2026 Oscar Dolby Theatre stage…
Ava
Director and producer Ava DuVernay was a study in elegance wearing Pomellato’s 18ct rose gold Indicolite (blue tourmaline) high jewellery necklace and earrings
Teyana
American actress Teyana Taylor did not disappoint with her Tiffany & Co. jewellery, including a necklace in platinum with an 18+ ct. diamond drop, as well as earrings and rings in platinum with diamonds.
Rose
Australian actress Rose Byrne wore a sculptural torque necklace from Taffin featuring a 22.58ct. fancy yellow-brown pear-shape Desert Diamond and an Arizona Blue ceramic and 18ct rose gold ring with a 16.54ct. fancy deep brown-yellow Ashokacut diamond sourced from Botswana.
Anne
American actress Anne Hathaway chose Bvlgari’s Neoclassical Starlight high jewellery necklace in platinum with a detachable 8.02ct pear-shape yellow diamond with a further 82 diamonds and 21.06cts of diamond pavé, from the Eclettica collection 2026.
For 40 y ears, we’ve had the privilege of supporting New Zea land’s jewellery trade.
From day-to-day repairs to complex manufacturing, o ur role has always been the same — to stand behind our retail partners and help them deliver for their customers.
What started as a small workshop has grown into a t eam of specialists across CAD, manufacturing, servicing and valuations
To the retailers who have trusted us over the years , thank you. We’re proud to be your partner, and we look forward to th e years ahead.
www.jewelleryservices.co.nz
MORE IS MORE
The Metropolitan Museum of Art was once again graced by many familiar faces on the first Monday in May for the Met Gala. This year, the biggest names in fashion, jewellery, TV, film and music gathered in New York City for the annual fundraising benefit, decked head-to-toe in dazzling jewels with the evening’s theme, ‘Costume Art’, seeking to explore fashion as an embodied art form.
Among those seen at “fashion’s biggest night out”, from left, was Rihanna who wore a look embellished with more than 115,000 crystal beads, paired with earrings featuring two exceptionally rare pear-shaped natural diamonds totalling more than 51.9cts. Meanwhile Zoë Kravitz wore a pair of asymmetric earrings by NZ born, London-based designer, Jessica McCormack, that could be considered works of art and model Cara Delevingne chose the De Beers Individuality earrings from the high jewellery collection Forces of Nature, a tribute to Art Deco.
CONVERSATION PIECES
New from the New York City-based designer Johnny Nelson, four-finger adjustable rings in gold-plated brass with an antique finish. Johnny was born in England and raised in Brooklyn. He says his biggest influences include Vivienne Westwood, Alexander McQueen and the iconic neighbourhood jewellers that elevated hip-hop culture in the 80s and 90s.
NEW CHEESY COLOURWAYS
TOP TOPAZ
German company Arnoldi International won Inhorgenta Munich 2026’s Gemstone Design of the Year award for a bicolour Imperial topaz, described by the jury as a nearly 13ct stone with colour intensity ranging from purplish rosé to vibrant orange and copper, “impressively highlighted through masterful cutting”.
According to Alexander Arnoldi the topaz from Brazil is: “distinguished by its exceptional colour complexity, rare natural colour, remarkable clarity and a precise cut that enhances its depth and brilliance.”
British watch brand Studio Underd0g has collaborated again with retailer Time+Tide, to launch a double order of pizza-themed watches.
Two new models, the Burnt Pepper0ni and the Classic Cheese, continue the playful concept that began as an April Fools’ joke back in 2023. The first Pizza pair, released in 2024, sold out quickly and even ended with a one-off Half n’ Half Pizza Unique watch that raised $US17,000 for the charity Mary’s Meals.
The Burnt Pepper0ni takes the bold colours and mad toppings of the original Pizza Party Pepper0ni watch and reinterprets them with a charred, muted design. It features a PVD-coated case and comes with both a leather strap and a Milanese mesh bracelet.
The Classic Cheese celebrates New York slice culture. The dial features the look of a cheese pizza, with a missing slice at 3 o’clock marking the opening of Time+Tide’s new Discovery Studio in New York.
Both models feature a 38.5mm case and a manual-winding chronograph movement.
‘Let freedom’ ring, from left, civil rights proponents Martin Luther King Jr., Malcolm X, Marcus Garvey and Frederick Douglass. US$1,068.
‘Her freedom’ ring, from left, American social activists Harriet Tubman, Shirley Chisholm, Sojourner Truth and Ida B. Wells. US$1,068.
The Burnt Pepper0ni, £700.
The Classic Cheese, £625.
OVER $4,000 DONATED since May 2025
$5 DONATION PER PIECE SOLD
Every piece from the Memento New Zealand Flora & Fauna collection helps protects Aotearoa’s nature.
Thank you for supporting our native wildlife.
QUEEN OF THE BOARD
From Chanel’s ‘Coco Game’ collection, recently developed by the Chanel Watch Creation Studio, is the most ambitious of pieces; a one-off chessboard set in ceramic, gold and diamonds. In this work legendary French couturière, Gabrielle 'Coco' Chanel, appears as both player and symbol, with time hidden inside two queen figures that can be worn as pendants.
Chanel’s ‘The Chessboard’ is a unique piece with 32 sculpted pawns in ceramic, gold and diamonds concealing time within two queen figures worn as pendants.
A PERFECT BALANCE
UK company Pragnell has unveiled its Masterpiece Mosaic Pink Diamond Necklace. It’s an extraordinary composition of 42 rare fancy pink diamonds (8.33 carats) traced back to Australia’s legendary Arygle Mine, which are seamlessly intertwined among 276 hand selected colourless diamonds (141.16 carats).
Arranged in a layout inspired by ancient Roman mosaics, where tiny tesserae were combined to create patterns of remarkable detail and harmony, this exquisitely complex piece took more than 18 months to create from concept to completion.
Gabrielle Chanel is placed at the centre of the board, her diamond-set tweed suit rendered in miniature.
TECHNICALLY ROMANTIC
Jacob & Co. has never been shy about spectacle, but its latest Billionaire watch brings more than just flash: a genuine contribution to the art of diamond cutting.
Recently unveiled to celebrate the Jacob & Co’s 40th anniversary, the limited-edition Billionaire Double Tourbillon Angel Cut introduces Jacob & Co.’s proprietary diamond geometry called, naturally, the Angel cut.
Developed over two years, the 37-facet cut is named for founder Jacob Arabo’s wife, Angela, with the facet count marking 37 years of marriage.
“Twelve years after the 288-facet Jacob cut, this patented cut is a major
HARD AT WORK
The new edition of Tiffany & Co.’s legendary Blue Book offers a high jewellery collection that advances classic themes of flora and fauna, showing a garden’s hardest workersbees, birds and butterflies - in elaborate gemstone form.
Tiffany will release this year’s Blue Book in three phases: spring, summer and fall. The northern-spring Blue Book, is titled ‘Hidden Garden’, where the jewels’ vibrant hues of pink, orange and denim blue come from such stones as salmon Padparadscha and sapphires from Sri Lanka, Madagascar and Montana.
The Hidden Garden collection also features fancy vivid yellow diamonds,
milestone in the Jacob & Co. history,” according to the watchmaker’s website.
“More versatile, more luminous, more luxurious, the Angel cut offers a stepped rectangular outline, a lozengeshaped table and cut corners. All of which evenly and harmoniously reflects light to a degree never seen before.”
The watch’s 54 x 41mm white gold case carries 98 Angel-cut diamonds totalling more than 51 cts; the dial adds another 88 Angel cuts, along with 80 emerald-cut diamonds framing twin flying tourbillons at 12 and 6 o’clock.
All told (including 30 Angel-cut diamonds invisibly set on the clasp), more than 80cts of white diamonds
THE END OF AN ERA
Rio Tinto shuttered its Diavik diamond mine in Yellowknife, in the Northwest Territories, Canada, at the end of March after 23 years of operations and more than 150 million carats of rough diamonds. Diavik mostly produced white diamonds, but a few significant yellow diamonds were also found there.
“Forty years ago, there were very few people who believed there were diamonds in Canada, even fewer could have foreseen how many the Diavik story would unfold,” said Sophie Bergeron, managing director for iron, titanium, and diamonds at Rio Tinto.
as well as D-colour, internally flawless, Type IIa emerald-cut diamonds.
blanket the piece. Jacob & Co. is making only 18 watches in this model, priced at US$3.4 million each.
“To arrive at this milestone has required vision, courage and determination to overcome significant challenges to mine diamonds beneath a frozen lake in one of the world’s most remote and pristine ecosystems.”
The mine, discovered in 1991 below Lac de Gras (about 135 miles south of the Arctic Circle), began operations in 2003 using both open pit and underground mining methods. To fully close the mine, which will take about four years, Rio Tinto will continue to supervise key areas such as safety, land use, water and biodiversity in the area.
Platinum and 18ct gold are the collection’s primary metals.
Aerial view of the Diavik mine.
Paradise Bird brooches in the collection come perched on a Mexican fire opal or a Brazilian rubellite.
A LASTING PARTNERSHIP
OMEGA is set to continue its legacy in sailing when the Louis Vuitton 38th America’s Cup is contested next year in Naples.
The OMEGA/America’s Cup partnership stretches back to 1995, when the Swiss watchmaker began its long-standing partnership with Emirates Team New Zealand, then under the leadership of Sir Peter Blake. Each time the New Zealand crew has won the ‘Auld Mug’, OMEGA has been
SPEAKING LIGHT
Bvlgari has announced two new unique Lvcea timepieces, created in collaboration with Japanese artist, Yasuhiro Asai. Asai is known for being a master of Urushi lacquer and the ancestral Raden technique, with origins tracing back to prehistoric times. Urushi lacquer is drawn from tree sap and the technique consists of embedding minute fragments of mother-of-pearl or gold to form intricate designs.
Now Asai has brought this artistic gem to the dials of Bvlgari, with each
A RARE FIND
Jeweller Hancocks London recently spotlighted a rare pair of vintage Van
positioned as Official Timekeeper at the following edition. So far, that has included the America’s Cup events in 2000, 2003, 2021, 2024 and now July 2027.
“The famous red OMEGA branded bows have been a constant on the Emirates Team New Zealand race boats for many campaigns now,” said Emirates Team New Zealand CEO Grant Dalton. “Being the first part of the boat to cross the finish line in some of our
A SAPPHIRE CELEBRATION
Graff has released a new high jewellery campaign that it says: “Celebrates the vision and artistry of the House”.
Inspired by the moment a single droplet meets a pool of water, the suite features more than 200cts of diamonds. At the centre of the choker sits a 31ct unheated emerald-cut sapphire, while white pear shape diamonds and sapphires ripple outward. Matching earrings complete the set, with emerald cut and pear shape white
crafted entirely by hand in his atelier.
Speaking on the new dials, Bvlgari’s executive director of product creation, Fabrizio Buonamassa Stigliani Stigliani said: “We found a new way to speak light through the reflections of thousands of tiny mother-of-pearl fragments. With this technique, we offer a fresh perspective on light through colour.”
It took 60 days to create each dial and due to the nature of the technique, each is unique.
Cleef & Arpels diamond flower earrings that represent a high point of the maison’s mid-century craftsmanship.
Priced at £45,000 and dated to approximately 1956, the earrings represent an era defined by a transition toward sculptural design and a renewed fascination with stylised nature-inspired motifs.
Each earring features a central round brilliant-cut diamond framed by a halo
most iconic races and victories. It is an historic association and the team is proud of the strength of the longterm partnership at the pinnacle of our sport.”
diamonds and pear shape sapphires are centred by matching 5ct emerald cut sapphires.
CEO Francois Graff says: “For over 65 years, Graff has shaped the evolution of High Jewellery. We unveil a suite that reflects this legacy anchored by the world’s most exceptional diamonds and gemstones, brought to life through innovation, mastery and unparalleled craftsmanship.”
of baguette-cut diamonds, while the delicate, organically shaped petals are pavé-set with circular-cut diamonds to maximise light from every angle.
The pair holds 190 individual stones, weighing a total of more than 7.5cts. Adding to their value is their historical integrity; the pieces are mounted in platinum and have retained their original clip fittings.
OYSTER PERPETUALS MARK A JUBILEE YEAR
This year marks the 100th anniversary of the Rolex Oyster, the first waterproof watch produced by the brand. At Watches and Wonders Geneva 2026 Rolex announced two new Oyster Perpetual models to mark the occasion. One is a restrained 41mm
Anniversary model (Ref. 134303), which blends gold with steel. Price tag £8,050. And the other is the lively steel 36mm Jubilee (Ref. 126000), which focuses on colour, patterns and letters. Price tag £5,600.
STRUCTURAL DESIGN
Through a process borrowed from aeronautics and automotive engineering, Boucheron has turned loose grains into solid, wearable architecture. 3D-printed black sand brings a raw, tactile beauty to Boucheron’s latest iconic Quatre design.
Layers of polymer binder are sprayed over the sand in ultra-fine sheets, each less than a millimetre thick, until they adhere like a millefeuille of mineral and air. The result is a material that retains the texture of sand while achieving the resilience of metal.
A CUT ABOVE
Swiss watch brand Furlan Marri has launched the Meteorite Octa, a new limited pre-order release within its Mechaquartz collection. Only available for 10 days in the month of April, the stainless steel watch features a dial cut from the Muonionalusta meteorite, one of the oldest and most scientifically significant meteorites ever found.
Formed 4.5 billion years ago in the core of a differentiated asteroid, Muonionalusta fell to Earth more than
a million years ago near the FinlandSweden border and wasn’t discovered until 1906.
What makes it special is its Widmanstätten pattern, a lamellar crystalline structure that develops through cooling at a rate of just a few degrees per million years. This cannot be replicated back down here on Earth and every dial cut from the meteorite reveals a completely unique finish. The watch was priced at £680.
ARTISTIC AND UNCONVENTIONAL
Known for colourful, unconventional dials and references to art movements, Alexander Shorokhoff watches often blur the line between timepiece and wearable artwork. Limited to just 50 pieces the new Karandash model follows this philosophy.
At the centre of the design are elongated yellow hour and minute hands with red tips and circular cutouts which dominate the dial, while
the black dial features multiple layers and bright accents. A green sub dial at 9 o’clock displays the small seconds and a blue open-worked sub dial at 3 o’clock houses the date display. A yellow minute track and recessed dial construction lend a sense of depth, while an elevated outer ring features the names of artists linked to the avantgarde movement.
Its winter, a perfect time to add a great brooch to your favourite outfit, hat or even a bag!
ESSE has a huge selection of brooches from classic to whimsical creatures, all crafted in sterling silver and hand set with semi-precious stones and Swarovski marcasites.
Some of our favourites are the Scottie dog (55-207), Art Deco Onyx bar brooch (55-180), Green/Blue Dragonfly (55-158) and Round Onyx Circle Brooch (55-153). something for everyone
To view the full range
Contact: AM Imports Pty Ltd, NZ Agent: Susi Chinnery-Brown P. 021 751 115 or E. susi@twentyfive7.co.nz
Meet the team at Cameron Jewellery, Palmerston North. Cameron Jewellery was started by Peter Cameron 42 years ago and after his retirement in 2022 his daughter Jessie and manufacturing jeweller Sam Drummond, who has worked in the business for more than 20 years, took over the reins. As told by Jessie Cameron…
Tell us the history of Cameron Jewellery – we understand it is the oldest manufacturing jeweller in Palmerston North…
Yes, the oldest family-owned manufacturing jeweller still manufacturing on site. Peter Cameron, my father, started Cameron Jewellery in 1984 after completing his apprenticeship and working in Australia and in Hatton Garden in London. When he started the business he worked on his own and then Jill, my mother joined him. That first store was tiny, in a small area of Square Edge, the Arts Centre here in Palmerston North. They then took the business home and set up a workshop in the garage so they could be at home with me. I used to love seeing the jewellers come and go! They then moved back to Palmerston North and the business continued to grow with Sam and I joining the business in the early 2000’s.
Moving into our current building, the Salvation Army Citadel, was momentous. Jill and Peter spent a year renovating the building back to its former glory and turning the space into a European style gallery with open workshop. That’s where we have been ever since and where Sam and I began learning to take the reins.
Jill and Peter retired in 2022 and Sam and I purchased the business. They are huge boots to step into, but we were
taught well and the business is growing and we are putting our own mark on it while staying true to our traditions. What services does your business provide and do you specialise in a certain area?
Cameron Jewellery specialises in repairs, remakes and custom pieces for our customers. Repairs are our bread and butter, but it is our one of a kind designs that we are really known for. Sam and I love creating pieces for the store, we try to make things beautifully unique, we mix metals and love to use colour.
Your jewellery and watch brands include…
Cameron Jewellery of course! German brands Breuning and Bastian, Mark McAskill, as well as New Zealand fashion brands Karen Walker, Meadowlark and Boh Runga, as well as Australian brand Bianc.
What is your role in the business and who do you and Sam work beside?
Sam and I are joint directors, but Sam oversees the workshop and I the retail store and office. We are very grateful to have an incredible, dedicated team of jewellers and retail staff.
Qualified jeweller, James Sheu, has been with us for six years, he completed his apprenticeship in 2023 and is an extremely competent jeweller. He loves completing repairs
and handmaking chain! Rita Bryson works alongside James and Sam and is in her 2nd year of her apprenticeship. Rita’s talents are her love of design and meticulous workshop with tiny details like flowers and repeating designs. In the store I have experienced salesperson Eden Vince, who started working for Cameron’s at age 16, when she would come after school and cut wrapping paper and restock boxes. With us are Tyla Stevens and Naomi Bell and newcomer to the team, Zoe Giddens.
We understand the business has always supported apprenticeship training…
Yes, always. Peter completed his training with Keith Plier and then has trained perhaps eight jewellers himself. When he retired Sam took over James’ training and saw him finished and is now training Rita. Training apprentices will always be extremely important to us, we love teaching and having a young eager staff. While we have the workshop space I think we will always try to have an apprentice.
How have your customers’ tastes in design and materials changed over the years?
Trends come and go and I think currently we are in a trend of traditional and simplistic. We are making almost everything in yellow gold, with lots of solitaires and three stones. Wedding bands are mostly plain and on the wider side and we’ve also seen an increase in traditional pieces like paperclip and figaro chains with fobs and ingots. The last three engagement rings I
PALMERSTON NORTH
The showroom at Cameron Jewellery.
have designed with customers have been Oval or Elongated Cushion Cut Diamonds with rub-over settings and beautiful thick rounded bands. It’s so practical! Not sure if Taylor Swift’s engagement ring had an influence on that – but I appreciate it!
For me this a huge change from when I started full time in the business when everything was white gold with lots of channel setting. Then we went to all the petite designs with tiny band, micro pave and hidden halos, tiny fine chains and making everything as fine as possible. I definitely love this current trend for durability and practicality.
Current best-selling pieces?
For us because it so important to have pieces for different generations and life stages, we like to have quite a range of pieces. We have been selling lots of paperclip and Figaro style chains and chain bracelets, traditional silver bangles and smaller strings of pearls.
In terms of diamond jewellery, definitely oval cut solitaires!
How do you stay up to date with the latest design trends and technologies? This is where having a young staff
helps, the girls are definitely all over the latest trends and watch what is trending on Instagram and TikTok. I am quite inspired by overseas brands I love and like to find ideas in clothing trends as well.
Sam and James are both tech guys and really like keeping up with what’s happening in the industry with advances in technology. Sam and I believe it’s important to keep the tools and tech up to date. It gives the jewellers (especially James) something to get excited about when we invest in new equipment and keeps them learning, which is also a good thing. How are you addressing the increasing demand for sustainable and ethical jewellery?
I think we all try our best. I am really exclusive with what suppliers I work with and I ask them a lot of questions, especially around coloured stones. I always pass the information onto the customer and believe it’s important to do so. We are very transparent about our processes and always have been. For us we are really trying to make more pieces on-site, rather than buying
them in and so that means we have more control over the process. Tell us a customer story you are most proud of…
There are definitely a few over a 20year career, but one recently is for a very special customer of ours who was given a voucher to have something made when she retired from teaching. She took her time deciding what she wanted to have made because she knew she wanted something that would be just perfect and she really wanted to include her father’s wedding ring to add extra special sentimental value. When she first came to see me, she knew the basic design she wanted and also that she wanted a green stone that had something special about it. Her design was a cluster in our ‘Cameron Jewellery style’, rub-over set with bead set diamonds around and a heavy swept up band, perfect for using her father’s ring.
We went hunting for a centre stone in Peter’s gemstone collection first, as I knew she would love to pick something that he has chosen. We started with emerald, then sapphire and finally green tourmaline. She knew as soon as she saw that stone, the most beautifullycut 2ct fancy round cut peacock green tourmaline with beautiful flashes of blue.
We had the ring completed just before Christmas and it was so very special showing her. Such a wonderful consultation and design process with a really lovely client and then the use of her beloved father’s ring and that her colleagues had gifted her the money for her retirement after a long career, it was just really special.
To top it off she wrote Sam and I a beautiful thank you card!
How do you relax away from the business?
Jessie… Spending time on my lifestyle block with my husband and children and being in the garden.
Sam… Running with friends and watching TV where I get to choose the show!
A 9ct yellow, rose and white gold blue chalcedony & diamond ring, handmade by Sam Drummond.
Again from Sam - 18ct yellow gold & platinum Colombian emerald and trapezoid diamond ring.
From left, the Cameron Jewellery team, Rita Bryson, Naomi Bell, Tyla Stevens, Jessie Cameron, Sam Drummond, Eden Vince, and James Sheu.
A fair with a strong sense of community
Product launches, networking opportunities and respected industry voices taking to the stage combined to deliver a positive sourcing experience for visitors to Melbourne’s Jewellery Industry Fair (JIF).
Across two days in March close to 900 guests from across Australia and New Zealand were brought together at the historic Royal Exhibition Building. The exhibition floor showcased a broad cross-section of suppliers, including companies specialising in tools, technology, diamonds, finished jewellery, precious metals and manufacturing services. Exhibitors reported excellent foot traffic, strong engagement and positive sales outcomes, while visitors praised the fair’s welcoming atmosphere and strong sense of industry community.
Ahead of the exhibition weekend, the Jewellery Industry Network (JIN) hosted a special workshop in partnership with Platinum Guild International, introducing jewellers to two initiatives launching globally.
The first was the Digital Product Passport (DPP), a technology-driven solution designed to provide customers with greater confidence in the provenance and traceability of their jewellery purchases. The system allows jewellers to share verified product information with clients, supporting transparency and trust in the luxury retail environment. The second initiative was the Certified Jewellery Professionals training programme, an online education platform developed to help retail jewellers strengthen their teams’ product knowledge and sales capability.
Opening the first day of the fair itself, luxury sales expert Bart Ware delivered a presentation on the art of luxury selling, sharing insights into how jewellers can better engage customers and elevate the retail experience. This was followed by Karen Lindley, who spoke about resilience in the jewellery industry, exploring how businesses can navigate challenges and adapt to change using strategic thinking and practical tools.
“Morris and Watson always enjoy attending the JIN Melbourne Trade Fair. It provides a valuable opportunity to reconnect with existing customers and introduce ourselves to emerging jewellers entering the industry.
This year, more than ever, we felt it important to demonstrate our reliability and support during a time of uncertainty. Those who made the effort to attend clearly benefited from the strong sense of community and networking opportunities available.”
- Exhibitor Adam Van Sambeek, Morris & Watson
In the evening the industry gathered again for the Summer Social to enjoy live music from a jazz band, alongside food and drinks and lively conversation as jewellers, suppliers and designers re-connected after a busy day on the exhibition floor.
First up on the Sunday retail consultant Nick Gray held a session on emotional intelligence in retail, exploring how jewellery businesses can better understand customer psychology and use it to strengthen sales conversations and relationships.
The fair also hosted the Women in Jewellery High Tea, featuring Kate Bishop of Diamond Collective and Kate Bishop Consulting, who shared expert insights into building successful teams and fostering positive workplace cultures within jewellery businesses. Later in the day, Laura Brehaut from the Gemmological Association of Australia delivered a gemmological presentation furthering the fair’s commitment to industry education.
Overall, the 2026 Melbourne event delivered a sense of renewed positivity and confidence across the industry, reinforcing the importance of platforms that bring the jewellery community together.
“The Melbourne Exhibition building is a truly magnificent venue to hold a trade fair. Majestic high vaulted ceilings, endless frescos and light streaming in from the huge windows. The fair had a good vibe and was steady throughout Saturday. Talking with other exhibitors, most seemed to be reasonably busy, but Sunday was certainly quieter, as it is at most fairs.
One of the highlights was the gelato cart at Palloys, the coconut flavour was delicious. Also the fresh rock oysters were ‘divine’ and didn’t last long!
I managed to find a few things for stock, including a gorgeous red bamboo coral necklace and some nice freshwater pearls. There were plenty of natural and lab grown diamonds on offer, made-up jewellery and coloured gems, but there is no doubt that the increasing price of gold and silver is putting pressure on the trade.
The JIF may be a smaller show, but it has a friendly, relaxed atmosphere and is worth a visit if you get the chance. Stay on for few days if you can and have a short break in beautiful Melbourne, lots to see and wonderful restaurants.”
- Exhibitor Susi Chinnery-Brown, AM Imports.
The Jewellery Industry Festival – Featuring the Jewellery Industry Summit, Jewellery Industry Workshops, Jewellery Industry Fair and Jewellery Industry Awards. Venue: Sydney Town Hall.
Sydney Fair Dates: October 10th & 11th
From left, Carla, Priscilla and Carsen Yung, Carl Yung Gems.
With David … Ron and Christina Luccisano, Searay Pty Ltd.
Craig Troy and Philippe Poix, Poix & Troy.
Dixie Paloumpis, Bead Them Up.
The Morris & Watson team, from left, Adam Van Sambeek, Jessica Godin, Nicole McBurney and Patrick Thiess.
Pulina Senavirathna, Tusk Gallery.
From left, Irene, Arthur, Thomas and Roula Papagrigoriou, Athan Wholesale Jewellers.
Chirag Jogani, Blumoon
Clancy Ferris and Grace O’Malley, Nivoda.
Susi Chinnery-Brown with Albert Jost and John Michaelis, AM Imports/ Eberle-Jost.
From left, Mika Toogood, Michell Saunders and Faith Collishaw, Koodak Jewellery Suppliers.
Hu-Sam Rad and Sam Rad, Rad Jewellery.
From left, Oliver Cohen, Graham Cohen and Anthony Enriquez (Showcase Jewellers Buying Group) at the Town Talk stand.
The Palloys team, from left, Tolga Capanoglu, Graeme Turnbull, Allan Wang, Alan Lusty, Nancy Khao, Sasha Kirjanova and Richard Ashman.
From left, Mitul Mehta, Alessandro Maggini, Melanie Mitchell, Jasmine Ghattas and Swapnika Bharadwaj, Unison Jewellery.
From left, Stef Grant, Tracy Eden, Nick Shadiac and Justin Eden, The Gold Shop Arrowtown.
Not all watches are worn the same
Sotheby’s has announced ‘The Shapes of Cartier: The Finest Vintage Grouping Ever Assembled’, described as the most important and comprehensive collection of vintage Cartier watches ever brought to market. The collection comprises more than 300 timepieces spanning a century of Cartier design, to be offered across the house’s Important Watches auctions in Hong Kong, Geneva and New York throughout 2026.
Featuring models such as the Crash, Santos, Baignoire, Pebble, Cintrée and rare Tank variations, the sale charts the evolution of Cartier’s watchmaking across its Paris, London and New York maisons.
Assembled over 25 years, the collection is expected to achieve in excess of US$15 million. The first sale in the series saw a rare 1987 Cartier
London Crash sell for US$1.99 million at Sotheby's Hong Kong in April, making it the most valuable Cartier wristwatch ever auctioned.
“The appeal of vintage Cartier lies in its ability to capture a moment in design history while remaining entirely timeless,” said Sam Hines, global chairman of Sotheby’s Watches. Whether in the bold asymmetry of the Cartier Crash watch or the refined proportions of the Cartier Baignoire Allongée, each watch reflects a unique dialogue between artistry and innovation.”
Highlights from the Cartier auctions include ….
A 14ct yellow gold and ruby-set miniature scent bottle in the form of an alarm clock, circa 1940.
An 18ct yellow gold magnifying glass incorporating a rear-wound watch, circa 1950.
A yellow gold square watch mounted within a money clip, circa 1930.
An extremely rare and unusual yellow gold and enamel asymmetrical rear-wound wristwatch, circa 1973-74.
An onyx, yellow gold and enamel 8-day desk clock, circa 1919.
The Cartier London Crash yellow gold distorted oval wristwatch made in 1987 was sold to a Japanese private collector.
An 18ct yellow gold and enamel lighter watch, circa 1928.
A 14ct yellow gold miniature diptych-form photo frame with integrated revolving watch case, circa 1945.
An unusual 18ct yellow gold purse watch with a sliding cover and articulated, sprung inner case, circa 1955.
An elegant pair of 18ct yellow gold cufflinks, one inset with a watch, circa 1940.
An 18ct yellow gold and spring steel bulldog clip with integrated rear-wound watch, associated with Edward and Wallis, the Duke and Duchess of Windsor, circa 1938.
Playful, bold and made for the
Founded in 2024 by designer Elson Luk, Zheng Hong Collective is a Hong Kong–based fine jewellery house devoted to craftsmanship, symbolism and enduring design. Rooted in tradition yet shaped by contemporary vision, the brand approaches jewellery as more than adornment, an evolving dialogue between innovation and heritage. Each creation is conceived with meticulous attention to detail and sculptural presence.
Among the showcases at the 2026 Hong Kong International Jewellery Show Craig Anderson and Debbie Whiting caught up with Elson and were enchanted by his collection…
Elson Luk is a first-generation jeweller. His academic background was in Hospitality Management, followed by a Master’s in International Business.
“Jewellery was not something I inherited. It was something I chose,“ said Elson. “My earliest memories of jewellery are connected to my mother. Watching her select pieces shaped my understanding of how jewellery carries emotion, memory and identity. Over time, that fascination evolved into a desire to create something personal and original.
“Although Zheng Hong Collective was founded by me, jewellery is inherently collaborative. I am devoted to craftsmanship and each design is realised through the hands of highly skilled artisans. The word Collective acknowledges that shared excellence. Behind every finished piece is a commitment to detail and technical mastery.”
Through refined artistry and meaningful storytelling, Zheng Hong Collective designs pieces that are both original and lasting. Among those showcased at this year’s Hong Kong International Jewellery Show were…
Classic Bracelet in titanium from Zheng collection is crafted in matte purple tentacle-like form is set with natural across the
For Elson Luk, fine jewellery is wearable art, an expression of resilience, individuality and quiet strength.
the curious
Again, inspired by the form of the octopus, the 18ct gold Infinity ring is accented with diamonds.
Flow Bracelet in titanium is crafted in matte turquoise titanium. The sculptural, tentaclelike form wraps around the wrist and is set throughout with yellow-brown diamonds, creating a warm contrast against the cooltoned metal.
The 18ct gold Abstract Brooch is encrusted with blue sapphires and diamonds.
Flying Fish Brooch from Zheng Hong Collective’s Two Worlds collection, is crafted in titanium for lightness and durability. The body and tail are set with natural rose-cut sapphires, while the outstretched wings are pavé-set with diamonds. An 18ct gold fin adds contrast to the design and emerald eyes provide a vivid finishing detail.
Zheng Hong Collective’s Three Hearts purple titanium. Inspired by octopus, the natural diamonds in a continuous pattern the surface.
An 18ct gold icon pendant is populated with diamonds, while the eyes are rendered in blue sapphires.
A new world of jewellery to view
By Craig Anderson
The Hong Kong International Jewellery Show joined my list of events to visit not long after my first couple of trips to Vicenzaoro. Some years later the opportunity arose to attend this event for the first time with my colleague Debbie Whiting.
The Two Shows, Two Venues - the 42nd International Jewellery Show at the Hong Kong Convention & Event Centre (HKCEC) and the 12th Hong Kong International Diamond Gem & Pearl Show at AsiaWorld Expo (AWE) hosted some 4,000 exhibitors from 40 countries and regions, attracting 80,00 buyers from 150 countries and regions.
Having arrived in Hong Kong a day late due to a cancelled flight, I soon caught up on the proceedings at the HKCEC, including the Jewellery Networking Reception where Kent
Wong, Chairman, HKTDC International Jewellery Show and HKTDC
International Diamond, Gem & Pearl Show Fair Organising Committee and Winston Chow, Chairman, HKTDC Jewellery Advisory Committee were introduced to the attendees, along with other dignitaries. On show at the event were designer jewellery pieces integrated with a Dragon Dance performance.
On the Thursday morning, I was invited to the media version of speed dating. A breakfast meeting where selected designers and manufacturers
were available to talk about their designs, products and visions for the future. It was here I met:
• Ami Gokani, Kama Jewelry, an Indian manufacturer with four factories with customers in Asia, Australia and looking to expand, eventually into NZ.
• Hong Kong designer Elson Luk showed a range of exceptional jewellery with a marine theme manufactured in gold and titanium (see page 32).
• New Caledonia based French designer Gaspard Heutte who utilises
The twin shows attracted 80,000 buyers. The Jewellery Networking Reception members welcome visitors.
PHOTO: DEBBIE WHITING
shell, including NZ paua, in his neck pieces.
• Russian artist, jeweller, designer Viktor Moiseikin the founder of the MOISEIKIN Jewellery House spoke of his new designs that are created with a point of difference to provide
the perfect gift for someone who has everything.
• World Gold Council representatives Ray Jai and Siwei Ge showed items of Hard Pure Gold which were 99.0% pure gold, highlighting the hardness and durability.
Within the Convention Centre were three levels and 20 exhibition areas showcasing jewellery, new & antique, diamonds, gemstones, packaging & display, showcases, tools & equipment, new technologies & machinery. A vast array of everything jewellery that participants in the industry require.
At the Antique & Vintage Jewellery Galleria jewellery from Cartier, Bulgari, Tiffany and Van Cleef & Arpels, along with Art Deco designs and
vintage diamond-set tiaras created an impressive display creating lots of attention from visitors.
Seventy world-renowned jewellers presented their magnificent examples of fine jewellery at the Hall of Extraordinary. Showcasing their master skills and exquisite items of fine jewellery; rings, earrings, pendants and bracelets. Many contained large,
Gaspard Heutte specialises in crafting jewellery from natural materials.
Kama Jewelry is ranked among the top jewellery manufacturers and exporters in Asia.
Moiseikin mini frog purse.
coloured gemstones and diamonds, set in yellow or white gold and platinum.
The Hall of Fame, was reserved exclusively for top jewellery brands who showcased their latest designs and exclusive jewellery. The superb designs of the jewellery, manufactured in yellow or white gold and platinum, set with diamonds and naturalcoloured gemstones, were impressive in detail and quality.
Technology, Packaging & Display were set side by side giving the opportunity to source both types of products in the one exhibition hall. On the technology side a light box for photography caught my attention.
The GemLightboxMax, from GemIQ, is the latest in jewellery and gemstone photography. Easy to use with selffocusing lens, LED lighting and the ability to be integrated for those doing valuations.
There were also tool suppliers and the latest in machine manufacturing including electroforming equipment. Packaging & Display companies offered many varied options
of jewellery and watch display, colours and quantities, along with complete showcases and the ability to have your own specific designs incorporated in product.
Friday saw me visiting the 12th Hong Kong International Diamond, Gem & Pearl Show, at AsiaWorld Expo, a 28min train ride from Hong Kong Central Station. The easiest and cheapest way to get there as the station platform was within the venue.
There were seven exhibition halls and included was the largest display of pearls I have ever seen. Exhibitors with trays, trays, and more trays of predominately strands of white pearls, but also bags of every size available, along with coloured pearls in visually impressive quantities.
Many lab grown diamond companies exhibited, reflecting the rise in the increased sales and use of these diamonds. One exhibitor had an array of vibrant green smaller stones though other colours were available, along with every diamond shape cut. Natural diamonds were also abundant in quantities, with one supplier of
large stones having a 22ct rbc on their stand, along with displays of 2ct to 10ct rbc, beside large emerald and pear cuts.
Coloured gemstones, from large to small were readily available as well as some very large stones. One emerald I saw was a 64ct emerald-cut stone and I consider the nicest green I have ever seen. An unusual gemstone that I read about, but had never seen in quantity, was Ammolite. Canadian company KORITE had varying sizes of complete or near complete Ammonites, the fossilised material Ammolite is cut from.
With numerous seminars and events associated with the event, buyers and visitors had plenty of choice to purchase product from existing suppliers, source new suppliers and attend seminars and functions that would increase their awareness of product trends, new products and technological advances. What I was not quite prepared for was the size of the venues, the number of exhibitors and visitors attending. The scale of the shows meant planning your day and setting up appointments is essential to ensure that you achieve the results you want and give you time to take in what’s on offer. This event should be on everyone’s list to visit at least once.
On the social side I met up with some of the NZ delegation members for dinner at the Royal Hong Kong Yacht Club.
Pictured are: Front row, Kirsty Shutkowski & Vanessa Astley, Regal; Toni Macdonald, Worth & Douglas; and Debbie Whiting (JT).
Back row: Patrick Thom, PEKA; Chris Worth, Worth & Douglas; Craig Anderson, Geoff Kidd, PEKA; Sahil Wadhwa & Bryan Huynh, House of Bond at the yacht club.
Australians Richard Ashman and Sasha Kirjanova, Palloys International and Adam Plant and Isabel Chaing, Orange River.
Ammolite, formed more than 70 million years ago from fossilised shells of Ammonites, was officially recognised as a gemstone by CIBJO (World Jewellery Confederation) in 1981. This rare, iridescent, organic gemstone, 70+ million years old, is sourced exclusively from the Bearpaw Formation in Southern Alberta, Canada, and marketed by KORITE.
The indigenous Blackfoot people called Ammolite Iniskim - Buffalo Stone and was used in talismans believed to bring prosperity, protection and good luck.
This iridescent gemstone is
considered the Seven Colour Prosperity Stone revered by Feng Shui experts and energy practitioners who believe the stone has absorbed the earth’s and the universe’s positive comic energy, also known as qi (ch-ee). The seven colours represent power - purple, health - blue, energy - red, growth - teal, creativity - orange, balance - yellow and wisdom - green. Examples on display for purchase at the fair ranged in size from large complete Ammonites and smaller pieces, across a wide range of shapes and colours suitable to make into jewellery.
TRAVEL NOTES
The World Gold Council showcased, in collaboration with 10 Chinese gold manufacturing businesses, Hard Pure Gold. Innovative technology that produces pure gold jewellery and products with manufacturing processes that include electroforming and lost wax casting, creating jewellery and items with hardness and durability, which are light weight, brighter and affordable for the consumer, whilst still maintaining a gold purity of at least 99.0%.
Like life and business, we all have the occasional setback and international travel is not immune to this. Having set out to travel to Hong Kong, my cancelled internal NZ flight meant missing my Hong Kong connection. A change of flights and airlines allowed me to travel to Guangzhou Baiyun International Airport, China, then to Hong Kong, but I missed a day and a half at the event.
The trip itself to Guangzhou was not without turbulence and at about the halfway point and some rather unexpected discomfort, it was announced “We thank you for your courage”, which was a fitting remark considering the situation. This also allowed me to experience of arriving and departing one of the world’s busiest airports with passenger numbers exceeding 80 million in 2025.
From my hotel to the Hong Kong Convention & Events Centre, the walk would take 15-20 minutes or a Red Taxi ride of about 8-10 minutes, depending on the time of day and traffic. Buses and the Ding Dings (the trams as the locals call them) are very a cheap transport alternative, as was the train to AsiaWorld Expo.
The trip home from Hong Kong International Airport to Christchurch seemed mundane by comparison to my travel over the last few days. Also thank you to Debbie Whiting for being my guide and photographer.
Visitor Gerri Maunder, Gerrim International (Queensland) and Craig Anderson.
From left, Makoto Akahshi, Alessandro Maggini and Saurin Jhaveri, Unison Manufacturing HK Ltd.
Rare Ammonite, where colour, brilliance and natural history meet.
Buyers Toni Macdonald & Chris Worth of Worth and Douglas.
TIME OUT FROM THE SHOWS
For anyone travelling to Hong Kong (Hong Kong Island) I recommend the following experiences: A night at the Happy Valley races, travel on the Ding Dings (trams), a cruise on the harbour in the evening by junk boat to watch the 8.00pm light show. Visit Lee Tung Avenue, Wan Chai, where colourful lanterns hang; great restaurants and a vibrant feel. A walk along the harbour from the Royal Hong Kong Yacht Club to the Central Ferry Piers to take in the view across the harbour to Kowloon and visit any of the well-known street markets.
HKTDC FAIR DATES FOR 2027
2-6 March 2027 HKTDC Hong Kong International Diamond, Gem, and Pearl Show (at Asia World Expo). 4-8 March 2027 HKTDC Hong Kong International Jewellery Show.
Please contact Jarrett Ho at the Sydney office of HKTDC to discuss visiting next year. T +61 2 8986 2809 or E jarrett.m.ho@hktdc.org
- Craig Anderson and Debbie Whiting travelled to Hong Kong courtesy of the Hong Kong Trade Development Council.
Gina Dean of DEAN & DUST
The discipline of making
From June through to early October this year, L’ÉCOLE in Paris is presenting ‘The Art of Line and Light Exhibition’, which features more than 75 works by American goldsmith Daniel Brush; jewellery, sculpture and works on paper, many rarely seen outside his Manhattan studio.
A cult figure, Brush (1947–2022) was never easy to categorise. He began as a painter and philosopher, then moved fully into metal. By the late 1970s he had turned his loft into a workshop filled with antique lathes and hand tools. Retreating from public life in 1978 he spent more than a decade in near seclusion teaching himself the ancient Etruscan technique of granulation - the painstaking process of soldering minute gold grains to a gold surface.
This exhibition is significant because most of the pieces to be displayed do not travel. Some are being shown publicly for the first time. From early gold-granulation pieces and whimsical Bakelite and diamond-studded animals to silkily carved and engraved steel flowers, they rarely appeared on the market. Instead, passing directly from Brush to the hands of private collectors almost all of whom Brush knew personally. To him, these clients were suitable caretakers of his work.
It’s not a traditional jewellery exhibition - showcases of finished pieces presented as luxury. Brush treated metal as something to explore, not simply shape. Gold, steel, titanium, diamonds, the focus is on surface, light and the discipline of making.
Daniel Brush. Described as a “craftsman of extraordinary rigour and a poet of precious materials”.
‘In
Nest’, butterflies settle on a worked steel form punctuated with gold, introducing a fleeting sense of movement.
From Daniel Brush, The Diamond Egg. Steel, diamonds in 24ct gold.
A basset hound brooch where incised
Spring Trade Fair
Viaduct Events Centre, Auckland
September 13th
ROSEFIELD:
The Ovale by Rosefield is a 22mm oval watch with a white matte dial, gold-tone bracelet, and black Swarovski crystal crown, blending timeless elegance with modern polish.
Contact: Orange River +61 7 3012 9032 Brisbane@orangeriver.com.au www.orangeriver.com.au
Explore our new range of 9K gold chains including our premium ball chain and new Italian wheat styles. Contact: PEKA - 0800 892 432 E: Sales@peka.co.nz www.peka.co.nz
DK1L125M0055
This 23 mm DKNY Watch with a softly fluted bezel adds texture and dimension, while stone indexes illuminate the dial with a delicate, feminine shine.
Distributed by Duraflex Group Australia
Contact Helen Finlayson, The Brand Agent M. +64 27 722 6000 E. helen@thebrandagent.co.nz
The Ocean Drift design pairs an irregular freshwater pearl with a sculptural disc, creating an organic, light-filled look inspired by the shimmer and movement of water.
Contact: Helen Finlayson, The Brand Agent Ph: +64 27 722 6000 www.najo.com.au
Ocean Drift Silver & Pearl Set
NEW Elma Jewellery Cleaning Fluid –SUPER CLEAN
Elma SUPER CLEAN is an aqueous, mild cleaning concentrate with ammoniac for the gentle cleaning and brightening of Jewellery in ultrasonic cleaners
• Gold
• Silver
• Jewellery with hard stones
SEE YOU AT THE JWNZ SPRING FAIRStand 1
Contact: Techspan Phone (09) 827 6567
Email sales@techspan.co.nz
Town Talk Dry Jewellery Wipes
These dry, disposable wipes quickly restore sparkle to silver, silver-plated, gold, gold vermeil and platinum jewellery. The unique anti-tarnish formula helps keep your jewellery shining for longer.
Contact: Finneys Importers and Distributors Ltd E: sales@finneys.co.nz
TIMEX:
The TIMEX Cavatina features a petite 17mm stainless-steel case, domed crystal lens, champagne dial, Arabic numerals, and expansion band, combining heritage design with a clean, elegant, modern finish.
Dome Ring Collection in high-polish, hammered, or diamond-set finishes. Bold, rounded profiles with strong appeal. Contact: 09 303 4666 WORTHDOUGLAS.COM
Nationwide Jewellers
We connect hundreds of independent retailers with the buying power, marketing programs and industry knowledge needed to compete in today’s market.
“Balmaine Collection” by Gerrim
A tribute to a time when elegance was instinctive. Inspired by the romance of old world charm. Brilliant , Bold and Beautiful. 9ct LGD 1.30ct GVS Ring. Contact: e.sales@gerrim.com m. +614 9990 4427 www.gerrim.com
Global Jewellery Concepts
We are excited to launch our new line of lab grown diamond bracelets, designed with high-end craftsmanship. Explore several new styles, available in 9ct yellow or white gold.
NZ Contact: Paul Kerr Agencies paul@paulkerragencies.com
Australian Contact: Kylie Kylie@gjconcepts.com.au www.gjconcepts.com.au
LBE/001 SSTBSS/001
The Elliot and Svelte Stephen collections are built to stand out, combining a strong, masculine presence with clean, elegant finishes.
Contact: Steel & Barnett
Contact: AM Imports Pty Ltd
NZ Agent: Susi Chinnery-Brown P. 021 751 115 or E. susi@twentyfive7.co.nz
Art Deco style sterling silver ring featuring an opal surrounded by Swarovski marcasites.
43-357 Green Agate drop earrings
Elegant sterling silver drop earrings set with green agate, onyx, Swarovski marcasites and black enamel accents.
Contact: AM Imports Pty Ltd
NZ Agent: Susi Chinnery-Brown P. 021 751 115 or E. susi@twentyfive7.co.nz
LGPF-11496-Y
This Lab Diamond necklace is crafted in 22k gold vermeil and set with 0.25ct of F colour, VS clarity lab diamonds. Bringing a soft, feminine touch to your everyday jewellery. Distributed by Duraflex Group Australia
Contact Helen Finlayson, The Brand Agent M. +64 27 722 6000 E. helen@thebrandagent.co.nz
WEST END COLLECTION
Custom Diamond Jewellery
Crafted to perfection. Designed for you.
• Seamless Online Portal
• Precision CAD & Rendering
• Dedicated Local Support
• Fast, Reliable Turnaround
• Exceptional Craftsmanship
• Factory Direct Pricing
Create without compromise. Deliver with confidence.
A classic gold and modern metal connection. Featuring a tantalum inner sleeve, this design combines strength, style, and a timeless look of a classic at a more affordable price.
Contact: MaryLouiseSquire@becksgroup.au or Customer Service 0800 443 991
MSP260302
2.07ct Pink Pear Madagascar Sapphire (8.69 x 6.33 x 5.23mm)
Zen: 8mm blue tigers eye & knurled vintage steel beads. Elastic bracelet. RRP $85.
Contact: www.pacifictime.co.nz Ph 03 356 3587
FURLA:
The Furla Delizia features a green dial in a 26mm oval case with an interlocking goldtone sphere bracelet, blending jewelleryinspired texture with refined, sculptural elegance.
The Plein Edge features a 42mm square gold-tone case, green dial, and integrated two-tone bracelet, delivering bold sophistication with sharp lines and versatile, modern style.
Independent. But never alone. Behind many of Australia & New Zealand’s most successful jewellery stores is a powerful support network. Experience Nationwide for yourself.
The Digital Two Ring Watch features a 20mm display and gold-tone expansion band, reimagining an archival design as bold, modern jewellery with effortless wearability.
New editions to our Core Pendant range designed for everyday wear and affordable in the current market.
Contact: Regal on 09 6387378 sales@regal.co.nz
LGEF-10343-Y
Crafted in solid 9k yellow gold, this single flat back earring features a 0.12ct F colour, VS clarity lab-grown diamond for a refined, seamless fit.
Distributed by Duraflex Group Australia
Contact Helen Finlayson, The Brand Agent M. +64 27 722 6000 E. helen@thebrandagent.co.nz
MV260357
9.76ct Pink Oval Mozambique Morganite (16.26 x 12.00 x 8.81mm)
Contact: Orange River +61 7 3012 9032 Brisbane@orangeriver.com.au www.orangeriver.com.au
9ct WG Tanzanite, Blue Sapphire and Diamond Ring. SS/9YG Combination Peridot Ring Rhodium plated. 9ct WG London Blue Topaz and Diamond Pendant. Contact: NZ Agent Paul Kerr paul@paulkerragencies.com
Sydney Contact: Peter +612 92648660 peter@distell.com.au
GUESS:
This 30mm GUESS watch features a goldtone case with crystals, teal sunray dial, and Roman numerals, offering a polished, feminine look that feels fresh, modern, and refined.
After the most successful 2025 JWNZ SPRING TRADE FAIR at the Viaduct Events Centre, Auckland, we are filling up fast for 2026 – just 10 stands left.
All tables are in a booth format, please call to book or discuss options and availability.
Visitor registration opens July 1st
Special thanks to our Trade Fair sponsors
www.jewelleryfair.co.nz
Diamond delights
Across Paris Haute Couture Week high jewellery presentations affirmed the distinct identities of heritage maisons and independent designers. The biggest European jewellery houses welcomed guests into their Place Vendôme residences to explore their most elevated creations. The next presentations in July are set to expand these established maison signatures.
Chaumet Envol transformable aigrette tiara with detachable enamelled wings that can be worn as brooches.
David Morris Fearne necklace in diamonds with scattered fancy-coloured diamonds along an asymmetric line.
Repossi Blast bracelet in diamond-set gold with sapphires, tanzanites and tourmalines following the spiral form.
From Graff, a sapphire and diamond choker built around a rare 31ct unheated emerald-cut sapphire. Emerald-cut white diamonds form a continuous luminous surface, from which pearshaped diamonds and sapphires radiate outward.
Anna Hu Imperial Palace Garden ring with clustered natural and Keshi pearls in a diamond-set lattice.
Cartier Euphonía necklace with articulated rows of emerald-cut diamonds and rubies in a vertical geometric rhythm.
Lydia Courteille White Paradise ring with seal motif, diamonds, sapphires, opals and pearl.
Mellerio Talisman Ring Comète in white gold with rose-cut diamond, yellow sapphires and opal accents.
Playful pieces
From English jewellery and silverware designer Theo Fennell’s studio at Chelsea Barracks, London. Fennell is nicknamed the ‘King of Bling’ due to his flamboyant designs for celebrity clients.
Showcasing a biblical earthly paradise, a fantastical ring that tells the story of Adam and Eve's temptation and expulsion from the Garden of Eden.
The body of the ring is made in 18ct yellow gold and has engravings of fig leaves. In the middle of these are two modelled fig leaves that open to reveal Adam on one side and Eve on the other, painted in enamel in the style of a Renaissance picture. On the top of the ring is a serpent, minutely carved from petrified wood, in this case Jasper. This ‘lid’ is surrounded by diamonds and lifts to reveal an enamelled apple. POA,
For someone who has just had a baby girl, or who just loves this little work of art, the Magpie Ring.
‘One for sorrow, Two for joy, Three for a girl and Four for a boy…Magpie…’
The ring is sculpted in white gold and has two Magpies on its shoulders; the ‘two for joy’ from the ancient nursery rhyme. There are rows of mounted diamonds by the finger and another surrounding the red tourmaline (or whichever birthstone might be suitable).
When you lift the ring’s top it reveals a yellow gold Magpie’s nest with a sprinkling of tiny diamonds that he has collected and three miniature eggs, carved from turquoise…. so, ’three for a girl’. £21,250.00.
That adds up. A sterling silver Binary Adder (Model K) mounted on black marble. American researcher at Bell Labs, George Stibitz, made the original version of this in 1936 on his kitchen table, hence the name ‘Model K’. Using scrapped relays from Bell Labs and strips of metal from a tin can, it could add two binary digits.
The silver, gold, wood and marble life-size reproduction can be used as a desktop penholder. £5,450.
Meet the designer - a rebel maker
London-based designer Hannah Martin is celebrating two decades of rocking the jewellery world. Balancing on a knifeedge of gritty rebellion and supreme grace, Hannah brings the punk movement, London's underground music world and sensual references to high-end jewellery.
As Hannah explains: “Musicians make songs out of pain, I make jewellery. Having some kind of creative output is a blessing in itself because it helps understand what feels quite understandable at the time, in moments of emotional turmoil.”
Hannah studied jewellery design at Central Saint Martins. Her first designs were for men, but were wanted by women, making her an unwitting pioneer in gender fluid jewellery. Soon after graduating, she moved to Paris to work as an intern at the jewellery benches of Cartier on Place Vendôme. Winning the prestigious Cartier Award gave her the opportunity to breathe and work amongst the greatest craftspeople of luxury jewellery, a transformative experience which influences her work to this day. “I was spending my days on the
rarified Place Vendôme and my nights at sweaty punk gigs with pretty boys in underground clubs,” says Hannah. “I put these two worlds together and the seed of my brand was born.”
In 2005 she founded Hannah Martin Limited to continue making bold, sculptural and gender-nonspecific pieces of jewellery inspired by film music and rebellion. The demand for Hannah's aesthetic has led to commissions to create complete fine and high jewellery collections for Louis Vuitton and Chaumet. Her private clients include celebrities like Angelina Jolie, Rihanna and Madonna.
Beyond jewellery, Hannah has designed medals for The London Design Festival, cocktail sets for Grey Goose Vodka and hand-blown glass hip flasks for Hendricks Gin.
Hannah Martin says she “thrives on the thrill of the naughty outsider playing with the sacred.”
Hannah’s razor motif ring composed of 18ct yellow gold accented by round-shaped sapphires.
A striking substantial silver cuff, inspired by punk-era leather bracelets and punctured by glossy yellow gold studs.
Orb Harness stainless steel and gold twotone chain with an ebony sphere.
Oversized white and yellow gold orb ring dripping in steel diamonds, set as studs.
Bracelet composed of a flexible gold mesh construction with a yellow and white gold clasp mechanism.
Thank you to all members who recently completed our JWNZ survey. Your input provides valuable insight to guide our organisation’s way forward.
The results provided us some insight into what we are doing well and more importantly what we need to work on, with a majority of the suggestions for us focussing around more Educational Articles, Increased Member Benefits (industry discounts etc), Greater Industry Advocacy and Enhanced Online Presence. Craig Anderson and I met recently to discuss the results and we have identified some areas we will try and make headway with going forward.
Speaking to customers and our sales team over the last month or two reinforces what many businesses are experiencing: trading conditions remain challenging, with economic pressures continuing to influence buyers. Costof-living constraints and subdued confidence are affecting discretionary spending and the green shoots we saw at the latter part of last year and early this year will need watering if they’re continue to flourish. Members are contending with rising operating costs; Increases in rent/interest rates, insurance premiums, wages and freight expenses are but a few items placing a squeeze on margins. The difficulty being balancing necessary price adjustments to protect margins with maintaining customer loyalty in a
jewellery and watches online, which is reshaping expectations around pricing transparency, convenience and service. While this presents challenges, it also creates opportunities for members to strengthen their digital presence and better engage with customers beyond a physical store. Online retail is here to stay and to remain current and competitive it is important to embrace the sales and marketing channels available and the reach that online presence has; particularly to the younger consumer. Those carrying out repairs rather than retailing may be somewhat insulated from this. There continues to be cautious optimism around the continued gradual return of international tourism, which can play an important role in supporting sales in key regions.
Despite these challenges, there are always areas of opportunity; identifying those key areas is the difficulty! Members who can find a way to differentiate their businesses and build stronger brand value and customer loyalty will likely insulate themselves somewhat from the onward march of the digital world.
In summary, while the current environment remains complex, the New Zealand jewellery and watch industry is demonstrating resilience, especially with those carrying out repair and remodelling work. To continue to grow and to ensure we take advantage of
conference in Wellington in a couple of weeks. Always a good opportunity to catch up with our watchmakers and get feedback on the state of that section of the industry. It is also a great social weekend.
Finally, as we look forward to the JWNZ Spring Trade Fair on September 13, please ensure you book your tables if intending to exhibit; the event is almost sold out and promises to be another great opportunity to exhibit, seek new suppliers, network and build on existing relationships.
Thank you again to those who responded to our survey for your engagement and for contributing to a stronger, more informed industry. We will look to progress on some of the feedback from at our end and in the
TRADE FAIR
Ollie Dugdale.
The Jewellers & Watchmakers of New Zealand Inc.
MEMBER BENEFITS:
Jewellery Time magazine - The focal point of JWNZ member and industry communication.
JWNZ Inc. Trade Fair - An annual event held on behalf of our members, for our members and industry.
Internet - www.jwnz.co.nz - The official JWNZ website with a free listing for financial members.
Press Releases - Jewellery and watch specific editorial promotion of product and JWNZ members.
Consumer Information - Online brochures, water resistancy guide and refund policy.
BUSINESS SERVICES:
ANZ Bank - Business and Personal banking.
ANZ Merchant Business Solutions - Merchant facilities for EFTPOS, Credit & Debit Card sales.
Gallagher - Business, Personal and Travel insurances.
CourierPost - Special Trackpak rates, $2000 insurance cover on each parcel sent.
EFTPOS NZ Ltd - EFTPOS Terminals and Payment Solutions.
Gilrose Finance - Consumer Finance for Hire Purchase sales.
Jewellery Industry Registration Board of New Zealand - Representation on the Jewellery & Watch Industry organisation responsible for Apprenticeship Training.
TRADE & COMMERCE:
Government Liaison (When required) - Ministry of Consumer Affairs, Commerce Commission, New Zealand Customs, Disputes Tribunal, New Zealand Trade & Enterprise, Immigration New Zealand, Statistics New Zealand, Ministry of Economic Development.
2026-2027 ANNUAL SUBSCRIPTIONS
Members will have received the 20262027 annual subscription invoices by email. Thank you to members who have already paid their annual subscription and for your continuing support of the JWNZ. The 2026-2027 Financial Member Certificates and Membership Booklet will be posted to financial members in June. If your contact details, email, or website addresses have changed please advise Craig Anderson, JWNZ Executive Secretary, so we can maintain our databases and mailing lists.
2026 JWNZ SPRING TRADE FAIR
Our 2026 JWNZ Spring Trade Fair is being held on Sunday 13th September at the Viaduct Events Centre, Halsey Street, Wynyard Quarter, Auckland. The success of our 2025 Spring Trade Fair has seen us return to the Viaduct Events Centre this year.
The one level exhibition space and increased number of exhibitors and tables will again see a number of new exhibitors. The Spring Trade Fair will offer industry members the opportunity to see new trends, jewellery and watch collections, industry product suppliers
GOLDSMITHS GUILD OF NZ
Over the past few months, there has been limited communication among Guild members. I trust that this reflects a period of steady work and resilience across our trade.
It’s also a timely reminder to consider how we present ourselves professionally. Are you actively promoting your status as a qualified goldsmith and a member of the Goldsmiths Guild? Are your certificates displayed prominently? And are you making full use of the GG stamp,for example, marking the handmade pieces of which you are the most proud?
Used alongside your personal maker’s mark, the GG stamp becomes more
and services. With the Viaduct Events Centre being close to several hotels and restaurants, come and spend time in Auckland prior to or after the event.
Members and industry will be advised when the 2026 Spring Trade Fair Online Visitor Registration is open.
The JWNZ greatly appreciates the continuing support of our 2026 Spring Trade Fair sponsors; Morris & Watson Ltd., World Shiner, Landau Jewellery, PEKA and Pacific Time Industries, as well as our exhibitors.
2026 MEETINGS
The JWNZ Executive will meet prior to the JWNZ Annual General Meeting.
The JWNZ Annual General Meeting will be held on Saturday 12th September, time to be confirmed, at the Viaduct Events Centre, Halsey Street, Wynyard Quarter, Auckland.
JWNZ WEBSITE UPGRADE
We are currently updating our website and request that if members wish to add information or photos to their current listing, please contact Craig Anderson to discuss what is required.
JWNZ SURVEY
Thank you to those members who completed the Survey. This has given
us an insight into what members would like to see the organisation offer. A Members Only resource page on our website, with various topics and links that we consider will be of value to our membership is one idea we will be investigating.
JWNZ INC. NATIONAL OFFICE
Craig Anderson
JWNZ Inc. Executive Secretary T 021 59 69 88 Int +64 21 59 69 88 E info@jwnz.co.nz
than a sign of authenticity, it represents craftsmanship and credibility and gives it a lasting mark of identity.
AGM
Please also note an important upcoming date: the Goldsmiths Guild AGM will be held on 24 June 2026 in Wellington. Members are asked to advise their availability. The venue will be confirmed and communicated in due course.
There have been many challenges over the last three months and I believe it's important to celebrate what we have achieved and take a moment to appreciate just how far we have come since 1996/2005. This was when the JIRBNZ agreed to self-fund and accepted the responsibility for maintaining the continuation of the apprenticeship system for the ‘Skilled Trades’ within our industry.
We are pleased to confirm that the JIRBNZ has successfully met the requirements of the Incorporated Societies Act 2022. Our updated constitution has been accepted and we remain a fully functioning, independent New Zealand Incorporated Society. Thank you to JIRBNZ Executive members Alistair Saywell and Michael Crout for their excellent assistance with this.
I apologise for the time some inquiries that reach the office take to be dealt with, but often small or large matters like the one above can become time and focus consuming undertakings. As a reminder, if you have an inquiry that could be handled by your group's representative on the JIRBNZ Executive, this may be a good first port of call. That’s what they are elected for. To remind you of the Executive makeup, besides myself, the JIRBNZ is as follows:
Gary Barwick – Chairman, Michael Crout – Secretary, Craig AndersonJWNZ, Ash Wells - Retail NZ, Nick Parker - Watchmakers rep., Brian Barrett - Goldsmiths Guild of New Zealand, Alistair Saywell - New Zealand Horological Institute, Malcolm Alderton - Independent Steve Crout - Casual Appointment.
Sponsors 2026
Our qualifications, developed and owned by JIRBNZ, remain listed on the NZQF. Through targeted engagement with NZQA, they have remained largely unchanged since I wrote them in 2015. Our Education Organisation number is 8075, with the qualifications listed as Manufacturing Jewellery (2632) and Watch and Clock Making (2633). Both are currently listed as Current, which is important as we navigate Consistency Reviews and ongoing NZQA interactions. I continue to receive regular communication from NZQA, including a recent request for a discussion on how we have achieved what we have and where I see focused resources should be aimed. Our apprentices are well supported; they don’t walk away with large student debt and are currently well supported by industry including our sponsors below. It’s no secret that I feel the future of our industry relies increasingly on support for our NZ Employers and Masters who are prepared to pass on their skills.
For some, it has taken a while to be recognized and some noteworthy efforts were made here. For others, it’s simply the consistent dedication of these, to use an old term, ‘Houses’
to train, that we celebrate. The first I refer to is the awarding of the welldeserved title of Master at his 100-year birthday celebrations to Bill Groves MWC (Master Watch & Clockmaker), who can be credited with training five apprentices. Other Houses that have stepped up to the plate again in 2026 are Objects of Art - Les Riddell MMJ (Master Manufacturing Jeweller), Jens Hansen - Halfdan Hansen/Joel Whitwell, and Ilam Watchmakers – Geoff Butler MWC, Mark Palmer and James Mattherman. Well done everyone. I hope to share more in my next report, but in the meantime, let’s all celebrate the good that’s happened so far in 2026.
– Grant Harrison
Industry appointed Commissioner of Apprentices
Jewellery Industry Registration Board of New Zealand
M: 027 693 0001,
E: info@jirbnz.org.nz
W: www.jirbnz.org.nz
William (Bill) Groves MWC.
Tradesmen James Mattherman & Mark Palmer with new apprentice Ben Meuffels and Grant Harrison.
2026 Spring Trade Fair Special Booking, Editorial and New Products: August 4, Advertising Material: August 11, Magazine Posted: August 18
The crew at Jewellery Time would like to thank our loyal advertisers and contributors. Thirty years plus behind us now and with good support from our industry.
Future deadlines:
2026 Summer Booking, Editorial and New Products: November 12, Advertising Material: November 19, Magazine Posted: November 26
2027 Autumn Booking, Editorial and New Products: February 4, Advertising Material: February 11, Magazine Posted: February 18
2027 Winter Booking, Editorial and New Products: May 5, Advertising Material: May 12, Magazine Posted: May 19
Give us a call to discuss how we can help. Any support the trade can give us is welcomed. If you have an advertisement, new products to promote, or an editorial feature suggestion, please get in touch.
The WOLF Savanna medium jewellery box is the ultimate dressing table icon. Its timeless leopard print exterior feels instantly current, while the dramatic red LusterLoc™ interior protects every piece from tarnish and scratches. 395010.
A fresh look for the WOLF cub, a pre-programmed single watch winder with cover, combining pretty peach and bright orange with chrome hardware. 461162.
These 9ct yellow gold Red Horn threader earrings are a true standout, combining timeless style with modern appeal. Perfect for everyday wear or special occasions, they pair effortlessly with matching gold jewellery for a refined and contemporary look. 9YE12520.
This 9ct yellow gold Nazar & Gold Horn bracelet, 17-19cm, is a true standout, combining timeless style with modern appeal. It pairs effortlessly with matching gold jewellery for a refined and contemporary look. 9YB2310.
Elevate your everyday layers with this timeless 22ct gold vermeil T-Bar Paperchain Necklace. Featuring a modern paperchain silhouette paired with a classic T-bar clasp detail, this 42cm necklace blends contemporary styling with graceful sophistication. LGNF-1352-Y.
Crafted in 9ct yellow gold, this single flat back earring features a sparkling 0.04ct F VS laboratory-grown diamond for a refined touch of brilliance. LGEF-10433-Y.
Crafted to shine every day, this elegant ring features a brilliant 0.30ct F VS Lab Grown Diamond set in luxurious 22ct gold vermeil. Combining timeless sophistication with modern craftsmanship, the refined silhouette offers effortless sparkle. LGRF-3973-Y-N.
PICK OF THE PEARLS
The Kimberley Earrings are a graceful tribute to the iconic Boab tree, with delicate solid opals representing softly shaped leaves. Each opal shimmers with a natural play of colour, bringing the design to life. (OE014-SS-BLUE).
The Nymph Huggies in 9ct yellow gold bring a soft, luminous touch to your day. Set with five petite Australian light opals, each stone shimmers with natural iridescence, catching the light beautifully. With a refined oval huggie design, they sit close to the ear, perfect for effortless layering or wearing alone. (OE011-9YG).
The Posie Ring offers a fresh, modern take on classic pearl jewellery. Crafted in gold-plated sterling silver, it features vibrant enamel petals surrounding a luminous freshwater pearl. Playful yet refined, this floral-inspired design adds a touch of colour to any collection. (IPRS66-PINK & IPRS65-BLUE).
The Alaia Necklace offers a timeless pearl design with a modern golden accent. Featuring luminous freshwater pearls paired with polished gold-plated sterling silver beads, it balances classic elegance with contemporary appeal. (IP311NYGP).
Obaku proudly presents BLINK, a timepiece that embodies refined minimalism in its most delicate form. At just 20mm in diameter, BLINK is one of the smallest watches in the Obaku collection, designed for women who appreciate understated elegance. The watch features a genuine mother-of-pearl dial, enhanced with a 1mm SI1 single-cut diamond at 12 o’clock and 12 subtle hour markers. BLINK is available in steel, gold and rose-gold with brown accents.
This launch comes at a time when the world of fashion is witnessing a renewed love for smaller, more feminine watches. Leading luxury brands are reintroducing petite models and the trend is celebrated across fashion circles as a return to classic proportions and timeless charm.
Walnut – V313LXVMNM, RRP $199.
Obaku Denmark proudly presents OVAL, a new women’s timepiece that blends Scandinavian minimalism with refined elegance. With its delicate oval-shaped case, OVAL stands out as a graceful alternative to traditional round or square designs. The soft oval silhouette evokes a sense of femininity and fluidity, reminiscent of timeless jewellery forms that sit naturally on the wrist. At the heart of OVAL lies a genuine mother-of-pearl dial, shimmering with natural depth and uniqueness. At the 12 o’clock position, a responsibly sourced 1mm SI1 single cut dia mond adds a touch of sparkle. Slim hour markers complete the dial, offering both clarity and elegance. Gold – V312LXGWMG. RRP $199.
Rochet Mysteres HB891201: RRP: $134.95. 12mm black agate beads, black PU leather link and black IP Cross. Magnetic clasp. 21CM adjustable.
Boccia 3680-01 (Navy) and -02 (Green): RRP $395. Pure titanium, nylon strap. Screw down crown, day date. Sapphire crystal, 10-Bar water resistant. 40MM.
Boccia 3680-03: RRP $465. Pure titanium, titanium bracelet. Navy blue dial, screw down crown, day date. Sapphire crystal, 10-Bar water resistant. 40MM.
Boccia 3384-01 (White) and 3384-02 (Black) RRP $450. Titanium and white ceramic, sapphire crystal. 10-Bar water resistant. 36MM.
Rochet Mysteres HB891203: RRP: $134.95. 12mm Tigers Eye beads, PU leather and brown/black PU leather link and black IP Cross. Magnetic clasp. 21CM adjustable.
Rochet Mysteres HB891245RRP: $134.95. 12mm green jasper beads, Khaki PU leather link and black IP Cross. Magnetic clasp. 21CM adjustable.
Contact: Pacific Time Industries, P: 03 356 3587, sales@pacifictime.co.nz, www.pacifictime.co.nz
MUST-HAVES
Georgini Mode Earrings IE1234. RRP NZ$189.
Georgini Paper Clip Pearl Fob IP1237G, RRP NZ$399.
This delicate design from GUESS Jewellery blooms with intrigue. Colourful crystals and graceful floral accents across the layered gold-tone bracelet come together for a beautifully feminine finish. Perfect worn alone or paired with the matching necklace and earrings. JUBB06029JWYGMCL. RRP $149.95.
Elegant and luminous, this heart amulet necklace by Rosefield brings a touch of romance to everyday styling. At its centre sits a Swarovski® crystal heart, bordered by shimmering Swarovski® crystals for added brilliance. Finished with a fine 14ct yellow gold-plated 316L stainless steel chain, this piece balances timeless elegance with modern polish. JNHAG-J1269. RRP $119.00.
A brilliant mix of polish and sparkle from GUESS that captures refined shine in a petite, modern case. The round silhouette and gleaming metallic finish make it the perfect accent for any look, adding just the right touch of sophistication. GW0994L3. RRP $429.95.
Ignite passion with a design that embodies strength, style and desire. This 44mm rectangular-shaped statement piece from GUESS Watches brings the heat with a polished silver-tone stainless steel case on a black silicone strap, creating a crisp, sports-meetspolish profile that demands attention. At its centre, a deep red dial reveals a multifunction layout with layered, technical detailing that feels both modern and mechanical. The sharp contrast of the silver case, black strap and saturated red face defines the silhouette. GW0956G1. RRP 499.95.
The Studio Edition Bangle by Rosefield combines the sleekness of jewellery with the function of a timepiece. Featuring a refined 19.5 x 23.5mm oval case, its slim gold-tone frame and white mother-of-pearl dial create a clean, modern contrast for a sophisticated statement that transitions effortlessly from day to night. Minimal, radiant, and endlessly wearable. STWGSG-ST04. RRP $345.
Originally unleashed onto the scene in 1983, the Timex Automatic 1983 E Line was a classic dress watch distinguished by a rounded square case shape affectionately dubbed the ‘TV Dial’. This thoughtful colour update features a brushed and polished stainless steel case and coordinating expansion band enhanced with our Perfect Fit technology. It's powered by a Miyota calibre 8215 Japanese automatic movement with 21 jewels and completing its smooth profile is a vintage-style flat acrylic crystal, distinct applied hour markers, a simple printed minute track and a discreet date window seamlessly integrated into the ice blue dial at 3 o’clock. TW2Y66700. RRP $529.95.
A bold expression of Aston Martin style, the ULT pairs a 40 × 40mm IP Black SST squared case with a black dial featuring tonal counters and lime essence touches on the sweep and rehaut. The patterned black silicone strap enhances its sporty character, while mineral glass with sapphire crystal ensures lasting clarity and resilience. MTIU1S605. RRP $895.
The sleek sterling silver- plated hematite stones add contemporary edge to this bracelet, while the freshwater pearl brings timeless grace - a combination that works beautifully year-round. A versatile piece, suitable for a wide age range. Contemporary New Zealand design.
This stunning necklace features the lustrous white freshwater pearl at its heart, surrounded by sophisticated sterling silver-plated hematite stones. Measuring 45cm with a convenient 5cm extender chain, it offers the perfect fit for any occasion and neckline.
Contact: Helen Thompson-Carter, info@fabuleuxvous.com, Tel 027 420 3137, www.fabuleuxvous.com
JUST FOR THE TINY TOTS
For life’s newest little arrivals. Sterling silver expandable baby banglesavailable now.
Town Talk Silver Foam is ideal for cleaning heavily tarnished silverware, including ornate and decorative silver, cutlery, trays and candlesticks. It comes complete with a sponge for ease of application and contains anti-tarnish protection to keep your silver brighter for longer.
Town Talk Jewellery Cleaner. These dry, disposable wipes quickly restore sparkle to silver, silver-plated, gold, gold vermeil and platinum jewellery. The unique anti-tarnish formula helps keep your jewellery shining for longer. Contains 25 wipes.
Contact: Finneys Importers and Distributors Ltd, sales@finneys.co.nz, www.finneys.co.nz
IMPORTERS AND WHOLESALERS
• E-commerce website with pricing for easy online ordering
• Quick dispatch of orders
• Personal customer service
• Happy to help source findings not on our website
Contact Joel on 09-478 9950 or sales@nzfindings.co.nz www.nzfindings.co.nz
ARGOSY
Gems of wonderful colours for Design Work & Trade Repairs. Sourcing of Gems from the cutters. Hand Engraving, Setting, Sizing, Trade Repairs. Prompt turn around of your Jobs.
